summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-01-22 18:07:30 -0800
committernfenwick <nfenwick@pglaf.org>2025-01-22 18:07:30 -0800
commita7ed0392c39fde729a5a98ae6647e94e404826af (patch)
tree0e277a332b7065215b69f11e521f04425080bb5c
parent6ccf84c7139abb7277322c95a002ecb2139928e2 (diff)
NormalizeHEADmain
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/66168-0.txt3517
-rw-r--r--old/66168-0.zipbin67182 -> 0 bytes
-rw-r--r--old/66168-h.zipbin267837 -> 0 bytes
-rw-r--r--old/66168-h/66168-h.htm4956
-rw-r--r--old/66168-h/images/ampersand1.jpgbin4935 -> 0 bytes
-rw-r--r--old/66168-h/images/ampersand2.jpgbin4878 -> 0 bytes
-rw-r--r--old/66168-h/images/cover.jpgbin192515 -> 0 bytes
-rw-r--r--old/66168-page-images.zipbin3497008 -> 0 bytes
-rw-r--r--old/66168-page-images/p0237.pngbin118862 -> 0 bytes
-rw-r--r--old/66168-page-images/p0238.pngbin148197 -> 0 bytes
-rw-r--r--old/66168-page-images/p0239.pngbin135851 -> 0 bytes
-rw-r--r--old/66168-page-images/p0240.pngbin143987 -> 0 bytes
-rw-r--r--old/66168-page-images/p0241.pngbin128754 -> 0 bytes
-rw-r--r--old/66168-page-images/p0242.pngbin138566 -> 0 bytes
-rw-r--r--old/66168-page-images/p0243.pngbin128838 -> 0 bytes
-rw-r--r--old/66168-page-images/p0244.pngbin145431 -> 0 bytes
-rw-r--r--old/66168-page-images/p0245.pngbin139290 -> 0 bytes
-rw-r--r--old/66168-page-images/p0246.pngbin159721 -> 0 bytes
-rw-r--r--old/66168-page-images/p0247.pngbin156285 -> 0 bytes
-rw-r--r--old/66168-page-images/p0248.pngbin116262 -> 0 bytes
-rw-r--r--old/66168-page-images/p0249.pngbin113335 -> 0 bytes
-rw-r--r--old/66168-page-images/p0250.pngbin154911 -> 0 bytes
-rw-r--r--old/66168-page-images/p0251.pngbin155204 -> 0 bytes
-rw-r--r--old/66168-page-images/p0252.pngbin140925 -> 0 bytes
-rw-r--r--old/66168-page-images/p0253.pngbin129276 -> 0 bytes
-rw-r--r--old/66168-page-images/p0254.pngbin148300 -> 0 bytes
-rw-r--r--old/66168-page-images/p0255.pngbin153276 -> 0 bytes
-rw-r--r--old/66168-page-images/p0256.pngbin169852 -> 0 bytes
-rw-r--r--old/66168-page-images/p0257.pngbin153087 -> 0 bytes
-rw-r--r--old/66168-page-images/p0258.pngbin148872 -> 0 bytes
-rw-r--r--old/66168-page-images/p0259.pngbin180174 -> 0 bytes
-rw-r--r--old/66168-page-images/p0260.pngbin193911 -> 0 bytes
35 files changed, 17 insertions, 8473 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..813a450
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #66168 (https://www.gutenberg.org/ebooks/66168)
diff --git a/old/66168-0.txt b/old/66168-0.txt
deleted file mode 100644
index c82ef9a..0000000
--- a/old/66168-0.txt
+++ /dev/null
@@ -1,3517 +0,0 @@
-The Project Gutenberg eBook of Notes and Queries, Number 202, September 10,
-1853, by George Bell
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Notes and Queries, Number 202, September 10, 1853
- A Medium of Inter-communication for Literary Men, Artists,
- Antiquaries, Geneologists, etc
-
-Author: Various
-
-Editor: George Bell
-
-Release Date: August 29, 2021 [eBook #66168]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: Charlene Taylor, Jonathan Ingram and the Online Distributed
- Proofreading Team at https://www.pgdp.net (This file was
- produced from images generously made available by The Internet
- Library of Early Journals.)
-
-*** START OF THE PROJECT GUTENBERG EBOOK NOTES AND QUERIES, NUMBER 202,
-SEPTEMBER 10, 1853 ***
-
-
-
-
-
-{237}
-
-NOTES AND QUERIES:
-
-A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES,
-GENEALOGISTS, ETC.
-
- * * * * *
-
-
-="When found, make a note of."=--CAPTAIN CUTTLE.
-
- * * * * *
-
-
- No. 202.]
- SATURDAY, SEPTEMBER 10. 1853.
- [Price Fourpence. Stamped Edition, 5_d._
-
- * * * * *
-
-
-
-
-CONTENTS.
-
-
- NOTES:-- Page
-
- Milton and Malatesti, by Bolton Corney 237
-
- "That Swinney" 238
-
- Tom, Mythic and Material, by V. T. Sternberg 239
-
- Shakspeare Correspondence, by T. J. Buckton, Thos.
- Keightley, &c. 240
-
- MINOR NOTES:--Gray: "The ploughman homeward
- plods"--Poetical Tavern Signs--"Aquæ in Vinum conversæ.
- Vidit et erubuit lympha pudica Deum"--Spurious Edition
- of Baily's "Annuities"--"Illustrium Poetarum
- Flores"--French Jeux d'Esprit 241
-
- QUERIES:--
-
- Samuel Wilson 242
-
- MINOR QUERIES:--The Rothwell Family--Definition of
- a Proverb--Latin Riddle--D. Ferrand: French Patois--"Fac
- precor, Jesu benigne," &c.--The Arms of De Sissonne--Sir
- George Brown--Professional Poems--"A mockery," &c.--Passage
- in Whiston--Shoulder Knots and Epaulettes--The Yew Tree in
- Village Churchyards--Passage in Tennyson--"When the Maggot
- bites"--Eclipses of the Sun--"An" before "u" long--Reversible
- Names--Gilbert White of Selborne--Hoby, Family of; their
- Portraits, &c.--Portrait of Sir Anthony Wingfield--Lofcopp,
- Lufcopp, or Luvcopp--Humming Ale 243
-
- MINOR QUERIES WITH ANSWERS:--Dr. Richard
- Sherlock--Cardinal Fleury and Bishop Wilson--Dr. Dodd
- a Dramatist--Trosachs--Quarter 246
-
- REPLIES:--
-
- Jacob Böhme, or Behmen, by J. Yeowell 246
-
- Inscriptions on Bells, by Cuthbert Bede, B.A. 248
-
- Passage in Milton 249
-
- Designed false English Rhymes 249
-
- Attainment of Majority, by Professor De Morgan 250
-
- Lady Percy, Wife of Hotspur (Daughter of Edmund
- Mortimer, Earl of March), and Jane Seymour's Royal
- Descent 251
-
- PHOTOGRAPHIC CORRESPONDENCE:--Three New
- Processes by Mr. Lyte--Muller's Processes: Sisson's
- Developing Solution 252
-
- REPLIES TO MINOR QUERIES:--Alterius Orbis
- Papa--"All my eye"--"Clamour your tongues"--Spiked
- Maces represented in Windows of the Abbey Church, Great
- Malvern--Ampers and--Its--"Hip, hip, hurrah!"--Derivation of
- "Wellesley"--Penny-come-quick--Eugene Aram's Comparative
- Lexicon--Wooden Tombs and Effigies--Queen Anne's
- Motto--Longevity--Irish Bishops as English Suffragans--Green
- Pots used for drinking from by Members of the Temple--Shape
- of Coffins--Old Fogies--Swan-marks--Limerick, Dublin,
- and Cork--"Could we with ink," &c.--Character of
- the Song of the Nightingale--Adamson's "Lusitania
- Illustrata"--Adamsoniana--Crassus' Saying, &c. 254
-
- MISCELLANEOUS:--
-
- Books and Odd Volumes wanted 258
-
- Notices to Correspondents 258
-
- Advertisements 259
-
- * * * * *
-
-
-
-
-Notes.
-
-
-MILTON AND MALATESTI.
-
-About nine years after Milton visited Italy, he thus briefly noticed, in
-letter to Carlo Dati, his surviving Florentine friends:
-
- "Carolo DATO patricio Florentino.... Tu interim, mi Carole,
- valebis, et Cultellino, Francino, Frescobaldo, Malatestæ,
- Clementillo minori, et si quem alium nostri amantiorem novisti;
- toti denique Gaddianæ academiæ, salutem meo nomine plurimam
- dices. Interim vale.--_Londino_, Aprilis 21. 1647."
-
-The above extract is from _The prose works of John Milton_, as printed
-in 1806, and I shall add to it the translation by Robert Fellowes, A.M.,
-from the same edition:
-
- "To Carolo DEODATI, a Florentine noble.... In the mean time,
- my dear Charles, farewell, and present my kind wishes to
- Cultellino, Francisco, Trescobaldo, Malatesto, the younger
- Clemantillo, and every other inquiring friend, and to all the
- members of the Gaddian academy. Adieu.--_London_, April 21.
- 1647."
-
-Warton states, in a note on the minor poems of Milton, that Mr. Brand
-discovered, on a book-stall, a manuscript of _La tina_ of Malatesti,
-_dedicated to Milton while at Florence_, and that he gave it to Mr.
-Hollis, who sent it in 1758, together with the works of Milton, to
-the Accademia della Crusca. Warton justly observes, "The first piece
-would have been a greater curiosity in England." With these facts the
-information of the most recent biographers of Milton seems to terminate.
-I am enabled, however, to prove that the work is IN PRINT, and shall
-transcribe my authority _verbatim_:
-
- "MALATESTI, _Antonio_. LA TINA, equivoci rusticali (in 50
- sonetti). Londra, Tommaso Edlin, 1757, in 8ᵒ.
-
- _Non è fatta in Londra quest' ediz. nel 1757, ma presso che 80
- anni dopo in Venezia, ed in numero di 50 esemplari in carta
- velina, due in carta grande inglese da disegno, ed uno, unico,
- in_ PERGAMENA.
-
- Il Malatesti aveva regalato una copia di questi graziosissimi
- sonetti al celebre inglese Gio. Milton, nell' anno in cui egli
- visitava l'Italia. Dopo la morte del Milton pervennero in mano
- del sig. Brant, gentiluomo inglese, il quale una copia ne
- fece trarre per {238} regalarla a Gio. Marsili, prof. dell'
- Università di Padova, che nel 1757 si trovava in Londra. Il MS.
- del Marsili servì a questa ristampa che porta in fronte quella
- stessa prefazione in inglese che stava nel MS. Marsiliano."
-
-The authority alluded to is the fourth edition of the _Serie dei testi
-di lingua_ of Bartolommeo Gamba, Venezia, 1839, royal 8vo.--one of the
-best bibliographical compilations ever produced. I was led to suspect, on
-glancing at the note, that Gamba himself was the editor of the volume,
-and now consider it as certain, for _La tina_ appears under his name in
-the index. As copies of the work must have reached England I hope to see
-the dedication reprinted, and am sure it would be received as a welcome
-curiosity.
-
-I cannot commend Mr. Fellowes as a translator of Milton. _To Carolo_ is
-a solecism; _Deodati_ should be _Dati_; the period which precedes the
-extract is entirely omitted; and the five names which follow _Charles_,
-besides being mis-spelt, have the termination which can only be required
-in Latin composition! I believe we should read Coltellini, Francini,
-Frescobaldi, Malatesti, and Clementini. On Coltellini and Malatesti there
-is much valuable information in Poggiali and Gamba.
-
-BOLTON CORNEY.
-
- * * * * *
-
-
-"THAT SWINNEY."
-
-(_Continued from_ p. 215.)
-
-Swinney was the devoted servant of all men in power--of all who had
-been or were likely to be in power--except, perhaps, the peace-makers,
-who, curiously enough, did not please this minister of peace--of all,
-perhaps, who subscribed to his publications, or had the means to
-subscribe; and who, if they did not, might hereafter. Swinney's volume of
-_Fugitive Pieces_ was dedicated to the Duke of Grafton. A third edition
-contains additions which show how Swinney's great zeal outran his little
-discretion. The following verses appeared originally in _The Public
-Advertiser_ on the 27th of May, 1768, and are bad enough to be preserved
-as a curiosity:
-
- _"An Extempore Effusion on reading a Scurrilous Invective
- against the Duke of G----n [Grafton], published in yesterday's
- Newspapers._
-
- Cursed be the Wretch, and blasted rot his name,
- Who dares to stab an injured G----n's fame!
- Who (while his public virtue stands confest,
- And lives within his ROYAL MASTER'S breast)
- Can rake for Scandal in his private life,
- And widen breaches between man and wife;
- Who casts a stone (like some unthinking Elf),
- That haply shall recoil against himself!
- Anguish, Remorse, and Terror seize his Soul,
- And waste it quick where fiends malicious howl;
- May those rank pests through which his father fell,
- Announce his coming to the Gates of Hell!
- And yet, or ere he plunge into the Lake,
- Where no cool stream his endless thirst can slake,
- May CHRIST in mercy deprecate his doom,
- And may to HIM his promised Kingdom come!
-
- "SIDNEY SWINNEY."
-
-Not content with future punishment, the Doctor, in another poem,
-threatens present vengeance:
-
- "But hark thee, wretch; believe him while he swears;
- SID (by the gods) will crop thine asses ears,
- Should thou persist a G----n to impeach,
- And blast those virtues thou canst never reach."
-
-As Draper had taken Granby under his protection, so Swinney must needs
-play the chivalrous in defence of Grafton. The dedication of _The Battle
-of Minden_ is dated 20th May, 1769, and the poet in the _exordium_ goes
-out of his way to notice, as I suppose, the attacks of Junius:
-
- "His [Sid's] blood recoils with an indignant rage,
- 'Gainst the base hirelings of a venal age.
- Wretches! that spare nor ministers nor kings,
- Blend good with bad, profane with sacred things;
- Whose vengeful hearts, with wrath and malice curst,
- Blast virtuous deeds; and then, with envy burst,
- They dart their arrows, innocence traduce,
- And load e'en G----n with their vile abuse."
-
-To this passage he appends the following note, which occupies, in his
-magnificent typographical volume, a whole quarto page:
-
- "It is observable that this amiable personage [the Duke of
- Grafton], and most consummate statesman, has been bespattered
- with as much low calumny and abuse, from various quarters, as
- if he had been the declared enemy of his country, instead of
- having manfully and courageously stood up in support of its
- true interests.--S."
-
-Let us consider now, What are the probabilities of Swinney never having
-spoken to Lord George Sackville?
-
-That he did on that occasion speak to Lord George--that he did ask him
-"whether or no he was the author of Junius"--may be assumed: and it is
-very probable that Junius heard of it, at first or at second hand, from
-Swinney himself; for the impertinent blockhead that would ask such a
-question, was just the man to tell what he had done, and to think it a
-good thing. But had he never before spoken to Sackville? Was this a fact
-or a flourish--an affectation of secret information, like the "sent" and
-"went" about Garrick--the "every particular next day"--which we now know
-to have been untrue.
-
-That Swinney had been chaplain to one of the British regiments serving
-in Germany is manifest from twenty different references in the poem and
-the notes. I lay no stress on his poetical flights about Euphorbus;
-but he speaks repeatedly from personal experience--specially refers to
-circumstances occurring when quartered at a farm-house near Embden--at
-the camp at Crossdorf--acknowledges personal favours received during the
-{239} campaign from General Harvey, and on another occasion attentions
-from Granby. Here, for example, is a poetical picture which brings
-Swinney vividly before us:
-
- "At Marienbourn, the vaunting army halts,
- ...
- _A pastor_ from the heav'n-devoted train,
- Brings hams and fowls, and spreads them on the plain:
- The jovial officers their bellies fill,
- _Rally their chaplain_, and applaud him still."
-
-Swinney must therefore have served under Sackville; for, as he tells us,
-Sackville
-
- "by George was made
- Good Marlbro's successor"--
-
-and certainly the probabilities are that he must have been personally
-known to--had before spoken to him. Sackville must at this very time have
-been particularly anxious about Swinney and his doings, wise or unwise.
-That fatal battle of Minden had been the ruin of all his hopes--the
-overthrow of all his ambition. In my opinion, Sackville had been
-shamefully and shamelessly run down on that occasion; but whether justly
-or unjustly stripped of his honours and degraded for his conduct, here
-was a man about to write a poem on the battle, to immortalise those who
-fought in it; and Sackville must have been keenly alive to what he might
-say of him. Swinney foreshadowed what his opinion would be in the First
-Book, where he enumerates Sackville amongst his "choice leaders"--
-
- "Good Marlbro', Sackville, Granby, Waldgrave bold,
- Brudenell and Kingsley."
-
-This was published early in 1769.
-
-In the Second Book Lord George is brought prominently forward. The
-"bewilder'd Ferdinand," "doubtful himself," summons a council of war, and
-calls first on Sackville for advice.
-
- "Sackville, disclose the secret of thy breast:
- Say, shall we linger in ignoble rest?
- Shall we retreat? advance, or perish here?
- Resolve our queries: state thy judgment clear."
-
-Sackville now plays the "high heroical," and talks through six pages; but
-to what purpose I am unable to conjecture. There _seems_ to be a great
-deal of angry remonstrance--of offensive remonstrance:
-
- "When I ask [says Sackville to Ferdinand], didst ever thou consult
- A chief, till now, and wait the sage result?
- When Aalm's camp was deluged all in rain,
- And floods rusht o'er an undistinguisht plain,
- To thy flint heart remonstrances were vain:
- What, then, avail'd neglected Marlbro's prayers!
- His instances? His unremitted cares?
- The Elector's stables had sufficient room,
- Stalls, without end, anticipate the doom
- Of British chargers, forced to march, at noon,
- Beneath their riders' weight and scorching sun."
-
-Swinney then gives in a note what he calls the genuine queries proposed
-by Prince Ferdinand, with Sackville's answer: which answer is nearly
-as void of distinct meaning as the poetry, but in favour I think of
-risking a battle. The general purport, however, foreshadows what
-Swinney's conclusion would have been--that Sackville, the friend of
-the British soldier, protested against the frauds by which they were
-robbed and starved; protested against their being called on to do all
-the work, and run all the risks of the campaign; and disdains to humour
-or flatter Prince Ferdinand. These were, in brief, the explanations
-given by Sackville's friends as the cause of his disgrace--Granby
-the favoured, a gallant soldier indeed, but a mere soldier, being
-comparatively indifferent about such commissarial matters, and much more
-easily deceived by the cunning of the selfish Germans and English. This
-intention is made still more clear in another note, wherein Swinney
-states:
-
- "We may be enabled to account for a certain disgraceful event,
- in some future observation of ours, equally to _the honour
- of the person disgraced_, and to the innocent cause of that
- disgrace."
-
-Under these circumstances there can be little doubt that Sidney
-Swinney, D.D., was the party alluded to by Junius; as little, I think,
-that Swinney had before, and long before, spoken to Lord George
-Sackville,--must have been dear to Sackville, as one of the few who
-had served under, and yet had a kind word to say for him,--had said it
-indeed, and was about to repeat it emphatically. That Swinney was the
-fool Junius asserted, the extract already given must have abundantly
-proved; but I will conclude with one other, in which he not only
-anticipated Fitzgerald, but anticipated the burlesque exaggerations in
-the "Rejected Addresses:"
-
- "Horse, Foot, Hussars, or ere they march review'd.
- ...
- The Foot, that form the first and second line,
- All smartly drest, like Grecian heroes shine;
- Their bold cock'd hats, their spatterdashers white,
- And glossy shoes, attract his ravish'd sight."
-
-T. S. J.
-
- * * * * *
-
-
-TOM, MYTHIC AND MATERIAL.
-
-"All _Toms_ are alike," quoth the elegant Pelham; and if we were asked
-to define the leading idea of him, we should describe a downright honest
-John Bull, essentially manly, but withal a bit--perhaps a large bit--of
-a dullard. His masculinity is unquestionable. A male cat, as every
-body knows, is a _Tom_-cat; a romping boy-like girl is a _Tom_-boy,
-or a _Tom_-rig; a large nob-headed pin is a _Tom_-pin; and in many
-provincial dialects the great toe is, _par excellence_, the _Tom_-toe.
-Last, not {240} least, there is the nectar of St. Giles, the venerable
-Old _Tom_. In proof of his stupidity we can adduce a goodly show of
-epithets--_Tom_-fool, _Tom_-neddy, _Tom_-noddy, _Tom_-cull, _Tom_-coney,
-_Tom_-farthing, &c. We know, indeed, there are people who hold that even
-in these instances _Tom_ is merely the masculine prefix to distinguish
-the _he_-fool (_i. e._ the _Tom_-fool) from the Molly or _she_-fool of
-the ancient mumming. But the race of Toms must not lay this flattering
-unction to their souls, for the hypothesis won't stand. The very
-monosyllable itself, like "Sammy," has a strong twang of the bauble
-in it. An open truth-loving fellow is a _Tom_ Tell-truth; but, on the
-other hand, all tinkers--a sadly libelled race of men--are invariably
-_Tom_-tinkers, as all tars have been _Jack_-tars from time immemorial.
-In some of the old-fashioned country games at cards the knave is called
-_Tom_; and the wandering mendicants who used to levy black-mail, under
-the plea of insanity, were Mad _Toms_, or "_Toms_-o'-Bedlam." "Tom all
-alone" is a northern _sobriquet_ for the Wandering Jew, who, the last
-time we heard of him, was caught stealing gingerbread nuts at Richmond
-Fair. In the legendary division there is the notorious _Tom_-Styles--the
-depredatory _Tom_ the piper's son (legitimate issue of _Tom_ Piper,
-the musician of the old Morris Dance)--the fortunate _Tom_ Tidler of
-the original diggings, and that heroic little liege of Queen Mab, the
-knight of the thumb. _Tom_-Tumbler was a saltatory fiend in the days of
-Reginald Scott; and _Tom_ Poker still devours little folks in Suffolk,
-without doubt (thinks Forby) a descendant of the Sui.-G. _tompte poecke_,
-or house-goblin. As for the ignominious _Tom_ Tiler (North Country for
-hen-pecked husband) we cannot allow him to belong to the family; for who
-can imagine a hen-pecked Tom! he must have been a wretched individuality,
-a suffering, corporeal Tiler.
-
-Tom also bestows his name on divers other things, animate and inanimate.
-Among fishes there are _Tommy_-Loach, _Tommy_-Bar, and _Tom_-Toddy
-(the Cornish name of the tod-pole). The Long-_Tom_ and the _Tom_-tit
-are both ornithological Toms. Tom Tailor is a child's name for the
-Harry-long-legs--another singular instance, by the way, of Christian
-names applied to animals. _Tom_-trot reminds one of pre-pantaloon orgies,
-and is (I think) something in the brandy-ball line. Finally, we may
-remark, that a large proportion of her Majesty's subjects are in the
-habit of conferring the endearing name upon the staff of life itself.
-"Navvies," agricultural labourers, and such like gentry, are accustomed
-to divide all human food into two classes, which they euphonically
-denominate respectively _Todge_ and _Tommy_; the former comprising
-spoon-meat, and the latter all hard food which requires mastication. But
-this, we think, is not a case of Tom _per se_, but rather referable to
-the Camb.-Brit. _tama_, which has exactly the same acceptation.
-
-V. T. STERNBERG.
-
- * * * * *
-
-
-SHAKSPEARE CORRESPONDENCE.
-
-_Shakspearian Parallels._--Searching for Shakspearian parallels, I find
-the following, which may leave suggested to our bard his _Seven Ages_.
-The first is by Solon, extracted from Clemens Alexandrinus (_Stromat._
-vi. p. 685., Paris, 1629), which differs from Philo Judæus (i. p. 25.),
-the only two authorities to whom we owe the preservation of this ode, as
-also from the text of the critic Brunck and the grammarian Dalzell. An
-imitation of the Greek metres is attempted in the paraphrased translation
-attached. The second is a sonnet from Tusser, who extends the period of
-life beyond seventy, the age of Solon and David in hotter climes, to
-eighty-four for hyperboreans, but assigns, with David, the imbecility
-belonging to such advanced years.
-
- 7. Παῖς μὲν ἄνηβος ἐὼν ἔτι νήπιος ἕρκος ὀδόντων
- Φύσας, ἐκβάλλει πρῶτον ἐν ἕπτ' ἔτεσιν.
-
- 14. Τοὺς δ' ἑτέρους ὅτε δὴ τελέσει Θεὸς ἕπτ' ἐνιαυτοὺς,
- Ἥβης ἐκφαίνει σπέρματα γεινομένης.
-
- 21. Τῇ τριτατῃ δὲ γένειον ἀεξομένων ἐπὶ γυίων
- Λαχνοῦται, χροιῆς ἄνθος ἀμειβομένης.
-
- 28. Τῇ δὲ τετάρτῃ πᾶς τις ἐν ἑβδομάδι μέγ' ἄριστος
- Ἰσχὺν, ἥντ' ἄνδρες σήματ' ἔχουσ' ἀρετῆς.
-
- 35. Πέμπτῃ δ' ὥριον ἄνδρα γάμου μεμνημένον εἶναι.
- Καὶ παίδων ζητεῖν εἰς ὀπίσω γενεήν.
-
- 42. Τῇ δ' ἕκτῃ περιπάντα καταρτύεται γόος ἀνδρὸς,
- Οὐδ' ἐσιδεῖν ἔθ' ὁμῶς ἔργα μάταια θέλει.
-
- 49. Ἑπτὰ δὲ νοῦν καὶ[1] γλώσσαν ἐν ἑβδομάσι μέγ' ἄριστος·
-
- 56. Οκτὼ δ' ἀμφοτέρων τέσσαρα καὶ δέκ' ἔτη,
-
- 63. Τῇ δ' ἐνάτῃ ἔτι μὲν δύναται, μετριώτερα δ' αὐτοῦ,
- Πρὸς μεγάλην ἀρετὴν σῶμά τε καὶ δύναμις.
-
- 70. Τῇ δεκάτῃ δ' ὅτε δὴ τελέσῃ Θεὸς ἕπτ' ἐνιαυτοὺς,
- Οὐκ ἂν ἄωρος ἐὼν μοῖραν ἔχοι θανάτου.
-
- 7. Youth immature, not a tooth in his jaws, while an infant he
- slumbers
- Growing, shows teeth i' th' first seven years of his life.
-
- 14. God, in the next seven years, to him grants ev'ry pow'r of
- production;
- Thus soon commands man, sacred, to look on the sex.
-
- 21. Thirdly, his beard, while it roughens his chin; and his limbs,
- freely playing,
- Grow lust'rously-bright, changing their flowery hue.
-
- 28. Fourth, in this sev'n-fold older, the _man_ very speedily
- shoots forth,
- Mighty in muscular limbs, proud of his vigour and strength.
-
- {241}
-
- 35. Fifth, in maturity, glowing in health, with his heart in the
- right place,
- Let him, wisdom-join'd, think upon children to come.
-
- 42. Sixth, let him carefully ponder on things of importance to
- mankind;
- Disdaining whate'er, formerly, foolish he sought.
-
- 49. Seventh, in mind or in tongue is he best, either one or the other:
-
- 56. Eighth, both join'd in excelling, for a term of fourteen.
-
- 63. Ninth, he declines in his powers of force, and the deeds of his
- youthhood;
- Shorn of the vigour of manhood, he awaits his recall.
-
- 70. God in the tenth of the seven, mature, all his functions
- develop'd,
- Consigns him, full ripe, darkly to sleep in the dust.
-
-So far Solon. Tusser quaintly but wisely:
-
- "Man's age divided here ye have,
- By 'prenticeships, from birth to grave.
-
- 7. The first seven years bring up as a child,
- 14. The next to learning, for waxing too wild.
- 21. The next, keep under Sir Hobbard de Hoy;
- 28. The next, a man, no longer a boy.
- 35. The next, let Lusty lay wisely to wive;
- 42. The next, lay now, or else never to thrive.
- 49. The next, make sure for term of thy life;
- 56. The next, save somewhat for children and wife.
- 63. The next, be stayd, give over thy lust;
- 70. The next, think hourly, whither thou must.
- 77. The next, get chair and crutches to stay;
- 84. The next, to heaven God send us the way!
-
- Who loseth their youth shall rue it in age.
- Who hateth the truth in sorrow shall rage."
-
-T. J. BUCKTON.
-
-Birmingham.
-
-[Footnote 1: Read ἢ for καὶ.]
-
-_"Contents dies"--Love's Labour's Lost, Act V. Sc. 2._ (Vol. viii., pp.
-120. 169.).--I must be permitted, with all due courtesy, to correct MR.
-ARROWSMITH'S assertion respecting this phrase; because, from its dogmatic
-tone, it is calculated to mislead readers, and perhaps editors. He
-maintains that this is a good concord, and pronounces Johnson and Collier
-(myself, of course, included) to be "unacquainted with the usage of their
-own tongue, and the universal language of thought," for not discerning it.
-
-Now it may, perhaps, surprise MR. ARROWSMITH to be told that he has
-proved nothing--that not a single one of his instances is relevant. In
-this passage the verb is _neuter_ or _active_; in all of his quotations
-it is the verb _substantive_ we meet. Surely one so well versed, as we
-must suppose him to be, in general grammar, requires not to be told that
-this verb takes the same case after as before it, and that the governing
-case often follows. Indeed, he has recognised this principle by giving
-"This is the contents thereof" as one of his instances of "contents"
-governing a singular verb. Let him then produce an _exact_ parallel to
-"contents dies," or even such a structure as this, "the contents _is_
-lies and calumnies," and then we may hearken to him. Till that has been
-done, my interpretation is the only one that gives sense to the passage
-without altering the text.
-
-An exact parallel to the sense in which I take "contents" is found in--
-
- "But heaven hath a hand in these events,
- To whose high will we bound our calmly _contents_."
-
- _Rich. II._, Act V. Sc. 2.
-
-In conclusion, I must add that I still regard this emendatory criticism
-as a "game," the Latin _ludus_, as it gives scope to sagacity and
-ingenuity, but can rarely hope to arrive at certainty; and it does not,
-like questions of ethics or politics, involve important interests,
-and should never excite our angry feelings. As to "cogging and
-falsification," which MR. A. joins with it, they can have no just
-reference to _me_, as I have never descended to the employment of such
-artifices.
-
-THOS. KEIGHTLEY.
-
-P. S.--I have just seen H. C. K.'s observation on "clamour your tongues"
-in the _Winter's Tale_, and it really seems strange that he should not
-have read, or should have forgotten my view of it in "N. & Q.," which is
-precisely similar to his own. As to suspecting him of pilfering from me,
-nothing is farther from my thoughts.
-
-_Meaning of Delighted._--With reference to the word _delighted_ in
-Shakspeare, much discussed in "N. & Q.," may I remind you that we call
-that which carries (or is furnished, or provided with) wings, _winged_;
-that which carries wheels, _wheeled_; that which carries masts, _masted_;
-and so on. Why then should not a pre-Johnsonian writer call that
-which carries delight, _delighted_? It appears to me that this will
-sufficiently explain "delighted beauty;" and "the delighted spirit" I
-would account for in the same way: only remarking that in this case,
-the borne delights meant are delights to the bearer; in the other case,
-delights to all whom the bearer approaches.
-
-J. W. F.
-
- * * * * *
-
-
-Minor Notes.
-
-_Gray--"The ploughman homeward plods."_--On looking over some MSS. which
-I had not seen for years, I met with one of which the following is a copy:
-
- "A person had a paper folded with this line from Gray marked on
- it--
-
- 'The ploughman homewards plods his weary way.'
-
- A poetical friend, on looking at the quotation, thought it
- might be expressed in various ways without destroying {242}
- the rhyme, or altering the sense. In a short time he produced
- the following eleven different readings. It is doubtful whether
- another line can be found, the words of which admit of so many
- transpositions, and still retain the original meaning:--
-
- 1. The weary ploughman plods his homeward way.
- 2. The weary ploughman homeward plods his way.
- 3. The ploughman, weary, plods his homeward way.
- 4. The ploughman weary homeward plods his way.
- 5. Weary the ploughman plods his homeward way.
- 6. Weary the ploughman homeward plods his way.
- 7. Homeward the ploughman plods his weary way.
- 8. Homeward the ploughman weary plods his way.
- 9. Homeward the weary ploughman plods his way.
- 10. The homeward ploughman weary plods his way.
- 11. The homeward ploughman plods his weary way."
-
-I know not whether this has ever appeared in print. To me it is new, at
-least it was, as I now recollect, when I read it several years ago; but
-as the exercise is ingenious, I thought I would trespass on "N. & Q."
-with it, so that, if not heretofore printed or known, it might be made "a
-note of."
-
-A HERMIT AT HAMPSTEAD.
-
-_Poetical Tavern Signs._--Passing through Dudley the other day, I jotted
-down two signs worthy, I think, of a place in "N. & Q."
-
-No. 1. rejoices in the cognomen of the "Lame Dog" with the following
-distich:
-
- "Step in, my friend, and rest awhile,
- And help the Lame Dog over the style."
-
-No. 2., with a spirited representation of a round of beef, invites her
-Majesty's subjects thus:
-
- "If you are hungry, or adry,
- Or your stomach out of order,
- Their's sure relief at the 'Round of Beef,'
- For both these two disorders."
-
-R. C. WARDE.
-
-Kidderminster.
-
-_"Aquæ in Vinum conversæ. Vidit et erubuit lympha pudica Deum."_--The
-interesting note under this title (Vol. vi., p. 358.) refers to
-Campbell's _Poets_. The following is an extract from Campbell:
-
- "Richard Crashaw there [Cambridge] published his Latin poems,
- in one of which is the epigram from a Scripture passage:
-
- "_Lympha_ pudica Deum vidit et _erubuit_.'"
-
- Campbell's _Brit. Poets_, ed. 1841, p. 198.
-
-In the _Poemata Anglorum Latina_ is the following epigram on our
-Saviour's first miracle at the marriage feast:
-
- "Unde rubor vestris et non sua purpura lymphis,
- Quæ rosa mirantes tam nova mutat aquas?
- Numen (convivæ) præsens agnoscite numen--
- Vidit et erubuit _nympha_ pudica Deum."
-
-I presume this epigram is Crashaw's poem to which Campbell refers; but
-query. Until I saw the note in "N. & Q.," I supposed that the celebrated
-line--
-
- "Lympha pudica Deum vidit et erubuit."
-
-was the happy _ex tempore_ produce of Dryden's early genius, when a
-boy, at Westminster School. If the epigram which I have copied is the
-original, the last line is surely much improved by the (traditional) line
-which Campbell has recorded. Surely _lympha_ is preferable to _nympha_;
-and surely the order of the word erubuit ending the line is the best.
-
-F. W. J.
-
-_Spurious Edition of Baily's "Annuities"_ (Vol. iv., p. 19.).--In the
-place just referred to, I pointed out how to distinguish the spurious
-editions, among other marks, by the _title-page_. I looked at a copy on a
-stall a few days ago, and found that _the title-page has been changed_.
-Those who have reprinted it have chosen the old title-page, which stood
-in the work before two volumes were made of it.
-
-A. DE MORGAN.
-
-_"Illustrium Poetarum Flores."_--On leaving London I thought of bringing
-with me two or three pocket classics; unfortunately, in looking for
-them, I picked up _Illustrium Poetarum Flores per Octavianum Mirandulam
-olim Collecti_, &c., Londini, 1651, and brought that little book with
-me instead; and, upon looking into it, I find it the worst printed book
-I ever saw; and I send you this Note as to it, as a warning against so
-disgraceful a publication. Such a work, if well executed and properly
-printed, would be a very pleasant companion in a vacation ramble.
-
-S. G. C.
-
-_French Jeux d'Esprit._--In the spring of 1852, when Prince Louis
-Napoleon was doing all he could to secure the imperial crown, the
-following hexameter line was passed from mouth to mouth by the
-Legitimates. I am inclined to think that it never appeared in print:
-
- "Napoleo cupit Imperium, indeque Gallia ridet."
-
-Which translated _mot-à-mot_ gives a clever double sense:
-
- "Napoléon désire l'empire, et la France _en rit_ [_Henri_]."
-
-J. H. DE H.
-
- * * * * *
-
-
-
-
-Queries.
-
-
-SAMUEL WILSON.
-
-I should be glad of any information respecting Samuel Wilson, Esq., of
-Hatton Garden, in the parish of St. Andrew, Holborn, whose will was
-proved October 24, 1769, and which I have read. He was the donor of the
-bequest, known as "Wilson's Charity," to the Corporation of the {243}
-City of London, for loans to poor tradesmen. I wish to ask,--
-
-1. What is known of his origin, family, personal history, &c.?
-
-2. What was his precise degree of relationship to the Halseys, whom he
-calls "cousins" in his will? Were they related to the family of that name
-at Great Gaddesden, Herts?
-
-3. Did he publish any, and what, letters or books? for he leaves his MSS.
-of every kind to his friend Richard Glover, Esq. (the poet I presume),
-with full power to collect any letters or papers he may have already
-published, and also to arrange and publish any more which he may think
-intended or suitable for publication.
-
-4. Is there any published sketch of his life? The only notice I have seen
-is the one of a few lines in the _Gentleman's Magazine_, just after his
-death.
-
-In compliance with your excellent suggestion (Vol. vii., p. 2.), I send
-my address in a stamped envelope for any private communication which may
-not interest the general reader.
-
-E. A. D.
-
- * * * * *
-
-
-Minor Queries.
-
-_The Rothwell Family._--When William Flower, Esq., Norroy, confirmed
-the ancient arms of this family to Stephen Rothwell, gent., of Ewerby,
-county of Lincoln, on the 1st April, 1585, and granted a crest (no such
-being found to his ancient arms), the said Stephen Rothwell was stated to
-be "ex sui cognominis familia antiqua in comitatu Lancastriæ oriundus."
-Can any of the readers of "N. & Q." give any information respecting the
-family from which he is stated to be descended?
-
-GLAIUS.
-
-_Definition of a Proverb._--Where can I find the source whence I.
-D'Israeli took his definition of a proverb, viz. "The wisdom of many and
-the wit of one?"
-
-C. MANSFIELD INGLEBY.
-
-Birmingham.
-
-_Latin Riddle._--Aulus Gellius (_Noctes Atticæ_, lib. XII. cap. vi.)
-proposes the following enigma, which he terms "Per hercle antiquum,
-perque lepidum:"
-
- "Semel minusne, an bis minus, non sat scio,
- An utrumque eorum, ut quondam audivi dicier
- Jovi ipsi regi noluit concedere."
-
-The answer he withholds for the usual reason, "Ut legentium conjecturas
-in requirendo acueremus."
-
-Is there among the readers of "N. & Q." an Œdipus who will furnish a
-solution?
-
-R. PRICE.
-
-St. Ives.
-
-_D. Ferrand--French Patois._--Hallman, in the 7th chapter of his _Poesie
-und Beredsamkeit der Franzosen_, gives several specimens of the French
-provincial poets of the sixteenth century, and among these the following
-from a poem on the dispersing of a meeting of Huguenots by the soldiers:
-
- "Quand des guerriers fut la troupe entinchée
- Non n'aleguet le dire du Prescheux,
- Que pour souffrir l'ame est de Dieu tombée,
- Femme et Mary, comme le fianchée,
- Pour se sauver quitest leu zamoreux
- En s'enfiant ocun n'avet envie,
- De discourir de l'Eternelle vie,
- Sainct Pol estet en alieur guissement
- No ne palet de Bible en Apostille
- Qui en eut palé quand fut en un moment
- Les pretendus grippez par la Soudrille.
-
- "Le milleur fut quand la troupe enrangée
- Fut aux Fauxbourgs, hors de lieu perilleux,
- Car tiel n'estet o combat qu'on Pygmée,
- Qui se diset o milieu de stermée
- S'estre monstre un géant orgueilleux
- Les femmes ossi disest ma sœur, m'amie,
- De tout su brit ie sis toute espamie,
- Petit troupeau que tu as de tourment,
- Pour supporter le faix de l'Evangile
- Souffrira-t-on qu'on vaye impudement
- Les pretendus grippez par la Soudrille."
-
- D. Ferrand, _Inv. Gen._, p. 304.
-
-Hallman gives no farther information. I shall be glad if any of your
-readers can tell me who D. Ferrand was, what he wrote, and of what
-province the above is the _patois_.
-
-B. SNOW.
-
-Birmingham.
-
-_"Fac precor, Jesu benigne," &c._--In the _Sacra Privata_, new edition,
-Bishop Wilson quotes the following lines:
-
- "Fac precor,
- Jesu benigne, cogitem
- Hæc semper, ut semper tibi
- Summoque Patri, gratias
- Agam, pieque vos colam,
- Totâque mente diligam."
-
-Can any of your readers inform me where they come from?
-
-WILLIAM DENTON.
-
-_The Arms of De Sissonne._--Can any of your correspondents inform me
-where I could find a copy of _Histoire Généalogique de la Maison Royale
-de France_, or any other work in which are blazoned the arms of "De
-Sissonne" of Normandy, connected with that regal house?
-
-J. L. S.
