diff options
| -rw-r--r-- | .gitattributes | 4 | ||||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/66242-0.txt | 1049 | ||||
| -rw-r--r-- | old/66242-0.zip | bin | 13231 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h.zip | bin | 24953183 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/66242-h.htm | 2165 | ||||
| -rw-r--r-- | old/66242-h/images/colophon.png | bin | 5051 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/cover.jpg | bin | 241237 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_001.jpg | bin | 255072 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_002.jpg | bin | 253835 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_003.jpg | bin | 254455 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_004.jpg | bin | 238994 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_005.jpg | bin | 219448 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_006.jpg | bin | 254699 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_007.jpg | bin | 240227 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_008.jpg | bin | 247091 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_009.jpg | bin | 255973 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_010.jpg | bin | 256419 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_011.jpg | bin | 254793 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_012.jpg | bin | 254881 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_013.jpg | bin | 246323 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_014.jpg | bin | 253058 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_015.jpg | bin | 200772 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_016.jpg | bin | 254531 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_017.jpg | bin | 176373 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_018.jpg | bin | 221133 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_019.jpg | bin | 241069 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_020.jpg | bin | 255224 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_021.jpg | bin | 255895 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_022.jpg | bin | 253294 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_023.jpg | bin | 244243 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_024.jpg | bin | 254995 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_025.jpg | bin | 187038 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_026.jpg | bin | 255573 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_027.jpg | bin | 251407 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_028.jpg | bin | 239981 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_029.jpg | bin | 255612 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_030.jpg | bin | 253359 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_031.jpg | bin | 254721 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_032.jpg | bin | 253723 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_033.jpg | bin | 255299 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_034.jpg | bin | 250145 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_035.jpg | bin | 244356 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_036.jpg | bin | 254723 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_037.jpg | bin | 253665 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_038.jpg | bin | 252449 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_039.jpg | bin | 253342 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_040.jpg | bin | 254478 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_041.jpg | bin | 254927 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_042.jpg | bin | 220071 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_043.jpg | bin | 254183 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_044.jpg | bin | 253971 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_045.jpg | bin | 254091 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_046.jpg | bin | 250835 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_047.jpg | bin | 254932 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_048.jpg | bin | 252846 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_049.jpg | bin | 243273 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_050.jpg | bin | 249494 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_051.jpg | bin | 255077 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_052.jpg | bin | 251501 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_053.jpg | bin | 254940 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_054.jpg | bin | 200915 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_055.jpg | bin | 249336 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_056.jpg | bin | 248396 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_057.jpg | bin | 205498 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_058.jpg | bin | 231241 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_059.jpg | bin | 170044 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_060.jpg | bin | 255081 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_061.jpg | bin | 197588 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_062.jpg | bin | 252887 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_063.jpg | bin | 252453 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_064.jpg | bin | 254146 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_065.jpg | bin | 194825 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_066.jpg | bin | 250453 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_067.jpg | bin | 254328 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_068.jpg | bin | 255462 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_069.jpg | bin | 253260 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_070.jpg | bin | 250529 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_071.jpg | bin | 255568 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_072.jpg | bin | 254652 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_073.jpg | bin | 230037 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_074.jpg | bin | 255667 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_075.jpg | bin | 254867 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_076.jpg | bin | 254661 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_077.jpg | bin | 241460 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_078.jpg | bin | 250286 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_079.jpg | bin | 222025 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_080.jpg | bin | 250570 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_081.jpg | bin | 243766 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_082.jpg | bin | 254221 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_083.jpg | bin | 213227 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_084.jpg | bin | 253793 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_085.jpg | bin | 255594 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_086.jpg | bin | 253475 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_087.jpg | bin | 245092 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_088.jpg | bin | 181892 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_089.jpg | bin | 254582 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_090.jpg | bin | 243036 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_091.jpg | bin | 215305 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_092.jpg | bin | 210229 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_093.jpg | bin | 254618 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_094.jpg | bin | 254133 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_095.jpg | bin | 198199 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_096.jpg | bin | 251072 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_097.jpg | bin | 253983 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_098.jpg | bin | 255153 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_099.jpg | bin | 252922 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_100.jpg | bin | 246606 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_101.jpg | bin | 255221 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/ill_102.jpg | bin | 255225 -> 0 bytes | |||
| -rw-r--r-- | old/66242-h/images/title.png | bin | 88940 -> 0 bytes |
112 files changed, 17 insertions, 3214 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..5839a4b --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #66242 (https://www.gutenberg.org/ebooks/66242) diff --git a/old/66242-0.txt b/old/66242-0.txt deleted file mode 100644 index 310c06b..0000000 --- a/old/66242-0.txt +++ /dev/null @@ -1,1049 +0,0 @@ -The Project Gutenberg eBook of One Hundred Cartoons, by Oscar Edward Cesare - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: One Hundred Cartoons - -Author: Oscar Edward Cesare - -Release Date: September 9, 2021 [eBook #66242] - -Language: English - -Character set encoding: UTF-8 - -Produced by: Brian Coe, Chuck Greif Thiers Halliwell, (who created the - front cover, which is placed in the public domain) and the - Online Distributed Proofreading Team at https://www.pgdp.net - (This file was produced from images generously made available - by The Internet Archive) - -*** START OF THE PROJECT GUTENBERG EBOOK ONE HUNDRED CARTOONS *** - - - - - ONE HUNDRED - CARTOONS - - _by_ - - Cesare - - [Illustration] - - - - - ONE HUNDRED - CARTOONS BY CESARE - - [Illustration: SKETCH OF THE ARTIST - - BY HIMSELF] - - - - - ONE HUNDRED - CARTOONS BY CESARE - - [Illustration] - - - BOSTON - Small, Maynard & Company - MCMXVI - - - Copyright, 1916 - By SMALL, MAYNARD & COMPANY - (Incorporated) - - - Printers - S. J. PARKHILL & CO., BOSTON, U.S.A. - - - To - M. P. C. - - GRATEFUL ACKNOWLEDGMENT IS MADE TO THE EDITORS OF THE NEW YORK - _SUN_ AND OF _HARPER’S WEEKLY_ FOR PERMISSION TO REPRINT HERE - DRAWINGS THAT FIRST APPEARED IN THOSE PUBLICATIONS - - - - -LIST OF ILLUSTRATIONS - - - PAGE - -SKETCH OF THE ARTIST, BY HIMSELF _Frontispiece_ - -THEY ARE ALL RED TO HIM 1 - -“WHAT HAVE YOU DONE WITH YOUR BROTHER ABEL?” 3 - -THE KAISER: “MY HEART BLEEDS FOR ANTWERP, TOO” 5 - -THE HONORABLE ALLY 7 - -THE SNOWMAN 9 - -A GREAT DISASTER. A GREAT VICTORY 11 - -THE HYPHEN 13 - -LLOYD GEORGE, MINISTER OF MUNITIONS: “ENGLAND EXPECTS--” 15 - -TO-MORROW’S GUIDE: “THESE ARE THE RUINS OF WILLIAM THE SECOND" 17 - -WAR’S EDICT 19 - -THE COLOSSUS 21 - -CHRISTMAS MORNING 23 - -WHAT IS TRUTH? 25 - -“BY THE BEARD OF THE PROPHET, OUR FUTURE LIES IN THE EAST!” 27 - -PLAYFUL 29 - -THE LAW-BREAKER 31 - -WASHINGTON’S BIRTHDAY: 1732-1915 33 - -TIRPITZ: “DREADFUL! TOO BAD!" 35 - -THE WASH 37 - -PEACE 39 - -RESURRECTED 41 - -THE GREAT ALLY 43 - -WHO SAID SICK? 45 - -“HOW HAPPY COULD I BE WITH NEITHER--” 47 - -THE FURROW 49 - -THE SUBLIME _PORT_ 51 - -THE STORM 53 - -HALTED 55 - -SPRING FEVER 57 - -OUT OF THE DEPTHS 59 - -THE _LUSITANIA_ CRISIS 61 - -COLD AS THE ICEBERG 63 - -THE WAKE 65 - -THE FIFTH CIRCLE OF HELL 67 - -WAR STAGGERED: “WHAT CRIMES ARE COMMITTED IN MY NAME!" 69 - -THE OCTOPUS 71 - -SPRING, 1915 73 - -CABARET ROUGE 75 - -“VERY CLEVER, BUT HOW LONG CAN HE KEEP IT THERE?” 77 - -CEASE FIRING! 79 - -THE SPIRIT OF ’48 81 - -NO MERCY 83 - -DROPPING THE PILOT 85 - -IN THE ENGLISHMAN’S HOME 87 - -THE VOICE OF THE PEOPLE 89 - -“THE GLORY THAT WAS GREECE, AND THE GRANDEUR THAT WAS ROME” 91 - -“INASMUCH AS YE HAVE DONE IT UNTO ONE OF THE LEAST OF THESE, YE HAVE -DONE IT UNTO ME” 93 - -“ET TU, BRUTE?” 95 - -ONE HUNDRED YEARS 97 - -GOING! GOING! 99 - -DIVIDENDS ON “A SCRAP OF PAPER" 101 - -BELGIUM RESTORED 103 - -DULCIS AMOR PATRIAE 105 - -HONEY 107 - -THE GOOSE-STEP 109 - -BETWEEN THE DEVIL AND THE DEEP SEA 111 - -ALWAYS SURE TO REPORT 113 - -HOISTING IT AGAIN 115 - -MÜNSCHAUSEN 117 - -TOO LATE AGAIN 119 - -FORCING THE DARDANELLES--A NIGHTMARE 121 - -“CLOSE UP THESE FACTORIES! SHERMAN WAS RIGHT. BE NEUTRAL!” 123 - -THEY AGREE ON ONE THING: “GUILTY!" 125 - -WILL HE GET HIM? 127 - -EMPEROR WILLIAM INTRODUCES PEACE 129 - -THE DUAL THRONE 131 - -HUNGER, THE PEACEMAKER 133 - -ANOTHER EVICTION 135 - -ON WHEELS 137 - -A FRIGHTFUL JEST 139 - -THE INTERNATIONAL LAW COURT 141 - -CHRISTMAS CHEER, 1915 143 - -BRINGING UP REINFORCEMENTS 145 - -ECCE HOMO! 147 - -WASHING HIS HANDS 149 - -THERE’S MANY A SLIP 151 - -THESE DIED THAT THESE MIGHT LIVE (?) 153 - -THE PHANTOM CONVOY 155 - -THE MAN WITH THE SWORD 157 - -PRINTEMPS 159 - -THE AMERICAN WAR-DOG 161 - -THE RIDDLES 163 - -“LE JOUR DE GLOIRE EST ARRIVÉ” 165 - -ON THE ROAD 167 - -THE HOSTAGE 169 - -“WHY CONTINUE THE STRUGGLE? CAN’T YOU SEE WE’VE WON ON SEA -AND LAND?” 171 - -“NOW REMEMBER WHAT I TOLD YOU” 173 - -ATLAS 175 - -THE GERMAN SUBMARINE COMMANDER’S ACCURATE CONCEPTION OF THE BOAT HE -BLEW UP 177 - -“I CAN NOT TELL A LIE: HE DID IT WITH HIS LITTLE SUBMARINE” 179 - -AWAITING ORDERS--WHICH FLAG? 181 - -“IT IS NOT GERMANY’S FAULT IF PEACE IS STILL WITHHELD FROM THE -NATIONS OF EUROPE” 183 - -“GO EASY WITH THAT, JOHN!” 185 - -“UNCEASING WAS THE PLAY OF WRETCHED HANDS” 187 - -THIRSTY 189 - -GRIEF 191 - -VIA VERDUN 193 - -“THE SITUATION CONTINUES SATISFACTORY” 195 - -MAY THE SPARKS NEVER REACH IT 197 - -“LET THE BUGLES SOUND THE TRUCE OF GOD TO THE WHOLE WORLD FOREVER!” 199 - - - - -ONE HUNDRED -CARTOONS BY CESARE - -[Illustration: THEY ARE ALL RED TO HIM] - -[Illustration: “WHAT HAVE YOU DONE WITH YOUR BROTHER ABEL?” - -Suggested by Dorè’s picture] - -[Illustration: THE KAISER: “MY HEART BLEEDS FOR ANTWERP, TOO”] - -[Illustration: THE HONORABLE ALLY] - -[Illustration: THE SNOWMAN] - -[Illustration: A GREAT DISASTER] - -[Illustration: A GREAT VICTORY] - -[Illustration: THE HYPHEN] - -[Illustration: LLOYD GEORGE, MINISTER OF MUNITIONS: “ENGLAND -EXPECTS--”] - -[Illustration: TO-MORROW’S GUIDE: “THESE ARE THE RUINS OF WILLIAM THE -SECOND”] - -[Illustration: WAR’S EDICT] - -[Illustration: THE COLOSSUS] - -[Illustration: CHRISTMAS MORNING] - -[Illustration: WHAT IS TRUTH?] - -[Illustration: “BY THE BEARD OF THE PROPHET, OUR FUTURE LIES IN THE -EAST!”] - -[Illustration: PLAYFUL] - -[Illustration: THE LAW-BREAKER] - -[Illustration: WASHINGTON’S BIRTHDAY - -1732-1915] - -[Illustration: TIRPITZ: “DREADFUL! TOO BAD!”] - -[Illustration: THE WASH] - -[Illustration: PEACE] - -[Illustration: RESURRECTED] - -[Illustration: THE GREAT ALLY] - -[Illustration: WHO SAID SICK?] - -[Illustration: “HOW HAPPY COULD I BE WITH NEITHER--”] - -[Illustration: THE FURROW] - -[Illustration: THE SUBLIME _PORT_] - -[Illustration: THE STORM] - -[Illustration: HALTED - -(The earthquake, January 15, 1915)] - -[Illustration: SPRING FEVER] - -[Illustration: OUT OF THE DEPTHS] - -[Illustration: THE _LUSITANIA_ CRISIS] - -[Illustration: COLD AS THE ICEBERG - -(After the sinking of the _Lusitania_, 1915)] - -[Illustration: THE WAKE] - -[Illustration: THE FIFTH CIRCLE OF HELL - -“Away! Down there to the other dogs!” - -_Inferno_ Canto VIII] - -[Illustration: WAR, STAGGERED: “WHAT CRIMES ARE COMMITTED IN MY -NAME!”] - -[Illustration: THE OCTOPUS] - -[Illustration: SPRING, 1915] - -[Illustration: CABARET ROUGE - -(The Germans capture Cabaret Rouge, June 12, 1915)] - -[Illustration: “VERY CLEVER, BUT HOW LONG CAN HE KEEP IT THERE?”] - -[Illustration: CEASE FIRING] - -[Illustration: THE SPIRIT OF ’48 - -“Ich weiss nicht was soll es bedeuten”] - -[Illustration: NO MERCY] - -[Illustration: DROPPING THE PILOT] - -[Illustration: IN THE ENGLISHMAN’S HOME - -(The British Isles are bombarded.