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diff --git a/old/nclgg10.txt b/old/nclgg10.txt new file mode 100644 index 0000000..81cdfaf --- /dev/null +++ b/old/nclgg10.txt @@ -0,0 +1,15257 @@ +The Project Gutenberg EBook of Once Aboard The Lugger +by Arthur Stuart-Menteth Hutchinson + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg eBook. + +This header should be the first thing seen when viewing this Project +Gutenberg file. Please do not remove it. Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**eBooks Readable By Both Humans and By Computers, Since 1971** + +*****These eBooks Were Prepared By Thousands of Volunteers!***** + + +Title: Once Aboard The Lugger + +Author: Arthur Stuart-Menteth Hutchinson + +Release Date: September, 2004 [EBook #6410] +[Yes, we are more than one year ahead of schedule] +[This file was first posted on December 8, 2002] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + +*** START OF THE PROJECT GUTENBERG EBOOK ONCE ABOARD THE LUGGER *** + + + + +Produced by Skip Doughty, Charles Aldarondo +and the Online Distributed Proofreading Team. + + + + +ONCE ABOARD THE LUGGER-- + +THE HISTORY OF GEORGE AND HIS MARY + +By + +A. S. M. HUTCHINSON + + + + +CONTENTS. + + + The Author's Advertisement Of His Novel + + + BOOK I. + + _Of George._ + + I. Excursions In A Garden + II. Excursions In Melancholy + III. Upon Modesty In Art: And Should Be Skipped + IV. Excursions In A Hospital + V. Upon Life: And May Be Missed + VI. Magnificent Arrival Of A Heroine + VII. Moving Passages With A Heroine + VIII. Astonishing After-Effects Of A Heroine + + + BOOK II. + + _Of his Mary._ + + I. Excursions In The Memory Of A Heroine + II. Excursions In Vulgarity + III. Excursions In The Mind Of A Heroine + IV. Excursions In A Nursery + V. Excursions At A Dinner-Table + + + BOOK III. + + _Of Glimpses at a Period of this History: Of Love and of War._ + + I. Notes On The Building Of Bridges + II. Excursions Beneath The Bridge + III. Excursions In Love + IV. Events And Sentiment Mixed In A Letter + V. Beefsteak For 14 Palace Gardens + VI. A Cab For 14 Palace Gardens + + + BOOK IV. + + _In which this History begins to rattle._ + + I. The Author Meanders Upon The Enduring Hills; And The Reader Will + Lose Nothing By Not Accompanying Him + II. An Exquisite Balcony Scene; And Something About Sausages + III. Alarums And Excursions By Night + IV. Mr. Marrapit Takes A Nice Warm Bath + V. Miss Porter Swallows A Particularly Large Sweet + VI. The Girl Comes Near The Lugger + + + BOOK V. + + _Of Mr. Marrapit upon the Rack: Of George in Torment._ + + I. Prosiness Upon Events: So Uneventful That It Should Be Skipped + II. Margaret Fishes; Mary Prays + III. Barley Water For Mr. Marrapit + IV. The Rape Of The Rose + V. Horror At Herons' Holt + VI. A Detective At Herons' Holt + VII. Terror At Dippleford Admiral + VIII. Panic At Dippleford Admiral + IX. Disaster At Temple Colney + + + BOOK VI. + + _Of Paradise Lost and Found._ + + I. Mrs. Major Bids For Paradise + II. Mrs. Major Finds The Lock + III. Mrs. Major Gets The Key + IV. George Has A Shot At Paradise + V. Of Twin Cats: Of Ananias And Of Sapphira + VI. Agony In Meath Street + VII. Mr. William Wyvern In Meath Street + VIII. Abishag The Shunamite In Meath Street + IX. Excursions In A Newspaper Office + X. A Perfectly Splendid Chapter + + _Last Shots from the Bridge_ + + + + +THE AUTHOR'S ADVERTISEMENT OF HIS NOVEL. + +This book has its title from that dashing sentiment, "Once aboard the +lugger and the girl is mine!" It is not to be read by those who in +their novels would have the entertainment of characters that are +brilliant or wealthy, noble of birth or admirable of spirit. Such have +no place in this history. There is a single canon of novel-writing +that we have sedulously kept before us in making this history, and +that is the law which instructs the novelist to treat only of the +manner of persons with whom he is well acquainted. Hence our +characters are commonplace folks. We have the acquaintance of none +other than commonplace persons, because none other than commonplace +persons will have acquaintance with us. + +And there are no problems in this history, nor is the reader to be +tickled by any risks taken with nice deportment. This history may be +kept upon shelves that are easily accessible. It is true that you will +be invited to spend something of a night in a lady's bedroom, but the +matter is carried through with circumspection and dispatch. There +shall not be a blush. + +Now, it is our purpose in this advertisement so clearly to give you +the manner of our novel that without further waste of time you may +forego the task of reading so little as a single chapter if you +consider that manner likely to distress you. Hence something must be +said touching the style. + +We cannot see (to make a start) that the listener or the reader of a +story should alone have the right to fidget as he listens or reads; to +come and go at his pleasure; to interrupt at his convenience. +Something of these privileges should be shared by the narrator; and in +this history we have taken them. You may swing your legs or divert +your attention as you read; but we too must be permitted to swing our +legs and slide off upon matters that interest us, and that indirectly +are relevant to the history. Life is not compounded solely of action. +One cannot rush breathless from hour to hour. And, since the novel +aims to ape life, the reader, if the aim be true, cannot rush +breathless from page to page. We can at least warrant him he will not +here. + +These are the limitations of our history; and we admit them to be +considerable. Upon the other hand, the print is beautifully clear. + + * * * * * + +As touching the title we have chosen, this was not come by at the cost +of any labour. Taken, as we have told, from that dashing sentiment, +"Once aboard the lugger and the girl is mine!" it is a label that might +be applied to all novels. It is a generic title for all modern novels, +since there is not one of these but in this form or that sets out the +pursuit of his mistress by a man or his treatment of her when he has +clapped her beneath hatches. This is a notable matter. The novelist +writes under the influences and within the limitations of his age, and +the modern novelist correctly mirrors modern life when he presents +woman as for man's pursuit till he has her, and for what treatment he +may will when he captures her. The position is deplorable, is +productive of a million wrongs, and, happily, is slowly changing; but +that it exists is clear upon the face of our social existence, and is +even advertised between the sexes in love: "You are mine" the man +says, and means it. "I am yours" the woman declares, and, fruit of +generations of dependence, freely, almost involuntarily, gives +herself. + +But of this problem (upon which we could bore you to distraction) we +are nothing concerned in our novel. Truly we offer you the pursuit of +a girl; but my Mary would neither comprehend this matter nor wish to +be other than her George's. From page 57 she waves to us; let us hurry +along. + + + + + _.... Who so will stake his lot, + Impelled thereto by nescience or whim, + Cupidity or innocence or not, + On Chance's colours, let men pray for him._ + RALPH HODGSON. + + + + +BOOK I. + +Of George. + + + + +CHAPTER I. + +Excursions In A Garden. + + + +I. + +Mr. Christopher Marrapit is dozing in a chair upon the lawn; his +darling cat, the Rose of Sharon, is sleeping on his lap; stiffly +beside him sits Mrs. Major, his companion--that masterly woman. + +As we approach to be introduced, it is well we should know something +of Mr. Marrapit. The nervous business of adventuring into an assembly +of strangers is considerably modified by having some knowledge of the +first we shall meet. We feel more at home; do not rush upon subjects +which are distasteful to that person, or of which he is ignorant; +absorb something of the atmosphere of the party during our exchange of +pleasantries with him; and, warmed by this feeling, with our most +attractive charm of manner are able to push among the remainder of our +new friends. + +Unhappily, the friendly chatter of the neighbourhood, which should +supply us with something of the character of a resident, is quite +lacking at Paltley Hill in regard to Mr. Marrapit. Mr. Marrapit rarely +moves out beyond the fine wall that encircles Herons' Holt, his +residence; with Paltley Hill society rarely mixes. The vicar, with +something of a frown, might tell us that to his divers parochial +subscription lists Mr. Marrapit has consistently, and churlishly, +refused to give a shilling. Professor Wyvern's son, Mr. William +Wyvern, has been heard to say that Mr. Marrapit always reminded him +"of one of the minor prophets--shaved." Beyond this--and how little +helpful it is!--Paltley Hill society can give us nothing. + +In a lower social grade of the district, however, much might be +learned. In the kitchens, the cottages, and the bar-parlours of +Paltley Hill, Mr. Marrapit is considerably discussed. Nicely mannered +as we are, servants' gossip concerning one in our own station of life +is naturally distasteful to us. At the same time it is essential to +our ease on being introduced that we should know something of this +gentleman. Assuring ourselves, therefore, that we shall not be +prejudiced by cheap chatter, let us hear what the kitchens, the +cottages, and the bar-parlours have to say. + +Let it, at least, be written down; we shall know how to value such +stuff. + +Material for this gossip, then, is brought into the kitchens, the +cottages, and the bar-parlours by Mr. Marrapit's domestic staff. + +Mrs. Armitage, his cook, has given tales of his "grimness" to the +cottages where her comfortable presence is welcomed on Sunday and +Thursday afternoons. She believes, however, that he must be a +"religious gentleman," because (so she says) "he talks like out of the +Bible." + +This would seem to bear out Mr. William Wyvern's allusion to the minor +prophet element of his character. + +It is the habit of Clara and Ada, his maids, squeezing at the gate +from positions dangerous to modesty into which their ardent young men +have thrust them--it is their habit, thus placed, to excuse +themselves from indelicate embraces by telling alarming tales of Mr. +Marrapit's "carrying on" should they be late. He is a "fair old +terror," they say. + +The testimony of Mr. Fletcher, his gardener, gloomy over his beer in +the bar-parlours, seems to support the "stinginess" that the vicar has +determined in Mr. Marrapit's character. Mr. Fletcher, for example, has +lugubriously shown what has to be put up with when in the service of a +man who had every inch of the grounds searched because a threepenny +bit had been dropped. "It's 'ard--damn 'ard," Mr Fletcher said on that +occasion. "I'm a gardener, I am; not a treasure-'unter." Murmurs of +sympathy chorused endorsement of this view. + +Finally there are the words of Frederick, son of Mrs. Armitage, and +assistant to Fletcher, whose pleasure it is to set on end the touzled +hair of the youth of Paltley Hill by obviously exaggerated stories of +Mr. Marrapit's grim rule. + +"'E's a tryant," Frederick has said. + +Such is an epitome of the kitchen gossip concerning Mr. Marrapit; it +is wholesome to be away from such tattling, and personally to approach +the lawn whereon its subject sits. + + + +II. + +This lawn, a delectable sight on this fine July afternoon, is set +about with wire netting to a height of some six feet. By the energies +of Mr. Fletcher and Frederick the sward is exquisitely trimmed and +rolled; and their labours join with the wire netting to make the lawn +a safe and pleasant exercise ground for Mr. Marrapit's cats. + +Back in the days of Mr. Marrapit's first occupancy of Herons' Holt, +this man was a mighty amateur breeder of cats, and a rare army of cats +possessed. Regal cats he had, queenly cats, imperial neuter cats; blue +cats, grey cats, orange cats, and white cats--cats for which nothing +was too good, upon which too much money could not be spent nor too +much love be lavished. Latterly, with tremendous wrenchings of the +heart, he had disbanded this galaxy of cats. Changes in his household +were partly the cause of this step. The coming of his nephew, George, +had seriously upset the peaceful routine of existence which it was his +delight to lead; and a reason even more compelling was the gradual +alteration in his attitude towards his hobby. This man perceived that +the fancier's eye with which he regarded his darlings was becoming so +powerful as to render his lover's eye in danger of being atrophied. +The fancier's eye was lit by the brain--delighted only in "points," in +perfection of specimen; the lover's eye was fed by the heart--glowed, +not with pride over breed, but with affection for cats as cats. And +Mr. Marrapit realised that for affection he was coming to substitute +pride--that he was outraging the animals he loved by neglecting the +less admirable specimens for those perfectly moulded; that even these +perfect types he was abusing by his growing craze for breeding; +polygamy in cats, he came to believe, desecrated and eventually +destroyed their finer feelings. + +Therefore--and the coming of his nephew George quickened his +determination--Mr. Marrapit dispersed his stud (the word had become +abhorrent to him), keeping only four exquisite favourites, of which +the Rose of Sharon--that perfect orange cat, listed when shown at the +prohibitive figure of 1000 pounds, envy and despair of every cat-lover +in Great Britain and America--was apple of his eye, joy of his +existence. + +It was the resolve to keep but these four exquisite creatures that +encompassed the arrival in Mr. Marrapit's household of Mrs. Major, now +seated beside him upon the lawn--that masterly woman. The fine cat- +house was pulled down, the attendant dismissed. A room upon the ground +floor, having a southern aspect, was set apart as bed-chamber and +exclusive apartment for the four favourites, and Mr. Marrapit sought +about for some excellent person into whose care they might be +entrusted. Their feeding, their grooming, constant attention to their +wants and the sole care of their chamber, should be this person's +duties, and it was not until a point some way distant in this history +that Mr. Marrapit ceased daily to congratulate himself upon his +selection. + +Mrs. Major, that masterly woman, was a distressed gentlewoman. The +death of her husband, a warehouse clerk, by acute alcoholic poisoning, +seems to have given her her first chance of displaying those strong +qualities which ultimately became her chief characteristic. And she +was of those to whom plan of action comes instantly upon the arrival +of opportunity. With lightning rapidity this woman welded chance and +action; with unflagging energy and with dauntless perseverance used +the powerful weapon thus contrived. + +The case of her husband's death may be instanced. Her hysterical +distress on the day of the funeral (a matter that would have +considerably surprised the late Mr. Major) was exchanged on the +following morning for acute physical distress resulting from the means +by which, overnight, she had tried to assuage her grief. Noticing, as +she dressed, the subdued and martyrlike air that her face wore, +noticing also her landlady's evident sympathy with the gentle voice +and manner which her racking head caused her to adopt, Mrs. Major saw +at once the valuable aid to her future which the permanent wearing of +these characteristics might be. From that moment she took up the role +of distressed gentlewoman--advertised by tight-fitting black, by +little sighs, and by precise, subdued voice,--and in this guise +sought employment at an Agency. The agency sent her to be interviewed +by Mr. Marrapit. Ushered into the study, she, in a moment of masterly +inspiration, murmured "The sweet! Ah, the sweet!" when viciously +scratched by the Rose of Sharon, and upon those words walked directly +in to Mr. Marrapit's heart. + +He required a lady--a _lady_ (Mrs. Major smiled deprecatingly) who +should devote herself to his cats. Did Mrs. Major like cats? Ah, sir, +she adored cats; her late husband--Words, at the recollection, failed +her. She faltered; touched an eye with her handkerchief; wanly smiled +with the resigned martyrdom of a true gentlewoman. + +As so-often in this life, the unspoken word was more powerful than +mightiest eloquence. Mr. Marrapit is not to be blamed for the +inference he drew. He pictured the dead Mr. Major a gentleman sharing +with his wife a passion for cats; by memory of which fond trait his +widow's devotion to the species would be yet further enhanced, would +be hallowed. + +There is the further thought in this connection that once more, as so +often in this life, the unspoken word had saved the lie direct. Once +only, in point of fact, had Mrs. Major seen her late husband directly +occupied with a cat, and the occasion had been the cause of their +vacating their lodgings in Shepherd's Bush precisely thirty minutes +later. Mr. Major, under influence of his unfortunate malady, with +savage foot had sped the landlady's cat down a flight of stairs; and +the landlady had taken the matter in peculiarly harsh spirit. + +All this, however, lay deeply hidden beneath Mrs. Major's unspoken +word. The vision of a gentle Mr. Major that Mr. Marrapit conjured +sealed the liking he had immediately taken to Mrs. Major, and thus was +she installed. + +The masterly woman, upon this July afternoon, desisted from her +crocheting; observed in the dozing figure beside her signs of +movement; turned to it, ready for speech. + +This she saw. From the reluctant rays of a passing sun a white silk +handkerchief protected a nicely polished head--a little bumpy, fringed +with soft white hair. Beneath the head a long face, sallow of hue; in +either cheek a pit; between them a dominating nose carrying +eyeglasses. A long, spare body in an alpaca coat; long thin legs; +brown morocco slippers without heels--upon the lap the peerless Rose +of Sharon. + +"Time for the Rose to go in," Mrs. Major softly suggested. + +"The Rose," said Mr. Marrapit, passing a hand gently over the +creature's exquisite form, "is, I fear, still ailing. Her sleep is +troubled; she shivers. Her appetite?" + +"It is still poorly." The expression was that of a true distressed +gentlewoman. + +"She has need," Mr. Marrapit said, "of the most careful attention, of +the most careful dieting. Tend her. Tempt her. Take her." + +"I will, Mr. Marrapit." Mrs. Major gathered the Rose against her +bosom. "You will not stay long? It is growing chilly." + +"I shall take a brief stroll. I am perturbed concerning the Rose." + +"Let me bring you a cap, Mr. Marrapit." + +"Unnecessary. Devote yourself, I pray, to the Rose. I am anxious. +Nothing could console me should any evil thing come upon her. I am +apprehensive. I look to you. I will take a stroll." + +Outside the wire fence Mr. Marrapit and Mrs. Major parted. The +masterly woman glided swiftly towards the house; Mr. Marrapit, with +bent head, passed thoughtfully along an opposite path. + +And immediately the sleeping garden awoke to sudden activity. + + + +III. + +First to break covert was Frederick, Mr. Fletcher's assistant. +Abnormally steeped in vice for one so young (this wretched boy was but +fourteen), with the coolness of a matured evil-doer Frederick +extinguished his cigarette-end by pressing it against his boot-heel; +dropped it amongst other ends, toilsomely collected, in a tin box; +placed the box in its prepared hole; covered this with earth and +leaves; hooked a basket of faded weeds upon his arm, and so appeared +in Mr. Marrapit's path with bent back, diligently searching. + +Mr. Marrapit inquired: "Your task?" + +"Weedin'," said Frederick. + +"Weeding what?" + +"Weeds," Frederick told him, a little surprised. + +Mr. Marrapit rapped sharply: "Say 'sir'." + +"Sir," said Frederick, making to move. + +Mr. Marrapit peered at the basket. "You have remarkably few." + +"There ain't never many," Frederick said with quiet pride--"there +ain't never many if you keep 'em down by always doin' your job." + +Mr. Marrapit pointed: "They grow thick at your feet, sir!" + +In round-eyed astonishment Frederick peered low. "They spring up the +minute your back's turned, them weeds. They want a weed destroyer what +you pours out of a can." + +"You are the weed-destroyer," Mr. Marrapit said sternly. "Be careful. +It is very true that they spring up whenever _my_ back is turned. +Be careful." He passed on. + +"Blarst yer back," murmured Frederick, bending his own to the task. + + + +IV. + +A few yards further Mr. Marrapit again paused. Against a laurel bush +stood a pair of human legs, the seat of whose encasing trousers stared +gloomily upwards at the sky. With a small twig he carried Mr. Marrapit +tapped the seat. Three or four raps were necessary; slowly it +straightened into line with the legs; from the abyss of the bush a +back, shoulders, head, appeared. + +Just as the ostrich with buried head believes itself hid from +observation, so it was with Mr. Fletcher, needing peace, a habit to +plunge head and shoulders into a bush and there remain--showing +nothing against the sky-line. Long practice had freed the posture from +irksomeness. As a young man Mr. Fletcher had been employed in a public +tennis-court, and there had learned the little mannerism to which he +now had constant resort. In those days the necessity of freeing +himself from the constant annoyance of nets to be tightened, or of +disputes between rival claims to courts to be settled, had driven him +to devise some means of escape. It was essential to the safety of his +post, upon the other hand, that he must never allow it to be said that +he was constantly absent from his duties. Chance gave him the very +means he sought. Bent double into a bush one day, searching a tennis +ball, he heard his name bawled up and down the courts; he did not +stir. Those who were calling him stumbled almost against his legs; did +not observe him; passed on calling. Thereafter, when unduly pressed, +it became Mr. Fletcher's habit to bury head and arms in a bush either +until the hue and cry for him had lulled, or until exasperated +searchers knocked against his stern; in the latter event he would +explain that he was looking for tennis balls. + +The habit had persisted. Whenever irritated or depressed (and this +man's temperament caused such often to be his fate), he would creep to +the most likely bush and there disappear as to his upper half. It is a +fine thing in this turbulent life thus to have some quiet refuge +against the snarlings of adversity. + +Mr. Fletcher drew up now and faced Mr. Marrapit; in his hand a snail. + +He said gloomily: "Another one"; held it towards his master's face. + +Here is an example of how one deception leads to another. This was no +fresh snail; often before Mr. Marrapit had seen it. To lend motive to +his concealment Mr. Fletcher carried always with him this same snail; +needing peace he would draw it from his pocket; plunge to consolation; +upon discovery exhibit it as excuse. + +"There is an abominable smell here," said Mr. Marrapit. + +Mr. Fletcher inhaled laboriously. "It's not for me to say what it is." + +"Adjust that impression. Yours is the duty. You are in charge here. +What is it?" + +"It's them damn cats." + +"You are insolent, sir. Your insolence increases. It grows +unendurable." + +Mr. Fletcher addressed the snail. "He asts a question. I beg not to +answer it. He insists. I tell him. I'm insolent." He sighed; the +tyranny of the world pressed heavily upon this man. + +Mr. Marrapit advertised annoyance by clicks of his tongue: "You are +insolent when you swear in my presence. You are insolent when you +impute to my cats a fault that is not theirs." + +"I ain't blamin' the cats. It's natural to them. Whenever the wind +sets this way I notice it. It's blamin' me I complain of. I don't draw +the smell. I try to get away from it. It's 'ard--damn 'ard. I'm a +gardener, I am; not a wind-shaft." + +Whenever Mr. Marrapit had occasion to speak with Mr. Fletcher, after +the first few exchanges he would swallow with distinct effort. It was +wrath he swallowed; and bitter as the pill was, rarely did he fail to +force it down. Mr. Fletcher spoke to him as no other member of his +establishment dared speak. The formula of dismissal would leap to Mr. +Marrapit's mouth: knowledge of the unusually small wage for which Mr. +Fletcher worked caused it to be stifled ere it found tongue. Thousands +of inferiors have daily to bow to humiliations from their employers; +it is an encouraging thought for this army that masters there be who, +restrained by parsimony, daily writhe beneath impertinences from +valuable, ill-paid servants. + +Mr. Marrapit swallowed. He said: "To the smell of which I complain my +cats are no party. It is tobacco. The air reeks of tobacco. I will not +have tobacco in my garden." + +Twice, with a roaring sound, Mr. Fletcher inhaled. He pointed towards +an elm against the wall: "It comes from over there." + +"Ascertain." + +The gardener plunged through the bushes; nosed laboriously; his +inhalations rasped across the shrubs. "There's no smoking here," he +called. + +"Someone, in some place concealed, indubitably smokes. Yourself you +have noticed it. Follow the scent." + +Exertion beaded upon Mr. Fletcher's brow. He drew his hand across it; +thrust a damp and gloomy face between the foliage towards his master. + +"I'd like to know," he asked, "if this is to be one of my regular jobs +for the future? Was I engaged to 'unt smells all day? It's 'ard-damn +'ard. I'm a gardener, I am; not a blood-'ound." + +But Mr. Marrapit had passed on. + +"Damn 'ard," Mr. Fletcher repeated; drew the snail from his pocket; +plunged to consolation. + + + +V. + +A short distance down the garden Mr. Marrapit himself discovered the +source of the smell that had offended him. Bending to the left he came +full upon it where it uprose from a secluded patch of turf: from the +remains of a pipe there mounted steadily through the still air a thin +wisp of smoke. + +Outraged, Mr. Marrapit stared; fuming, turned upon the step that +sounded on the path behind him. + +The slim and tall young man who approached was that nephew George, +whose coming into Mr. Marrapit's household had considerably disturbed +Mr. Marrapit's peace. Orphaned by the death of his mother, George had +gone into the guardianship of his uncle while in his middle teens. The +responsibility had been thrust upon Mr. Marrapit by his sister. Vainly +he had writhed and twisted in fretful protest; she shackled him to her +desire by tearful and unceasing entreaty. Vainly he urged that his +means were not what she thought; she assured him--and by her will bore +out the assurance--that with her George should go her money. + +And the will, when read, in some degree consoled Mr. Marrapit for the +sniffling encumbrance he took back with him to Herons' Holt after the +funeral. It was a simple and trustful will--commended George into the +keeping of her brother Christopher Marrapit; desired that George +should be entered in her late husband's--the medical--profession; and +for that purpose bequeathed her all to the said brother. + +George was eighteen when Mr. Marrapit entered him at St. Peter's +Hospital in mild pursuit of the qualification of the Conjoint Board of +Surgeons and Physicians. "I am entering you," Mr. Marrapit had said, +consulting notes he had prepared against the interview--"I am entering +you at enormous cost upon a noble career which involves, however, a +prolonged and highly expensive professional training. Your mother +wished it." + +Mr. Marrapit did not add that George's mother had expressly paid for +it. This man had the knowledge that Youth would lose such veneration +for Authority as it may possess were Authority to disclose the motives +that prompt its actions. + +He continued: "For me this involves considerable self-denial and +patience. I do not flinch. From you it demands unceasing devotion to +your books, your studies, your researches. You are no longer a boy: +you are a man. The idle sports of youth must be placed behind you. +Stern life must be sternly faced." + +"I do not flinch," George had replied. + +"For your personal expenses I shall make you a small allowance. You +will live in my house. Your wants should be insignificant." + +In a faint voice George squeezed in: "I have heard that one can work +far better by living near the hospital in digs." + +"Elucidate." + +"Digs--lodgings. I have heard that one can work far better by living +near the hospital in lodgings." + +"Adjust that impression," Mr. Marrapit had told him. "You are +misinformed." + +George struggled: "I should have the constant companionship of men +absorbed in the same work as myself. We could exchange views and notes +in the evenings." + +"In your books seek that companionship. With them compare your views. +Let your notes by them be checked. They are infallible." + +George said no more. At that moment the freedom of hospital as against +the restraint of school, was a gallant steed upon which he outrid all +other desires. The prospect of new and strange books in exchange for +those he so completely abhorred, was an alluring delight. It is not +until the bargain is complete that we discover how much easier to +polish, and more comfortable to handle, are old lamps than new. + +Mr. Marrapit had referred to his notes: "In regard to the allowance I +shall make you. I earnestly pray no spur may be necessary to urge you +at your tasks. Yet, salutary it is that spur should exist. I arrange, +therefore, that in the deplorable event of your failing to pass any +examination your allowance shall be diminished." + +"Will it be correspondingly increased when I pass first shot?" + +The fearful possibilities of this suggestion Mr. Marrapit had +hesitated to accept. Speculation was abhorrent to this man. Visions of +success upon success demanding increase upon increase considerably +agitated him. Upon the other hand, the sooner these successes were +won, the sooner, he reflected, would he be rid of this incubus, and, +in the long-run, the cheaper. He nerved himself to the decision. "I +agree to that," he had said. "The compact is affirmed." + +It was a wretched compact for George. + +But the sum had not yet been fixed. George, standing opposite his +uncle, twisted one leg about the other; twined his clammy hands; put +the awful question: "By how much will the allowance be increased or +cut down?" + +"By two pounds a quarter." + +George plunged: "So if I fail in my first exam. I shall get eleven +pounds at the quarter? if I pass, fifteen?" + +Horror widened Mr. Marrapit's eyes; shrilled his voice: "What is the +colossal sum you anticipate?" + +"I thought you said fifty-two pounds a year-a pound a week." + +"A monstrous impression. Adjust it. Four pounds a quarter is the sum. +You will have no needs. It errs upon the side of liberality--I desire +to be liberal." + +George twisted his legs into a yet firmer knot: "But two failures +would wipe it bang out." + +"Look you to that," Mr. Marrapit told him. "The matter is settled." + +But it was further pursued by George when outside the door. + +"Simply to spite that stingy brute," vowed he, "I'll pass all my +exams, with such a rush that I'll be hooking sixteen quid a quarter +out of him before he knows where he is. I swear I will." + +It was a rash oath. When Youth selects as weapon against Authority +some implement that requires sweat in the forging Authority may go +unarmed. The task of contriving such weapons is early abandoned. In +three months George's hot resolve was cooled; in six it was forgotten; +at the end of three years, after considerable fluctuation, his +allowance stood at minus two pounds for the ensuing quarter. + +Mr. Marrapit, appealed to for advance, had raved about his study with +waving arms. + +"The continued strain of renewing examination fees consequent on your +callous failures," he had said, "terrifies me. I am haunted by the +spectre of ruin. The Bank of England could not stand it." + +Still George argued. + +With a whirlwind of words Mr. Marrapit drove him from the study: +"Precious moments fly even as you stand here. To your books, sir. In +them seek solace. By application to them refresh your shattered +pocket." + +Shamefully was the advice construed. George sought and found solace in +his books by selling his Kirke, his Quain and his Stone to Mr. Schoole +of the Charing Cross Road; his microscope he temporarily lodged with +Mr. Maughan in the Strand; to the science of bridge he applied himself +with a skill that served to supply his petty needs. + +Notwithstanding, his career at St. Peter's was of average merit. +George was now in the sixth year of his studies; and by the third part +of his final examination, was alone delayed from the qualification +which would bring him freedom from his uncle's irksome rule. + + + +VI. + +His attempt at this last examination had been concluded upon this July +day that opens our history, and thus we return to Mr. Marrapit, to +George, and to the line of smoke uprising from the tobacco. + +Mr. Marrapit indicated the smouldering wedge. + +George bent forward. "Tobacco," he announced. + +"My nose informed me. My eyes affirm. Yours?" + +"I am afraid so." + +"My simple rule. In the vegetable garden you may smoke; here you may +not. Is it so hard to observe?" + +"I quite forgot myself." + +Mr. Marrapit cried: "Adjust that impression. You forgot me. +Consistently you forget me. My desires, my interests are nothing to +you." + +"It's a rotten thing to make a fuss about." + +"That is why I make a fuss. It _is_ a rotten thing. A disgusting and a +noisome thing. Bury it." + +Into a bed of soft mould George struck a sullen heel; kicked the +tobacco towards the pit. Mr. Marrapit chanted over the obsequies: "I +provide you with the enormous expanse of my vegetable garden in which +to smoke. Yet upon my little acre you intrude. I am Naboth." + +Ahab straightened his back; sighed heavily. Naboth started against the +prick of a sudden recollection: + +"I had forgotten. Your examination?" + +George half turned away. The bitterest moment of a sad day was come. +He growled: + +"Pipped." + +"_Pipped?_" + +"Pilled." + +"_Pilled?_" + +"Spun." + +"_Spun?"_ + +"Three months." + +Mr. Marrapit put his hands to his head: "I shall go mad. My brain +reels beneath these conundrums. I implore English." + +The confession of defeat is a thousandfold more bitter when made to +unkind ears. George paled a little; spoke very clearly: "I failed. I +was referred for three months." + +"I am Job," groaned Mr. Marrapit. "I expected this. The strain is +unendurable. It is unnatural. The next chance shall be your last. What +is the fee for re-examination?" + +"Five guineas." + +"My God!" said Mr. Marrapit. + +He tottered away up the path. + + + + +CHAPTER II + +Excursions In Melancholy. + + + +I. + +Gloom brooded over Herons' Holt that evening. Gloom hung thickly about +the rooms: blanketed conversation; veiled eyes that might have +sparkled; choked appetites. + +Nevertheless this was an atmosphere in which one member of the +household felt most comfortable. + +Margaret, Mr. Marrapit's only child, was nineteen; of sallow +complexion, petite, pretty; with large brown eyes in which sat always +a constant quest--an entreaty, a wistful yearning. + +Hers was a clinging nature, readily responsive to the attraction of +any stouter mind. Enthusiasm was in this girl, but it lay well-like-- +not as a spring. To stir it the influence of another was wanted; of +itself, spontaneous, it could not leap. Aroused, there was no rush and +surge of emotion--it welled, rose deeply; thickly, without ripple; +crestless, flinging no intoxicating spume. Waves rush triumphant, +hurtling forward the stick they support: the pool swells, leaving the +stick quiescent, floating. + +Many persons have this order of enthusiasm; it is a clammy thing to +attract. A curate with a glimpse at Shelley's mind once roused +Margaret's enthusiasm for the poet. It welled so suffocatingly about +him that he came near to damning Shelley and all his works; threw up +his hat when opportunity put out a beckoning finger and drew him +elsewhere. + +Margaret walked in considerable fear of her father; but she clung to +him despite his oppressive foibles, because this was her nature. She +loved church; incense; soft music; a prayer-book tastefully bound. She +"wrote poetry." + +Warmed by the gloom that lay over Herons' Holt upon this evening, she +sat brooding upon her cousin George's failure until a beautiful +picture was hatched. He had gone to his room directly after dinner; +during the meal had not spoken. She imagined him seated on his bed, +hands deep in pockets, chin sunk, brow knitted, wrestling with that +old devil despair. She knew that latterly he had worked tremendously +hard. He had told her before the examination how confident of success +he was, had revealed how much in the immediate prospect of freedom he +gloried. She recalled his gay laugh as he had bade her good-bye on the +first day, and the recollection stung her just as, she reflected, it +must now be stinging him.... Only he must a thousand times more +fiercely be feeling the burn of its venom.... + +Margaret moved impatiently with a desire to shake into herself a +profounder sense of her cousin's misfortune. By ten she was plunged in +a most pleasing melancholy. + + + +II. + +She was of those who are by nature morbid; who deceive themselves if +they imagine they have enjoyment from the recreations that provoke +lightness of heart in the majority. Only the surface of their spirits +ripples under such breezes; to stir the whole, to produce the +counterpart of a hearty laugh in your vigorous animal, a feast on +melancholy must be provided. This is a quality that is common among +the lower classes who find their greatest happiness in funerals. The +sombre trappings; white handkerchiefs against black dresses; tears; +the mystery of gloom--these trickle with a warm glow through all their +senses. They are as aroused by grief, unpleasant to the majority, as +the drunkard is quickened by wine, to many abhorrent. + +Thus it was with Margaret, and to her the shroud of melancholy in +which she was now wrapped brought an added boon--arrayed in it she was +best able to make her verses. Not of necessity sad little verses; many +of her brightest were conceived in profoundest gloom. With a pang at +the heart she could be most merry--tinkling out her laughing little +lines just as martyrs could breathe a calm because, rather than spite +of, they were devilishly racked. + + + +III. + +But this was no hour for tinkling lines. A manuscript returned by the +last post emphasised her gloom. + +Kissing her father good-night, Margaret crept to her room, aching with +desire to write. + +She undressed, read a portion of the _Imitation_, then to her table by +the open window. + +Two hours brought relief. Margaret placed her poem in an envelope +against its presentation to George in the morning, then from her +window leaned. + +From her thoughts at once George sped; they rushed across the sleeping +fields to cling about the person of that Mr. William Wyvern who had +spoken of Mr. Marrapit as reminding him of a minor prophet--shaved. +This was Margaret's nightly practice, but to-night this girl was most +exquisitely melancholy, and with melancholy her thoughts of her +William were tinged. She had not seen him that day; and now she +brooded upon the bitter happening that had forced all her meetings +with her lover to be snatched--fugitive, secret. + +For Mr. William Wyvern was not allowed at Herons' Holt. When love +first sent its herald curiosity into William's heart, the young man +had sought to relieve its restlessness by a visit ostensibly on +George, really upon Margaret, and extremely ill-advised in that at his +heels gambolled his three bull-terriers. + +Korah, Dathan, and Abiram these were named, and they were abrupt dogs +to a point reaching brusqueness. + +At the door, as William had approached, beamed Mr. Marrapit; upon the +drive the queenly Rose of Sharon sat; and immediately tragedy swooped. + +The dogs sighted the Rose. Red-mouthed the shining pack flew at her. +Dignity fell before terror: wildly, with streaming tail, she fled. + +Orange was the cat, white the dogs: like some orange and snow-white +ribbon magically inspired, thrice at enormous speed they set a belt +about the house. With tremendous bounds the Rose kept before her +pursuers--heavily labouring, horrid with thirsty glee. Impotent in the +doorway moaned Mr. Marrapit, his dirge rushing up to a wail of grief +each time the parti-coloured ribbon flashed before his eyes. + +With Mr. Fletcher the end had come. Working indoors, aroused by the +din, the gardener burst out past his master just as the ribbon +fluttered into sight upon the completion of its fourth circuit. Like a +great avalanche it poured against his legs; as falls the oak, so +pressed he fell. + +Each eager jaw snapped once. Korah bit air, Dathan the cat's right +ear. She wrenched; freed; sprang high upon the porch to safety, blood +on her coat. + +Abiram put a steely nip upon Mr. Fletcher's right buttock. + +William called off his dogs; stood aghast. Mr. Marrapit stretched +entreating arms to his adored. Mr. Fletcher writhed prone. + +The torn Rose slipped to Mr. Marrapit's bosom. Clasping her he turned +upon William--"You shall pay for this blood!" + +William stammered: "I'm very sorry, sir. If--" + +"Never again enter my gates. I'll have your curs shot!" + +Curs was unfortunate; the evil three were whelped of a mighty strain. + +"If your fool of a man hadn't got in the way, the cat would have +escaped," William hotly cried. Indignant he turned. Banishment was +nothing then; in time it came to be a bitter thing. + +Mr. Marrapit had raged on to Mr. Fletcher, yet writhing. + +"You hear that?" he had cried. "Dolt! You are responsible for this!" +He touched the blood-flecked side, the abrased ear; clasped close the +Rose; called for warm water. + +Mr. Fletcher clapped a hand to his wound as shakily he rose. + +"I go to rescue his cat!" he said; "I'm near worried to death by +'ounds. I'm a dolt. I'm responsible. It's 'ard,--damn 'ard. I'm a +gardener, I am; not a dog muzzle." + +A dimness clouded Margaret's beautiful eyes as this bitter picture-- +she had watched it--was again reviewed. She murmured "Oh, Bill!"; +stretched her soft arms to the night; moved her pretty lips in a +message to her lover; snuggled between the sheets and made melancholy +her bedfellow. + + + +IV. + +By seven she was up and in the fresh garden. George was before her. + +She cried brightly: "Why, how early you are!" and ran to him--very +pretty in her white dress: at her breast a rose, the poem fluttering +in her hand. + +"Yes; for once before you." + +George's tone did not give back her mood, purposely keyed high. She +played on it again: "Turning a new leaf?" + +He drummed at the turf with his heel: "Yes--for to-day." He threw out +a hand towards her: "But in the same old book. I've had eight--nine +years of it, and now there are three more months." + +"Poor George! But only three months, think how they will fly!" + +He was desperately gloomy: "I haven't your imagination. Each single +day of them will mean a morning--here; a night--here." + +"Oh, is it so hard?" + +"Yes, now. It's pretty deadly now. You know, when I wasn't precisely +killing myself with overwork, I didn't mind so much. When it was three +or four years, anyway, before I could possibly be free, a few extra +months or so through failing an exam, didn't trouble me. But this is +different. I was right up against getting clear of all this"--he +comprehended garden and house in a sweep of the hand--"counted it a +dead certainty--and here I am pitched back again." + +"But, George, you did work so hard this time. It isn't as though you +had to blame yourself." She put a clinging hand into his arm. "You can +suffer no--remorse. That is what makes failure so dreadful--the +knowledge that things might have been otherwise if one had liked." + +George laughed quite gaily. Gloom never lay long upon this young man. + +"You're a sweet little person," he said. "You ought to be right, but +you are wrong. When I didn't work I didn't mind failing. It's when +I've tried that I get sick." + +Margaret's eyes brightened. There was melancholy here. + +"Oh, I know what you mean. I know so well. I have felt that. You mean +the--the haunting fear that you may never be able to succeed; that you +have not the--the talent, the capacity." She continued pleadingly: +"Oh, you mustn't think that. You can--you _will_ succeed next time, +you know." + +"Rather!" responded George brightly. + +Margaret was quite pained. She would have had him express doubt, +despondently sigh; would have heartened him with her poem. The +confident "rather!" jarred. She hurried from its vigour. + +She asked: "What had you intended to do?" + +"I was to have got a _locum tenens_. I think it would have developed +into a permanency. A big, rough district up in Yorkshire with a man +who keeps six horses going. His second assistant--a pal of mine--wants +to chuck it." + +"Why?" + +"Why? Oh, partly because he's fed up with it, partly because he wants +a practice of his own." + +"Ah! ... But, George, don't you want a practice of your own? You don't +want to be another man's assistant, do you?" + +George laughed. "I can't choose, Margi. You know, if you imagine there +are solid groups of people all over England anxiously praying for the +arrival of a doctor, you must adjust that impression, as your father +would say. These things have to be bought. I've got about three +pounds, so I'm not bidding. They seldom go so cheap." + +Margaret never bantered. She had no battledore light enough to return +an airy shuttlecock. Now, as always, when this plaything came +buoyantly towards her she swiped it with heavy force clean out of the +conversational field. + +She said gravely: "Ah, I know what you mean. You mean that father +ought to buy you a practice--ought to set you up when you are +qualified. I can't discuss that, can I? It wouldn't be loyal." + +"Of course not. I don't ask you." + +They moved towards the sound of the breakfast bell. + +"You think," Margaret continued, "that father ought to buy you a +practice because your mother left him money for the purpose?" + +"I know she left him nearly five thousand pounds for my education and +all that. I think I may have cost him three thousand, possibly four-- +_so_ I think I am entitled to something, _but_ I shan't get it, +_therefore_ I don't worry. My hump is gone; in three months I shall be +gone. Forward: I smell bacon!" + +Margaret smiled the wan smile of an invalid watching vigorous youth at +sport. Firmly she banged the shuttlecock out of sight. + +"How bright you are!" she told him. "Look, here is a little poem I +wrote for you last night. It's about failure and success. Don't read +it now." + +George was very fond of his cousin. "Oh, but I must!" he cried. "I +think this was awfully nice of you. He's not down yet. Let's sit on +this seat and read it together." + +"Oh, not aloud. It's a silly little thing--really." + +"Yes--aloud." + +He smoothed the paper. She pressed against him; thrilled as she +regarded the written lines. George begged her read. She would not-- +well, she would. She paused. Modesty and pride gathered on her cheeks, +tuned her voice low. She read: + + "So you have tried--So you have known + The burning effort for success, + The quick belief in your own prowess and your skill, + The bitterness of failure, and the joy + Of sweet success." + +"'Burning effort,'" George said. "That's fine!" + +"I'm glad you like that. And 'quick belief'--you know what I mean?" + +"Oh, rather." + +The poet warmed again over her words. + + "So you have tried-- + So you have known + The blind-eyed groping towards the goal + That flickers on the far horizon of Attempt, + Gleaming to sudden vividness, anon + Fading from sight." + +"Sort of blank verse, isn't it?" George asked. + +"Well, sort of," the poet allowed. "Not exactly, of course." + +"Of course not," George agreed firmly. + +Margaret breathed the next fine lines. + + "So you have tried-- + So you have known + The bitter-sweetness of Attempt, + The quick determination and the dread despair + That grapple and possess you as you strive + For imagery." + +George questioned: "Imagery...?" + +"That verse is more for me than you," the poet explained. "'For +imagery'--to get the right word, you know." + +"Rather!" said George. "It does for me too--in exams, when one is +floored, you know." + +"Yes," Margaret admitted doubtfully. "Ye-es. Don't interrupt between +the verses, dear." + +Now emotion swelled her voice. + + "Success be yours! + May you achieve + To heights you do not dream you'll ever touch; + The power's to your hand, the road before you lies-- + Forward! The gods not always frown; anon + They'll kindly smile." + +"Why, that's splendid!" George cried. He put a cousinly arm about the +poet; squeezed her to him. "Fancy you writing that for me! What a +sympathetic little soul you are--and how clever!" + +Breathless she disengaged herself: "I'm so glad you like it. It's a +silly little thing--but it's _real_, isn't it? Come, there's father." + +She paused against denial of the poem's silliness, affirmation of its +truth; but George, moody beneath Mr. Marrapit's eye, glinting behind +the window, had moved forward. + +Margaret thrust the paper in her bosom, tucked in where heart might +warm against heart's child. Constantly during breakfast her mind +reverted to it, drummed its rare lines. + + + + +CHAPTER III. + +Upon Modesty In Art: And Should Be Skipped. + + +Yet Margaret had called her poem silly. Here, then, was mock-modesty +by diffidence seeking praise. But this mock-modesty, which horribly +abounds to-day, is only natural product of that furious modesty which +has come to be expected in all the arts. + +Modesty should have no place in true art. The author or the painter, +the poet or the composer should be impersonal to his work. That which +he creates is not his; it is a piece of the art to which he is +servant, and as such (and such alone) he should regard it. His in the +making and the moulding, thereafter it becomes the possession of the +great whole to which it belongs. If it adorns that whole he may freely +admire it; for he is impersonal to it. + +Unquestionably (or unconsciously) we accept this principle in regard +to human life. The child belongs not to the mother who conceived it +but to the race of which it is an atom. It hinders or it betters the +race. The race judges it. By the race it is honoured or condemned; and +to it the mother becomes impersonal. As it bears itself among its +fellows, so she judges it--as the artist's work bears itself in the +great art it joins, so should he judge it. And if the mother joins in +his fellows' praise of her child, and if she proclaims her pride in +it, is she called wanting in modesty?--and if the artist joins in +praise of his work, and if he freely names it good, must he then be +vain, boastful? The race grants that the mother who gave it this +specimen of its kind has a first right to show her pride--to the +artist who gives a fair specimen to his art we should allow a like +voice. + +For in demanding modesty--in naming impersonality conceit--we have +produced also mock-modesty; and because, as a people, we have little +appreciation of the arts, hence little knowledge, hence no standard by +which to judge, we continually mistake the one form of modesty for the +other. Modesty we suspect to be mock-modesty, and mock-modesty we take +to be pleasing humility. + +Coming to literature alone, the author should be impersonal to his +work and must not cry that the writer is no judge of his own labour. +Letters is his trade; and just as the mason well knows whether the +brick he has laid helps or hinders, beautifies or insults the house, +so the writer should be full cognisant whether his work helps make or +does mar the edifice called literature. Nor must the term literature +be denied to the ruck of modern writing. All that is written to +interest or to instruct goes to make the literature of our day. We +have introduced new expressions just as we have contrived new +expressions in architecture; and as in the latter case so in the +former the bulk of these is ephemeral. Nevertheless they are a part of +literature, and all efforts in them better or sully the pages which in +our day we are adding to the book of literature. From this book the +winds of cycles to come will blow all that is unworthy--only the stout +leaves will endure; but, no less because you write for the supplement +than if you have virtue sufficient for the bound volume, remember that +in every form of writing there are standards of good, and that every +line printed helps raise or does tarnish the letters of our day. + + + + +CHAPTER IV. + +Excursions In A Hospital. + + + +I. + +By the half-past nine train George went to town; an hour later was at +St. Peter's. + +From the bar of the Students' Club a throng of young men of his year +loudly hailed him. He joined them; took with a laugh the +commiserations on his failure; wrung the hands of those who had been +successful. + +The successful young gentlemen were standing drinks-each man his +round. There was much smoke and much laughter. Amusing experiences +were narrated. You gathered that all who had passed their examination +had done so by sheer luck, by astonishing flukes. Not one had ever +worked. Each had been "ragged" on a subject of which he knew +absolutely nothing. To the brilliancy with which he had gulled or +bluffed his examiner, to the diplomacy with which he had headed him +off the matters of which he knew absolutely less than nothing-to these +alone were his success due. + +Such is ever Youth's account of battle with Age. Youth is a devil of a +smart fellow, behind whom Age blunders along in the most ridiculous +fashion. Later this young blood takes his place in the blundering +ranks and then does learn that indeed he was right--Age knows nothing. +For with years we begin to realise our ignorance, and the lesson is +not complete when the grave slams the book. A few plumb the depths of +their ignorance before death: these are able to speak--and these are +the teachers of men. We get here one reason why giants are fewer in +our day: with the growth of man's imaginings and his inventions there +is more vanity to be forced through; the truths of life lie deeper +hid; more phantasms arise to lure us from the quest of realities; the +task of striking truth accumulates. + + + +II. + +Soon after midday the party broke up. Its members lunched early; +visiting surgeons and physicians went their rounds at half-past one. + +George strolled to the Dean's office. + +A woebegone-looking youth in spectacles stood before the table; +opposite sat the Dean. He looked up as George entered, and nodded: he +was fond of George. + +"Come along in," he said; "I shan't be a minute." + +He turned to the sad youth. "Now your case, Mr. Carter," he said, "is +quite unique. In the whole records of the Medical School"--he waved at +a shelf of fat volumes--"in the whole records of the Medical School we +have nothing in the remotest degree resembling it. You have actually +failed twice in--in--" + +The Dean searched wildly among a litter of papers; baffled, threw out +an emphasising hand, and repeated, "_Twice_! Other hospitals, Mr. +Carter, may have room for slackers--we have not. We have a record and +a reputation of which we are proud. You are in your second year. How +old are you?" + +A faint whisper said, "Nineteen." + +The Dean started. "Nineteen! Oh, dear me, dear me! this is worse than +I thought--far worse. I am afraid, Mr. Carter, I shall have to write +to your father." + +Guttural with emotion, Mr. Carter gasped: "I mean to work--indeed I +do." + +Again the Dean frantically searched on his desk to discover the +subject in which Mr. Carter had failed; again was unsuccessful. Deep +thought ravelled his brow. His fingers drummed indecision on the +table. It was a telling picture of one struggling between duty and +kindliness--masterly as the result of long practice. + +"Mr. Carter," the Dean summed up, "I will consider your case more +fully to-night. Against my better judgment I may perhaps decide not on +this occasion to communicate with your father. But remember this. At +the very outset of your career you have strained to breaking-point the +confidence of your teachers. Only by stupendous efforts on your part +can that confidence be restored. These failures, believe me, will dog +you from now until you are qualified--nay, will dog your whole +professional career. That will do." + +In a convulsion of relief and of agitation beneath this appalling +prospect the dogged man quavered thanks; stumbled from the room. + + + +III. + +George laughed. "Same old dressing-down," he said. "Don't you ever +alter the formula?" + +"It's very effective," the Dean replied. "That's the sixth this +morning. Unfortunately I couldn't remember in what subject that boy +had failed; so he didn't get the best part--the part about that being +the one subject of all others which, if failed in, predicted ruin." + +"It was biology in my case," George told him. "I trembled with funk." + +"I think most of you do. It's fortunate that all you men when you +first come up are afraid of your fathers. It gives us a certain amount +of hold over you. If the thing were done properly, both at the +'Varsities and the hospitals, there would be a system of marks and +reports just as at schools. You are only boys when you first come up, +and you should be treated as boys; instead, you are left free and +irresponsible. It ruins dozens of men every year." + +"Perhaps that's why I'm here now," George responded. "You know I got +ploughed?" + +The Dean told George how sorry he had been to hear it. He questioned: +"Bad luck, I suppose? I thought it was a sitter for you this time." + +"Yes, rotten luck." + +"It's unfortunate, you know. You would have got a house appointment. +I'm afraid you will miss that mow. There will be a crowd of very hot +men up with you in October, junior to you, who will get the vacancies. +What will you do?" + +George shrugged and laughed. + +The Dean frowned; interpreted the shrug. "Well, you should care," he +said. "You ought to be looking around you. Won't your uncle help you +to buy a partnership?" + +"We are on worse terms than ever after this failure. Not he." + +"And you're not trying to be on good terms, I suppose?" + +"Not I." + +"You are a remarkably silly young man. You want balance, Leicester, +you want balance. It would be the making of you to have some serious +purpose in life. You will run against something of the kind soon-- +you'll get engaged, perhaps, and then you'll regret your happy-go- +lucky ways." He fumbled amongst a pile of correspondence and drew out +a letter. "Now, look here, I was thinking of you only a few moments +ago. Here's a letter from a man who--who--where is it?--Ah, yes--If +you could raise 400 pounds by the time you are qualified I could put +you on to a splendid thing." + +"Not the remotest chance," said George. "The serious purpose must +wait. I--" + +The Dean waved a hand that asked silence; consulted the letter. "This +is from a man in practice at a place called Runnygate--one of these +rising seaside resorts--Hampshire--great friend of mine. He's got +money, and he's going to chuck it--doesn't suit his wife. I told him +I'd find a purchaser if he would leave it with me. Merely nominal-- +only 400 pounds. He says that in a year or so there'll be a small +fortune in the practice, because a company is taking the place over to +develop it. You shall have first refusal. Come now, pull yourself +together, Leicester." + +George laughed. He stood up. "Thanks, I refuse now. What on earth's +the good?" + +"Rubbish," said the Dean. "Think over that serious interest in life. +You never know your luck." + +George moved to the door. "I know my luck all right," he laughed. +"Never mind, I'm not grumbling with it." + + + + +CHAPTER V. + +Upon Life: And May Be Missed. + + +In the ante-room, as it were, of a very short chapter, we must make +ready to receive our heroine. She is about to spring dazzling upon our +pages; will be our close companion through some moving scenes. We must +collect ourselves, brush our hair, arrange our dress, prepare our +nicest manner. + +And as in ante-rooms there are commonly papers laid about to beguile +the tedium, and as the faint rustle of our heroine's petticoats is +warning that George's assertion that he knew his luck is immediately +to be disproved, let us make a tiny little paper on the folly of such +a statement. + +For of his luck man has no glimmer of prescience. Day by day we rattle +the box, throw the dice; but of how these will fall we have no +knowledge. We only hope with the gambler's feverishness; and it is +this very hazard that keeps us crowding and pushing to hold our place +at the tables where fortune spins. Grow we sick of the game, sour with +our luck, weary of the hazard, and relinquish we our place at the +table, we are pushed back and out--elbowed, thrown, trampled. + +We are all treasure-seekers set on a treasure-island in a boundless +sea. Cruelly marooned we are--flung ashore without appeal, and here +deserted until the ship that disembarked us suddenly swoops and the +press-gang snatches us again aboard--again without heed to our desire. +Whence the ship brought us we do not know, and whither it will carry +us we do not know; there is none to prick a return voyage disclosing +the ultimate haven, though pilots there be who pretend to the +knowledge--we cannot test them. + +But the marooners, when they land us, give us wherewith to occupy our +thoughts. This is a treasure-island. Each man of us they land with a +pick; the inhabitants tell us of the treasure, and, being +acclimatised, we set to work to dig and delve. Some work in shafts +already sunk, some seek to break new ground, but what the pick will +next turn up no one knows. + +And it is this uncertainty, this hazard, that keeps us hammer, hammer, +hammering; that keeps us, some from brooding against the marooners, +their wanton desertion of us, our ultimate fate at their hands; others +from making ready against the return voyage as entreated by the +pilots. + +Certainly, when the pick strikes a pocket, we turn to carousing; cease +cocking a timid eye at the horizon. + +And now our heroine is beckoning. + + + + +CHAPTER VI. + +Magnificent Arrival Of A Heroine. + + + +I. + +Until three o'clock George sat in an operating theatre. An unimportant +case was in process: occasionally, through the group of dressers, +surgeons and nurses who filled the floor, George caught a glimpse of +the subject. He watched moodily, too occupied with his thoughts--three +more months of dependency--to take greater interest. + +One other student was present. Peacefully he slumbered by George's +side until the ring of a dropped forceps awakened him. Noting the +cause, "Clumsy beast," said this Mr. Franklyn; and to George: "Come +on, Leicester; my slumber is broken. Let's go for a stroll up West." + +In Oxford Street a pretty waitress in a tea-shop drew Mr. Franklyn's +eye; a drop of rain whacked his nose. He winked the eye; wiped the +nose. "Tea," said he; "it is going to rain." + +He addressed the pretty waitress: "I have no wish to seem inquisitive, +but which table do you attend?" + +The girl jerked her chin: "What's that to you?" + +"So much," Mr. Franklyn earnestly told her, "that, until I know, here, +beautiful but inconvenient, in the doorway I stand." + +"Well, all of 'em." She whisked away. + +"You're badly snubbed, Franklyn," George said. "This rain is nothing." + +A summer shower crashed down as he spoke; a mob of shoppers, +breathless for shelter, drove them inwards. + +"George," said Mr. Franklyn, seating himself, "your base mind thinks I +have designs on this girl. I grieve at so distorted a fancy. The child +says prettily that she attends 'all of 'em.' It is a gross case of +overwork into which I feel it my duty more closely to inquire." + +George laughed. "Do you always spend your afternoons like this?" + +"As a rule, yes. I have been fifteen years at St. Peter's awaiting +that day when through pure ennui the examiners will pass me. It will +be a sad wrench to leave the dear old home." He continued, a tinge of +melancholy in his voice: "You know, I am the last of the old brigade. +The medical student no longer riots. His name is no longer a byword; +he is a rabbit. Alone, undismayed, I uphold the old traditions. I am, +so to speak, one of the old aristocracy. Beneath the snug +characteristics of the latter-day student--his sweet abhorrence of a +rag, his nasty delight in plays which he calls 'hot-stuff,' his +cigarettes and his chess-playing--beneath these my head, like +Henley's, is bloody but unbowed. Forgive a tear." + +The shower ceased; the tea was finished; the pretty waitress was coyly +singeing her modesty in the attractive candle of Mr. Franklyn's +suggestions. George left them at the game; strolled aimlessly towards +the Marble Arch; beyond it; to the right, and so into a quiet square. + +Here comes my heroine. + + + +II. + +The hansom, as George walked, was coming towards him--smartly, with a +jingle of bells; skimming the kerb. As it reached him (recall that +shower) the horse slipped, stumbled, came on its knees. + +Down came the shafts; out shot the girl. + +The doors were wide; the impetus took her in her stride. One tiny foot +dabbed at the platform's edge; the other twinkled--patent leather and +silver buckle--at the step, missed it, plunged with a giant stride for +the pavement. + +"Mercy!" she cried, and came like a shower of roses swirling into +George's arms. + +Completely he caught her. About his legs whipped her skirts; against +him pressed her panting bosom; his arms--the action was instinctive-- +locked around her; the adorable perfume of her came on him like breeze +from a violet bed; her very cheek brushed his lips--since the first +kiss it was the nearest thing possible to a kiss. + +She twisted backwards. Modesty chased alarm across her face--caught, +battled, overcame it; flamed triumphant. + +Fright at her accident drove her pale; shame at the manner of her +descent--leg to the knee and an indelicacy of petticoats--agitated she +had glimpsed it as she leapt--flushed her crimson from the line of her +dress about her throat to the wave of her hair upon her brow. + +She twisted back. "Oh, what must you think of me?" she gasped. + +He simply could not say. + + + + +CHAPTER VII. + +Moving Passages With A Heroine. + + + +I. + +George could not say. + +His senses were washed aswim by this torrent of beauty poured +unexpected through eyes to brain. It surged the centres to violent +commotion, one jostling another in a whirlpool of conflict. Out of the +tumult alarm flashed down the wires to his heart--set it banging; +flashed in wild message to his tongue--locked it. + +The driver in our brains is an intolerable fellow in sudden crisis. He +loses his head; distracted he pulls the levers, and, behold, in a +moment the thing is irrevocably done; we are a coward legging it down +the street, a murderer with bloody hand, a liar with false words +suddenly pumped. + +A moment later the driver is calm and aghast at the ruin he has +contrived. Why, before God, did he pull the leg lever?--the arm +lever?--the tongue lever? In an instant's action he has accomplished +calamity; where sunshine laughed now darkness heaps; where the +prospect smiled disaster now comes rolling up in thunder. + +These are your crises. Again, as now with George, the driver becomes +temporarily idiot--stands us oafishly silent, or perhaps jerks out +some stupid words; remembers when too late the quip that would have +fetched the laugh, the thrust that would have sped the wound. He is an +intolerable fellow. + +"Oh, what must you think of me?" + +That pause followed while the driver in George's brain stood gapingly +inactive; and then came laughter to him like a draught of champagne. +For the girl put up her firm, round chin and laughed with a clear pipe +of glee--a laugh to call a laugh as surely as a lark's note will set a +hedge in song; and it called the laugh in George. + +He said: "I am thinking the nicest things of you. But have you dropped +from the skies?" + +"From a _cab_," she protested. + +She turned to the road; back to George in dismay, for the catapult, +its bullet shot, had bolted up the street--was gone from view. + +"Oh!--I _was_ in a cab?" she implored. + +George said: "It _looked_ like a cab. But a fairy-car, I think." + +A pucker of her brows darkened the quick mirth that came to her eyes. +She cried: "Oh, don't joke. She will be killed." + +"You were not alone?" + +"No--oh, no! What has happened to her?" + +"We had better follow." + +She corrected his number. "Yes, I had better. Thank you so much for +your help." She took a step; faltered upon it with a little +exclamation of pain; put a white tooth on her lip. + +"You have hurt your foot?" George said. + +"My ankle, I think. Oh dear!" and then again she laughed. + +It came even then to George that certainly she would have made her +fortune were she to set up a gloom-exorcising bureau--waiting at the +end of a telephone wire ready to rush with that laugh to banish the +imps of melancholy. Never had he heard so infectious a note of mirth. + +"Oh, what must you think of me?" she ended. "I simply cannot help +laughing, you know--and yet, oh dear!" + +She put the tips of the fingers of a hand against her lower lip, gazed +very anxiously up the road, and then again she gave that clear pipe of +laughter. + +"I can't help it," she told him imploringly. "I simply cannot help +laughing. It is funny, you know. She was scolding me--" + +"_Scolding_!" George exclaimed. + +That beauty should be scolded! + +"Scolding--yes. Oh, I'm only a--well, scolding me, and I was wishing, +_wishing_ I could escape. And then suddenly out I shot. And then I +look around and she's--" A wave of her hand expressed a disappearance +that was by magic agency. + +"But, _scolding_?" George said. "Need you trouble? She will be all +right." + +"Oh, I must. I live with her." + +"Will she trouble about you?" + +"I think she will return for me. Please, _please_ go--would you mind?-- +to the corner, and see if there has been an accident." + +From that direction a bicyclist approached. George hailed. "Is there a +cab accident round the corner?" + +The youth stared; called "Rats!"; passed. + +George interpreted: "It means No. Do you think if you were to take my +arm you could walk to the turning?" + +Quite naturally she slipped a white glove around his elbow. The +contact thrilled him. "No nice girl, you know, would do this," she +said, "with a perfect stranger." + +George bent his arm a little, the better to feel the pressure of those +white fingers. "I am not really perfect," he told her. + +She took his mood. "Nor I really nice," she joined. "In fact, I'm +horrible--they tell me. But I think it is wise to follow, don't you?" + +"Profoundly wise. Who says you are horrible?" + +She gave no answer. Glancing, he saw trouble shade her eyes, tremble +her lips. + +That beauty should know distress! + +Very slightly he raised his forearm so that the lock of his elbow felt +her hand. He had no fine words. This George was no hero with exquisite +ways. He was a most average young man, and nothing could he find but +most painfully average words. + +"I say, what's up?" he asked. + +She spoke defiantly; but some stupid something that she hated yet +could not repress trembled her lips, robbed her tone of its banter. +"What's up?" she said. "Why, _you_ would say something was up if you'd +just been shot plump out of a cab, wouldn't you?" + +"Yes, but you were laughing a minute ago." He looked down at her, but +she turned her face. "Now, now, I believe--" He did not name his +thought. + +She looked up. Her pretty face was red. He saw little flutters of +eyelids, flutters round the eyes, flutters at the mouth. "Oh," she +said, "oh, yes, and I don't know why. I'm--I believe--" She tried to +laugh, but the little flutterings clouded the smile like soft, dark +wings flickering upon a sunbeam. + +"I believe--it's ridiculous to a perfect--imperfect--stranger--I +believe I'm nearly--crying." + +And this inept George could only return: "I say--oh, I say, can I +help you?" + +She stopped; from his arm withdrew her hand. "Please--I think you had +better go. Please go. Oh, I shall hate myself for behaving like this." + +So unhappy she was that George immediately planned her a backdoor of +excuse. "But you have no occasion to blame yourself," he told her. +"You've had an adventure--naturally you're shaken a bit." + +She was relieved to think he had misunderstood her agitation. "Yes, an +adventure," she said, "that's it. And I haven't had an adventure for +years, so naturally--But, please, I think you had better go. If my-- +my friend saw me with you like this she would be angry--oh, very +angry." + +"But why? She saw you fall. She saw me save you." + +"You don't understand. She is not exactly my friend; she is my--my +employer. I'm a mother's-help." + +The mirth that never lay deep beneath those blue eyes of hers was +sparkling up now; the soft, dark wings were fluttering no longer. + +She continued: "A mother's-help. Doesn't that sound wretched? I'm +terribly slow at learning the mother's-help rules, but I'm positive of +this rule--mothers' helps may not shoot out of cabs and leave the +mother; it's such little help--you must see that?" + +"But you will be less help still if you stay here for ever with your +hurt ankle--you must see that? I must stay with you or see you to your +home." + +When she answered, it was upon another change of mood. The soft, dark +wings were fluttering again; and it was the banter of George's tone +that had recalled them. For this was an adventure--and she had not +known adventure for years; for these were flippant exchanges arising +out of gay young hearts, and they recalled memories of days when such +harmless bantering was of her normal life; for there had been sympathy +in George's stammering inquiries, and it recalled the time when she +lived amidst sympathy and amidst love. + +The soft, dark wings fluttered again: "I am very grateful to you for +helping me," she told him. "You must not think me ungrateful; only, I +think you had better go. In my position I am not free to--to do as I +like, talk where I will. You understand?" Her voice trembled a little, +and she repeated: "You understand?" + +George said, "I understand." + + + +II. + +And that was all that passed upon this meeting. A cab swung round the +opposite corner; pulled up with a rattle; turned towards them; was +alongside. Within, a brow of thunder sat. + +The cabman called, "I knowed you was all right, miss," raised the +trap, and cheerfully repeated the information to his fare: "I knowed +she was all right, mum." + +The mum addressed gave no congratulation to his prescience. He shut +the lid; winked at George; behind his hand communicated, "Not 'arf +angry, she ain't." + +The girl ran forward; agitation bound up her hurt ankle. "Oh!" she +cried, "I am so glad you are safe!" + +The thunder-figure addressed said: "Please get in. I have had a severe +shock." + +"This gentleman--" The girl half turned to George. + +"Please get in--instantly." + +Scarlet the girl went. "Thank you very much," she said to George; +climbed in beside the cloud of wrath. + +Her companion slammed the door; dabbed at George a bow that was like a +sharp poke with a stick; called, "Drive on." + +George stepped into the road, held half a crown to the driver: "The +address?" + +The man stooped. With a tremendous wink answered, "Fourteen Palace +Gardens, St. John's Wood." + +Away with a jingle. + + + + +CHAPTER VIII. + +Astonishing After-Effects Of A Heroine. + + + +I. + +George did not return to St. Peter's that afternoon; watched the cab +from view; walked back to Waterloo; thence took train to Paltley Hill +with mind awhirl. + +Recovering from stunning shock the mind first sees a blur of events-- +formless, seething, inextricably tangled. Deep in this boiling chaos +is one fact struggling more powerfully than the rest to cool and so to +shape itself. It kicks a leg free here, there an arm, then another +leg. Its exertions cause the whole more furiously to agitate--the +brain is afire. Very suddenly this struggling fact jumps free. Laid +hold of it is a cold spoon which, plunged back into the seething +cauldron, arrests the turmoil of its contents. + +Or again, recovering from sudden shock the mind first sees a great +whirling, blinding cloud of dust which hides and wreathes about the +sudden topple of masonry that has provoked it. Here the slowly +emerging fact may be likened to a clear gangway through the ruin up +which the fevered owner may walk to investigate the catastrophe's +cause and extent. + +So now with George. If not dazed by stunning shock, he was at least +awhirl by set back of the swift sequence of events which suddenly had +buffeted him; and it was not until strolling up from Paltley Hill +railway station to Herons' Holt that one cooling fact emerged from +which he might make an ordered examination of what had passed. + +The address that the cabman had given him was this fact--14 Palace +Gardens, St. John's Wood. Here was the gangway through the pile of +disorder, and here George resolutely made a start of examining events +in place of wildly beating about through the dust of aimless +conjectures. + +He visualised this Palace Gardens residence. A gloomy house, he +suspected,--prison-like; its inhabitants warders, the girl their +captive. A beautiful picture was thus presented to this ridiculous +young man. For if the girl were indeed captive, warder-surrounded, how +gratefully her heart must press towards him who was no turnkey! The +more irksomely her captors held her, the more warmly would she +remember him. Subconsciously he hoped for a rattle of chains, a +scourging with whips. Every bond, every stroke would speed her spirit +to the recollection of their meeting. + +But this delectable picture soon faded. Love--and this ridiculous +George vowed he was in love--love is a mental see-saw. The nicely- +balanced mind is set suddenly oscillating: now up, commandingly above +the world, intoxicated with the rush and the elevation; now down to +depths made horribly deep by contrast, wretchedly jarred by the bump. + +A new thought impelled a downward jolt of this kind. Failing a gloomy +14 Palace Gardens, supposing the girl to be happily situated, it was +horribly improbable that she would give him a moment's thought. This +was a most chilling idea. Shivering beneath the douche, George's mind +ran back along the episode of their meeting to discover arguments that +would build up the chains and the whips. + +Memories banked high on either side. In search of his desire George +gathered them haphazard, closely examined each. + +It was an unsatisfactory business. Here was a memory. She had said +so-and-so. Yes; but, damn it, that might mean anything. He flung it +down; took another. She had said so-and-so. Yes; but, damn it, that +might have meant nothing. + +This was very disturbing. He must systematically go through the whole +pile of memories--upon an ordered plan reconstruct each step of the +episode. + +At first attempt it was a wretched business. Never was builder set to +work with bricks so impossible as the bricks of conversation with +which this reconstruction must be done. Each that the girl had +supplied might dovetail in as he would have it go; upon the other hand +it fitted equally well when twisted into the form in which, for all he +knew, she might have constructed it. The bricks George had himself +supplied he found even more disconcerting--they were stupid, ugly, +laughable. He shoved them in, and they grinned at him--mocked him. +None the less he persevered--he must get his answer; he must see both +what she had thought of him and if she were likely still to be +thinking of him. And at last the whole passage was reconstructed. He +examined it, and once more down came the see-saw with a most +shattering bump: he had made himself an idiot, and stood champion +idiot if he believed she were likely to remember him. + +With a crash George sent the whole pile flying. Let him wander blindly +in the dust of imaginings rather than be tortured by the grim +austerity of ordered facts. More than this, there was one most +comfortable memory to which he desperately clung--that falter in her +voice when she had said "You understand?" Whenever, during that +evening, doubt stirred and bade him recognise himself for a fool, +George flattened the ugly spectre with the arm he contrived out of +this memory. + +It was a lusty weapon. + +But a fresh vexation that lies in wait for all new lovers tore him +when he got to bed. In the darkness he set his mind solely to +recalling the girl's face. The picture tantalisingly eluded him. +Generalities he could recall. She was fair, very, very fair; her hair +was shining golden; but how was it arranged? In desperation he +squirmed off to her eyes--blue; no, grey; no, blue. Damn it, he would +forget whether she were black or white in a minute. Her chin? Ah, he +had that!