-
-_Sir George Brown._--Sir George Brown, of West Stafford, Berks, and of
-Wickham Breaux, Kent, married Eleanor, daughter of Sir R. Blount, of
-Maple Durham, Oxon; and by her had issue several children, and amongst
-them one son Richard, who was a child under five years of age in 1623. I
-shall feel obliged if any of your correspondents can tell me where I can
-find a pedigree of this Richard, and in particular whether he married,
-{244} whom he married, and the names of his several children, if any.
-
-NEWBURIENSIS.
-
-_Professional Poems._--Can you tell me who is the author of _Professional
-Poems by a Professional Gentleman_, 12mo., 1827, published at
-Wolverhampton; and by Longman, London?
-
-GW.
-
-_"A mockery," &c._--Whence is the quotation, "A mockery, a delusion, and
-a snare?"
-
-W. P.
-
-_Passage in Whiston._--In _Taylor on Original Sin_, Lond. 1746, p. 94.,
-it is said:
-
- "Mr. Whiston maintains that regeneration is a literal and
- physical _being born again_, and is granted to the faithful at
- the beginning of the millennium."
-
-The marginal reference is, _Whiston on Original Sin, &c._, p. 68.
-
-I cannot find the book or the doctrine in any collection of Whiston's
-writings which I have met with; but as he was a copious writer and a
-versatile theologian, both may exist. Can any reader of "N. & Q." tell me
-where to find them?
-
-J. T.
-
-_Shoulder Knots and Epaulettes._--What is the origin of the shoulder
-knot, and its ancient use? Has it and the epaulette a common origin?
-
-GETSRN.
-
-_The Yew Tree in Village Churchyards._--Why did our forefathers choose
-the yew as the inseparable attendant upon the outer state of the churches
-raised by them? Apart from its grave and sombre appearance, I cannot
-help recognising a mysterious embodiment of the spirit of evil as the
-intention of the planters. We know that in all mediæval edifices there
-is an apparent and discernible endeavour to place in juxta-position the
-spirits of good and evil, to _materialise_ the idea of an adversative
-spirit, antagonistic to the church's teachings, and hurtful to her
-efforts of advancement. I look upon the grotesque cephalic corbels as one
-modification of this, and would interpret many equally mysterious emblems
-by referring them to the same actuating desire. Now the yew is certainly
-the most deadly of indigenous productions, and therefore would be chosen
-as the representative of a spirit of destruction, the opposite to one
-that giveth life by its teachings, of which the building itself is the
-sensible sign. I crave more information from some learned ecclesiologist
-on the subject, which is certainly a most interesting one.
-
-R. C. WARDE.
-
-Kidderminster.
-
-_Passage in Tennyson._--
-
- "Or underneath the barren bush,
- Flits by _the blue seabird of March_."
-
-In _Memoriam_, xc. What bird is meant?
-
-W. T. M.
-
-Hong Kong.
-
-_"When the Maggot bites."_--A note will oblige to explain the origin of
-the phrase, that a thing done on the spur of the moment is done "When the
-maggot bites."
-
-ANON.
-
-_Eclipses of the Sun._--Where can I find a list of solar eclipses that
-have taken place since the time of the invasion of Julius Cæsar? I
-am greatly in want of this information, and shall be grateful to any
-correspondent who will give me the reference required.
-
-C. MANSFIELD INGLEBY.
-
-Birmingham.
-
-_"An" before "u" long._--I should be much obliged to any of my
-fellow-students of "N. & Q." who would answer the following Query: What
-is the reason of the increasingly prevailing custom of writing _an_
-before words beginning with _u_ long, or with diphthongs having the sound
-of _u_ long? Surely a written language is perfect in proportion as it
-represents the spoken tongue; if so, this is one of the many instances
-in which modern fashions are making English orthography still more
-inconsistent than it was wont to be. It appears to me just as reasonable
-to say "_an youthful_ (pronounced _yoothful_) person," as "_an useful_
-(pronounced _yooseful_) person."
-
-If there is a satisfactory reason for the practice, I shall be delighted
-to be corrected but, if not, I would fain see the fashion "nipped in the
-bud."
-
-BENJAMIN DAWSON.
-
-London.
-
-_Reversible Names._--Some female names spell backwards and forwards the
-same, as _Hannah_, _Anna_, _Eve_, _Ada_: so also does _madam_, which
-is feminine. Is this in the nature of things, or can any one produce
-a reversible _proprium quod maribus_? No arguments, but instances; no
-surnames, which are epicene; no obsolete names, such as _Odo_, of which
-it may be suspected that they have died precisely because an attempt was
-made to marify them: or say, rather, that Odo, to live masculine, was
-obliged to become Otho. Failing instances, I shall maintain that _varium
-et mutabile semper femina_ only means that whatever reads backwards and
-forwards the same, is always feminine.
-
-M.
-
-_Gilbert White of Selborne._--Can any of the correspondents of "N. & Q."
-inform me whether any portrait, painted, engraved, or sculptured, exists
-of this celebrated naturalist; and if so, a reference to it will greatly
-oblige
-
-W. A. L.
-
-St. John's Square.
-
-_Hoby, Family of; their Portraits, &c._--In the parish church of Bisham,
-in the county of Berks, are some fine and costly monuments to the memory
-of several members of this family, who were long resident in the old
-conventual building there. Are there any engravings of these monuments?
-{245} And if so, in what work; or where are the inscriptions to be met
-with? I possess two fine engraved portraits of this family: the originals
-by Hans Holbein are said to be in "His Majesty's Collection;" where are
-the originals now? Do they still adorn the walls of Windsor Castle? The
-one is inscribed--
-
- "Phillip Hobbie, Knight."
-
-The other--
-
- "The Lady Hobbie."
-
-The orthography of the names is the same as engraved on the portraits.
-The former was Sir Philip Hoby, one of the Privy Council to King Henry
-VIII.; and the lady was, I believe, the wife of Sir Thomas Hoby, of
-Leominster, co. Hereford, who died in 1596, aged thirty-six. Was this the
-learned Lady Hoby, who wrote one of the epitaphs above referred to? Are
-there any other portraits of members of this ancient, but now extinct
-family, in existence? They bore for arms, "Arg. three spindles in fesse
-gules, threaded or." What was their crest and motto?
-
-J. B. WHITBORNE.
-
-_Portrait of Sir Anthony Wingfield._--Can any person inform me where
-the picture of Sir Anthony Wingfield is, described in Horace Walpole's
-_Letters_, and which he saw in an old house in Suffolk belonging to the
-family of Naunton, descended from Secretary Naunton, temp. James I.; he
-says:
-
- "Sir Anthony Wingfield, who, having his hand tucked into his
- girdle, the housekeeper told us had had his fingers cut off by
- Henry VIII."
-
-Q.
-
-_Lofcopp, Lufcopp, or Luvcopp._--In some of the charters granted by our
-earlier monarchs (Henry I. for instance), there is contained a grant
-of a toll called _lofcopp_, _lufcopp_, or _luvcopp_. Could any of your
-correspondents give me any farther information respecting the meaning of
-the word, than is contained in the first Volume of "N. & Q.," pp. 319.
-371.?
-
-J. CTUS.
-
-_Humming Ale._--Having lately met with the above epithet applied to ale
-in one of James's novels (_Forest Days_), I should be glad to know its
-meaning.
-
-W. H. P.
-
- * * * * *
-
-
-Minor Queries with Answers.
-
-_Dr. Richard Sherlock._--Dr. Richard Sherlock, afterwards Vicar of
-Winwick, had his first cure in Ireland. I should be glad to know where he
-officiated, and to receive any information respecting him beyond what is
-met with in his nephew, Bishop Wilson's, life of him.
-
-WILLIAM DENTON.
-
-[A few additional notes have been added to Bishop Wilson's _Life of Dr.
-Richard Sherlock_, in the seventh edition, 2 vols. 1841-44. The editor,
-the Rev. H. H. Sherlock, M. A., has the following note on his first cure
-in Ireland: "Wood (_Athen. Oxon._, vol. iv. p. 259. Bliss) leads us to
-suppose that Dr. Sherlock was ordained immediately after taking his
-Master's degree, and adds, that 'soon after he became minister of several
-small parishes in Ireland, united together, and yielding no more than
-80_l._ a year.' The editor has not been able to obtain any particulars of
-his ordination, nor the names of the united parishes in Ireland where he
-ministered. Canonically, he could not have been ordained earlier than A.
-D. 1636."]
-
-_Cardinal Fleury and Bishop Wilson._--There exists a tradition to the
-effect that during a war between this country and France, Cardinal Fleury
-gave directions to the French cruisers not to molest the Island of Man,
-and this out of regard to the character of its apostolic bishop, Wilson.
-I should be glad to know whether any and what authority can be assigned
-for this story.
-
-WILLIAM DENTON.
-
-[The story rests upon the authority of the Rev. C. Cruttwell, the
-bishop's biographer and editor. The following passage occurs in the _Life
-of Bishop Wilson_, vol. i. p. 226 of his _Works_, third edition, 8vo.,
-1784, and in the folio edition, p. 57.:--"Cardinal Fleury wanted much
-to see him [the bishop], and sent over on purpose to inquire after his
-health, his age, and the date of his consecration; as they were the two
-oldest bishops, and he believed the poorest, in Europe; at the same time
-inviting him to France. The Bishop sent the Cardinal an answer, which
-gave him so high an opinion of him, that he obtained an order that no
-French privateer should ravage the Isle of Man." Feltham, in his _Tour
-through the Isle of Man_, 1798, after quoting this story, adds, "And that
-the French still respect a Manksman, some recent instances confirm."]
-
-_Dr. Dodd a Dramatist._--I have seen it somewhere stated, that after Dr.
-Dodd's trial, he sent for Mr. Woodfall to consult him respecting the
-publication of a comedy he had written in his youth, entitled _Sir Roger
-de Coverley_, and which he had actually revised and completed while in
-Newgate. Was it ever published; and if not, where is the MS.?
-
-V. T. STERNBERG.
-
-[Woodfall's interview with Dr. Dodd at the Old Bailey, is given in
-Cooke's _Memoirs of Samuel Foote_, vol. i. p. 195., and is quoted in
-Baker's _Biographia Dramatica_, vol. iii. p. 278., edit. 1812. It appears
-that Dodd's comedy was commenced in his earlier days, and finished during
-his confinement in Newgate; but was neither acted nor printed. In a
-pamphlet, entitled _Historical Memoirs of the Life and Writings of the
-late Rev. William Dodd_, published anonymously in 1777, but attributed to
-Mr. Reed, it is stated at p. 4., that "_Sir Roger de Coverley_ is now in
-the hands of Mr. Harris of Covent Garden Theatre."]
-
-_Trosachs._--Can I learn through "N. & Q." the derivation and meaning of
-the name _Trosachs_, as {246} applied to the mountain pass bordering on
-Loch Katrine?
-
-J. G. T.
-
-Trosachs Hotel.
-
-[The name Trosachs signifies in Gaelic the _rough_ or _bristled
-territory_; a signification perfectly applicable to the confused mass of
-abrupt crags which, in some convulsion of nature, has been separated from
-the neighbouring mountains of Ben Vennu and Ben An. This glen was first
-rendered an object of popular attention by Sir Walter Scott, in his poem
-of _The Lady of the Lake_.]
-
-_Quarter._--Whence comes the use of the word _Quarter_, as applied to
-sparing of life in battle?
-
-J. G. T.
-
-Trosachs Hotel.
-
-[A correspondent of the _Gent. Mag._, vol. lxvi. p. 920., suggests, that
-it may be traced to the reverence for the sacred symbol of our faith,
-which the early Christian warriors wore depicted on their military
-habiliments. Orlando, who bore this emblem on his shield, was called 'Il
-Cavaliere del Quartiero;' though it is something singular that he won the
-device from Almonte, a _Saracen_ chief.]
-
- * * * * *
-
-
-
-
-Replies.
-
-
-JACOB BÖHME, OR BEHMEN.
-
-(Vol. viii., p. 13.)
-
-Some farther particulars respecting the writings of that remarkable
-character, who, according to your correspondent, "led astray William Law,
-and through him tinctured the religious philosophy of Coleridge, and from
-whom Schelling stole the corner-stones of his _Philosophy of Nature_,"
-may perhaps interest the readers of "N. & Q."
-
-Who Böhme, or Behmen, was, may be seen by a reference to Francis Okely's
-_Memoir_ of him, and to the article in the _Penny Cyclopædia_ (vol. v.
-p. 61.) written by Dr. Bialloblotzky; which, with the exception of a
-few trifling errors, is carefully compiled. The true character of his
-philosophy has been ably and fully described in the later writings of
-William Law, especially in his _Animadversions on Dr. Trapp_ (at the end
-of _An Appeal to all that Doubt or Disbelieve the Truths of Revelation_);
-in _The Way to Divine Knowledge_; _The Spirit of Love_; his _Letters_;
-and in the fragment of a _Dialogue_, prefixed to the first of the four
-volumes in 4to. of Behmen's _Works_.
-
-Behmen's writings first became generally known in this country by
-translations of the most important of them by a gentleman of the name
-of Ellistone, and of minor ones by Mr. Humphrey Blunden and others.
-Ellistone dying before he had completed the translation of the great work
-upon _Genesis_, it was continued by his cousin, John Sparrow, a barrister
-in the Temple; who also translated and published the remainder of
-Behmen's writings in the English language. Respecting these individuals,
-William Law, in a letter written in reply to one received from a Mr.
-Stephen Penny, speaks in the following terms:
-
- "The translators of Jacob Behmen, Ellistone and Sparrow, are
- much to be honoured for their work; they had great piety and
- great abilities, and well apprehended their author, especially
- Ellistone: but the translation is _too much loaded with words_,
- and in many places _the sense is mistaken_.[2]
-
- "A new translator of Jacob Behmen is not to have it in
- intention to make his author more intelligible by softening
- or refining his language. His style is what it is, strange
- and uncommon; not because he wanted learning and skill in
- words, but because what he saw and conceived was quite new and
- strange, never seen or spoken of before; and therefore if he
- was to put it down in writing, words must be used to signify
- that which they had never done before.
-
- "If it shall please God that I undertake this work, I shall
- only endeavour to make Jacob Behmen speak as he would have
- spoken, had he wrote in English. Secondly, to guard the reader
- at certain places from wrong apprehensions of his meaning, by
- adding here and there a note, as occasion requires. Thirdly,
- and chiefly, by Prefaces or Introductions to prepare and direct
- the reader in the true use of these writings. This last is most
- of all necessary, and yet would be entirely needless, if the
- reader would but observe Jacob Behmen's own directions. For
- there is not an error, defect, or wrong turn, which the reader
- can fall into, in the use of these books, but is most plainly
- set before him by Jacob Behmen.
-
- "Many persons of learning in the last century read Jacob Behmen
- with great earnestness; but it was only, as it were, to steal
- from him certain mysteries of Nature, and to run away with the
- philosopher's stone; and yet nowhere could they see the folly
- and impossibility of their attempt so fully shown them, as by
- Jacob Behmen himself."
-
-A well-engraved portrait of John Sparrow may occasionally be met with in
-some of the small quarto English treatises of Behmen.
-
-The four-volume edition of Jacob Behmen's _Works_, in large 4to.,
-1764-81, is an unsatisfactory performance; having, in fact, nothing
-in common with the projected edition by William Law, as expressed in
-the above letter. Nevertheless, it has been useful in many respects;
-especially as being instrumental in making the productions of Dion.
-Andreas Freher more generally known. This edition, moreover, is
-incomplete; as several important treatises, besides his Letters, are
-entirely omitted. The order, too, in which the pieces are inserted from
-the _Book of the Incarnation_ is altogether wrong.
-
-It is a common, but erroneous supposition, that William Law was the
-editor of this edition. From his work, _The Way to Divine Knowledge_,
-printed some years after the date of the letter quoted {247} above, it
-appears that he intended to publish a new and correct translation of
-Behmen's _Works_; but did not survive to accomplish it. He died in 1761,
-before the first of the four volumes was published; and if he were in
-any way identified with it, it could only be by some one or two of his
-corrections (found in his own copy of the _Works_ after his decease)
-being incorporated therein; but of this there is some uncertainty.
-The Symbols, or Emblems, which are stated in the title-page of this
-edition to have been "left by Mr. Law," were not his production, but
-merely copies of the originals themselves. These were all designed by
-the above Dionysius Andreas Freher, a learned German, who had resided
-in this country from about the year 1695 till his death in 1728, in
-illustration of his own systematic elucidations of the ground and
-principles of the central philosophy of Deity and Nature, opened as a new
-original, and _final_ revelation from God, in "his chosen instrument,
-Behmen." It was, I believe, from Freher, that Francis Lee (see "N. &
-Q." Vol. ii., p. 355.) became so deeply versed in the scope and design
-of high supersensual and mystical truth. From the year 1740, Freher,
-by his writings, demonstrations and diagrams, may be considered the
-_closet-tutor_ of William Law at his philosophical retreat at King's
-Cliffe, in respect to the great mysteries of Truth and Nature, the origin
-and constitution of things, glanced at in what are popularly called Law's
-later or mystical writings.
-
-Next to Behmen's _Works_, and coupled with those of Law, Freher's
-writings and illustrations must, in regard to theosophical science, be
-considered the most valuable and important in existence. Freher also
-was personally acquainted with Gichtel, who was deeply imbued with the
-philosophy of Jacob Behmen, viz. "_the fundamental opening of all the
-powers that work both in Nature and Grace_;" and who, perhaps more than
-any other individual, experimentally lived and _fathomed_ it.
-
-Freher's original manuscripts and copies of others (besides those
-formerly in the possession of William Law), as well as the manuscripts
-of Law and of Francis Lee, and some original documents relating to the
-Philadelphian mystic author, Mrs. Jane Lead (Lee's mother-in-law) are
-now in the possession of Mr. Christopher Walton, of Ludgate Street; who,
-I understand, is on the eve of completing, for private circulation, a
-voluminous account of these celebrated individuals. It will also contain,
-if I am correctly informed, a representation of the whole nature and
-scope of mystical divinity and theosophical science, as apprehensible
-from an _orthodox_ evangelical--or, in a word, a _standard_ point of
-view; as likewise of the nature and relations of the modern experimental
-transcendentalism of Animal Magnetism, with its inductions of the trance
-and _clairvoyance_, in respect to the _astral_ as well as _Divine_ magic;
-with other similar recondite, but now lost, philosophy. But to return to
-Behmen.
-
-The publication of the large edition of his _Works_ in question was
-undertaken at the sole expense of Mrs. Hutcheson, one of the two ladies
-who were Mr. Law's companions and friends in his retirement at King's
-Cliffe, out of respect to his memory; and who furnished the books Mr.
-Law left behind him relating to this object. The chief editor was a Mr.
-George Ward, assisted by a Mr. Thomas Langcake, two former friends and
-admirers of Law; who occasionally superintended his pieces through the
-press, being then resident in London. And the reason of this edition not
-being completed was, that both Mrs. Hutcheson and Mr. Ward died about the
-time of the publication of the fourth volume; Mrs. Gibbon[3], the aunt of
-the historian, it appears, not being willing to continue the publication.
-All that these parties did as editors was, to take the original
-translations, change the phraseology here and there without reference
-to the German original (which language it is supposed they did not
-understand), omit certain portions of the translator's Prefaces, alter
-the capital letters of a few words, and conduct the treatises through the
-press.
-
-The literary productions which have commanded the admiration and
-approbation of such deep thinkers as Sir Isaac Newton[4], William Law,
-Schelling, Hegel, and Coleridge, may perhaps, before long, be thought
-worthy of republication. What is required is a well-edited and correct
-translation of Behmen's entire _Works_, coupled with {248} those of
-Freher, his great illustrator, (including also the Emblems, &c. of
-Gichtel's German edition), and preceded by those of Law, which treat upon
-the same subject, namely:--1. Answer to Hoadley on the Sacrament of the
-Lord's Supper. 2. Christian Regeneration. 3. Animadversions on Dr. Trapp.
-4. The Appeal. 5. The Way to Divine Knowledge. 6. The Spirit of Love. 7.
-Confutation of Warburton. 8. Letters.
-
-To conclude. The following are the terms in which William Law speaks of
-Behmen's writings in one of his letters:
-
- "Therein is opened the true ground of the unchangeable
- _distinction between God and Nature_, making all nature,
- whether temporal or eternal, its own proof that it is not,
- cannot be, God, but purely and solely the _want_ of God; and
- can be nothing else in itself but a restless painful want, till
- a supernatural God manifests himself in it. This is a doctrine
- which the learned of all ages have known nothing of; not a
- book, ancient or modern, in all our libraries, has so much as
- attempted to open the _ground_ of nature to show its _birth_
- and _state_, and its essential unalterable distinction from
- the one _abyssal supernatural_ God; and how all the glories,
- powers, and perfections of the hidden, unapproachable God, have
- their wonderful manifestation in nature and creature."
-
-And on another occasion:
-
- "In the Revelation made to this wonderful man, the first
- _beginning_ of _all_ things in eternity is opened; the whole
- state, the _rise_, _workings_, and _progress_ of all Nature
- is revealed; and every doctrine, mystery, and precept of the
- Gospel is found, not to have sprung from any _arbitrary_
- appointment, but to have its _eternal_, _unalterable_ ground
- and reason in Nature. And God appears to save us by the methods
- of the Gospel, because there was no other possible way to save
- us in all the possibility of Nature."
-
-And again:
-
- "Now, though the difference between God and Nature has always
- been supposed and believed, yet the true ground of such
- distinction, or the _why_, the _how_, and in _what_ they are
- essentially different, and must be so to all eternity, was to
- be found in no books, till the goodness of God, in a way not
- less than that of _miracle_, made a poor illiterate man, in the
- simplicity of a child, to open and relate the deep mysterious
- _ground of all things_."
-
-Thus much upon the "reveries" of our "poor possessed cobbler." It may be
-well to add, that Freher's writings (in sequence to those of Law above
-named) are all but essential for the proper understanding of Behmen,
-especially of his descriptions of the _generation of Nature_, as to its
-_seven_ properties, _two_ co-eternal principles, and _three_ constituent
-parts: which is the deepest and most difficult point of all others to
-apprehend rightly (that is, with intellectual clearness, as well as
-sensitively in our own spiritual regeneration), and indeed the key to
-every mystery of truth and life.
-
-J. YEOWELL.
-
-Hoxton.
-
-[Footnote 2: This remark especially applies to the _Answer_ to the fourth
-of the _Theosophic Questions_.]
-
-[Footnote 3: Among the papers of this lady were found, after her decease,
-several letters to her from her nephew, Edward Gibbon, the historian,
-and his friend Lord Sheffield, from which it would appear that the
-religious views of the former had, at least from the year 1788, undergone
-considerable change. From one of these interesting letters, shortly
-to be published, I have been kindly permitted to make the following
-extract:--"Whatever you may have been told of my opinions, I can assure
-you with truth, that I consider religion as the best guide of youth, and
-the best support of old age; that I firmly believe there is less real
-happiness in the business and pleasures of the world, than in the life
-which you have chosen of devotion and retirement."]
-
-[Footnote 4: William Law, in the _Appendix_ to the second edition of
-his _Appeal to all that Doubt or Disbelieve the Truths of the Gospel_,
-p. 314., 1756, mentions that among the papers of Newton (now in Trinity
-College, Cambridge) were found many autograph extracts from the _Works_
-of Behmen. This is also confirmed in an unpublished letter, now before
-me, from Law to Dr. Cheyne in answer to his inquiries on this points. Law
-affirms that Newton derived his system of fundamental powers from Behmen;
-and that he avoided mentioning Behmen as the originator of his system,
-lest it should come into disrepute.]
-
- * * * * *
-
-
-INSCRIPTIONS ON BELLS.
-
-(Vol. vi., p. 554.; Vol. vii., pp. 454. 633.; Vol. viii., p. 108.)
-
-Himbleton, Worcestershire:
-
- 1. "Jesus be our GOD-speed. 1675."
-
- 2. "All prayse and glory be to GOD for ever. 1675."
-
- 3. "John Martin of Worcester, he made wee;
- Be it known to all that do wee see. 1675."
-
- 4. "All you that hear my roaring sound,
- Repent before you lie in ground. 1675."
-
-Hanley Castle, Worcestershire:
-
- 1. "Ring vs trve,
- We praise you. A.R. 1699."
-
- 2. "God prosper all our benefactors. A.R. 1699."
-
- 3. "God save yᵉ King.
- Abrᵃ Rudhall cast vs all. 1699."
-
- 4. "God save yᵉ King and yᵉ Chvrch. 1699."
-
- 5. "Abrᵃ Rudhall cast vs all. 1699."
-
- 6. "Jas. Badger, minister. Rd. Ross, Gorle Chetle, C. W. 1699."
-
-From the ten bells of St. Thomas's Church, Dudley (rebuilt 1816), the
-following are the most remarkable:
-
- 5. "William, Viscount Dudley and Ward;
- To doomsday may the name descend--
- Dudley, and the poor man's friend."[5]
-
- 6. "Ring and bid thee cry Georgius Rex III., England, thy
- Sovereign's name. GOD save the King. T. Mean of London, 1818."
-
-Of the eight bells in St. Mary's Church, Kidderminster, the following are
-the inscriptions on the first five:
-
- 1. "When you us ring
- We'll sweetly sing. 1754."
-
- 2. "The gift of the Rt. Hon. Lord Foley. 1754."
-
- 3. "Fear GOD and honour the King. 1754."
-
- 4. "Peace and good neighbourhood. 1754."
-
- 5. "Prosperity to this parish and trade. 1754."
-
-There is a small bell (dated 1780) which is commonly called the
-"Ting-tang," and is rung for the last five minutes before each service,
-which bears the appropriate inscription:
-
- "Come away,
- Make no delay."
-
-{249}
-
-On one of the bells of Burford Church, near Tenbury, is the following
-inscription:
-
- "At service-time I sound,
- And at the death of men;
- To serve your GOD, and well to die,
- Remember then."
-
-The inscriptions on the bells of St. Helen's Church, Worcester, are very
-singular; the names they bear tell their date:
-
- 1. "_Blenheim._
-
- First is my note, and Blenheim is my name;
- For Blenheim's story will be first in fame."
-
- 2. "_Barcelona._
-
- Let me relate how Louis did bemoan
- His grandson Philip's flight from Barcelon."
-
- 3. "_Ramilies._
-
- Deluged in blood, I, Ramilies, advance
- Britannia's glory in the fall of France."
-
- 4. "_Menin._
-
- Let Menin on my sides engraven be,
- And Flanders freed from Gallic slavery."
-
- 5. "_Turin._
-
- When in harmonious peal I roundly go,
- Think on Turin, and triumph of the Po."
-
- 6. "_Eugene._
-
- With joy I bear illustrious Eugene's name,
- Fav'rite of Fortune, and the boast of fame."
-
- 7. "_Marlborough._
-
- But I, with pride, the greater Marlborough bear.
- Terror of tyrants, and the soul of war."
-
- 8. "_Queen Ann._
-
- Th' immortal praises of Queen Ann I sound;
- With union blest, and all those glories crown'd."
-
-In Clifton-on-Teme Church (dedicated to St. Kenelm) are the two following
-bell-inscriptions, the second of which appears to contain a date:
-
- "Per Kenelmi merita sit nobis cœlica vita."
-
- "HenrICVs Ieffreyes KeneLMo DeVoVIt."
-
-The following are from the six bells of Kinver Church, Worcestershire:
-
- 1. "In Christo solo spem meam repono. A.R. 1746."
-
- 2. "Cui Deus pater ecclesia est mater. A.R. 1746."
-
- 3. "In suo templo numen adoro. A.R. 1746."
-
- 4. "We were all cast at Gloucester by Abel Rudhall, 1746. Fac
- manus puras cœlo attollas."
-
- 5. "Jos. Lye and John Lowe, churchwardens, A.R. 1746. Opem
- petentibus subvenit Deus."
-
- 6. "Wᵐ Gosnell and Sam. Brown, churchwardens. John Rudhall
- _fect._ 1790."
-
-CUTHBERT BEDE, B.A.
-
-[Footnote 5: The worthy nobleman's _sobriquet_ must not be confounded
-with a popular ointment.]
-
- * * * * *
-
-
-PASSAGE IN MILTON.
-
- "And every shepherd tells his tale
- Under the hawthorn, in the dale."
-
-I have read with interest the "Notes" (Vol. i., pp. 286. 316.) on these
-lines of the Allegro; because, in spite of early prepossession in favour
-of the idea commonly attached to them, I was converted some years ago, by
-the late Mr. Constable, R.A., whose close observation of rural scenery
-and employments no one can question.
-
-His account of the matter was this:
-
- "It is usual in Suffolk, and I have seen it often myself, for
- the shepherd, assisted by another man or boy, to make the whole
- flock pass through a gap, in order to facilitate the _tale_.
- One fellow drives them through the opening, by moving about,
- shouting, and clapping his hands, while his comrade, on the
- other side of the hedge, and under cover of a thorn or other
- thick bush, counts them as they leap through. I have not only
- seen but assisted, when a boy, at the shepherd's tale; and I
- do believe Milton had no other idea in his mind. For, indeed,
- the early morning is not the time the poets choose for lovers
- to woo, or maids to listen; and Milton has described a scene
- where all were up and stirring. Neither is the word 'every'
- appropriate, according to the common interpretation of the
- passage; _every_ shepherd would not woo on the same spot; but
- that spot might be particularly favourable for making the tale
- of his sheep."
-
-Your correspondent J. M. M. adduces an argument in favour of the romantic
-_versus_ the pastoral, which seems to me entirely devoid of weight. He
-thinks that Handel's "'Let no wander' breathes the shepherd's tale of
-love." Surely there is more imagination than truth in this. There is a
-_series_ of images in the words of that song: it was necessary, unless
-the music varied unreasonably to suit them all, to choose a pleasing, but
-not very significant, melody, and, above all, to make the close of it a
-fit introduction for the "merry bells," and "jocund Rebecs," which burst
-in immediately after. I confess I find nothing of the amatory style in
-Handel's setting of the two disputed lines. He chose the Pastorale or 6/8
-time, as for "He shall feed his flock," "O lovely Peace," &c. But were it
-so, I could not admit Handel as an authority, because, as a foreigner,
-and an inhabitant of towns, he could not possibly be conversant with the
-rural customs of England.
-
-S. R.
-
- * * * * *
-
-
-DESIGNED FALSE ENGLISH RHYMES.
-
-(Vol. vii., p. 483.)
-
-I was much surprised to see in your paper such a lengthened defence of
-Irish rhymes by a reference to those of English poets, and particularly
-to Pope. I thought it was well known that he, at last, became sensible of
-the cloying effect of his never-varying melody, and sought to relieve it
-by deviations {250} from propriety. This is particularly remarkable in
-his Homer, where he has numerous Irish rhymes like "peace" and "race:"
-besides "war" and "car;" "far," "dare;" with many other still more
-barbarous metres. But all those were by regular design for, if ever poet
-"lisped in numbers," it was he; and "the numbers came" at his command.
-He introduced those uncouth rhymes to somewhat _roughen_ his too long
-continued melody, just as certain discords are allowed in great musical
-compositions. It showed good judgment, for they are an agreeable change
-by variation. Other English poets too have false rhymes; for even Gray,
-in his celebrated Elegy, has "toil" and "smile;" "abode" and "God."
-
-But, with respect to Irish poets, Swift should not have been mentioned at
-all because, with perhaps the exception of his "Cadenus and Vanessa," his
-poetry was of the doggerel kind; and he purposely used Irish rhymes and
-debased English. Thus, in the "Lady's Dressing-room:"
-
- "Five hours, and who could do it less in?
- By haughty Celia spent in dressing."
-
-Will any one say it was through ignorance that he did not sound the _g_
-in dressing? Pope, in his "Eloisa to Abelard," which is sweetness to
-excess, concludes with:
-
- "He best can paint 'em who has felt 'em most."
-
-Why this is a downright vulgarism compared to Swift's open and
-undisguised doggerel:
-
- "_Libertas et natale solum_:
- Fine words! I wonder where you stole 'em."
-
-Leaving Swift out of the question, Irish poets are much more careful
-about their rhymes than the English; because they know that what would
-be excused or overlooked in them, would be deemed ignorance on their own
-parts. I venture to assert, that there are more false rhymes in Pope's
-_Iliad_ alone than in all the poems of Goldsmith and Moore together;
-though I must again observe that those of Pope were all intentional.
-
-A. B. C.
-
- * * * * *
-
-
-ATTAINMENT OF MAJORITY.
-
-(Vol. viii., p. 198.)
-
-A. E. B. has not quoted quite correctly. He has put two phrases of mine
-into Italics, which makes them appear to have special relation to one
-another, while the word which _I_ put in Italics, "_ninth_," he has made
-to be "9th." Farther, he has left out some words. The latter part should
-run thus, the words left out being in brackets:
-
- "... though he were born [a minute before midnight] on the
- 10th, he is of age to execute a settlement at a minute after
- midnight on the morning of the 9th, forty-eight hours all
- but two minutes before he has drawn breath for the space of
- twenty-one years."
-
-Had the quotation been correct, it would have been better seen that I
-no more make the day of majority begin a minute after midnight, than I
-make the day of birth end a minute before midnight. A second, or even the
-tenth of a second, would have done as well.
-
-The _old reckoning_, of which I was speaking, was the reckoning which
-rejects fractions; and the matter in question was the _day_. For my
-illustration, any beginning of the day would have done as well as any
-other; on this I must refer to the paper itself. Nevertheless, I was
-correct in implying that the day by which age is reckoned begins at
-midnight and I believe it began at midnight in the time of Ben Jonson.
-The law recognised two kinds of days;--the natural day of twenty-four
-hours, the artificial day from sunrise to sunset. The birthday, and with
-it the day of majority, would needs be the natural day; for otherwise a
-child not born by daylight would have no birthday at all. I cannot make
-out that the law ever recognised a day of twenty-four hours beginning
-at any hour except midnight. For payment of rent, the artificial day
-was recognised, and the tenant was required to tender at such time
-before sunset as would leave the landlord time to count the money by
-daylight; a reasonable provision, when we think upon the vast number of
-different coins which were legal tender. But even here it seems to have
-been held that though the landlord might enter at sunset, the forfeiture
-could not be enforced if the rent were paid before midnight. A legal
-friend suggested to me that perhaps Ben Jonson had more experience of
-the terminus of the day as between landlord and tenant, than of that
-which emancipates a minor. This would not have struck me: but a lawyer
-views man simply as the agent or patient in distress, ejectment, _quo
-warranto_, &c.
-
-A. E. B. twice makes the question refer to _usage_, whereas I was
-describing _law_. If I were as well up in the drama as I should like to
-be, I might perhaps find a modern plot which turns upon a minor coming of
-age, in which the first day of majority is what is commonly called the
-_birthday_, instead of, as it ought to be, the day before. Writers of
-fiction have in all times had fictitious law. If we took decisions from
-the novelists of our own day, we should learn, among other things, that
-married women can in all circumstances make valid wills, and that the
-destruction of the parchment and ink which compose the material of a deed
-is also the destruction of all power to claim under it.
-
-Singularly enough, this is the second case in which my paper on reckoning
-has been both misquoted and misapprehended in "N. & Q." My knowledge of
-the existence of this periodical began with a copy of No. 7. (containing
-p. 107., Vol. i.), forwarded to me by the courtesy of the Editor, on
-{251} account of a Query signed (not A. E. B. but) B., affirming that I
-had "discovered a flaw in the great Johnson!" Now it happened that the
-flaw was described, even in B.'s own quotation from me, as "certainly not
-Johnson's mistake, for he was a clear-headed arithmetician." B. gave me
-half a year to answer; and then, no answer appearing, privately forwarded
-the printed Query, with a request to know whether the readers of "N. &
-Q." were not of a class sufficiently intelligent to appreciate a defence
-from me. The fact was, that I thought them too intelligent to need it,
-after the correction (by B. himself, in p. 127.) of the misquotation.
-It is not in letters as in law, that Judgment must be signed for the
-plaintiff if the defendant do not appear. There is also an anonymous
-octavo tract, mostly directed, or at least (so far as I have read) much
-directed, against the arguments of the same article, and containing,
-misapprehensions of a similar kind. That my unfortunate article should be
-so misunderstood in three distinct quarters, is, I am afraid, sufficient
-presumption against its clearness; and shows me that _obscures fio_ is,
-as much as ever, the attendant of _brevis esse laboro_: but I am still
-fully persuaded of the truth of the conclusions.
-
-A. DE MORGAN.
-
- * * * * *
-
-
-LADY PERCY, WIFE OF HOTSPUR (DAUGHTER OF EDMUND MORTIMER, EARL OF MARCH),
-AND JANE SEYMOUR'S ROYAL DESCENT.
-
-(Vol. vii., p. 42. Vol. viii., pp. 104. 184)
-
-The mischief that arises from apparently the most trifling inaccuracy
-in a statement of fact is scarcely to be estimated. A mistake is
-repeated, multiplied, and perpetuated often to an extent that no after
-rectification can thoroughly efface. Blunders even become sacred by
-antiquity; and the attempt to correct any misstatement, if it does not
-entirely fail through the subsequent destruction of evidence that would
-have contained the refutation, is frequently received with a coldness
-and suspicion, and can seldom, with every aid from undoubted sources,
-be brought to prevail against the more familiar and preconceived
-impression. An illustration of this may be seen in the reference made
-by your correspondent C. V. to the authority of Dugdale, as overriding
-the result of later investigations relative to the issue respectively
-of the fifth and seventh Lords Clifford of Westmoreland. The loose and
-ill-advised assertion of Miss Strickland, intended as it clearly was to
-insinuate a mean origin in Jane Seymour, and to lessen her pretension
-to an exalted birth, has fortunately received a most complete and
-signal disproof; but a question is now raised, which, if it can be
-supported, will suit Miss Strickland's view quite as well as her own
-inconclusive statement. I cannot but think that what she wished to say
-is, as hinted in the suggestion of C. V., that the claim contended for
-cannot be supported through the alleged marriage of a Wentworth with
-the descendant of Elizabeth Percy, because Elizabeth, Lady Percy's only
-daughter, Lady Elizabeth de Percy, who married John, Lord Clifford, is
-by _some_ ancient heralds stated to have left no daughter. This would
-have been an intelligible assertion, and not entirely inconsistent with
-what may be gathered from peerages, and other works compiled solely upon
-the authority of Dugdale; and it is indeed the very point of difficulty
-contemplated by your learned correspondent C.V., who if I do not mistake
-the signature, is himself an authority entitled to much respect.
-
-Dugdale, Collins, and Nicolas make the intermarriage of Wentworth to have
-taken place with a daughter of Roger, fifth Lord Clifford; and Dugdale
-and Collins are silent as to any female issue of John, the seventh Lord.
-Edmondson (_Baronagium Genealogicum_, vol. iv. p. 364.) adopts the same
-conclusion; but no higher authority is cited by any one of the above
-writers, upon which to found this statement. On the other hand, both
-Collins and Edmondson, in the Wentworth pedigree, show the marriage
-of Sir Philip Wentworth, of Nettlested, to have taken place with a
-daughter of John, seventh Lord Clifford. Edmondson describes the daughter
-as _Elizabeth_; but Collins more accurately calls her _Mary_. Banks
-(_Baronage_, vol. ii. p. 90.) gives both statements with an asterisk,
-implying a doubt as to which of the two is to be accepted.
-
-The Pembroke MS. contains a summary of the lives of the Veteriponts,
-Cliffords, and the Earls of Cumberland, compiled from original documents
-and family records for the celebrated Lady Anne Countess Dowager of
-Pembroke, daughter and sole heir of George Clifford, Earl of Cumberland,
-who died in 1605. This valuable collection gives the most minute
-particulars and anecdotes connected with the ancient family of the Lords
-Clifford and their descendants, and being a few years anterior in date
-to the publication of Dugdale's _Baronage_, the information contained
-there is entitled to the greatest possible weight as an original and
-independent authority.
-
-In this MS. (a copy of which is in the British Museum, Harl. 6177.)
-the descendants of Roger, fifth Lord Clifford, are named, but there is
-no mention of any daughter who formed an alliance with a Wentworth.
-Afterwards come the issue of the marriage of John, seventh Lord Clifford,
-with Elizabeth Percy, the only daughter of Henry Lord Percy, surnamed
-Hotspur, son to Henry Earl of Northumberland.
-
- "This Elizabeth Percy was one of the greatest women of her
- time, both for her birth and her marriages, &c. Their eldest
- son, Thomas de Clifford, succeeded his father both in his lands
- and honours, &c. {252} Henry, their second son, died without
- issue, but is mentioned in the articles of his brother's
- marriage. Mary Clifford, married to Sir Philip Wentworth, Kt.,
- of whom descended the Lords Wentworth that are now living, and
- the Earl of Straffod, and the Earl of Cleveland."
-
-To which of the above statements must we give credit? If Dugdale be
-right, there will appear a startling discrepance in the ages of the two
-persons who are presumed to have formed the alliance in question; whereas
-if the filiation given in the Pembroke MS. is relied upon, their ages
-will be quite consistent, and all the other circumstances perfectly in
-accordance.
