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+*** START OF THE PROJECT GUTENBERG EBOOK 63136 ***
+
+                          THE SPANISH SERIES
+
+
+                          VALENCIA AND MURCIA
+
+
+
+
+                          THE SPANISH SERIES
+
+                     _EDITED BY ALBERT F. CALVERT_
+
+
+                      GOYA
+                      TOLEDO
+                      MADRID
+                      SEVILLE
+                      MURILLO
+                      CORDOVA
+                      EL GRECO
+                      VELAZQUEZ
+                      THE PRADO
+                      THE ESCORIAL
+                      VALENCIA AND MURCIA
+                      SCULPTURE IN SPAIN
+                      ROYAL PALACES OF SPAIN
+                      GRANADA AND ALHAMBRA
+                      SPANISH ARMS AND ARMOUR
+                      LEON, BURGOS AND SALAMANCA
+                      CATALONIA AND THE BALEARIC ISLES
+                      VALLADOLID, OVIEDO, SEGOVIA,
+                         ZAMORA, AVILA AND ZARAGOZA
+
+
+
+
+                               VALENCIA
+                              AND MURCIA
+                       A GLANCE AT AFRICAN SPAIN
+                           BY A. F. CALVERT
+                            WITH 288 PLATES
+
+
+                  LONDON: JOHN LANE, THE BODLEY HEAD
+                  NEW YORK: JOHN LANE COMPANY: MCMXI
+
+
+
+
+      THE BALLANTYNE PRESS TAVISTOCK STREET COVENT GARDEN LONDON
+
+
+
+
+CONTENTS
+
+
+                                                                    PAGE
+
+THE OLD KINGDOM OF VALENCIA                                            1
+
+SAGUNTUM AND CASTELLON                                                26
+
+THE KINGDOM OF MURCIA                                                 33
+
+
+
+
+LIST OF ILLUSTRATIONS
+
+
+VALENCIA
+
+TITLE                                                              PLATE
+
+General View                                                           1
+
+General View, looking South                                            2
+
+View from the Puente del Mar                                           3
+
+General View                                                           4
+
+View from the Puente del Mar                                           5
+
+Entrance to the Town by the Puerta de Santa Lucia                      6
+
+The Fair at the Puerta de Santa Lucia                                  7
+
+Puerta de Serranos                                                     8
+
+Puerta de Cuarte                                                       9
+
+The Market-Place                                                      10
+
+The Puente Real                                                       11
+
+Paseo de la Glorieta                                                  12
+
+Paseo de la Glorieta                                                  13
+
+Paseo de la Alameda                                                   14
+
+Fountain of the Alameda                                               15
+
+Plaza de la Aduana                                                    16
+
+Plaza de Santo Domingo                                                17
+
+Plaza de San Francisco                                                18
+
+Plaza de Tétuan                                                       19
+
+Plaza de la Constitucion                                              20
+
+Calle de la Bajada de San Francisco                                   21
+
+Calle de San Vicente                                                  22
+
+Tros Alt                                                              23
+
+Calle de la Bolseria y Tros Alt                                       24
+
+General View of the Cathedral                                         25
+
+The Cathedral: Gate of the Apostles                                   26
+
+The Cathedral: Puerta del Palau                                       27
+
+The Cathedral: A Door                                                 28
+
+The Temple                                                            29
+
+The Miguelete                                                         30
+
+Church of Santa Catalina                                              31
+
+Church of Santa Catalina                                              32
+
+Church of Los Santos Juanes                                           33
+
+Façade of San Miguel el Real                                          34
+
+Church of Santa Cruz                                                  35
+
+Church of Santa Cruz                                                  36
+
+Entrance to the Church of San Andrés                                  37
+
+The Campo-Santo                                                       38
+
+The Campo-Santo                                                       39
+
+The Campo-Santo                                                       40
+
+The Audiencia, old Palace of the Cortes                               41
+
+Royal Hall in the Audiencia, upper part                               42
+
+Royal Hall in the Audiencia, lower part                               43
+
+Interior Door of the Audiencia                                        44
+
+The Exchange                                                          45
+
+The Exchange: Detail of the Gallery                                   46
+
+Interior of the Exchange                                              47
+
+Interior Door of the Exchange                                         48
+
+Colegio del Patriarca                                                 49
+
+Courtyard in the Colegio del Patriarca                                50
+
+Courtyard of the University                                           51
+
+Entrance to the Civil Hospital                                        52
+
+Gate of Mosen S’Orrell                                                53
+
+The Custom-House                                                      54
+
+The Archbishop’s Palace                                               55
+
+The Bull-Ring                                                         56
+
+Tobacco Factory                                                       57
+
+A Private House                                                       58
+
+Statue of King Jaime                                                  59
+
+Statue of Ribera                                                      60
+
+Statue of St Christopher                                              61
+
+Palace of the Marqués de Dos Aguas                                    62
+
+Palace of the Marqués de Dos Aguas                                    63
+
+Portal of the Palace of the Marqués de Dos Aguas                      64
+
+Palace of the Marqués de Ripalda                                      65
+
+General View of Grao                                                  66
+
+Grao Harbour                                                          67
+
+Grao Harbour                                                          68
+
+Grao Harbour                                                          69
+
+Camino del Grao: Hermitage of Ave Maria                               70
+
+A “Tartana,” or Char-à-banc                                           71
+
+Peasants                                                              72
+
+Peasants                                                              73
+
+Peasants                                                              74
+
+Types of Women                                                        75
+
+“Tribunal des Eaux”                                                   76
+
+Barbers on the Bridge of Serranos                                     77
+
+Zigzag of the Cabrillas                                               78
+
+A Road in Cabañal                                                     79
+
+A Road in Cabañal                                                     80
+
+The Shores of the Mediterranean                                       81
+
+The Shores of the Mediterranean                                       82
+
+
+MURVIEDRO
+
+General View                                                          83
+
+General View                                                          84
+
+View from the Station                                                 85
+
+View from the Castle                                                  86
+
+The Castle and Town                                                   87
+
+The Castle                                                            88
+
+The Castle from one of the Courts                                     89
+
+Entrance to the Castle                                                90
+
+General View of the Roman Amphitheatre                                91
+
+General View of the Roman Amphitheatre                                92
+
+The Roman Amphitheatre                                                93
+
+Interior of the Roman Amphitheatre                                    94
+
+Principal Gate of the Roman Amphitheatre                              95
+
+Entrance to the Roman Amphitheatre                                    96
+
+Entrance to the Roman Amphitheatre                                    97
+
+JATIVA
+
+General View                                                          98
+
+View from the Station                                                 99
+
+The Civil Hospital                                                   100
+
+
+ALICANTE
+
+General View                                                         101
+
+The Castle                                                           102
+
+View from the Castle                                                 103
+
+The Breakwater                                                       104
+
+General View                                                         105
+
+General View                                                         106
+
+General View                                                         107
+
+Paseo de los Martires                                                108
+
+Paseo de los Martires                                                109
+
+Paseo de los Martires                                                110
+
+Paseo de los Martires                                                111
+
+Paseo de Nuñez                                                       112
+
+The Town Hall                                                        113
+
+The Town Hall                                                        113
+
+Monument to Quijano                                                  115
+
+The Bull-Ring                                                        116
+
+
+ELCHE
+
+General View                                                         117
+
+General View                                                         118
+
+General View                                                         119
+
+View of the Town                                                     120
+
+Plaza Mayor                                                          121
+
+View from the Station                                                122
+
+The Road to Alicante                                                 123
+
+The Road from Alicante                                               124
+
+The Town Hall                                                        125
+
+Church of San Juan                                                   126
+
+Bridge over the Rambla de Elche                                      127
+
+View from the Railway Bridge                                         128
+
+The Canal                                                            129
+
+Washing Linen in the Canal                                           130
+
+A Canal                                                              131
+
+Tower of Rapsamblanc, belonging to the Conde de
+Luna                                                                 132
+
+Castle of the Duque de Altamira, now a Prison                        133
+
+Mill and Castle of the Duque de Altamira                             134
+
+Castle of the Duque de Altamira                                      135
+
+Castle and Mill                                                      136
+
+Palms                                                                137
+
+Country Spinners                                                     138
+
+Casa de la Huerta                                                    139
+
+A Country Road                                                       140
+
+A Country House                                                      141
+
+A Country House                                                      142
+
+A Famous Palm                                                        143
+
+A Palm celebrated for its Resemblance to a Column                    144
+
+Palm Groves                                                          145
+
+A Road                                                               146
+
+
+SAX
+
+General View                                                         147
+
+
+MURCIA
+
+General View                                                         148
+
+View from the Tower of the Cathedral, towards the
+South                                                                149
+
+View of the Town                                                     150
+
+General View of the Town                                             151
+
+General View of the Town                                             152
+
+General View of the Town                                             153
+
+General View                                                         154
+
+The Bridge                                                           155
+
+The River                                                            156
+
+The Bridge over the Segura                                           157
+
+The River Segura                                                     158
+
+The Fair                                                             159
+
+The Fair                                                             160
+
+The Market-Place                                                     161
+
+Plaza de Santo Domingo on Market-Day                                 162
+
+Paseo del Malecon                                                    163
+
+Plaza de Santa Catalina                                              164
+
+Plaza de Toros, now Plaza de San Agustin                             165
+
+Paseo del Arenal                                                     166
+
+Plaza de San Pedro                                                   167
+
+Paseo de Floridablanca and Palace of the Exhibition                  168
+
+Plaza de Santa Isabella                                              169
+
+Calle del Puente                                                     170
+
+Plaza de la Gloriéta                                                 171
+
+Plaza de la Gloriéta                                                 172
+
+The Cathedral                                                        173
+
+General View of the Cathedral                                        174
+
+Principal Façade of the Cathedral                                    175
+
+Tower of the Cathedral                                               176
+
+Side Door of the Cathedral                                           177
+
+The Cathedral: Gate of the Apostles                                  178
+
+The Cathedral: Chapel of the Marqués de los Velez                    179
+
+The Cathedral: Detail of the Façade                                  180
+
+Detail of the Cathedral                                              181
+
+The Cathedral: Window of the Belfry                                  182
+
+The Cathedral: Principal Nave                                        183
+
+The Cathedral: Lateral Nave                                          184
+
+The Cathedral: Behind the Choir                                      185
+
+The Cathedral: Entrance to the Chapel of the Marqués
+de los Velez                                                         186
+
+The Cathedral: Chapel of the Marqués de los Velez                    187
+
+The Cathedral: The High Altar                                        188
+
+The Cathedral: The High Altar                                        189
+
+The Cathedral: General View of the Choir                             190
+
+The Cathedral: The Bishop’s Throne, in the Choir                     191
+
+The Cathedral: Detail of the Choir Stalls                            192
+
+The Cathedral: Detail of the Choir Stalls                            193
+
+The Cathedral: The Sacristy                                          194
+
+The Cathedral: Tomb of Alfonso the Wise                              195
+
+Church of Santo Domingo                                              196
+
+Church of Santo Domingo                                              197
+
+Church of San Bartolomé                                              198
+
+Façade of the Convent de la Misericordia                             199
+
+Palace of the Marqués de Villafranca de los Velez, and
+Convent of Santa Clara                                               200
+
+The Episcopal Palace                                                 201
+
+Casa Huerta de las Bombas                                            202
+
+Palace of the Marqués de Almodovar                                   203
+
+Palace of the Baron de Albalá                                        204
+
+Palace of the Marqués de Espinardo                                   205
+
+The “Contraste”                                                      206
+
+Monument to Salzillo                                                 207
+
+Roman Altar dedicated to Peace, found in Carthagena
+and moved in 1594 to the Palace of the Marqués de
+Espinardo                                                            208
+
+House in the Calle Jaboneria                                         209
+
+House of the Painter Villasis                                        210
+
+A Balcony in the Calle Traperia                                      211
+
+Puerta Cadenas                                                       212
+
+Teatro de Romea                                                      213
+
+The Bull-Ring                                                        214
+
+The Town Hall                                                        215
+
+The Town Hall                                                        216
+
+Procession leaving the Church of Jesus in Holy Week--St.
