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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..5cc548b --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #65322 (https://www.gutenberg.org/ebooks/65322) diff --git a/old/65322-0.txt b/old/65322-0.txt deleted file mode 100644 index 71d54b9..0000000 --- a/old/65322-0.txt +++ /dev/null @@ -1,775 +0,0 @@ -The Project Gutenberg eBook of How to Get Rich, by Anonymous - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: How to Get Rich - -Author: Anonymous - -Release Date: May 11, 2021 [eBook #65322] - -Language: English - -Character set encoding: UTF-8 - -Produced by: Demian Katz, Craig Kirkwood, and the Online Distributed - Proofreading Team at https://www.pgdp.net (Images courtesy of - the Digital Library@Villanova University) - -*** START OF THE PROJECT GUTENBERG EBOOK HOW TO GET RICH *** - -Transcriber’s Notes: - -Text enclosed by underscores is in italics (_italics_). - -The whole number part of a mixed fraction is separated from the -fractional part with -, for example, 2-1/2. - -An additional Transcriber’s Note is at the end. - - * * * * * - -Multum in Parvo Library. - -_Entered at Post Office as Second-Class matter._ - -Vol. I. AUGUST, 1894. _Published Monthly._ No. 8. - - - - -How To Get Rich. - - - _Smallest Magazine in the World. Subscription - price, 50 cts. per year. Single copies, 5 cents each._ - - PUBLISHED BY - A. B. COURTNEY, - 671 Tremont Street, Boston. - - - - -HOW TO GET RICH. Valuable Money-Making Secrets. - - - These recipes have sold for five dollars each, and have been the - foundations of many good-sized fortunes. - -This collection of recipes and formulas for making various articles -which are in constant use in every household are, for the most part, -articles upon which very large profits are made, both by manufacturers -and dealers; some things, which cost but two or three cents to make, -being retailed for as much as twenty-five cents. We point out to you -the proper method to be pursued in the manufacture of these various -articles, and expect you to use your own judgment and discretion in the -matter of putting them up for market, and exposing them for sale. The -goods, when ready for market, may be sold either direct to consumers at -retail, or to store-keepers at wholesale. Those who adopt the former -method may canvass from house to house, or establish a store and -sell therefrom. The various ingredients required to compound all the -different articles for which recipes are here given may be purchased -at wholesale drug and grocery stores in any of the large cities. Large -fortunes have been made upon the manufacture of single articles, for -which recipes are here given, and there is no reason why any one -may not acquire a competency in the same way, providing he has the -necessary push and sagacity. Here is an opportunity to be your own -manufacturer, your own wholesaler and your own retailer. Given these -advantages, you may undersell those in the ordinary channels of trade, -and still make handsome profits; and we trust that the information -herein contained may be the means of starting many a poor person toward -making a fortune or a good income. - -Black Ink.--Ink, like soap, is something everybody uses, and few people -realize that thousands of barrels of it are made and sold. - -Recipe for making the best and most durable black writing ink, as used -by the leading penmen of the United States and Canada. - -To 2 gallons of strong decoction of logwood, well strained, add 1-1/2 -lbs. blue galls in coarse powder, 6 ounces sulphate of iron, 1 oz. -acetate of copper, 6 oz. of pulverized sugar, and 8 oz. of gum arabic; -set the above on the fire until it begins to boil, strain, and then -set it away until it has acquired the desired blackness. The strong -“decoction of logwood” is made by boiling; use soft water, into which -put two ounces of logwood; strain after taking from the fire. - -The above ink properly made, according to the above directions, is -unsurpassed for elegant writing of any kind. It flows freely from the -pen, turns to a deep black after writing, and does not fade. Records -written with it fifty years ago are as legible as the day they were put -upon the paper. - -Fig Candy.--Take 1 pound of sugar and 1 pint of water; set over a slow -fire. When done, add a few drops of vinegar and a lump of butter, and -pour into pans in which split figs are laid. - -Red Sealing Wax.--Purchase 4 lbs. shellac, 1-1/2 lbs. venice -turpentine, 3 lbs. finest cinnabar and 4 oz. venetian; mix the whole -well together, and melt over a very slow fire. Pour it on a thick, -smooth glass, or any other flat, smooth surface, and make it into 3, 6 -or 10 sticks. - -Silver Ink.--Mix 1 oz. of the finest pewter or block tin in shavings -with 2 oz. quicksilver till all becomes fluid; then add to it -sufficient gum arabic water to produce the proper consistency. - -Yellow Ink.--A little alum added to saffron, in soft, hot water, makes -a beautiful yellow ink. - -Mucilage for Labels.--Dextrine, 2 ounces; glycerine, 1 drachm; alcohol, -1 ounce; water, 6 ounces. - -The Celebrated Chemical Compound.--Take one pint of alcohol, 2 gills -nitrous spirits ether, 2 oz. bicromate potash, 2 oz. powdered cinnamon, -2 oz. aqua fortis. Mix all the above together and let it stand -twenty-four hours and it is fit for use. Bottle in ounce vials, and -sell for 25 cents. To extract grease stains, etc., from cloth, saturate -with cold water, dip a sponge in the liquid and apply it, and repeat if -necessary, and wash off with cold water. - -Gold Ink.--Two parts mosaic, 1 part gum arabic (by measure); mix with -soft water until reduced to a proper condition. - -Green Ink.