--Cable dispatch)] - -[Illustration: THE VOICE OF THE PEOPLE - -(The Italian people clamor for war. Cable dispatch)] - -[Illustration: “THE GLORY THAT WAS GREECE AND THE GRANDEUR THAT WAS -ROME”] - -[Illustration: “INASMUCH AS YE HAVE DONE IT UNTO ONE OF THE LEAST OF -THESE, YE HAVE DONE IT UNTO ME” - -(Karlsruhe bombarded by Allied aviators in retaliation.--Cable dispatch, -June 1915)] - -[Illustration: “ET TU, BRUTE?”] - -[Illustration: ONE HUNDRED YEARS] - -[Illustration: GOING! GOING! - -(August, 1915)] - -[Illustration: DIVIDENDS ON “A SCRAP OF PAPER”] - -[Illustration: BELGIUM RESTORED - -(Germany is to restore monuments and architecture damaged in last -summer’s invasion.--Wireless dispatch, August, 1915)] - -[Illustration: DULCIS AMOR PATRIAE - -(President Poincaré, in a bill, will ask for 400,000 recruits between 18 -and 19 years old--Cable dispatch, September, 1915)] - -[Illustration: HONEY - -(The Germans and Austrians recapture Peremysl, September, 1915)] - -[Illustration: THE GOOSE-STEP] - -[Illustration: BETWEEN THE DEVIL AND THE DEEP SEA] - -[Illustration: ALWAYS SURE TO REPORT - -(German admiralty in doubt as to sinking of ships, as submarines have -not yet reported.--Cable dispatch)] - -[Illustration: HOISTING IT AGAIN] - -[Illustration: MÜNCHAUSEN] - -[Illustration: TOO LATE AGAIN] - -[Illustration: FORCING THE DARDANELLES--A NIGHTMARE] - -[Illustration: “CLOSE UP THESE FACTORIES! SHERMAN WAS RIGHT. BE -NEUTRAL!”] - -[Illustration: THEY AGREE ON ONE THING: “GUILTY!”] - -[Illustration: WILL HE GET HIM? - -(The Russian army escapes Hindenburg, winter, 1915)] - -[Illustration: EMPEROR WILLIAM INTRODUCES PEACE - -(A German peace rumor, September 3, 1915)] - -[Illustration: THE DUAL THRONE] - -[Illustration: HUNGER, THE PEACEMAKER] - -[Illustration: ANOTHER EVICTION - -(November, 1915)] - -[Illustration: ON WHEELS] - -[Illustration: A FRIGHTFUL JEST] - -[Illustration: THE INTERNATIONAL LAW COURT - -Belligerent: “Don’t make me laugh,--it’s inappropriate”] - -[Illustration: CHRISTMAS CHEER, 1915] - -[Illustration: BRINGING UP REINFORCEMENTS] - -[Illustration: ECCE HOMO! - -(January 9, 1916)] - -[Illustration: WASHING HIS HANDS - -(January 4, 1916)] - -[Illustration: THERE’S MANY A SLIP] - -[Illustration: “THESE DIED--THAT THESE MIGHT LIVE” (?)] - -[Illustration: THE PHANTOM CONVOY] - -[Illustration: THE MAN WITH THE SWORD - - “How will it be with kingdoms and with kings-- - With those who shaped him to the thing he is. - When this dumb terror shall reply to God - After the silence of the centuries?” - --_From_ “The Man with the Hoe,” _by Edwin Markham_ -] - -[Illustration: PRINTEMPS] - -[Illustration: THE AMERICAN WAR-DOG - -(The American-German crisis, January-March, 1916)] - -[Illustration: THE RIDDLES] - -[Illustration: “LE JOUR DE GLOIRE EST ARRIVÉ” - -(Verdun, March, 1916)] - -[Illustration: ON THE ROAD] - -[Illustration: THE HOSTAGE - -(Germany intends to keep conquered territory until the Allies seek -peace.--Cable dispatch, March, 1916)] - -[Illustration: “WHY CONTINUE THE STRUGGLE? CAN’T YOU SEE WE’VE WON ON -SEA AND LAND?” - -(Bethmann-Hollweg speaks in the Reichstag, March, 1916)] - -[Illustration: “NOW REMEMBER WHAT I TOLD YOU”] - -[Illustration: ATLAS] - -[Illustration: THE GERMAN SUBMARINE COMMANDER’S ACCURATE CONCEPTION OF -THE BOAT HE BLEW UP - -(April 14, 1916)] - -[Illustration: “I CAN NOT TELL A LIE: HE DID IT WITH HIS LITTLE -SUBMARINE”] - -[Illustration: AWAITING ORDERS--WHICH FLAG? - -(April 21, 1916, before the German reply had been received)] - -[Illustration: “IT IS NOT GERMANY’S FAULT IF PEACE IS STILL WITHHELD -FROM THE NATIONS OF EUROPE” - -(From Germany’s reply to the American note on the submarine issue, May -8, 1916)] - -[Illustration: “GO EASY WITH THAT, JOHN!”] - -[Illustration: “UNCEASING WAS THE PLAY OF WRETCHED HANDS” - ---_Inferno_, Canto XIV] - -[Illustration: THIRSTY - -(May 14, 1916.--The British surrender at Kut-el-Amara, while the -Russians are moving south)] - -[Illustration: GRIEF - -(On the death of Lord Kitchener, June, 1916)] - -[Illustration: VIA VERDUN] - -[Illustration: “THE SITUATION CONTINUES SATISFACTORY” - ---_Official Report_] - -[Illustration: MAY THE SPARKS NEVER REACH IT!] - -[Illustration: “LET THE BUGLES SOUND THE TRUCE OF GOD TO THE WHOLE WORLD -FOREVER!” - ---_Charles Sumner_] - - - - -_IMPORTANT ART BOOKS_ - -Published by SMALL, MAYNARD & COMPANY - -ONE HUNDRED CARTOONS BY CESARE - - -Brilliant and powerful interpretations of our times, by the man whose -recent change from the _New York Sun_ to the _New York Evening Post_ -gave the latter newspaper opportunity to congratulate itself on the good -fortune which had enabled it, when for the first time in its history it -decided to add a cartoonist to its regular staff, to obtain the services -of the ablest cartoonist in America. Cesare is more than a cartoonist: -he is an artist, and is known as such throughout this country, while his -work is reprinted in European periodicals more often than that of any -other American cartoonist. His greatness lies in his genius as an artist -as well as in the strength of the ideas that his drawings express. - - 4to, boards, net, =$3.00=. Also, _edition de luxe_, printed on Japan - vellum, limited to 105 copies, each numbered and signed by the - artist, net =$7.50= - - -ART By Auguste Rodin - -Translated from the French of PAUL GSELL by Mrs. ROMILLY FEDDEN - -“A faithful reproduction by Paul Gsell of conversations with Rodin, -showing his direct practical attitude towards life and the meaning of -art, and repeating his interesting observations and ideas on such -special phases as realism, nature, movement, thought and mystery in art. -A notable and unique work. Of the 106 beautiful illustrations in -half-tone and photogravure, 67 reproduce Rodin’s work."--AMERICAN -LIBRARY ASSOCIATION _Booklist_. - - 8vo. With a frontispiece in photogravure and 105 other - illustrations. Buckram, net, =$3.50=; three-quarter levant, net, - =$7.50=. _Also_, large-paper edition, with 8 illustrations in - photogravure and 98 in half-tone. Buckram, net, =$7.50=; - three-quarter levant, net, =$15.00=. - - -JAN VERMEER OF DELFT By Philip L. Hale - -“At last we have a book in English on Vermeer--an extremely valuable, -popular account. We get from such a book as this not only an -interpretation of a particular artist’s art, but also of the art of -painting in general. Writing about Vermeer in _The Outlook_ some years -ago, Mr. E. V. Lucas called him ‘the rarest and most fastidious of -masters.’ After reading Mr. Hale’s book one feels anew the justice of -that statement."--_Outlook._ - -“The most elaborate stylistic analysis ever applied to any -artist."--_Nation._ - - Large 8vo. With reproductions in color, in photogravure and in - half-tone of all of Vermeer’s known works, together with examples - of the work of some of his contemporaries. Buckram, net, =$10.00=; - three-quarter levant, net, =$20.00=. - - -LEONARDO DA VINCI By Jens Thiis - -“A beautiful and original book which deserves the extravagant praise -that it is worthy of its subject. The most vital of recent contributions -to the comprehension of Leonardo. It is a magnificent collection of -great pictures and drawings, for not only Leonardo but all his -contemporaries are exquisitely represented in it."--_Pall Mall Gazette_ -(London). - - Large 4to. With 277 illustrations reproduced in tints and in black - and white. Edition limited to 250 copies. Buckram, net, =$12.00=; - three-quarter levant, net, =$24.00=. - - -CHURCH BUILDING (_New and Enlarged Edition_) - - By Ralph Adams Cram - -A standard volume by one of the leading American architects, the head of -the department of architecture in the Massachusetts Institute of -Technology, setting forth the principles of architecture in their -relation to the church. 8vo. Cloth. Illustrated. Net, =$3.00=. - - -LELY AND THE STUART PORTRAIT PAINTERS - -_A Study of English Portraiture Before and After Van Dyck._ - - By C. H. Collins Baker - -More than a hundred collections, including the finest private galleries -of England, were, by the courtesy of their owners, made available for -the study which the author gave to the preparation of this extraordinary -work, which covers English portraiture (omitting Van Dyck because he has -already been so frequently studied) from 1603 to 1723, or from Holbein -to Hogarth. - - Two volumes. Large Crown 4to. With 240 illustrations, of which - eight are in color and the others in collotype. Of the edition of - 375 numbered copies (350 only for sale) printed on special rag - paper for the Medici Society, of London, 50 are reserved for the - United States. Three-quarter levant. Per set, net, =$60.00=. - -*** END OF THE PROJECT GUTENBERG EBOOK ONE HUNDRED CARTOONS *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you will have to check the laws of the country where - you are located before using this eBook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that: - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg-tm trademark. Contact the Foundation as set -forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - -Section 3. Information about the Project Gutenberg Literary -Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation's website -and official page at www.gutenberg.org/contact - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without -widespread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our website which has the main PG search -facility: www.gutenberg.org - -This website includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. diff --git a/old/66242-0.zip b/old/66242-0.zip Binary files differdeleted file mode 100644 index 7755d25..0000000 --- a/old/66242-0.zip +++ /dev/null diff --git a/old/66242-h.zip b/old/66242-h.zip Binary files differdeleted file mode 100644 index d83015a..0000000 --- a/old/66242-h.zip +++ /dev/null diff --git a/old/66242-h/66242-h.htm b/old/66242-h/66242-h.htm deleted file mode 100644 index ae382ac..0000000 --- a/old/66242-h/66242-h.htm +++ /dev/null @@ -1,2165 +0,0 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" -"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> - -<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en"> - <head> <link rel="coverpage" href="images/cover.jpg" /> -<meta http-equiv="Content-Type" content="text/html;charset=utf-8" /> -<title> - The Project Gutenberg eBook of One Hundred Cartoons, by Cesare. -</title> -<style type="text/css"> - -a:link {background-color:#ffffff;color:blue;text-decoration:none;} - - link {background-color:#ffffff;color:blue;text-decoration:none;} - -a:visited {background-color:#ffffff;color:purple;text-decoration:none;} - -a:hover {background-color:#ffffff;color:#FF0000;text-decoration:underline;} - -big {font-size: 130%;} - -body{margin-left:4%;margin-right:6%;background:#ffffff;color:black;font-family:"Times New Roman", serif;font-size:medium;} - -.bbox {border:double 8px black; -margin:2em auto;max-width:75%;padding:1em;} - -.blockquot {margin:2% 25%;font-size:80%;line-height:1.7em;} - -.blockquot2 {margin:auto 2%;font-size:80%;} - -.c {text-align:center;text-indent:0%;} - -.figcenter p{font-size:80%;text-align:center;text-indent:0%;} - -.cb {text-align:center;text-indent:0%;font-weight:bold;} - -.figcenter {margin:3% auto 3% auto;clear:both; -text-align:center;text-indent:0%;display:block;} - - h1 {margin-top:5%;text-align:center;clear:both; -font-weight:normal;word-spacing:.5em;} - - h2 {margin-top:4%;margin-bottom:2%;text-align:center;clear:both; - font-size:120%;font-weight:normal;} - - hr {width:90%;margin:2em auto 2em auto;clear:both;color:black;} - - hr.full {width: 60%;margin:2% auto 2% auto;border-top:1px solid black; -padding:.1em;border-bottom:1px solid black;border-left:none;border-right:none;} - - img {border:none;} - -.nind {text-indent:0%;} - -.nonvis {display:inline;} -.x-bookmaker .nonvis {display: none;} - @media print, handheld - {.nonvis - {display: none;} - } - - p {margin-top:.2em;text-align:justify;margin-bottom:.2em;text-indent:4%;} - -.pagenum {font-style:normal;position:absolute; -left:95%;font-size:55%;text-align:right;color:gray; -background-color:#ffffff;font-variant:normal;font-style:normal;font-weight:normal;text-decoration:none;text-indent:0em;} -.x-bookmaker .pagenum {display: none;} - -.pdd {padding-left:1em;text-indent:-1em; -font-variant:small-caps;font-size:110%;} - -.r {text-align:right;margin-right: 5%;} - -.rt {text-align:right;} - -small {font-size: 70%;} - -.smcap {font-variant:small-caps;font-size:110%;} - -table {margin-top:2%;margin-bottom:2%;margin-left:auto;margin-right:auto;border:none;} - -div.poetry {text-align:center;} -div.poem {font-size:100%;margin:auto auto;text-indent:0%; -display: inline-block; text-align: left;} -.poem .stanza {margin-top: 1em;margin-bottom:1em;} -.poem span.i0 {display: block; margin-left: 0em; padding-left: 3em; text-indent: -3em;} -.poem span.i1 {display: block; margin-left: .45em; padding-left: 3em; text-indent: -3em;} -.poem span.i4 {display: block; margin-left: 3em; padding-left: 3em; text-indent: -3em;} -</style> - </head> -<body> - -<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of One Hundred Cartoons, by Oscar Edward Cesare</div> - -<div style='display:block; margin:1em 0'> -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: One Hundred Cartoons</p> - -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Oscar Edward Cesare</div> - -<div style='display:block; margin:1em 0'>Release Date: September 9, 2021 [eBook #66242]</div> - -<div style='display:block; margin:1em 0'>Language: English</div> - -<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div> - -<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Brian Coe, Chuck Greif Thiers Halliwell, (who created the front cover, which is placed in the public domain) and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)</div> - -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK ONE HUNDRED CARTOONS ***</div> -<hr class="full" /> - -<p class="figcenter"> -<a href="images/cover.jpg"> -<img src="images/cover.jpg" -height="550" alt="[Image of -the book's cover unavailable.]" /></a> -</p> - -<table border="0" cellpadding="0" cellspacing="0" summary="" -style="border: 2px black solid;margin:auto auto;max-width:50%; -padding:1%;"> -<tr><td> -<p class="c"><a href="#LIST_OF_ILLUSTRATIONS">List of Illustrations</a><br /> <span class="nonvis">(In certain versions of this etext [in certain browsers] -clicking on the image will bring up a larger version.)