diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-01-22 17:40:07 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-01-22 17:40:07 -0800 |
| commit | 454d441642aea8be9c2b8dbddf4f3ddc39433ac2 (patch) | |
| tree | bce0bf97f73a63b784bda55c50f600094ecea830 | |
| parent | 487e5f848919cc494e7cdcfd414f0880ce1e3d05 (diff) | |
| -rw-r--r-- | .gitattributes | 4 | ||||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/66237-0.txt | 826 | ||||
| -rw-r--r-- | old/66237-0.zip | bin | 13630 -> 0 bytes | |||
| -rw-r--r-- | old/66237-h.zip | bin | 595435 -> 0 bytes | |||
| -rw-r--r-- | old/66237-h/66237-h.htm | 1388 | ||||
| -rw-r--r-- | old/66237-h/images/cover.jpg | bin | 161011 -> 0 bytes | |||
| -rw-r--r-- | old/66237-h/images/i_003a.jpg | bin | 14444 -> 0 bytes | |||
| -rw-r--r-- | old/66237-h/images/i_003b.jpg | bin | 13224 -> 0 bytes | |||
| -rw-r--r-- | old/66237-h/images/i_005.jpg | bin | 4212 -> 0 bytes | |||
| -rw-r--r-- | old/66237-h/images/i_006fp.jpg | bin | 107784 -> 0 bytes | |||
| -rw-r--r-- | old/66237-h/images/i_011fp.jpg | bin | 186088 -> 0 bytes | |||
| -rw-r--r-- | old/66237-h/images/i_016.jpg | bin | 28809 -> 0 bytes | |||
| -rw-r--r-- | old/66237-h/images/t_dropcap.jpg | bin | 9243 -> 0 bytes | |||
| -rw-r--r-- | old/66237-h/images/title_pg.jpg | bin | 60888 -> 0 bytes |
16 files changed, 17 insertions, 2214 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..58f864f --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #66237 (https://www.gutenberg.org/ebooks/66237) diff --git a/old/66237-0.txt b/old/66237-0.txt deleted file mode 100644 index ea052a3..0000000 --- a/old/66237-0.txt +++ /dev/null @@ -1,826 +0,0 @@ -The Project Gutenberg eBook of No-Time-Land, by M. J. C. Fulton - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: No-Time-Land - -Author: M. J. C. Fulton - -Release Date: September 7, 2021 [eBook #66237] - -Language: English - -Produced by: Donald Cummings and the Online Distributed Proofreading - Team at https://www.pgdp.net (This file was produced from - scans of public domain works at The National Library of - Australia.) - -*** START OF THE PROJECT GUTENBERG EBOOK NO-TIME-LAND *** - - - - - -[Illustration] - - - - - No-Time-Land . . - - - A STORY - FOR . . . - GIRLS AND BOYS. - - - . BY . - M. J. C. FULTON. - - - Tasmania: - PRINTED AT THE EXAMINER OFFICE, LAUNCESTON. - 1901. - - - - -[Illustration] - - - To all my dear little Nephews, Nieces, and - other little boys and girls, this Story is - dedicated, trusting they will derive both - amusement and profit from its pages. - - Wishing them all a “Happy New Century.” - - From their affectionate Aunt and Friend, - - MARY J. C. FULTON. - - LEITH, - TASMANIA, - DECEMBER, 1900. - - -[Illustration] - - - - - A STORY OF NO-TIME-LAND. - - - [Illustration] - - - CHAPTER I. - - -“Guy, come and play with me.” - -“Oh! I can’t, Tina, I have no time; I am going fishing soon with Urie -Cass.” - -“Oh, dear!” said the little voice; “you never get time, Guy, to have a -game.” - -“Cannot you have one game with her, sonny!” said his mother; “the wee -girlie is dull playing by herself all day.” - -“But mother, dear, I have no time now,” and so saying, Guy shouldered -his fishing rod and walked off. - -But his mother’s sad, grieved expression seemed to haunt him all day, -and his little sister’s voice echoed so in his ears, that the fishing -was not altogether such an enjoyable time as he expected. He got back -tired and hungry, and soon after tea he was glad to go to bed. - -He was just dropping off to sleep, when his eyes seemed to wander -to the open window, where the moonbeams were dancing in, as if they -had come to see what sort of a room it was, and what the inmate was -like. They are inquisitive little things, you know; both moonbeams and -sunbeams. They like to get into all the odd dark corners, and if people -are dirty and slovenly in their work, they show up the dust, and dirt, -as much as to say: “Oh, fie, for shame, you slovenly creatures!” - -Just as Guy’s eyes alighted on the windows he saw two ladies come -floating in on the moonbeams. “There he is,” one of them whispered, -“that is the little boy who has no time. Let us carry him off to -No-Time-Land.” - -[Illustration: “_He saw two ladies come floating in on the moonbeams._”] - -Guy was fascinated at the beauty of his visitors; so much so that he -never thought of hiding under the bed-clothes; but it would have been -little use if he had done so, for these kind of ladies see everything, -like the fairies of fairyland. They lifted him up; it was no use his -struggling, for he seemed quite powerless and unable to move a limb. -While they were carrying him, Guy noticed they were very pretty. -Gueldine, as her companion called her, had golden hair and large brown -eyes, with golden brown lashes and eyebrows, the other had chestnut -brown hair, and large blue eyes, with dark brown lashes and eyebrows; -her name was Crystal. - -They ought to have changed eyes, he thought: but perhaps they would not -have looked so nice? His eyes next went to their dresses. Gueldine’s -dress was pure white, with a gold thread interwoven through it, and a -gold sash with long ends. It gave her a very dazzling appearance. On -her hair she wore a crescent moon of diamonds and rubies. Crystal’s -dress was white, with silver interwoven, a silver sash with long ends; -in her hair were stars made of diamonds and sapphires. - -Away they went, over hills and water, then he caught sight of dim grey -hills in the distance, as they drew nearer to them the two ladies -exclaimed――“Here we are in No-Time-Land.” - -They floated across to the nearest town, and placed him on a bench in -the middle of one of the parks, as it was getting daylight, and said, -“Good-by, little boy, we have no time to stop,” and away they went. -Guy watched them till he could see them no longer, and as it was fast -getting daylight, and things were becoming clearer every minute, he -roused himself, as he found now he could move, and looked around. -Dear me! What a dreadful untidy-looking place; and so it was, for -papers were lying about everywhere. In the centre of the square was a -fountain, but it was broken; the wall round the basin was crumbling -and falling to pieces; the water seemed stagnant, the flower beds, and -grass lawns were overgrown with weeds, and everything looked sadly -neglected and forlorn. A boy came sauntering along, so Guy said to -him――“Boy; why does your park look so neglected and untidy?” The boy -stared at him. - -“Are you a stranger?” he asked at last. - -“Yes,” said Guy. - -“Well,” said the other; “no one has time here to put it right.” - -“Are they so busy,” asked Guy. - -“Too busy to answer your questions,” replied the other, and walked off. - -“No time either for manners,” shouted Guy; but the boy was out of -earshot, so did not hear. - -“I will go into the town,” he thought, “and see what it is like,” so -got up and strolled about; but everywhere he