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diff --git a/old/65167-0.txt b/old/65167-0.txt deleted file mode 100644 index b85c82b..0000000 --- a/old/65167-0.txt +++ /dev/null @@ -1,885 +0,0 @@ -The Project Gutenberg eBook of The Deeds Carillon and Carillon Park, by -Anonymous - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: The Deeds Carillon and Carillon Park - -Author: Anonymous - -Release Date: April 26, 2021 [eBook #65167] - -Language: English - -Character set encoding: UTF-8 - -Produced by: Stephen Hutcheson and the Online Distributed Proofreading - Team at https://www.pgdp.net - -*** START OF THE PROJECT GUTENBERG EBOOK THE DEEDS CARILLON AND CARILLON -PARK *** - - - - - The DEEDS CARILLON - and - Carillon Park - - - [Illustration: Throughout her life, Mrs. Edward A. Deeds was a lover - of music. By the time she had reached her early teens she was an - accomplished musician. From then until her passing in 1949, music - remained one of the dominant interests of her life. Her desire to - share the beauty of good music with others found expression in many - ways and culminated in her decision to erect a Carillon which for - generations to come would be a source of enjoyment and relaxation - for the people of this community. She saw this dream fulfilled when - on Easter Sunday in April, 1942, the Deeds Carillon bells rang out - in a program of Easter music. The beautiful shaft with its - thirty-two bells became a striking symbol of the interest of Mrs. - Deeds in music and in the community of which she was so long a - part.] - - [Illustration: Deeds Carillon] - - - - - The Deeds Carillon - - -Carillon Park owes its existence to the generosity of two -public-spirited Dayton citizens, Colonel and Mrs. Edward A. Deeds. It is -an expression of the interests of two people expanded for the pleasure -and advancement of the entire community. - -The Park had its inception with the Carillon, the gift of Mrs. Deeds. -Devoted to music from her girlhood, and herself an accomplished -musician, she had the inspiration for it while listening to the chimes -in one of the famous old belfries of Bruges. As the melodious notes fell -on her ears she said to herself, “In no other way can simple and -inspiring music be spread among the entire populace.” In that hour was -born the idea of the Deeds Carillon which rears its majestic height in -the midst of Carillon Park. - -The idea of combining a group of bells to form a carillon dates back to -the Middle Ages. Since bells provided the world’s oldest and most simple -form of musical expression there came the evolution from a call to -prayer to a musical program. Some of Europe’s most famed and beautiful -towers have carillons. The carillon was developed to a greater and more -artistic extent in Belgium than in any other continental country, not -only in Bruges but also in Antwerp, Ghent, and Mechlin. Around the -carillon bells has been woven a tradition of beauty and inspirational -service. - - [Illustration: Mrs. Edward A. Deeds and Colonel Deeds at the first - regularly scheduled carillon program August 23, 1942.] - -Before embarking on her enterprise Mrs. Deeds viewed many carillons at -home and abroad and made a careful study of bells. The initial -requirement was to find a site which would provide the best ultimate -results from carillon music without echo and the jumbling of tone. Early -in her planning Mrs. Deeds considered Deeds Park at the junction of the -Miami River and Mad River. This park—a gift of Colonel Deeds to the city -of Dayton—would have made an appropriate setting. The idea was -reluctantly abandoned because of interfering noises and sound deflection -which would occur in the area. Finally Mrs. Deeds decided upon a site in -the triangular area located between Patterson Boulevard and Carillon -Boulevard almost adjacent to Old River, The National Cash Register -Company recreational park. - - [Illustration: The beautiful bronze door at the Carillon is more - than an entranceway. In the cherished words of Longfellow’s - “Christmas Bells” it expresses the spirit in which the Carillon was - conceived and dedicated to the service of the people ... “With Peace - on Earth, good will to men.”] - - - - - IT WAS AS IF AN EARTHQUAKE RENT - THE HEARTHSTONES OF A CONTINENT - AND MADE FORLORN - THE HOUSEHOLDS BORN - OF PEACE ON EARTH GOOD WILL TO MEN - - AND IN DESPAIR I BOWED MY HEAD - THERE IS NO PEACE ON EARTH I SAID - FOR HATE IS STRONG - AND MOCKS THE SONG - OF PEACE