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diff --git a/66362-0.txt b/66362-0.txt index 3f8be13..28c251a 100644 --- a/66362-0.txt +++ b/66362-0.txt @@ -1,2008 +1,1631 @@ -The Project Gutenberg eBook of Gloucestershire Friends: Poems From a
-German Prison Camp, by F. W. Harvey
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Gloucestershire Friends: Poems From a German Prison Camp
-
-Author: F. W. Harvey
-
-Contributor: Rev. Bishop Frodsham
-
-Release Date: September 22, 2021 [eBook #66362]
-
-Language: English
-
-Produced by: D A Alexander, David E. Brown, and the Online Distributed
- Proofreading Team at https://www.pgdp.net (This file was
- produced from images generously made available by
- University of California libraries)
-
-*** START OF THE PROJECT GUTENBERG EBOOK GLOUCESTERSHIRE FRIENDS:
-POEMS FROM A GERMAN PRISON CAMP ***
-
-
-
-
-
-Gloucestershire Friends
-
-[Illustration]
-
-
-
-
-BY THE SAME AUTHOR
-
-_Fourth Impression_
-
-A Gloucestershire Lad at Home and Abroad
-
-Cloth 2_s._ net; paper 1_s._ 6_d._ net.
-
-
- “The secret of Mr. Harvey’s power is that he says what other English
- lads in Flanders want to say and cannot.... This modest little
- volume has real charm, and not a little depth of thought and beauty.
- It contains far more real poetry than many a volume ten times its
- length.”--Bishop Frodsham in _The Saturday Review_.
-
- “A poet of power and a subtle distinction.... This little collection
- of his poems, which has a Preface by his Commanding Officer, will
- give him a high place in the Sidneian company of soldier-poets.”--E.
- B. O. in _The Morning Post_.
-
-
-London: Sidgwick & Jackson, Ltd.
-
-
-
-
- Gloucestershire Friends:
-
- Poems from a German Prison Camp
-
- by
- F. W. Harvey
-
- Author of
- “A Gloucestershire Lad at Home and Abroad”
-
- [Illustration]
-
- Introduction by the Right Rev. BISHOP FRODSHAM
- Canon Residentiary of Gloucester
-
-
- London: Sidgwick & Jackson, Ltd.
- 3 Adam Street, Adelphi, W.C.2. 1917
-
-
-
-
- _First published in 1917_
-
- _All rights reserved_
-
-
-
-
- TO
- THE BEST OF ALL
- GLOUCESTERSHIRE FRIENDS
- MY MOTHER
-
-
-
-
-CONTENTS
-
-
- PAGE
-
- INTRODUCTION, BY BISHOP FRODSHAM 11
-
- CLOUD MESSENGERS 13
-
- LONELINESS 14
-
- AUTUMN IN PRISON 15
-
- WHAT WE THINK OF 16
-
- PRISONERS 17
-
- SONNET, TO ONE KILLED IN ACTION 18
-
- THE HATEFUL ROAD 19
-
- ENGLISH FLOWERS IN A FOREIGN GARDEN 20
-
- THE BOND 21
-
- TO YOU--UNSUNG 22
-
- A CHRISTMAS WISH 23
-
- TO KATHLEEN 24
-
- CHRISTMAS IN PRISON 25
-
- TO THE OLD YEAR 26
-
- BALLADE 27
-
- BALLADE 29
-
- SOLITARY CONFINEMENT 31
-
- A RONDEL OF GLOUCESTERSHIRE 32
-
- THE LITTLE ROAD 33
-
- SONNET 34
-
- ENGLAND, IN MEMORY 35
-
- THE DEAD 36
-
- THE SLEEPERS 37
-
- COMRADES O’ MINE 38
-
- TO R. E. K. 39
-
- BALLAD OF ARMY PAY 40
-
- TO THE DEVIL ON HIS APPALLING DECADENCE 43
-
- AT AFTERNOON TEA 44
-
- TO THE UNKNOWN NURSE 45
-
- THE HORSES 46
-
- MOTHER AND SON 47
-
- GROWN UPS:
-
- 1. TIMMY TAYLOR AND THE RATS 48
-
- 2. WILLUM ACCOUNTS FOR THE PRICE OF
- LAMPREY 50
-
- 3. THE OLDEST INHABITANT HEARS FAR
- OFF THE DRUMS OF DEATH 51
-
- 4. SETH BEMOANS THE OLDEST INHABITANT 52
-
- 5. A RIVER, A PIG, AND BRAINS 53
-
- 6. MARTHA BAZIN ON MARRIAGE 54
-
- CHILDREN:
-
- 1. LITTLE ABEL GOES TO CHURCH 55
-
- 2. DELIGHTS 56
-
- 3. THE BOY WITH LITTLE BARE TOES 57
-
- THE WIND IN TOWN TREES 58
-
- FORM--A STUDY 59
-
- VILLANELLE 60
-
- KOSSOVO DAY 61
-
- A PHILOSOPHY 62
-
- CONSOLATOR AFFLICTORUM 63
-
- RECOGNITION 64
-
- ON OVER BRIDGE AT EVENING 65
-
- PASSION 66
-
- A COMMON PETITION 67
-
- AN ADVENTURE WITH GOD 68
-
- THE STRANGER 69
-
- THE BUGLER 71
-
-
-
-
-INTRODUCTION
-
-by Bishop Frodsham
-
-
-“Good wine needs no bush.” Those who know and love “A Gloucestershire
-Lad” would resent any lengthy attempt to praise the quality of
-Lieutenant Harvey’s verses. Some of the poems from a German prison
-camp may reach a far higher standard of lyric excellence than any in
-the earlier volume. The two ballades on war and “The Bugler” grip one
-by the throat. But all the verses have a sweetness and beauty entirely
-their own.
-
-The poems are all short--too short. Lieutenant Harvey sings like the
-wild birds of his own dear Gloucestershire because he cannot help doing
-so. He stops short--as they do--and like them begins again. What can
-we do but take what he gives us, wondering that he can write so well,
-mewed as he is in a cage--and such a cage! An agony of inarticulate
-longing shrills in a feathered cageling’s song: the man simply and
-unaffectedly lays bare his heart, his love, his faith, his hope, his
-sense of loneliness, of ineffectiveness, of baffled purposes and
-incompleted manhood.
-
-Memory is at once the joy and torment of all who are forced to think.
-Memory tears the heart-strings of those who are in captivity. It
-makes some hopeless and weak, others bitter and savage, according to
-their natures. Beneath all the music of this man’s words there is an
-undertone of fierce anger that sweeps him away at times, but is this
-not characteristic of many other young Englishmen who laugh so well,
-and “woo bright danger for a thrilling kiss”? His memories sweep along
-the great gamut of his own tremendous experiences, and yet they never
-lose the melodies of home. Perhaps because of the objects of his
-heart’s desire he is so kindly withal, so modest, so humorous, and, to
-use his own words of another, “so worldly foolish, so divinely wise.”
-Herein is the fascination of these verses.
-
-The manuscript was sent on by the prison authorities of Crefeld without
-any obliteration or excision. This must be counted unto them for
-literary righteousness. Yet it would be difficult to imagine what the
-most stony-hearted German censor could resent in any one of Lieutenant
-Harvey’s poems, unless it might be a deep love for England and an
-overwhelming desire to be with his love again.
-
-Many unfortunates who have had dear ones imprisoned at Gütersloh, where
-most of these poems were written, and at other centres, are looking
-forward eagerly to the publication of this little book. If they expect
-to read descriptions of the life of the camp, or reflections upon the
-conduct of German gaolers, they will be disappointed. The circumstances
-of the case have made such revelations impossible. If they had been
-possible, it is still doubtful if they would have been made here. But
-it will be strange if such readers do not find better things than they
-expected. Transpose any other county of this land for Gloucestershire,
-or any other home for the tree-encircled house at Minsterworth,
-then they will learn what the best of England’s captive sons are
-thinking, and so take heart of grace from the true love-songs of a
-Gloucestershire soldier, written first and foremost for his mother.
-
-
-
-
-GLOUCESTERSHIRE FRIENDS
-
-
-
-
-CLOUD MESSENGERS
-
-
- You clouds that with the wind your warden
- Flying toward the Channel go,
- Or ever the frost your fruit shall harden
- To hail and sleet and driving snow,
- Go seek one sunny old sweet garden--
- An English garden that I know.
-
- Therein perchance my Mother, straying
- Among her dahlias, shall see
- Your rainy gems in sunlight swaying
- On flower of gold and emerald tree.
- Then in her heart feel suddenly
- Old love and laughter, like sunshine playing
- Through tears of memory.
-
-
-
-
-LONELINESS
-
-
- Oh where’s the use to write?
- What can I tell you, dear?
- Just that I want you so
- Who are not near.
- Just that I miss the lamp whose blessèd light
- Was God’s own moon to shine upon my night,
- And newly mourn each new day’s lost delight:
- Just--oh, it will not ease my pain--
- That I am lonely
- Until I see you once again,
- You--you only.
-
-
-
-
-AUTUMN IN PRISON
-
-
- Here where no tree changes,
- Here in a prison of pine,
- I think how Autumn ranges
- The country that is mine.
-
- There--rust upon the chill breeze--
- The woodland leaf now whirls;
- There sway the yellowing birches
- Like dainty dancing girls.
-
- Oh, how the leaves are dancing
- With Death at Lassington!
- And Death is now enhancing
- Beauty I walked upon.
-
- The roads with leaves are littered,
- Yellow, brown, and red.
- The homes where robins twittered
- Lie ruin; but instead
-
- Gaunt arms of stretching giants
- Stand in the azure air,
- Cutting the sky in pattern
- So common, yet so fair.
-
- The heart is kindled by it,
- And lifted as with wine,
- In Lassington and Highnam--
- The woodlands that were mine.
-
-
-
-
-WHAT WE THINK OF
-
-
- Walking round our cages like the lions at the Zoo,
- We think of things that we have done, and things we mean to do:
- Of girls we left behind us, of letters that are due,
- Of boating on the river beneath a sky of blue,
- Of hills we climbed together--not always for the view.
-
- Walking round our cages like the lions at the Zoo,
- We see the phantom faces of you, and you, and you,
- Faces of those we loved or loathed--oh every one we knew!
- And deeds we wrought in carelessness for happiness or rue,
- And dreams we broke in folly, and seek to build anew,--
- Walking round our cages like the lions at the Zoo.
-
-
-
-
-PRISONERS
-
-
- Comrades of risk and rigour long ago
- Who have done battle under honour’s name,
- Hoped (living or shot down) some meed of fame,
- And wooed bright Danger for a thrilling kiss,--
- Laugh, oh laugh well, that we have come to this!
-
- Laugh, oh laugh loud, all ye who long ago
- Adventure found in gallant company!
- Safe in Stagnation, laugh, laugh bitterly,
- While on this filthiest backwater of Time’s flow
- Drift we and rot, till something set us free!
-
- Laugh like old men with senses atrophied,
- Heeding no Present, to the Future dead,
- Nodding quite foolish by the warm fireside
- And seeing no flame, but only in the red
- And flickering embers, pictures of the past:--
- Life like a cinder fading black at last.
-
-
-
-
-SONNET
-
-(TO ONE KILLED IN ACTION)
-
-
- My undevout yet ardent sacrifice
- Did God refuse, knowing how carelessly
- And with what curious sensuality
- The coloured flames did flicker and arise.
- Half boy, half decadent, always my eyes
- Sparkle to danger: Oh it was joy to me
- To sit with Death gambling desperately
- The borrowed Coin of Life. But you, more wise,
- Went forth for nothing but to do God’s will:
- Went gravely out--well knowing what you did
- And hating it--with feet that did not falter
- To place your gift upon the highest altar.
- Therefore to you this last and finest thrill
- Is given--even Death itself, to me forbid.
-
-
-
-
-THE HATEFUL ROAD
-
-
- Oh pleasant things there be
- Without this prison yard:
- Fields green, and many a tree
- With shadow on the sward,
- And drifting clouds that pass
- Sailing above the grass.
-
- All lovely things that be
- Beyond this strong abode
- Send comfort back to me;
- Yea, everything I see
- Except the hateful road;
- The road that runs so free
- With many a dip and rise,
- That waves and beckons me
- And mocks and calls at me
- And will not let me be
- Even when I close my eyes.
-
-
-
-
-ENGLISH FLOWERS IN A FOREIGN GARDEN
-
-
- Snapdragon, sunflower, sweet-pea,
- Flowers which fill the heart of me
- With so sweet and bitter fancy:
- Glowing rose and pensive pansy,
- You that pierce me with a blade
- Beat from molten memory,
- With what art, how tenderly,
- You heal the wounds that you have made!
-
- Thrushes, finches, birds that beat
- Magical and thrilling sweet
- Little far-off fairy gongs:
- Blackbird with your mellow songs,
- Valiant robin, thieving sparrows,
- Though you wound me as with arrows,
- Still with you among these flowers
- Surely I find my sweetest hours.
-
-
-
-
-THE BOND
-
-
- Once, I remember, when we were at home
- I had come into church, and waited late,
- Ere lastly kneeling to communicate
- Alone: and thinking that you would not come.
-
- Then, with closed eyes (having received the Host)
- I prayed for your dear self, and turned to rise;
- When lo! beside me like a blessed ghost--
- Nay, a grave sunbeam--_you_! Scarcely my eyes
- Could credit it, so softly had you come
- Beside me as I thought I walked alone.
-
- Thus long ago; but now, when fate bereaves
- Life of old joys, how often as I’m kneeling
- To take the Blessed Sacrifice that weaves
- Life’s tangled threads, so broken to man’s seeing,
- Into one whole; I have the sudden feeling
- That you are by, and look to see a face
- Made in fair flesh beside me, and all my being
- Thrills with the old sweet wonder and faint fear
- As in that sabbath hour--how long ago!--
- When you had crept so lightly to your place.
- Then, then, _I know_
- (My heart can always tell) that you are near.
-
-
-
-
-TO YOU--UNSUNG
-
-(SONNET)
-
-
- How should I sing you?--you who dwell unseen
- Within the darkest chamber of my heart.
- What picturesque and inward-turning art
- Could shadow forth the image of my queen,
- Sweet, world aloof, ineffably serene
- Like holy dawn, yet so entirely part
- Of what am I, as well a man might start
- To paint his breathing, or his red blood’s sheen.
-
- Nay, seek yourself, who are their truest breath,
- In these my songs made for delight of men.
- Oh, where they fail, ’tis I that am in blame,
- But, where the words loom larger than my pen,
- Be sure they ring glad echoes of your name,
- And Love that triumphs over Life and Death.
-
-
-
-
-A CHRISTMAS WISH
-
-
- I cannot give you happiness:
- For wishes long have ceased to bring
- The Fortune which to page and king
- They brought in those good centuries,
- When with a quaint and starry wand
- Witches turned poor men’s thoughts to gold
- And Cinderella’s carriage rolled
- Through moonlight into Fairyland.
-
- I may but _wish_ you happiness:
- Not Pleasure’s dusty fruit to find,
- But wines of Mirth and Friendship kind,
- And Love, to make with you a home.
- But may Our Lord whose Son has come
- Now heed the wish and make it true,
- Even as elves were wont to do
- When wishing could bring happiness.
-
-
-
-
-TO KATHLEEN, AT CHRISTMAS
-
-(AN ACROSTIC)
-
-
- K ings of the East did bring their gold
- A nd jewels unto the cattle fold.
- T he angel’s song was heard by men
- “H oly! holy! holy!” then.
- L ittle and weak in the manger He lay
- E ven as you in a cradle to-day;
- E ven as you did the Christ-child rest
- N estling warm in His mother’s breast.
-
- GÜTERSLOH,
- _December 1916._
-
-
-
-
-CHRISTMAS IN PRISON
-
-
- Outside, white snow
- And freezing mire.
- The heart of the house
- Is a blazing fire!
-
- Even so whatever hags do ride
- His outward fortune, withinside
- The heart of a man burns Christmastide!
-
-
-
-
-TO THE OLD YEAR
-
-
- Old year, farewell!
- Much have you given which was ill to bear:
- Much have taken which was dear, so dear:
- Much have you spoken which was ill to hear;
- Echoes of speech first uttered deep in hell.
-
- Pass now like some grey harlot to the tomb!
- Yet die in child-birth, and from out your womb
- Leap the young year unsullied! He perchance
- Shall bring to man his lost inheritance.
-
-
-
-
-BALLADE
-
-No. 1
-
-
- Bodies of comrade soldiers gleaming white
- Within the mill-pool where you float and dive
- And lounge around part-clothed or naked quite;
- Beautiful shining forms of men alive,
- O living lutes stringed with the senses five
- For Love’s sweet fingers; seeing Fate afar,
- My very soul with Death for you must strive;
- Because of you I loathe the name of War.
-
- But O you piteous corpses yellow-black,
- Rotting unburied in the sunbeam’s light,
- With teeth laid bare by yellow lips curled back
- Most hideously; whose tortured souls took flight
- Leaving your limbs, all mangled by the fight,
- In attitudes of horror fouler far
- Than dreams which haunt a devil’s brain at night;
- Because of you I loathe the name of War.
-
- Mothers and maids who loved you, and the wives
- Bereft of your sweet presences; yea, all
- Who knew you beautiful; and those small lives
- Made of that knowledge; O, and you who call
- For life (but vainly now) from that dark hall
- Where wait the Unborn, and the loves which are
- In future generations to befall;
- Because of you I loathe the name of War.
-
-
- L’ENVOI
-
- Prince Jesu, hanging stark upon a tree
- Crucified as the malefactors are
- That man and man henceforth should brothers be;
- Because of you I loathe the name of War.
-
-
-
-
-BALLADE
-
-No. 2
-
-
- You dawns, whose loveliness I have not missed,
- Making so delicate background for the larches
- Melting the hills to softest amethyst;
- O beauty never absent from our marches;
- Passion of heaven shot golden through the arches
- Of woods, or filtered softly from a star,
- Nature’s wild love that never cloys or parches;
- Because of you I love the name of War.
-
- I have seen dawn and sunset, night and morning,
- I have tramped tired and dusty to a tune
- Of singing voices tired as I, but scorning
- To yield up gaiety to sweltering June.
- O comrades marching under blazing noon
- Who told me tales in taverns near and far,
- And sang and slept with me beneath the moon;
- Because of you I love the name of War.
-
- But you most dear companions Life and Death,
- Whose friendship I had never valued well
- Until that Battle blew with fiery breath
- Over the earth his message terrible;
- Crying aloud the things Peace could not tell,
- Calling up ancient custom to the bar
- Of God, to plead its cause with Heaven and Hell ...
- Because of you I love the name of War.
-
-
- L’ENVOI
-
- Prince Jesu, who did speak the amazing word
- Loud, trumpet-clear, flame-flashing like a star
- Which falls: “Not peace I bring you, but the sword!”
- Because of you I love the name of War.
-
-
-
-
-SOLITARY CONFINEMENT
-
-
- No mortal comes to visit me to-day,
- Only the gay and early-rising Sun
- Who strolled in nonchalantly, just to say,
- “Good morrow, and despair not, foolish one!”
- But like the tune which comforted King Saul
- Sounds in my brain that sunny madrigal.
-
- Anon the playful Wind arises, swells
- Into vague music, and departing, leaves
- A sense of blue bare heights and tinkling bells,
- Audible silences which sound achieves
- Through music, mountain streams, and hinted heather,
- And drowsy flocks drifting in golden weather.
-
- Lastly, as to my bed I turn for rest.
- Comes Lady Moon herself on silver feet
- To sit with one white arm across my breast,
- Talking of elves and haunts where they do meet.
- No mortal comes to see me, yet I say
- “Oh, I have had fine visitors to-day!”
-
- DOUAI,
- _August 20th, 1916_.
-
-
-
-
-A RONDEL OF GLOUCESTERSHIRE
-
-
- Big glory mellowing on the mellowing hills,
- And in the little valleys, thatch and dreams,
- Wrought by the manifold and vagrant wills
- Of sun and ripening rain and wind; so gleams
- My country, that great magic cup which spills
- Into my mind a thousand thousand streams
- Of glory mellowing on the mellowing hills
- And in the little valleys, thatch and dreams.
-
- O you dear heights of blue no ploughman tills,
- O valleys where the curling mist upsteams
- White over fields of trembling daffodils,
- And you old dusty little water-mills,
- Through all my life, for joy of you, sweet thrills
- Shook me, and in my death at last there beams
- Big glory mellowing on the mellowing hills
- And in the little valleys, thatch and dreams.
-
-
-
-
-THE LITTLE ROAD
-
-
- I will not take the great road that goes so proud and high,
- Like the march of Roman legions that made it long ago;
- But I will choose another way, a little road I know.
- There no poor tramp goes limping, nor rich poor men drive by,
- Nor ever crowding cattle, or sheep in dusty throng
- Before their beating drovers drift cruelly along:
- But only birds and free things, and ever in my ear
- Sound of the leaves and little tongues of water talking near.
-
- The great roads march on boldly, with scarce a curve or bend,
- From some huge smoky Nothing, to Nothing at their end;
- They march like Cæsar’s legions, and none may them withstand,
- But whence, or whither going, they do not understand,
- But oh, the little twisty road,
- The sweet and lover’s-kiss-ty road,
- The secret winding misty road,
- That leads to Fairyland!
-
-
-
-
-SONNET
-
-
- Christ God, Who died for us, now turn Thy face!
- Behold not what men do, lest once again
- Thou should’st be crucified, and die of pain.
- Look not, O Lord, but only of Thy grace
- Do Thou let fall on this accursed place,
- Where the poor starve and labour in disdain
- Of blinded Greed and all its vulgar train,
- A single thread of heaven that we may trace
- Some way to Right! And since “great men” stand by,
- Heedless of women and men that hunger, Lord,
- Give Thou to common men the vision splendid.
- Take (and if need be break) them, like a sword;
- Take them, and break them till their lives be ended;
- Here are a thousand christs ready to die!
-
-
-
-
-ENGLAND IN MEMORY
-
-(SONNET)
-
-
- Sweet Motherland, what have I done for thee,
- What suffered, what of lasting beauty made?
- I who ungratefully and undismayed
- Drank from thy breast the milk which nourished me
- In childhood, which until my death must be
- The life within my veins. Lo, from that shade
- Wherein they rest, thy dead and mine, arrayed
- In honour’s robes, come clear and plaintively
- Voices for ever to my listening ear
- Which cry, “Not yet is finished England’s fight!
- Still, still must poets strive and martyrs bleed
- To overthrow the enemies of Light,
- Armies of Dullness, Cruelty, Lust, and Greed!”
- Yet what have I done for thee, England dear?
-
-
-
-
-THE DEAD
-
-
- You never crept into the night
- That lurks for all mankind!
- Joyous you lived and loved, and leapt
- Into that gaping dark, where stept
- Our Fathers all, to find
- Old honour--jest of fools, yet still the soul of all delight.
-
-
-
-
-THE SLEEPERS
-
-
- A battered roof where stars went tripping
- With silver feet,
- A broken roof whence rain came dripping,
- Yet rest was sweet.
-
- A dug-out where the rats ran squeaking
- Under the ground,
- And out in front the poor dead reeking!
- Yet sleep was sound.
-
- No longer house or dug-out keeping,
- Within a cell
- Of brown and bloody earth they’re sleeping;
- Oh they sleep well.
-
- Thrice blessed sleep, the balm of sorrow!
- Thrice blessed eyes
- Sealed up till on some doomsday morrow
- The sun arise!
-
-
-
-
-COMRADES O’ MINE
-
-(RONDEAU)
-
-
- Comrades o’ mine, that were to me
- More than my grief and gaiety,
- More than my laughter or my pain:
- Comrades, we shall not walk again
- The road whereon we went so free--
- The old way of Humanity.
- But you are sleeping peacefully
- Till the last dawn, heroic slain,
- Comrades o’ mine.
-
- Till the last moon shall fade and flee
- You sleep. Oh sleep not dreamlessly,
- You whereof only dreams remain,
- Come you by dreams into my brain,
- Inspire my visions, and still be
- Comrades o’ mine!
-
-
-
-
-TO _R. E. K._
-
-(IN MEMORIAM)
-
-
- Dear, rash, warm-hearted friend,
- So careless of the end,
- So worldly-foolish, so divinely-wise,
- Who, caring not one jot
- For place, gave all you’d got
- To help your lesser fellow-men to rise.
-
- Swift-footed, fleeter yet
- Of heart. Swift to forget
- The petty spite that life or men could show you;
- Your last long race is won,
- But beyond the sound of gun
- You laugh and help men onward--if I know you.
-
- Oh still you laugh, and walk,
- And sing and frankly talk
- (To angels) of the matters that amused you
- In this bitter-sweet of life,
- And we who keep its strife,
- Take comfort in the thought how God has used you.
-
-
-
-
-BALLAD OF ARMY PAY
-
-
- In general, if you want a man to do a dangerous job:--
- Say, swim the Channel, climb St. Paul’s, or break into and rob
- The Bank of England, why, you find his wages must be higher
- Than if you merely wanted him to light the kitchen fire.
- But in the British Army, it’s just the other way,
- And the maximum of danger means the minimum of pay.
-
- You put some men inside a trench, and call them infantrie,
- And make them face ten kinds of hell, and face it cheerfully;
- And live in holes like rats, with other rats, and lice, and toads,
- And in their leisure time, assist the R.E.’s with their loads.
- Then, when they’ve done it all, you give ’em each a bob a day!
- For the maximum of danger means the minimum of pay.
-
- We won’t run down the A.S.C., nor yet the R.T.O.
- They ration and direct us on the way we’ve got to go.
- They’re very useful people, and it’s pretty plain to see
- We couldn’t do without ’em, nor yet the A.P.C.
- But comparing risks and wages,--I think they all will say
- That the maximum of danger means the minimum of pay.
-
- There are men who make munitions--and seventy bob a week;
- They never see a lousy trench nor hear a big shell shriek;
- And others _sing_ about the war at high-class music-halls
- Getting heaps and heaps of money and encores from the stalls.
- They “keep the home fires burning” and bright by night and day,
- While the maximum of danger means the minimum of pay.
-
- I wonder if it’s harder to make big shells at a bench,
- Than to face the screaming beggars when they’re crumping up a trench;
- I wonder if it’s harder to sing in mellow tones
- Of danger, than to face it--say, in a wood like Trone’s;
- Is discipline skilled labour, or something children play?
- Should the maximum of danger mean the minimum of pay?
-
-
-
-
-TO THE DEVIL ON HIS APPALLING DECADENCE
-
-
- Satan, old friend and enemy of man;
- Lord of the shadows and the sins whereby
- We wretches glimpse the sun in Virtue’s sky
- Guessing at last the wideness of His plan
- Who fashioned kid and tiger, slayer and slain,
- The paradox of evil, and the pain
- Which threshes joy as with a winnowing fan:
-
- Satan, of old your custom ’twas at least
- To throw an apple to the soul you caught
- Robbing your orchard. You, before you wrought
- Damnation due and marked it with the beast,
- Before its eyes were e’en disposed to dangle
- Fruitage delicious. And you would not mangle
- Nor maul the body of the dear deceased.
-
- But you were called familiarly “Old Nick”--
- The Devil, yet a gentleman you know!
- Relentless--true, yet courteous to a foe.
- Man’s soul your traffic was. You would not kick
- His bloody entrails flying in the air.
- Oh, “Krieg ist Krieg,” we know, and “C’est la guerre!”
- But Satan, don’t you feel a trifle sick?
-
-
-
-
-AT AFTERNOON TEA
-
-(TRIOLET)
-
-
- We have taken a trench
- Near Combles, I see,
- Along with the French.
- We have taken a trench.
- (_Oh, the bodies, the stench!_)
- Won’t you have some more tea?
- We have taken a trench
- Near Combles, I see.
-
-
-
-
-TO THE UNKNOWN NURSE
-
-
- Moth-like at night you flit or fly
- To where the other patients lie;
- I hear, as you brush by my door
- The flutter of your wings, no more.
-
- Shall I now call you in and see
- The phantom vanish instantly?
- Perhaps some sixteen stone or worse,
- Suddenly falling through my verse!
-
- Nay, be you sour, or be you sweet,
- I’d see you not. Life’s wisdom is
- To keep one’s dreams. Oh never quiz
- The lovely lady in the street!
-
- I knew a man who went large-eyed
- And happy, till he bought pince-nez
- And saw things as they were. He died
- --A pessimist--the other day.
-
-
-
-
-THE HORSES
-
-
- My father bred great horses,
- Chestnut, grey, and brown.
- They grazed about the meadows,
- And trampled into town.
-
- They left the homely meadows
- And trampled far away,
- The great shining horses,
- Chestnut, and brown, and grey.
-
- Gone are the horses
- That my father bred.
- And who knows whither?...
- Or whether starved or fed?...
- Gone are the horses,
- And my father’s dead.
-
-
-
-
-MOTHER AND SON
-
-
- “Bow-wow! Bow-wow!” See how he bounds and prances,
- “_Wow!_” races off, returns again and dances--
- A little wave of sunshine and brown fur--
- About his old rheumatic mother-cur.
- Look how she gives him back his baby bite
- Tenderly as a human mother might.
-
- Now, poor old thing--she gazes quaintly up
- To laugh dog-fashion at me. “What a pup,
- Master!” she seems to say: then, like a wave,
- He’s down on her again--“Oh, master, see,
- I’m growing old.... What spirits youngsters have!”
- Her old eyes blink as they look up at me.
-
-
-
-
-_GROWN UPS_
-
-
-
-
-1. TIMMY TAYLOR AND THE RATS
-
-
- It was a spell of sultry weather,
- There’d been no rain for weeks together,
- And little Timmy Taylor,
- A mouse of a man,
- Walked down the road
- With a big milk-can,
- Walked softly down the road at night
- When the stars were thick and the moon was bright.
-
- Hard by the road a spring came up
- To glimmer in a rare bright cup
- Of green-sward, burnt elsewhere quite dry.
- To this he came--we won’t ask why--
- Little Timmy Taylor,
- The mouse of a man,
- With a big milk-can.
-
- Then, as he turned, so goes the story--
- Came trooping through the moonlight glory
- Hundreds and scores of--what do you think?
- Rats! rats a-coming down to drink
- From granary and barn and stack,
- Grey and tawny, brown and black,
- Tails cocked up and teeth all gleaming,
- Beady eyes light-filled, and seeming
- That moony-mad and hunger-fierce.
- Little Timmy Taylor,
- The mouse of a man,
- Dropped the milk-can,
- And giving a shriek--’twas fit to pierce
- The ear o’ the dead--he ran away,
- And the can was found in the road next day.
-
-
-
-
-2. WILLUM ACCOUNTS FOR THE PRICE OF LAMPREY
-
-
- “Aye, sure, it’s pretty fish, but there’s no sale
- Nowadays.” “Why?” “Well, the story that they tell
- Is, as the king were very fond on ’em,
- And all the fashion ate and paid up well.
- And then one day our king--so goes the tale--
- Ate over-hearty-like and throwed ’em up.
- So all the fashion with him when he dined
- Cut out their orders,--and the price cum down.
- And maybe that be true, for still in town
- Our council--scheming, likely, to remind
- His Majesty of joys he left behind--
- Sends un the very prince o’ lamprey pies
- (I’ve seen un many a while in Fisher’s winder)
- And so, God willing and if nothing hinder,
- Some day he’ll taste again and prices rise.”
-
-
-
-
-3. THE OLDEST INHABITANT HEARS FAR OFF THE DRUMS OF DEATH
-
-
- Sometimes ’tis far off, and sometimes ’tis nigh,
- Such drummerdery noises too they be!
- ’Tis odd--oh, I do hope I baint to die
- Just as the summer months be coming on,
- And buffly chicken out, and bumble-bee:
- Though, to be sure, I cannot hear ’em plain
- For this drat row as goes a-drumming on,
- Just like a little soldier in my brain.
-
- And oh, I’ve heard we got to go through flame
- And water-floods--but maybe ’tisn’t true!
- I allus were a-frightened o’ the sea.
- And burning fires--oh, it would be a shame
- And all the garden ripe, and sky so blue.
- Such drummerdery noises, too, they be.
-
-
-
-
-4. SETH BEMOANS THE OLDEST INHABITANT
-
-
- We heard as we wer passing by the forge:
- “’Er’s dead,” said he.
- “’Tis Providence’s doing,” so said George.
- “He’s allus doing summat,” so I said,
- “You see this pig; we kept un aal the year
- Fatting un up and priding in un, see,
- And spent a yup o’ money--food so dear!
- I wish ’twer ’e;
- I’d liefer our fat pig had died than she.”
-
-
-
-
-5. A RIVER, A PIG, AND BRAINS
-
-
- Last fall, to sell his oldest perry,
- Old Willum Fry did cross the ferry,
- And thur inside of an old sty
- ’A seed a leanish pig did lie:
- A rakish, active beast ’a was
- As ever rooted up the grass:
- Eager as bees on making honey
- To stuff his self. Bill did decide
- To buy un with the cider money
- And fat un up for Easter-tide.
-
- He bought un, but no net ’ad got
- To kip thic pig inside the boat.
- “The’ll drown wi’ pig and all at ferry!”
- Cried one. Said Fry, “Go, bring some perry,
- And this old drinking-horn you got,
- Lying inside the piggery cot!”
-
- He poured a goodish swig and soon
- --As lazy as a day o’ June--
- Piggy lay boozed, and so did bide
- Snoring, while him and Fry were taken
- ’Cross Severn: and ’a didn’t waken
- Until the boat lay safely tied
- Up to a tree on t’other side.
-
-
-
-
-6. MARTHA BAZIN ON MARRIAGE
-
-
- This is the fourth ’un, Miss, and if so be
- As he do die out like the t’other three,
- I’ll take another man (if one do ask).
- Woman and man apart be like a cask
- Without a bung, letting Life’s cider out,
- The Almighty made to drink withouten doubt.
- I never could abode the thought o’ waste
- Whether of Life or cider, fit for taste.
- But love him, Miss, you ask?--why, that I can,
- And thank the Lord I could love any man.
-
-
-
-
-_CHILDREN_
-
-
-
-
-1. LITTLE ABEL GOES TO CHURCH
-
-
- And this is what he heard
- And saw at church:
- Oh, a great yellow bird
- Upon a perch--
- Quite still upon a perch.
-
- And then a man in white
- Got up and walked to it,
- And talked to it
- For a long while (he said);
- But the yellow bird
- (Although it must have heard!)
- Never turned its head,
- Or did anything at all
- But look straight at the wall!
- (_A true tale._)
-
-
-
-
-2. DELIGHTS
-
-
- Small Marjorie
- In an apple-tree
- Looks down upon the world with glee.
-
- Her brother Ted,
- So he has said,
- Loves best to see the chickens fed.
-
- And little Charlie likes to see
- The Thresher working hard, when he
- Hums like a dreadful bumble-bee.
-
- But Ann and Martha sit together
- Reading, however gold the weather.
-
-
-
-
-3. THE BOY WITH LITTLE BARE TOES
-
-
- He ran all down the meadow, that he did,
- The boy with the little bare toes.
- The flowers they smelt so sweet, so sweet,
- And the grass it felt so funny and wet
- And the birds sang just like this--“chereep!”
- And the willow-trees stood in rows.
- “Ho! ho!”
- Laughed the boy with the little bare toes.
-
- Now the trees had no insides--how funny!
- Laughed the boy with the little bare toes.
- And he put in his hand to find some money
- Or honey--yes, that would be best--oh, best!
- But what do you think he found, found, found?
- Why, six little eggs all round, round, round,
- And a mother-bird on the nest,
- Oh, yes!
- The mother-bird on her nest.
-
- He laughed, “Ha! ha!” and he laughed, “He! he!”
- The boy with the little bare toes.
- But the little mother-bird got up from her place
- And flew right into his face, ho! ho!
- And pecked him on the nose, “Oh! oh!”
- Yes, pecked him right on the nose.
- “Boo! Boo!”
- Cried the boy with the little bare toes.
-
-
-
-
-THE WIND IN TOWN TREES
-
-
- What is it says the breeze
- In London streets to-day
- Unto the troubled trees
- Whose shadows strew the way,
- Whose leaves are all a-flutter?
-
- “You are wild!” the rascal cries.
- The green tree beats its wings
- And fills the air with sighs.
- “Wild! Wild!” the rascal sings.
- “But your feet are in the gutter!”
-
- Men pass beneath the trees
- Walking the pavement grey,
- They hear the whisperings tease
- And at the word he utters
- Their hearts are green and gay.
-
- Then like the gay, green trees,
- They beat proud wings to fly,
- But, like the fluttering trees,
- Their footprints mark the gutters
- Until the beggars die.
-
-
-
-
-FORM
-
-(A STUDY)
-
-
- Flower-like and shy,
- You stand, sweet mortal, at the river’s brim:
- With what unconscious grace
- Your limbs to some strange law surrendering
- Which lifts you clear of our humanity!
-
- Now would I sacrifice
- Your breathing, warmth, and all the strange romance
- Of living, to a moment. Ere you break
- The greater thing than you, I would my eyes
- Were basilisk to turn you into stone.
- So should you be the world’s inheritance.
- And souls of unborn men should draw their breath
- From mortal you, immortalised in Death.
-
-
-
-
-VILLANELLE
-
-
- So is thy music unto me,
- As the bright moon which tides obey,
- As the white moon upon the sea.
-
- And like a wind that scatters free
- The petals of an April day,
- So is thy music unto me.
-
- It falleth light and quietly
- And sweet as summer’s petals--nay,
- As the white moon upon the sea.
-
- As moonlight falling silvery
- On waves of wild and surging grey,
- So is thy music unto me.
-
- As o’er each white and ebon key
- I watch thy silver fingers play,
- As the white moon upon the sea,
- On headlands of eternity
- My soul is hurled, and dashed in spray!
-
- So is thy music unto me
- As the bright moon which tides obey,
- As the white moon upon the sea.
-
-
-
-
-KOSSOVO DAY
-
-
- From this sweet nest of peace and summer blue--
- England in June--a sea-bird’s nest indeed
- Guarded of waves, and hid by the sea-weed
- From envious hunter’s eye, we send to you
- Our flying thoughts and prayers, our treasure too,
- Poor though it be to bandage wounds that bleed
- For country dear beloved. There the seed
- Of homely loves and occupations grew
- To wither in the flame of godless might
- Kindled by hands of treachery, yet reeking
- With blood of friends and neighbours. Serbia, thou
- Hast thought us careless and far off; know now
- Thy name to us is sudden drums outspeaking
- And tortured trumpets crying in the night!
-
- _Note._--This poem was sent from Crefeld, but was written in England
- just before the author left for the front.
-
-
-
-
-A PHILOSOPHY
-
-
- Only in pages of men’s books I find
- Swart villain and fair knight
- Closing in fight.
- Not piebald is mankind.
- The soul is hued to such swift varying
- As flying hornet’s sunshine-smitten wing.
-
- Therefore, dear brother men (where’er ye be),
- Who strive for right
- With such short sight,
- ’Tis wise for little folk like you and me
- Neither too much to praise nor yet to blame,
- Since in our different ways we’re all the same.
-
-
-
-
-CONSOLATOR AFFLICTORUM
-
-
- “Must ever I be so
- --Yellow and old?” you asked,
- “With living overtasked,
- Ugly, and racked with pains?”
- I answered, “Even so,
- Dearest; yet love remains.”
-
-
-
-
-RECOGNITION
-
-
- By Him Who made you sweet
- And set your eyes so wide,
- Who suffered us to meet
- Despite of woman’s pride,
-
- And willed that we should know,
- Despite of man’s gross sense,
- The wonder and dawn-glow
- Of Love’s omnipotence,--
-
- By all of this I swear,
- And by God’s self I vow,
- We have met (I know not how)
- Loving (I know not where):
-
- Perhaps in heaven above,
- Perhaps in deep perdition.
- And so this present love
- Is but a recognition.
-
-
-
-
-ON OVER BRIDGE AT EVENING
-
-
- Faint grow the hills, but yet the night delays
- To blot them utterly. Below their ridge
- Of shadow lies the city in blue haze.
- I watch its lamps awaken, from the bridge
- Whereunder, running strongly to the sea,
- Water goes fleeting softly in a brown
- Wild loveliness. In heaven two or three
- Small stars awaken and gaze shyly down....
-
- White and alluring runs the dusty road
- Into the country, and with yellow eyes
- A hastening car comes purring with its load:
- Like some great owl it hoots, and then it flies
- Past, and is swallowed up in dusk. And, singing,
- A country girl with basket homeward wends
- --Sweet as the dusty roses that are clinging
- Around the cottage where her journey ends.
-
- Night deepens, and the stars with strengthening rays
- Thicken and go upon their lovely ways.
- Where are the voices that have vexed us so?
- Dear God, how quiet has Thy day become!
- The clamorous tongues of Earth are smitten dumb,
- Awed with the beauty that Thy work doth show.
-
-
-
-
-PASSION
-
-
- All life from passion springs.
- In holy ecstasy
- ’Midst whir of angel-wings,
- Did God decree
- The golden stars that shine:
- The flaming morn,
- And that this flesh of mine
- Should once be born.
-
- And all the works of men
- That live indeed:
- Joyance of sword or pen,
- High thought or deed,
- Are in such primal fashion
- Contrived and wrought.
- God grant me fire of thought
- To work Thy will--with Passion!
-
-
-
-
-A COMMON PETITION
-
-
- I crave not of the wonder
- Of Thy full plan to see;
- No secret would I plunder
- Of guarded destiny;
- This only grant to me:
-
- To hear the rolling thunder
- Of Life--be man alive:
- Yet through no body’s blunder
- To drag the bright soul under
- --Drowned where it needs must dive.
-
- Keeping against all Fate
- That Thou hast given me--
- The dual mystery
- Of man--inviolate.
-
-
-
-
-AN ADVENTURE WITH GOD
-
-
- Far worse than pain,
- Unutterable weariness
- Of blood and brain--
- Intolerable dreariness
- Of days God gave me.
- And I bethought
- The first fresh flood of youth that rose to leave me,
- And how in those brave days--
- Virgin of lust and spot--
- I had forgot
- To render any praise.
- Then, as I thus looked upward through the net
- Wherein both soul and flesh lay cunningly caught,
- God (’twas like Springtime calling from the earth
- The flowers to birth!)
- Smiled down and did restore
- All that I had before.
-
-
-
-
-THE STRANGER
-
-
- It happened in a blood-red hell ringed round with golden weather;
- Walking in khaki through a trench he came,
- When life was death, and wounded men and great shells screamed
- together:
- I did not know his name.
- But so white-faced and wan, we talked a little while together
- Amongst dead men, and timbers black with flame.
-
- “What would you do with life again,” asks he, “if one could give it?”
- “No use to talk when life is done,” I say.
- “But, by the living God, if He should grant me life I’d live it
- Kinder to man, truer to God each day.”
-
- Flame and the noise of doom devoured the words, and for a while
- Senseless I lay.... Then,
- Oh, then as in a dream I saw the stranger with a smile
- Moving towards me over the dead men.
-
- Red, red were his hands and feet and a great hole in his side,
- Yet glory seemed to blaze about his head;
- “Kinder to man, truer to God,” he whispered, and then died;
- Falling down, arms outspread.
- Ere darkness fell upon me with the faintness and the pain,
- I saw a mangled body lying prone
- Upon the earth beside me. But what I can’t explain
- Is--_The stretcher-bearers found me quite alone_.
-
- But, howsoe’er it happened, it matters not at last,
- Since God’s dear Son came down to earth and died
- In bloodshed, and the darkness of clouds that groaned aghast;
- With pierced hands and a great wound in His side.
-
- It is not in my heart to hate the pleasant sins I leave.
- Earth’s passion flames within me fierce and strong.
- But this is like a shadow ever rising up to thieve
- Sin’s pleasures, and the lure of every pattern lust can weave,
- And charm of all things that can do Him wrong.
-
-
-
-
-THE BUGLER
-
-
- God dreamed a man;
- Then, having firmly shut
- Life like a precious metal in his fist,
- Withdrew, His labour done. Thus did begin
- Our various divinity and sin.
- For some to ploughshares did the metal twist,
- And others--dreaming empires--straightway cut
- Crowns for their aching foreheads. Others beat
- Long nails and heavy hammers for the feet
- Of their forgotten Lord. (Who dare to boast
- That he is guiltless?) Others coined it: most
- Did with it--simply nothing. (Here, again,
- Who cries his innocence?) Yet doth remain
- Metal unmarred, to each man more or less,
- Whereof to fashion perfect loveliness.
-
- For me, I do but bear within my hand
- (For sake of Him our Lord, now long forsaken)
- A simple bugle such as may awaken
- With one high morning note a drowsing man:
- That wheresoe’er within my motherland
- The sound may come, ’twill echo far and wide
- Like pipes of battle calling up a clan,
- Trumpeting men through beauty to God’s side.
-
-
- PRINTED BY
- HAZELL, WATSON AND VINEY, LD.,
- LONDON AND AYLESBURY.
-
-
-
-
-TRANSCRIBER’S NOTE:
-
-
- Italicized text is surrounded by underscores: _italics_.
