summaryrefslogtreecommitdiff
path: root/old/64140-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/64140-0.txt')
-rw-r--r--old/64140-0.txt1369
1 files changed, 0 insertions, 1369 deletions
diff --git a/old/64140-0.txt b/old/64140-0.txt
deleted file mode 100644
index 33f2da8..0000000
--- a/old/64140-0.txt
+++ /dev/null
@@ -1,1369 +0,0 @@
-The Project Gutenberg eBook of Soup and Soup Making, by Emma Pike Ewing
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Soup and Soup Making
-
-Author: Emma Pike Ewing
-
-Release Date: December 27, 2020 [eBook #64140]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Image source(s): https://archive.org/details/soupsoupmaking00ewin/
-
-Produced by: Charlene Taylor, David E. Brown, and the Online Distributed
- Proofreading Team at https://www.pgdp.net (This file was
- produced from images generously made available by The Internet
- Archive/American Libraries.)
-
-*** START OF THE PROJECT GUTENBERG EBOOK SOUP AND SOUP MAKING ***
-
-
-
-
- IN PREPARATION
-
- BY
-
- MRS. EMMA P. EWING.
-
- BREAD AND BREAD MAKING.
- SALAD AND SALAD MAKING.
- DEVIL DAINTIES AND LITTLE DISHES.
-
-
-
-
- _Cookery Manuals._
-
- NO. 1.
-
- SOUP AND SOUP MAKING.
-
- BY
- MRS. EMMA P. EWING,
-
- _Author of “Cooking and Castle Building,” and Superintendent
- of the Chicago Training School of Cookery._
-
- CHICAGO AND NEW YORK:
- FAIRBANKS, PALMER & CO.
-
- 1882.
-
-
-
-
- COPYRIGHT BY
- FAIRBANKS, PALMER & CO.
- 1882.
-
-
-
-
-INDEX.
-
-
- PAGE.
-
- AMBER SOUP 20
-
- ASPARAGUS SOUP 25
-
- BEEF TEA 13
-
- CHICKEN SOUP 19
-
- CELERY SOUP 20
-
- CORN SOUP 25
-
- CROUTONS 34
-
- CARAMEL 33
-
- DUMPLINGS 35
-
- FORCE MEAT BALLS 36
-
- JULIENNE SOUP 21
-
- MULLIGATAWNY SOUP 19
-
- MOCK TURTLE 27
-
- NOODLES 35
-
- OYSTER STEW 30
-
- OYSTER SOUP 30
-
- ONION SOUP 23
-
- PEA SOUP 23
-
- SOUP STOCK 10
-
- STOCK POT 9
-
- SAVE-ALL SOUP 28
-
- TOMATO SOUP 21
-
- VEGETABLE SOUP 22
-
- WHITE SOUP 24
-
-
-
-
-SOUP AND SOUP MAKING.
-
-
-
-
-PRELIMINARY REMARKS.
-
-
-Soup is so convenient, economical and healthful, that as an article of
-diet it ranks second in importance only to bread; and soup making is
-justly entitled to a prominent place in the science of cookery.
-
-A simple soup or broth of good quality, delicately seasoned with salt
-and pepper, or containing some of the grains, or grain products, is
-always acceptable, and none of the more complex soups that can be
-readily secured by a judicious introduction of vegetables, herbs and
-spices ever meet with popular disfavor.
-
-There are enough scraps of cooked and uncooked meats, trimmings of
-roasts, steaks, chops, cutlets and so on in nearly every house to keep
-the family supplied with nutritious, palatable soup, with very little
-trouble and at only a slight expense for additional material. And as
-the best dinner can generally be preceded with advantage by a light
-soup of some kind, to an ordinary, cold, or “picked-up” family dinner,
-a plate of soup is an invaluable adjunct, and can be prepared in a few
-minutes in a kitchen where the value of the stock pot is recognized,
-and the economy of good cooking understood.
-
-Soup scientifically prepared is easier of digestion than almost
-any other article of diet. The solid matter which enters into its
-composition and would in the original form require several hours for
-digestion, is so broken down in the process of preparation that it can
-be readily assimilated with very little expenditure of vital force; and
-being absorbed by the stomach as soon as eaten, goes immediately to
-nourish the system.
-
-But soup to fulfill its true mission must be attractive in appearance,
-agreeable in flavor and unmistakable in character. It must not be a
-weak, sloppy, characterless compound, nor a crude, greasy, inharmonious
-hodge-podge. The defects of unsavory, unpalatable, indigestible soups
-may be concealed, but can not be removed by the excessive use of salt,
-pepper and other spices and condiments. And in order that soup of any
-kind may legitimately aspire to high rank, either as a nutritive or
-hygienic agent, it must be skillfully prepared, so as to please the eye
-and gratify the palate.