-
-Roger, fifth Lord Clifford, was born and baptized at Brougham on the
-20th of July, 7 Edw. III., 1333; his eldest son Thomas, sixth lord, was
-born circa 1363, being twenty-six years old at his father's death, which
-happened on 13th July, 1389, in the fifty-sixth year of his age. Thomas
-Lord Clifford died on 4th of October, 1392, leaving his son and heir John
-(seventh Lord Clifford) an infant of about three years old. This lord
-married the Lady Elizabeth de Percy circa 1413, and his eldest son was
-born on 20th of August, 1414: he died on 13th March, 1422.
-
-The wife of Sir Philip Wentworth, were she a daughter of Roger, fifth
-Lord Clifford, must have been born between 1363 and 1389; if a daughter
-of John, seventh Lord Clifford, she must have been born between 1414 and
-1422.
-
-In my former note, it was shown that the father and mother of Sir Philip
-Wentworth were married before June, 1423; that Sir Philip was born circa
-1424, and married in 1447; and that his eldest son, Henry Wentworth,
-being thirty years of age at his grandmother's death in 1478, must have
-been born circa 1448. It is therefore clear, that if his wife, Mary de
-Clifford, were a daughter of the fifth Lord Clifford, she could not have
-been less than thirty-five years older than her husband, and sixty years
-old when her eldest son was born. On the other supposition, she may have
-been about the same age with her husband, or perhaps two or three years
-only his senior.
-
-Can there then be any longer a doubt that this is a mistake of Dugdale?
-The other eminent genealogists, cited by your correspondent, have adopted
-the statement without farther investigation and upon no better authority,
-and the error has thus become familiarised by constant repetition. Had
-the misrepresentation been set right in the first instance, your readers
-would have been spared the infliction of this lengthy confutation, Miss
-Strickland herself protected from the humiliation of a defeat, "in daring
-to dispute a pedigree with King Henry VIII.;" and some of the numerous
-living descendants of the Protector Somerset been saved from much concern
-at finding a pedigree demolished, through which they had been wont to
-cherish the harmless vanity of being allied to the honour of a royal
-lineage.
-
-W. H.
-
- * * * * *
-
-
-PHOTOGRAPHIC CORRESPONDENCE.
-
-_Three New Processes by Mr. Lyte._--Will you kindly allow me room in
-your pages for the insertion of the following three processes, which may
-not, perhaps, be uninteresting to some of your readers? The first is
-respecting a very excellent combination with which to excite collodion.
-The second is on the subject of a capital developing agent, and, I
-believe, a partially new one. The third, a certain improvement in the
-production of positives on albumen paper.
-
-To make my collodion, I use the Swedish filtering paper, as recommended
-by the Count de Montizon, Mr. Crookes, &c., not so much on account of
-its superior properties, as the easier manipulation, and the greater
-certainty of obtaining a completely soluble substance. Having obtained a
-clear and tolerably thick collodion, take
-
- Rectified spirits of wine 1 oz.
- Iodide of ammonium 45 grs.
- Bromide of ammonium 12 grs.
- Chloride of ammonium 1 gr.
-
-Iodide of silver, freshly precipitated from the ammoniated nitrate, as
-much as the solution thus produced will take up--a small excess, which
-will settle at the bottom, will not signify. Nearly the same compound,
-one which is equally good, is produced as follows. Take
-
- Rectified spirits of wine 1 oz.
- Iodide of ammonium 50 grs.
- Bromide of ammonium 12 grs.
- Chloride of silver 5 grs.
-
-Whichever of these two sensitizers is used, take 1½ drachms, and add to
-every ounce of the collodion.
-
-Collodion thus prepared is _most_ rapid in its action, giving a deep
-negative (with Ross's sixteen guinea lens, and the developing agent
-I shall hereafter describe) in ten seconds in clear weather, and
-instantaneous positive pictures, which may be afterwards darkened with
-the solution of terchloride of gold, in chloride of ammonium. It does
-not easily solarize, and, what is best of all, gives the most pleasing
-half-tones.
-
-I find it preferable, in taking landscapes, to rather increase the
-quantity of the iodide of ammonium, in order to give complete opacity to
-the sky; but if the operator pleases, he may produce the most admirable
-effect with the above-named proportions, by painting in clouds at the
-back of the plate with Indian ink: and this latter plan is preferable, as
-the addition of more of the iodide lowers the half-tones.
-
-{253}
-
-If more of the chloride than above specified be added, it will cause the
-plate to blacken all over during development, before the extreme lights
-are fully brought up.
-
-My developing agent is made as follows. Take
-
- Distilled water 10 oz.
- Pyrogallic acid 6 grs.
- Formic acid 1 oz.
-
-The latter is not to be the concentrated acid, but merely the commercial
-strength. These, when mixed, form so powerful a developing agent, that
-the picture is brought out in its full intensity, almost instantly,
-while at the same time all the deep shades are quite unaffected, and the
-half-tones come out with a brilliancy I have never seen before.
-
-Another excellent developing agent is composed as follows. Take
-
- Distilled water 10 oz.
- Sulphuric acid 3 drops.
- Protosulphate of iron ½ oz.
- Formic acid 1 oz.
-
-The formic acid is also a most capital addition to the protonitrate
-of iron, and either this or the former liquid produce most brilliant
-positives leaving a fine coating of white dead silver. I may also make
-mention of the improvement I have made in the albumen paper, which
-consists in the introduction of the chloride of barium into the albumen,
-in place of chloride of ammonium or chloride of sodium. Take
-
- Water 6 oz.
- Albumen 6 oz.
- Chloride of barium 7¼ dr.
-
-Whip these up, till they are converted entirely into a white froth; when
-this has settled into liquid, pour it into a tall jar, and allow the
-precipitate, which will then separate, to settle completely, and strain
-the supernatant liquid through fine muslin. The paper, being laid on the
-surface of this fluid for a space of from five to ten minutes, may be
-taken off and hung up by a crooked pin to dry, and then ironed. It is to
-be sensitized with nitrate of silver, 120 grains to the ounce of water.
-The setting liquid I use is prepared according to the formula given by me
-in Vol. vii., p. 534. of your journal, except that I prefer to use half
-to one grain of pyrogallic acid, and 120 grains of chloride of silver.
-This paper must be soaked for a few minutes or so in rain water, after
-being printed, before being placed in the hypo.; the presence in the
-water of any salt seems to destroy the tone of this paper.
-
-Florian, Torquay.
-
-_Muller's Processes--Sisson's Developing Solution._--I am glad to find
-that I have called the attention of your photographic correspondents to
-Mr. Muller's process, as detailed in _The Athenæum_ of Nov. 22, 1851,
-which seems to have been strangely overlooked and neglected. As your
-correspondents have induced you to reprint the article, perhaps you will
-also yield to my request, and reprint an article from the same journal of
-later date (Jan. 10, 1852) containing another process, more economical
-and more sensitive than the other, invented also by Mr. Muller, and the
-value of which I have proved. In that, as in the other, there is no
-developing agent required. To save time I have copied from my note-book
-the article itself, and append it to this communication.
-
-A photographer of several years' standing informs me that my developing
-solution produces excellent negatives upon glass, and that he has been
-trying it as a bath with success. He writes me:--"I use your developing
-solution for negatives only; and by using a very small opening, say about
-3/10ths of an inch diameter, single achromatic lens, I have produced
-negatives in one minute, which print most beautiful bright positives.
-The views I have taken and developed with your solution were without
-sunshine, the sky very cloudy, three o'clock p.m. The collodion was
-prepared by Messrs. Knight & Son."
-
-Since I received his letter I have tried a negative so developed, with
-the best success; and I attribute the success to the fact that you may
-go on developing with that solution any length of time almost, without
-any fear of spoiling the negative, thus getting thickness of deposit; and
-that the deposit on pictures taking so long a time to develop has a very
-perceptible yellow tinge, which, like the gold in Professor Maconochie's
-method (detailed in _Photographic Journal_ for this month), stops the
-chemical rays.
-
-J. LAWSON SISSON.
-
-Edingthorpe Rectory.
-
-"Patna, India, Nov. 9, 1851.
-
-"Plain paper is floated on a bath of acetonitrate of silver, prepared of
-25 grs. of nitrate of silver, 1 fluid oz. of water, 60 minims of strong
-acetic acid. When well moistened on one side, the paper is removed, and
-lightly dried with blotting-paper; it is then placed with the prepared
-side downwards on the surface of a bath of hydriodate of iron (8 grs.
-of the iodide in 1 oz. of silver). It is not allowed to remain on this
-solution, for if this were the case it would become almost insensitive.
-The silvered surface must be simply moistened with the hydriodate--the
-object being to get a minimum quantity of it diffused equally over the
-silvered surface. The photographer accustomed to delicacy of manipulation
-will find no difficulty in this. While still wet the paper is placed upon
-a glass (face downwards), and exposed in the {254} camera for periods
-varying from 10 to 60 seconds, according to circumstances. In sunshine,
-and when the object to be copied is bright, 5 seconds in this climate
-(India) is sufficient. Excellent portraits are obtained in shade in 30
-seconds; 60 seconds is the maximum of exposure. The picture is removed
-from the camera and allowed to develop itself spontaneously in the dark,
-then soaked in water, and fixed in the usual manner with the hyposulphite
-of soda."--_Athenæum_, Jan. 10, 1852.
-
- * * * * *
-
-
-Replies to Minor Queries.
-
-_Alterius Orbis Papa_ (Vol. iii., p. 497.)--It was Pope Urban II. who,
-at the Council of Bari, in Apulia, gave this title to St. Anselm,
-the cotemporary Archbishop of Canterbury, who was present, and, in a
-learned and eloquent discourse, confuted the Greeks. See Laud's _Works_
-(Ang.-Cath. Lib.), vol. ii. p. 190.: note where the authorities William
-of Malmesbury and John Capgrave are cited.
-
-E. H. A.
-
-_"All my eye"_ (Vol. vii., p. 525.).--An _earlier use_ of this "cant
-phrase" than that given by MR. DANIEL may be found in Archbishop
-Bramhall's _Answer to the Epistle of M. de la Milletière_, which answer
-was first published in 1653:--
-
- "Fifthly, suppose (all this notwithstanding) such a conference
- should hold, what reason leave you to promise to yourself
- such success, as to obtain so easy a victory? You have had
- conferences and conferences again at Poissy and other places,
- and gained by them just as much as you might _put in your eye
- and see never the worse_."--Bramhall's _Works_, vol. i. pp.
- 68-9., edit. Ox. 1842.
-
-The Archbishop elsewhere makes use of the same expression. Of its origin
-I can say nothing nor of "over the left."
-
-R. BLAKISTON.
-
-_"Clamour your tongues," &c._ (Vol. viii., p. 169.).--Surely, surely, the
-"_clame_ water," in H. C. K.'s extract from _The Castel of Helthe_, and
-which is set in an antithetical opposition to "a _rough_ water," is only
-_calme_ water; by that common metathesis which gives us _briddes_ for
-birds, _brunt_ for burnt, &c.
-
-H. T. GRIFFITH.
-
-_Spiked Maces represented in the Windows of the Abbey Church, Great
-Malvern._--There is an instrument of this nature described by some
-of the martyrologists under the name of "Scorpio," and figured by
-Hieronymus Magius (Jerome Maggi) in his treatise _De Equuleo_. It is
-there represented as a thick stick, set with iron points, and was used,
-together with rods, and the plumbetæ or loaded chain scourges, to torment
-the confessors.
-
-I am inclined to think, however, that the weapons represented in the
-windows at Great Malvern are intended for morning stars, which were much
-employed in arming the watch in the cities of northern Europe in the
-Middle Ages, and at a later period as well. This weapon (a variety of
-which was called holy-water sprinkle, from the brush-like arrangement of
-its spikes) had a long shaft like a halbert, and is often introduced in
-paintings of the sixteenth and seventeenth centuries, as borne by the
-Jewish guard who appear in the various scenes of Our Lord's Passion.
-
-Of course the artists represented their characters as wearing the
-dress and provided with arms of their own period; as we see the Roman
-soldiers at the foot of the cross in some German and Dutch pictures, mere
-portraits of the sworders and swashbucklers of the seventeenth century.
-
-I may mention that a weapon of this coarse description is generally put
-into the hands of a ruffian, or at least of some very inferior character.
-In _La Mort D'Artur_, Sir Lancelot encounters on a bridge "a passing foul
-churl," who disputes his passage, and "lashes at him with a great club,
-full of iron pins."
-
-I remember seeing a barbarous weapon taken from a piratical vessel, which
-consisted of a massive wooden club, heavily loaded with lead, furnished
-with a spike at the smaller end, and thickly studded with iron nails,
-tenter hooks, and the hammers of gun locks. This was something like the
-old Danish club.
-
-W. J. BERNHARD SMITH.
-
-Oxford.
-
-_Ampers and (& or &)_ [Transcriber's note: Two different typefaces.]
-(Vol. viii., p. 173.).--"N. & Q." has exhibited a forgetfulness, of which
-he is very seldom guilty. If he and his correspondent MR. MANSFIELD
-INGLEBY will refer to Vol. ii., p. 230., they will find the same question
-asked by MR. M. A. LOWER and if they will turn over the leaves to p.
-284., they will find an answer by Φ., which he now begs to repeat. The
-word designated is _and-per-se-and_. Curiously enough, the first of the
-above printed symbols seeing to have been formed from Φ.'s explanation,
-that it was nothing more than a flourishing "et."
-
-Φ.
-
-_Its_ (Vol. viii., p. 12.).--In compliance with the request of your
-correspondent B. H. C., I have the pleasure to inform him that in Richard
-Burnfields _Poems_ (reprinted by James Boswell for the Roxburgh Club),
-"The Complaint of Poetrie for the death of Liberalitie," 1598, is one of
-the pieces, and on the first page of signature C. the word _its_ occurs,
-but as a contraction of _it is_:
-
- "The maimed souldier comming from the warre;
- The woefull wight, whose house was lately burnd;
- The sillie soule; the woful traueylar;
- And all, whom Fortune at her feet hath spurnd;
- Lament the losse of Liberalitie;
- _Its_ ease to haue in griefe some companie."
-
-{255}
-
-While on the opposite page we have "_it_ soule" for "_its_ soule," thus:
-
- "But as a woefull mother doeth lament,
- Her tender babe, with cruel death opprest;
- Whose life was spotlesse, pure and innocent,
- (And therefore sure _it_ soule is gone to rest):
- So Bountie, which herselfe did upright keepe,
- Yet for her losse, loue cannot chuse but weepe."
-
-May not this lead to the conclusion that it was to avoid confusion with
-the ellipsis of _it is_, that the possessive case was thus written _it_?
-
-S. W. SINGER.
-
-_"Hip, hip, hurrah!"_ (Vol. viii., pp. 20. 185.).--No one, I think, who
-heard the cheering of the ships' companies at the late naval review can
-doubt that CHEVERELL'S explanation of "hip, hip," is the true one. They
-are not _words_, but interjectional _sounds_; with no other meaning than
-to prepare for and _time_ the coming "hurrah!" When the men are ready to
-cheer, the boatswain's mate gives the signal "hip, hip," and then follows
-the general "hurrah!" This practice is adopted in public assemblies
-for the same reason--to ensure concert and unity in the final cheer.
-"Hurrah!" also I take (_pace_ Sir F. Palgrave) to be a mere _sound_: a
-_natural_ exclamation of pleasure, with no more instrinsic meaning than
-"Oh!" or "Ah!" for pain, or "Bah!" for contempt. It surely can have no
-connexion with the phrase of old Norman law--"clameurs de haro:" for
-"haro" is an exclamation of dissent and opposition. "Crier _haro_ sur
-quelqu'un," is to excite mischief and scandal against him--the very
-reverse of _hurrah_!
-
-C.
-
-_Derivation of "Wellesley"_ (Vol. viii., p. 173.).--In reply to J. M., I
-think the following particulars I may not be uninteresting to him. There
-is good reason to believe that the name of Wellesley was derived from an
-ancient manor about one mile south of Wells, called Wellesleigh, which
-once, belonged to the Bishops of Bath and Wells. It is certain that a
-family called "De Wellsleigh" lived, and held considerable lands in this
-manor at a very remote period. In 1253, a Philip de Wellsleigh, and in
-1349 another of the same name, are recorded as holding part of the manor
-of the Bishops of Bath and Wells. These lands, with the serjeanty and
-office of bailiff and "cryer of the hundred," passed into the family of
-the Hills of Spaxton, A.D. 1435. In 7 Henry VII., John Stourton held half
-a knight's fee in this manor: "formerly held by William de Wellsleigh."
-I have an original deed in my possession dated 26th Edward I., being a
-feoffment or grant of lands in Dinder (an adjoining parish) by William Le
-Fleming, "Dn̄s de Dynder," in which "Thomas de Welesleȝe" and "Robert de
-Welesleȝe" (so the name is spelt) are, among others, named as witnesses.
-This manor was held by the Bishops of Bath and Wells until the time of
-Ralph de Salopia (succeeded A.D. 1329, died A.D. 1363), who gave it to
-the vicars choral of the cathedral, by who it has been held down to the
-last year (1852), when they sold the fee of it to Robert Charles Tudway,
-Esq., M.P. for Wells.
-
-INA.
-
-Wells.
-
-_Penny-come-quick_ (Vol. viii., pp. 8. 113. 184.).--Your correspondents
-on the subject of this name do not appear to be aware that there is a
-place also so called in Ireland: a small public-house, and one or two
-others, on the high road between Wicklow and Arklow, near the sea-shore,
-three miles north of the latter town. In Taylor and Skinners Road Maps of
-Ireland (1776), it is spelled "Penny-_con_-quick." I have been there, and
-do not think that the site countenances H. C. K.'s ingenious etymology.
-
-C.
-
-_Eugene Aram's Comparative Lexicon_ (Vol. vii., p. 597.).--MR. E. S.
-TAYLOR will perhaps be glad to know that specimens of the above _Lexicon_
-were printed at the end of a small work published about twenty-five years
-since by Mr. Bell of Richmond (Yorkshire), entitled _The Trial and Life
-of Eugene Aram_.
-
-NORRIS DECK.
-
-Cambridge.
-
-_Wooden Tombs and Effigies_ (Vol. vii., pp. 528. 607., &c.).--At
-Sparsholt, Berks, in the south transept are two female effigies of wood,
-under sepulchral arches, richly carved in stone: one of them is engraved
-in Hollis's _Monuments_. At Burghfield and Barkham, in the same county,
-are also wooden effigies of the fourteenth century.
-
-At Hildersham Church, Cambridgeshire, within the altar rails, on the
-north side, is a wooden monument of a knight and his lady: the knight
-cross-legged, and drawing his sword. They are said to be the effigies of
-Sir Thomas Busteler and lady, temp. Edward II.
-
-NORRIS DECK.
-
-Cambridge.
-
-_Queen Anne's Motto_ (Vol. viii., p. 174.).--By an order of the queen
-in council, 17th of April, 1707, consequent upon the union of Scotland
-with England, it was declared in what manner the ensigns armorial of the
-United Kingdom (called Great Britain) should thenceforth be borne; when
-it was also declared that her majesty's motto, "Semper eadem," should be
-_continued_.
-
-G.
-
-_Longevity_ (Vol. vii., p. 368. &c.).--Several of the upland parishes
-bordering on the river Yare have had remarkable instances of longevity.
-One of the best authenticated was a man named Pottle, who resided on the
-Reedham estate of the late J. F. Leathes, Esq., of Herringfleet. When
-Pottle was 104 years old, the tenantry on the estate subscribed to have
-his portrait painted, {256} which they presented to their landlord, each
-retaining a lithograph copy of it. Many of these copies I have seen. Two
-years after this I conversed with the old man, who was then keeping cows
-on a common. There was nothing remarkable about him except his voice,
-which was very loud and powerful. He has now been dead some time, but I
-do not know his exact age at death.
-
-In the register of burials for the parish of Runham, Norfolk, is this
-entry:
-
- "August 12, 1788. William Russels, aged One hundred and one
- years."
-
-The clergyman has entered the age in round text-hand, evidently that the
-entry might not escape notice.
-
-E. G. R.
-
-_Irish Bishops as English Suffragans_ (Vol. vii., p. 569.).--The
-following instances of Irish bishops acting as bishops in England will be
-additional illustrations of the facts adduced by AN OXFORD B. C. L.
-
- "Requisitus idem Simon de suis Ordinibus dicit, quod apud
- Oxoniam recepit Ordinem subdiaconi a _quodam Episcopo Yberniæ_,
- Albino nomine, _tunc vicario Episcopi Lincolniensis_. Item ab
- eodem recepit Ordinem diaconi.... ¶ Capellanus de Sandhurst
- Johannes De Siveburn dicit, quod ordinatus fuit sudiaconum
- apud Cicestriam, Diaconum apud Winton., _ab Episcopo Godfrido,
- in Ybernia_."--Maskell's _Ancient Liturgy of the Church of
- England_, p. 181., note.
-
-W. FRASER.
-
-Tor-Mohun.
-
-_Green Pots used for drinking from by Members of the Temple_ (Vol. viii.,
-p. 171.).--The green pots mentioned in Sir Julius Cæsar's letter had been
-introduced into the Inner Temple about thirty years before its date. This
-appears from the following passage in Dugdale's _Origines Juridiciales_
-(1680), p. 148., where he refers to the register of that Society, fol.
-127 _a._:
-
- "Untill the second year of Q. Eliz. reign, this Society did
- use to drink in Cups of Ashen-Wood (such as are still used in
- the King's Court), but then those were laid aside, and green
- earthen pots introduced, which have ever since continued."
-
-When were these green pots discontinued? Paper Buildings were erected
-nearly fifty years before Dugdale's time. The new part built in 1849 was
-on the south of these, which may, perhaps, have been the site of the
-dust-hole of the Society, and thus become the depositary of the broken
-pots mentioned by B.
-
-EDWARD FOSS.
-
-_Shape of Coffins_ (Vol. viii., p. 104.).--As bearing somewhat upon MR.
-ELLACOMBE'S Query, allow me to remark that when travelling a few years
-since in the United States, having about an hour's delay in the city
-of Rochester, N. Y., I entered one of the churches during a funeral
-service. When the ceremony (at which a considerable number of persons
-attended) was concluded, the congregation left their seats and walked in
-very orderly procession towards the reading-desk, in front of which was
-placed the coffin, without any pall or covering. They then slowly walked
-round it, in order, as I afterwards found, to take their last look at the
-departed. This they were enabled to do without the removal of the lid,
-by raising the upper or head portion of it, which was hinged a square
-of glass beneath allowing the face to be seen. This strange custom,
-which, for my own part, I think would be "more honoured by the breach
-than the observance," as the recollection of the living face to me is
-far preferable to that of death, I do not remember to have seen noticed
-by any of our many travellers in America, though I afterwards found it
-to be general. The coffins, which are somewhat differently shaped to
-ours, sloping towards the feet, are rarely covered with cloth; but are
-generally made of some hard wood such as walnut, highly polished.
-
-ROBERT WRIGHT.
-
-_Old Fogies_ (Vol. viii., p. 154.).--There may be too much of even a
-good thing, and I wish some of the writers in "N. & Q." would study
-compression a little. A short paragraph which I wrote, more in jest than
-earnest, on the above phrase, has drawn down on me no less than two
-columns from J. L. But this comes of meddling with Scotland.
-
-One might fancy that J. L. was the Irish, not the Scottish advocate, for
-he proves the prior claim of Scotland by showing that the word which I
-had stated to have been in use in Dublin in the first half of the last
-century, was known in Edinburgh in the last half of it. He must also
-excuse my saying that he does not seem ever to have studied etymology,
-one of the rules of which is, that if a probable origin of a word can be
-found in the language to which it belongs, we should not seek elsewhere.
-Now _fogie_ (i.e. _folkie_, the Dutch _volkje_) comes as surely from
-_folk_, as _lassie_ from _lass_, or any other diminutive from its
-primitive. I now have done with the subject.
-
-THOS. KEIGHTLEY.
-
-_Swan-marks_ (Vol. viii., p 62.).--W. COLLYN'S remark on swan-marks may
-mislead; therefore it is worth noting that "the swan with two necks" is
-not "a corruption of the _private_ mark of the owner of the swans, viz.
-two nicks made by cutting the _neck feathers_ close in two places." The
-nicks were made in the _beak_; and the privilege of having swan-marks was
-by grant from the crown.
-
-The Vintners' Company's mark for their swans on the Thames was two nicks;
-hence a two-nicked swan was a very appropriate sign for a tavern. The
-royal swans are marked with five nicks, two lengthwise, and three across
-the bill (See Hone's {257} _Every-day Book_, 1827, p. 963; Yarrell's
-_British Birds_; Jardine's _Nat. Lib._; _Penny Cyclop._, art. "Swan.") It
-is to be noted, however, that Hone is in error in saying the two nicks
-are the _royal_ swan-mark.
-
-EDEN WARWICK.
-
-Birmingham.
-
-_Limerick, Dublin, and Cork_ (Vol. viii., p. 102.).--I should think
-the author of this doggrel couplet, if we are to consider it as a fair
-specimen of his poetic genius, may safely be permitted to remain in
-obscurity. Be that as it may, the lines are by no means new, nor are
-they confined to the sister isle alone. In the _Prophecies of Nixon_,
-the Cheshire Merlin, who lived nobody knows when, except that it was
-certainly a "long time ago," we are given to understand that:
-
- "London streets shall run with blood,
- And at last shall sink
- So that it shall be fulfilled,
- That Lincoln was, London is, and York shall be
- The finest city of the three."
-
-As I have just stated, the original date of these _Prophecies_ is
-somewhat involved in mystery; but I myself possess copies of three
-different editions published during the last century, the first of the
-three, purporting to be the sixth edition, bearing date London, 1719.
-A Life of Nixon, affixed to this edition, states him to have lived and
-prophesied in the reign of King James I.; at whose court, we are farther
-told, he was, in conformity with his own prediction, starved to death.
-His _Prophecies_ are, by the learned, held to be apocryphal; the country
-folk of Cheshire, on the contrary, have as much faith in them and their
-author as they have in the fact of their own existence.
-
-T. HUGHES.
-
-Chester.
-
-_"Could we with ink," &c._ (Vol. viii., pp. 127. 180.).--I am surprised
-that none of your correspondents has referred to Smart, the translator of
-Horace, who has been frequently stated to be the writer of these lines,
-and I believe with truth.
-
-E. H. D. D.
-
-_Character of the Song of the Nightingale_ (Vol. vii., p. 397.; Vol.
-viii., p. 112.).--Although Milton seems to have generally used the
-epithet _solemn_ in its classical sense (as cleverly pointed out by MR.
-SYDNEY GEDGE), and meant to represent the nightingale as the _customary_
-attendant of night, yet there is at least one passage where the epithet
-appears to me not to have this meaning; but to express that the song
-of the nightingale caused "a holy joy," and was heard not only in the
-day-time, but all through the night. For although Milton calls the
-nightingale "the night-warbling bird," and so makes it "the customary
-attendant of the night," yet he also elsewhere as truly speaks of it as a
-_day_ singer. The passage I referred to is in _Paradise Lost_, book vii.,
-and seems to me to bear the meaning above spoken of; though MR. GEDGE may
-perhaps make "solemn" refer back to the last noun "even." And I confess
-that the meaning seems dubious:
-
- "From branch to branch, the smaller birds with song
- Solac'd the woods, and spread their painted wings
- Till even; nor then the solemn nightingale
- Ceas'd warbling, but all night tun'd her soft lays."
-
-I can add one other epithet to the one hundred and nine which I have
-already given of the nightingale's song:
-
- _Wond'ring._ Dryden ("Palamon and Arcite").
-
-I may add, that Otway and Grainger (erroneously printed Graingle) appear
-to have used "solemn" in the ordinary meaning of the word.
-
-CUTHBERT BEDE, B.A.
-
-_Adamson's "Lusitania Illustrata"_ (Vol. viii., p. 104.).--Your
-correspondent W. M. M. may consult the following works with great
-advantage:
-
- "Résumé de l'Histoire Littéraire du Portugal, suivi du Résumé
- de l'Histoire Littéraire du Brésil, 12mo.: Paris, 1826."
-
- "Parnaso Lusitano, ou Poesias selectas dos auctores Portuguezos
- antigos e modernos, illustrados cum notas, percedido de una
- Historia abreviada da lingua e poesia Portugueza, tom. v.,
- 18mo. Paris, 1826."
-
-The destruction by fire of Mr. Adamson's library, which was so rich in
-Portuguese literature, has, with other circumstances, hitherto prevented
-the continuation of the _Lusitania Illustrata_; but the appearance
-of future parts, in furtherance of the original plan, is by no means
-abandoned.
-
-E. H. A.
-
-_Adamsoniana_ (Vol. vii., p. 500.; Vol. viii., p. 135.).--I was aware of
-the way in which the famous naturalist spelt his name, but supposed that
-Michel Ada_n_son and Michael Ada_m_son were the same, the former being
-merely the French mode of writing according to their pronunciation. I was
-also aware of the leading events in the naturalist's own career, but was
-desirous if possible of identifying his father: "the gentleman who, after
-firmly attaching himself to the Stuarts, left Scotland, and entered the
-service of the Archbishop of Aix."
-
-Perhaps I may be more fortunate in obtaining some information respecting
-another Scot of the same name: James Adamson, for thirty-one years
-rector of Tigh, in Rutlandshire, who is described in the inscription
-upon his tombstone as "natu Scotus, Anglus vita, moribus antiquis, cum
-rege suo in prosperis et adversis." I believe he was the father of John
-Adamson, M.A., Rector Of Burton Coggles, in Lincolnshire: the author
-of two sermons; one published in 1698, and entitled _The Duty of Daily
-frequenting the Public Service_ {258} of the Church; another in 1707,
-being the _Funeral Sermon for Sir E. Turnor of Stoke Rochford_[6] (whose
-chaplain he was), a great promoter of pious and charitable undertakings.
-Can these sermons be now procured? Is anything further known respecting
-the author or his family?
-
-E. H. A.
-
-[Footnote 6: This sermon is in the British Museum.--ED.]
-
-_Crassus' Saying_ (Vol. vii., p. 498.).--MR. EWART will not easily
-extract his English from the Latin, which is simply, "Fit salad for such
-lips."
-
-S. Z. Z. S.
-
-_Stanzas in "Childe Harold"_ (Vol. iv. _passim_).--This stanza has
-already occupied too many of your pages; will you, however, allow me to
-put a ryder on it, by referring your correspondents to Lord Byron's _own_
-ignorance of the meaning of an expression in this stanza, expressed in a
-letter to Murray, published in Moore's _Life_, Letter 323, dated Venice,
-24th September, 1818, when, after pointing out an error in the same
-canto, he says:
-
- "What does 'thy waters _wasted_ them' mean? _That is not me._
- Consult the MS. always."
-
-And in a note by Moore on this letter, he says, "This passage retains
-_also_ uncorrected."
-
-At the end of this letter Byron writes, "_I saw the canto by accident._"
-Query: If Byron only saw his cantos by "accident," would not a new
-edition of his works collated with his MSS. be "a consummation devoutly
-to be wished."
-
-S. WMSON.
-
-Glasgow.
-
-_"Well's a fret"_ (Vol. viii., p. 197.).--This is one of a class which
-will be lost if not recorded. Forty years ago, in the West of England,
-and perhaps elsewhere, a servant, when teased by a child to know where
-such a person was, would answer--
-
- "In his skin
- When he jumps out, you may jump in."
-
-The answer to _Eh_? was always _Straw_. I dare say more of these things
-will be produced. What ought they to be called?
-
-M.
-
-_Tenet or Tenent_ (Vol. vii., p. 205.).--We speak of the _tenets_ of a
-sect. Somewhat less than a century ago the formula would have been their
-_tenents_; and was not this the more correct?
-
-BALLIOLENSIS.
-
-_Mrs. Catherine Barton_ (Vol. iii., pp. 328. 434.).--When I answered
-the Query, I was not aware of what Baily states in the Supplement to
-Flamstead, p. 750. Rigaud ascertained for Baily that Mrs. C. B. (the
-title _Mistress_ being given at that period to marriageable young ladies)
-was not the _wife_, but the _sister_ of Colonel Barton. Both were the
-children of Hannah Smith, Newton's half-sister, and Robert Barton. Mrs.
-C. B. was born about 1680.
-
-M.
-
- * * * * *
-
-
-
-
-Miscellaneous.
-
-
-BOOKS AND ODD VOLUMES WANTED TO PURCHASE.
-
-PROCEEDINGS OF THE LONDON GEOLOGICAL SOCIETY.
-
-PRESCOTT'S HISTORY OF THE CONQUEST OF MEXICO. 3 Vols. London. Vol. III.
-
-MRS. ELLIS'S SOCIAL DISTINCTIONS. Tallis's Edition. Vols. II. and III.
-8vo.
-
-HISTORY AND ANTIQUITIES OF NEWBURY. 8vo. 1839. 340 pages. Two Copies.
-
-VANCOUVER'S SURVEY OF HAMPSHIRE.
-
-HEMINGWAY'S HISTORY OF CHESTER. Large Paper. Parts I. and III.
-
-CORRESPONDENCE ON THE FORMATION OF THE ROMAN CATHOLIC BIBLE SOCIETY. 8vo.
-London, 1813.
-
-ATHENÆUM JOURNAL for 1844.
-
-⁂ _Correspondents sending Lists of Books Wanted are requested to send
-their names._
-
-⁂ Letters, stating particulars and lowest price, _carriage free_, to be
-sent to MR. BELL, Publisher of "NOTES AND QUERIES." 186. Fleet Street.
-
- * * * * *
-
-
-
-
-Notices to Correspondents.
-
-
-_We have postponed_ ICON'S _friendly letter on the_ Shakspeare
-Correspondence _until next week, when we propose to accompany it by some
-few observations of our own. We shall take that opportunity also of
-noticing a communication with which we have been favoured by_ MR. SINGER.
-
-Z. _will find some illustrations of his Queries on_ Passages from Milton
-and Gray _discussed in our present Number. The other shall appear in an
-early Number._
-
-A. B. C. _It does not follow that, because we thought the one paper sent
-us by this Correspondent worthy of insertion in our columns, every other
-which he may favour us with is to be printed._
-
-Greek Inscription on a Font.--_We have been reminded by several friendly
-Correspondents that this Query, inserted_ ante, p. 198., _had been
-discussed in our preceding Volume_, pp. 178, 366. 417.
-
-Z. _Mr. Winston's book, published by Parker of Oxford, will give him the
-best information on the subject of_ Stained or Coloured Glass.
-
-R. W. E. (Clifton). _Would our Correspondent oblige us by forwarding a
-copy of the 1st No. of the_ Curiosities of Bristol and its Neighbourhood?
-
-C. _will find that his Query respecting_ Grinning like a Cheshire Cat
-_has been anticipated_, "N. & Q.," Vol. ii., pp. 377. 412. Vol. v., p.
-402.
-
-J. E.'s _Query has been long since put and answered, as he will see by an
-article in the present Number._
-
-T. D. S. (Ruthin). _In all probability there is a deficiency of acetic
-acid in your developing solution, or the acetic acid is impure and is
-adulterated with sulphuric acid. A few drops of nitrate of baryta would
-test the purity._
-
-COLOURING COLLODION PICTURES.--_We should like to see a specimen of Mr.
-Lane's skill, and should be very happy to insert his process._
-
-PHOTOGRAPHY AT BATH.--_We understand that a pamphlet impugning the
-correctness of some processes given in_ "N. & Q." _has been published at
-Bath, but, as we know neither the author's name nor the publisher, have
-to request information on those points from some Bath photographer._
-
-_Errata._--In p. 194., for "bytleing" read "bything;" for "byth" read
-"bytl.;" p. 195., the 24th line from the bottom the page, for "the
-prenzie Angelo", read "the prenze Angelo;" p. 207., for "parish of West
-Fetton" read "parish of West Felton."
-
-_A few complete sets of_ "NOTES AND QUERIES," Vols. i. _to_ vii., _price
-Three Guineas and a Half, may now be had; for which early application is
-desirable._
-
-"NOTES AND QUERIES" _is published at noon on Friday, so that the Country
-Booksellers may receive Copies in that night's parcels, and deliver them
-to their Subscribers on the Saturday._
-
- * * * * *
-
-{259}
-
-INDIGESTION, CONSTIPATION, NERVOUSNESS, &c.--BARRY, DU BARRY & CO.'S
-HEALTH-RESTORING FOOD for INVALIDS and INFANTS.
-
-THE REVALENTA ARABICA FOOD, the only natural, pleasant, and effectual
-remedy (without medicine, purging, inconvenience, or expense, as it
-saves fifty times its cost in other remedies) for nervous, stomachic,
-intestinal, liver and bilious complaints, however deeply rooted,
-dyspepsia (indigestion), habitual constipation, diarrhœa, acidity,
-heartburn, flatulency, oppression, distension, palpitation, eruption
-of the skin, rheumatism, gout, dropsy, sickness at the stomach during
-pregnancy, at sea, and under all other circumstances, debility in the
-aged as well as infants, fits, spasms, cramps, paralysis, &c.
-
- _A few out of 50,000 Cures_:--
-
- Cure, No. 71, of dyspepsia; from the Right Hon. the Lord Stuart
- de Decies:--"I have derived considerable benefits from your
- Revalenta Arabica Food, and consider it due to yourselves and
- the public to authorise the publication of these lines.--STUART
- DE DECIES."
-
- Cure, No. 49,832:--"Fifty years' indescribable agony from
- dyspepsia, nervousness, asthma, cough, constipation,
- flatulency, spasms, sickness at the stomach and vomitings
- have been removed by Du Barry's excellent food.--MARIA JOLLY,
- Wortham Ling, near Diss, Norfolk."
-
- Cure, No. 180:--"Twenty-five years' nervousness, constipation,
- indigestion, and debility, from which I had suffered great
- misery, and which no medicine could remove or relieve, have
- been effectually cured by Du Barry's food in a very short
- time.--W. R. REEVES, Pool Anthony, Tiverton."
-
- Cure, No. 4,206:--"Eight years' dyspepsia, nervousness,
- debility, with cramps, spasms, and nausea, for which my servant
- had consulted the advice of many, have been effectually removed
- by Du Barry's delicious food in a very short time. I shall
- be happy to answer any inquiries.--REV. JOHN W. FLAVELL,
- Ridlington Rectory, Norfolk."
-
- _Dr. Wurzer's Testimonial._
-
- "Bonn, July 19, 1852.
-
- "This light and pleasant Farina is one of the most excellent,
- nourishing, and restorative remedies, and supersedes, in many
- cases, all kinds of medicines. It is particularly useful in
- confined habit of body, as also diarrhœa, bowel complaints,
- affections of the kidneys and bladder, such as stone or gravel;
- inflammatory irritation and cramp of the urethra, cramp of
- the kidneys and bladder, strictures, and hemorrhoids. This
- really invaluable remedy is employed with the most satisfactory
- result, not only in bronchial and pulmonary complaints, where
- irritation and pain are to be removed, but also in pulmonary
- and bronchial consumption, in which it counteracts effectually
- the troublesome cough; and I am enabled with perfect truth
- to express the conviction that Du Barry's Revalenta Arabica
- is adapted to the cure of incipient hectic complaints and
- consumption.
-
- "DR. RUD WURZER.
- "Counsel of Medicine, and practical M.D. in Bonn."
-
-London Agents:--Fortnum, Mason & Co., 182. Piccadilly, purveyors to Her
-Majesty the Queen; Hedges & Butler, 155. Regent Street; and through
-all respectable grocers, chemists, and medicine venders. In canisters,
-suitably packed for all climates, and with full instructions, 1lb. 2_s._
-9_d._; 2lb. 4_s._ 6_d._; 5lb. 11_s._; 12lb. 22_s._; super-refined, 5lb.
-22_s._; 10lb. 33_s._ The 10lb. and 12lb. carriage free, on receipt of
-Post-office order.--Barry, Du Barry Co., 77. Regent Street, London.
-
-IMPORTANT CAUTION.--Many invalids having been seriously injured by
-spurious imitations under closely similar names, such as Ervalenta,
-Arabaca, and others, the public will do well to see that each canister
-bears the name BARRY, DU BARRY & CO., 77. Regent Street, London, in full,
-_without which none is genuine_.
-
- * * * * *
-
-WESTERN LIFE ASSURANCE AND ANNUITY SOCIETY,
-
-3. PARLIAMENT STREET, LONDON.
-
-Founded A.D. 1842.
-
-_Directors._
-
- H. E. Bicknell, Esq.
- T. S. Cocks, Jun. Esq., M. P.
- G. H. Drew, Esq.
- W. Evans, Esq.
- W. Freeman, Esq.
- F. Fuller, Esq.
- J. H. Goodhart, Esq.
- T. Grissell, Esq.
- J. Hunt, Esq.
- J. A. Lethbridge, Esq.
- E. Lucas, Esq.
- J. Lys Seager, Esq.
- J. B. White, Esq.
- J. Carter Wood, Esq.
-
-_Trustees._--W. Whateley, Esq., Q.C.; George Drew, Esq.; T. Grissell, Esq.
-
-_Physician._--William Rich. Basham, M.D.
-
-_Bankers._--Messrs. Cocks, Biddulph, and Co., Charing Cross.