went the same neglect met -his eyes. He became very hungry after a while, and seeing a young woman -hurrying along, went up to her. - -“Is there any place here where I can get something to eat, please -ma’am,” asked Guy. - -“Oh! I have no time to talk to little boys,” she said. - -Again and again he asked the same question, and received the same -reply. He at last saw a pastry cook’s shop, and went in. People kept -coming in and ordering things, and, eating them, went out, saying, “I -have no time to pay, put it down.” A little girl came in and asked for -two penny buns. - -“Why don’t you pay for them?” asked Guy. - -“No one pays here,” she said, “we have no time.” - -How dreadfully dishonest, he thought. - -“Please ma’am,” said Guy, “I am so hungry, can you give me some bread -and butter and milk? but I have no money to pay for it.” - -She handed him a couple of rolls and some butter on a plate, also a -large tumbler of hot milk. - -“Never mind about money,” she said; “I have no time to take it. I will -just put it down,” and she immediately started to eat a cake. - -[Illustration: “_Never mind about money,” she said; “I have no time to -take it._”] - -Guy began to laugh, saying――“That’s a funny way to put it down.” - -“No time for anything else,” she replied. - -Guy sighed. I am getting quite tired hearing those words, he thought to -himself, “No time, no time,” always dinned into one’s ears. As he had -finished his meal he went out. - - - - - CHAPTER II. - - -Seeing a number of children going to school, he followed them in, and -sat down with them. - -They all started as the schoolmaster came in to sing―― - - We have no time to learn our lessons, - No time! no time at all, - We do not want to gain any sense, - As we have no sense like Paul. - -“I suppose Paul is the schoolmaster,” said Guy to the girl sitting next -to him. - -“What is your name?” she asked. - -“Guy,” he answered. - -Then they all began to sing again―― - - There was a little boy, - And he was called a guy, - He wished to know Oom Paul; - But like the rest of us, - He had no sense at all. - -Guy became very angry upon hearing this, and began himself to sing―― - - You have no sense at all! - You need not tell me so. - I’ve no time to talk to you, - So I’ll take my hat and go. - -“School is dismissed,” said the schoolmaster, “I have no time to-day to -hear lessons.” - -Guy went down a narrow lane, or passage, it seemed, as it was carpeted; -he saw a little boy crying. - -“What’s the matter?” said Guy. - -“I have no time to tell you,” he said. - -“Oh, rubbish,” said Guy; “make time.” - -The boy looked up in surprise. - -“Why that is what they used to say to me before I came down here. But I -am not clever, and I cannot make anything, not even time.” - -Guy was disgusted. - -“No;” he said, “stupids like you want a good beating, and I would like -to give you one, only I think it would be a waste of time to give you -even that.” - -“I did not know time had a waist,” said the boy. “I thought it was only -people.” - -“You thickhead,” said Guy, and walked off. - -“What funny words he uses,” said the boy “I wonder where he comes from? -But, oh dear; I have no time to think.” - -Almost at the end of the passage Guy came to a large eight-day clock; -he stood and gazed at it with surprise; and well he might. For the -clock was fixed upon a long stick; in the centre of the clock the eyes -and lips moved as if it was alive. Outside the face it had figures all -round, in order to tell the time of day. The arms and hands protruded -from the sides of the clock like numerous arms and hands; which gave -it rather an odd look. The pendulum hung below, swinging backwards and -forwards. Just as Guy was looking at him, the clock opened his mouth, -rolled up his eyes, and began to sing―― - - Tick, tick, I’m a clock upon a stick; - Never on a shelf I’ll stay; - But in this no-time-land - Upon a stick I’ll stand, - And my pendulum will wag all day. - -“Dear me,” said Guy; “I’ve heard something like that before; but it -sounds all wrong?” - -“Everything is wrong in this land,” said the clock. - -“How is that?” asked Guy. - -“No time,” said the clock. - -“Did you ever study?” again asked Guy. - -“Study?” questioned the clock, in a tone of surprise. “I have heard of -a person being in a brown study, if that is what you mean.” - -“No, no! Study the time,” said Guy. “If you studied time you might -manage to get along better, you know.” - -“Oh! I get along alright,” said the clock; “only if there is no time, -how can you study it?” He gave such a loud tick, and pulled such a -funny grimace that it frightened Guy, so he began to run; and, as he -turned the corner, seeing no one was after him, he stopped to take -breath, and there right in front of him was a large open piece of -ground, in the centre of which was a summer house, and roads branching -all ways from it, and sign-posts saying where each road led to. - -[Illustration] - - - - - CHAPTER III. - - -Guy read some of the signs. One was to the land Selfishness, another -to Forgetfulness. To the land of Put-off, and By-and-by. Another was I -Can’t and I Won’t. - -“Oh, dear! They are all as bad as the one I am in, and I’ve no time to -read any more. Dear! Dear! I am always saying no time myself now;” and, -feeling very miserable, he entered the arbour, sat down on one of the -cane chairs, and, putting his arms on the table, rested his head on -them. - -“What a dreadful muddle things have got into.” - -“Perhaps you have stirred up the mud,” said a voice. - -Guy started! “The only sensible thing I have heard yet,” he thought; -and, looking up, saw on the mantelpiece――he never noticed a fireplace -in the arbour before――a little old man holding a scroll. - -“May I ask your name, please sir?” said Guy. - -“Mr. Memory-Pricker,” replied the little man; “but I am called M.P. for -short.” - -“Why, that stands for member of Parliament too,” said Guy. - -“Well, it is the same thing,” answered the little man. “You see, -‘Parle’ in French means to speak. So it is meant, that I, an active -member, speak to, and prick up, people’s memories; it is what people -would call a play upon words; only you have a way of putting it -backwards.” - -“Please, sir, can you tell me why this is called No-Time-Land; at -least, how it got its name?” - -“Well, I think I can,” said the M.P. “You must have noticed people -hurrying along bent on some great purpose, but they never seem to -attain that purpose; or to put it still plainer, they want to do some -great thing, or even little things, but they never get time, they say, -to do them, so all their great and little ideas end in simple talk. -Consequently, and in fact, all lazy people who say they have no time, -are sent to No-Time-Land.” - -“Do they ever leave here? Mr. M.P.” - -“Sometimes,” said the little man, “when they stray into my arbour, I -prick up their memories; they occasionally turn over a new leaf then, -if they wish to overcome their bad