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diff --git a/old/64368-h/64368-h.htm b/old/64368-h/64368-h.htm deleted file mode 100644 index 7ecc4f5..0000000 --- a/old/64368-h/64368-h.htm +++ /dev/null @@ -1,787 +0,0 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" -"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> -<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> -<head> -<meta http-equiv="Content-Type" content="text/html;charset=utf-8" /> -<meta http-equiv="Content-Style-Type" content="text/css" /> -<title> - The Project Gutenberg eBook of Water Color Renderings of Venice By Pierre Vigna. -</title> -<style type="text/css"> - -a:link {background-color:#ffffff;color:blue;text-decoration:none;} - - link {background-color:#ffffff;color:blue;text-decoration:none;} - -a:visited {background-color:#ffffff;color:purple;text-decoration:none;} - -a:hover {background-color:#ffffff;color:#FF0000;text-decoration:underline;} - -big {font-size: 130%;} - -body{margin-left:4%;margin-right:6%;background:#ffffff;color:black;font-family:"Times New Roman", serif;font-size:medium;} - -.c {text-align:center;text-indent:0%;} - -.caption {font-size:75%;text-align:center;text-indent:0%; -font-variant:small-caps;font-size:100%;} - -div.figcenter {margin:5% auto 1% auto;clear:both; -text-align:center;text-indent:0%;page-break-before:always;} - - h1 {margin-top:5%;text-align:center;clear:both; -font-weight:normal;} - - h2 {margin-top:4%;margin-bottom:2%;text-align:center;clear:both; - font-size:150%;font-weight:normal;} - - hr.full {width: 60%;margin:2% auto 2% auto;border-top:1px solid black; -padding:.1em;border-bottom:1px solid black;border-left:none;border-right:none;} - - img {border:none;} - -.nind {text-indent:0%;} - - p {margin-top:.2em;text-align:justify;margin-bottom:.2em;text-indent:4%;} - -.r {text-align:right;margin-right: 5%;} - -small {font-size: 70%;} - -.smcap {font-variant:small-caps;font-size:100%;} - -table {margin-top:2%;margin-bottom:2%;margin-left:auto;margin-right:auto;border:none;} - -.figleft {float:left;clear:left;margin-left:0; -margin-bottom:.1em;margin-top:.1em;margin-right:1em; -padding:0;text-align:center;} -</style> - </head> -<body> - -<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Water Color Renderings of Venice, by Pierre Vignal</div> - -<div style='display:block; margin:1em 0'> -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Water Color Renderings of Venice</div> - -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Pierre Vignal</div> - -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Contributor: William Robert Powell</div> - -<div style='display:block; margin:1em 0'>Release Date: January 22, 2021 [eBook #64368]</div> - -<div style='display:block; margin:1em 0'>Language: English</div> - -<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div> - -<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Chuck Greif (This file was produced from images available at The Internet Archive)</div> - -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK WATER COLOR RENDERINGS OF VENICE ***</div> -<hr class="full" /> - -<div class="figcenter"> -<a href="images/cover.jpg"> -<img src="images/cover.jpg" height="550" alt="[Image -of the book's cover unavailable.]" /></a> -</div> - -<h1>WATER COLOR -<br />RENDERINGS<br /> -OF VENICE<br />By<br />PIERRE VIGNA</h1> - -<p class="c"><i>Introduction By</i></p> - -<p class="c">WILLIAM ROBERT POWELL<br /><br /><br /> -J. H. JANSEN, PUBLISHER<br /> -CLEVELAND, O. -<br />1925</p> - -<h2><a name="LIST_OF_PLATES" id="LIST_OF_PLATES"></a>LIST OF PLATES</h2> - -<table border="0" cellpadding="4" cellspacing="0" summary=""> -<tr><td><a href="#ill_001">Ponte del Paradise</a></td></tr> -<tr><td><a href="#ill_002">A Rio</a></td></tr> -<tr><td><a href="#ill_003">Colleone</a></td></tr> -<tr><td><a href="#ill_004">The Rialto</a></td></tr> -<tr><td><a href="#ill_005">The Piazetta</a></td></tr> -<tr><td><a href="#ill_006">Piazza San Marco</a></td></tr> -<tr><td><a href="#ill_007">The Clock Tower</a></td></tr> -<tr><td><a href="#ill_008">Entrance