Initial commit

author: nfenwick <nfenwick@pglaf.org> 2025-01-23 09:17:45 -0800
committer: nfenwick <nfenwick@pglaf.org> 2025-01-23 09:17:45 -0800
commit: fd28595fd443ebf786a3f0d9da07d65f813d197f (patch)
tree: 7cea62318251c7a3fd935ad5693214fc3f70e5dd
7 files changed, 3737 insertions, 0 deletions
diff --git a/64583-0.txt b/64583-0.txt
new file mode 100644
index 0000000..d9fd847
--- /dev/null
+++ b/64583-0.txt
@@ -0,0 +1,1751 @@
+The Project Gutenberg eBook of The Trinity Archive, Vol. I, No. 7, May
+1888, by Trinity College
+
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you
+will have to check the laws of the country where you are located before
+using this eBook.
+
+Title: The Trinity Archive, Vol. I, No. 7, May 1888
+
+Author: Trinity College
+
+Release Date: February 17, 2021 [eBook #64583]
+
+Language: English
+
+Character set encoding: UTF-8
+
+Produced by: hekula03 and the Online Distributed Proofreading Team at
+             https://www.pgdp.net (This book was produced from images made
+             available by the HathiTrust Digital Library.)
+
+*** START OF THE PROJECT GUTENBERG EBOOK THE TRINITY ARCHIVE, VOL. I, NO.
+7, MAY 1888 ***
+
+
+
+
+Transcriber’s Notes:
+
+  Underscores “_” before and after a word or phrase indicate _italics_
+    in the original text.
+  Equal signs “=” before and after a word or phrase indicate =bold=
+    in the original text.
+  Small capitals have been converted to SOLID capitals.
+  Typographical errors have been silently corrected.
+
+
+
+
+              VOL. I.      MAY, 1888.      No. 7.
+
+                              THE
+                        TRINITY ARCHIVE.
+
+             _PUBLISHED BY THE LITERARY SOCIETIES._
+
+    MONTHLY.      TRINITY COLLEGE, N. C.      PRICE, 15 cts.
+
+
+
+
+CONTENTS.
+
+
+    EXTRACT FROM PEPYS’ DIARY                                123-124
+    READING MAKETH A FULL MAN                                124-125
+    THE INFINITIVE                                           125-127
+
+    EDITORIAL—Greek and Latin in Our Colleges;
+                      “Parallel Reading”;
+                       Phrenology                            128-129
+
+    REVIEWS: Psychology;
+                      A Tramp Trip;
+                      Slips of Tongue and Pen;
+                      Poetical Geography of North Carolina;
+                      Life of P. T. Barnum                   130-131
+
+    EXCHANGES                                                132-133
+    ALUMNI                                                   134-135
+    LOCALS                                                   136-138
+
+
+
+
+MANAGERS’ NOTICES.
+
+
+Correspondents will please send all matter intended for publication to
+Prof. J. L. Armstrong, Trinity College, N. C.
+
+TERMS OF SUBSCRIPTION.
+
+One dollar, per scholastic year (nine issues), if paid in advance; if
+not paid in advance, one dollar and twenty cents.
+
+To any one who will send us a Club of Five cash yearly subscribers, we
+will give a year’s subscription, free.
+
+Remittances should be made by postal note, postal order, or registered
+letter, and made payable to “Business Managers of the TRINITY ARCHIVE.”
+
+TERMS OF ADVERTISING.
+
+    1   column, per issue, $3.00; per scholastic year, $20.00
+    ½     “        “        1.75;         “             12.00
+    ⅓     “        “        1.25;         “              9.00
+    1    inch,     “         .75;         “              5.00
+
+All business communications should be forwarded to
+
+      NICHOLSON & JONES,
+     _Business Managers_,
+    TRINITY COLLEGE, N. C.
+
+_Entered as second-class matter in Post Office at Trinity College, N.
+C._
+
+                       Spring and Summer
+
+                           CLOTHING.
+
+                 _We are now ready to show you
+               the largest, finest and cheapest
+                           stock of_
+
+                        CLOTHING, HATS,
+
+                             —AND—
+
+                       Furnishing Goods
+
+                 ever seen in North Carolina.
+
+          Our buyer has been in New York for the last two
+     months, selecting our stock, and we can guarantee you
+     we have everything in the very latest styles out. All
+    our goods were bought from the very best manufacturers
+    at the lowest cash prices, and we intend to sell our
+    customers better goods for less money than they have ever
+    bought before. And as we are the only Exclusive Clothiers
+    in Greensboro, we intend to keep everything in the
+    clothing line for
+
+                      MEN, YOUTHS & BOYS
+
+     from size 50 for men, down to age 3 for boys. All we ask
+     is to come and examine our stock and we will guarantee
+     you will save money by buying from us.
+
+                      Very Respectfully,
+                         F. FISHBLATE,
+
+                               LEADING CLOTHIER,
+                                   GREENSBORO, N. C.
+
+      C. M. VANSTORY, MANAGER.
+
+         P. S. Suits made to order from samples a specialty.
+      Orders by mail will receive prompt attention.
+
+                           A FREE TICKET
+                                TO
+                       Farrior & Crabtree’s
+                       Boot and Shoe Store,
+               South Elm St.,      GREENSBORO, N. C.
+
+                          SOLE AGENTS FOR
+                  Zeigler Bros., Jas. Means’ $3,
+                      And Wm. Dorsch & Son’s
+                            FINE GOODS.
+
+                          C. B. HAYWORTH,
+                     _The People’s Liveryman_,
+                         HIGH POINT, N. C.
+
+          Good Stock and conveyances. Prices reasonable.
+             Patronage of Trinity Students solicited.
+
+                        MOFFITT & BRADSHAW,
+                   _DRUGGISTS AND PHARMACISTS_,
+           Next Door above Bank,      _High Point N. C._
+
+                            DEALERS IN
+                     PURE DRUGS AND MEDICINES,
+            Toilet and Fancy Articles, Perfumeries, &c.
+
+    We cordially invite students and friends of Trinity College
+     to call and see us when in need of anything in our line.
+
+                        FRIENDS OF TRINITY,
+                           SUBSCRIBE FOR
+                      _THE TRINITY ARCHIVE_.
+                          $1.00 PER YEAR.
+
+            _Business Friends Send us Advertisements._
+
+                Richmond Straight Cut No. 1 Cigarettes.
+
+    [Illustration]
+
+    Cigarette smokers who are willing to pay a little more than the
+    price charged for the ordinary trade cigarettes, will find this
+    brand superior to all others.
+
+              The Richmond Straight Cut No. 1 Cigarettes
+
+    are made from the brightest, most delicately flavored and highest
+    cost gold leaf grown in Virginia. This is the old and original
+    brand of Straight Cut Cigarettes, and was brought out by us in
+    the year 1875. Beware of imitations and observe that the firm
+    name as below is on every package.
+
+                       ALLEN & GINTER, MANUFACTURERS,
+                                         RICHMOND, VIRGINIA.
+
+                             GREENSBORO
+                           Female College,
+                          GREENSBORO, N. C.
+
+      The Sixty-Sixth Session of this well-equipped and prosperous
+    School will begin on the 11th of January, 1888. Faculty (consisting
+    of three Gentleman and eleven Ladies) able, accomplished and
+    faithful. Instruction thorough in all departments. Superior
+    advantages offered in the departments of
+
+             Music, Art, Elocution and Modern Languages.
+
+      Location, healthful and beautiful; fare good. Premises large,
+    with ample walks for out-door recreation. Buildings large,
+    convenient, comfortable, and furnished with all the appliances of
+    A FIRST-CLASS FEMALE COLLEGE.
+
+       Special attention paid to physical health, comfort, and
+     development, and moral and spiritual culture.
+
+       For catalogue apply to
+
+                  T. M. JONES, PRESIDENT.
+
+                      Group Photographs.
+
+      I would announce to the students of Trinity College
+    that with a view to doing school work I have specially
+    fitted myself for making
+
+                         LARGE GROUPS,
+
+    such as Classes, Fraternities, Literary Societies, &c.
+    Will be glad to serve with whatever they need in
+    Photography, in that or any other line of work.
+    I also make
+
+              Portraits Frames and Mats to Order.
+
+                Respectfully,
+                    =S. L. ALDERMAN=,
+                            GREENSBORO, N. C.
+
+
+
+
+THE TRINITY ARCHIVE.
+
+Published under Supervision of the Professor of English.
+
+TRINITY COLLEGE, MAY, 1888.
+
+
+
+
+EXTRACT FROM PEPYS’ DIARY.
+
+
+TAKES LESSONS IN POLITICAL ECONOMY.
+
+“He showed me a very excellent argument, to prove that our importing
+less than we export does not impoverish the kingdom, according to the
+received opinion: which, though it be a paradox, and that I do not
+remember the argument, yet methought there was a great deal in what he
+said.” (Feb., 1664.)
+
+“He also made me fully understand that the old law of prohibiting
+bullion to be exported is, and ever was, a folly and injury rather than
+good. Arguing thus, that if the exportations exceed the importations,
+then the balance must be brought home in money, which, when our
+merchants know cannot be carried out again, they will forbear to bring
+home in money, but let it lie abroad for trade, or keep in foreign
+banks; or, if our importations exceed our exportations, then to keep
+credit the merchants will and must find ways of carrying out money by
+stealth, which is a most easy thing to do, and is everywhere done, and
+therefore the law against it signifies nothing in the world.” (Jan.,
+1665.)
+
+
+IS ALARMED.
+
+“About eleven o’clock, knowing what money I have in the house, and
+hearing a noise, I began to sweat worse and worse, till I melted almost
+to water. I rung, and could not in half an hour make either of the
+wenches hear me; and this made me fear the more lest they might be
+gagged; and then I began to think that there was some design in a stone
+being flung at the window over our stairs this evening, by which the
+thieves meant to try what looking there would be after them, and know
+our company. These thoughts and fears I had, and do hence apprehend the
+fears of all rich men that are covetous, and have much money by them.
+At last, Jane rose, and then I understood it was only the dog wants a
+lodging, and so made a noise.” (July, 1664.)
+
+
+UXORIOUS.
+
+“Called upon Doll, our pretty change woman, for a pair of gloves
+trimmed with yellow ribbon, to [match] the petticoat my wife bought
+yesterday, which cost me 20s.; but she is so pretty, that, God forgive
+me! I could not think it too much, which is a strange slavery that I
+stand in to beauty, that I value nothing near it.” (Sept., 1664.)
+
+“To the King’s house, to a play, _The Traitor_, where unfortunately, I
+met with Sir W. Pen, so that I must be forced to confess it to my wife,
+which troubles me.” (Jan., 1665.)
+
+“To Clerkenwell church, and there, as I wished, sat next pew to the
+fair Butler, who indeed is a most perfect beauty still; and one I do
+very much admire myself for my choice of her for a beauty, having
+the best lower part of her face that ever I saw all days of my life.
+After church, I walked to my Lady Sandwitch’s. * * My Lady asked me my
+opinion about Creed, whether he would have a wife or no, and proposed
+Mrs. Wright for him. * * She desired I would take a good time and
+manner of proposing it, and I said I would, though I believe he would
+love nothing but money. * * So away back to Clerkenwell church, * * and
+home, and there my wife was angry with me for not coming home, and for
+gadding abroad to look after beauties.” (Oct. 2nd, 1664.)
+
+[For the ARCHIVE.]
+
+
+
+
+READING MAKETH A FULL MAN.
+
+
+BY W. P. A.
+
+Mirrored in the epigram at the head of this article, is the _soul_ of
+the great man to whose force of intellect the world is indebted for the
+“Inductive Method” of investigation, which has made man a prince over
+the mysteries of science and a minister of nature’s sweet and bountiful
+gifts.
+
+Never did Bacon philosophize more wisely, or frame epigram more
+in accordance with comprehensive truth than when he uttered this
+sentiment: “_Reading_ maketh a _full man_.”
+
+Let us stress for a few moments the abstract idea of reading, and the
+consequent concrete idea of a full man. The vexatious problem which
+immediately confronts us with mountainous proportions, is how can we
+make the vast number of scientific languages and dialects, in which
+are couched so many thousand volumes of literature, wholesome, pure
+and classic, compatible with the brief period allotted to human life,
+and the miniature portion of even this time that can be spared from
+the bread-and-butter warfare to the reading of other men’s thoughts?
+We do not propose a solution of this problem, nor do we believe it
+possible for any man to indulge in one grand review of the world’s
+literature; but it is the blessed privilege of _every_ man to become
+moderately well read, in proof of which we would have only to cite
+illustrious names already familiar. “In books lies the soul of the
+past,” and if we would quaff the sweet ambrosia which is the world’s
+inestimable heritage, and develop in ourselves minds which shall prove
+everlasting sources of profit and pleasure, we must wed ourselves, with
+unmistakable devotion, to the acquisition of useful knowledge; if we do
+not inherit opportunities, we must _make_ them, and read selectively,
+comprehensively and retentively.
+
+One individual can’t select for another the books best adapted to the
+mental growth of that person; individuality of taste is an idiosyncrasy
+of the human race. Give a person free access to a well-regulated
+library, and you need not fear but that person will suit himself.
+Let the flocks graze at will upon the verdant plains where grow the
+herbs both bitter and sweet, and where flow the waters of both life
+and death, and an unerring instinct will always avoid the bad and
+feast upon the good; then is the _reason_ of man less to be relied
+upon than the _instinct_ of the dumb brute? But far be it from us to
+argue that any man should cloister himself within the walls of his own
+imagination, feasting upon his own secluded judgment, and thus refuse
+to lend an ear to a _wise_ suggestion.
+
+A lack of space forbids a more thorough discussion of this tempting
+subject—reading; so let us pass to a brief contemplation of the
+sequel—a _full man_. If a young man is devoid of a _noble ambition_,
+he would do well to examine himself and bring about a correction as
+soon as possible. Honest labor is praiseworthy in whatever field it
+may be expended, but there is something nobler, more inspiring, more
+appreciated, and more remunerative than hewing wood or drawing water;
+and if a man can, by thorough preparation, ally himself with the
+_intellectual_ aristocracy of the country, then are the possibilities
+of a _true_ life spread before him.
+
+What a sublime and God-like spectacle is a _full man_. These are the
+men that wear the crowns of earth; in their hands are the sceptres of
+state; and in their lives are the world’s treasures.
+
+The Alps may be hard to scale, but the Italy that lies beyond is worthy
+of the most giant effort; and those who put on the whole armor for
+the contest and stand as _full_ and _well-rounded_ men will be the
+Hannibals of unrecorded history.
+
+
+
+
+THE INFINITIVE.
+
+
+Much hinges on the question, “Is the Infinitive a Mood?” It is
+necessary first to define mood. Harvey says that ‘mood’ is the mode
+or manner in which the action, being or state is expressed. He says
+further, “The infinitive mood expresses action, being, or state without
+affirming it.” Though he defines the manner in which the indicative,
+the subjunctive, the imperative mood expresses action, being, or state,
+he fails to state in what manner the infinitive expresses the same. If
+he means to say that it _expresses_ action, being, or state without
+affirming it, while the indicative, subjunctive and imperative moods
+_affirm_ any of these, and that in this difference lies its claim to be
+called a mood, why does he not call participles and gerunds moods, as
+they also express action, being or state without affirming it? Mason
+says: “Moods are certain variations of form in verbs by means of which
+we can show the mode or manner in which the action or fact denoted by
+the verb is connected in our thought with the thing that is spoken
+of;” furthermore, that the infinitive may be attached to a subject in
+a dependent phrase, as ‘I saw him _fall_,’ and that this would justify
+us in calling it ‘mood.’ According to Mason, in the sentence, ‘I saw
+him _falling_,’ it would be justifiable to call a participle, which
+is sometimes called the ‘infinitive in-_ing_,’ a mood. Why then does
+Mr. Mason not call it a mood? Besides, in a great majority of cases
+the infinitive is used, as in the sentence, ‘I will _go_,’ without
+this subject accusative, as Mason calls it. His definition of the word
+‘mood,’ though phrased with a view to include the infinitive, does not
+give any more light on the question than the definition of Harvey.
+Clark holds: “The infinitive mode differs from the other modes in this:
+It has no grammatical subject and therefore can not be a predicate.”
+Brown, in his “Grammar of English Grammars,” says that the infinitive
+mood is that form of the verb which expresses action, being or state
+in an unlimited manner. It seems that these authors ought certainly
+to have given a clearer or at least a more consistent distinction
+between the infinitive, participle and gerund on the one hand, and the
+indicative, subjunctive and imperative moods on the other. They make
+the infinitive a mood along with these three moods because its manner
+of expression is unlimited, while these mood forms are limited, and yet
+neglect the participle and gerund, which have, by their definitions,
+just as much right to the distinction.
+
+The preposition ‘to’ is not an essential part of the infinitive,
+for it is not an invariable sign of it. Many verbs, especially
+the auxiliaries, are followed by the infinitive without ‘to.’ The
+infinitive in Old English ended in-an and did not have ‘to’ before it.