--Powder 1 ounce verdigris, and put it in 1 quart of vinegar; -after it has stood two or three days, strain off the liquid. - -Blue Ink.--Two oz. Chinese blue, 3/4 oz. pure oxolid acid, 1 oz. -powdered gum arabic, 6 pints distilled soft water; mix well and then -strain. - -Purple Ink.--Eight parts logwood in 64 parts soft water, by measure, -boil down to one-half, then strain and add one part chloride of tin. - -Imitation Gold.--Sixteen parts platina, seven parts copper, one part -zinc. Put in a covered crucible, with powdered charcoal, and melt -together till the whole forms one mass, and are thoroughly incorporated -together. Or, take 4 oz. platina, 3 oz. silver, 1 oz. copper. - -Imitation Silver.--Eleven ounces refined nickel, two ounces metallic -bismuth. Melt the compositions together three times, and pour them -out in ley. The third time, when melting, add two ounces pure silver. -Or take one-quarter ounce copper, one ounce bismuth, two ounces -saltpetre, two ounces common salt, one ounce arsenic, one ounce potash, -two ounces brass, and three ounces pure silver. Melt all together in a -crucible. - -Florida Water.--Half pint proof spirits, two drachms oil lemon, half -drachm oil rosemary. Mix. - -Freckle Lotion.--Muriate of ammonia, one drachm; cologne water, two -drachms; distilled water, seven ounces; mix and use as a wash. It -contains nothing injurious. - -Windsor Soap.--This is made with lard. In France they use lard, with -a portion of olive or bleached palm oil. It is made with one part of -olive oil to nine of tallow; but a greater part of what is sold is only -curd (tallow) soap, and scented with oil of caraway and bergamot. The -brown is colored with burnt sugar or umber. - -To Make Maple Sugar without Maple Trees.--Though the secret I am about -to reveal may seem very simple (when explained), I believe there are -few who would discover it of their own accord. The value of the maple -sugar crop is considerable, and there is ready sale for all that can be -made. I was led by curiosity to boil down a little butternut sap, one -time, with an equal quantity of maple sap, and the result was, a sugar -which I could not distinguish from pure maple. I experimented further -and found that if a little common (cane) sugar was added to the sap of -the butternut, it would do as well as an addition of maple sap. I found -that the sap of birch and several other trees would also make, when -a very little cane sugar was added, a sugar which in looks and taste -exactly resembled maple. To be able to make “maple” sugar from trees -not heretofore deemed valuable for the purpose is just so much clear -profit. - -Traveller’s Ink.--White blotting paper is saturated with aniline black, -and several sheets are pasted together so as to form a thick pad. When -required for use a small piece is torn off and covered with a little -water. The black liquid which dissolves out is a good writing ink. A -square inch of paper will produce enough ink to last a considerable -writing, and a few pads would be all that an exploring party need carry -with them. As water is always available the ink is readily made. This -is a perfectly original and new recipe. Any enterprising man can make a -large income out of its manufacture. - -Violet Ink.--1 oz. best violet aniline; dissolve it in one gill of -hot alcohol, stir, and when thoroughly dissolved add one gallon of -boiling hot water; dissolve in the hot water 1-1/2 oz. white gum -arabic. This will make the most rich and beautiful ink of this color -in existence; will not fade or corrode steel pens, and is not injured -by freezing. An addition of 1 lb. of sugar and 1/2 lb. glycerine will -make an excellent copying ink. This ink is usually sold at $2 per pint -bottle, $1 for half pint and 50 cents for gill bottle. It is worth an -enterprising man or woman $1,000. Do not bury it--use it and make money -out of it. - -New York Barber’s Star Hair Oil.--Castor oil, 6-1/2 pints, alcohol, -1-1/2 pints, oil of citronella, 1/2 ounce, lavender, 1/4 ounce. Mix -well, put in 4-ounce bottles; retail at 25 cents each. - -Furniture Polish.--Equal parts sweet oil and vinegar, and a pint of gum -arabic finely powdered. Shake the bottle and apply with a rag. It will -make furniture look as good as new. - -Artificial Gold.--This is a new metallic alloy which is now very -extensively used in France as a substitute for gold. Pure copper, one -hundred parts; zinc, or, preferably, tin, seventeen parts; magnesia, -six parts; sal-ammoniac, three-sixths parts; quick-lime, one-eighth -part; tartar of commerce, nine parts, are mixed as follows: The copper -is first melted, and the magnesia, sal-ammoniac, lime and tartar are -then added separately, and by degrees, in the form of powder; the -whole is now briskly stirred for about half an hour, so as to mix -thoroughly; and when the zinc is added in small grains by throwing it -on the surface, and stirring till it is entirely fused, the crucible is -then covered, and the fusion maintained for about thirty-five minutes. -The surface is then skimmed, and the alloy is ready for casting. It -has a fine grain, is malleable, and takes a splendid polish. It does -not corrode readily, and for many purposes is an excellent substitute -for gold. When tarnished, its brilliancy can be restored by a little -acidulated water. If tin be employed instead of zinc, the alloy will -be more brilliant. It is very much used in France, and must ultimately -attain equal popularity here. - -Baking Powder.