summaryrefslogtreecommitdiff
path: root/old/65951-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/65951-0.txt')
-rw-r--r--old/65951-0.txt2257
1 files changed, 0 insertions, 2257 deletions
diff --git a/old/65951-0.txt b/old/65951-0.txt
deleted file mode 100644
index a21671f..0000000
--- a/old/65951-0.txt
+++ /dev/null
@@ -1,2257 +0,0 @@
-The Project Gutenberg eBook of Chambers's Journal of Popular Literature,
-Science, and Art, Fifth Series, No. 30, Vol. I, July 26, 1884, by Various
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Chambers's Journal of Popular Literature, Science, and Art,
- Fifth Series, No. 30, Vol. I, July 26, 1884
-
-Author: Various
-
-Release Date: July 29, 2021 [eBook #65951]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: Susan Skinner, Eric Hutton and the Online Distributed
- Proofreading Team at https://www.pgdp.net (This file was
- produced from images generously made available by The Internet
- Archive)
-
-*** START OF THE PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL OF POPULAR
-LITERATURE, SCIENCE, AND ART, FIFTH SERIES, NO. 30, VOL. I, JULY 26,
-1884 ***
-
-
-
-
-[Illustration:
-
-CHAMBERS’S JOURNAL
-
-OF
-
-POPULAR
-
-LITERATURE, SCIENCE, AND ART
-
-Fifth Series
-
-ESTABLISHED BY WILLIAM AND ROBERT CHAMBERS, 1832
-
-CONDUCTED BY R. CHAMBERS (SECUNDUS)
-
-NO. 30.—VOL. I. SATURDAY, JULY 26, 1884. PRICE 1½_d._]
-
-
-
-
-A SCOTTISH MARINE STATION.
-
-
-The ocean has been watched and studied for ages in innumerable
-aspects—it has been looked at from points of view wide asunder as the
-poles—it has been sung of by poets, and fished in by fishermen, and
-sailed over by sailors for thousands of years; but it is still a region
-of mystery and wonder. There are very many things about the sea which
-are quite unknown to this day; in fact, the science of marine phenomena
-is yet in its early youth, only emerging from its infancy. The study of
-the physical, chemical, and biological conditions of the sea has always
-been surrounded by a sort of halo of romance, a scientific glamour that
-almost led men to believe that such research was like fishing—valuable
-results might be looked for in return for little labour, if the proper
-opportunity could be found. But the opportunity only occurred at wide
-intervals, and then the happy few who were fortunate enough to form the
-scientific staff of such expeditions as that of the _Challenger_ were
-regarded with unmixed envy by the many who were eager to do similar
-work if they could get the chance.
-
-The wonders discovered by the chief scientific cruises of recent years
-have greatly increased the interest of the public in the science of
-the sea, and this public interest has quite lately assumed a tangible
-form in the foundation of the Scottish Marine Station for Scientific
-Research at Granton, near Edinburgh. To understand the importance and
-value of this Station, one must know something of the difficulties
-presented to any one who wishes to solve some special problem connected
-with the life which swarms in the waters around our coasts. He must
-rely on the help of fishermen for collecting specimens; and if he
-cannot go to the expense of hiring a boat and crew, he requires to
-content himself with any selection of their ‘rubbish’ which they may be
-pleased to make. Should he wish to examine any locality minutely, he
-must purchase a dredge and tow-nets, leads and lines, and bottles and
-boxes to contain the specimens which may be obtained. The difficulty
-is only half overcome when the work of collecting is over. It is
-impossible to convey the creatures alive to any distance; and after
-a few attempts to do so, the naturalist either hires a room in the
-fishing-village for his work, or gives up the study of marine life
-altogether; unless he steer a middle course, and content himself
-with a bare enumeration of species and a description of the external
-appearance of his specimens.
-
-The individual who is desirous of making chemical or physical
-observations on the wide sea is in a still more evil case. His
-apparatus is more costly and more complicated than that of the
-biologist; it is less easy to manage in a boat not specially adapted
-for the purpose; and the immediate vicinity of a laboratory is of
-the first importance. The obstacles, in fact, are so numerous, that
-observations of this nature have been almost entirely neglected in
-Great Britain. Now and then, it is true, the fire of scientific
-enthusiasm burns strong enough in a man to enable him to overcome
-all difficulties, and to carry on a brilliant research with complete
-success to a satisfactory conclusion. The work of such men is
-monumental; but they do not appear many times in a century. The name of
-one marine chemist is associated with Edinburgh; it is that of Dr John
-Murray, who in the year 1816 made a series of researches on sea-water
-collected at Trinity. His work settled a most important point of
-theoretical chemistry, and it is referred to as of value to this day.
-
-That the progress of marine research was hindered by the trouble and
-expense of carrying it out—and in honesty it must be said that the
-latter was always the more powerful deterrent—has long been apparent;
-and for many years attempts, more or less successful, have been made
-to remedy this state of affairs. In response to energetic appeals
-from various learned Societies, government has repeatedly lent
-gunboats for scientific purposes, and the _Porcupine_, _Lightning_,
-_Triton_, and other ships have done much good work. The culmination
-of government enterprise was reached in 1873, when the _Challenger_
-was fitted out for an entirely scientific cruise, and circumnavigated
-the world investigating the phenomena of the ocean everywhere. How
-much was accomplished by the three years’ voyage can only be realised
-by those who are familiar with the thirteen large volumes which have
-been already published describing the collections and observations;
-but the general reader may form an idea of the magnitude of the work
-done by reflecting that specialists have been engaged in examining and
-describing the collections since the return of the ship in 1876, and
-that this work is still in progress.
-
-Since the return of the _Challenger_, a number of short scientific
-trips have been made in the vicinity of the British coast by gunboats
-and hired vessels; and the results of these have been such as to show
-the extreme advisability of something more permanent being set on foot.
-The success of the Marine Observatories at Naples and at Marseilles,
-and of the small movable laboratory kept up for two summers by the
-university of Aberdeen, proved that Marine Stations were practicable
-and desirable. It was the consideration of the difficulties in the
-way of young men who wished to devote themselves to the examination
-of marine phenomena, but who were unable of themselves to meet the
-great expense of such work, that led Mr John Murray, Director of the
-_Challenger_ Expedition Commission, to start a Marine Station in the
-neighbourhood of Edinburgh. A submerged quarry on the shore at Granton,
-which quarry has been in communication with the sea for nearly thirty
-years, was selected as the site, and a floating laboratory was formally
-opened there during the festivities of the Edinburgh University
-Tercentenary celebration this spring.
-
-The Marine Station has now been open for several months, and the
-working arrangements have attained a certain degree of completeness.
-The accommodation which exists at present includes a floating
-laboratory, ‘the Ark,’ where zoological, botanical, and chemical work
-is being carried on by the permanent staff and other investigators.
-There is also a steam-yacht, the _Medusa_, fitted out with all the
-arrangements for trawling, dredging, sounding, and taking the other
-necessary observations. She is manned by an efficient crew, and has the
-advantage of the services of an engineer who was on the _Challenger_
-during her scientific cruise. The _Medusa_ is a capital seaboat,
-though, from her small size, when in rough weather, she sometimes tries
-the sea-going capabilities of the workers. The creatures brought up
-by the dredge or trawl are kept alive in boxes, the water in which
-must be changed at intervals, though, when there is a heavy sea and a
-head-wind, as often happens, this service is performed by the waves,
-which break over the bows in magnificent spray showers, very beautiful
-to watch from the dry security of the after-cabin. On arriving at
-the Ark, the animals are transferred to aquaria or glass dishes, in
-which a constant current of thoroughly aërated sea-water can be kept
-up, and in these they live very happily. The larger specimens are
-usually placed in wire cages moored to the Ark, where they enjoy all
-the advantages of life except freedom. For short excursions in the
-neighbourhood of Granton, there is a good sailing-boat, the _Raven_;
-and work in the haven in which the Ark lies can also be carried on
-by the little _Dove_, and the two Norwegian skiffs belonging to the
-Station, whose names, _Appendicularia_ and _Asymptote_, are mystifying
-to the uninitiated. A row round the quarry at low water reveals the
-immense richness of the vegetable and animal life which inhabits
-its waters. There are growths of sponges of different colour, with
-gracefully interlacing branches like a coral grove, where bright-hued
-sea-anemones spread their tentacles, and crabs and other crustacea
-crawl and swim about at their pleasure. And not only are the commoner
-forms of marine life abundant; rarer species may be found frequently.
-The beautiful nudibranch mollusc _Eolus_ lives in the quarry; and the
-great fifteen-spined-stickleback builds its nest there, and it has
-been seen keeping guard over its door while its mate and young remain
-comfortably within.
-
-The work which is being carried on at the Marine Station at present is
-divided between four workers. Mr J. T. Cunningham, the naturalist in
-charge, is making a research into the development of the Teleostian
-fishes, the great group to which most of our food-fishes, such as the
-cod, herring, and haddock, belong. Mr J. R. Henderson has commenced to
-form a collection of all the animal life of the Firth of Forth; while
-Mr John Rattray is proceeding with a similar collection of the algæ or
-seaweeds, and is also making a detailed study of the diatoms of the
-district, a piece of work which has never previously been attempted. Mr
-Hugh Robert Mill has charge of the daily meteorological observations at
-the Station, and he is working at the chemical and physical study of
-estuary-water, examining the variations in saltness and in temperature
-which occur from the fresh water to the open sea, and comparing them at
-different seasons. The work at the Station is thus seen to be purely
-scientific; and the results which will ultimately be obtained must
-be of great practical importance. Any scientific man is welcomed to
-work at the Station on special problems, without charge, and several
-gentlemen have taken advantage of the privilege.
-
-It may give a better idea of the working of the various departments if
-the actual methods employed be shortly described.
-
-Zoological specimens are collected in various ways. The ‘trawl’ is a
-wide-meshed net tied up at one end. The net’s mouth is attached above
-to a stout wooden beam that unites two iron runners; the lower side
-is a strong cable, the ground-rope, which rubs along the sea-bottom.
-The fish, alarmed by the ground-rope, rise up and are caught in the
-net, which is carried along so rapidly that escape is impossible. In
-using the trawl the vessel must steam quickly, and the ground trawled
-over must be free from rocks. It is only employed for the capture of
-the larger kinds of fish, such as flounders, haddock, and cod. The
-‘dredge’ is the true naturalist’s implement. It is a small-meshed net,
-closed at one end, and fixed to a rectangular iron frame at the other.
-When drawn along, it scrapes the bottom, and brings up everything
-that it encounters, mud and shells, and all living creatures that are
-not quick enough to get away. After a run over good ground, when the
-dredge is hauled up—an operation that is performed on the _Medusa_
-by a gun-metal wire-rope and a steam winch—and emptied on deck, the
-profusion of animal life that lies in a struggling heap before one is
-quite bewildering. There are pectens and oysters, alcyonarians (usually
-known as ‘dead-men’s-fingers’), sea-anemones of all sizes and colours,
-swimming-crabs and spider-crabs and soldier-crabs, whelks and mussels,
-zoophytes and algæ, ascidians (commonly called ‘sea-squirts’), sponges,
-sea-urchins, star-fishes of every kind from the magnificent sun-star,
-‘rose-jacynth to the finger-tips,’ to the common brittle-star and
-‘five-fingers;’ and there are other things more than can be numbered.