-
-*** END OF THE PROJECT GUTENBERG EBOOK GLOUCESTERSHIRE FRIENDS: POEMS
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+*** START OF THE PROJECT GUTENBERG EBOOK 66362 *** + +Gloucestershire Friends + +[Illustration] + + + + +BY THE SAME AUTHOR + +_Fourth Impression_ + +A Gloucestershire Lad at Home and Abroad + +Cloth 2_s._ net; paper 1_s._ 6_d._ net. + + + “The secret of Mr. Harvey’s power is that he says what other English + lads in Flanders want to say and cannot.... This modest little + volume has real charm, and not a little depth of thought and beauty. + It contains far more real poetry than many a volume ten times its + length.”--Bishop Frodsham in _The Saturday Review_. + + “A poet of power and a subtle distinction.... This little collection + of his poems, which has a Preface by his Commanding Officer, will + give him a high place in the Sidneian company of soldier-poets.”--E. + B. O. in _The Morning Post_. + + +London: Sidgwick & Jackson, Ltd. + + + + + Gloucestershire Friends: + + Poems from a German Prison Camp + + by + F. W. Harvey + + Author of + “A Gloucestershire Lad at Home and Abroad” + + [Illustration] + + Introduction by the Right Rev. BISHOP FRODSHAM + Canon Residentiary of Gloucester + + + London: Sidgwick & Jackson, Ltd. + 3 Adam Street, Adelphi, W.C.2. 1917 + + + + + _First published in 1917_ + + _All rights reserved_ + + + + + TO + THE BEST OF ALL + GLOUCESTERSHIRE FRIENDS + MY MOTHER + + + + +CONTENTS + + + PAGE + + INTRODUCTION, BY BISHOP FRODSHAM 11 + + CLOUD MESSENGERS 13 + + LONELINESS 14 + + AUTUMN IN PRISON 15 + + WHAT WE THINK OF 16 + + PRISONERS 17 + + SONNET, TO ONE KILLED IN ACTION 18 + + THE HATEFUL ROAD 19 + + ENGLISH FLOWERS IN A FOREIGN GARDEN 20 + + THE BOND 21 + + TO YOU--UNSUNG 22 + + A CHRISTMAS WISH 23 + + TO KATHLEEN 24 + + CHRISTMAS IN PRISON 25 + + TO THE OLD YEAR 26 + + BALLADE 27 + + BALLADE 29 + + SOLITARY CONFINEMENT 31 + + A RONDEL OF GLOUCESTERSHIRE 32 + + THE LITTLE ROAD 33 + + SONNET 34 + + ENGLAND, IN MEMORY 35 + + THE DEAD 36 + + THE SLEEPERS 37 + + COMRADES O’ MINE 38 + + TO R. E. K. 39 + + BALLAD OF ARMY PAY 40 + + TO THE DEVIL ON HIS APPALLING DECADENCE 43 + + AT AFTERNOON TEA 44 + + TO THE UNKNOWN NURSE 45 + + THE HORSES 46 + + MOTHER AND SON 47 + + GROWN UPS: + + 1. TIMMY TAYLOR AND THE RATS 48 + + 2. WILLUM ACCOUNTS FOR THE PRICE OF + LAMPREY 50 + + 3. THE OLDEST INHABITANT HEARS FAR + OFF THE DRUMS OF DEATH 51 + + 4. SETH BEMOANS THE OLDEST INHABITANT 52 + + 5. A RIVER, A PIG, AND BRAINS 53 + + 6. MARTHA BAZIN ON MARRIAGE 54 + + CHILDREN: + + 1. LITTLE ABEL GOES TO CHURCH 55 + + 2. DELIGHTS 56 + + 3. THE BOY WITH LITTLE BARE TOES 57 + + THE WIND IN TOWN TREES 58 + + FORM--A STUDY 59 + + VILLANELLE 60 + + KOSSOVO DAY 61 + + A PHILOSOPHY 62 + + CONSOLATOR AFFLICTORUM 63 + + RECOGNITION 64 + + ON OVER BRIDGE AT EVENING 65 + + PASSION 66 + + A COMMON PETITION 67 + + AN ADVENTURE WITH GOD 68 + + THE STRANGER 69 + + THE BUGLER 71 + + + + +INTRODUCTION + +by Bishop Frodsham + + +“Good wine needs no bush.” Those who know and love “A Gloucestershire +Lad” would resent any lengthy attempt to praise the quality of +Lieutenant Harvey’s verses. Some of the poems from a German prison +camp may reach a far higher standard of lyric excellence than any in +the earlier volume. The two ballades on war and “The Bugler” grip one +by the throat. But all the verses have a sweetness and beauty entirely +their own. + +The poems are all short--too short. Lieutenant Harvey sings like the +wild birds of his own dear Gloucestershire because he cannot help doing +so. He stops short--as they do--and like them begins again. What can +we do but take what he gives us, wondering that he can write so well, +mewed as he is in a cage--and such a cage! An agony of inarticulate +longing shrills in a feathered cageling’s song: the man simply and +unaffectedly lays bare his heart, his love, his faith, his hope, his +sense of loneliness, of ineffectiveness, of baffled purposes and +incompleted manhood. + +Memory is at once the joy and torment of all who are forced to think. +Memory tears the heart-strings of those who are in captivity. It +makes some hopeless and weak, others bitter and savage, according to +their natures. Beneath all the music of this man’s words there is an +undertone of fierce anger that sweeps him away at times, but is this +not characteristic of many other young Englishmen who laugh so well, +and “woo bright danger for a thrilling kiss”? His memories sweep along +the great gamut of his own tremendous experiences, and yet they never +lose the melodies of home. Perhaps because of the objects of his +heart’s desire he is so kindly withal, so modest, so humorous, and, to +use his own words of another, “so worldly foolish, so divinely wise.” +Herein is the fascination of these verses. + +The manuscript was sent on by the prison authorities of Crefeld without +any obliteration or excision. This must be counted unto them for +literary righteousness. Yet it would be difficult to imagine what the +most stony-hearted German censor could resent in any one of Lieutenant +Harvey’s poems, unless it might be a deep love for England and an +overwhelming desire to be with his love again. + +Many unfortunates who have had dear ones imprisoned at Gütersloh, where +most of these poems were written, and at other centres, are looking +forward eagerly to the publication of this little book. If they expect +to read descriptions of the life of the camp, or reflections upon the +conduct of German gaolers, they will be disappointed. The circumstances +of the case have made such revelations impossible. If they had been +possible, it is still doubtful if they would have been made here. But +it will be strange if such readers do not find better things than they +expected. Transpose any other county of this land for Gloucestershire, +or any other home for the tree-encircled house at Minsterworth, +then they will learn what the best of England’s captive sons are +thinking, and so take heart of grace from the true love-songs of a +Gloucestershire soldier, written first and foremost for his mother. + + + + +GLOUCESTERSHIRE FRIENDS + + + + +CLOUD MESSENGERS + + + You clouds that with the wind your warden + Flying toward the Channel go, + Or ever the frost your fruit shall harden + To hail and sleet and driving snow, + Go seek one sunny old sweet garden-- + An English garden that I know. + + Therein perchance my Mother, straying + Among her dahlias, shall see + Your rainy gems in sunlight swaying + On flower of gold and emerald tree. + Then in her heart feel suddenly + Old love and laughter, like sunshine playing + Through tears of memory. + + + + +LONELINESS + + + Oh where’s the use to write? + What can I tell you, dear? + Just that I want you so + Who are not near. + Just that I miss the lamp whose blessèd light + Was God’s own moon to shine upon my night, + And newly mourn each new day’s lost delight: + Just--oh, it will not ease my pain-- + That I am lonely + Until I see you once again, + You--you only. + + + + +AUTUMN IN PRISON + + + Here where no tree changes, + Here in a prison of pine, + I think how Autumn ranges + The country that is mine. + + There--rust upon the chill breeze-- + The woodland leaf now whirls; + There sway the yellowing birches + Like dainty dancing girls. + + Oh, how the leaves are dancing + With Death at Lassington! + And Death is now enhancing + Beauty I walked upon. + + The roads with leaves are littered, + Yellow, brown, and red. + The homes where robins twittered + Lie ruin; but instead + + Gaunt arms of stretching giants + Stand in the azure air, + Cutting the sky in pattern + So common, yet so fair. + + The heart is kindled by it, + And lifted as with wine, + In Lassington and Highnam-- + The woodlands that were mine. + + + + +WHAT WE THINK OF + + + Walking round our cages like the lions at the Zoo, + We think of things that we have done, and things we mean to do: + Of girls we left behind us, of letters that are due, + Of boating on the river beneath a sky of blue, + Of hills we climbed together--not always for the view. + + Walking round our cages like the lions at the Zoo, + We see the phantom faces of you, and you, and you, + Faces of those we loved or loathed--oh every one we knew! + And deeds we wrought in carelessness for happiness or rue, + And dreams we broke in folly, and seek to build anew,-- + Walking round our cages like the lions at the Zoo. + + + + +PRISONERS + + + Comrades of risk and rigour long ago + Who have done battle under honour’s name, + Hoped (living or shot down) some meed of fame, + And wooed bright Danger for a thrilling kiss,-- + Laugh, oh laugh well, that we have come to this! + + Laugh, oh laugh loud, all ye who long ago + Adventure found in gallant company! + Safe in Stagnation, laugh, laugh bitterly, + While on this filthiest backwater of Time’s flow + Drift we and rot, till something set us free! + + Laugh like old men with senses atrophied, + Heeding no Present, to the Future dead, + Nodding quite foolish by the warm fireside + And seeing no flame, but only in the red + And flickering embers, pictures of the past:-- + Life like a cinder fading black at last. + + + + +SONNET + +(TO ONE KILLED IN ACTION) + + + My undevout yet ardent sacrifice + Did God refuse, knowing how carelessly + And with what curious sensuality + The coloured flames did flicker and arise. + Half boy, half decadent, always my eyes + Sparkle to danger: Oh it was joy to me + To sit with Death gambling desperately + The borrowed Coin of Life. But you, more wise, + Went forth for nothing but to do God’s will: + Went gravely out--well knowing what you did + And hating it--with feet that did not falter + To place your gift upon the highest altar. + Therefore to you this last and finest thrill + Is given--even Death itself, to me forbid. + + + + +THE HATEFUL ROAD + + + Oh pleasant things there be + Without this prison yard: + Fields green, and many a tree + With shadow on the sward, + And drifting clouds that pass + Sailing above the grass. + + All lovely things that be + Beyond this strong abode + Send comfort back to me; + Yea, everything I see + Except the hateful road; + The road that runs so free + With many a dip and rise, + That waves and beckons me + And mocks and calls at me + And will not let me be + Even when I close my eyes. + + + + +ENGLISH FLOWERS IN A FOREIGN GARDEN + + + Snapdragon, sunflower, sweet-pea, + Flowers which fill the heart of me + With so sweet and bitter fancy: + Glowing rose and pensive pansy, + You that pierce me with a blade + Beat from molten memory, + With what art, how tenderly, + You heal the wounds that you have made! + + Thrushes, finches, birds that beat + Magical and thrilling sweet + Little far-off fairy gongs: + Blackbird with your mellow songs, + Valiant robin, thieving sparrows, + Though you wound me as with arrows, + Still with you among these flowers + Surely I find my sweetest hours. + + + + +THE BOND + + + Once, I remember, when we were at home + I had come into church, and waited late, + Ere lastly kneeling to communicate + Alone: and thinking that you would not come. + + Then, with closed eyes (having received the Host) + I prayed for your dear self, and turned to rise; + When lo! beside me like a blessed ghost-- + Nay, a grave sunbeam--_you_! Scarcely my eyes + Could credit it, so softly had you come + Beside me as I thought I walked alone. + + Thus long ago; but now, when fate bereaves + Life of old joys, how often as I’m kneeling + To take the Blessed Sacrifice that weaves + Life’s tangled threads, so broken to man’s seeing, + Into one whole; I have the sudden feeling + That you are by, and look to see a face + Made in fair flesh beside me, and all my being + Thrills with the old sweet wonder and faint fear + As in that sabbath hour--how long ago!-- + When you had crept so lightly to your place. + Then, then, _I know_ + (My heart can always tell) that you are near. + + + + +TO YOU--UNSUNG + +(SONNET) + + + How should I sing you?--you who dwell unseen + Within the darkest chamber of my heart. + What picturesque and inward-turning art + Could shadow forth the image of my queen, + Sweet, world aloof, ineffably serene + Like holy dawn, yet so entirely part + Of what am I, as well a man might start + To paint his breathing, or his red blood’s sheen. + + Nay, seek yourself, who are their truest breath, + In these my songs made for delight of men. + Oh, where they fail, ’tis I that am in blame, + But, where the words loom larger than my pen, + Be sure they ring glad echoes of your name, + And Love that triumphs over Life and Death. + + + + +A CHRISTMAS WISH + + + I cannot give you happiness: + For wishes long have ceased to bring + The Fortune which to page and king + They brought in those good centuries, + When with a quaint and starry wand + Witches turned poor men’s thoughts to gold + And Cinderella’s carriage rolled + Through moonlight into Fairyland. + + I may but _wish_ you happiness: + Not Pleasure’s dusty fruit to find, + But wines of Mirth and Friendship kind, + And Love, to make with you a home. + But may Our Lord whose Son has come + Now heed the wish and make it true, + Even as elves were wont to do + When wishing could bring happiness. + + + + +TO KATHLEEN, AT CHRISTMAS + +(AN ACROSTIC) + + + K ings of the East did bring their gold + A nd jewels unto the cattle fold. + T he angel’s song was heard by men + “H oly! holy! holy!” then. + L ittle and weak in the manger He lay + E ven as you in a cradle to-day; + E ven as you did the Christ-child rest + N estling warm in His mother’s breast. + + GÜTERSLOH, + _December 1916._ + + + + +CHRISTMAS IN PRISON + + + Outside, white snow + And freezing mire. + The heart of the house + Is a blazing fire! + + Even so whatever hags do ride + His outward fortune, withinside + The heart of a man burns Christmastide! + + + + +TO THE OLD YEAR + + + Old year, farewell! + Much have you given which was ill to bear: + Much have taken which was dear, so dear: + Much have you spoken which was ill to hear; + Echoes of speech first uttered deep in hell. + + Pass now like some grey harlot to the tomb! + Yet die in child-birth, and from out your womb + Leap the young year unsullied! He perchance + Shall bring to man his lost inheritance. + + + + +BALLADE + +No. 1 + + + Bodies of comrade soldiers gleaming white + Within the mill-pool where you float and dive + And lounge around part-clothed or naked quite; + Beautiful shining forms of men alive, + O living lutes stringed with the senses five + For Love’s sweet fingers; seeing Fate afar, + My very soul with Death for you must strive; + Because of you I loathe the name of War. + + But O you piteous corpses yellow-black, + Rotting unburied in the sunbeam’s light, + With teeth laid bare by yellow lips curled back + Most hideously; whose tortured souls took flight + Leaving your limbs, all mangled by the fight, + In attitudes of horror fouler far + Than dreams which haunt a devil’s brain at night; + Because of you I loathe the name of War. + + Mothers and maids who loved you, and the wives + Bereft of your sweet presences; yea, all + Who knew you beautiful; and those small lives + Made of that knowledge; O, and you who call + For life (but vainly now) from that dark hall + Where wait the Unborn, and the loves which are + In future generations to befall; + Because of you I loathe the name of War. + + + L’ENVOI + + Prince Jesu, hanging stark upon a tree + Crucified as the malefactors are + That man and man henceforth should brothers be; + Because of you I loathe the name of War. + + + + +BALLADE + +No. 2 + + + You dawns, whose loveliness I have not missed, + Making so delicate background for the larches + Melting the hills to softest amethyst; + O beauty never absent from our marches; + Passion of heaven shot golden through the arches + Of woods, or filtered softly from a star, + Nature’s wild love that never cloys or parches; + Because of you I love the name of War. + + I have seen dawn and sunset, night and morning, + I have tramped tired and dusty to a tune + Of singing voices tired as I, but scorning + To yield up gaiety to sweltering June. + O comrades marching under blazing noon + Who told me tales in taverns near and far, + And sang and slept with me beneath the moon; + Because of you I love the name of War. + + But you most dear companions Life and Death, + Whose friendship I had never valued well + Until that Battle blew with fiery breath + Over the earth his message terrible; + Crying aloud the things Peace could not tell, + Calling up ancient custom to the bar + Of God, to plead its cause with Heaven and Hell ... + Because of you I love the name of War. + + + L’ENVOI + + Prince Jesu, who did speak the amazing word + Loud, trumpet-clear, flame-flashing like a star + Which falls: “Not peace I bring you, but the sword!” + Because of you I love the name of War. + + + + +SOLITARY CONFINEMENT + + + No mortal comes to visit me to-day, + Only the gay and early-rising Sun + Who strolled in nonchalantly, just to say, + “Good morrow, and despair not, foolish one!” + But like the tune which comforted King Saul + Sounds in my brain that sunny madrigal. + + Anon the playful Wind arises, swells + Into vague music, and departing, leaves + A sense of blue bare heights and tinkling bells, + Audible silences which sound achieves + Through music, mountain streams, and hinted heather, + And drowsy flocks drifting in golden weather. + + Lastly, as to my bed I turn for rest. + Comes Lady Moon herself on silver feet + To sit with one white arm across my breast, + Talking of elves and haunts where they do meet. + No mortal comes to see me, yet I say + “Oh, I have had fine visitors to-day!” + + DOUAI, + _August 20th, 1916_. + + + + +A RONDEL OF GLOUCESTERSHIRE + + + Big glory mellowing on the mellowing hills, + And in the little valleys, thatch and dreams, + Wrought by the manifold and vagrant wills + Of sun and ripening rain and wind; so gleams + My country, that great magic cup which spills + Into my mind a thousand thousand streams + Of glory mellowing on the mellowing hills + And in the little valleys, thatch and dreams. + + O you dear heights of blue no ploughman tills, + O valleys where the curling mist upsteams + White over fields of trembling daffodils, + And you old dusty little water-mills, + Through all my life, for joy of you, sweet thrills + Shook me, and in my death at last there beams + Big glory mellowing on the mellowing hills + And in the little valleys, thatch and dreams. + + + + +THE LITTLE ROAD + + + I will not take the great road that goes so proud and high, + Like the march of Roman legions that made it long ago; + But I will choose another way, a little road I know. + There no poor tramp goes limping, nor rich poor men drive by, + Nor ever crowding cattle, or sheep in dusty throng + Before their beating drovers drift cruelly along: + But only birds and free things, and ever in my ear + Sound of the leaves and little tongues of water talking near. + + The great roads march on boldly, with scarce a curve or bend, + From some huge smoky Nothing, to Nothing at their end; + They march like Cæsar’s legions, and none may them withstand, + But whence, or whither going, they do not understand, + But oh, the little twisty road, + The sweet and lover’s-kiss-ty road, + The secret winding misty road, + That leads to Fairyland! + + + + +SONNET + + + Christ God, Who died for us, now turn Thy face! + Behold not what men do, lest once again + Thou should’st be crucified, and die of pain. + Look not, O Lord, but only of Thy grace + Do Thou let fall on this accursed place, + Where the poor starve and labour in disdain + Of blinded Greed and all its vulgar train, + A single thread of heaven that we may trace + Some way to Right! And since “great men” stand by, + Heedless of women and men that hunger, Lord, + Give Thou to common men the vision splendid. + Take (and if need be break) them, like a sword; + Take them, and break them till their lives be ended; + Here are a thousand christs ready to die! + + + + +ENGLAND IN MEMORY + +(SONNET) + + + Sweet Motherland, what have I done for thee, + What suffered, what of lasting beauty made? + I who ungratefully and undismayed + Drank from thy breast the milk which nourished me + In childhood, which until my death must be + The life within my veins. Lo, from that shade + Wherein they rest, thy dead and mine, arrayed + In honour’s robes, come clear and plaintively + Voices for ever to my listening ear + Which cry, “Not yet is finished England’s fight! + Still, still must poets strive and martyrs bleed + To overthrow the enemies of Light, + Armies of Dullness, Cruelty, Lust, and Greed!” + Yet what have I done for thee, England dear? + + + + +THE DEAD + + + You never crept into the night + That lurks for all mankind! + Joyous you lived and loved, and leapt + Into that gaping dark, where stept + Our Fathers all, to find + Old honour--jest of fools, yet still the soul of all delight. + + + + +THE SLEEPERS + + + A battered roof where stars went tripping + With silver feet, + A broken roof whence rain came dripping, + Yet rest was sweet. + + A dug-out where the rats ran squeaking + Under the ground, + And out in front the poor dead reeking! + Yet sleep was sound. + + No longer house or dug-out keeping, + Within a cell + Of brown and bloody earth they’re sleeping; + Oh they sleep well. + + Thrice blessed sleep, the balm of sorrow! + Thrice blessed eyes + Sealed up till on some doomsday morrow + The sun arise! + + + + +COMRADES O’ MINE + +(RONDEAU) + + + Comrades o’ mine, that were to me + More than my grief and gaiety, + More than my laughter or my pain: + Comrades, we shall not walk again + The road whereon we went so free-- + The old way of Humanity. + But you are sleeping peacefully + Till the last dawn, heroic slain, + Comrades o’ mine. + + Till the last moon shall fade and flee + You sleep. Oh sleep not dreamlessly, + You whereof only dreams remain, + Come you by dreams into my brain, + Inspire my visions, and still be + Comrades o’ mine! + + + + +TO _R. E. K._ + +(IN MEMORIAM) + + + Dear, rash, warm-hearted friend, + So careless of the end, + So worldly-foolish, so divinely-wise, + Who, caring not one jot + For place, gave all you’d got + To help your lesser fellow-men to rise. + + Swift-footed, fleeter yet + Of heart. Swift to forget + The petty spite that life or men could show you; + Your last long race is won, + But beyond the sound of gun + You laugh and help men onward--if I know you. + + Oh still you laugh, and walk, + And sing and frankly talk + (To angels) of the matters that amused you + In this bitter-sweet of life, + And we who keep its strife, + Take comfort in the thought how God has used you. + + + + +BALLAD OF ARMY PAY + + + In general, if you want a man to do a dangerous job:-- + Say, swim the Channel, climb St. Paul’s, or break into and rob + The Bank of England, why, you find his wages must be higher + Than if you merely wanted him to light the kitchen fire. + But in the British Army, it’s just the other way, + And the maximum of danger means the minimum of pay. + + You put some men inside a trench, and call them infantrie, + And make them face ten kinds of hell, and face it cheerfully; + And live in holes like rats, with other rats, and lice, and toads, + And in their leisure time, assist the R.E.’s with their loads. + Then, when they’ve done it all, you give ’em each a bob a day! + For the maximum of danger means the minimum of pay. + + We won’t run down the A.S.C., nor yet the R.T.O. + They ration and direct us on the way we’ve got to go. + They’re very useful people, and it’s pretty plain to see + We couldn’t do without ’em, nor yet the A.P.C. + But comparing risks and wages,--I think they all will say + That the maximum of danger means the minimum of pay. + + There are men who make munitions--and seventy bob a week; + They never see a lousy trench nor hear a big shell shriek; + And others _sing_ about the war at high-class music-halls + Getting heaps and heaps of money and encores from the stalls. + They “keep the home fires burning” and bright by night and day, + While the maximum of danger means the minimum of pay. + + I wonder if it’s harder to make big shells at a bench, + Than to face the screaming beggars when they’re crumping up a trench; + I wonder if it’s harder to sing in mellow tones + Of danger, than to face it--say, in a wood like Trone’s; + Is discipline skilled labour, or something children play? + Should the maximum of danger mean the minimum of pay? + + + + +TO THE DEVIL ON HIS APPALLING DECADENCE + + + Satan, old friend and enemy of man; + Lord of the shadows and the sins whereby + We wretches glimpse the sun in Virtue’s sky + Guessing at last the wideness of His plan + Who fashioned kid and tiger, slayer and slain, + The paradox of evil, and the pain + Which threshes joy as with a winnowing fan: + + Satan, of old your custom ’twas at least + To throw an apple to the soul you caught + Robbing your orchard. You, before you wrought + Damnation due and marked it with the beast, + Before its eyes were e’en disposed to dangle + Fruitage delicious. And you would not mangle + Nor maul the body of the dear deceased. + + But you were called familiarly “Old Nick”-- + The Devil, yet a gentleman you know! + Relentless--true, yet courteous to a foe. + Man’s soul your traffic was. You would not kick + His bloody entrails flying in the air. + Oh, “Krieg ist Krieg,” we know, and “C’est la guerre!” + But Satan, don’t you feel a trifle sick? + + + + +AT AFTERNOON TEA + +(TRIOLET) + + + We have taken a trench + Near Combles, I see, + Along with the French. + We have taken a trench. + (_Oh, the bodies, the stench!_) + Won’t you have some more tea? + We have taken a trench + Near Combles, I see. + + + + +TO THE UNKNOWN NURSE + + + Moth-like at night you flit or fly + To where the other patients lie; + I hear, as you brush by my door + The flutter of your wings, no more. + + Shall I now call you in and see + The phantom vanish instantly? + Perhaps some sixteen stone or worse, + Suddenly falling through my verse! + + Nay, be you sour, or be you sweet, + I’d see you not. Life’s wisdom is + To keep one’s dreams. Oh never quiz + The lovely lady in the street! + + I knew a man who went large-eyed + And happy, till he bought pince-nez + And saw things as they were. He died + --A pessimist--the other day. + + + + +THE HORSES + + + My father bred great horses, + Chestnut, grey, and brown. + They grazed about the meadows, + And trampled into town. + + They left the homely meadows + And trampled far away, + The great shining horses, + Chestnut, and brown, and grey. + + Gone are the horses + That my father bred. + And who knows whither?... + Or whether starved or fed?... + Gone are the horses, + And my father’s dead. + + + + +MOTHER AND SON + + + “Bow-wow! Bow-wow!” See how he bounds and prances, + “_Wow!_” races off, returns again and dances-- + A little wave of sunshine and brown fur-- + About his old rheumatic mother-cur. + Look how she gives him back his baby bite + Tenderly as a human mother might. + + Now, poor old thing--she gazes quaintly up + To laugh dog-fashion at me. “What a pup, + Master!” she seems to say: then, like a wave, + He’s down on her again--“Oh, master, see, + I’m growing old.... What spirits youngsters have!” + Her old eyes blink as they look up at me. + + + + +_GROWN UPS_ + + + + +1. TIMMY TAYLOR AND THE RATS + + + It was a spell of sultry weather, + There’d been no rain for weeks together, + And little Timmy Taylor, + A mouse of a man, + Walked down the road + With a big milk-can, + Walked softly down the road at night + When the stars were thick and the moon was bright. + + Hard by the road a spring came up + To glimmer in a rare bright cup + Of green-sward, burnt elsewhere quite dry. + To this he came--we won’t ask why-- + Little Timmy Taylor, + The mouse of a man, + With a big milk-can. + + Then, as he turned, so goes the story-- + Came trooping through the moonlight glory + Hundreds and scores of--what do you think? + Rats! rats a-coming down to drink + From granary and barn and stack, + Grey and tawny, brown and black, + Tails cocked up and teeth all gleaming, + Beady eyes light-filled, and seeming + That moony-mad and hunger-fierce. + Little Timmy Taylor, + The mouse of a man, + Dropped the milk-can, + And giving a shriek--’twas fit to pierce + The ear o’ the dead--he ran away, + And the can was found in the road next day. + + + + +2. WILLUM ACCOUNTS FOR THE PRICE OF LAMPREY + + + “Aye, sure, it’s pretty fish, but there’s no sale + Nowadays.” “Why?” “Well, the story that they tell + Is, as the king were very fond on ’em, + And all the fashion ate and paid up well. + And then one day our king--so goes the tale-- + Ate over-hearty-like and throwed ’em up. + So all the fashion with him when he dined + Cut out their orders,--and the price cum down. + And maybe that be true, for still in town + Our council--scheming, likely, to remind + His Majesty of joys he left behind-- + Sends un the very prince o’ lamprey pies + (I’ve seen un many a while in Fisher’s winder) + And so, God willing and if nothing hinder, + Some day he’ll taste again and prices rise.” + + + + +3. THE OLDEST INHABITANT HEARS FAR OFF THE DRUMS OF DEATH + + + Sometimes ’tis far off, and sometimes ’tis nigh, + Such drummerdery noises too they be! + ’Tis odd--oh, I do hope I baint to die + Just as the summer months be coming on, + And buffly chicken out, and bumble-bee: + Though, to be sure, I cannot hear ’em plain + For this drat row as goes a-drumming on, + Just like a little soldier in my brain. + + And oh, I’ve heard we got to go through flame + And water-floods--but maybe ’tisn’t true! + I allus were a-frightened o’ the sea. + And burning fires--oh, it would be a shame + And all the garden ripe, and sky so blue. + Such drummerdery noises, too, they be. + + + + +4. SETH BEMOANS THE OLDEST INHABITANT + + + We heard as we wer passing by the forge: + “’Er’s dead,” said he. + “’Tis Providence’s doing,” so said George. + “He’s allus doing summat,” so I said, + “You see this pig; we kept un aal the year + Fatting un up and priding in un, see, + And spent a yup o’ money--food so dear! + I wish ’twer ’e; + I’d liefer our fat pig had died than she.” + + + + +5. A RIVER, A PIG, AND BRAINS + + + Last fall, to sell his oldest perry, + Old Willum Fry did cross the ferry, + And thur inside of an old sty + ’A seed a leanish pig did lie: + A rakish, active beast ’a was + As ever rooted up the grass: + Eager as bees on making honey + To stuff his self. Bill did decide + To buy un with the cider money + And fat un up for Easter-tide. + + He bought un, but no net ’ad got + To kip thic pig inside the boat. + “The’ll drown wi’ pig and all at ferry!” + Cried one. Said Fry, “Go, bring some perry, + And this old drinking-horn you got, + Lying inside the piggery cot!” + + He poured a goodish swig and soon + --As lazy as a day o’ June-- + Piggy lay boozed, and so did bide + Snoring, while him and Fry were taken + ’Cross Severn: and ’a didn’t waken + Until the boat lay safely tied + Up to a tree on t’other side. + + + + +6. MARTHA BAZIN ON MARRIAGE + + + This is the fourth ’un, Miss, and if so be + As he do die out like the t’other three, + I’ll take another man (if one do ask). + Woman and man apart be like a cask + Without a bung, letting Life’s cider out, + The Almighty made to drink withouten doubt. + I never could abode the thought o’ waste + Whether of Life or cider, fit for taste. + But love him, Miss, you ask?--why, that I can, + And thank the Lord I could love any man. + + + + +_CHILDREN_ + + + + +1. LITTLE ABEL GOES TO CHURCH + + + And this is what he heard + And saw at church: + Oh, a great yellow bird + Upon a perch-- + Quite still upon a perch. + + And then a man in white + Got up and walked to it, + And talked to it + For a long while (he said); + But the yellow bird + (Although it must have heard!) + Never turned its head, + Or did anything at all + But look straight at the wall! + (_A true tale._) + + + + +2. DELIGHTS + + + Small Marjorie + In an apple-tree + Looks down upon the world with glee. + + Her brother Ted, + So he has said, + Loves best to see the chickens fed. + + And little Charlie likes to see + The Thresher working hard, when he + Hums like a dreadful bumble-bee. + + But Ann and Martha sit together + Reading, however gold the weather. + + + + +3. THE BOY WITH LITTLE BARE TOES + + + He ran all down the meadow, that he did, + The boy with the little bare toes. + The flowers they smelt so sweet, so sweet, + And the grass it felt so funny and wet + And the birds sang just like this--“chereep!” + And the willow-trees stood in rows. + “Ho! ho!” + Laughed the boy with the little bare toes. + + Now the trees had no insides--how funny! + Laughed the boy with the little bare toes. + And he put in his hand to find some money + Or honey--yes, that would be best--oh, best! + But what do you think he found, found, found? + Why, six little eggs all round, round, round, + And a mother-bird on the nest, + Oh, yes! + The mother-bird on her nest. + + He laughed, “Ha! ha!” and he laughed, “He! he!” + The boy with the little bare toes. + But the little mother-bird got up from her place + And flew right into his face, ho! ho! + And pecked him on the nose, “Oh! oh!” + Yes, pecked him right on the nose. + “Boo! Boo!” + Cried the boy with the little bare toes. + + + + +THE WIND IN TOWN TREES + + + What is it says the breeze + In London streets to-day + Unto the troubled trees + Whose shadows strew the way, + Whose leaves are all a-flutter? + + “You are wild!” the rascal cries. + The green tree beats its wings + And fills the air with sighs. + “Wild! Wild!” the rascal sings. + “But your feet are in the gutter!” + + Men pass beneath the trees + Walking the pavement grey, + They hear the whisperings tease + And at the word he utters + Their hearts are green and gay. + + Then like the gay, green trees, + They beat proud wings to fly, + But, like the fluttering trees, + Their footprints mark the gutters + Until the beggars die. + + + + +FORM + +(A STUDY) + + + Flower-like and shy, + You stand, sweet mortal, at the river’s brim: + With what unconscious grace + Your limbs to some strange law surrendering + Which lifts you clear of our humanity! + + Now would I sacrifice + Your breathing, warmth, and all the strange romance + Of living, to a moment. Ere you break + The greater thing than you, I would my eyes + Were basilisk to turn you into stone. + So should you be the world’s inheritance. + And souls of unborn men should draw their breath + From mortal you, immortalised in Death. + + + + +VILLANELLE + + + So is thy music unto me, + As the bright moon which tides obey, + As the white moon upon the sea. + + And like a wind that scatters free + The petals of an April day, + So is thy music unto me. + + It falleth light and quietly + And sweet as summer’s petals--nay, + As the white moon upon the sea. + + As moonlight falling silvery + On waves of wild and surging grey, + So is thy music unto me. + + As o’er each white and ebon key + I watch thy silver fingers play, + As the white moon upon the sea, + On headlands of eternity + My soul is hurled, and dashed in spray! + + So is thy music unto me + As the bright moon which tides obey, + As the white moon upon the sea. + + + + +KOSSOVO DAY + + + From this sweet nest of peace and summer blue-- + England in June--a sea-bird’s nest indeed + Guarded of waves, and hid by the sea-weed + From envious hunter’s eye, we send to you + Our flying thoughts and prayers, our treasure too, + Poor though it be to bandage wounds that bleed + For country dear beloved. There the seed + Of homely loves and occupations grew + To wither in the flame of godless might + Kindled by hands of treachery, yet reeking + With blood of friends and neighbours. Serbia, thou + Hast thought us careless and far off; know now + Thy name to us is sudden drums outspeaking + And tortured trumpets crying in the night! + + _Note._--This poem was sent from Crefeld, but was written in England + just before the author left for the front. + + + + +A PHILOSOPHY + + + Only in pages of men’s books I find + Swart villain and fair knight + Closing in fight. + Not piebald is mankind. + The soul is hued to such swift varying + As flying hornet’s sunshine-smitten wing. + + Therefore, dear brother men (where’er ye be), + Who strive for right + With such short sight, + ’Tis wise for little folk like you and me + Neither too much to praise nor yet to blame, + Since in our different ways we’re all the same. + + + + +CONSOLATOR AFFLICTORUM + + + “Must ever I be so + --Yellow and old?” you asked, + “With living overtasked, + Ugly, and racked with pains?” + I answered, “Even so, + Dearest; yet love remains.” + + + + +RECOGNITION + + + By Him Who made you sweet + And set your eyes so wide, + Who suffered us to meet + Despite of woman’s pride, + + And willed that we should know, + Despite of man’s gross sense, + The wonder and dawn-glow + Of Love’s omnipotence,-- + + By all of this I swear, + And by God’s self I vow, + We have met (I know not how) + Loving (I know not where): + + Perhaps in heaven above, + Perhaps in deep perdition. + And so this present love + Is but a recognition. + + + + +ON OVER BRIDGE AT EVENING + + + Faint grow the hills, but yet the night delays + To blot them utterly. Below their ridge + Of shadow lies the city in blue haze. + I watch its lamps awaken, from the bridge + Whereunder, running strongly to the sea, + Water goes fleeting softly in a brown + Wild loveliness. In heaven two or three + Small stars awaken and gaze shyly down.... + + White and alluring runs the dusty road + Into the country, and with yellow eyes + A hastening car comes purring with its load: + Like some great owl it hoots, and then it flies + Past, and is swallowed up in dusk. And, singing, + A country girl with basket homeward wends + --Sweet as the dusty roses that are clinging + Around the cottage where her journey ends. + + Night deepens, and the stars with strengthening rays + Thicken and go upon their lovely ways. + Where are the voices that have vexed us so? + Dear God, how quiet has Thy day become! + The clamorous tongues of Earth are smitten dumb, + Awed with the beauty that Thy work doth show. + + + + +PASSION + + + All life from passion springs. + In holy ecstasy + ’Midst whir of angel-wings, + Did God decree + The golden stars that shine: + The flaming morn, + And that this flesh of mine + Should once be born. + + And all the works of men + That live indeed: + Joyance of sword or pen, + High thought or deed, + Are in such primal fashion + Contrived and wrought. + God grant me fire of thought + To work Thy will--with Passion! + + + + +A COMMON PETITION + + + I crave not of the wonder + Of Thy full plan to see; + No secret would I plunder + Of guarded destiny; + This only grant to me: + + To hear the rolling thunder + Of Life--be man alive: + Yet through no body’s blunder + To drag the bright soul under + --Drowned where it needs must dive. + + Keeping against all Fate + That Thou hast given me-- + The dual mystery + Of man--inviolate. + + + + +AN ADVENTURE WITH GOD + + + Far worse than pain, + Unutterable weariness + Of blood and brain-- + Intolerable dreariness + Of days God gave me. + And I bethought + The first fresh flood of youth that rose to leave me, + And how in those brave days-- + Virgin of lust and spot-- + I had forgot + To render any praise. + Then, as I thus looked upward through the net + Wherein both soul and flesh lay cunningly caught, + God (’twas like Springtime calling from the earth + The flowers to birth!) + Smiled down and did restore + All that I had before. + + + + +THE STRANGER + + + It happened in a blood-red hell ringed round with golden weather; + Walking in khaki through a trench he came, + When life was death, and wounded men and great shells screamed + together: + I did not know his name. + But so white-faced and wan, we talked a little while together + Amongst dead men, and timbers black with flame. + + “What would you do with life again,” asks he, “if one could give it?” + “No use to talk when life is done,” I say. + “But, by the living God, if He should grant me life I’d live it + Kinder to man, truer to God each day.” + + Flame and the noise of doom devoured the words, and for a while + Senseless I lay.... Then, + Oh, then as in a dream I saw the stranger with a smile + Moving towards me over the dead men. + + Red, red were his hands and feet and a great hole in his side, + Yet glory seemed to blaze about his head; + “Kinder to man, truer to God,” he whispered, and then died; + Falling down, arms outspread. + Ere darkness fell upon me with the faintness and the pain, + I saw a mangled body lying prone + Upon the earth beside me. But what I can’t explain + Is--_The stretcher-bearers found me quite alone_. + + But, howsoe’er it happened, it matters not at last, + Since God’s dear Son came down to earth and died + In bloodshed, and the darkness of clouds that groaned aghast; + With pierced hands and a great wound in His side. + + It is not in my heart to hate the pleasant sins I leave. + Earth’s passion flames within me fierce and strong. + But this is like a shadow ever rising up to thieve + Sin’s pleasures, and the lure of every pattern lust can weave, + And charm of all things that can do Him wrong. + + + + +THE BUGLER + + + God dreamed a man; + Then, having firmly shut + Life like a precious metal in his fist, + Withdrew, His labour done. Thus did begin + Our various divinity and sin. + For some to ploughshares did the metal twist, + And others--dreaming empires--straightway cut + Crowns for their aching foreheads. Others beat + Long nails and heavy hammers for the feet + Of their forgotten Lord. (Who dare to boast + That he is guiltless?) Others coined it: most + Did with it--simply nothing. (Here, again, + Who cries his innocence?) Yet doth remain + Metal unmarred, to each man more or less, + Whereof to fashion perfect loveliness. + + For me, I do but bear within my hand + (For sake of Him our Lord, now long forsaken) + A simple bugle such as may awaken + With one high morning note a drowsing man: + That wheresoe’er within my motherland + The sound may come, ’twill echo far and wide + Like pipes of battle calling up a clan, + Trumpeting men through beauty to God’s side. + + + PRINTED BY + HAZELL, WATSON AND VINEY, LD., + LONDON AND AYLESBURY. + + + + +TRANSCRIBER’S NOTE: + + + Italicized text is surrounded by underscores: _italics_. + +*** END OF THE PROJECT GUTENBERG EBOOK 66362 *** diff --git a/66362-h/66362-h.htm b/66362-h/66362-h.htm index 872a86d..2deb521 100644 --- a/66362-h/66362-h.htm +++ b/66362-h/66362-h.htm @@ -1,2762 +1,2304 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
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-<p style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Gloucestershire Friends: Poems From a German Prison Camp, by F. W. Harvey</p>
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-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online
-at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
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-</div>
-
-<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Gloucestershire Friends: Poems From a German Prison Camp</p>
- <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: F. W. Harvey</p>
- <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Contributor: Rev. Bishop Frodsham</p>
-<p style='display:block; text-indent:0; margin:1em 0'>Release Date: September 22, 2021 [eBook #66362]</p>
-<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p>
- <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: D A Alexander, David E. Brown, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by University of California libraries)</p>
-<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK GLOUCESTERSHIRE FRIENDS: POEMS FROM A GERMAN PRISON CAMP ***</div>
-
-<div class="figcenter"><img src="images/cover.jpg" width="50%" alt="" /></div>
-
-<hr class="chap x-ebookmaker-drop" />
-<div class="blockquot">
-<h1>Gloucestershire Friends</h1>
-
-<div class="figright"><img src="images/i_logopage1.jpg" alt="" /></div>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p class="center">BY THE SAME AUTHOR</p>
-</div>
-
-<p class="center"><i>Fourth Impression</i></p>
-
-<p class="center">A Gloucestershire Lad at Home<br />
-and Abroad</p>
-
-<p class="center">Cloth 2<i>s.</i> net; paper 1<i>s.</i> 6<i>d.</i> net.</p>
-
-
-<div class="blockquot">
-
-<p>“The secret of Mr. Harvey’s power is that he
-says what other English lads in Flanders want to
-say and cannot.... This modest little volume has
-real charm, and not a little depth of thought and
-beauty. It contains far more real poetry than many
-a volume ten times its length.”—Bishop Frodsham
-in <i>The Saturday Review</i>.</p>
-
-<p>“A poet of power and a subtle distinction....
-This little collection of his poems, which has a
-Preface by his Commanding Officer, will give him
-a high place in the Sidneian company of soldier-poets.”—E.