+Veronica                                                             217
+
+Procession leaving the Church of Jesus in Holy Week--The
+Kiss of Judas                                                        218
+
+Procession in Holy Week. The Garden of Gethsemane                    219
+
+Procession in Holy Week. Our Lord Falling                            220
+
+Procession in Holy Week. The Scourging                               221
+
+Church of Jesus. The Last Supper, by Zarzillo                        222
+
+Pilgrimage of St. Blas                                               223
+
+Ruins of the Arab Baths                                              224
+
+Environs of Murcia: Convent of San Jeronimo                          225
+
+Environs of Murcia: Hermitage of the Fuensanta                       226
+
+Environs of Murcia: Hermitage of the Fuensanta                       227
+
+Environs of Murcia: Hermitage of the Fuensanta                       228
+
+Environs of Murcia: Castle of Monteagudo                             229
+
+Paisaje de la Huerta                                                 230
+
+Paisaje de la Huerta                                                 231
+
+Paisaje de la Huerta                                                 232
+
+A Cart Loaded with “Tinajas”                                         233
+
+Harvest-Time                                                         234
+
+Environs of Murcia: The Huerta des Capucins                          235
+
+Environs of Murcia: The Huerta des Capucins                          236
+
+Environs of Murcia: View from the Huerta des
+Capucins                                                             237
+
+Environs of Murcia: The Huerta des Capucins--Date-Gathering          238
+
+
+ORIHUELA
+
+General View                                                         239
+
+General View from the Puerta de Murcia                               240
+
+The River Segura                                                     241
+
+The River Segura from the East                                       242
+
+Door of the Church of Santiago                                       243
+
+
+CARTHAGENA
+
+General View                                                         244
+
+A Partial View                                                       245
+
+View from the Station                                                246
+
+View from the High Road                                              247
+
+View from Quitapellijos                                              248
+
+View from the Fort of Atalaya                                        249
+
+View from the Fort of Atalaya                                        250
+
+View from St. Joseph’s Mill                                          251
+
+View from St. Joseph’s Mill                                          252
+
+View from the Fort of Galera                                         253
+
+View from the Fort of Galera                                         254
+
+View of the Harbour                                                  255
+
+Santa Lucia and the Harbour                                          256
+
+The Harbour from Santa Lucia                                         257
+
+The Harbour from Santa Lucia                                         258
+
+The Harbour from the Powder Magazine                                 259
+
+The Harbour from Trincabatijos                                       260
+
+View from the Esplanadero                                            261
+
+The Entrance to the Harbour from Trincabatijos                       262
+
+The Breakwater                                                       263
+
+Entrance to the Harbour                                              264
+
+Entrance to the Arsenal                                              265
+
+Puerta del Mar                                                       266
+
+Puerta de Murcia                                                     267
+
+Plaza de las Monjas                                                  268
+
+The Marine College                                                   269
+
+The Bull-Ring                                                        270
+
+
+ARCHENA
+
+The Baths, from La Sierra de Verdelena                               271
+
+General View of the Baths from the West                              272
+
+General View of the Baths at the Entrance to the
+Village                                                              273
+
+Entrance to the Baths                                                274
+
+The Carretera and River Segura                                       275
+
+View of the Church                                                   276
+
+Interior of the Church                                               277
+
+The Church: Altar of the “Virgen de la Salud”                        278
+
+Environs of Archena: View of Villanueva                              279
+
+Environs of Archena: View of Blanca from the Salto del
+Palomo                                                               280
+
+Environs of Archena: View of Blanca from Bujamente                   281
+
+Environs of Archena: Village and Gardens of Ulea
+from Villanueva                                                      282
+
+Environs of Archena: Village and Gardens of Ulea,
+East Side                                                            283
+
+Environs of Archena: Village of Ojos and Mountains                   284
+
+Environs of Archena: The Gardens of Ojos, from the
+Lovers’ Leap                                                         285
+
+Environs of Archena: The Lovers’ Leap                                286
+
+
+LORCA
+
+General View                                                         287
+
+View from the Railway Station                                        288
+
+
+
+
+VALENCIA & MURCIA
+
+
+
+
+THE OLD KINGDOM OF VALENCIA
+
+
+Shut in between the barren range of the Sierra Molina on the north, and
+the arid plains of Murcia to the south, the ancient Kingdom of Valencia
+is one of the regions of Spain least visited by the tourist. And yet, a
+flowering and fruitful Eden, it lies beneath a burning sun, its waters
+trained in obedience to the hand of man. It puts forth a vegetation of
+tropical luxuriance. Demeter has blessed the land. Under the soft
+caressing winds that sweep up from the Mediterranean the soil yields
+four or five crops in the year to the industry of the peasant. And if at
+times the dreaded sirocco, charged with poisonous vapours from the
+Albufera, lays the country prostrate--well, for every Paradise was
+devised a snake!
+
+The people of the province, with the exception of those of Orihuela,
+speak that variety of the Romance which I may call Catalan, and which,
+with local modification, is common all along the eastern coast of Spain
+from the mouth of the Segura to the frontier of Rousillon. Limousin, as
+it is sometimes called, is not a mere dialect, but a quite distinct
+language, a survival of the old _Langue d’oc_. Probably it was spoken by
+those Romanised Spaniards who were driven north of the Pyrenees by the
+Arabic invasion. It would be restored by them when they reconquered this
+portion of their old territory. The Christian population, before
+Valencia was recovered by Jaime el Conqueridor of Aragon, spoke
+Castilian or a tongue akin to it. But the Catalan of the new rulers was
+stronger, and soon swept aside the common speech of the people.
+Curiously enough, this same Catalan was not the language used in Aragon
+itself, a fact which no doubt had a strong determining influence in the
+choice of Castilian at the time of the unification of the two kingdoms.
+Why Orihuela alone clung to its old Castilian tongue in despite of the
+Conqueror is not clear, unless it was owing merely to the proximity of
+Murcia.
+
+In character the Valencians are superstitious, revengeful, relentless in
+hate. “Ni olvido ni perdono” is their motto. They love the colour and
+joy of life. Dancing and love-making are their chief delights. And yet
+they are a laborious race. But their white, rather flabby appearance
+proclaims them lacking in backbone and initiative. “Flesh is grass, and
+grass is water. The men are women, the women--nothing!” says their own
+proverb.
+
+The fertile huerta has found its novelist in Blasco Ibañez, a native of
+Valencia, who has beautifully described the languid life of the
+province. A translation must necessarily lack the force and elegance of
+the master’s style, but the following passages will at least enable the
+reader to picture a summer in the south:
+
+“When the vast plain awakes in the bluish light of dawn, the last of the
+nightingales that have sung through the night breaks off abruptly in his
+final trill, as though he had been stricken by the steely shaft of day.
+Sparrows in whole coveys burst forth from the thatched roofs, and
+beneath this aerial rabble preening their wings the trees shake and nod.
+
+“One by one the murmurs of the night subside; the trickling of the
+water-courses, the sighing of the reeds, the barking of the watchful
+dogs, other sounds belonging to the day, grow louder and fill the
+huerta, the crow of the cock is heard from every farm, and the village
+bells proclaim the call to prayer borne across from the towers of
+Valencia, which are yet misty in the distance. From the farmyards arises
+a discordant animal concert--the neighing of horses, the bellowing of
+oxen, the clucking of hens, the bleating of lambs, the grunting of
+swine--the sounds produced by beasts that scent the keen odour of
+vegetation in the morning breeze and are hungry for the fields.
+
+“The sky is suffused with light, and with light life inundates the plain
+and penetrates to the interior of human and animal abodes. Doors open
+creaking. In the porches white figures appear, their hands clasped
+behind their necks, scanning the horizon. From the stables issue towards
+the city milch cows, herds of goats, manure-carts. Bells tinkle between
+the dwarf trees bordering the high road, and every now and again is
+heard the sharp “Arre, Aca” of the drivers.
+
+“On the thresholds of the cottages those bound for the town exchange
+greetings with those who stay in the fields. ‘Bon dia nos done Deu!’
+[May God give us a good day!] ‘Bon Dia.’
+
+“Immense is the energy, the explosion of life at midsummer, the best
+season of the year, the time of harvest and abundance. Space throbs with
+light and heat. The African sun rains torrents of fire on the land
+already crackled and wrinkled by its burning caresses, and its golden
+beams pierce the dense foliage, beneath which are hidden the canals and
+trenches to save them from the all-powerful vivifying heat.
+
+“The branches of the trees are heavy with fruit. They bend beneath the
+weight of yellow grapes covered with glazed leaves. Like the pink
+cheeks of a child grow the apricots amid the verdure. Children greedily
+eye the luxurious burden of the fig-trees. From the gardens is wafted
+the scent of jasmin, and the magnolias dispense their incense in the
+burning air, laden with the perfume of cereals.
+
+“The gleaming scythe has already sheared the land, levelling the golden
+fields of wheat and the tall corn-stalks which bowed beneath their heavy
+load of life. The hay forms yellow hills which reflect the colour of the
+sun. The wheat is winnowed in a whirlwind of dust; in the naked fields
+among the stubble sparrows hop from spot to spot in search of stray
+gleanings. Everywhere are happiness and joyous labour. Waggons go
+groaning down the road; children frolic in the fields and among the
+sheaves, thinking of the wheaten cakes in prospect, and of the lazy
+pleasant life which begins for the farmer when his barn is filled. Even
+the old horses stride along more gaily, cheered by the smell of the
+golden grain which will flow steadily into their mangers as the year
+rolls on.
+
+“When the harvest has levelled the panorama and cleared the great
+stretches of wheat sprinkled with poppies, the plain seems vast, almost
+illimitable. Farther than the eye can reach stretch its great squares of
+red soil, marked off by paths and trenches. The Sunday’s rest is
+rigorously observed over the whole countryside. Not a man is seen
+toiling in the fields, not a beast at work on the road. Down the paths
+pass old women with their mantillas drawn over their eyes, and their
+little chairs hanging to their arms. In the distance resound, like the
+tearing of linen, the shots fired at the swallows, which fly hither and
+thither in circles. A noise seems to be produced by their wings ruffling
+the crystal firmament. From the canals rises the murmur of clouds of
+almost invisible flies. In a farm all painted blue, under an ancient
+arbour, there is a whirlwind of gaily-coloured shawls and petticoats,
+while the guitars with their drowsy rhythm and the strident cornets
+accompany the measures of the Valencian ‘Jota.’
+
+“In the village the little plaza is thronged with the field-folk. The
+men are in their shirt-sleeves with black sashes and gorgeous
+handkerchiefs arranged mitre-like on their heads. The old men lean on
+their big Liria sticks. The young men, with sleeves turned up, display
+their red nervous arms and carry mere sprigs of ash between their huge
+knotted fingers.
+
+“In the afternoon, towards the fountain along the road, bordered with
+poplars which shake their silvered foliage, go groups of girls with
+their pitchers on their heads. Their rhythmical movements and their
+grace recall the Athenian Canephori. This procession to the well lends
+to the huerta something of a Biblical character. The Fontana de la Reina
+is the pride of the huerta, condemned to drink the water of wells, and
+the red and dirty liquid of the canals. It is esteemed as an ancient and
+valuable work. It has a square basin with walls of reddish stone. The
+water is below the soil. You reach the bottom by means of six green and
+slippery steps. Opposite the steps is a defaced bas-relief, probably a
+Virgin attended by angels--no doubt an ex-voto of the time of the
+Conquest. Laughter and chatter are not wanting round the well. The girls
+cluster round, eager to fill their pitchers but in no hurry to depart.