-The dredge and trawl explore the bottom, but are useless for collecting
-specimens from the surface or intermediate depths; and ‘tow-nets’—bags
-of muslin or canvas sewn on hoops and drawn after the vessel—are
-employed for this purpose. The creatures caught in the tow-net are
-usually small; when the contents of the net are placed in a bottle, the
-water seems full of bright spots darting about in all directions; but
-under the microscope the specks discover themselves to be beautifully
-formed crustaceans shining in glassy armour. But the tow-net often
-catches larger things. An exquisite transparent _medusa_ or jelly-fish,
-its umbrella several inches in diameter, rayed with purple, and
-carrying a fringe of graceful pendent tentacles, is often brought on
-board its namesake; and hosts of smaller species of these beautiful
-creatures are always to be found. It is in the tow-net, too, that the
-floating ova of fishes, about which there has been so much discussion
-recently, are caught.
-
-The chemical and physical work done at sea is chiefly the collection
-of samples of water and the observation of temperature. Water from any
-moderate depth is collected by lashing a bottle to the sounding-line
-and lowering it to the proper point; the stopper is then pulled out
-by a cord and the bottle allowed to fill. The water in the bottle
-is not changed in its ascent, as the mouth is narrow and it always
-hangs vertically. When the sea is rough or the depth is great, it
-is necessary to employ some other means. The ‘slip-water-bottle’ is
-convenient for most purposes. It consists of a brass disc covered
-with india-rubber, and supporting a central column to which the line
-is attached. This is lowered to the required depth, and then a hollow
-brass cylinder, open below, but closed above except for a hole that
-just allows the line to pass, is allowed to slip down the line. The
-base of the cylinder strikes on the rubber-covered disc, and securely
-incloses a sample of the water, which is run off by a stop-cock into
-a bottle after the whole has been hauled on board. The water must
-always be brought to the laboratory in stoppered bottles, which are
-entirely filled, and have had the stoppers tied down from the moment of
-collecting.
-
-The temperature of surface-water is usually taken by drawing a
-bucketful and placing an ordinary bath-thermometer in it for a few
-minutes. The precautions of hanging the thermometer in the centre of
-the bucket and placing it in the shade must be observed. Temperature
-at greater depths may be observed in several ways. Three methods
-have been tried at the Marine Station. The first is by means of a
-‘cistern-thermometer,’ used by the late Sir Robert Christison for
-ascertaining the temperature of the water in the deep Scottish lochs,
-which was presented to the Station by Sir Alexander Christison. It
-consists of a thermometer, the bulb of which is in the centre of a
-conical copper vessel capable of containing about five pints. When
-this is lowered into the sea, the water passes through the instrument;
-but on hauling up, the valves on the upper side are closed, and it
-is brought on board full of water from the greatest depth it had
-reached. Experiment shows that the water has not had time to change
-its temperature in the few minutes that elapse between collecting it
-and reading the thermometer. A more common instrument, though one not
-found so suitable for use in shallow water, is the Miller-Casella
-thermometer, the form chiefly employed on the _Challenger_. It is
-a self-registering thermometer with a maximum and minimum arm,
-which register the highest and lowest temperatures met with in each
-immersion. As the temperature of the sea almost invariably decreases
-with increase of depth, the lowest temperature is considered to be that
-of the lowest point reached.
-
-The third form of thermometer has been found the most convenient, and,
-with some modification, the best for the purposes of the Station. It
-is Negretti and Zambra’s deep-sea thermometer, and its principle is
-that when the temperature of the water is attained by the thermometer
-the instrument is made to turn over; the mercury column always breaks
-at the same point, a contraction near the bulb; the part which
-had been beyond the bulb remaining in the inverted tube, which is
-graduated so as to show the temperature at the moment of inversion.
-Its great advantage is that no subsequent change of temperature
-affects the instrument until it is set again. Its great defect is that
-it is difficult to be sure when it has turned over. The simple and
-ingenious inverting mechanism of Magnaghi is hardly trustworthy; but an
-improvement has been effected, in consequence of the experience gained
-at the Scottish Station, which makes the turning of the thermometer, or
-of any number of thermometers on the same line, a matter of certainty.
-
-The transparency of the water is measured roughly by noting the depth
-to which a large white disc continues visible when immersed. In the
-course of a trip from Grangemouth to the Isle of May, the colour of the
-water was observed to vary from dirty yellow to clear blue-green; and
-the disc, at first visible only three feet below the surface, was seen
-at a depth of six feet at Inchgarvie, at fifteen feet off Inchkeith,
-and at no less than sixty feet a little east of the May. Although the
-water of the upper reaches of the firth has been rendered muddy by the
-admixture of river-water, that at the May Island remains beautifully
-clear.
-
-The routine-work of a biological and chemical laboratory is not of
-much interest to most people. For every day of collecting, with its
-fresh sea-air and new sea-sights, there must be several spent on the
-Ark in preserving the specimens, pressing plants, dissecting, mounting
-microscopic objects, observing densities, analysing water, calculating
-results, and such things; and all this work does not always tend to
-preserve an odourless atmosphere.
-
-It is not intended that the Marine Station shall long continue of its
-present small dimensions. The experiment, so far as it has gone, has
-been so successful that it is now proposed to erect a large house on
-shore near the quarry, where there will be commodious laboratories,
-large aquaria, and rooms for the accommodation of the workers. In
-the meantime, Mr Irvine of Royston has generously given the use of
-an old manufactory which stands close to the sea beside the quarry.
-It was formerly used as a tannery, and so contains a number of large
-water-tight tanks built in the ground. There is a steam pumping-engine;
-and a very simple modification of the existing pipes will secure
-the supply of abundance of sea-water. The tanks will be used for
-experiments on fish-breeding; and the buildings in the works can be
-employed as laboratories without much alteration.
-
-The Marine Station is intended to be a centre from which branches will
-extend to other parts of the country. It is in contemplation to erect
-a permanent marine observatory on the Clyde; and there will also be a
-portable station, probably a floating laboratory on the plan of the
-Ark, which can be taken to any part of the coast where it is desirable
-to make an extended series of observations.
-
-The Granton Station is, with the exception of an annual grant of three
-hundred pounds from the Scottish Meteorological Society, entirely
-supported by voluntary subscription; and the heartiness with which the
-appeals to the public have been responded to by donations of money,
-apparatus, and material, shows how thoroughly the people of Scotland
-realise the importance of the work which is being done. The Government
-Grant Committee of the London Royal Society has made certain allowances
-to the members of the scientific staff for special researches; but this
-is not in any sense a government endowment of the Station, the Treasury
-having definitely refused to give any money for such a purpose.
-Although government support is an extremely desirable thing, the
-willing aid of an enlightened public is still better, and the Scottish
-Marine Station at Granton has this aid.[1]
-
-
-FOOTNOTES:
-
-[1] We will be glad to receive and acknowledge any donations in aid of
-the Granton Marine Station.—ED. _C. J._, Edinburgh.
-
-
-
-
-BY MEAD AND STREAM.
-
-
-CHAPTER XXXIX.—THE OTHER SIDE.
-
-It seemed very curious to Madge that she should become the confidant
-of those two men, with whose fate that of her mother had been so sadly
-associated. She was thrust into the ungracious position of arbiter
-between them; she had to decide whether or not the one was false and
-treacherous, or the other the victim of his own hasty passion and
-self-deceived in his accusations. She was satisfied that Mr Beecham had
-spoken under the conviction of the truth of what he told her; and Mr
-Hadleigh had just shown her that—if innocent—he could be magnanimous,
-by his willingness to meet in friendliness one whom he had so long
-regarded as his implacable foe.
-
-The position involved so much in the result to her and to Philip, that
-she felt a little bewildered, and almost afraid of what she was about
-to hear. But she could forgive: that knowledge steadied her.
-
-Mr Hadleigh with his formal courtesy asked her to be seated. He stood
-at the window, and she could see that the white gloom of the coming
-snowstorm was reflected on his face.
-
-‘May I inquire where you have met Mr Shield?’
-
-She was obliged to reply as she had done to a question put by Philip,
-which, although different, was to the same purport: ‘I may not tell you
-yet.’
-
-‘Philip knows that you have met him?’
-
-‘No.’ It was most uncomfortable to have to give these evasive answers,
-which seemed to make her the one who had to give explanations. She
-observed that Mr Hadleigh’s heavy eyebrows involuntarily lifted.
-
-‘I ought not to have asked. Pardon me.’
-
-Something in his tone and manner plainly showed that he had penetrated
-her secret and Mr Beecham’s.
-
-‘I am sorry not to be able to give you a direct answer.’
-
-‘It does not matter,’ he said with a slight movement of the hand, as
-if he were putting the whole subject of her acquaintance with Shield
-aside. ‘I know, from the exclamation you made a little while ago, that
-he has told you with all his bitterness why he and I have not been
-friends.’
-
-‘There was no bitterness, Mr Hadleigh, but much sadness.’
-
-‘I am pleased to hear it, and I will try to give you my explanation in
-the same spirit. First about George Laurence. I never heard his name
-until after my marriage; and it is therefore unnecessary to say that
-when I did hear it, and learned the nature of his former relations with
-my wife, it was not possible for me to receive him in my house, or for
-him to regard me as a desirable acquaintance. There were unfortunate
-consequences following upon this peculiar position; but they may pass.
-They made my life a hard and solitary one.’
-
-He paused, and as he looked out into the dull atmosphere, the vague
-stare in his eyes, as if he were seeking something which he could not
-see, became pathetic. Madge began to understand that expression now,
-and the meaning of the melancholy, which was concealed from others
-under a mask of cold reserve. She sympathised, but could say nothing.
-
-‘I never spoke to the man, and saw him only a few times. But
-acquaintances of mine, who thought the news would be agreeable to me,
-told me of his ways of life and predicted the end, which came quickly.
-The mistake made by Philip’s mother and Mr Shield was in believing
-that it was not until after her marriage that Laurence neglected his
-business and took to dissipation. Men who had known him for several
-years previous to that date informed me that his habits were little
-altered after it. Nights spent in billiard-rooms and other places;
-days wasted on racecourses and his fortune squandered. He attempted to
-retrieve all by one daring speculation. Success would have enabled him
-to go on for a longer or shorter time, according to the use he made of
-the money; failure meant disgrace and a charge of fraud. He failed, and
-escaped the law by taking poison.’
-
-‘Are you sure of this?’ ejaculated Madge, startled and shocked by this
-very different version of the sentimental story she had heard.
-
-‘I will show you the newspaper report of the inquest, and a copy of the
-accountant’s report to the creditors on what estate was left. They will
-suffice to satisfy you that there is no error in anything I have said.’
-
-‘Why was it that Mr Shield, who was his most intimate friend, knew
-nothing of this?’