-B. O. in <i>The Morning Post</i>.</p>
-</div>
-
-
-<p class="center">London: Sidgwick & Jackson, Ltd.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="titlepage">
-<p><span class="xxlarge">Gloucestershire Friends:</span><br />
-<br />
-<span class="xlarge">Poems from a German Prison Camp</span></p>
-
-<p>by<br />
-<span class="xlarge">F. W. Harvey</span><br />
-<br />
-Author of<br />
-“A Gloucestershire Lad at Home and Abroad”</p>
-
-<div class="figcenter"><img src="images/i_logo.jpg" alt="" /></div>
-
-<p><span class="large">Introduction by the Right Rev. <span class="smcap">Bishop Frodsham</span><br />
-Canon Residentiary of Gloucester</span></p>
-
-
-<p><span class="xlarge">London: Sidgwick & Jackson, Ltd.<br />
-3 Adam Street, Adelphi, W.C.2.<span class="gap"> 1917</span></span></p>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-<div class="chapter">
-<p class="center">
-<i>First published in 1917</i><br />
-<br />
-<i>All rights reserved</i></p>
-</div>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p class="center">
-TO<br />
-<br />
-THE BEST OF ALL<br />
-<br />
-GLOUCESTERSHIRE FRIENDS<br />
-<br />
-<span class="large">MY MOTHER</span></p>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_7">[7]</span>
-<div class="blockquot">
-<h2 class="nobreak">CONTENTS</h2>
-</div></div>
-
-
-<table border="0" cellpadding="2" cellspacing="2" summary="table">
-
-<tr><td> </td><td class="tdr">PAGE</td></tr>
-
-<tr><td>INTRODUCTION, BY BISHOP FRODSHAM</td><td class="tdr"><a href="#Page_11"> 11</a></td></tr>
-
-<tr><td>CLOUD MESSENGERS</td><td class="tdr"><a href="#Page_13"> 13</a></td></tr>
-
-<tr><td>LONELINESS </td><td class="tdr"><a href="#Page_14"> 14</a></td></tr>
-
-<tr><td>AUTUMN IN PRISON</td><td class="tdr"><a href="#Page_15"> 15</a></td></tr>
-
-<tr><td>WHAT WE THINK OF</td><td class="tdr"><a href="#Page_16"> 16</a></td></tr>
-
-<tr><td>PRISONERS</td><td class="tdr"><a href="#Page_17"> 17</a></td></tr>
-
-<tr><td>SONNET, TO ONE KILLED IN ACTION</td><td class="tdr"><a href="#Page_18"> 18</a></td></tr>
-
-<tr><td>THE HATEFUL ROAD</td><td class="tdr"><a href="#Page_19"> 19</a></td></tr>
-
-<tr><td>ENGLISH FLOWERS IN A FOREIGN GARDEN</td><td class="tdr"><a href="#Page_20"> 20</a></td></tr>
-
-<tr><td>THE BOND</td><td class="tdr"><a href="#Page_21"> 21</a></td></tr>
-
-<tr><td>TO YOU—UNSUNG</td><td class="tdr"><a href="#Page_22"> 22</a></td></tr>
-
-<tr><td>A CHRISTMAS WISH</td><td class="tdr"><a href="#Page_23"> 23</a></td></tr>
-
-<tr><td>TO KATHLEEN</td><td class="tdr"><a href="#Page_24"> 24</a></td></tr>
-
-<tr><td>CHRISTMAS IN PRISON</td><td class="tdr"><a href="#Page_25"> 25</a></td></tr>
-
-<tr><td>TO THE OLD YEAR</td><td class="tdr"><a href="#Page_26"> 26</a></td></tr>
-
-<tr><td>BALLADE</td><td class="tdr"><a href="#Page_27"> 27</a></td></tr>
-
-<tr><td>BALLADE</td><td class="tdr"><a href="#Page_29"> 29</a></td></tr>
-
-<tr><td>SOLITARY CONFINEMENT</td><td class="tdr"><a href="#Page_31"> 31</a></td></tr>
-
-<tr><td>A RONDEL OF GLOUCESTERSHIRE</td><td class="tdr"><a href="#Page_32"> 32</a></td></tr>
-
-<tr><td>THE LITTLE ROAD</td><td class="tdr"><a href="#Page_33"> 33</a></td></tr>
-
-<tr><td>SONNET</td><td class="tdr"><a href="#Page_34"> 34</a><span class="pagenum" id="Page_8">[8]</span></td></tr>
-
-<tr><td>ENGLAND, IN MEMORY </td><td class="tdr"><a href="#Page_35"> 35</a></td></tr>
-
-<tr><td>THE DEAD</td><td class="tdr"><a href="#Page_36"> 36</a></td></tr>
-
-<tr><td>THE SLEEPERS</td><td class="tdr"><a href="#Page_37"> 37</a></td></tr>
-
-<tr><td>COMRADES O’ MINE</td><td class="tdr"><a href="#Page_38"> 38</a></td></tr>
-
-<tr><td>TO R. E. K. </td><td class="tdr"><a href="#Page_39"> 39</a></td></tr>
-
-<tr><td>BALLAD OF ARMY PAY</td><td class="tdr"><a href="#Page_40"> 40</a></td></tr>
-
-<tr><td>TO THE DEVIL ON HIS APPALLING DECADENCE</td><td class="tdr"><a href="#Page_43"> 43</a></td></tr>
-
-<tr><td>AT AFTERNOON TEA</td><td class="tdr"><a href="#Page_44"> 44</a></td></tr>
-
-<tr><td>TO THE UNKNOWN NURSE</td><td class="tdr"><a href="#Page_45"> 45</a></td></tr>
-
-<tr><td>THE HORSES</td><td class="tdr"><a href="#Page_46"> 46</a></td></tr>
-
-<tr><td>MOTHER AND SON</td><td class="tdr"><a href="#Page_47"> 47</a></td></tr>
-
-<tr><td><a href="#Page_48"> GROWN UPS:</a></td></tr>
-
-<tr><td class="tdc">1. TIMMY TAYLOR AND THE RATS</td><td class="tdr"><a href="#Page_48"> 48</a></td></tr>
-
-<tr><td class="tdc">2. WILLUM ACCOUNTS FOR THE PRICE OF LAMPREY</td><td class="tdr"><a href="#Page_50"> 50</a></td></tr>
-
-<tr><td class="tdc">3. THE OLDEST INHABITANT HEARS FAR OFF THE DRUMS OF DEATH</td><td class="tdr"><a href="#Page_51"> 51</a></td></tr>
-
-<tr><td class="tdc">4. SETH BEMOANS THE OLDEST INHABITANT </td><td class="tdr"><a href="#Page_52"> 52</a></td></tr>
-
-<tr><td class="tdc">5. A RIVER, A PIG, AND BRAINS</td><td class="tdr"><a href="#Page_53"> 53</a></td></tr>
-
-<tr><td class="tdc">6. MARTHA BAZIN ON MARRIAGE</td><td class="tdr"><a href="#Page_54"> 54</a></td></tr>
-
-<tr><td><a href="#Page_55"> CHILDREN:</a><span class="pagenum" id="Page_9">[9]</span></td></tr>
-
-<tr><td class="tdc">1. LITTLE ABEL GOES TO CHURCH</td><td class="tdr"><a href="#Page_55"> 55</a></td></tr>
-
-<tr><td class="tdc">2. DELIGHTS</td><td class="tdr"><a href="#Page_56"> 56</a></td></tr>
-
-<tr><td class="tdc">3. THE BOY WITH LITTLE BARE TOES</td><td class="tdr"><a href="#Page_57"> 57</a></td></tr>
-
-<tr><td>THE WIND IN TOWN TREES</td><td class="tdr"><a href="#Page_58"> 58</a></td></tr>
-
-<tr><td>FORM—A STUDY</td><td class="tdr"><a href="#Page_59"> 59</a></td></tr>
-
-<tr><td>VILLANELLE</td><td class="tdr"><a href="#Page_60"> 60</a></td></tr>
-
-<tr><td>KOSSOVO DAY</td><td class="tdr"><a href="#Page_61"> 61</a></td></tr>
-
-<tr><td>A PHILOSOPHY</td><td class="tdr"><a href="#Page_62"> 62</a></td></tr>
-
-<tr><td>CONSOLATOR AFFLICTORUM</td><td class="tdr"><a href="#Page_63"> 63</a></td></tr>
-
-<tr><td>RECOGNITION</td><td class="tdr"><a href="#Page_64"> 64</a></td></tr>
-
-<tr><td>ON OVER BRIDGE AT EVENING</td><td class="tdr"><a href="#Page_65"> 65</a></td></tr>
-
-<tr><td>PASSION</td><td class="tdr"><a href="#Page_66"> 66</a></td></tr>
-
-<tr><td>A COMMON PETITION</td><td class="tdr"><a href="#Page_67"> 67</a></td></tr>
-
-<tr><td>AN ADVENTURE WITH GOD</td><td class="tdr"><a href="#Page_68"> 68</a></td></tr>
-
-<tr><td>THE STRANGER</td><td class="tdr"><a href="#Page_69"> 69</a></td></tr>
-
-<tr><td>THE BUGLER</td><td class="tdr"><a href="#Page_71"> 71</a></td></tr>
-</table>
-
-<p><span class="pagenum" id="Page_10">[10]</span></p>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_11">[11]</span>
-
-<h2 class="nobreak">INTRODUCTION</h2>
-
-
-<p class="center">by Bishop Frodsham</p>
-</div>
-
-<p> </p>
-<p>“<span class="smcap">Good</span> wine needs no bush.” Those who know and
-love “A Gloucestershire Lad” would resent any
-lengthy attempt to praise the quality of Lieutenant
-Harvey’s verses. Some of the poems from a German
-prison camp may reach a far higher standard of
-lyric excellence than any in the earlier volume. The
-two ballades on war and “The Bugler” grip one by
-the throat. But all the verses have a sweetness and
-beauty entirely their own.</p>
-
-<p>The poems are all short—too short. Lieutenant
-Harvey sings like the wild birds of his own dear
-Gloucestershire because he cannot help doing so.
-He stops short—as they do—and like them begins
-again. What can we do but take what he gives us,
-wondering that he can write so well, mewed as he is
-in a cage—and such a cage! An agony of inarticulate
-longing shrills in a feathered cageling’s song: the
-man simply and unaffectedly lays bare his heart, his
-love, his faith, his hope, his sense of loneliness, of
-ineffectiveness, of baffled purposes and incompleted
-manhood.</p>
-
-<p>Memory is at once the joy and torment of all who
-are forced to think. Memory tears the heart-strings
-of those who are in captivity. It makes some hopeless
-and weak, others bitter and savage, according to
-their natures. Beneath all the music of this man’s
-words there is an undertone of fierce anger that sweeps
-him away at times, but is this not characteristic of
-many other young Englishmen who laugh so well, and
-“woo bright danger for a thrilling kiss”? His memories
-sweep along the great gamut of his own tremendous
-experiences, and yet they never lose the melodies
-of home. Perhaps because of the objects of his<span class="pagenum" id="Page_12">[12]</span>
-heart’s desire he is so kindly withal, so modest, so
-humorous, and, to use his own words of another, “so
-worldly foolish, so divinely wise.” Herein is the
-fascination of these verses.</p>
-
-<p>The manuscript was sent on by the prison authorities
-of Crefeld without any obliteration or excision. This
-must be counted unto them for literary righteousness.
-Yet it would be difficult to imagine what the most
-stony-hearted German censor could resent in any one
-of Lieutenant Harvey’s poems, unless it might be a
-deep love for England and an overwhelming desire to
-be with his love again.</p>
-
-<p>Many unfortunates who have had dear ones imprisoned
-at Gütersloh, where most of these poems were
-written, and at other centres, are looking forward
-eagerly to the publication of this little book. If they
-expect to read descriptions of the life of the camp,
-or reflections upon the conduct of German gaolers,
-they will be disappointed. The circumstances of the
-case have made such revelations impossible. If they
-had been possible, it is still doubtful if they would
-have been made here. But it will be strange if such
-readers do not find better things than they expected.
-Transpose any other county of this land for Gloucestershire,
-or any other home for the tree-encircled
-house at Minsterworth, then they will learn what the
-best of England’s captive sons are thinking, and so
-take heart of grace from the true love-songs of a
-Gloucestershire soldier, written first and foremost for
-his mother.</p>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_13">[13]</span>
-
-<p class="ph1">GLOUCESTERSHIRE<br />
-FRIENDS</p>
-
-<div class="blockquot">
-<h3 class="nobreak">CLOUD MESSENGERS</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">You</span> clouds that with the wind your warden</div>
-<div class="indent">Flying toward the Channel go,</div>
-<div class="verse">Or ever the frost your fruit shall harden</div>
-<div class="indent">To hail and sleet and driving snow,</div>
-<div class="verse">Go seek one sunny old sweet garden—</div>
-<div class="indent">An English garden that I know.</div>
-</div>
-<div class="stanza">
-<div class="verse">Therein perchance my Mother, straying</div>
-<div class="indent">Among her dahlias, shall see</div>
-<div class="verse">Your rainy gems in sunlight swaying</div>
-<div class="indent">On flower of gold and emerald tree.</div>
-<div class="indent">Then in her heart feel suddenly</div>
-<div class="verse">Old love and laughter, like sunshine playing</div>
-<div class="indent">Through tears of memory.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_14">[14]</span>
-<div class="blockquot">
-<h3 class="nobreak">LONELINESS</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="indent2"><span class="smcap">Oh</span> where’s the use to write?</div>
-<div class="indent2">What can I tell you, dear?</div>
-<div class="indent2">Just that I want you so</div>
-<div class="indent2">Who are not near.</div>
-<div class="verse">Just that I miss the lamp whose blessèd light</div>
-<div class="verse">Was God’s own moon to shine upon my night,</div>
-<div class="verse">And newly mourn each new day’s lost delight:</div>
-<div class="verse">Just—oh, it will not ease my pain—</div>
-<div class="indent2">That I am lonely</div>
-<div class="indent2">Until I see you once again,</div>
-<div class="indent2">You—you only.</div>
-</div></div>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_15">[15]</span>
-<div class="blockquot">
-<h3 class="nobreak">AUTUMN IN PRISON</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Here</span> where no tree changes,</div>
-<div class="indent">Here in a prison of pine,</div>
-<div class="verse">I think how Autumn ranges</div>
-<div class="indent">The country that is mine.</div>
-</div>
-<div class="stanza">
-<div class="verse">There—rust upon the chill breeze—</div>
-<div class="indent">The woodland leaf now whirls;</div>
-<div class="verse">There sway the yellowing birches</div>
-<div class="indent">Like dainty dancing girls.</div>
-</div>
-<div class="stanza">
-<div class="verse">Oh, how the leaves are dancing</div>
-<div class="indent">With Death at Lassington!</div>
-<div class="verse">And Death is now enhancing</div>
-<div class="indent">Beauty I walked upon.</div>
-</div>
-<div class="stanza">
-<div class="verse">The roads with leaves are littered,</div>
-<div class="indent">Yellow, brown, and red.</div>
-<div class="verse">The homes where robins twittered</div>
-<div class="indent">Lie ruin; but instead</div>
-</div>
-<div class="stanza">
-<div class="verse">Gaunt arms of stretching giants</div>
-<div class="indent">Stand in the azure air,</div>
-<div class="verse">Cutting the sky in pattern</div>
-<div class="indent">So common, yet so fair.</div>
-</div>
-<div class="stanza">
-<div class="verse">The heart is kindled by it,</div>
-<div class="indent">And lifted as with wine,</div>
-<div class="verse">In Lassington and Highnam—</div>
-<div class="indent">The woodlands that were mine.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_16">[16]</span>
-<div class="blockquot">
-<h3 class="nobreak">WHAT WE THINK OF</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Walking</span> round our cages like the lions at the Zoo,</div>
-<div class="verse">We think of things that we have done, and things we mean to do:</div>
-<div class="verse">Of girls we left behind us, of letters that are due,</div>
-<div class="verse">Of boating on the river beneath a sky of blue,</div>
-<div class="verse">Of hills we climbed together—not always for the view.</div>
-</div>
-<div class="stanza">
-<div class="verse">Walking round our cages like the lions at the Zoo,</div>
-<div class="verse">We see the phantom faces of you, and you, and you,</div>
-<div class="verse">Faces of those we loved or loathed—oh every one we knew!</div>
-<div class="verse">And deeds we wrought in carelessness for happiness or rue,</div>
-<div class="verse">And dreams we broke in folly, and seek to build anew,—</div>
-<div class="verse">Walking round our cages like the lions at the Zoo.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_17">[17]</span>
-<div class="blockquot">
-<h3 class="nobreak">PRISONERS</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Comrades</span> of risk and rigour long ago</div>
-<div class="verse">Who have done battle under honour’s name,</div>
-<div class="verse">Hoped (living or shot down) some meed of fame,</div>
-<div class="verse">And wooed bright Danger for a thrilling kiss,—</div>
-<div class="verse">Laugh, oh laugh well, that we have come to this!</div>
-</div>
-<div class="stanza">
-<div class="verse">Laugh, oh laugh loud, all ye who long ago</div>
-<div class="verse">Adventure found in gallant company!</div>
-<div class="verse">Safe in Stagnation, laugh, laugh bitterly,</div>
-<div class="verse">While on this filthiest backwater of Time’s flow</div>
-<div class="verse">Drift we and rot, till something set us free!</div>
-</div>
-<div class="stanza">
-<div class="verse">Laugh like old men with senses atrophied,</div>
-<div class="verse">Heeding no Present, to the Future dead,</div>
-<div class="verse">Nodding quite foolish by the warm fireside</div>
-<div class="verse">And seeing no flame, but only in the red</div>
-<div class="verse">And flickering embers, pictures of the past:—</div>
-<div class="verse">Life like a cinder fading black at last.</div>
-</div></div></div>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_18">[18]</span>
-<div class="blockquot">
-<h3 class="nobreak">SONNET<br />
-
-
-<small>(<span class="smcap">To One Killed in Action</span>)</small></h3>
-</div></div>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse"><span class="smcap">My</span> undevout yet ardent sacrifice</div>
-<div class="indent">Did God refuse, knowing how carelessly</div>
-<div class="indent">And with what curious sensuality</div>
-<div class="verse">The coloured flames did flicker and arise.</div>
-<div class="verse">Half boy, half decadent, always my eyes</div>
-<div class="indent">Sparkle to danger: Oh it was joy to me</div>
-<div class="indent">To sit with Death gambling desperately</div>
-<div class="verse">The borrowed Coin of Life. But you, more wise,</div>
-<div class="verse">Went forth for nothing but to do God’s will:</div>
-<div class="indent">Went gravely out—well knowing what you did</div>
-<div class="indent2">And hating it—with feet that did not falter</div>
-<div class="indent2">To place your gift upon the highest altar.</div>
-<div class="verse">Therefore to you this last and finest thrill</div>
-<div class="indent">Is given—even Death itself, to me forbid.</div>
-</div></div>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_19">[19]</span>
-<div class="blockquot">
-<h3 class="nobreak">THE HATEFUL ROAD</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Oh pleasant</span> things there be</div>
-<div class="indent">Without this prison yard:</div>
-<div class="verse">Fields green, and many a tree</div>
-<div class="indent">With shadow on the sward,</div>
-<div class="verse">And drifting clouds that pass</div>
-<div class="verse">Sailing above the grass.</div>
-</div>
-<div class="stanza">
-<div class="verse">All lovely things that be</div>
-<div class="indent">Beyond this strong abode</div>
-<div class="verse">Send comfort back to me;</div>
-<div class="verse">Yea, everything I see</div>
-<div class="indent">Except the hateful road;</div>
-<div class="verse">The road that runs so free</div>
-<div class="indent">With many a dip and rise,</div>
-<div class="verse">That waves and beckons me</div>
-<div class="verse">And mocks and calls at me</div>
-<div class="verse">And will not let me be</div>
-<div class="indent">Even when I close my eyes.</div>
-</div></div></div>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_20">[20]</span>
-<div class="blockquot">
-<h3 class="nobreak">ENGLISH FLOWERS IN A FOREIGN
-GARDEN</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Snapdragon</span>, sunflower, sweet-pea,</div>
-<div class="verse">Flowers which fill the heart of me</div>
-<div class="verse">With so sweet and bitter fancy:</div>
-<div class="verse">Glowing rose and pensive pansy,</div>
-<div class="verse">You that pierce me with a blade</div>
-<div class="verse">Beat from molten memory,</div>
-<div class="verse">With what art, how tenderly,</div>
-<div class="verse">You heal the wounds that you have made!</div>
-</div>
-<div class="stanza">
-<div class="verse">Thrushes, finches, birds that beat</div>
-<div class="verse">Magical and thrilling sweet</div>
-<div class="verse">Little far-off fairy gongs:</div>
-<div class="verse">Blackbird with your mellow songs,</div>
-<div class="verse">Valiant robin, thieving sparrows,</div>
-<div class="verse">Though you wound me as with arrows,</div>
-<div class="verse">Still with you among these flowers</div>
-<div class="verse">Surely I find my sweetest hours.</div>
-</div></div></div>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_21">[21]</span>
-<div class="blockquot">
-<h3 class="nobreak">THE BOND</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Once</span>, I remember, when we were at home</div>
-<div class="verse">I had come into church, and waited late,</div>
-<div class="verse">Ere lastly kneeling to communicate</div>
-<div class="verse">Alone: and thinking that you would not come.</div>
-</div>
-<div class="stanza">
-<div class="verse">Then, with closed eyes (having received the Host)</div>
-<div class="verse">I prayed for your dear self, and turned to rise;</div>
-<div class="verse">When lo! beside me like a blessed ghost—</div>
-<div class="verse">Nay, a grave sunbeam—<i>you</i>! Scarcely my eyes</div>
-<div class="verse">Could credit it, so softly had you come</div>
-<div class="verse">Beside me as I thought I walked alone.</div>
-</div>
-<div class="stanza">
-<div class="verse">Thus long ago; but now, when fate bereaves</div>
-<div class="verse">Life of old joys, how often as I’m kneeling</div>
-<div class="verse">To take the Blessed Sacrifice that weaves</div>
-<div class="verse">Life’s tangled threads, so broken to man’s seeing,</div>
-<div class="verse">Into one whole; I have the sudden feeling</div>
-<div class="verse">That you are by, and look to see a face</div>
-<div class="verse">Made in fair flesh beside me, and all my being</div>
-<div class="verse">Thrills with the old sweet wonder and faint fear</div>
-<div class="verse">As in that sabbath hour—how long ago!—</div>
-<div class="verse">When you had crept so lightly to your place.</div>
-<div class="verse">Then, then, <i>I know</i></div>
-<div class="verse">(My heart can always tell) that you are near.</div>
-</div></div></div>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_22">[22]</span>
-<div class="blockquot">
-<h3 class="nobreak">TO YOU—UNSUNG<br />
-
-
-<small>(<span class="smcap">Sonnet</span>)</small></h3>
-</div></div>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">How</span> should I sing you?—you who dwell unseen</div>
-<div class="indent">Within the darkest chamber of my heart.</div>
-<div class="indent">What picturesque and inward-turning art</div>
-<div class="verse">Could shadow forth the image of my queen,</div>
-<div class="verse">Sweet, world aloof, ineffably serene</div>
-<div class="indent">Like holy dawn, yet so entirely part</div>
-<div class="indent">Of what am I, as well a man might start</div>
-<div class="verse">To paint his breathing, or his red blood’s sheen.</div>
-</div>
-<div class="stanza">
-<div class="verse">Nay, seek yourself, who are their truest breath,</div>
-<div class="indent">In these my songs made for delight of men.</div>
-<div class="indent2">Oh, where they fail, ’tis I that am in blame,</div>
-<div class="indent">But, where the words loom larger than my pen,</div>
-<div class="indent2">Be sure they ring glad echoes of your name,</div>
-<div class="verse">And Love that triumphs over Life and Death.</div>
-</div></div></div>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_23">[23]</span>
-<div class="blockquot">
-<h3 class="nobreak">A CHRISTMAS WISH</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">I cannot</span> give you happiness:</div>
-<div class="verse">For wishes long have ceased to bring</div>
-<div class="verse">The Fortune which to page and king</div>
-<div class="verse">They brought in those good centuries,</div>
-<div class="verse">When with a quaint and starry wand</div>
-<div class="verse">Witches turned poor men’s thoughts to gold</div>
-<div class="verse">And Cinderella’s carriage rolled</div>
-<div class="verse">Through moonlight into Fairyland.</div>
-</div>
-<div class="stanza">
-<div class="verse">I may but <i>wish</i> you happiness:</div>
-<div class="verse">Not Pleasure’s dusty fruit to find,</div>
-<div class="verse">But wines of Mirth and Friendship kind,</div>
-<div class="verse">And Love, to make with you a home.</div>
-<div class="verse">But may Our Lord whose Son has come</div>
-<div class="verse">Now heed the wish and make it true,</div>
-<div class="verse">Even as elves were wont to do</div>
-<div class="verse">When wishing could bring happiness.</div>
-</div></div></div>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_24">[24]</span>
-<div class="blockquot">
-<h3 class="nobreak">TO KATHLEEN, AT CHRISTMAS<br />
-
-
-<small>(<span class="smcap">An Acrostic</span>)</small></h3>
-</div></div>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"> <span class="smcap"> K ings</span> of the East did bring their gold</div>
-<div class="verse"> A nd jewels unto the cattle fold.</div>
-<div class="verse"> T he angel’s song was heard by men</div>
-<div class="verse">“H oly! holy! holy!” then.</div>
-<div class="verse"> L ittle and weak in the manger He lay</div>
-<div class="verse"> E ven as you in a cradle to-day;</div>
-<div class="verse"> E ven as you did the Christ-child rest</div>
-<div class="verse"> N estling warm in His mother’s breast.</div>
-</div>
-<div class="stanza">
-<div class="indent"><span class="smcap">Gütersloh</span>,</div>
-<div class="indent2"><i>December 1916.</i></div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_25">[25]</span>
-<div class="blockquot">
-<h3 class="nobreak">CHRISTMAS IN PRISON</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="indent3"><span class="smcap">Outside</span>, white snow</div>
-<div class="indent3">And freezing mire.</div>
-<div class="indent3">The heart of the house</div>
-<div class="indent3">Is a blazing fire!</div>
-</div>
-<div class="stanza">
-<div class="verse">Even so whatever hags do ride</div>
-<div class="verse">His outward fortune, withinside</div>
-<div class="verse">The heart of a man burns Christmastide!</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_26">[26]</span>
-<div class="blockquot">
-<h3 class="nobreak">TO THE OLD YEAR</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Old</span> year, farewell!</div>
-<div class="verse">Much have you given which was ill to bear:</div>
-<div class="verse">Much have taken which was dear, so dear:</div>
-<div class="verse">Much have you spoken which was ill to hear;</div>
-<div class="verse">Echoes of speech first uttered deep in hell.</div>
-</div>
-<div class="stanza">
-<div class="verse">Pass now like some grey harlot to the tomb!</div>
-<div class="verse">Yet die in child-birth, and from out your womb</div>
-<div class="verse">Leap the young year unsullied! He perchance</div>
-<div class="verse">Shall bring to man his lost inheritance.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_27">[27]</span>
-<div class="blockquot">
-<h3 class="nobreak">BALLADE<br />
-
-
-<small><span class="smcap">No.</span> 1</small></h3>
-</div></div>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Bodies</span> of comrade soldiers gleaming white</div>
-<div class="indent">Within the mill-pool where you float and dive</div>
-<div class="verse">And lounge around part-clothed or naked quite;</div>
-<div class="indent">Beautiful shining forms of men alive,</div>
-<div class="indent">O living lutes stringed with the senses five</div>
-<div class="verse">For Love’s sweet fingers; seeing Fate afar,</div>
-<div class="indent">My very soul with Death for you must strive;</div>
-<div class="verse">Because of you I loathe the name of War.</div>
-</div>
-<div class="stanza">
-<div class="verse">But O you piteous corpses yellow-black,</div>
-<div class="indent">Rotting unburied in the sunbeam’s light,</div>
-<div class="verse">With teeth laid bare by yellow lips curled back</div>
-<div class="indent">Most hideously; whose tortured souls took flight</div>
-<div class="indent">Leaving your limbs, all mangled by the fight,</div>
-<div class="verse">In attitudes of horror fouler far</div>
-<div class="indent">Than dreams which haunt a devil’s brain at night;</div>
-<div class="verse">Because of you I loathe the name of War.</div>
-</div>
-<div class="stanza">
-<div class="verse">Mothers and maids who loved you, and the wives</div>
-<div class="indent">Bereft of your sweet presences; yea, all</div>
-<div class="verse">Who knew you beautiful; and those small lives</div>
-<div class="indent">Made of that knowledge; O, and you who call</div><span class="pagenum" id="Page_28">[28]</span>
-<div class="indent">For life (but vainly now) from that dark hall</div>
-<div class="verse">Where wait the Unborn, and the loves which are</div>
-<div class="indent">In future generations to befall;</div>
-<div class="verse">Because of you I loathe the name of War.</div>
-</div>
-<div class="stanza">
-<div class="verse"><span class="allsmcap">L’ENVOI</span></div>
-</div>
-<div class="stanza">
-
-<div class="verse">Prince Jesu, hanging stark upon a tree</div>
-<div class="indent">Crucified as the malefactors are</div>
-<div class="verse">That man and man henceforth should brothers be;</div>
-<div class="indent">Because of you I loathe the name of War.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_29">[29]</span>
-<div class="blockquot">
-<h3 class="nobreak">BALLADE<br />
-
-
-<small><span class="smcap">No.</span> 2</small></h3>
-</div></div>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">You</span> dawns, whose loveliness I have not missed,</div>
-<div class="indent">Making so delicate background for the larches</div>
-<div class="verse">Melting the hills to softest amethyst;</div>
-<div class="indent">O beauty never absent from our marches;</div>
-<div class="indent">Passion of heaven shot golden through the arches</div>
-<div class="verse">Of woods, or filtered softly from a star,</div>
-<div class="indent">Nature’s wild love that never cloys or parches;</div>
-<div class="verse">Because of you I love the name of War.</div>
-</div>
-<div class="stanza">
-<div class="verse">I have seen dawn and sunset, night and morning,</div>
-<div class="indent">I have tramped tired and dusty to a tune</div>
-<div class="verse">Of singing voices tired as I, but scorning</div>
-<div class="indent">To yield up gaiety to sweltering June.</div>
-<div class="indent">O comrades marching under blazing noon</div>
-<div class="verse">Who told me tales in taverns near and far,</div>
-<div class="indent">And sang and slept with me beneath the moon;</div>
-<div class="verse">Because of you I love the name of War.</div>
-</div>
-<div class="stanza">
-<div class="verse">But you most dear companions Life and Death,</div>
-<div class="indent">Whose friendship I had never valued well</div>
-<div class="verse">Until that Battle blew with fiery breath</div>
-<div class="indent">Over the earth his message terrible;</div><span class="pagenum" id="Page_30">[30]</span>
-<div class="indent">Crying aloud the things Peace could not tell,</div>
-<div class="verse">Calling up ancient custom to the bar</div>
-<div class="indent">Of God, to plead its cause with Heaven and Hell ...</div>
-<div class="verse">Because of you I love the name of War.</div>
-</div>
-<div class="stanza">
-<div class="verse"><span class="allsmcap">L’ENVOI</span></div>
-</div>
-<div class="stanza">
-<div class="verse">Prince Jesu, who did speak the amazing word</div>
-<div class="verse">Loud, trumpet-clear, flame-flashing like a star</div>
-<div class="verse">Which falls: “Not peace I bring you, but the sword!”</div>
-<div class="verse">Because of you I love the name of War.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_31">[31]</span>
-<div class="blockquot">
-<h3 class="nobreak">SOLITARY CONFINEMENT</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">No</span> mortal comes to visit me to-day,</div>
-<div class="indent">Only the gay and early-rising Sun</div>
-<div class="verse">Who strolled in nonchalantly, just to say,</div>
-<div class="indent">“Good morrow, and despair not, foolish one!”</div>
-<div class="verse">But like the tune which comforted King Saul</div>
-<div class="verse">Sounds in my brain that sunny madrigal.</div>
-</div>
-<div class="stanza">
-<div class="verse">Anon the playful Wind arises, swells</div>
-<div class="indent">Into vague music, and departing, leaves</div>
-<div class="verse">A sense of blue bare heights and tinkling bells,</div>
-<div class="indent">Audible silences which sound achieves</div>
-<div class="verse">Through music, mountain streams, and hinted heather,</div>
-<div class="verse">And drowsy flocks drifting in golden weather.</div>
-</div>
-<div class="stanza">
-<div class="verse">Lastly, as to my bed I turn for rest.</div>
-<div class="indent">Comes Lady Moon herself on silver feet</div>
-<div class="verse">To sit with one white arm across my breast,</div>
-<div class="indent">Talking of elves and haunts where they do meet.</div>
-<div class="verse">No mortal comes to see me, yet I say</div>
-<div class="verse">“Oh, I have had fine visitors to-day!”</div>
-</div>
-<div class="stanza">
-<div class="verse"><span class="smcap">Douai</span>,</div>
-<div class="indent"><i>August 20th, 1916</i>.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_32">[32]</span>
-<div class="blockquot">
-<h3 class="nobreak">A RONDEL OF GLOUCESTERSHIRE</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Big</span> glory mellowing on the mellowing hills,</div>
-<div class="verse">And in the little valleys, thatch and dreams,</div>
-<div class="verse">Wrought by the manifold and vagrant wills</div>
-<div class="verse">Of sun and ripening rain and wind; so gleams</div>
-<div class="verse">My country, that great magic cup which spills</div>
-<div class="verse">Into my mind a thousand thousand streams</div>
-<div class="verse">Of glory mellowing on the mellowing hills</div>
-<div class="verse">And in the little valleys, thatch and dreams.</div>
-</div>
-<div class="stanza">
-<div class="verse">O you dear heights of blue no ploughman tills,</div>
-<div class="verse">O valleys where the curling mist upsteams</div>
-<div class="verse">White over fields of trembling daffodils,</div>
-<div class="verse">And you old dusty little water-mills,</div>
-<div class="verse">Through all my life, for joy of you, sweet thrills</div>
-<div class="verse">Shook me, and in my death at last there beams</div>
-<div class="verse">Big glory mellowing on the mellowing hills</div>
-<div class="verse">And in the little valleys, thatch and dreams.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_33">[33]</span>
-<div class="blockquot">
-<h3 class="nobreak">THE LITTLE ROAD</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">I will</span> not take the great road that goes so proud and high,</div>
-<div class="verse">Like the march of Roman legions that made it long ago;</div>
-<div class="verse">But I will choose another way, a little road I know.</div>
-<div class="verse">There no poor tramp goes limping, nor rich poor men drive by,</div>
-<div class="verse">Nor ever crowding cattle, or sheep in dusty throng</div>
-<div class="verse">Before their beating drovers drift cruelly along:</div>
-<div class="verse">But only birds and free things, and ever in my ear</div>
-<div class="verse">Sound of the leaves and little tongues of water talking near.</div>
-</div>
-<div class="stanza">
-<div class="verse">The great roads march on boldly, with scarce a curve or bend,</div>
-<div class="verse">From some huge smoky Nothing, to Nothing at their end;</div>
-<div class="verse">They march like Cæsar’s legions, and none may them withstand,</div>
-<div class="verse">But whence, or whither going, they do not understand,</div>
-<div class="verse">But oh, the little twisty road,</div>
-<div class="indent2">The sweet and lover’s-kiss-ty road,</div>
-<div class="indent2">The secret winding misty road,</div>
-<div class="indent2">That leads to Fairyland!</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_34">[34]</span>
-<div class="blockquot">
-<h3 class="nobreak">SONNET</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse"><span class="smcap">Christ God</span>, Who died for us, now turn Thy face!</div>
-<div class="indent">Behold not what men do, lest once again</div>
-<div class="indent">Thou should’st be crucified, and die of pain.</div>
-<div class="verse">Look not, O Lord, but only of Thy grace</div>
-<div class="verse">Do Thou let fall on this accursed place,</div>
-<div class="indent">Where the poor starve and labour in disdain</div>
-<div class="indent">Of blinded Greed and all its vulgar train,</div>
-<div class="verse">A single thread of heaven that we may trace</div>
-<div class="verse">Some way to Right! And since “great men” stand by,</div>
-<div class="indent">Heedless of women and men that hunger, Lord,</div>
-<div class="indent2">Give Thou to common men the vision splendid.</div>
-<div class="indent">Take (and if need be break) them, like a sword;</div>
-<div class="indent2">Take them, and break them till their lives be ended;</div>
-<div class="verse">Here are a thousand christs ready to die!</div>
-</div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_35">[35]</span>
-<div class="blockquot">
-<h3 class="nobreak">ENGLAND IN MEMORY<br />
-
-
-<small>(<span class="smcap">Sonnet</span>)</small></h3>
-</div></div>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse"><span class="smcap">Sweet</span> Motherland, what have I done for thee,</div>
-<div class="indent">What suffered, what of lasting beauty made?</div>
-<div class="indent">I who ungratefully and undismayed</div>
-<div class="verse">Drank from thy breast the milk which nourished me</div>
-<div class="verse">In childhood, which until my death must be</div>
-<div class="indent">The life within my veins. Lo, from that shade</div>
-<div class="indent">Wherein they rest, thy dead and mine, arrayed</div>
-<div class="verse">In honour’s robes, come clear and plaintively</div>
-<div class="verse">Voices for ever to my listening ear</div>
-<div class="indent">Which cry, “Not yet is finished England’s fight!</div>
-<div class="indent2">Still, still must poets strive and martyrs bleed</div>
-<div class="indent">To overthrow the enemies of Light,</div>
-<div class="indent2">Armies of Dullness, Cruelty, Lust, and Greed!”</div>
-<div class="verse">Yet what have I done for thee, England dear?</div>
-</div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_36">[36]</span>
-<div class="blockquot">
-<h3 class="nobreak">THE DEAD</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse"><span class="smcap">You</span> never crept into the night</div>
-<div class="verse">That lurks for all mankind!</div>
-<div class="verse">Joyous you lived and loved, and leapt</div>
-<div class="verse">Into that gaping dark, where stept</div>
-<div class="verse">Our Fathers all, to find</div>
-<div class="verse">Old honour—jest of fools, yet still the soul of all delight.</div>
-</div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_37">[37]</span>
-<div class="blockquot">
-<h3 class="nobreak">THE SLEEPERS</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">A battered</span> roof where stars went tripping</div>
-<div class="indent2">With silver feet,</div>
-<div class="verse">A broken roof whence rain came dripping,</div>
-<div class="indent2">Yet rest was sweet.</div>
-</div>
-<div class="stanza">
-<div class="verse">A dug-out where the rats ran squeaking</div>
-<div class="indent2">Under the ground,</div>
-<div class="verse">And out in front the poor dead reeking!</div>
-<div class="indent2">Yet sleep was sound.</div>
-</div>
-<div class="stanza">
-<div class="verse">No longer house or dug-out keeping,</div>
-<div class="indent2">Within a cell</div>
-<div class="verse">Of brown and bloody earth they’re sleeping;</div>
-<div class="indent2">Oh they sleep well.</div>
-</div>
-<div class="stanza">
-<div class="verse">Thrice blessed sleep, the balm of sorrow!</div>
-<div class="indent2">Thrice blessed eyes</div>
-<div class="verse">Sealed up till on some doomsday morrow</div>
-<div class="indent2">The sun arise!</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_38">[38]</span>
-<div class="blockquot">
-<h3 class="nobreak">COMRADES O’ MINE<br />
-
-
-<small>(<span class="smcap">Rondeau</span>)</small></h3>
-</div></div>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Comrades</span> o’ mine, that were to me</div>
-<div class="verse">More than my grief and gaiety,</div>
-<div class="verse">More than my laughter or my pain:</div>
-<div class="verse">Comrades, we shall not walk again</div>
-<div class="verse">The road whereon we went so free—</div>
-<div class="verse">The old way of Humanity.</div>
-<div class="verse">But you are sleeping peacefully</div>
-<div class="verse">Till the last dawn, heroic slain,</div>
-<div class="indent5">Comrades o’ mine.</div>
-</div>
-<div class="stanza">
-<div class="verse">Till the last moon shall fade and flee</div>
-<div class="verse">You sleep. Oh sleep not dreamlessly,</div>
-<div class="verse">You whereof only dreams remain,</div>
-<div class="verse">Come you by dreams into my brain,</div>
-<div class="verse">Inspire my visions, and still be</div>
-<div class="indent5">Comrades o’ mine!</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_39">[39]</span>
-<div class="blockquot">
-<h3 class="nobreak">TO <i>R. E. K.</i><br />
-
-
-<small>(<span class="smcap">In Memoriam</span>)</small></h3>
-</div></div>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Dear</span>, rash, warm-hearted friend,</div>
-<div class="verse">So careless of the end,</div>
-<div class="verse">So worldly-foolish, so divinely-wise,</div>
-<div class="verse">Who, caring not one jot</div>
-<div class="verse">For place, gave all you’d got</div>
-<div class="verse">To help your lesser fellow-men to rise.</div>
-</div>
-<div class="stanza">
-<div class="verse">Swift-footed, fleeter yet</div>
-<div class="verse">Of heart. Swift to forget</div>
-<div class="verse">The petty spite that life or men could show you;</div>
-<div class="verse">Your last long race is won,</div>
-<div class="verse">But beyond the sound of gun</div>
-<div class="verse">You laugh and help men onward—if I know you.</div>
-</div>
-<div class="stanza">
-<div class="verse">Oh still you laugh, and walk,</div>
-<div class="verse">And sing and frankly talk</div>
-<div class="verse">(To angels) of the matters that amused you</div>
-<div class="verse">In this bitter-sweet of life,</div>
-<div class="verse">And we who keep its strife,</div>
-<div class="verse">Take comfort in the thought how God has used you.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_40">[40]</span>
-<div class="blockquot">
-<h3 class="nobreak">BALLAD OF ARMY PAY</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">In</span> general, if you want a man to do a dangerous job:—</div>
-<div class="verse">Say, swim the Channel, climb St. Paul’s, or break into and rob</div>
-<div class="verse">The Bank of England, why, you find his wages must be higher</div>
-<div class="verse">Than if you merely wanted him to light the kitchen fire.</div>
-<div class="verse">But in the British Army, it’s just the other way,</div>
-<div class="verse">And the maximum of danger means the minimum of pay.</div>
-</div>
-<div class="stanza">
-<div class="verse">You put some men inside a trench, and call them infantrie,</div>
-<div class="verse">And make them face ten kinds of hell, and face it cheerfully;</div>
-<div class="verse">And live in holes like rats, with other rats, and lice, and toads,</div>
-<div class="verse">And in their leisure time, assist the R.E.’s with their loads.</div>
-<div class="verse">Then, when they’ve done it all, you give ’em each a bob a day!</div>
-<div class="verse">For the maximum of danger means the minimum of pay.</div>
-</div>
-<div class="stanza"><span class="pagenum" id="Page_41">[41]</span>
-<div class="verse">We won’t run down the A.S.C., nor yet the R.T.O.</div>
-<div class="verse">They ration and direct us on the way we’ve got to go.</div>
-<div class="verse">They’re very useful people, and it’s pretty plain to see</div>
-<div class="verse">We couldn’t do without ’em, nor yet the A.P.C.</div>
-<div class="verse">But comparing risks and wages,—I think they all will say</div>
-<div class="verse">That the maximum of danger means the minimum of pay.</div>
-</div>
-<div class="stanza">
-<div class="verse">There are men who make munitions—and seventy bob a week;</div>
-<div class="verse">They never see a lousy trench nor hear a big shell shriek;</div>
-<div class="verse">And others <i>sing</i> about the war at high-class music-halls</div>
-<div class="verse">Getting heaps and heaps of money and encores from the stalls.</div>
-<div class="verse">They “keep the home fires burning” and bright by night and day,</div>
-<div class="verse">While the maximum of danger means the minimum of pay.</div>
-</div>
-<div class="stanza">
-<div class="verse">I wonder if it’s harder to make big shells at a bench,</div>
-<div class="verse">Than to face the screaming beggars when they’re crumping up a trench;</div><span class="pagenum" id="Page_42">[42]</span>
-<div class="verse">I wonder if it’s harder to sing in mellow tones</div>
-<div class="verse">Of danger, than to face it—say, in a wood like Trone’s;</div>
-<div class="verse">Is discipline skilled labour, or something children play?</div>
-<div class="verse">Should the maximum of danger mean the minimum of pay?</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_43">[43]</span>
-<div class="blockquot">
-<h3 class="nobreak">TO THE DEVIL ON HIS APPALLING
-DECADENCE</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Satan</span>, old friend and enemy of man;</div>
-<div class="verse">Lord of the shadows and the sins whereby</div>
-<div class="verse">We wretches glimpse the sun in Virtue’s sky</div>
-<div class="verse">Guessing at last the wideness of His plan</div>
-<div class="verse">Who fashioned kid and tiger, slayer and slain,</div>
-<div class="verse">The paradox of evil, and the pain</div>
-<div class="verse">Which threshes joy as with a winnowing fan:</div>
-</div>
-<div class="stanza">
-<div class="verse">Satan, of old your custom ’twas at least</div>
-<div class="verse">To throw an apple to the soul you caught</div>
-<div class="verse">Robbing your orchard. You, before you wrought</div>
-<div class="verse">Damnation due and marked it with the beast,</div>
-<div class="verse">Before its eyes were e’en disposed to dangle</div>
-<div class="verse">Fruitage delicious. And you would not mangle</div>
-<div class="verse">Nor maul the body of the dear deceased.</div>
-</div>
-<div class="stanza">
-<div class="verse">But you were called familiarly “Old Nick”—</div>
-<div class="verse">The Devil, yet a gentleman you know!</div>
-<div class="verse">Relentless—true, yet courteous to a foe.</div>
-<div class="verse">Man’s soul your traffic was. You would not kick</div>
-<div class="verse">His bloody entrails flying in the air.</div>
-<div class="verse">Oh, “Krieg ist Krieg,” we know, and “C’est la guerre!”</div>
-<div class="verse">But Satan, don’t you feel a trifle sick?</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_44">[44]</span>
-<div class="blockquot">
-<h3 class="nobreak">AT AFTERNOON TEA<br />
-
-
-<small>(<span class="smcap">Triolet</span>)</small></h3>
-</div></div>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse"><span class="smcap">We</span> have taken a trench</div>
-<div class="indent">Near Combles, I see,</div>
-<div class="verse">Along with the French.</div>
-<div class="verse">We have taken a trench.</div>
-<div class="verse">(<i>Oh, the bodies, the stench!</i>)</div>
-<div class="verse">Won’t you have some more tea?</div>
-<div class="indent">We have taken a trench</div>
-<div class="verse">Near Combles, I see.</div>
-</div></div>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_45">[45]</span>
-<div class="blockquot">
-<h3 class="nobreak">TO THE UNKNOWN NURSE</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Moth</span>-like at night you flit or fly</div>
-<div class="verse">To where the other patients lie;</div>
-<div class="verse">I hear, as you brush by my door</div>
-<div class="verse">The flutter of your wings, no more.</div>
-</div>
-<div class="stanza">
-<div class="verse">Shall I now call you in and see</div>
-<div class="verse">The phantom vanish instantly?</div>
-<div class="verse">Perhaps some sixteen stone or worse,</div>
-<div class="verse">Suddenly falling through my verse!</div>
-</div>
-<div class="stanza">
-<div class="verse">Nay, be you sour, or be you sweet,</div>
-<div class="verse">I’d see you not. Life’s wisdom is</div>
-<div class="verse">To keep one’s dreams. Oh never quiz</div>
-<div class="verse">The lovely lady in the street!</div>
-</div>
-<div class="stanza">
-<div class="verse">I knew a man who went large-eyed</div>
-<div class="verse">And happy, till he bought pince-nez</div>
-<div class="verse">And saw things as they were. He died</div>
-<div class="verse">—A pessimist—the other day.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_46">[46]</span>
-<div class="blockquot">
-<h3 class="nobreak">THE HORSES</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">My</span> father bred great horses,</div>