--The following receipt is the same as used in the -preparation of the standard baking powders of the day, and if put up -attractively will sell readily at the usual prices. Take 1 pound of -_tartaric_ acid in _crystals_, 1-1/2 pounds of bi-carbonate of soda and -1-1/2 pounds of potato starch. Each must be powdered separately, well -dried by slow heat, well mixed through a sieve. Pack hard in tinfoil, -tin or paper glazed on the outside. The tartaric acid and bi-carbonate -of soda can, of course, be bought cheaper of wholesale druggists than -you can make them, unless you are doing things on a very large scale, -but potato starch any one can make; it is only necessary to peel the -potatoes and to grate them up fine into vessels of water, to let them -settle, pour off the water and make the settlings into balls, and to -dry them. With these directions any one can make as good a baking -powder as is sold anywhere; if he wants to make it very cheap, he can -take _cream of tartar_ and common washing (carbonate of) soda, instead -of the articles named in the recipe, but this would be advisable only -where customers insist on excessively low prices in preference to -quality of goods. - -Babbit’s Premium Soap.--Five gallons of strong lye, five gallons of -water, five pounds of tallow, two pounds of sal soda, half a pound of -rosin, one pint salt, one pint washing fluid. Let this water boil, then -put in the articles, and boil half an hour. Stir it well while boiling, -and then run it into moulds: it will be ready for use as soon as cold. -The above is for 100 pounds of soap. - -Royal Washing Powder.--Mix any quantity of soda ash with an equal -quantity of carbonate of soda--ordinary soda--crushed into coarse -grains. Have a thin solution of glue, or decoction of linseed oil -ready, into which pour the soda until quite thick. Spread it out on -boards in a warm apartment to dry. As soon as dry shake up well so that -it will pack easily into nice, square packages. Label neatly. Pound -packages cost 7 cents, retail for 25 cents. - -Patent Starch Polish.--Take common dry potato or wheat starch, -sufficient to make a pint of starch when boiled. When boiled add -one-half drachm spermaceti, and one-half drachm of white wax, then use -it as common starch, only using the iron as hot as possible. - -Invisible Ink.--Sulphuric acid 1 part, water 20 parts; mix together and -write with a quill pen, which writing can only be read after heating it. - -Fine Peppermint Lozenges.--Best powdered white sugar, 7 pounds; pure -starch, 1 pound; oil of peppermint to flavor. Mix with mucilage. - -India Ink.--Ivory black ground into powder, make into a paste with -a few drops of essence of musk, and one half as much essence of -ambergris, and then form into cakes. - -To Preserve Flowers in Water.--Mix a little carbonate of soda in the -water, and it will keep the flowers a fortnight. - -Ginger Lozenges.--Mix with the white of eggs four ounces of powdered -ginger, two pounds of white sugar, and one pound of starch. - -To Restore the Color of Black Kid Boots.--Take a small quantity of good -black ink, mix it with the white of an egg, and apply it to the boots -with a soft sponge. - -Color for Wicker Baskets, or any small Articles of the Kind.--Dissolve -one stick of black sealing-wax and one stick of red in two ounces of -spirits of wine. Lay it on with a small brush. - -To Remove Stains from Books.--To remove ink-spots, apply a solution of -oxalic, citric, or tartaric acid. To remove spots of grease, wax, oil, -or fat, wash the injured part with either, and place it between white -blotting-paper. Then, with a hot iron, press above the part stained. - -To Clean Black Veils.--Pass them through a warm liquor of bullock’s -gall and water; rinse in cold water; then take a small piece of glue, -pour boiling water on it, and pass the veil through it; clap it, and -frame to dry. Instead of framing, it may be fastened with drawing-pins -closely fixed upon a very clean paste or drawing-board. - -To Clean a Marble Chimney Piece.--If the marble is white, procure -half a pound of pearlash, one pound of whiting, and half a pound of -soft soap; boil all these ingredients together until they attain the -consistence of a thick paste. When nearly cold, lay it upon the marble, -and let it remain on it for at least twenty-four hours. Wash it off -with soft water, and polish with linen rags. Spirits of turpentine is -excellent for cleaning black marble. - -Oil Stains in Silk and other Fabrics.--Benzine is most effectual, not -only for silk, but for any other material whatever. It can be procured -from any druggist. By simply covering both sides of greased silk -with magnesia, and allowing it to remain for a few hours, the oil is -absorbed by the powder. Should the first application be insufficient, -it may be repeated, and even rubbed in with the hand. Should the silk -be Tussah or Indian silk, it will wash. - -Scarlet Ink.--Dissolve 1 oz. garancine of the best quality in 1 oz. -liquor ammonia; add 1 pint soft cold water distilled; mix together in a -mortar, filter and dissolve in it 1/2 oz. of gum arabic. - -Luminous Ink.--Shines in the dark--Phosphorous, one-half drachm, oil -cinnamon, one-half oz., mix in a vial, cork tightly, heat it slowly -until mixed. A letter written with this ink can only be read in a dark -room, when the writing will have the appearance of fire. - -Brown Ink.--Take 4 parts powdered catechu and put it in 6 parts soft -water; let it stand for half a day, shaking occasionally, then strain, -and to bring it to the proper consistency, add sufficient of a solution -of bichromate of potash, 1 part in 16 of water, all by measure. - -Ink Powder.--One pound of nutgall, 7 ounces copperas, 7 ounces gum -arabic: this amount of ink powder will make one gallon of good black -ink; to prevent it from moulding, powder two or three cloves and mix -with each pound of powder. - -Excelsior Hair Oil.