summaryrefslogtreecommitdiff
path: root/old/64148-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/64148-0.txt')
-rw-r--r--old/64148-0.txt3737
1 files changed, 0 insertions, 3737 deletions
diff --git a/old/64148-0.txt b/old/64148-0.txt
deleted file mode 100644
index 56023e2..0000000
--- a/old/64148-0.txt
+++ /dev/null
@@ -1,3737 +0,0 @@
-The Project Gutenberg eBook of Saga of the oak, and other poems, by William
-H. Venable
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Saga of the oak, and other poems
-
-Author: William H. Venable
-
-Release Date: December 27, 2020 [eBook #64148]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: Charlene Taylor, Chuck Greif and the Online Distributed
- Proofreading Team at https://www.pgdp.net (This file was
- produced from images generously made available by The Internet
- Archive/American Libraries.)
-
-*** START OF THE PROJECT GUTENBERG EBOOK SAGA OF THE OAK, AND OTHER
-POEMS ***
-
- [Illustration: _W. H. Venable._]
-
-
-
-
- Saga of the Oak
- AND OTHER POEMS
-
- BY
- WILLIAM H. VENABLE
-
- [Illustration]
-
- NEW YORK
- Dodd, Mead & Company
- 1904
-
-
- Copyright, 1884, 1893, by W. H. VENABLE
- Copyright, 1904, by DODD, MEAD AND COMPANY
-
- Published April, 1904
-
- BURR PRINTING HOUSE
- NEW YORK
-
-
-
-
- _CONTENTS_
-
-
- PAGE
-
-SAGA OF THE OAK 1
-
-A DIAMOND 8
-
-MY CATBIRD 9
-
-THE TUNES DAN HARRISON USED TO PLAY 12
-
-FAIRYLAND 14
-
-SUMMER LOVE 17
-
-CLOVER HILL 19
-
-THE WEDDING DEFERRED 21
-
-TO THE LITTLE MIAMI RIVER 23
-
-IMMORTAL BIRD SONG 25
-
-HINCHMAN’S MILL 27
-
-VICTOR 30
-
-THE LAST FLIGHT 33
-
-A GENTLE MAN 36
-
-INVIOLATE 38
-
-FAITH 40
-
-PLATO 41
-
-DANTE 42
-
-WAGNER’S KAISER MARCH 43
-
-DEFOE IN THE PILLORY 44
-
-WE THE PEOPLE 46
-
-EIGHTY-SEVEN 49
-
-THE FOUNDERS OF OHIO 50
-
-THE FOREST SONG 52
-
-A BALLAD OF OLD KENTUCKY 54
-
-JOHN FILSON 57
-
-JOHNNY APPLESEED 62
-
-WENDING WESTWARD 68
-
-THE TEACHER’S DREAM 71
-
-BY THEIR FRUITS 75
-
-PESTALOZZI 76
-
-“THERE IS NO CASTE IN BLOOD” 80
-
-VIVA LA GUERRA 82
-
-BATTLE CRY 84
-
-EL EMPLAZADO 86
-
-NATIONAL SONG 88
-
-THE RIGHT OF MIGHT 90
-
-JAMES E. MURDOCH 92
-
-THE CONCORD SEER 95
-
-THE POET OF CLOVERNOOK 97
-
-THE GREENFIELD WIZARD 99
-
-WILLIAM BAIRD OF RIDGEVILLE 100
-
-LET’S SHAKE 104
-
-A WELCOME TO BOZ 107
-
-THE BOOK AUCTION 109
-
-A GIFT ACKNOWLEDGED 111
-
-THE OLD HOMESTEAD 113
-
-JENNIE MOORE 115
-
-ASHES 116
-
-POSY 117
-
-A SNOW BIRD 119
-
-THE UPSET 121
-
-THE SCHOOL GIRL 122
-
-THE READERS 125
-
-WAG 126
-
-DONATELLO 129
-
-GABRIEL OF SCHWARTZENWALD 131
-
-COFFEA ARABICA 137
-
-AN INDIA SHAWL 140
-
-APOLOGY 141
-
-UNRECONCILED 144
-
-ANNIVERSARY 146
-
-AMAUROTE 148
-
-
-
-
- _SAGA OF THE OAK_
-
-
-
-
- SAGA OF THE OAK.
-
-
- Hoarsely to the midnight moon
- Voiced the oak his rugged rune:
- “Harken, sibyl Moon, to me;
- Hear the saga of the Tree.
-
- “Thou, O queen of splendor, must
- Pale and crumble back to dust;
- Through slow eons diest thou,--
- Doomsday craves my vitals now.
-
- “I am scion of a line
- Old, imperial, divine;
- Earth produced my ancestor
- Ere great Odin was, or Thor.
-
- “From the hursts of holy oak
- Fateful gods of Asgard spoke;
- In the consecrated shade
- Bard and Druid sang and prayed.
-
- “Fostered in an oaken womb
- Slept Trifingus, sword of doom;
- Therewith woaded Caratak
- Drave the steel-sarked Roman back.
-
- “Where, profaned by legioned foes,
- In the shuddering forest rose
- Mona’s altars flaming rud,
- Britain drowned her woe in blood.
-
- “Then the dread decree of Norn
- Sounded in the groves forlorn;
- Vikings swooping from the North
- Harried every scaur and forth.
-
- “Forests fell with crash and roar,
- Masted galiots spurned the shore,
- Dragon-breasted,--swum the meer,
- Daring danger, scouting fear.
-
- “Hengist’s brood and Horsa’s kin,
- Seed of Garmund, sons of Finn,
- Dane and Saxon sail and sweep
- Battling o’er the wrathful deep;
-
- “Hearts of oak! their valor gave
- Right of might to rule the wave,
- Gave to Nelson’s ocean war
- Copenhagen, Trafalgar!
-
- “Bray of trumpet! roll of drum!
- When shall Balder’s kingdom come?
- Bitter sap shall when grow sweet
- In the acorn at my feet?
-
- “Centuries do I stand here
- Thinking thoughts profound and drear,
- Dreaming solemn dreams sublime
- Of the mysteries of Time.
-
- “Roots of mine do feed on graves;
- I have eaten bones of braves;
- In the ground the learnéd gnomes
- Read to me their cryptic tomes.
-
- “Annals treasured in the air
- All the past to me declare;
- Every wind of heaven brings
- Tribute for me on its wings.
-
- “Through my silence proud and lone
- Whispers waft from the Unknown:
- Musing eld hath second ken--
- Moon! the dead shall live again.
-
- “Sun-scorch have I borne, and pangs
- From the gnaw of winter’s fangs;
- Fought tornadoes, nor forsook
- Roothold when the mountains shook.
-
- “Oft the zig-zag thunder hath
- Struck me with his fiery scath,--
- To my core the havoc sped,
- Yet I never bowed my head.
-
- “I am weary of the years;
- Overthrown are all my peers,
- Slain by steel or storm or flame,--
- I would perish too--the same.
-
- “Yet shall I a little space
- Linger still in life’s embrace
- Ere metempsychosing time
- Drag me down to Niflheim.
-
- “Wherefore shun or summon fate?
- Wisest they who sanely wait;
- In my fiber nature saith,
- Life is good and good is death.
-
- “Mated birds of procreant Spring
- In my branches build and sing;
- Grass is green and flowers bloom
- Where I spread my golden gloom;
-
- “Happy children round me play;
- Plighted lovers near me stray;
- Insects chirping in the night
- Thrill me with obscure delight;
-
- “Circling seasons as they run,
- Couriers of the lavish sun,
- Dower me with treasure lent
- By each potent element;
-
- “Ministers to me the whole
- Zonéd globe from pole to pole;
- In my buds and blossoms beat
- Pulses from the central heat;--
-
- “Everything is part of me,
- Firmament and moving sea;
- I of all that is am part,
- Stone and star and human heart.
-
- “Primal Cause etern, self-wrought,
- Majesty transcending thought,
- This my substance and my soul,
- Origin, desire, and goal.
-
- “Through creation’s vasty range
- Blows the winter blast of change;
- Leaf-like from the Life-Tree whirled
- World shall rot on ruined world.
-
- “Hail, inexorable hour
- Fraught with clysmian wrack and stour
- Welcome, transmutation’s course
- And the cosmic rage of Force.
-
- “Yond the atomed universe
- Now we gather, now disperse,--
- Unto darkling chaos tost,
- Back from the chaos--nothing lost.
-
- “Forth abysmal voids of death
- Resurrection issueth:--
- Flaming ether, quickened clod,
- Bodying new forms of God.
-
- “Harken, Moon!--When I am gone,
- I, re-born, shall burgeon on;
- Out thine ashes shall arise
- Other Thou, to ride the skies.”
-
- Spake no more the hoary oak;
- No response the wan moon spoke;
- But the poet who had heard
- Pondered the Dodonian word.
-
-
-
-
- A DIAMOND.
-
-
- Upon the breast of senseless earth
- This precious sparkling stone,
- A jewel of Golconda’s worth,
- In sovran beauty shone.
-
- My lady for a moment bore
- The gem upon her brow,
- A moment on her bosom wore:--
- ’Tis worth the Orient now.
-
-
-
-
- MY CATBIRD.
-
- A CAPRICCIO.
-
-
- Nightingale I never heard,
- Nor the skylark, poet’s bird;
- But there is an æther-winger
- So surpasses every singer,
- (Though unknown to lyric fame,)
- That at morning, or at nooning,
- When I hear his pipe a-tuning,
- Down I fling Keats, Shelley, Wordsworth,--
- What are all their songs of birds worth?
- All their soaring
- Souls’ outpouring?
- When my Mimus Carolinensis,
- (That’s his Latin name,)
- When my warbler wild commences
- Song’s hilarious rhapsody,
- Just to please himself and me!
- Primo Cantante!
- Scherzo! Andante!
- Piano, pianissimo!
- Presto, prestissimo!
- Hark! are there nine birds or ninety and nine?
- And now a miraculous gurgling gushes
- Like nectar from Hebe’s Olympian bottle,
- The laughter of tune from a rapturous throttle!
- Such melody must be a hermit-thrush’s!
- But that other caroler, nearer,
- Outrivaling rivalry with clearer
- Sweetness incredibly fine!
- Is it oriole, redbird, or bluebird,
- Or some strange, un-Auduboned new bird?
- All one, sir, both this bird and that bird,
- The whole flight are all the same catbird!
- The whole visible and invisible choir you see
- On one lithe twig of yon green tree.
- Flitting, feathery Blondel!
- Listen to his rondel!
- To his lay romantical!
- To his sacred canticle!
- Hear him lilting,
- See him tilting
- His saucy head and tail, and fluttering
- While uttering
- All the difficult operas under the sun
- Just for fun;
- Or in tipsy revelry,
- Or at love devilry,
- Or, disdaining his divine gift and art,
- Like an inimitable poet
- Who captivates the world’s heart
- And don’t know it.
- Hear him lilt!
- See him tilt!
- Then suddenly he stops,
- Peers about, flirts, hops,
- As if looking where he might gather up
- The wasted ecstasy just spilt
- From the quivering cup
- Of his bliss overrun.
- Then, as in mockery of all
- The tuneful spells that e’er did fall
- From vocal pipe, or evermore shall rise,
- He snarls, and mews, and flies.
-
-
-
-
- THE TUNES DAN HARRISON USED TO PLAY.
-
-
- Ofttimes when recollections throng
- Serenely back from childhood years,
- Awaking thoughts that slumbered long,
- Compelling smiles or starting tears,
- The music of a violin
- Seems through my window floating in,--
- I think I hear from far away
- The tunes Dan Harrison used to play.
-
- Dan Harrison! I see him there
- Beside the roaring winter hearth,
- Fiddling away all mundane care,
- His genial face aglow with mirth;
- And when he laid his bow aside,
- “Well done! well done!” he cheerly cried;
- Well done, well done, indeed were they,
- The tunes Dan Harrison used to play.
