summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-01-22 18:36:12 -0800
committernfenwick <nfenwick@pglaf.org>2025-01-22 18:36:12 -0800
commit49d5835b886ac9ee6845a231f994d866cbf606a0 (patch)
tree271c07be661b5e4b443eee1543f325c7fa955049
parent908d11040f8ef51b1b8b3f9007932fa16652e6d0 (diff)
NormalizeHEADmain
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/66108-0.txt1994
-rw-r--r--old/66108-0.zipbin24324 -> 0 bytes
-rw-r--r--old/66108-h.zipbin145544 -> 0 bytes
-rw-r--r--old/66108-h/66108-h.htm2844
-rw-r--r--old/66108-h/images/cover.jpgbin104664 -> 0 bytes
-rw-r--r--old/66108-h/images/i_logo1.jpgbin25637 -> 0 bytes
-rw-r--r--old/66108-h/images/i_logo2.jpgbin14569 -> 0 bytes
10 files changed, 17 insertions, 4838 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..a1dd123
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #66108 (https://www.gutenberg.org/ebooks/66108)
diff --git a/old/66108-0.txt b/old/66108-0.txt
deleted file mode 100644
index e9f6ac2..0000000
--- a/old/66108-0.txt
+++ /dev/null
@@ -1,1994 +0,0 @@
-The Project Gutenberg eBook of A Gloucestershire Lad at Home and Abroad, by
-F. W. (Frederick William) Harvey
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: A Gloucestershire Lad at Home and Abroad
-
-Author: F. W. (Frederick William) Harvey
-
-Release Date: August 22, 2021 [eBook #66108]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: D A Alexander, David E. Brown, and the Online Distributed
- Proofreading Team at https://www.pgdp.net (This file was
- produced from images generously made available by University
- of California libraries)
-
-*** START OF THE PROJECT GUTENBERG EBOOK A GLOUCESTERSHIRE LAD AT HOME AND
-ABROAD ***
-
-
-
-
-A Gloucestershire Lad
-
-[Illustration]
-
-
-
-
- A
- Gloucestershire Lad
- at Home and Abroad
-
- by
- F. W. Harvey
-
- [Illustration]
-
- _Fourth Impression_
-
- London
- Sidgwick & Jackson, Ltd.
- 1917
-
-
-
-
- _First Impression, September 1916._
- _Second Impression, October 1916._
- _Third Impression, January 1917._
- _Fourth Impression, March 1917._
-
- _All rights reserved._
-
-
-
-
- TO
- ALL COMRADES OF MINE
- WHO LIE DEAD IN FOREIGN FIELDS
- FOR LOVE OF ENGLAND,
- OR WHO LIVE TO PROSECUTE THE WAR
- FOR ANOTHER ENGLAND
-
-
-
-
-PREFACE
-
-
-Most of these poems were written at the Front, and appeared in the
-_Fifth Gloucester Gazette_--the first paper ever published from the
-trenches.
-
-The author was then a Lance-Corporal in the 5th Battalion of the
-Gloucestershire Regiment, and as such gained the Distinguished Conduct
-Medal in August, 1915.
-
-The award appears as follows in the _London Gazette_--
-
- F. W. HARVEY.--“For conspicuous gallantry on the night of the 3rd-4th
- August, 1915, near Hebuterne, when, with a patrol, he and another
- Non-Commissioned Officer went out to reconnoitre in the direction
- of a suspected listening post. In advancing they encountered the
- hostile post evidently covering a working party in the rear. Corporal
- Knight at once shot one of the enemy, and, with Lance-Corporal
- Harvey, rushed the post, shooting two others, and assistance arriving
- the enemy fled. Lance-Corporal Harvey pursued, felling one of the
- retreating Germans with a bludgeon. He seized him, but finding his
- revolver empty and the enemy having opened fire, he was called back
- by Corporal Knight, and the prisoner escaped. Three Germans were
- killed and their rifles and a Mauser pistol were brought in. The
- patrol had no loss.”
-
-The poems are written by a soldier and reflect a soldier’s outlook.
-Mud, blood and khaki are rather conspicuously absent. They are, in
-fact, the last things a soldier wishes to think or talk about.
-
-What he does think of is his home.
-
-Bishop Frodsham, preaching in Gloucester Cathedral, after visiting
-the Troops in France, quoted the following poem in a passage which
-admirably expresses the feelings of most of our fighting men.
-
-“To suppose that these men enjoy the fighting would be sheer nonsense.
-The soldier does not want to go on killing and maiming Germans or
-Turks. He wants to get the dreadful war finished, so that he can get
-back to England again. But he wants the matter fought to a finish
-because he has seen in the villages and towns of France what German
-domination means. It has made him think furiously, as the French say.
-Many regiments and ships’ companies while away the impracticable hours
-by publishing little newspapers.
-
-“The _Fifth Gloucester Gazette_ is one of these journals. We are proud
-of the courage and the gaiety these little papers show. We laugh at
-their quips and jokes: then suddenly we find that the corners of our
-mouths are quivering and the tears are gathering in our eyes. We see
-that the boys are thinking about England below their gaiety. One young
-poet lifts the veil in this exquisite little rondeau--
-
- “‘If we return, will England be
- Just England still to you and me--
- The place where we must earn our bread?
- We who have walked among the dead,
- And watched the smile of agony,
- And seen the price of liberty,
- Which we have taken carelessly
- From other hands. Nay, we shall dread:
- If we return,
- Dread lest we hold blood-guiltily
- The thing that men have died to free.
- Our English fields shall blossom red
- In all the blood that has been shed,
- By men whose guardians are we,
- If we return.’”
-
-That is perhaps the keynote of a book which the author has dedicated to
-all dead and living comrades who have loved England.
-
- J. H. COLLETT, C.M.G., COLONEL
-
- Commanding the Fifth Battalion of the
- Gloucestershire Regiment in France.
-
-
-
-
-CONTENTS
-
-
- PAGE
-
- PREFACE BY COLONEL J. H. COLLETT, C.M.G. vii
-
- _In Flanders_ xv
-
- A SONG OF GLOUCESTERSHIRE 1
-
- BALLADE OF THE RICH HEART 3
-
- SONG OF MINSTERWORTH PERRY 5
-
- A GLOUCESTERSHIRE WISH AT EASTERTIDE 6
-
- SONG OF THE ROAD 7
-
- PIPER’S WOOD 8
-
- BALLADE OF RIVER SAILING 9
-
- SONG OF MINSTERWORTH 11
-
- CRICKET: THE CATCH 13
-
- WONDERS 14
-
- TRIOLET 15
-
- TRIOLET 16
-
- WHAT GOD SAID 17
-
- TO HIS MAID 18
-
- BALLADE OF DAMNABLE THINGS 19
-
- SONG OF HEALTH 21
-
- GRATITUDE 22
-
- THE SOLDIER SPEAKS 23
-
- A PRESENT FROM FLANDERS 24
-
- IF WE RETURN 25
-
- A PEOPLE RENEWED 26
-
- THE AWAKENING 27
-
- THE RETURN 28
-
- LAND OF HEART’S DELIGHT 29
-
- GONNEHEM 30
-
- THE REST FARM 31
-
- BALLADE OF BEELZEBUB, GOD OF FLIES 32
-
- TO THE KAISER 34
-
- ROBERT HERRICK SOLILOQUIZES ON THE C.O. 36
-
- THE THREE PADRES 37
-
- WALT WHITMAN DESCRIBES MAJOR W. 38
-
- SERGEANT FINCH 39
-
- C COMPANY COOK 40
-
- EPITAPH 41
-
- SONNET 42
-
- THE FIRST SPRING DAY 43
-
- DEFIANCE 45
-
- THE ORCHARDS, THE SEA, AND THE GUNS 46
-
- DYING IN SPRING 47
-
- VICTORY 48
-
- DEATH THE REVEALER 49
-
- F. W. H. 50
-
- POETRY 51
-
- PROSE POEMS--
-
- 1. HEAVEN 52
-
- 2. THE MOTH 53
-
- 3. THE ARTIST 54
-
- 4. THE WINDOW GLASS 55
-
- 5. IN THE FIELD OF TIME 56
-
- 6. BLUE GRASS 57
-
- 7. THE POET 58
-
- 8. SORROW 59
-
- 9. THE MIRACLE 60
-
- 10. FAITH 61
-
- 11. TIME--THE HORSE 62
-
- 12. THE REBUILDING OF REALITY 63
-
- 13. THE TOKEN 64
-
-
-
-
-_IN FLANDERS_
-
-
- _I’m homesick for my hills again--
- My hills again!
- To see above the Severn plain
- Unscabbarded against the sky
- The blue high blade of Cotswold lie;
- The giant clouds go royally
- By jagged Malvern with a train
- Of shadows. Where the land is low
- Like a huge imprisoning O
- I hear a heart that’s sound and high,
- I hear the heart within me cry:
- “I’m homesick for my hills again--
- My hills again!
- Cotswold or Malvern, sun or rain!
- My hills again!”_
-
-
-
-
-A SONG OF GLOUCESTERSHIRE
-
-(_Dedicated to the Gloucestershire Society_)
-
-
- _North, South, East, and West:
- Think of whichever you love the best.
- Forest and vale and high blue hill:
- You may have whichever you will,
- And quaff one cup to the love o’ your soul
- Before we drink to the lovely whole._
-
- Here are high hills with towns all stone,
- (Did you come from the Cotswolds then?)
- And an architecture all their own,
- And a breed of sturdy men.
-
- But here’s a forest old and stern,
- (Say, do you know the Wye?)
- Where sunlight dapples green miles of fern,
- A river wandering by.
-
- Here’s peaceful meadow-land and kine,
- (Do you see a fair grey tower?)
- Where sweet together close entwine
- Grass, clover, and daisy flower.
-
- Here stretches the land toward the sea
- (Behold the castle bold!)
- Where men live out life merrily,
- And die merry and old.
-
- _North, South, East, and West:
- Think of whichever you love the best.
- Forest and vale and high blue hill:
- You shall have whichever you will,
- To quaff one cup to the love o’ your soul
- Before we drink to the lovely whole._
-
-
-
-
-BALLADE OF THE RICH HEART
-
-
- What thief is he can rob this treasury,
- Which hath not gold but dreams within its gates?
- What power can enter in to take from me
- My treasure, while upon the threshold waits
- “Courage,” my watch-dog, keeping back the fates
- Which follow close until I do depart
- In safety from their little loves and hates?
- Singing of all I carry in my heart.
-
- Guarded of dreams against all evil chance,
- With young Adventure arm in arm I go
- To laugh at Luck and silly Circumstance.
- And, counting naught that comes to me my foe,
- I change, if ’tis my whim, the winter snow
- To blowing blossom: and by that same art
- I fashion as I will Life’s weal and woe:
- Singing of all I carry in my heart.
-
- Let me go lame and lousy like a tramp
- But feel the wind and know the moonlit sky!
- What matter if the falling dew be damp--
- Still is it dew! And well contented I
- Among my dreams (in seeming poverty)
- Far from the cities and the noisy mart,--
- With Life and Death--my dearest friends--to lie,
- Singing of all I carry in my heart.
-
-
-_Envoi._
-
- Prince of this world, high monarch of all those
- Who deem Reality life’s better part,
- Herewith I tweak thy crooked royal nose--
- Singing of all I carry in my heart.
-
-
-
-
-SONG OF MINSTERWORTH PERRY
-
-
- When Noe went sailing with his crew
- And waters covered over the earth,
- Trees that in Eden-orchard grew
- Got washed away to Minsterworth.
-
- Now every year they bloom again,
- (All of the trees spread healthy root)
- And after Summer’s shine and rain
- We gather up the blessed fruit;
-
- Whereof we get a heavenly drink
- (Two rather!) for to make us merry;
- Oh! Cider’s one, and I do think
- The name o’ t’other one is Perry!
-
-
-
-
-A GLOUCESTERSHIRE WISH AT EASTERTIDE
-
-
- Here’s luck, my lads, while Birdlip Hill is steep:--
- --As long as Cotswold’s high or Severn’s deep.
- Our thoughts of you shall blossom and abide
- While blow the orchards about Severn side:--
- --While a round bubble like the children blow,
- May Hill floats purple in the sunset glow.
-
- Our prayers go up to bless you where you lie,
- While Gloucester tower stands up against the sky
- To write old thoughts of loveliness, and trace
- Dead men’s long living will to give God praise:--
- --Who of His mercy doth His Own Son give
- This blessed morn, that you, and all, may live!
-
-
-
-
-SONG OF THE ROAD
-
-
- Cheerily upon the road
- Tramp we all together,
- Bearing every one his load
- Through the changeful weather.
-
- To one Hope we all belong,
- To one Fate a debtor,
- Songs must cheer our steps along,
- Mirth the road make better.
-
- Wishes cannot make a horse,
- Only beggars would ride;
- We must meet the fairy force
- In each sombre wood-side.
-
- We must bravely tread the way,
- Gaily sing together,
- Till we reach the endless day,
- Heaven’s golden weather.
-
-
-
-
-PIPER’S WOOD
-
-
- In Minsterworth when March is in,
- And Spring begins to gild the days,
- Oh! then starts up a joyous din,
- For Piper’s Wood is full of praise,
- Because the birds deem winter gone
- And welcome the returning sun.
-
- Blackbird and thrush and robin dear
- Within that wood try over all
- The songs they mean to shout so clear
- Before green leaves grow red and fall;
- And harkening in its shadows you
- Must needs sing out of Summer too.
-
-
-
-
-BALLADE OF RIVER SAILING
-
-
- _The Dorothy_ was very small: a boat
- Scarce any bigger than the sort one rows
- With oars! We got her for a five-pound note
- At second-hand. Yet when the river flows
- Strong to the sea, and the wind lightly blows,
- Then see her dancing on the tide, and you’ll
- Swear she’s the prettiest little craft that goes
- Up-stream from Framilode to Bollopool.
-
- Bare-footed, push her from the bank afloat,
- (The soft warm mud comes squelching through your toes!)
- Scramble aboard: then find an antidote
- For every care a jaded spirit knows:
- While round the boat the broken water crows
- With laughter, casting pretty ridicule
- On human life and all its little woes,
- Up-stream from Framilode to Bollopool.
-
- How shall I tell you what the sunset wrote
- Upon the outspread waters--gold and rose:
- Or how the white sail of our little boat
- Looks on a summer sky? The hills enclose
- With blue solemnity: each white scar shows
- Clear on the quarried Cotteswolds high and cool.
- And high and cool a fevered spirit grows
- Up-stream from Framilode to Bollopool.
-
-
-_Envoi._
-
- Prince, you have horses: motors, I suppose,
- As well! At finding pleasure you’re no fool.
- But have you got a little boat that blows
- Up-stream from Framilode to Bollopool?
-
-
-
-
-SONG OF MINSTERWORTH
-
- _Air_: “_The Vicar of Bray_”
-
-
- In olden, olden centuries
- On Gloucester’s holy ground, sir,
- The monks did pray and chant all day,
- And grow exceeding round, sir;
- And here’s the reason that they throve
- To praise their pleasant fortune,
- “We keep our beasts”--thus quoth the priests,
- “In Minsterworth--that’s Mortune!”[1]
-
- _So this is the chorus we will sing,
- And this is the spot we’ll drink to,
- While blossom blows and Severn flows,
- And Earth has mugs to clink to._
-
- Oh! there in sleepy Summer sounds
- The drowsy drone of bees, sir,
- And there in Winter paints the sun
- His patterns ’neath the trees, sir;
- And there with merry song doth run
- A river full of fish, sir,
- That Thursday sees upon the flood
- And Friday on the dish, sir.
-
- _So this is the chorus we will sing
- And this is the spot we’ll drink to,
- While blossom blows and Severn flows,
- And Earth has mugs to clink to._
-
- The jovial priests to dust are gone,
- We cannot hear their singing;
- But still their merry chorus-song
- From newer lips runs ringing.
- And we who drink the sunny air
- And see the blossoms drifting,
- Will sit and sing the self-same thing
- Until the roof we’re lifting.
-
- _So this is the chorus we will sing,
- And this is the spot we’ll drink to,
- While blossom blows and Severn flows,
- And Earth has mugs to clink to._
-
-[1] The ancient name of the parish was Mortune--that is, the village
-in the mere; and the name was changed to Minsterworth early in the
-fourteenth century because it belonged to the Minster or Abbey of
-Gloucester, and was the Minster’s “Worth” or farm where the cattle were
-kept.--F. W. H.
