summaryrefslogtreecommitdiff
path: root/old/64426-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/64426-0.txt')
-rw-r--r--old/64426-0.txt1345
1 files changed, 0 insertions, 1345 deletions
diff --git a/old/64426-0.txt b/old/64426-0.txt
deleted file mode 100644
index 58bf51c..0000000
--- a/old/64426-0.txt
+++ /dev/null
@@ -1,1345 +0,0 @@
-The Project Gutenberg eBook of Lynch Law in Georgia, by Ida B.
-Wells-Barnett
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Lynch Law in Georgia
-
-Author: Ida B. Wells-Barnett
-
-Release Date: January 31, 2021 [eBook #64426]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: Chuck Greif and the Online Distributed Proofreading Team at
- http://www.pgdp.net (This file was produced from images
- available at The Internet Archive)
-
-*** START OF THE PROJECT GUTENBERG EBOOK LYNCH LAW IN GEORGIA ***
-
-
-
-
- +------------------------------------------+
- |Transcriber’s note: The city of Newnan, GA|
- |is many times referred to as Newman, Ga. |
- +------------------------------------------+
-
-
-
- Lynch Law
- in Georgia.
-
- BY
-
- IDA B. WELLS=BARNETT
-
- A Six-Weeks’ Record in the Center of Southern Civilization,
- As Faithfully Chronicled by the “Atlanta Journal”
- and the “Atlanta Constitution.”
-
- ALSO THE FULL REPORT OF LOUIS P. LE VIN,
-
- The Chicago Detective Sent to Investigate the Burning of
- Samuel Hose, the Torture and Hanging of Elijah Strickland,
- the Colored Preacher, and the Lynching
- of Nine Men for Alleged Arson.
-
-
- This Pamphlet is Circulated by Chicago Colored Citizens.
- 2939 Princeton Avenue, Chicago.
-
-
-
-
-CONSIDER THE FACTS.
-
-
-During six weeks of the months of March and April just past, twelve
-colored men were lynched in Georgia, the reign of outlawry culminating
-in the torture and hanging of the colored preacher, Elijah Strickland,
-and the burning alive of Samuel Wilkes, alias Hose, Sunday, April 23,
-1899.
-
-The real purpose of these savage demonstrations is to teach the Negro
-that in the South he has no rights that the law will enforce. Samuel
-Hose was burned to teach the Negroes that no matter what a white man
-does to them, they must not resist. Hose, a servant, had killed
-Cranford, his employer. An example must be made. Ordinary punishment was
-deemed inadequate. This Negro must be burned alive. To make the burning
-a certainty the charge of outrage was invented, and added to the charge
-of murder. The daily press offered reward for the capture of Hose and
-then openly incited the people to burn him as soon as caught. The mob
-carried out the plan in every savage detail.
-
-Of the twelve men lynched during that reign of unspeakable barbarism,
-only one was even charged with an assault upon a woman. Yet Southern
-apologists justify their savagery on the ground that Negroes are lynched
-only because of their crimes against women.
-
-The Southern press champions burning men alive, and says, “Consider the
-facts.” The colored people join issue and also say, “Consider the
-facts.” The colored people of Chicago employed a detective to go to
-Georgia, and his report in this pamphlet gives the facts. We give here
-the details of the lynching as they were reported in the Southern
-papers, then follows the report of the true facts as to the cause of the
-lynchings, as learned by the investigation. We submit all to the sober
-judgment of the Nation, confident that, in this cause, as well as all
-others, “Truth is mighty and will prevail.”
-
- IDA B. WELLS-BARNETT.
-
-2939 Princeton Avenue, Chicago, June 20, 1899.
-
-
-
-
-CHAPTER I.
-
-NINE MEN LYNCHED ON SUSPICION.
-
-
-In dealing with all vexed questions, the chief aim of every honest
-inquirer should be to ascertain the facts. No good purpose is subserved
-either by concealment on the one hand or exaggeration on the other. “The
-truth, the whole truth and nothing but the truth,” is the only sure
-foundation for just judgment.
-
-The purpose of this pamphlet is to give the public the facts, in the
-belief that there is still a sense of justice in the American people,
-and that it will yet assert itself in condemnation of outlawry and in
-defense of oppressed and persecuted humanity. In this firm belief the
-following pages will describe the lynching of nine colored men, who were
-arrested near Palmetto, Georgia, about the middle of March, upon
-suspicion that they were implicated in the burning of the three houses
-in February preceding.
-
-The nine suspects were not criminals, they were hard-working,
-law-abiding citizens, men of families. They had assaulted no woman, and,
-after the lapse of nearly a month, it could not be claimed that the fury
-of an insane mob made their butchery excusable. They were in the custody
-of the law, unarmed, chained together and helpless, awaiting their
-trial. They had no money to employ learned counsel to invoke the aid of
-technicalities to defeat justice. They were in custody of a white
-Sheriff, to be prosecuted by a white State’s Attorney, to be tried
-before a white judge, and by a white jury. Surely the guilty had no
-chance to escape.
