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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..3e51d33 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #63660 (https://www.gutenberg.org/ebooks/63660) diff --git a/old/63660-0.txt b/old/63660-0.txt deleted file mode 100644 index b1e95db..0000000 --- a/old/63660-0.txt +++ /dev/null @@ -1,1146 +0,0 @@ -The Project Gutenberg EBook of The Game of Chess, by Kenneth Sawyer Goodman - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this ebook. - -Title: The Game of Chess - -Author: Kenneth Sawyer Goodman - -Release Date: November 07, 2020 [EBook #63660] - -Language: English - -Character set encoding: UTF-8 - -Produced by: Adrian Mastronardi, David E. Brown, and the Online - Distributed Proofreading Team at https://www.pgdp.net (This - file was produced from images generously made available by The - Internet Archive/American Libraries.) - -*** START OF THE PROJECT GUTENBERG EBOOK THE GAME OF CHESS *** - - - - - STAGE GUILD PLAYS - THE GAME OF CHESS - - - - -THE STAGE GUILD PLAYS & MASQUES - - -_By Kenneth Sawyer Goodman_ - - DUST OF THE ROAD: A Play in One Act. net 35c - - THE GAME OF CHESS: A Play in One Act. net 35c - - -_By Kenneth Sawyer Goodman and Thomas Wood Stevens_ - - THE MASQUE OF QUETZAL’S BOWL. net 25c - - A PAGEANT FOR INDEPENDENCE DAY. net 35c - - THE MASQUE OF MONTEZUMA. net 25c - - THE DAIMIO’S HEAD, MONTEZUMA & QUETZAL’S BOWL together, bound in - cloth, net $1.00 - - RYLAND: A Comedy in One Act. net 25c - - CÆSAR’S GODS: A Byzantine Masque. net 25c - - HOLBEIN IN BLACKFRIARS: An Improbable Comedy. net 25c - - -_By Wallace Rice and Thomas Wood Stevens_ - - THE CHAPLET OF PAN: A Masque. net 35c - - -_The above are to be had of all book-sellers or of THE STAGE GUILD, -Railway Exchange Building, Chicago, and VAUGHAN & GOMME, 2 East -Twenty-ninth Street, New York._ - - - - - THE GAME OF CHESS - - A PLAY IN ONE ACT - - BY - - KENNETH SAWYER GOODMAN - - - [Illustration] - - - NEW YORK - VAUGHAN & GOMME - MCMXIV - - - - - _Copyright 1914 by - Kenneth Sawyer Goodman - All rights reserved_ - - -NOTICE: Application for permission to perform this play in the United -States should be made to The Stage Guild, Railway Exchange Building, -Chicago; and application for permission to perform it elsewhere should -be made to Mr. B. Iden Payne, The Gaiety Theatre, Manchester, England. -No performance of it may take place without consent of the owners of -the acting rights. - - - - -THE GAME OF CHESS was first produced by B. Iden Payne under the -auspices of the Chicago Theatre Society at the Fine Arts Theatre, -November 18th, 1913, with the following caste: - - ALEXIS ALEXANDROVITCH Walter Hampden - BORIS IVANOVITCH SHAMRAYEFF Whitford Kane - CONSTANTINE T. W. Gibson - FOOTMAN Howard Plinge - - - - -THE GAME OF CHESS - - - _The Scene is a wainscoted room in the house of ALEXIS. High - windows at the back left; at the right back is a double door giving - into an ante-room; against the right wall is a couch; in the left - wall near the back is a small door; nearer the audience, on the same - wall a chimney breast with a carved mantel; under the window, at the - back, another couch and several chairs give the room a luxurious - air. ALEXIS and CONSTANTINE are playing chess at a small table in - front of an open fire. There is a large table in the centre of the - stage with fruit, a flagon of wine and glasses._ - -ALEXIS. You seem to have lost your cunning, Constantine. - -CONSTANTINE. Wait! - -ALEXIS. Perhaps the pawn? - -CONSTANTINE. No. [_He moves._] So! - -ALEXIS. Ah, ha! That, eh? Well, well! The cunning is returning, is it? - - [_He strikes a little bell beside him and again scans the board._] - -CONSTANTINE. Is the hour up, your excellency? - -ALEXIS. No, no! We still have ten minutes to play. - -CONSTANTINE. Your excellency tires of the game, perhaps? - -ALEXIS. No, I never tire of the game. When I do that, I shall tire of -life itself. Chess is as much a gauge of a man’s mental development -as love or war or politics or any other game. When I play bad chess, -I shall have ceased to be a competent governor. We patricians do -not justify our lives by the toil of our hands. We should tune the -machinery inside our skulls to its highest effectiveness. We must keep -it tuned and timed and oiled. Ah, yes, it is that way we serve. When -the machine balks or stops we are nothing. - -CONSTANTINE. But your excellency was thinking of other things. - -ALEXIS. Was I so? Well, well! We shall see, we shall see! I was -thinking of other things, eh? [_He makes a move swiftly._] There, match -me that if you can. - -CONSTANTINE. Ah! The one move that could have saved your king! - -ALEXIS. There you have it! I doze, I dream, my mind wanders, and then -it comes in a flash. The one move on the board! It is by such flashes I -know myself. - -CONSTANTINE. Your excellency has inspiration. - -ALEXIS. Perhaps! But behind inspiration, always, the technique of the -game. - - [_A footman enters._] - -FOOTMAN. Your excellency rang? - -ALEXIS. Is the man, Shamrayeff, waiting? - -FOOTMAN. A man, Boris Ivanovitch Shamrayeff, with a letter from your -excellency, is waiting in the secretary’s room. - -ALEXIS. You may bring him here in three minutes. - -FOOTMAN. Pardon, excellency, but the secretary wishes to know if the -orders received from Mr. Constantine are correct. - -ALEXIS. What orders? - -FOOTMAN. That the man, Boris Ivanovitch Shamrayeff, is not to be -searched. - -ALEXIS. There is no occasion to search the man. [_FOOTMAN bows and -withdraws._] - -ALEXIS. [_To CONSTANTINE._] Your move, my dear Constantine. We have -exactly two minutes to finish the game and one minute for questions. -[_He lays his watch beside the chessboard._] - -CONSTANTINE. [_Moves._] So! - -ALEXIS. Ah! One moment! There! What now? [_He moves._] - -CONSTANTINE. This. [_He moves._] - -ALEXIS. And this! [_He moves._] - -CONSTANTINE. Ah ha! I could check-mate your excellency in five more -moves. - -ALEXIS. The two minutes are up. Tell me, you are quite certain that -your agents made no mistake in the matter of this man, Shamrayeff? - -CONSTANTINE. Quite certain, your excellency. I begged you to have him -put under arrest yesterday. There is absolutely no question. The man’s -entire history is in your hands. - -ALEXIS. And, in spite of all this, I have granted him a personal -interview. I have given explicit orders that he is not to be searched. -In short, I must be a fool, eh? - -CONSTANTINE. I cannot question your excellency’s judgment. - -ALEXIS. Ah, you can’t question my judgment, eh? But you think! I saw -something behind your eyes just now when you said you would check-mate -me in five moves. You were thinking, “Alexis Alexandrovitch, for all -his fine talk, is not what he used to be. Something has slipped away -from him.” Do you think I’ve become a coward? - -CONSTANTINE. Your excellency! - -ALEXIS. I sometimes think so, myself; that sometime there will be no -flash, that I shall be check-mated once and for all. That’s why I keep -you here, hour after hour, playing chess with me; that’s why I am -tempted to try another kind of game with this man, Shamrayeff. - -CONSTANTINE. Then you have a definite reason for seeing this man? - -ALEXIS. None that you would understand. - -CONSTANTINE. But, in that case, might I point out to your -excellency--Surely it would be safer-- - -ALEXIS. Don’t speak to me as if you were speaking to a child. I know -what you think: “Alexis Alexandrovitch is not what he was. Things are -slipping past him, he needs watching.” Well, the time is up. You have -your orders. - -CONSTANTINE. Shall I take away the chessmen? - -ALEXIS. No, leave them as they are. We’ll finish the game when I ring -for you. [_CONSTANTINE rises and hesitates._] Well, well, well! You’re -going to say something. You think the game won’t be finished. We’ll -see. We’ll see about that! - -CONSTANTINE. I beg your excellency-- - - [_FOOTMAN enters, followed by SHAMRAYEFF._] - -FOOTMAN. Boris Ivanovitch Shamrayeff. - - [_SHAMRAYEFF wears the clothes of a respectable artisan. He is, - apparently, somewhat younger than ALEXIS, strongly built and has a - rather fine but stolid face. He stands with his cap in his hand._] - -ALEXIS. So, so! You are Boris Ivanovitch Shamrayeff, are you? Well, -well! - -BORIS. Yes, I am Boris Ivanovitch