-
- I do not know what tunes he played,
- I cannot name one melody;
- His instrument was never made
- In old Cremona, o’er the sea;
- Yet from its chords his raptured skill
- Drew magic strains my soul to thrill,
- Some ah so mournful, some so gay,
- The tunes Dan Harrison used to play.
-
- I have been witness to the art
- Of many a master of the bow,
- But none have power to charm the heart
- Like him I listened long ago;
- Love stole on tiptoe through my trance
- To welcome dream-eyed young Romance,
- Responsive to the passioned sway
- Of tunes Dan Harrison used to play.
-
- Now with the music, as it floats,
- Seraphic harping faintly blends;
- I catch amid the mingling notes
- Familiar voices of old friends;
- While choral echoes sweetly fall,
- Of yearning love angelical,
- And melt, like trembling tears, away,
- In tunes Dan Harrison used to play.
-
-
-
-
- FAIRYLAND.
-
-
- A secret glen engirt by hills serene
- Sleeps in rich gloom of summer boscage green;
- Its dreamy dells, in solemn twilight hush,
- Echo dulce warblings of the hermit-thrush;
- Kist by young May, the windflower trembles there,
- And frail dicentra breathes the dainty air;
- The haunt beseems for elfin revels planned,
- And so the children call it Fairyland.
-
- A silvern rill, loved by the watercress,
- Winds purling through this drowsy wilderness,
- Suckling the willow, snowy-corymbed haw,
- Vain-flaunting redbud, indolent pawpaw,
- Suave linden, and gay buckeye brimming free
- His nectar cups to lure the drunken bee;
- Aloof, in coats of pearl-green armor, stand
- Three sycamores, to guard the Fairyland.
-
- The busy grapevine o’er the coppice weaves
- A cunning mesh of interlacing leaves,
- Whereon adventurous urchins clamber high,
- With giddy shout saluting the blue sky;
- Or loll in golden sunshine baptismal,
- Inhaling balm of buds ambrosial,
- And, by hilarious breezes rocked and fanned,
- Through loops of verdure gaze from Fairyland.
-
- Ere dies on heaven’s breast the morning star,
- All unsubstantial, visionary, far,
- In opalescent vapor loom the glades,
- Dawn-rosy domes, dim grottoes and arcades,
- Of yon enchanted dingles of the fay;
- Behold! transmuted in the sheen of day,
- By aureolar rays of Iris spanned,
- A bower of dewdrops, glitters Fairyland!
-
- When dusk descends, the eerie host delight
- As twinkling fireflies to bestar the night;
- Then melancholy tree-toads shrill the throat,
- And chirring crickets chime an irksome note;
- Flits the lean bat the timorous wren to fray;
- The muffled screech-owl hurtles on his prey;
- For evil wings a gruesome hour command,
- Though holy stars keep watch o’er Fairyland.
-
- All demonkind, or wicked, null, or good,
- Lurk in the hollows of the sprightful wood;
- There murk fogs drop distillings of the sea;
- The weird moon plies her midnight witchery;
- Time slumbers there; there Love and Beauty sport;
- And Death holds there his grim, fantastic court;
- No ghost may blab, no mortal understand
- The mystic wonders of our Fairyland.
-
-
-
-
- SUMMER LOVE.
-
-
- I know ’tis late, but let me stay,
- For night is tenderer than day;
- Sweet love, dear love, I cannot go,
- Dear love, sweet love, I love thee so.
- The birds in leafy hiding sleep;
- Shrill katydids their vigil keep;
- The woodbine breathes a fragrance rare
- Upon the dewy languid air;
- The fireflies twinkle in the vale,
- The river looms in moonshine pale,
- And look! a meteor’s dreamy light
- Streams mystic down the solemn night!
- Ah, life glides swift, like that still fire--
- How soon our throbbing joys expire;
- Who can be sure the present kiss
- Is not his last? Make all of this.
- I know ’tis late, sweet love, I know,
- Dear love, sweet love, I love thee so.
- Fantastic mist obscurely fills
- The hollows of Kentucky hills;
- Heardst thou? I heard or fear I heard
- Vague twitters of some wakeful bird;
- The wingéd hours are swift indeed!
- Why makes the jealous morn such speed?
- This rose thou wearst may I not take
- For passionate remembrance’ sake?
- Press with thy lips its crimson heart;
- Yes, blushing rose, we must depart;
- A rose cannot return a kiss--
- I pay its due with this, and this;
- The stars grow faint, they soon will die,
- But love faints not nor fails.--Good-bye!
- Unhappy joy--delicious pain--
- We part in love, we meet again!
- Good-bye!--the morning dawns--I go,
- Dear love, sweet love, I love thee so.
-
-
-
-
- CLOVER HILL.
-
-
- On the brow of Clover Hill
- Stands a maiden gazing out
- Through the purple twilight still,
- Half in rapture, half in doubt;
- In the heavens Venus glistens,
- While the maiden looks and listens.
-
- On the brow of Clover Hill
- Deeper gloaming shadows fall;
- Moans the plaintive whippowill;
- Lonesome is the cricket’s call;
- In the heavens Venus glistens,
- Far the maiden looks and listens.
-
- On the brow of Clover Hill
- Lingering she fondly sighs;
- Anxious fears her bosom fill,
- Tears bedew her mournful eyes;
- In the heavens Venus glistens,
- Still the maiden looks and listens.
-
- Footsteps! hark! On Clover Hill!
- Faring nearer and more near!
- Hearts ecstatic throb and thrill!
- “War is over! He is here!”
- In the zenith Venus glistens,
- Lovers kiss and Heaven listens.
-
-
-
-
- THE WEDDING DEFERRED.
-
-
- Complaining flow the waters slow
- Along the valley green and low;
- The lilies dight in virgin white
- Float fragrant in the ardent light,
- And to the gossip ripples say,
- “It is the Day!--is’t not the Day?
- When comes the bridal train this way?”
-
- Yon amethystine hill-top kist
- By lingering enamored mist,
- Hears in the sky warm zephyrs sigh
- To wooing clouds that dally by;
- The wandering whispers seem to say,
- “Is’t not the Day?--it is the Day!
- Why comes no bridal train this way?”
-
- Forlorn of mood, by love pursued,
- A youth laments in solitude;
- The brown dove’s eyes soft sympathize
- With him and to her mate she cries,
- “What can the glad espousals stay?
- It is the Day!--is’t not the Day?
- Yet comes no bridal train this way.”
-
- O laggard moon, arise full soon
- And swim to night’s auspicious noon,
- The star-sea ride and swiftly glide
- From eventide to eventide,--
- Whirl through a month, that I may say
- “It _is_ the Day! It _is_ the Day!
- Now comes the bridal train this way!”
-
-
-
-
- TO THE LITTLE MIAMI RIVER.
-
-
- Romantic the rocky and fern-scented regions,
- Miami, the grots where thy rambles begin,
- By cedars and hemlocks, in evergreen legions,
- With silence and twilight seclusion shut in.
-
- There darkling recesses in miniature mountains
- Recall to my fancy the haunts of the gnome;
- There fabled Undina might rise from the fountains,
- Or sport in the waterfalls’ glistening foam.
-
- Now laughing in ripples and dancing the sedges,
- Now fretting the minnows in eddy and whirl,
- Now kissing the pebbles that sprinkle thy edges,
- And laving the pearl and the mother-of-pearl;
-
- Glide, whispering now under sycamore shadow,
- Now singing by hamlet and cottage and mill,
- Now shimmering onward through flowery meadow,
- Now glassing the image of foresty hill.
-
- The farm boy, as careless he follows the harrow
- O’er lowlands which quicken and ripen the maize,
- Reads oft in some token of stone,--axe or arrow,
- The wars and the loves of unchronicled days.
-
- Then steals on the air with thy murmuring numbers
- A moan of lament for a race and its lore,--
- A sigh for yon chieftain forgotten, who slumbers
- Beneath the lone mound on thy emerald shore.
-
-
-
-
- IMMORTAL BIRDSONG.
-
-
- What though mine ear hath never heard
- The wing’d voice of the sky?
- Nor listened to the love-lorn bird
- Whose plaints in darkness die?
-
- The poets improvise for me
- Lark-notes that never fail,
- And make more sweet than sound can be
- The song of nightingale.
-
- From rapt Alastor’s lyric leaves
- Joy’s flying carol springs!
- On darkling pinion sorrow grieves
- When Adonais sings.
-
- I list the lavrock warbling clear
- In birks of bonny Doon;
- The bulbul’s swooning voice I hear,
- Beneath the Persian moon.
-
- I hear across the centuries
- What Philomela sung,
- In Attic groves, to Sophocles,
- When Poesie was young.
-
-
-
-
- HINCHMAN’S MILL.
-
-
- Lonely by Miami stream,
- Gray in twilight’s fading beam,
- Spectral, desolate and still,
- Smitten by the storms of years,
- Ah! how changed to me appears
- Yonder long-deserted mill.
-
- While the ruin I behold,
- Mossy roof and gable old,
- Shadowy mid obscuring trees,
- Memory’s vision, quick and true,
- Time’s long vista gazing through,
- Unseen pictures dimly sees.
-
- Sees upon the garner floor
- Wheat and maize in golden store,--
- Powdery whiteness everywhere,--
- Sees a miller short and stout
- Whistling cheerfully about,
- Making merry with his care.
-
- Pleased, he listens to the whirr
- Of the swift-revolving burr,
- Deeming brief each busy hour;
- Like a stream of finest snow,
- Sifting to the bin below,
- Fall the tiny flakes of flour.
-
- Once my childish feet were led
- Down some furtive way of dread,
- Through yon broken floor to peer,
- Where the fearful waters drift
- In a current dark and swift,
- Flying from the angry weir.
-
- Once, with timid step and soft,
- Stealthily I climbed aloft,
- Up and up the highest stair;--
- Iron cogs were rumbling round,
- Every vague and awful sound
- Mocked and mumbled at me there.
-
- Wonder if those wheels remain,
- And would frighten me again?
- Wonder if the miller’s dead?
- Wonder if his ghost at night
- Haunts the stairs, a phantom white?
- Walks the loft with hollow tread?
-
- Spectral, desolate and still,
- Stands the solitary mill,
- Close beside the gliding stream:
- Darkness overtakes the sun,
- Suddenly the day is done,
- And of Time and Death I dream.
-
-
-
-
- VICTOR.
-
-
- When June exhaled her rose-sweet breath
- And earth in sunshine smiled,
- Untimely came intrusive Death
- And stole away our child.
-
- As some fast-fading star declines,
- Dissolving in the sky;
- As wastes the dewdrop while it shines,
- So did our darling die.
-
- Ah, fairer than the violet frail,
- Frost-slain on April’s breast,
- And purer than the lily pale,
- The babe’s unbreathing rest.
-
- Our eyes grew numb with tearless woe,
- Prayer swooned upon the tongue,
- As to his lips of smiling snow
- Our anguished kisses clung.
-
- O hapless Victor, name of pride!
- Dear hands, poor little feet!
- No thorn ye found, no path ye tried;--
- O envious winding sheet!
-
- Most mournful change and utter loss!
- Return, my child, return!
- Or, angels, guide my faith across
- The grave his state to learn.
-
- Oh, grant me from the vast unknown
- Some breath of solacing!
- The spirit! whither has it flown
- On timorous alien wing?
-
- All silent is the cruel sky;
- The saints no pity lend;
- My lamentation and my cry
- To heedless void ascend.
-
- My heart, my weeping, bleeding heart
- Wails at the door of fate,
- And faints in darkness and apart,
- Bereft and desolate.
-
- I only find, wher’er I grope,
- A cradle and a pall;
- Find, at the gloomy verge of hope,
- A grave--and that is all.
-
- An empty cradle and a lone
- Small mound of chilly sod,
- O’er which I bow and vainly moan
- To move the heart of God.
-
-
-
-
- THE LAST FLIGHT.
-
-
- Lo, in my path
- A frozen songbird lies,
- A victim of the sky’s
- Blind, elemental wrath.