--white and firm and round. And her nose?--small, and a +trifle tip-tilted. And her mouth?--her mouth, oh, heaven, he could not +fix her mouth! The distracted young man tossed upon his pillow and +went elsewhere. Distinctly he could remember her little feet with +those silver buckles, quite different from any other feet. And she +held herself slim and supple. Held herself? Why, good heavens! she was +tall, and he had been thinking of her as short! This was appalling! He +might meet her and pass her by. He might ... he rushed into troubled +slumber. + + + +II. + +The night gave him little rest. Whilst his body lay heavy, his brain, +feverishly active, chased through the hours glimpses of the queen of +his adventure. By early morning he was prodded into consciousness, and +awaked to find himself instantly confronted with a terrible affair. +Into his life, so he assured himself, had come a serious interest such +as that which the Dean had hoped for him. + +Here, lying abed with fresh morning smiling in through the open +window, for the first time he looked forward, following the face he +had pursued through his dreams, into the future. Its chambers he found +ghastly barren. He visualised it as a vast unfurnished house. To the +merry eye with which two days ago he had looked upon the world, the +picture, had he then conjured it, would have given him no gloom. He +would have thought it a fine thing, this empty house that was his own- +-empty, but representing freedom. + +The matter was different now. Into this empty house had danced the +girl. Her gay presence discovered its barrenness. There was not a +chair on which she could sit, not a dish in the larder. + +George recalled that tight little practice at Runnygate that might be +had for 400 pounds; went down to breakfast rehearsing a scene with his +uncle; was moody through the meal. + + + +III. + +The breakfast dragged past its close. Mr. Marrapit spoke. "The moments +fly," he observed. + +Margaret said earnestly: "Oh, yes, father." + +"I was addressing George." + +"Ur!" said George, suddenly aroused. + +Mr. Marrapit looked at his watch; repeated his observation. + +George read his meaning. "I thought of going up by the later train to- +day," he explained. + +"A dangerous thought. Crush it." Mr. Marrapit continued: "Margaret, +Mrs. Major, I observe you have concluded"; and when the two had +withdrawn addressed himself again to George: "A dangerous thought. You +recall our conversation of the day before yesterday?" + +"Perfectly." + +"Yet by later trains, by idleness, you deliberately imperil your +future?" + +George did not answer the question. This was the very opportunity for +which he had wished. "I would like to talk about my future," he said. + +"I dare not dwell upon it," replied Mr. Marrapit. + +"I have to. I shall pass all right this time. I want to know--the fact +is, sir, I know I have slacked in the past; I am a man now, and I--I +regret it. I fully realise my responsibilities. You may rely that I +shall make a certainty of the October examination." + +"Commendable," Mr. Marrapit criticised. + +"I want to know what help I may expect when I qualify." + +"I cannot tell you." Mr. Marrapit threw martyrdom into his tone. "I am +so little," he said, "in your confidence. Your expectations when +qualified may be enormous. I am not favoured with them." He sighed. + +George said: "I mean what help I may expect from you." + +The piece of toast rising to Mr. Marrapit's mouth slowly returned +towards his plate: "Reiterate that. From _me_?" + +"From you," said George. + +The toast dropped from trembling fingers. "_I_?" Mr. Marrapit dragged +the word to tremendous length. "I? Is it conceivable that you expect +money from me?" + +"I only ask." + +"I only shudder. Might I inquire the amount?" + +"The Dean told me of a practice I could have for 400 pounds." + +"Tea!" exclaimed Mr. Marrapit on a gasp. "I must steady myself! Tea!" +He paused; gulped a cup; with alarmed eyes stared at George. + +The affair was going no better than George had expected. He remembered +the face that was dear to him; nerved himself to continue. "I would +pay it back," he said. "Will you lend me the 400 pounds?" + +"I must have air!" Mr. Marrapit staggered to the window. "I reel +before this sudden assault. For nine years at ruinous cost I have +supported you. Must I sell my house? Am I never to be free? Must I +totter always through life with you upon my bowed back? I am Sinbad." + +"There's no need to exaggerate or make a scene." + +"Did I impel the scene?" + +"I only asked you a question," George reminded. + +"You have aroused a spectre," Mr. Marrapit answered. + +"Well, I may understand that I need expect nothing?" + +"I dare not answer you. I am shaken. I tremble." + +George rose. Though what hope he had possessed was driven by his +uncle's attitude, he was as yet only upon the threshold of his love. +Hence the refusal of what he suddenly desired for that love's sake was +not so bitter an affair as afterwards it came to be. "This is +ridiculous," he said; moved to the door. + +"To me a tragedy," Mr. Marrapit declaimed from the window, "old as +mankind; not therefore less bitter--the tragedy of ingratitude. At +stupendous cost I have supported, educated, clothed you. You turn upon +me for more. How sharper than a serpent's tooth it is to have a +thankless child! I am Lear." + +George tried a thrust: "I always understood my mother left you ample +for me." + +"Adjust that impression. She left me less than a sufficiency--nothing +approaching amplitude. To the best of my ability I have fulfilled my +task. It has been hard. I do not complain. I do not ask you for +repayment of any excess that may have been incurred. But I am +embittered by yet further demands. I have been too liberal. Had I +meted out strict justice as I have striven to mete out kindness, my +grey hairs would not be speeding in poverty to the grave. I am +Wolsey." + +Upon Wolsey George slammed the door; started for the station. + + + +IV. + +Palace Gardens, St. John's Wood, was his aim. There could be no work, +nor even thought of work, until again he had met his lady. Yet how to +meet her cost him another of the wrestles with conjecture that had +been his lot since the cab carried her away. + +At first it was easy work. He would call, he decided, with polite +inquiries; and as he pictured the scene his spirits rose. The thunder- +figure that had poked a bow at him from the cab would come dragonish +into the drawing-room where he waited. Her he would charm with the +suavity of his manners; she would doff the dragon's skin; would say +(he had read the scene in novels), "You would like to see Miss So-and- +so?" + +The girl would come in .... + +With her appearance in his thoughts George's mind swung from coherent +reasoning into a delectable phantasy .... + +A sudden thought swept the filmy clouds-landed him with a bump upon +hard rock. He was not supposed to know their address. How, to the +dragon, could he explain the venal trick by which he had acquired it? +Now he beheld a new picture. Himself in the drawing-room; to him the +dragon; her first words, "How did you know where we lived?"; his +miserable answer. + +This was very unpleasant. As a red omnibus took him on towards St. +John's Wood he decided that the meeting must be otherwise effected. +The girl must sometimes go out. She had called herself a mother's- +help; it suggested children; and, if children, doubtless her task to +take them walking. Well, he would take up a post near to the house, +and wait--just wait. + +And then there came a final thought that struck him cold and staring. +What if she did not live at the house?--was merely about to visit +there when the accident befell the cab? + +It was a sorely agitated young man that stepped off the 'bus and +struck up Palace Gardens. + + + + +BOOK II. + +Of his Mary. + + + + +CHAPTER I. + +Excursions In The Memory Of A Heroine. + + + +I. + +AS that cab swung round the corner bearing away the nameless haunter +of George's dreams, she to the red wrath beside her turned, and, "Oh, +Mrs. Chater," she said, "I hope you are not hurt!" + +By a mercy Mrs. Chater was not hurt. By a special intervention of +Providence she had escaped a fearful death. Whether she would ever +recover from the shock was another matter. Whether the shock would +prove to be that sudden strain on her heart which she had been warned +would end fatally, might at any moment be proved. Much anybody, except +her darling children, would care if she were brought home dead in this +very cab. Never had she known a heart to act as hers was acting now-- +thumping as if it would burst, first quickly then slowly. Perhaps Miss +Humfray would feel it, and give her opinion. + +Where the girl now laid her small hand five infant Chaters had been +nourished; the massive bosom was advertisement that they had done +well. Beneath the mingled gusts of hysteria and of wrath it violently +contracted and dilated; but the heart, terrificly though Mrs. Chater +said it throbbed, lay too deep to be discerned. + +The agitated woman panted, "Can it go on like that?" + +"I'm afraid I hardly--" Miss Humfray shifted her hand. + +"_Stupid!_ Take off your glove!" + +The white kid clung to the warm flesh. Nervous and clumsy the girl +struggled with it. + +"Miss _Humfray!_ How slow you are! _Pull_ it!" + +Mrs. Chater grabbed the turned-back wrist. A crack answered the jerk, +and the glove split away in her hand. "_There!_ Not my fault. Next +time, perhaps, you will buy gloves sufficiently large. Oh, my poor +heart! Now, feel. _Press!_" + +The girl bit her lip. Humiliation lumped in her throat. She pressed, +as bid, into that heaving blouse; said she could feel it. It was not +very violent, she. thought. Perhaps if Mrs. Chater lay back and closed +her eyes-- + +"_I_ was not able to jump out, you see," said Mrs. Chater, sinking. + +"Oh, you don't think I _jumped_ out--and left you? I _wouldn't_. +Besides, it is the most dangerous thing to do. That would have +prevented me in any case. I was thrown. I thought I was going to be +killed." + +"You were with a young man." + +"He caught me." + +The words came faintly. Nearly the girl was crying. That lump in her +throat seemed to be squeezing tears from her eyes--silly tears. She +did not want Mrs. Chater's sympathy, yet could not but reflect what +disregard for her the utter absence of inquiry showed. Bitter thoughts +yet more dangerously squeezed the tears. She was a paid _thing_, that +was all--not even a servant. Mrs. Chater was on kindly terms with her +servants--had experienced the servant problem and craftily evaded it +by the familiarity that was too useful to produce contempt--knew her +maids' young men, entered into their quarrels with their young men, +read their young men's letters. + + + +II. + +Gazing through the cab window, pressed into her corner, the girl felt +herself friendless, outcast, alone. Again she told herself that she +did not want Mrs. Chater's sympathy; yet it was the studied +withholding of it--studied or callous because so natural, the merest +conventionalism, to have asked, "Were you hurt?"--that made her +acutely feel her position. + +A paradox, she thought, not to want a thing and yet to be wounded +because it was not hers. A ridiculous paradox--and brightly she tried +to smile at the silliness of it; blinking the tears that were swelling +now, her face turned against the window towards the pavement. + +A tall, slim girl was passing, holding the arm of a nice-looking +little old man with a grey moustache and military air. The tall, slim +girl was laughing down at him, and he looked to be chuckling merrily, +just as--Her mind swung off, and the tears must be blinked again. + +They reminded her, those two, of herself and her father. Such familiar +friends as they looked so she had been with Dad who idolised her and +whom she had idolised. Just like that--arm in arm, joking, "ragging"-- +she used to walk with him round about the home in Ireland--the world +to one another and none else in the world, except the mother who was +so intimately and inseparably of them that years past her death they +still spoke of her as if she were alive. + +Thus, long after her death, it would be: "Dad, we can't go home by the +hill; mother never lets Grizzle do that climb after a long day." And: +"Mary, your mother won't like you being so late; we must turn back." +And: "Mary, there's the pig by mother's almond tree; run and shoo +him." + +Partly this refusal to recognise that, though dead, Mother was +actually gone from them, no longer was sharing their little jokes and +duties, was because death came with such steady, appreciable, +unfrightening steps. First the riding stopped, and then the walks made +shorter and shorter; then the strolls in the garden stopped, and then +carrying the couch out under the trees--and none of them very fearful, +because prepared: it was to be--almost the very day could have been +named. Thus, when it came, though the blow swooped heavy, terrific, +she never seemed actually to have left them. + +"Well, now, dear dears," she had said with a little smile and a little +sigh, "we have been happy ... only a little way away...." + +But with Dad it was different. Somehow, looking back on it, one had +supposed that nothing would ever touch the cheery little man; that she +and he would go on and on and on--well, till they grew very old +together. + +Nothing could ever touch him.... + +"What a wicked beauty, eh, Mary?" he had said when the man brought +round the half-broken filly that its owner "funked." + +And she had laughed and said: "Yes, an angel in a temper--what a run +you will have, Dad!" and had waved from the gate as the angel in a +temper curveted away around the corner. + +Nothing could ever touch him.... + +And then the man on a bicycle--with a dent in his hat, she noticed. + +"If you can come quickly, missy. Top of the Three Finger field he +lays." + +Bare-backed she had galloped Grizzle there, and as she sped could not +for the life of her think of aught else than the dent in the man's +hat; rode up Three Finger Lane wondering how it came there; approached +the little group wondering why he did not push it out. + +Just as she galloped up they took off their hats. Someone who had been +on his knees stood upright--she saw the stain of wet earth where he +had been kneeling; forgot the dented hat; wondered if he knew of the +Marvel Cleaning Pad that had done so wonderfully with Dad's breeches +when he took a toss last Friday. + +Dad...! Of course...! It was to see Dad that she was here. + +Somebody tried to dissuade her ... better wait till they brought him +home ... could do no good--now. + +"Why? Why not see him? Let me pass, Mr. Saunders." + +Well, the filly lay across him ... he had begged them not to move her +because of the pain.... Better come away. + +She pushed through them.... Yes, better perhaps not to have seen ... +all crumpled up.... + +Recollecting, she could feel distinctly in her knees the creepy damp +as the moisture of the marshy ground penetrated her skirts, bending +over the twisted face. + + + +III. + +Thereafter a blank of days in which events must have occurred but to +which memory brought no lamp until the faint crunch as the coffin +touched the earth seven feet down.... + +Multitudinous papers after that. Wearying, sickening masses of +documents; interminable writing of signature; interminable making of +lists. And then the word LOT. "Lot I," "Lot 2," "Lot 50," "Lot 200"--a +hammerlike word to thump the brain at night, frightening sleep, +producing grotesque nightmares, as "Lot 12, a polished oak coffin, +finished plain, brass Handles." + +No! No! That was not to be sold!--leaden hands holding her down; +stifling hands at her mouth to stay her shouting "Stop!" + +Then sudden consciousness--only a dream! Bolt upright in bed staring +into the darkness. A dream? How much of it a dream? Was it all a +dream? The fevered brain would fetch her from her bed, groping to +Dad's room, striking a match--no familiar form upon the bed; a big +white ticket--"Lot 56." + +Back to the hot, crumpled couch, there, tossing, to lie attempting a +grasp, a realisation of what it all meant.... + + + +IV. + +A dark little office in Dublin.... So much the "Lots" had fetched, so +much the balance at the bank; no investments, it was to be feared; no +insurance, my dear Miss Humfray; so much the bills and other claims on +the estate.... "Don't wish to be bothered with figures? Of course not, +my dear.... And then we come to the balance--I'm afraid a few pounds, +practically nothing...." + + + +V. + +On the steamer bound for Holyhead.... During the crossing the stifling +weight that had benumbed her intellect ever since the man with the +dent in his hat came riding up the drive seemed suddenly to lift. +Whipped away perhaps by the edged wind that rushed past her from +England to Ireland sinking in the sea--a wind to cut you to the bone; +discovering sensation in every marrow; stinging her to clear +thought.... That idyllic life with Mother and Dad--the world to one +another and none else in the world beside--had been rather the +creation of circumstance than of design. Dad's people were furious +when he married Mother; in defiance of hers, Mother married Dad. +Relations on either side had shrieked their disapproval of the match, +then left the couple to their own adventures. A thing to laugh at in +those days, but bringing now to the child that was left the +realisation of not a support in the world. + +Her mother's sisters had written after the funeral inviting her to +come to them in England "while she looked about her." She could recall +every sentence of that letter. It had burned. Each word, each comma +was fresh before her eyes as the cab jolted on to Palace Gardens. + +"It would have been our pleasure constantly to have entertained you +during your mother's life-time," they had written, "but she wilfully +flouted our desires at her marriage and thereafter utterly ignored us. +The fault for the rift between us was of her making, not ours; we sent +her an Easter card one year, and had no reply; though we have no doubt +that your father, not that we would say a word against him now, +influenced her against her better judgment. However...." + +She had written back a hysterical letter. + +"Your letter came just after I had returned from burying my dear, dear +father, who worshipped my darling mother. If I were begging in the +street, starving, dying, I would not touch a crumb or a penny of +yours. You are wicked--yes, you are wicked to write to me as you have +written...." + + + +VI. + +She could not stay in Ireland. Her only friends there lived about the +dear home that was now no longer a home but a "desirable residence +with some acres of garden and paddock." Her only friends there were +friends who had been shared with Mother and Dad--whose presence now +would be constant reminder of that happy participation now lost. One +and all offered her hospitality, but she must refuse. "No, no silly +idea of being a burden to you, dear, dear Mrs. Sullivan--only I can't, +can't live anywhere near where we used to live." + +Years before a great friend of hers had married an English clergyman; +had written often to her from London of the numerous activities in +which she was engaged--principal among them a kind of agency and home +for gentlewomen. "Governesses, dear, and all that kind of thing ... +poor girls, many of them, who have suddenly had to earn a living." + +The correspondence had died, as do so many, from the effects of undue +urgency at the outset; but she had the address, and was certain there +of welcome and of aid. "Poor girls who have suddenly had to earn a +living." The words took on a new meaning: she was of these. + +From Euston she drove to the address. Her friend had gone. Yes, the +present occupant remembered the name. The present occupant had been +there two years; had taken over the lease from the former tenant +because the lady was ill and had been ordered abroad. That was all the +present occupant knew; saw her to the door; closed it behind her. + +Alone in London. "Alone in London"--it had been one of Dad's jokes; he +had written a burlesque on it, and they had played it one Christmas to +roars of fun. O God! what a thing at which to laugh now that the +realisation struck and one stood on the pavement in the dark with this +great city roaring at one! + +Cabmen, she had heard, were brutes; but the man who had brought her to +the house must be appealed to.... Where could she get the cheapest +lodging of some kind? + +How did he know? What was she wanting to pay? ... + +The great city roared at her. Her head swum a little. An idler or two +took up a grinning stand: the thing looked like a cab-fare dispute.... +What was she wanting to pay? ... Well, as little as possible. "I have +never been in London before, and I don't know anybody. My friend here +has gone. I have just arrived from Ireland." She began to cry. + +He from his box in a moment. "From Ireland!" + +Why, he was from Ireland! ... Not likely she was from Connemara? ... +She was? ... From Kinsloe? ... Why, he knew it well; he was from +Ballydag! + +He rolled his tongue around other names of the district; she knew them +all; could almost have laughed at the silly fellow's delight. + +Why, the honour it would be if she would come and let his missus make +her up a bed! "Don't ye cry, missie. Don't ye take on like that. It's +all right ye are now." He put a huge, roughly great-coated arm about +her--squeezed her, she believed; helped her into the cab. + + + +VII. + +Missus in the clean little rooms over the rattling mews was no less +delighted. From Kinsloe? Why, missie saw that canary?--that was a +present from Betty Murphy in Kinsloe, not three months before! + +The canary, aroused by the attention paid it, trilled upward in a +mounting ecstasy of shrillness that went up and up and up through her +head ... louder and louder ... shriller and yet more shrill ... bird +and cage became misty, swum around her.... Missus and Tim must have +carried her to the bed in which she awoke. + + + +VIII. + +Friends in Ireland had given her the addresses of friends in London on +whom she must call. She visited some houses; then in a sudden wild +despair tore the list. Either these people were dense of comprehension +or she clumsy of explanation. To make them realise her position she +found impossible. They were warmly kind, sympathetic--cheery in that +lugubrious fashion in which we are taught to be "bright" with the +afflicted. But when she spoke of the necessity to find employment they +would warmly cry, "Oh, but you must not think of that yet, Miss +Humfray ... after all you have been through.... You must keep quiet +for a little." + +One and all gave her the same words. An impulse took her to kick over +the tea-table--anything to arouse these people from their stereotyped +mood of sympathy with a girl suddenly bereaved,--and to cry, "But +don't you _understand_? I am living over a mews--over a _mews_ with +twelve pounds and a few shillings, and then _nothing_--nothing at +all." + +Wise, perhaps, had she indulged the outburst without the action; wiser +had she written to some of the friends in Ireland, asked to go back to +one of them for a while. But the dull grief beneath which she still +lay benumbed prevented her from other course than tonelessly accepting +the proffered sympathy; and the thought of returning to Ireland was +impossible. She tore the list of London friends; appealed to Tim and +Missus. + +Tim was helpful. He had taken fares to an Agency in Norfolk Street--an +Agency for "Disturbed Gentlewomen," he called it; there took her one +morning. + +"Distressed Gentlewomen," she found the brass plate to read--"The +Norfolk Street Agency for Distressed Gentlewomen." + +A lymphatic-looking young woman, assisting the growth of a singularly +stout face by sucking a sweet, and wearing brown holland sleeve +protectors hooked up with enormous safety-pins, received her in the +room marked "Enquiries"; put her into that labelled "Waiting." Here +were two copies of the _Christian Herald_, some emigration pamphlets, +a carafe of water covered by an inverted tumbler dusty with disuse, +and three elderly females--presumably gentlewomen, possibly +distressed, but not advertising either condition. + +In due time her turn for the room marked "Private"; interrogation by +Miss Ram, a short, thin lady in black, who bowed more frequently than +she spoke, possessing a range of inclinations of the head each of +which had unmistakable meaning. + +Position sought?--Oh, anything; governess, companion. Last situation? +--None; she was inexperienced. Capabilities?--Equally lacking, as +discovered by a probing cross-examination. Salary required?--Oh, +anything; whatever was usual; a _home_--that was the chief object in +view. + +Miss Ram entered the details in a severe-looking book with a long thin +pen--could hold out but faint hopes. The applicants whom she was +accustomed to suit were "in nine and ninety cases out of one hundred +cases" accomplished in the domestic or scholastic arts. However. Yes, +Miss Humfray should call every morning. Better still, stay in the +waiting-room. Be On the Spot--that was the first requisite for +success, as Miss Humfray would find whether in a situation or awaiting +a situation; be On the Spot. + + + +IX. + +On the Spot. A nightmare week in the dingy waiting-room ... thoughts +probing the mind, stabbing the heart.... Nine till one, a cup of tea +and a roll at an A.B.C. shop, an aimless walk in the park; two till +six, good-night to the stout young woman named Miss Porter in +"Enquiries," home to the rattling mews and to Missus. + +On the Spot. Occasional interviews. "Miss Humfray, a lady will see +you." ... "Oh, too young--far too young." ... "Thank you, that will +do, Miss Humfray." ... "Oh, not my style at all." ... "Thank you, that +will do, Miss Humfray." + +On the Spot. Fortunately On the Spot one day--a Mrs. Eyton-Eyton, as +nursery governess, Streatham. + +For a week very much On the Spot with Mrs. Eyton-Eyton. Nursery +governess was a comprehensive word in the Eyton-Eyton vocabulary; +covered every duty that in a nursery must be performed. One must do +the nursery fire, sweep the nursery floor, bring up and carry down the +nursery meals--servants, you see, object to waiting upon one whom, as +Mrs. Eyton-Eyton with a careless laugh pointed out, they regard as one +of themselves. Quickly the lesson was appreciated that while a servant +must never be "put upon," the same consideration need not be extended +to a lady. Servants are rare in the market, young ladies cheap. + + + +X. + +The lesson of dependence, subserviency, Mary found harder in the +learning; did not study it; therein reaped disaster. + +She arrived on a Tuesday. Upon that day of the following week Mrs. +Eyton-Eyton paid to the nursery one of her rare visits, beautifully +gowned, the hired victoria waiting to take her a round of calls. + +Lunch, delayed not to disturb the midday sleep of Masters Thomas and +Richard Eyton-Eyton, was not cleared--Master Thomas still struggling +with a plate of sago pudding. + +Betwixt her children Mrs. Eyton-Eyton--beautifully gowned, hired +victoria in waiting--took her seat; Mary hovered behind--and +catastrophe swooped. Master Thomas grabbed for a glass of milk; Mary +strove to restrain him. There was an awkward struggle, her elbow--or +his--caught the plate of pudding, tipped the sticky mass into the +silken lap of Mrs. Eyton-Eyton, beautifully gowned, hired victoria in +waiting. + +Infuriated, Mrs. Eyton-Eyton turned upon Mary. "Oh, you little fool!" + +The rebuke that should have been taken with downcast eyes, murmured +apologies, was otherwise received. + +"Mrs. Eyton! How dare you call me a fool!" + +Pause of blank amazement; sago-messed table-napkin in the scented +hand; sago creeping down the silken skirt. That a nursery governess-- +not even a servant--should so presume! + +"Miss Humfray! You forget yourself!" + +"No!-No! It is you who forget yourself. How dare you speak to me like +that!" + +Another moment of utter bewilderment; small Eyton-Eytons gazing round- +eyed; the girl white, heaving; the woman dully red. Then "Pack your +boxes, Miss!" + + + +XI. + +She was upon the platform at Victoria Station, a porter asking +commands for her box, before she realised what she had done. A few +pounds in her purse, and infinitely worse off now than a week before. +Then she had no "character"; now employment was to be sought with Mrs. +Eyton-Eyton as her "last place." She would not go back to Missus and +Tim. Though they had tried to conceal it, secretly, she had seen, they +were relieved when she left. They had not accommodation for her; +latterly she had dispossessed of his bed a sailor son on leave from +his ship. + +She left her box in the cloak-room; turned down Wilton Road from the +station; penetrated the narrow thoroughfares between Lupus Street and +the river; secured a bedroom with Mrs. Japes at six shillings a week. + +Miss Ram at the Agency would have no more to do with her; had received +a furious letter from Mrs. Eyton-Eyton; showed in the ledger a cruel +line of red ink ruled through the page that began "Name: Mary +Humfray," and ended "Salary:--" + +"But I don't know a soul in London." + +"You had a very comfortable place. You threw it away. I have a +reputation for reliable employees which I cannot afford to risk." + +A bow closed the interview. + + + +XII. + +It was her landlady's husband, an unshaven, shifty-looking horror, who +dealt her, as it seemed to her then, the last furious blow. + +Returning one evening after an aimless search for employment in shops +that had earned her rude laughter for her utter inexperience and her +presumption in supposing her services could be of any value, she found +Mrs. Japes in convulsive tears, speechless. + +What was the matter? Hysterical jerks of the head towards the stairs. +Up to her room--the cause clear in her rifled box, its contents +scattered across the floor, the little case in which with her pictures +of Mother and Dad she kept her money gone. + +A little raid by Mr. Japes, it appeared, in which Mrs. Japes's +property had also suffered.... He had done it before ... a bad lot ... +had done time ... the rent overdue and the brokers coming in ... she'd +best go ... of course she could tell the police. + +Of course she did not tell the police. The whole affair bewildered and +frightened her. + +To another lodging three streets away.... Initiation by the new +landlady into the mysteries of pawnshops; gradual thinning of +wardrobe.... Answering of advertisements found in the public library +in Great Smith Street.... Long, feet-aching trudges to save omnibus +fares.... Always the same outcome. ... Experience?--None. References? +--None.... "Thank you; I'm afraid--I'm sure it's all right, but one +has to be so careful nowadays. Good morning." ... Always the same +outcome.... The idea of writing to Ireland was hardly conceived. ... +That life, those friends, seemed of a period that was dead, done, +gone--ages and ages ago.... + + + +XIII. + +Again it was a man who dealt the deeper blow--a gentlemanly-looking +person of whom in Wilton Road one evening she asked the way to an +address copied from the _Daily Telegraph_. Why, by an extraordinary +coincidence he was going that way himself, to that very house!--flat, +rather. Yes, it was his mother who was advertising for a lady-help. +Might he show her the way? ... It would be very kind of him. + +Through a maze of streets, he chatting pleasantly enough, though +putting now and then curious little questions which she could not +understand.... Hadn't he seen her at the Oxford one night? ... +Assuredly he had not; what was the Oxford? + +He laughed, evidently pleased. "Gad, you do keep it up!" he cried. + +So to a great pile of flats; up a circular stair. + +"You understand why I can't use the lift?" he said. "They're beastly +particular here." + +She did not understand; supposed it was some question of expense. Thus +to a door where he took out a latch-key. + +It was then for the first moment that a sudden doubt, a horror, took +her, trembling her limbs. + +She looked up at the figures painted over the door. + +"Why, it is the wrong number!" she cried. + +He had turned the key. "Lord! you do keep it up!" he laughed, his hand +suddenly about her arm. + +Then she knew, and dragged back, sweating with the horror of the +thing. + +"Ah, let me go--let me go!" + +"Oh, chuck it, you little ass!" His arm was about her waist now, +dragging her; his face close. + +With a sudden twist and thrust that took him by surprise she wrenched +from his grasp; was a flight of stairs away before he had recovered +his wits; across the hall and running--shaking, hysterical--down the +street. + + + +XIV. + +Thereafter men were a constant horror to her--adding a new and most +savage beast to the wolves of noise, of desolation and of despair that +bayed about her in this grinding city. Unable longer to face them, she +went again to Miss Ram at the Agency--almost upon her knees, crying, +trembling, pitching her tale from the man with the dent in his hat to +the man in Wilton Road. + +Miss Ram was moved to the original depths that lay beneath her grim +exterior; had never realised the actual circumstances; would do what +she could; no need to be frightened. + +Two days later Mary was unpacking her box at 14 Palace Gardens. No +sharpness, no slight now could prick her spirit; she had learned too +well; she would not face those streets again. + +That was eighteen months, close upon two years ago. Wounds were +healing now; old-time brightness was coming back to laugh at present +discomforts. It was only now and again--as now--that she, driven by +some sudden stress, allowed her mind backwards to wander--bruising +itself in those dark passages. + +The cab stopped. She with a start came to the present; gulped a sob; +was herself. + +Mrs. Chater said: "Run in quickly and mix me a brandy-and-soda." + + + + +CHAPTER II. + +Excursions In Vulgarity. + + +A violent dispute with the cabman set that disturbed heart yet more +wildly thumping in Mrs. Chater's bosom; the sight of her husband +uneasily mooning in the dining-room heated her wrath to wilder +bubblings. + +Mr. Chater--a 'oly dam' terror in Mincing Lane, if his office-boy may +be quoted--was an astonishingly mild man in his own house. + +He said brightly, noting with a shiver the gusty stress of his wife's +deportment: "You _drove_ up, my dear?--And quite right, too," he +hastily added, upon a sudden fear that his remark might be interpreted +as reproach. + +"How do you know?" Mrs. Chater's nose went into the brandy-and-soda. + +"I saw you from the window," her husband beamed. He repeated, "The +window," and nervously pointed at it. There was a strained atmosphere +in the room, and he was a little frightened. + +"_Oh!_" Out from the brandy-and-soda came the nose; down went the +glass with an emphasising bang: "_Oh!_" + +Mr. Chater gave a startled little jump. He saw, immediately he had +spoken, the misfortune into which his admission had plunged him; the +bang of the glass twanged his already apprehensive nerves, and he +jerked out, "Certainly, my dear," without any clear grasp as to what +he was affirming. + +"If you had been a _man_," said Mrs. Chater, speaking with a slow and +extraordinary bitterness--"if you had been a _man_, you would have +come out and helped me." + +"But you had got out when I came to the window, my dear." + +"With the _cabman_, I mean." Mrs. Chater fired the word with alarming +ferocity. "With the _cabman_. Did you not see that violent brute +insulting me?" + +It was precisely because he had observed the episode that Mr. Chater +had kept well behind the curtain; but he did not adduce the fact. + +"I certainly did not," he affirmed. + +"Ah! I expect you took precious good care not to. You've done the same +thing before. Never to my dying day shall I forget the figure you cut +outside Swan and Edgar's last Christmas. Making me--" + +Mr. Chater implored: "Oh, my dear, don't drag that up again!" + +"But I _do_ drag it up!" Mrs. Chater a little unnecessarily cried. "I +_do_ drag it up, and I shall always drag it up--making me a fool as +you did! I was ashamed of you. I was--" + +Mr. Chater nervously wiped his moist palms with his pocket +handkerchief: "I've told you over and over again, my dear, that I +never understood the circumstances. There was a great crowd, and I was +very much pushed about. If I had known the circumstances--" + +Mrs. Chater hurled back the word at him: "Circumstances!" + +"My dear," the agitated man replied, ticking off the points on soft +fingers, "my dear, I had gone to the window of Swan and Edgar's, +leaving you, as you expressly desired, to pay the man _yourself_. When +I came _back_ to you, what I gathered was that the man was entitled to +a further _sixpence_ and that you had no _change_." + +Mrs. Chater lashed herself with the recollection: "Nothing of the +kind!" she burst. "Nothing of the kind! What did the man say to you +when you asked what was the matter?" + +"I quite forget." + +"You do not forget." + +"My dear, I really and truly do forget." + +"For the hundredth time, then, let me tell you. He said that if you +pushed your ugly mug into it he would knock off your blooming head." + +"Did he say _mug?_" asked Mr. Chater, assuming the air of one who, +knowing this at the time, would have committed a singularly ferocious +murder. + +"Well you know that he _did_ say mug--_ugly_ mug. Was _that_ a thing +for a man of spirit to take quietly? Was _that_ a thing for a wife to +hear bawled at her husband in the open street with the commissionaire +grinning behind his hand? To my dying day I shall never forget my +humiliation when you handed him sixpence." + +The unhappy husband murmured: "I do so wish you could, my dear." + +Mrs. Chater shook, handled her troops with the skill of a perfect +tactician, and hurled in the attack upon another quarter. + +She said: "Ah, now insult me! Insult me before Miss Humfray! That's +right! _That's_ right! That's what I'm accustomed to. We all have our +cross to bear, as the vicar said last Sunday, and open insult from my +husband is mine. I can't complain; I married you with my eyes open." + +Mrs. Chater revealed this secret of her girlhood in a voice which +implied that most young women go through the ceremony with their eyes +tightly closed, mixed a second brandy-and-soda for her shattered +nerves, swallowed it with the air of one draining a poison flask by +way of happy release from martyrdom, banged down the glass, and, +before her amazed husband could open his lips, hammered in the attack +from a third quarter. + +"Little you would have cared," cried she, "if a miracle had not saved +my life this afternoon!" + +Mr. Chater stood aghast. "My dearest! Saved you! From what?" + +His dearest bitterly inquired: "What does it matter to you? You take +no interest. If my battered corpse--" Swept to tremendous heights by +the combined forces of her agitation, her imagination, and her two +brandys-and-sodas, she rose, pointed though the window. "If my +battered corpse had been carried up those steps by two policemen this +very afternoon, what would you have done, I wonder?" + +Mr. Chater, apprehension creeping among the roots of his hair, +affirmed that he would have dropped dead in the precise spot at which +he happened to be standing at the moment. + +Mrs. Chater trumpeted "Never!"--dropped to her chair, and continued. +"You would have been glad." Her voice shook. "Glad--and in all this +wide world only my Bob and my blessed lambs in the nursery would have +wept o'er my body." + +Of so melancholy a character was the picture thus presented to her +mind, augmenting her previous agitation, that the tumult within her +welled damply through her eyes, with noisy distress through her lips. + +Patting her distressed back, imploring her to calm, Mr. Chater begged +some account of the catastrophe from which she had escaped. + +Between convulsive sobs she told him, he bridging the hiatuses of +emotion with "Oh-dear-oh-dears," in which alarm and sympathy were +nicely mingled. + +Painting details with a masterly hand, "And there was I alone," she +concluded--"alone, at the mercy of a wild horse and a drunken cabman." + +"But Miss Humfray was with you?" + +"Miss Humfray managed to jump out and leave me." + +Through all this scene--in one form or another a matter of daily +occurrence, and therefore not to arouse interest--Mary had stood +waiting its cessation and her orders. Mr. Chater turned upon her. +Naturally disposed to be kind to the girl, he yet readily saw in his +wife's statement a way of escape from the castigation he had been +enduring. As the small boy who has been kicked by the bully will with +delighted relief rush to the bully's aid when the kicks are at length +turned to another, urging him on so that he may forget his first prey, +so Mr. Chater, delighted at his fortune, eagerly joined in turning his +wife's wrath to Mary's head. For self-preservation, at whatever cost +to another, is the most compelling of instincts: its power great in +proportion as we have allowed our fleshly impulses to master us. If, +when they prompt, we coldly and impersonally regard them, find them +unworthy and crush them back humiliated, they become in time +disciplined--wither and die. In proportion as we permit them, upon the +other hand, they come in time to drive us with a fierceness that +cannot be checked. + +Mr. Chater had disciplined no single impulse that came to him with his +flesh. + +In pious horror he turned upon the girl. + +"Managed to jump out!" he exclaimed, speaking as one re-echoing a +horror hardly to be believed. + +"Managed to jump out! Miss Humfray, I would not have thought it of +you!" + +She cried: "Mr. Chater, I fell!" + +Disregarding, and with a deeper note of pained reproach, he continued: +"So many ties, I should have thought, would have bound you to my wife +in such an emergency--the length of time you have been with us; the +unremitting kindness she has shown you, treating you as one of +ourselves, in sickness tending you, bountifully feeding and clothing +you, going out of her way to make you happy. Oh, Miss Humfray!" + +The strain on his invention paused him. Mrs. Chater, moved by this +astonishing revelation of her love, assumed an air in keeping--an air +of some pain but no surprise at such ingratitude. She warmed to this +husband who, if no hero in the matter of ferocious cabmen, could at +least champion her upon occasion. + +Mary cried: "But I did not jump out! Indeed I did not, Mr. Chater; I +fell." + +Mrs. Chater said _"Fell!"_ With sublime forbearance she added, "Never +mind; the incident is past." + +"Mrs. Chater, you must know that I fell out. I was leaning out--you +had asked me to see the name of the street--when the horse stumbled." + +"It is curious," said Mrs. Chater, with a pained little smile, "that +you managed to 'fall out' before the horse could recover and bolt." + +"Very, very curious," Mr. Chater echoed. + +How hateful they were, the girl felt. She broke out: "I--" + +"Miss Humfray, that is enough. Help me upstairs. I will lie down." + +Mr. Chater jumped brightly to the bell. "My dear, do; I will send you +a hot-water bottle." + +His wife recalled the shortcomings for which she had been taking him +to task. "Send a fiddlestick," she rapped; "on a boiling day like +this!" + +She took Mary's arm; leaning heavily, passed from the room. + + + + +CHAPTER III. + +Excursions In The Mind Of A Heroine. + + +Her mistress disrobed, head among pillows, slippered, coverleted, eau- +de-Cologne on temples, with closed eyes inviting sleep to lull the +tumults of the day. Mary climbed to her room. + +About her mouth there was a ridiculous twitching; and as she watched +it in the mirror she strove to wrap herself in the armour in which she +had learned to take buffetings. + +To be dispassionate was the salve she had schooled herself to use upon +a wounded spirit--to regard this Mary with the comically twitching +face whom now she saw in the glass as a second person whose sufferings +might be coldly regarded and dissected. + +It is a most admirable accomplishment. Nothing is so easy as to be +philosophic upon the cares of another--nothing so easy as to wax +impatient with an acquaintance who allows himself to be overridden by +troubles and pains which appear to us of trifling moment. If, then, we +can school ourselves to regard the figure that bears our name as one +person, and our ego as another, we have at least a chance of chiding +that figure out of all the fancied sufferings it may undergo. + +With some success Mary had studied the art; now gave that Mary-in-the- +glass who stood before her a healthy reproof. + +"The ridiculous thing you did," Mary-in-the-glass was told--"the +ridiculous thing you did to make yourself miserable was to go thinking +about--about Ireland." + +The mouth of Mary-in-the-glass ominously twitched. + +"There you go again. And it is so absolutely forbidden to think about +that. Whatever's the use of it?" + +Mary-in-the-glass could adduce no reason, and must be prodded. + +"Does it do you any good? Does it do _them_ any good, do you suppose, +to know that you can never think of them without making yourself +unhappy?" + +Mary-in-the-glass attempted a weak quibble; was instantly snapped. + +"I'm not saying you are _never_ to think of them. Goodness knows what +I should do if I did not. It's all right to think of them when you are +happy and they can share the happiness with you; but, when you choose +to be idiotically miserable, that's the time you are not to go whining +anywhere near them--understand? You only make them unhappy and make +your troubles worse. Troubles! if you can't see the fun of Mrs. +Chater, you must be a wretched sort of person. Her face when the cab +brought her back! And trying to feel her heart! And her rage with that +little worm of a Mr. Chater! Can't you see the fun of it instead of +crying over it?" + +Mary-in-the-glass could. The successive recollections induced the +prettiest dimples on her face. She was at once forgiven. + +Indeed, to snuggle back into her and to merge into her again was just +now very desirable to the censorious Mary-outside-the-glass. For, +merged in her sentimental and romantic personality, a most delectable +line of thought could be pursued--a delectable line, since along this +trail was to be encountered that stranger who had caught her in her +wild ejection from the cab. + +Sinking in a chair, Mary adventured upon it; she was instantly met. + +Mary-outside-the-glass essayed her best to prevent the interview. +"Poof!" Mary-outside-the-glass, that cold young person, sneered. +"Poof! You little idiot! A stranger with whom you spoke for five +minutes, whom you will never again see, and from whose recollections +you have most certainly passed unless to be recalled as a joke-- +perhaps to some other girl!" (A nasty dig that, but they are monsters +these Marys-outside-the-glass.) "Why, you must be a donkey to think +about him! For goodness' sake come away before you make yourself too +utterly ridiculous! You won't. Well, perhaps you will try to recall +the figure you must have cut in his eyes? Do you remember what you +must have looked like as you shot out of the cab like a sack of straw? +Pretty sight, eh? And can you imagine the expression on your face as +you banged into his arms? Charming you must have looked, mustn't you? +And can you by any means realise the idiot you must have looked when +Mrs. Chater came up and swept you off like an escaped puppy, +recaptured and in for a whipping? Striking figure you cut, didn't you? +You didn't happen to peep back through the little window at the back +of the cab and see him laughing, I suppose? Ah, you should have +looked...." + +And so on. This was the attitude of that cold, calculating, +dispassionate Mary-outside-the-glass. But Mary smothered the voice-- +would not hear a word of it. Completely she became Mary-in-the-glass, +that sentimental young woman, and in that personality tripped along +the path of thought where stood her stranger. + +Delectably she relived the encounter. Paced down the street, took +again his arm; without a fault recalled his words, without a check +gave her replies; recalled the pitch of his voice to the nicest note, +struck again the light in his eyes. + +Now why? She had met other men; in Ireland had thrice wounded her +tender heart by negations that had caused three suitors most desperate +anguish. None had awakened in her a deeper interest; and yet here was +a stranger--suddenly encountered, as suddenly left--who in her mind +had appropriated a track which she was eager to make a well-beaten +path. Why? + +But Mary-in-the-glass, that sentimental young woman, was no prober of +emotions. They veiled the hard business of commonplace life; and amid +them mistily she now floated afar into dim features where her +stranger, stranger no more, walked with her hand in hand. + +There was attempt at first to construct an actual re-encounter. Mary- +in-the-glass, that romantic young woman, very speciously pointed out +that in London when once you see a man you may reasonably suppose that +you will again meet him. For in London one does not aimlessly wander; +one has some set purpose and traverses a thousand times the same +streets, crossing daily at the same points as though upon the pursuit +of a chalked line. Mary-in-the-glass, therefore, constructing a re- +encounter, happened to be strolling along the scene of the accident, +and lo! there was he! + +Unhappily this vision was transient. Mary-outside-the-glass, that cold +young woman, got in a word here that erased the picture. The square +where the cab crashed was too far afield to take the children for +their walk; holiday was a boon rarely granted and never granted at the +particular hour of the catastrophe--the only time of day at which, +according to the chalked-line theory, she might reasonably expect to +find the stranger in the same spot. + +But Mary did not brood long upon this melancholy obstacle; drove away +Mary-outside-the-glass; became again Mary-in-the-glass. And they are +impossible creatures these Marys-in-the-glass. They will approach an +unbridged chasm across which no Mary-out-side could by any means +adventure, and, floating the gulf, will deliriously roam in the fields +beyond. + +So now. And in that dream-world of the musing brain Mary with her +stranger sublimely wandered. With her form and his she peopled all the +favourite spots she knew; contrived others and strolled in them; +introduced other persons, and marked their comment on her dear +companion. + +It was he whom she made to do mighty deeds in those misty fields; of +herself hers were merely a girl's gentle fancies, held modest by her +sex's natural desire to be loved for itself alone--not for big +behaviour. + + + + +CHAPTER IV. + +Excursions In A Nursery. + + +The loud bang of a door was the gong that called Mary back from those +pleasant fields. They whirled from her, leaving her in sudden +realisation of the material. + +She glanced at the clock. + +"Goodness!" cried she, and fell to scattering her outdoor finery at a +speed dangerous under any but the deftest fingers. Into a skirt of +black and a simple blouse she slipped, and down, skimming the stairs, +to where her charges bided their bedtime. + +Opening the nursery door she paused upon the threshold with a little +"Oh!" of surprise. There was a reek of cigar smoke; its origin between +the lips of a burly young man who stood drumming a tune upon the +window-pane. + +Mr. Bob Chater turned at her entry. "I've been waiting for you a long +time," he said. + +She asked, "Whatever for?" and in her tone there was a chill. + +"Didn't I tell you yesterday that I was coming to see the kids +tubbed?" + +"I didn't think you meant it." + +Mr. Bob Chater laughed. "Well, now you see that I did. I've been +looking forward to this all day." + +Plainly she was perturbed. She said: "Mr. Chater, I really would +rather you did not, if you don't mind." + +"Well, but I do mind, d'you see? I mind very much indeed. It would be +the bitterest disappointment." + +His playfulness sat ill upon him. This was a stout young man, black- +eyed, dark-moustached, with a thick and heavy look about him. + +She would not catch his mood. "I am sure when I ask you--" + +"Well, you're jolly well wrong, you know," he laughed; "'cause I ain't +going." + +Mary flushed slightly; moved to the hearthrug where sat David and +Angela, her small charges, watching, from their toys, the scene. + +It occurred to Mr. Bob Chater that she was annoyed. + +"I say, be decent to a fellow, Miss Humfray," he said. "Look here, I +hadn't seen the kids for two years when I came back yesterday. They +hardly remember their kind big brother." He addressed the small girl +whose round eyes, moving from speaker to speaker since Mary had +entered, were now upon him. "Do you, Angela?" he asked. + +"I--hate--you," Angela told him, in the slow utterance of one giving +completest effect to a carefully weighed sentiment. + +With equal impressiveness, David, seated beside her, lent his +authority to the statement. "I--hate--you--too," he joined. + +Mr. Bob Chater laughed a little stupidly. + +Mary cried: "Oh, Angela! Oh, David! How can you speak like that!" + +"He is perfectly abom'able," Angela said, unmoved. "He made Davie cry. +He trod on Davie's beetle." + +The cracked corpse of a mechanical beetle, joy of David's heart, was +produced in evidence; its distressed owner reddening ominously at this +renewed recollection of the calamity. + +Mary took the sad pieces tenderly. "Silly children! He never meant to +break it. Oh, such silly children!" + +Angela protested, "He did! He did! He put his foot over it while it +was running, and stopped it. He told David to get it away if he could, +and David bit his leg, and he said 'Damn you!' and crushed it crack." + +Mary whipped a glance at the murderer. She ignored the evidence. "To- +morrow!" said she. "Why, what fun! To-morrow we'll play hospital like +we did when Christabel broke her arm. We'll make Mr. Beetle just as +well as ever he was before!" + +"I'll be doctor!" cried David, transported into delight. + +"Yes, and Angela nurse. Look, we'll put poor Mr. Beetle on the +mantelpiece to-night, right out of the draughts. If he got a draught +into that crack in his back, goodness knows what wouldn't happen. He +must eat slops like Christabel did. _What_ fun! Now, bed--_bustle!_" + +Their adored Mary had restored confidence. They clung about her. + +"It was a pure accident," explained Mr. Bob Chater, gloomily watching +this scene. "I'll buy you another to-morrow." + +"There!" Mary cried. "Think of that!" + +David reflected upon it without emotion. He regarded his big brother +sullenly; sullenly said, "I don't want another." + +Mary cried brightly: "Rubbish! Come, kiss your brother good-night, and +say 'thank you!' Both of you. Quick as lightning!" + +They hung back. + +Mary had obtained so complete a command of their affections that her +word was the wise law which, ordinarily, they had come unquestioningly +to accept. In their short lives David and Angela had experienced a +procession of nurses, of nursery-governesses, of lady-helps, each one +of whom received or gave her month's notice within a few weeks of +arrival, and against whom they had conducted a sullen or a violent +war. From the first it had been different with Miss Humfray. As was +their custom (for this constant change tried tempers) upon the very +day of her arrival they had met her with frank hostility, had declared +mutiny at her first command. But her reception of this attitude they +found a new and astonishing experience. She had not been shocked, had +not been angry, had ventured no threat to tell their mother. Instead, +at the outbreak of defiance, she went into the gayest and most +infectious laughter, kissed them--and they had capitulated before they +realised the event. + +A second attempt at mutiny, made upon the following day, met with a +reception equally novel. Again this pretty Miss Humfray had laughed, +but this time had fully sympathised with their view of the point at +issue and had made of the affair a most entrancing game. She, behold, +was a pirate captain; they were the rebellious crew. In five minutes +they had marooned her upon the desert island represented by the +hearthrug; had rowed away with faces which, under her instructions, +were properly stern; and only when she waved the white flag of truce +had they taken her aboard again. Meanwhile the subject of the quarrel +had been forgotten. + +Never a dispute arose thereafter. They idolised this pretty Miss +Humfray: whatsoever she said was clearly right. + +Here, however, was a dangerous conflict of opinion. They hung back. + +"Quickly," Mary repeated. "Kiss him, and say thank-you quickly, or +there will be no story when you are in bed." + +It was a terrific price to pay; their troubled faces mirrored the +conflict of decision. + +David found solution. In his slow, solemn voice, "You kiss him first," +he said. Miss Humfray always took their medicine first, and David +argued from the one evil necessity to this other. + +Mr. Bob Chater laughed delightedly. "That's a brilliant idea!" he +cried; came two strides towards Mary; put a hand upon her arm. + +So sudden, so unexpected was his movement, that by the narrowest +chance only did she escape his purpose. A jerk of her head, and he had +mouthed at the air two inches from her face. + +She shook her arm free. "Oh!" she cried; and in the exclamation there +was that which would have given a nicer man pause. + +Mr. Bob Chater was nothing abashed. A handsome face and a bold air had +made conquests easy to him. It was an axiom of his that a girl who +worked for her living by that fact proclaimed flirtation to be +agreeable to her--at all events with such as he. Chance had so shaped +affairs that this was the first time his theory had found disproof. He +saw she was offended; so much the more tickling; conquest was thereby +the more enticing. + +He laughed; said he was only "rotting." + +Mary did not reply. The command to kiss their brother went by default; +she hurried her charges through the door to the adjoining night +nursery. + +When they were started upon undressing she came back. + +"You're going to let me see you tub them?" Bob asked her. + +Busy replacing toys in cupboards, she did not reply. + +"You're not angry, are you?" + +She gave him no answer. + +Bob Chater discarded the laugh from his tone. "If you are angry, I'm +very sorry. You must have known I was only fooling. It was only to +make the kids laugh." + +So far as was possible she kept her back to him. + +The continued slight pricked him. His voice hardened. "When I have the +grace to apologise, I think you might have the grace to accept it." + +Mary said in low tones: "If you meant only to make them laugh, of +course I believe you. It is all right." + +"Good. Well, now, may I see them tubbed?" + +"I have told you I would rather not." + +"Dash it all, Miss Humfray, you're rather unkind, aren't, you? Here +have I been away nearly two years--I've been travelling on the +Continent for the firm-you know that, don't you?" + +She said she had heard Mr. and Mrs. Chater talking of it. + +"Well, and yet you won't let me come near my darling little sister and +my sweet little brother to tell 'em all about it?" + +"But I'm not keeping you from them, Mr. Chater. You have had plenty of +time." + +"Time! Why, I only got back yesterday!" + +"You have been in here this afternoon." + +"Ah, they were shy. They're better when you are here." + +She had finished her task, and she turned to him. "Mr. Chater, you +know I could not keep David and Angela from you even if I dreamed of +doing such a thing. Only, I say I would rather you did not come in +while I bath them, that is all." + +"Yes, but why?" + +"Mrs. Chater would not like it for one thing, I feel sure." + +"Oh, that's all rot. Mother wouldn't mind--anyway, I do as I like in +this house." + +From all she had heard of Mrs. Chater's beloved Bob, Mary guessed this +to be true. Long prior to his arrival she had been prejudiced against +him; acquaintance emphasised the prophetic impression. + +"Another night, then," she said. + +He felt he was winning. No girl withstood him long. + +"No, to-night. Another thing--I want to know you better. This +arrangement is all new to me. There was a nurse here in your place +when I went. I've hardly spoken to you. Have you ever been abroad?" + +"No." + +"Well, I'll tell you--and the kids--some of my adventures while you're +tubbing 'em. Lead on." + +She was at the night-nursery door. Evidently this man would not see +her conventional reason for not wishing him at the tubbing. Angela had +grown a biggish girl since he went away. + +She said, "Please not to-night." + +"I'm jolly well coming," he chuckled. + +The lesson of dependence was wilfully forgotten. Mary agreed with +Angela and David: she hated this Bob. + +"No," she said sharply, "you are not." + +He had thrown his cigar into the grate; taken out another; stooped to +the hearth to scratch a match. His back was to her; to him all her +tone conveyed was that a "rag" was on hand. + +"We'll see," he laughed; struck the match. + +She stepped swiftly within the door; closed it. + +Bob Chater laughed again; ran across. + +The lock clicked as she turned the key. + +"Let me in!" he cried, rattling the handle. "Let me in!" + +The splash of water answered him. + +He thumped the panel. "Open the door!" + +"Now, Angela," he heard her say, "quick as lightning with that +chimmy." + +Bob's face darkened; he damned beneath his breath. Then with a laugh +he turned away. "I'm going to have some fun with that girl," he told +himself; and on the way downstairs, her pretty face and figure in his +mind, pleased himself with vicious anticipation. + + + + +CHAPTER V. + +Excursions At A Dinner-Table. + + + +I. + +Two distressing reasons combined to compel Mrs. Chater to give Mary +place at the evening meal. There was the aggravating fact that +mothers'-helps, just as if they were ordinary people, must be fed; +there was also the contingency that servants most strongly objected to +serving a special meal--even "on a tray"--to one who was not of the +family, yet who had airs above the kitchen. + +Except, then, when there were guests Miss Humfray must be accommodated +at late dinner. Mrs. Chater considered it annoying, yet found in it +certain comfortable advantages--as sympathy from friends: "Mustn't it +be rather awkward sometimes, Mrs. Chater?" A plaintive shrug would +illustrate the answer: "Well, it is, of course, very awkward +sometimes; but one must put up with it. That class of person takes +offence so easily, you know; and I always try to treat my lady-helps +as well as possible." "I'm sure you do, Mrs. Chater. How grateful they +should be!" And this time a sad little laugh would illustrate: "Oh, +one hardly expects gratitude nowadays, does one?" + +Mary at dinner must observe certain rules, however. Certain dishes--a +little out of season, perhaps, or classed as luxuries--were borne +triumphantly past her by a glad parlour-maid acting upon a frown and a +glance that Mrs. Chater signalled. Certain occasions, again, when +private matters were to be discussed, were heralded by "Miss Humfray," +in an inflexion of voice that set Mary to fold her napkin and from the +room. + +The girl greeted these early dismissals with considerable relief. +Dinner was to her a nightly ordeal whose atmosphere swept appetite +sky-high--took the savour from meats, dried the throat. + + + +II. + +Descending to the dining-room upon this evening, her normal shrinking +from the meal was considerably augmented. On the previous night--the +first upon which Mr. Bob Chater's legs had partnered hers beneath the +table--his eyes (like some bold gallant popping out on modesty +whenever it dared peep from the doorway) had captured her glance each +time she ventured look up from her plate. The episode of the nursery +was equivalent to having slapped the gallant's face, and the re- +encounter was proportionately uncomfortable. + +Taking her place she was by sheer nervousness impelled to meet his +gaze--so heavily freighted it was as to raise a sudden flush to her +cheek. Her eyes fled round to Mrs. Chater, received a look that +questioned the blush, drove it duskier; through an uncomfortable half- +hour she kept her face towards her plate. + +It was illuminative of the relations between husband and wife that +Mrs. Chater carved; her husband dealt the sweets. The carving knife is +the domestic sceptre of authority: when it is wielded by the woman, +the man, you will find, is consort rather than king. + + + +III. + +Upon the previous evening Mr. Bob Chater had led the conversation. To- +night he was indisposed for the position--would not take it despite +his mother's desperate attempts to board the train of his ideas and by +it be carried to scenes of her son's adventures. A dozen times she +presented her ticket; as often Bob turned her back at the barrier. + +It was a rare event this refusal of his to carry passengers. So loudly +did he whistle as a rule as to attract all in the vicinity, convinced +that there was an important train by which it would be agreeable to +travel. + +For Mr. Bob Chater was a loud young man, emanating a swaggering air +that the term "side" well fitted. To have some conceit of oneself is +an excellent affair. The possession is a keel that gives to the craft +a dignified balance upon the stream of life--prevents it from being +sailed too close to mud; helps maintain stability in sudden gale. +Other craft are keelless--they are canoes; bobbing, unsteady, likely +to capsize in sudden emergency; prone to drift into muddy waters; +liable to be swept anywhither by any current. Others, again--and Mr. +Bob Chater was of these--are over-freighted upon one quarter or +another: they sail with a list. Amongst well-trimmed boats these learn +in time not to adventure, since here they are greeted with ridicule or +with contempt; yet among the keelless fleets they have a position of +some authority; holding it on the same principle as that by which +among beggars he who has a coin--even though base--is accounted king. + +Bob Chater's list was ego-wards. His mighty "I"--I am, I do, I say, I +know, I think--bulged from him, hanging from his voice, his glance, +his gesture, his walk. In it Mrs. Chater bathed; to be carried along +in the train of his mighty "I" was delectable to her. But to-night she +could not effect the passage. + +A final effort she made to get aboard. "And in St. Petersburg!" she +tempted. "I wonder if you ever saw the _Tsar_ when you were in St. +Petersburg?" + +Bob drove her back: "St. Petersburg's a loathsome place." + +Mrs. Chater tried to squeeze through. "So _gay_, they say." + +Bob slammed the gate. "I wish you'd _tell_ me something instead of +expecting _me_ to do all the talking. I want to hear all that's been +going on here while I've been away, but I'm hanged if I can find out." + +A little mortified, Mrs. Chater said: "I've hardly seen you, dear, +except at meals"--then threw the onus for her son's lack of local +gossip upon her husband. Addressing him, "You've been with Bob all the +morning," she told him. "I wonder you haven't given him all the news. +But, there! I suppose you've done nothing but question him about what +business he's done!" + +Mr. Chater, startled at the novelty of being drawn into table +conversation while his son and his wife were present, dropped his +spoon with a splash into his soup, wiped his coat, frowned at the +parlour-maid, cleared his throat, and, to gain time to determine +whether he had courage to say that which was burning within him, threw +out an "Eh?" for his pursuing wife to Worry. + +Mrs. Chater pounced upon it; shook it. "What I said was that I suppose +you've been doing nothing but question poor Bob about what he has done +for the firm while he's been away," + +Mr. Chater nerved himself to declare his mind. "There wasn't very much +to question him about," he said. + +His words--outcome of views forcibly expressed by his partners in +Mincing Lane that morning--were the foolhardy action of one who pokes +a tigress with a stick. + +The tigress shook herself. "Now, I wonder what you mean by _that_?" +she challenged. + +Mr. Chater dropped the stick; precipitantly fled. "Of course it was +all new to Bob," he granted, throwing a bone. + +Very much to his alarm the tigress ignored the bone; rushed after him. +"All you seem to think about," cried she, "is making the boy slave. +He's never had a proper holiday since he left school, and yet the very +first time he goes off to see the world you must be fidgeting yourself +to death all the time that he's not pushing the firm sufficiently; and +immediately he comes back you must start cross-examining just as if he +was an office-boy--not a word about his health or his pleasure. Oh, +no! of course not!" + +Squirming in misery, Mr. Chater remarked that he had his partners to +consider. "I'm only too glad that Bob should enjoy himself--only too +glad. But you must remember, my dear, that part of his expenses for +this trip was paid for by the firm--the _firm_. He was to call on +foreign houses--" + +The tigress opened her mouth for fresh assault. Mr. Chater hurriedly +thrust in a bone. "I don't say he hasn't done a great deal for us--not +at all; I'd be the last to say that. What I say is that in duty to my +partners I must take the first opportunity to ask him a few questions +about it. Bob sees that himself; don't you, Bob?" + +"Oh, do let's keep shop off the table," Bob snarled. "Fair sickens me +this never getting away from the office." + +"There you are!" Mrs. Chater cried. "There you are! Always business, +business, business--that's what _I_ complain of." + +With astounding recklessness Mr. Chater mildly said: "My dear, you +started it." + +Mrs. Chater quivered: "Ah, put it on me! Put it on me! Somehow you +always manage to do that. Miss Humfray, when you've _quite_ finished +your soup _then_ perhaps Clarence can take the plates." + +Mary's thoughts, to the neglect of her duty, had crept away beneath +cover of these exchanges. Now she endured the disaster of amid silence +clearing her plate with four pairs of eyes fixed upon her. Clarence +removed the course; Mr. Chater, leaping as far as possible from the +scene of his ordeal, broke a new topic. + +He enticed tentatively: "I saw a funny bit in the paper this morning." + +The tigress paused in the projection of another spring; sniffed +suspiciously. "Oh!" + +"About that young Lord Comeragh," Mr. Chater hurried on, delighted +with his success. "He was up at Marlborough Street police-court this +morning--at least his butler was; of course his lordship wouldn't go +himself--charged with furiously driving his motorcar; and who do you +think was in the car with him at the time? Ah!" + +Mrs. Chater, naming a young lady who nightly advertised a pretty leg +from the chorus of a musical comedy, announced that she would not be +surprised if that was the person. Being told that it was none other, +and that Mr. Chater had heard in the City that morning that Lady +Comeragh was taking proceedings and had named the nicely-legged young +lady the cause of infidelity, became highly astonished and supremely +diverted. + +Conversation of a most delectable nature was by this means supplied. A +pot of savoury gossip, flavoured with scandal, was upon the table; and +Mary, lost to sight behind the cloud of steam that uprose as the three +leaped about it, finished her dinner undisturbed. + +A nod bade her leave before dessert. As she passed out the signaller +spoke. "I want to see you," Mrs. Chater said. "Wait for me in the +drawing-room." + +The command was unusual, and Mary, waiting as bid, worried herself +with surmises upon it. She prayed it did not mean she was to soothe +Mr. Bob Chater's digestion with lullabies upon the piano; that it +boded an unpleasant affair she was assured. + +She did not err. Mrs. Chater came to her, dyspeptic-flushed, sternly +browed. + +"Miss Humfray, I have one thing to say to you, no more. No +explanations, no excuses, please. I hear you have been trying to +entertain my son in the nursery this evening. If that, or anything +like it, occurs again--You understand?" + +"Mrs. Chater--" + +A massive hand signalled Stop. "I said 'not a word.' That is all. Good +night." + +And Mary, crimson, to her room. + + + + +BOOK III. + +Of Glimpses at a Period of this History: of Love and of War. + + + + +CHAPTER I. + +Notes On The Building Of Bridges. + + +Within the limits of this short section of our story we shall cram two +months of history, taking but a furtive peep or two at our personages +as they plod through it. + +This is well within our power, since the position of the novelist in +regard to his characters may be compared with that of the destiny +which in the largest comedy moves to and fro mankind its actors. As +destiny moves its puppets, so the novelist moves his--upraising, +debasing; favouring, tormenting; creating, wiping from the page. + +And of the pair the novelist is the more just. Has villainy in a novel +ever gone unpunished? Has virtue ever failed of its reward? Your +novelist is of all autocrats the most zealous of right and wrong. +Villain may through two-thirds of his career enjoy his wicked +pleasures, exceedingly prosper despite his baseness; but ever above +him the cold eye of his judge keeps watch, and in the end he is +apportioned the most horrible deserts that any could wish. Virtue may +by the gods be hounded and harried till the reader's heart is wrung. +But spare your tears; before Finis is written, down swoops the judge; +the dogs are whipped off; Virtue is led to fair pastures and there +left smiling. + +Contrasted with this autocrat of the printed page, the destiny whose +comedy began with the world and is indefinitely continued makes sorry +show. Here the wicked exceedingly flourish and keep at it to the end +of their chapter; here virtue, battling with tremendous waves of +adversity, is at last engulfed and miserably drowned. Truly, their fit +rewards are apportioned, we are instructed, after death. But there is +something of a doubt; the novelist, in regard to his characters, takes +no risks. + +Upon another head, moreover, the novelist shows himself the more +kindly autocrat. There is his power, so freely exercised, to bridge +time. Whereas destiny makes us to watch those in whom we are +interested plod every inch and step of their lives-over each rut, +through each swamp, up each hill,-the novelist, upon his characters +coming to places dull or too difficult, immediately veils from us +their weary struggles. Destiny will never grant such a boon: we must +watch our friends even when they bore us, even when they cause us +pain. Yet this boon is the commonest indulgence of the novelist-as it +now (to become personal) is mine. + +I bridge two months. + +And you must imagine this bridge as indeed a short and airy passage +across a valley, down into which the persons of our story must +carefully climb, across which they must plod, and up whose far side +they must laboriously scramble to meet us upon the level ground. For +we are much in the position, we novel readers, of village children +curiously watching a caravan of gipsies passing through their +district. The gipsies (who stand for our characters) plod wearily away +along a bend of dusty road. The children cease following, play awhile; +then by a short-cut through the fields overtake the travellers as +again they come into the straight. + +So now with you and me. We have no need to follow our gipsies down the +valley that takes two months in the traversing: we skip across the +bridge. + +But, leaning over, we may take a shot or two at them as here and there +they come into view. + + + + +CHAPTER II. + +Excursions Beneath The Bridge. + + + +I. + +Thus we see the meeting again of George and Mary. + +When the agitated young man on the day following the cab accident had +alighted from the omnibus at the bottom of Palace Gardens he was +opposite No. 14 by half-past ten; waiting till eleven; going, +convinced she did not live there; returning, upon the desperate hope +that indeed she did; waiting till twelve--and being most handsomely +rewarded. + +Her face signalled that she saw him, but her eyes gave no recognition +--quickly were averted from him; the windows behind her had eyes, she +knew. + +My agitated George, who had made a hasty step at the red flag that +fluttered on her cheeks, as hastily stepped away beneath the chill of +her glance; in tremendous perturbation turned and fled; in tremendous +perturbation turned and pursued. In Regent's Park he saw her produce a +brilliant pair of scarlet worsted reins, gay with bells; heard her +hiss like any proper groom as tandemwise she harnessed David and +Angela, those restive steeds. + +The equipage was about to start--she had cracked her whip, clicked her +tongue--when with thumping heart, with face that matched the flaming +reins, hat in hand he approached; spoke the driver. + +Her steeds turned about; with wide, unblinking eyes, searched his face +and hers. + +"Your faces are very red," Angela said. "Are you angry?" + +"You have got very red faces," David echoed. "Are you in a temper?" + +Mary told them No; George said they were fine horses; felt legs; +offered to buy them. + +His words purchased their hearts, which were more valuable. + +After the drive they would return to the stable, which was this seat, +Mary told him; she could not stay to speak to him any longer. George +declared he was the stable groom and would wait. + +Away they dashed at handsome speed, right round the inner circle; +returned more sedately, a little out of breath. There had been, +moreover, an accident: leader, it appeared, had fallen and cut his +knees. + +"I shied at a motor," David explained, proud of the red blood now that +the agony was past. + +George unharnessed them; dressed the wounds; scolded the coachman +because no feed had been brought for the horses; promised that to- +morrow he would bring some corn--bun corn. + +"Will you come to-morrow?" Angela asked. + +George glanced at Mary. "Yes," he told them. + +"Every to-morrow?" + +"Every to-morrow." + +Tremendous joy. Well delighted, they ran to a new game. + +Every to-morrow ran but to three: George and Mary had by then +exchanged their histories. The pending examination was discussed, and +Mary simply would not speak to him if, wasting his time, he came daily +to idle with the children (so she expressed it). She would abandon the +Park, she told him--would take her charges to a Square gardens of +which they had the entry, where George might not follow. + +George did not press the point. As he wrestled out the matter in the +hours between their meetings she was a fresh incentive to work. But +once a week he must be allowed to come: here he was adamant, and she +gladly agreeable. Saturday mornings was the time arranged. + +Mary had been fearful at this first re-encounter that it would be the +last. The children would certainly tell their mother; Mrs. Chater +would certainly make an end to the acquaintance. + +"Ask them not to tell," George had suggested. + +Impossible to think of such a thing: it would be to teach them deceit. + +"Well, I'll ask them." + +"But that would be just as bad. No--if they tell, it cannot be helped. +And after all--" + +"Well, after all...?" + +"After all--what would it matter?" + +George said: "It would matter to me--a lot." + +He glanced at her, but she was looking after Angela and David. He +asked: "Wouldn't it matter to you?" + +She flushed a little; answered, with her eyes still averted towards +the children, "Why--why, of course I should mind. I mean--" + +But there are meanings for which it is difficult to find clothes in +which they may decently take the air; and here the wardrobe of Mary's +mind stood wanting. + +George enticed. "Do you mean you would be sorry not to--not to--" + +He also found his wardrobe deficient. + +Then Mary sent out her meaning, risking its decency. "Why, yes, I +would be sorry not to see you again; why should I mind saying so? I +have liked meeting you." And, becoming timid at its appearance, she +hurried after it a cloak that would utterly disguise it. "I meet so +few people," she said. + +But George was satisfied; she had said she would mind--nay, even +though she had not spoken it, her manner assured him that indeed she +would regret not again meeting him. It was a thought to hug, a memory +to spur his energies when they flagged over his studies; it was a +brush to paint his world in lively colours. + +Nor, as the future occurred, need either have had apprehension that +the children would tell their mother and so set up an insurmountable +barrier between them. A previous experience had warned Angela that it +were wise to keep from her mother joys that were out of the ordinary +run of events. + +Returning homeward that day, a little in advance of Mary, she +therefore addressed her brother upon the matter. + +"Davie, I hope that man will come to-morrow." + +"I hope it, too." + +"We won't tell mother, Davie." + +"Why?" + +"Because mother'll say No." + +"Why?" + +"Because she _always_ says No, stupid." + +"Why?" + +"Oh, Davie, you _are_ stupid! I don't know why; I only _know_. Don't +you remember that lady that used to talk to Miss Humf'ay and play with +us? Well, when we told mother, mother said No, didn't she? and the +lady played with those abom'able red-dress children that make faces +instead." + +"Will he play with the abom'able red-dress children that make faces if +we tell mother?" + +"Of _course_ he will." + +"Why?" + +"They always _do_, stupid." + +"Why?" + +Angela ran back. "Oh, Miss Humf'ay, Davie is so _irrating!