summaryrefslogtreecommitdiff
path: root/old/65132-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/65132-0.txt')
-rw-r--r--old/65132-0.txt3938
1 files changed, 0 insertions, 3938 deletions
diff --git a/old/65132-0.txt b/old/65132-0.txt
deleted file mode 100644
index 9ffae9a..0000000
--- a/old/65132-0.txt
+++ /dev/null
@@ -1,3938 +0,0 @@
-The Project Gutenberg eBook of Wild Pastures, by Winthrop Packard
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Wild Pastures
-
-Author: Winthrop Packard
-
-Illustrator: Charles Copeland
-
-Release Date: April 22, 2021 [eBook #65132]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: Steve Mattern, David E. Brown, and the Online Distributed
- Proofreading Team at https://www.pgdp.net (This file was
- produced from images generously made available by The Internet
- Archive)
-
-*** START OF THE PROJECT GUTENBERG EBOOK WILD PASTURES ***
-
-
-
-
-WILD PASTURES
-
-
-[Illustration: He was still sitting on his perch greeting the gold of
- the morning sun with melodious uproar [_Page 31_]
-
-
-
-
- WILD PASTURES
-
- BY
-
- WINTHROP PACKARD
-
- ILLUSTRATED BY
-
- CHARLES COPELAND
-
- [Illustration]
-
- BOSTON
-
- SMALL, MAYNARD AND COMPANY
-
- PUBLISHERS
-
-
-
-
- COPYRIGHT, 1909
-
- By Small, Maynard & Company
-
- (INCORPORATED)
-
- _Entered at Stationers’ Hall_
-
- THE UNIVERSITY PRESS, CAMBRIDGE, U.S.A.
-
-
-
-
- TO
-
- MY WIFE AND THE WEE BOY
-
- WHO HAVE MADE AND SHARED
- THE PASTURE SUNSHINE
-
-
-
-
-CONTENTS
-
-
- PAGE
-
- WAYLAYING THE DAWN 1
-
- STALKING THE WILD GRAPE 25
-
- THE FROG RENDEZVOUS 47
-
- A BUTTERFLY CHASE 69
-
- DOWN STREAM 89
-
- BROOK MAGIC 109
-
- IN THE PONKAPOAG BOGS 131
-
- SOME BUTTERFLY FRIENDS 151
-
- THE RESTING TIME OF THE BIRDS 173
-
- THE POND AT LOW TIDE 193
-
- HOW THE RAIN CAME 215
-
-
-
-
-ILLUSTRATIONS
-
-
- He was still sitting on his perch greeting the gold of
- the morning sun with melodious uproar _Frontispiece_
-
- OPPOSITE PAGE
-
- The fox may slink for an hour unscared, waiting with
- watchful eye on the neighboring chicken coop 6
-
- The mother bird, dancing and mincing along 38
-
- Out from among the birches she sails gracefully, a
- veritable queen of the fairies 64
-
- There was the swish of wings, the snip-snap of a
- bird’s beak, and it was all over 86
-
- The way of the “kiver” is this. There is a single,
- snappy, business-like bob, then another, then
- three in quick succession 96
-
- That such things are not seen oftener is simply
- because people are dull and go to bed instead
- of sitting out under the witch-hazel at midnight
- of a full moon 114
-
- Of a clear midsummer evening you may hear the
- muskrat grubbing roots there ... and hear his
- snort and splash when he dives at sudden sight
- of you 142
-
- Every boy who knows the country in summer knows
- him by his rich, red coloration, his strong, black-bordered
- wings with their black veins 160
-
- The English sparrow has the true instincts of the
- browbeating coward 180
-
- The skunk doesn’t know where he is going and he
- isn’t even on his way 198
-
- My lone quail sat on a rock in the pasture, tipped
- his head back a little, swelled his white throat,
- and whistled 222
-
-
-
-
-WAYLAYING THE DAWN
-
-
-
-
-WAYLAYING THE DAWN
-
-
-The most beautiful place which can be found on earth of a June morning
-is a New England pasture, and fortunate are we New Englanders who love
-the open in the fact that, whatever town or city may be our home, the
-old-time pastures lie still at our very doors.
-
-The way to the one that I know best lies through the yard of an old,
-old house, a yard that stands hospitably always open. It swings along
-by the ancient barn and turns a right angle by a worn-out field. Then
-you enter an old lane leading to what has been for more than a century
-a cow pasture. Here the close-cropped turf is like a lawn between the
-gray and mossy old stone fences that the farmer of a century and more
-gone grubbed from the rocky fields and made into metes and bounds.
-There they stand to-day, just as he set them, grim mementos of toil
-which the softening hand of time has made beautiful. Where cattle still
-travel such lanes day by day these walls are undecorated, but many of
-the lanes are untraveled and have been so these fifty years. Such are
-garlanded with woodbine, sentineled by red cedars, and fragrant with
-the breath of wild rose, azalea, and clethra.
-
-Side by side with this lawn-like lane is another which was once
-traversed by the cattle of the next farm, but which has not been used
-for a lifetime. In this the wild things of the wood are untrammeled,
-save by one another, and they hold it in riotous possession. Just as
-the first lane is tame and sleek this other is wild and unkempt. The
-raspberry and blackberry tangle catches you by the leg if you enter,
-as if to hold you until birch and alder, cedar and sassafras, look you
-over and decide whether or not you are of their lodge. If you give them
-the right grip you may pass. If not, you will be well switched and
-scratched before you are allowed to go on.
-
-Here the wild grape climbs unpruned from wall to cedar, from cedar to
-birch and from birch to oak, whence it sends its witching fragrance
-far on the morning air. You may stalk a wild grape in bloom a mile by
-the scent and be well rewarded by finding the very place where the air
-tingles with it.
-
-This lane is wild, and the wild things of the woods that come on fleet
-wing and nimble foot frequent it. You may never see a partridge in
-the sleek lane, and if by chance the red fox crosses it he does so
-gingerly and as if it were hot under foot. In the other, however, the
-fox may slink for an hour unscared, waiting with watchful eye on the
-neighboring chicken coop, the red squirrel builds his nest in the
-cedar, and the partridge leads her young brood among the blackberry
-bushes of an early morning.
-
-The azalea sends out its white fragrance from the one lane, and never a
-buttercup, even, nods to the wind in the other; yet you love the smooth
-shorn one best. It talks to you of the homely life of the farm, the
-lazy cattle drowsing contentedly to the barn at milking time while the
-farmer’s boy sings as he puts up the bars behind them. You love it best
-because, however much you may love the wild things, the lure of the
-home-leading and well-trodden paths is strong upon you. It is more than
-a sturdy, rough-built stone wall that separates the two lanes; there is
-all the long road from the wilderness down to civilization between them.
-
-[Illustration: The fox may slink for an hour unscared, waiting with
- watchful eye on the neighboring chicken coop]
-
-For the story the pasture teaches us, more than anything else is the
-story of how the fathers wrested the dominion of the New England earth
-from the wilderness and of the way in which the wilderness still hems
-their world about and not only waits the opportunity to spring upon us
-and regain possession, but invests our fields like an invading army and
-takes by stealth what it may not win by force.
-
-The pasture bars divide the world of the smooth-trodden lane and
-the close-shorn fields from the picket line of the wilderness. Let
-us pause a moment upon the line of demarcation. Behind us are the
-entrenchments of civilization, the farmhouse and barn and other
-buildings,--its fort. The town road is the military way leading from
-fortified camp to fortified camp, the mowing field its glacis, and
-the stone walls its outer entrenchments. These the cohorts of the
-wilderness continually dare, and are kept from carrying only by the
-vigilance of the farmer and his men.
-
-Let but this vigilance relax for a year, a spring month even, and
-bramble and bayberry, sweet-fern and wild rose, daring scouts that they
-are, will have a foothold that they will yield only with death. Close
-upon these will follow the birches, the light infantry which rushes to
-the advance line as soon as the scouts have found the foothold. These
-intrench and hold the field desperately until pine and hickory, maple
-and oak, sturdy men of the main line of battle, arrive, and almost
-before you know it the farm is reclaimed. The wilderness has regained
-its lost ground and the cosmos of the wild has wiped out that curious
-chaos which we call civilization.
-
-In this debatable land of the pasture, this Tom Tiddler’s ground where
-the fight between man and the encroaching wilderness goes yearly in
-favor of the wilderness, dwell the pasture people. The woodchuck, the
-rabbit, and even the fox have their burrows here, the woodchuck and the
-rabbit finding the farmer’s clover field and garden patch a convenient
-foraging ground, the fox finding the chicken coop and the rabbit
-equally convenient.
-
-The pasture is the happy hunting-ground of the hawks and owls, though
-they dwell by preference in the deep wood, the nearer approaching to
-the forest primeval the better, but the crow often nests in a pine
-among a group of several in the pasture. The pasture is peculiarly the
-home of scores of varieties of what one might term the half wild birds,
-the thrushes from honest robin down to the catbird, warblers, finches,
-and a host of others who are as shy of the deep woods as they are of
-the highway; and here, in those magic hours that come between the first
-faint flush of dawn and sunrise, you may hear the full chorus of their
-matins swell in triumphant jubilation.
-
-Here in Eastern Massachusetts the dawn comes early, very early, in
-June. It will be a little before three that if you watch the east
-you will see it flush a bit like the coming of color on the face of a
-dark-tressed maiden who has had sudden news of the coming of her lover.
-This flush of color fades again soon, and it is evident that it is all
-a mistake, for the darkness grows thicker than ever, and night, like
-that of the Apocalypse, is upon the face of the world. The dawn is long
-coming when you wait for it. Joshua evidently has arisen and is holding
-the sun in Syria as of old, that he may have time further to confound
-his enemies.
-
-No one believes that there will be dawn at all. You cannot prove it by
-the wood thrush. He sings best, indeed he sings only, in the shadow,
-and often even in the darkest night he will send out a bell-like note
-or two that has a soothing, sleepy tintinnabulation as of cow-bells
-shaken afar off by drowsy cattle. No, the wood thrush is not a reliable
-witness, but if you are wise in the ways of field and pasture before
-dawn, you may take evidence from the chipping sparrow. He is the
-earliest as he is one of the smallest of the morn-waking birds. In his
-case the least shall be first. I do not know if he really sees the
-dawn or if he smells it. There is a change in the air before there is
-in the sky, and perhaps he notes it. Perhaps, too, being smaller, he
-needs less sleep than the other birds, and his gentle inquiring note
-is a plaint that the night is long rather than a prophecy that it is
-ending. But it is he that first predicts with certainty the coming day,
-and it will be many minutes after his first call before the growing
-luminosity, a sort of pale halo that looms slowly about all things,
-tells you that the sun is indeed coming. Even then you are likely to
-hear no other bird note for what seems a long time.
-
-Then from a treetop in the open comes a sort of surprised ejaculation,
-as if some one said, “Why, bless me! It is morning already,” and then a
-burst of song from the full throat of a robin. It is as if he were the
-chorister of a choir invisible, for he pipes but a single strain before
-from treetop to treetop, near and heaven only knows how far, bursts
-forth the mingled melody of a great chorus of robins ringing clarion
-notes of jubilee.
-
-They have the overture to themselves all along in the open, for there
-the song sparrow does not sing till some ten minutes later. Of these
-again you shall hear a single bird, followed by a chorus in the
-next breath, and close upon the heels of the sparrow voice come the
-notes of innumerable warblers of many kinds whose songs you shall not
-distinguish one from another and name unless you are an expert. Behind
-these again come the chewinks and thrashers, not so early risers by any
-means, and very late the catbird. The catbird is clever but, like many
-clever people, he is lazy.
-
-Over to the other side of the pasture, a mile from the lane as the crow
-flies, is a swamp which is part of the pasture, indeed, but a part of
-the wilderness beyond, also. It was on the edge of this that I had
-chosen to meet the dawn, picking my way to it through the darkness in
-part by scent, for the swamp has a musky fragrance of its own, which
-it sends far on the night air. Coming down the slope to it you pass
-through a tangle of scrub oak that leads you to a lower region of
-alders snarled with greenbrier--“horse brier” we call it familiarly.
-
-Here the ground begins to be soft, with occasional clumps of sphagnum
-moss, which is like a gray-brown carpet of velvet, not yet made up,
-but tacked together with yellow bastings of the goldthread. Among
-the scrub oaks a stately pine here and there shoulders up, sending
-you a reassuring sniff of pitchy aroma. The scrub oaks know their
-allotted ground and cease wandering when their toes touch swamp water,
-but the pines are more venturesome, and often lift with their roots
-little mounds of firm brown carpeted ground in the midst of the quaky
-sphagnum. Slender cedars crowd in from the swamp toward these pines,
-plumed like vassal knights that rally to the support of their overlord.
-
-On one of these pine islands on the edge of the swamp an oven bird had
-built her nest, and on this particular night in June she was in much
-distress because she could not get into it. The oven bird builds a
-nest on the ground among low bushes and vines, choosing often a spot
-where pine needles are scattered among the dead leaves. She roofs this
-nest with care--and dried grass--and builds a tunnel-like entrance to
-it so that you may see neither the eggs nor the bird sitting on them.
-You may step on an oven bird’s nest before you will see it, even when
-looking for it, and you may know for a certainty that it is within a
-definite small patch of ground, and yet hunt long before you find it.
-The mother bird had been frightened from her nest by the crush of my
-foot at its side in the darkness, and she did not dare come back, for I
-had unwittingly sat down beneath the pine almost across the entrance.
-Frightened for her nest as well as herself, she fluttered about like
-a bird ghost, now dozing in the thicket for a time, then waking to
-strangeness and fear, and making her plaint again.
-
-The wood thrush, brooding her eggs in the thicket near by, heard it and
-was wakeful, and her mate, never far off, now and again lifted his head
-from beneath his wing and drowsily tintinnabulated a reassuring note
-or two, but I did not stir. I was not sure that I was the cause of the
-oven bird’s trouble, and if so to move about in the darkness might well
-bring her worse disaster.
-
-The false dawn reddened and vanished, the gray of the real dawn was
-streaked and then flushed with rosy light shot through with gold, and
-a thousand voices of jubilee rang from treetop to treetop the whole
-pasture through and far out into the wood beyond, and still I waited,
-stretched motionless. A man might have thought me dead, the victim of
-some midnight tragedy, but the denizens of the pasture are wiser in
-their own province than that.
-
-In the gray of that first dusk, that was hardly streaked with the
-reassuring red of dawn, a crow slipped silent and bat-like from the
-top of a neighboring pine. In that twilight of early dawn you could
-not see him continually as he flapped along. The motions of his wings
-gave him strange appearances and disappearances as if he dodged back
-and forth, flitting up under cover of pillars of mist, yet there was
-no mist there, only the uncertainties of early light which seems to
-come in squads rather than in company front. This crow turned suddenly
-in his flight as he neared my pine island in the swamp and lighted
-in noiseless excitement on a dead limb. A moment he craned his neck,
-peering sharply at my motionless figure. The crow is at times a
-scavenger, and if there were dead men about he wanted to know it. For
-that matter if there was anything else about he wanted to know it, for
-the crow is likewise a gossip. A moment then he gazed at the motionless
-figure, then he vaulted from the limb and the vigor of his call
-resounded far and near as he flapped away eastward into the crimson.
-
-“Hi! Hi! Hi!” he shouted. “Fellow citizens, there’s a man in the woods
-here. He is motionless, but he is only making believe dead. Look out
-for him!”
-
-Far and near the cry rang and was taken up by others of his tribe who
-passed the word along. “There’s a man in the woods!” they shouted,
-“look out for him.” The birds singing near by ceased their songs for a
-moment that they might have a look at the man, for they understand the
-crow’s note of warning as well as if they too spoke his language.
-
-The thrushes were singing now, and after a while the catbird, lazy
-reprobate, awoke. He too, like the crow, is a gossip, and more than
-that he is a tease. He shook his head a little to straighten the
-ruffled feathers of the neck, disturbed by their position for the
-night. He stretched one leg and the wing on that side simultaneously,
-then the other leg and the other wing, a bird yawn as expressive as
-the human one. Then he cocked his head on one side with a gesture of
-pleased surprise and excitement and said, “Mi-a-aw!” He too had seen
-the invader of the swamp.
-
-The catbird is a good singer, that is, a good mimic. His taste is good,
-too, for he imitates only the best. Here in the North he imitates the
-brown thrush, no doubt, all things considered, our best vocalist.
-So well does he imitate him that you shall not say of a surety that
-this is the catbird singing and yonder is the thrush. In the South he
-imitates the mocking-bird with equal fidelity. You would say on casual
-acquaintance that he was our ablest singer and most exemplary bird as
-he masquerades in the voices of others, but let him once be frightened,
-or angered, or over-excited about anything and the reprobate part of
-him reasserts itself and he says “Mi-a-aw!” Hence his name, the catbird.
-
-The catbird, however, has the courage of his convictions, and one of
-these convictions is that he has the right to the satisfaction of
-an ungovernable and enormous curiosity. Bait your bird trap in the
-woods with something which strikes a bird as a curiosity that courts
-immediate investigation and you will catch a catbird. Other birds
-might start for it but the catbird would distance them. So, after
-saying “Mi-a-aw!” a few times and drawing no response to his challenge,
-he flew up to a twig within a foot of my head, sat there a moment,
-motionless except his beady black eyes which traversed my form from
-foot to head, finally resting on my eyes. Inadvertently I winked; that
-was the only motion I made, but it was enough. With a flirt of his tail
-and a flip of his wings the catbird was through the thicket and out
-on the other side like a gray flash, scolding away at the top of his
-voice and seeming to shout as the crow had, “There’s a man in the wood!
-There’s a man in the wood! Look out for him!”
-
-The crimson and gold of the dawn had softened and diffused into
-diaphanous mother-of-pearl mists of early day. The June morning miracle
-was complete and it was high time I allowed the oven bird to come back
-and be assured that her nest and eggs were safe.
-
-
-
-
-STALKING THE WILD GRAPE
-
-
-
-
-STALKING THE WILD GRAPE
-
-
-It was to be a moonlight night, yet the moon was on the wane and
-would not rise until eleven. It seemed as if the pasture birds missed
-the moon, or expected it, for beginning with the June dusk at eight
-o’clock one after another made brief queries from red cedar shelter
-or greenbrier thicket. One or two indeed insisted on pouring forth
-snatches of morning song, sending them questing through the darkness
-for several minutes, then ceasing as if ashamed of having been misled.
-
-The cuckoo, of course, you may hear often on any warm night, springing
-his watchman’s rattle chuckle from the denser part of the thicket. But
-for the brown thrush to be announcing morning every half-hour through
-the darkness was an absurdity to be accounted for only on the theory
-that here was a gay young blood who was practising for a moonlight
-serenade. And when the moon did come, touching the tops of the pines
-first with a fine edging of gold, dropping a luminous benediction to
-the birches and diffusing it lower and lower till the whole pasture was
-gold and dusk, the ecstasy of the thrush knew no limit. He poured forth
-a perfect uproar of liquid melody, punctuated with such hurroos and
-whoops of delight that he made me wonder if his lady love would like
-such college-song methods of serenading.
