diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-01-23 07:16:14 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-01-23 07:16:14 -0800 |
| commit | 96755661e288af26acaadb61674158c1bf02011e (patch) | |
| tree | e1aefb8f470060ac60294177205d5eb13591da15 | |
| parent | ef7f0a47dca6adfcad7ee6d3f6ffaa75b1ab4f54 (diff) | |
| -rw-r--r-- | .gitattributes | 4 | ||||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/64763-0.txt | 658 | ||||
| -rw-r--r-- | old/64763-0.zip | bin | 12444 -> 0 bytes | |||
| -rw-r--r-- | old/64763-h.zip | bin | 496135 -> 0 bytes | |||
| -rw-r--r-- | old/64763-h/64763-h.htm | 978 | ||||
| -rw-r--r-- | old/64763-h/images/cover.jpg | bin | 166958 -> 0 bytes | |||
| -rw-r--r-- | old/64763-h/images/p01.jpg | bin | 118037 -> 0 bytes | |||
| -rw-r--r-- | old/64763-h/images/p02.jpg | bin | 96044 -> 0 bytes | |||
| -rw-r--r-- | old/64763-h/images/p03.jpg | bin | 88606 -> 0 bytes | |||
| -rw-r--r-- | old/64763-h/images/spine.jpg | bin | 10683 -> 0 bytes |
12 files changed, 17 insertions, 1636 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..ab7601c --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #64763 (https://www.gutenberg.org/ebooks/64763) diff --git a/old/64763-0.txt b/old/64763-0.txt deleted file mode 100644 index 51f4770..0000000 --- a/old/64763-0.txt +++ /dev/null @@ -1,658 +0,0 @@ -The Project Gutenberg eBook of The Irish War, by Anonymous - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: The Irish War - -Author: Anonymous - -Release Date: March 09, 2021 [eBook #64763] - -Language: English - -Character set encoding: UTF-8 - -Produced by: Stephen Hutcheson and the Online Distributed Proofreading - Team at https://www.pgdp.net - -*** START OF THE PROJECT GUTENBERG EBOOK THE IRISH WAR *** - - - - - _THE IRISH WAR_ - - - Prepared by the staff of the - Public Library of Fort Wayne and Allen County - 1953 - - -One of a historical series, this pamphlet is published under the -direction of the governing Boards of the Public Library of Fort Wayne -and Allen County. - - BOARD OF TRUSTEES OF THE SCHOOL CITY OF FORT WAYNE - - B.F. Geyer, President - Joseph E. Kramer, Secretary - W. Page Yarnelle, Treasurer - Willard Shambaugh - Mrs. Sadie Fulk Roehrs - - PUBLIC LIBRARY BOARD FOR ALLEN COUNTY - -The members of this Board include the members of the Board of Trustees -of the School City of Fort Wayne (with the same officers) together with -the following citizens chosen from Allen County outside the corporate -City of Fort Wayne: - - James E. Graham - Arthur Nieneier - Mrs. Glenn Henderson - Mrs. Charles Reynolds - - - - - FOREWORD - - -Irishmen who had recently immigrated to the United States were the chief -source of labor for the construction of the Wabash-Erie Canal. Much -strife among the canal workers stemmed from regional antagonisms in -their homeland, and personal violence resulted on more than one -occasion; the so-called “Irish War” was one such episode. - -David Burr, one of the canal commissioners, made the following report on -the incident. It was printed as an Indiana state document and is often -quoted as authority for statements made about the “Irish War.” It is now -out-of-print. Because the Boards and staff of the Public Library of Fort -Wayne and Allen County consider it valuable source material, it is -reprinted here, together with the accompanying letter of transmittal. -Grammar, spelling, and punctuation have been changed to conform to -current practice. - - - STATE OF INDIANA - HOUSE OF REPRESENTATIVES - - - December 31, 1835 - Read and referred to the Committee on Claims - - - Executive Department - Indianapolis, Indiana - December 30, 1835 - - The Honorable C. B. Smith - Speaker of the House of Representatives - -Sir: - -I lay before the House of Representatives the particulars, in writing, -of the late riots upon the line of the Wabash Canal, which details were -furnished at my request by one of the canal commissioners. With this -history, I also submit the claims of the commandants, Captains Murray -and Tipton, who, at the heads of their companies, repaired to the scene -of disorder in support of the civil authority and liberally advanced -money and provisions for the service. It will be seen that the laborers -along the line in the adjoining counties had assembled in preparation -for battle, making Wabash County the theater of their riotous conduct; -consequently, that county would seem to be chargeable with the expense -of the arrests and the prosecutions which followed. But as the -occurrence was one of an unusual kind, growing out of, and threatening -the progress of, the work in which the state is engaged, it is believed -the treasury of that county is not justly chargeable with the expense. -It is recommended that the commissioners appointed to assess damages to -private property or one of the fund commissioners be authorized to -examine the different claims and to direct their payment, so far as -would be right, out of the canal fund. - - Respectfully, - Noah Noble - - - - - Indianapolis, Indiana - December 30, 1835 - - The Honorable Noah Noble - Governor of Indiana - - Dear Sir: - -In conformity with your request in relation to the disturbance amongst -the Irish laborers on the Canal, it is proper to state that many persons -of the two parties into which they are unfortunately divided, -“Corkonians and Fardowns,” had been engaged in those bloody affrays at -Williamsport in Maryland and at the “high rocks on the Potomac” within -the last two years. They had come since September in 1834 to the Wabash -and Erie Canal with, as it is said, many of their leaders. Of course, -they had brought their animosities with them. And from that time up to -the twelfth of July last, when the general riot took place, they -manifested their ill will to each other by merciless beatings on such -persons of each party as chanced to fall in the power of the other. - -On a considerable portion of the line there was no justice of the peace -in these newly organized counties. As these frays were confined to the -Irish alone, and to the least worthy amongst them, not much effort was -made, and perhaps could not have been made, by the civil authority to -suppress them. This exasperating course of hostilities increased until -it became unsafe for the Irish to travel from one part of the line to -the other without great precautions for their safety. Events proceeded -to such an extent that they were mutually afraid that each party would -have its cabins burnt and the inmates slain in the night. - - [Illustration: uncaptioned] - -Because of mutual fears and for safety the laborers had so hired out to -the contractors that they had about equally divided the line between the -parties; the Corkmen worked on the upper part, and the Fardowns on the -lower part of the line. The beatings of such persons who were caught -away from their friends increased to such a degree, and the parties -became so exasperated, that about the first of July a determination -became general that one or the other should leave the line. The -worthless amongst them, by carrying threats of