-
-
-
-
-HOW TO MAKE SOUP STOCK.
-
-
-A STOCK POT.
-
-Any ordinary pot or kettle can be used for preparing stock, but as a
-“digester” or stock pot is one of the most useful utensils known to
-the culinary art, and can be obtained at almost any hardware store, no
-kitchen should be without one. The cook, who is provided with a stock
-pot, and habitually uses it two or three times a week, can utilize all
-available scraps, and generally has a supply of stock on hand from
-which an acceptable soup, or delicious sauce can be improvised in a
-short time, and with very little trouble.
-
-The stock pot should not remain on the stove or range, and fresh
-material be added from time to time to that which is partly or wholly
-cooked; but whenever a quantity of scraps accumulate they should be
-carefully prepared and put to cook.
-
-
-SOUP STOCK.
-
-A great many soups are made without the previous preparation of a
-specially distinctive stock. But stock has as legitimate an existence
-in soup making, as ferment has in bread making; and its recognition is
-quite essential to a perfect understanding of the subject. Stock is the
-base of soups. It is the fluid foundation with which other materials
-are mixed, and skillfully incorporated into soups, that in modern bills
-of fare are bewilderingly designated potages, purees, and consommes.
-
-Soup stock, in the strictest sense of the term, is the fluid extract of
-meat or meat and bones, and is of two kinds:--simple and compound.
-
-SIMPLE stock is the extract from a single kind of flesh, fish or fowl.
-COMPOUND stock is the extract from two or more kinds of flesh, fish or
-fowl mingled and cooked together, or mixed together, after being cooked
-separately.
-
-
-HOW TO MAKE SOUP STOCK.
-
-To make stock, meats of any kind cut in small pieces, or meat and
-bones well cut and broken, should be put in a pot in cold water
-slightly salted, and the water heated very gradually until it reaches
-the boiling point, after which it should be kept simmering gently
-for a longer or shorter time, according to the nature and quantity
-of the material used, and the consistency of the stock wanted. When
-sufficiently cooked, it should be removed from the fire, strained into
-a jar or bowl, and set in a cool place.
-
-
-QUANTITY OF WATER.
-
-Authorities differ somewhat in regard to the quantity of water that
-should be used in preparing stock and making soup.
-
-If the simmering is to continue six or eight hours, as some recommend,
-a little more water is required than when it is to continue only half
-that length of time. But as the correct proportions are about one
-quart of water to each pound of meat and bones, it is absurd to use an
-additional quantity of water, and waste time and material in reducing
-the stock to the proper consistency by evaporation.
-
-
-QUANTITY OF SALT.
-
-The principal object of using salted water in the preparation of stock,
-is to facilitate the separation of the blood and slime from the meat.
-The quantity of salt used should be regulated by the condition of the
-meat, and in no case more than an ounce of salt to each gallon of water.
-
-
-REMOVING THE SCUM.
-
-The blood and slime when thrown to the surface in the form of scum,
-should be removed as rapidly as it rises. If permitted to remain after
-the water reaches the boiling point, it will be speedily incorporated
-with the stock, and injure its appearance and flavor. A little cold
-water poured into the pot the moment it boils, will hasten the rising
-of the scum.
-
-
-SOAKING AND SIMMERING THE MEAT.
-
-The albumen of all meats, like the albumen or white of eggs, is curdled
-and hardened by heat, but is readily soluble in cold water, and mixes
-quietly with it; and when meat is put to cook in cold water, and soaked
-until the water reaches the boiling point, and afterward permitted to
-only simmer, all its juices are extracted, and mingled with the liquid
-so perfectly as to greatly improve the flavor, and add to the nutritive
-properties of the stock or soup.
-
-
-QUALITY OF THE MEAT.
-
-The flavor of soup depends upon the quality of the materials of which
-it is made. Tough and coarse pieces of meat, when the meat is of good
-quality, make good soups and sauces, and can be converted into stock
-advantageously, as can also a great many rough, refuse bits and scraps;
-but it is very important that all meats of which stock is to be made,
-should be cooked before they get tainted, or stale; in fact, the
-fresher the meat, the better will be the quality of the stock made from
-it.
-
-
-BEEF TEA.