-
-Still they were lynched. That the awful story of their slaughter may not
-be considered overdrawn, the following description is taken from the
-columns of the Atlanta Journal, as it was written by Royal Daniel, a
-staff correspondent. The story of the lynching thus told is as follows:
-
- Palmetto, Ga., March 16.--A mob of more than 100 desperate men,
- armed with Winchesters and shotguns and pistols and wearing masks,
- rode into Palmetto at 1 o’clock this morning and shot to death four
- Negro prisoners, desperately wounded another and with deliberate
- aim fired at four others, wounding two, believing the entire nine
- had been killed.
-
- The boldness of the mob and the desperateness with which the murder
- was contemplated and executed, has torn the little town with
- excitement and anxiety.
-
- All business has been suspended, and the town is under military
- patrol, and every male inhabitant is armed to the teeth, in
- anticipation of an outbreak which is expected to-night.
-
- Last night nine Negroes were arrested and placed in the warehouse
- near the depot. The Negroes were charged with the burning of the
- two business blocks here in February.
-
- At 1 o’clock this morning the mob dashed into town while the people
- slept.
-
- They rushed to the warehouse in which the nine Negroes were guarded
- by six white men.
-
- The door was burst open and the guards were ordered to hold up
- their hands.
-
- Then the mob fired two volleys into the line of trembling, wretched
- and pleading prisoners, and to make sure of their work, placed
- pistols in the dying men’s faces and emptied the chambers.
-
- Citizens who were aroused by the shooting and ran out to
- investigate the cause were driven to their homes at the point of
- guns and pistols and then the mob mounted their horses and dashed
- out of town, back into the woods and home again.
-
- None of the mob was recognized, as their faces were completely
- concealed by masks. The men did their work orderly and coolly and
- exhibited a determination seldom equaled under similar
- circumstances.
-
- The nine Negroes were tied with ropes and were helpless.
-
- The guard was held at the muzzle of guns and threatened with death
- if a man moved.
-
- Then the firing was deliberately done, volley by volley.
-
- The Negroes now dead are: Tip Hudson, Bud Cotton, Ed Wynn, Henry
- Bingham.
-
- Fatally shot and now dying: John Bigby.
-
- Shot but will recover: John Jameson.
-
- Arm broken: George Tatum.
-
- Escaped without injury: Ison Brown, Clem Watts.
-
- The men who were guarding the Negroes are well known and prominent
- citizens of Palmetto, and were sworn in only yesterday as a special
- guard for the night.
-
- The commitment trial of the Negroes was set for 9 o’clock this
- morning.
-
- Bud Cotton, who was killed, had confessed to the burning of the
- stores in Palmetto, and had implicated all the others who had been
- arrested.
-
- The military having been sent by Governor Candler arrived at 10:40
- o’clock this morning on a special train under command of Colonel
- John S. Candler.
-
- The Negro population of Palmetto has fled from town and it is
- believed the Negroes are now congregating on the outskirts and will
- make an assault upon the town to-night.
-
- The place is in the wildest excitement and every citizen is armed,
- expecting an outbreak as soon as night shall fall.
-
- The Negroes left the town in droves early this morning, weeping and
- screaming and dogged and revengeful.
-
- Business has been entirely suspended and Palmetto, formerly a
- peaceful agricultural village, is running riot with intense
- excitement and anxiety is expressed by every one.
-
- The lives and property of citizens will be protected at any cost,
- and the white people, while condemning the act of lawlessness of
- the mob, are determined to meet any attempt the Negroes may make
- for revenge.
-
- It was just past the hour of midnight. The guards were sleepy and
- tired of the weary watch and the little city of Palmetto was sound
- asleep, with nothing to disturb the midnight hour or to interrupt
- the crime that was about to be committed.
-
- Without the slightest noise the mob of lynchers approached the door
- to the warehouse. Not a false step was made, not a dead leaf was
- trod upon and not even the creaking of a shoe or the clearing of a
- throat broke the stillness.
-
- With a noise that shook the buildings and threw every man to his
- feet the big fireproof door was suddenly struck as if with the
- force of a battering ram.
-
- The guards sprang to their guns and the Negroes screamed for mercy.
-
- But there were rifles, shotguns and pistols everywhere.
-
- The little anteroom was packed full of armed men in an instant. The
- men seemed to come up through the floor and through the walls, so
- rapidly did they fill the room. And still others poured in at the
- door, and when the room was filled so that not another man could
- enter, the door was slammed to with awful noise and force.
-
- The Negroes were screaming at the top of their voices.
-
- “Hands up and don’t move; if you move a foot or turn your hands I
- will blow your damned brains out,” came the stern and rigid command
- from a man of small, thick stature, his face wholly concealed by a
- mask of white cloth and holding in his hands a couple of dangerous
- horse pistols.
-
- The guards threw their hands up above their heads, all except one
- guard, James Hendricks, who lifted only one hand, while the other
- firmly grasped his revolver.
-
- “I’ll blow hell out of you in a minute if you don’t put that hand
- up,” came the warning, and the hand followed the other one.
-
- The command was then given to move, and move quick.
-
- “You guards, move, and move quick, if you don’t want to get your
- brains blown out,” cried the low man, who was the mob’s leader.
-
- The guards were then placed in line, six of them, and marched
- around the room and then marched to the front of the room, near the
- door through which the mob had entered.
-
- They were placed in line against the front wall of the building and
- ordered not to move at the cost of their lives.