-
-
-
-
-CRICKET: THE CATCH
-
-
- Whizzing, fierce, it came
- Down the summer air,
- Burning like a flame
- On my fingers bare,
- And it brought to me
- As swift--a memory.
-
- Happy days long dead
- Clear I saw once more.
- Childhood that is fled:--
- Rossall on the shore,
- Where the sea sobs wild
- Like a homesick child.
-
- Oh, the blue bird’s fled!
- Never man can follow.
- Yet at times instead
- Comes this scarlet swallow,
- Bearing on its wings
- (Where it skims and dips,
- Gleaming through the slips)
- Sweet Time-strangled things.
-
-
-
-
-WONDERS
-
-
- What magic is in common grass
- To bring this miracle to pass?
- That within it one should find
- Salves to give him peace of mind?
- --It’s very queer that garden weed
- Should minister to my soul’s need.
-
- What fairy in the falling rain
- Takes the robin’s small refrain,
- And twists it to a tiny charm
- To keep a tempted heart from harm?
- --It puzzles me a wild bird’s song
- Should save my soul from doing wrong.
-
-
-
-
-TRIOLET
-
-
- If Beauty were a mortal thing
- That died like laughter, grief, and lust,
- The poet would not need to sing.
- If Beauty were a mortal thing
- It would not wound us with its sting.
- We should lie happy in the dust
- If Beauty were a mortal thing
- That died like laughter, grief, and lust.
-
-
-
-
-TRIOLET
-
-
- Winter has hardened all the ground,
- But flowers are on the window-pane;
- No others are there to be found:--
- Winter has hardened all the ground.
- But here, while Earth is bare and bound,
- Bloom ghosts of those his frost has slain.
- Winter has hardened all the ground,
- But flowers are on the window-pane.
-
-
-
-
-WHAT GOD SAID
-
-
- “This be a lesson,” said Life, with a frown--
- And knocked me down.
- “And serve him right!” cried the goodly men,
- While I--I picked myself up, and then
- Went on just as I used to do.
-
- But the good God smiled as He shook His head;
- “It’s a troublesome child,” said He, “but yet
- Not quite so altogether dead
- As those solemn old fools that laughed. Don’t fret!”
- At least, I think that’s what He said.
-
-
-
-
-TO HIS MAID
-
-
- Since above Time, upon Eternity
- The lovely essence of true loving’s set,
- Time shall not triumph over you and me,
- Nor--though we pay his debt--
- Shall Death hold mastery.
-
- Your eyes are bright for ever. Your dark hair
- Holds an eternal shade. Like a bright sword
- Shall flame the vision of your strange sweet ways,
- Cleaving the years: and even your smallest word,
- Lying forgotten with the things that were,
- Shall glow and kindle, burning up the days.
-
-
-
-
-BALLADE OF DAMNABLE THINGS
-
-
- I do not like a horse to throw me off.
- I do not like the motor-bike to skid.
- I do not like a nasty hacking cough,
- Nor influenza. And I never did
- Enjoy the thought of frizzling on a grid,
- The while wee flaming devils dance and sing.
- But short of simple Hell without the lid,
- I think that jaundice is the damn’dest thing.
-
- Fleas, faintness, famine, stomach-ache, the feel
- Of flies upon your face, rats in your bed;
- Lice, dusty roads, a blister on your heel,
- The taste of salts, the scent of things long dead,
- Home-sickness, chilblains, grief uncomforted,
- A hollow tooth with cold, a hornet sting:--
- These are unpleasant, yet when all is said
- I think that jaundice is the damn’dest thing.
-
- See you the whole bright world before your eye
- Dwindle as ugly as a wrinkled pea.
- See Beauty, a pricked bubble: Truth, a lie:
- Achievement, foam on muddy water. See
- Yourself a yellow devil suddenly,
- And all the zest of youth gone journeying--
- See you all this, and then you will agree
- (I think) that jaundice is the damn’dest thing.
-
-
-_Envoi._
-
- Prince of the damned--I ransack my supplies
- To find a fitting wish at you to fling.
- Now may you look on Hell through yellow eyes.
- I think that jaundice is the damn’dest thing.
-
-
-
-
-SONG OF HEALTH
-
-
- For friends to stand beside, for foes to fight,
- For devil’s work to break, for Wrong and Right,
- And will (however hard) to choose between them:
- For merry tales, no matter where you glean them:
- Songs, stars, delight of birds, and summer roses,
- Sunshine, wherein my friend the dog now dozes:
- Danger--the zest of life, and Love, the lord
- Of Life and Death: for every open word
- Spoken in blame or praise by friend o’ mine
- To spur me on: for old, good memories,
- Keeping in my soul’s cellar like good wine:
- For Truth that’s strong, and Beauty so divine:
- For animals, and children, and for trees,
- Both wintry-black and blossoming in white:
- For homely gardens and for humming bees:
- For drink, and dreams, and daisies on the sod,
- Plain food, and fire (when it will light)--
- Thank God!
-
-
-
-
-GRATITUDE
-
-
- Grateful--ah, yes!
- I, who have seen
- The larches brighten green,
- The orchard’s Easter dress,
- And those red thousand poppies,
- In wheat below the coppice:
-
- I, who (while others lie in graves
- Of earth, or rocked with waves),
- Have leave to walk
- And sing and talk,
- With golden lads and girls,
- My friends,
- To all the farthest ends,
- Whither Life whirls....
-
- How can I not feel gratitude for this
- And other bliss,
- Which God--dear God--hath sent,
- For my great wonderment?
-
-
-
-
-THE SOLDIER SPEAKS
-
-
- Within my heart I safely keep,
- England, what things are yours:
- Your clouds, and cloud-like flocks of sheep
- That drift o’er windy moors.
- Possessing naught, I proudly hold
- Great hills and little gay
- Hill-towns set black on sunrise-gold
- At breaking of the day.
-
- Though unto me you be austere
- And loveless, darling land;
- Though you be cold and hard, my dear,
- And will not understand.
- Yet have I fought and bled for you,
- And, by that self-same sign,
- Still must I love you, yearn to you,
- England--how truly mine!
-
-
-
-
-A PRESENT FROM FLANDERS
-
-
- Where dewfall and the moon
- Make precious things,
- On every small festoon
- A spider slings:
-
- Treading--like dead leaves under
- All drifted days,
- Happy the lovers wander
- In Winter ways;
-
- No thought of pain perplexes
- The peace they hold;
- No worldly sorrow vexes
- The lovers. Gold--
-
- All golden gleams the way;
- How strange such riches
- Drawn from rough men should be
- Seven or eight worlds away,
- Fighting, and carelessly,
- Dying in ditches!
-
-
-
-
-IF WE RETURN
-
-(_Rondeau_)
-
-
- If we return, will England be
- Just England still to you and me?
- The place where we must earn our bread?
- We, who have walked among the dead.
- And watched the smile of agony,
-
- And seen the price of Liberty,
- Which we have taken carelessly
- From other hands. Nay, we shall dread,
- If we return,
-
- Dread lest we hold blood-guiltily
- The things that men have died to free.
- Oh, English fields shall blossom red
- For all the blood that has been shed
- By men whose guardians are we,
- If we return.
-
-
-
-
-A PEOPLE RENEWED
-
-
- Now these like men shall live,
- And like to princes fall.
- They take what Fate will give
- At this great festival.
-
- And since at length they find
- That life is sweet indeed,
- They cast it on the wind
- To serve their country’s need.
-
- See young “Adventure” there
- (“Make-money-quick” that was)
- Hurls down his gods that were
- For Honour and the Cross!
-
- Old “Grab-at-Gold” lies low
- In Flanders. And again
- (Because men will it so)
- England is ruled by Men.
-
-
-
-
-THE AWAKENING
-
-
- At night, in dream,
- I saw those fields round home
- Agleam.
- Drenched all with dew
- Beneath day’s newest dome
- Of gold and blue.
-
- All night--
- All night they shone for me, and then
- Came light.
- And suddenly I woke, and lovely joy!
- I was at home, with the fields gold as when
- I was a boy.
-
- * * * * *
-
- Thus shall all men rise up at last to see,
- Their dearest dreams golden reality.
-
-
-
-
-THE RETURN
-
-
- The unimaginable hour
- That folds away our joys and pain
- Holds not the spirit in its power.
- Therefore I shall come home again
- (Wherever my poor body lies),
- To whisper in the summer trees
- Upon a lazy fall and rise
- Of wind: and in day’s red decline
- Walk with the sun those roads of mine,
- Then rosy with my memories.
-
- Though you may see me not, yet hear
- My laughter in the laughing streams,
- My footsteps in the running rain....
- For sake of all I counted dear
- And visit still within my dreams
- I shall at last come home again.
-
-
-
-
-LAND OF HEART’S DELIGHT
-
-
- Glory’s a temple open wide,
- Content, a little shrine.
- But Heart’s Delight is a land so bright
- We reckon it half divine.
- It lies wherever man has lived,
- But wheresoe’er you find it
- Its skies are blue with dreams come true,
- And Heaven is just behind it.
-
- Glory’s the universal gleam
- Of all God gives to men.
- Content, the little silver dream
- He sends to one in ten.
- But Heart’s Delight, all golden bright,
- Is given to him alone
- Who has hidden his heart in the deepest part
- Of a place called Home.
-
-
-
-
-GONNEHEM
-
-
- Of Gonnehem it shall be said
- That we arrived there late and worn
- With marching, and were given a bed
- Of lovely straw. And then at morn
- On rising from deep sleep saw dangle--
- Shining in the sun to spangle,
- The all-blue heaven--branch loads of red
- Bright cherries which we bought to eat,
- Dew-wet, dawn-cool, and sunny-sweet.
- There was a tiny court-yard too,
- Wherein one shady walnut grew.
- Unruffled peace the farm encloses--
- I wonder if beneath that tree,
- The meditating hens still be.
- Are the white walls now gay with roses?
- Does the small fountain yet run free?
- I wonder if that dog still dozes....
- Some day we must go back to see.
-
-
-
-
-THE REST FARM
-
-
- Into this quiet place
- Of peace we come.
- The War God hides his face,
- His mouth is dumb.
-
- All reckless, wild decrees
- His lips repeat,
- Are hushed by a little breeze
- In waving wheat.
-
- And, like the penance-peace
- In a heart forlorn,
- Thrills the word of the trees--
- The sigh of the corn.
-
-
-
-
-BALLADE OF BEELZEBUB, GOD OF FLIES
-
-
- Some men there are will not abide a rat
- Within their bivvy. If one chance to peep
- At them through little beady eyes, then pat,
- They throw a boot and rouse a mate from sleep
- To hunt the thing, and on its head they heap
- Curses quite inappropriate to its size.
- I care for none of these, but broad and deep
- I curse Beelzebub--the God of Flies.
-
- Others may hunt the mouse with bayonet bright,
- And beard the glittering beetle in his lair,
- And fill the arches of the ancient night
- With clamour, if a stolid toad should stare
- Sleepily forth from the snug corner where
- They fain would rest. But I will sympathize
- With beetle, rat, and toad. I have no care.
- I curse Beelzebub--the God of Flies.
-
- The tiny gnats they swarm in many a cloud,
- To tangle their small limbs within my hair
- And sting. The blood-flies dart: and buzzing loud
- Blue-bottles draw mad patterns on the air.
- The house-flies creep, and, what is hard to bear,
- Feed on the poison papers advertise,
- And rub their hands with relish of such fare!
- I curse Beelzebub--the God of Flies.
-
-
-_Envoi._
-
- Prince--Clown of Europe--others shall make haste
- To call damnation on your limbs and eyes.
- Spending good oaths upon you were a waste:
- I curse Beelzebub--the God of Flies.
-
-
-
-
-TO THE KAISER
-
-(_Confidentially_)
-
-
- I met a man--a refugee,
- And he was blind in both his eyes, sir.
- And in his pate
- A silver plate
- (’Twas rather comical to see!)
- Shone where the bone skull used to be
- Before your shrapnel struck him, Kaiser.
- Shattering in the self-same blast
- (Blind as a tyrant in his dotage),
- The foolish wife
- Who risked her life,
- As peasants will do till the last,
- Clinging to one small Belgian cottage.
-
- That was their home. The whining child
- Beside him in the railway carriage
- Was born there, and
- The little land
- Around it (now untilled and wild),
- Was brought him by his wife on marriage.
- The child was whining for its mother,
- And interrupting half he said, sir.
- I’ll never see the pair again....
- Nor they the mother that lies dead, sir.
-
- That’s all--a foolish tale, not worth
- The ear of noble lord or Kaiser.
- A man un-named,
- By shrapnel maimed,
- Wife slain, home levelled to the earth--
- That’s all. You see no point? Nor I, sir.
- Yet on the day you come to die, sir,
- When all your war dreams cease to be,
- Perchance will rise
- Before your eyes
- (Piercing your hollow heart, Sir Kaiser!)
- The picture that I chanced to see,
- Riding (we’ll say) from A to B.
-
-
-
-
-ROBERT HERRICK SOLILOQUIZES ON THE C.O.
-
-
- A sweet disorder in the dress
- Kindles in him small kindliness.
- My slack puttees him oft have thrown
- Into a fine distraction.
- An erring lace he cannot bear,
- Nor the neglected, flowing hair.
- Did he command that splendid force
- The W.V.T.C., of course,
- He’d see they dressed with careful art,
- Very precise in every part.
- And would, I’m certain, never dote
- On the tempestuous petticoat.
-
-
-
-
-THE THREE PADRES
-
-(_Acrostics_)
-
-
- _R. C. Chaplain._
-
- Pale-faced, brown-eyed, slight,
- Upon a lanky bay
- Rides this modern knight
- Down rain-beat road to-day;
- In a little broken shrine
- Emptying out the blessed wine.
-
-
- _Wesleyan Chaplain._
-
- Much loved by all who know you,
- Especially you seem
- Envied for smiles that show you
- Kindness in a gleam.
-
-
- _Church of England Chaplain._
-
- Helm of our literary ship,
- Editor of this Gazette,[2]
- Luck be yours, although you whip
- My muse into an awful sweat.
-
-[2] _Fifth Gloucester Gazette._ See Introduction.
-
-
-
-
-WALT WHITMAN DESCRIBES MAJOR W.
-
-
- Nonchalantly he stands
- On every step of life
- Tapping his legging.
-
- It is just the same
- Whether we’re expecting
- A Boche attack
- Or Church Parade.
-
- Nothing flusters him. Men
- Confidently go
- To do his bidding:
- While he stands there
-
- Revolving stunts;
- And nonchalantly
- Tapping his legging.
-
-
-
-
-SERGEANT FINCH
-
-
- He’s a popular sergeant, you bet,
- For he’ll rough it along with his men,
- And start up a song in the wet
- To set ’em all smiling again.
-
- His stories are naughty, I’m told,
- His voice has a sonorous sound;
- But the envy of all who behold
- Is the way that his puttees are wound.
-
- Blue-eyed, debonair, with a hat
- Cocked sideways the eighth of an inch,
- He’s sparrow-like: but for all that
- The name in his pay-book is Finch.
-
-
-
-
-C COMPANY COOK
-
-
- “Do you want j-jam on it?” he’d say,
- Twirling a red moustache.
- We chaffed him over rations every day,
- “Say, is this tea or hash?”
- “Jim, tell us, do,
- Why you put sugar in the blooming stew.”
- “--And there’s a heap o’ coal in this--not half!...”
- To all our chaff
- “Do you want j-jam on it?” he’d say.
-
-
-
-
-EPITAPH
-
-(_T. D._, 13/3/16)
-
-
- A shallow trench for one so tall!
- “Heads down”--no need for that old call
- Beneath the upturned sod.
- Safe lies his body, never fret,
- Behind that crumpled parapet,
- And over all this wind and wet
- His soul sits safe with God.
-
-
-
-
-SONNET
-
-(_To H. M._)
-
-
- Him, the gods, loving, took while life was young....