to the Palace</a></td></tr> -<tr><td><a href="#ill_009">A Street</a></td></tr> -<tr><td><a href="#ill_010">San Marco, A Doorway</a></td></tr> -<tr><td><a href="#ill_011">Entrance to the Ducal Palace</a></td></tr> -<tr><td><a href="#ill_012">Canal of the Church of The Madonna de Miracoli</a></td></tr> -<tr><td><a href="#ill_013">San Rocco</a></td></tr> -<tr><td><a href="#ill_014">San Giorgio from the Giudecca</a></td></tr> -<tr><td><a href="#ill_015">Riva Degli Schiavoni</a></td></tr> -</table> - -<p class="c"><i>Cover and Tide Page Designed by<br /> -C. L. Aiken</i></p> - -<h2><a name="PIERRE_VIGNAL_AND_HIS_TECHNIQUE" id="PIERRE_VIGNAL_AND_HIS_TECHNIQUE"></a>PIERRE VIGNAL AND HIS TECHNIQUE</h2> - -<div class="figleft"> -<a href="images/ill_pn_lg.jpg"> -<img src="images/ill_pn.jpg" -width="100" -alt="[Image of Pierre Vignal, 1855-195, unavailable.]" -/></a><br /> -<p class="caption">1855-1925</p> -</div> - -<p class="nind"><span class="smcap">The Water Colors</span> of Pierre Vignal rank as the foremost in contemporary -French art. He uses water color in its true sense of being a transparent -and not an opaque medium. There is no chinese white on his palette.</p> - -<p>Each operation in producing a picture is final. No washes are gone over -a second time. In this way he attains the maximum of transparency and -his pictures are free from spots or muddy and opaque blotches of color.</p> - -<p>The drawing of a subject is carefully done with a soft pencil and in a -fine light line, so that it will not show in the picture after the color -is applied. Drawing is as important in his work as color and value.</p> - -<p>Pierre Vignal has so well mastered his art that he can visualize the -finished picture, both as to color and value, before he applies any -color.</p> - -<p>His work is based on the principle that the subject should be simple, -treated in a broad way and free from much detail. The reproductions in -this portfolio are nearly the exact size of the original pictures, his -theory being that a water color should be small, as the medium does not -permit the covering of as large a surface as oil. The interest must be -confined to a central point with usually one predominant dark and light -value, each being in sharp contrast.</p> - -<p>In making his pictures, M. Vignal first applies the sky, which is as -important in value as in color. Thus the picture is started at the top -of the paper and finished at the bottom, as the next operation consists -in putting in the dominant shadows, which are usually done in one -operation, and finally the highlights and darker values on the shadows. -When the sky and shadows are completed the main values of the picture -are established, and the highlights being thin and transparent do not -change the other values.</p> - -<p>Most of the color is mixed on the paper as the work progresses and not -on the palette, thus a pleasing transparent change and variety of color -is obtained which can be seen by a study of the shadows and highlights -in the plates.</p> - -<p>Some of the color is applied rather dry, some of it very wet and again -the surface of the paper is moistened and the color is put on and -allowed to spread through this moist surface to produce varied effects -and contrasts. To quote from Leopold Honore in the <i>Journal des -Artistes</i>:</p> - -<p>“Whether his water colors are of Italy, The Villa D’Este, Granada, -Morocco, Nimes, Avignon or Paris, they are always out-of-doors, full of -truth, light and sunshine and real fascination of color. One feels and -sees that everything is painted with masterly skill, without a -discordant note. Everything is in a vibrating note, but always remaining -harmonious.”