summaryrefslogtreecommitdiff
path: root/old/63247-h/63247-h.htm
diff options
context:
space:
mode:
Diffstat (limited to 'old/63247-h/63247-h.htm')
-rw-r--r--old/63247-h/63247-h.htm3082
1 files changed, 0 insertions, 3082 deletions
diff --git a/old/63247-h/63247-h.htm b/old/63247-h/63247-h.htm
deleted file mode 100644
index b2d367c..0000000
--- a/old/63247-h/63247-h.htm
+++ /dev/null
@@ -1,3082 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- Chambers’s Journal, by Various&mdash;A Project Gutenberg eBook
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2,h3,h4,h5,h6 {
- text-align: center; /* all headings centered */
- clear: both;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-.p2 {margin-top: 2em;}
-
-hr {
- width: 33%;
- margin-top: 2em;
- margin-bottom: 2em;
- margin-left: 33.5%;
- margin-right: 33.5%;
- clear: both;
-}
-
-hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
-hr.full {width: 95%; margin-left: 2.5%; margin-right: 2.5%;}
-
-.header {text-align: center; margin-top: 0;}
-.header p {text-align: center; text-indent: 0;}
-.header .floatl {float: left;}
-.header .floatr {float: right;}
-.header .floatc {padding-top: .5em;}
-
-div.chapter {page-break-before: always;}
-h2.nobreak {page-break-before: avoid;}
-
-table {
- margin-left: auto;
- margin-right: auto;
-}
-table.autotable { border-collapse: collapse; }
-table.autotable td,
-table.autotable th { padding: 4px; }
-
-.tdl {text-align: left;}
-.tdc {text-align: center;}
-
-.pagenum { /* uncomment the next line for invisible page numbers */
- /* visibility: hidden; */
- position: absolute;
- left: 92%;
- font-size: smaller;
- text-align: right;
- font-style: normal;
- font-weight: normal;
- font-variant: normal;
-} /* page numbers */
-
-.center {text-align: center;}
-
-.smcap {font-variant: small-caps;}
-
-/* Images */
-
-img {
- max-width: 100%;
- height: auto;
-}
-img.w100 {width: 100%;}
-
-
-.figcenter {
- margin: auto;
- text-align: center;
- page-break-inside: avoid;
- max-width: 100%;
-}
-
-/* Poetry */
-.poetry-container {text-align: center;}
-.poetry {text-align: left; margin-left: 5%; margin-right: 5%;}
-/* uncomment the next line for centered poetry in browsers */
- .poetry {display: inline-block;}
-.poetry .stanza {margin: 1em auto;}
-.poetry .verse {text-indent: -3em; padding-left: 3em;}
-/* large inline blocks don't split well on paged devices */
-@media handheld, print { .poetry {display: block;} }
-
-/* Poetry indents */
-.poetry .indent0 {text-indent: -3em;}
-.poetry .indent22 {text-indent: 6em;}
-
-@media handheld
-{
-.header {text-align: center; margin-top: 0;}
-.header p {text-align: center; text-indent: 0;}
-.header .floatl {float: left;}
-.header .floatr {float: right;}
-.header .floatc {padding-top: .5em;}
-}
-
-.illowp100 {width: 100%;}
-
-</style>
- </head>
-<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Chambers's Journal of Popular Literature,
-Science, and Art, No. 748, April 27, 1878, by Various
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: Chambers's Journal of Popular Literature, Science, and Art, No. 748, April 27, 1878
-
-Author: Various
-
-Editor: William Chambers
- Robert Chambers
-
-Release Date: September 20, 2020 [EBook #63247]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL ***
-
-
-
-
-Produced by Susan Skinner and the Online Distributed
-Proofreading Team at https://www.pgdp.net
-
-
-
-
-
-
-</pre>
-
-<p><span class="pagenum"><a id="Page_257"></a>{257}</span></p>
-
-<h1>CHAMBERS’S JOURNAL<br />
-OF<br />
-POPULAR<br />
-LITERATURE, SCIENCE, AND ART.</h1>
-
-<div class="chapter">
-<h2 class="nobreak" >CONTENTS</h2>
-</div>
-
-<p class='center'>
-
-<!-- Autogenerated TOC. Modify or delete as required. -->
-
-<a href="#OUR_CANAL_POPULATION">OUR CANAL POPULATION.</a><br />
-<a href="#HELENA_LADY_HARROGATE">HELENA, LADY HARROGATE.</a><br />
-<a href="#CURIOUS_THEATRE_CUSTOMS_IN_PARIS">CURIOUS THEATRE CUSTOMS IN PARIS.</a><br />
-<a href="#THE_RIVAL_LAIRDS">THE RIVAL LAIRDS.</a><br />
-<a href="#AN_IRISH_COUNTRY_FUNERAL">AN IRISH COUNTRY FUNERAL.</a><br />
-<a href="#MR_ASLATTS_WARD">MR ASLATT’S WARD.</a><br />
-<a href="#THE_MONTH">THE MONTH: SCIENCE AND ARTS.</a><br />
-<a href="#TWO_HEARTS">TWO HEARTS.</a><br />
-
-<!-- End Autogenerated TOC. -->
-
-</p>
-
-
-
-<hr class="full" />
-
-<div class="chapter">
-<div class="figcenter illowp100" id="header" style="max-width: 37.5em;">
- <img class="w100" src="images/header.png" alt="Chambers’s Journal of Popular Literature, Science,
-and Art. Fourth Series. Conducted by William and Robert Chambers." />
-</div>
-
-<hr class="full" />
-<div class="center">
-<div class="header">
-<p class="floatl"><span class="smcap">No. 748.</span></p>
-<p class="floatr"><span class="smcap">Price</span> 1½<em>d.</em></p>
-<p class="floatc">SATURDAY, APRIL 27, 1878.</p>
-</div></div></div>
-
-<hr class="full" />
-
-<div class="chapter">
-<h2 class="nobreak" id="OUR_CANAL_POPULATION">OUR CANAL POPULATION.</h2>
-</div>
-
-
-<p><span class="smcap">As</span> much interest has latterly been roused concerning
-the population habitually living in the
-English canal traffic boats, we offer the following
-particulars on the subject from the personal
-observation of a correspondent. His narrative is
-as follows:</p>
-
-<p>After allowing one or two barges to pass, the
-occupants of which seemed to be surly ill-favoured
-folks, one at length came in sight which answered
-our purpose, and we shall begin with it.</p>
-
-<p>A cleanly dressed woman looked up at us
-with a pleasant smile upon her face as we
-bade her ‘good-day,’ her husband at the same
-time answering our salutation heartily. Whilst
-waiting for the lock to fill he came to our side
-and volunteered some sensible remarks on the
-great saving of water effected by the use of the
-side-pound system, which led to a conversation
-between us, and eventually to an invitation to
-step on board and go with them as far as Brentford.
-Accordingly we stepped on board; but at
-first had some little difficulty in bestowing our
-person out of the way of the long tiller, which
-swept completely over the available standing-room
-in rear of the cabin door, and momentarily
-threatened to force us overboard.</p>
-
-<p>When at length we were well under way, and
-the man had relieved his wife at the helm, she
-invited us to inspect the interior of their cabin,
-apologising for its unfurnished state as compared
-with other cabins, on the ground that
-she did not habitually accompany her husband
-on his voyages, preferring to stay at home, when
-possible, to keep the house in order. With
-no little pride, however, she pointed out the
-usual arrangement of cupboards, lockers, shelves,
-hooks, &amp;c., by which the limited space of nine
-feet by six was made to contain the utensils
-and necessaries for the use of a whole family.
-As was natural to a good housewife, she dilated
-mostly upon the cooking capabilities of a wonderfully
-small fire-place, erected close by the doorway,
-at which, she averred, she could cook as
-readily as at home. We looked sharply round
-for the sleeping accommodation, but failing to
-discover anything resembling a bedstead—other
-than the tops of the lockers placed round two
-sides of the cabin, and which we calculated could
-not possibly accommodate more than three persons—were
-considerably puzzled to understand how
-such families as we had seen on the other boats
-were disposed of at night. The roof was not high
-enough to admit of hammocks being slung; nor
-was the space between the lockers sufficient to
-allow of a bed being made up on the floor. Unable
-to solve the puzzle ourselves, we suggested
-that surely, where there was a family of five or
-six children, they did not all sleep in the cabin.</p>
-
-<p>‘Indeed, but they do,’ replied our hostess.
-‘And this is how they manage. The father and
-mother with the youngest baby sleep at the end
-there, with maybe the next youngest at their
-feet; then a couple of the children at this side;
-and another, or two, under here.’</p>
-
-<p>‘Under here’ being the space beneath the
-father’s bed, a very kennel, closed on all sides
-except a portion of the front corresponding to the
-width of the floor—about three feet. That children
-even could sleep in so confined a space without
-suffering permanently in health seems contrary to
-all natural laws; but as a matter of fact, bargemen
-and their families appear to be remarkably
-healthy. Expressing our surprise that any person
-could possibly sleep in so cramped a space, our
-informant continued: ‘Bless you! that’s nothing.
-When there’s a butty, he sleeps as best he can on
-the floor.’</p>
-
-<p>‘And pray, what is a butty?’ we inquire.</p>
-
-<p>‘Well, you see, by rights there must be two
-able-bodied people on board every boat, besides
-a lad or a lass to take turn about at driving.
-Generally it’s the man’s wife. But sometimes it
-happens as she’s sick or what not; and then they
-have to get a growing lad of sixteen or seventeen
-to butty with them for a voyage or two; and then
-of course he lives and sleeps on the boat along
-with the family. Not as you must run away
-with the idea that we all of us live entirely in<span class="pagenum"><a id="Page_258"></a>{258}</span>
-the boats, as a good many of us have as good
-homes on shore as you’d wish to put foot in.
-But on the other hand, there’s as many more who
-don’t sleep out of the boat once a year, and hardly
-know what the inside of a house is like.</p>
-
-<p>‘Do I mean to say that children are born in these
-cabins? Indeed I do, sir. What is more, many’s
-the child that is not only born on board but <i>dies</i>
-on board too; for as I told you, there’s many that
-have no other home than the boat, and no friends
-but what are boatmen too. So what <i>are</i> they to
-do? with their husbands a-travelling all over the
-country; Birmingham one week, and Brentford
-here maybe, the next. Plenty of ’em indeed
-have got so used to the boats it would be
-downright cruel if they were to be compelled to
-live in a house ashore like decent people; because,
-you see, everything’s so different, and they’ve
-become so used to making shift in little room,
-that they’d be regularly lost in a house.</p>
-
-<p>‘How do they get on when they’re sick?
-Well, you see, it’s mostly a town that we tie up
-at, at night, and there’s generally a doctor to be
-found, however late it may be; and they get
-medicine that way. I once lost a little girl on
-board. She was taken a little queer on the
-Sunday night before we were to start on this very
-same voyage on the Monday morning. It so
-happened that the master couldn’t get a butty,
-and so we’d arranged as I should come down with
-him; though of course we never dreamt as there
-was anything serious the matter with little Polly,
-or I wouldn’t have stirred with her. All day
-Monday and Tuesday the child got so much worse,
-that when we tied up at night I made the master
-take her to a doctor and get some medicine for
-her. Of course we were obliged to go on the next
-day, with little Polly getting worse and worse
-every hour, so that at night we were afraid to take
-her on shore, and had to pay a doctor to come on
-board and see her. I hardly liked the thought
-of going on the next day; but we were on a time
-voyage, by which the master was bound to be in
-Brentford on a certain day, and so we had to go
-on. But before night little Polly died. All that
-evening my master tried to get somebody to take
-his boat on; but it was a busy time just then, and
-there wasn’t a boatman to be got for love or
-money. We had some thoughts of going on ourselves;
-but almost as soon as it was daylight the
-next morning a policeman came on board and
-stopped us, saying, as no doctor had attended the
-child, there’d have to be an inquest. It was no
-use me a-shewing him the medicine bottles, and
-saying as two doctors had seen her; he wouldn’t
-believe us. Nor it wasn’t till two days afterwards,
-after my master had been to the last doctor and
-got him to give him a letter to the coroner, that
-we could get leave to bury the child; which we
-did, with not a soul belonging to her following her
-except my husband in his working clothes, I
-myself being too poorly to keep the poor man
-company in seeing the last of her.</p>
-
-<p>‘As for children being born in the cabins, sir,
-I know several women who have had large
-families all born on board the boat while it was
-making its voyage, with perhaps nobody at all
-to attend on them except their husband, or some
-woman from another boat which chanced to be
-working mates with them.</p>
-
-<p>‘Both my lads can read and write; but there’s
-nine out of ten as you see on the boats can’t tell
-“A” from a bull’s foot, and on that account the new
-Act is sure to do good. But my husband can tell
-you more about that than I can, and he’ll have
-done for a mile or two when we get through this
-next lock.’</p>
-
-<p>‘None such easy work after all—is it, sir?’