- Say rather (clinging to a wiser creed)
- God took, and suddenly on wings of speed
- Bore to the utter quietness far flung
- Of fields Elysian where the horrid tongue
- Of battle is not. For He knew his need
- Better than those who knew him well indeed,
- Loving him best. Above his grave is rung
- The death-bell of all things which hurt the sense
- And vex the mind and plague the soul of man,
- Tingeing the rainbow colours of his best
- Dreams drably: and hath cried a voice, “Go hence!
- Old Angel Time, to weary whom you can,
- The while my well-beloved child hath rest.”
-
-
-
-
-THE FIRST SPRING DAY
-
-(_To A. E. S._)
-
-
- We laid you fast in frozen clay
- When Winter had enchained the land.
- (Lad, was it but three weeks to-day?)
- And now comes Springtime’s messenger with golden tidings in his hand.
-
- A mist blows off the thawing earth,
- And drips from every budding tree,
- The springs are loosed, and mad with mirth
- Run lisping in the fallen leaves, or laughing in the sunlight free.
-
- Oh you who loved the song so well,
- Do you not hear the throstle’s note?
- Nor heed the lovesome light that fell
- As warm five thousand years ago, when Solomon, the wise king, wrote?
-
- “Sweet,” wrote he. Yes, the light is sweet!
- And maddening sweet to walk in Spring:
- Yet is the pleasure incomplete--
- How should the living understand the melodies that dead throats sing?
-
- Thinker and poet clutch in vain
- The secret of a laughing rill,
- And Shakespeare’s self could never gain
- The message blown so mockingly by trumpet of a daffodil.
-
- Dear lad, for you I will not call,
- Nor let a foolish dread be born.
- A thousand years is still too small
- To learn the secrets you must learn, ere you arise on Doomsday morn.
-
- For you have set your ear to earth
- To list the growing of the flowers:
- And catch the strains of Death and Birth:
- And take the honey that is stored by all the flitting bee-like hours.
-
- And you must put to memory
- The silver music of the stars
- That raineth down so silently,
- And all the mighty harmony scrolled on the sky in glittering bars.
-
- The music that no man can make,
- The colours that he cannot see,
- These out of darkness you shall take
- And nourish up your growing soul with manna of their mystery.
-
- And then when you awake again
- (And I have slept a little too),
- How we shall rise to pace anew
- An earth--where every dream is true, and nothing is unknown but pain.
-
-
-
-
-DEFIANCE
-
-
- I saw the orchards whitening
- To Easter in late Lent.
- Now struck of hell’s own lightning
- With branches broken and bent
- Behold the tall trees rent:--
- Beaten with iron rain!
- And ever in my brain
- To every shell that’s sent
- Sounds back this small refrain:--
- “You foolish shells, come kill me,
- Blacken my limbs with flame:
- I saw the English orchards
- (And so may die content)
- All white before I came!”
-
-
-
-
-THE ORCHARDS, THE SEA, AND THE GUNS
-
-
- Of sounds which haunt me, these
- Until I die
- Shall live. First the trees,
- Swaying and singing in the moonless night.
- (The wind being wild)
- And I
- A wakeful child,
- That lay and shivered with a strange delight.
-
- Second--less sweet but thrilling as the first--
- The midnight roar
- Of waves upon the shore
- Of Rossall dear:
- The rhythmic surge and burst
- (The gusty rain
- Flung on the pane!)
- I loved to hear.
-
- And now another sound
- Wilder than wind or sea,
- When on the silent night
- I hear resound
- In mad delight
- The guns....
- They bark the whole night through;
- And though I fear,
- Knowing what work they do,
- I somehow thrill to hear.
-
-
-
-
-DYING IN SPRING
-
-
- Lo, now do I behold
- Sunshine and greenery
- And Death together rolled--
- Yet not in mockery.
-
- Life was a faithful friend;
- Shall I make other of that dark brother
- Whom God doth send?
-
- My dear companions--you
- That have been more to me
- Than grief or gaiety--
- This sure is true:
- That we shall meet once more beyond Death’s door,
- Again be merry friends
- Where friendship never ends.
-
-
-
-
-VICTORY
-
-
- Whether you shall see it, or I,
- We cannot tell
- Now. And it doesn’t matter.
-
- For ’twill come when Hell
- Is covered, and the batter
- Of guns fades:--Victory!
-
- Remember then, you who have fellowed the dead--
- Though the worst loudest last
- Thunder before the sun--
-
- Remember--though the Hun
- And his brute power has passed--
- There are more wars to be won!
-
- Oh! while life’s Life, to all Eternity:--
- Brothers, press on! Go On To VICTORY!
-
-
-
-
-DEATH THE REVEALER
-
-
- Within this dim five-windowed house of sense
- I watch through coloured glass
- The shapes that pass.
- Soon must I journey hence
- To meet the great winds of the outer world,
- And see
- (When God has turned the key)
- The true and terrible colours of His scheme
- Which now I dream.
-
-
-
-
-F. W. H.
-
-(_A Portrait_)
-
-
- A thick-set, dark-haired, dreamy little man,
- Uncouth to see,
- Revolving ever this preposterous plan--
- Within a web of words spread cunningly
- To tangle Life--no less,
- (Could he expect success!)
-
- Of Life, he craves not much, except to watch.
- Being forced to act,
- He walks behind himself, as if to catch
- The motive:--an accessory to the fact,
- Faintly amused, it seems,
- Behind his dreams.
-
- Yet hath he loved the vision of this world,
- And found it good:
- The Faith, the fight ’neath Freedom’s flag unfurled,
- The friends, the fun, the army-brotherhood.
- But faery-crazed or worse
- He twists it all to verse!
-
-
-
-
-POETRY
-
-
- The poems of Earth are lived,
- Not scratched with the dirty pen.
- They are writ in the sense of things
- And sung in the hearts of men.
-
- Sensuous strains of Spring
- Pouring in silver flood,
- Summer’s golden delight
- Warming the waiting blood.
-
- Colour, and scent, and sound
- Of all the changing year:--
- These are the poems of Earth
- Which every man must hear.
-
- Sorrow, and pain, and love,
- Joy, and fear, and regret:--
- These are the burning poems
- That all our hearts beget.
-
- These are the poems of Earth
- That every man must pen:
- Which you and I make up
- And straight forget again.
-
-
-
-
-PROSE POEMS
-
-
-1. HEAVEN
-
-“Take me, then,” he said to the angel, “upon this great journey to
-Heaven.”
-
-The angel touched his eyelids.
-
-“Where, then, is Hell?” asked the man.
-
-The spirit pointed out a bored-looking man quite near the throne.
-
-“But he is in Heaven,” protested the mortal.
-
-“Even so, but he does not know it,” replied the angel.
-
-
-2. THE MOTH
-
-“It is the brightness of God!” exclaimed the moth, beholding the candle.
-
-“But it will scorch you worse than Hell’s fire,” warned a friendly
-insect.
-
-“What matter that?” shouted the moth. “It is the brightness of God!”
-
-Then it flew into the flame and was shrivelled.
-
-
-3. THE ARTIST
-
-“I am tired of failing!” said the Artist, and he ripped up the picture
-with his penknife.
-
-“Now he will remember my love!” thought the woman, and she smiled. But
-when the Artist saw the smile on her face, he took his brushes and made
-a picture of it, and the love of the woman was forgotten.
-
-
-4. THE WINDOW GLASS
-
-Against the dark glass shone like a flower the mouth of his beloved.
-But in vain he pressed lips of fire upon the panes--in vain!
-
-“Then, since Love may not melt,” cried he, “shatter, O Death!”
-
-God broke the window with His fist.
-
-
-5. IN THE FIELD OF TIME
-
-In the field of Time, at the end of the path of daisies, grow flaming
-poppies, taking the eye more readily than the flowers of gold and white.
-
-But a man, looking at some he had plucked to wear, discovered (formed
-by the inside shape and hue of the petals) a black cross at the bottom
-of every scarlet cup, and cast them from him.
-
-
-6. BLUE GRASS
-
-“Is not this the mountain of blue grass?” asked the stranger. “Why is
-the grass as green as in our common meadows?”
-
-“It was never any other colour,” said the native.
-
-“It looked blue from afar,” protested the traveller, “and I have
-journeyed a long and difficult way to find it.”
-
-“You had better have stayed at home,” answered the native.
-
-“No,” returned the stranger, with a sad smile, “I had better have come,
-but now I will go home. The grass there has become blue.”
-
-
-7. THE POET
-
-“What is that lovely thing you have in your heart? Why do you not sing
-of it?” asked the Muse.
-
-“I have not yet lost it,” answered the Poet.
-
-
-8. SORROW
-
-The lean dagger had gone into the Poet’s heart.
-
-Shuddering, he plucked it free, lest he should die. And then--by
-magic--it became in his hand a shining sword fit to smite down the
-sorrow of the world.
-
-
-9. THE MIRACLE
-
-Why has the Earth taken on a new significance?
-
-Why is the smoking mist now white music, and the world’s architecture
-more wonderful than a fine cathedral?
-
-It is something that has happened in your heart.
-
-Perhaps (I do not know) you have learnt to hate yourself or to love a
-fellow-being.
-
-
-10. FAITH
-
- Why am I so many men?
- It is because you have not Faith.
-
- What is Faith?
- Faith is a fire.
-
- But how does a man come by it?
- Perhaps God gives it him.
-
-
-11. TIME--THE HORSE
-
-Whither does Time trot us? And is moonlight brightening the harness
-buckles as when children play beneath the rugs, guessing “Where are
-we?” and father drives home--home--beneath the stars?
-
-
-12. THE REBUILDING OF REALITY
-
-“Behold the sunshine, the green earth, the shining sea!” shouted my
-Eyes.
-
-Said Heart: “Oh, I cannot; the realities I knew are gone! Death’s
-shadow is upon all this.”
-
-“Well, it is yours to create realities anew,” smiled Death. “Hitherto
-(like the rest) you seem to have done it badly.”
-
-
-13. THE TOKEN
-
-Because of you I am insatiably curious about death.
-
-Because of Him who imagined and made you I am able tranquilly to abide
-the time.
-
-Shrivelled in His glory: scorched by His humour: because He has
-imagined and made you, I trust and am sure.
-
-
-
-
- PRINTED IN GREAT BRITAIN BY RICHARD CLAY & SONS, LIMITED.
- BRUNSWICK ST., STAMFORD ST., S.E., AND BUNGAY, SUFFOLK.
-
-
-
-
-TRANSCRIBER’S NOTE:
-
-
- Italicized text is surrounded by underscores: _italics_.
-
-
-*** END OF THE PROJECT GUTENBERG EBOOK A GLOUCESTERSHIRE LAD AT HOME AND
-ABROAD ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/66108-0.zip b/old/66108-0.zip
deleted file mode 100644
index 3c08944..0000000
--- a/old/66108-0.zip
+++ /dev/null
Binary files differ
diff --git a/old/66108-h.zip b/old/66108-h.zip
deleted file mode 100644
index cb2df6e..0000000
--- a/old/66108-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/66108-h/66108-h.htm b/old/66108-h/66108-h.htm
deleted file mode 100644
index a8688b0..0000000
--- a/old/66108-h/66108-h.htm
+++ /dev/null
@@ -1,2844 +0,0 @@
-
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- A Gloucestershire Lad at Home and Abroad, by F. W. Harvey&mdash;A Project Gutenberg eBook
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1 {
- text-align: center;
- clear: both;
-}
-
-
-
- h2, h3 {
- text-align: left;
- clear: both;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-div.titlepage {text-align: center; page-break-before: always; page-break-after: always;}
-div.titlepage p {text-align: center; font-weight: bold; line-height: 1.5; margin-top: 2em;}
-
-hr {
- width: 33%;
- margin-top: 2em;
- margin-bottom: 2em;
- margin-left: 33.5%;
- margin-right: 33.5%;
- clear: both;
-}
-
-hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;}
-hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
-@media print { hr.chap {display: none; visibility: hidden;} }
-
-div.chapter {page-break-before: always;}
-
-
-h2.nobreak {page-break-before: avoid;}
-h2.center {page-break-before: avoid; text-align: center;}
-
-table {
- margin-left: auto;
- margin-right: auto;
-}
-
-
-.tdl {padding-left: 1.5em;}
-.tdr {text-align: right;}
-.tdc {padding-left: 2em;}
-
-.pagenum {
- position: absolute;
- left: 92%;
- font-size: smaller;
- text-align: right;
- font-style: normal;
- font-weight: normal;
- font-variant: normal;
-}
-
-
-.blockquot {
- margin-left: 17.5%;
- margin-right: 17.5%;
-}
-
-
-.center {text-align: center;}
-
-.right {text-align: right;}
-
-.smcap {font-variant: small-caps;}
-
-.allsmcap {font-variant: small-caps; text-transform: lowercase;}
-
-.xxlarge {font-size: 175%;}
-.xlarge {font-size: 150%;}
-.large {font-size: 125%;}
-.small {font-size: 75%;}
-
-
-
-.figcenter {
- margin: auto;
- text-align: center;
- page-break-inside: avoid;
- max-width: 100%;
-}
-
-.figright {
- float: right;
- clear: right;
- margin-left: 1em;
- margin-bottom: 1em;
- margin-top: 1em;
- margin-right: 0;
- padding: 0;
- text-align: center;
- page-break-inside: avoid;
- max-width: 100%;
-}
-
-.x-ebookmaker .figright {float: right;}
-
-.indentright {padding-right: 3em;}
-
-.hangingindent { text-indent: -2em; margin-left: 2em; }
-
-.footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;}
-
-.footnote .label {position: absolute; right: 84%; text-align: right;}
-
-.fnanchor {
- vertical-align: super;
- font-size: .8em;
- text-decoration:
- none;
-}
-
-
-.poetry-container {text-align: center;}
-.poetry {display: inline-block; text-align: left;}
-.poetry .verse {text-indent: -2.5em; padding-left: 3em;}
-.poetry .stanza {margin: 1em auto;}
-.poetry .indent {text-indent: 1.5em;}
-.poetry .indent2 {text-indent: 2.5em;}
-.poetry .indent3 {text-indent: 3.5em;}
-.poetry .indent4 {text-indent: 4.5em;}
-.poetry .indent10 {text-indent: 9em;}
-.poetry .indent16 {text-indent: 13em;}
-.poetry .center {text-align: center;}
-.poetry .first {text-indent: -3.2em; padding-left: 3em;}
-
-@media print { .poetry {display: block;} }
-.x-ebookmaker .poetry {display: block;}
-
-
-
-
-
- </style>
- </head>
-<body>
-
-<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of A Gloucestershire Lad at Home and Abroad, by F. W. (Frederick William) Harvey</div>
-
-<div style='display:block; margin:1em 0'>
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online
-at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
-are not located in the United States, you will have to check the laws of the
-country where you are located before using this eBook.
-</div>
-
-<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: A Gloucestershire Lad at Home and Abroad</p>
-
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: F. W. (Frederick William) Harvey</div>
-
-<div style='display:block; margin:1em 0'>Release Date: August 22, 2021 [eBook #66108]</div>
-
-<div style='display:block; margin:1em 0'>Language: English</div>
-
-<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
-
-<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: D A Alexander, David E. Brown, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by University of California libraries)</div>
-
-<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK A GLOUCESTERSHIRE LAD AT HOME AND ABROAD ***</div>
-
-<div class="figcenter"><img src="images/cover.jpg" width="50%" alt="" /></div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<div class="blockquot">
-<p><span class="xxlarge"><b>A Gloucestershire Lad</b></span></p>
-
-<div class="figright"><img src="images/i_logo1.jpg" alt="" /></div>
-</div></div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="titlepage">
-<h1>A<br />
-Gloucestershire Lad<br />
-<span class="small">at Home and Abroad</span></h1>
-
-<p>by<br />
-<span class="xlarge">F. W. Harvey</span></p>
-
-<div class="figcenter"><img src="images/i_logo2.jpg" alt="" /></div>
-
-<p><i>Fourth Impression</i></p>
-
-<p><span class="large">London<br />
-Sidgwick &amp; Jackson, Ltd.<br />
-1917</span></p>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><i>First Impression, September 1916.</i></div>
-<div class="verse"><i>Second Impression, October 1916.</i></div>
-<div class="verse"><i>Third Impression, January 1917.</i></div>
-<div class="verse"><i>Fourth Impression, March 1917.</i></div>
-</div>
-<div class="stanza">
-<div class="center"><i>All rights reserved.</i></div>
-</div></div></div></div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-
-<p class="center">
-TO<br />
-<span class="large">ALL COMRADES OF MINE</span><br />
-WHO LIE DEAD IN FOREIGN FIELDS<br />
-FOR LOVE OF ENGLAND,<br />
-OR WHO LIVE TO PROSECUTE THE WAR<br />
-FOR ANOTHER ENGLAND<br />
-</p>
-</div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_vii">[vii]</span>
-
-<h2 class="nobreak">PREFACE</h2>
-</div>
-
-
-<p><span class="smcap">Most</span> of these poems were written at the Front,
-and appeared in the <i>Fifth Gloucester Gazette</i>&mdash;the
-first paper ever published from the trenches.</p>
-
-<p>The author was then a Lance-Corporal in the
-5th Battalion of the Gloucestershire Regiment,
-and as such gained the Distinguished Conduct
-Medal in August, 1915.</p>
-
-<p>The award appears as follows in the <i>London
-Gazette</i>&mdash;</p>
-
-<div class="blockquot">
-<div class="hangingindent">
-<p><span class="smcap">F. W. Harvey.</span>&mdash;&#8220;For conspicuous gallantry on
-the night of the 3rd-4th August, 1915, near
-Hebuterne, when, with a patrol, he and another
-Non-Commissioned Officer went out to reconnoitre
-in the direction of a suspected listening post.