-<div class="indent">Chestnut, grey, and brown.</div>
-<div class="verse">They grazed about the meadows,</div>
-<div class="indent">And trampled into town.</div>
-</div>
-<div class="stanza">
-<div class="verse">They left the homely meadows</div>
-<div class="indent">And trampled far away,</div>
-<div class="verse">The great shining horses,</div>
-<div class="indent">Chestnut, and brown, and grey.</div>
-</div>
-<div class="stanza">
-<div class="verse">Gone are the horses</div>
-<div class="indent">That my father bred.</div>
-<div class="verse">And who knows whither?...</div>
-<div class="indent">Or whether starved or fed?...</div>
-<div class="verse">Gone are the horses,</div>
-<div class="indent">And my father’s dead.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_47">[47]</span>
-<div class="blockquot">
-<h3 class="nobreak">MOTHER AND SON</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">“Bow-wow!</span> Bow-wow!” See how he bounds and prances,</div>
-<div class="verse">“<i>Wow!</i>” races off, returns again and dances—</div>
-<div class="verse">A little wave of sunshine and brown fur—</div>
-<div class="verse">About his old rheumatic mother-cur.</div>
-<div class="verse">Look how she gives him back his baby bite</div>
-<div class="verse">Tenderly as a human mother might.</div>
-</div>
-<div class="stanza">
-<div class="verse">Now, poor old thing—she gazes quaintly up</div>
-<div class="verse">To laugh dog-fashion at me. “What a pup,</div>
-<div class="verse">Master!” she seems to say: then, like a wave,</div>
-<div class="verse">He’s down on her again—“Oh, master, see,</div>
-<div class="verse">I’m growing old.... What spirits youngsters have!”</div>
-<div class="verse">Her old eyes blink as they look up at me.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_48">[48]</span>
-
-<h2 class="nobreak"><i>GROWN UPS</i></h2>
-
-
-<div class="blockquot">
-<h3 class="nobreak">1. TIMMY TAYLOR AND THE RATS</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">It</span> was a spell of sultry weather,</div>
-<div class="verse">There’d been no rain for weeks together,</div>
-<div class="indent">And little Timmy Taylor,</div>
-<div class="indent2">A mouse of a man,</div>
-<div class="indent">Walked down the road</div>
-<div class="indent2">With a big milk-can,</div>
-<div class="verse">Walked softly down the road at night</div>
-<div class="verse">When the stars were thick and the moon was bright.</div>
-</div>
-<div class="stanza">
-<div class="verse">Hard by the road a spring came up</div>
-<div class="verse">To glimmer in a rare bright cup</div>
-<div class="verse">Of green-sward, burnt elsewhere quite dry.</div>
-<div class="verse">To this he came—we won’t ask why—</div>
-<div class="indent">Little Timmy Taylor,</div>
-<div class="indent">The mouse of a man,</div>
-<div class="indent">With a big milk-can.</div>
-</div>
-<div class="stanza">
-<div class="verse">Then, as he turned, so goes the story—</div>
-<div class="verse">Came trooping through the moonlight glory</div>
-<div class="verse">Hundreds and scores of—what do you think?</div>
-<div class="verse">Rats! rats a-coming down to drink</div>
-<div class="verse">From granary and barn and stack,</div>
-<div class="verse">Grey and tawny, brown and black,</div><span class="pagenum" id="Page_49">[49]</span>
-<div class="verse">Tails cocked up and teeth all gleaming,</div>
-<div class="verse">Beady eyes light-filled, and seeming</div>
-<div class="verse">That moony-mad and hunger-fierce.</div>
-<div class="indent">Little Timmy Taylor,</div>
-<div class="indent">The mouse of a man,</div>
-<div class="indent">Dropped the milk-can,</div>
-<div class="verse">And giving a shriek—’twas fit to pierce</div>
-<div class="verse">The ear o’ the dead—he ran away,</div>
-<div class="verse">And the can was found in the road next day.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_50">[50]</span>
-<div class="blockquot">
-<div class="hangingindent">
-<h3 class="nobreak">2. WILLUM ACCOUNTS FOR THE<br />
-PRICE OF LAMPREY</h3>
-</div></div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse"><span class="smcap">“Aye</span>, sure, it’s pretty fish, but there’s no sale</div>
-<div class="verse">Nowadays.” “Why?” “Well, the story that they tell</div>
-<div class="verse">Is, as the king were very fond on ’em,</div>
-<div class="verse">And all the fashion ate and paid up well.</div>
-<div class="verse">And then one day our king—so goes the tale—</div>
-<div class="verse">Ate over-hearty-like and throwed ’em up.</div>
-<div class="verse">So all the fashion with him when he dined</div>
-<div class="verse">Cut out their orders,—and the price cum down.</div>
-<div class="verse">And maybe that be true, for still in town</div>
-<div class="verse">Our council—scheming, likely, to remind</div>
-<div class="verse">His Majesty of joys he left behind—</div>
-<div class="verse">Sends un the very prince o’ lamprey pies</div>
-<div class="verse">(I’ve seen un many a while in Fisher’s winder)</div>
-<div class="verse">And so, God willing and if nothing hinder,</div>
-<div class="verse">Some day he’ll taste again and prices rise.”</div>
-</div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_51">[51]</span>
-<div class="blockquot">
-<div class="hangingindent">
-<h3 class="nobreak">3. THE OLDEST INHABITANT HEARS<br />
-FAR OFF THE DRUMS OF DEATH</h3>
-</div></div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Sometimes</span> ’tis far off, and sometimes ’tis nigh,</div>
-<div class="verse">Such drummerdery noises too they be!</div>
-<div class="verse">’Tis odd—oh, I do hope I baint to die</div>
-<div class="verse">Just as the summer months be coming on,</div>
-<div class="verse">And buffly chicken out, and bumble-bee:</div>
-<div class="verse">Though, to be sure, I cannot hear ’em plain</div>
-<div class="verse">For this drat row as goes a-drumming on,</div>
-<div class="verse">Just like a little soldier in my brain.</div>
-</div>
-<div class="stanza">
-<div class="verse">And oh, I’ve heard we got to go through flame</div>
-<div class="verse">And water-floods—but maybe ’tisn’t true!</div>
-<div class="verse">I allus were a-frightened o’ the sea.</div>
-<div class="verse">And burning fires—oh, it would be a shame</div>
-<div class="verse">And all the garden ripe, and sky so blue.</div>
-<div class="verse">Such drummerdery noises, too, they be.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_52">[52]</span>
-<div class="blockquot">
-<h3 class="nobreak">4. SETH BEMOANS THE OLDEST INHABITANT</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse"><span class="smcap">We</span> heard as we wer passing by the forge:</div>
-<div class="indent">“’Er’s dead,” said he.</div>
-<div class="verse">“’Tis Providence’s doing,” so said George.</div>
-<div class="verse">“He’s allus doing summat,” so I said,</div>
-<div class="verse">“You see this pig; we kept un aal the year</div>
-<div class="verse">Fatting un up and priding in un, see,</div>
-<div class="verse">And spent a yup o’ money—food so dear!</div>
-<div class="indent">I wish ’twer ’e;</div>
-<div class="verse">I’d liefer our fat pig had died than she.”</div>
-</div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_53">[53]</span>
-<div class="blockquot">
-<h3 class="nobreak">5. A RIVER, A PIG, AND BRAINS</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Last</span> fall, to sell his oldest perry,</div>
-<div class="verse">Old Willum Fry did cross the ferry,</div>
-<div class="verse">And thur inside of an old sty</div>
-<div class="verse">’A seed a leanish pig did lie:</div>
-<div class="verse">A rakish, active beast ’a was</div>
-<div class="verse">As ever rooted up the grass:</div>
-<div class="verse">Eager as bees on making honey</div>
-<div class="verse">To stuff his self. Bill did decide</div>
-<div class="verse">To buy un with the cider money</div>
-<div class="verse">And fat un up for Easter-tide.</div>
-</div>
-<div class="stanza">
-<div class="verse">He bought un, but no net ’ad got</div>
-<div class="verse">To kip thic pig inside the boat.</div>
-<div class="verse">“The’ll drown wi’ pig and all at ferry!”</div>
-<div class="verse">Cried one. Said Fry, “Go, bring some perry,</div>
-<div class="verse">And this old drinking-horn you got,</div>
-<div class="verse">Lying inside the piggery cot!”</div>
-</div>
-<div class="stanza">
-<div class="verse">He poured a goodish swig and soon</div>
-<div class="verse">—As lazy as a day o’ June—</div>
-<div class="verse">Piggy lay boozed, and so did bide</div>
-<div class="verse">Snoring, while him and Fry were taken</div>
-<div class="verse">’Cross Severn: and ’a didn’t waken</div>
-<div class="verse">Until the boat lay safely tied</div>
-<div class="verse">Up to a tree on t’other side.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_54">[54]</span>
-<div class="blockquot">
-<h3 class="nobreak">6. MARTHA BAZIN ON MARRIAGE</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse"><span class="smcap">This</span> is the fourth ’un, Miss, and if so be</div>
-<div class="verse">As he do die out like the t’other three,</div>
-<div class="verse">I’ll take another man (if one do ask).</div>
-<div class="verse">Woman and man apart be like a cask</div>
-<div class="verse">Without a bung, letting Life’s cider out,</div>
-<div class="verse">The Almighty made to drink withouten doubt.</div>
-<div class="verse">I never could abode the thought o’ waste</div>
-<div class="verse">Whether of Life or cider, fit for taste.</div>
-<div class="verse">But love him, Miss, you ask?—why, that I can,</div>
-<div class="verse">And thank the Lord I could love any man.</div>
-</div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_55">[55]</span>
-
-<h2 class="nobreak" id="CHILDREN"><i>CHILDREN</i></h2>
-
-<div class="blockquot">
-<h3 class="nobreak">1. LITTLE ABEL GOES TO CHURCH</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">And</span> this is what he heard</div>
-<div class="verse">And saw at church:</div>
-<div class="verse">Oh, a great yellow bird</div>
-<div class="verse">Upon a perch—</div>
-<div class="verse">Quite still upon a perch.</div>
-</div>
-<div class="stanza">
-<div class="verse">And then a man in white</div>
-<div class="verse">Got up and walked to it,</div>
-<div class="verse">And talked to it</div>
-<div class="verse">For a long while (he said);</div>
-<div class="verse">But the yellow bird</div>
-<div class="verse">(Although it must have heard!)</div>
-<div class="verse">Never turned its head,</div>
-<div class="verse">Or did anything at all</div>
-<div class="verse">But look straight at the wall!</div>
-<div class="verseright">(<i>A true tale.</i>)</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_56">[56]</span>
-<div class="blockquot">
-<h3 class="nobreak">2. DELIGHTS</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="indent2"><span class="smcap">Small</span> Marjorie</div>
-<div class="indent2">In an apple-tree</div>
-<div class="verse">Looks down upon the world with glee.</div>
-</div>
-<div class="stanza">
-<div class="indent2">Her brother Ted,</div>
-<div class="indent2">So he has said,</div>
-<div class="verse">Loves best to see the chickens fed.</div>
-</div>
-<div class="stanza">
-<div class="verse">And little Charlie likes to see</div>
-<div class="verse">The Thresher working hard, when he</div>
-<div class="verse">Hums like a dreadful bumble-bee.</div>
-</div>
-<div class="stanza">
-<div class="verse">But Ann and Martha sit together</div>
-<div class="verse">Reading, however gold the weather.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_57">[57]</span>
-<div class="blockquot">
-<h3 class="nobreak">3. THE BOY WITH LITTLE BARE TOES</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">He</span> ran all down the meadow, that he did,</div>
-<div class="indent">The boy with the little bare toes.</div>
-<div class="verse">The flowers they smelt so sweet, so sweet,</div>
-<div class="verse">And the grass it felt so funny and wet</div>
-<div class="verse">And the birds sang just like this—“chereep!”</div>
-<div class="indent">And the willow-trees stood in rows.</div>
-<div class="indent3">“Ho! ho!”</div>
-<div class="verse">Laughed the boy with the little bare toes.</div>
-</div>
-<div class="stanza">
-<div class="verse">Now the trees had no insides—how funny!</div>
-<div class="indent">Laughed the boy with the little bare toes.</div>
-<div class="verse">And he put in his hand to find some money</div>
-<div class="verse">Or honey—yes, that would be best—oh, best!</div>
-<div class="verse">But what do you think he found, found, found?</div>
-<div class="verse">Why, six little eggs all round, round, round,</div>
-<div class="verse">And a mother-bird on the nest,</div>
-<div class="indent2">Oh, yes!</div>
-<div class="verse">The mother-bird on her nest.</div>
-</div>
-<div class="stanza">
-<div class="verse">He laughed, “Ha! ha!” and he laughed, “He! he!”</div>
-<div class="indent">The boy with the little bare toes.</div>
-<div class="verse">But the little mother-bird got up from her place</div>
-<div class="verse">And flew right into his face, ho! ho!</div>
-<div class="verse">And pecked him on the nose, “Oh! oh!”</div>
-<div class="indent">Yes, pecked him right on the nose.</div>
-<div class="indent3">“Boo! Boo!”</div>
-<div class="verse">Cried the boy with the little bare toes.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_58">[58]</span>
-<div class="blockquot">
-<h3 class="nobreak">THE WIND IN TOWN TREES</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">What</span> is it says the breeze</div>
-<div class="verse">In London streets to-day</div>
-<div class="verse">Unto the troubled trees</div>
-<div class="verse">Whose shadows strew the way,</div>
-<div class="verse">Whose leaves are all a-flutter?</div>
-</div>
-<div class="stanza">
-<div class="verse">“You are wild!” the rascal cries.</div>
-<div class="verse">The green tree beats its wings</div>
-<div class="verse">And fills the air with sighs.</div>
-<div class="verse">“Wild! Wild!” the rascal sings.</div>
-<div class="verse">“But your feet are in the gutter!”</div>
-</div>
-<div class="stanza">
-<div class="verse">Men pass beneath the trees</div>
-<div class="verse">Walking the pavement grey,</div>
-<div class="verse">They hear the whisperings tease</div>
-<div class="verse">And at the word he utters</div>
-<div class="verse">Their hearts are green and gay.</div>
-</div>
-<div class="stanza">
-<div class="verse">Then like the gay, green trees,</div>
-<div class="verse">They beat proud wings to fly,</div>
-<div class="verse">But, like the fluttering trees,</div>
-<div class="verse">Their footprints mark the gutters</div>
-<div class="verse">Until the beggars die.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_59">[59]</span>
-<div class="blockquot">
-<h3 class="nobreak">FORM<br />
-
-
-<small>(<span class="smcap">A Study</span>)</small></h3>
-</div></div>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Flower</span>-like and shy,</div>
-<div class="verse">You stand, sweet mortal, at the river’s brim:</div>
-<div class="verse">With what unconscious grace</div>
-<div class="verse">Your limbs to some strange law surrendering</div>
-<div class="verse">Which lifts you clear of our humanity!</div>
-</div>
-<div class="stanza">
-<div class="indent">Now would I sacrifice</div>
-<div class="verse">Your breathing, warmth, and all the strange romance</div>
-<div class="verse">Of living, to a moment. Ere you break</div>
-<div class="verse">The greater thing than you, I would my eyes</div>
-<div class="verse">Were basilisk to turn you into stone.</div>
-<div class="verse">So should you be the world’s inheritance.</div>
-<div class="verse">And souls of unborn men should draw their breath</div>
-<div class="verse">From mortal you, immortalised in Death.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_60">[60]</span>
-<div class="blockquot">
-<h3 class="nobreak">VILLANELLE</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">So</span> is thy music unto me,</div>
-<div class="verse">As the bright moon which tides obey,</div>
-<div class="verse">As the white moon upon the sea.</div>
-</div>
-<div class="stanza">
-<div class="verse">And like a wind that scatters free</div>
-<div class="verse">The petals of an April day,</div>
-<div class="verse">So is thy music unto me.</div>
-</div>
-<div class="stanza">
-<div class="verse">It falleth light and quietly</div>
-<div class="verse">And sweet as summer’s petals—nay,</div>
-<div class="verse">As the white moon upon the sea.</div>
-</div>
-<div class="stanza">
-<div class="verse">As moonlight falling silvery</div>
-<div class="verse">On waves of wild and surging grey,</div>
-<div class="verse">So is thy music unto me.</div>
-</div>
-<div class="stanza">
-<div class="verse">As o’er each white and ebon key</div>
-<div class="verse">I watch thy silver fingers play,</div>
-<div class="verse">As the white moon upon the sea,</div>
-<div class="verse">On headlands of eternity</div>
-<div class="verse">My soul is hurled, and dashed in spray!</div>
-</div>
-<div class="stanza">
-<div class="verse">So is thy music unto me</div>
-<div class="verse">As the bright moon which tides obey,</div>
-<div class="verse">As the white moon upon the sea.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_61">[61]</span>
-<div class="blockquot">
-<h3 class="nobreak">KOSSOVO DAY</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse"><span class="smcap">From</span> this sweet nest of peace and summer blue—</div>
-<div class="verse">England in June—a sea-bird’s nest indeed</div>
-<div class="verse">Guarded of waves, and hid by the sea-weed</div>
-<div class="verse">From envious hunter’s eye, we send to you</div>
-<div class="verse">Our flying thoughts and prayers, our treasure too,</div>
-<div class="verse">Poor though it be to bandage wounds that bleed</div>
-<div class="verse">For country dear beloved. There the seed</div>
-<div class="verse">Of homely loves and occupations grew</div>
-<div class="verse">To wither in the flame of godless might</div>
-<div class="verse">Kindled by hands of treachery, yet reeking</div>
-<div class="verse">With blood of friends and neighbours. Serbia, thou</div>
-<div class="verse">Hast thought us careless and far off; know now</div>
-<div class="verse">Thy name to us is sudden drums outspeaking</div>
-<div class="verse">And tortured trumpets crying in the night!</div>
-</div></div>
-
-<div class="blockquot">
-
-<p><i>Note.</i>—This poem was sent from Crefeld, but was written
-in England just before the author left for the front.</p>
-</div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_62">[62]</span>
-<div class="blockquot">
-<h3 class="nobreak">A PHILOSOPHY</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Only</span> in pages of men’s books I find</div>
-<div class="verse">Swart villain and fair knight</div>
-<div class="verse">Closing in fight.</div>
-<div class="verse">Not piebald is mankind.</div>
-<div class="verse">The soul is hued to such swift varying</div>
-<div class="verse">As flying hornet’s sunshine-smitten wing.</div>
-</div>
-<div class="stanza">
-<div class="verse">Therefore, dear brother men (where’er ye be),</div>
-<div class="verse">Who strive for right</div>
-<div class="verse">With such short sight,</div>
-<div class="verse">’Tis wise for little folk like you and me</div>
-<div class="verse">Neither too much to praise nor yet to blame,</div>
-<div class="verse">Since in our different ways we’re all the same.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_63">[63]</span>
-<div class="blockquot">
-<h3 class="nobreak">CONSOLATOR AFFLICTORUM</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="indent"><span class="smcap">“Must</span> ever I be so</div>
-<div class="verse">—Yellow and old?” you asked,</div>
-<div class="verse">“With living overtasked,</div>
-<div class="verse">Ugly, and racked with pains?”</div>
-<div class="verse">I answered, “Even so,</div>
-<div class="verse">Dearest; yet love remains.”</div>
-</div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_64">[64]</span>
-<div class="blockquot">
-<h3 class="nobreak">RECOGNITION</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">By</span> Him Who made you sweet</div>
-<div class="indent">And set your eyes so wide,</div>
-<div class="verse">Who suffered us to meet</div>
-<div class="indent">Despite of woman’s pride,</div>
-</div>
-<div class="stanza">
-<div class="verse">And willed that we should know,</div>
-<div class="indent">Despite of man’s gross sense,</div>
-<div class="verse">The wonder and dawn-glow</div>
-<div class="indent">Of Love’s omnipotence,—</div>
-</div>
-<div class="stanza">
-<div class="verse">By all of this I swear,</div>
-<div class="indent">And by God’s self I vow,</div>
-<div class="verse">We have met (I know not how)</div>
-<div class="indent">Loving (I know not where):</div>
-</div>
-<div class="stanza">
-<div class="verse">Perhaps in heaven above,</div>
-<div class="indent">Perhaps in deep perdition.</div>
-<div class="verse">And so this present love</div>
-<div class="indent">Is but a recognition.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_65">[65]</span>
-<div class="blockquot">
-<h3 class="nobreak">ON OVER BRIDGE AT EVENING</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">Faint</span> grow the hills, but yet the night delays</div>
-<div class="verse">To blot them utterly. Below their ridge</div>
-<div class="verse">Of shadow lies the city in blue haze.</div>
-<div class="verse">I watch its lamps awaken, from the bridge</div>
-<div class="verse">Whereunder, running strongly to the sea,</div>
-<div class="verse">Water goes fleeting softly in a brown</div>
-<div class="verse">Wild loveliness. In heaven two or three</div>
-<div class="verse">Small stars awaken and gaze shyly down....</div>
-</div>
-<div class="stanza">
-<div class="verse">White and alluring runs the dusty road</div>
-<div class="verse">Into the country, and with yellow eyes</div>
-<div class="verse">A hastening car comes purring with its load:</div>
-<div class="verse">Like some great owl it hoots, and then it flies</div>
-<div class="verse">Past, and is swallowed up in dusk. And, singing,</div>
-<div class="verse">A country girl with basket homeward wends</div>
-<div class="verse">—Sweet as the dusty roses that are clinging</div>
-<div class="verse">Around the cottage where her journey ends.</div>
-</div>
-<div class="stanza">
-<div class="verse">Night deepens, and the stars with strengthening rays</div>
-<div class="verse">Thicken and go upon their lovely ways.</div>
-<div class="verse">Where are the voices that have vexed us so?</div>
-<div class="verse">Dear God, how quiet has Thy day become!</div>
-<div class="verse">The clamorous tongues of Earth are smitten dumb,</div>
-<div class="verse">Awed with the beauty that Thy work doth show.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_66">[66]</span>
-<div class="blockquot">
-<h3 class="nobreak">PASSION</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">All</span> life from passion springs.</div>
-<div class="verse">In holy ecstasy</div>
-<div class="verse">’Midst whir of angel-wings,</div>
-<div class="verse">Did God decree</div>
-<div class="verse">The golden stars that shine:</div>
-<div class="verse">The flaming morn,</div>
-<div class="verse">And that this flesh of mine</div>
-<div class="verse">Should once be born.</div>
-</div>
-<div class="stanza">
-<div class="verse">And all the works of men</div>
-<div class="verse">That live indeed:</div>
-<div class="verse">Joyance of sword or pen,</div>
-<div class="verse">High thought or deed,</div>
-<div class="verse">Are in such primal fashion</div>
-<div class="verse">Contrived and wrought.</div>
-<div class="verse">God grant me fire of thought</div>
-<div class="verse">To work Thy will—with Passion!</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_67">[67]</span>
-<div class="blockquot">
-<h3 class="nobreak">A COMMON PETITION</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">I crave</span> not of the wonder</div>
-<div class="verse">Of Thy full plan to see;</div>
-<div class="verse">No secret would I plunder</div>
-<div class="verse">Of guarded destiny;</div>
-<div class="verse">This only grant to me:</div>
-</div>
-<div class="stanza">
-<div class="verse">To hear the rolling thunder</div>
-<div class="verse">Of Life—be man alive:</div>
-<div class="verse">Yet through no body’s blunder</div>
-<div class="verse">To drag the bright soul under</div>
-<div class="verse">—Drowned where it needs must dive.</div>
-</div>
-<div class="stanza">
-<div class="verse">Keeping against all Fate</div>
-<div class="verse">That Thou hast given me—</div>
-<div class="verse">The dual mystery</div>
-<div class="verse">Of man—inviolate.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_68">[68]</span>
-<div class="blockquot">
-<h3 class="nobreak">AN ADVENTURE WITH GOD</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse"><span class="smcap">Far</span> worse than pain,</div>
-<div class="verse">Unutterable weariness</div>
-<div class="verse">Of blood and brain—</div>
-<div class="verse">Intolerable dreariness</div>
-<div class="verse">Of days God gave me.</div>
-<div class="verse">And I bethought</div>
-<div class="verse">The first fresh flood of youth that rose to leave me,</div>
-<div class="verse">And how in those brave days—</div>
-<div class="verse">Virgin of lust and spot—</div>
-<div class="verse">I had forgot</div>
-<div class="verse">To render any praise.</div>
-<div class="verse">Then, as I thus looked upward through the net</div>
-<div class="verse">Wherein both soul and flesh lay cunningly caught,</div>
-<div class="verse">God (’twas like Springtime calling from the earth</div>
-<div class="verse">The flowers to birth!)</div>
-<div class="verse">Smiled down and did restore</div>
-<div class="verse">All that I had before.</div>
-</div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_69">[69]</span>
-<div class="blockquot">
-<h3 class="nobreak">THE STRANGER</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">It</span> happened in a blood-red hell ringed round with golden weather;</div>
-<div class="verse">Walking in khaki through a trench he came,</div>
-<div class="verse">When life was death, and wounded men and great shells screamed together:</div>
-<div class="verse">I did not know his name.</div>
-<div class="verse">But so white-faced and wan, we talked a little while together</div>
-<div class="verse">Amongst dead men, and timbers black with flame.</div>
-</div>
-<div class="stanza">
-<div class="verse">“What would you do with life again,” asks he, “if one could give it?”</div>
-<div class="verse">“No use to talk when life is done,” I say.</div>
-<div class="verse">“But, by the living God, if He should grant me life I’d live it</div>
-<div class="verse">Kinder to man, truer to God each day.”</div>
-</div>
-<div class="stanza">
-<div class="verse">Flame and the noise of doom devoured the words, and for a while</div>
-<div class="verse">Senseless I lay.... Then,</div>
-<div class="verse">Oh, then as in a dream I saw the stranger with a smile</div>
-<div class="verse">Moving towards me over the dead men.</div>
-</div>
-<div class="stanza">
-<div class="verse">Red, red were his hands and feet and a great hole in his side,</div>
-<div class="verse">Yet glory seemed to blaze about his head;</div>
-<div class="verse">“Kinder to man, truer to God,” he whispered, and then died;</div><span class="pagenum" id="Page_70">[70]</span>
-<div class="verse">Falling down, arms outspread.</div>
-<div class="verse">Ere darkness fell upon me with the faintness and the pain,</div>
-<div class="verse">I saw a mangled body lying prone</div>
-<div class="verse">Upon the earth beside me. But what I can’t explain</div>
-<div class="verse">Is—<i>The stretcher-bearers found me quite alone</i>.</div>
-</div>
-<div class="stanza">
-<div class="verse">But, howsoe’er it happened, it matters not at last,</div>
-<div class="verse">Since God’s dear Son came down to earth and died</div>
-<div class="verse">In bloodshed, and the darkness of clouds that groaned aghast;</div>
-<div class="verse">With pierced hands and a great wound in His side.</div>
-</div>
-<div class="stanza">
-<div class="verse">It is not in my heart to hate the pleasant sins I leave.</div>
-<div class="verse">Earth’s passion flames within me fierce and strong.</div>
-<div class="verse">But this is like a shadow ever rising up to thieve</div>
-<div class="verse">Sin’s pleasures, and the lure of every pattern lust can weave,</div>
-<div class="verse">And charm of all things that can do Him wrong.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_71">[71]</span>
-<div class="blockquot">
-<h3 class="nobreak">THE BUGLER</h3>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><span class="smcap">God</span> dreamed a man;</div>
-<div class="verse">Then, having firmly shut</div>
-<div class="verse">Life like a precious metal in his fist,</div>
-<div class="verse">Withdrew, His labour done. Thus did begin</div>
-<div class="verse">Our various divinity and sin.</div>
-<div class="verse">For some to ploughshares did the metal twist,</div>
-<div class="verse">And others—dreaming empires—straightway cut</div>
-<div class="verse">Crowns for their aching foreheads. Others beat</div>
-<div class="verse">Long nails and heavy hammers for the feet</div>
-<div class="verse">Of their forgotten Lord. (Who dare to boast</div>
-<div class="verse">That he is guiltless?) Others coined it: most</div>
-<div class="verse">Did with it—simply nothing. (Here, again,</div>
-<div class="verse">Who cries his innocence?) Yet doth remain</div>
-<div class="verse">Metal unmarred, to each man more or less,</div>
-<div class="verse">Whereof to fashion perfect loveliness.</div>
-</div>
-<div class="stanza">
-<div class="verse">For me, I do but bear within my hand</div>
-<div class="verse">(For sake of Him our Lord, now long forsaken)</div>
-<div class="verse">A simple bugle such as may awaken</div>
-<div class="verse">With one high morning note a drowsing man:</div>
-<div class="verse">That wheresoe’er within my motherland</div>
-<div class="verse">The sound may come, ’twill echo far and wide</div>
-<div class="verse">Like pipes of battle calling up a clan,</div>
-<div class="verse">Trumpeting men through beauty to God’s side.</div>
-</div></div></div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<p class="center">
-PRINTED BY<br />
-HAZELL, WATSON AND VINEY, LD.,<br />
-LONDON AND AYLESBURY.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<div class="transnote">
-<p class="ph2">TRANSCRIBER’S NOTE:</p>
-
-<p>The cover image for this eBook was created by the transcriber and is entered into the public domain.</p>
-</div></div>
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+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> + <meta http-equiv="Content-Style-Type" content="text/css" /> + <title> + Gloucestershire Friends, by F. W. Harvey—A Project Gutenberg eBook + </title> + <link rel="coverpage" href="images/cover.jpg" /> + <style type="text/css"> + +body { + margin-left: 10%; + margin-right: 10%; +} + + h1 { + text-align: left; + clear: both; +} + + h2 {text-align: center; + clear: both;} + + h3 { + text-align: left; + font-size: x-large; + clear: both; +} + +p { + margin-top: .51em; + text-align: justify; + margin-bottom: .49em; +} + +div.titlepage {text-align: center; page-break-before: always; page-break-after: always;} +div.titlepage p {text-align: center; font-weight: bold; line-height: 1.5; margin-top: 2em;} + +hr { + width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: 33.5%; + margin-right: 33.5%; + clear: both; +} + +hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;} +@media print { hr.chap {display: none; visibility: hidden;} } + +div.chapter {page-break-before: always;} +h2.nobreak {page-break-before: avoid;} +h3.nobreak {page-break-before: avoid;} + +table { + margin-left: auto; + margin-right: auto; +} + +.tdr {text-align: right;} +.tdc {text-indent: 2em;} + +.pagenum { + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; + font-style: normal; + font-weight: normal; + font-variant: normal; +} + +.hangingindent { text-indent: -2em; margin-left: 2em; } + +.blockquot { + margin-left: 30%; + margin-right: 30%; +} + +a {text-decoration: none;} + +.center {text-align: center;} + +.smcap {font-variant: small-caps;} + +.allsmcap {font-variant: small-caps; text-transform: lowercase;} + +.ph1 {text-align: center; font-size: xx-large; font-weight: bold;} +.ph2 {text-align: center; font-size: large; font-weight: bold;} +.gap {padding-left: 2em;} + +.xxlarge {font-size: 175%;} +.xlarge {font-size: 150%;} +.large {font-size: 125%;} + +.figcenter { + margin: auto; + text-align: center; + page-break-inside: avoid; + max-width: 100%; +} + +.figright { + float: right; + clear: right; + margin-left: 1em; + margin-bottom: 1em; + margin-top: 1em; + margin-right: 0; + padding: 0; + text-align: center; + page-break-inside: avoid; + max-width: 100%; +} + +.x-ebookmaker .figright {float: right;} + + +.poetry-container {text-align: center;} +.poetry {display: inline-block; text-align: left;} +.poetry .verse {text-indent: -2.5em; padding-left: 3em;} +.poetry .stanza {margin: 1em auto;} +.poetry .indent {text-indent: 1.5em;} +.poetry .indent2 {text-indent: 2.5em;} +.poetry .indent3 {text-indent: 3.5em;} +.poetry .indent5 {text-indent: 4em;} +.poetry .verseright { text-align: right;} +@media print { .poetry {display: block;} } +.x-ebookmaker .poetry {display: block;} + +.transnote {background-color: #E6E6FA; + color: black; + font-size:smaller; + margin-left: 17.5%; + margin-right: 17.5%; + padding: 1em; + margin-bottom:5em; + font-family:sans-serif, serif; } + + </style> + </head> +<body> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 66362 ***</div> + +<div class="figcenter"><img src="images/cover.jpg" width="50%" alt="" /></div> + +<hr class="chap x-ebookmaker-drop" /> +<div class="blockquot"> +<h1>Gloucestershire Friends</h1> + +<div class="figright"><img src="images/i_logopage1.jpg" alt="" /></div> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p class="center">BY THE SAME AUTHOR</p> +</div> + +<p class="center"><i>Fourth Impression</i></p> + +<p class="center">A Gloucestershire Lad at Home<br /> +and Abroad</p> + +<p class="center">Cloth 2<i>s.</i> net; paper 1<i>s.</i> 6<i>d.</i> net.</p> + + +<div class="blockquot"> + +<p>“The secret of Mr. Harvey’s power is that he +says what other English lads in Flanders want to +say and cannot.... This modest little volume has +real charm, and not a little depth of thought and +beauty. It contains far more real poetry than many +a volume ten times its length.”—Bishop Frodsham +in <i>The Saturday Review</i>.</p> + +<p>“A poet of power and a subtle distinction.... +This little collection of his poems, which has a +Preface by his Commanding Officer, will give him +a high place in the Sidneian company of soldier-poets.”—E. +B. O. in <i>The Morning Post</i>.</p> +</div> + + +<p class="center">London: Sidgwick & Jackson, Ltd.</p> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="titlepage"> +<p><span class="xxlarge">Gloucestershire Friends:</span><br /> +<br /> +<span class="xlarge">Poems from a German Prison Camp</span></p> + +<p>by<br /> +<span class="xlarge">F. W. Harvey</span><br /> +<br /> +Author of<br /> +“A Gloucestershire Lad at Home and Abroad”</p> + +<div class="figcenter"><img src="images/i_logo.jpg" alt="" /></div> + +<p><span class="large">Introduction by the Right Rev. <span class="smcap">Bishop Frodsham</span><br /> +Canon Residentiary of Gloucester</span></p> + + +<p><span class="xlarge">London: Sidgwick & Jackson, Ltd.<br /> +3 Adam Street, Adelphi, W.C.2.<span class="gap"> 1917</span></span></p> +</div> + +<hr class="chap x-ebookmaker-drop" /> +<div class="chapter"> +<p class="center"> +<i>First published in 1917</i><br /> +<br /> +<i>All rights reserved</i></p> +</div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p class="center"> +TO<br /> +<br /> +THE BEST OF ALL<br /> +<br /> +GLOUCESTERSHIRE FRIENDS<br /> +<br /> +<span class="large">MY MOTHER</span></p> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_7">[7]</span> +<div class="blockquot"> +<h2 class="nobreak">CONTENTS</h2> +</div></div> + + +<table border="0" cellpadding="2" cellspacing="2" summary="table"> + +<tr><td> </td><td class="tdr">PAGE</td></tr> + +<tr><td>INTRODUCTION, BY BISHOP FRODSHAM</td><td class="tdr"><a href="#Page_11"> 11</a></td></tr> + +<tr><td>CLOUD MESSENGERS</td><td class="tdr"><a href="#Page_13"> 13</a></td></tr> + +<tr><td>LONELINESS </td><td class="tdr"><a href="#Page_14"> 14</a></td></tr> + +<tr><td>AUTUMN IN PRISON</td><td class="tdr"><a href="#Page_15"> 15</a></td></tr> + +<tr><td>WHAT WE THINK OF</td><td class="tdr"><a href="#Page_16"> 16</a></td></tr> + +<tr><td>PRISONERS</td><td class="tdr"><a href="#Page_17"> 17</a></td></tr> + +<tr><td>SONNET, TO ONE KILLED IN ACTION</td><td class="tdr"><a href="#Page_18"> 18</a></td></tr> + +<tr><td>THE HATEFUL ROAD</td><td class="tdr"><a href="#Page_19"> 19</a></td></tr> + +<tr><td>ENGLISH FLOWERS IN A FOREIGN GARDEN</td><td class="tdr"><a href="#Page_20"> 20</a></td></tr> + +<tr><td>THE BOND</td><td class="tdr"><a href="#Page_21"> 21</a></td></tr> + +<tr><td>TO YOU—UNSUNG</td><td class="tdr"><a href="#Page_22"> 22</a></td></tr> + +<tr><td>A CHRISTMAS WISH</td><td class="tdr"><a href="#Page_23"> 23</a></td></tr> + +<tr><td>TO KATHLEEN</td><td class="tdr"><a href="#Page_24"> 24</a></td></tr> + +<tr><td>CHRISTMAS IN PRISON</td><td class="tdr"><a href="#Page_25"> 25</a></td></tr> + +<tr><td>TO THE OLD YEAR</td><td class="tdr"><a href="#Page_26"> 26</a></td></tr> + +<tr><td>BALLADE</td><td class="tdr"><a href="#Page_27"> 27</a></td></tr> + +<tr><td>BALLADE</td><td class="tdr"><a href="#Page_29"> 29</a></td></tr> + +<tr><td>SOLITARY CONFINEMENT</td><td class="tdr"><a href="#Page_31"> 31</a></td></tr> + +<tr><td>A RONDEL OF GLOUCESTERSHIRE</td><td class="tdr"><a href="#Page_32"> 32</a></td></tr> + +<tr><td>THE LITTLE ROAD</td><td class="tdr"><a href="#Page_33"> 33</a></td></tr> + +<tr><td>SONNET</td><td class="tdr"><a href="#Page_34"> 34</a><span class="pagenum" id="Page_8">[8]</span></td></tr> + +<tr><td>ENGLAND, IN MEMORY </td><td class="tdr"><a href="#Page_35"> 35</a></td></tr> + +<tr><td>THE DEAD</td><td class="tdr"><a href="#Page_36"> 36</a></td></tr> + +<tr><td>THE SLEEPERS</td><td class="tdr"><a href="#Page_37"> 37</a></td></tr> + +<tr><td>COMRADES O’ MINE</td><td class="tdr"><a href="#Page_38"> 38</a></td></tr> + +<tr><td>TO R. E. K. </td><td class="tdr"><a href="#Page_39"> 39</a></td></tr> + +<tr><td>BALLAD OF ARMY PAY</td><td class="tdr"><a href="#Page_40"> 40</a></td></tr> + +<tr><td>TO THE DEVIL ON HIS APPALLING DECADENCE</td><td class="tdr"><a href="#Page_43"> 43</a></td></tr> + +<tr><td>AT AFTERNOON TEA</td><td class="tdr"><a href="#Page_44"> 44</a></td></tr> + +<tr><td>TO THE UNKNOWN NURSE</td><td class="tdr"><a href="#Page_45"> 45</a></td></tr> + +<tr><td>THE HORSES</td><td class="tdr"><a href="#Page_46"> 46</a></td></tr> + +<tr><td>MOTHER AND SON</td><td class="tdr"><a href="#Page_47"> 47</a></td></tr> + +<tr><td><a href="#Page_48"> GROWN UPS:</a></td></tr> + +<tr><td class="tdc">1. TIMMY TAYLOR AND THE RATS</td><td class="tdr"><a href="#Page_48"> 48</a></td></tr> + +<tr><td class="tdc">2. WILLUM ACCOUNTS FOR THE PRICE OF LAMPREY</td><td class="tdr"><a href="#Page_50"> 50</a></td></tr> + +<tr><td class="tdc">3. THE OLDEST INHABITANT HEARS FAR OFF THE DRUMS OF DEATH</td><td class="tdr"><a href="#Page_51"> 51</a></td></tr> + +<tr><td class="tdc">4. SETH BEMOANS THE OLDEST INHABITANT </td><td class="tdr"><a href="#Page_52"> 52</a></td></tr> + +<tr><td class="tdc">5. A RIVER, A PIG, AND BRAINS</td><td class="tdr"><a href="#Page_53"> 53</a></td></tr> + +<tr><td class="tdc">6. MARTHA BAZIN ON MARRIAGE</td><td class="tdr"><a href="#Page_54"> 54</a></td></tr> + +<tr><td><a href="#Page_55"> CHILDREN:</a><span class="pagenum" id="Page_9">[9]</span></td></tr> + +<tr><td class="tdc">1. LITTLE ABEL GOES TO CHURCH</td><td class="tdr"><a href="#Page_55"> 55</a></td></tr> + +<tr><td class="tdc">2. DELIGHTS</td><td class="tdr"><a href="#Page_56"> 56</a></td></tr> + +<tr><td class="tdc">3. THE BOY WITH LITTLE BARE TOES</td><td class="tdr"><a href="#Page_57"> 57</a></td></tr> + +<tr><td>THE WIND IN TOWN TREES</td><td class="tdr"><a href="#Page_58"> 58</a></td></tr> + +<tr><td>FORM—A STUDY</td><td class="tdr"><a href="#Page_59"> 59</a></td></tr> + +<tr><td>VILLANELLE</td><td class="tdr"><a href="#Page_60"> 60</a></td></tr> + +<tr><td>KOSSOVO DAY</td><td class="tdr"><a href="#Page_61"> 61</a></td></tr> + +<tr><td>A PHILOSOPHY</td><td class="tdr"><a href="#Page_62"> 62</a></td></tr> + +<tr><td>CONSOLATOR AFFLICTORUM</td><td class="tdr"><a href="#Page_63"> 63</a></td></tr> + +<tr><td>RECOGNITION</td><td class="tdr"><a href="#Page_64"> 64</a></td></tr> + +<tr><td>ON OVER BRIDGE AT EVENING</td><td class="tdr"><a href="#Page_65"> 65</a></td></tr> + +<tr><td>PASSION</td><td class="tdr"><a href="#Page_66"> 66</a></td></tr> + +<tr><td>A COMMON PETITION</td><td class="tdr"><a href="#Page_67"> 67</a></td></tr> + +<tr><td>AN ADVENTURE WITH GOD</td><td class="tdr"><a href="#Page_68"> 68</a></td></tr> + +<tr><td>THE STRANGER</td><td class="tdr"><a href="#Page_69"> 69</a></td></tr> + +<tr><td>THE BUGLER</td><td class="tdr"><a href="#Page_71"> 71</a></td></tr> +</table> + +<p><span class="pagenum" id="Page_10">[10]</span></p> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_11">[11]</span> + +<h2 class="nobreak">INTRODUCTION</h2> + + +<p class="center">by Bishop Frodsham</p> +</div> + +<p> </p> +<p>“<span class="smcap">Good</span> wine needs no bush.” Those who know and +love “A Gloucestershire Lad” would resent any +lengthy attempt to praise the quality of Lieutenant +Harvey’s verses. Some of the poems from a German +prison camp may reach a far higher standard of +lyric excellence than any in the earlier volume. The +two ballades on war and “The Bugler” grip one by +the throat. But all the verses have a sweetness and +beauty entirely their own.</p> + +<p>The poems are all short—too short. Lieutenant +Harvey sings like the wild birds of his own dear +Gloucestershire because he cannot help doing so. +He stops short—as they do—and like them begins +again. What can we do but take what he gives us, +wondering that he can write so well, mewed as he is +in a cage—and such a cage! An agony of inarticulate +longing shrills in a feathered cageling’s song: the +man simply and unaffectedly lays bare his heart, his +love, his faith, his hope, his sense of loneliness, of +ineffectiveness, of baffled purposes and incompleted +manhood.</p> + +<p>Memory is at once the joy and torment of all who +are forced to think. Memory tears the heart-strings +of those who are in captivity. It makes some hopeless +and weak, others bitter and savage, according to +their natures. Beneath all the music of this man’s +words there is an undertone of fierce anger that sweeps +him away at times, but is this not characteristic of +many other young Englishmen who laugh so well, and +“woo bright danger for a thrilling kiss”? His memories +sweep along the great gamut of his own tremendous +experiences, and yet they never lose the melodies +of home. Perhaps because of the objects of his<span class="pagenum" id="Page_12">[12]</span> +heart’s desire he is so kindly withal, so modest, so +humorous, and, to use his own words of another, “so +worldly foolish, so divinely wise.” Herein is the +fascination of these verses.</p> + +<p>The manuscript was sent on by the prison authorities +of Crefeld without any obliteration or excision. This +must be counted unto them for literary righteousness. +Yet it would be difficult to imagine what the most +stony-hearted German censor could resent in any one +of Lieutenant Harvey’s poems, unless it might be a +deep love for England and an overwhelming desire to +be with his love again.</p> + +<p>Many unfortunates who have had dear ones imprisoned +at Gütersloh, where most of these poems were +written, and at other centres, are looking forward +eagerly to the publication of this little book. If they +expect to read descriptions of the life of the camp, +or reflections upon the conduct of German gaolers, +they will be disappointed. The circumstances of the +case have made such revelations impossible. If they +had been possible, it is still doubtful if they would +have been made here. But it will be strange if such +readers do not find better things than they expected. +Transpose any other county of this land for Gloucestershire, +or any other home for the tree-encircled +house at Minsterworth, then they will learn what the +best of England’s captive sons are thinking, and so +take heart of grace from the true love-songs of a +Gloucestershire soldier, written first and foremost for +his mother.</p> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_13">[13]</span> + +<p class="ph1">GLOUCESTERSHIRE<br /> +FRIENDS</p> + +<div class="blockquot"> +<h3 class="nobreak">CLOUD MESSENGERS</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">You</span> clouds that with the wind your warden</div> +<div class="indent">Flying toward the Channel go,</div> +<div class="verse">Or ever the frost your fruit shall harden</div> +<div class="indent">To hail and sleet and driving snow,</div> +<div class="verse">Go seek one sunny old sweet garden—</div> +<div class="indent">An English garden that I know.</div> +</div> +<div class="stanza"> +<div class="verse">Therein perchance my Mother, straying</div> +<div class="indent">Among her dahlias, shall see</div> +<div class="verse">Your rainy gems in sunlight swaying</div> +<div class="indent">On flower of gold and emerald tree.</div> +<div class="indent">Then in her heart feel suddenly</div> +<div class="verse">Old love and laughter, like sunshine playing</div> +<div class="indent">Through tears of memory.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_14">[14]</span> +<div class="blockquot"> +<h3 class="nobreak">LONELINESS</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="indent2"><span class="smcap">Oh</span> where’s the use to write?</div> +<div class="indent2">What can I tell you, dear?</div> +<div class="indent2">Just that I want you so</div> +<div class="indent2">Who are not near.</div> +<div class="verse">Just that I miss the lamp whose blessèd light</div> +<div class="verse">Was God’s own moon to shine upon my night,</div> +<div class="verse">And newly mourn each new day’s lost delight:</div> +<div class="verse">Just—oh, it will not ease my pain—</div> +<div class="indent2">That I am lonely</div> +<div class="indent2">Until I see you once again,</div> +<div class="indent2">You—you only.</div> +</div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_15">[15]</span> +<div class="blockquot"> +<h3 class="nobreak">AUTUMN IN PRISON</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Here</span> where no tree changes,</div> +<div class="indent">Here in a prison of pine,</div> +<div class="verse">I think how Autumn ranges</div> +<div class="indent">The country that is mine.</div> +</div> +<div class="stanza"> +<div class="verse">There—rust upon the chill breeze—</div> +<div class="indent">The woodland leaf now whirls;</div> +<div class="verse">There sway the yellowing birches</div> +<div class="indent">Like dainty dancing girls.</div> +</div> +<div class="stanza"> +<div class="verse">Oh, how the leaves are dancing</div> +<div class="indent">With Death at Lassington!</div> +<div class="verse">And Death is now enhancing</div> +<div class="indent">Beauty I walked upon.</div> +</div> +<div class="stanza"> +<div class="verse">The roads with leaves are littered,</div> +<div class="indent">Yellow, brown, and red.</div> +<div class="verse">The homes where robins twittered</div> +<div class="indent">Lie ruin; but instead</div> +</div> +<div class="stanza"> +<div class="verse">Gaunt arms of stretching giants</div> +<div class="indent">Stand in the azure air,</div> +<div class="verse">Cutting the sky in pattern</div> +<div class="indent">So common, yet so fair.</div> +</div> +<div class="stanza"> +<div class="verse">The heart is kindled by it,</div> +<div class="indent">And lifted as with wine,</div> +<div class="verse">In Lassington and Highnam—</div> +<div class="indent">The woodlands that were mine.