--One gallon cologne spirits 90 per cent. proof, add -of the oil of lemon, orange and bergamot, each a spoonful, add also of -the extract of vanilla 40 drops, shake until the oils are cut up, then -add one and a half pints of soft water. - -Commercial Writing Ink.--Galls, 1 ounce; gum, 1/2 ounce; cloves, 1/2 -ounce; sulphate of iron, 1/2 ounce; water, 8 ounces. Digest by frequent -shaking until it has sufficient color. This is a good durable ink and -will bear diluting. - -Indelible Ink.--For marking linen without preparation. Nitrate of -silver, 1-1/2 oz., dissolve in 6 oz. of liquor ammonia fortis, archil -for coloring, 1 oz. Gum mucilage, 12 ounces. The best extant. - -Bristol’s Tooth Powder.--Prepared chalk, 1 pound; castile soap, 1/2 -pound; powdered yellow bark, 2 ounces; powdered gum myrrh, 2 ounces; -powdered loaf sugar, 2 ounces; powdered orris, 2 ounces. Mix well, -after having first pulverized the castile. - -Cold Cream.--One pound of lard, three ounces of spermaceti. Melt with a -gentle heat, and when cooling stir in orange-flower water, one ounce, -essence of lavender, twenty-six drops. - -To Make Paint for One Cent a Pound.--To one gallon of soft hot water -add four pounds sulphate of zinc (crude). Let it dissolve perfectly, -and a sediment will settle at the bottom. Turn the clear solution into -another vessel. To one gallon of paint (lead and oil), mix one gallon -of the compound. Stir into it the paint slowly for ten or fifteen -minutes, and the compound and the paint will perfectly combine. If too -thick, thin it with turpentine. This receipt has been sold to painters -as high as $100 for the privilege to use the same in their business. - -Almond Cream.--(There is nothing equal to this cream for softening and -whitening the hands.) Mix honey, almond meal and olive oil into a paste -to be used after washing with soap. Castile soap is best for use; it -will cure a scratch, or cut, and prevents any spot. - -Cream of Roses.--Take one teacupful of rose water, as much -sub-carbonate of potash as will lie on a shilling, and half an ounce of -oil of sweet almonds. Let all be well shaken together until it becomes -thoroughly mixed, which will take some time. This is one of the best -face washes made, and is entirely harmless. - -Excellent Pomade.--Three ounces of olive oil, three-quarters of a -drachm of the oil of almonds, two drachms of palm oil, half an ounce of -white wax, a quarter of a pound of lard, and three-quarters of a drachm -of the essence of bergamot. This pomade is excellent for strengthening -the hair, promoting the growth of whiskers and moustaches, and -preventing baldness. - -Superior Cologne Water.--Alcohol, one gallon; add oil of cloves, lemon, -nutmeg and bergamot, each one drachm; oil neroli, three and a half -drachms; seven drops of oils of rosemary, lavender and cassia; half -a pint of spirits of nitre; half a pint of elder-flower water. Let it -stand a day or two, then take a colander and at the bottom lay a piece -of white cloth, and fill it up, one-fourth of white sand, and filter -through it. - -Family Salve.--Take the root of the yellow dock and dandelion, equal -parts; add good proportion of celandine and plantain. Extract the -juices by steeping or pressing. Strain carefully, and simmer the liquid -with sweet cream or fresh butter and mutton tallow, or sweet oil and -mutton tallow. Simmer together until no appearance of the liquid -remains. Before it is quite cold, put it into boxes. This is one of the -most soothing and healing preparations for burns, scalds, cuts, and -sores of every description. - -Japanese Cement.--Immediately mix the best powdered rice with a little -cold water, then gradually add boiling water until a proper consistency -is acquired, being particularly careful to keep it well stirred all the -time; lastly, it must be boiled for a minute in a clean saucepan or -earthern pipkin. This glue is beautifully white and almost transparent, -for which reason it is well adapted for fancy paper work, which -requires a strong and colorless cement. - - * * * * * - -Transcriber’s Note: - -Use of - to represent division in some expressions is standardized to /. - -*** END OF THE PROJECT GUTENBERG EBOOK HOW TO GET RICH *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. 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You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: How to Get Rich</div> - -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Anonymous</div> - -<div style='display:block; margin:1em 0'>Release Date: May 11, 2021 [eBook #65322]</div> - -<div style='display:block; margin:1em 0'>Language: English</div> - -<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div> - -<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Demian Katz, Craig Kirkwood, and the Online Distributed Proofreading Team at https://www.pgdp.net (Images courtesy of the Digital Library@Villanova University)</div> - -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK HOW TO GET RICH ***</div> - -<div class="figcenter"> -<img id="coverpage" src="images/cover.jpg" alt="Cover," /> -</div> - - -<div style="padding-top:2em"> -<div class="boxit"> -<p class="center xlargefont sansseriffont">Multum in Parvo<br /> -Library.</p> - -<p class="center"><em>Entered at Post Office as Second-Class matter.</em></p> - -<div class="doublerule"></div> - -<div class="center"> -<p class="displayinline xlargefont" style="vertical-align:top">Vol. I.</p> -<p class="displayinline center" style="vertical-align:top; margin-left:1.5em; margin-right:1.5em"><span class="smcap">August, 1894.</span><br /> -<em>Published Monthly.</em></p> -<p class="displayinline xlargefont" style="vertical-align:top">No. 8.