+It was treated as a declinable abstract-noun, and a dative form (called
+the gerund) was used with the preposition ‘to’ to denote purpose, as
+‘He that hath ears _to hear_’; to hear = _to gehyranne_. This gerundive
+infinitive passed into modern English with the loss of the dative
+ending. From denoting purpose, the ‘to’ came to denote the ground of
+an action, and may indicate the cause or condition of an action. Thus
+the gerund (the infinitive with ‘to’) came to be used in place of the
+simple infinitive. The preposition ‘to’ has in this manner come to be
+nothing but an inflection for the nominative and accusative cases, and
+to lose the notional idea of a preposition except with the infinitive
+of purpose.
+
+The infinitive is a verb-noun. The authority for this begins with the
+fact that it was in Old English declined as an abstract-noun. Prof.
+Whitney, of Yale, says that the infinitive is a verbal-noun expressing
+in noun-form the action or condition which the verb asserts. Welsh
+also calls it a verbal-noun. Both of them say that mood serves the
+purpose of showing a difference in the mode or manner of assertion.
+These two authors do not consider that the difference in the manner
+in which an infinitive and the indicative, subjunctive and imperative
+express action is of the same nature as the difference between the
+indicative and subjunctive, or between the subjunctive and imperative.
+These differences, as any one can plainly see, are altogether unlike.
+The distinction between the infinitive and the three moods is by far
+greater than any distinctions that the moods have among themselves. The
+infinitive, gerund and participle have their verb natures alike. All
+three are unlimited to person, number, or order of time. It is only in
+the other half of the compound that they differ. The gerund partakes
+of the nature of a verb and a noun, while the participle partakes of
+the nature of a verb and an adjective, and the infinitive is verbal
+in the dependence of other words upon it and has the nature of a noun
+in its dependence upon other words. From this it is seen that, if the
+term ‘mood’ can be applied to the infinitive, as it pertains only to
+its verbal nature, it can be applied to participles and gerunds. If
+all three are called moods, then there is a nomenclature which is
+not needed and still not such as will separate the two great classes
+of verb-forms (finite and infinite) and show the difference in their
+expression of action, being or state. The name ‘infinitive,’ it is
+true, would denote its manner of expression, but the participle and
+the gerund have nothing in their names to denote this same quality.
+What is needed is a distinction between the two great classes. If the
+infinitive is not called a mood, there is this distinction; if it is
+called a mood, then there is need of some other names by which to
+distinguish the two classes.
+
+The infinitive has the principal uses of a noun. It may be used as the
+subject or object of a verb; it can be used as a noun in the accusation
+to modify a noun, ‘A house _to let_;’ it may be used in the accusative
+as an adverb, ‘That is hard _to do_.’
+
+All these reasons go to show that the infinitive is a verbal-noun, and
+that no one will ever have to contradict himself if he calls it by this
+name and does not call it a mood.
+
+    R. D. M.
+
+
+
+
+Editorials.
+
+
+    M. C. THOMAS, _Hesperian_,}
+                              } EDITORS.
+    D. C. ROPER, _Columbian_, }
+
+The amount of Greek and Latin required in our colleges is necessary
+and expedient. The extension of the curricula to include more French
+and German is indeed commendable; but the study of the English
+language in most of our colleges has been, to say the least of it,
+too circumscribed. The earnest English student is not satisfied with
+giving the Greek and Latin literatures only a passing notice, but
+studies them as languages, both for the mental training they afford,
+and for the influence which they have had on the development of his own
+language. So the study of English should be the study of a language,
+rather than the study of a literature. The old-time curriculum looked
+upon the study of English as a “belles lettres” course—merely the study
+of literature. This, indeed, is good enough as far as it goes, but it
+is neither commensurate with the claims upon the consideration of an
+Englishspeaking person, nor with the benefit that is to be derived from
+the study of the language, pursued historically. A knowledge of English
+in its less developed condition, accompanied by a fair understanding
+of the modifying influences and developing changes which have from
+time to time been brought to bear upon it, is indeed necessary. It
+is as impossible for a person _thoroughly_ to comprehend the English
+language without a knowledge of Old English as it is to understand
+the Latin language without a fair knowledge of its word-agreement.
+The study of either the “belles lettres” or the historical course,
+however, to the exclusion of the other is not at all commendable. What
+we need and _should_ have in our colleges is a simultaneous study
+of these courses accompanied by a thorough study of the grammar of
+Modern English so measured out and distributed as mutually to aid in a
+thorough comprehension of each other and, consequently, of the language.
+
+       *       *       *       *       *
+
+Among the latest features of the present system of teaching English in
+our colleges, may be mentioned the introduction of what is generally
+known as “parallel reading.” Formally the student was required during
+the great part of his college course, at least, to study only text
+books, which tend to train rather than fill the mind. No question
+should be of greater importance to a developing mind than what should
+I read? This is a question which the student cannot decide without
+help. If the mind were originally able to grapple with great subjects,
+this would not be a perplexing question, but like other things, the
+mind has its infancy, at which period the directing hand of one more
+experienced, is quite indispensable. The professor of English and a
+good library unite in college, as no where else, to do this important
+work of mind-training and mind-filling. This parallel, which is read at
+such spare moment as would probably otherwise be lost, not only enables
+the student to learn what he _should_ read, but also gives him a fair
+knowledge of the leading English authors. For example, if, in this way,
+one book is read per month, the student, at the end of his four years
+college course will have read about forty books, which having been
+carefully selected by his professor will give him _some_ knowledge of
+English literature.
+
+       *       *       *       *       *
+
+Phrenology may have some truth in it as a science, but implicit
+confidence, to say the least, should not be placed in the statements of
+so-called phrenologists. A phrenologist has recently visited Trinity
+and examined the heads of a good many of the students, and as a rule
+to their _supreme satisfaction_. The strange part about it is that
+all the students, with a few exceptions, had _special_ talents for
+the professions—would make first-class lawyers, doctors, preachers,
+&c.; but lo and behold! scarcely a single one was told that he would
+make a good farmer. Such taffying pays the phrenologist very well
+financially, but may do harm to the young man who is thus flattered,
+as he will often conceive that he is indeed a genius, and imagine that
+he will become a distinguished professional man if he only turns his
+_marvellous_ talents in that direction, when he is not suited for such
+in the least. There _may be_ something in phrenology, but the young
+man who relies upon the fine marks given him by a phrenologist as
+conclusive proof of the fact that he will make a grand success, will
+eventually find himself left in the race of life. Energy is the great
+thing after all. The boy who has energy will be certain of some success
+at least. So it does not matter so much whether you have a fifty-four
+or forty-nine ounce brain, but whether you improve what you have. You
+have an opportunity here at college to improve your mind; make use of
+it.
+
+       *       *       *       *       *
+
+Let _outward_ and _inward_ improvements keep pace! Away with
+“Smoky-row”! This filthy den is a disgrace to a community whose object
+it is to bring up young men in the nurture and admonition of the Lord.
+
+
+
+
+Reviews.
+
+
+    J. S. BASSETT, _Hesperian_,}
+                               } EDITORS.
+    W. J. HELMS, _Columbian_,  }
+
+    PSYCHOLOGY. By John Dewey, Ph. D.,
+        Assistant Professor of Philosophy in Michigan University.
+        New York: Harper & Brothers, 1887. pp. xii, 427.
+
+This book is designed purely for class-room instruction. The author has
+endeavored to produce a work free from metaphysics, which he tells us
+has no place in psychology. With this in mind, he has also endeavored
+to make his work an introduction to philosophy in general. He has
+attempted, by his mode of presenting his subjects, to form in the mind
+of the student the habit of looking at questions, which may present
+themselves to him, in a philosophical manner. The _obscurity_ which
+characterizes most books on this subject, and which always leaves the
+mind of the beginner in a state of bewilderment, is to a great extent
+gotten rid of. The definitions are plain and simple; the disquisitions
+are full but not tedious. At the end of each chapter, numerous
+references are given to parallel works on the subjects treated. A
+writer on psychology may reject some of the matter which that subject
+includes, as for instance, the _will_, but he cannot make new material;
+he can only present in an _attractive manner_ that which men have used
+for centuries. The author has done this admirably.
+
+       *       *       *       *       *
+
+    A TRAMP TRIP. How to see Europe for fifty cents a day.
+        By Lee Meriweather. Harper & Bros.
+        For sale by De Wolfe, Fiske & Co., Boston, Mass.
+        pp. iv. 276. 1886.
+
+There are many young men who desire to broaden their field of knowledge
+and more strongly impress upon their minds historic scenes by traveling
+in Europe, and yet these young men are prevented by not having the
+amount of money generally requisite for traveling. To such “A Tramp
+Trip” will be especially interesting. The author tells how he has made
+a trip in which he saw all the objects of interest, was enabled to
+study the masses from a standpoint totally inaccessible to the wealthy
+traveler, and all for the exceedingly low sum of fifty cents a day. A
+number of tables show the result of his investigation of the social
+conditions, and therein are some instructive illustrations of the
+tariff question as applied to foreign countries. The style is the free
+and easy and there is enough wit to make the work very interesting.
+
+       *       *       *       *       *
+
+    SLIPS OF TONGUE AND PEN.
+        By J. H. Long, M. A., LL. D.
+        New York: D. Appleton & Co. pp. 100. 1888.
+
+Here we have an unusually well selected list of the more common
+mistakes of our language, such as _expect_ for _think_, _presume_
+for _believe_, _per_ with an English word, as _per day_; we should
+say _a day_ and _per annum_. Beside such as these are also added
+grammatical points, suggestions upon composition, synonymous words
+often confused, objectionable words and phrases, and a few simple rules
+for punctuation. Many of us would be surprised if we should read it and
+learn how much carelessness and inexactness injure the purity of our
+language.
+
+       *       *       *       *       *
+
+    POETICAL GEOGRAPHY OF NORTH CAROLINA,
+            Cold Water, Reply to Gray’s Elegy, and other Poems.
+        By Needham Bryan Cobb, of North Carolina. Cambridge:
+        Printed at the Riverside Press. pp. 61, 1887.
+
+As the author states in his preface, the object of this work is to aid
+the pupils of North Carolina to memorize the geography of their native
+State. The first thirty pages are devoted exclusively to this purpose,
+and hence can be of local interest only. The chief characteristic
+of the style of this part of the book is that it rimes in couplets.
+The subject-matter falls far below the true standard of poetry, but
+this is perfectly excusable when it is remembered that the author’s
+intention was not to weave in beautiful poetic figures with smoothly
+flowing rhythm, but to produce a brief, concise aid to the memory. The
+remainder of the book, which consists of poems on various subjects,
+contains more of the real poetic sentiment. The “Reply to Gray’s
+Elegy,” “Cold Water,” and “Worldliness and Worth, or the Butterfly and
+the Bee,” which closes with fine moral on Bible-reading, are especially
+to be admired. This little book should be in the library of every
+student in our State. It contains a number of good illustrations, and
+its general _make-up_ is attractive.
+
+       *       *       *       *       *
+
+    LIFE OF P. T. BARNUM. Written by himself,
+            including his golden rules for moneymaking.
+        Brought up to 1888. Illustrated.
+        Buffalo: The Courier Company. pp. 357, 12m. 1888.
+        Price 60 cents.
+
+It is always interesting to watch the struggles of men who would
+grow wealthy. Then there will be found much interest in the account
+of the struggles of “The Greatest Showman on Earth.” His life reads
+like a novel, so full is it of incident. He makes the keynote of his
+success the fact that Americans admire nothing more than to be cleverly
+humbugged, and he knows how to satisfy them. His avowed object, a good
+one, is to furnish a moral show. When this can be attained, shows will
+become an educational feature by no means to be despised.
+
+       *       *       *       *       *
+
+“The greatness of London is in no respect more strikingly illustrated
+than by the range of its literary activity,” says the May number of
+_Harper’s Magazine_ at the close of that interesting article entitled
+“London as a Literary Centre.” Few people are aware of the fact that
+to-day 14,000 persons in the great metropolis earn their living by
+their pens. London is the centre of action of many whose names have
+become household words wherever the English language is spoken. Read
+the article.
+
+
+
+
+Exchanges.
+
+
+    A. M. SHARP, _Hesperian_, }
+                              } EDITORS.
+    G. N. RAPER, _Columbian_, }
+
+Diversity seems to have been ordained of God. This is especially
+evident in the animal, vegetable, and mineral kingdoms, and the same
+law, with some modifications, underlies the world of thought. No two
+men think alike, act alike or pronounce exactly alike. The difference
+between the lexicographers of England and America is very apparent,
+although the two countries are very closely connected by means of rapid
+communication. Even American orthoëpists differ. Usage has established
+in New England, for instance, a pronounciation somewhat different
+from that in the South. Dictionaries do not _establish_ usage, but
+_record_ usage, and no dictionary is complete if it records the
+usage of simply a few States. How great a diversity there is between
+Webster, Worcester, and Stormonth, commonly recognized authorities!
+The person to whom ‘accessory’ (ak-seśso-ri, Webster) is applied,
+Worcester calls ak´ses-so-ri. Both Webster and Worcester prefer to
+accent the first syllable of ‘access,’ while “The Academy Orthoëpist”
+accents the second. In pronouncing ‘Christianity’ the usage of the
+South is in accordance with Worcester (kris-ti-ańi-ti), and not
+Webster (krist-yań-i-ti). The words ‘rise’ (noun) and ‘revolution’
+for instance, are pronounced by the South riz and rev-o-loó-tion by
+Webster and Worcester ris and rev-o-lútion. The Archive was pleased to
+see the stand which the _Roanoke Collegian_ had taken on the subject
+of orthoepy. In many instances in pronunciation, when in Rome, it is
+better to do as Rome does.
+
+       *       *       *       *       *
+
+Some one has been collecting facts about the fathers of United States
+Presidents, with this result: Grover Cleveland is the only Clergyman’s
+son who has ever been elected President, though Arthur’s father was a
+clergyman. He was not, however, elected President. The fathers of the
+Virginia Presidents—Washington, Jefferson, Madison, and Monroe—were
+planters. John Tyler’s father was a lawyer and a statesman, and John
+Adams, the father of John Q. Adams, was by profession a lawyer.
+Grant was a tanner. Hayes’s father a merchant, and the fathers of
+Garfield, Lincoln, Pierce, Fillmore, Polk, Van Buren and Jackson were
+farmers.—_Charlotte Chronicle._
+
+       *       *       *       *       *
+
+Napoleon, while at St. Helena, when asked how the condition of unhappy
+France could be bettered, replied in his laconic style “Educate the
+mothers.” The same remark will apply to every country, and it is with
+special interest that THE ARCHIVE notices _The Monitor_, a monthly
+brim full of plain, pointed common-sense articles. This new magazine
+hails from Henderson, and is devoted to the interests of “Our Homes.”
+One of its aims is to make better cooks and better mothers. To know how
+to cook is more necessary to a truly educated woman than a knowledge
+of painting and wax-work. A man that marries a wife who has no idea of
+culinary affairs will either be poor all his life or die early with the
+dyspepsia.
+
+       *       *       *       *       *
+
+Intelligence among the masses is very essential to the success of a
+newspaper as well as to a great many other benefits. A weekly paper
+will succeed in many places where a daily would fail, especially is
+this so when a majority of the people are engaged in rural pursuits.
+The success and high tone of such dailies as the _Charlotte Chronicle_,
+_Wilmington Messenger_, _News and Observer_, and the _Twin City Daily_
+argue well both for the ability of their editors and the intelligent
+spirit of the people. What State that has no more city population than
+North Carolina can show a larger list of newsy and literary dailies?
+
+       *       *       *       *       *
+
+The third anniversary issue of the _Daily Argus_ is full of interesting
+news and wood cuts of Goldsboro’s churches, fine buildings, &c. It is
+another of the successful dailies.
+
+       *       *       *       *       *
+
+The subject of Kissing is treated at great length in an article in
+the _South Carolina Collegian_. This unique subject is a good one
+and one which should receive more attention. The author says: “I feel
+that my subject will commend itself to the majority of college-boy
+readers.” His feelings did not deceive him in the least; but why not
+say college-girl readers as well? The girls must feel slighted. Does
+he mean to say that boys are the only ones who enjoy kissing? It is to
+be supposed that the fair sex derive some benefit from it or it would
+soon fall into a state of “innocuous desuetude.” At present, from all
+indications, it seems to be in a flourishing condition, and who could
+desire it to be otherwise?
+
+       *       *       *       *       *
+
+The _Binghamite_ for March presents a marked improvement upon any
+number previously received. It is clothed throughout in a new dress and
+is now as neat a magazine as could be desired. With the improvement of
+its outward appearance, the reading matter has also undergone a change
+for the better. The majority of the articles are very good. The one
+entitled “India: Her Past and Present,” being especially worthy of note.
+
+       *       *       *       *       *
+
+_The Christian Educator_ for April has been received. It is full of
+very interesting articles. “The Bible in the Schools,” by J. W. Baylis,
+D. D., and “Something for Everybody to do for Trinity,” by Pres. J. F.
+Crowell, are articles of worth. The _Educator_ is published, it seems,
+in the interest of all the colleges in the State.
+
+
+
+
+Alumni.
+
+
+    G. T. ADAMS, _Hesperian_, }
+                              } EDITORS.