-
-Especial care should be observed in regard to the freshness of the meat
-for beef tea, which comes under the generic name of soup, being merely
-a plain soup stock. A cut from the round, on account of its juiciness,
-is preferable, for beef tea. In preparing it, all skin and fat should
-be removed, and the beef cut into small pieces. It should then be
-covered with cold water, and allowed to soak for several hours, when
-the water should be brought slowly to the boiling point. This tea is
-not so nutritious as stock simmered for two or three hours, but is
-believed by physicians to exercise a special tonic and exhilarating
-influence upon the system independent of any directly nutritive quality
-it may possess.
-
-
-CONSISTENCY OF STOCK.
-
-The consistency of stock depends greatly upon the material used, and
-the length of time it is cooked. Bones contain a large quantity of
-gelatinous matter, and when equal portions of meat and bones are used,
-the stock, when cold, will be quite stiff and gelatinous; and the
-longer it is allowed to simmer, the more stiff and gelatinous it will
-become. If meat alone is used, or if the stock is cooked but a short
-time, it will remain in liquid form.
-
-
-TIME REQUIRED FOR MAKING STOCK.
-
-When meat and bones are well cut and broken up, all their valuable
-qualities will by proper soaking and simmering be extracted in two or
-three hours; and although longer cooking will render the stock thicker
-and more gelatinous, it is not advisable to continue it a greater
-length of time, as the nutrition of soup depends very little, if at
-all, upon the amount of gelatine it contains, and its flavor is injured
-by too much cooking.
-
-
-STRAINING, COOLING AND KEEPING STOCK.
-
-Stock, when sufficiently cooked, should be carefully strained, and
-unless wanted for immediate use should be set where it will cool as
-rapidly as possible. The quicker it cools the finer will be its flavor,
-and the greater the length of time it can be kept. In cold weather
-stock will keep fresh and sweet for several days; but in summer, unless
-kept in a cold place, it will be necessary for its preservation, to put
-it over the fire and bring it to a boil, or “scald it” every day.
-
-
-SALTING STOCK.
-
-After stock has been strained and while still warm, all the salt that
-will be needed in the soups or sauces to be prepared from it, can be
-added with advantage, as it becomes thoroughly incorporated with the
-stock and aids in its preservation.
-
-
-COOKING VEGETABLES IN STOCK.
-
-Many cook books recommend putting vegetables into the stock pot with
-the meat and cooking them the same length of time. But as vegetables
-that are cooked several hours with meat are apt to give the stock
-a rank taste, and also to cause it to ferment in a short time in
-warm weather, such a method is objectionable in making stock. Where
-economy is a prominent consideration, or where the stock is to be used
-immediately in soup, it is perhaps as well to simmer the meat and
-vegetables together a sufficient length of time to extract all their
-flavor and nutriment.
-
-
-
-
-CLASSIFICATION OF SOUPS.
-
-
-After the stock has been properly made there is comparatively little
-trouble attending the preparation of any kind of soup desired; and it
-may be proceeded with at once, by the addition of spices, vegetables
-and other articles, or may be postponed till another day, and for
-another occasion.
-
-The variety of soups is illimitable and can be increased almost
-indefinitely, as it requires but a new combination of materials to
-entitle a soup to a distinctive name, and as grotesque a one as its
-originator may choose to bestow upon it.
-
-All soups, however, can be classified and arranged under five heads,
-viz.:
-
- 1. Plain soup.
- 2. Clear soup.
- 3. Vegetable soup.
- 4. White soup.
- 5. Mixed soup.
-
-To one or the other of these divisions everything in the nature of
-soup belongs; and a little intelligent thought will enable the cook
-to select the materials adapted to, and appropriate for use in each
-division.
-
-
-FLAVOR AND COLOR OF SOUP.
-
-The flavor of the solid material, either animal or vegetable from
-which a soup takes its name, should always predominate when the soup
-is served, and only such spices should be added in its preparation as
-have a tendency to bring out, and perfectly develop the flavor of the
-dominant article.
-
-This proposition holds good, and should be conformed to also, in regard
-to the color; so far, at least, as to prohibit the introduction of
-dark colored vegetables, spices, etc., into light colored soups.
-
-
-REMOVING THE GREASE.
-
-Before using stock for soup, the first thing to be done is to remove
-from it all superfluous grease. When it is to be used without being
-permitted to cool, a little cold water poured into it as soon as
-strained, will cause the grease to rise to the surface so it can be
-skimmed off without difficulty. If it is set aside till cold, the
-grease will form in a cake on the top of the stock, and can be taken
-off when convenient, but, as it excludes the air, it is better to let
-it remain till the stock is needed.
-
-
-CLASS ONE.