-inquired the husband, as after passing through
-several locks all within a few score paces of each
-other, at every one of which he had been very
-hard at work opening and closing sluices, he
-stepped on board the barge and took the helm
-from his wife. ‘There is them as thinks we
-bargees have nought to do all day except lean our
-arms on the tiller, smoke our pipes, and chaff
-anybody we come across. But you can see for
-yourself, sir, as we have all our work at times.’</p>
-
-<p>Having expressed our conviction that on that
-point he was right, we requested him to enlighten
-us on several matters connected with his particular
-class, which he willingly did somewhat as follows.</p>
-
-<p>‘About our earnings? Well, I suppose we can’t
-grumble as times go. Take it all the year round,
-one week with another, I and the lads earn perhaps
-a couple of pounds. We get paid mostly by
-the voyage—so much a ton from one place to
-another; and if we could only get loaded up as
-soon as we emptied, we shouldn’t make a bad
-thing of it; but the worst of it is the waiting
-about for a load when one voyage is finished before
-we can start on another. The boats the master
-finds; but the horse is my own; and out of what I
-make I have to feed him, which must be on the
-best of corn and hay that can be got for money;
-otherwise, he’d never be able to get through the
-tramp, tramp, for five-and-twenty or thirty miles—sometimes
-more—which he has to do day after
-day, wet and fine. Look at that corn, sir! Better
-you won’t find in any gentleman’s stable, I’ll
-warrant. And I find that in the long-run it comes
-the cheapest, for where those as feeds their horses
-on anything, wear out two or three, I don’t use
-up one. Of course we don’t walk the whole day
-through, alongside the horse; but we take it turn
-about, five or six miles at a spell; though sometimes
-when we are working quick voyages, night
-and day that is—owners finding relays of horses—we
-have regular hours to drive, like watches on
-board ship; but there ain’t much of that kind of
-work now. Our day’s work is mostly over by dark,
-sometimes sooner, sometimes later, all depending
-on the place we choose to tie up at, or the time we
-have to wait to pass the locks.</p>
-
-<p>‘Do I think that railways will do away with
-canals in time? No, sir; I don’t. Because, you
-see, there’s lots of goods as don’t well bear the
-packing and unpacking as is necessary for railway
-travelling, as can be put straight on board a barge
-and never be shaken even, till they are unloaded
-just at the very place where they are wanted.
-And lots of other goods there are that <i>we</i> can carry
-cheaper than the railway, where a day or two
-more on the road don’t matter. Besides which,
-there’s plenty of brickfields, collieries, ironworks,
-and such like just on the canal banks and some
-distance from railroads, that will always use barges
-to save the expense of carting; so that I don’t
-think canals will go out of fashion yet awhile.
-And that’s why I’m glad to hear as they’re passing
-an Act to do something for the poor children.
-You see it’s just this way, sir: our people as a<span class="pagenum"><a id="Page_259"></a>{259}</span>
-rule don’t know how to read and write themselves,
-most of ’em having been on the boats since they
-could remember, and therefore they don’t see
-why they shouldn’t have the advantage of their
-children’s assistance in working the barge, the
-same as <i>their</i> fathers had.</p>
-
-<p>‘There’s another way in which I think the Act
-will do good, and that is this. It will teach our
-women perhaps to have a little more decency
-about them than some of the worst of them have.
-If you’ll believe me, sir, I see scenes on the canal
-sometimes, when some of the worst of them have
-been paid, as I can’t bear to look at, though not
-nearly so commonly now as I used to. And then
-again, it doesn’t always follow as because a man
-and woman work the same boat that they are
-married. In fact, in my opinion it would be a
-good thing if the lasses were not allowed on board
-after they had grown up to be twelve or thirteen,
-as it stands to reason that they’re nearly sure to
-grow up bargewomen. And after all’s said and
-done, it’s no fitting life for a woman to lead.
-As you’ve seen for yourself, there’s a good deal
-of hard work attached to it, even on a fine day
-like this; but in winter-time it’s simply cruel
-to a woman who has a young baby. However,
-I suppose when our children are compelled to
-go to school, as they say this new Act compels
-them, there’ll be a stop put to a good deal of what’s
-wrong about us, and perhaps folks may not have
-so good a reason for looking upon us as something
-worse than themselves. People seem to think
-that generally we are a regular bad lot; but I
-fancy if they knew a little more about us, they’d
-see that, though there <i>are</i> some bad ones amongst
-us, take us all in all we are no worse than most
-of our neighbours. We seem somehow to have
-got a name for interfering with people as we
-chance to come across; but you may see for yourself,
-sir, that we have quite as much as we can
-do to mind our own business, and a bargeman can
-no more afford to neglect his business than anybody
-else, if he means to do any good in the
-world.</p>
-
-<p>‘What becomes of us when we get old? Well,
-most of us stick to the barges as long as we can;
-and when we are obliged to give up, if we
-haven’t put by enough to keep us comfortable,
-which I’m sorry to say as there ain’t many of us
-do, there’s generally a lock to be got or a job of
-some sort at the docks; all depending on the sort
-of character we’ve kept.</p>
-
-<p>‘Here we are, sir, at our journey’s end for this
-time,’ he added, as the boat slowly floated into a
-small open basin, there to remain for the night.
-The boatman’s wife, being already shawled and
-armed with a capacious basket, stepped on shore
-as soon as the boat came near enough; and with
-a cheerful ‘good-night’ to us, went away to do
-her marketing before the shops should close.</p>
-
-<p>Tying up the boat, my bargee friend sent off the
-boys with the horse to its stable, and proceeded to
-gather together and stow away in their respective
-lockers the odds and ends which had been in use
-during the day; remarking as he did so, that
-though there were watchmen kept in every dock,
-it often happened that the barges were robbed of
-any loose things which might be left about, and
-therefore it was that most of the boats had a dog
-on board, who made a better policeman than all
-the watchmen. With a last glance round he took
-from one of the cupboards a dirty paper, and
-unfolding it for our inspection, said: ‘There, you
-see, reading and writing would be of some use to
-us after all; for according to what tonnage is put
-down there, we get paid. And as you see, wherever
-we pay tolls they put down the time we pass,
-so that if we get drinking or loitering about for a
-day the owners know it, and make up our character
-according.</p>
-
-<p>‘Yes; I’m going to sleep on board; but I must
-go and report our arrival at the office, and see as
-the horse is all right first. And as for what I’ve
-told you, I’m sure you’re very welcome to know
-it, especially if it will only make you believe as
-if something was done to give our children a little
-reading and writing, and to stop so many lads and
-lasses being crammed together in the boats, there
-might be less respectable people than bargees.’</p>
-
-<p>An unclouded moon was shining upon the calm
-water of the canal and upon the gaudily painted
-cabins of some twelve or thirteen barges, which
-lay motionless in the basin, displaying no other
-sign of human habitation than the thin columns of
-smoke which issued from their stove-pipes, as we
-bade our friend ‘good-night,’ and started on our
-homeward walk, well satisfied with the experience
-we had gained while spending an hour or two
-with some of ‘our canal population.’</p>
-
-
-<hr class="chap" />
-
-<div class="chapter">
-<h2 class="nobreak" id="HELENA_LADY_HARROGATE">HELENA, LADY HARROGATE.</h2>
-</div>
-
-
-<h3>CHAPTER XXIII.—JASPER FEELS PERPLEXED.</h3>
-
-<p><span class="smcap">Jasper Denzil</span>, as he slowly made his elaborate
-toilet on the sunny September morning which
-succeeded to the eventful night on which he had
-espied from his window Ruth’s slight form gliding
-across the lonely park, turned over many things
-in his mind. His man, who groaned over the
-dull monotony of rural existence, and longed to
-be once more in Mount Street or Bond Street
-lodgings, silently opined, as he applied the ivory-backed
-brushes to his master’s hair or removed
-the silver-gilt stoppers of the scent-bottles, that
-‘the captain’ was brooding over his turf calamities.
-But he was wrong. Jasper’s reverie was
-on a different theme.</p>
-
-<p>Who or what was this mysterious Miss Willis,
-this interesting orphan, whom regard for the
-mythical major her defunct papa had induced
-Sir Sykes to take into the bosom of his family?
-The conversation which he had overheard when
-lurking in the frowsy garden of <i>The Traveller’s
-Rest</i> recurred again and again to his memory, and
-served to explain much, but not all. That the
-presence beneath his roof-tree of Ruth Willis
-had been imposed upon the baronet by Hold’s
-importunity, he well knew. That he had with
-his own ears heard Hold describe her as his sister,
-he well remembered, but he recalled too the
-sneering tone in which the adventurer had claimed
-kindred with the Indian orphan.</p>
-
-<p>Of one thing alone did Captain Denzil feel sure.
-Ruth, be her understanding with Hold what it
-might, was a lady, and no blood-relation of the
-rough rover who claimed to be her brother. Who
-then <i>was</i> this Ruth? Again and again Jasper’s
-thoughts flew back to the little sister that had
-died so early, and whose untimely death was
-reported to have made the owner of Carbery Chase
-the morose joyless recluse that he had long been.<span class="pagenum"><a id="Page_260"></a>{260}</span>
-Could it be—was it possible that the child had
-not died at all, that a false registry, a sham burial,
-had thrown dust in credulous eyes, and that the
-missing member of the family, hidden for years
-from all eyes, had at length been introduced under
-a fictitious name into the household?</p>
-
-<p>A profound distrust of their fellow-creatures
-is usually a cardinal point of belief with young
-men of such tastes and habits as those of Jasper;
-nor did he find it difficult to accredit Sir Sykes
-with concealed villainy of some sort, or Miss
-Willis with not, as in sporting language he pithily
-paraphrased it, ‘running square.’ But he did desire
-to find a conceivable motive of some kind; and in
-the absence of that was driven to speculations too
-wild to shape themselves in rational form.</p>
-
-<p>‘If the governor had been touched in the head’—thus
-ran the son’s dutiful meditations—‘I could
-have set down the thing as a rich man’s crazed
-caprice; but no! he’s as sound as a bell. And
-then that fellow the pirate actually bullying him
-to get this girl foisted upon us! What imaginable
-interest can he have in planting her at
-Carbery Chase, or what can be the bond of union
-between a refined dainty little creature and a
-buccaneering vagabond of his stamp? The whole
-affair is a riddle.’</p>
-
-<p>It might be added that Jasper was not an adept
-in the solution of such social puzzles. Turf
-rascalities of any sort came quite naturally within
-the compass of an understanding well fitted to
-grasp all that could be done on the offensive or
-the defensive where a race-horse was concerned.
-He knew as much as an outsider could know
-regarding touts and horse-watchers, stable strategy
-and the tactics of the course. He no more expected
-straightforward conduct on the part of an
-owner than on that of a trainer or of a jockey.
-He did not except even those owners, trainers, and
-jockeys, whose honesty was proverbial on the
-English turf. The money to be won was in
-his eyes motive sufficient for any moral obtuseness.
-But the behaviour of Sir Sykes did not
-square itself with any of his ethical theories, however
-tolerant.</p>
-
-<p>When, for the very first time since his accident
-at the steeplechase, Captain Denzil made his
-appearance at the family breakfast-table, he received
-the congratulations of his sisters on the
-marked improvement in his looks. And it was a
-fact that he not merely seemed but felt in better
-health than before, in spite of the loss of sleep
-incumbent on his vigil of the previous night. The
-activity of his thoughts had stirred his languid
-pulses and lent a pleasing vigour to his sluggish
-mind, and he even began to find existence at
-Carbery more endurable since his fancy had been
-stimulated by the partial discovery which he had
-chanced upon.</p>
-
-<p>‘I should like to have a word with you, Jasper,’
-said Sir Sykes. (It was a very unusual thing for
-him to say.) ‘You will find me in the library
-after breakfast.’</p>
-
-<p>Jasper, who had been stealthily admiring the
-calm unconcern with which Miss Willis met his
-gaze, and the perfect steadiness of that young
-lady’s nerves, started, but instantly recovered
-himself. ‘To be sure, sir,’ he said, toying with
-his tea-spoon, while his heart quickened its beating.
-The enigma was about to be solved then. He
-could not doubt that the communication which
-his father had to make had reference to the strange
-doings of which Carbery Chase had of late been
-the theatre.</p>
-
-<p>Sir Sykes, in his favourite apartment, was not
-kept waiting very long. His only son, in obedience
-to his father’s invitation, sauntered in with
-his customary air of nonchalant indifference, and
-took his seat loungingly in an easy-chair opposite
-to that of Sir Sykes. The baronet seemed at a
-loss for words wherewith to begin the announcement
-he desired to make.</p>
-
-<p>‘You are nearly yourself again, Jasper, after
-your heavy fall?’ said Sir Sykes, by way of a
-prelude to the conversation.</p>
-
-<p>‘Yes; thanks. My arm is a little troublesome,
-but otherwise I am getting on capitally,’ replied
-Jasper after an instant’s hesitation. He had hesitated
-in diplomatic doubt as to whether the part
-of an invalid would stand him in better stead than
-that of a flourishing convalescent, but contented
-himself with giving an ambiguous answer. Had
-Captain Prodgers or any sporting friend put the
-query, ‘I feel fit and well’ would have been
-the appropriate rejoinder; but with his parent
-the ex-Lancer did not care to lose any coigne of
-vantage-ground.</p>
-
-<p>‘I am glad of it,’ mechanically returned the
-baronet; and then there was another pause, more
-awkward than the last.</p>
-
-<p>‘My boy,’ said Sir Sykes, plunging with an
-effort into the subject nearest to his thoughts,
-‘you can’t suppose that I like to see you wasting
-your young life in indolent inaction, or that I am
-blind to the fact that the quiet humdrum ways of
-Carbery often pall upon you.’</p>
-
-<p>Jasper pricked up his ears. Here was an exordium
-which promised well, too well almost. Could
-it be possible that his father was going to sign, so
-to speak, his social ticket-of-leave, and to send him
-back where Fashion reigned supreme—to London,
-Newmarket, Melton? Had the Fates grown kind;
-and could he, Jasper Denzil, with a satisfactory
-bank balance, once more take his place in the
-constellation of the gilded youth of Britain? He
-opened his lazy eyes a very little wider, and
-looked at his father with a renewed interest in
-the next words that he should hear.</p>
-
-<p>‘The case,’ went on Sir Sykes, ‘lies in a nutshell.