-
- They did not speak, neither did they move, and not a word was said
- by the guard to the mob.
-
- The men then walked around where they could get a good look at the
- trembling, pleading, terror-stricken Negroes, begging for life and
- declaring that they were innocent.
-
- There was a moment’s pause of deliberation. The Negroes thought it
- meant that the assassins hesitated in their bloody deed, but the
- men hesitated only because they wanted deliberate action and a
- clear range for their bullets.
-
- The Negroes, helpless, tied together with ropes, begged for mercy,
- for they saw the cold gun barrels, the angry and determined faces
- of the men, and they knew it meant death--instant death to them.
-
- “Oh, God, have mercy!” cried one of the men in his agony. “Oh, give
- me a minute to live.”
-
- The cry for mercy and the prayer for life brought an oath from the
- leader and derisive laughter from the mob.
-
- “Stand up in a line,” said the man in command. “Stand up and we
- will see if we can’t kill you out; if we can’t, we’ll turn out.”
-
- The Negroes faltered.
-
- “Burn the devils,” came a suggestion from the crowd.
-
- “No, we’ll shoot ’em like dogs,” said the mob’s leader.
-
- “Stand up, every one of you and get up quick and march to the end
- of the room.”
-
- The Negroes slowly stood up. The mob came closer and pressed about
- the stacks of furniture that had been stored in the room.
-
- The leader asked if everybody’s gun was loaded and the men answered
- in the affirmative.
-
- The Negroes pleaded and prayed for mercy.
-
- They stood, trembling wretches, jerking at the long ropes that held
- them by the waist and about the wrists.
-
- “Oh, give me a minute longer!” implored Bud Cotton.
-
- “My men, are you ready?” asked the captain, still cool and composed
- and fearfully determined to execute the bloodiest deed that has
- ever stained Campbell County.
-
- “Ready,” came the unanimous response.
-
- “One, two, three--fire!” was the command, given orderly, but
- hurriedly.
-
- Every man in the room, and the number is estimated at from
- seventy-five to one hundred and fifty, fired point blank at the
- line of trembling and terror-stricken bound wretches.
-
- The volley came as the fire from a gatling gun.
-
- It filled the warehouse with smoke and flame and death and brought
- a wail of horror that chilled the helpless guard.
-
- The volley awakened the peaceful town of Palmetto and from every
- house the excited citizens ran.
-
- “Load and fire again,” shouted the captain of the mob, and his
- voice was heard above the screaming and death cries of the wounded
- and dead.
-
- The men rapidly loaded their guns, then fired at the given command.
-
- “Now, before you leave, load and get ready for trouble,” came the
- captain’s order, and then men loaded their guns and got ready to
- leave the bloody room.
-
- The guard was not relieved, however, until every man had left the
- building and all was safe for their hasty flight.
-
- “I wonder if they are all dead,” said one of the mob, when the
- order was given to leave the building.
-
- “I reckon so,” said one of the mob.
-
- “But we had better see,” said the captain coolly and assuming an
- air of business.
-
- A detail of probably a half dozen men, probably a dozen and maybe
- more, the guard does not remember just how many, was sent forward
- into the blood and brains and into the twisting mass of dying men
- to examine if all were dead. They were given orders to finish those
- who were not dead.
-
- The detail rushed forward.
-
- The men jerked the fallen, twisting and writhing and bleeding
- bodies about.
-
- The first man they reached was not dead. He was still groaning, and
- the breath was coming in great, quick gasps.
-
- A pistol was placed at his breast and every chamber was emptied.
-
- “He’s dead now,” laughed one of the crowd.
-
- Other men, wounded, bleeding, moaning and begging, were caught,
- turned over and pistols emptied into their bodies.
-
- But the shooting had made so much noise that the mob concluded its
- safety lay in flight.
-
- The Negroes were quickly examined and with a parting shot and a
- volley of oaths of warning the mob left the warehouse and rushed to
- their horses.
-
- The men ran from the warehouse to the little spot in the center of
- the town, where horses are tied by countrymen and merchants.
-
- They mounted quickly and began their ride for life.
-
- With a sweeping of falling and echoing hoofs the cavalrymen dashed
- down the principal street at breakneck speed.
-
- Mr. Henry Beckman, who lives a few hundred yards beyond the scene
- of the murders, heard the firing and ran from his house to the
- railroad tracks.
-
- The horsemen, using the lash and urging their horses to their
- highest speed, dashed into view.
-
- “Hello,” said Beckman, “what does all that firing mean?”
-
- Beckman was answered with an oath and told to get into his hole as
- quickly as possible. “If you don’t, we’ll kill you on the spot,”
- was the warning.
-
- Beckman flew for life, ran through the yard and entered the house
- as quickly as possible.
-
- Dr. Hal L. Johnson saw a crowd of men on foot running down the
- sidewalk.
-
- He hailed them, but there was no response.
-
- “There must have been more than one hundred men on horses,” said
- Mr. Beckman this morning, in telling the Journal of his wild night
- experience with the mob.
-
- When the mob left, the guards, who had been held against the
- warehouse wall at the points of guns and pistols, turned their
- faces toward the scene of carnage and death.