-
-
-PLAIN SOUPS.
-
-Plain soup, in its strictest sense, is either simple or compound stock
-seasoned with salt, or with salt and pepper. The addition of some
-of the grains or grain products, generally improves the flavor and
-increases the nutritive value of any simple soup or broth, but does
-not take it out of the category of plain soup.
-
-Prominent among, and strikingly illustrative of this class of soups, is
-
-
-PLAIN CHICKEN SOUP.
-
-The flesh of the fowl from which the stock is to be made, should, with
-the exception of the breast, be cut into small pieces, and the bones
-broken. The breast, with the skin as perfect as possible, should be
-placed in the pot whole, on top of the prepared material, and removed
-as soon as tender. To each quart of stock, when strained and skimmed,
-add an ounce of rice, and let simmer three-quarters of an hour, then
-add the breast of the chicken, cut in dice, a little minced parsley,
-and salt and pepper to taste. Plain chicken soup is much improved if
-about a pound of round steak be cut up and cooked with the fowl.
-
-To this soup add a pint of sweet cream, thicken with flour, and flavor
-highly with celery, and the product will be a much admired white
-soup--cream of celery soup;--or if the celery and cream be omitted, the
-addition of half a teaspoonful of curry powder will transform it into a
-choice Mulligatawny soup.
-
-
-CLASS TWO.
-
-
-CLEAR SOUPS.
-
-Clear soup is made from simple or compound stock, by straining and
-clarifying. It can be seasoned with salt, pepper and other condiments,
-or with salt and pepper alone. In the preparation of clear soups,
-herbs, spices and vegetables are frequently cooked with the stock, and
-strained out, and the soup then clarified. All soups that are made with
-a foundation of clarified stock, or that have clear soup for a base,
-can be thickened with arrow root, corn starch and similar articles, or
-flavored with various vegetables, cereals, etc., without losing their
-distinctive name or character, provided care be taken to use only such
-articles as will not injure the clearness of the soup. As excellent
-illustrations of this class of soups take--
-
-
-_No. 1._--AMBER SOUP.
-
-Put a gill each of sliced onion, carrot, turnip and parsnip, fried to a
-delicate brown, together with the bits of ham or bacon with which they
-were fried, into a soup kettle; add to them a sprig each of parsley
-and thyme, half a bay leaf, two cloves, five pepper corns, and cover
-with five quarts of plain or compound stock. Simmer gently for an hour,
-strain, remove the grease, and clarify. Heat to boiling point, season
-with salt and pepper, add a tablespoonful of caramel and serve. If
-properly made, and carefully strained and clarified, this soup will be
-as transparent as amber.
-
-
-_No. 2._--TOMATO SOUP.
-
-To four quarts of clear soup, add a quart of strained stewed tomato, a
-teaspoonful of sugar, a tablespoonful each of corn starch and butter
-stirred together, and salt and pepper to taste. Boil a few minutes and
-serve.
-
-
-_No. 3._--JULIENNE SOUP.
-
-To four quarts of clear soup, add a gill each of carrot, parsnip,
-turnip, celery, string beans, core of lettuce, and a small onion, cut
-into thin pieces about an inch in length, and simmer gently until all
-the vegetables are tender. Season to taste with salt and pepper, and
-ten or fifteen minutes before serving the soup, put into it a few
-water cresses or some sorrel leaves. If all the vegetables are not
-readily obtainable, one or more of them can be omitted without serious
-detriment to either the flavor or title of the soup.
-
-
-CLASS THREE.
-
-
-VEGETABLE SOUPS.
-
-Vegetable soup is made by cooking vegetables in either simple or
-compound stock; or a special stock may be prepared by adding water
-or milk to the juice extracted from vegetables. A vegetable soup
-may contain but a single vegetable; or it may contain a variety of
-vegetables, and be of any color desired. The vegetables may be cooked
-a longer or shorter time, and left in, or strained out of the soup
-according to taste or fancy.
-
-
-_No. 1._--PLAIN VEGETABLE SOUP.
-
-To three quarts of stock add a gill each of sliced carrot, turnip,
-parsnip and onion, and simmer gently till tender. Half an hour before
-serving, add a stalk of celery cut in small pieces, or two or three
-sprigs of parsley. Season with salt and pepper.
-
-A number of plain vegetable soups quite different in character can
-be very readily compounded by using a greater or smaller variety of
-vegetables, or by adapting the combination to the season and the
-appetite.
-
-
-_No. 2._--ONION SOUP.