-You are discontented simply because you
-have nothing to occupy you and no one to care
-for. I should like very much, Jasper, to see you
-happily married; I should indeed.’</p>
-
-<p>Jasper stared. His roseate visions of a prompt
-reappearance in betting-rings and military clubs
-were fading fast. But this novel anxiety on the
-part of Sir Sykes as to his son’s matrimonial
-future might be twisted somehow into the foundation
-of at least a qualified prosperity. ‘He can’t
-mean,’ such was Jasper’s inward soliloquy, ‘myself
-and my wife to be mere pensioners, living
-indolently here at Carbery. He must do something
-for us, he must indeed; unless it is an
-heiress he is about to suggest as a desirable
-daughter-in-law.’—‘I suppose I must marry, like
-other people, some of these days,’ said Jasper,
-with Pall-Mall philosophy.</p>
-
-<p>‘And there is this advantage in your position,’
-returned Sir Sykes, in a quick flurried manner,
-‘that you need not look for fortune in a wife.
-The heir-expectant of Carbery can afford to disregard
-such matters as dowry and portion.’</p>
-
-<p><span class="pagenum"><a id="Page_261"></a>{261}</span></p>
-
-<p>A little pink flush rose to the roots of Jasper’s
-fair hair. He did not quite enjoy the hearing
-himself described as heir-expectant, not feeling
-sure but that a covert sneer was intended; but it
-was pleasant to be told that he was not expected
-to earn his bread, as he had known other broken-down
-men of fashion to do, by wedlock. Perhaps
-it was rank, not wealth, on which the governor’s
-thoughts ran—perhaps Lady Gladys De Vere.
-But here Jasper’s meditations were interrupted,
-and his thoughts turned into a new channel, when
-the baronet suddenly said: ‘Has it never occurred
-to you that Miss Willis, our new inmate here at
-Carbery, was a very charming little person, a good
-girl, and a clever one, and who would make an
-excellent wife?’</p>
-
-<p>The explosion of a hand-grenade would not
-have produced a more startling effect on Jasper’s
-nerves than did this wholly unexpected speech on
-the part of Sir Sykes. For a moment or two he
-sat motionless, with arched eyebrows and parted
-lips, and then said, stammeringly: ‘Why, I
-thought the relationship—no, not that, but I
-supposed—obstacle—marriage!’</p>
-
-<p>It was for Sir Sykes then to look astonished.
-Either he was a consummate actor, or his son’s
-last words had been to him utterly inexplicable.</p>
-
-<p>‘I hardly know,’ said the baronet, in that cold
-half-haughty tone that had become habitual to
-him, ‘to what you allude, or what insuperable
-stumbling-block you conceive to stand in your
-way, should you incline to do so sensible a thing
-as to pay your addresses to my ward, Miss Willis.
-She has, it is true, no fortune; but that deficiency,
-as I have already said, is one which I can easily
-remedy. In addition to Carbery Chase, which is
-quite,’ he added with marked emphasis, ‘at my
-own disposal, I have a large amount of personal
-property, and should be willing to settle a considerable
-income on your wife—I say on your wife,
-Jasper, because, unhappily, I cannot rely on your
-prudence where money is concerned.’</p>
-
-<p>‘I know I’ve made too strong running, know it
-well enough,’ answered the ex-cavalry officer,
-stroking his yellow moustache; ‘and I don’t deny,
-sir, that you have treated me very kindly as to
-money and that. But really and seriously, sir,
-<i>can</i> you wish me to marry Miss Willis?’</p>
-
-<p>‘Really, my son, your pertinacity in cross-questioning
-me on the matter is—I am sure most
-unwittingly—almost offensive,’ replied Sir Sykes
-nervously. ‘Nor do I see what there would be so
-very wonderful in your selection of an amiable and
-accomplished girl, domiciled in your father’s house,
-and the daughter of—poor Willis!’ added the
-baronet in conclusion, as though the memory of
-the deceased major had suddenly recurred to him
-with unusual vividness.</p>
-
-<p>Jasper, who remembered the conversation which
-he had overheard at <i>The Traveller’s Rest</i>, fairly
-gasped for breath. His parent’s talent for duplicity
-seemed to him to be something strange and shocking,
-as the untruthfulness of an elder generation
-always does appear.</p>
-
-<p>‘I should not have urged my views upon you as
-I have done,’ continued Sir Sykes after a pause,
-‘but that I have some idea that the young lady
-who has been the unconscious subject of this conversation
-entertains—what shall I say?—a preference
-for your society, which her feminine tact
-enables her to hide from general notice. I feel
-assured that it only rests with you to win the
-heart of Ruth Willis—a prize worth the winning.’</p>
-
-<p>We are all very vain. Jasper, fop and worldling
-though he was, felt a thrill of gratified vanity
-run through him like an electric shock, as his
-father’s artful suggestion sank into the depths of
-his selfish mind. But he made haste to put in a
-disclaimer.</p>
-
-<p>‘I’m afraid, sir, you are too partial a judge,’ he
-said, with an involuntary glance at the Venice
-mirror opposite. ‘Miss Willis is too sensible to
-care about a good-for-nothing fellow like me.’</p>
-
-<p>‘I think otherwise, Jasper,’ returned Sir Sykes.
-‘However, for the present we have talked enough.
-My wishes, remember, and even—even my welfare,
-for reasons not just now to be explained, are on
-the side of this marriage. Think it over. To you
-it means easy circumstances, a home of your own,
-the reversion of Carbery Chase, my cordial good-will,
-and the society of a charming and high-principled
-wife. Think it over.’</p>
-
-<p>‘I will think it over, sir,’ said Jasper, rising
-from his chair, and lounging out of the library
-with the same listless swagger as that with which
-he had lounged into it. ‘I should be glad of
-course to meet your wishes, and that. Quite a
-surprise though.’</p>
-
-<p>Left alone, Sir Sykes buried his face in his
-hands, and when he raised it again it looked old,
-worn, and haggard. ‘That scoundrel Hold,’ he
-said with a sigh, ‘makes me pay a heavy price for
-his silence, and even now his motives are to me a
-problem that I cannot solve.’</p>
-
-<p class="center">(<i>To be continued.</i>)</p>
-
-
-<hr class="chap" />
-
-<div class="chapter">
-<h2 class="nobreak" id="CURIOUS_THEATRE_CUSTOMS_IN_PARIS">CURIOUS THEATRE CUSTOMS IN PARIS.</h2>
-</div>
-
-
-<p><span class="smcap">The</span> visitor to Paris may witness a kind of
-theatrical performance which is strikingly different
-from any that can be seen in Great Britain.
-We refer to the Théâtre des Menus Plaisirs, in
-the Boulevard de Strasbourg. Part of the entertainment
-here consists in certain of the actors and
-actresses criticising the performances which are
-proceeding upon the stage, from seats in various
-parts of the house—pit, circle, and gallery—which
-they have quietly got into unobserved by the
-audience. They assume the <i>rôle</i> of ordinary
-spectators who find themselves compelled in the
-interests of literature and art to remonstrate in a
-rather extraordinary manner against what they
-see and hear upon the stage; and the surprise
-of the uninitiated when the ball is set rolling is
-considerable.</p>
-
-<p>The manager comes upon the stage and begins a
-modest speech upon past successes and future prospects;
-but he has not far advanced in his speech
-when a gentleman rises in the stalls, with hat in
-hand, and in the most respectful manner corrects
-him with regard to a word which he declares to be
-ill chosen and misleading, at the same time obliging
-the manager with the correct word. Here another
-gentleman introduces himself into the dispute,
-and complicates matters by a new suggestion,
-which involves the subject in inextricable confusion
-and absurdity. Both gentlemen are extremely
-polite, but firm in denying the right of
-the manager to that word; and the latter is driven
-frantic, and retires from the stage glaring at his
-antagonists.</p>
-
-<p>Silence for a few seconds succeeds this scene,<span class="pagenum"><a id="Page_262"></a>{262}</span>
-when suddenly a man in the front seat of the
-gallery starts up from his seat with a wild cry,
-throws one leg over the gallery, hangs forward
-suspended from the railing, and gazes towards the
-pit entrance of the theatre. He sees something
-of absorbing interest, and with another cry he
-is about to throw himself over the gallery. The
-people scream; and then he finds he has been
-mistaken; he resumes a normal position, and
-looking round upon the audience with a kindly
-smile, which strangely contrasts with his late look
-of anxiety, he asks pardon for unnecessarily disturbing
-their composure, and resumes his seat. A
-tenor singer now comes upon the stage and commences
-a song; but the two critics in the stalls
-are particular, and take exception to his style; they
-do so with manifest regret, but the principles of
-art must be attended to. With profuse apologies,
-and an expressed hope that he will proceed with
-his song in the corrected form, the critics resume
-their seats. The tenor, at first exasperated, becomes
-mollified by the courteous manners of the
-gentlemen, and begins his song again; but almost
-immediately a lady sitting in the front seat of the
-circle tells him that he is in danger of dropping
-his moustache. This last is the final ‘straw’ on
-the back of the vocalist, and he retires in high
-dudgeon.</p>
-
-<p>By the side of the lady in the circle there sits
-a meek-looking old gentleman, who being naturally
-shocked at the conduct of his wife, puts on
-his hat as if to leave the theatre; but the better-half
-is equal to the occasion, and knocks his hat
-over the meek old gentleman’s eyes, and the
-meek old gentleman himself back into his seat.
-Presently several actresses appear upon the stage,
-and one of them commences to sing, with probably
-a pleasing sympathetic voice; but such is not
-the opinion of the lady, who holds the singer up
-to ridicule. The vocalist then stops, and engages
-in a verbal and violent encounter with her persecutor,
-who from her place in the ‘circle’ returns
-the badinage with interest, so that soon the other
-retires from the stage vanquished. The victor is
-now asked herself to sing, a request with which
-she readily complies, singing with abundant action
-and in good voice an exceedingly catching song,
-and at the chorus, giving a royal wave of the
-hands towards the gallery to join with her at that
-point.</p>
-
-<p>The stranger will be surprised to learn that this
-disturbing element in the audience, in reality comes
-from behind the scenes; the lady who has just
-sung is the leading member of the company, and
-the gentlemen critics are well-known and highly
-appreciated comedians. And though the stranger
-may think that all this is an impromptu disturbance,
-it is quite certain that all is rehearsed
-as carefully as any play that is put upon the
-stage. How long such a performance would secure
-the favour of a London audience, is doubtful;
-here, however, it is an abiding success, is received
-with immense applause—the <i>claqueurs</i> or professional
-applauders being apparently altogether dispensed
-with—and the audience is kept in continual
-hilarity by the humorous attack and by the
-instant and witty reply.</p>
-
-<p>Within the Parisian theatres the visitor may
-derive some amusement from observing the operations
-of the <i>claqueurs</i>, who are employed at the
-principal establishments to augment the enthusiasm
-of the audience. The men who compose
-this body of professional applauders appear to
-belong to the artisan class; they number from forty
-to fifty, that is they are about a hundred hands all
-told. They occupy the front row of seats in the
-second or third gallery, so that to observe them and
-their movements it is necessary to occupy a place
-in one of the galleries. Their leader sits in their
-midst, ever ready at the points marked for him by
-author or manager to give the signal which ‘brings
-down the house.’ As the moment arrives when
-<i>the</i> bon-mot shall be uttered, the <i>chef</i> breathes upon
-his hands, then stretches them slightly upwards,
-while he at the same time looks right and left
-along his ranks. This is equivalent to ‘Attention’
-or ‘Prepare to fire a volley.’ Each man is now at
-the ‘ready,’ and waits anxiously upon the <i>chef</i>.
-When the <i>mot</i> is uttered, he brings his hands together
-with a frantic wave, and the others simultaneously
-with him make a very respectable, even
-enthusiastic show of applause. At the end of a
-song the leader starts the cry <i>Ploo, ploo</i> (plus,
-signifying more), in which all join; this, which is
-equivalent to our ‘Encore,’ sounds in the stranger’s
-ears more like hooting than aught else; but it is
-no doubt as welcome to the French actor as a
-good British cheer is to an English one.</p>
-
-<p>This little army, like all others, has its awkward
-squad. One evening at the ‘Renaissance’
-we observed the <i>chef</i> to become very uneasy on
-account of one who was exceedingly remiss in his
-duty; not only was the amount of applause when
-given small in volume, but once when the signal
-was given he entirely neglected to comply with it.