burnings and murders -which were to be committed by falling on the defenseless in the night, -so excited their fears that they left their houses and cabins and hid -out in the woods without light or fire to betray their hiding places. -The whole line, armed in military array, worked generally in the daytime -until some idle report would get in circulation that one party was -marching to fight the other. Then they would leave their work and hasten -with great rapidity to the supposed point of danger. - -From the fourth to the tenth of July, these alarms were constant and -were aggravated by the threats and outrages of the worthless. The length -of line occupied by these belligerent parties was nearly fifty miles. On -the tenth of July the parties hastily collected; or rather, they left -their work and commenced a march towards the center of the line for a -general battle. - - [Illustration: uncaptioned] - -Two days before this, I reached that part of the line, heard there was -to be a turnout, but supposed it only rumor without foundation. I saw -several persons and tried to convince them that no such thing would take -place. On the tenth, however, one of the engineers reported that all the -workmen on the lower end of the line were armed and were marching to the -reputed battlefield. I met them about half a mile from my residence. -They were in very orderly array and well armed; not a noisy or a drunken -man was amongst them. They were forced, so they considered, to fight in -order to protect themselves and to avoid being slain and to keep their -property from being burned at night. They stated that the civil -authority did not, or could not, protect them; that their families could -not stay in their shanties but had to sleep in the woods; and that they -had no resource left but a battle. They further stated that the weaker -party should leave the line; that they wished to work and remain -peaceable but could not; and that they would rather fight fairly in open -day than be subject to these depredations at night. With the assurance -that order would be restored and that I would negotiate a suspension of -hostilities with the other party, I prevailed on them to wait until I -could see their belligerent friends. - -I then went to the reputed battlefield with three or four persons whom I -supposed had influence with them. I found them fully prepared, well -disposed in a strong military position, and exceedingly exasperated; and -I had some difficulty in saving those who went with me from being -killed. They expressed the same fears as the others but, after some -persuasion, consented to appoint persons to agree on terms of peace with -the Fardowns. They also agreed to suspend hostile operations until the -result of the meetings between the persons deputed to negotiate the -peace could be known. - -In the meantime, the citizens at Huntington had become exceedingly -alarmed at seeing this hostile array; three or four hundred armed men on -each side had the avowed intention of meeting in battle; the civil -authority was completely powerless. Fearing their persons and property -would not be safe, they sent to Fort Wayne for aid of the militia. A -company immediately was collected and in a few hours was sent to their -relief. Meanwhile, the citizens of Huntington had collected and -organized a company also. - -By this time, the citizens of Lagro became alarmed; they sent to -Huntington for the troops to come and protect them and aid the civil -authority. As soon as I learned that the militia had turned out from -sixty to one hundred in number, I thought the force altogether too small -to do any good against seven or eight hundred armed men. Therefore, I -sent to Logansport and requested assistance, which was promptly -rendered. The militia at Lagro, at my request, marched to Miamisport and -met the two volunteer companies from Logansport; and all marched back to -Lagro. - -Two magistrates, an associate judge, the sheriffs of Huntington and -Wabash counties, and the militia arrested and committed eight of the -ringleaders. There was no safe jail on the canal line. Therefore, in -order to remove the cause of contention, these men were sent under a -strong guard to Indianapolis for safekeeping. Here they were confined -until they were liberated by a writ of habeas corpus because of some -informality in the proceedings. - -There were more than six hundred armed Irishmen, and I am satisfied that -no course other than the one pursued would have been sufficient to -restore order. The commissioning of justices of the peace and the -organizing of militia companies at Wabash, Lagro, and Huntington have -restored, and I trust will preserve, order. - - [Illustration: uncaptioned] - -The commissioners, Messrs. Johnson and Lewis, were at Fort Wayne at the -time; and I had not the benefit of their advice. As soon as order was -restored, the canal board took more decided steps in their regulations. -They now require each contractor to dismiss any laborer who may engage -in a broil and to give his name to the engineers so that he may not be -employed on the line. - -The militia turned out on the first moment’s warning; many of the men -just happened to be in town and marched off without any preparation -whatever. They had of necessity to be supplied with money and provisions -for their subsistence. These were furnished by many of the contractors -and people on the line. Amongst those incurring the greatest expense was -Captain Elias Murray, of Huntington; he took command of the temporary -garrison at Lagro, assisted the civil authority in making the arrests, -and, with his company, marched the prisoners to Indianapolis. He was -engaged some three weeks in the service. - -Colonel John Spencer, of Fort Wayne, who headed the militia from that -city, and General John Tipton, who was active in forwarding the -volunteer companies from Logansport, paid a large portion of the -expenses. One of the prisoners who had been sent to Indianapolis was -arrested on his return to the canal line, was convicted, and was sent to -the penitentiary. On his way there he escaped from Mr. Johnson, the -sheriff, who offered a reward of $100.00 and paid it for his -apprehension. Wabash County was also at great expense in sending the -prisoners to Indianapolis. Other persons on the line were also at much -expense in money and provisions. - -This expenditure was absolutely necessary for the preservation of order; -it was the means of saving many human lives by preventing at least seven -hundred armed and highly exasperated men from fighting a battle. It was -also the means of preventing a total suspension of canal work which -might have ensued for the greater part of the season since July. It -would, therefore, be very desirable indeed if some provision could be -made by law to remunerate those persons who have been at so great -expense. - -Some of the bills for the money expended are in the possession of the -Board of Canal Commissioners. But, as they have only a small part, the -appointment of some person to hear and examine claims and to