ON EARTH GOOD WILL TO MEN - - THEN PEALED THE BELLS MORE LOUD AND DEEP - GOD IS NOT DEAD NOR DOES HE SLEEP - THE WRONG SHALL FAIL - THE RIGHT PREVAIL - WITH PEACE ON EARTH GOOD WILL TO MEN - - LONGFELLOW - -The sixty-one acres comprised in Carillon Park represent a notable piece -of reclamation. For many years it was periodically flooded and became a -bushy swamp breeding mosquitoes and germs. It was one of Dayton’s -eyesores in addition to being a menace to health. The decision to build -the Deeds Carillon led to its transformation. Within a year the one-time -“dismal swamp” emerged as an ideal pleasure ground equipped with a -parking space for hundreds of motor cars. In this lovely, wooded, and -verdant environment the citizens of Dayton and all others who come, -relax and enjoy the music of the carillon bells. - -Including both large and small examples, there were only six true -carillon towers in the United States prior to the construction of the -Deeds Carillon. Of these, two were on college grounds, two on private -estates, one in a cemetery, while the sixth was the one built by the -late Edward K. Bok on his Florida estate. A true carillon must have a -minimum of twenty-three bells providing the tones and semitones to -encompass the full octaves. Except in rare instances when they were hung -in the gabled arches of the old Spanish missions and outside oriental -temples, carillon bells are seldom seen. For hundreds of years -architects have struggled with the problem of providing structures to -support carillons which will elevate them to a height at which they can -be adequately heard over the surrounding countryside. The solution had -invariably been to erect an enclosed tower in which the bells are hidden -from view and covered with grilles which screen the bells from sight and -tend to muffle the sound. - - [Illustration: The casting of carillon bells is an art handed down - from father to son. The Meneely Company which cast the Deeds - Carillon bells practiced the art for six generations. Once a bell is - cast, no alterations can be made in it. If a true tone is not - achieved the work must be done over.] - - [Illustration: The largest bell in the chandelier of 32 bells in the - Deeds Carillon weighs 7,000 pounds, and the smallest 250 pounds. - They are cast in bronze and the total weight of all the bells and - the chandelier is 32 tons.] - - [Illustration: Hours of planning and consultation with architects - and the bell casters went into the building of the Deeds Carillon.] - -Starting with the instruction from Mrs. Deeds that the thirty-two bells -in the Deeds Carillon must all be exposed to view, the architects, after -long study and investigation, were able to carry out her wishes. The -Deeds Carillon is the first tower to have all the bells mounted entirely -in the open, thus insuring greater carrying power and purest, -unrestricted beauty of tone. Such a departure from the old method of -construction required a complete rechecking of the science of carillon -tower design and bell placement. - -Like Colonel Deeds, Mrs. Deeds was a perfectionist. She visioned the -ideal structure, and the architects, Reinhard, Hofmeister & Walquist of -New York, designers of Rockefeller Center, met every requirement. The -landscaping surrounding the tower was in the hands of Olmstead Brothers -of Boston, foremost in their field. - -An unusual feature of the design is the so-called entasis of the sides -of the tower in which they were reduced toward the top as much as -eighteen inches, not in a straight line but by means of a curve which -bows three inches from top to bottom. The purpose of this is not to make -the sides bulge but to correct the optical illusion of pinching in and -actually making the sides look straight. This was the device employed by -the ancient Greeks for the same purpose in the design of their classic -columns. - - [Illustration: The stone shafts of the Carillon are built around a - steel core.] - - [Illustration: A mass of scaffolding was a requisite in building the - Carillon.] - - [Illustration: Moving the bells from the freight cars which brought - them to Dayton and hanging them in position were operations which - called for great skill.] - - [Illustration: The impressive array of the 32 bells in the Carillon - arranged at its base just previous to being placed in position.] - -The Carillon tower, built of granite, steel, and limestone, soars -skyward 151 feet from the base planted on a green and