-
- The furniture in the room had been splintered and wrecked with
- bullets and the contortions of the Negroes.
-
- On the floor, near the center of the room, were two Negroes, still
- tied with the rope, locked in each other’s embrace. Near their
- bodies streams of blood were dyeing red the floor and spreading out
- in pools.
-
- Just beyond were two more bodies. These Negroes were dead, too.
-
- Near the fireplace was John Bigby, twisting and writhing in his
- agony. Blood was spouting from a number of wounds.
-
- Under the beds and tables and piles of furniture were other bodies,
- every prisoner apparently dead, except Bigby, who was fast
- regaining consciousness.
-
- The guards opened the door cautiously, but there was no sign of the
- mob, save the echoing footfalls on the country road.
-
-
-
-
-CHAPTER II.
-
-TORTURED AND BURNED ALIVE.
-
-
-The burning of Samuel Hose, or, to give his right name, Samuel Wilkes,
-gave to the United States the distinction of having burned alive seven
-human beings during the past ten years. The details of this deed of
-unspeakable barbarism have shocked the civilized world, for it is
-conceded universally that no other nation on earth, civilized or savage,
-has put to death any human being with such atrocious cruelty as that
-inflicted upon Samuel Hose by the Christian white people of Georgia.
-
-The charge is generally made that lynch law is condemned by the best
-white people of the South, and that lynching is the work of the lowest
-and lawless class. Those who seek the truth know the fact to be, that
-all classes are equally guilty, for what the one class does the other
-encourages, excuses and condones.
-
-This was clearly shown in the burning of Hose. This awful deed was
-suggested, encouraged and made possible by the daily press of Atlanta,
-Georgia, until the burning actually occurred, and then it immediately
-condoned the burning by a hysterical plea to “consider the facts.”
-
-Samuel Hose killed Alfred Cranford Wednesday afternoon, April 12, 1899,
-in a dispute over wages due Hose. The dispatch which announced the
-killing of Cranford stated that Hose had assaulted Mrs. Cranford and
-that bloodhounds had been put on his track.
-
-The next day the Atlanta Constitution, in glaring double headlines,
-predicted a lynching and suggested burning at the stake. This it
-repeated in the body of the dispatch in the following language:
-
-“When Hose is caught he will either be lynched and his body riddled with
-bullets or he will be burned at the stake.” And further in the same
-issue the Constitution suggests torture in these words: “There have been
-whisperings of burning at the stake and of torturing the fellow, and so
-great is the excitement, and so high the indignation, that this is among
-the possibilities.”
-
-In the issue of the 15th, in another double-column display heading, the
-Constitution announces: “Negro will probably be burned,” and in the body
-of the dispatch burning and torture is confidently predicted in these
-words:
-
-“Several modes of death have been suggested for him, but it seems to be
-the universal opinion that he will be burned at the stake and probably
-tortured before burned.”
-
-The next day, April 16th, the double-column head still does its
-inflammatory work. Never a word for law and order, but daily
-encouragement for burning. The headlines read: “Excitement still
-continues intense, and it is openly declared that if Sam Hose is brought
-in alive he will be burned,” and in the dispatch it is said:
-
-“The residents have shown no disposition to abandon the search in the
-immediate neighborhood of Palmetto; their ardor has in no degree cooled,
-and if Sam Hose is brought here by his captors he will be publicly
-burned at the stake as an example to members of his race who are said to
-have been causing the residents of this vicinity trouble for some time.”
-
-On the 19th the Constitution assures the public that interest in the
-pursuit of Hose does not lag, and in proof of the zeal of the pursuers
-said:
-
-“‘If Hose is on earth I’ll never rest easy until he’s caught and burned
-alive. And that’s the way all of us feel,’ said one of them last night.”
-
-Clark Howell, editor, and W. A. Hemphill, business manager, of the
-Constitution, had offered through their paper a reward of five hundred
-dollars for the arrest of the fugitive. This reward, together with the
-persistent suggestion that the Negro be burned as soon as caught, make
-it plain as day that the purpose to burn Hose at the stake was formed by
-the leading citizens of Georgia. The Constitution offered the reward to
-capture him, and then day after day suggested and predicted that he be
-burned when caught. The Chicago anarchists were hanged, not because they
-threw the bomb, but because they incited to that act the unknown man who
-did throw it. Pity that the same law cannot be carried into force in
-Georgia!
-
-Hose was caught Saturday night, April 23, and let the Constitution tell
-the story of his torture and death.
-
-From the issue of April 24th the following account is condensed:
-
- Newman, Ga., April 23.--(Special.)--Sam Hose, the Negro murderer of
- Alfred Cranford and the assailant of Cranford’s wife, was burned at
- the stake one mile and a quarter from this place this afternoon at
- 2:30 o’clock. Fully 2,000 people surrounded the small sapling to
- which he was fastened and watched the flames eat away his flesh,
- saw his body mutilated by knives and witnessed the contortions of
- his body in his extreme agony.
-
- Such suffering has seldom been witnessed, and through it all the
- Negro uttered hardly a cry. During the contortions of his body
- several blood vessels bursted. The spot selected was an ideal one
- for such an affair, and the stake was in full view of those who
- stood about and with unfeigned satisfaction saw the Negro meet his
- death and saw him tortured before the flames killed him.