-
-‘He must have known something, but not all. His ways were quiet and
-studious, and what he did see, he did not regard with the eyes of
-experience. I do not think that Laurence attempted to deceive him; for
-men who fall into his course of life soon become blind to its evils and
-consequences; and so, without premeditation, he did deceive him. Mr
-Shield, being a man as passionate in his friendships as in his hates,
-would listen to no ill of his friend. But there is one thing more which
-I have never repeated, and never until now allowed any one over whom I
-had influence to repeat. You, however, must learn it from the lips of
-one who witnessed the scene.’
-
-He rang the bell, and Terry the butler appeared. It was one of Mr
-Terry’s strict points of discipline in his kingdom below stairs that
-without his sanction no one but himself should answer the drawing-room
-bell. Obeying a motion of the master’s hand, he advanced with a portly
-gravity becoming the dignity of his office.
-
-‘You were an attendant in the Cosmos Club about the date of my
-marriage?’ said the master.
-
-‘I was, sir, then, and for six months before, and a good while after.’
-
-‘You recollect what was said about the marriage a few evenings after it
-took place?’
-
-‘Perfectly, sir, because you told me to write it down, as you thought
-some day it might be useful to you.’
-
-‘The day has come. Tell us what you heard.’
-
-‘There was a small dinner-party in the strangers’ room, and I had
-charge of it. The gentlemen were particularly merry, and in fact
-there was a remarkable quantity of wine used. Your marriage, sir, was
-mentioned; and Mr Laurence, who was the gayest of the company, although
-he took less wine than any other gentleman, proposed the health of the
-happy couple. I recollect his very words, sir. He says: “I was in the
-swim for the girl myself; but this beggar, Hadleigh, cut me out; that
-was luck for me, so here’s luck to them;” and the toast was drunk with
-perfect enthusiasm. Mr Laurence made away with himself some time after;
-and I heard the gentlemen whisper among themselves, when referring to
-the sad event, that it was a question of doing that or of doing a spell
-of penal servitude. That’s all, sir.’
-
-The master nodded: Mr Terry bowed and retired with the portly gravity
-with which he had entered.
-
-Mr Hadleigh turned to Madge. The butler’s story produced the effect
-desired: she was convinced, for she felt sure that no man who loved
-could speak so lightly—or speak at all—of the woman he loved in a
-company of club bacchanalians.
-
-‘But why did you not tell this to Mr Shield?’ was her reproachful
-exclamation.
-
-‘Because he would not listen to anything I had to say. From the time
-of the marriage until after the death of Laurence, we never met. Then
-he came to me, mad with passion, and poured out a volley of abuse. I
-was patient because he was her brother; and silent because it was as
-hopeless to expect a man drunk with rage to be reasonable as one drunk
-with alcohol. In his last words to me he accused me of murder. We have
-never spoken together since.—Do you think me guilty?’
-
-‘I do not believe it,’ she replied decisively; ‘nor would he have
-believed it, if what you have told me had been made known to him in
-time.’
-
-‘I am grateful to you,’ said Mr Hadleigh, bending his head; ‘but I
-perceive you do not know Mr Shield. Time and solitude alter most men,
-and they must have had a peculiar effect upon him to have enabled him
-to make such a deep impression on you. He used to be obstinate to the
-last degree, and once he had formed an opinion, he held to it in spite
-of reason.’
-
-‘He must be changed indeed, then, Mr Hadleigh. I am sure that when he
-had had time to think, he would have understood it all but’——
-
-She paused; and his keen eyes rested searchingly on her troubled face.
-
-‘I know what you would say, and I see that you have doubted me. Ah
-well, ah well; it is a pity; but that, too, shall be made clear to you,
-I trust.’
-
-She looked up again hopefully.
-
-‘Oh, if you will do that!’ The tone was like that of an appeal.
-
-‘It can be done, I think.... You have been told that it was I who, in
-my enmity to Shield, took advantage of his long absence and silence to
-set abroad the report that he was married. I did not. The story was on
-the tongue of everybody hereabouts for months, and I, like the rest,
-believed it. There are only two men who would have said that I spoke
-the falsehood—the one is the man who invented it; the other is Shield
-himself.’
-
-‘You knew the man?’
-
-‘I did.’
-
-‘Then why, why did you not denounce him in time?’
-
-‘Because I did not know him until after your mother’s wedding; and then
-I thought she would learn the truth only too soon for her peace of
-mind.’
-
-‘How did you discover him, then?’
-
-‘The scoundrel revealed himself. He came to me, and insolently told me
-that, knowing the state of affairs between Shield and me, he thought
-he would do me a good service. So he had given him a blow which he
-would not get over in a hurry. I knew something of the man, and at once
-suspected his meaning. I inquired how he had struck the blow; and he
-explained that it was he who had brought about matters so that when
-Shield came home he found his sweetheart already married to somebody
-else.’
-
-Poor Madge was weeping bitter tears in her heart, but there were none
-in her eyes: they were full of eagerness and wonder. She was drawing
-nearer and nearer to the truth, which would enable her to effect the
-purpose Philip so much desired.
-
-‘It is the advantage of my nature,’ Mr Hadleigh went on calmly, ‘that
-I can listen to a scoundrel without losing temper. On this occasion, I
-asked how he knew that Shield had returned. “I have seen him,” he said;
-“and he is cut up enough to please even you. Now, having done this
-job for you, I expect you to give me something for my trouble.”—“How
-much?”—“A hundred is not too much to ask for the satisfaction of
-knowing that your bitterest foe has got it hot.”—I asked him to write
-down that he had been the first to report in the village that Austin
-Shield was married, although at the time he had no authority for the
-statement.—“That looks like a confession,” he said.—“Exactly. I mean it
-to be one.”—After thinking for a moment, the fellow said: “All right;
-it won’t matter to me, for to-morrow I am off to the diggings.”’
-
-Mr Hadleigh stopped and looked out at the window again, as if the scene
-he was recalling even now filled him with indignation. He resumed:
-
-‘When he had written the memorandum and signed it, I told him my
-opinion of his villainous transaction, and threatened to have him
-horsewhipped through the village. At the same time I rang the bell.
-Although disappointed, “Bah!” said he; “I always thought you were a
-sneak, without the pluck to give the fellow who hates you a hiding.
-Shield has the right stuff in him; he gave me the money for telling him
-that you employed me to tell the lie. That paper you swindled out of
-me isn’t worth a rap. You have no witnesses.”—He got out of the room
-before I could reach him, and escaped pursuit.... He was right; the
-paper was useless to me.’
-
-‘Who was the man?’
-
-‘Richard Towers. Your aunt will tell you what a scamp he was.’
-
-‘But what motive could he have for such a cruel wrong?’
-
-‘Unknown to Shield, he was his rival; and it was his own satisfaction
-he sought in spreading the falsehood, as it was his own interests he
-served by endeavouring to make capital of it out of both Shield and me
-by playing upon the unfortunate misunderstandings between us.’
-
-Madge was now calm and thoughtful. She, too, saw what a powerless
-instrument the villain’s memorandum was unless it could be proved that
-he had written it. Who would not say Mr Hadleigh himself had written
-it, to escape blame?
-
-‘Have you got the memorandum still?’ she asked suddenly. ‘Will you give
-it to me?’
-
-‘But it is useless, except to satisfy those who trust me that I had no
-part in the disgraceful affair.’
-
-‘It is not quite useless, Mr Hadleigh. There are letters bearing that
-man’s name amongst my grandfather’s papers, and Mr Shield can compare
-the handwriting. That will be enough to assure him that you are
-blameless, even if he be so ungenerous as you imagine. Give me the
-paper.’
-
-A clever thought; and Mr Hadleigh was struck by her quickness in seeing
-it and the energy with which she took up his cause. He did not know
-that she was working for Philip.
-
-‘You will make a good advocate,’ he said with that far-off look in his
-eyes. ‘You shall have the paper. It is in the safe in my room.’
-
-‘Thank you, thank you! I will wait here till you send it to me.’
-
-(_To be continued._)
-
-
-
-
-THE LARGEST STATUES IN THE WORLD, ANCIENT AND MODERN.
-
-
-A piece of interesting news comes to us from Egypt regarding a
-discovery recently made in Lower Egypt, by Mr Flinders Petrie, of
-the fragments of a colossal statue of King Rameses II., which,
-calculating the height from the fragments which remain, must have stood
-considerably over one hundred feet in height! The material employed
-is granite; and the executing of such a work in such a material, and
-when completed, rearing it into position, must have involved a profound
-knowledge not only of high art but of engineering skill. Is it possible
-that the statue could have been cut out whole in one piece? If so, what
-lever-power did the Egyptians possess to raise such an enormous weight
-into a perpendicular position?
-
-Certain it is that these ancient builders knew well how to get over,
-and did get over, prodigious difficulties, as witness their obelisks,
-and the enormous stones which compose the platform of the magnificent
-Temple of the Sun at Baalbec. As there is no stone quarry near, how
-these vast stones could possibly have been conveyed thither in the
-first place, and then raised to their position, has been an enigma
-to all modern architects and engineers by whom the temple has been
-critically examined, and who have freely confessed that, even with all
-our modern science of steam-cranes, hydraulic jacks, and railways,
-the transport and raising of such immense cyclopean masses would have
-undoubtedly presented many serious difficulties, if indeed it could be
-accomplished at all.
-
-Many of our readers will doubtless remember Mr Poynter’s grand picture
-in the Royal Academy of London, a few years ago, entitled ‘Israel in
-Egypt.’ It represented an enormous mass of sculpture mounted on a
-wheeled truck, dragged along by hundreds of the unfortunate captive
-Israelites, who are smarting under the whips of their cruel drivers.
-Mr Poynter had good authority for his ‘motive-power’ as shown in his
-picture. So far as we can discover from ancient works or ancient
-sculptures, the hugest stone masses were transported mainly by force of
-human muscles, with few mechanical expedients. Levers and rollers seem
-to have been almost, if not altogether, unknown. The mass was generally
-placed on a kind of sledge, the ground over which it was to pass
-lubricated with some oily substance, and the sheer strength of human
-shoulders was then applied.
-
-The most colossal and by far the most remarkable statue of modern
-days is that most elaborate and rather eccentric gift of the French
-nation to the people of America. Not only is it remarkable for its
-enormous height and gigantic proportions, but for the very singular
-and ingenious manner in which it has been constructed, so singular,
-indeed, that at first sight it is somewhat difficult to comprehend the
-manner in which it has been built up piece by piece, especially when
-we mention that the several pieces of copper composing the figure have
-_not_ been cast. How, then, have they been made? This we will try to
-explain.
-
-The statue is a female figure of Liberty, having on her head a crown,
-and holding aloft in her hand a torch. The figure is one hundred and
-five feet high; but, reckoning the extreme height to the top of the
-torch, the marvellous altitude of one hundred and thirty-seven feet
-nine inches is reached. The statue is to be reared on a pedestal of
-solid granite eighty-three feet high, so that the entire work will
-rise to the immense height of two hundred and twenty feet nine inches!
-The artist is M. Bartholdi (the family name, by-the-bye, of the great
-composer best known as ‘Mendelssohn’).