_ He will +say _Why_ ...." + +There is a lesson for parents in that conversation, I suspect. + + + +II. + +Leaning from our bridge we may content ourselves with a hurried shot +at George, laboriously toiling at his books, sedulously attending his +classes, with his Mary spending glorious Saturday mornings that, as +they brought him nearer to knowledge of her, sent him from her yet +more fevered; and, straining towards another point, we will focus for +an instant upon Margaret his cousin, and Bill Wyvern, her adored. + +Mr. William Wyvern had most vigorously whacked about among events +since that evening when his Margaret had composed her verses for +George. At that time a fellow-student with George at St. Peter's +Hospital, he had now abandoned the profession and was started upon the +literary career (as he named it) that long he had wished to follow. +The change had been come by with little difficulty. Professor Wyvern-- +that eminent biologist whose fame was so tremendous that even now a +normally forgetful Press yet continued to paragraph him while he spent +in absent-minded seclusion the ebb of that life which at the flood had +so mightily advanced knowledge--Professor Wyvern was too much attached +to his son, too docile in the hands of his loving wife, to gainsay any +wish that Bill might urge and that Mrs. Wyvern might support. + +Bill achieved his end: the stories he had had printed in magazines, +secretly shown to his proud mother, were now brought forth and +chuckled over with glee by the Professor. The famous biologist +struggled through one of the stories, vowed he had read them all, +cheerily patted Bill's arm with his shaky old hand, and cheerfully +abandoned the hope he had held of seeing his son a great surgeon. + +It was Bill's burning ambition to obtain a post upon a paper. Not +until later did he learn that it is the men outside the papers who +must have a turn for stringing sentences; that those inside are +machines, cutting and serving the material with no greater interest in +it than has the cheesemonger in the cheese he weighs and deals. +Meanwhile, the glimpse we may take of him shows Bill Wyvern urging +along his pen until clean paper became magic manuscripts; living upon +a billow of hope when the envelopes were sped, submerged beneath +oceans of gloom when they were returned; trembling into Fleet Street +deliciously to inhale the thick smell of printer's ink that came +roaring up from a hundred basements; with goggle eyes venerating the +men who with assured steps passed in and out the swing-doors of +castles he burned to storm; snatching brief moments for the boisterous +society of Korah, Dathan, and Abiram, those rare bull-terriers; and +finally, expending with his Margaret moments more protracted--stealthy +meetings, for the most part--in Mr. Marrapit's shrubbery. + + + +III. + +But two more peeps from our bridge need we take, and then our +characters will be ready to meet us upon the further side. + +A glance from here will reveal to us Mrs. Major, that masterly woman, +inscribing in her diary: + +"_Getting on with Mr. M. Should sue. Precip. fat._" + +Fill out the abbreviations to which Mrs. Major, in her diary, was +prone, and we have: + +"_Getting on with Mr. Marrapit. Should succeed. Precipitancy fatal._" + +Succeed in what? To what would precipitancy of action be irreparable? +Listen to a conversation that may enlighten us--spoken upon the lawn +of Herons' Holt; Mr. Marrapit in his chair making a lap for the Rose +of Sharon; Mrs. Major on a garden seat, crocheting. + +A stealthy peep assuring her that his eyes were not closed, Mrs. Major +nerved herself with a deep breath; with a long sigh let it escape in +the form, "A year ago!"--dropped hands upon her lap and gazed +wistfully at the setting sun. She had seen the trick very successfully +performed upon the stage. + +Mr. Marrapit turned his eyes upon her. + +"You spoke, Mrs. Major?" + +With an admirable start Mrs. Major appeared to gather in wandering +fancies. "I fear I was thinking aloud, Mr. Marrapit. I beg pardon." + +"Do not. There is no occasion. You said 'A year ago.'" + +"Did I, Mr. Marrapit?" + +"Certainly," said Mr. Marrapit. + +A pause followed. The wistful woman felt that, were the thing to be +done properly, the word lay with her companion. To her pleasure he +continued: + +"To-day, then, is an anniversary?" + +"It is." + +"Of a happy event, I trust?" + +Mrs. Major clasped her hands; spoke with admirable ecstasy. "Oh, Mr. +Marrapit, of a golden--golden page in my life." + +"Elucidate," Mr. Marrapit commanded. + +Mrs. Major put into a whisper: + +"The day I came here." + +Mr. Marrapit slowly moved his head towards her. + +Her eyes were averted. "The time has passed swiftly," he said. + +Mrs. Major breathed: "For me it has flown on--on--" She searched +wildly for a metaphor. "On wings," she concluded. + +Again there was a pause, and again Mrs. Major felt that for this +passage to have fullest effect the word lay with Mr. Marrapit. But Mr. +Marrapit, himself considerably perturbed, did not speak. The moments +sped. Fearful lest they should distance beyond recovery the sentiments +she felt she had aroused, Mrs. Major hastened to check them. + +She said musingly: "I wonder if they are right?"--sighed as though +doubtful. + +"To whom do you refer?" + +"Why, the people who say that time flies when it is spent in pleasant +company." + +"They are correct," Mr. Marrapit affirmed. + +"Oh, I do not doubt it for my part, Mr. Marrapit. I never knew what +happiness was until I come here--came here. But if--" The masterly +woman paused. + +"Continue" Mr. Marrapit commanded. + +The hard word was softly spoken. Mrs. Major's heart gave two little +thumps; her plan clear before her, pushed ahead. "But if to you also, +Mr. Marrapit, the time has seemed to fly, then--then Mr. Marrapit, my +company has--has been agreeable to you?" + +Certainly there was a softness in Mr. Marrapit's tones as he made +answer. + +"It has, Mrs. Major," he said, "it has. Into my establishment you have +brought an air of peace that had for some time been lacking. Prior to +your arrival, I was often worried by household cares that should not +fall upon a man." + +Earnestly Mrs. Major replied: "Oh, I _saw_ that. I strove to lift +them." + +"You have lifted them. You have attended not only my cats but my +kitchen. I am now able often to enjoy such evenings as these. This +peace around us illustrates the tranquillity you have brought--" + +The tranquillity was at that moment disastrously shattered. A bed of +shrubbery lay within a few feet of where they sat. What had appeared +to be a gnarled stump in its midst now quivered, broadened, fell into +a line with the straightening back of Mr. Fletcher. + +Mr. Marrapit was startled and annoyed. "What are you doing there, +sir?" + +"Snailin'," said Mr. Fletcher gloomily; exhibited his snail. + +"Snail elsewhere. Do not snail where I am." + +"I snails where there's snails." + +"Cease snailing. You must have been there hours." + +"What if I have? This garden's fair planted with snails." + +"Snail oftener. Depart." + +Mr. Fletcher moved a few steps; then turned. "I should like to ast if +this is to be part of my regular job. First you says 'cease snailin',' +then you says 'snail oftener,' then you says 'snail elsewhere.' Snails +take findin'. They don't come to me; I has to go to them. It's 'ard-- +damn 'ard. I'm a gardener, I am; not a lettuce-leaf." + +He gloomily withdrew. + +Mr. Marrapit's face was angrily twitching. The moment was not +propitious for continuing her conversation, and with a little sigh +Mrs. Major withdrew. + +But it was upon that night that she inscribed in her diary: + +_"Getting on with Mr. M. Should suc. Precip. fat."_ + + + +IV. + +A last peep, ere we hurry across the bridge, will disclose to us Mr. +Bob Chater still pressing upon Mary the attentions which her position, +in relation to his, made it so difficult for her to escape. Piqued by +her attitude towards him, he was the more inflamed than ordinarily he +would have been by the fair face and neat figure that were hers. Yet +he made no headway; within a month of the date of his return to Palace +Gardens was as far from conquest as upon that night in the nursery. + +To a City friend, Mr. Lemuel Moss, dining at 14 Palace Gardens with +him one night, he explained affairs. + +"Dam' pretty girl, that governess of yours, or whatever she is," said +Mr. Moss, biting the end from a cigar in the smoking-room after +dinner. "Lucky beggar you are, Bob. My mater won't have even a servant +in the place that wouldn't look amiss in a monkey-house. Knows me too +well, unfortunately," and Mr. Moss, taking a squint at himself in the +overmantel, laughed--well enough pleased. + +Bob pointed out that there was not so much luck about it as Mr. Moss +appeared to think. "Never seen such a stand-offish little rip in all +my life," he moodily concluded. + +"What, isn't she--?" + +Bob understood the unvoiced question. "Won't even let a chap have two +minutes' talk with her," he said, "let alone anything else." + +Mr. Moss stretched himself along the sofa; rejoined: "Oh, rats! Rats! +You don't know how to manage 'em--that's what it is." + +"I know as well as you, and a dashed sight better, I don't mind +betting," Bob returned with heat. In some circles it is an aspersion +upon a man's manliness to have it hinted that a petticoat presenting +possibilities has not been ruffled. + +"Well, it don't look much like it. I caught her eye in the passage +when we were coming downstairs, and you don't tell me--not much!" + +"Did you though?" Bob said. Himself he had never been so fortunate. + +"No mistake about it. Why, d'you mean to say you've never got as far +as that, even?" + +"Tell you she won't look at me." + +Mr. Moss laughed. Enjoyed the "score" over his host for a few moments, +and then: + +"Tell you what it is, old bird," said he, "you're going the wrong way +about it. I know another case just the same. Chap out Wimbledon way. +His people kept a girl--topper she was, too--dark. He was always +messing round just like you are, and she was stand-offish as a nun. +One night he came home early, a bit screwed--people out--girl in. Met +her in the drawing-room. Almost been afraid to speak to her before. +Had a bit of fizz on board him now--_you_ know; didn't care a rip for +anybody. Gave her a smacking great kiss, and, by Gad!--well, she _was_ +all right. Told him she'd always stood off up to then because she was +never quite sure what he meant--afraid he didn't mean anything, and +that she might get herself into no end of a row if she started playing +around. Same with this little bit of goods, I'll lay." + +Bob was interested. "Shouldn't be surprised if you're right," he said; +and moodily cogitated upon the line of action prescribed. + +Mr. Moss offered to bet that where girls were concerned he was never +far wrong. "Slap-dash style is what they like," he remarked, and with +a careless "It's all they understand" dismissed the subject. + +It remained, however, in Bob's mind throughout the evening; sprang +instantly when, after breakfast upon the following day, he caught a +glimpse of Mary as he prepared for the City. + +Standing for a moment in the hall, it occurred to him that this very +evening offered the opportunity he sought. Mr. and Mrs. Chater were to +dine at the house of a neighbour. The invitation had included Bob-- +fortunately he had refused it. Returning to the morning-room, "I +shan't be in to-night," he told his mother. + +"Then I needn't order any dinner for you?" + +"No." He hung about irresolute, then lit a cigar, and between the +puffs, "Shall you be late?" he asked carelessly. + +"Sure to be," Mrs. Chater told him. "It's going to be a big bridge +drive, you know. We shan't get back before midnight. Don't sit up for +us, dear." + +Bob inhaled a long breath from his cigar, exhaled it deliciously. The +chance for the slap-dash style was at hand. + +"Oh, I'll be later than you. Lemmy Moss has got a bachelors' party on. +We're going to have a billiard match." + +"That's capital then, dear. I shall let the servants go to Earl's +Court--I've promised them a long time." + +Bob whistled gaily as he mounted his 'bus for the City. The +opportunity was surely exceptional. + +At eight o'clock he returned; noiselessly let himself in. + +The gas in the hall burned low. Beneath the library door gleamed a +stronger light. Bob turned the handle. + +Mary was curled in a big chair with a book. Certainly the opportunity +was exceptional. + +At the noise of his entry she sprang to her feet with a little cry. +"Oh, dear!" she exclaimed: "what a fright you gave me!" + +Bob pushed the door. He laughed. "Did I?"; came towards her. "Are you +all alone? What a shame!" + +"Minnie is in the kitchen, I think. Mrs. Chater said you wouldn't be +in to-night." + +"Why do you think I came?" + +"I don't know." + +"I came to see you." + +She gave a nervous little laugh and made to pass him. + +Bob fell back a pace, guarding the door. "Don't you think that was +thoughtful of me?" + +"I don't know what you mean. There was no need." + +"What! No need! You all alone like this when all the rest are enjoying +themselves!" + +"So was I. A long evening with a book." + +She had fallen back as he, speaking, had slowly advanced. + +Now the great chair in which she had been seated was alone between +them. + +"Oh, books! Books are rot." He stepped around the chair. + +She fell back; was cornered between the hearth and a low table. + +Bob dropped into the chair; boldly regarded her; his eyes as +expressive of his slap-dash intentions as he could make them: "Look +here, I want you to enjoy yourself for once. I'm going to take you to +a music-hall or somewhere." + +He stretched a foot; touched her. + +She drew back close against the mantelpiece, her agitation very +evident. + +"Well, don't that please you?" + +"You know it is impossible." + +Bob paid no regard. This was that same diffidence with which the chap +near Wimbledon had had to contend. + +"We'll come out of the show early and have a bit of supper and be back +before half-past eleven. Who's to know? Now, then?" + +"It's very kind of you. I know you mean it kindly--" + +"Of course I do--" + +"But I'd rather not." + +"Are you afraid?" + +She was desperately afraid. Her face, the shaking of her hand where it +was pressed back against the wall, and the catch in her voice +advertised her apprehension. She was afraid of this big young man +confidently lolling before her. + +She said weakly: "It would not be right." + +Bob sat up. "Is that all?" he laughed. His hands were upon the arms of +the chair, and he made to pull himself up towards her. + +She saw her mistake. "No," she cried hurriedly--"no; I would not go +with you in any case." + +A shadow flickered upon Bob's face. "What do you mean?" + +"I mean what I say. Please let me pass." + +"I want to be friends with you. Why can't you let me?" + +"Please let me pass. Mr. Chater." + +Bob lay back. He said with a laugh, "Well, I'm not stopping you, am +I?" + +She hesitated a moment. The passage between the table and the long +chair was narrow. But truly he was not stopping her--so far as one +might judge. + +She took her skirts about her with her left hand; stepped forward; was +almost past the chair before he moved. + +Then he flung out a hand and caught her wrist, drawing her. + +"Now!" he cried, and his voice was thick. + +She gave a half-sound of dismay--of fear; tried to twist free. Bob +laughed; pulled sharply on her arm. She was standing sideways to him-- +against the sudden strain lost her balance and half toppled across the +chair. + +As Bob reflected, when afterwards feeding upon the incident, had he +not been as unprepared as she for her sudden stumble, he would have +made--as he put it--a better thing of it. As it was, her face falling +against his, he was but able to give a half kiss when she had writhed +herself free and made across the room. + +But that embrace of her had warmed Bob's passions. Springing up, he +caught her as she fumbled with the latch; twisted her to him. + +For a moment they struggled, he grasping her wrists and pressing +towards her. + +With the intention of encircling her waist he slipped his hold. But +panic made her the quicker. Her outstretched arms held him at bay for +a breathing space; then as he broke them down she dealt him a swinging +blow upon the face that staggered him back a step, his hand to his +cheek. + +Mrs. Chater opened the door. + +"Oh, he kissed me! He kissed me!" Mary cried. + +Bob said very slowly, "You--infernal--little--liar." + +Mrs. Chater glowered upon Mary with cruel eyes. "It was a fortunate +thing," she said coldly, "that a headache brought me home. Go to your +room, miss." + +We may hurry across the bridge. + + + + +CHAPTER III. + +Excursions In Love. + + + +I. + +Saturday was the day immediately following this scene. + +George, on a 'bus carrying him towards Regent's Park, was in spirit at +one with the gay freshness that gave this September morning a spring- +like air. + +A week of torrid heat, in which London crawled, groaned, and panted, +had been wiped from the memory by an over-night thunderstorm that +burst the pent-up dams of heaven and loosed cool floods upon the +staring streets. No misty drizzle nor gusty shower it had been, but a +strong, straight, continuous downpour, seemingly impelled by +tremendous pressure. Dusty roofs, dusty streets, dusty windows it had +scoured and scrubbed and polished; torrents had poured down the +gutters--whenever temporarily the pressure seemed to relax, the ears +of wakeful Londoners were sung to by the gurgle and rush of frantic +streams driving before them the collected debris of many days. + +Upon this morning, in the result, a tempest might have swept the town +and found never a speck of dust to drive before it. The very air had +been washed and sweetened; and London's workers, scurrying to and from +their hives, seemed also to have benefited by some attribute of the +downpour that tinted cheeks, sparkled eyes, and, rejuvenating limbs, +gave to them a new sprightliness of movement. + +George, from his 'bus, caught many a bright eye under a jaunty little +hat; gave each back its gleam from the depths of gay lightness that +filled his heart. Nearing the Park he alighted; made two purchases. +From a confectioner bun-corn for David and Angela, those ramping +steeds; from a florist the reddest rose that an exhaustive search of +stock could discover. + +Mary had from him such a rose at their every meeting. She might not +wear it back to Palace Gardens--it would not flourish beneath Mrs. +Chater's curiosity; but while they were together she would tuck it in +her bosom, and George tenderly would bear it home and set it in a vase +before him to lend him inspiration as he worked. + +It is almost certain that such a part is one for which flowers were +especially designed. + + + +II. + +Those splendid steeds, David and Angela, having been duly exercised, +groomed, and turned out to browse upon bun-corn, George rushed at once +upon the matter that was singing within him. + +Where he sat with his Mary they were sheltered from any but chance +obtrusion. She had taken off her gloves, and George gave her hands, as +they lay in her lap, a little confident pat. It was the tap of the +baton with which the conductor calls together his orchestra--for this +was a song that George was about to tune, very confident that the +chords of both instruments that should give the notes were in a +harmony complete. + +He said: "Mary, do you know what I am going to talk about?" + +She had been a little silent that morning, he had thought; did not +answer now, but smiled. + +He laid a hand upon both hers. "You must say 'yes.' You've got to say +'yes' about twenty times this morning, so start now. Do you know what +I'm going to talk about?" + +"Yes." + +"No objections this time?" + +"Yes." + +He laughed; gave her hand a little smack of reproof. (You who have +loved will excuse these lovers' absurdities.) "No, no; you are only to +say 'yes' when I tell you. No objections to the subject this morning?" + +His Mary told him "No." + +"Couldn't have a better morning for it, could we?" + +She took a little catch at her breath. + +George dropped the banter in his tone. "Nothing wrong to-day, is +there, dear? Nothing up?" + +How sadly wrong everything in truth was she had determined not to tell +him until she more certainly knew its extent. She shook her head; +reassuringly smiled. + +"Well, that's all right--there couldn't be on a morning like this. Now +we've got to begin at the beginning. Mary, I planned it all out last +night--all this conversation. We've got to begin at the beginning--Do +you know I've never told you yet that I love you? You knew it, though, +didn't you, from the first, the very first? Tell me from when?" + +"George, this is awfully foolish, isn't it?" + +"Never mind. It's jolly nice. It's necessary, too. I've read about it. +It's always done. Tell me from when you knew I loved you." + +"After last Saturday." + +"Oh, Mary! Much earlier than _that_! You must have!" + +"Well, I thought perhaps you--you cared after that first day when you +came here." + +"Not before that?" + +She laughed. "Come, how _could_ I? Why, I'd hardly seen you." + +"Well, I did, anyway," George told her. "I loved you from the very +minute you shot out of the cab that day. There! But even this isn't +the proper thing. I've been promising myself all night to say four +words to you--just four. Now I'm going to say them: Mary, I love you." + +She looked in his eyes for a moment, answering the signal that shone +thence; and then she laughed that clear pipe of mirth which was so +uniquely her own possession. + +"Oh, I say, you mustn't do that," George cried. He was really +perturbed. + +"I can't help it. You are so utterly foolish." + +"I'm not. It's the proper thing. I tell you I've planned it all out. I +love you. I've never said it to you before. Now it's your turn." + +"But what on earth am I to say?" + +"You've got to say that you love me." + +"You're making a farce of it." + +"No, I tell you I've planned it all out. I can't go on till you've +said it." + +"You can't expect me to say: 'George, I love you.' It's ridiculous. +It's like a funny story." + +"Oh, never mind what it's like. Do be serious, Mary. How can I be sure +you love me if you won't tell me?" + +For the first moment since its happening the thought of Bob Chater and +of Mrs. Chater passed completely from Mary's mind. She looked around: +there was no soul in sight. She listened: there was no sound. She +clasped her fingers about his; leaned towards him, her face +upturned.... + +He kissed her upon the lips.... + +"The plans," said George after a moment, "have all gone fut. I never +thought of that way." + +"It's much better," Mary said. + +"The other's not a patch upon it," said George. + + + +III. + +You must conjecture of what lovers think when, following their first +kiss, they sit silent. It is not a state that may be written down in +such poor words as your author commands. For the touch of lips on lips +is the key that turns the lock and gives admission to a world dimly +conceived, yet found to have been wrongly conceived since conceived +never to be so wonderful or so beautiful as it does prove. Nor, ever +again, once the silence is broken and speech is found, has that world +an aspect quite the same. For the door that divides this new world +from the material world can never from the inside be closed. It is at +first--for the space of that silence after the first kiss--pushed +very close by those who have entered; but, soon after, the breath of +every rushing moment blows it further and further ajar. Drab objects +from the outer world drift across the threshold and obtrude their +presence--vagabond tramps in a rose-garden, unpleasant, marring the +surroundings, soiling the atmosphere. Cares drift in, worldly +interests drift in; in drift smudgy, soiled, unpleasant objects +brushing the door yet wider upon its hinges till it stands back to its +furthest extent and the interior becomes at one with the outer world. +The process is gradual, indiscernible. When completed the knowledge of +what has been done dawns suddenly. One knocks against an intruder +especially drab, starts into wakefulness to rub the bruise, and +looking around exclaims, "And this is love!" + +Well, it was love. But a rose-garden will not long remain beautiful if +no care is taken of what may intrude. + +If we but stand sentinel at the door, exercising a nice discretion, +the garden may likely remain unsoiled, its air uncontaminated. + + + +IV. + +George said that though across the first portion of the scheme he had +so laboriously planned he had been shot at lightning speed by the +vehicle of Mary's action, its latter portion yet remained to be +discussed. "We've got to marry, dearest--and as quick as quick. We +can't go on like this--seeing each other once a week. No, not even if +it were once a day. It's got to be always." + +"Always and always, dear," Mary said softly. + +Women are more intoxicated than men by the sudden atmosphere of that +new world. The awe of it was still upon her. The light of love comes +strongly to men, with the sensation of bright sunshine; to women as +through stained glass windows, softly. + +She continued: "Fancy saying 'always' and being glad to say it! I +never thought I could. Do you know--will this frighten you?--I am one +of those people who dread the idea of 'always.' I never could bear the +idea of looking far, far ahead and not seeing any end. It frightened +me. Ever since father died, I've been like that--even in little +things, even in tangible things. When we go to the seaside in the +summer I never can bear to look straight across the sea. That gives me +the idea of always--of long, long miles and miles without a turn or a +stop. I want to think every day, every hour, that what I am doing +can't go on--mustchange. It suffocates me to think otherwise. I want +to jump out, to scream." + +Then she gave that laugh that seldom failed to come to her relief, and +said: "It's a sort of claustrophobia--isn't that the word?--on a +universal scale. But why is it? And why am I suddenly changed now? Why +does the thought of always, always, endless always with you, bring a +sort of--don't laugh, dear--a sort of bliss, peace?" + +This poor George of mine, who was no deep thinker, nevertheless had +the reason pat. He said: + +"I think because the past has all been unhappy and because this, you +know, means happiness." + +She gave a little sigh; told him: "Yes, that's it--happiness." + + + +V. + +And now they fell to making plans as mating birds build nests. Here a +bit of straw and there a tuft of moss; here a feather, there a shred +of wool--George would do this and George would do that; here the house +would be and thus would they do in the house. Probabilities were +outraged, obstacles vaulted. + +Castles that are builded in the air spring into being quicker than +Aladdin's palace--bricks and mortar, beams and stones are +featherweight when handled in the clouds; every piece is so +dovetailed, marked and numbered that like magic there springs before +the eye the shining whole--pinnacled, turreted, embattled. + +Disaster arrives when the work is completed. "There!" we say, standing +back, a little flushed and out of breath with the excitement of the +thing. "There! There's a place in which to live! Could any existence +be more glorious?" And then we advance a step and lean against the +walls to survey the surrounding prospect. It is the fatal action. The +material body touches the aerial structure and down with a crash the +castle comes--back we pitch into the foundations, and thwack, bump, +thwack, comes the masonry tumbling about us, bruising, wounding. + + + +VI. + +George had built the castle. Mary had sat by twittering and clapping +her hands for glee as higher and higher it rose. He knew for a fact, +he told her, that his uncle had not expended upon his education much +more than half the money left him for the purpose. He was convinced +that by hook or by crook he could obtain the 400 pounds that would buy +him the practice at Runnygate of which the Dean had told him. They +would have a little house there--the town would thrive--the practice +would nourish--in a year--why, in a year they would likely enough have +to be thinking of getting a partner! And it would begin almost +immediately! In three weeks the examination would be held. He could +not fail to pass--then for the 400 pounds and Runnygate! + +And then, unhappily, George leaned against this castle wall; provoked +the crash. + +"Till then, dear," he said, "you will stay with these Chater people. I +know you hate it; but it will be only a short time, a few weeks at +most." + +Instantly her gay twittering ceased. Trouble drove glee from her eyes. +Memory chased dreams from her brain. Distress tore down the gay +colours from her cheeks. She clasped her hands; from her seat half +rose. + +"Oh!" she cried; and again, "Oh! I had forgotten!" + +"Forgotten? Forgotten what?" + +"Dearest, I should have told you at the beginning, but I could not. I +wanted to wait until I knew. I have not seen her yet this morning." + +My startled George was becoming pale. "Knew what? Seen whom? What do +you mean?" + +She said, "No, I won't tell you. I won't spoil all this beautiful +morning we have spent. I will wait till next week." + +"Mary, what do you mean? Wait till next week? No. You must tell me +now. How could I leave you like this, knowing you are in some trouble? +What has happened? You must tell. You must. I insist." + +"Ah, I will." Her agitation, as her mind cast back over the events of +the previous night, was enhanced by the suddenness of the change from +the sunshine in which she had been disporting to the darkness that now +swept upon her. She was as a girl who, singing along a country lane, +is suddenly confronted from the hedgeside by some ugly tramp. + +She said, "You know that young Mr. Chater?" + +Dark imaginings clouded upon George's brow. "Yes," he said. "Yes; +well--?" + +"Last night--" And then she gave him the history of events. + +This simple George of mine writhed beneath it. + +It was a poison torturing his system, twisting his brow, knotting his +hands. Her presence, when she finished, did not stay his cry beneath +his rackings: he was upon his feet. "By Gad," he cried, "I'll thrash +the life out of him! The swine! By Gad, I'll kill him!" + +She laid a hand upon his arm. "Georgie, dear," she pleaded. "Don't, +don't take it like that. I haven't finished." + +Roughly he turned upon her. "Well, what else? What else?" + +"I haven't seen him since. He went away early this morning for the +week-end. And I have not seen Mrs. Chater again either. I am to see +her this afternoon. She sent me word to take the children as usual and +that she would see me at three." + +My poor George bitterly broke out: "Oh! Will she? That's kind of her! +That's delightful of her! Are you going to see her?" + +"Of course I shall see her." + +"'Of course'! 'Of course'! I don't know what you mean by talking in +that tone. You won't stay there another minute! That's what you'll +tell her if you insist upon seeing her. If you had behaved properly +you'd have walked out of the house there and then when it happened +last night." + +Spite of her trouble Mary could not forbear to laugh. "Dearest, how +could I?" + +But this furious young man could not see her point. His fine passion +swept him above contingencies. + +"Well, then, this morning," he laid down. "The first thing this +morning you should have gone." He supplied detail: "Packed your box, +and called a cab and gone." + +His dictatory air drew from her another sad little laugh. + +"Oh, George, dear," she cried, "gone where?" + +It was a bucket of water dashed upon his flames, and for a moment they +flickered beneath it--then roared again: "_Where? Anywhere!_" + +"Oh!" she cried, "you are stupid! You don't see--you don't understand! +Easy to say 'anywhere,' but where--_where_? I have no money. I have no +friends--I--" + +The knowledge of her plight and her outlook crowded upon her speech; +broke her voice. + +Her distracted George in a moment had her hands in his. "Oh, my dear," +he cried, "what a fool I am! What a beast to storm like that! I was so +wild. So mad. Of course you had to think before you moved. You were +right, of course you were right. But, my darling, I'm right now. You +see that, don't you? You can't stay a moment longer with those +beasts." + +And then he laughed grimly. "Especially," he added, "after what I'm +going to do to Master Bob." + +She too laughed. The thought of Bob learning manners beneath the +tuition of those sinewy brown hands that were about hers was very +pleasant to her. But it was a pleasure that must be denied--this she +saw clearly as the result of weary tossings throughout the night; and +now she set about the task of explaining it to George. + +She said: "Oh, my dear, you're not right. Georgie, I can't go--if Mrs. +Chater will let me stay I must stay." + +He tried to be calm, to understand these women, to understand his +Mary. "But why?" he asked. "Why?" + +"Dearest, because I must bridge over the time until you are ready to +take me. You see that?" + +"Of course. But why there? You can easily get another place." + +"Oh, easily! If you had been through it as I have been! The first +thing they ask you for is a reference from your former situation. +Think what a reference Mrs. Chater would give me!" + +He would not agree. He plunged along in his blundering, man fashion: +"In time you could get a place where they would not ask questions--or +rather--yes, of course this is it. Tell them frankly all that +happened. Who could see you and not believe you? Tell them everything. +There must be some nice people in the world." + +"There may be. But they don't want helps or governesses--in my +experience." The little laugh she gave was sadly doleful. + +He was still angry. "You can't generalise like that. There are +thousands who would believe you and be glad to take you. Suppose you +have to wait a bit--well, you have a little money that she must give +you; and I--oh, curse my poverty!--I can borrow, and I can sell +things." + +The help that a man would give a woman so often has lack of sympathy; +he is unkind while meaning to be kind. George's obdurateness, coming +when she was most in need of kisses, hurt her. Trouble welled in her +eyes. + +"I wouldn't do that," she said. "For one thing, we want all our money. +Why throw it away to get me out of a place in which I shall only be +for a few weeks longer? Another thing--another thing--" She dragged a +ridiculous handkerchief from her sleeve; dabbed her brimming eyes. +"Another thing--I'm afraid to risk it. I'm afraid to be alone and +looking for a place again. There--now you know. I'm a coward." + +She fell to sniffing and sobbing; and her wretched George, cursing +himself for the grief he had evoked, cursing Bob Chater, cursing Mrs. +Chater, cursing his uncle Marrapit, put his arms about her and drew +her to him. She quivered hysterically, and he frantically moaned that +he was a beast, a brute, unworthy; implored forgiveness; entreated +calm; by squeezing her with his left arm and with his right hand +dabbing her eyes with her handkerchief, screwed to a pathetic little +damp ball, strove to stem the flood that alarmingly welled from them. + + + +VII. + +It was an awful position for any young man; and just as my poor +George, distinguished in nothing, inept, bewildered, was in a mood +murderous to the whole world save this anguished fairy, a wretched old +gentleman must needs come sunning himself down the path, making for +this seat with hobbling limbs. + +He collapsed upon it, and then, glancing to his right, was struck with +palpitations by sight of the heaving back of a young woman over whose +shoulder glared at him with hideous ferocity the face of a young man. + +"Dear me, dear me," said he; "nothing wrong, sir, I trust?" + +"Go away!" roared my distracted George. + +"Eh?" inquired the old gentleman, horribly startled. + +"Go away! Go away!" + +The fire of those baleful eyes, of that bellowing voice, struck terror +into the aged heart. He clutched his stick. + +"Oh dear, oh dear," said he; hobbled away at a speed dangerous to his +life and limbs to seek protection of a park-keeper. + +The sobs grew longer, less hysterical: changed into long "ohs" of +misery; died away. + +"There, there," said George, patting, dabbing. "There, there." + +With a final frantic sniff she recovered her self-possession. + +"I'm a little f--fool," said she. + +"I'm a brute," said George. + +The bitter knowledge nerved each to better efforts. Calm reigned. + +Mary said, "Now you must listen and believe, dear." + +"Let me have your hand, then." + +She gave it with a little confiding, snuggling movement, and she +continued: "You must believe, because I have thought it all out, +whereas to you it is new. If I were a proper-spirited girl"--she +rebuked his negation with a gesture--"if I were a proper-spirited +girl I know I should leave Mrs. Chater at once--walk out and not care +what I might suffer rather than stay where I had been insulted. Girls +in books would do it. Oh, Georgie, this isn't books. This is real. I +have been through it, and I would die sooner than face it again. You +know--I have told you--what it is like being alone in cheap lodgings +in London. Afraid of people, dear. Afraid of men, afraid of women. I +couldn't, could not go through it again. And after all-don't you see? +--if Mrs. Chater will let me stay, what have I to mind? I shall be +better off than before, if anything. Mrs. Chater has always been-- +well, sharp. She may be a little worse--there's nothing in that. But +this Bob Chater, since he came, has been the worst part of it. And as +things are now, his mother watchful and he--what shall I say? angry, +ashamed--why, he will pay no further attention to me. Come, am I not +right? Isn't it best?--if only she will let me stay." + +"I don't like it," George said. "I don't like it." + +"Dearest, nor I. But we can't, can't have what we like, and this will +be the best of the nasty things. For so short a time, too. I'm quite +bright about it. Am I not? Look at me." + +George looked. Then he said, "All right, old girl." + +She clapped her hands. "Only one thing more. You mustn't seek out--you +mustn't touch the detestable Bob." + +With the gloom of one relinquishing life's greatest prize George said, +"I suppose I mustn't." He added, "I tell you what, though. You mustn't +interfere with this. I'll save it up for him. The day I take you out +and marry you I'll pull him out--and pay him." + +They parted upon the promises that Mary would write that evening to +tell him of the result of her interview with Mrs. Chater, and that, in +the especial circumstances, he might come to see her in the Park for +just two minutes on Monday morning. + +And each went home, thinking, not of that portending interview with +Mrs. Chater, but upon the love they had declared. + + + + +CHAPTER IV. + +Events And Sentiment Mixed In A Letter. + + + +I. + +At ten o'clock that night Mary took up her pen. + +"First, my dear, to tell you that it is all right. I may stay. I had +lunch with the children in the nursery, and just as we had finished a +maid came to say that Mrs. Chater would see me in the study. Down I +crawled, wishing that I was the heroine of a novel who would have +passed firmly down the stairs and into the room, 'pale, but calm and +serene.' Oh! I was pale enough, I feel sure. But as to serene!--my +heart was flapping about just like a tin ventilator in a wind, and I +was jumpy all over. You see what a coward am I. + +"Mrs. Chater had grown since last I saw her. Of that I am convinced. +She sat, enormous, thunder-browed, bolt upright in a straight chair. I +stood and quivered. Books are all wrong, dear. In books the +consciousness of virtue gives one complete self-possession in the face +of any accusation, however terrible. In books it is the accuser of the +innocent who is ill at ease. Oh, don't believe it! Mrs. Chater had the +self-possession, I had the jim-jams. + +"'I have not seen you since last night,' she said. + +"I gave a kind of terrified little squeak. I had no words. + +"'Your version of what happened I do not wish to hear,' she went on. + +"This relieved me, because for the life of me I could not have told +her had she wished to hear it. So I gave another little mouse-squeak. + +"'My son has told me.' Her voice was like a deep bell. 'How you can +reconcile your conduct with the treatment that you have received at my +hands, here beneath my roof'--she was very dramatic at this point--'I +do not know.' + +"Nor did I--but not in the way she meant. I was thinking how ignoble +was my meek attitude in light of what had happened. But you don't know +what it was like, facing that woman and dreading the worse fate of +being turned out into this awful London again. Another wretched little +squeak slipped out of me, and she went on. + +"'My boy,' said she, 'has implored me to overlook this matter. My boy +has declared there were faults on both sides' (!!!!). 'If I acted +rightly as a mother, what would I do?' + +"I didn't tell her, Georgie. Could I tell her that if she acted +rightly as a mother she would box her boy's fat ears until his nose +bled? I couldn't. I squeaked instead. + +"'If I acted rightly as a mother,' said she, 'I would send you away. +I am not going to.' + +"I squeaked. + +"'I choose to believe that your behaviour in this matter was a slip. I +believe the episode will be a lesson to you. That is all. Go.' I goed." + + + +II. + +George, when he had read thus far, was broadly grinning. Obviously +Mrs. Chater was not such a bad sort after all. If--as no doubt--she +implicitly believed her son's version of the incident, then her +attitude towards Mary was, on the whole, not so bad. + +But his Mary, when she had written thus far, laid down her pen, put +her pretty head upon the paper and wept. + +"Oh, my dear!" she choked. "There, that will make you think it was all +right. You shall never know--never--what really happened. Oh, Georgie, +Georgie, come very quick and take me away! How can I go on living with +these beasts? Oh, Georgie, be quick, be quick!" + +Then this silly Mary with handkerchief, with india-rubber, and with +pen-knife erased a stain of grief that had fallen upon her pretty +story; sniffed back her tears; lifted again her pen. + +Now she wrote in an eager scrawl; nib flying. Had her George not been +so very ordinary a young man he must have perceived the difference +between that first portion so neatly penned--parti-coloured words +showing where the ink had dried while the poor little brain puzzled +and planned at every syllable--and this where emotion sped the +thoughts. + + + +III. + +"So that's all right" (she wrote), "and now we've only got to wait, a +few, few weeks. Dearest, will they fly or will they drag? What does +love do to time, I wonder--whip or brake?--speed or pull? Georgie +mine, I feel I don't care. If the days fly I shall be riding in them-- +galloping to you, wind in the face; shouting them on; standing up all +flushed with the swing and the rush of it; waving to the people we go +thundering past and gazing along the road where soon I will see you-- +nearer and nearer and nearer. + +"And if the days creep? Well, at first, after that picture, the +thought seems melancholy, unbearable. But that is wrong. The +realisation will not be unbearable. If they creep, why, then I shall +lie in them, very comfortable, very happy; dreaming of you, seeing +you, speaking with you, touching you. Yes, touching you. For, my dear, +you are here in the room with me as I write. I look up just to my +right, and there you are, Georgie mine; sitting on the end of my bed, +smiling at me. You have not left me, my dear, since we parted on the +seat this morning. Why, I cannot even write that it is only in +imagination that I see you. For me it is not imagination. I do, do see +you, Georgie mine. You are part of me, never to leave me. + +"How new, how different, love makes life! Everything I do, everything +I see, everything I hear has a new interest because it is something to +share with you, something to save up and tell you. I am in trouble +(you understand that I am not, shall never be again; this is only +illustration--you must read it 'if I were in trouble'). I am in +trouble, and you are sharing it with me, sympathising so that trouble +is an unkind word for what is indeed but an opportunity acutely to +feel the joy of loving and being loved. I am happy, and the happiness +is a thousandfold increased because it comes to me warmed through you. +I am amused, and it is something to tell you and to laugh at the more +heartily by the compelling sound of your own laughter. + +"Everything is new. Why, my very clothes are new. Look, here in my +left hand is my handkerchief. Only a handkerchief this morning, and to +other eyes still but a handkerchief. But to mine! Why, you have had it +in your hand and indeed it speaks to me of you. Here you laid your +arm, this was the side upon which you touched me as we sat together, +here in my hair your fingers caressed me--each and all they are new-- +different from this morning. + +"Are you thinking me silly when I write like this, or are you +dreadfully bored with it? I can't help it, Georgie; love means so much +more to us women than to you men. It is essentially different. When a +man in love thinks of the woman he thinks of her as 'mine,' and that +thrills him--possession. But when the woman thinks of him she thinks +of herself as 'his,' and that moves every fibre of her, strikes every +chord--capitulation. The man expresses love by saying 'You are mine'; +the woman by 'I am yours.' That is how it is with me. I sing to myself +that I am yours, yours, yours. I want you to have every bit of me. I +want you to know every thought I have. If I had bad thoughts, I would +tell them you. If I had desires, I would make them known and would not +blush. I want you to see right into my very heart. I want to lay +everything before you--to come to you bound and naked. That is what +love is with women, dear. Some of us resist it, school it otherwise-- +but I do not think they are happy; not really happy. It is our nature +to be as I have said, and to fight against nature is wearying work, +leaving marks: it is to get tossed aside out of the sun. + +"Are you thinking me unutterably tiresome and foolish?--but you will +not think that; because you love me. + +"Ah, let me write that again!-because you love me. And let me write +this: I love you. + +"My dear, is not that curious?--the precious joy of saying 'I love +you,' and the constant yearning to hear it said. Not lovers alone have +this joy and this desire. Mothers teach their babies to say 'I love +you, mother,' and constantly and constantly they ask, 'Do you love me, +baby? '--yes, and are not satisfied until they have the assurance. And +babies, too, will get up suddenly from their toys to run to say, +'Mother, I _do_ love you.' + +"Why is it? Why is love so doubted that it must for ever be declared? +So doubted that even those who do love must constantly be proclaiming +the fact to the object of their affections, impelled either by the +subconscious fear that that object mistrusts the devotion, or by the +subconscious fear that they themselves are under delusion and must +protest aloud--just as a child upon the brink of being frightened in +the dark will say aloud, 'I'm not afraid!' Why is it? + +"Actions are allowed to proclaim hate, deeds suffice to advertise +sympathy, but love must be testified by bond. To what crimes must love +have been twisted and contorted that it should come to such a pass? +How often must it have been used as disguise to be now thus suspected? + +"You never knew I thought of things like this, did you? + +"My dear dear, I who am so frivolous think of yet deeper things. And I +would speak of them to you tonight, for I would have you know my heart +and mind as, dearest (how dear to think!), you know my face. Yes, of +deeper things. I suppose clever people would laugh at the religion my +mother and father lived in, taught me, died in, and now is mine. They +believed--and I believe--in what I have heard called the Sunday School +God! the God who lives, who listens, and to whom I pray. I have read +books attempting to shatter this belief--yes, and I think succeeding +because written with a cunning appeal only to the intelligence of man. +Can such a Being as God exist? they ask. And since man's intelligence +can only grasp proved facts, proofs are heaped upon proof that He +cannot. The impossibilities are heaped until man must--of his +limitations--cry that it is impossible. But in my belief God is above +the possibilities--not to be judged by them, not to be reduced to +them. I suppose such a belief is Faith--implicit Faith--the Faith that +we are told makes all things possible. Well, fancy, for the sake of +having a 'religion' that comes into line with 'reason,' abandoning the +sense of comfort that comes after prayer! Fancy receiving a 'reasoned' +belief and paying for it the solace of entreating help in the smallest +trouble and in the largest! + +"Do you know, my dear dear, that I pray for you every night?--for your +health, your happiness, and your success? + +"Now you know a little more of me. Is there more to learn, I wonder? +Not if I can make it clear. + +"The candle is in a most melancholy condition: in the last stage of +collapse. I have prodded it out from its socket with my knife and set +it flabbily on a penny--so it must work to its very last drop of +life. That will not be long delayed. I shall suddenly be plunged into +darkness and must undress in the dark. I shall be smiling all the time +I am undressing, my thoughts with you. + +"At eleven--ten minutes' time--I am to be leaning from the window +gazing at Orion as you too--so we agreed--will be gazing. Each will +know the other has his thoughts, and we will say 'good-night.' How +utterly foolish! How contemptibly absurd, common!--and how mystically +delightful! You and I with Orion for the apex of eye's sight and our +thoughts flying from heart to heart the base! + +"Georgie mine, if we had never met could we have ever been so happy? +Impossible! Impossible! Before I pray for you to-night, I thank God +for you. + +"I have kissed the corner where I shall just be able to squeeze in-- +good-night." + +Such was her letter-disloyal to women in its exposure of those truths +of women's love which are theirs by the heritage of ages, by their +daily training from childhood upward, and against which they should +most desperately battle; simple in its ideas of religion; silly in its +baby sentiment. + +Such was my Mary. + + + + +CHAPTER V. + +Beefsteak For 14 Palace Gardens. + + + +I. + +Friday was the night of the incident in the library between Bob Chater +and Mary; Saturday the exchange of love in the Park between Mary and +her George; Saturday evening the writing of Mary's letter; upon Monday +George read it. + +Now it was Monday morning, and precisely at ten o'clock three persons +set out for the same seat in Regent's Park--the mind of each filled +with one of the others, empty of all thought of the third. + +Mary--accompanied by David and Angela--carried towards the seat the +image of her George, but had no heed of Mr. Bob Chater's existence; +she was the magnet that drew Bob, ignorant of George; George sped to +his Mary and had no thought of Bob. + +Our young men were handicapped in point of distance. Mary, with but a +short half-mile to go, must easily be first to make the seat; Bob, +coming to town from a week-end up the river, would occupy little short +of an hour. George from Herons' Holt to that dear seat, allowed full +seventy-five minutes. + + + +II. + +Upon the whole, Mr. Bob Chater had not enjoyed his week-end; ideally +circumstanced, for once the attractions it offered had failed to +allure. + +Mr. Lemmy Moss, in the tiny riparian cottage he rented for the summer +months, was the most excellent of hosts; Claude Avinger was widely +known as a rattling good sort; the three young ladies who came down +early on Sunday morning and had no foolish objections to staying +indecorously late, were in face, figure and morals all that Bob, +Lemmy, and Claude could desire. Yet throughout that day in the +cushioned punt Bob won more pouts than smiles from the lady who fell +to his guardianship. + +Disgustedly she remarked to her friends on the home journey, "Fairly +chucked myself at him, the deadhead "--wherein, I apprehend, lay her +mistake. For whether a man's assault upon a woman be dictated by love +or desire, its vehemence is damped by acquiescence, spurred by rebuff. +Doubtless for our lusty forefathers one-half the fascination of +obtaining to wife the naked ladies who caught their eye lay in the +tremendous excitement of snatching them from their tribes; while for +the ladies, the joy of capture comprised a great proportion of the +amorous delights. + +The characteristics remain. Maidens are more decorously won to-day; +their tribes do not defend them; but they do the fighting for +themselves. The sturdier the defence they are able to make, the +greater the joy of at length being won; while, for the suitor, the +more pains he hath endured in process of conquest the more keenly doth +he relish his captive. + +So with Bob. The young lady fairly chucking herself at him in the punt +he could not forbear to contrast with the enticing reserve of Mary. +The more playfully (or desperately, poor girl) she chucked herself at +him, the more did her charms cloy as against those of that other prize +who so stoutly kept him at arm's-length. Nay, the more strenuously did +she seek to entice his good offices, the more troubled was he to +imagine why another of her sex should so slightingly regard him. + +Thus, as the day wore on, was Bob thrice impelled towards Mary--by +initial attraction of her beauty; by natural instinct to show himself +master where, till now, he had been bested; and by the stabbings of +his wounded vanity. + +On Monday morning, then, he caught the ten o'clock train to town, hot +in the determination immediately to see her and instantly to press his +suit. He would try, he told himself, a new strategy. Bold assault had +been proved ill-advised; for frontal attack must be substituted an +advance more crafty. Its plan required no seeking. He would play--and, +to a certain extent, would sincerely play--the part of penitent. He +would apologise for Friday's lapse; would explain it to have been the +outcome of sheer despair of ever winning her good graces. + +As to where he would find her he had no doubts. Dozing one day over a +book, he had not driven David and Angela from the room until they had +forced upon him a wearisome account of the secluded seat they had +discovered in Regent's Park. His patience in listening was an example +of the profit of casting one's bread upon the waters; for, making +without hesitation for the seat, he discovered Mary. + + + +III. + +The children, as he approached, were standing before her. David had +scratched his finger, and the three were breathlessly examining the +wounded hand for traces of the disaster. Brightly Mary was explaining +that the place of the wound was over the home of very big drops of +"blug," which could not possibly squeeze out of so tiny a window; when +Angela, turning at footsteps, exclaimed: "Oh, dear, oh, dear, what +_shall_ we do? Here's Bob!" + +Alarm drummed in Mary's heart: fluttered upon her cheeks. She had +felt, as she told her George, so certain that from Bob she had now not +even acknowledgment to fear, that this deliberate intrusion set her +mind bounding into disordered apprehensions--stumbling among them, +terrified, out of breath. + +When he had raised his hat, bade her good morning, she could but sit +dumbly staring at him-questioning, incapable of speech. + +It was Angela that answered his salutation: "Oh, why _have_ you come +here? You spoil _everything_." + +"Hook!" said Bob. + +David asked: "What's hook?" + +"Run away." + +"Why?" + +"Because I tell you to." + +"Why?" + +Bob exclaimed: "Hasn't mother told you not to say 'Why' like that? Run +away and play. I want to speak to Miss Humfray." + +David swallowed the rising interrogation; substituted instead an +observant poke: "Miss Humfray doesn't want to speak to you. She hates +you." + +The uncompromising directness of these brats, their gross ill- +mannerliness, was a matter of which Bob made constant complaint to his +mother. The belief that he observed a twitch at the corner of Mary's +mouth served further to harden his tones. + +He said: "Look here, you run away when I tell you, or I'll see you +don't come out here any more." + +"Why?" + +Bob swallowed. It was necessary before he spoke to clear his tongue of +the emotions that surged upon it. + +Angela, in the pause, entreated David: "Oh, don't keep saying 'Why?', +David," and before he could ask the reason she addressed Bob: "We +won't go for you. If Miss Humf'ay tells us to go, _then_ we will go." + +Bob looked at Mary. "I only want to speak to you for a minute." + +Amongst the slippery apprehensions in which she had taken flight Mary +had struggled to the comfortable rock that Bob's appearance must have +been chance, not deliberate--how should he have known where to seek +them? Sure ground, too, was made by the belief that it were well to +take the apology with which doubtless he had come--well to be on good +terms. + +Encouraged by these supports, "Shoo!" she cried to her charges. "Don't +you hear what your brother asks?" + +"Do _you_ want us to go?" + +"Oh, shoo! shoo!" + +Laughing, they shoo'd. + +Bob let them from earshot. "I want to say how sorry I am about Friday +night." + +"I have forgotten all that." + +"I want to know that you have forgiven me." + +"I tell you I have forgotten it." + +"That is not enough. You can't have forgotten it." He took a seat +beside her; repeated: "You can't have forgotten it. How can you have +forgotten a thing that only happened three days ago?" + +"In the sense that I have wiped it out--I do not choose to remember +it." + +"Well, I remember it. I cannot forget it. I behaved very badly. I want +to know that you forgive me." + +She told him: "Yes, then--oh yes, yes." His persistence alarmed her, +set her again to flight among her apprehensions. + +"Not when you say it like that." + +Her breath came in jerks, responsive to the unsteady flutters of her +heart. She made an effort for control; for the first time turned to +him: "Mr. Chater, please go." + +Her words pricked every force that had him there--desire, obstinacy, +wounded vanity. + +"Why do you say that?" he asked. + +"You happened to be passing--" + +"Nothing of the kind," he told her. + +"You have come purposely?" One foothold that seemed safe was proving +false. + +"Of course. I tell you--why won't you believe me?--that I have been +ashamed of myself ever since that night. At the first opportunity I +have come straight to tell you so, I ought to be in the City. I could +not rest until I had made my apology." + +"Well, you have made it--I don't mean to say that sharply. I think--I +think it is very nice of you to be so anxious, and I freely accept +your apology. But don't you see that you are harming me by staying +here? I beg you to go." + +"How am I harming you? Am I so distasteful to you that you can't bear +me near you?" + +This was the personal note that of all her apprehensions had given +Mary greatest alarm. "Surely you see that you are harming me--I mean +hurting me--I mean, yes, getting me into trouble by staying like this +with me. Mrs. Chater might have turned me off on Saturday--" + +"I spoke for you." + +"Yes." The words choked her, but she spoke them--"I am grateful to +you for that. But if she found me talking to you again--especially if +she knew you came here to see me, she would send me away at once. She +told me so." + +"How is she to know?" + +"The children--" + +"I'll take care of that." + +"You can't prevent it. In any case--" + +Bob said bitterly: "In any case! Yes, that's it. In any case you hate +the sight of me." + +She cried: "Oh, why will you speak like that? I mean that in any case +it is not right. I promised." + +Bob laughed. "If that's all, it is all right. You didn't promise for +me." + +"It makes no difference. You say you are sorry--I believe you are +sorry. You can only show it one way. Mr. Chater, please leave me +alone." + +Her pretty appeal was fatal to her desire. It enhanced her graces. In +both phrase and tone it was different from similar request in the +petulant mouths of those ladies amongst whom Bob purchased his way. +Dissatisfied, they would have said "Oh, chuck it! Do!" But "Mr. +Chater, please leave me alone!"--that had the effect of moving Mr. +Chater a degree closer along the seat. + +He said: "You shan't have cause to blame me. Look here, you haven't +asked me to explain my conduct on Friday." + +"I don't wish you to." + +"Don't you want to know?" + +She shook her head. + +"Aren't you curious?" His voice was low with a note of intensity. This +was love-making, as he. knew the pursuit. + +He went on: "I'm sure you're curious. Look here, I'm going to tell +you." + +"I'm going," she said; made to rise. + +He caught her hand where it lay on her lap; pressed her down. "You're +not. If you do I shall follow--but I won't let you," and he pressed +again in advertisement. + +Now she was alarmed--not for the result of this interview, but for its +very present perils. Fear strangled her voice, but she said, "Let me +go." + +"You must hear me, then." + +"I wish to go." + +"You must stay to hear me." He believed a fierce assault would now win +the heights. He released her hand; but she was still his prisoner, and +he leant towards her averted head. + +"I'm going to tell you why I behaved like that that night. It was +because I could not contain myself any longer. You had always been so +icy to me; kept me at arm's-length, barely let me speak to you; and +all the time I was burning to tell you that I loved you--there, you +know it now. On that night you were still cold when you might have +been only barely civil and I could have contained myself. But you +would not give me a word, and at last all that was in me for you burst +out and I could not hold myself. It was unkind; it was frightening to +you, perhaps; but was it a crime?--is it a crime to love?" + +His flow checked, waiting an impulse from her. + +She was but capable of a little "Oh!"--the crest of a gasp. + +He misread her emotion. "Has it all been pretence, your keeping me +from you like this? I believe it has. But now that you know you will +be kind. Tell me. Speak." + +Encouraged by her silence he took her hand. + +That touch acted as a cold blast upon her fevered emotions. Now she +was calm. + +She shook off his hand. "Have you done?" + +The tone more than the question warned him. + +"Well?" he said; sullen wrath gathering. + +"Well, never speak to me again." + +"You won't be friends?" + +"Friends! With you!" + +Her meaning--that he had lost--stung him; her tone--that she despised +him--was a finger in the wound. + +He gripped her arm. "You little fool! How are you going to choose? If +I want to be friends with you, how are you going to stop it? By God, +if you want to be enemies it will be the worse for you. If I can't be +friends with you at home, I'll get you turned out and I'll make you be +friends outside." + +She was trying to twist her arm from his grasp. + +He gripped closer. "No, I don't mean that. I love you--that's why I +talk so when you rebuff me. I'll not hurt you. We shall--I will be +friends." + +His right arm held her. He slipped his left around her, drew her to +him, and with his lips had brushed her cheek before she was aware of +his intention. + +The insult swept her free of every thought but its memory. By a sudden +motion she slipped from his grasp and to her feet; faced him. + +"You beast!" she cried. "You beast!" + +He half rose; made a half grab at her. + +She stepped back a pace; something in her action reminded him of that +stinging blow she had dealt him in the library; he dropped back to his +seat and she turned and fled up the path whither Angela and David had +toddled. + + + +IV. + +It was while Bob sat gazing after her, indeterminate, that he felt a +hand from behind the seat upon his shoulder; looked up to see a tall +young man, fresh faced, but fury-browed, regarding him. + +"What's your name?" asked George. + +"What the devil's that to do with you?" + +The tone of the first question had been of passion restrained. The +passion broke now from between George's clenched teeth, flamed in his +eyes. + +He tightened his grip upon the other's shoulder so that he pinched the +flesh. + +"A lot to do with me," he cried. "Is it Chater?" + +"What if it is? Let me go, damn you!" + +"Let you go! I've been itching for you for weeks! What have you been +saying to Miss Humfray?" + +"Damn you! Take off your hand! She's a friend of yours, is she?" + +My furious George choked: "Engaged to me." Further bit upon his +passion he could not brook. He brought his free hand down with a crash +upon the face twisted up at him; relaxed his hold; ran round the seat- +-those brown hands clenched. + +If Bob Chater at no time had aching desire for a brawl, he was at +least no coward: here the events he had suffered well sufficed to whip +his blood to action. He sprang to his feet, was upon them as George, +sideways to him, came round the arm of the seat; lunged furiously and +landed a crack upon the cheekbone that spun George staggering up the +path. + +It was a good blow, a lusty blow--straight from the shoulder and with +body and leg work behind it; a blow that, happier placed, might well +have won the battle. + +A ring upon Bob's finger cut the flesh he struck, and he gave a savage +"Ha!" of triumph as he saw George go spinning and the red trickle come +breaking down his cheek. + +A great ridge in the gravel marked the thrust of foot with which +George stayed his stagger, from which he impelled the savage spring +that brought him within striking distance. + +There was no science. This was no calmly prepared fight with cool +brains directing attack, searching weak points, husbanding strength, +deft in defence. Here was only the animal instinct to get close and +wound; to grapple and wound again. + +George it was that provoked this spirit. Till now he had not seen this +flushed face before him. But he had for many days conjured it up in +his fancy--sharpening upon it the edge of his wrath, bruising himself +against the wall of wise conduct that kept him from meeting and +visiting upon it the distress his Mary had endured. + +Now that he saw it in the flesh (and it was not unlike his +conception), he came at it with the impulse of one who, straining +against a rope, rushes headlong forward when a knife parts the bond. + +The impulse thus given more than countered the greater bulk and reach +that should have told in Bob's scale. Bob felt his wits and his +courage simultaneously deserting him before the pell-mell of blows +that came raining against his guard. Whensoever he effected a savage +smash that momentarily checked the fury, it served but to bring back +this seemingly demented young man with a new rush and ardour. + +Bob gave step by step, struck short-arm, felt the faint saltness of +blood upon his lips, staggered back before a tremendous hit between +the eyes, stumbled, tripped, fell. + +"Get up!" George bellowed; waited till Bob came rushing, and sent him +reeling again with a broken tooth that cut the brown knuckles. + +Bob lacked not courage and had proved it, for he was sorely battered. +But the pluck in him was whipped and now venom alone bade him make +what hurt he could. + +His heavy stick was leaning against the seat. He seized it; swung it +high; crashed a blow that must have split the head it aimed. + +George slipped aside; the blow missed. He poised himself as Bob, +following the impulse, went staggering by; put all his weight behind a +crashing hit and sent him spinning prone with a blow that was +fittingly final to the exhibition of lusty knocks. + +Bob propped himself on one arm, rose to his feet; glared; hesitated-- +then fell to brushing his knees. + +It was a masterly white flag. + +"Had enough?" George panted. "Had enough? Are you whipped, you swine?" + +Bob assiduously brushed. + +"When you're better, let me know," George cried; turned and hurried up +the path whither Mary had disappeared. + +The forced draught of fury, pain, and exertion sent Bob's breath +roaring in and out in noisy blasts--now long and laboured, now +spasmodic quick. + +He examined his bill of health and damage. Face everywhere tender to +the touch; clothes dust-covered and torn; both knees of trousers rent; +silk hat stove in when in a backward rush he had set his foot upon it. +His tongue discovered a broken tooth, his handkerchief a bleeding +nose, his fingers blood upon his chin, trickling to his shirt front. + +So well as might be he brushed his person; straightened his hat; +clapped handkerchief to his mouth; past staring eyes, grinning faces, +hurried out of the Park to bury himself in a cab. + + + +V. + +From a window Mrs. Chater saw the bruised figure of her darling boy +alight; with palpitating heart rushed to greet him. + +"Bob! My boy! My boy! What has happened?" + +Her boy brushed past; bounded to his room. Laboriously, sick with +fear, the devoted mother toiled in pursuit--found him in his room +tearing off his coat. + +"My boy! My boy!" + +Her boy bellowed: "_Hot water!