</span></p> -<p class="c">(etext transcriber's note)</p></td></tr> -</table> - -<div class="figcenter"> -<a href="images/title.png"> -<img src="images/title.png" -height="550" -alt="ONE HUNDRED -CARTOONS BY CESARE" /></a> -</div> - -<p class="c">ONE HUNDRED<br /><br /> -CARTOONS BY CESARE</p> - -<div class="figcenter" id="ill_001"> -<a href="images/ill_001.jpg"> -<img src="images/ill_001.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p>SKETCH OF THE ARTIST</p> - -<p>BY HIMSELF</p></div> - -<h1> -ONE HUNDRED<br /> -CARTOONS BY CESARE</h1> - -<p class="c"> -<img src="images/colophon.png" -width="75" -alt="" /> -<br /> -<br /> -<br /> -BOSTON<br /><br /> -Small, Maynard & Company<br /><br /> -MCMXVI<br /> -<br /> -<br /><small> -Copyright, 1916<br /> -By SMALL, MAYNARD & COMPANY<br /> -(Incorporated)<br /> -<br /> -<br /> -Printers<br /> -<span class="smcap">S. J. Parkhill & Co., Boston, U.S.A.</span></small><br /> -<br /> -<br /> -To<br /> -M. P. C.<br /> -</p> - -<div class="blockquot"><p class="nind">GRATEFUL ACKNOWLEDGMENT IS MADE TO THE EDITORS OF THE NEW YORK -<i>SUN</i> AND OF <i>HARPER’S WEEKLY</i> FOR PERMISSION TO REPRINT HERE -DRAWINGS THAT FIRST APPEARED IN THOSE PUBLICATIONS</p></div> - -<h2><a name="LIST_OF_ILLUSTRATIONS" id="LIST_OF_ILLUSTRATIONS"></a>LIST OF ILLUSTRATIONS</h2> - -<table border="0" cellpadding="2" cellspacing="0" summary="deprecated"> - -<tr><td> </td><td class="rt"><small>PAGE</small></td></tr> - -<tr><td class="pdd"><a href="#ill_001">Sketch of the artist, by himself</a></td><td class="rt" valign="bottom"><a href="#ill_001"><i>Frontispiece</i></a></td></tr> - -<tr><td class="pdd"><a href="#ill_002">They are all red to him</a></td><td class="rt" valign="bottom"><a href="#page_1">1</a></td></tr> - -<tr><td class="pdd"><a href="#ill_003">“What have you done with your brother Abel?”</a></td><td class="rt" valign="bottom"><a href="#page_3">3</a></td></tr> - -<tr><td class="pdd"><a href="#ill_004">The Kaiser: “My heart bleeds for Antwerp, too”</a></td><td class="rt" valign="bottom"><a href="#page_5">5</a></td></tr> - -<tr><td class="pdd"><a href="#ill_005">The honorable ally</a></td><td class="rt" valign="bottom"><a href="#page_7">7</a></td></tr> - -<tr><td class="pdd"><a href="#ill_006">The snowman</a></td><td class="rt" valign="bottom"><a href="#page_9">9</a></td></tr> - -<tr><td class="pdd"><a href="#ill_007">A great disaster. A great victory</a></td><td class="rt" valign="bottom"><a href="#page_11">11</a></td></tr> - -<tr><td class="pdd"><a href="#ill_008">The hyphen</a></td><td class="rt" valign="bottom"><a href="#page_13">13</a></td></tr> - -<tr><td class="pdd"><a href="#ill_009">Lloyd George, Minister of Munitions: “England expects—”</a></td><td class="rt" valign="bottom"><a href="#page_15">15</a></td></tr> - -<tr><td class="pdd"><a href="#ill_010">To-morrow’s guide: “These are the ruins of William the Second"</a></td><td class="rt" valign="bottom"><a href="#page_17">17</a></td></tr> - -<tr><td class="pdd"><a href="#ill_011">War’s edict</a></td><td class="rt" valign="bottom"><a href="#page_19">19</a></td></tr> - -<tr><td class="pdd"><a href="#ill_012">The colossus</a></td><td class="rt" valign="bottom"><a href="#page_21">21</a></td></tr> - -<tr><td class="pdd"><a href="#ill_013">Christmas morning</a></td><td class="rt" valign="bottom"><a href="#page_23">23</a></td></tr> - -<tr><td class="pdd"><a href="#ill_014">What is truth?</a></td><td class="rt" valign="bottom"><a href="#page_25">25</a></td></tr> - -<tr><td class="pdd"><a href="#ill_015">“By the beard of the Prophet, our future lies in the East!”</a></td><td class="rt" valign="bottom"><a href="#page_27">27</a></td></tr> - -<tr><td class="pdd"><a href="#ill_016">Playful</a></td><td class="rt" valign="bottom"><a href="#page_29">29</a></td></tr> - -<tr><td class="pdd"><a href="#ill_017">The law-breaker</a></td><td class="rt" valign="bottom"><a href="#page_31">31</a></td></tr> - -<tr><td class="pdd"><a href="#ill_018">Washington’s Birthday: 1732-1915</a></td><td class="rt" valign="bottom"><a href="#page_33">33</a></td></tr> - -<tr><td class="pdd"><a href="#ill_019">Tirpitz: “Dreadful! Too bad!"</a></td><td class="rt" valign="bottom"><a href="#page_35">35</a></td></tr> - -<tr><td class="pdd"><a href="#ill_020">The wash</a></td><td class="rt" valign="bottom"><a href="#page_37">37</a></td></tr> - -<tr><td class="pdd"><a href="#ill_021">Peace</a></td><td class="rt" valign="bottom"><a href="#page_39">39</a></td></tr> - -<tr><td class="pdd"><a href="#ill_022">Resurrected</a></td><td class="rt" valign="bottom"><a href="#page_41">41</a></td></tr> - -<tr><td class="pdd"><a href="#ill_023">The great ally</a></td><td class="rt" valign="bottom"><a href="#page_43">43</a></td></tr> - -<tr><td class="pdd"><a href="#ill_024">Who said sick?</a></td><td class="rt" valign="bottom"><a href="#page_45">45</a></td></tr> - -<tr><td class="pdd"><a href="#ill_025">“How happy could i be with neither—”</a></td><td class="rt" valign="bottom"><a href="#page_47">47</a></td></tr> - -<tr><td class="pdd"><a href="#ill_026">The furrow</a></td><td class="rt" valign="bottom"><a href="#page_49">49</a></td></tr> - -<tr><td class="pdd"><a href="#ill_027">The Sublime <i>Port</i></a></td><td class="rt" valign="bottom"><a href="#page_51">51</a></td></tr> - -<tr><td class="pdd"><a href="#ill_028">The storm</a></td><td class="rt" valign="bottom"><a href="#page_53">53</a></td></tr> - -<tr><td class="pdd"><a href="#ill_029">Halted</a></td><td class="rt" valign="bottom"><a href="#page_55">55</a></td></tr> - -<tr><td class="pdd"><a href="#ill_030">Spring fever</a></td><td class="rt" valign="bottom"><a href="#page_57">57</a></td></tr> - -<tr><td class="pdd"><a href="#ill_031">Out of the depths</a></td><td class="rt" valign="bottom"><a href="#page_59">59</a></td></tr> - -<tr><td class="pdd"><a href="#ill_032">The <i>Lusitania</i> crisis</a></td><td class="rt" valign="bottom"><a href="#page_61">61</a></td></tr> - -<tr><td class="pdd"><a href="#ill_033">Cold as the iceberg</a></td><td class="rt" valign="bottom"><a href="#page_63">63</a></td></tr> - -<tr><td class="pdd"><a href="#ill_034">The wake</a></td><td class="rt" valign="bottom"><a href="#page_65">65</a></td></tr> - -<tr><td class="pdd"><a href="#ill_035">The fifth circle of Hell</a></td><td class="rt" valign="bottom"><a href="#page_67">67</a></td></tr> - -<tr><td class="pdd"><a href="#ill_036">War staggered: “What crimes are committed in my name!"</a></td><td class="rt" valign="bottom"><a href="#page_69">69</a></td></tr> - -<tr><td class="pdd"><a href="#ill_037">The octopus</a></td><td class="rt" valign="bottom"><a href="#page_71">71</a></td></tr> - -<tr><td class="pdd"><a href="#ill_038">Spring, 1915</a></td><td class="rt" valign="bottom"><a href="#page_73">73</a></td></tr> - -<tr><td class="pdd"><a href="#ill_039">Cabaret Rouge</a></td><td class="rt" valign="bottom"><a href="#page_75">75</a></td></tr> - -<tr><td class="pdd"><a href="#ill_040">“Very clever, but how long can he keep it there?”</a></td><td class="rt" valign="bottom"><a href="#page_77">77</a></td></tr> - -<tr><td class="pdd"><a href="#ill_041">Cease firing!</a></td><td class="rt" valign="bottom"><a href="#page_79">79</a></td></tr> - -<tr><td class="pdd"><a href="#ill_042">The spirit of ’48</a></td><td class="rt" valign="bottom"><a href="#page_81">81</a></td></tr> - -<tr><td class="pdd"><a href="#ill_043">No mercy</a></td><td class="rt" valign="bottom"><a href="#page_83">83</a></td></tr> - -<tr><td class="pdd"><a href="#ill_044">Dropping the pilot</a></td><td class="rt" valign="bottom"><a href="#page_85">85</a></td></tr> - -<tr><td class="pdd"><a href="#ill_045">In the Englishman’s home</a></td><td class="rt" valign="bottom"><a href="#page_87">87</a></td></tr> - -<tr><td class="pdd"><a href="#ill_046">The voice of the people</a></td><td class="rt" valign="bottom"><a href="#page_89">89</a></td></tr> - -<tr><td class="pdd"><a href="#ill_047">“The glory that was Greece, and the grandeur that was Rome”</a></td><td class="rt" valign="bottom"><a href="#page_91">91</a></td></tr> - -<tr><td class="pdd"><a href="#ill_048">“Inasmuch as ye have done it unto one of the least of these, ye have done it unto me”</a></td><td class="rt" valign="bottom"><a href="#page_93">93</a></td></tr> - -<tr><td class="pdd"><a href="#ill_049">“Et tu, Brute?”</a></td><td class="rt" valign="bottom"><a href="#page_95">95</a></td></tr> - -<tr><td class="pdd"><a href="#ill_050">One hundred years</a></td><td class="rt" valign="bottom"><a href="#page_97">97</a></td></tr> - -<tr><td class="pdd"><a href="#ill_051">Going! Going!</a></td><td class="rt" valign="bottom"><a href="#page_99">99</a></td></tr> - -<tr><td class="pdd"><a href="#ill_052">Dividends on “a scrap of paper"</a></td><td class="rt" valign="bottom"><a href="#page_101">101</a></td></tr> - -<tr><td class="pdd"><a href="#ill_053">Belgium restored</a></td><td class="rt" valign="bottom"><a href="#page_103">103</a></td></tr> - -<tr><td class="pdd"><a href="#ill_054">Dulcis amor patriae</a></td><td class="rt" valign="bottom"><a href="#page_105">105</a></td></tr> - -<tr><td class="pdd"><a href="#ill_055">Honey</a></td><td class="rt" valign="bottom"><a href="#page_107">107</a></td></tr> - -<tr><td class="pdd"><a href="#ill_056">The goose-step</a></td><td class="rt" valign="bottom"><a href="#page_109">109</a></td></tr> - -<tr><td class="pdd"><a href="#ill_057">Between the devil and the deep sea</a></td><td class="rt" valign="bottom"><a href="#page_111">111</a></td></tr> - -<tr><td class="pdd"><a href="#ill_058">Always sure to report</a></td><td class="rt" valign="bottom"><a href="#page_113">113</a></td></tr> - -<tr><td class="pdd"><a href="#ill_059">Hoisting it again</a></td><td class="rt" valign="bottom"><a href="#page_115">115</a></td></tr> - -<tr><td class="pdd"><a href="#ill_060">Münschausen</a></td><td class="rt" valign="bottom"><a href="#page_117">117</a></td></tr> - -<tr><td class="pdd"><a href="#ill_061">Too late again</a></td><td class="rt" valign="bottom"><a href="#page_119">119</a></td></tr> - -<tr><td class="pdd"><a href="#ill_062">Forcing the Dardanelles—a nightmare</a></td><td class="rt" valign="bottom"><a href="#page_121">121</a></td></tr> - -<tr><td class="pdd"><a href="#ill_063">“Close up these factories! Sherman was right. Be neutral!”</a></td><td class="rt" valign="bottom"><a href="#page_123">123</a></td></tr> - -<tr><td class="pdd"><a href="#ill_064">They agree on one thing: “Guilty!"</a></td><td class="rt" valign="bottom"><a href="#page_125">125</a></td></tr> - -<tr><td class="pdd"><a href="#ill_065">Will he get him?</a></td><td class="rt" valign="bottom"><a href="#page_127">127</a></td></tr> - -<tr><td class="pdd"><a href="#ill_066">Emperor William introduces peace</a></td><td class="rt" valign="bottom"><a href="#page_129">129</a></td></tr> - -<tr><td class="pdd"><a href="#ill_067">The dual throne</a></td><td class="rt" valign="bottom"><a href="#page_131">131</a></td></tr> - -<tr><td class="pdd"><a href="#ill_068">Hunger, the peacemaker</a></td><td class="rt" valign="bottom"><a href="#page_133">133</a></td></tr> - -<tr><td class="pdd"><a href="#ill_069">Another eviction</a></td><td class="rt" valign="bottom"><a href="#page_135">135</a></td></tr> - -<tr><td class="pdd"><a href="#ill_070">On wheels</a></td><td class="rt" valign="bottom"><a href="#page_137">137</a></td></tr> - -<tr><td class="pdd"><a href="#ill_071">A frightful jest</a></td><td class="rt" valign="bottom"><a href="#page_139">139</a></td></tr> - -<tr><td class="pdd"><a href="#ill_072">The international law court</a></td><td class="rt" valign="bottom"><a href="#page_141">141</a></td></tr> - -<tr><td class="pdd"><a href="#ill_073">Christmas cheer, 1915</a></td><td class="rt" valign="bottom"><a href="#page_143">143</a></td></tr> - -<tr><td class="pdd"><a href="#ill_074">Bringing up reinforcements</a></td><td class="rt" valign="bottom"><a href="#page_145">145</a></td></tr> - -<tr><td class="pdd"><a href="#ill_075">Ecce homo!</a></td><td class="rt" valign="bottom"><a href="#page_147">147</a></td></tr> - -<tr><td class="pdd"><a href="#ill_076">Washing his hands</a></td><td class="rt" valign="bottom"><a href="#page_149">149</a></td></tr> - -<tr><td class="pdd"><a href="#ill_077">There’s many a slip</a></td><td class="rt" valign="bottom"><a href="#page_151">151</a></td></tr> - -<tr><td class="pdd"><a href="#ill_078">These died that these might live (?)</a></td><td class="rt" valign="bottom"><a href="#page_153">153</a></td></tr> - -<tr><td class="pdd"><a href="#ill_079">The phantom convoy</a></td><td class="rt" valign="bottom"><a href="#page_155">155</a></td></tr> - -<tr><td class="pdd"><a href="#ill_080">The man with the sword</a></td><td class="rt" valign="bottom"><a href="#page_157">157</a></td></tr> - -<tr><td class="pdd"><a href="#ill_081">Printemps</a></td><td class="rt" valign="bottom"><a href="#page_159">159</a></td></tr> - -<tr><td class="pdd"><a href="#ill_082">The American war-dog</a></td><td class="rt" valign="bottom"><a href="#page_161">161</a></td></tr> - -<tr><td class="pdd"><a href="#ill_083">The riddles</a></td><td class="rt" valign="bottom"><a href="#page_163">163</a></td></tr> - -<tr><td class="pdd"><a href="#ill_084">“Le jour de gloire est arrivé”</a></td><td class="rt" valign="bottom"><a href="#page_165">165</a></td></tr> - -<tr><td class="pdd"><a href="#ill_085">On the road</a></td><td class="rt" valign="bottom"><a href="#page_167">167</a></td></tr> - -<tr><td class="pdd"><a href="#ill_086">The hostage</a></td><td class="rt" valign="bottom"><a href="#page_169">169</a></td></tr> - -<tr><td class="pdd"><a href="#ill_087">“Why continue the struggle? Can’t you see we’ve won on sea and land?”</a></td><td class="rt" valign="bottom"><a href="#page_171">171</a></td></tr> - -<tr><td class="pdd"><a href="#ill_088">“Now remember what I told you”</a></td><td class="rt" valign="bottom"><a href="#page_173">173</a></td></tr> - -<tr><td class="pdd"><a href="#ill_089">Atlas</a></td><td class="rt" valign="bottom"><a href="#page_175">175</a></td></tr> - -<tr><td class="pdd"><a href="#ill_090">The German submarine commander’s accurate conception of the boat he blew up</a></td><td class="rt" valign="bottom"><a href="#page_177">177</a></td></tr> - -<tr><td class="pdd"><a href="#ill_091">“I can not tell a lie: he did it with his little submarine”</a></td><td class="rt" valign="bottom"><a href="#page_179">179</a></td></tr> - -<tr><td class="pdd"><a href="#ill_092">Awaiting orders—which flag?