-
- A few smoldering ashes scattered about the place, a blackened
- stake, are all that is left to tell the story. Not even the bones
- of the Negro were left in the place, but were eagerly snatched by a
- crowd of people drawn here from all directions, who almost fought
- over the burning body of the man, carving it with knives and
- seeking souvenirs of the occurrence.
-
- Preparations for the execution were not necessarily elaborate, and
- it required only a few minutes to arrange to make Sam Hose pay the
- penalty of his crime. To the sapling Sam Hose was tied, and he
- watched the cool, determined men who went about arranging to burn
- him.
-
- First he was made to remove his clothing, and when the flames began
- to eat into his body it was almost nude. Before the fire was
- lighted his left ear was severed from his body. Then his right ear
- was cut away. During this proceeding he uttered not a groan. Other
- portions of his body were mutilated by the knives of those who
- gathered about him, but he was not wounded to such an extent that
- he was not fully conscious and could feel the excruciating pain.
- Oil was poured over the wood that was placed about him and this was
- ignited.
-
- The scene that followed is one that never will be forgotten by
- those who saw it, and while Sam Hose writhed and performed
- contortions in his agony, many of those present turned away from
- the sickening sight, and others could hardly look at it. Not a
- sound but the crackling of the flames broke the stillness of the
- place, and the situation grew more sickening as it proceeded.
-
- The stake bent under the strains of the Negro in his agony and his
- sufferings cannot be described, although he uttered not a sound.
- After his ears had been cut off he was asked about the crime, and
- then it was he made a full confession. At one juncture, before the
- flames had begun to get in their work well, the fastenings that
- held him to the stake broke and he fell forward partially out of
- the fire.
-
- He writhed in agony and his sufferings can be imagined when it is
- said that several blood vessels burst during the contortions of his
- body. When he fell from the stake he was kicked back and the flames
- renewed. Then it was that the flames consumed his body and in a few
- minutes only a few bones and a small part of the body was all that
- was left of Sam Hose.
-
- One of the most sickening sights of the day was the eagerness with
- which the people grabbed after souvenirs, and they almost fought
- over the ashes of the dead criminal. Large pieces of his flesh were
- carried away, and persons were seen walking through the streets
- carrying bones in their hands.
-
- When all the larger bones, together with the flesh, had been
- carried away by the early comers, others scraped in the ashes, and
- for a great length of time a crowd was about the place scraping in
- the ashes. Not even the stake to which the Negro was tied when
- burned was left, but it was promptly chopped down and carried away
- as the largest souvenir of the burning.
-
-
-
-
-CHAPTER III.
-
-ELIJAH STRICKLAND, A COLORED PREACHER, LYNCHED.
-
-
-Sunday night, April 23d, a mob seized a well-known colored preacher,
-Elijah Strickland, and, after savage torture, slowly strangled him to
-death. The following account of the lynching is taken from the Atlanta
-Constitution:
-
- Palmetto, Ga., April 24.--(Special.)--The body of Lige Strickland,
- the negro who was implicated in the Cranford murder by Sam Hose,
- was found this morning swinging to the limb of a persimmon tree
- within a mile and a quarter of this place, as told in the
- Constitution extra yesterday. Before death was allowed to end the
- sufferings of the Negro, his ears were cut off and the small finger
- of his left hand was severed at the second joint. One of these
- trophies was in Palmetto to-day.
-
- On the chest of the Negro was a scrap of blood-stained paper,
- attached with an ordinary pin. On one side this paper contained the
- following:
-
- “N. Y. Journal. We must protect our Ladies. 23--99.”
-
- The other side of the paper contained a warning to the Negroes of
- the neighborhood. It read as follows:
-
- “Beware all darkies. You will be treated the same way.”
-
- Before being finally lynched, Lige Strickland was given a chance to
- confess to the misdeeds of which the mob supposed him to be guilty,
- but he protested his innocence until the end.
-
- Three times the noose was placed around his neck and the Negro was
- drawn up off the ground; three times he was let down with warnings
- that death was in store for him should he fail to confess his
- complicity in the Cranford murder, and three times Strickland
- proclaimed his innocence, until, weary of useless torturing, the
- mob pulled on the rope and tied the end around the slender trunk of
- the persimmon tree.
-
- Not a shot was fired by the mob. Strickland was strangled to death.
- He was lynched about 2:30 a. m.
-
- The lynching of Lige Strickland was not accomplished without a
- desperate effort on the part of his employer to save his life. The
- man who pleaded for the Negro is Major W. W. Thomas, an ex-State
- Senator, and one of the most distinguished citizens of Coweta
- County.
-
- Sunday night, about 8:30 o’clock, about fifteen men went to the
- plantation of Major Thomas and took Lige Strickland from the little
- cabin in the woods that he called home, leaving his wife and five
- children to wail and weep over the fate they knew was in store for
- the Negro. Their cries aroused Major Thomas, and that sturdy old
- gentleman of the antebellum type followed the lynchers in his
- buggy, accompanied by his son, W. M. Thomas, determined to save, if
- possible, the life of his plantation darky.
-
- He overtook the lynchers with their victim at Palmetto, and then
- ensued the weirdest and most dramatic scene this section has ever
- known, with only the moonlight to show the faces of the grim,
- determined men.