habits; but it is not often,” sighed -he, “not often!” - -“May I ask what you use the scroll for, please sir?” - -“Yes; this is my scrap book. I am a collector of poetry, wise sayings, -and various other things of interest. Here is a piece――you may like to -read.” - -Guy got up and went close to the scroll, and read these lines―― - - No time like the present - To do the things that are right; - If you let your chances slip, - They may vanish from your sight. - - Then do the thing that’s right, - Find time to help another; - Let love be the golden rule, - No time lost in endeavour. - -“I like that,” said Guy. “I think I will have a try, too.” - -“Small beginnings may lead to great endings,” said the Memory Pricker. - -Ting, ting, went a bell. A great noise arose. Guy hurried out to see -what it was all about. People were hurrying along, shouting “Kill him! -Kill him! Kill him!” - -“Kill who?” cried Guy, running up to a small boy. - -“Time, of course;” said the boy. - -“But why kill him,” cried Guy. “What has he done?” - -“You simpleton,” said the other, “have you never heard of ‘People -killing time’ or ‘Murdering the time’?” - -“Yes I have,” remarked Guy; “but instead of ‘Killing’ him, suppose -you try and ‘Keep’ time my boy?” so saying, Guy stuck out his leg and -tripped him up. Guy heard Mr. Time laugh and shout out―― - - Tick, tick, said the clock upon a stick, - “Pride will have a fall,” they say. - -But Guy heard no more, for he had to run, as the little boy was chasing -him. He ran and ran till he was nearly out of breath, and thought the -boy would soon catch him, as he was gaining on him fast. - -When he heard someone shaking him, and saying, “Guy, dear! Guy, wake -up! the breakfast bell has rung, and you will be late for school.” - -“Oh! Mother,” said Guy, “can it all be only a dream?” - -“Yes, sonny; you have been very fast asleep; but hurry, now, and you -can tell me your dream as soon as you are dressed.” - -While he was eating his breakfast, he told his mother his dream. - -“Was it not a strange dream, Mother?” - -“Yes, dearie; but strange dreams are often sent us for some wise -purpose, if we have only the wisdom to understand the meaning of them.” - -“You mean, Mother, it was sent to break me of my fault of always saying -‘I have no time.’” - -His mother smiled, and said “Just that, sonny!” - -In after years, Guy used to say that dream of his was at the bottom -of all his success in life, as he mastered a bad fault, and at last -quite gave up saying “I have no time,” but always “found time” for -everything, not only in doing his own work, but also in helping others, -so that his life became a truly happy and useful one. - -And now, dear little readers, will you also try and overcome your -faults? Not in your own strength, for then you will surely fail; but -in the strength of Him, who said “Be ye perfect, even as your Father -in Heaven is perfect.” Then you, too, can claim the promise, which is -this:――“He that overcometh shall inherit all things, and I will be his -God, and he shall be my son.”――Rev. xxi. 7. - - “Time is short, - If idly spent, no art or care - Time’s blessing can restore; - And God requires a strict account - For every misspent hour.” - - - - - _Printed at The Examiner Office, - Launceston, Tasmania._ - - - - -Transcriber’s Notes: - -――Text in italics is enclosed by underscores (_italics_). - -――Punctuation and spelling inaccuracies were silently corrected. - -*** END OF THE PROJECT GUTENBERG EBOOK NO-TIME-LAND *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you will have to check the laws of the country where - you are located before using this eBook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that: - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg-tm trademark. Contact the Foundation as set -forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - -Section 3. Information about the Project Gutenberg Literary -Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation's website -and official page at www.gutenberg.org/contact - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without -widespread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our website which has the main PG search -facility: www.gutenberg.org - -This website includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. diff --git a/old/66237-0.zip b/old/66237-0.zip Binary files differdeleted file mode 100644 index 053e1f6..0000000 --- a/old/66237-0.zip +++ /dev/null diff --git a/old/66237-h.zip b/old/66237-h.zip Binary files differdeleted file mode 100644 index 38897d9..0000000 --- a/old/66237-h.zip +++ /dev/null diff --git a/old/66237-h/66237-h.htm b/old/66237-h/66237-h.htm deleted file mode 100644 index ecdec15..0000000 --- a/old/66237-h/66237-h.htm +++ /dev/null @@ -1,1388 +0,0 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" - "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> -<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> - <head> - <meta http-equiv="Content-Type" content="text/html;charset=utf-8" /> - <meta http-equiv="Content-Style-Type" content="text/css" /> - - <title> - No-Time-Land, by M. J. C. Fulton—A Project Gutenberg eBook - </title> - - <link rel="coverpage" href="images/cover.jpg" /> - - <style type="text/css"> - -/* DACSoft styles */ - -body { - margin-left: 10%; - margin-right: 10%; -} - -/* General headers */ -h1 { - page-break-before: always; - text-align: center; - clear: both; -} - -/* Chapter headers */ -h2 { - text-align: center; - font-weight: bold; - margin: .75em 0; -} - -div.chapter { - page-break-before: always; -} - -h2.nobreak { - page-break-before: avoid; -} - -/* Indented paragraph */ -p { - margin-top: .51em; - margin-bottom: .49em; - text-align: justify; - text-indent: 1em; -} - -/* Unindented paragraph */ -.noi {text-indent: 0em;} - -/* Centered unindented paragraph */ -.noic { - text-indent: 0em; - text-align: center; -} - -/* Drop caps */ -p.cap {text-indent: 0em;} - -p.cap:first-letter { - float: left; - padding-right: 3px; - font-size: 250%; - line-height: 83%; -} - -.x-ebookmaker p.cap:first-letter { - float: left; - padding-right: 3px; - font-size: 250%; - line-height: 83%; -} - -/* Illustrated drop caps */ -img.drop-cap { - float: left; - margin: 0 .75em 0 0; -} - -p.drop-cap {text-indent: 0em;} - -p.drop-cap:first-letter { - color: transparent; - visibility: hidden; - margin-left: -1em; -} - -.x-ebookmaker img.drop-cap { - float: left; - margin: 0 .75em 0 0; -} - -.x-ebookmaker p.drop-cap:first-letter { - color: transparent; - visibility: hidden; - margin-left: -1em; -} - -/* Non-standard paragraph margins */ -.p2 {margin-top: 2em;} -.p4 {margin-top: 4em;} - -.pad2 { - margin-top: 2em; - margin-bottom: 2em; -} - -/* Horizontal rules */ -hr { - width: 33%; - margin-top: 2em; - margin-bottom: 2em; - margin-left: 33.5%; - margin-right: 33.5%; - clear: both; -} - -hr.chap { - width: 65%; - margin-left: 17.5%; - margin-right: 17.5%; -} - -/* Physical book page and line numbers */ -.pagenum { /* uncomment the next line for invisible page numbers */ - /* visibility: hidden; */ - position: absolute; - right: 3%; -/* left: 92%; */ - font-size: x-small; - font-style: normal; - font-weight: normal; - font-variant: normal; - text-align: right; - color: gray; -} /* page numbers */ - -/* Blockquotes */ -.blockquot { - margin-top: 1em; - margin-left: 20%; - margin-right: 20%; - margin-bottom: 1em; -} - -/* Alignment */ -.right {text-align: right;} - -/* Text appearance */ -.smcap {font-variant: small-caps;} - -.oldenglish {font-family: "Old English Text MT", - "Engravers Old English BT", - "Old English", - "Collins Old English", - "New Old English", - serif; -} - -/* Small fonts and lowercase small-caps */ -.smfont { - font-size: .8em; -} - -/* Illustration caption */ -.caption { - font-size: .75em; - font-weight: bold; -} - -/* Images */ -img { - max-width: 100%; /* no image to be wider than screen or containing div */ - height:auto; /* keep height in proportion to width */ -} - -.illowe3 {width: 3em;} - -.illowe10 {width: 10em;} - -.figcenter { - margin: auto; - text-align: center; - page-break-inside: avoid; - max-width: 90%; /* div no wider than screen, even when screen is narrow */ -} - -/* Poetry */ -.poetry { - display: block; - text-align: left; - margin-left: 10%; - margin-right: 10%; -} - -.poetry .stanza {margin: 1em auto;} - -.poetry .verse { - padding-left: 3em; - text-indent: -3em; -} - -/* Poetry indents */ -.poetry .indent0 {padding-left: 3em;} -.poetry .indent2 {padding-left: 4em;} - -/* Transcriber's notes */ -.tnote { - background-color: #E6E6FA; - margin-left: 10%; - margin-right: 10%; - padding: .5em; -} - -.tntitle { - font-size: 1.25em; - font-weight: bold; - text-align: center; - clear: both; -} - -/* Title page borders and content. */ -.title { - font-size: 1.75em; - font-weight: bold; - text-align: center; - clear: both; -} - -.subtitle { - font-size: 1.5em; - text-align: center; - clear: both; -} - -.author { - font-size: 1.25em; - text-align: center; - clear: both; -} - -/* Indents. */ -.ident1 { - padding-left: 1em; -} - -.ident2 { - padding-left: 2em; -} - - </style> - </head> -<body> -<p style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of No-Time-Land, by M. J. C. Fulton</p> -<div style='display:block; margin:1em 0'> -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: No-Time-Land</p> - <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: M. J. C. Fulton</p> -<p style='display:block; text-indent:0; margin:1em 0'>Release Date: September 7, 2021 [eBook #66237]</p> -<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p> - <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: Donald Cummings and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from scans of public domain works at The National Library of Australia.)</p> -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK NO-TIME-LAND ***</div> - - -<div class="figcenter" id="cover"> - <img src="images/cover.jpg" alt="cover" title="cover" /> -</div> - - - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<div class="figcenter" id="title_pg"> - <img src="images/title_pg.jpg" alt="title page" title="title page" /> -</div> -</div> - - - - -<hr class="chap x-ebookmaker-drop" /> - -<h1>No-Time-Land . .</h1> - -<p class="p2 noi subtitle">A STORY</p> - -<p class="noic">FOR . . .</p> - -<p class="noi subtitle">GIRLS AND BOYS.</p> - -<p class="p2 noic">. BY .</p> - -<p class="noi author smcap">M. J. C. Fulton.</p> - -<p class="p4 noic"><span class="oldenglish">Tasmania:</span><br /> -<span class="smcap">Printed at The Examiner Office, Launceston</span>.<br /> -1901.</p> - - - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<div class="blockquot"> -<div class="pad2"> -<div class="figcenter" id="i_003a"> - <img class="illowe10" src="images/i_003a.jpg" alt="decoration" title="decoration" /> -</div> -</div> - -<div><img class="drop-cap illowe3" src="images/t_dropcap.jpg" alt="T" title="T" /></div> -<p class="drop-cap">To all my dear little Nephews, Nieces, -and other little boys and girls, this -Story is dedicated, trusting they will derive both -amusement and profit from its pages.</p> - -<p>Wishing them all a “Happy New Century.”</p> - -<p>From their affectionate Aunt and Friend,</p> - -<p class="right">MARY J. C. FULTON.</p> - -<p class="noi"><span class="smcap">Leith,</span><br /> -<span class="ident1 smcap">Tasmania,</span><br /> -<span class="ident2 smcap">December, 1900.</span></p> - -<div class="pad2"> -<div class="figcenter" id="i_003b"> - <img class="illowe10" src="images/i_003b.jpg" alt="decoration" title="decoration" /> -</div> -</div> -</div> -</div> - - - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<p><span class="pagenum"><a id="Page_5"></a>[5]</span></p> - -<p class="noi title">A STORY OF NO-TIME-LAND.</p> - -<div class="figcenter" id="i_005"> - <img class="illowe10" src="images/i_005.jpg" alt="chapter decoration" title="chapter decoration" /> -</div> - -<h2 class="nobreak" id="CHAPTER_I">CHAPTER I.</h2> -</div> - - -<p class="cap">“Guy, come and play with me.”</p> - -<p>“Oh! I can’t, Tina, I have no time; -I am going fishing soon with Urie Cass.”</p> - -<p>“Oh, dear!” said the little voice; “you -never get time, Guy, to have a game.”</p> - -<p>“Cannot you have one game with her, -sonny!” said his mother; “the wee girlie is -dull playing by herself all day.”</p> - -<p>“But mother, dear, I have no time now,” -and so saying, Guy shouldered his fishing -rod and walked off.</p> - -<p>But his mother’s sad, grieved expression -seemed to haunt him all day, and his little -sister’s voice echoed so in his ears, that the -fishing was not altogether such an enjoyable<span class="pagenum"><a id="Page_6"></a>[6]</span> -time as he expected. He got back tired -and hungry, and soon after tea he was glad -to go to bed.</p> - -<p>He was just dropping off to sleep, when his -eyes seemed to wander to the open window, -where the moonbeams were dancing in, as -if they had come to see what sort of a room -it was, and what the inmate was like. They -are inquisitive little things, you know; both -moonbeams and sunbeams. They like to -get into all the odd dark corners, and if -people are dirty and slovenly in their work, -they show up the dust, and dirt, as much as -to say: “Oh, fie, for shame, you slovenly -creatures!”</p> - -<p>Just as Guy’s eyes alighted on the windows -<a href="#i_006fp">he saw two ladies come floating in on the -moonbeams</a>. “There he is,” one of them -whispered, “that is the little boy who has no -time. Let us carry him off to No-Time-Land.”</p> - -<div class="figcenter" id="i_006fp"> - <img src="images/i_006fp.jpg" alt="" title="" /> - <div class="caption"> - <p class="noic"><a href="#Page_6">“<i>He saw two ladies come floating in on the moonbeams.