</p> - -<p><small>(Original Preface)</small></p> - -<p class="r"> -WILLIAM ROBERT POWELL<br /> -<i>Former Pupil of Pierre Vignal</i><br /> -</p> - -<table border="0" cellpadding="2" cellspacing="0" summary=""> -<tr><td>PORTFOLIOS OF WATER COLOR</td></tr> -<tr><td>RENDERINGS BY PIERRE VIGNAL</td></tr> -<tr><td> </td></tr> -<tr><td>Venice (Out of Print)</td></tr> -<tr><td>Gardens of Rome</td></tr> -<tr><td>Northern Italian Cities</td></tr> -<tr><td>Palestine</td></tr> -<tr><td>Naples</td></tr> -</table> - -<div class="figcenter"> -<p><a name="ill_001" id="ill_001"></a></p> -<a href="images/ill_001.jpg"> -<img src="images/ill_001.jpg" -height="550" -alt="[Image unavailable.]" /></a> -<br /><p class="caption">Venice—Ponte Del Paradiso</p> -</div> - -<div class="figcenter"> -<p><a name="ill_002" id="ill_002"></a></p> -<a href="images/ill_002.jpg"> -<img src="images/ill_002.jpg" -height="550" -alt="[Image unavailable.]" /></a> -<br /><p class="caption">Venice—A Rio</p> -</div> - -<div class="figcenter"> -<p><a name="ill_003" id="ill_003"></a></p> -<a href="images/ill_003.jpg"> -<img src="images/ill_003.jpg" -height="550" -alt="[Image unavailable.]" /></a> -<br /><p class="caption">Venice—Verocchio Bartolomeo Colleoni</p> -</div> - -<div class="figcenter"> -<p><a name="ill_004" id="ill_004"></a></p> -<a href="images/ill_004.jpg"> -<img src="images/ill_004.jpg" -height="550" -alt="[Image unavailable.]" /></a> -<br /><p class="caption">Venice—The Rialto</p> -</div> - -<div class="figcenter"> -<p><a name="ill_005" id="ill_005"></a></p> -<a href="images/ill_005.jpg"> -<img src="images/ill_005.jpg" -height="550" -alt="[Image unavailable.]" /></a> -<br /><p class="caption">Venice—The Piazzetta</p> -</div> - -<div class="figcenter"> -<p><a name="ill_006" id="ill_006"></a></p> -<a href="images/ill_006.jpg"> -<img src="images/ill_006.jpg" -height="550" -alt="[Image unavailable.]" /></a> -<br /><p class="caption">Venice—Piazza San Marco</p> -</div> - -<div class="figcenter"> -<p><a name="ill_007" id="ill_007"></a></p> -<a href="images/ill_007.jpg"> -<img src="images/ill_007.jpg" -height="550" -alt="[Image unavailable.]" /></a> -<br /><p class="caption">Venice—The Clock Tower</p> -</div> - -<div class="figcenter"> -<p><a name="ill_008" id="ill_008"></a></p> -<a href="images/ill_008.jpg"> -<img src="images/ill_008.jpg" -height="550" -alt="[Image unavailable.]" /></a> -<br /><p class="caption">Venice—Entrance To The Palace</p> -</div> - -<div class="figcenter"> -<p><a name="ill_009" id="ill_009"></a></p> -<a href="images/ill_009.jpg"> -<img src="images/ill_009.jpg" -height="550" -alt="[Image unavailable.]" /></a> -<br /><p class="caption">Venice—A Street</p> -</div> - -<div class="figcenter"> -<p><a name="ill_010" id="ill_010"></a></p> -<a href="images/ill_010.jpg"> -<img src="images/ill_010.jpg" -height="550" -alt="[Image unavailable.]" /></a> -<br /><p class="caption">Venice—San Marco A Doorway</p> -</div> - -<div class="figcenter"> -<p><a name="ill_011" id="ill_011"></a></p> -<a href="images/ill_011.jpg"> -<img src="images/ill_011.jpg" -height="550" -alt="[Image unavailable.]" /></a> -<br /><p class="caption">Venice—Entrance To The Ducal Palace</p> -</div> - -<div class="figcenter"> -<p><a name="ill_012" id="ill_012"></a></p> -<a href="images/ill_012.jpg"> -<img src="images/ill_012.jpg" -height="550" -alt="[Image unavailable.]" /></a> -<br /><p class="caption">Venice—Canal Of The Church Of The Madonna Dei Miracoli</p> -</div> - -<div class="figcenter"> -<p><a name="ill_013" id="ill_013"></a></p> -<a href="images/ill_013.jpg"> -<img src="images/ill_013.jpg" -height="550" -alt="[Image unavailable.]" /></a> -<br /><p class="caption">Venice—San Rocco</p> -</div> - -<div class="figcenter"> -<p><a name="ill_014" id="ill_014"></a></p> -<a href="images/ill_014.jpg"> -<img src="images/ill_014.jpg" -height="550" -alt="[Image unavailable.]" /></a> -<br /><p class="caption">Venice—San Giorgio From The Giudecca</p> -</div> - -<div class="figcenter"> -<p><a name="ill_015" id="ill_015"></a></p> -<a href="images/ill_015.jpg"> -<img src="images/ill_015.jpg" -height="550" -alt="[Image unavailable.]" /></a> -<br /><p class="caption">Venice—Riva Degli Schiavoni</p> -</div> - -<hr class="full" /> -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK WATER COLOR RENDERINGS OF VENICE ***</div> -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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