Shamrayeff! - -ALEXIS. You found it hard to get at me, did you? Hard to get an -interview with Alexis Alexandrovitch? - -BORIS. Not so hard as I had expected, your excellency. - -ALEXIS. [_To CONSTANTINE and FOOTMAN._] Well, what are you waiting -for? This man has something important to say to me. He’s bashful. He -can’t speak out before so many people. - -CONSTANTINE. Your excellency, I will wait in the passage. - -ALEXIS. Nonsense, nonsense! Go into the garden and think about your -game of chess! Go! [_CONSTANTINE and FOOTMAN go out._] - -ALEXIS. [_To BORIS._] Sit down in that chair. I want to look at you. -[_BORIS looks around uneasily._] Ah! There is no one watching us. This -room is in a corner of the house--nothing but windows behind you, no -balcony, no hangings. Open the door you came in by--there is no one in -the passage. Turn the key, if you like. - - [_BORIS steps quickly to the main doors, throws them open, looks into - the passage, shuts them again, turns the key in the lock and slips it - into his pocket._] - -You see we won’t be disturbed. Now, sit down and tell me what you want. -[_BORIS sits down but says nothing._] Tongue-tied, eh? You don’t know -how to begin? Embarrassed, eh? - -BORIS. No. I was only wondering. - -ALEXIS. Ha, ha! Wondering, eh? - -BORIS. I was wondering why your excellency chose to give me this -opportunity? - -ALEXIS. This opportunity? - -BORIS. [_Looking up._] This opportunity to kill your excellency. - -ALEXIS. So, so! To kill me? That’s it, is it? Well, well! I thought as -much, but of course, I couldn’t be sure. Well, well! Go on, go on! - -BORIS. [_Simply._] God has delivered you into my hands. - -ALEXIS. Pah! Leave God out of it! Don’t give me any such cant nonsense. -I doubt if God takes any interest in either of us. I have delivered -myself into your hands. That’s the simple fact of the matter. I could -have trapped you so easily, too, but I didn’t even have you searched. -You may as well take the pistol out of your pocket. - -BORIS. Your excellency seems amused. - -ALEXIS. No, no, not amused! I’m only curious to see you handle the -thing--morbid curiosity, if you like. Take it out, man, take it out! - -BORIS. This is a solemn moment for us both, your excellency. - -ALEXIS. Solemn, eh? Well, well! Solemn! Oh, I suppose it is solemn for -you, Boris Ivanovitch. To me it is simply curious grotesque. Well, -well! - -BORIS. [_Takes out pistol._] Keep your hand a little further from that -bell, if you please. - -ALEXIS. I shan’t ring. You would hardly wait for them to answer the -bell, would you? No, no! I’m not such a fool as to think you’d do that? -Well, well! I lift my hand and you shoot. - -BORIS. Yes. - -ALEXIS. Exactly. Well, I won’t lift my hand. - -BORIS. Nothing on earth can save you, Alexis Alexandrovitch. - -ALEXIS. Nor you, my friend, for that matter! You hardly expect to leave -the house, shall we say, unmolested? - -BORIS. I do not expect to leave it alive, excellency. - -ALEXIS. No, that would be asking too much. I was here to let you in. I -won’t be able to let you out again. You will have lost a useful friend, -Boris Ivanovitch. - -BORIS. Your excellency! - -ALEXIS. It is in your hands to end the interview. Come, come, you must -hate me a great deal, my friend, to give your own life for the sake of -taking mine. - -BORIS. I do not hate you. - -ALEXIS. So? How odd! I thought that everyone of your sort hated me. You -might at least flatter me to the extent of showing some emotion. Come, -come, flatter me to that extent. - -BORIS. I do not care to flatter you. - -ALEXIS. Ah, well, well! I shall have to do without it then. - -BORIS. My own feelings have nothing to do with it. I am an instrument -of God. - -ALEXIS. God again! What has God to do with it? Do you happen to play a -good game of chess? - -BORIS. [_Nervously._] Why do you ask me such a thing? - -ALEXIS. Because you interrupted a game here. Constantine threatened me -with check-mate in five more moves. Check-mate in five moves! No, no! -Not so easy as that! - -BORIS. I have had enough of your jestings, excellency. - -ALEXIS. You wont play then? Well, well! I had promised myself to finish -the game. We shall see! We shall see! - -BORIS. Surely your excellency has something you wish to say-- - -ALEXIS. I have told you once, when you tire of the interview it is in -your hands to end it. What are you waiting for? You become tedious! - -BORIS. Have you no desire to pray, excellency? - -ALEXIS. Pray? Pray? Who would listen to me? No, I’d rather chat. - -BORIS. As your excellency likes. - -ALEXIS. Yes, yes, we’ll chat until you gather courage to do what you -came for. - -BORIS. It takes no courage to kill a thing like you. - -ALEXIS. It takes a certain kind of courage to kill--rats. - -BORIS. I have been chosen, excellency. - -ALEXIS. So, so! The lot fell on you, did it? The honor! The -distinction! You look at it in that way, don’t you? Like the rest of -your kind, you have political ideas, eh? - -BORIS. I have no political ideas. - -ALEXIS. No political ideas? Well, well! No personal hatred? Pray -explain yourself, man. - -BORIS. I am a peasant. My father and my father’s father were peasants. -You are a noble. Your line runs back to Tartar princes. It is a matter -of centuries of pain and slavery against centuries of oppression and -violence. I take no account of to-day, only of yesterday and tomorrow. -Your acts have been cruel and harsh, doubtless. I hardly know. I throw -them out of the scale. I throw out my own sufferings. They are not -enough in themselves to tip the balance. You and I are nothing. It is -caste against caste. I gave myself to the revolutionary party, yes! I -am their agent as you say, but I know little of their ideas for Russia. -I care less. I only know that the band to which I belong represents the -struggle which I feel in my own breast. I am their willing tool. I do -their will because the right of vengeance comes down to me in the blood. - -ALEXIS. Yes, yes! A fanatic! - -BORIS. It is my order against yours. - -ALEXIS. Ah, your order against mine, eh? Centuries of pain against -centuries of oppression. Well, well! You set aside to-day, do you? You -throw your own little pains and penalties out of the scale on one -side, and my little tyrannies and floggings and acts of villainy out on -the other? You see yourself only as the avenger of a caste against a -caste. The right of vengeance and the need of it comes down to you in -the blood, does it? You’re exalted by the breath of dead peasants, are -you? It’s because of that and only because of it that you take pride -in the work you have set your hand to. Huh! Grotesque! You strike the -air with a rod of smoke. You’ve stumbled upon the essence of the inane. -You’re about to commit a fantastic mockery of Justice. - -BORIS. I have held my hand too long! - -ALEXIS. Wait! There is still something to be said; something for you to -think of in the moment between the time you take my life and the time -you take your own. You are about to kill the man you might have been -yourself. You are about to--I, and not you, am Boris Ivanovitch. - -BORIS. What rubbish are you talking now? - -ALEXIS. You are Alexis Alexandrovitch! - -BORIS. Why! You are mad! - -ALEXIS. Wait! When you were a child, you had a foster-brother. You ran -with him in the fields. You slept by his side at night. You fought with -him over rough toys and bits of food. When you were seven years old, -a man on horse-back came and took him away. You never knew his true -parentage and your father flogged you when you cried for him. Can you -remember that? - -BORIS. Aye, I can remember that well. - -ALEXIS. Your father deserted your mother the following year. A little -later she died. She told you nothing of the other child. You went -to Kieff, to the house of your uncle, and became apprenticed to a -bootmaker. - -BORIS. Leave off! You can’t mystify me by telling me the story of my -own life. It proves nothing. Your agents have ways of knowing such -things: what I was, what I am, everything. - -ALEXIS. Yes! Leave all that! As you say, it proves nothing. Yet we are -foster-brothers, you and I. - -BORIS. A sign! - -ALEXIS. Our good mother was endowed with a grim sense of humor. She -sent her own boy to be reared as the son of princes, and the little -aristocrat, left with her for safety at the time