</i>”</a></p> - </div> -</div> - -<p><span class="pagenum"><a id="Page_7"></a>[7]</span></p> - -<p>Guy was fascinated at the beauty of his -visitors; so much so that he never thought -of hiding under the bed-clothes; but it would -have been little use if he had done so, for -these kind of ladies see everything, like the -fairies of fairyland. They lifted him up; it -was no use his struggling, for he seemed -quite powerless and unable to move a limb. -While they were carrying him, Guy noticed -they were very pretty. Gueldine, as her -companion called her, had golden hair and -large brown eyes, with golden brown lashes -and eyebrows, the other had chestnut brown -hair, and large blue eyes, with dark brown -lashes and eyebrows; her name was Crystal.</p> - -<p>They ought to have changed eyes, he -thought: but perhaps they would not have -looked so nice? His eyes next went to their -dresses. Gueldine’s dress was pure white, -with a gold thread interwoven through it, and -a gold sash with long ends. It gave her<span class="pagenum"><a id="Page_8"></a>[8]</span> -a very dazzling appearance. On her hair -she wore a crescent moon of diamonds and -rubies. Crystal’s dress was white, with -silver interwoven, a silver sash with long -ends; in her hair were stars made of -diamonds and sapphires.</p> - -<p>Away they went, over hills and water, then -he caught sight of dim grey hills in the -distance, as they drew nearer to them the -two ladies exclaimed—“Here we are in No-Time-Land.”</p> - -<p>They floated across to the nearest town, -and placed him on a bench in the middle of -one of the parks, as it was getting daylight, -and said, “Good-by, little boy, we have no -time to stop,” and away they went. Guy -watched them till he could see them no -longer, and as it was fast getting daylight, -and things were becoming clearer every -minute, he roused himself, as he found now -he could move, and looked around. Dear<span class="pagenum"><a id="Page_9"></a>[9]</span> -me! What a dreadful untidy-looking place; -and so it was, for papers were lying about -everywhere. In the centre of the square -was a fountain, but it was broken; the wall -round the basin was crumbling and falling -to pieces; the water seemed stagnant, the -flower beds, and grass lawns were overgrown -with weeds, and everything looked -sadly neglected and forlorn. A boy came -sauntering along, so Guy said to him—“Boy; -why does your park look so neglected -and untidy?” The boy stared at him.</p> - -<p>“Are you a stranger?” he asked at last.</p> - -<p>“Yes,” said Guy.</p> - -<p>“Well,” said the other; “no one has time -here to put it right.”</p> - -<p>“Are they so busy,” asked Guy.</p> - -<p>“Too busy to answer your questions,” replied -the other, and walked off.</p> - -<p>“No time either for manners,” shouted -Guy; but the boy was out of earshot, so did -not hear.</p> - -<p><span class="pagenum"><a id="Page_10"></a>[10]</span></p> - -<p>“I will go into the town,” he thought, “and -see what it is like,” so got up and strolled -about; but everywhere he went the same -neglect met his eyes. He became very hungry -after a while, and seeing a young woman -hurrying along, went up to her.</p> - -<p>“Is there any place here where I can get -something to eat, please ma’am,” asked Guy.</p> - -<p>“Oh! I have no time to talk to little -boys,” she said.</p> - -<p>Again and again he asked the same question, -and received the same reply. He at -last saw a pastry cook’s shop, and went in. -People kept coming in and ordering things, -and, eating them, went out, saying, “I have -no time to pay, put it down.” A little girl -came in and asked for two penny buns.</p> - -<p>“Why don’t you pay for them?” asked -Guy.</p> - -<p>“No one pays here,” she said, “we have no -time.”</p> - -<p><span class="pagenum"><a id="Page_11"></a>[11]</span></p> - -<p>How dreadfully dishonest, he thought.</p> - -<p>“Please ma’am,” said Guy, “I am so hungry, -can you give me some bread and butter -and milk? but I have no money to pay for -it.”</p> - -<p>She handed him a couple of rolls and -some butter on a plate, also a large tumbler -of hot milk.</p> - -<p><a href="#i_011fp">“Never mind about money,” she said; “I -have no time to take it.</a> I will just put it -down,” and she immediately started to eat a -cake.</p> - -<div class="figcenter" id="i_011fp"> - <img src="images/i_011fp.jpg" alt="" title="" /> - <div class="caption"> - <p class="noic"><a href="#Page_11">“<i>Never mind about money,” she said; “I have no time to take it.</i>”</a></p> - </div> -</div> - -<p>Guy began to laugh, saying—“That’s a -funny way to put it down.”</p> - -<p>“No time for anything else,” she replied.</p> - -<p>Guy sighed. I am getting quite tired -hearing those words, he thought to himself, -“No time, no time,” always dinned into one’s -ears. As he had finished his meal he went -out.</p> - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<p><span class="pagenum"><a id="Page_12"></a>[12]</span></p> - -<h2 class="nobreak" id="CHAPTER_II">CHAPTER II.</h2> -</div> - - -<p>Seeing a number of children going to -school, he followed them in, and sat down -with them.</p> - -<p>They all started as the schoolmaster came -in to sing—</p> - -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0">We have no time to learn our lessons,</div> - <div class="verse indent2">No time! no time at all,</div> - <div class="verse indent0">We do not want to gain any sense,</div> - <div class="verse indent2">As we have no sense like Paul.</div> - </div> -</div> - -<p>“I suppose Paul is the schoolmaster,” said -Guy to the girl sitting next to him.</p> - -<p>“What is your name?” she asked.</p> - -<p>“Guy,” he answered.</p> - -<p>Then they all began to sing again—</p> - -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0">There was a little boy,</div> - <div class="verse indent2">And he was called a guy,</div> - <div class="verse indent0">He wished to know Oom Paul;</div> - <div class="verse indent2">But like the rest of us,</div> - <div class="verse indent0">He had no sense at all.</div> - </div> -</div> - -<p><span class="pagenum"><a id="Page_13"></a>[13]</span></p> - -<p>Guy became very angry upon hearing this, -and began himself to sing—</p> - -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0">You have no sense at all!</div> - <div class="verse indent2">You need not tell me so.</div> - <div class="verse indent0">I’ve no time to talk to you,</div> - <div class="verse indent2">So I’ll take my hat and go.</div> - </div> -</div> - -<p>“School is dismissed,” said the schoolmaster, -“I have no time to-day to hear lessons.”</p> - -<p>Guy went down a narrow lane, or passage, -it seemed, as it was carpeted; he saw -a little boy crying.</p> - -<p>“What’s the matter?” said Guy.</p> - -<p>“I have no time to tell you,” he said.</p> - -<p>“Oh, rubbish,” said Guy; “make time.”</p> - -<p>The boy looked up in surprise.</p> - -<p>“Why that is what they used to say to me -before I came down here. But I am not -clever, and I cannot make anything, not -even time.”</p> - -<p>Guy was disgusted.