-
-Fry in an ounce of butter or clarified drippings, till a light brown,
-two or three large onions sliced thin; then add two ounces of flour
-and stir till about the same color. Mix thoroughly with a pint of cold
-stock, place over the fire in a soup kettle, and when it comes to a
-boil pour in a quart of boiling milk into which three boiled potatoes,
-mashed to a smooth paste have been stirred. Season with salt and pepper
-and serve hot. Water can be used instead of stock in this soup, if more
-convenient, and the soup still be delicious.
-
-
-_No. 3._--DRIED PEA SOUP.
-
-Soak for several hours, or over night, a pint of dried peas in two
-quarts of cold water. Drain and put to cook in four quarts of cold
-water, with a quarter of a pound of breakfast bacon or salt pork,
-fried to a light brown. As soon as the water boils skim carefully,
-cover closely and let simmer gently three or four hours, or until the
-peas are very tender. Strain and return the soup to the kettle, add
-a teaspoonful of sugar, two quarts of stock, and, when boiling, a
-tablespoonful each of flour and butter. Season with salt and pepper,
-and serve with toasted bread cut in dice.
-
-Pea soup can be made in this manner without the bacon or pork, in which
-case it is advisable to use a cup of sweet cream instead of the butter,
-and to season delicately with celery. Sweet corn is a very desirable
-mixture for pea soup, and sugar may be dispensed with when it is used.
-The addition of a little crushed spinach juice will convert this into a
-nice green pea soup.
-
-If the spinach juice be omitted, and a cup of dark rich gravy,
-a spoonful of caramel, and a flavoring of herbs and spices be
-substituted, the entire character of the soup will be so changed that
-it must be transferred to the list of mixed soups.
-
-
-CLASS FOUR.
-
-
-WHITE SOUPS.
-
-Veal, chicken, fish, oysters and other shell fish furnish the stock for
-most white soups, and cream or milk enters largely into the composition
-of many of them. One of the leading characteristics of white soups is
-the prohibition of everything that has a tendency to color; hence,
-comparatively few vegetables, herbs and spices are legitimately
-permissible in their composition as seasoning and flavoring. With
-certain restrictions, however, a greater number can occasionally
-be introduced with appropriateness, and sometimes be given even a
-prominent place.
-
-An illustration is furnished in
-
-
-_No. 1._--CREAM OF ASPARAGUS SOUP.
-
-Cut off, about an inch in length, the points of two bunches of
-asparagus, and simmer them gently until tender in water sufficient to
-cover them, to which a teaspoonful of salt has been added. Boil the
-stalks of the asparagus twenty minutes in three pints of white stock
-or water, then strain and thicken the liquid with a tablespoonful of
-flour, let it boil two minutes, and add a pint of sweet cream and the
-asparagus points with the water in which they were cooked. Season with
-salt and pepper, and serve hot.
-
-
-_No. 2._--CORN SOUP.
-
-A delicious white soup can be made by simmering a pint of sweet corn
-in a quart of white stock for fifteen minutes, then adding a quart of
-boiling milk and a small piece of butter, and seasoning with salt and
-pepper.
-
-
-_No. 3._--A RICH WHITE SOUP.
-
-Simmer for an hour in three quarts of white stock a gill each of white
-turnip, onion and celery cut in small pieces, together with a blade of
-mace. Strain, thicken with two ounces of flour, boil two minutes, add
-half a pint of sweet cream and season with salt and pepper. When about
-to boil stir in the well beaten yolks of three eggs, and serve.
-
-
-CLASS FIVE.
-
-
-MIXED SOUPS.
-
-Delicacy in seasoning and flavoring is pre-eminently the distinguishing
-mark of a fine soup of any kind; but to mix, mingle and combine many
-different articles of food so as to produce a soup whose flavor is
-distinct from any single ingredient entering into its composition, yet
-embodying the best qualities of each, is the true criterion of merit in
-a mixed soup.
-
-Nearly all soups are in a certain sense mixed soups; but plain, clear,
-vegetable and white soups, have distinctive characteristics by which
-they can be recognized, and their genuineness established, while the
-individuality of a mixed soup must be evolved from the harmonious
-adjustment of seemingly discordant materials, and depends in a great
-measure upon the good judgment, discriminating taste and artistic skill
-of the person who prepares it.
-
-An illustration of a mixed soup that can not be placed under any other
-division is
-
-
-_No. 1._--MOCK TURTLE SOUP.
