summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-01-22 17:40:33 -0800
committernfenwick <nfenwick@pglaf.org>2025-01-22 17:40:33 -0800
commit6b3b1d6cdcba129ebc396bd4a10e30e46fe3fd80 (patch)
tree15d08ec26065ed380a22417a004649389fe53f19
parent8a8cba3e79d94d424bc9227ea5ca682cc24a0967 (diff)
NormalizeHEADmain
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/66235-0.txt2919
-rw-r--r--old/66235-0.zipbin57278 -> 0 bytes
-rw-r--r--old/66235-h.zipbin798002 -> 0 bytes
-rw-r--r--old/66235-h/66235-h.htm4667
-rw-r--r--old/66235-h/images/cover.jpgbin221600 -> 0 bytes
-rw-r--r--old/66235-h/images/header.jpgbin38277 -> 0 bytes
-rw-r--r--old/66235-h/images/i_753.jpgbin54264 -> 0 bytes
-rw-r--r--old/66235-h/images/i_754.jpgbin9138 -> 0 bytes
-rw-r--r--old/66235-h/images/i_757a.jpgbin8272 -> 0 bytes
-rw-r--r--old/66235-h/images/i_757b.jpgbin26559 -> 0 bytes
-rw-r--r--old/66235-h/images/i_757c.jpgbin29602 -> 0 bytes
-rw-r--r--old/66235-h/images/i_757d.jpgbin14293 -> 0 bytes
-rw-r--r--old/66235-h/images/i_757e.jpgbin17816 -> 0 bytes
-rw-r--r--old/66235-h/images/i_758.jpgbin21699 -> 0 bytes
-rw-r--r--old/66235-h/images/i_760.jpgbin66392 -> 0 bytes
-rw-r--r--old/66235-h/images/i_761a.jpgbin42332 -> 0 bytes
-rw-r--r--old/66235-h/images/i_761b.jpgbin23891 -> 0 bytes
-rw-r--r--old/66235-h/images/i_762.jpgbin37676 -> 0 bytes
-rw-r--r--old/66235-h/images/i_764.jpgbin11555 -> 0 bytes
-rw-r--r--old/66235-h/images/i_768.jpgbin110819 -> 0 bytes
23 files changed, 17 insertions, 7586 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..07e080e
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #66235 (https://www.gutenberg.org/ebooks/66235)
diff --git a/old/66235-0.txt b/old/66235-0.txt
deleted file mode 100644
index 5279607..0000000
--- a/old/66235-0.txt
+++ /dev/null
@@ -1,2919 +0,0 @@
-The Project Gutenberg eBook of The Girl's Own Paper, Vol. XX, No. 1026,
-August 26, 1899, by Various
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: The Girl's Own Paper, Vol. XX, No. 1026, August 26, 1899
-
-Author: Various
-
-Release Date: September 7, 2021 [eBook #66235]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: Susan Skinner, Chris Curnow, Pamela Patten and the Online
- Distributed Proofreading Team at https://www.pgdp.net
-
-*** START OF THE PROJECT GUTENBERG EBOOK THE GIRL'S OWN PAPER, VOL. XX, NO.
-1026, AUGUST 26, 1899 ***
-
-
-
-
-[Illustration: THE GIRL’S OWN PAPER
-
-VOL. XX.—NO. 1026.] AUGUST 26, 1899. [PRICE ONE PENNY.]
-
-
-
-
-[Illustration: “FAR FROM THE MADDING CROWD.”]
-
-_All rights reserved._]
-
-
-
-
-THE HOUSE WITH THE VERANDAH.
-
-BY ISABELLA FYVIE MAYO, Author of “Other People’s Stairs,” “Her Object
-in Life,” etc.
-
-
-CHAPTER XXII.
-
-A GREAT MYSTERY.
-
-Everybody, not to say every householder, is alive to the acute dangers
-of escaping gas. Every other thought was suspended for the moment. The
-hall door was left open, watched over by little Hugh, and everybody,
-even the stranger, Mrs. Grant, rushed to open some window. The next
-thing was to find out the peccant burner.
-
-Clementina called from the kitchen that the gas there was properly
-turned off, save one light still burning. It was the same in hall and
-dining-room; what was not alight was duly turned off. Miss Latimer,
-coming downstairs at the moment, reported that there was no odour of
-escaping gas in the higher regions.
-
-“Well, there’s only my bedroom left,” said Tom, “and I’m certain I
-turned off mine.”
-
-But as he opened his chamber door his face lengthened. There was no
-doubt now as to the source of the danger. No light was there, but the
-cock of the gas-bracket stood “full on.”
-
-The mischief was swiftly remedied, though the room was so saturated
-with effluvia that it would take a prolonged airing to free it from the
-fumes. But Tom was terribly perturbed by the discovery.
-
-“I could have made affidavit that I turned off the gas,” he declared.
-“I had it burning to dress by its light, and if I didn’t turn it off,
-how came the light to be out?”
-
-“You must have forgotten it wasn’t a candle, and you must have blown it
-out, Tom,” said Miss Latimer.
-
-“Well, then, I’m getting about as bad as my old landlady’s servant
-girls,” decided Tom. “I can’t believe it of myself. Henceforth, I’ll
-never feel sure of having done anything!”
-
-“Perhaps you did turn it out, and then gave it an accidental knock
-which turned the cock back again,” suggested Miss Latimer; “such things
-will happen sometimes.”
-
-Tom shook his head.
-
-“The cock is very stiff,” he said.
-
-“You must remember you were in haste. We are all rather put about just
-now,” Miss Latimer went on. “But you must not dwell on it. All is well
-that ends well.”
-
-Still Tom remained dissatisfied and unconvinced, and took no part in
-the eager discussion which had already begun between the two anxious
-wives seated at the breakfast table.
-
-“I think I know how I’ll manage,” said the Captain’s wife. “I’ll go
-to the shipping offices myself. No”—she interrupted herself as Lucy
-made a hasty movement—“you mustn’t think of coming with me. With your
-face, my dear, you’d never get anything out of them while there was the
-faintest chance of their being able to hold it back. But perhaps,” she
-added turning to Tom, “this young gentleman will come with me to show
-me the way, and to take care of me over those busy City crossings, for
-I recollect that when I once went with the Captain to the office, there
-was some clever steering to be done ere we got there!”
-
-Up to this point nobody had remembered that Mrs. Grant did not know
-Tom. Now Lucy recollected herself and introduced the boy as an employee
-in Charlie’s office, and at present a member of the Challoner household.
-
-Mrs. Grant beamed on him.
-
-“This is most fortunate,” said she. “For I’m sure your masters will
-give you an off day to help me find out whether there’s any news of
-their Mr. Challoner—and of my Captain!”
-
-“I’m sure they will!” cried Tom. “The chiefs are always asking whether
-we have heard anything. Still I’ll have to go to the office first to
-tell them why I’m wanting leave of absence.” He suited the action to
-the word, bustling away, saying, “Wait till I come back—and I’ll be
-back as fast as I can fly!”
-
-When he was gone, Mrs. Grant and Lucy had time for a little quiet talk.
-It was very easy for Mrs. Grant to say that on the platform she had
-recognised Lucy from her old photograph, but she did not add that she
-was shocked at the change visible in her, the manifold signs of nerve
-strain and exhaustion.
-
-“If she has much more waiting, she’ll set sail herself for a far-off
-shore,” thought the good woman. Yet when she found that Lucy had
-regular duties at the Institute, she would not allow Lucy to dream of
-absenting herself for her sake.
-
-“No, no,” she said. “I did not come here to upset your regular ways.
-For one thing, if you begin to change those, people will realise how
-anxious you are, and then they’ll pull long faces to you, and that will
-make everything still harder and worse to bear. It’s wise to keep a
-still sough, as we say in the North. You just go about your usual day’s
-work, and when you come home, you’ll find me and the young gentleman
-returned and waiting, and whatever we have heard, you shall hear it
-all—honour bright, I promise you.”
-
-Lucy had her full share of the sweet womanly instinct of obedience.
-It is an instinct which is often strong in proportion to the strength
-of the whole nature. It works so naturally and grows so strong in the
-fortunate daughter and the happy wife, that it adds terribly to the
-sense of disaster when the props to which it twines are withdrawn and
-it is left trailing on the ground. Lucy was quite ready to succumb
-to the genial domination of this wholesome kindly woman, already her
-sister in suspense and who might so soon be also her sister in sorrow.
-She went upstairs before she went away, and came down saying that poor
-Tom’s mischance with his gas-burner had made her so nervous that she
-had carefully tested all the upstairs burners.
-
-“Somebody else might have made a similar mistake,” said she, “but they
-are all right.” So she went off, taking Hugh to the Kindergarten on her
-way.
-
-“Let her keep regularly to her teaching,” Mrs. Grant confided to Miss
-Latimer. “Keep her up to that, I beg you. While we wait, and when
-waiting ends—as it may—there’s nothing helps us as work does. It’s
-the blessed will of God that what most of us have to do for our bread
-is exactly what is good for our souls. The wash-tub and the scrubbing
-brush have done lots for many a poor body who is left behind. I’ve
-often seen that. It’s not for any widow’s having to work that I’m ever
-sorry, but because her work is often so ill-paid, that do what she may,
-she can’t keep her head above water. But, I say,” she added, sniffing,
-“don’t you smell the gas very strong again?”
-
-“Oh, it is only the remains of the accident in the boy’s bedroom,”
-answered Miss Latimer. “The breeze through the back windows is driving
-it more to the front of the house.”
-
-Just at that moment Tom’s key was heard turning in the front door, and
-directly he entered the house he cried—
-
-“Why, the smell of gas is worse than ever!”
-
-“So I think,” observed Mrs. Grant.
-
-Tom rushed to his own bedroom.
-
-“There’s something at the bottom of all this,” he said. “I’m as
-positive that I turned it off the first time as we all are that it was
-turned off afterwards.” He stamped about the chamber, exclaiming, “It’s
-all right here now, the gas is turned off, and there’s no smell inside
-here. The mischief is somewhere else.”
-
-“Mrs. Challoner examined all the burners upstairs, and saw that they
-were right before she went out,” said Miss Latimer. “Perhaps you notice
-the smell more because you’ve just come in from the fresh air, Tom.”
-
-“But I’ve been in the house all the time,” persisted Mrs. Grant.
-
-Tom sprang upstairs.
-
-“There!” he shouted. “Here’s the staircase burner turned full on, and
-it’s the same here—and here—and here,” he cried, rushing from chamber
-to chamber, turning off burners and throwing open windows. “Yes,”
-he reiterated, as he came downstairs again, “every burner upstairs
-was started—the only ones turned off are that in my room where the
-mischief began and in the dining-room where you were sitting.”
-
-“They are all right downstairs,” remarked Clementina from the back of
-the hall. But Tom went down and made a re-examination before he would
-be satisfied on that point.
-
-Mrs. Grant and Miss Latimer looked at each other bewildered.
-
-“I’ve not been upstairs to do up the rooms yet,” observed Clementina.
-“The only room I’ve tidied yet is Mr. Tom’s. I heard the mistress say
-to you, ma’am, as she went out, that she’d just been over all the
-burners, and that they were right.”
-
-“Poor dear lady,” said Mrs. Grant; “she has been so flurried and put
-about that when she tried the handles, she must have turned the gas on
-and never noticed that she did it!”
-
-“That must have been so, I suppose,” Miss Latimer reluctantly admitted;
-“but it’s hard to believe. Lucy is so wonderfully careful. However much
-she suffers herself, none of her duties suffer!”
-
-“Ah, but that’s different,” Mrs. Grant replied. “She thought she was
-thoroughly doing her duty now; only her mind slipped off, and she did
-it the other way about.”
-
-“I don’t believe it,” said Clementina energetically.
-
-“What don’t you believe?” asked Tom.
-
-“I don’t believe my mistress made any mistake. I never knew anybody so
-careful as she is.”
-
-“But what other explanation can we offer?” inquired Miss Latimer.
-
-Clementina answered solemnly, “I believe there is an evil spirit in
-this house just now.” Then, as if to give emphasis to her words, she
-turned and marched from the room.
-
-“She is very superstitious,” Miss Latimer observed to Mrs. Grant. “If
-she gets this sort of thing into her head, as I’ve felt she was doing
-for some time, she’ll go off, and her departure just now will be a
-great trial. Are many people in the north superstitious?” she asked.
-
-Mrs. Grant laughed. “Human nature is much the same everywhere,” she
-answered. “That’s what the Captain always said. He’s known folks black,
-and brown, and yellow, and every shade that they call white, but he
-says there are only two differences among them, and that’s goodness
-and badness, and that you find both everywhere. All the qualities,
-he says, are sprinkled over the world, pretty fairly divided. As for
-superstitions, what does the word mean? I believe in evil spirits, of
-course, but they work through ourselves.”
-
-“Well, I’m very glad I am not going to my pupils this morning,”
-observed Miss Latimer, “and as I shall spend most of my time
-supervising the gas-burners, I think you may rely that you will not
-find the house blown up when you return from your quest.”
-
-Mrs. Grant and Tom started off for the shipping office. As they went,
-she confided to him her plan of operations.
-
-“I shall send you in first,” she said. “Men often won’t tell a woman
-the worst, though they know she’s got to hear it. They put off the
-hard job on somebody else. It’s a cruel sort of kindness. Very likely
-they’ll tell you plainly what they would gloss over to Mrs. Challoner
-or me.”
-
-“But they’ll ask who sent me?” suggested Tom.
-
-“Don’t wait till they ask the question,” she answered. “What’s the name
-of the firm you work for?”
-
-“Patrick, Elsum, and Challoner,” he replied. “That’s the proper name;
-but as Mr. Challoner only newly got into the firm, his name is often
-not added. I don’t think it is in the Directory.”
-
-“Then say straight out that you are a clerk at Patrick and Elsum’s,
-and that you want to know everything they have heard of the _Slains
-Castle_. Don’t seem any more anxious than you would be if it was a
-matter of some client’s cargo. As soon as you come out and tell me all
-they say, I’ll go in myself with you and have it all cleared up.”
-
-She had to wait rather longer than she had thought, and when Tom came
-out and advanced towards her, she saw that his face was very grave
-indeed.
-
-“Well?” she said, quite sharply.
-
-“There is something known,” Tom answered in a low and solemn voice.
-“They say that a spar and a piece of sail, with _Slains Castle_ painted
-on them, have been picked up by a Pacific liner.”
-
-Mrs. Grant stood still, and caught her breath.
-
-“I’m going straight into the office,” she said, “to ask why they could
-not write that to me, instead of bringing me up here to have to get it
-out of them by guile! And it’s not such a wonderful thing that they
-need keep it to themselves. One knew something must have happened,
-and this only shows how something has gone wrong, and how they’ve had
-to take to the boats and get into any port they could. That’s how I’m
-going to look at it, and so must Mrs. Challoner.”
-
-Her interview in the office was not very long. As she walked back with
-Tom, Mrs. Grant’s thoughts seemed of Lucy rather than of herself.
-
-“You see all this trouble has come into her life by an accident, as
-it were,” she said; “it’s like happening to get shot the first time
-you handle a gun. But this is the ill wind that I’ve always watched to
-bring my trials. I laid that to my soul when I married the Captain.”
-
-“I’m so glad that you’ll be with my poor friend,” remarked Tom, himself
-immensely relieved by this vigorous presence.
-
-“But, my dear boy, I must go straight home by the night train. If any
-mischance has befallen the Captain, there’s but the more reason for the
-mate to be at her post. Mrs. Challoner has got Miss Latimer and you to
-look after her; she couldn’t have kinder people.”
-
-All the little household had gathered in before Lucy came. They had the
-fire blazing, and the tea set for her return. They could not lighten
-the falling blow, but they could surround her with loving kindliness.
-
-Lucy heard the news very quietly indeed. She lifted Hugh upon her
-knee and kissed him two or three times. Then she said she was afraid
-they would all take cold through wandering about in such disagreeable
-weather. She put Hugh down, rose, and went out of the room, leading him
-by the hand.
-
-Mrs. Grant shook her head. “If our husbands are really gone,” she said,
-“she won’t stay long after them.”
-
-“Oh, yes, she will,” asserted Miss Latimer; “the source of all strength
-is open to my Lucy, and she will be found ready to do the next thing.”
-
-“I know there’s a great deal in that,” Mrs. Grant admitted. “Grief does
-not kill according to the greatness of itself, or of the love behind
-it, only according to the weakness of the constitution; but she looks
-little more than a spirit already.”
-
-A postman’s knock came to the door. Tom ran to see what had arrived. He
-did not come straightway back to the parlour, and when he did, he threw
-Miss Latimer a significant glance.
-
-“I think I’d better run round to the office,” he said, “and let them
-know what we have heard. And I think I’ll look in also on Mr. Somerset.
-I’ll be back in good time to see Mrs. Grant to the station, as she is
-quite determined to go to-night.”
-
-By the time Tom reached the office, his principals had departed. Tom
-did not choose to tell his melancholy news to any of the underlings;
-but he was only too anxious to disburden himself to Mr. Somerset.
-
-That gentleman was deeply moved by the tidings of the _Slains
-Castle_—so ominous of the true significance of the long silence. Yet he
-allowed himself to see that there might be some force in Mrs. Grant’s
-arguments, when Tom repeated them to him.
-
-But Tom had more news. He had to show Mr. Somerset what had arrived by
-post only the minute before he started to visit him—what indeed had
-been the controlling cause of that visit.
-
-It was a letter with a black edge so deep that it scarcely left room
-for the ill-written, ill-spelled direction—
-
- To the Peple
- at No. — Pellum Street.
-
-“It is the same handwriting as was on the envelope of the blank sheet
-that Mrs. Challoner got before Christmas,” said Tom. “Don’t you
-remember that envelope was torn up at first, but that I got the pieces
-out of the waste-paper basket and kept them? Directly I saw this I
-compared the two; it’s the same handwriting, only this is worse.”
-
-Mr. Somerset turned it over and over in his hand. “Did you tell Mrs.
-Challoner about this?” he asked.
-
-“No,” answered Tom emphatically; “I did not. It would have been too
-cruel to show it to her to-day—I couldn’t. Besides, it is not addressed
-to her.”
-
-“You have done rightly,” said Mr. Somerset; “even if it be nothing but
-the circular of a mourning warehouse, it is not a thing for her to see
-to-day. Its coming to-day is a very strange coincidence!”
-
-“Is it a mere coincidence?” questioned Tom.
-
-“Well, as you say, it is not addressed to Mrs. Challoner. You are
-one of ‘the peple’ as much as she is. You have a perfect right to
-open it, and when we see its contents we can the better judge of its
-significance.”
-
-The contents were a sheet of thick paper with heavy black borders,
-between which, on all four sides, was a long “screed,” which seemed
-to the most careful scrutiny to be nothing but pot-hooks and hangers,
-dotted i’s, and crossed t’s, making not one intelligible word among
-them all!
-
-“It is evident to me,” said Mr. Somerset, “that the blank letter and
-the ‘knocks’ and this letter all emanate from somebody who wishes
-to annoy and to give pain. I can’t see why they should do so. It is
-probably the work of some of the servants who have given Mrs. Challoner
-so much trouble, or of some of their friends. At any rate, the matter
-is not one in which we can readily move; and to-day we will not call
-Mrs. Challoner’s attention to it. She has but too much trouble already!”
-
-“Yes, indeed!” sighed Tom. “We’ve all been terribly upset since
-yesterday. We scarcely know what we are doing. I left my gas turned on
-this morning, and not alight, and Mrs. Challoner got so nervous that
-she tried if all the other burners were right, and turned them on by
-mistake!”
-
-Mr. Somerset did not pay much heed to these domestic catastrophes. He
-was preparing to accompany Tom back to Pelham Street. He wanted to see
-Mrs. Grant himself. He did not forget that the Challoners’ woe involved
-hers, and like their true friend, as he was, he wished to show all the
-attention and hospitality which he knew they would have desired to
-tender to a woman under such anxiety.
-
-He found Lucy, as Mrs. Grant whispered, “holding on bravely.” She was
-even preparing to accompany her guest to the railway station, to see
-her off on her homeward journey. But she was not reluctant to yield
-to Mr. Somerset’s request that she would delegate this duty to him—a
-proposal which Mrs. Grant backed with much urgency.
-
-“Keep her to her work, all you good friends of hers,” whispered that
-worthy woman. “Never mind her getting tired. For the rest, let her
-be quiet when she wishes it. Spare her from all the little squalid
-worries you can; I don’t mean keep them from her, but stand between
-her and them; let her get them, as it were, passed through you first.
-Ah, I know!” added Mrs. Grant; “for as I’m a sailor’s wife, so am I a
-sailor’s daughter, and what we’re bearing to-day, I’ve seen my mother
-live through thrice—once for her husband, and twice for her sons.”
-
-As their cab drew up at the station, it had to wait a second while a
-carriage drove off.
-
-“Dr. Ivery’s carriage,” whispered sharp Tom to Mr. Somerset. “So I
-suppose he is in the station.”
-
-True enough, as they passed through the booking-office, there was
-Dr. Ivery taking his ticket. Mr. Somerset knew him, having met him
-several times during Mr. Challoner’s illness. They greeted each other,
-Mrs. Grant and Tom passing on. Mrs. Grant’s train was already in the
-station, but would not start for another quarter of an hour.
-
-Tom turned to look at his friend and the physician. He saw that they
-were in close conversation, and Mr. Somerset had actually produced
-the black-edged letter! The doctor was carefully examining it under
-a lamp. He handed it back with a few emphatic words, which Mr.
-Somerset received with a gesture of surprise and interrogation. Then
-they both looked at it together, the doctor pointing to details in
-the superscription, Mr. Somerset eagerly following his words, and
-alternately watching his finger and looking into his face. Finally, he
-re-took the letter, and both gentlemen shook their heads, the doctor
-extending both his hands as though to say that his words opened wide
-issues. Then, as Mrs. Grant’s train was just starting, they hastily
-shook hands, and Mr. Somerset hastened back to give the good lady his
-parting words as she went off.
-
-“Tom,” said Mr. Somerset, grasping the lad’s arm as they re-entered
-the cab, which Mr. Somerset had retained to drive them back to Pelham
-Street, “Dr. Ivery is truly concerned about the news I gave him. He has
-much admiration for Mrs. Challoner’s pluck and determination. Then I
-thought I would tell him about the little worry of these letters; and,
-Tom, he has a most startling theory on the subject—indeed, it is no
-theory, he regards it as a scientific fact.”
-
-“What is it?” Tom asked eagerly.
-
-“He says these letters are written by some demented person; that
-such things are a well known phase of mental failure; that the very
-caligraphy is characteristic, the way the letters and lines run into
-each other, the bad spelling—everything!”
-
-“I don’t see that the doctor’s opinion helps us much,” remarked Tom,
-almost irritably. “Who is the lunatic? and why is the lunatic concerned
-with our household?”
-
-“Those questions remain unanswered,” said Mr. Somerset. “There is no
-need to ask ‘why’ where lunacy is concerned. It is precisely without
-reason that it acts, and there is little organic unity in its actions.”
-
-They found Miss Latimer sitting alone in the parlour. Lucy had retired.
-
-“Sorrow is sometimes sleepy,” said Miss Latimer, “and it is God’s
-medicine when it is.” But Lucy had left behind kind “good nights” for
-Mr. Somerset and Tom, and exhortations that the former was not to think
-of going home without having his supper.
-
-It was a dreary little meal. While Clementina set or removed the
-dishes, they did not check their conversation about the general
-position.
-
-“If these strange freaks be really the work of a lunatic,” said Mr.
-Somerset, “of course the poor creature cannot be blamed; but none the
-less we must try that he or she be in some way restrained, as soon as
-discovered, for nobody knows what they may do next.”
-
-“Those that get called mad are sometimes not so mad as folks think,
-sir,” Clementina put in, in her civil, sad way.
-
-“It’s strange to discover that we seem to know as little of what is
-going on beside us, as we do of what is happening to Mr. Challoner at
-the other side of the world,” remarked Tom.
-
-“Oh, we are badly in want of a sixth sense, such as some of your old
-Highland seers claimed, Clementina,” said Miss Latimer.
-
-“Aye, but they did not claim it, they had it,” said Clementina
-confidently; “yet it wrought them little good. They could not use it
-when they wished, they had to wait for it, and it came only when it
-listed; often it would not come, and it would never bide.”
-
-“Yet some people claim that these mysterious faculties are being slowly
-brought into light and order,” observed Mr. Somerset, turning to Miss
-Latimer. “I do not know anything of the subject myself, and I find it
-hard to believe. There are people who profess so much of this modern
-magic that if you gave them Charlie’s last letter, they would pretend
-to tell you where he is, and what he is doing.”
-
-“The Brahan Seer did that, nigh two hundred years ago,” said Clementina
-eagerly. “He told the proud Lady Seaforth what was keeping her husband
-in France, and he got himself burned for his pains.”
-
-“I should think it was bordering on sin to make any such inquiry,”
-said Miss Latimer. “If there are any mysterious faculties only half
-developed in human nature, we should not hasten to mix them up with the
-solemn and sacred things of our lives. We know enough to be sure that
-many spiritual dangers lie that way. To venture our peace of mind among
-such risks, is like going into a laboratory and tasting everything, not
-knowing which is poisonous.”
-
-“Yet, to use your simile, there must be laboratories, and tests, and
-fit occasions for working among such things,” said Mr. Somerset. “Still
-I agree with you absolutely in the necessity of keeping the treasures
-of our hearts and lives out of so tainted and be-fogged an atmosphere.”
-
-“Well, I’m sure these silly letters are not sacred treasures,” said
-Tom. “Suppose we give one of them to a detective to-morrow, and take
-him with us to put it into the hand of a psychometric or clairvoyant,
-or whatever they call the modern wizard or witch, and allow them to
-clairvoyantly perceive—isn’t that the cant?—the person who sent it. It
-would be a good test if this did give us a clue, and if it didn’t, or
-if it misled us, why there would be no harm done—it wouldn’t matter a
-bit—we should be just where we are.”
-
-Clementina had removed the supper-tray while he was speaking. Mr.
-Somerset rose up to go. He did not reply to Tom’s suggestion, not
-taking it seriously, but said “good night,” promising to come back very
-soon, possibly next day.
-
-In the morning Tom woke rather lazily, but he jumped up in a great
-fright, seeing that his watch already pointed to half-past eight! “I
-must have slept very heavily,” he thought, “to have heard no knock nor
-bell, nor anything!”
-
-And he dressed in great haste.
-
-(_To be continued._)
-
-
-
-
-GIRLS AS I HAVE KNOWN THEM.
-
-BY ELSA D’ESTERRE-KEELING, Author of “Old Maids and Young.”
-
-
-PART VII.
-
-THE OLD-FASHIONED GIRL.
-
- “Modest as morn, as midday bright,
- Gentle as evening.”
-
-(A girl described by the poet Andrew Marvell.)
-
-[Illustration: _A MARVELL_OUS GIRL]
-
-By the old-fashioned girl is not here meant the girl of a type extinct,
-but the girl of a type still existing, if in less numbers than of old.
-I have a sheaf of letters by this girl beside me. None of these letters
-bears date earlier than 1893. One of them, written on Christmas morning
-of that year, begins—
-
-“To-day is just like a beautiful Spring morning, the crocuses and buds
-showing above ground, and all the buds forward.”
-
-A week later, the writer announces—
-
-“The weather is so open that Eva was able to pick some rosebuds on
-Christmas Day.”
-
-Under date February 12th, 1894, there is the following—
-
-“The kitten Sixpenny is getting plump on bullfinches which the gardener
-shoots. They do a lot of damage to the fruit-buds.”
-
-The same letter contains this communication—
-
-“The violets and camellias are backward this year, but all the crocuses
-and snowdrops are now at their best, and we daily examine daffodil
-buds.”
-
-“Jacob, a jackdaw,” is mentioned in a subsequent letter, where the
-reference to him runs—
-
-“Jacob, a jackdaw, has been lately acquired. He resides in a big
-aviary, and sometimes has a rabbit put in with him to get change of
-air.”
-
-A girl who writes letters like that is a girl who would have been after
-the heart of Gilbert White of Selborne.
-
-The old-fashioned girl is sentimental in so far as to be sentimental
-is to have a tender and susceptible heart, for her sentimentality is
-not of that order the other name of which is mawkishness. In fact,
-it is of a kind that justifies the singular assertion made by gentle
-William Shenstone: “The French use the word _naïve_ in such a sense as
-to be explainable by no English word, unless we will submit to restrain
-ourselves in the application of the word _sentimental_.”
-
-This sentimentality, the other name of which is _naïveté_ of feeling,
-in the old-fashioned girl led her to say the other day to a woman whom
-she loved, “I wonderfully admire you,” and _naïveté_ of feeling it
-is that inspires phrasing so charming as this, which I cite from the
-letter (date May 1st, 1894) of an old-fashioned girl: “It is four years
-since I have seen you, my friend, except by letters.”
-
-[Illustration: AN INFANT PHENOMENON
-
-_There he’s the darlingest dearest cleverest, brightest little fellow
-in the world. Yes he is._]
-
-It has been said in the foregoing that the old-fashioned girl exists in
-less numbers to-day than in days gone by; so far is she, however, from
-being as uncommon as the great auk, that I who write this have only
-to shut my eyes to see a long procession of old-fashioned girls pass
-before me.
-
-First passes Ann (in her own explanatory phrasing, “plain
-_A-double-N_”), who always brings her letters to a close with “believe
-me,” and uses a nominative of address in writing a postcard.
-
-Next pass Elizabeth, Betsy, Bessy and Bess—no _Elsie_, mark you.
-
-Elizabeth wears boots with toe-caps, and is, we who know her believe,
-the last girl who will use the phrase, “canons of good taste.”
-
-[Illustration: A VISITATION
-
-_There Mrs. Bile I’ve brought you another little pie of my own making_]
-
-Betsy wears in winter a crotcheted muffler and Ringwood gloves. She
-always says at a visit’s end, “Now I must be going,” and generally
-says that she has “paid a visitation.” This makes new-fashioned people
-smile, and, as Betsy only says it when in merry pin, this pleases her.
-Betsy is a wag in her old-fashioned way. Thus she always counts her
-cherry-stones, and affects distress if they come to _never_. This also
-makes new-fashioned people smile.
-
-Bessy we call “the quotation girl.” To Bessy, coffee is “the fragrant
-juice of Mocha’s berry brown,” and Bessy at the tea-table refers to
-“the cups that cheer, but not inebriate.” Bessy will herself only be
-described in a quotation—
-
- “Old-fashioned poetry, but choicely good.”
-
-Bess uses what we others call “dictionary words”—such words as
-_pusillanimity_ and _titillation_. Bess—does this need telling?—hails
-from beyond Tweed.
-
-Next passes Susan, who says, “Papa and mamma,” when she does not say
-“Father and mother.” The new-fashioned girl says “papa and mother.”
-Susan, too, prefers the word “lady” to “woman,” and “gentleman”
-to “man.” In fact, she has somewhat aristocratic leanings; but
-condescension is no part of her manner, for she knows that politeness
-levels up.
-
-Next pass the Marys, some of whom are Pollys.
-
-[Illustration: MINERVA
-
-An old-fashioned girl]
-
-Polly, number one, combines a love of cookery with a love of bookery,
-to phrase the matter as a certain poet would have phrased it, and to
-these loves she adds a third, the love of needlework. If you should
-tell her that a good needlewoman makes a bad student, she will tell you
-in reply that Minerva beat Arachne in the art of needlework. She is so
-far from being a bad student that it is only part of her knowledge to
-know that.
-
-Polly, number two, is not learned at all, but is of marvellous
-dexterity with her fingers. She should have lived in the days of spears
-and spindles, some people say. These people are of those who have
-nothing in their heads but a tongue.
-
-Of the Marys called Mary, there passes first that Mary to whom, albeit
-her home is London, a Monday Popular Concert is not “a Pop,” and to
-whom a photograph is not a _photo_.
-
-Next passes the Mary to whom an Ellen said—
-
-“You must have been born grown-up, like a fly, Mary.”
-
-To whom Mary: “What do you mean?”
-
-“Why, don’t you know, goose, that flies don’t grow, that they—let me
-think of the way it’s put in the books—emerge from the larva in a
-perfect state?”
-
-To which Mary, dreamily: “Do they? That’s very interesting.”
-
-A less old-fashioned Mary might not have found a fact conveyed as that
-fact was conveyed in a primary degree “interesting.”
-
-The old-fashioned girl is not always handled tenderly by the
-new-fashioned girl. “Here’s a description of you,” so sneers one
-Muriel, and reads aloud from a book, “A young lady in the possession of
-all the virtues which adorn the most amiable of her sex.”
-
-To which the Mary sneered at answers, “No, no; that flatters me.”
-
-Lastly, there passes Emma, the old-fashioned girl who heard lately with
-amazement that (so the new-fashioned girl phrased the matter) “cut
-glass is vulgar.”
-
-“How can,” said Emma, “_glass_ be vulgar?”
-
-Emma lives in a world in which not only is cut glass still in
-estimation, but in which the word “vulgar” is used in a sense in which
-it is inapplicable to glass.