</a></td><td class="rt" valign="bottom"><a href="#page_181">181</a></td></tr> - -<tr><td class="pdd"><a href="#ill_093">“It is not Germany’s fault if peace is still withheld from the nations of Europe”</a></td><td class="rt" valign="bottom"><a href="#page_183">183</a></td></tr> - -<tr><td class="pdd"><a href="#ill_094">“Go easy with that, John!”</a></td><td class="rt" valign="bottom"><a href="#page_185">185</a></td></tr> - -<tr><td class="pdd"><a href="#ill_095">“Unceasing was the play of wretched hands”</a></td><td class="rt" valign="bottom"><a href="#page_187">187</a></td></tr> - -<tr><td class="pdd"><a href="#ill_096">Thirsty</a></td><td class="rt" valign="bottom"><a href="#page_189">189</a></td></tr> - -<tr><td class="pdd"><a href="#ill_097">Grief</a></td><td class="rt" valign="bottom"><a href="#page_191">191</a></td></tr> - -<tr><td class="pdd"><a href="#ill_098">Via Verdun</a></td><td class="rt" valign="bottom"><a href="#page_193">193</a></td></tr> - -<tr><td class="pdd"><a href="#ill_099">“The situation continues satisfactory”</a></td><td class="rt" valign="bottom"><a href="#page_195">195</a></td></tr> - -<tr><td class="pdd"><a href="#ill_100">May the sparks never reach it</a></td><td class="rt" valign="bottom"><a href="#page_197">197</a></td></tr> - -<tr><td class="pdd"><a href="#ill_101">“Let the bugles sound the Truce of God to the whole world forever!”</a></td><td class="rt" valign="bottom"><a href="#page_199">199</a></td></tr> -</table> - -<p class="cb"><big>ONE HUNDRED<br /> -CARTOONS BY CESARE</big></p> - -<p><span class="pagenum"><a name="page_1" id="page_1">{1}</a></span> </p> - -<div class="figcenter" id="ill_002"> -<a href="images/ill_002.jpg"> -<img src="images/ill_002.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THEY ARE ALL RED TO HIM</p></div> - -<p><span class="pagenum"><a name="page_2" id="page_2">{2}</a></span> </p> - -<p><span class="pagenum"><a name="page_3" id="page_3">{3}</a></span> </p> - -<div class="figcenter" id="ill_003"> -<a href="images/ill_003.jpg"> -<img src="images/ill_003.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> “WHAT HAVE YOU DONE WITH YOUR BROTHER ABEL?”</p> - -<p>Suggested by Dorè’s picture</p></div> - -<p><span class="pagenum"><a name="page_4" id="page_4">{4}</a></span> </p> - -<p><span class="pagenum"><a name="page_5" id="page_5">{5}</a></span> </p> - -<div class="figcenter" id="ill_004"> -<a href="images/ill_004.jpg"> -<img src="images/ill_004.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE KAISER: “MY HEART BLEEDS FOR ANTWERP, TOO”</p></div> - -<p><span class="pagenum"><a name="page_6" id="page_6">{6}</a></span> </p> - -<p><span class="pagenum"><a name="page_7" id="page_7">{7}</a></span> </p> - -<div class="figcenter" id="ill_005"> -<a href="images/ill_005.jpg"> -<img src="images/ill_005.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE HONORABLE ALLY</p></div> - -<p><span class="pagenum"><a name="page_8" id="page_8">{8}</a></span> </p> - -<p><span class="pagenum"><a name="page_9" id="page_9">{9}</a></span> </p> - -<div class="figcenter" id="ill_006"> -<a href="images/ill_006.jpg"> -<img src="images/ill_006.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE SNOWMAN</p></div> - -<p><span class="pagenum"><a name="page_10" id="page_10">{10}</a></span> </p> - -<p><span class="pagenum"><a name="page_11" id="page_11">{11}</a></span> </p> - -<div class="figcenter" id="ill_007"> -<a href="images/ill_007.jpg"> -<img src="images/ill_007.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p> A GREAT DISASTER</p></div> - -<div class="figcenter"> -<a href="images/ill_008.jpg"> -<img src="images/ill_008.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p> A GREAT VICTORY</p></div> - -<p><span class="pagenum"><a name="page_12" id="page_12">{12}</a></span> </p> - -<p><span class="pagenum"><a name="page_13" id="page_13">{13}</a></span> </p> - -<div class="figcenter" id="ill_008"> -<a href="images/ill_009.jpg"> -<img src="images/ill_009.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE HYPHEN</p></div> - -<p><span class="pagenum"><a name="page_14" id="page_14">{14}</a></span> </p> - -<p><span class="pagenum"><a name="page_15" id="page_15">{15}</a></span> </p> - -<div class="figcenter" id="ill_009"> -<a href="images/ill_010.jpg"> -<img src="images/ill_010.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> LLOYD GEORGE, MINISTER OF MUNITIONS: “ENGLAND -EXPECTS—”</p></div> - -<p><span class="pagenum"><a name="page_16" id="page_16">{16}</a></span> </p> - -<p><span class="pagenum"><a name="page_17" id="page_17">{17}</a></span> </p> - -<div class="figcenter" id="ill_010"> -<a href="images/ill_011.jpg"> -<img src="images/ill_011.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> TO-MORROW’S GUIDE: “THESE ARE THE RUINS OF WILLIAM THE -SECOND” -</p></div> - -<p><span class="pagenum"><a name="page_18" id="page_18">{18}</a></span> </p> - -<p><span class="pagenum"><a name="page_19" id="page_19">{19}</a></span> </p> - -<div class="figcenter" id="ill_011"> -<a href="images/ill_012.jpg"> -<img src="images/ill_012.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> WAR’S EDICT</p></div> - -<p><span class="pagenum"><a name="page_20" id="page_20">{20}</a></span> </p> - -<p><span class="pagenum"><a name="page_21" id="page_21">{21}</a></span> </p> - -<div class="figcenter" id="ill_012"> -<a href="images/ill_013.jpg"> -<img src="images/ill_013.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE COLOSSUS</p></div> - -<p><span class="pagenum"><a name="page_22" id="page_22">{22}</a></span> </p> - -<p><span class="pagenum"><a name="page_23" id="page_23">{23}</a></span> </p> - -<div class="figcenter" id="ill_013"> -<a href="images/ill_014.jpg"> -<img src="images/ill_014.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> CHRISTMAS MORNING</p></div> - -<p><span class="pagenum"><a name="page_24" id="page_24">{24}</a></span> </p> - -<p><span class="pagenum"><a name="page_25" id="page_25">{25}</a></span> </p> - -<div class="figcenter" id="ill_014"> -<a href="images/ill_015.jpg"> -<img src="images/ill_015.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> WHAT IS TRUTH?</p></div> - -<p><span class="pagenum"><a name="page_26" id="page_26">{26}</a></span> </p> - -<p><span class="pagenum"><a name="page_27" id="page_27">{27}</a></span> </p> - -<div class="figcenter" id="ill_015"> -<a href="images/ill_016.jpg"> -<img src="images/ill_016.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> “BY THE BEARD OF THE PROPHET, OUR FUTURE LIES IN THE -EAST!”</p></div> - -<p><span class="pagenum"><a name="page_28" id="page_28">{28}</a></span> </p> - -<p><span class="pagenum"><a name="page_29" id="page_29">{29}</a></span> </p> - -<div class="figcenter" id="ill_016"> -<a href="images/ill_017.jpg"> -<img src="images/ill_017.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> PLAYFUL</p></div> - -<p><span class="pagenum"><a name="page_30" id="page_30">{30}</a></span> </p> - -<p><span class="pagenum"><a name="page_31" id="page_31">{31}</a></span> </p> - -<div class="figcenter" id="ill_017"> -<a href="images/ill_018.jpg"> -<img src="images/ill_018.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE LAW-BREAKER</p></div> - -<p><span class="pagenum"><a name="page_32" id="page_32">{32}</a></span> </p> - -<p><span class="pagenum"><a name="page_33" id="page_33">{33}</a></span> </p> - -<div class="figcenter" id="ill_018"> -<a href="images/ill_019.jpg"> -<img src="images/ill_019.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> WASHINGTON’S BIRTHDAY</p> - -<p>1732-1915</p></div> - -<p><span class="pagenum"><a name="page_34" id="page_34">{34}</a></span> </p> - -<p><span class="pagenum"><a name="page_35" id="page_35">{35}</a></span> </p> - -<div class="figcenter" id="ill_019"> -<a href="images/ill_020.jpg"> -<img src="images/ill_020.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> TIRPITZ: “DREADFUL! TOO BAD!”</p> -</div> - -<p><span class="pagenum"><a name="page_36" id="page_36">{36}</a></span> </p> - -<p><span class="pagenum"><a name="page_37" id="page_37">{37}</a></span> </p> - -<div class="figcenter" id="ill_020"> -<a href="images/ill_021.jpg"> -<img src="images/ill_021.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE WASH</p></div> - -<p><span class="pagenum"><a name="page_38" id="page_38">{38}</a></span> </p> - -<p><span class="pagenum"><a name="page_39" id="page_39">{39}</a></span> </p> - -<div class="figcenter" id="ill_021"> -<a href="images/ill_022.jpg"> -<img src="images/ill_022.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p> PEACE</p></div> - -<p><span class="pagenum"><a name="page_40" id="page_40">{40}</a></span> </p> - -<p><span class="pagenum"><a name="page_41" id="page_41">{41}</a></span> </p> - -<div class="figcenter" id="ill_022"> -<a href="images/ill_023.jpg"> -<img src="images/ill_023.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> RESURRECTED</p></div> - -<p><span class="pagenum"><a name="page_42" id="page_42">{42}</a></span> </p> - -<p><span class="pagenum"><a name="page_43" id="page_43">{43}</a></span> </p> - -<div class="figcenter" id="ill_023"> -<a href="images/ill_024.jpg"> -<img src="images/ill_024.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE GREAT ALLY</p></div> - -<p><span class="pagenum"><a name="page_44" id="page_44">{44}</a></span> </p> - -<p><span class="pagenum"><a name="page_45" id="page_45">{45}</a></span> </p> - -<div class="figcenter" id="ill_024"> -<a href="images/ill_025.jpg"> -<img src="images/ill_025.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> WHO SAID SICK?</p></div> - -<p><span class="pagenum"><a name="page_46" id="page_46">{46}</a></span> </p> - -<p><span class="pagenum"><a name="page_47" id="page_47">{47}</a></span> </p> - -<div class="figcenter" id="ill_025"> -<a href="images/ill_026.jpg"> -<img src="images/ill_026.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> “HOW HAPPY COULD I BE WITH NEITHER—”</p></div> - -<p><span class="pagenum"><a name="page_48" id="page_48">{48}</a></span> </p> - -<p><span class="pagenum"><a name="page_49" id="page_49">{49}</a></span> </p> - -<div class="figcenter" id="ill_026"> -<a href="images/ill_027.jpg"> -<img src="images/ill_027.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE FURROW</p></div> - -<p><span class="pagenum"><a name="page_50" id="page_50">{50}</a></span> </p> - -<p><span class="pagenum"><a name="page_51" id="page_51">{51}</a></span> </p> - -<div class="figcenter" id="ill_027"> -<a href="images/ill_028.jpg"> -<img src="images/ill_028.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE SUBLIME <i>PORT</i></p></div> - -<p><span class="pagenum"><a name="page_52" id="page_52">{52}</a></span> </p> - -<p><span class="pagenum"><a name="page_53" id="page_53">{53}</a></span> </p> - -<div class="figcenter" id="ill_028"> -<a href="images/ill_029.jpg"> -<img src="images/ill_029.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE STORM</p></div> - -<p><span class="pagenum"><a name="page_54" id="page_54">{54}</a></span> </p> - -<p><span class="pagenum"><a name="page_55" id="page_55">{55}</a></span> </p> - -<div class="figcenter" id="ill_029"> -<a href="images/ill_030.jpg"> -<img src="images/ill_030.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> HALTED</p> - -<p>(The earthquake, January 15, 1915)</p></div> - -<p><span class="pagenum"><a name="page_56" id="page_56">{56}</a></span> </p> - -<p><span class="pagenum"><a name="page_57" id="page_57">{57}</a></span> </p> - -<div class="figcenter" id="ill_030"> -<a href="images/ill_031.jpg"> -<img src="images/ill_031.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> SPRING FEVER</p></div> - -<p><span class="pagenum"><a name="page_58" id="page_58">{58}</a></span> </p> - -<p><span class="pagenum"><a name="page_59" id="page_59">{59}</a></span> </p> - -<div class="figcenter" id="ill_031"> -<a href="images/ill_032.jpg"> -<img src="images/ill_032.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> OUT OF THE DEPTHS</p></div> - -<p><span class="pagenum"><a name="page_60" id="page_60">{60}</a></span> </p> - -<p><span class="pagenum"><a name="page_61" id="page_61">{61}</a></span> </p> - -<div class="figcenter" id="ill_032"> -<a href="images/ill_033.jpg"> -<img src="images/ill_033.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE <i>LUSITANIA</i> CRISIS</p></div> - -<p><span class="pagenum"><a name="page_62" id="page_62">{62}</a></span> </p> - -<p><span class="pagenum"><a name="page_63" id="page_63">{63}</a></span> </p> - -<div class="figcenter" id="ill_033"> -<a href="images/ill_034.jpg"> -<img src="images/ill_034.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> COLD AS THE ICEBERG</p> - -<p>(After the sinking of the <i>Lusitania</i>, 1915)</p></div> - -<p><span class="pagenum"><a name="page_64" id="page_64">{64}</a></span> </p> - -<p><span class="pagenum"><a name="page_65" id="page_65">{65}</a></span> </p> - -<div class="figcenter" id="ill_034"> -<a href="images/ill_035.jpg"> -<img src="images/ill_035.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE WAKE</p></div> - -<p><span class="pagenum"><a name="page_66" id="page_66">{66}</a></span> </p> - -<p><span class="pagenum"><a name="page_67" id="page_67">{67}</a></span> </p> - -<div class="figcenter" id="ill_035"> -<a href="images/ill_036.jpg"> -<img src="images/ill_036.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE FIFTH CIRCLE OF HELL</p> - -<p>“Away! Down there to the other dogs!”</p> - -<p><i>Inferno</i> Canto VIII</p></div> - -<p><span class="pagenum"><a name="page_68" id="page_68">{68}</a></span> </p> - -<p><span class="pagenum"><a name="page_69" id="page_69">{69}</a></span> </p> - -<div class="figcenter" id="ill_036"> -<a href="images/ill_037.jpg"> -<img src="images/ill_037.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> WAR, STAGGERED: “WHAT CRIMES ARE COMMITTED IN MY -NAME!”</p></div> - -<p><span class="pagenum"><a name="page_70" id="page_70">{70}</a></span> </p> - -<p><span class="pagenum"><a name="page_71" id="page_71">{71}</a></span> </p> - -<div class="figcenter" id="ill_037"> -<a href="images/ill_038.jpg"> -<img src="images/ill_038.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE OCTOPUS</p></div> - -<p><span class="pagenum"><a name="page_72" id="page_72">{72}</a></span> </p> - -<p><span class="pagenum"><a name="page_73" id="page_73">{73}</a></span> </p> - -<div class="figcenter" id="ill_038"> -<a href="images/ill_039.jpg"> -<img src="images/ill_039.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> SPRING, 1915</p></div> - -<p><span class="pagenum"><a name="page_74" id="page_74">{74}</a></span> </p> - -<p><span class="pagenum"><a name="page_75" id="page_75">{75}</a></span> </p> - -<div class="figcenter" id="ill_039"> -<a href="images/ill_040.jpg"> -<img src="images/ill_040.