-In advancing they encountered the hostile post
-evidently covering a working party in the rear.
-Corporal Knight at once shot one of the enemy,
-and, with Lance-Corporal Harvey, rushed the
-post, shooting two others, and assistance arriving
-the enemy fled. Lance-Corporal Harvey
-pursued, felling one of the retreating Germans
-with a bludgeon. He seized him, but finding
-his revolver empty and the enemy having
-opened fire, he was called back by Corporal
-Knight, and the prisoner escaped. Three Germans
-were killed and their rifles and a Mauser
-pistol were brought in. The patrol had no
-loss.&#8221;</p>
-</div></div>
-
-
-
-<p><span class="pagenum" id="Page_viii">[viii]</span>The poems are written by a soldier and reflect
-a soldier&#8217;s outlook. Mud, blood and khaki are
-rather conspicuously absent. They are, in fact,
-the last things a soldier wishes to think or talk
-about.</p>
-
-<p>What he does think of is his home.</p>
-
-<p>Bishop Frodsham, preaching in Gloucester
-Cathedral, after visiting the Troops in France,
-quoted the following poem in a passage which
-admirably expresses the feelings of most of our
-fighting men.</p>
-
-<p>&#8220;To suppose that these men enjoy the fighting
-would be sheer nonsense. The soldier does not
-want to go on killing and maiming Germans or
-Turks. He wants to get the dreadful war finished,
-so that he can get back to England again. But
-he wants the matter fought to a finish because
-he has seen in the villages and towns of France
-what German domination means. It has made
-him think furiously, as the French say. Many
-regiments and ships&#8217; companies while away the
-impracticable hours by publishing little newspapers.</p>
-
-<p>&#8220;The <i>Fifth Gloucester Gazette</i> is one of these
-journals. We are proud of the courage and the
-gaiety these little papers show. We laugh at
-their quips and jokes: then suddenly we find
-that the corners of our mouths are quivering<span class="pagenum" id="Page_ix">[ix]</span>
-and the tears are gathering in our eyes. We see
-that the boys are thinking about England below
-their gaiety. One young poet lifts the veil in
-this exquisite little rondeau&mdash;</p>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="first">&#8220;&#8216;If we return, will England be</div>
-<div class="verse">Just England still to you and me&mdash;</div>
-<div class="verse">The place where we must earn our bread?</div>
-<div class="verse">We who have walked among the dead,</div>
-<div class="verse">And watched the smile of agony,</div>
-<div class="verse">And seen the price of liberty,</div>
-<div class="verse">Which we have taken carelessly</div>
-<div class="verse">From other hands. Nay, we shall dread:</div>
-<div class="indent2">If we return,</div>
-<div class="verse">Dread lest we hold blood-guiltily</div>
-<div class="verse">The thing that men have died to free.</div>
-<div class="verse">Our English fields shall blossom red</div>
-<div class="verse">In all the blood that has been shed,</div>
-<div class="verse">By men whose guardians are we,</div>
-<div class="indent2">If we return.&#8217;&#8221;</div>
-</div></div>
-
-<p>That is perhaps the keynote of a book which
-the author has dedicated to all dead and living
-comrades who have loved England.</p>
-
-<p class="right"><span class="indentright">
-<span class="smcap">J. H. Collett, C.M.G., Colonel</span></span><br />
-<br />
-Commanding the Fifth Battalion of the<br />
-Gloucestershire Regiment in France.<br />
-</p>
-
-<p><span class="pagenum" id="Page_x">[x]</span></p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_xi">[xi]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">CONTENTS</h2>
-</div>
-</div>
-
-<table border="0" cellpadding="2" cellspacing="2" summary="table">
-
-
-<tr><td>&nbsp;</td><td class="tdr"><span class="small">PAGE</span></td></tr>
-
-<tr><td><span class="allsmcap">PREFACE BY COLONEL J. H. COLLETT, C.M.G.</span></td><td class="tdr"><a href="#Page_vii"> vii</a></td></tr>
-
-<tr><td><i>In Flanders</i></td><td class="tdr"><a href="#Page_xv"> xv</a></td></tr>
-
-<tr><td><span class="allsmcap">A SONG OF GLOUCESTERSHIRE</span></td><td class="tdr"><a href="#Page_1"> 1</a></td></tr>
-
-<tr><td><span class="allsmcap">BALLADE OF THE RICH HEART</span></td><td class="tdr"><a href="#Page_3"> 3</a></td></tr>
-
-<tr><td><span class="allsmcap">SONG OF MINSTERWORTH PERRY</span></td><td class="tdr"><a href="#Page_5"> 5</a></td></tr>
-
-<tr><td><span class="allsmcap">A GLOUCESTERSHIRE WISH AT EASTERTIDE</span></td><td class="tdr"><a href="#Page_6"> 6</a></td></tr>
-
-<tr><td><span class="allsmcap">SONG OF THE ROAD</span></td><td class="tdr"><a href="#Page_7"> 7</a></td></tr>
-
-<tr><td><span class="allsmcap">PIPER&#8217;S WOOD</span></td><td class="tdr"><a href="#Page_8"> 8</a></td></tr>
-
-<tr><td><span class="allsmcap">BALLADE OF RIVER SAILING</span></td><td class="tdr"><a href="#Page_9"> 9</a></td></tr>
-
-<tr><td><span class="allsmcap">SONG OF MINSTERWORTH</span></td><td class="tdr"><a href="#Page_11"> 11</a></td></tr>
-
-<tr><td><span class="allsmcap">CRICKET: THE CATCH</span></td><td class="tdr"><a href="#Page_13"> 13</a></td></tr>
-
-<tr><td><span class="allsmcap">WONDERS</span></td><td class="tdr"><a href="#Page_14"> 14</a></td></tr>
-
-<tr><td><span class="allsmcap">TRIOLET</span></td><td class="tdr"><a href="#Page_15"> 15</a></td></tr>
-
-<tr><td><span class="allsmcap">TRIOLET</span></td><td class="tdr"><a href="#Page_16"> 16</a></td></tr>
-
-<tr><td><span class="allsmcap">WHAT GOD SAID</span></td><td class="tdr"><a href="#Page_17"> 17</a></td></tr>
-
-<tr><td><span class="allsmcap">TO HIS MAID</span></td><td class="tdr"><a href="#Page_18"> 18</a></td></tr>
-
-<tr><td><span class="allsmcap">BALLADE OF DAMNABLE THINGS</span></td><td class="tdr"><a href="#Page_19"> 19</a></td></tr>
-
-<tr><td><span class="allsmcap">SONG OF HEALTH</span></td><td class="tdr"><a href="#Page_21"> 21</a></td></tr>
-
-<tr><td><span class="allsmcap">GRATITUDE</span></td><td class="tdr"><a href="#Page_22"> 22</a></td></tr>
-
-<tr><td><span class="allsmcap">THE SOLDIER SPEAKS</span></td><td class="tdr"><a href="#Page_23"> 23</a><span class="pagenum" id="Page_xii">[xii]</span></td></tr>
-
-<tr><td><span class="allsmcap">A PRESENT FROM FLANDERS</span></td><td class="tdr"><a href="#Page_24"> 24</a></td></tr>
-
-<tr><td><span class="allsmcap">IF WE RETURN</span></td><td class="tdr"><a href="#Page_25"> 25</a></td></tr>
-
-<tr><td><span class="allsmcap">A PEOPLE RENEWED</span></td><td class="tdr"><a href="#Page_26"> 26</a></td></tr>
-
-<tr><td><span class="allsmcap">THE AWAKENING</span></td><td class="tdr"><a href="#Page_27"> 27</a></td></tr>
-
-<tr><td><span class="allsmcap">THE RETURN</span></td><td class="tdr"><a href="#Page_28"> 28</a></td></tr>
-
-<tr><td><span class="allsmcap">LAND OF HEART&#8217;S DELIGHT</span></td><td class="tdr"><a href="#Page_29"> 29</a></td></tr>
-
-<tr><td><span class="allsmcap">GONNEHEM</span></td><td class="tdr"><a href="#Page_30"> 30</a></td></tr>
-
-<tr><td><span class="allsmcap">THE REST FARM</span></td><td class="tdr"><a href="#Page_31"> 31</a></td></tr>
-
-<tr><td><span class="allsmcap">BALLADE OF BEELZEBUB, GOD OF FLIES</span></td><td class="tdr"><a href="#Page_32"> 32</a></td></tr>
-
-<tr><td><span class="allsmcap">TO THE KAISER</span></td><td class="tdr"><a href="#Page_34"> 34</a></td></tr>
-
-<tr><td><span class="allsmcap">ROBERT HERRICK SOLILOQUIZES ON THE C.O.</span></td><td class="tdr"><a href="#Page_36"> 36</a></td></tr>
-
-<tr><td><span class="allsmcap">THE THREE PADRES</span></td><td class="tdr"><a href="#Page_37"> 37</a></td></tr>
-
-<tr><td><span class="allsmcap">WALT WHITMAN DESCRIBES MAJOR W.</span></td><td class="tdr"><a href="#Page_38"> 38</a></td></tr>
-
-<tr><td><span class="allsmcap">SERGEANT FINCH</span></td><td class="tdr"><a href="#Page_39"> 39</a></td></tr>
-
-<tr><td><span class="allsmcap">C COMPANY COOK</span></td><td class="tdr"><a href="#Page_40"> 40</a></td></tr>
-
-<tr><td><span class="allsmcap">EPITAPH</span></td><td class="tdr"><a href="#Page_41"> 41</a></td></tr>
-
-<tr><td><span class="allsmcap">SONNET</span></td><td class="tdr"><a href="#Page_42"> 42</a></td></tr>
-
-<tr><td><span class="allsmcap">THE FIRST SPRING DAY</span></td><td class="tdr"><a href="#Page_43"> 43</a></td></tr>
-
-<tr><td><span class="allsmcap">DEFIANCE</span></td><td class="tdr"><a href="#Page_45"> 45</a></td></tr>
-
-<tr><td><span class="allsmcap">THE ORCHARDS, THE SEA, AND THE GUNS</span></td><td class="tdr"><a href="#Page_46"> 46</a></td></tr>
-
-<tr><td><span class="allsmcap">DYING IN SPRING</span></td><td class="tdr"><a href="#Page_47"> 47</a><span class="pagenum" id="Page_xiii">[xiii]</span></td></tr>
-
-<tr><td><span class="allsmcap">VICTORY</span></td><td class="tdr"><a href="#Page_48"> 48</a></td></tr>
-
-<tr><td><span class="allsmcap">DEATH THE REVEALER</span></td><td class="tdr"><a href="#Page_49"> 49</a></td></tr>
-
-<tr><td><span class="allsmcap">F. W. H.</span></td><td class="tdr"><a href="#Page_50"> 50</a></td></tr>
-
-<tr><td><span class="allsmcap">POETRY</span></td><td class="tdr"><a href="#Page_51"> 51</a></td></tr>
-
-<tr><td><span class="allsmcap">PROSE POEMS</span>&mdash;</td></tr>
-
-<tr><td class="tdc">1. <span class="allsmcap">HEAVEN</span></td><td class="tdr"><a href="#Page_52"> 52</a></td></tr>
-
-<tr><td class="tdc">2. <span class="allsmcap">THE MOTH</span></td><td class="tdr"><a href="#Page_53"> 53</a></td></tr>
-
-<tr><td class="tdc">3. <span class="allsmcap">THE ARTIST</span></td><td class="tdr"><a href="#Page_54"> 54</a></td></tr>
-
-<tr><td class="tdc">4. <span class="allsmcap">THE WINDOW GLASS</span></td><td class="tdr"><a href="#Page_55"> 55</a></td></tr>
-
-<tr><td class="tdc">5. <span class="allsmcap">IN THE FIELD OF TIME</span></td><td class="tdr"><a href="#Page_56"> 56</a></td></tr>
-
-<tr><td class="tdc">6. <span class="allsmcap">BLUE GRASS</span></td><td class="tdr"><a href="#Page_57"> 57</a></td></tr>
-
-<tr><td class="tdc">7. <span class="allsmcap">THE POET</span></td><td class="tdr"><a href="#Page_58"> 58</a></td></tr>
-
-<tr><td class="tdc">8. <span class="allsmcap">SORROW</span></td><td class="tdr"><a href="#Page_59"> 59</a></td></tr>
-
-<tr><td class="tdc">9. <span class="allsmcap">THE MIRACLE</span></td><td class="tdr"><a href="#Page_60"> 60</a></td></tr>
-
-<tr><td class="tdl">10. <span class="allsmcap">FAITH</span></td><td class="tdr"><a href="#Page_61"> 61</a></td></tr>
-
-<tr><td class="tdl">11. <span class="allsmcap">TIME&mdash;THE HORSE</span></td><td class="tdr"><a href="#Page_62"> 62</a></td></tr>
-
-<tr><td class="tdl">12. <span class="allsmcap">THE REBUILDING OF REALITY</span></td><td class="tdr"><a href="#Page_63"> 63</a></td></tr>
-
-<tr><td class="tdl">13. <span class="allsmcap">THE TOKEN</span></td><td class="tdr"><a href="#Page_64"> 64</a></td></tr>
-</table>
-
-<p><span class="pagenum" id="Page_xiv">[xiv]</span></p>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_xv">[xv]</span>
-
-<div class="blockquot">
-<h2 class="nobreak"><i>IN FLANDERS</i></h2>
-</div></div>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse"><i>I&#8217;m homesick for my hills again&mdash;</i></div>
-<div class="indent2"><i>My hills again!</i></div>
-<div class="verse"><i>To see above the Severn plain</i></div>
-<div class="verse"><i>Unscabbarded against the sky</i></div>
-<div class="verse"><i>The blue high blade of Cotswold lie;</i></div>
-<div class="verse"><i>The giant clouds go royally</i></div>
-<div class="verse"><i>By jagged Malvern with a train</i></div>
-<div class="verse"><i>Of shadows. Where the land is low</i></div>
-<div class="verse"><i>Like a huge imprisoning O</i></div>
-<div class="verse"><i>I hear a heart that&#8217;s sound and high,</i></div>
-<div class="verse"><i>I hear the heart within me cry:</i></div>
-<div class="verse"><i>&#8220;I&#8217;m homesick for my hills again&mdash;</i></div>
-<div class="indent2"><i>My hills again!</i></div>
-<div class="verse"><i>Cotswold or Malvern, sun or rain!</i></div>
-<div class="indent2"><i>My hills again!&#8221;</i></div>
-</div></div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_1">[1]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">A SONG OF GLOUCESTERSHIRE</h2>
-</div></div>
-
-<p class="center">(<i>Dedicated to the Gloucestershire Society</i>)</p>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><i>North, South, East, and West:</i></div>
-<div class="verse"><i>Think of whichever you love the best.</i></div>
-<div class="verse"><i>Forest and vale and high blue hill:</i></div>
-<div class="verse"><i>You may have whichever you will,</i></div>
-<div class="verse"><i>And quaff one cup to the love o&#8217; your soul</i></div>
-<div class="verse"><i>Before we drink to the lovely whole.</i></div>
-</div>
-<div class="stanza">
-<div class="indent">Here are high hills with towns all stone,</div>
-<div class="indent2">(Did you come from the Cotswolds then?)</div>
-<div class="indent">And an architecture all their own,</div>
-<div class="indent2">And a breed of sturdy men.</div>
-</div>
-<div class="stanza">
-<div class="indent">But here&#8217;s a forest old and stern,</div>
-<div class="indent2">(Say, do you know the Wye?)</div>
-<div class="indent">Where sunlight dapples green miles of fern,</div>
-<div class="indent2">A river wandering by.</div>
-</div>
-<div class="stanza">
-<div class="indent">Here&#8217;s peaceful meadow-land and kine,</div>
-<div class="indent2">(Do you see a fair grey tower?)</div>
-<div class="indent">Where sweet together close entwine</div>
-<div class="indent2">Grass, clover, and daisy flower.</div>
-</div>
-<div class="stanza">
-<div class="indent">Here stretches the land toward the sea</div>
-<div class="indent2">(Behold the castle bold!)</div>
-<div class="indent">Where men live out life merrily,</div>
-<div class="indent2">And die merry and old.</div>
-</div>
-<div class="stanza"><span class="pagenum" id="Page_2">[2]</span>
-<div class="verse"><i>North, South, East, and West:</i></div>
-<div class="verse"><i>Think of whichever you love the best.</i></div>
-<div class="verse"><i>Forest and vale and high blue hill:</i></div>
-<div class="verse"><i>You shall have whichever you will,</i></div>
-<div class="verse"><i>To quaff one cup to the love o&#8217; your soul</i></div>
-<div class="verse"><i>Before we drink to the lovely whole.</i></div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_3">[3]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">BALLADE OF THE RICH HEART</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">What thief is he can rob this treasury,</div>
-<div class="indent">Which hath not gold but dreams within its gates?</div>
-<div class="verse">What power can enter in to take from me</div>
-<div class="indent">My treasure, while upon the threshold waits</div>
-<div class="indent">&#8220;Courage,&#8221; my watch-dog, keeping back the fates</div>
-<div class="verse">Which follow close until I do depart</div>
-<div class="indent">In safety from their little loves and hates?</div>
-<div class="verse">Singing of all I carry in my heart.</div>
-</div>
-<div class="stanza">
-<div class="verse">Guarded of dreams against all evil chance,</div>
-<div class="indent">With young Adventure arm in arm I go</div>
-<div class="verse">To laugh at Luck and silly Circumstance.</div>
-<div class="indent">And, counting naught that comes to me my foe,</div>
-<div class="indent">I change, if &#8217;tis my whim, the winter snow</div>
-<div class="verse">To blowing blossom: and by that same art</div>
-<div class="indent">I fashion as I will Life&#8217;s weal and woe:</div>
-<div class="verse">Singing of all I carry in my heart.</div>
-</div>
-<div class="stanza">
-<div class="verse">Let me go lame and lousy like a tramp</div>
-<div class="indent">But feel the wind and know the moonlit sky!</div>
-<div class="verse">What matter if the falling dew be damp&mdash;</div>
-<div class="indent">Still is it dew! And well contented I</div>
-<div class="indent">Among my dreams (in seeming poverty)</div><span class="pagenum" id="Page_4">[4]</span>
-<div class="verse">Far from the cities and the noisy mart,&mdash;</div>
-<div class="indent">With Life and Death&mdash;my dearest friends&mdash;to lie,</div>
-<div class="verse">Singing of all I carry in my heart.</div>
-</div>
-<div class="stanza">
-
-<div class="center"><i>Envoi.</i></div>
-
-</div>
-<div class="stanza">
-<div class="verse">Prince of this world, high monarch of all those</div>
-<div class="indent">Who deem Reality life&#8217;s better part,</div>
-<div class="verse">Herewith I tweak thy crooked royal nose&mdash;</div>
