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-The Project Gutenberg EBook of A Tale of Old Japan, by Alfred Noyes
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever.  You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org.  If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: A Tale of Old Japan
-
-Author: Alfred Noyes
-
-Contributor: Joan Ewen
-
-Illustrator: Kate Riches
-
-Release Date: October 23, 2020 [EBook #63530]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK A TALE OF OLD JAPAN ***
-
-
-
-
-Produced by Tim Lindell, Ernest Schaal, and the Online
-Distributed Proofreading Team at https://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/Canadian Libraries)
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-
-
-                                 A TALE
-                                 OF OLD
-                                 JAPAN
-
-                        With an Introduction in
-                   Memory of Samuel Coleridge Taylor
-
-                                   By
-                              ALFRED NOYES
-
-                       Illustrated by Kate Riches
-                        Transcribed by Joan Ewen
-
-                        William Blackwood & Sons
-                           EDINBURGH & LONDON
-                                  1914
-
-
-
-
-              'A TALE OF OLD JAPAN' is reprinted from
-              the 'Collected Poems' by Alfred Noyes (Vol.
-              II., p. 308), where it is entitled "The Two
-                Painters: A Tale of Old Japan."
-
-
-
-
-                             _DEDICATION._
-
-
-_THE appearance of this poem in its present form is due chiefly to the
-demand created for it by a vanished hand. It was set to music as a
-cantata by Coleridge Taylor, some years ago. He thought it his best
-work. Hardly a week has passed since then without some performance of
-it, in some part of the world; and it may be said that the music he
-wrote for it has won the lasting affection of the thousands that have
-heard it. He was, in two works, the most vital and spontaneous musician
-of his time. The first was his youthful setting of Longfellow's
-'Hiawatha.' Then came many years of experiment with European subjects,
-disappointment, and apparent failure. In the Eastern theme of 'A Tale of
-Old Japan' he found something which (as those who know his history will
-understand) enabled him to draw the bow across his own heart-strings,
-and, from the first note to the last, he gave in it the most pathetic,
-the most haunting expression, to his own spirit. To me it was a most
-moving fact that his great genius should have shown so scrupulous and
-infinitely painstaking a regard for the words of the poem. He submitted
-to their "narrow room," but in a way that suggests quite new
-possibilities in the wedding of music and verse. He preserved every
-cadence of every line, and yet he gave the freedom of music to the
-whole, in a way that poets had ceased to think possible. It is therefore
-to his memory that I would dedicate the poem, all too poor a chrysalis
-as it must seem for those exquisite wings._
-
-
-
-
-                          A TALE OF OLD JAPAN
-
-
-Yoichi Tenko, the painter,             [Sidenote: I]
-  Dwelt by the purple sea,
-Painting the peacock islands
-  Under his willow-tree:
-Also in temples he painted
-  Dragons of old Japan,
-With a child to look at the pictures--
-  Little O Kimi San.
-
-Kimi, the child of his brother,
-  Bright as the moon in May.
-White as a lotus lily,
-  Pink as a plum-tree spray,
-Linking her soft arm round him
-  Sang to his heart for an hour,
-Kissed him with ripples of laughter
-  And lips of the cherry flower.
-
-Child of the old pearl-fisher
-  Lost in his junk at sea,
-Kimi was loved of Tenko
-  As his own child might be,
-Yoichi Tenko the painter,
-  Wrinkled and grey and old,
-Teacher of many disciples
-  That paid for his dreams with gold.
-
-
-Peonies, peonies crowned the May!     [Sidenote: II]
-Clad in blue and white array
-  Came Sawara to the school
-Under the silvery willow-tree,
-  All to learn of Tenko!
-Riding on a milk-white mule,
-  Young and poor and proud was he,
-Lissom as a cherry spray
-[Peonies, peonies crowned the day!]
-And he rode the golden way
-  To the school of Tenko.
-
-                             [Illustration]
-
-Swift to learn, beneath his hand
-Soon he watched his wonderland
-  Growing cloud by magic cloud,
-Under the silvery willow-tree
-  In the school of Tenko:
-Kimi watched him, young and proud,
-  Painting by the purple sea.
-Lying on the golden sand
-Watched his golden wings expand!
-[None but Love will understand
-  All she hid from Tenko.]
-
-He could paint her tree and flower
-Sea and spray and wizard's tower,
-  With one stroke, now hard, now soft,
-Under the silvery willow-tree
-  In the school of Tenko:
-
-He could fling a bird aloft,
-  Splash a dragon in the sea,
-Crown a princess in her bower,
-With one stroke of magic power;
-And she watched him hour by hour,
-  In the school of Tenko.