-
-Having first carefully constructed a model in clay about life-size,
-this was repeatedly enlarged until the necessary form and size were
-obtained. The next step was to obtain plaster-casts from the clay,
-and these casts were then reproduced by clever artists in hard wood.
-The wooden blocks were then in their turn placed in the hands of
-coppersmiths, who by the hammer alone, it is stated, gave the copper
-sheets the exact form of the wooden moulds or models; and thus, in this
-peculiar and laborious manner, the outside copper ‘skin’ of the statue
-was formed and, to all outward appearance, completed. But as the copper
-is only one-eighth of an inch thick, an inner skin is also provided,
-placed about a foot behind the first, whilst the intermediate space
-will be filled in with sand, especially at the lower extremities, to
-give the whole a steadfast foundation.
-
-The stability of the figure will not, however, be left to depend
-solely on these sheets of thin copper and loose sand; and therefore
-the interior, from top to bottom, will be strengthened by a framework
-of girders and supports, by which the whole will be knit together in
-one firm, compact, unyielding mass. As the sheets of copper and the
-interior framework are simply secured in the ordinary manner by rivets,
-when it is desired to remove this metallic mountain, all that has to
-be done is to unrivet the several plates, take down, and pack on board
-ship for New York.
-
-It is proposed to place this gigantic ‘Liberty’ on Bedloe’s Island,
-a very small islet lying about two miles south of the Battery and
-Castle Garden, the lowest point of the island of Manhattan on which
-the city of New York is built, so that travellers approaching the city
-by water on that side will get a fine view of the statue of ‘Liberty
-enlightening the World.’
-
-This mighty work of art, after many years of close and anxious
-labour, has recently been formally handed over by M. Jules Ferry to
-the minister of the United States, as a free gift from the people of
-France to the people of America—a token of love and admiration from
-the one republic to the other—and measures are being adopted to take
-the statue to pieces, with a view to its immediate transmission to New
-York, in which go-ahead city we shall doubtless soon hear of its final
-erection.
-
-If Mr Flinders Petrie’s discovery of the remains of the gigantic statue
-of Rameses II. in Lower Egypt, one hundred feet high of solid granite,
-is the largest statue of antiquity, the ‘Liberty’ of M. Bartholdi may
-certainly take rank as the most colossal production of modern days.
-
-
-
-
-A GREENROOM ROMANCE.
-
-
-IN THREE SCENES.—SCENE I.
-
-Mr Percy Montmorency was seated in front of a looking-glass in his
-dressing-room at the Pantheon Theatre, habited in the costume of
-Charles Surface, with the perruquier in attendance. The name of
-‘Montmorency’ was merely a _nom de théâtre_ assumed by Harry Stanley
-when he adopted the somewhat singular resolution of ‘fretting and
-strutting his hour’ on the boards of a metropolitan theatre; for
-Mr Stanley was the only child of his father Colonel Stanley, and
-consequently heir to that gallant officer’s estates in Yorkshire
-and elsewhere. For the rest, he was three-and-twenty, undeniably
-good-looking, and endowed with considerable abilities. Having completed
-the arrangement of the powdered wig, the perruquier withdrew a pace and
-contemplated the effect with well-simulated admiration. ‘Mr Charles
-Mathews never looked the part better, sir.’
-
-The actor seemed to coincide in the opinion of his flattering
-attendant, for he rose, and surveyed himself in the glass with
-admiration, which he made no attempt to conceal.
-
-‘A good house, Jackson?’
-
-‘Capital, sir. But a little cold. They’ll warm up when _you_ go on,
-sir.’
-
-‘Tell the call-boy I want him, Jackson.’
-
-Jackson withdrew; and Montmorency surrendered himself to a mental
-soliloquy, which assumed somewhat of this form: ‘I wonder what my
-father wishes to see me about? The same old story, I suppose—the folly
-and wickedness of the step I have taken. Well, of one thing I am
-certain: I am much better off in my present position, than wedded to
-that Barbadoes girl, Miss Anstruther, in spite of her money-bags, and
-whom I have never seen.’
-
-These reflections were put an end to by the entrance of the call-boy.
-
-‘If a gentleman giving the name of Colonel Stanley should call, show
-him in here.’
-
-‘He is outside, sir,’ replied the boy.
-
-‘Show him in at once,’ whereupon there entered a small wizen-faced old
-gentleman, with snow-white hair, and supporting himself on a stick.
-Montmorency advanced, shook hands with a great show of cordiality, and
-placed a chair, on which Colonel Stanley slowly seated himself, gazing
-round the small apartment with an unfeigned expression of curiosity.
-‘So this is a theatrical dressing-room. You are pretty snug.’
-
-The room certainly deserved the encomium of the old colonel. Paintings
-in oil and water colours nearly covered the walls; fancy pipes and
-cigar-boxes and scent-bottles littered the tables; a case of champagne
-reposed in one corner, while in the other was a small pile of seltzer
-water.
-
-The colonel, after indulging in a sigh, proceeded: ‘I have called,
-Harry, before I return to Yorkshire, to make one more appeal to you to
-give up your present mode of life, settle down as a landed proprietor
-in your native county, and marry Miss Anstruther.’
-
-It was now the turn of the young man to sigh as he replied:
-‘Impossible, my dear sir. I am already wedded—to the stage.’
-
-‘That may be; but unions can easily be dissolved by a divorce,
-especially in these days.’
-
-‘Not where the contracting parties are so attached to each other as
-I am to my profession. No, sir. If a man could take a wife on lease,
-for seven, fourteen, or twenty-one years, the case would be different.
-But the feeling that my lot in life was fixed—cut and dried, so to
-speak—the matter won’t bear a thought.’ The young man felt strongly
-inclined to indulge in a stage-walk, but the limited area of the
-apartment forbade such a physical relief. If the reader should consider
-the remarks of the actor somewhat flippant, it must be borne in mind
-that no one whose character did not fall under that definition would
-have acted as Harry Stanley had done.
-
-The old man scowled as he resumed: ‘I wonder you can respect yourself,
-dizened out and painted like a mummer at a pantomime.’
-
-‘I am of the same calling as the glory of England, Shakspeare the
-actor’——
-
-‘And poet—you forget that, sir—poet, sir,’ sharply retorted the colonel.
-
-‘I can assure you, sir, we have men of good family playing very
-small parts to-night. Trip took honours at Oxford, and Backbite is a
-Cambridge man.’
-
-‘Pray, sir,’ replied the colonel, ‘if that be the case, why do you all
-sail under false colours? Why resign the honoured name of Stanley for
-the Frenchified one of Montmorency?’
-
-The young man bowed as he responded: ‘Out of deference to the shallow
-scruples of the narrow-minded portion of Society.’
-
-‘Of which I constitute a member, eh?’
-
-It was in a more conciliatory tone that his son took up the argument.
-‘Pray, sir, let me ask you a question. Do poets and novelists never
-adopt a _nom de plume_? Did not Miss Evans style herself “George
-Eliot;” the late Governor-general of India, “Owen Meredith;”
-Mademoiselle de la Ramée, “Ouida;” Dickens, “Boz?”’
-
-‘That’ll do,’ interrupted the colonel. ‘Then one fine day you will be
-falling in love, as you call it, with one of these artful and painted
-sirens, and I shall find myself grandfather to a clown or a pantaloon!
-For, of course, you will bring up your offspring to _the_ profession,
-as you call it, as if there were no other profession in the world.’
-
-His son and heir drew himself proudly up as he replied: ‘No, sir; I
-trust I shall never forget that I own the honoured name of Stanley.’
-
-The colonel remained silent for several moments ere he observed: ‘I
-shall never understand why you declined even to see Miss Anstruther.’
-
-‘Because the very fact that the lady was labelled my future wife,’
-replied his son, ‘would have caused me to detest her at first sight.’
-
-The old colonel rose from his seat. ‘I can see very plainly that I am
-wasting both your time and my own.—I suppose you will have to do a
-little “tumbling” presently?’
-
-‘I do not make my first entrance till the third act. If you will go in
-front, you can have my box.’ Montmorency rang the bell as he spoke, and
-when the call-boy appeared, directed him to show his visitor into box A.
-
-The actor was indulging in a sigh of relief, when a head appeared at
-the half-closed door, and a voice exclaimed: ‘May I come in?’
-
-Montmorency bounded from his chair as he seized hold of the extended
-hand and drew the owner into the room. The new-comer was a young man
-of about the same age as the actor, and was habited in modern evening
-dress. Montmorency wrung the hand of his friend Vallance, and forced
-him into a seat. ‘Delighted to see you, Jack! Have a weed and a
-seltzer?’
-
-In a few seconds the two young men were similarly occupied, and
-immersed in the consumption of a couple of choice Partagas.
-
-The actor opened the ball. ‘You must have met an elderly party in the
-passage. That was the governor. He is very irate because I won’t fall
-in love by word of command, and marry Miss Anstruther, whom I have
-never seen.—By-the-bye, _you_ have seen her. What is she like?’
-
-‘A lovely girl,’ replied Vallance. ‘I met her at a ball at Scarborough,
-soon after her arrival from the West Indies. Faith, Harry, you might do
-worse.’
-
-‘And might do better; eh, Jack? But your ideas of beauty are so
-opposite to mine, as I remember of old. Now, if you wish to see a
-perfect vision of loveliness, go in front and see Fonblanque, the Lady
-Teazle of to-night.’
-
-‘You mean _Miss_ Fonblanque, I presume?’
-
-‘Exactly. The prefix “Miss” is frequently omitted in theatrical
-parlance. She is bewitching!’
-
-Vallance shakes his head. ‘Have a care, Harry. It would be a pity if
-you allied yourself with some unknown adventuress, after refusing the
-rich Miss Anstruther.’
-
-‘Well, to be candid, Jack, I _am_ afraid of myself. If I did not
-constantly call to my mind the fact that I am a Stanley, I should
-speedily succumb to the charms of the divine Fonblanque, so there is
-some benefit arising from birth after all.’
-
-‘And how long do you mean to pursue this mad freak of yours?’ inquired
-Vallance.
-
-‘Till I hear on good authority that the troublesome Miss Anstruther is
-engaged, or married.’
-
-‘And then?’
-
-‘Why, then I quit the mimic stage as suddenly as I entered upon it.’
-
-‘Meanwhile!’ ejaculated Vallance with an incredulous smile.
-
-‘Meanwhile,’ replied Montmorency loftily, ‘I contribute to the “gaiety
-of nations,” as Johnson said of Garrick; and therefore consider myself
-a far better member of society than a successful general, who has
-killed so many hundreds of his fellow-mortals; or a lawyer, who has set
-whole families by the ears in order to fill his pockets; or a doctor,
-who, as Tobin says, spends the greater part of his time in writing
-death-warrants in Latin.’
-
-Vallance examined his finger-nails for a few seconds, and after an
-embarrassing pause, said: ‘Harry, I am about to make a confession.’
-
-‘I cannot promise you absolution, Jack.’
-
-Vallance proceeded: ‘On the memorable night when I first beheld Miss
-Anstruther at the ball at Scarborough, I fell over head and ears in
-love with her.’