-
- It had for its actors the Negro, apparently unconcerned even with
- the noose around his neck; the old white-haired gentlemen, pleading
- for the life of his servant, and attempting to prove the innocence
- of the Negro to men who would not be convinced.
-
- Lige Strickland was halted directly opposite the telegraph office.
- The noose was adjusted around his neck and the end of the rope was
- thrown over a tree. Strickland was told he had a chance before
- dying to confess his complicity in the crime. He replied:
-
- “I have told you all I know, gentlemen. You can kill me if you
- wish, but I know nothing more to tell.”
-
- The Negro’s life might have been ended then but for the arrival of
- Major Thomas, who leaped from his buggy and asked for a hearing. He
- asked the crowd to give the Negro a chance for his life here on the
- streets of Palmetto, and Major Thomas said he would speak in his
- defense. A short conference resulted in acquiescence to this, and
- Major Thomas spoke in substance as follows:
-
- “Gentlemen, this Negro is innocent. Hose said Lige had promised to
- give him $20 to kill Cranford, and I believe Lige has not had $20
- since he has been on my place. This is a law-abiding Negro you are
- about to hang. He has never done any of you any harm, and now I
- want you to promise me that you will turn him over either to the
- bailiff of this town or to some one who is entitled to receipt for
- him, in order that he may be given a hearing on his case. I do not
- ask that you liberate him. Hold him and if the courts adjudge him
- guilty, hang him.”
-
- There were some, however, who agreed with Major Thomas, and after a
- discussion a vote was taken, which was supposed to mean life or
- death to Lige Strickland. The vote to let him live was unanimous.
-
- Major Thomas then retired some distance and the mob was preparing
- to send Strickland in a wagon to Newnan when a member of the mob
- said:
-
- “We have got him here, let’s keep him.”
-
- This again aroused the mob and a messenger was sent to advise Major
- Thomas to leave Palmetto for his own good, but the old gentleman
- was not frightened so easily. He drew himself up and said with all
- the emphasis he could summon:
-
- “I have never before been ordered to leave a town and I am not
- going to leave this one.” And then the Major, uplifting his hand to
- give his words force, said to the messenger:
-
- “Tell them that the muscles in my legs are not trained to running;
- tell them that I have stood the fire and heard the whistle of the
- minies from a thousand rifles and I am not frightened by this
- crowd.”
-
- Major Thomas was not molested.
-
- Then, with the understanding that Lige Strickland was to be
- delivered to the jailer at Fairburn, Major Thomas saw the Negro he
- had pleaded for led off to his death. This occurred at about 1
- o’clock this morning.
-
- Strickland was then taken in the rear of the home of Dr. W. S.
- Zellars, to the persimmon tree upon which his lifeless body was
- left hanging.
-
-
-
-
-CHAPTER IV.
-
-REPORT OF DETECTIVE LOUIS P. LE VIN.
-
-
-The colored citizens of Chicago sent a detective to Georgia, and his
-report shows that Samuel Hose, who was brutally tortured at Newnan, Ga.,
-and then burned to death, never assaulted Mrs. Cranford and that he
-killed Alfred Cranford in self-defense.
-
-The full text of the report is as follows:
-
-About three weeks ago I was asked to make an impartial and thorough
-investigation of the lynchings which occurred near Atlanta, Ga., not
-long since. I left Chicago for Atlanta, and spent over a week in the
-investigation. The facts herein were gathered from interviews with
-persons I met in Griffin, Newman, Atlanta and in the vicinity of these
-places.
-
-I found no difficulty in securing interviews from white people. There
-was no disposition on their part to conceal any part they took in the
-lynchings. They discussed the details of the burning of Sam Hose with
-the freedom which one would talk about an afternoon’s divertisement in
-which he had very pleasantly participated.
-
-Who was Sam Hose? His true name was Samuel Wilkes. He was born in Macon,
-Ga., where he lived until his father died. The family, then consisting
-of his mother, brother and sister, moved to Marshall, where all worked
-and made the reputation of hard-working, honest people. Sam studied and
-was soon able to read and write, and was considered a bright, capable
-man. His mother became an invalid, and as his brother was considered
-almost an imbecile, Sam was the mainstay of the family. He worked on
-different farms, and among the men he worked for was B. Jones, who
-afterward captured him and delivered him over to the mob at Newman.
-
-Sam’s mother partly recovered, and as his sister married, Sam left and
-went to Atlanta to better his condition. He secured work near Palmetto
-for a man named Alfred Cranford, and worked for him for about two years,
-up to the time of the tragedy. I will not call it a murder, for Samuel
-Wilkes killed Alfred Cranford in self-defense. The story you have read
-about a Negro stealing into the house and murdering the unfortunate man
-at his supper has no foundation in fact. Equally untrue is the charge
-that after murdering the husband he assaulted the wife. The reports
-indicated that the murderer was a stranger, who had to be identified.
-The fact is he had worked for Cranford for over a year.
-
-Was there a murder? That Wilkes killed Cranford there is no doubt, but
-under what circumstances can never be proven. I asked many white people
-of Palmetto what was the motive. They considered it a useless question.