of the Makaroff -meeting, she sent to--well, you know to what sort of a life she sent -him. - -BORIS. Give me a sign! - -ALEXIS. I have no sign to give you. - -BORIS. Ah, ah! What else? What else have you to tell me? - -ALEXIS. I, and not you, am the son of peasants. Do you see now why I -call your errand grotesque? - -BORIS. Lies! Lies! Lies! What do you expect to gain by telling me such -lies? - -ALEXIS. Nothing. - -BORIS. Do you expect me to believe you? Do you expect me to embrace you -and clap my hat on my head and toss this pistol out the window and tell -you to do what you like with me? - -ALEXIS. I expect nothing. I know that I am one dead man talking to -another. - -BORIS. I can’t fathom you. I know there must be some trick up your -sleeve, but I can’t fathom you. - -ALEXIS. There is no trick. You asked me why I chose to give you this -opportunity to kill me. I’m telling you. That’s all. - -BORIS. Lies! Utterly useless lies! - -ALEXIS. No! Utterly useless truth! Do you think I wish to believe -myself Boris Ivanovitch Shamrayeff, born a peasant? I, who have sat in -high places and given my life to preserving an order of men to which I -do not belong, which my blood ought to cry out against. Do you think -I would have believed it if the belief had not been forced upon me? I -have ways of knowing truth from falsehood, my friend. You are striking -at a man who is dead before you touch him. What I have found out in the -past week, others already know. I have come to the end, I tell you. I -have been a fantastic dupe. I cannot go on. I would have killed myself -to-day, but I have a horror of taking my own life. You have come in -time to save me from that. - -BORIS. Was that your only reason for seeing me? - -ALEXIS. I admit I was curious to see another man who had been as great -a dupe as myself. - -BORIS. Lies! Lies! What else? Have you anything more to say? - -ALEXIS. I only ask you to finish your work. Unless you have a scruple -against killing your-- In which case, go! The door is still open to you. - -BORIS. [_Sneering._] Very pretty! Very touching! Go back, eh? And tell -my comrades that I let Alexis the Red slip through my fingers because -he told me a child’s story of changeling foster-brothers? No, no! [_He -cocks his pistol._] - -ALEXIS. Kill me, then! - - [_BORIS raises the pistol._] - -BORIS. I-- - -ALEXIS. Pull the trigger, man! - -BORIS. I can’t. There’s a chance that what you have said may be true -after all. [_He lays down the pistol._] And yet, I can’t live if it’s -false. And, by God, I can’t live if it’s true! - -ALEXIS. In either case, we must both die. - -BORIS. Aye, you speak the truth there, but I dare not kill you. I tell, -you, I dare not! There must be some way out! Some other way! - -ALEXIS. Are you brave enough to take poison? Yes! Good! Do you see this -ring? I press a spring, so. There is a fine powder under the stone, so! -I drop a few grains into one of these glasses. We draw lots. One of us -drinks the wine and the other still has your pistol to use! It is very -simple after all. - -BORIS. [_Rises._] Yah! Now, by God, I see the trick! Lies! Lies! Every -word of it was lies! I can see through you now. You’re devilishly -cunning with your sleight-of-hand, but I draw no lots for poison with -the like of you. - -ALEXIS. Have it your own way. See, there’s more than enough for both. -Take the glass in your own hands, divide it yourself, pour the wine -yourself, and then, to satisfy you, I’ll drink first. - -BORIS. You carry the bluff to the bitter end, do you? Well, we’ll see. - - [_He mixes the powder and pours the wine and hands one glass to - ALEXIS._] - -ALEXIS. To your easy death, brother. - - [_He lifts the glass and drinks._] - -BORIS. Ah! So you’re a brave man after all! [_He lifts the glass and -pauses._] What if I were to leave you now, eh? - -ALEXIS. My men have orders to seize you the moment you leave the room. - -BORIS. In that case! [_He lifts the glass._] To your final redemption, -brother! - -ALEXIS. Sit down! [_BORIS sits down._] - -BORIS. Have we long to wait? - -ALEXIS. Perhaps five minutes. It’s a Chinese concoction. They call it -the draught of final oblivion. I believe it to be painless. I’m told -that one becomes numb. Do you find yourself becoming drowsy? - -BORIS. No. My senses seem to be becoming more alert. Your voice sounds -very sharp and clear. - -ALEXIS. Lift your hand. - -BORIS. It seems very heavy. Are you afraid of Death, excellency? - -ALEXIS. [_Eyeing him sharply._] No, I am not afraid of Death, brother, -not in the least. - -BORIS. Nor I! - -ALEXIS. Good! Now, move your feet. - -BORIS. I don’t seem to be able to. That’s strange. I can’t feel -anything. - -ALEXIS. Nor I! Can you get out of your chair? - -BORIS. [_Slowly._] I--I can hardly move my hand. I might move by a -supreme effort but I haven’t the will. I--I feel no pain, only a -ringing in my head. - -ALEXIS. So? Well, well! Can you still hear perfectly? - -BORIS. Yes--yes, I can still hear. - -ALEXIS. H’m, h’m. - -BORIS. Tell me, on your hope of redemption, was what you said to me -just now the truth? - -ALEXIS. On my hope of redemption, eh? - -BORIS. If it was, I ask you to forgive me. - -ALEXIS. I have nothing to forgive. - -BORIS. Thanks! - -ALEXIS. On my hope of redemption, Boris Shamrayeff, everything I told -you was lies! Lies! Lies! - - [_BORIS struggles painfully to his feet and lurches toward the table, - where he has laid the pistol. ALEXIS springs to the table, seizes - the pistol and tosses it out of the window. BORIS supports himself - against the edge of table, half sitting, half leaning against it, - his mouth open, his eyes staring. He sways dizzily. ALEXIS stands - before him._] - -ALEXIS. Well, you can still speak, can’t you? - -BORIS. You fiend! You dog! You liar! Ha, ha, ha! At least you can’t -escape! No need for me to strike you! - -ALEXIS. Ha, ha! - -BORIS. Well! Sneer at me if you like. You are feeling the agony too, -Alexis Alexandrovitch. You can’t deny it. - -ALEXIS. I am not dying, Boris Shamrayeff. - -BORIS. But, I know! I saw! I saw you drink! You’re dying, excellency! - -ALEXIS. Yes, we drank together, didn’t we? Well, well! And your eye -wasn’t off me an instant, was it? And you didn’t lift your cup till I’d -drained the last drop of mine, did you? Well, well, well! - -BORIS. I saw you drink what I drank. - -ALEXIS. Yes, I did drink it, Boris Ivanovitch, didn’t I? But what is -sending you down to fry in Hell with the stupid ghosts of your bestial -ancestors is only embarrassing me with the slightest of headaches. [_He -chuckles._] - -BORIS. It--it is not possible! - -ALEXIS. Eh? An oriental trick. A man in constant fear of poison may -accustom himself, little by little, to a dose that would blast the life -of an ordinary man. A fantastic precaution these days, only interesting -to an antiquarian like myself. Well, well, you can hear me, can’t you? -I tell you I could have taken the entire mess; half of it seems to have -been enough for you. - - [_BORIS makes an effort to get at ALEXIS but almost sinks to the - floor._] - -No use, Boris Shamrayeff! I advise you to hold fast to the table. - -BORIS. Why? Why have you done this thing to me? - -ALEXIS. Body of St. Michael! I am of one order, you of another. You are -a terrorist, a Red; the blood of my brother, shot down in the streets -of Kronstadt, the lives of my friends, the preservation of the sacred -empire--are these nothing? Nothing--beside your dirty petitions of -right! Pah! God has delivered you into MY hands. I, and not you, am the -instrument of God to-day! Boris Ivanovitch, can you still hear me? Eh? - -BORIS. Yes! - -ALEXIS. So! So! One thing more! Why did I risk my own life to get -yours? You would like to know that, wouldn’t you? Why did I let you in -here at all? You’d ask that if you could. Ha, ha! Well, it was because -men were thinking that Alexis Alexandrovitch wasn’t what he used to -be; because I was beginning to think so myself. Because I had begun -to doubt my own wits. I had to let myself be brought to bay. I had to -look into the muzzle of your pistol. I had to pit my life against yours -in a struggle where I had no other weapon, no other help, than this. -[_He taps his forehead._] I think it unlikely that Constantine will -check-mate me in five moves to-day! - -BORIS. Fiend! Fiend! Fiend! [_He crumples