-<div class="indent">Singing of all I carry in my heart.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_5">[5]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">SONG OF MINSTERWORTH PERRY</h2>
-</div></div>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">When Noe went sailing with his crew</div>
-<div class="indent">And waters covered over the earth,</div>
-<div class="verse">Trees that in Eden-orchard grew</div>
-<div class="indent">Got washed away to Minsterworth.</div>
-</div>
-<div class="stanza">
-<div class="verse">Now every year they bloom again,</div>
-<div class="indent">(All of the trees spread healthy root)</div>
-<div class="verse">And after Summer&#8217;s shine and rain</div>
-<div class="indent">We gather up the blessed fruit;</div>
-</div>
-<div class="stanza">
-<div class="verse">Whereof we get a heavenly drink</div>
-<div class="indent">(Two rather!) for to make us merry;</div>
-<div class="verse">Oh! Cider&#8217;s one, and I do think</div>
-<div class="indent">The name o&#8217; t&#8217;other one is Perry!</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_6">[6]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">A GLOUCESTERSHIRE WISH AT
-EASTERTIDE</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">Here&#8217;s luck, my lads, while Birdlip Hill is steep:&mdash;</div>
-<div class="verse">&mdash;As long as Cotswold&#8217;s high or Severn&#8217;s deep.</div>
-<div class="verse">Our thoughts of you shall blossom and abide</div>
-<div class="verse">While blow the orchards about Severn side:&mdash;</div>
-<div class="verse">&mdash;While a round bubble like the children blow,</div>
-<div class="verse">May Hill floats purple in the sunset glow.</div>
-</div>
-<div class="stanza">
-<div class="verse">Our prayers go up to bless you where you lie,</div>
-<div class="verse">While Gloucester tower stands up against the sky</div>
-<div class="verse">To write old thoughts of loveliness, and trace</div>
-<div class="verse">Dead men&#8217;s long living will to give God praise:&mdash;</div>
-<div class="verse">&mdash;Who of His mercy doth His Own Son give</div>
-<div class="verse">This blessed morn, that you, and all, may live!</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_7">[7]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">SONG OF THE ROAD</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">Cheerily upon the road</div>
-<div class="indent">Tramp we all together,</div>
-<div class="verse">Bearing every one his load</div>
-<div class="indent">Through the changeful weather.</div>
-</div>
-<div class="stanza">
-<div class="verse">To one Hope we all belong,</div>
-<div class="indent">To one Fate a debtor,</div>
-<div class="verse">Songs must cheer our steps along,</div>
-<div class="indent">Mirth the road make better.</div>
-</div>
-<div class="stanza">
-<div class="verse">Wishes cannot make a horse,</div>
-<div class="indent">Only beggars would ride;</div>
-<div class="verse">We must meet the fairy force</div>
-<div class="indent">In each sombre wood-side.</div>
-</div>
-<div class="stanza">
-<div class="verse">We must bravely tread the way,</div>
-<div class="indent">Gaily sing together,</div>
-<div class="verse">Till we reach the endless day,</div>
-<div class="indent">Heaven&#8217;s golden weather.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_8">[8]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">PIPER&#8217;S WOOD</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">In Minsterworth when March is in,</div>
-<div class="indent">And Spring begins to gild the days,</div>
-<div class="verse">Oh! then starts up a joyous din,</div>
-<div class="indent">For Piper&#8217;s Wood is full of praise,</div>
-<div class="verse">Because the birds deem winter gone</div>
-<div class="verse">And welcome the returning sun.</div>
-</div>
-<div class="stanza">
-<div class="verse">Blackbird and thrush and robin dear</div>
-<div class="indent">Within that wood try over all</div>
-<div class="verse">The songs they mean to shout so clear</div>
-<div class="indent">Before green leaves grow red and fall;</div>
-<div class="verse">And harkening in its shadows you</div>
-<div class="verse">Must needs sing out of Summer too.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_9">[9]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">BALLADE OF RIVER SAILING</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><i>The Dorothy</i> was very small: a boat</div>
-<div class="indent">Scarce any bigger than the sort one rows</div>
-<div class="verse">With oars! We got her for a five-pound note</div>
-<div class="indent">At second-hand. Yet when the river flows</div>
-<div class="indent">Strong to the sea, and the wind lightly blows,</div>
-<div class="verse">Then see her dancing on the tide, and you&#8217;ll</div>
-<div class="indent">Swear she&#8217;s the prettiest little craft that goes</div>
-<div class="verse">Up-stream from Framilode to Bollopool.</div>
-</div>
-<div class="stanza">
-<div class="verse">Bare-footed, push her from the bank afloat,</div>
-<div class="indent">(The soft warm mud comes squelching through your toes!)</div>
-<div class="verse">Scramble aboard: then find an antidote</div>
-<div class="indent">For every care a jaded spirit knows:</div>
-<div class="indent">While round the boat the broken water crows</div>
-<div class="verse">With laughter, casting pretty ridicule</div>
-<div class="indent">On human life and all its little woes,</div>
-<div class="verse">Up-stream from Framilode to Bollopool.</div>
-</div>
-<div class="stanza">
-<div class="verse">How shall I tell you what the sunset wrote</div>
-<div class="indent">Upon the outspread waters&mdash;gold and rose:</div>
-<div class="verse">Or how the white sail of our little boat</div>
-<div class="indent">Looks on a summer sky? The hills enclose</div>
-<div class="indent">With blue solemnity: each white scar shows</div><span class="pagenum" id="Page_10">[10]</span>
-<div class="verse">Clear on the quarried Cotteswolds high and cool.</div>
-<div class="indent">And high and cool a fevered spirit grows</div>
-<div class="verse">Up-stream from Framilode to Bollopool.</div>
-</div>
-<div class="stanza">
-
-<div class="center"><i>Envoi.</i></div>
-
-</div>
-<div class="stanza">
-<div class="verse">Prince, you have horses: motors, I suppose,</div>
-<div class="indent">As well! At finding pleasure you&#8217;re no fool.</div>
-<div class="verse">But have you got a little boat that blows</div>
-<div class="indent">Up-stream from Framilode to Bollopool?</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_11">[11]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">SONG OF MINSTERWORTH</h2>
-</div></div>
-
-<p class="center"><i>Air</i>: &#8220;<i>The Vicar of Bray</i>&#8221;</p>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">In olden, olden centuries</div>
-<div class="indent">On Gloucester&#8217;s holy ground, sir,</div>
-<div class="verse">The monks did pray and chant all day,</div>
-<div class="indent">And grow exceeding round, sir;</div>
-<div class="verse">And here&#8217;s the reason that they throve</div>
-<div class="indent">To praise their pleasant fortune,</div>
-<div class="verse">&#8220;We keep our beasts&#8221;&mdash;thus quoth the priests,</div>
-<div class="indent">&#8220;In Minsterworth&mdash;that&#8217;s Mortune!&#8221;<a id="FNanchor_1" href="#Footnote_1" class="fnanchor">[1]</a></div>
-</div>
-<div class="stanza">
-<div class="indent2"><i>So this is the chorus we will sing,</i></div>
-<div class="indent3"><i>And this is the spot we&#8217;ll drink to,</i></div>
-<div class="indent2"><i>While blossom blows and Severn flows,</i></div>
-<div class="indent3"><i>And Earth has mugs to clink to.</i></div>
-</div>
-<div class="stanza">
-
-<div class="verse">Oh! there in sleepy Summer sounds</div>
-<div class="indent">The drowsy drone of bees, sir,</div>
-<div class="verse">And there in Winter paints the sun</div>
-<span class="pagenum" id="Page_12">[12]</span><div class="indent">His patterns &#8217;neath the trees, sir;</div>
-<div class="verse">And there with merry song doth run</div>
-<div class="indent">A river full of fish, sir,</div>
-<div class="verse">That Thursday sees upon the flood</div>
-<div class="indent">And Friday on the dish, sir.</div>
-</div>
-<div class="stanza">
-
-<div class="indent2"><i>So this is the chorus we will sing</i></div>
-<div class="indent3"><i>And this is the spot we&#8217;ll drink to,</i></div>
-<div class="indent2"><i>While blossom blows and Severn flows,</i></div>
-<div class="indent3"><i>And Earth has mugs to clink to.</i></div>
-</div>
-<div class="stanza">
-
-<div class="verse">The jovial priests to dust are gone,</div>
-<div class="indent">We cannot hear their singing;</div>
-<div class="verse">But still their merry chorus-song</div>
-<div class="indent">From newer lips runs ringing.</div>
-<div class="verse">And we who drink the sunny air</div>
-<div class="indent">And see the blossoms drifting,</div>
-<div class="verse">Will sit and sing the self-same thing</div>
-<div class="indent">Until the roof we&#8217;re lifting.</div>
-</div>
-<div class="stanza">
-
-<div class="indent2"><i>So this is the chorus we will sing,</i></div>
-<div class="indent3"><i>And this is the spot we&#8217;ll drink to,</i></div>
-<div class="indent2"><i>While blossom blows and Severn flows,</i></div>
-<div class="indent3"><i>And Earth has mugs to clink to.</i></div>
-</div></div></div>
-
-
-
-<div class="footnote">
-
-<p><a id="Footnote_1" href="#FNanchor_1" class="label">[1]</a> The ancient name of the parish was Mortune&mdash;that
-is, the village in the mere; and the name was changed
-to Minsterworth early in the fourteenth century because
-it belonged to the Minster or Abbey of Gloucester, and
-was the Minster&#8217;s &#8220;Worth&#8221; or farm where the cattle
-were kept.&mdash;F. W. H.</p>
-
-</div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_13">[13]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">CRICKET: THE CATCH</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">Whizzing, fierce, it came</div>
-<div class="indent">Down the summer air,</div>
-<div class="verse">Burning like a flame</div>
-<div class="indent">On my fingers bare,</div>
-<div class="verse">And it brought to me</div>
-<div class="verse">As swift&mdash;a memory.</div>
-</div>
-<div class="stanza">
-<div class="verse">Happy days long dead</div>
-<div class="indent">Clear I saw once more.</div>
-<div class="verse">Childhood that is fled:&mdash;</div>
-<div class="indent">Rossall on the shore,</div>
-<div class="verse">Where the sea sobs wild</div>
-<div class="verse">Like a homesick child.</div>
-</div>
-<div class="stanza">
-<div class="verse">Oh, the blue bird&#8217;s fled!</div>
-<div class="indent">Never man can follow.</div>
-<div class="verse">Yet at times instead</div>
-<div class="indent">Comes this scarlet swallow,</div>
-<div class="verse">Bearing on its wings</div>
-<div class="indent">(Where it skims and dips,</div>
-<div class="indent">Gleaming through the slips)</div>
-<div class="verse">Sweet Time-strangled things.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_14">[14]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">WONDERS</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">What magic is in common grass</div>
-<div class="verse">To bring this miracle to pass?</div>
-<div class="verse">That within it one should find</div>
-<div class="verse">Salves to give him peace of mind?</div>
-<div class="verse">&mdash;It&#8217;s very queer that garden weed</div>
-<div class="verse">Should minister to my soul&#8217;s need.</div>
-</div>
-<div class="stanza">
-<div class="verse">What fairy in the falling rain</div>
-<div class="verse">Takes the robin&#8217;s small refrain,</div>
-<div class="verse">And twists it to a tiny charm</div>
-<div class="verse">To keep a tempted heart from harm?</div>
-<div class="verse">&mdash;It puzzles me a wild bird&#8217;s song</div>
-<div class="verse">Should save my soul from doing wrong.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_15">[15]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">TRIOLET</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse">If Beauty were a mortal thing</div>
-<div class="indent">That died like laughter, grief, and lust,</div>
-<div class="verse">The poet would not need to sing.</div>
-<div class="verse">If Beauty were a mortal thing</div>
-<div class="verse">It would not wound us with its sting.</div>
-<div class="indent">We should lie happy in the dust</div>
-<div class="verse">If Beauty were a mortal thing</div>
-<div class="indent">That died like laughter, grief, and lust.</div>
-</div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_16">[16]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">TRIOLET</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse">Winter has hardened all the ground,</div>
-<div class="indent">But flowers are on the window-pane;</div>
-<div class="verse">No others are there to be found:&mdash;</div>
-<div class="verse">Winter has hardened all the ground.</div>
-<div class="verse">But here, while Earth is bare and bound,</div>
-<div class="indent">Bloom ghosts of those his frost has slain.</div>
-<div class="verse">Winter has hardened all the ground,</div>
-<div class="indent">But flowers are on the window-pane.</div>
-</div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_17">[17]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">WHAT GOD SAID</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">&#8220;This be a lesson,&#8221; said Life, with a frown&mdash;</div>
-<div class="indent">And knocked me down.</div>
-<div class="verse">&#8220;And serve him right!&#8221; cried the goodly men,</div>
-<div class="verse">While I&mdash;I picked myself up, and then</div>
-<div class="verse">Went on just as I used to do.</div>
-</div>
-<div class="stanza">
-<div class="verse">But the good God smiled as He shook His head;</div>
-<div class="indent">&#8220;It&#8217;s a troublesome child,&#8221; said He, &#8220;but yet</div>
-<div class="verse">Not quite so altogether dead</div>
-<div class="indent">As those solemn old fools that laughed. Don&#8217;t fret!&#8221;</div>
-<div class="verse">At least, I think that&#8217;s what He said.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_18">[18]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">TO HIS MAID</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">Since above Time, upon Eternity</div>
-<div class="indent">The lovely essence of true loving&#8217;s set,</div>
-<div class="verse">Time shall not triumph over you and me,</div>
-<div class="indent">Nor&mdash;though we pay his debt&mdash;</div>
-<div class="verse">Shall Death hold mastery.</div>
-</div>
-<div class="stanza">
-<div class="verse">Your eyes are bright for ever. Your dark hair</div>
-<div class="indent">Holds an eternal shade. Like a bright sword</div>
-<div class="verse">Shall flame the vision of your strange sweet ways,</div>
-<div class="indent">Cleaving the years: and even your smallest word,</div>
-<div class="verse">Lying forgotten with the things that were,</div>
-<div class="verse">Shall glow and kindle, burning up the days.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_19">[19]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">BALLADE OF DAMNABLE THINGS</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">I do not like a horse to throw me off.</div>
-<div class="indent">I do not like the motor-bike to skid.</div>
-<div class="verse">I do not like a nasty hacking cough,</div>
-<div class="indent">Nor influenza. And I never did</div>
-<div class="indent">Enjoy the thought of frizzling on a grid,</div>
-<div class="verse">The while wee flaming devils dance and sing.</div>
-<div class="indent">But short of simple Hell without the lid,</div>
-<div class="verse">I think that jaundice is the damn&#8217;dest thing.</div>
-</div>
-<div class="stanza">
-<div class="verse">Fleas, faintness, famine, stomach-ache, the feel</div>
-<div class="indent">Of flies upon your face, rats in your bed;</div>
-<div class="verse">Lice, dusty roads, a blister on your heel,</div>
-<div class="indent">The taste of salts, the scent of things long dead,</div>
-<div class="indent">Home-sickness, chilblains, grief uncomforted,</div>
-<div class="verse">A hollow tooth with cold, a hornet sting:&mdash;</div>
-<div class="indent">These are unpleasant, yet when all is said</div>
-<div class="verse">I think that jaundice is the damn&#8217;dest thing.</div>
-</div>
-<div class="stanza">
-<div class="verse">See you the whole bright world before your eye</div>
-<div class="indent">Dwindle as ugly as a wrinkled pea.</div>