-
-Ingredients:
-
-A calf’s head, a beef soup bone, five quarts cold water, one onion,
-one turnip, one carrot, one half stalk celery, one half bunch parsley,
-one bay leaf, one lemon, five cloves, ten allspice, ten pepper corns,
-one fourth nutmeg, two teaspoons of salt, a little cayenne pepper, two
-ounces butter, one ounce flour--a glass of wine to each quart of soup.
-
-Put the head after removing the brains with the spices in the soup
-kettle, and cover with three quarts of cold water to which half a
-teaspoonful of salt has been added.
-
-When it boils skim carefully and let simmer four or five hours,
-removing the meat as soon as tender. Strain and set aside till next
-day. Put the beef bone and vegetables in the soup kettle and cover
-with two quarts of cold water to which half a teaspoonful of salt has
-been added, and simmer four hours, removing the scum as it rises. Soak
-the brains in cold salt water an hour, tie in a linen cloth and boil
-gently twenty minutes in salted water. Plunge an instant in cold water
-to render white and firm. Cook two ounces butter and one ounce of flour
-in a sauce pan till very brown. Put both soup stocks together in the
-kettle, after all grease and settlings have been removed, also the meat
-from the head cut in small dice, and the yolks of a dozen hard boiled
-eggs, and when it boils add the brains cut in small pieces. Put the
-lemon, cut in thin slices, in a heated tureen, with a gill of wine for
-each quart of soup; pour the boiling soup on them, and serve.
-
-
-_No. 2._--SAVE-ALL SOUP.
-
-Collect the scraps left from breakfast and dinner, for instance, a half
-pint of soup, a gill of gravy, a half pint of mashed turnip or potato,
-a little macaroni cooked with cheese, a sour baked apple or broiled
-chop or steak, etc., etc.; put them in the stock pot or soup kettle
-with sufficient cold water, simmer for an hour, removing any scum that
-rises, then strain and set aside. Next day remove the grease, put the
-soup to cook, and when it boils, season with salt and pepper, and if it
-seems to need other seasoning add a pinch Of thyme, or celery seed, or
-a teaspoonful of sugar. It is sometimes well to put half a bay leaf and
-two or three cloves in the kettle with the scraps. The flavorings and
-spices required in a mixed soup of this description depend greatly upon
-the nature of the scraps used. If they are mostly light and delicate,
-thyme, mace, celery, or parsley can be added; if dark and heavy,
-cloves, bay leaf, sweet marjoram or a little Worcestershire sauce,
-or walnut or other catsup can be used more appropriately. Sometimes
-an ounce each of butter and flour cooked together in a saucepan till
-browned, and then added to the soup, give it the very thing it lacks;
-or it may be that the flour stirred with a gill of cold sweet cream is
-what is needed to make it a perfect soup.
-
-To select and harmonize the materials for a mixed soup is one of the
-best evidences of culinary capacity; and the cook who can do this
-successfully, is qualified to prepare a soup of the most complex as
-well as one of the simplest character, without regard to its name or
-class.
-
-
-OYSTER SOUPS.
-
-These all belong to the white soup class, but they occupy so anomalous
-a position--an oyster soup being simply an oyster stew with additional
-liquid, and a thickening of flour--that they deserve special mention.
-
-
-TO STEW OYSTERS.--_No. 1._
-
-Rinse a quart of oysters in cold water, drain through a sieve. Put a
-piece of butter the size of an egg in a stew pan, and when melted add a
-pint of milk and let it come to a boil; add the oysters, and the moment
-the edges curl remove from the fire; season with salt and pepper. Serve
-with small crackers, or on thin slices of buttered toast.
-
-
-TO STEW OYSTERS.--_No. 2._
-
-Pour a pint of cold water over a quart of oysters, stir well and drain;
-put the liquor in a stew pan greased with butter; when it boils, skim,
-add the oysters, season to taste with butter, salt and pepper, and cook
-and serve as in No. 1.
-
-In changing an oyster stew to a soup, the thickening and extra liquid
-should be added and cooked before the oysters are put into it.
-
-
-POTAGES, PUREES AND CONSOMMES.
-
-These are French terms used to designate different kinds of soups;
-but they are applied so indiscriminately as to possess very little
-significance, even for culinary adepts; and the dividing line between
-a potage, a puree, a consomme, and an ordinary soup, is so imaginary
-as to be indistinct to plain every-day people. But as a foreign or
-grotesque name does not detract from the quality of a good thing,
-those who prefer to call a soup a potage, a puree or a consomme, can
-do so with impunity, and not legally infringe on the domain of any
-professional cook.
-
-
-HOW TO SCALD SOUP.