up and falls to the floor._] - -ALEXIS. So, it’s over, is it? Well, well, well! - - [_He takes a cover from the couch and throws it over BORIS and - stands over him._] - -ALEXIS. [_As if exorcising a ghost._] To the night without stars! To -the mist that never lifts! To the bottom of nothingness! Peace be with -you! - - [_He turns and taps the bell and then seats himself at the - chessboard. The FOOTMAN enters._] - -FOOTMAN. Your excellency rang? - -ALEXIS. Go into the garden and find Mr. Constantine. Tell him I am -ready to finish our game of chess. - - [_The FOOTMAN bows and withdraws._] - -ALEXIS. [_Studying the moves on the chess board._] So! So! The -bishop--the queen! No! Yes, yes! I have it! I have it! Body of St. -Michael, not in five moves, not in five moves tonight! Ah! Ha, ha! So! -So! Well, well, well! - - [_He rubs his hands softly and looks up just as CONSTANTINE enters._] - - -CURTAIN. - - - - -_This first edition of THE GAME OF CHESS, printed from type by The -Lancaster Printing Company, Lancaster Pennsylvania, in April, 1914, -for VAUGHAN & GOMME, New York, consists of one hundred and fifty -copies on Japanese Vellum, of which one hundred only are for sale, and -one thousand and fifty copies on laid paper._ - - - - -_ADVERTISEMENT_ - - -Messrs. VAUGHAN & GOMME take pleasure in announcing that they have -perfected an arrangement whereby, in future, they will act as -publishers for THE STAGE GUILD, Railway Exchange Building, Chicago. -All, or nearly all future plays, masques, etc., produced by THE STAGE -GUILD will be printed and published by Messrs. 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You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this ebook. - -Title: The Game of Chess - -Author: Kenneth Sawyer Goodman - -Release Date: November 07, 2020 [EBook #63660] - -Language: English - -Character set encoding: UTF-8 - -Produced by: Adrian Mastronardi, David E. Brown, and the Online - Distributed Proofreading Team at https://www.pgdp.net (This - file was produced from images generously made available by The - Internet Archive/American Libraries.) - -*** START OF THE PROJECT GUTENBERG EBOOK THE GAME OF CHESS *** -</pre> -<div class="figcenter"><img src="images/cover.jpg" width="50%" alt="" /></div> - -<hr class="chap" /> - -<p class="ph1">STAGE GUILD PLAYS<br /> -THE GAME OF CHESS</p> - - -<div class="figcenter"><img src="images/i001.jpg" alt="" /></div> - - -<hr class="chap" /> - -<div class="bbox"> -<div class="chapter"> -<p class="ph2">THE STAGE GUILD<br /> -PLAYS & MASQUES</p> -</div> - -<table border="0" cellpadding="2" cellspacing="2" summary="table"> - -<tr><td class="tdc" colspan="2"><i>By Kenneth Sawyer Goodman</i></td></tr> - - -<tr><td>DUST OF THE ROAD: A Play in One Act.</td><td class="tdr"> net 35c</td></tr> -<tr><td>THE GAME OF CHESS: A Play in One Act.</td><td class="tdr"> net 35c</td></tr> - - - -<tr><td class="tdc" colspan="2"><i>By Kenneth Sawyer Goodman<br /> -and Thomas Wood Stevens</i></td></tr> - - -<tr><td>THE MASQUE OF QUETZAL’S BOWL.</td><td class="tdr"> net 25c</td></tr> -<tr><td>A PAGEANT FOR INDEPENDENCE DAY.</td><td class="tdr"> net 35c</td></tr> -<tr><td>THE MASQUE OF MONTEZUMA.</td><td class="tdr"> net 25c</td></tr> -<tr><td>THE DAIMIO’S HEAD, MONTEZUMA & QUETZAL’S <br /> BOWL together, bound in cloth,</td><td class="tdr" valign="bottom"> net $1.00</td></tr> -<tr><td>RYLAND: A Comedy in One Act.</td><td class="tdr"> net 25c</td></tr> -<tr><td>CÆSAR’S GODS: A Byzantine Masque.</td><td class="tdr"> net 25c</td></tr> -<tr><td>HOLBEIN IN BLACKFRIARS: An Improbable Comedy.</td><td class="tdr"> net 25c</td></tr> - - - -<tr><td class="tdc" colspan="2"><i>By Wallace Rice and<br /> -Thomas Wood Stevens</i></td></tr> - - -<tr><td>THE CHAPLET OF PAN: A Masque.</td><td class="tdr"> net 35c</td></tr> - - - -<tr><td class="tdc" colspan="2"><i>The above are to be had of all<br /> book-sellers -or of</i> <span class="allsmcap">THE STAGE GUILD</span>,<br /> -<i>Railway Exchange Building, Chicago,<br /> -and</i> <span class="allsmcap">VAUGHAN</span> & <span class="allsmcap">GOMME</span>, <i>2<br /> -East Twenty-ninth Street, New York.</i></td></tr> -</table> -</div> - -<hr class="chap" /> - -<div class="figcenter"><img src="images/ititle.jpg" alt="" /></div> - -<hr class="tb" /> - -<div class="titlepage"> -<h1> -THE GAME OF CHESS</h1> - -<p><span class="large">A PLAY IN ONE ACT</span></p> - -<p>BY<br /> - -<span class="large">KENNETH SAWYER GOODMAN</span></p> - - -<div class="figcenter"><img src="images/ititlelogo.jpg" alt="" /></div> - -<p>NEW YORK<br /> -<span class="large">VAUGHAN & GOMME</span><br /> -MCMXIV</p> -</div> - -<hr class="chap" /> - -<p class="center"> -<i>Copyright 1914 by<br /> -Kenneth Sawyer Goodman<br /> -All rights reserved</i></p> - -<div class="blockquot"> -<p><span class="smcap">Notice</span>: Application for permission -to perform this play in the -United States should be made to -The Stage Guild, Railway Exchange -Building, Chicago; and -application for permission to perform -it elsewhere should be made -to Mr. B. Iden Payne, The Gaiety -Theatre, Manchester, England. -No performance of it may take -place without consent of the -owners of the acting rights.</p></div> - - -<hr class="chap" /> -<div class="blockquot"> -<div class="chapter"> -<p><span class="allsmcap">THE GAME OF CHESS</span> was first produced by B. -Iden Payne under the auspices of the Chicago -Theatre Society at the Fine Arts Theatre, -November 18th, 1913, with the following caste:</p> -</div> - -<table border="0" cellpadding="2" cellspacing="2" summary="table"> - -<tr><td><span class="smcap">Alexis Alexandrovitch</span></td><td class="tdr"> Walter Hampden</td></tr> -<tr><td><span class="smcap">Boris Ivanovitch Shamrayeff</span></td><td class="tdr"> Whitford Kane</td></tr> -<tr><td><span class="smcap">Constantine</span></td><td class="tdr"> T. W. Gibson</td></tr> -<tr><td><span class="smcap">Footman</span></td><td class="tdr"> Howard Plinge</td></tr> -</table></div> - -<hr class="chap" /> - -<div class="chapter"> -<span class="pagenum"><a id="Page_7"></a>[7]</span> - -<h2 class="nobreak">THE GAME OF CHESS</h2> -</div> - - -<div class="blockquot"> - -<p><i>The Scene is a wainscoted room in the house of</i> -<span class="allsmcap">ALEXIS</span>. <i>High windows at the back left; -at the right back is a double door giving -into an ante-room; against the right wall -is a couch; in the left wall near the back is -a small door; nearer the audience, on the -same wall a chimney breast with a carved -mantel; under the window, at the back, -another couch and several chairs give the -room a luxurious air.</i> <span class="allsmcap">ALEXIS</span> <i>and</i> <span class="allsmcap">CONSTANTINE</span> -<i>are playing chess at a small -table in front of an open fire. There is a -large table in the centre of the stage with -fruit, a flagon of wine and glasses.</i></p></div> - -<p><span class="allsmcap">ALEXIS.</span> You seem to have lost your cunning, -Constantine.</p> - -<p><span class="allsmcap">CONSTANTINE.</span> Wait!</p> - -<p><span class="allsmcap">ALEXIS.</span> Perhaps the pawn?</p> - -<p><span class="allsmcap">CONSTANTINE.</span> No. [<i>He moves.</i>] So!</p> - -<p><span class="allsmcap">ALEXIS.</span> Ah, ha! That, eh? Well, well! -The cunning is returning, is it?</p> - -<p><span class="pagenum"><a id="Page_8"></a>[8]</span></p> - -<div class="blockquot"> - -<p>[<i>He strikes a little bell beside him -and again scans the board.</i>]</p></div> - -<p><span class="allsmcap">CONSTANTINE.</span> Is the hour up, your excellency?</p> - -<p><span class="allsmcap">ALEXIS.</span> No, no! We still have ten minutes -to play.</p> - -<p><span class="allsmcap">CONSTANTINE.</span> Your excellency tires of the -game, perhaps?</p> - -<p><span class="allsmcap">ALEXIS.</span> No, I never tire of the game. When -I do that, I shall tire of life itself. Chess is as -much a gauge of a man’s mental development as -love or war or politics or any other game. When -I play bad chess, I shall have ceased to be a competent -governor. We patricians do not justify -our lives by the toil of our hands. We should -tune the machinery inside our skulls to its highest -effectiveness. We must keep it tuned and -timed and oiled. Ah, yes, it is that way we -serve. When the machine balks or stops we are -nothing.