-
-VALUABLE PRIVILEGE.
-
-POLICIES effected in this Office do not become void through temporary
-difficulty in paying a Premium, as permission is given upon application
-to suspend the payment at interest, according to the conditions detailed
-in the Prospectus.
-
-Specimens of Rates of Premium for Assuring 100_l._ with a Share in
-three-fourths of the Profits:--
-
- Age _£_ _s._ _d._
- 17 1 14 4
- 22 1 18 8
- 27 2 4 5
- 32 2 10 8
- 37 2 18 6
- 42 3 8 2
-
-ARTHUR SCRATCHLEY, M.A., F.R.A.S., Actuary.
-
-Now ready, price 10_s._ 6_d._, Second Edition with material additions,
-INDUSTRIAL INVESTMENT and EMIGRATION: being a TREATISE on BENEFIT
-BUILDING SOCIETIES, and on the General Principles of Land Investment,
-exemplified in the Cases of Freehold Land Societies, Building Companies,
-&c. With a Mathematical Appendix on Compound Interest and Life Assurance.
-By ARTHUR SCRATCHLEY, M.A., Actuary to the Western Life Assurance
-Society, 3. Parliament Street, London.
-
- * * * * *
-
-BANK OF DEPOSIT.
-
-7. St. Martin's Place, Trafalgar Square, London.
-
-PARTIES desirous of INVESTING MONEY are requested to examine the Plan of
-this Institution, by which a high rate of Interest may be obtained with
-perfect Security.
-
-Interest payable in January and July.
-
- PETER MORRISON,
- Managing Director.
-
-Prospectuses free on application.
-
- * * * * *
-
-BENNETT'S MODEL WATCH, as shown at the GREAT EXHIBITION, No. 1. Class
-X., in Gold and Silver Cases, in five qualities, and adapted to all
-Climates, may now be had at the MANUFACTORY, 65. CHEAPSIDE. Superior
-Gold London-made Patent Levers, 17, 15, and 12 guineas. Ditto, in Silver
-Cases, 8, 6, and 4 guineas. First-rate Geneva Levers, in Gold Cases, 12,
-10, and 8 guineas. Ditto, in Silver Cases, 8, 6, and 5 guineas. Superior
-Lever, with Chronometer Balance, Gold, 27, 23, and 19 guineas. Bennett's
-Pocket Chronometer, Gold, 50 guineas, Silver, 40 guineas. Every Watch
-skilfully examined, timed, and its performance guaranteed. Barometers,
-2_l._, 3_l._, and 4_l._ Thermometers from 1_s._ each.
-
-BENNETT, Watch, Clock, and Instrument Maker to the Royal Observatory, the
-Board of Ordnance, the Admiralty, and the Queen, 65. CHEAPSIDE.
-
- * * * * *
-
-DAGUERREOTYPE MATERIALS.--Plates, Cases, Passepartoutes. Best and
-Cheapest. To be had in great variety at
-
-M'MILLAN'S Wholesale Depot, 132. Fleet Street.
-
-Price List Gratis.
-
- * * * * *
-
-PHOTOGRAPHIC PICTURES.--A Selection of the above beautiful Productions
-(comprising Views in VENICE, PARIS, RUSSIA, NUBIA, &c.) may be seen at
-BLAND & LONG'S, 158. Fleet Street, where may also be procured Apparatus
-of every Description, and pure Chemicals for the practice of Photography
-in all its Branches.
-
-Calotype, Daguerreotype, and Glass Pictures for the Stereoscope.
-
-⁂ Catalogues may be had on application.
-
-BLAND & LONG, Opticians, Philosophical and Photographical Instrument
-Makers, and Operative Chemists, 153. Fleet Street.
-
- * * * * *
-
-PHOTOGRAPHY.--HORNE & CO.'S Iodised Collodion, for obtaining
-Instantaneous Views, and Portraits in from three to thirty seconds,
-according to light.
-
-Portraits obtained by the above, for delicacy of detail rival the
-choicest Daguerreotypes, specimens of which may be seen at their
-Establishment.
-
-Also every description of Apparatus, Chemicals, &c. &c. used in this
-beautiful Art.--123. and 121. Newgate Street.
-
- * * * * *
-
-PHOTOGRAPHIC PAPER.--Negative and Positive Papers of Whatman's, Turner's,
-Sanford's, and Cannon Frères' make. Waxed-Paper for Le Gray's Process.
-Iodized and Sensitive Paper for every kind of Photography.
-
-Sold by JOHN SANFORD, Photographic Stationer, Aldine Chambers, 13.
-Paternoster Row, London.
-
- * * * * *
-
-PHOTOGRAPHIC CAMERAS.
-
-OTTEWILL'S REGISTERED DOUBLE-BODIED FOLDING CAMERA, is superior to every
-other form of Camera, for the Photographic Tourist, from its capability
-of Elongation or Contraction to any Focal Adjustment, its extreme
-Portability, and its adaptation for taking either Views or Portraits.
-
-Every Description of Camera, or Slides, Tripod Stands, Printing Frames,
-&c., may be obtained at his MANUFACTORY, Charlotte Terrace, Barnsbury
-Road, Islington.
-
-New Inventions, Models, &c., made to order or from Drawings.
-
- * * * * *
-
-IMPROVEMENT IN COLLODION.--J. B. HOCKIN & CO., Chemists, 289. Strand,
-have, by an improved mode of Iodizing, succeeded in producing a Collodion
-equal, they may say superior, in sensitiveness and density of Negative,
-to any other hitherto published; without diminishing the keeping
-properties and appreciation of half tint for which their manufacture has
-been esteemed.
-
-Apparatus, pure Chemicals, and all the requirements for the practice of
-Photography. Instruction in the Art.
-
- * * * * *
-
-PHOTOGRAPHIC APPARATUS, MATERIALS, and PURE CHEMICAL PREPARATIONS.
-
-KNIGHT & SONS' Illustrated Catalogue, containing Description and Price
-of the best forms of Cameras and other Apparatus. Voightlander and Son's
-Lenses for Portraits and Views, together with the various Materials, and
-pure Chemical Preparations required in practising the Photographic Art.
-Forwarded free on receipt of Six Postage Stamps.
-
-Instructions given in every branch of the Art.
-
-An extensive Collection of Stereoscopic and other Photographic Specimens.
-
-GEORGE KNIGHT & SONS, Foster Lane, London.
-
- * * * * *
-
-{260}
-
-On Tuesday will be published, the Second Volume of
-
-MISS AGNES STRICKLAND'S LIFE OF MARY QUEEN OF SCOTS, forming the Fourth
-Volume of her LIVES OF THE QUEENS OF SCOTLAND, and English Princesses
-connected with the Regal Succession. With a Portrait of Mary at the Age
-of Twenty-five, from the Original Painting presented by herself to Sir
-Henry Curwen of Workinton Hall.
-
-Volumes I. to III. contain the Lives of Margaret Tudor, Magdalene of
-France, Mary of Lorraine, Lady Margaret Douglas, and the earlier Portion
-of the Life of Queen Mary. Price 10_s._ 6_d._ each, with Portraits and
-Historical Vignettes.
-
-WILLIAM BLACKWOOD & SONS, Edinburgh and London.
-
- * * * * *
-
-THE GENTLEMAN'S MAGAZINE AND HISTORICAL REVIEW FOR SEPTEMBER, contains
-the following articles:--
-
- 1. The Grenville Correspondence.
- 2. The Byzantine Cæsars of the Iconoclastic Period.
- 3. The Fine Arts at Rome in 1736.
- 4. State Papers of Henry the Eighth.
- 5. Dr. Bathurst, Bishop of Norwich.
- 6. Notes on Shakspeare's Text.
- 7. Wanderings of an Antiquary: by T. Wright, F.S.A.--The Roman
- Villa at Bignor (with Engravings).
- 8. Virtuosi of the Eighteenth Century.
-
-With Correspondence, Notes of the Month, Historical and Miscellaneous
-Reviews, Reports of Archæological Societies, Historical Chronicle, and
-OBITUARY.
-
-NICHOLS AND SONS, 25. Parliament Street.
-
- * * * * *
-
-ARCHÆOLOGY OF SUSSEX.
-
-THE GENTLEMAN'S MAGAZINE for AUGUST contains a revised Report of
-the Proceedings of the Archæological Institute at their Meeting at
-Chichester, including the Lectures of Professor Willis on Chichester
-Cathedral, Mr. Sharpe on the Sussex Churches, Dr. Bruce on the Bayeux
-Tapestry, Mr. Freeman on the Life of Earl Godwin, Mr. Durrant Cooper on
-Sussex Nomenclature, &c. &c.
-
-The Magazine also contains the following articles:--1. State Papers
-of the Reign of Henry VIII. 2. Madame de Longueville. 3. The Prospero
-of "The Tempest." 4. Letter of Major P. Ferguson during the American
-War. 5. Wanderings of an Antiquary: Bramber Castle and the Sussex
-Churches, by Thomas Wright, F.S.A. (with Engravings). 6. St. Hilary
-Church, Cornwall (with an Engraving). 7. Benjamin Robert Haydon. 8.
-The Northern Topographers--Whitaker, Surtees, and Raine. 9. Passage
-of the Pruth in the year 1739. 10. Early History of the Post-Office.
-11. Correspondence of Sylvanus Urban: A Peep at the Library of
-Chichester Cathedral--Christ's Church at Norwich--Rev. Wm. Smith of
-Melsonby--Godmanham and Londesborough. With Reviews of New Publications,
-a Report of the Meeting of the Archæological Institute at Chichester, and
-of other Antiquarian Societies, Historical Chronicle, and OBITUARY. Price
-2_s._ 6_d._
-
-NICHOLS & SONS, 25. Parliament Street.
-
- * * * * *
-
-NEW AND CHEAPER EDITION.
-
-This day, Second Edition, in foolscap 8vo., cloth, price 3_s._
-
-THE DOCTRINE OF THE HOLY EUCHARIST. By ARCHDEACON WILBERFORCE.
-
-"A work greatly needed in the Church of England."--_Guardian._
-
-London: J. & C. MOZLEY, 6. Paternoster Row. Oxford: J. H. PARKER.
-
- * * * * *
-
-8vo., price 21_s._
-
-SOME ACCOUNT of DOMESTIC ARCHITECTURE in ENGLAND, from the Conquest
-to the end of the Thirteenth Century, with numerous Illustrations of
-Existing Remains from Original Drawings. By T. HUDSON TURNER.
-
-"What Horace Walpole attempted, and what Sir Charles Lock Eastlake has
-done for oil-painting--elucidated its history and traced its progress
-in England by means of the records of expenses and mandates of the
-successive Sovereigns of the realm--Mr. Hudson Turner has now achieved
-for Domestic Architecture in this country during the twelfth and
-thirteenth centuries."--_Architect._
-
-"The writer of the present volume ranks among the most intelligent of the
-craft, and a careful perusal of its contents will convince the reader
-of the enormous amount of labour bestowed on its minutest details,
-as well as the discriminating judgment presiding over the general
-arrangement."--_Morning Chronicle._
-
-"The book of which the title is given above is one of the very few
-attempts that have been made in this country to treat this interesting
-subject in anything more than a superficial manner.
-
-"Mr. Turner exhibits much learning and research, and he has consequently
-laid before the reader much interesting information. It is a book that
-was wanted, and that affords us some relief from the mass of works on
-Ecclesiastical Architecture with which of late years we have been deluged.
-
-"The work is well illustrated throughout with wood-engravings of the
-more interesting remains, and will prove a valuable addition to the
-antiquary's library."--_Literary Gazette._
-
-"It is as a text-book on the social comforts and condition of the Squires
-and Gentry of England during the twelfth and thirteenth centuries, that
-the leading value of Mr. Turner's present publication will be found to
-consist.
-
-"Turner's handsomely-printed volume is profusely illustrated with careful
-woodcuts of all important existing remains, made from drawings by Mr.
-Blore and Mr. Twopeny."--_Athenæum._
-
-JOHN HENRY PARKER, Oxford; and 377. Strand, London.
-
- * * * * *
-
-Now ready, price 21_s._ uniform with the above,
-
-THE DOMESTIC ARCHITECTURE OF THE MIDDLE AGES. Vol. II.--THE FOURTEENTH
-CENTURY. By the Editor of "The Glossary of Architecture."
-
-This volume is issued on the plan adopted by the late Mr. Hudson Turner
-in the previous volume: viz., collecting matter relating to Domestic
-buildings of the Period, from cotemporary records, and applying the
-information so acquired to the existing remains.
-
-Not only does the volume contain much curious information both as to the
-buildings and manners and customs of the time, but it is also hoped that
-the large collection of careful Engravings of the finest examples will
-prove as serviceable to the profession and their employers in building
-mansions, as the Glossary was found to be in building churches.
-
-The Text is interspersed throughout with numerous woodcuts.
-
-JOHN HENRY PARKER, Oxford; and 377. Strand, London.
-
- * * * * *
-
-Now ready, Two New Volumes (price 28_s._ cloth) of
-
-THE JUDGES OF ENGLAND and the Courts at Westminster. By EDWARD FOSS,
-F.S.A.
-
- Volume Three, 1272-1377.
- Volume Four, 1377-1485.
-
-Lately published, price 28_s._ cloth,
-
- Volume One, 1066-1199.
- Volume Two, 1199-1272.
-
-"A book which is essentially sound and truthful, and must therefore take
-its stand in the permanent literature of our country."--_Gent. Mag._
-
-London: LONGMAN & CO.
-
- * * * * *
-
-TO ALL WHO HAVE FARMS OR GARDENS.
-
-THE GARDENERS' CHRONICLE AND AGRICULTURAL GAZETTE.
-
-(The Horticultural Part edited by PROF. LINDLEY,)
-
-Of Saturday, September 3, contains Articles on
-
- Agricultural College examination papers
- Apple trees, cider
- Bramley Horticultural Society
- Bugainvillæa, by Mr. Napier
- Calendar, horticultural
- ---- agricultural
- Carnations and picotees
- Chrysanthemums in small pots, flowering of, by Mr. Bester
- Corn, saving of, in damp weather, by Mr. Prideaux
- Cotton in India, Dr. Royle on
- Drainage, depths of, by Mr. Milward
- Fork, Winton's, by Mr. Russell
- Forking, rotatory
- Gourds on lawns
- Grape, Mustang
- Grass seeds for pasturage
- Hardenbergias
- Horticultural Society's Garden
- Irish Agricultural Improvement Society's Show
- Italian Rye-grass
- Lawns, Gourds on
- Leaves, variegated
- Manure, management of
- ---- for wheat, by Mr. Stickney
- Mealy bug, to kill
- Mildew, vine, Amici on (with engraving)
- Mutton manufacture, by Mr. Milburn
- Nightingales, breeding of, in captivity, by Mr. Hanley
- Paulovnia, flowering of
- Picotees and carnations
- Pig breeding
- Pine pits, glass for, by Mr. Jackson
- Plants, duration of species
- ---- variegated
- Plough _v._ forking
- Poultry show, Surrey
- Royle (Dr.) on Cotton
- Rye-grass, Italian
- Stanhopea tricornis
- Steam forking
- Vine, Mustang
- Vine mildew, Amici on (with engraving)
- Wheat, Lois Weedon culture of
- ---- manure for, by Mr. Stickney
-
- * * * * *
-
-THE GARDENERS' CHRONICLE and AGRICULTURAL GAZETTE contains, in addition
-to the above, the Covent Garden, Mark Lane, Smithfield, and Liverpool
-prices, with returns from the Potato, Hop, Hay, Coal, Timber, Bark, Wool,
-and Seed Markets, and a _complete Newspaper, with a condensed account of
-all the transactions of the week_.
-
-ORDER of any Newsvender. OFFICE for Advertisements, 5. Upper Wellington
-Street, Covent Garden, London.
-
- * * * * *
-
-TO BOOK-BUYERS.--Selling Off at, and in many instances under, Cost Price,
-on relinquishing Business, a valuable Collection of Standard and Modern
-Works in Divinity, Classics, and Translations, History, Biography,
-Voyages and Travels, and General Literature. Catalogues Postage Free.
-
-R. SAYWELL, 29½ Lincoln's Inn Fields.
-
- * * * * *
-
-RALPH'S SERMON PAPER.--This approved Paper is particularly deserving the
-notice of the Clergy, as, from its particular form (each page measuring
-5¾ by 9 inches), it will contain more matter than the size in ordinary
-use; and, from the width being narrower, is much more easy to read:
-adapted for expeditious writing with either the quill or metallic pen;
-price 5_s._ per ream. Sample on application.
-
-ENVELOPE PAPER.--To identify the contents with the address and postmark,
-important in all business communications; it admits of three clear pages
-(each measuring 5½ by 8 inches), for correspondence, it saves time and is
-more economical. Price 9_s._ 6_d._ per ream.
-
-F. W. RALPH, Manufacturing Stationer, 36. Throgmorton Street, Bank.
-
- * * * * *
-
-Printed by THOMAS CLARK SHAW, of No. 10 Stonefield Street, in the Parish
-of St. Mary, Islington, at No. 5. New Street Square, in the Parish of
-St. Bride, in the City of London; and published by GEORGE BELL, of No.
-186. Fleet Street, in the Parish of St. Dunstan in the West, in the City
-of London, Publisher, at No. 186 Fleet Street aforesaid.--Saturday,
-September 10. 1853.
-
-*** END OF THE PROJECT GUTENBERG EBOOK NOTES AND QUERIES, NUMBER 202,
-SEPTEMBER 10, 1853 ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/66168-0.zip b/old/66168-0.zip
deleted file mode 100644
index c1cf261..0000000
--- a/old/66168-0.zip
+++ /dev/null
Binary files differ
diff --git a/old/66168-h.zip b/old/66168-h.zip
deleted file mode 100644
index e58b368..0000000
--- a/old/66168-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/66168-h/66168-h.htm b/old/66168-h/66168-h.htm
deleted file mode 100644
index 3eb182b..0000000
--- a/old/66168-h/66168-h.htm
+++ /dev/null
@@ -1,4956 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- The Project Gutenberg eBook of Notes and Queries, Issue 202.
- </title>
-
- <link rel="coverpage" href="images/cover.jpg" />
-
- <style type="text/css">
-
- body {margin-left: 10%; margin-right: 10%; text-align: justify;}
- p.center {text-align: center;}
- blockquote {text-align: justify;}
- h1,h2,h3 {text-align: center;}
-
- hr {text-align: center; width: 50%;}
- html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;}
- hr.full {width: 100%;}
- html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;}
-
- .note {margin-left: 10%; margin-right: 10%; font-size: 0.9em;}
- table {border-collapse:collapse; }
- table.nob {margin-left: 4em}
- table.nobctr {border-collapse: collapse; margin-left: auto; margin-right: auto;}
- table.nomar {margin-left: 0em}
- td {padding-left: 0.25em; padding-right: 0.25em;}
- td.rightbsing {border-right : 1px solid black; padding-left: 0.5em; padding-right: 0.5em;}
- td.hspcsingle {padding-left: 0.5em; padding-right: 0.5em;}
- .hspcsingle p {margin: 0;}
- .rightbsing p {margin: 0;}
- .ar {text-align:right; }
- .pl1 {padding-left: 1em; }
- .pl2 {padding-left: 2em; text-indent:-1em;}
- .vbm, .vbm td {vertical-align:bottom; }
- .single p {margin: 0;}
- .poem {margin-left:10%; margin-right:10%; text-align: left;}
- .poem-bq {margin-left:0%; margin-right:0%; text-align: left;}
- .poem .stanza, .poem-bq .stanza {margin: 1em 0em 1em 0em;}
- .poem p, .poem-bq p {margin: 0; padding-left: 3em; text-indent: -3em;}
- .poem p.i1 {margin-left: 1em;}
- .poem p.i2, .poem-bq p.i2 {margin-left: 2em;}
- .poem p.i4 {margin-left: 4em;}
- .poem p.i8 {margin-left: 8em;}
- .poem p.i12 {margin-left: 12em;}
-
- span.pagenum {position: absolute; left: 1%; right: 91%; font-size: 8pt;}
- .sc {font-variant: small-caps; }
-
-.allsmcap {
- font-variant: small-caps;
- font-style: normal;
- text-transform: lowercase;
-}
- p.author {text-align: right; margin-top: -1em;}
- p.right {text-align: right;}
- .cenhead {text-align: center; margin-top: 1em;}
-
- </style>
- </head>
-<body>
-
-<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Notes and Queries, Number 202, September 10, 1853, by George Bell</div>
-
-<div style='display:block; margin:1em 0'>
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online
-at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
-are not located in the United States, you will have to check the laws of the
-country where you are located before using this eBook.
-</div>
-
-<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Title: Notes and Queries, Number 202, September 10, 1853</p>
-<p style='display:block; margin-top:0; margin-bottom:1em; margin-left:2em; text-indent:0;'>A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Geneologists, etc</p>
-
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Various</div>
-
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Editor: George Bell</div>
-
-<div style='display:block; margin:1em 0'>Release Date: August 29, 2021 [eBook #66168]</div>
-
-<div style='display:block; margin:1em 0'>Language: English</div>
-
-<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
-
-<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Charlene Taylor, Jonathan Ingram and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.)</div>
-
-<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK NOTES AND QUERIES, NUMBER 202, SEPTEMBER 10, 1853 ***</div>
-
-<p><span class="pagenum"><a id="Page_237"></a>{237}</span></p>
-
-<h1>NOTES AND QUERIES:</h1>
-
-<h2>A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES,
-GENEALOGISTS, ETC.</h2>
-
-<hr class="full" />
-
-<h3><b>"When found, make a note of."</b>&mdash;<span class="sc">Captain Cuttle.</span></h3>
-
-<hr class="full" />
-
-<table width="100%" class="nomar" summary="masthead" title="masthead">
- <tr>
- <td style="text-align:left; width:25%">
- <p><b>No. 202.</b>]</p>
- </td>
- <td style="text-align:center; width:50%">
- <p><b><span class="sc">Saturday, September 10. 1853.</span></b></p>
- </td>
- <td style="text-align:right; width:25%">
- <p>[<b>Price Fourpence.<br />Stamped Edition, 5<i>d.</i></b></p>
- </td>
- </tr>
-</table>
-
-<hr class="full" />
-
-<h2>CONTENTS.</h2>
-
-<table width="100%" class="nomar" summary="Contents" title="Contents">
- <tr>
- <td style="width:94%">
- <span class="sc">Notes</span>:&mdash;</td>
- <td class="ar vbm" style="width:6%">Page</td>
- </tr>
- <tr>
- <td class="pl1">Milton and Malatesti, by Bolton Corney</td>
- <td class="ar vbm"><a href="#Page_237">237</a></td>
- </tr>
- <tr>
- <td class="pl1">"That Swinney"</td>
- <td class="ar vbm"><a href="#Page_238">238</a></td>
- </tr>
- <tr>
- <td class="pl1">Tom, Mythic and Material, by V. T. Sternberg</td>
- <td class="ar vbm"><a href="#Page_239">239</a></td>
- </tr>
- <tr>
- <td class="pl1">Shakspeare Correspondence, by T. J. Buckton, Thos.
- Keightley, &amp;c.</td>
- <td class="ar vbm"><a href="#Page_240">240</a></td>
- </tr>
- <tr>
- <td class="pl2"><span class="sc">Minor Notes:</span>&mdash;Gray:
- "The ploughman homeward plods"&mdash;Poetical Tavern Signs&mdash;"Aquæ
- in Vinum conversæ. Vidit et erubuit lympha pudica Deum"&mdash;Spurious
- Edition of Baily's "Annuities"&mdash;"Illustrium Poetarum Flores"&mdash;French
- Jeux d'Esprit</td>
- <td class="ar vbm"><a href="#Page_241">241</a></td>
- </tr>
- <tr>
- <td><span class="sc">Queries</span>:&mdash;</td>
- </tr>
- <tr>
- <td class="pl1">Samuel Wilson</td>
- <td class="ar vbm"><a href="#Page_242">242</a></td>
- </tr>
- <tr>
- <td class="pl2"><span class="sc">Minor Queries</span>:&mdash;The Rothwell
- Family&mdash;Definition of a Proverb&mdash;Latin Riddle&mdash;D. Ferrand:
- French Patois&mdash;"Fac precor, Jesu benigne," &amp;c.&mdash;The Arms of
- De Sissonne&mdash;Sir George Brown&mdash;Professional Poems&mdash;"A
- mockery," &amp;c.&mdash;Passage in Whiston&mdash;Shoulder Knots and
- Epaulettes&mdash;The Yew Tree in Village Churchyards&mdash;Passage in
- Tennyson&mdash;"When the Maggot bites"&mdash;Eclipses of the Sun&mdash;"An"
- before "u" long&mdash;Reversible Names&mdash;Gilbert White of
- Selborne&mdash;Hoby, Family of; their Portraits, &amp;c.&mdash;Portrait
- of Sir Anthony Wingfield&mdash;Lofcopp, Lufcopp, or Luvcopp&mdash;Humming
- Ale</td>
- <td class="ar vbm"><a href="#Page_243">243</a></td>
- </tr>
- <tr>
- <td class="pl2"><span class="sc">Minor Queries with Answers</span>:&mdash;Dr.
- Richard Sherlock&mdash;Cardinal Fleury and Bishop Wilson&mdash;Dr. Dodd a
- Dramatist&mdash;Trosachs&mdash;Quarter</td>
- <td class="ar vbm"><a href="#Page_246">246</a></td>
- </tr>
- <tr>
- <td><span class="sc">Replies</span>:&mdash;</td>
- </tr>
- <tr>
- <td class="pl1">Jacob Böhme, or Behmen, by J. Yeowell</td>
- <td class="ar vbm"><a href="#Page_246">246</a></td>
- </tr>
- <tr>
- <td class="pl1">Inscriptions on Bells, by Cuthbert Bede, B.A.</td>
- <td class="ar vbm"><a href="#Page_248">248</a></td>
- </tr>
- <tr>
- <td class="pl1">Passage in Milton</td>
- <td class="ar vbm"><a href="#Page_249">249</a></td>
- </tr>
- <tr>
- <td class="pl1">Designed false English Rhymes</td>
- <td class="ar vbm"><a href="#Page_249">249</a></td>
- </tr>
- <tr>
- <td class="pl1">Attainment of Majority, by Professor De Morgan</td>
- <td class="ar vbm"><a href="#Page_250">250</a></td>
- </tr>
- <tr>
- <td class="pl1">Lady Percy, Wife of Hotspur (Daughter of Edmund
- Mortimer, Earl of March), and Jane Seymour's Royal Descent</td>
- <td class="ar vbm"><a href="#Page_251">251</a></td>
- </tr>
- <tr>
- <td class="pl2"><span class="sc">Photographic Correspondence</span>:&mdash;Three
- New Processes by Mr. Lyte&mdash;Muller's Processes: Sisson's Developing Solution</td>
- <td class="ar vbm"><a href="#Page_252">252</a></td>
- </tr>
- <tr>
- <td class="pl2"><span class="sc">Replies to Minor Queries</span>:&mdash;Alterius
- Orbis Papa&mdash;"All my eye"&mdash;"Clamour your tongues"&mdash;Spiked
- Maces represented in Windows of the Abbey Church, Great Malvern&mdash;Ampers
- and&mdash;Its&mdash;"Hip, hip, hurrah!"&mdash;Derivation of
- "Wellesley"&mdash;Penny-come-quick&mdash;Eugene Aram's Comparative
- Lexicon&mdash;Wooden Tombs and Effigies&mdash;Queen Anne's
- Motto&mdash;Longevity&mdash;Irish Bishops as English Suffragans&mdash;Green
- Pots used for drinking from by Members of the Temple&mdash;Shape of
- Coffins&mdash;Old Fogies&mdash;Swan-marks&mdash;Limerick, Dublin, and
- Cork&mdash;"Could we with ink," &amp;c.&mdash;Character of the Song of
- the Nightingale&mdash;Adamson's "Lusitania
- Illustrata"&mdash;Adamsoniana&mdash;Crassus' Saying, &amp;c.</td>
- <td class="ar vbm"><a href="#Page_254">254</a></td>
- </tr>
- <tr>
- <td><span class="sc">Miscellaneous</span>:&mdash;</td>
- </tr>
- <tr>
- <td class="pl1">Books and Odd Volumes wanted</td>
- <td class="ar vbm"><a href="#Page_258">258</a></td>
- </tr>
- <tr>
- <td class="pl1">Notices to Correspondents</td>
- <td class="ar vbm"><a href="#Page_258">258</a></td>
- </tr>
- <tr>
- <td class="pl1">Advertisements</td>
- <td class="ar vbm"><a href="#Page_259">259</a></td>
- </tr>
-</table>
-
-<hr class="full" />
-
-<h2>Notes.</h2>
-
-<h3>MILTON AND MALATESTI.</h3>
-
-<p>About nine years after Milton visited Italy, he
-thus briefly noticed, in letter to Carlo Dati, his
-surviving Florentine friends:</p>
-
-<blockquote>
-
-<p>"Carolo <span class="sc">Dato</span> patricio Florentino.... Tu interim,
-mi Carole, valebis, et Cultellino, Francino, Frescobaldo,
-Malatestæ, Clementillo minori, et si quem
-alium nostri amantiorem novisti; toti denique Gaddianæ
-academiæ, salutem meo nomine plurimam dices.
-Interim vale.&mdash;<i>Londino</i>, Aprilis 21. 1647."</p>
-
-</blockquote>
-
-<p>The above extract is from <i>The prose works of
-John Milton</i>, as printed in 1806, and I shall add to
-it the translation by Robert Fellowes, A.M., from
-the same edition:</p>
-
-<blockquote>
-
-<p>"To Carolo <span class="sc">Deodati</span>, a Florentine noble.... In
-the mean time, my dear Charles, farewell, and present
-my kind wishes to Cultellino, Francisco, Trescobaldo,
-Malatesto, the younger Clemantillo, and every other
-inquiring friend, and to all the members of the Gaddian
-academy. Adieu.&mdash;<i>London</i>, April 21. 1647."</p>
-
-</blockquote>
-
-<p>Warton states, in a note on the minor poems of
-Milton, that Mr. Brand discovered, on a book-stall,
-a manuscript of <i>La tina</i> of Malatesti, <i>dedicated
-to Milton while at Florence</i>, and that he
-gave it to Mr. Hollis, who sent it in 1758, together
-with the works of Milton, to the Accademia
-della Crusca. Warton justly observes, "The first
-piece would have been a greater curiosity in England."
-With these facts the information of the
-most recent biographers of Milton seems to terminate.
-I am enabled, however, to prove that the
-work is <span class="sc">in print</span>, and shall transcribe my authority
-<i>verbatim</i>:</p>
-
-<blockquote>
-
-<p>"<span class="sc">Malatesti</span>, <i>Antonio</i>. <span class="sc">La tina</span>, equivoci rusticali (in
-50 sonetti). Londra, Tommaso Edlin, 1757, in 8ᵒ.</p>
-
-<p><i>Non è fatta in Londra quest' ediz. nel 1757, ma presso
-che 80 anni dopo in Venezia, ed in numero di 50 esemplari
-in carta velina, due in carta grande inglese da disegno, ed
-uno, unico, in</i> <span class="sc">pergamena</span>.</p>
-
-<p>Il Malatesti aveva regalato una copia di questi
-graziosissimi sonetti al celebre inglese Gio. Milton,
-nell' anno in cui egli visitava l'Italia. Dopo la morte
-del Milton pervennero in mano del sig. Brant, gentiluomo
-inglese, il quale una copia ne fece trarre per<span class="pagenum"><a id="Page_238"></a>{238}</span>
-regalarla a Gio. Marsili, prof. dell' Università di Padova,
-che nel 1757 si trovava in Londra. Il <span class="allsmcap">MS.</span> del
-Marsili servì a questa ristampa che porta in fronte
-quella stessa prefazione in inglese che stava nel <span class="allsmcap">MS.</span>
-Marsiliano."</p>
-
-</blockquote>
-
-<p>The authority alluded to is the fourth edition of
-the <i>Serie dei testi di lingua</i> of Bartolommeo Gamba,
-Venezia, 1839, royal 8vo.&mdash;one of the best bibliographical
-compilations ever produced. I was led
-to suspect, on glancing at the note, that Gamba
-himself was the editor of the volume, and now
-consider it as certain, for <i>La tina</i> appears under his
-name in the index. As copies of the work must
-have reached England I hope to see the dedication
-reprinted, and am sure it would be received as a
-welcome curiosity.</p>
-
-<p>I cannot commend Mr. Fellowes as a translator
-of Milton. <i>To Carolo</i> is a solecism; <i>Deodati</i>
-should be <i>Dati</i>; the period which precedes the
-extract is entirely omitted; and the five names
-which follow <i>Charles</i>, besides being mis-spelt, have
-the termination which can only be required in
-Latin composition! I believe we should read
-Coltellini, Francini, Frescobaldi, Malatesti, and
-Clementini. On Coltellini and Malatesti there is
-much valuable information in Poggiali and Gamba.</p>
-
-<p class="author"><span class="sc">Bolton Corney.</span></p>
-
-<hr class="full" />
-
-<h3>"THAT SWINNEY."</h3>
-
-<p class="center">(<i>Continued from</i> p. 215.)</p>
-
-<p>Swinney was the devoted servant of all men in
-power&mdash;of all who had been or were likely to be in
-power&mdash;except, perhaps, the peace-makers, who,
-curiously enough, did not please this minister of
-peace&mdash;of all, perhaps, who subscribed to his publications,
-or had the means to subscribe; and
-who, if they did not, might hereafter. Swinney's
-volume of <i>Fugitive Pieces</i> was dedicated to the
-Duke of Grafton. A third edition contains additions
-which show how Swinney's great zeal outran his
-little discretion. The following verses appeared
-originally in <i>The Public Advertiser</i> on the 27th of
-May, 1768, and are bad enough to be preserved
-as a curiosity:</p>
-
-<p class="center"><i>"An Extempore Effusion on reading a Scurrilous Invective
-against the Duke of G&mdash;&mdash;n [Grafton],
-published in yesterday's Newspapers.</i></p>
-
-<div class="poem">
- <div class="stanza">
- <p>Cursed be the Wretch, and blasted rot his name,</p>
- <p>Who dares to stab an injured G&mdash;&mdash;n's fame!</p>
- <p>Who (while his public virtue stands confest,</p>
- <p>And lives within his <span class="sc">Royal Master's</span> breast)</p>
- <p>Can rake for Scandal in his private life,</p>
- <p>And widen breaches between man and wife;</p>
- <p>Who casts a stone (like some unthinking Elf),</p>
- <p>That haply shall recoil against himself!</p>
- <p>Anguish, Remorse, and Terror seize his Soul,</p>
- <p>And waste it quick where fiends malicious howl;</p>
- <p>May those rank pests through which his father fell,</p>
- <p>Announce his coming to the Gates of Hell!</p>
- <p>And yet, or ere he plunge into the Lake,</p>
- <p>Where no cool stream his endless thirst can slake,</p>
- <p>May <span class="sc">Christ</span> in mercy deprecate his doom,</p>
- <p>And may to <span class="sc">Him</span> his promised Kingdom come!</p>
- </div>
- <div class="stanza">
- <p class="i12">"<span class="sc">Sidney Swinney.</span>"</p>
- </div>
-</div>
-
-<p>Not content with future punishment, the Doctor,
-in another poem, threatens present vengeance:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"But hark thee, wretch; believe him while he swears;</p>
- <p><span class="sc">Sid</span> (by the gods) will crop thine asses ears,</p>
- <p>Should thou persist a G&mdash;&mdash;n to impeach,</p>
- <p>And blast those virtues thou canst never reach."</p>
- </div>
-</div>
-
-<p>As Draper had taken Granby under his protection,
-so Swinney must needs play the chivalrous
-in defence of Grafton. The dedication of <i>The
-Battle of Minden</i> is dated 20th May, 1769, and the
-poet in the <i>exordium</i> goes out of his way to notice,
-as I suppose, the attacks of Junius:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"His [Sid's] blood recoils with an indignant rage,</p>
- <p>'Gainst the base hirelings of a venal age.</p>
- <p>Wretches! that spare nor ministers nor kings,</p>
- <p>Blend good with bad, profane with sacred things;</p>
- <p>Whose vengeful hearts, with wrath and malice curst,</p>
- <p>Blast virtuous deeds; and then, with envy burst,</p>
- <p>They dart their arrows, innocence traduce,</p>
- <p>And load e'en G&mdash;&mdash;n with their vile abuse."</p>
- </div>
-</div>
-
-<p>To this passage he appends the following note,
-which occupies, in his magnificent typographical
-volume, a whole quarto page:</p>
-
-<blockquote>
-
-<p>"It is observable that this amiable personage [the
-Duke of Grafton], and most consummate statesman,
-has been bespattered with as much low calumny and
-abuse, from various quarters, as if he had been the
-declared enemy of his country, instead of having manfully
-and courageously stood up in support of its true
-interests.&mdash;S."</p>
-
-</blockquote>
-
-<p>Let us consider now, What are the probabilities
-of Swinney never having spoken to Lord George
-Sackville?</p>
-
-<p>That he did on that occasion speak to Lord
-George&mdash;that he did ask him "whether or no he
-was the author of Junius"&mdash;may be assumed:
-and it is very probable that Junius heard of it, at
-first or at second hand, from Swinney himself; for
-the impertinent blockhead that would ask such a
-question, was just the man to tell what he had
-done, and to think it a good thing. But had he
-never before spoken to Sackville? Was this a
-fact or a flourish&mdash;an affectation of secret information,
-like the "sent" and "went" about
-Garrick&mdash;the "every particular next day"&mdash;which
-we now know to have been untrue.</p>
-
-<p>That Swinney had been chaplain to one of the
-British regiments serving in Germany is manifest
-from twenty different references in the poem and
-the notes. I lay no stress on his poetical flights
-about Euphorbus; but he speaks repeatedly from
-personal experience&mdash;specially refers to circumstances
-occurring when quartered at a farm-house
-near Embden&mdash;at the camp at Crossdorf&mdash;acknowledges
-personal favours received during the<span class="pagenum"><a id="Page_239"></a>{239}</span>
-campaign from General Harvey, and on another
-occasion attentions from Granby. Here, for example,
-is a poetical picture which brings Swinney
-vividly before us:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"At Marienbourn, the vaunting army halts,</p>
- <p class="i8">...</p>
- <p><i>A pastor</i> from the heav'n-devoted train,</p>
- <p>Brings hams and fowls, and spreads them on the plain:</p>
- <p>The jovial officers their bellies fill,</p>
- <p><i>Rally their chaplain</i>, and applaud him still."</p>
- </div>
-</div>
-
-<p>Swinney must therefore have served under
-Sackville; for, as he tells us, Sackville</p>
-
-<div class="poem">
- <div class="stanza">
- <p class="i8">"by George was made</p>
- <p>Good Marlbro's successor"&mdash;</p>
- </div>
-</div>
-
-<p>and certainly the probabilities are that he must
-have been personally known to&mdash;had before
-spoken to him. Sackville must at this very time
-have been particularly anxious about Swinney
-and his doings, wise or unwise. That fatal battle
-of Minden had been the ruin of all his hopes&mdash;the
-overthrow of all his ambition. In my opinion,
-Sackville had been shamefully and shamelessly
-run down on that occasion; but whether justly or
-unjustly stripped of his honours and degraded for
-his conduct, here was a man about to write
-a poem on the battle, to immortalise those who
-fought in it; and Sackville must have been keenly
-alive to what he might say of him. Swinney
-foreshadowed what his opinion would be in the
-First Book, where he enumerates Sackville
-amongst his "choice leaders"&mdash;</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"Good Marlbro', Sackville, Granby, Waldgrave bold,</p>
- <p>Brudenell and Kingsley."</p>
- </div>
-</div>
-
-<p>This was published early in 1769.</p>
-
-<p>In the Second Book Lord George is brought
-prominently forward. The "bewilder'd Ferdinand,"
-"doubtful himself," summons a council of
-war, and calls first on Sackville for advice.</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"Sackville, disclose the secret of thy breast:</p>
- <p>Say, shall we linger in ignoble rest?</p>
- <p>Shall we retreat? advance, or perish here?</p>
- <p>Resolve our queries: state thy judgment clear."</p>
- </div>
-</div>
-
-<p>Sackville now plays the "high heroical," and
-talks through six pages; but to what purpose I
-am unable to conjecture. There <i>seems</i> to be a
-great deal of angry remonstrance&mdash;of offensive
-remonstrance:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"When I ask [says Sackville to Ferdinand], didst ever thou consult</p>
- <p>A chief, till now, and wait the sage result?</p>
- <p>When Aalm's camp was deluged all in rain,</p>
- <p>And floods rusht o'er an undistinguisht plain,</p>
- <p>To thy flint heart remonstrances were vain:</p>
- <p>What, then, avail'd neglected Marlbro's prayers!</p>
- <p>His instances? His unremitted cares?</p>
- <p>The Elector's stables had sufficient room,</p>
- <p>Stalls, without end, anticipate the doom</p>
- <p>Of British chargers, forced to march, at noon,</p>
- <p>Beneath their riders' weight and scorching sun."</p>
- </div>
-</div>
-
-<p>Swinney then gives in a note what he calls the
-genuine queries proposed by Prince Ferdinand,
-with Sackville's answer: which answer is nearly
-as void of distinct meaning as the poetry, but in
-favour I think of risking a battle. The general purport,
-however, foreshadows what Swinney's conclusion
-would have been&mdash;that Sackville, the friend of
-the British soldier, protested against the frauds by
-which they were robbed and starved; protested
-against their being called on to do all the work,
-and run all the risks of the campaign; and disdains
-to humour or flatter Prince Ferdinand.