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> CABARET ROUGE</p> - -<p>(The Germans capture Cabaret Rouge, June 12, 1915)</p></div> - -<p><span class="pagenum"><a name="page_76" id="page_76">{76}</a></span> </p> - -<p><span class="pagenum"><a name="page_77" id="page_77">{77}</a></span> </p> - -<div class="figcenter" id="ill_040"> -<a href="images/ill_041.jpg"> -<img src="images/ill_041.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> “VERY CLEVER, BUT HOW LONG CAN HE KEEP IT THERE?”</p></div> - -<p><span class="pagenum"><a name="page_78" id="page_78">{78}</a></span> </p> - -<p><span class="pagenum"><a name="page_79" id="page_79">{79}</a></span> </p> - -<div class="figcenter" id="ill_041"> -<a href="images/ill_042.jpg"> -<img src="images/ill_042.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> CEASE FIRING</p></div> - -<p><span class="pagenum"><a name="page_80" id="page_80">{80}</a></span> </p> - -<p><span class="pagenum"><a name="page_81" id="page_81">{81}</a></span> </p> - -<div class="figcenter" id="ill_042"> -<a href="images/ill_043.jpg"> -<img src="images/ill_043.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE SPIRIT OF ’48</p> - -<p>“Ich weiss nicht was soll es bedeuten”</p></div> - -<p><span class="pagenum"><a name="page_82" id="page_82">{82}</a></span> </p> - -<p><span class="pagenum"><a name="page_83" id="page_83">{83}</a></span> </p> - -<div class="figcenter" id="ill_043"> -<a href="images/ill_044.jpg"> -<img src="images/ill_044.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> NO MERCY</p></div> - -<p><span class="pagenum"><a name="page_84" id="page_84">{84}</a></span> </p> - -<p><span class="pagenum"><a name="page_85" id="page_85">{85}</a></span> </p> - -<div class="figcenter" id="ill_044"> -<a href="images/ill_045.jpg"> -<img src="images/ill_045.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> DROPPING THE PILOT</p></div> - -<p><span class="pagenum"><a name="page_86" id="page_86">{86}</a></span> </p> - -<p><span class="pagenum"><a name="page_87" id="page_87">{87}</a></span> </p> - -<div class="figcenter" id="ill_045"> -<a href="images/ill_046.jpg"> -<img src="images/ill_046.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> IN THE ENGLISHMAN’S HOME</p> - -<p>(The British Isles are bombarded.—Cable dispatch)</p></div> - -<p><span class="pagenum"><a name="page_88" id="page_88">{88}</a></span> </p> - -<p><span class="pagenum"><a name="page_89" id="page_89">{89}</a></span> </p> - -<div class="figcenter" id="ill_046"> -<a href="images/ill_047.jpg"> -<img src="images/ill_047.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE VOICE OF THE PEOPLE</p> - -<p>(The Italian people clamor for war. Cable dispatch)</p></div> - -<p><span class="pagenum"><a name="page_90" id="page_90">{90}</a></span> </p> - -<p><span class="pagenum"><a name="page_91" id="page_91">{91}</a></span> </p> - -<div class="figcenter" id="ill_047"> -<a href="images/ill_048.jpg"> -<img src="images/ill_048.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> “THE GLORY THAT WAS GREECE AND THE GRANDEUR THAT WAS -ROME”</p></div> - -<p><span class="pagenum"><a name="page_92" id="page_92">{92}</a></span> </p> - -<p><span class="pagenum"><a name="page_93" id="page_93">{93}</a></span> </p> - -<div class="figcenter" id="ill_048"> -<a href="images/ill_049.jpg"> -<img src="images/ill_049.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> “INASMUCH AS YE HAVE DONE IT UNTO ONE OF THE LEAST OF -THESE, YE HAVE DONE IT UNTO ME”</p> - -<p>(Karlsruhe bombarded by Allied aviators in retaliation.—Cable dispatch, -June 1915)</p></div> - -<p><span class="pagenum"><a name="page_94" id="page_94">{94}</a></span> </p> - -<p><span class="pagenum"><a name="page_95" id="page_95">{95}</a></span> </p> - -<div class="figcenter" id="ill_049"> -<a href="images/ill_050.jpg"> -<img src="images/ill_050.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> “ET TU, BRUTE?”</p></div> - -<p><span class="pagenum"><a name="page_96" id="page_96">{96}</a></span> </p> - -<p><span class="pagenum"><a name="page_97" id="page_97">{97}</a></span> </p> - -<div class="figcenter" id="ill_050"> -<a href="images/ill_051.jpg"> -<img src="images/ill_051.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> ONE HUNDRED YEARS</p></div> - -<p><span class="pagenum"><a name="page_98" id="page_98">{98}</a></span> </p> - -<p><span class="pagenum"><a name="page_99" id="page_99">{99}</a></span> </p> - -<div class="figcenter" id="ill_051"> -<a href="images/ill_052.jpg"> -<img src="images/ill_052.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> GOING! GOING!</p> - -<p>(August, 1915)</p></div> - -<p><span class="pagenum"><a name="page_100" id="page_100">{100}</a></span> </p> - -<p><span class="pagenum"><a name="page_101" id="page_101">{101}</a></span> </p> - -<div class="figcenter" id="ill_052"> -<a href="images/ill_053.jpg"> -<img src="images/ill_053.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> DIVIDENDS ON “A SCRAP OF PAPER”</p></div> - -<p><span class="pagenum"><a name="page_102" id="page_102">{102}</a></span> </p> - -<p><span class="pagenum"><a name="page_103" id="page_103">{103}</a></span> </p> - -<div class="figcenter" id="ill_053"> -<a href="images/ill_054.jpg"> -<img src="images/ill_054.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> BELGIUM RESTORED</p> - -<p>(Germany is to restore monuments and architecture damaged in last -summer’s invasion.—Wireless dispatch, August, 1915)</p></div> - -<p><span class="pagenum"><a name="page_104" id="page_104">{104}</a></span> </p> - -<p><span class="pagenum"><a name="page_105" id="page_105">{105}</a></span> </p> - -<div class="figcenter" id="ill_054"> -<a href="images/ill_055.jpg"> -<img src="images/ill_055.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> DULCIS AMOR PATRIAE</p> - -<p>(President Poincaré, in a bill, will ask for 400,000 recruits between 18 -and 19 years old—Cable dispatch, September, 1915)</p></div> - -<p><span class="pagenum"><a name="page_106" id="page_106">{106}</a></span> </p> - -<p><span class="pagenum"><a name="page_107" id="page_107">{107}</a></span> </p> - -<div class="figcenter" id="ill_055"> -<a href="images/ill_056.jpg"> -<img src="images/ill_056.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> HONEY</p> - -<p>(The Germans and Austrians recapture Peremysl, September, 1915)</p></div> - -<p><span class="pagenum"><a name="page_108" id="page_108">{108}</a></span> </p> - -<p><span class="pagenum"><a name="page_109" id="page_109">{109}</a></span> </p> - -<div class="figcenter" id="ill_056"> -<a href="images/ill_057.jpg"> -<img src="images/ill_057.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE GOOSE-STEP</p></div> - -<p><span class="pagenum"><a name="page_110" id="page_110">{110}</a></span> </p> - -<p><span class="pagenum"><a name="page_111" id="page_111">{111}</a></span> </p> - -<div class="figcenter" id="ill_057"> -<a href="images/ill_058.jpg"> -<img src="images/ill_058.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> BETWEEN THE DEVIL AND THE DEEP SEA</p></div> - -<p><span class="pagenum"><a name="page_112" id="page_112">{112}</a></span> </p> - -<p><span class="pagenum"><a name="page_113" id="page_113">{113}</a></span> </p> - -<div class="figcenter" id="ill_058"> -<a href="images/ill_059.jpg"> -<img src="images/ill_059.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> ALWAYS SURE TO REPORT</p> - -<p>(German admiralty in doubt as to sinking of ships, as submarines have -not yet reported.—Cable dispatch)</p></div> - -<p><span class="pagenum"><a name="page_114" id="page_114">{114}</a></span> </p> - -<p><span class="pagenum"><a name="page_115" id="page_115">{115}</a></span> </p> - -<div class="figcenter" id="ill_059"> -<a href="images/ill_060.jpg"> -<img src="images/ill_060.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> HOISTING IT AGAIN</p></div> - -<p><span class="pagenum"><a name="page_116" id="page_116">{116}</a></span> </p> - -<p><span class="pagenum"><a name="page_117" id="page_117">{117}</a></span> </p> - -<div class="figcenter" id="ill_060"> -<a href="images/ill_061.jpg"> -<img src="images/ill_061.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> MÜNCHAUSEN</p></div> - -<p><span class="pagenum"><a name="page_118" id="page_118">{118}</a></span> </p> - -<p><span class="pagenum"><a name="page_119" id="page_119">{119}</a></span> </p> - -<div class="figcenter" id="ill_061"> -<a href="images/ill_062.jpg"> -<img src="images/ill_062.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> TOO LATE AGAIN</p></div> - -<p><span class="pagenum"><a name="page_120" id="page_120">{120}</a></span> </p> - -<p><span class="pagenum"><a name="page_121" id="page_121">{121}</a></span> </p> - -<div class="figcenter" id="ill_062"> -<a href="images/ill_063.jpg"> -<img src="images/ill_063.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> FORCING THE DARDANELLES—A NIGHTMARE</p></div> - -<p><span class="pagenum"><a name="page_122" id="page_122">{122}</a></span> </p> - -<p><span class="pagenum"><a name="page_123" id="page_123">{123}</a></span> </p> - -<div class="figcenter" id="ill_063"> -<a href="images/ill_064.jpg"> -<img src="images/ill_064.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> “CLOSE UP THESE FACTORIES! SHERMAN WAS RIGHT. BE -NEUTRAL!”</p></div> - -<p><span class="pagenum"><a name="page_124" id="page_124">{124}</a></span> </p> - -<p><span class="pagenum"><a name="page_125" id="page_125">{125}</a></span> </p> - -<div class="figcenter" id="ill_064"> -<a href="images/ill_065.jpg"> -<img src="images/ill_065.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THEY AGREE ON ONE THING: “GUILTY!”</p></div> - -<p><span class="pagenum"><a name="page_126" id="page_126">{126}</a></span> </p> - -<p><span class="pagenum"><a name="page_127" id="page_127">{127}</a></span> </p> - -<div class="figcenter" id="ill_065"> -<a href="images/ill_066.jpg"> -<img src="images/ill_066.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> WILL HE GET HIM?</p> - -<p>(The Russian army escapes Hindenburg, winter, 1915)</p></div> - -<p><span class="pagenum"><a name="page_128" id="page_128">{128}</a></span> </p> - -<p><span class="pagenum"><a name="page_129" id="page_129">{129}</a></span> </p> - -<div class="figcenter" id="ill_066"> -<a href="images/ill_067.jpg"> -<img src="images/ill_067.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> EMPEROR WILLIAM INTRODUCES PEACE</p> - -<p>(A German peace rumor, September 3, 1915)</p></div> - -<p><span class="pagenum"><a name="page_130" id="page_130">{130}</a></span> </p> - -<p><span class="pagenum"><a name="page_131" id="page_131">{131}</a></span> </p> - -<div class="figcenter" id="ill_067"> -<a href="images/ill_068.jpg"> -<img src="images/ill_068.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE DUAL THRONE</p></div> - -<p><span class="pagenum"><a name="page_132" id="page_132">{132}</a></span> </p> - -<p><span class="pagenum"><a name="page_133" id="page_133">{133}</a></span> </p> - -<div class="figcenter" id="ill_068"> -<a href="images/ill_069.jpg"> -<img src="images/ill_069.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> HUNGER, THE PEACEMAKER</p></div> - -<p><span class="pagenum"><a name="page_134" id="page_134">{134}</a></span> </p> - -<p><span class="pagenum"><a name="page_135" id="page_135">{135}</a></span> </p> - -<div class="figcenter" id="ill_069"> -<a href="images/ill_070.jpg"> -<img src="images/ill_070.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> ANOTHER EVICTION</p> - -<p>(November, 1915)</p></div> - -<p><span class="pagenum"><a name="page_136" id="page_136">{136}</a></span> </p> - -<p><span class="pagenum"><a name="page_137" id="page_137">{137}</a></span> </p> - -<div class="figcenter" id="ill_070"> -<a href="images/ill_071.jpg"> -<img src="images/ill_071.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> ON WHEELS</p></div> - -<p><span class="pagenum"><a name="page_138" id="page_138">{138}</a></span> </p> - -<p><span class="pagenum"><a name="page_139" id="page_139">{139}</a></span> </p> - -<div class="figcenter" id="ill_071"> -<a href="images/ill_072.jpg"> -<img src="images/ill_072.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> A FRIGHTFUL JEST</p></div> - -<p><span class="pagenum"><a name="page_140" id="page_140">{140}</a></span> </p> - -<p><span class="pagenum"><a name="page_141" id="page_141">{141}</a></span> </p> - -<div class="figcenter" id="ill_072"> -<a href="images/ill_073.jpg"> -<img src="images/ill_073.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE INTERNATIONAL LAW COURT</p> - -<p>Belligerent: “Don’t make me laugh,—it’s inappropriate”</p></div> - -<p><span class="pagenum"><a name="page_142" id="page_142">{142}</a></span> </p> - -<p><span class="pagenum"><a name="page_143" id="page_143">{143}</a></span> </p> - -<div class="figcenter" id="ill_073"> -<a href="images/ill_074.jpg"> -<img src="images/ill_074.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> CHRISTMAS CHEER, 1915</p></div> - -<p><span class="pagenum"><a name="page_144" id="page_144">{144}</a></span> </p> - -<p><span class="pagenum"><a name="page_145" id="page_145">{145}</a></span> </p> - -<div class="figcenter" id="ill_074"> -<a href="images/ill_075.jpg"> -<img src="images/ill_075.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> BRINGING UP REINFORCEMENTS</p></div> - -<p><span class="pagenum"><a name="page_146" id="page_146">{146}</a></span> </p> - -<p><span class="pagenum"><a name="page_147" id="page_147">{147}</a></span> </p> - -<div class="figcenter" id="ill_075"> -<a href="images/ill_076.jpg"> -<img src="images/ill_076.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> ECCE HOMO!</p> - -<p>(January 9, 1916)</p></div> - -<p><span class="pagenum"><a name="page_148" id="page_148">{148}</a></span> </p> - -<p><span class="pagenum"><a name="page_149" id="page_149">{149}</a></span> </p> - -<div class="figcenter" id="ill_076"> -<a href="images/ill_077.jpg"> -<img src="images/ill_077.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> WASHING HIS HANDS</p> - -<p>(January 4, 1916)</p></div> - -<p><span class="pagenum"><a name="page_150" id="page_150">{150}</a></span> </p> - -<p><span class="pagenum"><a name="page_151" id="page_151">{151}</a></span> </p> - -<div class="figcenter" id="ill_077"> -<a href="images/ill_078.jpg"> -<img src="images/ill_078.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THERE’S MANY A SLIP</p></div> - -<p><span class="pagenum"><a name="page_152" id="page_152">{152}</a></span> </p> - -<p><span class="pagenum"><a name="page_153" id="page_153">{153}</a></span> </p> - -<p><span class="pagenum"><a name="page_154" id="page_154">{154}</a></span> </p> - -<div class="figcenter" id="ill_078"> -<a href="images/ill_079.jpg"> -<img src="images/ill_079.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p> “THESE DIED— -<span style="margin:auto 15%;"> </span> -THAT THESE MIGHT LIVE” (?)