-
-I sat up from my couch on the green moss under the huckleberry bush to
-listen. The people of the pasture seemed to have trooped up to the
-call of the music. The red cedars, the birches, the huckleberry bushes
-in the daytime have individuality indeed, but in the night-time they
-have personality. They loom up in spots where by day you did not notice
-them at all. Some red cedars stand erect and stiff as military men
-might on sentinel duty, others gowned in black like monks of old group
-together and seem to consult, while all about them mingling in gracious
-beauty are the birches and the berry bushes,--the birches slender,
-dainty aristocrats gowned in the thinnest of whispering silk, the berry
-bushes sturdy and comfortable in homespun. You are half afraid of the
-cedars, they are so black and seem to watch you so intently, more than
-half in love with the birches, so graceful and enticing, as they lean
-toward you in their diaphanous drapery, but it is the berry bushes
-shouldering up to greet you in hearty bourgeois welcome that make you
-feel at home.
-
-I listened to the thrush, but soon I found that I had only one ear to
-do it with, for on the other side of me a bird was rapidly approaching
-with greater and equally persistent clamor. It was a whip-poor-will,
-seemingly roused to rivalry by the challenge of the thrush. So far as
-I know the thrush paid no attention to him but simply kept up his song
-in the birch near by, but the whip-poor-will came up little by little
-till he seemed almost over my head, and I could hear plainly the hoarse
-intake of breath between each call. Very brief gasps these intakes
-were, for the whip-poor-wills fairly tumbled over one another without
-cessation.
-
-Now the bird went away for a distance, again he came back, but always
-he kept up his call, while the thrush never wavered from his perch in
-the birch. A dozen times I waked in the night to find them still at
-it, and when the gray of dawn finally silenced the whip-poor-will,
-the thrush let out like a tenor that has just got his second wind. He
-sang up the dawn and the grand matutinal bird chorus, and the last I
-heard of him he was still sitting on his perch greeting the gold of the
-morning sun with melodious uproar.
-
-A blind man who knows the pasture should know what part of it he is
-in and the pasture people that are about him of a June morning simply
-by the use of his other senses. The birds he would know by sound, the
-shrubs and trees by smell. Each has its distinctive set of odors
-differing with differing circumstances, but never varying under the
-same conditions. The barberry fruit when fully ripe, especially if
-the frost has mellowed it, has a faint, pleasant, vinous smell which,
-with the crimson beauty of the clustered berries, might well tempt our
-grandmothers to make barberry sauce, however much the men folk might
-declare that it was but shoe-pegs and molasses.
-
-The blossoms are equally beautiful in their pendant yellow racemes
-which seem to flood the bush with golden light, but the odor of the
-blossoms, though the first sniff is sweet, has an after touch which is
-not pleasant. Crush the leaves as you pass and you shall get a smell
-as of cheap vinegar with something of the back kick of a table d’hôte
-claret. Crush the leaves of the swamp azalea and get a strawberry-musk
-flavor that is faint but delightful.
-
-Sniff as you shoulder your way through the high blueberry bushes and
-you may note that the crushed leaves have a certain vinous odor like
-one of the flavors of a good salad. The blossoms of the high-bush
-blackberry, whose thorns tear your hands, have a faint and endearing
-smell as of June roses that are so far away that you get just a whiff
-of them in a dream. The azalea that a month later will make the moist
-air swoon with sticky sweetness now gives out from its leaves something
-that reminds you of wild strawberries that you tasted years ago. It is
-as delicate and as reminiscent as that.
-
-Under your foot the sweet-fern breathes a resin that is “like pious
-incense from a censer old,” the bayberry sniffs of the wax of altar
-candles lighted at high mass in fairy land, and over by the brook the
-sweet-gale gives a finer fragrance even than these. There are but three
-members of this family,--the Myrica or Sweet-Gale family,--yet it is
-one that the pasture could least afford to miss. The fragrance of their
-spirits descends like a benediction on all about them, and I have a
-fancy that it is steadily influencing the lives of the other pasture
-folk. I know that the low-bush black huckleberry, the kind of the
-sweet, glossy black fruit that crisps under your teeth because of the
-seeds in it, grows right amongst sweet-fern whenever it can. Now if you
-crush the leaves of the low-bush black huckleberry you shall get from
-them a faint ghost of resinous aroma which is very like that of the
-sweet-fern. Thus do sweet lives pass their fragrance on to those about
-them.
-
-Many of these familiar odors had come to me during the night as I half
-slept and half listened to the vocal duel between the thrush and the
-whip-poor-will, but as I sprang to my feet at sunrise from my dent in
-the pasture moss I got a whiff of another which seemed more subtly
-elusive, more faintly fine than these, perhaps because, though I seemed
-to recognize it, I could not name it.
-
-Many things I could name as I have named them here, but this escaped
-me. It had in it some of that real fragrance, a joy without alloy,
-which you get in late July or August from the clethra, the white alder
-which lines the brook and the pond shore with its beautiful clusters of
-odoriferous white spikes. But by no stretch of the imagination could I
-bring the white alder to bloom in early June. Moreover, it had only a
-suggestion of that in its purity of fragrance. There was more to this.
-There was a spicy, teasing titillation that made me think of bubbles in
-a tall glass, and it is a wonder that that thought did not name it for
-me, but it didn’t.
-
-The sun was tipping the dew-wet bush tops with opal scintillations
-that soak you to the skin as you shoulder through them, but that did
-not matter; I was dressed for it, and so on I went, taking continual
-shower-baths cheerfully, but always with that teasing, alluring scent
-in my nostrils. Now and then I lost it; often it was confused and
-overridden by other stronger odors. Once I forgot it.
-
-That was when I sprang over a stone wall and landed fairly in the
-middle of a covey of partridges made up of a mother bird and what
-seemed a small whirlwind of young ones no bigger than my thumb. My
-plunge startled the mother so that she thundered away through the
-bushes, a thing that a mother partridge, surprised with her young, will
-rarely do. At the same moment the young scurried into the air. It was
-like a gust among a dozen brown leaves, whirling them breast high for a
-moment and then letting them settle to earth again. You go to pick them
-up and they surely are brown leaves! It is as if some woodland Merlin
-had waved his wand. They were young partridges, they are brown leaves.
-It is as quick as that.
-
-Yet this was my lucky morning, for one of these little birds failed
-to dematerialize, and I noted him wriggling down under a clump of
-woodland grass and picked him up. He made pretense of keeping still
-for a moment, then wriggled in fright in my hand, a pathetically
-silent, frightened, bright-eyed little chick, mostly down. How his few
-feathers helped him to make as much of a flight as he had is beyond my
-conception. He must have mental-scienced himself up into the air and
-down again.
-
-Holding him gently, I pursed my lips and drew the air sharply in
-between lips and teeth. The result was a peculiar squeaking chirp which
-I have often used on similar occasions with many different birds and
-almost always with success. Then there came a sudden materialization.
-Out of the atmosphere, apparently, appeared the mother bird, dancing
-and mincing along toward me till she was very near, her head up, her
-eyes blazing with excitement, her wings half spread and her feathers
-fluttering.
-
-[Illustration: The mother bird, dancing and mincing along]
-
-It was a sort of pyrrhic dance by a creature as different from the
-usual partridge as may be conceived. It lasted but a moment; at a
-sudden, indescribable note from the mother bird the fledgling gave
-an answering jump and slipped from my relaxed hold, fluttered and
-dematerialized before my eyes just as the mother bird went into
-nothingness in the same way. Truly, there are bogies in the wood, for
-that morning I saw them at their work. It was the illusion and evasion
-of old Merlin; no less.
-
-Going on down the pasture, I picked up the musky scent of the swamp I
-was approaching, instead of the thing I sought. The scent of the swamp
-is cool with humid humus, musky with the breath of the skunk-cabbage,
-woodsy with that quaint exhalation which you get from the ferns, our
-oldest form of plant life, still retaining and lending to you as you
-pass the odor of the very forest primeval. These are the base, and they
-carry the lighter and daintier odors as ambergris, a vile and dreadful
-but very strong smell, carries the dainty scents of the perfumer, and
-just as they in turn give you no hint of the ambergris which is their
-base, so the odor of the swamp gives you little hint of these three but
-is a delight of its own.
-
-Beyond the little corner which I must cross in the straight line I had
-taken was a small hillock of open pasture, fringed on the farther side
-with alder and button bush which stand ankle deep in the water of the
-pond. Here on the little knoll daisies sent out that faint, hay-like
-smell which is common to most of the compositæ. The squaw weed in the
-meadowy edge between the swamp and the knoll had given me the same
-fragrance. But standing on the top of the knoll while the soft morning
-wind swept the daisy fragrance by me knee high, I caught, head high,
-the elusive, alluring odor that I was seeking. It led me down to the
-pond side and called me, dared me, to come on. Why not? I was dressed
-for it, and I was wet to the skin with the drench of the morning dew
-already.
-
-The cove was but a hundred yards across, and I stood on the bank
-wishing to note carefully the direction I must take. The lazy morning
-wind drifted across, just kissing the water here and there, leaving
-the surface for the most part smooth. I wet my finger and held it
-up, dropping it cool side down till it was level. It pointed exactly
-toward the opposite point at the other side of the cove and between it
-and the next one. There a low, sloping, broad flat rock hung with a
-canopy of green leaves was the dock at which I might land conveniently,
-and I splashed resolutely into the water, scaring almost to death
-with my plunge a big green frog that was sunning himself on a little
-foot-square cranberry bog island. He gave a shrill little yelp of
-terror and dived before I could.
-
-Singular thing that little half squeak, half screech, of alarm. I have
-heard a girl make an almost identical sound when coming suddenly on a
-particularly fuzzy and well-developed caterpillar. Rabbit, dog, and
-bird have it as well; indeed, it seems to be the one word which is
-common to all races and to all articulate creatures. Like the scent of
-brakes it began with the beginning of things and has survived all the
-changes of creation.
-
-The muskrat ferry is a pleasant one. Little dancing sprites of mist,
-the height of your head above water, tiptoe off the surface and slip
-away as you swim toward them. You may see these only of a morning when
-you take the muskrat ferry. They are invisible from the shore or from
-the height of a canoe seat.
-
-It is probable that just as some of the pasture people make sounds too
-shrill or too soft for our human ears to hear them, so there are other
-things about the pasture less visible even than the little mist folk
-that we might see were our sight fine enough or soft enough.
-
-Two-thirds of the way across a little puff of wind sparkled its way
-out from the shore to meet me. It brought with it, full and rich,
-the fragrance which had led me so long; and as I looked at the broad
-leaves overhanging my rock port, their under sides and the young shoots
-covered with a soft, cottony down, I laughed to think that I should
-not have known what it was I sought. For it was there in plain sight;
-indeed the rock was canopied with it.
-
-A long time I sat on that rock on the farther side of the cove, the
-June sun warming me, the fragrance of the fox-grape blooms over my head
-alluring, soothing, wrapping my senses in a dreamy delight.
-
-He who would attempt to classify and define the perfume that drifts
-through the pasture from the bloom of the fox-grape may. I only know
-that it makes me dream of pipes of Pan playing in the morning of the
-world, while all the wonder creatures of the old Greek myths dance in
-rhythm and sing in soft undertones, and the riot of young life bubbles
-within them.
-
-The pasture, indeed, could ill afford to lose the pious incense from
-the sweet-fern’s censer, the fragrance of the altar candles of the
-bayberry, and the subtle essence of the sweet-gale. These are the holy
-incense of the church of out-of-doors, and it is well that we should
-always find them when we come to worship; yet he who would dare all
-to steal for one elusive moment the fragrance of the deep heart of
-delight, let him come to the pasture on just that rare, brief period of
-all the year when the fox-grape sends forth its perfume.
-
-
-
-
-THE FROG RENDEZVOUS
-
-
-
-
-THE FROG RENDEZVOUS
-
-
-The pasture meets the pond all along for a mile or so. It lays its lip
-to it and drinks only here and there. It drinks deepest of all in a
-cove. You will hardly know where pasture leaves off and cove begins,
-the two mingle so gently. The pasture creatures here slip down into the
-cove, and those of the pond make their way well up into the pasture.
-You yourself, approaching the cove from the pasture side on foot, will
-be splashing ankle deep in it before you know you are coming to it at
-all, so well do the pasture bushes, standing to their knees in the cool
-water, screen it from you.
-
-Coming from the pond side you might think you saw the margin in this
-same screen of bushes, but there are roods of cove beyond and behind
-them. The shrubs of the pasture love to come down and dabble their feet
-in the warm pond water and sun themselves in the sheltered, fragrant
-air.
-
-The afternoon sun has more resilience here than elsewhere. It bounds
-with fervent flashes of elasticity from the glossy leaves of the
-bushes that have waded out farthest and made islands of themselves.
-The high-bush blueberries are the most daring of all, and stand in the
-largest clumps farthest out. These, late in May with an off-shore wind,
-shower the whole surface of the water with their fallen corollas. More
-than once have I seen the cove white with them on Memorial Day, as if
-the bushes, standing with bowed heads, strewed the waves with memorial
-flowers for the pasture people who have died at sea.
-
-Earlier in the year the elms have made the whole surface of the cove
-brown with their round, wing-margined seeds, and after the memorial
-flowers of the blueberry bushes are gone the maples will send out
-millions of two-sailed seed boats, reddening the whole surface with
-their argosies as they go out to sea, wing and wing. Now all these
-things have passed and the surface of the water is clean again to
-dimple with the under-water swirl of a minnow-hunting pickerel or lap
-lazily against your canoe with the dying undulations of the waves from
-outside.
-
-After the bold blueberry bushes, less daring but still eager pasture
-people have waded in and formed lesser island clumps of their own.
-These were led by the sweet-gale, holding her dark-green silken skirt
-daintily up, so fragrant-souled that she fears no evil, trailed by the
-saucy wild rose, cheerful spiræa, gloomy cassandra, and chubby baby
-alders. If you watch these you will note that they shiver in the lazy
-breeze as if they feared the pass to which their temerity may have
-brought them. Yet there they stand, and the miniature tides swirl about
-their pink toes and die in the pools behind them, so closely grow the
-sedges and little marsh plants that fill them until the fishes from the
-cove nose about their stalks in vain attempt to enter.
-
-Just outside the bush fringe, where the maples are mirrored in
-undulations, whirl and skip, each according to his kind, the surface
-insects of the cove. Of these I hail with greatest joy, as any boy
-should, the “lucky bug.” You know the one I mean. He is a third of
-an inch long, almost as broad, oval, a sort of whaleback monitor
-without any turret. He is hard shelled and a Baptist, judged from the
-pertinacity with which he sticks to deep water, but a Baptist gone
-sadly wrong, for he waltzes continually with his fellows. Round and
-round they go in a mazy whirl that would make you dizzy if at the last
-gasp they did not reverse.
-
-All boys who fish know that these bugs carry stores of luck within
-their hard shells, and for one even to approach your line in his mad
-waltz is a sign of coming success, and should he actually touch the
-line and cling, it presages a big fish. But if you would propitiate
-the gods in most definite fashion before you cast line you should
-catch several lucky bugs, the more the better, bury them on the bank
-with their heads to the shore, and recite over them an incantation as
-follows:
-
- “Bug, bug, bug,
- I’ve spit on the worms I dug;
- Bug, bug, give me my wish,
- A great big string of great big fish.”
-
-Properly managed this was never known to fail; if it does it is because
-you have buried one or more of your bugs bottom up.
-
-It is not so easy to catch a lucky bug, however. He is a very modern
-type of monitor, for his engine power is of the highest, steam is
-always at the top notch, and he can dart away in a straight line
-with all the concentrated fury of a torpedo boat. Moreover, he is
-convertible, and I have seen him when completely surrounded by enemies
-become a submarine and dive straight for the bottom and stay there.
-He may have an oxygen tank; anyway, he doesn’t come up until he gets
-ready, when he appears fresh and hearty and ready for another waltz.
-
-A fellow surface sailor of his, or rather skipper, is a different type
-of bug. This is the water-strider, a veritable Cassius of the cove,
-with the lean and hungry look of an overgrown, underfed mosquito. There
-is no merry waltz with his fellows about this piratical-looking chap.
-He spreads his four long legs like a Maltese cross, and the tips of
-them are all that touch the water. These dent it into minute dimples,
-but do not penetrate, and his bug-ship skips energetically about on
-the four dents, hopping at times like a veritable flea. Sometimes he
-jumps a half-inch high and skitters along the surface as a boy skips a
-stone; again he poises, lowers his body till it all but rests on the
-water, then raises it till he is high on four stilts, and all the time
-not even his toes are wet.
-
-Entering the cove in mid-afternoon you might think the swooning
-heat had left it no life awake other than the water insects and the
-dragon-flies that race them in airship fashion above. Yet you have but
-to ground your canoe on a sedgy shallow, sit motionless, and wait. Nor
-have you to wait long. There is a breathless pause as if all things
-waited to see what this leviathan of the outer deep meant to do next;
-then a voice at your very elbow says reassuringly, “Tu-g-g-g!” That is
-as near as you can come to it with type. There are no characters that
-will express its guttural vehemence which strikes you like a blow on
-the chest, or its sympathetic resonance. Take your violin, drop the G
-string to a tension so low that it will hardly vibrate musically, then
-twang it. That suggests the tone. But you know it well enough without
-description.
-
-Immediately there comes an answering chorus of “tu-g-gs,” here, there,
-in a score of places all along the shore line and among the island
-clumps of bushes, prelude of frog talk galore for a moment or two,
-followed by brief silence. Then, taking advantage of the oratorical
-pause, an old-timer sets up a tremendously hoarse and vibrant bellow.
-“A-hr-r-h-h-u-m-mm!” he says, “A-hr-r-h-h-u-m-mm!” with the accent
-on the rum. You can hear him half a mile, and immediately there is a
-“chug-squeak-splash” from a little fellow, as if, unable to furnish
-the beverage at short notice, he became affrighted and without delay
-decided that a sequestered nook on bottom between two stones was for
-him. Then the cove goes to sleep again; you can almost hear the silence
-snore.
-
-Little by little, if you look about you shall see them, some right
-within reach of your paddle. I never know whether they slip under when
-the canoe approaches and bob up again noiselessly after all is still,
-or whether they are there all the time, only so well concealed by
-nature that the eye does not note them at first; but I do know that you
-never see them until you have waited a bit. Their brown backs are just
-under water, their green-brown heads just enough above the surface so
-that the nostrils will get air; and there they wait, motionless, for
-hours and hours, for time and tide to serve luncheon. Even with only
-the tops of their heads visible they make you laugh, for their pop eyes
-are popped so high above the tops of their flat heads that they make
-you think of automobile bug lights set well up above the motor hood.
-
-I note a shipwrecked June beetle clinging half drowned to a spear
-of grass and I toss him over within six inches of a frog. There
-is a splash, a gulp, and the beetle with his frantically clawing,
-thorny-toed legs is passed on to kingdom come without a crunch. Once or
-twice after that this frog stirred as if he had an uneasy conscience,
-but he seemed to suffer no internal pangs, indeed he winked the
-circular yellow lining of his eye at me these times as if he enjoyed
-it. It had all the effects of smacking the lips.
-
-The afternoon dreams down from its pinnacle of hazy heat to the soft
-level of eventide. Under the pines of the west side of the cove the
-level sun slips in and seems to caress the green trunks, and the tops
-above sing a little sighing song of contentment. Strange you have not
-heard this before, for the wind has been there all the afternoon. But
-it is toward nightfall that the cove wakes up and you hear many lisping
-elfin sounds that you have never noticed during the mid-afternoon heat.