_" + +Can a mother's tender care cease towards the child she bare? + +Oh! needless to ask such a question, you for whom is pictured this +devoted woman plunging at breakneck speed for the bathroom, screaming +as she runs: "Susan! Kate! Jane! Jane! Kate! Susan!" + +Doors slammed, cries echoed, stairs shook, as trembling servants +rushed responsive. + +Crashing of cans, rushing of water, called them to the bathroom. + +"Oh, m'am! What is it?" + +Water flew in sprays as the agonised mother tested its temperature +with her hands; cans rattled as she kicked them from where, in +dragging one from the shelf, the others had clattered about her feet. + +Jane, Kate, and Susan clustered in alarm about the door: "Oh, m'am! +M'am! Whatever is it?" + +Mrs. Chater gave no reply. Her can full, she plunged through them. +This way and that they dodged to give her passage; dodge for dodge, +demented, hysterical, she gave them--slopping boiling water on to +agonised toes; bursting through at last; thundering up the stairs. + +The three plunged after her: "Oh, m'am! M'am! Whatever is it?" + +The devoted woman paused at the head of the stairs; screamed down +orders: "Sticking-plaster! Lint! Cotton-wool! Mr. Bob has had an +accident! Hot-water bottles! Ice! Doctor! Go for the doctor, one of +you!" + +A figure with battered face above vest and pants bounded from its +room. "No!" Bob roared. "No!" + +"No!" Mrs. Chater echoed, not knowing to what the negative applied, +but hysterically commanding it. + +"No!" screamed the agitated servants, one to another. + +"No! no doctor!" bellowed Bob; grabbed the can from his mother; shot +back to his room. + +"No doctor!" Mrs. Chater screamed to the white-faced pack upon the +stairs; fled after him. + +"My boy! Tell me!" + +Her boy raised his dripping face from the basin. "For God's sake shut +the door!" he roared. + +She did. "Tell me!" she trembled. + +"It's that damned girl." + +"That girl?" + +"Miss Humfray!" + +"Miss Humfray! Done that to you! Oh, your poor face! Your poor face!" + +"No!--no! Do be quiet, mother! Some infernal man she goes about with +in the Park! I spoke to him and he set on me!" + +"The infamous creature! The wicked, infamous girl! A bad girl, I knew +it!--" + +Agitated tapping at the door: "The cotton-wool m'am." "Sticking- +plaster, m'am." "'Ot bottle, m'am." + +"Go away!" roared Bob. "Go away! O-oo, my face!" He hopped in wrath +and pain. "Send those damned women away!" + +Mrs. Chater rushed to the door. Passing, she for the first time caught +full sight of her son's face now that the hot water had exposed its +wreck. "Oh, your eyes! Your poor eyes! They're closing up!" + +Bob staggered to the mirror; discovered the full horror of his marred +beauty. "Curse it!" he groaned and gave an order. + +Mrs. Chater flew to the telephone. + +In the office of Mr. Samuel Hock, purveyor of meat, by appointment, to +the Prince of Wales, the telephone bell sharply rang. Mr. Hock stepped +to the receiver, listened, then bellowed an order into the shop: + +"One of beefsteak to 14 Palace Gardens, sharp!" + + + + +CHAPTER VI. + +A Cab For 14 Palace Gardens. + + + +I. + +With tremendous strides, with emotion roaring in and out his nostrils +in gusty blasts of fury, my passionate George encompassed the Park +this way and that until he came at length upon his trembling Mary. + +Save for that first blow where Bob's ring had marked his cheek he had +suffered but little in the fight--sufficiently, notwithstanding, +coupled with his colossal demeanour, for Mary's eyes to discover that +something was amiss. + +She came to him; cried at a little distance: "Oh, dearest, I--I could +not meet you at the seat." + +Then she saw more clearly. She asked: "What has happened?" and stood +with quivering lip recording the flutters of her heart. + +George took one hand; patted it between both his. For the moment his +boiling anger cooled beneath grim relish of his news. "I've pretty +well killed that Chater swine," he said. + +"Mr. Chater?--you've met Mr. Chater?" + +Now emotion boiled again in her turbulent George. He said: "I saw you +run from him. I saw--what had he been doing?" + +"Oh, Georgie!" + +"Well, never mind. I'd rather not hear. I've paid him for it, whatever +it was." + +"You fought? Oh, and your face--and your hand bleeding too!" + +Tears stood in this ridiculous Mary's eyes. Women so often cry at the +wrong moment. They should more closely study their men in the +tremendous mannish crises that come to some of us. This was no moment +for tears; it was an hour to be Amazon. To be hard-eyed. To count the +scalps brought home by the brave--in delight to squeal over them; in +pride to clap the hands and jump for joy at such big behaviour. + +My Mary erred in every way. Her moistening eyes annoyed George. + +"Oh, don't make a fuss about that, Mary," he cried irritably. "It's +nothing. Master Bob won't be able to see for a month." + +"Oh, George, why did you do it?" + +Then the tremendous young man flamed. "Why did I do it? 'Pon my soul, +Mary, I simply don't understand you sometimes. You've made me stand by +and see you insulted for a month, and then I see him catch hold of +you, and you run, and I go and thrash him, and you say, 'Why did you +do it?' _Do_ it? _Do_ it? Why, good Lord, what would you have had me +do--apologise for you?" + +She turned away, dropped his hand. + +My unfortunate George groaned aloud: sprang to her. "Mary, darling, +dearest, you know I didn't mean that." + +She kept her face from him; her pretty shoulders heaved. + +He cried in misery, striving to see her face: "What a brute I am! What +a brute! Mary, Mary, you know I didn't mean that." + +She gasped: "You ge-get angry so quick." + +"I know, I know. I'm not fit--I couldn't help--Mary, do look up." + +She swallowed a sob; gave him her little hand. + +He squeezed it, squeezed it as it were between his love for her and +the tremendous passion that was consuming him. Contrition at his sharp +words to her hammered the upper plate, wrath at the manner of her +reception of his news was anvil beneath. The poor fingers horribly +suffered. + +There are conditions of the male mind--and this George was in the very +heart of one--when softness in a woman positively goads to fury. The +mind is in an itching fever, and--like a bull against a gate-post-- +requires hard, sharp corners against which to rub and ease the +irritation. Comes the lord and master home sulky or in fury, the wise +wife will meet him with a demeanour so spiked that he may scratch his +itching at every turn. To be soft and yielding is the most fatal +conduct; it is to send the lumbering bull crashing through the gate- +post into the lane to seek solace away from the home paddock. + +Unversed in these homely recipes, this simple Mary had at least the +wit not to cry "Oh!" in pain and move her hand. They found a seat, and +for good five minutes this turbulent George sat and threshed in his +wrath like a hooked shark--this little hand the rope that held him. +Soon its influence was felt. His tuggings and boundings grew weaker. +The venom oozed out of him. + +He uncovered the crushed fingers; raising, pressed them to his lips. + +He groaned. "Now you know me at last." + +She patted those brown hands; did not speak. + +"You know the awful temper I've got," he went on. "Uncontrollable-- +angry even with you--foul brute--" + +"But I annoyed you, Georgie." + +He flung out an accusatory hand against himself. "How? By being sweet +and loving! Why, what a brute I must be!" + +She told him: "You shan't call yourself names. In fact, you mustn't. +Because that is calling me names too. We belong, Georgie." + +The pretty sentiment tickled him. Gloom flew from his brow before +sunshine that took its place. He laughed. "You're a dear, dear old +thing." + +She gave a whimsical look at him. "I ought to have said at once what I +am going to say now: Did you hurt him much?" + +"I bashed him!" George said, revelling in it. "I fairly bashed him!" + +She snuggled against this tremendous fellow. + + + +II. + +It was a park-keeper who, from that opium drug of sweet silence with +which lovers love to dull their senses, recalled them to the urgency +for action. + +The park-keeper led David by one hand, Angela by the other, whence he +had found them wandering. Disappointment that their owner was a +protected lady instead of a nicely-shaped nursemaid whom by this +introduction he might add to his recreations, delivered him of stern +reproof at the carelessness which had let these children go astray. + +"I would very much like to know," he concluded, "what their ma would +say." + +"My plump gentleman," said George pleasantly, "meet me at this +trysting-place at noon to-morrow, and your desire shall be gratified." + +The park-keeper eyed him; thought better of the bitter words he had +contemplated; contented himself with: "Funny, ain't yer?" + +"Screaming," said George. "One long roar of mirth. Hundreds turned +away nightly. Early doors threepence extra. Bring the wife." + +The park-keeper withdrew with a morose air. + + + +III. + +And now my George and his Mary turned upon the immediate future. +Conning the map of ways and means and roads of action, a desolate and +almost horrifying country presented itself. No path that might be +followed offered pleasant prospects. All led past that ogre's castle +at 14 Palace Gardens; at the head of each stood the ogress shape of +Mrs. Chater, gnashing for blood and bones over the disaster to her +first-born. She must be faced. + +George flared a torch to light the gloom: "But why should you go near +her, dearest? Let me do it. I'll take the children back. I'll see her. +I'll get your boxes." + +Even the sweetest women trudge through life handicapped by the +preposterous burden of wishing to do what their sad little minds hold +right. It is a load which, too firmly strapped, makes them dull +companions on the highway. + +Mary said: "It wouldn't be _right_, dear. The children are in my +charge; how could I send them back to their mother in the care of a +strange man? And it wouldn't be right to myself, either. It would look +as if I admitted myself in the wrong. No; I must, must face her." + +George's torch guttered; gave gloom again. He tried a second: "Well, +I'll come with you. That's a great idea. She won't dare say much while +I'm there." + +"Oh, it wouldn't be _right_, Georgie. You oughtn't to come to the +house--to see her--after what you've done to the detestable Bob. No, +I'll go alone and I'll go now. You shall come as far as the top of the +road and there wait." + +"And then?" George asked. + +This was to research the map for rest-houses and for fortunes that +might be won after the ogre castle had been passed. + +Mary conned and peered until the strain squeezed a little moisture in +her eyes. "I don't know," she said faintly. + +Her bold George had to know. "It won't be for very long, dear old +girl. You must find another situation. Till then a lodging. I know a +place where a man I know used to have digs. A jolly old landlady. I'll +raise some money--I'll borrow it." + +Mary tried to brighten. "Yes, and I'll go to that agency again. I +must, because I shall have no character, you see. I'll tell her +everything quite truthfully, and I think she'll be nice." + +"It's no good waiting," George said. His voice had the sound of a +funeral bell. + +Mary arose slowly, white. She said: "Come along." + +With a tumbril rumble in their ears, the children dancing ahead, they +started for Palace Gardens. + + + +IV. + +The groans and curses of her adored Bob, his bulgy mouth and shutting +eyes, his tender nose and the encrimsoned water where he had layed his +wounds--these had so acted upon Mrs. Chater's nerves, plunged her +into such vortex of hysteria, that the manner of her reception of Mary +was true reflection of her fears, nothing dissembled. + +Withdrawing her agitated face from the dining-room window as Mary and +the children approached, she bounded heavily to the door; flung it +ajar; collapsed to her knees upon the mat; clasped David and Angela to +that heaving bosom. + +"Safe!" she wailed. "Safe! Thank God, my little lambs are safe!" + +Distraught she swayed and hugged; kissed and moaned again. + +David pressed away. "You smell like whisky, mummie," he said. + +It was a dash of icy water on a fainting fit; wonderfully it strung +the demented woman's senses. She pushed her little lambs from her; +fixed Mary with awful eye. + +"So you've come back--_Miss?_" + +Mary quivered. + +"I wonder you dared. I wonder you had the boldness to face me after +your wicked behaviour. You've got nothing to say for yourself. I'm not +surprised--" + +Mary began: "Mrs. Chater, I--" + +"Oh, how can you? How can you dare defend yourself? Never, never in +all my born days have I met with such ingratitude; never have I been +deceived like this. I took you in. I felt sorry for you. I fed you, +clothed you, cared for you, treated you as one of my own family; and +this is my reward. There you stand, unable to say a word--" + +"If you think, Mrs. Chater--" + +"Don't _speak_! I won't hear you. Here have I day after day been +entrusting my beloved lambs to your care, and heaven alone knows what +risks they have run. My boy--my Bob, who would die rather than get a +living soul into trouble--sees you with this man you have been going +about with. He does his duty to me, his mother, and to my precious +lambs, his brother and sister, by reproving you, and you set this man +--this low hired bully--upon him to murder him. I'll have the law on +the coward. I'll punish him and I'll punish you, miss. No wonder you +were frightened when my Bob caught you. No wonder." + +"That is untrue, Mrs. Chater." + +"Don't _speak!_" + +"I will speak. I shall speak. It is untrue." + +"You dare--" + +"It is a lie. Yes, I don't mind what I say when you speak to me like +that. It is a wicked lie." + +"Girl--!" + +"If your son told you he caught me with the man who thrashed him as he +deserved, he told you a lie. He never saw me with him. He followed me +into the Park this morning and tried to repeat what he did on Friday +night. He is a coward and a cad. The man to whom I am engaged caught +him at it and thrashed him as he deserved. There! Now you know the +truth!" + +Very white, my ridiculous Mary pressed her hand to her panting breast; +stopped, choked by the wild words that came tumbling up into her +mouth. + +Very red, swelling and panting in turkey-cock fury, Mrs. Chater, +towering, swallowed and gasped, breathless before this vixenish +attack. + +But she was the first to find speech; and incoherently she stormed as +at a scratching do those persons whose true selves lie beneath a +tissue film of polish. + +She bubbled and panted: "Oh, you wicked girl!--oh, you wicked girl!-- +oh, you wicked girl!--bold as brass-calling me a liar--_me_--and +my battered boy--engaged indeed!--I'll have the law and the police and +the judges--my solicitors--libel and assault, and slander and +attempted murder--boxes searched--my precious lambs to hear their +mother spoken to like this--get out of the hat-rack, David, and go +upstairs this instant--Angela, don't stand there--if I wasn't a lady +I'd box your ears, miss--only a week ago didn't I give you a black +silk skirt of mine?--and fed you like a princess, with a soft feather +pillow too, because you said the bolster made your head ache--servants +to wait on you hand and foot--and this is my reward--how I keep my +hands off you heaven only knows--but you shall suffer, miss--oh, yes +you shall--I'll give you in charge--I'll call a policeman." + +She turned towards the kitchen stairs; screamed "Susan! Kate! Jane! +Susan!" + +Small need to bellow. Around the staircase corner three white-capped +heads--Kate holding back Susan, Susan restraining Jane, Jane holding +Kate--had been with delighted eyes and straining ears bathing in this +rare scene. With glad unanimity they broke their restraint one upon +the other; crushed pell-mell, hustling up the narrow stairs. + +Mrs. Chater plumped back into a chair; with huge hands fanned her +heated face. "Fetch a policeman!" + +They plunged for the door. + +Bob's swollen countenance came over the banisters. He roared "Stop!" + +Kate, Jane and Susan swung between the conflicting authorities. + +"Call a policeman! Summon a constable! Fetch an officer!" In gusty +breaths from behind Mrs. Chater's hands, working like a red paddle- +wheel, came the commands. + +"Stop!" roared Bob; and to enforce pushed forward the battered face +till it stuck out flat over the hall. + +His alarmed mother screamed: "Bob, you'll fall over the banisters!" + +The two kept up a battledore and shuttlecock of agitated conversation. + +"Well, stop those women!" Bob cried; "for God's sake, stop them, +mother! What on earth are you thinking of?" + +"I'll give her in charge!" + +"You can't, you can't. Oh, my God, what a house this is!" + +"She called me a liar!" + +"You can't charge her for that." + +"She half murdered you!" + +"She never touched me. Why don't you do as I told you? Why don't you +send her away?" + +"Mercy, Bob! you'll fall and kill yourself!" + +"Do as I say, then! Do as I say!" + +"Well, put back your head! Put back your head." + +"Do as I say, then!" + +Mrs. Chater stopped the paddle-wheel; rose to her feet. Bob's ghastly +face drew in to safer limits. She addressed Mary: "Again my boy has +interceded for you. Oh, how you must feel!" She addressed the maids: +"Is her box packed?" + +They chorused "Yes"; pointed, and Mary saw her tin box, corded, set +against the wall. + +"Call a cab," Mrs. Chater commanded; and as the whistle blew she +turned again upon Mary. + +"Now, miss, you may go. I pack you off as you deserve. But before you +go--" + +The battered face shot out again above the banisters: "Pay her her +wages and send her away, mother. Do, for goodness' sake, send her +away!" + +"Wages! Certainly not! Mercy! Your head again! Go back, Bob!" + +The maddened, pain-racked Bob bellowed: "Oh, stop it! stop it! I shall +go mad in a minute. She is entitled to her wages. Pay her." + +"I won't!" + +"Well, I will. Susan! Susan, come up here and take this money. How +much is it?" + +"She is not to be paid," Mrs. Chater trumpeted. + +"She is to be paid," bawled her son. "Do you want an action brought +against you? Oh, my God, what a house this is!" + +"My boy! You will fall! Very well, I'll pay her." Mrs. Chater turned +to Mary. "Again and yet again my son intercedes for you, miss. Oh, how +you must feel!" She grabbed around her dress for her pocket; found a +purse; produced coins; banged them upon the table. "There!" + +And now my Mary, who had stood upright breasting these successive +surges, spoke her little fury. + +With a hand she swept the table, sending the coins flying this way and +that--with them a card salver, a vase, a pile of prayer-books. With +her little foot she banged the floor. + +"I would not touch your money--your beastly money. You are +contemptible and vulgar, and I despise you. Mr. Chater, if you are a +man you will tell your mother why you were thrashed. Do you dare to +say you interfered because you found me with someone? Do you dare?" + +With masterly strategy Bob drove home a flank attack. To have affirmed +he did dare might lead to appalling outburst from this little vixen. +He said very quietly, as though moved by pity: "Please do not make +matters worse by blustering, Miss Humfray." He sighed: "I bear you no +ill-will." + +My poor Mary allowed herself to be denuded of self-possession. His +words put her control to flight; left her exposed. Tears started in +her eyes. She made a little rush for the stairs. "Oh, you coward!" she +cried. "You coward! I will make you say the truth." + +Would she have clutched the skirts of his dressing-gown, forgetting +the proper modesty of a nice maiden, and dragged him down the stairs? +Would she indelicately have pursued him to his very bedroom, and +there, regardless of his scanty dress, have assaulted him? + +Bob believed she would. It is so easy for the world's heroines to +remain calm against attack. My Mary was made of commoner stuff--the +wretched, baser clay of which not I, but my neighbours, not you, but +your acquaintances, are made. + +Bob believed she would. He cried, "Send her away! Why the devil don't +you send her away?"; gathered his skirts; fled for the safety of a +locked door. + +Mrs. Chater believed she would. Mrs. Chater plunged across the hall; +stood, an impassable and panting guardian, upon the lowermost step. +Her outstretched arm stayed Mary; a voice announced, "The cab'm." + +My Mary stood a moment; little fists clenched, flashing eyes; blinked +against the premonition of a rush of tears; then, as they came, turned +for the door. + +"Go!" trumpeted Mrs. Chater. "Go!" + +Mary was upon the mat when Angela and David made a little rush; caught +her skirts. The alarming scenes had hurtled in sequence too rapid and +too violent to be by the children understood. But a scrap here and a +scrap there they had caught, retained, correctly interpreted; and the +whole, though it supplied no reason, told clearly that their adored +Mary was going from them. + +"You're coming back soon, aren't you?" David cried. + +"You're not going away, are you, Miss Humf'ay?" implored Angela. + +Mrs. Chater shrilled: "Children, come away. Come here at once." + +Mary dropped one knee upon the mat; caught her arms about the +children. She pressed a cool face against each side her wet and +burning countenance, gave kisses, and upon the added stress of this +new emotion choked: "Good-bye, little ducklings!" + +"Oh, darling, _darling_ Miss Humf'ay, we _will_ be good if you'll +stay!" They felt this was the desperate threat that so often followed +their misdemeanours put into action. + +She held them, hugging them. "It isn't that. You have been good." + +"Then you said you would stay for ever and ever if we were good." + +"Not ever and ever; I said--I said perhaps a fairy prince would come +to take me. Didn't I?" + +This was the romance that forbade tears. But David had doubts. He +regarded the hansom at the door: "That's a cab, not a carriage. Fairy +princes don't come in cabs." + +"The prince is waiting. Kiss me, darling Davie. Angie, dear, dear +Angle, kiss me." + +She rose. Mrs. Chater had come from the stairs, now laid hands upon +the small people and dragged them back from the pretty figure about +which they clung. + +They screamed, "Let me go!" + +David roared; dropped prone upon the mat to kick and howl: "Take away +your _hand_, mother!" + +Angela gasped: "Oh, comeback, comeback, darling Miss Humf'ay!" + +With a glare of defiance into Mrs. Chater's stormy eyes, my Mary +stooped over David. + +"David!" The calm ring of the tones he had learned to obey checked his +clamour, his plunging kicks. She stooped; kissed him. "Be good as +gold," she commanded. "Promise." + +"Good as gold--yes--p'omise," David choked. + +Angela was given, and gave, the magic formula. Mary stepped back. +Susan slammed the door. + +With quivering lips my Mary walked to the cab. + +"Drive down the street," she choked; lay back against the cushions; +gave herself to shaking sobs. + + + +V. + +Her George met her a very few yards down the street. He gave an order +to the cabman and sat beside her. + +It was not long before her grief was hushed. She dried her eyes; +nestled against this wonderful fellow who, as love had now constituted +her world, was the solace against every trouble that could come to +her, the shield against any power that might arise to do her hurt. + +They debated the position and found it desperate; discussed the +immediate future to discover it threatening. Yet the gloom was +irradiated by the glowing light of the prospective future; the +rumbling of present fears was lost in the tinkling music of their +voices, striking notes from love. + +The cab twisted this way and that; clattered over Battersea Bridge, +down the Park, to the right past the Free Library, and so into Meath +Street and to the clean little house of the landlady whom George knew. + +To her, in the tiny sitting-room, the story was told. + +It appeared that she had never yet taken a lady lodger. In her street +ladies were regarded with suspicion; that no petticoats were ever to +be fetched across the threshold was a rule to which each medical +student who engaged her rooms must first subscribe. + +None the less she was here acquiescent. She knew George well; had for +him an affection above that which commonly she entertained for the +noisy young men who were her means of livelihood. Mary should pay for +the little back bedroom that Mr. Thornton had; and, free of charge, +should have use of the sitting-room rented by Mr. Grainger. There +would be no lodgers until the medical schools reopened in October. + +So it was settled--and together in the sitting-room where Mrs. Pinking +made them a little lunch again they debated the immediate future. It +was three weeks before George's examination was due. Again he declared +himself confident that, when actually he had passed, his uncle would +not refuse the 400 pounds which meant the world to them--which meant +the tight little practice at Runnygate. But the intervening weeks were +meanwhile to be faced. Mary must have home. At the Agency she must +pour forth her tale and seek new situation till they could be married. +If the Agency failed them--They shuddered. + +Revolving desperate schemes for the betterment of this position into +which with such alarming suddenness they had been thrust, George took +his leave. He would have tarried, but his Mary was insistent that his +work must not be interfered with. Upon its successful exploitation +everything now depended. + +Brightly she kissed her George good-bye. He was not to worry about +her. She was to be shut from his mind. To-morrow she would go to the +Agency. He might lunch with her, and, depend upon it, she would greet +him with great news. + +So they parted. + + + + +BOOK IV. + +In which this History begins to rattle. + + + + +CHAPTER I. + +The Author Meanders Upon The Enduring Hills; And The Reader Will Lose +Nothing By Not Accompanying Him. + + +In pursuit of our opinion that the novel should hark back to its +origin and be as a story that is told by mouth to group of listeners, +here we momentarily break the thread. + +It is an occasion for advertisement. + +As when the personal narrator, upon resumption of his history, will at +a point declare, "Now we come to the exciting part," so now do I. + +Heretofore we have somewhat dragged. We have been as host and visitor +at tea in the drawing-room. Guests have arrived; to you I have +introduced them, and after the shortest spell they have taken their +leave. + +My Mary and my George--favoured guests--have sat with us through our +meal; but how fleeting our converse with those others--with Mr. +William Wyvern, with Margaret, with Mrs. Major and with Mr. Marrapit! +I grant you cause to grumble at their introduction, so purposeless has +been their part. I grant you they have been as the guests at whose +arrival, disturbing the intimate chatter, impatient glances are +exchanged; at whose departure there is shuffle of relief. + +Well, I promise you we shall now link our personages and set our +history bounding to its conclusion. We have collected them; now to +switch on the connection and set them acting one against the other +until the sparks do fly; watching those sparks shall be your +entertainment. + +The switch which thus sets active the play of forces I shall call +circumstance. If it has been long delayed, I have the precedent of all +the story of human life as my excuse. For we are the children of +circumstance. We move each in our little circle by a stout hedge +encompassed. Circumstance suddenly will break the wall: some fellow +man or woman is flung against us, and immediately the quiet ambulation +of our little circle is for some conflict sharp exchanged. To-day we +are at peace with the world, to-morrow warring with all mankind. + +I say with all mankind, because so narrow and so selfish is our +outlook upon life that one single man or woman--a dullard neighbour or +a silly girl--who may interfere with us, throws into turmoil our whole +existence. Walls of impenetrable blackness shut out. all life save +only this intruder and ourself; that other person becomes our world-- +engaging our complete faculties. + +Deeper misfortune cannot be conceived. It is through allowing such +occurrences to crush us that brows are wrinkled before their time; +nerves broken-edged while yet they should be firmly strung; death +reached ere yet the proper span of life is lived. + +For these unduly wrinkled brows, too early broken nerves, too soon +encountered graves, civilised man has agreed upon an excuse. He names +it the strain of life in modern conditions. There is no body in this +plea. It is not the conditions that matter; it is our manner of +receiving those conditions. Bend to them and they will crush; face +them and they become of no avail; allow them to be the Whole of life, +and immediately they are given so great a weight that to withstand +them is impossible; regard them in their proper proportion to the +scheme of things, and they become of airy nothingness. + +For if we regulate each to its right importance all that surrounds us, +not forgetting that since life is transient time is the only ultimate +standard of value, how unutterably insignificant must small human +troubles appear in their relation to the whole scheme of things, to +the enduring hills, the immense seas, vast space. + +Gain strength from strength. Compare vexations encompassed by the +artifice of man with the tremendous life that is mothered by nature. + +Gain strength from strength. Set troubles against the enduring hills, +misfortunes against the immense seas, perplexities against vast space, +torments against the stout trees. Learn to take tribute of strength +from every object that is built of strength--the strength of solidity +that a stout beam may give, the strength of beauty that from a picture +or a statuary irradiates. + +Gain strength from strength. It is a first principle of warfare to +band undisciplined troops with tried regiments, to shoulder recruits +with veterans. The horse-breaker will set the timid colt in harness +with the steady mare. Thus is stiffening and a sense of security +imparted to the weaker spirit; timidity oozes and is burned by the +steady flame of courage that from the stronger emanates. In the heat +of that flame latent strength warms and kindles in the weaker. + +Gain strength from strength. Seek intercourse with the minds that are +above you; if not to be encountered, they are to be purchased in +books. Avoid communion with the small minds below you and of your +level. + +No man, nor book, nor thing can be touched without virtue passing +thence into you. See to it that who or what you touch gives you +strength, not weakness; uplifts, not debases. The aspiring athlete +does not seek to match his strength against inferiors. These give him- +-easy victory. Contact with them is for him effortless; they tend to +draw him to their plane. Rather, being wise, he shuns them to pit his +prowess against such as can give him best, from whom he may learn, out +of whom he will take virtue, by whom he will be raised to all that is +best in him. Gain strength from strength. The attributes strength and +weakness are as infectious as the plague. Make your bed so that you +may lie with strength and catch his affection. + +I do not pretend that these are thoughts which influenced the persons +of my history. My unthinking George and my simple Mary would care +nothing for such things. Sight of the enduring hills would evoke in my +George the uttered belief that they would be an infernal sweat to +climb; sound of the immense seas if in anger would move my Mary to +prayer for all those in peril on the wave, if in lapping tranquillity +to sentimental thoughts of her George. But they had laughter and they +had love. Adversity can make little fight against those lusty weapons. + +And now we have an exquisite balcony scene and rare midnight alarms +for your delectation. + + + + +CHAPTER II. + +An Exquisite Balcony Scene; And Something About Sausages. + + + +I. + +On that day when George left his Mary at the little lodgings in Meath +Street, Battersea, Bill Wyvern returned to Paitley Hill after absence +from home for a week upon a visit. + +His Margaret was his first thought upon his arrival. Letters between +the pair were, by the sharpness of Mr. Marrapit's eye, compelled to be +exchanged not through the post but by medium of a lovers' postal box +situate in the hole of a tree in that shrubbery of Herons' Holt where +they were wont by stealth to meet. Thus when Bill, upon this day of +his return, scaled the tremendous wall and groped among the bushes, he +saw the trysting bower innocent of his love--then searched and found a +letter. + +A sad little note for lover's heart. Mr. Marrapit, it said, abed of a +chill, prevented Margaret meeting her Bill that afternoon. Her father +must be constantly ministered; impossible to say when she would be +released. She heard him calling, she must fly to him. With fondest +love. No time for more. + + + +II. + +The lines chilled Bill's heart. His was a fidgety and nervous love +that took fright at shadow of doubt. The week that had divided him +from Margaret was the longest period they had not embraced since their +discovery one of another. Was it not possible, he tortured himself, +that loss of his presence had blurred his image in her heart? +Countless heroes of his own stories who thus had suffered rose to +assure him that possible indeed it was. The more he brooded upon it +the more probable did it become. + +Bedtime found him desolated. In apprehension he paced his room. The +thought of sleep with this devil of doubt to thump his pillow was +impossible. Leaning from his window he gazed upon the stars and +groaned; dropped eyes to the lawn, silvered in moonlight, and started +beneath the prick of a sudden thought. It was a night conceived for +lovers' tryst. He would seek his Margaret's open window, whistle her +from her bed, and bring this damned doubt of her to reality or knock +the ghostly villain dead. + +It was an inspiriting thought, and Bill started to whistle upon it +until he remembered the demeanour in which he would have sent forth +one of his own heroes upon such a mission. "Dark eyes gleaming +strangely from a pale, set face," he would have written. Bill's eyes +were of a clearest, childlike blue which interfered a little with the +proper conception of the role he was to play; but blanketing his +spirits in melancholy he stepped from his room and passed down the +stairs. + +That favoured bull-terrier Abiram, sleeping in the hall, drummed a +tattoo of welcome upon the floor. + +"Chuck it," said Bill morosely. + +The "faithful hound" that gives solace to the wounded heart is a +pretty enough thing in stories; Abiram had had no training for the +part. This dog associated his master not with melancholy that needed +caressing but with wild "rags" that gave and demanded tremendous +spirits. + +Intelligence, however, showed the wise creature that the tone of that +command meant he was to be excluded from whatever wild rag might be +now afoot. It was not to be borne. Therefore, to lull suspicion, +Abiram ceased his drumming; rose when Bill had passed; behind him +crept stealthily; and upon the door being opened bounded around his +master's legs and into the moonlight with a joyous yelp. + +Fearful of arousing Korah and Dathan in their kennels to tremendous +din if he bellowed orders, Bill hissed commands advising Abiram to +return indoors under threat of awful penalties. + +Abiram frisked and skipped upon the lawn like a young lamb. + +Bill changed commands for missiles. + +Abiram, entering into the thing with rare spirit, caught, worried, and +killed each clod of earth hurled at him, then bounded expectant +forward for the next sacrifice that would be thrown for his delight in +this entrancing game. + +"Very well," spoke Bill between his teeth. "Very well. You jolly well +come, my boy. Wait till you get near enough for me to catch you, +that's all." + +Beneath this understanding they moved forward across the lawn and down +the road; Abiram sufficiently in the rear to harass rats that might be +going about their business, without himself being in the zone of his +master's strength. + +Heaving a sigh burthened with fond memory as he passed the wall of +Herons' Holt where it gave upon the secret meeting-place in the +shrubbery, Bill skirted the grounds; for the second time in his life +passed through the gate and up the drive. + + + +III. + +Well he knew his adored's window. From the shrubbery she had pointed +it him. Now with a bang of the heart he observed that the bottom sash +stood open so that night breezes, mingling freely with the perfumes of +her apartment, unhindered could bear in to her his tremulous love- +signals. + +He set a low whistle upon the air. It was not louder, he felt, than +the agitated banging of his heart that succeeded it. + +Again he whistled, and once again. There was a rustling from within. + +"Margaret!" he softly called. "Margaret!" + +She appeared. The blessed damosel leaned out. About her yearning face +the long dark hair abundantly fell; her pretty bed-gown, unbuttoned +low, gave him glimpse of snowy bosom, beautifully rounded. + +"Oh, Bill!" she cried, stretching her arms. + +Then, glancing downwards at her person, she stepped back swiftly. +Reappearing, the soft round of her twin breasts was not to view. + +She had buttoned up her night-dress. + +"Oh, Bill!" + +"Oh, Margaret!" + +"_Wow!_" spoke Abiram in nerve-shattering welcome. "_Wow!_" + +The blessed damosel fled. Bill plunged a kick. Abiram took the skirt +of it; waddled away across the lawn, his waving stern expressing +pleasure at having at once shown his politeness by bidding a lady good +evening, and at being, like true gentleman, well able to take a hint. + +Bill put upon the breeze: + +"It's all right. He's gone." + +No answer. Shuddering with terror lest that hideous _wow!_ had +disturbed the house the blessed damosel lay trembling abed, the +coverings pressed about her straining ears. + +"He's gone," Bill strained again, his larynx torn with the rasp of +whispers that must penetrate like shouts and yet speed soft-shod. +"He's gone!" + +Margaret put a white leg to the ground--listened; drew forth its +companion--listened; glimpsed her white legs; shuddered at such +immodesty with a man so close; veiled them to their toes with her bed- +gown; listened; stepped again to the window. + +"Oh, Bill!" + +"Oh, Margaret!" + +"Has anyone heard, do you think?" + +"My darling, not a soul. It sounded loud to us. Oh, Margaret--" + +"Hush! Yes?" + +"Do you know why I am come?" + +"Hush!--no." + +"I thought--from your note--that you didn't care to see me again. I +thought-being away like that--that you found you didn't-love me after +all. Oh, I was tortured, Margaret. Oh--!" + +"Hush! Listen!" + +"Damn!" said Bill. + +The blessed damosel poked her beautiful head again into the night. +"It's all right. I thought I heard a sound. We must be careful." + +"Oh, Margaret, I was tortured--racked. I had to come to you. Tell me I +was wrong in thinking--" + +"Oh, Bill, Bill, I--" + +This girl was well-nigh in a swoon of delicious excitement. Emotion +took her and must be gulped ere she found voice. She stretched her +arms down towards him. + +"Oh, Bill, I thought so, too." + +A steely pang struck at his heart. "You thought you didn't love me +after all?" + +"No, no, no." + +Emotion dragged her from the window to her waist. Her long hair +cascaded down to him so that the delicious tips, kissing his face, +might by his lips be kissed. + +"No, no," she breathed; "I thought the same of you. I thought you +might have found--" + +"Yes?" + +"Hush!" + +"Damn!" said Bill. + +She reappeared; again her tresses trickled to him. "It's all right. I +thought you might have found you didn't love me after all. Dearest, +not hearing from you--" + +In sympathy of spirit Bill groaned: "What could I do?" + +She clasped her hands in a delicious ecstasy. "I know, I know. But you +know how foolish I am. I felt--oh, Bill, forgive me!--I felt that, if +you had really cared, a way of sending me a message might have been +found. Of course, it was impossible. And there was more than that. +When we parted last week, I thought you seemed not to care very much--" + +"Oh, Margaret!" + +"I know, I know. I know now how foolish I was, but that is what I +thought--and, Bill, it tortured me. I've not been able to sleep at +nights. That is how I was awake just now." + +"Margaret, I believe you're crying." + +"I'm so--so happy now." + +"Oh, so am I! Aren't you glad I came, Margaret?" + +She murmured, "Oh, Bill!"; gave him a smile that pictured her answer. + +Mutually they gazed for a space, drinking delight. + +Her thirst quenched, Margaret said: + +"Bill, those nights, those terrible nights when I have been doubtful +of you, filled me with thoughts that shaped into a poem last night." + +"A poem to me?" + +"About us. Shall I read it?--now that the doubt is all over." + +He begged her read. + +She was a space from his sight; then, bending down to him, in her hand +paper of palest heliotrope, whispered to him by light of the beautiful +moon: + + "Our meeting! Do you remember, dear, + How Nature knew we met? + Twilight soft with a gentle breeze + Bearing scent of the slumbering seas; + Music sweet--'twas a nightingale, + Trilling and sobbing from laugh to wail-- + Golden sky that was flecked with red + (Ribands of rose on a golden bed). + Ah, love! when first we met!" + +She paused. "It was raining as a matter of fact, dearest," she +whispered, "and just after breakfast. But you know what I mean. That +is the imagery of it--as it seemed to me." + +Bill said: "And to me; a beautiful imagery." + +She smiled in the modest pride of authorship: "Oh, it's nothing, +really. You know how these things come. To you in prose, to me in +song. One has to set them down." + +"One is merely the instrument," Bill said. + +"Yes, the instrument." She hugged the phrase. "The _instrument_. How +cleverly you put things!" + +Bill disavowed the gift. Margaret breathed, "Oh, you do; I have so +often noticed it." Bill again denied. + + + +IV. + +Conventionality demanded this little exchange of them, and to-day the +empress sway of conventionality is rarely rebelled. Even, as here, +when treading the path of love, the journey must constantly be stopped +while handfuls of the sweet-smelling stuff are tossed about our +persons. Neglect the duty and you must walk alone. For to neglect +conventionality is like going abroad without clothes; the naked man +appears. Now, nothing can be more utterly horrid to our senses than a +stark woman or stark man walking down the street. We should certainly +pull aside the blind to have a peep, and the more we could see of the +nakedness the further would we crane our heads (provided no one was by +to watch); but to go out and chat, to be seen in company with the +naked creature, is another matter. We would sooner chop off our legs. +So with the conventions. The fewer of them you wear, the more naked +(that is to say, real) do you become. Eyes will poke at you round the +blinds, but you must walk quickly past the gate, please. If you will +not go through the machine and come out a nice smooth sausage, well, +you must remain original flesh and gristle; but you will smell horrid +in nice noses. + +Is it not warming, as you read this, to know perfectly well that you +are not one of the sausages? + + + +V. + +When they had sufficiently daubed themselves, Margaret asked: + +"Shall I read the next verse? That was the imagery of our meeting; +this of our parting." + +Bill gulped. This man was fondling the scented tresses that trickled +about his face; speech was a little difficult. + +She put her page beneath the moon; gave her voice to its rapture: + + "Our parting! Do you remember, dear, + How Nature our folly knew? + Mournful swish of the sobbing rain; + Distant surge of the Deep in pain; + Whispering wail of the wandering wind, + Seeking, sobbing, a rest to find; + Fitful gleam from a troubled sky + (Nature weeping to see love die). + Ah, love, when last we met! + +"It was a perfect day, really," she said. "Very hot, and just before +lunch, do you remember? But there, again, it is the _imagery_ of it as +it seemed to our inner selves. It comes to one, and one is the +_instrument_." + +Bill's voice was hoarse. "Margaret, come down to me," he said. + +"I dare not." + +"You must. I must touch you--kiss you. You must come down!" + +"Bill, I dare not; I should be heard." + +He bitted his next words as they came galloping up. Dare he give them +rein? And then again he bathed in the ecstasy of the scene. The black +square of the open window; the scented roses that framed it; the +silver night that lit its picture--her dusky face between her +streaming hair, her white arms, bare to where the pushed-back sleeves +gave them to the soft breeze to kiss, the soft outline of her breast +where the press of her weight drew close her gown. + +It was not to be borne. The bitted words lashed from his hold. He +gasped: + +"Then I am coming up!" + +Was she aghast at him? he asked himself. He stood half-checked while +her steady eyes left his face, roamed from him--contrasting, as +ashamed he felt, the purity of the still night with the clamour of his +turbulent passions--and settled on an adjacent flowerbed. + +At last she spoke, very calmly. + +"There is a potting-box just there," she said. "If you turned it on +end you could reach the window, and then--" + +The box gave him two feet of reach. He jumped for the ledge--caught +it; pulled; fetched the curve of an arm over the sill. + +Then between earth and paradise he hung limp; for a sudden horror was +in his Margaret's eyes. + +She put upon his brow a hand that pressed him back; gave words to her +pictured alarm: "A step upon the gravel!" + +'Twixt earth and window, with dangling legs and clutching arms, in +muscle-racking pain he hung. + +Truly a step, and then another step. + +And then a very tornado of sound beat furiously upon the trembling +night; with it a flash; from it the pattering of a hundred bullets. + +Someone had discharged a gun. + +As Satan was hurled, so, plumb out of the gates of Paradise, Bill +fell. And now the still air was lashed into a fury of sound-waves, +tearing this way and that in twenty keys; now the sleeping garden was +torn by rushing figures, helter-skelter for life and honour. + +Sounds!--the melancholy bellow of that gardener, Mr. Fletcher, as the +recoil of the bell-mouthed blunderbuss he had fired hurled him prone +upon the gravel; the dreadful imprecations of Bill striving to clear +his leg of the potting-box through whose side it had plunged; piercing +screams of Mrs. Major from a ground-floor room; shrills of alarm from +Mr. Marrapit; _gurr-r-ing_ yelps from Abiram in ecstasy of man-hunt. + +Rushing figures!--Bill, freed from his box, at top speed towards the +shrubbery; Mr. Fletcher, up from his fall, with tremendous springs +bounding across the lawn; Abiram in hurtling pursuit. + +More sounds!--panic screams from Mr. Fletcher, heavily labouring; the +protest of a window roughly raised; from George's head, thrust into +the night: "Yi! Yi! Yi! Hup, then! Good dog! Sock him! Sock him! Yi! +Yi! Yi!" + +We must seek the fuse that touched off this hideous turbulence. + + + + +CHAPTER III. + +Alarums And Excursions By Night. + + + +I. + +We are going into a lady's bedroom, but I promise you the thing shall +be nicely done: there shall not be a blush. + +It was midnight when Bill Wyvern projected the scheme whose execution +we have followed through sweetness to disaster. Two hours earlier the +Marrapit household had sought its beds. + +It was Mr. Marrapit's wise rule that each member of his establishment +should pass before him as he or she sought their chambers. Night is +the hour when the thoughts take on unbridled licence; and he would +send his household to sleep each with some last admonition to curb +fantastic wanderings of the mind. + +Upon this night Mr. Marrapit was himself abed of the chill that +Margaret had mentioned in her note to Bill. But the review was not +therefore foregone. Upon his back, night-capped head on pillow +propped, he lay as the minute-hand of his clock ticked towards ten. + +His brow ruffled against a sound without his door. He called: + +"Mrs. Armitage!" + +"Sir?" spoke Mrs. Armitage through the oak. + +"Breathe less stertorously." + +Mrs. Armitage, his cook, waiting outside upon the mat, gulped wrath; +respirated through open mouth. + +The clock at Mr. Marrapit's elbow gave the first chime of ten. +Instantly Mrs. Armitage tapped. + +"Enter," said Mr. Marrapit. + +She waddled her stout figure to him. Behind her Clara and Ada, those +trim maids, took place. + +Mr. Marrapit addressed her. "To-morrow, Mrs. Armitage, arouse your +girls at six. Speed them at their toilet; set them to clean your +flues." He glanced at a tablet taken from beneath his pillow. "At 4.6 +this afternoon I smelt soot." + +"The flues were cleaned this morning, sir." + +"Untrue. Your girls were late. Prone in suffering upon my couch, my +ears tell me all that is accomplished in every part of the house. Ten +minutes after your girls descended I heard the kitchen fire roar. I +suspect paraffin." + +Mrs. Armitage wriggled to displace the blame. "I rose them at six, +sir. They sleep that heavy and they take that long to dressing, it's a +wonder to me they ever do get down." + +Mr. Marrapit addressed the sluggards. "Shun the enervating couch. +Spring to the call. Cleanliness satisfied, adorn not the figure; +pursue the duties. Ponder this. Seek help to effect it. Contrive a +special prayer. To your beds." + +They left him; upon the mat encountered Frederick, and him, in abandon +of relief, dug vitally with vulgar thumbs. + + + +II. + +Squirming, Frederick, the gardener's boy, advanced to the bedside. + +Mr. Marrapit sternly regarded him: "Recite your misdeeds." + +"I've done me jobs, sir." + +"Prostrated, I cannot check your testimony. One awful eye above alone +can tell. Upon your knees this night search stringently your heart. +Bend." + +Frederick inclined his neck until his forehead was upon the coverlet. +Mr. Marrapit scanned the neck. + +"Behind the ears are stale traces. Cleanse abundantly. To your bed." + +Without the door Frederick encountered Mr. Fletcher. "You let me catch +you reading abed to-night," Mr. Fletcher warned him. + +"Cleanse yer blarsted ear-'oles," breathed Frederick, pushing past. + + + +III. + +Mr. Fletcher moved in to the presence. + +"Is all securely barred, bolted and shuttered?" Mr. Marrapit asked. + +"It's all right." + +"I am apprehensive. This is the first night I have not accompanied you +upon your round. Colossal responsibility lies upon you. Should thieves +break through and steal, upon your head devolves the crime." + +Wearily Mr. Fletcher repeated: "It's all right." + +Mr. Marrapit frowned: "You do not inspire confidence. Sleep films your +eye. I shudder for you. Women and children are in your care this +night. The maids, Mrs. Armitage, Mrs. Major, my daughter, the young +life of Frederick, are in your hands. What if rapine and murder, +concealed in the garden, are loosed beneath my roof this night?" + +Mr. Fletcher passed a fist across his brow; spoke wearily: "It's all +right, Mr. Marrapit. I can't say more; I can't do more. I tell you +again it's all right." + +"Substantiate. Adduce evidence." + +Mr. Fletcher raised an appealing hand: "How can I prove it? My word's +a good word, ain't it? I tell you the doors are locked. I can't bring +'em up to show you, can I? I'm a gardener, I am." + +"By zeal give proof. Set your alarum-clock so that twice in the night +you may be roused. Gird then yourself and patrol. But lightly slumber. +Should my bell sound in your room spring instantly to my bedside. To +your couch." + +Battling speech, Mr. Fletcher moved to the door. At the threshold +protest overcame him. He gave it vent: "I should like to ast if I was +engaged to work by night as well as day? Can't I even have me rest? +'Ow many nights am I to patrol the house? It's 'ard--damn 'ard. I'm a +gardener, I am; not a watchdog." + +"Away, insolence." + +Insolence, upon the stairs, morosely descending, drew aside to give +room to Margaret and George. + +Margaret parted her lips at him in her appealing smile. "Oh, Mr. +Fletcher," in her pretty way she said, "you locked me out. Indeed you +did." She smiled again; tripped towards Mr. Marrapit's door. + +Mr. Fletcher stayed George, following. "Mr. George, did you shut up +secure behind Miss Margaret?" + +George reassured him; questioned his earnestness. + +Mr. Fletcher pointed through a window that gave upon the garden. "I've +the 'orrors on me to-night," he said. "According to Master there's +rapine lurking in them bushes. Mr. George, what'll I do if there's +rapine beneath this roof to-night?" + +"Catch it firmly by the back of the neck and hold its head in a bucket +of water," George told him. + +Mr. Fletcher passed, pondering the suggestion. "Only something to do +with rats after all," he cogitated with wan smile of relief. + + + +IV. + +Margaret, at her father's bedside, luxuriously mouthed the fine +phrases of the Book of Job which nightly she read him. Her chapter +finished, she inquired: "Shall I read on?" + +"Does Job continue?" + +"No, father. The next begins, 'Then answered Bildad, the Shuite.'" + +George coughed upon the threshold. + +"Terminate," said Mr. Marrapit. "Bildad is without." + +"Oh, father, George is not!" + +"He torments me. He is Bildad. Terminate. To your bed." + +She pressed a warm kiss upon Job's brow; took on her soft cheek the +salute of his thin lips. "You have everything, dear father?" + +"Prone on my couch I lack much. I am content. You are a good girl, +Margaret." + +"Oh, father!" She tripped from the room in a warmth of satisfaction. + +The rough head of Bildad the Shuite came round the door; spoke "Good +night." + +"Approach," said Job. Bildad's legs came over the mat. "You seek your +room? But not your couch?" + +"I'm going to bed, if that's what you mean," George told him. + +Mr. Marrapit groaned. "Spurn it. Shun sloth. In the midnight oil set +the wick of knowledge. Burn it, trim it, tend it." + +George withdrew to his room; set the midnight pipe in his mouth; +leaning from his window sped his thoughts to Battersea. + + + +V. + +One member of the house remained to be sent to sleep. Mrs. Major put a +soft knuckle to the door; came at the call; whispered "I thought I +might disturb you." + +"You never disturb me, Mrs. Major." + +A little squeak sprung from the nutter in the masterly woman's heart. + +"You sigh, Mrs. Major?" + +"Oh, Mr. Marrapit, I can't bear to see you lying there. The"--she +paused against an effort, then took the aspirate in a masterly rush-- +"the house is not the same without you." + +"Your sympathy is very consoling to me, Mrs. Major." + +"Oh, Mr. Marrapit!" She plunged a shaft that should try him: "I wish I +had the right to give you more." + +"Your position in this house gives you free access to me, Mrs. Major. +Regard your place as one of my own circle. Do not let deference stifle +intercourse." + +The masterly woman hove a superb sigh. "If you knew how I feel your +kindness, Mr. Marrapit. Truly, as I say to myself every night, fair is +my lot and goodly is my--" Icy dismay took her. Was the missing word +"hermitage" or "heritage"? With masterly decision she filled the blank +with a telling choke; keyed her voice to a brilliant suggestion of +brightness struggling with tears: "The sweetling cats are safely +sleeping. I have come straight from them. Ah, how they miss you! How +well they know you suffer!" + +"They do?" A tremble of pleasure was in Mr. Marrapit's voice. + +"They does--do." Mrs. Major recited their day, gave their menu. "I +must not tarry," she concluded; "you need rest. Good night, Mr. +Marrapit. Good night." + +"Good night, Mrs. Major." + +Mr. Marrapit put out his candle. + + + +VI. + +And now in every room, save one, Sleep drew her velvet fingers down +recumbent forms; pressed eyelids with her languorous kiss; upon her +warm breast pillowed willing heads; about her bedfellows drew her +Circe arms. + +Mrs. Major's room was that single exception, and it is that masterly +woman's apartment we now shall penetrate. + +Hurrying to semi-toilet; again assuring herself that the key was +turned; peering a last time for lurking ravishers beneath the bed, +Mrs. Major then fumbled with keys before her box--threw up the lid. + +Down through a pile of garments plunged her arm. Her searching fingers +closed about her quest and a very beautiful smile softened her face--a +smile of quiet confidence and of trust. + +In greater degree than men, women have this power of taking strength +from the mere contact of an inanimate object. A girl will smile all +through her sleep because, hand beneath pillow, her fingers are about +a photograph or letter; no need, as with Mrs. Major there was no need, +even to see the thing that thus inspires. The pretty hand will delve +to recesses of a drawer, and the thrill that brings the smile will run +up from, it may be, a Bible, a diary, or a packet of letters touched. +Dependent since Eden, woman is more emotionally responsive to aught +that gives aid than is man; for man is accustomed to battle for his +prizes, not to receive them. + +Mrs. Major drew up, that smile still upon her face, and the moon +through uncurtained window gave light upon the little joy she fetched +from the depths of her trunk. + +"Old Tom Gin." + +The neck of Old Tom's bottle clinked against a glass; Old Tom gurgled +generously; passed away through the steady smile he had inspired. + + * * * * * + +Mrs. Major set a carafe of water upon a little table; partnered it +with Old Tom; reclined beside the pair on a comfortable seat; closed +her eyes. + +At intervals, as the hand crept between eleven and twelve of the +clock, she would open them; when she did so diluted Old Tom in the +glass fell lower, full-bodied Old Tom in the bottle marched steadily +behind. + +The further Old Tom crept downwards from the neck of his captivity, +with the greater circumspection did Mrs. Major open her eyes. +Considerable practice had told this masterly woman that Old Tom must +be commanded with a steady will: else he took liberties. Eyes suddenly +opened annoyed Old Tom, and he would set the furniture ambulating +round the room in a manner at once indecorous in stable objects and +calculated to bewilder the observer. Therefore, upon setting down her +glass, this purposeful woman would squarely fix the bureau that stood +opposite her, would for a moment keep her gaze upon it with a +sternness that forbade movement, then gently would close her eyes. +When Old Tom must be again interviewed she would lift the merest +corner of an eyelid; catch through it the merest fraction of the +bureau; determine from the behaviour of this portion the stability of +the whole. + +Thus if the corner she sighted showed indecorous propensities--as, +swelling and receding, fluttering in some ghostly breeze, or +altogether disappearing from view,--she would drop her lid and wait +till she might catch it more seemly. This effected, she would work +from that fixed point, inch by inch, until the whole bureau was +revealed--swaying a little, perhaps, but presently quiescent. + +When, and not until, it was firmly anchored she would slowly start her +eye in review around the other objects of her apartment. If the wash- +stand had tendency to polka with the bed, or the wardrobe unnaturally +to stretch up its head through the ceiling, Mrs. Major would march her +gaze steadily back to the bureau, there to take fresh strength and +start again. When all was orderly--then Old Tom. + +Masterly in all things, this woman was most masterly in her cups. + + + +VII. + +Into Mr. Marrapit's dreams there came a whistle. + +He pushed at Sleep; she crooned to him and he snuggled against her. + +Upon his brain there rapped a harsh _Wow_! + +He wriggled from his bedfellow; she put an arm about him, drew him to +her. + +Now there succeeded a steady wash of sound--rising, falling, murmuring +persistent against his senses. + +He turned his back upon Sleep. She crooned; he wriggled from her. +Seductively she followed; he kicked a leg and jarred her, threw an arm +and hurt her. Disgusted, she slipped from bed and left him, leaving a +chilly space where she had warmly lain. + +Mr. Marrapit shivered; felt for Sleep; found her gone; with a start +sat upright. + +The breakwater gone, that wash of sound which had lapped around his +senses rushed in upon them. Lingering traces of the touch of Sleep +still offered resistance--a droning hum. The wash surged over, poured +about him--_VOICES_! + +Mr. Marrapit violently cleared his throat. The voices continued. +Violently again. They still continued. Tremendously a third time. They +yet continued. From this he argued that they could not be very close +to his door. Intently he listened, then located them--they came from +the garden. He felt for the bell-push that carried to Mr. Fletcher's +room; put his thumb upon it; steadily pressed. + +Sleep toyed no tricks in Mr. Fletcher's bed. Like some wanton mistress +discovered in the very act of betrayal, she at the first tearing +clamour of the electric bell bounded from the sheets, scuttled from +the room. + +"Rapine!" cried Mr. Fletcher; plunged his head beneath the bedclothes +and wrestled in prayer. + +The strident gong faltered not nor failed. Steady and penetrating it +dinned its hideous call. Mr. Fletcher waited for screams. None came. +He pushed the sheet between his chattering teeth, listened for +cudgelling and heavy falls. None came. That bell had single possession +of the night. The possibility that only patrolling was required of him +nerved him to draw from his concealment. He lit a candle; into +trousers pushed his quivering legs; upon tottering limbs passed up the +stairs to Mr. Marrapit's room. + +"Judas!" Mr. Marrapit greeted him. + +Mr. Fletcher sighed relief: "I thought it was rapine." + +"You have betrayed your trust. You are Iscariot." + +"I come when you rung." + +"Silence. I have heard voices." + +"God help us," Mr. Fletcher piously groaned; the candle in his shaking +hand showered wax. + +"Blasphemer! He will not help the craven. Gird yourself." + +"I'll call Mr. George." + +"Refrain. I will attend to that. Gird yourself. Take the musket from +the hall. It is loaded. Patrol!" + +"I don't want the musket." + +"Be not overbold. Outside you may be at their mercy." + +"_Outside!_" + +"Assuredly." + +"Me patrol outside!" + +"That is your task. Forward!" + +By now Mr. Marrapit had risen; swathed himself in a dressing-gown. +Sternly he addressed Mr. Fletcher: "As you this night quit yourself so +will I consider the question of your dismissal. If blood is spilt this +night it will be upon your head." + +Mr. Fletcher trembled. "That's just it. It's 'ard--damn 'ard--" + +"Forward, Iscariot." Mr. Marrapit drove Judas before him; in the hall +took down the gun and pressed it into the shaking hands. He drew the +bolts, impelled Iscariot outward, and essayed to close the door. + +Mr. Fletcher clutched the handle. Mr. Marrapit pushed; hissed through +the crack: "Away! Search every nook. Penetrate each fastness. Use +stealth. Track, trace, follow!" + +Discarding entreaty, Mr. Fletcher put hoarse protest through the slit +of aperture that remained: "I should like to ast if I was engaged for +this, Mr. Marrapit," he panted. "I'm a gardener, I am--" + +"I recognise that. To your department. With your life forefend it." + +Mr. Marrapit fetched the door against the lintel; in the brief moment +he could hold it close slid the lock. + + + +VIII. + +No tremor of fear or of excitement ruffled this remarkable man. Calm +in the breezes of life he was calm also in its tempests. This is a +natural corollary. As a man faces the smaller matters of his life so +he will face its crises. Each smallest act accomplished imprints its +stamp upon the pliable mass we call character; our manner of handling +each tiniest common-place of our routine helps mould its form; each +fleeting thought helps shape the mould. + +The process is involuntary and we are not aware of its working. +Character is not made by tremendous thumps, but by the constant +patterings of minutest touches. The athlete does not build his +strength by enormous exertions, but by consistent and gentle training. +Huge strains at spasmodic intervals, separated by periods in which he +lies fallow in sloth, add nothing to his capacity for endurance; it is +by the tally of each minute of his preparation that you may read how +he will acquit himself against the test. Thus also with the shaping of +character, and thus was Mr. Marrapit, collected in minor affairs, +mighty in this crisis. + + + +IX. + +Turning from the door he marched steadily across the hall towards the +stairs to arouse George. + +At the lowermost step a movement on the landing above made him pause. +He was to be spared the trouble. Placing the candle upon a table he +looked up. He spoke. "George!" + +"Wash it?" said a voice. "Wash it?" + +"Wash nothing," Mr. Marrapit commanded. "Who is this?" + +The answer, starting low, ascended a shrill scale: "Wash it? Wash it? +Wash it?" + +"Silence!" Mr. Marrapit answered. "Descend!" + +He craned upwards. The curl-papered head of Mrs. Major poked at him +over the banisters. + +"Darling," breathed Mrs. Major. "Darling--_um!_" + +"Mrs. Major! What is this?" + +"Thash what _I_ want to know," said Mrs. Major coquettishly. +"Wash it? Wash _ish_ it?" + +"You are distraught, Mrs. Major. Have no fear. To your room." + +The curl-papered head waggled. Mrs. Major beamed. "Darling. Darling-- +um!" + +"Exercise control," Mr. Marrapit told her. "Banish apprehension. There +are thieves; but we are alert." + +The head withdrew. Mrs. Major gave a tiny scream: "Thieves!" She took +a brisk little run down the short flight which gave from where she +stood; flattened against the wall that checked her impulse; pressed +carefully away from it; stood at the head of the stairs facing Mr. +Marrapit. + +He gazed up. "I fear you have been walking in your sleep, Mrs. Major." + +Mrs. Major did not reply. She pointed a slippered toe at the stair +below her; swayed on one leg; dropped to the toe; steadied; beamed at +Mr. Marrapit; and in a high treble coquettishly announced, "_One_!" + +Mr. Marrapit frowned: "Retire, Mrs. Major." + +Mrs. Major plumped another step, beamed again: "_Two_!" + +"You dream. Retire." + +Mrs. Major daintily lifted her skirt; poised again. The projected +slipper swayed a dangerous circle. Mrs. Major alarmingly rocked. That +infamous Old Tom presented three sets of banisters for her support; +she clutched at one; it failed her; "Three four five six seven eight +nine ten--_darling_!" she cried; at breakneck speed plunged downwards, +and with the "_Darling_!" flung her arms about Mr. Marrapit's neck. + +Back before the shock, staggering beneath the weight, Mr. Marrapit +went with digging heels. They could not match the pace of that swift +blow upon his chest. Its backward speed outstripped them. With +shattering thud he plumped heavily to his full length upon the floor; +Mrs. Major pressed him to earth. + +But that shock was a whack on the head for Old Tom that temporarily +quieted him. "What has happened?" Mrs. Major asked, clinging tightly. + +Mr. Marrapit gasped: "Release my neck. Remove your arms." + +"Where are we?" + +"You are upon my chest. I am prone beneath you. Release!" + +"It's all dark," Mrs. Major cried; gripped firmer. + +"It is not dark. I implore movement. Our juxtaposition unnaturally +compromises us. It is abhorrent." + +Mrs. Major opened the eyes she had tightly closed during that +staggering journey and that shattering fall. She loosed her clutch; +got to her knees; thence tottered to a chair. That infamous Old Tom +raised his head again; tickled her brain with misty fingers. + +Mr. Marrapit painfully rose. He put a sympathetic hand upon the seat +of his injury; with the other took up the candle. He regarded Mrs. +Major; suspiciously sniffed the air, pregnant with strange fumes; +again regarded his late burden. + +Upon her face that infamous Old Tom set a beaming smile, + +"Follow me, Mrs. Major," Mr. Marrapit commanded; turned for the +dining-room; from its interior faced about upon her. + +With rare dignity the masterly woman slowly arose; martially she +poised against the hat-rack; with stately mien marched steadily +towards him. + +Temporarily she had the grip of Old Tom--was well aware, at least, of +his designs upon her purity, and superbly she combated him. + +With proud and queenly air she drew on--Mr. Marrapit felt that the +swift suspicion which had taken him had misjudged her. + +Mrs. Major reached the mat. Old Tom gave a playful little twitch of +her legs, and she jostled the doorpost. + +With old-world courtesy she bowed apology to the post. "Beg pardon," +she graciously murmured; stood swaying. + + + +X. + +Step by step with her as she had crossed the hall, Mr. Fletcher, +recovering from the coward fear in which he shivered outside the door, +had crept forward along the path around the house. As Mrs. Major stood +swaying upon the threshold of the dining-room he reached the angle; +peered round it; in horror sighted Bill's figure pendant from +Margaret's window. + +Thrice the bell-mouth of his gun described a shivering circle; tightly +he squeezed his eyelids--pressed the trigger. + +BANG! + +Mr. Marrapit bounded six inches--hardly reached the earth again when, +with a startled scream, Mrs. Major was upon him, again her arms about +his neck. + +And now shriek pursued shriek, tearing upwards through her throat. Old +Tom had loosed the ends of all her nerves. Like bolting rabbit in +young corn the tearing discharge of that gun went madly through them, +and lacerated she gave tongue. + +Stifled by the bony shoulder that pressed against his face, Mr. +Marrapit went black. He jerked his head free, put up his face, and +giving cry for cry, shrilled, "George! George! George!" + +The din reached George where from his window he leaned, crying on +Abiram in the man-hunt across the garden. He drew in his head, bounded +down the stairs. Over Mrs. Major's back, bent inwards from the toes to +the rock about which she clung, Mr. Marrapit's empurpled face stared +at him. + +Upon George's countenance the sight struck a great grin; his legs it +struck to dead halt. + +Mrs. Major's shrieks died to moans. + +"Action!" Mr. Marrapit gasped. "Remove this creature!" + +George put a hand upon her back. It shot a fresh shriek from her; she +clung closer. + +"Pantaloon!" Mr. Marrapit strained. "Crush that grin! Action! Remove +this woman! She throttles me! The pressure is insupportable. I am +Sinbad." + +George again laid hands. Again Mrs. Major shrieked; tighter clung. + +Mr. Marrapit, blacker, cried, "Zany!" + +"Well, what the devil can I do?" George asked, hopping about the pair; +Mrs. Major's back as responsive to his touch as the keys of a piano to +idle fingers. + +"You run to and fro and grin like a dog," Mr. Marrapit told him. "Each +time you touch her she screams, grips me closer. I shall be throttled. +Use discretion. Add to mine your assurance of her safety. She is not +herself." + +George chuckled. "She's not. She's tight as a drum." + +"Liar!" moaned Mrs. Major. + +"Intoxicated?" Mr. Marrapit asked. + +"Blind." + +Sharp words will move where entreaty cannot stir. + +Mrs. Major relaxed her hold; spun round. "Monster" and "Perjurer" +rushed headlong to her lips. "Ponsger!" she cried; tottered back +against the sofa; was struck by it at the bend of her knees; collapsed +upon it. Her head sunk sideways; she closed her eyes. + +"You can see for yourself," George said. + +Mr. Marrapit sniffed: "My nose corroborates." + +"Ponsger!" the prone figure wailed. + +Mr. Marrapit started: "Mrs. Major!" + +She opened her eyes: "Call me Lucy. Darling-_um!