-
- The stolid year
- Shall not in me repress
- The impulsive tenderness
- That moves a pitying tear.
-
- Life’s flutter o’er,
- Thy quavering heart, now still,
- No more shall throb and thrill,
- Shall love and fear no more.
-
- For thee in vain
- Shall Spring array the woods,
- In nest-safe neighborhoods:--
- Thou canst not build again.
-
- Did instinct fail
- When, from the Boreal rack,
- Athwart thy migrant track
- Hurtled the ruthless gale?
-
- A cruel nest
- The feather-mocking snows!
- And ah, what gasping throes
- Assailed thy dying breast!
-
- Wing-spent, alone,
- Adrift from every mate,
- Flung down by baffling fate,
- Thou froze to the Unknown.
-
- How saith the Word?
- Does He who governs all
- Take notice of the fall
- Forlorn, of thee, poor bird?
-
- And is it so
- His awful love divine
- Provides for me and mine
- When frore the tempests blow?
-
- Mute traveler, say,
- How fare we when we die,
- And whither do we fly
- Along the unseen way?
-
- Vain questionings
- In death’s bleak eddy whirled!
- What heeds the other world
- My broken, bleeding wings?
-
- Is life no more?
- Is death the final doom?
- Or shall the soul replume
- Her flight and sing and soar?
-
- Yea, surely, He
- Who melts my love to tears
- For this dead songster, hears
- And pities mine and me.
-
- His love must know
- Our sorrow, and will lift
- Our numbed lives from the drift
- Of death’s all-hushing snow.
-
-
-
-
- A GENTLE MAN.
-
-
- I knew a gentle Man;--
- Alas! his soul has flown;
- Now that his tender heart is still,
- Pale anguish haunts my own.
- His eye, in pity’s tear,
- Would often saintly swim;
- He did to others as he would
- That they should do to him.
-
- He suffered many things,--
- Renounced, forgave, forbore;
- And sorrow’s crown of thorny stings,
- Like Christ, he meekly wore;
- At rural toils he strove;
- In beauty, joy he sought;
- His solace was in children’s words
- And wise men’s pondered thought.
-
- He was both meek and brave,
- Not haughty, and yet proud;
- He daily died his soul to save,
- And ne’er to Mammon bowed.
- E’en as a little child
- He entered Heaven’s Gate;
- I caught his parting smile, which said,
- “Be reconciled, and wait.”
-
-
-
-
- INVIOLATE.
-
-
- We took a walk in Winter woods,
- My little lad and I,--
- The hills and hollows all were pearl,
- And sapphire all the sky.
-
- Before guerilla winds we saw
- The skurrying drift retreat;
- We thought of budded roots that lay
- Asleep beneath our feet.
-
- We spoke of how, last year, in May,
- One sunny bank we found,
- Where wind-flowers stood in fairy crowds,
- To charm the gladdened ground.
-
- A subtle feeling checked the boy,--
- His small hand held me back,
- With mute appeal that we should tread
- The wood-path’s beaten track.
-
- “My child, ’tis pleasanter to break
- New pathways as we go.”
- He said, “I do not like to spoil
- The beauty of the snow.”
-
-
-
-
- FAITH.
-
-
- The spreading circle of the known
- That Science strives to bound with laws
- Is but a glowing sparkle thrown
- From God, the radiant central cause.
-
- His mystery is vaster far
- Than knowledge is or e’er can be;
- The wheel of Evolution’s car
- Rolls onward through eternity.
-
- A stilly voice forever sounds
- The lapses of our doubt between:
- “Seek not to give Religion bounds,
- Nor limit Faith by forces seen.”
-
-
-
-
- PLATO.
-
-
- Athenian prophet of the soaring mind!
- What new lamp burns so brightly as his old?
- He changed Philosophy from dross to gold
- By poet’s alchemy; and he combined
- Egypt and Ind and the Hellenic States
- With all the knowledge Cadmus’ letters hold,
- In Logic’s crucible to be refined;
- He opened Speculation’s splendid gates
- To Western ways where Science after trod;
- A reign of sweeter Ethics he foretold,
- Renouncing Zeus for a diviner God;
- And, unaffrighted by the awful Fates,
- In starry sandals of Religion shod,
- From pagan darkness Plato led mankind.
-
-
-
-
- DANTE.
-
- AFTER READING “PARADISO.”
-
-
- His sacred Muse, on soaring rapture’s wings,
- Aspired the radiant empyrean high,
- And bore to earth the splendor of the sky!
- Durante’s spirit to my senses brings
- The excessive beauty of transcendent things
- That thrill imagination’s ear and eye;
- With joy I hear the blissful carolings
- Of angel hosts in robes of dazzling white;
- My soul partakes the poet’s ecstasy!
- Through all my meditation and my prayer
- Steals reminiscence of the Stream of Light,
- And of the Rose unutterably fair,--
- And O! the threefold glory of The One,
- The Love that moves the circling stars and sun!
-
-
-
-
- WAGNER’S KAISER MARCH.
-
- TO THEODORE THOMAS.
-
-
- What diapasons from the hush profound
- Thy magic wand, O Master, summons forth
- To laud imperial Kaiser, robed and crowned!
- Hail! multitudinous music of the North!
- Titanic Wagner’s soul informs the sound!
- Ho! instruments triumphant, trump and drum,
- And cymbal clanging where the troopers come!
- The Gothic valor now is set to score;
- I hear the tramp of Saxon thought unbound,
- The victor’s cry, disdaining death or wound,--
- I hear the saber ring, the cannon roar!
- This is the throbbing tune for Halfred’s rhyme,
- The symphony of glorious war sublime,
- Valhalla’s martial joy forevermore!
-
-
-
-
- DEFOE IN THE PILLORY.
-
-
- On to the Pillory, ho!
- To punish bold Daniel Defoe!
- Come on to the place
- Of shame and disgrace!
- Bring rose-garlands sweet
- To cast at his feet!
- Fill glasses! Fill, ho!
- Here’s to Daniel Defoe!
-
- On to the Pillory, ho!
- To punish bold Daniel Defoe!
- His fate he has earned,
- His book we have burned,
- That its soul may fly forth,
- East, west, south and north!
- Blow, trumpeter, blow!
- Here’s to Daniel Defoe!
-
- On to the Pillory, ho!
- To punish bold Daniel Defoe!
- Shout him greeting full loud!
- Sing his praise to the crowd!
- The sentries may swear,
- But what do we care?
- More roses we’ll throw!
- Here’s to Daniel Defoe!
-
- On to the Pillory, ho!
- To punish rogue Daniel Defoe!
- Pelt him, maidens and men!
- For he thinks with a pen,
- And his thought is too free!
- God bless him! See! See!
- Fill glasses! Fill, ho!
- Here’s to Daniel Defoe!
-
-
-
-
- WE THE PEOPLE.
-
-
- We the People, not the Crown,
- Not the surplice nor the brand,
- Noble’s crest nor schoolman’s gown,
- Burse nor rostrum, grange nor town,--
- We the People rule our land.
-
- We the People, not the Few,
- High nor low nor middle class,
- High and low and middle too,
- Freemen, he and I and you,
- We the multitude, the mass.
-
- Dumb we plodded feudal years,
- Goaded by the lash of scorn;
- Groaning, wept a sea of tears;
- Lo! at last our day appears,
- Dawn of the millennial morn!
-
- Asia deemed our woe decreed,
- Brahm nor Buddha heard our cry,
- Europe heard with sullen heed,
- Prince and Pontiff mocked our need,
- Making Christ a bitter lie.
-
- Demagogue nor Demigod
- Shall again control the World;
- _Man_ awoke! disdained the rod,
- Spurned the despot whip and prod,
- To the dust his rider hurled.
-
- Man has come unto his own;
- Broken are his bands and bars;
- Faith’s futurity foreknown
- Domes a sky of promise sown
- Thick with happy-omened stars.
-
- Zealous, not iconoclast,
- We would spare the ancient true;
- Life in death is rooted fast;
- And the fruitage of the Past
- Is the Passing,--is the New.
-
- Azure blood and haughty crest,
- Blazon of heraldic scroll,
- Coin in coffer, star on breast,--
- These are good, but better, best,
- Is the rank, the wealth, of soul.
-
- Earth grows better growing old,
- Still by happier races trod;
- Plato’s iron men are gold;
- Large humanities unfold;
- Evolution’s law is--God.
-
- We the People, We the State,
- Subject, Sovereign, both in one,
- Trust in Highest Potentate.
- Trust, O World, in Us and wait.
- God has willed our will be done.
-
-
-
-
- EIGHTY-SEVEN.
-
-
- As a mighty heart in a giant’s breast
- With rhythmic beat
- Sends marching from brain to feet
- The crimson vigor of creative blood,
- So, in the bosom of the brawny West,
- So, in the stalwart breast of the Nation,
- Throbs the Great Ordinance,--a heart,
- A vital and organic part,
- Propelling by its strong pulsation
- The unremitting stream and flood
- Of wholesome influences that give
- Unto the body politic
- The elements and virtues quick
- Whereby Republics live.
-
-
-
-
- THE FOUNDERS OF OHIO.
-
- APRIL, 1888.
-
-
- The footsteps of a hundred years
- Have echoed, since o’er Braddock’s Road
- Bold Putnam and the Pioneers
- Led History the way they strode.
-
- On wild Monongahela stream
- They launched the Mayflower of the West,
- A perfect State their civic dream,
- A new New World their pilgrim quest.
-
- When April robed the Buckeye trees
- Muskingum’s bosky shore they trod;
- They pitched their tents and to the breeze
- Flung freedom’s star-flag, thanking God.
-
- As glides the Oyo’s solemn flood
- So fleeted their eventful years;
- Resurgent in their children’s blood,
- They still live on--the Pioneers.
-
- Their fame shrinks not to names and dates
- On votive stone, the prey of time;--
- Behold where monumental States
- Immortalize their lives sublime!
-
-
-
-
- FOREST SONG.
-
- Read at the first meeting of the American Forestry Congress, in Music
- Hall, Cincinnati, April 19, 1882.
-
-
- A song for the beautiful trees!
- A song for the forest grand,
- The Garden of God’s own hand,
- The pride of His centuries.
- Hurrah! for the kingly oak,
- For the maple, the sylvan queen,
- For the lords of the emerald cloak,
- For the ladies in golden green.
-
- For the beautiful trees a song!
- The peers of a glorious realm,
- The linden, the ash, and the elm,
- The poplar stately and strong,--
- For the birch and the hemlock trim,
- For the hickory staunch at core,
- For the locust thorny and grim,
- For the silvery sycamore.
-
- A song for the palm,--the pine,
- And for every tree that grows,
- From the desolate zone of snows
- To the zone of the burning line;
- Hurrah! for the warders proud
- Of the mountainside and the vale,
- That challenge the thunder-cloud,
- And buffet the stormy gale.
-
- A song for the forest, aisled,
- With its Gothic roof sublime,
- The solemn temple of Time,
- Where man becometh a child,
- As he listens the anthem-roll
- Of the voiceful winds that call,
- In the solitude of his soul,
- On the name of the All-in-All.
-
- So long as the rivers flow,
- So long as the mountains rise,
- May the foliage drink of the skies
- And shelter the flowers below;
- Hurrah! for the beautiful trees!
- Hurrah! for the forest grand,
- The pride of His centuries,
- The Garden of God’s own hand.
-
-
-
-
- A BALLAD OF OLD KENTUCKY.
-
-
- Well, this is my story of Schoolmaster John,
- And how, single-handed, he slew
- A terrible monster, one May day, at dawn,
- When our staunch old Kentucky was new.
-
- Full rude was the cabin, o’ershadowed by trees,
- For the Lexington school-children made;
- For, Cadmus forbid that the shrewd A-B-C’s
- Be lost in the tanglewood shade!
-
- Alone sat the pedagogue, throned on a stool,
- Entranced by poetical lore;
- He waited and read, while the morning’s breath cool
- Floated in through the wide-open door.