+    E. K. WOLFE, _Columbian_, }
+
+—H. M. Alford, ’62, is a successful physician in Greensboro, N. C.
+
+—W. F. Stevens, who was here in ’86, is merchandising with his father
+at Stevens, N. C.
+
+—B. Y. Rayl, ’61, is an enterprising lawyer at Winston, N. C.
+
+—A. S. Peace, ’66, is an active and prosperous lawyer at Oxford, N. C.
+
+—F. D. Swindell, after leaving Trinity, began work in the ministry. In
+spite of difficulties, he has worked his way to prominence and is one
+of the first ministers of the North Carolina Conference. He is pastor
+of Tryon St. Methodist church, Charlotte, N. C.
+
+—J. O. Walker has been studying medicine for the past three years,
+and has recently graduated from the Medical Department of Vanderbilt
+University. He intends locating in his native town (Randleman, N. C.)
+for the purpose of practicing medicine.
+
+—C. W. Robinson, ’86, is one of the growing young ministers of the
+North Carolina Conference. He is pastor of the West End church,
+Winston, N. C., and is quite popular. Bro. Robinson is yet unmarried,
+but if the reports concerning the frequency of his “pastoral calls,”
+which are so essential to the success of every minister, be true, we
+may reasonably expect in the near future a change—for the better.
+
+—M. A. Gray, ’75, graduated with high honor, and choosing the law
+as his profession, he entered the law school of Judge Pearson, at
+“Richmond Hill,” and was licensed to practice in the courts of this
+State. He represented Lenoir county in the last Legislature and is a
+member of committees on the Judiciary and salaries and fees. It is a
+fact worthy of note that every member of the class to which Mr. G.
+belonged, while at Judge Pearson’s, has since represented his own
+county in the Legislature.
+
+—John C. Everett is book-keeper for one of the leading merchants in
+Bennettsville, S. C. In June, ’87, he went from Trinity to Lexington
+Business College, Lexington, Kentucky, where he obtained a first-class
+business education. After completing his business course at Lexington
+he returned to his home at Bennettsville, where he has since been
+engaged in book-keeping. J. F. Everett, his employer, is also an old
+student of Trinity.
+
+—R. B. Clark, ’79, is principal of Gibson Station High School, Gibson
+Station, N. C. He has a flourishing school.
+
+—T. N. Ivey, ’79, is stationed at Lenoa, N. C. After graduating he
+began teaching, which he continued until a few years ago, when he
+entered the ministry.
+
+—W. D. Turner, ’76, is an active, successful lawyer in Statesville,
+N. C. He represented his district in the last session of the Senate,
+and is chairman of the committee on Enrolled Bills. The legislative
+biographical sketch book of the session of 1887 pays him the following
+high compliment: “Mr. T. is a leader on his side of the Senate, and
+mentally, physically and socially has few equals and no superiors in
+our present Assembly of law-makers. With striking personal appearance,
+excellent mental attainments, pleasant and engaging social qualities,
+he commands that recognition to which these and other qualifications so
+justly entitle him.”
+
+—B. G. Marsh, 84, is principal of a successful school at Troy, N. C.
+In a letter recently received from Mr. Marsh he has this to say: “The
+ARCHIVE is well edited. It is a neat paper and reflects credit upon
+its editors and the Institution. I am truly in sympathy with you all,
+and hope and pray that our beloved Alma Mater will soon be the college
+for all Methodists of North Carolina. I shall send all the boys I
+can to Trinity, because I know they will be well cared for and well
+instructed, not only in literary attainments, but also in all things
+pertaining to a full Christian gentleman.”
+
+—F. M. Shamburger, ’83, is in charge of Plymouth Station in Washington
+District, N. C. Conference. This is his second year at this place. He
+has proved a faithful pastor and has accomplished lasting good. His
+love for Trinity, like that of all her true and worthy sons, has not
+abated, and he continues to work for the promotion of her interests.
+
+—F. C. Frazier, ’57, after graduating from College, took a thorough
+course in dentistry in the Baltimore Dental College. He is located
+near Trinity, and has quite an extensive practice in the counties of
+Randolph and Davidson.
+
+                          LITTLE RIVER ACADEMY, N. C.
+                                         April 5th, 1888.
+
+      MR. EDITOR:—I am heartily in sympathy
+    with the object so worthy the earnest efforts
+    which the students are putting forth for its
+    accomplishment—the Society and Library Building. Old
+    students, one and all, let us not turn a deaf ear to
+    their timely and earnest appeals, but let us prove
+    our loyalty and devotion to our Institution, and
+    manifest our interest in the proper education of the
+    young men who shall attend it by lending our aid in
+    the erection of the proposed building. You may put me
+    down for $50.00.
+
+                                     B. B. ADAMS.
+
+—Capt. D. M. Payne is one of the industrious, level-headed farmers and
+mill owners of Trinity Township.
+
+
+
+
+Locals.
+
+
+    T. E. McCRARY, _Hes._,  }
+                            } REPORTERS.
+    L. L. BURKHEAD, _Col._, }
+
+                May.
+
+Where is that Senate?
+
+President Crowell’s mother is down on a visit.
+
+Dred Peacock is a happy father. It’s a girl.
+
+Mr. T. P. Sharp came over and spent the 11th with us.
+
+The old White house has been repainted.
+
+Lawn-tennis has about usurped the place of base-ball.
+
+“Uncle Ben” has painted the roof of his ware-house.
+
+Some of the students spent Easter at home.
+
+Mr. J. F. Jones has left college on account of his health.
+
+Bear-man and the Siders are to be seen daily.
+
+Five seniors were born in the same year—1867.
+
+Sure enough, we had to pull “Possum” out of the mud.
+
+Throwing bean-bags is now a popular game at the Parker House.
+
+President Crowell is to deliver the address at the Winston
+Graded-school commencement, May 17th, 1888.
+
+Gen. J. M. Leach and Capt. F. C. Robbins, of Lexington, stopped here a
+short while last month.
+
+An old student wants to know why the boys go to Archdale so often to
+play “Lord Tennyson.”
+
+About $75.00 worth of books have been purchased for the Library by the
+Societies.
+
+It rained so hard recently that several holes were found in Crawford’s
+umbrella.
+
+The Crowell Nine are having uniforms made for the coming season.
+
+Major Robbins, of Statesville, spent a few days with us last month.
+
+Mr. T. M. Jones has been elected Business Manager in place of J. F.
+Jones.
+
+Mrs. McClane and neice were here on a short visit to relatives and
+friends.
+
+The Black Diamond Quartette No. 2 gave an entertainment for the benefit
+of the Crowell Nine on the 3rd ult. It was a rare treat.
+
+Tell it not in Gath! A Junior thought Christmas commemorated the
+resurrection; and Easter—well, he didn’t know.
+
+    Prof. to a promising Prep. “What is commerce?”
+    Prep. “Commerce is some kind of vegetable.”
+
+Pres. Crowell delivered an address before the Y. M. C. A., at
+Charlotte, on the 20th ult.
+
+A large number of the students attended the Masonic services held at
+the grave of Mr. Thomas Finch last Sunday at Hopewell.
+
+Miss Kate Craven has returned from Winston, where she has been visiting
+Col. Allspaugh’s family for several weeks.
+
+Games are good for exercise, but they should not be played on the
+Campus, because they kill the grass. Go to the play-ground, boys.
+
+Local Editor Burkhead resigned the office of Chief Manager and will
+leave for Alabama soon to go into business there. We are sorry to lose
+Dick, especially from the staff of THE ARCHIVE.
+
+Mr. W. J. Helms was elected by the Columbian Society to fill the
+vacancy caused by the resignation of Mr. Burkhead.
+
+Five Freshmen and five Sophomores will deliver orations at
+Commencement. The Faculty choose two out of the ten, and the Societies
+choose the rest. The contest for representatives will come off May 10th.
+
+Are you going to Asheville? “Yes, next Summer.” We will not have
+the pleasure of describing the Asheville trip in this issue, as the
+boys didn’t go. The Richmond and Danville Rail Road Company would
+not charter a car to run on the regular trains, but offered special
+inducements to a party of thirty or more. The excursionists have
+postponed the trip until after commencement.
+
+The College Christian Association was admitted into membership with
+the Y. M. C. A., and sent Messrs. Roper and Adams as delegates to the
+Convention at Charlotte on the 19th ult.
+
+Sent in to the Local Editors:
+
+    In the spring, the just weaned Freshman,
+        Longeth for his father’s shed;
+    In the Spring, the Classic Soph’more,
+        Sees his Math goal just ahead;
+    In the spring, the Junior’s mustache sets
+        Itself to grow;
+    In the spring the trembling Senior
+        Fears his thesis is no go.
+
+[Original, tho’ you mightn’t think so.]
+
+Prof. W. A. Blair, of Winston, delivered a lecture here on the 14th of
+last month. Everybody was well pleased and said that it was the best
+lecture of the year. If you have any of the “Elements of Success” in
+you, such a lecture will bring them out. We will be glad to hear the
+gentleman again, and that soon too.
+
+An Athletic Association has been formed for the development of the
+physical man, and the boys are zealously taking hold. We hope soon to
+have a Gymnasium and also to have a record which will head the State
+schools.
+
+Prof. English, with three Seniors and a special in tow, went to
+Greensboro last Saturday. Won’t they shine in their Prince Alberts!
+
+Interesting and successful meetings, began by the delegates returned
+from the Y. M. C. A. Convention, are being carried on.
+
+Rev. Mr. Bays, of Asheville will deliver the address before the
+graduating class at Commencement; and Rev. W. H. Moore, of Washington,
+N. C., will preach the sermon before the Theological Society.
+
+Dr. McCanless is building a house nearly opposite Prof. Gannaway’s. We
+are glad that the Doctor will make his home with us.
+
+A goodly number of the students propose to attend on May 5th the
+celebration in commemoration of the battle of Guilford Court House.
+
+A new catalogue will appear in May. There will be changes in the
+requirements, changes in the courses and changes in the arrangement of
+these. Send your address to the President, and one will be forwarded
+you.
+
+Several of the boys attended the Quarterly Meeting held by the Friends
+at Springfield a Sunday or two ago.
+
+Do not forget the Re-union announced in circular No. 3. Unusual
+attractions await those who attend. Not a single old student should
+fail to be present, for the pleasure in store promises to be an ample
+recompense.
+
+The Hundley-House boys and the Gannaway crowd are at dagger-points. It
+is all about one girl.
+
+
+
+
+                   DIKE BOOK COMPANY,
+
+          Opp. National Bank, GREENSBORO, N. C.
+
+         Fine Books and Stationery OF ALL KINDS.
+
+        Base-Ball Goods, Croquet Sets, Hammocks.
+
+        Books of great value, including History,
+        Biography, Poetry, Travels, &c., for
+        young men and students, at low prices.
+
+             _FULL LINE OF THE POETS._
+
+    Latest Publications of Lovell’s Library, Munro’s
+                   Library and others.
+
+
+
+
+                      IMPORTANT
+
+      To reduce our stock of clothing, we offer
+      same for 30 days at =PRIME COST=
+
+    50 Suits $4.50, $5.50, $6.50; 50 Suits $8.50,
+    $10.50, $12.50; 25 suits, Corkscrew Worsted,
+    $6.50, $8.50, $12.50, up.
+
+    150 pairs Men’s Pants, 75c to $5.
+    50 prs children’s pants, 35.
+
+                                R. J. LINDSAY & BRO.
+
+
+
+
+                        _GRIMES  & STRICKLAND_,
+                     Pharmacists and Apothecaries,
+                           THOMASVILLE N. C.
+
+                        Keep constantly on hand
+
+                  PURE and FRESH DRUGS and MEDICINES.
+
+          Best brands of Cigars and Tobaccos always on hand.
+              Prescriptions carefully filled at all hours
+
+
+
+
+                            BELLEVUE HOTEL.
+
+                       J. N. CAMPBELL, MANAGER.
+
+                    Headquarters for Sportsmen and
+                         Commercial Travelers.
+
+                           HIGH POINT, N. C.
+
+
+
+
+                        JOHN H. TATE,
+               Leading Retailer and Jobber of
+                 Staple and Fancy Groceries,
+
+                      FINE CONFECTIONS,
+
+           _Foreign and Domestic Fruits_, _Nuts_,
+
+            FINE PATENT ROLLER FLOUR A SPECIALTY.
+
+     _Best Line of Green and Roasted Coffees and Teas._
+
+     I also keep in stock a good line of the celebrated
+
+                     “Agate” Iron Ware,
+
+                    WOOD AND WILLOW WARE,
+
+    Lamps and Lamp Goods, Brooms, Kingan’s Fine Hams,
+    Bacon and pure kettle rendered Lard. Prices as low
+    as the lowest.
+
+    New Corner Store, next door to Post Office,
+
+                                      HIGH POINT, N. C.
+
+
+
+
+              WHEN IN HIGH POINT CALL ON
+                    R. C. CHARLES,
+
+                        —FOR—
+
+                Groceries of all Kinds.
+
+       He has a large and well selected stock of
+               FRESH AND RELIABLE GOODS
+                 bought low for cash.
+
+    He can and does sell as low as the lowest.
+    Will deliver goods at Trinity free of charge.
+
+             Send Your Orders to Charles.
+
+
+
+
+            Dr. H. C. PITTS,
+                 DENTIST
+
+      _High Point, · · N. C._
+
+    ☞ Gas or Ether used if Desired. ☜
+
+      Office over Wrenn Bros’. Store.
+
+
+
+
+            PETERSON,
+                  PHOTOGRAPHER,
+                        HIGH POINT, N. C.
+
+
+    _Solicits any kind of work of Trinity
+       students. Challenges comparison with
+       any work in the world. Groups, any size,
+       of the very best. Satisfaction in every
+       case guaranteed._
+
+
+
+
+           CALL AT                       CALL AT
+                        WRENN BROS.
+
+             and see the spring attractions in
+
+               Men’s, Youths’ and Children’s
+
+             Clothing and Gents’ Furnishings.
+
+                     Latest styles in
+
+                   SOFT AND STIFF HATS.
+
+       ☞ Elegant assortment of Neckwear. Shirts to order
+    on short notice. A line of S. Gardner Jones’
+
+                 Calf and Kangaroo Shoes.
+
+
+
+
+             HELLO, METHODISTS!
+
+            SEND FOR CIRCULAR TO
+           Piedmont Poultry Yard,
+
+             KNOB CREEK, N. C.,
+            and get prices of our
+
+        _Pure Blood Stock and Eggs_,
+
+       Brown Leghorns, Light Brahmas,
+      Langshans and Scotch Collie Dogs.
+
+    ☞ _Eggs for Hatching our Specialty._
+
+
+
+
+                         TRINITY COLLEGE,
+
+                   TRINITY COLLEGE, N. C., U. S. A.
+
+      FACULTY.—Separate chairs in History
+            and Political Economy, Latin and French,
+            English and German, Greek and Metaphysics,
+            the Natural Sciences, Mathematics and
+            Engineering, Business and Pedagogy.
+
+      DEPARTMENTS.—_Collegiate_, leading to Degrees of A. B. and Ph. B.
+        _Preparatory_, preparing for admission to college.
+        _Business_, five months’ training for business life.
+        _Post-Graduate_, advanced studies beyond graduation.
+        _Pedagogics_, lectures and special work for teachers.
+        _Theological_, preparatory training for the Christian Ministry.
+
+      EXPENSES.—_Tuition_, $3 to $5 per month.
+           _Board_, $8 to $12 per month.
+            Tuition should be paid in advance, and books at
+               the time of purchase.
+
+      SPECIAL LECTURES are given weekly to all who may wish
+            to attend, free of extra charge, on topics of
+            interest. The lecture program of prominent speakers
+            for the weeks will be announced later.
+
+        EXAMINATIONS.—Examinations in course
+      are held twice a year or at the completion of any
+      particular subject. Examinations for admission to
+      college in 1888 to any of the regular classes will
+      be held in June on the day following Commencement,
+      and in September on the day before the opening of
+      college. Students are admitted to the Preparatory and
+      Business Departments without examination, but to no
+      other.
+
+        The requisites for admission to the Freshman class
+      in 1888 are Arithmetic, including the Metric System;
+      Algebra to Quadratics; U. S. History; English Grammar
+      and Analysis; Geography, Descriptive and Physical;
+      Natural Sciences, Physiology and Hygien; Latin, three
+      Books of Cæsar and Latin Grammar, including Prosody.
+
+        An extra year’s work in Latin and Greek will be
+      required for admission in 1889 to the classical
+      course only (A. B. degree.)
+
+        LOCATION.—In Randolph county. Reached _via_ High Point, N. C.,
+      over the Piedmont Air Line. Healthfulness and quiet location
+      render it peculiarly safe and well adapted to the education
+      of youth and young men.
+
+        INFORMATION.—Special circulars issued quarterly, and the
+      regular annual catalogue will be sent or any desired information
+      given respecting the Institution, upon application to
+
+                                     JOHN F. CROWELL, A. B. (Yale),
+                                                       _President_.
+
+
+
+
+                   WM. PARTRIDGE,
+                  HIGH POINT, N. C.