</p> - -<p><span class="allsmcap">CONSTANTINE.</span> But your excellency was thinking -of other things.</p> - -<p><span class="allsmcap">ALEXIS.</span> Was I so? Well, well! We shall -see, we shall see! I was thinking of other things, -eh? [<i>He makes a move swiftly.</i>] There, match me -that if you can.</p> - -<p><span class="allsmcap">CONSTANTINE.</span> Ah! The one move that -could have saved your king!</p> - - - -<p><span class="pagenum"><a id="Page_9"></a>[9]</span><span class="allsmcap">ALEXIS.</span> There you have it! I doze, I dream, -my mind wanders, and then it comes in a flash. -The one move on the board! It is by such -flashes I know myself.</p> - -<p><span class="allsmcap">CONSTANTINE.</span> Your excellency has inspiration.</p> - -<p><span class="allsmcap">ALEXIS.</span> Perhaps! But behind inspiration, -always, the technique of the game.</p> - -<div class="blockquot"> - -<p>[<i>A footman enters.</i>]</p></div> - -<p><span class="allsmcap">FOOTMAN.</span> Your excellency rang?</p> - -<p><span class="allsmcap">ALEXIS.</span> Is the man, Shamrayeff, waiting?</p> - -<p><span class="allsmcap">FOOTMAN.</span> A man, Boris Ivanovitch Shamrayeff, -with a letter from your excellency, is waiting -in the secretary’s room.</p> - -<p><span class="allsmcap">ALEXIS.</span> You may bring him here in three -minutes.</p> - -<p><span class="allsmcap">FOOTMAN.</span> Pardon, excellency, but the secretary -wishes to know if the orders received from -Mr. Constantine are correct.</p> - -<p><span class="allsmcap">ALEXIS.</span> What orders?</p> - -<p><span class="allsmcap">FOOTMAN.</span> That the man, Boris Ivanovitch -Shamrayeff, is not to be searched.</p> - -<p><span class="allsmcap">ALEXIS.</span> There is no occasion to search the -man. [<span class="allsmcap">FOOTMAN</span> <i>bows and withdraws.</i>]</p> - - - -<p><span class="pagenum"><a id="Page_10"></a>[10]</span><span class="allsmcap">ALEXIS.</span> [<i>To</i> <span class="allsmcap">CONSTANTINE</span>.] Your move, my -dear Constantine. We have exactly two minutes -to finish the game and one minute for -questions. [<i>He lays his watch beside the chessboard.</i>]</p> - -<p><span class="allsmcap">CONSTANTINE.</span> [<i>Moves.</i>] So!</p> - -<p><span class="allsmcap">ALEXIS.</span> Ah! One moment! There! What -now? [<i>He moves.</i>]</p> - -<p><span class="allsmcap">CONSTANTINE.</span> This. [<i>He moves.</i>]</p> - -<p><span class="allsmcap">ALEXIS.</span> And this! [<i>He moves.</i>]</p> - -<p><span class="allsmcap">CONSTANTINE.</span> Ah ha! I could check-mate -your excellency in five more moves.</p> - -<p><span class="allsmcap">ALEXIS.</span> The two minutes are up. Tell me, -you are quite certain that your agents made no -mistake in the matter of this man, Shamrayeff?</p> - -<p><span class="allsmcap">CONSTANTINE.</span> Quite certain, your excellency. -I begged you to have him put under arrest -yesterday. There is absolutely no question. -The man’s entire history is in your hands.</p> - -<p><span class="allsmcap">ALEXIS.</span> And, in spite of all this, I have -granted him a personal interview. I have given -explicit orders that he is not to be searched. In -short, I must be a fool, eh?</p> - -<p><span class="allsmcap">CONSTANTINE.</span> I cannot question your excellency’s -judgment.</p> - - - -<p><span class="pagenum"><a id="Page_11"></a>[11]</span><span class="allsmcap">ALEXIS.</span> Ah, you can’t question my judgment, -eh? But you think! I saw something -behind your eyes just now when you said you -would check-mate me in five moves. You were -thinking, “Alexis Alexandrovitch, for all his -fine talk, is not what he used to be. Something -has slipped away from him.” Do you -think I’ve become a coward?</p> - -<p><span class="allsmcap">CONSTANTINE.</span> Your excellency!</p> - -<p><span class="allsmcap">ALEXIS.</span> I sometimes think so, myself; that -sometime there will be no flash, that I shall be -check-mated once and for all. That’s why I -keep you here, hour after hour, playing chess -with me; that’s why I am tempted to try another -kind of game with this man, Shamrayeff.</p> - -<p><span class="allsmcap">CONSTANTINE.</span> Then you have a definite -reason for seeing this man?</p> - -<p><span class="allsmcap">ALEXIS.</span> None that you would understand.</p> - -<p><span class="allsmcap">CONSTANTINE.</span> But, in that case, might I -point out to your excellency—Surely it would be -safer—</p> - -<p><span class="allsmcap">ALEXIS.</span> Don’t speak to me as if you were -speaking to a child. I know what you think: -“Alexis Alexandrovitch is not what he was. -Things are slipping past him, he needs watching.” -Well, the time is up. You have your -orders.</p> - -<p><span class="allsmcap">CONSTANTINE.</span> Shall I take away the chessmen?</p> - - - -<p><span class="pagenum"><a id="Page_12"></a>[12]</span><span class="allsmcap">ALEXIS.</span> No, leave them as they are. We’ll -finish the game when I ring for you. [<span class="allsmcap">CONSTANTINE</span> -<i>rises and hesitates.</i>] Well, well, well! -You’re going to say something. You think the -game won’t be finished. We’ll see. We’ll see -about that!</p> - -<p><span class="allsmcap">CONSTANTINE.</span> I beg your excellency—</p> - -<div class="blockquot"> - -<p>[<span class="allsmcap">FOOTMAN</span> <i>enters, followed by</i> <span class="allsmcap">SHAMRAYEFF</span>.]</p></div> - -<p><span class="allsmcap">FOOTMAN.</span> Boris Ivanovitch Shamrayeff.</p> - -<div class="blockquot"> - -<p>[<span class="allsmcap">SHAMRAYEFF</span> <i>wears the clothes of a -respectable artisan. He is, apparently, -somewhat younger -than</i> <span class="allsmcap">ALEXIS</span>, <i>strongly built and -has a rather fine but stolid face. -He stands with his cap in his -hand.</i>]</p></div> - -<p><span class="allsmcap">ALEXIS.</span> So, so! You are Boris Ivanovitch -Shamrayeff, are you? Well, well!</p> - -<p><span class="allsmcap">BORIS.</span> Yes, I am Boris Ivanovitch Shamrayeff!</p> - -<p><span class="allsmcap">ALEXIS.</span> You found it hard to get at me, did -you? Hard to get an interview with Alexis -Alexandrovitch?</p> - -<p><span class="allsmcap">BORIS.</span> Not so hard as I had expected, your -excellency.</p> - -<p><span class="allsmcap">ALEXIS.</span> [<i>To</i> <span class="allsmcap">CONSTANTINE</span> <i>and</i> <span class="allsmcap">FOOTMAN</span>.]<span class="pagenum"><a id="Page_13"></a>[13]</span> -Well, what are you waiting for? This man has -something important to say to me. He’s bashful. -He can’t speak out before so many people.</p> - -<p><span class="allsmcap">CONSTANTINE.</span> Your excellency, I will wait in -the passage.</p> - -<p><span class="allsmcap">ALEXIS.</span> Nonsense, nonsense! Go into the -garden and think about your game of chess! -Go! [<span class="allsmcap">CONSTANTINE</span> <i>and</i> <span class="allsmcap">FOOTMAN</span> <i>go out.</i>]</p> - -<p><span class="allsmcap">ALEXIS.</span> [<i>To</i> <span class="allsmcap">BORIS</span>.] Sit down in that chair. -I want to look at you. [<span class="allsmcap">BORIS</span> <i>looks around uneasily.</i>] -Ah! There is no one watching us. This -room is in a corner of the house—nothing but -windows behind you, no balcony, no hangings. -Open the door you came in by—there is no one -in the passage. Turn the key, if you like.</p> - -<div class="blockquot"> - -<p>[<span class="allsmcap">BORIS</span> <i>steps quickly to the main -doors, throws them open, looks -into the passage, shuts them -again, turns the key in the lock -and slips it into his pocket.</i>]</p></div> - -<p>You see we won’t be disturbed. Now, sit down -and tell me what you want. [<span class="allsmcap">BORIS</span> <i>sits down -but says nothing.</i>] Tongue-tied, eh? You don’t -know how to begin? Embarrassed, eh?</p> - -<p><span class="allsmcap">BORIS.</span> No. I was only wondering.</p> - -<p><span class="allsmcap">ALEXIS.</span> Ha, ha! Wondering, eh?</p> - -<p><span class="allsmcap">BORIS.</span> I was wondering why your excellency -chose to give me this opportunity?</p> - - - -<p><span class="pagenum"><a id="Page_14"></a>[14]</span><span class="allsmcap">ALEXIS.</span> This opportunity?</p> - -<p><span class="allsmcap">BORIS.</span> [<i>Looking up.</i>] This opportunity to -kill your excellency.</p> - -<p><span class="allsmcap">ALEXIS.