-
- Bent over a magical page of the tome
- That Vergil--how long ago!--wrote,
- He mused of Æneas and Dido and Rome,
- When a tiger-cat sprang at his throat!
-
- Fight, fight! John McKinney, or perish! He fought!
- Forgot was the Queen and her woe!
- He uttered no cry; of the children he thought
- As he grappled his terrible foe!
-
- Now which shall be victor, the brute or the man?
- Hands battle against teeth and claws!
- Survive the dread struggle the nature that can!
- Savage might against letters and laws!
-
- The beast by the master was throttled and crushed
- On his desk, while its fangs stung his side;
- With the crimsoning rill from his pulses that gushed,
- The leaves of his Vergil were dyed.
-
- Who fly to the rescue? Who scream with alarm?
- Three scared little maidens! Then said
- The schoolmaster, smiling, “No harm, dears, no harm!
- I have caught you a wild-cat;--it’s dead.”
-
- And this is the story of pedagogue John
- Of Kentucky, and how it befell
- That, in the heroic old days that are gone,
- He did what he had to do, well.
-
- God set him his task in the woods of the West
- To teach and to tame what was wild;
- To give his heart’s love and the blood of his breast
- For the good of the pioneer’s child.
-
- No story of Theseus or Hercules strong
- More beautiful is, nor so true;
- The meed of devotion to duty is song:
- Then pay John McKinney his due.
-
-
-
-
- JOHN FILSON.
-
- Matthias Denman, Robert Patterson and John Filson laid out the town of
- Losantiville, now the city of Cincinnati, in 1788. Filson, schoolmaster
- and surveyor, went out to explore the woods between the Miamis, but
- never returned.
-
-
- John Filson was a pedagogue--
- A pioneer was he;
- I know not what his nation was
- Nor what his pedigree.
-
- Tradition’s scanty records tell
- But little of the man,
- Save that he to the frontier came
- In immigration’s van.
-
- Perhaps with phantoms of reform
- His busy fancy teemed,
- Perhaps of new Utopias
- Hesperian he dreamed.
-
- John Filson and companions bold
- A frontier village planned,
- In forest wild, on sloping hills,
- By fair Ohio’s strand.
-
- John Filson from three languages
- With pedant skill did frame
- The novel word Losantiville
- To be the new town’s name.
-
- Said Filson: “Comrades, hear my words:
- Ere three-score years have flown
- Our town will be a city vast.”
- Loud laughed Bob Patterson.
-
- Still John exclaimed, with prophet-tongue,
- “A city fair and proud,
- The Queen of Cities in the West!”
- Mat Denman laughed aloud.
-
- Deep in the wild and solemn woods
- Unknown to white man’s track,
- John Filson went, one autumn day,
- But nevermore came back.
-
- He struggled through the solitude
- The inland to explore,
- And with romantic pleasure traced
- Miami’s winding shore.
-
- Across his path the startled deer
- Bounds to its shelter green;
- He enters every lonely vale
- And cavernous ravine.
-
- Too soon the murky twilight comes,
- The boding night-winds moan;
- Bewildered wanders Filson, lost,
- Exhausted, and alone.
-
- By lurking foes his steps are dogged,
- A yell his ear appalls!
- A ghastly corpse, upon the ground,
- A murdered man, he falls.
-
- The Indian, with instinctive hate,
- In him a herald saw
- Of coming hosts of pioneers,
- The friends of light and law;
-
- In him beheld the champion
- Of industries and arts,
- The founder of encroaching roads
- And great commercial marts;
-
- The spoiler of the hunting-ground,
- The plower of the sod,
- The builder of the Christian school
- And of the house of God.
-
- And so the vengeful tomahawk
- John Filson’s blood did spill,--
- The spirit of the pedagogue
- No tomahawk could kill.
-
- John Filson had no sepulcher,
- Except the wildwood dim;
- The mournful voices of the air
- Made requiem for him.
-
- The druid trees their waving arms
- Uplifted o’er his head;
- The moon a pallid veil of light
- Upon his visage spread.
-
- The rain and sun of many years
- Have worn his bones away,
- And what he vaguely prophesied
- We realize today.
-
- Losantiville, the prophet’s word,
- The poet’s hope fulfils,--
- She sits a stately Queen to-day
- Amid her royal hills!
-
- Then come, ye pedagogues, and join
- To sing a grateful lay
- For him, the martyr pioneer,
- Who led for you the way.
-
- And may my simple ballad be
- A monument to save
- His name from blank oblivion,
- Who never had a grave.
-
-
-
-
- JOHNNY APPLESEED.
-
- A Ballad of the Old Northwest.
-
-
- A midnight cry appalls the gloom,
- The puncheon door is shaken:
- “Awake! arouse! and flee the doom!
- Man, woman, child, awaken!
-
- “Your sky shall glow with fiery beams
- Before the morn breaks ruddy!
- The scalpknife in the moonlight gleams,
- Athirst for vengeance bloody!”
-
- Alarumed by the dreadful word
- Some warning tongue thus utters,
- The settler’s wife, like mother bird,
- About her young ones flutters.
-
- Her first-born, rustling from a soft
- Leaf-couch, the roof close under,
- Glides down the ladder from the loft,
- With eyes of dreamy wonder.
-
- The pioneer flings open wide
- The cabin door, naught fearing;
- The grim woods drowse on every side,
- Around the lonely clearing.
-
- “Come in! come in! nor like an owl
- Thus hoot your doleful humors;
- What fiend possesses you, to howl
- Such crazy, coward rumors?”
-
- The herald strode into the room;
- That moment, through the ashes,
- The back-log struggled into bloom
- Of gold and crimson flashes.
-
- The glimmer lighted up a face,
- And o’er a figure dartled,
- So eerie, of so solemn grace,
- The bluff backwoodsman startled.
-
- The brow was gathered to a frown,
- The eyes were strangely glowing,
- And, like a snow-fall drifting down,
- The stormy beard went flowing.
-
- The tattered cloak that round him clung
- Had warred with foulest weather;
- Across his shoulders broad were flung
- Brown saddlebags of leather.
-
- One pouch with hoarded seed was packed,
- From Pennland cider-presses;
- The other garnered book and tract
- Within its creased recesses.
-
- A glance disdainful and austere,
- Contemptuous of danger,
- Cast he upon the pioneer,
- Then spake the uncouth stranger:
-
- “Heed what the Lord’s anointed saith;
- Hear one who would deliver
- Your bodies and your souls from death;
- List ye to John the Giver.
-
- “Thou trustful boy, in spirit wise
- Beyond thy father’s measure,
- Because of thy believing eyes
- I share with thee my treasure.
-
- “Of precious seed this handful take;
- Take next this Bible Holy:
- In good soil sow both gifts, for sake
- Of Him, the meek and lowly.
-
- “Farewell! I go!--the forest calls
- My life to ceaseless labors;
- Wherever danger’s shadow falls
- I fly to save my neighbors.
-
- “I save; I neither curse nor slay;
- I am a voice that crieth
- In night and wilderness. Away!
- Whoever doubteth, dieth!”
-
- The prophet vanished in the night,
- Like some fleet ghost belated;
- Then, awe-struck, fled with panic fright
- The household, evil-fated.
-
- They hurried on with stumbling feet,
- Foreboding ambuscado;
- Bewildered hope told of retreat
- In frontier palisado.
-
- But ere a mile of tangled maze
- Their bleeding hands had broken,
- Their home-roof set the dark ablaze,
- Fulfilling doom forespoken.
-
- The savage death-whoop rent the air!
- A howl of rage infernal!
- The fugitives were in Thy care,
- Almighty Power eternal!
-
- Unscathed by tomahawk or knife,
- In bosky dingle nested,
- The hunted pioneer, with wife
- And babes, hid unmolested.
-
- The lad, when age his locks of gold
- Had changed to silver glory,
- Told grandchildren, as I have told,
- This western wildwood story.
-
- Told how the fertile seeds had grown
- To famous trees, and thriven;
- And oft the Sacred Book was shown,
- By that weird Pilgrim given.
-
- Remember Johnny Appleseed,
- All ye who love the apple;
- He served his kind by Word and Deed,
- In God’s grand greenwood chapel.
-
-
-
-
- WENDING WESTWARD.
-
-
- A new star rose in Freedom’s sky
- A hundred years ago;
- It gleamed on Labor’s wistful eye,
- With bright magnetic glow;
- Hope and Courage whispered, Go,
- Ye who toil and ye who wait!
- Open swings the People’s gate!
- Beyond the mountains and under the skies
- Of the Wonderful West your Canaan lies:--
- On the banks of the Beautiful River,
- By the shores of the Lakes of the North,
- There fortune to each will deliver
- His share of the teeming earth.
-
- Jocund voices called from the dark
- Hesperian solitude, saying, Hark!
- Harken, ye people! come from the East,
- Come from the marge of the ocean, come!
- Here in the Wilderness spread a feast;
- This is the poor man’s welcome home.
-
- Hither with axe and plow;
- (Carry the stripes and stars!)
- Come with the faith and the vow
- Of patriots wearing your scars
- Like trophies, upon the victorious breast,--
- Noblemen! wend to the West!
- Load your rude wagon with your scanty goods
- And drive to the plentiful woods;
- Your wheels as they rumble shall scare
- The fleet-footed deer from the road,
- And waken the sulky brown bear
- In his long unmolested abode;
- The Redman shall gaze in dumb fear
- At the wain of the strange pioneer,
- His barbarous eyes vainly spell
- The capital letters which tell
- That the White-foot is bound
- For the good hunting-ground
- Where the buffaloes dwell.
-
- To the Ohio Country, move on!
- Bring your brain and your brawn
- (Some books of the best,
- Pack into the chest!)
- Bring your wives and your sons,
- Your maidens and lisping ones;
- Your trust in God bring;
- Choose a spot by a spring,
- And build you a castle--a throne,
- A palace of logs--but your own!
-
- Happy the new-born child
- Nursed in the greenwood wild;
- Though his cradle be only a trough,
- Account him well off;
- For born to the purple is he,
- The proud royal robe of the Free!
- For the latest time is the best,
- And the happiest place is the West,
- Where man shall establish anew
- Things excellent, beautiful, true!
-
-
-
-
- THE TEACHER’S DREAM.
-
-
- The weary teacher sat alone,
- While twilight gathered on:
- And not a sound was heard around,
- The boys and girls were gone.
-
- The weary teacher sat alone,
- Unnerved and pale was he;
- Bowed by a yoke of care he spoke
- In sad soliloquy:
-
- “Another round, another round
- Of labor thrown away,
- Another chain of toil and pain
- Dragged through a tedious day.
-
- “Of no avail is constant zeal,
- Love’s sacrifice is loss,
- The hopes of morn, so golden, turn,
- Each evening, into dross.
-
- “I squander on a barren field
- My strength, my life, my all;
- The seeds I sow will never grow,
- They perish where they fall.”
-
- He sighed, and low upon his hands
- His aching brow he prest,
- And like a spell upon him fell
- A soothing sense of rest.
-
- Ere long he lifted drowsy eyes,
- When, on his startled view,
- The room by strange and sudden change
- To vast proportions grew!
-
- It seemed a senate house, and one
- Addressed a listening throng;
- Each burning word all bosoms stirred,
- Applause rose loud and long.
-
- The wildered teacher thought he knew
- The speaker’s voice and look,
- “And for his name,” said he, “the same
- Is in my record-book.”
-
- The stately congress hall dissolved,
- A church rose in its place,
- Wherein there stood a man of God,
- Dispensing words of grace.
-
- And though he heard the solemn voice,
- And saw the beard of gray,
- The teacher’s thought was strangely wrought
- “My yearning heart to-day
-
- “Wept for this youth whose wayward will
- Against persuasion strove,
- Compelling force, love’s last resource,
- To stablish laws of love.”
-
- The church, a phantasm, vanished soon;
- What shadowy picture then?
- In classic gloom of alcoved room
- An author plied his pen.