-
-Emma is very fastidious in regard to phrasing. She is never caught
-using the form “different _to_,” and she follows the rule which
-prescribes the use of “better,” where the ungrammatical say “best.” Of
-her adjectives, which are few and carefully chosen, a favourite one is
-“elegant,” which she uses elegantly. Her spelling has an old-fashioned
-look. Thus she writes _shew_, _sew_, _ribband_ and _bason_. She prefers
-_carven_ to “carved,” and, in regard to another past participle, she is
-open to the gentle satire of the _Cornhill_ essayist, who wrote in 1885
-of “very young ladies” what follows—
-
-“They write first, ‘his health was drunk,’ and then, alarmed at
-the apparent inebriety of that harmless past participle, alter it
-incontinently to ‘his health was drank.’”
-
-[Illustration: REDGAUNTLET AND BLUE-STOCKING A NOVEL COMBINATION]
-
-Emma prefers the sound of “his health was drank” to that of “his health
-was drunk.” Such archaisms as _to pen_ for _to write_, and _a braid
-of hair_ for _a plait of hair_, are also in favour with Emma, though
-her notions in style have undergone some modification since she wrote
-her first English composition, which began, “I sit down to write an
-essay.” Emma is at present engaged upon writing a novel in letter form,
-modelled on Sir Walter Scott’s _Redgauntlet_. That is a secret. Emma
-has many secrets. New-fashioned girls are said to have none.
-
-Never believe it!
-
-Perhaps the old-fashioned girl is seen to least advantage in a
-new-fashioned school. The modern system of examination perplexes her.
-It was not quite a dunce, but merely a bewildered old-fashioned girl
-who wrote what follows in obedience to the injunction, “Comment on
-the grammatical peculiarity in the sentence—‘Cromwell was by far our
-remarkablest governor.’”
-
-“_Carlyle did not know better English, or perhaps he wanted to make a
-joke._”
-
-Not that the old-fashioned girl is not sometimes a frank ignoramus.
-This must be allowed to be the case when she defines—I cite here from
-authentic documents—_phenomenon_ as “a very bad-tempered person,” and
-_emolument_ as “great flattery.”
-
-In dialogue with the new-fashioned girl the old-fashioned girl does not
-always come off best, but once and again she scores, if only by the
-utterance of a bold paradox. Take the following.
-
-“I wish,” said the new-fashioned girl, “I was dead.”
-
-“You are always wishing something impossible, Evelyn,” answered the
-old-fashioned girl. “The moment you are dead you will be wishing you
-were alive.”
-
-Paradox of a kind less mordant and less moribund is contained in
-the following, which I set down as the favourite exclamation of an
-old-fashioned girl born blind—
-
-“Ah, I see it all now!”
-
-Sometimes the sorrows of the old-fashioned girl are of a kind
-calculated to rouse the amusement of those who are of a newer fashion.
-This is surely the case in the matter of one Ada, who writes—
-
-“I have contracted the miserable habit of writing short words
-backwards, putting ‘dab’ for ‘bad,’ and much more dreadful things than
-that. I feel that in writing my own name I write it backwards, and that
-it is only by happy accident that it reads all right. This comes from
-a game which we have been playing, and which consists of naming words
-that make sense spelt backwards. The boys like it (this will shock
-you), because of the word _mad_.”
-
-Useless were it to tell this Ada that the word which “mad” spells
-backwards is one in which “the boys” may fairly take delight, meaning
-merely, as it does, “a bank to confine water.” The stricken Ada knows
-boys better.
-
-[Illustration: ANOTHER INNOCENT]
-
-(_To be continued._)
-
-
-
-
-IN THE TWILIGHT SIDE BY SIDE.
-
-BY RUTH LAMB.
-
-
-PART XI.
-
-THE LITTLE ONES OF THE FAMILY AND THE GLORY OF MOTHERHOOD.
-
- “A joyful mother of children.”—Psa. cxiii. 9.
-
- * * * * *
-
-I called the subject of our two last talks all-important, because I
-could hardly imagine one possessing wider interest for you. But when I
-introduced it, I alluded to you, my dear girl friends, not only as the
-wives, but as the mothers of the future. Marriage and motherhood are
-alike sacred subjects—the latter certainly not less so than the former.
-
-Before the day arrives when the sweet but solemn responsibility of
-motherhood comes to the young wife, girls who are members of large
-families have mostly shared in the toil, anxiety, and, let us hope,
-also in the joy and brightness that the little ones bring into the
-world with them.
-
-It makes me glad as I call to mind many beautiful pictures of sisters
-who have been second only to the real mother in their loving care of,
-and tender sympathy with, the younger members of the family.
-
-Many a delicate ailing mother has been aided on the path to renewed
-health by the thought that the children, about whom she would otherwise
-be painfully anxious, are being lovingly watched over by an elder
-sister. As she has lain, so willing yet so unable to fulfil her
-maternal duties, her heart has been full of joy, and her thoughts have
-gone up in praise to God for the gift of the precious daughter who is
-cheerfully carrying the weight under which she, unaided, must have sunk.
-
-There are, thank God, many girls who are little mothers almost from
-their cradles. We can find them in rich homes and poor ones. In courts
-and slums where the direst poverty prevails, the baby, often unwelcome
-to the elders, is passed over to the ceaseless care of one who is only
-a few years past babyhood herself.
-
-From the very first the little deputy-mother deems it her baby, her
-choicest treasure, and finds beauties and charms in it which are
-invisible to other eyes. Its increasing size and weight may cause her
-greater weariness, but they are none the less sources of pride and joy,
-and make her forget her own aching back.
-
-She would go hungry that it might be well fed; cold, that it might be
-warmly bundled up in the shawl that ought to do duty as covering for
-both of them. Her baby may be but a caricature of the pink and white
-loveliness of another infant clad in silk and lace and with two nurses
-to watch its every movement; but let a ragged dweller in the same court
-disparage the looks of her darling, and she would fight the slanderer
-as stubbornly as ever knight of old did in defence of the charms of his
-ladye love.
-
-I must not dwell on this picture. Long ago when the “G. O. P.”[1] was
-itself a baby under two years old, I wrote with heartfelt respect of
-“Little Nurses.” I had studied them in many places, and the sight of
-their devotion had inspired my admiration and loving sympathy.
-
-[1] No. 69, vol. ii.
-
-Turning from the baby devotee of the slums, and not for a moment
-forgetting sweet pictures of sisterly devotion which I have seen in
-other ranks of life, I am going to indulge in a little croak about the
-decay of the maternal spirit in many of the girls of to-day.
-
-I was journeying northward some three years ago, and during part of the
-time I had only one companion. She was past girlhood, probably some
-years over thirty, and in the course of conversation she spoke of her
-old happy home and the gradual scattering of its inmates, until she
-found herself the last one left. Her parents had died not long after
-each other, and brothers’ and sisters’ homes were far apart. That there
-had been true family union and affection amongst them I felt sure, for
-my companion could not speak of the good father and mother without a
-trembling of the voice and tears which she turned away to hide.
-
-Later the talk turned on children. I suppose, as an old mother, I must
-have expressed my deep love for them, and I was almost horrified when
-my companion exclaimed—
-
-“I loathe children. I cannot bear even to touch a child.”
-
-The expression on her face proved her sincerity.
-
-Need I tell you, dear girls, that a barrier seemed to rise up between
-my companion and myself, as I heard these unwomanly, nay, I may say,
-inhuman words? Only a short time before, the girl had been moved to
-tears as she spoke of the loving devotion of which she had been an
-object, both as a child and from her youth up. Yet her memories of her
-own home life and of the parents she mourned, had not awakened in her
-cold heart one spark of tenderness for the helpless little creatures
-who are so dependent on those around them.
-
-A truly feminine nature, with its motherly instincts fostered as they
-ought to be, instead of being crushed down and stifled, regards every
-child with tenderness, and would make the surroundings of all the
-little ones brighter, purer, and holier if it were possible to do so.
-
-It happened on that same journey that a comely Scotchwoman got into
-our carriage at a country station. At the door she held out one of the
-loveliest year-old babies I ever saw, and addressing my companion,
-said, “Here, tak the bairn, please, whiles I lift in the others,” for
-there were two more youngsters on the platform just a step above each
-other in size.
-
-My companion fairly shrank into her corner and kept her hands firmly
-clasped, whilst her face expressed disgust and vexation at the
-unceremonious request. The mother’s astonishment was almost ludicrous,
-but I promptly said, “Give me the bairn. I’m used to bairns, you see,
-and this lady is not.” It was a delight to hold the bonny smiling
-darling in my arms. Her beautiful clothing and the pretty neat garments
-of the elder children were eloquent of loving care. And the mother was
-eloquent too about the object of the half-hour’s journey which was to
-show the children to “my ain guid mither, who is just wearyin’ for a
-look at them,” I was told.
-
-I heard about five older ones at home, and how they had to go, two at a
-time and the baby, to see the grandmother, with many particulars which
-brought this comparatively young mother into fullest sympathy with me,
-the old one.
-
-I was quite sorry to give up my pretty charge when parting time came.
-Sorry, too, that my other travelling companion, who sat silent in her
-corner with averted eyes, could not appreciate the charms of childhood,
-or care to impress on her memory the beautiful picture of motherly
-self-devotion and industry furnished by that sample batch from the
-flock of eight. How each bright healthy face, each spotless tasteful
-garment would appeal to the grandmother! How glad and proud she would
-be to see the fruits of her own training, as she looked at her matronly
-daughter and those “bonny bairns” of another generation!
-
-Yet how kind was my first companion to me, when the others had left
-us alone again! We parted at the next stopping-place, but during the
-waiting interval she was like a good daughter in her care of me. I
-think that in paying me sweet attentions she thought of the mother of
-her girlhood whom she had lost. The pity of it was that memory did not
-take her further back, so that, in thinking of the needs of infancy and
-her own childhood, she might have been stirred to sympathy with other
-helpless little ones of the human family.
-
-Another girl, whom I know to be really warm-hearted and affectionate,
-said of her sister’s baby, “She’s a horrid little creature, more like a
-skinned rabbit than anything else. I cannot bear to look at her, and I
-would not touch her for the world.”
-
-We know that newly-born babies are not always beautiful to look upon,
-but how soon the redness of their faces tones down to lovely pink and
-white, and the puckered skin fills out and becomes soft as satin to the
-touch. That girl’s heart must be unwomanly indeed for which a baby’s
-smile and outstretched arms have not an irresistible charm.
-
-Putting aside the fascination of external beauty, we should bear in
-mind the great fact that the frailest, least attractive infant that
-comes into the world is the home of an immortal soul. It brings with it
-a burden of sweet but solemn responsibility to be borne, first of all
-by the parents, but shared in a less degree by all whose companionship
-must influence it for good or evil.
-
-I am not going to imagine that amongst you, my dear girl friends and
-twilight companions, any can be found who have no warm comers in their
-hearts for helpless little ones, or who are insensible to the glory and
-responsibility of motherhood. So, having given vent to the little croak
-suggested by the sayings of sundry girls whom I have met elsewhere,
-let us talk about the children over whom we have, or may have in the
-future, the strongest influence of all. Strongest and best also; if
-we are only true to our divinely-given instincts, and alive to the
-vastness of the responsibilities of motherhood. I cannot help thinking
-that the study of child life and character should form part of every
-girl’s education. Surely no branch of natural history can be equally
-interesting.
-
-There can hardly be a more fascinating subject than natural history in
-all its branches, and we can admire and sympathise with the earnest
-student who spends the best part of a lifetime in observing the ways
-of an insignificant insect. Every secret of structure or habit thus
-revealed is another proof of the goodness and power of God, and adds
-to His glory in the eyes of His believing children, who exclaim in the
-words of the Psalmist, “O Lord, how manifold are thy works! in wisdom
-hast Thou made them all: the earth is full of thy riches.” The Revised
-Version gives the word “creatures,” instead of riches, and truly when
-you and I, my dear ones, call to mind the little we know about these
-wondrous minute organisms that scientific research has revealed of
-late, we are struck with the fitness of the change. It is hard to grasp
-the idea alike of the vastness and the minuteness of God’s works.
-
-If I had time I could quote many passages of His Word which prove that
-some of the best men of old were close observers of nature, and to be
-such is quite in accordance with its teachings. I would plead with all
-nature students, but, above all, with girls, who will be the mothers
-of the future, to give the closest, most prayerful study to the young
-human beings on whose right training so much depends.
-
-Lovers of horses, dogs or cats are generally eloquent about their
-pets, and can indicate every point of excellence in them, or allude
-regretfully to the smallest blemish. They spend money lavishly in order
-to acquire perfect specimens, and are careful to maintain them in
-health and more than comfort.
-
-These costly pets are so much living capital, and it is safe to say
-that many a parent could tell more about the disposition and doings of
-a favourite horse or dog, than of the dispositions of the children who
-call them father or mother.
-
-It is often said that the baby brings a vast heritage of love with
-it into the world, and I believe in the truth of this. But sometimes
-the love gets into the wrong heart, if I may use such an expression,
-instead of filling that of the mother, who, regarding the helpless
-creature as a hindrance to what she calls “pleasure,” is willing to
-relinquish the privilege of caring for her child to other hands. If
-these are truly womanly hands, and the nurse has in her a motherly
-heart, the child may lose little by the change during its first years.
-Later on, Nature asserts herself and only a mother’s love can satisfy a
-child’s yearnings.
-
-On this subject of motherhood, as in all that you and I, my dear girl
-friends, have talked about together, we need to look into the Book of
-books for light and guidance.
-
-Motherhood is part of Nature’s—or should I not rather say of God’s—plan
-for womanhood. Let us look back together at the earliest chapter of
-human history, and note how children were regarded then.
-
-Eve, so named because she was “the mother of all living,” or “life,”
-as the Revised Version gives it, clasped her first-born to her breast
-and cried in her exultant joy, “I have gotten a man from the Lord.”
-She looked upon her babe as the direct gift of God. She, like many a
-mother in after days, could not foresee the sin and the sorrow that
-would shadow his manhood and her own heart. But in holding her infant
-treasure to her breast, she would have a present joy and sense of
-riches that words cannot describe. She, the only human mother, with the
-only human infant in the wondrous new world which was to be peopled by
-her children, must have had sensations which none of her descendants
-could possibly repeat.
-
-And yet, believe me, every loving mother who is worthy of the name, has
-a like feeling of riches, when she can say, “This is my child, my very
-own. This wonderful little body is given me to feed, clothe and guard.
-It is my privilege to see that it is fed with food convenient for it,
-that the tender frame is shielded from too great heat or biting cold,
-that it is kept from places and things which might injure its health,
-or prevent its growth into sturdy boyhood or girlhood.” The true mother
-was proud of her name in the old days of Bible history, and to be
-childless was to be a sad and dissatisfied woman.
-
-When Seth was born, after Abel had been slain by his brother, the
-joyful thought of Eve was that the vacant place in her motherly heart
-was filled again, and she cried, “God hath appointed me another seed
-instead of Abel whom Cain slew.”
-
-She had sons and daughters, we know not how many, during the ages which
-followed, but there is no detailed history of them. Still it gladdens
-our hearts to know of the joy of that first mother, when Seth was given
-to her in place of the good son who “was not.”
-
-Pass with me down the ages and look into the tent of Sarah, when she
-held in her arms the child of promise, so long hoped for, even against
-hope as it seemed. “And Sarah said, ‘God hath made me to laugh;
-everyone that heareth will laugh with me.’”
-
-Childless Rachel bemoaned her hard fate and cried, “Give me children,
-or else I die.” Then when Joseph was born she gave him the name which
-meant “added,” and said, “The Lord add to me another son.”
-
-Yet another picture for us to look at together, my dear ones. It is
-that of Jacob as he met his brother Esau. After the brothers had
-embraced and kissed each other, Esau “lifted up his eyes and saw the
-women and the children, and said, ‘Who are these with thee?’ And he
-said, ‘The children which God hath graciously given thy servant.’”
-
-Why are we studying all these Bible pictures, and glancing at the
-domestic stories which they illustrate? Is it not that we may all
-realise more fully the glory of motherhood, the value set upon children
-by the mothers of old, and the universal acknowledgment that a child
-was a precious gift from God?
-
-Ah, there was no talk of loathing children then! No shrinking from
-the touch of a fair, innocent, helpless babe! No talking lightly or
-contemptuously of the little ones. The Psalmist calls children “the
-heritage of the Lord—His reward,” and says that “He makes the barren
-women to keep house” (or to dwell in a house) “and to be a joyful
-mother of children.”
-
-Motherhood conferred dignity and made the woman mistress of a home and
-the head of a household. Ever and always the presence of a child or
-children added to the sense of riches, being regarded as the special
-gift of God and a token of His favour.
-
-It is not easy to exhaust Scripture on this beautiful subject, for one
-Bible mother seems to rise after another and claim our attention and
-admiration. We see Hannah appearing in the house of the Lord, first
-pleading that she too may know the glory and joy of motherhood, and
-then, taking her weaned child to dedicate him to the lifelong service
-of the Giver. “For this child I prayed, and the Lord hath given me my
-petition which I asked of Him, therefore also I have lent him to the
-Lord; as long as he liveth he shall be lent to the Lord.”
-
-How self-sacrificing, how sublime was this act on the part of the
-mother! Just when her little Samuel had twined himself round her heart
-by the imperishable cords of love; as each day witnessed some new
-growth and charm in the boy; and the parting must have become almost
-too great a trial for the tender mother to contemplate, for “the child
-was young.” Hannah brought him to Shiloh and left him there.
-
-Hers was no temporary sacrifice. She renewed it year by year, rejoicing
-that her son, God’s gift, was accepted by Him in turn as she gave him
-back, “and was in favour both with the Lord and with men.”
-
-We have passed by the mother of Moses and her plan to save, if
-possible, the life of her infant, and other Bible mothers, around whom
-we might well pause. We must, however, glance for a moment at the
-Virgin Mother and her Babe lying in His lowly manger-bed, the infant
-Saviour, “Christ the Lord.”
-
-Stretching across the years, we see Jesus in His manhood taking the
-little ones in His kind arms, blessing them and saying, “Suffer the
-little children to come unto Me, and forbid them not, for of such is
-the kingdom of Heaven.”
-
-Now, my dear girl friends, what impression has this talk left on your
-minds? Has it not elevated your ideas of motherhood, and taught you how
-it was regarded amongst the men and women of the Bible? Is it not a
-sacred and glorious trust as well as a joyful one?
-
-Are not the little ones, of whom some girls of to-day speak slightingly
-and worse, to be regarded as God’s good and precious gifts to be nursed
-for the Lord, fitted for and dedicated to His service?
-
-(_To be concluded._)
-
-
-
-
-FROCKS FOR TO-MORROW.
-
-BY “THE LADY DRESSMAKER.”
-
-
-Just now there is a very general feeling that women need more oxygen
-than they get. I do not know if it be owing to the largely-published
-fact that the Queen spends most of her day in the open air; but certain
-it is that one of the newest fashions is that of walking, and this has
-taken, with the leaders of London fashions, the place of cycling, to
-which they were so devoted two seasons ago. Most of the great ladies
-might have been seen in the Park during the past spring taking an early
-walk, frequently accomplishing the round of the Park at a good even
-pace, which meant exercise and health. Of course, now we know that the
-best way to avoid fat and keep the slender figure of youth is to walk
-regularly and constantly, and that any dietary or starving process is
-unsafe, it is easy to decide the matter for ourselves. Three miles a
-day is said to be enough, though some people say more. At any rate,
-it is the regularity which contains the charm and makes its success.
-And the doctors say that oxygen is what is needed to keep the eyes
-bright and the skin fair and healthy. So, fortunately, walking is cheap
-besides being fashionable, and it is the only way to find that physical
-energy without which one is inert and languid. So, now that I have told
-my readers the latest development in this way, they should try to lay
-in such a stock of energy during the coming autumn and winter as shall
-make them perfect giants in ordinary life.
-
-[Illustration: BRAIDED FAWN CLOTH GOWN FOR AUTUMN.]
-
-There is another subject which is rather akin to this one, of which I
-find a note, and that is the general complaints of eye-trouble made
-this spring and summer by cyclists. It is said to be a form of spring
-ophthalmia, caused by the particles of dust and decaying matter with
-which the atmosphere is loaded, which also affect the throats of those
-who are in the habit of riding with the mouth open. One of the great
-London dailies has mentioned this subject, and a London specialist of
-renown has declared that the remedy for the first trouble is to have a
-pair of spectacles with crape sides—as the wire sides are too hot—and
-to keep the mouth shut while cycling. A mild antiseptic is used for the
-eye-trouble, for which a doctor should be consulted.
-
-[Illustration: CASHMERE AUTUMN GOWN.]
-
-And now, having informed you of the very latest modes in this
-direction, we may turn to another note of mine, made at the Women’s
-Congress in July last, when I quickly noticed one thing, that American
-women, who are strong on matters of hygiene and ready to take advice on
-it, had all dismissed veils both with hats and bonnets, and that all
-the Englishwomen present, with hardly an exception, wore them—of every
-kind and colour. In fact, an Englishwoman feels her face unclothed
-without a veil to hide it, and the idea of its becomingness and that it
-hides the ravages of time is a constantly alleged reason. The American
-woman, like Gallio, cares for none of these things, and she looks as
-well. Certainly her skin is as clear and healthy as anyone else’s,
-and perhaps it is better and rosier in hue. She has attended lectures
-innumerable on personal hygiene and on physical culture until she knows
-a few things by heart. They are, that neither sun nor air are enemies
-to woman’s beauty; and that science declares that veils of all kinds
-are of no good for anything, and that they affect the eye and its sight
-most injuriously. The subject of the danger of spotty veils has been
-frequently ventilated, and yet our women and girls do not seem to have
-taken notice of the warning. I was much struck with the docility of the
-Americans in this way; they really tried to follow out every suggestion
-and discovery which made for better health and improved powers and
-energies in daily life.
-
-[Illustration: AN AUTUMN HAT.]
-
-It is difficult to say whether the revival, which has been very
-evident, of this early Victorian poke will be a lasting one; but
-I think it will probably extend into the winter in the form of
-comfortable velvet and feather creations, in which we shall all look
-more or less like our grandmothers. Some of us will find them very
-becoming indeed. The new pokes differ from the old ones in showing
-entirely that pretty coil of back hair which is so charming a feature
-of present-day hair-dressing. The old pokes of the beginning of the
-present reign were not made to do this, nor were they furnished with
-the pretty tulle strings which add so much to their becomingness. To
-me, this ancient head-covering is always associated with black ostrich
-tips and pink roses, but I may find out as the seasons roll that new
-discoveries have been made in this also, and that will be a decided
-gain, for there was, if pictures may be trusted, an unpleasant sameness
-about the headgear of one’s forebears.
-
-The French sailor has been really distinctively the hat of the season.
-It is a wonderful hat, for it suits everyone, and especially all those
-difficult to suit on account of either having thin faces or possessed
-of a few years too many. The brim, moreover, is not too wide, and
-does not cast an unbecoming shadow. Many women invariably select this
-shape, and fortunately it is always to be found, as its popularity is
-quite assured. It is easy also to trim them for oneself, and select a
-black one trimmed with black net, relieved, if you choose, with a paste
-buckle; or else a white one trimmed entirely with white tulle or net.
-These were the most fashionable things of this last season. Fancy gauze
-is also worn, and the net and gauze ruchings that can be purchased
-ready-made can be used for them.
-
-It has been also much in vogue during the last few weeks to have hats
-of this French sailor shape in colours, _i.e._, greys, fawns, browns,
-even drabs, trimmed with tulles of the same colour. These have been
-very pretty, and will be in good taste for the autumn season, as they
-are suitable for wearing with travelling dresses, and they will be
-found to survive a good deal of hard wear. It is rather the fashion to
-wear a veil of the same colour with these hats, the meshes of which are
-chosen large and the veiling clear, with dots very far apart. Violets
-and blues seem to me very becoming, but I cannot say that I think the
-same of reds and pinks. Veils of white lace—washing lace as it is
-called—are very much used with sailor hats again.
-
-[Illustration: A GOWN OF LACE AND VOILE.]
-
-Our illustration of a braided gown of fawn-coloured cloth shows the
-last new style for autumn wear. The braiding is done in a darker shade
-of fawn; or, in some cases, in black, or in white; but the dark shade
-of the same hue is more fashionable. The hat is a lace straw, trimmed
-with ostrich feathers and shaded roses of a dark hue, and strings of
-black gauze. This hat, and that shown in our illustration of the single
-head, are good examples of the autumn afternoon hat; and they are
-suitable both for visiting, and for garden-parties in the country. The
-autumn hat is of a white chip, or Panama straw, with black feathers,
-black gauze, and a paste buckle; while under the brim is a cluster of
-chrysanthemums in mauve and red.
-
-I wonder whether my readers have discovered for themselves the extreme
-usefulness of voile as a material? I have illustrated a dress which
-is, of course, suitable for dress occasions only, but which might be
-modified, and would be just as suitable during the winter for quiet
-evenings, as it would be for autumn garden parties.
-
-The gown of cashmere is far more simple. It has revers of satin to
-match the colour of the cashmere, which is rather an uncommon shade of
-borage-blue—that delightful shade, so clear and yet not at all crude
-in tone. The hat is of blue, with a wreath of very tiny mauve flowers
-resting on a scarf of blue, of the very palest shade of the same.
-
-If it should prove to be a fine autumn and winter, I hear it prophesied
-on all sides that red will be more worn than even during last winter:
-indeed, that all bright hues will be in favour.
-
-My last few lines must be devoted to the question of “hats in church,”
-which seems just now a burning question in America. I read an account
-lately, in an American journal, of the movement in a part of the
-Methodist body to do away with the wearing of large hats in church,
-where their use is even more objectionable than elsewhere in any place
-where people gather together in numbers. It is said by the advocates
-of the change that it is not contrary to Scripture, for at the time
-when St. Paul wrote, the women were in a state of servitude and more
-or less seclusion, and they are not so now. It seems probable that the
-movement will spread throughout America. You will find that at many
-public meetings there, and even here during the Congress, many women
-took their hats off while the meetings were going on.
-
-
-
-
-HOUSEHOLD HINTS.
-
-
-THE register of a bedroom fireplace should never be closed, but left
-open for free ventilation from above.
-
-
-FIRE-IRONS and fenders not in use in the summer should not be
-neglected, but kept constantly rubbed up and not allowed to rust.
-
-
-PARSLEY is injurious to fowls, and should not be given to them.
-
-
-
-
-THREE GIRL-CHUMS, AND THEIR LIFE IN LONDON ROOMS.
-
-BY FLORENCE SOPHIE DAVSON.
-
-
-CHAPTER VIII.
-
-THE WATER-PARTY.
-
-“How did you enjoy yourself last evening, Marion?” asked Ada, on the
-morning after Marion had paid her promised visit to Mrs. Holden.
-
-“Very much indeed.”
-
-“Was it a regular dinner-party?”
-
-“Oh, no, only just ourselves, you know—and Mr. Scott!”
-
-Jane looked very wise.
-
-“Madge made a delightful suggestion,” went on Marion quickly. “How
-should you like a water-party, Jenny?”
-
-“The most delightful thing for this fine weather, but who would row?”
-
-“Mr. Holden and Mr. Scott are both thoroughly accustomed to it.”
-
-“Jenny and I can take turns,” said Ada; “we have always been accustomed
-to it, but you never went in for it, did you?”
-
-“No, I can only steer,” said Marion, laughing. “I told Madge that we
-would bring half the lunch and half the crockery. We can get tea at a
-cottage that they know of.”
-
-“But you have not told us yet where we are going,” said Jane.
-
-“Oh, I forgot. Madge and her party will meet us at West End Lane
-Station, and we will take the 9.20 train to Richmond; catch the one
-that goes on to Twickenham, row to Teddington, land on the bank and
-have lunch, and have tea at the cottage I spoke of.”
-
-“Just the very thing to brush the cobwebs out of our brains,” cried Ada
-enthusiastically, “is it not, Jenny? We all want a treat, and we are
-all rather fagged out. Is it to be this next Saturday?”
-
-“Yes, if we can arrange it in time.”
-
-“Well, there is very little to arrange, when one comes to think of it,”
-said Ada meditatively, “unless Mrs. Holden thinks of inviting a big
-party.”
-
-“No, just themselves and ourselves.”
-
-“Did she say what part of the lunch she would prefer to bring?”
-
-“She suggested the meat and also the drinks.”
-
-“Ah!” laughed Jane, “she thinks it wise to ensure something solid for
-her husband and brother! And we are to bring the sweets, and so on?
-Then do have a tomato salad; it is the most delightfully cooling thing
-you can have on a hot day.”
-
-“My good girl, how in the world can we pack it? I suppose you mean to
-take the tomatoes and make it as it is wanted; but that is rather a
-nuisance. My experience of water-parties is that you never land for
-lunch until you are so famished that to make a salad is the last thing
-anyone wishes, and any materials of that sort are thankfully despatched
-in the raw!”
-
-“But we can,” urged Jane. “How can an old person like you be supposed
-to understand the latest contrivances of the age? We can slice the
-tomatoes and put them in layers in a jam pot with the oil, vinegar,
-chopped parsley and onion, and tie the whole down. It will stand up
-quite well in a corner of the hamper, and will not upset.”
-
-“Bravo, Jenny, we will certainly have one. _Is that your own idea?_”
-
-“It is my own idea, and I intend to patent it,” said Jane, with
-dignity, “so please see that you do not infringe my rights. Now one of
-you can suggest a suitable sweet.”
-
-“It is rather difficult,” said Marion. “Shapes pack so badly, and
-pastry is apt to crumble. Jelly has an unfortunate habit of turning
-into soup just when it is wanted.”
-
-“Perhaps it will be better to stick to fresh fruit,” said Ada.
-
-“We must have something else,” said Marion meditatively. “How would it
-be if we took the materials for a Cicely pudding? It only takes a few
-minutes to make.”
-
-This suggestion met with warm approval from the two others, for the
-Cicely pudding was an old favourite, the brilliant invention of a
-mutual friend in the country; but for the recipe thereof the gentle
-reader must be content to wait awhile.
-
-“Very well,” said Jenny, “Marion shall make the Cicely pudding, and I
-will make the tomato salad. What will Ada do?”
-
-“Make the sandwiches,” said Ada promptly. “There must be sandwiches,
-some of anchovy and hard-boiled egg, and some of cucumber.”
-
-“Shall I order a sandwich loaf?” asked Marion.
-
-“No, I think not. I prefer ‘Florentines,’ they are handier in every
-way.”
-
-“Florentines” are little long-shaped milk rolls, something the shape of
-sponge fingers, but rather larger, and as they only require to be split
-and spread, much time is saved, and so it was settled.
-
-On Friday evening, whilst Ada was making the sandwiches, Marion made up
-and looked over the weekly accounts up to that evening. She knew there
-would be no time on Saturday, as they would be late back. A box of
-fresh eggs had been sent from her country home on the Monday previous,
-and this had served famously for the week’s breakfasts.
-
-This is the dinner list:—
-
-_Sunday._
-
- Fried Mutton Cutlets.
- Potatoes.
- Green Peas.
- Gooseberry Shape.
-
-_Monday._
-
- Leek Soup.
- Veal Cutlets (cooked in the oven).
- Potatoes.
- Macaroni Cheese.
-
-_Tuesday._
-
- Veal and Ham Patties.
- Poached Eggs on Endive.
-
-_Wednesday._
-
- Boiled Neck of Mutton and Vegetables.
- Steamed Ground Rice Pudding and Jam.
-
-_Thursday._
-
- Potato Soup.
- Fried Cauliflower in Batter.
- Bread and Fruit Pudding (cold).
-
-_Friday._
-
- Cauliflower Soup.
- Grilled Mackerel.
- Stewed Gooseberries.
-
-The food account was as follows:—
-
- £ s. d.
- 1½ lb. neck of mutton (cutlets) 0 1 0
- 1 lb. veal cutlet 0 0 10
- 1½ qrts. gooseberries 0 0 9
- 1 lb. cheese 0 0 7
- ½ lb. macaroni 0 0 2
- Leeks 0 0 2
- Flavouring vegetables 0 0 3
- Endive 0 0 2
- Potatoes 0 0 8
- 1½ lb. neck of mutton (for boiling) 0 0 10½
- 2 cauliflowers 0 0 5
- 2 mackerel 0 0 10
- 8 loaves 0 2 4
- Milk 0 1 9
- ½ lb. tea 0 0 10
- 1½ lb. Demerara 0 0 3
- ½ lb. loaf 0 0 1
- Sponge cakes 0 0 6
- Jug of thick cream 0 1 0
- Small jar of greengage jam 0 0 6
- 2 punnets of strawberries 0 1 4
- Tin of anchovy paste 0 0 3½
- Florentines 0 3 0
- 1 lb. tomatoes 0 0 8
- -----------
- £0 19 3
-
-“Where are the strawberries?” asked Jane as she looked over Marion’s
-shoulder. “I have not seen them.”