+
+                Makes a specialty of
+
+    LADIES’ and GENTLEMEN’S FINE SHOES,
+        HAND SEWED SHOES,
+            FRENCH CALF SHOES,
+                HAND WELT SHOES,
+                    GOODYEAR WELT SHOES,
+                        McKAY SEWED SHOES,
+          GENTLEMEN’S GENUINE KANGAROO SHOES.
+
+            J. FAUST & SON’S FINE SHOES.
+
+      Dunlap & Youman’s block of STIFF HATS,
+      also a fine line of CRUSH HATS.
+
+                    _WM. PARTRIDGE_,
+                       Boot, Shoe and Hat Store.
+
+
+
+
+                           BROWN & MATTON,
+                              DRUGGISTS
+
+             NEXT DOOR TO POST OFFICE, HIGH POINT, N. C.
+
+    Invite the students and friends of Trinity College to examine
+                       their complete line of
+
+               Toilet Articles, Perfumery, Stationery,
+
+     and all articles usually found in a first-class drug store.
+
+
+
+
+    THE BEST.                                      THE BEST.
+
+      Holmes’ New Readers, Maury’s Geographies, and
+      Holmes’ New History are recommended by the State
+      Board of Education for exclusive use in the schools
+      of North Carolina. Best books at lowest prices. Every
+      school should have them.
+
+                                        UNIVERSITY PUB. Co.,
+    19 Murray St.,                                NEW YORK.
+
+
+
+
+               THOMAS BROS.,
+    Successors to Thomas, Reece & Co.,
+
+                   POWER
+          Book AND Job Printers,
+
+             GREENSBORO, N. C.
+       _Printers of “The Archive.”_
+
+*** END OF THE PROJECT GUTENBERG EBOOK THE TRINITY ARCHIVE, VOL. I, NO. 7,
+MAY 1888 ***
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the
+United States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+  This eBook is for the use of anyone anywhere in the United States and
+  most other parts of the world at no cost and with almost no
+  restrictions whatsoever. You may copy it, give it away or re-use it
+  under the terms of the Project Gutenberg License included with this
+  eBook or online at www.gutenberg.org. If you are not located in the
+  United States, you will have to check the laws of the country where
+  you are located before using this eBook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that:
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+  the use of Project Gutenberg-tm works calculated using the method
+  you already use to calculate your applicable taxes. The fee is owed
+  to the owner of the Project Gutenberg-tm trademark, but he has
+  agreed to donate royalties under this paragraph to the Project
+  Gutenberg Literary Archive Foundation. Royalty payments must be paid
+  within 60 days following each date on which you prepare (or are
+  legally required to prepare) your periodic tax returns. Royalty
+  payments should be clearly marked as such and sent to the Project
+  Gutenberg Literary Archive Foundation at the address specified in
+  Section 4, "Information about donations to the Project Gutenberg
+  Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+  you in writing (or by e-mail) within 30 days of receipt that s/he
+  does not agree to the terms of the full Project Gutenberg-tm
+  License. You must require such a user to return or destroy all
+  copies of the works possessed in a physical medium and discontinue
+  all use of and all access to other copies of Project Gutenberg-tm
+  works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+  any money paid for a work or a replacement copy, if a defect in the
+  electronic work is discovered and reported to you within 90 days of
+  receipt of the work.
+
+* You comply with all other terms of this agreement for free
+  distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg-tm trademark. Contact the Foundation as set
+forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation's website
+and official page at www.gutenberg.org/contact
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without
+widespread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our website which has the main PG search
+facility: www.gutenberg.org
+
+This website includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/64583-0.zip b/64583-0.zip
new file mode 100644
index 0000000..49fee46
--- /dev/null
+++ b/64583-0.zip
diff --git a/64583-h.zip b/64583-h.zip
new file mode 100644
index 0000000..61484bc
--- /dev/null
+++ b/64583-h.zip
diff --git a/64583-h/64583-h.htm b/64583-h/64583-h.htm
new file mode 100644
index 0000000..2abb278
--- /dev/null
+++ b/64583-h/64583-h.htm
@@ -0,0 +1,1986 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+    "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+  <head>
+    <meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
+    <meta http-equiv="Content-Style-Type" content="text/css" />
+    <title>
+      The Project Gutenberg eBook of The Trinity Archive Vol. 1, No. 7, by Trinity College
+    </title>
+    <link rel="coverpage" href="images/cover.jpg" />
+    <style type="text/css">
+
+body { margin-left: 10%; margin-right: 10%; }
+
+h1,h2,h3 { text-align: center; clear: both; }
+h1 {page-break-before: always; }
+h2.nobreak {page-break-before: avoid;}
+div.chapter {page-break-before: always;}
+.smfont  { font-size: 50%;}
+.largefont {font-size: 200%; }
+
+p { margin-top: .51em; text-align: justify; text-indent: 1.5em; margin-bottom: .49em; }
+p.no-indent { margin-top: .51em; text-align: justify; text-indent: 0em; margin-bottom: .49em;}
+p.author    { margin-top: 1em; margin-right: 5%; text-align: right;}
+p.indent    { text-indent: 1.5em;}
+p.neg-indent  { text-indent: -2em; margin-left: 5%; margin-right: 5%; padding-left: 2em;}
+p.f90       { font-size: 90%;  text-align: center; text-indent: 0em; }
+p.f110      { font-size: 110%; text-align: center; text-indent: 0em; }
+p.f120      { font-size: 120%; text-align: center; text-indent: 0em; }
+p.f150      { font-size: 150%; text-align: center; text-indent: 0em; }
+p.f200      { font-size: 200%; text-align: center; text-indent: 0em; }
+
+.space-above1 { margin-top: 1em; }
+.space-above2 { margin-top: 2em; }
+.space-below1 { margin-bottom: 1em; }
+.space-below2 { margin-bottom: 2em; }
+
+hr.r5   {width: 5%; margin-top: 1em; margin-bottom: 1em; margin-left: 47.5%; margin-right: 47.5%; }
+hr.r25  {width: 25%; margin-left: 37.5%; margin-right: 37.5%; margin-top: 1em; margin-bottom: 1em;}
+hr.tb   {width: 45%; margin-left: 27.5%; margin-right: 27.5%; margin-top: 1em; margin-bottom: 1em;}
+hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%; }
+hr.full {width: 95%; margin-left: 2.5%; margin-right: 2.5%; }
+
+ul.index { list-style-type: none; }
+li.isub1 {text-indent: 1em;}
+li.isub3 {text-indent: 3em;}
+li.isub5 {text-indent: 5em;}
+li.isub7 {text-indent: 7em;}
+li.isub9 {text-indent: 9em;}
+li.isub11 {text-indent: 11em;}
+
+table { margin-left: auto; margin-right: auto; }
+.tdl  {text-align: left;}
+.tdr  {text-align: right;}
+.tdc  {text-align: center;}
+.tdr_ws1 {text-align: right; vertical-align: top; padding-left: 1em;}
+
+.pagenum {
+    position: absolute;
+    left: 92%;
+    font-size: smaller;
+    text-align: right;
+}
+
+.blockquot { margin-left: 15%; margin-right: 15%; }
+.bbox {border: solid 2px;}
+
+.center   {text-align: center; text-indent: 0; }
+.smcap    {font-variant: small-caps;}
+
+img {max-width: 100%; height: auto;}
+
+.figleft {
+    float: left;
+    clear: left;
+    margin-left: 0;
+    margin-bottom: 1em;
+    margin-top: 1em;
+    margin-right: 1em;
+    padding: 0;
+    text-align: center;
+}
+
+.poetry-container { text-align: center; }
+.poem { display: inline-block; text-align: left; }
+.poem .stanza {margin: 1em 0em 1em 0em;}
+
+.poem span.i0  {display: block; margin-left: 0em; padding-left:   3em; text-indent: -3em;}
+.poem span.i4  {display: block; margin-left: 2em; padding-left:   3em; text-indent: -3em;}
+
+.transnote {background-color: #E6E6FA;
+    color: black;
+     font-size:smaller;
+     padding:0.5em;
+     margin-bottom:5em;
+     font-family:sans-serif, serif; }
+
+.ws2   {display: inline; margin-left: 0em; padding-left:  2em;}
+.ws3   {display: inline; margin-left: 0em; padding-left:  3em;}
+.ws4   {display: inline; margin-left: 0em; padding-left:  4em;}
+.ws6   {display: inline; margin-left: 0em; padding-left:  6em;}
+.ws8   {display: inline; margin-left: 0em; padding-left:  8em;}
+.ws12  {display: inline; margin-left: 0em; padding-left: 12em;}
+
+ @media handheld { .pagenum {display:none;}
+                   .poem { display: block; margin-left: 1.5em; }
+}
+    </style>
+  </head>
+<body>
+
+<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of The Trinity Archive, Vol. I, No. 7, May 1888, by Trinity College</div>
+
+<div style='display:block; margin:1em 0'>
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online
+at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+are not located in the United States, you will have to check the laws of the
+country where you are located before using this eBook.
+</div>
+
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: The Trinity Archive, Vol. I, No. 7, May 1888</div>
+
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Trinity College</div>
+
+<div style='display:block; margin:1em 0'>Release Date: February 17, 2021 [eBook #64583]</div>
+
+<div style='display:block; margin:1em 0'>Language: English</div>
+
+<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
+
+<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: hekula03 and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)</div>
+
+<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK THE TRINITY ARCHIVE, VOL. I, NO. 7, MAY 1888 ***</div>
+
+<hr class="chap" />
+
+<p class="f150"><span class="smcap">Vol.&nbsp;I</span>.<span class="ws4">MAY,&nbsp;1888.</span><span class="ws4">No.&nbsp;7.</span></p>
+<p class="f120 space-above2">THE</p>
+<p class="f200"><b>TRINITY ARCHIVE.</b></p>
+
+<p class="center"><i>PUBLISHED BY THE LITERARY SOCIETIES.</i></p>
+<hr class="chap" />
+
+<p class="center"><span class="smcap">Monthly</span>.<span class="ws4">TRINITY COLLEGE, N. C.</span>
+<span class="ws4"><span class="smcap">Price</span>, 15 cts.</span></p>
+<hr class="chap" />
+
+<div class="chapter"><h2 class="nobreak">CONTENTS.</h2></div>
+<hr class="r5" />
+
+<table border="0" cellspacing="0" summary="TOC" cellpadding="0" >
+  <tbody><tr>
+      <td class="tdl" colspan="2"><span class="smcap">Extract from Pepys’ Diary</span></td>
+      <td class="tdr_ws1"><a href="#PEPYS">123-124</a></td>
+   </tr><tr>
+      <td class="tdl" colspan="2"><span class="smcap">Reading Maketh a Full Man</span></td>
+      <td class="tdr_ws1"><a href="#READING">124-125</a></td>
+   </tr><tr>
+      <td class="tdl" colspan="2"><span class="smcap">The Infinitive</span></td>
+      <td class="tdr_ws1"><a href="#INFINITIVE">125-127</a></td>
+   </tr><tr>
+      <td class="tdl"><span class="smcap">Editorial</span>—</td>
+      <td class="tdl">Greek and Latin in Our Colleges;</td>
+      <td class="tdr_ws1">&nbsp;</td>
+   </tr><tr>
+      <td class="tdl">&nbsp;</td>
+      <td class="tdl">“Parallel Reading”;</td>
+      <td class="tdr_ws1">&nbsp;</td>
+   </tr><tr>
+      <td class="tdl">&nbsp;</td>
+      <td class="tdl">Phrenology</td>
+      <td class="tdr_ws1"><a href="#Page_128">128-129</a></td>
+   </tr><tr>
+      <td class="tdl"><span class="smcap">Reviews</span>:&nbsp;</td>
+      <td class="tdl">Psychology;</td>
+      <td class="tdr_ws1">&nbsp;</td>
+   </tr><tr>
+      <td class="tdl">&nbsp;</td>
+      <td class="tdl">A Tramp Trip;</td>
+      <td class="tdr_ws1">&nbsp;</td>
+   </tr><tr>
+      <td class="tdl">&nbsp;</td>
+      <td class="tdl">Slips of Tongue and Pen;</td>
+      <td class="tdr_ws1">&nbsp;</td>
+   </tr><tr>
+      <td class="tdl">&nbsp;</td>
+      <td class="tdl">Poetical Geography of North Carolina;</td>
+      <td class="tdr_ws1">&nbsp;</td>
+   </tr><tr>
+      <td class="tdl">&nbsp;</td>
+      <td class="tdl">Life of P. T. Barnum</td>
+      <td class="tdr_ws1"><a href="#Page_130">130-131</a></td>
+   </tr><tr>
+      <td class="tdl" colspan="2"><span class="smcap">Exchanges</span></td>
+      <td class="tdr_ws1"><a href="#Page_132">132-133</a></td>
+   </tr><tr>
+      <td class="tdl" colspan="2"><span class="smcap">Alumni</span></td>
+      <td class="tdr_ws1"><a href="#Page_134">134-135</a></td>
+   </tr><tr>
+      <td class="tdl" colspan="2"><span class="smcap">Locals</span></td>
+      <td class="tdr_ws1"><a href="#Page_136">136-138</a></td>
+   </tr>
+ </tbody>
+</table>
+<hr class="chap" />
+
+<div class="chapter"><h2 class="nobreak">MANAGERS’ NOTICES.</h2></div>
+
+<div class="blockquot">
+<p>Correspondents will please send all matter intended for publication to
+Prof. J. L. Armstrong, Trinity College, N. C.</p>
+
+<p class="f120"><b><span class="smcap">Terms of Subscription.</span></b></p>
+
+<p>One dollar, per scholastic year (nine issues), if paid in advance; if
+not paid in advance, one dollar and twenty cents.</p>
+
+<p>To any one who will send us a Club of Five cash yearly subscribers, we
+will give a year’s subscription, free.</p>
+
+<p>Remittances should be made by postal note, postal order, or registered
+letter, and made payable to “Business Managers of the <span class="smcap">Trinity
+Archive</span>.”</p>
+
+<p class="f120"><b><span class="smcap">Terms of Advertising.</span></b></p>
+</div>
+
+<table border="0" cellspacing="0" summary="Terms" cellpadding="0" >
+  <tbody><tr>
+      <td class="tdc">1</td>
+      <td class="tdc">&nbsp;column,&nbsp;</td>
+      <td class="tdc">per issue,&nbsp;</td>
+      <td class="tdc">$3.00;</td>
+      <td class="tdc">&nbsp;per scholastic year,&nbsp;</td>
+      <td class="tdr">$20.00</td>
+   </tr><tr>
+      <td class="tdc">½</td>
+      <td class="tdc">“</td>
+      <td class="tdc">“</td>
+      <td class="tdc">1.75;</td>
+      <td class="tdc">“</td>
+      <td class="tdr">12.00</td>
+   </tr><tr>
+      <td class="tdc">⅓</td>
+      <td class="tdc">“</td>
+      <td class="tdc">“</td>
+      <td class="tdc">1.25;</td>
+      <td class="tdc">“</td>
+      <td class="tdr">9.00</td>
+   </tr><tr>
+      <td class="tdc">1</td>
+      <td class="tdc">inch,</td>
+      <td class="tdc">“</td>
+      <td class="tdc">&nbsp;&nbsp;.75;</td>
+      <td class="tdc">“</td>
+      <td class="tdr">5.00</td>
+   </tr>
+ </tbody>
+</table>
+
+<div class="blockquot">
+<p class="center">All business communications should be forwarded to</p>
+
+<p class="author">NICHOLSON &amp; JONES,<span class="ws2">&nbsp;</span><br />
+<i>Business Managers</i>,&emsp;&nbsp;<br /><span class="smcap">Trinity College, N. C.</span></p>
+
+<p class="center"><i>Entered as second-class matter in Post Office at Trinity College, N. C.</i></p>
+</div>
+<hr class="chap" />
+
+<p class="f200">Spring and Summer<br /><b>CLOTHING</b>.</p>
+
+<p class="center"><i>We are now ready to show you<br />
+the largest, finest and cheapest<br />stock of</i></p>
+
+<p class="f150"><span class="smcap">Clothing</span>, <span class="smcap">Hats</span>,</p>
+
+<p class="center">—AND—</p>
+<p class="f120">Furnishing Goods</p>
+
+<p class="center space-below1">ever seen in North Carolina.</p>
+
+<p class="blockquot">Our buyer has been in New York for the last two
+months, selecting our stock, and we can guarantee you
+we have everything in the very latest styles out. All
+our goods were bought from the very best manufacturers
+at the lowest cash prices, and we intend to sell our
+customers better goods for less money than they have ever
+bought before. And as we are the only Exclusive Clothiers
+in Greensboro, we intend to keep everything in the
+clothing line for</p>
+
+<p class="f120">MEN, YOUTHS &amp; BOYS</p>
+
+<div class="blockquot">
+<p class="no-indent">from size 50 for men, down to age 3 for boys. All we ask
+is to come and examine our stock and we will guarantee
+you will save money by buying from us.</p>
+
+<p class="author">Very Respectfully,<span class="ws3">&nbsp;</span><br />F. FISHBLATE,</p>
+
+<p class="author"><span class="smcap">Leading Clothier</span>,<span class="ws3">&nbsp;</span><br />
+GREENSBORO,&nbsp;N.&nbsp;C.&emsp;&nbsp;<br />C. M. VANSTORY, <span class="smcap">Manager</span>.</p>
+
+<p class="center space-above2">P. S. Suits made to order from samples a specialty.<br />
+Orders by mail will receive prompt attention.</p>
+</div>
+<hr class="chap" />
+
+<div class="blockquot">
+<p class="f120"><b>A FREE TICKET</b></p>
+<p class="center">TO</p>
+<p class="f200">Farrior &amp; Crabtree’s</p>
+<p class="f200"><b>Boot and Shoe Store,</b></p>
+<p class="center">South&nbsp;Elm&nbsp;St.,<span class="ws6">GREENSBORO,&nbsp;N.&nbsp;C.</span></p>
+
+<p class="center"><span class="smcap">Sole Agents for</span></p>
+<p class="f120"><b>Zeigler Bros., Jas. Means’&emsp;$3,</b></p>
+<p class="center"><b>And Wm. Dorsch &amp; Son’s</b></p>
+<p class="f120 space-above1">FINE GOODS.</p>
+</div>
+<hr class="chap" />
+<p class="f200"><b>C. B. HAYWORTH,</b></p>
+<p class="f200"><i>The People’s Liveryman</i>,</p>
+<p class="f120">HIGH POINT, N. C.</p>
+
+<p class="center">Good Stock and conveyances. Prices reasonable.</p>
+<p class="center">Patronage of Trinity Students solicited.</p>
+<hr class="chap" />
+
+<p class="f200"><b>MOFFITT &amp; BRADSHAW,</b></p>
+<p class="f120"><i>DRUGGISTS AND PHARMACISTS</i>,</p>
+<p class="center">Next Door above Bank,&nbsp; &nbsp; &nbsp; <i>High Point N. C.</i></p>
+<p class="center">DEALERS IN</p>
+<p class="f120"><b>PURE DRUGS AND MEDICINES,</b></p>
+<p class="center">Toilet and Fancy Articles, Perfumeries, &amp;c.</p>
+<div class="blockquot">
+<p class="center">We cordially invite students and friends of Trinity College
+to call and see us when in need of anything in our line.</p>
+</div>
+<hr class="chap" />
+
+<p class="f120 space-below2"><b>FRIENDS OF TRINITY,</b></p>
+<p class="f90">SUBSCRIBE FOR</p>
+<p class="f200"><b><i>THE TRINITY ARCHIVE</i>.</b></p>
+<p class="f120"><b>$1.00 PER YEAR.</b></p>
+<p class="center space-above2"><i>Business Friends Send us Advertisements.</i></p>
+<hr class="chap" />
+
+<div class="blockquot">
+<div class="figleft">
+    <img src="images/i_122.jpg" alt="" width="150" height="143" />
+</div>
+<p class="f200"><b>Richmond Straight Cut No. 1 Cigarettes.</b></p>
+
+<p>Cigarette smokers who are willing to pay a little more than the
+price charged for the ordinary trade cigarettes, will find this brand
+superior to all others.</p>
+
+<p class="f110">The Richmond Straight Cut No. 1 Cigarettes</p>
+
+<p class="no-indent">are made from the brightest, most delicately
+flavored and highest cost gold leaf grown in Virginia. This is the old
+and original brand of Straight Cut Cigarettes, and was brought out by
+us in the year 1875. Beware of imitations and observe that the firm
+name as below is on every package.</p>
+
+<p class="author">ALLEN &amp; GINTER, <span class="smcap">Manufacturers</span>,<br />
+<span class="smcap">Richmond, Virginia</span>.</p>
+</div>
+<hr class="chap" />
+<div class="blockquot">
+<p class="f150"><b>GREENSBORO</b></p>
+<p class="f200">Female College,</p>
+<p class="center">GREENSBORO, N. C.</p>
+
+<p>The Sixty-Sixth Session of this well-equipped and prosperous School
+will begin on the 11th of January, 1888. Faculty (consisting of
+three Gentleman and eleven Ladies) able, accomplished and faithful.