-<div class="verse">See Beauty, a pricked bubble: Truth, a lie:</div>
-<div class="indent">Achievement, foam on muddy water. See</div>
-<div class="indent">Yourself a yellow devil suddenly,</div><span class="pagenum" id="Page_20">[20]</span>
-<div class="verse">And all the zest of youth gone journeying&mdash;</div>
-<div class="indent">See you all this, and then you will agree</div>
-<div class="verse">(I think) that jaundice is the damn&#8217;dest thing.</div>
-</div>
-<div class="stanza">
-<div class="center"><i>Envoi.</i></div>
-</div>
-<div class="stanza">
-<div class="verse">Prince of the damned&mdash;I ransack my supplies</div>
-<div class="indent">To find a fitting wish at you to fling.</div>
-<div class="verse">Now may you look on Hell through yellow eyes.</div>
-<div class="indent">I think that jaundice is the damn&#8217;dest thing.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_21">[21]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">SONG OF HEALTH</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse">For friends to stand beside, for foes to fight,</div>
-<div class="verse">For devil&#8217;s work to break, for Wrong and Right,</div>
-<div class="verse">And will (however hard) to choose between them:</div>
-<div class="verse">For merry tales, no matter where you glean them:</div>
-<div class="verse">Songs, stars, delight of birds, and summer roses,</div>
-<div class="verse">Sunshine, wherein my friend the dog now dozes:</div>
-<div class="verse">Danger&mdash;the zest of life, and Love, the lord</div>
-<div class="verse">Of Life and Death: for every open word</div>
-<div class="verse">Spoken in blame or praise by friend o&#8217; mine</div>
-<div class="verse">To spur me on: for old, good memories,</div>
-<div class="verse">Keeping in my soul&#8217;s cellar like good wine:</div>
-<div class="verse">For Truth that&#8217;s strong, and Beauty so divine:</div>
-<div class="verse">For animals, and children, and for trees,</div>
-<div class="verse">Both wintry-black and blossoming in white:</div>
-<div class="verse">For homely gardens and for humming bees:</div>
-<div class="verse">For drink, and dreams, and daisies on the sod,</div>
-<div class="verse">Plain food, and fire (when it will light)&mdash;</div>
-<div class="indent16">Thank God!</div>
-</div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_22">[22]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">GRATITUDE</h2>
-</div></div>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="indent2">Grateful&mdash;ah, yes!</div>
-<div class="verse">I, who have seen</div>
-<div class="verse">The larches brighten green,</div>
-<div class="indent2">The orchard&#8217;s Easter dress,</div>
-<div class="verse">And those red thousand poppies,</div>
-<div class="verse">In wheat below the coppice:</div>
-</div>
-<div class="stanza">
-<div class="verse">I, who (while others lie in graves</div>
-<div class="verse">Of earth, or rocked with waves),</div>
-<div class="indent2">Have leave to walk</div>
-<div class="indent2">And sing and talk,</div>
-<div class="verse">With golden lads and girls,</div>
-<div class="indent2">My friends,</div>
-<div class="indent2">To all the farthest ends,</div>
-<div class="verse">Whither Life whirls....</div>
-</div>
-<div class="stanza">
-<div class="verse">How can I not feel gratitude for this</div>
-<div class="indent2">And other bliss,</div>
-<div class="verse">Which God&mdash;dear God&mdash;hath sent,</div>
-<div class="verse">For my great wonderment?</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_23">[23]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">THE SOLDIER SPEAKS</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">Within my heart I safely keep,</div>
-<div class="indent">England, what things are yours:</div>
-<div class="verse">Your clouds, and cloud-like flocks of sheep</div>
-<div class="indent">That drift o&#8217;er windy moors.</div>
-<div class="verse">Possessing naught, I proudly hold</div>
-<div class="indent">Great hills and little gay</div>
-<div class="verse">Hill-towns set black on sunrise-gold</div>
-<div class="indent">At breaking of the day.</div>
-</div>
-<div class="stanza">
-<div class="verse">Though unto me you be austere</div>
-<div class="indent">And loveless, darling land;</div>
-<div class="verse">Though you be cold and hard, my dear,</div>
-<div class="indent">And will not understand.</div>
-<div class="verse">Yet have I fought and bled for you,</div>
-<div class="indent">And, by that self-same sign,</div>
-<div class="verse">Still must I love you, yearn to you,</div>
-<div class="indent">England&mdash;how truly mine!</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_24">[24]</span>
-<div class="blockquot">
-<h2 class="nobreak">A PRESENT FROM FLANDERS</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">Where dewfall and the moon</div>
-<div class="verse">Make precious things,</div>
-<div class="verse">On every small festoon</div>
-<div class="verse">A spider slings:</div>
-</div>
-<div class="stanza">
-<div class="verse">Treading&mdash;like dead leaves under</div>
-<div class="verse">All drifted days,</div>
-<div class="verse">Happy the lovers wander</div>
-<div class="verse">In Winter ways;</div>
-</div>
-<div class="stanza">
-<div class="verse">No thought of pain perplexes</div>
-<div class="verse">The peace they hold;</div>
-<div class="verse">No worldly sorrow vexes</div>
-<div class="verse">The lovers. Gold&mdash;</div>
-</div>
-<div class="stanza">
-<div class="verse">All golden gleams the way;</div>
-<div class="verse">How strange such riches</div>
-<div class="verse">Drawn from rough men should be</div>
-<div class="verse">Seven or eight worlds away,</div>
-<div class="verse">Fighting, and carelessly,</div>
-<div class="verse">Dying in ditches!</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_25">[25]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">IF WE RETURN</h2>
-</div></div>
-
-<p class="center">(<i>Rondeau</i>)</p>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">If we return, will England be</div>
-<div class="verse">Just England still to you and me?</div>
-<div class="verse">The place where we must earn our bread?</div>
-<div class="verse">We, who have walked among the dead.</div>
-<div class="verse">And watched the smile of agony,</div>
-</div>
-<div class="stanza">
-<div class="indent">And seen the price of Liberty,</div>
-<div class="indent">Which we have taken carelessly</div>
-<div class="indent">From other hands. Nay, we shall dread,</div>
-<div class="indent10">If we return,</div>
-</div>
-<div class="stanza">
-<div class="indent">Dread lest we hold blood-guiltily</div>
-<div class="indent">The things that men have died to free.</div>
-<div class="indent">Oh, English fields shall blossom red</div>
-<div class="indent">For all the blood that has been shed</div>
-<div class="indent">By men whose guardians are we,</div>
-<div class="indent10">If we return.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_26">[26]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">A PEOPLE RENEWED</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">Now these like men shall live,</div>
-<div class="indent">And like to princes fall.</div>
-<div class="verse">They take what Fate will give</div>
-<div class="indent">At this great festival.</div>
-</div>
-<div class="stanza">
-<div class="verse">And since at length they find</div>
-<div class="indent">That life is sweet indeed,</div>
-<div class="verse">They cast it on the wind</div>
-<div class="indent">To serve their country&#8217;s need.</div>
-</div>
-<div class="stanza">
-<div class="verse">See young &#8220;Adventure&#8221; there</div>
-<div class="indent">(&#8220;Make-money-quick&#8221; that was)</div>
-<div class="verse">Hurls down his gods that were</div>
-<div class="indent">For Honour and the Cross!</div>
-</div>
-<div class="stanza">
-<div class="verse">Old &#8220;Grab-at-Gold&#8221; lies low</div>
-<div class="indent">In Flanders. And again</div>
-<div class="verse">(Because men will it so)</div>
-<div class="indent">England is ruled by Men.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_27">[27]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">THE AWAKENING</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">At night, in dream,</div>
-<div class="verse">I saw those fields round home</div>
-<div class="indent3">Agleam.</div>
-<div class="verse">Drenched all with dew</div>
-<div class="verse">Beneath day&#8217;s newest dome</div>
-<div class="indent3">Of gold and blue.</div>
-</div>
-<div class="stanza">
-<div class="verse">All night&mdash;</div>
-<div class="verse">All night they shone for me, and then</div>
-<div class="indent3">Came light.</div>
-<div class="verse">And suddenly I woke, and lovely joy!</div>
-<div class="verse">I was at home, with the fields gold as when</div>
-<div class="indent3">I was a boy.</div>
-</div>
-<div class="stanza">
-<hr class="tb" />
-</div>
-<div class="stanza">
-<div class="verse">Thus shall all men rise up at last to see,</div>
-<div class="verse">Their dearest dreams golden reality.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_28">[28]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">THE RETURN</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">The unimaginable hour</div>
-<div class="indent">That folds away our joys and pain</div>
-<div class="verse">Holds not the spirit in its power.</div>
-<div class="indent">Therefore I shall come home again</div>
-<div class="verse">(Wherever my poor body lies),</div>
-<div class="indent">To whisper in the summer trees</div>
-<div class="verse">Upon a lazy fall and rise</div>
-<div class="verse">Of wind: and in day&#8217;s red decline</div>
-<div class="verse">Walk with the sun those roads of mine,</div>
-<div class="indent">Then rosy with my memories.</div>
-</div>
-<div class="stanza">
-<div class="verse">Though you may see me not, yet hear</div>
-<div class="indent">My laughter in the laughing streams,</div>
-<div class="indent">My footsteps in the running rain....</div>
-<div class="verse">For sake of all I counted dear</div>
-<div class="indent">And visit still within my dreams</div>
-<div class="indent">I shall at last come home again.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_29">[29]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">LAND OF HEART&#8217;S DELIGHT</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">Glory&#8217;s a temple open wide,</div>
-<div class="indent">Content, a little shrine.</div>
-<div class="verse">But Heart&#8217;s Delight is a land so bright</div>
-<div class="indent">We reckon it half divine.</div>
-<div class="verse">It lies wherever man has lived,</div>
-<div class="indent">But wheresoe&#8217;er you find it</div>
-<div class="verse">Its skies are blue with dreams come true,</div>
-<div class="indent">And Heaven is just behind it.</div>
-</div>
-<div class="stanza">
-<div class="verse">Glory&#8217;s the universal gleam</div>
-<div class="indent">Of all God gives to men.</div>
-<div class="verse">Content, the little silver dream</div>
-<div class="indent">He sends to one in ten.</div>
-<div class="verse">But Heart&#8217;s Delight, all golden bright,</div>
-<div class="indent">Is given to him alone</div>
-<div class="verse">Who has hidden his heart in the deepest part</div>
-<div class="indent">Of a place called Home.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_30">[30]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">GONNEHEM</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse">Of Gonnehem it shall be said</div>
-<div class="verse">That we arrived there late and worn</div>
-<div class="verse">With marching, and were given a bed</div>
-<div class="verse">Of lovely straw. And then at morn</div>
-<div class="verse">On rising from deep sleep saw dangle&mdash;</div>
-<div class="verse">Shining in the sun to spangle,</div>
-<div class="verse">The all-blue heaven&mdash;branch loads of red</div>
-<div class="verse">Bright cherries which we bought to eat,</div>
-<div class="verse">Dew-wet, dawn-cool, and sunny-sweet.</div>
-<div class="verse">There was a tiny court-yard too,</div>
-<div class="verse">Wherein one shady walnut grew.</div>
-<div class="verse">Unruffled peace the farm encloses&mdash;</div>
-<div class="verse">I wonder if beneath that tree,</div>
-<div class="verse">The meditating hens still be.</div>
-<div class="verse">Are the white walls now gay with roses?</div>
-<div class="verse">Does the small fountain yet run free?</div>
-<div class="verse">I wonder if that dog still dozes....</div>
-<div class="verse">Some day we must go back to see.</div>
-</div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_31">[31]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">THE REST FARM</h2>
-</div></div>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">Into this quiet place</div>
-<div class="indent">Of peace we come.</div>
-<div class="verse">The War God hides his face,</div>
-<div class="indent">His mouth is dumb.</div>
-</div>
-<div class="stanza">
-<div class="verse">All reckless, wild decrees</div>
-<div class="indent">His lips repeat,</div>
-<div class="verse">Are hushed by a little breeze</div>
-<div class="indent">In waving wheat.</div>
-</div>
-<div class="stanza">
-<div class="verse">And, like the penance-peace</div>
-<div class="indent">In a heart forlorn,</div>
-<div class="verse">Thrills the word of the trees&mdash;</div>
-<div class="indent">The sigh of the corn.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_32">[32]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">BALLADE OF BEELZEBUB, GOD OF
-FLIES</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">Some men there are will not abide a rat</div>
-<div class="indent">Within their bivvy. If one chance to peep</div>
-<div class="verse">At them through little beady eyes, then pat,</div>
-<div class="indent">They throw a boot and rouse a mate from sleep</div>
-<div class="indent">To hunt the thing, and on its head they heap</div>
-<div class="verse">Curses quite inappropriate to its size.</div>
-<div class="indent">I care for none of these, but broad and deep</div>
-<div class="verse">I curse Beelzebub&mdash;the God of Flies.</div>
-</div>
-<div class="stanza">
-<div class="verse">Others may hunt the mouse with bayonet bright,</div>
-<div class="indent">And beard the glittering beetle in his lair,</div>
-<div class="verse">And fill the arches of the ancient night</div>
-<div class="indent">With clamour, if a stolid toad should stare</div>
-<div class="indent">Sleepily forth from the snug corner where</div>
-<div class="verse">They fain would rest. But I will sympathize</div>
-<div class="indent">With beetle, rat, and toad. I have no care.</div>
-<div class="verse">I curse Beelzebub&mdash;the God of Flies.</div>
-</div>
-<div class="stanza">
-<div class="verse">The tiny gnats they swarm in many a cloud,</div>
-<div class="indent">To tangle their small limbs within my hair</div>
-<div class="verse">And sting. The blood-flies dart: and buzzing loud</div>
-<div class="indent">Blue-bottles draw mad patterns on the air.</div><span class="pagenum" id="Page_33">[33]</span>
-<div class="indent">The house-flies creep, and, what is hard to bear,</div>
-<div class="verse">Feed on the poison papers advertise,</div>
-<div class="indent">And rub their hands with relish of such fare!</div>
-<div class="verse">I curse Beelzebub&mdash;the God of Flies.</div>
-</div>
-<div class="stanza">
-<div class="center"><i>Envoi.</i></div>
-</div>
-<div class="stanza">
-<div class="verse">Prince&mdash;Clown of Europe&mdash;others shall make haste</div>
-<div class="indent">To call damnation on your limbs and eyes.</div>
-<div class="verse">Spending good oaths upon you were a waste:</div>
-<div class="indent">I curse Beelzebub&mdash;the God of Flies.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_34">[34]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">TO THE KAISER</h2>
-</div></div>
-
-
-<p class="center">(<i>Confidentially</i>)</p>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">I met a man&mdash;a refugee,</div>
-<div class="indent">And he was blind in both his eyes, sir.</div>
-<div class="verse">And in his pate</div>
-<div class="indent">A silver plate</div>
-<div class="verse">(&#8217;Twas rather comical to see!)</div>
-<div class="indent">Shone where the bone skull used to be</div>
-<div class="verse">Before your shrapnel struck him, Kaiser.</div>
-<div class="indent">Shattering in the self-same blast</div>
-<div class="verse">(Blind as a tyrant in his dotage),</div>
-<div class="indent">The foolish wife</div>