-
-“We are to call for them at the greengrocer’s the first thing, and
-have them directly they come from market. I was afraid to have them in
-overnight for fear of their getting too juicy.”
-
-Early next morning the sunshine streamed into Marion’s room and awoke
-her with the promise of a happy day. She rose and dressed quickly and
-was down the first, looking delightfully cool and fresh in a white coat
-and skirt. She busied herself with packing the hamper, and as she set
-to work down came Jane, resplendent in blue. She got out the tomatoes,
-sliced them quickly and arranged them in layers in a large jam pot,
-sprinkling oil, vinegar, chopped parsley and onion in between. Then she
-tied a new jam cover over, and put her _chef d’œuvre_ carefully in the
-hamper.
-
-“You two busy bees make me feel so disgracefully lazy,” cried Ada as
-she ran in a few minutes later. “I quite intended to be the first
-to-day. I will get you some breakfast to make amends,” so saying she
-quickly laid the table in the sitting-room, and made the tea. As soon
-as the hamper was packed, they sat down to a hasty meal. As they were
-finishing there was a ring at the bell.
-
-“I declare I had forgotten all about the post!” cried Jane. “A letter
-without a stamp, I suppose. I hear Abigail speaking to him.”
-
-But it was not the post, for the door opened, and Mr. Tom Scott was
-shown in.
-
-“I hope you will excuse me, Miss Thomas,” he said to Marion as he shook
-hands and was introduced to the other two. “I was so afraid that you
-might find the hamper with the crockery too heavy to carry, and my
-sister said she thought I might venture to call and see if I could be
-of any assistance.”
-
-“We are just coming,” said Marion, smiling. “Thank you; I don’t think
-we should have found the hamper too heavy.”
-
-Ada and Jane disappeared to make the final preparations; Marion picked
-up her hat from off the little side-table and pinned it on, listening
-to Mr. Scott as he discussed the day’s proceedings. Soon Jane came back
-bearing the hamper in triumph, of which Mr. Scott immediately took
-possession, and so the party set out.
-
-On the way they called for the strawberries as arranged. They got to
-the station just in time to meet Mrs. Holden and her husband, who had
-just arrived, having taken the next train after Tom Scott. They had
-only a few minutes to wait for the Richmond train. Marion was just
-going to get the tickets for her party, but she was prevented by her
-friend Madge, who explained that the railway-tickets represented her
-husband’s share of the entertainment and the boat her brother’s, so
-it was no good protesting. So, as Jane afterwards described it (with
-a sigh of content at the recollection), “they went to Twickenham like
-dukes and duchesses in first-class carriages,” adding sagely, “Being a
-working woman has one great advantage, for one certainly knows how to
-appreciate the good things of existence when they fall to one’s share.”
-
-The day was glorious; a deep blue sky scarcely flecked with clouds,
-brilliant sunshine, not a breath of wind. The train was very full, and
-there were many other merry parties besides their own. Everyone seemed
-taking a holiday. At Richmond they had to run quickly over the bridge
-for the Twickenham train, which they just managed to catch; as they
-caught a glimpse of the river and saw how crowded and covered with
-boats it was just there, they all felt glad that they had arranged
-to start a little higher up, where they would have more space. At
-Twickenham they got out and walked through the hot streets of the
-quaint old town to the water’s edge, where under the trees the boat was
-ready for them.
-
-So they all got in—Mr. Holden and Tom Scott rowing, Jane and Ada
-comfortably reclining in the bow, Mrs. Holden and Marion in the stern.
-The boat glided gently along. Marion had never seen this part of the
-river before, as she had had little leisure for pleasure parties since
-she came to live in town, and she was delighted with the beauty of the
-scene. Tom Scott showed her Pope’s Villa and other places of interest.
-In spite of the heat, Jane seemed blessed with a superabundance of
-energy, and after a time she took Mr. Holden’s oar and rowed so well
-that he declared himself surpassed. Now they neared the towers of
-Hampton Court, and finding a suitable little island shaded by willows,
-they moored to a tree and prepared for lunch, for which they all had
-excellent appetites.
-
-“We have to make our pudding, you know,” said Marion, laughing.
-
-“Going to do cooking out of doors?” asked Mr. Scott. “Shall I make a
-field oven?”
-
-“No, we don’t need to do any cooking, and it will all be ready in five
-minutes,” she answered, and set to work.
-
-She brought out the sponge cakes, split them in half, and put half
-of them at the bottom of a large pie-dish that she had brought with
-her; this she spread with a thick layer of greengage jam, then she put
-another layer of sponge cake. “Now, Jenny, the strawberries,” she said;
-but Jenny had already got them out and was busy picking off the stalks.
-When this was done, she arranged them on the cake in a thick layer,
-sprinkled them thickly with castor sugar, and lastly spread thick
-cream, which she had brought in its own brown jar, over the whole. As a
-last touch, a few “hundreds and thousands” were quickly sprinkled over
-the top, and the dish was finished, amidst the admiring plaudits of
-Madge and her party.
-
-Jane’s tomato salad went excellently with the cold lamb which Mrs.
-Holden had provided, and the whole repast went off well. Ada’s
-sandwiches kept perfectly fresh, as they were wrapped in a damp cloth
-before being packed, and they were much liked.
-
-After lunch the indefatigable Jane washed up, Mrs. Holden and Ada
-helping her, and repacked the hamper. They then rowed across the river
-to the Palace. Marion suggested looking at the pictures, and Tom Scott
-offered to conduct her, with an alacrity that was quite surprising,
-considering that he had been expressing his absolute ignorance of the
-subject about five minutes before.
-
-“Will you come, too, Madge?”
-
-No; Madge preferred to be lazy and sit out of doors, admiring the
-orange trees—Mr. Holden also, and Ada. Jane thought she would like to
-go, and so the three started off. The cool shade of the great rooms was
-a delightful change after the glare of the gardens, and they sauntered
-through, admiring the pictures and carving and the beautiful views seen
-through the open windows. Jane was very much amused with an old Dutch
-picture representing a street scene with no sky; the perspective was so
-odd that she declared the people were walking on the wall like flies.
-She ran back to the other two to tell them to come and look at it, but
-they seemed so deeply engaged in conversation that she did not disturb
-them.
-
-“You can’t think how delightful it all is after the lonely life I have
-been leading for three years,” she heard.
-
-When they went out again to the others, the afternoon was growing
-cooler. They all went back to the boat, for they were now to row a
-little way in the direction of Twickenham and to land at a cottage,
-where tea was ordered beforehand.
-
-Jane rowed again, and by the time the cottage was reached was quite
-willing to let the old woman in charge make the tea as she was getting
-just a little tired. She did justice, however, as they all did, to the
-good things provided—the honey, which the old woman’s bees had made,
-the strawberries from the cottage garden, the home-made bread and
-delicious country butter.
-
-In the cool of the evening our merry party started to row back to
-Twickenham, Marion steering under Mr. Scott’s direction, who was rowing
-just in front of her. They just caught the train at Twickenham, and so
-ended a very happy day.
-
-(_To be continued._)
-
-
-
-
-SHEILA’S COUSIN EFFIE.
-
-A STORY FOR GIRLS.
-
-BY EVELYN EVERETT-GREEN, Author of “Greyfriars,” “Half-a-dozen
-Sisters,” etc.
-
-
-CHAPTER XXI.
-
-BROTHERLY COUNSEL.
-
-“Oscar, now that we are alone, now that nobody can interrupt us, I want
-to talk to you about my plan.”
-
-Sheila’s face was flushed, her big eyes were sparkling. She looked less
-the child, Oscar thought, and more the woman than when he had seen
-her last. He had been struck by this when he first saw her on board
-the boat. He had thought the same thing many times that day as the
-thundering express bore them from Plymouth to London. Now they were
-alone in Sheila’s room in the hotel where they were to spend the night.
-A big fire blazed on the hearth. The curtains were drawn, and brother
-and sister were alone together. The rumble in the streets below made a
-ceaseless murmur, but it was different from the rattle and roar of the
-train. They could talk at their ease now.
-
-On the way up to town Sheila had poured her whole history into Oscar’s
-ears, and had heard the story of his own trouble at home, and the
-shadow which rested upon him. She had not said much, there had been no
-excited outburst such as he had expected. Perhaps the presence of other
-people in the carriage was a check upon her, or perhaps she had learned
-something of the lesson of self-control and reticence.
-
-Anyway she had been unwontedly quiet during the last hours of the
-journey, and Oscar, who had felt very weary after his long hasty night
-journey down to Plymouth, had dozed in his corner. But now, after
-their arrival here, after their substantial meal below, they had come
-upstairs for a confidential talk which had been impossible before.
-
-“Oscar, I have thought it all out. It came to me first on ship-board,
-even before I knew anything about you and what had happened in the
-office. (Why didn’t you tell me in your letters?) I made up my mind
-then and there that I would never, never, never live at Cossart Place
-again. Aunt Cossart has behaved infamously to me. She has tried to
-spoil my life and make me always wretched and miserable. I will never
-forgive her. I will never see her again!”
-
-Oscar looked straight at his sister, but said nothing, for Sheila was
-proceeding with her old impetuosity.
-
-“You can’t understand what it was like there. Even Mrs. Reid understood
-and was indignant. Oh, yes, I know she was, by the little things she
-said, though, of course, she would not say much. Everybody knew. I feel
-as though I could never bear to see any of them again. She is a hateful
-woman. The Barretts told me how furious people were with her when they
-knew she was going to send me home. Everybody guessed why—that was the
-horridest part of it. And I had been so happy. Everybody was so kind,
-and I had to go without even saying good-bye, but I felt I couldn’t—I
-couldn’t! The Barrett girls declared they believed everybody would cut
-them for it. I’m sure I hope they will! Oh, I can’t help being angry—I
-can’t indeed!”
-
-“Sheila dear, don’t get excited,” said Oscar soothingly. “I can
-understand that it was very hard. It is very hard to be misunderstood,
-and to have things put down to us that we know we have not done, but we
-have talked over all that before. Tell me about this plan of yours.”
-
-“Oh, yes. Oscar, you will be twenty-one soon, won’t you?”
-
-“Yes. What has that to do with it?”
-
-“Everything, for you will have command over our money then.”
-
-“Yes; at least over my half, anyway, perhaps over it all. But it is not
-much, Sheila.”
-
-“I know it is not; but it is enough to make us a little home. Now
-listen, Oscar, for I have it all planned out. You shall go on at the
-office if you must, because it’s something to do, and Uncle Tom has
-been kind in a way, though if he suspects you—however, we won’t talk
-any more about that. But we won’t go on living with the Cossarts any
-more, I’m quite determined on that. We shall have enough to have a
-little home of our own, even if it’s only a lodging; and you will go to
-the office, and I’ll try and get some music pupils, or little children
-to teach in the mornings, or something to help. And I’ll keep our home
-as nice as possible, and we’ll have cosy evenings together, and we’ll
-have nothing to do with the people who have behaved so badly to us. Oh,
-I don’t mean that we’ll cut them or anything, but we won’t go on living
-with them and eating their bread. I couldn’t possibly dream of going
-back to Cossart Place ever; and they don’t want me at Uncle Tom’s, and
-besides, how could I go on living in the same house with that Cyril? I
-can’t think how you can do it, Oscar, I really can’t.”
-
-Sheila leant forward with flushed cheeks and shining eyes. Oscar was
-leaning back in his chair, his face a little in the shadow. Sheila
-had been struck on first seeing him with the sharpened look of his
-features, and the tired expression in his eyes; the same thing struck
-her again more forcibly at this moment, although she spoke no word of
-it.
-
-“Say you think it a nice plan, Oscar, for I’m sure you do!” she cried
-eagerly.
-
-“No, Sheila, I don’t think it would do,” he said slowly.
-
-“Oh, Oscar, what do you mean? I’m sure it would. We should be so happy
-together, you and I. And it’s often so horrid being with people who
-misunderstand us. I think we’ve had enough of that. Oh, don’t say you
-won’t think of it!”
-
-“I am thinking of it, Sheila, I’m thinking hard, for I hate to thwart
-you; but I don’t think it would do, and you would find that living in
-a very small way, and trying to earn something yourself, are two very
-difficult matters for people brought up as we have been.”
-
-“But, Oscar, we should belong to ourselves and each other. We should be
-free from those horrid things that happen in other people’s houses.”
-
-“But we should have other troubles and worries to face, Sheila. And do
-you know, I think it would not only be very ungrateful to our relations
-to take ourselves off like that, but I think it would be very bad for
-us ourselves.”
-
-“Bad for us? I don’t understand.”
-
-“I think it is always bad for people to rebel too much against the life
-which—well—which God seems to have arranged for them. Sheila, don’t you
-think that in the old days you and I had rather too much of our own
-way?”
-
-“I never thought about it—did we?”
-
-“I think so. Everything was made so smooth for us, and we had so few
-battles to fight. I sometimes think it might have been better for us
-if we had had more. Sheila, take my case; it is true I know nothing
-about this lost money, but in one sense the fault is mine. I always did
-the thing that was the easiest and pleasantest at the moment, though
-North warned me again and again that my easy-going ways were slovenly,
-and might lead to confusion and worse. I never quite believed him, and
-never seriously tried to conquer my tendencies, and you see what has
-happened. Whoever is to blame, the thing could not have been but for my
-fault.”
-
-“Well, I think that’s a very hard way of looking at it; but what then?”
-
-“I have not quite finished, Sheila; I want to talk about your case.
-It has been something the same with you, little sister. You have
-always liked to drift along easily with the current, doing what was
-pleasantest at the moment. If people were kind and made you welcome,
-you responded to all their overtures, without always stopping to think
-what Aunt Cossart would like, or if it were quite considerate to Effie.
-They were quite small things, but little by little they made trouble;
-and then came this great storm which has made you so miserable. You
-were not to blame, as I was; I don’t think you were ever warned, and it
-was difficult for you to see from day to day how things were going; but
-I think perhaps, Sheila, we have both been selfish in our own way, and
-have not thought enough——”
-
-“You’re not selfish, you’re not careless,” cried Sheila interrupting
-excitedly. “I only wish I were one quarter as good. Oh, Oscar, I do
-believe I have been selfish, though I never meant it. I never thought
-of such a thing. We have always been used to being happy—to have people
-like us. It seemed so natural. I didn’t mean any harm.”
-
-“No, Sheila, I am sure you didn’t; but you know life is not given to us
-just to enjoy for ourselves. We must try and think of other people too,
-to put them first. It is harder for you than for some, because father
-always spoiled you; and everybody likes you, and you are so pretty and
-fascinating.”
-
-But Sheila jumped up and put her hand upon his lips.
-
-“Don’t, Oscar! I don’t want to be praised; I begin to feel that I have
-been rather naughty and selfish, though I wouldn’t believe it when my
-conscience pricked now and then. I was wrong to be so furious with Aunt
-Cossart. Sometimes it made me a little frightened—when I wanted to say
-my prayers—and didn’t know how to get out ‘Forgive us our trespasses,
-as we forgive—’ Oh, Oscar, I don’t think I’ve forgiven Aunt Cossart
-yet. Suppose there had been a storm, and the vessel had sunk! How
-dreadful that would have been!”
-
-“You will forgive everything, Sheila, when you think about it a little
-more. When we begin to understand how many faults we have ourselves, we
-see that we must forgive, we can’t help it. Everything seems to sink
-out of sight except the thought of His forgiveness of us, and what it
-cost to win it.”
-
-Sheila suddenly fell upon her knees before Oscar, and looked anxiously
-into his face. It was seldom indeed he had spoken to her quite so
-openly. A quick thrill of anxiety ran through her.
-
-“Oscar, have you forgiven Cyril?”
-
-“Yes,” he answered in a low voice. “Indeed, sometimes I think it is he
-who has to forgive me more than I him. For remember, Sheila, it was my
-carelessness that put in his way the opportunity—suggested, perhaps,
-the temptation. When I think of that, I feel that it is I who need the
-forgiveness.”
-
-Sheila looked awed at the thought suggested—that terrible thought so
-often overlooked and set aside, that not alone to ourselves do we sin
-and do amiss; but that in some way or other our comrades and friends
-may become involved in our wrong-doing.
-
-“‘_Sic vos non vobis_,’” quoted Oscar in a dreamy fashion. “I begin to
-understand those words, Sheila, as I never did before.”
-
-“But it is rather dreadful, Oscar; it makes it seem as though our sins
-went on and on so!”
-
-“Yes, that is what I want to understand better. Our sins are forgiven,
-but the effects of them so often go on and on. We must think of that,
-too, Sheila; it will help to make our faults hateful to us. It will
-make us more patient when we have to bear blame that we do not quite
-merit; for how much more blame do we deserve than we ever get!”
-
-Sheila was silent a long time, looking up into Oscar’s face.
-
-“And my plan?” she asked tentatively.
-
-“Would be a selfish one,” answered Oscar quickly, “for it would hurt
-the feelings of our relations; and I think it would be a shirking of
-the discipline of life, which we both stand in so much need of, Sheila!”
-
-“You don’t.”
-
-“Yes, I do. It would be very much pleasanter for us to have a little
-independent crib of our own, where we should be able to indulge
-ourselves and each other, and get away from all the little frictions
-of life in a family where things are not done quite in the way we have
-been used to. But it would be like running away from what seems to
-have been given us to bear; and I expect we should find we soon had a
-big new crop of worries and bothers, quite as big as the old ones. So
-I think, Sheila, we will not force things ourselves. We will go back
-to Uncle Tom’s, and wait and see what turns up. We will both try and
-be patient, and do what is right, never minding whether or not it is
-what we like best ourselves. We must try and learn the lesson of not
-pleasing ourselves always. You know Who set us the example of that?”
-
-Sheila subsided upon the floor, and laid her head on Oscar’s knee,
-taking his hand between hers.
-
-“You are getting so good, Oscar,” she said, “I am almost afraid of you.
-You are not ill, are you?”
-
-“Ill? No. Why do you ask?”
-
-“Because you don’t look well, and when people are so very very good,
-one sometimes fancies they are——”
-
-Sheila paused, and Oscar said with a little tone of mirth in his quiet
-voice—
-
-“I am not going to die of goodness yet, Sheila! You need not be afraid
-on that score.”
-
-It was with a good deal of shrinking that Sheila prepared to face
-the Cossarts on the morrow. She knew that they would by this time
-have received the letter her aunt must have written, and that Mrs.
-Cossart would not have drawn her picture with a very strict regard
-to truth. She would have thought more of justifying her precipitate
-action than of anything else; and Sheila was terribly sensitive
-where Ronald Dumaresq was concerned, and felt as though any mention
-of his name would be worse than the cut of a whip. And her cousins
-were not sensitive on these points. They would be almost certain to
-cross-question her and make a joke of everything.
-
-It needed all her courage and resolution to face the meeting; but when
-they drew up at the door and were met by Ray in the passage, it was not
-of Sheila’s sudden return that the whole house was thinking. Indeed Ray
-only gave her a rather hurried kiss, warm and sisterly, but distinctly
-hasty, and then turned to Oscar and took him by the shoulders, bringing
-him into the strong light of the window.
-
-“Oscar, how are you? Are you sure you feel well?”
-
-“Y—yes, all right, just a little tired with all the travelling, you
-know. But what do you ask for?”
-
-“Oh, we are in such a fright. Typhoid fever has broken out in the town.
-The little office-boy you have been visiting so often has it; and
-everybody was saying that you were looking ill. Five cases are reported
-to-day, and they say there will be more. You are quite sure you are
-well, Oscar? Sheila, did he eat his breakfast this morning?”
-
-“He hardly ate anything either last night or to-day,” cried Sheila, in
-sudden anxiety. “He has a bad headache. We thought it was from the long
-journey.”
-
-The girls stood looking at each other in dismay. The same fear was in
-both hearts. Oscar turned from them and began climbing the stairs with
-a strange languor in his movements.
-
-“I think I’ll go to my room,” he said, “but don’t bother, I shall be
-all right there.”
-
-“He’s got it!” cried Ray, under her breath; and Sheila turned white to
-the lips.
-
-(_To be continued._)
-
-
-
-
-OUR PUZZLE POEMS: AN ACCIDENTAL CYCLE.
-
-FOREIGN AWARDS.
-
-
-AN ACCIDENTAL CYCLE I.
-
-
-_Prize Winners (Seven Shillings Each)._
-
- Polly Lawrance, Elridge, Belle Ville, St. Michael, Barbados.
- Mrs. G. Marrett, Hyderabad, Deccan, India.
- Helen Shilstone, Ellangowan, Fontabelle, Barbados.
-
-
-_Very Highly Commended._
-
-Ethel Beven (Ceylon), Nellie M. Daft (Portugal), Katy Donaldson
-(France), Hilda Jonklaas (Ceylon), M. R. Laurie (Barbados), H. Low
-(Canada), Florence Stephenson (Cape Town).
-
-
-_Highly Commended._
-
-Sadie Barrat (Canada), Louis E. Blazé (Ceylon), Elsie Davies
-(Australia), L. Gamlen (France), Clara J. Hardy (Australia), J. W.
-W. Hogan (Penang), Josephine E. Jones (Portugal), Jessie Mitchell
-(Canada), Gertrude E. Moore (New Zealand), L. O’Sullivan (Rangoon),
-Mrs. Talbot Smith (S. Australia), Mrs. Sprigg (Cape Colony), Mrs.
-Waddington (Bermuda).
-
-
-_Honourable Mention._
-
-Mrs. H. Andrews (Canada), Maggie Glasgow (Australia), Mabel C. King
-(Canada), Mrs. Hastings Ogilvie (Deccan), Mrs. W. T. Moore (Bengal), G.
-Waterstrom (Australia), Gladys Wilding (New Zealand).
-
- * * * * *
-
-
-AN ACCIDENTAL CYCLE II.
-
-
-_Prize Winners (Seven Shillings Each)._
-
- Elizabeth M. Lang, 17, Rue Bayard, Pau, France.
- Maude Saunders, Ascott House, Church Street, Abbotsford, Melbourne.
- Helen Shilstone, Ellangowan, Fontabelle, Barbados.
-
-
-_Most Highly Commended._
-
-M. Browne (India), Clara J. Hardy, Edith Hardy (Australia), Agnes L.
-Lewis (Switzerland), Elsie M. Otheman (New York), Mrs. Coupland Thomas
-(California).
-
-
-_Very Highly Commended._
-
-Sadie Barrat (Canada), Florence L. Beeckman (New York), Elsie Binns
-(New Jersey), Rose Creed (Lille), Nellie M. Daft (Lisbon), Elsie N.
-Davies, Maggie Glasgow (Australia), Susan H. Greaves (Barbados),
-J. W. W. Hogan (Penang), Anna I. Hood (France), Josephine E. Jones
-(Portugal), Hilda Jonklaas (Ceylon), F. G. B. King, M. R. Laurie, Polly
-Lawrance (Barbados), H. Low (Canada), Elizabeth MacPherson (Australia),
-Gertrude E. Moore (New Zealand), James Roberts (Jamaica), Mrs. Rose
-(India), John S. Sutherland (Antigua), Annie G. Taylor (Australia),
-M. A. Thomas (California), Gena Thomson (Australia), Mrs. Waddington
-(Bermuda), G. Waterstrom, Elsie M. Wylie (Australia).
-
-
-_Highly Commended._
-
-Mrs. H. Andrews (Canada), Florence E. Bapty (India), Hilda T. Batten
-(New Zealand), Winifred Bizzey (Canada), Madeleine Bonzel (France),
-Mrs. H. Campbell (Demerara), Grace Carmichael (Barbados), Lillian
-Dobson (Australia), Clara Downs (Barbados), Emily H. Glass (India),
-Annette M. Gray, Ruby Guest (Australia), L. Guibert (Mauritius),
-Gertrude Hunt (New Zealand), May Koenig (Germany), Clara Lapata
-(Brussels), Sarah Lewis (South Africa), Mrs. G. Marrett (India), Jessie
-Mitchell (Canada), Lottie Moore (Australia), L. O’Sullivan, Hilda
-D’Rozario (India), Mrs. Sprigg, Florence Stephenson (South Africa),
-Emily Suttaby (Canada), Ada F. Sykes, Lucie K. Thompson, Herbert Traill
-(India), Ethel M. Wilson (New Zealand).
-
- * * * * *
-
-
-AN ACCIDENTAL CYCLE III.
-
-
-_Prize Winners (Half-a-Guinea Each)._
-
- Elsie V. Davies, Wheatland Road, Malvern, Victoria, Australia.
- Edith Lewis, 200, De Grassi Street, Toronto, Canada.
-
-
-_Very Highly Commended._
-
-Jessie Arthur (New Zealand), Mrs. H. Campbell (Demerara), Florence
-Deeth (France), Maude Gibney (Switzerland), Clara J. Hardy, Edith Hardy
-(Australia), Mabel C. King (Canada), M. R. Laurie, Polly Lawrance
-(Barbados), Mrs. Manners (India), Gertrude E. Moore (New Zealand),
-Mrs. E. E. Murray (Australia), Helen Shilstone (Barbados), Mrs. Talbot
-Smith (S. Australia), Emily Suttah (Canada), Ada F. Sykes (India),
-Annie G. Taylor (Australia), Mrs. Waddington (Bermuda), Mrs. J. Whitton
-(Tasmania).
-
-
-_Highly Commended._
-
-Florence E. Bapty (India), Rose Creed (France), Emily H. Glass (India),
-Ethel L. Glendenning (New Zealand), Louise Guibert (Mauritius),
-Gertrude Hunt (New Zealand), J. W. W. Hogan (Penang), Nellie M.
-Jenkinson (Australia), Hilda Jonklaas (Ceylon), May Koenig (Germany),
-Elizabeth M. Lang (France), Clara Lapata (Brussels), Mrs. G. Marrett,
-Mrs. Hastings Ogilvie, Hilda D’Rozario (India), Maud Saunders
-(Australia), John S. Sutherland (Antigua), Lucie K. Thompson (India),
-G. Waterstrom, Jessie M. Webster (Australia).
-
-
-
-
-QUESTIONS AND ANSWERS.
-
-
-TRAINING IN HOUSEWIFERY.—“_As a regular and appreciative reader of THE
-GIRL’S OWN PAPER, I have become much interested in the question of
-higher grade housekeeping. I have obtained the consent of my parents
-to enter a home to be trained. Would you kindly furnish me with the
-addresses of some establishments where training is given?_—KATE.”
-
-“Kate’s” determination to equip herself thoroughly for the duties
-of housekeeping, is a most wise one. The girl who is trained in all
-departments of domestic work can turn her knowledge to account in
-every situation in life in which she may be placed, and is never
-likely to find the problem of earning her bread a difficult one.
-“Kate,” doubtless, knows already the National Training School of
-Cookery and Domestic Economy, Buckingham Palace Road. This institution
-is principally intended for the training of teachers, and we judge
-from “Kate’s” letter that in her case a school would be preferred
-that trains girls specifically for domestic employment. A School
-of Housewifery and Domestic Science of this kind has lately been
-established in connection with the North Hackney High School for
-Girls, at 101, Stamford Hill, N. “Kate” would be well advised to visit
-this school and see the classes at work. In the country are many
-excellent schools. Good housewifery training can be obtained at several
-institutions in the country. The following are all well recommended:
-Belsize House, Brunswick Square, Gloucester, in connection with the
-Gloucestershire School of Cookery and Domestic Economy, principal,
-Miss Florence Baddeley; Camp End School for Household Training, near
-Malvern, conducted by Miss Buck and Miss Brander; Fryerne School of
-Household Management, Fryerne, Caterham, principal, Miss Mitchell;
-and the Wiltshire School of Cookery and Domestic Economy, Trowbridge,
-secretary, Miss A. Bridgman. At each of these institutions, resident
-pupils are received, and the course of training consists not only of
-cookery, but of household work generally.
-
-
-BOOK ILLUSTRATION.—“_I have taken lessons in drawing and painting for
-five years, and except for holding a second-class certificate instead
-of a first in one subject, I have gained the art class teacher’s
-certificate. Just lately I have been taking lessons in black and white
-work, and should like to become a book-illustrator._—J. L. R.”
-
-We do not wish to damp the hopes of “J. L. R.,” but it takes much more
-than lessons in the technique of black and white drawing to make a
-book-illustrator. Girls who become successful illustrators show early
-a real talent for drawing. They can not only copy an object before
-them, but they can express in a few strokes certain clever, effective,
-or humorous ideas, which are born within their own brain. Without the
-possession of this rare gift, we could not advise a girl to turn her
-thoughts towards book-illustration or even towards drawing of any
-kind, if it is necessary for her to earn money by it. All the best
-illustrators, fashion artists, designers of covers, etc., seem to be
-agreed that an artist cannot be taught much more than the principles
-of drawing, but that everything else must be acquired by the individual
-through constant study and thought. No doubt the beginner is much
-helped by observing good illustrative work, and even by trying to
-copy it. It is also a good plan to enter for some of the competitions
-which are held by the editors of the art magazines. We would, however,
-seek to dissuade “J. L. R.” from becoming a teacher of art, as it is
-most difficult for all but the most gifted women to obtain permanent
-employment as teachers of drawing and painting alone.
-
-
-_A correspondent, E. A. E., asks the association connected with the
-words “Quo vadis?”_
-
-When the persecution under Nero first broke out in Rome, the tradition
-runs that St. Peter was persuaded by his friends to flee from the city.
-He was hurrying along the Appian Way, when suddenly he was encountered
-face to face by his risen Lord. In amazement he asked, “_Domine, quo
-vadis?_” (Master, whither goest Thou?) “I go to Rome,” was the answer,
-“to be crucified afresh.” “But, Lord, wast Thou not crucified once for
-all?” “I saw thee fleeing from death,” replied the Master, “and I go to
-be crucified in thy stead.” Abashed at the implied rebuke, St. Peter
-turned again, cheered by the Divine utterance, “Fear not, for I am with
-thee.” A little church now marks the legendary site of the interview.
-This beautiful story is given by Origen, and is also found in the “Acts
-of Peter and Paul” in _Apocryphal Writings_ (Ante-Nicene fathers).
-
-
-
-
-ANSWERS TO CORRESPONDENTS.
-
-
-GIRLS’ EMPLOYMENTS.
-
-MARY H. C. (_Stewardess_).—The position of stewardess is not easy
-for a girl to obtain who has no connection with steamship companies.
-The companies usually prefer for these appointments the widows or
-daughters of employees. It is not also a position for which quite a
-young girl would be thought eligible. We think your parents are very
-wise in desiring you to know a trade, as an employment of this kind
-can always be practised; but there is, as you say, the difficulty that
-many trades which girls can adopt are of a sedentary character, and
-might not suit you for that reason. How would you like dairy-work? This
-is a good business to know, as girls who can take charge of dairies
-or teach dairy-work are often wanted. You could be well taught in the
-Reading Agricultural College (where you might also learn poultry and
-bee-keeping), at the County Council Dairy Institute, Worleston, near
-Nantwich, Cheshire, or at the Midland Dairy Institute, Kingston, Notts.
-Laundry-work also is a most remunerative business to anyone who has
-been trained for the post of manageress in a steam laundry; but as you
-are not very strong, this might not prove a desirable occupation for
-you.
-
-BLACKAMOOR (_Companion, etc._).—1. You are one of our quite young
-readers, we divine, and so perhaps will not take it amiss if we observe
-that your spelling is a trifle weak; but as you write carefully this
-will doubtless soon be improved. When you are older, we think you will
-give up the idea of becoming a lady’s companion, and think it rather a
-poor employment. Some girls make themselves valued in this capacity,
-but they are young women who understand household duties thoroughly,
-and can, as the expression goes, turn their hand to anything. But we
-should like you to try in preference to do some one thing well, in
-particular, as this is the more useful faculty nowadays.—2. Your second
-question shows that you have the laudable ambition of a true Scottish
-girl to become well educated. You aspire to obtain a “bursary,” or, as
-we call it in England, a “scholarship,” at some school whence you could
-eventually proceed to Girton. The St. Leonard’s School at St. Andrew’s
-is a particularly good one. We advise you to write to the Principal,
-asking her whether any bursaries are offered by the school for which
-you could compete. You could also obtain some useful preliminary
-instruction through the St. George’s Oral and Correspondence Classes,
-of which the secretary is Miss S. E. Murray, 5, Melville Street,
-Edinburgh. Pupils are helped in home study through these classes, and
-also prepared for the Edinburgh Local Examinations.
-
-K. L. (_Journalistic Work in China or Japan_).—China would offer no
-field for journalistic employment to girls of nineteen, and is almost
-the last country to select. Japan would be much safer, but we doubt
-whether it would offer much field for journalistic work. If you wish
-to become a journalist, surely, as your home is in Canada, it would be
-much wiser to try the United States. You could at all events obtain
-journalistic experience there, and a few years later you would be in
-a better position to judge whether the East could offer you congenial
-employment. No doubt if you did not require to earn money, it might be
-quite possible to gratify your wish for Oriental travel; but as this
-is not the case you would only be encountering insuperable obstacles
-by trying at your age to introduce Western ideas concerning girls’
-employment into the East.