_" She began to +snore. + +"Abhorrent!" Mr. Marrapit pronounced. + +Whisperings without made him step to the door. White figures were upon +the stairs. "To your beds!" he cried. + +"Oh, whatever is it, sir?" Mrs. Armitage panted. + +"Away! You outrage decency." Mr. Marrapit set a foot upon the stairs. +The affrighted figures fled before him. + +George, when his uncle returned, was peering through the blind. "Who +the devil loosed off that gun? It is immaterial. All events are buried +beneath this abhorrent incident. The roof of my peace has crashed +about me." Mr. Marrapit regarded the prone figure. "Her inspirations +grate upon me; her exhalations poison the air. Rouse her. Thrust her +to her room." + +"You'll never wake her now till she's slept it off." + +"Let us then essay to carry her. She cannot remain here. My shame +shall not be revealed, nor hers uncovered." + +George began: "To-morrow--" + +"To-morrow I speed her from my gates. My beloved cats have been in the +care of this swinish form. They have been in jeopardy. I tremble at +their escape. To-morrow she departs." + +A sudden tremendous idea swept over George, engulfing speech. + +With no word he moved to the sofa; grasped the prone figure; put it +upon its weak legs. They gave beneath it. "You must take her feet," he +said. + +Averting his gaze, Mr. Marrapit took the legs that Old Tom had +devitalised. The procession moved out; staggered up the stairs. + +Heavy was the burden; bursting with vulgar laughter was George; but +that huge idea that suddenly had come to him swelled his muscles, lent +him strength. + +He heaved the form upon the bed. + +On the dressing-table a candle burned. By its light Mr. Marrapit +discovered Old Tom's bottle, two fingers of the villain yet remaining. + +He beat his breast. "Extinguish that light. I to my room. Seek +Fletcher. He patrols the garden for malefactors. In the morning I will +see you. Before this disaster my chill is sped. You are of my flesh. Cleave +unto me. In our bosoms let this abhorrent sore be buried. Seek +Fletcher." + +The distraught man tottered to his room. + + + +XI. + +George went slowly down the stairs, bathing in the delicious thrills +of unfolding the wrappings from about his great idea. He had yet had +time but to feel its shape and hug it as a child will feel and hug a +doll packed in paper. Now he stripped the coverings, and his pulses +thumped as he saw how fine was it. Almost unconscious to his actions +he unbarred the door; stepped into the thin light; was not aroused +until, treading upon Mr. Fletcher's musket, his idea was suddenly +jolted from him. + +Here the gun that gave the echoes; where the hand that started it? + +A hoarse cry came to him: "Mr. George! Mr. George!" + +He looked along the sound. Above a hedge below the lawn an apple-tree +raised its branches. Within them he could espy a dark mass that as he +approached took form. Mr. Fletcher. + +The grass hushed George's footsteps. Rounding the hedge he came upon +the little drama that gave that note of dread to Mr. Fletcher's calls. + +Beneath the gardener's armpits one branch of the apple-tree passed; +behind his knees another. Between them hung his heavy seat. Whitely a +square of it peered downwards; melancholy upon the sward lay the lid +of corduroy that should have warmed the space. For ten paces outwards +from the tree-trunk there stretched a pitted path. Abiram, as George +came, turned at this path's extremity; set his sloe eye upon the dull +white patch in Mr. Fletcher's stern; hurled forward up the track; +sprang and snapped jaws an inch below the mark as Mr. Fletcher +mightily heaved. + +A lesser dog would have yapped bafflement, fruitlessly scratched +upwards from hind legs. Abiram was perfect dog of the one breed of dog +that is in all things perfect. Silently he plodded back; turned; ran; +leapt again. Again Mr. Fletcher heaved, and again the fine jaws +snapped an inch beneath the pallid square of flesh. + +As once more uncomplaining he turned, Abiram sighted George; ruffled. +George spoke his name. Abiram wagged that short tail that marked his +Champion Victor Wild blood, shook the skull that spoke to the same +mighty strain. + +This dog expected in his human friends that same devotion to duty +which is the governing trait of his breed. His shake implied, "No time +for social niceties, sir. I have a job in hand." + +"Call 'im off, Mr. George," Mr. Fletcher implored. "Call 'im--_ur!_"-- +he heaved upward as Abiram again sprang--"off," he concluded, sinking +once more as the bull-terrier trotted up the little path. + +It was a fascinating scene. "You're quite safe," George told him. + +"Safe! I'm _tired!_ I can't keep on risin' and fallin' ail night. It's +'ard--damn 'ard. I'm a gardener, I am; not a--_ur!_" He heaved again. + +George told him: "You do it awfully well, though; so neat." + +"Call 'im off," Mr. Fletcher moaned. "He'll have me in a minute. He's +'ad a bit off of me calf; he's 'ad a piece out of me trousers. He'll +go on. He's a methodical dog--_ur!_" + +George took a step; caught Abiram's collar. "How on earth did you get +up there?" + +"Jumped." + +"Jumped! You couldn't jump up there!" + +Mr. Fletcher took a look to see that Abiram was securely held; then +started to wriggle to a pose of greater comfort. "I'd jump a house +with that 'orror after me," he said bitterly. By intricate squirmings +he laid a hand upon the cold patch of flesh that gazed starkly +downwards from his stern. "If I ain't got hydrophobia I've got frost- +bite," he moaned. "Cruel draught I've had through this 'ole. Take 'im +off, Mr. George." + +George was scarcely listening. His thoughts had returned to the +delicious task of fingering his great idea. + +"Take 'im off, Mr. George," Mr. Fletcher implored. + +George passed a handkerchief under Abiram's collar; tugged for the +gate; there dispatched the dog down the road. + +Abiram shook his head; trotted with dejected stern. A job had been +left unfinished. + + + +XII. + +Hallooing safety to the apple-tree, too preoccupied to inquire further +into the reason for the gun and the presence of Bill's dog, George +turned for the house. + +Awakening birds carolled his presence. They hymned the adventures of +the day that Dawn, her handmaiden, came speeding, silver-footed, +perfume-bearing, fresh from her dewy bath, to herald. + +George put up an answering pipe. For him also the day was adventure- +packed and must lustily be hymned. Entering Mr. Marrapit's study he +drew the blinds; upon a telegraph form set Mary's name and her +address; pondered; then to these words compressed his great idea: + +"_Go agency this morning. Get name on books. Meet you there. Think can +get you situation here. George._" + +"Immediately the office opens," said George; trod up to his room. + + + + +CHAPTER IV. + +Mr. Marrapit Takes A Nice Warm Bath. + + + +I. + +As Mr. Marrapit had said, the disaster of the night had sped his +complaint. + +He appeared at breakfast. No word was spoken. He ate nothing. + +Once only gave he sign of interest. Midway through the meal muffled +sounds came to the breakfast party. Scufflings in the hall struck an +attentive light in Mr. Marrapit's eyes; slam of the front door jerked +him in his seat; wheels, hoofs along the drive drew his gaze to the +window. A cab rolled past--a melancholy horse; a stout driver, legs +set over a corded box; a black figure, bolt upright, handkerchief to +eyes. + +The vision passed. Mr. Marrapit gazed upwards; his thin lips moved. + +Vulgar curiosity shall not tempt us to pry into the demeanour with +which, an hour earlier, this man had borne himself in the study with +Mrs. Major. Of that unhappy woman's moans, of her explanations, of the +tears that poured from her eyes--bloodshot in a head most devilishly +racked by Old Tom--we shall not speak. + +Margaret stretched her hand for more bread. Despite the moving scenes +in which during the night she had travelled with her Bill, her +appetite was nothing affected. With her meals her sentimentality was +upon the friendliest terms. This girl was most gnawed by hunger when +by emotion she was most torn. + +She stretched for a third slice. + +Mr. Marrapit cleared his throat. The sound shot her. She caught his +eye and the glance pierced her. Her outstretched hand dropped upon the +cloth, toyed with crumbs. + +Mr. Marrapit said: "I perceive you are finished?" + +Margaret murmured: "Yes." Her voice had a tremulous note. It is a +bitter thing to lose a slice of bread-and-butter for which the whole +system imperatively calls. + +"Withdraw," Mr. Marrapit commanded. + +She put a lingering glance upon the loaf; wanly glided from the room. + + + +II. + +As she closed the door George prepared for his great idea. He drank +deeply of a cup of tea; drew down his cuffs; pondered them. They were +covered in pencilled notes, evolved by desperate work all that +morning, to aid him when the hour was at hand. + +He absorbed Note I; spoke: "I am afraid last night's events very much +distressed you, sir--" + +"They are interred. Do not resurrect them." + +George hurried to Note 2. "My sympathies with you--" + +"Let the dead bury the dead. Mourn not the past." + +George skipped to Note 3. "What I am concerned about is the cats." + +"You are?" + +"Oh, sir, indeed I am. I am not demonstrative. Perhaps you have not +guessed my fondness for the cats?" + +"I have not." + +"Believe me, it is a deep affection. When I saw that unhappy woman +tigh--under the influence of spirits, what was my first thought?" + +"Supply the answer." + +George took another glimpse at Note 3. "What was my first thought?" he +repeated. "Was it distress at sight of a woman so forgetful of her +modesty? No. Was it sympathy for the cruel deception that had been +practised upon you? Forgive me, sir, it was not." (He glanced at his +notes.) "What, then?" + +He paused brightly. + +"It is your conundrum," said Mr. Marrapit. "Solve it." + +George raised an impressive hand. "What, then? It was the thought of +the risks that the cats I so loved had run whilst beneath the care of +this woman." + +Mr. Marrapit's groan inspirited George. He was on the right track. He +took Note 4. "I asked myself, Who is responsible for the jeopardy in +which these creatures have been placed? Heaven knows, I said, what +they may not have suffered. This woman may have neglected their food, +she may have neglected their comforts. In a drunken fit she might have +poisoned them, beat them, set furious dogs upon them." + +Mr. Marrapit writhed in anguish. + +George acted as Note 4 bade him. He dropped his voice. "Let us trust, +sir," he said, "that none of these things has taken place." + +"Amen," Mr. Marrapit murmured. "Amen." + +George's voice took a sterner note. "But, I asked myself, Who is +responsible for those horrors that might have been, that may have +been?" + +Mr. Marrapit dropped his head upon his hands. He murmured: "I am. +Peccavi." + +George rose in noble calm. He read Note 5; gave it with masterly +effect: "No, sir. I am." + +"You!" + +"I! I have not slept since I leftyou, sir. I have paced my room and" +(he read a masterly note) "remorse has paced with me, step by step, +hour by hour. Did I help my uncle, I asked myself, when he was +selecting this Mrs. Major? No. Was I by his right hand to counsel and +advise him? No. Has not my training at hospital, my intercourse with +ten thousand patients, taught me to read faces like an open book? It +has. Should not I then have been by his side to help him when he +selected a woman for the post of caring for our-forgive me, sir, I +said 'our'--caring for our cats? I should. I asked myself how I could +make amends. Only by begging my uncle's forgiveness for my +indifference and by imploring him to let me help him in the choice of +the next woman he selects." + +A masterly pause he followed with an appeal sent forth in tones of +rare beauty: "Oh, sir, I do beg your forgiveness; I do implore you let +me make amends by helping you in your next choice." + +Mr. Marrapit wiped moist eyes. "I had not suspected in you this +profundity of feeling." + +George said brokenly: "I have given you no reason." + +Mr. Marrapit replied on a grim tone: "Assuredly you have not." + +George glanced at Note 6; fled from the danger zone. + +"Where I fear the mistake was made in Mrs. Major," he hurried, "was +that she was not a perfect lady. Our--forgive me for saying 'our'--our +cats are refined cats, cats of gentle birth, of inherent delicacy. +Their attendant should be of like breeding. She should be refined, her +birth should be gentle, her feelings delicate. She should be a lady." + +"You are right," Mr. Marrapit said. "As sea calleth to sea, as like +calleth to like, so would an ebb and flow of sympathy be set in motion +between my cats and an attendant delicately born. Is that your +meaning?" + +George murmured in admiration: "In beautiful words that is my +meaning." He paused. Now the bolt was to be shot, and he nerved +himself against the strain. He fired: "I have a suggestion." + +"Propound." + +No further need for notes. George pushed back his cuffs; gulped the +agitation that swelled dry and suffocating in his mouth. "This is my +suggestion. Because I have had experience in the reading of faces; +because I wish to make recompense for my share in the catastrophe of +Mrs. Major's presence; because--" + +"You are drowning beneath reasons. Cease bubbling. Strike to the +surface." + +George had not been drowning. He had been creeping gingerly from +stepping-stone to stepping-stone. The endeavour had been to come as +close as possible to the big rock upon which he intended to spring. +The less the distance of the leap the more remote the chance of +slipping down the rock and being whirled off in swift water. It is a +method of progression by which, in the race of existence, many lives +are lost. The timid will hobble from stone to stone, landing at each +forward point more and yet more shaky in the knees. The torrent roars +about them. Sick they grow and giddy; stepping-stones are green and +slimy; the effort of balancing cannot be unduly prolonged. + +Ere ever they feel themselves ready for the leap they slip, go +whirling and drowning downstream past the stepping-stones that are +called Infirmity of Purpose. Or they may creep close enough the rock, +only to find they have delayed over their hobbling progression until +the rock is already so crowded by others who have been bolder over the +stones as to show no foothold remaining. They leap and fall back. + +We are all gifted with strength sufficient for that spring; but +disaster awaits him who scatters his energies in a hundred hesitating +little scrambles. + +Now George sprang; poised upon that last "because." + +"And because--I wish--" He sprang--"Therefore I suggest that I should +go to town to-day and search every agency until I find you a lady I +think suitable." + +The thud of his landing knocked the breath out of him. In terror he +lay lest Mr. Marrapit's answering words should have the form of +desperate fellows who would hurl him from his hold, throw him back. + +"I agree," Mr. Marrapit said. + +George was drawn to his feet. He could have whooped for joy. + +"I agree. I have misjudged you. In this matter I lay my trust in you. +Take it, tend it, nurse it; cherish it so that it may not be returned +to me cold and dead. Speed forth." + +"Have I a free hand?" George asked. + +"Emphatically no. Every effort must be made to keep down expenses. +Here are two shillings. Render account. As to salary--" + +George burst out: "Oh, she'll come for anything." + +Mr. Marrapit started. "She? Whom?" + +George threw a blanket to hide the hideous blunder. "Told of such a +home as this is," he explained, "a true lady would come for anything." + +The blunder sank, covered. "I earnestly pray that may be so," Mr. +Marrapit said. "I doubt. Rapacity and greed stalk the land. Mrs. Major +had five-and-twenty pounds per annum. I will not go above that +figure." + +George told him: "Rely upon me. But, by a free hand I meant a free +hand as to engaging what I may think a suitable person." + +"Emphatically no. You are the lower court. Sift sheep from goats. Send +sheep here to me. I am the tribunal. I will finally select." + +The refusal placed a last obstacle in the path of George's scheme, but +he did not demur. Primarily he dared not. To demur might raise again +that blunder he had let escape when he had said, "She'll come for +anything"; this time it might rage around and not be captured. All +might be wrecked. Secondly he felt there to be no great need for +protest. The confidence of having won thus far gave him courage +against this final difficulty. + +"Trust me, sir," he said. + +Very soberly he paced from the room; gently closed the door; with the +tread of one bearing a full heart heavily moved up the stairs. + +He reached his room; ripped off sobriety. "Oh, Mary!" he exultantly +cried, "if I can get you down here, old girl!" + +Mr. Marrapit, meanwhile, stepped to the room where his cats lived; +lovingly toyed with his pets; took the Rose of Sharon a walk in the +garden. He was in pleasant mood. Great had been the distress of the +night, but this man had enjoyed a luxurious warm bath--in crocodile's +tears. + + + + +CHAPTER V. + +Miss Porter Swallows A Particularly Large Sweet. + + + +I. + +Mary in the little Battersea lodgings was at breakfast when her +George's telegram arrived. She puckered over its mystery; shaped +events this way and that, but could make of them no keyhole that the +message would fit and unlock. + +She flew among the higher improbabilities: George, she conjectured, +had misrepresented this stony-hearted uncle; last night had told all +to Mr. Marrapit, and Mr. Marrapit had warmed to her and bade him fetch +her to Herons' Holt. She ripped George's description of his uncle from +about the old man; dressed Mr. Marrapit in snowy locks and a benign +smile; pictured him coming down the steps with outstretched hand to +greet her. She heard him say, "My daughter"; she saw him draw George +to her, lock their hands; she heard him murmur, "Bless you, my +children." + +This was a romantic young woman. A poached egg was allowed to grow +cold as she trembled over her delectable fancies. + +But a glance at the telegram pulled her from these delicious flights; +bumped her to earth. "_Think can get you situation here._" "Situation" +drove the fatherly air from Mr. Marrapit; once more rehabilitated him +as her George presented him--grim and masterly. + +Further conjecture altogether drove Mr. Marrapit from the picture. +What situation could be offered her in the Marrapit household? Why +should "here" mean Herons' Holt? It must mean at a house in the +district. + +Upon the magic carpet of this new thought my Mary was whirled again in +an imaged paradise. She would be near her George. + +High in these clouds she ran to her bedroom for her hat; but with it +there descended upon her head a new thought that again sent her +toppling earthwards. Characterless, and worse than characterless, how +was she to get any such delightful post? My Mary started up the street +for the Agency, blinking tears. + +At Battersea Bridge a new thought came sweeping. She clutched on to +it; held it fast. Into her tread it put a spring; to her chin gave a +brave tilt. If everything failed, if of the telegram nothing came, +why, at least she had the telegram!--was making for the Agency under a +direct command from her George. The thought swelled her with +confidence and comfort. How warm a thing it was to feel that she did +not face the world alone! Her George's arm was striking for her, her +George's hand was pointing a terse command. "Go to Agency." She was +obeying him; she belonged to him. + + + +II. + +Mary had intended to wait outside the Agency until her George should +arrive and explain his mysterious message. But she was scarcely at the +building when Miss Ram, also arriving, accosted her--took her +upstairs. Miss Ram quite naturally regarded the meeting as evidence +that Mary had come for help. Mary, in a flutter as to George's +intentions, could but meekly follow. + +In the room marked "Private," settled at her table, Miss Ram icily +opened the interview. "I have heard from Mrs. Chater. I did not expect +to see you again." + +Mary began: "I don't know what you have heard--" + +Miss Ram stretched for a letter. + +"Oh, I don't wish to," Mary cried; put out a hand that stayed the +action. "To hear all she says would again begin it all. It would be +like her voice. It would be like being with her again. Please, please, +Miss Ram, don't tell me." + +"You have your own version?" + +"I have the truth." Mary pointed at the letter-file. "The truth isn't +there. Mrs. Chater isn't capable of the truth. She cannot even +recognise the truth when she hears it." + +In yet more freezing tones Miss Ram replied: "She is an old and valued +client." + +"You only know her in this office," Mary told her. "You don't know her +in her home." + +"I have suited her with other young ladies. I have heard of her from +them." + +"And they have spoken well of her?" + +"Discounting the prejudice of a late employee, they have spoken well." + +"Was her son there with them?" + +"They have not told me so." + +"Ah!" said Mary; sat back in her chair. + +"Then your version is about the son?" + +Mary nodded. Recollection put a silly lump in her throat. + +Miss Ram said: "Miss Humfray, when I received that letter from Mrs. +Chater, I said I would have no more to do with you. I told Miss Porter +I would not see you. Why, out of all my ladies, do you come back to me +characterless from your situations? I will listen to your story. Make +it very brief. Don't exaggerate. I have sat in this chair for +seventeen years. I can distinguish in a minute between facts and +spleen. You desire to tell your version?" + +"I must," Mary said. "What I'd like to do would be to get up and say, +'If you doubt me, I'll not trouble to convince you.' I'd like to walk +out and leave you and face anything rather than 'explain.' Why should +I 'explain' to anybody? But I'm not going to walk out. I haven't the +pluck. I know what it is like to be alone out there." She gave a +little choke. "I've learnt that much, anyway." She went on. "I'll just +tell you, that's all. I don't want your sympathy; I only want your +sense of justice." + +"I like your spirit," Miss Ram said. It was a quality she rarely found +in her applicants. "Go on." + +Then Mary told. She phrased bluntly. Her recital was after the manner +of the fireworks called "Roman candles." These, when lit, pour out +fire and smoke in a rather weak-kneed dribble. They must be held +tightly. When tensely enough constricted, of fire and smoke there is +little, but at intervals out there pops an exceedingly luminous ball +of flame. + +My Mary kept the pressure of pride upon her throat. There was no +dribble of emotion. Only the facts popped out--hard and dry, and to +Miss Ram intensely illuminative. Mary did not mention George's name. +She concluded her narrative with jerky facts relative to the scene in +the Park. "Then I ran away," she said, "and a friend of mine came up. +He had seen. And he thrashed him. When I got back to Mrs. Chater's her +son had arrived--battered. He told his mother that he had seen me with +a man and had interfered. That the man assaulted him. That's all." + +"The miserable hound!" pronounced Miss Ram with extraordinary +ferocity. + +From a drawer in her desk she took a manuscript book, bound in limp +leather, tied with blue ribbon. Herein were contained the remarkable +thoughts which from time to time had come to this woman during her +seventeen years' occupancy of the chair in which she sat. Upon the +flyleaf was inscribed "Aphorisms: by Eugenie Ram." It was her intent +to publish this darling work when beneath each letter of the alphabet +twelve aphorisms were written. + +"The miserable hound!" cried she, when the full tale of Mr. Bob +Chater's vileness was told; drew "Aphorisms" towards her and wrote in +hot blood. + +Then looked at Mary. "_L,_" she read, "_L. Lust. Lust is the sound +meat of natural instinct gone to carrion. Men eat meat, wolves eat +carrion. Some men are wolf-men_--Hand me the dictionary, Miss Humfray. +Two r's in carrion. I _thought_ so. Thank you." + +She replaced "Aphorisms." "My dear, I will do what I can for you," she +told Mary. "I _do_ believe you. Go into the interview room. I hear a +step." + + + +III. + +That step was George's. Abashed in this home of women he shuffled +uneasily in the passage, then put a hesitating knuckle upon +"Enquiries." + +From within a violent movement was followed by a strange guttural +sound. George entered. + +With scarlet face and watery eyes, Miss Porter--the stout young woman +who presided over this department, and whose habit it was to suck +sweets the better to beguile the tedium of her duties--gazed at him; +made guttural sounds. The start of George's knock had caused this girl +to swallow a particularly large sweet, and its downward passage was +inflicting upon her considerable pain. + +Her face was an alarming sight. "I'm afraid--" George began. + +"Pardon!" gasped Miss Porter, driving the sweet with a tremendous +swallow. "Pardon!" + +"Not at all," George pleasantly said. "Not at all. I called with +reference to a lady-help." + +The grinding sweet forbade the pleasant dalliance + +Miss Porter could have wished with this handsome young man. In a brave +spasm (this girl was in great suffering), "I will tell the Principal," +she said; trod heavily to Miss Ram's door. + +Fate is an abominable trickster; loves to tease us. With one hand it +gave Miss Porter a delectable male; with the other prevented her +enjoying him. Furthermore, it prematurely deprived her of a fine +sweet. + +Reappearing and holding the door ajar: "Miss Ram will see you," she +murmured. Tears were in this girl's eyes; the bolted sweet was still +paining her very much indeed. + +IV. + +In two clever bows Miss Ram without a word greeted George; indicated a +chair. + +George sat down. "I want," he began--"that is, my uncle wants, a +lady-help--" + +"Name, please," rapped Miss Ram, opening the ledger. + +George gave it; stretched a leg to indicate a confidence he did not +feel; pitched his voice to aid the presentment. "When I say lady-help--" + +"Address, please," said Miss Ram with a pistol-snap. + +George withdrew the signs of confidence with a jerk. He gave the +information. Then waited Miss Ram to give him a lead. He had twice +been shot; was in no desire again to expose his person. + +Miss Ram fixed her small black eyes upon him. She said nothing. The +intrusion of a young man into matters essentially domestic she +strongly disapproved. Under "D" in "Aphorisms" this woman had a +trenchant note touching this matter. "_D. Domesticity. Domesticity_," +said this note, "_is the offspring of all the womanly virtues. The +virtues impregnate the woman, and domesticity is the resultant child. +Absence of a single womanly trait aborts or debilitates the offspring. +Men have nothing whatever to do with it, and nothing is more +abominable than a man who meddles with domestic matters._" + +The rays of Miss Ram's disconcerting eye pushed George steadily +backwards from the rock of such small confidence as remained to him. +Assailed by the inquiring bows with which she now interrogated his +further purpose, he slipped from it, plunged wildly into the sea of +what he required, and for five minutes beat this way and that, hurling +the splash of broken sentences at Miss Ram's unbending countenance. + +Beginning a description of Mr. Marrapit's household, he floundered +thence to a description of the required lady's duties; abandoning that +unfinished, splashed to a description of the manner of person for whom +he sought. + +It was his object to paint a character and appearance as near to his +Mary's as he could master; to induce Miss Ram to suggest her as likely +candidate for the post. He could not introduce his Mary to his uncle +unless she came under the auspices of some recognised institution. + +So he floundered on. + +Miss Ram did not move. His struggles grew less; he caught at haphazard +words; flung them desperately; at last relapsed; sat sweating. + +Miss Ram poked him with a questioning bow. He did not stir. + +With a further bow she accepted his defeat; handed him a pink paper. +"Now, kindly fill up this form. State precisely what you require. +Write clearly, please." + +George obeyed. Miss Ram studied the answers to her printed +interrogations; opened her ledger. "I have several suitable ladies." +She started to read a list. "Miss Minna Gregor; aged 25; daughter of +the late Humphrey Gregor, stockbroker; three years' character from +Mrs. Mountsaffron of Charles Street, to whom she was lady-help and +from whom an excellent reference may be obtained." + +"Too old," said George. + +Miss Ram frowned; returned to the ledger. "Miss Ellen Hay; aged 20; +daughter of Lieutenant Hay, late R.N. For two years with Mrs. Hoyle- +Hoyle of Knightsbridge." + +George squeaked, "Too young." He had not anticipated this ordeal. + +Miss Ram read on. At the fifteenth name George was in desperate +agitation. His list of objections was exhausted. Each protest had +narrowed his field. + +"This is the last upon my books," Miss Ram severely told him. "She +fills all your requirements. None of your objections applies. You will +certainly engage her." + +"I feel sure I shall," George brightly said. If this was the last name +it must be Mary. + +"I am glad to hear that," Miss Ram announced. "You are hard to please. +This is a most admirable young woman." + +George leaned forward with an expectant smile. Miss Ram read: "Miss +Rosa Brump--" + +George's smile died. An "Eh?" was startled out of him. + +"Brump," said Miss Ram testily. "Brump. B-r-u-m-p, _Brump_." + +George said "Oh!"; ran a finger around the inside of his collar. + +Miss Ram read on, emphasising the Brumps with the suggestion of a ball +bouncing from rock to rock: + +"Miss Rosa _Brump_; aged 21; daughter of the late Selwyn Agburn +_Brump_, barrister-at-law. Companion to Miss Victoria Shuttle of +Shuttle Hall, Shuttle, Lines, until that lady's death. The late Miss +Shuttle dying suddenly, Miss _Brump_ has no reference from her. What +that reference would have been, however, is clearly evidenced by the +fact that in her will Miss Shuttle bequeathed 'to my faithful +companion Rosa _Brump_,' her terra-cotta bust of the late Loomis +Shuttle, Esq., J.P., inventor of the Shuttle liquid manure." + +Miss Ram wagged a finger at George. "That speaks for itself," she +said. + +George did not answer. He was in a confusion of fear. This terrible +woman would force Miss Brump upon him. He was powerless in her hands. +He was in chains. + +"Does it not?" poked Miss Ram. + +"Rather," said George. "Oh, rather." + +"Very good. I congratulate your uncle upon obtaining this estimable +young woman. She should call here in a few minutes. You can then make +final arrangements. Meanwhile, this form--" + +George hurled himself free from this hypnotic panic. Anything must be +done to shake off this intolerable Brump. + +"One moment," he said. "I had forgotten--" + +"Well?" + +"What colour is Miss Brump's hair?" + +"Her _what?_" + +"Hair. Her hair." + +"How extraordinary! Brown." + +George effected an admirable start. He echoed: "_Brown?_ Oh, not +brown?" + +"Certainly. Brown." + +George mournfully shook his head. "Oh, dear! How unfortunate! I'm +afraid Miss Brump will not suit, Miss Ram. My uncle--extraordinary +foible--has a violent objection to brown hair. He will not have it in +the house." + +"Unheard of!" Miss Ram snapped. "Unheard of!" + +George rubbed together his sweating palms; blundered on. "None the +less a fact," he said impressively. He dropped his voice. "It is a +very sad story. He had fifteen brothers--" + +"Fifteen!" + +"I assure you, yes. All were black-haired except one, who was brown-- +the first brown-haired child in the history of the house. 'Bantam' +they used to call him when they were girls and boys together-- +'Bantam.'" + +"_Girls_! You said brothers!" + +"Ah, yes. Girls as well. Twelve, twelve girls." + +"Twelve girls and fifteen boys!" + +"I assure you, yes. A record. As I was saying, the brown-haired child, +he took to drink. It is most painful. Died in a madhouse. My uncle, +head of the family, reeled beneath the stigma--reeled. Vowed from that +day that he would never let a brown-haired person cross his +threshold." + +George wiped his streaming face; sat back with a sigh. Miss Brump was +buried. + +Miss Ram's next words caused him to start in his seat. + +"But your hair is brown." + +My contemptible George, all his lies now rushing furious upon him, put +his hand to his head; withdrawing it, gazed at the palm with the air +of one looking for a stain. + +"How about _that_?" rapped Miss Ram. + +George gave a wan smile. "It is my misfortune," he said simply--"my +little cross. We all have our burdens in this life, Miss Ram. Pardon +me if I do not care to dwell upon mine." + +With a bow Miss Ram indicated sympathy; decorously closed the subject. + +George gave a little sigh. With a simulation of brightness he +proceeded: "You are sure you have no other lady?" + +"I have one," said Miss Ram. "She would not suit." + +"May I be allowed to judge?" + +Miss Ram turned to the ledger. "'Miss Mary Humfray.'" + +George started. "It is nothing," he explained. "One of those shivers; +that is all." + +Miss Ram bowed. "'Miss Mary Humfray; aged 21; only child of the late +Colonel Humfray, Indian Army; references from former employer not +good, but with extenuating circumstances.'" + +"I think she might suit," George said. "She--she--" he groped wildly +--"she is the daughter of a colonel." + +"So were four others." + +George wiped his brow. "The--the _only_ daughter." + +"You consider that a merit?" + +"My uncle would. He has curious ideas. He is himself an only child." + +Miss Ram stared. George had the prescience of trouble, but could not +find it. "Oh, yes," he said, "oh, yes." + +"Fifteen brothers and twelve sis--" + +George saw the gaping pit; sprang from it. "_Has_ an only child," he +corrected. "_Has_, not _is_." + +Miss Ram glared, continued: "What of the absence of character?" + +"I imagine the fact of being an only child would override that. You +said there were extenuating circumstances?" + +"There are. I personally would speak for the young lady." + +Excitement put George upon his feet. "I thank you very much, Miss Ram. +I feel that this lady will suit." + +"You have asked nothing about her. With the others you were unusually +particular." + +"I act greatly by instinct. It is a family trait. Something seems to +assure me in this case." + +Miss Ram gazed searchingly at George; answered him upon an interested +note. "Indeed!" she spoke. "Remarkable. Pray pardon me." She drew +"Aphorisms" from its drawer; hesitated a moment; with flowing pen +wrote beneath "I." + +She turned towards George. "Pray pardon me," she repeated. "What you +tell me of acting by instinct greatly interests me as a student of +character. In this little volume here I--allow me." She emphasised +with a quill-pen. "_I. Instinct. Instinct is the Almighty's rudder +with which He steers our frail barques upon the tempestuous sea of +life at moments when otherwise we should be quite at a loss. Some of +us answer quickly to this mysterious helm and for example something +seems to tell them in the middle of the night that the house is on +fire, and they get up and find it is. Let those who don't answer +quickly beware!_" + +"That's awfully well put," said George. "Awfully well." + +For the first time Miss Ram smiled. "You would wish to interview the +young lady?" she asked. "Fortunately she is present. Kindly step to +the Interview Room." + +She led the way. With thundering pulses George followed. His Mary +rose. Miss Ram introduced them. + +George rolled his tongue in a dry mouth; passed it over dry lips. He +had no words. + +"Have you no questions?" Miss Ram asked severely. + +For a third time since he had entered this building, panic broke +damply upon George's brow. He blew his nose; in a very faint voice +asked: "Your age is twenty-one?" + +Upon an agitated squeak his Mary told him: "Yes." + +"Ah!" In desperation he paused: caught Miss Ram's awful eye; was +goaded to fresh plunge. "Ah, one-and-twenty?" + +In a tiny squeak Mary replied: "Yes." + +He shuffled in desperation. "When will you be twenty-two?" + +"In February." + +"Ah! February." This was awful. "February." + +Miss Ram's eye stabbed him again. + +"February. Then you must be twenty-one now?" + +"_Tch-tch!_" sounded Miss Ram. + +"Twenty-one," George stammered. "Twenty-one--" + +From the other room at that moment Miss Porter called. + +"I am required," said Miss Ram, "elsewhere. I will return in a +moment." She passed out; closed the door. + + + +V. + +"My darling!" cried George. + +"Georgie!" + +They embraced. + +He held her to him; kissed the soft gold hair. + +On a movement in the next room his Mary wriggled free. "Tell me." + +"By Gad, it's been awful! Did you hear me in that room?" + +She nodded, laughing at him. He kissed the smiles. + +"Oh, do be careful! Let _go_, George; let _go_. I couldn't hear what +you said. But you were hours--_hours_." + +"Years," said George. "Years. Aeons of time. I have aged considerably. +I thought it would never end. It was appalling." + +She clasped her pretty hands. "But tell me, George. Do tell me. I +don't understand _anything_. What has _happened?_" + +"Give me time," George told her. "I am not the same George. The light- +hearted George of yore is dead under Miss Ram's chair. I am old and +seamed with care." + +"George, _do, do_ tell me! Don't fool." + +"I'm not fooling. I can't fool. You don't realise what I have been +through. You have no heart. I can't fool. When I was a child I thought +as a child; I did childish things. But now that I have been through +Miss Ram's hands my bright boyhood is sapped. I am old and stricken in +years." + +"Oh, Georgie, _do, do_ tell me!" + +This ridiculous George gave a boyish laugh; clasped his Mary again; +squeezed her to him till she gasped. "I've got you, Mary!" he said. He +kissed the gold hair. "I've got you. I'm going to see you every day. +You're coming down to live at Herons' Holt." + +Then he told her. + + + +VI. + +Miss Ram returned; directed at George a bow that Was one huge note of +interrogation. + +"Quite satisfactory," George replied. "I am sure my uncle will agree." + +"There is, of course," objected Miss Ram, "the unfortunate matter of +references." + +George took a frank air. "Miss Ram, I am quite willing to take your +personal assurances on that matter. On behalf of my uncle I accept +them." + +"I will send a written statement of the matter," said Miss Ram. Her +air was dogged. + +"I most solemnly assure you that is unnecessary." + +Miss Ram killed him with a bow. "It is my custom. I have the +reputation of seventeen years to sustain." + +George quailed. + +"Your uncle," Miss Ram exclaimed, "will also wish to see Miss Humfray. +She shall go this afternoon." + +"Not this afternoon," George told her. "No. To-morrow. He could not +see her to-day." + +"Very well. To-morrow. To-night I will write the references to him. +Kindly pay the fee to Miss Porter in the office. Good morning!" + +She pushed him off with a stabbing bow. He fled. + + + +VII. + +In that delectable interview during Miss Ram's absence George had +arranged with his Mary that this was a day to be celebrated. She +should not proceed instantly to be weighed by Mr. Marrapit; let that +ordeal be given to the morrow. This splendid day should splendidly +end; tremendous gaiety should with a golden clasp fasten the golden +hours of the morning. In the afternoon he had a lecture and clinical +demonstrations. Like a horse he would work till half-past six. At +seven he would meet his Mary in Sloane Square. + +So it was. At that hour George from the top of his 'bus spied his Mary +upon the little island in the Square. He sprang down and his first +action was to show a fat and heavy sovereign, pregnant with delights, +lying in his palm. + +"Borrowed," said George. "One pound sterling. Twenty shillings net. +And every penny of it is going to fly." + +He called a hansom, and they smoothly rolled to Earl's Court. + +When sovereigns are rare possessions, how commanding an air the feel +of one imparts! Mary watched her George with pride. How masterful was +he! How deferential the head waiter at the restaurant in the +Exhibition became! The man was putting them off with an inner table. +Her George by a look and a word had him in a minute to right-abouts, +and one of the coveted tables upon the verandah was theirs. Waiters +flocked about. With such an air did George command the cheapest wine +upon the list that the waiter, whose lip ordinarily would have curled +at such an order, hastened to its execution with dignity of task, +deference of service. + +They ate robustly through the menu: faltered not nor checked at a +single dish. They passed remarks upon their neighbours. At intervals +George would say, "Isn't this fine, Mary?"; or his Mary would say, +"Oh, Georgie, isn't this splendid?" And the other would answer, +"Rather!" + +A meal and a conversation to make your proper lovers shudder! There +was no nibbling at and toying with food; there was no drinking and +feasting from the light of one another's eyes. When George felt +thirsty he would put his nose in the cheap claret and keep it there +till mightily refreshed; such hungry yearnings as his Mary felt she +satisfied with knife and fork. These were very simple children and +exceedingly healthy. + +But while his Mary's tongue ached with a cold, cold ice, George was in +the pangs of mental arithmetic. As the bill stood, that pregnant +sovereign had given birth to all the delights of which it was capable; +was shattered and utterly wrecked in child-bed. + +A waiter came bustling. There was just time. George leant across. +"Mary, when I ask you if you'll have coffee, say you prefer it +outside--it's cheaper there." + +"Coffee, sir?" + +"Special coffee," George ordered nonchalantly. "Yes, two. One moment. +Would you rather have your coffee outside near the band, Mary?" + +His Mary was splendid. She looked around the room, she looked into the +cool night--and there her eye longer lingered. "It's cooler outside," +she said. "I think it would be nicer outside, if you don't mind." + +"All right." + +"Sure you don't mind?" + +"Oh, no; no, not a bit. Bill, waiter." + +The waiter bowed low over his munificent tip; dropped it into a +jingling pocket. George gathered his miserable change; slid it +silently to where it lay companionless; with his Mary passed into the +warm night. + +In the Empress Gardens they found a hidden table; here sipped coffee, +and here were most dreadfully common. Mary's hand crept into her +George's; they spoke little. The warm night breeze gently kissed their +faces; the band stirred deepest depths; they set their eyes upon the +velvety darkness that lay beyond the lights, and there pictured one +another in a delectable future. Mary saw a very wonderful George; now +and then glimpsed a very happy little Mary in a wonderful home. George +also saw a happy little Mary in a wonderful home, but he more clearly +followed a very wonderful George, magnificently accomplishing the +mighty things that made the little Mary happy. + + * * * * * + +George kissed his Mary upon the doorstep of the Battersea lodgings; +caught the last train to Paltley Hill; and as he walked home from the +station the scented hedges murmured to him with his Mary's voice. + + + + +CHAPTER VI. + +The Girl Comes Near The Lugger. + + + +I. + +At breakfast upon the following day George set forth the result of his +labours; with urgent eloquence extolled the virtues of this Miss +Humfray. + +Before Mr. Marrapit's plate lay an open envelope; upon the back George +could read the inscription "Norfolk Street Agency for Distressed +Gentlewomen." + +What had Miss Ram said of his Mary? The thought that she had written a +reference which at the last moment would dash into dust this mighty +scheme, was as a twisting knife in George's vitals. Every time that +Mr. Marrapit stretched his hand for the letter the agitated young man +upon a fresh impulse would dash into defiant eulogy of his darling; +and so impetuous was the rush of his desperate words that at the beat +of every new wave Mr. Marrapit would withdraw his startled hand from +the letter; frown at George across the coffee-pot. + +At last: "Sufficient," he announced. "Curb zeal. Mount discretion. +Satisfy the demands of appetite. You have not touched food. Tasks he +before you. Do not starve the brain. I am tired of your eulogies of +this person. For twenty-one minutes you have been hurling +advertisements at me. I am a hoarding." + +The bill-sticker pushed a piece of bacon into a dry mouth; sat with +goggling eyes. + +The hoarding continued: "I have here this person's reference. It is +good." + +"Down shot the piece of bacon; convulsively bolted like Miss Porter's +sweet. + +"Good!" cried George. + +"I said good. For faulty articulation I apologise." + +"I know, I heard. I meant that I am pleased." + +"Strive to express the meaning. The person arrives for inspection at +mid-day. For your assistance I tender thanks. The incident is now +closed. Do you labour at hospital to-day?" + +George had determined to be at the fount of news. In town, uncertain, +he could have applied himself to nothing. He said: + +"No, here; I work here to-day." + +"To your tasks," commanded Mr. Marrapit. + + + +II. + +George went to his room, but his tasks through that morning lay +neglected. + +Impossible to work. He was in a position at which at one time or +another most of us are placed. He was upon one end of a balanced see- +saw, and he was blindfolded so that it was impossible to see what +might happen upon the other extremity. Suddenly he might be swung up +to highest delight; suddenly he might be dashed earthwards to hit +ground with a jarring thud. The one eventuality or the other was +certain; but he must sit blindfold and helpless--unable to affect the +balance by an ounce. Here is the position in which all of us are made +cowards. Bring the soldier into action, and his blood will run hot +enough to make him intoxicated and insensible to fear; hold him in +reserve, and courage will begin to ooze. Give us daylight in which we +may see aught that threatens us, and likely enough we shall have +desperate courage sufficient to rush in and grapple; it is in the +darkness that uncertainty sets teeth chattering. More prayers are +said, and with more devotion, at night than in the morning. We creep +and crawl and squirm to heaven when the uncertainty of the night has +to be faced; but we can get along well enough, thank you, when we +spring out of bed with the courage of morning. + +George could not work until he knew whether he was to be swung high or +thrown low. He paced his room; glimpsed his watch; tremendously +smoked--and groaned aloud as, at every turn, he would receive the +buffets of recollection of some important point upon which he had +omitted to school his Mary. + +In those desperate moments he decided finally that Margaret should not +be told that Mary and he were so much more than strangers. Supposing +all went well, and his Mary came to Herons' Holt, her safety and his +would certainly be imperilled by giving the key of their secret to his +cousin. It was a hard resolve. About the beautiful romance of the +thing Margaret's nature would have crooned as a mother over her +suckling. She would have mothered it, cherished it, given them a +hundred opportunities of exchanging for clasps and whispers the chilly +demeanour they must bear one to another. But the pleasure must be +foregone. My George had the astonishing sense to know that the animal +instinct in Margaret's nature would outride the romance. Twice the +countless years that separate us from the gathering of our first +instincts may pass, and this the strongest of them--the abhorrence of +secrecy-will never be uprooted. When all life was a ferocious struggle +for life, secrecy--and it would have been the secret of a store of +food--was inimical to the existence of the pack: it was opposed to the +first of the slowly forming laws of nature. There must be equality of +opportunity that all might equally be tested. Thus it was that a +secret hoard of food, when come upon, instantly was noised abroad by +the discoverer, and its possessor torn to death; and thus it is to-day +that a secret once beyond the persons immediately concerned is carried +from mouth to mouth till the world has it, and its first possessors +take the violence of discovery. + +For a reason that was almost similar George negatived the impulse +which bade him meet his Mary at the station, walk with her to the +house, and leave her before the gates. For, supposing again that she +were accepted and came to Herons' Holt, this suspicious meeting would +come flying to Mr. Marrapit upon the breezes that whirl in and out of +every cranny and nook in small communities. Towns are blind and deaf; +villages have peeping eyes, straining ears, loose mouths, that pry and +listen and whisper. + +Almost upon the hour of twelve there came to the agitated young man's +ears a ring that could be none other than hers. + +He tip-toed to the banisters; peered below. His Mary was ushered in. + +While she stood behind the maid who tapped on Mr. Marrapit's door, she +glanced up. George had a glimpse of her face; waved encouragement from +the stairhead. + +The maid stood aside. His Mary passed in to the ogre's den. + + + +III. + +Clad in a dressing-gown, Mr. Marrapit was standing against the +fireplace. My trembling Mary settled just clear of the closing door; +took his gaze. He put his eye upon her face; slowly travelled it down +her person; rested it upon her little shoes; again brought it up; +again carried it down; this time left it at her feet. + +The gaze seemed to burn her stockings. She shuffled; little squirms of +fright nudged her. She glanced at her feet, fearful of some hideous +hole in her shoes. + +"I am--" she jerked. + +Then Mr. Marrapit spoke: "I see you are. Discontinue." + +The command was shot at her. Trembling against the shock she could +only murmur: "Discontinue?" + +"Assuredly. Discontinue. Refrain. Adjust." + +"Discontinue...?" With difficulty she articulated the word, then put +after it on a little squeak: "... What?" + +"It," rapped Mr. Marrapit. + +"I am afraid--" + +"I quake in terror." + +"I don't understand." + +"Pah!" Mr. Marrapit exclaimed. "You said 'I am.' Were you not about to +say 'I am standing on the polished boards'?" + +"No." + +"I believed that was in your mind. Let it now enter your mind. You are +on the polished boards. You have high heels. I quake in terror lest +they have left scratch or blemish. Adjust your position." + +Mary stepped to the carpet. She was dumb before this man. + +Mr. Marrapit bent above the polished flooring where she had stood. +"There is no scratch," he announced, "neither is there any blemish." +He resumed his post against the fireplace and again regarded her: "You +are young." + +"I am older really." + +"Elucidate that." + +"I mean--I am not inexperienced." + +"Why say one thing and mean another? Beware the habit. It is +perilous." + +"Indeed it is not my habit." + +"It is your recreation, then. Do not indulge it. Continue." + +"I am young, but I have had experience. I think if you were to engage +me I would give you satisfaction." + +"Adduce grounds." + +"I would try in every way to do as you required. I understand I am to +look after cats." + +"Where?" + +"Here." + +"Abandon that impression. I have not said so." + +"No, I mean if you engage me." + +"Again you say one thing and mean another. I am suspicious. It is a +habit." + +"Oh, _indeed_ it is not." + +"Then if a recreation, a recreation to which you are devoted. You romp +in it. Twice within a minute you have gambolled." + +My Mary blinked tears. Since rising that morning, her nerves had been +upon the stretch against this interview. She had schooled herself +against all possibilities so as to win into the house of her dear +George, yet at every moment she seemed to fall further from success. + +"You ca-catch me up so," she trembled. + +Mr. Marrapit expanded upwards. "Catch you up! A horrible accusation. +The table is between us." + +"You mis-misunderstand me." She silenced a little sniff with a dab of +her handkerchief. She looked very pretty. Mr. Marrapit placed beside +her the mental image of Mrs. Major; and at every point she had the +prize. He liked the soft gold hair; he liked the forlorn little face +it enframed; he liked the slim little form. His cats, he suspected, +would appreciate those nice little hands; he judged her to have nice +firm legs against which his cats could rub. Mrs. Major's, he +apprehended, would have been bony; not legs, but shanks. + +Mary made another dab at her now red little nose. The silence +increased her silly fright. "You mis-misunderstand me," she repeated. + +With less asperity Mr. Marrapit told her: "I cannot accept the blame. +You wrap your meanings. I plunge and grope after them. Eluding me, I +am compelled to believe them wilfully thrown. Strive to let your yea +be yea and your nay nay. With circumspection proceed." + +Mary gathered her emotion with a final little sniff. "I like ca-cats." + +"I implore you not to accuse me of misunderstanding you. A question is +essential. You do not always pronounce 'cats' in two syllables?" + +"Oh, no." + +"Satisfactory. You said 'ca-cats.' Doubtless under stress of emotion. +Proceed." + +Mary sniffed; proceeded. "I like ca-cats--cats. If you were to engage +me I am sure your cats would take to me." + +"I admit the possibility. I like your appearance. I like your voice. +Had you knowledge of the acute supersensitiveness of my cats you would +understand that they will appreciate those points. I do not require in +you veterinary knowledge; I require sympathetic traits. I do not +engage you to nurse my cats--though, should mischance befall, that +would come within your duties,--but to be their companion, their +friend. You are a lady; themselves ancestral they will appreciate +that. I understand you are an orphan; there also a bond links you with +them. All cats are orphans. It is the sole unfortunate trait of their +characters that they are prone to forget their offspring. In so far as +it is possible to correct this failing amongst my own cats, I have +done my best. Amongst them the sanctity of the marriage tie is +strictly observed. The word stud is peculiarly abhorrent to me. +Polygamy is odious. There is a final point. Pray seat yourself." + +Mary took a chair. Mr. Marrapit, standing before her, gazed down upon +her. From her left he gazed, then from her right. He returned to the +fireplace. + +"It is satisfactory," he said. "You have a nice lap. That is of first +importance. The question of wages has been settled. Arrive to-morrow. +You are engaged." + + + + + +BOOK V. + +Of Mr. Marrapit upon the Rack: of George in Torment. + + + + +CHAPTER I. + +Prosiness Upon Events: So Uneventful That It Should Be Skipped. + + +If we write that Mary's first month at Herons' Holt was uneventful, we +use the term as a figure of speech that must be taken in its accepted +sense; not read literally. For it is impossible that life, in whatever +conditions, can be eventless. The dullest life is often with events +the most crowded. In dulness we are thrown back upon our inner selves, +and that inner self is of a construction so sensitive that each +lightest thought is an event that leaves an impression. + +In action, in gaiety, in intercourse we put out an unnatural self to +brunt the beat of events. We are upon our guard. There are eyes +watching us, and from their gaze we by instinct fend our inner self +just as by instinct we fend our nakedness. + +Overmuch crowded with such events, the inner self is prone to shrivel, +to fade beneath lack of nutriment; and it may happen that in time the +unnatural self will take its place, will become our very self. + +That is gravely to our disadvantage. Overmuch in action, the man of +affairs may win the admiration of a surface-seeing world; may capture +the benefits of strong purpose, of wealth, and of position. But he is +in danger of utterly losing the fruits that only by the inner, the +original, and true self can be garnered. + +Life presents for our pursuit two sets of treasures. The one may be +had by the labours of the hands; the other by exercise of the +intellect--the true self. And at once this may be said: that the +treasures heaped by the hands soil the hands, and the stain sinks +deep. The stain enters the blood and, thence oozing, pigments every +part of the being--the face, the voice, the mind, the thoughts. For we +cannot labour overlong in the fields without besweating the brow; and +certainly we cannot ceaselessly toil after the material treasures of +life without gathering the traces of that labour upon our souls. It +stains, and the stain is ugly. + +Coming to treasures stored by exercise of the intellect, the true +self, these also put their mark upon the possessor; but the action is +different and the results are different. Here the pigment that colours +the life does not come from without but distils from within. Man does +not stoop to rend these treasures from the earth; he rises to them. +They do not bow; they uplift. They are not wrenched in trampling +struggle from the sties where men battle for the troughs; they are +absorbed from the truths of life that are as breezes upon the little +hills. They are in the face of Nature and in Nature's heart; they are +in the written thoughts of men whose thoughts rushed upward like +flames, not dropped like plummet-stones--soared after truth and struck +it to our understanding, not made soundings for earthy possessions +showing how these might be gained. + +Yet it is not to be urged that the quest of material treasures is to +be despised, or that life properly lived is life solely dreaming among +truths. The writer who made the story of the Israelites sickening of +manna, wrapped in legend the precept that man to live must work for +life. We are not living if we are not working. We cannot have strength +but we win meat to make strength. + +No; my protest is against the heaping of material treasure to the +neglect of treasure stored by the true self. Material treasure is not +ours. We but have the enjoyment of it while we can defend it from the +forces that constantly threaten it. Misfortune, sorrow, sickness-- +these are ever in leash against us; may at any moment be slipped. +Misfortune may whirl our material treasures from us; sorrow or +sickness may canker them, turn them to ashes in the mouth. They are +not ours; we hold them upon sufferance. But the treasures of the +intellect, the gift of being upon nodding terms with truth, these are +treasures that are our impregnable own. Nothing can filch them, +nothing canker them: they are our own--imperishable, inexhaustible; +never wanting when called upon; balm to heal the blows of adversity, +specific against all things malign. Cultivate the perception of +beauty, the knowledge of truth; learn to distinguish between the +realities of life and the dross of life; and you have a great shield +of fortitude of which certainly man cannot rob you, and against which +sickness, sorrow, or misfortune may strike tremendous blows without so +much as bruising the real you. + +And it is in the life that is called uneventful that there is the most +opportunity for storing these treasures of the intellect. Perhaps +there is also the greater necessity. In the dull round of things we +are thrown in upon ourselves, and by every lightest thought and deed +either are strengthening that inner self or are sapping it. Either we +are reading the thoughts of men whose thoughts heap a priceless store +within us, or we are reading that which--though we are unaware-- +vitiates and puts further and further beyond our grasp the truths of +life; either we are watching our lives and schooling them to feed upon +thoughts and deeds that will uplift them, or we are neglecting them, +and allowing them to browse where they will upon the rank weeds of +petty spites, petty jealousies, petty gossipings and petty deeds. In +action we may have no time to waste over this poisonous herbage; but +in dulness most certainly we do have the temptation--and as we resist +or succumb so shall we conduct ourselves when the larger events of +life call us into the lists. + + + + +CHAPTER II + +Margaret Fishes; Mary Prays. + + + +I. + +Mary's first month at Herons' Holt was uneventful: need not be +recorded. We are following the passage of the love 'twixt her and +George; and within the radius of Mr. Marrapit's eye love durst not +creep. She saw little of her George. They were most carefully +circumspect in their attitude one to another, and conscience made +their circumspection trebly stiff. There are politenesses to be +observed between the inmates of a house, but my Mary and my George, in +terror lest even these should be misconstrued, studiously neglected +them. + +The aloofness troubled Margaret. This girl wrapped her sentiment about +Mary; delighting in one who, so pretty, so young, so gentle-voiced, +must face life in an alien home. The girls came naturally together, +and it was not long before Margaret bubbled out her vocation. + +The talk was upon books. Margaret turned away her head; said in the +voice of one hurrying over a commonplace: "I write, you know." + +She tingled for the "Do you?" from her companion, but it did not come, +and this was very disappointing. + +She stole a glance at Mary, sitting with a far-away expression in her +eyes (the ridiculous girl had heard an engine whistle; knew it to be +the train that was taking her George to London). Margaret stole a +glance at Mary; repeated louder: "I write, you know." + +It fetched the delicious response. Mary started: "Do you?" + +Margaret said hurriedly: "Oh, nothing worth speaking of." + +Mary said: "Oh!"; gave her thoughts again to the train. + +It was wretched of her. "Poems," said Margaret, and stressed the word +"_Poems_." + +Mary came flying back from the train. "Oh, how interesting that is!" + +At once Margaret drew away. "Oh, it is nothing," she said, "nothing." +She put her eyes upon the far clouds; breathed "Nothing" in a long +sigh. + +From this it was not a far step to reading, with terrible reluctance, +her poems to Mary; nor from this again was it other than an obvious +step to telling of Bill. Her pretty verses were so clearly written at +some heart which throbbed responsive, that Mary must needs put the +question. It came after a full hour's reading--the poet sitting upon +her bed in a litter of manuscripts, Mary in a low chair before her. + +In a tremulous voice the poet concluded the refrain of an exquisite +verse: + + "Beat for beat, your heart, my darling, + Beats with mine. + Skylarks carol, quick responsive, + Love divine." + +The poet gave a little gulp; laid down her paper. + +Mary also gulped. From both their pretty persons emotion welled in a +great flood that filled the room. + +"I'm sure that is written _to_ somebody," Mary breathed. + +Margaret nodded. This girl was too ravished with the grip of the thing +to be capable of words. + +Mary implored: "Oh, do tell me!" + +Then Margaret told the story of Bill--with intimate details and in the +beautiful phrases of the poet mind she told it, and the flooding +emotion piled upwards to the very roof. + +Love has rightly been pictured as a naked babe. Men together will +examine a baby--if they must--with a bashful diffidence that pulls +down the clothes each time the infant kicks; women dote upon each inch +of its chubby person. And so with love. Men will discuss their love-- +if they must--with the most prudish decorum; women undress it. + +It becomes essential, therefore, that what Margaret said to Mary must +not be discovered. + +When she had ceased she put out a hand for the price of her +confidence: "And have you--are you--I know practically nothing about +you, Mary, dear. _Do_ tell me, are _you_ in love?" + +Bang went the gates of Mary's emotion. Here was awful danger. She +laughed. "Oh, I've no time to fall in love, have I?" + +Margaret sighed her sympathy; then gazed at Mary. + +Mary read the gaze aright. These were women, and they read one another +by knowledge of sex. Mary knew Margaret's gaze to be that of an archer +sighting at his mark, estimating the chances of a hit. She saw the +arrow that was to come speeding at her breast; gathered her emotions +so that she should not flinch at the wound. + +Margaret twanged the bow-string. "No time to fall in love?" she +murmured. She fitted the shaft; let fly. "Do you like George, dear?" + +Mary stooped to her shoe-laces. Despite her preparations the arrow had +pierced, and she hid her face to hide the blood. + +"George?" said she, head to floor. + +"Yes, George. Do you like George?" + +My Mary sat up, brazen. "George? Oh, you mean your cousin? I daresay +he's very nice. Practically I've never even spoken to him since I've +been here." + +"I know. Of course he's very busy just now. Do you think you would +like him if you did know him?" + +It was murderous work. Mary was beginning to quiver beneath the +arrows; was in terror lest she should betray the secret. A desperate +kick was necessary. She wildly searched for a foothold; found it; +kicked: + +"I'm sure I shouldn't like him." + +The poet softly protested: "Oh why, Mary?" + +"He's clean-shaven." + +"And you don't like a--" + +"I can't stand a--" + +"But if he had a--" + +"Oh, if he had a--Margaret, I hear Mr. Marrapit calling. I must fly." +She fled. + +Upon a sad little sigh the poet moved to her table; drew heliotrope +paper towards her; wrote: + + "Why are your hearts asunder, ye so fair?" + +A thought came to her then, and she put her pen in her mouth; pursued +the idea. That evening she walked to the gate and met George upon his +return. After a few paces, "George," she asked, "do you like Mary?" + +George was never taken aback. "Mary? Mary who?" + +"Miss Humfray." + +"Oh, is her name Mary?" + +"Of course it is." Margaret slipped her arm through George's; gazed up +at him. "Do you like her, George?" + +"Like whom?" + +"Why, Mary--Miss Humfray." + +"Oh, I think she's a little better than Mrs. Major--in some ways. If +that's what you mean." + +Margaret sighed. Such mulish indifference was a dreadful thing to this +girl. But she had set her heart on this romance. + +"George, dear, I wish you would do something for me." + +"Anything." + +"How nice you are! Will you grow a moustache?" + +She anxiously awaited the answer. George took his handkerchief from +his pocket and wiped his eyes. He did not speak. + +She asked him: "What is the matter?" + +He said brokenly: "You know not what you ask. I cannot grow a +moustache. It is my secret sorrow, my little cross. There is only one +way. It is by pushing up the hairs from inside with the handle of a +tooth-brush and tying a knot to prevent them slipping back. You have +to do it every morning, and I somehow can never remember it." + +Margaret slipped her arm free; without a word walked to the house. + +She was hurt. This girl had the artistic temperament, and the artistic +temperament feels things most dreadfully. It even feels being kept +waiting for its meals. + + + +II. + +George followed the pained young woman into the house; set down in the +hall the books he carried; left the house again; out through the gate, +and so, whistling gaily along roads and lanes, came to the skirts of +an outlying copse. By disused paths he twisted this way and that to +approach, at length, a hut that once was cottage, whose dilapidated +air advertised long neglect. + +It was a week after Mary's arrival at Herons' Holt that, quite by +chance, George had stumbled upon this hut. He had taken his books into +the copse, had somehow lost his way in getting out, and through thick +undergrowth had plumped suddenly upon the building. Curiosity had +taken him within, shown him an outer and an inner room, and, in the +second, a sight that had given him laughter; for he discovered there +sundry empty bottles labelled "Old Tom," a glass, an envelope +addressed to Mrs. Major. It was clear that in this deserted place-- +somehow chanced upon--the masterly woman had been wont, safe from +disturbance, to meet the rascal who, taken to Herons' Holt on that +famous night, had so villainously laid her by the heels. + +Nothing more George had thought of the place until the morning of this +day when, leaving for hospital, his Mary had effected a brief +whispered moment to tell him that Mr. Marrapit had thought her looking +pale, had told her to take a long walk that afternoon. Immediately +George gave her directions for the hut; there he would meet her at +five o'clock; there not the most prying eye could reach them. + +Now he approached noiselessly; saw his pretty Mary, back towards him, +just within the threshold of the open door. It was their first +secluded meeting since she had come to Herons' Holt. + +Upon tip-toe George squirmed up to her; hissed "I have thee, girl"; +sprang on his terrified Mary; hugged her to him. + +"The first moment together in Paltley Hill!" he cried. "The first holy +kiss!" + +His Mary wriggled. "George! You frightened me nearly out of my life. +It's not holy. You're hurting me awfully." + +"My child, it is holy. Trust in me." + +"George, you _are_ hurting." + +"Scorn that. It is delicious!" + +He let her from his arms; but he held her hands, and for a space, +looking at one another, they did not speak. Despite he was in wild +spirits, despite her roguishness, for a space they did not speak. His +hands were below hers and about hers. The contact of their palms was +the junction whence each literally could feel the other's spirit being +received and pouring inwards. The metals were laid true, and without +hitch or delay the delectable thrill came pouring; above, between +their eyes, on wires invisible they signalled its safe arrival. + +They broke upon a little laugh that was their utmost expression of the +intoxication of this draught of love, just as a man parched with +thirst will with a little sigh put down the glass that has touched him +back to vigour. Dumb while they drank, their innate earthiness made +them dumb before effort to express the spiritual heights to which they +had been whirled. In that moment when, spirit mingling with spirit +through the medium of what we call love, all our baseness is driven +out of us, we are nearest heaven. But our vocabulary being only fitted +for the needs about us, we have no words to express the elevation. +Debase love and we can speak of it; let it rush upwards to its +apotheosis and we must be dumb. + +With a little laugh they broke. + +"Going on all right, old girl?" George asked. + +"Splendidly." + +"Happy?" + +She laughed and said: "I will give the proper answer to that. How can +I be other than happy, oh, my love, when daily I see your angel form?" + +"I forgot that. Yes, you're a lucky girl in that way--very, very +lucky. Beware lest you do not sufficiently prize your treasure. +Cherish it, tend it, love it." + +"Oh, don't fool, George. Whenever we have two minutes together you +waste them in playing the goat. Georgie, tell me--about your exam." + +"To-morrow." + +She was at once serious. "To-morrow?" + +"To-morrow I thrust my angel form into the examination room. To-morrow +my angel voice trills in the examiners' ears." + +"I thought you had a paper first, before the viva?" + +"Do not snap me up, girl. I speak in metaphors. To-morrow my angel +hand glides my pen over the paper. On Thursday my angel tongue gives +forth my wisdom with the sound of a tinkling cymbal." + +"The paper to-morrow, the viva on Thursday?" + +He bowed his angel head. + +"George, don't, _don't_ fool. Are you nervous? Will you pass?" + +"I shall rush, I shall bound. I shall hurtle through like a great +boulder." + +"_Georgie!_ Will you?" + +He dropped his banter. "I believe I shall, old girl. I really think I +shall. I've simply sweated my life out these weeks--all for you." + +She patted his hand. "Dear old George! How I shall think of you! And +then?" + +"Then--why, then, we'll marry! Mary, I shall hear the result +immediately after the viva. Then I shall rush back here and tackle old +Marrapit at once. If he won't give me the money I think perhaps he'll +lend it, and then we'll shoot off to Runnygate and take up that +practice and live happily ever after." + +With the brave ardour of youth they discussed the delectable picture; +arranged the rooms they had never seen; planned the daily life of +which they had not the smallest experience. + +Twice in our lives we can play at Make-Believe--once when we are +children, once when we are lovers. And these are the happiest times of +our lives. We are not commoners then; we are emperors. We touch the +sceptre and it is a magic wand. We rule the world, shaping it as we +will, dropping from between our fingers all the stony obstacles that +would interfere with its plasticity. Between childhood and love, and +between love and death, the world rules us and bruises us. But in +childhood, and again in love, we rule the world. + +So they ruled their world. + + + +III. + +That night Mary prayed her George might pass his examination--a prayer +to make us wise folk laugh. The idea of our conception of the Divinity +deliberately thrusting into George's mind knowledge that he otherwise +had not, the idea of the Divinity deliberately prompting the examiners +to questions that George could answer--these are ludicrous to us in +our wisdom. We have the superiority of my simple Mary in point of +intelligence; well, let us hug that treasure and make the most of it. +Because we miss the sense of confidence with which Mary got from her +knees; passed into her dreams. With our fine intellects we should lie +awake fretting such troubles. These simple, stupid Marys just hand the +tangle on and sleep comforted. They call it Faith. + +Yes, but isn't it grand to be of that fine, brave, intellectual, hard- +headed, business-like stamp that trusts nothing it cannot see and +prove? Rather! + + + + +CHAPTER III. + +Barley Water For Mr. Marrapit. + + + +I. + +Up the drive George came bounding with huge strides. The fires of +tremendous joy that roared within him impelled him to enormous energy. + +Upon the journey from Waterloo to Paltley Hill he could with +difficulty restrain himself from leaping upon the seat; bawling "I've +passed! I've passed! I'm qualified!" He could not sit still. He +fidgeted, wriggled; thrust his head first from one window, then from +the other. Every foot of the line was well known to him. To each +familiar landmark his spirit bellowed: "Greeting! When last you saw me +I was coming up in a blue funk. Now! Oh, good God, now--" and he would +draw in, stride the carriage, and thrust his head from the other +window. + +His four fellow-passengers regarded him with some apprehension. They +detected signs of lunacy in the young man; kept a nervous eye cocked +upon the alarm cord; at the first stopping place with one accord arose +and fled. One, signing herself "Lady Shareholder," had her alarming +experience in her daily-paper upon the following morning. + +At his station George leapt for the platform a full minute before the +train had stopped. Up the lanes he sent his bursting spirits flying in +shrill whistlings and gay hummings; slashed stones with his stick; +struck across the fields and took gates and stiles in great spread- +eagled vaults. + +So up the drive, stones still flying, whistlings still piping. + + + +II. + +Upon the lawn he espied Mr. Marrapit and his Mary. She, on a garden +seat, was reading aloud from the _Times_; Mr. Marrapit, on a deep +chair stretched to make lap for the Rose of Sharon, sat a little in +advance of her. + +George approached from Mr. Marrapit's flank; soft turf muffled his +strides. The warm glow of kindliness towards all the world, which his +success had stoked burning within him, put a foreign word upon his +tongue. He sped it on a boisterous note: + +"Uncle!" he cried. "Uncle, I've passed!" + +Mary crushed the _Times_ between her hands; bounded to her feet. "Oh!" +she cried. "Hip! hur--!" + +She bit the final exclamation; dropped to her seat. Mr. Marrapit had +twisted his eye upon her. + +"You are in pain?" he asked. + +"No--oh, no." + +"You have a pang in the hip?" + +"Oh no--no." + +"But you bounded. You cried 'hip'! Whose hip?" + +"I was startled." + +"Unsatisfactory. The brain, not the hip, is the seat of the emotion. +Elucidate." + +"I don't know why I said 'hip.' I was startled. Mr. George startled +me." + +"Me also he startled. I did not shout hip, thigh, leg nor knee. +Control the tongue." + +He turned to George. "Miss Humfray's extraordinary remark has +projected this dilatory reception of your news. I beg you repeat it." + +Sprayed upon between mortification and laughter at the manner of his +greeting, George's enthusiasm was a little damped. But its flame was +too fierce to be hurt by a shower. Now it roared again. "I've passed!" +he cried. "I'm qualified!" + +"I tender my felicitations. Accept them. Leave us, Miss Humfray. This +is a mighty hour. Take the Rose. Give her cream. Let her with us +rejoice." + +Mary raised the cat. She faced about so that she directly shut Mr. +Marrapit from his nephew; with her dancing eyes spoke her happiness to +her George; passed down the lawn. + + + +III. + +Mr. Marrapit drew in the lap he had been making. He sat upright. +"Again, accept my felicitations," he said. "They are yours. Take +them." + +With fitting words George took them. Mr. Marrapit continued: "It is a +mighty hour. Through adversity we have won to peace, through perils to +port, through hurts to harbour." + +He paused. + +"You mean--" George said, groping. + +"Do not interpose. It is a mighty hour. Let this scene sink into our +minds and march with us to the grave. Here upon the lawn we stand. +Westward the setting sun. Creeping towards us the lengthening shadows. +Between us the horrid discord which has so long reigned no longer +stands. It is banished by a holy peace. The past is dead. My trust is +ended. The vow which I swore unto your mother I have steadfastly kept. +I would nourish you, I declared, until you were a qualified physician. +You are a qualified physician. I have nourished you. Frequently in the +future, upon a written invitation, I trust you will visit this home in +which your youth has been spent. When do you leave?" + +The query towards which Mr. Marrapit had been making through his psalm +came to George with a startling abruptness that was disconcerting. He +had not anticipated it. He jerked: "When do I--leave?" + +"Certainly. The hour of your departure, unduly deferred by idleness +and waywardness upon which we will not dwell, is now at hand. When +does it fall? Not to-night, I trust? A last night you will, I hope, +spend beneath my roof. To-morrow, perchance? What are your plans?" + +George flamed. "You're in a mighty hurry to get rid of me." + +Mr. Marrapit cast upward his eyes. He groaned: + +"Again I am misunderstood. All my life I have been misunderstood." He +became stern. "Ingrate! Is it not patent to you that my desire is not +to stand in your way? You have earned manhood, freedom, a charter to +wrest money from the world. I might stay you. I do not. I bid you +Godspeed." + +George remembered his weighty purpose. Making for it, he became +humble. "I am sorry," he said. "I see what you mean. I appreciate your +kindness. You ask what are my plans. I have come specially to lay them +before you." + +Mr. Marrapit clutched the seat of his chair with the action of one +waiting a dentist's torture. He had a premonition that support of some +kind would be necessary. "Proceed," he said. + +George said: "My plans--" He swallowed. "My plans--" Again he +swallowed. His plans were red-hot within him, but he sought +despairingly for one that would not at the very outset turn Mr. +Marrapit into screams. "My plans--" he stammered. + +"My God!" Mr. Marrapit groaned. "My God! What is coming?" + +George said on a rush: "These are my plans. I intend to marry--" + +Mr. Marrapit gave a faint little bark. + +"Then--then--" said George, floundering. "After that--then--I intend +to marry--I--" + +"Bigamy," Mr. Marrapit murmured. "Bigamy." + +"Not twice. I am nervous. I intend to marry. I want to buy a little +seaside practice that is for sale." + +Mr. Marrapit repeated the faint little bark. He was lying back, eyes +half closed, face working upon some inward stress. + +"Those are my plans," George summarised: "to marry and buy this +practice." + +A considerable pause followed. The workings of Mr. Marrapit's face +ceased; he opened his eyes, sat up. "When?" he asked. + +"At once." + +"This practice--" + +"I have it in my eye." + +"Immaterial. Have you it in your pocket?" + +"You mean the price?" + +"I mean the money wherewith to finance these appalling schemes." + +"Not exactly. It is about that I wish to speak to you." + +"To _me?