-<div class="verse">Who risked her life,</div>
-<div class="indent">As peasants will do till the last,</div>
-<div class="verse">Clinging to one small Belgian cottage.</div>
-</div>
-<div class="stanza">
-<div class="verse">That was their home. The whining child</div>
-<div class="verse">Beside him in the railway carriage</div>
-<div class="verse">Was born there, and</div>
-<div class="indent">The little land</div>
-<div class="verse">Around it (now untilled and wild),</div>
-<div class="indent">Was brought him by his wife on marriage.</div>
-<div class="verse">The child was whining for its mother,</div>
-<div class="indent">And interrupting half he said, sir.</div>
-<div class="verse">I&#8217;ll never see the pair again....</div>
-<div class="indent">Nor they the mother that lies dead, sir.</div>
-</div>
-<div class="stanza"><span class="pagenum" id="Page_35">[35]</span>
-<div class="verse">That&#8217;s all&mdash;a foolish tale, not worth</div>
-<div class="indent">The ear of noble lord or Kaiser.</div>
-<div class="verse">A man un-named,</div>
-<div class="indent">By shrapnel maimed,</div>
-<div class="verse">Wife slain, home levelled to the earth&mdash;</div>
-<div class="indent">That&#8217;s all. You see no point? Nor I, sir.</div>
-<div class="verse">Yet on the day you come to die, sir,</div>
-<div class="indent">When all your war dreams cease to be,</div>
-<div class="verse">Perchance will rise</div>
-<div class="indent">Before your eyes</div>
-<div class="verse">(Piercing your hollow heart, Sir Kaiser!)</div>
-<div class="indent">The picture that I chanced to see,</div>
-<div class="verse">Riding (we&#8217;ll say) from A to B.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_36">[36]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">ROBERT HERRICK SOLILOQUIZES
-ON THE C.O.</h2>
-</div></div>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse">A sweet disorder in the dress</div>
-<div class="verse">Kindles in him small kindliness.</div>
-<div class="verse">My slack puttees him oft have thrown</div>
-<div class="verse">Into a fine distraction.</div>
-<div class="verse">An erring lace he cannot bear,</div>
-<div class="verse">Nor the neglected, flowing hair.</div>
-<div class="verse">Did he command that splendid force</div>
-<div class="verse">The W.V.T.C., of course,</div>
-<div class="verse">He&#8217;d see they dressed with careful art,</div>
-<div class="verse">Very precise in every part.</div>
-<div class="verse">And would, I&#8217;m certain, never dote</div>
-<div class="verse">On the tempestuous petticoat.</div>
-</div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_37">[37]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">THE THREE PADRES</h2>
-</div></div>
-
-<p class="center">(<i>Acrostics</i>)</p>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse"><i>R. C. Chaplain.</i></div>
-</div>
-<div class="stanza">
-<div class="indent2">Pale-faced, brown-eyed, slight,</div>
-<div class="indent4">Upon a lanky bay</div>
-<div class="indent2">Rides this modern knight</div>
-<div class="indent4">Down rain-beat road to-day;</div>
-<div class="indent2">In a little broken shrine</div>
-<div class="indent2">Emptying out the blessed wine.</div>
-</div>
-<div class="stanza">
-<div class="verse"><i>Wesleyan Chaplain.</i></div>
-</div>
-<div class="stanza">
-<div class="indent2">Much loved by all who know you,</div>
-<div class="indent4">Especially you seem</div>
-<div class="indent2">Envied for smiles that show you</div>
-<div class="indent4">Kindness in a gleam.</div>
-</div>
-<div class="stanza">
-<div class="verse"><i>Church of England Chaplain.</i></div>
-</div>
-<div class="stanza">
-<div class="indent2">Helm of our literary ship,</div>
-<div class="indent4">Editor of this Gazette,<a id="FNanchor_2" href="#Footnote_2" class="fnanchor">[2]</a></div>
-<div class="indent2">Luck be yours, although you whip</div>
-<div class="indent4">My muse into an awful sweat.</div>
-</div></div></div>
-
-
-<div class="footnote">
-
-<p><a id="Footnote_2" href="#FNanchor_2" class="label">[2]</a> <i>Fifth Gloucester Gazette.</i> See Introduction.</p>
-
-</div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_38">[38]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">WALT WHITMAN DESCRIBES
-MAJOR W.</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">Nonchalantly he stands</div>
-<div class="verse">On every step of life</div>
-<div class="verse">Tapping his legging.</div>
-</div>
-<div class="stanza">
-<div class="verse">It is just the same</div>
-<div class="verse">Whether we&#8217;re expecting</div>
-<div class="verse">A Boche attack</div>
-<div class="verse">Or Church Parade.</div>
-</div>
-<div class="stanza">
-<div class="verse">Nothing flusters him. Men</div>
-<div class="verse">Confidently go</div>
-<div class="verse">To do his bidding:</div>
-<div class="verse">While he stands there</div>
-</div>
-<div class="stanza">
-<div class="verse">Revolving stunts;</div>
-<div class="verse">And nonchalantly</div>
-<div class="verse">Tapping his legging.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_39">[39]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">SERGEANT FINCH</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">He&#8217;s a popular sergeant, you bet,</div>
-<div class="indent">For he&#8217;ll rough it along with his men,</div>
-<div class="verse">And start up a song in the wet</div>
-<div class="indent">To set &#8217;em all smiling again.</div>
-</div>
-<div class="stanza">
-<div class="verse">His stories are naughty, I&#8217;m told,</div>
-<div class="indent">His voice has a sonorous sound;</div>
-<div class="verse">But the envy of all who behold</div>
-<div class="indent">Is the way that his puttees are wound.</div>
-</div>
-<div class="stanza">
-<div class="verse">Blue-eyed, debonair, with a hat</div>
-<div class="indent">Cocked sideways the eighth of an inch,</div>
-<div class="verse">He&#8217;s sparrow-like: but for all that</div>
-<div class="indent">The name in his pay-book is Finch.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_40">[40]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">C COMPANY COOK</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse">&#8220;Do you want j-jam on it?&#8221; he&#8217;d say,</div>
-<div class="indent">Twirling a red moustache.</div>
-<div class="verse">We chaffed him over rations every day,</div>
-<div class="indent">&#8220;Say, is this tea or hash?&#8221;</div>
-<div class="verse">&#8220;Jim, tell us, do,</div>
-<div class="verse">Why you put sugar in the blooming stew.&#8221;</div>
-<div class="verse">&#8220;&mdash;And there&#8217;s a heap o&#8217; coal in this&mdash;not half!...&#8221;</div>
-<div class="indent">To all our chaff</div>
-<div class="verse">&#8220;Do you want j-jam on it?&#8221; he&#8217;d say.</div>
-</div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_41">[41]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">EPITAPH</h2>
-</div></div>
-
-<p class="center">(<i>T. D.</i>, 13/3/16)</p>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse">A shallow trench for one so tall!</div>
-<div class="verse">&#8220;Heads down&#8221;&mdash;no need for that old call</div>
-<div class="indent">Beneath the upturned sod.</div>
-<div class="verse">Safe lies his body, never fret,</div>
-<div class="verse">Behind that crumpled parapet,</div>
-<div class="verse">And over all this wind and wet</div>
-<div class="indent">His soul sits safe with God.</div>
-</div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_42">[42]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">SONNET</h2>
-</div></div>
-
-<p class="center">(<i>To H. M.</i>)</p>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse">Him, the gods, loving, took while life was young....</div>
-<div class="verse">Say rather (clinging to a wiser creed)</div>
-<div class="verse">God took, and suddenly on wings of speed</div>
-<div class="verse">Bore to the utter quietness far flung</div>
-<div class="verse">Of fields Elysian where the horrid tongue</div>
-<div class="verse">Of battle is not. For He knew his need</div>
-<div class="verse">Better than those who knew him well indeed,</div>
-<div class="verse">Loving him best. Above his grave is rung</div>
-<div class="verse">The death-bell of all things which hurt the sense</div>
-<div class="verse">And vex the mind and plague the soul of man,</div>
-<div class="verse">Tingeing the rainbow colours of his best</div>
-<div class="verse">Dreams drably: and hath cried a voice, &#8220;Go hence!</div>
-<div class="verse">Old Angel Time, to weary whom you can,</div>
-<div class="verse">The while my well-beloved child hath rest.&#8221;</div>
-</div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_43">[43]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">THE FIRST SPRING DAY</h2>
-</div></div>
-
-<p class="center">(<i>To A. E. S.</i>)</p>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">We laid you fast in frozen clay</div>
-<div class="verse">When Winter had enchained the land.</div>
-<div class="verse">(Lad, was it but three weeks to-day?)</div>
-<div class="verse">And now comes Springtime&#8217;s messenger with golden tidings in his hand.</div>
-</div>
-<div class="stanza">
-<div class="verse">A mist blows off the thawing earth,</div>
-<div class="verse">And drips from every budding tree,</div>
-<div class="verse">The springs are loosed, and mad with mirth</div>
-<div class="verse">Run lisping in the fallen leaves, or laughing in the sunlight free.</div>
-</div>
-<div class="stanza">
-<div class="verse">Oh you who loved the song so well,</div>
-<div class="verse">Do you not hear the throstle&#8217;s note?</div>
-<div class="verse">Nor heed the lovesome light that fell</div>
-<div class="verse">As warm five thousand years ago, when Solomon, the wise king, wrote?</div>
-</div>
-<div class="stanza">
-<div class="verse">&#8220;Sweet,&#8221; wrote he. Yes, the light is sweet!</div>
-<div class="verse">And maddening sweet to walk in Spring:</div>
-<div class="verse">Yet is the pleasure incomplete&mdash;</div>
-<div class="verse">How should the living understand the melodies that dead throats sing?</div>
-</div>
-<div class="stanza">
-<div class="verse">Thinker and poet clutch in vain</div>
-<div class="verse">The secret of a laughing rill,</div>
-<div class="verse">And Shakespeare&#8217;s self could never gain</div>
-<div class="verse">The message blown so mockingly by trumpet of a daffodil.</div>
-</div>
-<div class="stanza">
-<span class="pagenum" id="Page_44">[44]</span>
-<div class="verse">Dear lad, for you I will not call,</div>
-<div class="verse">Nor let a foolish dread be born.</div>
-<div class="verse">A thousand years is still too small</div>
-<div class="verse">To learn the secrets you must learn, ere you arise on Doomsday morn.</div>
-</div>
-<div class="stanza">
-<div class="verse">For you have set your ear to earth</div>
-<div class="verse">To list the growing of the flowers:</div>
-<div class="verse">And catch the strains of Death and Birth:</div>
-<div class="verse">And take the honey that is stored by all the flitting bee-like hours.</div>
-</div>
-<div class="stanza">
-<div class="verse">And you must put to memory</div>
-<div class="verse">The silver music of the stars</div>
-<div class="verse">That raineth down so silently,</div>
-<div class="verse">And all the mighty harmony scrolled on the sky in glittering bars.</div>
-</div>
-<div class="stanza">
-<div class="verse">The music that no man can make,</div>
-<div class="verse">The colours that he cannot see,</div>
-<div class="verse">These out of darkness you shall take</div>
-<div class="verse">And nourish up your growing soul with manna of their mystery.</div>
-</div>
-<div class="stanza">
-<div class="verse">And then when you awake again</div>
-<div class="verse">(And I have slept a little too),</div>
-<div class="verse">How we shall rise to pace anew</div>
-<div class="verse">An earth&mdash;where every dream is true, and nothing is unknown but pain.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_45">[45]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">DEFIANCE</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse">I saw the orchards whitening</div>
-<div class="verse">To Easter in late Lent.</div>
-<div class="verse">Now struck of hell&#8217;s own lightning</div>
-<div class="verse">With branches broken and bent</div>
-<div class="verse">Behold the tall trees rent:&mdash;</div>
-<div class="verse">Beaten with iron rain!</div>
-<div class="verse">And ever in my brain</div>
-<div class="verse">To every shell that&#8217;s sent</div>
-<div class="verse">Sounds back this small refrain:&mdash;</div>
-<div class="verse">&#8220;You foolish shells, come kill me,</div>
-<div class="verse">Blacken my limbs with flame:</div>
-<div class="verse">I saw the English orchards</div>
-<div class="verse">(And so may die content)</div>
-<div class="verse">All white before I came!&#8221;</div>
-</div></div>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_46">[46]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">THE ORCHARDS, THE SEA, AND
-THE GUNS</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">Of sounds which haunt me, these</div>
-<div class="indent3">Until I die</div>
-<div class="verse">Shall live. First the trees,</div>
-<div class="verse">Swaying and singing in the moonless night.</div>
-<div class="verse">(The wind being wild)</div>
-<div class="indent3">And I</div>
-<div class="verse">A wakeful child,</div>
-<div class="verse">That lay and shivered with a strange delight.</div>
-</div>
-<div class="stanza">
-<div class="verse">Second&mdash;less sweet but thrilling as the first&mdash;</div>
-<div class="indent">The midnight roar</div>
-<div class="indent">Of waves upon the shore</div>
-<div class="indent">Of Rossall dear:</div>
-<div class="indent">The rhythmic surge and burst</div>
-<div class="indent">(The gusty rain</div>
-<div class="indent">Flung on the pane!)</div>
-<div class="indent">I loved to hear.</div>
-</div>
-<div class="stanza">
-<div class="indent">And now another sound</div>
-<div class="indent">Wilder than wind or sea,</div>
-<div class="indent">When on the silent night</div>
-<div class="indent2">I hear resound</div>
-<div class="indent2">In mad delight</div>
-<div class="indent2">The guns....</div>
-<div class="indent">They bark the whole night through;</div>
-<div class="indent2">And though I fear,</div>
-<div class="indent2">Knowing what work they do,</div>
-<div class="indent">I somehow thrill to hear.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_47">[47]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">DYING IN SPRING</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">Lo, now do I behold</div>
-<div class="verse">Sunshine and greenery</div>
-<div class="verse">And Death together rolled&mdash;</div>
-<div class="verse">Yet not in mockery.</div>
-</div>
-<div class="stanza">
-<div class="verse">Life was a faithful friend;</div>
-<div class="verse">Shall I make other of that dark brother</div>
-<div class="verse">Whom God doth send?</div>
-</div>
-<div class="stanza">
-<div class="verse">My dear companions&mdash;you</div>
-<div class="verse">That have been more to me</div>
-<div class="verse">Than grief or gaiety&mdash;</div>
-<div class="verse">This sure is true:</div>
-<div class="verse">That we shall meet once more beyond Death&#8217;s door,</div>
-<div class="verse">Again be merry friends</div>
-<div class="verse">Where friendship never ends.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_48">[48]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">VICTORY</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">Whether you shall see it, or I,</div>
-<div class="verse">We cannot tell</div>
-<div class="verse">Now. And it doesn&#8217;t matter.</div>
-</div>
-<div class="stanza">
-<div class="verse">For &#8217;twill come when Hell</div>
-<div class="verse">Is covered, and the batter</div>
-<div class="verse">Of guns fades:&mdash;Victory!</div>
-</div>
-<div class="stanza">
-<div class="verse">Remember then, you who have fellowed the dead&mdash;</div>
-<div class="verse">Though the worst loudest last</div>
-<div class="verse">Thunder before the sun&mdash;</div>
-</div>
-<div class="stanza">
-<div class="verse">Remember&mdash;though the Hun</div>
-<div class="verse">And his brute power has passed&mdash;</div>
-<div class="verse">There are more wars to be won!</div>
-</div>
-<div class="stanza">
-<div class="verse">Oh! while life&#8217;s Life, to all Eternity:&mdash;</div>