authorize -payment is respectfully suggested. The selection of a member of the -Board of Fund Commissioners, who had no part in these transactions and -would therefore constitute an impartial tribunal, is also suggested. As -the matter in question grew out of the operations on the Canal, and as -the commissioners have the funds in their possession, such an -appointment would seem to be suitable. - - With great respect, - David Burr - - - - - Transcriber’s Notes - - -—Silently corrected a few typos. - -—Retained publication information from the printed edition: this eBook - is public-domain in the country of publication. - -—In the text versions only, text in italics is delimited by - _underscores_. - - - -*** END OF THE PROJECT GUTENBERG EBOOK THE IRISH WAR *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you will have to check the laws of the country where - you are located before using this eBook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that: - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg-tm trademark. Contact the Foundation as set -forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - -Section 3. Information about the Project Gutenberg Literary -Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation's website -and official page at www.gutenberg.org/contact - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without -widespread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our website which has the main PG search -facility: www.gutenberg.org - -This website includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. diff --git a/old/64763-0.zip b/old/64763-0.zip Binary files differdeleted file mode 100644 index 6e8edbc..0000000 --- a/old/64763-0.zip +++ /dev/null diff --git a/old/64763-h.zip b/old/64763-h.zip Binary files differdeleted file mode 100644 index 4a61aac..0000000 --- a/old/64763-h.zip +++ /dev/null diff --git a/old/64763-h/64763-h.htm b/old/64763-h/64763-h.htm deleted file mode 100644 index b39c82d..0000000 --- a/old/64763-h/64763-h.htm +++ /dev/null @@ -1,978 +0,0 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> -<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> -<head> -<meta http-equiv="Content-Type" content="text/html;charset=utf-8" /> -<meta http-equiv="Content-Style-Type" content="text/css" /> -<meta name="viewport" content="width=device-width, initial-scale=1.0" /> -<title>The Irish War, by Public Library of Fort Wayne and Allen County—a Project Gutenberg eBook</title> -<meta name="author" content="Public Library of Fort Wayne and Allen County" /> -<meta name="pss.pubdate" content="1953" /> -<link rel="coverpage" href="images/cover.jpg" /> -<link rel="spine" href="images/spine.jpg" /> -<link rel="schema.DC" href="http://dublincore.org/documents/1998/09/dces/" /> -<meta name="DC.Title" content="The Irish War" /> -<meta name="DC.Language" content="en" /> -<meta name="DC.Format" content="text/html" /> -<meta name="DC.Created" content="1953" /> -<meta name="DC.Creator" content="Public Library of Fort Wayne and Allen County" /> -<style type="text/css"> -/* == GLOBAL MARKUP == */ -body, table.twocol tr td { margin-left:2em; margin-right:2em; } /* BODY */ -.box { border-style:double; margin-bottom:2em; max-width:30em; margin-right:auto; margin-left:auto; margin-top:2em; clear:both; } -.box div.box { border-style:solid; margin-right:auto; margin-left:auto; max-width:26em; } -.box p { margin-right:1em; margin-left:1em; } -.box dl { margin-right:1em; margin-left:1em; } -h1, h2, h5, h6, .titlepg p { text-align:center; clear:both; text-indent:0; } /* HEADINGS */ -h2 { margin-top:1.5em; margin-bottom:1em; font-size:110%; text-align:center; } -h2 .small { font-size:100%; } -h1 { margin-top:3em; } -h1 .likep { font-weight:normal; font-size:50%; } -div.box h1 { margin-top:1em; margin-left:.5em; margin-right:.5em; } -h3 { margin-top:2.5em; text-align:center; font-size: 120%; clear:both; } -h4, h5 { font-size:100%; text-align:right; clear:right; } -h6 { font-size:100%; } -h6.var { font-size:80%; font-style:normal; } -.titlepg { margin-left:auto; margin-right:auto; border-style:double; clear:both; } -span.chaptertitle { font-style:normal; display:block; text-align:center; font-size:150%; text-indent:0; } -.tblttl { text-align:center; text-indent:0;} -.tblsttl { text-align:center; font-variant:small-caps; text-indent:0; } - -pre sub.ms { width:4em; letter-spacing:1em; } -pre { margin-top:1em; margin-bottom:1em; } -table.fmla { text-align:center; margin-top:0em; margin-bottom:0em; margin-left:0em; margin-right:0em; } -table.inline, table.symbol { display: inline-table; vertical-align: middle; } -td.cola { text-align:left; vertical-align:100%; } -td.colb { text-align:justify; } - -p, blockquote, div.p, div.bq { text-align:justify; } /* PARAGRAPHS */ -div.p, div.bq { margin-top:1em; margin-bottom:1em; } -blockquote { clear:both; } -blockquote, .bq { margin-left:1em; margin-right:0em; } -.verse { font-size:100%; } -p.indent {text-indent:2em; text-align:left; } -p.tb, p.tbcenter { margin-top:2em; clear:right; } - -span.pb, div.pb, dt.pb, p.pb /* PAGE BREAKS */ -{ text-align:right; float:right; margin-right:0em; clear:right; } -div.pb { display:inline; } -.pb, dt.pb, dl.toc dt.pb, dl.tocl dt.pb, dl.undent dt.pb, dl.index dt.pb { text-align:right; float:right; margin-left: 1.5em; - margin-top:.5em; margin-bottom:.5em; display:inline; text-indent:0; - font-size:80%; font-style:normal; font-weight:bold; - color:gray; border:1px solid gray;padding:1px 3px; } -div.index .pb { display:block; } -.bq div.pb, .bq span.pb { font-size:90%; margin-right:2em; } - -div.img, body a img {text-align:center; margin-left:auto; margin-right:auto; margin-top:2em; margin-bottom:2em; clear:right; } -img { max-width:100%; height:auto; } - -sup, a.fn { font-size:75%; vertical-align:100%; line-height:50%; font-weight:normal; } -h3 a.fn { font-size:65%; } -a.fn { font-style:normal; } -sub { font-size:75%; } -.center, .tbcenter { text-align:center; clear:both; text-indent:0; } /* TEXTUAL MARKUP */ -span.center { display:block; } -table.center { clear:both; margin-right:auto; margin-left:auto; } -table.center tr td.l, table.center tr th.l {text-align:left; margin-left:0em; } -table.center tr td.j {text-align:justify; } -table.center tr td.ltab { text-align:left; width:1.5em; } -table.center tr td.t {text-align:left; text-indent:1em; } -table.center tr td.t2 {text-align:left; text-indent:2em; } -table.center tr td.r, table.center tr th.r {text-align:right; } -table.center tr th.rx { width:4.5em; text-align:right; } -table.center tr th {vertical-align:bottom; } -table.center tr td {vertical-align:top; } -table.inline, table.symbol { display: inline-table; vertical-align: middle; } - -p { clear:left; } -.small, .lsmall { font-size:90%; } -.smaller { font-size:80%; } -.smallest { font-size:67%; } -.larger { font-size:150%; } -.large { font-size:125%; } -.xlarge { font-size:150%; } -.xxlarge { font-size:200%; } -.gs { letter-spacing:1em; } -.gs3 { letter-spacing:2em; } -.gslarge { letter-spacing:.3em; font-size:110%; } -.sc { font-variant:small-caps; font-style:normal; } -.cur { font-family:cursive; } - -.unbold { font-weight:normal; } -.xo { position:relative; left:-.3em; } -.over { text-decoration: overline; display:inline; } -hr { width:20%; margin-left:40%; clear:both; } -hr.dwide { margin-top:0; margin-bottom:0; width:90%; margin-left:5%; clear:right; } -hr.double { margin-top:0; margin-bottom:0; width:100%; margin-left:0; margin-right:0; } -hr.f { margin-top:0; margin-bottom:0; width:100%; margin-left:0; } -.jl { text-align:left; } -.jr, .jri { text-align:right; min-width:2em; display:inline-block; float:right; } -.pcap .jri { font-size:80%; } -.jr1 { text-align:right; margin-right:2em; clear:right; } -h1 .jr { margin-right:.5em; } -.ind1 { text-align:left; margin-left:2em; } -.u { text-decoration:underline; } -.hst { margin-left:2em; } -.hst2 { margin-left:4em; } -.rubric { color:red; } -.blue { color:blue; background-color:white; } -.green { color:green; background-color:white; } -.yellow { color:yellow; background-color:white; } -.orange { color:#ffa500; background-color:white; } -.white { color:white; background-color:black; margin-left:1em; margin-right:1em; max-width:28em; } -.cnwhite { color:white; background-color:black; min-width:2em; display:inline-block; - text-align:center; font-weight:bold; font-family:sans-serif; } -.cwhite { color:white; background-color:black; text-align:center; font-weight:bold; - font-family:sans-serif; } -ul li { text-align:justify; } -u.dbl { text-decoration:underline; } -.ss { font-family:sans-serif; font-weight:bold; } -.ssn { font-family:sans-serif; font-weight:normal; } -.sf, p.sf { font-family:serif; } -p.revint { margin-left:2em; text-indent:-2em; } -.box p.revint { margin-left:3em; } -p.revint2 { margin-left:5em; text-indent:-3em; } -p.revint2 .cn { min-width:2.5em; text-indent:0; text-align:left; display:inline-block; margin-right:.5em; } -i .f { font-style:normal; } -.b { font-weight:bold; } -.i { font-style:italic; } -.f { font-style:italic; font-weight:bold; } - -dd.t { text-align:left; margin-left: 5.5em; } -dl.toc { clear:both; margin-top:1em; } /* CONTENTS (.TOC) */ -dl.toc dt.center { text-align:center; clear:both; margin-top:3em; margin-bottom:1em; text-indent:0;} -.toc dt { text-align:right; clear:both; } -.toc dt.just { text-align:justify; margin-left:2em; margin-right:2em; } -.toc dd { text-align:right; clear:both; } -.toc dd.ddt { text-align:right; clear:both; margin-left:4em; } -.toc dd.ddt2 { text-align:right; clear:both; margin-left:5em; } -.toc dd.ddt3 { text-align:right; clear:both; margin-left:6em; } -.toc dd.ddt4 { text-align:right; clear:both; margin-left:7em; } -.toc dd.ddt5 { text-align:right; clear:both; margin-left:8em; } -.toc dd.note { text-align:justify; clear:both; margin-left:5em; text-indent:-1em; margin-right:3em; } -.toc dt .xxxtest {width:17em; display:block; position:relative; left:4em; } -.toc dt a, -.toc dd a, -.toc dt span.left, -.toc dt span.lsmall, -.toc dd span.left { text-align:left; clear:right; float:left; } -.toc dt a span.cn { width:4em; text-align:right; margin-right:.7em; float:left; } -.toc dt.sc { text-align:right; clear:both; } -.toc dt.scl { text-align:left; clear:both; font-variant:small-caps; } -.toc dt.sct { text-align:right; clear:both; font-variant:small-caps; margin-left:1em; } -.toc dt.jl, .toc dd.jl { text-align:left; clear:both; font-variant:normal; } -.toc dt.scc { text-align:center; clear:both; font-variant:small-caps; text-indent:0; } -.toc dt span.lj, span.lj { text-align:left; display:block; float:left; } -.toc dd.center { text-align:center; text-indent:0; } -dd.tocsummary {text-align:justify; margin-right:2em; margin-left:2em; } -dd.center .sc {display:block; text-align:center; text-indent:0; } -/* BOX CELL */ -td.top { border-top:1px solid; width:.5em; height:.8em; } -td.bot { border-bottom:1px solid; width:.5em; height:.8em; } -td.rb { border:1px solid; border-left:none; width:.5em; height:.8em; } -td.lb { border:1px solid; border-right:none; width:.5em; height:.8em; } -td span.cellt { text-indent:1em; } -td span.cellt2 { text-indent:2em; } -td span.cellt3 { text-indent:3em; } -td span.cellt4 { text-indent:4em; } - -/* INDEX (.INDEX) */ -dl.index { clear:both; } -.index dt { margin-left:2em; text-indent:-2em; text-align:left; } -.index dd { margin-left:4em; text-indent:-2em; text-align:left; } -.index dd.t { margin-left:6em; text-indent:-2em; text-align:left; } -.index dt.center {text-align:center; text-indent:0; } - dl.indexlr { clear:both; margin-left:auto; margin-right:auto; max-width:20em; } - dl.indexlr dt { clear:both; text-align:right; } - dl.indexlr dt span { text-align:left; display:block; float:left; } - dl.indexlr dt.center {text-align:center; text-indent:0; } -.ab, .ab1, .ab2 { -font-weight:bold; text-decoration:none; -border-style:solid; border-color:gray; border-width:1px; -margin-right:0px; margin-top:5px; display:inline-block; text-align:center; text-indent:0; } -.ab { width:1em; } -.ab2 { width:1.5em; } -a.gloss { background-color:#f2f2f2; border-bottom-style:dotted; text-decoration:none; border-color:#c0c0c0; color:inherit; } - /* FOOTNOTE BLOCKS */ -div.notes p { margin-left:1em; text-indent:-1em; text-align:justify; } - -dl.undent dd { margin-left:3em; text-indent:-2em; text-align:justify; } -dl.undent dt { margin-left:2em; text-indent:-2em; text-align:justify; clear:both; } -dl.undent dt.center {text-indent:0; text-align:center; } -dl.undent dd.t { margin-left:4em; text-indent:-2em; text-align:justify; } - /* POETRY LINE NUMBER */ -.lnum { text-align:right; float:right; margin-left:.5em; display:inline; } - -.hymn { text-align:left; } /* HYMN AND VERSE: HTML */ -.verse { text-align:left; margin-top:1em; margin-bottom:1em; margin-left:0em; } -.versetb { text-align:left; margin-top:2em; margin-bottom:1em; margin-left:0em; } -.originc { text-align:center; text-indent:0; } -.subttl { text-align:center; font-size:80%; text-indent:0; } -.srcttl { text-align:center; font-size:80%; text-indent:0; font-weight:bold; } -p.lc { text-indent:0; text-align:center; margin-top:0; margin-bottom:0; } -p.t0, p.l { margin-left:4em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; } -p.lb { margin-left:4em; text-indent:-3em; margin-top:2em; margin-bottom:0; text-align:left; } -p.tw, div.tw, .tw { margin-left:1em; text-indent:-1em; margin-top:0; margin-bottom:0; text-align:left; } -p.t, div.t, .t { margin-left:5em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; } -p.t2, div.t2, .t2 { margin-left:6em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; } -p.t3, div.t3, .t3 { margin-left:7em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; } -p.t4, div.t4, .t4 { margin-left:8em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; } -p.t5, div.t5, .t5 { margin-left:9em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; } -p.t6, div.t6, .t6 { margin-left:10em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; } -p.t7, div.t7, .t7 { margin-left:11em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; } -p.t8, div.t8, .t8 { margin-left:12em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; } -p.t9, div.t9, .t9 { margin-left:13em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; } -p.t10, div.t10,.t10 { margin-left:14em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; } -p.t11, div.t11,.t11 { margin-left:15em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; } -p.t12, div.t12,.t12 { margin-left:16em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; } -p.t13, div.t13,.t13 { margin-left:17em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; } -p.t14, div.t14,.t14 { margin-left:18em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; } -p.t15, div.t15,.t15 { margin-left:19em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; } -p.lr, div.lr, span.lr { display:block; margin-left:0em; margin-right:1em; margin-top:0; margin-bottom:0; text-align:right; clear:right; } -dt.lr { width:100%; margin-left:0em; margin-right:0em; margin-top:0; margin-bottom:0; margin-top:1em; text-align:right; } -dl dt.lr a { text-align:left; clear:left; float:left; } - -.fnblock { margin-top:2em; margin-bottom:2em; } -.fndef, p.fn { text-align:justify; margin-top:1.5em; margin-left:1.5em; text-indent:-1.5em; } -.fndef p.fncont, .fndef dl { margin-left:0em; text-indent:0em; } -.fnblock div.fncont { margin-left:1.5em; text-indent:0em; margin-top:1em; text-align:justify; } -.fnblock dl { margin-top:0; margin-left:4em; text-indent:-2em; } -.fnblock dt { text-align:justify; } -dl.catalog dd { font-style:italic; } -dl.catalog dt { margin-top:1em; } -.author { text-align:right; margin-top:0em; margin-bottom:0em; display:block; } - -dl.biblio dt { margin-top:.6em; margin-left:2em; text-indent:-2em; text-align:justify; clear:both; } -dl.biblio dt div { display:block; float:left; margin-left:-6em; width:6em; clear:both; } -dl.biblio dt.center { margin-left:0em; text-align:center; text-indent:0; } -dl.biblio dd { margin-top:.3em; margin-left:3em; text-align:justify; font-size:90%; } -p.biblio { margin-left:2em; text-indent:-2em; } -.clear { clear:both; } -p.book { margin-left:2em; text-indent:-2em; } -p.review { margin-left:2em; text-indent:-2em; font-size:80%; } -p.pcap { margin-left:0em; text-indent:0; text-align:center; margin-top:0; font-family:cursive; font-size:110%; } -p.pcapc { margin-left:2em; text-indent:0em; text-align:justify; font-family:cursive; } -dl.pcap { font-family:cursive; font-size:80%; } -span.attr { font-size:80%; font-family:sans-serif; } -span.pn { display:inline-block; width:4.7em; text-align:left; margin-left:0; text-indent:0; } -</style> -</head> -<body> - -<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of The Irish War, by Anonymous</div> - -<div style='display:block; margin:1em 0'> -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: The Irish War</div> - -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Anonymous</div> - -<div style='display:block; margin:1em 0'>Release Date: March 09, 2021 [eBook #64763]</div> - -<div style='display:block; margin:1em 0'>Language: English</div> - -<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div> - -<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Stephen Hutcheson and the Online Distributed Proofreading Team at https://www.pgdp.net</div> - -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK THE IRISH WAR ***</div> -<div id="cover" class="img"> -<img id="coverpage" src="images/cover.jpg" alt="The Irish War" width="600" height="943" /> -</div> -<div class="box"> -<h1><span class="sc"><i>THE IRISH WAR</i></span></h1> -<p class="tbcenter">Prepared by the staff of the -<br />Public Library of Fort Wayne and Allen County -<br />1953</p> -</div> -<p class="tb">One of a historical series, this pamphlet is published -under the direction of the governing Boards of the Public -Library of Fort Wayne and Allen County.</p> -<p class="center">BOARD OF TRUSTEES OF THE SCHOOL CITY OF FORT WAYNE</p> -<dl class="undent"><dt>B.F. Geyer, President</dt> -<dt>Joseph E. Kramer, Secretary</dt> -<dt>W. Page Yarnelle, Treasurer</dt> -<dt>Willard Shambaugh</dt> -<dt>Mrs. Sadie Fulk Roehrs</dt></dl> -<p class="center">PUBLIC LIBRARY BOARD FOR ALLEN COUNTY</p> -<p>The members of this Board include the members of the Board of Trustees of the -School City of Fort Wayne (with the same officers) together with the following -citizens chosen from Allen County outside the corporate City of Fort Wayne:</p> -<dl class="undent"><dt>James E. Graham</dt> -<dt>Arthur Nieneier</dt> -<dt>Mrs. Glenn Henderson</dt> -<dt>Mrs. Charles Reynolds</dt></dl> -<div class="pb" id="Page_i">i</div> -<h2 id="c1"><span class="small">FOREWORD</span></h2> -<p>Irishmen who had recently immigrated to the United States were the -chief source of labor for the construction of the Wabash-Erie Canal. Much -strife among the canal workers stemmed from regional antagonisms in their -homeland, and personal violence resulted on more than one occasion; the -so-called “Irish War” was one such episode.</p> -<p>David Burr, one of the canal commissioners, made the following report -on the incident. It was printed as an Indiana state document and is often -quoted as authority for statements made about the “Irish War.” It is -now out-of-print. Because the Boards and staff of the Public Library of -Fort Wayne and Allen County consider it valuable source material, it is reprinted -here, together with the accompanying letter of transmittal. Grammar, -spelling, and punctuation have been changed to conform to current -practice.</p> -<div class="pb" id="Page_1">1</div> -<p class="tbcenter">STATE OF INDIANA -<br />HOUSE OF REPRESENTATIVES</p> -<hr /> -<p class="center">December 31, 1835 -<br />Read and referred to the Committee on Claims</p> -<hr /> -<div class="verse"> -<p class="lr">Executive Department</p> -<p class="lr">Indianapolis, Indiana</p> -<p class="lr">December 30, 1835</p> -</div> -<div class="verse"> -<p class="t0">The Honorable C. B. Smith</p> -<p class="t0">Speaker of the House of Representatives</p> -</div> -<p>Sir:</p> -<p>I lay before the House of Representatives the particulars, in writing, -of the late riots upon the line of the Wabash Canal, which details were furnished -at my request by one of the canal commissioners. With this history, -I also submit the claims of the commandants, Captains Murray and Tipton, -who, at the heads of their companies, repaired to the scene of disorder in -support of the civil authority and liberally advanced money and provisions -for the service. It will be seen that the laborers along the line in the adjoining -counties had assembled in preparation for battle, making Wabash -County the theater of their riotous conduct; consequently, that county would -seem to be chargeable with the expense of the arrests and the prosecutions -which followed. But as the occurrence was one of an unusual kind, growing -<span class="pb" id="Page_2">2</span> -out of, and threatening the progress of, the work in which the state is -engaged, it is believed the treasury of that county is not justly chargeable -with the expense. It is recommended that the commissioners appointed to -assess damages to private property or one of the fund commissioners be -authorized to examine the different claims and to direct their payment, so -far as would be right, out of the canal fund.