-A “nigger” had killed a white man, and that was enough. Some said it was
-because the young “niggers” did not know their places, others that they
-were getting too much education, while others declared that it was all
-due to the influence of the Northern “niggers”. W. W. Jackson, of
-Newman, said: “If I had my way about it I would lynch every Northern
-‘nigger’ that comes this way. They are at the bottom of this.” John Low,
-of Lincoln, Ala., said: “My negroes would die for me simply because I
-keep a strict hand on them and allow no Northern negroes to associate
-with them.”
-
-Upon the question of motive there was no answer except that which was
-made by Wilkes himself. The dispatches said that Wilkes confessed both
-to the murder and the alleged assault upon Mrs. Cranford. But neither of
-these reports is true. Wilkes did say that he killed Mr. Cranford, but
-he did not at any time admit that he assaulted Mrs. Cranford. This he
-denied as long as he had breath.
-
-After the capture Wilkes told his story. He said that his trouble began
-with Mr. Cranford a week before. He said that he had word that his
-mother was much worse at home, and that he wanted to go home to visit
-his mother. He told Mr. Cranford and asked for some money. Cranford
-refused to pay Wilkes, and that provoked hard words. Cranford was known
-to be a man of quick temper, but nothing more occurred that day. The
-next day Cranford borrowed a revolver and said that if Sam started any
-more trouble he would kill him.
-
-Sam, continuing his story, said that on the day Cranford was killed he
-(Sam) was out in the yard cutting up wood; that Cranford came out into
-the yard, and that he and Cranford began talking about the subject of
-their former trouble; that Cranford became enraged and drew his gun to
-shoot, and then Sam threw the ax at Cranford and ran. He knew the ax
-struck Cranford, but did not know Cranford had been killed by the blow
-for several days. At the time of the encounter in the yard, Sam said
-that Mrs. Cranford was in the house, and that after he threw the ax at
-Cranford he never saw Mrs. Cranford, for he immediately went to the
-woods and kept in hiding until he reached the vicinity of his mother’s
-home, where he was captured. During all the time Sam was on the train
-going to the scene of the burning, Sam is said by all I talked with to
-have been free from excitement or terror. He told his story in a
-straightforward way, said he was sorry he had killed Cranford and always
-denied that he had attacked Mrs. Cranford.
-
-I did not see Mrs. Cranford. She was still suffering from the awful
-shock. As soon as her husband was killed she ran to the home of his
-father and told him that Sam had killed her husband. She did not then
-say that Sam had assaulted her. She was completely overcome and was soon
-unconscious and remained so for most of the next two days. So that at
-the time when the story was started that Sam had added the crime of
-outrage to murder, Mrs. Cranford, the only one who could have told about
-it, was lying either unconscious or delirious at the home of her
-father-in-law, G. E. Cranford.
-
-The burning of Wilkes was fully premeditated. It was no sudden outburst
-of a furious, maddened mob. It was known long before Wilkes was caught
-that he would be burned. The Cranfords are an old, wealthy and
-aristocratic family, and it was intended to make an example of the Negro
-who killed him. What exasperation the killing lacked was supplied by the
-report of the alleged attack on Mrs. Cranford. And it was not the
-irresponsible rabble that urged the burning, for it was openly advocated
-by some of the leading men of Palmetto. E. D. Sharkey, Superintendent
-Atlanta Bagging Mills, was one of the most persistent advocates of the
-burning. He claimed that he saw Mrs. Cranford the day after the killing
-and that she told him that she was assaulted. As a matter of fact, Mrs.
-Cranford was unconscious at that time. He persistently told the story
-and urged the burning of Sam as soon as caught.
-
-John Haas, President of the Capitol Bank, was particularly prominent in
-advocating the burning. People doing business at his bank, and coming
-from Newman and Griffin, were urged to make an example of Sam by burning
-him.
-
-W. A. Hemphill, President and business manager, and Clark Howell, editor
-of the Atlanta Constitution, contributed more to the burning than any
-other men and all other forces in Georgia. Through the columns of their
-paper they exaggerated every detail of the killing, invented and
-published inflammatory descriptions of a crime that was never committed,
-and by glaring head lines continually suggested the burning of the man
-when caught. They offered a reward of $500 blood money for the capture
-of the fugitive, and during all the time of the man-hunt they never made
-one suggestion that the law should have its course.
-
-The Governor of the State acquiesced in the burning by refusing to
-prevent it. Sam Wilkes was captured at 9 o’clock Saturday night. He was
-in Griffin by 9 o’clock Sunday morning. It was first proposed to burn
-him in Griffin, but the program was changed, and it was decided to take
-him to Newman to burn him. Governor Candler had ordered that Wilkes
-should be taken to the Fulton county jail when caught. That would have
-placed him in Atlanta. When Wilkes reached Griffin he was in custody of
-J. B. Jones, J. L. Jones, R. A. Gordon, William Matthews, P. F. Phelps,
-Charles Thomas and A. Rogowski. They would not take the prisoner to
-Atlanta, where the Governor had ordered him to be taken, but arranged to
-take him to Newman, where they knew a mob of six thousand were waiting
-to burn him. It is nearer to Atlanta from Griffin than Newman. Besides,
-there was no train going to Newman that Sunday morning, so the captors
-of Wilkes were obliged to secure a special train to take the prisoner to
-the place of burning. This required over two hours’ time to arrange, so
-that the special train did not leave Griffin for Newman until 11:40 a.