-
-To scald stock or soup properly, it must be brought to the boiling
-point and thoroughly heated. Its liability to ferment and grow sour is
-only increased by merely re-warming it.
-
-
-WHEN TO ADD FLAVORING.
-
-Vegetables when used merely to flavor soups should be simmered only
-long enough to extract their juices; and aromatic spices, orange and
-lemon juice, and other liquid flavorings whose subtle essences are
-driven off by heat, should be added barely a sufficient length of time
-before the soup is served, for them to blend and harmonize with the
-other materials--in fact it is usually better to put them in the tureen
-and pour the soup over them just before it goes to the table.
-
-
-ORDER OF ADDING VEGETABLES.
-
-Where several kinds of vegetables are used in the preparation of a
-soup, care should be taken to put those that require most cooking in
-the kettle first; and, if possible, to limit the simmering of each kind
-to the time actually necessary to cook it tender.
-
-
-BROWNING VEGETABLES.
-
-Breakfast bacon and ham give a peculiarly fine flavor to many soups,
-and when they are used the vegetables added to such soups should be
-browned in the fryings of the meat; but when neither bacon nor ham is
-used, the vegetables should be browned in butter, as in most cases
-they impart a richer flavor to the soup, if nicely browned in a little
-grease before being added.
-
-
-VEGETABLES, ETC., ADAPTED TO SOUPS.
-
-While nearly all kinds of vegetables, herbs, spices and cereals can be
-appropriately used at pleasure in clear, vegetable and mixed soups,
-those specially adapted to white soups are: cauliflower, potato, white
-turnip, onion, celery, salsify, cresses, capers, olives, parsley,
-thyme, rice, macaroni, vermicelli, tapioca, sago, mace, and red and
-white pepper.
-
-
-TO CLARIFY SOUPS.
-
-To each gallon of soup add, while cold, the whites and shells of two
-eggs beaten with a little cold water, simmer for fifteen minutes,
-removing the scum as it rises, and then strain through a flannel cloth
-or bag.
-
-
-CARAMEL.
-
-Preparations for coloring and flavoring soups can be obtained at
-almost any grocery by those who wish to use them. But caramel, which
-is innocent and cheap, is one of the best coloring materials, and is
-easily prepared:--
-
-Stir half a pound of sugar and a spoonful of water in a saucepan over
-the fire till a bright brown, then add half a pint of water, boil
-a few minutes and strain. Caramel made in this manner will keep a
-considerable length of time if put in an air-tight jar or bottle.
-
-
-THICKENING FOR SOUPS.
-
-When flour, corn starch, farina or arrow root are to be used as
-thickening for soups they should be stirred to a smooth paste with cold
-milk, cream, or butter, and then added to the boiling soup. If the
-flour is desired brown it should be cooked with butter before it is
-added to the soup.
-
-
-ADDITIONS TO SOUPS.
-
-Eggs cooked in a variety of ways, croutons, noodles, dumplings, force
-meat balls, and a dozen other articles that are manufactured for the
-purpose, are used according to fancy as additions to soups. Some of
-them are cooked in the soup and served with it, and some are cooked
-separate and put in the tureen or the individual plates, and the soup
-poured over them.
-
-
-CROUTONS.
-
-A bit of toasted or fried bread is called in French a crouton; and
-croutons, which are simply bits of bread toasted or fried brown,
-are very nice in a variety of soups. The bread can be toasted in the
-ordinary way and used dry, or it can be buttered, cut in dice and
-toasted brown in the oven, or fried brown in butter or drippings. The
-best way of serving croutons is to put a spoonful of them in each plate
-and pour the hot soup over them.
-
-
-NOODLES.
-
-The noodle is one of the traditional articles for serving in soups. It
-is a general favorite and is easily made:
-
-To three eggs, two tablespoonfuls of water, and a pinch of salt, add
-flour enough to make a stiff dough. Work and knead fifteen or twenty
-minutes, roll to a very thin sheet, dust lightly and evenly with flour,
-and roll up compactly. Then with a thin sharp bladed knife cut into
-very thin slices and let dry for a couple of hours before putting in
-the soup. They will cook in five minutes. Or,
-
-Beat an egg very light, add flour until stiff enough to roll into
-little crumbs the size of wheat or rice grains, drop into boiling soup
-and cook a few minutes.
-
-
-DUMPLINGS.
-
-A very delicate dumpling for soup can be made of biscuit dough, raised
-with either yeast or baking powder, in this manner: roll the dough
-thin, cut into dice, roll under the hand on a floured board, and steam
-for twenty minutes; put in the tureen and pour boiling soup over them.