</p> - -<p><span class="pagenum"><a id="Page_14"></a>[14]</span></p> - -<p>“No;” he said, “stupids like you want a -good beating, and I would like to give you -one, only I think it would be a waste of time -to give you even that.”</p> - -<p>“I did not know time had a waist,” said -the boy. “I thought it was only people.”</p> - -<p>“You thickhead,” said Guy, and walked -off.</p> - -<p>“What funny words he uses,” said the boy -“I wonder where he comes from? But, oh -dear; I have no time to think.”</p> - -<p>Almost at the end of the passage Guy -came to a large eight-day clock; he stood -and gazed at it with surprise; and well he -might. For the clock was fixed upon a -long stick; in the centre of the clock the -eyes and lips moved as if it was alive. Outside -the face it had figures all round, in order -to tell the time of day. The arms and hands -protruded from the sides of the clock like -numerous arms and hands; which gave it<span class="pagenum"><a id="Page_15"></a>[15]</span> -rather an odd look. The pendulum hung -below, swinging backwards and forwards. -Just as Guy was looking at him, the clock -opened his mouth, rolled up his eyes, and -began to sing—</p> - -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0">Tick, tick, I’m a clock upon a stick;</div> - <div class="verse indent2">Never on a shelf I’ll stay;</div> - <div class="verse indent0">But in this no-time-land</div> - <div class="verse indent0">Upon a stick I’ll stand,</div> - <div class="verse indent2">And my pendulum will wag all day.</div> - </div> -</div> - -<p>“Dear me,” said Guy; “I’ve heard something -like that before; but it sounds all -wrong?”</p> - -<p>“Everything is wrong in this land,” said -the clock.</p> - -<p>“How is that?” asked Guy.</p> - -<p>“No time,” said the clock.</p> - -<p>“Did you ever study?” again asked Guy.</p> - -<p>“Study?” questioned the clock, in a tone -of surprise. “I have heard of a person -being in a brown study, if that is what you -mean.”</p> - -<p><span class="pagenum"><a id="Page_16"></a>[16]</span></p> - -<p>“No, no! Study the time,” said Guy. “If -you studied time you might manage to get -along better, you know.”</p> - -<p>“Oh! I get along alright,” said the clock; -“only if there is no time, how can you study -it?” He gave such a loud tick, and pulled -such a funny grimace that it frightened Guy, -so he began to run; and, as he turned the -corner, seeing no one was after him, he -stopped to take breath, and there right in -front of him was a large open piece of -ground, in the centre of which was a summer -house, and roads branching all ways -from it, and sign-posts saying where each -road led to.</p> - -<div class="figcenter" id="i_016"> - <img class="illowe10" src="images/i_016.jpg" alt="chapter decoration" title="chapter decoration" /> -</div> - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<p><span class="pagenum"><a id="Page_17"></a>[17]</span></p> - -<h2 class="nobreak" id="CHAPTER_III">CHAPTER III.</h2> -</div> - - -<p>Guy read some of the signs. One was to -the land Selfishness, another to Forgetfulness. -To the land of Put-off, and By-and-by. -Another was I Can’t and I Won’t.</p> - -<p>“Oh, dear! They are all as bad as the one -I am in, and I’ve no time to read any more. -Dear! Dear! I am always saying no time -myself now;” and, feeling very miserable, -he entered the arbour, sat down on one of -the cane chairs, and, putting his arms on the -table, rested his head on them.</p> - -<p>“What a dreadful muddle things have got -into.”</p> - -<p>“Perhaps you have stirred up the mud,” -said a voice.</p> - -<p>Guy started! “The only sensible thing I -have heard yet,” he thought; and, looking<span class="pagenum"><a id="Page_18"></a>[18]</span> -up, saw on the mantelpiece—he never noticed -a fireplace in the arbour before—a little old -man holding a scroll.</p> - -<p>“May I ask your name, please sir?” said -Guy.</p> - -<p>“Mr. Memory-Pricker,” replied the little -man; “but I am called M.P. for short.”</p> - -<p>“Why, that stands for member of Parliament -too,” said Guy.</p> - -<p>“Well, it is the same thing,” answered the -little man. “You see, ‘Parle’ in French -means to speak. So it is meant, that I, -an active member, speak to, and prick up, -people’s memories; it is what people would -call a play upon words; only you have a way -of putting it backwards.”</p> - -<p>“Please, sir, can you tell me why this is -called No-Time-Land; at least, how it got -its name?”</p> - -<p>“Well, I think I can,” said the M.P. “You -must have noticed people hurrying along<span class="pagenum"><a id="Page_19"></a>[19]</span> -bent on some great purpose, but they never -seem to attain that purpose; or to put it still -plainer, they want to do some great thing, -or even little things, but they never get time, -they say, to do them, so all their great and -little ideas end in simple talk. Consequently, -and in fact, all lazy people who say they -have no time, are sent to No-Time-Land.”</p> - -<p>“Do they ever leave here? Mr. M.P.”</p> - -<p>“Sometimes,” said the little man, “when -they stray into my arbour, I prick up their -memories; they occasionally turn over a new -leaf then, if they wish to overcome their -bad habits; but it is not often,” sighed he, -“not often!”</p> - -<p>“May I ask what you use the scroll for, -please sir?”</p> - -<p>“Yes; this is my scrap book. I am a -collector of poetry, wise sayings, and various -other things of interest. Here is a piece—you -may like to read.”</p> - -<p><span class="pagenum"><a id="Page_20"></a>[20]</span></p> - -<p>Guy got up and went close to the scroll, -and read these lines—</p> - -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0">No time like the present</div> - <div class="verse indent2">To do the things that are right;</div> - <div class="verse indent0">If you let your chances slip,</div> - <div class="verse indent2">They may vanish from your sight.</div> - </div> - - <div class="stanza"> - <div class="verse indent0">Then do the thing that’s right,</div> - <div class="verse indent2">Find time to help another;</div> - <div class="verse indent0">Let love be the golden rule,</div> - <div class="verse indent2">No time lost in endeavour.</div> - </div> -</div> - -<p>“I like that,” said Guy. “I think I will -have a try, too.”</p> - -<p>“Small beginnings may lead to great endings,” -said the Memory Pricker.</p> - -<p>Ting, ting, went a bell. A great noise -arose. Guy hurried out to see what it was -all about. People were hurrying along, -shouting “Kill him! Kill him! Kill him!”</p> - -<p>“Kill who?” cried Guy, running up to a -small boy.</p> - -<p>“Time, of course;” said the boy.</p> - -<p><span class="pagenum"><a id="Page_21"></a>[21]</span></p> - -<p>“But why kill him,” cried Guy. “What -has he done?”</p> - -<p>“You simpleton,” said the other, “have -you never heard of ‘People killing time’ or -‘Murdering the time’?”