+They jostle each other on the steps, with their petticoats gathered in
+between their legs, the better to lean forward and to plunge their
+vessels into the basin. The surface of the water is unceasingly troubled
+by the bubbles rising from the sandy bed, which is covered with weeds
+waving in the current.”
+
+The exuberant natural life pictured in these passages is not altogether
+due to the bounty of nature. The scorching sun would have brought death
+instead of life to Valencia without the co-operation of man. The whole
+province is a triumph of irrigation. The Moors were masters of hydraulic
+science. They tapped the Jucar and the Guadalaviar and drew their
+waters through the Moncada and seven smaller but magnificent canals into
+every corner of the land. This was the legacy they left behind when they
+were so suicidally expelled. Their successors, as Mr. Richard Ford so
+eloquently puts it, exercise “a magic control over water, wielding it at
+their bidding”--presumably as Gilbert’s hero Ferdinando brandished the
+turtle soup!
+
+Bequeathed also directly by the Moors, the Tribunal of the Waters is the
+most interesting sight of Valencia. It is independent of all law; no
+Government has ever touched it; it has no written records. The court
+meets every Thursday morning at eleven o’clock at the Apostles’ Gate of
+the Cathedral in the capital, to try all cases and disputes in regard to
+the precious water that is the life-blood of the province. There are
+seven judges, one for each canal, elected by the peasantry of the
+districts, and each is known by the name of his canal--Mislata, Cuarte,
+and so forth. They are grave, stoutly-built men, with tanned faces and
+close-cropped hair. They wear black, the colour beloved by the
+comfortably situated working man all the world over; but they have not
+degenerated quite so far as to discard the native handkerchief round
+their polished brows, or the espadrilla, the Valencian shoe.
+
+Except that the turban has given place to the sombrero and the divan to
+an ancient sofa, the proceedings of the tribunal are as patriarchal as
+of old. In the plaza a crowd of litigants are collected, chattering,
+gesticulating, arguing their wrongs according to the manner of their
+kind all the world over. With an air of importance befitting the
+occasion the Alguazil of the tribunal places the magisterial bench in
+the shadow of the great Gothic portal. A light rail will keep the vulgar
+at a distance. Then the peasant magistrates take their seats, and the
+oldest pronounces the words, “Se abri el tribunal” (The tribunal is
+open). A portentous silence falls, for any one who speaks before his
+turn must pay a fine. One by one the litigants are introduced within the
+railing and plead their cause bareheaded before the court. Woe to the
+insolent wight that dare stand covered in its presence. The Alguazil
+will tear the handkerchief from off his head, and he will also be
+mulcted in a fine. Each must await the tapping of the presidential foot
+before he ventures into the presence. But the severity of the discipline
+does not suffice to make the fiery Valencians restrain their feelings.
+At every moment there is an explosion of wrath or indignation, a heated
+expostulation from one or other of the parties. The fines collected must
+be a considerable sum. Out of their own wisdom the judges give their
+decisions, which are almost invariably received without discontent. The
+Valencians are anxious to preserve their unique tribunal from criticism
+and interference, for they know that in Spain, as in other countries,
+royal justice is a costly matter.
+
+The history of Valencia for all practical purposes is that of its
+capital and namesake. “Its name,” says Mr. Ford, “is fondly derived
+from, or considered equivalent to, Roman, because Ρὡμη in Greek
+signifies power, as Valencia does in Latin.” The principle is doubtless
+excellent, but seems to be that of _lucus a non lucendo_.
+
+When the warriors of Viriathus surrendered to Rome on the death of their
+chief, Valencia was granted to them by the Consul D. Junius Brutus.
+Destroyed by Pompey, it became a _colonia_ when rebuilt and the capital
+of the Edetani. But the history of few Roman colonies, as it has reached
+us, is of interest. The province had the usual martyrs under the
+persecution of Diocletian and Decius, and was the place of banishment of
+the zealot Ermengild. Proud of its haughty name, Valencia has yet
+allowed itself to be taken and retaken oftener than any other city in
+the world. In 413 it yielded to the Goths, and three hundred years later
+with great nonchalance transferred its allegiance to the Moor. It formed
+at one time part of the Khalifate; and again, one or more petty kingdoms
+in itself.
+
+Don Feodoro Lleorente speaks of “the slave kings” of Valencia. It is
+certain that many of its rulers were slave adventurers from the palace
+of the Khalifa, who, like the janizaries of Turkey had literally carved
+their fortunes with their swords. One of these princes added the
+Balearic Isles to his realms and unsuccessfully attempted the conquest
+of Sardinia.
+
+The kingdom thus founded by military adventurers was overthrown by the
+most famous of that warlike brood.
+
+The Moors had made the desert blossom like the rose. Wealth and
+prosperity had been secured to the province. The Moslem paradise was
+located here. Medinat-u-Tarab was its capital--the City of Mirth. The
+greedy eyes of Christian neighbours were inevitably drawn to such a
+region, and the break-up of the Ummeyah dynasty offered an excellent
+opportunity for interference.
+
+Valencia was split up into factions, and the King or Amir Kadir was
+merely the puppet of the two opposing parties, who alternately supported
+him on his tottering throne. But the Moors were a proud race and felt
+themselves dishonoured in yielding homage to so weak a ruler. Headed by
+Ibn Jahhaf, the people rose in revolt. Kadir fled, but was detected
+under his woman’s disguise, was taken and beheaded. That strange
+anomaly a Mohammedan republic was formed. A council of the leaders was
+constituted with Ibn Jahhaf as President.
+
+A people which arrogates the right to choose its ruler has ever been
+considered a sort of pirate among the nations, and fair game for more
+powerful States. Kadir, at the time of his deposition, had been under
+the hardly disinterested protection of the Cid, who, under pretence of
+avenging his _protégé’s_ death, immediately advanced on Valencia. For
+some time Ibn Jahhaf, who seems to have had some of the qualities of a
+great general, amused the Campeador with negotiations, while he pushed
+hastily forward preparations for defence. Discovering that he was being
+played with, the Cid swept through the country and threw his army round
+Valencia, which for twenty months made a stubborn resistance. The city
+falling at length, Jahhaf, who had become a special object of hatred to
+the Conqueror, was burnt alive in the plaza. Until his death in 1097,
+the Cid ruled the kingdom as absolute lord and despot. The legend runs
+that Ximena, his wife, defended the city for two years after her
+husband’s death. And so great was the reputation and the terror of the
+Campeador that she finally won a victory over the Mussulmans and carried
+him to his last resting-place at Cardeña by the stratagem of placing his
+corpse fully armed upon his war-horse with his celebrated sword in his
+hand.
+
+But for two centuries longer Valencia followed the law of the Prophet.
+It was finally wrested from the yoke of Islam on the memorable 28th of
+September 1238, when the standard of the victorious Jaime I. of Aragon
+was hoisted over the tower of Ali Bufat, and the Crescent bowed before
+the Cross. The conquest in the history of Aragon ranks with the taking
+of Seville in the history of Castile. Granada was the joint conquest of
+both kingdoms. The way in which the Moors in these old days surrendered
+their whole kingdom to the Christians, sometimes after only one battle
+had been fought, stands out in dark contrast with the tenacious
+resistance offered by their descendants in Algeria in modern times.
+Enervated by the climate of Spain the Mussulmans of that country were
+absolutely incapable of maintaining a prolonged guerilla warfare. If a
+fortified capital was taken they at once handed over the whole kingdom
+to the conqueror. They were not of course peculiar in this respect. The
+sentiments of nationality and physical courage are characteristic far
+more of the modern than of the ancient world. We have only to compare
+the resistance of the Anglo-Saxons to the Normans with that of the Boers
+to the British, of the French in the Hundred Years War with that of
+their descendants in 1871, to realise how much more of manliness and
+endurance we possess than did our ancestors. We must go back to the days
+of Leonidas and Regulus to find parallels for the exploits of our own
+Indian Army; to Numantia and Seguntum for parallels to Saragossa and
+Gerona. National and individual self-respect withered under feudalism,
+and revived only on the introduction of free institutions.
+
+The commerce and wealth of the country now fell into the hands of the
+Jews, who came over in great numbers from Aragon. For a long time the
+industrious people lived, hated it is true, but unmolested, in their own
+quarter of the city. But one ill-fated day a band of children, urged on
+probably by some fanatic, marched against the Jewry crying that they had
+come to baptize the unbelieving dogs, and that the Archdeacon of Seville
+was close upon their heels. In terror the wretched people retreated to
+their homes, firmly barricading themselves. Some of the Christian
+children got shut up in the quarter. Like wildfire the rumour spread
+through the streets that the Jews were submitting them to untold
+tortures behind their barred doors. The whole populace went mad with the
+rage for blood, attacked the wholly unprepared Jews, and the most
+horrible scenes of massacre ensued. This was in 1391. The prosperity of
+Valencia suffered its first severe blow with the barbarous expulsion of
+the Moors at the command of Philip III. Another fell some time later
+when, on account of its strenuous opposition to the French claim to the
+Crown, Philip V. confiscated the liberties of the province and imposed
+an enormous fine.
+
+But Valencia, though fallen from its old estate, is nevertheless to-day
+a thriving prosperous province; its capital is handsome and progressive.
+Busy life pulsates through the streets; the _cafés_ are alive with the
+hum of voices. There is little to recall the days of its allegiance to
+the Prophet, and it has not retained more monuments of the past than
+most other cities. From the sightseer’s point of view it is not
+intensely interesting; from the stranger’s, even less convenient, since
+indications of the names of the streets are few and far between. New and
+splendid avenues are arising, which, in pleasant contrast to the dull
+uniformity of most Continental town perspectives, contain houses
+original and individual in style. You enter the town by one of two
+massive castellated gates, which give a note of the mediæval picturesque
+to their respective quarters. The fourteenth century Torres de Serranos
+form a narrow archway flanked by two fine octagonal towers. Above, are
+windows with elaborate panelling, and heavy machicolations crown the
+whole building. The Torres de Cuartes, of a century later, are very
+similar, but the parapet is itself borne on corbels and machicolated.
+Unfortunately the walls of the city have perished.
+
+The Cathedral, the Lonja, and the Picture Gallery exhaust the sights of
+Valencia. The Cathedral was founded in 1262 on the ruins of the Great
+Mosque, which in its turn had replaced the Temple of Diana. It is far
+inferior to most of the great Spanish churches in beauty and interest.
+Originally Gothic, it was considerably enlarged in the fifteenth
+century, the height, however, being left unaltered. The principal
+entrance, in the receding circular form, is an outrage, but the north
+door, called the Puerta de los Apostoles, richly sculptured and
+delicately moulded, exhibits the skill and industry of the fourteenth
+century at its best.
+
+Above the semicircular Puerta de Palau is an interesting series of
+medallions. These represent the heads of fourteen men and women. These
+are the seven knights of the Conquest and the seven fair ladies they
+sought in the surrounding provinces, from whom the whole Valencian
+nobility is said to be sprung. This doorway is evidently by the same
+hand as the Puerta de los Infantes at Lerida. But the most striking part
+of the Cathedral is the imposing Miguelete Tower. Its sculpture is
+indifferent, but seen from a distance the effect is fine. It is the
+great landmark of the district, and the Valencians speak of exile as
+“losing sight of the Miguelete.”
+
+The plan of the Cathedral, like most Spanish churches, is cruciform. In
+1760 the interior was modernised in a manner that makes the
+beauty-loving traveller long to tear his hair--or that of the
+perpetrator of the “restoration.” Over-decoration is its chief defect.