</p> -</div> - -<div class="doublerule"></div> - -<h1 class="nobreak">How<br /> -To Get Rich.</h1> - - -<p class="center"><em>Smallest Magazine in the World. Subscription<br /> -price, 50 cts. per year. Single copies, 5 cents each.</em></p> - - -<p class="center p2"><span class="smallfont">PUBLISHED BY</span><br /> -<span class="sansseriffont">A. B. COURTNEY,<br /> -671 Tremont Street, Boston.</span></p> -</div></div> - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<p><span class="pagenum">[2]</span></p> - -<h2 class="nobreak">HOW TO GET RICH.<br /> -Valuable Money-Making Secrets.</h2> -</div> - - -<p class="center pminus1">These recipes have sold for five dollars<br /> -each, and have been the foundations of<br /> -many good-sized fortunes.</p> - -<p class="p1">This collection of recipes and formulas for -making various articles which are in constant -use in every household are, for the most part, -articles upon which very large profits are made, -both by manufacturers and dealers; some -things, which cost but two or three cents to -make, being retailed for as much as twenty-five -cents. We point out to you the proper -method to be pursued in the manufacture of -these various articles, and expect you to use -your own judgment and discretion in the matter -of putting them up for market, and exposing -them for sale. The goods, when ready for -market, may be sold either direct to consumers -at retail, or to store-keepers at wholesale. -Those who adopt the former method may canvass -from house to house, or establish a store -and sell therefrom. The various ingredients -required to compound all the different articles -for which recipes are here given may be purchased -at wholesale drug and grocery stores in -any of the large cities. Large fortunes have -been made upon the manufacture of single articles, -for which recipes are here given, and -there is no reason why any one may not acquire<span class="pagenum">[3]</span> -a competency in the same way, providing -he has the necessary push and sagacity. Here -is an opportunity to be your own manufacturer, -your own wholesaler and your own retailer. -Given these advantages, you may -undersell those in the ordinary channels of -trade, and still make handsome profits; and -we trust that the information herein contained -may be the means of starting many a poor person -toward making a fortune or a good income.</p> - -<p>Black Ink.—Ink, like soap, is something -everybody uses, and few people realize that -thousands of barrels of it are made and sold.</p> - -<p class="pminus1">Recipe for making the best and most durable -black writing ink, as used by the leading penmen -of the United States and Canada.</p> - -<p class="pminus1">To 2 gallons of strong decoction of logwood, -well strained, add <span class="nowrap">1 <span class="fnum">1</span>/<span class="fden">2</span></span> lbs. blue galls in coarse -powder, 6 ounces sulphate of iron, 1 oz. acetate -of copper, 6 oz. of pulverized sugar, and 8 oz. -of gum arabic; set the above on the fire until -it begins to boil, strain, and then set it away -until it has acquired the desired blackness. -The strong “decoction of logwood” is made by -boiling; use soft water, into which put two -ounces of logwood; strain after taking from -the fire.</p> - -<p class="pminus1">The above ink properly made, according to -the above directions, is unsurpassed for elegant -writing of any kind. It flows freely from the -pen, turns to a deep black after writing, and<span class="pagenum">[4]</span> -does not fade. Records written with it fifty -years ago are as legible as the day they were -put upon the paper.</p> - -<p>Fig Candy.—Take 1 pound of sugar and 1 -pint of water; set over a slow fire. When -done, add a few drops of vinegar and a lump -of butter, and pour into pans in which split -figs are laid.</p> - -<p>Red Sealing Wax.—Purchase 4 lbs. shellac, -<span class="nowrap">1 <span class="fnum">1</span>/<span class="fden">2</span></span> lbs. venice turpentine, 3 lbs. finest cinnabar -and 4 oz. venetian; mix the whole well -together, and melt over a very slow fire. Pour -it on a thick, smooth glass, or any other flat, -smooth surface, and make it into 3, 6 or 10 -sticks.</p> - -<p>Silver Ink.—Mix 1 oz. of the finest pewter or -block tin in shavings with 2 oz. quicksilver till -all becomes fluid; then add to it sufficient gum -arabic water to produce the proper consistency.</p> - -<p>Yellow Ink.—A little alum added to saffron, -in soft, hot water, makes a beautiful yellow -ink.</p> - -<p>Mucilage for Labels.—Dextrine, 2 ounces; -glycerine, 1 drachm; alcohol, 1 ounce; water, -6 ounces.</p> - -<p>The Celebrated Chemical Compound.—Take -one pint of alcohol, 2 gills nitrous spirits ether, -2 oz. bicromate potash, 2 oz. powdered cinnamon, -2 oz. aqua fortis. Mix all the above together -and let it stand twenty-four hours and<span class="pagenum">[5]</span> -it is fit for use. Bottle in ounce vials, and sell -for 25 cents. To extract grease stains, etc., -from cloth, saturate with cold water, dip a -sponge in the liquid and apply it, and repeat if -necessary, and wash off with cold water.</p> - -<p>Gold Ink.—Two parts mosaic, 1 part gum -arabic (by measure); mix with soft water -until reduced to a proper condition.</p> - -<p>Green Ink.—Powder 1 ounce verdigris, and -put it in 1 quart of vinegar; after it has stood -two or three days, strain off the liquid.</p> - -<p>Blue Ink.—Two oz. Chinese blue, <span class="fnum">3</span>/<span class="fden">4</span> oz. -pure oxolid acid, 1 oz. powdered gum arabic, -6 pints distilled soft water; mix well and then -strain.</p> - -<p>Purple Ink.—Eight parts logwood in 64 -parts soft water, by measure, boil down to -one-half, then strain and add one part chloride -of tin.</p> - -<p>Imitation Gold.