-You hear the sedges talking in the undulations now. You did not hear
-them before, yet the undulations have been gliding dreamily among the
-sedges all day. The pasture birds are waking up their preludes of
-evensong, and the sun across the cove to the west is glorifying all
-the quivering canopy of green leaves through which it shines with a
-luminous, diaphanous quality which makes magic all along that side of
-the cove.
-
-You are on the borderland between the clear definition of reality and
-the mystic haze of nightfall. To the west, looking away from the glow,
-all is gently but clearly defined; to the east, looking into the golden
-rose of the sunset through the shimmering illusion of leaves, lies the
-pathway to the land that the king’s son saw in the Arabian Night’s tale.
-
-The nightly entertainment, the evening minstrel show, is about to begin
-in the cove, an entertainment in which the frogs are the minstrels, an
-all star performance, for every one of them is capable of being an end
-man or interlocutor or soloist as the case may require.
-
-Already the audience is beginning to gather. First comes a gray
-squirrel scratching down a maple trunk, his strong clawed hind feet
-digging into the bark and holding him wherever he wishes them to, as
-if he were an inverted lineman. Suddenly he sights the canoe and its
-occupant and--blows up. Nothing else will express his sudden outpouring
-of scolding and denunciation of this creature that has usurped a
-front seat. The sounds burst out of him like the escaping steam from
-a great mogul engine waiting on a siding for its freight, and he
-quivers from head to foot, like the engine, with the intensity of the
-ebullition. Suddenly there is a “quawk!” directly over his head, a
-single cry shot out from the catarrhal throat of a night heron that is
-just sailing down. The gray squirrel shoots three feet into the air,
-lands on another maple, flashes up a birch and goes crashing through
-the birch tops off into the woods, where you faintly hear him jawing
-still. The night heron whirls with a great flapping and puts to sea
-with more quawks of alarm. But these two were not especially wanted
-at the concert. The night heron particularly is an unlovely bird in
-appearance, voice, and manner. The skippers and the lucky bugs crowd
-in together, each among its kind, close to the reedy margin, to be as
-near the performers as possible, and behold, there come sailing in from
-sea tiny argosies of dainty people, the loveliest free swimmers of the
-pond. Golden heads nodding in gracious recognition, they come, slender
-bodied and graceful, trailing long robes of filmy lace beneath them in
-the water.
-
-The botanists, who shall be hung some day for their literalness,
-have named these lovely denizens of the cove bladder-worts, or
-_Utricularia_, if you wish the Latin form, because they float on their
-air-inflated leaves and trail their roots beneath them, free in the
-water, scorning the contaminating touch of earth. The off-shore wind of
-noon had sailed these out well beyond the mouth of the cove, now the
-evening breeze is bringing them in again for the concert.
-
-They should have been named after some dainty lady of the old Greek
-mythology, some fair sailor lass who crossed the wake of Ulysses,
-perchance, and lingers on placid seas waiting his return to this day,
-for you will see their golden heads nodding along on the little
-waves of the cove all summer.
-
-[Illustration: Out from among the birches she sails gracefully, a
- veritable queen of the fairies]
-
-These are the patricians of the concert. There is a great tuning of
-instruments going on already and a trying out of voices, yet for some
-reason there is delay. Then comes the queen herself. The golden shimmer
-on the eastern shore has faded and dusk dances up from the undergrowth
-on the west. It is time, and out from among the birches she sails
-gracefully, a veritable queen of the fairies, clad in ostrich plumes
-and softest of white velvet, with the most beautiful trailing and
-undulating opera cloak of softest, delicate green, trimmed with brown
-and white. You may call her a luna moth if you will. The thing which
-somewhat resembles her, stuck on a pin in your collection, may be that,
-but this graceful, soaring creature, pulsing and quivering with life,
-floating through perfumed dusk, is the queen of the fairies--no less.
-
-Her arrival is a signal for the olio to begin. Then, indeed, you learn
-the astonishing number and variety of the frog performers within the
-cove. The basso profundos sing “Ah-r-h-u-m-m” with amazing gusto.
-Surely that waiter frog has got over his fright and brought it in
-quantity. “T-u-g-gs” resound all about like the rattle of a drum corps.
-There are altos whose voices sound like rasping a stick cheerfully
-on a picket fence, others whose strain hath a dying fall of internal
-agony outwardly expressed. A lone belated hyla pipes his plaintive
-soprano, but the tenors are the strongest of all. The tree toad flutes
-a fluttering, liquid tremolo, and the toad, the common toad, sits on
-the grassy margin and swells his throat and sings “Wha-a-a-a-” in
-long-drawn, dreamy cadence.
-
-You may imitate this sound after a fashion if you wish. Purse your lips
-and say the French “Eu” in a long drawl once or twice, then the next
-time you do it whistle at the same time. You will have a very tolerable
-imitation of this dreamy note. It invites to slumber and it is time to
-paddle home, for the dusk has deepened to darkness and there is little
-more for you to see in the cove.
-
-
-
-
-A BUTTERFLY CHASE
-
-
-
-
-A BUTTERFLY CHASE
-
-
-It was a great purple butterfly which led me over the brow of the
-hill, one of the “white admirals,” curiously enough so called, though
-this one had but four minute spots of white on him near the tips of
-his wings. Some members of his genus have a right to the name for they
-have broad bands of white across all four wings, but this one, the
-_Basilarchia astyanax_, is a black sheep.
-
-Nevertheless he is a beautiful creature, well worth following under any
-circumstances to note the ease and sureness of his floating flight and
-admire the beauty of his velvety rufous-black, shoaling into lustrous
-blue in the rounded crenulations of the after wings. This one I
-thought worth following for another reason, however, for he seemed to
-have something on his mind. Not that his flight was direct. A bird with
-something to do goes to his work in a straight line; but a butterfly
-must dance along, even if it were to a funeral in the family. And yet
-with all this my blue and rufous-black white admiral carried in his
-dancing progress something which told me he was troubled and led me to
-follow him over the brow of the hill.
-
-The hill itself is worth noting. Here the glaciers which some thousands
-of years ago planed off the rougher surface of eastern New England
-dropped their chips in a vast terminal moraine of sand and gravel,
-whose northern declivity is so steep that you may throw a stone from
-its rim to the top of a pine growing on the level, eighty or ninety
-feet below. I know many terminal moraines in New England; but I know no
-other at once so high and so abrupt in its declivity. A few rods back
-from its summit the trolley car clangs incessantly, and the speed-mad
-automobilist tears hooting through.
-
-Along the crest, in spite of this, sleep peacefully the forefathers
-of the hamlet. I like to feel that they neither note nor heed the
-uproar of the highway; that they now and then cock a pleased ear to
-the rumble of a passing hay-cart or the jog of a farmer’s horse, but
-that the bedlam of modern hurry whangs by them unperceived. Rather they
-turn their faces to the sough of the summer winds in the century-old
-pines which shade the steep and sleep on, happy in the benediction
-that descends from the spreading branches. Wonderful pines, these, so
-shading the whole declivity that not more than a dapple of sunlight has
-touched the ground beneath them for a century.
-
-Here the hepatica finds the cool, dry seclusion that it loves and lifts
-shy blue eyes to you while yet the winter ice nestles beside it among
-the pine roots. Here while the July sun distills pitchy aroma from the
-great trees the partridge berry carpets favored spots with the rich
-green of its little round leaves,--leaves no bigger than the pink nail
-of your sweetheart’s little finger, a green figured with the scarlet
-of last year’s berries and the white of its wee starry twin flowers.
-Here, too, in July the pyrola lifts its spike of bells like a woodland
-lily-of-the-valley and the pipsissewa shows its waxy flowers to the
-questing bee.
-
-A butterfly, especially a large butterfly, rarely bothers with these
-low-growing herbs, though each has its own delicious fragrance--and a
-butterfly’s scent is keen. So my black white admiral alternately danced
-and soared on down through the richly perfumed areas of the wood while
-I plunged eagerly after, glissading the needle-carpeted slope, making
-station from trunk to trunk lest a too headlong flight plunge me to
-oblivion in what I knew was at the foot of the hill.
-
-Without, the perfervid July sun beat upon the landscape till the dust
-of its concussion rose in a blue haze that loomed the nearby hills
-into misty mountain tops and glamoured the whole world with tropical
-illusion. To our hard-cornered, clear-cut New England it is the
-midsummer which brings the atmosphere of romance. The swoon of Arabian
-Nights is upon the landscape, and it is through such heat and through
-such misty evasion that the Caliph of Bagdad was accustomed to set
-forth incognito to meet strange adventures.
-
-At the foot of the hill, almost at the borderland which separates
-this under-pine world from another far different, the resinous air is
-shut in like the genie in the bottle. You feel the oppression of its
-restraint and wonder, if like the fisherman you might uncork it, if it
-would loom aloft in a dense cloud that would speak to you in a mighty
-voice. Here my butterfly paused for the first time and lighted upon the
-trunk of a pine, head high.
-
-Quietly I drew near. His wings were rising and falling in rhythmic
-unconscious motion that was tremulous with what seemed eagerness. One
-of them, I noted, had a little triangular bit snipped out of it with a
-clean cut. Some insect-eating bird had snapped at him not long before,
-and he had come within a half-inch of death. Yet this did not trouble
-him; very likely he never knew it. It was something else which absorbed
-him so that he took no notice of my close approach. And now I could see
-that his proboscis was uncoiled and apparently he was eating rapidly.
-Now the proboscis of any butterfly is simply a double-barrelled
-tube through which he sucks honey or other moist nutriment. That a
-_Basilarchia astyanax_, or any other butterfly for that matter, should
-be able to draw nourishment from the dry, rough bark of a pine-tree was
-sufficient cause for astonishment, and I drew eagerly nearer to see
-what he was getting.
-
-It was a humid day and I was thirsty myself. What woodland brew could
-be on tap here? In Ireland it used to be true that the Leprechauns,
-the little men of the hedge, could make good beer of heath, and if you
-could only catch and hold one he would tell you how. Here might be a
-similar chance. My nose was within six inches of the white admiral’s
-now and my eyes were bulging out with surprise as much as his do
-naturally, for behold he had what butterfly never had before,--a little
-red tongue on the tip of his proboscis, and with it he was nervously
-licking the bark in its roughest places as hard as he could.
-
-I might have seen more had not my foot slipped on the glossy pine
-needles, and while I clutched the trunk of the pine to save myself the
-butterfly danced away, thinking, I dare say, that I was an abnormally
-developed wood peewee and had just missed getting him for luncheon.
-Evidently the south wind had blown up from the gulf more than an
-Arabian Night’s atmosphere; it had sent along portions of the fauna as
-well. A butterfly with a tongue on the end of his proboscis belongs in
-the land where rocs pick up elephants in their talons and soar away
-with them!
-
-Eagerly I sought to follow my _Basilarchia astyanax_ and learn more,
-but it was not so easy. To follow his flight without care as to the
-setting of my feet might well be to reach a country undiscovered
-indeed, for from the very bottom of the northern declivity of the
-terminal moraine well the springs of the fountain head, and out across
-these he lightly floated, toward the sphagnum-bottom pasture swamp
-beyond.
-
-I suppose it is well settled, geologically, that a river of pure water
-flows from some distant northern point, Labrador perhaps, under the
-eastern portion of Massachusetts. Driven wells find this water almost
-everywhere. In places it rises to the surface in clear ponds which have
-no apparent inlet, and from which little water flows, but which are
-clear and sparkling at a good level the year round. Houghton’s Pond, in
-the Blue Hill Reservation, is one of these nearest Boston. Walden Pond
-is another, and there are plenty more.
-
-In other places still the water boils out of springs through quicksands
-of unknown depths, flowing in clear streams through surrounding swamps
-where trees have made firm ground alternating with bits of quaking
-bog and open pools, where a misstep will drop you over your head in a
-clinging mud that never gives up what it once gets.
-
-Such is the fountain head, and you would know you were coming to it
-of a hot day even were your eyes shut, for the ice-cold water makes
-its own atmosphere. We read of bodies of ice that have lasted since
-the glacial age buried under these terminal moraines whence well such
-cooling springs; I do not know about the ice, but I can testify to the
-cold, sparkling water and the grateful atmosphere which it disseminates
-on these our Arabian days. Yet you must mark well your going. Just
-under the slope the water boils up through fine sand that dances in the
-up current. A few feet farther down it wells more silently, and the
-decayed vegetation of centuries has made a mud bank over the quicksand.
-You may sink to the knee here and find bottom. A few steps farther on
-you may drive a twenty-foot pole down through mud and sand and find
-nothing to obstruct it.
-
-Yet Nature always provides the remedy. Mosses and swamp grass have
-grown on the surface of this liquid mud and alders and swamp maple have
-rooted in these and encouraged wild rose and elder and many another
-shrub, till their intertwined roots have formed a surface which is in
-part safe to the foot. And here is a world of itself in this hidden
-pasture corner, for here linger the trout and the water-cress, and
-many another shy woodland thing, driven to bay by the encroachments of
-surrounding civilization.
-
-In early July you will find the water-cress in bloom in the open pools,
-surrounded by quaking bog and alder shade. Toward this my butterfly
-had gone, and I followed, balancing warily from clump to clump in the
-grateful coolness, testing each foothold lest it drop me into the
-clinging depths below whence nothing but a derrick might lift me. The
-arethusa, daintiest of orchids, nodded its pink head at me from the
-quaking sphagnum, daintily bowing me on, but I paused a moment.
-
-In the water right between my feet was a spotted turtle that had just
-captured an appetizing, but by no means dainty morsel. This was a
-terrapin-like bug that was more than a mouthful. His body, indeed, was
-already out of sight, but claw-like legs protruded from both sides
-of that isosceles triangle which a turtle’s mouth makes when it is
-closed, and waved a frantic farewell to the passing under-water world.
-The turtle was a long time in masticating his terrapin, but it was
-a happy time. His whole body blinked contentedly, and he waved his
-forelegs with a caressing out-push, a motion exactly like that of a
-child at the breast. Then he wagged his head solemnly from side to side
-as a wise turtle might who feels that such good lunches are put up by
-fate only for the knowing ones of this watery world, and pushed himself
-half way under the roots of a tussock for a nap. Soon the nether half
-circle of his shell was motionless, with his hind legs drawn up within.
-Only his little spike tail protruded, waving to a wee passing trout
-the news that the millennium was at hand, and the turtle and the
-bug-terrapin had lain down together in peace and prosperity, with the
-bug-terrapin inside.
-
-I looked up for the butterfly. He was nowhere to be seen. Yet my trip
-was to be worth while, for right in front of me was an open pool
-surrounded by a quaking bog, a pool twenty feet across packed almost
-solid with the white panicled heads of water-cress blooms in which
-swarmed a myriad of bees. Their drone was like that at the front door
-of a hive on a hot July day, yet it was not a monotone as that is. It
-was rather like a grand chorus singing many parts, for these were all
-wildwood bees of a dozen varieties. There was not a hive tender among
-them.
-
-Lifting my admiring gaze from the pool with its white panicles and
-swarming bees I saw further beauty beyond. On firmer ground nestling
-lovingly against an old chestnut post was a great, glorious spike
-of habenaria, the purple-fringed orchis. It is not uncommon, the
-habenaria, in peaty meadows, but no man sees it for the first time in
-the season without a great glow of delight, and I hastened over to give
-it nearer greeting. Just as I reached it the butterfly came dancing
-up, but not to sip the sweets of the wonderful great orchid. Instead
-he lighted, right under my nose, on the roughest part of the old fence
-post and began to lick this as he had the pine trunk.
-
-[Illustration: There was the swish of wings, the snip-snap of a bird’s
- beak, and it was all over]
-
-I watched him again, hearing subconsciously the voice of a great
-crested flycatcher over on a nearby tree, crying “Grief,” “Grief.” A
-moment and the little red tongue which I had noted before seemed to
-catch on the roughest part of the old fence post, and with a sudden
-scrape the Basilarchia scraped it off. I looked in amaze, for now I saw
-what it was. From the honey heart of some flower a little red worm had
-become attached to the tip of the butterfly’s proboscis, and all this
-licking of rough surfaces had been merely to get rid of him.
-
-Up into the bright sunshine danced my black white admiral. There was
-the swish of wings, the snip-snip of a bird’s beak, and it was all
-over. The cry of the great crested flycatcher had been a prophecy
-indeed, and the white admiral had danced blithely out of existence.
-
-But the equatorial haze had more tropical enchantment in store, for
-the midday sun was suddenly wiped out by an ominous figure. Some one
-had uncorked that bottle which held the heat genie confined, and he
-was looming from a black nimbus below into white piles of cumulus at
-the zenith. His eyes flashed red lightnings and he spoke in thunder
-tones. Somewhere over yonder I heard the great crested flycatcher
-crying “Grief,” “Grief,” again. It might be my turn next, and I patted
-the great orchid good-by and tiptoed through the sphagnum and climbed
-the hill again. It had been a brief but pleasant trip. A butterfly
-that found a tongue and a turtle that ate terrapin with a happy smile
-may belong with the genie in the Arabian Nights, or with Alice in
-Wonderland, or both. I know that I found them at the fountain head,
-under the grove of immemorial pines, below the brow of the terminal
-moraine where sleep the fathers of the hamlet.
-
-
-
-
-DOWN STREAM
-
-
-
-
-DOWN STREAM
-
-
-If you have ever known fishing, real fishing, not the guide-book
-kind, where you “whip” streams for fancy fish that bite mainly in
-fancy--there will come a day in late July when it will be necessary for
-you to go down stream. The excessive heat and humidity which has been
-killing you off by inches and other people by wholesale for weeks will
-suddenly vanish before a cool, dry northwester, a gladsome reminder to
-the New Englander that there is such a thing as winter after all; thank
-Heaven!
-
-You know that the drought diminished waters still fizz out from under
-the dam and purl into the pool below the roadside where the sunfish
-congregate under the water weeds. Beyond this they prattle down the
-meadow under banks where the hard-hack stands pink and prim, where the
-meadow-sweet loves the stream so much that it bends toward it and half
-caresses, and where the meadow grasses in complete abandonment whisper
-of it in every wind and bend down and surreptitiously kiss it as it
-dimples by. Farther down where the woodland maples troop up to meet
-it and the willows sit and bathe pink toes in the current is the big
-rock, under which the current has dug a sandy cave in which linger big
-yellow perch, ready to rush out and snatch the worm that comes floating
-down stream. Here you will hesitate but finally pass on, for there is a
-lure which you cannot withstand in the deep pool farther down.
-
-Because you are wise with the remembered wisdom of boyhood, you have
-left at home the expensive rod and reel. Just back from the swamp edge
-is a birch jungle where young trees stand as thick as canes in a Cuban
-brake. Here you find your pole; as large as your thumb at the butt,
-tapering, straight, clean and strong, fifteen feet to the tip. Cut it
-and trim the limbs from it and bend to it your ten feet of stout line
-at the end of which is a hook whose curve is as big as that of your
-little finger nail. A cork that would fit a quart bottle will fit your
-line if you gash it with your pocket-knife and slip the line in the
-gash. It will hold wherever you put it, yet you may slide it up and
-down at will. For the pool you should put it three feet from your
-hook, for you will wish to “sink” that deep. Wind a wee bit of lead
-about your line an inch above the hook, then pull out your bait box and
-select a fat angle-worm. Break him in two in the middle and string him
-on the hook so that the point is just inside the tip of his nose. Now
-you are ready for what adventure may lurk under the bubbly foam of the
-surface.