-
-‘You fell in love with her, did you!’ repeated Montmorency, in a tone
-of some annoyance. ‘You mean with her banking account. Remember, you
-are in the confession box.’
-
-‘On my honour, no!’ replied Vallance. ‘As you are aware, I could not
-afford to marry a penniless girl; but if I were as rich as Rothschild,
-and Miss Anstruther a pauper, I would marry her to-morrow, if she would
-have me.—You do not seem to like the idea?’
-
-‘Humanity is a strange compound, Jack. It grates upon my sense of
-propriety that any one else should step into my shoes and wed the woman
-intended for my wife, yet whom I have vowed never to marry.’
-
-‘Why, what a dog in the manger, you are!’
-
-‘I would not so much mind if a stranger were to win the heiress; but
-to know her as your wife, Jack, for the remainder of my existence, to
-repent probably of my obstinacy—— You are not in earnest, Jack?’
-
-‘Ah, but I am!’ replied Vallance, inwardly murmuring: ‘May I be
-forgiven the lie!’
-
-After a brief mental struggle, Montmorency continued: ‘Well, success
-attend you. You are a lucky fellow to walk off with such a prize; while
-I—I shall remain a humble stage-player.’
-
-‘Remember the peerless Fonblanque, Harry.’
-
-‘Ah! you are right. There is beauty, talent, wit, elegance, refinement,
-all enshrined in the admirable Lady Teazle of to-night. I shall now no
-longer hold back. To-night I shall know my fate. You have applied the
-touchstone.’
-
-The shrill voice of the call-boy now uttered the words ‘Charles
-Surface.’
-
-‘There is my call. So adieu for the present. Go in front, and call for
-me at the end of the show; and we will have a steak at the _Albion_
-together, and drink to the speedy nuptials of my _bête noire_, Miss
-Anstruther.’
-
-‘With whom?’
-
-‘Any one! I care not—no offence, Jack—so I am free.’
-
-Vallance proceeded straight to box A, and having tapped at the door,
-found himself face to face with Colonel Stanley, who eagerly exclaimed:
-‘Well, Vallance, has my plan succeeded?’
-
-‘I fear not, sir.’
-
-‘Give him a second dose the first opportunity. I never knew it fail.
-If you want to make a man fall in love with a particular woman, tell
-him she is half engaged, and she will instantly go up twenty per cent.
-in his estimation. That is how I came to marry his mother. Directly
-my father told me that Fred Spencer was mad after her, and that she
-was half inclined to marry him, I rushed to the attack, stormed the
-fortress, and carried off the prize! _I_ wasn’t going to let that puppy
-Spencer march off with her. A fellow with not a tithe of my personal
-recommendations.’ Here the colonel paused, as he beheld the countenance
-of his auditor completely engrossed with the scene; for in the lovely
-Lady Teazle of the play, Jack Vallance had recognised the West Indian
-heiress, Emily Anstruther!
-
-
-SCENE II.
-
-Along one of the tortuous passages leading to the dressing-rooms, a
-gentleman is conducting a lady, preceded by the dresser. They have
-evidently come from the audience part of the theatre, as they are
-both in modern evening dress. Presently the dresser pauses at a door,
-and after tapping, enters; and returns to invite the lady to invade
-the sacred precincts of the dressing-room of Miss Fonblanque, the
-representative of Lady Teazle. After a few whispered words to her
-escort, the lady accepts the invitation, and in another moment is
-clasped in the embrace of the actress. ‘My dear Julia!’
-
-‘My darling Emily!’
-
-Certainly, Lady Teazle fully deserved the rapturous praises of
-Montmorency. Her lovely dark eyes shone all the brighter from the
-contrast to the powdered wig; while her splendid figure was displayed
-to the utmost advantage by means of her handsome brocaded dress.
-
-‘And so you recognised me under these tinsel robes, Julia?’
-
-‘Your voice is unmistakable; I should have known it anywhere,
-Emily.—When do you intend to return to your own sphere?’
-
-‘First tell me, Julia, how you managed to penetrate these sacred
-precincts?’
-
-‘Oh! my husband, who knows everybody, said he could at once accomplish
-it, directly I told him you were my old schoolfellow at Barbadoes.—Now,
-answer me my question, there’s a dear!’
-
-‘I _have_ found my proper sphere; I am free, popular, and admired.
-Instead of one admirer, I have hundreds, and the number is increasing
-nightly. What can woman wish for more?’
-
-‘I’ll tell you, Emily: a nice husband, and domestic bliss.’
-
-The actress indulged in a scarcely audible sigh. ‘That might have been
-my lot. I mean the domestic bliss part of the affair, if I had not had
-it dinned into my ears from morning till night that there was only one
-road to happiness—a union with Mr Stanley, whom I have never seen.’
-
-‘You might have liked him very much.’
-
-‘Impossible, my dear Julia. The very fact of a man being ticketed like
-a prize animal at a show, and then his being introduced to you as your
-certain and future husband, would be quite sufficient to make me detest
-him.—No, Julia; when _I_ marry, I will myself make the selection, and
-he must be one who is ignorant that his intended is a rich heiress.’
-
-‘That will not be a very easy matter to accomplish, Emily.’
-
-‘Listen, Julia, and I’ll tell you a secret. There is a young man
-acting in this company—a Mr Percy Montmorency. He is all I could
-wish—handsome, clever, accomplished, and vastly agreeable.’
-
-‘Then you have _made_ your selection?’
-
-‘Not so, Julia. His profession renders our union impossible. He may
-be heir to a peerage; he may be a lawyer’s clerk. There is the most
-delightful mystery as to our antecedents, we play-actors! For instance,
-who would suppose that I was the rich West Indian heiress, who utilised
-her amateur theatrical talents, and adopted her present profession? And
-all in order to escape being pestered into an unwelcome and distasteful
-marriage. Heigh-ho! I wish I had never seen this captivating fellow.’
-
-Mrs Sydney sighed as she rejoined: ‘Ah, Emily, there is the danger
-of your present mode of life. Before you know where you are, finding
-yourself over head and ears in love with some handsome fellow, even of
-whose very name you are ignorant. As to the position in society of his
-progenitors, that is a point which would require the research of the
-Society of Antiquaries.’
-
-The actress looked solemnly in the face of her friend, and taking both
-her hands within her own, replied: ‘Julia, there is a fascination in
-the life of a successful actress, of which you can form no conception.
-There is the delight of selecting the costume you are to wear on
-the eventful evening. No trifle to a woman, as you will admit. Then
-there is the actual pleasure of wearing it, not for the sake of some
-half-dozen friends, whose envy in consequence is a poor reward, but the
-object of admiration to hundreds of spectators nightly! Then, instead
-of monotonous domesticity, executing crewel-work to the accompaniment
-of the snoring in an armchair of a bored husband, we have the nightly
-welcome from a thousand pair of hands, and the final call before the
-curtain amidst an avalanche of flowers! Your name on every tongue,
-your photo. in every print-shop in London, and your acts and deeds the
-subject of conversation at every dinner-table in the metropolis!’
-
-Mrs Sydney shook her head with a melancholy smile as the actress
-finished her oration. ‘I am still unconverted, Emily.’
-
-‘Quite right, Julia. If we were all actresses, there would be no
-audiences.’
-
-The inexorable call-boy here put a compulsory finish to the interview
-between the two friends, with the words ‘Lady Teazle.’
-
-
-SCENE III.
-
-Montmorency was seated in the greenroom at the conclusion of the play,
-engaged in that absent train of thought known as a brown-study. The
-more he saw of the fascinating Fonblanque, the more he was captivated.
-Every hour spent in her society but served to rivet more closely the
-chain which bound him to her. Should he condescend and make her an
-offer of his hand, she would naturally be influenced by a profound
-sense of gratitude, when she discovered that she had married a man
-of fortune and a Stanley! Whereas, if he had married the rich Miss
-Anstruther, he would have had her money-bags perpetually thrown in his
-face. A silver-toned utterance fell on his ears. Looking up, he beheld
-the subject of his cogitations.
-
-‘Allow me to congratulate you, Mr Montmorency, on your Charles Surface
-this evening. A double call before the curtain, and well deserved.’
-
-‘You are pleased to flatter me. The plaudits of the house to-night
-render any praise on my part of your Lady Teazle unnecessary. I regret
-that I am fated to lose so charming a compatriot.’
-
-Was it fancy that Montmorency imagined he detected a paler tint on the
-cheek of the actress, as she replied: ‘You are not going to leave us?’
-
-‘I fear so.’
-
-‘Wherefore?’
-
-‘You are the last person to whom I can confide the cause of my sudden
-departure.’
-
-Lady Teazle cast down her lovely eyes for a brief space, and then,
-in a voice in which the smallest possible _tremolo_ was perceptible,
-whispered: ‘Are you not happy here?’
-
-‘I fear, too much so,’ sighed Montmorency. ‘I have been living in a
-fool’s paradise lately.’
-
-‘How? In what way, Mr Montmorency?’
-
-‘I am in love.—You start. You do not believe in an actor, who is always
-simulating affection, ever falling under the influence of a real and
-veritable passion.’
-
-‘You wrong me; indeed, you do. The artistic nature is, and must be,
-more acutely sensitive than that possessed by ordinary mortals. Do I
-know the lady?’
-
-‘You see her every day—when you contemplate those charming features
-in the glass. Yes; it is _you_, Miss Fonblanque, whom I love, whom I
-adore!’
-
-How can we describe the flood of sensations which agitated the bosom of
-the heiress, as she listened to the avowal of affection from the lips
-of the only man she had ever loved! In low and trembling tones, she
-managed to reply: ‘Mr Montmorency, you are not rehearsing a scene in
-some new comedy?’
-
-‘I was never more serious in my life.’
-
-By this time, the pride of the Anstruthers had come to the assistance
-of the heiress. ‘I grieve very much that I cannot accept your offer. It
-is impossible.’
-
-‘Impossible! Why?’
-
-‘That I cannot explain.’
-
-‘We are both members of the same profession, and so far equal.’
-
-‘Pardon me,’ said Lady Teazle. ‘You know nothing of my antecedents,
-and’——
-
-‘And you know nothing of mine, you would say. Charming equality! Say,
-Miss Fonblanque, may I hope?’
-
-It was now the turn of the actress to sigh. ‘It would be cruel to raise
-hopes which can never be realised.’
-
-Montmorency let fall the hand which in his ardour he had seized, and
-drew himself proudly up. ‘That is your fixed answer?’
-
-‘It is.’
-
-Montmorency once more took possession of her taper fingers, and raising
-them to his lips, uttered the word ‘Farewell!’ and hastily left the
-greenroom.
-
-The dark melting eyes of the heiress gazed after his retreating figure,
-and large drops of moisture gathered in them. ‘I have half a mind to
-call him back,’ she mentally whispered.—‘No! I must remember I am an
-Anstruther.’
-
-Sinking on a couch, Lady Teazle felt her brain spinning round; then
-presently raising her eyes, she beheld—Mr Vallance!
-
-‘Have I not the honour of speaking to Miss Anstruther?’
-
-‘Since you recognise me, it would be affectation to deny my identity.