-
- “My idlest lad!” the master said,
- Filled with a new surprise,
- “Shall I behold _his_ name enrolled
- Among the great and wise?”
-
- The vision of a cottage home
- Was now through tears descried:
- A mother’s face illumed the place
- Her influence sanctified.
-
- “A miracle! a miracle!
- This matron well I know!
- She was a wild and careless child
- Not half an hour ago.
-
- “Now, when she to her children speaks
- Of duty’s golden rule,
- Her lips repeat, in accents sweet,
- My words to her at school.”
-
- Dim on the teacher’s brain returned
- The humble school-room old;
- Upon the wall did darkness fall,
- The evening air was cold.
-
- “A dream!” the sleeper, waking, said,
- Then paced along the floor,
- And, whistling low and soft and slow,
- He locked the school-house door.
-
- His musing heart was reconciled
- To love’s divine delays:
- “The bread forth cast returns at last,
- Lo, after many days!”
-
-
-
-
- BY THEIR FRUITS.
-
-
- Above the clash of counter creeds
- These gospel accents swell:
- Whoever doeth righteous deeds
- Hath read his Bible well.
-
- Like fragrant blooms of lavish spring
- Are adoration’s vows;
- The tree that pleases God will bring
- Fair fruitage on its boughs.
-
-
-
-
- PESTALOZZI.
-
- For the 150th anniversary of the birthday of Pestalozzi, celebrated in
- Cincinnati, January 13, 1896.
-
-
- Through vasty shades of savage Occident
- The Ohio groped what time the man I sing
- Took first quick draught of that free element
- That thrills Swiss life, and felt the quivering
- Of Alpine light which welcomed him to earth.
- In Zurich then was born--sublime event--
- A man-child in whose soul new gospels waited birth.
-
- The world is ever plastic in the hand
- Of humble saviours fearless of the cross:
- One self-forgetting hero may command
- And mould the future, scorning present loss:
- Meek Pestalozzi, herding in his mind
- Helvetia’s strayling little children, planned
- By their salvation surely to redeem mankind.
-
- Much hope, more love possessed him, but most grief;
- His heart, a mourner, sobbed o’er common woe:
- Did the Almighty slumber or seem deaf
- To wails ascending from His poor below?
- Nay, Heaven remembers every bitter tear,
- Yet mundane ills must seek on earth relief;
- Lo, the Divine hath found a human volunteer.
-
- By sad Lucern arose the children’s cry,
- The shelterless, the poor, the innocent;
- The man of Zurich spake: “They must not die:
- War cast them out, but I by Peace am sent
- To father them and mother them and feed
- Their bodies and their spirits; need have I
- None other than to share their utmost dolorous need.
-
- “Oh, better never to be born at all
- Than live forlorn, the victim of neglect!
- To fall from brotherhood is lowest fall.
- Lift up the low! bid man’s soul stand erect!
- On Education found the Church and State.
- I send through Europe my imploring call:
- Millennial blessings round the Kindergarten wait!
-
- “Unfold what is within! Develop! Make
- Full, fragrant efflorescence of the soul!
- Let bloom the brain and call the heart awake!
- Nothing repress; expand the being, whole,
- Complete and perfect under nature’s awe,
- Our dear Schoolmistress.” Thus prophetic spake
- A voice of faith, forecharged with evolution’s law.
-
- Thus the reformer’s zealous wisdom taught:
- Thus, sometime, plead with Bonaparte austere,
- Who, scorning prophecy in soaring thought
- Of self, flung answer with a royal sneer:
- “We can’t be troubled with the A-B-C!”
- Vain Emperor! the sword with which he fought
- Made slaves which battling alphabets set free.
-
- The culture-captain had his marshals, too,
- Ritter and Froebel and a legion more;
- They proselyted nations, old and new,
- They set their banners fair on every shore;
- A million teachers follow in the way
- The martyr opened to the good and true;
- Our children bask in beam of Pestalozzi’s day.
-
- He deemed his lavish life of no avail,
- Dim was his prospect of the Promised Land;
- But even then when faith and hope did fail,
- The seed, wide scattered from his weary hand,
- Was springing, waving, bursting into flower;
- For grain of truth is waft on every gale
- And sinks in every soil its root of deathless power.
-
- He fell in conflict, but the field was won;
- First Democrat of Culture! Thinker brave!
- Hail, Switzerland, proud mother of such son,
- Heap laurel garlands on his honored grave!
- In flowers hide its consecrated sod!
- Time writes his shining epitaph: “Well done!”
- And Science vindicates his confidence in God.
-
-
-
-
- “THERE IS NO CASTE IN BLOOD.”
-
-
- In Gunga’s vale is heard
- Siddhartha’s sacred word;
- Thrill, heart of Hindustan!
- Good tidings! Man is _Man_.
- The Sudra’s eyes grow dim
- With tears, for unto him
- Thus spake Siddhartha good,
- “There is no caste in blood.”
-
- Take comfort, humble soul!
- The ages hopeward roll;
- Time grows compassionate;
- Thou art not doomed by Fate;
- Religion shall prevail;--
- Hail! blessed Buddha! hail!
- Proclaim thy message good,
- “There is no caste in blood.”
-
- Ye plains of Ind, rejoice
- At Love’s sweet-sounding voice!
- Ye heights of Himalay
- Gleam bright for joy to-day!
- The truth to Buddha sent
- New lights the Orient,
- Presaging all men good:
- “There is no caste in blood.”
-
-
-
-
- VIVA LA GUERRA.
-
- April 23, 1898.
-
-
- Viva la Guerra!
- That is Spain’s cry;
- This our reply:
- Viva la Guerra!
-
- Saber clash saber!
- Scath visit scath!
- Wrath answer wrath!
- Saber clash saber.
-
- Army front army!
- People or crown,
- Which shall go down?
- Army face army.
-
- Navy meet navy,
- Strong versus strong;
- Right against wrong;
- Navy dares navy.
-
- Cannon to cannon,
- Powder and ball!
- God over all!
- Cannon to cannon.
-
- Viva la Guerra!
- Mars against Thor!
- Beautiful War!
- Viva la Guerra!
-
-
-
-
- BATTLE CRY.
-
- May 1, 1898.
-
-
- The loud drums are rolling, the mad trumpets blow!
- To battle! the war is begun and we go
- To humble the pride of an arrogant foe!
-
- _The ensign and standard which wave for the Crown
- Of Castile and Aragon--trample them down!
- Granada and Leon and haughty Navarre
- Shall lower their banner to Cuba’s lone star!_
-
- Now under Old Glory, the Blue and the Gray
- United march shoulder to shoulder away,
- To meet the Hidalgos in furious fray.
-
- With musket and haversack ready are we
- To tramp the globe over, to sweep every sea,
- From isles of dead Philip to Florida’s Key.
-
- We think of the Maine and our hot bosoms swell
- With rage of love’s sorrow, which vengeance must quell,
- And then we are ready to storm gates of Hell.
-
- Our flag streams aloft by the tempest unfurled!
- We strike for a Continent;--nay, for the World!
- Mene, Tekel, Upharsin! the thunder is hurled!
-
- _The ensign and standard which wave for the Crown
- Of Castile and Aragon--trample them down!
- Granada and Leon and haughty Navarre
- Shall lower their banner to Cuba’s lone star!_
-
-
-
-
- EL EMPLAZADO.
-
-
- El Emplazado, the Summoned, the Doomed One,
- Spain whom the nations denounce and abhor,
- Robe thy dismay in the black sanbenito,
- Come to the frowning tribunal of war.
-
- Curst were thy minions, their roster and scutcheon,
- Alvas, Alfonsos, archarchons of hate;
- Pillared on bigotry, pride, and extortion,
- Topples to ruin thy mansion of state.
-
- Violence, Cruelty, Intrigue, and Treason,
- These the false courtiers who flattered thy throne;
- Empires, thy sisters, forbode thee disaster,
- Even thy children their mother disown.
-
- Suppliant Cuba, thy daughter forsaken,
- Famished and bleeding and buffeted sore,
- Ghastly from gashes and stabs of thy rancor,
- Binds up her wounds at an alien door.
-
- Courts and corregidors erst at thy bidding
- Banished or butchered Moresco and Jew;
- Ghosts from all Christendom, shades of the Martyrs
- Flock from the sepulcher thee to pursue.
-
- Wrath of retributive justice o’ertakes thee:
- Brand of time’s malison blisters thy brow:
- Armed cabelleros and crowned kings of Bourbon,
- All are unable to succor thee now.
-
- El Emplazado, the Summoned, the Doomed One!
- God’s Inquisition condemns thee today!
- Earth-shaking cannon-bolts thunder thy sentence,--
- Heaven re-echoes the auto de fe.
-
-
-
-
- NATIONAL SONG.
-
- Dedicated to the Business Men’s Club of Cincinnati, May 13, 1903.
-
-
- America, my own!
- Thy spacious grandeurs rise
- Faming the proudest zone
- Pavilioned by the skies;
- Day’s flying glory breaks
- Thy vales and mountains o’er,
- And gilds thy streams and lakes
- From ocean shore to shore.
-
- Praised be thy wood and wold,
- Thy corn and wine and flocks,
- The yellow blood of gold
- Drained from thy cañon rocks;
- Thy trains that shake the land,
- Thy ships that plow the main,
- Triumphant cities grand
- Roaring with noise of gain.
-
- Earth’s races look to Thee:
- The peoples of the world
- Thy risen splendors see
- And thy wide flag unfurled;
- Thy sons, in peace or war,
- That emblem who behold,
- Bless every shining star,
- Cheer every streaming fold!
-
- Float high, O gallant flag,
- O’er Carib Isles of palm,
- O’er bleak Alaskan crag,
- O’er far-off lone Guam;
- Where Mauna Loa pours
- Black thunder from the deeps;
- O’er Mindanao’s shores,
- O’er Luzon’s coral steeps.
-
- Float high, and be the sign
- Of love and brotherhood,--
- The pledge, by right divine
- Of Power, to do good;
- For aye and everywhere,
- On continent and wave,
- Armipotent to dare,
- Imperial to save!
-
-
-
-
- RIGHT OF MIGHT.
-
-
- I do enlist me in the cause of man,
- The old, dear cause of liberty for all,
- The hope of history since bards began
- To sing inspired heroic battle-call.
-
- The precious purchase of ten thousand years,
- The slow-won gains hard held at awful cost
- Of toil and thought and grief and blood and tears--
- Shall these be stolen from the world, and lost?
-
- These to retain, must force, perforce, alas,
- Lift up her banners and her thunders hurl:
- Then, when the reign of cruelty shall pass,
- Dare Charity her fighting ensign furl.
-
- Where rings no song for freedom, none are free;
- Where gleams no sword for justice, justice dies;
- Where gates of hell prevail, then must it be
- The Powers of Darkness storm the very skies.
-
- The Prince of Gentleness, did He not bring
- A brand, lest violence on earth prevail?
- He preached, He prayed. And poets needs must sing
- War against wrong, or Christ himself must fail.
-
-
-
-
- JAMES E. MURDOCH.
-
- On His Eightieth Birthday.
-
-
- Four-score! That gallant stripling? No!
- That passion-breathing Romeo,
- Who climbed, last night, the garden wall,
- Mocked by Mercutio’s madcap call!
-
- Four-score? What, he? Charles Surface? Nay;
- He is as young as blooming May;
- You do but jest; I know him well--
- Who can forget wild Mirabel?
-
- Whatever the costume, forsooth,
- The same inimitable youth!
- Marked you the sables Hamlet wore,
- Dark-plumed, in moonlit Elsinore?
-
- Gray locks? Believe the joke who can!
- They “make him up” to play “old man”;
- Pluck off the wig! Crow’s feet erase!
- And recognize wag Murdoch’s face!
-
- Nay;--sober Time his card holds high,
- And, swearing figures will not lie,
- Adds up the years and proves the date:
- See, in the ten’s place, here, an eight.