—Sixteen parts platina, seven -parts copper, one part zinc. Put in a covered -crucible, with powdered charcoal, and melt together -till the whole forms one mass, and are -thoroughly incorporated together. Or, take 4 -oz. platina, 3 oz. silver, 1 oz. copper.</p> - -<p>Imitation Silver.—Eleven ounces refined -nickel, two ounces metallic bismuth. Melt the -compositions together three times, and pour -them out in ley. The third time, when melting, -add two ounces pure silver. Or take one-quarter<span class="pagenum">[6]</span> -ounce copper, one ounce bismuth, two -ounces saltpetre, two ounces common salt, one -ounce arsenic, one ounce potash, two ounces -brass, and three ounces pure silver. Melt all -together in a crucible.</p> - -<p>Florida Water.—Half pint proof spirits, two -drachms oil lemon, half drachm oil rosemary. -Mix.</p> - -<p>Freckle Lotion.—Muriate of ammonia, one -drachm; cologne water, two drachms; distilled -water, seven ounces; mix and use as a wash. -It contains nothing injurious.</p> - -<p>Windsor Soap.—This is made with lard. In -France they use lard, with a portion of olive or -bleached palm oil. It is made with one part of -olive oil to nine of tallow; but a greater part of -what is sold is only curd (tallow) soap, and -scented with oil of caraway and bergamot. -The brown is colored with burnt sugar or -umber.</p> - -<p>To Make Maple Sugar without Maple Trees.—Though -the secret I am about to reveal may -seem very simple (when explained), I believe -there are few who would discover it of their -own accord. The value of the maple sugar -crop is considerable, and there is ready sale for -all that can be made. I was led by curiosity -to boil down a little butternut sap, one time, -with an equal quantity of maple sap, and the -result was, a sugar which I could not distinguish -from pure maple. I experimented further<span class="pagenum">[7]</span> -and found that if a little common (cane) -sugar was added to the sap of the butternut, it -would do as well as an addition of maple sap. -I found that the sap of birch and several other -trees would also make, when a very little cane -sugar was added, a sugar which in looks and -taste exactly resembled maple. To be able to -make “maple” sugar from trees not heretofore -deemed valuable for the purpose is just so -much clear profit.</p> - -<p>Traveller’s Ink.—White blotting paper is -saturated with aniline black, and several sheets -are pasted together so as to form a thick pad. -When required for use a small piece is torn off -and covered with a little water. The black -liquid which dissolves out is a good writing ink. -A square inch of paper will produce enough -ink to last a considerable writing, and a few -pads would be all that an exploring party need -carry with them. As water is always available -the ink is readily made. This is a perfectly -original and new recipe. Any enterprising -man can make a large income out of its manufacture.</p> - -<p>Violet Ink.—1 oz. best violet aniline; dissolve -it in one gill of hot alcohol, stir, and -when thoroughly dissolved add one gallon of -boiling hot water; dissolve in the hot water <span class="nowrap">1 <span class="fnum">1</span>/<span class="fden">2</span></span> -oz. white gum arabic. This will make the -most rich and beautiful ink of this color in existence; -will not fade or corrode steel pens, and -is not injured by freezing. An addition of 1 lb.<span class="pagenum">[8]</span> -of sugar and <span class="fnum">1</span>/<span class="fden">2</span> lb. glycerine will make an excellent -copying ink. This ink is usually sold -at $2 per pint bottle, $1 for half pint and 50 -cents for gill bottle. It is worth an enterprising -man or woman $1,000. Do not bury it—use -it and make money out of it.</p> - -<p>New York Barber’s Star Hair Oil.—Castor -oil, <span class="nowrap">6 <span class="fnum">1</span>/<span class="fden">2</span></span> pints, alcohol, <span class="nowrap">1 <span class="fnum">1</span>/<span class="fden">2</span></span> pints, oil of citronella, -<span class="fnum">1</span>/<span class="fden">2</span> ounce, lavender, <span class="fnum">1</span>/<span class="fden">4</span> ounce. Mix well, -put in 4-ounce bottles; retail at 25 cents each.</p> - -<p>Furniture Polish.—Equal parts sweet oil and -vinegar, and a pint of gum arabic finely -powdered. Shake the bottle and apply with a -rag. It will make furniture look as good as -new.</p> - -<p>Artificial Gold.—This is a new metallic alloy -which is now very extensively used in France -as a substitute for gold. Pure copper, one -hundred parts; zinc, or, preferably, tin, seventeen -parts; magnesia, six parts; sal-ammoniac, -three-sixths parts; quick-lime, one-eighth part; -tartar of commerce, nine parts, are mixed as -follows: The copper is first melted, and the -magnesia, sal-ammoniac, lime and tartar are -then added separately, and by degrees, in the -form of powder; the whole is now briskly -stirred for about half an hour, so as to mix -thoroughly; and when the zinc is added in -small grains by throwing it on the surface, and -stirring till it is entirely fused, the crucible is -then covered, and the fusion maintained for<span class="pagenum">[9]</span> -about thirty-five minutes. The surface is then -skimmed, and the alloy is ready for casting. It -has a fine grain, is malleable, and takes a -splendid polish. It does not corrode readily, -and for many purposes is an excellent substitute -for gold. When tarnished, its brilliancy -can be restored by a little acidulated water. If -tin be employed instead of zinc, the alloy will -be more brilliant. It is very much used in -France, and must ultimately attain equal popularity -here.</p> - -<p>Baking Powder.