</p></div> - -<p><span class="pagenum"><a name="page_155" id="page_155">{155}</a></span> </p> - -<div class="figcenter" id="ill_079"> -<a href="images/ill_080.jpg"> -<img src="images/ill_080.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE PHANTOM CONVOY</p></div> - -<p><span class="pagenum"><a name="page_156" id="page_156">{156}</a></span> </p> - -<p><span class="pagenum"><a name="page_157" id="page_157">{157}</a></span> </p> - -<div class="figcenter" id="ill_080"> -<a href="images/ill_081.jpg"> -<img src="images/ill_081.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p> THE MAN WITH THE SWORD</p> - -<div class="poetry"> -<div class="poem"><div class="stanza"> -<span class="i0">“How will it be with kingdoms and with kings—<br /></span> -<span class="i1">With those who shaped him to the thing he is.<br /></span> -<span class="i1">When this dumb terror shall reply to God<br /></span> -<span class="i1">After the silence of the centuries?”<br /></span> -<span class="i4">—<i>From</i> “The Man with the Hoe,” <i>by Edwin Markham</i><br /></span> -</div></div> -</div></div> - -<p><span class="pagenum"><a name="page_158" id="page_158">{158}</a></span> </p> - -<p><span class="pagenum"><a name="page_159" id="page_159">{159}</a></span> </p> - -<div class="figcenter" id="ill_081"> -<a href="images/ill_082.jpg"> -<img src="images/ill_082.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> PRINTEMPS</p></div> - -<p><span class="pagenum"><a name="page_160" id="page_160">{160}</a></span> </p> - -<p><span class="pagenum"><a name="page_161" id="page_161">{161}</a></span> </p> - -<div class="figcenter" id="ill_082"> -<a href="images/ill_083.jpg"> -<img src="images/ill_083.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE AMERICAN WAR-DOG</p> - -<p>(The American-German crisis, January-March, 1916)</p></div> - -<p><span class="pagenum"><a name="page_162" id="page_162">{162}</a></span> </p> - -<p><span class="pagenum"><a name="page_163" id="page_163">{163}</a></span> </p> - -<div class="figcenter" id="ill_083"> -<a href="images/ill_084.jpg"> -<img src="images/ill_084.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE RIDDLES</p></div> - -<p><span class="pagenum"><a name="page_164" id="page_164">{164}</a></span> </p> - -<p><span class="pagenum"><a name="page_165" id="page_165">{165}</a></span> </p> - -<div class="figcenter" id="ill_084"> -<a href="images/ill_085.jpg"> -<img src="images/ill_085.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> “LE JOUR DE GLOIRE EST ARRIVÉ”</p> - -<p>(Verdun, March, 1916)</p></div> - -<p><span class="pagenum"><a name="page_166" id="page_166">{166}</a></span> </p> - -<p><span class="pagenum"><a name="page_167" id="page_167">{167}</a></span> </p> - -<div class="figcenter" id="ill_085"> -<a href="images/ill_086.jpg"> -<img src="images/ill_086.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> ON THE ROAD</p></div> - -<p><span class="pagenum"><a name="page_168" id="page_168">{168}</a></span> </p> - -<p><span class="pagenum"><a name="page_169" id="page_169">{169}</a></span> </p> - -<div class="figcenter" id="ill_086"> -<a href="images/ill_087.jpg"> -<img src="images/ill_087.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE HOSTAGE</p> - -<p>(Germany intends to keep conquered territory until the Allies seek -peace.—Cable dispatch, March, 1916)</p></div> - -<p><span class="pagenum"><a name="page_170" id="page_170">{170}</a></span> </p> - -<p><span class="pagenum"><a name="page_171" id="page_171">{171}</a></span> </p> - -<div class="figcenter" id="ill_087"> -<a href="images/ill_088.jpg"> -<img src="images/ill_088.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> “WHY CONTINUE THE STRUGGLE? CAN’T YOU SEE WE’VE WON ON -SEA AND LAND?”</p> - -<p>(Bethmann-Hollweg speaks in the Reichstag, March, 1916)</p></div> - -<p><span class="pagenum"><a name="page_172" id="page_172">{172}</a></span> </p> - -<p><span class="pagenum"><a name="page_173" id="page_173">{173}</a></span> </p> - -<div class="figcenter" id="ill_088"> -<a href="images/ill_089.jpg"> -<img src="images/ill_089.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> “NOW REMEMBER WHAT I TOLD YOU”</p></div> - -<p><span class="pagenum"><a name="page_174" id="page_174">{174}</a></span> </p> - -<p><span class="pagenum"><a name="page_175" id="page_175">{175}</a></span> </p> - -<div class="figcenter" id="ill_089"> -<a href="images/ill_090.jpg"> -<img src="images/ill_090.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> ATLAS</p></div> - -<p><span class="pagenum"><a name="page_176" id="page_176">{176}</a></span> </p> - -<p><span class="pagenum"><a name="page_177" id="page_177">{177}</a></span> </p> - -<div class="figcenter" id="ill_090"> -<a href="images/ill_091.jpg"> -<img src="images/ill_091.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THE GERMAN SUBMARINE COMMANDER’S ACCURATE CONCEPTION OF -THE BOAT HE BLEW UP</p> - -<p>(April 14, 1916)</p></div> - -<p><span class="pagenum"><a name="page_178" id="page_178">{178}</a></span> </p> - -<p><span class="pagenum"><a name="page_179" id="page_179">{179}</a></span> </p> - -<div class="figcenter" id="ill_091"> -<a href="images/ill_092.jpg"> -<img src="images/ill_092.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> “I CAN NOT TELL A LIE: HE DID IT WITH HIS LITTLE -SUBMARINE”</p></div> - -<p><span class="pagenum"><a name="page_180" id="page_180">{180}</a></span> </p> - -<p><span class="pagenum"><a name="page_181" id="page_181">{181}</a></span> </p> - -<div class="figcenter" id="ill_092"> -<a href="images/ill_093.jpg"> -<img src="images/ill_093.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> AWAITING ORDERS—WHICH FLAG?</p> - -<p>(April 21, 1916, before the German reply had been received)</p></div> - -<p><span class="pagenum"><a name="page_182" id="page_182">{182}</a></span> </p> - -<p><span class="pagenum"><a name="page_183" id="page_183">{183}</a></span> </p> - -<div class="figcenter" id="ill_093"> -<a href="images/ill_094.jpg"> -<img src="images/ill_094.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> “IT IS NOT GERMANY’S FAULT IF PEACE IS STILL WITHHELD -FROM THE NATIONS OF EUROPE”</p> - -<p>(From Germany’s reply to the American note on the submarine issue, May -8, 1916)</p></div> - -<p><span class="pagenum"><a name="page_184" id="page_184">{184}</a></span> </p> - -<p><span class="pagenum"><a name="page_185" id="page_185">{185}</a></span> </p> - -<div class="figcenter" id="ill_094"> -<a href="images/ill_095.jpg"> -<img src="images/ill_095.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> “GO EASY WITH THAT, JOHN!”</p></div> - -<p><span class="pagenum"><a name="page_186" id="page_186">{186}</a></span> </p> - -<p><span class="pagenum"><a name="page_187" id="page_187">{187}</a></span> </p> - -<div class="figcenter" id="ill_095"> -<a href="images/ill_096.jpg"> -<img src="images/ill_096.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> “UNCEASING WAS THE PLAY OF WRETCHED HANDS”</p> - -<p>—<i>Inferno</i>, Canto XIV</p></div> - -<p><span class="pagenum"><a name="page_188" id="page_188">{188}</a></span> </p> - -<p><span class="pagenum"><a name="page_189" id="page_189">{189}</a></span> </p> - -<div class="figcenter" id="ill_096"> -<a href="images/ill_097.jpg"> -<img src="images/ill_097.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> THIRSTY</p> - -<p>(May 14, 1916.—The British surrender at Kut-el-Amara, while the -Russians are moving south)</p></div> - -<p><span class="pagenum"><a name="page_190" id="page_190">{190}</a></span> </p> - -<p><span class="pagenum"><a name="page_191" id="page_191">{191}</a></span> </p> - -<div class="figcenter" id="ill_097"> -<a href="images/ill_098.jpg"> -<img src="images/ill_098.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> GRIEF</p> - -<p>(On the death of Lord Kitchener, June, 1916)</p></div> - -<p><span class="pagenum"><a name="page_192" id="page_192">{192}</a></span> </p> - -<p><span class="pagenum"><a name="page_193" id="page_193">{193}</a></span> </p> - -<div class="figcenter" id="ill_098"> -<a href="images/ill_099.jpg"> -<img src="images/ill_099.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> VIA VERDUN</p></div> - -<p><span class="pagenum"><a name="page_194" id="page_194">{194}</a></span> </p> - -<p><span class="pagenum"><a name="page_195" id="page_195">{195}</a></span> </p> - -<div class="figcenter" id="ill_099"> -<a href="images/ill_100.jpg"> -<img src="images/ill_100.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> “THE SITUATION CONTINUES SATISFACTORY”</p> - -<p>—<i>Official Report</i></p></div> - -<p><span class="pagenum"><a name="page_196" id="page_196">{196}</a></span> </p> - -<p><span class="pagenum"><a name="page_197" id="page_197">{197}</a></span> </p> - -<div class="figcenter" id="ill_100"> -<a href="images/ill_101.jpg"> -<img src="images/ill_101.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> MAY THE SPARKS NEVER REACH IT!</p></div> - -<p><span class="pagenum"><a name="page_198" id="page_198">{198}</a></span> </p> - -<p><span class="pagenum"><a name="page_199" id="page_199">{199}</a></span> </p> - -<div class="figcenter" id="ill_101"> -<a href="images/ill_102.jpg"> -<img src="images/ill_102.jpg" -height="600" -alt="[Image unavailable.]" /></a> -<p> “LET THE BUGLES SOUND THE TRUCE OF GOD TO THE WHOLE WORLD -FOREVER!”</p> - -<p>—<i>Charles Sumner</i></p></div> - -<p><span class="pagenum"><a name="page_200" id="page_200">{200}</a></span> </p> - -<p><span class="pagenum"><a name="page_201" id="page_201">{201}</a></span> </p> - -<div class="bbox"> -<p class="c"><i>IMPORTANT ART BOOKS</i></p> -<p class="nind"> -Published by SMALL, MAYNARD & COMPANY</p> -<p class="nind">ONE HUNDRED CARTOONS BY CESARE</p> - -<p>Brilliant and powerful interpretations of our times, by the man whose -recent change from the <i>New York Sun</i> to the <i>New York Evening Post</i> -gave the latter newspaper opportunity to congratulate itself on the good -fortune which had enabled it, when for the first time in its history it -decided to add a cartoonist to its regular staff, to obtain the services -of the ablest cartoonist in America. Cesare is more than a cartoonist: -he is an artist, and is known as such throughout this country, while his -work is reprinted in European periodicals more often than that of any -other American cartoonist. His greatness lies in his genius as an artist -as well as in the strength of the ideas that his drawings express.</p> - -<div class="blockquot2"><p>4to, boards, net, <b>$3.00</b>. Also, <i>edition de luxe</i>, printed on Japan -vellum, limited to 105 copies, each numbered and signed by the -artist, net <b>$7.50</b></p></div> - -<p> -<b>ART</b> </p><p class="rt">By Auguste Rodin -</p> - -<p>Translated from the French of <span class="smcap">Paul Gsell</span> by Mrs. <span class="smcap">Romilly Fedden</span></p> - -<p>“A faithful reproduction by Paul Gsell of conversations with Rodin, -showing his direct practical attitude towards life and the meaning of -art, and repeating his interesting observations and ideas on such -special phases as realism, nature, movement, thought and mystery in art. -A notable and unique work. Of the 106 beautiful illustrations in -half-tone and photogravure, 67 reproduce Rodin’s work."—<span class="smcap">American -Library Association</span> <i>Booklist</i>.</p> - -<div class="blockquot2"><p>8vo. With a frontispiece in photogravure and 105 other -illustrations. Buckram, net, <b>$3.50</b>; three-quarter levant, net, -<b>$7.50</b>. <i>Also</i>, large-paper edition, with 8 illustrations in -photogravure and 98 in half-tone. Buckram, net, <b>$7.50</b>; -three-quarter levant, net, <b>$15.00</b>.</p></div> - -<p> -<b>JAN VERMEER OF DELFT</b></p><p class="rt"> By Philip L. Hale<br /> -</p> - -<p>“At last we have a book in English on Vermeer—an extremely valuable, -popular account. We get from such a book as this not only an -interpretation of a particular artist’s art, but also of the art of -painting in general. Writing about Vermeer in <i>The Outlook</i> some years -ago, Mr. E. V. Lucas called him ‘the rarest and most fastidious of -masters.’ After reading Mr. Hale’s book one feels anew the justice of -that statement."—<i>Outlook.</i></p> - -<p>“The most elaborate stylistic analysis ever applied to any -artist."—<i>Nation.</i></p> - -<div class="blockquot2"><p>Large 8vo. With reproductions in color, in photogravure and in -half-tone of all of Vermeer’s known works, together with examples -of the work of some of his contemporaries. Buckram, net, <b>$10.00</b>; -three-quarter levant, net, <b>$20.00</b>.</p></div> - -<p> -<b>LEONARDO DA VINCI </b></p><p class="rt">By Jens Thiis -</p> - -<p>“A beautiful and original book which deserves the extravagant praise -that it is worthy of its subject. The most vital of recent contributions -to the comprehension of Leonardo. It is a magnificent collection of -great pictures and drawings, for not only Leonardo but all his -contemporaries are exquisitely represented in it."—<i>Pall Mall Gazette</i> -(London).</p> - -<div class="blockquot2"><p>Large 4to. With 277 illustrations reproduced in tints and in black -and white. Edition limited to 250 copies. Buckram, net, <b>$12.00</b>; -three-quarter levant, net, <b>$24.00</b>.</p></div> - -<p><b>CHURCH BUILDING</b> (<i>New and Enlarged Edition</i>)</p> - -<p class="r"> -By Ralph Adams Cram<br /> -</p> - -<p>A standard volume by one of the leading American architects, the head of -the department of architecture in the Massachusetts Institute of -Technology, setting forth the principles of architecture in their -relation to the church. 8vo. Cloth. Illustrated. Net, <b>$3.00</b>.</p> - -<p><b>LELY AND THE STUART PORTRAIT PAINTERS</b></p> - -<p><i>A Study of English Portraiture Before and After Van Dyck.</i></p> - -<p class="r"> -By C. H. Collins Baker<br /> -</p> - -<p>More than a hundred collections, including the finest private galleries -of England, were, by the courtesy of their owners, made available for -the study which the author gave to the preparation of this extraordinary -work, which covers English portraiture (omitting Van Dyck because he has -already been so frequently studied) from 1603 to 1723, or from Holbein -to Hogarth.</p> - -<div class="blockquot2"><p>Two volumes. Large Crown 4to. With 240 illustrations, of which -eight are in color and the others in collotype. Of the edition of -375 numbered copies (350 only for sale) printed on special rag -paper for the Medici Society, of London, 50 are reserved for the -United States. Three-quarter levant. Per set, net, <b>$60.00</b>.