-
-DOLLY VARDEN (_Telephone Clerkship_).—You wish to know at what age
-girls can be received into a telephone office. The National Telephone
-Company accepts girls between the ages of seventeen and nineteen.
-Their height, it is stipulated, must be not less than 5 feet 3 inches.
-They must bring with them two letters of recommendation and a doctor’s
-certificate. Good education and pronunciation are also demanded. Clerks
-are engaged on a monthly agreement, and are received at first on
-probation without payment, and afterwards at 5s. a week for half-time,
-namely four hours a day. When engaged for full time, that is, eight
-hours a day, less time for luncheon and tea, they are paid 5s. a week,
-rising by 1s. a week yearly to 15s. Promotion to higher and better paid
-work is accorded to suitable girls in order of seniority. We rather
-fear that the complaint from which you have suffered might prove to be
-an obstacle in your way, as the duties of a telephone clerk entail much
-standing.
-
-MAY DÉSIRÉE (_Telephone Clerkship_).—See reply to “Dolly Varden,” in
-which we have dealt with this employment fully.
-
-TOPSY (_Stewardess, etc._).—1. Positions as stewardess are only to be
-obtained through the steamship companies; but would it not be wiser,
-Topsy, to remain a dairy-maid as you are at present? A girl who knows
-dairy-work is useful in all parts of the country and colonies, and has
-a far better chance of earning her living, if she loses a situation,
-than a stewardess out of place.—2. Used postage stamps have no value.
-
-
-MEDICAL.
-
-FELICITAS.—You cannot be too careful about the baby’s bottle. We
-suppose the bottle is of value, but it is responsible for so much
-suffering and illness of infants that we really doubt whether we would
-not be better without it. There are two forms of baby’s bottles,
-the old-fashioned torpedo-shaped bottle, clumsy, troublesome, and
-inconvenient, but withal possible to clean, and necessitating careful
-feeding, and the newer “Alexandra” bottle, convenient, no trouble,
-æsthetic, but impossible to keep clean, and allowing carelessness in
-feeding the infant. Never use the new bottle—it is quite impossible to
-clean india-rubber; the bottle gets dirty, sour milk collects in the
-tube, the child gets dyspepsia, and may die simply from a dirty bottle.
-You must not let a child suck at the bottle at all hours of the day
-and night, “just to keep it quiet and allow its mother a little rest.”
-Children must be fed regularly. The habit of giving children things
-to eat or suck to keep them quiet is responsible for a vast number of
-deaths and lives of misery and uselessness. Indeed, it is not too much
-to say that this pernicious practice of giving babies something to eat
-or drink to prevent them from crying is more fatal to infants than all
-the infectious diseases from which they suffer put together. You must
-keep the bottle clean, and immediately after use rinse it out with
-boiling water, and keep it soaking in boracic acid solution, and again
-rinse it out with hot water before using it.
-
-BONNIE.—1. The reason why it is easy for you to breathe through your
-nose during the day, but difficult to do so at night, is that the
-recumbent position causes the mucous membrane of the nose to become
-congested. The nose always becomes congested when the person is lying
-down, but the amount of obstruction varies very greatly even in health.
-Of course, in the absolutely healthy condition, the congestion is never
-sufficient to prevent breathing through the nose. But a very slight
-cause may make nose-breathing quite impossible at night. The best
-treatment for such conditions is an extra pillow and a nasal spray of
-menthol in paraleine (1 in 8). Even in health it is the rule to breathe
-through the nose and the mouth after severe exertions.—2. A hair-wash
-of quinine, rosemary, and cantharides, is a good preparation to
-prevent the hair from falling out, that is, it is as good as any other
-hair-wash. Of course, nothing whatever applied to the hair itself can
-have the slightest influence on its growth. The remedy must be applied
-either through the blood or to the hair roots in order to be effective.
-Quinine often causes headache if taken internally; applied externally
-it would not have this action. It would not darken the hair. Try borax
-or very dilute carbolic acid (1 in 1000) to wash your hair with.
-
-MOLLY.—By the “eye tooth” is usually meant the canine or “dog tooth,”
-the third in order from the middle line of the mouth. By some persons
-the first molar or first double tooth in the upper jaw, or the sixth
-from the middle line, is called the “eye tooth,” and with greater
-reason than the canine, for the first molar is more connected with
-the eye than is the canine. Extracting the canine tooth is of no more
-danger than extracting any other tooth, but as its root is rather long,
-it is a little more difficult. There are thirty-two teeth in the adult
-jaw, eight on each side of both upper and lower jaws.
-
-HESTER.—You object to our statement that eczema is a local disease,
-and is not usually dependent upon the state of the blood, because you
-feel ill when you have an acute attack of eczema and are relieved by
-internal treatment. But this does not affect our statement that eczema
-is a local disease due to a local inoculation, and is not due to
-disease of the blood. We suppose you will admit that a severe burn is
-a local injury, and that that, at least, is not due to “something in
-the blood.” Well, often in a severe burn the constitutional symptoms
-are desperate. We may have to confine all our attention to the heart
-and nervous system at first when treating a severe burn. But still we
-maintain that the burn is a local injury, and by local means alone can
-the burn be made to heal. And so with eczema. Here is a local disease,
-but the constitutional symptoms may be, although they very rarely
-are, severe. And occasionally they do need internal treatment. But no
-internal treatment will cause the eczema to heal without external aid.
-The treatment for all local disease must be local, although internal
-medication may be required as well.
-
-A COUNTRY LASS.—Wild honey is often poisonous. That made by bumble-bees
-is usually harmful, giving rise to severe headache, purging, and
-vomiting. Xenophon, in his _Anabasis_, accurately describes the effects
-produced upon his soldiers by eating wild honey, probably made by bees
-from the Pontic azalea.
-
-E. F. T.—Try an ointment of ichthiol (2 per cent.), and a wash of
-carbolic acid (1 in 100). You must be very careful that the carbolic
-acid does not get into your eyes and mouth.
-
-
-STUDY AND STUDIO.
-
-⁂ We may remind our subscribers that there are in connection with the
-Royal Academy of Music, Tenterden Street, Hanover Square, London, W.,
-twenty-one exhibitions and scholarships, which in most cases entitle
-the winners to three years’ free instruction at the Academy. The next
-election for the Henry Smart Scholarship is for female candidates, and
-will take place at the Royal Academy of Music on Monday, September
-25th, 1899. The subjects of examination will be organ-playing and
-composition. The John Thomas Welsh Scholarship will be competed for
-on Friday, September 22nd, 1899. Full particulars of these and other
-scholarships can be obtained of the Secretary, Royal Academy of Music.
-
-SEA-FOAM (Chefoo, N. China).—Many thanks for your modest and
-interesting letter. We regret the delay in offering criticism upon
-your poems, but can now say that they are very thoughtful, and are
-not marked by any of the blemishes in construction which we have
-often to point out to our correspondents. Blank verse, however, is a
-difficult medium for the novice, and we think “The Rainbow” is your
-most successful effort. The idea expressed in “Influence” is very
-good. On p. 2 you use “e’en yet” and “still” together. Only one of
-the expressions is necessary. You also use “lives” and “endeth” with
-the same nominative. You should either say “liveth” and “endeth,” or
-“lives” and “ends.” Never let your words be obviously shaped by the
-length of a line. “An unspoken thought” is striking. We should advise
-you to study the laws of versification, and to persevere, selecting
-some other metre, to begin with, than the ambitious blank verse.
-
-ONE BY ONE.—We repeat our apology to you. Your sketch of Teddie is
-pathetic, but shows, as you yourself observe, that you have not studied
-the laws of composition. On the first page there are far too many
-“ands,” and it is better not to write of “the joyous little birdies
-with their bright plumage and their sweet, sweet notes.” (We do not
-think that the English song-birds are remarkable for gay plumage.) You
-should procure Dr. Abbot’s little book _How to Write Clearly_, and read
-a good deal of good prose and poetry.
-
-LOUISA GREGORY.—You need to study writing and spelling before you
-attempt to compose stories. We advise you daily to copy some extract
-for the sake of learning to spell, and also to practise writing in a
-copy-book, to teach you to form your letters correctly.
-
-
-INTERNATIONAL CORRESPONDENCE.
-
-MARIQUITA, aged 14, wishes to correspond with a French girl about her
-own age, each writing in the other’s language; the letters would be
-corrected and returned. Address, 33, Hawthorn Bank, Marslands Road,
-Sale, near Manchester.
-
-A BUSH GIRL, Queensland, Australia, would like to correspond with “AN
-ANXIOUS ONE” and “ARMENIAN SWEET SEVENTEEN,” Smyrna. Will they forward
-us their addresses for “A BUSH GIRL” to see?
-
-MISS GERTRUDE DICKSON, King Street, Bangalore, Mysore, India, will
-be glad to correspond with Miss François. We published the latter’s
-address, so Miss Dickson might have written direct. She is a collector
-of stamps; and, if Miss François has found a correspondent—which is
-probable—would be glad to hear in English from any other reader of THE
-GIRL’S OWN PAPER.
-
-A PROPINQUER, who collects foreign view post-cards, would be very glad
-to exchange some with “O MIMOSA SAN,” if she will send her address.
-
-MISS QUEENIE CLARKE, Hillside House, Rawtenstall, Manchester, would
-like to correspond in French with MISS GIGIA RICCIARDI (March).
-
-LIZZIE VAN REES, aged 17, Hilversum, Holland, wishes to correspond with
-GRETE FROMBERG, Berlin, and with an English girl of her own age.
-
-MISS EDITH WOGAMAN, Curra Creek, _viâ_ Wellington, New South Wales
-(19), wishes to correspond with “MISS INQUISITIVE” or another “nice
-girl.”
-
-MISS KATE PROUT, Bolarum, Deccan, India (19) would like an English girl
-to write to her at once, and “hopes they will be great friends.”
-
-MISS BEATRICE MILLER, 2, Talbot Villas, Prince’s Road, Buckhurst Hill,
-Essex, would like to correspond with a French girl. She is fond of
-painting, but backward in French. Letters should be corrected and
-returned.
-
-JANET and GRACE COUPER, aged 16 and 14, would like to correspond and
-exchange stamps with girls in the West Indies, India, Holland, and
-Central America. Address, Te Waikaha, Havelock, Hawkes Bay, New Zealand.
-
-MISS DAISY BOUVERIE (18) would like to correspond with an American
-young lady. Address, 514, Commercial Road, Landport, Portsmouth.
-
-MISS NICHOLLS, Laburnum Villa, Leamington, would be pleased to
-correspond with an Italian lady interested in art, science, or
-literature—both writing in Italian.
-
-
-MISCELLANEOUS.
-
-INSECTO.—The beetles have been so crushed that it is not easy to say
-absolutely what they are. But we think there can be very little doubt
-that they are _Anobium domesticum_, a wood-boring beetle very common
-in old houses. The boring is, of course, the work of the larvæ, which
-are believed to take often three years to come to perfection and
-change into the pupæ—the little round holes being the open ends of
-their galleries. Canon Fowler says, “They may, to a great extent, be
-got rid of by the application of benzine, with which a small quantity
-of carbolic acid has been mixed;” if they have bored into furniture
-which is delicately polished, “the benzine had better be applied alone.
-Unpolished furniture would be best freed from the pest by immersion
-in boiling water, if the articles are not too unwieldy to admit of
-such treatment. Moderately strong carbolic acid will at once destroy
-both grubs, eggs, and perfect insects, but the furniture to which
-it is applied will require re-polishing.” As the query is as to the
-destruction of floor-boards, we should think the carbolic acid would
-not be difficult.
-
-AN IMPOVERISHED ONE.—We know of nothing to remove the black marks,
-unless French chalk may answer the purpose. Scrape a little on them at
-the back and try.
-
-DOLLY.—The smoking of your lamp may be prevented by a little more
-effort at thorough cleanliness. Take out the wick, soak it in vinegar,
-dry it well, and cut it exactly straight. Wash the lamp in soda-water,
-and when you fill it with oil, put a few little pieces of camphor in
-the latter, as this will improve the light. To whiten the dirty-looking
-boards, use newly-slaked lime—one part—and three parts of white sand.
-Another method is to apply moistened fuller’s earth thickly over the
-stains, and, after about twenty-four hours, rub it in gently, and then
-clear it off. A third plan is to lay chloride of lime on the boards,
-damp it frequently, and then wash them well with soda-water.
-
-BIRDY.—We quite sympathise with you in the feeling of indignation
-aroused at seeing the quantity of little skylarks that cover the
-counters of poulterers in London. Much is said, and great efforts are
-made, with reference to the slaughter of birds for bonnet decoration.
-But women’s vanity is not alone to be censured for the destruction
-of birds with beautiful plumage. The larks and thrushes and other
-singing birds find a market to supply the tables of men’s clubs. It
-was calculated some time ago that upwards of 40,000 skylarks were sent
-up from the country every day during the season, and before long, at
-this rate, the little bird which called forth the genius of Shelley,
-Wordsworth, and others of our poets, and inspired such exquisite odes,
-will become a rare specimen amongst our native songsters. The law
-should be a stringent one against the destruction of any songster.
-
-M. G. G.—Return the withdrawal order to the Head Office in London if
-you wish it to be cancelled. Address the letter “Savings Bank, G. P. O.,
-London,” unstamped, saying you wish it to be cancelled. Many thanks to
-the Parochial Nurse.
-
-HARMONY.—We should think that a daily paper would be the best for your
-advertisement. That is where people usually look, we believe. Very few
-take an exclusively musical journal unless extremely interested in the
-subject.
-
-J. NELSON.—We see no reason why you should not give your clergyman
-a parting present, though it is difficult to say what it should be,
-unless we knew to what part of the world he was going. Something simple
-and useful is generally the best. Hairbrushes in a case, a box of nice
-soap, some handkerchiefs, an old-fashioned housewife well filled,
-half-a-dozen bedroom towels marked in embroidery; all of these would be
-useful. But you could ask some intimate friend to tell you exactly what
-he needed, and you might get a good suggestion in that way.
-
-CURIOUS.—The observation you have made respecting the retreat of the
-glacier at Grindelwald is quite correct. Some years ago the distance to
-be ascended to reach it was not nearly so great as it now is. But this
-is not an isolated case. The gradual retreat of the glacier is general,
-and in proportion the higher limit of vegetation is coming down. The
-rhododendron, which formerly ranged up to 2,350 metres some twenty
-years ago, now reaches only to 2,000. M. Martin ascribes this change to
-the fact that there is less snow, and less protection against the cold
-in winter, and less moisture during the heat of summer. The vines do
-not grow as high as formerly. The mountaineers do not reside at such
-altitudes as they once did.
-
-A. R.—The stork is a fatal enemy to snakes, and indeed so are all the
-birds of the marshes, for they check their prodigious multiplication.
-It is true that snakes may be perhaps a little repulsive in appearance,
-but they perform great services in the economy of nature, for they make
-incessant war on the worms and insects which abound in the slimy mud of
-the swamps in which they generally make their abode. The storks always
-make their nests on roofs and chimneys.
-
-F. Q. M. J. E.—When a widow marries again, she certainly requires
-wedding-cards, and she would put the name she bore during her first
-marriage on her cards, and not her maiden name, unless under peculiar
-and exceptional circumstances.
-
-
-
-
-OUR NEW PUZZLE POEM.
-
-
-[Illustration]
-
-⁂ PRIZES to the amount of six guineas (one of which will be reserved
-for competitors living abroad) are offered for the best solutions of
-the above Puzzle Poem. The following conditions must be observed:—
-
-1. Solutions to be written on one side of the paper only.
-
-2. Each paper to be headed with the name and address of the competitor.
-
-3. Attention must be paid to spelling, punctuation, and neatness.
-
-4. Send by post to Editor, GIRL’S OWN PAPER, 56, Paternoster Row,
-London. “Puzzle Poem” to be written on the top left-hand corner of the
-envelope.
-
-5. The last day for receiving solutions from Great Britain and Ireland
-will be October 16, 1899; from Abroad, December 16, 1899.
-
-The competition is open to all without any restrictions as to sex or
-age.
-
- * * * * *
-
-[Transcriber’s Note—the following changes have been made to this text.
-
-Page 767: county to country—“country to select”.]
-
-*** END OF THE PROJECT GUTENBERG EBOOK THE GIRL'S OWN PAPER, VOL. XX, NO.
-1026, AUGUST 26, 1899 ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/66235-0.zip b/old/66235-0.zip
deleted file mode 100644
index e9f011c..0000000
--- a/old/66235-0.zip
+++ /dev/null
Binary files differ
diff --git a/old/66235-h.zip b/old/66235-h.zip
deleted file mode 100644
index 84f869e..0000000
--- a/old/66235-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/66235-h/66235-h.htm b/old/66235-h/66235-h.htm
deleted file mode 100644
index 469081b..0000000
--- a/old/66235-h/66235-h.htm
+++ /dev/null
@@ -1,4667 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- The Girl’s Own Paper, by Various&mdash;A Project Gutenberg eBook
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2,h3,h4,h5,h6 {
- text-align: center; /* all headings centered */
- clear: both;
-}
-
-.ph3{
- text-align: center;
- font-size: large;
- font-weight: bold;
-}
-
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-.p2 {margin-top: 2em;}
-
-hr {
- width: 33%;
- margin-top: 2em;
- margin-bottom: 2em;
- margin-left: 33.5%;
- margin-right: 33.5%;
- clear: both;
-}
-
-hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;}
-hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
-@media print { hr.chap {display: none; visibility: hidden;} }
-hr.full {width: 95%; margin-left: 2.5%; margin-right: 2.5%;}
-
-.header {text-align: center; margin-top: 0;}
-.header p {text-align: center; text-indent: 0;}
-.header .floatl {float: left;}
-.header .floatr {float: right;}
-.header .floatc {padding-top: .5em;}
-
-@media handheld
-{
-.header {text-align: center; margin-top: 0;}
-.header p {text-align: center; text-indent: 0;}
-.header .floatl {float: left;}
-.header .floatr {float: right;}
-.header .floatc {padding-top: .5em;}
-}
-
-
-div.chapter {page-break-before: always;}
-h2.nobreak {page-break-before: avoid;}
-/* Girl's Own */
-
-.smalltext{
- font-size: small;
-}
-
-
-.blockquot_ans {
- margin-left: 1em;
- text-indent: -1em;
-}
-
-.faux {
- font-size: 0.1em;
- visibility: hidden;
-}
-
-
-table {
- margin-left: auto;
- margin-right: auto;
-}
-table.autotable { border-collapse: collapse; }
-table.autotable td,
-table.autotable th { padding: 4px; }
-
-.tdl {text-align: left;}
-.tdr {text-align: right;}
-
-.bt {border-top: solid;}
-
-.pagenum { /* uncomment the next line for invisible page numbers */
- /* visibility: hidden; */
- position: absolute;
- left: 92%;
- font-size: smaller;
- text-align: right;
- font-style: normal;
- font-weight: normal;
- font-variant: normal;
-} /* page numbers */
-
-
-.blockquot {
- margin-left: 5%;
- margin-right: 10%;
-}
-
-ul {list-style-type: none;}
-
-.center {text-align: center;}
-
-.smcap {font-variant: small-caps;
- font-style: normal;}
-
-.uppercase {text-transform: uppercase;}
-
-
-.caption {font-weight: bold;}
-
-/* Images */
-
-img {
- max-width: 100%;
- height: auto;
-}
-img.w100 {width: 100%;}
-
-
-.figcenter {
- margin: auto;
- text-align: center;
- page-break-inside: avoid;
- max-width: 100%;
-}
-
-/* Illustrated drop caps */
-
-.ddropcapbox {
- float: left;
-}
-
-.idropcap {
- height: auto;
-}
-
-.ddropcapbox {
- margin-left: 0;
- margin-right: 0.5em;
-}
-
-.x-ebookmaker .ddropcapbox {
- float: left;
- }
-
-/* Footnotes */
-.footnotes {border: 1px dashed;}
-
-.footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;}
-
-.footnote .label {position: absolute; right: 84%; text-align: right;}
-
-.fnanchor {
- vertical-align: super;
- font-size: .8em;
- text-decoration:
- none;
-}
-
-/* Poetry */
-.poetry-container {text-align: center;}
-.poetry {text-align: left; margin-left: 5%; margin-right: 5%;}
-/* uncomment the next line for centered poetry in browsers */
-.poetry {display: inline-block;}
-.poetry .stanza {margin: 1em auto;}
-.poetry .verse {text-indent: -3em; padding-left: 3em;}
-/* large inline blocks don't split well on paged devices */
-@media print { .poetry {display: block;} }
-.x-ebookmaker .poetry {display: block;}
-
-/* Poetry indents */
-.poetry .indent0 {text-indent: -3em;}
-
-/* Illustration classes */
-.illowe7_8125 {width: 7.8125em;}
-.illowe9_375 {width: 9.375em;}
-.illowp30 {width: 30%;}
-.x-ebookmaker .illowp30 {width: 100%;}
-.illowp32 {width: 32%;}
-.x-ebookmaker .illowp32 {width: 100%;}
-.illowp45 {width: 45%;}
-.x-ebookmaker .illowp45 {width: 100%;}
-.illowp49 {width: 49%;}
-.x-ebookmaker .illowp49 {width: 100%;}
-.illowp53 {width: 53%;}
-.x-ebookmaker .illowp53 {width: 100%;}
-.illowp60 {width: 60%;}
-.x-ebookmaker .illowp60 {width: 100%;}
-.illowp69 {width: 69%;}
-.x-ebookmaker .illowp69 {width: 100%;}
-.illowp71 {width: 71%;}
-.x-ebookmaker .illowp71 {width: 100%;}
-.illowp76 {width: 76%;}
-.x-ebookmaker .illowp76 {width: 100%;}
-.illowp87 {width: 87%;}
-.x-ebookmaker .illowp87 {width: 100%;}
-.illowp100 {width: 100%;}
-
-
-
- </style>
- </head>
-<body>
-
-<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of The Girl's Own Paper, Vol. XX, No. 1026, August 26, 1899, by Various</div>
-
-<div style='display:block; margin:1em 0'>
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online
-at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
-are not located in the United States, you will have to check the laws of the
-country where you are located before using this eBook.
-</div>
-
-<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: The Girl's Own Paper, Vol. XX, No. 1026, August 26, 1899</p>
-
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Various</div>
-
-<div style='display:block; margin:1em 0'>Release Date: September 7, 2021 [eBook #66235]</div>
-
-<div style='display:block; margin:1em 0'>Language: English</div>
-
-<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
-
-<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Susan Skinner, Chris Curnow, Pamela Patten and the Online Distributed Proofreading Team at https://www.pgdp.net</div>
-
-<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK THE GIRL'S OWN PAPER, VOL. XX, NO. 1026, AUGUST 26, 1899 ***</div>
-<p><span class="pagenum" id="Page_753">{753}</span></p>
-
-<h1 class="faux">THE GIRL’S OWN PAPER</h1>
-
-<div class="figcenter illowp100" id="header" style="max-width: 37.5em;">
-<img class="w100" src="images/header.jpg" alt="The Girl's Own Paper." />
-</div>
-
-<hr class="full" />
-
-<div class="center">
-<div class="header">
-<p class="floatl"><span class="smcap">Vol. XX.—No. 1026.]</span></p>
-<p class="floatr"><span class="smcap">[Price One Penny.</span></p>
-<p class="floatc">AUGUST 26, 1899.</p>
-</div></div>
-
-<hr class="full" />
-
-<p class="center">[Transcriber&#8217;s Note: This Table of Contents was not present in the original.]</p>
-
-<p class="center">
-
-
-<!-- Autogenerated TOC. Modify or delete as required. -->
-
-<a href="#Illustration_FAR_FROM_THE_MADDING_CROWD">“FAR FROM THE MADDING CROWD.”</a><br />
-<a href="#THE_HOUSE_WITH_THE_VERANDAH">THE HOUSE WITH THE VERANDAH.</a><br />
-<a href="#GIRLS_AS_I_HAVE_KNOWN_THEM">GIRLS AS I HAVE KNOWN THEM.</a><br />
-<a href="#IN_THE_TWILIGHT_SIDE_BY_SIDE">IN THE TWILIGHT SIDE BY SIDE.</a><br />
-<a href="#FROCKS_FOR_TO-MORROW">FROCKS FOR TO-MORROW.</a><br />
-<a href="#HOUSEHOLD_HINTS">HOUSEHOLD HINTS.</a><br />
-<a href="#THREE_GIRL-CHUMS_AND_THEIR_LIFE_IN_LONDON_ROOMS">THREE GIRL-CHUMS, AND THEIR LIFE IN LONDON ROOMS.</a><br />
-<a href="#SHEILAS_COUSIN_EFFIE">SHEILA’S COUSIN EFFIE.</a><br />
-<a href="#OUR_PUZZLE_POEMS_AN_ACCIDENTAL_CYCLE">OUR PUZZLE POEMS: AN ACCIDENTAL CYCLE.</a><br />
-<a href="#QUESTIONS_AND_ANSWERS">QUESTIONS AND ANSWERS.</a><br />
-<a href="#ANSWERS_TO_CORRESPONDENTS">ANSWERS TO CORRESPONDENTS.</a><br />
-<a href="#OUR_NEW_PUZZLE_POEM">OUR NEW PUZZLE POEM.</a><br />
-
-<!-- End Autogenerated TOC. -->
-
-</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="Illustration_FAR_FROM_THE_MADDING_CROWD" title="“FAR FROM THE MADDING CROWD.”"></h2><div class="figcenter illowp87" id="i_753" style="max-width: 31.25em;">
- <img class="w100" src="images/i_753.jpg" alt="" />
- <div class="caption"><p class="center">“FAR FROM THE MADDING CROWD.”</p></div>
-</div>
-</div>
-
-<p class="smalltext"><i>All rights reserved.</i>]</p>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_754">{754}</span></p>
-
-<h2 class="nobreak" id="THE_HOUSE_WITH_THE_VERANDAH">THE HOUSE WITH THE VERANDAH.</h2>
-</div>
-<p class="ph3"><span class="smcap">By</span> ISABELLA FYVIE MAYO, Author of “Other People’s Stairs,” “Her Object in Life,” etc.</p>
-
-
-<h3>CHAPTER XXII.</h3>
-
-<p class="ph3">A GREAT MYSTERY.</p>
-
-<div class="ddropcapbox illowe9_375" id="i_754">
- <img class="w100 idropcap" src="images/i_754.jpg" alt="E" />
-</div><p><span class="uppercase"> verybody</span>, not to say
-every householder, is
-alive to the acute
-dangers of escaping
-gas. Every other
-thought was suspended
-for the moment.
-The hall
-door was left open,
-watched over by little
-Hugh, and everybody,
-even the stranger,
-Mrs. Grant,
-rushed to open some
-window. The next
-thing was to find out
-the peccant burner.</p>
-
-<p>Clementina called from the kitchen
-that the gas there was properly turned
-off, save one light still burning. It was
-the same in hall and dining-room;
-what was not alight was duly turned off.
-Miss Latimer, coming downstairs at the
-moment, reported that there was no
-odour of escaping gas in the higher
-regions.</p>
-
-<p>“Well, there’s only my bedroom left,”
-said Tom, “and I’m certain I turned off
-mine.”</p>
-
-<p>But as he opened his chamber door
-his face lengthened. There was no
-doubt now as to the source of the
-danger. No light was there, but the
-cock of the gas-bracket stood “full on.”</p>
-
-<p>The mischief was swiftly remedied,
-though the room was so saturated with
-effluvia that it would take a prolonged
-airing to free it from the fumes. But
-Tom was terribly perturbed by the
-discovery.</p>
-
-<p>“I could have made affidavit that I
-turned off the gas,” he declared. “I
-had it burning to dress by its light, and
-if I didn’t turn it off, how came the light
-to be out?”</p>
-
-<p>“You must have forgotten it wasn’t
-a candle, and you must have blown it
-out, Tom,” said Miss Latimer.</p>
-
-<p>“Well, then, I’m getting about as
-bad as my old landlady’s servant girls,”
-decided Tom. “I can’t believe it of
-myself. Henceforth, I’ll never feel
-sure of having done anything!”</p>
-
-<p>“Perhaps you did turn it out, and
-then gave it an accidental knock which
-turned the cock back again,” suggested
-Miss Latimer; “such things will happen
-sometimes.”</p>
-
-<p>Tom shook his head.</p>
-
-<p>“The cock is very stiff,” he said.</p>
-
-<p>“You must remember you were in
-haste. We are all rather put about
-just now,” Miss Latimer went on.
-“But you must not dwell on it. All is
-well that ends well.”</p>
-
-<p>Still Tom remained dissatisfied and
-unconvinced, and took no part in the
-eager discussion which had already
-begun between the two anxious wives
-seated at the breakfast table.</p>
-
-<p>“I think I know how I’ll manage,”
-said the Captain’s wife. “I’ll go to
-the shipping offices myself. No”—she
-interrupted herself as Lucy made a hasty
-movement—“you mustn’t think of
-coming with me. With your face, my
-dear, you’d never get anything out of
-them while there was the faintest chance
-of their being able to hold it back. But
-perhaps,” she added turning to Tom,
-“this young gentleman will come with
-me to show me the way, and to take
-care of me over those busy City crossings,
-for I recollect that when I once went
-with the Captain to the office, there
-was some clever steering to be done
-ere we got there!”</p>
-
-<p>Up to this point nobody had remembered
-that Mrs. Grant did not know
-Tom. Now Lucy recollected herself
-and introduced the boy as an employee
-in Charlie’s office, and at present a
-member of the Challoner household.</p>
-
-<p>Mrs. Grant beamed on him.</p>
-
-<p>“This is most fortunate,” said she.
-“For I’m sure your masters will give
-you an off day to help me find out
-whether there’s any news of their Mr.
-Challoner—and of my Captain!”</p>
-
-<p>“I’m sure they will!” cried Tom.
-“The chiefs are always asking whether
-we have heard anything. Still I’ll have
-to go to the office first to tell them why
-I’m wanting leave of absence.” He
-suited the action to the word, bustling
-away, saying, “Wait till I come back—and
-I’ll be back as fast as I can fly!”</p>
-
-<p>When he was gone, Mrs. Grant and
-Lucy had time for a little quiet talk.
-It was very easy for Mrs. Grant to say
-that on the platform she had recognised
-Lucy from her old photograph, but
-she did not add that she was shocked
-at the change visible in her, the manifold
-signs of nerve strain and exhaustion.</p>
-
-<p>“If she has much more waiting, she’ll
-set sail herself for a far-off shore,”
-thought the good woman. Yet when
-she found that Lucy had regular duties at
-the Institute, she would not allow Lucy to
-dream of absenting herself for her sake.</p>
-
-<p>“No, no,” she said. “I did not
-come here to upset your regular ways.
-For one thing, if you begin to change
-those, people will realise how anxious
-you are, and then they’ll pull long faces
-to you, and that will make everything
-still harder and worse to bear. It’s
-wise to keep a still sough, as we say
-in the North. You just go about your
-usual day’s work, and when you come
-home, you’ll find me and the young
-gentleman returned and waiting, and
-whatever we have heard, you shall hear
-it all—honour bright, I promise you.”</p>
-
-<p>Lucy had her full share of the sweet
-womanly instinct of obedience. It is
-an instinct which is often strong in
-proportion to the strength of the whole
-nature. It works so naturally and
-grows so strong in the fortunate daughter
-and the happy wife, that it adds
-terribly to the sense of disaster when
-the props to which it twines are withdrawn
-and it is left trailing on the
-ground. Lucy was quite ready to
-succumb to the genial domination of
-this wholesome kindly woman, already
-her sister in suspense and who might
-so soon be also her sister in sorrow.
-She went upstairs before she went away,
-and came down saying that poor Tom’s
-mischance with his gas-burner had made
-her so nervous that she had carefully
-tested all the upstairs burners.</p>
-
-<p>“Somebody else might have made a
-similar mistake,” said she, “but they
-are all right.” So she went off, taking
-Hugh to the Kindergarten on her way.</p>
-
-<p>“Let her keep regularly to her teaching,”
-Mrs. Grant confided to Miss
-Latimer. “Keep her up to that, I beg
-you. While we wait, and when waiting
-ends—as it may—there’s nothing helps
-us as work does. It’s the blessed will
-of God that what most of us have to do
-for our bread is exactly what is good for
-our souls. The wash-tub and the scrubbing
-brush have done lots for many a
-poor body who is left behind. I’ve
-often seen that. It’s not for any widow’s
-having to work that I’m ever sorry, but
-because her work is often so ill-paid, that
-do what she may, she can’t keep her
-head above water. But, I say,” she
-added, sniffing, “don’t you smell the
-gas very strong again?”</p>
-
-<p>“Oh, it is only the remains of the
-accident in the boy’s bedroom,” answered
-Miss Latimer. “The breeze
-through the back windows is driving
-it more to the front of the house.”</p>
-
-<p>Just at that moment Tom’s key was
-heard turning in the front door, and
-directly he entered the house he cried—</p>
-
-<p>“Why, the smell of gas is worse than
-ever!”</p>
-
-<p>“So I think,” observed Mrs. Grant.</p>
-
-<p>Tom rushed to his own bedroom.</p>
-
-<p>“There’s something at the bottom of
-all this,” he said. “I’m as positive
-that I turned it off the first time as we
-all are that it was turned off afterwards.”