friendly hill. It -is a shaft of precise beauty, dramatic in its simplicity, and -terminating in noble arches. Suspended from the cross-shaped -intersections of the arches, in full sight from all directions and -visible for miles around, is the chandelier of bells. At the base of the -Carillon is the Console Room. From here an elaborate electrical system -plays the bells through the touch of the operator’s fingers at the -console. - -The actual ringing of the bells requires an unusual mechanism consisting -of an electrical solenoid, delivering a blow of proper force for each -size of bell. Suitable screens, designed so as not to interfere with the -sound, are placed at the bottom of the mechanism so that each bell, when -viewed from the ground, presents a uniform appearance, only the clapper -being visible. This was the first time that such a type of construction -in all its details had been followed, making possible a full, rich -beauty of tone. - - [Illustration: The console which controls the playing of the - Carillon is located in a special room within the structure.] - -In kinship with the spiritual fervor and idealism built into the -Carillon is the impressive bronze door bearing these inspirational words -by Longfellow: - - It was as if an earthquake rent - The hearthstones of a continent, - And made forlorn the households born - Of peace on earth good will to men. - - And in despair I bowed my head - There is no peace on earth I said - For hate is strong and mocks the song - Of peace on earth good will to men. - - Then pealed the bells more loud and deep - God is not dead nor does He sleep, - The wrong shall fail, the right prevail - With peace on earth good will to men. - -The bells range in size from six feet in diameter with a weight of 7,000 -pounds to the smallest one which is eighteen inches in diameter weighing -250 pounds. Of the thirty-two bells in the Carillon, twenty-three are -speaking bells covering a range of two full octaves from B flat below -middle C. On the speaking bells were inscribed the names of the Deeds -family then living, while on the silent bells appear the names of six -deceased members. - - [Illustration: The Celestron was added several years after the - Carillon was built. This is an amplifying system incorporating a - number of advanced features and making it possible to play recorded - music so that it can be heard over a wide area. The Celestron has no - connection with the Carillon bells. Since the addition of the - Celestron, most programs are divided between carillon music and - recorded music.] - - [Illustration: This scene in the Carillon parking area has been - duplicated many times, as Sunday afternoon programs and others have - been presented.] - - [Illustration: Easter Dawn Services at the Carillon.] - -The same loving care that was lavished on the planning of the Carillon -has found expression in the arrangement of the programs. Mrs. Deeds -personally supervised the selection and arrangement of more than 400 -musical selections so they could be played on the bells. The music has -been transferred to sheets of white Bristol paper bearing the Carillon -crest which are filed systematically for reference. - -Thirty-five feet above the base of the Carillon tower is a balcony-like -structure in bronze which contains a room twelve feet in diameter and -six feet high. In this room are installed thirty-two powerful -high-fidelity speakers of the most advanced design. On Easter morning, -Christmas Eve, and other occasions, programs are broadcast directly to -the countryside. Recorded music, performed by the world’s finest bands, -choruses, orchestras and soloists, is to be heard with all its beauty -for nearly a mile in every direction throughout the wide-open spaces -about the Carillon tower. This Celestron is not connected in any way -with the chandelier of bells of the Carillon. It is an additional -instrument for the pleasure of those who love good music. - -The science of bell-making is an old one. Sometimes it is necessary to -cast twenty or thirty bells to fill an order for a ten-bell chime. The -Deeds Carillon bells were made by The Meneely Bell Company of Troy, New -York. - - - - -Typical Sunday Afternoon Carillon Park Program - - CARILLON - 1. America - 2. Song of Faith - 3. Rock of Ages - 4. The Holy City - 5. In the Garden - 6. When They Ring the Golden Bells - 7. Goin’ Home - 8. Great God of Nations - 9. In a Monastery Garden - 10. The Bells of London - 11. The Bells of