+The walls have been encrusted with marbles, the Gothic columns almost
+concealed by Corinthian pilasters, the pointed arches rounded off. The
+church may merit its surname of “La Rica,” but it has lost that
+atmosphere of remote beauty that calls forth the instincts of religion
+in the worshipper. During the French occupation of 1809 the magnificent
+silver altar was melted down, but fortunately its protecting door panels
+were uninjured. These are painted with six pictures by Francisco Pagano
+and Pablo de San Leocadio, disciples of Leonardo da Vinci, and ascribed
+by some to the master himself. The spurs and bridle of Jaime el
+Conqueridor, presented by him on the day he took the city to his Master
+of the Horse, are preserved on one of the pillars on the Gospel side.
+
+The choir is for the most part modern, with plain and classical walnut
+stalls. The rear portion, or _trascoro_, dates from the fifteenth
+century, and is decorated with a fine series of Biblical scenes in
+alabaster. The chapels have little of interest, except the tomb of Tomás
+de Villanueva, the holy Archbishop of Valencia, in the one dedicated to
+him. Over the crossing rises the fine octagonal lantern, which was built
+in 1404 and restored in 1731. It was once adorned by many trophies,
+among them the flags taken from the Genoese by Ramon Corveran, a famous
+sea-dog of Valencia. These, however, have long since vanished.
+
+After the Cathedral the Lonja de la Seda, or Silk Exchange, is the most
+interesting sight of Valencia. Built in the Gothic style (though not of
+the purest) it is one of the best specimens of civil architecture of the
+Middle Ages that we have remaining. Its square tower, crenellated
+chimneys, open galleries and high windows give an extremely fine effect.
+The hall has spirally fluted pillars that branch out into graceful
+clusters of palm-leaves. The ceiling is painted with stars and round the
+walls runs the legend, “He only that shall not have deceived nor done
+usury shall be worthy of eternal life,” which (let us hope) has guided
+generations of merchants into the paths of commercial integrity. The
+Audiencia, in good Renaissance style, is well worth a visit, where in
+the Salon de Cortes the old provincial States assembled till the middle
+of the eighteenth century. As a building the University is beautiful,
+if it is a little backward in thought. Here Fernando VII. raised the
+noble sport of _Tauromachy_, or Bull-fighting, to the dignity of a
+Faculty!
+
+The smaller churches are interesting enough, but not striking, and the
+visitor will do well to prefer the almost deserted Picture Gallery.
+Until the name of Velasquez dwarfed that of every other Spanish artist,
+Valencia boasted a school of painting second to none in the country.
+Ribalta, Juanes, Ribera, Espinosa, and Orrente all lived and loved and
+painted in the old kingdom. The story of Ribalta is romantic. The son of
+a ploughman, he deemed himself on the high road to fortune when he
+entered a Valencian studio as a pupil. But alas! the black eyes and
+pretty figure of his master’s daughter proved more alluring than canvas
+virgins. Ribalta was dismissed the studio in disgrace. He wandered
+towards Italy, the land of promise, and studied under the brothers
+Carracci. Some years later he returned. His mistress was in possession
+of the studio, her father having gone out. A wooden and lifeless Madonna
+stood on an easel. Ribalta seized a brush and painted furiously until
+sunset, and when the artist returned a masterpiece was awaiting him.
+Astonishment, admiration, tears, and gratitude--no artist could forbid
+his daughter’s _fiançailles_ with a man of genius. Ribalta afterwards
+devoted his whole life to the adornment of the churches of his native
+kingdom.
+
+But Valencia is hardly less distinguished for its theatre than for its
+painting. Here at the end of the sixteenth century was founded the
+celebrated society of “Nocturnes” which welcomed the youth of Lope de
+Vega. Guillen de Castro was its head, a man of wit and honourable
+family, whose adventurous life ended in the gutter. He is best known as
+the author of _Las Mocedades del Cid_, a tedious drama with a fine
+heroic touch, whence Corneille drew his inspiration.
+
+Leaving Valencia we run southward as far as Alcira without a stop. Here
+we cross the Jucar, which strikes terror into the hearts of the
+townsfolk. Rising in the rainy season with terrible rapidity, with
+constant shiftings of its channel, it sweeps over the countryside,
+swallowing up whole villages in its destructive, impetuous course. When
+the sky grows black and the river starts to rise, the panic-stricken
+inhabitants run to the churches and seize the images. Then with frenzied
+prayers to the _Pare San Bernard_, they dip the holy forehead in the
+water, hoping to stay the onrush of the torrent. But the inundated
+country to-day will in a few years bear heavy rice crops and luxuriant
+orchards. The swampy unhealthy lagoon, the Albufera (which gave its
+name to one of Napoleon’s marshals) is becoming filled up with the
+_débris_ brought down from the mountains. Soon it, too, will be a
+fertile huerta. Meanwhile, trees are being planted on the rugged
+hill-side, a wise measure which it is hoped will check the violence of
+the floods and the denudation of the arid soil.
+
+Jativa will be our next stopping-place. Like most of the towns in this
+country it is rich in historic interest. Past cottages, embosomed in
+palm-and orange-trees, you climb up to the hill where the old and new
+castles stand side by side. Here in 1284 the Infantes de la Cerda,
+rightful heirs to the throne, were confined by their Uncle Sancho el
+Bravo. Here too the Duke of Calabria, heir of Naples, languished for ten
+years after having trusted himself to the honour of Gonzalo de Cordoba,
+who betrayed him. This was one of the three deeds of which Gonzalo is
+said to have repented at the last. Indeed the castle of Jativa seems to
+have greatly troubled his death-bed, for we learn that the second of
+these three misdeeds was the imprisonment in the same place of the
+infamous Cæsar Borgia. The Borgias--those super-men of the
+Renaissance--had their origin in the neighbourhood of Jativa, which also
+boasts itself the birthplace of the artist Ribera.
+
+The smaller coast towns of Alicante attract the weary traveller by their
+beautifully sounding names: Benidorm, Villajoyosa--what pleasant chords
+they strike in the imagination! But time is short. You think of them
+regretfully and hurry towards the capital. But first, if the month is
+April, you must turn aside for a flying visit to Alcoy, where every year
+a mediæval joust takes place to the glory of Saint George (the city’s
+patron saint) and the discomfiture of the Moors. This is to celebrate
+the taking of the town from the Moors by Jaime el Conqueridor in 1253.
+
+Alicante, the largest town in the province of that name, and the second
+in the Kingdom of Valencia, is as dull as most thriving commercial
+centres. Its broad white quays are thronged with a busy bustling
+humanity. Touches of vivid colour in the dress of the women, who are
+labouring like navvies, a burning sun overhead, and the blue of the
+Mediterranean, make a not unpleasing picture. Behind the town towers an
+enormous rock--a second Gibraltar--crowned by the old castle of Santa
+Barbara. A deep fissure in the rock recalls the stubborn siege of 1707,
+when the English General and all his garrison were blown to pieces by a
+mine.
+
+Southwards still, to Elche, the City of Palms, or, less poetically, “The
+Frying-pan!” A mist of heat seems to hang over the little
+Oriental-looking town. Not even in the palm groves that shut out the
+desert can you avoid it. These magnificent trees (it has been estimated
+that there are 80,000 in the belt that encircles the town) provide
+practically all the palms used by the Christian churches in Passion
+Week. In the shade of their avenues flourish the laurel, the rose, and
+the geranium; beyond, extend crops of lucerne and wheat, watered by the
+carefully regulated Vinalapo.
+
+But though Elche makes an agreeable impression on travellers, in Spain
+it is chiefly celebrated for its Passion or Mystery Play, the only one
+of its kind in the kingdom. Elche is under the special protection of Our
+Lady of the Assumption, who sent her miraculous image over the seas
+along with the words and music of the opera inscribed _Soy para Elche_
+(I am for Elche). To this image, supposed to have been found in 1370 by
+a coastguard named Canto, many houses and palm plantations round the
+city belong. They are all marked with a crown and the initials M.V. The
+image is said to have been carved by St. Luke, but hardly reflects
+credit on his skill. However, the miracles it performs seem highly
+satisfactory, judging by the magnificent jewels and garments that have
+been presented by the faithful.
+
+The opera is presented on August 13 and 14, the eve and the feast of the
+Assumption. In a country where the sister of Cervantes was allowed to
+install a theatre in her convent and herself play the leading _rôles_,
+you are not surprised to find that the representation takes place in the
+church, which is, however, for the occasion, carefully stripped of
+sacred images.
+
+The scenery, as in mediæval days, is simple. There is a little cave for
+the Garden of Gethsemane, a plain coffin for the Holy Sepulchre. Angels
+playing harps on a blue cloth stretched across the roof betoken the
+celestial regions. Hence, by an ingenious arrangement of ropes and
+pulleys, angels will presently come down to take the Virgin up to
+heaven. Apostles and saints, their names legibly inscribed on cardboard
+haloes, the holy angels and the Trinity itself have all their appointed
+parts. The Virgin is a small boy of eleven. Unfortunately that touch of
+vulgarity which seems inseparable from modern Continental Catholicism
+liberally decorates the angels with well-greased hair, vivid sashes, and
+paper flowers of startling hues. However, the crowded audience is not
+critical and very real emotion at times interrupts the continuous
+chatter and shaking of fans. There seems something singularly human in a
+religion so all-embracing.
+
+Orihuela, in its fertile plain, rendered independent of rain by the
+waters of the Segura, will be our last stopping-place in the southern
+portion of the kingdom. Here the Goths made a last resistance under
+Theodomir. Orihuela is the only city in the district where Castilian is
+spoken. Its square towers and domes shaded with palms are decidedly
+Oriental in appearance. A visit to the Cathedral shows some beautiful
+choir-stalls of carved mahogany, but the interior of the building has
+been hopelessly barbarised. There is little else to detain us here, so
+we take train again for Valencia and the north.
+
+
+
+
+SAGUNTUM AND CASTELLON
+
+
+Leaving the city of Valencia, the traveller journeys northwards through
+one of the most luxuriant garden-plains of southern Europe. Groves of
+olive, almond, and orange trees crowd thick upon each other, their
+almost monotonous fruitfulness broken only by an occasional graceful
+cluster of stately palms. Soon there comes in sight a hill crowned with
+an irregular line of battlemented walls. Its silhouette is warm against
+the sky-line. This is Saguntum, famed in story.
+
+You pass out of the station and on your left rise up the eastern slopes
+of the Saguntine hill. At its feet are huddled the dark green tiled
+roofs of the village, from among which the little church of San Salvador
+detaches its quadrangular tower, proudly conscious that (in the eye of
+its worshippers at least) it is the oldest Christian foundation in the
+whole of Spain. Tiny cottages gleam white in the dark places of the
+rocks, between thickets of aloes and prickly-pear. And far above, the
+reddish walls of the castle with its huge square towers stretch in
+slanting belts along the summit of the hill, keeping watch over the
+ever-retreating sea that has so often been studded with the ships of
+enemies.
+
+To the right, coaches from Teruel and Segorbe lumber along a white
+ribbon of road, smothered in clouds of dust. Clambering up the fence of
+masonry that separates populace and passengers a dozen Saguntine youths,
+burnt by the sun, with eyes like sloes and jet-black hair, hail you in
+eager tones. They thrust towards you sinewy arms holding cups of milk or
+wine and plates of savoury meats, with branches of oranges or wands
+garlanded with fruits and sweet-smelling flowers.
+
+But it is a silent town, Saguntum (or Murviedro as it is generally
+called), and seems to brood on memories of the past. Founded in 1389
+B.C. by the Greeks of Zacynthus, it has been held in turn by
+Carthaginian and Roman, by Goth, Moor, and Spaniard. Its place in
+history is unique. The story of its famous siege has repeatedly been
+told.