-He stamped about the chamber, exclaiming,
-“It’s all right here now, the gas
-is turned off, and there’s no smell inside
-here. The mischief is somewhere else.”</p>
-
-<p>“Mrs. Challoner examined all the
-burners upstairs, and saw that they
-were right before she went out,” said
-Miss Latimer. “Perhaps you notice
-the smell more because you’ve just
-come in from the fresh air, Tom.”</p>
-
-<p>“But I’ve been in the house all the
-time,” persisted Mrs. Grant.</p>
-
-<p>Tom sprang upstairs.</p>
-
-<p>“There!” he shouted. “Here’s the
-staircase burner turned full on, and it’s
-the same here—and here—and here,”
-he cried, rushing from chamber to
-chamber, turning off burners and
-throwing open windows. “Yes,” he
-reiterated, as he came downstairs
-again, “every burner upstairs was
-started—the only ones turned off are
-that in my room where the mischief<span class="pagenum" id="Page_755">{755}</span>
-began and in the dining-room where
-you were sitting.”</p>
-
-<p>“They are all right downstairs,” remarked
-Clementina from the back of the
-hall. But Tom went down and made
-a re-examination before he would be
-satisfied on that point.</p>
-
-<p>Mrs. Grant and Miss Latimer looked
-at each other bewildered.</p>
-
-<p>“I’ve not been upstairs to do up the
-rooms yet,” observed Clementina. “The
-only room I’ve tidied yet is Mr. Tom’s.
-I heard the mistress say to you, ma’am,
-as she went out, that she’d just been
-over all the burners, and that they were
-right.”</p>
-
-<p>“Poor dear lady,” said Mrs. Grant;
-“she has been so flurried and put about
-that when she tried the handles, she
-must have turned the gas on and never
-noticed that she did it!”</p>
-
-<p>“That must have been so, I suppose,”
-Miss Latimer reluctantly admitted;
-“but it’s hard to believe. Lucy is so
-wonderfully careful. However much she
-suffers herself, none of her duties
-suffer!”</p>
-
-<p>“Ah, but that’s different,” Mrs. Grant
-replied. “She thought she was thoroughly
-doing her duty now; only her
-mind slipped off, and she did it the
-other way about.”</p>
-
-<p>“I don’t believe it,” said Clementina
-energetically.</p>
-
-<p>“What don’t you believe?” asked
-Tom.</p>
-
-<p>“I don’t believe my mistress made
-any mistake. I never knew anybody so
-careful as she is.”</p>
-
-<p>“But what other explanation can we
-offer?” inquired Miss Latimer.</p>
-
-<p>Clementina answered solemnly, “I
-believe there is an evil spirit in this
-house just now.” Then, as if to give
-emphasis to her words, she turned and
-marched from the room.</p>
-
-<p>“She is very superstitious,” Miss
-Latimer observed to Mrs. Grant. “If
-she gets this sort of thing into her head,
-as I’ve felt she was doing for some
-time, she’ll go off, and her departure
-just now will be a great trial. Are many
-people in the north superstitious?” she
-asked.</p>
-
-<p>Mrs. Grant laughed. “Human nature
-is much the same everywhere,” she
-answered. “That’s what the Captain
-always said. He’s known folks black,
-and brown, and yellow, and every shade
-that they call white, but he says there
-are only two differences among them,
-and that’s goodness and badness, and
-that you find both everywhere. All the
-qualities, he says, are sprinkled over the
-world, pretty fairly divided. As for
-superstitions, what does the word mean?
-I believe in evil spirits, of course, but
-they work through ourselves.”</p>
-
-<p>“Well, I’m very glad I am not going
-to my pupils this morning,” observed
-Miss Latimer, “and as I shall spend
-most of my time supervising the gas-burners,
-I think you may rely that you
-will not find the house blown up when
-you return from your quest.”</p>
-
-<p>Mrs. Grant and Tom started off for
-the shipping office. As they went, she
-confided to him her plan of operations.</p>
-
-<p>“I shall send you in first,” she said.
-“Men often won’t tell a woman the
-worst, though they know she’s got to
-hear it. They put off the hard job on
-somebody else. It’s a cruel sort of kindness.
-Very likely they’ll tell you plainly
-what they would gloss over to Mrs.
-Challoner or me.”</p>
-
-<p>“But they’ll ask who sent me?”
-suggested Tom.</p>
-
-<p>“Don’t wait till they ask the question,”
-she answered. “What’s the
-name of the firm you work for?”</p>
-
-<p>“Patrick, Elsum, and Challoner,” he
-replied. “That’s the proper name; but
-as Mr. Challoner only newly got into the
-firm, his name is often not added. I
-don’t think it is in the Directory.”</p>
-
-<p>“Then say straight out that you are a
-clerk at Patrick and Elsum’s, and that
-you want to know everything they have
-heard of the <i>Slains Castle</i>. Don’t seem
-any more anxious than you would be if
-it was a matter of some client’s cargo.
-As soon as you come out and tell me all
-they say, I’ll go in myself with you and
-have it all cleared up.”</p>
-
-<p>She had to wait rather longer than she
-had thought, and when Tom came out
-and advanced towards her, she saw that
-his face was very grave indeed.</p>
-
-<p>“Well?” she said, quite sharply.</p>
-
-<p>“There is something known,” Tom
-answered in a low and solemn voice.
-“They say that a spar and a piece of
-sail, with <i>Slains Castle</i> painted on them,
-have been picked up by a Pacific liner.”</p>
-
-<p>Mrs. Grant stood still, and caught her
-breath.</p>
-
-<p>“I’m going straight into the office,”
-she said, “to ask why they could not
-write that to me, instead of bringing me
-up here to have to get it out of them by
-guile! And it’s not such a wonderful
-thing that they need keep it to themselves.
-One knew something must have
-happened, and this only shows how
-something has gone wrong, and how
-they’ve had to take to the boats and get
-into any port they could. That’s how
-I’m going to look at it, and so must
-Mrs. Challoner.”</p>
-
-<p>Her interview in the office was not very
-long. As she walked back with Tom,
-Mrs. Grant’s thoughts seemed of Lucy
-rather than of herself.</p>
-
-<p>“You see all this trouble has come
-into her life by an accident, as it were,”
-she said; “it’s like happening to get
-shot the first time you handle a gun.
-But this is the ill wind that I’ve always
-watched to bring my trials. I laid that
-to my soul when I married the Captain.”</p>
-
-<p>“I’m so glad that you’ll be with my
-poor friend,” remarked Tom, himself
-immensely relieved by this vigorous
-presence.</p>
-
-<p>“But, my dear boy, I must go straight
-home by the night train. If any mischance
-has befallen the Captain, there’s
-but the more reason for the mate to be
-at her post. Mrs. Challoner has got
-Miss Latimer and you to look after her;
-she couldn’t have kinder people.”</p>
-
-<p>All the little household had gathered
-in before Lucy came. They had the fire
-blazing, and the tea set for her return.
-They could not lighten the falling blow,
-but they could surround her with loving
-kindliness.</p>
-
-<p>Lucy heard the news very quietly indeed.
-She lifted Hugh upon her knee
-and kissed him two or three times.
-Then she said she was afraid they would
-all take cold through wandering about
-in such disagreeable weather. She put
-Hugh down, rose, and went out of the
-room, leading him by the hand.</p>
-
-<p>Mrs. Grant shook her head. “If our
-husbands are really gone,” she said,
-“she won’t stay long after them.”</p>
-
-<p>“Oh, yes, she will,” asserted Miss
-Latimer; “the source of all strength is
-open to my Lucy, and she will be found
-ready to do the next thing.”</p>
-
-<p>“I know there’s a great deal in that,”
-Mrs. Grant admitted. “Grief does not
-kill according to the greatness of itself,
-or of the love behind it, only according to
-the weakness of the constitution; but she
-looks little more than a spirit already.”</p>
-
-<p>A postman’s knock came to the door.
-Tom ran to see what had arrived. He
-did not come straightway back to the
-parlour, and when he did, he threw Miss
-Latimer a significant glance.</p>
-
-<p>“I think I’d better run round to the
-office,” he said, “and let them know
-what we have heard. And I think I’ll
-look in also on Mr. Somerset. I’ll be
-back in good time to see Mrs. Grant to
-the station, as she is quite determined
-to go to-night.”</p>
-
-<p>By the time Tom reached the office,
-his principals had departed. Tom did
-not choose to tell his melancholy news
-to any of the underlings; but he was
-only too anxious to disburden himself to
-Mr. Somerset.</p>
-
-<p>That gentleman was deeply moved by
-the tidings of the <i>Slains Castle</i>—so
-ominous of the true significance of the
-long silence. Yet he allowed himself to
-see that there might be some force in
-Mrs. Grant’s arguments, when Tom
-repeated them to him.</p>
-
-<p>But Tom had more news. He had to
-show Mr. Somerset what had arrived by
-post only the minute before he started to
-visit him—what indeed had been the
-controlling cause of that visit.</p>
-
-<p>It was a letter with a black edge so
-deep that it scarcely left room for the
-ill-written, ill-spelled direction—</p>
-
-<p>
-To the Peple<br />
-<span style="margin-left: 1em;">at No. — Pellum Street.</span><br />
-</p>
-
-<p>“It is the same handwriting as was
-on the envelope of the blank sheet that
-Mrs. Challoner got before Christmas,”
-said Tom. “Don’t you remember that
-envelope was torn up at first, but that I
-got the pieces out of the waste-paper
-basket and kept them? Directly I saw
-this I compared the two; it’s the same
-handwriting, only this is worse.”</p>
-
-<p>Mr. Somerset turned it over and over
-in his hand. “Did you tell Mrs. Challoner
-about this?” he asked.</p>
-
-<p>“No,” answered Tom emphatically;
-“I did not. It would have been too
-cruel to show it to her to-day—I couldn’t.
-Besides, it is not addressed to her.”</p>
-
-<p>“You have done rightly,” said Mr.
-Somerset; “even if it be nothing but
-the circular of a mourning warehouse, it
-is not a thing for her to see to-day.
-Its coming to-day is a very strange
-coincidence!”</p>
-
-<p>“Is it a mere coincidence?” questioned
-Tom.</p>
-
-<p>“Well, as you say, it is not addressed<span class="pagenum" id="Page_756">{756}</span>
-to Mrs. Challoner. You are one of ‘the
-peple’ as much as she is. You have a
-perfect right to open it, and when we
-see its contents we can the better judge
-of its significance.”</p>
-
-<p>The contents were a sheet of thick
-paper with heavy black borders, between
-which, on all four sides, was a long
-“screed,” which seemed to the most
-careful scrutiny to be nothing but pot-hooks
-and hangers, dotted i’s, and
-crossed t’s, making not one intelligible
-word among them all!</p>
-
-<p>“It is evident to me,” said Mr. Somerset,
-“that the blank letter and the
-‘knocks’ and this letter all emanate
-from somebody who wishes to annoy and
-to give pain. I can’t see why they
-should do so. It is probably the work
-of some of the servants who have given
-Mrs. Challoner so much trouble, or of
-some of their friends. At any rate, the
-matter is not one in which we can readily
-move; and to-day we will not call Mrs.
-Challoner’s attention to it. She has but
-too much trouble already!”</p>
-
-<p>“Yes, indeed!” sighed Tom. “We’ve
-all been terribly upset since yesterday.
-We scarcely know what we are doing.
-I left my gas turned on this morning,
-and not alight, and Mrs. Challoner got
-so nervous that she tried if all the other
-burners were right, and turned them on
-by mistake!”</p>
-
-<p>Mr. Somerset did not pay much heed
-to these domestic catastrophes. He was
-preparing to accompany Tom back to
-Pelham Street. He wanted to see Mrs.
-Grant himself. He did not forget that
-the Challoners’ woe involved hers, and
-like their true friend, as he was, he
-wished to show all the attention and
-hospitality which he knew they would
-have desired to tender to a woman under
-such anxiety.</p>
-
-<p>He found Lucy, as Mrs. Grant whispered,
-“holding on bravely.” She was
-even preparing to accompany her guest
-to the railway station, to see her off on
-her homeward journey. But she was not
-reluctant to yield to Mr. Somerset’s request
-that she would delegate this duty
-to him—a proposal which Mrs. Grant
-backed with much urgency.</p>
-
-<p>“Keep her to her work, all you good
-friends of hers,” whispered that worthy
-woman. “Never mind her getting tired.
-For the rest, let her be quiet when she
-wishes it. Spare her from all the little
-squalid worries you can; I don’t mean
-keep them from her, but stand between her
-and them; let her get them, as it were,
-passed through you first. Ah, I know!”
-added Mrs. Grant; “for as I’m a sailor’s
-wife, so am I a sailor’s daughter, and
-what we’re bearing to-day, I’ve seen my
-mother live through thrice—once for her
-husband, and twice for her sons.”</p>
-
-<p>As their cab drew up at the station, it
-had to wait a second while a carriage
-drove off.</p>
-
-<p>“Dr. Ivery’s carriage,” whispered
-sharp Tom to Mr. Somerset. “So I
-suppose he is in the station.”</p>
-
-<p>True enough, as they passed through
-the booking-office, there was Dr. Ivery
-taking his ticket. Mr. Somerset knew
-him, having met him several times during
-Mr. Challoner’s illness. They greeted
-each other, Mrs. Grant and Tom passing
-on. Mrs. Grant’s train was already in
-the station, but would not start for
-another quarter of an hour.</p>
-
-<p>Tom turned to look at his friend and
-the physician. He saw that they were
-in close conversation, and Mr. Somerset
-had actually produced the black-edged
-letter! The doctor was carefully examining
-it under a lamp. He handed it
-back with a few emphatic words, which
-Mr. Somerset received with a gesture of
-surprise and interrogation. Then they
-both looked at it together, the doctor
-pointing to details in the superscription,
-Mr. Somerset eagerly following his
-words, and alternately watching his
-finger and looking into his face. Finally,
-he re-took the letter, and both gentlemen
-shook their heads, the doctor extending
-both his hands as though to say that his
-words opened wide issues. Then, as
-Mrs. Grant’s train was just starting,
-they hastily shook hands, and Mr. Somerset
-hastened back to give the good lady
-his parting words as she went off.</p>
-
-<p>“Tom,” said Mr. Somerset, grasping
-the lad’s arm as they re-entered the cab,
-which Mr. Somerset had retained to
-drive them back to Pelham Street, “Dr.
-Ivery is truly concerned about the news
-I gave him. He has much admiration
-for Mrs. Challoner’s pluck and determination.
-Then I thought I would tell
-him about the little worry of these letters;
-and, Tom, he has a most startling theory
-on the subject—indeed, it is no theory,
-he regards it as a scientific fact.”</p>
-
-<p>“What is it?” Tom asked eagerly.</p>
-
-<p>“He says these letters are written by
-some demented person; that such things
-are a well known phase of mental failure;
-that the very caligraphy is characteristic,
-the way the letters and lines run into each
-other, the bad spelling—everything!”</p>
-
-<p>“I don’t see that the doctor’s opinion
-helps us much,” remarked Tom, almost
-irritably. “Who is the lunatic? and
-why is the lunatic concerned with our
-household?”</p>
-
-<p>“Those questions remain unanswered,”
-said Mr. Somerset. “There is no need
-to ask ‘why’ where lunacy is concerned.
-It is precisely without reason
-that it acts, and there is little organic
-unity in its actions.”</p>
-
-<p>They found Miss Latimer sitting alone
-in the parlour. Lucy had retired.</p>
-
-<p>“Sorrow is sometimes sleepy,” said
-Miss Latimer, “and it is God’s medicine
-when it is.” But Lucy had left behind
-kind “good nights” for Mr. Somerset
-and Tom, and exhortations that the
-former was not to think of going home
-without having his supper.</p>
-
-<p>It was a dreary little meal. While
-Clementina set or removed the dishes,
-they did not check their conversation
-about the general position.</p>
-
-<p>“If these strange freaks be really the
-work of a lunatic,” said Mr. Somerset,
-“of course the poor creature cannot be
-blamed; but none the less we must try
-that he or she be in some way restrained,
-as soon as discovered, for nobody knows
-what they may do next.”</p>
-
-<p>“Those that get called mad are sometimes
-not so mad as folks think, sir,”
-Clementina put in, in her civil, sad way.</p>
-
-<p>“It’s strange to discover that we seem
-to know as little of what is going on
-beside us, as we do of what is happening
-to Mr. Challoner at the other side of the
-world,” remarked Tom.</p>
-
-<p>“Oh, we are badly in want of a sixth
-sense, such as some of your old Highland
-seers claimed, Clementina,” said
-Miss Latimer.</p>
-
-<p>“Aye, but they did not claim it, they
-had it,” said Clementina confidently;
-“yet it wrought them little good. They
-could not use it when they wished, they
-had to wait for it, and it came only when
-it listed; often it would not come, and
-it would never bide.”</p>
-
-<p>“Yet some people claim that these
-mysterious faculties are being slowly
-brought into light and order,” observed
-Mr. Somerset, turning to Miss Latimer.
-“I do not know anything of the subject
-myself, and I find it hard to believe.
-There are people who profess so much
-of this modern magic that if you gave
-them Charlie’s last letter, they would
-pretend to tell you where he is, and
-what he is doing.”</p>
-
-<p>“The Brahan Seer did that, nigh two
-hundred years ago,” said Clementina
-eagerly. “He told the proud Lady
-Seaforth what was keeping her husband
-in France, and he got himself burned
-for his pains.”</p>
-
-<p>“I should think it was bordering on
-sin to make any such inquiry,” said
-Miss Latimer. “If there are any mysterious
-faculties only half developed in
-human nature, we should not hasten to
-mix them up with the solemn and sacred
-things of our lives. We know enough
-to be sure that many spiritual dangers
-lie that way. To venture our peace of
-mind among such risks, is like going
-into a laboratory and tasting everything,
-not knowing which is poisonous.”</p>
-
-<p>“Yet, to use your simile, there must
-be laboratories, and tests, and fit occasions
-for working among such things,”
-said Mr. Somerset. “Still I agree with
-you absolutely in the necessity of keeping
-the treasures of our hearts and lives
-out of so tainted and be-fogged an
-atmosphere.”</p>
-
-<p>“Well, I’m sure these silly letters
-are not sacred treasures,” said Tom.
-“Suppose we give one of them to a
-detective to-morrow, and take him with
-us to put it into the hand of a psychometric
-or clairvoyant, or whatever they
-call the modern wizard or witch, and
-allow them to clairvoyantly perceive—isn’t
-that the cant?—the person who
-sent it. It would be a good test if this
-did give us a clue, and if it didn’t, or
-if it misled us, why there would be no
-harm done—it wouldn’t matter a bit—we
-should be just where we are.”</p>
-
-<p>Clementina had removed the supper-tray
-while he was speaking. Mr. Somerset
-rose up to go. He did not reply to
-Tom’s suggestion, not taking it seriously,
-but said “good night,” promising to
-come back very soon, possibly next day.</p>
-
-<p>In the morning Tom woke rather
-lazily, but he jumped up in a great
-fright, seeing that his watch already
-pointed to half-past eight! “I must
-have slept very heavily,” he thought,
-“to have heard no knock nor bell, nor
-anything!”</p>
-
-<p>And he dressed in great haste.</p>
-
-<p class="center">(<i>To be continued.</i>)</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_757">{757}</span></p>
-<h2 class="nobreak" id="GIRLS_AS_I_HAVE_KNOWN_THEM">GIRLS AS I HAVE KNOWN THEM.</h2>
-</div>
-<p class="ph3"><span class="smcap">By</span> ELSA D’ESTERRE-KEELING, Author of “Old Maids and Young.”</p>
-
-
-<h3>PART VII.</h3>
-
-<p class="ph3">THE OLD-FASHIONED GIRL.</p>
-
-<div class="poetry-container">
-<div class="poetry">
- <div class="stanza">
- <div class="verse indent0">“Modest as morn, as midday bright,</div>
- <div class="verse indent0">Gentle as evening.”</div>
- </div>
- <div class="stanza">
- <div class="verse indent0">(A girl described by the poet Andrew Marvell.)</div>
- </div>
-</div>
-</div>
-
-<hr class="tb" />
-
-<div class="figcenter illowp32" id="i_757a" style="max-width: 7.8125em;">
- <img class="w100" src="images/i_757a.jpg" alt="" />
- <div class="caption"><p class="center"><i>A MARVELL</i>OUS GIRL</p></div>
-</div>
-
-<p><span class="smcap">By</span> the old-fashioned girl
-is not here meant the girl
-of a type extinct, but the
-girl of a type still existing,
-if in less numbers than of
-old. I have a sheaf of
-letters by this girl beside
-me. None of these letters
-bears date earlier than 1893.
-One of them, written on
-Christmas morning of that
-year, begins—</p>
-
-<p>“To-day is just like a
-beautiful Spring morning,
-the crocuses and buds
-showing above ground,
-and all the buds forward.”</p>
-
-<p>A week later, the writer announces—</p>
-
-<p>“The weather is so open that Eva was able
-to pick some rosebuds on Christmas Day.”</p>
-
-<p>Under date February 12th, 1894, there is
-the following—</p>
-
-<p>“The kitten Sixpenny is getting plump on
-bullfinches which the gardener shoots. They
-do a lot of damage to the fruit-buds.”</p>
-
-<p>The same letter contains this communication—</p>
-
-<p>“The violets and camellias are backward
-this year, but all the crocuses and snowdrops
-are now at their best, and we daily examine
-daffodil buds.”</p>
-
-<p>“Jacob, a jackdaw,” is mentioned in a
-subsequent letter, where the reference to him
-runs—</p>
-
-<p>“Jacob, a jackdaw, has been lately acquired.
-He resides in a big aviary, and sometimes
-has a rabbit put in with him to get
-change of air.”</p>
-
-<p>A girl who writes letters like that is a girl
-who would have been after the heart of
-Gilbert White of Selborne.</p>
-
-<p>The old-fashioned girl is sentimental in so
-far as to be sentimental is to have a tender
-and susceptible heart, for her sentimentality is
-not of that order the other name of which is
-mawkishness. In fact, it is of a kind that
-justifies the singular assertion made by gentle
-William Shenstone: “The French use the
-word <i>naïve</i> in such a sense as to be explainable
-by no English word, unless we will
-submit to restrain ourselves in the application
-of the word <i>sentimental</i>.”</p>
-
-<p>This sentimentality, the other name of which
-is <i>naïveté</i> of feeling,
-in the old-fashioned
-girl led
-her to say the
-other day to a
-woman whom she
-loved, “I wonderfully
-admire
-you,” and <i>naïveté</i>
-of feeling it is
-that inspires
-phrasing so
-charming as this,
-which I cite from
-the letter (date
-May 1st, 1894) of
-an old-fashioned girl: “It is four years since
-I have seen you, my friend, except by letters.”</p>
-
-<div class="figcenter illowp60" id="i_757b" style="max-width: 15.625em;">
- <img class="w100" src="images/i_757b.jpg" alt="" />
- <div class="caption"><p class="center"><span class="smcap">An Infant
-Phenomenon</span></p>
-
-<p><i>There he’s the darlingest
-dearest cleverest, brightest
-little fellow in the world. Yes
-he is.</i></p></div>
-</div>
-
-<p>It has been said in the foregoing that the
-old-fashioned girl exists in less numbers to-day
-than in days gone by; so far is she, however,
-from being as uncommon as the great auk,
-that I who write this have only to shut my
-eyes to see a long procession of old-fashioned
-girls pass before me.</p>
-
-<p>First passes Ann (in her own explanatory
-phrasing, “plain <i>A-double-N</i>”), who always
-brings her letters to a close with “believe
-me,” and uses a nominative of address in
-writing a postcard.</p>
-
-<p>Next pass Elizabeth, Betsy, Bessy and Bess—no
-<i>Elsie</i>, mark you.</p>
-
-<p>Elizabeth wears boots with toe-caps, and is,
-we who know her believe, the last girl who
-will use the phrase, “canons of good taste.”</p>
-
-<div class="figcenter illowp71" id="i_757c" style="max-width: 18.75em;">
- <img class="w100" src="images/i_757c.jpg" alt="" />
- <div class="caption"><p class="center">A VISITATION</p>
-
-<p><i>There Mrs. Bile
-I’ve brought you
-another little pie of
-my own making</i></p></div>
-</div>
-
-<p>Betsy wears in winter a crotcheted muffler
-and Ringwood gloves. She always says at a
-visit’s end, “Now I must be going,” and
-generally says that she has “paid a visitation.”
-This makes new-fashioned people
-smile, and, as Betsy only says it when in
-merry pin, this pleases her. Betsy is a wag
-in her old-fashioned way. Thus she always
-counts her cherry-stones, and affects distress if
-they come to <i>never</i>. This also makes new-fashioned
-people smile.</p>
-
-<p>Bessy we call “the quotation girl.” To
-Bessy, coffee is “the fragrant juice of Mocha’s
-berry brown,” and Bessy at the tea-table
-refers to “the cups that cheer, but not inebriate.”
-Bessy will herself only be described
-in a quotation—</p>
-
-<div class="blockquot">
-
-<p>“Old-fashioned poetry, but choicely good.”</p>
-</div>
-
-<p>Bess uses what we others call “dictionary
-words”—such words as <i>pusillanimity</i> and
-<i>titillation</i>. Bess—does this need telling?—hails
-from beyond Tweed.</p>
-
-<p>Next passes Susan, who says, “Papa and
-mamma,” when she does not say “Father
-and mother.” The new-fashioned girl says
-“papa and mother.” Susan, too, prefers the
-word “lady” to “woman,” and “gentleman”
-to “man.” In fact, she has somewhat
-aristocratic leanings; but condescension is no
-part of her manner, for she knows that politeness
-levels up.</p>
-
-<p>Next pass the Marys, some of whom are
-Pollys.</p>
-
-<div class="figcenter illowp49" id="i_757d" style="max-width: 12.5em;">
- <img class="w100" src="images/i_757d.jpg" alt="" />
- <div class="caption"><p class="center">An
-old-fashioned
-girl</p>
-
-<p class="center">MINERVA</p></div>
-</div>
-
-<p>Polly, number one, combines a love of
-cookery with a love
-of bookery, to phrase
-the matter as a certain
-poet would have
-phrased it, and to
-these loves she adds
-a third, the love of
-needlework. If you
-should tell her that
-a good needlewoman
-makes a bad
-student, she will tell
-you in reply that
-Minerva beat
-Arachne in the art
-of needlework. She
-is so far from being a bad student that it is
-only part of her knowledge to know that.</p>
-
-<p>Polly, number two, is not learned at all,
-but is of marvellous dexterity with her fingers.
-She should have lived in the days of spears
-and spindles, some people say. These people
-are of those who have nothing in their heads
-but a tongue.</p>
-
-<p>Of the Marys called Mary, there passes
-first that Mary to whom, albeit her home is
-London, a Monday Popular Concert is not “a
-Pop,” and to whom a photograph is not a
-<i>photo</i>.</p>
-
-<p>Next passes the Mary to whom an Ellen
-said—</p>
-
-<p>“You must have been born grown-up, like
-a fly, Mary.”</p>
-
-<p>To whom Mary: “What do you mean?”</p>
-
-<p>“Why, don’t you know, goose, that flies
-don’t grow, that they—let me think of the
-way it’s put in the books—emerge from the
-larva in a perfect state?”</p>
-
-<p>To which Mary, dreamily: “Do they?
-That’s very interesting.”</p>
-
-<p>A less old-fashioned Mary might not have
-found a fact conveyed as that fact was conveyed
-in a primary degree “interesting.”</p>
-
-<p>The old-fashioned girl is not always handled
-tenderly by the new-fashioned girl. “Here’s
-a description of you,” so sneers one Muriel,
-and reads aloud from a book, “A young lady
-in the possession of all the virtues which adorn
-the most amiable of her sex.”</p>
-
-<p>To which the Mary sneered at answers, “No,
-no; that flatters me.”</p>
-
-<p>Lastly, there passes Emma, the old-fashioned
-girl who heard lately with amazement that (so
-the new-fashioned girl phrased the matter) “cut
-glass is vulgar.”</p>
-
-<p>“How can,” said Emma, “<i>glass</i> be
-vulgar?”</p>
-
-<p>Emma lives in a world in which not only is
-cut glass still in estimation, but in which the
-word “vulgar” is used in a sense in which it
-is inapplicable to glass.</p>
-
-<p>Emma is very fastidious in regard to phrasing.
-She is never caught using the form
-“different <i>to</i>,” and she follows the rule which
-prescribes the use of “better,” where the ungrammatical
-say “best.” Of her adjectives,
-which are few and carefully chosen, a favourite
-one is “elegant,” which she uses elegantly.
-Her spelling has an old-fashioned look. Thus
-she writes <i>shew</i>, <i>sew</i>, <i>ribband</i> and <i>bason</i>. She
-prefers <i>carven</i> to “carved,” and, in regard to
-another past participle, she is open to the
-gentle satire of the <i>Cornhill</i> essayist, who
-wrote in 1885 of “very young ladies” what
-follows—</p>
-
-<p>“They write first, ‘his health was drunk,’
-and then, alarmed at the apparent inebriety of
-that harmless past participle, alter it incontinently
-to ‘his health was drank.’”</p>
-
-<div class="figcenter illowp69" id="i_757e" style="max-width: 15.625em;">
- <img class="w100" src="images/i_757e.jpg" alt="" />
- <div class="caption"><p class="center">REDGAUNTLET
-AND
-BLUE-STOCKING
-A
-NOVEL
-COMBINATION</p></div>
-</div>
-
-<p>Emma prefers the sound of “his health was
-drank” to that of “his health was drunk.”
-Such archaisms as <i>to pen</i> for <i>to write</i>, and <i>a
-braid of hair</i> for <i>a
-plait of hair</i>, are
-also in favour with
-Emma, though her
-notions in style
-have undergone
-some modification
-since she wrote
-her first English
-composition,
-which began, “I
-sit down to write
-an essay.” Emma
-is at present engaged
-upon writing a novel in letter form,
-modelled on Sir Walter Scott’s <i>Redgauntlet</i>.<span class="pagenum" id="Page_758">{758}</span>
-That is a secret. Emma has many secrets.
-New-fashioned girls are said to have none.</p>
-
-<p>Never believe it!</p>
-
-<p>Perhaps the old-fashioned girl is seen to
-least advantage in a new-fashioned school.
-The modern system of examination perplexes
-her. It was not quite a dunce, but merely a
-bewildered old-fashioned girl who wrote what
-follows in obedience to the injunction, “Comment
-on the grammatical peculiarity in the
-sentence—‘Cromwell was by far our remarkablest
-governor.’”</p>
-
-<p>“<i>Carlyle did not know better English, or
-perhaps he wanted to make a joke.</i>”</p>
-
-<p>Not that the old-fashioned girl is not sometimes
-a frank ignoramus. This must be
-allowed to be the case when she defines—I
-cite here from authentic documents—<i>phenomenon</i>
-as “a very bad-tempered person,”
-and <i>emolument</i> as “great flattery.”</p>
-
-<p>In dialogue with the new-fashioned girl the
-old-fashioned girl does not always come off
-best, but once and again she scores, if only by
-the utterance of a bold paradox. Take the
-following.</p>
-
-<p>“I wish,” said the new-fashioned girl, “I
-was dead.”</p>
-
-<p>“You are always wishing something impossible,
-Evelyn,” answered the old-fashioned
-girl. “The moment you are dead you will be
-wishing you were alive.”</p>
-
-<p>Paradox of a kind less mordant and less
-moribund is contained in the following, which
-I set down as the favourite exclamation of an
-old-fashioned girl born blind—</p>
-
-<p>“Ah, I see it all now!”</p>
-
-<p>Sometimes the sorrows of the old-fashioned
-girl are of a kind calculated to rouse the
-amusement of those who are of a newer
-fashion. This is surely the case in the matter
-of one Ada, who writes—</p>
-
-<p>“I have contracted the miserable habit of
-writing short words backwards, putting ‘dab’
-for ‘bad,’ and much more dreadful things than
-that. I feel that in writing my own name I
-write it backwards, and that it is only by
-happy accident that it reads all right. This
-comes from a game which we have been
-playing, and which consists of naming words
-that make sense spelt backwards. The boys
-like it (this will shock you), because of the
-word <i>mad</i>.”</p>
-
-<p>Useless were it to tell this Ada that the
-word which
-“mad” spells
-backwards is
-one in which
-“the boys”
-may fairly
-take delight,
-meaning
-merely, as it
-does, “a bank
-to confine
-water.” The
-stricken Ada
-knows boys
-better.</p>
-
-<div class="figcenter illowp76" id="i_758" style="max-width: 18.75em;">
- <img class="w100" src="images/i_758.jpg" alt="" />
- <div class="caption"><p class="center"><span class="smcap">Another
-innocent</span></p></div>
-</div>
-
-<p class="center">(<i>To be continued.</i>)</p>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="IN_THE_TWILIGHT_SIDE_BY_SIDE">IN THE TWILIGHT SIDE BY SIDE.</h2>
-</div>
-<p class="ph3"><span class="smcap">By</span> RUTH LAMB.</p>
-
-
-<h3>PART XI.</h3>
-
-<p class="ph3">THE LITTLE ONES OF THE FAMILY AND THE GLORY
-OF MOTHERHOOD.</p>
-
-<p class="center">“A joyful mother of children.”—Psa. cxiii. 9.</p>
-
-
-<hr class="tb" />
-
-<p><span class="smcap">I called</span> the subject of our two last talks all-important,
-because I could hardly imagine
-one possessing wider interest for you. But
-when I introduced it, I alluded to you, my
-dear girl friends, not only as the wives, but
-as the mothers of the future. Marriage and
-motherhood are alike sacred subjects—the
-latter certainly not less so than the former.</p>
-
-<p>Before the day arrives when the sweet but
-solemn responsibility of motherhood comes to
-the young wife, girls who are members of
-large families have mostly shared in the toil,
-anxiety, and, let us hope, also in the joy and
-brightness that the little ones bring into the
-world with them.</p>
-
-<p>It makes me glad as I call to mind many
-beautiful pictures of sisters who have been
-second only to the real mother in their loving
-care of, and tender sympathy with, the younger
-members of the family.</p>
-
-<p>Many a delicate ailing mother has been
-aided on the path to renewed health by the
-thought that the children, about whom she
-would otherwise be painfully anxious, are
-being lovingly watched over by an elder
-sister. As she has lain, so willing yet so
-unable to fulfil her maternal duties, her
-heart has been full of joy, and her thoughts
-have gone up in praise to God for the gift of
-the precious daughter who is cheerfully carrying
-the weight under which she, unaided,
-must have sunk.</p>
-
-<p>There are, thank God, many girls who are
-little mothers almost from their cradles. We
-can find them in rich homes and poor ones.