-
-A willow and a maple lean together in loving embrace over the entrance
-to the deep pool. Above, their arms stretch toward one another and
-intertwine; below, their roots meet under water and sway down stream,
-forming a slippery steep down which the amber yellow water, singing
-a happy little song to itself, coasts into the amber black depths of
-the pool. Black alders stand cooling their feet all about the edge.
-Crowding them into the water are the great oaks and maples whose
-limbs yearn above the pool till they shut out the sun. Along one
-side the current has cut deep to the rough rocks and the water flows
-black and swift. On the other the back-wash circles leisurely and the
-bottom shallows to a bank of sand where the sunfish build their nests
-and the fresh-water clams burrow and put up suppliant mouths to the
-food-bearing current. Inshore it lifts to a sand bar, where you may
-stand and swing your pole without interference from the surrounding
-trees.
-
-All day long the brook sings itself to sleep as it slips down the
-slide into the slumberous depths of the pool. All day long the vivid
-green dragon-flies flutter by with vivid black wings to bring luck
-to your fishing, and the red-eyed vireo pipes his sleepy note in the
-trees above. And all day long you shall catch fish if you will but
-bait your hook and drop it in. First you will thin out the sunfish,
-for they are the most alert and gamy of all. Talk about trout! You
-should try landing a half-pound sunfish on a gossamer tackle and
-a very slender pole. The sunfish is the _Lepomis gibbosus_ of the
-ichthyologists and is a close relative of the rock bass, and just as
-game. He has been irreverently dubbed “pumpkin seed” in some places,
-from his shape, which is that of a pumpkin seed set up on edge. Here in
-eastern Massachusetts he is just plain “kiver,” which is the old-time
-uneducated New Englander’s pronunciation of the word “cover,” given
-him, no doubt, because he is round and flat. He is as freckled as a
-street urchin and as lively. He has business with your bait the moment
-it drops near him, and the bobbing cork will show that it is he by the
-jaunty vigor of its bobs.
-
-[Illustration: The way of the “kiver” is this. There is a single,
- snappy, business-like bob, then another, then three in quick
- succession]
-
-In fact, if you have learned the ways of the down-stream country you
-will know every fish that takes your bait long before you have brought
-him to the surface from the amber depths, just by the way in which he
-bobs that floating cork. The way of the “kiver” is this. There is a
-single, snappy, business-like bob, then another, then three in quick
-succession in which he drags the cork half under. If you strike just
-at the right time during the succession of three, when the line below
-is taut with the strain of the float against the pull of the fish, you
-shall have him. Otherwise your cork will lift from the water with a
-humorous snort and you will hear little trills of derisive laughter in
-the song of the stream cascading down the willow root chute. It will be
-safer not to try him on the three bobs, but wait till the cork begins
-to bore into the water and glide off across stream, showing that the
-sunfish has made up his mind that it is a worm, a good one, and one
-that he really wants.
-
-The mother sunfish just at this time of year has her nest in the
-sand at the upper end of the bar, in shallow water. It is a circular
-depression which she has scooped out and from which she has carefully
-removed all pebbles and sticks. Here she has laid her eggs, and here,
-day and night, she stands guard over them. If any other fish comes
-along, even of her own kind, she will chase it away with a brustling
-courage which is like that of a mother hen defending her chicks. So,
-after you have caught the freelance sunfish of the pool, those which
-have no family cares, do not drop your bait near her nest, for if
-you do she will dart out and take it, and it is a pity to have the
-brook lose her. She has made her nest in the one shallow spot where
-the bright sunlight plays, and you may see every dapple of her lovely
-sides as the light glances on them. Her every fin quivers as she floats
-there, slowly turning from side to side, her bright eyes roving in
-search of enemies to her offspring. She is a whole torpedo boat of
-mother love and pent-up energy, and so let us leave her, for she makes
-the whole pool seem homelike and hospitable.
-
-The yellow perch will come next to your hook, his tawny yellow sides
-marked by bands of dark green, his back a darker green yet, and his
-fins a rich red. He is the aristocrat of the pool, his family being one
-of the very oldest in the fish domesday book. He lies in deeper water
-than the sunfish, and his bite varies from a gentle nibble to a good
-strong succession of pulls which finally end in the cork going down out
-of sight altogether. Yet when he is at the bait you shall not mistake
-any motion of that bob for the ones made by the sunfish. The perch has
-a daintier, more gentlemanly touch. It is sure and strong, but it lacks
-the roistering vitality of the sunfish. It is an aristocratic bite,
-and you will recognize it as such without clearly knowing why,--which
-is proof of his aristocracy. You will recognize it, too, from the
-elegance of his figure and the chaste beauty of his attire. He gleams
-in the sunlight. His yellow and green markings are as vivid as those of
-the sunfish, yet arranged in exquisite taste, and he is dapper where
-the other is bourgeois.
-
-Sink a little deeper now, for it is time you caught horn-pouts. The
-horn-pout is also “bull-head,” and, irreverently I fear, “minister,”
-because of the severity of his black attire, which is relieved only
-by a white vest. But horn-pout is the best name, for his horns stick
-out fierce and straight from either side of his gills like the waxed
-mustachios of a stage Frenchman. They are sharp as needles and set as
-firm as daggers in their sockets. When you outrage the dignity of a
-horn-pout by pulling him out of the water he waggles these fins of
-dagger-bone and makes a peculiar grumbling sound with them. It is as if
-he said, “What! what! What’s all this? Who dares disturb my comfort?”
-Then when you reach to take him off the hook he flips that nimble black
-tail of his and jabs his dagger into your hand. It makes an ugly wound,
-and the boys claim that it conceals venom; a sort of poisoned dagger.
-The horn-pout bobs your floating cork usually twice or three times,
-a very different bob from either that of the sunfish or the yellow
-perch. It is a steady, solid down pull each time, taking the cork half
-under water. Then he takes hold in earnest, and the float goes steadily
-down and out, as if this were a matter of no child’s play, but meaning
-something that is solid and substantial on the other end of the line.
-Oftentimes this is true indeed, for the black-coated one may weigh a
-pound or two and double your birch rod into a good half-circle before
-he lets go his grip on the water.
-
-When you get down to the horn-pouts you have fishing indeed, but
-all the time the climax of your day’s career is lurking down in the
-cavernous depths where the stream has gullied far beneath the ledge,
-for there, as thick as your wrist and three feet long, weighing a pound
-to the foot of solid white flesh and muscle, is an eel.
-
-The eel is the strange misanthrope of the brooks and fresh-water ponds.
-You may peer into the sunlit shallows and see the other fishes at their
-work or play. They are companionable. If you will live on the pond
-edge you may train the minnows, the sunfish, the yellow perch even,
-to come up and eat out of your hand. I have watched a big horn-pout
-lumbering about in the shady depths for an hour and seen him carefully
-inspect a hookless worm which I had dropped to him, before he ate it,
-noting with glee the gravity and self-importance with which he finally
-decided that it was all right and that he would confer a favor upon it
-by swallowing it whole. Yet never once have I seen or laid hands on an
-eel in fresh water. There he goes his own mysterious way among the rock
-crevices and along the mud of the ultimate depths. The other fishes
-of the brook travel in schools; he goes alone. They were spawned up
-stream; he was born on the sands of the fishing banks, a hundred miles
-off shore. He came up stream as a young eel squirming through dams that
-shut out other fishes. When the time comes for him to go back he will
-go back the same way, waxed fat indeed, but still unseen, devious,
-self-possessed, and uncannily shrewd.
-
-That he may live to go back he inspects carefully the worms which may
-drop into the cool shadows where he lurks. When he is about to take
-your bait you need to be keen to know what is going on, for he suspects
-you, and your least untoward motion of rod or line will cause him to
-slip back like a shadow into his cavern, and there will be no bite
-from him on that hook after that. You will say that it cannot possibly
-be a bite; the bob simply stops and the hook has no doubt caught on
-a snag on bottom. If you are not wise enough to know better you will
-pull up here lest you lose your hook, and in so doing you will lose
-your eel, for he is simply testing you. He has hold of the very bottom
-of that hook, below point and barb, and if you pull you pull it out of
-his mouth without hooking him. Then in cynical glee he’ll wag himself
-deeper into his cavern beneath the stones, and that is the last of him.
-You may fish the pool for a week before he will forget his caution and
-try another angle-worm. If, however, nothing rouses his suspicions the
-bob will gradually sink lower till it is more than half submerged,
-hang there for a little, give another sag downward, and so by degrees
-be drawn cautiously under. Your eel is cannily carrying the hook down
-into his cavern, where he may finish his meal at leisure. Now is the
-crucial moment. He must not be allowed to get in among the stones, for
-even if your strike hooks him he will twist himself desperately around
-them and then twist the hook out. A steady quick pull and you feel
-him on. Then indeed you “give him the butt,” as the fly fishermen say
-gloryingly. Your lithe birch rod bends in your hands till the tip is
-near your wrist as you lean desperately back with all your strength.
-The hold of a three-foot eel on the water is tremendous. Until he tires
-a bit it is almost as good as yours on the birch pole, but steadily,
-inch by inch, you draw him away out into the pool, where the fight
-is a fair one. Now his head is above water and his great lithe body
-whirls like a propeller beneath. Again look out; for when he leaves the
-water it will be as if he shot out, and you are liable to go with him,
-backward into the bushes, where he will tie your line into ten thousand
-knots, break out the hook, and run for the brook as a snake might.
-
-At the moment he leaves the surface you slow up. Up into the air he
-shoots and drops till his tail welts the ground at your feet. Here let
-him wriggle at the end of the taut line while you break a stout alder
-switch with one hand, and as you drop him to earth belabor him with it.
-This will stun him quicker than anything else, and you may then deal
-with him as you will, only be quick about it, for he is very tenacious
-of life.
-
-Then, if you are a true fisherman, you will wind up what line is left
-you and go your way, for the pool has no more foemen worthy of your
-steel. There will be but one eel to a pool, and to go on catching
-sunfish would be insipid indeed.
-
-
-
-
-BROOK MAGIC
-
-
-
-
-BROOK MAGIC
-
-
-Brook magic does not begin until you have passed the deep fishing-pool
-and traversed the reedy meadow where the flagroot loves to go swimming
-and the muskrats come to spice their midnight lunches with its pungent
-root and pile the broad flags for winter nests. You may, if you are
-alert, feel a touch of its witchery as you wind among the rocks and
-black alders of the level swamp beyond, for here the ostrich-feather
-fern lifts its regal plumes as high as your head, and if by any chance
-you duck under these you have been near the portals of a world where
-sorcery is rife, for fern seed has a mysterious power of its own, and
-the ferns of the alder swamp are decorations on the road to the realm
-of the witch-hazel, where all sorts of strange things may come to pass.
-
-The ferns and the witch-hazel are themselves mysterious and promoters
-of mystery, and it is hard to tell which leads in waywardness and
-subornation of sorcery. The ferns are the lingering representatives of
-an elder world,--a world that was old before the first pine dropped
-its cones or the leaves of the first deciduous tree fell on the first
-greensward. Their ways are not the ways of modern plant life.
-
-Take the cinnamon fern, for instance, one of the commonest of our
-woods. It grows up each spring like a tender and succulent herb, to
-wither and die down in the fall as the grass does. But take a spade
-into the woods with you and try to transplant a good-sized cinnamon
-fern. You will fail, unless you have brought an axe along too, for the
-seemingly herbaceous plant has an underground trunk, sometimes two or
-three feet in diameter, almost as solid and firm in texture as that of
-a tree.
-
-The fern shows no blossom to the world of butterfly or moth, no fruit
-for the delectation of fox or field mouse. The curious little dots
-growing along the margins of the leaves, which we call “fern seed”
-by courtesy, grow no fern when planted. They simply grow a little
-primitive leaf form which curiously imitates a blossom in its functions
-and produces a new fern.
-
-But the witch-hazel is stranger yet in its ways. In the spring, when it
-should by all tokens of the plant world be putting out blossoms, it is
-busy growing nuts which are the product of last year’s blossoms. Then
-in the late autumn, even November, you will find it in bloom, twisting
-yellow petal fingers in mourning at the fall of its own leaves.
-
-[Illustration: That such things are not seen oftener is simply because
- people are dull and go to bed instead of sitting out under the
- witch-hazel at midnight of a full moon]
-
-Pluck one of the nuts of a midsummer evening and look it intently in
-the face. Note the little shrewd pig eyes of the witch far ingrown in
-it, the funny shrewish tip-tilted nose, the puffy cheeks and eyelids.
-See that slender horn in the forehead, the sure mark of the witch.
-No wonder that it has the name witch-hazel with such ways and such
-faces growing all over it at a time when most other trees and shrubs
-have but finished blossoming. But if you want further proof that this
-shrub harbors witches you need but to examine its oval, wavy-toothed
-leaves just at this time of the year and see the little conical red
-witch-caps hung on them. There need be but little doubt that, sitting
-under it at midnight of a full moon, you may see the witch faces detach
-themselves from the limbs, put on these red caps and sail off across
-the great yellow disk. That such things are not seen oftener is simply
-because people are dull and go to bed instead of sitting out under the
-witch-hazel at midnight of a full moon.
-
-To be sure there are scientific men, gray-bearded entomologists, who
-will tell us that these little red caps are galls, the rearing-place of
-plant aphids, caused by the laying of the mother insect’s egg within
-the tissue of the leaf, but one might as well believe that the witches
-hang their hats on the witch-hazel over night as to believe that the
-laying of a minute egg in the tissue of a leaf could cause the plant
-to grow a witch hat.
-
-No doubt these same wise men would explain to you that it is not
-possible to become invisible by sprinkling fern seed on your head
-during the dark of the moon and saying the right words, but did one of
-them ever try it?
-
-It is appropriate that the witch-hazel should shade the portals through
-which the brook enters the glen at the foot of the pasture, for the
-path here enters you into a world of witchery where the glamour of the
-place will hold you long of a summer afternoon.
-
-At the foot of the glen an ancient mill-dam once blocked the free
-passage of the water and a mill-wheel vexed its current. Now only the
-rude embankment remains with half-century old hickories and maples
-growing on it, arching in and shading the glen with their imbricated
-branches. No rust of mill-wheel, no trace of building remains, and
-the very tradition of the mill and its owners is gone. No one to-day
-knows whether it ground corn or sawed boards for the pioneer who built
-it, who laid the sill of its dam so firm and level that the wear of
-two centuries of swift water has not entirely obliterated it. At the
-very bottom of the glen it forms a shallow pool where brook magic and
-witch-hazel glamour shall show you many midsummer fantasies if you will
-but look for them.
-
-It was in the glen that I found the first real relief from the heat of
-midday. The grasses of the sun-parched pasture had crisped under foot
-and broken off, so dry were they, all the way down to the sweet-flag
-meadow. Here the brook water keeps all growing things lush and green,
-but the glare of the sun is only the more intense. It follows you
-into the alder swamp, and you may sit under the arching fronds of the
-ostrich-plume ferns in vain.
-
-But after you have scrambled through them and ducked under the mock
-benediction of the witch-hazel limbs that stretch above your head
-while the witch-hazel faces grin a cynical “Bless you, my child,” you
-feel that you are willing to take your chances with swamp witchery and
-brook magic. For in the glen cool waters crisp over cold stones and the
-breeze sighs up stream and fans you as you sit on the brink of the pool
-and lean your head against the ledge from whose crannies drip the fairy
-fronds of the rock fern.
-
-These are but little fellows of our fern world, and the magic which
-distills from their fern seed is no doubt less potent than that from
-greater ferns, but added to the witch-hazel glamour it makes brook
-magic which will initiate you into many mysteries of the pasture world
-if you are but patient. Sitting there with the tiny brown spores of the
-rock fern dripping upon your shoulders with infinitesimal rattle, you
-seem to see more clearly the glen life and to know the meaning of many
-sounds hitherto only half understood.
-
-Always there is the sleepy song which the brook sings to itself in
-summer,--a song to which the warble of the vireo in the overhead
-leafage adds but a dreamy staccato. But if you listen through this
-you shall presently hear the water goblins grumbling to themselves in
-their abodes under flat stones. They are old and grumpy, these water
-goblins, and they never cease to mumble to themselves about their
-troubles.
-
-Very likely they complain incessantly because they are hungry and the
-supply of demoiselle nymphs is running short. There are plenty of
-demoiselles, flitting back and forth across the pools on glittering
-black wings, which they fold closely to their iridescent green bodies
-when they light. They are such ladylike dragon-flies that it is no
-wonder that the name “demoiselle,” which French scientists with
-admirable gallantry have given them, has stuck. With all their ladylike
-short and modest flights and the saintly way in which they fold their
-wings when they light on some leaf beside the pool, a folding as of
-hands in prayer, the demoiselles are dragon-flies, and each prayer may
-well be for the soul of some midge or other wee insect captured in the
-short flight.
-
-The true dragon-fly--the one which rests with wings widespread--hunts
-like a hawk, but the demoiselles seem to take their prey with a gentle
-grace and charm of manner which ought to make the midge’s last moments
-his happiest ones. I always suspect them of folding him in a perfumed
-napkin and eating him with salad dressing and a spoon after they get
-back to their boudoir, but I cannot prove this any more than I can that
-it is really a water goblin that grumbles under the flat stone.
-
-Many a time I have turned the stones over suddenly, but I never yet
-was quick enough to surprise the goblin. I have found him there, mind
-you, but never in his true shape. Always he has managed to transform
-himself into something different,--perhaps into a spotted turtle or
-a grouchy horn-pout. I have even known him to turn into an ugly,
-many-legged helgramite worm, not having time to make the more reputable
-transformation. It is hard to catch a grumbling goblin asleep,
-especially in a pool below the witch-hazels, where the brook magic is
-strong.
-
-It is easier to see the demoiselle nymphs. They are not very beautiful
-or seemingly very savory, and if the water goblins do eat them it
-is no wonder they grumble. You may have seen a hawk-like dragon-fly
-skimming about over an open pool dip in swallow fashion to the surface.
-These sudden and repeated dips are not for a bath nor yet for a drink.
-What you see is a female dragon-fly laying eggs which shall later
-hatch and become under-water nymphs, the larvæ of the dragon-fly. But
-the demoiselles, still rightly named, do nothing so brazen as that.
-Instead, they pick out some nodding water weed, fold their wings a
-little more tightly to their iridescent bodies and crawl down it into
-the water. Here, in proper seclusion beneath the surface, they pierce
-the reed’s stem with keen ovipositor and lay their eggs. Then they
-saunter forth again and discreetly eat more midges with salad dressing
-and a spoon.
-
-If you look closely among the water weeds in the transparent water
-at the pool margin you may see the demoiselle nymphs crawling about,
-breathing through feathers in their tails, and scooping up food with a
-big shovel which sticks out under their chins. They show little traces
-of their coming beauty. It is the awkward age of the demoiselle, and I
-fancy each is right glad to do up the hair, get into long black skirts
-with iridescent green bodices, and join the afternoon tea flitters.