-Mr Vallance, may I ask you to preserve my secret?’
-
-‘From all save one individual—Mr Montmorency. Surely you knew that in
-the Charles Surface of this evening you beheld your rejected lover, Mr
-Stanley?’
-
-A film came slowly over the eyes of Miss Anstruther. ‘You are not
-joking, Mr Vallance?’
-
-‘The matter is too serious for jesting. But I will break a confidence.
-He loves you. He told me so half an hour ago.’
-
-The heiress could scarcely forbear a smile, as she reflected that
-her ears had drunk in the soft confession only five minutes ago. ‘Mr
-Vallance, will you do me a favour? Will you ask Mr Stanley to step
-here for a few minutes? But remember, you must on no account reveal my
-identity.’
-
-‘You may rely upon me, Miss Anstruther. I do not know what steps you
-mean to adopt; but there is no time to lose, for old Colonel Stanley is
-in front, and will, if he has recognised you, at once inform his son.’
-
-‘That is my fear; so haste.’
-
-Almost before the heiress could mature her plans, the rejected one
-appeared before her. He was very grave, and bowed with an air of deep
-humility, as the actress thus addressed him: ‘Mr Vallance and I are
-old acquaintances, so I commissioned him to ask you to return for a
-short time. I feel very anxious about our scenes in the _Hunchback_
-to-morrow. Would you mind running through the Modus and Helen scenes? I
-mean the second one.’
-
-Montmorency bowed. ‘With pleasure.’
-
-It would have been a lesson for half the actresses on the stage, could
-they have beheld the manner in which the saucy coquette of the play
-coaxed her lover, lured him on, fascinated him, and enveloped him in
-such a spell of witcheries, that no Modus that ever breathed could have
-been proof against her seductive wiles. The scene came to an unexpected
-termination, for Montmorency suddenly caught her in his arms, and as he
-held her clasped tight to his breast, exclaimed in rapid and excited
-tones: ‘This is not acting! If it be, you are the greatest actress that
-ever trod the boards. You love me! I see it in your sparkling eye; I
-read it in your blushing cheek! Say, am I not right?’
-
-Emily Anstruther remained perfectly passive in the arms of Harry
-Stanley, as she murmured ‘Yes!’
-
-The enraptured couple were so completely absorbed in reading love in
-each other’s eyes, that they had not observed the entrance of two
-gentlemen, Colonel Stanley and Mr Vallance.
-
-The old colonel was the first to speak. ‘Speak, sir! Is this a scene
-from a play?’
-
-By this time the heiress had left the sweet anchorage of her lover’s
-arms, and advancing to the old man, said: ‘Do you not recognise your
-godchild, Emily Anstruther?’
-
-But surprise had taken away the power of speech from the colonel.
-
-His son interposed. ‘I trust Miss Anstruther will acquit _me_ of any
-guilty knowledge of this fact—will believe that _I_ believed she was
-merely Miss Fonblanque the actress.’
-
-Emily Anstruther here cast down her eyes, while a deep blush mantled
-over her face and neck. ‘I am afraid _I_ am not equally innocent; for
-Mr Vallance informed me that I had refused my hated lover. But I have
-enough confidence in _his_ love for me, to hope for his belief in my
-unselfish love for _him_.’
-
-‘So you see, dad,’ exclaimed the younger Stanley, ‘Love not only rules
-the court, the camp, the grove, as the poet says, but does not disdain
-to flutter his wings in the greenroom.’
-
- _Author’s Note._—This story having been dramatised, and the
- provisions of the law as regards dramatic copyright having been
- duly complied with, any infringement of the author’s rights
- becomes actionable.
-
-
-
-
-HUMOROUS DEFINITIONS.
-
-
-A smart, pithy, or humorous definition often furnishes a happy
-illustration of the proverbial brevity which is the soul of wit. Wit
-itself has not inaptly been called ‘a pleasant surprise over truth;’
-and wisdom, often its near ally, is, in the opinion of a clever writer,
-‘nothing more than educated cunning.’ ‘Habits are what we learn and
-can’t forget,’ says the same author, who also defines silence as ‘a
-safe place to hide in,’ and a lie as ‘the very best compliment that
-can be paid to truth.’ ‘Show him an egg and instantly the air is full
-of feathers,’ said a humorist, defining a sanguine man. ‘A moral
-chameleon’ is a terse reckoning-up of a humbug. Man’s whole life has
-been cynically summed up in the sentence, ‘Youth is a blunder; middle
-life, a struggle; and old age, a regret.’
-
-Whimsical definitions are sometimes quite as neat and telling as those
-of a smarter kind. Dr Johnson confessed to a lady that it was pure
-ignorance that made him define ‘pastern, the knee of a horse;’ but he
-could hardly make the same excuse for defining pension, ‘an allowance
-made to any one without an equivalent.’ A patriot, some writer tells
-us, is ‘one who lives _for_ the promotion of his country’s union and
-dies _in_ it;’ and a hero, ‘he who, after warming his enemies, is
-toasted by his friends.’
-
-Of juvenile definitions, ‘dust is mud with the juice squeezed out;’
-scarcely so scientific as Palmerston’s definition of dirt as ‘matter
-in the wrong place.’ A fan, we learn, is ‘a thing to brush warm off
-with;’ and a monkey, ‘a small boy with a tail;’ ‘salt, what makes your
-potatoes taste bad when you don’t put any on;’ ‘wakefulness, eyes all
-the time coming unbuttoned;’ and ‘ice, water that stayed out too late
-in the cold and went to sleep.’
-
-A schoolboy asked to define the word ‘sob,’ whimpered out: ‘It means
-when a feller don’t mean to cry and it bursts out itself.’ Another
-defined a comma as ‘a period with a long tail.’ A youngster was asked
-to give his idea of the meaning of ‘responsibility,’ so he said: ‘Well,
-supposing I had only two buttons on my trousers, and one came off, all
-the responsibility would rest on the other button.’
-
-‘Give the definition of admittance,’ said a teacher to the head-boy.
-This went from the head to near the foot of the class, all being
-unable to tell the meaning of it, until it reached a little boy who
-had seen the circus bills posted about the village, and who exclaimed:
-‘Admittance means one shilling, and children half-price.’
-
-‘What is a junction, nurse?’ asked a seven-year-old fairy the other day
-on a railway platform.—‘A junction, my dear?’ answered the nurse, with
-the air of a very superior person indeed: ‘why, it’s a place where two
-roads separate.’
-
-To hit off a jury as ‘a body of men organised to find out which side
-has the smartest lawyer,’ is to satirise many of our ‘intelligent
-fellow-countrymen.’ The word ‘suspicion’ is, in the opinion of a
-jealous husband, ‘a feeling that compels you to try to find out
-something which you don’t wish to know.’ A good definition of a
-‘Pharisee’ is ‘a tradesman who uses long prayers and short weights;’ of
-a ‘humbug, one who agrees with everybody;’ and of a ‘tyrant, the other
-version of somebody’s hero.’ An American lady’s idea of a ballet-girl
-was, ‘an open muslin umbrella with two pink handles;’ and a Parisian’s
-of ‘chess, a humane substitute for hard labour.’ Thin soup, according
-to an Irish mendicant, is ‘a quart of water boiled down to a pint, to
-make it strong.’
-
-Of definitions of a bachelor—‘an un-altar-ed man,’ ‘a singular being,’
-and ‘a target for a miss,’ are apt enough. A walking-stick may be
-described as ‘the old man’s strength and the young man’s weakness;’
-and an umbrella as ‘a fair and foul weather friend’ who has had ‘many
-ups and downs in the world.’ A watch may be hit off as a ‘second-hand
-affair;’ spectacles as ‘second-sight’ or ‘friendly glasses;’ and a
-wig as ‘the top of the poll,’ ‘picked locks,’ and ‘poached hare.’ And
-any one who is troubled with an empty purse may be comforted with the
-reflection that ‘no trial could be lighter.’
-
-‘Custom is the law of fools,’ and ‘politeness is half-sister to
-charity’—the last a better definition than that which spitefully
-defines polite society as ‘a place where manners pass for too much,
-and morals for too little.’ ‘Fashion’ has been cleverly hit off as ‘an
-arbitrary disease which leads all geese to follow in single file the
-one goose that sets the style.’ An idea of the amusement of dancing is
-not badly conveyed by the phrases ‘embodied melody’ and ‘the poetry of
-motion.’
-
-The ‘Complete Angler’ as a definition of ‘a flirt’ is particularly
-happy. Beauty has been called ‘a short-lived tyranny,’ ‘a silent
-cheat,’ and ‘a delightful prejudice;’ while modesty has been declared
-‘the delicate shadow that virtue casts.’ Love has been likened to
-‘the sugar in a woman’s teacup, and man the spoon that stirs it up;’
-and a ‘true-lover’s-knot’ may not inaptly be termed ‘a dear little
-tie.’ Kisses have variously been defined as ‘a harmony in red,’ ‘a
-declaration of love by deed of mouth,’ and ‘lip-service.’
-
-‘Matrimony’ was defined by a little girl at the head of a confirmation
-class in Ireland, as ‘a state of torment into which souls enter to
-prepare them for another and better world.’
-
-‘Being,’ said the examining priest, ‘the answer for purgatory.’
-
-‘Put her down!’ said the curate, much ashamed of his pupil—‘put her
-down to the foot of the class!’
-
-‘Lave her alone,’ quoth the priest; ‘the lass may be right after all.
-What do you or I know about it?’
-
-
-
-
-THE MONTH:
-
-SCIENCE AND ARTS.
-
-
-Nearly seven millions sterling have been already expended upon the
-Panama Canal works, and according to all accounts, there is plenty
-to show for the money. The channel is being dredged out by enormous
-machines, which scoop out the softer earth and operate upon the
-debris of harder rocks, after the latter have been blasted. Colon,
-the Atlantic terminus of the canal, has, from the miserable and dirty
-little village which it presented some years ago, sprung into a
-prosperous town. The dry season has unfortunately been an unhealthy
-one, and there has been an epidemic of marsh-fever; but altogether we
-may take the general report of the Canal works as a satisfactory one.
-There is little doubt that the great work of uniting the Atlantic and
-Pacific Oceans will be accomplished within very few years.
-
-News has been received by the Geographical Society that their intrepid
-explorer, Mr Joseph Thomson, whose departure some months ago on an
-expedition to the region east and north-east of Lake Victoria Nyanza
-we briefly chronicled at the time, has safely returned to Zanzibar.
-Little is at present known as to what he has done, further than that he
-has successfully carried out his programme with the most satisfactory
-feature that the work has been done without any loss of life except
-from disease. We may look forward with great interest to Mr Thomson’s
-account of this his third successful expedition, the more so, as this
-time he has journeyed in a region of Africa untraversed by any previous
-explorer, and about which, therefore, the knowledge possessed by our
-best geographers is open to improvement.