</p></div> -</div> - -<hr class="full" /> -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK ONE HUNDRED CARTOONS ***</div> -<div style='text-align:left'> - -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. -</div> - -<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br /> -<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br /> -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span> -</div> - -<div style='display:block; margin:1em 0'> -To protect the Project Gutenberg™ mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase “Project -Gutenberg”), you agree to comply with all the terms of the Full -Project Gutenberg™ License available with this file or online at -www.gutenberg.org/license. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works -</div> - -<div style='display:block; margin:1em 0'> -1.A. By reading or using any part of this Project Gutenberg™ -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg™ electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg™ electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the person -or entity to whom you paid the fee as set forth in paragraph 1.E.8. -</div> - -<div style='display:block; margin:1em 0'> -1.B. “Project Gutenberg” is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg™ electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg™ electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg™ -electronic works. See paragraph 1.E below. -</div> - -<div style='display:block; margin:1em 0'> -1.C. The Project Gutenberg Literary Archive Foundation (“the -Foundation” or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg™ electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg™ mission of promoting -free access to electronic works by freely sharing Project Gutenberg™ -works in compliance with the terms of this agreement for keeping the -Project Gutenberg™ name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg™ License when -you share it without charge with others. -</div> - -<div style='display:block; margin:1em 0'> -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg™ work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. -</div> - -<div style='display:block; margin:1em 0'> -1.E. Unless you have removed all references to Project Gutenberg: -</div> - -<div style='display:block; margin:1em 0'> -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg™ License must appear -prominently whenever any copy of a Project Gutenberg™ work (any work -on which the phrase “Project Gutenberg” appears, or with which the -phrase “Project Gutenberg” is associated) is accessed, displayed, -performed, viewed, copied or distributed: -</div> - -<blockquote> - <div style='display:block; margin:1em 0'> - This eBook is for the use of anyone anywhere in the United States and most - other parts of the world at no cost and with almost no restrictions - whatsoever. You may copy it, give it away or re-use it under the terms - of the Project Gutenberg License included with this eBook or online - at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you - are not located in the United States, you will have to check the laws - of the country where you are located before using this eBook. - </div> -</blockquote> - -<div style='display:block; margin:1em 0'> -1.E.2. If an individual Project Gutenberg™ electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase “Project -Gutenberg” associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg™ -trademark as set forth in paragraphs 1.E.8 or 1.E.9. -</div> - -<div style='display:block; margin:1em 0'> -1.E.3. If an individual Project Gutenberg™ electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg™ License for all works -posted with the permission of the copyright holder found at the -beginning of this work. -</div> - -<div style='display:block; margin:1em 0'> -1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg™. -</div> - -<div style='display:block; margin:1em 0'> -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg™ License. -</div> - -<div style='display:block; margin:1em 0'> -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg™ work in a format -other than “Plain Vanilla ASCII” or other format used in the official -version posted on the official Project Gutenberg™ website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original “Plain -Vanilla ASCII” or other form. Any alternate format must include the -full Project Gutenberg™ License as specified in paragraph 1.E.1. -</div> - -<div style='display:block; margin:1em 0'> -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg™ works -unless you comply with paragraph 1.E.8 or 1.E.9. -</div> - -<div style='display:block; margin:1em 0'> -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg™ electronic works -provided that: -</div> - -<div style='margin-left:0.7em;'> - <div style='text-indent:-0.7em'> - • You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg™ works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg™ trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, “Information about donations to the Project Gutenberg - Literary Archive Foundation.” - </div> - - <div style='text-indent:-0.7em'> - • You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg™ - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg™ - works. - </div> - - <div style='text-indent:-0.7em'> - • You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - </div> - - <div style='text-indent:-0.7em'> - • You comply with all other terms of this agreement for free - distribution of Project Gutenberg™ works. - </div> -</div> - -<div style='display:block; margin:1em 0'> -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg™ electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg™ trademark. Contact the Foundation as set -forth in Section 3 below. -</div> - -<div style='display:block; margin:1em 0'> -1.F. -</div> - -<div style='display:block; margin:1em 0'> -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg™ collection. Despite these efforts, Project Gutenberg™ -electronic works, and the medium on which they may be stored, may -contain “Defects,” such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. -</div> - -<div style='display:block; margin:1em 0'> -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right -of Replacement or Refund” described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg™ trademark, and any other party distributing a Project -Gutenberg™ electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. -</div> - -<div style='display:block; margin:1em 0'> -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. -</div> - -<div style='display:block; margin:1em 0'> -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. -</div> - -<div style='display:block; margin:1em 0'> -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. -</div> - -<div style='display:block; margin:1em 0'> -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg™ electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg™ -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg™ work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg™ work, and (c) any -Defect you cause. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 2. Information about the Mission of Project Gutenberg™ -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. -</div> - -<div style='display:block; margin:1em 0'> -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg™’s -goals and ensuring that the Project Gutenberg™ collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg™ and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at www.gutenberg.org. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 3. Information about the Project Gutenberg Literary Archive Foundation -</div> - -<div style='display:block; margin:1em 0'> -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation’s EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state’s laws. -</div> - -<div style='display:block; margin:1em 0'> -The Foundation’s business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation’s website -and official page at www.gutenberg.org/contact -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ depends upon and cannot survive without widespread -public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. -</div> - -<div style='display:block; margin:1em 0'> -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular state -visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>. -</div> - -<div style='display:block; margin:1em 0'> -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. -</div> - -<div style='display:block; margin:1em 0'> -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. -</div> - -<div style='display:block; margin:1em 0'> -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 5. General Information About Project Gutenberg™ electronic works -</div> - -<div style='display:block; margin:1em 0'> -Professor Michael S. Hart was the originator of the Project -Gutenberg™ concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg™ eBooks with only a loose network of -volunteer support. -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. -</div> - -<div style='display:block; margin:1em 0'> -Most people start at our website which has the main PG search -facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>. -</div> - -<div style='display:block; margin:1em 0'> -This website includes information about Project Gutenberg™, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. -</div> - -</div> - -</body> -</html> diff --git a/old/66242-h/images/colophon.png b/old/66242-h/images/colophon.png Binary files differdeleted file mode 100644 index a6696ff..0000000 --- a/old/66242-h/images/colophon.png +++ /dev/null diff --git a/old/66242-h/images/cover.jpg b/old/66242-h/images/cover.jpg Binary files differdeleted file mode 100644 index db85a9c..0000000 --- a/old/66242-h/images/cover.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_001.jpg b/old/66242-h/images/ill_001.jpg Binary files differdeleted file mode 100644 index 846b1ac..0000000 --- a/old/66242-h/images/ill_001.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_002.jpg b/old/66242-h/images/ill_002.jpg Binary files differdeleted file mode 100644 index e32a7e4..0000000 --- a/old/66242-h/images/ill_002.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_003.jpg b/old/66242-h/images/ill_003.jpg Binary files differdeleted file mode 100644 index faefd66..0000000 --- a/old/66242-h/images/ill_003.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_004.jpg b/old/66242-h/images/ill_004.jpg Binary files differdeleted file mode 100644 index f443172..0000000 --- a/old/66242-h/images/ill_004.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_005.jpg b/old/66242-h/images/ill_005.jpg Binary files differdeleted file mode 100644 index c14a571..0000000 --- a/old/66242-h/images/ill_005.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_006.jpg b/old/66242-h/images/ill_006.jpg Binary files differdeleted file mode 100644 index 402c47b..0000000 --- a/old/66242-h/images/ill_006.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_007.jpg b/old/66242-h/images/ill_007.jpg Binary files differdeleted file mode 100644 index ad350d5..0000000 --- a/old/66242-h/images/ill_007.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_008.jpg b/old/66242-h/images/ill_008.jpg Binary files differdeleted file mode 100644 index 3fa9fef..0000000 --- a/old/66242-h/images/ill_008.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_009.jpg b/old/66242-h/images/ill_009.jpg Binary files differdeleted file mode 100644 index e65b625..0000000 --- a/old/66242-h/images/ill_009.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_010.jpg b/old/66242-h/images/ill_010.jpg Binary files differdeleted file mode 100644 index f8099c8..0000000 --- a/old/66242-h/images/ill_010.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_011.jpg b/old/66242-h/images/ill_011.jpg Binary files differdeleted file mode 100644 index 1b3fe77..0000000 --- a/old/66242-h/images/ill_011.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_012.jpg b/old/66242-h/images/ill_012.jpg Binary files differdeleted file mode 100644 index b8cc0fe..0000000 --- a/old/66242-h/images/ill_012.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_013.jpg b/old/66242-h/images/ill_013.jpg Binary files differdeleted file mode 100644 index 5156af2..0000000 --- a/old/66242-h/images/ill_013.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_014.jpg b/old/66242-h/images/ill_014.jpg Binary files differdeleted file mode 100644 index 83f8439..0000000 --- a/old/66242-h/images/ill_014.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_015.jpg b/old/66242-h/images/ill_015.jpg Binary files differdeleted file mode 100644 index 897a134..0000000 --- a/old/66242-h/images/ill_015.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_016.jpg b/old/66242-h/images/ill_016.jpg Binary files differdeleted file mode 100644 index 18f2f39..0000000 --- a/old/66242-h/images/ill_016.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_017.jpg b/old/66242-h/images/ill_017.jpg Binary files differdeleted file mode 100644 index 18bb06b..0000000 --- a/old/66242-h/images/ill_017.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_018.jpg b/old/66242-h/images/ill_018.jpg Binary files differdeleted file mode 100644 index d457039..0000000 --- a/old/66242-h/images/ill_018.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_019.jpg b/old/66242-h/images/ill_019.jpg Binary files differdeleted file mode 100644 index 152459e..0000000 --- a/old/66242-h/images/ill_019.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_020.jpg b/old/66242-h/images/ill_020.jpg Binary files differdeleted file mode 100644 index 8e7a6e9..0000000 --- a/old/66242-h/images/ill_020.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_021.jpg b/old/66242-h/images/ill_021.jpg Binary files differdeleted file mode 100644 index 8a000bb..0000000 --- a/old/66242-h/images/ill_021.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_022.jpg b/old/66242-h/images/ill_022.jpg Binary files differdeleted file mode 100644 index 30e69d0..0000000 --- a/old/66242-h/images/ill_022.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_023.jpg b/old/66242-h/images/ill_023.jpg Binary files differdeleted file mode 100644 index cfae625..0000000 --- a/old/66242-h/images/ill_023.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_024.jpg b/old/66242-h/images/ill_024.jpg Binary files differdeleted file mode 100644 index b1d4795..0000000 --- a/old/66242-h/images/ill_024.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_025.jpg b/old/66242-h/images/ill_025.jpg Binary files differdeleted file mode 100644 index 0ce940d..0000000 --- a/old/66242-h/images/ill_025.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_026.jpg b/old/66242-h/images/ill_026.jpg Binary files differdeleted file mode 100644 index 388a71e..0000000 --- a/old/66242-h/images/ill_026.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_027.jpg b/old/66242-h/images/ill_027.jpg Binary files differdeleted file mode 100644 index 00838ba..0000000 --- a/old/66242-h/images/ill_027.