+Instruction thorough in all departments. Superior advantages offered in
+the departments of</p>
+
+<p class="f120"><b>Music, Art, Elocution and Modern Languages.</b></p>
+
+<p>Location, healthful and beautiful; fare good. Premises large, with
+ample walks for out-door recreation. Buildings large, convenient,
+comfortable, and furnished with all the appliances of A FIRST-CLASS
+FEMALE COLLEGE.</p>
+
+<p>Special attention paid to physical health, comfort, and
+development, and moral and spiritual culture.</p>
+
+<p>For catalogue apply to</p>
+
+<p class="author">T. M. JONES, <span class="smcap">President</span>.</p>
+</div>
+<hr class="chap" />
+<div class="blockquot">
+<p class="f200"><b>Group Photographs.</b></p>
+
+<p>I would announce to the students of Trinity College that with a view
+to doing school work I have specially fitted myself for making</p>
+
+<p class="f150"><b>LARGE GROUPS,</b></p>
+
+<p class="no-indent">such as Classes, Fraternities, Literary Societies,
+&amp;c. Will be glad to serve with whatever they need in Photography,
+in that or any other line of work. I also make</p>
+
+<p class="f120"><b>Portraits Frames and Mats to Order.</b></p>
+
+<p class="author">Respectfully,<span class="ws8">&nbsp;</span><br /><big><b>S. L. ALDERMAN</b>,</big>&emsp;&nbsp;<br />
+<span class="smcap">Greensboro, N. C.</span></p>
+</div>
+<hr class="chap" />
+<p><span class="pagenum"><a name="Page_123" id="Page_123">[Pg 123]</a></span></p>
+
+<h1><span class="smfont">THE</span><br /><span class="smcap">Trinity Archive</span>.</h1>
+
+<p class="center">Published under Supervision of the Professor of English.</p>
+
+<p class="center"><span class="smcap">Trinity College, May, 1888.</span></p>
+
+<hr class="chap" />
+<div class="chapter">
+  <a name="PEPYS" id="PEPYS">&nbsp;</a>
+  <h2 class="nobreak">EXTRACT FROM PEPYS’ DIARY.</h2>
+</div>
+<hr class="r5" />
+<h3>TAKES LESSONS IN POLITICAL ECONOMY.</h3>
+
+<p>“He showed me a very excellent argument, to prove that our importing
+less than we export does not impoverish the kingdom, according to the
+received opinion: which, though it be a paradox, and that I do not
+remember the argument, yet methought there was a great deal in what he
+said.” (Feb., 1664.)</p>
+
+<p>“He also made me fully understand that the old law of prohibiting
+bullion to be exported is, and ever was, a folly and injury rather than
+good. Arguing thus, that if the exportations exceed the importations,
+then the balance must be brought home in money, which, when our
+merchants know cannot be carried out again, they will forbear to bring
+home in money, but let it lie abroad for trade, or keep in foreign
+banks; or, if our importations exceed our exportations, then to keep
+credit the merchants will and must find ways of carrying out money by
+stealth, which is a most easy thing to do, and is everywhere done, and
+therefore the law against it signifies nothing in the world.” (Jan., 1665.)</p>
+
+<h3>IS ALARMED.</h3>
+
+<p>“About eleven o’clock, knowing what money I have in the house, and
+hearing a noise, I began to sweat worse and worse, till I melted almost
+to water. I rung, and could not in half an hour make either of the
+wenches hear me; and this made me fear the more lest they might be
+gagged; and then I began to think that there was some design in a stone
+being flung at the window over our stairs this evening, by which the
+thieves meant to try what looking there would be after them, and know
+our company. These thoughts and fears I had, and do hence apprehend the
+fears of all rich men that are covetous, and have much money by them.
+At last, Jane rose, and then I understood it was only the dog wants a
+lodging, and so made a noise.” (July, 1664.)</p>
+
+<h3>UXORIOUS.</h3>
+
+<p>“Called upon Doll, our pretty change woman, for a pair of gloves
+<span class="pagenum"><a name="Page_124" id="Page_124">[Pg 124]</a></span>
+trimmed with yellow ribbon, to [match] the petticoat my wife bought
+yesterday, which cost me 20s.; but she is so pretty, that, God forgive
+me! I could not think it too much, which is a strange slavery that I
+stand in to beauty, that I value nothing near it.” (Sept., 1664.)</p>
+
+<p>“To the King’s house, to a play, <i>The Traitor</i>, where unfortunately,
+I met with Sir W. Pen, so that I must be forced to confess it to my wife,
+which troubles me.” (Jan., 1665.)</p>
+
+<p>“To Clerkenwell church, and there, as I wished, sat next pew to the
+fair Butler, who indeed is a most perfect beauty still; and one I do
+very much admire myself for my choice of her for a beauty, having
+the best lower part of her face that ever I saw all days of my life.
+After church, I walked to my Lady Sandwitch’s. * * My Lady asked me my
+opinion about Creed, whether he would have a wife or no, and proposed
+Mrs. Wright for him. * * She desired I would take a good time and
+manner of proposing it, and I said I would, though I believe he would
+love nothing but money. * * So away back to Clerkenwell church, * * and
+home, and there my wife was angry with me for not coming home, and for
+gadding abroad to look after beauties.” (Oct. 2nd, 1664.)</p>
+<hr class="chap" />
+
+<p class="f120">[For the <span class="smcap">Archive</span>.]</p>
+<div class="chapter">
+  <a name="READING" id="READING">&nbsp;</a>
+  <h2 class="nobreak">READING MAKETH A FULL MAN.</h2>
+</div>
+<p class="center"><span class="smcap">By</span> W. P. A.</p>
+
+<p>Mirrored in the epigram at the head of this article, is the <i>soul</i>
+of the great man to whose force of intellect the world is indebted for the
+“Inductive Method” of investigation, which has made man a prince over the
+mysteries of science and a minister of nature’s sweet and bountiful gifts.</p>
+
+<p>Never did Bacon philosophize more wisely, or frame epigram more
+in accordance with comprehensive truth than when he uttered this
+sentiment: “<i>Reading</i> maketh a <i>full man</i>.”</p>
+
+<p>Let us stress for a few moments the abstract idea of reading, and the
+consequent concrete idea of a full man. The vexatious problem which
+immediately confronts us with mountainous proportions, is how can we
+make the vast number of scientific languages and dialects, in which are
+couched so many thousand volumes of literature, wholesome, pure and
+classic, compatible with the brief period allotted to human life, and
+the miniature portion of even this time that can be spared from the
+bread-and-butter warfare to the reading of other men’s thoughts? We do
+not propose a solution of this problem, nor do we believe it possible
+for any man to indulge in one grand review of the world’s literature;
+but it is the blessed privilege of <i>every</i> man to become moderately
+well read, in proof of which we would have only to cite illustrious
+names already familiar. “In books lies the soul of the past,” and if we
+<span class="pagenum"><a name="Page_125" id="Page_125">[Pg 125]</a></span>
+would quaff the sweet ambrosia which is the world’s inestimable
+heritage, and develop in ourselves minds which shall prove everlasting
+sources of profit and pleasure, we must wed ourselves, with
+unmistakable devotion, to the acquisition of useful knowledge; if we do
+not inherit opportunities, we must <i>make</i> them, and read selectively,
+comprehensively and retentively.</p>
+
+<p>One individual can’t select for another the books best adapted to the
+mental growth of that person; individuality of taste is an idiosyncrasy
+of the human race. Give a person free access to a well-regulated
+library, and you need not fear but that person will suit himself.
+Let the flocks graze at will upon the verdant plains where grow the
+herbs both bitter and sweet, and where flow the waters of both life
+and death, and an unerring instinct will always avoid the bad and
+feast upon the good; then is the <i>reason</i> of man less to be relied
+upon than the <i>instinct</i> of the dumb brute? But far be it from us to
+argue that any man should cloister himself within the walls of his own
+imagination, feasting upon his own secluded judgment, and thus refuse
+to lend an ear to a <i>wise</i> suggestion.</p>
+
+<p>A lack of space forbids a more thorough discussion of this tempting
+subject—reading; so let us pass to a brief contemplation of the
+sequel—a <i>full man</i>. If a young man is devoid of a <i>noble ambition</i>,
+he would do well to examine himself and bring about a correction as
+soon as possible. Honest labor is praiseworthy in whatever field it
+may be expended, but there is something nobler, more inspiring, more
+appreciated, and more remunerative than hewing wood or drawing water;
+and if a man can, by thorough preparation, ally himself with the
+<i>intellectual</i> aristocracy of the country, then are the possibilities
+of a <i>true</i> life spread before him.</p>
+
+<p>What a sublime and God-like spectacle is a <i>full man</i>. These are the
+men that wear the crowns of earth; in their hands are the sceptres of
+state; and in their lives are the world’s treasures.</p>
+
+<p>The Alps may be hard to scale, but the Italy that lies beyond is worthy
+of the most giant effort; and those who put on the whole armor for
+the contest and stand as <i>full</i> and <i>well-rounded</i> men will be the
+Hannibals of unrecorded history.</p>
+
+<hr class="chap" />
+<div class="chapter">
+  <a name="INFINITIVE" id="INFINITIVE">&nbsp;</a>
+  <h2 class="nobreak">THE INFINITIVE.</h2>
+</div>
+
+<p>Much hinges on the question, “Is the Infinitive a Mood?” It is
+necessary first to define mood. Harvey says that ‘mood’ is the mode
+or manner in which the action, being or state is expressed. He says
+further, “The infinitive mood expresses action, being, or state without
+affirming it.” Though he defines the manner in which the indicative,
+the subjunctive, the imperative mood expresses action, being, or state,
+he fails to state in what manner the infinitive expresses the same. If
+<span class="pagenum"><a name="Page_126" id="Page_126">[Pg 126]</a></span>
+he means to say that it <i>expresses</i> action, being, or state without
+affirming it, while the indicative, subjunctive and imperative moods
+<i>affirm</i> any of these, and that in this difference lies its claim to be
+called a mood, why does he not call participles and gerunds moods, as
+they also express action, being or state without affirming it? Mason
+says: “Moods are certain variations of form in verbs by means of which
+we can show the mode or manner in which the action or fact denoted by
+the verb is connected in our thought with the thing that is spoken
+of;” furthermore, that the infinitive may be attached to a subject in
+a dependent phrase, as ‘I saw him <i>fall</i>,’ and that this would justify
+us in calling it ‘mood.’ According to Mason, in the sentence, ‘I saw
+him <i>falling</i>,’ it would be justifiable to call a participle, which
+is sometimes called the ‘infinitive in-<i>ing</i>,’ a mood. Why then does
+Mr. Mason not call it a mood? Besides, in a great majority of cases
+the infinitive is used, as in the sentence, ‘I will <i>go</i>,’ without
+this subject accusative, as Mason calls it. His definition of the word
+‘mood,’ though phrased with a view to include the infinitive, does not
+give any more light on the question than the definition of Harvey.
+Clark holds: “The infinitive mode differs from the other modes in this:
+It has no grammatical subject and therefore can not be a predicate.”
+Brown, in his “Grammar of English Grammars,” says that the infinitive
+mood is that form of the verb which expresses action, being or state
+in an unlimited manner. It seems that these authors ought certainly
+to have given a clearer or at least a more consistent distinction
+between the infinitive, participle and gerund on the one hand, and the
+indicative, subjunctive and imperative moods on the other. They make
+the infinitive a mood along with these three moods because its manner
+of expression is unlimited, while these mood forms are limited, and yet
+neglect the participle and gerund, which have, by their definitions,
+just as much right to the distinction.</p>
+
+<p>The preposition ‘to’ is not an essential part of the infinitive,
+for it is not an invariable sign of it. Many verbs, especially
+the auxiliaries, are followed by the infinitive without ‘to.’ The
+infinitive in Old English ended in-an and did not have ‘to’ before it.
+It was treated as a declinable abstract-noun, and a dative form (called
+the gerund) was used with the preposition ‘to’ to denote purpose, as
+‘He that hath ears <i>to hear</i>’; to hear = <i>to gehyranne</i>. This gerundive
+infinitive passed into modern English with the loss of the dative
+ending. From denoting purpose, the ‘to’ came to denote the ground of
+an action, and may indicate the cause or condition of an action. Thus
+the gerund (the infinitive with ‘to’) came to be used in place of the
+<span class="pagenum"><a name="Page_127" id="Page_127">[Pg 127]</a></span>
+simple infinitive. The preposition ‘to’ has in this manner come to be
+nothing but an inflection for the nominative and accusative cases, and
+to lose the notional idea of a preposition except with the infinitive
+of purpose.</p>
+
+<p>The infinitive is a verb-noun. The authority for this begins with the
+fact that it was in Old English declined as an abstract-noun. Prof.
+Whitney, of Yale, says that the infinitive is a verbal-noun expressing
+in noun-form the action or condition which the verb asserts. Welsh
+also calls it a verbal-noun. Both of them say that mood serves the
+purpose of showing a difference in the mode or manner of assertion.
+These two authors do not consider that the difference in the manner
+in which an infinitive and the indicative, subjunctive and imperative
+express action is of the same nature as the difference between the
+indicative and subjunctive, or between the subjunctive and imperative.
+These differences, as any one can plainly see, are altogether unlike.