_" + +"Yes. I wanted to ask--" + +"You intend to ask me for money?" + +"I want to suggest--" + +"How much?" + +"Four--five hundred pounds." + +"Great heaven!" Mr. Marrapit wildly fingered the air. Margaret, at the +end of the lawn, crossed his vision. He called huskily: "Margaret!" + +She tripped to him. "Father! What is it?" + +"Barley water!" Mr. Marrapit throated. "Barley water!" + +While she was upon her errand no--words passed between the two. Mr. +Marrapit took the glass from her in shaking hands. "Leave us," he +said. He drank of his barley water; placed the glass upon the bench +beside him; gave George a wan smile. "I am stricken in years," he +said. "I have passed through a trance or conscious nightmare. You will +have had experience of such affections of the brain. I thought"--the +hideous memory shook him--"I thought you asked me for five hundred +pounds." + +George said defiantly: "I did." + +Mr. Marrapit frantically reached for the barley water; feverishly +gulped. "I shall have a stroke," he cried. "My hour is at hand." + +My poor George flung himself on a note of appeal. "Oh, I say, uncle, +don't go on like that! You don't know what this means to me." + +"I do not seek to know. I am too fully occupied with its consequences +to myself; it means a stroke. I feel it coming. My tomb yawns." + +George gripped together his hands; paced a few strides; returned. "Oh, +for heaven's sake, don't go on like that! Won't you listen to me? Is +it impossible to speak with you as man to man? If you refuse what I +ask, you have only to say no." + +"You promise that?" + +"Of course; of course." + +"I say it now, then. No." + +"But you haven't heard me." + +"Unnecessary." + +The tortured young man raised his voice. + +"It is necessary! You shall! You must!" + +"Barley water!" Mr. Marrapit gasped. "Barley water! I am going to be +murdered." + +"Oh, this is insupportable!" George cried. + +"I endorse that. A double death threatens me. I shudder between a +stroke and a blow. I shall be battered to death on my own lawn." + +"If you would only listen to me," George implored. "Why can we never +be natural when we meet?" + +"Search your heart for the answer," Mr. Marrapit told him. "It is +because your demands are unnatural." + +"You haven't heard them. Listen. I am on the threshold of my career. I +am sure you will not ruin it. The real price of this practice is 650 +pounds--the value of a year and a half's income; that is the usual +custom. I am offered it for four hundred. Then I want to marry and to +have a little balance with which to start--say 100 pounds for that. +That makes 500 pounds altogether. I implore you to lend--lend, not +give--that sum. I will pay you back 50 pounds at the end of the first +year and a hundred a year afterwards. Interest too. I don't know much +about these things. Any interest you like. We would get a solicitor to +draw up an agreement. Say you will lend the money. I feel sure you +will." + +"You delude yourself by that assurance." + +"Oh, wait before you refuse. My prospects are so bright if only you +will help me. I have no one else to whom I can turn. It is only a loan +I ask." + +"It is refused." + +George stamped away, hands to head. The poor boy was in agony. Then +returned: + +"I won't believe you. You will not be so heartless. Think over what I +have said. Tell me to-night--to-morrow." + +"My answer would be the same." + +"You absolutely refuse to lend me the money?" + +"I refuse. It is against my principles." + +My frantic George clutched at a shimmering hope. "Against your +principles to lend? Do you mean that you will give--give me 500 +pounds?" + +"Barley water!" Mr. Marrapit gasped. He drank; gasped: "Give 500 +pounds! You are light-headed!" + +"Then lend it!" George supplicated on a last appeal. "Make any +conditions you please, and I will accept them. Uncle, think of when +you were a young man. Remember the time when you were on the threshold +of your career. Think of when you were engaged as I am now engaged. +Imagine your feelings if you had been prevented marrying. You won't +stand in my way? The happiest life is before me if you will only give +your aid. Otherwise--otherwise--oh, I say, you won't refuse?" + +"I implore you to close this distressing scene." + +"Will you lend me the money?" + +"My principles prevent me." + +"Then damn your principles!" George shouted. "Damn your principles!" + +While he had been battering his head against this brick wall he had +been saved pain by the hope that a last chance would carry him +through. Now that he realised the futility of the endeavour, the +stability of the wall, he had time to feel the bruising he had +suffered--the bitterness of failure and of all that failure meant. The +hurts combined to make him roar with pain, and he shouted furiously +again: "Damn your principles!" + +"Barley water!" throated Mr. Marrapit on a note of terror. He reached +for the glass. It was empty. + +He struggled to his feet; got the chair between George and himself; +cried across it: "Beware how you touch me." + +"Oh, I'm not going to touch you. You needn't be afraid." + +"I have every need. I am afraid. Keep your distance. You are not +responsible for your actions." + +"You needn't be afraid, I tell you. It is too ridiculous." + +"I repeat I have need. Keep your distance. My limbs tremble as one in +a palsy." Mr. Marrapit gripped the chair-back; his shudders advertised +his distress. + +"I only want to say this," George declaimed, "that if you refuse what +I ask, you are refusing what is lawfully mine. My mother left you 4000 +pounds for my education. At the outside you have spent three. The 500 +pounds is mine. I have a right to it." + +"Keep your distance, sir." + +My furious George took three steps forward. + +"Can you answer what I say?" he shouted. + +Mr. Marrapit gave a thin cry: turned, and with surprising bounds made +across the lawn. A slipper shot from his foot. He alighted upon a +stone; bounded heavenwards with a shrill scream; and hopping, leaping, +shuffling, made the corner of the house. + +George swung on his heel. It occurred to him to visit Bill Wyvern. + + + + +CHAPTER IV. + +The Rape Of The Rose. + + + +I. + +Bill was away from home, the maid who answered the door told George; +Mrs. Wyvern was out; the Professor was in his study. + +George found the great biologist warming his chilly old bones in a +vast armchair before a fire. + +With a twinkling of his sky-blue eyes that spoke to pleasant temper, +the Professor greeted George; nodded him into an opposite seat. + +"I am reading a letter," he announced. This man spoke very slowly, +never abbreviated; had now an air of child-like happiness. "It is a +letter from Bill." + +George said: "Ah, what is Bill doing? I've not seen him for days." + +Professor Wyvern chuckled away and fumbled with clumsy old fingers +among the closely-written sheets on his lap. One he selected and +inclined towards George. Its upper half was thickly lettered in heavy +red type, prominent among which there bawled forth in wavy capitals, +thickly underscored: + + "THE DAILY." EVERYBODY'S PAPER. PRICE 1/2d. + +"Hot stuff!" George cried. "Is old Bill on the staff of the +_Daily_?" + +"Old Bill is on the staff of the _Daily_," the Professor returned +with more chuckling. "You have heard of it?" + +"Well, it's advertised everywhere. You can't get away from it. First +number out to-morrow, isn't it?" + +"Yes, it is. I think it will be a very terrible production--a very +horrible production indeed. But I am an annual subscriber because of +Bill, and I have written a short article for the first issue also +because of Bill. Bill says" (the Professor fumbled again; ran his nose +twice up and down each sheet; finally struck the passage) "Bill says, +'You were a brick, dear old governor, to send that article. It is a +most thundering scoop for the _Daily_, and made the Boss most +awfully bucked up with me. You are a brick, dear old Governor." + +A little tear rolled out of Professor Wyvern's silly old eye, and he +blew his nose in a series of terrific thunder-claps. + +"There!" he said. "You see how pleased Bill is with himself. I am +afraid he uses the most terrible expressions in his letters, but he +does not use them when he is writing his stories. He is a clever boy, +and I am very proud of him. Now let me tell you." He fell to nosing +the sheets again. "All this first part is about his dogs. '... if +Abiram and Dathan start scrapping, just hoof Abiram--it's his fault.'" + +The Professor looked up at George. "I would more readily kick a police +constable than I would kick Abiram," he said. "I must tell Hocken all +this." + +He continued, "'... see that Korah is kept short of meat for a bit ... +when they are exercising, for goodness' sake don't let them be taken +down Windmill Lane. There is a collie there that they have got a +grudge against and will tear to bits if they catch.'" + +The Professor paused. "Oh, dear! oh, dear! I must give all this part +to Hocken to keep. Ah! Now here is about his work. They have engaged +him at four pounds a week. He does not know exactly what he is. Not a +sub-editor. Not a reporter. He thinks they will put him on to what he +calls 'special jobs,' or he may have to do what he calls 'ferret +round' and find jobs for himself. The understanding is that he is only +on probation. If he does anything very good they will put him on the +permanent staff; if not, he is liable to go at a week's notice. Then +he says, 'Tell all this to George, and give him my love. He was up for +his exam--'" + +Professor Wyvern broke off. "Dear me!" he cried; "oh, dear me, I have +forgotten! You have been up for your examination?" + +George nodded. + +Kindly old Professor Wyvern misinterpreted the lack of enthusiasm. +"When I was a medical student," he said, "I failed dozens of times in +my final examination--dozens. It's no criterion of knowledge, you +know: it is just luck. Never let examination failure dishearten you. +Go along happily, George, and take your chance when it comes." + +"It's come," George said, beaming; recollection of his splendid +success temporarily overshadowed recollection of his tragic failure. + +"You have qualified?" + +"Yes." + +The Professor's sky-blue eyes danced with glee. He struggled on to his +tottery old legs; before George could save him the exertion, had +hobbled over the hearth-rug and was wringing his hand in tremendous +pleasure. + +"Well done, George!" he bubbled. "Well done! Well done! It is the most +splendid news. I have not had such a happy day for a long time. +Qualified! Well, that is splendid! Splendid!" + +He fell back into his chair, panting with his excitement. "Ring that +bell, George. We must celebrate this." + +A maid appeared. "Susan," said the Professor, "bring up a small bottle +of champagne and two glasses. Mr. George has passed his examination. +Be very quick, Susan." + +Susan was very quick. The cork popped; the glasses foamed and fizzed. +"Now we will have one glass each," the Professor said. "I think, it +will kill me at this hour, and if my wife catches me she will send me +to bed; so we must be very quick. Now, this is your health, George. +God bless you and good luck!" + +He drained his glass like the brave old boy that he was; and when his +eyes had done streaming, and he had finished gasping and choking, bade +Susan hurry away the signs of the dreadful deed before her mistress +should catch her. + +"And now tell me your plans, George. Which road to Harley Street, eh?" + +Then George poured into those kindly old ears all the tragic story-- +the girl he was going to marry; the practice he was going to buy; the +wrecker who had wrecked his fair ships ere ever he had put to sea. + +There were in the Professor's nature no sympathies that enabled him +even to comprehend miserliness in any degree. Made aware of the taint +in Mr. Marrapit, he became red and furious in his abhorrence of it. +With snorts and fumes he punctuated the recital; when it closed, burst +out: "Why, but it is yours! the money is yours. It is misappropriation." +"That's just what I say." "Well, he must be made to give it you." +George laughed grimly. "I say that, too. But how?" + +"Are you certain of your facts, George?" "I've been to Somerset house +and seen my mother's will." + +"Legally, then--we'll get it out of him by law." "I've thought of +that," George said. "I don't think it is possible. Look, the passage +runs like this. I have it word for word. 'To my brother Christopher +Marrapit 4000 pounds, and I desire him to educate in the medical +profession my son George.' Not even 'with which I desire him,' you +see. I don't think there's any legal way of getting the money I want-- +the five hundred." + + + +II. + +For full ten minutes Professor Wyvern made no answer. He stared in the +fire, and every now and again one of his little chuckles set his bent +old shoulders bobbing. Upon a longer chuckle they waggled for a space; +then he turned to George. "Not legally; well, then, what about +illegally, George?" + +George did not comprehend. + +"A very bad notion has come into my head," the Professor continued. "I +ought to be ashamed of it, but I am not. I think it would be very +funny. I think your uncle would deserve it. I am sure it would be very +funny, and I think it would be proper and justifiable." + +"Go on," George said. "Tell me." + +The Professor's old shoulders bobbed about again. "No, I will not tell +you," he said. "I will not be a party to it; because if my wife found +out she would send me to bed and keep me there. But I will tell you a +little story, George. If it sets up a train of action that you like to +follow--well, I think it will be very funny. Only, don't tell me." + +"I say, this is mysterious. Tell me the story." + +"Yes, I will. This is the story. When I was a student in Germany we +had a professor called Meyer. He wore a wig because he was quite bald. +He was very sensitive about his baldness and would have no one know-- +but we knew. Upon one afternoon there was a great violinist who was +coming to play at our town. All the professors announced that for this +occasion they would postpone the lectures they should then have given, +so that their classes might attend the concert. But this Professor +Meyer said that he would not postpone his lecture. It was a link in a +series, you understand--not to be missed,--so his class, of which I +was one; were very furious. We told him that we were entitled to a +holiday this day since all had it, but he would not hear us. We were +very angry, for this holiday was our right. Now, also, one week before +the concert the burgomaster of our town was to give a great banquet to +the celebration of the centenary of a famous citizen. Here our +Professor Meyer was to make a speech. Well, when he remained adamant, +determined to give us no holiday, we had a great meeting, and thus we +arranged to procure the holiday that was ours by right. Our plot was +justified by his mulishness. He should lose the thing he most +cherished--he should lose his wig two days before his banquet with the +burgomaster. One of us would take his wig, seizing him as by night he +walked to his rooms. Before his distress we should be most +sympathetic, offering every aid. Perchance he would encourage our +efforts by offer of the prize we most desired. The plot worked, with +no misadventure, to a brilliant triumph. We took the wig. We enveloped +him in our sympathy. 'Search out and restore my wig,' said he, 'and +you shall have your holiday.' Then we found his wig and we enjoyed the +holiday that was our right. That is the story," Professor Wyvern +ended. + +Mystification clouded George's face. He pushed out a leg, stared at +the toe. He stared at the fire; at the Professor, chuckling and +rubbing his hands, he stared. His brain twisted the story this way and +that, striving to dovetail it into his own circumstances. + +In such a process the eyes are the mouth of the machine whence the +completed manufacture sends forth its sparkling. But while the +mechanism twists and turns the fabrics there is no sparkle--the eyes +are clouded in thought, as we say. + +The eyes that George turned upon toe, upon fire, and upon Professor +Wyvern, were dull and lack-lustre. The machine worked unproductive; +there was a cog that required adjustment, a lever that wanted a pull. + +George sought the foreman machinist; said slowly: "But I don't see how +the story helps me?" + +"Well, you must think over it," Professor Wyvern told him. "I dare not +tell you any more. I must be no party to the inference that can be +drawn. But do you not see that the thing our Professor cherished most +was his wig? Now, Bill has told me that the thing your uncle cherishes +above all price is--" + +Click went the machine; round buzzed the wheels; out from George's +eyes shot the sparkles. He jumped to his feet, his face red. "Is his +cat!" he cried. "His Rose of Sharon! I see it! I see it! By Gad, I'll +do it! Look here now--" + +"No, I will not," the Professor said. "I do not wish to know anything +about it. I hear my wife's step." + +"I understand. All right. But don't tell a soul--not even Bill." + +"I cannot tell, because I do not know. But I suspect it is something +very funny," and the Professor burst into a very deep "Ho! ho! ho!" + +"My dearest," said Mrs. Wyvern at the door, "whatever can you be +laughing at so loudly?" + +"Ho! ho! ho! ho!" boomed the Professor, belling like a bloodhound. "It +is something very funny." + +Mrs. Wyvern kissed the thin hairs on the top of his mighty head. "Dear +William, I do trust it was not one of those painful stories of your +young days." + +George stayed to dinner. By nine he left the house. He did not make +for home. Striking through lanes he climbed an ascending field, +mounted a stile, and here, with an unseeing eye upon Herons' Holt +twinkling its bedroom lights in the valley below, he smoked many +pipes, brooding upon his scheme. + + + +III. + +It was not a melancholy process. Every now and again a crack of +laughter jerked him; once he took his pipe from his mouth and put up a +ringing peal of mirth that sent a brace of bunnies, flirting near his +feet, wildly scampering for safety. Long he brooded.... + +A church clock gave him eleven. At ten he had been too deeply buried. +Now his head was pushed clear from the burrow in which he had been +working, and the sound caught his attention. No light now pricked +Herons' Holt upon the dusky chart stretched beneath him. Its occupants +were abed. + +"I'll do it to-night!" cried George. "I'll do it at once!" + +He drew on his pipe. A full cloud of smoke came. The pipe was well +alight, and caution bidding him that it were well to bide a while so +that sleep might more cosily warm the beds of the household, he +determined that he would have out his last smoke as plotter: his next +would be smoked as doer of the deed. + +He rehearsed his plan. A knife would slip back the catch of the window +behind which the Rose of Sharon lay. Possessing himself of her person +he would speed to that tumbled hut in the copse. There she might lie +in safety for the night: neither hut nor copse was in any man's road. +Upon the morrow, when the hideous circumstance had been discovered, he +would bear himself as events seemed to demand. He would be boundless +in his sympathy, a leader in the search. If the idea of reward did not +occur to Mr. Marrapit, he must suggest it. Unlikely that in the first +moment of loss, when the Rose would still seem to be near, the reward +would approach the figure at which he aimed. That was for his cunning +to contrive. But obviously it would be impossible permanently to keep +the Rose in the hut. To-morrow, when pretending to search for her he +could guard the place where she lay; but he could not always be +sentinel. The countryside would be scoured; no stone left unturned, no +spinney unbeaten. + +As he saw the matter, the plan would be to get somewhere down the +railway line on pretext of a clue, taking the Rose of Sharon with him; +for the success of the whole scheme depended upon his concealing the +cat until Mr. Marrapit should be upon his bended knees in his +distress, in deepest despair as to the Rose's recovery, and hence +would be transported to deepest gratitude when it was restored to his +arms. George told himself he must be prepared against the eventuality +of his uncle failing to offer in public reward so large a sum as 500 +pounds. That did not greatly distress. Best indeed if that sum were +offered, but, failing it, it was upon Mr. Marrapit's gratitude that +George ultimately reckoned. Surely when he "found" the cat it would be +Mr. Marrapit's natural reply to give in exchange the sum he had that +afternoon so violently refused. At the least, he could not refuse to +lend it. + +Early in his brooding George had decided he must not tell his Mary. +First, it would be cruel to set her upon the rack of acting a part +before Mr. Marrapit, before the household, before every questioner she +must encounter; second--second, my ignoble George had doubts as to in +what spirit his Mary would regard this plot did he make her partner in +it. That it was wholly justifiable he personally would have contended +before archangels. This miserly uncle was keeping from him money that +was as incontestably his own as the being which also his mother had +given him. Before all the angelic host he would thus have protested- +without stammer, without blush; with the inspiration of righteousness, +with the integrity of innocence. But to protest his cause before his +Mary was another matter. There might be no occasion to protest; his +Mary might see eye to eye with him in the matter. She might; but it +was an eventuality he did not care to try against a test. His Mary was +a girl--and girls are in their conduct narrowed by scruples that do +not beset men. His Mary--and this it was that would make a test so +violent--his Mary was his Mary, and well he knew, and loved, the +little heart so delicately white as instantly to discover the finest +specks of sootiness--if specks there were--in any breeze that might +cross its surface. + +No, he would not tell his Mary. When the thing was done--when he, the +black-hearted rogue, had the little saint safe in the toils she would +find so delicious, then--then he would tell her, would silence her +frightened squeals--if she squealed--by his intention to pay back the +money, whether won as reward (which was improbable) or earned as token +of gratitude (which was highly likely). He had only asked to borrow, +and it should only be a loan. + +Across the dark fields in spirit he kissed his little saint. ... Of +course--of course--one must admit these brutal things--of course the +scheme might fail. Anything might happen to crash it about his ears. +That was a deadly, dismal thought, but he flattened it from sight with +that lusty hammer that gay youth uses--"I shan't be any worse off if +it does fail." + +The smoke came through his pipe in burning whiffs. He shook it bowl +downwards. Ashes and sparks fell in a shower. The pipe was done. + +_Whoop! forrard!_ The game was afoot. + + + +IV. + +A moon as clear as that which shone when Bill stole to Herons' Holt to +woo his blessed damosel, gave a clear light to George as now he +approached the house. He took his way across the fields, and his +progression was that of no stealthy-footed conspirator. Two miles of +downward-sloping land lay between the stile whereon he had brooded and +the home that his plottings were to disturb. In buoyant spirits--for +this was action, and action makes lusty appeal to youth--he trotted or +galloped as the descent was easy or sharply inclined; the low hedges +he took in great sprawling jumps, the ditches in vast giant strides-- +arms working as balance-pole, humming as he ran. + +Upon the lawn he became more cautious. But the moon showed Herons' +Holt sleepy-eyed-blinds drawn. + +The cats' parlour, back of the house, gave upon a little strip of turf +that kept away the kitchen garden. George drew his knife; approached +the window. Now he was a criminal indeed. + +To slip the catch was easy work; between upper and lower sash there +was clear space. George inserted his pen-knife. Tip of blade grated +against catch; a little pressure--an answering movement; a little +more--and, _click_, the trick was done! + +Now he raised the sash, and now he is in the room. Glimmer of a match +shows him the sleeping-baskets; its steadier flame discloses the Rose, +snugly curled, a little free of her silken coverlet. + +Wake, now, Rose--as an older school of novelists would have addressed +you. Wake, Rose! Wake, pretty Rose! Queenly Rose, awake! Wake +precious, virgin Rose! Squeal! scratch! bite! Claw those wicked hands +descending into your pure bed! Spring like spotless maiden aroused to +find ravisher at her couch! Spring, Rose, spring! Squawking news of +outrage to all the house, bound wildly, Rose, about this room that +else you shall not see until through searing perils you have passed! +Spring! Rose, spring! + +Not Rose! + + + +II. + +The ravisher's hands descended upon her person--she only purred. They +passed about her warm and exquisite form--she purred the more. They +tickled her as they laid hold--she stretched a leg; purred with fuller +note. Perchance this virgin cat dreamed of some gallant young Tom +wooing her bed; perchance these ticklings had their deliciously +transfigured place in her visions; perchance--she only purred. + +Now George tucked her beneath his arm. Legs dangled wretchedly; +gallant young Tom leapt from her dreams and she awoke. She stirred. +George had a foot upon the window-sill, and the night air ruffled her +downy coat. She was pressed against bony ribs; a rough arm squeezed +her wretchedly; long, poky fingers tortured her flank; her legs +draggled dismally. She voiced protest in a plaintive, piercing, long- +drawn _"Mi-aow!"_ + +_Clout!_ + +Ah, Rose! Pretty, foolish Rose--as our older school again would have +written--why did you entertain sensuous dreams when you should have +been stirring? + +_"Mi-aow!"_ + +_Clout!_ + +Too late, Rose! Too late! That beauteous head--that prize-winning +head which from kittenhood upwards has known none other than caress, +is now a mark for battering bumps if you do but open those perfect +jaws--those prize-winning jaws. Too late, Rose! Too late! Do not cry +now, Rose! The ravisher has you. His blood congeals in terror at your +plaintive cry. In his brutish panic he will answer it with thuds. Too +late, Rose! Too late! + +"_Mi-aow!_" + +_Clout!_ + +Ah, Rose, Rose! + +He is outside now. "Shut up, you fat idiot!" he hisses. Squeezing her +yet more villainously with one arm, with the other he draws down the +sash. Through the gate, into the lane, over the stream, down the ride, +into the copse--up to the hut. + +The outer door hangs grinningly upon its hinges. The door going to the +inner room has a working latch; George kicks it open; elbows it to +behind him; drops the Rose with jarring plump; strikes a match. There +is the dusty pile of Old Tom bottles, there the little heap of bracken +upon which Mrs. Major doubtless had reclined while with Old Tom she +talked. Excellent! + +The match goes out. He lights another. The Rose is standing forlornly +at his feet. While the match lasts he lifts her to the bracken bed; +presses her down; backs out; closes the door. + +His watch, put beneath the moon, tells him it is upon one o'clock. He +pulls to the outer door; wedges beneath it a stump of wood that keeps +it firmly shut; makes for home. + +In an hour he is sleeping the dreamless, childlike slumber that comes +to those who, setting their hand to the plough, have manfully laboured +a full day's work. + + + + +CHAPTER V. + +Horror At Herons' Holt. + + + +I. + +Sleep does not necessarily shun the bed of the wicked. She is a wanton +mistress, and will cuddle where her fancy chances, careless whether +vice or virtue is her bedfellow; coy when most eagerly supplicated, +seductive when least desired. + +George, steeped in crime, snuggled warmly to her until aroused by a +rude shaking. + +Night-capped and dressing-gowned, white-faced and trembling, awful in +grief Mr. Marrapit stood near him. + +"Get up! The Rose of Sharon is lost." + +"Impossible!" + +"I tell you it is so. Up!" + +George pushed a shaking leg out of bed. He was had unawares. As a +sleeper pitched sleeping into the sea, so from unconsciousness he was +hurled plump into the whirlpool of events. And as the sleeper thus +immersed would gulp and sink and kick, so now he blinked, shivered, +and gasped. + +He repeated: "Impossible!" + +"I tell you it is so. I have eyes; I have been to her room." Mr. +Marrapit's voice rose in a wailing cry. "I have been to her room. +Gone! Gone!" + +George put out the other leg--crime-steeped legs that quivered. He had +looked for a space between awaking and meeting his uncle in which to +prepare his plans, rehearse his words. This abrupt rousing stampeded +his senses. He quavered "Wher--where can she be?" + +Mr. Marrapit flung up his arms. "Oh, my God! If I knew that would I be +here? Up! Up! Join the searchers in the garden." + +George pushed a criminal leg into his trousers. Conscience made thumbs +of his fingers, trembled his joints. He hopped frantically, thrusting +with the other foot. + +"Dance!" Mr. Marrapit moaned bitterly. "Dance! That is right! Why do +you not sing also? This is nothing to you! Dance on! Dance on!" + +George cannoned the wash-stand. "It _is_ something to me. I can hardly +believe it!" + +"Is sorrow expressed in a gavotte? Grief in a hornpipe?" + +"I'm not dancing. My damned bags are stuck!" + +Mr. Marrapit wrung his hands. "Discard them! Discard them! Must +decency imperil the Rose?" + +With a tremendous kick George thrust in past the obstruction. + +"They're on now--my slippers--coat--what shall I do?" + +"Join the searchers. Scour the grounds. Search every shrub. Climb +every tree." + +The agonised man led downstairs. "I found the window open," he moaned. +"Night by night, year in year out, I have shut it. Impossible that I +forgot. If I forgot, the Rose is in the garden or in the vicinity. If +I did not forget, the window was forced--the Rose was stolen. A +detective shall decide." + +George grew quite cold. Employment of a detective had not occurred to +him. They were at the front door. He put a hand on Mr. Marrapit's arm. +"Oh, not a detective. Don't get a detective." + +"If need be I will get forty detectives. I will blacken the +countryside with detectives." + +George grew quite hot. "Uncle, let us keep this private. Leave it with +me. Rely on me. I will find your cat." + +"Into the garden," cried Mr. Marrapit. "Join the searchers. They have +failed once. Lead, animate, encourage." + +"And you won't get a detective?" + +Mr. Marrapit did not reply. He had opened the hall door; Mr. Fletcher +in the middle distance approached moodily. + +Mr. Marrapit thrust out a hand. "Back! Back!" he cried hoarsely. + +Wearily Mr. Fletcher gave answer. "It's no use, Mr. Marrapit. It's no +good saying 'back.' I've been back. I've been back and I've been front +and I've been both sides. I've looked here, I've looked there; I've +looked up, I've looked down. I'm giddy with looking." He approached; +stood before them. Woe heavily draped herself about this man. + +"Oh, easily discouraged!" Mr. Marrapit cried. + +"Oh, infirm of purpose! Back, faint-heart! Do not say die." + +Faint-heart mopped a streaming brow. "But I do say die. I do say die, +Mr. Marrapit, and I damn well shall die if I go creepin' and crawlin' +and hissin' much longer. It's 'ard--damn 'ard. I'm a gardener, I am; +not a cobra." + +Mr. Marrapit slammed the door. George hurried out of sight; in the +kitchen garden sat down to think. He was frightened. Thus far the plot +had not worked well. Detectives! + +He gave an hour to the search he was ostensibly conducting; when he +again entered the house was more easy-minded. Employed in meditation +that hour gave him back his coolness of the night. Rudely awakened, +given no time in which firmly to plant his feet, securely to get a +purchase with his hands before the storm burst, he had been whirled +along helpless and bewildered before Mr. Marrapit's gusty agony. +Instead of resisting the torrent, directing its course, he had been +caught where it surged fiercest, hurled down-stream. In the vulgar +simile of his reflections he was rotting the whole show. + +But now he had steadied himself. He girded his loins against the part +he had to play; with new determination and confidence entered the +house. + + + +II. + +There was no breakfast at Herons' Holt that morning. When George, +dressed, bathed and shaved, sought out his uncle, it was to find Mr. +Marrapit in the study. + +The distracted man was pacing the floor, a closely written sheet of +paper in his hands. He turned upon George. + +"In the hour of my travail I am also beneath the burden of earlier +griefs. Yesterday a disastrous scene took place between us. Oaths +rasped from your lips." + +"Forget that, sir. Forget it." + +"That is my desire. Misery wails through the corridors. In her +presence let us bury private differences. In this appalling +catastrophe every help is required. You have youth, manhood; you +should be invaluable." + +George declared: "I mean to be. I will not rest until the Rose is +restored." + +This was perfectly true, as he was to discover. + +"Commendable," Mr. Marrapit pronounced. Now that this volunteer was +enlisted, Mr. Marrapit discarded supplication, resumed mastery. "While +you have searched," he said, "I have schemed." He indicated the paper +he carried. "These are my plans. Peruse them." + +George read; returned the paper. "If these arrangements do not restore +the Rose," he declared, "nothing will. I see you do not mention my +name. I fear you doubted my assistance. I think I will join the--the-- +--"--he glanced at the paper--"the _extra-mural_ searchers. I know the +countryside well. I can go far and fast." + +Mr. Marrapit agreed. "Summon the household," he commanded. + +George called Margaret; the two carried out the order. + +In a semicircle the household grouped about their master; from Mrs. +Armitage at the one horn to George at the other they took their +places--Mrs. Armitage, Clara, Ada, Mr. Fletcher, Frederick, Mary, +Margaret, George. + +Paper in hand Mr. Marrapit regarded them. He pointed at Frederick. + +"That boy is sucking a disgusting peppermint. Disgorge." + +Glad of relief, all eyes went upon the infamous youth. He purpled, +struggled, gulped, swallowed--from his eyes tears streamed. + +"Stiffneck!" Mr. Marrapit thundered. "Disgorge, I said. You are +controlled by appetite; your belly is your god." + +"Well, I ain't 'ad no breakfast," Stiffneck answered fiercely. Like +Miss Porter upon a similar occasion this boy was in great pain. + +"And no breakfast shall you have until the Rose is restored. +Heartless! How can you eat while she, perhaps, does starve?" The angry +man addressed the group. "These are the plans for her recovery. Give +ear. You, vile boy, will rush to the dairy and order to be sent at +once as much milk as Mrs. Armitage will command you. Mrs. Armitage, +you with your maids--Fletcher, you with that boy, are the _intramural_ +workers, the workers within the walls. George, Margaret, Miss Humfray- +-_extra-mural_. Mrs. Armitage, with milk let every bowl and saucer be +filled. Fletcher, at intervals of thirty feet along the wall let these +be placed. If our wanderer is near she will be attracted. Margaret, +with Miss Humfray to the village. Collect an army of village boys. +Describe our Rose. Set them to scour the countryside for her. +Yourselves join that search. Let the call of 'Rose! Rose!' echo +through every lane. George, you also will scour far and wide. Upon +your way despatch to me a cab from the station. I drive to the post- +office to telephone for a detective. I have not yet decided which +detective. It is a momentous matter." He flung out both hands. "To your +tasks! Let zeal, let love for our lost one spur each to outvie the +efforts of another. Fletcher, raise the window. That pungent boy has +poisoned the air." + +They trooped from him. + + + + +CHAPTER VI + +A Detective At Herons' Holt. + + + +I. + +Bolt Buildings, Westminster, is a colossal red structure reared upon +the site of frightened-looking little houses which fell beneath the +breaker's hammer coincident with the falling in of their lease. Here +you may have a complete floor of rooms at from three to five hundred a +year; or, high under the roof, you may rent a single room for forty- +five pounds. + +Mr. David Brunger, Private Detective and Confidential Inquiry Agent, +appeared on the books of the Bolt Buildings management as lessee of +one of these single rooms. The appearance of his quarters as presented +to the visitor had, however, a more pretentious aspect. + +Shot to the topmost floor in the electric lift, passing to the left +and up five stairs in accordance with the lift boy's instructions, the +intending client would be faced by three doors. Upon the first was +inscribed: + + DAVID BRUNGER (Clerks). + +Upon the middle door: + + DAVID BRUNGER (Private). + +And upon the third: + + DAVID BRUNGER (Office). + +These signs of large staff and flourishing business were in keeping +with the telling advertisements which Mr. David Brunger from time to +time caused to appear in the Press. + +"Watch your wife," said these advertisements, adding in smaller type +that had the appearance of a whisper: "David Brunger will watch her." +"What keeps your husband late at office?" they continued. "David +Brunger will find out. Confidential inquiry of every description +promptly and cheaply carried out by David Brunger's large staff of +skilled detectives (male and female). David Brunger has never failed. +David Brunger has restored thousands of pounds' worth of stolen +property, countless missing relatives. David Brunger, 7 Bolt +Buildings, Strange Street, S.W. Tel. 0000 West." + +In London, with its myriad little eddies of crime and matrimonial +infelicity, there is a neat sum to be made out of detective work. +Scotland Yard wolfs the greater part of these opportunities; there are +established names that absorb much of the remainder. In the surplus, +however, there is still a livelihood for the David Brungers. For if +the Brungers do not go nosing after silken petticoats covering +aristocratic but wanton legs; if the Brungers do not go flying across +the Continent, nose to ground, notebook in hand, after the fine linen +worn by my lord who is making holiday with something fair and frail +under the quiet name of Mr. and Mrs. Brown; if the Brungers are not +employed to draggle silken petticoats and fine linen through the +Divorce Court, there is work for them among humbler washing baskets. +Jealous little shop-keepers have erring little wives, and common +little wives have naughty little husbands: these come to your +Brungers. And if, again, the Brungers do not dog the footsteps of your +fifty-thousand-pound men, your embezzlement-over-a-period-of-ten-years +men, your cheque-forging men--if the Brungers are invited to do no +dogging after these, there are pickings for them in less flashy +crimes. Hiding in cupboard work while the sweated little shop- +assistant slips a marked shilling from the till, hiding in basement +work while a trembling little figure creeps down and pilfers the +stock--these are the pranks that come to your Brungers. + + + +II. + +While Mr. Marrapit at Herons' Holt was addressing to his household +grouped about him his orders relative to the search for the Rose of +Sharon, Mr. David Brunger at Bolt Buildings was entering the door +marked "DAVID BRUNGER (Private)." + +A telephone, a gas stove, a roll-top desk, an office chair, an +armchair, a tiny deal table and a wooden-seated chair comprised the +furniture of the apartment. + +"For myself, I like severity and simplicity of surroundings," Mr. +David Brunger in the office chair would tell a client in the armchair. +"For _myself_--" and he would waggle his head towards the side walls +with an air that seemed to imply prodigal luxury in the fittings of +"(Clerks)" and "(Office)." + +Entering the room Mr. Brunger unlocked the roll-top desk; discovered +the stump of a half-smoked cigarette; lit it and began to compare the +day's racing selections of "Head Lad," who imparted stable secrets to +one tipster's organ, with those of "Trainer," who from the knowledge +of his position very kindly gave one horse snips to another. + +At ten o'clock the large staff of trained detectives (male and +female), mentioned in Mr. Brunger's advertisements, came pouring up +the stairs, knocked at the door and filed into the room. Its name was +Issy Jago, a Jewish young gentleman aged seventeen, whose appearance +testified in the highest manner to the considerable thrift he +exercised in the matter of hair-dressers and toilet soap. + +Mr. Issy Jago sat himself on the wooden-seated chair before the small +deal table; got to work upon his finger-nails with the corner of an +omnibus ticket; proceeded to study the police court reports in the +_Daily Telegraph_. + +It was his duty, whenever he noted plaintiffs or defendants to whom +Mr. David Brunger's services might be of benefit, to post to them Mr. +David Brunger's card together with a selection of entirely unsolicited +testimonials composed and dictated by Mr. Brunger for the occasion. + +Also his duty to receive clients. + +When a knock was heard at "DAVID BRUNGER (Clerks)" Mr. Issy Jago would +slip through from "DAVID BRUNGER (Private)" to the tiny closet +containing the cistern into which the door marked "DAVID BRUNGER +(Clerks)" opened. Sliding through this door in such a manner as to +give the client no glimpse of the interior, he would inform the +visitor, with a confidential wink, "Fact is we have a client in there +--a very well-known personage who does not wish it to be known that he +is consulting us." The impressed caller would then be conducted into +"DAVID BEUNGER (Private)." + +Between "DAVID BRUNGER (Private)" and "DAVID BRUNGER (Office)," on the +other hand, there was no communication. Indeed there was no room +behind "(Office)": the door gave on to the roof. When, therefore, a +hesitating client chose to knock at "(Office)" Mr. Issy Jago, emerging +from "(Private)," would give the whispered information: "Fact is +there's a very important private consultation going on in there-- +Scotland Yard consulting us." And the impressed client would forthwith +be led into "DAVID BRUNGER (Private)." + +In either event, the client trapped, Mr. Issy Jago would skip into +"(Clerks)" and sit on the cistern till Mr. Brunger's bell summoned +him. + +For the privilege of adding to the dignity of his single apartment by +having his name inscribed upon the cistern cupboard and upon the +emergency exit to the roof, Mr. Brunger paid thirty shillings extra +per annum. + +III. + +By half-past ten Mr. Brunger was occupied in composing an unsolicited +testimonial to be sent to the wife of a green-grocer in the Borough +who, on the previous day, had summoned her husband for assault at +Lambeth Police-Court. + +"I had suspicions but no proof of my 'usband's infidelity," dictated +Mr. Brunger, pacing the floor, "until I enlisted your services. I must +say--" + +At that moment the telephone bell rang. Mr. Brunger ceased dictation; +took up the receiver. + +"Are you David Brunger, the private detective?" a voice asked. + +"We are," replied Mr. Brunger in the thin treble he used on first +answering a call. "Who are you, please?" + +"I am Mr. Christopher Marrapit of Herons' Holt, Paltley Hill, Surrey. +I--" + +"One moment," piped Mr. Brunger. "Is it confidential business?" + +"It is most urgent business. I--" + +"One moment, please. In that case the private secretary must take your +message." + +Mr. Brunger laid down the receiver; took a turn across the room; +approached the telephone; in a very deep bass asked, "Are you there?" + +The frantic narrative that was poured into his ears he punctuated with +heavy, guttural "Certainly's," "Yes's," "We comprehend's," "We follow +you's." Then: "Mr. David Brunger himself? I'm afraid that is +impossible, sir. Mr. Brunger has his hands very full just now. He is +closeted with Scotland Yard. At this moment, sir, the Yard is +consulting him ...'m...'m. Well, I'll see, sir, I'll see. I doubt it. +I very much doubt it. But hold the line a minute, sir." + +In his capacity of Mr. David Brunger's private secretary, Mr. David +Brunger drank from the carafe of water on the mantelpiece to clear his +tortured throat. + +In his capacity of the great detective and confidential inquiry agent +himself, he then stepped to the telephone and, after exhibiting a +power of invention relative to startling crimes in hand that won even +the admiration of Mr. Issy Jago, announced that he would be with Mr. +Marrapit at three o'clock. + +"It may be a big job, Issy," he remarked, relighting the stump of +cigarette, "or it may be a little job. But what I say and what I do +is, _impress your client. Impress your client,_ Issy. Let that be your +maxim through life. And if I catch you again takin' a draw at my +cigarette when my back's turned, as I see you just now, I'll damn well +turn you inside out and chuck you through that door. So you watch it. +You've made this smoke taste 'orrid-'orrid. No sauce, now; no sauce." + + + +IV. + +By two o'clock the results of Mr. Marrapit's colossal scheme began to +pour in. + +The bowls of milk, gleaming along the wall of Herons' Holt, drew every +stray cat within a radius of two miles. Beneath, each armed with a +clothes-prop, toiled Mr. Fletcher and Frederick under the immediate +generalship of Mr. Marrapit. + +Throughout the morning cats bounded, flickered and disappeared upon +the wall. Fat cats, thin cats; tom cats, tabby cats; white cats, black +cats, yellow cats, and grey cats; young cats and old cats. As each +appeared, Mr. Marrapit, first expectant then moaning, would wave his +assistants to the assault. Up would go the clothes-prop of Mr. +Fletcher or Frederick; down would go the stranger cat. It was +exhausting work. + +At two-thirty the village boys who had been searching were mustered at +the gate. Each bore a cat. Some carried two. Leaving his clothes-prop +lancers, Mr. Marrapit hurried down the drive to hold review. + +"Pass," he commanded, "in single file before me." + +They passed. "Dolt! Dolt!" groaned Mr. Marrapit, writhing in the +bitterness of crushed hope as each cat was held towards him. "Dolt and +pumpkin-head! How could that wretched creature be my Rose?" + +How, indeed, when at that moment the Rose of Sharon in the ruined hut +was lapping milk taken her by George in a lemonade bottle, her +infamous captor smoking on the threshold? + +Precisely at three o'clock Mr. David Brunger arrived. Conducted to the +room whence the Rose had disappeared, the astute inquiry agent was +there closeted with Mr. Marrapit for half an hour. At the end of that +time Mr. Marrapit appeared on the lawn. His face was white, his voice, +when he spoke, hollow and trembling. He called to the clothes-prop +lancers: + +"Cease. Cease. Withdraw the milk. The Rose of Sharon is not strayed. +She is stolen!" + +"Thenk Gord!" said Frederick. "Thenk Gord! I've pretty well busted +myself over this game." + +Mr. Fletcher said nothing; drew his snail from his pocket; plunged +head downwards in a bush. Woe sat heavy upon him; beneath the +indignity and labour of thrusting at stranger cats with a clothes-prop +this man had grievously suffered. + + + +V. + +The Rose was stolen. That was Mr. Brunger's discovery after +examination of the window-latch where George's knife had marked it, +the sill where George's boots had scratched it. Outside the great +detective searched for footmarks--they had been obliterated by heavy +rainfall between the doing of the hideous deed and its discovery. Upon +the principle of impressing his client, however, Mr. Brunger grovelled +on the path with tape measure and note-book; measured every pair of +boots in the house; measured the window; measured the room; in neat +little packets tied up specimens of the gravel, specimens of the turf, +specimens of hair from the Rose of Sharon's coat, picked from her bed. + +It was six o'clock when he had concluded. By then George had returned; +the three held council in the study. Addressing Mr. Marrapit, Mr. +Brunger tapped his note-book and his little packages. "We shall track +the culprit, never fear, Mr. Marrapit," he said. "My impression is +that this is the work of a gang--a _gang_." + +"Precisely my impression," George agreed. + +Mr. Brunger took the interruption with the gracious bow of one who +condescends to accept a pat on the back from an inferior. Mr. Marrapit +twisted his fingers in his thin hair; groaned aloud. + +"A _gang,_" repeated Mr. Brunger, immensely relishing the word. "We +detectives do not like to speak with certainty until we have clapped +our hands upon our men; we leave that for the amateurs, the bunglers-- +the _quacks_ of our profession." The famous confidential inquiry agent +tapped the table with his forefinger and proceeded impressively. "But +I will say this much. Not only a gang, but a desperate gang, a +dangerous, stick-at-nothing gang." + +Mr. Marrapit writhed. The detective continued: "What are our grounds +for this belief?" he asked. "What are our _data_?" + +He looked at George. George shook his head. Easy enough, and useful, +to acquiesce in the idea of a gang, but uncommonly hard to support the +belief. He shook his head. + +Mr. Brunger was disappointed; a little at sea, he would have clutched +eagerly at any aid. However, "impress your client." He continued: +"These are our data. We have a valuable cat--a cat, sir, upon which +the eyes of cat-breeders are enviously fixed. Take America--you have +had surprising offers from America for this cat, sir, so you told me?" + +"Eight hundred pounds," Mr. Marrapit groaned. + +"Precisely. Observe how our data accumulate. We have dissatisfaction +among breeders at home because you will not employ this cat as, in +their opinion, for the good of the breed, she should be employed." + +Mr. Marrapit moaned: "Polygamy is abhorrent to me." + +"Precisely. Our data positively pile about us. We have a thousand +enthusiasts yearning for this cat. We have your refusal to sell or to-- +to--" Mr. Brunger allowed a hiatus delicately to express his meaning. +"Then depend upon it, sir, we have a determination to secure this cat +by foul means since fair will not avail. We have a conspiracy among +unscrupulous breeders to obtain this valuable cat, and hence, sir, we +have a gang--a _gang_." + +Mr. Marrapit put his anguish of mind into two very deep groans. + +"Keep calm, my dear sir," Mr. Brunger soothed. "We shall return your +cat. We have our data." He continued: "Now, sir, there are two ways of +dealing with a _gang_. We can capture the _gang_ or we can seduce the +_gang_--by offering a reward." + +George jumped in his chair. "Anything wrong?" Mr. Brunger inquired. + +"Your--your extraordinary grasp of the case astonishes me," George +exclaimed. + +"Experience, sir, experience," said Mr. Brunger airily. Addressing Mr. +Marrapit, "We must put both methods to work," he continued. "I shall +now go to town, look up the chief breeders and set members of my +trained staff to track them. Also I must advertise this reward. With a +cat of such value we cannot use half measures. Shall we say one +hundred pounds to start with?" + +"Barley water!" gasped Mr. Marrapit. "Barley water!" + +George sprang to the sideboard where always stood a jug of Mr. +Marrapit's favourite refreshment. Mr. Marrapit drank, agitation +rattling the glass against his teeth. + +"Think what it means to you, sir," persuaded Mr. Brunger, a little +alarmed at the effects of his proposal. + +The detective's tone had a very earnest note, for he was thinking with +considerable gratification what the hundred pounds would mean to +himself. On previous occasions he had urged rewards from his clients, +put Mr. Issy Jago in the way of securing them, and paid that gentleman +a percentage. + +"Think what it means to you," he repeated. "What is a hundred pounds +or thrice that sum against the restoration of your cat? Come, what is +it, sir?" + +"Ruin," answered Mr. Marrapit, gulping barley water. "Ruin." + +Mr. Brunger urged gravely: "Oh, don't say that, sir. Think what our +dumb pets are to us. I've got a blood-'ound at home myself that I'd +give my life for if I lost--gladly. Surely they're more to us, our +faithful friends, than mere--mere--" + +"Pelf," supplied George, on a thin squeak that was shot out by the +excitement of seeing events so lustily playing his hand. + +"Mere pelf," adopted Mr. Brunger. + +Mr. Marrapit gulped heavily at the barley water; set his gaze upon a +life-size portrait in oils of his darling Rose; with fine calm +announced: "If it must be, it must be." + +With masterly celerity Mr. Brunger drew forward pen and paper; +scribbled; in three minutes had Mr. Marrapit's signed authority to +offer one hundred pounds reward. + +He put the document in his pocket; took up his hat. "To-morrow," he +said after farewells, "I or one of my staff will return to scour the +immediate neighbourhood. It has been done, you tell me, but only by +amateurs. The skilled detective, sir, will see a needle where the +amateur cannot discern a haystack." + + + +VI. + +He was gone. His last words had considerably alarmed George. No time +was to be lost. All was working with a magic expediency, but the Rose +must not be risked in the vicinity of one of these needle-observing +detectives. She must be hurried away. + +"Uncle," George said, "I did not say it while the detective was here-- +I do not wish to raise your hopes; but I believe I have a clue. Do not +question me," he added, raising a hand in terror lest Mr. Marrapit +should begin examination. "I promise nothing. My ideas may be wholly +imaginary. But I believe--I believe--oh, I believe I have a clue." + +Mr. Marrapit rushed for the bell. "Recall the detective! You should +have spoken. I will send Fletcher in pursuit." + +George seized his uncle's arm. "On no account. That is why I did not +speak before. I am convinced I can do better alone." + +"You do not convince me. You are an amateur. We must have the skilled +mind. Let me ring." + +George was in terror. "No, no; do you not see it may be waste of time? +Let me at least make sure, then I will tell the detective. Meanwhile +let him pursue other clues. Why send the trained mind on what may be a +goose-chase?" + +The argument had effect. Mr. Marrapit dropped into a chair. + +George explained. To follow the clue necessitated, he said, instant +departure--by train. He would write fullest details; would wire from +time to time if necessary. His uncle must trust him implicitly. The +detective must not be told until he gave the word. + +Eager to clutch at any hope, Mr. Marrapit clutched at this. George was +given money for expenses; at eight o'clock left the house. There had +been no opportunity for words with his Mary. She did not even know +that Mr. Marrapit had refused the money that was to mean marriage and +Runnygate; she had not even danced with her George upon his success in +his examination. Leaving the household upon his desperate clue, George +could do no more than before them all bid her formal farewell. At +half-past eight he is cramming the peerless Rose of Sharon into a +basket taken from Mr. Fletcher's outhouses; at nine the villain is +tramping the railway platform, in agony lest his burden shall mi-aow; +at ten the monster is at Dippleford Admiral; at eleven the traitor is +asleep in the bedroom of an inn, the agitated Rose uneasily slumbering +upon his bed. + + + + +CHAPTER VII. + +Terror At Dippleford Admiral. + + + +I. + +"Impress your client," was the maxim of Mr. David Brunger. "Make a +splash and keep splashing," was that of Mr. Henry T. Bitt, editor of +Fleet Street's new organ, the _Daily_. + +Muddy pools were Mr. Bitt's speciality. His idea of the greatest +possible splash was some stream, pure and beautiful to the casual eye, +into which he could force his young men and set them trampling the +bottom till the thick, unpleasant mud came clouding up whence it had +long lain unsuspected. There was his splash, and then he would start +to keep splashing. By every art and device the pool would be flogged +till the muddy water went flying broadcast, staining this, that, and +the other fair name to the nasty delight of Mr. Bitt's readers. +Scandal was Mr. Bitt's chief quest. Army scandal, navy scandal, +political scandal, social scandal--these were the courses that Mr. +Bitt continuously strove to serve up to his readers. Failing them--if +disappointingly in evidence on every side was the integrity and the +honour for which Mr. Bitt raved and bawled when in the thick of +splashing a muddy pool,--then, argued Mr. Bitt, catch hold of +something trivial and splash it, flog it, placard it, into a +sensational and semi-mysterious bait that would set the halfpennies +rising like trout in an evening stream. + +Bringing these principles-indeed they won him his appointment--to the +editorship of the _Daily_, Mr. Bitt was set moody and irritable by the +fact that he had no opportunity to exercise them over the first issue +of the paper. + +But while preparing for press upon the second night the chance came. +There was no scandal, no effective news; but there was matter for a +sensational, semi-mysterious "leading story" in a tiny little scrap of +news dictated by Mr. David Brunger, laboriously copied out a dozen +times by Mr. Issy Jago and left by that gentleman at the offices of as +many newspapers. + +Seven sub-editors "spiked" it, three made of it a "fill-par.," one +gave it a headline and sent it up as an eight-line "news-par."; one, +in the offices of the _Daily_, read it, laughed; spoke to the +news-editor; finally carried it up to Mr. Bitt. + +Mr. Bitt's journalistic nose gave one sniff. The thing was done. Some +old idiot was actually offering the ridiculously large sum of one +hundred pounds for the recovery of a cat. Here, out of the barren, +un-newsy world, suddenly had sprung a seed that should grow to a forest. +The very thing. The _Daily_ was saved. + +Away sped a reporter; and upon the following morning, bawling from the +leading position of the principal page of the _Daily_, introducing a +column and a quarter of leaded type, these headlines appeared: + + COUNTRY HOUSE OUTRAGE. + + VALUABLE CAT STOLEN. + + SENSATIONAL STORY. + + HUGE REWARD. + + CHANCE FOR AMATEUR DETECTIVES. + +All out of Mr. Issy Jago's tiny little paragraph. + +_Daily_ readers revelled in it. It appeared that a gang of between +five and a dozen men had surrounded the lonely but picturesque and +beautiful country residence of Mr. Christopher Marrapit at Herons' +Holt, Paltley Hill, Surrey. Mr. Marrapit was an immensely wealthy +retired merchant now leading a secluded life in the evening of his +days. First among the costly art and other treasures of his house he +placed a magnificent orange cat, "The Rose of Sharon," a winner +whenever exhibited. The gang, bursting their way into the house, had +stolen this cat, despite Mr. Marrapit's heroic defence, leaving the +unfortunate gentleman senseless and bleeding on the hearth-rug. Mr. +Marrapit had offered 100 pounds reward for the recovery of his pet; +and the _Daily_, under the heading "Catchy Clues," proceeded to tell +its readers all over the country how best they might win this sum. + +All out of Mr. Issy Jago's tiny little paragraph. + + + +II. + +_Daily_ readers revelled in it. Upon three of their number it had a +particular effect. + +Bill Wyvern had not been at the _Daily_ office that night. Employed +during the day, he had finished his work at six; after a gloomy meal +had gone gloomily to bed. This man was on probation. His appointment +to a permanent post depended upon his in some way distinguishing +himself; and thus far, as, miserable, he reflected, he utterly had +failed. The "copy" he had done for the first issue of the _Daily_ had +not been used; on this day he had been sent upon an interview and had +obtained from his subject a wretched dozen words. These he had taken +to the news-editor; and the news-editor had treated them and him with +contempt. + +"But that's all he would say," poor Bill had expostulated. + +"All he would say!" the news-editor sneered. "Here, Mathers, take this +stuff and make a quarter-col. interview out of it." + +Thus it was in depressed mood that Bill on the following morning +opened his _Daily._ + +The flaring "Country House Outrage" hit his eye; he read; in two +minutes his mood was changed. A sensation at Paltley Hill! At Mr. +Marrapit's! Here was his chance! Who better fitted than he to work up +this story? Fortunately he knew Mr. Henry T. Bitt's private address; +had the good sense to go straight to his chief. + +A cab took him to the editor's flat in Victoria Street. Mr. Bitt was +equally enthusiastic. + +"Hot stuff," said Mr. Bitt. "You've got your chance; make a splash. Go +to the office and tell Lang I've put you on to it. Cut away down to +the scene of the outrage and stay there as our Special Commissioner +till I wire you back. Serve it up hot. Make clues if you can't find +'em. Hot, mind. H-O-T." + + + +III. + +Professor Wyvern was the second reader upon whom the sensational story +had particular effect. + +Through breakfast the Professor eyed with loving eagerness the copy of +the _Daily_ that lay folded beside his plate. + +At intervals, "I have made a very good breakfast, now," he would say. +"Now I will try to find what Bill has written in this terrible paper." + +But thrice Mrs. Wyvern lovingly checked him. "Dear William, no. You +have hardly touched your sole. You must finish it, dear, every scrap, +before you look at the paper. You have been eating such good +breakfasts lately. Now, please, William, finish it first." + +"It is as big as a shark," the Professor grumbles, making shots with +his trembling fork. + +"Dear William, it is a very small sole." + +At last he has finished. A line catches his eye as he unfolds the +_Daily_, and he chuckles: "Oh, dear! This is a very horrible paper. +'Actress and Stockbroker--Piccadilly by night.'" + +"Dear William, we only want to read what Bill has written. An +interview, he tells us, with--" + +Dear William waggles his naughty old head over the actress and the +stockbroker; shaky fingers unfold the centre pages; nose runs up one +column and down another, then suddenly starts back burnt by the +flaring "Country House Outrage." + +"Dearest! Dearest! Whatever is the matter?" + +But dearest is speechless. Dearest can only cough and choke and +splutter in convulsions of mirth over some terrific joke of which he +will tell Mrs. Wyvern no more than: "He has done it. Oh, dear! oh, +dear! He has done it. Oh, dear! This will be very funny indeed!" + + + +IV. + +It will be seen that two out of the three readers particularly +interested in Mr. Bitt's splash were agreeably interested. Upon the +third the effect was different. + +It was George's first morning in the little inn at Dippleford Admiral. +An unaccustomed weight upon his legs, at which thrice he sleepily +kicked without ridding himself of it, at length awoke him. + +He found the morning well advanced; the disturbing weight that had +oppressed him he saw to be a hairy object, orange of hue. Immediately +his drowsy senses awoke; took grip of events; sleep fled. This object +was the Rose of Sharon, and at once George became actively astir to +the surgings of yesterday, the mysteries of the future. + +Pondering upon them, he was disturbed by a knock that heralded a +voice: "The paper you ordered, mister; and when'll you be ready for +breakfast?" + +"Twenty minutes," George replied; remembered the landlady had +overnight told him she was a little deaf; on a louder note bawled: +"Twenty minutes, Mrs. Pinner!" + +Mrs. Pinner, after hesitation, remarked: "Ready now? Very well, +mister"; pushed a newspaper beneath the door; shuffled down the +stairs. + +In the course of his brief negotiations with Mrs. Pinner upon the +previous evening, George, in response to the proud information that +the paper-boy arrived at nine o'clock every morning on a motor +bicycle, had bellowed that he would have the _Daily_. For old Bill's +sake he had ordered it; with friendly curiosity to see Bill's new +associations he now withdrew his legs from beneath the Rose of Sharon; +hopped out of bed; opened the paper. + +Upon "Country House Outrage" George alighted plump; with goggle eyes, +scalp creeping, blood freezing, read through to the last "Catchy +Clue"; aghast sank upon his bed. + +It had got into the papers! Among all difficult eventualities against +which he had made plans this had never found place. It had got into +the papers! The cat's abduction was, or soon would be, in the +knowledge of everyone. This infernal reward which with huge joy he had +heard offered, was now become the goad that would prick into active +search for the Rose every man, woman, or child who read the story. It +had got into the papers! He was a felon now; fleeing justice; every +hand against him. Discovery looked certain, and what did discovery +mean? Discovery meant not only loss of the enormous stake for which he +was playing--his darling Mary,--but it meant--"Good God!" groaned +my miserable George, "it means ruin; it means imprisonment." + +Melancholy pictures went galloping like wild nightmares through this +young man's mind. He saw himself in the dock, addressed in awful words +by the judge who points out the despicable character of his crime; he +saw himself in hideous garb labouring in a convict prison; he saw +himself struck off the roll at the College of Surgeons; he saw +himself--"Oh, Lord!" he groaned, "I'm fairly in the cart!" + +Very slowly, very abject, he peeled off his pyjamas; slid a white and +trembling leg into his bath. + +But the preposterous buoyancy of youth! The cold water that splashed +away the clamminess of bed washed, too, the more vapoury fears from +George's brain; the chilly splashings that braced his system to a +tingling glow braced also his mind against the pummellings of his +position. Drying, he caught himself whistling; catching himself in +such an act he laughed ruefully to think how little ground he had for +good spirits. + +But the whistling prevailed. This ridiculous buoyancy of youth! What +luckless pigs are we who moon and fret and grow besodden with the +waters of our misfortunes! This cheeky corkiness of youth! Shove it +under the fretted sea of trouble, and free it will twist, up it will +bob. Weight it and drop it into the deepest pool; just when it should +be drowned, pop! and it is again merrily bobbing upon the surface. + +It is a sight to make us solemn-souled folk disgustingly irritated. We +are the Marthas--trudging our daily rounds, oppressed with sense of +the duties that must be done, with the righteous feeling of the +hardness of our lot; and these light-hearts, these trouble-shirkers, +this corkiness of youth, exasperate us enormously. But the grin is on +their side. + +The whistling prevailed. By the time George was dressed he had put his +position into these words--these feather-brained, corky, preposterous +words: "By gum!" said George, brushing his hair, "by gum! I'm in a +devil of a hole!" + +The decision summed up a cogitation that showed him to be in a hole +indeed, but not in so fearsome a pit as he had at first imagined. He +had at first supposed that within a few minutes the earth would be +shovelled in on him and he buried. Review of events showed the danger +not to be so acute. On arrival the previous night, after brief parley +with Mrs. Pinner he had gone straight to his room, bearing the Rose +tight hid in her basket. No reason, then, for suspicion yet to have +fallen upon him. He must continue to keep the Rose hid. It would be +difficult, infernally difficult; but so long as he could effect it he +might remain here secure. The beastly cat must of course be let out +for a run. That was a chief difficulty. Well, he must think out some +fearful story that would give him escape with the basket every +morning. + + + +V. + +Breakfast was laid in a little sitting-room over the porch, adjoining +his bedroom. George pressed the poor Rose into her basket; carried it +in. + +Mrs. Pinner was setting flowers on the table. George carried the +basket to the window; placed it on a chair; sat upon it. With his +right hand he drummed upon the lid. It was his purpose to inspire the +Rose with a timid wonder at this drubbing that should prevent her +voicing a protest against cramped limbs. + +"Some nice tea and a bit of fish I'm going to bring you up, mister," +Mrs. Pinner told him. + +Recollecting her deafness, and in fear lest she should approach the +basket, George from the window bellowed: "Thank you, Mrs. Pinner. But +I won't have tea, if you please. Won't have tea. I drink milk-- +_milk_. A lot of milk. I'm a great milk-drinker." + +The Rose wriggled. George thumped the basket. "As soon as you like, +Mrs. Pinner. As quick as you like!" + +Mrs. Pinner closed the door; the Rose advertised her feelings in a +long, penetrating mi-aow. In an agony of strained listening George +held his breath. But Mrs. Pinner heard nothing; moved steadily +downstairs. He wiped his brow. This was the beginning of it. + +When Mrs. Pinner reappeared, jug of milk and covered dish on a tray, +George's plan, after desperate searchings, had come to him. + +He gave it speech. "I want to arrange, Mrs. Pinner--" + +"If you wait till I've settled the tray, mister, I'll come close to +you. I'm that hard of hearing you wouldn't believe." + +George sprang from the basket; approached the table. His life depended +upon keeping a distance between basket and Pinner. + +"I want to arrange to have this room as a private sitting-room." + +It had never been so used before, but it could be arranged, Mrs. +Pinner told him. She would speak to her 'usband about terms. + +"And I want to keep it very private indeed, I don't want anyone to +enter it unless I am here." George mounted his lie and galloped it, +blushing for shame of his steed. "The fact is, Mrs. Pinner, I'm an +inventor. Yes, an inventor. Oh, yes, an inventor." The wretched steed +was stumbling, but he clung on; spurred afresh. "An inventor. And I +have to leave things lying about--delicate instruments that mustn't be +disturbed. Awfully delicate. I shall be out all day. I shall be taking +my invention into the open air to experiment with it. My invention--" +He waved his hand at the basket. + +Mrs. Pinner quite understood; was impressed. "Oh, dear, yes, mister. +To be sure. An inventor; fancy that, now!" She gazed at the basket. +"And the invention is in there?" + +"Right in there," George assured her. + +"You'll parding my asking, mister; but your saying you have to take it +in the open hair--is it one of them hairships, mister?" + +"Well, it _is,_" George said frankly. This was a useful idea and he +approved it. "It _is._ It's an airship." + +"Well, I never did!" Mrs. Pinner admired, gazing at the basket. "A +hairship in there!" + +"_Mi-aow!_" spoke the Rose--penetrating, piercing. + +Mrs. Pinner cocked her head on one side; looked under the table. "I +declare I thought I heard a cat," she puzzled. "In this very room." + +George felt perfectly certain that his hair was standing bolt upright +on the top of his head, thrusting at right angles to the sides. He +forced his alarmed face to smile: "A cock crowing in the yard, I +think, Mrs. Pinner." + +Mrs. Pinner took the explanation with an apologetic laugh. "I'm that +hard o' hearing you never would believe. But I could ha' sworn. Ill +not keep you chattering, sir." She raised the dish cover. + +A haddock was revealed. A fine, large, solid haddock from which a +cloud of strongly savoured vapour arose. + +George foresaw disaster. That smell! that hungry cat! Almost he pushed +Mrs. Pinner to the door. "That you, thank you. I have everything now. +I will ring if--" + +"_Mi-aow!_" + +"Bless my soul!" Mrs. Pinner exclaimed. "There is a cat"; dropped on +hands and knees; pushed her head beneath the sofa. + +George rushed for the basket. Wreaking his craven alarm upon the +hapless prisoner, he shook it; with a horrible bump slammed it upon +the floor; placed his foot upon it. + +Mrs. Pinner drew up, panting laboriously. "Didn't you hear a cat, +mister?" + +George grappled the crisis. "I did not hear a cat. If there were a cat +I should have heard it. I should have felt it. I abominate cats. I can +always tell when a cat is near me. There is no cat. Kindly leave me to +my breakfast." + +Poor Mrs. Pinner was ashamed. "I'm sure I do beg you parding, mister. +The fact is we've all got cats fair on the brain this morning. In this +here new paper, mister, as perhaps you've seen, and they're giving us +a free copy every day for a week, there's a cat been stole, mister. A +hundred pounds reward, and as the paper says, the cat may be under +your very nose. We're all a 'unting for it, mister." + +She withdrew. George crossed the room; pressed his head, against the +cold marble of the mantelpiece. His brows were burning; in the pit of +his stomach a sinking sensation gave him pain. "All a 'unting for it! +all a 'unting for it!" + +When the Rose had bulged her flanks with the complete haddock, when, +responsive to a "Stuff your head in that, you brute," the patient +creature had lapped a slop-bowl full of milk, George again imprisoned +her; rushed, basket under arm, for open country. + +Mr. Pinner in the bar-parlour, as George fled through, was reading +from a paper to a stable hand, a servant girl, and a small red-headed +Pinner boy: "It may be in John o' Groats," he read, "or it may be in +Land's End." He thumped the bar. "'Ear that! Well, it may be in +Dippleford Admiral." + +It was precisely because it was in Dippleford Admiral that his young +inventor lodger fled through the bar without so much as a civil "good +morning." + + * * * * * + +At the post-office, keeping a drumming foot on the terrified Rose, +George sent a telegram to Mr. Marrapit. + +_"Think on track. Must be cautious. Don't tell Brunger."