-This was gall and wormwood to the leader, who
-really seemed a very earnest hard-working man
-in his profession; so after finishing the round of
-applause, he ‘went for’ that awkward man, remonstrated
-with him, and even gave him on the spur
-of the moment, a lesson on the correct method of
-clapping hands. After this the pupil shewed
-marked improvement, and by the end of the play
-performed his duty in such a satisfactory manner
-as promised well for his future advancement in
-this handy profession. The effect of this pernicious
-system upon the audience is very different,
-we should think, from what was anticipated when
-it was first organised; for finding that the applause
-is supplied by the establishment, just as it supplies
-programmes or turns on the gas, the audience feel
-that they are relieved from all obligations in the
-matter, and unless stirred by an irresistible
-influence, seldom dream of applauding at all.</p>
-
-
-<hr class="chap" />
-
-<div class="chapter">
-<h2 class="nobreak" id="THE_RIVAL_LAIRDS">THE RIVAL LAIRDS.</h2>
-</div>
-
-
-<p><span class="smcap">In</span> a recent article on Curling we endeavoured to
-give a sketch of the history of this popular Scottish
-pastime, together with a brief outline of the
-mode in which the game is usually played. The
-following story of a match between two rival
-parishes, supposed to have been played about the
-beginning of the present century, may give the
-reader a further idea of the enthusiasm evoked
-on the ice whenever and wherever curlers forgather.
-Let the non-initiated imagine himself
-standing beside a frozen sheet of water, upon
-which are assembled a company of men of various
-ranks from peer to peasant, each striving to do his
-best to support the prowess and honour of his
-rink. The rink let it be understood is a certain<span class="pagenum"><a id="Page_263"></a>{263}</span>
-portion of ice, from thirty to forty yards in length,
-apportioned off to the players. The players consist
-usually of four on each side, and whereas in the
-well-known game of grass-bowls, each player is
-provided with two wooden bowls which he drives
-towards a small white ball called the Jack, each
-player on the ice has two curling-stones shaped
-much like a Gouda cheese—with a handle atop—which
-he propels or hurls towards a certain marked
-spot at each end of the rink, called the tee; and round
-each tee is scratched a series of concentric rings
-ranging from two to ten or twelve feet in diameter.
-Standing at one end of the rink the man whose
-turn it is to play, waits the bidding of his director
-or ‘skip’ who stands at the other end, and then
-endeavours to act according to the directions that
-may be given by that important personage. Each
-of the four players on one side plays alternately
-against his antagonist, the main object being to
-send the stone gliding up the ice so that it may
-eventually lie within the rings and as near the
-tee as possible. Thus, when the ‘end’ is finished,
-the side whose stones lie nearest the tee scores so
-many towards the game.</p>
-
-<p>Sometimes when the ice is partially thawed the
-players have difficulty in hurling their stones
-all the way to the tee; and sometimes they fail
-to get them beyond a transverse mark called the
-‘hog-score,’ two-thirds down the rink—in which
-case the lagging stone is put off the ice and cannot
-count for that ‘end.’ Besoms, however, with which
-each man is armed, are here of great account, the
-laws of the game permitting each player to sweep
-the ice in front of an approaching stone belonging
-to his side, so as to accelerate its progress, if
-necessary. The shouts of ‘Sweep, sweep!’ or
-rather ‘<i>Soop, soop!</i>’ are of continual recurrence,
-and are exceedingly amusing to strangers. The
-skip on each side first directs his three men
-and then lastly plays himself. On his generalship
-in skipping much depends, his efforts being
-mainly directed first to get as many stones as
-possible near the tee, and then to get his men
-to ‘guard’ them from being driven off by those
-of the opposite side. Or he may direct a player
-to aim at a certain stone already lying, with a
-view to take an angle, or ‘wick’ as it is termed,
-and so land his own stone near the tee. This
-wicking is a very pretty part of the game and
-requires great delicacy of play.</p>
-
-<p>The anxiety of the opposing skips is very
-amusing to watch, and the enthusiasm of the
-several players when an unusually good shot is
-made, is boundless. A good ‘lead’ or first player,
-though he is necessarily debarred from the niceties
-of the game which fall to the lot of the subsequent
-players, is a very important man in the
-game if he can place his stones within the circles
-that surround the tee, or in familiar parlance,
-‘lie within the house.’ Second player’s post is not
-so important; but ‘third stone’ is a position given
-usually to an experienced player, as he has frequently
-to either drive off some dangerous stone
-belonging to the other side, and himself take its
-place; or has to guard a stone of his own side,
-which though in a good position may lie open
-to the enemy. Thus proceeds with varying fortune
-this ‘roaring game’ of give and take, stone after
-stone being driven along the icy plain, till the
-skips themselves come to play and so finish the
-‘end.’</p>
-
-<p>With these preliminary remarks we proceed to
-our tale.</p>
-
-
-<p class="p2">Snow had fallen long and silently over all the
-high-lying districts of the south of Scotland. It was
-an unusually bad year for the sheep-farmers, whose
-stock was suffering severely from the protracted
-storm and the snow which enveloped both hill and
-low-lying pasturage. But while sheep-farmers were
-thus kept anxiously waiting for fresh weather,
-curlers were in their glory, as day after day they
-forgathered on the ice and followed up the
-‘roaring game.’</p>
-
-<p>The century was young, and the particular year
-of our story was that known and spoken of for
-long afterwards as the ‘bad year.’ In these days,
-there was no free-trade to keep down the price
-of corn or beef, which during years of bad harvest
-in Great Britain, or long periods of frost and snow,
-rose to famine prices, and were all but unprocurable
-by the poorer classes. Oatmeal at half-a-crown
-a peck told a sad tale in many a household,
-and especially on the helpless children—the bairns.</p>
-
-<p>As we have said, curling had been enjoyed to
-the full; perhaps there had even been a surfeit
-of it, if the real truth were told. Match after
-match had been played by parish against parish,
-and county against county. Rival rinks of choice
-players belonging to counties such as Peebles
-had challenged those of the neighbouring counties
-of Selkirkshire, or even Midlothian. Prizes, consisting
-of medals or money, had been gained by
-various enthusiasts; and last though not least,
-matches for suppers of beef and greens—the true
-curlers’ fare, had been contested, the reckoning to
-be paid by the losing rinks. The benedicts too had
-played the bachelors, and had as usual, beaten
-them.</p>
-
-<p>Country squires had given prizes to be played for
-by their tenantry versus adjoining tenantry, and
-had brought their fur-clad wives and daughters to
-the ice to congratulate them on success, or condole
-with them on defeat. In short, the sole occupation
-of the majority of the adult male rural population
-of the south of Scotland in the year of which we
-speak, seemed to be—curling.</p>
-
-<p>Amongst other matches in the county of Peeblesshire
-there was one that yet remained to come off,
-namely between the parishes of Tweedsmuir and
-Broughton. In a series of matches—or bonspiels
-as they were termed—between parish and parish,
-these two had stood unbeaten. It therefore
-remained to be seen which parish should beat the
-other, and thereby achieve the envied position of
-champion of the county.</p>
-
-<p>When the honour of a <i>parish</i> is at stake on the
-ice, the choice of the men who are to play, is a
-matter of very grave import. In a friendly match
-between two rinks, a little unskilfulness on the
-part of one or more of the players is a very
-common affair and is comparatively unheeded:
-but in a bonspiel between the two best parishes
-in a celebrated curling county, the failure or even
-the occasional uncertainty of any one man may be
-fraught with direst consequences.</p>
-
-<p>Foremost among the promoters of the forthcoming
-match which was to decide matters, were
-Robert Scott laird of Tweedsmuir, and Andrew
-Murray laird of Broughton. These worthies had
-long been rivals on other than ice-fields, and
-though on friendly enough terms at kirk or market<span class="pagenum"><a id="Page_264"></a>{264}</span>
-were each keenly alive to his own honour and
-prowess. Any game, therefore, in which these
-rival lairds engaged, was sure to be closely contested;
-and the result was at all times as eagerly
-watched by interested spectators as it was keenly
-fought by the rival parties. It is even said that
-the lairds had been rivals in love as well as in
-other sports, the result of which was that Murray
-had carried off the lady and Scott had remained a
-bachelor, with an old housekeeper named Betty to
-take charge of him. But as the story of the love-match
-was but the ‘clash’ of the country, it may
-be taken for what it is worth.</p>
-
-<p>On the morning of the day fixed for the match
-(which was to come off at Broughton and to
-consist of four men on each side), the laird of
-Tweedsmuir was early astir, in order to see that
-the cart which was to convey his own curling-stones
-and those of his men to Broughton—a distance
-of some half-dozen miles—was ready, and
-that the men themselves were prepared to accompany
-it. The cart having been duly despatched
-with the schoolmaster of the parish, who was to
-be one of the players, and the shepherd from
-Talla Linns, who was to be another, Laird Scott
-ordered out his gig and himself prepared to start.</p>
-
-<p>‘Now Betty,’ cried the laird to his old housekeeper,
-as he proceeded to envelop himself in his
-plaid, ‘you’ll see and have plenty of beef and
-greens ready by six o’clock, and a spare bed or
-two; for besides our own men it’s likely enough
-I may bring back one or two of the beaten lads to
-stop all night.’</p>
-
-<p>‘’Deed laird, tak ye care the Broughton folk
-dinna get the better o’ <i>you</i>, and beat ye after a’:
-they tell me they’re grand curlers.’</p>
-
-<p>‘Well Betty, I’m not afraid of them, with
-Andrew Denholm on my side.’</p>
-
-<p>Thus assured, the stalwart laird seized the reins
-and took the road for Broughton. On his way
-down the valley of the Tweed he called at the
-humble cottage of the said Andrew Denholm, who
-usually played the critical part of ‘third stone,’
-and was one of his best supporters; and whose
-employment, that of a mason, was for the nonce at
-a stand-still.</p>
-
-<p>‘What! not ready yet Andrew?’ exclaimed
-the laird in a tone of disappointment. ‘Bestir
-yourself man, or we’ll not be on the ice by ten
-o’clock.’</p>
-
-<p>‘I’m no’ gaun’ to the curlin’ the day sir,’ replied
-Andrew with an air of dejection.</p>
-
-<p>‘And what for no’?’ inquired the laird with uneasy
-apprehension. ‘You know Andrew, my man,
-the game canna’ go on without you. The honour
-of Tweedsmuir at stake too! there’s not another
-man I would risk in your place on the ice this
-day.’</p>
-
-<p>‘Get Wattie Laidlaw the weaver to tak’ my
-place laird; he’s a grand curler, and can play up
-a stane as well as ony man in the parish; the fact
-is sir, just now I have na’ the heart even to curl.
-Gang yer ways yersell laird, and skip against the
-laird o’ Broughton, and there’s nae fear o’ the
-result: and Wattie can play third stane instead
-o’ me.’</p>
-
-<p>‘Wattie will play <i>nae</i> third stane for me: come
-yourself Andrew, and we’ll try to cheer you
-up; and you’ll take your beef and greens up bye
-wi’ the rink callants and me in the afternoon.’</p>
-
-<p>Denholm was considered one of the best curlers
-in that part of the county, and was usually
-one of the first to be on the ice; to see him,
-therefore, thus cast down and listless, filled the
-laird’s warm heart with sorrow. He saw there
-was something wrong. He must rally the dejected
-mason.</p>
-
-<p>‘Do you think,’ continued the laird, ‘that I
-would trust Wattie to play in your place; a poor
-silly body that can barely get to the hog-score, let
-alone the tee? Na, na Andrew; rather let the
-match be off than be beaten in that way.’</p>
-
-<p>Seeing the laird thus determined to carry off
-his ‘third man’ to the scene of the approaching
-conflict, the poor mason endeavoured still further
-to remonstrate by a recital of his grievances.</p>
-
-<p>‘Ye ken sir,’ he began, ‘what a long storm
-it has been. Six weeks since I’ve had a day at
-my trade, though I have made a shilling or two
-now and again up-bye at the homestead yonder.
-But wi’ the price o’ meal at half-a-crown the peck,
-and no’ very good after a’; and nineteenpence for
-a loaf of bread, we’ve had a sair time of it. But
-we wadna’ vex oorsels about that, Maggie and me,
-if we had meal eneugh to keep the bairns fed.
-Five o’ them dwining away before our eyes; it’s
-been an unco job I assure you, laird. Indeed
-if it hadna been for Mag’s sister that’s married
-upon the grieve o’ Drummelzier, dear knows what
-would have become of us, wi’ whiles no a handfu’
-o’ meal left in the girnel. Even wi’ the siller to
-pay for it, it’s no’ aye to be gotten; and,’ faltered
-the poor fellow in conclusion, ‘there’s just meal
-eneugh in the house to-day to last till the
-morn.’</p>
-
-<p>‘Well, cheer up my man!’ cried the laird; ‘the
-longest day has an end, and this storm cannot last
-much longer. In fact there’s a thaw coming on
-or I’m far cheated. There’s a crown to Maggie
-to replenish the meal-ark, and get maybe a sup
-o’ something better for the bairns. And there’s
-cheese an’ bread in the gig here that will serve
-you and me Andrew, till the beef and greens
-are ready for us up-bye in the afternoon. Meanwhile,
-a tastin’ o’ the flask will no be amiss, and
-then for Broughton.’</p>
-
-<p>Thus invigorated and reassured, the mason took
-his seat beside the laird, and amid blessings from
-the gudewife and well-wishings from the bairns,
-the two sped on their journey.</p>
-
-<p>Arrived at the pond, they found tees marked,
-distances measured, and all in readiness for the
-play to begin. The usual salutations ensued.