</span> So, so! To kill me? That’s it, is -it? Well, well! I thought as much, but of -course, I couldn’t be sure. Well, well! Go on, -go on!</p> - -<p><span class="allsmcap">BORIS.</span> [<i>Simply.</i>] God has delivered you -into my hands.</p> - -<p><span class="allsmcap">ALEXIS.</span> Pah! Leave God out of it! Don’t -give me any such cant nonsense. I doubt if -God takes any interest in either of us. I have -delivered myself into your hands. That’s the -simple fact of the matter. I could have trapped -you so easily, too, but I didn’t even have you -searched. You may as well take the pistol out -of your pocket.</p> - -<p><span class="allsmcap">BORIS.</span> Your excellency seems amused.</p> - -<p><span class="allsmcap">ALEXIS.</span> No, no, not amused! I’m only -curious to see you handle the thing—morbid -curiosity, if you like. Take it out, man, take it -out!</p> - -<p><span class="allsmcap">BORIS.</span> This is a solemn moment for us both, -your excellency.</p> - -<p><span class="allsmcap">ALEXIS.</span> Solemn, eh? Well, well! Solemn! -Oh, I suppose it is solemn for you, Boris Ivanovitch.<span class="pagenum"><a id="Page_15"></a>[15]</span> -To me it is simply curious grotesque. -Well, well!</p> - -<p><span class="allsmcap">BORIS.</span> [<i>Takes out pistol.</i>] Keep your hand -a little further from that bell, if you please.</p> - -<p><span class="allsmcap">ALEXIS.</span> I shan’t ring. You would hardly -wait for them to answer the bell, would you? -No, no! I’m not such a fool as to think you’d -do that? Well, well! I lift my hand and you -shoot.</p> - -<p><span class="allsmcap">BORIS.</span> Yes.</p> - -<p><span class="allsmcap">ALEXIS.</span> Exactly. Well, I won’t lift my -hand.</p> - -<p><span class="allsmcap">BORIS.</span> Nothing on earth can save you, -Alexis Alexandrovitch.</p> - -<p><span class="allsmcap">ALEXIS.</span> Nor you, my friend, for that matter! -You hardly expect to leave the house, shall we -say, unmolested?</p> - -<p><span class="allsmcap">BORIS.</span> I do not expect to leave it alive, excellency.</p> - -<p><span class="allsmcap">ALEXIS.</span> No, that would be asking too much. -I was here to let you in. I won’t be able to let -you out again. You will have lost a useful -friend, Boris Ivanovitch.</p> - -<p><span class="allsmcap">BORIS.</span> Your excellency!</p> - - - -<p><span class="pagenum"><a id="Page_16"></a>[16]</span><span class="allsmcap">ALEXIS.</span> It is in your hands to end the interview. -Come, come, you must hate me a great -deal, my friend, to give your own life for the -sake of taking mine.</p> - -<p><span class="allsmcap">BORIS.</span> I do not hate you.</p> - -<p><span class="allsmcap">ALEXIS.</span> So? How odd! I thought that -everyone of your sort hated me. You might at -least flatter me to the extent of showing some -emotion. Come, come, flatter me to that extent.</p> - -<p><span class="allsmcap">BORIS.</span> I do not care to flatter you.</p> - -<p><span class="allsmcap">ALEXIS.</span> Ah, well, well! I shall have to do -without it then.</p> - -<p><span class="allsmcap">BORIS.</span> My own feelings have nothing to do -with it. I am an instrument of God.</p> - -<p><span class="allsmcap">ALEXIS.</span> God again! What has God to do -with it? Do you happen to play a good game -of chess?</p> - -<p><span class="allsmcap">BORIS.</span> [<i>Nervously.</i>] Why do you ask me -such a thing?</p> - -<p><span class="allsmcap">ALEXIS.</span> Because you interrupted a game -here. Constantine threatened me with check-mate -in five more moves. Check-mate in five -moves! No, no! Not so easy as that!</p> - -<p><span class="allsmcap">BORIS.</span> I have had enough of your jestings, -excellency.</p> - - - -<p><span class="pagenum"><a id="Page_17"></a>[17]</span><span class="allsmcap">ALEXIS.</span> You wont play then? Well, well! -I had promised myself to finish the game. We -shall see! We shall see!</p> - -<p><span class="allsmcap">BORIS.</span> Surely your excellency has something -you wish to say—</p> - -<p><span class="allsmcap">ALEXIS.</span> I have told you once, when you tire -of the interview it is in your hands to end it. -What are you waiting for? You become tedious!</p> - -<p><span class="allsmcap">BORIS.</span> Have you no desire to pray, excellency?</p> - -<p><span class="allsmcap">ALEXIS.</span> Pray? Pray? Who would listen -to me? No, I’d rather chat.</p> - -<p><span class="allsmcap">BORIS.</span> As your excellency likes.</p> - -<p><span class="allsmcap">ALEXIS.</span> Yes, yes, we’ll chat until you gather -courage to do what you came for.</p> - -<p><span class="allsmcap">BORIS.</span> It takes no courage to kill a thing like -you.</p> - -<p><span class="allsmcap">ALEXIS.</span> It takes a certain kind of courage to -kill—rats.</p> - -<p><span class="allsmcap">BORIS.</span> I have been chosen, excellency.</p> - -<p><span class="allsmcap">ALEXIS.</span> So, so! The lot fell on you, did it? -The honor! The distinction! You look at it in -that way, don’t you? Like the rest of your -kind, you have political ideas, eh?</p> - - - -<p><span class="pagenum"><a id="Page_18"></a>[18]</span><span class="allsmcap">BORIS.</span> I have no political ideas.</p> - -<p><span class="allsmcap">ALEXIS.</span> No political ideas? Well, well! -No personal hatred? Pray explain yourself, -man.</p> - -<p><span class="allsmcap">BORIS.</span> I am a peasant. My father and my -father’s father were peasants. You are a noble. -Your line runs back to Tartar princes. It is a -matter of centuries of pain and slavery against -centuries of oppression and violence. I take no -account of to-day, only of yesterday and tomorrow. -Your acts have been cruel and harsh, -doubtless. I hardly know. I throw them out -of the scale. I throw out my own sufferings. -They are not enough in themselves to tip the -balance. You and I are nothing. It is caste -against caste. I gave myself to the revolutionary -party, yes! I am their agent as you say, -but I know little of their ideas for Russia. I -care less. I only know that the band to which -I belong represents the struggle which I feel in -my own breast. I am their willing tool. I do -their will because the right of vengeance comes -down to me in the blood.</p> - -<p><span class="allsmcap">ALEXIS.</span> Yes, yes! A fanatic!</p> - -<p><span class="allsmcap">BORIS.</span> It is my order against yours.</p> - -<p><span class="allsmcap">ALEXIS.</span> Ah, your order against mine, eh? -Centuries of pain against centuries of oppression. -Well, well! You set aside to-day, do -you? You throw your own little pains and<span class="pagenum"><a id="Page_19"></a>[19]</span> -penalties out of the scale on one side, and my -little tyrannies and floggings and acts of villainy -out on the other? You see yourself only -as the avenger of a caste against a caste. The -right of vengeance and the need of it comes down -to you in the blood, does it? You’re exalted -by the breath of dead peasants, are you? It’s -because of that and only because of it that you -take pride in the work you have set your hand -to. Huh! Grotesque! You strike the air -with a rod of smoke. You’ve stumbled upon -the essence of the inane. You’re about to -commit a fantastic mockery of Justice.</p> - -<p><span class="allsmcap">BORIS.</span> I have held my hand too long!</p> - -<p><span class="allsmcap">ALEXIS.</span> Wait! There is still something to -be said; something for you to think of in the -moment between the time you take my life and -the time you take your own. You are about -to kill the man you might have been yourself. -You are about to—I, and not you, am Boris -Ivanovitch.</p> - -<p><span class="allsmcap">BORIS.</span> What rubbish are you talking now?</p> - -<p><span class="allsmcap">ALEXIS.</span> You are Alexis Alexandrovitch!</p> - -<p><span class="allsmcap">BORIS.</span> Why! You are mad!</p> - -<p><span class="allsmcap">ALEXIS.</span> Wait! When you were a child, you -had a foster-brother. You ran with him in the -fields. You slept by his side at night. You -fought with him over rough toys and bits of<span class="pagenum"><a id="Page_20"></a>[20]</span> -food. When you were seven years old, a man -on horse-back came and took him away. You -never knew his true parentage and your father -flogged you when you cried for him. Can you -remember that?</p> - -<p><span class="allsmcap">BORIS.</span> Aye, I can remember that well.</p> - -<p><span class="allsmcap">ALEXIS.