</p> -<p><span class="lr">Respectfully,</span> -<span class="lr">Noah Noble</span></p> -<div class="pb" id="Page_3">3</div> -<div class="verse"> -<p class="lr">Indianapolis, Indiana</p> -<p class="lr">December 30, 1835</p> -</div> -<div class="verse"> -<p class="t0">The Honorable Noah Noble</p> -<p class="t0">Governor of Indiana</p> -</div> -<div class="verse"> -<p class="t0">Dear Sir:</p> -</div> -<p>In conformity with your request in relation to the disturbance amongst -the Irish laborers on the Canal, it is proper to state that many persons of -the two parties into which they are unfortunately divided, “Corkonians and -Fardowns,” had been engaged in those bloody affrays at Williamsport in -Maryland and at the “high rocks on the Potomac” within the last two years. -They had come since September in 1834 to the Wabash and Erie Canal with, -as it is said, many of their leaders. Of course, they had brought their animosities -with them. And from that time up to the twelfth of July last, when -the general riot took place, they manifested their ill will to each other by -merciless beatings on such persons of each party as chanced to fall in the -power of the other.</p> -<p>On a considerable portion of the line there was no justice of the peace -in these newly organized counties. As these frays were confined to the -Irish alone, and to the least worthy amongst them, not much effort was -made, and perhaps could not have been made, by the civil authority to suppress -them. This exasperating course of hostilities increased until it became -unsafe for the Irish to travel from one part of the line to the other -without great precautions for their safety. Events proceeded to such an -extent that they were mutually afraid that each party would have its cabins -burnt and the inmates slain in the night.</p> -<div class="pb" id="Page_4">4</div> -<div class="img"> -<img src="images/p01.jpg" alt="uncaptioned" width="600" height="876" /> -</div> -<div class="pb" id="Page_5">5</div> -<p>Because of mutual fears and for safety the laborers had so hired out -to the contractors that they had about equally divided the line between the -parties; the Corkmen worked on the upper part, and the Fardowns on the -lower part of the line. The beatings of such persons who were caught away -from their friends increased to such a degree, and the parties became so -exasperated, that about the first of July a determination became general -that one or the other should leave the line. The worthless amongst them, -by carrying threats of burnings and murders which were to be committed -by falling on the defenseless in the night, so excited their fears that they -left their houses and cabins and hid out in the woods without light or fire -to betray their hiding places. The whole line, armed in military array, -worked generally in the daytime until some idle report would get in circulation -that one party was marching to fight the other. Then they would leave -their work and hasten with great rapidity to the supposed point of danger.</p> -<p>From the fourth to the tenth of July, these alarms were constant and -were aggravated by the threats and outrages of the worthless. The length -of line occupied by these belligerent parties was nearly fifty miles. On the -tenth of July the parties hastily collected; or rather, they left their work -and commenced a march towards the center of the line for a general battle.</p> -<div class="pb" id="Page_6">6</div> -<div class="img"> -<img src="images/p02.jpg" alt="uncaptioned" width="600" height="715" /> -</div> -<div class="pb" id="Page_7">7</div> -<p>Two days before this, I reached that part of the line, heard there was -to be a turnout, but supposed it only rumor without foundation. I saw several -persons and tried to convince them that no such thing would take place. -On the tenth, however, one of the engineers reported that all the workmen -on the lower end of the line were armed and were marching to the reputed -battlefield. I met them about half a mile from my residence. They were -in very orderly array and well armed; not a noisy or a drunken man was -amongst them. They were forced, so they considered, to fight in order to -protect themselves and to avoid being slain and to keep their property from -being burned at night. They stated that the civil authority did not, or could -not, protect them; that their families could not stay in their shanties but -had to sleep in the woods; and that they had no resource left but a battle. -They further stated that the weaker party should leave the line; that they -wished to work and remain peaceable but could not; and that they would -rather fight fairly in open day than be subject to these depredations at night. -With the assurance that order would be restored and that I would negotiate -a suspension of hostilities with the other party, I prevailed on them to wait -until I could see their belligerent friends.</p> -<p>I then went to the reputed battlefield with three or four persons whom -I supposed had influence with them. I found them fully prepared, well disposed -in a strong military position, and exceedingly exasperated; and I had -some difficulty in saving those who went with me from being killed. They -expressed the same fears as the others but, after some persuasion, consented -to appoint persons to agree on terms of peace with the Fardowns. -They also agreed to suspend hostile operations until the result of the meetings -between the persons deputed to negotiate the peace could be known.</p> -<p>In the meantime, the citizens at Huntington had become exceedingly -<span class="pb" id="Page_8">8</span> -alarmed at seeing this hostile array; three or four hundred armed men on -each side had the avowed intention of meeting in battle; the civil authority -was completely powerless. Fearing their persons and property would not -be safe, they sent to Fort Wayne for aid of the militia. A company immediately -was collected and in a few hours was sent to their relief. Meanwhile, -the citizens of Huntington had collected and organized a company -also.</p> -<p>By this time, the citizens of Lagro became alarmed; they sent to -Huntington for the troops to come and protect them and aid the civil authority. -As soon as I learned that the militia had turned out from sixty to one -hundred in number, I thought the force altogether too small to do any good -against seven or eight hundred armed men. Therefore, I sent to Logansport -and requested assistance, which was promptly rendered. The militia at -Lagro, at my request, marched to Miamisport and met the two volunteer -companies from Logansport; and all marched back to Lagro.</p> -<p>Two magistrates, an associate judge, the sheriffs of Huntington and -Wabash counties, and the militia arrested and committed eight of the ringleaders. -There was no safe jail on the canal line. Therefore, in order to -remove the cause of contention, these men were sent under a strong guard -to Indianapolis for safekeeping. Here they were confined until they were -liberated by a writ of habeas corpus because of some informality in the -proceedings.