-
-What the magic is in the brook, whereby these strange, awkward,
-crawling creatures, living beneath the water, some day crawl up the
-stem of a water weed, burst, stretch their wings and fly away the
-saintly and demure demoiselles of the pool, I do not know--whether it
-be distilled from the witch-hazel by the summer sun, or whether it
-slips more mysteriously from beneath the breast-plate of the spore of
-the polypody growing just above my head in the rock crevice. It must
-be the same magic whereby the many-legged, crawling helgramite worm,
-after living that sort of life sometimes for several years, one day
-crawls ashore, goes to sleep beneath a stone, and in another month
-wakes up and finds himself a _Corydalus cornutus_, a three-inch-long
-bug with extraordinary wings and great horns,--a bug that might well
-make one of those witches, met face to face on the moon’s disk, shriek
-and fall off her broomstick. If he can be that thing, changed from a
-helgramite worm, why can he not be a helgramite worm, changed from the
-water goblin which you can hear grumbling beneath the flat stone at the
-entrance to the pool beneath the witch-hazels?
-
-The answer is to be found neither in the rhyme of the poet nor in the
-reason of the scientific man.
-
-Musing on these things I suddenly sat up from my quiet seat beneath the
-rock ferns, for more magic yet was being displayed before my eyes.
-Over on the further side, in the shallow eddy, the pool was troubled
-a second, then there rose from it a wee sunfish, not more than three
-inches long, rose from it tail first and began balancing across the
-pool surface toward me, on his head. His tail quivered in the air, and
-I could see his freckles growing in the yellow transparency of his
-skin, yet, though I watched with wide eyes, he was two-thirds the way
-across the pool toward me before I noticed beneath him the tip of the
-nose and the wicked little dark eye of a water snake. At sight of him
-the demoiselles should have shrieked and flown away, but they made no
-move. I, however, indignant, arose, and seizing broken fragments of
-rock was about to lacerate him and loose his prey when I quite suddenly
-thought better of it. Had not I a few days before come down stream to
-the deep pool above and carried off a string of perch, sunfish, pouts,
-and an eel? Had not the water snake also a right to his dinner?
-
-I dropped my rock fragments, but there was no longer pleasure in
-waiting to woo the demure coquetry of the demoiselles. The serpent had
-entered Eden and the man was driven forth. I lingered only long enough
-to see the grace and strength of the snake as he glided over the sill
-of the old dam, now black and sinuous, now giving me a glimpse of the
-vivid red of the under parts of his body, but always keeping his grip
-secure on the little sunfish whom he was taking away to luncheon with
-him.
-
-I climbed out of the glen, glad to go for once, but at the top of
-the rock where the sunburnt pasture path begins again I was in for
-another shudder, for here the dragon had entered fairy land. He came,
-writhing his horrid length along the path, his scales shining in the
-sun, his great mouth gaping, and up near his abnormally great head two
-little impotent forelegs wriggling. Who wouldn’t turn and run before
-such a creature as this? To be sure he was scarce three feet long, and
-his curiously mottled-brown back was that of the common adder, one of
-our harmless snakes, though he looks ugly enough to be stuffed with
-venom. But this great gaping head and the wriggling forelegs; never did
-flat-head adder have such a front as this!
-
-My compassion for snakes that had a right to their dinner vanished
-before this creature. It is different when it seems as if you might be
-the dinner. Those forelegs beckoned, and how could I tell but, in this
-land of witch-hazel, fern seed, and brook magic, I might not shrink
-sufficiently to be taken in by that huge mouth in that misapplied head?
-Death were better,--that is, death for the dragon,--and I caught up a
-jagged piece of the top of the glen and hurled it at him. It struck
-the beast fair amidships. The dragon whirled and writhed for a second
-or two and lay motionless, and behold! the head separated from the
-body and began to limp away. Then first was the spell broken and I saw
-clearly. It was simply a flat-head adder that had taken a good-sized
-garden toad for his dinner, had swallowed him whole as far as the
-forelegs, but failed to engulf these. It was the combination which made
-the dragon.
-
-Somehow I haven’t cared for the glen since. The early glamour of brook
-magic is pleasant, but I fear that, like the hasheesh of the Orient,
-its end is very bad dreams.
-
-
-
-
-IN THE PONKAPOAG BOGS
-
-
-
-
-IN THE PONKAPOAG BOGS
-
-
-I do not find in all my wanderings, afield or afloat, a more quaintly
-delightful plant than the floating-heart. In my pasture world it grows
-in one place only,--along the shallow edges of the bogs of Ponkapoag
-Pond. I think no other pond or stream in this immediate region has
-it, and so sweetly shy is it that you may pass it year after year
-without noting its existence. It waits until the summer has marked
-its meridian before it ventures to send up its dainty little _crêpe
-de chine_ petals, each fairy-like bloom appearing for one day only in
-the very throb of the mottled olive and bronze heart, which is a leaf.
-The leaf itself is barely an inch across, the exquisite bloom less
-than half that; yet once you know it you love it beyond all other bog
-plants as being the most fairy-like of water-lilies, though it is not a
-water-lily at all when it comes to botanical classification, being of
-the gentian family.
-
-However, not to be a water-lily is not so bad if one may be classed
-with the fringed and closed gentians which are to bloom later on the
-landward edges of the bog. As the little blossom fades at nightfall,
-its short stalk curls back beneath the water to ripen the seeds there,
-hung just beneath the leaf from a peculiar bulb-like nodule just an
-inch or so down on the petiole. The next morning another wee white bud
-shoots up in the heart angle of the leaf and opens fragile petals in
-the sun.
-
-I recall no other plant that sends up blooms from the leaf stalk in
-this way. When the seeds have ripened I suspect the plant of setting
-this bulb-like nodule free to float away to another shore, take root as
-a real corm or tuber might, and produce more floating-hearts.
-
-This bog on the westerly shore of Ponkapoag Pond was not long ago made
-a part of Boston’s park system, which thus moves ever sedately toward
-the Berkshire hills, yet it is a bit of nature as wild and untrammeled
-as it was in the days when Myles Standish may have looked down upon
-it from the top of great Blue Hill, as it had stood unchanged in his
-day for many and many a long century. So I fancy it will remain for
-centuries to come, for Nature holds her own here well. Indeed, she
-encroaches, for a bog grows wherever it has free water to grow into.
-So, after many centuries, frequenters of the Blue Hill Reservation
-will note a broad expanse of swamp land where once sparkled the waters
-of this hundred-acre pond. For the way of the bog is this.
-
-All along its under-water front the obscure under-water weeds grow up
-and die year after year, generation after generation, forming fertile
-banks of beautiful soft mud, into whose lower depths the great thick
-rootstocks of the pond-lilies push, and in which the fibrous roots of
-the tape grass, the fresh-water eel grass, find a hold. The growth
-and decay of these, with the water shield, with its jelly-protected
-foliage, the yellow dog-lily, and in lesser depths the bulrush, add to
-the growing bank as coral insects grow and die in tropic seas, until it
-is near enough to the surface for the pickerel weed to find roothold.
-Then indeed the bog steps forward with vigor, for the pickerel weed is
-its firing line. All summer you shall see its blue banners flaunting
-gayly in the southern breezes, tempting the land-loving bumble-bee to
-sea, calling the honey-bee from the mile-distant hive, and offering
-rest and luncheon to a myriad lesser insects, all with genial
-hospitality. Its serried millions in close ranks breast the waves in a
-broad blue line from one end of the bog to the other, a half-mile or so.
-
-Behind these are shallow pools, where again you find the white
-water-lilies. Here they bloom in enormous profusion from late June
-until early September, reaching their grand climax during late July.
-On such a day, standing in the boat at the southerly end of the bog,
-counting those within a given space and multiplying, I estimated that
-there were ten thousand of the fragrant white blooms in sight. Twice
-as many more were hidden by bulrush and pickerel weed. On Sundays
-and holidays boatloads of trolley trippers paddle and push among
-them and carry them off by the hundred, yet they make no mark on the
-visible supply. The decay of the leaves and stems of these add to the
-under-water foothold of the bog, but after all it must be the reedy
-stems, sagittate leaves, and interwoven roots of the pickerel weed that
-are its main foundation.
-
-Steadily seaward over the foundation thus laid progresses the long,
-definite front of the saw-edged marsh grass. Once it interlocks its
-roots along the mud surface formed for it, it leaves no room for the
-freer-growing denizens of the shallows. In among the marsh grass grows
-no flaunting flag of pickerel weed, no pure white nymphæa sends forth
-its rich odor.
-
-Only the bog cranberry may hold its own in any quantity against the
-throttling squeeze of those grass roots. Where these grow is the high
-sea of the bog, its waves rising and falling in the free winds. Yet,
-just as pickerel weed and water-lily give way before the advance of
-the marsh grass, so it in turn falls on the landward side before the
-advancing hosts of the swamp.
-
-A steady phalanx of swamp cedars pushes its foothold farther and
-farther out upon it, year by year, scouting with button bush and black
-alder and holding every inch that they obtain for it. Now and then
-something happens to a brief area of marsh grass and cranberries so
-that their dense packed minions faint and release their root grip on
-the quaking mud. Every such opening is seized by the alder or the
-button bush, and the cedars follow them; indeed, sometimes the cedars,
-favored by the right wind or the right bird carriers at seeding time,
-slip in first, and little island clumps of their dark bronze green
-stand here and there over against the cadet blue of Blue Hill which
-hangs like a beautiful drop-curtain always on the westerly sky.
-
-Once, a half-century ago or more, a farmer and his men came down from
-the pastures, and for purposes of their own cut a ditch straight
-through the middle of the bog to the open water. The hundreds of
-scrawny night herons, sitting on pale blue eggs in scraggly nests in
-the cedar swamp must have heard the cedars laugh as this went on.
-It was the swamp’s opportunity. Where the farmer and his men with
-incredible labor cut and tore away the marsh-grass roots the cedars
-planted their seeds, and called upon the alders and the swamp maples
-and the thoroughwort, the Joe Pye weed, and a host of other good
-citizens of the swamp, to help them.
-
-So vigorous was the sortie and so well did they hold their ground that
-you may trace the farmer’s wide ditch to-day only as a causeway down
-which the swamp has come to build a great wooded area in the midst of
-the bog, accomplishing in half a century what it might not have done in
-five times that had it not been for human aid. Thus, slowly as you and
-I count time, only an inch or two a year perhaps, yet all too rapidly
-for the joy of future generations, the bog encroaches upon the pond and
-the swamp follows towards complete possession, which as the centuries
-go by will make the quaking sphagnum firm meadow land.
-
-For all you and I know, the Metropolitan Park Commission of the year
-3908 will be fixing up a second Franklin Field here for the camping
-ground of visiting Pythians. Meanwhile let us hasten to enjoy our bog
-and its reedy borders.
-
-It is the home and the occasional resting place of many a wild free
-creature. Of a clear midsummer evening you may hear the muskrat
-grubbing roots there, see, perhaps, the moonlight glint on the long
-V-shaped ripple which he makes as he swims, and hear his snort and
-splash when he dives at sudden sight of you. You may chance upon a
-disconsolate bittern sitting clumsily in dumpy patience as he waits for
-food to splash up to him, and you may even hear him work his wheezy,
-dislocated wooden pump, a cry as awkward and disconsolate as the bird.
-
-[Illustration: Of a clear midsummer evening you may hear the muskrat
- grubbing roots there ... and hear his snort and splash when he dives
- at sudden sight of you]
-
-The muskrats breed in the bog, the bittern had his grassy nest there,
-and a myriad blackbirds have made the low bushes vocal with their
-cheery whistles all summer. They are flocking now, getting the young
-birds in training for the long flight south, but they still hang about
-the bog and they still whistle merrily. Surely it is not environment
-that makes temperament. Bittern and blackbird both frequent bogs, yet
-the bittern is a lonely misanthrope, whom I more than half suspect of
-being melancholy mad, while the blackbird is as cheery and as fond of
-his fellows as a candidate. When you hear his whistle you half expect
-him to light on a thwart, hand you a cigar, and ask after the baby.
-But the blackbird’s election is sure anyway.
-
-Another loved and lovely denizen of these bogs is the wood duck. These
-breed in the swamp, the mother bird building a grassy nest in a hollow
-tree, where she lays from eight to fourteen buff-white eggs, and leads
-her yellow fluffy ducklings to a nearby secluded pool for their first
-swim. Later they come out into the bog, and ultimately make the pond,
-where they learn to forage for themselves. By the first of August the
-mother bird has sent them adrift, in the main, to paddle and flap their
-way about as best they may. They are “flappers,” as the boys call them.
-That is, they can make good speed along the surface by half running and
-flapping vigorously, but they cannot yet fly enough to rise into the
-air.
-
-One of these young wood ducks came out of the bog the other morning,
-just at the gray of dawn, and swam over toward the boat landing. He
-was quite near the shore when I took ship and rowed to seaward of
-him, thus shutting him off from the open pond and from the bog. Then
-for an hour or two followed what was to me the most interesting duck
-hunting I have done for a long time. I could row as fast as he could
-swim, and I continually edged him along the south shore, getting
-nearer every minute. I have read much of the marvelous intelligence of
-wild creatures. Yet I saw little of it in this chase. The duck knew
-me for an enemy, on general principles, for I was a man, and I was
-evidently coming after him. Even rudimentary intelligence should have
-told him to flap for the bog as fast as he could. He did nothing of
-the sort. He just edged along down the shore, evidently hoping that I
-was light-minded, and would forget all about him in a minute or two
-if let alone. But I kept at it until I was so near I could see every
-one of his already handsome feathers and note the coloring of those
-parts which had not yet reached the beauty of maturity. I could see the
-yellow rim of his eye, and still he swam east and swam west but made no
-real move to escape.
-
-Two things I wished to learn from my wood duck. One was how much
-general intelligence and real quickness of wit he would show in
-escaping. The other was how he carried his wings under water if, by
-any fortunate chance, I should be able to see him swim after he went
-down to escape me. But at first he was so irresolute that he neither
-dived nor made any vigorous attempt to escape. I got so near, that to
-avoid driving him up the bank into the woods I had to ease away a bit.
-Finally, at my second approach, he did try to flap by the end of the
-boat, but I spurted and headed him off.
-
-It was a long time, and it took much manœuvring to make him dive, but
-it finally entered his head that he might avoid being cornered and
-badgered by going under water. This he did, going on a slant just a
-very little below the surface, probably because he was in too shallow
-water to go much deeper, and coming up well to seaward. There he
-preened his feathers, took a sip or two of water and, seemingly, waited
-to be surrounded a second time.
-
-I rowed out, got on the off-shore side of him, and again began boating
-him in toward the shore. He showed less uneasiness this time, but
-dived and swam out again after considerable more pressing. Again and
-again I repeated this, sometimes getting no sight of him under water,
-again seeing him move along very plainly. At no time did I notice any
-motion of the wings under water. I have been told that wild ducks when
-swimming beneath the surface make most of their progress with their
-wings, quite literally flying under water. This may be, but I have no
-evidence of it in the under-water action of this one.
-
-Again, it has been sagely impressed upon me by old duck hunters that
-you could tell in what direction from your boat a bird would rise by
-noting the way in which his bill pointed when he went under. I think
-it was Adirondack Murray in that famous loon-hunting chapter who
-first made the point, and it has been insisted upon by many another
-successor. But, bless you, my half-grown wood duck made no difficulty
-of going down with his head toward the morning and coming up in
-the sunset portion of the view. He took slants under water and cut
-semicircles at will. But I couldn’t see him use his wings while beneath
-the wave.
-
-Little by little he got over being excited by my presence. He began to
-eat bugs off the lily pads as he went by, and now and then tip up for
-an under-water search. Thus we coquetted with one another all along the
-southern shore of the pond, and when I finally cornered him for a last
-time in behind Loon Island he dove without embarrassment and began his
-feeding as soon as he had again reached the surface. The chase was no
-longer exciting, and I turned my attention to something else. Then he
-swam out quite a little further into the pond, preened his feathers
-carefully, tucked his head under his wing and went to sleep!
-
-Evidently he had decided that I was eccentric, but harmless, and the
-best way to escape my attentions would be to leave me severely alone.
-
-And there you have it. I think the wood duck is beautiful, but not
-very bright. Yet it occurs to me that some Sherlock Holmes of the
-woods may prove, to the satisfaction of Dr. Watson anyway, that he is
-preternaturally clever, in that this one, though still young, was keen
-enough to see that from the first I had no evil intentions toward him.
-
-
-
-
-SOME BUTTERFLY FRIENDS
-
-
-
-
-SOME BUTTERFLY FRIENDS
-
-
-At dusk all the edges of the pond are lighted with the white candles
-of the clethra. Its fragrance has in it that fine essence which goes
-to the making of the nectar and ambrosia of the gods. He who would sup
-with them may do so by taking canoe of an early August twilight when
-the purple arras of the coves glow softly golden with the reflected
-light of the sunset’s afterglow. Then the coarser air seems to have
-let the light slip from between its clumsy particles, leaving its more
-ethereal essence still clinging to a more subtle interatomic fluid.
-
-The fragrance of the clethra seems always to me as fine as this spirit
-of light in the ambrosial twilight of the ripened summer. It is no
-air-borne delight like the resinous scent of the forest pines or the
-pasture sweet-fern when the hot sun of midday distills them and the hot
-wind of midday sends them far to you across the quivering fields. It is
-something finer, softer, more silkily subtle, which, like the rose gold
-of the afterglow of the sunset, tints the dusk of the cove between the
-air atoms, not by way of them.
-
-Then, as the gold glimmers and fades and the pink faints in the cooling
-purple of the dusk, and the outline of the cove shore slips from the
-front of your eye to the chambers of memory behind it, so that you else
-might see it best with the eyes shut, the white candles are lighted
-and the eager moth sees by them to sup with you and me and the gods on
-this essence of ambrosia, to tipple on this spirit of nectar which the
-night reserves for those that love it.
-
-I do not know why the clethra which gleams so white in the dusk should
-need anything more than its own white beauty to call the moth to its
-wooing. Perhaps it does not need more. Perhaps all this fine fragrance
-is but the overflow of its soul’s delight at being young and chastely
-beautiful, and trembling in the ultra violet darkness on that delicious
-verge of life that waits the wooer. I half fancy that this is true of
-all perfume of flowers, that it is less a call to butterfly or bee to
-come to their winning than it is a radiation of delight from their own
-pure hearts at the dawning of the full joy of living. I am not always
-willing to take the word of the scientific investigator on these points
-as final. The scientists of the not very remote past have known so
-much that is not so!
-
-It is possible that, just as a hunting-dog picks up a scent that is
-strong in his nostrils and has no power in ours, so the flowers that we
-call scentless send out an odor too faintly fine for our senses, yet
-one that the antennæ of moth or bee may entangle as it passes and hold
-for a certain clue. Perhaps the scents that are only faint to us carry
-far for the butterfly, but if so, and if flower perfumes are made only
-for the calling of insects, why need they be made so intoxicating to
-the human senses? The scent of carnations is as pleasing to the soul
-as a strain of beautiful music, and equally arouses high aspirations
-and noble longings. So to me the odor of the clethra at nightfall is
-a tenuous thread of ethereality that reaches far toward a realm of
-spiritual ideals. It ought to go with a ritual and a vested choir.