</span> Your father deserted your mother -the following year. A little later she died. She -told you nothing of the other child. You went -to Kieff, to the house of your uncle, and became -apprenticed to a bootmaker.</p> - -<p><span class="allsmcap">BORIS.</span> Leave off! You can’t mystify me by -telling me the story of my own life. It proves -nothing. Your agents have ways of knowing -such things: what I was, what I am, everything.</p> - -<p><span class="allsmcap">ALEXIS.</span> Yes! Leave all that! As you say, -it proves nothing. Yet we are foster-brothers, -you and I.</p> - -<p><span class="allsmcap">BORIS.</span> A sign!</p> - -<p><span class="allsmcap">ALEXIS.</span> Our good mother was endowed -with a grim sense of humor. She sent her own -boy to be reared as the son of princes, and the -little aristocrat, left with her for safety at the -time of the Makaroff meeting, she sent to—well, -you know to what sort of a life she sent -him.</p> - -<p><span class="allsmcap">BORIS.</span> Give me a sign!</p> - - - -<p><span class="pagenum"><a id="Page_21"></a>[21]</span><span class="allsmcap">ALEXIS.</span> I have no sign to give you.</p> - -<p><span class="allsmcap">BORIS.</span> Ah, ah! What else? What else -have you to tell me?</p> - -<p><span class="allsmcap">ALEXIS.</span> I, and not you, am the son of peasants. -Do you see now why I call your errand -grotesque?</p> - -<p><span class="allsmcap">BORIS.</span> Lies! Lies! Lies! What do you -expect to gain by telling me such lies?</p> - -<p><span class="allsmcap">ALEXIS.</span> Nothing.</p> - -<p><span class="allsmcap">BORIS.</span> Do you expect me to believe you? -Do you expect me to embrace you and clap my -hat on my head and toss this pistol out the -window and tell you to do what you like with -me?</p> - -<p><span class="allsmcap">ALEXIS.</span> I expect nothing. I know that I -am one dead man talking to another.</p> - -<p><span class="allsmcap">BORIS.</span> I can’t fathom you. I know there -must be some trick up your sleeve, but I can’t -fathom you.</p> - -<p><span class="allsmcap">ALEXIS.</span> There is no trick. You asked me -why I chose to give you this opportunity to kill -me. I’m telling you. That’s all.</p> - -<p><span class="allsmcap">BORIS.</span> Lies! Utterly useless lies!</p> - -<p><span class="allsmcap">ALEXIS.</span> No! Utterly useless truth! Do<span class="pagenum"><a id="Page_22"></a>[22]</span> -you think I wish to believe myself Boris Ivanovitch -Shamrayeff, born a peasant? I, who have -sat in high places and given my life to preserving -an order of men to which I do not belong, -which my blood ought to cry out against. Do -you think I would have believed it if the belief -had not been forced upon me? I have ways of -knowing truth from falsehood, my friend. You -are striking at a man who is dead before you -touch him. What I have found out in the past -week, others already know. I have come to the -end, I tell you. I have been a fantastic dupe. -I cannot go on. I would have killed myself to-day, -but I have a horror of taking my own life. -You have come in time to save me from that.</p> - -<p><span class="allsmcap">BORIS.</span> Was that your only reason for seeing -me?</p> - -<p><span class="allsmcap">ALEXIS.</span> I admit I was curious to see another -man who had been as great a dupe as myself.</p> - -<p><span class="allsmcap">BORIS.</span> Lies! Lies! What else? Have you -anything more to say?</p> - -<p><span class="allsmcap">ALEXIS.</span> I only ask you to finish your work. -Unless you have a scruple against killing your— In -which case, go! The door is still open to you.</p> - -<p><span class="allsmcap">BORIS.</span> [<i>Sneering.</i>] Very pretty! Very touching! -Go back, eh? And tell my comrades that -I let Alexis the Red slip through my fingers because -he told me a child’s story of changeling -foster-brothers? No, no! [<i>He cocks his pistol.</i>]</p> - - - -<p><span class="pagenum"><a id="Page_23"></a>[23]</span><span class="allsmcap">ALEXIS.</span> Kill me, then!</p> - -<div class="blockquot"> - -<p>[<span class="allsmcap">BORIS</span> <i>raises the pistol.</i>]</p></div> - -<p><span class="allsmcap">BORIS.</span> I—</p> - -<p><span class="allsmcap">ALEXIS.</span> Pull the trigger, man!</p> - -<p><span class="allsmcap">BORIS.</span> I can’t. There’s a chance that what -you have said may be true after all. [<i>He lays -down the pistol.</i>] And yet, I can’t live if it’s -false. And, by God, I can’t live if it’s true!</p> - -<p><span class="allsmcap">ALEXIS.</span> In either case, we must both die.</p> - -<p><span class="allsmcap">BORIS.</span> Aye, you speak the truth there, but -I dare not kill you. I tell, you, I dare not! -There must be some way out! Some other way!</p> - -<p><span class="allsmcap">ALEXIS.</span> Are you brave enough to take poison? -Yes! Good! Do you see this ring? I -press a spring, so. There is a fine powder under -the stone, so! I drop a few grains into one of -these glasses. We draw lots. One of us drinks -the wine and the other still has your pistol to -use! It is very simple after all.</p> - -<p><span class="allsmcap">BORIS.</span> [<i>Rises.</i>] Yah! Now, by God, I see -the trick! Lies! Lies! Every word of it was -lies! I can see through you now. You’re -devilishly cunning with your sleight-of-hand, -but I draw no lots for poison with the like of you.</p> - -<p><span class="allsmcap">ALEXIS.</span> Have it your own way. See, there’s -more than enough for both. Take the glass<span class="pagenum"><a id="Page_24"></a>[24]</span> -in your own hands, divide it yourself, pour the -wine yourself, and then, to satisfy you, I’ll -drink first.</p> - -<p><span class="allsmcap">BORIS.</span> You carry the bluff to the bitter end, -do you? Well, we’ll see.</p> - -<div class="blockquot"> - -<p>[<i>He mixes the powder and pours the -wine and hands one glass to</i> -<span class="allsmcap">ALEXIS</span>.]</p></div> - -<p><span class="allsmcap">ALEXIS.</span> To your easy death, brother.</p> - -<div class="blockquot"> - -<p>[<i>He lifts the glass and drinks.</i>]</p></div> - -<p><span class="allsmcap">BORIS.</span> Ah! So you’re a brave man after -all! [<i>He lifts the glass and pauses.</i>] What if I -were to leave you now, eh?</p> - -<p><span class="allsmcap">ALEXIS.</span> My men have orders to seize you -the moment you leave the room.</p> - -<p><span class="allsmcap">BORIS.</span> In that case! [<i>He lifts the glass.</i>] To -your final redemption, brother!</p> - -<p><span class="allsmcap">ALEXIS.</span> Sit down! [<span class="allsmcap">BORIS</span> <i>sits down.</i>]</p> - -<p><span class="allsmcap">BORIS.</span> Have we long to wait?</p> - -<p><span class="allsmcap">ALEXIS.</span> Perhaps five minutes. It’s a Chinese -concoction. They call it the draught of -final oblivion. I believe it to be painless. I’m -told that one becomes numb. Do you find -yourself becoming drowsy?</p> - -<p><span class="allsmcap">BORIS.</span> No. My senses seem to be becoming<span class="pagenum"><a id="Page_25"></a>[25]</span> -more alert. Your voice sounds very sharp -and clear.</p> - -<p><span class="allsmcap">ALEXIS.</span> Lift your hand.</p> - -<p><span class="allsmcap">BORIS.</span> It seems very heavy. Are you -afraid of Death, excellency?</p> - -<p><span class="allsmcap">ALEXIS.</span> [<i>Eyeing him sharply.</i>] No, I am -not afraid of Death, brother, not in the least.</p> - -<p><span class="allsmcap">BORIS.</span> Nor I!</p> - -<p><span class="allsmcap">ALEXIS.</span> Good! Now, move your feet.</p> - -<p><span class="allsmcap">BORIS.</span> I don’t seem to be able to. That’s -strange. I can’t feel anything.</p> - -<p><span class="allsmcap">ALEXIS.</span> Nor I! Can you get out of your -chair?</p> - -<p><span class="allsmcap">BORIS.</span> [<i>Slowly.</i>] I—I can hardly move my -hand. I might move by a supreme effort but -I haven’t the will. I—I feel no pain, only a -ringing in my head.</p> - -<p><span class="allsmcap">ALEXIS.</span> So? Well, well! Can you still -hear perfectly?</p> - -<p><span class="allsmcap">BORIS.</span> Yes—yes, I can still hear.</p> - -<p><span class="allsmcap">ALEXIS.</span> H’m, h’m.</p> - -<p><span class="allsmcap">BORIS.</span> Tell me, on your hope of redemption, -was what you said to me just now the truth?</p> - - - -<p><span class="pagenum"><a id="Page_26"></a>[26]</span><span class="allsmcap">ALEXIS.