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_028.jpg b/old/66242-h/images/ill_028.jpg Binary files differdeleted file mode 100644 index 757805a..0000000 --- a/old/66242-h/images/ill_028.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_029.jpg b/old/66242-h/images/ill_029.jpg Binary files differdeleted file mode 100644 index bb240ea..0000000 --- a/old/66242-h/images/ill_029.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_030.jpg b/old/66242-h/images/ill_030.jpg Binary files differdeleted file mode 100644 index 7e29333..0000000 --- a/old/66242-h/images/ill_030.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_031.jpg b/old/66242-h/images/ill_031.jpg Binary files differdeleted file mode 100644 index d68a500..0000000 --- a/old/66242-h/images/ill_031.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_032.jpg b/old/66242-h/images/ill_032.jpg Binary files differdeleted file mode 100644 index 4337265..0000000 --- a/old/66242-h/images/ill_032.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_033.jpg b/old/66242-h/images/ill_033.jpg Binary files differdeleted file mode 100644 index 1109ae0..0000000 --- a/old/66242-h/images/ill_033.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_034.jpg b/old/66242-h/images/ill_034.jpg Binary files differdeleted file mode 100644 index 2556aba..0000000 --- a/old/66242-h/images/ill_034.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_035.jpg b/old/66242-h/images/ill_035.jpg Binary files differdeleted file mode 100644 index dd5fe78..0000000 --- a/old/66242-h/images/ill_035.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_036.jpg b/old/66242-h/images/ill_036.jpg Binary files differdeleted file mode 100644 index fc7b43a..0000000 --- a/old/66242-h/images/ill_036.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_037.jpg b/old/66242-h/images/ill_037.jpg Binary files differdeleted file mode 100644 index 471cd0c..0000000 --- a/old/66242-h/images/ill_037.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_038.jpg b/old/66242-h/images/ill_038.jpg Binary files differdeleted file mode 100644 index 8a47b45..0000000 --- a/old/66242-h/images/ill_038.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_039.jpg b/old/66242-h/images/ill_039.jpg Binary files differdeleted file mode 100644 index 76861d1..0000000 --- a/old/66242-h/images/ill_039.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_040.jpg b/old/66242-h/images/ill_040.jpg Binary files differdeleted file mode 100644 index 548b48b..0000000 --- a/old/66242-h/images/ill_040.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_041.jpg b/old/66242-h/images/ill_041.jpg Binary files differdeleted file mode 100644 index b089aad..0000000 --- a/old/66242-h/images/ill_041.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_042.jpg b/old/66242-h/images/ill_042.jpg Binary files differdeleted file mode 100644 index 85846d1..0000000 --- a/old/66242-h/images/ill_042.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_043.jpg b/old/66242-h/images/ill_043.jpg Binary files differdeleted file mode 100644 index 6cdc4fc..0000000 --- a/old/66242-h/images/ill_043.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_044.jpg b/old/66242-h/images/ill_044.jpg Binary files differdeleted file mode 100644 index 641ad6f..0000000 --- a/old/66242-h/images/ill_044.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_045.jpg b/old/66242-h/images/ill_045.jpg Binary files differdeleted file mode 100644 index cbef8c8..0000000 --- a/old/66242-h/images/ill_045.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_046.jpg b/old/66242-h/images/ill_046.jpg Binary files differdeleted file mode 100644 index 61009db..0000000 --- a/old/66242-h/images/ill_046.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_047.jpg b/old/66242-h/images/ill_047.jpg Binary files differdeleted file mode 100644 index 27b95b5..0000000 --- a/old/66242-h/images/ill_047.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_048.jpg b/old/66242-h/images/ill_048.jpg Binary files differdeleted file mode 100644 index 4e2ad81..0000000 --- a/old/66242-h/images/ill_048.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_049.jpg b/old/66242-h/images/ill_049.jpg Binary files differdeleted file mode 100644 index 172541a..0000000 --- a/old/66242-h/images/ill_049.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_050.jpg b/old/66242-h/images/ill_050.jpg Binary files differdeleted file mode 100644 index ec5d7e7..0000000 --- a/old/66242-h/images/ill_050.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_051.jpg b/old/66242-h/images/ill_051.jpg Binary files differdeleted file mode 100644 index 6829343..0000000 --- a/old/66242-h/images/ill_051.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_052.jpg b/old/66242-h/images/ill_052.jpg Binary files differdeleted file mode 100644 index 6795699..0000000 --- a/old/66242-h/images/ill_052.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_053.jpg b/old/66242-h/images/ill_053.jpg Binary files differdeleted file mode 100644 index 87ee2f2..0000000 --- a/old/66242-h/images/ill_053.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_054.jpg b/old/66242-h/images/ill_054.jpg Binary files differdeleted file mode 100644 index 643628e..0000000 --- a/old/66242-h/images/ill_054.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_055.jpg b/old/66242-h/images/ill_055.jpg Binary files differdeleted file mode 100644 index ef73091..0000000 --- a/old/66242-h/images/ill_055.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_056.jpg b/old/66242-h/images/ill_056.jpg Binary files differdeleted file mode 100644 index 7d90e45..0000000 --- a/old/66242-h/images/ill_056.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_057.jpg b/old/66242-h/images/ill_057.jpg Binary files differdeleted file mode 100644 index 7aa2554..0000000 --- a/old/66242-h/images/ill_057.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_058.jpg b/old/66242-h/images/ill_058.jpg Binary files differdeleted file mode 100644 index 92671a3..0000000 --- a/old/66242-h/images/ill_058.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_059.jpg b/old/66242-h/images/ill_059.jpg Binary files differdeleted file mode 100644 index 734b19d..0000000 --- a/old/66242-h/images/ill_059.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_060.jpg b/old/66242-h/images/ill_060.jpg Binary files differdeleted file mode 100644 index 79931bc..0000000 --- a/old/66242-h/images/ill_060.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_061.jpg b/old/66242-h/images/ill_061.jpg Binary files differdeleted file mode 100644 index 6fb54da..0000000 --- a/old/66242-h/images/ill_061.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_062.jpg b/old/66242-h/images/ill_062.jpg Binary files differdeleted file mode 100644 index a86bc6b..0000000 --- a/old/66242-h/images/ill_062.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_063.jpg b/old/66242-h/images/ill_063.jpg Binary files differdeleted file mode 100644 index 807556f..0000000 --- a/old/66242-h/images/ill_063.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_064.jpg b/old/66242-h/images/ill_064.jpg Binary files differdeleted file mode 100644 index f65c74e..0000000 --- a/old/66242-h/images/ill_064.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_065.jpg b/old/66242-h/images/ill_065.jpg Binary files differdeleted file mode 100644 index 7e17eaa..0000000 --- a/old/66242-h/images/ill_065.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_066.jpg b/old/66242-h/images/ill_066.jpg Binary files differdeleted file mode 100644 index a77f990..0000000 --- a/old/66242-h/images/ill_066.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_067.jpg b/old/66242-h/images/ill_067.jpg Binary files differdeleted file mode 100644 index f2c1597..0000000 --- a/old/66242-h/images/ill_067.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_068.jpg b/old/66242-h/images/ill_068.jpg Binary files differdeleted file mode 100644 index 625888d..0000000 --- a/old/66242-h/images/ill_068.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_069.jpg b/old/66242-h/images/ill_069.jpg Binary files differdeleted file mode 100644 index e23b556..0000000 --- a/old/66242-h/images/ill_069.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_070.jpg b/old/66242-h/images/ill_070.jpg Binary files differdeleted file mode 100644 index 2c4906f..0000000 --- a/old/66242-h/images/ill_070.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_071.jpg b/old/66242-h/images/ill_071.jpg Binary files differdeleted file mode 100644 index d955bdb..0000000 --- a/old/66242-h/images/ill_071.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_072.jpg b/old/66242-h/images/ill_072.jpg Binary files differdeleted file mode 100644 index 55107f7..0000000 --- a/old/66242-h/images/ill_072.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_073.jpg b/old/66242-h/images/ill_073.jpg Binary files differdeleted file mode 100644 index 24f868d..0000000 --- a/old/66242-h/images/ill_073.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_074.jpg b/old/66242-h/images/ill_074.jpg Binary files differdeleted file mode 100644 index 69abcad..0000000 --- a/old/66242-h/images/ill_074.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_075.jpg b/old/66242-h/images/ill_075.jpg Binary files differdeleted file mode 100644 index 95ead1a..0000000 --- a/old/66242-h/images/ill_075.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_076.jpg b/old/66242-h/images/ill_076.jpg Binary files differdeleted file mode 100644 index 7a9db5b..0000000 --- a/old/66242-h/images/ill_076.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_077.jpg b/old/66242-h/images/ill_077.jpg Binary files differdeleted file mode 100644 index 82c4b09..0000000 --- a/old/66242-h/images/ill_077.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_078.jpg b/old/66242-h/images/ill_078.jpg Binary files differdeleted file mode 100644 index 2d4f7bd..0000000 --- a/old/66242-h/images/ill_078.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_079.jpg b/old/66242-h/images/ill_079.jpg Binary files differdeleted file mode 100644 index abcb108..0000000 --- a/old/66242-h/images/ill_079.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_080.jpg b/old/66242-h/images/ill_080.jpg Binary files differdeleted file mode 100644 index dbf7e8d..0000000 --- a/old/66242-h/images/ill_080.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_081.jpg b/old/66242-h/images/ill_081.jpg Binary files differdeleted file mode 100644 index 784c955..0000000 --- a/old/66242-h/images/ill_081.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_082.jpg b/old/66242-h/images/ill_082.jpg Binary files differdeleted file mode 100644 index 686ad2b..0000000 --- a/old/66242-h/images/ill_082.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_083.jpg b/old/66242-h/images/ill_083.jpg Binary files differdeleted file mode 100644 index 3aac2ae..0000000 --- a/old/66242-h/images/ill_083.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_084.jpg b/old/66242-h/images/ill_084.jpg Binary files differdeleted file mode 100644 index b5d3058..0000000 --- a/old/66242-h/images/ill_084.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_085.jpg b/old/66242-h/images/ill_085.jpg Binary files differdeleted file mode 100644 index 96e59e8..0000000 --- a/old/66242-h/images/ill_085.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_086.jpg b/old/66242-h/images/ill_086.jpg Binary files differdeleted file mode 100644 index 595799a..0000000 --- a/old/66242-h/images/ill_086.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_087.jpg b/old/66242-h/images/ill_087.jpg Binary files differdeleted file mode 100644 index ee79724..0000000 --- a/old/66242-h/images/ill_087.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_088.jpg b/old/66242-h/images/ill_088.jpg Binary files differdeleted file mode 100644 index a64fe4d..0000000 --- a/old/66242-h/images/ill_088.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_089.jpg b/old/66242-h/images/ill_089.jpg Binary files differdeleted file mode 100644 index 340941c..0000000 --- a/old/66242-h/images/ill_089.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_090.jpg b/old/66242-h/images/ill_090.jpg Binary files differdeleted file mode 100644 index ba750ed..0000000 --- a/old/66242-h/images/ill_090.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_091.jpg b/old/66242-h/images/ill_091.jpg Binary files differdeleted file mode 100644 index a5e0ba0..0000000 --- a/old/66242-h/images/ill_091.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_092.jpg b/old/66242-h/images/ill_092.jpg Binary files differdeleted file mode 100644 index 285f272..0000000 --- a/old/66242-h/images/ill_092.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_093.jpg b/old/66242-h/images/ill_093.jpg Binary files differdeleted file mode 100644 index be825a7..0000000 --- a/old/66242-h/images/ill_093.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_094.jpg b/old/66242-h/images/ill_094.jpg Binary files differdeleted file mode 100644 index 4c0228a..0000000 --- a/old/66242-h/images/ill_094.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_095.jpg b/old/66242-h/images/ill_095.jpg Binary files differdeleted file mode 100644 index 5b372f0..0000000 --- a/old/66242-h/images/ill_095.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_096.jpg b/old/66242-h/images/ill_096.jpg Binary files differdeleted file mode 100644 index 2d541c9..0000000 --- a/old/66242-h/images/ill_096.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_097.jpg b/old/66242-h/images/ill_097.jpg Binary files differdeleted file mode 100644 index 62a76ab..0000000 --- a/old/66242-h/images/ill_097.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_098.jpg b/old/66242-h/images/ill_098.jpg Binary files differdeleted file mode 100644 index 8460951..0000000 --- a/old/66242-h/images/ill_098.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_099.jpg b/old/66242-h/images/ill_099.jpg Binary files differdeleted file mode 100644 index 4021814..0000000 --- a/old/66242-h/images/ill_099.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_100.jpg b/old/66242-h/images/ill_100.jpg Binary files differdeleted file mode 100644 index 09a998d..0000000 --- a/old/66242-h/images/ill_100.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_101.jpg b/old/66242-h/images/ill_101.jpg Binary files differdeleted file mode 100644 index 95235dd..0000000 --- a/old/66242-h/images/ill_101.jpg +++ /dev/null diff --git a/old/66242-h/images/ill_102.jpg b/old/66242-h/images/ill_102.jpg Binary files differdeleted file mode 100644 index 745432f..0000000 --- a/old/66242-h/images/ill_102.jpg +++ /dev/null diff --git a/old/66242-h/images/title.png b/old/66242-h/images/title.png Binary files differdeleted file mode 100644 index 1b33349..0000000 --- a/old/66242-h/images/title.png +++ /dev/null |