—The following receipt is -the same as used in the preparation of the -standard baking powders of the day, and if put -up attractively will sell readily at the usual -prices. Take 1 pound of <em>tartaric</em> acid in -<em>crystals</em>, <span class="nowrap">1 <span class="fnum">1</span>/<span class="fden">2</span></span> pounds of bi-carbonate of soda -and <span class="nowrap">1 <span class="fnum">1</span>/<span class="fden">2</span></span> pounds of potato starch. Each must -be powdered separately, well dried by slow -heat, well mixed through a sieve. Pack hard -in tinfoil, tin or paper glazed on the outside. -The tartaric acid and bi-carbonate of soda can, -of course, be bought cheaper of wholesale druggists -than you can make them, unless you are -doing things on a very large scale, but potato -starch any one can make; it is only necessary -to peel the potatoes and to grate them up fine -into vessels of water, to let them settle, pour -off the water and make the settlings into -balls, and to dry them. With these directions -any one can make as good a baking -powder as is sold anywhere; if he wants to<span class="pagenum">[10]</span> -make it very cheap, he can take <em>cream of tartar</em> -and common washing (carbonate of) soda, instead -of the articles named in the recipe, but -this would be advisable only where customers -insist on excessively low prices in preference to -quality of goods.</p> - -<p>Babbit’s Premium Soap.—Five gallons of -strong lye, five gallons of water, five pounds of -tallow, two pounds of sal soda, half a pound of -rosin, one pint salt, one pint washing fluid. -Let this water boil, then put in the articles, and -boil half an hour. Stir it well while boiling, -and then run it into moulds: it will be ready -for use as soon as cold. The above is for 100 -pounds of soap.</p> - -<p>Royal Washing Powder.—Mix any quantity -of soda ash with an equal quantity of carbonate -of soda—ordinary soda—crushed into coarse -grains. Have a thin solution of glue, or decoction -of linseed oil ready, into which pour the -soda until quite thick. Spread it out on boards -in a warm apartment to dry. As soon as dry -shake up well so that it will pack easily into -nice, square packages. Label neatly. Pound -packages cost 7 cents, retail for 25 cents.</p> - -<p>Patent Starch Polish.—Take common dry -potato or wheat starch, sufficient to make a pint -of starch when boiled. When boiled add one-half -drachm spermaceti, and one-half drachm -of white wax, then use it as common starch, -only using the iron as hot as possible.</p> - -<p><span class="pagenum">[11]</span></p> - -<p>Invisible Ink.—Sulphuric acid 1 part, water -20 parts; mix together and write with a quill -pen, which writing can only be read after heating -it.</p> - -<p>Fine Peppermint Lozenges.—Best powdered -white sugar, 7 pounds; pure starch, 1 pound; -oil of peppermint to flavor. Mix with mucilage.</p> - -<p>India Ink.—Ivory black ground into powder, -make into a paste with a few drops of essence -of musk, and one half as much essence of ambergris, -and then form into cakes.</p> - -<p>To Preserve Flowers in Water.—Mix a little -carbonate of soda in the water, and it will keep -the flowers a fortnight.</p> - -<p>Ginger Lozenges.—Mix with the white of -eggs four ounces of powdered ginger, two -pounds of white sugar, and one pound of -starch.</p> - -<p>To Restore the Color of Black Kid Boots.—Take -a small quantity of good black ink, mix -it with the white of an egg, and apply it to the -boots with a soft sponge.</p> - -<p>Color for Wicker Baskets, or any small -Articles of the Kind.—Dissolve one stick of -black sealing-wax and one stick of red in two -ounces of spirits of wine. Lay it on with a -small brush.</p> - -<p>To Remove Stains from Books.—To remove -ink-spots, apply a solution of oxalic, citric, or<span class="pagenum">[12]</span> -tartaric acid. To remove spots of grease, wax, -oil, or fat, wash the injured part with either, -and place it between white blotting-paper. -Then, with a hot iron, press above the part -stained.</p> - -<p>To Clean Black Veils.—Pass them through -a warm liquor of bullock’s gall and water; -rinse in cold water; then take a small piece of -glue, pour boiling water on it, and pass the -veil through it; clap it, and frame to dry. -Instead of framing, it may be fastened with -drawing-pins closely fixed upon a very clean -paste or drawing-board.</p> - -<p>To Clean a Marble Chimney Piece.—If the -marble is white, procure half a pound of pearlash, -one pound of whiting, and half a pound -of soft soap; boil all these ingredients together -until they attain the consistence of a thick -paste. When nearly cold, lay it upon the -marble, and let it remain on it for at least -twenty-four hours. Wash it off with soft -water, and polish with linen rags. Spirits of -turpentine is excellent for cleaning black -marble.</p> - -<p>Oil Stains in Silk and other Fabrics.—Benzine -is most effectual, not only for silk, but for -any other material whatever. It can be procured -from any druggist. By simply covering -both sides of greased silk with magnesia, and -allowing it to remain for a few hours, the oil is -absorbed by the powder. Should the first<span class="pagenum">[13]</span> -application be insufficient, it may be repeated, -and even rubbed in with the hand. Should the -silk be Tussah or Indian silk, it will wash.</p> - -<p>Scarlet Ink.—Dissolve 1 oz. garancine of the -best quality in 1 oz. liquor ammonia; add 1 -pint soft cold water distilled; mix together -in a mortar, filter and dissolve in it <span class="fnum">1</span>/<span class="fden">2</span> oz. of -gum arabic.</p> - -<p>Luminous Ink.