+
+It is the year 219 B.C.--the eve of the Second Punic War. Hannibal,
+having sworn war to the death on Rome, is gathering his forces for a
+crushing blow. The wealth of Saguntum attracts him; impoverished by the
+loss of Sicily, its position as frontier town appeals to him as a
+strategist; as the ally of Rome it draws his hatred. Suddenly a force
+of a hundred and fifty thousand Carthaginian soldiers is hurled against
+the town; battering-rams thunder at the gates; huge catapults scatter
+death among the startled townsfolk. Then begins a struggle that can be
+compared only with Numantia in ancient or Saragossa in modern times.
+Force and cunning have met their match in desperate heroism.
+
+The siege lasted for eight months. Rome was appealed to, but her
+Ambassadors were not allowed to land. They turned to Carthage and
+entered the Senate House. “I bring you peace or war,” cried Valerius
+Flaccus; “choose which you will have!” and resounding cries of “War!
+War!” initiated one of the fiercest struggles of antiquity. But though
+fighting against a common enemy, Rome deserted her Spanish ally.
+
+A city beseiged is a city doomed. Saguntum could hold out no longer.
+Hannibal named his terms--life and two garments to each individual.
+Arms, wealth, and Fatherland must all be given up, and the inhabitants
+must drift to whatever part of the world the conqueror decreed.
+
+Immediately, by order of the Senate, a scaffold was erected in the
+public square. All the wealth from the public treasury was flung upon
+it. Private citizens added their treasures to the holocaust, and with
+the courage of despair flung themselves into the flames. Then a shout
+arose from the walls; one of the towers had fallen and the attacking
+army swarmed over the ramparts to wholesale massacre. Such is Livy’s
+account, but it is probably an overstatement. For though the
+Carthaginians, being a Semitic race, were capable of any cruelty,
+history records that the first act of the Scipios, on rebuilding the
+town four years later, was to buy back the exiled inhabitants.
+
+Two thousand years later Saguntum was once again the theatre of war,
+when in 1808 it was attacked and taken by Marshal Suchet. But Napoleon’s
+success was as ephemeral as Hannibal’s. The French violet could not take
+root in the granite of Spain.
+
+The present castle is principally Moorish, though some traces of the old
+Saguntine walls can be distinguished. It is probable that the keep
+described by Livy occupied the site of the present citadel. There are
+some old Moorish cisterns to which the girls of the village climb in the
+evening with water-jars on their shoulders.
+
+A little lower down the hill lies the ancient Roman amphitheatre, the
+most nearly perfect of its kind that exists to-day, not even excepting
+those of Italy. The separate entrances that Roman ceremony required for
+knights and magistrates, for women and for the common people, can still
+be recognised in spite of the depredations of Suchet and the
+Philistines. Its thirty-three tiers of bluish grey pebbles, cemented
+cunningly together to look like huge blocks of stone, rise with the
+sloping hill-side. The theatregoer of Murviedro had little to complain
+of in the old days. If the play was tedious, he could turn his eye to
+the beautiful scenery that lay before him. His lot was enviable beside
+the Londoner’s.
+
+The plain that now separates Murviedro from the sea is rich in ruins of
+a bygone age. Desultory excavations have yielded some results. In 1795 a
+magnificent mosaic was discovered representing Bacchus astride a tiger
+in the midst of revellers, which, unfortunately, has since been lost.
+For the antiquary with money at his back and method in his brain a rich
+and interesting harvest lies waiting.
+
+Leaving Saguntum we continue northwards past the picturesque old castle
+of Almenara; past Nules, famous for its mineral springs; past Burriana,
+whose oranges you have eaten in every country of Europe; and the train
+steams at length into Castellon de la Plana. To the eye this city is
+uninteresting enough, but the imagination is touched by the recital of
+its history.
+
+A league to the north of the town the barren mountains of the Desierta
+rise from an arid plain. Here can be seen some crumbling grey walls and
+a hermitage in honour of St. Mary Magdalena. The walls mark the site of
+the old town captured in 1233 by Jaime I. of Aragon. A few years later
+the inhabitants petitioned the King’s lieutenant for leave to remove
+their town to the fertile plain on the coast where it now stands. Not
+only was this granted but considerable privileges were bestowed on the
+enterprising city.
+
+Every year on the third Sunday in Lent this event is commemorated by the
+Feast of Las Gayates. Clergy and laity alike, bearing green reeds,
+proceed in pilgrimage to the hermitage, where a solemn service is
+celebrated. A gay crowd invades the hill. They sing; they dance; they
+shout; they eat and drink. After this sylvan feast, they troop back to
+the town. At nightfall a second procession sets out, in which are
+represented with all edifying accompaniments the worldly pomps and
+repentance of the Magdalene. Raised up among a myriad flashing lanterns
+the “Gayata,” which gives its name to the festival and recalls the
+removal of the city, is borne along with song and dance.
+
+More than once has Castellon fought bravely in defence of its liberties.
+A very strenuous resistance was offered to Pedro IV. when the women
+fought side by side with the men upon the walls. One of the amazon
+warriors killed a relative of the attacking General, Don Pedro de Boil,
+and was hanged in the market-place on the fall of the city, along with
+the other rebel leaders. Considering the part that Spanish women have
+played in the history of their country, it is curious to remember that
+voluptuous indolence is supposed to entirely sum up their character. The
+War of the Brotherhood, that great popular rising, gave three more
+martyrs to Castellon. It is not, therefore, surprising to find that this
+city to-day stands, in the province to which it gives its name, for
+democratic tendencies. So Morella on its rocky throne, the stronghold of
+the ferocious Carlist chief, Cabrera, stands for aristocratic
+militarism; and Segorbe, lying in the shadow of the magnificent
+monastery of Valdecristo, for the ecclesiastical element and clerical
+control.
+
+
+
+
+THE KINGDOM OF MURCIA
+
+
+The ancient Kingdom of Murcia, which lies to the south of Valencia,
+includes the two modern provinces of Murcia and Albacete. It is a wild,
+fierce region, where the sun’s heat scorches all vegetation from off the
+hill-sides. Deep and terrible chasms yawn between the rugged mountains;
+there are sharp and rocky peaks that seem to have been thrown up by
+sudden upheavals of the earth, and at their feet lie great stretches of
+tawny desert recalling the burning expanse of the Sahara. The shadow of
+long-continued drought often broods over the whole kingdom. But yet the
+district watered by the Segura is an earthly paradise--in spring all
+flowers, in autumn all fruit. Mingling with the carob-tree and
+broad-leaved palm glistens the gold of oranges, and luxuriant vines give
+pleasant promise of a sparkling harvest.
+
+But nature has not thus blessed the land of her own free will. She
+needed coaxing and much wooing by the cunning Arabs. A wonderful system
+of irrigation prevails, and science has harnessed fast the wayward
+rivers. The greatest treasure of the Murcian, water, is sold by auction
+to the highest bidder. M. Jean Brunhés, in a lately published work,
+gives some very curious and interesting details relating to this
+singular system.
+
+The volume of the Monegre is divided into old and new water, the former
+belonging of right to the ancient riparian proprietors, the latter to
+the owners of the locks and reservoirs. A very vicious system prevails
+at Lorca. There, a private company has obtained all rights in the water
+of Guadalentin, subject to the condition of supplying the old
+proprietors of the adjoining lands with 500 litres per second every day.
+Only in rainy seasons, when the company’s barrage is swept away by the
+torrent (as it usually is some five or six times in the year), does the
+water become public property. When this happens the company is not
+allowed to make the barrage any stronger when it is rebuilt. In seasons
+of drought the owners are masters of the situation, and are able to
+recoup themselves for the losses thus incurred by forcing up prices to a
+figure absolutely ruinous to all but the richest cultivators. There is
+only one palliation to this system, that the bidder who has bought the
+first lot can buy as many of the lots following as he may desire at the
+same figure. Notwithstanding this poor concession it would seem that the
+principle of private ownership has been pushed a little too far in this
+part of the world.
+
+Here is M. Brunhés’ account of the water auction at Lorca:
+
+“The sale takes place in a badly lit hall with naked walls, on a level
+with the street, with which it communicates by an immense door almost
+its own breadth. This door remains open during the sale, and the crowd
+of bidders stand partly in the street. The hall has no floor; you stand
+on the bare ground. Opposite the door at the end of the hall is a
+railed-off daïs, entered by a side door, and without any direct
+communication with the public side. On the daïs the secretaries are
+seated at a large table covered by a threadbare green cloth. Behind the
+table are five arm-chairs. In one is seated the presiding officer (a
+civil engineer who must own no land in the Vega). On a stool is
+stationed the crier.
+
+“At eight o’clock in the morning, at a sign from the presiding officer,
+the crier pronounces these words in a singing monotonous voice, and
+without any pause between the two phrases: ‘In honour of the Holy
+Sacrament of the Altar, who buys the first lot of Sotellana?’
+Immediately shouts go up, ‘Eight, nine, or ten reales!’ One voice
+overpowers the other, wide mouths vociferate loudly, necks are strained,
+muscles grow tense with excitement. The bidders press and crush each
+other against the iron railing, for the one nearest has the best chance
+of being heard. The presiding officer listens and follows the frantic
+shouting with sovereign calm. Suddenly, with a quick gesture, he
+designates the highest bidder. At once the clamour ceases. Amid absolute
+silence the man indicated calls out his name, which the clerks write
+down.
+
+“The men are hatless. Some wear black or dark-coloured handkerchiefs
+bound round their heads, but all hold their broad-brimmed hats in their
+hands. No one smokes or talks till the bidding recommences, and even
+those in the street are silent and bareheaded. It is easy to see that
+all are peasants. Heads are closely cropped; here are no beards or
+moustaches, no one wears a collar, and most carry a cloak other than the
+aristocratic _capa_ on the shoulders or arm. It is a curious and
+impressive sight enough these bronzed physiognomies, animated by one
+desire to obtain, as cheaply as may be, possession of the supreme good,
+water.”
+
+Such is the province of Murcia in the twentieth century. When vegetation
+depended only on the sun and very infrequent rain, the land can have
+been very little better than an arid wilderness. And yet its possession
+has from the earliest times been a matter of keen dispute. To the early
+inhabitants have always been ascribed those simple guileless virtues
+with which the eighteenth century endowed the noble savage. Like the
+high-souled inhabitants of More’s “Utopia,” they used the gold and
+silver, in which their mountains abounded, for the meanest articles of
+domestic use. But this admirable custom seems unfortunately to have been
+based on mere ignorance of the value of their treasures.
+
+More sophisticated were the Phœnicians, who scented the precious metals
+from afar, and here, as everywhere, established their commercial
+centres. Next, the Greeks swooped down and planted colonies, rivalry
+between the two races precipitating the fierce conflict between their
+respective allies, the Carthaginians and the Romans. New Carthage, or
+Cartagena, was founded by Hasdrubal; his son made it the starting-place
+of his famous march to Rome. The city made a brave resistance to Scipio,
+and its fall marked the downfall of the Carthaginian in Spain.
+
+As an outpost of the Roman Empire this district was one of the first
+abandoned to the attacks of the barbarians. Under the Visigoths it
+became a duchy with the name of Aurariola, which offered so determined a
+resistance to the Mussulman that it was enabled to retain its
+independence, subject merely to the Khalifa as suzerain. Here, as in so
+many Iberian sieges, the women played no small part. Dressed as men,
+they paraded the walls of the city: and by this stratagem enabled Duke
+Theodomir to obtain such favourable terms.