-
-Yoichi Tenko, wondering, scanned
-All the work of that young hand,
-  Gazed his kakemonos o'er
-Under the silvery willow-tree
-  In the school of Tenko:
-"I can teach you nothing more,
-  Thought, or craft, or mystery;
-Let your golden wings expand,
-They will shadow half the land,
-All the world's at your command,
-Come no more to Tenko."
-
-Lying on the golden sand,
-Kimi watched his wings expand:
-Wept.--He could not understand
-  Why she wept, said Tenko.
-
-
-So, in her blue kimono,              [Sidenote: III]
-  Pale as the sickle moon
-Glimmered thro' soft plum-branches
-  Blue in the dusk of June,
-Stole she, willing and waning,
-  Frightened and unafraid,--
-"Take me with you, Sawara,
-  Over the sea", she said.
-
-Small and sadly beseeching,
-  Under the willow-tree,
-Glimmered her face like a foam-flake
-  Drifting over the sea:
-Pale as a drifting blossom,
-  Lifted her face to his eyes:
-Slowly he gathered and held her
-  Under the drifting skies.
-
-                             [Illustration]
-
-Poor little face cast backward
-  Better to see his own,
-Earth and heaven went past them
-  Drifting: they too, alone
-Stood, immortal. He whispered--
-  "Nothing can part us two!"
-Backward her sad little face went
-  Drifting, and dreamed it true.
-
-"Others are happy," she murmured,
-  "Maidens and men I have seen;
-You are my king, Sawara,
-  O, let me be your queen!
-If I am all too lowly,"
-  Sadly she strove to smile,
-"Let me follow your footsteps,
-  Your slave for a little while."
-
-Surely, he thought, I have painted
-  Nothing so fair as this
-Moonlit almond blossom
-  Sweet to fold and kiss,
-Brow that is filled with music,
-  Shell of a faery sea,
-Eyes like the holy violets
-  Brimmed with dew for me.
-
-"Wait for Sawara" he whispered,
-  Does not his whole heart yearn
-Now to his moon-bright maiden?
-  Wait, for he will return
-Rich as the wave on the moon's path
-  Rushing to claim his bride!"
-So they plighted their promise,
-  And the ebbing sea-wave sighed.
-
-
-Moon and flower and butterfly,        [Sidenote: IV]
-Earth and heaven went drifting by,
-  Three long years while Kimi dreamed
-Under the silvery willow-tree
-  In the school of Tenko,
-Steadfast while the whole world streamed
-  Past her tow'rds Eternity;
-Steadfast till with one great cry,
-  Ringing to the gods on high,
-Golden wings should bind the sky
-  And bring him back to Tenko.
-
-Three long years and nought to say
-"Sweet, I come the golden way,
-  Riding royally to the school
-Under the silvery willow-tree
-  Claim my bride of Tenko;
-Silver bells on a milk-white mule,
-  Rose-red sails on an emerald sea!"
-Kimi sometimes went to pray
-In the temple nigh the bay,
-Dreamed all night and gazed all day
-  Over the sea from Tenko.
-
-Far away his growing fame
-Lit the clouds. No message came
-  From the sky, whereon she gazed
-Under the silvery willow-tree
-  Far away from Tenko!
-Small white hands in the temple raised
-  Pleaded with the Mystery--
-"Stick of incense in the flame,
-Though my love forget my name,
-Help him, bless him, all the same,
-  And ... bring him back to Tenko!"
-
-_Rose-white temple nigh the bay,
-Hush! for Kimi comes to pray,
-Dream all night and gaze all day
-  Over the sea from Tenko._
-
-                             [Illustration]
-
-                             [Illustration]
-
-So, when the rich young merchant       [Sidenote: V]
-  Showed him his bags of gold,
-Yoichi Tenko, the painter,
-  Gave him her hand to hold,
-Said, "You shall wed him, O Kimi":
-  Softly he lied and smiled--
-"_Yea, for Sawara is wedded!
-Let him not mock you, child._"
-
-Dumbly she turned and left them,
-  Never a word or cry
-Broke from her lips' grey petals
-  Under the drifting sky:
-Down to the spray and the rainbows,
-  Where she had watched him of old
-Painting the rose-red islands,
-  Painting the sand's wet gold.
-
-                             [Illustration]
-
-Down to their dreams of sunset,
-  Frail as a flower's white ghost,
-Lonely and lost she wandered
-  Down to the darkening coast;
-Lost in the drifting midnight,
-  Weeping, desolate, blind
-Many went out to seek her:
-  Never a heart could find.