</p> - -<p>“Yes I have,” remarked Guy; “but instead -of ‘Killing’ him, suppose you try and ‘Keep’ -time my boy?” so saying, Guy stuck out his -leg and tripped him up. Guy heard Mr. Time -laugh and shout out—</p> - -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0">Tick, tick, said the clock upon a stick,</div> - <div class="verse indent0">“Pride will have a fall,” they say.</div> - </div> -</div> - -<p>But Guy heard no more, for he had to -run, as the little boy was chasing him. He -ran and ran till he was nearly out of breath, -and thought the boy would soon catch him, -as he was gaining on him fast.</p> - -<p>When he heard someone shaking him, -and saying, “Guy, dear! Guy, wake up! the -breakfast bell has rung, and you will be late -for school.”</p> - -<p><span class="pagenum"><a id="Page_22"></a>[22]</span></p> - -<p>“Oh! Mother,” said Guy, “can it all be -only a dream?”</p> - -<p>“Yes, sonny; you have been very fast -asleep; but hurry, now, and you can tell me -your dream as soon as you are dressed.”</p> - -<p>While he was eating his breakfast, he told -his mother his dream.</p> - -<p>“Was it not a strange dream, Mother?”</p> - -<p>“Yes, dearie; but strange dreams are often -sent us for some wise purpose, if we have -only the wisdom to understand the meaning -of them.”</p> - -<p>“You mean, Mother, it was sent to break -me of my fault of always saying ‘I have no -time.’”</p> - -<p>His mother smiled, and said “Just that, -sonny!”</p> - -<p>In after years, Guy used to say that dream -of his was at the bottom of all his success -in life, as he mastered a bad fault, and at last -quite gave up saying “I have no time,” but<span class="pagenum"><a id="Page_23"></a>[23]</span> -always “found time” for everything, not -only in doing his own work, but also in -helping others, so that his life became a truly -happy and useful one.</p> - -<p>And now, dear little readers, will you also -try and overcome your faults? Not in your -own strength, for then you will surely fail; -but in the strength of Him, who said “Be -ye perfect, even as your Father in Heaven is -perfect.” Then you, too, can claim the promise, -which is this:—“He that overcometh -shall inherit all things, and I will be his God, -and he shall be my son.”—Rev. xxi. 7.</p> - -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0">“Time is short,</div> - <div class="verse indent2">If idly spent, no art or care</div> - <div class="verse indent0">Time’s blessing can restore;</div> - <div class="verse indent2">And God requires a strict account</div> - <div class="verse indent0">For every misspent hour.”</div> - </div> -</div> - - -<p class="p2 noic"><i>Printed at The Examiner Office,<br /> -Launceston, Tasmania.</i></p> - - - - -<hr class="chap" /> -<div class="tnote"> -<p class="noi tntitle">Transcriber’s Note:</p> - -<p class="smfont">Punctuation and spelling inaccuracies were silently corrected.</p> -</div> - -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK NO-TIME-LAND ***</div> -<div style='text-align:left'> - -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. -</div> - -<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br /> -<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br /> -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span> -</div> - -<div style='display:block; margin:1em 0'> -To protect the Project Gutenberg™ mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase “Project -Gutenberg”), you agree to comply with all the terms of the Full -Project Gutenberg™ License available with this file or online at -www.gutenberg.org/license. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works -</div> - -<div style='display:block; margin:1em 0'> -1.A. By reading or using any part of this Project Gutenberg™ -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg™ electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg™ electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the person -or entity to whom you paid the fee as set forth in paragraph 1.E.8. -</div> - -<div style='display:block; margin:1em 0'> -1.B. “Project Gutenberg” is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg™ electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg™ electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg™ -electronic works. See paragraph 1.E below. -</div> - -<div style='display:block; margin:1em 0'> -1.C. The Project Gutenberg Literary Archive Foundation (“the -Foundation” or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg™ electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg™ mission of promoting -free access to electronic works by freely sharing Project Gutenberg™ -works in compliance with the terms of this agreement for keeping the -Project Gutenberg™ name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg™ License when -you share it without charge with others. -</div> - -<div style='display:block; margin:1em 0'> -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg™ work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. -</div> - -<div style='display:block; margin:1em 0'> -1.E. Unless you have removed all references to Project Gutenberg: -</div> - -<div style='display:block; margin:1em 0'> -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg™ License must appear -prominently whenever any copy of a Project Gutenberg™ work (any work -on which the phrase “Project Gutenberg” appears, or with which the -phrase “Project Gutenberg” is associated) is accessed, displayed, -performed, viewed, copied or distributed: -</div> - -<blockquote> - <div style='display:block; margin:1em 0'> - This eBook is for the use of anyone anywhere in the United States and most - other parts of the world at no cost and with almost no restrictions - whatsoever. You may copy it, give it away or re-use it under the terms - of the Project Gutenberg License included with this eBook or online - at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you - are not located in the United States, you will have to check the laws - of the country where you are located before using this eBook. - </div> -</blockquote> - -<div style='display:block; margin:1em 0'> -1.E.2. If an individual Project Gutenberg™ electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase “Project -Gutenberg” associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg™ -trademark as set forth in paragraphs 1.E.8 or 1.E.9. -</div> - -<div style='display:block; margin:1em 0'> -1.E.3. If an individual Project Gutenberg™ electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg™ License for all works -posted with the permission of the copyright holder found at the -beginning of this work. -</div> - -<div style='display:block; margin:1em 0'> -1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg™. -</div> - -<div style='display:block; margin:1em 0'> -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg™ License. -</div> - -<div style='display:block; margin:1em 0'> -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg™ work in a format -other than “Plain Vanilla ASCII” or other format used in the official -version posted on the official Project Gutenberg™ website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original “Plain -Vanilla ASCII” or other form. Any alternate format must include the -full Project Gutenberg™ License as specified in paragraph 1.E.1. -</div> - -<div style='display:block; margin:1em 0'> -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg™ works -unless you comply with paragraph 1.E.8 or 1.E.9. -</div> - -<div style='display:block; margin:1em 0'> -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg™ electronic works -provided that: -</div> - -<div style='margin-left:0.7em;'> - <div style='text-indent:-0.7em'> - • You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg™ works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg™ trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, “Information about donations to the Project Gutenberg - Literary Archive Foundation.” - </div> - - <div style='text-indent:-0.7em'> - • You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg™ - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg™ - works. - </div> - - <div style='text-indent:-0.7em'> - • You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - </div> - - <div style='text-indent:-0.7em'> - • You comply with all other terms of this agreement for free - distribution of Project Gutenberg™ works. - </div> -</div> - -<div style='display:block; margin:1em 0'> -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg™ electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg™ trademark. Contact the Foundation as set -forth in Section 3 below. -</div> - -<div style='display:block; margin:1em 0'> -1.F. -</div> - -<div style='display:block; margin:1em 0'> -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg™ collection. Despite these efforts, Project Gutenberg™ -electronic works, and the medium on which they may be stored, may -contain “Defects,” such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. -</div> - -<div style='display:block; margin:1em 0'> -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right -of Replacement or Refund” described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg™ trademark, and any other party distributing a Project -Gutenberg™ electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. -</div> - -<div style='display:block; margin:1em 0'> -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. -</div> - -<div style='display:block; margin:1em 0'> -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. -</div> - -<div style='display:block; margin:1em 0'> -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. -</div> - -<div style='display:block; margin:1em 0'> -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg™ electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg™ -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg™ work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg™ work, and (c) any -Defect you cause. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 2. Information about the Mission of Project Gutenberg™ -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. -</div> - -<div style='display:block; margin:1em 0'> -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg™’s -goals and ensuring that the Project Gutenberg™ collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg™ and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at www.gutenberg.org. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 3. Information about the Project Gutenberg Literary Archive Foundation -</div> - -<div style='display:block; margin:1em 0'> -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation’s EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state’s laws. -</div> - -<div style='display:block; margin:1em 0'> -The Foundation’s business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation’s website -and official page at www.gutenberg.org/contact -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ depends upon and cannot survive without widespread -public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. -</div> - -<div style='display:block; margin:1em 0'> -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular state -visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>. -</div> - -<div style='display:block; margin:1em 0'> -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. -</div> - -<div style='display:block; margin:1em 0'> -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. -</div> - -<div style='display:block; margin:1em 0'> -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 5. General Information About Project Gutenberg™ electronic works -</div> - -<div style='display:block; margin:1em 0'> -Professor Michael S. Hart was the originator of the Project -Gutenberg™ concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg™ eBooks with only a loose network of -volunteer support. -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. -</div> - -<div style='display:block; margin:1em 0'> -Most people start at our website which has the main PG search -facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>. -</div> - -<div style='display:block; margin:1em 0'> -This website includes information about Project Gutenberg™, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. -</div> - -</div> -</body> -</html> diff --git a/old/66237-h/images/cover.jpg b/old/66237-h/images/cover.jpg Binary files differdeleted file mode 100644 index d82a291..0000000 --- a/old/66237-h/images/cover.jpg +++ /dev/null diff --git a/old/66237-h/images/i_003a.jpg b/old/66237-h/images/i_003a.jpg Binary files differdeleted file mode 100644 index 8b86b1a..0000000 --- a/old/66237-h/images/i_003a.jpg +++ /dev/null diff --git a/old/66237-h/images/i_003b.jpg b/old/66237-h/images/i_003b.jpg Binary files differdeleted file mode 100644 index cddb2e6..0000000 --- a/old/66237-h/images/i_003b.jpg +++ /dev/null diff --git a/old/66237-h/images/i_005.jpg b/old/66237-h/images/i_005.jpg Binary files differdeleted file mode 100644 index 0455491..0000000 --- a/old/66237-h/images/i_005.jpg +++ /dev/null diff --git a/old/66237-h/images/i_006fp.jpg b/old/66237-h/images/i_006fp.jpg Binary files differdeleted file mode 100644 index e92881d..0000000 --- a/old/66237-h/images/i_006fp.jpg +++ /dev/null diff --git a/old/66237-h/images/i_011fp.jpg b/old/66237-h/images/i_011fp.jpg Binary files differdeleted file mode 100644 index 57ed28a..0000000 --- a/old/66237-h/images/i_011fp.jpg +++ /dev/null diff --git a/old/66237-h/images/i_016.jpg b/old/66237-h/images/i_016.jpg Binary files differdeleted file mode 100644 index 204e66d..0000000 --- a/old/66237-h/images/i_016.jpg +++ /dev/null diff --git a/old/66237-h/images/t_dropcap.jpg b/old/66237-h/images/t_dropcap.jpg Binary files differdeleted file mode 100644 index 3b089b1..0000000 --- a/old/66237-h/images/t_dropcap.jpg +++ /dev/null diff --git a/old/66237-h/images/title_pg.jpg b/old/66237-h/images/title_pg.jpg Binary files differdeleted file mode 100644 index 9b3b29b..0000000 --- a/old/66237-h/images/title_pg.jpg +++ /dev/null |