+The distinction between the infinitive and the three moods is by far
+greater than any distinctions that the moods have among themselves. The
+infinitive, gerund and participle have their verb natures alike. All
+three are unlimited to person, number, or order of time. It is only in
+the other half of the compound that they differ. The gerund partakes of
+the nature of a verb and a noun, while the participle partakes of the
+nature of a verb and an adjective, and the infinitive is verbal in
+the dependence of other words upon it and has the nature of a noun in
+its dependence upon other words. From this it is seen that, if the
+term ‘mood’ can be applied to the infinitive, as it pertains only to
+its verbal nature, it can be applied to participles and gerunds. If
+all three are called moods, then there is a nomenclature which is
+not needed and still not such as will separate the two great classes
+of verb-forms (finite and infinite) and show the difference in their
+expression of action, being or state. The name ‘infinitive,’ it is
+true, would denote its manner of expression, but the participle and
+the gerund have nothing in their names to denote this same quality.
+What is needed is a distinction between the two great classes. If the
+infinitive is not called a mood, there is this distinction; if it is
+called a mood, then there is need of some other names by which to
+distinguish the two classes.</p>
+
+<p>The infinitive has the principal uses of a noun. It may be used as the
+subject or object of a verb; it can be used as a noun in the accusation
+to modify a noun, ‘A house <i>to let</i>;’ it may be used in the accusative
+as an adverb, ‘That is hard <i>to do</i>.’</p>
+
+<p>All these reasons go to show that the infinitive is a verbal-noun, and
+that no one will ever have to contradict himself if he calls it by this
+name and does not call it a mood.</p>
+
+<p class="author">R. D. M.</p>
+
+<hr class="chap" />
+<p><span class="pagenum"><a name="Page_128" id="Page_128">[Pg 128]</a></span></p>
+<div class="chapter"><h2 class="nobreak"><big><i>Editorials</i>.</big></h2></div>
+
+<table border="0" cellspacing="0" summary=" " cellpadding="0" >
+  <tbody><tr>
+      <td class="tdl">M. C. THOMAS, <i>Hesperian</i>,</td>
+      <td class="tdc" rowspan="2">&nbsp;<img src="images/cbr-2.jpg" alt="" width="9" height="32" /></td>
+      <td class="tdl" rowspan="2">&nbsp;&nbsp;<span class="smcap">Editors</span>.</td>
+   </tr><tr>
+      <td class="tdl">D. C. ROPER, <i>Columbian</i>,</td>
+      <td class="tdl">&nbsp;</td>
+   </tr>
+ </tbody>
+</table>
+
+<p>The amount of Greek and Latin required in our colleges is necessary
+and expedient. The extension of the curricula to include more French
+and German is indeed commendable; but the study of the English
+language in most of our colleges has been, to say the least of it, too
+circumscribed. The earnest English student is not satisfied with giving
+the Greek and Latin literatures only a passing notice, but studies them
+as languages, both for the mental training they afford, and for the
+influence which they have had on the development of his own language.
+So the study of English should be the study of a language, rather
+than the study of a literature. The old-time curriculum looked upon
+the study of English as a “belles lettres” course—merely the study
+of literature. This, indeed, is good enough as far as it goes, but it
+is neither commensurate with the claims upon the consideration of an
+Englishspeaking person, nor with the benefit that is to be derived from
+the study of the language, pursued historically. A knowledge of English
+in its less developed condition, accompanied by a fair understanding of
+the modifying influences and developing changes which have from time
+to time been brought to bear upon it, is indeed necessary. It is as
+impossible for a person <i>thoroughly</i> to comprehend the English language
+without a knowledge of Old English as it is to understand the Latin
+language without a fair knowledge of its word-agreement. The study of
+either the “belles lettres” or the historical course, however, to the
+exclusion of the other is not at all commendable. What we need and
+<i>should</i> have in our colleges is a simultaneous study of these courses
+accompanied by a thorough study of the grammar of Modern English
+so measured out and distributed as mutually to aid in a thorough
+comprehension of each other and, consequently, of the language.</p>
+
+<hr class="tb" />
+
+<p>Among the latest features of the present system of teaching English in
+our colleges, may be mentioned the introduction of what is generally
+known as “parallel reading.” Formally the student was required during
+the great part of his college course, at least, to study only text
+books, which tend to train rather than fill the mind. No question
+should be of greater importance to a developing mind than what should I
+<span class="pagenum"><a name="Page_129" id="Page_129">[Pg 129]</a></span>
+read? This is a question which the student cannot decide without help.
+If the mind were originally able to grapple with great subjects,
+this would not be a perplexing question, but like other things, the
+mind has its infancy, at which period the directing hand of one more
+experienced, is quite indispensable. The professor of English and a
+good library unite in college, as no where else, to do this important
+work of mind-training and mind-filling. This parallel, which is read at
+such spare moment as would probably otherwise be lost, not only enables
+the student to learn what he <i>should</i> read, but also gives him a fair
+knowledge of the leading English authors. For example, if, in this way,
+one book is read per month, the student, at the end of his four years
+college course will have read about forty books, which having been
+carefully selected by his professor will give him <i>some</i> knowledge of
+English literature.</p>
+
+<hr class="tb" />
+
+<p>Phrenology may have some truth in it as a science, but implicit
+confidence, to say the least, should not be placed in the statements of
+so-called phrenologists. A phrenologist has recently visited Trinity
+and examined the heads of a good many of the students, and as a rule to
+their <i>supreme satisfaction</i>. The strange part about it is that all
+the students, with a few exceptions, had <i>special</i> talents for the
+professions—would make first-class lawyers, doctors, preachers,
+&amp;c.; but lo and behold! scarcely a single one was told that he would
+make a good farmer. Such taffying pays the phrenologist very well
+financially, but may do harm to the young man who is thus flattered,
+as he will often conceive that he is indeed a genius, and imagine that
+he will become a distinguished professional man if he only turns his
+<i>marvellous</i> talents in that direction, when he is not suited for such
+in the least. There <i>may be</i> something in phrenology, but the young
+man who relies upon the fine marks given him by a phrenologist as
+conclusive proof of the fact that he will make a grand success, will
+eventually find himself left in the race of life. Energy is the great
+thing after all. The boy who has energy will be certain of some success
+at least. So it does not matter so much whether you have a fifty-four
+or forty-nine ounce brain, but whether you improve what you have. You
+have an opportunity here at college to improve your mind; make use of
+it.</p>
+
+<hr class="tb" />
+
+<p>Let <i>outward</i> and <i>inward</i> improvements keep pace! Away with
+“Smoky-row”! This filthy den is a disgrace to a community whose object
+it is to bring up young men in the nurture and admonition of the Lord.</p>
+
+<hr class="chap" />
+<p><span class="pagenum"><a name="Page_130" id="Page_130">[Pg 130]</a></span></p>
+<div class="chapter"><h2 class="nobreak"><big>Reviews.</big></h2></div>
+
+<table border="0" cellspacing="0" summary=" " cellpadding="0" >
+  <tbody><tr>
+      <td class="tdl">J. S. BASSETT, <i>Hesperian</i>,</td>
+      <td class="tdc" rowspan="2">&nbsp;<img src="images/cbr-2.jpg" alt="" width="9" height="32" /></td>
+      <td class="tdl" rowspan="2">&nbsp;&nbsp;<span class="smcap">Editors</span>.</td>
+   </tr><tr>
+      <td class="tdl">W. J. HELMS, <i>Columbian</i>,</td>
+      <td class="tdl">&nbsp;</td>
+   </tr>
+ </tbody>
+</table>
+<div class="blockquot">
+<p class="neg-indent"><span class="smcap">Psychology.</span> By John Dewey, Ph. D.,<br />
+Assistant Professor of Philosophy in Michigan University.<br />
+New York: Harper &amp; Brothers, 1887. pp. xii, 427.</p>
+
+<p>This book is designed purely for class-room instruction. The author has
+endeavored to produce a work free from metaphysics, which he tells us
+has no place in psychology. With this in mind, he has also endeavored
+to make his work an introduction to philosophy in general. He has
+attempted, by his mode of presenting his subjects, to form in the mind
+of the student the habit of looking at questions, which may present
+themselves to him, in a philosophical manner. The <i>obscurity</i> which
+characterizes most books on this subject, and which always leaves the
+mind of the beginner in a state of bewilderment, is to a great extent
+gotten rid of. The definitions are plain and simple; the disquisitions
+are full but not tedious. At the end of each chapter, numerous
+references are given to parallel works on the subjects treated. A
+writer on psychology may reject some of the matter which that subject
+includes, as for instance, the <i>will</i>, but he cannot make new material;
+he can only present in an <i>attractive manner</i> that which men have used
+for centuries. The author has done this admirably.</p>
+
+<hr class="tb" />
+
+<p class="neg-indent"><span class="smcap">A Tramp Trip.</span> How to see Europe for fifty cents a day.<br />
+By Lee Meriweather. Harper &amp; Bros.<br />
+For sale by De Wolfe, Fiske &amp; Co., Boston, Mass.<br />
+pp. iv. 276. 1886.</p>
+
+<p>There are many young men who desire to broaden their field of knowledge
+and more strongly impress upon their minds historic scenes by traveling
+in Europe, and yet these young men are prevented by not having the
+amount of money generally requisite for traveling. To such “A Tramp
+Trip” will be especially interesting. The author tells how he has made
+a trip in which he saw all the objects of interest, was enabled to
+study the masses from a standpoint totally inaccessible to the wealthy
+traveler, and all for the exceedingly low sum of fifty cents a day. A
+number of tables show the result of his investigation of the social
+conditions, and therein are some instructive illustrations of the
+tariff question as applied to foreign countries. The style is the free
+and easy and there is enough wit to make the work very interesting.</p>
+
+<hr class="tb" />
+
+<p class="neg-indent"><span class="smcap">Slips of Tongue and Pen.</span><br />
+By J. H. Long, M. A., LL. D.<br />
+New York: D. Appleton &amp; Co. pp. 100. 1888.</p>
+
+<p>Here we have an unusually well selected list of the more common
+mistakes of our language, such as <i>expect</i> for <i>think</i>, <i>presume</i> for
+<i>believe</i>, <i>per</i> with an English word, as <i>per day</i>; we should say <i>a
+day</i> and <i>per annum</i>. Beside such as these are also added grammatical
+<span class="pagenum"><a name="Page_131" id="Page_131">[Pg 131]</a></span>
+points, suggestions upon composition, synonymous words often
+confused, objectionable words and phrases, and a few simple rules for
+punctuation. Many of us would be surprised if we should read it and
+learn how much carelessness and inexactness injure the purity of our
+language.</p>
+
+<hr class="tb" />
+
+<p class="neg-indent"><span class="smcap">Poetical Geography of North Carolina</span>,<br />
+Cold Water, Reply to Gray’s Elegy, and other Poems.<br />
+By Needham Bryan Cobb, of North Carolina. Cambridge:<br />
+Printed at the Riverside Press. pp. 61, 1887.</p>
+
+<p>As the author states in his preface, the object of this work is to aid
+the pupils of North Carolina to memorize the geography of their native
+State. The first thirty pages are devoted exclusively to this purpose,
+and hence can be of local interest only. The chief characteristic
+of the style of this part of the book is that it rimes in couplets.
+The subject-matter falls far below the true standard of poetry, but
+this is perfectly excusable when it is remembered that the author’s
+intention was not to weave in beautiful poetic figures with smoothly
+flowing rhythm, but to produce a brief, concise aid to the memory. The
+remainder of the book, which consists of poems on various subjects,
+contains more of the real poetic sentiment. The “Reply to Gray’s
+Elegy,” “Cold Water,” and “Worldliness and Worth, or the Butterfly and
+the Bee,” which closes with fine moral on Bible-reading, are especially
+to be admired. This little book should be in the library of every
+student in our State. It contains a number of good illustrations, and
+its general <i>make-up</i> is attractive.</p>
+
+<hr class="tb" />
+
+<p class="neg-indent"><span class="smcap">Life of P. T. Barnum.</span> Written by himself,<br />
+&nbsp;&emsp;including his golden rules for moneymaking.<br />Brought up to 1888. Illustrated.<br />
+Buffalo: The Courier Company. pp. 357, 12m. 1888.<br />Price 60 cents.</p>
+
+<p>It is always interesting to watch the struggles of men who would
+grow wealthy. Then there will be found much interest in the account
+of the struggles of “The Greatest Showman on Earth.” His life reads
+like a novel, so full is it of incident. He makes the keynote of his
+success the fact that Americans admire nothing more than to be cleverly
+humbugged, and he knows how to satisfy them. His avowed object, a good
+one, is to furnish a moral show. When this can be attained, shows will
+become an educational feature by no means to be despised.</p>
+
+<hr class="tb" />
+
+<p>“The greatness of London is in no respect more strikingly illustrated
+than by the range of its literary activity,” says the May number of
+<i>Harper’s Magazine</i> at the close of that interesting article entitled
+“London as a Literary Centre.” Few people are aware of the fact that
+to-day 14,000 persons in the great metropolis earn their living by
+their pens. London is the centre of action of many whose names have
+become household words wherever the English language is spoken. Read
+the article.</p>
+</div>
+
+<hr class="chap" />
+<p><span class="pagenum"><a name="Page_132" id="Page_132">[Pg 132]</a></span></p>
+<div class="chapter"><h2 class="nobreak"><big>Exchanges.</big></h2></div>
+
+<table border="0" cellspacing="0" summary=" " cellpadding="0" >
+  <tbody><tr>
+      <td class="tdl">A. M. SHARP, <i>Hesperian</i>,</td>
+      <td class="tdc" rowspan="2">&nbsp;<img src="images/cbr-2.jpg" alt="" width="9" height="32" /></td>
+      <td class="tdl" rowspan="2">&nbsp;&nbsp;<span class="smcap">Editors</span>.</td>
+   </tr><tr>
+      <td class="tdl">G. N. RAPER, <i>Columbian</i>,</td>
+      <td class="tdl">&nbsp;</td>
+   </tr>
+ </tbody>
+</table>
+
+<p>Diversity seems to have been ordained of God. This is especially
+evident in the animal, vegetable, and mineral kingdoms, and the same
+law, with some modifications, underlies the world of thought. No two
+men think alike, act alike or pronounce exactly alike. The difference
+between the lexicographers of England and America is very apparent,
+although the two countries are very closely connected by means of rapid
+communication. Even American orthoëpists differ. Usage has established
+in New England, for instance, a pronounciation somewhat different
+from that in the South. Dictionaries do not <i>establish</i> usage, but
+<i>record</i> usage, and no dictionary is complete if it records the usage
+of simply a few States. How great a diversity there is between Webster,
+Worcester, and Stormonth, commonly recognized authorities! The person
+to whom ‘accessory’ (ak-seśso-ri, Webster) is applied, Worcester
+calls ak´ses-so-ri. Both Webster and Worcester prefer to accent the
+first syllable of ‘access,’ while “The Academy Orthoëpist” accents
+the second. In pronouncing ‘Christianity’ the usage of the South
+is in accordance with Worcester (kris-ti-ańi-ti), and not Webster
+(krist-yań-i-ti). The words ‘rise’ (noun) and ‘revolution’ for
+instance, are pronounced by the South riz and rev-o-loó-tion by Webster
+and Worcester ris and rev-o-lútion. The Archive was pleased to see
+the stand which the <i>Roanoke Collegian</i> had taken on the subject of
+orthoepy. In many instances in pronunciation, when in Rome, it is
+better to do as Rome does.</p>
+
+<hr class="tb" />
+
+<p>Some one has been collecting facts about the fathers of United States
+Presidents, with this result: Grover Cleveland is the only Clergyman’s
+son who has ever been elected President, though Arthur’s father was a
+clergyman. He was not, however, elected President. The fathers of the
+Virginia Presidents—Washington, Jefferson, Madison, and Monroe—were
+planters. John Tyler’s father was a lawyer and a statesman, and John
+Adams, the father of John Q. Adams, was by profession a lawyer.
+Grant was a tanner. Hayes’s father a merchant, and the fathers of
+Garfield, Lincoln, Pierce, Fillmore, Polk, Van Buren and Jackson were
+farmers.—<i>Charlotte Chronicle.</i></p>
+
+<hr class="tb" />
+
+<p>Napoleon, while at St. Helena, when asked how the condition of unhappy
+France could be bettered, replied in his laconic style “Educate the
+mothers.” The same remark will apply to every country, and it is with
+special interest that <span class="smcap">The Archive</span> notices <i>The Monitor</i>,
+<span class="pagenum"><a name="Page_133" id="Page_133">[Pg 133]</a></span>
+a monthly brim full of plain, pointed common-sense articles. This new
+magazine hails from Henderson, and is devoted to the interests of “Our
+Homes.” One of its aims is to make better cooks and better mothers. To
+know how to cook is more necessary to a truly educated woman than a
+knowledge of painting and wax-work. A man that marries a wife who has
+no idea of culinary affairs will either be poor all his life or die
+early with the dyspepsia.</p>
+
+<hr class="tb" />
+
+<p>Intelligence among the masses is very essential to the success of a
+newspaper as well as to a great many other benefits. A weekly paper
+will succeed in many places where a daily would fail, especially is
+this so when a majority of the people are engaged in rural pursuits.