</span> On my hope of redemption, eh?</p> - -<p><span class="allsmcap">BORIS.</span> If it was, I ask you to forgive me.</p> - -<p><span class="allsmcap">ALEXIS.</span> I have nothing to forgive.</p> - -<p><span class="allsmcap">BORIS.</span> Thanks!</p> - -<p><span class="allsmcap">ALEXIS.</span> On my hope of redemption, Boris -Shamrayeff, everything I told you was lies! -Lies! Lies!</p> - -<div class="blockquot"> - -<p>[<span class="allsmcap">BORIS</span> <i>struggles painfully to his feet -and lurches toward the table, -where he has laid the pistol.</i> -<span class="allsmcap">ALEXIS</span> <i>springs to the table, -seizes the pistol and tosses it -out of the window.</i> <span class="allsmcap">BORIS</span> <i>supports -himself against the edge of -table, half sitting, half leaning -against it, his mouth open, his -eyes staring. He sways dizzily.</i> -<span class="allsmcap">ALEXIS</span> <i>stands before him.</i>]</p></div> - -<p><span class="allsmcap">ALEXIS.</span> Well, you can still speak, can’t you?</p> - -<p><span class="allsmcap">BORIS.</span> You fiend! You dog! You liar! -Ha, ha, ha! At least you can’t escape! No -need for me to strike you!</p> - -<p><span class="allsmcap">ALEXIS.</span> Ha, ha!</p> - -<p><span class="allsmcap">BORIS.</span> Well! Sneer at me if you like. You -are feeling the agony too, Alexis Alexandrovitch. -You can’t deny it.</p> - -<p><span class="allsmcap">ALEXIS.</span> I am not dying, Boris Shamrayeff.</p> - - - -<p><span class="pagenum"><a id="Page_27"></a>[27]</span><span class="allsmcap">BORIS.</span> But, I know! I saw! I saw you -drink! You’re dying, excellency!</p> - -<p><span class="allsmcap">ALEXIS.</span> Yes, we drank together, didn’t we? -Well, well! And your eye wasn’t off me an -instant, was it? And you didn’t lift your cup -till I’d drained the last drop of mine, did you? -Well, well, well!</p> - -<p><span class="allsmcap">BORIS.</span> I saw you drink what I drank.</p> - -<p><span class="allsmcap">ALEXIS.</span> Yes, I did drink it, Boris Ivanovitch, -didn’t I? But what is sending you down -to fry in Hell with the stupid ghosts of your -bestial ancestors is only embarrassing me with -the slightest of headaches. [<i>He chuckles.</i>]</p> - -<p><span class="allsmcap">BORIS.</span> It—it is not possible!</p> - -<p><span class="allsmcap">ALEXIS.</span> Eh? An oriental trick. A man in -constant fear of poison may accustom himself, -little by little, to a dose that would blast the life -of an ordinary man. A fantastic precaution -these days, only interesting to an antiquarian -like myself. Well, well, you can hear me, can’t -you? I tell you I could have taken the entire -mess; half of it seems to have been enough for -you.</p> - -<div class="blockquot"> - -<p>[<span class="allsmcap">BORIS</span> <i>makes an effort to get at</i> -<span class="allsmcap">ALEXIS</span> <i>but almost sinks to the -floor.</i>]</p></div> - -<p>No use, Boris Shamrayeff! I advise you to -hold fast to the table.</p> - - - -<p><span class="pagenum"><a id="Page_28"></a>[28]</span><span class="allsmcap">BORIS.</span> Why? Why have you done this -thing to me?</p> - -<p><span class="allsmcap">ALEXIS.</span> Body of St. Michael! I am of one -order, you of another. You are a terrorist, a -Red; the blood of my brother, shot down in the -streets of Kronstadt, the lives of my friends, the -preservation of the sacred empire—are these -nothing? Nothing—beside your dirty petitions -of right! Pah! God has delivered you -into <span class="allsmcap">MY</span> hands. I, and not you, am the instrument -of God to-day! Boris Ivanovitch, can -you still hear me? Eh?</p> - -<p><span class="allsmcap">BORIS.</span> Yes!</p> - -<p><span class="smcap">Alexis.</span> So! So! One thing more! Why -did I risk my own life to get yours? You would -like to know that, wouldn’t you? Why did I -let you in here at all? You’d ask that if you -could. Ha, ha! Well, it was because men -were thinking that Alexis Alexandrovitch wasn’t -what he used to be; because I was beginning to -think so myself. Because I had begun to doubt -my own wits. I had to let myself be brought -to bay. I had to look into the muzzle of your -pistol. I had to pit my life against yours in a -struggle where I had no other weapon, no other -help, than this. [<i>He taps his forehead.</i>] I think -it unlikely that Constantine will check-mate -me in five moves to-day!</p> - -<p><span class="allsmcap">BORIS.</span> Fiend! Fiend! Fiend! [<i>He crumples -up and falls to the floor.</i>]</p> - - - -<p><span class="pagenum"><a id="Page_29"></a>[29]</span><span class="allsmcap">ALEXIS.</span> So, it’s over, is it? Well, well, -well!</p> - -<div class="blockquot"> - -<p>[<i>He takes a cover from the couch and -throws it over</i> <span class="allsmcap">BORIS</span> <i>and stands -over him.</i>]</p></div> - -<p><span class="allsmcap">ALEXIS.</span> [<i>As if exorcising a ghost.</i>] To the -night without stars! To the mist that never -lifts! To the bottom of nothingness! Peace -be with you!</p> - -<div class="blockquot"> - -<p>[<i>He turns and taps the bell and then -seats himself at the chessboard. -The</i> <span class="allsmcap">FOOTMAN</span> <i>enters.</i>]</p></div> - -<p><span class="allsmcap">FOOTMAN.</span> Your excellency rang?</p> - -<p><span class="allsmcap">ALEXIS.</span> Go into the garden and find Mr. -Constantine. Tell him I am ready to finish -our game of chess.</p> - -<div class="blockquot"> - -<p>[<i>The</i> <span class="allsmcap">FOOTMAN</span> <i>bows and withdraws.</i>]</p></div> - -<p><span class="allsmcap">ALEXIS.</span> [<i>Studying the moves on the chess -board.</i>] So! So! The bishop—the queen! -No! Yes, yes! I have it! I have it! Body -of St. Michael, not in five moves, not in five -moves tonight! Ah! Ha, ha! So! So! Well, -well, well!</p> - -<div class="blockquot"> - -<p>[<i>He rubs his hands softly and looks -up just as</i> <span class="allsmcap">CONSTANTINE</span> <i>enters.</i>]</p></div> - - -<p class="center">CURTAIN.</p> - - -<hr class="chap" /> -<div class="blockquot"> -<div class="chapter"> -<div class="hangingindent"> -<p><i>This first edition of</i> <span class="allsmcap">THE GAME OF CHESS</span>, <i>printed -from type by The Lancaster Printing Company, -Lancaster Pennsylvania, in April, -1914, for</i> <span class="allsmcap">VAUGHAN & GOMME</span>, <i>New York, -consists of one hundred and fifty copies -on Japanese Vellum, of which one hundred -only are for sale, and one thousand -and fifty copies on laid paper.</i></p> -</div></div></div> - - -<hr class="chap" /> - -<div class="chapter"> -<p class="ph2"><i>ADVERTISEMENT</i></p> -</div> - -<div class="blockquot"> -<div class="hangingindent"> -<p>Messrs. <span class="smcap">Vaughan & Gomme</span> take pleasure in -announcing that they have perfected an -arrangement whereby, in future, they -will act as publishers for <span class="allsmcap">THE STAGE -GUILD</span>, Railway Exchange Building, Chicago. -All, or nearly all future plays, -masques, etc., produced by <span class="allsmcap">THE STAGE -GUILD</span> will be printed and published by -Messrs. <span class="smcap">Vaughan & Gomme</span>, and they -will act as agents to the book-trade and -to the public for the distribution of the -single plays in paper wrappers, and later -in book form.</p> - -<p>The editorial management of <span class="allsmcap">THE STAGE GUILD</span> -will, however, continue with headquarters -in the Railway Exchange Building, -Chicago, where all applications for -permission to perform the plays and -masques, and other inquiries of a kindred -nature, should be addressed, as -heretofore.</p> -</div></div> - - -<hr class="chap" /> - -<div class="transnote"> -<div class="chapter"> -<p class="ph2">TRANSCRIBER’S NOTES:</p> -</div> - - -<p>Obvious typographical errors have been corrected.</p> - -<p>Inconsistencies in hyphenation have been standardized.</p> - -<p>The cover image for this eBook was created by the transcriber and is entered into the public domain.</p> -</div> -<pre style='margin-top:6em'> -*** END OF THE PROJECT GUTENBERG EBOOK THE GAME OF CHESS *** - -This file should be named 63660-h.htm or 63660-h.zip - -This and all associated files of various formats will be found in: -http://www.gutenberg.org/6/3/6/6/63660/ - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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