-
-From a paper recently read before the Institution of Civil Engineers,
-by Mr G. H. Stayton, upon the Wood-pavements of London, we glean the
-following interesting particulars: The metropolis comprises nearly
-two thousand miles of streets, of which only fifty-three miles are
-at present laid with wood. Most of the wood used is in the form of
-rectangular blocks of yellow deal, principally Swedish. Neither elm nor
-oak will stand changes of temperature sufficiently well to fit them for
-this purpose; but pitch-pine answers well, and so does larch; though
-the supply of the latter limits its use. Creosoting the blocks has no
-value as a preservative, and the wood is now used plain, the joints
-being filled in with cement. The average cost of laying wood-pavement
-is about ten shillings and sixpence per square yard, and the expenses
-of maintenance compare very favourably with Macadam and other systems
-of pavement. ‘There is nothing new under the sun,’ even in the matter
-of wood-pavements, for we find, on reference to a _Mechanic’s Magazine_
-dated 1858, that wood-blocks, placed grain uppermost, as in all modern
-systems, are distinctly advocated as having many advantages over
-granite roads, diminution of cost and durability being among those
-stated.
-
-It has become customary to speak of the present epoch as the ‘Iron
-Age,’ in order to distinguish it from those two long periods of human
-interest known respectively as the Stone Age and the Bronze Age. But
-future historians may well be tempted to substitute the word steel
-for iron, for it is an undoubted fact that improved processes of
-manufacture, and the resulting easy and cheap production, are causing
-steel to be widely substituted for its parent metal. In railways,
-steel rails are now almost entirely replacing iron ones, and that
-modification of the metal known as ‘mild steel’ is finding great
-favour just now among shipbuilders. The Board of Trade have lately had
-representations made to them that the superiority of steel over iron
-for shipbuilding purposes should be officially recognised; and that
-this request is well grounded, the following instances will go far to
-prove. A steamer wrecked on the coast of the Isle of Wight remained
-for ten days in stormy weather perched on a ledge of rocks without
-breaking up. ‘If,’ says the engineer’s Report, ‘she had been built of
-iron instead of steel, there is not a doubt that she would have gone to
-pieces. The agent of another vessel wrecked at New Zealand last year
-reports to the owner that the vessel was eventually released from her
-rocky bed; ‘but, with a large number of passengers, would have been
-lost, had it not been for the beautiful quality of the material of
-which she is built, known as mild steel.’
-
-But there is one branch of the metal trade which shows a continually
-increasing activity, and which need not fear any rivalry from steel,
-and that is the tinplate trade. Many thousands of tons of this tinned
-iron—that is, thin sheets of iron coated with tin—are annually exported
-from this country, our best customers being the United States. We
-may presume that a large quantity of this metal comes back to us in
-the form of tins containing preserved meats, fish, and fruit. In
-Philadelphia, there are a number of factories for utilising these tins
-after they have been used. They are collected from the ash-heaps,
-the hotels and boarding-houses. The solder is melted and sold, to be
-used again; the tops and bottoms of the tins are turned into window
-sash-weights; the cylindrical portions are rolled out flat, and are
-made into covers for travelling trunks, and are used for many other
-purposes. The industry is said to be a very profitable one, for the
-expense of gathering the tins is covered by the sale of the solder, and
-the capital required is small. Such ingenious applications of waste
-materials most certainly deserve to succeed.
-
-What is known as ‘flashed glass’ consists of common white glass blown
-with a layer of coloured glass superposed on its surface, which surface
-can afterwards be eaten away in parts by the application of fluoric
-acid, so that any ornament or lettering can be executed upon it. The
-same principle in an extended form has lately been applied by Messrs
-Webb of Stourbridge to the production of most beautiful vases in what
-has been aptly called cameo glass. The vase is first blown in glass of
-three different descriptions, fused together, forming eventually three
-distinct layers of material—the innermost of a semi-opaque colour, the
-next white, and the outside of a tint to harmonise with the first or
-innermost. Now comes the artist’s work. The design being drawn upon the
-surface, the outer colour is removed so as to leave but a tint, deep or
-light as may be wanted in certain parts; next, the white is cut into
-so as to show up where required the ground colour behind. In this way
-the most intricate design is produced with the most artistic results.
-The operator employs not only fluoric acid, but makes use of the steel
-point, and also the ordinary emery wheel commonly used for engraving
-and cutting glass. Two of these vases are, as we write, on view at Mr
-Goode’s, South Audley Street, London.
-
-The first cable tramway laid in Europe has been opened on the steepest
-bit of road near London—namely, Highgate Hill, and is pronounced on
-all hands a complete success. It is to be hoped that the system will
-become as common in this country as it is in America, where not only
-steep gradients are thus dealt with, but level roads, such as our horse
-tramcars already traverse. The boon to horses would be immeasurable.
-At the present time, on British tramways more than twenty thousand
-horses are at work. The labour is so hard, that about one quarter of
-this number have annually to be replaced. This annual loss absorbs
-forty-three per cent. of the gross earnings, a consideration which will
-appeal more eloquently to the feelings of many than will the sufferings
-of the poor horses.
-
-Referring to the epidemic of smallpox in London, a correspondent of
-the _Times_ gives a valuable suggestion. He tells how an epidemic
-of the same dreaded disease was quickly stamped out in a South
-American village some years ago, and although our great metropolis
-bears but small resemblance to a village, the remedy in question
-might nevertheless be tried. Huge bonfires of old creosoted railway
-sleepers were made in the streets, and gas-tar was added occasionally
-to stimulate the flames. In the meantime, every house where a death
-or recovery occurred was lime-washed. With these precautions, which
-are manifestly applicable to other zymotic diseases, the visitation
-speedily vanished. Concerning this all-important subject we may have
-something further to say in a special paper.
-
-Meanwhile, there is no kind of doubt that the spread of infectious
-disease is attributable in great measure to personal ignorance,
-commonly called carelessness, as well as to that entire indifference
-as to the welfare of others which is so common to human nature. Some
-time since, an advertisement appeared to the following effect: ‘Should
-this meet the eye of the lady who travelled (by a particular train)
-with her two boys, one of whom was evidently just recovering from an
-illness, she may be pleased to learn that three of the four young
-ladies who were in the carriage are very ill with the measles.’ This is
-surpassed by a statement contained in a recent letter in the _Times_.
-A lady, finding that her boys, on recovering from a severe attack of
-scarlatina, suffered much from dandruff (the scales which separate from
-the scalp, and which, in fever, are a prolific source of contagion),
-took the sufferers to a leading West End hairdresser’s, so that their
-heads could receive a thorough cleansing with the machine-brush!
-
-We would in this connection draw attention to a novel system of
-providing for smallpox cases with the least amount of risk to others,
-which is established by the Metropolitan Asylums Board of London, and
-which will undergo in time further development. In addition to the
-five hospitals in different parts of London which have been opened
-whenever a fresh epidemic has broken out, there is a very elaborate
-ambulance system, by which a suitable carriage with a nurse and
-porter is despatched, as soon as notice is received, to the patient’s
-place of residence and removes the patient to the nearest hospital.
-This has been at work for some years; but in addition there are
-three ships moored on the Thames opposite Purfleet, two of which are
-hospital ships, the third being used as a residence for the staff,
-and containing offices, kitchens, workshops, &c. Some four miles
-inland there is a convalescent camp, consisting of tents for about one
-thousand patients, each heated and lighted by gas, and suitably fitted
-for the purpose in every way.
-
-To convey patients to the ships, an ambulance steamer runs as often
-as required, being fitted up as a travelling hospital, with beds,
-&c., and having a medical and nursing staff. Patients are removed to
-the river-side either direct from their homes, or from the hospitals,
-usually on comfortable beds, and carried on board the steamer, and
-thence down the river. Another steamer brings the recovered cases back;
-and when landed, they are conveyed in special carriages to their homes,
-free from infection in person and clothing.
-
-So far the problem of how to provide for an epidemic of smallpox in
-London is in a fair way of being solved, by a system which, though
-still in its earliest stage, is daily undergoing development and
-improvement. When yet another steamer is fitted out, there will be
-no difficulty in coping with a much larger epidemic than has visited
-London for many years, and at the same time treating patients with an
-amount of attention almost unknown till now.
-
-The proposal to revive the art of lacemaking in Ireland, to which
-we adverted some months ago, has now received more definite form. A
-scheme has been framed under the auspices of many influential persons,
-the chief features of which are as follows: Original designs are to
-be purchased under the advice of the best authorities on the subject.
-These designs will be sent to the lacemaking centres for execution. The
-specimens will then be exhibited and offered for sale. The expenses to
-set this machinery at work will amount to about five hundred pounds,
-much of which is already subscribed. Full information as to the project
-can be obtained from Mr Alan Cole, of the South Kensington Museum.
-
-Dr Von Pettenkofer has, according to the _Lancet_, been lately paying
-attention to the poisonous action of coal-gas on the human system, and
-a few notes of authenticated cases may be serviceable to those who
-pay little heed to an escape of gas so long as it does not in their
-opinion assume dangerous dimensions. The cases quoted all refer to
-escapes of gas into dwelling-houses after passing through a layer of
-earth, and we may note that such escapes are difficult of detection,
-for the earth robs the gas in great measure of its tell-tale odour.
-At Roveredo, three women were killed in their sleep by an escape
-from a broken pipe under the roadway thirty-five feet distant. At
-Cologne, three of one family were carried off by a similar escape at
-a distance of ninety-eight feet. At Breslau, a case is reported where
-the escape was no less than one hundred and fifteen feet away from
-its victim. It would seem that the dangerous constituent of coal-gas
-is carbonic oxide, which usually forms about eight per cent. of the
-vapour conveyed to our houses. Whether this noxious ingredient can,
-like other impurities, be eliminated in the process of purification at
-the gas-works, we do not know, but the question is certainly worth the
-attention of the authorities.
-
-The Observatory on the summit of Ben Nevis, which our readers will
-remember was opened in October last, will be completed this summer. The
-observations already made confirm the anticipations as to the value of
-a high level station, and the completion of the structure will add to
-the efficiency of the work done, for hitherto the observers have been
-cramped for space. A shelter for tourists forms part of the scheme,
-and travellers will be able to obtain light refreshment there, and if
-they desire it, can telegraph from the highest point in Britain to
-their friends below. The cost of completion will absorb about eight
-hundred pounds; but this estimate does not include the heavy outlay
-for carriage of materials on horseback up the bridle-path already
-constructed. It has been suggested that visitors on horseback using
-this path should pay a toll of five shillings—a modest sum, when it is
-considered that the expenses of maintenance are much increased by the
-soil being loosened by the horse’s hoofs, especially when the ground is
-in a soft condition.
-
-The small Chinese colony established at the International Health
-Exhibition is one of the principal attractions of the place. Visitors
-have now the opportunity of tasting various strange dishes which before
-they had only heard of by report. The much extolled bird-nest soup can
-be had here, together with shark-fins, _beches de mer_ (sea-slugs),
-edibles made of different seaweeds, shredded cucumber peels mixed with
-vinegar, and various other delicacies, which, we trust, are nicer
-than they seem to be by mere description. We may note that the South
-Kensington executive have already arranged for an Exhibition to follow
-on the present one. It is to be called the Exhibition of Inventions,
-and will include all kinds of appliances, one entire division being
-devoted to musical instruments.