-
-I do not find the odor of the pasture milkweed speaking thus to any
-inner sense. It is just a gentle, lovable, stay-at-home smell that
-surely does not float farther than the pasture bars. Yet of all the
-plants that have bloomed within my world of garden and pasture this
-summer it has been by far the most popular among insects. It is not
-that it is the most attractive to the eye, in any of its forms, for
-there are many flowers of colors more vivid and to be seen farther,
-as well as of much stronger scent. Yet all day long you will find
-it besieged by bees, from the aristocratic Italian worker from the
-farmer’s best hive down to those scallawag bees that make no honey for
-themselves but lead a vagabond life and lay their eggs in other bees’
-nests, leaving their young to grow up in unendowed orphan asylums.
-
-Many varieties of ants seek the milkweed blooms, and you shall find
-about a large clump more sorts of wasps than you would believe existed,
-yet it is the butterflies who most of all make it their rallying place.
-Every butterfly in the whole region makes it his business to know each
-large clump of milkweed, and to make the rounds at least daily.
-
-There, if you watch, you may see the pretty little pearl crescent,
-whose range is from Labrador to Texas. The shy meadow browns flit
-out from the shadow of the brook alders and feed for a moment before
-they take fright at the fact that they are out in society and flit
-desperately back again. The angle wings flip about like animated
-question-marks, and fulvous fritillaries soar sedately, now and then
-lighting to feed and fold their wings that you may see the big silver
-spots of the under parts. And so you might name them all, almost every
-butterfly of early August, all besieging the milkweed so eagerly that
-you may hardly drive them away.
-
-The fact is they come neither for scent nor sight; they come for good
-taste--which they find in the honey glands of the peculiarly shaped
-bloom, which are obvious and sticky and within reach of all. I do not
-think it is half so much the odor of the flower which draws them, be
-it never so sweet or so strong, but memory of the honey dew sipped
-there yesterday or last week. No doubt the love of the milkweed bloom
-is an inherited tendency, also, bred in the bones from a line of
-milkweed-frequenting ancestors infinitely long.
-
-Indeed, one of our most splendid butterflies is the _Anosia plexippus_,
-otherwise known as the milkweed butterfly, rightly named also the
-monarch. Every boy who knows the country in summer knows him by his
-rich, red coloration, his strong, black-bordered wings with their black
-veins. Every bird knows him too and lets him alone. On the first median
-nervule of the hind wings of the butterfly is a scent bag whence he
-dispenses an odor so disagreeable to the bird who would eat him that he
-goes free, and is not afterward troubled.
-
-[Illustration: Every boy who knows the country in summer knows him by
- his rich, red coloration, his strong, black-bordered wings with their
- black veins]
-
-Along with the monarch sipping honey with eager industry from the
-meadow milkweed, you will often see the viceroy, who, as a viceroy
-should, closely imitates, but does not equal, the monarch. He
-has neither the monarch’s vigor of flight nor his means of defence
-from predatory birds, but his safety--so the students tell us--lies
-in looking so much like his superior that he also is let alone. The
-students go on to say that his is a good example of the imitative power
-of insects whereby they escape destruction by seeming to the casual eye
-to be something else.
-
-The viceroy, which is a _Basilarchia disippus_, thus looks not the
-least like other members of his family, but consciously mimics the
-coloring of the monarch for safety. Thus many tropical beetles contrive
-to look like wasps that they may not be molested, and some insects look
-like brown leaves and others like green ones.
-
-But do they contrive, imitate, mimic? It is no doubt true that because
-of the resemblance they escape, but to say that they imitate or
-contrive or mimic seems to me to be to assume a knowledge of the
-workings of the inner consciousness of an insect that not even the
-most careful student can have. I am more inclined to believe that the
-so-called mimics are fortunate in an accidental resemblance and so
-escape the destruction of their species which has fallen upon many a
-less fortunate type.
-
-Yet no butterfly, however exquisite his coloring, or however strong
-and graceful his flight, twangs with his fluttering wings the fine
-heartstrings of romance as does the monarch. The first one that came
-dancing down the sunlight to the sweet rocket in bloom in my garden
-this spring brought to me a spicy odor of tropic isles. The beating of
-his wings shed, as he passed, faint fragrance of Mexican jasmine, and
-I thought I saw slip from them the infinitesimal dust of the pollen
-of stephanotis lately blooming in the glades of Panama. Three months
-before he floated serenely beneath my cherry tree he may well have
-soared through the tropic glades where crumble the ruins of the palaces
-of the Incas.
-
-His flight, seemingly as frail as that of a red autumn leaf sliding
-down the October zephyr to carpet the nearby field with rustling
-fragrance, has matched that of that rifle-ball of bird life, the
-ruby-throated humming-bird. Together they sip the sweets of my sweet
-rocket in the spring. Together they wing their way south to the region
-of perpetual summer when the winds of late September promise frost.
-Sometimes in this annual flight the monarchs pass the sandy stretches
-of the New Jersey coast in swarms that, stopping at nightfall for rest,
-refoliate with their folded wings the shrubs left bare by the autumn
-gales.
-
-It may be that, like the birds, the knowledge of the route they must
-follow is bred in the marrow of their butterfly bones by the constant
-use of a million generations. It may be that they simply drift away
-from the cool wind from the North toward the Southern sun that shines
-so serenely in the bright autumn days. But whether through the
-guiding hand of Providence, or inherited wisdom, or a fortunate tact
-that acting from day to day produces the happy result, this Southern
-movement in winter is the sole salvation of the species here in the
-North.
-
-If they did not make these long flights we should have no Anosias with
-us each summer, for unlike other butterflies the frost kills them in
-whatever form they remain to brave it. All summer long their long, red
-wings bear them bravely from one clump of milkweed to another. They
-sip the honey which each floret of the umbels holds forth, the sticky
-mass the size of a pinhead. They lay their eggs upon its leaves and the
-black and yellow caterpillars hatch and feed there. Then they hang in a
-green and gold chrysalis from a nearby twig till the imago, the perfect
-butterfly, bursts its bonds and sails away to find more milkweed. There
-may be several broods of a summer, but the frost stops all that. The
-monarch may not winter here, nor may his eggs or chrysalids survive the
-cold.
-
-Many butterflies, frail though they seem, do pass the New England
-winter successfully. The _Antiopa vanessa_, otherwise known as
-mourning-cloak or Camberwell beauty, a handsome brown fellow with blue
-spots and a pale-yellow margin, well known to every one, flits joyously
-through the woods with the very first warm days of spring. He has been
-snugged up in some dry crevice, numbed and torpid, but very much alive,
-all winter. The first genial warmth sets him free, and later I always
-find his children browsing on the willow twigs over in the cove. They
-are rough chaps, horrid with bristling black spines and with dull
-red spots relieving their otherwise plain black hides. But they grow
-fast, and by and by go out upon a twig and hang themselves, head down,
-by a little silken rope, swinging there in the wind, simply a dead
-caterpillar that has imitated Judas.
-
-One day the caterpillar part sloughs off. It is a fairly sudden
-process. You may paddle by the willows in the morning and see all
-your little Judases hanging in a row. Paddle back at noon and their
-skins have shrivelled and slipped off, and you have chrysalids, queer,
-impish-looking things, swinging there still, head down. You know they
-are alive; indeed, if you poke them they will wiggle impatiently, but
-they swing in the wind and give no other sign for a week or ten days.
-Then they cast a second skin, and pop out full-grown butterflies that
-stretch their wings for a time leisurely, then suddenly dash into the
-air and go off over the hill like mad. The whole thing is so sudden!
-The change, when it does come, is as if some woodland magician had
-waved a willow wand and said “Abra-ca-dabra; presto, change!” Time and
-again I have watched to see that caterpillar skin fall off, and again
-to see the vanessa step forth from the domino in which it has been
-masquerading, but they have always been too quick for me.
-
-Other butterflies survive in the chrysalis all winter and come forth
-full-grown and fit in the spring. Such may speak to your listening
-imagination through their beauty, which is often great, or through
-their resurrection from seeming death, though if you will observe
-them closely in the chrysalid form you will see that they are not
-even seemingly dead. Evangelists who have held up the butterfly to us
-as a prototype of that resurrection which we may expect if we are
-good, evidently never closely observed the chrysalis of a good healthy
-butterfly, else they had not been so sure of their corpse.
-
-Lately I have had chrysalids of the _Papilio asterias_, the common
-eastern swallowtail, in my study. I found the fat black and yellow
-worms on my parsley and caged them. They soon hitched themselves to the
-wire netting by their tails, hanging from overhead on a slant, their
-shoulders (so to speak) being supported by a single loop of silk. If
-you did but tap on the wire netting or scratch it these chrysalids
-would wiggle and jerk quite angrily, their action saying plainly,
-“Can’t you let me alone? I’m just having a nap!” No; it is plainly
-no death and resurrection which makes a butterfly. It is merely a
-caterpillar who was dressed for the fancy ball all the time. He came
-to the woodland hall in his greatcoat. This he sheds for a domino, in
-which he masquerades for a time. Then he bursts forth for the final
-festivities in a robe of princely beauty.
-
-My chrysalids did this only the other day. Wonderful creatures of
-black and yellow came forth, stretched their wings till I could see
-the dainty shading of blue and the peacock-feather eye of red and
-black on the lower part of the secondary wings; then, as I opened the
-window they dashed madly away as the vanessas do from willow twigs
-in the cove. The butterfly has been held up to us as an example of
-lazy dalliance. I have never watched one that was not as busy as a
-politician on election day. Especially do those just wakened from the
-chrysalis form rush away as if they knew all their work was before
-them and they longed to be at it.
-
-Of them all the monarch is not the most beautiful, but I rank him as
-surely the ablest. His annual migration shows him to have wonderful
-strength of wing, and either much wisdom or an extraordinarily
-developed instinct. Very likely he has both. Further, through accident
-pure and simple, or else a spirit of adventure fostered by the joys of
-long annual journey, he is steadily extending his habitat to embrace
-the known world. Originally of North America only, he has within the
-last dozen years taken ship for Australia, where he has multiplied
-greatly in the warmer regions, and has wandered again over sea to
-Java, Sumatra, and followed the flag into the Philippines. He is well
-established at the Cape de Verde Islands, and is doing his best to be
-happy in the pale sunshine of the south of England, whence specimens
-are reported yearly.
-
-
-
-
-THE RESTING TIME OF THE BIRDS
-
-
-
-
-THE RESTING TIME OF THE BIRDS
-
-
-This morning I heard the bluebirds again for the first time for weeks.
-They came up from the pasture to the apple trees and sang their modest
-little snatches of song in that shyly sweet, reserved yet fond, manner
-which makes the bluebird the best loved of all our pasture birds. There
-have been no bluebirds about my garden since the yegg raid of late May
-and its resulting tragedy. Now they are back, but there is in their
-call a note of sadness which indeed comes into the voice of every
-bluebird as autumn approaches, though I think it is accentuated in mine
-this year.
-
-When I say yegg I mean English sparrow, and if I could think of a worse
-name, equally descriptive of him, I would give it. This is the story
-of the foul deed, only one of many, no doubt, perpetrated by this
-cowardly crew. In late March I put out in my garden three bird boxes
-such as bluebirds love to inhabit. These were immediately inspected
-by the neighborhood flock of English sparrows, just beginning to pair
-off, and finally decided upon as undesirable, perhaps because I had
-intentionally placed no perch before the door.
-
-The English sparrow will build his nest in any impossible place to
-which he takes a fancy, but he greatly prefers, in choosing a new
-site, one that has a convenient perch close by the entrance. So these
-undesirable citizens decided that they did not care for my bird boxes
-and let them alone, much to my delight. Then came the bluebirds,
-bringing to our cold, raw spring their flashes of blue like bits of
-a heaven that is fairer than ours, a blue that is hope and dreams of
-happiness and all things noble yet gentle. There is no color like it as
-it glints across pale April skies and blooms on trees that have been
-bare and gray so long. So, too, no bird song is so dear as theirs. It
-is but a wee, melodious phrase which says again and again, “Cheerily;
-cheerily.” Yet it voices hope and contentment, and is so purely the
-expression of the joy of gentle, kindly lives that it touches all that
-is fond and kindly in the listener.
-
-Bluebirds will nest in the hollow of the pasture apple tree or in a
-last year’s flicker’s abandoned hole in a decayed stump, but of all
-places they most love a bird box near a dwelling, and, as I had hoped,
-a pair came early in April to inspect mine. They looked them all over
-appreciatively, seeming with delightful courtesy to the builder to find
-it hard to choose, but finally settled upon one in the pear tree, and
-began to build.
-
-Meanwhile the yeggs had been watching with jealous eyes, lurking in the
-shrubbery, sneaking about the eaves and making sallies in small numbers
-from around the barn. The English sparrow has been called pugnacious.
-He is nothing of the kind. He does not love a fight. Bird to bird,
-there is nothing too small to whip him. I have seen a chipping sparrow,
-which is the least among the pasture sparrows, send the poltroon
-scurrying to shelter with all his feathers standing on end. A cock
-bluebird, fighting like a gentleman, and like a gentleman fighting
-only when he must, will drive a half-dozen of them. The English sparrow
-has the true instincts of the browbeating coward, and loves to fight
-only when in overwhelming numbers he may attack a lone pasture bird
-without danger to himself.
-
-So trouble began with the building, and for a week or so the warfare
-raged from box to box, the cock bluebird boldly defeating superior
-numbers again and again, only to have his gentle wife annoyed by other
-villains while he drove the first away, and his nesting material
-stolen in spite of him. Finally he resorted to what looked to me like
-well-planned and carefully executed strategy, though it may have
-been merely that fortune which favors the brave and persistent. The
-pair abandoned the box in the pear tree and started building in the
-one nailed against the side of the barn. The sparrows followed, of
-course. Then the bluebirds went back to the pear-tree box. The sparrows
-followed. The bluebirds then started building in the third box and
-daily brought material to each of the three, though ostensibly, I
-thought, to the second and third. At any rate the sparrows seemed
-to concentrate their attention more on these boxes. Meanwhile the
-bluebirds quietly completed the nest in the pear tree and later laid
-their eggs there, in comparative peace.
-
-The sparrows did not build in either of the other boxes. They did not
-want to. Neither did they care particularly about the material which
-they stole, for they did not continue to take it after the bluebirds
-had finished the pear-tree nest and were in a position to defend it.
-Their action was simply hoodlumism of the lowest and most despicable
-kind.
-
-[Illustration: The English sparrow has the true instincts of the
- browbeating coward]
-
-This was bad enough, yet it was merely petty annoyance compared to
-the deed without a name of which they were later to be guilty. The
-two young birds in the bluebird box were more than half grown. The
-blue was beginning to show in their wings along with the white of
-the conspicuous, growing quills, and the fuscous margin was already
-touching the breast feathers. The old birds, working with tremendous
-energy to feed these hearty youngsters, were both busy and often away
-from the nest together.
-
-At one such time the English sparrows descended upon this nest,
-entered, drove the young birds out to die upon the ground, unnoticed in
-the long grass, and started to take full possession. The bluebirds,
-returning too late, drove them away with more than usual despatch. This
-first called the affair to my attention. But I was too late.
-
-The young birds were dead and the sparrows were chattering in raucous
-jubilation over it, now and then giving a squeak of fright or pain as
-the male bluebird singled out an individual and attacked him with a
-fury of which I had not believed him capable. Soon, however, he ceased,
-and the two twittered mournfully about the tree for hours, again and
-again poising in fluttering flight before the door of their despoiled
-home and looking eagerly in, as if they could not believe that the
-young were indeed gone. Later they went silently away. No doubt they
-found another home in some hollow tree of the remote pasture and raised
-another brood. But my boxes have stood tenantless ever since.
-
-The worst of it is there is little I could do either in the way of
-prevention or revenge. I did get out my big old ten-bore duck gun,
-which I have not had the heart to use on a bird, even a coot, for a
-dozen years, and began cannonading the miscreants, but this was more
-disturbing to the neighbors than to the sparrows.
-
-One of the gentlest nature lovers I ever knew, wise in bird ways and
-very fond of all birds, used to say that he wished all the English
-sparrows in the world had but one neck, and that he might have that
-neck in his hands. I wish he might, too.
-
-So, after weeks of absence, the bluebirds have come back. Their
-speckle-breasted young, which they would have brought up among my
-apple trees and in the cloistered seclusion of the lilac bushes, have
-grown up in the pasture instead, and very likely their plans for next
-year will include the pasture wild-apple tree rather than my bird box,
-and they are far shyer and less responsive to my advances than they
-would have been. Their song has in it a plaint of autumnal regret. In
-the spring they sang, “Cheerily; cheerily.” Now they say, “Going away;
-going away.” It has in it something of the quality of “Lochaber no
-more.”
-
-But it is not merely the bluebirds which have been silent for some
-weeks and are now beginning to sing again. The time between early July
-and mid-August is a period of retirement for all birddom. The mating
-season, with its soul-stirring ecstasies, the labor of nest building,
-the anxieties of brooding, have been followed by the tremendous
-exertion of caring for that nestful of young birds. A healthy fledgling
-will eat almost his own weight of food in a day, and by the time he
-is able to fly and chase the old birds around for more the father and
-mother are worn to a frazzle. I really believe the youngsters are
-weaned only when their demand for food becomes so enormous with their
-completed growth that the parents cease to supply it through sheer
-physical exhaustion.
-
-I once reared a pair of young crows by hand, taking them from the home
-nest in a big pine, leaving three others--quite enough I afterward
-thought--for the parent birds. They were negroid, naked, pod-bodied
-creatures at the time, with long clutchy claws, ridiculous stubs of
-wings, and, ye gods, what mouths! When I fed them I used to clutch
-something with one hand lest I fall in. And I was incessantly feeding
-them. Anxious to treat them kindly and finding that frogs were a most
-acceptable diet to them I depopulated the township of _Rana virescens_
-and allied species. Then I found that fish would do about as well,
-and I fished until there began to be a shortage of angle-worms in the
-community. Yet still the creatures grew apace and demanded more food.
-
-By and by they got big enough to use their wings and, recognizing me
-as their undoubted parent, came flapping and clawing after me wherever
-I went, yelling, “Caw, caw, ca-aw-aw,” in most heartrending crescendo.
-Then did I realize to the full the responsibility of being a father
-bird. Stuff those clamorous creatures as I might, they still pleaded
-in agonizing tones for more, and no one not cognizant of the facts
-would have believed that they were ever fed. The lamb that loved Mary
-so, and followed her also, was not a circumstance to the clamorous
-devotion of those two young crows toward me, their foster parent.
-
-My one fear for weeks was that the resident agent for the S. P. C. A.,
-who was a vigilant and tender-hearted lady of undoubted indiscretion,
-would hear their evidently unanswered appeals and proceed against me.
-She could have convicted me on the evidence in any district court in
-Norfolk County; and yet those young birds were eating everything there
-was in the place outside of cold storage.
-
-Such is the appetite of the growing bird. Yet there comes a time in
-the passing of the summer when the youngsters are taught, or learn
-through necessity, to forage for themselves and cease their fritinancy.
-Then the thickets are strangely silent. The youngsters no longer yearn
-noisily and they have not yet learned to sing. The old birds have
-ceased singing. Indeed, there is nothing left of them but their bones
-and feathers, and that atmosphere of conscious rectitude which comes
-with successful completion of a noble and herculean task. And then even
-their feathers begin to go, for the moulting season is at hand.