+
+Perpetuating the memory of this Duke, the province lasted under the name
+of Todmir some sixty-eight years as a self-governing State. But the last
+governors allied themselves with Charlemagne. Arab invaders poured in,
+who soon swamped the Christian population and Todmir was completely
+absorbed into the Moslem Empire.
+
+A new capital, Murcia, was founded, that soon rivalled Toledo and
+Cordoba as a manufactory of arms. After undergoing the usual
+vicissitudes of Moorish States, it was taken in 1266 by Jaime el
+Conqueridor, and handed over to his son-in-law, the King of Castile. For
+two hundred years it endured the attacks of the Moors of Granada, acting
+meanwhile as a buffer to the Christian kingdom.
+
+Murcia to-day seems a survival of the Middle Ages. The legend goes that
+Adam returning to earth recognised the province as the only relic of the
+world he left. The Murcians are a conservative people, clinging to the
+beliefs and ideas of their forefathers, untouched by the march of
+thought. Religion is the changeless background of their lives, and often
+its picturesque ceremonies completely hold the stage. One of the most
+interesting of their religious festivals is the Passion Procession held
+on Good Friday. According to tradition this has continued without
+interruption since 1603, except in the year 1809 only, when it was
+forbidden by the Government.
+
+Organised by the Confraternity of Jesus, the great feature of the
+procession is the magnificent series of carved groups (known as _pasos_)
+representing scenes from the Biblical narrative. These are the work of
+the great master Salzillo, who is said to have carved no fewer than 1792
+wooden figures in his long life of seventy-six years. During the
+eighteenth century the Trades Guilds of Murcia gave special support to
+the Confraternity. They are accordingly granted the privilege of
+carrying the different _pasos_ in the procession. Thus the “Kiss of
+Judas” is borne by the bakers; Santa Veronica by the weavers; while the
+tailors carry the gigantic group of the Last Supper. The bearers, all
+alike clad in purple, carry lighted candles and musical instruments.
+Their hoods shroud their heads, the eyes alone being visible through
+slits; a knotted rope girdles the waist, and stockings of coarse white
+wool, instead of the bare feet demanded by the original statute,
+acknowledge the claims of the twentieth century.
+
+It is six o’clock on Good Friday morning. The streets are thronged with
+eager sightseers; heads are devoutly bared and many a plain wooden
+cross is displayed to mark the sympathy of the crowd. A band of mounted
+gendarmes clears the way. The standard-bearer chants to the populace
+that “This is done in remembrance of the Passion of Our Lord Jesus
+Christ.” Smothered in flowers the first five _pasos_ are borne along.
+Then to the sound of drum and trumpet, with the ringing of bells and the
+blare of bugles, Our Father Jesus passes, enveloped in a cloud of
+flaming candles, accompanied by the Holy Brotherhood. The remaining
+_pasos_ follow close, the clergy and the representatives of King and
+Bishop bringing up the rear.
+
+The _pasos_ themselves will repay inspection. Though abounding in
+ludicrous anachronisms, often in flabby sentiment, they are beautifully
+carved and superbly mounted. It is said that £1000 was offered by an
+enthusiastic German for the uplifted arm of St. Peter in the “Kiss of
+Judas.”
+
+The first group of the Last Supper is of enormous size, requiring no
+fewer than twenty-four bearers during the procession. Among the tailors
+of the city there is keen competition for this honour, for the splendid
+collation that is offered by the pious to the lifeless feasters is later
+sold by auction for the benefit of the bearers. The price it fetches is
+no small one, for it is regarded as true _pain béni_, bringing
+happiness to those who eat. The Agony in the Garden is reputed of
+supernatural design and is known as “The Pearl of Salzillo.” The Angel
+Gabriel is considered unrivalled, and the legend goes that the Duke of
+Wellington bid £80,000 for this one figure. The figures are
+magnificently clothed, the sword and crown of Jesus being set down in
+the accounts of the brotherhood at £200 and £120 respectively. Perhaps
+the finest of the groups is that which comes last--our Lady of Dolours,
+whose expression of supreme sorrow has rarely been equalled whether by
+chisel or brush. It is said that the sculptor copied it from the
+countenance of his own daughter, to whom, with this end in view, he had
+deliberately presented a forged letter announcing the suicide of her
+betrothed. The _pasos_ are deposited in the Ermita de Jesus, where they
+can be seen by the traveller.
+
+In the town of Murcia itself the influence of the Cross has almost
+completely banished the Crescent. Gone is the Alcazar, where the Amirs
+mimicked the State of Cordoba and Toledo; gone is the mosque, where
+thousands of turbaned heads bowed daily towards Mecca. But in the centre
+of the city is one of those squares found in every southern and eastern
+city, which in Spain is always named after the Constitution, in Italy
+after Victor Emmanuel, and in France after the Republic. To cross it in
+the afternoon would mean sudden death, for Murcia is one of the hottest
+corners of Europe. But later a gentle breeze springs up and the citizens
+troop out to meet with friends upon the Malecon and admire the charming
+view of the Segura valley, which, as M. Brunhés has said, is “an
+admirable zone of model agricultural establishment.” This fertile huerta
+bespeaks industry as great as that of the Swiss or Scottish peasant, for
+the worship of sloth with which Mr. O’Shea charges the Murcian people is
+groundless and unjust.
+
+A visit to the Cathedral will exhaust the architectural sights of
+Murcia. Even this is not of first-class interest. Dating in parts from
+1386 and Gothic in style, the west front is Churrigueresque, though
+fortunately not in the most florid style of that unhappy architect. The
+earthquake of 1829 and a fire in the middle of the last century have
+greatly damaged the interior, but the general effect is sufficiently
+striking. The choir-stalls of carved walnut are very beautiful, but the
+reredos is poor. The eighth wonder of the world, in the opinion of the
+inhabitants, is the little Velez Chapel modelled on the Constable’s
+Chapel at Burgos, but parts of it, according to Don Rodrigo Amador de
+los Rios, show the painful caprices and aberrations which announce the
+death agony of a powerful art. Just beyond the Junteron Chapel, with
+its wealth of beautifully sculptured figures and designs in the most
+exuberant Renaissance style, is the urn where the city carefully guards
+the internal organs of Alfonso the Learned--a gruesome legacy but one
+greatly valued.
+
+Much older than Murcia, the old Visigothic capital Carthagena has
+preserved even fewer monuments of antiquity, though it has not lost the
+military character first impressed upon it by its founder Hasdrubal. For
+this is the first arsenal of Spain and perhaps its strongest fortress.
+Its splendid sheltered harbour is defended by powerful forts and
+formidable batteries. Their fire has not always been directed upon the
+enemies of Spain. For many months in 1873 over them waved the red flag
+of the Intransigents, the extreme communistic republicans, who,
+simultaneously with the Carlists of the north, threatened to ruin
+Castelar’s Government at Madrid. The acquisition of the great national
+arsenal without firing a shot was, of course, of the utmost advantage to
+the determined revolutionaries. The garrison, in addition to the
+enthusiastic population, included several revolted battalions of regular
+troops under General Contreras.
+
+Against this terrible stronghold of the Revolution, General Martinez
+Campos advanced with an army from Madrid, with orders to reduce the
+place with the utmost despatch. This was easier said than done. Supplies
+were lacking; the advantage in artillery lay entirely with the besieged.
+The Carlists effected diversions in favour of the Intransigents--an odd
+coalition. Meanwhile three of the revolutionary vessels were seized by a
+Prussian squadron as pirates--an utterly unjustifiable interference with
+the domestic affairs of another State. The Prussians and Italians
+exacted, moreover, a war indemnity of 50,000 pesetas from the Cantonal
+Junta, which body became a prey to internal dissensions. One of its
+members was assassinated. Taking advantage of these embarrassments of
+the besieged the republican troops redoubled their efforts. Señor
+Castelar came down from Madrid to assume the supreme command, and
+Martinez Campos was superseded by General Lopez Dominguez. An incessant
+bombardment was kept up, the besieged responding shell by shell. In
+January the frigate _Tetuan_ was burnt to the water’s edge, and a day or
+two later the explosion of the magazine destroyed hundreds of the
+garrison. The end was near. The city had for half a year defied almost
+the whole kingdom and withstood the covert attacks of foreign Powers.
+The Government troops forced their way into wretched, blood-drenched
+Carthagena; Galvez, Contreras, and the leaders of the cantonal movement
+escaped by sea in the ironclad _Numancia_, which far exceeded the
+Government vessels in speed, and took refuge in Algeria. Thus collapsed
+a movement which was, after the Commune of Paris, the most determined
+organised attempt ever made to subvert the existing constitution of
+European society.
+
+I have given at some length this chapter in the history of Carthagena,
+partly because the town has little interest of itself, and partly
+because these events though so recent and significant are ignored by
+most writers of travel books. Out of so much evil good came at last, for
+these well-nigh fatal disorders opened the eyes of the Spaniards to the
+instability of the Madrid Government and formed the prelude to the reign
+of peace inaugurated by the accession to the throne of King Alfonso XII.
+
+Boasting less than most Spanish provinces of sights that appeal only to
+the casual tourist, Murcia is interesting as a region of perpetual
+struggle and bloodshed; of struggle against nature, of struggles between
+differing religions, and of the deadly internecine feuds of race and
+race.