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_16">[16]</span> +<div class="blockquot"> +<h3 class="nobreak">WHAT WE THINK OF</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Walking</span> round our cages like the lions at the Zoo,</div> +<div class="verse">We think of things that we have done, and things we mean to do:</div> +<div class="verse">Of girls we left behind us, of letters that are due,</div> +<div class="verse">Of boating on the river beneath a sky of blue,</div> +<div class="verse">Of hills we climbed together—not always for the view.</div> +</div> +<div class="stanza"> +<div class="verse">Walking round our cages like the lions at the Zoo,</div> +<div class="verse">We see the phantom faces of you, and you, and you,</div> +<div class="verse">Faces of those we loved or loathed—oh every one we knew!</div> +<div class="verse">And deeds we wrought in carelessness for happiness or rue,</div> +<div class="verse">And dreams we broke in folly, and seek to build anew,—</div> +<div class="verse">Walking round our cages like the lions at the Zoo.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_17">[17]</span> +<div class="blockquot"> +<h3 class="nobreak">PRISONERS</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Comrades</span> of risk and rigour long ago</div> +<div class="verse">Who have done battle under honour’s name,</div> +<div class="verse">Hoped (living or shot down) some meed of fame,</div> +<div class="verse">And wooed bright Danger for a thrilling kiss,—</div> +<div class="verse">Laugh, oh laugh well, that we have come to this!</div> +</div> +<div class="stanza"> +<div class="verse">Laugh, oh laugh loud, all ye who long ago</div> +<div class="verse">Adventure found in gallant company!</div> +<div class="verse">Safe in Stagnation, laugh, laugh bitterly,</div> +<div class="verse">While on this filthiest backwater of Time’s flow</div> +<div class="verse">Drift we and rot, till something set us free!</div> +</div> +<div class="stanza"> +<div class="verse">Laugh like old men with senses atrophied,</div> +<div class="verse">Heeding no Present, to the Future dead,</div> +<div class="verse">Nodding quite foolish by the warm fireside</div> +<div class="verse">And seeing no flame, but only in the red</div> +<div class="verse">And flickering embers, pictures of the past:—</div> +<div class="verse">Life like a cinder fading black at last.</div> +</div></div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_18">[18]</span> +<div class="blockquot"> +<h3 class="nobreak">SONNET<br /> + + +<small>(<span class="smcap">To One Killed in Action</span>)</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">My</span> undevout yet ardent sacrifice</div> +<div class="indent">Did God refuse, knowing how carelessly</div> +<div class="indent">And with what curious sensuality</div> +<div class="verse">The coloured flames did flicker and arise.</div> +<div class="verse">Half boy, half decadent, always my eyes</div> +<div class="indent">Sparkle to danger: Oh it was joy to me</div> +<div class="indent">To sit with Death gambling desperately</div> +<div class="verse">The borrowed Coin of Life. But you, more wise,</div> +<div class="verse">Went forth for nothing but to do God’s will:</div> +<div class="indent">Went gravely out—well knowing what you did</div> +<div class="indent2">And hating it—with feet that did not falter</div> +<div class="indent2">To place your gift upon the highest altar.</div> +<div class="verse">Therefore to you this last and finest thrill</div> +<div class="indent">Is given—even Death itself, to me forbid.</div> +</div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_19">[19]</span> +<div class="blockquot"> +<h3 class="nobreak">THE HATEFUL ROAD</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Oh pleasant</span> things there be</div> +<div class="indent">Without this prison yard:</div> +<div class="verse">Fields green, and many a tree</div> +<div class="indent">With shadow on the sward,</div> +<div class="verse">And drifting clouds that pass</div> +<div class="verse">Sailing above the grass.</div> +</div> +<div class="stanza"> +<div class="verse">All lovely things that be</div> +<div class="indent">Beyond this strong abode</div> +<div class="verse">Send comfort back to me;</div> +<div class="verse">Yea, everything I see</div> +<div class="indent">Except the hateful road;</div> +<div class="verse">The road that runs so free</div> +<div class="indent">With many a dip and rise,</div> +<div class="verse">That waves and beckons me</div> +<div class="verse">And mocks and calls at me</div> +<div class="verse">And will not let me be</div> +<div class="indent">Even when I close my eyes.</div> +</div></div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_20">[20]</span> +<div class="blockquot"> +<h3 class="nobreak">ENGLISH FLOWERS IN A FOREIGN +GARDEN</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Snapdragon</span>, sunflower, sweet-pea,</div> +<div class="verse">Flowers which fill the heart of me</div> +<div class="verse">With so sweet and bitter fancy:</div> +<div class="verse">Glowing rose and pensive pansy,</div> +<div class="verse">You that pierce me with a blade</div> +<div class="verse">Beat from molten memory,</div> +<div class="verse">With what art, how tenderly,</div> +<div class="verse">You heal the wounds that you have made!</div> +</div> +<div class="stanza"> +<div class="verse">Thrushes, finches, birds that beat</div> +<div class="verse">Magical and thrilling sweet</div> +<div class="verse">Little far-off fairy gongs:</div> +<div class="verse">Blackbird with your mellow songs,</div> +<div class="verse">Valiant robin, thieving sparrows,</div> +<div class="verse">Though you wound me as with arrows,</div> +<div class="verse">Still with you among these flowers</div> +<div class="verse">Surely I find my sweetest hours.</div> +</div></div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_21">[21]</span> +<div class="blockquot"> +<h3 class="nobreak">THE BOND</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Once</span>, I remember, when we were at home</div> +<div class="verse">I had come into church, and waited late,</div> +<div class="verse">Ere lastly kneeling to communicate</div> +<div class="verse">Alone: and thinking that you would not come.</div> +</div> +<div class="stanza"> +<div class="verse">Then, with closed eyes (having received the Host)</div> +<div class="verse">I prayed for your dear self, and turned to rise;</div> +<div class="verse">When lo! beside me like a blessed ghost—</div> +<div class="verse">Nay, a grave sunbeam—<i>you</i>! Scarcely my eyes</div> +<div class="verse">Could credit it, so softly had you come</div> +<div class="verse">Beside me as I thought I walked alone.</div> +</div> +<div class="stanza"> +<div class="verse">Thus long ago; but now, when fate bereaves</div> +<div class="verse">Life of old joys, how often as I’m kneeling</div> +<div class="verse">To take the Blessed Sacrifice that weaves</div> +<div class="verse">Life’s tangled threads, so broken to man’s seeing,</div> +<div class="verse">Into one whole; I have the sudden feeling</div> +<div class="verse">That you are by, and look to see a face</div> +<div class="verse">Made in fair flesh beside me, and all my being</div> +<div class="verse">Thrills with the old sweet wonder and faint fear</div> +<div class="verse">As in that sabbath hour—how long ago!—</div> +<div class="verse">When you had crept so lightly to your place.</div> +<div class="verse">Then, then, <i>I know</i></div> +<div class="verse">(My heart can always tell) that you are near.</div> +</div></div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_22">[22]</span> +<div class="blockquot"> +<h3 class="nobreak">TO YOU—UNSUNG<br /> + + +<small>(<span class="smcap">Sonnet</span>)</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">How</span> should I sing you?—you who dwell unseen</div> +<div class="indent">Within the darkest chamber of my heart.</div> +<div class="indent">What picturesque and inward-turning art</div> +<div class="verse">Could shadow forth the image of my queen,</div> +<div class="verse">Sweet, world aloof, ineffably serene</div> +<div class="indent">Like holy dawn, yet so entirely part</div> +<div class="indent">Of what am I, as well a man might start</div> +<div class="verse">To paint his breathing, or his red blood’s sheen.</div> +</div> +<div class="stanza"> +<div class="verse">Nay, seek yourself, who are their truest breath,</div> +<div class="indent">In these my songs made for delight of men.</div> +<div class="indent2">Oh, where they fail, ’tis I that am in blame,</div> +<div class="indent">But, where the words loom larger than my pen,</div> +<div class="indent2">Be sure they ring glad echoes of your name,</div> +<div class="verse">And Love that triumphs over Life and Death.</div> +</div></div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_23">[23]</span> +<div class="blockquot"> +<h3 class="nobreak">A CHRISTMAS WISH</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">I cannot</span> give you happiness:</div> +<div class="verse">For wishes long have ceased to bring</div> +<div class="verse">The Fortune which to page and king</div> +<div class="verse">They brought in those good centuries,</div> +<div class="verse">When with a quaint and starry wand</div> +<div class="verse">Witches turned poor men’s thoughts to gold</div> +<div class="verse">And Cinderella’s carriage rolled</div> +<div class="verse">Through moonlight into Fairyland.</div> +</div> +<div class="stanza"> +<div class="verse">I may but <i>wish</i> you happiness:</div> +<div class="verse">Not Pleasure’s dusty fruit to find,</div> +<div class="verse">But wines of Mirth and Friendship kind,</div> +<div class="verse">And Love, to make with you a home.</div> +<div class="verse">But may Our Lord whose Son has come</div> +<div class="verse">Now heed the wish and make it true,</div> +<div class="verse">Even as elves were wont to do</div> +<div class="verse">When wishing could bring happiness.</div> +</div></div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_24">[24]</span> +<div class="blockquot"> +<h3 class="nobreak">TO KATHLEEN, AT CHRISTMAS<br /> + + +<small>(<span class="smcap">An Acrostic</span>)</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"> <span class="smcap"> K ings</span> of the East did bring their gold</div> +<div class="verse"> A nd jewels unto the cattle fold.</div> +<div class="verse"> T he angel’s song was heard by men</div> +<div class="verse">“H oly! holy! holy!” then.</div> +<div class="verse"> L ittle and weak in the manger He lay</div> +<div class="verse"> E ven as you in a cradle to-day;</div> +<div class="verse"> E ven as you did the Christ-child rest</div> +<div class="verse"> N estling warm in His mother’s breast.</div> +</div> +<div class="stanza"> +<div class="indent"><span class="smcap">Gütersloh</span>,</div> +<div class="indent2"><i>December 1916.</i></div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_25">[25]</span> +<div class="blockquot"> +<h3 class="nobreak">CHRISTMAS IN PRISON</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="indent3"><span class="smcap">Outside</span>, white snow</div> +<div class="indent3">And freezing mire.</div> +<div class="indent3">The heart of the house</div> +<div class="indent3">Is a blazing fire!</div> +</div> +<div class="stanza"> +<div class="verse">Even so whatever hags do ride</div> +<div class="verse">His outward fortune, withinside</div> +<div class="verse">The heart of a man burns Christmastide!</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_26">[26]</span> +<div class="blockquot"> +<h3 class="nobreak">TO THE OLD YEAR</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Old</span> year, farewell!</div> +<div class="verse">Much have you given which was ill to bear:</div> +<div class="verse">Much have taken which was dear, so dear:</div> +<div class="verse">Much have you spoken which was ill to hear;</div> +<div class="verse">Echoes of speech first uttered deep in hell.</div> +</div> +<div class="stanza"> +<div class="verse">Pass now like some grey harlot to the tomb!</div> +<div class="verse">Yet die in child-birth, and from out your womb</div> +<div class="verse">Leap the young year unsullied! He perchance</div> +<div class="verse">Shall bring to man his lost inheritance.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_27">[27]</span> +<div class="blockquot"> +<h3 class="nobreak">BALLADE<br /> + + +<small><span class="smcap">No.</span> 1</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Bodies</span> of comrade soldiers gleaming white</div> +<div class="indent">Within the mill-pool where you float and dive</div> +<div class="verse">And lounge around part-clothed or naked quite;</div> +<div class="indent">Beautiful shining forms of men alive,</div> +<div class="indent">O living lutes stringed with the senses five</div> +<div class="verse">For Love’s sweet fingers; seeing Fate afar,</div> +<div class="indent">My very soul with Death for you must strive;</div> +<div class="verse">Because of you I loathe the name of War.</div> +</div> +<div class="stanza"> +<div class="verse">But O you piteous corpses yellow-black,</div> +<div class="indent">Rotting unburied in the sunbeam’s light,</div> +<div class="verse">With teeth laid bare by yellow lips curled back</div> +<div class="indent">Most hideously; whose tortured souls took flight</div> +<div class="indent">Leaving your limbs, all mangled by the fight,</div> +<div class="verse">In attitudes of horror fouler far</div> +<div class="indent">Than dreams which haunt a devil’s brain at night;</div> +<div class="verse">Because of you I loathe the name of War.</div> +</div> +<div class="stanza"> +<div class="verse">Mothers and maids who loved you, and the wives</div> +<div class="indent">Bereft of your sweet presences; yea, all</div> +<div class="verse">Who knew you beautiful; and those small lives</div> +<div class="indent">Made of that knowledge; O, and you who call</div><span class="pagenum" id="Page_28">[28]</span> +<div class="indent">For life (but vainly now) from that dark hall</div> +<div class="verse">Where wait the Unborn, and the loves which are</div> +<div class="indent">In future generations to befall;</div> +<div class="verse">Because of you I loathe the name of War.</div> +</div> +<div class="stanza"> +<div class="verse"><span class="allsmcap">L’ENVOI</span></div> +</div> +<div class="stanza"> + +<div class="verse">Prince Jesu, hanging stark upon a tree</div> +<div class="indent">Crucified as the malefactors are</div> +<div class="verse">That man and man henceforth should brothers be;</div> +<div class="indent">Because of you I loathe the name of War.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_29">[29]</span> +<div class="blockquot"> +<h3 class="nobreak">BALLADE<br /> + + +<small><span class="smcap">No.</span> 2</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">You</span> dawns, whose loveliness I have not missed,</div> +<div class="indent">Making so delicate background for the larches</div> +<div class="verse">Melting the hills to softest amethyst;</div> +<div class="indent">O beauty never absent from our marches;</div> +<div class="indent">Passion of heaven shot golden through the arches</div> +<div class="verse">Of woods, or filtered softly from a star,</div> +<div class="indent">Nature’s wild love that never cloys or parches;</div> +<div class="verse">Because of you I love the name of War.</div> +</div> +<div class="stanza"> +<div class="verse">I have seen dawn and sunset, night and morning,</div> +<div class="indent">I have tramped tired and dusty to a tune</div> +<div class="verse">Of singing voices tired as I, but scorning</div> +<div class="indent">To yield up gaiety to sweltering June.</div> +<div class="indent">O comrades marching under blazing noon</div> +<div class="verse">Who told me tales in taverns near and far,</div> +<div class="indent">And sang and slept with me beneath the moon;</div> +<div class="verse">Because of you I love the name of War.</div> +</div> +<div class="stanza"> +<div class="verse">But you most dear companions Life and Death,</div> +<div class="indent">Whose friendship I had never valued well</div> +<div class="verse">Until that Battle blew with fiery breath</div> +<div class="indent">Over the earth his message terrible;</div><span class="pagenum" id="Page_30">[30]</span> +<div class="indent">Crying aloud the things Peace could not tell,</div> +<div class="verse">Calling up ancient custom to the bar</div> +<div class="indent">Of God, to plead its cause with Heaven and Hell ...</div> +<div class="verse">Because of you I love the name of War.</div> +</div> +<div class="stanza"> +<div class="verse"><span class="allsmcap">L’ENVOI</span></div> +</div> +<div class="stanza"> +<div class="verse">Prince Jesu, who did speak the amazing word</div> +<div class="verse">Loud, trumpet-clear, flame-flashing like a star</div> +<div class="verse">Which falls: “Not peace I bring you, but the sword!”</div> +<div class="verse">Because of you I love the name of War.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_31">[31]</span> +<div class="blockquot"> +<h3 class="nobreak">SOLITARY CONFINEMENT</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">No</span> mortal comes to visit me to-day,</div> +<div class="indent">Only the gay and early-rising Sun</div> +<div class="verse">Who strolled in nonchalantly, just to say,</div> +<div class="indent">“Good morrow, and despair not, foolish one!”</div> +<div class="verse">But like the tune which comforted King Saul</div> +<div class="verse">Sounds in my brain that sunny madrigal.</div> +</div> +<div class="stanza"> +<div class="verse">Anon the playful Wind arises, swells</div> +<div class="indent">Into vague music, and departing, leaves</div> +<div class="verse">A sense of blue bare heights and tinkling bells,</div> +<div class="indent">Audible silences which sound achieves</div> +<div class="verse">Through music, mountain streams, and hinted heather,</div> +<div class="verse">And drowsy flocks drifting in golden weather.</div> +</div> +<div class="stanza"> +<div class="verse">Lastly, as to my bed I turn for rest.</div> +<div class="indent">Comes Lady Moon herself on silver feet</div> +<div class="verse">To sit with one white arm across my breast,</div> +<div class="indent">Talking of elves and haunts where they do meet.</div> +<div class="verse">No mortal comes to see me, yet I say</div> +<div class="verse">“Oh, I have had fine visitors to-day!”</div> +</div> +<div class="stanza"> +<div class="verse"><span class="smcap">Douai</span>,</div> +<div class="indent"><i>August 20th, 1916</i>.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_32">[32]</span> +<div class="blockquot"> +<h3 class="nobreak">A RONDEL OF GLOUCESTERSHIRE</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Big</span> glory mellowing on the mellowing hills,</div> +<div class="verse">And in the little valleys, thatch and dreams,</div> +<div class="verse">Wrought by the manifold and vagrant wills</div> +<div class="verse">Of sun and ripening rain and wind; so gleams</div> +<div class="verse">My country, that great magic cup which spills</div> +<div class="verse">Into my mind a thousand thousand streams</div> +<div class="verse">Of glory mellowing on the mellowing hills</div> +<div class="verse">And in the little valleys, thatch and dreams.</div> +</div> +<div class="stanza"> +<div class="verse">O you dear heights of blue no ploughman tills,</div> +<div class="verse">O valleys where the curling mist upsteams</div> +<div class="verse">White over fields of trembling daffodils,</div> +<div class="verse">And you old dusty little water-mills,</div> +<div class="verse">Through all my life, for joy of you, sweet thrills</div> +<div class="verse">Shook me, and in my death at last there beams</div> +<div class="verse">Big glory mellowing on the mellowing hills</div> +<div class="verse">And in the little valleys, thatch and dreams.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_33">[33]</span> +<div class="blockquot"> +<h3 class="nobreak">THE LITTLE ROAD</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">I will</span> not take the great road that goes so proud and high,</div> +<div class="verse">Like the march of Roman legions that made it long ago;</div> +<div class="verse">But I will choose another way, a little road I know.</div> +<div class="verse">There no poor tramp goes limping, nor rich poor men drive by,</div> +<div class="verse">Nor ever crowding cattle, or sheep in dusty throng</div> +<div class="verse">Before their beating drovers drift cruelly along:</div> +<div class="verse">But only birds and free things, and ever in my ear</div> +<div class="verse">Sound of the leaves and little tongues of water talking near.</div> +</div> +<div class="stanza"> +<div class="verse">The great roads march on boldly, with scarce a curve or bend,</div> +<div class="verse">From some huge smoky Nothing, to Nothing at their end;</div> +<div class="verse">They march like Cæsar’s legions, and none may them withstand,</div> +<div class="verse">But whence, or whither going, they do not understand,</div> +<div class="verse">But oh, the little twisty road,</div> +<div class="indent2">The sweet and lover’s-kiss-ty road,</div> +<div class="indent2">The secret winding misty road,</div> +<div class="indent2">That leads to Fairyland!</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_34">[34]</span> +<div class="blockquot"> +<h3 class="nobreak">SONNET</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">Christ God</span>, Who died for us, now turn Thy face!</div> +<div class="indent">Behold not what men do, lest once again</div> +<div class="indent">Thou should’st be crucified, and die of pain.</div> +<div class="verse">Look not, O Lord, but only of Thy grace</div> +<div class="verse">Do Thou let fall on this accursed place,</div> +<div class="indent">Where the poor starve and labour in disdain</div> +<div class="indent">Of blinded Greed and all its vulgar train,</div> +<div class="verse">A single thread of heaven that we may trace</div> +<div class="verse">Some way to Right! And since “great men” stand by,</div> +<div class="indent">Heedless of women and men that hunger, Lord,</div> +<div class="indent2">Give Thou to common men the vision splendid.</div> +<div class="indent">Take (and if need be break) them, like a sword;</div> +<div class="indent2">Take them, and break them till their lives be ended;</div> +<div class="verse">Here are a thousand christs ready to die!</div> +</div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_35">[35]</span> +<div class="blockquot"> +<h3 class="nobreak">ENGLAND IN MEMORY<br /> + + +<small>(<span class="smcap">Sonnet</span>)</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">Sweet</span> Motherland, what have I done for thee,</div> +<div class="indent">What suffered, what of lasting beauty made?</div> +<div class="indent">I who ungratefully and undismayed</div> +<div class="verse">Drank from thy breast the milk which nourished me</div> +<div class="verse">In childhood, which until my death must be</div> +<div class="indent">The life within my veins. Lo, from that shade</div> +<div class="indent">Wherein they rest, thy dead and mine, arrayed</div> +<div class="verse">In honour’s robes, come clear and plaintively</div> +<div class="verse">Voices for ever to my listening ear</div> +<div class="indent">Which cry, “Not yet is finished England’s fight!</div> +<div class="indent2">Still, still must poets strive and martyrs bleed</div> +<div class="indent">To overthrow the enemies of Light,</div> +<div class="indent2">Armies of Dullness, Cruelty, Lust, and Greed!”</div> +<div class="verse">Yet what have I done for thee, England dear?</div> +</div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_36">[36]</span> +<div class="blockquot"> +<h3 class="nobreak">THE DEAD</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">You</span> never crept into the night</div> +<div class="verse">That lurks for all mankind!</div> +<div class="verse">Joyous you lived and loved, and leapt</div> +<div class="verse">Into that gaping dark, where stept</div> +<div class="verse">Our Fathers all, to find</div> +<div class="verse">Old honour—jest of fools, yet still the soul of all delight.</div> +</div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_37">[37]</span> +<div class="blockquot"> +<h3 class="nobreak">THE SLEEPERS</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">A battered</span> roof where stars went tripping</div> +<div class="indent2">With silver feet,</div> +<div class="verse">A broken roof whence rain came dripping,</div> +<div class="indent2">Yet rest was sweet.</div> +</div> +<div class="stanza"> +<div class="verse">A dug-out where the rats ran squeaking</div> +<div class="indent2">Under the ground,</div> +<div class="verse">And out in front the poor dead reeking!</div> +<div class="indent2">Yet sleep was sound.</div> +</div> +<div class="stanza"> +<div class="verse">No longer house or dug-out keeping,</div> +<div class="indent2">Within a cell</div> +<div class="verse">Of brown and bloody earth they’re sleeping;</div> +<div class="indent2">Oh they sleep well.</div> +</div> +<div class="stanza"> +<div class="verse">Thrice blessed sleep, the balm of sorrow!</div> +<div class="indent2">Thrice blessed eyes</div> +<div class="verse">Sealed up till on some doomsday morrow</div> +<div class="indent2">The sun arise!</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_38">[38]</span> +<div class="blockquot"> +<h3 class="nobreak">COMRADES O’ MINE<br /> + + +<small>(<span class="smcap">Rondeau</span>)</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Comrades</span> o’ mine, that were to me</div> +<div class="verse">More than my grief and gaiety,</div> +<div class="verse">More than my laughter or my pain:</div> +<div class="verse">Comrades, we shall not walk again</div> +<div class="verse">The road whereon we went so free—</div> +<div class="verse">The old way of Humanity.</div> +<div class="verse">But you are sleeping peacefully</div> +<div class="verse">Till the last dawn, heroic slain,</div> +<div class="indent5">Comrades o’ mine.</div> +</div> +<div class="stanza"> +<div class="verse">Till the last moon shall fade and flee</div> +<div class="verse">You sleep. Oh sleep not dreamlessly,</div> +<div class="verse">You whereof only dreams remain,</div> +<div class="verse">Come you by dreams into my brain,</div> +<div class="verse">Inspire my visions, and still be</div> +<div class="indent5">Comrades o’ mine!</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_39">[39]</span> +<div class="blockquot"> +<h3 class="nobreak">TO <i>R. E. K.</i><br /> + + +<small>(<span class="smcap">In Memoriam</span>)</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Dear</span>, rash, warm-hearted friend,</div> +<div class="verse">So careless of the end,</div> +<div class="verse">So worldly-foolish, so divinely-wise,</div> +<div class="verse">Who, caring not one jot</div> +<div class="verse">For place, gave all you’d got</div> +<div class="verse">To help your lesser fellow-men to rise.</div> +</div> +<div class="stanza"> +<div class="verse">Swift-footed, fleeter yet</div> +<div class="verse">Of heart. Swift to forget</div> +<div class="verse">The petty spite that life or men could show you;</div> +<div class="verse">Your last long race is won,</div> +<div class="verse">But beyond the sound of gun</div> +<div class="verse">You laugh and help men onward—if I know you.</div> +</div> +<div class="stanza"> +<div class="verse">Oh still you laugh, and walk,</div> +<div class="verse">And sing and frankly talk</div> +<div class="verse">(To angels) of the matters that amused you</div> +<div class="verse">In this bitter-sweet of life,</div> +<div class="verse">And we who keep its strife,</div> +<div class="verse">Take comfort in the thought how God has used you.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_40">[40]</span> +<div class="blockquot"> +<h3 class="nobreak">BALLAD OF ARMY PAY</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">In</span> general, if you want a man to do a dangerous job:—</div> +<div class="verse">Say, swim the Channel, climb St. Paul’s, or break into and rob</div> +<div class="verse">The Bank of England, why, you find his wages must be higher</div> +<div class="verse">Than if you merely wanted him to light the kitchen fire.</div> +<div class="verse">But in the British Army, it’s just the other way,</div> +<div class="verse">And the maximum of danger means the minimum of pay.</div> +</div> +<div class="stanza"> +<div class="verse">You put some men inside a trench, and call them infantrie,</div> +<div class="verse">And make them face ten kinds of hell, and face it cheerfully;</div> +<div class="verse">And live in holes like rats, with other rats, and lice, and toads,</div> +<div class="verse">And in their leisure time, assist the R.E.’s with their loads.</div> +<div class="verse">Then, when they’ve done it all, you give ’em each a bob a day!</div> +<div class="verse">For the maximum of danger means the minimum of pay.</div> +</div> +<div class="stanza"><span class="pagenum" id="Page_41">[41]</span> +<div class="verse">We won’t run down the A.S.C., nor yet the R.T.O.</div> +<div class="verse">They ration and direct us on the way we’ve got to go.</div> +<div class="verse">They’re very useful people, and it’s pretty plain to see</div> +<div class="verse">We couldn’t do without ’em, nor yet the A.P.C.</div> +<div class="verse">But comparing risks and wages,—I think they all will say</div> +<div class="verse">That the maximum of danger means the minimum of pay.</div> +</div> +<div class="stanza"> +<div class="verse">There are men who make munitions—and seventy bob a week;</div> +<div class="verse">They never see a lousy trench nor hear a big shell shriek;</div> +<div class="verse">And others <i>sing</i> about the war at high-class music-halls</div> +<div class="verse">Getting heaps and heaps of money and encores from the stalls.</div> +<div class="verse">They “keep the home fires burning” and bright by night and day,</div> +<div class="verse">While the maximum of danger means the minimum of pay.</div> +</div> +<div class="stanza"> +<div class="verse">I wonder if it’s harder to make big shells at a bench,</div> +<div class="verse">Than to face the screaming beggars when they’re crumping up a trench;</div><span class="pagenum" id="Page_42">[42]</span> +<div class="verse">I wonder if it’s harder to sing in mellow tones</div> +<div class="verse">Of danger, than to face it—say, in a wood like Trone’s;</div> +<div class="verse">Is discipline skilled labour, or something children play?</div> +<div class="verse">Should the maximum of danger mean the minimum of pay?</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_43">[43]</span> +<div class="blockquot"> +<h3 class="nobreak">TO THE DEVIL ON HIS APPALLING +DECADENCE</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Satan</span>, old friend and enemy of man;</div> +<div class="verse">Lord of the shadows and the sins whereby</div> +<div class="verse">We wretches glimpse the sun in Virtue’s sky</div> +<div class="verse">Guessing at last the wideness of His plan</div> +<div class="verse">Who fashioned kid and tiger, slayer and slain,</div> +<div class="verse">The paradox of evil, and the pain</div> +<div class="verse">Which threshes joy as with a winnowing fan:</div> +</div> +<div class="stanza"> +<div class="verse">Satan, of old your custom ’twas at least</div> +<div class="verse">To throw an apple to the soul you caught</div> +<div class="verse">Robbing your orchard. You, before you wrought</div> +<div class="verse">Damnation due and marked it with the beast,</div> +<div class="verse">Before its eyes were e’en disposed to dangle</div> +<div class="verse">Fruitage delicious. And you would not mangle</div> +<div class="verse">Nor maul the body of the dear deceased.</div> +</div> +<div class="stanza"> +<div class="verse">But you were called familiarly “Old Nick”—</div> +<div class="verse">The Devil, yet a gentleman you know!</div> +<div class="verse">Relentless—true, yet courteous to a foe.</div> +<div class="verse">Man’s soul your traffic was. You would not kick</div> +<div class="verse">His bloody entrails flying in the air.</div> +<div class="verse">Oh, “Krieg ist Krieg,” we know, and “C’est la guerre!”</div> +<div class="verse">But Satan, don’t you feel a trifle sick?</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_44">[44]</span> +<div class="blockquot"> +<h3 class="nobreak">AT AFTERNOON TEA<br /> + + +<small>(<span class="smcap">Triolet</span>)</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">We</span> have taken a trench</div> +<div class="indent">Near Combles, I see,</div> +<div class="verse">Along with the French.</div> +<div class="verse">We have taken a trench.</div> +<div class="verse">(<i>Oh, the bodies, the stench!</i>)</div> +<div class="verse">Won’t you have some more tea?</div> +<div class="indent">We have taken a trench</div> +<div class="verse">Near Combles, I see.</div> +</div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_45">[45]</span> +<div class="blockquot"> +<h3 class="nobreak">TO THE UNKNOWN NURSE</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Moth</span>-like at night you flit or fly</div> +<div class="verse">To where the other patients lie;</div> +<div class="verse">I hear, as you brush by my door</div> +<div class="verse">The flutter of your wings, no more.</div> +</div> +<div class="stanza"> +<div class="verse">Shall I now call you in and see</div> +<div class="verse">The phantom vanish instantly?</div> +<div class="verse">Perhaps some sixteen stone or worse,</div> +<div class="verse">Suddenly falling through my verse!</div> +</div> +<div class="stanza"> +<div class="verse">Nay, be you sour, or be you sweet,</div> +<div class="verse">I’d see you not. Life’s wisdom is</div> +<div class="verse">To keep one’s dreams. Oh never quiz</div> +<div class="verse">The lovely lady in the street!</div> +</div> +<div class="stanza"> +<div class="verse">I knew a man who went large-eyed</div> +<div class="verse">And happy, till he bought pince-nez</div> +<div class="verse">And saw things as they were. He died</div> +<div class="verse">—A pessimist—the other day.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_46">[46]</span> +<div class="blockquot"> +<h3 class="nobreak">THE HORSES</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">My</span> father bred great horses,</div> +<div class="indent">Chestnut, grey, and brown.</div> +<div class="verse">They grazed about the meadows,</div> +<div class="indent">And trampled into town.</div> +</div> +<div class="stanza"> +<div class="verse">They left the homely meadows</div> +<div class="indent">And trampled far away,</div> +<div class="verse">The great shining horses,</div> +<div class="indent">Chestnut, and brown, and grey.</div> +</div> +<div class="stanza"> +<div class="verse">Gone are the horses</div> +<div class="indent">That my father bred.</div> +<div class="verse">And who knows whither?...</div> +<div class="indent">Or whether starved or fed?...</div> +<div class="verse">Gone are the horses,</div> +<div class="indent">And my father’s dead.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_47">[47]</span> +<div class="blockquot"> +<h3 class="nobreak">MOTHER AND SON</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">“Bow-wow!</span> Bow-wow!” See how he bounds and prances,</div> +<div class="verse">“<i>Wow!</i>” races off, returns again and dances—</div> +<div class="verse">A little wave of sunshine and brown fur—</div> +<div class="verse">About his old rheumatic mother-cur.</div> +<div class="verse">Look how she gives him back his baby bite</div> +<div class="verse">Tenderly as a human mother might.</div> +</div> +<div class="stanza"> +<div class="verse">Now, poor old thing—she gazes quaintly up</div> +<div class="verse">To laugh dog-fashion at me. “What a pup,</div> +<div class="verse">Master!” she seems to say: then, like a wave,</div> +<div class="verse">He’s down on her again—“Oh, master, see,</div> +<div class="verse">I’m growing old.... What spirits youngsters have!”</div> +<div class="verse">Her old eyes blink as they look up at me.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_48">[48]</span> + +<h2 class="nobreak"><i>GROWN UPS</i></h2> + + +<div class="blockquot"> +<h3 class="nobreak">1. TIMMY TAYLOR AND THE RATS</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">It</span> was a spell of sultry weather,</div> +<div class="verse">There’d been no rain for weeks together,</div> +<div class="indent">And little Timmy Taylor,</div> +<div class="indent2">A mouse of a man,</div> +<div class="indent">Walked down the road</div> +<div class="indent2">With a big milk-can,</div> +<div class="verse">Walked softly down the road at night</div> +<div class="verse">When the stars were thick and the moon was bright.</div> +</div> +<div class="stanza"> +<div class="verse">Hard by the road a spring came up</div> +<div class="verse">To glimmer in a rare bright cup</div> +<div class="verse">Of green-sward, burnt elsewhere quite dry.</div> +<div class="verse">To this he came—we won’t ask why—</div> +<div class="indent">Little Timmy Taylor,</div> +<div class="indent">The mouse of a man,</div> +<div class="indent">With a big milk-can.</div> +</div> +<div class="stanza"> +<div class="verse">Then, as he turned, so goes the story—</div> +<div class="verse">Came trooping through the moonlight glory</div> +<div class="verse">Hundreds and scores of—what do you think?</div> +<div class="verse">Rats! rats a-coming down to drink</div> +<div class="verse">From granary and barn and stack,</div> +<div class="verse">Grey and tawny, brown and black,</div><span class="pagenum" id="Page_49">[49]</span> +<div class="verse">Tails cocked up and teeth all gleaming,</div> +<div class="verse">Beady eyes light-filled, and seeming</div> +<div class="verse">That moony-mad and hunger-fierce.</div> +<div class="indent">Little Timmy Taylor,</div> +<div class="indent">The mouse of a man,</div> +<div class="indent">Dropped the milk-can,</div> +<div class="verse">And giving a shriek—’twas fit to pierce</div> +<div class="verse">The ear o’ the dead—he ran away,</div> +<div class="verse">And the can was found in the road next day.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_50">[50]</span> +<div class="blockquot"> +<div class="hangingindent"> +<h3 class="nobreak">2. WILLUM ACCOUNTS FOR THE<br /> +PRICE OF LAMPREY</h3> +</div></div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">“Aye</span>, sure, it’s pretty fish, but there’s no sale</div> +<div class="verse">Nowadays.” “Why?” “Well, the story that they tell</div> +<div class="verse">Is, as the king were very fond on ’em,</div> +<div class="verse">And all the fashion ate and paid up well.</div> +<div class="verse">And then one day our king—so goes the tale—</div> +<div class="verse">Ate over-hearty-like and throwed ’em up.</div> +<div class="verse">So all the fashion with him when he dined</div> +<div class="verse">Cut out their orders,—and the price cum down.</div> +<div class="verse">And maybe that be true, for still in town</div> +<div class="verse">Our council—scheming, likely, to remind</div> +<div class="verse">His Majesty of joys he left behind—</div> +<div class="verse">Sends un the very prince o’ lamprey pies</div> +<div class="verse">(I’ve seen un many a while in Fisher’s winder)</div> +<div class="verse">And so, God willing and if nothing hinder,</div> +<div class="verse">Some day he’ll taste again and prices rise.”</div> +</div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_51">[51]</span> +<div class="blockquot"> +<div class="hangingindent"> +<h3 class="nobreak">3. THE OLDEST INHABITANT HEARS<br /> +FAR OFF THE DRUMS OF DEATH</h3> +</div></div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Sometimes</span> ’tis far off, and sometimes ’tis nigh,</div> +<div class="verse">Such drummerdery noises too they be!</div> +<div class="verse">’Tis odd—oh, I do hope I baint to die</div> +<div class="verse">Just as the summer months be coming on,</div> +<div class="verse">And buffly chicken out, and bumble-bee:</div> +<div class="verse">Though, to be sure, I cannot hear ’em plain</div> +<div class="verse">For this drat row as goes a-drumming on,</div> +<div class="verse">Just like a little soldier in my brain.</div> +</div> +<div class="stanza"> +<div class="verse">And oh, I’ve heard we got to go through flame</div> +<div class="verse">And water-floods—but maybe ’tisn’t true!</div> +<div class="verse">I allus were a-frightened o’ the sea.</div> +<div class="verse">And burning fires—oh, it would be a shame</div> +<div class="verse">And all the garden ripe, and sky so blue.</div> +<div class="verse">Such drummerdery noises, too, they be.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_52">[52]</span> +<div class="blockquot"> +<h3 class="nobreak">4. SETH BEMOANS THE OLDEST INHABITANT</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">We</span> heard as we wer passing by the forge:</div> +<div class="indent">“’Er’s dead,” said he.</div> +<div class="verse">“’Tis Providence’s doing,” so said George.</div> +<div class="verse">“He’s allus doing summat,” so I said,</div> +<div class="verse">“You see this pig; we kept un aal the year</div> +<div class="verse">Fatting un up and priding in un, see,</div> +<div class="verse">And spent a yup o’ money—food so dear!</div> +<div class="indent">I wish ’twer ’e;</div> +<div class="verse">I’d liefer our fat pig had died than she.”</div> +</div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_53">[53]</span> +<div class="blockquot"> +<h3 class="nobreak">5. A RIVER, A PIG, AND BRAINS</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Last</span> fall, to sell his oldest perry,</div> +<div class="verse">Old Willum Fry did cross the ferry,</div> +<div class="verse">And thur inside of an old sty</div> +<div class="verse">’A seed a leanish pig did lie:</div> +<div class="verse">A rakish, active beast ’a was</div> +<div class="verse">As ever rooted up the grass:</div> +<div class="verse">Eager as bees on making honey</div> +<div class="verse">To stuff his self. Bill did decide</div> +<div class="verse">To buy un with the cider money</div> +<div class="verse">And fat un up for Easter-tide.</div> +</div> +<div class="stanza"> +<div class="verse">He bought un, but no net ’ad got</div> +<div class="verse">To kip thic pig inside the boat.</div> +<div class="verse">“The’ll drown wi’ pig and all at ferry!”</div> +<div class="verse">Cried one. Said Fry, “Go, bring some perry,</div> +<div class="verse">And this old drinking-horn you got,</div> +<div class="verse">Lying inside the piggery cot!”</div> +</div> +<div class="stanza"> +<div class="verse">He poured a goodish swig and soon</div> +<div class="verse">—As lazy as a day o’ June—</div> +<div class="verse">Piggy lay boozed, and so did bide</div> +<div class="verse">Snoring, while him and Fry were taken</div> +<div class="verse">’Cross Severn: and ’a didn’t waken</div> +<div class="verse">Until the boat lay safely tied</div> +<div class="verse">Up to a tree on t’other side.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_54">[54]</span> +<div class="blockquot"> +<h3 class="nobreak">6. MARTHA BAZIN ON MARRIAGE</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">This</span> is the fourth ’un, Miss, and if so be</div> +<div class="verse">As he do die out like the t’other three,</div> +<div class="verse">I’ll take another man (if one do ask).</div> +<div class="verse">Woman and man apart be like a cask</div> +<div class="verse">Without a bung, letting Life’s cider out,</div> +<div class="verse">The Almighty made to drink withouten doubt.</div> +<div class="verse">I never could abode the thought o’ waste</div> +<div class="verse">Whether of Life or cider, fit for taste.</div> +<div class="verse">But love him, Miss, you ask?—why, that I can,</div> +<div class="verse">And thank the Lord I could love any man.</div> +</div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_55">[55]</span> + +<h2 class="nobreak" id="CHILDREN"><i>CHILDREN</i></h2> + +<div class="blockquot"> +<h3 class="nobreak">1. LITTLE ABEL GOES TO CHURCH</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">And</span> this is what he heard</div> +<div class="verse">And saw at church:</div> +<div class="verse">Oh, a great yellow bird</div> +<div class="verse">Upon a perch—</div> +<div class="verse">Quite still upon a perch.</div> +</div> +<div class="stanza"> +<div class="verse">And then a man in white</div> +<div class="verse">Got up and walked to it,</div> +<div class="verse">And talked to it</div> +<div class="verse">For a long while (he said);</div> +<div class="verse">But the yellow bird</div> +<div class="verse">(Although it must have heard!)</div> +<div class="verse">Never turned its head,</div> +<div class="verse">Or did anything at all</div> +<div class="verse">But look straight at the wall!</div> +<div class="verseright">(<i>A true tale.</i>)</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_56">[56]</span> +<div class="blockquot"> +<h3 class="nobreak">2. DELIGHTS</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="indent2"><span class="smcap">Small</span> Marjorie</div> +<div class="indent2">In an apple-tree</div> +<div class="verse">Looks down upon the world with glee.</div> +</div> +<div class="stanza"> +<div class="indent2">Her brother Ted,</div> +<div class="indent2">So he has said,</div> +<div class="verse">Loves best to see the chickens fed.</div> +</div> +<div class="stanza"> +<div class="verse">And little Charlie likes to see</div> +<div class="verse">The Thresher working hard, when he</div> +<div class="verse">Hums like a dreadful bumble-bee.</div> +</div> +<div class="stanza"> +<div class="verse">But Ann and Martha sit together</div> +<div class="verse">Reading, however gold the weather.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_57">[57]</span> +<div class="blockquot"> +<h3 class="nobreak">3. THE BOY WITH LITTLE BARE TOES</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">He</span> ran all down the meadow, that he did,</div> +<div class="indent">The boy with the little bare toes.</div> +<div class="verse">The flowers they smelt so sweet, so sweet,</div> +<div class="verse">And the grass it felt so funny and wet</div> +<div class="verse">And the birds sang just like this—“chereep!”</div> +<div class="indent">And the willow-trees stood in rows.</div> +<div class="indent3">“Ho! ho!”</div> +<div class="verse">Laughed the boy with the little bare toes.</div> +</div> +<div class="stanza"> +<div class="verse">Now the trees had no insides—how funny!</div> +<div class="indent">Laughed the boy with the little bare toes.</div> +<div class="verse">And he put in his hand to find some money</div> +<div class="verse">Or honey—yes, that would be best—oh, best!</div> +<div class="verse">But what do you think he found, found, found?</div> +<div class="verse">Why, six little eggs all round, round, round,</div> +<div class="verse">And a mother-bird on the nest,</div> +<div class="indent2">Oh, yes!</div> +<div class="verse">The mother-bird on her nest.</div> +</div> +<div class="stanza"> +<div class="verse">He laughed, “Ha! ha!” and he laughed, “He! he!”</div> +<div class="indent">The boy with the little bare toes.</div> +<div class="verse">But the little mother-bird got up from her place</div> +<div class="verse">And flew right into his face, ho! ho!</div> +<div class="verse">And pecked him on the nose, “Oh! oh!”</div> +<div class="indent">Yes, pecked him right on the nose.</div> +<div class="indent3">“Boo! Boo!”</div> +<div class="verse">Cried the boy with the little bare toes.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_58">[58]</span> +<div class="blockquot"> +<h3 class="nobreak">THE WIND IN TOWN TREES</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">What</span> is it says the breeze</div> +<div class="verse">In London streets to-day</div> +<div class="verse">Unto the troubled trees</div> +<div class="verse">Whose shadows strew the way,</div> +<div class="verse">Whose leaves are all a-flutter?</div> +</div> +<div class="stanza"> +<div class="verse">“You are wild!” the rascal cries.</div> +<div class="verse">The green tree beats its wings</div> +<div class="verse">And fills the air with sighs.