-
- So be it; Chronos, go thy ways;
- Our friend grows old and full of days;
- His frame may bend to Time’s control,
- But Time is servant to his soul.
-
- His drama on the world’s wide stage,
- Now in the last calm scene, old age,
- Has been throughout legitimate,
- In motive true, performance great.
-
- Whoever thus fulfils his part
- Achieves the uttermost of art;
- Who thus the scene of life has trod
- Pleases the Manager--his God.
-
- Or soon or late, _exeunt_ all--
- The bell will ring, the curtain fall,
- And we, the actors, put away
- The masking garments of the play.
-
- When we from off the boards have passed,
- And every light is out at last,
- We’ll leave the theater and go
- Where real life replaces show.
-
- Play out the play! and be content
- To wait for that supreme event;
- Dear Murdoch! master, father, friend,--
- Star on! still bright’ning to the end!
-
-
-
-
- THE CONCORD SEER.
-
-
- The Transcendentalist--he now transcends
- The cloud of death to join exalted friends.
- The Saadi of the West, the Saint, the Sage,
- The north-sprung Plato of an un-Greek age,
- Hath changed his habitation, and his ghost
- Takes note authentic of the unknown coast.
- Ah, joy serene! there doth he recognize
- Congenial souls foreknown “polite and wise”:--
- Two bards were first to hail his risen wraith,
- One sang the Psalm of Life, one that of Death;
- Then mystic Hawthorne took his willing hand,
- As Vergil Dante’s in the Shadow Land;
- Now haply doth his converse reconcile
- Momentous discords with redeemed Carlyle;
- Perhaps in Soul’s consortable domain
- He meets the shade of erudite Montaigne;
- Or German-Grecian Goethe shows the way
- To Fields Elysian where the Ancients stray;--
- By some celestial brook of lucent flow,
- Where plane-trees with immortal verdure grow,
- May sit, discoursing calm philosophies,
- The Concord Seer, with argute Socrates.
-
-
-
-
- THE POET OF CLOVERNOOK.
-
- Read at the Celebration of Alice Cary’s birthday,
- to the children of the Public Schools of
- Cincinnati, April 26, 1880.
-
-
- A poet born, not made,
- By Nature taught, she knew,
- And, knowing, still obeyed
- The Beautiful, the True.
-
- Hers was the seeing eye,
- The sympathetic heart,
- The subtle art whereby
- Lone genius summons art.
-
- She caught the primal charm
- Of every rural scene,--
- Of river, cottage, farm,
- Blue sky, and woodland green.
-
- Baptized in Sorrow’s stream,
- She sang, how sweetly well,
- Of true Love’s tender dream,
- And Death’s pale asphodel.
-
- Her pensive muse has fled
- From hill and meadow-brook;
- No more her footsteps tread
- Thy paths, fair Clovernook.
-
- No more may she behold
- The dew-crowned Summer morn
- On wings of sunrise gold
- Fly o’er the bending corn.
-
- No more her mournful gaze
- Shall seek the twilight sky,
- When parting Autumn days
- Flush hectic ere they die.
-
- Nor note of joyous bird,
- Nor April’s fragrant breath,
- Nor tear, nor loving word,
- May break the spell of Death.
-
- Sleep on! and take thy rest,
- In Greenwood by the sea!
- Dear Poet of the West,
- Thy West remembers thee.
-
-
-
-
- THE GREENFIELD WIZARD.
-
- (J. W. R.)
-
-
- Two things there are in heaven above
- And earth below--the greater, Love,
- The lesser, Death--and therefor grew
- Heart’s-ease and rosemary and rue
- And myrrh and moly, magic plants;
- These, and a common rose or two
- Besprent with Indiana dew,
- My wizard gathers from their haunts;
- Distils the balmy, subtle juice
- To make a spell of potent use;
- Filters a seeming simple wine
- Nectared with some drops most rare--
- (How he finds the tinct or where,
- Not the critics can divine!)
- Whoso gives the wine his lips,
- Sipping smiles, and laughing sips;
- But, before he drinks it up,
- Tears have trickled in the cup.
-
-
-
-
- WILLIAM BAIRD OF RIDGEVILLE.
-
-
- Now who is the delightfulest
- Old soldier that shakes hands with you?
- The genial host, the welcome guest,
- The teeming brain, the bosom true,
- The soul of song and merry jest?
- The prince of all good fellows, who?
- “Why, William Baird of Ridgeville!”
-
- Whenever meets the G. A. R.,
- Through rain or dust he hies to town;
- He gladdens the excursion car,
- And, as his regiment tramps down
- The gala street, you hear afar
- The marching measure, “Old John Brown,”
- From William Baird of Ridgeville.
-
- Then all the casements open wide,
- A thousand flags are shaken free,
- The balconies on either side
- Are loud with shouts of jubilee,
- And thrilling maidens wave with pride
- Their kerchiefs, laughing, crying: “See!
- That’s William Baird of Ridgeville!”
-
- All children feel his gracious charm,--
- Of gentle birth, or sprung of churls;
- From hut and mansion, street and farm,
- Troop eager round him lads and girls;
- The baby leaves its mother’s arm
- To ride the shoulder, pull the curls
- Of William Baird of Ridgeville.
-
- The fools in flock from William fly,
- Like fluttered sparrows from a hawk;
- The women hover warmly nigh,
- Like bees around a lily-stalk,--
- Enchanted by the sparkling eye
- And by the spiced and nectared talk
- Of William Baird of Ridgeville.
-
- Yet Bill is not a ladies’ man;
- He consorts with “the boys”;--he jokes--
- This front-faced, sturdy veteran--
- With common and uncommon folks;
- He’s not the least a Puritan:--
- Sometimes he drinks, and daily smokes
- His briar-pipe, at Ridgeville.
-
- Wit’s gold is minted in his brain
- And glitters from his lavish tongue:
- The gravest deacon frowns in vain
- To quench the laughter; old and young
- Report the brilliant quips that rain
- Like scattered pearls at random flung
- By William Baird of Ridgeville.
-
- No wight can counterfeit or steal
- What unpremeditated art
- Gives him to improvise, to feel,
- To waken in the answering heart;
- What they from learning’s pride conceal,
- The Muses uninvoked impart
- To William Baird of Ridgeville.
-
- An unambitious soul hath Bill;
- The man is modest as a maid;
- Down at the foot of fortune’s hill
- His genius bides in calm and shade;
- He reads his Shakespeare, dreams his fill;
- A scythe he swings or plies a spade,--
- Bold Captain Baird of Ridgeville.
-
- Nor wife nor child his arms enfold;
- No, no--he is a bachelor;
- Yet, in his bosom aches an old
- Deep wound which antedates the war;
- He mourns--so is the secret told--
- His dear, dead sweetheart, Eleanor;--
- True William Baird of Ridgeville.
-
- Bill’s time must come some day, to die!
- Then like a soldier he’ll be found,
- Nor fear the bullet’s whizzing cry,
- Nor dread the final trumpet’s sound.
- If I be breathing then, may I
- Be with him on that battleground,
- To kiss his lips and say good-bye
- To William Baird of Ridgeville.
-
-
-
-
- LET’S SHAKE.
-
- Impromptu.
-
-
- You thought you would take me, you say, by surprise!
- You rascal! I knew you the moment my eyes
- Lit on your old phiz, and I couldn’t mistake
- Your voice nor your motions. How are you?
- Let’s shake!
-
- Train late? But you got here? Now why did you wire
- Me not to expect you, you measureless liar?
- Come up to my den, and by jolly! we’ll make
- A night of it--where is your luggage?
- Let’s shake!
-
- Say, how have you been? Let me look in your face;
- Have you won, have you lost, in the strenuous race?
- Have you knocked the persimmons and taken the cake?
- No? Here’s a small wallet--we’ll share it--
- Let’s shake!
-
- You may bank on my heart,--it is truer than gold;
- Hot, hotter it grows as the world waxes cold;
- Through flood and through flame I would go for your sake,
- That’s so, Bill, you grizzly old humbug,
- Let’s shake!
-
- You’re married, I dare say, or leastwise, in love?
- Speak out, for you know we are like hand and glove;
- I used to think you and Belle Esmond would wed;--
- Yes, yes, as I wrote you, the baby is dead;--
- I feared for awhile that my wife’s heart must break;
- Your hand, dear old comrade--don’t mind me,--
- Let’s shake!
-
- God bless you! I’m awfully glad you are here,
- You must not make fun of this womanish tear;
- He was only a baby, scarce two Aprils old,
- But, William, I tell you they do get a hold
- Of the heartstrings, these babies, and, since ours went,
- Why, somehow or other, we’re not quite content
- With this planet;--but when all our miseries here
- Are over, I hope we may strike a new sphere
- Up yonder, where hearts never hunger nor ache;--
- You’ll get there, I reckon, if I do?
- Let’s shake!
-
-
-
-
- A WELCOME TO BOZ.
-
- Impromptu.
-
-
- In immortal Weller’s name,
- By Micawber’s deathless fame,
- By the flogging wreaked on Squeers,
- By Job Trotter’s fluent tears,
- By the beadle Bumble’s fate
- At the hands of vixen mate,
- By the famous Pickwick Club,
- By the dream of Gabriel Grubb,
- In the name of Snodgrass’ muse,
- Tupman’s amorous interviews,
- Winkle’s ludicrous mishaps,
- And the fat boy’s countless naps,
- By Ben Allen and Bob Sawyer,
- By Miss Sally Brass, the lawyer,
- In the name of Newman Noggs,
- River Thames and London fogs,
- Richard Swiveller’s excess,
- Feasting with the Marchioness,
- By Jack Bunsby’s oracles,
- By the chime of Christmas bells,
- By the cricket on the hearth,
- Scrooge’s frown and Crotchit’s mirth,
- By spread tables and good cheer,
- Wayside inns and pots of beer,
- Hostess plump and jolly host,
- Coaches for the country post,
- Chambermaid in love with Boots,
- Toodles, Traddles, Tapley, Toots,
- Jarley, Varden, Mister Dick,
- Susan Nipper, Mistress Chick,
- Snevellicci, Lilyvick,
- Mantalini’s predilections
- To transfer his “dem” affections,
- Podsnap, Pecksniff, Chuzzlewit,
- Quilp and Simon Tappertit,
- Weg and Boffin, Smike and Paul,
- Nell and Jenny Wren and all,--
- Be not Sairy Gamp forgot,--
- No, nor Peggotty and Trot,--
- By poor Barnaby and Grip,
- Dora, Flora, Di and Gip,
- Perrybingle, Pinch and Pip--
- Welcome, long-expected guest,
- Welcome, Dickens, to the West.
-
- 1867.
-
-
-
-
- THE BOOK AUCTION.
-
-
- “How much am I bid?” said the spry auctioneer,
- “For the lays of a well-known bard?”
- The bard, incog, who was hovering near,
- Glanced up, and his breath came hard.
-
- “I am offered a dime! Just think of it, gents!
- For these ‘Songs of the Dewy Dawn’!
- Are you all done bidding? Ten! ten cents--
- Ten cents--and--going--and--gone!
-
- “You don’t know elegant books from trash!”
- Joked the jubilant auctioneer;
- The dubious author bit his mustache,
- And felt confoundedly queer.
-
- “A beautiful copy of Shakespeare’s pomes!
- How much am I bid? Look alive!
- A right nice work to embellish your homes;
- Five cents! Sold to cash, for five!”
-
- The incog singer twinkled his eye
- And inwardly said with a thrill:
- “American poetry doesn’t sell high,
- But I’d hate to go cheap as old Bill.”
-
-
-
-
- A GIFT ACKNOWLEDGED.
-
- February 19, 1881.
-
-
- Your Winter gift of bud and bloom
- Took nature by surprise;
- ’Twas sudden Summer in my room,
- And April in my eyes.
-
- The kindly mist a moment stole
- The flowers from my view,
- But lo! they blossomed in my soul,
- Where love their fragrance knew.