-Broughton and Tweedsmuir shook hands all round
-with much apparent warmth; and the two sides,
-of four each, took their places in the following
-order:</p>
-
-<table class="autotable" summary="">
-<tr>
-<td class="tdc">BROUGHTON.</td>
-<td class="tdc">TWEEDSMUIR.</td>
-</tr>
-<tr>
-<td class="tdl">Wil. Elliot, shoemaker, lead;</td>
-<td class="tdl">Mr Henderson, schoolmaster, lead;</td>
-</tr>
-<tr>
-<td class="tdl">Rev. Isaac Stevenson, 2d stone;</td>
-<td class="tdl">Wattie Dalgleish, shepherd, 2d stone;</td>
-</tr>
-<tr>
-<td class="tdl">Tam Johnston, blacksmith, 3d stone;</td>
-<td class="tdl">Andrew Denholm, mason, 3d stone;</td>
-</tr>
-<tr>
-<td class="tdl">Laird Murray, skip.</td>
-<td class="tdl">Laird Scott, skip.</td>
-</tr>
-</table>
-
-<p>The play was begun and continued with varying
-fortune: sometimes one side scored, sometimes the
-other. The match was to consist of thirty-one
-points; and at one o’clock when a halt was called
-for refreshments, the scoring was tolerably even.<span class="pagenum"><a id="Page_265"></a>{265}</span>
-The frost was beginning to shew a slight tendency
-to give way, but this only nerved the players to
-further exertions in sweeping up the stones on the
-somewhat dulled ice. The scene in the forenoon
-had been a very lively one: but as the afternoon
-approached and the game was nearing an end,
-the liveliness was tempered with anxiety, which
-amounted almost to pain, as shot after shot
-was ‘put in’ by one side, only to be cleverly
-‘taken’ by the other. ‘Soop! soop!’ was the
-incessant cry of the skips as from their point of
-vantage they descried a lagging stone; or ‘Haud
-up! I tell ye; haud up!’ when from that same
-point they beheld one of their players’ stones
-approaching with sufficient velocity to do all that
-was wanted. Anxiety was nearing a crisis. At
-half-past three the game stood: Broughton thirty,
-Tweedsmuir twenty-nine. The game was anybody’s.
-Coats had been cast as needless encumbrances;
-besoms were clutched with determined
-firmness: the skips slightly pale with the terrible
-excitement of the occasion, and the stake that
-was as it were hanging in the balance: want of
-nerve on their part to direct, or on the part of any
-one man to play, might decide the fate of the day.
-The last end had come to be played, and Broughton
-having won the previous end, was to lead. The
-shoemaker’s stone is played, and lies well over the
-hog-score in good line with the tee, and on the
-road to promotion. Tweedsmuir’s leading man, the
-schoolmaster, passes the souter’s stone and lies in
-‘the house.’ ‘Well played dominie!’ cries Laird
-Scott to his lead. And so proceeds the ‘end’ till it
-comes to our friend the mason’s turn to play;
-the blacksmith having just played his first stone
-with but indifferent effect.</p>
-
-<p>‘What do ye see o’ that stane Andrew?’ roars
-Laird Scott from the tee, pointing at the same time
-to the winning stone of the other side, which, however,
-was partially ‘guarded.’</p>
-
-<p>‘I see the half o’ t.’</p>
-
-<p>‘Then,’ says the laird, ‘make sure of it: tak it
-awa’, and if you rub off the guard there’s no harm
-done.’</p>
-
-<p>For a moment the mason steadies himself,
-settles his foot in the crampet, and with a straight
-delivered shot shaves the guard and wicks out the
-rival stone, himself lying in close to the tee, and
-<i>guarded</i> both at the side and in front by stones
-belonging to his side.</p>
-
-<p>The effect of such a shot as this, at so critical
-a period of the game, was electric, and is not easily
-to be described. Enthusiasm on the part of
-Tweedsmuir, dismay on that of Broughton. But
-there are yet several stones to come: the order
-may again be reversed, and Andrew’s deftly
-played shot may be yet taken. We shall see. The
-blacksmith, the third player on the Broughton
-side, follows with his second stone, and though
-by adhering to the direction of his skip he might
-have knocked off the guard and so laid open
-Andrew’s winner, over-anxiety causes him to miss
-the guard and miss everything. Thus is his
-second and last stone unfortunately played for
-Broughton.</p>
-
-<p>The mason has his second stone still to play
-for Tweedsmuir, and before doing so Laird Scott
-thus accosts him: ‘Andrew my man, we are
-lying shot now; we want but another to be game;
-and for the honour o’ Tweedsmuir I am going to
-give you the shot that will give it to us: do ye
-see this port?’ pointing to an open part of the
-ice (in curling phraseology a port) to the left of the
-tee, with a stone on each side.</p>
-
-<p>‘I see the port sir.’</p>
-
-<p>‘Well then,’ continued the laird, ‘I want you to
-fill that port; lay a stone there Andrew, and
-there’s <i>a lade o’ meal at your door to-morrow
-morning</i>.’</p>
-
-<p>The stone is raised just for one instant with
-an easy backward sweep of hand and arm, and
-delivered with a twist that curls it on and on
-by degrees towards the spot required. Not just
-with sufficient strength perhaps, but aligned to
-the point. In an instant the skip is master of
-the situation. ‘Soop lads! O soop! soop her up—s-o-o-o-p—there
-now; let her lie!’ as the stone
-curls into the ‘port,’ and lies a provoking impediment
-to the opposite players. The pressure
-on players of both sides is now too great to admit
-of many outward demonstrations. Stern rigour
-of muscle stiffens every face as the two skips
-themselves now leave the tee and take their places
-at the other end. The silence bodes a something
-that no one cares to explain away, so great is the
-strain of half-hope half-fear that animates every
-breast.</p>
-
-<p>Laird Murray is directed by his adviser at the
-tee (the blacksmith) to break-off the guard in front,
-but misses. Scott his antagonist, by a skilfully
-played stone, puts on another guard still, in order
-to avoid danger from Laird Murray’s second and last
-stone. One chance only now apparently remains
-for the laird of Broughton, who requires but one
-shot to reverse the order of things and retrieve the
-game, and he tries it. It is one of those very difficult
-shots known amongst curlers as an outwick.
-A stone of his side has lain considerably to the
-right of the tee short of it, which if touched on
-the outer side might be driven in towards the
-centre and perhaps lie shot. The inwick would
-be easier, but that the stone is unfortunately
-guarded for that attempt. He knows that Denholm’s
-first stone still lies the shot, and is guarded
-both in front and at the side; and that with
-another, Tweedsmuir will be thirty-one and game.
-The shot is risked—after other contingencies have
-been duly weighed—but without the desired effect:
-the outlying stone is certainly touched, which
-in itself was a good shot, but is not sufficiently
-taken on the side to produce the desired effect.
-The laird of Broughton pales visibly as the shot
-is missed, and mutters something between his
-clenched teeth anything but complimentary to
-things in general.</p>
-
-<p>The last stone now lies by the foot of our
-Tweedsmuir laird, who calmly awaits the word
-of direction from Andrew at the other end.</p>
-
-<p>‘Laird!’ shouts the anxious mason, ‘there’s
-but the one thing for it, and I’ve seen ye play
-a dafter-like shot. What would ye say to try
-an inwick aff my last stane and lift this ane a
-foot?’ pointing to a stone of his side which lay
-near, though still not counting; ‘that would give
-us another shot, and the game!’</p>
-
-<p>‘Well Andrew, that’s why I asked you to fill
-the port, for I saw what <i>they</i> didna see, that a
-wick and curl-in would be left: I think it may
-be done. At any rate I can but try.’</p>
-
-<p>Silence reigns o’er the rink: the sweepers on
-each side stand in breathless suspense: the wick
-taken, as given by Andrew in advice to the Laird,<span class="pagenum"><a id="Page_266"></a>{266}</span>
-may proclaim Broughton beaten and Tweedsmuir
-the champion parish of the county!</p>
-
-<p>‘Stand back from behind, and shew me the
-stone with your besom, Andrew; there.’</p>
-
-<p>The suspense is soon broken, the last stone
-has sped on its mission, the wick has been
-taken, a stone on Laird Scott’s side that was lying
-farther from the tee than one of the opponents’,
-is ‘lifted’ into second place, which with the
-mason’s winner makes exactly the magic score of
-thirty-one! Like the thaw which after this
-long-continued storm will be welcomed by man
-and beast alike, so does the thaw now melt
-the frozen tongues of the players. Hats fly up
-in frenzy of delight, and the phenomenon is witnessed
-(only to be witnessed on ice) of a Scottish
-laird and his humble tenant in ecstatic embrace.
-Flasks are produced, hands shaken by rivals as
-well as by friends—though chiefly by friends:
-preparations are made to carry home the paraphernalia
-of the roaring game: and while Betty
-congratulates the laird and his guests on their
-victory, there is happiness in store for Andrew
-Denholm, whose prowess so notably contributed
-to secure the honour of Tweedsmuir.</p>
-
-
-<hr class="chap" />
-
-<div class="chapter">
-<h2 class="nobreak" id="AN_IRISH_COUNTRY_FUNERAL">AN IRISH COUNTRY FUNERAL.</h2>
-</div>
-
-
-<p><span class="smcap">The</span> difference between English and Irish as
-regards the funeral customs of the peasantry in
-both countries is great. To have a large assemblage
-at the ‘berrin’ is among the latter an object
-of ambition and pride to the family; and the concourse
-of neighbours, friends, and acquaintances
-who flock from all parts to the funeral is often
-immense. Even strangers will swell the funeral
-cortège, and will account for doing so by saying:
-‘Sure, won’t it come to our turn some day, and
-isn’t a big following—to do us credit at our latter
-end—what we’d all like? So why shouldn’t
-we do what is dacent and neighbourly by one
-another?’</p>
-
-<p>What a contrast there is between a quiet interment
-in an English country parish, attended only
-by the household of the departed, and the well-remembered
-scenes in the churchyard of Kilkeedy,
-County Limerick!</p>
-
-<p>Here, in days gone by, a funeral was a picturesque
-and touching sight. There was something
-very weird and solemn in the sound of the ‘keen,’
-as it came, mournful and wild upon the ear, rising
-and falling with the windings of the road along
-which the vast procession moved. In the centre
-was the coffin, borne on the shoulders of relatives
-or friends, and followed by the next of kin. Outside
-the churchyard gate, where was a large open
-space, there was a halt. The coffin was laid reverently
-on the ground, the immediate relatives of
-the dead kneeling round it.</p>
-
-<p>And now on bended knees all in that vast
-assemblage sink down. Every head is bowed
-in prayer—the men devoutly uncovered—every
-lip moves; the wail of the keeners is hushed;
-you could hear a pin drop among the silent
-crowds. It is a solemn and impressive pause.
-After a few minutes the bearers again take up
-their burden and carry it into the churchyard,
-when after being three times borne round the
-church, it is committed to its final resting-place.</p>
-
-<p>Years have passed since these scenes were witnessed
-by the writer of these pages. The old
-familiar church has been pulled down (a new one
-built on a neighbouring site), and nought of it
-remains but the ivy-clad tower and graceful spire
-left standing—that ‘ivy-mantled tower,’ where the
-sparrow had found her a house and the swallow a
-nest; whose green depths in the still eventide
-were made vocal by the chirpings and chatterings
-of its feathered inhabitants—the sparrows fluttering
-fussily in and out, and after the manner of their
-kind, closing the day in noisy gossip before subsiding
-into rest and silence. Here too were to be found
-owls, curiously light—soft masses of feathers with
-apparently no bodies to speak of, who captured by
-the workmen while clipping the ivy, were brought
-up, all dazed-looking and sleepy, to be admired
-and wondered at by the rectory children, and
-finally restored tenderly to their ‘secret bower!’</p>
-
-<p>A funeral scene similar to that just described
-forms the subject of one of the illustrations in
-Lady Chatterton’s <i>Rambles in the South of
-Ireland</i>, sketched by herself. She had stopped to
-make a drawing of the beautiful ruins of Quin
-Abbey in the County Clare, when the wail of an
-approaching funeral came floating on the breeze,
-and the melancholy cadence was soon followed by
-the appearance of the usual concourse of country
-people. Their figures scattered about in groups,
-and the coffin in the foreground, enter with very
-picturesque effect into the sketch.</p>
-
-<p>When the funeral is over, those who have
-attended it disperse through the churchyard; and
-any having friends buried there betake themselves
-to their graves to pray and weep over them.
-The wild bursts of grief and vehement sobbing,
-even over moss-grown graves whose time-stained
-headstones bear witness to the length of time their
-occupants have slept beneath, would surprise those
-who are unfamiliar with the impulsive and demonstrative
-Irish nature.</p>
-
-<p>An old man sitting beside a grave was rocking
-himself to and fro, and wiping his eyes with a
-blue cotton handkerchief, while, rosary in hand,
-he prayed with extraordinary fervour.</p>
-
-<p>‘It’s my poor old wife is lying here,’ he said;
-‘the heavens be her bed! God rest her soul this
-day! Many’s the long year since she wint from
-me, poor Norry, and left me sore and lonesome!