-
-No longer does the male scarlet tanager sit like a lambent flame in
-the top of a tree and warble, “Look-up, way-up, look-at-me, treetop,”
-His scarlet suit begins to fade, grow dingy, show signs of wear, and
-finally go all to pieces while he sits mute and dumpy in the shadow. By
-and by the scarlet will have changed completely to a dull olive-green,
-like that of his inconspicuous mate, and though he still retains the
-black of his wings and tail you would not know him.
-
-So the bobolink who swung so conspicuously on the meadow grass in June
-in his black and white suit comes through the moulting season brown
-as a sparrow. The vivid blue of the indigo bunting falls from him in
-patches and is replaced by grayish brown in a large measure.
-
-No wonder that, utterly tired out and their brilliant plumage scattered
-and changed to dull and rusty colors, the birds are silent for a time,
-waiting for strength to recuperate. Some of them seem to retain enough
-courage and vitality to sing mornings through the moulting season,
-notably the robins. I suspect, though, that these faithful few--for the
-robin singers of the morning of the first day of August will be as one
-to twenty to those of the first day of June--are gay young sports who
-did not care to marry, or who, disappointed in love, still sing to keep
-their courage up. It is the best singers who are most strangely silent
-now, as they have been for weeks; nor will most of them be heard until
-next spring, hereabouts.
-
-My catbird was so sorrowfully unseen and unheard that I began to think
-the cat had got him, till I hunted him up, down the hill among the
-scrub oaks. He was as dilapidated and passé-looking as his nest in the
-lilacs; as if, like it, the young birds had kicked him pretty nearly
-to pieces before they got through with him. But he perked up a bit
-when he saw me, flipped an apology for a tail, and miaued in a manner
-that was humorously unlike him, it was so deprecatory. But that was a
-week or ten days ago. Yesterday I heard some bird cooing a little song
-to himself out in the arbor-vitæ trees at the foot of the garden, and
-slipping quietly up found that it was the catbird again. He was quite
-sleek in his new coat, and he was practising his song in a delightful
-undertone, as if to be sure that he should not forget it altogether.
-
-In four or five weeks more he will begin to flip saucily across the
-miles of country that separate him from his winter home in Southern
-Florida, or perhaps farther yet in some stretch of primeval forest that
-I myself have seen and loved in the heart of Santo Domingo. He will
-not sing his song there, high on some giant ceiba or swinging on the
-plume of some royal palm. He may not sing it again here on the tip of
-the tallest white lilac bush, but I know that, there or here, he will
-practise it now and then in that soft, sweet undertone which you would
-not believe of a catbird, and be ready to send it forth in jubilant
-peals when his strong wings bring him back again next May. My bluebirds
-may winter with him; and if they do I have hopes that he may persuade
-them to try my pear-tree box once more next spring.
-
-
-
-
-THE POND AT LOW TIDE
-
-
-
-
-THE POND AT LOW TIDE
-
-
-All about the pond the woodland folk are enjoying shore dinners, for
-it is the time of ebb tide, and a wonderfully low ebb at that. Not
-for a score of years do I recall such low water. Where, on the ebb of
-ordinary years, the crow has been able to find one fresh-water clam, he
-may now feed till he can hold no more, for the drought has been long
-and severe, and the pond has been drained to the very dregs.
-
-I say fresh-water clams, for that is the name commonly applied to
-the creatures, though I know that I might more properly call them
-river mussels, and if I wished to be severely scientific I should
-say _Unio margaritifera_, though it is difficult to be sure of your
-margaritifera, as there are about fifteen hundred species of unios
-known to people who classify creatures, and most of these are found in
-the rivers of this country.
-
-Little do the crows care for that. In the sunny coves they have their
-clam-bakes, and as I slip slyly up I fancy I hear them smack their
-mandibles. As I round the screen of shore-loving button bushes, I know
-I shall come upon them, and I expect to find them seated in riotous
-fellowship, with napkins spread across broad waistcoats, dipping
-delicious mouthfuls in melted butter and tucking them away behind
-the white napkins. I have always missed the napkins and the butter
-dishes, but the shells are proof enough of what has been going on. If
-the mother crow carries the table furnishings away with her when she
-flies, that is no more than human picnickers do when driven from the
-sea beach.
-
-The pond when full is ten feet deeper than it is now. In May the water
-lapped the forest roots on its edges; now from the forest to the mud
-of the very bottom where still the water lingers a strip of slanting
-beach stretches for a hundred yards. The crows are not the only
-creatures which have made tracks on this. Close by the edge in the soft
-mud the heron has walked with dignity, leaving footmarks that proceed
-precisely. The heron may not have large ambitions, but he is purposeful
-and does not turn aside. The crows gurgled and ha-haed over their
-clambake; the heron takes his fish course as solemnly as if he were
-taking the pledge.
-
-All along you will see where the squirrels have come down to drink,
-skipping vivaciously, taking a sip here, bouncing away to examine
-something there, remembering that they came for a drink after all and
-taking a good one, then hurrying back with long leaps in a straight
-line for the trees. The squirrel is not solemn, far from it, but he
-is business-like, and though there is humorous good fellowship in his
-every hop, he nevertheless does not linger long from his work.
-
-[Illustration: The skunk doesn’t know where he is going and he isn’t
- even on his way]
-
-Very different from this is the track of mister skunk. He wanders
-aimlessly along, often as much sidewise as straight ahead. The skunk
-doesn’t know where he is going and he isn’t even on his way. I never
-see his tracks, whether on the pond shore or elsewhere, but I renew my
-doubts as to his habits. He is out much too late at night. His tracks
-show it. I think he had his drink before he came to the water.
-Probably he too knows how toothsome are the unios and is searching for
-them in his maudlin fashion.
-
-Then there are the muskrats. They do not have to wait for their clam
-banquets till the water is low. They are expert divers and gather the
-unios at such times as suit their fancy. You will see their tracks in
-regular runways in the shallow water of the muddy coves, whence they
-are apt to follow some trickling streamlet to the bank where the summer
-burrows are at high water.
-
-Later, along the marshy edges you will find their winter teepees, piled
-to conical heights with sods and roots, with a warm refuge above the
-ice and an exit below, whence they may swim in search of food. The
-tracks of the muskrats show every mark of the industrious villager.
-They stick close to well-traveled paths, and though the muskrats are
-out nights no one would for a moment question their temperance and
-industry. Their characters are excellent ones, beyond suspicion, and
-their tracks show it.
-
-On the pond shore at ebb tide the glaciers, too, have left their
-tracks, though it is probably several hundred thousand years since any
-have been this way. Where there are granite ledges you may know that
-these were here before even the glaciers stalked solemnly by, for they
-show where the ice in grumbling grandeur ground small stones against
-them and gradually wore out ruts in the enduring granite by force of
-attrition.
-
-The track of the glacier is like the trail of the serpent,--it leaves
-no toe-marks, but its sliding progress is unmistakable. Side by side
-with the ledge which shows these striæ you may see on the soft mud
-imprints of this year’s leaves, dropped a moment there by the wind,
-then whirled away again, but leaving their tracks behind them. This
-mark of the season may be obliterated by a breath, or it may be covered
-with sifting silt and finally harden into sandstone and bear the trail
-of the leaf as far down the ages as has come that of the glacier. Here
-are moments and æons elbowing one another for place.
-
-Other interesting records of past time may be read in Stumpy Cove,
-which is still the wildest and most secluded of spots, though the
-trolley tripper has found the pond and builds his bungalows on its
-shore, sinks his tin cans in its waters, and scares the bullfrogs
-with his phonograph. The tin cans will not last long, however. Fresh
-water in motion is continually giving up oxygen, and this with the
-humic acid of the mud bottom will soon scatter these disfigurations in
-scales of brown oxide. But all these solvent forces, acting through two
-centuries, have had little effect on the stumps of Stumpy Cove.
-
-The heart-wood is still sound, their interlaced roots tell the story
-of what happened on the spot in the rich muck of the swamp, as Stumpy
-Cove was then, before Myles Standish had set foot on Plymouth Rock or
-the first white man had spied inland from the summit of Blue Hill. For
-the pond as it is now is only about a hundred years old. For a hundred
-years before that it was a meadow, flowed occasionally by the farmers
-of the region about it.
-
-Before that Stumpy Cove was a great white-cedar swamp and the great
-white cedars stood in it, two feet in diameter, their clean straight
-trunks running up fifty feet or more without a knob or limb. This
-natural meadow with hay for their cattle for the cutting, these cedar
-swamps with their century-old growth, were what attracted the first
-settlers to this region, and hardly had the dawn of the sixteenth
-century come over the Blue Hills before their axes were at work in
-Stumpy Cove and similar swamps all about, getting out shingle stuff for
-the Boston market. But whereas in all the other swamps the young cedars
-were allowed to grow in again for succeeding generations of woodsmen,
-here new conditions arose.
-
-The meadow was flowed intermittently for a century; then the pond grew
-out of it. Not only might no seedlings find roothold there, but the
-very black muck in which they might grow was washed away from the
-roots of the great stumps. These, in the main, have endured, losing
-their bark and sap-wood, but with the heart-wood still firm after the
-lapse of two centuries.
-
-Here at this ebb tide I read the record of growth of trees that had
-their beginnings more than three centuries ago. These roots so twine
-and intertwine that the original sap, drawn from the tender tips, must
-have nourished any one of several trees indifferently, for heart-wood
-joins heart-wood in scores of places near the stump and far from it,
-showing that each tree stood not only on its own roots, but on those
-of its neighbors all about it; not only was it nourished by its own
-rootlets, but by those of trees near by. No gale could uproot these
-swamp cedars. United they stood and divided they might not fall. It is
-a curious method of growth, and I dare say it obtains in many swamps
-where the white cedars stand close, but under no other circumstances
-could it have been revealed to me, casually strolling that way three
-centuries after it happened.
-
-At high water all these curious roots are submerged and you see only
-the butts of the trees, numerous miniature islands on which many an
-alien growth has made port. Here in June the dour and melancholy
-cassandra disputes the footing of the wild rose, and the huckleberry
-and sweet-fern twine in loving companionship, afloat as ashore. Here
-intertwine the sheep laurel and the hard-hack, the meadow-sweet and the
-marsh St. John’s-wort, garlanding the white skeletons of the ancient
-trees and making them young again with the odorous promises of spring.
-
-In midsummer, among patches of green and gray moss, you will find tiny,
-diamond-like globules glistening. These are the clear, dew-like drops
-of glutinous liquid which gem the leaves of the _Drosera_, northern
-representative of the Venus’s fly-trap. This, the _Dionaea_, catches
-flies by means of a steel-trap leaf which closes on them when they
-light on it. This other, the _Drosera_, is not so active. It attracts
-insects with its honey dew, holds them with sticky glands, and grips
-them, little by little, with bristles. It is a curious and beautiful
-little plant, and one would hardly think it carnivorous to see it
-adding its diamond ornaments to the floral decorations which beautify
-the ancient stumps all summer long.
-
-Yet of all the life histories revealed by the pond at low tide I still
-think that of the _Unionidæ_ the most interesting. You find them all
-along above and below the margin of the shallow water, their shells
-most wonderfully streaked with olive-green and pale-yellow in alternate
-bands, till one might think he had found nodules of malachite which
-the long-ago glacier had culled from some Labrador ledge and ground
-to unsymmetrical ovoids before it dropped them on the old-time meadow
-marge. In certain individuals and certain lights the shells of these
-obscure creatures send out gleams of green and gold, like gems that
-have soft fires within them. It is as if an opalescent soul dwelt
-within, and the thin shell which a crow with his bill may puncture
-with a blow was so constructed as to hold in the reds and blues of the
-opalescence, but transmit the greens and gold.
-
-You find many with only the backs of their shells sticking out of the
-mud. This may be the creature’s natural position, but I find far more
-of them lying quietly on their sides in the shallow water, rocking
-gently to and fro in the placid undulations as if they were there but
-to show me their shining colors. But if you watch one intently for a
-time you will see him open his shell cautiously and put out one foot.
-This is his best, for it is all he has and he puts it foremost. It is
-very white and clean, and it might as well be called his tongue, for
-with it he licks his food. It is half as long as he is, and when he has
-put it out as far as he can, or as far as he dares, a fine white fringe
-grows on its outer margin. Thus he gathers in minute animalculæ or
-refuse matter from the surface of the mud, for his stomach’s sake.
-
-It is a rather interesting thing to stand by and watch a _Unio
-margaritifera_ daintily putting away his own particular brand of little
-necks and mock turtle. At the least untoward sign of interest in the
-affair, however, he shuts up like a clam, and you will need your
-pocket-knife if you wish to see more of him.
-
-Where the water is only an inch deep or so over the soft ooze of the
-bottom you will see where the unio has used this so-called foot as
-a foot should be used, for he not only stands on it, but walks with
-its help. These signs are curiously erratic marks drawn as with a
-sharpened stick for a distance sometimes of yards. If you will inspect
-the seaward end of this trail you will find a unio in it, generally
-a young one, for it is he that has left the mark behind him in his
-travels. For the unio at a certain age is a great traveller; that is,
-when he is very young. The adults foot it, but the young before they
-reach their full growth ride, some of them by what you might call the
-lightning expresses of the pond world.
-
-If you will split a big one at this time of year you will be likely to
-find within an astonishing number of eggs. These are carried in brood
-pouches that seem to occupy pretty nearly all the space between the
-shells. In seeing them you wonder vaguely where there was room for
-the bearer of this amazing progeny. Just where they are these young
-unios grow to maturity of a certain sort, forming minute shells which
-have hooks, forming also peculiar organs of sense. The hooks and the
-sense organs are provided that they may not miss that free ride which
-is the privilege of every young unio if he is to reach the period of
-adolescence.
-
-At the moment of being sent forth from the home shell the golchidium,
-for that is what the scientific men call the unio at this stage
-of the affair, begins to hunt, aided by his sense organs, for a
-thoroughfare. Here he takes the first conveyance, whether the slow
-coach of the sluggish horn-pout, the bream automobile, or the pickerel
-flying-machine. To the first fish that comes by he attaches himself,
-oftentimes to the gills, and there he rides and, like most travelers,
-continues to develop.
-
-By and by, being “finished” by travel, he gets off his vehicle at some
-convenient station, drops into the mud, and is ready to lecture, or
-so I fancy it, before any of the unio women’s clubs on the world as he
-has seen it. Not until then does the unio, and then only if he is a
-margaritifera, begin to accumulate pearls.
-
-By what mystery of sunlight and shallow water the unio has acquired
-the lucent green and gold of the epidermis of his outer shell I do not
-know, any more than I know what pigments paint or what naiad fingers
-hold the brush that paints the gold in the heart or the pinky green in
-the outer sepals of the water-lily. The two find their sustenance in
-the same mud.
-
-But even if I could tell this I might well pause in wonder over the
-beauty of the inner shell of this pulseless creature of the ooze.
-Perhaps the golchidium, darting back and forth beneath the ripples of
-the surface during its days of travel, catches the radiant blue of the
-sky, the rosy flush of dawn, and the glory of the rainbow all shivered
-together in exultant light to make the nacre of the inner surface of
-its growing shell. For nowhere else in nature may we find such softness
-of coloring holding such gleams of azure and of fire. The opal beside
-it is garish and crude. Mother-of-pearl we call it, for out of the same
-source is born the gem which may be worth the price of a king’s ransom.
-
-The unio is the good girl of the fairy tale, for from its lips fall
-pearls that confound the divers of the Orient. Not from Ceylon nor Sulu
-nor the Straits of Sunda nor the Gulf of California have come such
-pearls of bewildering color and fascinating shapes as have been taken
-from the river mussels of our American streams. For all I know the
-shallows of my pond may hold a necklace of such value that its fellow
-has never yet circled the throat of a queen. If so I hope no one will
-ever find it out, for an ebb tide such as this comes only once in a
-score or so of years, and when the next one is here I want still to
-find the beach beautiful with the green and gold and mother-of-pearl of
-the unios.
-
-
-
-
-HOW THE RAIN CAME
-
-
-
-
-HOW THE RAIN CAME
-
-
-The _Spiranthes gracilis_ is commonly called ladies’ tresses, which is
-a very polite name for it, for nothing can be more beautiful than the
-tresses of ladies. It is like its name in that it is beautiful, but not
-otherwise, for it is a flower not of tresses, but of fine eyelashes
-of pearl set in a spiral on jade. The rain this morning dropped
-transparent, colorless pearl tears on the tips of these eyelashes, and
-as they twinkled toward shy smiles the tears ran down the spiral to be
-eagerly kissed away by the small grasses that always cling about the
-feet of the spiranthes in mute adoration.
-
-Near by slender varieties of gerardia held up rosy cups to drink these
-clear pearls, finding in them a medicine that shall cure all ills.
-In the rain the fountain of youth wells up in the cup of every flower
-that waits in the soft pasture grasses and the grasses themselves drink
-eagerly. The cedars deck themselves in these clear pearls, wearing
-garments fringed with them and ropes and necklaces without number, and
-letting their prim propriety be so softened that they are no longer
-firm and erect but take on curves of soft roundness that should go with
-pearl-embroidered garments.
-
-Yesterday there was in all the pasture people a certain puritanical
-sternness of demeanor, a set holding fast to the narrowing good of
-life, a tightening of the muscles that are weary with a long strain but
-may not for the good of the soul loose their firm grip, for yesterday
-the pasture was dry and hard with the leanness of the long summer
-drought.
-
-To-day has come the first of the fall rains and these puritans are
-stern and set no longer, but relax into swaying curves of lissome
-beauty that entrance you. It is as if, after coming as you thought to a
-Sunday service of the old Calvinists, you found it transformed into a
-grange picnic of wood nymphs.
-
-The pines indeed, which always stretch out their arms in Sabbath-like
-benediction, seem asking a pious blessing on all these, their pasture
-children; and they fold their slim leaves together like hands in a
-soft prayer of thankfulness. But the soft rain cuddles them as well,
-and before they know it they are decked with the clear pearls as for a
-bridal and their plumes nod in reverence, yet are so beautiful in gems
-and there is such a soft grace in their curves--they that stood so
-grim and sombre before--that each tree seems like some bounteous and
-beautiful woman, arrayed for wedding festivities, who yet bows a moment
-at a sanctuary in prayer, even as she joins the guests.
-
-The rain had been long coming. A solitary quail predicted it; the first
-I have heard since the severe cold and deep snows of three winters in
-succession not long ago. I had thought every quail smothered in the
-white depths or frozen by the bitter cold. Three years is a long time
-not to hear a quail whistle, and this I believe to be no survivor of
-the old stock, but one that has worked up from Southern fields where
-the snows were less deadly during those rigid winters.
-
-It is pretty hard to tell whether a quail is simply announcing his own
-name for all who care to hear, or making a weather prediction. Jotham,
-one of the farmer’s men who knows all, says it is simple enough. In
-an announcement he says, “Bob, Bob White.” The weather prediction is
-different. Then he says, “Wet, more wet.” All you have to do is listen.
-
-This is like Jotham’s grandmother’s recipe for making soap. You
-collected potash from the hearth, added water in an iron kettle, and
-boiled till a certain thickness was reached. You would know this point
-by placing an egg on the surface, and if the concoction was right the
-egg would either sink or swim, the old lady was blessed if she could
-remember which. This is a way that successful oracles have. That one at
-Delphos did it.