</div> +<div class="verse">“Wild! Wild!” the rascal sings.</div> +<div class="verse">“But your feet are in the gutter!”</div> +</div> +<div class="stanza"> +<div class="verse">Men pass beneath the trees</div> +<div class="verse">Walking the pavement grey,</div> +<div class="verse">They hear the whisperings tease</div> +<div class="verse">And at the word he utters</div> +<div class="verse">Their hearts are green and gay.</div> +</div> +<div class="stanza"> +<div class="verse">Then like the gay, green trees,</div> +<div class="verse">They beat proud wings to fly,</div> +<div class="verse">But, like the fluttering trees,</div> +<div class="verse">Their footprints mark the gutters</div> +<div class="verse">Until the beggars die.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_59">[59]</span> +<div class="blockquot"> +<h3 class="nobreak">FORM<br /> + + +<small>(<span class="smcap">A Study</span>)</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Flower</span>-like and shy,</div> +<div class="verse">You stand, sweet mortal, at the river’s brim:</div> +<div class="verse">With what unconscious grace</div> +<div class="verse">Your limbs to some strange law surrendering</div> +<div class="verse">Which lifts you clear of our humanity!</div> +</div> +<div class="stanza"> +<div class="indent">Now would I sacrifice</div> +<div class="verse">Your breathing, warmth, and all the strange romance</div> +<div class="verse">Of living, to a moment. Ere you break</div> +<div class="verse">The greater thing than you, I would my eyes</div> +<div class="verse">Were basilisk to turn you into stone.</div> +<div class="verse">So should you be the world’s inheritance.</div> +<div class="verse">And souls of unborn men should draw their breath</div> +<div class="verse">From mortal you, immortalised in Death.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_60">[60]</span> +<div class="blockquot"> +<h3 class="nobreak">VILLANELLE</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">So</span> is thy music unto me,</div> +<div class="verse">As the bright moon which tides obey,</div> +<div class="verse">As the white moon upon the sea.</div> +</div> +<div class="stanza"> +<div class="verse">And like a wind that scatters free</div> +<div class="verse">The petals of an April day,</div> +<div class="verse">So is thy music unto me.</div> +</div> +<div class="stanza"> +<div class="verse">It falleth light and quietly</div> +<div class="verse">And sweet as summer’s petals—nay,</div> +<div class="verse">As the white moon upon the sea.</div> +</div> +<div class="stanza"> +<div class="verse">As moonlight falling silvery</div> +<div class="verse">On waves of wild and surging grey,</div> +<div class="verse">So is thy music unto me.</div> +</div> +<div class="stanza"> +<div class="verse">As o’er each white and ebon key</div> +<div class="verse">I watch thy silver fingers play,</div> +<div class="verse">As the white moon upon the sea,</div> +<div class="verse">On headlands of eternity</div> +<div class="verse">My soul is hurled, and dashed in spray!</div> +</div> +<div class="stanza"> +<div class="verse">So is thy music unto me</div> +<div class="verse">As the bright moon which tides obey,</div> +<div class="verse">As the white moon upon the sea.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_61">[61]</span> +<div class="blockquot"> +<h3 class="nobreak">KOSSOVO DAY</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">From</span> this sweet nest of peace and summer blue—</div> +<div class="verse">England in June—a sea-bird’s nest indeed</div> +<div class="verse">Guarded of waves, and hid by the sea-weed</div> +<div class="verse">From envious hunter’s eye, we send to you</div> +<div class="verse">Our flying thoughts and prayers, our treasure too,</div> +<div class="verse">Poor though it be to bandage wounds that bleed</div> +<div class="verse">For country dear beloved. There the seed</div> +<div class="verse">Of homely loves and occupations grew</div> +<div class="verse">To wither in the flame of godless might</div> +<div class="verse">Kindled by hands of treachery, yet reeking</div> +<div class="verse">With blood of friends and neighbours. Serbia, thou</div> +<div class="verse">Hast thought us careless and far off; know now</div> +<div class="verse">Thy name to us is sudden drums outspeaking</div> +<div class="verse">And tortured trumpets crying in the night!</div> +</div></div> + +<div class="blockquot"> + +<p><i>Note.</i>—This poem was sent from Crefeld, but was written +in England just before the author left for the front.</p> +</div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_62">[62]</span> +<div class="blockquot"> +<h3 class="nobreak">A PHILOSOPHY</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Only</span> in pages of men’s books I find</div> +<div class="verse">Swart villain and fair knight</div> +<div class="verse">Closing in fight.</div> +<div class="verse">Not piebald is mankind.</div> +<div class="verse">The soul is hued to such swift varying</div> +<div class="verse">As flying hornet’s sunshine-smitten wing.</div> +</div> +<div class="stanza"> +<div class="verse">Therefore, dear brother men (where’er ye be),</div> +<div class="verse">Who strive for right</div> +<div class="verse">With such short sight,</div> +<div class="verse">’Tis wise for little folk like you and me</div> +<div class="verse">Neither too much to praise nor yet to blame,</div> +<div class="verse">Since in our different ways we’re all the same.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_63">[63]</span> +<div class="blockquot"> +<h3 class="nobreak">CONSOLATOR AFFLICTORUM</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="indent"><span class="smcap">“Must</span> ever I be so</div> +<div class="verse">—Yellow and old?” you asked,</div> +<div class="verse">“With living overtasked,</div> +<div class="verse">Ugly, and racked with pains?”</div> +<div class="verse">I answered, “Even so,</div> +<div class="verse">Dearest; yet love remains.”</div> +</div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_64">[64]</span> +<div class="blockquot"> +<h3 class="nobreak">RECOGNITION</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">By</span> Him Who made you sweet</div> +<div class="indent">And set your eyes so wide,</div> +<div class="verse">Who suffered us to meet</div> +<div class="indent">Despite of woman’s pride,</div> +</div> +<div class="stanza"> +<div class="verse">And willed that we should know,</div> +<div class="indent">Despite of man’s gross sense,</div> +<div class="verse">The wonder and dawn-glow</div> +<div class="indent">Of Love’s omnipotence,—</div> +</div> +<div class="stanza"> +<div class="verse">By all of this I swear,</div> +<div class="indent">And by God’s self I vow,</div> +<div class="verse">We have met (I know not how)</div> +<div class="indent">Loving (I know not where):</div> +</div> +<div class="stanza"> +<div class="verse">Perhaps in heaven above,</div> +<div class="indent">Perhaps in deep perdition.</div> +<div class="verse">And so this present love</div> +<div class="indent">Is but a recognition.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_65">[65]</span> +<div class="blockquot"> +<h3 class="nobreak">ON OVER BRIDGE AT EVENING</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Faint</span> grow the hills, but yet the night delays</div> +<div class="verse">To blot them utterly. Below their ridge</div> +<div class="verse">Of shadow lies the city in blue haze.</div> +<div class="verse">I watch its lamps awaken, from the bridge</div> +<div class="verse">Whereunder, running strongly to the sea,</div> +<div class="verse">Water goes fleeting softly in a brown</div> +<div class="verse">Wild loveliness. In heaven two or three</div> +<div class="verse">Small stars awaken and gaze shyly down....</div> +</div> +<div class="stanza"> +<div class="verse">White and alluring runs the dusty road</div> +<div class="verse">Into the country, and with yellow eyes</div> +<div class="verse">A hastening car comes purring with its load:</div> +<div class="verse">Like some great owl it hoots, and then it flies</div> +<div class="verse">Past, and is swallowed up in dusk. And, singing,</div> +<div class="verse">A country girl with basket homeward wends</div> +<div class="verse">—Sweet as the dusty roses that are clinging</div> +<div class="verse">Around the cottage where her journey ends.</div> +</div> +<div class="stanza"> +<div class="verse">Night deepens, and the stars with strengthening rays</div> +<div class="verse">Thicken and go upon their lovely ways.</div> +<div class="verse">Where are the voices that have vexed us so?</div> +<div class="verse">Dear God, how quiet has Thy day become!</div> +<div class="verse">The clamorous tongues of Earth are smitten dumb,</div> +<div class="verse">Awed with the beauty that Thy work doth show.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_66">[66]</span> +<div class="blockquot"> +<h3 class="nobreak">PASSION</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">All</span> life from passion springs.</div> +<div class="verse">In holy ecstasy</div> +<div class="verse">’Midst whir of angel-wings,</div> +<div class="verse">Did God decree</div> +<div class="verse">The golden stars that shine:</div> +<div class="verse">The flaming morn,</div> +<div class="verse">And that this flesh of mine</div> +<div class="verse">Should once be born.</div> +</div> +<div class="stanza"> +<div class="verse">And all the works of men</div> +<div class="verse">That live indeed:</div> +<div class="verse">Joyance of sword or pen,</div> +<div class="verse">High thought or deed,</div> +<div class="verse">Are in such primal fashion</div> +<div class="verse">Contrived and wrought.</div> +<div class="verse">God grant me fire of thought</div> +<div class="verse">To work Thy will—with Passion!</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_67">[67]</span> +<div class="blockquot"> +<h3 class="nobreak">A COMMON PETITION</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">I crave</span> not of the wonder</div> +<div class="verse">Of Thy full plan to see;</div> +<div class="verse">No secret would I plunder</div> +<div class="verse">Of guarded destiny;</div> +<div class="verse">This only grant to me:</div> +</div> +<div class="stanza"> +<div class="verse">To hear the rolling thunder</div> +<div class="verse">Of Life—be man alive:</div> +<div class="verse">Yet through no body’s blunder</div> +<div class="verse">To drag the bright soul under</div> +<div class="verse">—Drowned where it needs must dive.</div> +</div> +<div class="stanza"> +<div class="verse">Keeping against all Fate</div> +<div class="verse">That Thou hast given me—</div> +<div class="verse">The dual mystery</div> +<div class="verse">Of man—inviolate.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_68">[68]</span> +<div class="blockquot"> +<h3 class="nobreak">AN ADVENTURE WITH GOD</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">Far</span> worse than pain,</div> +<div class="verse">Unutterable weariness</div> +<div class="verse">Of blood and brain—</div> +<div class="verse">Intolerable dreariness</div> +<div class="verse">Of days God gave me.</div> +<div class="verse">And I bethought</div> +<div class="verse">The first fresh flood of youth that rose to leave me,</div> +<div class="verse">And how in those brave days—</div> +<div class="verse">Virgin of lust and spot—</div> +<div class="verse">I had forgot</div> +<div class="verse">To render any praise.</div> +<div class="verse">Then, as I thus looked upward through the net</div> +<div class="verse">Wherein both soul and flesh lay cunningly caught,</div> +<div class="verse">God (’twas like Springtime calling from the earth</div> +<div class="verse">The flowers to birth!)</div> +<div class="verse">Smiled down and did restore</div> +<div class="verse">All that I had before.</div> +</div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_69">[69]</span> +<div class="blockquot"> +<h3 class="nobreak">THE STRANGER</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">It</span> happened in a blood-red hell ringed round with golden weather;</div> +<div class="verse">Walking in khaki through a trench he came,</div> +<div class="verse">When life was death, and wounded men and great shells screamed together:</div> +<div class="verse">I did not know his name.</div> +<div class="verse">But so white-faced and wan, we talked a little while together</div> +<div class="verse">Amongst dead men, and timbers black with flame.</div> +</div> +<div class="stanza"> +<div class="verse">“What would you do with life again,” asks he, “if one could give it?”</div> +<div class="verse">“No use to talk when life is done,” I say.</div> +<div class="verse">“But, by the living God, if He should grant me life I’d live it</div> +<div class="verse">Kinder to man, truer to God each day.”</div> +</div> +<div class="stanza"> +<div class="verse">Flame and the noise of doom devoured the words, and for a while</div> +<div class="verse">Senseless I lay.... Then,</div> +<div class="verse">Oh, then as in a dream I saw the stranger with a smile</div> +<div class="verse">Moving towards me over the dead men.</div> +</div> +<div class="stanza"> +<div class="verse">Red, red were his hands and feet and a great hole in his side,</div> +<div class="verse">Yet glory seemed to blaze about his head;</div> +<div class="verse">“Kinder to man, truer to God,” he whispered, and then died;</div><span class="pagenum" id="Page_70">[70]</span> +<div class="verse">Falling down, arms outspread.</div> +<div class="verse">Ere darkness fell upon me with the faintness and the pain,</div> +<div class="verse">I saw a mangled body lying prone</div> +<div class="verse">Upon the earth beside me. But what I can’t explain</div> +<div class="verse">Is—<i>The stretcher-bearers found me quite alone</i>.</div> +</div> +<div class="stanza"> +<div class="verse">But, howsoe’er it happened, it matters not at last,</div> +<div class="verse">Since God’s dear Son came down to earth and died</div> +<div class="verse">In bloodshed, and the darkness of clouds that groaned aghast;</div> +<div class="verse">With pierced hands and a great wound in His side.</div> +</div> +<div class="stanza"> +<div class="verse">It is not in my heart to hate the pleasant sins I leave.</div> +<div class="verse">Earth’s passion flames within me fierce and strong.</div> +<div class="verse">But this is like a shadow ever rising up to thieve</div> +<div class="verse">Sin’s pleasures, and the lure of every pattern lust can weave,</div> +<div class="verse">And charm of all things that can do Him wrong.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_71">[71]</span> +<div class="blockquot"> +<h3 class="nobreak">THE BUGLER</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">God</span> dreamed a man;</div> +<div class="verse">Then, having firmly shut</div> +<div class="verse">Life like a precious metal in his fist,</div> +<div class="verse">Withdrew, His labour done. Thus did begin</div> +<div class="verse">Our various divinity and sin.</div> +<div class="verse">For some to ploughshares did the metal twist,</div> +<div class="verse">And others—dreaming empires—straightway cut</div> +<div class="verse">Crowns for their aching foreheads. Others beat</div> +<div class="verse">Long nails and heavy hammers for the feet</div> +<div class="verse">Of their forgotten Lord. (Who dare to boast</div> +<div class="verse">That he is guiltless?) Others coined it: most</div> +<div class="verse">Did with it—simply nothing. (Here, again,</div> +<div class="verse">Who cries his innocence?) Yet doth remain</div> +<div class="verse">Metal unmarred, to each man more or less,</div> +<div class="verse">Whereof to fashion perfect loveliness.</div> +</div> +<div class="stanza"> +<div class="verse">For me, I do but bear within my hand</div> +<div class="verse">(For sake of Him our Lord, now long forsaken)</div> +<div class="verse">A simple bugle such as may awaken</div> +<div class="verse">With one high morning note a drowsing man:</div> +<div class="verse">That wheresoe’er within my motherland</div> +<div class="verse">The sound may come, ’twill echo far and wide</div> +<div class="verse">Like pipes of battle calling up a clan,</div> +<div class="verse">Trumpeting men through beauty to God’s side.</div> +</div></div></div> + +<hr class="chap x-ebookmaker-drop" /> + +<p class="center"> +PRINTED BY<br /> +HAZELL, WATSON AND VINEY, LD.,<br /> +LONDON AND AYLESBURY.</p> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<div class="transnote"> +<p class="ph2">TRANSCRIBER’S NOTE:</p> + +<p>The cover image for this eBook was created by the transcriber and is entered into the public domain.</p> +</div></div> + + +<div>*** END OF THE PROJECT GUTENBERG EBOOK 66362 ***</div> +</body> +</html> diff --git a/old/66362-0.txt b/old/66362-0.txt new file mode 100644 index 0000000..b843856 --- /dev/null +++ b/old/66362-0.txt @@ -0,0 +1,2008 @@ +The Project Gutenberg eBook of Gloucestershire Friends: Poems From a +German Prison Camp, by F. W. Harvey + +This eBook is for the use of anyone anywhere in the United States and +most other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this eBook or online at +www.gutenberg.org. If you are not located in the United States, you +will have to check the laws of the country where you are located before +using this eBook. + +Title: Gloucestershire Friends: Poems From a German Prison Camp + +Author: F. W. Harvey + +Contributor: Rev. Bishop Frodsham + +Release Date: September 22, 2021 [eBook #66362] + +Language: English + +Produced by: D A Alexander, David E. Brown, and the Online Distributed + Proofreading Team at https://www.pgdp.net (This file was + produced from images generously made available by + University of California libraries) + +*** START OF THE PROJECT GUTENBERG EBOOK GLOUCESTERSHIRE FRIENDS: +POEMS FROM A GERMAN PRISON CAMP *** + + + + + +Gloucestershire Friends + +[Illustration] + + + + +BY THE SAME AUTHOR + +_Fourth Impression_ + +A Gloucestershire Lad at Home and Abroad + +Cloth 2_s._ net; paper 1_s._ 6_d._ net. + + + “The secret of Mr. Harvey’s power is that he says what other English + lads in Flanders want to say and cannot.... This modest little + volume has real charm, and not a little depth of thought and beauty. + It contains far more real poetry than many a volume ten times its + length.”--Bishop Frodsham in _The Saturday Review_. + + “A poet of power and a subtle distinction.... This little collection + of his poems, which has a Preface by his Commanding Officer, will + give him a high place in the Sidneian company of soldier-poets.”--E. + B. O. in _The Morning Post_. + + +London: Sidgwick & Jackson, Ltd. + + + + + Gloucestershire Friends: + + Poems from a German Prison Camp + + by + F. W. Harvey + + Author of + “A Gloucestershire Lad at Home and Abroad” + + [Illustration] + + Introduction by the Right Rev. BISHOP FRODSHAM + Canon Residentiary of Gloucester + + + London: Sidgwick & Jackson, Ltd. + 3 Adam Street, Adelphi, W.C.2. 1917 + + + + + _First published in 1917_ + + _All rights reserved_ + + + + + TO + THE BEST OF ALL + GLOUCESTERSHIRE FRIENDS + MY MOTHER + + + + +CONTENTS + + + PAGE + + INTRODUCTION, BY BISHOP FRODSHAM 11 + + CLOUD MESSENGERS 13 + + LONELINESS 14 + + AUTUMN IN PRISON 15 + + WHAT WE THINK OF 16 + + PRISONERS 17 + + SONNET, TO ONE KILLED IN ACTION 18 + + THE HATEFUL ROAD 19 + + ENGLISH FLOWERS IN A FOREIGN GARDEN 20 + + THE BOND 21 + + TO YOU--UNSUNG 22 + + A CHRISTMAS WISH 23 + + TO KATHLEEN 24 + + CHRISTMAS IN PRISON 25 + + TO THE OLD YEAR 26 + + BALLADE 27 + + BALLADE 29 + + SOLITARY CONFINEMENT 31 + + A RONDEL OF GLOUCESTERSHIRE 32 + + THE LITTLE ROAD 33 + + SONNET 34 + + ENGLAND, IN MEMORY 35 + + THE DEAD 36 + + THE SLEEPERS 37 + + COMRADES O’ MINE 38 + + TO R. E. K. 39 + + BALLAD OF ARMY PAY 40 + + TO THE DEVIL ON HIS APPALLING DECADENCE 43 + + AT AFTERNOON TEA 44 + + TO THE UNKNOWN NURSE 45 + + THE HORSES 46 + + MOTHER AND SON 47 + + GROWN UPS: + + 1. TIMMY TAYLOR AND THE RATS 48 + + 2. WILLUM ACCOUNTS FOR THE PRICE OF + LAMPREY 50 + + 3. THE OLDEST INHABITANT HEARS FAR + OFF THE DRUMS OF DEATH 51 + + 4. SETH BEMOANS THE OLDEST INHABITANT 52 + + 5. A RIVER, A PIG, AND BRAINS 53 + + 6. MARTHA BAZIN ON MARRIAGE 54 + + CHILDREN: + + 1. LITTLE ABEL GOES TO CHURCH 55 + + 2. DELIGHTS 56 + + 3. THE BOY WITH LITTLE BARE TOES 57 + + THE WIND IN TOWN TREES 58 + + FORM--A STUDY 59 + + VILLANELLE 60 + + KOSSOVO DAY 61 + + A PHILOSOPHY 62 + + CONSOLATOR AFFLICTORUM 63 + + RECOGNITION 64 + + ON OVER BRIDGE AT EVENING 65 + + PASSION 66 + + A COMMON PETITION 67 + + AN ADVENTURE WITH GOD 68 + + THE STRANGER 69 + + THE BUGLER 71 + + + + +INTRODUCTION + +by Bishop Frodsham + + +“Good wine needs no bush.” Those who know and love “A Gloucestershire +Lad” would resent any lengthy attempt to praise the quality of +Lieutenant Harvey’s verses. Some of the poems from a German prison +camp may reach a far higher standard of lyric excellence than any in +the earlier volume. The two ballades on war and “The Bugler” grip one +by the throat. But all the verses have a sweetness and beauty entirely +their own. + +The poems are all short--too short. Lieutenant Harvey sings like the +wild birds of his own dear Gloucestershire because he cannot help doing +so. He stops short--as they do--and like them begins again. What can +we do but take what he gives us, wondering that he can write so well, +mewed as he is in a cage--and such a cage! An agony of inarticulate +longing shrills in a feathered cageling’s song: the man simply and +unaffectedly lays bare his heart, his love, his faith, his hope, his +sense of loneliness, of ineffectiveness, of baffled purposes and +incompleted manhood. + +Memory is at once the joy and torment of all who are forced to think. +Memory tears the heart-strings of those who are in captivity. It +makes some hopeless and weak, others bitter and savage, according to +their natures. Beneath all the music of this man’s words there is an +undertone of fierce anger that sweeps him away at times, but is this +not characteristic of many other young Englishmen who laugh so well, +and “woo bright danger for a thrilling kiss”? His memories sweep along +the great gamut of his own tremendous experiences, and yet they never +lose the melodies of home. Perhaps because of the objects of his +heart’s desire he is so kindly withal, so modest, so humorous, and, to +use his own words of another, “so worldly foolish, so divinely wise.” +Herein is the fascination of these verses. + +The manuscript was sent on by the prison authorities of Crefeld without +any obliteration or excision. This must be counted unto them for +literary righteousness. Yet it would be difficult to imagine what the +most stony-hearted German censor could resent in any one of Lieutenant +Harvey’s poems, unless it might be a deep love for England and an +overwhelming desire to be with his love again. + +Many unfortunates who have had dear ones imprisoned at Gütersloh, where +most of these poems were written, and at other centres, are looking +forward eagerly to the publication of this little book. If they expect +to read descriptions of the life of the camp, or reflections upon the +conduct of German gaolers, they will be disappointed. The circumstances +of the case have made such revelations impossible. If they had been +possible, it is still doubtful if they would have been made here. But +it will be strange if such readers do not find better things than they +expected. Transpose any other county of this land for Gloucestershire, +or any other home for the tree-encircled house at Minsterworth, +then they will learn what the best of England’s captive sons are +thinking, and so take heart of grace from the true love-songs of a +Gloucestershire soldier, written first and foremost for his mother. + + + + +GLOUCESTERSHIRE FRIENDS + + + + +CLOUD MESSENGERS + + + You clouds that with the wind your warden + Flying toward the Channel go, + Or ever the frost your fruit shall harden + To hail and sleet and driving snow, + Go seek one sunny old sweet garden-- + An English garden that I know. + + Therein perchance my Mother, straying + Among her dahlias, shall see + Your rainy gems in sunlight swaying + On flower of gold and emerald tree. + Then in her heart feel suddenly + Old love and laughter, like sunshine playing + Through tears of memory. + + + + +LONELINESS + + + Oh where’s the use to write? + What can I tell you, dear? + Just that I want you so + Who are not near. + Just that I miss the lamp whose blessèd light + Was God’s own moon to shine upon my night, + And newly mourn each new day’s lost delight: + Just--oh, it will not ease my pain-- + That I am lonely + Until I see you once again, + You--you only. + + + + +AUTUMN IN PRISON + + + Here where no tree changes, + Here in a prison of pine, + I think how Autumn ranges + The country that is mine. + + There--rust upon the chill breeze-- + The woodland leaf now whirls; + There sway the yellowing birches + Like dainty dancing girls. + + Oh, how the leaves are dancing + With Death at Lassington! + And Death is now enhancing + Beauty I walked upon. + + The roads with leaves are littered, + Yellow, brown, and red. + The homes where robins twittered + Lie ruin; but instead + + Gaunt arms of stretching giants + Stand in the azure air, + Cutting the sky in pattern + So common, yet so fair. + + The heart is kindled by it, + And lifted as with wine, + In Lassington and Highnam-- + The woodlands that were mine. + + + + +WHAT WE THINK OF + + + Walking round our cages like the lions at the Zoo, + We think of things that we have done, and things we mean to do: + Of girls we left behind us, of letters that are due, + Of boating on the river beneath a sky of blue, + Of hills we climbed together--not always for the view. + + Walking round our cages like the lions at the Zoo, + We see the phantom faces of you, and you, and you, + Faces of those we loved or loathed--oh every one we knew! + And deeds we wrought in carelessness for happiness or rue, + And dreams we broke in folly, and seek to build anew,-- + Walking round our cages like the lions at the Zoo. + + + + +PRISONERS + + + Comrades of risk and rigour long ago + Who have done battle under honour’s name, + Hoped (living or shot down) some meed of fame, + And wooed bright Danger for a thrilling kiss,-- + Laugh, oh laugh well, that we have come to this! + + Laugh, oh laugh loud, all ye who long ago + Adventure found in gallant company! + Safe in Stagnation, laugh, laugh bitterly, + While on this filthiest backwater of Time’s flow + Drift we and rot, till something set us free! + + Laugh like old men with senses atrophied, + Heeding no Present, to the Future dead, + Nodding quite foolish by the warm fireside + And seeing no flame, but only in the red + And flickering embers, pictures of the past:-- + Life like a cinder fading black at last. + + + + +SONNET + +(TO ONE KILLED IN ACTION) + + + My undevout yet ardent sacrifice + Did God refuse, knowing how carelessly + And with what curious sensuality + The coloured flames did flicker and arise. + Half boy, half decadent, always my eyes + Sparkle to danger: Oh it was joy to me + To sit with Death gambling desperately + The borrowed Coin of Life. But you, more wise, + Went forth for nothing but to do God’s will: + Went gravely out--well knowing what you did + And hating it--with feet that did not falter + To place your gift upon the highest altar. + Therefore to you this last and finest thrill + Is given--even Death itself, to me forbid. + + + + +THE HATEFUL ROAD + + + Oh pleasant things there be + Without this prison yard: + Fields green, and many a tree + With shadow on the sward, + And drifting clouds that pass + Sailing above the grass. + + All lovely things that be + Beyond this strong abode + Send comfort back to me; + Yea, everything I see + Except the hateful road; + The road that runs so free + With many a dip and rise, + That waves and beckons me + And mocks and calls at me + And will not let me be + Even when I close my eyes. + + + + +ENGLISH FLOWERS IN A FOREIGN GARDEN + + + Snapdragon, sunflower, sweet-pea, + Flowers which fill the heart of me + With so sweet and bitter fancy: + Glowing rose and pensive pansy, + You that pierce me with a blade + Beat from molten memory, + With what art, how tenderly, + You heal the wounds that you have made! + + Thrushes, finches, birds that beat + Magical and thrilling sweet + Little far-off fairy gongs: + Blackbird with your mellow songs, + Valiant robin, thieving sparrows, + Though you wound me as with arrows, + Still with you among these flowers + Surely I find my sweetest hours. + + + + +THE BOND + + + Once, I remember, when we were at home + I had come into church, and waited late, + Ere lastly kneeling to communicate + Alone: and thinking that you would not come. + + Then, with closed eyes (having received the Host) + I prayed for your dear self, and turned to rise; + When lo! beside me like a blessed ghost-- + Nay, a grave sunbeam--_you_! Scarcely my eyes + Could credit it, so softly had you come + Beside me as I thought I walked alone. + + Thus long ago; but now, when fate bereaves + Life of old joys, how often as I’m kneeling + To take the Blessed Sacrifice that weaves + Life’s tangled threads, so broken to man’s seeing, + Into one whole; I have the sudden feeling + That you are by, and look to see a face + Made in fair flesh beside me, and all my being + Thrills with the old sweet wonder and faint fear + As in that sabbath hour--how long ago!-- + When you had crept so lightly to your place. + Then, then, _I know_ + (My heart can always tell) that you are near. + + + + +TO YOU--UNSUNG + +(SONNET) + + + How should I sing you?--you who dwell unseen + Within the darkest chamber of my heart. + What picturesque and inward-turning art + Could shadow forth the image of my queen, + Sweet, world aloof, ineffably serene + Like holy dawn, yet so entirely part + Of what am I, as well a man might start + To paint his breathing, or his red blood’s sheen. + + Nay, seek yourself, who are their truest breath, + In these my songs made for delight of men. + Oh, where they fail, ’tis I that am in blame, + But, where the words loom larger than my pen, + Be sure they ring glad echoes of your name, + And Love that triumphs over Life and Death. + + + + +A CHRISTMAS WISH + + + I cannot give you happiness: + For wishes long have ceased to bring + The Fortune which to page and king + They brought in those good centuries, + When with a quaint and starry wand + Witches turned poor men’s thoughts to gold + And Cinderella’s carriage rolled + Through moonlight into Fairyland. + + I may but _wish_ you happiness: + Not Pleasure’s dusty fruit to find, + But wines of Mirth and Friendship kind, + And Love, to make with you a home. + But may Our Lord whose Son has come + Now heed the wish and make it true, + Even as elves were wont to do + When wishing could bring happiness. + + + + +TO KATHLEEN, AT CHRISTMAS + +(AN ACROSTIC) + + + K ings of the East did bring their gold + A nd jewels unto the cattle fold. + T he angel’s song was heard by men + “H oly! holy! holy!” then. + L ittle and weak in the manger He lay + E ven as you in a cradle to-day; + E ven as you did the Christ-child rest + N estling warm in His mother’s breast. + + GÜTERSLOH, + _December 1916._ + + + + +CHRISTMAS IN PRISON + + + Outside, white snow + And freezing mire. + The heart of the house + Is a blazing fire! + + Even so whatever hags do ride + His outward fortune, withinside + The heart of a man burns Christmastide! + + + + +TO THE OLD YEAR + + + Old year, farewell! + Much have you given which was ill to bear: + Much have taken which was dear, so dear: + Much have you spoken which was ill to hear; + Echoes of speech first uttered deep in hell. + + Pass now like some grey harlot to the tomb! + Yet die in child-birth, and from out your womb + Leap the young year unsullied! He perchance + Shall bring to man his lost inheritance. + + + + +BALLADE + +No. 1 + + + Bodies of comrade soldiers gleaming white + Within the mill-pool where you float and dive + And lounge around part-clothed or naked quite; + Beautiful shining forms of men alive, + O living lutes stringed with the senses five + For Love’s sweet fingers; seeing Fate afar, + My very soul with Death for you must strive; + Because of you I loathe the name of War. + + But O you piteous corpses yellow-black, + Rotting unburied in the sunbeam’s light, + With teeth laid bare by yellow lips curled back + Most hideously; whose tortured souls took flight + Leaving your limbs, all mangled by the fight, + In attitudes of horror fouler far + Than dreams which haunt a devil’s brain at night; + Because of you I loathe the name of War. + + Mothers and maids who loved you, and the wives + Bereft of your sweet presences; yea, all + Who knew you beautiful; and those small lives + Made of that knowledge; O, and you who call + For life (but vainly now) from that dark hall + Where wait the Unborn, and the loves which are + In future generations to befall; + Because of you I loathe the name of War. + + + L’ENVOI + + Prince Jesu, hanging stark upon a tree + Crucified as the malefactors are + That man and man henceforth should brothers be; + Because of you I loathe the name of War. + + + + +BALLADE + +No. 2 + + + You dawns, whose loveliness I have not missed, + Making so delicate background for the larches + Melting the hills to softest amethyst; + O beauty never absent from our marches; + Passion of heaven shot golden through the arches + Of woods, or filtered softly from a star, + Nature’s wild love that never cloys or parches; + Because of you I love the name of War. + + I have seen dawn and sunset, night and morning, + I have tramped tired and dusty to a tune + Of singing voices tired as I, but scorning + To yield up gaiety to sweltering June. + O comrades marching under blazing noon + Who told me tales in taverns near and far, + And sang and slept with me beneath the moon; + Because of you I love the name of War. + + But you most dear companions Life and Death, + Whose friendship I had never valued well + Until that Battle blew with fiery breath + Over the earth his message terrible; + Crying aloud the things Peace could not tell, + Calling up ancient custom to the bar + Of God, to plead its cause with Heaven and Hell ... + Because of you I love the name of War. + + + L’ENVOI + + Prince Jesu, who did speak the amazing word + Loud, trumpet-clear, flame-flashing like a star + Which falls: “Not peace I bring you, but the sword!” + Because of you I love the name of War. + + + + +SOLITARY CONFINEMENT + + + No mortal comes to visit me to-day, + Only the gay and early-rising Sun + Who strolled in nonchalantly, just to say, + “Good morrow, and despair not, foolish one!” + But like the tune which comforted King Saul + Sounds in my brain that sunny madrigal. + + Anon the playful Wind arises, swells + Into vague music, and departing, leaves + A sense of blue bare heights and tinkling bells, + Audible silences which sound achieves + Through music, mountain streams, and hinted heather, + And drowsy flocks drifting in golden weather. + + Lastly, as to my bed I turn for rest. + Comes Lady Moon herself on silver feet + To sit with one white arm across my breast, + Talking of elves and haunts where they do meet. + No mortal comes to see me, yet I say + “Oh, I have had fine visitors to-day!” + + DOUAI, + _August 20th, 1916_. + + + + +A RONDEL OF GLOUCESTERSHIRE + + + Big glory mellowing on the mellowing hills, + And in the little valleys, thatch and dreams, + Wrought by the manifold and vagrant wills + Of sun and ripening rain and wind; so gleams + My country, that great magic cup which spills + Into my mind a thousand thousand streams + Of glory mellowing on the mellowing hills + And in the little valleys, thatch and dreams. + + O you dear heights of blue no ploughman tills, + O valleys where the curling mist upsteams + White over fields of trembling daffodils, + And you old dusty little water-mills, + Through all my life, for joy of you, sweet thrills + Shook me, and in my death at last there beams + Big glory mellowing on the mellowing hills + And in the little valleys, thatch and dreams. + + + + +THE LITTLE ROAD + + + I will not take the great road that goes so proud and high, + Like the march of Roman legions that made it long ago; + But I will choose another way, a little road I know. + There no poor tramp goes limping, nor rich poor men drive by, + Nor ever crowding cattle, or sheep in dusty throng + Before their beating drovers drift cruelly along: + But only birds and free things, and ever in my ear + Sound of the leaves and little tongues of water talking near. + + The great roads march on boldly, with scarce a curve or bend, + From some huge smoky Nothing, to Nothing at their end; + They march like Cæsar’s legions, and none may them withstand, + But whence, or whither going, they do not understand, + But oh, the little twisty road, + The sweet and lover’s-kiss-ty road, + The secret winding misty road, + That leads to Fairyland! + + + + +SONNET + + + Christ God, Who died for us, now turn Thy face! + Behold not what men do, lest once again + Thou should’st be crucified, and die of pain. + Look not, O Lord, but only of Thy grace + Do Thou let fall on this accursed place, + Where the poor starve and labour in disdain + Of blinded Greed and all its vulgar train, + A single thread of heaven that we may trace + Some way to Right! And since “great men” stand by, + Heedless of women and men that hunger, Lord, + Give Thou to common men the vision splendid. + Take (and if need be break) them, like a sword; + Take them, and break them till their lives be ended; + Here are a thousand christs ready to die! + + + + +ENGLAND IN MEMORY + +(SONNET) + + + Sweet Motherland, what have I done for thee, + What suffered, what of lasting beauty made? + I who ungratefully and undismayed + Drank from thy breast the milk which nourished me + In childhood, which until my death must be + The life within my veins. Lo, from that shade + Wherein they rest, thy dead and mine, arrayed + In honour’s robes, come clear and plaintively + Voices for ever to my listening ear + Which cry, “Not yet is finished England’s fight! + Still, still must poets strive and martyrs bleed + To overthrow the enemies of Light, + Armies of Dullness, Cruelty, Lust, and Greed!” + Yet what have I done for thee, England dear? + + + + +THE DEAD + + + You never crept into the night + That lurks for all mankind! + Joyous you lived and loved, and leapt + Into that gaping dark, where stept + Our Fathers all, to find + Old honour--jest of fools, yet still the soul of all delight. + + + + +THE SLEEPERS + + + A battered roof where stars went tripping + With silver feet, + A broken roof whence rain came dripping, + Yet rest was sweet. + + A dug-out where the rats ran squeaking + Under the ground, + And out in front the poor dead reeking! + Yet sleep was sound. + + No longer house or dug-out keeping, + Within a cell + Of brown and bloody earth they’re sleeping; + Oh they sleep well. + + Thrice blessed sleep, the balm of sorrow! + Thrice blessed eyes + Sealed up till on some doomsday morrow + The sun arise! + + + + +COMRADES O’ MINE + +(RONDEAU) + + + Comrades o’ mine, that were to me + More than my grief and gaiety, + More than my laughter or my pain: + Comrades, we shall not walk again + The road whereon we went so free-- + The old way of Humanity. + But you are sleeping peacefully + Till the last dawn, heroic slain, + Comrades o’ mine. + + Till the last moon shall fade and flee + You sleep. Oh sleep not dreamlessly, + You whereof only dreams remain, + Come you by dreams into my brain, + Inspire my visions, and still be + Comrades o’ mine! + + + + +TO _R. E. K._ + +(IN MEMORIAM) + + + Dear, rash, warm-hearted friend, + So careless of the end, + So worldly-foolish, so divinely-wise, + Who, caring not one jot + For place, gave all you’d got + To help your lesser fellow-men to rise. + + Swift-footed, fleeter yet + Of heart. Swift to forget + The petty spite that life or men could show you; + Your last long race is won, + But beyond the sound of gun + You laugh and help men onward--if I know you. + + Oh still you laugh, and walk, + And sing and frankly talk + (To angels) of the matters that amused you + In this bitter-sweet of life, + And we who keep its strife, + Take comfort in the thought how God has used you. + + + + +BALLAD OF ARMY PAY + + + In general, if you want a man to do a dangerous job:-- + Say, swim the Channel, climb St. Paul’s, or break into and rob + The Bank of England, why, you find his wages must be higher + Than if you merely wanted him to light the kitchen fire. + But in the British Army, it’s just the other way, + And the maximum of danger means the minimum of pay. + + You put some men inside a trench, and call them infantrie, + And make them face ten kinds of hell, and face it cheerfully; + And live in holes like rats, with other rats, and lice, and toads, + And in their leisure time, assist the R.E.’s with their loads. + Then, when they’ve done it all, you give ’em each a bob a day! + For the maximum of danger means the minimum of pay. + + We won’t run down the A.S.C., nor yet the R.T.O. + They ration and direct us on the way we’ve got to go. + They’re very useful people, and it’s pretty plain to see + We couldn’t do without ’em, nor yet the A.P.C. + But comparing risks and wages,--I think they all will say + That the maximum of danger means the minimum of pay. + + There are men who make munitions--and seventy bob a week; + They never see a lousy trench nor hear a big shell shriek; + And others _sing_ about the war at high-class music-halls + Getting heaps and heaps of money and encores from the stalls. + They “keep the home fires burning” and bright by night and day, + While the maximum of danger means the minimum of pay. + + I wonder if it’s harder to make big shells at a bench, + Than to face the screaming beggars when they’re crumping up a trench; + I wonder if it’s harder to sing in mellow tones + Of danger, than to face it--say, in a wood like Trone’s; + Is discipline skilled labour, or something children play? + Should the maximum of danger mean the minimum of pay? + + + + +TO THE DEVIL ON HIS APPALLING DECADENCE + + + Satan, old friend and enemy of man; + Lord of the shadows and the sins whereby + We wretches glimpse the sun in Virtue’s sky + Guessing at last the wideness of His plan + Who fashioned kid and tiger, slayer and slain, + The paradox of evil, and the pain + Which threshes joy as with a winnowing fan: + + Satan, of old your custom ’twas at least + To throw an apple to the soul you caught + Robbing your orchard. You, before you wrought + Damnation due and marked it with the beast, + Before its eyes were e’en disposed to dangle + Fruitage delicious. And you would not mangle + Nor maul the body of the dear deceased. + + But you were called familiarly “Old Nick”-- + The Devil, yet a gentleman you know! + Relentless--true, yet courteous to a foe. + Man’s soul your traffic was. You would not kick + His bloody entrails flying in the air. + Oh, “Krieg ist Krieg,” we know, and “C’est la guerre!” + But Satan, don’t you feel a trifle sick? + + + + +AT AFTERNOON TEA + +(TRIOLET) + + + We have taken a trench + Near Combles, I see, + Along with the French. + We have taken a trench. + (_Oh, the bodies, the stench!_) + Won’t you have some more tea? + We have taken a trench + Near Combles, I see. + + + + +TO THE UNKNOWN NURSE + + + Moth-like at night you flit or fly + To where the other patients lie; + I hear, as you brush by my door + The flutter of your wings, no more. + + Shall I now call you in and see + The phantom vanish instantly? + Perhaps some sixteen stone or worse, + Suddenly falling through my verse! + + Nay, be you sour, or be you sweet, + I’d see you not. Life’s wisdom is + To keep one’s dreams. Oh never quiz + The lovely lady in the street! + + I knew a man who went large-eyed + And happy, till he bought pince-nez + And saw things as they were. He died + --A pessimist--the other day. + + + + +THE HORSES + + + My father bred great horses, + Chestnut, grey, and brown. + They grazed about the meadows, + And trampled into town. + + They left the homely meadows + And trampled far away, + The great shining horses, + Chestnut, and brown, and grey. + + Gone are the horses + That my father bred. + And who knows whither?... + Or whether starved or fed?... + Gone are the horses, + And my father’s dead. + + + + +MOTHER AND SON + + + “Bow-wow! Bow-wow!” See how he bounds and prances, + “_Wow!_” races off, returns again and dances-- + A little wave of sunshine and brown fur-- + About his old rheumatic mother-cur. + Look how she gives him back his baby bite + Tenderly as a human mother might. + + Now, poor old thing--she gazes quaintly up + To laugh dog-fashion at me. “What a pup, + Master!” she seems to say: then, like a wave, + He’s down on her again--“Oh, master, see, + I’m growing old.... What spirits youngsters have!” + Her old eyes blink as they look up at me. + + + + +_GROWN UPS_ + + + + +1. TIMMY TAYLOR AND THE RATS + + + It was a spell of sultry weather, + There’d been no rain for weeks together, + And little Timmy Taylor, + A mouse of a man, + Walked down the road + With a big milk-can, + Walked softly down the road at night + When the stars were thick and the moon was bright. + + Hard by the road a spring came up + To glimmer in a rare bright cup + Of green-sward, burnt elsewhere quite dry. + To this he came--we won’t ask why-- + Little Timmy Taylor, + The mouse of a man, + With a big milk-can. + + Then, as he turned, so goes the story-- + Came trooping through the moonlight glory + Hundreds and scores of--what do you think? + Rats! rats a-coming down to drink + From granary and barn and stack, + Grey and tawny, brown and black, + Tails cocked up and teeth all gleaming, + Beady eyes light-filled, and seeming + That moony-mad and hunger-fierce. + Little Timmy Taylor, + The mouse of a man, + Dropped the milk-can, + And giving a shriek--’twas fit to pierce + The ear o’ the dead--he ran away, + And the can was found in the road next day. + + + + +2. WILLUM ACCOUNTS FOR THE PRICE OF LAMPREY + + + “Aye, sure, it’s pretty fish, but there’s no sale + Nowadays.” “Why?” “Well, the story that they tell + Is, as the king were very fond on ’em, + And all the fashion ate and paid up well. + And then one day our king--so goes the tale-- + Ate over-hearty-like and throwed ’em up. + So all the fashion with him when he dined + Cut out their orders,--and the price cum down. + And maybe that be true, for still in town + Our council--scheming, likely, to remind + His Majesty of joys he left behind-- + Sends un the very prince o’ lamprey pies + (I’ve seen un many a while in Fisher’s winder) + And so, God willing and if nothing hinder, + Some day he’ll taste again and prices rise.” + + + + +3. THE OLDEST INHABITANT HEARS FAR OFF THE DRUMS OF DEATH + + + Sometimes ’tis far off, and sometimes ’tis nigh, + Such drummerdery noises too they be! + ’Tis odd--oh, I do hope I baint to die + Just as the summer months be coming on, + And buffly chicken out, and bumble-bee: + Though, to be sure, I cannot hear ’em plain + For this drat row as goes a-drumming on, + Just like a little soldier in my brain. + + And oh, I’ve heard we got to go through flame + And water-floods--but maybe ’tisn’t true! + I allus were a-frightened o’ the sea. + And burning fires--oh, it would be a shame + And all the garden ripe, and sky so blue. + Such drummerdery noises, too, they be. + + + + +4. SETH BEMOANS THE OLDEST INHABITANT + + + We heard as we wer passing by the forge: + “’Er’s dead,” said he. + “’Tis Providence’s doing,” so said George. + “He’s allus doing summat,” so I said, + “You see this pig; we kept un aal the year + Fatting un up and priding in un, see, + And spent a yup o’ money--food so dear! + I wish ’twer ’e; + I’d liefer our fat pig had died than she.” + + + + +5. A RIVER, A PIG, AND BRAINS + + + Last fall, to sell his oldest perry, + Old Willum Fry did cross the ferry, + And thur inside of an old sty + ’A seed a leanish pig did lie: + A rakish, active beast ’a was + As ever rooted up the grass: + Eager as bees on making honey + To stuff his self. Bill did decide + To buy un with the cider money + And fat un up for Easter-tide. + + He bought un, but no net ’ad got + To kip thic pig inside the boat. + “The’ll drown wi’ pig and all at ferry!” + Cried one. Said Fry, “Go, bring some perry, + And this old drinking-horn you got, + Lying inside the piggery cot!” + + He poured a goodish swig and soon + --As lazy as a day o’ June-- + Piggy lay boozed, and so did bide + Snoring, while him and Fry were taken + ’Cross Severn: and ’a didn’t waken + Until the boat lay safely tied + Up to a tree on t’other side. + + + + +6. MARTHA BAZIN ON MARRIAGE + + + This is the fourth ’un, Miss, and if so be + As he do die out like the t’other three, + I’ll take another man (if one do ask). + Woman and man apart be like a cask + Without a bung, letting Life’s cider out, + The Almighty made to drink withouten doubt. + I never could abode the thought o’ waste + Whether of Life or cider, fit for taste. + But love him, Miss, you ask?