</p> -<p>There were more than six hundred armed Irishmen, and I am satisfied -that no course other than the one pursued would have been sufficient to -restore order. The commissioning of justices of the peace and the organizing -of militia companies at Wabash, Lagro, and Huntington have restored, -and I trust will preserve, order.</p> -<div class="pb" id="Page_9">9</div> -<div class="img"> -<img src="images/p03.jpg" alt="uncaptioned" width="600" height="909" /> -</div> -<div class="pb" id="Page_10">10</div> -<p>The commissioners, Messrs. Johnson and Lewis, were at Fort Wayne -at the time; and I had not the benefit of their advice. As soon as order was -restored, the canal board took more decided steps in their regulations. -They now require each contractor to dismiss any laborer who may engage -in a broil and to give his name to the engineers so that he may not be employed -on the line.</p> -<p>The militia turned out on the first moment’s warning; many of the -men just happened to be in town and marched off without any preparation -whatever. They had of necessity to be supplied with money and provisions -for their subsistence. These were furnished by many of the contractors -and people on the line. Amongst those incurring the greatest expense was -Captain Elias Murray, of Huntington; he took command of the temporary -garrison at Lagro, assisted the civil authority in making the arrests, and, -with his company, marched the prisoners to Indianapolis. He was engaged -some three weeks in the service.</p> -<p>Colonel John Spencer, of Fort Wayne, who headed the militia from -that city, and General John Tipton, who was active in forwarding the volunteer -companies from Logansport, paid a large portion of the expenses. -One of the prisoners who had been sent to Indianapolis was arrested on his -return to the canal line, was convicted, and was sent to the penitentiary. -On his way there he escaped from Mr. Johnson, the sheriff, who offered a -<span class="pb" id="Page_11">11</span> -reward of $100.00 and paid it for his apprehension. Wabash County was -also at great expense in sending the prisoners to Indianapolis. Other persons -on the line were also at much expense in money and provisions.</p> -<p>This expenditure was absolutely necessary for the preservation of -order; it was the means of saving many human lives by preventing at least -seven hundred armed and highly exasperated men from fighting a battle. It -was also the means of preventing a total suspension of canal work which -might have ensued for the greater part of the season since July. It would, -therefore, be very desirable indeed if some provision could be made by -law to remunerate those persons who have been at so great expense.</p> -<p>Some of the bills for the money expended are in the possession of the -Board of Canal Commissioners. But, as they have only a small part, the -appointment of some person to hear and examine claims and to authorize -payment is respectfully suggested. The selection of a member of the Board -of Fund Commissioners, who had no part in these transactions and would -therefore constitute an impartial tribunal, is also suggested. As the matter -in question grew out of the operations on the Canal, and as the commissioners -have the funds in their possession, such an appointment would seem -to be suitable.</p> -<p><span class="lr">With great respect,</span> -<span class="lr">David Burr</span></p> -<h2>Transcriber’s Notes</h2> -<ul> -<li>Silently corrected a few typos.</li> -<li>Retained publication information from the printed edition: this eBook is public-domain in the country of publication.</li> -<li>In the text versions only, text in italics is delimited by _underscores_.</li> -</ul> -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK THE IRISH WAR ***</div> -<div style='text-align:left'> - -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. -</div> - -<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br /> -<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br /> -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span> -</div> - -<div style='display:block; margin:1em 0'> -To protect the Project Gutenberg™ mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase “Project -Gutenberg”), you agree to comply with all the terms of the Full -Project Gutenberg™ License available with this file or online at -www.gutenberg.org/license. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works -</div> - -<div style='display:block; margin:1em 0'> -1.A. By reading or using any part of this Project Gutenberg™ -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg™ electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg™ electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the person -or entity to whom you paid the fee as set forth in paragraph 1.E.8. -</div> - -<div style='display:block; margin:1em 0'> -1.B. “Project Gutenberg” is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg™ electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg™ electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg™ -electronic works. See paragraph 1.E below. -</div> - -<div style='display:block; margin:1em 0'> -1.C. The Project Gutenberg Literary Archive Foundation (“the -Foundation” or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg™ electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg™ mission of promoting -free access to electronic works by freely sharing Project Gutenberg™ -works in compliance with the terms of this agreement for keeping the -Project Gutenberg™ name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg™ License when -you share it without charge with others. -</div> - -<div style='display:block; margin:1em 0'> -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg™ work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. -</div> - -<div style='display:block; margin:1em 0'> -1.E. Unless you have removed all references to Project Gutenberg: -</div> - -<div style='display:block; margin:1em 0'> -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg™ License must appear -prominently whenever any copy of a Project Gutenberg™ work (any work -on which the phrase “Project Gutenberg” appears, or with which the -phrase “Project Gutenberg” is associated) is accessed, displayed, -performed, viewed, copied or distributed: -</div> - -<blockquote> - <div style='display:block; margin:1em 0'> - This eBook is for the use of anyone anywhere in the United States and most - other parts of the world at no cost and with almost no restrictions - whatsoever. You may copy it, give it away or re-use it under the terms - of the Project Gutenberg License included with this eBook or online - at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you - are not located in the United States, you will have to check the laws - of the country where you are located before using this eBook. - </div> -</blockquote> - -<div style='display:block; margin:1em 0'> -1.E.2. If an individual Project Gutenberg™ electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase “Project -Gutenberg” associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg™ -trademark as set forth in paragraphs 1.E.8 or 1.E.9. -</div> - -<div style='display:block; margin:1em 0'> -1.E.3. If an individual Project Gutenberg™ electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg™ License for all works -posted with the permission of the copyright holder found at the -beginning of this work. -</div> - -<div style='display:block; margin:1em 0'> -1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg™. -</div> - -<div style='display:block; margin:1em 0'> -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg™ License. -</div> - -<div style='display:block; margin:1em 0'> -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg™ work in a format -other than “Plain Vanilla ASCII” or other format used in the official -version posted on the official Project Gutenberg™ website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original “Plain -Vanilla ASCII” or other form. Any alternate format must include the -full Project Gutenberg™ License as specified in paragraph 1.E.1. -</div> - -<div style='display:block; margin:1em 0'> -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg™ works -unless you comply with paragraph 1.E.8 or 1.E.9. -</div> - -<div style='display:block; margin:1em 0'> -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg™ electronic works -provided that: -</div> - -<div style='margin-left:0.7em;'> - <div style='text-indent:-0.7em'> - • You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg™ works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg™ trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, “Information about donations to the Project Gutenberg - Literary Archive Foundation.” - </div> - - <div style='text-indent:-0.7em'> - • You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg™ - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg™ - works. - </div> - - <div style='text-indent:-0.7em'> - • You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - </div> - - <div style='text-indent:-0.7em'> - • You comply with all other terms of this agreement for free - distribution of Project Gutenberg™ works. - </div> -</div> - -<div style='display:block; margin:1em 0'> -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg™ electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg™ trademark. Contact the Foundation as set -forth in Section 3 below. -</div> - -<div style='display:block; margin:1em 0'> -1.F. -</div> - -<div style='display:block; margin:1em 0'> -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg™ collection. Despite these efforts, Project Gutenberg™ -electronic works, and the medium on which they may be stored, may -contain “Defects,” such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. -</div> - -<div style='display:block; margin:1em 0'> -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right -of Replacement or Refund” described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg™ trademark, and any other party distributing a Project -Gutenberg™ electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. -</div> - -<div style='display:block; margin:1em 0'> -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. -</div> - -<div style='display:block; margin:1em 0'> -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. -</div> - -<div style='display:block; margin:1em 0'> -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. -</div> - -<div style='display:block; margin:1em 0'> -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg™ electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg™ -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg™ work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg™ work, and (c) any -Defect you cause. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 2. Information about the Mission of Project Gutenberg™ -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. -</div> - -<div style='display:block; margin:1em 0'> -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg™’s -goals and ensuring that the Project Gutenberg™ collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg™ and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at www.gutenberg.org. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 3. Information about the Project Gutenberg Literary Archive Foundation -</div> - -<div style='display:block; margin:1em 0'> -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation’s EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state’s laws. -</div> - -<div style='display:block; margin:1em 0'> -The Foundation’s business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation’s website -and official page at www.gutenberg.org/contact -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ depends upon and cannot survive without widespread -public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. -</div> - -<div style='display:block; margin:1em 0'> -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular state -visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>. -</div> - -<div style='display:block; margin:1em 0'> -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. -</div> - -<div style='display:block; margin:1em 0'> -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. -</div> - -<div style='display:block; margin:1em 0'> -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 5. General Information About Project Gutenberg™ electronic works -</div> - -<div style='display:block; margin:1em 0'> -Professor Michael S. Hart was the originator of the Project -Gutenberg™ concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg™ eBooks with only a loose network of -volunteer support. -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. -</div> - -<div style='display:block; margin:1em 0'> -Most people start at our website which has the main PG search -facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>. -</div> - -<div style='display:block; margin:1em 0'> -This website includes information about Project Gutenberg™, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. -</div> - -</div> - -</body> -</html> diff --git a/old/64763-h/images/cover.jpg b/old/64763-h/images/cover.jpg Binary files differdeleted file mode 100644 index f2dda88..0000000 --- a/old/64763-h/images/cover.jpg +++ /dev/null diff --git a/old/64763-h/images/p01.jpg b/old/64763-h/images/p01.jpg Binary files differdeleted file mode 100644 index 90056e4..0000000 --- a/old/64763-h/images/p01.jpg +++ /dev/null diff --git a/old/64763-h/images/p02.jpg b/old/64763-h/images/p02.jpg Binary files differdeleted file mode 100644 index 4eb25c8..0000000 --- a/old/64763-h/images/p02.jpg +++ /dev/null diff --git a/old/64763-h/images/p03.jpg b/old/64763-h/images/p03.jpg Binary files differdeleted file mode 100644 index 83871db..0000000 --- a/old/64763-h/images/p03.jpg +++ /dev/null diff --git a/old/64763-h/images/spine.jpg b/old/64763-h/images/spine.jpg Binary files differdeleted file mode 100644 index 7a7b56e..0000000 --- a/old/64763-h/images/spine.jpg +++ /dev/null |