+
+[Illustration: PLATE 1
+
+VALENCIA: GENERAL VIEW]
+
+[Illustration: PLATE 2
+
+VALENCIA: GENERAL VIEW, LOOKING SOUTH]
+
+[Illustration: PLATE 3
+
+VALENCIA: VIEW FROM THE PUENTE DEL MAR]
+
+[Illustration: PLATE 4
+
+VALENCIA: GENERAL VIEW]
+
+[Illustration: PLATE 5
+
+VALENCIA: VIEW FROM THE PUENTE DEL MAR]
+
+[Illustration: PLATE 6
+
+VALENCIA: ENTRANCE TO THE TOWN BY THE PUERTA DE SANTA LUCIA]
+
+[Illustration: PLATE 7
+
+VALENCIA: THE FAIR AT THE PUERTA DE SANTA LUCIA]
+
+[Illustration: PLATE 8
+
+VALENCIA: PUERTA DE SERRANOS]
+
+[Illustration: PLATE 9
+
+VALENCIA: PUERTA DE CUARTE]
+
+[Illustration: PLATE 10
+
+VALENCIA: THE MARKET-PLACE]
+
+[Illustration: PLATE 11
+
+VALENCIA: THE PUENTE REAL]
+
+[Illustration: PLATE 12
+
+VALENCIA: PASEO DE LA GLORIETA]
+
+[Illustration: PLATE 13
+
+VALENCIA: PASEO DE LA GLORIETA]
+
+[Illustration: PLATE 14
+
+VALENCIA: PASEO DE LA ALAMEDA]
+
+[Illustration: PLATE 15
+
+VALENCIA: FOUNTAIN OF THE ALAMEDA]
+
+[Illustration: PLATE 16
+
+VALENCIA: PLAZA DE LA ADUANA]
+
+[Illustration: PLATE 17
+
+VALENCIA: PLAZA DE SANTO DOMINGO]
+
+[Illustration: PLATE 18
+
+VALENCIA: PLAZA DE SAN FRANCISCO]
+
+[Illustration: PLATE 19
+
+VALENCIA: PLAZA DE TÉTUAN]
+
+[Illustration: PLATE 20
+
+VALENCIA: PLAZA DE LA CONSTITUCION]
+
+[Illustration: PLATE 21
+
+VALENCIA: CALLE DE LA BAJADA DE SAN FRANCISCO]
+
+[Illustration: PLATE 22
+
+VALENCIA: CALLE DE SAN VICENTE]
+
+[Illustration: PLATE 23
+
+VALENCIA: TROS ALT]
+
+[Illustration: PLATE 24
+
+VALENCIA: CALLE DE LA BOLSERIA Y TROS ALT]
+
+[Illustration: PLATE 25
+
+VALENCIA: GENERAL VIEW OF THE CATHEDRAL]
+
+[Illustration: PLATE 26
+
+VALENCIA CATHEDRAL: GATE OF THE APOSTLES]
+
+[Illustration: PLATE 27
+
+VALENCIA: THE CATHEDRAL, PUERTA DEL PALAU]
+
+[Illustration: PLATE 28
+
+VALENCIA CATHEDRAL: A DOOR]
+
+[Illustration: PLATE 29
+
+VALENCIA: THE TEMPLE]
+
+[Illustration: PLATE 30
+
+VALENCIA: THE MIGUELETE]
+
+[Illustration: PLATE 31
+
+VALENCIA: CHURCH OF SANTA CATALINA]
+
+[Illustration: PLATE 32
+
+VALENCIA: CHURCH OF SANTA CATALINA]
+
+[Illustration: PLATE 33
+
+VALENCIA: CHURCH OF LOS SANTOS JUANES]
+
+[Illustration: PLATE 34
+
+VALENCIA: FAÇADE OF SAN MIGUEL EL REAL]
+
+[Illustration: PLATE 35
+
+VALENCIA: CHURCH OF SANTA CRUZ]
+
+[Illustration: PLATE 36
+
+VALENCIA: CHURCH OF SANTA CRUZ]
+
+[Illustration: PLATE 37
+
+VALENCIA: ENTRANCE TO THE CHURCH OF SAN ANDRÉS]
+
+[Illustration: PLATE 38
+
+VALENCIA: THE CAMPO-SANTO]
+
+[Illustration: PLATE 39
+
+VALENCIA: THE CAMPO-SANTO]
+
+[Illustration: PLATE 40
+
+VALENCIA: THE CAMPO-SANTO]
+
+[Illustration: PLATE 41
+
+VALENCIA: THE AUDIENCIA, OLD PALACE OF THE CORTES]
+
+[Illustration: PLATE 42
+
+VALENCIA: ROYAL HALL IN THE AUDIENCIA, UPPER PART]
+
+[Illustration: PLATE 43
+
+VALENCIA: ROYAL HALL IN THE AUDIENCIA, LOWER PART]
+
+[Illustration: PLATE 44
+
+VALENCIA: INTERIOR DOOR OF THE AUDIENCIA]
+
+[Illustration: PLATE 45
+
+VALENCIA: THE EXCHANGE]
+
+[Illustration: PLATE 46
+
+VALENCIA: THE EXCHANGE. DETAIL OF THE GALLERY]
+
+[Illustration: PLATE 47
+
+VALENCIA: INTERIOR OF THE EXCHANGE]
+
+[Illustration: PLATE 48
+
+VALENCIA: INTERIOR DOOR OF THE EXCHANGE]
+
+[Illustration: PLATE 49
+
+VALENCIA: COLEGIO DEL PATRIARCA]
+
+[Illustration: PLATE 50
+
+VALENCIA: COURTYARD IN THE COLEGIO DEL PATRIARCA]
+
+[Illustration: PLATE 51
+
+VALENCIA: COURTYARD OF THE UNIVERSITY]
+
+[Illustration: PLATE 52
+
+VALENCIA: ENTRANCE TO THE CIVIL HOSPITAL]
+
+[Illustration: PLATE 53
+
+VALENCIA: GATE OF MOSEN S’ORRELL]
+
+[Illustration: PLATE 54
+
+VALENCIA: THE CUSTOM-HOUSE]
+
+[Illustration: PLATE 55
+
+VALENCIA: THE ARCHBISHOP’S PALACE]
+
+[Illustration: PLATE 56
+
+VALENCIA: THE BULL-RING]
+
+[Illustration: PLATE 57
+
+VALENCIA: TOBACCO FACTORY]
+
+[Illustration: PLATE 58
+
+VALENCIA: A PRIVATE HOUSE]
+
+[Illustration: PLATE 59
+
+VALENCIA: STATUE OF KING JAIME]
+
+[Illustration: PLATE 60
+
+VALENCIA: STATUE OF RIBERA]
+
+[Illustration: PLATE 61
+
+VALENCIA: STATUE OF ST. CHRISTOPHER]
+
+[Illustration: PLATE 62
+
+VALENCIA: PALACE OF THE MARQUÉS DE DOS AGUAS]
+
+[Illustration: PLATE 63
+
+VALENCIA: PALACE OF THE MARQUÉS DE DOS AGUAS]
+
+[Illustration: PLATE 64
+
+VALENCIA: PORTAL OF THE PALACE OF THE MARQUÉS DE DOS AGUAS]
+
+[Illustration: PLATE 65
+
+VALENCIA: PALACE OF THE MARQUES DE RIPALDA]
+
+[Illustration: PLATE 66
+
+GENERAL VIEW OF GRAO]
+
+[Illustration: PLATE 67
+
+GRAO HARBOUR]
+
+[Illustration: PLATE 68
+
+GRAO HARBOUR]
+
+[Illustration: PLATE 69
+
+GRAO HARBOUR]
+
+[Illustration: PLATE 70
+
+CAMINO DEL GRAO: HERMITAGE OF AVE MARIA]
+
+[Illustration: PLATE 71
+
+VALENCIA: A “TARTANA,” OR CHAR-À-BANC]
+
+[Illustration: PLATE 72
+
+VALENCIA: PEASANTS]
+
+[Illustration: PLATE 73
+
+VALENCIA: PEASANTS]
+
+[Illustration: PLATE 74
+
+VALENCIA: PEASANTS]
+
+[Illustration: PLATE 75
+
+VALENCIA: TYPES OF WOMEN]
+
+[Illustration: PLATE 76
+
+VALENCIA: TRIBUNAL DES EAUX]
+
+[Illustration: PLATE 77
+
+VALENCIA: BARBERS ON THE BRIDGE OF SERRANOS]
+
+[Illustration: PLATE 78
+
+VALENCIA: ZIGZAG OF THE CABRILLAS]
+
+[Illustration: PLATE 79
+
+ENVIRONS OF VALENCIA: A ROAD IN CABAÑAL]
+
+[Illustration: PLATE 80
+
+ENVIRONS OF VALENCIA: A ROAD IN CABAÑAL]
+
+[Illustration: PLATE 81
+
+VALENCIA: THE SHORES OF THE MEDITERRANEAN]
+
+[Illustration: PLATE 82
+
+VALENCIA: THE SHORES OF THE MEDITERRANEAN]
+
+[Illustration: PLATE 83
+
+MURVIEDRO: GENERAL VIEW]
+
+[Illustration: PLATE 84
+
+MURVIEDRO: GENERAL VIEW]
+
+[Illustration: PLATE 85
+
+MURVIEDRO: VIEW FROM THE STATION]
+
+[Illustration: PLATE 86
+
+MURVIEDRO: VIEW FROM THE CASTLE]
+
+[Illustration: PLATE 87
+
+MURVIEDRO: THE CASTLE AND TOWN]
+
+[Illustration: PLATE 88
+
+MURVIEDRO: THE CASTLE]
+
+[Illustration: PLATE 89
+
+MURVIEDRO: THE CASTLE FROM ONE OF THE COURTS]
+
+[Illustration: PLATE 90
+
+MURVIEDRO: ENTRANCE TO THE CASTLE]
+
+[Illustration: PLATE 91
+
+MURVIEDRO: GENERAL VIEW OF THE ROMAN AMPHITHEATRE]
+
+[Illustration: PLATE 92
+
+MURVIEDRO: GENERAL VIEW OF THE ROMAN AMPHITHEATRE]
+
+[Illustration: PLATE 93
+
+MURVIEDRO: THE ROMAN AMPHITHEATRE]
+
+[Illustration: PLATE 94
+
+MURVIEDRO: INTERIOR OF THE ROMAN AMPHITHEATRE]
+
+[Illustration: PLATE 95
+
+MURVIEDRO: PRINCIPAL GATE OF THE ROMAN AMPHITHEATRE]
+
+[Illustration: PLATE 96
+
+MURVIEDRO: ENTRANCE TO THE ROMAN AMPHITHEATRE]
+
+[Illustration: PLATE 97
+
+MURVIEDRO: ENTRANCE TO THE ROMAN AMPHITHEATRE]
+
+[Illustration: PLATE 98
+
+JATIVA: GENERAL VIEW]
+
+[Illustration: PLATE 99
+
+JATIVA: VIEW FROM THE STATION]
+
+[Illustration: PLATE 100
+
+JATIVA: THE CIVIL HOSPITAL]
+
+[Illustration: PLATE 101
+
+ALICANTE: GENERAL VIEW]
+
+[Illustration: PLATE 102
+
+ALICANTE: THE CASTLE]
+
+[Illustration: PLATE 103
+
+ALICANTE: VIEW FROM THE CASTLE]
+
+[Illustration: PLATE 104
+
+ALICANTE: THE BREAKWATER]
+
+[Illustration: PLATE 105
+
+ALICANTE: GENERAL VIEW]
+
+[Illustration: PLATE 106
+
+ALICANTE: GENERAL VIEW]
+
+[Illustration: PLATE 107
+
+ALICANTE: GENERAL VIEW]
+
+[Illustration: PLATE 108
+
+ALICANTE: PASEO DE LOS MARTIRES]
+
+[Illustration: PLATE 109
+
+ALICANTE: PASEO DE LOS MARTIRES]
+
+[Illustration: PLATE 110
+
+ALICANTE: PASEO DE LOS MARTIRES]
+
+[Illustration: PLATE 111
+
+ALICANTE: PASEO DE LOS MARTIRES]
+
+[Illustration: PLATE 112
+
+ALICANTE: PASEO DE NUÑEZ]
+
+[Illustration: PLATE 113
+
+ALICANTE: THE TOWN HALL]
+
+[Illustration: PLATE 114
+
+ALICANTE: THE TOWN HALL]
+
+[Illustration: PLATE 115
+
+ALICANTE: MONUMENT TO QUIJANO]
+
+[Illustration: PLATE 116
+
+ALICANTE: THE BULL-RING]
+
+[Illustration: PLATE 117
+
+ELCHE: GENERAL VIEW]
+
+[Illustration: PLATE 118
+
+ELCHE: GENERAL VIEW]
+
+[Illustration: PLATE 119
+
+ELCHE: GENERAL VIEW]
+
+[Illustration: PLATE 120
+