_ + +He flung down eightpence halfpenny; fled in the direction of a wood +that plumed a distant hill. Fear had this man. + + + + +CHAPTER VIII. + +Panic At Dippleford Admiral. + + + +I. + +George left Dippleford Admiral that night. + +He left at great speed. There was no sadness of farewell. There was no +farewell. + +Returning at seven o'clock to his sitting-room at the inn, melancholy +beneath a hungry and brooding day in the woods with the Rose tethered +to a tree by the length of two handkerchiefs, he ordered supper-- +milk, fish, and chops. + +Mrs. Pinner asked him if that would be all. She and 'usband were going +to a chapel meeting; the servant girl was out; there would only be a +young man in the bar. + +George took the news gratefully. His nerves had been upon the stretch +all day. It was comforting to think that for a few hours he and this +vile cat would have the house to themselves. + +Immediately Mrs. Pinner left the room he greedily fell to upon the +chops. All day he had eaten nothing: the Rose must wait. Three parts +of a tankard of ale was sliding at a long and delectable draught down +upon his meal when the slam of a door, footsteps and a bawling voice +in the yard told him that Mrs. Pinner and 'usband had started, +chatting pleasantly, for their chapel meeting. + +The dish cleared, George arranged his prisoner's supper; stepped to +the basket to fetch her to it. As he lifted her splendid form there +came from behind him an exclamation, an agitated scuffling. + +In heart-stopping panic George dropped the cat, jumped around. The +red-headed Pinner boy, whom that morning he had seen in the bar-parlour, +was scrambling from beneath the sofa, arms and legs thrusting his +flaming pate at full-speed for the door. + +"Stop!" George cried, rooted in alarm. + +The red-headed Pinner boy got to Ms feet, hurled himself at the door +handle. + +"Stop!" roared George, struggling with the stupefaction that gripped +him. "Stop, you young devil!" + +The red-headed Pinner boy twisted the handle; was half through the +door as George bounded for him. + +"Par-par!" screamed the flaming head, travelling at immense speed down +the passage. "Par-par! It ain't a hairship. It's a cat!" + +George dashed. + +"Par-par! Par-par! It's a cat!" The redheaded Pinner boy took the +first short flight of stairs in a jump; rounded for the second. + +George lunged over the banisters; gripped close in the flaming hair; +held fast. + +For a full minute in silence they poised--red-headed Pinner boy, on +tip-toe as much as possible to ease the pain, in acute agony and great +fear; George wildly seeking the plan that must be followed when he +should release this fateful head. + +Presently, with a backward pull that most horribly twisted the +red-headed face: "If you speak a word I'll pull your head off," +George said. "Come up here." + +The pitiful procession reached the sitting-room. "Sit down there," +George commanded. "If you make a sound I shall probably cut your head +clean off. What do you mean by hiding in my room?" + +Between gusty pain and terror: "I thought it was a hairship." + +"Oh!" George paced the room. What did the vile boy think now? "Oh, +well, what do you think it is now?" + +"I believe it's the cat wot's in the piper." + +"Oh, you do, do you?" Yes, this was a very horrible position indeed. +"Oh, you do, do you? Now, you listen to me, my lad: unless you want +your head cut right off you sit still without a sound." + +The red-headed Pinner boy sat quite still; wept softly. Life, at the +moment, was a bitter affair for this boy. + + + +II. + +George paced. The hideous nightmares of the morning had returned now-- +snorting, neighing, trampling iron-shod; stampeding in hideous +irresistible rushes. This was the beginning of the end. He was +discovered--his' secret out. + +Flight--immediate flight--that was the essential course. Par-par, +thanks to sweet heaven, was at a chapel meeting. The thing could be +done. A timetable upon the mantelpiece told him that a down-train left +the station at 8.35. It was now eight. Better a down-train than an up. +The further from London the less chance of this infernal _Daily_ with +its Country House Outrage. Examining the time-table he determined upon +Temple Colney--an hour's run. He had been there once with Bill. + +But what of this infernal red-headed Pinner boy? In agony wrestling +with the question, George every way ran into the brick wall fact that +there was no method of stopping the vile boy's mouth. The red head +must be left behind to shriek its discovery to par-par. All that could +be done was to delay that shriek as long as possible. + +George packed his small hand-bag; placed upon the table money to pay +his bill; lifted the crime-stained basket; addressed the red-headed +Pinner boy: + +"Stop that sniffling. Take that bag. You are to come with me. If you +make a sound or try to run away you know what will happen to you. What +did I tell you would happen?" + +"Cut me 'ead off." + +"Right off. Right off--_slish_! Give me your hand; come on." + +Through a side door, avoiding the bar, they passed into the street. +Kind night gave them cloaks of invisibility; no one was about. In a +few minutes they had left the bold village street, were in timid lanes +that turned and twisted hurrying through the high hedges. + +Half a mile upon the further side of the station George that morning +had passed a line of haystacks. Now he made for it, skirting the +railway by a considerable distance. + +The red-headed Pinner boy, exhausted by the pace of their walk, not +unnaturally nervous, spoke for the first time: "Ain't you going to the +station, mister?" + +"Station? Certainly not. Do you think I am running away?" + +The red-headed Pinner boy did not answer. This boy was recalling in +every detail the gruesome story, read in a paper, of a bright young +lad who had been foully done to death in a wood. + +George continued: "I shall be back with you at the inn this evening, +and I shall ask your father to give you a good thrashing for hiding in +my room." + +In an earnest prayer the red-headed Pinner boy besought God that he +might indeed be spared to receive that thrashing. + + + +III. + +They reached the haystack. George struck a match; looked at his watch. +In seven minutes the train was due. + +The ladder George had noticed that morning was lying along the foot of +a stack. Uprearing it against one partially demolished, "Put down that +bag," he commanded. "Up with you!" + +Gustily sniffing in the huge sighs that advertised his terror, the +red-headed Pinner boy obeyed. George drew down the ladder. "Stop up +there; I shall be back in five minutes. If you move before then--" + +He left the trembling boy out of his own agitated fear to fill the +unspoken doom. He walked slowly away in the direction opposite from +the station until the haystack was merged and lost in the blackness +that surrounded it. Then, doubling back, he made for the road; pounded +along it at desperate speed. + +Most satisfactorily did that bounding, lurching, stumbling run along +the dark, uneven lane punish this crime-steeped George. Well he +realised, before he had sped a hundred yards, that guilt lashes with a +double thong. She had scourged him mentally; now with scorpions she +physically lashed him. As it had been racked throbbed that left arm +encircling the basket wherein in wild fear the Rose clung to ease the +dreadful bruisings that each oscillation gave her; as it were a +ton-weight did that hand-bag drag his right arm, thud his thigh; +as he were breathing fire did his tearing respirations sear his throat; +as a great piston were driving in his skull did the blood hammer +his temples. + +Topping a low rise he sighted the station lights below. +Simultaneously, from behind a distant whistle there sprang to his ears +the low rumble of the coming train. + +This history is not to be soiled with what George said at the sound. +With the swiftness and the scorching of flame his dreadful commination +leapt from the tortured Rose, terrified in her basket, to the red- +headed Pinner boy wrestling in prayer upon the haystack--from the +roughness of the lane that laboured his passage to the speed of the +oncoming train that hammered at his fate. + +He hurled himself down the rise; with his last breath gasped for a +ticket; upon a final effort projected himself into the train; went +prone upon a seat. He was away! + + * * * * * + +It was when George was some fifteen minutes from Temple Colney that +the red-headed Pinner boy, bolstered up with prayer, commended his +soul to God; slipped with painful thud from the haystack; pelted for +Par-par. + + + + +CHAPTER IX. + +Disaster At Temple Colney. + + + +I. + +Three days have passed. + +That somewhat pale and haggard-looking young man striding, a basket +beneath his arm, up the main street of Temple Colney is George. The +villagers stop to stare after him; grin, and nudge into one another +responsive grins, at his curious mannerisms. He walks in the exact +centre of the roadway, as far as he can keep from passers-by on either +side. Approached by anyone, he takes a wide circle to avoid that +person. Sometimes a spasm as of fear will cross his face and he will +violently shake the basket he carries. Always he walks with giant +strides. Every morning he shoots out of the inn where he is staying as +though sped on the blast of some ghostly current of air; every +evening, returning, he gives the impression of gathering himself +together on the threshold, then goes bolting in at whirlwind speed. He +is a somewhat pale and haggard young man. + +The villagers know him well. He is the young hairship inventor who has +a private sitting-room at the Colney Arms. Certain of them, agog to +pry his secret, followed him as he set out one day. They discovered +nothing. For hours they followed; but he, glancing ever over his +shoulder, pounded steadily on, mile upon mile--field, lane, high road, +hill and dale. He never shook them off though he ran; they never +brought him to standstill though indomitably they pursued. Towards +evening the exhausted procession came thundering up the village +street. + +It was a very pale and haggard young man that bolted into the Colney +Arms that night. + + + +II. + +Three days had passed. + +If George had the _Daily_ to curse for the miserable life of secrecy +and constant agony of discovery that he was compelled to lead, he had +it also to bless that his discovery by the red-headed Pinner boy had +not long ago led to his being run to earth. In its anxiety to cap the +satisfactory splash it was making over this Country House Outrage, the +_Daily_ had overstepped itself and militated against itself. Those +"Catchy Clues" were responsible. So cunningly did they inspire the +taste for amateur detective work, so easy did they make such work +appear, that Mr. Pinner, having thrashed silence into his red-headed +son, kept that son's discovery to himself. As he argued it-- +laboriously pencilling down "data" in accordance with the "Catchy +Clue" directions,--as he argued it--if he communicated his knowledge +to the _Daily_ or to the local police, if he put them--(the word does +not print nicely) on the scent, ten to one they would capture the +thief and secure the reward. No, Mr. Pinner intended to have the +reward himself. Therefore he hoarded his secret; brooded upon it; +dashed off hither and thither as the day's news brought him a Catchy +Clue that seemed to fit his data. + +But of this George knew nothing. Steeped in crime this miserable young +man dragged out his awful life at Temple Colney: nightmares by night, +horrors by day. + +Every morning with trembling fingers he opened his _Daily_; every +morning was shot dead by these lines or their equivalent: + + COUNTRY HOUSE OUTRAGE. + + FRESH CLUE. + + CAT SEEN. + + SENSATIONAL STORY. + +After much groaning and agony George would force himself to know the +worst; after swearing furiously through the paragraphs of stuffing +with which Mr. Bitt's cunning young man skilfully evaded the point, +would come at last upon the "fresh clue" and read with a groan of +relief that, so far as the truth were concerned, it was no clue at +all. + +But the strain was horrible. All Temple Colney read the _Daily_; +eagerly debated its "Catchy Clues." + +Yet George could not see, he told himself, that he would better his +plight by seeking fresh retreat. If the _Daily_ were to be believed, +all the United Kingdom read it and discussed its Catchy Clues. He +decided it were wiser to remain racked at Temple Colney rather than +try his luck, and perhaps be torn to death, elsewhere. + +Twice he had been moved to abandon his awful enterprise--in the train +fleeing from the red-headed Pinner boy; pounding across country +pursued by curious inhabitants of Temple Colney. On these occasions +this miserable George had been minded to cry defeated to the +circumstances that struck at him, to return to Herons' Holt with the +cat whilst yet he might do so without gyves on his wrists. + +But thought of his dear Mary hunted thought of this craven ending. +"I'll hang on!" he had cried, thumping the carriage seat: "I'll hang +on! I'll hang on! I'll hang on!" he had thumped into the table upon +his weary return to the inn on the day he had been followed. + +He had cause for hope. When, on his second morning at Temple Colney, +the _Daily_ had struck him to white agony by its newest headlines; +cooling, he was able to find comfort in the news it gave to the world. +"On the advice of the eminent detective, Mr. David Brunger, who has +the case in hand, the reward has been raised to 125 pounds." + +"Whoop!" cried George, spirits returning. + + + +III. + +Three days had passed. + +Rain began to fall heavily on this afternoon. Usually--even had there +been floods--George did not return to the inn until seven o'clock. The +less he was near the abode of man the safer was his vile secret. But +to-day, when the clouds told him a steady downpour had set in, he put +out for his lodging before three. He was in high spirits. Success was +making him very bold. At Temple Colney, thus far, no breath of +suspicion had paled his cheek; at Herons' Holt events were galloping +to the end he would have them go. That morning the _Daily_ had +announced the raising of the reward to 150 pounds. True, the _Daily_ +added that Mr. Marrapit had declared, absolutely and finally, that he +would not go one penny beyond this figure. George laughed as he read. +In four days his uncle had raised the offer by fifty pounds; at this +rate--and the rate would increase as Mr. Marrapit's anguish augmented +--the 500 pounds would soon be reached. And then! And then! + +Through the pouring rain George whistled up the village street, +whistled up the stairs, whistled into the sitting--room. Then stopped +his tune. The buoyant notes of triumph dwindled to a tuneless squeak, +to a noiseless breathing--Bill Wyvern, seated at a table, sprung to +meet him. + +"What ho!" cried Bill. "They told me you wouldn't be in before seven! +What ho! Isn't this splendid?" + +George said in very hollow voice: "Splendid!" He put the basket on a +chair; sat on it; gave Bill an answering, "What ho!" that was cheerful +as rap upon a coffin lid. + +"Well, how goes it?" Bill asked eagerly. + +George put out a hand. "Don't come over here, dear old fellow. I'm +streaming wet. Sit down there. How goes what?" + +"Why, the clue--your clue to this cat?" + +"Oh, the clue--the clue. Yes, I'll tell you all about that. Just wait +here a moment." He rose with the basket; moved to the door. + +"What on earth have you got in that basket?" Bill asked. + +"Eggs," George told him impressively. "Eggs for my uncle." + +"You must have a thundering lot in a basket that size." + +"Three or four hundred," George said. "Three or four hundred eggs." + +He spoke in the passionless voice of one in a dream. Indeed he was in +a dream. This horrible contingency had so set him whirling that of +clear thought he was incapable. Moving to his bedroom he thrust the +basket beneath the bed; came out; locked the door; took the key; +returned to Bill. + +Bill came over and slapped him on the back. "Expect you're surprised +to see me?" he cried. "Isn't this ripping, old man?" + +"Stunning!" said George. "Absolutely stunning." He sank on a chair. + +Bill was perplexed. "You don't look best pleased, old man. What's up?" + +This was precisely what George wished to know. Terror of hearing some +hideous calamity stayed him from putting the question. He gave a +pained smile. "Oh, I'm all right. I'm a bit fagged, that's all. The +strain of this search, you know, the--" + +"I know!" cried Bill enthusiastically. "I _know_. You've been +splendid, old man. Finding out a clue like this and pluckily carrying +it through all by yourself. By Jove, it's splendid of you!--especially +when you've no reason to do much for your uncle after the way in which +he's treated you. I admire you, George. By Gad, I _do_ admire you!" + +"Not at all!" George advised him. "By no means, old fellow." He wiped +his brow; his mental suffering was considerable. + +"I say, I can see you're pretty bad, old man," Bill continued. "Never +mind, I'm here to help you now. That's what I've come for." + +George felt that something very dreadful indeed was at hand. "How did +you find out where I was?" he asked. + +"From old Marrapit." + +"Marrapit? Why, but my uncle won't let you come within a mile of him." + +"Ah! that's all over now." A very beautiful look came into Bill's +eyes; tenderness shaded his voice: "George, old man, if I can track +down the hound who has stolen this cat your uncle has practically said +that he will agree to my engagement with Margaret." + +George tottered across the room; pressed his head against the cold +window-pane. Here was the calamity. He had thought of taking Bill into +his confidence--how do so now? + +"I say, you do look bad, old man," Bill told him. + +"I'm all right. Tell me all about it." + +"Well, it's too good--too wonderful to be true. Everything is going +simply splendidly with me. I'm running this cat business for the +_Daily_--my paper, you know. It's made a most frightful splash and the +editor is awfully bucked up with me. I'm on the permanent staff, six +quid a week--eight quid a week if I find this cat. I'm working it from +Herons' Holt, you know. I'm--" + +George turned upon him. "Are you 'Our Special Commissioner at Paltley +Hill'?" + +"Rather! Have you been reading it? Pretty hot stuff, isn't it? I say, +George, wasn't it lucky I chucked medicine! I told you I was cut out +for this kind of thing if only I could get my chance. Well, I've got +my chance; and by Gad, old man, if I don't track down this swine who's +got the cat, or help to get him tracked down, I'll--I'll--" The +enthusiastic young man broke off--"Isn't it great, George?" + +My miserable George paced the room. "Great!" he forced out. "Great!" +This was the infernal Special Commissioner whom daily he had yearned +to strangle. "Great! By Gad, there are no words for it!" + +"I knew you'd be pleased. Thanks awfully--_awfully_. Well, I was +telling you. Being down there for the paper I simply had to interview +Marrapit. I plucked up courage and bearded him. He's half crazy about +this wretched cat. I found him as meek as a lamb. Bit snarly at first, +but when he found how keen I was, quite affectingly pleasant. I've +seen him every day for the last four days, and yesterday he said what +I told you--I came out with all about Margaret and about my splendid +prospects, and, as I say, he practically said that if I could find the +cat he'd be willing to think of our engagement." + +"But about finding out where I was? How did you discover that?" + +"Well, he told me. Told me this morning." Bill shuffled his legs +uncomfortably for a moment, then plunged ahead. "Fact is, old man, +he's a bit sick with you. Said he'd only had one telegram from you +from Dippleford Admiral and one letter from here. Said it was +unsatisfactory--that it was clear you were incapable of following up +this clue of yours by yourself. You don't mind my telling you this, do +you, old man? You know what he is." + +George gave the bitter laugh of one who is misunderstood, +unappreciated. "Go on," he said, "go on." He was trembling to see the +precipice over which the end of Bill's story would hurl him. + +"Well, as I said--that it was clear you could not carry through your +clue by yourself. So I was to come down and help you. That was about +ten o'clock, and I caught the mid-day train--I've been here since two. +Well, Brunger--the detective chap, you know--Marrapit was going to +send him on here at once--" + +This was the precipice. George went hurtling over the edge with +whirling brain: "Brunger coming down here?" he cried. + +"Rather! Now, we three together, old man--" + +"When's he coming?" George asked. He could not hear his own voice--the +old nightmares danced before his eyes, roared their horrors in his +ears. + +Bill looked at the clock. "He ought to be here by now. He ought to +have arrived--" + +The roaring confusion in George's brain went to a tingling silence; +through it there came footsteps and a man's voice upon the stairs. + +As the tracked criminal who hears his pursuer upon the threshold, as +the fugitive from justice who feels upon his shoulder the sudden hand +of arrest, as the poor wretch in the condemned cell when the hangman +enters--as the feelings of these, so, at this sound, the emotions of +my miserable George. + +A dash must be made to flatten this hideous doom. Upon a sudden +impulse he started forward. "Bill! Bill, old man, I want to tell you +something. You don't know what the finding of this cat means to me. +It--" + +"I do know, old man," Bill earnestly assured him. "You're splendid, +old man, splendid. I never dreamt you were so fond of your uncle. Old +man, it means even more to me--it means Margaret and success. Here's +Brunger. We three together, George. Nothing shall stop us." + + + +IV. + +The sagacious detective entered. George gave him a limp, damp hand. + +"You don't look well," Mr. Brunger told him, after greetings. + +"Just what I was saying," Bill joined. + +Indeed, George looked far from well. Round-shouldered he sat upon the +sofa, head in hands--a pallid face beneath a beaded brow staring out +between them. + +"It's the strain of this clue, Mr. Brunger," Bill continued. "He's on +the track!" + +"You are?" cried the detective. + +"Right on," George said dully. "Right on the track." + +"Is it a gang?" + +"Two," George answered in the same voice. "Two gangs." + +The sagacious detective thumped the table. "I said so. I knew it. I +told you so, Mr. Wyvern. But _two_, eh? _Two_ gangs. That's tough. One +got the cat and the other after it, I presume?" + +"No," said George. He was wildly thinking; to the conversation paying +no attention. + +"No? But, my dear sir, one of 'em _must_ have the cat?" + +George started to the necessities of the immediate situation; wondered +what he had said; caught at Mr. Brunger's last word. "The cat? Another +gang has got the cat." + +"What, three gangs!" the detective cried. + +"Three gangs," George affirmed. + +"Two gangs you said at first," Mr. Brunger sharply reminded him. + +My miserable George dug his fingers into his hair. "I meant three--I'd +forgotten the other." + +"Don't see how a man can forget a whole _gang_," objected the +detective. He stared at George; frowned; produced his note-book. "Let +us have the facts, sir." + +As if drawn by the glare fixed upon him, George moved from the sofa to +the table. + +"Now, the facts," Mr. Brunger repeated. "Let's get these gangs settled +first." + +George took a chair. He had no plan. He plunged wildly. "Gang A, gang +B, gang C, gang D--" + +Mr. Brunger stopped short in the midst of his note. + +"Why, that's _four_ gangs!" + +The twisting of George's legs beneath the table was sympathetic with +the struggles of his bewildered mind. He said desperately, "Well, +there _are_ four gangs." + +The detective threw down his pencil. "You're making a fool of me!" he +cried. "First you said two gangs, then three gangs--" + +"You're making a fool of yourself," George answered hotly. "If you +knew anything about gangs you'd know they're always breaking up-- +quarrelling, and then rejoining, and then splitting again. If you +can't follow, don't follow. Find the damned gangs yourself. You're a +detective--I'm not. At least you say you are. You're a precious poor +one, seems to me. You've not done much." + +In his bewilderment and fear my unfortunate George had unwittingly hit +upon an admirable policy. Since first Mr. Marrapit had called Mr. +Brunger it had sunk in upon the Confidential Inquiry Agent that indeed +he was a precious poor detective. In the five days that had passed he +had not struck upon the glimmer of a notion regarding the whereabouts +of the missing cat. This was no hiding in cupboard work, no marked +coin work, no following the skittish wife of a greengrocer work. It +was the real thing--real detective work, and it had found Mr. Brunger +most lamentably wanting. Till now, however, none had suspected his +perplexity. He had impressed his client--had bounced, noted, cross- +examined, measured; and during every bounce, note, cross-examination +and measurement fervently had prayed that luck--or the reward--would +help him stumble upon something he could claim as outcome of his +skill. George's violent attack alarmed him; he drew in his horns. + +"Ah! don't be 'ot," he protested. "Don't be 'ot. Little +misunderstanding, that's all. I follow you completely. Four gangs-- +_I_ see. _Four_ gangs. Now, sir." + +It was George's turn for fear. "Four gangs--quite so. Well, what do +you want me to tell you?" + +"Start from the beginning, sir." + +George started--plunged head-first. For five minutes he desperately +gabbled while Mr. Brunger's pencil bounded along behind his +splashing; words. Every time the pencil seemed to slacken, away again +George would fly and away in pursuit the pencil would laboriously +toil. + +"Four gangs," George plunged along. "Gang A, gang B, gang C, gang D. +Gang A breaks into the house and steals the cat. Gang B finds it gone +and tracks down gang C." + +"Tracks gang A, surely," panted Mr. Brunger. "Gang A had the cat." + +"Gang B didn't know that. I tell you this is a devil of a complicated +affair. Gang B tracks down gang C and finds gang D. They join. Call +'em gang B-D. Gang A loses the cat and gang C finds it. Gang C sells +it to gang B-D, which is run by an American, as I said." + +"Did you?" gasped Mr. Brunger without looking up. + +"Certainly. Gang B-D hands it over to gang A by mistake, and gang A +makes off with it. Gang C, very furious because it is gang A's great +rival, starts in pursuit and gets it back again. Then gang B-D demands +it, but gang A refuses to give it up." + +"Gang C!" Mr. Brunger panted. "Gang C had got it from gang A." + +"Yes, but gang A got it back again. Gang B-D--Look here," George +broke off, "that's perfectly clear about the gangs, isn't it?" + +"Perfectly," said Mr. Brunger, feeling that his reputation was gone +unless he said so. "Wants a little studying, that's all. Most +extraordinary story I ever heard of." + +"I'm dashed if I understand a word of it," Bill put in. "Who +_are_ these gangs?" + +George rose: "Bill, old man, I'll explain that another time. The fact +is, we're wasting time by sitting here. I was very near the end when +you two arrived. The cat is here--quite near here." + +The detective and Bill sprang to their feet. George continued: "It's +going to change hands either tonight or to-morrow. If you two will do +just as I tell you and leave the rest to me, we shall bring off a +capture. To-morrow evening I will explain everything." + +The detective asked eagerly; "Is it a certainty?" + +"Almost. It will be touch and go; but if we miss it this time it is a +certainty for the immediate future. I swear this, that if you keep in +touch with me you will be nearer the cat than you will ever get by +yourselves." + +Sincerity shone in his eyes from these words. The detective and Bill +were fired with zeal. + +"Take command, sir!" said Mr. Brunger. + +"All right. Come with me. I will post you for the night. We have some +distance to go. Don't question me. I must think." + +"Not a question," said the detective: he was, indeed, too utterly +bewildered. + +George murmured "Thank heaven!"; took his hat; led the way into the +street. In dogged silence the three tramped through the rain. + + + +V. + +George led for the Clifford Arms, some two miles distant. For the +present he had but one object in view. He must get rid of Bill and +this infernal detective; then he must speed the cat from Temple +Colney. + +As he walked he pushed out beyond the primary object of ridding +himself of his companions; sought the future. In the first half-mile +he decided that the game was up. He must deliver the Rose to his uncle +immediately without waiting for the reward to be further raised. To +hang on for the shadow would be, he felt, to lose the substance that +would stand represented by Mr. Marrapit's gratitude. + +But this preposterous buoyancy of youth! The rain that beat upon his +face cooled his brow; seemed to cool his brain. Before the first mile +was crossed he had vacillated from his purpose. When he said to his +followers "Only another half-mile," his purpose was changed. + +This preposterous corkiness of youth! It had lifted him up from the +sea of misfortune in which he had nigh been drowned, and now he was +assuring himself that, given he could hide the Rose where a sudden +glimmering idea suggested, he would be safer than ever before. The two +men who were most dangerous to him--the detective and the _Daily's_ +Special Commissioner at Paltley Hill, now slushing through the mud +behind--were beneath his thumb. If he could keep them goose-chasing +for a few days or so--! + +The turn of a corner brought them in view of the Clifford Arms. George +pointed: "I want you to spend the night there and to stay there till I +come to-morrow. A man is there whom you must watch--the landlord." + +"One of the gangs?" Mr. Brunger asked, hoarse excitement in his voice. + +"Gang B--leader. Don't let him suspect you. Just watch him." + +"Has he got the cat?" + +With great impressiveness George looked at the detective, looked at +Bill. Volumes of meaning in his tone: "_Not yet!_" he said. + +Bill cried: "By Gad!" The detective rubbed his hands in keen +anticipation. + +They entered the inn. Bill gave a story of belated tourists. A room +was engaged. In a quarter of an hour George was speeding back to +Temple Colney. + +At the post-office he stopped; purchased a letter-card; held his pen a +while as he polished the glimmering idea that now had taken form; then +wrote to his Mary:-- + +"My dearest girl in all the world,--You've never had a line from me +all this time, but you can guess what a time I've been having. Dearest +darling, listen and attend. This is most important. Our future depends +upon it. Meet me to-morrow at 12.0 at that tumbled-down hut in the +copse on the Shipley Road where we went that day just before my exam. +Make any excuse to get away. You must be there. And don't tell a soul. + +"Till to-morrow, my darling little Mary.--G." + +He posted the card. + + + + +BOOK VI. + +Of Paradise Lost and Found. + + + + +CHAPTER I. + +Mrs. Major Bids For Paradise. + + + +I. + +Impossible to tell how far will spread the ripples from the lightest +action that we may toss into the sea of life. + +Life is a game of consequences. A throws a stone, and the widening +ripples wreck the little boats of X and Y and Z who never have even +heard of A. Every day and every night, every hour of every day and +night, ripples from unknown splashes are setting towards us--perhaps +to swamp us, perhaps to bear us into some pleasant stream. One calls +it luck, another fate. "This is my just punishment," cries one. "By my +good works I have merited this," exclaims another; but it is merely +the ripple from some distant splash--merely consequences. +Consequences. + +A sleepy maid in Mr. City Merchant's suburban mansion leaves the +dust-pan on the stairs after sweeping. That is the little action she +has tossed into the sea of life, and the ripples will wreck a boat or +two now snug and safe in a cheap and happy home many miles away. +Mr. City Merchant trips over the dustpan, starts for office fuming +with rage, vents his spleen upon Mr. City Clerk--dismisses him. + +Mr. City Clerk seeks work in vain; the cheap but happy home he shares +with pretty little Mrs. City Clerk and plump young Master City Clerk +is abandoned for a dingy lodging. Grade by grade the lodging they must +seek grows dingier. Now there is no food. Now they are getting +desperate. Now pneumonia lays erstwhile plump Master City Clerk by the +heels and carries him off--consequences, consequences; that is one +boat wrecked. Now Mr. City Clerk is growing mad with despair; Mrs. +City Clerk is well upon the road that Master City Clerk has followed. +Mr. City Clerk steals, is caught, is imprisoned--consequences, +consequences; another boat wrecked. Mrs. City Clerk does not hold out +long, follows Master City Clerk--consequences, consequences. Three +innocent craft smashed up because the housemaid left the dustpan on +the stairs. + + + +II. + +Impossible to tell how far will speed the ripples from the lightest +action that we may toss into the sea of life. Solely and wholly +because George abducted the Rose of Sharon, Miss Pridham, who keeps +the general drapery in Angel Street, Marylebone Road, sold a pair of +green knitted slippers, each decorated with a red knitted blob, that +had gazed melancholy from her shop window for close upon two years. + +It was Mrs. Major who purchased them. + +Since that terrible morning on which, throat and mouth parched, head +painfully throbbing through the overnight entertainment of Old Tom, +Mrs. Major had been driven from Mr. Marrapit's door, this doubly +distressed gentlewoman had lived in retirement in a bed-sitting-room +in Angel Street. She did not purpose immediately taking another +situation. This woman had sipped the delights of Herons' Holt; her +heart was there, and for a month or two, as, sighing over her lot, she +determined, she would brood in solitude upon the paradise she had lost +before challenging new fortunes. + +The ripples of the abduction of the Rose reached her. This was a +masterly woman, and instanter she took the tide upon the flood. + +Mrs. Major was not a newspaper reader. The most important sheet of the +_Daily_, however, she one day carried into her bed-sitting-room +wrapped about a quartern of Old Tom. It was the day when first +"Country House Outrage" shouted from the _Daily's_ columns. + +Idly scanning the report her eye chanced upon familiar names. A common +mind would have been struck astonished and for some hours been left +fluttering. Your masterly mind grasps at once and together a solution +and its possibilities. Without pause for thought, without even sniff +of the new quartern of Old Tom, Mrs. Major sought pen and paper; wrote +with inspired pen to Mr. Marrapit: + +"I do not even dare begin 'Dear Mr. Marrapit.' I have forfeited the +right even to address you; but in the moment of your great tribulation +something stronger than myself makes me take up my pen--" + +Here Mrs. Major paused; read what she had written; without so much as +a sigh tore the sheet and started afresh. That "something stronger +than myself makes me" she felt to be a mistake. Something decidedly +stronger than herself sat in the quartern bottle a few inches from her +nose, and it occurred to her that a cruel mind might thus interpret +her meaning. She tore the sheet. This was a masterly woman. + +"I dare not even begin 'Dear Mr. Marrapit.' I have forfeited the right +even to address you; but in the moment of your tribulation I feel that +I must come forward with my sympathy. Oh, Mr. Marrapit, may I say with +my aid? I feel I could help you if only I might come to dear, dear +Herons' Holt. When I think of my angel darling Rose of Sharon straying +far from the fold my heart bleeds. Oh, Mr. Marrapit, I cannot rest, I +cannot live, while my darling is wandering on the hillside, or is +stolen, and I am unable to search for her. Oh, Mr. Marrapit, think of +me, I implore you, not as Mrs. Major, but as one whom your sweet +darling Rose loved. If the Rose is anywhere near Herons' Holt, she +would come to me if I called her, I feel sure, more readily than she +would come to anyone else except yourself, and you are not strong +enough to search as I would search. Oh, Mr. Marrapit, let me come to +Herons' Holt in this terrible hour. Do not speak to me, do not look at +me, Mr. Marrapit. I do not ask that. I only beg on my bended knees +that you will let me lay myself at night even in the gardener's shed, +so that I may be there to tend my lamb when she is found, and by day +will be able to search for her. That is all I ask. + +"Of myself I will say nothing. I will not force upon you the +explanations of that dreadful night which you would not take from my +trembling lips. I will not tell you that, maddened by the toothache, I +was advised to hold a little drop of spirit in the tooth, and that, +never having touched anything but water since I and my dear little +brother promised my dying mother we would not, the spirit went to my +head and made me as you saw me. I will not write any of those things, +Mr. Marrapit; only, oh, Mr. Marrapit, I implore you to let me come and +look for my Rose. Nor will I tell you how fondly, since I left you, I +have thought of all your nobility of character and of your goodness to +me, Mr. Marrapit. Wronged, I bear no resentment. I have received too +much kindness at your hands. Ever since I left you I have thought of +none but the Rose and you. Shall I prove that? I will, Mr. Marrapit--" + +Here again Mrs. Major paused; thoughtfully scratched her head with her +penholder. Like authors more experienced, her emotions had driven her +pen to a point demanding a special solution which was not immediately +forthcoming. She had galloped into a wood. How to get out of it? + +Mrs. Major scratched thoughtfully; gazed at Old Tom; gazed round the +room; on a happy inspiration gazed from the window. Miss Pridham's +general drapery was immediately opposite. A bright patch of green in +the window caught Mrs. Major's eye. She recognised it as the knitted +slippers she had once or twice noticed in passing. + +The very thing! Laying down her pen the masterly woman popped across +to Miss Pridham's; in two minutes, leaving that lady delighted and +one-and-eleven-three the richer, was back with the green knitted +slippers with the red knitted blobs. + +She took up her pen and continued: + +"Ever since I left I have thought of none but the Rose and you. Shall +I prove that? I will, Mr. Marrapit. Oh, Mr. Marrapit, I make so bold +as to send you in a little parcel a pair of woollen slippers that I +have knitted for you." + +Mrs. Major examined them. Such sun as creeps into Angel Street, +Marylebone Road, jealous of rival brightness had filched their first +delicate tint of green, had stolen the first passionate scarlet of the +red blobs. She continued: + +"They are a little faded because on every stitch a bitter tear has +fallen. Yes, Mr. Marrapit, my tears of sorrow have rained upon these +slippers as I worked. Oh, Mr. Marrapit, they are not damp, however. +Every evening since they were finished I have had my little fire +lighted and have stood the slippers up against the fender; and then, +sitting on the opposite side of the hearth, just as I used to sit for +a few minutes with you after we had brought in the darling cats, I +have imagined that your feet were in the slippers and have imagined +that I am back where I have left my bleeding heart. I never meant to +dare send them to you, Mr. Marrapit, but in this moment of your +tribulation I make bold to do so. Do not open the parcel, Mr. +Marrapit, if you would rather not. Hurl it on the fire and let the +burning fiery furnace consume them, tears and all. But I feel I must +send them, whatever their fate. + +"Oh, Mr. Marrapit, let me come to Herons' Holt to find my darling +Rose!--then without a word I will creep away and die.--LUCY MAJOR." + + + +III. + +Upon the following morning there sped to Mrs. Major from Herons' Holt +a telegram bearing the message "Come." + +Frantic to clutch at any straw that might bring to him this Rose, Mr. +Marrapit eagerly clutched at Mrs. Major. He felt there to be much +truth, in her contention that his Rose, if secreted near by, would +come quicker at her call than at the call of another. His Rose had +known and loved her for a full year. His Rose, refined cat, did not +take quickly to strangers, and had not--he had noticed it--given +herself to Miss Humfray. Therefore Mr. Marrapit eagerly clutched at +Mrs. Major. + +As to the remainder of her letter--it considerably perturbed him. Had +he misjudged this woman, whom once he had held estimable? All the +delectable peace of his household during her reign, as contrasted with +the turmoil that now had taken its place, came back to him and smote +his heart. He opened the slippers, noted the tear-stains. Had he +misjudged her? What more likely than her story of the racking tooth +that must be lulled with a little drop of spirit? Had he misjudged +her? But as against that little drop of spirit, how account for the +vast and empty bottle of Old Tom found in her room? Had he misjudged +her? + +In much conflict of mind this man paced the breakfast room, a green +knitted slipper with red knitted blob in either hand. + +It was thus that Margaret, entering, found him. + +With a soft little laugh, "Oh, father!" she cried, "what have you got +there?" + +Mr. Marrapit raised the green knitted slippers with the red knitted +blobs. "A contrite heart," he answered. "A stricken and a contrite +heart." + +He resumed his pacing. Margaret squeezed round the door which happily +she had left ajar; fled breakfastless. Quick at poetic image though +she was, the symbol of a contrite heart in a pair of green knitted +slippers with red knitted blobs was not clear to this girl. In her +father it alarmed her. This great sorrow was perchance turning his +brain. + +Mr. Marrapit laid the slippers upon his dressing-table; that +afternoon greeted Mrs. Major with a circumspect reserve. Combining the +vast and empty bottle of Old Tom with the fact that never had his +judgment of man or matter failed him, he determined that Mrs. Major +was guilty. But not wilfully guilty. Tempted to drown pain, she had +succumbed; but the slippers were the sign of a contrite heart. + +The masterly possessor of the contrite heart betrayed no signs of its +flutterings and its exultant boundings at being once more in paradise. +This was a masterly woman, and, masterly, she grasped at once her +position--without hesitation started to play her part. + +In Mr. Marrapit's study she stood humbly before him with bowed head; +did not speak. Her only sounds were those of repressed emotion as Mr. +Marrapit recited the history of the abduction. The white handkerchief +she kept pressed against her chin punctuated the story with sudden +little dabs first to one eye then the other. Little sniffs escaped +her; little catches of the breath; tiny little moans. + +She choked when he had finished: "Let me see--my darling's--bed." + +Mr Marrapit led the way. Above the silk-lined box whence George had +snatched the Rose, the masterly woman knelt. She fondled the silken +coverlet; her lips moved. Suddenly she dashed her handkerchief to her +eyes; with beautiful moans fled hurriedly to the bedroom that had been +allotted her. + +It was an exquisitely touching sight. Mr. Marrapit, greatly moved, +went to his room; took out the green knitted slippers with the red +knitted blobs. Had he misjudged this woman? + +Ten minutes later he again encountered Mrs. Major. Now she was girt +against the weather and against exercise. Beneath her chin were firmly +knotted the strings of her sober bonnet; a short skirt hid nothing of +the stout boots she had donned; her hand grasped the knob of a +bludgeon-like umbrella. + +The masterly woman had removed all traces of her emotion. In a voice +humble yet strong, "I start to search, Mr. Marrapit," she said. "I +will find the Rose if she is to be found." + +So deep sincerity was in her speech, so strong she seemed, so restful +in this crisis, that Mr. Marrapit, watching her stride the drive, +again fell to pacing and cogitation--had he misjudged her? Almost +unconsciously he moved upstairs to his room; drew those green slippers +with red blobs from their drawer. + + + +IV. + +Had Mr. Marrapit doubted the sincerity of Mrs. Major's search, +assuredly he would have misjudged her. In her diary that night the +masterly woman inscribed: + +"_Am here; must stick_." + +Her best chance of sticking, as well she knew, lay in finding the +Rose. Could she but place that creature's exquisite form in Mr. +Marrapit's arms, she felt that her reward would be to win back to the +paradise from which Old Tom had driven her. + +Therefore most strenuously she scoured the countryside; pried into +houses; popped her head into stable doors. This woman nothing spared +herself; in the result, at the end of two days, was considerably +dejected. For it was clear to her that the Rose had not strayed, but +had been stolen; was not concealed in the vicinity of Herons' Holt, +but had been spirited to the safety of many miles. She was driven to +accept Mr. Brunger's opinion--the Rose had been stolen by some eager +and unscrupulous breeder to be used for gross purposes. + +It was upon the evening of the second day in paradise that this woman +settled upon this gloomy conclusion. Gloomy it was, and desperately, +sitting in her bedroom that night, the masterly woman battled for some +way to circumvent it. To that entry made in her diary on the night of +her arrival she had added two further sentences: + +_"Hate that baby-faced Humfray chit." + +"Certain cannot stick unless find cat."_ + +Opening her diary now she gazed upon these entries; chewed them. They +were bitter to the taste. To agony at what she had lost was added +mortification at seeing another in her place; and rankling in this +huge wound was the poison of the knowledge that she could not win +back. Circumstances were too strong. The cat was not to be found, +and--stabbing thought--"certain cannot stick unless find cat." + +This way and that the masterly woman twisted in search of a means to +circumvent her position. It might be done by accomplishing the +overthrow of this baby-faced chit. If the baby-faced chit could be +made to displease Mr. Marrapit and be turned out, it would surely be +possible, being ready at hand, to take her place. But how could the +baby-faced chit be made to err? + +This way and that Mrs. Major twisted and could find no means. Always +she was forced back to the brick-wall fact--salvation lay only in +finding the cat. That would accomplish everything. She would have +succeeded where the baby-faced chit had failed; she would have proved +her devotion; she, would have earned, not a doubt of it, the reward of +re-entry into paradise that Mr. Marrapit in his gratitude would more +than offer--would press upon her. + +But the cat was not to be found. + +Beating up against the desperate barrier of that thought, Mrs. Major +groaned aloud as she paced the room, threw up her arms in her despair. +The action caused her to swerve; with hideous violence she crashed her +stockinged foot against the leg of the wash-stand. + +Impossible to tell how far will spread the ripples of the lightest +action we may toss upon the sea of life. The stunning agony in this +woman's toes, as, hopping to the bed, she sat and nursed them, with +the swiftness of thought presented to her a solution of her difficulty +that struck her staring with excitement. + +Her first thought in her throbbing pain was of remedy for the bruise. +"Bruise" brought involuntarily to her mind the picture of a chemist's +shop in the Edgware Road, not far from Angel Street, whose window she +had seen filled with little boxes of "Bruisine," the newest specific +for abrasions. Thence her thoughts, by direct passage, jumped to the +time when last she had noticed the shop--she had been returning from a +stroll by way of Sussex Gardens. And it was while mentally retracing +that walk down Sussex Gardens that Mrs. Major lit plump upon the +solution of her difficulty. She had noticed, let out for a run from +No. 506, an orange cat that was so precisely the image of the Rose of +Sharon that she had stopped to stroke it for dear memory's sake. Often +since then she had spoken to it; every time had been the more struck +by its extraordinary resemblance to the Rose. She had reflected that, +seen together, she could not have told them apart. + +Mrs. Major forgot the throbbing of her abrased toes. Her brows knitted +by concentration of thought, very slowly the masterly woman concluded +her disrobing. Each private garment that she stripped and laid aside +marked a forward step in the indomitable purpose she had conceived. As +her fingers drew the most private from her person, leaving it naked, +so from her plan did her masterly mind draw the last veil that filmed +it, leaving it clear. When the Jaeger nightdress fell comfortably +about her, her purpose too was presentable and warm. + +Every day and every night, every hour of every day and night, ripples +from unknown splashes are setting towards us. From this masterly +woman, in process of toilet, ripples were setting towards a modest and +unsuspecting cat lying in sweet slumber at 506 Sussex Gardens, off the +Edgware Road. + +For the masterly woman had thus determined--she would have that cat +that was the Rose's second self. The Rose was in the hands of some +villain breeder and would never be returned; small fear of discovery +under that head. This cat was the Rose's second self; differences that +Mr. Marrapit might discover, lack of affection that he might notice, +could be attributed to the adventures through which the Rose had +passed since her abduction. Under this head, indeed, Mrs. Major did +not anticipate great difficulty. Similar cats are more similar than +similar dogs. They have not, as dogs have, the distinguishing marks of +character and demonstrativeness. In any event, as the masterly woman +assured herself, she ran no peril even if her plot failed. She would +say she had found the cat, and if Mr. Marrapit were convinced it was +not his Rose--well, she had made a mistake, that was all. + + + +V. + +Upon the morrow, playing her hand with masterly skill, Mrs. Major +sought interview with Mr. Marrapit. With telling dabs of her pocket +handkerchief at her eyes, with telling sniffs of her masterly nose, +she expressed the fear that she had outstayed his kindness in +receiving her. He had granted her request--he had let her come to +Herons' Holt; but two days had passed and she had not found his Rose. +True, if she had longer she could more thoroughly search; but as an +honest woman she must admit that she had been given her chance, had +failed. + +Upon a wailing note she ended: "I must go." + +"Cancel that intention," Mr. Marrapit told her. Her honesty smote this +man. Had he misjudged her? + +She smothered a sniff in her handkerchief: "I must go. I must go. I +have seen that you regard me with suspicion. Oh, you have reason, I +know; but I cannot bear it." + +"Remove that impression," spoke Mr. Marrapit. He _had_ misjudged this +woman; he was convinced of it. + +Mrs. Major gave her answer in the form of two smothered sniffs and a +third that, eluding her handkerchief, escaped free and loud--a telling +sniff that advertised her distress; wrung Mr. Marrapit's emotions. + +He continued: "Mrs. Major, at a future time we will discuss the +painful affair to which you make reference. At present I am too +preoccupied by the calamity that has desolated my hearth. Meanwhile, I +suspend judgment. I place suspicion behind me. I regard you only as +she whom my Rose loved." + +"Do you wish me to stay a little longer?" asked Mrs. Major, trembling. + +"That is my wish. Continue to prosecute your search." + +Trembling yet more violently Mrs. Major said: "I will stay. I had not +dared to suppose I might stop more than two days. I brought nothing +with me. May I go to London to get clothes? I will return to-morrow +morning." + +"Why not to-night?" + +"Early to-morrow would be more convenient. I have other things to do +in London." + +"To-morrow, then," Mr. Marrapit agreed. + +At the door Mrs. Major turned. Her great success at this interview +emboldened her to a second stroke. "There is one other thing I would +like to say, if I dared." + +"Be fearless." + +She plunged. "If Heaven should grant that I may find the Rose, I +implore you not to distress me by offering me the reward you are +holding out. I could not take it. I know you can ill afford it. +Further than that, to have the joy of giving you back your Rose would +be reward enough for me. And to know that she was safe with you, +though I--I should never see her again, that would make me happy till +the end of my days." + +Her nobility smote Mr. Marrapit. Cruelly, shamefully, he _had_ +misjudged her. Her handkerchief pressed to her eyes, very gently Mrs. +Major closed the door; very soberly mounted the stairs. + +Out of earshot, she walked briskly to her room; drew forth her diary; +in a bold hand inscribed: + +"_Absolutely certain shall stick._" + +The masterly woman lunched in town. + + + + +CHAPTER II. + +Mrs. Major Finds The Lock. + + + +I. + +By six o'clock Mrs. Major had all ready for her adventure. In the +little room at Angel Street she deposited a newly purchased basket; at +eight o'clock started for Sussex Gardens. + +Twice, while passing down the terrace at about nine, she had seen the +cat she now pursued let out for what was doubtless its nightly run. + +On each occasion she had observed the same order of events, and she +judged them to be of regular occurrence. Out from No. 506 had stepped +a tall man, long-haired, soft-hatted, poetically bearded. Behind him +had followed the cat. The cat had trotted across the road to the +gardens; the tall man had walked slowly round the enclosure. +Returning, he had called. The cat had walked soberly forth from the +railings and the pair had re-entered the house. + +II. + +Matters fell this night precisely as the sapient woman had +conjectured. Shortly before nine she took up position against the +railings in a dark patch that marked the middle point between two +lamps, some doors above 506. No tremor agitated her form; in action +this woman was most masterly. + +A church clock struck a full clear note, another and another. The +after-humming of the ninth had scarcely died when the blackness that +lay beneath the fanlight of 506 was split by a thin rod of yellow +light. Instantly this widened, served for a moment to silhouette a +tall figure, then vanished as the door slammed. The tall figure +stepped on to the pavement; a cat at its feet trod sedately across the +road. The tall figure turned; in a moment was meditatively pacing the +pavement opposite where Mrs. Major stood. + +Mrs. Major gave him twenty yards. Then she hurried along the railings +to where the cat had tripped. Six feet inwards, delicately scratching +the soil beneath a bush, she espied it. + +The masterly woman pressed her face between the rails; stretched a +snapping finger and thumb; in an intense voice murmured, "Tweetikins +puss!" + +Tweetikins puss continued thoughtfully to turn the soil. This was a +nicely mannered cat. + +"Tweety little puss!" cooed Mrs. Major. "Tweety pussikins! puss, +puss!" + +Tweety pussikins turned to regard her. Mrs. Major moistened her finger +and thumb; snapped frantically. "Puss, puss--tweety pussy!" + +Tweety pussy advanced till the snapping fingers were within an inch of +its nose. + +"Pussikins, pussikins!" implored Mrs. Major. + +Pussikins very deliberately seated itself; coiled its fine tail about +its feet; regarded Mrs. Major with a sphinx-like air. + +Mrs. Major pressed till the iron railings cut her shoulders. She +stretched the forefinger of her extended arm; at great peril of +slipping forward and rasping her nose along the rails effected to +scratch the top of the sphinx's head. + +"Puss, puss! Tweety, _tweety_ puss!" + +By not so much as a blink did tweety puss stir a muscle. + +Mrs. Major was in considerable pain. Her bent legs were cramped; the +railings bit her shoulder; her neck ached: "Tweety little puss! Tweety +puss! Puss! _Drat_ the beast!" + +In great physical agony and in heightening mental distress--since time +was fleeting and the cat as statuesque as ever,--Mrs. Major again +dratted it twice with marked sincerity and a third time as a sharp +sound advertised the splitting of a secret portion of her wear against +the tremendous strain her unnatural position placed upon it. Unable +longer to endure the pain of her outstretched arm, she dropped her +hand to earth; with a masterly effort resumed her smiling face and +silky tone. Repeating her endearing cooings, she scratched the soil, +enticing to some hidden mystery. + +The demon of curiosity impelled this cat's doom. For a moment it eyed +the scratching fingers; then stretched forward its head to +investigation. + +The time for gentle methods was gone. Mrs. Major gripped the downy +scruff of the doomed creature's neck; dragged the surprised animal +forward; rudely urged it through the railings; tucked it beneath her +cloak; sped down the road in the same direction that the tall figure +had taken. + +But where the tall figure had turned round the gardens Mrs. Major kept +straight. Along a main street, into a by-street, round a turning, +across a square, up a terrace, over the Edgware Road--so into the +bed-sitting-room at Angel Street. + + + +III. + +Speeding by train to Herons' Holt upon the following morning, beside +her the basket wherein lay the key that was to open paradise, Mrs. +Major slightly altered her plans. It had been her intention at once to +burst upon Mr. Marrapit with her prize--at once to put to desperate +test whether or no he would accept it as the Rose. But before Paltley +Hill was reached the masterly woman had modified this order. The cat +she had abducted was so much the facsimile of the Rose that for the +first time it occurred to her that, like the Rose, it might be +valuable, and that a noisy hue and cry might be raised upon its loss. + +If this so happened, and especially if Mr. Marrapit were doubtful that +the cat was his Rose, it would be dangerous to let him know that she +had made her discovery in London. Supposing he heard that a London +cat, similar to the Rose in appearance, were missing, and remembered +that this cat--of which from the first he had had doubts--was filched +from London? That might turn success into failure. The chances of such +events were remote, but the masterly woman determined to run no risks. +She decided that on arrival at + +Paltley Hill she would conceal her cat; on the morrow, starting out +from Herons' Hill to renew her search, would find it and with it come +bounding to the house. + +As to where she should hide it she had no difficulty in determining. +She knew of but one place, and she was convinced she could not have +known a better. The ruined hut in the copse off the Shipley Road, +whither in the dear, dead days beyond recall she had stolen for Old +Tommish purposes, was in every way safe and suitable. None visited +there at ordinary times; now that the country-side was no longer being +searched for the Rose save by herself, it was as safe as ever. She +would leave her cat there this day and night. + +Upon this determination the remarkable woman acted; before proceeding +to Herons' Holt secured her cat in that inner room of the hut where, +but a few days previously, the Rose herself had lain. + +When she reached the house a maid told her that Mr. Marrapit was +closeted with young Mr. Wyvern. + + + +IV. + +During the afternoon Mrs. Major visited her cat, taking it milk. That +evening, Mary and Margaret being elsewhere together, she was able to +enjoy a quiet hour with Mr. Marrapit. + +He was heavily depressed: "A week has passed, Mrs. Major. Something +tells me I never again will see my Rose. This day I have sent young +Mr. Wyvern and Mr. Brunger after my nephew George. The clue he claims +to know is my last chance. I have no faith in it. Put not your +trust--" Mr. Marrapit allowed a melancholy sigh to conclude his sentence. +This man had suffered much. + +Mrs. Major clasped her hands. "Oh, do not give up hope, Mr. Marrapit. +Something tells me you _will_ see her--soon, very soon." + +Mr. Marrapit sighed. "You are always encouraging, Mrs. Major." + +"Something tells me that I have reason to be, Mr. Marrapit. Last night +I dreamed that the Rose was found." The encouraging woman leaned +forward; said impressively, "I dreamed that I found her." + +Mr. Marrapit did not respond to her tone. Melancholy had this man in +leaden grip. "I lose hope," he said. "Man is born unto trouble as the +sparks fly upward. Do not trust in dreams." + +"Oh, but I _do_!" Mrs. Major said with girlish impulsiveness. "I _do_. +I always have. My dreams so often come true. Do not lose hope, Mr. +Marrapit." She continued with a beautiful air of timidity: "Oh, Mr. +Marrapit, I know I am only here on sufferance, but your careworn air +emboldens me to suggest--it might keep your poor mind from thinking--a +game of backgammon such as we used to play before--" She sighed. + +"I should like it," Mr. Marrapit answered. + +Mrs. Major arranged the board; drew Mr. Marrapit's favourite chair to +the table; rattled the dice. After a few moves, "Oh, you're not +beating me as you used to," she said archly. + +"I am out of practice," Mr. Marrapit confessed. + +Mrs. Major paused in the act of throwing her dice. "Out of practice! +But surely Miss Humfray plays with you?" + +"She does not." + +Mrs. Major gave a sigh that suggested more than she dared say. + +She sighed again when the game was concluded. Mr. Marrapit sat on. +"Quite like old times," Mrs. Major murmured. "Good night, Mr. +Marrapit; and don't lose hope. Remember my dream." + +"Quite like old times," Mr. Marrapit murmured. + +The masterly woman ascended the stairs rubbing her hands. + + + +V. + +Mrs. Major ate an excellent breakfast upon the following morning. She +was upon the very threshold of winning into paradise, but not a tremor +of nervousness did she betray or feel. This was a superb woman. + +At eleven she left the house and took a walk--rehearsing the manner in +which she had arranged to burst in upon Mr. Marrapit with the cat, +checking again the arguments with which she would counter and lull any +doubts he might raise. + +At twelve she entered the hut. + +Mrs. Major was in the very act of leaving the building, the cat +beneath her arm, when a sound of voices and footsteps held her upon +the threshold. She listened; the sounds drew near. She closed the +door; the sounds, now loud, approached the hut. She ran to the inner +room; a hand was laid upon the outer latch. She closed the door; +applied her eye to a crack; George and Mary entered. + + + + +CHAPTER III. + +Mrs. Major Gets The Key. + + +George carried a basket. He laid it upon the floor. Then he turned and +kissed his Mary. He put his arms about her; held her to him for a +moment in a tremendous hug; pressed his lips to hers; held her away, +drinking love from her pretty eyes; again kissed her and again hugged. + +She gasped: "I shall crack in half in a minute if you will be so +ridiculous." + +He laughed; let her free. He led to the tottering bench that stood +across the room, sat her there, and taking her little gloved hand +patted it between his. + +"Fine, Mary," he said, "to see you again! Fine! It seems months!" + +"Years," Mary whispered, giving one of the patting hands a little +squeeze. "Years. And you never sent me a line. I've not had a word +with you since you came up on the lawn that day and said you had +passed your exam. You simply _bolted_ off, you know." + +"You got my letter, though, this morning?" George said. He dropped her +hand; fumbled in his pocket for his pipe. He was becoming a little +nervous at the matter before him. + +Mary told him: "Well, that was _nothing_. It was such a _frantic_ +letter! What is all the mystery about?" + +"I'll tell you the whole story." George got from the bench and began +to pace, filling his pipe. + +With a tender little smile Mary watched her George's dear face. Then, +as he still paced, lit his pipe, gustily puffed, but did not speak, a +tiny troubled pucker came between her eyes. There was a suspicion of a +silly little tremor in her voice when at last she asked: "Anything +wrong, old man?" + +George inhaled a vast breath of smoke; let it go in a misty cloud. +With a quick action he laid his pipe upon the table; sprang to her +side. His right arm he put about her, in his left hand he clasped both +hers. "Nothing wrong," he cried brightly; "not a bit wrong. Mary, it's +a game, a plot, a dickens of a game." + +"Well, tell me," she said, beaming. + +"It wants your help." + +"Well, tell me, tell me, stupid." + +"You will help?" + +"Of course, if I can. Oh, do tell me, Georgie!" + +"I'll show you, that's quicker." + +He sprang to the basket; unstrapped the lid; threw it back. A most +exquisite orange head upreared. A queenly back arched. A beautiful +figure stepped forth. + +"_George!_" Mary cried. "George! _The Rose!_ You've found her!" + +George gave a nervous little crack of laughter. "I never lost her." + +"Never lost her! No, but she's been--" + +"I've had her all the time!" + +"_All the_--" + +"I took her!" + +"You _took_ her! _You_--took her! Oh, George, speak sense! Whatever +can you mean?" Mary had jumped to her feet when first the Rose stepped +forth; now was close to her George--face a little white, perplexed; +hands clasped. + +He cried: "Sweetest dove of a Mary, don't talk like that. Sit down and +I'll tell you." + +"But what have you done?--what have you _done?_" + +The true woman was in that question. How they jostle us, these women, +with their timid little flutterings when we are trying to put a case +before them in our manlike way!--first spoiling their palate with all +the sugar, so that they may not taste the powder. + +"I'll tell you what I've done if you'll only sit down." + +She went to the seat. + +"Now laugh, Mary. You simply must laugh. I can't tell you while you +look like that. Laugh, or I shall tickle you." + +She laughed merrily--over her first bewilderment. "But, Georgie, it's +something fearful that you've done, isn't it?" + +He sat beside her; took her hands. "It's terrific. Look here. From the +beginning. When I told old Marrapit I'd passed my exam. I asked for +that 500 pounds--you know--to start us." + +She nodded. + +"He refused. He got in an awful state at the bare idea. I asked him to +lend it--he got worse. Mary, he simply would not give or advance a +penny: you know what that meant?" + +The dejected droop of her mouth gave answer. + +"Well, then, I concocted a plot. Old Wyvern helped me--Professor +Wyvern, you know. I thought that if I took his cat, his beloved Rose, +and lay low with her for a bit, he would--" + +"Oh, _George!_" + +"Well?" + +"Nothing--finish." + +"--He would be certain to offer a reward. And I guessed he wouldn't +mind what he paid. So I thought I'd take the cat and hang on till he +offered L500, or till I thought he'd be so glad to get the Rose back +that he'd do what I want out of pure gratitude. Then I'd bring it back +and get the money--say I'd found it, you see, and--and--wait a bit-- +for heaven's sake don't speak yet." George saw his Mary was bursting +with words; as he judged the look in her eyes they were words he had +reason to fear. Shirking their hurt, he hurried along. "Don't speak +yet. Get the money, and then we'd save up and pay him back and then +tell him. There!" + +She burst out: "But, George--how _could_ you? Oh, it's wrong--it's +_awful!_ Why, do you know what people would call you? They'd say +you're a--yes, they'd say you're a--" + +He snatched the terrible word from her lips with a kiss. + +"They'd say I was a fool if I let Marrapit do me out of what is my +own. That's the point, Mary. It's my money. I'm only trying to get +what is my own. I felt all along you would see that; otherwise--" He +hesitated. He was in difficulties. Manlike, he suddenly essayed to +shoot the responsibility upon the woman. "--Otherwise I wouldn't have +done it," he ended. + +His Mary had the wit to slip from the net, to dig him a vital thrust +with the trident: "If you thought that, why didn't you tell me?" + +The thrust staggered him; set him blustering: "Tell you! Tell you! How +could I tell you? I did it on the spur of the moment." + +"You could have written. Oh, Georgie, it's wrong. It _is_ wrong." + +He took up the famous sex attack. "Wrong! Wrong! That's just like a +woman to say that! You won't listen to reason. You jump at a thing and +shut your eyes and your ears." + +"I _will_ listen to reason. But you haven't _got_ any reason. If you +had, why didn't you tell me before you did it?" + +He continued the sex assault; flung out a declamatory hand. "There you +go! Why didn't I tell you? I've told you why. I tell you I did it on +the spur of the moment--" + +But she still struggled. "Yes, that's just it. You didn't think. Now +that you are thinking you must see it in its proper light. You _must_ +see it's wrong." + +"I don't. I don't in the least." + +"Well, why are you getting in such a state about it?" + +"I'm not getting in a state!" + +"You are." His Mary fumbled at her waist-belt. "You are. You're-- +saying--all sorts--of--things. You--said--I--was--just--like--a-- +woman." Out came this preposterous Mary's pocket handkerchief; into it +went Mary's little nose. + +George sprang to her. "Oh, Mary! Oh, I say, don't cry, old girl!" + +The nose came out for a minute, a very shiny little nose. "I can't +help crying. This is an--an _awful_ business." The shiny little nose +disappeared again. + +George tried to pull away the handkerchief, tried to put his face +against hers. A bony little shoulder poked obstinately up and +prevented him. He burst out desperately. "Oh, damn! Oh, what a beast I +am! I'm always making you cry. Oh, damn! Oh, Mary! I can't do anything +right. I've had an awful time these days--and I was longing to see +you,--and now I've called you names and been a brute." + +His Mary gulped the tears that were making the shiny little nose every +minute more shiny. Never could she bear to hear her George accuse +himself. Upon a tremendous sniff, "You haven't been a brute," she +said, "--a bit. It's my--my fault for annoying you when I don't +properly understand. Perhaps I don't understand." + +He put an arm about her. "You don't, Mary. Really and truly you don't. +Let me tell you. Don't say a word till I've done. I'll tell you first +why I've brought the Rose here. You see, I can't keep her anywhere +else. I'm being chased about all over England. Bill and that infernal +detective are after me now, and I simply must hide the beastly cat +where it will be safe. Well, it's safest here--here, right under their +noses, where nobody will ever look because everyone thinks it miles +away by now. I can't stop near it, because I must be away on this clue +they think I've got--especially now I've got mixed up with the +detectives: see? So I want you just to come up from the house every +day and feed the cat. You'll be perfectly safe, and it can't be for +very long. You would do that, wouldn't you? Oh, Mary, think what it +means to us!" + +She polished the shiny little nose: "I'd do anything that would help +you. But, Georgie, it's not _right_; it's _wrong_. Oh, it is wrong! I +don't care _what_ you say." + +"But you haven't heard what I've got to say." + +"I have. I've been listening for hours." + +"No, no, Mary. No, I haven't explained yet. You're too serious about +it. It isn't a bit serious. It's only a frightful rag. And nobody will +suffer, because he'll get his money back. And, think--think what it +means. Now, do listen!" + +She listened, and her George poured forth a flood of arguments that +were all mixed and tangled with love. She could not separate the two. +This argument that he was right was delectably sugared with the +knowledge that the thing was done for her; that delicious picture of +the future, when it was swallowed, proved to be an argument in favour +of his purpose. Love and argument, argument and love--she could not +separate them, and they combined into a most exquisite sweetmeat. The +arm her George had about her was a base advantage over her. How doubt +her George was right when against her she could feel his heart! How be +wiser than he when both her hands were in that dear brown fist? + +She was almost won when with a "So there you are!" he concluded. She +had been won if she had much longer remained beneath the drug of his +dear, gay, earnest words. + +But when he ceased she came to. The little awakening sigh she gave was +the little fluttering sigh of a patient when the anesthetic leaves the +senses clear. + +She looked at her George. Horrible to dim the sparkling in those dear +eyes, radiant with excitement, with love. Yet she did it. The goody- +goody little soul of her put its hands about the little weakness of +her and held it tight. + +She said: "I do, _do_ see what you mean, Georgie. But I do, _do_ think +it's wrong." + +And then the little hands and the brown fist changed places. For she +put one hand below the fist, and with the other patted as she gave her +little homily--goody-goody little arguments, Sunday-school little +arguments, mother-and-child little arguments. And very timidly she +concluded: "You are not angry, Georgie, are you?" + +This splendid George of hers gave her a tremendous kiss. "You're a +little saint; you're a little idiot; you're a little angel; you're a +little goose," he told her. "But I love you all the more for it, +although I'd like to shake you. I _would_ like to shake you, Mary. +You're ruining the finest joke that ever was tried; and you're ruining +our only chance of marrying; and goodness only knows what's going to +happen now." + +She laughed ever so happily. It was intoxicating to bend this dear +George; intoxicating to have the love that came of bending him. + +"But I _am_ right, am I not?" she asked. + +George said: "Look here, saint and goose. I'm simply not going to +chuck the thing and all our happiness like this. I'll make a bargain. +Saint and goose, we'll say you are right, but you shall have one night +to think over it. One night. And this afternoon you will go to +Professor Wyvern and tell him everything and hear what he thinks about +it--what an outsider thinks: see? Yes, that's it. Don't even spend a +night over it. Have a talk with Professor Wyvern, and if you still +think I ought to chuck it, write to me at once, and to-morrow I'll +come down and creep in unto my uncle with the cat, and say: 'Uncle, I +have sinned.' There, Mary, that's agreed, isn't it?" + +"That's agreed," she joined. "Yes, that's fair." + +He looked at his watch. "I must cut. I must catch the one-thirty +train. I must calm Bill and the 'tec. in case you--Mary, _do_ weigh +whatever Wyvern says, won't you?" + +She promised; gave her George her hope that the Professor would make +her see differently. + +"That's splendid of you!" George cried. "Saint and goose, that's sweet +of you. Mary, I'm sure he will. Look here, I must fly; come half-way +to the station. The cat's all right here. Pop up and feed her this +afternoon." + +They pressed the door behind them; hurried down the path. + +It was precisely as they turned from the lane into the high-road, that +Mrs. Major, a cat beneath her arm, went bounding wildly through the +copse towards Herons' Holt. + + + + +CHAPTER IV. + +George Has A Shot At Paradise. + + + +I. + +Two hours after George, leaving his Mary near Paltley Hill railway +station, had got back to his inn at Temple Colney, a very agitated +young man booked from Temple Colney to Paltley Hill and was now +speeding between them in the train. + +He had the carriage to himself. Sometimes he sat, hands deep in +pockets, legs thrust before him, staring with wide and frightened eyes +at the opposite seat. Sometimes he paced wildly from door to door, +chin sunk on breast, in his eyes still that look of frantic +apprehension. Sometimes he would snatch from his pocket a telegram; +glare at it; pucker his brows over it; groan over it. + +George was this feverish young man. + +On his table in his room at the inn he had found this telegram +awaiting him. He had broken the envelope, had read, and immediately a +tickling feeling over his scalp had sent a dreadful shiver through his +frame: + +"_Return at once. Cat found.