-m.
-
-Meanwhile the news of the capture of Wilkes was known all over Georgia.
-It was known in Atlanta in the early morning that the prisoner would not
-be brought to Atlanta, but that he would be taken to Newman to be
-burned. As soon as this was settled, a special train was engaged as an
-excursion train, to take people to the burning. It was soon filled by
-the criers, who cried out, “Special train to Newman! All aboard for the
-burning!” After this special moved out, another was made up to
-accommodate the late comers and those who were at church. In this way
-more than two thousand citizens of Atlanta were taken to the burning,
-while the Governor, with all the power of the State at his command,
-allowed all preparations for the burning to be made during ten hours of
-daylight, and did not turn his hand to prevent it.
-
-I do not need to give the details of the burning. I mention only one
-fact, and that is the disappointment which the crowd felt when it could
-not make Wilkes beg for mercy. During all the time of his torture he
-never uttered one cry. They cut off both ears, skinned his face, cut off
-his fingers, gashed his legs, cut open his stomach and pulled out his
-entrails, then when his contortions broke the iron chain, they pushed
-his burning body back into the fire. But through it all Wilkes never
-once uttered a cry or beg for mercy. Only once in a particularly
-fiendish torture did he speak, then he simply groaned, “Oh, Lord Jesus.”
-
-Among the prominent men at the burning, and whose identity was disclosed
-to me, are William Pinton, Clair Owens and William Potts, of Palmetto;
-W. W. Jackson and H. W. Jackson, of Newman; Peter Howson and T. Vaughn,
-of the same place; John Hazlett, Pierre St. Clair and Thomas Lightfoot,
-of Griffin. R. J. Williams, ticket agent at Griffin, made up the special
-Central Georgia Railroad train and advertised the burning at Griffin,
-while B. F. Wyly and George Smith, of Atlanta, made up two special
-Atlanta and West Point Railroad trains. All of these gentlemen of
-eminent respectability could give the authorities valuable information
-about the burning if called upon.
-
-While Wilkes was being burned the colored people fled terror-stricken to
-the woods, for none knew where the fury would strike. I talked with many
-colored people, but all will understand why I can give no names.
-
-The torture and hanging of the colored preacher is everywhere
-acknowledge to have been without a shadow of reason or excuse. I did not
-talk with one white man who believed that Strickland had anything to do
-with Wilkes. I could not find any person who heard Wilkes mention
-Strickland’s name. I talked with men who heard Wilkes tell his story,
-but all agreed that he said he killed Cranford because Cranford was
-about to kill him, and that he did not mention Strickland’s name. He did
-not mention it when he was being tortured because he did not speak to
-anybody. I could not find anybody who could tell me how the story
-started that Strickland hired Wilkes to kill Cranford.
-
-On the other hand, I saw many who knew Strickland, and all spoke of him
-in the highest terms. I went to see Mr. Thomas, and he said that
-Strickland had been about his family for years, and that he never knew a
-more reliable and worthy man among the colored people. He said that he
-was always advising the colored people to live right, keep good friends
-with the white people and earn their respect. He said he was nearly
-sixty years old and had not had five dollars at one time in a year. He
-defended the poor old man against the mob for a long time, and the mob
-finally agreed to put him in jail for a trial, but as soon as they had
-Strickland in their control they proceeded to lynch him.
-
-The torture of the innocent colored preacher was only a little less than
-that of Wilkes. His fingers and ears were cut off, and the mob inflicted
-other tortures that cannot even be suggested. He was strung up three
-times and let down each time so he could confess. But he died protesting
-his innocence. He left a wife and five children, all of whom are still
-on Colonel Thomas’ premises.
-
-I spent some time in trying to find the facts about the shooting of the
-five colored men at Palmetto a few days before Cranford was killed. But
-no one seemed to be able to tell who accused the men, and as they were
-not given a trial, there was no way to get at any of the facts. It seems
-that one or two barns or houses had been burned, and it was reported
-that the Negroes were setting fire to the buildings. Nine colored men
-were arrested on suspicion. They were not men of bad character, but
-quite the reverse. They were intelligent, hard-working men, and all
-declared they could easily prove their innocence. They were taken to a
-warehouse to be kept until their trial next day. That night, about 12
-o’clock, an armed mob marched to the place and fired three volleys into
-the line of chained prisoners. They then went away thinking all were
-dead. All the prisoners were shot. Of these five died. Nothing was done
-about the killing of these men, but their families were afterward
-ordered to leave the place, and all have left. Five widows and seventeen
-fatherless children, all driven from home, constitute one result of the
-lynching. I saw no one who thought much about the matter. The Negroes
-were dead, and while they did not know whether they were guilty or not,
-it was plain that nothing could be done about it. And so the matter
-ended. With these facts I made my way home, thoroughly convinced that a
-Negro’s life is a very cheap thing in Georgia.
-
- LOUIS P. LE VIN.
-
-
-
-
-
-*** END OF THE PROJECT GUTENBERG EBOOK LYNCH LAW IN GEORGIA ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.