-These were, in brief, the explanations given by
-Sackville's friends as the cause of his disgrace&mdash;Granby
-the favoured, a gallant soldier indeed,
-but a mere soldier, being comparatively indifferent
-about such commissarial matters, and much more
-easily deceived by the cunning of the selfish Germans
-and English. This intention is made still
-more clear in another note, wherein Swinney
-states:</p>
-
-<blockquote>
-
-<p>"We may be enabled to account for a certain disgraceful
-event, in some future observation of ours,
-equally to <i>the honour of the person disgraced</i>, and to the
-innocent cause of that disgrace."</p>
-
-</blockquote>
-
-<p>Under these circumstances there can be little
-doubt that Sidney Swinney, D.D., was the party
-alluded to by Junius; as little, I think, that Swinney
-had before, and long before, spoken to Lord George
-Sackville,&mdash;must have been dear to Sackville, as
-one of the few who had served under, and yet had a
-kind word to say for him,&mdash;had said it indeed, and
-was about to repeat it emphatically. That Swinney
-was the fool Junius asserted, the extract already
-given must have abundantly proved; but I
-will conclude with one other, in which he not
-only anticipated Fitzgerald, but anticipated the
-burlesque exaggerations in the "Rejected Addresses:"</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"Horse, Foot, Hussars, or ere they march review'd.</p>
- <p class="i8">...</p>
- <p>The Foot, that form the first and second line,</p>
- <p>All smartly drest, like Grecian heroes shine;</p>
- <p>Their bold cock'd hats, their spatterdashers white,</p>
- <p>And glossy shoes, attract his ravish'd sight."</p>
- </div>
-</div>
-
-<p class="author">T. S. J.</p>
-
-<hr class="full" />
-
-<h3>TOM, MYTHIC AND MATERIAL.</h3>
-
-<p>"All <i>Toms</i> are alike," quoth the elegant Pelham;
-and if we were asked to define the leading idea of
-him, we should describe a downright honest John
-Bull, essentially manly, but withal a bit&mdash;perhaps
-a large bit&mdash;of a dullard. His masculinity is unquestionable.
-A male cat, as every body knows,
-is a <i>Tom</i>-cat; a romping boy-like girl is a <i>Tom</i>-boy,
-or a <i>Tom</i>-rig; a large nob-headed pin is a
-<i>Tom</i>-pin; and in many provincial dialects the
-great toe is, <i>par excellence</i>, the <i>Tom</i>-toe. Last, not<span class="pagenum"><a id="Page_240"></a>{240}</span>
-least, there is the nectar of St. Giles, the venerable
-Old <i>Tom</i>. In proof of his stupidity we can adduce
-a goodly show of epithets&mdash;<i>Tom</i>-fool, <i>Tom</i>-neddy,
-<i>Tom</i>-noddy, <i>Tom</i>-cull, <i>Tom</i>-coney, <i>Tom</i>-farthing,
-&amp;c. We know, indeed, there are people who hold
-that even in these instances <i>Tom</i> is merely the
-masculine prefix to distinguish the <i>he</i>-fool (<i>i. e.</i>
-the <i>Tom</i>-fool) from the Molly or <i>she</i>-fool of the
-ancient mumming. But the race of Toms must
-not lay this flattering unction to their souls, for
-the hypothesis won't stand. The very monosyllable
-itself, like "Sammy," has a strong twang of the
-bauble in it. An open truth-loving fellow is a
-<i>Tom</i> Tell-truth; but, on the other hand, all
-tinkers&mdash;a sadly libelled race of men&mdash;are invariably
-<i>Tom</i>-tinkers, as all tars have been <i>Jack</i>-tars from
-time immemorial. In some of the old-fashioned
-country games at cards the knave is called <i>Tom</i>;
-and the wandering mendicants who used to levy
-black-mail, under the plea of insanity, were Mad
-<i>Toms</i>, or "<i>Toms</i>-o'-Bedlam." "Tom all alone"
-is a northern <i>sobriquet</i> for the Wandering Jew,
-who, the last time we heard of him, was caught
-stealing gingerbread nuts at Richmond Fair. In
-the legendary division there is the notorious <i>Tom</i>-Styles&mdash;the
-depredatory <i>Tom</i> the piper's son
-(legitimate issue of <i>Tom</i> Piper, the musician of
-the old Morris Dance)&mdash;the fortunate <i>Tom</i> Tidler
-of the original diggings, and that heroic little liege
-of Queen Mab, the knight of the thumb. <i>Tom</i>-Tumbler
-was a saltatory fiend in the days of Reginald
-Scott; and <i>Tom</i> Poker still devours little
-folks in Suffolk, without doubt (thinks Forby) a
-descendant of the Sui.-G. <i>tompte poecke</i>, or house-goblin.
-As for the ignominious <i>Tom</i> Tiler (North
-Country for hen-pecked husband) we cannot
-allow him to belong to the family; for who can
-imagine a hen-pecked Tom! he must have been
-a wretched individuality, a suffering, corporeal
-Tiler.</p>
-
-<p>Tom also bestows his name on divers other
-things, animate and inanimate. Among fishes
-there are <i>Tommy</i>-Loach, <i>Tommy</i>-Bar, and <i>Tom</i>-Toddy
-(the Cornish name of the tod-pole). The
-Long-<i>Tom</i> and the <i>Tom</i>-tit are both ornithological
-Toms. Tom Tailor is a child's name for the
-Harry-long-legs&mdash;another singular instance, by
-the way, of Christian names applied to animals.
-<i>Tom</i>-trot reminds one of pre-pantaloon orgies,
-and is (I think) something in the brandy-ball line.
-Finally, we may remark, that a large proportion
-of her Majesty's subjects are in the habit of conferring
-the endearing name upon the staff of life
-itself. "Navvies," agricultural labourers, and
-such like gentry, are accustomed to divide all
-human food into two classes, which they euphonically
-denominate respectively <i>Todge</i> and <i>Tommy</i>;
-the former comprising spoon-meat, and the latter
-all hard food which requires mastication. But
-this, we think, is not a case of Tom <i>per se</i>, but
-rather referable to the Camb.-Brit. <i>tama</i>, which
-has exactly the same acceptation.</p>
-
-<p class="author"><span class="sc">V. T. Sternberg.</span></p>
-
-<hr class="full" />
-
-<h3>SHAKSPEARE CORRESPONDENCE.</h3>
-
-<p><i>Shakspearian Parallels.</i>&mdash;Searching for Shakspearian
-parallels, I find the following, which may
-leave suggested to our bard his <i>Seven Ages</i>. The
-first is by Solon, extracted from Clemens Alexandrinus
-(<i>Stromat.</i> vi. p. 685., Paris, 1629), which
-differs from Philo Judæus (i. p. 25.), the only two
-authorities to whom we owe the preservation of
-this ode, as also from the text of the critic Brunck
-and the grammarian Dalzell. An imitation of the
-Greek metres is attempted in the paraphrased
-translation attached. The second is a sonnet from
-Tusser, who extends the period of life beyond
-seventy, the age of Solon and David in hotter
-climes, to eighty-four for hyperboreans, but assigns,
-with David, the imbecility belonging to
-such advanced years.</p>
-
-<div class="poem">
- <div class="stanza">
- <p class="i1">7. Παῖς μὲν ἄνηβος ἐὼν ἔτι νήπιος ἕρκος ὀδόντων</p>
- <p class="i2">Φύσας, ἐκβάλλει πρῶτον ἐν ἕπτ' ἔτεσιν.</p>
- </div>
- <div class="stanza">
- <p>14. Τοὺς δ' ἑτέρους ὅτε δὴ τελέσει Θεὸς ἕπτ' ἐνιαυτοὺς,</p>
- <p class="i2">Ἥβης ἐκφαίνει σπέρματα γεινομένης.</p>
- </div>
- <div class="stanza">
- <p>21. Τῇ τριτατῃ δὲ γένειον ἀεξομένων ἐπὶ γυίων</p>
- <p class="i2">Λαχνοῦται, χροιῆς ἄνθος ἀμειβομένης.</p>
- </div>
- <div class="stanza">
- <p>28. Τῇ δὲ τετάρτῃ πᾶς τις ἐν ἑβδομάδι μέγ' ἄριστος</p>
- <p class="i2">Ἰσχὺν, ἥντ' ἄνδρες σήματ' ἔχουσ' ἀρετῆς.</p>
- </div>
- <div class="stanza">
- <p>35. Πέμπτῃ δ' ὥριον ἄνδρα γάμου μεμνημένον εἶναι.</p>
- <p class="i2">Καὶ παίδων ζητεῖν εἰς ὀπίσω γενεήν.</p>
- </div>
- <div class="stanza">
- <p>42. Τῇ δ' ἕκτῃ περιπάντα καταρτύεται γόος ἀνδρὸς,</p>
- <p class="i2">Οὐδ' ἐσιδεῖν ἔθ' ὁμῶς ἔργα μάταια θέλει.</p>
- </div>
- <div class="stanza">
- <p>49. Ἑπτὰ δὲ νοῦν καὶ<a name="footnotetag1" href="#footnote1"><sup>[1]</sup></a> γλώσσαν ἐν ἑβδομάσι μέγ' ἄριστος·</p>
- </div>
- <div class="stanza">
- <p>56. Οκτὼ δ' ἀμφοτέρων τέσσαρα καὶ δέκ' ἔτη,</p>
- </div>
- <div class="stanza">
- <p>63. Τῇ δ' ἐνάτῃ ἔτι μὲν δύναται, μετριώτερα δ' αὐτοῦ,</p>
- <p class="i2">Πρὸς μεγάλην ἀρετὴν σῶμά τε καὶ δύναμις.</p>
- </div>
- <div class="stanza">
- <p>70. Τῇ δεκάτῃ δ' ὅτε δὴ τελέσῃ Θεὸς ἕπτ' ἐνιαυτοὺς,</p>
- <p class="i2">Οὐκ ἂν ἄωρος ἐὼν μοῖραν ἔχοι θανάτου.</p>
- </div>
-</div>
-
-<div class="poem">
- <div class="stanza">
- <p class="i1">7. Youth immature, not a tooth in his jaws, while an infant he slumbers</p>
- <p class="i2">Growing, shows teeth i' th' first seven years of his life.</p>
- </div>
- <div class="stanza">
- <p>14. God, in the next seven years, to him grants ev'ry pow'r of production;</p>
- <p class="i2">Thus soon commands man, sacred, to look on the sex.</p>
- </div>
- <div class="stanza">
- <p>21. Thirdly, his beard, while it roughens his chin; and his limbs, freely playing,</p>
- <p class="i2">Grow lust'rously-bright, changing their flowery hue.</p>
- </div>
- <div class="stanza">
- <p>28. Fourth, in this sev'n-fold older, the <i>man</i> very speedily shoots forth,</p>
- <p class="i2">Mighty in muscular limbs, proud of his vigour and strength.<span class="pagenum"><a id="Page_241"></a>{241}</span></p>
- </div>
- <div class="stanza">
- <p>35. Fifth, in maturity, glowing in health, with his heart in the right place,</p>
- <p class="i2">Let him, wisdom-join'd, think upon children to come.</p>
- </div>
- <div class="stanza">
- <p>42. Sixth, let him carefully ponder on things of importance to mankind;</p>
- <p class="i2">Disdaining whate'er, formerly, foolish he sought.</p>
- </div>
- <div class="stanza">
- <p>49. Seventh, in mind or in tongue is he best, either one or the other:</p>
- </div>
- <div class="stanza">
- <p>56. Eighth, both join'd in excelling, for a term of fourteen.</p>
- </div>
- <div class="stanza">
- <p>63. Ninth, he declines in his powers of force, and the deeds of his youthhood;</p>
- <p class="i2">Shorn of the vigour of manhood, he awaits his recall.</p>
- </div>
- <div class="stanza">
- <p>70. God in the tenth of the seven, mature, all his functions develop'd,</p>
- <p class="i2">Consigns him, full ripe, darkly to sleep in the dust.</p>
- </div>
-</div>
-
-<p>So far Solon. Tusser quaintly but wisely:</p>
-
-<div class="poem">
- <div class="stanza">
- <p class="i2">"Man's age divided here ye have,</p>
- <p class="i2">By 'prenticeships, from birth to grave.</p>
- </div>
- <div class="stanza">
- <p class="i1">7. The first seven years bring up as a child,</p>
- <p>14. The next to learning, for waxing too wild.</p>
- <p>21. The next, keep under Sir Hobbard de Hoy;</p>
- <p>28. The next, a man, no longer a boy.</p>
- <p>35. The next, let Lusty lay wisely to wive;</p>
- <p>42. The next, lay now, or else never to thrive.</p>
- <p>49. The next, make sure for term of thy life;</p>
- <p>56. The next, save somewhat for children and wife.</p>
- <p>63. The next, be stayd, give over thy lust;</p>
- <p>70. The next, think hourly, whither thou must.</p>
- <p>77. The next, get chair and crutches to stay;</p>
- <p>84. The next, to heaven God send us the way!</p>
- </div>
- <div class="stanza">
- <p class="i2">Who loseth their youth shall rue it in age.</p>
- <p class="i2">Who hateth the truth in sorrow shall rage."</p>
- </div>
-</div>
-
-<p class="author"><span class="sc">T. J. Buckton.</span></p>
-
-<p>Birmingham.</p>
-
-<div class="note">
-
-<p><a name="footnote1"></a><b>Footnote 1:</b><a href="#footnotetag1">(return)</a></p>
-
-<p>Read ἢ for καὶ.</p>
-
-</div>
-
-<p><i>"Contents dies"&mdash;Love's Labour's Lost, Act V.
-Sc. 2.</i> (Vol. viii., pp. 120. 169.).&mdash;I must be
-permitted, with all due courtesy, to correct <span class="sc">Mr.
-Arrowsmith's</span> assertion respecting this phrase;
-because, from its dogmatic tone, it is calculated
-to mislead readers, and perhaps editors. He
-maintains that this is a good concord, and pronounces
-Johnson and Collier (myself, of course,
-included) to be "unacquainted with the usage of
-their own tongue, and the universal language of
-thought," for not discerning it.</p>
-
-<p>Now it may, perhaps, surprise <span class="sc">Mr. Arrowsmith</span>
-to be told that he has proved nothing&mdash;that not a
-single one of his instances is relevant. In this
-passage the verb is <i>neuter</i> or <i>active</i>; in all of his
-quotations it is the verb <i>substantive</i> we meet.
-Surely one so well versed, as we must suppose him
-to be, in general grammar, requires not to be told
-that this verb takes the same case after as before
-it, and that the governing case often follows.
-Indeed, he has recognised this principle by giving
-"This is the contents thereof" as one of his instances
-of "contents" governing a singular verb.
-Let him then produce an <i>exact</i> parallel to "contents
-dies," or even such a structure as this, "the contents
-<i>is</i> lies and calumnies," and then we may
-hearken to him. Till that has been done, my interpretation
-is the only one that gives sense to the
-passage without altering the text.</p>
-
-<p>An exact parallel to the sense in which I take
-"contents" is found in&mdash;</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"But heaven hath a hand in these events,</p>
- <p>To whose high will we bound our calmly <i>contents</i>."</p>
- </div>
- <div class="stanza">
- <p class="i12"><i>Rich. II.</i>, Act V. Sc. 2.</p>
- </div>
-</div>
-
-<p>In conclusion, I must add that I still regard this
-emendatory criticism as a "game," the Latin
-<i>ludus</i>, as it gives scope to sagacity and ingenuity,
-but can rarely hope to arrive at certainty; and it
-does not, like questions of ethics or politics, involve
-important interests, and should never excite our
-angry feelings. As to "cogging and falsification,"
-which <span class="sc">Mr. A.</span> joins with it, they can have no just
-reference to <i>me</i>, as I have never descended to the
-employment of such artifices.</p>
-
-<p class="author"><span class="sc">Thos. Keightley.</span></p>
-
-<p>P. S.&mdash;I have just seen H. C. K.'s observation
-on "clamour your tongues" in the <i>Winter's Tale</i>,
-and it really seems strange that he should not
-have read, or should have forgotten my view of it
-in "N. &amp; Q.," which is precisely similar to his
-own. As to suspecting him of pilfering from me,
-nothing is farther from my thoughts.</p>
-
-<p><i>Meaning of Delighted.</i>&mdash;With reference to the
-word <i>delighted</i> in Shakspeare, much discussed in
-"N. &amp; Q.," may I remind you that we call that
-which carries (or is furnished, or provided with)
-wings, <i>winged</i>; that which carries wheels, <i>wheeled</i>;
-that which carries masts, <i>masted</i>; and so on. Why
-then should not a pre-Johnsonian writer call that
-which carries delight, <i>delighted</i>? It appears to
-me that this will sufficiently explain "delighted
-beauty;" and "the delighted spirit" I would
-account for in the same way: only remarking that
-in this case, the borne delights meant are delights
-to the bearer; in the other case, delights to all
-whom the bearer approaches.</p>
-
-<p class="author">J. W. F.</p>
-
-<hr class="full" />
-
-<h3>Minor Notes.</h3>
-
-<p><i>Gray&mdash;"The ploughman homeward plods."</i>&mdash;On
-looking over some MSS. which I had not seen
-for years, I met with one of which the following is
-a copy:</p>
-
-<blockquote>
-
-<p>"A person had a paper folded with this line from
-Gray marked on it&mdash;</p>
-
-<div class="poem">
- <div class="stanza">
- <p>'The ploughman homewards plods his weary way.'</p>
- </div>
-</div>
-
-<p>A poetical friend, on looking at the quotation, thought
-it might be expressed in various ways without destroying<span class="pagenum"><a id="Page_242"></a>{242}</span>
-the rhyme, or altering the sense. In a short time
-he produced the following eleven different readings.
-It is doubtful whether another line can be found, the
-words of which admit of so many transpositions, and
-still retain the original meaning:&mdash;</p>
-
-<div class="poem">
- <div class="stanza">
- <p class="i1">1. The weary ploughman plods his homeward way.</p>
- <p class="i1">2. The weary ploughman homeward plods his way.</p>
- <p class="i1">3. The ploughman, weary, plods his homeward way.</p>
- <p class="i1">4. The ploughman weary homeward plods his way.</p>
- <p class="i1">5. Weary the ploughman plods his homeward way.</p>
- <p class="i1">6. Weary the ploughman homeward plods his way.</p>
- <p class="i1">7. Homeward the ploughman plods his weary way.</p>
- <p class="i1">8. Homeward the ploughman weary plods his way.</p>
- <p class="i1">9. Homeward the weary ploughman plods his way.</p>
- <p>10. The homeward ploughman weary plods his way.</p>
- <p>11. The homeward ploughman plods his weary way."</p>
- </div>
-</div>
-
-</blockquote>
-
-<p>I know not whether this has ever appeared in
-print. To me it is new, at least it was, as I now
-recollect, when I read it several years ago; but
-as the exercise is ingenious, I thought I would
-trespass on "N. &amp; Q." with it, so that, if not heretofore
-printed or known, it might be made "a note
-of."</p>
-
-<p class="author"><span class="sc">A Hermit at Hampstead.</span></p>
-
-<p><i>Poetical Tavern Signs.</i>&mdash;Passing through Dudley
-the other day, I jotted down two signs worthy, I
-think, of a place in "N. &amp; Q."</p>
-
-<p>No. 1. rejoices in the cognomen of the "Lame
-Dog" with the following distich:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"Step in, my friend, and rest awhile,</p>
- <p>And help the Lame Dog over the style."</p>
- </div>
-</div>
-
-<p>No. 2., with a spirited representation of a round
-of beef, invites her Majesty's subjects thus:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"If you are hungry, or adry,</p>
- <p class="i1">Or your stomach out of order,</p>
- <p>Their's sure relief at the 'Round of Beef,'</p>
- <p class="i1">For both these two disorders."</p>
- </div>
-</div>
-
-<p class="author"><span class="sc">R. C. Warde.</span></p>
-
-<p>Kidderminster.</p>
-
-<p><i>"Aquæ in Vinum conversæ. Vidit et erubuit lympha
-pudica Deum."</i>&mdash;The interesting note under
-this title (Vol. vi., p. 358.) refers to Campbell's
-<i>Poets</i>. The following is an extract from Campbell:</p>
-
-<blockquote>
-
-<p>"Richard Crashaw there [Cambridge] published his
-Latin poems, in one of which is the epigram from a
-Scripture passage:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"<i>Lympha</i> pudica Deum vidit et <i>erubuit</i>.'"</p>
- </div>
- <div class="stanza">
- <p class="i4">Campbell's <i>Brit. Poets</i>, ed. 1841, p. 198.</p>
- </div>
-</div>
-
-</blockquote>
-
-<p>In the <i>Poemata Anglorum Latina</i> is the following
-epigram on our Saviour's first miracle at the
-marriage feast:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"Unde rubor vestris et non sua purpura lymphis,</p>
- <p>Quæ rosa mirantes tam nova mutat aquas?</p>
- <p>Numen (convivæ) præsens agnoscite numen&mdash;</p>
- <p>Vidit et erubuit <i>nympha</i> pudica Deum."</p>
- </div>
-</div>
-
-<p>I presume this epigram is Crashaw's poem to
-which Campbell refers; but query. Until I saw
-the note in "N. &amp; Q.," I supposed that the celebrated
-line&mdash;</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"Lympha pudica Deum vidit et erubuit."</p>
- </div>
-</div>
-
-<p>was the happy <i>ex tempore</i> produce of Dryden's
-early genius, when a boy, at Westminster School.
-If the epigram which I have copied is the original,
-the last line is surely much improved by the (traditional)
-line which Campbell has recorded. Surely
-<i>lympha</i> is preferable to <i>nympha</i>; and surely the
-order of the word erubuit ending the line is the
-best.</p>
-
-<p class="author">F. W. J.</p>
-
-<p><i>Spurious Edition of Baily's "Annuities"</i> (Vol. iv.,
-p. 19.).&mdash;In the place just referred to, I pointed
-out how to distinguish the spurious editions, among
-other marks, by the <i>title-page</i>. I looked at a copy
-on a stall a few days ago, and found that <i>the title-page
-has been changed</i>. Those who have reprinted
-it have chosen the old title-page, which
-stood in the work before two volumes were made
-of it.</p>
-
-<p class="author"><span class="sc">A. De Morgan.</span></p>
-
-<p><i>"Illustrium Poetarum Flores."</i>&mdash;On leaving
-London I thought of bringing with me two or
-three pocket classics; unfortunately, in looking
-for them, I picked up <i>Illustrium Poetarum Flores
-per Octavianum Mirandulam olim Collecti</i>, &amp;c.,
-Londini, 1651, and brought that little book with
-me instead; and, upon looking into it, I find it the
-worst printed book I ever saw; and I send you
-this Note as to it, as a warning against so disgraceful
-a publication. Such a work, if well
-executed and properly printed, would be a very
-pleasant companion in a vacation ramble.</p>
-
-<p class="author">S. G. C.</p>
-
-<p><i>French Jeux d'Esprit.</i>&mdash;In the spring of 1852,
-when Prince Louis Napoleon was doing all he
-could to secure the imperial crown, the following
-hexameter line was passed from mouth to mouth
-by the Legitimates. I am inclined to think that it
-never appeared in print:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"Napoleo cupit Imperium, indeque Gallia ridet."</p>
- </div>
-</div>
-
-<p>Which translated <i>mot-à-mot</i> gives a clever
-double sense:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"Napoléon désire l'empire, et la France <i>en rit</i> [<i>Henri</i>]."</p>
- </div>
-</div>
-
-<p class="author"><span class="sc">J. H. de H.</span></p>
-
-<hr class="full" />
-
-<h2>Queries.</h2>
-
-<h3>SAMUEL WILSON.</h3>
-
-<p>I should be glad of any information respecting
-Samuel Wilson, Esq., of Hatton Garden, in the
-parish of St. Andrew, Holborn, whose will was
-proved October 24, 1769, and which I have read.
-He was the donor of the bequest, known as
-"Wilson's Charity," to the Corporation of the<span class="pagenum"><a id="Page_243"></a>{243}</span>
-City of London, for loans to poor tradesmen. I
-wish to ask,&mdash;</p>
-
-<p>1. What is known of his origin, family, personal
-history, &amp;c.?</p>
-
-<p>2. What was his precise degree of relationship
-to the Halseys, whom he calls "cousins" in his
-will? Were they related to the family of that
-name at Great Gaddesden, Herts?</p>
-
-<p>3. Did he publish any, and what, letters or
-books? for he leaves his MSS. of every kind to
-his friend Richard Glover, Esq. (the poet I presume),
-with full power to collect any letters or
-papers he may have already published, and also
-to arrange and publish any more which he may
-think intended or suitable for publication.</p>
-
-<p>4. Is there any published sketch of his life?
-The only notice I have seen is the one of a few
-lines in the <i>Gentleman's Magazine</i>, just after his
-death.</p>
-
-<p>In compliance with your excellent suggestion
-(Vol. vii., p. 2.), I send my address in a stamped
-envelope for any private communication which
-may not interest the general reader.</p>
-
-<p class="author">E. A. D.</p>
-
-<hr class="full" />
-
-<h3>Minor Queries.</h3>
-
-<p><i>The Rothwell Family.</i>&mdash;When William Flower,
-Esq., Norroy, confirmed the ancient arms of this
-family to Stephen Rothwell, gent., of Ewerby,
-county of Lincoln, on the 1st April, 1585, and
-granted a crest (no such being found to his ancient
-arms), the said Stephen Rothwell was stated to be
-"ex sui cognominis familia antiqua in comitatu
-Lancastriæ oriundus." Can any of the readers of
-"N. &amp; Q." give any information respecting the
-family from which he is stated to be descended?</p>
-
-<p class="author"><span class="sc">Glaius.</span></p>
-
-<p><i>Definition of a Proverb.</i>&mdash;Where can I find
-the source whence I. D'Israeli took his definition
-of a proverb, viz. "The wisdom of many and the
-wit of one?"</p>
-
-<p class="author"><span class="sc">C. Mansfield Ingleby.</span></p>
-
-<p>Birmingham.</p>
-
-<p><i>Latin Riddle.</i>&mdash;Aulus Gellius (<i>Noctes Atticæ</i>,
-lib. <span class="allsmcap">XII.</span> cap. vi.) proposes the following enigma,
-which he terms "Per hercle antiquum, perque lepidum:"</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"Semel minusne, an bis minus, non sat scio,</p>
- <p>An utrumque eorum, ut quondam audivi dicier</p>
- <p>Jovi ipsi regi noluit concedere."</p>
- </div>
-</div>
-
-<p>The answer he withholds for the usual reason,
-"Ut legentium conjecturas in requirendo acueremus."</p>
-
-<p>Is there among the readers of "N. &amp; Q." an
-Œdipus who will furnish a solution?</p>
-
-<p class="author"><span class="sc">R. Price.</span></p>
-
-<p>St. Ives.</p>
-
-<p><i>D. Ferrand&mdash;French Patois.</i>&mdash;Hallman, in the
-7th chapter of his <i>Poesie und Beredsamkeit der
-Franzosen</i>, gives several specimens of the French
-provincial poets of the sixteenth century, and
-among these the following from a poem on the dispersing
-of a meeting of Huguenots by the soldiers:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"Quand des guerriers fut la troupe entinchée</p>
- <p>Non n'aleguet le dire du Prescheux,</p>
- <p>Que pour souffrir l'ame est de Dieu tombée,</p>
- <p>Femme et Mary, comme le fianchée,</p>
- <p>Pour se sauver quitest leu zamoreux</p>
- <p>En s'enfiant ocun n'avet envie,</p>
- <p>De discourir de l'Eternelle vie,</p>
- <p>Sainct Pol estet en alieur guissement</p>
- <p>No ne palet de Bible en Apostille</p>
- <p>Qui en eut palé quand fut en un moment</p>
- <p>Les pretendus grippez par la Soudrille.</p>
- </div>
- <div class="stanza">
- <p>"Le milleur fut quand la troupe enrangée</p>
- <p>Fut aux Fauxbourgs, hors de lieu perilleux,</p>
- <p>Car tiel n'estet o combat qu'on Pygmée,</p>
- <p>Qui se diset o milieu de stermée</p>
- <p>S'estre monstre un géant orgueilleux</p>
- <p>Les femmes ossi disest ma sœur, m'amie,</p>
- <p>De tout su brit ie sis toute espamie,</p>
- <p>Petit troupeau que tu as de tourment,</p>
- <p>Pour supporter le faix de l'Evangile</p>
- <p>Souffrira-t-on qu'on vaye impudement</p>
- <p>Les pretendus grippez par la Soudrille."</p>
- </div>
- <div class="stanza">
- <p class="i8">D. Ferrand, <i>Inv. Gen.</i>, p. 304.</p>
- </div>
-</div>
-
-<p>Hallman gives no farther information. I shall
-be glad if any of your readers can tell me who
-D. Ferrand was, what he wrote, and of what province
-the above is the <i>patois</i>.</p>
-
-<p class="author"><span class="sc">B. Snow.</span></p>
-
-<p>Birmingham.</p>
-
-<p><i>"Fac precor, Jesu benigne," &amp;c.</i>&mdash;In the <i>Sacra
-Privata</i>, new edition, Bishop Wilson quotes the
-following lines:</p>
-
-<div class="poem">
- <div class="stanza">
- <p class="i8">"Fac precor,</p>
- <p>Jesu benigne, cogitem</p>
- <p>Hæc semper, ut semper tibi</p>
- <p>Summoque Patri, gratias</p>
- <p>Agam, pieque vos colam,</p>
- <p>Totâque mente diligam."</p>
- </div>
-</div>
-
-<p>Can any of your readers inform me where they
-come from?</p>
-
-<p class="author"><span class="sc">William Denton.</span></p>
-
-<p><i>The Arms of De Sissonne.</i>&mdash;Can any of your
-correspondents inform me where I could find a
-copy of <i>Histoire Généalogique de la Maison Royale
-de France</i>, or any other work in which are blazoned
-the arms of "De Sissonne" of Normandy,
-connected with that regal house?</p>
-
-<p class="author">J. L. S.</p>
-
-<p><i>Sir George Brown.</i>&mdash;Sir George Brown, of West
-Stafford, Berks, and of Wickham Breaux, Kent,
-married Eleanor, daughter of Sir R. Blount, of
-Maple Durham, Oxon; and by her had issue several
-children, and amongst them one son Richard, who
-was a child under five years of age in 1623. I
-shall feel obliged if any of your correspondents
-can tell me where I can find a pedigree of this
-Richard, and in particular whether he married,<span class="pagenum"><a id="Page_244"></a>{244}</span>
-whom he married, and the names of his several
-children, if any.</p>
-
-<p class="author"><span class="sc">Newburiensis.</span></p>
-
-<p><i>Professional Poems.</i>&mdash;Can you tell me who is
-the author of <i>Professional Poems by a Professional
-Gentleman</i>, 12mo., 1827, published at Wolverhampton;
-and by Longman, London?</p>
-
-<p class="author"><span class="sc">Gw.</span></p>
-
-<p><i>"A mockery," &amp;c.</i>&mdash;Whence is the quotation,
-"A mockery, a delusion, and a snare?"</p>
-
-<p class="author">W. P.</p>
-
-<p><i>Passage in Whiston.</i>&mdash;In <i>Taylor on Original
-Sin</i>, Lond. 1746, p. 94., it is said:</p>
-
-<blockquote>
-
-<p>"Mr. Whiston maintains that regeneration is a
-literal and physical <i>being born again</i>, and is granted to
-the faithful at the beginning of the millennium."</p>
-
-</blockquote>
-
-<p>The marginal reference is, <i>Whiston on Original
-Sin, &amp;c.</i>, p. 68.</p>
-
-<p>I cannot find the book or the doctrine in any
-collection of Whiston's writings which I have met
-with; but as he was a copious writer and a versatile
-theologian, both may exist. Can any reader
-of "N. &amp; Q." tell me where to find them?</p>
-
-<p class="author">J. T.</p>
-
-<p><i>Shoulder Knots and Epaulettes.</i>&mdash;What is the
-origin of the shoulder knot, and its ancient use?
-Has it and the epaulette a common origin?</p>
-
-<p class="author"><span class="sc">Getsrn.</span></p>
-
-<p><i>The Yew Tree in Village Churchyards.</i>&mdash;Why
-did our forefathers choose the yew as the inseparable
-attendant upon the outer state of the churches
-raised by them? Apart from its grave and
-sombre appearance, I cannot help recognising a
-mysterious embodiment of the spirit of evil as the
-intention of the planters. We know that in all
-mediæval edifices there is an apparent and discernible
-endeavour to place in juxta-position the
-spirits of good and evil, to <i>materialise</i> the idea of
-an adversative spirit, antagonistic to the church's
-teachings, and hurtful to her efforts of advancement.
-I look upon the grotesque cephalic corbels
-as one modification of this, and would interpret
-many equally mysterious emblems by referring
-them to the same actuating desire. Now the yew
-is certainly the most deadly of indigenous productions,
-and therefore would be chosen as the
-representative of a spirit of destruction, the opposite
-to one that giveth life by its teachings, of
-which the building itself is the sensible sign. I
-crave more information from some learned ecclesiologist
-on the subject, which is certainly a most
-interesting one.</p>
-
-<p class="author"><span class="sc">R. C. Warde.</span></p>
-
-<p>Kidderminster.</p>
-
-<p><i>Passage in Tennyson.</i>&mdash;</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"Or underneath the barren bush,</p>
- <p>Flits by <i>the blue seabird of March</i>."</p>
- </div>
-</div>
-
-<p>In <i>Memoriam</i>, xc. What bird is meant?</p>
-
-<p class="author">W. T. M.</p>
-
-<p>Hong Kong.</p>
-
-<p><i>"When the Maggot bites."</i>&mdash;A note will oblige
-to explain the origin of the phrase, that a thing
-done on the spur of the moment is done "When
-the maggot bites."</p>
-
-<p class="author"><span class="sc">Anon.</span></p>
-
-<p><i>Eclipses of the Sun.</i>&mdash;Where can I find a list
-of solar eclipses that have taken place since the
-time of the invasion of Julius Cæsar? I am
-greatly in want of this information, and shall be
-grateful to any correspondent who will give me
-the reference required.</p>
-
-<p class="author"><span class="sc">C. Mansfield Ingleby.</span></p>
-
-<p>Birmingham.</p>
-
-<p><i>"An" before "u" long.</i>&mdash;I should be much
-obliged to any of my fellow-students of "N. &amp; Q."
-who would answer the following Query: What
-is the reason of the increasingly prevailing custom
-of writing <i>an</i> before words beginning with <i>u</i> long,
-or with diphthongs having the sound of <i>u</i> long?
-Surely a written language is perfect in proportion
-as it represents the spoken tongue; if so, this is
-one of the many instances in which modern
-fashions are making English orthography still
-more inconsistent than it was wont to be. It appears
-to me just as reasonable to say "<i>an youthful</i>
-(pronounced <i>yoothful</i>) person," as "<i>an useful</i>
-(pronounced <i>yooseful</i>) person."</p>
-
-<p>If there is a satisfactory reason for the practice,
-I shall be delighted to be corrected but, if not, I
-would fain see the fashion "nipped in the bud."</p>
-
-<p class="author"><span class="sc">Benjamin Dawson.</span></p>
-
-<p>London.</p>
-
-<p><i>Reversible Names.</i>&mdash;Some female names spell
-backwards and forwards the same, as <i>Hannah</i>, <i>Anna</i>,
-<i>Eve</i>, <i>Ada</i>: so also does <i>madam</i>, which is feminine.
-Is this in the nature of things, or can any one produce
-a reversible <i>proprium quod maribus</i>? No
-arguments, but instances; no surnames, which are
-epicene; no obsolete names, such as <i>Odo</i>, of which
-it may be suspected that they have died precisely
-because an attempt was made to marify them: or
-say, rather, that Odo, to live masculine, was obliged
-to become Otho. Failing instances, I shall maintain
-that <i>varium et mutabile semper femina</i> only
-means that whatever reads backwards and forwards
-the same, is always feminine.</p>
-
-<p class="author">M.</p>
-
-<p><i>Gilbert White of Selborne.</i>&mdash;Can any of the
-correspondents of "N. &amp; Q." inform me whether
-any portrait, painted, engraved, or sculptured,
-exists of this celebrated naturalist; and if so, a
-reference to it will greatly oblige</p>
-
-<p class="author">W. A. L.</p>
-
-<p>St. John's Square.</p>
-
-<p><i>Hoby, Family of; their Portraits, &amp;c.</i>&mdash;In the
-parish church of Bisham, in the county of Berks,
-are some fine and costly monuments to the memory
-of several members of this family, who were
-long resident in the old conventual building there.
-Are there any engravings of these monuments?<span class="pagenum"><a id="Page_245"></a>{245}</span>
-And if so, in what work; or where are the inscriptions
-to be met with? I possess two fine
-engraved portraits of this family: the originals by
-Hans Holbein are said to be in "His Majesty's
-Collection;" where are the originals now? Do
-they still adorn the walls of Windsor Castle? The
-one is inscribed&mdash;</p>
-
-<blockquote>
-
-<p>"Phillip Hobbie, Knight."</p>
-
-</blockquote>
-
-<p>The other&mdash;</p>
-
-<blockquote>
-
-<p>"The Lady Hobbie."</p>
-
-</blockquote>
-
-<p>The orthography of the names is the same as
-engraved on the portraits. The former was Sir
-Philip Hoby, one of the Privy Council to King
-Henry VIII.; and the lady was, I believe, the
-wife of Sir Thomas Hoby, of Leominster, co.
-Hereford, who died in 1596, aged thirty-six. Was
-this the learned Lady Hoby, who wrote one of the
-epitaphs above referred to? Are there any other
-portraits of members of this ancient, but now
-extinct family, in existence? They bore for arms,
-"Arg. three spindles in fesse gules, threaded or."
-What was their crest and motto?</p>
-
-<p class="author"><span class="sc">J. B. Whitborne.</span></p>
-
-<p><i>Portrait of Sir Anthony Wingfield.</i>&mdash;Can any
-person inform me where the picture of Sir Anthony
-Wingfield is, described in Horace Walpole's
-<i>Letters</i>, and which he saw in an old house in
-Suffolk belonging to the family of Naunton, descended
-from Secretary Naunton, temp. James I.;
-he says:</p>
-
-<blockquote>
-
-<p>"Sir Anthony Wingfield, who, having his hand
-tucked into his girdle, the housekeeper told us had had
-his fingers cut off by Henry VIII."</p>
-
-</blockquote>
-
-<p class="author">Q.</p>
-
-<p><i>Lofcopp, Lufcopp, or Luvcopp.</i>&mdash;In some of
-the charters granted by our earlier monarchs
-(Henry I. for instance), there is contained a grant
-of a toll called <i>lofcopp</i>, <i>lufcopp</i>, or <i>luvcopp</i>. Could
-any of your correspondents give me any farther
-information respecting the meaning of the word,
-than is contained in the first Volume of "N. &amp; Q.,"
-pp. 319. 371.?</p>
-
-<p class="author"><span class="sc">J. Ctus.</span></p>
-
-<p><i>Humming Ale.</i>&mdash;Having lately met with the
-above epithet applied to ale in one of James's
-novels (<i>Forest Days</i>), I should be glad to know
-its meaning.</p>
-
-<p class="author">W. H. P.</p>
-
-<hr class="full" />
-
-<h3>Minor Queries with Answers.</h3>
-
-<p><i>Dr. Richard Sherlock.</i>&mdash;Dr. Richard Sherlock,
-afterwards Vicar of Winwick, had his first cure in
-Ireland. I should be glad to know where he officiated,
-and to receive any information respecting
-him beyond what is met with in his nephew,
-Bishop Wilson's, life of him.</p>
-
-<p class="author"><span class="sc">William Denton.</span></p>
-
-<div class="note">
-
-<p>[A few additional notes have been added to Bishop
-Wilson's <i>Life of Dr. Richard Sherlock</i>, in the seventh
-edition, 2 vols. 1841-44. The editor, the Rev. H. H.
-Sherlock, M. A., has the following note on his first
-cure in Ireland: "Wood (<i>Athen. Oxon.</i>, vol. iv. p. 259.
-Bliss) leads us to suppose that Dr. Sherlock was ordained
-immediately after taking his Master's degree,
-and adds, that 'soon after he became minister of several
-small parishes in Ireland, united together, and
-yielding no more than 80<i>l.</i> a year.' The editor has not
-been able to obtain any particulars of his ordination,
-nor the names of the united parishes in Ireland where
-he ministered. Canonically, he could not have been
-ordained earlier than <span class="allsmcap">A. D.</span> 1636."]</p>
-
-</div>
-
-<p><i>Cardinal Fleury and Bishop Wilson.</i>&mdash;There
-exists a tradition to the effect that during a war
-between this country and France, Cardinal Fleury
-gave directions to the French cruisers not to molest
-the Island of Man, and this out of regard to
-the character of its apostolic bishop, Wilson. I
-should be glad to know whether any and what
-authority can be assigned for this story.</p>
-
-<p class="author"><span class="sc">William Denton.</span></p>
-
-<div class="note">
-
-<p>[The story rests upon the authority of the Rev. C.