-<div class="verse">Brothers, press on! Go On To <span class="smcap">Victory</span>!</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_49">[49]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">DEATH THE REVEALER</h2>
-</div></div>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="verse">Within this dim five-windowed house of sense</div>
-<div class="indent2">I watch through coloured glass</div>
-<div class="indent">The shapes that pass.</div>
-<div class="verse">Soon must I journey hence</div>
-<div class="verse">To meet the great winds of the outer world,</div>
-<div class="indent2">And see</div>
-<div class="indent">(When God has turned the key)</div>
-<div class="verse">The true and terrible colours of His scheme</div>
-<div class="indent2">Which now I dream.</div>
-</div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_50">[50]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">F. W. H.</h2>
-</div></div>
-
-<p class="center">(<i>A Portrait</i>)</p>
-
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">A thick-set, dark-haired, dreamy little man,</div>
-<div class="indent2">Uncouth to see,</div>
-<div class="verse">Revolving ever this preposterous plan&mdash;</div>
-<div class="verse">Within a web of words spread cunningly</div>
-<div class="verse">To tangle Life&mdash;no less,</div>
-<div class="verse">(Could he expect success!)</div>
-</div>
-<div class="stanza">
-<div class="verse">Of Life, he craves not much, except to watch.</div>
-<div class="indent2">Being forced to act,</div>
-<div class="verse">He walks behind himself, as if to catch</div>
-<div class="verse">The motive:&mdash;an accessory to the fact,</div>
-<div class="verse">Faintly amused, it seems,</div>
-<div class="verse">Behind his dreams.</div>
-</div>
-<div class="stanza">
-<div class="verse">Yet hath he loved the vision of this world,</div>
-<div class="indent2">And found it good:</div>
-<div class="verse">The Faith, the fight &#8217;neath Freedom&#8217;s flag unfurled,</div>
-<div class="verse">The friends, the fun, the army-brotherhood.</div>
-<div class="verse">But faery-crazed or worse</div>
-<div class="verse">He twists it all to verse!</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_51">[51]</span>
-
-<div class="blockquot">
-<h2 class="nobreak">POETRY</h2>
-</div></div>
-
-<div class="poetry-container">
-<div class="poetry">
-<div class="stanza">
-<div class="verse">The poems of Earth are lived,</div>
-<div class="indent">Not scratched with the dirty pen.</div>
-<div class="verse">They are writ in the sense of things</div>
-<div class="indent">And sung in the hearts of men.</div>
-</div>
-<div class="stanza">
-<div class="verse">Sensuous strains of Spring</div>
-<div class="indent">Pouring in silver flood,</div>
-<div class="verse">Summer&#8217;s golden delight</div>
-<div class="indent">Warming the waiting blood.</div>
-</div>
-<div class="stanza">
-<div class="verse">Colour, and scent, and sound</div>
-<div class="indent">Of all the changing year:&mdash;</div>
-<div class="verse">These are the poems of Earth</div>
-<div class="indent">Which every man must hear.</div>
-</div>
-<div class="stanza">
-<div class="verse">Sorrow, and pain, and love,</div>
-<div class="indent">Joy, and fear, and regret:&mdash;</div>
-<div class="verse">These are the burning poems</div>
-<div class="indent">That all our hearts beget.</div>
-</div>
-<div class="stanza">
-<div class="verse">These are the poems of Earth</div>
-<div class="indent">That every man must pen:</div>
-<div class="verse">Which you and I make up</div>
-<div class="indent">And straight forget again.</div>
-</div></div></div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_52">[52]</span>
-
-<div class="blockquot">
-<h2 class="center">PROSE POEMS</h2>
-
-
-
-<h3>1. HEAVEN</h3>
-
-<p>&#8220;Take me, then,&#8221; he said to the angel, &#8220;upon
-this great journey to Heaven.&#8221;</p>
-
-<p>The angel touched his eyelids.</p>
-
-<p>&#8220;Where, then, is Hell?&#8221; asked the man.</p>
-
-<p>The spirit pointed out a bored-looking man
-quite near the throne.</p>
-
-<p>&#8220;But he is in Heaven,&#8221; protested the mortal.</p>
-
-<p>&#8220;Even so, but he does not know it,&#8221; replied
-the angel.</p>
-
-<p><span class="pagenum" id="Page_53">[53]</span></p>
-
-
-<h3>2. THE MOTH</h3>
-
-<p>&#8220;It is the brightness of God!&#8221; exclaimed the
-moth, beholding the candle.</p>
-
-<p>&#8220;But it will scorch you worse than Hell&#8217;s
-fire,&#8221; warned a friendly insect.</p>
-
-<p>&#8220;What matter that?&#8221; shouted the moth.
-&#8220;It is the brightness of God!&#8221;</p>
-
-<p>Then it flew into the flame and was shrivelled.</p>
-
-<p><span class="pagenum" id="Page_54">[54]</span></p>
-
-
-<h3>3. THE ARTIST</h3>
-
-<p>&#8220;I am tired of failing!&#8221; said the Artist, and
-he ripped up the picture with his penknife.</p>
-
-<p>&#8220;Now he will remember my love!&#8221; thought
-the woman, and she smiled. But when the
-Artist saw the smile on her face, he took his
-brushes and made a picture of it, and the love of
-the woman was forgotten.</p>
-
-<p><span class="pagenum" id="Page_55">[55]</span></p>
-
-
-<h3>4. THE WINDOW GLASS</h3>
-
-<p>Against the dark glass shone like a flower the
-mouth of his beloved. But in vain he pressed
-lips of fire upon the panes&mdash;in vain!</p>
-
-<p>&#8220;Then, since Love may not melt,&#8221; cried he,
-&#8220;shatter, O Death!&#8221;</p>
-
-<p>God broke the window with His fist.</p>
-
-<p><span class="pagenum" id="Page_56">[56]</span></p>
-
-
-<h3>5. IN THE FIELD OF TIME</h3>
-
-<p>In the field of Time, at the end of the path of
-daisies, grow flaming poppies, taking the eye
-more readily than the flowers of gold and white.</p>
-
-<p>But a man, looking at some he had plucked to
-wear, discovered (formed by the inside shape and
-hue of the petals) a black cross at the bottom of
-every scarlet cup, and cast them from him.</p>
-
-<p><span class="pagenum" id="Page_57">[57]</span></p>
-
-
-<h3>6. BLUE GRASS</h3>
-
-<p>&#8220;Is not this the mountain of blue grass?&#8221;
-asked the stranger. &#8220;Why is the grass as green
-as in our common meadows?&#8221;</p>
-
-<p>&#8220;It was never any other colour,&#8221; said the
-native.</p>
-
-<p>&#8220;It looked blue from afar,&#8221; protested the
-traveller, &#8220;and I have journeyed a long and
-difficult way to find it.&#8221;</p>
-
-<p>&#8220;You had better have stayed at home,&#8221;
-answered the native.</p>
-
-<p>&#8220;No,&#8221; returned the stranger, with a sad smile,
-&#8220;I had better have come, but now I will go
-home. The grass there has become blue.&#8221;</p>
-
-<p><span class="pagenum" id="Page_58">[58]</span></p>
-
-
-<h3>7. THE POET</h3>
-
-<p>&#8220;What is that lovely thing you have in your
-heart? Why do you not sing of it?&#8221; asked the
-Muse.</p>
-
-<p>&#8220;I have not yet lost it,&#8221; answered the Poet.</p>
-
-<p><span class="pagenum" id="Page_59">[59]</span></p>
-
-
-<h3>8. SORROW</h3>
-
-<p>The lean dagger had gone into the Poet&#8217;s
-heart.</p>
-
-<p>Shuddering, he plucked it free, lest he should
-die. And then&mdash;by magic&mdash;it became in his hand
-a shining sword fit to smite down the sorrow of
-the world.</p>
-
-<p><span class="pagenum" id="Page_60">[60]</span></p>
-
-
-<h3>9. THE MIRACLE</h3>
-
-<p>Why has the Earth taken on a new significance?</p>
-
-<p>Why is the smoking mist now white music,
-and the world&#8217;s architecture more wonderful
-than a fine cathedral?</p>
-
-<p>It is something that has happened in your
-heart.</p>
-
-<p>Perhaps (I do not know) you have learnt to
-hate yourself or to love a fellow-being.</p>
-
-<p><span class="pagenum" id="Page_61">[61]</span></p>
-
-
-<h3>10. FAITH</h3>
-
-<p>
-Why am I so many men?<br />
-It is because you have not Faith.<br />
-<br />
-What is Faith?<br />
-Faith is a fire.<br />
-<br />
-But how does a man come by it?<br />
-Perhaps God gives it him.<br />
-</p>
-
-<p><span class="pagenum" id="Page_62">[62]</span></p>
-
-
-<h3>11. TIME&mdash;THE HORSE</h3>
-
-<p>Whither does Time trot us? And is moonlight
-brightening the harness buckles as when children
-play beneath the rugs, guessing &#8220;Where are
-we?&#8221; and father drives home&mdash;home&mdash;beneath
-the stars?</p>
-
-<p><span class="pagenum" id="Page_63">[63]</span></p>
-
-
-<h3>12. THE REBUILDING OF REALITY</h3>
-
-<p>&#8220;Behold the sunshine, the green earth, the
-shining sea!&#8221; shouted my Eyes.</p>
-
-<p>Said Heart: &#8220;Oh, I cannot; the realities I
-knew are gone! Death&#8217;s shadow is upon all
-this.&#8221;</p>
-
-<p>&#8220;Well, it is yours to create realities anew,&#8221;
-smiled Death. &#8220;Hitherto (like the rest) you
-seem to have done it badly.&#8221;</p>
-
-<p><span class="pagenum" id="Page_64">[64]</span></p>
-
-
-<h3>13. THE TOKEN</h3>
-
-<p>Because of you I am insatiably curious about
-death.</p>
-
-<p>Because of Him who imagined and made you
-I am able tranquilly to abide the time.</p>
-
-<p>Shrivelled in His glory: scorched by His
-humour: because He has imagined and made
-you, I trust and am sure.</p>
-
-</div></div>
-
-<hr class="tb" />
-
-<p class="center"><span class="smcap">Printed in Great Britain by Richard Clay &amp; Sons, Limited.</span><br />
-<span class="allsmcap">BRUNSWICK ST., STAMFORD ST., S.E., AND BUNGAY, SUFFOLK.</span></p>
-
-
-
-
-<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK A GLOUCESTERSHIRE LAD AT HOME AND ABROAD ***</div>
-<div style='text-align:left'>
-
-<div style='display:block; margin:1em 0'>
-Updated editions will replace the previous one&#8212;the old editions will
-be renamed.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-</div>
-
-<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
-<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
-</div>
-
-<div style='display:block; margin:1em 0'>
-To protect the Project Gutenberg&#8482; mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase &#8220;Project
-Gutenberg&#8221;), you agree to comply with all the terms of the Full
-Project Gutenberg&#8482; License available with this file or online at
-www.gutenberg.org/license.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.A. By reading or using any part of this Project Gutenberg&#8482;
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg&#8482; electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg&#8482; electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the person
-or entity to whom you paid the fee as set forth in paragraph 1.E.8.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg&#8482; electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg&#8482; electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg&#8482;
-electronic works. See paragraph 1.E below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
-Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg&#8482; electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg&#8482; mission of promoting
-free access to electronic works by freely sharing Project Gutenberg&#8482;
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg&#8482; name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg&#8482; License when
-you share it without charge with others.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg&#8482; work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E. Unless you have removed all references to Project Gutenberg:
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg&#8482; License must appear
-prominently whenever any copy of a Project Gutenberg&#8482; work (any work
-on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
-phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-</div>
-
-<blockquote>
- <div style='display:block; margin:1em 0'>
- This eBook is for the use of anyone anywhere in the United States and most
- other parts of the world at no cost and with almost no restrictions
- whatsoever. You may copy it, give it away or re-use it under the terms
- of the Project Gutenberg License included with this eBook or online
- at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
- are not located in the United States, you will have to check the laws
- of the country where you are located before using this eBook.
- </div>
-</blockquote>
-
-<div style='display:block; margin:1em 0'>
-1.E.2. If an individual Project Gutenberg&#8482; electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase &#8220;Project
-Gutenberg&#8221; associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg&#8482;
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg&#8482; License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg&#8482;.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg&#8482; License.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg&#8482; work in a format
-other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
-version posted on the official Project Gutenberg&#8482; website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original &#8220;Plain
-Vanilla ASCII&#8221; or other form. Any alternate format must include the
-full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg&#8482; works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg&#8482; electronic works
-provided that:
-</div>
-
-<div style='margin-left:0.7em;'>
- <div style='text-indent:-0.7em'>
- &bull; You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg&#8482; works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg&#8482; trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, &#8220;Information about donations to the Project Gutenberg
- Literary Archive Foundation.&#8221;
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg&#8482;
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg&#8482;
- works.
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You comply with all other terms of this agreement for free
- distribution of Project Gutenberg&#8482; works.
- </div>
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg&#8482; electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg&#8482; trademark. Contact the Foundation as set
-forth in Section 3 below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
-electronic works, and the medium on which they may be stored, may
-contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
-of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg&#8482; trademark, and any other party distributing a Project
-Gutenberg&#8482; electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg&#8482; electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg&#8482;
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg&#8482; work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg&#8482; work, and (c) any
-Defect you cause.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 2. Information about the Mission of Project Gutenberg&#8482;
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
-goals and ensuring that the Project Gutenberg&#8482; collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg&#8482; and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation&#8217;s EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state&#8217;s laws.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation&#8217;s business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation&#8217;s website
-and official page at www.gutenberg.org/contact
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; depends upon and cannot survive without widespread
-public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-</div>
-
-<div style='display:block; margin:1em 0'>
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 5. General Information About Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-Professor Michael S. Hart was the originator of the Project
-Gutenberg&#8482; concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg&#8482; eBooks with only a loose network of
-volunteer support.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Most people start at our website which has the main PG search
-facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-This website includes information about Project Gutenberg&#8482;,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-</div>
-
-</div>
-
-</body>
-</html>
diff --git a/old/66108-h/images/cover.jpg b/old/66108-h/images/cover.jpg
deleted file mode 100644
index 53c091f..0000000
--- a/old/66108-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66108-h/images/i_logo1.jpg b/old/66108-h/images/i_logo1.jpg
deleted file mode 100644
index 83de087..0000000
--- a/old/66108-h/images/i_logo1.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66108-h/images/i_logo2.jpg b/old/66108-h/images/i_logo2.jpg
deleted file mode 100644
index 3e4e14c..0000000
--- a/old/66108-h/images/i_logo2.jpg
+++ /dev/null
Binary files differ