St. Mary’s - 12. Ah! Sweet Mystery of Life - 13. Pilgrim’s Chorus - 14. Land of Hope and Glory - 15. Jesu, Joy of Man’s Desiring - 16. Rhapsody for Bells - CELESTRON - 1. Glorious Things of Thee Are Spoken (Haydn) - World Choristers - 2. Spanish Caprice (Rimsky-Korsakoff) - Cincinnati Summer Opera Orchestra - 3. Come Where My Love Lies Dreaming (Foster) - Jesse Crawford, Organist - 4. Fight On (Sweet and Grant) - Frank Westerfield Band - 5. The Hills of Home (Fox) - Nelson Eddy, Baritone - 6. King Cotton March (Sousa) - Frank Westerfield Band - 7. I’m Falling in Love With Someone (Herbert) - Jane Marcy and Roland Smythe - 8. Flapperette (Greer) - Wilson Ames, Organist - 9. Just A-Wearyin’ for You (Bond) - Walter Preston, Baritone - 10. Waltzing Doll (Poldini) - Daniel Lieberfeld Orchestra - 11. The Star-Spangled Banner - - -CELESTRON - - An especially designed amplifying installation for the playing of - recorded music. - 32 high-fidelity speakers. Uniform frequency range from 50 to 15,000 - cycles. - Total operating power—5,500 watts. - Bronze Galeria 12 ft. in width; located 35 ft. above terrace. - Record player in Console Room. - Control panels in Power Room. - - [Illustration: The sectional diagram at the left shows the - construction and arrangement of the Carillon both above and below - ground. The map shows location and parking area.] - - - - - Number of bells 32 - Total weight of bell chandelier 32 tons - Diameter smallest bell 1 ft. 6 in. - Diameter largest bell 6 ft. - Height of tower above terrace 151 ft. 6 in. - Height of tower from bottom of 183 ft. 7 in. - foundation - Construction: - Indiana Limestone with Granite Base. - 1 _Chandelier of bells_ - 2 _Galeria for Celestron_ - 3 _Carillon Console Room and Celestron - Record Player_ - 4 _Power Room_ - 5 _Basement_ - -A most spectacular step in bell-making comes when the copper and tin are -melted and mixed in the oil furnace, brought to just the proper -temperature, and then carried in a huge ladle from which the molten -alloy is poured into the mold. - -Larger bells are kept buried in dirt for days after the casting to -retard their cooling. Sometimes weeks go by before the bell can be -“shaken out” and the founder gets the final check on the accuracy of his -calculations. - -The Meneely Bell Company foundry represented a curious mixture of the -old and the new. There was the main foundry with its large modern oil -melting furnaces in which was blended the age-old mixture of copper and -tin which is known in the textbooks as “bell metal”.... Out in the next -shop were the blacksmith and his helper, skillfully working iron into -the special bell mountings. Immediately behind this was the finishing -room where large and small bells were cleaned and buffed, while finished -ones were being set into their mountings for final tests before -shipment. Upstairs, patterns and cabinets were fashioned from wood; -while on a nearby drafting board a chime would take form as it would fit -into its final position in the tower. - -In making bells, there must be a complete understanding of the technical -elements that make a bell ring true. Meneely’s men knew that a pure tone -was a definite number of vibrations per second as sensed by the human -ear. - -The sound of a single tone is pleasant but colorless. The usual tone is -made up of a number of different pure tones, blending together, with the -dominant one giving the tone its pitch. Practically everything that will -vibrate will produce a tone, but only certain combinations will have the -musical qualities which distinguish them from unpleasant “noise.” - -In this country, the commonest form of chime is that found in clock -towers. Principally used to strike the quarters and hours, these bells -are usually stationary and seldom number more than four or five; hence -no complete airs can be played with them. - - [Illustration: From an acoustical standpoint the Deeds Carillon is - ideally located. The hills to the south provide a natural sounding - board and enhance the tone of the music.] - -Chimes usually contain a minimum of ten bells, which give enough tones -in the diatonic scale to permit the rendering of hundreds of complete -hymns, folk songs, etc., in simple harmonies. Chimes are typically an -American form of art and are found in our churches in every part of the -country. The bells do not move, but the clappers are operated from -manual claviers, or by modern electrical methods employing small -piano-like