-
-A long-felt want by paper-rulers and others has now been supplied by
-the new Patent Automatic Paper Feeding-machine. It has been invented
-by Mr William Archer, 204 Rose Street, Edinburgh—a paper-ruler who
-has spent his spare time during the last ten years in working it
-out, and who has now succeeded in patenting a Ruling-machine which
-is allowed to be the most accurate in use for feeding the paper in a
-continuous stream, or feeding to grippers at given intervals. It can be
-worked either by hand or steam-power, and it renders unnecessary the
-employment of boys or girls as paper-feeders. It can also be applied to
-hot rolling-machines; and it is expected that it will also be turned to
-use in connection with printing, &c.
-
-
-
-
-OCCASIONAL NOTES.
-
-
-THE NEW ORGAN IN WESTMINSTER ABBEY.
-
-The old-new, or the new-old, organ of Westminster Abbey was formally
-tried on the 24th of May, at the usual afternoon service, after which
-a recital, which served to exhibit the extreme beauty and power of
-some of the new work, was given. The new organ has fifty-six speaking
-stops, besides many mechanical stops, couplers, &c., and is placed in
-two lofty blocks, like the one in St Paul’s Cathedral, at the west
-end of the two choir screens, only that in this case the player sits
-between the two over the doorway of the choir. The magnificent oak
-case, designed by Mr Pearson, has not yet been erected, because the
-funds for the purpose—about fifteen hundred pounds—are not, as we
-write, yet collected. The principal bellows are blown by a gas-engine,
-and are placed in a vault below the cloisters, the pipes conveying the
-air being nearly one hundred feet in length. A curious arrangement
-exists to connect the keys with the pipes, which is done by tubes,
-through which, on the key being pressed, wind, under heavy pressure, is
-admitted, and acts instantly on a small bellows at the other end of the
-tube. This, on being inflated, pulls down the pallet or valve under the
-sound-board, and thus gives air to the pipe. This clever system is said
-not to get out of order or to be affected by changes of temperature.
-
-It may be interesting to state that this organ was in the first
-instance built by Schreider and Jordan so far back as 1730. Exactly a
-hundred years after (1830) it was added to by Elliott; and again in
-1848 and in 1868, Hill made many additions; and it has now been almost
-completely reconstructed by Messrs Hill and Son, of the same well-known
-firm. It may fairly be considered, with that in St Paul’s Cathedral,
-and All Saints, Margaret Street, to take rank as one of the finest
-church organs in London.
-
-
-THE ANTHROPOMETRICAL LABORATORY AT THE HEALTH EXHIBITION.
-
-Without intending the smallest disrespect to our numerous readers, we
-will venture to say that more than one will be inclined to ask the very
-obvious question, ‘What is anthropometry?’ Well, this fine-sounding,
-Greek-adapted name signifies the art of describing and recording, in a
-schedule provided for that purpose, the particulars appertaining to the
-condition, functions, powers, and capabilities of the human body and
-limbs. Every person visiting the Laboratory at the Health Exhibition
-can have his or her schedule filled up with a statement, ascertained
-on the spot, of his name or initials, age, sex, occupation, place of
-birth, colour of hair and eyes, height standing and sitting, weight,
-length of span of arms, strength of squeeze and of pull, swiftness and
-weight of direct fist-blow, capacity of chest, lungs, and breathing,
-as measured by a spirometer, acuteness of vision as measured by a
-test type, conditions of colour-sense, and acuteness of hearing. The
-ascertaining of these particulars, and any others of a like nature
-bearing immediately on the principal question, seems to be the especial
-business of the art of anthropometry. It may be objected that the
-collecting of these facts, though interesting enough to the individual
-practised upon and his family, can be of no possible use beyond that
-limit, or indeed anywhere else; but the gentleman who has originated
-this novel and ingenious scheme (Mr Francis Galton) proposes to keep a
-duplicate of the filled-up schedule which each person operated on will
-receive; and by this means he hopes to obtain a very large number of
-facts and statements, which will doubtless be ultimately arranged and
-tabulated, and made good use of by the originator, who may possibly
-submit them to the Registrar-general, or to the Statistical Society,
-for enrolment amongst their curious records. It is, at anyrate, in
-spite of its somewhat alarming Greek name, an interesting experiment.
-
-
-ADVICE TO INTENDING EMIGRANTS.
-
-A correspondent in New South Wales writes to us as follows: ‘Australia
-offers a wide field for the capitalist and the manual labourer, but
-I should not advise others to try their fortunes here. For educated
-persons, male or female, without capital, Australia is a death-trap.
-Such persons would, according to my observation, do far better in
-America, or in the English settlements in China. In China, young
-gentlemen possessing no other fortune than a good education, are soon
-employed in the warehouses and stores by the Chinese merchants, who
-value Englishmen whenever they can get them to take charge of the more
-responsible parts of their businesses. The Chinese Customs’ Departments
-also are open to educated young Englishmen. But in Australia, brains
-are not a marketable commodity; strong arms are more sought for.
-The streets of Sydney are thronged with hundreds of educated young
-Englishmen, who have come out here persuaded by their friends that work
-is easily got, as well as money, which is not the case, except in one
-or two kinds of labour. I know of scores of temperate young gentlemen
-out here who have done all they could to find employment, and failed;
-and at last have had to seek relief in the Refuge. Some commit suicide
-out of sheer despair.
-
-‘No one, unless he can swing a pickaxe well and is possessed of plenty
-of muscular strength, with not too much refinement in him, should think
-of coming out here to earn his bread, much less make his “pile,”
-unless he has some capital, say a few thousands, to start a warehouse,
-or take up land and go in for sheep-farming. Sometimes young educated
-men, who bring good letters of introduction and good characters also,
-are given government situations, as I am thankful to say was the case
-with me. But I should warn any educated young man who has no friends
-here or capital, against coming to Australia. Even where he brings
-letters, he often has great trouble to get a situation, as there are
-so many colonials’ sons hanging about doing nothing. The towns are
-overloaded with men, and the country is left untouched for want of
-capital in the majority of those who come out here.
-
-‘Servants of all classes do well here; ten shillings per week and board
-and lodging is the usual wage for female servants good or bad; and one
-pound per week with board and lodging for male servants. Governesses
-are an utter failure; hundreds are doing nothing here now; and when
-they do get employed, they don’t do much better than at home; sixty
-pounds with board and lodging is the usual salary; but they have to act
-as nurses often as well, for that sum.
-
-‘My advice to young gentlemen and ladies who are thinking of giving up
-their situations at home and emigrating to Australia in the hopes of
-getting work and good salary, is—Don’t.’
-
-
-A CURIOUS DISEASE.
-
-The _London Medical Record_ quotes some information regarding a strange
-disease that is met with in Siberia, and known to the Russians by the
-name of ‘Miryachit.’ The person affected seems compelled to imitate
-anything he hears or sees, and an interesting account is given of a
-steward who was reduced to a perfect state of misery by his inability
-to avoid imitating everything he heard and saw. One day the captain
-of the steamer, running up to him, suddenly clapping his hands at the
-same time, accidentally slipped, and fell hard on the deck. Without
-having been touched, the steward instantly clapped his hands and
-shouted; then, in helpless imitation, he, too, fell as hard, and almost
-precisely in the same manner and position as the captain. This disease
-has been met with in Java, where it is known as ‘Lata.’ In the case
-of a female servant who had the same irresistible tendency to imitate
-her mistress, the latter, one day at dessert, wishing to exhibit this
-peculiarity, and catching the woman’s eye, suddenly reached across the
-table, and seizing a large French plum, made pretence to swallow it
-whole. The woman rushed at the dish and put a plum in her mouth, and,
-after severe choking and semi-asphyxia, succeeded in swallowing it; but
-her mistress never tried the experiment again.
-
-
-ANOTHER UPHILL RAILWAY.
-
-The _Hôtel des Alpes_ at Chillon, and the _Hôtel de Mont Fleury_
-at Montreux, Switzerland, are situated at no great distance apart;
-but the difference of elevation between the two is over two hundred
-feet, and the incline very steep. To get over this difficulty, it is
-intended to call in the aid of that mighty power which has of late
-so prominently come to the front—electricity. After a long series of
-carefully conducted experiments, it has been determined that an uphill
-railway shall be constructed between the two hotels named, to be driven
-by electricity. An electric motor will be placed on a car to drive a
-cog-wheel; this wheel will gear into a central cogged rail, and by this
-means draw or pull the car up the ascent. Conductors placed beside the
-central rail will convey the current of the generator, which will be
-kept going by a five-horse-power locomotive engine. It is, however, in
-contemplation to drive the dynamo not by steam, but by water-power,
-abundance of which, descending from the hills, can be had close by, and
-only requires utilising. This railway will in many points resemble that
-up the Righi, only that electricity will be its driving-power instead
-of the odd-looking little engine so well known at the latter place; and
-when it is completed, it will certainly be a great boon to travellers
-frequenting these beautiful spots.
-
-
-
-
-EVENING ON THE LAKE.
-
-
- Upon the mountain-top the purple tints
- Fade into mist; and the rich golden glow
- Of the low-setting sun sinks to a gray
- Subdued and tender.
-
- Home the eagle hies,
- Swift, to his eyrie, his broad pinions stretched,
- Bearing him onwards, seeming motionless
- The while with rapid wing he cleaves the air,
- As ship the waters: now the grousecock crows
- On heathered knoll his vesper lullaby
- To his dear mate.
-
- And from the silver lake,
- Cradled in mountain-setting, echoing comes,
- With rippling music on the air, the plash
- Of dipping oars; and voices deep and low,
- Mingled with women’s trebles, tuneful break
- The evening silence!
-
- Grand indeed it is
- To be amid these mountain solitudes;
- And yet there is a sense of rest and calm,
- Soothing the spirit—stealing o’er the heart
- Like the soft notes of an Æolian harp,
- Falling like balm upon the troubled soul,
- And making the most worldly man to feel
- That there is over earth a higher heaven!
-
- * * * * *
-
-The Conductor of CHAMBERS’S JOURNAL begs to direct the attention of
-CONTRIBUTORS to the following notice:
-
-_1st._ All communications should be addressed to the ‘Editor, 339
- High Street, Edinburgh.’
-
-_2d._ For its return in case of ineligibility, postage-stamps
- should accompany every manuscript.
-
-_3d._ MANUSCRIPTS should bear the author’s full _Christian_ name,
- Surname, and Address, legibly written; and should be written on
- white (not blue) paper, and on one side of the leaf only.
-
-_4th._ Offerings of Verse should invariably be accompanied by a
- stamped and directed envelope.
-
-_If the above rules are complied with, the Editor will do his best to
-insure the safe return of ineligible papers._
-
- * * * * *
-
-Printed and Published by W. & R. CHAMBERS, 47 Paternoster Row, LONDON,
-and 339 High Street, EDINBURGH.
-
- * * * * *
-
-_All Rights Reserved._
-
-
-*** END OF THE PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL OF POPULAR
-LITERATURE, SCIENCE, AND ART, FIFTH SERIES, NO. 30, VOL. I, JULY 26,
-1884 ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.