-
- Fair embassy! their smiles I greet,
- Camellia, pink and rose;
- I understand the message sweet
- Their gentle hearts enclose.
-
- Their winsome beauty gladdens me
- With this immortal truth:
- No age can quite unhappy be
- That still remembers youth.
-
- Dear boys! companions! friends sincere!
- More warm and true than men,
- I thank you most because my tear
- Made me a boy again.
-
-
-
-
- THE OLD HOMESTEAD.
-
-
- Enshrined among roses
- The Homestead reposes
- With vines mantled o’er;
- Ground-ivy and clover
- Are running all over
- The stone at the door.
-
- Pinks, lilies, are blowing,
- Blue violets showing
- Gold hearts to the June;
- Bees going and coming
- Keep evermore humming
- Their Hyblean tune.
-
- ’Twas here that I wasted
- Youth’s flower and tasted
- Love’s first honey-dew;
- A boy here I slumbered,
- By care unencumbered,
- Long, balmy nights through.
-
- The wood-birds each morning
- Gave musical warning
- For shadows to fly;
- Their rhapsody choral
- Foretold the auroral
- First flush of the sky.
-
- With rising emotion
- Akin to devotion
- The scene I behold;--
- With fond recollections
- Of tender affections
- Too sweet to be told.
-
-
-
-
- JENNIE MOORE.
-
-
- The morning air is richly rife
- With southern soft perfumes;
- Yon orchard glows with sudden blush
- Of mingled buds and blooms;
- The madrigals of wooing birds
- Awaken amorous Spring,
- And “Jennie Moore, sweet Jennie Moore”
- Is all the song they sing.
-
- Glad Yalobusha’s rippling waves
- Repeat the darling name;
- The zephyr lost among the pines
- Dies murmuring the same;
- And when the hush of twilight steals
- Along the dreamy shore,
- The blissful silence to my heart
- Keeps singing “Jennie Moore.”
-
-
-
-
- ASHES.
-
-
- The fire of love is dead.
- No spark of living red
- The cold, gray ashes show.
- Be still! thy sighing breath--
- Can it requicken death?
- Nay, hope not, dream not so.
- Ah, no, no, no!
-
-
-
-
- POSY.
-
-
- Laura is the first to seek
- Rime of March in wildwood bleak;
- First to mourn the aster’s death,
- Withered by November’s breath;
- Every glade and glen she knows
- Where the coy spring-beauty grows,
- Searches sunny slope and dell
- For the pearl or golden bell
- Of the quivering addertongue
- By the wandering zephyr swung;
- She and April, comrades boon,
- Hail the early-crowned puccoon;
- In the dingle lone she sees
- Tremulous anemones;
- From the breast of June she takes
- Columbines and plumy brakes;
- Not a daisy she’ll forget,
- Nor the humblest violet.
- Lilies proud, on stately stalks,
- Bow to greet her where she walks;
- Roses to her pathway lean,
- Queens saluting lovelier queen,
- Emulous to win her eyes,
- Rivals for self-sacrifice;
- Blesséd they whom she shall choose
- Though their fragrant lives they lose!
- Joyful the elected flower
- Which may triumph one brief hour,
- Mingled with the clustered few,
- Musical in form and hue!
- Thus sweet notes that singly please
- Join in chordant melodies!
- So do gathered fancies twine
- Graceful in the rhythmic line;--
- Like a perfect lyric lay
- Laura’s exquisite bouquet.
-
-
-
-
- A SNOW BIRD.
-
-
- Beside the curbstone, in gusty whirl
- Of dust and snow-drift, stood a little girl;
- The piteous tears ran down her baby face;
- In dumb despair she stood, nor moved a pace,
- Her flying curls and fluttering short dress
- Pathetic signals of forlorn distress;
- Her fondling hands, all purple with the cold,
- Unto her breast a china doll did hold.
- “What is the matter, dear, why do you cry?”
- Her chill-cramped lips made dolefullest reply:
- “I am so cold, and I don’t know the way.”
- That was the most her helplessness could say.
-
- Ere long, before a laughing, ruddy flame,
- She smiled through tears and shyly told her name;
- I led the strayling to her mother’s door,
- And in she flew,--I never saw her more.
- Yet oftentimes, when Winter scoffs the sun,
- She is my bosom’s guest, that timid one;
- She steals into my heart and sobbing stands,
- A naked doll in her caressing hands;
- I see her shiver and I hear her say,
- “I am so cold, and I don’t know the way.”
-
-
-
-
- THE UPSET.
-
-
- Enforced pursuit of silver eagles fleet
- Gave early haste to my reluctant feet,
- And so it chanced I hurried--I and Care--
- At sunrise down a city thoroughfare;
- But by the grace of some directing fay
- I met a sight that gladdened me all day.
-
- I saw a beer-plump Saxon--Bacchus’ son--
- His red, round face the symbol of slow fun;
- Unconscious he of all ’twixt sky and earth
- Except one soul-engrossing cause of mirth:
- He dragged a painted sled, and, perched thereon,
- Sat snug a three-years’ maiden, bright as dawn,
- And happy as the sparrows chirping round,
- Crumb-hunting near her on the snowy ground.
- A sudden turn! a laughing cry, and lo!
- The sled upsets, and Mädchen prints the snow.
- She laughs; I laugh; loud ha-ha’s Bacchus’ son;--
- Then gravely he,--“By yolly! dot vas fun.”
-
-
-
-
- THE SCHOOL GIRL.
-
-
- From some sweet home the morning train
- Brings to the city,
- Five days a week, in sun or rain,
- Returning like a song’s refrain,
- A school girl pretty.
-
- A violet’s unaffected grace
- Is dainty miss’s,
- Yet, in her shy, expressive face,
- The touch of urban arts I trace,
- And artifices.
-
- No one but she and Heaven knows
- Of what she’s thinking;
- It may be either books or beaux,
- Fine scholarship or stylish clothes,
- Per cents or prinking.
-
- How happy must the household be
- This morn who kissed her;
- Not every one can make so free;
- Who sees her, inly wishes she
- Were his own sister.
-
- How favored is the book she cons,
- The slate she uses,
- The hat she lightly doffs and dons,
- The orient sunshade that she owns,
- The desk she chooses.
-
- Is she familiar with the wars
- Of Julius Caesar?
- Do crucibles, and Leyden jars,
- And Browning, and the moons of Mars,
- And Euclid, please her?
-
- She studies music, I opine;
- O day of knowledge!
- And other mysteries divine
- Of imitation or design,
- Taught in the college.
-
- A charm attends her everywhere,
- A sense of beauty;
- Care smiles to see her free of care;
- The hard heart loves her unaware;
- Age pays her duty.
-
- Her innocence is panoply,
- Her weakness, power;
- The earth her guardian, and the sky;
- God’s every star is her ally,
- And every flower.
-
-
-
-
- THE READERS.
-
-
- Come hither, my ten years’ maiden;
- O’er what do you ponder so much?
- “I am reading in Tanglewood Stories,
- The tale of the Golden Touch.”
-
- Ah! Hattie, my flax-haired darling,
- How buried in study you seem.
- “I am reading in Tales from Shakespeare,
- Of Puck in Midsummer Night’s Dream.”
-
- And there on the sofa is Mayo;
- My laddie, what pleases you so?
- “This picture and fable in Æsop,--
- See here,--of the Pitcher and Crow.”
-
- Come hither, my dream-eyed baby,
- You’re falling asleep on the floor!
- “I’m reading in Sing Song, papa,--
- I wish you would read me some more.”
-
-
-
-
- WAG.
-
- Obiit, February 7, 1878.
-
-
- He was only a dog, and a mongrel at that,
- And worthless and troublesome, lazy and fat,--
- Was Wag, who died yesterday night;
- Yet now that his barking forever is o’er,
- And his caudal appendage can waggle no more,
- His elegy I will indite.
-
- ’Twas seldom authority mastered his will;
- He always was noisy when bid to be still;
- He slumbered while danger was near;
- He ran after chickens against all command;
- When ordered to “sick” he would heedlessly stand;
- His principal passion was fear.
-
- From morning till night he would dig in the ground
- To get at a rabbit, but, when it was found,
- In terror he took to his heels;
- But there was one duty he never did shun,
- From that naught could drive him, to that he would run:
- Wag never neglected his meals.
-
- The tax that I paid the police on his poll,
- A dollar a year, I begrudged in my soul,
- For Wag I thought dear at a cent;
- And once, in my hardness, I gloomily said,
- “I wish that the no-account puppy were dead!”
- But now he _is_ dead, I repent.
-
- Wag came from Kentucky, a waif, bundled up
- And packed in a basket, a charity pup,--
- In pity we warmed him and fed;
- The only return that his nature could give
- For preserving his life, was serenely to live,
- Content with his board and his bed.
-
- He was kind to the dogs upon Tusculum Hill;
- He followed them all with fraternal good will,
- From coach dog to commonest cur;
- He was grateful to _people_ who treated him right,
- And for his young mistress he even would fight,
- But not lose his dinner for her.
-
- I miss his black body curled up and asleep,
- I miss his contortions, his bark, and his leap,
- And the sound of his gnawing at bones;
- The very same night that the Pope died at Rome,
- Poor Wag, all alone, in the wash-house at home,
- Yielded up his last shivering moans.
-
- And when to the children, next morning, I said,
- As they sat at the table, “Yes, Wag--he is dead,”
- There was not a dry eye in the room;
- And Auntie began, with remorse, to recall
- How lately she’d driven deceased from the hall,
- With scoldings and blows of a broom.
-
- Now Wag is asleep near an apple-tree old,
- And a dog-rose shall blossom above his dear mold,
- And there shall a tablet be set;
- For though but a dog, and a mongrel at that,
- And worthless, and idle, and lazy, and fat,--
- Poor Wag was _our_ dog, and a pet.
-
-
-
-
- DONATELLO.
-
-
- Who will capture Donatello?
- Roving cat!
- Fierce, ungovernable fellow;
- Musical as Leporello,--
- Sharp and flat!
- Terrible in a duello.
-
- Ragamuffin, have you met a
- Felis fat?
- Ancestored in gay Valetta,
- Where brown dames in black faldetta,
- Walk and chat--
- Hot his blood as flame of Ætna.
-
- Beautiful, romantic, splendid
- Autocrat!
- To the forest, unattended,
- Daring Donatello wended:
- Owl and bat,
- Weasel, mole, and mink, he rended.
-
- Savage wildwood his unbounded
- Habitat;
- By no man or mastiff hounded,
- By the midnight mirk surrounded--
- Think of that!
- Oft his caterwaul he sounded.
-
- Freedom to the gallant fellow.
- Exeat!
- Victor in each fierce duello,
- Midnight, madcap Leporello!
- Roving cat!
- Graceless, graceful Donatello!
-
-
-
-
- GABRIEL OF SCHWARTZENWALD.
-
-
- Rhyme, and ring the changes well,
- Sing the song of Gabriel,
- Gabriel of Schwartzenwald.
-
- Lo, a voice delusive called
- From the Ohio’s crooked vale,
- Saying, “Sail and sail and sail
- Over the sea and hither away,
- Westering to the Land of Play;
- Happy region of Do-as-you-please,
- Where the guilders grow on trees,
- Where the peasants all are kings
- And there be no underlings.”
-
- Gabriel, the idle dreamer,
- Heard the Utopian voice alluring;
- Sought a sail-ship,--not a steamer;
- Soon the vessel leaves her mooring,
- Veers and tacks to Occident,
- Bears him o’er the crinkled sea;
- Never soul so indolent
- Lounged upon a deck as he.
- With the vagrant breeze he glides
- Over sun-lit, moon-lit tides,
- Skims to port and shore;
- Spins along the shining rail,
- Sleeps into Ohio’s vale,--
- Wakes--the journey o’er.
- Not an idler Gabriel sees,
- Not a kreutzer on the trees;
- Every bretzel must be bought;
- Naught is proffered him for naught.
- ’Tis the Region of Unrest,
- Busy, toiling, moiling West!