-
-Yoichi Tenko, the painter
-  Plucked from his willow-tree
-Two big paper lanterns
-  And ran to the brink of the sea;
-Over his head he held them,
-  Crying, and only heard
-Somewhere out in the darkness,
-  The cry of a wandering bird.
-
-Peonies, peonies thronged the May     [Sidenote: VI]
-When in royal-rich array
-  Came Sawara to the school
-Under the silvery willow-tree--
-  To the school of Tenko!
-Silver bells on a milk-white mule,
-  Rose-red sails on an emerald sea!
-Over the bloom of the cherry spray,
-Peonies, peonies dimmed the day;
-And he rode the royal way
-  Back to Yoichi Tenko.
-
-Yoichi Tenko, half afraid
-Whispered, "Wed some other maid;
-  Kimi left me all alone
-Under the silvery willow-tree,
-  Left me," whispered Tenko,
-"Kimi had a heart of stone!"--
-  "Kimi, Kimi? Who is she?
-Kimi? Ah, the child that played
-Round the willow-tree. She prayed
-Often; and, whate'er I said,
-  She believed it, Tenko."
-
-He had come to paint anew
-Those dim isles of rose and blue,
-  For a palace far away,
-Under the silvery willow-tree--
-  So he said to Tenko;
-And he painted, day by day,
-  Golden visions of the sea.
-No, he had not come to woo;
-Yet, had Kimi proven true,
-Doubtless he had loved her too,
-  Hardly less than Tenko.
-
-Since the thought was in his head,
-He would make his choice and wed;
-  And a lovely maid he chose
-Under the silvery willow-tree.
-  "Fairer far," said Tenko.
-"Kimi had a twisted nose,
-  And a foot too small, for me,
-And her face was dull as lead!"
-"Nay, a flower, be it white or red,
-  Is a flower," Sawara said!
-  "So it is," said Tenko.
-
-Great Sawara, the painter,           [Sidenote: VII]
-  Sought, on a day of days,
-One of the peacock islands
-  Out in the sunset haze:
-Rose-red sails on the water
-  Carried him quickly nigh:
-There would he paint him a wonder,
-  Worthy of Hokusai.
-
-Lo, as he leapt o'er the creaming
-  Roses of faery foam,
-Out of the green-lipped caverns
-  Under the isle's blue dome,
-White as a drifting snow-flake,
-  White as the moon's white flame,
-White as a ghost from the darkness,
-  Little O Kimi came.
-
-"Long I have waited, Sawara,
-  Here in our sunset isle,
-Sawara, Sawara, Sawara,
-  Look at me once, and smile:
-
-Face I have watched so long for,
-  Hands I have longed to hold,
-Sawara, Sawara, Sawara,
-  Why is your heart so cold?"
-
-Surely, he thought, I have painted
-  Nothing so fair as this
-Moonlit almond blossom
-  Sweet to fold and kiss....
-"Kimi," he said, "I am wedded!
-  Hush, for it could not be!"
-"Kiss me one kiss," she whispered,
-  "Me also, even me."
-
-Small and terribly drifting
-  Backward, her sad white face
-Lifted up to Sawara
-  Once, in that lonely place,
-White as a drifting blossom
-  Under his wondering eyes,
-Slowly he gathered and held her
-  Under the drifting skies.
-
-                             [Illustration]
-
-"Others are happy," she whispered,
-  "Maidens and men I have seen:
-Be happy, be happy, Sawara!
-  The other--shall be--your queen!
-Kiss me one kiss for parting":
-  Trembling she lifted her head,
-Then like a broken blossom
-  It fell on his arm. She was dead.
-
-Much impressed, Sawara straight     [Sidenote: VIII]
-(Though the hour was growing late)
-  Made a sketch of Kimi lying
-By the lonely, sighing sea,
-  Brought it back to Tenko.
-Tenko looked it over crying
-  (Under the silvery willow-tree).
-"You have burst the golden gate!
-You have conquered Time and Fate!
-  Hokusai is not so great!
-  This is art," said Tenko!
-
-
-
-
-                               Printed by
-                        William Blackwood & Sons
-
-
-
-
-                           Transcriber Notes:
-
-Passages in italics were indicated by _underscores_.
-
-Small caps were replaced with ALL CAPS.
-
-The original book had no page numbers, and no page numbers have been
-added.
-
-In the fourth stanza, the period after "Peonies" was replaced with a
-comma.
-
-The quotation mark was deleted after "In the school of Tenko."
-
-The quotation mark was deleted before "Does not his whole heart yearn"
-
-A period was added after "Never a heart could find".
-
-A period was added after "Painting the sand's wet gold".
-
-"A foot to small" was changed to "A foot too small".
-
-
-
-
-
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