-Cruttwell, the bishop's biographer and editor. The
-following passage occurs in the <i>Life of Bishop Wilson</i>,
-vol. i. p. 226 of his <i>Works</i>, third edition, 8vo., 1784,
-and in the folio edition, p. 57.:&mdash;"Cardinal Fleury
-wanted much to see him [the bishop], and sent over
-on purpose to inquire after his health, his age,
-and the date of his consecration; as they were the
-two oldest bishops, and he believed the poorest, in
-Europe; at the same time inviting him to France.
-The Bishop sent the Cardinal an answer, which gave
-him so high an opinion of him, that he obtained an
-order that no French privateer should ravage the Isle
-of Man." Feltham, in his <i>Tour through the Isle of Man</i>,
-1798, after quoting this story, adds, "And that the
-French still respect a Manksman, some recent instances
-confirm."]</p>
-
-</div>
-
-<p><i>Dr. Dodd a Dramatist.</i>&mdash;I have seen it somewhere
-stated, that after Dr. Dodd's trial, he sent
-for Mr. Woodfall to consult him respecting the
-publication of a comedy he had written in his
-youth, entitled <i>Sir Roger de Coverley</i>, and which
-he had actually revised and completed while in
-Newgate. Was it ever published; and if not,
-where is the MS.?</p>
-
-<p class="author"><span class="sc">V. T. Sternberg.</span></p>
-
-<div class="note">
-
-<p>[Woodfall's interview with Dr. Dodd at the Old
-Bailey, is given in Cooke's <i>Memoirs of Samuel Foote</i>,
-vol. i. p. 195., and is quoted in Baker's <i>Biographia
-Dramatica</i>, vol. iii. p. 278., edit. 1812. It appears
-that Dodd's comedy was commenced in his earlier
-days, and finished during his confinement in Newgate;
-but was neither acted nor printed. In a pamphlet,
-entitled <i>Historical Memoirs of the Life and Writings of
-the late Rev. William Dodd</i>, published anonymously in
-1777, but attributed to Mr. Reed, it is stated at p. 4.,
-that "<i>Sir Roger de Coverley</i> is now in the hands of
-Mr. Harris of Covent Garden Theatre."]</p>
-
-</div>
-
-<p><i>Trosachs.</i>&mdash;Can I learn through "N. &amp; Q." the
-derivation and meaning of the name <i>Trosachs</i>, as<span class="pagenum"><a id="Page_246"></a>{246}</span>
-applied to the mountain pass bordering on Loch
-Katrine?</p>
-
-<p class="author">J. G. T.</p>
-
-<p>Trosachs Hotel.</p>
-
-<div class="note">
-
-<p>[The name Trosachs signifies in Gaelic the <i>rough</i> or
-<i>bristled territory</i>; a signification perfectly applicable to
-the confused mass of abrupt crags which, in some convulsion
-of nature, has been separated from the neighbouring
-mountains of Ben Vennu and Ben An. This
-glen was first rendered an object of popular attention
-by Sir Walter Scott, in his poem of <i>The Lady of the
-Lake</i>.]</p>
-
-</div>
-
-<p><i>Quarter.</i>&mdash;Whence comes the use of the word
-<i>Quarter</i>, as applied to sparing of life in battle?</p>
-
-<p class="author">J. G. T.</p>
-
-<p>Trosachs Hotel.</p>
-
-<div class="note">
-
-<p>[A correspondent of the <i>Gent. Mag.</i>, vol. lxvi. p. 920.,
-suggests, that it may be traced to the reverence for the
-sacred symbol of our faith, which the early Christian
-warriors wore depicted on their military habiliments.
-Orlando, who bore this emblem on his shield, was
-called 'Il Cavaliere del Quartiero;' though it is something
-singular that he won the device from Almonte, a
-<i>Saracen</i> chief.]</p>
-
-</div>
-
-<hr class="full" />
-
-<h2>Replies.</h2>
-
-<h3>JACOB BÖHME, OR BEHMEN.</h3>
-
-<p class="center">(Vol. viii., p. 13.)</p>
-
-<p>Some farther particulars respecting the writings
-of that remarkable character, who, according to
-your correspondent, "led astray William Law,
-and through him tinctured the religious philosophy
-of Coleridge, and from whom Schelling stole
-the corner-stones of his <i>Philosophy of Nature</i>,"
-may perhaps interest the readers of "N. &amp; Q."</p>
-
-<p>Who Böhme, or Behmen, was, may be seen by
-a reference to Francis Okely's <i>Memoir</i> of him,
-and to the article in the <i>Penny Cyclopædia</i> (vol. v.
-p. 61.) written by Dr. Bialloblotzky; which, with
-the exception of a few trifling errors, is carefully
-compiled. The true character of his philosophy
-has been ably and fully described in the later
-writings of William Law, especially in his <i>Animadversions
-on Dr. Trapp</i> (at the end of <i>An Appeal
-to all that Doubt or Disbelieve the Truths of Revelation</i>);
-in <i>The Way to Divine Knowledge</i>; <i>The
-Spirit of Love</i>; his <i>Letters</i>; and in the fragment
-of a <i>Dialogue</i>, prefixed to the first of the four
-volumes in 4to. of Behmen's <i>Works</i>.</p>
-
-<p>Behmen's writings first became generally known
-in this country by translations of the most important
-of them by a gentleman of the name of
-Ellistone, and of minor ones by Mr. Humphrey
-Blunden and others. Ellistone dying before he
-had completed the translation of the great work
-upon <i>Genesis</i>, it was continued by his cousin,
-John Sparrow, a barrister in the Temple; who
-also translated and published the remainder of
-Behmen's writings in the English language. Respecting
-these individuals, William Law, in a
-letter written in reply to one received from a
-Mr. Stephen Penny, speaks in the following terms:</p>
-
-<blockquote>
-
-<p>"The translators of Jacob Behmen, Ellistone and
-Sparrow, are much to be honoured for their work;
-they had great piety and great abilities, and well apprehended
-their author, especially Ellistone: but the
-translation is <i>too much loaded with words</i>, and in many
-places <i>the sense is mistaken</i>.<a name="footnotetag2" href="#footnote2"><sup>[2]</sup></a></p>
-
-<p>"A new translator of Jacob Behmen is not to have
-it in intention to make his author more intelligible by
-softening or refining his language. His style is what
-it is, strange and uncommon; not because he wanted
-learning and skill in words, but because what he saw
-and conceived was quite new and strange, never seen
-or spoken of before; and therefore if he was to put it
-down in writing, words must be used to signify that
-which they had never done before.</p>
-
-<p>"If it shall please God that I undertake this work,
-I shall only endeavour to make Jacob Behmen speak
-as he would have spoken, had he wrote in English.
-Secondly, to guard the reader at certain places from
-wrong apprehensions of his meaning, by adding here
-and there a note, as occasion requires. Thirdly, and
-chiefly, by Prefaces or Introductions to prepare and
-direct the reader in the true use of these writings.
-This last is most of all necessary, and yet would be entirely
-needless, if the reader would but observe Jacob
-Behmen's own directions. For there is not an error,
-defect, or wrong turn, which the reader can fall into,
-in the use of these books, but is most plainly set before
-him by Jacob Behmen.</p>
-
-<p>"Many persons of learning in the last century read
-Jacob Behmen with great earnestness; but it was only,
-as it were, to steal from him certain mysteries of
-Nature, and to run away with the philosopher's stone;
-and yet nowhere could they see the folly and impossibility
-of their attempt so fully shown them, as by
-Jacob Behmen himself."</p>
-
-</blockquote>
-
-<p>A well-engraved portrait of John Sparrow may
-occasionally be met with in some of the small
-quarto English treatises of Behmen.</p>
-
-<p>The four-volume edition of Jacob Behmen's
-<i>Works</i>, in large 4to., 1764-81, is an unsatisfactory
-performance; having, in fact, nothing in common
-with the projected edition by William Law, as
-expressed in the above letter. Nevertheless, it
-has been useful in many respects; especially as
-being instrumental in making the productions of
-Dion. Andreas Freher more generally known.
-This edition, moreover, is incomplete; as several
-important treatises, besides his Letters, are entirely
-omitted. The order, too, in which the pieces
-are inserted from the <i>Book of the Incarnation</i> is
-altogether wrong.</p>
-
-<p>It is a common, but erroneous supposition, that
-William Law was the editor of this edition. From
-his work, <i>The Way to Divine Knowledge</i>, printed
-some years after the date of the letter quoted<span class="pagenum"><a id="Page_247"></a>{247}</span>
-above, it appears that he intended to publish a
-new and correct translation of Behmen's <i>Works</i>;
-but did not survive to accomplish it. He died in
-1761, before the first of the four volumes was
-published; and if he were in any way identified
-with it, it could only be by some one or two of his
-corrections (found in his own copy of the <i>Works</i>
-after his decease) being incorporated therein; but
-of this there is some uncertainty. The Symbols,
-or Emblems, which are stated in the title-page of
-this edition to have been "left by Mr. Law," were
-not his production, but merely copies of the
-originals themselves. These were all designed by
-the above Dionysius Andreas Freher, a learned
-German, who had resided in this country from
-about the year 1695 till his death in 1728, in
-illustration of his own systematic elucidations of
-the ground and principles of the central philosophy
-of Deity and Nature, opened as a new
-original, and <i>final</i> revelation from God, in "his
-chosen instrument, Behmen." It was, I believe,
-from Freher, that Francis Lee (see "N. &amp; Q."
-Vol. ii., p. 355.) became so deeply versed in the
-scope and design of high supersensual and mystical
-truth. From the year 1740, Freher, by his
-writings, demonstrations and diagrams, may be
-considered the <i>closet-tutor</i> of William Law at his
-philosophical retreat at King's Cliffe, in respect to
-the great mysteries of Truth and Nature, the
-origin and constitution of things, glanced at in
-what are popularly called Law's later or mystical
-writings.</p>
-
-<p>Next to Behmen's <i>Works</i>, and coupled with
-those of Law, Freher's writings and illustrations
-must, in regard to theosophical science, be considered
-the most valuable and important in existence.
-Freher also was personally acquainted with
-Gichtel, who was deeply imbued with the philosophy
-of Jacob Behmen, viz. "<i>the fundamental opening
-of all the powers that work both in Nature and
-Grace</i>;" and who, perhaps more than any other individual,
-experimentally lived and <i>fathomed</i> it.</p>
-
-<p>Freher's original manuscripts and copies of
-others (besides those formerly in the possession of
-William Law), as well as the manuscripts of Law
-and of Francis Lee, and some original documents
-relating to the Philadelphian mystic author, Mrs.
-Jane Lead (Lee's mother-in-law) are now in the
-possession of Mr. Christopher Walton, of Ludgate
-Street; who, I understand, is on the eve of completing,
-for private circulation, a voluminous account
-of these celebrated individuals. It will also
-contain, if I am correctly informed, a representation
-of the whole nature and scope of mystical
-divinity and theosophical science, as apprehensible
-from an <i>orthodox</i> evangelical&mdash;or, in a word, a
-<i>standard</i> point of view; as likewise of the nature
-and relations of the modern experimental transcendentalism
-of Animal Magnetism, with its inductions
-of the trance and <i>clairvoyance</i>, in respect
-to the <i>astral</i> as well as <i>Divine</i> magic; with other
-similar recondite, but now lost, philosophy. But
-to return to Behmen.</p>
-
-<p>The publication of the large edition of his
-<i>Works</i> in question was undertaken at the sole
-expense of Mrs. Hutcheson, one of the two ladies
-who were Mr. Law's companions and friends in
-his retirement at King's Cliffe, out of respect to
-his memory; and who furnished the books Mr.
-Law left behind him relating to this object. The
-chief editor was a Mr. George Ward, assisted by
-a Mr. Thomas Langcake, two former friends
-and admirers of Law; who occasionally superintended
-his pieces through the press, being then
-resident in London. And the reason of this edition
-not being completed was, that both Mrs.
-Hutcheson and Mr. Ward died about the time of
-the publication of the fourth volume; Mrs. Gibbon<a name="footnotetag3" href="#footnote3"><sup>[3]</sup></a>,
-the aunt of the historian, it appears, not
-being willing to continue the publication. All
-that these parties did as editors was, to take the
-original translations, change the phraseology here
-and there without reference to the German original
-(which language it is supposed they did not
-understand), omit certain portions of the translator's
-Prefaces, alter the capital letters of a few
-words, and conduct the treatises through the press.</p>
-
-<p>The literary productions which have commanded
-the admiration and approbation of such
-deep thinkers as Sir Isaac Newton<a name="footnotetag4" href="#footnote4"><sup>[4]</sup></a>, William Law,
-Schelling, Hegel, and Coleridge, may perhaps,
-before long, be thought worthy of republication.
-What is required is a well-edited and correct
-translation of Behmen's entire <i>Works</i>, coupled with<span class="pagenum"><a id="Page_248"></a>{248}</span>
-those of Freher, his great illustrator, (including
-also the Emblems, &amp;c. of Gichtel's German
-edition), and preceded by those of Law, which
-treat upon the same subject, namely:&mdash;1. Answer
-to Hoadley on the Sacrament of the Lord's Supper.
-2. Christian Regeneration. 3. Animadversions on
-Dr. Trapp. 4. The Appeal. 5. The Way to Divine
-Knowledge. 6. The Spirit of Love. 7. Confutation
-of Warburton. 8. Letters.</p>
-
-<p>To conclude. The following are the terms in
-which William Law speaks of Behmen's writings
-in one of his letters:</p>
-
-<blockquote>
-
-<p>"Therein is opened the true ground of the unchangeable
-<i>distinction between God and Nature</i>, making
-all nature, whether temporal or eternal, its own proof
-that it is not, cannot be, God, but purely and solely
-the <i>want</i> of God; and can be nothing else in itself but
-a restless painful want, till a supernatural God manifests
-himself in it. This is a doctrine which the learned
-of all ages have known nothing of; not a book, ancient
-or modern, in all our libraries, has so much as attempted
-to open the <i>ground</i> of nature to show its <i>birth</i>
-and <i>state</i>, and its essential unalterable distinction from
-the one <i>abyssal supernatural</i> God; and how all the
-glories, powers, and perfections of the hidden, unapproachable
-God, have their wonderful manifestation in
-nature and creature."</p>
-
-</blockquote>
-
-<p>And on another occasion:</p>
-
-<blockquote>
-
-<p>"In the Revelation made to this wonderful man, the
-first <i>beginning</i> of <i>all</i> things in eternity is opened; the
-whole state, the <i>rise</i>, <i>workings</i>, and <i>progress</i> of all Nature
-is revealed; and every doctrine, mystery, and precept
-of the Gospel is found, not to have sprung from any
-<i>arbitrary</i> appointment, but to have its <i>eternal</i>, <i>unalterable</i>
-ground and reason in Nature. And God appears to
-save us by the methods of the Gospel, because there
-was no other possible way to save us in all the possibility
-of Nature."</p>
-
-</blockquote>
-
-<p>And again:</p>
-
-<blockquote>
-
-<p>"Now, though the difference between God and
-Nature has always been supposed and believed, yet the
-true ground of such distinction, or the <i>why</i>, the <i>how</i>,
-and in <i>what</i> they are essentially different, and must be
-so to all eternity, was to be found in no books, till the
-goodness of God, in a way not less than that of <i>miracle</i>,
-made a poor illiterate man, in the simplicity of a child,
-to open and relate the deep mysterious <i>ground of all
-things</i>."</p>
-
-</blockquote>
-
-<p>Thus much upon the "reveries" of our "poor
-possessed cobbler." It may be well to add, that
-Freher's writings (in sequence to those of Law
-above named) are all but essential for the proper
-understanding of Behmen, especially of his descriptions
-of the <i>generation of Nature</i>, as to its <i>seven</i>
-properties, <i>two</i> co-eternal principles, and <i>three</i>
-constituent parts: which is the deepest and most
-difficult point of all others to apprehend rightly
-(that is, with intellectual clearness, as well as
-sensitively in our own spiritual regeneration),
-and indeed the key to every mystery of truth and
-life.</p>
-
-<p class="author"><span class="sc">J. Yeowell.</span></p>
-
-<p>Hoxton.</p>
-
-<div class="note">
-
-<p><a name="footnote2"></a><b>Footnote 2:</b><a href="#footnotetag2">(return)</a></p>
-
-<p>This remark especially applies to the <i>Answer</i> to
-the fourth of the <i>Theosophic Questions</i>.</p>
-
-<p><a name="footnote3"></a><b>Footnote 3:</b><a href="#footnotetag3">(return)</a></p>
-
-<p>Among the papers of this lady were found, after
-her decease, several letters to her from her nephew,
-Edward Gibbon, the historian, and his friend Lord
-Sheffield, from which it would appear that the religious
-views of the former had, at least from the year
-1788, undergone considerable change. From one of
-these interesting letters, shortly to be published, I
-have been kindly permitted to make the following
-extract:&mdash;"Whatever you may have been told of my
-opinions, I can assure you with truth, that I consider
-religion as the best guide of youth, and the best support
-of old age; that I firmly believe there is less real
-happiness in the business and pleasures of the world,
-than in the life which you have chosen of devotion and
-retirement."</p>
-
-<p><a name="footnote4"></a><b>Footnote 4:</b><a href="#footnotetag4">(return)</a></p>
-
-<p>William Law, in the <i>Appendix</i> to the second edition
-of his <i>Appeal to all that Doubt or Disbelieve the
-Truths of the Gospel</i>, p. 314., 1756, mentions that
-among the papers of Newton (now in Trinity College,
-Cambridge) were found many autograph extracts from
-the <i>Works</i> of Behmen. This is also confirmed in an
-unpublished letter, now before me, from Law to Dr.
-Cheyne in answer to his inquiries on this points. Law
-affirms that Newton derived his system of fundamental
-powers from Behmen; and that he avoided mentioning
-Behmen as the originator of his system, lest it
-should come into disrepute.</p>
-
-</div>
-
-<hr class="full" />
-
-<h3>INSCRIPTIONS ON BELLS.</h3>
-
-<p class="center">(Vol. vi., p. 554.; Vol. vii., pp. 454. 633.;
-Vol. viii., p. 108.)</p>
-
-<p>Himbleton, Worcestershire:</p>
-
-<blockquote>
-
-<p>1. "Jesus be our <span class="sc">God</span>-speed. 1675."</p>
-
-<p>2. "All prayse and glory be to <span class="sc">God</span> for ever. 1675."</p>
-
-<div class="poem-bq">
- <div class="stanza">
- <p>3. "John Martin of Worcester, he made wee;</p>
- <p class="i2">Be it known to all that do wee see. 1675."</p>
- </div>
-</div>
-
-<div class="poem-bq">
- <div class="stanza">
- <p>4. "All you that hear my roaring sound,</p>
- <p class="i2">Repent before you lie in ground. 1675."</p>
- </div>
-</div>
-
-</blockquote>
-
-<p>Hanley Castle, Worcestershire:</p>
-
-<blockquote>
-
-<div class="poem-bq">
- <div class="stanza">
- <p>1. "Ring vs trve,</p>
- <p class="i2">We praise you. <span class="allsmcap">A.R.</span> 1699."</p>
- </div>
-</div>
-
-<p>2. "God prosper all our benefactors. <span class="allsmcap">A.R.</span> 1699."</p>
-
-<div class="poem-bq">
- <div class="stanza">
- <p>3. "God save yᵉ King.</p>
- <p class="i2">Abrᵃ Rudhall cast vs all. 1699."</p>
- </div>
-</div>
-
-<p>4. "God save yᵉ King and yᵉ Chvrch. 1699."</p>
-
-<p>5. "Abrᵃ Rudhall cast vs all. 1699."</p>
-
-<p>6. "Jas. Badger, minister. Rd. Ross, Gorle Chetle,
-C. W. 1699."</p>
-
-</blockquote>
-
-<p>From the ten bells of St. Thomas's Church,
-Dudley (rebuilt 1816), the following are the most
-remarkable:</p>
-
-<blockquote>
-
-<div class="poem-bq">
- <div class="stanza">
- <p>5. "William, Viscount Dudley and Ward;</p>
- <p class="i2">To doomsday may the name descend&mdash;</p>
- <p class="i2">Dudley, and the poor man's friend."<a name="footnotetag5" href="#footnote5"><sup>[5]</sup></a></p>
- </div>
-</div>
-
-<p>6. "Ring and bid thee cry Georgius Rex III., England,
-thy Sovereign's name. <span class="sc">God</span> save the
-King. T. Mean of London, 1818."</p>
-
-</blockquote>
-
-<p>Of the eight bells in St. Mary's Church, Kidderminster,
-the following are the inscriptions on the
-first five:</p>
-
-<blockquote>
-
-<div class="poem-bq">
- <div class="stanza">
- <p>1. "When you us ring</p>
- <p class="i2">We'll sweetly sing. 1754."</p>
- </div>
-</div>
-
-<p>2. "The gift of the Rt. Hon. Lord Foley. 1754."</p>
-
-<p>3. "Fear <span class="sc">God</span> and honour the King. 1754."</p>
-
-<p>4. "Peace and good neighbourhood. 1754."</p>
-
-<p>5. "Prosperity to this parish and trade. 1754."</p>
-
-</blockquote>
-
-<p>There is a small bell (dated 1780) which is commonly
-called the "Ting-tang," and is rung for the
-last five minutes before each service, which bears
-the appropriate inscription:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"Come away,</p>
- <p>Make no delay."</p>
- </div>
-</div>
-
-<p><span class="pagenum"><a id="Page_249"></a>{249}</span></p>
-
-<p>On one of the bells of Burford Church, near
-Tenbury, is the following inscription:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"At service-time I sound,</p>
- <p class="i1">And at the death of men;</p>
- <p>To serve your <span class="sc">God</span>, and well to die,</p>
- <p class="i1">Remember then."</p>
- </div>
-</div>
-
-<p>The inscriptions on the bells of St. Helen's
-Church, Worcester, are very singular; the names
-they bear tell their date:</p>
-
-<blockquote>
-
-<p>1. "<i>Blenheim.</i></p>
-
-<div class="poem">
- <div class="stanza">
- <p>First is my note, and Blenheim is my name;</p>
- <p>For Blenheim's story will be first in fame."</p>
- </div>
-</div>
-
-<p>2. "<i>Barcelona.</i></p>
-
-<div class="poem">
- <div class="stanza">
- <p>Let me relate how Louis did bemoan</p>
- <p>His grandson Philip's flight from Barcelon."</p>
- </div>
-</div>
-
-<p>3. "<i>Ramilies.</i></p>
-
-<div class="poem">
- <div class="stanza">
- <p>Deluged in blood, I, Ramilies, advance</p>
- <p>Britannia's glory in the fall of France."</p>
- </div>
-</div>
-
-<p>4. "<i>Menin.</i></p>
-
-<div class="poem">
- <div class="stanza">
- <p>Let Menin on my sides engraven be,</p>
- <p>And Flanders freed from Gallic slavery."</p>
- </div>
-</div>
-
-<p>5. "<i>Turin.</i></p>
-
-<div class="poem">
- <div class="stanza">
- <p>When in harmonious peal I roundly go,</p>
- <p>Think on Turin, and triumph of the Po."</p>
- </div>
-</div>
-
-<p>6. "<i>Eugene.</i></p>
-
-<div class="poem">
- <div class="stanza">
- <p>With joy I bear illustrious Eugene's name,</p>
- <p>Fav'rite of Fortune, and the boast of fame."</p>
- </div>
-</div>
-
-<p>7. "<i>Marlborough.</i></p>
-
-<div class="poem">
- <div class="stanza">
- <p>But I, with pride, the greater Marlborough bear.</p>
- <p>Terror of tyrants, and the soul of war."</p>
- </div>
-</div>
-
-<p>8. "<i>Queen Ann.</i></p>
-
-<div class="poem">
- <div class="stanza">
- <p>Th' immortal praises of Queen Ann I sound;</p>
- <p>With union blest, and all those glories crown'd."</p>
- </div>
-</div>
-
-</blockquote>
-
-<p>In Clifton-on-Teme Church (dedicated to St.
-Kenelm) are the two following bell-inscriptions,
-the second of which appears to contain a date:</p>
-
-<blockquote>
-
-<p>"Per Kenelmi merita sit nobis cœlica vita."</p>
-
-<p>"HenrICVs Ieffreyes KeneLMo DeVoVIt."</p>
-
-</blockquote>
-
-<p>The following are from the six bells of Kinver
-Church, Worcestershire:</p>
-
-<blockquote>
-
-<p>1. "In Christo solo spem meam repono. <span class="allsmcap">A.R.</span> 1746."</p>
-
-<p>2. "Cui Deus pater ecclesia est mater. <span class="allsmcap">A.R.</span> 1746."</p>
-
-<p>3. "In suo templo numen adoro. <span class="allsmcap">A.R.</span> 1746."</p>
-
-<p>4. "We were all cast at Gloucester by Abel Rudhall,
-1746. Fac manus puras cœlo attollas."</p>
-
-<p>5. "Jos. Lye and John Lowe, churchwardens,
-<span class="allsmcap">A.R.</span> 1746. Opem petentibus subvenit Deus."</p>
-
-<p>6. "Wᵐ Gosnell and Sam. Brown, churchwardens.
-John Rudhall <i>fect.</i> 1790."</p>
-
-</blockquote>
-
-<p class="author"><span class="sc">Cuthbert Bede, B.A.</span></p>
-
-<div class="note">
-
-<p><a name="footnote5"></a><b>Footnote 5:</b><a href="#footnotetag5">(return)</a></p>
-
-<p>The worthy nobleman's <i>sobriquet</i> must not be confounded
-with a popular ointment.</p>
-
-</div>
-
-<hr class="full" />
-
-<h3>PASSAGE IN MILTON.</h3>
-
-<div class="poem">
- <div class="stanza">
- <p>"And every shepherd tells his tale</p>
- <p>Under the hawthorn, in the dale."</p>
- </div>
-</div>
-
-<p>I have read with interest the "Notes" (Vol. i.,
-pp. 286. 316.) on these lines of the Allegro; because,
-in spite of early prepossession in favour of
-the idea commonly attached to them, I was converted
-some years ago, by the late Mr. Constable,
-R.A., whose close observation of rural scenery
-and employments no one can question.</p>
-
-<p>His account of the matter was this:</p>
-
-<blockquote>
-
-<p>"It is usual in Suffolk, and I have seen it often myself,
-for the shepherd, assisted by another man or boy,
-to make the whole flock pass through a gap, in order
-to facilitate the <i>tale</i>. One fellow drives them through
-the opening, by moving about, shouting, and clapping
-his hands, while his comrade, on the other side of the
-hedge, and under cover of a thorn or other thick bush,
-counts them as they leap through. I have not only
-seen but assisted, when a boy, at the shepherd's tale;
-and I do believe Milton had no other idea in his mind.
-For, indeed, the early morning is not the time the
-poets choose for lovers to woo, or maids to listen; and
-Milton has described a scene where all were up and
-stirring. Neither is the word 'every' appropriate,
-according to the common interpretation of the passage;
-<i>every</i> shepherd would not woo on the same spot; but
-that spot might be particularly favourable for making
-the tale of his sheep."</p>
-
-</blockquote>
-
-<p>Your correspondent J. M. M. adduces an argument
-in favour of the romantic <i>versus</i> the pastoral,
-which seems to me entirely devoid of weight. He
-thinks that Handel's "'Let no wander' breathes
-the shepherd's tale of love." Surely there is more
-imagination than truth in this. There is a <i>series</i>
-of images in the words of that song: it was necessary,
-unless the music varied unreasonably to suit
-them all, to choose a pleasing, but not very significant,
-melody, and, above all, to make the close of
-it a fit introduction for the "merry bells," and
-"jocund Rebecs," which burst in immediately
-after. I confess I find nothing of the amatory
-style in Handel's setting of the two disputed lines.
-He chose the Pastorale or 6/8 time, as for "He shall
-feed his flock," "O lovely Peace," &amp;c. But were
-it so, I could not admit Handel as an authority,
-because, as a foreigner, and an inhabitant of towns,
-he could not possibly be conversant with the rural
-customs of England.</p>
-
-<p class="author">S. R.</p>
-
-<hr class="full" />
-
-<h3>DESIGNED FALSE ENGLISH RHYMES.</h3>
-
-<p class="center">(Vol. vii., p. 483.)</p>
-
-<p>I was much surprised to see in your paper such
-a lengthened defence of Irish rhymes by a reference
-to those of English poets, and particularly to Pope.
-I thought it was well known that he, at last, became
-sensible of the cloying effect of his never-varying
-melody, and sought to relieve it by deviations<span class="pagenum"><a id="Page_250"></a>{250}</span>
-from propriety. This is particularly remarkable in
-his Homer, where he has numerous Irish rhymes
-like "peace" and "race:" besides "war" and
-"car;" "far," "dare;" with many other still more
-barbarous metres. But all those were by regular
-design for, if ever poet "lisped in numbers," it
-was he; and "the numbers came" at his command.
-He introduced those uncouth rhymes to somewhat
-<i>roughen</i> his too long continued melody, just as
-certain discords are allowed in great musical compositions.
-It showed good judgment, for they are
-an agreeable change by variation. Other English
-poets too have false rhymes; for even Gray, in his
-celebrated Elegy, has "toil" and "smile;" "abode"
-and "God."</p>
-
-<p>But, with respect to Irish poets, Swift should
-not have been mentioned at all because, with
-perhaps the exception of his "Cadenus and Vanessa,"
-his poetry was of the doggerel kind; and
-he purposely used Irish rhymes and debased
-English. Thus, in the "Lady's Dressing-room:"</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"Five hours, and who could do it less in?</p>
- <p>By haughty Celia spent in dressing."</p>
- </div>
-</div>
-
-<p>Will any one say it was through ignorance that he
-did not sound the <i>g</i> in dressing? Pope, in his
-"Eloisa to Abelard," which is sweetness to excess,
-concludes with:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"He best can paint 'em who has felt 'em most."</p>
- </div>
-</div>
-
-<p>Why this is a downright vulgarism compared to
-Swift's open and undisguised doggerel:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"<i>Libertas et natale solum</i>:</p>
- <p>Fine words! I wonder where you stole 'em."</p>
- </div>
-</div>
-
-<p>Leaving Swift out of the question, Irish poets
-are much more careful about their rhymes than
-the English; because they know that what would
-be excused or overlooked in them, would be
-deemed ignorance on their own parts. I venture
-to assert, that there are more false rhymes in
-Pope's <i>Iliad</i> alone than in all the poems of Goldsmith
-and Moore together; though I must again
-observe that those of Pope were all intentional.</p>
-
-<p class="author">A. B. C.</p>
-
-<hr class="full" />
-
-<h3>ATTAINMENT OF MAJORITY.</h3>
-
-<p class="center">(Vol. viii., p. 198.)</p>
-
-<p>A. E. B. has not quoted quite correctly. He has
-put two phrases of mine into Italics, which makes
-them appear to have special relation to one another,
-while the word which <i>I</i> put in Italics, "<i>ninth</i>," he
-has made to be "9th." Farther, he has left out
-some words. The latter part should run thus, the
-words left out being in brackets:</p>
-
-<blockquote>
-
-<p>"... though he were born [a minute before midnight]
-on the 10th, he is of age to execute a settlement
-at a minute after midnight on the morning of the 9th,
-forty-eight hours all but two minutes before he has
-drawn breath for the space of twenty-one years."</p>
-
-</blockquote>
-
-<p>Had the quotation been correct, it would have
-been better seen that I no more make the day of
-majority begin a minute after midnight, than I
-make the day of birth end a minute before midnight.
-A second, or even the tenth of a second,
-would have done as well.</p>
-
-<p>The <i>old reckoning</i>, of which I was speaking, was
-the reckoning which rejects fractions; and the matter
-in question was the <i>day</i>. For my illustration,
-any beginning of the day would have done as well
-as any other; on this I must refer to the paper
-itself. Nevertheless, I was correct in implying
-that the day by which age is reckoned begins at
-midnight and I believe it began at midnight in
-the time of Ben Jonson. The law recognised two
-kinds of days;&mdash;the natural day of twenty-four
-hours, the artificial day from sunrise to sunset.
-The birthday, and with it the day of majority,
-would needs be the natural day; for otherwise
-a child not born by daylight would have no birthday
-at all. I cannot make out that the law ever
-recognised a day of twenty-four hours beginning at
-any hour except midnight. For payment of rent,
-the artificial day was recognised, and the tenant
-was required to tender at such time before sunset as
-would leave the landlord time to count the money
-by daylight; a reasonable provision, when we
-think upon the vast number of different coins
-which were legal tender. But even here it seems
-to have been held that though the landlord might
-enter at sunset, the forfeiture could not be enforced
-if the rent were paid before midnight. A
-legal friend suggested to me that perhaps Ben
-Jonson had more experience of the terminus of the
-day as between landlord and tenant, than of that
-which emancipates a minor. This would not have
-struck me: but a lawyer views man simply as the
-agent or patient in distress, ejectment, <i>quo warranto</i>,
-&amp;c.</p>
-
-<p>A. E. B. twice makes the question refer to
-<i>usage</i>, whereas I was describing <i>law</i>. If I were
-as well up in the drama as I should like to be, I
-might perhaps find a modern plot which turns
-upon a minor coming of age, in which the first
-day of majority is what is commonly called the
-<i>birthday</i>, instead of, as it ought to be, the day
-before. Writers of fiction have in all times had
-fictitious law. If we took decisions from the
-novelists of our own day, we should learn, among
-other things, that married women can in all circumstances
-make valid wills, and that the destruction
-of the parchment and ink which compose the
-material of a deed is also the destruction of all
-power to claim under it.</p>
-
-<p>Singularly enough, this is the second case in
-which my paper on reckoning has been both misquoted
-and misapprehended in "N. &amp; Q." My
-knowledge of the existence of this periodical began
-with a copy of No. 7. (containing p. 107., Vol. i.),
-forwarded to me by the courtesy of the Editor, on<span class="pagenum"><a id="Page_251"></a>{251}</span>
-account of a Query signed (not A. E. B. but) B.,
-affirming that I had "discovered a flaw in the
-great Johnson!" Now it happened that the flaw
-was described, even in B.'s own quotation from
-me, as "certainly not Johnson's mistake, for he was
-a clear-headed arithmetician." B. gave me half a
-year to answer; and then, no answer appearing,
-privately forwarded the printed Query, with a
-request to know whether the readers of "N. &amp; Q."
-were not of a class sufficiently intelligent to appreciate
-a defence from me. The fact was, that I
-thought them too intelligent to need it, after the
-correction (by B. himself, in p. 127.) of the misquotation.
-It is not in letters as in law, that
-Judgment must be signed for the plaintiff if the
-defendant do not appear. There is also an anonymous
-octavo tract, mostly directed, or at least
-(so far as I have read) much directed, against the
-arguments of the same article, and containing, misapprehensions
-of a similar kind. That my unfortunate
-article should be so misunderstood in three
-distinct quarters, is, I am afraid, sufficient presumption
-against its clearness; and shows me that
-<i>obscures fio</i> is, as much as ever, the attendant of
-<i>brevis esse laboro</i>: but I am still fully persuaded
-of the truth of the conclusions.</p>
-
-<p class="author"><span class="sc">A. De Morgan.</span></p>
-
-<hr class="full" />
-
-<h3>LADY PERCY, WIFE OF HOTSPUR (DAUGHTER OF
-EDMUND MORTIMER, EARL OF MARCH), AND
-JANE SEYMOUR'S ROYAL DESCENT.</h3>
-
-<p class="center">(Vol. vii., p. 42. Vol. viii., pp. 104. 184)</p>
-
-<p>The mischief that arises from apparently the
-most trifling inaccuracy in a statement of fact is
-scarcely to be estimated. A mistake is repeated,
-multiplied, and perpetuated often to an extent
-that no after rectification can thoroughly efface.
-Blunders even become sacred by antiquity; and
-the attempt to correct any misstatement, if it does
-not entirely fail through the subsequent destruction
-of evidence that would have contained the
-refutation, is frequently received with a coldness
-and suspicion, and can seldom, with every aid from
-undoubted sources, be brought to prevail against
-the more familiar and preconceived impression.
-An illustration of this may be seen in the reference
-made by your correspondent C. V. to the
-authority of Dugdale, as overriding the result of
-later investigations relative to the issue respectively
-of the fifth and seventh Lords Clifford of
-Westmoreland. The loose and ill-advised assertion
-of Miss Strickland, intended as it clearly was
-to insinuate a mean origin in Jane Seymour, and
-to lessen her pretension to an exalted birth, has
-fortunately received a most complete and signal
-disproof; but a question is now raised, which, if
-it can be supported, will suit Miss Strickland's
-view quite as well as her own inconclusive statement.
-I cannot but think that what she wished
-to say is, as hinted in the suggestion of C. V., that
-the claim contended for cannot be supported
-through the alleged marriage of a Wentworth with
-the descendant of Elizabeth Percy, because Elizabeth,
-Lady Percy's only daughter, Lady Elizabeth
-de Percy, who married John, Lord Clifford, is by
-<i>some</i> ancient heralds stated to have left no daughter.
-This would have been an intelligible assertion,
-and not entirely inconsistent with what may
-be gathered from peerages, and other works compiled
-solely upon the authority of Dugdale; and
-it is indeed the very point of difficulty contemplated
-by your learned correspondent C.V., who
-if I do not mistake the signature, is himself an
-authority entitled to much respect.</p>
-
-<p>Dugdale, Collins, and Nicolas make the intermarriage
-of Wentworth to have taken place with
-a daughter of Roger, fifth Lord Clifford; and
-Dugdale and Collins are silent as to any female
-issue of John, the seventh Lord. Edmondson
-(<i>Baronagium Genealogicum</i>, vol. iv. p. 364.)
-adopts the same conclusion; but no higher authority
-is cited by any one of the above writers, upon
-which to found this statement. On the other
-hand, both Collins and Edmondson, in the Wentworth
-pedigree, show the marriage of Sir Philip
-Wentworth, of Nettlested, to have taken place
-with a daughter of John, seventh Lord Clifford.
-Edmondson describes the daughter as <i>Elizabeth</i>;
-but Collins more accurately calls her <i>Mary</i>.
-Banks (<i>Baronage</i>, vol. ii. p. 90.) gives both statements
-with an asterisk, implying a doubt as to
-which of the two is to be accepted.</p>
-
-<p>The Pembroke MS. contains a summary of the
-lives of the Veteriponts, Cliffords, and the Earls
-of Cumberland, compiled from original documents
-and family records for the celebrated Lady Anne
-Countess Dowager of Pembroke, daughter and
-sole heir of George Clifford, Earl of Cumberland,
-who died in 1605. This valuable collection gives
-the most minute particulars and anecdotes connected
-with the ancient family of the Lords
-Clifford and their descendants, and being a few
-years anterior in date to the publication of Dugdale's
-<i>Baronage</i>, the information contained there
-is entitled to the greatest possible weight as an
-original and independent authority.</p>
-
-<p>In this MS. (a copy of which is in the British
-Museum, Harl. 6177.) the descendants of Roger,
-fifth Lord Clifford, are named, but there is no
-mention of any daughter who formed an alliance
-with a Wentworth. Afterwards come the issue of
-the marriage of John, seventh Lord Clifford, with
-Elizabeth Percy, the only daughter of Henry
-Lord Percy, surnamed Hotspur, son to Henry
-Earl of Northumberland.</p>
-
-<blockquote>
-
-<p>"This Elizabeth Percy was one of the greatest
-women of her time, both for her birth and her marriages,
-&amp;c. Their eldest son, Thomas de Clifford,
-succeeded his father both in his lands and honours, &amp;c.<span class="pagenum"><a id="Page_252"></a>{252}</span>
-Henry, their second son, died without issue, but is
-mentioned in the articles of his brother's marriage.
-Mary Clifford, married to Sir Philip Wentworth, Kt.,
-of whom descended the Lords Wentworth that are
-now living, and the Earl of Straffod, and the Earl of
-Cleveland."</p>
-
-</blockquote>
-
-<p>To which of the above statements must we give
-credit? If Dugdale be right, there will appear a
-startling discrepance in the ages of the two persons
-who are presumed to have formed the alliance in
-question; whereas if the filiation given in the
-Pembroke MS. is relied upon, their ages will be
-quite consistent, and all the other circumstances
-perfectly in accordance.</p>
-
-<p>Roger, fifth Lord Clifford, was born and baptized
-at Brougham on the 20th of July, 7 Edw. III.,
-1333; his eldest son Thomas, sixth lord, was born
-circa 1363, being twenty-six years old at his
-father's death, which happened on 13th July,
-1389, in the fifty-sixth year of his age. Thomas
-Lord Clifford died on 4th of October, 1392,
-leaving his son and heir John (seventh Lord
-Clifford) an infant of about three years old.