-In courts and slums where the direst poverty
-prevails, the baby, often unwelcome to the
-elders, is passed over to the ceaseless care of
-one who is only a few years past babyhood
-herself.</p>
-
-<p>From the very first the little deputy-mother
-deems it her baby, her choicest treasure, and
-finds beauties and charms in it which are
-invisible to other eyes. Its increasing size
-and weight may cause her greater weariness,
-but they are none the less sources of pride and
-joy, and make her forget her own aching back.</p>
-
-<p>She would go hungry that it might be well
-fed; cold, that it might be warmly bundled
-up in the shawl that ought to do duty as
-covering for both of them. Her baby may
-be but a caricature of the pink and white
-loveliness of another infant clad in silk and
-lace and with two nurses to watch its every
-movement; but let a ragged dweller in the
-same court disparage the looks of her darling,
-and she would fight the slanderer as stubbornly
-as ever knight of old did in defence of the
-charms of his ladye love.</p>
-
-<p>I must not dwell on this picture. Long
-ago when the “G. O. P.”<a id="FNanchor_1_1" href="#Footnote_1_1" class="fnanchor">[1]</a> was itself a baby
-under two years old, I wrote with heartfelt
-respect of “Little Nurses.” I had studied
-them in many places, and the sight of their
-devotion had inspired my admiration and
-loving sympathy.</p>
-
-<p>Turning from the baby devotee of the slums,
-and not for a moment forgetting sweet pictures
-of sisterly devotion which I have seen in other
-ranks of life, I am going to indulge in a little
-croak about the decay of the maternal spirit
-in many of the girls of to-day.</p>
-
-<p>I was journeying northward some three years
-ago, and during part of the time I had only one
-companion. She was past girlhood, probably
-some years over thirty, and in the course of
-conversation she spoke of her old happy
-home and the gradual scattering of its
-inmates, until she found herself the last one
-left. Her parents had died not long after
-each other, and brothers’ and sisters’ homes
-were far apart. That there had been true
-family union and affection amongst them I
-felt sure, for my companion could not speak
-of the good father and mother without a
-trembling of the voice and tears which she
-turned away to hide.</p>
-
-<p>Later the talk turned on children. I suppose,
-as an old mother, I must have expressed
-my deep love for them, and I was almost
-horrified when my companion exclaimed—</p>
-
-<p>“I loathe children. I cannot bear even to
-touch a child.”</p>
-
-<p>The expression on her face proved her
-sincerity.</p>
-
-<p>Need I tell you, dear girls, that a barrier
-seemed to rise up between my companion and
-myself, as I heard these unwomanly, nay, I
-may say, inhuman words? Only a short time
-before, the girl had been moved to tears as she
-spoke of the loving devotion of which she had
-been an object, both as a child and from her
-youth up. Yet her memories of her own
-home life and of the parents she mourned, had
-not awakened in her cold heart one spark of
-tenderness for the helpless little creatures who
-are so dependent on those around them.</p>
-
-<p>A truly feminine nature, with its motherly
-instincts fostered as they ought to be, instead
-of being crushed down and stifled, regards
-every child with tenderness, and would make
-the surroundings of all the little ones
-brighter, purer, and holier if it were possible
-to do so.</p>
-
-<p>It happened on that same journey that a
-comely Scotchwoman got into our carriage
-at a country station. At the door she held
-out one of the loveliest year-old babies I ever
-saw, and addressing my companion, said,
-“Here, tak the bairn, please, whiles I lift in
-the others,” for there were two more
-youngsters on the platform just a step above
-each other in size.</p>
-
-<p>My companion fairly shrank into her corner
-and kept her hands firmly clasped, whilst her
-face expressed disgust and vexation at the
-unceremonious request. The mother’s astonishment
-was almost ludicrous, but I
-promptly said, “Give me the bairn. I’m
-used to bairns, you see, and this lady is not.”
-It was a delight to hold the bonny smiling
-darling in my arms. Her beautiful clothing
-and the pretty neat garments of the elder
-children were eloquent of loving care. And
-the mother was eloquent too about the object
-of the half-hour’s journey which was to show
-the children to “my ain guid mither, who is
-just wearyin’ for a look at them,” I was told.</p>
-
-<p>I heard about five older ones at home, and
-how they had to go, two at a time and the
-baby, to see the grandmother, with many
-particulars which brought this comparatively
-young mother into fullest sympathy with me,
-the old one.</p>
-
-<p>I was quite sorry to give up my pretty
-charge when parting time came. Sorry, too,
-that my other travelling companion, who sat
-silent in her corner with averted eyes, could
-not appreciate the charms of childhood, or
-care to impress on her memory the beautiful
-picture of motherly self-devotion and industry
-furnished by that sample batch from the flock
-of eight. How each bright healthy face, each
-spotless tasteful garment would appeal to the<span class="pagenum" id="Page_759">{759}</span>
-grandmother! How glad and proud she
-would be to see the fruits of her own training,
-as she looked at her matronly daughter and
-those “bonny bairns” of another generation!</p>
-
-<p>Yet how kind was my first companion to
-me, when the others had left us alone again!
-We parted at the next stopping-place, but
-during the waiting interval she was like a
-good daughter in her care of me. I think
-that in paying me sweet attentions she
-thought of the mother of her girlhood whom
-she had lost. The pity of it was that memory
-did not take her further back, so that, in
-thinking of the needs of infancy and her own
-childhood, she might have been stirred to
-sympathy with other helpless little ones of
-the human family.</p>
-
-<p>Another girl, whom I know to be really
-warm-hearted and affectionate, said of her
-sister’s baby, “She’s a horrid little creature,
-more like a skinned rabbit than anything else.
-I cannot bear to look at her, and I would not
-touch her for the world.”</p>
-
-<p>We know that newly-born babies are not
-always beautiful to look upon, but how soon
-the redness of their faces tones down to lovely
-pink and white, and the puckered skin fills
-out and becomes soft as satin to the touch.
-That girl’s heart must be unwomanly indeed
-for which a baby’s smile and outstretched
-arms have not an irresistible charm.</p>
-
-<p>Putting aside the fascination of external
-beauty, we should bear in mind the great fact
-that the frailest, least attractive infant that
-comes into the world is the home of an
-immortal soul. It brings with it a burden of
-sweet but solemn responsibility to be borne,
-first of all by the parents, but shared in a less
-degree by all whose companionship must
-influence it for good or evil.</p>
-
-<p>I am not going to imagine that amongst you,
-my dear girl friends and twilight companions,
-any can be found who have no warm comers
-in their hearts for helpless little ones, or who
-are insensible to the glory and responsibility of
-motherhood. So, having given vent to the little
-croak suggested by the sayings of sundry girls
-whom I have met elsewhere, let us talk about
-the children over whom we have, or may have
-in the future, the strongest influence of all.
-Strongest and best also; if we are only true
-to our divinely-given instincts, and alive to the
-vastness of the responsibilities of motherhood.
-I cannot help thinking that the study of child
-life and character should form part of every
-girl’s education. Surely no branch of natural
-history can be equally interesting.</p>
-
-<p>There can hardly be a more fascinating
-subject than natural history in all its branches,
-and we can admire and sympathise with the
-earnest student who spends the best part of a
-lifetime in observing the ways of an insignificant
-insect. Every secret of structure or habit
-thus revealed is another proof of the goodness
-and power of God, and adds to His glory in
-the eyes of His believing children, who exclaim
-in the words of the Psalmist, “O Lord, how
-manifold are thy works! in wisdom hast Thou
-made them all: the earth is full of thy riches.”
-The Revised Version gives the word “creatures,”
-instead of riches, and truly when you and
-I, my dear ones, call to mind the little we know
-about these wondrous minute organisms that
-scientific research has revealed of late, we are
-struck with the fitness of the change. It is
-hard to grasp the idea alike of the vastness
-and the minuteness of God’s works.</p>
-
-<p>If I had time I could quote many passages of
-His Word which prove that some of the best
-men of old were close observers of nature, and
-to be such is quite in accordance with its
-teachings. I would plead with all nature
-students, but, above all, with girls, who will be
-the mothers of the future, to give the closest,
-most prayerful study to the young human
-beings on whose right training so much
-depends.</p>
-
-<p>Lovers of horses, dogs or cats are generally
-eloquent about their pets, and can indicate
-every point of excellence in them, or allude
-regretfully to the smallest blemish. They
-spend money lavishly in order to acquire
-perfect specimens, and are careful to maintain
-them in health and more than comfort.</p>
-
-<p>These costly pets are so much living capital,
-and it is safe to say that many a parent could
-tell more about the disposition and doings of
-a favourite horse or dog, than of the dispositions
-of the children who call them father
-or mother.</p>
-
-<p>It is often said that the baby brings a vast
-heritage of love with it into the world, and I
-believe in the truth of this. But sometimes
-the love gets into the wrong heart, if I may
-use such an expression, instead of filling that
-of the mother, who, regarding the helpless
-creature as a hindrance to what she calls
-“pleasure,” is willing to relinquish the privilege
-of caring for her child to other hands. If
-these are truly womanly hands, and the nurse
-has in her a motherly heart, the child may
-lose little by the change during its first years.
-Later on, Nature asserts herself and only a
-mother’s love can satisfy a child’s yearnings.</p>
-
-<p>On this subject of motherhood, as in all that
-you and I, my dear girl friends, have talked
-about together, we need to look into the Book
-of books for light and guidance.</p>
-
-<p>Motherhood is part of Nature’s—or should
-I not rather say of God’s—plan for womanhood.
-Let us look back together at the
-earliest chapter of human history, and note how
-children were regarded then.</p>
-
-<p>Eve, so named because she was “the mother
-of all living,” or “life,” as the Revised Version
-gives it, clasped her first-born to her breast
-and cried in her exultant joy, “I have gotten
-a man from the Lord.” She looked upon
-her babe as the direct gift of God. She, like
-many a mother in after days, could not foresee
-the sin and the sorrow that would shadow his
-manhood and her own heart. But in holding
-her infant treasure to her breast, she would
-have a present joy and sense of riches that
-words cannot describe. She, the only human
-mother, with the only human infant in the
-wondrous new world which was to be peopled
-by her children, must have had sensations
-which none of her descendants could possibly
-repeat.</p>
-
-<p>And yet, believe me, every loving mother
-who is worthy of the name, has a like feeling
-of riches, when she can say, “This is my
-child, my very own. This wonderful little
-body is given me to feed, clothe and guard.
-It is my privilege to see that it is fed with food
-convenient for it, that the tender frame is
-shielded from too great heat or biting cold,
-that it is kept from places and things which
-might injure its health, or prevent its growth
-into sturdy boyhood or girlhood.” The true
-mother was proud of her name in the old days
-of Bible history, and to be childless was to be
-a sad and dissatisfied woman.</p>
-
-<p>When Seth was born, after Abel had been
-slain by his brother, the joyful thought of Eve
-was that the vacant place in her motherly
-heart was filled again, and she cried, “God
-hath appointed me another seed instead of
-Abel whom Cain slew.”</p>
-
-<p>She had sons and daughters, we know not
-how many, during the ages which followed,
-but there is no detailed history of them. Still
-it gladdens our hearts to know of the joy of
-that first mother, when Seth was given to her
-in place of the good son who “was not.”</p>
-
-<p>Pass with me down the ages and look into
-the tent of Sarah, when she held in her arms
-the child of promise, so long hoped for, even
-against hope as it seemed. “And Sarah said,
-‘God hath made me to laugh; everyone that
-heareth will laugh with me.’”</p>
-
-<p>Childless Rachel bemoaned her hard fate
-and cried, “Give me children, or else I die.”
-Then when Joseph was born she gave him the
-name which meant “added,” and said, “The
-Lord add to me another son.”</p>
-
-<p>Yet another picture for us to look at
-together, my dear ones. It is that of Jacob
-as he met his brother Esau. After the
-brothers had embraced and kissed each other,
-Esau “lifted up his eyes and saw the women
-and the children, and said, ‘Who are these
-with thee?’ And he said, ‘The children
-which God hath graciously given thy servant.’”</p>
-
-<p>Why are we studying all these Bible
-pictures, and glancing at the domestic stories
-which they illustrate? Is it not that we may
-all realise more fully the glory of motherhood,
-the value set upon children by the mothers of
-old, and the universal acknowledgment that
-a child was a precious gift from God?</p>
-
-<p>Ah, there was no talk of loathing children
-then! No shrinking from the touch of a fair,
-innocent, helpless babe! No talking lightly
-or contemptuously of the little ones. The
-Psalmist calls children “the heritage of the
-Lord—His reward,” and says that “He
-makes the barren women to keep house” (or
-to dwell in a house) “and to be a joyful mother
-of children.”</p>
-
-<p>Motherhood conferred dignity and made the
-woman mistress of a home and the head of a
-household. Ever and always the presence of
-a child or children added to the sense of
-riches, being regarded as the special gift of
-God and a token of His favour.</p>
-
-<p>It is not easy to exhaust Scripture on this
-beautiful subject, for one Bible mother seems
-to rise after another and claim our attention
-and admiration. We see Hannah appearing
-in the house of the Lord, first pleading that
-she too may know the glory and joy of motherhood,
-and then, taking her weaned child to
-dedicate him to the lifelong service of the
-Giver. “For this child I prayed, and the
-Lord hath given me my petition which I asked
-of Him, therefore also I have lent him to the
-Lord; as long as he liveth he shall be lent to
-the Lord.”</p>
-
-<p>How self-sacrificing, how sublime was this
-act on the part of the mother! Just when
-her little Samuel had twined himself round
-her heart by the imperishable cords of love;
-as each day witnessed some new growth and
-charm in the boy; and the parting must have
-become almost too great a trial for the tender
-mother to contemplate, for “the child was
-young.” Hannah brought him to Shiloh and
-left him there.</p>
-
-<p>Hers was no temporary sacrifice. She
-renewed it year by year, rejoicing that her son,
-God’s gift, was accepted by Him in turn as she
-gave him back, “and was in favour both with
-the Lord and with men.”</p>
-
-<p>We have passed by the mother of Moses
-and her plan to save, if possible, the life of her
-infant, and other Bible mothers, around whom
-we might well pause. We must, however,
-glance for a moment at the Virgin Mother and
-her Babe lying in His lowly manger-bed, the
-infant Saviour, “Christ the Lord.”</p>
-
-<p>Stretching across the years, we see Jesus in
-His manhood taking the little ones in His
-kind arms, blessing them and saying, “Suffer
-the little children to come unto Me, and forbid
-them not, for of such is the kingdom of
-Heaven.”</p>
-
-<p>Now, my dear girl friends, what impression
-has this talk left on your minds? Has it
-not elevated your ideas of motherhood, and
-taught you how it was regarded amongst
-the men and women of the Bible? Is it
-not a sacred and glorious trust as well as a
-joyful one?</p>
-
-<p>Are not the little ones, of whom some girls
-of to-day speak slightingly and worse, to be
-regarded as God’s good and precious gifts to
-be nursed for the Lord, fitted for and
-dedicated to His service?</p>
-
-<p class="center">(<i>To be concluded.</i>)</p>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_760">{760}</span></p>
-
-<h2 class="nobreak" id="FROCKS_FOR_TO-MORROW">FROCKS FOR TO-MORROW.</h2>
-</div>
-<p class="ph3"><span class="smcap">By</span> “THE LADY DRESSMAKER.”</p>
-
-
-<p><span class="smcap">Just</span> now there is a very general feeling that
-women need more oxygen than they get. I
-do not know if it be owing to the largely-published
-fact that the Queen spends most
-of her day in the open air; but certain it is
-that one of the newest fashions is that of
-walking, and this has taken, with the leaders
-of London fashions, the place of cycling, to
-which they were so devoted two seasons ago.
-Most of the great ladies might have been seen
-in the Park during the past spring taking an
-early walk, frequently accomplishing the
-round of the Park at a good even pace,
-which meant exercise and health. Of course,
-now we know that the best way to avoid fat
-and keep the slender figure of youth is to
-walk regularly and constantly, and that any
-dietary or starving process is unsafe, it is easy
-to decide the matter for ourselves. Three miles
-a day is said to be enough, though some people
-say more. At any rate, it is the regularity
-which contains the charm and makes its
-success. And the doctors say that oxygen is<span class="pagenum" id="Page_761">{761}</span>
-what is needed to keep the eyes bright and
-the skin fair and healthy. So, fortunately,
-walking is cheap besides being fashionable,
-and it is the only way to find that physical
-energy without which one is inert and languid.
-So, now that I have told my readers the latest
-development in this way, they should try to
-lay in such a stock of energy during the
-coming autumn and winter as shall make them
-perfect giants in ordinary life.</p>
-
-<div class="figcenter illowp60" id="i_760" style="max-width: 28.125em;">
- <img class="w100" src="images/i_760.jpg" alt="" />
- <div class="caption"><p class="center">BRAIDED FAWN CLOTH GOWN FOR AUTUMN.</p></div>
-</div>
-
-<p>There is another subject which is rather
-akin to this one, of which I find a note, and
-that is the general complaints of eye-trouble
-made this spring and summer by cyclists. It
-is said to be a form of spring ophthalmia,
-caused by the particles of dust and decaying
-matter with which the atmosphere is loaded,
-which also affect the throats of those who are
-in the habit of riding with the mouth open.
-One of the great London dailies has mentioned
-this subject, and a
-London specialist of
-renown has declared
-that the remedy for
-the first trouble is to
-have a pair of spectacles
-with crape
-sides—as the wire
-sides are too hot—and
-to keep the
-mouth shut while
-cycling. A mild
-antiseptic is used for
-the eye-trouble, for
-which a doctor
-should be consulted.</p>
-
-<div class="figcenter illowp53" id="i_761a" style="max-width: 25em;">
- <img class="w100" src="images/i_761a.jpg" alt="" />
- <div class="caption"><p class="center">CASHMERE AUTUMN GOWN.</p></div>
-</div>
-
-<p>And now, having
-informed you of the
-very latest modes in
-this direction, we
-may turn to another
-note of mine, made
-at the Women’s
-Congress in July
-last, when I quickly
-noticed one thing,
-that American
-women, who are
-strong on matters of
-hygiene and ready
-to take advice on it,
-had all dismissed
-veils both with hats
-and bonnets, and
-that all the Englishwomen
-present,
-with hardly an exception, wore them—of
-every kind and colour. In fact, an
-Englishwoman feels her face unclothed
-without a veil to hide it, and the idea
-of its becomingness and that it
-hides the ravages of time is a constantly
-alleged reason. The American
-woman, like Gallio, cares for none of
-these things, and she looks as well.
-Certainly her skin is as clear and
-healthy as anyone else’s, and perhaps
-it is better and rosier in hue. She
-has attended lectures innumerable on
-personal hygiene and on physical
-culture until she knows a few things
-by heart. They are, that neither sun
-nor air are enemies to woman’s beauty;
-and that science declares that veils of
-all kinds are of no good for anything,
-and that they affect the eye and its
-sight most injuriously. The subject
-of the danger of spotty veils has been
-frequently ventilated, and yet our
-women and girls do not seem to have
-taken notice of the warning. I was
-much struck with the docility of the
-Americans in this way; they really
-tried to follow out every suggestion
-and discovery which made for better
-health and improved powers and
-energies in daily life.</p>
-
-<div class="figcenter illowp71" id="i_761b" style="max-width: 18.75em;">
- <img class="w100" src="images/i_761b.jpg" alt="" />
- <div class="caption"><p class="center">AN AUTUMN HAT.</p></div>
-</div>
-
-<p>It is difficult to say whether the
-revival, which has been very evident,
-of this early Victorian poke will be
-a lasting one; but I think it will
-probably extend into the winter in
-the form of comfortable velvet and
-feather creations, in which we shall
-all look more or less like our grandmothers.
-Some of us will find them
-very becoming indeed. The new
-pokes differ from the old ones in
-showing entirely that pretty coil of
-back hair which is so charming a
-feature of present-day hair-dressing.
-The old pokes of the beginning of the
-present reign were not made to do
-this, nor were they furnished with the
-pretty tulle strings which add so
-much to their becomingness. To me,<span class="pagenum" id="Page_762">{762}</span>
-this ancient head-covering is always associated
-with black ostrich tips and pink roses, but I
-may find out as the seasons roll that new
-discoveries have been made in this also, and
-that will be a decided gain, for there was, if
-pictures may be trusted, an unpleasant sameness
-about the headgear of one’s forebears.</p>
-
-<p>The French sailor has been really distinctively
-the hat of the season. It is a wonderful
-hat, for it suits everyone, and especially all
-those difficult to suit on account of either
-having thin faces or possessed of a few years
-too many. The brim, moreover, is not too
-wide, and does not cast an unbecoming
-shadow. Many women invariably select this
-shape, and fortunately it is always to be found,
-as its popularity is quite assured. It is easy
-also to trim them for oneself, and select a black
-one trimmed with black net, relieved, if you
-choose, with a paste buckle; or else a white
-one trimmed entirely with white tulle or net.
-These were the most fashionable things of
-this last season. Fancy gauze is also worn,
-and the net and gauze ruchings that can be
-purchased ready-made can be used for them.</p>
-
-<p>It has been also much in vogue during the
-last few weeks to have hats of this French
-sailor shape in colours, <i>i.e.</i>, greys, fawns,
-browns, even drabs, trimmed with tulles of
-the same colour. These have been very
-pretty, and will be in good taste for the
-autumn season, as they are suitable for
-wearing with travelling dresses, and they
-will be found to survive a good deal of
-hard wear. It is rather the fashion to
-wear a veil of the same colour with
-these hats, the meshes of which are
-chosen large and the veiling clear, with
-dots very far apart. Violets and blues
-seem to me very becoming, but I cannot
-say that I think the same of reds
-and pinks. Veils of white lace—washing
-lace as it is called—are very much
-used with sailor hats again.</p>
-
-<div class="figcenter illowp30" id="i_762" style="max-width: 15.625em;">
- <img class="w100" src="images/i_762.jpg" alt="" />
- <div class="caption"><p class="center">A GOWN OF LACE AND VOILE.</p></div>
-</div>
-
-<p>Our illustration of a braided gown of
-fawn-coloured cloth shows the last new
-style for autumn wear. The braiding
-is done in a darker shade of fawn; or,
-in some cases, in black, or in white;
-but the dark shade of the same hue is
-more fashionable. The hat is a lace
-straw, trimmed with ostrich feathers and
-shaded roses of a dark hue, and strings
-of black gauze. This hat, and that
-shown in our illustration of the single
-head, are good examples of the autumn
-afternoon hat; and they are suitable
-both for visiting, and for garden-parties
-in the country. The autumn hat is of
-a white chip, or Panama straw, with black
-feathers, black gauze, and a paste buckle;
-while under the brim is a cluster of chrysanthemums
-in mauve and red.</p>
-
-<p>I wonder whether my readers have discovered
-for themselves the extreme usefulness of voile
-as a material? I have illustrated a dress
-which is, of course, suitable for dress occasions
-only, but which might be modified, and
-would be just as suitable during the winter
-for quiet evenings, as it would be for autumn
-garden parties.</p>
-
-<p>The gown of cashmere is far more simple. It
-has revers of satin to match the colour of the
-cashmere, which is rather an uncommon shade
-of borage-blue—that delightful shade, so clear
-and yet not at all crude in tone. The hat is
-of blue, with a wreath of very tiny mauve
-flowers resting on a scarf of blue, of the very
-palest shade of the same.</p>
-
-<p>If it should prove to be a fine autumn and
-winter, I hear it prophesied on all sides that
-red will be more worn than even during last
-winter: indeed, that all bright hues will be in
-favour.</p>
-
-<p>My last few lines must be devoted to the
-question of “hats in church,” which seems
-just now a burning question in America. I
-read an account lately, in an American
-journal, of the movement in a part of the
-Methodist body to do away with the wearing
-of large hats in church, where their use is even
-more objectionable than elsewhere in any
-place where people gather together in
-numbers. It is said by the advocates of the
-change that it is not contrary to Scripture, for
-at the time when St. Paul wrote, the women
-were in a state of servitude and more or less
-seclusion, and they are not so now. It seems
-probable that the movement will spread
-throughout America. You will find that at
-many public meetings there, and even here
-during the Congress, many women took their
-hats off while the meetings were going on.</p>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="HOUSEHOLD_HINTS">HOUSEHOLD HINTS.</h2>
-</div>
-
-
-<p class="p2"><span class="smcap">The</span> register of a bedroom fireplace should
-never be closed, but left open for free ventilation
-from above.</p>
-
-
-<p class="p2"><span class="smcap">Fire-irons</span> and fenders not in use in the
-summer should not be neglected, but kept
-constantly rubbed up and not allowed to rust.</p>
-
-
-<p class="p2"><span class="smcap">Parsley</span> is injurious to fowls, and should
-not be given to them.</p>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="THREE_GIRL-CHUMS_AND_THEIR_LIFE_IN_LONDON_ROOMS">THREE GIRL-CHUMS, AND THEIR LIFE IN LONDON ROOMS.</h2>
-</div>
-<p class="ph3"><span class="smcap">By</span> FLORENCE SOPHIE DAVSON.</p>
-
-
-<h3>CHAPTER VIII.</h3>
-
-<p class="ph3">THE WATER-PARTY.</p>
-
-<p>“<span class="smcap">How</span> did you enjoy yourself last evening,
-Marion?” asked Ada, on the morning after
-Marion had paid her promised visit to Mrs.
-Holden.</p>
-
-<p>“Very much indeed.”</p>
-
-<p>“Was it a regular dinner-party?”</p>
-
-<p>“Oh, no, only just ourselves, you know—and
-Mr. Scott!”</p>
-
-<p>Jane looked very wise.</p>
-
-<p>“Madge made a delightful suggestion,”
-went on Marion quickly. “How should you
-like a water-party, Jenny?”</p>
-
-<p>“The most delightful thing for this fine
-weather, but who would row?”</p>
-
-<p>“Mr. Holden and Mr. Scott are both
-thoroughly accustomed to it.”</p>
-
-<p>“Jenny and I can take turns,” said Ada;
-“we have always been accustomed to it, but
-you never went in for it, did you?”</p>
-
-<p>“No, I can only steer,” said Marion,
-laughing. “I told Madge that we would bring
-half the lunch and half the crockery. We can
-get tea at a cottage that they know of.”</p>
-
-<p>“But you have not told us yet where we are
-going,” said Jane.</p>
-
-<p>“Oh, I forgot. Madge and her party will
-meet us at West End Lane Station, and we
-will take the 9.20 train to Richmond; catch
-the one that goes on to Twickenham, row to
-Teddington, land on the bank and have lunch,
-and have tea at the cottage I spoke of.”</p>
-
-<p>“Just the very thing to brush the cobwebs
-out of our brains,” cried Ada enthusiastically,
-“is it not, Jenny? We all want a treat, and
-we are all rather fagged out. Is it to be this
-next Saturday?”</p>
-
-<p>“Yes, if we can arrange it in time.”</p>
-
-<p>“Well, there is very little to arrange, when
-one comes to think of it,” said Ada meditatively,
-“unless Mrs. Holden thinks of inviting
-a big party.”</p>
-
-<p>“No, just themselves and ourselves.”</p>
-
-<p>“Did she say what part of the lunch she
-would prefer to bring?”</p>
-
-<p>“She suggested the meat and also the
-drinks.”</p>
-
-<p>“Ah!” laughed Jane, “she thinks it wise
-to ensure something solid for her husband and<span class="pagenum" id="Page_763">{763}</span>
-brother! And we are to bring the sweets,
-and so on? Then do have a tomato salad; it
-is the most delightfully cooling thing you can
-have on a hot day.”</p>
-
-<p>“My good girl, how in the world can we
-pack it? I suppose you mean to take the
-tomatoes and make it as it is wanted; but that
-is rather a nuisance. My experience of water-parties
-is that you never land for lunch until
-you are so famished that to make a salad is
-the last thing anyone wishes, and any materials
-of that sort are thankfully despatched in the
-raw!”</p>
-
-<p>“But we can,” urged Jane. “How can an
-old person like you be supposed to understand
-the latest contrivances of the age? We can
-slice the tomatoes and put them in layers in a
-jam pot with the oil, vinegar, chopped parsley
-and onion, and tie the whole down. It will
-stand up quite well in a corner of the hamper,
-and will not upset.”</p>
-
-<p>“Bravo, Jenny, we will certainly have one.
-<i>Is that your own idea?</i>”</p>
-
-<p>“It is my own idea, and I intend to patent
-it,” said Jane, with dignity, “so please see
-that you do not infringe my rights. Now one
-of you can suggest a suitable sweet.”</p>
-
-<p>“It is rather difficult,” said Marion.
-“Shapes pack so badly, and pastry is apt to
-crumble. Jelly has an unfortunate habit of
-turning into soup just when it is wanted.”</p>
-
-<p>“Perhaps it will be better to stick to fresh
-fruit,” said Ada.</p>
-
-<p>“We must have something else,” said
-Marion meditatively. “How would it be if
-we took the materials for a Cicely pudding?
-It only takes a few minutes to make.”</p>
-
-<p>This suggestion met with warm approval
-from the two others, for the Cicely pudding
-was an old favourite, the brilliant invention of
-a mutual friend in the country; but for the
-recipe thereof the gentle reader must be
-content to wait awhile.</p>
-
-<p>“Very well,” said Jenny, “Marion shall
-make the Cicely pudding, and I will make the
-tomato salad. What will Ada do?”</p>
-
-<p>“Make the sandwiches,” said Ada promptly.
-“There must be sandwiches, some of anchovy
-and hard-boiled egg, and some of cucumber.”</p>
-
-<p>“Shall I order a sandwich loaf?” asked
-Marion.</p>
-
-<p>“No, I think not. I prefer ‘Florentines,’
-they are handier in every way.”</p>
-
-<p>“Florentines” are little long-shaped milk
-rolls, something the shape of sponge fingers,
-but rather larger, and as they only require to
-be split and spread, much time is saved, and
-so it was settled.</p>
-
-<p>On Friday evening, whilst Ada was making
-the sandwiches, Marion made up and looked
-over the weekly accounts up to that evening.