-
-So, when my lone quail sat on a rock in the pasture, tipped his head
-back a little, swelled his white throat and whistled, round and clear,
-I went out to meet him, scanning the sky meanwhile for a change of
-weather. The sky of the day before had been like a brass bowl shut
-down over the gasping land. Shrubs of the upland hung their leaves
-piteously, the tougher herbs wilted, and the tenderer ones dried up and
-died.
-
-[Illustration: My lone quail sat on a rock in the pasture, tipped his
- head back a little, swelled his white throat, and whistled]
-
-On such days when the long summer drought has wreaked its worst, when
-the parched pasture lies on its back, open-mouthed, gasping for water,
-when even the pond which has given so freely for the refreshment of
-the pasture people has shrunk back upon itself till a rod-wide rim of
-gravel and rough stones forbids them to come down and drink, I love
-to go down to the water’s edge and marvel at the hedge hyssop. All
-along the shore the summer drought forbids the water weeds to grow.
-This rod-wide space is not for them. The flood of the winter and spring
-denies other land plants a roothold; yet, just when you think the shore
-is to be bare and barren for always, troops forth the hedge hyssop and
-clothes it with verdure, lighted with a golden smile.
-
-The common name of the plant seems to me to express ingenuity rather
-than purpose. It has nothing to do with hedges and is not a hyssop,
-which is a garden plant belonging with thyme and lavender and other
-sweet herbs beloved of old ladies in kerchief caps and figured gowns.
-The hedge hyssop is none of these. Nine months of the twelve it bides
-its time under water. During the other three it glows in golden
-contentment on the sandy stretches left bare by this yearly receding
-tide, climbing along the rocky shore and filling every crevice, lifting
-its yellow cups to the glare of the brazen sky and distilling subtle
-perfume to the antennæ of the little low-flying insects that are its
-friends. Yet if its common name means little, that given it by the
-botanists fits. _Gratiola aurea_ may well mean a plant that is golden
-grace or a golden benediction, as you choose to take the Latin.
-
-The day before, then, I had no heart for the upland pasture, but
-Jotham’s reading of the quail had been the right one, for yesterday the
-brazen look was all blown out of the sky by the south wind. It did not
-leave it clear blue, for that would have meant cooler and still dry,
-but put into it a pallor that seemed to well up from all the horizon
-round. It was not the pallor of clouds, for there was not even a
-cumulus thunder head in sight, but the pallor that comes with the wind
-that has a storm behind it, yet is to blow itself out before the storm
-arrives.
-
-The cuckoo, flitting jerkily from one thicket to the next, noted this
-pallor from the corner of his eye and thenceforth through the day
-croaked to himself as he went his caterpillar-hunting rounds. “Clackity
-clack; tut, tut; cow, cow, cow,” he clucked musically, which is his way
-of saying, “Oh dear, it is going to rain and the caterpillars will be
-all soggy.” Jotham says the early settlers out here in the Dorchester
-backwoods taught the cuckoo to work for them, but that he was so lazy
-that their descendants, getting better help, gave it up, and that the
-cuckoo soon forgot all he knew about farm work except calling the cows.
-
-Every bluejay is a born tease, and in the late August drought goes
-about crying “Rain, rain,” because he knows there will be no rain.
-He does it merely to fool the pasture people and then chuckle in his
-phonograph twang over their misery when no rain comes.
-
-Yesterday when he smelt the south wind and saw that sky pallor he
-stopped calling “Rain, rain,” for he knew it was coming. Instead he
-fluttered round and round the pasture, ducking in among the boughs
-of the pines and ejaculating, as if he were surprised to find it so,
-“Clear, clear.” I fancy all the wild creatures of wood and pasture
-know the signs better than I do and could announce the rain if they
-would long before I know that it is coming. All the outdoor world was
-sure of it yesterday. With the very first show of that paleness in the
-sky--or was it something in the touch of the wind?--the drooping plants
-lifted their leaves to be ready for it. I could smell it in the falling
-of the wind at sunset; they seemed to smell it in mid-forenoon while
-yet the wind was rising.
-
-On such days looking across the pond toward wind and sun there is a
-peculiar blink in the light reflected from the surface of the waves
-which you do not see if fair weather is ahead of you. The pale sky
-seems to reflect blackly in the water. Down to leeward the shore
-poplars stand silvery white, a quivering, flashing silver under the
-lash of the wind. The swamp maples lose their green and turn pale and
-the willows lighten up in color.
-
-It is the turning of the leaves in the wind. You may say that they
-would turn in any wind and show their lighter under sides, and this
-is true, yet there is a difference in the appearance when it is a
-rain-bringing wind. I cannot tell you why this should be, but the
-difference is there. It may be that a moist wind relaxes the tension of
-the petioles more than a dry one and thus lets the leaf lie flatter,
-giving a little different look to the tree as a whole. The weather-wise
-older people grew up on the land instead of within walls and they were
-wont to say, “The leaves are turning in the wind and it is going to
-rain.” Like the pasture people they knew.
-
-By nightfall the weather bureau suspected something but was not quite
-sure what. They hung out the “possible rain” flag, and all the crows
-in the pinewood, congregating now in bigger and bigger flocks,
-practising, I take it, for their labor-day parade, went into fits of
-laughter. “Haw, haw, haw!” they shouted, and whirled up into the sky
-and took a look about and dashed down again, convulsed. “Haw, haw, haw!
-Possible rain; here’s the sky just ready to spill out a twenty-four
-hour soaker!”
-
-The wind went down with the sun, and the willow and maple leaves were
-green again for a little before they faded into the growing purple of
-the dusk, but with every faint sigh of the failing breeze the poplars
-loomed white again with a radiant ghostliness which seemed to people
-the rustling dusk with softly phosphorescent spooks. You will see these
-other-world visitors to the pond shore only on such a night when the
-wind is right.
-
-There was no glow of rich color in the sky at sunset. Instead the dusk
-hung violet gray draperies all about the horizon,--curtains that veiled
-but did not hide the evening stars, shutting them almost out near the
-horizon and leaving them comparatively clear at the zenith. In such
-dusk stars do not twinkle, they blink, and that is a sign of rain which
-all the pasture people that have eyes know well.
-
-Those that have ears and no eyes may know what sort of a night it is
-as well, for there is some quality in such an atmosphere which makes
-sounds carry far. The rap of a paddle on a canoe seat a mile away up
-the pond sounds right in your ear. A train roaring through the wood
-three miles distant seems so near that you involuntarily look around
-lest it be coming behind and run over you. On such nights speak low
-if you do not wish the whole world to hear, for the air all about you
-is a wireless telephone receiver tuned to your pitch. Those gray rain
-curtains which the dusk has hung all about the horizon have made the
-whole world a whispering gallery.
-
-Sometime in the night the wind dies. It passes away so peacefully that
-no mirror held to its lips would note that last sigh. But the stars
-have known it all the evening, and that is why their eyes blinked so.
-It was to keep back the tears. Then the stars vanish and the night is
-dark indeed.
-
-Scents carry far on such a night, not only those of the pasture world,
-which are pleasant, but those of the more distant town, which sometimes
-are not. The air is not only telephonic but telefumic. The distant
-leather factory sends out a faint but characteristic odor by which
-you might hunt it across country for a lustrum of miles. The sooty
-emanation from my neighbors’ chimneys is pungent in my nostrils, though
-their houses are a mile away. I think I can tell which is which, for
-the fireplace smell differs from that of the furnace, as does that of
-the parlor stove from the range. Agreeably these are forgotten, for
-something has crushed sassafras leaves over on the pasture knoll and
-the fine fragrance comes to drive away thoughts of the others.
-
-As the night was gray, which foretells rain, so the morning breaks
-crimson, which announces it. No bird heralds this dawn, no chirping
-insect sends its voice questing through its shades. The sky hardly
-lightens up; it is rather that the darkness turns red. Nor does the
-light come from the sky when it does come. It wells up from the earth
-instead, for when the crimson is gone the sky is still black with
-shadows, while the pasture grows distinct in a gray outline wherein is
-no color.
-
-A stillness of expectation broods all things,--a stillness so intense
-that the first rain-drop sounds like a pistol-shot as it strikes a
-leaf near you. Then there is a volley and further silence for a brief
-space, followed by a crepitation all about you. Those first heavy drops
-have been followed by lighter ones, and this crepitation merges into a
-steady drumming, which becomes a low roar to your ears made sensitive
-by silence and faint sounds. The first of the fall rains has come, and
-the summer suffering of the pasture people is at an end.
-
-
-
-
-INDEX
-
-
-
-
-INDEX
-
-
- A
-
- Adder, flat-head, 128, 129
-
- Admiral, white, 71, 72, 75, 78, 81
-
- Alder, 5, 15, 40, 52, 82, 94, 108, 111, 112, 118, 140, 141, 158
- black, 139
- white, 35
-
- Alice-in-Wonderland, 88
-
- Ambergris, 40
-
- Angle-worm, 94, 105, 106, 186
-
- Ant, 158
-
- Antiopa vanessa, 166
-
- Aphids, 115
-
- Arabian days, 81
-
- Arabian Nights, 61, 79, 88
-
- Arethusa, 83
-
- Azalia, 4, 6, 33
-
-
- B
-
- Bagdad, Caliph of, 76
-
- Baptist, 53
-
- Barberry, 32
-
- Basilarchia astyanax, 71, 77, 79, 87
-
- Basilarchia disippus, 161
-
- Bass, rock, 96
-
- Bayberry, 8, 33, 45
-
- Bee, 85, 86, 137, 155, 156, 157, 158
- bumble, 137
-
- Beetles, 161
-
- Berkshire hills, 135
-
- Birch, 5, 8, 28, 29, 30, 93
-
- Bittern, 142, 143
-
- Blackberry, 56
- high-bush, 33
-
- Blackbird, 143
-
- Bladderwort, 64
-
- Blueberry, high-bush, 50, 51
-
- Bluebird, 175, 176, 177, 178, 179, 180, 181, 182, 184, 192
-
- Blue Hill, 135, 140, 202, 203
-
- Blue Hill Reservation, 80, 136
-
- Bluejay, 226
-
- Bobolink, 189
-
- Brake, 43
-
- Bream, 211
-
- Bullhead, 101
-
- Bulrush, 136, 138
-
- Bunting, indigo, 189
-
- Butterfly, angle-wing, 158
- Anosia plexippus, 160, 165
- Antiopa vanessa, 166
- fritillaries, 159
- meadow-brown, 158
- monarch, 160, 161, 162, 171
- mourning-cloak, 166
- pearl crescent, 158
- white admiral, 71, 72, 75, 78, 81
-
- Button bush, 41, 140
-
-
- C
-
- California, Gulf of, 213
-
- Calvinists, 219
-
- Camberwell beauty, 166
-
- Carnations, 156
-
- Cassandra, 52, 205
-
- Cassius, 155
-
- Catbird, 10, 14, 20, 21, 22, 23, 190, 191, 192
-
- Caterpillar, 43
-
- Cedar, 4, 5, 6, 15, 27, 29, 139, 140, 141, 202, 204, 205, 218
-
- Ceylon, 213
-
- Chewink, 14
-
- Clams, fresh-water, 95, 196
-
- Clethra, 4, 35, 153, 155, 156
-
- Compositæ, 41
-
- Coot, 183
-
- Corydalus cornutus, 125
-
- Cranberries, 139
-
- Crow, 14, 18, 19, 20, 185, 187, 196, 197, 228
-
- Cuckoo, 27, 225
-
-
- D
-
- Daisy, 41
-
- Delphos, 221
-
- Demoiselles, 120, 121, 122, 124, 126, 127
-
- Dionaea, 206
-
- Dorchester backwoods, 225
-
- Dragon, 128, 129
-
- Dragon-flies, 56, 95, 120, 121, 122, 123
-
- Drosera, 206
-
- Duck, wood, 144, 145, 146, 149, 150
-
-
- E
-
- Eel, 103, 104, 106, 107, 108, 127
-
- Eden, 127
-
- Elm, 51
-
-
- F
-
- Fern, 40, 112, 119
- cinnamon, 112, 113
- ostrich-plume, 118
- rock, 118, 119
-
- Fern seed, 111, 113, 116, 119
-
- Field mouse, 113
-
- Finches, 10
-
- Flag, sweet, 117
-
- Flagroot, 111
-
- Flappers, 144
-
- Flea, 56
-
- Floating-heart, 133, 135
-
- Florida, 191
-
- Fly-catcher, great crested, 86, 87, 88
-
- Flicker, 177
-
- Fountain head, 81
-
- Fox, 6, 9, 13
-
- Franklin Field, 142
-
- Frog, 57, 59, 61, 66, 186
- green, 42
- Rana virescens, 186
-
-
- G
-
- Gall, 115
-
- Genie, 76, 88
-
- Gentian, 134
-
- Gerardia, 217
-
- Goblin, water, 119, 120, 122, 125
-
- Golchidium, 211, 212
-
- Goldthread, 15
-
- Grape, fox, 44, 45, 46
- wild, 5
-
- Grass, fresh-water eel, 136
- marsh, 138, 139, 141
- tape, 136
-
- Gratiola aurea, 224
-
- Greenbrier, 15
-
-
- H
-
- Habenaria, 86
-
- Hardhack, 92, 205
-
- Hasheesh, 130
-
- Hawk, 10
-
- Helgramite worm, 124, 125
-
- Hepatica, 74
-
- Heron, 197
- night, 140
-
- Hickory, 9, 116
-
- Holmes, Sherlock, 150
-
- Horn-pout, 101, 102, 103, 104, 122, 127, 211
-
- Horse brier, 15
-
- Houghton’s pond, 80
-
- Huckleberry, 28, 29, 205
- low-bush black, 34
-
- Humming-bird, ruby-throated, 163
-
- Hyla, 66
-
- Hyssop, hedge, 223
-
-
- I
-
- Incas, 163
-
-
- J
-
- Jasmine, Mexican, 163
-
- Joe Pye weed, 141
-
- Jotham, 221, 224
-
- Judas, 167
-
- June beetle, 59
-
-
- K
-
- “Kiver,” 96, 97
-
-
- L
-
- Labrador, 80
-
- Ladies’ tresses, 217
-
- Laurel, sheep, 205
-
- Lepomis gibbosus, 96
-
- Leprechaun, 78
-
- Lilacs, 190
-
- Lily, dog, 136
- water, 134, 136, 137, 139, 212
-
- Lily-of-the-valley, 74
-
- Lucky bug, 53, 54, 63
-
-
- M
-
- Malachite, 207
-
- Maple, 9, 51, 52, 62, 82, 92, 94, 116, 141, 227, 229
-
- Meadow-sweet, 205
-
- Memorial Day, 50
-
- Merlin, 37, 39
-
- Metropolitan Park Commission, 142
-
- Milkweed, 157, 158, 159, 160
-
- “Minister,” 101
-
- Minnow, 103
-
- Mocking-bird, 21
-
- Monarch butterfly, 160, 161, 162, 171
-
- Monitor, 54
-
- Moss, sphagnum, 15, 80, 83, 88, 142
-
- Moth, 155
- luna, 65
-
- Mourning-cloak butterfly, 166
-
- Murray, “Adirondack,” 148
-
- Muskrat, 43, 111, 142, 143, 199, 200
-
- Myrica, 34
-
-
- N
-
- Night heron, 140
-
- Nymphæa, 139
-
- Nymphs, 120, 122
-
-
- O
-
- Oak, 5, 8, 9, 92
- scrub, 15, 190
-
- Orchis, purple-fringed, 86
-
- Oven bird, 16, 17, 23
-
- Owl, 10
-
-
- P
-
- Pan, 45
-
- Panama, 163
-
- Papilio asterias, 169
-
- Partridge, 6, 37
-
- Partridge berry, 74
-
- Perch, yellow, 92, 99, 100, 102, 103, 127
-
- Pickerel, 51, 211
-
- Pickerel weed, 136, 137, 138, 139
-
- Pine, 9, 15, 16, 28, 60, 73, 74, 77, 88, 112, 154, 219, 228
-
- Pipsissewa, 74
-
- Plymouth Rock, 202
-
- Polypody, 124
-
- Ponkapoag pond, 133, 135
-
- Poplars, 227, 229
-
- Pumpkin seed, 96
-
- Pyrola, 74
-
-
- Q
-
- Quail, 220, 222
-
-
- R
-
- Rana virescens, 186
-
- Raspberry, 5
-
- Robin, 10, 13, 189
-
- Rocket, sweet, 162, 163
-
- Rose, wild, 4, 8, 52, 205
-
-
- S
-
- Santo Domingo, 191
-
- Sassafras, 5, 232
-
- Sedges, 56, 60
-
- Skipper, 63
-
- Skunk, 198
-
- Skunk-cabbage, 40
-
- Snake, water, 126, 127
-
- Sparrow, chipping, 12, 178
- English, 176, 178, 179, 180, 181, 183
- song, 13
-
- Sphagnum moss, 15, 80, 83, 88, 142
-
- Spiræa, 52
-
- Spiranthes gracilis, 217
-
- Squirrel, 197, 198
- gray, 62, 63
- red, 6
-
- Standish, Myles, 135, 202
-
- Stephanotis, 163
-
- St. John’s-wort, marsh, 206
-
- Strawberries, wild, 33
-
- Stumpy Cove, 201, 202
-
- Submarine, 54
-
- Sulu, 213
-
- Sunda, straits of, 213
-
- Sunfish, 92, 95, 96, 98, 99, 100, 103, 126, 127
-
- Sweet-fern, 8, 33, 35, 45, 154, 205
-
- Sweet-gale, 34, 45, 52
-
-
- T
-
- Tanager, scarlet, 188
-
- Terrapin, 84, 85, 88
-
- Texas, 158
-
- Thoroughwort, 141
-
- Thrasher, 14
-
- Thrush, 10, 20, 30, 31, 35
- brown, 21, 28
- wood, 11, 12, 17
-
- Toad, 66, 129
-
- Torpedo boat, 54, 99
-
- Trout, 82, 84, 96, 122
-
- Turtle, spotted, 83, 84, 85, 88
-
-
- U
-
- Ulysses, 64
-
- Unio, 196, 199, 209, 210
-
- Unio margaritifera, 195, 209, 14
-
- Unionidæ, 207
-
- Utricularia, 64
-
-
- V
-
- Venus’s fly-trap, 206
-
- Viceroy butterfly, 161
-
- Vireo, 119
-
-
- W
-
- Walden pond, 80
-
- Warblers, 10, 14
-
- Wasps, 161
-
- Watercress, 82, 83, 86
-
- Water shield, 136
-
- Water-strider, 55
-
- Watson, Doctor, 150
-
- Whip-poor-will, 30, 31, 35
-
- Wild rose, 4, 8, 52, 205
-
- Willows, 92, 94, 98, 227, 229
-
- Witch, 114, 125
-
- Witch-caps, 115
-
- Witch-hazel, 112, 113, 114, 115, 116, 117, 124, 125, 129
-
- Woodbine, 4
-
- Woodchuck, 9
-
-
-
-
-TRANSCRIBER’S NOTES:
-
-
- Italicized text is surrounded by underscores: _italics_.
-
- Obvious typographical errors have been corrected.
-
- Inconsistencies in hyphenation have been standardized.
-
-*** END OF THE PROJECT GUTENBERG EBOOK WILD PASTURES ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.