--Marrapit._" + +He had plumped into a chair. + +For a space the capacity for thought was gone. In his brain was only a +heavy drumming that numbed. Beneath the window a laden cart went +thumping by--thump, thump; thump, thump--cat found; cat found. The +cart drubbed away and was lost. Then the heavy ticking of the clock +edged into his senses--tick, tock; tick, tock--cat found; cat found. + +Then thought came. + +Cat found!--then all was lost. Cat found!--then some damned prowling +idiot had chanced upon the hut. + +This miserable George had felt certain that Professor Wyvern's +arguments would overcome his Mary's scruples. That little meeting with +his Mary had made him the more desperately anxious for success so that +he might win her and have her. And now--cat found!--all over. Cat +found! His pains for nothing! + +Then came the support of a hope, and to this, hurrying back to the +station, speeding now in the train, most desperately he clung. The +Rose, he struggled to assure himself, had not been found at all. It +was impossible that anyone had been to the hut. Some idiot had found a +cat that answered to the Rose's description, and had telegraphed the +discovery to his uncle; or someone had brought a cat to his uncle and +his uncle was himself temporarily deluded. + +Wildly praying that this might be so, George leaped from the train at +Paltley Hill; went rushing to the hut. Outside, for full ten minutes +he dared not push the door. What if he saw no Rose? What if all were +indeed lost? + +He braced himself; pushed; entered. + +At once he gave a whoop, and another whoop, and a third. He snapped +his fingers; cavorted through the steps of a wild dance that +considerably alarmed the noble cat that watched him. + +For there was the Rose! + + + +II. + +When George had indulged his transports till he was calmer, he took a +moment's swift thought to decide his action. + +Since someone was bouncing a spurious Rose on his uncle, he must +delay, he decided, no longer--must dash in with the true Rose at once. +Surely his uncle's delight would be sufficient to arouse in him the +gratitude that would produce the sum necessary for Runnygate! + +Previously, when he had reflected upon the plan he should follow on +restoring the cat, he had been a little alarmed at the difficulties he +foresaw. Chief among them was the fact that his uncle, and the +detective, and heaven knew who else besides, would require a plausible +and circumstantial story of how the Rose had been found--might wish to +prosecute the thief. How to invent this story had caused George +enormous anxiety. He shuddered whenever he thought upon it; had +steadily put it behind him till the matter must be faced. + +But this and all other difficulties he now sent flying. The relief of +freedom from the badgering he had endured since he abducted the Rose; +the enormous relief of finding that the Rose was not, after all, gone +from the hut; the tearing excitement of the thought that he had his +very fingers upon success--these combined to make him reckless of +truth and blind to doubts. He relied upon his uncle's transports of +delight on recovering the Rose--he felt that in the delirious +excitement of that joy everything must go well and unquestioned with +him who had brought it about. As to his Mary's scruples--time enough +for them when the matter was done. + +This was George's feeling at the end of his rapid cogitation. A +heartless chuckle he gave as he thought of Bill and Mr. Brunger at the +inn, closely dogging the landlord; then he seized the cat and in a +second was bounding through the copse to Herons' Holt as Mrs. Major, a +short space ago, had bounded before him. + + + + +CHAPTER V. + +Of Twin Cats: Of Ananias And Of Sapphira. + + + +I. + +The maid who opened the door told George that the master awaited him +in the study. + +Nothing of George's excitement had left him during the rush down to +the house. His right arm tucked about the cat he carried, with his +left hand impulsively he pushed open the door; with a spring eagerly +entered. + +Even as he stepped over the threshold the bubbling words that filled +his mouth melted; did not shape. In the atmosphere of the apartment +there was that sinister element of some unseen force which we detect +by medium of the almost atrophied sense that in dogs we call instinct. +As dogs will check and grow suspicious in the presence of death that +they cannot see, but feel, so my George checked and was struck +apprehensive by the sudden sensation of an invisible calamity. + +The quick glance he gave increased the sudden chill of his spirits. He +saw Mr. Marrapit standing against the mantelshelf--dressing-gowned, +hands behind back, face most intensely grim; his glance shifted and he +froze, for it rested upon Mrs. Major--hidden by a table from the waist +downwards, prim, bolt upright in a chair, face most intensely grim; +his eyes passed her and now goggled in new bewilderment, for they took +in his Mary--seated upon the extreme edge of the sofa, a white tooth +upon lower lip, face most intensely woebegone. + +George stood perfectly still. + +Like the full, deep note of a huge bell, Mr. Marrapit's voice came +booming through the fearful atmosphere. + +"Well?" boomed Mr. Marrapit. + +The cat beneath George's arm wriggled. + +Boom and wriggle touched George back to action from the fear into +which the invisible something and the fearful panorama of faces had +struck him. + +After all--let have happened what might have happened--he had the cat! + +He swung the creature round into his hands; outstretched it. He took a +step forward. "Uncle!" he cried, "uncle, I have found the Rose!" + +"Hem!" said Mrs. Major on a short jerk. + +From Mary there came a violent double sniff. + +George stood perfectly still; the unseen horror he felt to be rushing +upon him, but it remained invisible. With considerably less confidence +he repeated: + +"The Rose, uncle." + +"Hem!" said Mrs. Major on a yet shorter jerk; from Mary a double sniff +yet more violent. + +Mr. Marrapit raised a white hand. + +"Hark!" said Mr. Marrapit. + +Alarmed, his nerves unstrung, with straining ears George listened. The +tense atmosphere made him ajump for outward sounds. + +"Hark!" boomed Mr. Marrapit; lowered the warning hand; at George +directed a long finger. "Are you not afraid that you will hear upon +the threshold the footsteps of the young men who will come in, wind +you up, and carry you out?" + +"What on earth--?" George asked. + +Mr. Marrapit poked the extended finger towards him. "Ananias!" he +boomed. He poked at my quivering Mary. "Sapphira!" + +"Hem!" said Mrs. Major. "Hem!" + +George recovered. "Is this a joke?" he asked. "I tell you--look for +yourself--I have found the Rose." + +Mr. Marrapit stooped to Mrs. Major's lap, hidden by the table. With a +most queenly creature in his arms he stood upright. "Here is the +Rose," said he. + +Instantly George forgot all that had immediately passed. Instantly he +remembered that a bogus Rose was what he fully expected to see. +Instantly fear fled. Instantly assurance returned. + +In a full and confident note, "Uncle," he said, "you have been +deceived!" + +His words let loose a torrent upon him. + +Mr. Marrapit with one arm clasped to his breast the cat he had raised +from Mrs. Major's lap. Alternately raising and lowering the other +hand, his white hair seeming to stream, his eyes flashing, he took on, +to George's eyes, the appearance of an enraged prophet bellowing over +the cities of the Plain. + +"I _have_ been deceived!" he cried. "You are right. Though you have +the forked tongue of an adder, yet you speak truly. I have been +deceived. Woe is me for I have been most wickedly deceived by those +who eat of my bread, who lie beneath my roof. I have cherished vipers +in my bosom, and they have stung me. Bitterly have I been deceived." + +He paused. A low moan from Mrs. Major, handkerchief to eyes, voiced +the effect of his speech upon her; in racking sniffs Mary's emotion +found vent. But upon George the outburst had a cooling result--he was +certain of his ground. + +He said solidly: "That's all rot." + +"Rot!" cried Mr. Marrapit. + +"Yes, rot. You work yourself up into such a state when you get like +this, that you don't know what you're talking about--vipers and all +that kind of thing. When you've calmed down and understand things, +perhaps you'll be sorry. I tell you you've been deceived. That's not +the Rose you've got hold of. This is the Rose. Someone has made a fool +of you. Someone--" + +Between two violent sniffs, "Oh, George, don't, don't!" came from his +Mary. + +Startled, George checked. + +"Monster, be careful," said Mr. Marrapit. "Beware how much deeper you +enmire yourself in the morass of your evil. Put down that miserable +creature you hold. I place Mrs. Major's Rose beside it. Look upon +them." + +George looked. With staring eyes he gazed upon the two cats. With +arched tails they advanced to exchange compliments, and the nearer +they stood together the less Rose-like became the cat he had brought +into the room. For the cat that Mr. Marrapit had produced--Mrs. +Major's cat, as he called it--was the Rose herself; could be none +other, and none other (when thus placed alongside) could be she. + +Struck unconscious to his surroundings by this appalling spectacle, +George slowly stooped towards the cats as though hypnotised by the +orange coats. His eyes goggled further from his head; the blood went +thumping in his temples. He was aghast and horror-struck with the +stupefaction that comes of effort to disbelieve the eyes. But he did +disbelieve his eyes. How possibly trust them when from the Rose's very +bed he had taken the Rose herself and held her till now when he +produced her? He did disbelieve his eyes. + +He gave Mrs. Major's cat a careless pat. By an effort throwing a +careless tone into his voice, "A very good imitation," he said. "Not +at all unlike the Rose!" + +Mr. Marrapit became an alarming sight. He intook an enormous breath +that swelled him dangerously. He opened his lips and the air rushed +out with roaring sound. Again he inspired, raised his clenched hands +above his head, stood like some great tottering image upon the brink +of internal explosion. + +As upon a sudden thought, he checked the bursting words that +threatened from his lips; allowed his pent-up breath to escape +inarticulate; to his normal size and appearance shrank back when it +was gone. + +With an air of ebbing doubt, "Not at all unlike?" he questioned. + +George replied briskly. He forced himself to take confidence, though +every moment made yet more difficult the struggle to disbelieve what +his eyes told him. "Not at all unlike," he affirmed. "Very similar, in +fact. Yes, I should say very similar indeed." + +Still in the same tone of one who is being reluctantly convinced, Mr. +Marrapit again played Echo's part: "Very similar indeed? You grant +that?" + +"Certainly," George admitted frankly. "Certainly. I do not wonder you +were mistaken." + +"Nor I," Mr. Marrapit smoothly replied. "Indeed, in Mrs. Major's cat I +detect certain signs which my Rose has long borne but which she has no +longer, if the cat you bring is she?" + +"Eh?" said George. + +"Certain signs," Mr. Marrapit repeated, with the smoothness of flowing +oil, "which I recollect in my Rose. The mark, for example, where her +left ear was abrased by Mr. Wyvern's blood-thirsty bull-terrier." + +George stooped to the cats. Pointing, he cried triumphantly: "Yes, and +there is the mark!" + +"Yes," Mr. Marrapit pronounced mildly. "Yes, but you are now looking +at Mrs. Major's cat." + +"Hem!" said Mrs. Major. "Hem!" + +Like one who has stepped upon hot iron George started back, stared +aghast. A further "hem," with which a chuckle was mixed, came from +Mrs. Major; from my collapsed Mary upon the edge of the sofa a sniff +that was mingled groan and sob. + +George put a hand to his head. This young man's senses were ajostle +and awhirl. Well he remembered that mark which by disastrous blunder +he had indicated on Mrs, Major's cat; vainly he sought it on his own. +Yet his was the Rose. Was this a nightmare, then, and no true thing? +He put his hand to his head. + +"Looking at Mrs. Major's cat," repeated Mr. Marrapit, his tone smooth +as the trickle of oil. + +George fought on. "Quite so. Quite so. I know that. That is what makes +it so extraordinary--that this cat which you call Mrs. Major's and +think is the Rose should have the very mark that our Rose had." + +"But our Rose has not--if that is she." + +"Ah! not now," George said impressively. "Not now. It healed. Healed +months ago. Don't you remember my saying one morning, 'The Rose's ear +is quite healed now'?" + +"I do not, sir," snapped Mr. Marrapit, with alarming sharpness. + +"Oh!" said George. "Oh!" + +"Hem!" fired Mrs. Major. "Hem! Hem!" + +"That tail," spoke Mr. Marrapit, a sinister hardness now behind the +oiliness. "Mark those tails." + +George marked. To this young man's disordered mind the room took on +the appearance of a forest of waving tails. + +"Well?" rapped Mr. Marrapit. "You note those tails? Mrs. Major's cat +has a verdant tail, a bush-like tail. Yours has a rat tail. Do you +recollect my pride in the luxuriousness of the Rose's tail?" + +George blundered along the path he had chosen. "Formerly," he said, +"not latterly. Latterly, if you remember, there was a remarkable +falling off in the Rose's tail. Her tail moulted. It shed hairs. I +remember worrying over it. I remember--" + +A voice from the sofa froze him. "Oh, George, don't, don't!" moaned +his Mary. + +Recovering his horror, he turned stiffly upon her. "If you mean me, +Miss Humfray, you forget yourself. I do not understand you. Kindly +recollect that I have another name." + +The hideous frown he bent upon his Mary might well have advertised the +sincerity of his rebuke. He faced Mr. Marrapit, blundered on. "I +remember noticing how thin the Rose's tail was getting." He gathered +confidence, pushed ahead. "You have forgotten those little points, +sir. Upset by your loss you have jumped at the first cat like the Rose +that you have seen." He took new courage, became impressive. "You are +making a fearful mistake, sir--an awful mistake. A mistake at which +you will shudder when you look back--" + +"Incredible!" + +Mr. Marrapit, swelling as a few moments earlier he had swollen, this +time burst to speech. He raised his clenched fists; in immense volume +of sound exploded. "Incredible!" + +George misinterpreted; was shaken, but hurried on. "It is. I admit it. +It is an incredible likeness. But look again, sir." + +Mr. Marrapit gave instead a confused scream. + +Alarmed, George made as if to plunge on with further protests. +"George! George!" from his Mary checked him. Furious, he turned upon +her; and in that moment Mr. Marrapit, recovering words, turned to Mrs. +Major. + +"As you have restored my treasure to my house, Mrs. Major, so now +silence this iniquitous man by telling him what you have told me. I +implore speed. Silence him. Utterly confound him. Stop him from +further perjury before an outraged Creator rains thunderbolts upon +this roof." + +With a telling "Hem!" the masterly woman cleared for action. "I will, +Mr. Marrapit," she bowed. She murmured "Rosie, Rosie, ickle Rosie!" +The cat Mr. Marrapit had lifted from her lap sprang back to that +enticing cushion. + +Gently stroking its queenly back, to the soft accompaniment of its +majestic purr, in acid-tipped accents she began to speak. + +She pointed at the cat that now sat at George's crime-steeped boots. +"When I was out this morning I found that cat in a little copse on the +Shipley Road. At first I thought it was our darling Rose. Suddenly I +heard voices. I did not wish to be seen, because, dear Mr. Marrapit, +if it was the Rose I had found, I wanted to bring it to you alone--to +be the first to make you happy. So I slipped into a disused hut that +stands there. Footsteps approached the door and I went into an inner +room." + +Mrs. Major paused; shot a stabbing smile at George. + +And now my miserable George realised. Now, visible at last, there +rushed upon him, grappled him, strangled him, the sinister something +whose presence he had scented on entering the apartment. No sound came +from this stricken man. He could not speak, nor move, nor think. +Rooted he remained; dully gazed at the thin lips whence poured the +flood that engulfed and that was utterly to wreck him. + +The masterly woman continued. She indicated the rooted figure in the +middle of the room, the collapsed heap upon the sofa's edge. "Those +two entered. He had a basket. Oh, what were my feelings when out of it +he took our darling Rose!" + +For the space of two minutes the masterly woman advertised the +emotions she had suffered by burying her face in the Rose's coat; +rocking gently. + +Emerging, she gulped her agitation; proceeded. "I need not repeat +again all the dreadful story I heard, Mr. Marrapit? Surely I need +not?" + +"You need not," Mr. Marrapit told her. "You need not." + +With a masterly half-smile, expressive of gratitude through great +suffering, Mrs. Major thanked him. "Indeed," she went on, "I did not +hear the whole of it. It was so dreadful, I was so horrified, that I +think I fainted. Yes, I fainted. But I heard them discuss how he had +stolen the Rose so they might marry on the reward when it was big +enough. He had kept the darling till then; now it was her turn to take +charge of it--" + +Mrs. Major ceased with a jerk, drew in her legs preparatory to flight. + +For the rooted figure had sprung alarmingly to life. George would not +have his darling Mary blackened. He took a stride to Mrs. Major; his +pose threatened her. "That's untrue!" he thundered. + +"Ho!" exclaimed Mrs. Major. "Ho! A liar to my face! Ho!" + +"And you are a liar," George stormed, "when you say--" + +"Silence!" commanded Mr. Marrapit. "Do not anger heaven yet further. +Can you still deny--?" + +"No!" George said very loudly. "No! No! I deny nothing. But that +woman's a liar when she says Miss Humfray discussed the business with +me, or that it was Miss Humfray's turn to take the damned cat. Miss +Humfray knew nothing about it till I told her. When she heard she said +it was wrong and tried to make me take the cat back to you." + +In his wrath George had advanced close to Mrs. Major. He stretched a +violent finger to an inch from her nose. "That's true, isn't it? Have +the grace to admit that." + +Indomitable of purpose, the masterly woman pressed back her head as +far as the chair would allow, tightened her lips. + +The violent finger followed. "Say it's true!" George boiled. + +His Mary implored: "Oh, George, don't, don't!" + +The furious young man flamed on to her. "Be quiet!" + +Mr. Marrapit began a sound. The furious young man flamed to him: "You +be quiet, too!" He thrust the dreadful finger at Mrs. Major. "Now +speak the truth. Had Miss Humfray anything to do with it?" + +This tremendous George had temporary command of the room. The masterly +woman for once quailed. "I didn't hear that part," she said. + +George drew in the fearful finger. "That's as good as the truth--from +you." He rounded upon Mr. Marrapit. "You understand that. This has +been my show." + +"A blackguard show," pronounced Mr. Marrapit. "A monstrous and an +impious show. A--" + +"I don't want to hear that. Whatever it is you are the cause of it. If +you had done your duty with my mother's money--" + +A figure passed the open French windows along the path. Mr. Marrapit +shouted "Fletcher!" The gardener entered. + +"But you've betrayed your trust," George shouted. He liked the fine +phrase and repeated it. "You've betrayed your trust!" + +Mr. Marrapit assumed his most collected air. "Silence. Silence, man of +sin. Leave the house. Return thanks where thanks are due if I do not +hound the law upon you. Take that girl. That miserable cat take. +Hence!" + +Mary got to her feet, put a hand on her George's arm. "Do come, dear." + +The wild young man shook her off. "I'll go when it pleases me!" he +shouted at Mr. Marrapit. + +"You shall be arrested," Mr. Marrapit returned. He addressed Mary. +"Place that cat in that basket Carry it away." + +George stood, heaving, panting, boiling for effective words, while his +Mary did as bade. Awful visions of her George, fettered between +policemen, trembled her pretty fingers. At last she had the basket +strapped, raised it. + +"Come, George," she said; and to Mr. Marrapit, "I'm so sorry, Mr. +Marrapit. I--" + +It gave her furious George a vent. "Sorry! What are you sorry about? +What have you done?" He roared over to Mrs. Major: "What other lies +have you been telling?" He lashed himself at Mr. Marrapit. "Set the +law on me? I jolly well hope you will. It will all come out then how +you've behaved--how you've treated me. How you've betrayed--" + +"Fletcher," Mr. Marrapit interrupted, "remove that man. Take him out. +Thrust him from the house." + +"Me?" said Mr. Fletcher. "Me thrust him? I'm a gardener, I am; not a--" + +"Duty or dismissal," pronounced Mr. Marrapit. "Take choice." He turned +to the window. "Come, Mrs. Major." + +George dashed for him. "You're not going till I've done with you!" + +Violence was in his tone, passion in his face. + +Alarmed, "Beware how you touch me!" called Mr. Marrapit; caught Mr. +Fletcher, thrust him forward. "Grapple him!" cried Mr. Marrapit. + +Mr. Fletcher was violently impelled against George; to save a fall +clutched him. "Don't make a scene, Mr. George," he implored. + +George pushed him away. Mr. Fletcher trod back heavily upon Mr. +Marrapit's foot. Mr. Marrapit screamed shrilly, plunged backwards into +a cabinet, overturned it, sat heavily upon its debris. + +A laugh overcame George's fury. He swung on his heel; called "Come" to +his Mary; stalked from the house. + +As they passed through the gate, "Oh, Georgie!" his Mary breathed. +"Oh, Georgie!" + +He raged on to her: "What on earth made you say you were sorry? You've +no spirit, Mary! No spirit!" + +The tremendous young man stalked ahead with huge strides. + + * * * * * + +In deep melancholy, sore beneath the correction Mr. Marrapit had +heaped upon him, Mr. Fletcher wandered from the study; turned as he +reached the path. "Me grapple him!" said Mr. Fletcher. "Me a craven! +Me thrust him from the house! It's 'ard--damn 'ard. I'm a gardener, I +am; not a Ju-jitsu." + + + + +CHAPTER VI. + +Agony In Meath Street. + + + +I. + +Silent, gloom-ridden, my sniffing Mary, my black-browed George +laboured to the station. Silent they sat upon a bench waiting the +London train. + +George bought his Mary a piece of chocolate from the automatic +machine; she was a forlorn picture as with tiny nibbles she ate it, +tears in her pretty eyes. In the restaurant George bought himself a +huge cigar. This man was a desperate spectacle as with huge puffs he +smoked, hands deep in pockets, legs thrust straight, brows horribly +knitted. + +They had no words. + +The train came in. George found an empty compartment; helped his poor +Mary to a corner; roughly dumped the cat-basket upon the rack; moodily +plumped opposite his Mary. + +They had no words. + +It was as the train moved from the third stop that Mary, putting a +giant sniff upon her emotions, asked her George: "Wher--where are we +going, dear?" + +It was not until the fifth stop that George made answer. "Those +Battersea digs," he told her. + +They had no words. + +At Queen's Road station gloomily they alighted; silently laboured to +the house of Mrs. Pinking. + +George answered her surprise. "Miss Humfray will have these rooms +again, Mrs. Pinking, if you will be so kind; and I--" He checked. +"Could you let us have some tea, Mrs. Pinking? Afterwards I'll have a +talk with you. We've got into a--We're very tired. If you could just +let us have some tea, then I'll explain." + +In silence they ate and drank. George was half turned from the table, +gloomily gazing from the window. Tiny sniffs came from his Mary; he +had no words for her; looked away. + +But presently there was a most dreadful choking sound. He sprang +around. Most painfully his Mary was spluttering over a cup of tea. +With trembling hands she put down the cup; her face was red, +convulsively working. + +George half rose to her. "Don't cry, darling Mary-kins. Don't cry." + +She set down the cup; swallowed; gasped, "I'm not crying--I'm la- +laughing," and into a pipe of gayest mirth she went. + +Gloom gathered its sackcloth skirts; scuttled from the room. + +George roared with laughter; rocked and roared again. When he could +get a catch upon his mirth there was the clear pipe of his Mary's +glee, clear, compelling, setting him off again. When she would gasp +for breath there was her dear George, head in those brown hands, +shaking with tremendous laughter--and she must start again. + +She gasped: "George! If you could have seen yourself standing there +telling those awful stories--!" + +He gasped: "When I mistook the cats--!" + +She gasped: "Mr. Marrapit's face--!" + +He gasped: "Mrs. Major's--!" + +The exhaustion of their mirth gave them pause at last. George wiped +his running eyes; Mary tremendously blew her little nose, patted her +gold hair where it eagerly straggled. + +"I feel better after that," George said. + +She told him, "So do I--heaps. It's no good being miserable over what +is past, is it, dear?" + +"Not a bit; not the slightest. Come and sit on the sofa and let's see +where we are." She put that golden head upon his manly shoulder; he +fetched his right arm about her; she nursed her hands upon the brown +fist that came into her lap; that other brown hand he set upon the +three. + +Together they viewed their prospects--gloomy pictures. + +"But we're fairly in the cart," George summed up. "We are, you know." + +His ridiculous Mary gave him that lovers' ridiculous specific. "We've +got each other," she told him, snuggling to him. + +George kissed her. He fumbled in his pockets. "I've got just about +three pounds--over from what Marrapit gave me for the clue-hunting. I +say, Mary, it's pretty awful." + +She snuggled the closer. + +Early evening, tip-toeing through the window, was drawing her dusky +hangings about the room when at length George withdrew the brown +hands; stirred. + + + +II. + +Upon a little sigh Mary let go the string that held the dreams she had +been dreaming. Like a great gay bundle of many-coloured toy balloons +suddenly released, they soared away. She came to the desperate +present; noted her George filling his pipe. + +He got upon his legs; paced the floor, puffing. + +It was his characteristic pose when he was most tremendous. She +watched this tremendous fellow adoringly. + +He told her: "I've settled it all, Marykins. I've fixed it all up. +We'll pull through right as rain." He caught the admiring glance in +his Mary's eye; inhaled and gusted forth a huge breath of smoke; +repeated the fine sentence. "We'll pull through right as rain." + +"Dear George!" she softly applauded. + +He pushed ahead. "There's this locum tenens I was going to take up in +the North. I haven't offed that yet--haven't refused it, I mean. Well, +I shall take it. The screw's pretty rotten, but up in the North--in +the North, you know--well, it's not like London. It's cheap-- +frightfully cheap. You can live on next to nothing--" + +She pushed out the irritating, practical, womanish side of her. +"_Can_ you? How do you _know_, Georgie?" + +We men hate these pokes at our knowledge; women will not understand +generalisations. George jerked back: "How do I _know_? Oh, don't +interrupt like that, Mary. Everybody knows that living is cheap in the +North--in the _North_." + +"Of course," she excused herself. "Of course, dear, I see." + +"Well, where was I? Frightfully cheap, so the screw won't matter. I'll +take the job, dearest. I'll take it for next month. And--listen--we'll +marry and go up there together and live in some ripping little rooms. +There!" + +She was flaming pink; could only breathe: "Georgie, _dear!_" + +He stopped his pacing to give her a squeezing hug, a kiss upon the top +of the gold hair. Then he went through the steps of a wild dance. +"Marry!" he cried. "Marry, old girl, and let everybody go hang! We'll +have to work it through a registrar. I'm not quite sure how it's done, +but I'll find out tomorrow. I know you both have to have been resident +in the place for a week or so--I'll fix all that. Then we'll peg along +up in the North; and we'll look out for whatever turns up, and we'll +save, and in time we'll buy a practice just like Runnygate." + +Now he sat beside his Mary again; with a tremendous brush painted in +more details of this entrancing picture. Every doubt, every difficulty +he threw to tomorrow--that glad sea in which youth casts its every +trouble. Was he sure he still had the refusal of this locum?--rather! +but he would make certain, tomorrow. Was he sure they both could live +upon the salary?-rather! he would prove it to-morrow. Could they +really get married at a registrar's within a few days?-rather! he'd +fix that up to-morrow. As to the money necessary for the marriage, +necessary to tide over the days till the locum was taken up, why, he +knew he could borrow that--from the Dean or from Professor Wyvern--to- +morrow. + +They were upon the very crest and flood of their delight when George +noted the gathering dusk. + +"I say, it's getting late!" he exclaimed. "I must fix it up with Mrs. +Pinking. We've made no arrangement with her yet." + +Mary agreed: "Yes, dear." She went on, pretty eyes shining, face +aglow: "Oh, Georgie, think of the last time you brought me here! I had +nothing to expect but going out to work again; and you weren't +qualified. And now--now, although we've lost our little Runnygate +home" (she could not stop a tiny sigh), "we're actually going to be +married in a few days! Georgie, I shan't sleep for hoping everything +will turn out all right to-morrow." + +"It will," George told her. "It will. Right as rain, old girl." + +Her great sigh of contentment advertised the drink she took of that +sparkling future. "Think of us being together always in a week or so-- +belonging! Where will you stay till then? Quite close. Get a room +quite close, Georgie?" + +He stared at her. "Why, you old goose, I'm not going." + +She echoed him: "Not going?" + +"Of course not. I'm going to get a bedroom here, and we'll have all +our meals and everything in here. We're not going to part again, +Marykins. Not much!" + +That maddening handicap beneath which the sweetest women trudge +shackled Mary, deluged this joy. + +"Oh, Georgie!" she said; and again trembled, "Oh, Georgie!" + +My impulsive George scented the damp. "Well?" he asked. "Well? +Whatever's--?" + +"Oh, Georgie, you can't have a room here. We can't have all our meals +together here?" + +He realised the trouble. He broke out: "Why ever not? Why ever--?" + +"It wouldn't be _right_! Georgie, it _wouldn't_ be right!" + +Her impulsive George choked for words. "Not right! 'Pon my soul, Mary, +I simply don't understand you sometimes. Not _right! Why_ isn't it +right?" + +It was so difficult to tell. "You don't understand, dear--" + +"No, I'm damned if I do. I'm sorry, Mary, but you are so funny, you +women. It's so exasperating after the--the devil of a day I've had. +Just when I've fixed up everything you turn round and"--he threw out +an angry hand--"_Why_ isn't it right?" + +This poor little Mary clung to her little principles. "Don't you see? +we're engaged, dear; and being engaged, we oughtn't to live alone like +this. People would--" + +He began to rave. Certainly he had had a devil of a day; and this was +a maddening buffet. + +"People!" he cried. "People! People! You're always thinking of people, +you women! Who's to know? Who on earth's to know?" + +The instinct of generations of training gave her the instinctive reply +in the instinctive sweet little tone: "We should know, Georgie," she +said. + +He flung up his arms: "Oh, good God!" + +He swallowed his boiling irritation; laughed 'spite himself; went to +his Mary. "Mary, don't be such an utter, utter goose. It's too, too +ridiculous." + +She took his kiss; but she held her stupid little ground. + +"It wouldn't be right, Georgie, _really_!" + +Her George clanged the bell with a furious stroke that brought Mrs. +Pinking in panic up the stairs. Holding himself very straight, +speaking in sentences short and hard, paying to his Mary no smallest +attention, he made the arrangements. Miss Humfray would take on her +bedroom again. By the week. If Mrs. Pinking would be so kind as to +allow them the same terms. He thanked her. That was settled, then. He +would look in in the morning. He would say good night, Mrs. Pinking. + +Mrs. Pinking gave him good night; busied herself with the tea-things. + +Her presence enabled this brutal George to preserve his stony bearing; +denied his pretty Mary opportunity to melt him with her tears. + +Hard as flint, "Well, good night," he said to her. "I'll look in to- +morrow morning." + +Upon a little sniff, "Good night," she whispered; strangled an "Oh, +George! George!" + +She followed him to the door. He was down the stairs before she could +command her voice for: "Where shall you go, George?" + +With the reckless fury of one who sets forth to plunge into the river, +he called back, "I? I? Oh, _anywhere--anywhere_. Who cares where _I_ +go?" + +The hall door slammed. + + * * * * * + +Late into that night while a young woman sobbed her pretty eyes out +upon a pillow in a back room of Meath Street, Battersea, a young man, +who furiously had been pacing London, paced and repaced the street +from end to end, gazing the windows of the house where she lay. This +young man muttered, gesticulated, groaned. "Oh, damn!" was his song. +"Oh, Mary! Oh, what a cursed brute I am!" + +It was a bitter ending to a fearful day. + + + + +CHAPTER VII. + +Mr. William Wyvern In Meath Street. + + + +I. + +George spent the night--such of it as remained after his bitter +moanings outside his Mary's lodging--with the Mr. Franklyn who had +accompanied him on that little "stroll up west" that had terminated in +the cab adventure nearly three months before. Of all his student +friends who would give him a bed, Mr. Franklyn, because in a way +associated with his Mary, had come most prominently into his mind. +That same association gave him a lead from which to pour out his reply +to Mr. Franklyn's rallying, as they sat at supper, upon his gloom. + +"You remember that day after the July exam, when we went up west +together?" he began. + +Mr. Franklyn remembered; in some gloom shook his head over the +recollection. "That waitress you left me with in the shop," said Mr. +Franklyn sadly, "she--" + +"Oh, hang the waitress! Listen, Franklyn, After I left you I turned up +past the Marble Arch--" He proceeded with some account of the love +between him and his Mary; skipped all details relating to the cat; +came to the impending marriage; sought advice upon the prospects of a +man marrying on a locum's earnings. + +Mr. Franklyn listened with great sympathy. "It's a rum thing you +should be placed like that, George," he said. "I'm in just the same +position." + +George exclaimed eagerly--in love, youth warms to a companion--"You +are!" + +"Well, not exactly," Mr. Franklyn admitted. "Very nearly. I've got +myself into a brute of a fix over a girl in the lager-beer garden at +Earl's Court. She--" + +George bounced from the table, seized his hat. "Who cares a damn about +your lager-beer girls?" he shouted; slammed from the house. + +It was then, while Mr. Franklyn laboriously indited a letter in reply +to one received from the lager-beer girl's mother, that George paced +Meath Street. + + + +II. + +At breakfast with Mr. Franklyn upon the following morning, he was in +brighter trim--apologised for his over-night abruptness; apologised +for the hasty meal he was making; announced that he was off to see his +Mary. + +As he lit his pipe, "I'll see you at hospital this morning some time, +old chap," he said. "I shall dash in to fix up with the Dean about +taking Bingham's place in that practice up in Yorkshire." + +Mr. Franklyn prodded for another slice of bacon. "You can't, old +chap," he remarked. "That's filled." + +George shouted: "Filled! What do you mean?" + +"Why, taken--gone. Simpson's got it--ten days ago." + +An icy chill smote my poor George. After the dreadful loss of +Runnygate everything had depended upon this appointment with its +salary considerably above the average. + +"Simpson! Simmy got it!" he shouted. "What the blazes does Simmy mean +by taking it? He knew I was after it." + +"My good lad, you never came near the place after you'd qualified. If +Simmy hadn't taken it someone else would. Bingham was in a hurry." + +Blankly George stared before him. At length, "I suppose there are +several other jobs going?" he asked. + +"None on the Dean's list," said Mr. Franklyn. "I was looking at it +last night." + +Beneath this new distress George postponed the burning desire to clasp +his Mary in his arms and beg forgiveness. He hurried to hospital; made +for the Dean's office. Here disaster was confirmed. Simpson had +already taken the Yorkshire place; the Dean had no other posts on his +lists. "Only this Runnygate practice," he said. "I haven't seen you +since you qualified. Can you raise the price?" + +George, rising and making for the door, could only shake his head. +There was something at his throat that forbade speech. Runnygate and +all that Runnygate meant--the dear little home, the tight little +practice, the tremendous future--was a bitter picture now that it was +so utterly lost; now that even this place in Yorkshire was also gone. + +He shook his head. + +"Great pity!" the Dean told him. "I've kept it for you. Lawrence, the +man who's leaving it, is coming to see me at five this evening. I +shall have to help him find another purchaser." + + + +III. + +The infernal something in George's throat gripped the harder as he +took his way to his Mary. He cursed himself for that hideous cat +enterprise. Had he never undertaken it, had he continued instead to +entreat and implore, there was always the chance that his uncle would +have relented and advanced the money sufficient for Runnygate. + +As things were, he stood for ever damned in his uncle's eyes; further, +by his folly he had encompassed his darling Mary's ejection from a +home where she might comfortably have stayed till he was in position +to marry her; further, he had just missed the assistantship which, to +his present frame of mind, seemed the sole post in the world that +would give him sufficient upon which to call his Mary wife. + +The desperate thoughts augmented his fearful remorse at his treatment +of her overnight. Arrived at Meath Street, admitted by Mrs. Pinking, +he bounded up the stairs, tremendous in his agony of love. + +His Mary had her pretty nose pressed flat against the window. With dim +eyes she had been gazing for her George in the opposite direction from +that he had approached. + +He closed the door behind him. + +"Mary!" he called, arms outstretched. + +Into them she flung herself. + +They locked in a hug so desperate as only love itself could have +borne. + +He poured out his remorse; beside him on the sofa she patted those +brown hands. He told his gloomy tale; she patted the more lovingly-- +assured him that, if the Yorkshire place had failed, something equally +good would turn up. + +But he was in desperate despondency. "It's all that infernal cat, +Mary," he groaned; she kissed that knotted forehead. + +He asked her: "By the way, where's that other brute?--the beast we +brought here with us?" + +She peered low. "I've just fed the poor thing." + +Attracted by her movement, that orange cat which had wrought the +fearful disaster came forth from beneath the table. + +"G-r-r-r!" George growled; stamped his foot. + +The orange cat again took shelter. + +"Ah, don't frighten it, dear," Mary told him. "It's done no harm." + +George rose. He was too tremendously moved to contain himself while +seated. "Done no harm!" he cried. He took a step to the window. "Done +no--" He stopped short. "Oh, Lord! I say, Mary! Oh, Lord! here's +Bill!" + +Mary fluttered to his side; saw Bill Wyvern disappear beneath the +porch of the door. + +A knock; shuffling in the passage; footsteps up the stairs. + +"By Gad! I'd forgotten all about old Bill," George said. + +Then Bill entered. + + + + +CHAPTER VIII. + +Abishag The Shunamite In Meath Street. + + + +I. + +The most tremendous crises between man and man commonly begin with +exchange of the customary banalities. Charlotte Corday gave Marat +_"Bonsoir, citoyen,"_ ere she drove her knife. This was no cloak +to hide her purpose. We are so much creatures of convention that the +man who sets out, hell in breast, to avenge himself upon another, +cannot forbear to give him greeting before ever he comes upon the +matter between them. + +George, involuntarily straightening his back as he remembered how +desperately he had hoodwinked this Bill, had upon a fool's errand +packed him to that inn, as involuntarily passed him the customary +words. + +"Hullo, Bill!" he said. "How on earth did you know I was here?" + +He awaited the burst of reproach; the torrent of fury. + +These did not come. About Bill's mouth, as from George to Mary he +glanced, there were the lines of amusement; no menace lay in his clear +blue eyes. + +"Went to look for you at the hospital," Bill replied. "Met that man +Franklyn, and he told me you very probably were here." + +George pushed ahead with the banalities. "Surprised to see Miss +Humfray here?" he asked. "You met her, of course, at my uncle's while- +-while"--this was dangerous ground, and he hurried over it--"while I +was away," he said quickly; blew his nose. + +Bill told him: "Yes. Not a bit surprised." The creases of amusement +became more evident. He shook Mary's hand. + +"Ah!" George said. "Um! Quite so. Sit down, Bill." + +They took seats. Constraint was upon these people; each sat upon the +extreme edge of the chair selected. + +After a pause, "You've been to Herons' Holt, then?" George remarked. + +"Yesterday. Yesterday night." + +"Ah! Yesterday. Thursday, so to speak. Um! Margaret quite well?" + +"Quite." + +The deadly pause came on again. Mary looked appealing to her George. +George, his right boot in a patch of sunlight, earnestly was watching +it as, twisting it this way and that, the polish caught the rays. + +It lay with herself to make a thrust through this fearful silence. +Upon a timid little squeak she shot out: "Mr. Marrapit quite well?" + +"Quite," Bill told her. "Quite. A little bit--" He checked; again the +silence fell. + +Mary no longer could endure it. Impulsively leaning forward, arms +outstretched, hands clasped, "Oh, Mr. Wyvern!" she cried. "You're +_not_ angry with George, _are_ you? He _couldn't_ help sending you to +that inn, _could_ he?" + +Constraint fled. "Of course I'm not," Bill declared. "Not a bit. I've +come here to congratulate you both. I--" + +George sprang forward; grasped Bill's hand. "Good old buck!" he cried. +"Good old Bill! I'm awfully sorry, Bill. You're a stunner, Bill. Isn't +he a stunner, Mary?" + +"He _is_ a stunner," Mary agreed. + +The stunner, red beneath this praise, warmly returned George's grip. +When they released, "I say, George, you _are_ an ass, you know," he +said. "Why on earth didn't you tell me what you were up to?" + +"You weren't there, old man, when it began. You were in London. How on +earth was I to know your paper would come plunging into the business?" +The memory of the pains that paper had caused him swept all else from +George's mind. Indignation seized him. "It was a scandalous bit of +work, Bill. 'Pon my soul it's simply shameful that a newspaper can go +and interfere in a purely private matter like that. Yes, it is, Mary. +Don't you interrupt. Bill understands. I don't blame you, Bill; you +were doing your duty. I blame the editor. What did he want to push +into it for? I tell you that paper drove me up and down the country +till I was pretty well dead. It's all very well for you to grin, +Bill." + +"I'm not grinning." + +"You are grinning." George threw a bitter note into his declamations. +"Of course, you can afford to grin. What was agony to me was hot stuff +for you. I expect you've made your reputation over this show. Everything's +turned out all right for you--" + +Bill took that bitter note. "Rather!" he broke in. "Rather! I pulled +it off, didn't I? I found the rotten cat, didn't I? I wasn't made a +fool of for two days in a country inn, was I? I've not got the sack +all through you, have I?" + +George instantly forgot his personal sorrows. "Oh, I say, Bill, you +haven't, have you?" + +Bill, not expecting the interruption, confessed a little lamely: "No, +I haven't. I _haven't_--as it turns out. But I might have--if it +wasn't for--" He paused a moment; sadly said, "Anyway, just as I +thought I'd got her, I've lost Margaret again." + +In those fierce days when her Bill was the Daily Special Commissioner, +Margaret had confided in Mary the promise Mr. Marrapit had made should +Bill find the cat. Now Mary was filled with sympathy. "Oh, Mr. +Wyvern!" she cried, "I _am_ sorry! What has happened? How do you +know? Do tell us everything of when you went to Herons' Holt last +night." + +Bill took a chair. He said gloomily: "There's not much to tell. I felt +I couldn't wait at that infernal inn any longer, so I left the +detective in charge, went to the inn where we'd found George, didn't +see him, and came back to Herons' Holt. I saw old Marrapit for about +two minutes in the hall. He foamed at me all about George, foamed out +that I was one of George's friends, and foamed me out of the door +before I could get in a word. Said I never was to come near the place +again. I asked him about Margaret, and he had a kind of fit--a kind of +fit." + +George said softly: "I know what you mean, old man." + +"A kind of fit," Bill gloomily repeated. Then he struck one clenched +fist into the palm of the other hand. "And hang it!" he cried, "I've +won her! According to the bargain old Marrapit made with me, I've won +her. If it had not been for me you wouldn't have taken the cat to that +hut in the wood, and if you hadn't taken it there Marrapit wouldn't +have it _now_. It's through me he got it, isn't it?" + +"Bill," George told him, "it is. You rotted my show all right. No +mistake about that." + +It was a fearful situation as between these two young men. In silence, +in gloom, they gazed each upon the ground. + +Bill took a glance at George's face; turned hurriedly from the despair +there stamped; set his eyes upon my pretty Mary. He gave a sigh. + +"But, George, old man, you've come out of it the better," he said. +"You've lost the money you wanted, but you've got your--you've got +Miss Humfray. I've lost my--I've lost Margaret." + +In great melancholy George rose; crossed to his Mary; sat upon the arm +of her chair; caressed her pretty shoulders. + +"You don't know what you're talking about, Bill. Bill, we're in a most +fearful hole. We haven't got a sou, and I've got no work. You're doing +well. You're making money. You're bound to get Margaret in time. As +for us--" + +Bill was deeply stirred. "I say, I am sorry," he told them. He sat up +very straight. "Look here, don't get down on your luck. Come out and +have lunch with me and tell me just how you're fixed. If a small loan +will do you any good I'm certain my guv'nor will stand it. He likes +you awfully, George. Come on. I shan't see you again otherwise for +some time. I'm off on another Special Commissioner job for the +_Daily_, you know." + +George gave a slight shudder. "Oh? Thank goodness, I'm not the object +of it this time. What is it?" + +"What is it? Why, you've seen the _Daily_ this morning, haven't you?" + +"I'll never open the infernal thing again." + +Bill did not heed the aspersion. "It's really rather funny, you know," +he went on. "Look here." He tugged at his pocket; produced a _Daily_. + +A pencil dislodged by the paper fell to the ground; rolled beneath the +table. + +Bill stooped after it. The cat that lay there, disturbed, walked +forth--arching its proud orange back. + + + +II. + +With eyes that goggled tremendously Bill stared at it; with a finger +that shook he pointed at it; turned his head to George. "George," he +asked, "whose cat is that?" + +George looked at Mary; gave a bitter little laugh. "I suppose it's +ours," he replied. "Eh, Mary?" + +A sad little smile his Mary gave, "I suppose it is," she agreed. + +From one to the other Bill looked, suspicion in those goggling eyes. + +"You _suppose_ it is?" he emphasised. Again he swiftly looked from +George to Mary; again stared at the splendid orange form. "George," he +said sharply--"George, what is that cat's name?" + +George regarded him with a whimsical smile. "Bill, you old duffer, you +don't think it's the Rose, do you?" + +Yet more sharply than before Bill spoke. "George, is that cat's name +Abishag?" + +"_Abishag?_ What an awful--" + +Bill turned from him with an impatient gesture. He called to the cat, +"Abishag! Abishag!" + +With upreared tail the fine creature trotted to him. + +"Good Lord!" George broke out. "Is that _your_ cat, Bill?" + +Bill turned upon him. "_My_ cat! You know thundering well it's +not my cat." + +"But it knows you, Mr. Wyvern," Mary told him wonderingly. + +There was sorrow, a look of pity in this young man's eyes as +reproachfully he regarded my Mary. + +He swung round upon George. "George, you've made a fool of me once--" + +"I don't know what on earth's the matter with you," George told him. + +With knitted brows Bill for a moment searched his face. "I ask you +point-blank," he said slowly. "Did you steal this cat, George?" + +George struck the stern young man upon the back. "Is _that_ what +you're driving at, you old ass? Stole it! D'you suppose I'll ever +_touch_ a cat again? That's the infernal cat Mrs. Major left in that +hut when she hooked off the Rose. Marrapit told you, didn't he?" + +Into a chair Bill collapsed--legs thrust straight before him, head +against the cushioned back. He gasped. "George, this is a licker, a +fair licker." Enormously this staggered man swelled as he inhaled a +tremendous breath; upon a vast sigh he let it go. "That cat--" he +said. He got to his legs and paced the room; astonished, Mary and +George regarded him. "That cat--I'll bet my life that's the cat!" + + + +III. + +My Mary was trembling before this fearful agitation. For support she +took her George's hand. "Oh, Mr. Wyvern!" she cried, "whatever is it? +Have we got into another awful trouble through those dreadful, +_dreadful_ cats?" + +"Look at the _Daily_," Bill said. "Look at the _Daily_. George, give +me a cigarette. I must smoke. This is an absolute licker." + +My frightened Mary jumped for the paper where it had fallen; spread it +upon the table; opened it. "Oh, George!" she cried. "Oh, George!"; +pressed a pretty finger upon these flaming words: + + ANOTHER CAT OUTRAGE. + + AMAZING STORY. + + MR. VIVIAN HOWARD'S FAMOUS PET + + STOLEN WHILE BACK TURNED. + + "DAILY" OFFER. + + 500 POUNDS FOR OUR READERS. + +My Mary's golden head, my George's head of brown, pressed and nudged +as with bulging eyes they read the crisp, telling paragraphs that +followed in a column of leaded type. + +Readers of the _Daily_, it appeared, would be astonished to learn that +the abduction of Mr. Marrapit's famous cat, the Rose of Sharon-- +concerning the recovery of which all hope had now been abandoned--had +been followed by a similar outrage of a nature even more sensational, +more daring. + +Mr. Vivian Howard, the famous author and dramatist, whose new novel, +"Amy Martin," _Daily_ readers need not be reminded, was to start in +the _Daily_ as a feuilleton on Monday week, had been robbed of his +famous cat "Abishag the Shunamite." + +The whole reading public were well aware of Mr. Howard's devotion to +this valuable pet. Scarcely a portrait of Mr. Howard was extant that +did not show Abishag the Shunamite by his side. + +It was a melancholy coincidence that in the interview granted to the +_Daily_ by Mr. Howard last Saturday he had told that Abishag had sat +upon his table while every single word of the manuscript of "Amy +Martin" was penned. He had admitted that she was his mascot. Without +her presence he could not compose a line. _Daily_ readers would +imagine, then, Mr. Howard's prostration at his appalling loss. + +The occurrence had taken place on Monday night. As _Daily_ readers +were well aware, Mr. Howard had for some weeks been staying at the +house of his widowed mother in Sussex Gardens. Nightly at nine it had +been his custom to stroll round the gardens before settling down for +three hours' work upon "Amy Martin." During his stroll Abishag would +slip into the gardens, meeting her master upon his completion of the +circuit. + +According to this practice, Mr. Howard, on Monday night, had followed +his usual custom. He believed he might possibly have walked a little +slower than usual as he was pondering deeply over his final revise of +the proof of "Amy Martin." Otherwise his programme was identical with +its usual performance. But upon his return the cat was not to be +found. + +Theories, suggestions, investigations that had already been made, +followed. The _Daily_ abundantly proved that the cat had not strayed +but had been deliberately stolen by someone well acquainted with Mr. +Howard's nightly promenade; pointed out that this second outrage +showed that no one possessing a valuable cat was safe from the +machinations of a desperate gang; asked, Where are the police? and +concluded with the pica sub-head: + + "DAILY" OFFER. + +The _Daily,_ it appeared, on behalf of the whole reading public of +Great Britain, the Colonies, America, and the many Continental +countries into whose tongues Mr. Howard's novels had been translated, +offered 500 pounds to the person who would return, or secure the +return of, Abishag the Shunamite, and thus restore peace to the heart +of England's premier novelist, whose new story, "Amy Martin," would +start in the _Daily_ on Monday week. + +A sketch-map of Sussex Gardens, entitled "Scene of the Outrage," +showed, by means of dotted lines, (A) Route taken by Mr. Vivian +Howard; (B) Route into Gardens taken by cat; (C) Supposed route taken +by thief. + +Mr. Henry T. Bitt had achieved a mammoth splash. + + + +IV. + +The golden head and the head of brown lifted simultaneously from the +paper; stared towards Bill, pacing, smoking. + +Tremendous possibilities flickered in George's mind; made his voice +husky. "Bill," he asked, "do you believe that cat is this Abishag-- +Vivian Howard's Abishag?" + +Bill nodded absently. This man's thoughts were afar--revolving this +situation he had named "licker." "Look at the description," he said. +"Look at the cat. It knows its name, doesn't it? I've seen a life-size +painting of Abishag. It's a cert." + +George dropped upon the sofa; his thoughts, too, rushed afar. + +Tremendous possibilities danced a wild jig in his Mary's pretty head; +trembled her voice. "Oh, Mr. Wyvern!" she appealed, "what does it +mean? What does it mean--for us?" + +"It's a licker," Bill told her. "It's a fair licker." + +Mary dropped by her George's side; to his her thoughts rushed. + +Presently Bill threw away his cigarette; faced George. He said slowly: +"Mrs. Major must have stolen this cat, George. But how did she get it? +She's been at Herons' Holt the last week." + +Mary gave a little jump. "Oh, Mr. Wyvern, she went up to town on +Monday till Tuesday." + +Bill struck a hand upon the table. "That fixes it. By gum, that fixes +it! I tell you what it is, George. I tell you what it is. I believe-- +yes, I believe she'd seen this cat before, knew it was like the Rose, +and meant to have palmed it off on old Marrapit herself so as to get +him to take her back. Margaret told me all about her getting the sack. +I bet my life that's it. By gum, _what_ a splash for the _Daily!_" And +upon this fine thought the young man stood with sparkling eyes. + +George timidly touched the castles he had been building: "Bill, where +do I--where do Mary and I come in?" + +Bill clapped his hands together. "Why, my good old buck, don't you +see?-don't you realise?-you get this L500. Just do you, eh?" + +_"Runnygate!"_ George burst out with a violent jerk; clasped his Mary +in an immense hug. + +_"Runnygate!"_ came thickly from his Mary, face squashed against this +splendid fellow. + +When they unlocked my blushing Mary suddenly paled: "Oh, but you, Mr. +Wyvern--you found it really." + +"Not much," Bill declared. "Not likely. You found it. I couldn't have +the reward, anyway. I'm one of the staff." He repeated the fine words: +"One of the _staff_." + +She made to thank him. "Besides," he interrupted her, "I'll make a lot +out of it. I'm doing awfully well. The chief was awfully pleased with +the way I ran that Rose of Sharon job. Of course this is twice as big +a splash, because Vivian Howard's mixed up in it. Look what a boost it +is for our new serial--look what a tremendous ad. it is for the +paper! Directly Howard came to us the editor dropped the Rose like a +hot coal; plumped for this and put me in charge. Now I've pulled it +off, just think how bucked up he'll be! It's a licker, George--a +licker all round." + +"Bill," George said, "I can't speak about it. My head's whirling. I +believe it's a dream." + +Indeed this George had rushed through so much in the past hours, was +now suddenly come upon so much, that the excitement, as he attempted +realisation, was of stunning effect. He sat white, head in hands. + +"Jolly soon show you!" Bill cried. "Come to the office straight away. +Bring the cat. I was to meet the chief and Vivian Howard there at +twelve." + +George sprang to his feet; ruddy again of face. "Come on!" he cried. +"Bill, if it isn't his Abishag, if there's any hitch, I'll--I'll--oh, +Mary, don't build too highly on this, old girl!" + +"Shall I come, Georgie?" + +George hesitated. "Better not. Better not, if you don't mind. I +couldn't bear to see your face if Vivian Howard says it isn't the +cat." + +White-faced, between tears and smiles, his Mary waved from the window +as George, cat under arm, turned the corner with Bill. + + + + +CHAPTER IX + +Excursions In A Newspaper Office. + + + +I. + +Silent, white and stern of face, occupied with immense thoughts, the +young men sat as the cab they had found outside Battersea Park station +sped them towards Fleet Street. + +They were upon the Embankment, rattling beneath Hungerford Bridge, +when from the tangle of his plans Bill at last drew a thread; weaved +it to words. "George, we mustn't tell the chief anything about your +being mixed up with the other cat outrage--the Rose. It might be +awkward." + +George shifted the hand that firmly held Abishag on the seat between +them; squeezed that fine creature's head to him with his arm; with his +handkerchief wiped his sweating palms. + +"It's _going_ to be awkward," he said--"damned awkward! I see that. +Oh, Bill!" + +He groaned. This young man was in desperate agitation. + +"Buck up," Bill told him. "This is a cert. Safe as houses." + +"All very well for you, Bill. I seem to have been living one gigantic +lie all the past week." + +"Well, you have, you know," Bill granted. "By gum, you have! But you +aren't now. You didn't steal _this_ cat. You found it just as anyone +else might have found it. All I tell you is: Don't say anything about +the Rose. Don't open your mouth, in fact. Leave the gassing to me." + +It was upon this repeated injunction that my poor George tottered up +the stairs of the _Daily_ office, cat in arm, in Bill's wake. + + + +II. + +Bill rapped upon Mr. Bitt's door; poked in his head at the answering +call; motioned my trembling George to wait; stepped over the +threshold. + +Mr. Bitt sat behind a broad table; before him, deep in an armchair, +smoking a cigarette, lay Mr. Vivian Howard. + +"Ah! Wyvern," spoke Mr. Bitt. "Mr. Howard, this is Mr. Wyvern, one of +my brightest young men. From to-day he takes in hand this business." + +Mr. Vivian Howard did not rise; stretched a white hand to Bill. This +man had an appreciation of the position he had won. This man stood for +English literature. Within a wide estimate of public opinion, and +within that immense estimate of him that was his own, this man stood +for literature. In a manner worthy of his proud standing this man +comported himself. The talents that were his belonged to the nation, +and very freely he gave them to the people. This man did not deny +himself to the crowd as another might have denied himself. Of him it +never could be said that he missed opportunity to let the public feed +upon him. This man made such opportunities. Where excitement was, +there this man, pausing between his novels, would step in. If a +murder-trial had the public attention this man would write upon that +trial; if interest were fixed upon a trade dispute this man would by +some means draw that interest upon himself. Nothing was too small for +this man. Walking the public places he did not shrink from +recognition; he gladly permitted it. Not once but many times, coming +upon a stranger reading one of his novels, he had announced himself; +autographed the copy. This man's character was wholly in keeping with +his gifts. + +Yet beautifully he could preserve the dignity that was his right. +Preserving it now, he gave his hand to Bill but did not move his +position. + +"It is a great pleasure to me to meet you, sir," Bill told him. + +"You have only lately joined the ranks of journalism, Mr. Bitt tells +me," Mr. Vivian Howard graciously replied. "It is the stepping-stone +to literature. Never forget that. Never lose sight of that. I shall +watch your career with the greatest interest." + +Mr. Bitt broke in a trifle impatiently: "Well, well, we must keep to +business just now. Mr. Howard will kindly give us a daily interview, +Wyvern, until the feuilleton starts, or until the cat is found. You'd +better--" + +Bill took a pace back; faced them both. "No need," he cried in +bursting words. "The cat is found!" + +The cigarette dropped from Mr. Vivian Howard's lip to his waistcoat. +He brushed at it violently; burnt his fingers; brushed again; swore +with a ferocity that would have astonished his admirers; sprang to his +feet amid a little shower of sparks and cloud of ash. "Found!" he +exclaimed; jabbed a burnt finger in his mouth and thickly repeated, +"Found!" + +Mr. Bitt simultaneously rose. "Found?" cried Mr. Bitt. "What the--" + +"I have the finder here," Bill told them; stepped to the door. + +On legs that shook my agitated George advanced. + +Mr. Vivian Howard drew forth his suffering finger with a loud pop; +made three hasty strides to George; took the cat. "Abishag!" he cried +in ecstasy, "Abishag!" + +In very gloomy tones Mr. Bitt announced that he was bust. "Well, I'm +bust!" he said. "I'm bust. It _is_ your cat, eh?" + +Mr. Vivian Howard nodded the head he was bending over his Abishag. + +Bill signalled to George a swift wink. George drew a handkerchief; +wiped from his face the beaded agony. + +Mr. Bitt dropped heavily into his seat. "Of course I'm very glad, Mr. +Howard," he announced stonily. "_Very_ glad. At the same time--at the +same _time_--" He turned upon George with a note that was almost +savage. "You, sir!" he cried. + +George started painfully. + +"How the--How did you come to find this cat?" + +George forced his pocket handkerchief into his trousers pocket; rammed +it down; cleared his throat; ran a finger round the inside of his +collar; cleared again; said nothing. + +Bill hurried to the rescue. "Like this, sir. Let me tell you. This +gentleman was at Paltley Hill, a place on the South-Western. He used +to live there. He found the cat in a deserted kind of hut, took charge +of it. I happened to meet him and brought him along. By Jove, sir, +only published this morning and found within a few hours! It's pretty +good, isn't it?" + +Mr. Bitt spoke with great disgust. "Pretty _good!_" he cried bitterly. +"Pretty _good!_" He had no fit words in which to express his feeling. +"Kindly step in there a moment," he addressed George. + +George trembled into the adjoining room indicated; closed the door. + +Mr. Bitt turned to Mr. Vivian Howard. "It will always be a great +pleasure to me," he told the great novelist, "to think that the +_Daily_ was the means of restoring your cat." + +"I never shall forget it," Mr. Vivian Howard assured him. The famous +author placed himself upon the couch, caressed Abishag the Shunamite +upon his lap. "Never shall forget it. It was more than good of you, +Mr. Bitt, to take up the matter and offer so handsome a reward. It was +public-spirited." + +Mr. Bitt's deprecatory little laugh had a rueful note. + +He nerved himself to step upon the delicate ground that lay between +him and his purpose. This man had not known Mr. Vivian Howard +sufficiently long to put to him directly that the reward was offered, +and gladly agreed to by Mr. Howard, for purposes of respective self- +advertisement agreeable at once to the paper and to the man who stood +for English literature. He nerved himself: + +"When you say public-spirited, Mr. Howard, you use the right term. I +do not attempt to deny that I fully appreciated that this reward for +your cat, and the interview you agreed to give us, would greatly +benefit our paper. Why should I deny it? We editors must be business +men first, nowadays; journalists afterwards. But I do ask you to +believe me, Mr. Howard, that in offering this reward, in arousing this +interest, I had in view also a matter that has been my aim since I was +at College." + +Mr. Bitt's college was Rosa Glen College, 156 Farmer Road, Peckham; +but he preferred the briefer designation. + +"The aim," he continued, gathering courage as he detected in Mr. +Vivian Howard's face a look which seemed to show that the famous +author was advancing upon the delicate ground to meet him, "the aim of +attracting the people to good literature." + +Mr. Vivian Howard, as standing for that literature, took the implied +compliment with a bow. "I congratulate you, Mr. Bitt." + +"Now, the _Daily_ is young," Mr. Bitt earnestly continued. "The +_Daily_ has yet to make its way. If your 'Amy Martin' starts in normal +circumstances a week hence, it will mean that this contribution to our +highest literature will fall only to a comparatively small circle of +people. But if--but if, as I had hoped, we had morning by morning +attracted more and more readers by the great interest taken in your +loss, 'Amy Martin' would then have introduced our best fiction to a +public twice or thrice as large as our present circulation +represents." + +"You mean--?" the great author inquired. + +"I mean," Mr. Bitt told him, "that for this reason I cannot but regret +that the excitement aroused should disappear with our issue of to- +morrow. I mean, Mr. Howard, that for the reason I have named I do +think it is almost our _duty_--our _duty_, for the reason I have +named--to conceal the cat's recovery for--er--for a day or so." + +Mr. Bitt blew his nose violently to conceal his agitation. This man +was now in the precise centre of the delicate ground; was in +considerable fear that it might open and swallow him. + +But Mr. Vivian Howard's reply made that ground of rock-like solidity. + +"As you put the matter, Mr. Bitt, I must say I agree. It would be +false modesty on my part to pretend I do not recognise the worth of +'Amy Martin,' and the desirability of introducing it as widely as +possible. Certainly that could best have been accomplished by Abishag +not having been recovered so soon. But as it is--I do not see what can +be done. You do not, of course, suggest deliberate deception of the +public?" + +"Certainly _not!_" cried Mr. Bitt with virtuous warmth. Since this was +precisely what he did suggest and most earnestly desired, he repeated +his denial: "Certainly _not_! At the same time--" + +"One moment," Mr. Vivian Howard interrupted. "This cat was obviously +stolen by someone and placed in the hut where it was found. Very well. +We prosecute. We prosecute, and I could give you every morning my +views on the guilt or otherwise--" + +Mr. Bitt shook his head. "I had thought of that. It won't do. It won't +do, Mr. Howard. For one thing, a rigorous prosecution and sentence +might create bad feeling against the paper. You have no idea how +curious the public is in that way. For another, you, as the injured +party, ought not to comment; and certainly I could not publish your +views. The matter would be _sub judice_ directly arrest was made; and +I once got into very serious trouble over a _sub judice_ matter--very +serious trouble indeed. I shall not touch the law, Mr. Howard. It is +unwise. At the same time, I think the thief should be made to suffer-- +be given a thorough fright. Now, if we inform the public that +practically our Special Commissioner has his hand on the cat--which +will be perfectly true--and is almost certain as to the identity of +the thief--if we keep this up for the few days necessary for the +publication of those magnificent articles of yours on 'What my Loss +means to Me,' we shall be accomplishing three excellent objects. We +shall be terrifying an evil-doer--we may take it for granted he reads +the _Daily_; we shall be giving the public those articles which most +certainly ought not to be lost to literature; and we shall be widening +the sphere of influence of 'Amy Martin.'" + +Mr. Vivian Howard did not hesitate. "It is impossible to override your +arguments, Mr. Bitt. I think we shall be doing _right_." + +Mr. Bitt concealed his immense joy. "I am convinced of it, Mr. +Howard," he said. "_Convinced_. The modern editor and the man of +letters of your standing have enormous responsibilities." + +Impelled by the virtuous public duty they were performing, the two men +silently grasped hands. + + + + +CHAPTER X. + +A Perfectly Splendid Chapter. + + +Mr. Bitt turned to Bill; indicated the door behind which my poor +George was wrestling in prayer. "The only difficulty is with that chap +in there. He knows the cat is found! How can we--" + +"If you will leave that to me, sir," Bill told him, "I think I can +arrange it without difficulty." + +"Or danger?" added Mr. Vivian Howard, who, standing for English +literature, would not lightly imperil his integrity. + +"Or the least danger," Bill affirmed. "He's a kind of friend of mine-- +did I mention that, sir? I'll fix it up in a minute." + +He stepped briskly to George; closed the door behind him. + +George said faintly: "Say it quick, Bill. Quick." + +"You've got it, old man. Got it." + +George rose to his feet; stretched his arms aloft; wildly waved them. +The tremendous shout for which he opened his mouth was stayed upon his +lips by Bill's warning finger. He hurled himself on a couch; rolled in +ecstasy. + +Rapidly Bill outlined the proposals. Then he struck a heavy hand upon +George's shoulder. "And I've got it too!" he cried in an exultant +whisper. "I've got it too! I've got Margaret!" + +"Margaret! However--?" + +"Like this. Plain as a fiddle-stick. To-morrow, when we get out this +story about practically having our hand on the thief, I shall go bang +down to Marrapit with the paper and tell him I know it was Mrs. Major +who took the cat. You can imagine the state that'll put 'em both in. +Then--then, my boy, I shall say 'Let Margy and me carry on and fix it +up forthwith, and I'll promise Mrs. Major shall never hear a word more +about the matter.' He'll agree like a shot. The chief's not going to +prosecute, you see; so neither Mrs. Major nor you ever will hear a +word more. George, we've done it! Done it! You've got your Mary and +I've got my Margy!" + +With swelling bosoms, staring eyes, upon this tremendous happening the +two young men clasped hands; stood heavily breathing. These men were +glimpsing heaven. + +When they unlocked, George said: "There's one thing, Bill. Go in and +tell that precious pair they can hold over the discovery till they +please and that I shall never breathe a word. But tell 'em this: I +don't agree unless I have my cheque right away." + +Bill advised no stipulations. + +George stood firm: "I don't care a snap, Bill. I will have it now. +I've been badgered about quite enough. I want to feel safe. I'll +either lose it all or have it all. No more uncertainty. Anything might +happen during the week, for all I know." + +Bill took the message. + +Upon immediate payment Mr. Bitt at first stuck. "He might turn back on +us, or start blackmailing us. He may have stolen the cat himself for +all we know." + +"All the more likely, in that case, to keep his mouth shut," commented +Mr. Vivian Howard. Despite he stood for literature, this man had +strong business instincts. + +Bill urged compliance. He knew this finder of the cat; would speak for +him as for himself. + +Mr. Bitt put a quill into his inkstand; took George's name; wrote a +slip; handed it to Bill. "Take that to the cashier, Wyvern. He'll give +you the cheque. Clear your friend out. Eh? No--no need for me to see +him again. Of course you must get his story of how he found the cat, +to use when the 'What my Loss means to Me' articles run out. Then come +back and we'll fix up to-morrow's account." + +A cabman drove to St. Peter's Hospital a seemingly insane young man, +who bounded into the cab with a piece of paper in his hand; who sang +and rattled his heels upon the foot-board, shouted to passers-by; who +paid with two half-crowns; who bounded, paper still fluttering in +hand, up the steps of the Dean's entrance with a wild and tremendous +whoop. + +George had scarcely explained to the Dean an incoherent story of L500 +won through a newspaper competition, when the Mr. Lawrence, M.R.C.S., +L.R.C.P., whose practice was at Runnygate, arrived. + +Informally the purchase was at once arranged; a further meeting +settled. George bolted to another cab; drove to Meath Street by way of +the florist near Victoria Station; took aboard an immense basket of +flowers. + +At the house he gathered the flowers beneath his arm; on the way +upstairs shifted them to his hands; flung wide the door. + +His Mary, white, a tooth on a trembling lip, her pretty hands clasped, +was before him. In a great whirling shower he flung the blossoms about +her; then took her in his arms. + +"Runnygate, Mary! Darling old girl, Runnygate!" + +He kissed his Mary. + +Last Shots from the Bridge. + +If you had patience for another peep from the bridge that I can build, +you might catch a glimpse or so. + +Bending over you might see Bill seated at the editor's table of the +editor's room of a monstrously successful monthly magazine of most +monstrous fiction that Mr. Bitt's directors have started; Margaret, +that sentimental young woman, by her husband's side is correcting the +proofs of a poem signed "Margaret Wyvern." It is of the most exquisite +melancholy. + +Bending over you might see George upon one of the summer evenings +when, his duties through, he is taking his Mary for a drive in the +country behind that rising seaside resort Runnygate. They are plunging +along in a tremendous dogcart drawn by an immense horse. George is +fully occupied with his steed; Mary, peeping at constant intervals +through the veil that hides the clear blue eyes and the ridiculous +little turned-up nose of her baby, at every corner says: "Oh, George! +Georgie, do be careful! We were on _one_ wheel then, I _know_ we +were!" But along the level the wind riots at her pretty curls as she +sits up very straight and very proud, smiling at this splendid fellow +beside her. + +Bending over you might see the garden of Herons' Holt, Mr. Fletcher +leading from the house the fat white pony and tubby wide car which +Mrs. Marrapit, formerly Mrs. Major, has prevailed upon her husband to +buy. The pony has all the docile qualities of a blind sheep, but Mr. +Fletcher is in great terror of it. When, while being groomed, it +suddenly lifts its head, Mr. Fletcher drops his curry-comb and retires +from the stall at great speed. "It's 'ard," says Mr. Fletcher--"damn +'ard. I'm a gardener, I am; not a 'orse-breaker." + + +THE END. + + + + + + +End of the Project Gutenberg EBook of Once Aboard The Lugger +by Arthur Stuart-Menteth Hutchinson + +*** END OF THE PROJECT GUTENBERG EBOOK ONCE ABOARD THE LUGGER *** + +This file should be named nclgg10.txt or nclgg10.zip +Corrected EDITIONS of our eBooks get a new NUMBER, nclgg11.txt +VERSIONS based on separate sources get new LETTER, nclgg10a.txt + +Produced by Skip Doughty, Charles Aldarondo +and the Online Distributed Proofreading Team. + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. 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