-She was well on in years then, though the childer
-were young; for we were married a long time
-before there was any. The neighbours were all
-at me to marry again, if it was only for one to
-wash the shirt or knit the stocking for me, or to
-keep the weenochs from running wild about the
-roads while I was away at my work earning their
-bit. But I couldn’t give in to the notion. I was
-used to my poor Norry, and the thoughts of a
-stranger on the floor was bitter to my heart. Ah,
-it’s a sore loss to a man in years when his old
-wife is took from him! The old comrade he’s
-had so long; that understands every turn of him,
-and knows his humours and his fancies; and fits
-him as easy and comfortable as an old shoe. A
-man might get a new one—and maybe more
-sightly to look at than the one that’s gone—but
-dear knows, ’twould be at his peril! As likely
-as not, she’d fret him and heart-scald him, and
-make him oneasy day and night, just blistering
-like new leather! The old wife is like the
-shoe he’s used to, that will lie into his foot.
-Stretching here and giving there, and coming, by
-constant wearing, to fit, as easy and souple as<span class="pagenum"><a id="Page_267"></a>{267}</span>
-the skin itself, into th’ exactness of every bump
-and contrairy spot! For there’s none of us,’
-continued the old man, who seemed to be a bit
-of a moralist, ‘that hasn’t our tendher places and
-our corns and oddities in body and mind, God
-help us! Some more and some less, according.
-And there’s no one can know where them raw
-spots lie, or how to save ’em from being hurt,
-like the loving crathur that’s been next us
-through the long years, in rain and shine. So yer
-honours,’ he added, getting up with a last sorrowful
-look at his wife’s grave, ‘I wouldn’t hearken
-to the neighbours, and take a strange comrade.
-And after a while a widow sister o’ mine came
-to live with me and to care my poor orphans;
-but my heart is still with my poor Norry here in
-the clay!’</p>
-
-<p>There was another loving couple in the same
-neighbourhood, whose apparently impending separation
-by death caused much sympathy among
-their friends. The man was a farmer, and owing
-to his industry and good conduct, he and his
-young wife were in comfortable circumstances and
-well to do. They were devoted to each other.
-When he was attacked with the severe illness
-that threatened his life, she nursed him night and
-day until she was wasted to a shadow, and looked
-from anxiety and want of sleep almost as corpse-like
-as he did. Her misery when the doctors
-pronounced the case hopeless was dreadful to
-witness. The poor fellow’s strength was, they said,
-nearly exhausted, his illness had lasted so long;
-so that his holding out was considered impossible.</p>
-
-<p>Things were in this state, and the sufferer’s
-death daily expected, when we were called away
-from the place, to pay a distant visit. On our
-return home after some weeks’ absence, one of the
-first persons we saw was young Mrs D—— dressed
-in the deepest widow’s weeds—a moving mass of
-crape.</p>
-
-<p>It was on a Sunday morning going to church;
-she was walking along the road before us, stepping
-out with wonderful briskness, we thought, considering
-her very recent bereavement. We had
-to quicken our pace to come up with her, and said
-when we did so: ‘We are so sorry for you, so
-very sorry! You have lost your husband.’</p>
-
-<p>‘Thank you kindly; you were always good,’ she
-said, lifting up her heavy crape veil from off a
-face radiant with smiles. ‘He isn’t dead at all,
-glory be to God! an’ ’tis recovering beautiful he
-is. The doctor says if he goes on gettin’ up his
-strength as he’s doing the last fortnight, he’ll soon
-be finely; out and about in no time.—Oh, the
-clothes, is it? Sure ’twas himself, the dear man,
-bought them for me! When he was that bad there
-wasn’t a spark of hope, he calls me over to him,
-an’ “Katie my heart,” sez he, “I’m going from
-you. The doctors have gave me up, and you’ll be
-a lone widow before long, my poor child. And
-when I’m gone, jewel, and you’re left without a
-head or provider, there’ll be no one in the wide
-world to give you a stitch of clothes or anything
-conformable. So I’ll order them home now,
-darlin’, the best that can be got for money; for
-I’d like to leave you dacent and respectable
-behind me.” And your honours,’ she went on,
-‘so he did. Two golden guineas he gev for the
-bonnet; and as for the gownd, ladies dear, only
-feel the stuff that’s in it, and ye may guess what
-<i>that</i> cost. And beautiful crape, no end of a price!—every
-whole thing the hoight of good quality—top
-lot of the shop, and no stint.—Well,’ she continued,
-‘there they all were in the chest. And
-sure when himself got well we thought it a sin
-and a shame to let lovely clothes like these lie by
-without wearing ’em—to be ruined entirely and
-feed the moths—after they costing such a sight
-of money too. So he made me put them on; and
-a proud man himself was this morning, and a
-happy, seeing me go out the door so grand and
-iligant—the best of everything upon me!’</p>
-
-<p>There was something absurd, almost grotesque,
-in the self-conscious complacent way in which
-the young woman gazed admiringly down on her
-lugubrious finery; tripping off exulting and
-triumphant, her manner in curious contrast with
-the sore woe associated with those garments—the
-saddest in which mortal can be clad.</p>
-
-
-<hr class="chap" />
-
-<div class="chapter">
-<h2 class="nobreak" id="MR_ASLATTS_WARD">MR ASLATT’S WARD.</h2>
-</div>
-
-
-<h3 title="CHAPTER IV.">IN FOUR CHAPTERS.—CHAPTER IV.</h3>
-
-<p><span class="smcap">I will</span> pass over the misery of the days that
-followed; days stretched by anxiety and suspense
-to double their ordinary length. The woman succeeded
-only too well in proving the truth of her
-story; and knowing how useless it would be, Mr
-Hammond did not attempt to deny that she was his
-wife. Nor did he endeavour to justify his conduct,
-which was truly inexcusable. Yet in after-years,
-when our indignation had cooled, and we were able
-calmly to reflect upon the history thus revealed,
-we could not help pitying the unfortunate young
-man. He had not been much past twenty when,
-on a visit to Wiesbaden, he had made the acquaintance
-of a woman several years older than himself,
-whose brilliant beauty and fascinating address had
-fairly bewitched him. She was a gay adventuress,
-who, living by the chances of the gaming-table, and
-tired of such a precarious livelihood, had fostered
-the young man’s passion, and then condescended
-to marry him.</p>
-
-<p>Alas! Frederick Hammond had not been long
-married before he bitterly regretted the step he
-had taken. His wife proved the bane of his
-life. She had contracted the habit of drinking
-to excess, and her intemperance destroyed all
-hope of happiness in domestic life. Her husband’s
-love changed to hatred, and unable to control her
-vicious propensities, he deserted her. In one
-place after another he took refuge, hoping to
-elude her search; but again and again she succeeded
-in tracking him to his place of concealment,
-though she was willing to leave him to
-himself when he had satisfied her demand for
-money. But at last for a long time he heard
-nothing of her; and as the months passed into
-years, the hope sprang up within him that his
-wife was either dead, or else had lost all clue to
-his whereabouts. Weary of residing abroad, he
-returned to England, and finding it difficult to
-obtain other employment, was glad to accept the
-post of village schoolmaster, for he thought the
-little country village might prove a secure hiding-place.
-And here becoming acquainted with Miss
-Sinclair, he basely yielded to the temptation to act
-as though the hope he cherished that his wife was
-dead were already a realised fact. He dared not
-openly ask Rose’s hand of her guardian; but he
-sought by all the means in his power to win<span class="pagenum"><a id="Page_268"></a>{268}</span>
-her love, and did not rest till he had won from
-her a response to his avowed affection, and gained
-her consent to a secret engagement. It was a
-cruel selfish proceeding, for which his past misfortunes
-offered no excuse; and thankful indeed
-were we that his scheme of eloping with Rose had
-been frustrated.</p>
-
-<p>But poor Rose! Bitter indeed was her distress
-when she found we had no comfort to give her.
-The shock was too great for her physical strength,
-and ere many hours had elapsed it was evident
-that a severe illness would be the consequence.
-For days she lay tossing in feverish delirium;
-whilst we kept anxious watch by her bedside,
-much fearing what the issue might be. But
-our fears were mercifully disappointed; the
-fever turned, and soon the much-loved patient
-was pronounced out of danger. But the improvement
-was very gradual, and after a while almost
-imperceptible. Extreme exhaustion was accompanied
-in Rose’s case by an apathetic indifference
-to everything around her, which formed the chief
-barrier to her recovery. She felt no desire to get
-strong again, now that life had no longer any great
-attraction for her.</p>
-
-<p>‘If we could only rouse her to take an interest
-in anything, she would soon be well,’ the doctor
-said to me one day.</p>
-
-<p>A possibility of doing so occurred to me at that
-moment, and I resolved to try, though I could
-scarcely hope to succeed. In the evening, when I
-was sitting by Rose’s couch, and knew that Mr
-Aslatt had gone out, and would not be back for
-an hour or two, I said to her gently: ‘I think
-you feel a little stronger to-day; do you not,
-darling?’</p>
-
-<p>A heavy sigh was the only response to my
-question.</p>
-
-<p>I knelt by her side, and gently drew her head
-upon my shoulder as I whispered: ‘I wish you
-could unburden your heart to me, dear Rose.
-Would it not be a relief to tell me the sad
-thoughts that occupy your mind?’</p>
-
-<p>No answer but by tears, which I was glad to
-see, for I knew they would relieve her heavy heart.
-After a while, words followed. She told me how
-little she cared to get well again; what a dreary
-blank life appeared to her, now that he whom she
-had so loved and trusted had proved unworthy;
-how it seemed to her she was of no use in the
-world, and the sooner she were out of it the better
-for herself and every one else. And a great deal
-more in the same strain.</p>
-
-<p>I reminded her of her guardian’s love for
-her, and his great anxiety for her recovery, and
-urged her to try to get well for his sake. But
-she only shook her head despondingly. ‘I have
-never been anything but a trouble to him,’ she
-said; ‘he would be happier without me. If I were
-out of the way, I daresay he would marry. I used
-to make plans for his future as well as for my
-own, you know; but now everything will be
-different.’</p>
-
-<p>‘I do not think Mr Aslatt would have married,’
-I ventured to say.</p>
-
-<p>‘Why not?’ asked Rose.</p>
-
-<p>I was silent, and she did not repeat the
-question.</p>
-
-<p>‘I have a story to tell you, Rose, which I think
-you may like to hear,’ I said presently.</p>
-
-<p>‘A story!’ she said in surprise.</p>
-
-<p>‘Yes, darling, a story.’</p>
-
-<p>‘Many years ago, a gentleman was passing
-through the streets of Vienna. He was a man
-about thirty years of age, but he looked older, for
-he had known sorrow and disappointment, and
-life appeared to him then nought but vanity and
-vexation of spirit. Yet many would have envied
-his position, for he possessed much of what the
-world most values. He was walking listlessly
-along, when his attention was attracted by a group
-of musicians, who were performing at the corner of
-a square. In the centre of the band stood a pretty
-little fair-haired girl about six years old. She
-was poorly clad. Her tiny feet were bare, and
-bleeding from contact with the sharp stones with
-which the roads were strewn; and tears were in
-her large blue eyes as, in her childish voice, she
-joined in the song. Her pretty yet sorrowful face
-and the plaintive tone in which she sang touched
-the stranger’s kind heart. He stood still to watch
-the group, and when the song was ended went
-forward to place some money in the child’s upturned
-palm. “Is this your little girl?” he asked
-the man by whose side she was standing. He
-replied in the negative. The little girl was an
-orphan, the child of an Englishman, who had
-formerly belonged to the band, but who had died
-some months before, leaving his little daughter
-entirely dependent on the good-will of his late
-comrades.</p>
-
-<p>‘Well, darling, you must know that they did
-not object to keeping her with them, as her
-appearance was calculated to call forth pity,
-and thus increase their earnings. But it was
-a rough life for the child, and she suffered
-from the exposure to all weathers which it
-entailed. Her father, who it was believed had
-seen better days, had never allowed her to go
-out with the troop, and had done his utmost to
-shield her from hardships. But now there was no
-help for it; she could not be kept in idleness.
-Moved with pity for the child’s hapless lot,
-the gentleman inquired where the musicians
-resided, and returned to his hotel to consider how
-he might best serve the little orphan. After much
-reflection his resolution was taken. He was a
-lonely man, with no near relative to claim his love.
-His heart yearned with pity for the desolate child,
-whose pleading blue eyes and plaintive voice kept
-appealing to his compassion, to the exclusion of all
-other considerations. He determined to adopt her,
-and provide for her for the rest of her life. With
-this intention he sought the street musicians on
-the following day, and easily induced them to
-commit the child to his care. After handsomely
-rewarding the musicians, he took her away with
-him that very day, and ever since she has had
-the first place in his heart. His loving care for
-the orphan child brought its own reward, for in
-striving to promote the happiness of little Rose he
-found his own.’</p>
-
-<p>I was interrupted by a cry from my companion.