-She knew there would be no time on Saturday,
-as they would be late back. A box of fresh
-eggs had been sent from her country home
-on the Monday previous, and this had served
-famously for the week’s breakfasts.</p>
-
-<p>This is the dinner list:—</p>
-
-<p><i>Sunday.</i></p>
-
-
-<ul class="center"><li>Fried Mutton Cutlets.</li>
-<li>Potatoes.</li>
-<li>Green Peas.</li>
-<li>Gooseberry Shape.</li>
-</ul>
-
-<p><i>Monday.</i></p>
-
-
-<ul class="center"><li>Leek Soup.</li>
-<li>Veal Cutlets (cooked in the oven).</li>
-<li>Potatoes.</li>
-<li>Macaroni Cheese.</li>
-</ul>
-
-<p><i>Tuesday.</i></p>
-
-
-<ul class="center"><li>Veal and Ham Patties.</li>
-<li>Poached Eggs on Endive.</li>
-</ul>
-
-<p><i>Wednesday.</i></p>
-
-
-<ul class="center"><li>Boiled Neck of Mutton and Vegetables.</li>
-<li>Steamed Ground Rice Pudding and Jam.</li>
-</ul>
-
-<p><i>Thursday.</i></p>
-
-
-<ul class="center"><li>Potato Soup.</li>
-<li>Fried Cauliflower in Batter.</li>
-<li>Bread and Fruit Pudding (cold).</li>
-</ul>
-
-<p><i>Friday.</i></p>
-
-
-<ul class="center"><li>Cauliflower Soup.</li>
-<li>Grilled Mackerel.</li>
-<li>Stewed Gooseberries.</li>
-</ul>
-
-<p>The food account was as follows:—</p>
-
-<table class="autotable" summary="">
-<tr>
-<td class="tdl"></td>
-<td class="tdr">£</td>
-<td class="tdr">s.</td>
-<td class="tdr">d.</td>
-</tr>
-<tr>
-<td class="tdl">1½ lb. neck of mutton (cutlets)</td>
-<td class="tdr">0</td>
-<td class="tdr">1</td>
-<td class="tdr">0&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">1 lb. veal cutlet</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">10&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">1½ qrts. gooseberries</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">9&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">1 lb. cheese</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">7&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">½ lb. macaroni</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">2&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">Leeks</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">2&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">Flavouring vegetables</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">3&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">Endive</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">2&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">Potatoes</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">8&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">1½ lb. neck of mutton (for boiling)</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">10½</td>
-</tr>
-<tr>
-<td class="tdl">2 cauliflowers</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">5&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">2 mackerel</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">10&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">8 loaves</td>
-<td class="tdr">0</td>
-<td class="tdr">2</td>
-<td class="tdr">4&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">Milk</td>
-<td class="tdr">0</td>
-<td class="tdr">1</td>
-<td class="tdr">9&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">½ lb. tea</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">10&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">1½ lb. Demerara</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">3&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">½ lb. loaf</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">1&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">Sponge cakes</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">6&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">Jug of thick cream</td>
-<td class="tdr">0</td>
-<td class="tdr">1</td>
-<td class="tdr">0&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">Small jar of greengage jam</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">6&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">2 punnets of strawberries</td>
-<td class="tdr">0</td>
-<td class="tdr">1</td>
-<td class="tdr">4&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">Tin of anchovy paste</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">3½</td>
-</tr>
-<tr>
-<td class="tdl">Florentines</td>
-<td class="tdr">0</td>
-<td class="tdr">3</td>
-<td class="tdr">0&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl">1 lb. tomatoes</td>
-<td class="tdr">0</td>
-<td class="tdr">0</td>
-<td class="tdr">8&nbsp;</td>
-</tr>
-<tr>
-<td class="tdl"></td>
-<td class="tdr bt">£0</td>
-<td class="tdr bt">19</td>
-<td class="tdr bt">3&nbsp;</td>
-</tr>
-</table>
-
-<p>“Where are the strawberries?” asked Jane
-as she looked over Marion’s shoulder. “I
-have not seen them.”</p>
-
-<p>“We are to call for them at the greengrocer’s
-the first thing, and have them directly
-they come from market. I was afraid to have
-them in overnight for fear of their getting too
-juicy.”</p>
-
-<p>Early next morning the sunshine streamed
-into Marion’s room and awoke her with the
-promise of a happy day. She rose and dressed
-quickly and was down the first, looking delightfully
-cool and fresh in a white coat and skirt.
-She busied herself with packing the hamper,
-and as she set to work down came Jane,
-resplendent in blue. She got out the
-tomatoes, sliced them quickly and arranged
-them in layers in a large jam pot, sprinkling
-oil, vinegar, chopped parsley and onion in
-between. Then she tied a new jam cover
-over, and put her <i>chef d’œuvre</i> carefully in
-the hamper.</p>
-
-<p>“You two busy bees make me feel so
-disgracefully lazy,” cried Ada as she ran in
-a few minutes later. “I quite intended to be
-the first to-day. I will get you some breakfast
-to make amends,” so saying she quickly laid
-the table in the sitting-room, and made the
-tea. As soon as the hamper was packed, they
-sat down to a hasty meal. As they were
-finishing there was a ring at the bell.</p>
-
-<p>“I declare I had forgotten all about the
-post!” cried Jane. “A letter without a
-stamp, I suppose. I hear Abigail speaking to
-him.”</p>
-
-<p>But it was not the post, for the door opened,
-and Mr. Tom Scott was shown in.</p>
-
-<p>“I hope you will excuse me, Miss Thomas,”
-he said to Marion as he shook hands and was
-introduced to the other two. “I was so
-afraid that you might find the hamper with
-the crockery too heavy to carry, and my sister
-said she thought I might venture to call and
-see if I could be of any assistance.”</p>
-
-<p>“We are just coming,” said Marion,
-smiling. “Thank you; I don’t think we should
-have found the hamper too heavy.”</p>
-
-<p>Ada and Jane disappeared to make the
-final preparations; Marion picked up her hat
-from off the little side-table and pinned it on,
-listening to Mr. Scott as he discussed the day’s
-proceedings. Soon Jane came back bearing
-the hamper in triumph, of which Mr. Scott
-immediately took possession, and so the party
-set out.</p>
-
-<p>On the way they called for the strawberries
-as arranged. They got to the station just in
-time to meet Mrs. Holden and her husband,
-who had just arrived, having taken the next
-train after Tom Scott. They had only a few
-minutes to wait for the Richmond train.
-Marion was just going to get the tickets for
-her party, but she was prevented by her friend
-Madge, who explained that the railway-tickets
-represented her husband’s share of the
-entertainment and the boat her brother’s, so it
-was no good protesting. So, as Jane afterwards
-described it (with a sigh of content at
-the recollection), “they went to Twickenham
-like dukes and duchesses in first-class carriages,”
-adding sagely, “Being a working
-woman has one great advantage, for one certainly
-knows how to appreciate the good things
-of existence when they fall to one’s share.”</p>
-
-<p>The day was glorious; a deep blue sky
-scarcely flecked with clouds, brilliant sunshine,
-not a breath of wind. The train was very
-full, and there were many other merry parties
-besides their own. Everyone seemed taking
-a holiday. At Richmond they had to run
-quickly over the bridge for the Twickenham
-train, which they just managed to catch; as
-they caught a glimpse of the river and saw
-how crowded and covered with boats it was
-just there, they all felt glad that they had
-arranged to start a little higher up, where they
-would have more space. At Twickenham
-they got out and walked through the hot
-streets of the quaint old town to the water’s
-edge, where under the trees the boat was
-ready for them.</p>
-
-<p>So they all got in—Mr. Holden and Tom
-Scott rowing, Jane and Ada comfortably
-reclining in the bow, Mrs. Holden and Marion
-in the stern. The boat glided gently along.
-Marion had never seen this part of the river
-before, as she had had little leisure for
-pleasure parties since she came to live in
-town, and she was delighted with the beauty
-of the scene. Tom Scott showed her Pope’s
-Villa and other places of interest. In spite
-of the heat, Jane seemed blessed with a superabundance
-of energy, and after a time she
-took Mr. Holden’s oar and rowed so well that
-he declared himself surpassed. Now they
-neared the towers of Hampton Court, and
-finding a suitable little island shaded by
-willows, they moored to a tree and prepared
-for lunch, for which they all had excellent
-appetites.</p>
-
-<p>“We have to make our pudding, you
-know,” said Marion, laughing.</p>
-
-<p>“Going to do cooking out of doors?” asked
-Mr. Scott. “Shall I make a field oven?”</p>
-
-<p>“No, we don’t need to do any cooking,
-and it will all be ready in five minutes,” she
-answered, and set to work.</p>
-
-<p>She brought out the sponge cakes, split
-them in half, and put half of them at the
-bottom of a large pie-dish that she had
-brought with her; this she spread with a
-thick layer of greengage jam, then she put
-another layer of sponge cake. “Now, Jenny,
-the strawberries,” she said; but Jenny had
-already got them out and was busy picking
-off the stalks. When this was done, she
-arranged them on the cake in a thick layer,
-sprinkled them thickly with castor sugar, and
-lastly spread thick cream, which she had
-brought in its own brown jar, over the whole.
-As a last touch, a few “hundreds and thousands”
-were quickly sprinkled over the top,
-and the dish was finished, amidst the admiring
-plaudits of Madge and her party.</p>
-
-<p>Jane’s tomato salad went excellently with
-the cold lamb which Mrs. Holden had provided,
-and the whole repast went off well.
-Ada’s sandwiches kept perfectly fresh, as
-they were wrapped in a damp cloth before
-being packed, and they were much liked.</p>
-
-<p>After lunch the indefatigable Jane washed
-up, Mrs. Holden and Ada helping her, and repacked
-the hamper. They then rowed across
-the river to the Palace. Marion suggested<span class="pagenum" id="Page_764">{764}</span>
-looking at the pictures, and Tom Scott
-offered to conduct her, with an alacrity that
-was quite surprising, considering that he had
-been expressing his absolute ignorance of the
-subject about five minutes before.</p>
-
-<p>“Will you come, too, Madge?”</p>
-
-<p>No; Madge preferred to be lazy and sit out
-of doors, admiring the orange trees—Mr.
-Holden also, and Ada. Jane thought she
-would like to go, and so the three started off.
-The cool shade of the great rooms was a
-delightful change after the glare of the
-gardens, and they sauntered through, admiring
-the pictures and carving and the beautiful
-views seen through the open windows. Jane
-was very much amused with an old Dutch
-picture representing a street scene with no
-sky; the perspective was so odd that she
-declared the people were walking on the wall
-like flies. She ran back to the other two to
-tell them to come and look at it, but they
-seemed so deeply engaged in conversation
-that she did not disturb them.</p>
-
-<p>“You can’t think how delightful it all is
-after the lonely life I have been leading for
-three years,” she heard.</p>
-
-<p>When they went out again to the others,
-the afternoon was growing cooler. They all
-went back to the boat, for they were now to
-row a little way in the direction of Twickenham
-and to land at a cottage, where tea was
-ordered beforehand.</p>
-
-<p>Jane rowed again, and by the time the
-cottage was reached was quite willing to let
-the old woman in charge make the tea as she
-was getting just a little tired. She did
-justice, however, as they all did, to the good
-things provided—the honey, which the old
-woman’s bees had made, the strawberries
-from the cottage garden, the home-made
-bread and delicious country butter.</p>
-
-<p>In the cool of the evening our merry party
-started to row back to Twickenham, Marion
-steering under Mr. Scott’s direction, who was
-rowing just in front of her. They just caught
-the train at Twickenham, and so ended a very
-happy day.</p>
-
-<p class="center">(<i>To be continued.</i>)</p>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="SHEILAS_COUSIN_EFFIE">SHEILA’S COUSIN EFFIE.</h2>
-</div>
-<p class="ph3">A STORY FOR GIRLS.</p>
-
-<p class="ph3"><span class="smcap">By</span> EVELYN EVERETT-GREEN, Author of “Greyfriars,” “Half-a-dozen Sisters,” etc.</p>
-
-
-<h3>CHAPTER XXI.</h3>
-
-<p class="ph3">BROTHERLY COUNSEL.</p>
-
-<div class="ddropcapbox illowe7_8125" id="i_764">
- <img class="w100 idropcap" src="images/i_764.jpg" alt="“O" />
-</div>
-<p> <span class="uppercase">scar</span>, now that we are
-alone, now that nobody
-can interrupt us, I want
-to talk to you about my
-plan.”</p>
-
-<p>Sheila’s face was
-flushed, her big eyes
-were sparkling. She looked
-less the child, Oscar thought,
-and more the woman than
-when he had seen her last.
-He had been struck by this when he first
-saw her on board the boat. He had
-thought the same thing many times that
-day as the thundering express bore them
-from Plymouth to London. Now they
-were alone in Sheila’s room in the hotel
-where they were to spend the night. A
-big fire blazed on the hearth. The curtains
-were drawn, and brother and sister
-were alone together. The rumble in
-the streets below made a ceaseless
-murmur, but it was different from the
-rattle and roar of the train. They
-could talk at their ease now.</p>
-
-<p>On the way up to town Sheila had
-poured her whole history into Oscar’s
-ears, and had heard the story of his
-own trouble at home, and the shadow
-which rested upon him. She had not
-said much, there had been no excited
-outburst such as he had expected.
-Perhaps the presence of other people
-in the carriage was a check upon
-her, or perhaps she had learned something
-of the lesson of self-control and
-reticence.</p>
-
-<p>Anyway she had been unwontedly
-quiet during the last hours of the journey,
-and Oscar, who had felt very weary
-after his long hasty night journey down
-to Plymouth, had dozed in his corner.
-But now, after their arrival here, after
-their substantial meal below, they had
-come upstairs for a confidential talk
-which had been impossible before.</p>
-
-<p>“Oscar, I have thought it all out.
-It came to me first on ship-board, even
-before I knew anything about you and
-what had happened in the office. (Why
-didn’t you tell me in your letters?) I
-made up my mind then and there that
-I would never, never, never live at Cossart
-Place again. Aunt Cossart has
-behaved infamously to me. She has
-tried to spoil my life and make me
-always wretched and miserable. I will
-never forgive her. I will never see her
-again!”</p>
-
-<p>Oscar looked straight at his sister,
-but said nothing, for Sheila was proceeding
-with her old impetuosity.</p>
-
-<p>“You can’t understand what it was
-like there. Even Mrs. Reid understood
-and was indignant. Oh, yes, I know
-she was, by the little things she said,
-though, of course, she would not say
-much. Everybody knew. I feel as
-though I could never bear to see any
-of them again. She is a hateful woman.
-The Barretts told me how furious people
-were with her when they knew she was
-going to send me home. Everybody
-guessed why—that was the horridest
-part of it. And I had been so happy.
-Everybody was so kind, and I had to
-go without even saying good-bye, but
-I felt I couldn’t—I couldn’t! The
-Barrett girls declared they believed
-everybody would cut them for it. I’m
-sure I hope they will! Oh, I can’t
-help being angry—I can’t indeed!”</p>
-
-<p>“Sheila dear, don’t get excited,”
-said Oscar soothingly. “I can understand
-that it was very hard. It is very
-hard to be misunderstood, and to have
-things put down to us that we know we
-have not done, but we have talked over
-all that before. Tell me about this plan
-of yours.”</p>
-
-<p>“Oh, yes. Oscar, you will be twenty-one
-soon, won’t you?”</p>
-
-<p>“Yes. What has that to do with it?”</p>
-
-<p>“Everything, for you will have command
-over our money then.”</p>
-
-<p>“Yes; at least over my half, anyway,
-perhaps over it all. But it is not much,
-Sheila.”</p>
-
-<p>“I know it is not; but it is enough to
-make us a little home. Now listen,
-Oscar, for I have it all planned out.
-You shall go on at the office if you must,
-because it’s something to do, and Uncle
-Tom has been kind in a way, though if
-he suspects you—however, we won’t talk
-any more about that. But we won’t go
-on living with the Cossarts any more,
-I’m quite determined on that. We shall
-have enough to have a little home of our
-own, even if it’s only a lodging; and
-you will go to the office, and I’ll try
-and get some music pupils, or little
-children to teach in the mornings, or
-something to help. And I’ll keep our
-home as nice as possible, and we’ll
-have cosy evenings together, and we’ll
-have nothing to do with the people who
-have behaved so badly to us. Oh, I
-don’t mean that we’ll cut them or anything,
-but we won’t go on living with
-them and eating their bread. I couldn’t
-possibly dream of going back to Cossart
-Place ever; and they don’t want me at
-Uncle Tom’s, and besides, how could
-I go on living in the same house with
-that Cyril? I can’t think how you can
-do it, Oscar, I really can’t.”</p>
-
-<p>Sheila leant forward with flushed
-cheeks and shining eyes. Oscar was
-leaning back in his chair, his face a
-little in the shadow. Sheila had been
-struck on first seeing him with the
-sharpened look of his features, and the
-tired expression in his eyes; the same
-thing struck her again more forcibly at
-this moment, although she spoke no
-word of it.</p>
-
-<p>“Say you think it a nice plan, Oscar,
-for I’m sure you do!” she cried eagerly.</p>
-
-<p>“No, Sheila, I don’t think it would
-do,” he said slowly.</p>
-
-<p>“Oh, Oscar, what do you mean?
-I’m sure it would. We should be so
-happy together, you and I. And it’s
-often so horrid being with people who
-misunderstand us. I think we’ve had
-enough of that. Oh, don’t say you
-won’t think of it!”</p>
-
-<p>“I am thinking of it, Sheila, I’m
-thinking hard, for I hate to thwart you;
-but I don’t think it would do, and you
-would find that living in a very small
-way, and trying to earn something
-yourself, are two very difficult matters
-for people brought up as we have been.”</p>
-
-<p>“But, Oscar, we should belong to
-ourselves and each other. We should
-be free from those horrid things that
-happen in other people’s houses.”</p>
-
-<p><span class="pagenum" id="Page_765">{765}</span></p>
-
-<p>“But we should have other troubles
-and worries to face, Sheila. And do
-you know, I think it would not only be
-very ungrateful to our relations to take
-ourselves off like that, but I think it
-would be very bad for us ourselves.”</p>
-
-<p>“Bad for us? I don’t understand.”</p>
-
-<p>“I think it is always bad for people
-to rebel too much against the life which—well—which
-God seems to have
-arranged for them. Sheila, don’t you
-think that in the old days you and I
-had rather too much of our own way?”</p>
-
-<p>“I never thought about it—did we?”</p>
-
-<p>“I think so. Everything was made
-so smooth for us, and we had so few
-battles to fight. I sometimes think it
-might have been better for us if we had
-had more. Sheila, take my case; it is
-true I know nothing about this lost
-money, but in one sense the fault is
-mine. I always did the thing that
-was the easiest and pleasantest at the
-moment, though North warned me
-again and again that my easy-going
-ways were slovenly, and might lead to
-confusion and worse. I never quite
-believed him, and never seriously tried
-to conquer my tendencies, and you see
-what has happened. Whoever is to
-blame, the thing could not have been
-but for my fault.”</p>
-
-<p>“Well, I think that’s a very hard way
-of looking at it; but what then?”</p>
-
-<p>“I have not quite finished, Sheila; I
-want to talk about your case. It has
-been something the same with you, little
-sister. You have always liked to drift
-along easily with the current, doing
-what was pleasantest at the moment.
-If people were kind and made you
-welcome, you responded to all their
-overtures, without always stopping to
-think what Aunt Cossart would like, or
-if it were quite considerate to Effie.
-They were quite small things, but little
-by little they made trouble; and then
-came this great storm which has made
-you so miserable. You were not to
-blame, as I was; I don’t think you were
-ever warned, and it was difficult for you
-to see from day to day how things were
-going; but I think perhaps, Sheila, we
-have both been selfish in our own way,
-and have not thought enough——”</p>
-
-<p>“You’re not selfish, you’re not careless,”
-cried Sheila interrupting excitedly.
-“I only wish I were one quarter as
-good. Oh, Oscar, I do believe I have
-been selfish, though I never meant it.
-I never thought of such a thing. We
-have always been used to being happy—to
-have people like us. It seemed so
-natural. I didn’t mean any harm.”</p>
-
-<p>“No, Sheila, I am sure you didn’t;
-but you know life is not given to us just
-to enjoy for ourselves. We must try
-and think of other people too, to put
-them first. It is harder for you than
-for some, because father always spoiled
-you; and everybody likes you, and you
-are so pretty and fascinating.”</p>
-
-<p>But Sheila jumped up and put her
-hand upon his lips.</p>
-
-<p>“Don’t, Oscar! I don’t want to be
-praised; I begin to feel that I have been
-rather naughty and selfish, though I
-wouldn’t believe it when my conscience
-pricked now and then. I was wrong
-to be so furious with Aunt Cossart.
-Sometimes it made me a little frightened—when
-I wanted to say my prayers—and
-didn’t know how to get out ‘Forgive
-us our trespasses, as we forgive—’
-Oh, Oscar, I don’t think I’ve forgiven
-Aunt Cossart yet. Suppose there had
-been a storm, and the vessel had sunk!
-How dreadful that would have been!”</p>
-
-<p>“You will forgive everything, Sheila,
-when you think about it a little more.
-When we begin to understand how many
-faults we have ourselves, we see that we
-must forgive, we can’t help it. Everything
-seems to sink out of sight except
-the thought of His forgiveness of us, and
-what it cost to win it.”</p>
-
-<p>Sheila suddenly fell upon her knees
-before Oscar, and looked anxiously into
-his face. It was seldom indeed he had
-spoken to her quite so openly. A quick
-thrill of anxiety ran through her.</p>
-
-<p>“Oscar, have you forgiven Cyril?”</p>
-
-<p>“Yes,” he answered in a low voice.
-“Indeed, sometimes I think it is he who
-has to forgive me more than I him. For
-remember, Sheila, it was my carelessness
-that put in his way the opportunity—suggested,
-perhaps, the temptation.
-When I think of that, I feel that it is I
-who need the forgiveness.”</p>
-
-<p>Sheila looked awed at the thought
-suggested—that terrible thought so
-often overlooked and set aside, that not
-alone to ourselves do we sin and do
-amiss; but that in some way or other
-our comrades and friends may become
-involved in our wrong-doing.</p>
-
-<p>“‘<i>Sic vos non vobis</i>,’” quoted Oscar
-in a dreamy fashion. “I begin to understand
-those words, Sheila, as I never did
-before.”</p>
-
-<p>“But it is rather dreadful, Oscar; it
-makes it seem as though our sins went
-on and on so!”</p>
-
-<p>“Yes, that is what I want to understand
-better. Our sins are forgiven, but
-the effects of them so often go on and
-on. We must think of that, too, Sheila;
-it will help to make our faults hateful to
-us. It will make us more patient when
-we have to bear blame that we do not
-quite merit; for how much more blame
-do we deserve than we ever get!”</p>
-
-<p>Sheila was silent a long time, looking
-up into Oscar’s face.</p>
-
-<p>“And my plan?” she asked
-tentatively.</p>
-
-<p>“Would be a selfish one,” answered
-Oscar quickly, “for it would hurt the
-feelings of our relations; and I think it
-would be a shirking of the discipline of
-life, which we both stand in so much
-need of, Sheila!”</p>
-
-<p>“You don’t.”</p>
-
-<p>“Yes, I do. It would be very much
-pleasanter for us to have a little independent
-crib of our own, where we
-should be able to indulge ourselves and
-each other, and get away from all the
-little frictions of life in a family where
-things are not done quite in the way we
-have been used to. But it would be like
-running away from what seems to have
-been given us to bear; and I expect
-we should find we soon had a big
-new crop of worries and bothers, quite
-as big as the old ones. So I think,
-Sheila, we will not force things ourselves.
-We will go back to Uncle
-Tom’s, and wait and see what turns up.
-We will both try and be patient, and do
-what is right, never minding whether or
-not it is what we like best ourselves.
-We must try and learn the lesson of not
-pleasing ourselves always. You know
-Who set us the example of that?”</p>
-
-<p>Sheila subsided upon the floor, and
-laid her head on Oscar’s knee, taking
-his hand between hers.</p>
-
-<p>“You are getting so good, Oscar,”
-she said, “I am almost afraid of you.
-You are not ill, are you?”</p>
-
-<p>“Ill? No. Why do you ask?”</p>
-
-<p>“Because you don’t look well, and
-when people are so very very good, one
-sometimes fancies they are——”</p>
-
-<p>Sheila paused, and Oscar said with a
-little tone of mirth in his quiet voice—</p>
-
-<p>“I am not going to die of goodness
-yet, Sheila! You need not be afraid on
-that score.”</p>
-
-<p>It was with a good deal of shrinking
-that Sheila prepared to face the Cossarts
-on the morrow. She knew that they
-would by this time have received the
-letter her aunt must have written, and
-that Mrs. Cossart would not have drawn
-her picture with a very strict regard to
-truth. She would have thought more of
-justifying her precipitate action than of
-anything else; and Sheila was terribly
-sensitive where Ronald Dumaresq was
-concerned, and felt as though any
-mention of his name would be worse
-than the cut of a whip. And her
-cousins were not sensitive on these
-points. They would be almost certain
-to cross-question her and make a joke of
-everything.</p>
-
-<p>It needed all her courage and resolution
-to face the meeting; but when
-they drew up at the door and were met
-by Ray in the passage, it was not of
-Sheila’s sudden return that the whole
-house was thinking. Indeed Ray only
-gave her a rather hurried kiss, warm
-and sisterly, but distinctly hasty, and
-then turned to Oscar and took him by
-the shoulders, bringing him into the
-strong light of the window.</p>
-
-<p>“Oscar, how are you? Are you sure
-you feel well?”</p>
-
-<p>“Y—yes, all right, just a little tired
-with all the travelling, you know. But
-what do you ask for?”</p>
-
-<p>“Oh, we are in such a fright.
-Typhoid fever has broken out in the
-town. The little office-boy you have
-been visiting so often has it; and everybody
-was saying that you were looking
-ill. Five cases are reported to-day, and
-they say there will be more. You are
-quite sure you are well, Oscar? Sheila,
-did he eat his breakfast this morning?”</p>
-
-<p>“He hardly ate anything either last
-night or to-day,” cried Sheila, in sudden
-anxiety. “He has a bad headache. We
-thought it was from the long journey.”</p>
-
-<p>The girls stood looking at each other
-in dismay. The same fear was in both
-hearts. Oscar turned from them and
-began climbing the stairs with a strange
-languor in his movements.</p>
-
-<p>“I think I’ll go to my room,” he said,
-“but don’t bother, I shall be all right
-there.”</p>
-
-<p>“He’s got it!” cried Ray, under her
-breath; and Sheila turned white to the
-lips.</p>
-
-<p class="center">(<i>To be continued.</i>)</p>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_766">{766}</span></p>
-
-<h2 class="nobreak" id="OUR_PUZZLE_POEMS_AN_ACCIDENTAL_CYCLE">OUR PUZZLE POEMS: AN ACCIDENTAL CYCLE.</h2>
-</div>
-
-<p class="ph3">FOREIGN AWARDS.</p>
-
-
-<p class="center"><span class="smcap">An Accidental Cycle I.</span></p>
-
-
-<p class="center"><i>Prize Winners (Seven Shillings Each).</i></p>
-
-
-<ul><li>Polly Lawrance, Elridge, Belle Ville, St. Michael, Barbados.</li>
-<li>Mrs. G. Marrett, Hyderabad, Deccan, India.</li>
-<li>Helen Shilstone, Ellangowan, Fontabelle, Barbados.</li>
-</ul>
-
-
-<p class="center"><i>Very Highly Commended.</i></p>
-
-<p>Ethel Beven (Ceylon), Nellie M. Daft
-(Portugal), Katy Donaldson (France), Hilda
-Jonklaas (Ceylon), M. R. Laurie (Barbados),
-H. Low (Canada), Florence Stephenson (Cape
-Town).</p>
-
-
-<p class="center"><i>Highly Commended.</i></p>
-
-<p>Sadie Barrat (Canada), Louis E. Blazé
-(Ceylon), Elsie Davies (Australia), L. Gamlen
-(France), Clara J. Hardy (Australia), J. W. W.
-Hogan (Penang), Josephine E. Jones (Portugal),
-Jessie Mitchell (Canada), Gertrude E.
-Moore (New Zealand), L. O’Sullivan (Rangoon),
-Mrs. Talbot Smith (S. Australia), Mrs.
-Sprigg (Cape Colony), Mrs. Waddington
-(Bermuda).</p>
-
-
-<p class="center"><i>Honourable Mention.</i></p>
-
-<p>Mrs. H. Andrews (Canada), Maggie Glasgow
-(Australia), Mabel C. King (Canada),
-Mrs. Hastings Ogilvie (Deccan), Mrs. W. T.
-Moore (Bengal), G. Waterstrom (Australia),
-Gladys Wilding (New Zealand).</p>
-
-<hr class="tb" />
-
-
-<p class="center"><span class="smcap">An Accidental Cycle II.</span></p>
-
-
-<p class="center"><i>Prize Winners (Seven Shillings Each).</i></p>
-
-
-<ul><li>Elizabeth M. Lang, 17, Rue Bayard, Pau, France.</li>
-<li>Maude Saunders, Ascott House, Church Street, Abbotsford, Melbourne.</li>
-<li>Helen Shilstone, Ellangowan, Fontabelle, Barbados.</li>
-</ul>
-
-
-<p class="center"><i>Most Highly Commended.</i></p>
-
-<p>M. Browne (India), Clara J. Hardy, Edith
-Hardy (Australia), Agnes L. Lewis (Switzerland),
-Elsie M. Otheman (New York), Mrs.
-Coupland Thomas (California).</p>
-
-
-<p class="center"><i>Very Highly Commended.</i></p>
-
-<p>Sadie Barrat (Canada), Florence L. Beeckman
-(New York), Elsie Binns (New Jersey),
-Rose Creed (Lille), Nellie M. Daft (Lisbon),
-Elsie N. Davies, Maggie Glasgow (Australia),
-Susan H. Greaves (Barbados), J. W. W.
-Hogan (Penang), Anna I. Hood (France),
-Josephine E. Jones (Portugal), Hilda Jonklaas
-(Ceylon), F. G. B. King, M. R. Laurie, Polly
-Lawrance (Barbados), H. Low (Canada),
-Elizabeth MacPherson (Australia), Gertrude
-E. Moore (New Zealand), James Roberts
-(Jamaica), Mrs. Rose (India), John S. Sutherland
-(Antigua), Annie G. Taylor (Australia),
-M. A. Thomas (California), Gena Thomson
-(Australia), Mrs. Waddington (Bermuda), G.
-Waterstrom, Elsie M. Wylie (Australia).</p>
-
-
-<p class="center"><i>Highly Commended.</i></p>
-
-<p>Mrs. H. Andrews (Canada), Florence E.
-Bapty (India), Hilda T. Batten (New Zealand),
-Winifred Bizzey (Canada), Madeleine Bonzel
-(France), Mrs. H. Campbell (Demerara), Grace
-Carmichael (Barbados), Lillian Dobson (Australia),
-Clara Downs (Barbados), Emily H.
-Glass (India), Annette M. Gray, Ruby Guest
-(Australia), L. Guibert (Mauritius), Gertrude
-Hunt (New Zealand), May Koenig (Germany),
-Clara Lapata (Brussels), Sarah Lewis (South
-Africa), Mrs. G. Marrett (India), Jessie Mitchell
-(Canada), Lottie Moore (Australia), L.
-O’Sullivan, Hilda D’Rozario (India), Mrs.
-Sprigg, Florence Stephenson (South Africa),
-Emily Suttaby (Canada), Ada F. Sykes, Lucie
-K. Thompson, Herbert Traill (India), Ethel
-M. Wilson (New Zealand).</p>
-
-<hr class="tb" />
-
-
-<p class="center"><span class="smcap">An Accidental Cycle III.</span></p>
-
-
-<p class="center"><i>Prize Winners (Half-a-Guinea Each).</i></p>
-
-
-<ul><li>Elsie V. Davies, Wheatland Road, Malvern, Victoria, Australia.</li>
-<li>Edith Lewis, 200, De Grassi Street, Toronto, Canada.</li>
-</ul>
-
-
-<p class="center"><i>Very Highly Commended.</i></p>
-
-<p>Jessie Arthur (New Zealand), Mrs. H.
-Campbell (Demerara), Florence Deeth (France),
-Maude Gibney (Switzerland), Clara J. Hardy,
-Edith Hardy (Australia), Mabel C. King
-(Canada), M. R. Laurie, Polly Lawrance
-(Barbados), Mrs. Manners (India), Gertrude
-E. Moore (New Zealand), Mrs. E. E. Murray
-(Australia), Helen Shilstone (Barbados), Mrs.
-Talbot Smith (S. Australia), Emily Suttah
-(Canada), Ada F. Sykes (India), Annie G.
-Taylor (Australia), Mrs. Waddington (Bermuda),
-Mrs. J. Whitton (Tasmania).</p>
-
-
-<p class="center"><i>Highly Commended.</i></p>
-
-<p>Florence E. Bapty (India), Rose Creed
-(France), Emily H. Glass (India), Ethel L.
-Glendenning (New Zealand), Louise Guibert
-(Mauritius), Gertrude Hunt (New Zealand),
-J. W. W. Hogan (Penang), Nellie M. Jenkinson
-(Australia), Hilda Jonklaas (Ceylon),
-May Koenig (Germany), Elizabeth M. Lang
-(France), Clara Lapata (Brussels), Mrs. G.
-Marrett, Mrs. Hastings Ogilvie, Hilda
-D’Rozario (India), Maud Saunders (Australia),
-John S. Sutherland (Antigua), Lucie K.
-Thompson (India), G. Waterstrom, Jessie M.
-Webster (Australia).</p>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="QUESTIONS_AND_ANSWERS">QUESTIONS AND ANSWERS.</h2>
-</div>
-
-
-<p><span class="smcap">Training in Housewifery.</span>—“<i>As a regular
-and appreciative reader of <span class="smcap">The Girl’s
-Own Paper</span>, I have become much interested
-in the question of higher grade housekeeping.