-This lord married the Lady Elizabeth de Percy
-circa 1413, and his eldest son was born on 20th of
-August, 1414: he died on 13th March, 1422.</p>
-
-<p>The wife of Sir Philip Wentworth, were she a
-daughter of Roger, fifth Lord Clifford, must have
-been born between 1363 and 1389; if a daughter
-of John, seventh Lord Clifford, she must have
-been born between 1414 and 1422.</p>
-
-<p>In my former note, it was shown that the father
-and mother of Sir Philip Wentworth were married
-before June, 1423; that Sir Philip was born circa
-1424, and married in 1447; and that his eldest
-son, Henry Wentworth, being thirty years of age
-at his grandmother's death in 1478, must have
-been born circa 1448. It is therefore clear, that
-if his wife, Mary de Clifford, were a daughter of
-the fifth Lord Clifford, she could not have been
-less than thirty-five years older than her husband,
-and sixty years old when her eldest son was born.
-On the other supposition, she may have been
-about the same age with her husband, or perhaps
-two or three years only his senior.</p>
-
-<p>Can there then be any longer a doubt that this
-is a mistake of Dugdale? The other eminent
-genealogists, cited by your correspondent, have
-adopted the statement without farther investigation
-and upon no better authority, and the error
-has thus become familiarised by constant repetition.
-Had the misrepresentation been set right
-in the first instance, your readers would have
-been spared the infliction of this lengthy confutation,
-Miss Strickland herself protected from
-the humiliation of a defeat, "in daring to dispute
-a pedigree with King Henry VIII.;" and some of
-the numerous living descendants of the Protector
-Somerset been saved from much concern at finding
-a pedigree demolished, through which they
-had been wont to cherish the harmless vanity of
-being allied to the honour of a royal lineage.</p>
-
-<p class="author">W. H.</p>
-
-<hr class="full" />
-
-<h3>PHOTOGRAPHIC CORRESPONDENCE.</h3>
-
-<p><i>Three New Processes by Mr. Lyte.</i>&mdash;Will you
-kindly allow me room in your pages for the insertion
-of the following three processes, which may
-not, perhaps, be uninteresting to some of your
-readers? The first is respecting a very excellent
-combination with which to excite collodion. The
-second is on the subject of a capital developing
-agent, and, I believe, a partially new one. The
-third, a certain improvement in the production of
-positives on albumen paper.</p>
-
-<p>To make my collodion, I use the Swedish filtering
-paper, as recommended by the Count de
-Montizon, Mr. Crookes, &amp;c., not so much on account
-of its superior properties, as the easier manipulation,
-and the greater certainty of obtaining
-a completely soluble substance. Having obtained
-a clear and tolerably thick collodion, take</p>
-
-<table class="nob" summary="Formula for combination with which to excite collodion">
- <tr>
- <td>Rectified spirits of wine</td>
- <td class="ar">1</td>
- <td>oz.</td>
- </tr>
- <tr>
- <td>Iodide of ammonium</td>
- <td class="ar">45</td>
- <td>grs.</td>
- </tr>
- <tr>
- <td>Bromide of ammonium</td>
- <td class="ar">12</td>
- <td>grs.</td>
- </tr>
- <tr>
- <td>Chloride of ammonium</td>
- <td class="ar">1</td>
- <td>gr.</td>
- </tr>
-</table>
-
-<p>Iodide of silver, freshly precipitated from the ammoniated
-nitrate, as much as the solution thus
-produced will take up&mdash;a small excess, which will
-settle at the bottom, will not signify. Nearly the
-same compound, one which is equally good, is
-produced as follows. Take</p>
-
-<table class="nob" summary="Formula for combination with which to excite collodion">
- <tr>
- <td>Rectified spirits of wine</td>
- <td class="ar">1</td>
- <td>oz.</td>
- </tr>
- <tr>
- <td>Iodide of ammonium</td>
- <td class="ar">50</td>
- <td>grs.</td>
- </tr>
- <tr>
- <td>Bromide of ammonium</td>
- <td class="ar">12</td>
- <td>grs.</td>
- </tr>
- <tr>
- <td>Chloride of silver</td>
- <td class="ar">5</td>
- <td>grs.</td>
- </tr>
-</table>
-
-<p>Whichever of these two sensitizers is used, take
-1½ drachms, and add to every ounce of the collodion.</p>
-
-<p>Collodion thus prepared is <i>most</i> rapid in its
-action, giving a deep negative (with Ross's sixteen
-guinea lens, and the developing agent I shall hereafter
-describe) in ten seconds in clear weather,
-and instantaneous positive pictures, which may be
-afterwards darkened with the solution of terchloride
-of gold, in chloride of ammonium. It
-does not easily solarize, and, what is best of all,
-gives the most pleasing half-tones.</p>
-
-<p>I find it preferable, in taking landscapes, to
-rather increase the quantity of the iodide of ammonium,
-in order to give complete opacity to the
-sky; but if the operator pleases, he may produce
-the most admirable effect with the above-named
-proportions, by painting in clouds at the back of
-the plate with Indian ink: and this latter plan is
-preferable, as the addition of more of the iodide
-lowers the half-tones.</p>
-
-<p><span class="pagenum"><a id="Page_253"></a>{253}</span></p>
-
-<p>If more of the chloride than above specified be
-added, it will cause the plate to blacken all over
-during development, before the extreme lights are
-fully brought up.</p>
-
-<p>My developing agent is made as follows. Take</p>
-
-<table class="nob" summary="Formula for developing agent">
- <tr>
- <td>Distilled water</td>
- <td class="ar">10</td>
- <td>oz.</td>
- </tr>
- <tr>
- <td>Pyrogallic acid</td>
- <td class="ar">6</td>
- <td>grs.</td>
- </tr>
- <tr>
- <td>Formic acid</td>
- <td class="ar">1</td>
- <td>oz.</td>
- </tr>
-</table>
-
-<p>The latter is not to be the concentrated acid, but
-merely the commercial strength. These, when
-mixed, form so powerful a developing agent, that
-the picture is brought out in its full intensity,
-almost instantly, while at the same time all the
-deep shades are quite unaffected, and the half-tones
-come out with a brilliancy I have never
-seen before.</p>
-
-<p>Another excellent developing agent is composed
-as follows. Take</p>
-
-<table class="nob" summary="Formula for developing agent">
- <tr>
- <td>Distilled water</td>
- <td class="ar">10</td>
- <td>oz.</td>
- </tr>
- <tr>
- <td>Sulphuric acid</td>
- <td class="ar">3</td>
- <td>drops.</td>
- </tr>
- <tr>
- <td>Protosulphate of iron</td>
- <td class="ar">½</td>
- <td>oz.</td>
- </tr>
- <tr>
- <td>Formic acid</td>
- <td class="ar">1</td>
- <td>oz.</td>
- </tr>
-</table>
-
-<p>The formic acid is also a most capital addition to
-the protonitrate of iron, and either this or the
-former liquid produce most brilliant positives
-leaving a fine coating of white dead silver. I may
-also make mention of the improvement I have
-made in the albumen paper, which consists in the
-introduction of the chloride of barium into the albumen,
-in place of chloride of ammonium or chloride
-of sodium. Take</p>
-
-<table class="nob" summary="Formula for improvement in the production of
-positives on albumen paper">
- <tr>
- <td>Water</td>
- <td class="ar">6</td>
- <td>oz.</td>
- </tr>
- <tr>
- <td>Albumen</td>
- <td class="ar">6</td>
- <td>oz.</td>
- </tr>
- <tr>
- <td>Chloride of barium</td>
- <td class="ar">7¼</td>
- <td>dr.</td>
- </tr>
-</table>
-
-<p>Whip these up, till they are converted entirely
-into a white froth; when this has settled into
-liquid, pour it into a tall jar, and allow the precipitate,
-which will then separate, to settle completely,
-and strain the supernatant liquid through
-fine muslin. The paper, being laid on the surface
-of this fluid for a space of from five to ten minutes,
-may be taken off and hung up by a crooked
-pin to dry, and then ironed. It is to be sensitized
-with nitrate of silver, 120 grains to the ounce of
-water. The setting liquid I use is prepared according
-to the formula given by me in Vol. vii.,
-p. 534. of your journal, except that I prefer to
-use half to one grain of pyrogallic acid, and 120
-grains of chloride of silver. This paper must be
-soaked for a few minutes or so in rain water, after
-being printed, before being placed in the hypo.;
-the presence in the water of any salt seems to destroy
-the tone of this paper.</p>
-
-<p>Florian, Torquay.</p>
-
-<p><i>Muller's Processes&mdash;Sisson's Developing Solution.</i>&mdash;I
-am glad to find that I have called the
-attention of your photographic correspondents to
-Mr. Muller's process, as detailed in <i>The Athenæum</i>
-of Nov. 22, 1851, which seems to have been
-strangely overlooked and neglected. As your
-correspondents have induced you to reprint the
-article, perhaps you will also yield to my request,
-and reprint an article from the same journal of
-later date (Jan. 10, 1852) containing another
-process, more economical and more sensitive than
-the other, invented also by Mr. Muller, and the
-value of which I have proved. In that, as in the
-other, there is no developing agent required. To
-save time I have copied from my note-book the
-article itself, and append it to this communication.</p>
-
-<p>A photographer of several years' standing informs
-me that my developing solution produces
-excellent negatives upon glass, and that he has
-been trying it as a bath with success. He writes
-me:&mdash;"I use your developing solution for negatives
-only; and by using a very small opening,
-say about 3/10ths of an inch diameter, single achromatic
-lens, I have produced negatives in one
-minute, which print most beautiful bright positives.
-The views I have taken and developed with your
-solution were without sunshine, the sky very
-cloudy, three o'clock p.m. The collodion was prepared
-by Messrs. Knight &amp; Son."</p>
-
-<p>Since I received his letter I have tried a negative
-so developed, with the best success; and I
-attribute the success to the fact that you may go
-on developing with that solution any length of
-time almost, without any fear of spoiling the
-negative, thus getting thickness of deposit; and
-that the deposit on pictures taking so long a time
-to develop has a very perceptible yellow tinge,
-which, like the gold in Professor Maconochie's
-method (detailed in <i>Photographic Journal</i> for this
-month), stops the chemical rays.</p>
-
-<p class="author"><span class="sc">J. Lawson Sisson.</span></p>
-
-<p>Edingthorpe Rectory.</p>
-
-<p class="right">"Patna, India, Nov. 9, 1851.</p>
-
-<p>"Plain paper is floated on a bath of acetonitrate
-of silver, prepared of 25 grs. of nitrate of
-silver, 1 fluid oz. of water, 60 minims of strong
-acetic acid. When well moistened on one side,
-the paper is removed, and lightly dried with
-blotting-paper; it is then placed with the prepared side
-downwards on the surface of a bath of hydriodate
-of iron (8 grs. of the iodide in 1 oz. of silver). It
-is not allowed to remain on this solution, for if this
-were the case it would become almost insensitive.
-The silvered surface must be simply moistened
-with the hydriodate&mdash;the object being to get a
-minimum quantity of it diffused equally over the
-silvered surface. The photographer accustomed
-to delicacy of manipulation will find no difficulty
-in this. While still wet the paper is placed upon
-a glass (face downwards), and exposed in the<span class="pagenum"><a id="Page_254"></a>{254}</span>
-camera for periods varying from 10 to 60 seconds,
-according to circumstances. In sunshine, and
-when the object to be copied is bright, 5 seconds
-in this climate (India) is sufficient. Excellent
-portraits are obtained in shade in 30 seconds; 60
-seconds is the maximum of exposure. The picture
-is removed from the camera and allowed to
-develop itself spontaneously in the dark, then
-soaked in water, and fixed in the usual manner
-with the hyposulphite of soda."&mdash;<i>Athenæum</i>,
-Jan. 10, 1852.</p>
-
-<hr class="full" />
-
-<h3>Replies to Minor Queries.</h3>
-
-<p><i>Alterius Orbis Papa</i> (Vol. iii., p. 497.)&mdash;It was
-Pope Urban II. who, at the Council of Bari, in
-Apulia, gave this title to St. Anselm, the cotemporary
-Archbishop of Canterbury, who was present,
-and, in a learned and eloquent discourse,
-confuted the Greeks. See Laud's <i>Works</i> (Ang.-Cath. Lib.),
-vol. ii. p. 190.: note where the authorities
-William of Malmesbury and John Capgrave
-are cited.</p>
-
-<p class="author">E. H. A.</p>
-
-<p><i>"All my eye"</i> (Vol. vii., p. 525.).&mdash;An <i>earlier
-use</i> of this "cant phrase" than that given by <span class="sc">Mr.
-Daniel</span> may be found in Archbishop Bramhall's
-<i>Answer to the Epistle of M. de la Milletière</i>, which
-answer was first published in 1653:&mdash;</p>
-
-<blockquote>
-
-<p>"Fifthly, suppose (all this notwithstanding) such a
-conference should hold, what reason leave you to promise
-to yourself such success, as to obtain so easy a
-victory? You have had conferences and conferences
-again at Poissy and other places, and gained by them
-just as much as you might <i>put in your eye and see never
-the worse</i>."&mdash;Bramhall's <i>Works</i>, vol. i. pp. 68-9., edit.
-Ox. 1842.</p>
-
-</blockquote>
-
-<p>The Archbishop elsewhere makes use of the
-same expression. Of its origin I can say nothing
-nor of "over the left."</p>
-
-<p class="author"><span class="sc">R. Blakiston.</span></p>
-
-<p><i>"Clamour your tongues," &amp;c.</i> (Vol. viii., p. 169.).&mdash;Surely,
-surely, the "<i>clame</i> water," in H. C. K.'s
-extract from <i>The Castel of Helthe</i>, and which is
-set in an antithetical opposition to "a <i>rough</i> water,"
-is only <i>calme</i> water; by that common metathesis
-which gives us <i>briddes</i> for birds, <i>brunt</i> for burnt, &amp;c.</p>
-
-<p class="author"><span class="sc">H. T. Griffith.</span></p>
-
-<p><i>Spiked Maces represented in the Windows of
-the Abbey Church, Great Malvern.</i>&mdash;There is an
-instrument of this nature described by some of the
-martyrologists under the name of "Scorpio," and
-figured by Hieronymus Magius (Jerome Maggi)
-in his treatise <i>De Equuleo</i>. It is there represented
-as a thick stick, set with iron points, and
-was used, together with rods, and the plumbetæ or
-loaded chain scourges, to torment the confessors.</p>
-
-<p>I am inclined to think, however, that the weapons
-represented in the windows at Great Malvern
-are intended for morning stars, which were much
-employed in arming the watch in the cities of
-northern Europe in the Middle Ages, and at a
-later period as well. This weapon (a variety of
-which was called holy-water sprinkle, from the
-brush-like arrangement of its spikes) had a long
-shaft like a halbert, and is often introduced in
-paintings of the sixteenth and seventeenth centuries,
-as borne by the Jewish guard who appear
-in the various scenes of Our Lord's Passion.</p>
-
-<p>Of course the artists represented their characters
-as wearing the dress and provided with arms
-of their own period; as we see the Roman soldiers
-at the foot of the cross in some German and Dutch
-pictures, mere portraits of the sworders and swashbucklers
-of the seventeenth century.</p>
-
-<p>I may mention that a weapon of this coarse
-description is generally put into the hands of a
-ruffian, or at least of some very inferior character.
-In <i>La Mort D'Artur</i>, Sir Lancelot encounters
-on a bridge "a passing foul churl," who disputes
-his passage, and "lashes at him with a great club,
-full of iron pins."</p>
-
-<p>I remember seeing a barbarous weapon taken
-from a piratical vessel, which consisted of a massive
-wooden club, heavily loaded with lead, furnished
-with a spike at the smaller end, and thickly
-studded with iron nails, tenter hooks, and the
-hammers of gun locks. This was something like the
-old Danish club.</p>
-
-<p class="author"><span class="sc">W. J. Bernhard Smith.</span></p>
-
-<p>Oxford.</p>
-
-<p><i>Ampers and (<img src="images/ampersand1.jpg" alt="Ampersand symbol, ornate 'et' style" /> or
-<img src="images/ampersand2.jpg" alt="Ampersand symbol, the more common '&amp;' style" />)</i>
-(Vol. viii., p. 173.).&mdash;"N. &amp; Q."
-has exhibited a forgetfulness, of which
-he is very seldom guilty. If he and his correspondent
-<span class="sc">Mr. Mansfield Ingleby</span> will refer to
-Vol. ii., p. 230., they will find the same question
-asked by <span class="sc">Mr. M. A. Lower</span> and if they will
-turn over the leaves to p. 284., they will find an
-answer by Φ., which he now begs to repeat. The
-word designated is <i>and-per-se-and</i>. Curiously
-enough, the first of the above printed symbols
-seeing to have been formed from Φ.'s explanation,
-that it was nothing more than a flourishing "et."</p>
-
-<p class="author">Φ.</p>
-
-<p><i>Its</i> (Vol. viii., p. 12.).&mdash;In compliance with the
-request of your correspondent B. H. C., I have the
-pleasure to inform him that in Richard Burnfields
-<i>Poems</i> (reprinted by James Boswell for the Roxburgh
-Club), "The Complaint of Poetrie for the
-death of Liberalitie," 1598, is one of the pieces,
-and on the first page of signature C. the word <i>its</i>
-occurs, but as a contraction of <i>it is</i>:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"The maimed souldier comming from the warre;</p>
- <p class="i1">The woefull wight, whose house was lately burnd;</p>
- <p>The sillie soule; the woful traueylar;</p>
- <p class="i1">And all, whom Fortune at her feet hath spurnd;</p>
- <p class="i4">Lament the losse of Liberalitie;</p>
- <p class="i1"><i>Its</i> ease to haue in griefe some companie."</p>
- </div>
-</div>
-
-<p><span class="pagenum"><a id="Page_255"></a>{255}</span></p>
-
-<p>While on the opposite page we have "<i>it</i> soule"
-for "<i>its</i> soule," thus:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"But as a woefull mother doeth lament,</p>
- <p class="i1">Her tender babe, with cruel death opprest;</p>
- <p>Whose life was spotlesse, pure and innocent,</p>
- <p class="i1">(And therefore sure <i>it</i> soule is gone to rest):</p>
- <p>So Bountie, which herselfe did upright keepe,</p>
- <p>Yet for her losse, loue cannot chuse but weepe."</p>
- </div>
-</div>
-
-<p>May not this lead to the conclusion that it was
-to avoid confusion with the ellipsis of <i>it is</i>, that
-the possessive case was thus written <i>it</i>?</p>
-
-<p class="author"><span class="sc">S. W. Singer.</span></p>
-
-<p><i>"Hip, hip, hurrah!"</i> (Vol. viii., pp. 20. 185.).&mdash;No
-one, I think, who heard the cheering of the
-ships' companies at the late naval review can
-doubt that <span class="sc">Cheverell's</span> explanation of "hip, hip,"
-is the true one. They are not <i>words</i>, but interjectional
-<i>sounds</i>; with no other meaning than to
-prepare for and <i>time</i> the coming "hurrah!"
-When the men are ready to cheer, the boatswain's
-mate gives the signal "hip, hip," and then follows
-the general "hurrah!" This practice is adopted
-in public assemblies for the same reason&mdash;to ensure
-concert and unity in the final cheer. "Hurrah!"
-also I take (<i>pace</i> Sir F. Palgrave) to be a mere
-<i>sound</i>: a <i>natural</i> exclamation of pleasure, with no
-more instrinsic meaning than "Oh!" or "Ah!"
-for pain, or "Bah!" for contempt. It surely can
-have no connexion with the phrase of old Norman
-law&mdash;"clameurs de haro:" for "haro" is an
-exclamation of dissent and opposition. "Crier
-<i>haro</i> sur quelqu'un," is to excite mischief and scandal
-against him&mdash;the very reverse of <i>hurrah</i>!</p>
-
-<p class="author">C.</p>
-
-<p><i>Derivation of "Wellesley"</i> (Vol. viii., p. 173.).&mdash;In
-reply to J. M., I think the following particulars I
-may not be uninteresting to him. There is good
-reason to believe that the name of Wellesley was
-derived from an ancient manor about one mile
-south of Wells, called Wellesleigh, which once,
-belonged to the Bishops of Bath and Wells. It is
-certain that a family called "De Wellsleigh" lived,
-and held considerable lands in this manor at a
-very remote period. In 1253, a Philip de Wellsleigh,
-and in 1349 another of the same name, are
-recorded as holding part of the manor of the
-Bishops of Bath and Wells. These lands, with
-the serjeanty and office of bailiff and "cryer of
-the hundred," passed into the family of the Hills
-of Spaxton, <span class="allsmcap">A.D.</span> 1435. In 7 Henry VII., John
-Stourton held half a knight's fee in this manor:
-"formerly held by William de Wellsleigh." I
-have an original deed in my possession dated 26th
-Edward I., being a feoffment or grant of lands in
-Dinder (an adjoining parish) by William Le
-Fleming, "Dn̄s de Dynder," in which "Thomas
-de Welesleȝe" and "Robert de Welesleȝe" (so
-the name is spelt) are, among others, named as
-witnesses. This manor was held by the Bishops
-of Bath and Wells until the time of Ralph de
-Salopia (succeeded <span class="allsmcap">A.D.</span> 1329, died <span class="allsmcap">A.D.</span> 1363), who
-gave it to the vicars choral of the cathedral, by
-who it has been held down to the last year (1852),
-when they sold the fee of it to Robert Charles
-Tudway, Esq., M.P. for Wells.</p>
-
-<p class="author"><span class="sc">Ina.</span></p>
-
-<p>Wells.</p>
-
-<p><i>Penny-come-quick</i> (Vol. viii., pp. 8. 113. 184.).&mdash;Your
-correspondents on the subject of this name
-do not appear to be aware that there is a place
-also so called in Ireland: a small public-house,
-and one or two others, on the high road between
-Wicklow and Arklow, near the sea-shore, three
-miles north of the latter town. In Taylor and
-Skinners Road Maps of Ireland (1776), it is
-spelled "Penny-<i>con</i>-quick." I have been there,
-and do not think that the site countenances
-H. C. K.'s ingenious etymology.</p>
-
-<p class="author">C.</p>
-
-<p><i>Eugene Aram's Comparative Lexicon</i> (Vol. vii.,
-p. 597.).&mdash;<span class="sc">Mr. E. S. Taylor</span> will perhaps be glad
-to know that specimens of the above <i>Lexicon</i> were
-printed at the end of a small work published about
-twenty-five years since by Mr. Bell of Richmond
-(Yorkshire), entitled <i>The Trial and Life of
-Eugene Aram</i>.</p>
-
-<p class="author"><span class="sc">Norris Deck.</span></p>
-
-<p>Cambridge.</p>
-
-<p><i>Wooden Tombs and Effigies</i> (Vol. vii., pp. 528.
-607., &amp;c.).&mdash;At Sparsholt, Berks, in the south
-transept are two female effigies of wood, under
-sepulchral arches, richly carved in stone: one of
-them is engraved in Hollis's <i>Monuments</i>. At
-Burghfield and Barkham, in the same county, are
-also wooden effigies of the fourteenth century.</p>
-
-<p>At Hildersham Church, Cambridgeshire, within
-the altar rails, on the north side, is a wooden
-monument of a knight and his lady: the knight
-cross-legged, and drawing his sword. They are
-said to be the effigies of Sir Thomas Busteler and
-lady, temp. Edward II.</p>
-
-<p class="author"><span class="sc">Norris Deck.</span></p>
-
-<p>Cambridge.</p>
-
-<p><i>Queen Anne's Motto</i> (Vol. viii., p. 174.).&mdash;By
-an order of the queen in council, 17th of April,
-1707, consequent upon the union of Scotland with
-England, it was declared in what manner the ensigns
-armorial of the United Kingdom (called
-Great Britain) should thenceforth be borne;
-when it was also declared that her majesty's motto,
-"Semper eadem," should be <i>continued</i>.</p>
-
-<p class="author">G.</p>
-
-<p><i>Longevity</i> (Vol. vii., p. 368. &amp;c.).&mdash;Several of
-the upland parishes bordering on the river Yare
-have had remarkable instances of longevity. One
-of the best authenticated was a man named Pottle,
-who resided on the Reedham estate of the late
-J. F. Leathes, Esq., of Herringfleet. When
-Pottle was 104 years old, the tenantry on the
-estate subscribed to have his portrait painted,<span class="pagenum"><a id="Page_256"></a>{256}</span>
-which they presented to their landlord, each retaining
-a lithograph copy of it. Many of these
-copies I have seen. Two years after this I conversed with
-the old man, who was then keeping
-cows on a common. There was nothing remarkable
-about him except his voice, which was very
-loud and powerful. He has now been dead some
-time, but I do not know his exact age at death.</p>
-
-<p>In the register of burials for the parish of
-Runham, Norfolk, is this entry:</p>
-
-<blockquote>
-
-<p>"August 12, 1788. William Russels, aged One
-hundred and one years."</p>
-
-</blockquote>
-
-<p>The clergyman has entered the age in round text-hand,
-evidently that the entry might not escape
-notice.</p>
-
-<p class="author">E. G. R.</p>
-
-<p><i>Irish Bishops as English Suffragans</i> (Vol. vii.,
-p. 569.).&mdash;The following instances of Irish bishops
-acting as bishops in England will be additional
-illustrations of the facts adduced by <span class="sc">An Oxford
-B. C. L.</span></p>
-
-<blockquote>
-
-<p>"Requisitus idem Simon de suis Ordinibus dicit,
-quod apud Oxoniam recepit Ordinem subdiaconi a
-<i>quodam Episcopo Yberniæ</i>, Albino nomine, <i>tunc vicario
-Episcopi Lincolniensis</i>. Item ab eodem recepit Ordinem
-diaconi.... ¶ Capellanus de Sandhurst
-Johannes De Siveburn dicit, quod ordinatus fuit sudiaconum
-apud Cicestriam, Diaconum apud Winton.,
-<i>ab Episcopo Godfrido, in Ybernia</i>."&mdash;Maskell's <i>Ancient
-Liturgy of the Church of England</i>, p. 181., note.</p>
-
-</blockquote>
-
-<p class="author"><span class="sc">W. Fraser.</span></p>
-
-<p>Tor-Mohun.</p>
-
-<p><i>Green Pots used for drinking from by Members
-of the Temple</i> (Vol. viii., p. 171.).&mdash;The green
-pots mentioned in Sir Julius Cæsar's letter had
-been introduced into the Inner Temple about
-thirty years before its date. This appears from
-the following passage in Dugdale's <i>Origines Juridiciales</i>
-(1680), p. 148., where he refers to the
-register of that Society, fol. 127 <i>a.</i>:</p>
-
-<blockquote>
-
-<p>"Untill the second year of Q. Eliz. reign, this Society
-did use to drink in Cups of Ashen-Wood (such
-as are still used in the King's Court), but then those
-were laid aside, and green earthen pots introduced,
-which have ever since continued."</p>
-
-</blockquote>
-
-<p>When were these green pots discontinued?
-Paper Buildings were erected nearly fifty years
-before Dugdale's time. The new part built in
-1849 was on the south of these, which may,
-perhaps, have been the site of the dust-hole of the
-Society, and thus become the depositary of the
-broken pots mentioned by B.</p>
-
-<p class="author"><span class="sc">Edward Foss.</span></p>
-
-<p><i>Shape of Coffins</i> (Vol. viii., p. 104.).&mdash;As bearing
-somewhat upon <span class="sc">Mr. Ellacombe's</span> Query, allow
-me to remark that when travelling a few years
-since in the United States, having about an hour's
-delay in the city of Rochester, N. Y., I entered
-one of the churches during a funeral service.
-When the ceremony (at which a considerable number
-of persons attended) was concluded, the
-congregation left their seats and walked in very
-orderly procession towards the reading-desk, in
-front of which was placed the coffin, without any
-pall or covering. They then slowly walked round it,
-in order, as I afterwards found, to take their
-last look at the departed. This they were enabled
-to do without the removal of the lid, by raising
-the upper or head portion of it, which was hinged
-a square of glass beneath allowing the face to be
-seen. This strange custom, which, for my own
-part, I think would be "more honoured by the
-breach than the observance," as the recollection
-of the living face to me is far preferable to that
-of death, I do not remember to have seen noticed
-by any of our many travellers in America, though
-I afterwards found it to be general. The coffins,
-which are somewhat differently shaped to ours,
-sloping towards the feet, are rarely covered with
-cloth; but are generally made of some hard wood
-such as walnut, highly polished.</p>
-
-<p class="author"><span class="sc">Robert Wright.</span></p>
-
-<p><i>Old Fogies</i> (Vol. viii., p. 154.).&mdash;There may
-be too much of even a good thing, and I wish
-some of the writers in "N. &amp; Q." would study
-compression a little. A short paragraph which I
-wrote, more in jest than earnest, on the above
-phrase, has drawn down on me no less than two
-columns from J. L. But this comes of meddling
-with Scotland.</p>
-
-<p>One might fancy that J. L. was the Irish, not
-the Scottish advocate, for he proves the prior
-claim of Scotland by showing that the word which
-I had stated to have been in use in Dublin in the
-first half of the last century, was known in Edinburgh
-in the last half of it. He must also excuse
-my saying that he does not seem ever to have
-studied etymology, one of the rules of which is,
-that if a probable origin of a word can be found in
-the language to which it belongs, we should not
-seek elsewhere. Now <i>fogie</i> (i.e. <i>folkie</i>, the Dutch
-<i>volkje</i>) comes as surely from <i>folk</i>, as <i>lassie</i> from
-<i>lass</i>, or any other diminutive from its primitive.
-I now have done with the subject.</p>
-
-<p class="author"><span class="sc">Thos. Keightley.</span></p>
-
-<p><i>Swan-marks</i> (Vol. viii., p 62.).&mdash;<span class="sc">W. Collyn's</span>
-remark on swan-marks may mislead; therefore it
-is worth noting that "the swan with two necks" is
-not "a corruption of the <i>private</i> mark of the owner
-of the swans, viz. two nicks made by cutting the
-<i>neck feathers</i> close in two places." The nicks were
-made in the <i>beak</i>; and the privilege of having
-swan-marks was by grant from the crown.</p>
-
-<p>The Vintners' Company's mark for their swans
-on the Thames was two nicks; hence a two-nicked
-swan was a very appropriate sign for a tavern.
-The royal swans are marked with five nicks, two
-lengthwise, and three across the bill (See Hone's<span class="pagenum"><a id="Page_257"></a>{257}</span>
-<i>Every-day Book</i>, 1827, p. 963; Yarrell's <i>British
-Birds</i>; Jardine's <i>Nat. Lib.</i>; <i>Penny Cyclop.</i>, art.
-"Swan.") It is to be noted, however, that Hone
-is in error in saying the two nicks are the <i>royal</i>
-swan-mark.</p>
-
-<p class="author"><span class="sc">Eden Warwick.</span></p>
-
-<p>Birmingham.</p>
-
-<p><i>Limerick, Dublin, and Cork</i> (Vol. viii., p. 102.).&mdash;I
-should think the author of this doggrel couplet,
-if we are to consider it as a fair specimen of his
-poetic genius, may safely be permitted to remain
-in obscurity. Be that as it may, the lines are by
-no means new, nor are they confined to the sister
-isle alone. In the <i>Prophecies of Nixon</i>, the Cheshire
-Merlin, who lived nobody knows when,
-except that it was certainly a "long time ago," we
-are given to understand that:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"London streets shall run with blood,</p>
- <p class="i1">And at last shall sink</p>
- <p>So that it shall be fulfilled,</p>
- <p>That Lincoln was, London is, and York shall be</p>
- <p class="i1">The finest city of the three."</p>
- </div>
-</div>
-
-<p>As I have just stated, the original date of these
-<i>Prophecies</i> is somewhat involved in mystery; but
-I myself possess copies of three different editions
-published during the last century, the first of the
-three, purporting to be the sixth edition, bearing
-date London, 1719. A Life of Nixon, affixed to
-this edition, states him to have lived and prophesied
-in the reign of King James I.; at whose court,
-we are farther told, he was, in conformity with
-his own prediction, starved to death. His <i>Prophecies</i>
-are, by the learned, held to be apocryphal;
-the country folk of Cheshire, on the contrary,
-have as much faith in them and their author as
-they have in the fact of their own existence.</p>
-
-<p class="author"><span class="sc">T. Hughes.</span></p>
-
-<p>Chester.</p>
-
-<p><i>"Could we with ink," &amp;c.</i> (Vol. viii., pp. 127.
-180.).&mdash;I am surprised that none of your correspondents
-has referred to Smart, the translator of
-Horace, who has been frequently stated to be the
-writer of these lines, and I believe with truth.</p>
-
-<p class="author">E. H. D. D.</p>
-
-<p><i>Character of the Song of the Nightingale</i>
-(Vol. vii., p. 397.; Vol. viii., p. 112.).&mdash;Although
-Milton seems to have generally used the epithet
-<i>solemn</i> in its classical sense (as cleverly pointed
-out by <span class="sc">Mr. Sydney Gedge</span>), and meant to represent
-the nightingale as the <i>customary</i> attendant of
-night, yet there is at least one passage where the
-epithet appears to me not to have this meaning;
-but to express that the song of the nightingale
-caused "a holy joy," and was heard not only in
-the day-time, but all through the night. For
-although Milton calls the nightingale "the night-warbling
-bird," and so makes it "the customary
-attendant of the night," yet he also elsewhere as
-truly speaks of it as a <i>day</i> singer. The passage I
-referred to is in <i>Paradise Lost</i>, book vii., and
-seems to me to bear the meaning above spoken of;
-though <span class="sc">Mr. Gedge</span> may perhaps make "solemn"
-refer back to the last noun "even." And I confess
-that the meaning seems dubious:</p>
-
-<div class="poem">
- <div class="stanza">
- <p>"From branch to branch, the smaller birds with song</p>
- <p>Solac'd the woods, and spread their painted wings</p>
- <p>Till even; nor then the solemn nightingale</p>
- <p>Ceas'd warbling, but all night tun'd her soft lays."</p>
- </div>
-</div>
-
-<p>I can add one other epithet to the one hundred
-and nine which I have already given of the nightingale's
-song:</p>
-
-<div class="poem">
- <div class="stanza">
- <p><i>Wond'ring.</i> Dryden ("Palamon and Arcite").</p>
- </div>
-</div>
-
-<p>I may add, that Otway and Grainger (erroneously
-printed Graingle) appear to have used
-"solemn" in the ordinary meaning of the word.</p>
-
-<p class="author"><span class="sc">Cuthbert Bede, B.A.</span></p>
-
-<p><i>Adamson's "Lusitania Illustrata"</i> (Vol. viii.,
-p. 104.).&mdash;Your correspondent W. M. M. may
-consult the following works with great advantage:</p>
-
-<blockquote>
-
-<p>"Résumé de l'Histoire Littéraire du Portugal, suivi
-du Résumé de l'Histoire Littéraire du Brésil, 12mo.:
-Paris, 1826."</p>
-
-<p>"Parnaso Lusitano, ou Poesias selectas dos auctores
-Portuguezos antigos e modernos, illustrados cum notas,
-percedido de una Historia abreviada da lingua e
-poesia Portugueza, tom. v., 18mo. Paris, 1826."</p>
-
-</blockquote>
-
-<p>The destruction by fire of Mr. Adamson's
-library, which was so rich in Portuguese literature,
-has, with other circumstances, hitherto prevented
-the continuation of the <i>Lusitania Illustrata</i>;
-but the appearance of future parts, in furtherance
-of the original plan, is by no means abandoned.</p>
-
-<p class="author">E. H. A.</p>
-
-<p><i>Adamsoniana</i> (Vol. vii., p. 500.; Vol. viii.,
-p. 135.).&mdash;I was aware of the way in which the
-famous naturalist spelt his name, but supposed
-that Michel Ada<i>n</i>son and Michael Ada<i>m</i>son were
-the same, the former being merely the French
-mode of writing according to their pronunciation.
-I was also aware of the leading events in the
-naturalist's own career, but was desirous if possible
-of identifying his father: "the gentleman
-who, after firmly attaching himself to the Stuarts,
-left Scotland, and entered the service of the
-Archbishop of Aix."</p>
-
-<p>Perhaps I may be more fortunate in obtaining
-some information respecting another Scot of the
-same name: James Adamson, for thirty-one years
-rector of Tigh, in Rutlandshire, who is described
-in the inscription upon his tombstone as "natu
-Scotus, Anglus vita, moribus antiquis, cum rege
-suo in prosperis et adversis." I believe he was
-the father of John Adamson, M.A., Rector Of
-Burton Coggles, in Lincolnshire: the author of
-two sermons; one published in 1698, and entitled
-<i>The Duty of Daily frequenting the Public Service</i><span class="pagenum"><a id="Page_258"></a>{258}</span>
-of the Church; another in 1707, being
-the <i>Funeral Sermon for Sir E. Turnor of Stoke
-Rochford</i><a name="footnotetag6" href="#footnote6"><sup>[6]</sup></a> (whose chaplain he was), a great promoter
-of pious and charitable undertakings. Can
-these sermons be now procured? Is anything
-further known respecting the author or his family?</p>
-
-<p class="author">E. H. A.</p>
-
-<div class="note">
-
-<p><a name="footnote6"></a><b>Footnote 6:</b><a href="#footnotetag6">(return)</a></p>
-
-<p>This sermon is in the British Museum.&mdash;<span class="sc">Ed.</span></p>
-
-</div>
-
-<p><i>Crassus' Saying</i> (Vol. vii., p. 498.).&mdash;<span class="sc">Mr. Ewart</span>
-will not easily extract his English from the Latin,
-which is simply, "Fit salad for such lips."</p>
-
-<p class="author">S. Z. Z. S.</p>
-
-<p><i>Stanzas in "Childe Harold"</i> (Vol. iv. <i>passim</i>).&mdash;This
-stanza has already occupied too many of
-your pages; will you, however, allow me to put a
-ryder on it, by referring your correspondents
-to Lord Byron's <i>own</i> ignorance of the meaning of
-an expression in this stanza, expressed in a letter
-to Murray, published in Moore's <i>Life</i>, Letter 323,
-dated Venice, 24th September, 1818, when, after
-pointing out an error in the same canto, he says:</p>
-
-<blockquote>
-
-<p>"What does 'thy waters <i>wasted</i> them' mean? <i>That
-is not me.</i> Consult the MS. always."</p>
-
-</blockquote>
-
-<p>And in a note by Moore on this letter, he says,
-"This passage retains <i>also</i> uncorrected."</p>
-
-<p>At the end of this letter Byron writes, "<i>I saw the
-canto by accident.</i>" Query: If Byron only saw
-his cantos by "accident," would not a new edition
-of his works collated with his MSS. be "a consummation
-devoutly to be wished."</p>
-
-<p class="author"><span class="sc">S. Wmson.</span></p>
-
-<p>Glasgow.</p>
-
-<p><i>"Well's a fret"</i> (Vol. viii., p. 197.).&mdash;This is one
-of a class which will be lost if not recorded.
-Forty years ago, in the West of England, and
-perhaps elsewhere, a servant, when teased by a
-child to know where such a person was, would
-answer&mdash;</p>
-
-<div class="poem">
- <div class="stanza">
- <p class="i12">"In his skin</p>
- <p>When he jumps out, you may jump in."</p>
- </div>
-</div>
-
-<p>The answer to <i>Eh</i>? was always <i>Straw</i>. I dare
-say more of these things will be produced. What
-ought they to be called?</p>
-
-<p class="author">M.</p>
-
-<p><i>Tenet or Tenent</i> (Vol. vii., p. 205.).&mdash;We speak
-of the <i>tenets</i> of a sect. Somewhat less than a century
-ago the formula would have been their
-<i>tenents</i>; and was not this the more correct?</p>
-
-<p class="author"><span class="sc">Balliolensis.</span></p>
-
-<p><i>Mrs. Catherine Barton</i> (Vol. iii., pp. 328. 434.).&mdash;When
-I answered the Query, I was not aware
-of what Baily states in the Supplement to Flamstead,
-p. 750. Rigaud ascertained for Baily that
-Mrs. C. B. (the title <i>Mistress</i> being given at that
-period to marriageable young ladies) was not the
-<i>wife</i>, but the <i>sister</i> of Colonel Barton. Both were
-the children of Hannah Smith, Newton's half-sister,
-and Robert Barton. Mrs. C. B. was born
-about 1680.</p>
-
-<p class="author">M.</p>
-
-<hr class="full" />
-
-<h2>Miscellaneous.</h2>
-
-<h3>BOOKS AND ODD VOLUMES WANTED TO PURCHASE.</h3>
-
-<p><span class="sc">Proceedings of the London Geological Society.</span></p>
-
-<p><span class="sc">Prescott's History of the Conquest of Mexico.</span> 3 Vols.
-London. Vol. III.</p>
-
-<p><span class="sc">Mrs. Ellis's Social Distinctions.</span> Tallis's Edition. Vols. II.
-and III. 8vo.</p>
-
-<p><span class="sc">History and Antiquities of Newbury.</span> 8vo. 1839. 340 pages.