+The success and high tone of such dailies as the <i>Charlotte Chronicle</i>,
+<i>Wilmington Messenger</i>, <i>News and Observer</i>, and the <i>Twin City Daily</i>
+argue well both for the ability of their editors and the intelligent
+spirit of the people. What State that has no more city population than
+North Carolina can show a larger list of newsy and literary dailies?</p>
+
+<hr class="tb" />
+
+<p>The third anniversary issue of the <i>Daily Argus</i> is full of interesting
+news and wood cuts of Goldsboro’s churches, fine buildings, &amp;c. It is
+another of the successful dailies.</p>
+
+<hr class="tb" />
+
+<p>The subject of Kissing is treated at great length in an article in the
+<i>South Carolina Collegian</i>. This unique subject is a good one and
+one which should receive more attention. The author says: “I feel
+that my subject will commend itself to the majority of college-boy
+readers.” His feelings did not deceive him in the least; but why not
+say college-girl readers as well? The girls must feel slighted. Does
+he mean to say that boys are the only ones who enjoy kissing? It is to
+be supposed that the fair sex derive some benefit from it or it would
+soon fall into a state of “innocuous desuetude.” At present, from all
+indications, it seems to be in a flourishing condition, and who could
+desire it to be otherwise?</p>
+
+<hr class="tb" />
+
+<p>The <i>Binghamite</i> for March presents a marked improvement upon any
+number previously received. It is clothed throughout in a new dress and
+is now as neat a magazine as could be desired. With the improvement of
+its outward appearance, the reading matter has also undergone a change
+for the better. The majority of the articles are very good. The one
+entitled “India: Her Past and Present,” being especially worthy of note.</p>
+
+<hr class="tb" />
+
+<p><i>The Christian Educator</i> for April has been received. It is full of
+very interesting articles. “The Bible in the Schools,” by J. W. Baylis,
+D. D., and “Something for Everybody to do for Trinity,” by Pres. J. F.
+Crowell, are articles of worth. The <i>Educator</i> is published, it seems,
+in the interest of all the colleges in the State.</p>
+
+<hr class="chap" />
+<p><span class="pagenum"><a name="Page_134" id="Page_134">[Pg 134]</a></span></p>
+<div class="chapter"><h2 class="nobreak"><big>Alumni.</big></h2></div>
+
+<table border="0" cellspacing="0" summary=" " cellpadding="0" >
+  <tbody><tr>
+      <td class="tdl">G. T. ADAMS, <i>Hesperian</i>,</td>
+      <td class="tdc" rowspan="2">&nbsp;<img src="images/cbr-2.jpg" alt="" width="9" height="32" /></td>
+      <td class="tdl" rowspan="2">&nbsp;&nbsp;<span class="smcap">Editors</span>.</td>
+   </tr><tr>
+      <td class="tdl">E. K. WOLFE, <i>Columbian</i>,</td>
+      <td class="tdl">&nbsp;</td>
+   </tr>
+ </tbody>
+</table>
+
+<p class="space-above2">—H. M. Alford, ’62, is a successful physician in Greensboro, N. C.</p>
+
+<p>—W. F. Stevens, who was here in ’86, is merchandising with his father
+at Stevens, N. C.</p>
+
+<p>—B. Y. Rayl, ’61, is an enterprising lawyer at Winston, N. C.</p>
+
+<p>—A. S. Peace, ’66, is an active and prosperous lawyer at Oxford, N. C.</p>
+
+<p>—F. D. Swindell, after leaving Trinity, began work in the ministry. In
+spite of difficulties, he has worked his way to prominence and is one
+of the first ministers of the North Carolina Conference. He is pastor
+of Tryon St. Methodist church, Charlotte, N. C.</p>
+
+<p>—J. O. Walker has been studying medicine for the past three years,
+and has recently graduated from the Medical Department of Vanderbilt
+University. He intends locating in his native town (Randleman, N. C.)
+for the purpose of practicing medicine.</p>
+
+<p>—C. W. Robinson, ’86, is one of the growing young ministers of the
+North Carolina Conference. He is pastor of the West End church,
+Winston, N. C., and is quite popular. Bro. Robinson is yet unmarried,
+but if the reports concerning the frequency of his “pastoral calls,”
+which are so essential to the success of every minister, be true, we
+may reasonably expect in the near future a change—for the better.</p>
+
+<p>—M. A. Gray, ’75, graduated with high honor, and choosing the law
+as his profession, he entered the law school of Judge Pearson, at
+“Richmond Hill,” and was licensed to practice in the courts of this
+State. He represented Lenoir county in the last Legislature and is a
+member of committees on the Judiciary and salaries and fees. It is a
+fact worthy of note that every member of the class to which Mr. G.
+belonged, while at Judge Pearson’s, has since represented his own
+county in the Legislature.</p>
+
+<p>—John C. Everett is book-keeper for one of the leading merchants in
+Bennettsville, S. C. In June, ’87, he went from Trinity to Lexington
+Business College, Lexington, Kentucky, where he obtained a first-class
+business education. After completing his business course at Lexington
+he returned to his home at Bennettsville, where he has since been
+engaged in book-keeping. J. F. Everett, his employer, is also an old
+student of Trinity.</p>
+
+<p>—R. B. Clark, ’79, is principal of Gibson Station High School, Gibson
+Station, N. C. He has a flourishing school.</p>
+
+<p>—T. N. Ivey, ’79, is stationed at Lenoa, N. C. After graduating he
+<span class="pagenum"><a name="Page_135" id="Page_135">[Pg 135]</a></span>
+began teaching, which he continued until a few years ago, when he
+entered the ministry.</p>
+
+<p>—W. D. Turner, ’76, is an active, successful lawyer in Statesville,
+N. C. He represented his district in the last session of the Senate,
+and is chairman of the committee on Enrolled Bills. The legislative
+biographical sketch book of the session of 1887 pays him the following
+high compliment: “Mr. T. is a leader on his side of the Senate, and
+mentally, physically and socially has few equals and no superiors in
+our present Assembly of law-makers. With striking personal appearance,
+excellent mental attainments, pleasant and engaging social qualities,
+he commands that recognition to which these and other qualifications so
+justly entitle him.”</p>
+
+<p>—B. G. Marsh, 84, is principal of a successful school at Troy, N. C.
+In a letter recently received from Mr. Marsh he has this to say: “The
+<span class="smcap">Archive</span> is well edited. It is a neat paper and reflects
+credit upon its editors and the Institution. I am truly in sympathy with you
+all, and hope and pray that our beloved Alma Mater will soon be the
+college for all Methodists of North Carolina. I shall send all the boys
+I can to Trinity, because I know they will be well cared for and well
+instructed, not only in literary attainments, but also in all things
+pertaining to a full Christian gentleman.”</p>
+
+<p>—F. M. Shamburger, ’83, is in charge of Plymouth Station in Washington
+District, N. C. Conference. This is his second year at this place. He
+has proved a faithful pastor and has accomplished lasting good. His
+love for Trinity, like that of all her true and worthy sons, has not
+abated, and he continues to work for the promotion of her interests.</p>
+
+<p>—F. C. Frazier, ’57, after graduating from College, took a thorough
+course in dentistry in the Baltimore Dental College. He is located
+near Trinity, and has quite an extensive practice in the counties of
+Randolph and Davidson.</p>
+
+<div class="blockquot">
+<p class="author"><span class="smcap">Little River Academy, N. C.</span><br />April 5th, 1888.</p>
+
+<p><span class="smcap">Mr. Editor</span>:—I am heartily in sympathy
+with the object so worthy the earnest efforts
+which the students are putting forth for its
+accomplishment—the Society and Library Building. Old
+students, one and all, let us not turn a deaf ear to
+their timely and earnest appeals, but let us prove
+our loyalty and devotion to our Institution, and
+manifest our interest in the proper education of the
+young men who shall attend it by lending our aid in
+the erection of the proposed building. You may put me
+down for $50.00.</p>
+
+<p class="author space-below2"><span class="smcap">B. B. Adams.</span></p>
+</div>
+
+<p>—Capt. D. M. Payne is one of the industrious, level-headed farmers and
+mill owners of Trinity Township.</p>
+
+<hr class="chap" />
+<p><span class="pagenum"><a name="Page_136" id="Page_136">[Pg 136]</a></span></p>
+<div class="chapter"><h2 class="nobreak"><big>Locals.</big></h2></div>
+
+<table border="0" cellspacing="0" summary=" " cellpadding="0" >
+  <tbody><tr>
+      <td class="tdl">T. E. McCRARY, <i>Hes.</i>,</td>
+      <td class="tdc" rowspan="2">&nbsp;<img src="images/cbr-2.jpg" alt="" width="9" height="32" /></td>
+      <td class="tdl" rowspan="2">&nbsp;&nbsp;<span class="smcap">Reporters</span>.</td>
+   </tr><tr>
+      <td class="tdl">L. L. BURKHEAD, <i>Col.</i>,</td>
+      <td class="tdl">&nbsp;</td>
+   </tr>
+ </tbody>
+</table>
+
+<p class="f120">May.</p>
+
+<p>Where is that Senate?</p>
+
+<p>President Crowell’s mother is down on a visit.</p>
+
+<p>Dred Peacock is a happy father. It’s a girl.</p>
+
+<p>Mr. T. P. Sharp came over and spent the 11th with us.</p>
+
+<p>The old White house has been repainted.</p>
+
+<p>Lawn-tennis has about usurped the place of base-ball.</p>
+
+<p>“Uncle Ben” has painted the roof of his ware-house.</p>
+
+<p>Some of the students spent Easter at home.</p>
+
+<p>Mr. J. F. Jones has left college on account of his health.</p>
+
+<p>Bear-man and the Siders are to be seen daily.</p>
+
+<p>Five seniors were born in the same year—1867.</p>
+
+<p>Sure enough, we had to pull “Possum” out of the mud.</p>
+
+<p>Throwing bean-bags is now a popular game at the Parker House.</p>
+
+<p>President Crowell is to deliver the address at the Winston
+Graded-school commencement, May 17th, 1888.</p>
+
+<p>Gen. J. M. Leach and Capt. F. C. Robbins, of Lexington, stopped here a
+short while last month.</p>
+
+<p>An old student wants to know why the boys go to Archdale so often to
+play “Lord Tennyson.”</p>
+
+<p>About $75.00 worth of books have been purchased for the Library by the
+Societies.</p>
+
+<p>It rained so hard recently that several holes were found in Crawford’s
+umbrella.</p>
+
+<p>The Crowell Nine are having uniforms made for the coming season.</p>
+
+<p>Major Robbins, of Statesville, spent a few days with us last month.</p>
+
+<p>Mr. T. M. Jones has been elected Business Manager in place of J. F.
+Jones.</p>
+
+<p>Mrs. McClane and neice were here on a short visit to relatives and
+friends.</p>
+
+<p>The Black Diamond Quartette No. 2 gave an entertainment for the benefit
+of the Crowell Nine on the 3rd ult. It was a rare treat.</p>
+
+<p>Tell it not in Gath! A Junior thought Christmas commemorated the
+resurrection; and Easter—well, he didn’t know.</p>
+
+<p class="no-indent">
+Prof. to a promising Prep. “What is commerce?”<br />
+Prep. “Commerce is some kind of vegetable.”<br />
+</p>
+
+<p>Pres. Crowell delivered an address before the Y. M. C. A., at
+Charlotte, on the 20th ult.</p>
+
+<p><span class="pagenum"><a name="Page_137" id="Page_137">[Pg 137]</a></span></p>
+
+<p>A large number of the students attended the Masonic services held at
+the grave of Mr. Thomas Finch last Sunday at Hopewell.</p>
+
+<p>Miss Kate Craven has returned from Winston, where she has been visiting
+Col. Allspaugh’s family for several weeks.</p>
+
+<p>Games are good for exercise, but they should not be played on the
+Campus, because they kill the grass. Go to the play-ground, boys.</p>
+
+<p>Local Editor Burkhead resigned the office of Chief Manager and will
+leave for Alabama soon to go into business there. We are sorry to lose
+Dick, especially from the staff of <span class="smcap">The Archive</span>.</p>
+
+<p>Mr. W. J. Helms was elected by the Columbian Society to fill the
+vacancy caused by the resignation of Mr. Burkhead.</p>
+
+<p>Five Freshmen and five Sophomores will deliver orations at
+Commencement. The Faculty choose two out of the ten, and the Societies
+choose the rest. The contest for representatives will come off May 10th.</p>
+
+<p>Are you going to Asheville? “Yes, next Summer.” We will not have
+the pleasure of describing the Asheville trip in this issue, as the
+boys didn’t go. The Richmond and Danville Rail Road Company would
+not charter a car to run on the regular trains, but offered special
+inducements to a party of thirty or more. The excursionists have
+postponed the trip until after commencement.</p>
+
+<p>The College Christian Association was admitted into membership with
+the Y. M. C. A., and sent Messrs. Roper and Adams as delegates to the
+Convention at Charlotte on the 19th ult.</p>
+
+<p>Sent in to the Local Editors:</p>
+
+<div class="poetry-container"><div class="poem"><div class="stanza">
+<span class="i0">In the spring, the just weaned Freshman,</span>
+<span class="i4">Longeth for his father’s shed;</span>
+<span class="i0">In the Spring, the Classic Soph’more,</span>
+<span class="i4">Sees his Math goal just ahead;</span>
+<span class="i0">In the spring, the Junior’s mustache sets</span>
+<span class="i4">Itself to grow;</span>
+<span class="i0">In the spring the trembling Senior</span>
+<span class="i4">Fears his thesis is no go.</span>
+</div></div></div>
+
+<p class="center">[Original, tho’ you mightn’t think so.]</p>
+
+<p>Prof. W. A. Blair, of Winston, delivered a lecture here on the 14th of
+last month. Everybody was well pleased and said that it was the best
+lecture of the year. If you have any of the “Elements of Success” in
+you, such a lecture will bring them out. We will be glad to hear the
+gentleman again, and that soon too.</p>
+
+<p>An Athletic Association has been formed for the development of the
+physical man, and the boys are zealously taking hold. We hope soon to
+have a Gymnasium and also to have a record which will head the State
+schools.</p>
+
+<p>Prof. English, with three Seniors and a special in tow, went to
+Greensboro last Saturday. Won’t they shine in their Prince Alberts!
+<span class="pagenum"><a name="Page_138" id="Page_138">[Pg 138]</a></span></p>
+
+<p>Interesting and successful meetings, began by the delegates returned
+from the Y. M. C. A. Convention, are being carried on.</p>
+
+<p>Rev. Mr. Bays, of Asheville will deliver the address before the
+graduating class at Commencement; and Rev. W. H. Moore, of Washington,
+N. C., will preach the sermon before the Theological Society.</p>
+
+<p>Dr. McCanless is building a house nearly opposite Prof. Gannaway’s.
+We are glad that the Doctor will make his home with us.</p>
+
+<p>A goodly number of the students propose to attend on May 5th the
+celebration in commemoration of the battle of Guilford Court House.</p>
+
+<p>A new catalogue will appear in May. There will be changes in the
+requirements, changes in the courses and changes in the arrangement of
+these. Send your address to the President, and one will be forwarded
+you.</p>
+
+<p>Several of the boys attended the Quarterly Meeting held by the Friends
+at Springfield a Sunday or two ago.</p>
+
+<p>Do not forget the Re-union announced in circular No. 3. Unusual
+attractions await those who attend. Not a single old student should
+fail to be present, for the pleasure in store promises to be an ample
+recompense.</p>
+
+<p>The Hundley-House boys and the Gannaway crowd are at dagger-points.