-I have obtained the consent of my parents to
-enter a home to be trained. Would you kindly
-furnish me with the addresses of some establishments
-where training is given?</i>—<span class="smcap">Kate.</span>”</p>
-
-<p>“Kate’s” determination to equip herself
-thoroughly for the duties of housekeeping, is
-a most wise one. The girl who is trained in all
-departments of domestic work can turn her
-knowledge to account in every situation in life
-in which she may be placed, and is never likely
-to find the problem of earning her bread a
-difficult one. “Kate,” doubtless, knows already
-the National Training School of Cookery
-and Domestic Economy, Buckingham Palace
-Road. This institution is principally intended
-for the training of teachers, and we judge from
-“Kate’s” letter that in her case a school
-would be preferred that trains girls specifically
-for domestic employment. A School of
-Housewifery and Domestic Science of this
-kind has lately been established in connection
-with the North Hackney High School for
-Girls, at 101, Stamford Hill, N. “Kate”
-would be well advised to visit this school and
-see the classes at work. In the country are
-many excellent schools. Good housewifery
-training can be obtained at several institutions
-in the country. The following are all well recommended:
-Belsize House, Brunswick Square,
-Gloucester, in connection with the Gloucestershire
-School of Cookery and Domestic Economy,
-principal, Miss Florence Baddeley;
-Camp End School for Household Training,
-near Malvern, conducted by Miss Buck and
-Miss Brander; Fryerne School of Household
-Management, Fryerne, Caterham, principal,
-Miss Mitchell; and the Wiltshire School of
-Cookery and Domestic Economy, Trowbridge,
-secretary, Miss A. Bridgman. At each of
-these institutions, resident pupils are received,
-and the course of training consists not only
-of cookery, but of household work generally.</p>
-
-
-<p class="p2"><span class="smcap">Book Illustration.</span>—“<i>I have taken lessons
-in drawing and painting for five years,
-and except for holding a second-class certificate
-instead of a first in one subject, I have
-gained the art class teacher’s certificate. Just
-lately I have been taking lessons in black and
-white work, and should like to become a book-illustrator.</i>—J. L. R.”</p>
-
-<p>We do not wish to damp the hopes of
-“J. L. R.,” but it takes much more than
-lessons in the technique of black and white
-drawing to make a book-illustrator. Girls who
-become successful illustrators show early a
-real talent for drawing. They can not only
-copy an object before them, but they can
-express in a few strokes certain clever, effective,
-or humorous ideas, which are born within
-their own brain. Without the possession of
-this rare gift, we could not advise a girl to
-turn her thoughts towards book-illustration or
-even towards drawing of any kind, if it is
-necessary for her to earn money by it. All the
-best illustrators, fashion artists, designers of
-covers, etc., seem to be agreed that an artist
-cannot be taught much more than the principles
-of drawing, but that everything else must be
-acquired by the individual through constant
-study and thought. No doubt the beginner
-is much helped by observing good illustrative
-work, and even by trying to copy it. It is also
-a good plan to enter for some of the competitions
-which are held by the editors of the art
-magazines. We would, however, seek to dissuade
-“J. L. R.” from becoming a teacher of
-art, as it is most difficult for all but the most
-gifted women to obtain permanent employment
-as teachers of drawing and painting
-alone.</p>
-
-
-<p class="p2"><i>A correspondent, E. A. E., asks the association
-connected with the words “Quo vadis?”</i></p>
-
-<p>When the persecution under Nero first broke
-out in Rome, the tradition runs that St. Peter
-was persuaded by his friends to flee from the
-city. He was hurrying along the Appian Way,
-when suddenly he was encountered face to face
-by his risen Lord. In amazement he asked,
-“<i>Domine, quo vadis?</i>” (Master, whither goest
-Thou?) “I go to Rome,” was the answer,
-“to be crucified afresh.” “But, Lord, wast
-Thou not crucified once for all?” “I saw
-thee fleeing from death,” replied the Master,
-“and I go to be crucified in thy stead.”
-Abashed at the implied rebuke, St. Peter
-turned again, cheered by the Divine utterance,
-“Fear not, for I am with thee.” A little
-church now marks the legendary site of the
-interview. This beautiful story is given by
-Origen, and is also found in the “Acts of Peter
-and Paul” in <i>Apocryphal Writings</i> (Ante-Nicene
-fathers).</p>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_767">{767}</span></p>
-
-<h2 class="nobreak" id="ANSWERS_TO_CORRESPONDENTS">ANSWERS TO CORRESPONDENTS.</h2>
-</div>
-
-
-<h3>GIRLS’ EMPLOYMENTS.</h3>
-
-<div class="blockquot_ans">
-
-<p><span class="smcap">Mary H. C.</span> (<i>Stewardess</i>).—The position of stewardess
-is not easy for a girl to obtain who has no connection
-with steamship companies. The companies
-usually prefer for these appointments the widows
-or daughters of employees. It is not also a position
-for which quite a young girl would be thought
-eligible. We think your parents are very wise in
-desiring you to know a trade, as an employment of
-this kind can always be practised; but there is, as
-you say, the difficulty that many trades which girls
-can adopt are of a sedentary character, and might
-not suit you for that reason. How would you like
-dairy-work? This is a good business to know, as
-girls who can take charge of dairies or teach dairy-work
-are often wanted. You could be well taught
-in the Reading Agricultural College (where you
-might also learn poultry and bee-keeping), at the
-County Council Dairy Institute, Worleston, near
-Nantwich, Cheshire, or at the Midland Dairy
-Institute, Kingston, Notts. Laundry-work also is
-a most remunerative business to anyone who has
-been trained for the post of manageress in a steam
-laundry; but as you are not very strong, this might
-not prove a desirable occupation for you.</p>
-
-<p><span class="smcap">Blackamoor</span> (<i>Companion, etc.</i>).—1. You are one of
-our quite young readers, we divine, and so perhaps
-will not take it amiss if we observe that your
-spelling is a trifle weak; but as you write carefully
-this will doubtless soon be improved. When you
-are older, we think you will give up the idea of
-becoming a lady’s companion, and think it rather
-a poor employment. Some girls make themselves
-valued in this capacity, but they are young women
-who understand household duties thoroughly, and
-can, as the expression goes, turn their hand to
-anything. But we should like you to try in preference
-to do some one thing well, in particular,
-as this is the more useful faculty nowadays.—2.
-Your second question shows that you have the
-laudable ambition of a true Scottish girl to become
-well educated. You aspire to obtain a “bursary,”
-or, as we call it in England, a “scholarship,” at
-some school whence you could eventually proceed
-to Girton. The St. Leonard’s School at St. Andrew’s
-is a particularly good one. We advise you
-to write to the Principal, asking her whether any
-bursaries are offered by the school for which you
-could compete. You could also obtain some useful
-preliminary instruction through the St. George’s
-Oral and Correspondence Classes, of which the
-secretary is Miss S. E. Murray, 5, Melville Street,
-Edinburgh. Pupils are helped in home study
-through these classes, and also prepared for the
-Edinburgh Local Examinations.</p>
-
-<p>K. L. (<i>Journalistic Work in China or Japan</i>).—China
-would offer no field for journalistic employment
-to girls of nineteen, and is almost the last
-country to select. Japan would be much safer, but
-we doubt whether it would offer much field for
-journalistic work. If you wish to become a journalist,
-surely, as your home is in Canada, it would
-be much wiser to try the United States. You could
-at all events obtain journalistic experience there,
-and a few years later you would be in a better
-position to judge whether the East could offer you
-congenial employment. No doubt if you did not
-require to earn money, it might be quite possible to
-gratify your wish for Oriental travel; but as this
-is not the case you would only be encountering
-insuperable obstacles by trying at your age to
-introduce Western ideas concerning girls’ employment
-into the East.</p>
-
-<p><span class="smcap">Dolly Varden</span> (<i>Telephone Clerkship</i>).—You wish
-to know at what age girls can be received into a
-telephone office. The National Telephone Company
-accepts girls between the ages of seventeen
-and nineteen. Their height, it is stipulated, must
-be not less than 5 feet 3 inches. They must bring
-with them two letters of recommendation and a
-doctor’s certificate. Good education and pronunciation
-are also demanded. Clerks are engaged
-on a monthly agreement, and are received at first
-on probation without payment, and afterwards at
-5s. a week for half-time, namely four hours a day.
-When engaged for full time, that is, eight hours a
-day, less time for luncheon and tea, they are paid
-5s. a week, rising by 1s. a week yearly to 15s.
-Promotion to higher and better paid work is accorded
-to suitable girls in order of seniority. We
-rather fear that the complaint from which you have
-suffered might prove to be an obstacle in your way,
-as the duties of a telephone clerk entail much
-standing.</p>
-
-<p><span class="smcap">May Désirée</span> (<i>Telephone Clerkship</i>).—See reply to
-“Dolly Varden,” in which we have dealt with this
-employment fully.</p>
-
-<p><span class="smcap">Topsy</span> (<i>Stewardess, etc.</i>).—1. Positions as stewardess
-are only to be obtained through the steamship
-companies; but would it not be wiser, Topsy, to
-remain a dairy-maid as you are at present? A girl
-who knows dairy-work is useful in all parts of the
-country and colonies, and has a far better chance
-of earning her living, if she loses a situation, than
-a stewardess out of place.—2. Used postage stamps
-have no value.</p>
-</div>
-
-
-<h3>MEDICAL.</h3>
-
-<div class="blockquot_ans">
-
-<p><span class="smcap">Felicitas.</span>—You cannot be too careful about the
-baby’s bottle. We suppose the bottle is of value,
-but it is responsible for so much suffering and illness
-of infants that we really doubt whether we would
-not be better without it. There are two forms of
-baby’s bottles, the old-fashioned torpedo-shaped
-bottle, clumsy, troublesome, and inconvenient, but
-withal possible to clean, and necessitating careful
-feeding, and the newer “Alexandra” bottle, convenient,
-no trouble, æsthetic, but impossible to
-keep clean, and allowing carelessness in feeding
-the infant. Never use the new bottle—it is quite
-impossible to clean india-rubber; the bottle gets
-dirty, sour milk collects in the tube, the child gets
-dyspepsia, and may die simply from a dirty bottle.
-You must not let a child suck at the bottle at all
-hours of the day and night, “just to keep it quiet
-and allow its mother a little rest.” Children must
-be fed regularly. The habit of giving children
-things to eat or suck to keep them quiet is responsible
-for a vast number of deaths and lives of
-misery and uselessness. Indeed, it is not too much
-to say that this pernicious practice of giving babies
-something to eat or drink to prevent them from
-crying is more fatal to infants than all the infectious
-diseases from which they suffer put together. You
-must keep the bottle clean, and immediately after
-use rinse it out with boiling water, and keep it
-soaking in boracic acid solution, and again rinse
-it out with hot water before using it.</p>
-
-<p><span class="smcap">Bonnie.</span>—1. The reason why it is easy for you to
-breathe through your nose during the day, but difficult
-to do so at night, is that the recumbent position
-causes the mucous membrane of the nose to
-become congested. The nose always becomes
-congested when the person is lying down, but the
-amount of obstruction varies very greatly even in
-health. Of course, in the absolutely healthy condition,
-the congestion is never sufficient to prevent
-breathing through the nose. But a very slight
-cause may make nose-breathing quite impossible
-at night. The best treatment for such conditions is
-an extra pillow and a nasal spray of menthol in
-paraleine (1 in 8). Even in health it is the rule to
-breathe through the nose and the mouth after severe
-exertions.—2. A hair-wash of quinine, rosemary,
-and cantharides, is a good preparation to prevent
-the hair from falling out, that is, it is as good as
-any other hair-wash. Of course, nothing whatever
-applied to the hair itself can have the slightest
-influence on its growth. The remedy must be
-applied either through the blood or to the hair roots
-in order to be effective. Quinine often causes
-headache if taken internally; applied externally it
-would not have this action. It would not darken
-the hair. Try borax or very dilute carbolic acid
-(1 in 1000) to wash your hair with.</p>
-
-<p><span class="smcap">Molly.</span>—By the “eye tooth” is usually meant the
-canine or “dog tooth,” the third in order from the
-middle line of the mouth. By some persons the
-first molar or first double tooth in the upper jaw,
-or the sixth from the middle line, is called the
-“eye tooth,” and with greater reason than the
-canine, for the first molar is more connected with
-the eye than is the canine. Extracting the canine
-tooth is of no more danger than extracting any
-other tooth, but as its root is rather long, it is a
-little more difficult. There are thirty-two teeth in
-the adult jaw, eight on each side of both upper and
-lower jaws.</p>
-
-<p><span class="smcap">Hester.</span>—You object to our statement that eczema
-is a local disease, and is not usually dependent upon
-the state of the blood, because you feel ill when
-you have an acute attack of eczema and are
-relieved by internal treatment. But this does not
-affect our statement that eczema is a local disease
-due to a local inoculation, and is not due to
-disease of the blood. We suppose you will
-admit that a severe burn is a local injury, and that
-that, at least, is not due to “something in the
-blood.” Well, often in a severe burn the constitutional
-symptoms are desperate. We may have
-to confine all our attention to the heart and
-nervous system at first when treating a severe burn.
-But still we maintain that the burn is a local
-injury, and by local means alone can the burn be
-made to heal. And so with eczema. Here is a
-local disease, but the constitutional symptoms may
-be, although they very rarely are, severe. And
-occasionally they do need internal treatment. But
-no internal treatment will cause the eczema to heal
-without external aid. The treatment for all local
-disease must be local, although internal medication
-may be required as well.</p>
-
-<p><span class="smcap">A Country Lass.</span>—Wild honey is often poisonous.
-That made by bumble-bees is usually harmful,
-giving rise to severe headache, purging, and
-vomiting. Xenophon, in his <i>Anabasis</i>, accurately
-describes the effects produced upon his soldiers by
-eating wild honey, probably made by bees from the
-Pontic azalea.</p>
-
-<p>E. F. T.—Try an ointment of ichthiol (2 per cent.),
-and a wash of carbolic acid (1 in 100). You must
-be very careful that the carbolic acid does not get
-into your eyes and mouth.</p>
-</div>
-
-
-<h3>STUDY AND STUDIO.</h3>
-
-<div class="blockquot_ans">
-
-<p>⁂ We may remind our subscribers that there are in
-connection with the Royal Academy of Music,
-Tenterden Street, Hanover Square, London, W.,
-twenty-one exhibitions and scholarships, which in
-most cases entitle the winners to three years’ free
-instruction at the Academy. The next election for
-the Henry Smart Scholarship is for female candidates,
-and will take place at the Royal Academy
-of Music on Monday, September 25th, 1899. The
-subjects of examination will be organ-playing and
-composition. The John Thomas Welsh Scholarship
-will be competed for on Friday, September
-22nd, 1899. Full particulars of these and other
-scholarships can be obtained of the Secretary,
-Royal Academy of Music.</p>
-
-<p><span class="smcap">Sea-Foam</span> (Chefoo, N. China).—Many thanks for
-your modest and interesting letter. We regret the
-delay in offering criticism upon your poems, but
-can now say that they are very thoughtful, and are
-not marked by any of the blemishes in construction
-which we have often to point out to our correspondents.
-Blank verse, however, is a difficult
-medium for the novice, and we think “The Rainbow”
-is your most successful effort. The idea
-expressed in “Influence” is very good. On p. 2
-you use “e’en yet” and “still” together. Only
-one of the expressions is necessary. You also use
-“lives” and “endeth” with the same nominative.
-You should either say “liveth” and “endeth,” or
-“lives” and “ends.” Never let your words be
-obviously shaped by the length of a line. “An
-unspoken thought” is striking. We should advise
-you to study the laws of versification, and to persevere,
-selecting some other metre, to begin with,
-than the ambitious blank verse.</p>
-
-<p><span class="smcap">One by One.</span>—We repeat our apology to you. Your
-sketch of Teddie is pathetic, but shows, as you
-yourself observe, that you have not studied the laws
-of composition. On the first page there are far too
-many “ands,” and it is better not to write of “the
-joyous little birdies with their bright plumage and
-their sweet, sweet notes.” (We do not think that
-the English song-birds are remarkable for gay
-plumage.) You should procure Dr. Abbot’s little
-book <i>How to Write Clearly</i>, and read a good deal
-of good prose and poetry.</p>
-
-<p><span class="smcap">Louisa Gregory.</span>—You need to study writing and
-spelling before you attempt to compose stories.
-We advise you daily to copy some extract for the
-sake of learning to spell, and also to practise
-writing in a copy-book, to teach you to form your
-letters correctly.</p>
-</div>
-
-
-<h3>INTERNATIONAL CORRESPONDENCE.</h3>
-
-<div class="blockquot_ans">
-
-<p><span class="smcap">Mariquita</span>, aged 14, wishes to correspond with a
-French girl about her own age, each writing in the
-other’s language; the letters would be corrected
-and returned. Address, 33, Hawthorn Bank,
-Marslands Road, Sale, near Manchester.</p>
-
-<p><span class="smcap">A Bush Girl</span>, Queensland, Australia, would like
-to correspond with “<span class="smcap">An Anxious One</span>” and
-“<span class="smcap">Armenian Sweet Seventeen</span>,” Smyrna. Will
-they forward us their addresses for “<span class="smcap">A Bush Girl</span>”
-to see?</p>
-
-<p><span class="smcap">Miss Gertrude Dickson</span>, King Street, Bangalore,
-Mysore, India, will be glad to correspond with
-Miss François. We published the latter’s address,
-so Miss Dickson might have written direct. She
-is a collector of stamps; and, if Miss François has
-found a correspondent—which is probable—would
-be glad to hear in English from any other reader of
-<span class="smcap">The Girl’s Own Paper</span>.</p>
-
-<p><span class="smcap">A Propinquer</span>, who collects foreign view post-cards,
-would be very glad to exchange some with “<span class="smcap">O
-Mimosa San</span>,” if she will send her address.</p>
-
-<p><span class="smcap">Miss Queenie Clarke</span>, Hillside House, Rawtenstall,
-Manchester, would like to correspond in
-French with <span class="smcap">Miss Gigia Ricciardi</span> (March).</p>
-
-<p><span class="smcap">Lizzie van Rees</span>, aged 17, Hilversum, Holland,
-wishes to correspond with <span class="smcap">Grete Fromberg</span>,
-Berlin, and with an English girl of her own age.</p>
-
-<p><span class="smcap">Miss Edith Wogaman</span>, Curra Creek, <i>viâ</i> Wellington,
-New South Wales (19), wishes to correspond with
-“<span class="smcap">Miss Inquisitive</span>” or another “nice girl.”</p>
-
-<p><span class="smcap">Miss Kate Prout</span>, Bolarum, Deccan, India (19)
-would like an English girl to write to her at once,
-and “hopes they will be great friends.”</p>
-
-<p><span class="smcap">Miss Beatrice Miller</span>, 2, Talbot Villas, Prince’s
-Road, Buckhurst Hill, Essex, would like to
-correspond with a French girl. She is fond of
-painting, but backward in French. Letters should
-be corrected and returned.</p>
-
-<p><span class="smcap">Janet</span> and <span class="smcap">Grace Couper</span>, aged 16 and 14, would
-like to correspond and exchange stamps with girls
-in the West Indies, India, Holland, and Central
-America. Address, Te Waikaha, Havelock,
-Hawkes Bay, New Zealand.</p>
-
-<p><span class="smcap">Miss Daisy Bouverie</span> (18) would like to correspond
-with an American young lady. Address, 514,
-Commercial Road, Landport, Portsmouth.</p>
-
-<p><span class="smcap">Miss Nicholls</span>, Laburnum Villa, Leamington, would
-be pleased to correspond with an Italian lady
-interested in art, science, or literature—both writing
-in Italian.</p>
-</div>
-
-<p><span class="pagenum" id="Page_768">{768}</span></p>
-
-
-<h3>MISCELLANEOUS.</h3>
-
-<div class="blockquot_ans">
-
-<p><span class="smcap">Insecto.</span>—The beetles have been so crushed that it
-is not easy to say absolutely what they are. But
-we think there can be very little doubt that they are
-<i>Anobium domesticum</i>, a wood-boring beetle very
-common in old houses. The boring is, of course,
-the work of the larvæ, which are believed to take
-often three years to come to perfection and change
-into the pupæ—the little round holes being the
-open ends of their galleries. Canon Fowler says,
-“They may, to a great extent, be got rid of by the
-application of benzine, with which a small quantity
-of carbolic acid has been mixed;” if they have
-bored into furniture which is delicately polished,
-“the benzine had better be applied alone. Unpolished
-furniture would be best freed from the
-pest by immersion in boiling water, if the articles
-are not too unwieldy to admit of such treatment.
-Moderately strong carbolic acid will at once destroy
-both grubs, eggs, and perfect insects, but the
-furniture to which it is applied will require
-re-polishing.” As the query is as to the destruction
-of floor-boards, we should think the carbolic acid
-would not be difficult.</p>
-
-<p><span class="smcap">An Impoverished One.</span>—We know of nothing to
-remove the black marks, unless French chalk may
-answer the purpose. Scrape a little on them at the
-back and try.</p>
-
-<p><span class="smcap">Dolly.</span>—The smoking of your lamp may be prevented
-by a little more effort at thorough cleanliness.
-Take out the wick, soak it in vinegar, dry it well,
-and cut it exactly straight. Wash the lamp in
-soda-water, and when you fill it with oil, put a few
-little pieces of camphor in the latter, as this will
-improve the light. To whiten the dirty-looking
-boards, use newly-slaked lime—one part—and three
-parts of white sand. Another method is to apply
-moistened fuller’s earth thickly over the stains,
-and, after about twenty-four hours, rub it in
-gently, and then clear it off. A third plan is to lay
-chloride of lime on the boards, damp it frequently,
-and then wash them well with soda-water.</p>
-
-<p><span class="smcap">Birdy.</span>—We quite sympathise with you in the feeling
-of indignation aroused at seeing the quantity of
-little skylarks that cover the counters of poulterers
-in London. Much is said, and great efforts are
-made, with reference to the slaughter of birds for
-bonnet decoration. But women’s vanity is not
-alone to be censured for the destruction of birds
-with beautiful plumage. The larks and thrushes
-and other singing birds find a market to supply the
-tables of men’s clubs. It was calculated some time
-ago that upwards of 40,000 skylarks were sent up
-from the country every day during the season, and
-before long, at this rate, the little bird which called
-forth the genius of Shelley, Wordsworth, and others
-of our poets, and inspired such exquisite odes, will
-become a rare specimen amongst our native songsters.
-The law should be a stringent one against
-the destruction of any songster.</p>
-
-<p>M. G. G.—Return the withdrawal order to the Head
-Office in London if you wish it to be cancelled.
-Address the letter “Savings Bank, G. P. O.,
-London,” unstamped, saying you wish it to be
-cancelled. Many thanks to the Parochial Nurse.</p>
-
-<p><span class="smcap">Harmony.</span>—We should think that a daily paper would
-be the best for your advertisement. That is where
-people usually look, we believe. Very few take an
-exclusively musical journal unless extremely interested
-in the subject.</p>
-
-<p><span class="smcap">J. Nelson.</span>—We see no reason why you should not
-give your clergyman a parting present, though it is
-difficult to say what it should be, unless we knew to
-what part of the world he was going. Something
-simple and useful is generally the best. Hairbrushes
-in a case, a box of nice soap, some handkerchiefs,
-an old-fashioned housewife well filled, half-a-dozen
-bedroom towels marked in embroidery; all
-of these would be useful. But you could ask some
-intimate friend to tell you exactly what he needed,
-and you might get a good suggestion in that way.</p>
-
-<p><span class="smcap">Curious.</span>—The observation you have made respecting
-the retreat of the glacier at Grindelwald is quite
-correct. Some years ago the distance to be
-ascended to reach it was not nearly so great as it
-now is. But this is not an isolated case. The
-gradual retreat of the glacier is general, and in
-proportion the higher limit of vegetation is coming
-down. The rhododendron, which formerly ranged
-up to 2,350 metres some twenty years ago, now
-reaches only to 2,000. M. Martin ascribes this
-change to the fact that there is less snow, and less
-protection against the cold in winter, and less
-moisture during the heat of summer. The vines do
-not grow as high as formerly. The mountaineers
-do not reside at such altitudes as they once did.</p>
-
-<p>A. R.—The stork is a fatal enemy to snakes, and
-indeed so are all the birds of the marshes, for they
-check their prodigious multiplication. It is true
-that snakes may be perhaps a little repulsive in
-appearance, but they perform great services in the
-economy of nature, for they make incessant war on
-the worms and insects which abound in the slimy
-mud of the swamps in which they generally make
-their abode. The storks always make their nests
-on roofs and chimneys.</p>
-
-<p>F. Q. M. J. E.—When a widow marries again, she
-certainly requires wedding-cards, and she would
-put the name she bore during her first marriage on
-her cards, and not her maiden name, unless under
-peculiar and exceptional circumstances.</p>
-</div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="OUR_NEW_PUZZLE_POEM">OUR NEW PUZZLE POEM.</h2>
-</div>
-
-
-<div class="figcenter illowp45" id="i_768" style="max-width: 31.25em;">
- <img class="w100" src="images/i_768.jpg" alt="" />
-</div>
-
-<p>⁂ <span class="smcap">Prizes</span> to the amount of six guineas (one of which will be reserved for competitors
-living abroad) are offered for the best solutions of the above Puzzle Poem. The following
-conditions must be observed:—</p>
-
-<p>1. Solutions to be written on one side of the paper only.</p>
-
-<p>2. Each paper to be headed with the name and address of the competitor.</p>
-
-<p>3. Attention must be paid to spelling, punctuation, and neatness.</p>
-
-<p>4. Send by post to Editor, <span class="smcap">Girl’s Own Paper</span>, 56, Paternoster Row, London. “Puzzle
-Poem” to be written on the top left-hand corner of the envelope.</p>
-
-<p>5. The last day for receiving solutions from Great Britain and Ireland will be October 16,
-1899; from Abroad, December 16, 1899.</p>
-
-<p>The competition is open to all without any restrictions as to sex or age.</p>
-
-<hr class="full" />
-
-
-
-<div class="footnotes"><p class="ph3">FOOTNOTES:</p>
-
-<div class="footnote">
-
-<p><a id="Footnote_1_1" href="#FNanchor_1_1" class="label">[1]</a> No. 69, vol. ii.</p>
-
-</div>
-</div>
-
-<hr class="full" />
-
-<p>[Transcriber’s Note—the following changes have been made to this text.</p>
-
-<p>Page 767: county to country—“country to select”.]</p>
-
-
-<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK THE GIRL'S OWN PAPER, VOL. XX, NO. 1026, AUGUST 26, 1899 ***</div>
-<div style='text-align:left'>
-
-<div style='display:block; margin:1em 0'>
-Updated editions will replace the previous one&#8212;the old editions will
-be renamed.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-</div>
-
-<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
-<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
-</div>
-
-<div style='display:block; margin:1em 0'>
-To protect the Project Gutenberg&#8482; mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase &#8220;Project
-Gutenberg&#8221;), you agree to comply with all the terms of the Full
-Project Gutenberg&#8482; License available with this file or online at
-www.gutenberg.org/license.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.A. By reading or using any part of this Project Gutenberg&#8482;
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg&#8482; electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg&#8482; electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the person
-or entity to whom you paid the fee as set forth in paragraph 1.E.8.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg&#8482; electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg&#8482; electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg&#8482;
-electronic works. See paragraph 1.E below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
-Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg&#8482; electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg&#8482; mission of promoting
-free access to electronic works by freely sharing Project Gutenberg&#8482;
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg&#8482; name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg&#8482; License when
-you share it without charge with others.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg&#8482; work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E. Unless you have removed all references to Project Gutenberg:
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg&#8482; License must appear
-prominently whenever any copy of a Project Gutenberg&#8482; work (any work
-on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
-phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-</div>
-
-<blockquote>
- <div style='display:block; margin:1em 0'>
- This eBook is for the use of anyone anywhere in the United States and most
- other parts of the world at no cost and with almost no restrictions
- whatsoever. You may copy it, give it away or re-use it under the terms
- of the Project Gutenberg License included with this eBook or online
- at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
- are not located in the United States, you will have to check the laws
- of the country where you are located before using this eBook.
- </div>
-</blockquote>
-
-<div style='display:block; margin:1em 0'>
-1.E.2. If an individual Project Gutenberg&#8482; electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase &#8220;Project
-Gutenberg&#8221; associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg&#8482;
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg&#8482; License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg&#8482;.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg&#8482; License.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg&#8482; work in a format
-other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
-version posted on the official Project Gutenberg&#8482; website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original &#8220;Plain
-Vanilla ASCII&#8221; or other form. Any alternate format must include the
-full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg&#8482; works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg&#8482; electronic works
-provided that:
-</div>
-
-<div style='margin-left:0.7em;'>
- <div style='text-indent:-0.7em'>
- &bull; You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg&#8482; works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg&#8482; trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, &#8220;Information about donations to the Project Gutenberg
- Literary Archive Foundation.&#8221;
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg&#8482;
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg&#8482;
- works.
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You comply with all other terms of this agreement for free
- distribution of Project Gutenberg&#8482; works.
- </div>
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg&#8482; electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg&#8482; trademark. Contact the Foundation as set
-forth in Section 3 below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
-electronic works, and the medium on which they may be stored, may
-contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
-of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg&#8482; trademark, and any other party distributing a Project
-Gutenberg&#8482; electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg&#8482; electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg&#8482;
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg&#8482; work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg&#8482; work, and (c) any
-Defect you cause.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 2. Information about the Mission of Project Gutenberg&#8482;
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
-goals and ensuring that the Project Gutenberg&#8482; collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg&#8482; and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation&#8217;s EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state&#8217;s laws.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation&#8217;s business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation&#8217;s website
-and official page at www.gutenberg.org/contact
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; depends upon and cannot survive without widespread
-public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-</div>
-
-<div style='display:block; margin:1em 0'>
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 5. General Information About Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-Professor Michael S. Hart was the originator of the Project
-Gutenberg&#8482; concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg&#8482; eBooks with only a loose network of
-volunteer support.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Most people start at our website which has the main PG search
-facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-This website includes information about Project Gutenberg&#8482;,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-</div>
-
-</div>
-
-</body>
-</html>
diff --git a/old/66235-h/images/cover.jpg b/old/66235-h/images/cover.jpg
deleted file mode 100644
index bd1f906..0000000
--- a/old/66235-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66235-h/images/header.jpg b/old/66235-h/images/header.jpg
deleted file mode 100644
index 7890287..0000000
--- a/old/66235-h/images/header.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66235-h/images/i_753.jpg b/old/66235-h/images/i_753.jpg
deleted file mode 100644
index bbc6375..0000000
--- a/old/66235-h/images/i_753.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66235-h/images/i_754.jpg b/old/66235-h/images/i_754.jpg
deleted file mode 100644
index 546e047..0000000
--- a/old/66235-h/images/i_754.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66235-h/images/i_757a.jpg b/old/66235-h/images/i_757a.jpg
deleted file mode 100644
index a1b8cd7..0000000
--- a/old/66235-h/images/i_757a.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66235-h/images/i_757b.jpg b/old/66235-h/images/i_757b.jpg
deleted file mode 100644
index dcdc5ad..0000000
--- a/old/66235-h/images/i_757b.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66235-h/images/i_757c.jpg b/old/66235-h/images/i_757c.jpg
deleted file mode 100644
index 563da99..0000000
--- a/old/66235-h/images/i_757c.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66235-h/images/i_757d.jpg b/old/66235-h/images/i_757d.jpg
deleted file mode 100644
index 59289bb..0000000
--- a/old/66235-h/images/i_757d.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66235-h/images/i_757e.jpg b/old/66235-h/images/i_757e.jpg
deleted file mode 100644
index 7226a0f..0000000
--- a/old/66235-h/images/i_757e.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66235-h/images/i_758.jpg b/old/66235-h/images/i_758.jpg
deleted file mode 100644
index 0302810..0000000
--- a/old/66235-h/images/i_758.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66235-h/images/i_760.jpg b/old/66235-h/images/i_760.jpg
deleted file mode 100644
index 0e501e5..0000000
--- a/old/66235-h/images/i_760.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66235-h/images/i_761a.jpg b/old/66235-h/images/i_761a.jpg
deleted file mode 100644
index b7af10f..0000000
--- a/old/66235-h/images/i_761a.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66235-h/images/i_761b.jpg b/old/66235-h/images/i_761b.jpg
deleted file mode 100644
index 1741e49..0000000
--- a/old/66235-h/images/i_761b.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66235-h/images/i_762.jpg b/old/66235-h/images/i_762.jpg
deleted file mode 100644
index cad6b9f..0000000
--- a/old/66235-h/images/i_762.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66235-h/images/i_764.jpg b/old/66235-h/images/i_764.jpg
deleted file mode 100644
index ccb64b0..0000000
--- a/old/66235-h/images/i_764.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66235-h/images/i_768.jpg b/old/66235-h/images/i_768.jpg
deleted file mode 100644
index 98534e5..0000000
--- a/old/66235-h/images/i_768.jpg
+++ /dev/null
Binary files differ