--why, that I can, + And thank the Lord I could love any man. + + + + +_CHILDREN_ + + + + +1. LITTLE ABEL GOES TO CHURCH + + + And this is what he heard + And saw at church: + Oh, a great yellow bird + Upon a perch-- + Quite still upon a perch. + + And then a man in white + Got up and walked to it, + And talked to it + For a long while (he said); + But the yellow bird + (Although it must have heard!) + Never turned its head, + Or did anything at all + But look straight at the wall! + (_A true tale._) + + + + +2. DELIGHTS + + + Small Marjorie + In an apple-tree + Looks down upon the world with glee. + + Her brother Ted, + So he has said, + Loves best to see the chickens fed. + + And little Charlie likes to see + The Thresher working hard, when he + Hums like a dreadful bumble-bee. + + But Ann and Martha sit together + Reading, however gold the weather. + + + + +3. THE BOY WITH LITTLE BARE TOES + + + He ran all down the meadow, that he did, + The boy with the little bare toes. + The flowers they smelt so sweet, so sweet, + And the grass it felt so funny and wet + And the birds sang just like this--“chereep!” + And the willow-trees stood in rows. + “Ho! ho!” + Laughed the boy with the little bare toes. + + Now the trees had no insides--how funny! + Laughed the boy with the little bare toes. + And he put in his hand to find some money + Or honey--yes, that would be best--oh, best! + But what do you think he found, found, found? + Why, six little eggs all round, round, round, + And a mother-bird on the nest, + Oh, yes! + The mother-bird on her nest. + + He laughed, “Ha! ha!” and he laughed, “He! he!” + The boy with the little bare toes. + But the little mother-bird got up from her place + And flew right into his face, ho! ho! + And pecked him on the nose, “Oh! oh!” + Yes, pecked him right on the nose. + “Boo! Boo!” + Cried the boy with the little bare toes. + + + + +THE WIND IN TOWN TREES + + + What is it says the breeze + In London streets to-day + Unto the troubled trees + Whose shadows strew the way, + Whose leaves are all a-flutter? + + “You are wild!” the rascal cries. + The green tree beats its wings + And fills the air with sighs. + “Wild! Wild!” the rascal sings. + “But your feet are in the gutter!” + + Men pass beneath the trees + Walking the pavement grey, + They hear the whisperings tease + And at the word he utters + Their hearts are green and gay. + + Then like the gay, green trees, + They beat proud wings to fly, + But, like the fluttering trees, + Their footprints mark the gutters + Until the beggars die. + + + + +FORM + +(A STUDY) + + + Flower-like and shy, + You stand, sweet mortal, at the river’s brim: + With what unconscious grace + Your limbs to some strange law surrendering + Which lifts you clear of our humanity! + + Now would I sacrifice + Your breathing, warmth, and all the strange romance + Of living, to a moment. Ere you break + The greater thing than you, I would my eyes + Were basilisk to turn you into stone. + So should you be the world’s inheritance. + And souls of unborn men should draw their breath + From mortal you, immortalised in Death. + + + + +VILLANELLE + + + So is thy music unto me, + As the bright moon which tides obey, + As the white moon upon the sea. + + And like a wind that scatters free + The petals of an April day, + So is thy music unto me. + + It falleth light and quietly + And sweet as summer’s petals--nay, + As the white moon upon the sea. + + As moonlight falling silvery + On waves of wild and surging grey, + So is thy music unto me. + + As o’er each white and ebon key + I watch thy silver fingers play, + As the white moon upon the sea, + On headlands of eternity + My soul is hurled, and dashed in spray! + + So is thy music unto me + As the bright moon which tides obey, + As the white moon upon the sea. + + + + +KOSSOVO DAY + + + From this sweet nest of peace and summer blue-- + England in June--a sea-bird’s nest indeed + Guarded of waves, and hid by the sea-weed + From envious hunter’s eye, we send to you + Our flying thoughts and prayers, our treasure too, + Poor though it be to bandage wounds that bleed + For country dear beloved. There the seed + Of homely loves and occupations grew + To wither in the flame of godless might + Kindled by hands of treachery, yet reeking + With blood of friends and neighbours. Serbia, thou + Hast thought us careless and far off; know now + Thy name to us is sudden drums outspeaking + And tortured trumpets crying in the night! + + _Note._--This poem was sent from Crefeld, but was written in England + just before the author left for the front. + + + + +A PHILOSOPHY + + + Only in pages of men’s books I find + Swart villain and fair knight + Closing in fight. + Not piebald is mankind. + The soul is hued to such swift varying + As flying hornet’s sunshine-smitten wing. + + Therefore, dear brother men (where’er ye be), + Who strive for right + With such short sight, + ’Tis wise for little folk like you and me + Neither too much to praise nor yet to blame, + Since in our different ways we’re all the same. + + + + +CONSOLATOR AFFLICTORUM + + + “Must ever I be so + --Yellow and old?” you asked, + “With living overtasked, + Ugly, and racked with pains?” + I answered, “Even so, + Dearest; yet love remains.” + + + + +RECOGNITION + + + By Him Who made you sweet + And set your eyes so wide, + Who suffered us to meet + Despite of woman’s pride, + + And willed that we should know, + Despite of man’s gross sense, + The wonder and dawn-glow + Of Love’s omnipotence,-- + + By all of this I swear, + And by God’s self I vow, + We have met (I know not how) + Loving (I know not where): + + Perhaps in heaven above, + Perhaps in deep perdition. + And so this present love + Is but a recognition. + + + + +ON OVER BRIDGE AT EVENING + + + Faint grow the hills, but yet the night delays + To blot them utterly. Below their ridge + Of shadow lies the city in blue haze. + I watch its lamps awaken, from the bridge + Whereunder, running strongly to the sea, + Water goes fleeting softly in a brown + Wild loveliness. In heaven two or three + Small stars awaken and gaze shyly down.... + + White and alluring runs the dusty road + Into the country, and with yellow eyes + A hastening car comes purring with its load: + Like some great owl it hoots, and then it flies + Past, and is swallowed up in dusk. And, singing, + A country girl with basket homeward wends + --Sweet as the dusty roses that are clinging + Around the cottage where her journey ends. + + Night deepens, and the stars with strengthening rays + Thicken and go upon their lovely ways. + Where are the voices that have vexed us so? + Dear God, how quiet has Thy day become! + The clamorous tongues of Earth are smitten dumb, + Awed with the beauty that Thy work doth show. + + + + +PASSION + + + All life from passion springs. + In holy ecstasy + ’Midst whir of angel-wings, + Did God decree + The golden stars that shine: + The flaming morn, + And that this flesh of mine + Should once be born. + + And all the works of men + That live indeed: + Joyance of sword or pen, + High thought or deed, + Are in such primal fashion + Contrived and wrought. + God grant me fire of thought + To work Thy will--with Passion! + + + + +A COMMON PETITION + + + I crave not of the wonder + Of Thy full plan to see; + No secret would I plunder + Of guarded destiny; + This only grant to me: + + To hear the rolling thunder + Of Life--be man alive: + Yet through no body’s blunder + To drag the bright soul under + --Drowned where it needs must dive. + + Keeping against all Fate + That Thou hast given me-- + The dual mystery + Of man--inviolate. + + + + +AN ADVENTURE WITH GOD + + + Far worse than pain, + Unutterable weariness + Of blood and brain-- + Intolerable dreariness + Of days God gave me. + And I bethought + The first fresh flood of youth that rose to leave me, + And how in those brave days-- + Virgin of lust and spot-- + I had forgot + To render any praise. + Then, as I thus looked upward through the net + Wherein both soul and flesh lay cunningly caught, + God (’twas like Springtime calling from the earth + The flowers to birth!) + Smiled down and did restore + All that I had before. + + + + +THE STRANGER + + + It happened in a blood-red hell ringed round with golden weather; + Walking in khaki through a trench he came, + When life was death, and wounded men and great shells screamed + together: + I did not know his name. + But so white-faced and wan, we talked a little while together + Amongst dead men, and timbers black with flame. + + “What would you do with life again,” asks he, “if one could give it?” + “No use to talk when life is done,” I say. + “But, by the living God, if He should grant me life I’d live it + Kinder to man, truer to God each day.” + + Flame and the noise of doom devoured the words, and for a while + Senseless I lay.... Then, + Oh, then as in a dream I saw the stranger with a smile + Moving towards me over the dead men. + + Red, red were his hands and feet and a great hole in his side, + Yet glory seemed to blaze about his head; + “Kinder to man, truer to God,” he whispered, and then died; + Falling down, arms outspread. + Ere darkness fell upon me with the faintness and the pain, + I saw a mangled body lying prone + Upon the earth beside me. But what I can’t explain + Is--_The stretcher-bearers found me quite alone_. + + But, howsoe’er it happened, it matters not at last, + Since God’s dear Son came down to earth and died + In bloodshed, and the darkness of clouds that groaned aghast; + With pierced hands and a great wound in His side. + + It is not in my heart to hate the pleasant sins I leave. + Earth’s passion flames within me fierce and strong. + But this is like a shadow ever rising up to thieve + Sin’s pleasures, and the lure of every pattern lust can weave, + And charm of all things that can do Him wrong. + + + + +THE BUGLER + + + God dreamed a man; + Then, having firmly shut + Life like a precious metal in his fist, + Withdrew, His labour done. Thus did begin + Our various divinity and sin. + For some to ploughshares did the metal twist, + And others--dreaming empires--straightway cut + Crowns for their aching foreheads. Others beat + Long nails and heavy hammers for the feet + Of their forgotten Lord. (Who dare to boast + That he is guiltless?) Others coined it: most + Did with it--simply nothing. (Here, again, + Who cries his innocence?) Yet doth remain + Metal unmarred, to each man more or less, + Whereof to fashion perfect loveliness. + + For me, I do but bear within my hand + (For sake of Him our Lord, now long forsaken) + A simple bugle such as may awaken + With one high morning note a drowsing man: + That wheresoe’er within my motherland + The sound may come, ’twill echo far and wide + Like pipes of battle calling up a clan, + Trumpeting men through beauty to God’s side. + + + PRINTED BY + HAZELL, WATSON AND VINEY, LD., + LONDON AND AYLESBURY. + + + + +TRANSCRIBER’S NOTE: + + + Italicized text is surrounded by underscores: _italics_. + +*** END OF THE PROJECT GUTENBERG EBOOK GLOUCESTERSHIRE FRIENDS: POEMS +FROM A GERMAN PRISON CAMP *** + +Updated editions will replace the previous one--the old editions will +be renamed. + +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the +United States without permission and without paying copyright +royalties. 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Harvey—A Project Gutenberg eBook + </title> + <link rel="coverpage" href="images/cover.jpg" /> + <style type="text/css"> + +body { + margin-left: 10%; + margin-right: 10%; +} + + h1 { + text-align: left; + clear: both; +} + + h2 {text-align: center; + clear: both;} + + h3 { + text-align: left; + font-size: x-large; + clear: both; +} + +p { + margin-top: .51em; + text-align: justify; + margin-bottom: .49em; +} + +div.titlepage {text-align: center; page-break-before: always; page-break-after: always;} +div.titlepage p {text-align: center; font-weight: bold; line-height: 1.5; margin-top: 2em;} + +hr { + width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: 33.5%; + margin-right: 33.5%; + clear: both; +} + +hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;} +@media print { hr.chap {display: none; visibility: hidden;} } + +div.chapter {page-break-before: always;} +h2.nobreak {page-break-before: avoid;} +h3.nobreak {page-break-before: avoid;} + +table { + margin-left: auto; + margin-right: auto; +} + +.tdr {text-align: right;} +.tdc {text-indent: 2em;} + +.pagenum { + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; + font-style: normal; + font-weight: normal; + font-variant: normal; +} + +.hangingindent { text-indent: -2em; margin-left: 2em; } + +.blockquot { + margin-left: 30%; + margin-right: 30%; +} + +a {text-decoration: none;} + +.center {text-align: center;} + +.smcap {font-variant: small-caps;} + +.allsmcap {font-variant: small-caps; text-transform: lowercase;} + +.ph1 {text-align: center; font-size: xx-large; font-weight: bold;} +.ph2 {text-align: center; font-size: large; font-weight: bold;} +.gap {padding-left: 2em;} + +.xxlarge {font-size: 175%;} +.xlarge {font-size: 150%;} +.large {font-size: 125%;} + +.figcenter { + margin: auto; + text-align: center; + page-break-inside: avoid; + max-width: 100%; +} + +.figright { + float: right; + clear: right; + margin-left: 1em; + margin-bottom: 1em; + margin-top: 1em; + margin-right: 0; + padding: 0; + text-align: center; + page-break-inside: avoid; + max-width: 100%; +} + +.x-ebookmaker .figright {float: right;} + + +.poetry-container {text-align: center;} +.poetry {display: inline-block; text-align: left;} +.poetry .verse {text-indent: -2.5em; padding-left: 3em;} +.poetry .stanza {margin: 1em auto;} +.poetry .indent {text-indent: 1.5em;} +.poetry .indent2 {text-indent: 2.5em;} +.poetry .indent3 {text-indent: 3.5em;} +.poetry .indent5 {text-indent: 4em;} +.poetry .verseright { text-align: right;} +@media print { .poetry {display: block;} } +.x-ebookmaker .poetry {display: block;} + +.transnote {background-color: #E6E6FA; + color: black; + font-size:smaller; + margin-left: 17.5%; + margin-right: 17.5%; + padding: 1em; + margin-bottom:5em; + font-family:sans-serif, serif; } + + </style> + </head> +<body> +<p style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Gloucestershire Friends: Poems From a German Prison Camp, by F. W. Harvey</p> +<div style='display:block; margin:1em 0'> +This eBook is for the use of anyone anywhere in the United States and +most other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this eBook or online +at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you +are not located in the United States, you will have to check the laws of the +country where you are located before using this eBook. +</div> + +<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Gloucestershire Friends: Poems From a German Prison Camp</p> + <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: F. W. Harvey</p> + <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Contributor: Rev. Bishop Frodsham</p> +<p style='display:block; text-indent:0; margin:1em 0'>Release Date: September 22, 2021 [eBook #66362]</p> +<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p> + <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: D A Alexander, David E. Brown, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by University of California libraries)</p> +<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK GLOUCESTERSHIRE FRIENDS: POEMS FROM A GERMAN PRISON CAMP ***</div> + +<div class="figcenter"><img src="images/cover.jpg" width="50%" alt="" /></div> + +<hr class="chap x-ebookmaker-drop" /> +<div class="blockquot"> +<h1>Gloucestershire Friends</h1> + +<div class="figright"><img src="images/i_logopage1.jpg" alt="" /></div> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p class="center">BY THE SAME AUTHOR</p> +</div> + +<p class="center"><i>Fourth Impression</i></p> + +<p class="center">A Gloucestershire Lad at Home<br /> +and Abroad</p> + +<p class="center">Cloth 2<i>s.</i> net; paper 1<i>s.</i> 6<i>d.</i> net.</p> + + +<div class="blockquot"> + +<p>“The secret of Mr. Harvey’s power is that he +says what other English lads in Flanders want to +say and cannot.... This modest little volume has +real charm, and not a little depth of thought and +beauty. It contains far more real poetry than many +a volume ten times its length.”—Bishop Frodsham +in <i>The Saturday Review</i>.</p> + +<p>“A poet of power and a subtle distinction.... +This little collection of his poems, which has a +Preface by his Commanding Officer, will give him +a high place in the Sidneian company of soldier-poets.”—E. +B. O. in <i>The Morning Post</i>.</p> +</div> + + +<p class="center">London: Sidgwick & Jackson, Ltd.</p> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="titlepage"> +<p><span class="xxlarge">Gloucestershire Friends:</span><br /> +<br /> +<span class="xlarge">Poems from a German Prison Camp</span></p> + +<p>by<br /> +<span class="xlarge">F. W. Harvey</span><br /> +<br /> +Author of<br /> +“A Gloucestershire Lad at Home and Abroad”</p> + +<div class="figcenter"><img src="images/i_logo.jpg" alt="" /></div> + +<p><span class="large">Introduction by the Right Rev. <span class="smcap">Bishop Frodsham</span><br /> +Canon Residentiary of Gloucester</span></p> + + +<p><span class="xlarge">London: Sidgwick & Jackson, Ltd.<br /> +3 Adam Street, Adelphi, W.C.2.<span class="gap"> 1917</span></span></p> +</div> + +<hr class="chap x-ebookmaker-drop" /> +<div class="chapter"> +<p class="center"> +<i>First published in 1917</i><br /> +<br /> +<i>All rights reserved</i></p> +</div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p class="center"> +TO<br /> +<br /> +THE BEST OF ALL<br /> +<br /> +GLOUCESTERSHIRE FRIENDS<br /> +<br /> +<span class="large">MY MOTHER</span></p> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_7">[7]</span> +<div class="blockquot"> +<h2 class="nobreak">CONTENTS</h2> +</div></div> + + +<table border="0" cellpadding="2" cellspacing="2" summary="table"> + +<tr><td> </td><td class="tdr">PAGE</td></tr> + +<tr><td>INTRODUCTION, BY BISHOP FRODSHAM</td><td class="tdr"><a href="#Page_11"> 11</a></td></tr> + +<tr><td>CLOUD MESSENGERS</td><td class="tdr"><a href="#Page_13"> 13</a></td></tr> + +<tr><td>LONELINESS </td><td class="tdr"><a href="#Page_14"> 14</a></td></tr> + +<tr><td>AUTUMN IN PRISON</td><td class="tdr"><a href="#Page_15"> 15</a></td></tr> + +<tr><td>WHAT WE THINK OF</td><td class="tdr"><a href="#Page_16"> 16</a></td></tr> + +<tr><td>PRISONERS</td><td class="tdr"><a href="#Page_17"> 17</a></td></tr> + +<tr><td>SONNET, TO ONE KILLED IN ACTION</td><td class="tdr"><a href="#Page_18"> 18</a></td></tr> + +<tr><td>THE HATEFUL ROAD</td><td class="tdr"><a href="#Page_19"> 19</a></td></tr> + +<tr><td>ENGLISH FLOWERS IN A FOREIGN GARDEN</td><td class="tdr"><a href="#Page_20"> 20</a></td></tr> + +<tr><td>THE BOND</td><td class="tdr"><a href="#Page_21"> 21</a></td></tr> + +<tr><td>TO YOU—UNSUNG</td><td class="tdr"><a href="#Page_22"> 22</a></td></tr> + +<tr><td>A CHRISTMAS WISH</td><td class="tdr"><a href="#Page_23"> 23</a></td></tr> + +<tr><td>TO KATHLEEN</td><td class="tdr"><a href="#Page_24"> 24</a></td></tr> + +<tr><td>CHRISTMAS IN PRISON</td><td class="tdr"><a href="#Page_25"> 25</a></td></tr> + +<tr><td>TO THE OLD YEAR</td><td class="tdr"><a href="#Page_26"> 26</a></td></tr> + +<tr><td>BALLADE</td><td class="tdr"><a href="#Page_27"> 27</a></td></tr> + +<tr><td>BALLADE</td><td class="tdr"><a href="#Page_29"> 29</a></td></tr> + +<tr><td>SOLITARY CONFINEMENT</td><td class="tdr"><a href="#Page_31"> 31</a></td></tr> + +<tr><td>A RONDEL OF GLOUCESTERSHIRE</td><td class="tdr"><a href="#Page_32"> 32</a></td></tr> + +<tr><td>THE LITTLE ROAD</td><td class="tdr"><a href="#Page_33"> 33</a></td></tr> + +<tr><td>SONNET</td><td class="tdr"><a href="#Page_34"> 34</a><span class="pagenum" id="Page_8">[8]</span></td></tr> + +<tr><td>ENGLAND, IN MEMORY </td><td class="tdr"><a href="#Page_35"> 35</a></td></tr> + +<tr><td>THE DEAD</td><td class="tdr"><a href="#Page_36"> 36</a></td></tr> + +<tr><td>THE SLEEPERS</td><td class="tdr"><a href="#Page_37"> 37</a></td></tr> + +<tr><td>COMRADES O’ MINE</td><td class="tdr"><a href="#Page_38"> 38</a></td></tr> + +<tr><td>TO R. E. K. </td><td class="tdr"><a href="#Page_39"> 39</a></td></tr> + +<tr><td>BALLAD OF ARMY PAY</td><td class="tdr"><a href="#Page_40"> 40</a></td></tr> + +<tr><td>TO THE DEVIL ON HIS APPALLING DECADENCE</td><td class="tdr"><a href="#Page_43"> 43</a></td></tr> + +<tr><td>AT AFTERNOON TEA</td><td class="tdr"><a href="#Page_44"> 44</a></td></tr> + +<tr><td>TO THE UNKNOWN NURSE</td><td class="tdr"><a href="#Page_45"> 45</a></td></tr> + +<tr><td>THE HORSES</td><td class="tdr"><a href="#Page_46"> 46</a></td></tr> + +<tr><td>MOTHER AND SON</td><td class="tdr"><a href="#Page_47"> 47</a></td></tr> + +<tr><td><a href="#Page_48"> GROWN UPS:</a></td></tr> + +<tr><td class="tdc">1. TIMMY TAYLOR AND THE RATS</td><td class="tdr"><a href="#Page_48"> 48</a></td></tr> + +<tr><td class="tdc">2. WILLUM ACCOUNTS FOR THE PRICE OF LAMPREY</td><td class="tdr"><a href="#Page_50"> 50</a></td></tr> + +<tr><td class="tdc">3. THE OLDEST INHABITANT HEARS FAR OFF THE DRUMS OF DEATH</td><td class="tdr"><a href="#Page_51"> 51</a></td></tr> + +<tr><td class="tdc">4. SETH BEMOANS THE OLDEST INHABITANT </td><td class="tdr"><a href="#Page_52"> 52</a></td></tr> + +<tr><td class="tdc">5. A RIVER, A PIG, AND BRAINS</td><td class="tdr"><a href="#Page_53"> 53</a></td></tr> + +<tr><td class="tdc">6. MARTHA BAZIN ON MARRIAGE</td><td class="tdr"><a href="#Page_54"> 54</a></td></tr> + +<tr><td><a href="#Page_55"> CHILDREN:</a><span class="pagenum" id="Page_9">[9]</span></td></tr> + +<tr><td class="tdc">1. LITTLE ABEL GOES TO CHURCH</td><td class="tdr"><a href="#Page_55"> 55</a></td></tr> + +<tr><td class="tdc">2. DELIGHTS</td><td class="tdr"><a href="#Page_56"> 56</a></td></tr> + +<tr><td class="tdc">3. THE BOY WITH LITTLE BARE TOES</td><td class="tdr"><a href="#Page_57"> 57</a></td></tr> + +<tr><td>THE WIND IN TOWN TREES</td><td class="tdr"><a href="#Page_58"> 58</a></td></tr> + +<tr><td>FORM—A STUDY</td><td class="tdr"><a href="#Page_59"> 59</a></td></tr> + +<tr><td>VILLANELLE</td><td class="tdr"><a href="#Page_60"> 60</a></td></tr> + +<tr><td>KOSSOVO DAY</td><td class="tdr"><a href="#Page_61"> 61</a></td></tr> + +<tr><td>A PHILOSOPHY</td><td class="tdr"><a href="#Page_62"> 62</a></td></tr> + +<tr><td>CONSOLATOR AFFLICTORUM</td><td class="tdr"><a href="#Page_63"> 63</a></td></tr> + +<tr><td>RECOGNITION</td><td class="tdr"><a href="#Page_64"> 64</a></td></tr> + +<tr><td>ON OVER BRIDGE AT EVENING</td><td class="tdr"><a href="#Page_65"> 65</a></td></tr> + +<tr><td>PASSION</td><td class="tdr"><a href="#Page_66"> 66</a></td></tr> + +<tr><td>A COMMON PETITION</td><td class="tdr"><a href="#Page_67"> 67</a></td></tr> + +<tr><td>AN ADVENTURE WITH GOD</td><td class="tdr"><a href="#Page_68"> 68</a></td></tr> + +<tr><td>THE STRANGER</td><td class="tdr"><a href="#Page_69"> 69</a></td></tr> + +<tr><td>THE BUGLER</td><td class="tdr"><a href="#Page_71"> 71</a></td></tr> +</table> + +<p><span class="pagenum" id="Page_10">[10]</span></p> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_11">[11]</span> + +<h2 class="nobreak">INTRODUCTION</h2> + + +<p class="center">by Bishop Frodsham</p> +</div> + +<p> </p> +<p>“<span class="smcap">Good</span> wine needs no bush.” Those who know and +love “A Gloucestershire Lad” would resent any +lengthy attempt to praise the quality of Lieutenant +Harvey’s verses. Some of the poems from a German +prison camp may reach a far higher standard of +lyric excellence than any in the earlier volume. The +two ballades on war and “The Bugler” grip one by +the throat. But all the verses have a sweetness and +beauty entirely their own.</p> + +<p>The poems are all short—too short. Lieutenant +Harvey sings like the wild birds of his own dear +Gloucestershire because he cannot help doing so. +He stops short—as they do—and like them begins +again. What can we do but take what he gives us, +wondering that he can write so well, mewed as he is +in a cage—and such a cage! An agony of inarticulate +longing shrills in a feathered cageling’s song: the +man simply and unaffectedly lays bare his heart, his +love, his faith, his hope, his sense of loneliness, of +ineffectiveness, of baffled purposes and incompleted +manhood.</p> + +<p>Memory is at once the joy and torment of all who +are forced to think. Memory tears the heart-strings +of those who are in captivity. It makes some hopeless +and weak, others bitter and savage, according to +their natures. Beneath all the music of this man’s +words there is an undertone of fierce anger that sweeps +him away at times, but is this not characteristic of +many other young Englishmen who laugh so well, and +“woo bright danger for a thrilling kiss”? His memories +sweep along the great gamut of his own tremendous +experiences, and yet they never lose the melodies +of home. Perhaps because of the objects of his<span class="pagenum" id="Page_12">[12]</span> +heart’s desire he is so kindly withal, so modest, so +humorous, and, to use his own words of another, “so +worldly foolish, so divinely wise.” Herein is the +fascination of these verses.</p> + +<p>The manuscript was sent on by the prison authorities +of Crefeld without any obliteration or excision. This +must be counted unto them for literary righteousness. +Yet it would be difficult to imagine what the most +stony-hearted German censor could resent in any one +of Lieutenant Harvey’s poems, unless it might be a +deep love for England and an overwhelming desire to +be with his love again.</p> + +<p>Many unfortunates who have had dear ones imprisoned +at Gütersloh, where most of these poems were +written, and at other centres, are looking forward +eagerly to the publication of this little book. If they +expect to read descriptions of the life of the camp, +or reflections upon the conduct of German gaolers, +they will be disappointed. The circumstances of the +case have made such revelations impossible. If they +had been possible, it is still doubtful if they would +have been made here. But it will be strange if such +readers do not find better things than they expected. +Transpose any other county of this land for Gloucestershire, +or any other home for the tree-encircled +house at Minsterworth, then they will learn what the +best of England’s captive sons are thinking, and so +take heart of grace from the true love-songs of a +Gloucestershire soldier, written first and foremost for +his mother.</p> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_13">[13]</span> + +<p class="ph1">GLOUCESTERSHIRE<br /> +FRIENDS</p> + +<div class="blockquot"> +<h3 class="nobreak">CLOUD MESSENGERS</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">You</span> clouds that with the wind your warden</div> +<div class="indent">Flying toward the Channel go,</div> +<div class="verse">Or ever the frost your fruit shall harden</div> +<div class="indent">To hail and sleet and driving snow,</div> +<div class="verse">Go seek one sunny old sweet garden—</div> +<div class="indent">An English garden that I know.</div> +</div> +<div class="stanza"> +<div class="verse">Therein perchance my Mother, straying</div> +<div class="indent">Among her dahlias, shall see</div> +<div class="verse">Your rainy gems in sunlight swaying</div> +<div class="indent">On flower of gold and emerald tree.</div> +<div class="indent">Then in her heart feel suddenly</div> +<div class="verse">Old love and laughter, like sunshine playing</div> +<div class="indent">Through tears of memory.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_14">[14]</span> +<div class="blockquot"> +<h3 class="nobreak">LONELINESS</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="indent2"><span class="smcap">Oh</span> where’s the use to write?</div> +<div class="indent2">What can I tell you, dear?</div> +<div class="indent2">Just that I want you so</div> +<div class="indent2">Who are not near.</div> +<div class="verse">Just that I miss the lamp whose blessèd light</div> +<div class="verse">Was God’s own moon to shine upon my night,</div> +<div class="verse">And newly mourn each new day’s lost delight:</div> +<div class="verse">Just—oh, it will not ease my pain—</div> +<div class="indent2">That I am lonely</div> +<div class="indent2">Until I see you once again,</div> +<div class="indent2">You—you only.</div> +</div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_15">[15]</span> +<div class="blockquot"> +<h3 class="nobreak">AUTUMN IN PRISON</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Here</span> where no tree changes,</div> +<div class="indent">Here in a prison of pine,</div> +<div class="verse">I think how Autumn ranges</div> +<div class="indent">The country that is mine.</div> +</div> +<div class="stanza"> +<div class="verse">There—rust upon the chill breeze—</div> +<div class="indent">The woodland leaf now whirls;</div> +<div class="verse">There sway the yellowing birches</div> +<div class="indent">Like dainty dancing girls.</div> +</div> +<div class="stanza"> +<div class="verse">Oh, how the leaves are dancing</div> +<div class="indent">With Death at Lassington!</div> +<div class="verse">And Death is now enhancing</div> +<div class="indent">Beauty I walked upon.</div> +</div> +<div class="stanza"> +<div class="verse">The roads with leaves are littered,</div> +<div class="indent">Yellow, brown, and red.</div> +<div class="verse">The homes where robins twittered</div> +<div class="indent">Lie ruin; but instead</div> +</div> +<div class="stanza"> +<div class="verse">Gaunt arms of stretching giants</div> +<div class="indent">Stand in the azure air,</div> +<div class="verse">Cutting the sky in pattern</div> +<div class="indent">So common, yet so fair.</div> +</div> +<div class="stanza"> +<div class="verse">The heart is kindled by it,</div> +<div class="indent">And lifted as with wine,</div> +<div class="verse">In Lassington and Highnam—</div> +<div class="indent">The woodlands that were mine.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_16">[16]</span> +<div class="blockquot"> +<h3 class="nobreak">WHAT WE THINK OF</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Walking</span> round our cages like the lions at the Zoo,</div> +<div class="verse">We think of things that we have done, and things we mean to do:</div> +<div class="verse">Of girls we left behind us, of letters that are due,</div> +<div class="verse">Of boating on the river beneath a sky of blue,</div> +<div class="verse">Of hills we climbed together—not always for the view.</div> +</div> +<div class="stanza"> +<div class="verse">Walking round our cages like the lions at the Zoo,</div> +<div class="verse">We see the phantom faces of you, and you, and you,</div> +<div class="verse">Faces of those we loved or loathed—oh every one we knew!</div> +<div class="verse">And deeds we wrought in carelessness for happiness or rue,</div> +<div class="verse">And dreams we broke in folly, and seek to build anew,—</div> +<div class="verse">Walking round our cages like the lions at the Zoo.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_17">[17]</span> +<div class="blockquot"> +<h3 class="nobreak">PRISONERS</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Comrades</span> of risk and rigour long ago</div> +<div class="verse">Who have done battle under honour’s name,</div> +<div class="verse">Hoped (living or shot down) some meed of fame,</div> +<div class="verse">And wooed bright Danger for a thrilling kiss,—</div> +<div class="verse">Laugh, oh laugh well, that we have come to this!</div> +</div> +<div class="stanza"> +<div class="verse">Laugh, oh laugh loud, all ye who long ago</div> +<div class="verse">Adventure found in gallant company!</div> +<div class="verse">Safe in Stagnation, laugh, laugh bitterly,</div> +<div class="verse">While on this filthiest backwater of Time’s flow</div> +<div class="verse">Drift we and rot, till something set us free!</div> +</div> +<div class="stanza"> +<div class="verse">Laugh like old men with senses atrophied,</div> +<div class="verse">Heeding no Present, to the Future dead,</div> +<div class="verse">Nodding quite foolish by the warm fireside</div> +<div class="verse">And seeing no flame, but only in the red</div> +<div class="verse">And flickering embers, pictures of the past:—</div> +<div class="verse">Life like a cinder fading black at last.</div> +</div></div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_18">[18]</span> +<div class="blockquot"> +<h3 class="nobreak">SONNET<br /> + + +<small>(<span class="smcap">To One Killed in Action</span>)</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">My</span> undevout yet ardent sacrifice</div> +<div class="indent">Did God refuse, knowing how carelessly</div> +<div class="indent">And with what curious sensuality</div> +<div class="verse">The coloured flames did flicker and arise.</div> +<div class="verse">Half boy, half decadent, always my eyes</div> +<div class="indent">Sparkle to danger: Oh it was joy to me</div> +<div class="indent">To sit with Death gambling desperately</div> +<div class="verse">The borrowed Coin of Life. But you, more wise,</div> +<div class="verse">Went forth for nothing but to do God’s will:</div> +<div class="indent">Went gravely out—well knowing what you did</div> +<div class="indent2">And hating it—with feet that did not falter</div> +<div class="indent2">To place your gift upon the highest altar.</div> +<div class="verse">Therefore to you this last and finest thrill</div> +<div class="indent">Is given—even Death itself, to me forbid.</div> +</div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_19">[19]</span> +<div class="blockquot"> +<h3 class="nobreak">THE HATEFUL ROAD</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Oh pleasant</span> things there be</div> +<div class="indent">Without this prison yard:</div> +<div class="verse">Fields green, and many a tree</div> +<div class="indent">With shadow on the sward,</div> +<div class="verse">And drifting clouds that pass</div> +<div class="verse">Sailing above the grass.</div> +</div> +<div class="stanza"> +<div class="verse">All lovely things that be</div> +<div class="indent">Beyond this strong abode</div> +<div class="verse">Send comfort back to me;</div> +<div class="verse">Yea, everything I see</div> +<div class="indent">Except the hateful road;</div> +<div class="verse">The road that runs so free</div> +<div class="indent">With many a dip and rise,</div> +<div class="verse">That waves and beckons me</div> +<div class="verse">And mocks and calls at me</div> +<div class="verse">And will not let me be</div> +<div class="indent">Even when I close my eyes.</div> +</div></div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_20">[20]</span> +<div class="blockquot"> +<h3 class="nobreak">ENGLISH FLOWERS IN A FOREIGN +GARDEN</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Snapdragon</span>, sunflower, sweet-pea,</div> +<div class="verse">Flowers which fill the heart of me</div> +<div class="verse">With so sweet and bitter fancy:</div> +<div class="verse">Glowing rose and pensive pansy,</div> +<div class="verse">You that pierce me with a blade</div> +<div class="verse">Beat from molten memory,</div> +<div class="verse">With what art, how tenderly,</div> +<div class="verse">You heal the wounds that you have made!</div> +</div> +<div class="stanza"> +<div class="verse">Thrushes, finches, birds that beat</div> +<div class="verse">Magical and thrilling sweet</div> +<div class="verse">Little far-off fairy gongs:</div> +<div class="verse">Blackbird with your mellow songs,</div> +<div class="verse">Valiant robin, thieving sparrows,</div> +<div class="verse">Though you wound me as with arrows,</div> +<div class="verse">Still with you among these flowers</div> +<div class="verse">Surely I find my sweetest hours.</div> +</div></div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_21">[21]</span> +<div class="blockquot"> +<h3 class="nobreak">THE BOND</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Once</span>, I remember, when we were at home</div> +<div class="verse">I had come into church, and waited late,</div> +<div class="verse">Ere lastly kneeling to communicate</div> +<div class="verse">Alone: and thinking that you would not come.</div> +</div> +<div class="stanza"> +<div class="verse">Then, with closed eyes (having received the Host)</div> +<div class="verse">I prayed for your dear self, and turned to rise;</div> +<div class="verse">When lo! beside me like a blessed ghost—</div> +<div class="verse">Nay, a grave sunbeam—<i>you</i>! Scarcely my eyes</div> +<div class="verse">Could credit it, so softly had you come</div> +<div class="verse">Beside me as I thought I walked alone.</div> +</div> +<div class="stanza"> +<div class="verse">Thus long ago; but now, when fate bereaves</div> +<div class="verse">Life of old joys, how often as I’m kneeling</div> +<div class="verse">To take the Blessed Sacrifice that weaves</div> +<div class="verse">Life’s tangled threads, so broken to man’s seeing,</div> +<div class="verse">Into one whole; I have the sudden feeling</div> +<div class="verse">That you are by, and look to see a face</div> +<div class="verse">Made in fair flesh beside me, and all my being</div> +<div class="verse">Thrills with the old sweet wonder and faint fear</div> +<div class="verse">As in that sabbath hour—how long ago!—</div> +<div class="verse">When you had crept so lightly to your place.</div> +<div class="verse">Then, then, <i>I know</i></div> +<div class="verse">(My heart can always tell) that you are near.</div> +</div></div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_22">[22]</span> +<div class="blockquot"> +<h3 class="nobreak">TO YOU—UNSUNG<br /> + + +<small>(<span class="smcap">Sonnet</span>)</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">How</span> should I sing you?—you who dwell unseen</div> +<div class="indent">Within the darkest chamber of my heart.</div> +<div class="indent">What picturesque and inward-turning art</div> +<div class="verse">Could shadow forth the image of my queen,</div> +<div class="verse">Sweet, world aloof, ineffably serene</div> +<div class="indent">Like holy dawn, yet so entirely part</div> +<div class="indent">Of what am I, as well a man might start</div> +<div class="verse">To paint his breathing, or his red blood’s sheen.</div> +</div> +<div class="stanza"> +<div class="verse">Nay, seek yourself, who are their truest breath,</div> +<div class="indent">In these my songs made for delight of men.</div> +<div class="indent2">Oh, where they fail, ’tis I that am in blame,</div> +<div class="indent">But, where the words loom larger than my pen,</div> +<div class="indent2">Be sure they ring glad echoes of your name,</div> +<div class="verse">And Love that triumphs over Life and Death.</div> +</div></div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_23">[23]</span> +<div class="blockquot"> +<h3 class="nobreak">A CHRISTMAS WISH</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">I cannot</span> give you happiness:</div> +<div class="verse">For wishes long have ceased to bring</div> +<div class="verse">The Fortune which to page and king</div> +<div class="verse">They brought in those good centuries,</div> +<div class="verse">When with a quaint and starry wand</div> +<div class="verse">Witches turned poor men’s thoughts to gold</div> +<div class="verse">And Cinderella’s carriage rolled</div> +<div class="verse">Through moonlight into Fairyland.</div> +</div> +<div class="stanza"> +<div class="verse">I may but <i>wish</i> you happiness:</div> +<div class="verse">Not Pleasure’s dusty fruit to find,</div> +<div class="verse">But wines of Mirth and Friendship kind,</div> +<div class="verse">And Love, to make with you a home.</div> +<div class="verse">But may Our Lord whose Son has come</div> +<div class="verse">Now heed the wish and make it true,</div> +<div class="verse">Even as elves were wont to do</div> +<div class="verse">When wishing could bring happiness.</div> +</div></div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_24">[24]</span> +<div class="blockquot"> +<h3 class="nobreak">TO KATHLEEN, AT CHRISTMAS<br /> + + +<small>(<span class="smcap">An Acrostic</span>)</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"> <span class="smcap"> K ings</span> of the East did bring their gold</div> +<div class="verse"> A nd jewels unto the cattle fold.</div> +<div class="verse"> T he angel’s song was heard by men</div> +<div class="verse">“H oly! holy! holy!” then.</div> +<div class="verse"> L ittle and weak in the manger He lay</div> +<div class="verse"> E ven as you in a cradle to-day;</div> +<div class="verse"> E ven as you did the Christ-child rest</div> +<div class="verse"> N estling warm in His mother’s breast.</div> +</div> +<div class="stanza"> +<div class="indent"><span class="smcap">Gütersloh</span>,</div> +<div class="indent2"><i>December 1916.</i></div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_25">[25]</span> +<div class="blockquot"> +<h3 class="nobreak">CHRISTMAS IN PRISON</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="indent3"><span class="smcap">Outside</span>, white snow</div> +<div class="indent3">And freezing mire.</div> +<div class="indent3">The heart of the house</div> +<div class="indent3">Is a blazing fire!</div> +</div> +<div class="stanza"> +<div class="verse">Even so whatever hags do ride</div> +<div class="verse">His outward fortune, withinside</div> +<div class="verse">The heart of a man burns Christmastide!</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_26">[26]</span> +<div class="blockquot"> +<h3 class="nobreak">TO THE OLD YEAR</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Old</span> year, farewell!</div> +<div class="verse">Much have you given which was ill to bear:</div> +<div class="verse">Much have taken which was dear, so dear:</div> +<div class="verse">Much have you spoken which was ill to hear;</div> +<div class="verse">Echoes of speech first uttered deep in hell.</div> +</div> +<div class="stanza"> +<div class="verse">Pass now like some grey harlot to the tomb!</div> +<div class="verse">Yet die in child-birth, and from out your womb</div> +<div class="verse">Leap the young year unsullied! He perchance</div> +<div class="verse">Shall bring to man his lost inheritance.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_27">[27]</span> +<div class="blockquot"> +<h3 class="nobreak">BALLADE<br /> + + +<small><span class="smcap">No.</span> 1</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Bodies</span> of comrade soldiers gleaming white</div> +<div class="indent">Within the mill-pool where you float and dive</div> +<div class="verse">And lounge around part-clothed or naked quite;</div> +<div class="indent">Beautiful shining forms of men alive,</div> +<div class="indent">O living lutes stringed with the senses five</div> +<div class="verse">For Love’s sweet fingers; seeing Fate afar,</div> +<div class="indent">My very soul with Death for you must strive;</div> +<div class="verse">Because of you I loathe the name of War.</div> +</div> +<div class="stanza"> +<div class="verse">But O you piteous corpses yellow-black,</div> +<div class="indent">Rotting unburied in the sunbeam’s light,</div> +<div class="verse">With teeth laid bare by yellow lips curled back</div> +<div class="indent">Most hideously; whose tortured souls took flight</div> +<div class="indent">Leaving your limbs, all mangled by the fight,</div> +<div class="verse">In attitudes of horror fouler far</div> +<div class="indent">Than dreams which haunt a devil’s brain at night;</div> +<div class="verse">Because of you I loathe the name of War.</div> +</div> +<div class="stanza"> +<div class="verse">Mothers and maids who loved you, and the wives</div> +<div class="indent">Bereft of your sweet presences; yea, all</div> +<div class="verse">Who knew you beautiful; and those small lives</div> +<div class="indent">Made of that knowledge; O, and you who call</div><span class="pagenum" id="Page_28">[28]</span> +<div class="indent">For life (but vainly now) from that dark hall</div> +<div class="verse">Where wait the Unborn, and the loves which are</div> +<div class="indent">In future generations to befall;</div> +<div class="verse">Because of you I loathe the name of War.</div> +</div> +<div class="stanza"> +<div class="verse"><span class="allsmcap">L’ENVOI</span></div> +</div> +<div class="stanza"> + +<div class="verse">Prince Jesu, hanging stark upon a tree</div> +<div class="indent">Crucified as the malefactors are</div> +<div class="verse">That man and man henceforth should brothers be;</div> +<div class="indent">Because of you I loathe the name of War.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_29">[29]</span> +<div class="blockquot"> +<h3 class="nobreak">BALLADE<br /> + + +<small><span class="smcap">No.</span> 2</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">You</span> dawns, whose loveliness I have not missed,</div> +<div class="indent">Making so delicate background for the larches</div> +<div class="verse">Melting the hills to softest amethyst;</div> +<div class="indent">O beauty never absent from our marches;</div> +<div class="indent">Passion of heaven shot golden through the arches</div> +<div class="verse">Of woods, or filtered softly from a star,</div> +<div class="indent">Nature’s wild love that never cloys or parches;</div> +<div class="verse">Because of you I love the name of War.</div> +</div> +<div class="stanza"> +<div class="verse">I have seen dawn and sunset, night and morning,</div> +<div class="indent">I have tramped tired and dusty to a tune</div> +<div class="verse">Of singing voices tired as I, but scorning</div> +<div class="indent">To yield up gaiety to sweltering June.</div> +<div class="indent">O comrades marching under blazing noon</div> +<div class="verse">Who told me tales in taverns near and far,</div> +<div class="indent">And sang and slept with me beneath the moon;</div> +<div class="verse">Because of you I love the name of War.</div> +</div> +<div class="stanza"> +<div class="verse">But you most dear companions Life and Death,</div> +<div class="indent">Whose friendship I had never valued well</div> +<div class="verse">Until that Battle blew with fiery breath</div> +<div class="indent">Over the earth his message terrible;</div><span class="pagenum" id="Page_30">[30]</span> +<div class="indent">Crying aloud the things Peace could not tell,</div> +<div class="verse">Calling up ancient custom to the bar</div> +<div class="indent">Of God, to plead its cause with Heaven and Hell ...</div> +<div class="verse">Because of you I love the name of War.</div> +</div> +<div class="stanza"> +<div class="verse"><span class="allsmcap">L’ENVOI</span></div> +</div> +<div class="stanza"> +<div class="verse">Prince Jesu, who did speak the amazing word</div> +<div class="verse">Loud, trumpet-clear, flame-flashing like a star</div> +<div class="verse">Which falls: “Not peace I bring you, but the sword!”</div> +<div class="verse">Because of you I love the name of War.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_31">[31]</span> +<div class="blockquot"> +<h3 class="nobreak">SOLITARY CONFINEMENT</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">No</span> mortal comes to visit me to-day,</div> +<div class="indent">Only the gay and early-rising Sun</div> +<div class="verse">Who strolled in nonchalantly, just to say,</div> +<div class="indent">“Good morrow, and despair not, foolish one!”