-
- All the peasant kings he found
- Building houses, tilling ground.
- Gabriel of Schwartzenwald
- From his dream is disenthralled;
- Transatlantic, far away,
- Eastward looms the Land of Play.
-
- Like the lily, like the daisy,
- Lolling Gabriel was lazy;
- Clownish were his clumsy paces,
- Ludicrous his slow grimaces;
- Ill-defined the thoughts he spoke,
- Like the wreathed tobacco smoke
- From his meerschaum upward shed
- Curling round his shaggy head.
- Little could he understand:--
- “Vish I vas in Faderland,
- Nicht is goot for notings here
- Only shust das lager-bier.”
-
- Easily he wept or smiled,
- Easily was he beguiled;
- Rill-like, shallow, o’er his mind,
- Ran affections swift and kind;
- Secretly he shared his meat
- With a lame cur on the street;
- “Vonce I had a hund,” said he,
- “Vat vas very freund to me;
- Ya, mein Herr, dat hund vas mine;
- Vish I heard him barkin’ here;
- Vish I had a glass goot bier,
- Oder flash von German wein.”
-
- Hard by Mineami Bayou,
- Where the gadding breezes cool
- Loiter up from the Ohio,
- Gabriel, at sink of sun,
- Throned upon a wooden stool,
- Fondled his accordion.
- Then the ragged urchins round,
- And their brown-legged sisters, maybe,
- Lugging each a flax-haired baby,--
- Sometimes, too, the weary mothers,
- Yea, and I, and lingering others,
- By sad, dulcet quaverings won,
- Gathered near to catch the sound;
- O’er the hill the risen moon
- Paused to hear the mellow tune;
- All too sadly, all too soon,
- Gabriel would cease to play,
- Light his pipe and puff away.
- “Vas a Fräulein,”--mumbled he;
- “Vish I vas to-night not hier;
- Not America for me,--
- Only shust das lager-bier.”
- “Play a waltz now, Gabriel!” “Nein,
- Rhine wein ist der beste wein.”
-
- Gabriel did sigh and sadden
- For the linden shades of Baden,
- For the glooms of Schwartzenwald;
- So a homesick brief he scrawled
- To his mother, her to tell
- That he was not strong or well.
- (Of the Fräulein wrote he not,--
- Haply Gabriel forgot.)
- Soon the doting mother old,--
- Four-score were her years and three,--
- Sent the lout a purse of gold,
- With the summons--“Come to me!
- Komm zu mir, mein Sohn, geschwind,
- Komm zu mir, mein liebes Kind.”
-
- From the Ohio’s crooked vale,
- Flying fast by rail and sail,
- Home to Schwartzenwald away,
- Eastward to the Land of Play,
- Gabriel of Schwartzenwald
- Followed the mother-tongue that called
- From the fatherland in tearful tone,
- “Komm, Gabriel, mein lieber Sohn!”
- Followed the mother-voice and the call
- Of the nameless Fräulein, short or tall,
- And the coaxing lisp of the linden leaves,
- And the bark of a dog forlorn that grieves
- For an absent master; the gurgle, too,
- Of bottled grape-juice and foamy brew,
- And the tweedle-dee of the fiddle gay
- That leads to the dance on a holiday;--
- Followed his dreams and his memories,
- Whirled with the sleeping speed of wheels,
- Flew on the eager wings of the breeze,
- Doubting of naught that his foolish heart feels,
- Sure that the country of Do-as-you-please,
- If any such ever is found upon earth,
- Is the home of our mother, the land of our birth.
-
-
-
-
- COFFEA ARABICA.
-
-
- More entrancing than aroma
- From the Hindu sacred soma,
- Comes a fragrant
- Essence vagrant
- Floating up
- From my quaint Zumpango cup,
- Incense rare,
- Evanescent steam ascending,
- Curling, wavering, fading, blending,
- Vanishing in viewless air.
- Let me sip and dream and sing
- Musing many an idle thing,
- Let me sing and dream and sip
- Making many an fancied trip
- Far away and far away
- Over ocean, gulf and bay
- To islands whence the spicy wind
- Breathes languor on the tropic sea,
- To sultry strands of teeming Ind,
- To coasts of torrid Araby,
- To realms no Boreal breath may chill,
- Like rich Brazil,
- Or Jabal’s clouded hill on hill,
- Or warm Bulgosa’s valley low,
- To zones where Summer splendors glow,
- Where seasons never come or go,
- Where coffee trees perpetual blow.
-
- While I drowse and dream and sip,
- Sailing, sailing slides a ship
- Over the glittering sea,
- Measuring leagues of night and day,
- Bearing and bringing to me,
- Bringing from far away, away,
- The pale green magical berry,
- The seed of the virtuous cherry,
- The bean of the blossom divine!
- Bringing from over the brine,
- Bringing from Demarara,
- From balsamy San Pará,
- Bringing from Trans-Sahara,
- From hoard of the Grand Bashaw,
- Or redolent chests of Menelek,
- An Abyssinian cargo
- Richer than freight of Argo,
- Treasured in garners under the deck,
- Bringing and bearing for me
- The gift of the coffee tree!
- Better than blood of the Spanish vine,
- Or ruddy or amber wine of the Rhine;
- Bearing the bean of the blessed tree!
- Better than bousa or sake fine,
- Or sampan loads of oolong tea,
- Souchong, twankay, or bohea,--
- Bringing the virtuous bean divine,
- The coffee-tree cherry,
- The magical berry,
- More entrancing than aroma
- From the Hindu sacred soma.
-
-
-
-
- AN INDIA SHAWL.
-
-
- This dainty shawl an Eastern shuttle wove,
- Where Ravee stream winds sunward from Cashmere;
- By nimble gold ’twas borne around the sphere
- For one who gave it me in friendly love.
- To rival nature’s hues the weaver strove,
- For beauty’s sake and not barbaric show;
- Behold, commingled here, elusive glow
- The brilliant, innocent dyes of field and grove.
- This silk soft web was never merchandise;
- A charm of peerless art proclaims it rare,--
- A sumptuous robe that Majesty would prize,
- And India’s British Empress well might wear;
- ’Tis mine for thee within whose beaming eyes
- I see love’s India, O my queenly Fair!
-
-
-
-
- APOLOGY.
-
-
- Full well my loyal heart remembers
- The vow of rapture’s lavish tongue,
- For thee to smother grief’s Decembers
- In joy’s June roses and make over
- The world;--how easily, fond lover,
- Could I when life and hope were young.
-
- When troth-plight had begemmed thy finger
- Unhappiness should cease to be;
- No shape of care near thee should linger;
- Exultant, I, thy love to guerdon,
- Would weep thy tears and bear thy burden,
- Yea, purchase thy Gethsemane.
-
- For thee should hemlock turn to honey,
- Thy hand, unhurt, the thorn might hold,
- Darkness should light thee, and the sunny
- Celestial days, triumphal, singing
- Around the globe, should bless thee, bringing
- Anew to earth the Age of Gold.
-
- Thy beauty and thy grace to glory,
- Would I inweave thy golden name
- In shining weft of song and story;
- Would I, on love’s heroic mission,
- Ascend the sunned peak of ambition
- To pluck the Alpine flower, fame.
-
- O season of delirious passion!
- What knew or recked my spirit then
- Of deeds in less transcendent fashion
- Than youth’s high drama realizes
- In visions, dreams, and enterprises,
- That lift to godhood mortal men!
-
- Naught is impossible to Heaven,
- Nor to the puissance of youth!
- Imagination’s quickening leaven
- Works in the pulsing brain and being
- Till every sense hath second-seeing
- And all that should be true is truth.
-
- O glorious falsehood and illusion!
- Call not the lover’s transports lies:
- The white light of his heart in fusion
- Makes visible the far ideal,
- Only the low earth is unreal,
- Secure the lover walks the skies.
-
- I trod with thee the starry spaces,
- I told the only tale I knew;
- We dwelt in spirit, not in places,
- And, if the promises then spoken,--
- Be witness, O my God!--were broken,
- The promising was heavenly true.
-
-
-
-
- UNRECONCILED.
-
-
- When winter’s loom of cloud
- Weaves robes of snow
- To wrap the hills in shroud,
- My meditations go
- Where shuddering tempests blow
- Above a little grave.
-
- When spring’s pale wild-flowers wake
- Where sunbeams play,
- Must not my full heart break?
- Birds, blossoms, come with May,--
- Would that, some happy day,
- My child could come again.
-
- When air-built cloud-fleets sail
- Blue summer’s sky,
- And violets exhale
- Their fragrant souls and die,
- My soul lifts Rachel’s cry,
- For, oh! the child is not.
-
- Most mournful time of all
- Is when the leaf
- Fades, withering to its fall,
- Ending its term so brief,
- Like him, my joy, my grief,
- Lost in the senseless grave.
-
- The new moons come and go,
- Stars rise and set,
- Time’s healing waters flow
- Across my wound, and yet
- Grief cannot pay love’s debt;--
- Love’s solace is to mourn.
-
-
-
-
- ANNIVERSARY.
-
-
- This is your birthday, dearest? Dearest wife,
- Fond sweetheart of my youth and of my prime,
- Lover and friend and comrade, in whose life
- I live unconscious of the flight of time!
-
- Three-score? and must we grant it so? Why, then
- Thank Heaven we have tasted life thus long,
- For life is rich, and shall grow sweeter when
- Like mellowing wine age renders it less strong.
-
- We shall grow old together, count the years,
- Welcome each sunrise and each setting sun;
- Together laugh our laugh or weep our tears,
- Wait, act and suffer, till the sands be run.
-
- I owned Golconda and the Coast of Pearl,
- Being a boy--it was but yesterday;
- One shared my fortune, giving hers--one girl--
- Whither, my darling, fled youth’s dream away?
-
- Where are the morning and the wealth of spring?
- Gone with the air-built castle--vanished, gone!
- The dew of youth went sunward, and the wing
- Is broken now that soared at golden dawn.
-
- It is too late for riches, land and gold;
- Too late to pluck the flaming rose of power;
- My hands have bled to gather what they hold--
- Buds of dead hope--ambition’s phantom flower.
-
- Yet all I am I dedicate to you,
- As on our spousal morning, Love, and bring
- This heart-born offering to pledge anew,
- In Autumn song, the promises of Spring.
-
-
-
-
- AMAUROTE.
-
-
- Safe in towery Amaurote
- Now I dwell;
- From the tumbling sea my boat,
- Like a bell of foam afloat,
- Up Anyder’s refluent stream
- Voyaged well;
- And I woke unto a dream
- Realized in realm remote
- Of Utopia.
-
- Whiles my eudæmonian guide
- Thrummed her lyre,
- Charmful o’er the billows wide,
- In the distance I espied
- Gleam of opalescent dome,
- Golden spire;
- Then my soul foreknew its home
- Far beyond the roaring tide,
- In Utopia!
-
- All was sooth as poets old
- Gave renown;
- All that seers and sages told,
- Fabling of an Age of Gold;--
- Towery Amaurote was there,
- Blissful town!
- Far away from everywhere,
- Flushed with rosy light, behold!
- In Utopia.
-
- Visioned splendor reared from naught
- Rose sublime;
- Art and Beauty thither brought
- All Imagination taught
- Of the mystery of Man
- And of Time;
- Wisdom, smiling on the plan,
- Bade the wonderwork be wrought,
- In Utopia!
-
- Have I eaten of the lote
- So its spell
- Laps and lulls me to devote
- Hours Lethean, far remote
- From the dreadful things that be?
- Nay, I dwell
- Where o’er dream-deeps Poesie
- Sang me, in a foam-bell boat,
- To Utopia.
-
-
- THE END
-
-*** END OF THE PROJECT GUTENBERG EBOOK SAGA OF THE OAK, AND OTHER POEMS ***
-
-***** This file should be named 64148-0.txt or 64148-0.zip *****
-This and all associated files of various formats will be found in:
- https://www.gutenberg.org/6/4/1/4/64148/
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.