-‘Rose!’ she exclaimed excitedly. ‘What are you
-saying, Miss Bygrave? Tell me—was I—am <i>I</i>
-that little child?’</p>
-
-<p>‘You are, darling; and now you know how truly
-you are the light of Mr Aslatt’s life. He has no
-one to care for but you, and you alone can make
-him happy.’</p>
-
-<p>‘And I have really no claim upon him, am in
-no way related to him, as I thought! I knew I<span class="pagenum"><a id="Page_269"></a>{269}</span>
-owed him much, but I had no idea to what extent
-I was indebted to him. But for his goodness,
-what should I be now? Oh, if I had only known
-this before! How ungrateful I have been to him,
-how wayward and perverse! Oh, Miss Bygrave,
-I cannot bear to think of it!’</p>
-
-<p>‘Do not trouble about that, dear,’ I said, trying
-to soothe her, for her agitation alarmed me; ‘it is
-all forgiven and forgotten by Mr Aslatt.’</p>
-
-<p>‘But I shall never forgive myself,’ she exclaimed
-passionately. ‘To think that I have been receiving
-everything from him for years, living upon his
-bounty, and yet making no return, evincing no
-gratitude, taking all his kindness as a matter of
-course, just because I imagined I was dear to him
-for my parents’ sake!’</p>
-
-<p>‘Nay; you are too hard upon yourself, dear
-Rose,’ I said gently. ‘To a certain extent you
-have been grateful to him; you have again and
-again acknowledged to me your sense of his goodness;
-and now that you know all, you will clearly
-<i>prove</i> your gratitude, I have no doubt.’</p>
-
-<p>‘But how?’ exclaimed Rose. ‘How can I express—how
-can I shew my deep sense of all that I owe
-him?’</p>
-
-<p>‘In the first place, by getting well as soon as
-possible, and by letting him see that you once
-more take an interest in life. For his sake, I
-know you will strive to bear bravely a trial, the
-bitterness of which he fully appreciates. And
-Rose, I must beg you not to attempt to express
-to Mr Aslatt your sense of indebtedness. He
-feels a morbid shrinking from hearing such words
-from your lips, and has implored me—in case
-I ever revealed to you the secret of your early
-life, as I have been led to do this evening—to
-assure you that you are under no great obligation
-to him, for he considers that he has been fully
-repaid for what he has done for you, by the happiness
-your companionship has given him.’</p>
-
-<p>‘But I cannot bear to go on receiving so much
-from him, and yet give no expression to my gratitude,’
-said Rose.</p>
-
-<p>‘You cannot do otherwise,’ I replied; ‘unless
-you wish to make him very unhappy, and that
-would be a poor return for all his goodness. Do
-all you can to please him; be as bright and cheerful
-as possible; but do not, I beseech you, let him
-see that you labour under a sense of painful
-obligation to him.’</p>
-
-<p>‘I will act as you desire,’ said Rose. ‘But is
-there really no other way in which I can prove my
-gratitude?’</p>
-
-<p>‘Not at present,’ I replied. ‘But perhaps at
-some future time you may be able to give him
-what he will consider worth far more than all he
-has ever bestowed upon you; but it would not be
-acceptable to him if it proceeded only from the
-promptings of gratitude.’</p>
-
-<p>‘I do not understand you,’ said Rose, though
-her cheek flushed.</p>
-
-<p>‘Perhaps you may some day,’ I answered. ‘But
-now, darling, you must be still, and not talk any
-more, else I am afraid you will not be so well to-morrow.’</p>
-
-<p>I had hard work to persuade her to be quiet,
-and though after a time she refrained from talking
-in obedience to my repeated injunctions, I could
-see her thoughts were dwelling on the communication
-I had made to her. Only good results,
-however, followed from the excitement of that
-evening. There was a tinge of pink on Rose’s
-delicate cheek the next day; her countenance was
-brighter, and her manner more animated than
-we had seen it for some time. Mr Aslatt was
-delighted at the change, and encouraged by it, he
-began to talk to Rose of the plans he had formed
-for taking her to Italy as soon as she felt strong
-enough to travel. He was overjoyed to find that
-she made no objection to his proposal, but even
-entered cheerfully into his plans, and declared
-that she should be quite ready to start in the
-course of a few weeks. And so it proved, for she
-gained strength with a rapidity which shewed the
-truth of the doctor’s words, that she only needed
-to be roused in order to get well.</p>
-
-<p>We started for the continent at the end of
-October. It was thought that residence abroad
-during the winter months would promote Rose’s
-restoration to health, and afford that diversion of
-mind which was so desirable after the trying
-experience she had passed through. The result
-was most satisfactory. There was no return of the
-apathetic melancholy which had been so distressing
-to witness; and her enjoyment of the various
-entertainments her kind friend provided for her
-was unassumed. I began to hope that, after all,
-her attachment to Mr Hammond had not been
-very deep, but merely a romantic fancy, kindled
-by the thought of his misfortunes, and fanned into
-a flame by the breath of opposition. A thousand
-little incidents strengthened this conviction of
-mine. Every day it became evident that Rose
-was learning to appreciate her guardian’s character
-more highly than she had done before. She took
-a growing delight in his society, and indeed never
-seemed quite at ease if he were absent.</p>
-
-<p>When in the spring we returned to England,
-Rose’s health and spirits had so completely returned,
-that she appeared little different from the
-radiant girl whose loveliness had charmed me
-when I first looked at her, save that her manner
-was gentler, being marked by a winning humility
-and patience which her former bearing had lacked.</p>
-
-<p>I did not long remain at Westwood Hall in
-the capacity of Rose’s companion, though I have
-frequently visited it since as her friend. One day
-soon after our return from Italy, she came to
-me with a bright and blushing countenance, and
-whispered that she had a secret to tell me. I
-had little doubt what the secret was, and could
-therefore help Rose out with her confession, that
-Mr Aslatt had asked her to be his wife, and that
-she had consented, though with some reluctance,
-caused by a sense of her unworthiness.</p>
-
-<p>‘I could not do otherwise,’ she said, ‘when he
-told me that the happiness of his future life
-depended upon my answer; though I know how
-little I deserve the love he bestows upon me.’</p>
-
-<p>‘But Rose,’ I said, anxious to be relieved of
-a painful doubt, ‘you have not, I trust, been led
-to a decision contrary to the dictates of your heart?
-You know nothing would be further from Mr
-Aslatt’s desire than that you should sacrifice your
-own inclinations from a mistaken notion of his
-claims upon you. He would not be happy if
-he thought you had only consented that you
-might not make him unhappy, and not because
-your own happiness would be promoted by the
-union.’</p>
-
-<p>‘I know that,’ murmured Rose, as her cheek
-took a deeper tint; ‘but it is not so. I feel very<span class="pagenum"><a id="Page_270"></a>{270}</span>
-differently towards Mr Aslatt from what I did when
-you first knew me. I think him the best and
-noblest of men, and I shall be proud and happy
-to be his wife; only I wish I were more worthy of
-him. O Miss Bygrave! I cannot tell you how
-ashamed I feel, when I think of the infatuation
-which led me to deceive so kind a friend, or how
-intensely thankful I am that you saved me from
-a wicked act which would have caused unspeakable
-misery for us both! I pity poor Mr Hammond,
-and forgive him for the injury he so nearly
-inflicted upon me; but I must confess to you that
-I never really had such confidence in him or
-cared for him, as I now care for and trust the one
-whose love I have slighted and undervalued so long.’</p>
-
-<p>It only remains to add that shortly after that
-terrible scene at the Priory, Mr Hammond disappeared,
-and it was thought, went abroad; but of
-him and his wretched wife not a scrap of intelligence
-has ever reached us.</p>
-
-
-<hr class="chap" />
-
-<div class="chapter">
-<h2 class="nobreak" id="THE_MONTH">THE MONTH:
-<br />
-SCIENCE AND ARTS.</h2>
-</div>
-
-
-<p><span class="smcap">In</span> a lecture at the Royal Institution, Dr Tyndall
-has made known the results of a long series of
-experiments on fog-signals, all involving more or
-less of noise, and demonstrating that the noisiest
-are the best. Mariners in a fog are helpless: no
-lights, no cliffs, no towers can be seen, and they
-must be warned off the land through their ears.
-So in conjunction with the Trinity House and the
-authorities at Woolwich, the Professor fired guns
-of various kinds and sizes, and very soon found
-that a short five-and-a-half-inch howitzer with a
-three-pound charge of powder produced a louder
-report than an eighteen-pounder with the same
-weight of charge. Thereupon guns of different
-forms were constructed, and one among them
-which had a parabolic muzzle proved to be the
-best, that is in throwing the sound over the sea,
-and not wasting it to rearward over the land.
-Then it was ascertained that fine-grained powder
-produces a louder report than coarse-grained; the
-shock imparted to the air being more rapid in
-the one case than in the other.</p>
-
-<p>Experiments made with gun-cotton shewed conclusively
-that the cotton was ‘loudest of all;’
-and ‘fired in the focus of the reflector, the gun-cotton
-clearly dominated over all the other sound-producers.’
-The reports were heard at distances
-varying from two to thirteen miles and a half.</p>
-
-<p>When the fog clears off, the noisy signals are
-laid aside and bright lights all round the coast
-guide the seaman on his way. Some years ago
-the old oil light was superseded by the magneto-electric
-light, and this in turn has given place
-to the dynamo-electric light, which excels all in
-brilliance and intensity. In this machine the required
-movements are effected by steam or water
-power; and when the electric current is thereby
-generated, it is conducted by wires to a second
-machine, which co-operates in the work with
-remarkable economy and efficiency. Readers desirous
-of knowing the improvements made in the
-dynamo-electric machines by Messrs Siemens, and
-the experiments carried on in lighthouses, should
-refer to the <i>Proceedings</i> of the Institution of Civil
-Engineers for the present session.</p>
-
-<p>Particulars of a galvanic battery of extraordinary
-power have been brought to this country from
-the United States. Instead of the carbon plate
-commonly used as one of the elements in the
-cells, it has a copper plate coated with lead and
-platinum; and a blowing apparatus is so combined
-that a stream of air can be blown through the
-acid liquid with which the cells are filled. The
-effects of this aeration are remarkable: the galvanic
-current is rendered unusually powerful, and a large
-amount of heat is developed. The way in which
-these effects are produced is not yet satisfactorily
-made out; but that this battery offers a new and
-potent means of investigation to chemists and
-physicists cannot be doubted.</p>
-
-<p>An account of an exclusively metallic cell has
-been given to the Royal Society by Professors
-Ayrton and Perry of the Engineering College,
-Tokio, Japan, in a paper on ‘Contact Theory of
-Voltaic Action.’ They took strips of platinum
-and magnesium, which were in connection with
-the electrodes of the electrometer, and dipped
-them into mercury, and immediately saw evidence
-of a strong current. The experiments were continued
-with much care until the Professors felt
-assured that ‘the electro-motive force obtained was
-about one and a half times the electro-motive force
-of a Daniell’s cell.’ ‘It may be possible,’ they remark
-further, ‘by mechanical or other means, or
-by using another metal than magnesium, to give
-constancy to this arrangement; and as its internal
-resistance is extremely small, the cell may be of
-great practical use for the production of powerful
-currents.’</p>
-
-<p>In a discussion about Iron at the meeting of the
-Iron and Steel Institute, one of the speakers
-shewed that it was not so much quality of metal
-as mechanical structure that constituted good iron.
-He took certain railway bars and planed them,
-whereby he was enabled to examine their structure,
-and he saw that some of the rails contained
-much cinder, which accounted for their showing
-more signs of wear than others. On sifting the
-shavings and passing a magnet over them, all the
-iron could be taken out and the quantity of cinder
-ascertained; and not until this cinder could be
-thoroughly got rid of would the manufacturer be
-able to produce good iron. The same defect had
-been noticed in Swedish iron made for a special
-purpose; and there was reason to fear that manufacturers
-made more haste to send iron into the
-market than to produce the best quality. Fortunately,
-a few scientific men have introduced improvements
-which will in time abolish the rule
-of thumb that has too long prevailed.</p>
-
-<p>The manufacture of bricks from slag is still
-carried on at the Tees Iron-works, Middlesbrough,
-by machines constructed for the purpose. The
-slag, ground into sand, is mixed with lime, squeezed
-into moulds, and each machine turns out about
-ten thousand bricks a day. Being pressed, these
-bricks present advantages over ordinary bricks:
-they are uniform in size and thickness; do not
-break; occasion less trouble to the bricklayer and
-plasterer; require less mortar; and do not split
-when nails are driven into them, whereby carpenters
-are saved the work of plugging. Another
-important fact, which the labourers will appreciate,
-is that the weight of a thousand slag bricks is one
-ton less than the weight of a thousand red bricks;
-and as regards durability, we are informed that the
-longer they are kept the harder they become.</p>
-
-<p><span class="pagenum"><a id="Page_271"></a>{271}</span></p>
-
-<p>An invention which simplifies photography out
-of doors may be said to have claims on the attention
-of tourists and travellers, as well as of professional
-photographers. To carry the bottles,
-liquids, and other appliances at present required
-necessitates troublesome baggage; but Mr Chardon
-of Paris shews that all this may be avoided by
-the use of his ‘Dry bromide of silver emulsion.’
-This preparation, a mixture of collodion and the
-bromide, will keep an indefinite time in bottles
-excluded from the light, and does not suffer
-from varying temperatures. Specimens carried
-to China, and back by way of the Red Sea, underwent
-no alteration; an important consideration
-for travellers and astronomers who wish to take
-photographs in tropical countries. When required
-for use the bromide is mixed in certain proportions
-with ether and alcohol; the plates are coated with
-this solution, and as soon as dry are ready for the
-photographer. They require no further preparation,
-and retain their sensibility through many months.