</div> +<div class="verse">But like the tune which comforted King Saul</div> +<div class="verse">Sounds in my brain that sunny madrigal.</div> +</div> +<div class="stanza"> +<div class="verse">Anon the playful Wind arises, swells</div> +<div class="indent">Into vague music, and departing, leaves</div> +<div class="verse">A sense of blue bare heights and tinkling bells,</div> +<div class="indent">Audible silences which sound achieves</div> +<div class="verse">Through music, mountain streams, and hinted heather,</div> +<div class="verse">And drowsy flocks drifting in golden weather.</div> +</div> +<div class="stanza"> +<div class="verse">Lastly, as to my bed I turn for rest.</div> +<div class="indent">Comes Lady Moon herself on silver feet</div> +<div class="verse">To sit with one white arm across my breast,</div> +<div class="indent">Talking of elves and haunts where they do meet.</div> +<div class="verse">No mortal comes to see me, yet I say</div> +<div class="verse">“Oh, I have had fine visitors to-day!”</div> +</div> +<div class="stanza"> +<div class="verse"><span class="smcap">Douai</span>,</div> +<div class="indent"><i>August 20th, 1916</i>.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_32">[32]</span> +<div class="blockquot"> +<h3 class="nobreak">A RONDEL OF GLOUCESTERSHIRE</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Big</span> glory mellowing on the mellowing hills,</div> +<div class="verse">And in the little valleys, thatch and dreams,</div> +<div class="verse">Wrought by the manifold and vagrant wills</div> +<div class="verse">Of sun and ripening rain and wind; so gleams</div> +<div class="verse">My country, that great magic cup which spills</div> +<div class="verse">Into my mind a thousand thousand streams</div> +<div class="verse">Of glory mellowing on the mellowing hills</div> +<div class="verse">And in the little valleys, thatch and dreams.</div> +</div> +<div class="stanza"> +<div class="verse">O you dear heights of blue no ploughman tills,</div> +<div class="verse">O valleys where the curling mist upsteams</div> +<div class="verse">White over fields of trembling daffodils,</div> +<div class="verse">And you old dusty little water-mills,</div> +<div class="verse">Through all my life, for joy of you, sweet thrills</div> +<div class="verse">Shook me, and in my death at last there beams</div> +<div class="verse">Big glory mellowing on the mellowing hills</div> +<div class="verse">And in the little valleys, thatch and dreams.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_33">[33]</span> +<div class="blockquot"> +<h3 class="nobreak">THE LITTLE ROAD</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">I will</span> not take the great road that goes so proud and high,</div> +<div class="verse">Like the march of Roman legions that made it long ago;</div> +<div class="verse">But I will choose another way, a little road I know.</div> +<div class="verse">There no poor tramp goes limping, nor rich poor men drive by,</div> +<div class="verse">Nor ever crowding cattle, or sheep in dusty throng</div> +<div class="verse">Before their beating drovers drift cruelly along:</div> +<div class="verse">But only birds and free things, and ever in my ear</div> +<div class="verse">Sound of the leaves and little tongues of water talking near.</div> +</div> +<div class="stanza"> +<div class="verse">The great roads march on boldly, with scarce a curve or bend,</div> +<div class="verse">From some huge smoky Nothing, to Nothing at their end;</div> +<div class="verse">They march like Cæsar’s legions, and none may them withstand,</div> +<div class="verse">But whence, or whither going, they do not understand,</div> +<div class="verse">But oh, the little twisty road,</div> +<div class="indent2">The sweet and lover’s-kiss-ty road,</div> +<div class="indent2">The secret winding misty road,</div> +<div class="indent2">That leads to Fairyland!</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_34">[34]</span> +<div class="blockquot"> +<h3 class="nobreak">SONNET</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">Christ God</span>, Who died for us, now turn Thy face!</div> +<div class="indent">Behold not what men do, lest once again</div> +<div class="indent">Thou should’st be crucified, and die of pain.</div> +<div class="verse">Look not, O Lord, but only of Thy grace</div> +<div class="verse">Do Thou let fall on this accursed place,</div> +<div class="indent">Where the poor starve and labour in disdain</div> +<div class="indent">Of blinded Greed and all its vulgar train,</div> +<div class="verse">A single thread of heaven that we may trace</div> +<div class="verse">Some way to Right! And since “great men” stand by,</div> +<div class="indent">Heedless of women and men that hunger, Lord,</div> +<div class="indent2">Give Thou to common men the vision splendid.</div> +<div class="indent">Take (and if need be break) them, like a sword;</div> +<div class="indent2">Take them, and break them till their lives be ended;</div> +<div class="verse">Here are a thousand christs ready to die!</div> +</div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_35">[35]</span> +<div class="blockquot"> +<h3 class="nobreak">ENGLAND IN MEMORY<br /> + + +<small>(<span class="smcap">Sonnet</span>)</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">Sweet</span> Motherland, what have I done for thee,</div> +<div class="indent">What suffered, what of lasting beauty made?</div> +<div class="indent">I who ungratefully and undismayed</div> +<div class="verse">Drank from thy breast the milk which nourished me</div> +<div class="verse">In childhood, which until my death must be</div> +<div class="indent">The life within my veins. Lo, from that shade</div> +<div class="indent">Wherein they rest, thy dead and mine, arrayed</div> +<div class="verse">In honour’s robes, come clear and plaintively</div> +<div class="verse">Voices for ever to my listening ear</div> +<div class="indent">Which cry, “Not yet is finished England’s fight!</div> +<div class="indent2">Still, still must poets strive and martyrs bleed</div> +<div class="indent">To overthrow the enemies of Light,</div> +<div class="indent2">Armies of Dullness, Cruelty, Lust, and Greed!”</div> +<div class="verse">Yet what have I done for thee, England dear?</div> +</div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_36">[36]</span> +<div class="blockquot"> +<h3 class="nobreak">THE DEAD</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">You</span> never crept into the night</div> +<div class="verse">That lurks for all mankind!</div> +<div class="verse">Joyous you lived and loved, and leapt</div> +<div class="verse">Into that gaping dark, where stept</div> +<div class="verse">Our Fathers all, to find</div> +<div class="verse">Old honour—jest of fools, yet still the soul of all delight.</div> +</div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_37">[37]</span> +<div class="blockquot"> +<h3 class="nobreak">THE SLEEPERS</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">A battered</span> roof where stars went tripping</div> +<div class="indent2">With silver feet,</div> +<div class="verse">A broken roof whence rain came dripping,</div> +<div class="indent2">Yet rest was sweet.</div> +</div> +<div class="stanza"> +<div class="verse">A dug-out where the rats ran squeaking</div> +<div class="indent2">Under the ground,</div> +<div class="verse">And out in front the poor dead reeking!</div> +<div class="indent2">Yet sleep was sound.</div> +</div> +<div class="stanza"> +<div class="verse">No longer house or dug-out keeping,</div> +<div class="indent2">Within a cell</div> +<div class="verse">Of brown and bloody earth they’re sleeping;</div> +<div class="indent2">Oh they sleep well.</div> +</div> +<div class="stanza"> +<div class="verse">Thrice blessed sleep, the balm of sorrow!</div> +<div class="indent2">Thrice blessed eyes</div> +<div class="verse">Sealed up till on some doomsday morrow</div> +<div class="indent2">The sun arise!</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_38">[38]</span> +<div class="blockquot"> +<h3 class="nobreak">COMRADES O’ MINE<br /> + + +<small>(<span class="smcap">Rondeau</span>)</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Comrades</span> o’ mine, that were to me</div> +<div class="verse">More than my grief and gaiety,</div> +<div class="verse">More than my laughter or my pain:</div> +<div class="verse">Comrades, we shall not walk again</div> +<div class="verse">The road whereon we went so free—</div> +<div class="verse">The old way of Humanity.</div> +<div class="verse">But you are sleeping peacefully</div> +<div class="verse">Till the last dawn, heroic slain,</div> +<div class="indent5">Comrades o’ mine.</div> +</div> +<div class="stanza"> +<div class="verse">Till the last moon shall fade and flee</div> +<div class="verse">You sleep. Oh sleep not dreamlessly,</div> +<div class="verse">You whereof only dreams remain,</div> +<div class="verse">Come you by dreams into my brain,</div> +<div class="verse">Inspire my visions, and still be</div> +<div class="indent5">Comrades o’ mine!</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_39">[39]</span> +<div class="blockquot"> +<h3 class="nobreak">TO <i>R. E. K.</i><br /> + + +<small>(<span class="smcap">In Memoriam</span>)</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Dear</span>, rash, warm-hearted friend,</div> +<div class="verse">So careless of the end,</div> +<div class="verse">So worldly-foolish, so divinely-wise,</div> +<div class="verse">Who, caring not one jot</div> +<div class="verse">For place, gave all you’d got</div> +<div class="verse">To help your lesser fellow-men to rise.</div> +</div> +<div class="stanza"> +<div class="verse">Swift-footed, fleeter yet</div> +<div class="verse">Of heart. Swift to forget</div> +<div class="verse">The petty spite that life or men could show you;</div> +<div class="verse">Your last long race is won,</div> +<div class="verse">But beyond the sound of gun</div> +<div class="verse">You laugh and help men onward—if I know you.</div> +</div> +<div class="stanza"> +<div class="verse">Oh still you laugh, and walk,</div> +<div class="verse">And sing and frankly talk</div> +<div class="verse">(To angels) of the matters that amused you</div> +<div class="verse">In this bitter-sweet of life,</div> +<div class="verse">And we who keep its strife,</div> +<div class="verse">Take comfort in the thought how God has used you.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_40">[40]</span> +<div class="blockquot"> +<h3 class="nobreak">BALLAD OF ARMY PAY</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">In</span> general, if you want a man to do a dangerous job:—</div> +<div class="verse">Say, swim the Channel, climb St. Paul’s, or break into and rob</div> +<div class="verse">The Bank of England, why, you find his wages must be higher</div> +<div class="verse">Than if you merely wanted him to light the kitchen fire.</div> +<div class="verse">But in the British Army, it’s just the other way,</div> +<div class="verse">And the maximum of danger means the minimum of pay.</div> +</div> +<div class="stanza"> +<div class="verse">You put some men inside a trench, and call them infantrie,</div> +<div class="verse">And make them face ten kinds of hell, and face it cheerfully;</div> +<div class="verse">And live in holes like rats, with other rats, and lice, and toads,</div> +<div class="verse">And in their leisure time, assist the R.E.’s with their loads.</div> +<div class="verse">Then, when they’ve done it all, you give ’em each a bob a day!</div> +<div class="verse">For the maximum of danger means the minimum of pay.</div> +</div> +<div class="stanza"><span class="pagenum" id="Page_41">[41]</span> +<div class="verse">We won’t run down the A.S.C., nor yet the R.T.O.</div> +<div class="verse">They ration and direct us on the way we’ve got to go.</div> +<div class="verse">They’re very useful people, and it’s pretty plain to see</div> +<div class="verse">We couldn’t do without ’em, nor yet the A.P.C.</div> +<div class="verse">But comparing risks and wages,—I think they all will say</div> +<div class="verse">That the maximum of danger means the minimum of pay.</div> +</div> +<div class="stanza"> +<div class="verse">There are men who make munitions—and seventy bob a week;</div> +<div class="verse">They never see a lousy trench nor hear a big shell shriek;</div> +<div class="verse">And others <i>sing</i> about the war at high-class music-halls</div> +<div class="verse">Getting heaps and heaps of money and encores from the stalls.</div> +<div class="verse">They “keep the home fires burning” and bright by night and day,</div> +<div class="verse">While the maximum of danger means the minimum of pay.</div> +</div> +<div class="stanza"> +<div class="verse">I wonder if it’s harder to make big shells at a bench,</div> +<div class="verse">Than to face the screaming beggars when they’re crumping up a trench;</div><span class="pagenum" id="Page_42">[42]</span> +<div class="verse">I wonder if it’s harder to sing in mellow tones</div> +<div class="verse">Of danger, than to face it—say, in a wood like Trone’s;</div> +<div class="verse">Is discipline skilled labour, or something children play?</div> +<div class="verse">Should the maximum of danger mean the minimum of pay?</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_43">[43]</span> +<div class="blockquot"> +<h3 class="nobreak">TO THE DEVIL ON HIS APPALLING +DECADENCE</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Satan</span>, old friend and enemy of man;</div> +<div class="verse">Lord of the shadows and the sins whereby</div> +<div class="verse">We wretches glimpse the sun in Virtue’s sky</div> +<div class="verse">Guessing at last the wideness of His plan</div> +<div class="verse">Who fashioned kid and tiger, slayer and slain,</div> +<div class="verse">The paradox of evil, and the pain</div> +<div class="verse">Which threshes joy as with a winnowing fan:</div> +</div> +<div class="stanza"> +<div class="verse">Satan, of old your custom ’twas at least</div> +<div class="verse">To throw an apple to the soul you caught</div> +<div class="verse">Robbing your orchard. You, before you wrought</div> +<div class="verse">Damnation due and marked it with the beast,</div> +<div class="verse">Before its eyes were e’en disposed to dangle</div> +<div class="verse">Fruitage delicious. And you would not mangle</div> +<div class="verse">Nor maul the body of the dear deceased.</div> +</div> +<div class="stanza"> +<div class="verse">But you were called familiarly “Old Nick”—</div> +<div class="verse">The Devil, yet a gentleman you know!</div> +<div class="verse">Relentless—true, yet courteous to a foe.</div> +<div class="verse">Man’s soul your traffic was. You would not kick</div> +<div class="verse">His bloody entrails flying in the air.</div> +<div class="verse">Oh, “Krieg ist Krieg,” we know, and “C’est la guerre!”</div> +<div class="verse">But Satan, don’t you feel a trifle sick?</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_44">[44]</span> +<div class="blockquot"> +<h3 class="nobreak">AT AFTERNOON TEA<br /> + + +<small>(<span class="smcap">Triolet</span>)</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">We</span> have taken a trench</div> +<div class="indent">Near Combles, I see,</div> +<div class="verse">Along with the French.</div> +<div class="verse">We have taken a trench.</div> +<div class="verse">(<i>Oh, the bodies, the stench!</i>)</div> +<div class="verse">Won’t you have some more tea?</div> +<div class="indent">We have taken a trench</div> +<div class="verse">Near Combles, I see.</div> +</div></div> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_45">[45]</span> +<div class="blockquot"> +<h3 class="nobreak">TO THE UNKNOWN NURSE</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Moth</span>-like at night you flit or fly</div> +<div class="verse">To where the other patients lie;</div> +<div class="verse">I hear, as you brush by my door</div> +<div class="verse">The flutter of your wings, no more.</div> +</div> +<div class="stanza"> +<div class="verse">Shall I now call you in and see</div> +<div class="verse">The phantom vanish instantly?</div> +<div class="verse">Perhaps some sixteen stone or worse,</div> +<div class="verse">Suddenly falling through my verse!</div> +</div> +<div class="stanza"> +<div class="verse">Nay, be you sour, or be you sweet,</div> +<div class="verse">I’d see you not. Life’s wisdom is</div> +<div class="verse">To keep one’s dreams. Oh never quiz</div> +<div class="verse">The lovely lady in the street!</div> +</div> +<div class="stanza"> +<div class="verse">I knew a man who went large-eyed</div> +<div class="verse">And happy, till he bought pince-nez</div> +<div class="verse">And saw things as they were. He died</div> +<div class="verse">—A pessimist—the other day.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_46">[46]</span> +<div class="blockquot"> +<h3 class="nobreak">THE HORSES</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">My</span> father bred great horses,</div> +<div class="indent">Chestnut, grey, and brown.</div> +<div class="verse">They grazed about the meadows,</div> +<div class="indent">And trampled into town.</div> +</div> +<div class="stanza"> +<div class="verse">They left the homely meadows</div> +<div class="indent">And trampled far away,</div> +<div class="verse">The great shining horses,</div> +<div class="indent">Chestnut, and brown, and grey.</div> +</div> +<div class="stanza"> +<div class="verse">Gone are the horses</div> +<div class="indent">That my father bred.</div> +<div class="verse">And who knows whither?...</div> +<div class="indent">Or whether starved or fed?...</div> +<div class="verse">Gone are the horses,</div> +<div class="indent">And my father’s dead.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_47">[47]</span> +<div class="blockquot"> +<h3 class="nobreak">MOTHER AND SON</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">“Bow-wow!</span> Bow-wow!” See how he bounds and prances,</div> +<div class="verse">“<i>Wow!</i>” races off, returns again and dances—</div> +<div class="verse">A little wave of sunshine and brown fur—</div> +<div class="verse">About his old rheumatic mother-cur.</div> +<div class="verse">Look how she gives him back his baby bite</div> +<div class="verse">Tenderly as a human mother might.</div> +</div> +<div class="stanza"> +<div class="verse">Now, poor old thing—she gazes quaintly up</div> +<div class="verse">To laugh dog-fashion at me. “What a pup,</div> +<div class="verse">Master!” she seems to say: then, like a wave,</div> +<div class="verse">He’s down on her again—“Oh, master, see,</div> +<div class="verse">I’m growing old.... What spirits youngsters have!”</div> +<div class="verse">Her old eyes blink as they look up at me.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_48">[48]</span> + +<h2 class="nobreak"><i>GROWN UPS</i></h2> + + +<div class="blockquot"> +<h3 class="nobreak">1. TIMMY TAYLOR AND THE RATS</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">It</span> was a spell of sultry weather,</div> +<div class="verse">There’d been no rain for weeks together,</div> +<div class="indent">And little Timmy Taylor,</div> +<div class="indent2">A mouse of a man,</div> +<div class="indent">Walked down the road</div> +<div class="indent2">With a big milk-can,</div> +<div class="verse">Walked softly down the road at night</div> +<div class="verse">When the stars were thick and the moon was bright.</div> +</div> +<div class="stanza"> +<div class="verse">Hard by the road a spring came up</div> +<div class="verse">To glimmer in a rare bright cup</div> +<div class="verse">Of green-sward, burnt elsewhere quite dry.</div> +<div class="verse">To this he came—we won’t ask why—</div> +<div class="indent">Little Timmy Taylor,</div> +<div class="indent">The mouse of a man,</div> +<div class="indent">With a big milk-can.</div> +</div> +<div class="stanza"> +<div class="verse">Then, as he turned, so goes the story—</div> +<div class="verse">Came trooping through the moonlight glory</div> +<div class="verse">Hundreds and scores of—what do you think?</div> +<div class="verse">Rats! rats a-coming down to drink</div> +<div class="verse">From granary and barn and stack,</div> +<div class="verse">Grey and tawny, brown and black,</div><span class="pagenum" id="Page_49">[49]</span> +<div class="verse">Tails cocked up and teeth all gleaming,</div> +<div class="verse">Beady eyes light-filled, and seeming</div> +<div class="verse">That moony-mad and hunger-fierce.</div> +<div class="indent">Little Timmy Taylor,</div> +<div class="indent">The mouse of a man,</div> +<div class="indent">Dropped the milk-can,</div> +<div class="verse">And giving a shriek—’twas fit to pierce</div> +<div class="verse">The ear o’ the dead—he ran away,</div> +<div class="verse">And the can was found in the road next day.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_50">[50]</span> +<div class="blockquot"> +<div class="hangingindent"> +<h3 class="nobreak">2. WILLUM ACCOUNTS FOR THE<br /> +PRICE OF LAMPREY</h3> +</div></div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">“Aye</span>, sure, it’s pretty fish, but there’s no sale</div> +<div class="verse">Nowadays.” “Why?” “Well, the story that they tell</div> +<div class="verse">Is, as the king were very fond on ’em,</div> +<div class="verse">And all the fashion ate and paid up well.</div> +<div class="verse">And then one day our king—so goes the tale—</div> +<div class="verse">Ate over-hearty-like and throwed ’em up.</div> +<div class="verse">So all the fashion with him when he dined</div> +<div class="verse">Cut out their orders,—and the price cum down.</div> +<div class="verse">And maybe that be true, for still in town</div> +<div class="verse">Our council—scheming, likely, to remind</div> +<div class="verse">His Majesty of joys he left behind—</div> +<div class="verse">Sends un the very prince o’ lamprey pies</div> +<div class="verse">(I’ve seen un many a while in Fisher’s winder)</div> +<div class="verse">And so, God willing and if nothing hinder,</div> +<div class="verse">Some day he’ll taste again and prices rise.”</div> +</div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_51">[51]</span> +<div class="blockquot"> +<div class="hangingindent"> +<h3 class="nobreak">3. THE OLDEST INHABITANT HEARS<br /> +FAR OFF THE DRUMS OF DEATH</h3> +</div></div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Sometimes</span> ’tis far off, and sometimes ’tis nigh,</div> +<div class="verse">Such drummerdery noises too they be!</div> +<div class="verse">’Tis odd—oh, I do hope I baint to die</div> +<div class="verse">Just as the summer months be coming on,</div> +<div class="verse">And buffly chicken out, and bumble-bee:</div> +<div class="verse">Though, to be sure, I cannot hear ’em plain</div> +<div class="verse">For this drat row as goes a-drumming on,</div> +<div class="verse">Just like a little soldier in my brain.</div> +</div> +<div class="stanza"> +<div class="verse">And oh, I’ve heard we got to go through flame</div> +<div class="verse">And water-floods—but maybe ’tisn’t true!</div> +<div class="verse">I allus were a-frightened o’ the sea.</div> +<div class="verse">And burning fires—oh, it would be a shame</div> +<div class="verse">And all the garden ripe, and sky so blue.</div> +<div class="verse">Such drummerdery noises, too, they be.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_52">[52]</span> +<div class="blockquot"> +<h3 class="nobreak">4. SETH BEMOANS THE OLDEST INHABITANT</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">We</span> heard as we wer passing by the forge:</div> +<div class="indent">“’Er’s dead,” said he.</div> +<div class="verse">“’Tis Providence’s doing,” so said George.</div> +<div class="verse">“He’s allus doing summat,” so I said,</div> +<div class="verse">“You see this pig; we kept un aal the year</div> +<div class="verse">Fatting un up and priding in un, see,</div> +<div class="verse">And spent a yup o’ money—food so dear!</div> +<div class="indent">I wish ’twer ’e;</div> +<div class="verse">I’d liefer our fat pig had died than she.”</div> +</div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_53">[53]</span> +<div class="blockquot"> +<h3 class="nobreak">5. A RIVER, A PIG, AND BRAINS</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Last</span> fall, to sell his oldest perry,</div> +<div class="verse">Old Willum Fry did cross the ferry,</div> +<div class="verse">And thur inside of an old sty</div> +<div class="verse">’A seed a leanish pig did lie:</div> +<div class="verse">A rakish, active beast ’a was</div> +<div class="verse">As ever rooted up the grass:</div> +<div class="verse">Eager as bees on making honey</div> +<div class="verse">To stuff his self. Bill did decide</div> +<div class="verse">To buy un with the cider money</div> +<div class="verse">And fat un up for Easter-tide.</div> +</div> +<div class="stanza"> +<div class="verse">He bought un, but no net ’ad got</div> +<div class="verse">To kip thic pig inside the boat.</div> +<div class="verse">“The’ll drown wi’ pig and all at ferry!”</div> +<div class="verse">Cried one. Said Fry, “Go, bring some perry,</div> +<div class="verse">And this old drinking-horn you got,</div> +<div class="verse">Lying inside the piggery cot!”</div> +</div> +<div class="stanza"> +<div class="verse">He poured a goodish swig and soon</div> +<div class="verse">—As lazy as a day o’ June—</div> +<div class="verse">Piggy lay boozed, and so did bide</div> +<div class="verse">Snoring, while him and Fry were taken</div> +<div class="verse">’Cross Severn: and ’a didn’t waken</div> +<div class="verse">Until the boat lay safely tied</div> +<div class="verse">Up to a tree on t’other side.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_54">[54]</span> +<div class="blockquot"> +<h3 class="nobreak">6. MARTHA BAZIN ON MARRIAGE</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">This</span> is the fourth ’un, Miss, and if so be</div> +<div class="verse">As he do die out like the t’other three,</div> +<div class="verse">I’ll take another man (if one do ask).</div> +<div class="verse">Woman and man apart be like a cask</div> +<div class="verse">Without a bung, letting Life’s cider out,</div> +<div class="verse">The Almighty made to drink withouten doubt.</div> +<div class="verse">I never could abode the thought o’ waste</div> +<div class="verse">Whether of Life or cider, fit for taste.</div> +<div class="verse">But love him, Miss, you ask?—why, that I can,</div> +<div class="verse">And thank the Lord I could love any man.</div> +</div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_55">[55]</span> + +<h2 class="nobreak" id="CHILDREN"><i>CHILDREN</i></h2> + +<div class="blockquot"> +<h3 class="nobreak">1. LITTLE ABEL GOES TO CHURCH</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">And</span> this is what he heard</div> +<div class="verse">And saw at church:</div> +<div class="verse">Oh, a great yellow bird</div> +<div class="verse">Upon a perch—</div> +<div class="verse">Quite still upon a perch.</div> +</div> +<div class="stanza"> +<div class="verse">And then a man in white</div> +<div class="verse">Got up and walked to it,</div> +<div class="verse">And talked to it</div> +<div class="verse">For a long while (he said);</div> +<div class="verse">But the yellow bird</div> +<div class="verse">(Although it must have heard!)</div> +<div class="verse">Never turned its head,</div> +<div class="verse">Or did anything at all</div> +<div class="verse">But look straight at the wall!</div> +<div class="verseright">(<i>A true tale.</i>)</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_56">[56]</span> +<div class="blockquot"> +<h3 class="nobreak">2. DELIGHTS</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="indent2"><span class="smcap">Small</span> Marjorie</div> +<div class="indent2">In an apple-tree</div> +<div class="verse">Looks down upon the world with glee.</div> +</div> +<div class="stanza"> +<div class="indent2">Her brother Ted,</div> +<div class="indent2">So he has said,</div> +<div class="verse">Loves best to see the chickens fed.</div> +</div> +<div class="stanza"> +<div class="verse">And little Charlie likes to see</div> +<div class="verse">The Thresher working hard, when he</div> +<div class="verse">Hums like a dreadful bumble-bee.</div> +</div> +<div class="stanza"> +<div class="verse">But Ann and Martha sit together</div> +<div class="verse">Reading, however gold the weather.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_57">[57]</span> +<div class="blockquot"> +<h3 class="nobreak">3. THE BOY WITH LITTLE BARE TOES</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">He</span> ran all down the meadow, that he did,</div> +<div class="indent">The boy with the little bare toes.</div> +<div class="verse">The flowers they smelt so sweet, so sweet,</div> +<div class="verse">And the grass it felt so funny and wet</div> +<div class="verse">And the birds sang just like this—“chereep!”</div> +<div class="indent">And the willow-trees stood in rows.</div> +<div class="indent3">“Ho! ho!”</div> +<div class="verse">Laughed the boy with the little bare toes.</div> +</div> +<div class="stanza"> +<div class="verse">Now the trees had no insides—how funny!</div> +<div class="indent">Laughed the boy with the little bare toes.</div> +<div class="verse">And he put in his hand to find some money</div> +<div class="verse">Or honey—yes, that would be best—oh, best!</div> +<div class="verse">But what do you think he found, found, found?</div> +<div class="verse">Why, six little eggs all round, round, round,</div> +<div class="verse">And a mother-bird on the nest,</div> +<div class="indent2">Oh, yes!</div> +<div class="verse">The mother-bird on her nest.</div> +</div> +<div class="stanza"> +<div class="verse">He laughed, “Ha! ha!” and he laughed, “He! he!”</div> +<div class="indent">The boy with the little bare toes.</div> +<div class="verse">But the little mother-bird got up from her place</div> +<div class="verse">And flew right into his face, ho! ho!</div> +<div class="verse">And pecked him on the nose, “Oh! oh!”</div> +<div class="indent">Yes, pecked him right on the nose.</div> +<div class="indent3">“Boo! Boo!”</div> +<div class="verse">Cried the boy with the little bare toes.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_58">[58]</span> +<div class="blockquot"> +<h3 class="nobreak">THE WIND IN TOWN TREES</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">What</span> is it says the breeze</div> +<div class="verse">In London streets to-day</div> +<div class="verse">Unto the troubled trees</div> +<div class="verse">Whose shadows strew the way,</div> +<div class="verse">Whose leaves are all a-flutter?</div> +</div> +<div class="stanza"> +<div class="verse">“You are wild!” the rascal cries.</div> +<div class="verse">The green tree beats its wings</div> +<div class="verse">And fills the air with sighs.</div> +<div class="verse">“Wild! Wild!” the rascal sings.</div> +<div class="verse">“But your feet are in the gutter!”</div> +</div> +<div class="stanza"> +<div class="verse">Men pass beneath the trees</div> +<div class="verse">Walking the pavement grey,</div> +<div class="verse">They hear the whisperings tease</div> +<div class="verse">And at the word he utters</div> +<div class="verse">Their hearts are green and gay.</div> +</div> +<div class="stanza"> +<div class="verse">Then like the gay, green trees,</div> +<div class="verse">They beat proud wings to fly,</div> +<div class="verse">But, like the fluttering trees,</div> +<div class="verse">Their footprints mark the gutters</div> +<div class="verse">Until the beggars die.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_59">[59]</span> +<div class="blockquot"> +<h3 class="nobreak">FORM<br /> + + +<small>(<span class="smcap">A Study</span>)</small></h3> +</div></div> + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Flower</span>-like and shy,</div> +<div class="verse">You stand, sweet mortal, at the river’s brim:</div> +<div class="verse">With what unconscious grace</div> +<div class="verse">Your limbs to some strange law surrendering</div> +<div class="verse">Which lifts you clear of our humanity!</div> +</div> +<div class="stanza"> +<div class="indent">Now would I sacrifice</div> +<div class="verse">Your breathing, warmth, and all the strange romance</div> +<div class="verse">Of living, to a moment. Ere you break</div> +<div class="verse">The greater thing than you, I would my eyes</div> +<div class="verse">Were basilisk to turn you into stone.</div> +<div class="verse">So should you be the world’s inheritance.</div> +<div class="verse">And souls of unborn men should draw their breath</div> +<div class="verse">From mortal you, immortalised in Death.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_60">[60]</span> +<div class="blockquot"> +<h3 class="nobreak">VILLANELLE</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">So</span> is thy music unto me,</div> +<div class="verse">As the bright moon which tides obey,</div> +<div class="verse">As the white moon upon the sea.</div> +</div> +<div class="stanza"> +<div class="verse">And like a wind that scatters free</div> +<div class="verse">The petals of an April day,</div> +<div class="verse">So is thy music unto me.</div> +</div> +<div class="stanza"> +<div class="verse">It falleth light and quietly</div> +<div class="verse">And sweet as summer’s petals—nay,</div> +<div class="verse">As the white moon upon the sea.</div> +</div> +<div class="stanza"> +<div class="verse">As moonlight falling silvery</div> +<div class="verse">On waves of wild and surging grey,</div> +<div class="verse">So is thy music unto me.</div> +</div> +<div class="stanza"> +<div class="verse">As o’er each white and ebon key</div> +<div class="verse">I watch thy silver fingers play,</div> +<div class="verse">As the white moon upon the sea,</div> +<div class="verse">On headlands of eternity</div> +<div class="verse">My soul is hurled, and dashed in spray!</div> +</div> +<div class="stanza"> +<div class="verse">So is thy music unto me</div> +<div class="verse">As the bright moon which tides obey,</div> +<div class="verse">As the white moon upon the sea.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_61">[61]</span> +<div class="blockquot"> +<h3 class="nobreak">KOSSOVO DAY</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">From</span> this sweet nest of peace and summer blue—</div> +<div class="verse">England in June—a sea-bird’s nest indeed</div> +<div class="verse">Guarded of waves, and hid by the sea-weed</div> +<div class="verse">From envious hunter’s eye, we send to you</div> +<div class="verse">Our flying thoughts and prayers, our treasure too,</div> +<div class="verse">Poor though it be to bandage wounds that bleed</div> +<div class="verse">For country dear beloved. There the seed</div> +<div class="verse">Of homely loves and occupations grew</div> +<div class="verse">To wither in the flame of godless might</div> +<div class="verse">Kindled by hands of treachery, yet reeking</div> +<div class="verse">With blood of friends and neighbours. Serbia, thou</div> +<div class="verse">Hast thought us careless and far off; know now</div> +<div class="verse">Thy name to us is sudden drums outspeaking</div> +<div class="verse">And tortured trumpets crying in the night!</div> +</div></div> + +<div class="blockquot"> + +<p><i>Note.</i>—This poem was sent from Crefeld, but was written +in England just before the author left for the front.</p> +</div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_62">[62]</span> +<div class="blockquot"> +<h3 class="nobreak">A PHILOSOPHY</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Only</span> in pages of men’s books I find</div> +<div class="verse">Swart villain and fair knight</div> +<div class="verse">Closing in fight.</div> +<div class="verse">Not piebald is mankind.</div> +<div class="verse">The soul is hued to such swift varying</div> +<div class="verse">As flying hornet’s sunshine-smitten wing.</div> +</div> +<div class="stanza"> +<div class="verse">Therefore, dear brother men (where’er ye be),</div> +<div class="verse">Who strive for right</div> +<div class="verse">With such short sight,</div> +<div class="verse">’Tis wise for little folk like you and me</div> +<div class="verse">Neither too much to praise nor yet to blame,</div> +<div class="verse">Since in our different ways we’re all the same.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_63">[63]</span> +<div class="blockquot"> +<h3 class="nobreak">CONSOLATOR AFFLICTORUM</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="indent"><span class="smcap">“Must</span> ever I be so</div> +<div class="verse">—Yellow and old?” you asked,</div> +<div class="verse">“With living overtasked,</div> +<div class="verse">Ugly, and racked with pains?”</div> +<div class="verse">I answered, “Even so,</div> +<div class="verse">Dearest; yet love remains.”</div> +</div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_64">[64]</span> +<div class="blockquot"> +<h3 class="nobreak">RECOGNITION</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">By</span> Him Who made you sweet</div> +<div class="indent">And set your eyes so wide,</div> +<div class="verse">Who suffered us to meet</div> +<div class="indent">Despite of woman’s pride,</div> +</div> +<div class="stanza"> +<div class="verse">And willed that we should know,</div> +<div class="indent">Despite of man’s gross sense,</div> +<div class="verse">The wonder and dawn-glow</div> +<div class="indent">Of Love’s omnipotence,—</div> +</div> +<div class="stanza"> +<div class="verse">By all of this I swear,</div> +<div class="indent">And by God’s self I vow,</div> +<div class="verse">We have met (I know not how)</div> +<div class="indent">Loving (I know not where):</div> +</div> +<div class="stanza"> +<div class="verse">Perhaps in heaven above,</div> +<div class="indent">Perhaps in deep perdition.</div> +<div class="verse">And so this present love</div> +<div class="indent">Is but a recognition.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_65">[65]</span> +<div class="blockquot"> +<h3 class="nobreak">ON OVER BRIDGE AT EVENING</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">Faint</span> grow the hills, but yet the night delays</div> +<div class="verse">To blot them utterly. Below their ridge</div> +<div class="verse">Of shadow lies the city in blue haze.</div> +<div class="verse">I watch its lamps awaken, from the bridge</div> +<div class="verse">Whereunder, running strongly to the sea,</div> +<div class="verse">Water goes fleeting softly in a brown</div> +<div class="verse">Wild loveliness. In heaven two or three</div> +<div class="verse">Small stars awaken and gaze shyly down....</div> +</div> +<div class="stanza"> +<div class="verse">White and alluring runs the dusty road</div> +<div class="verse">Into the country, and with yellow eyes</div> +<div class="verse">A hastening car comes purring with its load:</div> +<div class="verse">Like some great owl it hoots, and then it flies</div> +<div class="verse">Past, and is swallowed up in dusk. And, singing,</div> +<div class="verse">A country girl with basket homeward wends</div> +<div class="verse">—Sweet as the dusty roses that are clinging</div> +<div class="verse">Around the cottage where her journey ends.</div> +</div> +<div class="stanza"> +<div class="verse">Night deepens, and the stars with strengthening rays</div> +<div class="verse">Thicken and go upon their lovely ways.</div> +<div class="verse">Where are the voices that have vexed us so?</div> +<div class="verse">Dear God, how quiet has Thy day become!</div> +<div class="verse">The clamorous tongues of Earth are smitten dumb,</div> +<div class="verse">Awed with the beauty that Thy work doth show.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_66">[66]</span> +<div class="blockquot"> +<h3 class="nobreak">PASSION</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">All</span> life from passion springs.</div> +<div class="verse">In holy ecstasy</div> +<div class="verse">’Midst whir of angel-wings,</div> +<div class="verse">Did God decree</div> +<div class="verse">The golden stars that shine:</div> +<div class="verse">The flaming morn,</div> +<div class="verse">And that this flesh of mine</div> +<div class="verse">Should once be born.</div> +</div> +<div class="stanza"> +<div class="verse">And all the works of men</div> +<div class="verse">That live indeed:</div> +<div class="verse">Joyance of sword or pen,</div> +<div class="verse">High thought or deed,</div> +<div class="verse">Are in such primal fashion</div> +<div class="verse">Contrived and wrought.</div> +<div class="verse">God grant me fire of thought</div> +<div class="verse">To work Thy will—with Passion!</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_67">[67]</span> +<div class="blockquot"> +<h3 class="nobreak">A COMMON PETITION</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">I crave</span> not of the wonder</div> +<div class="verse">Of Thy full plan to see;</div> +<div class="verse">No secret would I plunder</div> +<div class="verse">Of guarded destiny;</div> +<div class="verse">This only grant to me:</div> +</div> +<div class="stanza"> +<div class="verse">To hear the rolling thunder</div> +<div class="verse">Of Life—be man alive:</div> +<div class="verse">Yet through no body’s blunder</div> +<div class="verse">To drag the bright soul under</div> +<div class="verse">—Drowned where it needs must dive.</div> +</div> +<div class="stanza"> +<div class="verse">Keeping against all Fate</div> +<div class="verse">That Thou hast given me—</div> +<div class="verse">The dual mystery</div> +<div class="verse">Of man—inviolate.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_68">[68]</span> +<div class="blockquot"> +<h3 class="nobreak">AN ADVENTURE WITH GOD</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="verse"><span class="smcap">Far</span> worse than pain,</div> +<div class="verse">Unutterable weariness</div> +<div class="verse">Of blood and brain—</div> +<div class="verse">Intolerable dreariness</div> +<div class="verse">Of days God gave me.</div> +<div class="verse">And I bethought</div> +<div class="verse">The first fresh flood of youth that rose to leave me,</div> +<div class="verse">And how in those brave days—</div> +<div class="verse">Virgin of lust and spot—</div> +<div class="verse">I had forgot</div> +<div class="verse">To render any praise.</div> +<div class="verse">Then, as I thus looked upward through the net</div> +<div class="verse">Wherein both soul and flesh lay cunningly caught,</div> +<div class="verse">God (’twas like Springtime calling from the earth</div> +<div class="verse">The flowers to birth!)</div> +<div class="verse">Smiled down and did restore</div> +<div class="verse">All that I had before.</div> +</div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_69">[69]</span> +<div class="blockquot"> +<h3 class="nobreak">THE STRANGER</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">It</span> happened in a blood-red hell ringed round with golden weather;</div> +<div class="verse">Walking in khaki through a trench he came,</div> +<div class="verse">When life was death, and wounded men and great shells screamed together:</div> +<div class="verse">I did not know his name.</div> +<div class="verse">But so white-faced and wan, we talked a little while together</div> +<div class="verse">Amongst dead men, and timbers black with flame.</div> +</div> +<div class="stanza"> +<div class="verse">“What would you do with life again,” asks he, “if one could give it?”</div> +<div class="verse">“No use to talk when life is done,” I say.</div> +<div class="verse">“But, by the living God, if He should grant me life I’d live it</div> +<div class="verse">Kinder to man, truer to God each day.”</div> +</div> +<div class="stanza"> +<div class="verse">Flame and the noise of doom devoured the words, and for a while</div> +<div class="verse">Senseless I lay.... Then,</div> +<div class="verse">Oh, then as in a dream I saw the stranger with a smile</div> +<div class="verse">Moving towards me over the dead men.</div> +</div> +<div class="stanza"> +<div class="verse">Red, red were his hands and feet and a great hole in his side,</div> +<div class="verse">Yet glory seemed to blaze about his head;</div> +<div class="verse">“Kinder to man, truer to God,” he whispered, and then died;</div><span class="pagenum" id="Page_70">[70]</span> +<div class="verse">Falling down, arms outspread.</div> +<div class="verse">Ere darkness fell upon me with the faintness and the pain,</div> +<div class="verse">I saw a mangled body lying prone</div> +<div class="verse">Upon the earth beside me. But what I can’t explain</div> +<div class="verse">Is—<i>The stretcher-bearers found me quite alone</i>.</div> +</div> +<div class="stanza"> +<div class="verse">But, howsoe’er it happened, it matters not at last,</div> +<div class="verse">Since God’s dear Son came down to earth and died</div> +<div class="verse">In bloodshed, and the darkness of clouds that groaned aghast;</div> +<div class="verse">With pierced hands and a great wound in His side.</div> +</div> +<div class="stanza"> +<div class="verse">It is not in my heart to hate the pleasant sins I leave.</div> +<div class="verse">Earth’s passion flames within me fierce and strong.</div> +<div class="verse">But this is like a shadow ever rising up to thieve</div> +<div class="verse">Sin’s pleasures, and the lure of every pattern lust can weave,</div> +<div class="verse">And charm of all things that can do Him wrong.</div> +</div></div></div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<span class="pagenum" id="Page_71">[71]</span> +<div class="blockquot"> +<h3 class="nobreak">THE BUGLER</h3> +</div></div> + + +<div class="poetry-container"> +<div class="poetry"> +<div class="stanza"> +<div class="verse"><span class="smcap">God</span> dreamed a man;</div> +<div class="verse">Then, having firmly shut</div> +<div class="verse">Life like a precious metal in his fist,</div> +<div class="verse">Withdrew, His labour done. Thus did begin</div> +<div class="verse">Our various divinity and sin.</div> +<div class="verse">For some to ploughshares did the metal twist,</div> +<div class="verse">And others—dreaming empires—straightway cut</div> +<div class="verse">Crowns for their aching foreheads. Others beat</div> +<div class="verse">Long nails and heavy hammers for the feet</div> +<div class="verse">Of their forgotten Lord. (Who dare to boast</div> +<div class="verse">That he is guiltless?) Others coined it: most</div> +<div class="verse">Did with it—simply nothing. (Here, again,</div> +<div class="verse">Who cries his innocence?) Yet doth remain</div> +<div class="verse">Metal unmarred, to each man more or less,</div> +<div class="verse">Whereof to fashion perfect loveliness.</div> +</div> +<div class="stanza"> +<div class="verse">For me, I do but bear within my hand</div> +<div class="verse">(For sake of Him our Lord, now long forsaken)</div> +<div class="verse">A simple bugle such as may awaken</div> +<div class="verse">With one high morning note a drowsing man:</div> +<div class="verse">That wheresoe’er within my motherland</div> +<div class="verse">The sound may come, ’twill echo far and wide</div> +<div class="verse">Like pipes of battle calling up a clan,</div> +<div class="verse">Trumpeting men through beauty to God’s side.</div> +</div></div></div> + +<hr class="chap x-ebookmaker-drop" /> + +<p class="center"> +PRINTED BY<br /> +HAZELL, WATSON AND VINEY, LD.,<br /> +LONDON AND AYLESBURY.</p> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<div class="transnote"> +<p class="ph2">TRANSCRIBER’S NOTE:</p> + +<p>The cover image for this eBook was created by the transcriber and is entered into the public domain.</p> +</div></div> + + +<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK GLOUCESTERSHIRE FRIENDS: POEMS FROM A GERMAN PRISON CAMP ***</div> +<div style='text-align:left'> + +<div style='display:block; margin:1em 0'> +Updated editions will replace the previous one—the old editions will +be renamed. +</div> + +<div style='display:block; margin:1em 0'> +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the United +States without permission and without paying copyright +royalties. 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