keyboards. - - [Illustration: This picture shows how the bells are mounted on the - chandelier and hang suspended from the top of the Carillon. The - larger bells are at the top of the chandelier.] - - [Illustration: The regular Sunday afternoon concerts at Carillon - Park have drawn music lovers in ever-increasing numbers. In the - informal atmosphere of a beautiful park on a sunny summer afternoon, - there is pleasure and relaxation for all the family. The hour-long - program is now divided between numbers played on the bells and - recorded music amplified through the Celestron.] - - [Illustration: People in Carillon Park] - - [Illustration: People in Carillon Park] - -The first regularly scheduled Deeds Carillon program was presented on -Sunday, August 23, 1942, in the presence of a capacity crowd. The first -two programs were played by Mrs. Deeds. Since that inaugural day, -programs are given every Sunday afternoon, June through October, and at -Easter Sunrise. - -Once Carillon Park had been created, Colonel Deeds stepped into the -picture for his contribution to the project. His wise counsel and sense -of perfection had contributed much to the success of the tower -construction. He now set about to gratify his love for the historic with -the larger conception of providing a group of exhibits that would be a -visual lesson in history. The striking parade of transportation in the -Park dating from the picturesque days of the Conestoga wagon and the -Concord coach to the Wright airplane is the result. Every exhibit meant -painstaking research and discriminating choice. - -The Deeds Carillon stands on a three-acre tract purchased by Mrs. Deeds -from NCR. The property was, in turn deeded to Educational and Musical -Arts, Incorporated. This is an administrative subsidiary of the Dayton -Foundation, especially created to carry out the construction and -perpetuation plans through a group of Dayton’s civic leaders who were -proud and glad to assume the responsibility. The financial requirements -for maintenance and operation are met through an endowment fund created -by Mrs. Deeds and contributions of Colonel Deeds. - -Carillon Park is unique among the gifts for public enjoyment in that it -serves a threefold purpose. The Carillon itself, with its eloquent and -deep-toned bells, is a spiritual stimulant for Dayton, a source of -beauty and inspiration. The Park, a natural beauty spot, is a sanctuary -for all people, while the historical exhibits are highly educational. - - [Illustration: People in Carillon Park] - - [Illustration: People in Carillon Park] - - - - - The Historical Exhibits at Carillon Park - - -In a desire to perpetuate some of those links with the past which are -rapidly passing from the scene, an historical exhibit has been set up in -Carillon Park. The caretaker’s house has been built as a replica of an -old grist mill and includes a water wheel which turns a millstone, just -as in the mills of yesterday. - -Most of the other exhibits are concerned with transportation and tell -the story of man’s progress from the days of the Conestoga wagon, the -Concord coach and the canal, to the airplane. They also include a -covered bridge which long served the people of this valley and a -grasshopper locomotive, the oldest in existence. - - [Illustration: The Concord Coach] - - [Illustration: The Steam Fire Engine] - - [Illustration: The Old Covered Bridge] - - [Illustration: Original Canal Lock] - - [Illustration: The Old Grist Mill] - - [Illustration: The Conestoga Wagon] - - [Illustration: The restored 1905 Wright airplane] - - [Illustration: The Grasshopper Locomotive] - - [Illustration: The Pioneer Home] - - [Illustration: Deeds Barn] - - [Illustration: The Deeds Carillon is no less impressive by night - than by day. Softly lighted, it reaches skyward, symbolic in its - strength and simplicity of the spirit of the people to whom it is - dedicated.] - - - CARILLON PARK - DAYTON, OHIO - - One of a series of Carillon Park booklets. - Price ten cents. - - PRINTED IN U.S.A. - - - - - Transcriber’s Notes - - -—Silently corrected a few typos. - -—Retained publication information from the printed edition: this eBook - is public-domain in the country of publication. - -—In the text versions only, text in italics is delimited by - _underscores_. - - - -*** END OF THE PROJECT GUTENBERG EBOOK THE DEEDS CARILLON AND CARILLON -PARK *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. 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