-Two Copies.</p>
-
-<p><span class="sc">Vancouver's Survey of Hampshire.</span></p>
-
-<p><span class="sc">Hemingway's History of Chester.</span> Large Paper. Parts I.
-and III.</p>
-
-<p><span class="sc">Correspondence on the Formation of the Roman Catholic
-Bible Society.</span> 8vo. London, 1813.</p>
-
-<p><span class="sc">Athenæum Journal</span> for 1844.</p>
-
-<p>⁂ <i>Correspondents sending Lists of Books Wanted are requested
-to send their names.</i></p>
-
-<p>⁂ Letters, stating particulars and lowest price, <i>carriage free</i>,
-to be sent to <span class="sc">Mr. Bell</span>, Publisher of "NOTES AND
-QUERIES." 186. Fleet Street.</p>
-
-<hr class="full" />
-
-<h2>Notices to Correspondents.</h2>
-
-<p><i>We have postponed</i> <span class="sc">Icon's</span> <i>friendly letter on the</i> Shakspeare
-Correspondence <i>until next week, when we propose to accompany
-it by some few observations of our own. We shall take that opportunity
-also of noticing a communication with which we have been
-favoured by</i> <span class="sc">Mr. Singer</span>.</p>
-
-<p>Z. <i>will find some illustrations of his Queries on</i> Passages from
-Milton and Gray <i>discussed in our present Number. The other
-shall appear in an early Number.</i></p>
-
-<p>A. B. C. <i>It does not follow that, because we thought the one
-paper sent us by this Correspondent worthy of insertion in our
-columns, every other which he may favour us with is to be printed.</i></p>
-
-<p>Greek Inscription on a Font.&mdash;<i>We have been reminded by
-several friendly Correspondents that this Query, inserted</i> ante,
-p. 198., <i>had been discussed in our preceding Volume</i>, pp. 178,
-366. 417.</p>
-
-<p>Z. <i>Mr. Winston's book, published by Parker of Oxford, will
-give him the best information on the subject of</i> Stained or Coloured
-Glass.</p>
-
-<p>R. W. E. (Clifton). <i>Would our Correspondent oblige us by
-forwarding a copy of the 1st No. of the</i> Curiosities of Bristol and
-its Neighbourhood?</p>
-
-<p>C. <i>will find that his Query respecting</i> Grinning like a Cheshire
-Cat <i>has been anticipated</i>, "N. &amp; Q.," Vol. ii., pp. 377. 412.
-Vol. v., p. 402.</p>
-
-<p>J. E.'s <i>Query has been long since put and answered, as he will
-see by an article in the present Number.</i></p>
-
-<p>T. D. S. (Ruthin). <i>In all probability there is a deficiency of
-acetic acid in your developing solution, or the acetic acid is impure
-and is adulterated with sulphuric acid. A few drops of nitrate of
-baryta would test the purity.</i></p>
-
-<p><span class="sc">Colouring Collodion Pictures.</span>&mdash;<i>We should like to see a
-specimen of Mr. Lane's skill, and should be very happy to insert
-his process.</i></p>
-
-<p><span class="sc">Photography at Bath.</span>&mdash;<i>We understand that a pamphlet impugning
-the correctness of some processes given in</i> "N. &amp; Q."
-<i>has been published at Bath, but, as we know neither the author's
-name nor the publisher, have to request information on those
-points from some Bath photographer.</i></p>
-
-<p><i>Errata.</i>&mdash;In p. 194., for "bytleing" read "bything;" for
-"byth" read "bytl.;" p. 195., the 24th line from the bottom
-the page, for "the prenzie Angelo", read "the prenze Angelo;"
-p. 207., for "parish of West Fetton" read "parish of West
-Felton."</p>
-
-<p><i>A few complete sets of</i> "<span class="sc">Notes and Queries</span>," Vols. i. <i>to</i> vii.,
-<i>price Three Guineas and a Half, may now be had; for which
-early application is desirable.</i></p>
-
-<p>"<span class="sc">Notes and Queries</span>" <i>is published at noon on Friday, so that
-the Country Booksellers may receive Copies in that night's parcels,
-and deliver them to their Subscribers on the Saturday.</i></p>
-
-<p><span class="pagenum"><a id="Page_259"></a>{259}</span></p>
-
-<hr class="full" />
-
-<h3>INDIGESTION, CONSTIPATION,<br />
-NERVOUSNESS, &amp;c.&mdash;BARRY,<br />
-DU BARRY &amp; CO.'S HEALTH-RESTORING<br />
-FOOD for INVALIDS and INFANTS.</h3>
-
-<hr />
-
-<p class="cenhead">THE REVALENTA ARABICA FOOD,</p>
-
-<p>the only natural, pleasant, and effectual remedy
-(without medicine, purging, inconvenience,
-or expense, as it saves fifty times its cost
-in other remedies) for nervous, stomachic, intestinal,
-liver and bilious complaints, however
-deeply rooted, dyspepsia (indigestion), habitual
-constipation, diarrhœa, acidity, heartburn, flatulency,
-oppression, distension, palpitation,
-eruption of the skin, rheumatism, gout, dropsy,
-sickness at the stomach during pregnancy, at
-sea, and under all other circumstances, debility
-in the aged as well as infants, fits, spasms,
-cramps, paralysis, &amp;c.</p>
-
-<blockquote>
-
-<p class="cenhead"><i>A few out of 50,000 Cures</i>:&mdash;</p>
-
-<p>Cure, No. 71, of dyspepsia; from the Right
-Hon. the Lord Stuart de Decies:&mdash;"I have derived
-considerable benefits from your Revalenta
-Arabica Food, and consider it due to yourselves
-and the public to authorise the publication of
-these lines.&mdash;<span class="sc">Stuart de Decies.</span>"</p>
-
-<p>Cure, No. 49,832:&mdash;"Fifty years' indescribable
-agony from dyspepsia, nervousness, asthma,
-cough, constipation, flatulency, spasms, sickness
-at the stomach and vomitings have been
-removed by Du Barry's excellent food.&mdash;<span class="sc">Maria
-Jolly</span>, Wortham Ling, near Diss, Norfolk."</p>
-
-<p>Cure, No. 180:&mdash;"Twenty-five years' nervousness,
-constipation, indigestion, and debility,
-from which I had suffered great misery, and
-which no medicine could remove or relieve,
-have been effectually cured by Du Barry's food
-in a very short time.&mdash;<span class="sc">W. R. Reeves</span>, Pool
-Anthony, Tiverton."</p>
-
-<p>Cure, No. 4,206:&mdash;"Eight years' dyspepsia,
-nervousness, debility, with cramps, spasms, and
-nausea, for which my servant had consulted
-the advice of many, have been effectually removed
-by Du Barry's delicious food in a very
-short time. I shall be happy to answer any inquiries.&mdash;<span class="sc">Rev.
-John W. Flavell</span>, Ridlington
-Rectory, Norfolk."</p>
-
-<p class="center"><i>Dr. Wurzer's Testimonial.</i></p>
-
-<p class="right">"Bonn, July 19, 1852.</p>
-
-<p>"This light and pleasant Farina is one of the
-most excellent, nourishing, and restorative
-remedies, and supersedes, in many cases, all
-kinds of medicines. It is particularly useful
-in confined habit of body, as also diarrhœa,
-bowel complaints, affections of the kidneys and
-bladder, such as stone or gravel; inflammatory
-irritation and cramp of the urethra, cramp of
-the kidneys and bladder, strictures, and hemorrhoids.
-This really invaluable remedy is employed
-with the most satisfactory result, not
-only in bronchial and pulmonary complaints,
-where irritation and pain are to be removed,
-but also in pulmonary and bronchial consumption,
-in which it counteracts effectually the
-troublesome cough; and I am enabled with
-perfect truth to express the conviction that Du
-Barry's Revalenta Arabica is adapted to the
-cure of incipient hectic complaints and consumption.</p>
-
-<p class="center">"<span class="sc">Dr. Rud Wurzer.</span><br />
-"Counsel of Medicine, and practical M.D. in Bonn."</p>
-
-</blockquote>
-
-<p>London Agents:&mdash;Fortnum, Mason &amp; Co.,
-182. Piccadilly, purveyors to Her Majesty the
-Queen; Hedges &amp; Butler, 155. Regent Street;
-and through all respectable grocers, chemists,
-and medicine venders. In canisters, suitably
-packed for all climates, and with full instructions,
-1lb. 2<i>s.</i> 9<i>d.</i>; 2lb. 4<i>s.</i> 6<i>d.</i>; 5lb. 11<i>s.</i>; 12lb.
-22<i>s.</i>; super-refined, 5lb. 22<i>s.</i>; 10lb. 33<i>s.</i> The
-10lb. and 12lb. carriage free, on receipt of Post-office
-order.&mdash;Barry, Du Barry Co., 77. Regent
-Street, London.</p>
-
-<p><span class="sc">Important Caution.</span>&mdash;Many invalids having
-been seriously injured by spurious imitations
-under closely similar names, such as Ervalenta,
-Arabaca, and others, the public will do well to
-see that each canister bears the name <span class="sc">Barry,
-Du Barry &amp; Co.</span>, 77. Regent Street, London,
-in full, <i>without which none is genuine</i>.</p>
-
-<hr class="full" />
-
-<h3>WESTERN LIFE ASSURANCE AND ANNUITY SOCIETY,</h3>
-
-<p class="cenhead">3. PARLIAMENT STREET, LONDON.</p>
-
-<p class="cenhead">Founded A.D. 1842.</p>
-
-<hr />
-
-<p class="cenhead"><i>Directors.</i></p>
-
-<table class="nobctr" summary="directors" title="directors">
- <tr>
- <td class="rightbsing" style="vertical-align:top; text-align:left">
- <p>H. E. Bicknell, Esq.<br />
- T. S. Cocks, Jun. Esq., M.P.<br />
- G. H. Drew, Esq.<br />
- W. Evans, Esq.<br />
- W. Freeman, Esq.<br />
- F. Fuller, Esq.<br />
- J. H. Goodhart, Esq.</p>
- </td>
- <td class="hspcsingle" style="vertical-align:top; text-align:left">
- <p>T. Grissell, Esq.<br />
- J. Hunt, Esq.<br />
- J. A. Lethbridge, Esq.<br />
- E. Lucas, Esq.<br />
- J. Lys Seager, Esq.<br />
- J. B. White, Esq.<br />
- J. Carter Wood, Esq.</p>
- </td>
- </tr>
-</table>
-
-<p class="cenhead"><i>Trustees.</i>&mdash;W. Whateley, Esq., Q.C.; George Drew, Esq.;
-T. Grissell, Esq.<br />
-<i>Physician.</i>&mdash;William Rich. Basham, M.D.<br />
-<i>Bankers.</i>&mdash;Messrs. Cocks, Biddulph, and Co.,
-Charing Cross.</p>
-
-<p class="cenhead">VALUABLE PRIVILEGE.</p>
-
-<p>POLICIES effected in this Office do not become
-void through temporary difficulty in paying
-a Premium, as permission is given upon
-application to suspend the payment at interest,
-according to the conditions detailed in the Prospectus.</p>
-
-<p>Specimens of Rates of Premium for Assuring
-100<i>l.</i> with a Share in three-fourths of the
-Profits:&mdash;</p>
-
-<table width="17%" class="nob" summary="Specimens of Rates" title="Specimens of Rates">
- <tr>
- <td class="nob" style="width:57%">Age</td>
- <td class="nob" style="width:14%"><i>£</i></td>
- <td class="nob" style="width:14%"><i>s.</i></td>
- <td class="nob" style="width:14%"><i>d.</i></td>
- </tr>
- <tr>
- <td>17</td>
- <td class="ar">1</td>
- <td class="ar">14</td>
- <td class="ar">4</td>
- </tr>
- <tr>
- <td>22</td>
- <td class="ar">1</td>
- <td class="ar">18</td>
- <td class="ar">8</td>
- </tr>
- <tr>
- <td>27</td>
- <td class="ar">2</td>
- <td class="ar">4</td>
- <td class="ar">5</td>
- </tr>
- <tr>
- <td>32</td>
- <td class="ar">2</td>
- <td class="ar">10</td>
- <td class="ar">8</td>
- </tr>
- <tr>
- <td>37</td>
- <td class="ar">2</td>
- <td class="ar">18</td>
- <td class="ar">6</td>
- </tr>
- <tr>
- <td>42</td>
- <td class="ar">3</td>
- <td class="ar">8</td>
- <td class="ar">2</td>
- </tr>
-</table>
-
-<p class="cenhead">ARTHUR SCRATCHLEY, M.A., F.R.A.S.,
-Actuary.</p>
-
-<p>Now ready, price 10<i>s.</i> 6<i>d.</i>, Second Edition
-with material additions, INDUSTRIAL INVESTMENT
-and EMIGRATION: being a
-TREATISE on BENEFIT BUILDING SOCIETIES,
-and on the General Principles of
-Land Investment, exemplified in the Cases of
-Freehold Land Societies, Building Companies,
-&amp;c. With a Mathematical Appendix on Compound
-Interest and Life Assurance. By ARTHUR
-SCRATCHLEY, M.A., Actuary to
-the Western Life Assurance Society, 3. Parliament
-Street, London.</p>
-
-<hr class="full" />
-
-<p class="cenhead">BANK OF DEPOSIT.</p>
-
-<p class="cenhead">7. St. Martin's Place, Trafalgar Square,
-London.</p>
-
-<p>PARTIES desirous of INVESTING
-MONEY are requested to examine
-the Plan of this Institution, by which a high
-rate of Interest may be obtained with perfect
-Security.</p>
-
-<p>Interest payable in January and July.</p>
-
-<p class="cenhead">PETER MORRISON,<br />
-Managing Director.</p>
-
-<p class="cenhead">Prospectuses free on application.</p>
-
-<hr class="full" />
-
-<p>BENNETT'S MODEL
-WATCH, as shown at the GREAT EXHIBITION,
-No. 1. Class X., in Gold and
-Silver Cases, in five qualities, and adapted to
-all Climates, may now be had at the MANUFACTORY,
-65. CHEAPSIDE. Superior Gold
-London-made Patent Levers, 17, 15, and 12
-guineas. Ditto, in Silver Cases, 8, 6, and 4
-guineas. First-rate Geneva Levers, in Gold
-Cases, 12, 10, and 8 guineas. Ditto, in Silver
-Cases, 8, 6, and 5 guineas. Superior Lever, with
-Chronometer Balance, Gold, 27, 23, and 19
-guineas. Bennett's Pocket Chronometer, Gold,
-50 guineas, Silver, 40 guineas. Every Watch
-skilfully examined, timed, and its performance
-guaranteed. Barometers, 2<i>l.</i>, 3<i>l.</i>, and 4<i>l.</i> Thermometers
-from 1<i>s.</i> each.</p>
-
-<p class="cenhead">BENNETT, Watch, Clock, and Instrument
-Maker to the Royal Observatory, the Board of
-Ordnance, the Admiralty, and the Queen,
-65. CHEAPSIDE.</p>
-
-<hr class="full" />
-
-<p>DAGUERREOTYPE MATERIALS.&mdash;Plates,
-Cases, Passepartoutes.
-Best and Cheapest. To be had in great variety
-at</p>
-
-<p class="cenhead">M'MILLAN'S Wholesale Depot, 132. Fleet
-Street.</p>
-
-<p class="cenhead">Price List Gratis.</p>
-
-<hr class="full" />
-
-<p>PHOTOGRAPHIC PICTURES.&mdash;A
-Selection of the above
-beautiful Productions (comprising Views in
-VENICE, PARIS, RUSSIA, NUBIA, &amp;c.)
-may be seen at BLAND &amp; LONG'S, 158. Fleet
-Street, where may also be procured Apparatus
-of every Description, and pure Chemicals
-for the practice of Photography in all its
-Branches.</p>
-
-<p>Calotype, Daguerreotype, and Glass Pictures
-for the Stereoscope.</p>
-
-<p class="cenhead">⁂ Catalogues may be had on application.</p>
-
-<p class="cenhead">BLAND &amp; LONG, Opticians, Philosophical
-and Photographical Instrument Makers, and
-Operative Chemists, 153. Fleet Street.</p>
-
-<hr class="full" />
-
-<p>PHOTOGRAPHY.&mdash;HORNE
-&amp; CO.'S Iodised Collodion, for obtaining
-Instantaneous Views, and Portraits in from
-three to thirty seconds, according to light.</p>
-
-<p>Portraits obtained by the above, for delicacy
-of detail rival the choicest Daguerreotypes,
-specimens of which may be seen at their Establishment.</p>
-
-<p>Also every description of Apparatus, Chemicals,
-&amp;c. &amp;c. used in this beautiful Art.&mdash;123.
-and 121. Newgate Street.</p>
-
-<hr class="full" />
-
-<p>PHOTOGRAPHIC PAPER.&mdash;Negative
-and Positive Papers of Whatman's,
-Turner's, Sanford's, and Cannon
-Frères' make. Waxed-Paper for Le Gray's
-Process. Iodized and Sensitive Paper for every
-kind of Photography.</p>
-
-<p>Sold by JOHN SANFORD, Photographic
-Stationer, Aldine Chambers, 13. Paternoster
-Row, London.</p>
-
-<hr class="full" />
-
-<p class="cenhead">PHOTOGRAPHIC CAMERAS.</p>
-
-<p>OTTEWILL'S REGISTERED
-DOUBLE-BODIED FOLDING CAMERA,
-is superior to every other form of
-Camera, for the Photographic Tourist, from its
-capability of Elongation or Contraction to any
-Focal Adjustment, its extreme Portability, and
-its adaptation for taking either Views or Portraits.</p>
-
-<p>Every Description of Camera, or Slides, Tripod
-Stands, Printing Frames, &amp;c., may be obtained
-at his MANUFACTORY, Charlotte
-Terrace, Barnsbury Road, Islington.</p>
-
-<p>New Inventions, Models, &amp;c., made to order
-or from Drawings.</p>
-
-<hr class="full" />
-
-<p>IMPROVEMENT IN COLLODION.&mdash;J. B.
-HOCKIN &amp; CO., Chemists,
-289. Strand, have, by an improved mode of
-Iodizing, succeeded in producing a Collodion
-equal, they may say superior, in sensitiveness
-and density of Negative, to any other hitherto
-published; without diminishing the keeping
-properties and appreciation of half tint for
-which their manufacture has been esteemed.</p>
-
-<p>Apparatus, pure Chemicals, and all the requirements
-for the practice of Photography.
-Instruction in the Art.</p>
-
-<hr class="full" />
-
-<p class="cenhead">PHOTOGRAPHIC APPARATUS,
-MATERIALS, and PURE CHEMICAL
-PREPARATIONS.</p>
-
-<p>KNIGHT &amp; SONS' Illustrated Catalogue,
-containing Description and Price of the best
-forms of Cameras and other Apparatus. Voightlander
-and Son's Lenses for Portraits and
-Views, together with the various Materials,
-and pure Chemical Preparations required in
-practising the Photographic Art. Forwarded
-free on receipt of Six Postage Stamps.</p>
-
-<p>Instructions given in every branch of the Art.</p>
-
-<p>An extensive Collection of Stereoscopic and
-other Photographic Specimens.</p>
-
-<p class="cenhead">GEORGE KNIGHT &amp; SONS, Foster Lane,
-London.</p>
-
-<p><span class="pagenum"><a id="Page_260"></a>{260}</span></p>
-
-<hr class="full" />
-
-<p class="cenhead">On Tuesday will be published, the Second
-Volume of</p>
-
-<p>MISS AGNES STRICKLAND'S
-LIFE OF MARY QUEEN
-OF SCOTS, forming the Fourth Volume of
-her LIVES OF THE QUEENS OF SCOTLAND,
-and English Princesses connected with
-the Regal Succession. With a Portrait of
-Mary at the Age of Twenty-five, from the
-Original Painting presented by herself to Sir
-Henry Curwen of Workinton Hall.</p>
-
-<p>Volumes I. to III. contain the Lives of Margaret
-Tudor, Magdalene of France, Mary of
-Lorraine, Lady Margaret Douglas, and the
-earlier Portion of the Life of Queen Mary.
-Price 10<i>s.</i> 6<i>d.</i> each, with Portraits and Historical
-Vignettes.</p>
-
-<p class="cenhead">WILLIAM BLACKWOOD &amp; SONS, Edinburgh
-and London.</p>
-
-<hr class="full" />
-
-<p>THE GENTLEMAN'S MAGAZINE
-AND HISTORICAL REVIEW
-FOR SEPTEMBER, contains the following
-articles:&mdash;</p>
-
-<blockquote>
-
-<p>1. The Grenville Correspondence.</p>
-
-<p>2. The Byzantine Cæsars of the Iconoclastic
-Period.</p>
-
-<p>3. The Fine Arts at Rome in 1736.</p>
-
-<p>4. State Papers of Henry the Eighth.</p>
-
-<p>5. Dr. Bathurst, Bishop of Norwich.</p>
-
-<p>6. Notes on Shakspeare's Text.</p>
-
-<p>7. Wanderings of an Antiquary: by T.
-Wright, F.S.A.&mdash;The Roman Villa at Bignor
-(with Engravings).</p>
-
-<p>8. Virtuosi of the Eighteenth Century.</p>
-
-</blockquote>
-
-<p>With Correspondence, Notes of the Month,
-Historical and Miscellaneous Reviews, Reports
-of Archæological Societies, Historical Chronicle,
-and <span class="sc">Obituary</span>.</p>
-
-<p class="cenhead">NICHOLS AND SONS, 25. Parliament Street.</p>
-
-<hr class="full" />
-
-<p class="cenhead">ARCHÆOLOGY OF SUSSEX.</p>
-
-<p>THE GENTLEMAN'S MAGAZINE
-for AUGUST contains a revised
-Report of the Proceedings of the Archæological
-Institute at their Meeting at Chichester, including
-the Lectures of Professor Willis on
-Chichester Cathedral, Mr. Sharpe on the Sussex
-Churches, Dr. Bruce on the Bayeux Tapestry,
-Mr. Freeman on the Life of Earl Godwin,
-Mr. Durrant Cooper on Sussex Nomenclature,
-&amp;c. &amp;c.</p>
-
-<p>The Magazine also contains the following
-articles:&mdash;1. State Papers of the Reign of
-Henry VIII. 2. Madame de Longueville.
-3. The Prospero of "The Tempest." 4. Letter
-of Major P. Ferguson during the American
-War. 5. Wanderings of an Antiquary: Bramber
-Castle and the Sussex Churches, by Thomas
-Wright, F.S.A. (with Engravings). 6. St. Hilary
-Church, Cornwall (with an Engraving).
-7. Benjamin Robert Haydon. 8. The Northern
-Topographers&mdash;Whitaker, Surtees, and Raine.
-9. Passage of the Pruth in the year 1739.
-10. Early History of the Post-Office. 11. Correspondence
-of Sylvanus Urban: A Peep at
-the Library of Chichester Cathedral&mdash;Christ's
-Church at Norwich&mdash;Rev. Wm. Smith of
-Melsonby&mdash;Godmanham and Londesborough.
-With Reviews of New Publications, a Report
-of the Meeting of the Archæological Institute
-at Chichester, and of other Antiquarian Societies,
-Historical Chronicle, and <span class="sc">Obituary</span>.
-Price 2<i>s.</i> 6<i>d.</i></p>
-
-<p class="cenhead">NICHOLS &amp; SONS, 25. Parliament Street.</p>
-
-<hr class="full" />
-
-<p class="cenhead">NEW AND CHEAPER EDITION.</p>
-
-<p class="cenhead">This day, Second Edition, in foolscap 8vo.,
-cloth, price 3<i>s.</i></p>
-
-<p>THE DOCTRINE OF THE
-HOLY EUCHARIST. By ARCHDEACON
-WILBERFORCE.</p>
-
-<p>"A work greatly needed in the Church of
-England."&mdash;<i>Guardian.</i></p>
-
-<p class="cenhead">London: J. &amp; C. MOZLEY, 6. Paternoster
-Row. Oxford: J. H. PARKER.</p>
-
-<hr class="full" />
-
-<p class="cenhead">8vo., price 21<i>s.</i></p>
-
-<p>SOME ACCOUNT of DOMESTIC
-ARCHITECTURE in ENGLAND,
-from the Conquest to the end of the Thirteenth
-Century, with numerous Illustrations of Existing
-Remains from Original Drawings. By
-T. HUDSON TURNER.</p>
-
-<p>"What Horace Walpole attempted, and what
-Sir Charles Lock Eastlake has done for oil-painting&mdash;elucidated
-its history and traced its
-progress in England by means of the records
-of expenses and mandates of the successive
-Sovereigns of the realm&mdash;Mr. Hudson Turner
-has now achieved for Domestic Architecture in
-this country during the twelfth and thirteenth
-centuries."&mdash;<i>Architect.</i></p>
-
-<p>"The writer of the present volume ranks
-among the most intelligent of the craft, and
-a careful perusal of its contents will convince
-the reader of the enormous amount of labour
-bestowed on its minutest details, as well as the
-discriminating judgment presiding over the
-general arrangement."&mdash;<i>Morning Chronicle.</i></p>
-
-<p>"The book of which the title is given above
-is one of the very few attempts that have been
-made in this country to treat this interesting
-subject in anything more than a superficial
-manner.</p>
-
-<p>"Mr. Turner exhibits much learning and
-research, and he has consequently laid before
-the reader much interesting information. It
-is a book that was wanted, and that affords us
-some relief from the mass of works on Ecclesiastical
-Architecture with which of late years
-we have been deluged.</p>
-
-<p>"The work is well illustrated throughout
-with wood-engravings of the more interesting
-remains, and will prove a valuable addition to
-the antiquary's library."&mdash;<i>Literary Gazette.</i></p>
-
-<p>"It is as a text-book on the social comforts
-and condition of the Squires and Gentry of
-England during the twelfth and thirteenth centuries,
-that the leading value of Mr. Turner's
-present publication will be found to consist.</p>
-
-<p>"Turner's handsomely-printed volume is
-profusely illustrated with careful woodcuts of
-all important existing remains, made from
-drawings by Mr. Blore and Mr. Twopeny."&mdash;<i>Athenæum.</i></p>
-
-<p class="cenhead">JOHN HENRY PARKER, Oxford; and
-377. Strand, London.</p>
-
-<hr class="full" />
-
-<p class="cenhead">Now ready, price 21<i>s.</i> uniform with the above,</p>
-
-<p>THE DOMESTIC ARCHITECTURE
-OF THE MIDDLE AGES.
-Vol. II.&mdash;THE FOURTEENTH CENTURY.
-By the Editor of "The Glossary of Architecture."</p>
-
-<p>This volume is issued on the plan adopted by
-the late Mr. Hudson Turner in the previous
-volume: viz., collecting matter relating to
-Domestic buildings of the Period, from cotemporary
-records, and applying the information
-so acquired to the existing remains.</p>
-
-<p>Not only does the volume contain much
-curious information both as to the buildings
-and manners and customs of the time, but it is
-also hoped that the large collection of careful
-Engravings of the finest examples will prove as
-serviceable to the profession and their employers
-in building mansions, as the Glossary
-was found to be in building churches.</p>
-
-<p>The Text is interspersed throughout with
-numerous woodcuts.</p>
-
-<p class="cenhead">JOHN HENRY PARKER, Oxford; and
-377. Strand, London.</p>
-
-<hr class="full" />
-
-<p class="cenhead">Now ready, Two New Volumes (price 28<i>s.</i>
-cloth) of</p>
-
-<p>THE JUDGES OF ENGLAND
-and the Courts at Westminster. By
-EDWARD FOSS, F.S.A.</p>
-
-<p class="cenhead">Volume Three, 1272-1377.</p>
-
-<p class="cenhead">Volume Four, 1377-1485.</p>
-
-<p class="cenhead">Lately published, price 28<i>s.</i> cloth,</p>
-
-<p class="cenhead">Volume One, 1066-1199.</p>
-
-<p class="cenhead">Volume Two, 1199-1272.</p>
-
-<p>"A book which is essentially sound and
-truthful, and must therefore take its stand in
-the permanent literature of our country."&mdash;<i>Gent.
-Mag.</i></p>
-
-<p class="cenhead">London: LONGMAN &amp; CO.</p>
-
-<hr class="full" />
-
-<p class="cenhead">TO ALL WHO HAVE FARMS OR
-GARDENS.</p>
-
-<h3>THE GARDENERS' CHRONICLE
-AND AGRICULTURAL GAZETTE.</h3>
-
-<p class="cenhead">(The Horticultural Part edited by PROF.
-LINDLEY,)</p>
-
-<p class="cenhead">Of Saturday, September 3, contains Articles on</p>
-
-<table class="nobctr" summary="articles" title="articles">
- <tr>
- <td class="rightbsing" style="vertical-align:top; text-align:left">
- <p>Agricultural College examination papers<br />
- Apple trees, cider<br />
- Bramley Horticultural Society<br />
- Bugainvillæa, by Mr. Napier<br />
- Calendar, horticultural<br />
- &mdash;&mdash; agricultural<br />
- Carnations and picotees<br />
- Chrysanthemums in small pots, flowering of, by Mr. Bester<br />
- Corn, saving of, in damp weather, by Mr. Prideaux<br />
- Cotton in India, Dr. Royle on<br />
- Drainage, depths of, by Mr. Milward<br />
- Fork, Winton's, by Mr. Russell<br />
- Forking, rotatory<br />
- Gourds on lawns<br />
- Grape, Mustang<br />
- Grass seeds for pasturage<br />
- Hardenbergias<br />
- Horticultural Society's Garden<br />
- Irish Agricultural Improvement Society's Show<br />
- Italian Rye-grass<br />
- Lawns, Gourds on</p>
- </td>
- <td class="hspcsingle" style="vertical-align:top; text-align:left">
- <p>Leaves, variegated<br />
- Manure, management of<br />
- &mdash;&mdash; for wheat, by Mr. Stickney<br />
- Mealy bug, to kill<br />
- Mildew, vine, Amici on (with engraving)<br />
- Mutton manufacture, by Mr. Milburn<br />
- Nightingales, breeding of, in captivity, by Mr. Hanley<br />
- Paulovnia, flowering of<br />
- Picotees and carnations<br />
- Pig breeding<br />
- Pine pits, glass for, by Mr. Jackson<br />
- Plants, duration of species<br />
- &mdash;&mdash; variegated<br />
- Plough <i>v.</i> forking<br />
- Poultry show, Surrey<br />
- Royle (Dr.) on Cotton<br />
- Rye-grass, Italian<br />
- Stanhopea tricornis<br />
- Steam forking<br />
- Vine, Mustang<br />
- Vine mildew, Amici on (with engraving)<br />
- Wheat, Lois Weedon culture of<br />
- &mdash;&mdash; manure for, by Mr. Stickney</p>
- </td>
- </tr>
-</table>
-
-<hr class="full" />
-
-<p>THE GARDENERS' CHRONICLE
-and AGRICULTURAL GAZETTE
-contains, in addition to the above, the Covent
-Garden, Mark Lane, Smithfield, and Liverpool
-prices, with returns from the Potato, Hop, Hay,
-Coal, Timber, Bark, Wool, and Seed Markets,
-and a <i>complete Newspaper, with a condensed
-account of all the transactions of the week</i>.</p>
-
-<p>ORDER of any Newsvender. OFFICE for
-Advertisements, 5. Upper Wellington Street,
-Covent Garden, London.</p>
-
-<hr class="full" />
-
-<p>TO BOOK-BUYERS.&mdash;Selling
-Off at, and in many instances under, Cost
-Price, on relinquishing Business, a valuable
-Collection of Standard and Modern Works in
-Divinity, Classics, and Translations, History,
-Biography, Voyages and Travels, and General
-Literature. Catalogues Postage Free.</p>
-
-<p class="cenhead">R. SAYWELL, 29½ Lincoln's Inn Fields.</p>
-
-<hr class="full" />
-
-<p>RALPH'S SERMON PAPER.&mdash;This
-approved Paper is particularly
-deserving the notice of the Clergy, as, from its
-particular form (each page measuring 5¾ by 9
-inches), it will contain more matter than the
-size in ordinary use; and, from the width
-being narrower, is much more easy to read:
-adapted for expeditious writing with either the
-quill or metallic pen; price 5<i>s.</i> per ream.
-Sample on application.</p>
-
-<p>ENVELOPE PAPER.&mdash;To
-identify the contents with the address and
-postmark, important in all business communications;
-it admits of three clear pages (each
-measuring 5½ by 8 inches), for correspondence,
-it saves time and is more economical. Price
-9<i>s.</i> 6<i>d.</i> per ream.</p>
-
-<p class="cenhead">F. W. RALPH, Manufacturing Stationer,
-36. Throgmorton Street, Bank.</p>
-
-<hr class="full" />
-
-<p>Printed by <span class="sc">Thomas Clark Shaw</span>, of No. 10 Stonefield Street, in
-the Parish of St. Mary, Islington, at No. 5. New Street Square, in the
-Parish of St. Bride, in the City of London; and published by <span class="sc">George
-Bell</span>, of No. 186. Fleet Street, in the Parish of St. Dunstan in
-the West, in the City of London, Publisher, at No. 186 Fleet Street
-aforesaid.&mdash;Saturday, September 10. 1853.</p>
-
-<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK NOTES AND QUERIES, NUMBER 202, SEPTEMBER 10, 1853 ***</div>
-<div style='text-align:left'>
-
-<div style='display:block; margin:1em 0'>
-Updated editions will replace the previous one&#8212;the old editions will
-be renamed.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-</div>
-
-<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
-<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
-</div>
-
-<div style='display:block; margin:1em 0'>
-To protect the Project Gutenberg&#8482; mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase &#8220;Project
-Gutenberg&#8221;), you agree to comply with all the terms of the Full
-Project Gutenberg&#8482; License available with this file or online at
-www.gutenberg.org/license.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.A. By reading or using any part of this Project Gutenberg&#8482;
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg&#8482; electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg&#8482; electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the person
-or entity to whom you paid the fee as set forth in paragraph 1.E.8.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg&#8482; electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg&#8482; electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg&#8482;
-electronic works. See paragraph 1.E below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
-Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg&#8482; electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg&#8482; mission of promoting
-free access to electronic works by freely sharing Project Gutenberg&#8482;
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg&#8482; name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg&#8482; License when
-you share it without charge with others.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg&#8482; work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E. Unless you have removed all references to Project Gutenberg:
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg&#8482; License must appear
-prominently whenever any copy of a Project Gutenberg&#8482; work (any work
-on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
-phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-</div>
-
-<blockquote>
- <div style='display:block; margin:1em 0'>
- This eBook is for the use of anyone anywhere in the United States and most
- other parts of the world at no cost and with almost no restrictions
- whatsoever. You may copy it, give it away or re-use it under the terms
- of the Project Gutenberg License included with this eBook or online
- at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
- are not located in the United States, you will have to check the laws
- of the country where you are located before using this eBook.
- </div>
-</blockquote>
-
-<div style='display:block; margin:1em 0'>
-1.E.2. If an individual Project Gutenberg&#8482; electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase &#8220;Project
-Gutenberg&#8221; associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg&#8482;
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg&#8482; License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg&#8482;.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg&#8482; License.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg&#8482; work in a format
-other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
-version posted on the official Project Gutenberg&#8482; website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original &#8220;Plain
-Vanilla ASCII&#8221; or other form. Any alternate format must include the
-full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg&#8482; works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg&#8482; electronic works
-provided that:
-</div>
-
-<div style='margin-left:0.7em;'>
- <div style='text-indent:-0.7em'>
- &bull; You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg&#8482; works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg&#8482; trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, &#8220;Information about donations to the Project Gutenberg
- Literary Archive Foundation.&#8221;
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg&#8482;
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg&#8482;
- works.
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You comply with all other terms of this agreement for free
- distribution of Project Gutenberg&#8482; works.
- </div>
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg&#8482; electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg&#8482; trademark. Contact the Foundation as set
-forth in Section 3 below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
-electronic works, and the medium on which they may be stored, may
-contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
-of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg&#8482; trademark, and any other party distributing a Project
-Gutenberg&#8482; electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg&#8482; electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg&#8482;
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg&#8482; work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg&#8482; work, and (c) any
-Defect you cause.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 2. Information about the Mission of Project Gutenberg&#8482;
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
-goals and ensuring that the Project Gutenberg&#8482; collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg&#8482; and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation&#8217;s EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state&#8217;s laws.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation&#8217;s business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation&#8217;s website
-and official page at www.gutenberg.org/contact
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; depends upon and cannot survive without widespread
-public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-</div>
-
-<div style='display:block; margin:1em 0'>
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 5. General Information About Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-Professor Michael S. Hart was the originator of the Project
-Gutenberg&#8482; concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg&#8482; eBooks with only a loose network of
-volunteer support.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Most people start at our website which has the main PG search
-facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-This website includes information about Project Gutenberg&#8482;,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-</div>
-
-</div>
-
-</body>
-</html>
diff --git a/old/66168-h/images/ampersand1.jpg b/old/66168-h/images/ampersand1.jpg
deleted file mode 100644
index a2905c1..0000000
--- a/old/66168-h/images/ampersand1.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66168-h/images/ampersand2.jpg b/old/66168-h/images/ampersand2.jpg
deleted file mode 100644
index 63f2c33..0000000
--- a/old/66168-h/images/ampersand2.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66168-h/images/cover.jpg b/old/66168-h/images/cover.jpg
deleted file mode 100644
index 653fa5e..0000000
--- a/old/66168-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images.zip b/old/66168-page-images.zip
deleted file mode 100644
index 7ad24e1..0000000
--- a/old/66168-page-images.zip
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0237.png b/old/66168-page-images/p0237.png
deleted file mode 100644
index 0596d8a..0000000
--- a/old/66168-page-images/p0237.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0238.png b/old/66168-page-images/p0238.png
deleted file mode 100644
index cf5e27d..0000000
--- a/old/66168-page-images/p0238.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0239.png b/old/66168-page-images/p0239.png
deleted file mode 100644
index d99c357..0000000
--- a/old/66168-page-images/p0239.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0240.png b/old/66168-page-images/p0240.png
deleted file mode 100644
index a257001..0000000
--- a/old/66168-page-images/p0240.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0241.png b/old/66168-page-images/p0241.png
deleted file mode 100644
index f5166ea..0000000
--- a/old/66168-page-images/p0241.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0242.png b/old/66168-page-images/p0242.png
deleted file mode 100644
index 08a2661..0000000
--- a/old/66168-page-images/p0242.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0243.png b/old/66168-page-images/p0243.png
deleted file mode 100644
index 8c1a7a1..0000000
--- a/old/66168-page-images/p0243.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0244.png b/old/66168-page-images/p0244.png
deleted file mode 100644
index b6be7ca..0000000
--- a/old/66168-page-images/p0244.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0245.png b/old/66168-page-images/p0245.png
deleted file mode 100644
index 9cd5746..0000000
--- a/old/66168-page-images/p0245.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0246.png b/old/66168-page-images/p0246.png
deleted file mode 100644
index 264aade..0000000
--- a/old/66168-page-images/p0246.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0247.png b/old/66168-page-images/p0247.png
deleted file mode 100644
index b3ba203..0000000
--- a/old/66168-page-images/p0247.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0248.png b/old/66168-page-images/p0248.png
deleted file mode 100644
index 8b1c31c..0000000
--- a/old/66168-page-images/p0248.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0249.png b/old/66168-page-images/p0249.png
deleted file mode 100644
index 8109e18..0000000
--- a/old/66168-page-images/p0249.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0250.png b/old/66168-page-images/p0250.png
deleted file mode 100644
index 25c2912..0000000
--- a/old/66168-page-images/p0250.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0251.png b/old/66168-page-images/p0251.png
deleted file mode 100644
index 5519956..0000000
--- a/old/66168-page-images/p0251.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0252.png b/old/66168-page-images/p0252.png
deleted file mode 100644
index beec15c..0000000
--- a/old/66168-page-images/p0252.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0253.png b/old/66168-page-images/p0253.png
deleted file mode 100644
index 7486630..0000000
--- a/old/66168-page-images/p0253.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0254.png b/old/66168-page-images/p0254.png
deleted file mode 100644
index 1afbfbd..0000000
--- a/old/66168-page-images/p0254.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0255.png b/old/66168-page-images/p0255.png
deleted file mode 100644
index 376e234..0000000
--- a/old/66168-page-images/p0255.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0256.png b/old/66168-page-images/p0256.png
deleted file mode 100644
index 82962f9..0000000
--- a/old/66168-page-images/p0256.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0257.png b/old/66168-page-images/p0257.png
deleted file mode 100644
index 1d3a4e4..0000000
--- a/old/66168-page-images/p0257.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0258.png b/old/66168-page-images/p0258.png
deleted file mode 100644
index 3c5af59..0000000
--- a/old/66168-page-images/p0258.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0259.png b/old/66168-page-images/p0259.png
deleted file mode 100644
index c17694f..0000000
--- a/old/66168-page-images/p0259.png
+++ /dev/null
Binary files differ
diff --git a/old/66168-page-images/p0260.png b/old/66168-page-images/p0260.png
deleted file mode 100644
index 1ea740d..0000000
--- a/old/66168-page-images/p0260.png
+++ /dev/null
Binary files differ