—Shines in the dark—Phosphorous, -one-half drachm, oil cinnamon, one-half -oz., mix in a vial, cork tightly, heat it -slowly until mixed. A letter written with this -ink can only be read in a dark room, when the -writing will have the appearance of fire.</p> - -<p>Brown Ink.—Take 4 parts powdered catechu -and put it in 6 parts soft water; let it stand for -half a day, shaking occasionally, then strain, -and to bring it to the proper consistency, add -sufficient of a solution of bichromate of potash, -1 part in 16 of water, all by measure.</p> - -<p>Ink Powder.—One pound of nutgall, 7 ounces -copperas, 7 ounces gum arabic: this amount of -ink powder will make one gallon of good black -ink; to prevent it from moulding, powder two -or three cloves and mix with each pound of -powder.</p> - -<p>Excelsior Hair Oil.—One gallon cologne -spirits 90 per cent. proof, add of the oil of -lemon, orange and bergamot, each a spoonful, -add also of the extract of vanilla 40 drops,<span class="pagenum">[14]</span> -shake until the oils are cut up, then add one and -a half pints of soft water.</p> - -<p>Commercial Writing Ink.—Galls, 1 ounce; -gum, <span class="fnum">1</span>/<span class="fden">2</span> ounce; cloves, <span class="fnum">1</span>/<span class="fden">2</span> ounce; sulphate of -iron, <span class="fnum">1</span>/<span class="fden">2</span> ounce; water, 8 ounces. Digest by -frequent shaking until it has sufficient color. -This is a good durable ink and will bear diluting.</p> - -<p>Indelible Ink.—For marking linen without -preparation. Nitrate of silver, <span class="nowrap">1 <span class="fnum">1</span>/<span class="fden">2</span></span> oz., dissolve -in 6 oz. of liquor ammonia fortis, archil -for coloring, 1 oz. Gum mucilage, 12 ounces. -The best extant.</p> - -<p>Bristol’s Tooth Powder.—Prepared chalk, 1 -pound; castile soap, <span class="fnum">1</span>/<span class="fden">2</span> pound; powdered yellow -bark, 2 ounces; powdered gum myrrh, 2 -ounces; powdered loaf sugar, 2 ounces; powdered -orris, 2 ounces. Mix well, after having -first pulverized the castile.</p> - -<p>Cold Cream.—One pound of lard, three ounces -of spermaceti. Melt with a gentle heat, and -when cooling stir in orange-flower water, one -ounce, essence of lavender, twenty-six drops.</p> - -<p>To Make Paint for One Cent a Pound.—To -one gallon of soft hot water add four pounds -sulphate of zinc (crude). Let it dissolve perfectly, -and a sediment will settle at the bottom. -Turn the clear solution into another vessel. To -one gallon of paint (lead and oil), mix one -gallon of the compound. Stir into it the paint -slowly for ten or fifteen minutes, and the compound<span class="pagenum">[15]</span> -and the paint will perfectly combine. If -too thick, thin it with turpentine. This receipt -has been sold to painters as high as $100 for -the privilege to use the same in their business.</p> - -<p>Almond Cream.—(There is nothing equal to -this cream for softening and whitening the -hands.) Mix honey, almond meal and olive oil -into a paste to be used after washing with soap. -Castile soap is best for use; it will cure a -scratch, or cut, and prevents any spot.</p> - -<p>Cream of Roses.—Take one teacupful of -rose water, as much sub-carbonate of potash -as will lie on a shilling, and half an ounce of -oil of sweet almonds. Let all be well shaken -together until it becomes thoroughly mixed, -which will take some time. This is one of the -best face washes made, and is entirely harmless.</p> - -<p>Excellent Pomade.—Three ounces of olive -oil, three-quarters of a drachm of the oil of almonds, -two drachms of palm oil, half an ounce -of white wax, a quarter of a pound of lard, and -three-quarters of a drachm of the essence of -bergamot. This pomade is excellent for -strengthening the hair, promoting the growth -of whiskers and moustaches, and preventing -baldness.</p> - -<p>Superior Cologne Water.—Alcohol, one gallon; -add oil of cloves, lemon, nutmeg and bergamot, -each one drachm; oil neroli, three and -a half drachms; seven drops of oils of rosemary<span class="pagenum">[16]</span>, -lavender and cassia; half a pint of spirits of -nitre; half a pint of elder-flower water. Let it -stand a day or two, then take a colander and at -the bottom lay a piece of white cloth, and fill it -up, one-fourth of white sand, and filter through -it.</p> - -<p>Family Salve.—Take the root of the yellow -dock and dandelion, equal parts; add good -proportion of celandine and plantain. Extract -the juices by steeping or pressing. Strain carefully, -and simmer the liquid with sweet cream -or fresh butter and mutton tallow, or sweet oil -and mutton tallow. Simmer together until no -appearance of the liquid remains. Before it is -quite cold, put it into boxes. This is one of -the most soothing and healing preparations for -burns, scalds, cuts, and sores of every description.</p> - -<p>Japanese Cement.—Immediately mix the best -powdered rice with a little cold water, then -gradually add boiling water until a proper consistency -is acquired, being particularly careful -to keep it well stirred all the time; lastly, it -must be boiled for a minute in a clean saucepan -or earthern pipkin. This glue is beautifully -white and almost transparent, for which reason -it is well adapted for fancy paper work, which -requires a strong and colorless cement.</p> - -<hr class="tb x-ebookmaker-drop" /> - -<div class="chapter"> -<div class="transnote"> -<h2 style="margin-top: 0em">Transcriber’s Note:</h2> - -<p>Use of - to represent division in some expressions is standardized to /.</p> -</div></div> - -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK HOW TO GET RICH ***</div> -<div style='text-align:left'> - -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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