-The image may be developed immediately or
-after some weeks, according to circumstances; in
-proof of which photographs taken at Aden have
-been developed in Paris. But a very small
-quantity of water is necessary, and the image
-may be transferred to a film of gelatine or a
-sheet of paper at pleasure, which lessens the risk
-of breakage, and the plates may be used for fresh
-pictures.</p>
-
-<p>An account has been published of the disturbance
-and destruction which the telegraph lines in
-Germany underwent during the widespread storm
-one night in March 1876. The destruction was
-so very great, that had the storm occurred during
-a political crisis or a war, the consequences might
-have been much more calamitous. This liability
-to derangement has in nearly all countries led
-practical minds to conclude that underground telegraphs
-are preferable to lines carried on posts
-through the air; and the German government
-have laid underground wires from Berlin to Mainz
-(Mayence), a distance of about three hundred and
-eighty miles, which will afford excellent means
-for comparing the two systems.</p>
-
-<p>Vast as are the forests of the United States,
-Americans are finding out that they are not
-inexhaustible. The annual product of ‘lumber,’
-which means timber in all its forms, is estimated
-at ten thousand million feet, a quantity sufficient
-to make a perceptible gap in the broadest of
-forests. Among the heaviest items of consumption
-are the railways with their eighty thousand
-miles of sleepers, to say nothing of ties, bridges,
-platforms, and fences. The average ‘life’ of the
-wood when laid in the ground is from four to
-six years; and each year’s renewal is said to use
-up one-sixth of the enormous product above mentioned.
-These facts have led some thinking constructors
-to reconsider the national objection to
-precautions, and they now advocate the use of preserved
-timber, and have invented a method of preservation.
-The principal part of the apparatus is a
-large air-tight iron cylinder one hundred feet long,
-into which the wood is run on rails; all the
-openings are closed; steam at a high temperature
-is forced in, and the process is maintained until
-every part of the wood is heated up to two hundred
-and twelve degrees. The steam is then
-driven from the cylinder; heat is applied; then
-a vacuum is produced, and ‘many barrels of sap’
-pour from the wood. Creosote oil is then forced
-into the cylinder. ‘Every stick is at once bathed
-with oil. The wood, being in a soft somewhat
-spongy condition, the fibres porous, and the pores
-open, absorbs at once the hot penetrating oil. If
-the wood be of a porous character like pine, it
-absorbs all the oil required in the first flow without
-any pressure; but if the fibre be solid and
-close and the timber of a large size, a further
-pressure of from sixty to one hundred and fifty
-pounds is needed to make the impregnation
-complete.’ This process reminds us of one on a
-somewhat similar principle which was noticed in
-this <i>Journal</i> for November 25, 1876.</p>
-
-<p>In an address to the Royal Geological Society of
-Ireland, Sir Robert Kane remarked on the activity
-prevailing among the geologists and chemists of
-that country in investigation of their mineral
-resources. The search for fluorine in rocks has
-had favourable results; and the discovery of phosphoric
-acid is regarded as an indication of the
-extent to which organic remains were included
-originally in those mineral masses. Certain beds
-described by geologists as lower Silurian and Cambrian,
-destitute of fossils, nevertheless contain such
-traces of phosphorus as shew that they must have
-been formed in seas rich in organic life. These
-facts, as Sir R. Kane shewed, are of special interest
-in Ireland, where, owing to the rareness of those
-newer formations which furnish the valuable coprolite
-beds of Cambridge and Suffolk, such sources
-of agricultural wealth are absent; but where the
-older strata being so largely developed offer
-resources for discovery of accumulated organic
-remains which may be turned to good account in
-fertilising the soil.</p>
-
-<p>Professor Boyd Dawkins, F.R.S., in discoursing to
-the Manchester Geological Society, mentioned the
-discovery of fresh evidence of the antiquity of man.
-Certain caves in Cresswell Crags, on the borders
-of Nottinghamshire and Derbyshire, have been
-recently explored, and the relics thereby brought
-to light prove that man lived in the hunter-stage
-of civilisation in the valley of the Trent and its
-tributaries, along with the mammoth, woolly
-rhinoceros, cave-hyena, lion and reindeer, and that
-he was capable of progress. In the lowest stratum
-in the caves, says Professor Dawkins, implements
-are found of the rudest kind and roughest form,
-made of quartzite pebbles from the neighbourhood.
-In the middle stratum implements of flint appear
-mingled with the others; but in the uppermost
-stratum the tools and implements are of flint, and
-of the best kind. Among these are bone needles
-and other appliances of bone and horn, on one of
-which is rudely engraved a figure of a horse.
-‘This sequence,’ remarks the Professor, ‘establishes
-the fact, that even in the palæolithic age the
-hunters of reindeer, horse, mammoth, and other
-creatures were progressive, and that the cave-dwellers
-of the pleistocene age are to be looked
-upon from the same point of view as mankind at
-the present time, as “one man always living and
-incessantly learning.”’ If Professor Dawkins is
-right in his conjecture, the cave-dwellers of the
-very remote period which he describes were somewhat
-like the Eskimos of the present day.</p>
-
-<p>To this we may add the fact, that rude stone
-implements have been found in the ‘glacial drift’
-in New Jersey, United States, and that some geologists
-regard this as proof that man lived on the<span class="pagenum"><a id="Page_272"></a>{272}</span>
-earth during that far-back, dreary, and cold glacial
-period.</p>
-
-<p>In the course of the admirable surveys of their
-wide-spread territory carried on by authority of the
-United States government, discovery has been
-made of strange and interesting remains of habitations,
-implements, and pottery of a long-departed
-and forgotten people, who once occupied the region
-about the head-waters of the San Juan. Photographers
-and geologists among the surveying
-parties have by means of pictures, drawings, and
-descriptions produced a Report, which will in due
-time be published at Washington. Meanwhile
-models of the ancient ruins have been constructed
-in plaster, and compared with the dwellings of
-certain Indian tribes in New Mexico and Arizona;
-and these latter, with allowance for contact with
-Europeans, are at once recognised as bearing traces
-of the dwellings of the forgotten people. ‘Forgotten,’
-says an American contemporary, ‘because
-the builders of the modern structures are as ignorant
-of the ancient builders as we are ourselves.’</p>
-
-<p>A correspondent suggests that the ‘stencils’ produced
-by Edison’s Electric Pen might be used as
-communications for blind people, whose sensitive
-fingers would, he thinks, feel out the meaning of
-the very slight roughness of the surface of the
-paper occasioned by the punctures. Why does he
-not try the experiment? Meanwhile we mention
-that a naturalist in New York has produced a
-Catalogue of Diatomaceæ by means of the Electric
-Pen, and published it in quarto form for private
-distribution.</p>
-
-<p>Another correspondent informs us that the
-horse-shoe described in the <i>Month</i> (July 1877) as
-brought into use in Philadelphia with satisfactory
-results, was invented in England in 1870 by Mr C.
-J. Carr. A statement printed in 1874 sets forth
-that the shoe is made of malleable iron in such a
-way ‘as to allow of the natural growth of the frog
-while completely shielding the foot. On the face
-of the shoe is a hollow semi-circular cavity, which
-is filled with a pad of hemp and tar; and as no
-calkins or spikes are required, one of the dangers
-incident to roughing is entirely obviated.’ We
-wish success to any one who will persevere in
-applying common-sense and kindness to the shoeing
-of horses.</p>
-
-<p>The <i>Japan Daily Herald</i> of 31st January states
-that when the telephone was brought under the
-notice of the Japanese government, Mr Ito, the
-(native) Minister of Public Works, at once ordered
-experiments to be made. These were carried out
-by Mr Gilbert, Telegraph Superintendent-in-chief
-to the Japanese government, and formerly of Edinburgh.
-The experiments were so satisfactory that
-they were followed by the establishment of telephonic
-communication between the police stations
-in the metropolis and between the Emperor’s
-palace and the various government departments.
-When the Public Works Department and the
-palace were first put in telephonic union,
-the Emperor and Empress were present, and expressed
-great surprise at the result. The English
-newspaper, in recording this fact, adds, ‘As well
-their Majesties might;’ and it proceeds to
-speculate whether the Chinese, who have opposed
-telegraphs and railways, will ‘give ear to the
-telephone.’ No great expectation appears to be
-entertained that the Chinese will do anything of
-the kind.</p>
-
-
-<hr class="chap" />
-
-<div class="chapter">
-<h2 class="nobreak" id="TWO_HEARTS">TWO HEARTS.</h2>
-</div>
-
-<p class="center">(Suggested by the picture ‘In Memoriam.’)</p>
-
-
-<div class="poetry-container">
-<div class="poetry">
- <div class="stanza">
- <div class="verse indent0"><span class="smcap">In</span> the sunlight, darting, dancing,</div>
- <div class="verse indent0">Birds amid the green leaves glancing,</div>
- <div class="verse indent22">Gaily sing:</div>
- <div class="verse indent0">In the balmy air entrancing,</div>
- <div class="verse indent22">Breathes the Spring.</div>
- </div>
- <div class="stanza">
- <div class="verse indent0">’Tis the dearest hour of daytime;</div>
- <div class="verse indent0">In the merry, merry Maytime,</div>
- <div class="verse indent22">Who’d be sad?</div>
- <div class="verse indent0">Nature revels in her playtime;</div>
- <div class="verse indent22">All is glad.</div>
- </div>
- <div class="stanza">
- <div class="verse indent0">Who is this that cometh slowly?</div>
- <div class="verse indent0">’Tis a maiden meek and lowly;</div>
- <div class="verse indent22">In her eyes,</div>
- <div class="verse indent0">Look of resignation holy</div>
- <div class="verse indent22">Shadowy lies.</div>
- </div>
- <div class="stanza">
- <div class="verse indent0">Heeds she not the golden gleaming</div>
- <div class="verse indent0">Of the sunlight softly streaming</div>
- <div class="verse indent22">Through the leaves:</div>
- <div class="verse indent0">Still her soul is darkly dreaming;</div>
- <div class="verse indent22">Still she grieves.</div>
- </div>
- <div class="stanza">
- <div class="verse indent0">He her heart to win had striven;</div>
- <div class="verse indent0">She her heart to him had given;</div>
- <div class="verse indent22">Hope hath fled—</div>
- <div class="verse indent0">Heart from heart for aye is riven:</div>
- <div class="verse indent22">He is dead.</div>
- </div>
- <div class="stanza">
- <div class="verse indent0">Mid the cruel cannon’s rattle,</div>
- <div class="verse indent0">Passed his soul forth in the battle—</div>
- <div class="verse indent22">Soul that cried</div>
- <div class="verse indent0">To Heaven for her from the battle</div>
- <div class="verse indent22">Ere he died.</div>
- </div>
- <div class="stanza">
- <div class="verse indent0">On the day when, heavy-hearted,</div>
- <div class="verse indent0">He had from his love departed</div>
- <div class="verse indent22">For the fray,</div>
- <div class="verse indent0">While each heart with sorrow smarted—</div>
- <div class="verse indent22">On that day</div>
- </div>
- <div class="stanza">
- <div class="verse indent0">He had left a little token,</div>
- <div class="verse indent0">That if earthly ties were broken,</div>
- <div class="verse indent22">On the tree</div>
- <div class="verse indent0">Tender tie, though all unspoken,</div>
- <div class="verse indent22">Still might be.</div>
- </div>
- <div class="stanza">
- <div class="verse indent0">He had carved two hearts united—</div>
- <div class="verse indent0">Sign of troth and promise plighted;</div>
- <div class="verse indent22">Sign that they</div>
- <div class="verse indent0">True will be till death-benighted,</div>
- <div class="verse indent22">Come what may.</div>
- </div>
- <div class="stanza">
- <div class="verse indent0">He in each heart—sign that never</div>
- <div class="verse indent0">Time shall one from other sever—</div>
- <div class="verse indent22">Graved each name;</div>
- <div class="verse indent0">Sign that they will be for ever</div>
- <div class="verse indent22">Still the same.</div>
- </div>
- <div class="stanza">
- <div class="verse indent0">Daily comes she here to borrow</div>
- <div class="verse indent0">Short relief from sorest sorrow,</div>
- <div class="verse indent22">Partial peace,</div>
- <div class="verse indent0">Till when on her life’s To-morrow</div>
- <div class="verse indent22">Grief shall cease.</div>
- </div>
- <div class="stanza">
- <div class="verse indent0">So she dreams of heavenly meeting,</div>
- <div class="verse indent0">Hears her lost love’s tender greeting</div>
- <div class="verse indent22">Mid the blest,</div>
- <div class="verse indent0">Where beyond these troubles fleeting,</div>
- <div class="verse indent22">There is rest.</div>
- </div>
- <div class="stanza">
- <div class="verse indent0">Hearts which here were disunited,</div>
- <div class="verse indent0">Hearts whose hopes on earth were blighted,</div>
- <div class="verse indent22">On that shore</div>
- <div class="verse indent0">Rest, in perfect peace delighted,</div>
- <div class="verse indent22">Evermore.</div>
- </div>
-</div>
-</div>
-
-<hr class="chap" />
-
-<p class="center">Printed and Published by <span class="smcap">W. &amp; R. Chambers</span>, 47 Paternoster
-Row, <span class="smcap">London</span>, and 339 High Street, <span class="smcap">Edinburgh</span>.</p>
-
-<hr class="chap" />
-
-<p class="center"><i>All Rights Reserved.</i></p>
-
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Chambers's Journal of Popular
-Literature, Science, and Art,, by Various
-
-*** END OF THIS PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL ***
-
-***** This file should be named 63247-h.htm or 63247-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/3/2/4/63247/
-
-Produced by Susan Skinner and the Online Distributed
-Proofreading Team at https://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-</pre>
-
-</body>
-</html>