+It is all about one girl.</p>
+
+<hr class="chap" />
+
+<p class="f200"><b>DIKE BOOK COMPANY,</b></p>
+<p class="center">Opp. National Bank, GREENSBORO, N. C.</p>
+<p class="f150"><b>Fine Books and Stationery</b></p>
+<p class="f110">OF ALL KINDS.</p>
+<hr class="r5" />
+<p class="f120"><b>Base-Ball Goods, Croquet Sets, Hammocks.</b></p>
+
+<p class="blockquot">Books of great value, including History, Biography,
+Poetry, Travels, &amp;c., for young men and students, at low prices.</p>
+
+<p class="f120"><i>FULL LINE OF THE POETS.</i></p>
+
+<p class="blockquot">Latest Publications of Lovell’s Library, Munro’s Library and others.</p>
+<hr class="chap" />
+
+<div class="blockquot">
+<p class="f200"><b>IMPORTANT</b></p>
+
+<p>To reduce our stock of clothing, we offer
+same for 30 days at <b>PRIME COST</b></p>
+
+<p class="no-indent">50 Suits $4.50, $5.50, $6.50; 50 Suits $8.50,
+$10.50, $12.50; 25 suits, Corkscrew Worsted, $6.50, $8.50, $12.50, up.</p>
+
+<p class="no-indent">150 pairs Men’s Pants, 75c to $5.</p>
+<p class="no-indent">50 prs children’s pants, 35.</p>
+
+<p class="author">R. J. LINDSAY &amp; BRO.</p>
+</div>
+<hr class="chap" />
+
+<p class="f200"><b><i>GRIMES&nbsp; &amp; STRICKLAND</i>,</b></p>
+<p class="f150"><b>Pharmacists and Apothecaries,</b></p>
+<p class="f120">THOMASVILLE N. C.</p>
+<p class="center">Keep constantly on hand</p>
+<p class="f120"><b>PURE and FRESH DRUGS and MEDICINES.</b></p>
+<div class="blockquot">
+<p class="no-indent">Best brands of Cigars and Tobaccos always on hand.<br />
+Prescriptions carefully filled at all hours</p>
+</div>
+<hr class="chap" />
+<p class="f200"><b>BELLEVUE HOTEL.</b></p>
+<p class="center space-above2 space-below2">J. N. CAMPBELL, <span class="smcap">Manager</span>.</p>
+<p class="f120"><b>Headquarters for Sportsmen and<br />Commercial Travelers.</b></p>
+<p class="center space-above2">HIGH POINT, N. C.</p>
+<hr class="chap" />
+
+<p class="f200"><b>JOHN H. TATE,</b></p>
+<p class="center">Leading Retailer and Jobber of</p>
+<p class="f200"><b>Staple and Fancy Groceries,</b></p>
+<p class="f150"><b>FINE CONFECTIONS,</b></p>
+<p class="center"><i>Foreign and Domestic Fruits</i>, <i>Nuts</i>,</p>
+
+<p class="f110"><b>FINE PATENT ROLLER FLOUR A SPECIALTY.</b></p>
+<p class="center"><i>Best Line of Green and Roasted Coffees and Teas.</i></p>
+<p class="f90">I also keep in stock a good line of the celebrated</p>
+<p class="f120"><b>“Agate” Iron Ware,</b></p>
+<p class="f120"><b>WOOD AND WILLOW WARE,</b></p>
+
+<div class="blockquot">
+<p class="no-indent">Lamps and Lamp Goods, Brooms, Kingan’s Fine Hams,
+Bacon and pure kettle rendered Lard. Prices as low
+as the lowest.</p>
+<p class="no-indent">New Corner Store, next door to Post Office,</p>
+<p class="author">HIGH POINT, N. C.</p>
+</div>
+<hr class="chap" />
+
+<p class="center">WHEN IN HIGH POINT CALL ON</p>
+<p class="f200"><b>R. C. CHARLES,</b></p>
+<p class="f120 space-above1 space-below1">—FOR—</p>
+<p class="f150"><b>Groceries of all Kinds.</b></p>
+<p class="f90">He has a large and well selected stock of</p>
+<p class="f120"><b>FRESH AND RELIABLE GOODS</b></p>
+<p class="f90">bought low for cash.</p>
+<p class="center">He can and does sell as low as the lowest.<br />
+                  Will deliver goods at Trinity free of charge.</p>
+<p class="f120"><b>Send Your Orders to Charles.</b></p>
+<hr class="chap" />
+
+<p class="f200"><b>Dr. H. C. PITTS,<br />DENTIST</b></p>
+<p class="f120"><b><i>High Point, · · N. C.</i></b></p>
+<p class="f150">☞ Gas or Ether used if Desired. ☜</p>
+<p class="f90">Office over Wrenn Bros’. Store.</p>
+<hr class="chap" />
+
+<p class="f200"><small>PETERSON</small>,<span class="ws12">&nbsp;</span><br />
+<big>PHOTOGRAPHER</big>,<span class="ws4">&nbsp;</span><br />
+<small>HIGH POINT, N. C.</small></p>
+<p class="blockquot"><i>Solicits any kind of work of Trinity students.
+Challenges comparison with any work in the world. Groups, any size, of
+the very best. Satisfaction in every case guaranteed.</i></p>
+<hr class="chap" />
+
+<p class="f150">CALL AT <span class="ws8">CALL AT</span></p>
+<p class="f200">WRENN BROS.</p>
+<p class="f90">and see the spring attractions in</p>
+<p class="f110"><b>Men’s, Youths’ and Children’s</b></p>
+<p class="f150"><b>Clothing and Gents’ Furnishings.</b></p>
+<p class="f90">Latest styles in</p>
+<p class="f150"><span class="smcap">Soft and Stiff Hats</span>.</p>
+<div class="blockquot">
+<p class="f90"><span class="largefont">☞</span> Elegant assortment of Neckwear.
+    Shirts to order on short notice.</p>
+<p class="f90">A line of S. Gardner Jones’</p>
+<p class="f120">Calf and Kangaroo Shoes.</p>
+</div>
+<hr class="chap" />
+
+<p class="f200"><b>HELLO, METHODISTS!</b></p>
+<p class="f90">SEND FOR CIRCULAR TO</p>
+<p class="f200">Piedmont Poultry Yard,</p>
+<p class="center">KNOB CREEK, N. C.,</p>
+<p class="f90">and get prices of our</p>
+<p class="center"><i>Pure Blood Stock and Eggs</i>,</p>
+<p class="f150"><b>Brown Leghorns, Light Brahmas,<br />Langshans and Scotch Collie Dogs.</b></p>
+<p class="center"><span class="largefont">☞</span> <i>Eggs for Hatching our Specialty.</i></p>
+<hr class="full" />
+
+<p class="f200"><b>TRINITY COLLEGE,</b></p>
+<p class="f150"><b>TRINITY COLLEGE, N. C., U. S. A.</b></p>
+<hr class="r25" />
+
+<div class="blockquot">
+<p class="neg-indent"><span class="smcap">Faculty.</span>—Separate
+chairs in History and Political Economy, Latin and French, English and
+German, Greek and Metaphysics, the Natural Sciences, Mathematics and
+Engineering, Business and Pedagogy.</p>
+
+<p class="neg-indent"><span class="smcap">Departments.</span>—<i>Collegiate</i>,
+leading to Degrees of A. B. and Ph. B.</p>
+
+<ul class="index">
+<li class="isub3"><i>Preparatory</i>, preparing for admission to college.</li>
+<li class="isub3"><i>Business</i>, five months’ training for business life.</li>
+<li class="isub3"><i>Post-Graduate</i>, advanced studies beyond graduation.</li>
+<li class="isub3"><i>Pedagogics</i>, lectures and special work for teachers.</li>
+<li class="isub3"><i>Theological</i>, preparatory training for the Christian Ministry.</li>
+</ul>
+
+<p class="neg-indent space-above1"><span class="smcap">Expenses.</span>—<i>Tuition</i>,
+$3 to $5 per month.<br /><i>Board</i>, $8 to $12 per month.<br />
+Tuition should be paid in advance, and books at the time of purchase.</p>
+
+<p class="neg-indent"><span class="smcap">Special Lectures</span> are
+given weekly to all who may wish to attend, free of extra charge, on
+topics of interest. The lecture program of prominent speakers for the
+weeks will be announced later.</p>
+
+<p><span class="smcap">Examinations.</span>—Examinations in course
+are held twice a year or at the completion of any particular subject.
+Examinations for admission to college in 1888 to any of the regular
+classes will be held in June on the day following Commencement, and
+in September on the day before the opening of college. Students
+are admitted to the Preparatory and Business Departments without
+examination, but to no other.</p>
+
+<p>The requisites for admission to the Freshman class in 1888 are
+Arithmetic, including the Metric System; Algebra to Quadratics; U.
+S. History; English Grammar and Analysis; Geography, Descriptive and
+Physical; Natural Sciences, Physiology and Hygien; Latin, three Books
+of Cæsar and Latin Grammar, including Prosody.</p>
+
+<p>An extra year’s work in Latin and Greek will be required for
+admission in 1889 to the classical course only (A. B. degree.)</p>
+
+<p><span class="smcap">Location.</span>—In Randolph county. Reached
+<i>via</i> High Point, N. C., over the Piedmont Air Line. Healthfulness
+and quiet location render it peculiarly safe and well adapted to the
+education of youth and young men.</p>
+
+<p><span class="smcap">Information.</span>—Special circulars issued
+quarterly, and the regular annual catalogue will be sent or any desired
+information given respecting the Institution, upon application to</p>
+
+<p class="author">JOHN F. CROWELL, A. B. (Yale),<br /><i>President</i>.</p>
+</div>
+<hr class="full" />
+
+<p class="f200"><b><span class="smcap">Wm.</span> PARTRIDGE,</b></p>
+<p class="f120">HIGH POINT, N. C.</p>
+<p class="f90">Makes a specialty of</p>
+
+<ul class="index">
+<li class="isub1">LADIES’ and GENTLEMEN’S FINE SHOES,</li>
+<li class="isub3">HAND SEWED SHOES,</li>
+<li class="isub5">FRENCH CALF SHOES,</li>
+<li class="isub7">HAND WELT SHOES,</li>
+<li class="isub9">GOODYEAR WELT SHOES,</li>
+<li class="isub11">McKAY SEWED SHOES,</li>
+<li class="isub3">GENTLEMEN’S GENUINE KANGAROO SHOES.</li>
+</ul>
+<div class="blockquot">
+<p class="f150"><b>J. FAUST &amp; SON’S FINE SHOES.</b></p>
+<p class="f90">Dunlap &amp; Youman’s block of STIFF HATS,<br />
+    also a fine line of CRUSH HATS.</p>
+<p class="author"><i><span class="smcap">Wm.</span> PARTRIDGE</i>,<br />
+Boot, Shoe and Hat Store.</p></div>
+<hr class="chap" />
+
+<p class="f200"><b>BROWN &amp; MATTON,</b></p>
+<p class="f150">DRUGGISTS</p>
+<p class="center"><span class="smcap">Next Door to Post Office</span>,
+<big>HIGH POINT, N. C.</big></p>
+<p class="f90">Invite the students and friends of Trinity College to examine their complete line of</p>
+<p class="f120"><b>Toilet Articles, Perfumery, Stationery,</b></p>
+<p class="f90">and all articles usually found in a first-class drug store.</p>
+<hr class="chap" />
+
+<p class="f150">THE BEST.<span class="ws8">THE BEST.</span></p>
+
+<div class="blockquot">
+<p>Holmes’ New Readers, Maury’s Geographies, and
+Holmes’ New History are recommended by the State
+Board of Education for exclusive use in the schools
+of North Carolina. Best books at lowest prices. Every
+school should have them.</p>
+
+<p class="author">UNIVERSITY PUB. Co.,</p>
+<p>19 Murray St.,<span class="ws12">&nbsp;</span><span class="smcap">New York</span>.</p>
+</div>
+<hr class="chap" />
+
+<p class="f200"><b>THOMAS BROS.,</b></p>
+<p class="f90">Successors to Thomas, Reece &amp; Co.,</p>
+<p class="f120">POWER</p>
+<p class="f200"><b>Book AND Job Printers,</b></p>
+<p class="f120"><b>GREENSBORO, N. C.</b></p>
+<p class="center"><i>Printers of “The Archive.”</i></p>
+<hr class="full" />
+
+<div class="transnote bbox space-above2">
+<p class="f120 space-above1">Transcriber’s Notes:</p>
+<hr class="r5" />
+<p class="indent">Typographical and punctuation errors have been silently corrected.</p>
+</div>
+<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK THE TRINITY ARCHIVE, VOL. I, NO. 7, MAY 1888 ***</div>
+<div style='text-align:left'>
+
+<div style='display:block; margin:1em 0'>
+Updated editions will replace the previous one&#8212;the old editions will
+be renamed.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+</div>
+
+<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
+<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
+</div>
+
+<div style='display:block; margin:1em 0'>
+To protect the Project Gutenberg&#8482; mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &#8220;Project
+Gutenberg&#8221;), you agree to comply with all the terms of the Full
+Project Gutenberg&#8482; License available with this file or online at
+www.gutenberg.org/license.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.A. By reading or using any part of this Project Gutenberg&#8482;
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg&#8482; electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg&#8482; electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the person
+or entity to whom you paid the fee as set forth in paragraph 1.E.8.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg&#8482; electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg&#8482; electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg&#8482;
+electronic works. See paragraph 1.E below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
+Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg&#8482; electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg&#8482; mission of promoting
+free access to electronic works by freely sharing Project Gutenberg&#8482;
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg&#8482; name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg&#8482; License when
+you share it without charge with others.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg&#8482; work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E. Unless you have removed all references to Project Gutenberg:
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg&#8482; License must appear
+prominently whenever any copy of a Project Gutenberg&#8482; work (any work
+on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
+phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+</div>
+
+<blockquote>
+  <div style='display:block; margin:1em 0'>
+    This eBook is for the use of anyone anywhere in the United States and most
+    other parts of the world at no cost and with almost no restrictions
+    whatsoever. You may copy it, give it away or re-use it under the terms
+    of the Project Gutenberg License included with this eBook or online
+    at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+    are not located in the United States, you will have to check the laws
+    of the country where you are located before using this eBook.
+  </div>
+</blockquote>
+
+<div style='display:block; margin:1em 0'>
+1.E.2. If an individual Project Gutenberg&#8482; electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase &#8220;Project
+Gutenberg&#8221; associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg&#8482;
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg&#8482; License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg&#8482;.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg&#8482; License.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg&#8482; work in a format
+other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
+version posted on the official Project Gutenberg&#8482; website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original &#8220;Plain
+Vanilla ASCII&#8221; or other form. Any alternate format must include the
+full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg&#8482; works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg&#8482; electronic works
+provided that:
+</div>
+
+<div style='margin-left:0.7em;'>
+    <div style='text-indent:-0.7em'>
+        &bull; You pay a royalty fee of 20% of the gross profits you derive from
+        the use of Project Gutenberg&#8482; works calculated using the method
+        you already use to calculate your applicable taxes. The fee is owed
+        to the owner of the Project Gutenberg&#8482; trademark, but he has
+        agreed to donate royalties under this paragraph to the Project
+        Gutenberg Literary Archive Foundation. Royalty payments must be paid
+        within 60 days following each date on which you prepare (or are
+        legally required to prepare) your periodic tax returns. Royalty
+        payments should be clearly marked as such and sent to the Project
+        Gutenberg Literary Archive Foundation at the address specified in
+        Section 4, &#8220;Information about donations to the Project Gutenberg
+        Literary Archive Foundation.&#8221;
+    </div>
+
+    <div style='text-indent:-0.7em'>
+        &bull; You provide a full refund of any money paid by a user who notifies
+        you in writing (or by e-mail) within 30 days of receipt that s/he
+        does not agree to the terms of the full Project Gutenberg&#8482;
+        License. You must require such a user to return or destroy all
+        copies of the works possessed in a physical medium and discontinue
+        all use of and all access to other copies of Project Gutenberg&#8482;
+        works.
+    </div>
+
+    <div style='text-indent:-0.7em'>
+        &bull; You provide, in accordance with paragraph 1.F.3, a full refund of
+        any money paid for a work or a replacement copy, if a defect in the
+        electronic work is discovered and reported to you within 90 days of
+        receipt of the work.
+    </div>
+
+    <div style='text-indent:-0.7em'>
+        &bull; You comply with all other terms of this agreement for free
+        distribution of Project Gutenberg&#8482; works.
+    </div>
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg&#8482; electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg&#8482; trademark. Contact the Foundation as set
+forth in Section 3 below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
+electronic works, and the medium on which they may be stored, may
+contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
+of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg&#8482; trademark, and any other party distributing a Project
+Gutenberg&#8482; electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg&#8482; electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg&#8482;
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg&#8482; work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg&#8482; work, and (c) any
+Defect you cause.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 2. Information about the Mission of Project Gutenberg&#8482;
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
+goals and ensuring that the Project Gutenberg&#8482; collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg&#8482; and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 3. Information about the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&#8217;s EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state&#8217;s laws.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation&#8217;s business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation&#8217;s website
+and official page at www.gutenberg.org/contact
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; depends upon and cannot survive without widespread
+public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular state
+visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+</div>
+
+<div style='display:block; margin:1em 0'>
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 5. General Information About Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+Professor Michael S. Hart was the originator of the Project
+Gutenberg&#8482; concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg&#8482; eBooks with only a loose network of
+volunteer support.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Most people start at our website which has the main PG search
+facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+This website includes information about Project Gutenberg&#8482;,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+</div>
+
+</div>
+
+</body>
+</html>
diff --git a/64583-h/images/cbr-2.jpg b/64583-h/images/cbr-2.jpg
new file mode 100644
index 0000000..8b992f4
--- /dev/null
+++ b/64583-h/images/cbr-2.jpg
diff --git a/64583-h/images/cover.jpg b/64583-h/images/cover.jpg
new file mode 100644
index 0000000..26da797
--- /dev/null
+++ b/64583-h/images/cover.jpg
diff --git a/64583-h/images/i_122.jpg b/64583-h/images/i_122.jpg
new file mode 100644
index 0000000..6a0c902
--- /dev/null
+++ b/64583-h/images/i_122.jpg
author	nfenwick <nfenwick@pglaf.org>	2025-01-23 09:17:45 -0800
committer	nfenwick <nfenwick@pglaf.org>	2025-01-23 09:17:45 -0800
commit	fd28595fd443ebf786a3f0d9da07d65f813d197f (patch)
tree	7cea62318251c7a3fd935ad5693214fc3f70e5dd