-
-But the most delicate of dumplings are made of light bread crumbs, suet
-or marrow, egg and seasoning. These can be varied in seasoning to suit
-any soup. This is a good combination for a clear, white or delicate
-soup of any kind. Mix well, but lightly, a tablespoonful uncooked beef
-marrow and half a pint bread crumbs, seasoned with salt, pepper, grated
-lemon peel and mace; add one well beaten egg, roll into balls in the
-hands, and drop into the boiling soup. They should be served as soon as
-they rise to the surface.
-
-
-FORCE MEAT BALLS.
-
-To four parts cooked veal, and one part suet minced together, add four
-parts bread crumbs and season with salt, pepper, powdered cloves and
-sweet herbs. Bind together with beaten egg, make into small balls and
-fry brown. These are much used in mock turtle and other heavy soups.
-
-
-
-
-SOUP AND SOUP MAKING QUESTIONS.
-
-
-1.--What is a stock pot?
-
-2.--How should it be used and how frequently?
-
-3.--What is soup stock?
-
-4.--How many kinds of stock are there?
-
-5.--What is simple stock?
-
-6.--What is compound stock?
-
-7.--How is stock made?
-
-8.--Why should the water for making stock be salted?
-
-9.--How much salt should be used?
-
-10.--Why should the scum that rises be removed?
-
-11.--Why should meat for making stock be put to cook in cold water?
-
-12.--Why should meat for soup be simmered rather than boiled?
-
-13.--What should be the quality of the meat for making stock or soup?
-
-14.--What is beef tea and how is it made?
-
-15.--Upon what does the consistency of stock depend?
-
-16.--What length of time should stock be simmered?
-
-17.--When sufficiently cooked how should it be treated?
-
-18.--How long will stock keep?
-
-19.--Should vegetables be cooked with meat in making stock? Why not?
-
-20.--How many classes of soups are there?
-
-21.--What are they?
-
-22.--What flavors should predominate in soup?
-
-23.--What kinds of spices should be added to soup?
-
-24.--Does the same rule that governs the flavor hold good in regard to
-the color of soups?
-
-25.--When and how should the grease be removed from soup?
-
-26.--What is plain soup?
-
-27.--What effect on a plain soup has the addition of grain or grain
-products?
-
-28.--How is plain chicken soup made?
-
-29.--How is cream of celery soup made?
-
-30.--How can a plain chicken soup be changed to a mulligatawny soup?
-
-31.--How is clear soup made?
-
-32.--How is amber soup made?
-
-33.--How is tomato soup made?
-
-34.--How is julienne soup made?
-
-35.--How are vegetable soups made?
-
-36.--How is a plain vegetable soup made?
-
-37.--How is onion soup made?
-
-38.--How is dried pea soup made?
-
-39.--How is green pea soup made?
-
-40.--When does a pea soup become a mixed soup?
-
-41.--From what is stock for white soups obtained?
-
-42.--What is a leading characteristic of white soups?
-
-43.--How is cream of asparagus soup made?
-
-44.--How is corn soup made?
-
-45.--Give a recipe for a rich white soup.
-
-46.--Upon what does the individuality of a mixed soup depend?
-
-47.--How is mock turtle soup made?
-
-48.--How can a good save-all soup be made?
-
-49.--How does an oyster soup differ from an oyster stew?
-
-50.--How are oysters stewed?
-
-51.--What are potages, purees and consommes?
-
-52.--What is the distinction between them and ordinary soups?
-
-53.--How should soup or stock be scalded?
-
-54.--When is the proper time for adding flavorings and spices to soups?
-
-55.--How should vegetables be added?
-
-56.--How should vegetables for soups be browned?
-
-57.--What different vegetables, herbs and spices are adapted to
-different soups?
-
-58.--How are soups clarified?
-
-59.--What is caramel, and how is it made?
-
-60.--How should thickening for soups be prepared and used?
-
-61.--What are some of the additions to soup?
-
-62.--What are croutons and how are they made and served?
-
-63.--How are noodles made?
-
-64.--How are dumplings made?
-
-65.--How are force meat balls made?
-
-
-
-
-TRANSCRIBER’S NOTES:
-
-
- Italicized or underlined text is surrounded by underscores: _italics_.
-
- Obvious typographical errors have been corrected.
-
-*** END OF THE PROJECT GUTENBERG EBOOK SOUP AND SOUP MAKING ***
-
-***** This file should be named 64140-0.txt or 64140-0.zip *****
-This and all associated files of various formats will be found in:
- https://www.gutenberg.org/6/4/1/4/64140/
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.