+ELCHE: VIEW OF THE TOWN]
+
+[Illustration: PLATE 121
+
+ELCHE: PLAZA MAYOR]
+
+[Illustration: PLATE 122
+
+ELCHE: VIEW FROM THE STATION]
+
+[Illustration: PLATE 123
+
+ELCHE: THE ROAD TO ALICANTE]
+
+[Illustration: PLATE 124
+
+ELCHE: THE ROAD FROM ALICANTE]
+
+[Illustration: PLATE 125
+
+ELCHE: THE TOWN HALL]
+
+[Illustration: PLATE 126
+
+ELCHE: CHURCH OF SAN JUAN]
+
+[Illustration: PLATE 127
+
+ELCHE: BRIDGE OVER THE RAMBLA DE ELCHE]
+
+[Illustration: PLATE 128
+
+ELCHE: VIEW FROM THE RAILWAY BRIDGE]
+
+[Illustration: PLATE 129
+
+ELCHE: THE CANAL]
+
+[Illustration: PLATE 130
+
+ELCHE: WASHING LINEN IN THE CANAL]
+
+[Illustration: PLATE 131
+
+ELCHE: A CANAL]
+
+[Illustration: PLATE 132
+
+ELCHE: TOWER OF RAPSAMBLANC, BELONGING TO THE CONDE DE LUNA]
+
+[Illustration: PLATE 133
+
+ELCHE: CASTLE OF THE DUQUE DE ALTAMIRA, NOW A PRISON]
+
+[Illustration: PLATE 134
+
+ELCHE: MILL AND CASTLE OF THE DUQUE DE ALTAMIRA]
+
+[Illustration: PLATE 135
+
+ELCHE: CASTLE OF THE DUQUE DE ALTAMIRA]
+
+[Illustration: PLATE 136
+
+ELCHE: CASTLE AND MILL]
+
+[Illustration: PLATE 137
+
+ELCHE: PALMS]
+
+[Illustration: PLATE 138
+
+ELCHE: COUNTRY SPINNERS]
+
+[Illustration: PLATE 139
+
+ELCHE: CASA DE LA HUERTA]
+
+[Illustration: PLATE 140
+
+ELCHE: A COUNTRY ROAD]
+
+[Illustration: PLATE 141
+
+ELCHE: A COUNTRY HOUSE]
+
+[Illustration: PLATE 142
+
+ELCHE: A COUNTRY HOUSE]
+
+[Illustration: PLATE 143
+
+ELCHE: A FAMOUS PALM]
+
+[Illustration: PLATE 144
+
+ELCHE: A PALM CELEBRATED FOR ITS RESEMBLANCE TO A COLUMN]
+
+[Illustration: PLATE 145
+
+ELCHE: PALM GROVES]
+
+[Illustration: PLATE 146
+
+ELCHE: A ROAD]
+
+[Illustration: PLATE 147
+
+SAX: GENERAL VIEW]
+
+[Illustration: PLATE 148
+
+MURCIA: GENERAL VIEW]
+
+[Illustration: PLATE 149
+
+MURCIA: VIEW FROM THE TOWER OF THE CATHEDRAL, TOWARDS THE SOUTH]
+
+[Illustration: PLATE 150
+
+MURCIA: VIEW OF THE TOWN]
+
+[Illustration: PLATE 151
+
+MURCIA: GENERAL VIEW OF THE TOWN]
+
+[Illustration: PLATE 152
+
+MURCIA: GENERAL VIEW OF THE TOWN]
+
+[Illustration: PLATE 153
+
+MURCIA: GENERAL VIEW OF THE TOWN]
+
+[Illustration: PLATE 154
+
+MURCIA: GENERAL VIEW]
+
+[Illustration: PLATE 155
+
+MURCIA: THE BRIDGE]
+
+[Illustration: PLATE 156
+
+MURCIA: THE RIVER]
+
+[Illustration: PLATE 157
+
+MURCIA: THE BRIDGE OVER THE SEGURA]
+
+[Illustration: PLATE 158
+
+MURCIA: THE RIVER SEGURA]
+
+[Illustration: PLATE 159
+
+MURCIA: THE FAIR]
+
+[Illustration: PLATE 160
+
+MURCIA: THE FAIR]
+
+[Illustration: PLATE 161
+
+MURCIA: THE MARKET-PLACE]
+
+[Illustration: PLATE 162
+
+MURCIA: PLAZA DE SANTO DOMINGO ON MARKET-DAY]
+
+[Illustration: PLATE 163
+
+MURCIA: PASEO DEL MALECON]
+
+[Illustration: PLATE 164
+
+MURCIA: PLAZA DE SANTA CATALINA]
+
+[Illustration: PLATE 165
+
+MURCIA: PLAZA DE TOROS, NOW PLAZA DE SAN AUGUSTIN]
+
+[Illustration: PLATE 166
+
+MURCIA: PASEO DEL ARENAL]
+
+[Illustration: PLATE 167
+
+MURCIA: PLAZA DE SAN PEDRO]
+
+[Illustration: PLATE 168
+
+MURCIA: PASEO DE FLORIDABLANCA AND PALACE OF THE EXHIBITION]
+
+[Illustration: PLATE 169
+
+MURCIA: PLAZA DE SANTA ISABELLA]
+
+[Illustration: PLATE 170
+
+MURCIA: CALLE DEL PUENTE]
+
+[Illustration: PLATE 171
+
+MURCIA: PLAZA DE LA GLORIÉTA]
+
+[Illustration: PLATE 172
+
+MURCIA: PLAZA DE LA GLORIÉTA]
+
+[Illustration: PLATE 173
+
+MURCIA: THE CATHEDRAL]
+
+[Illustration: PLATE 174
+
+MURCIA: GENERAL VIEW OF THE CATHEDRAL]
+
+[Illustration: PLATE 175
+
+MURCIA: PRINCIPAL FAÇADE OF THE CATHEDRAL]
+
+[Illustration: PLATE 176
+
+MURCIA: TOWER OF THE CATHEDRAL]
+
+[Illustration: PLATE 177
+
+MURCIA: SIDE DOOR OF THE CATHEDRAL]
+
+[Illustration: PLATE 178
+
+MURCIA CATHEDRAL: GATE OF THE APOSTLES]
+
+[Illustration: PLATE 179
+
+MURCIA CATHEDRAL: CHAPEL OF THE MARQUÉS DE LOS VELEZ]
+
+[Illustration: PLATE 180
+
+MURCIA CATHEDRAL: DETAIL OF THE FAÇADE]
+
+[Illustration: PLATE 181
+
+MURCIA: DETAIL OF THE CATHEDRAL]
+
+[Illustration: PLATE 182
+
+MURCIA CATHEDRAL: WINDOW OF THE BELFRY]
+
+[Illustration: PLATE 183
+
+MURCIA CATHEDRAL: PRINCIPAL NAVE]
+
+[Illustration: PLATE 184
+
+MURCIA CATHEDRAL: LATERAL NAVE]
+
+[Illustration: PLATE 185
+
+MURCIA CATHEDRAL: BEHIND THE CHOIR]
+
+[Illustration: PLATE 186
+
+MURCIA CATHEDRAL: ENTRANCE TO THE CHAPEL OF THE MARQUÉS DE LOS VELEZ]
+
+[Illustration: PLATE 187
+
+MURCIA CATHEDRAL: CHAPEL OF THE MARQUÉS DE LOS VELEZ]
+
+[Illustration: PLATE 188
+
+MURCIA CATHEDRAL: THE HIGH ALTAR]
+
+[Illustration: PLATE 189
+
+MURCIA CATHEDRAL: THE HIGH ALTAR]
+
+[Illustration: PLATE 190
+
+MURCIA CATHEDRAL: GENERAL VIEW OF THE CHOIR]
+
+[Illustration: PLATE 191
+
+MURCIA CATHEDRAL: THE BISHOP’S THRONE, IN THE CHOIR]
+
+[Illustration: PLATE 192
+
+MURCIA CATHEDRAL: DETAIL OF THE CHOIR STALLS]
+
+[Illustration: PLATE 193
+
+MURCIA CATHEDRAL: DETAIL OF THE CHOIR STALLS]
+
+[Illustration: PLATE 194
+
+MURCIA CATHEDRAL: THE SACRISTY]
+
+[Illustration: PLATE 195
+
+MURCIA CATHEDRAL: TOMB OF ALFONSO THE WISE]
+
+[Illustration: PLATE 196
+
+MURCIA: CHURCH OF SANTO DOMINGO]
+
+[Illustration: PLATE 197
+
+MURCIA: CHURCH OF SANTO DOMINGO]
+
+[Illustration: PLATE 198
+
+MURCIA: CHURCH OF SAN BARTOLOMÉ]
+
+[Illustration: PLATE 199
+
+MURCIA: FAÇADE OF THE CONVENT DE LA MISERICORDIA]
+
+[Illustration: PLATE 200
+
+MURCIA: PALACE OF THE MARQUÉS DE VILLAFRANCA DE LOS VELEZ AND CONVENT OF
+SANTA CLARA]
+
+[Illustration: PLATE 201
+
+MURCIA: THE EPISCOPAL PALACE]
+
+[Illustration: PLATE 202
+
+MURCIA: CASA HUERTA DE LAS BOMBAS]
+
+[Illustration: PLATE 203
+
+MURCIA: PALACE OF THE MARQUÉS DE ALMODOVAR]
+
+[Illustration: PLATE 204
+
+MURCIA: PALACE OF THE BARON DE ALBALA]
+
+[Illustration: PLATE 205
+
+MURCIA: PALACE OF THE MARQUÉS DE ESPINARDO]
+
+[Illustration: PLATE 206
+
+MURCIA: THE “CONTRASTE”]
+
+[Illustration: PLATE 207
+
+MURCIA: MONUMENT TO SALZILLO]
+
+[Illustration: PLATE 208
+
+MURCIA: ROMAN ALTAR DEDICATED TO PEACE, FOUND IN CARTHAGENA AND MOVED IN
+1594 TO THE PALACE OF THE MARQUÉS DE ESPINARDO]
+
+[Illustration: PLATE 209
+
+MURCIA: HOUSE IN THE CALLE JABONERIA]
+
+[Illustration: PLATE 210
+
+MURCIA: HOUSE OF THE PAINTER VILLASIS]
+
+[Illustration: PLATE 211
+
+MURCIA: A BALCONY IN THE CALLE TRAPERIA]
+
+[Illustration: PLATE 212
+
+MURCIA: PUERTA CADENAS]
+
+[Illustration: PLATE 213
+
+MURCIA: TEATRO DE ROMEA]
+
+[Illustration: PLATE 214
+
+MURCIA: THE BULL RING]
+
+[Illustration: PLATE 215
+
+MURCIA: THE TOWN HALL]
+
+[Illustration: PLATE 216
+
+MURCIA: THE TOWN HALL]
+
+[Illustration: PLATE 217
+
+MURCIA: PROCESSION LEAVING THE CHURCH OF JESUS IN HOLY WEEK ST.
+VERONICA]
+
+[Illustration: PLATE 218
+
+MURCIA: PROCESSION LEAVING THE CHURCH OF JESUS IN HOLY WEEK
+
+THE KISS OF JUDAS]
+
+[Illustration: PLATE 219
+
+MURCIA: PROCESSION IN HOLY WEEK. THE GARDEN OF GETHSEMANE]
+
+[Illustration: PLATE 220
+
+MURCIA: PROCESSION IN HOLY WEEK. OUR LORD FALLING]
+
+[Illustration: PLATE 221
+
+MURCIA: PROCESSION IN HOLY WEEK. THE SCOURGING]
+
+[Illustration: PLATE 222
+
+MURCIA: CHURCH OF JESUS THE LAST SUPPER, BY ZARZILLO]
+
+[Illustration: PLATE 223
+
+MURCIA: PILGRIMAGE OF ST. BLAS]
+
+[Illustration: PLATE 224
+
+MURCIA: RUINS OF THE ARAB BATHS]
+
+[Illustration: PLATE 225
+
+ENVIRONS OF MURCIA: CONVENT OF SAN JERONIMO]
+
+[Illustration: PLATE 226
+
+ENVIRONS OF MURCIA: HERMITAGE OF THE FUENSANTA]
+
+[Illustration: PLATE 227
+
+ENVIRONS OF MURCIA: HERMITAGE OF THE FUENSANTA]
+
+[Illustration: PLATE 228
+
+ENVIRONS OF MURCIA: HERMITAGE OF THE FUENSANTA]
+
+[Illustration: PLATE 229
+
+ENVIRONS OF MURCIA: CASTLE OF MONTEAGUDO]
+
+[Illustration: PLATE 230
+
+MURCIA: PAISAJE DE LA HUERTA]
+
+[Illustration: PLATE 231
+
+MURCIA: PAISAJE DE LA HUERTA]
+
+[Illustration: PLATE 232
+
+MURCIA: PAISAJE DE LA HUERTA]
+
+[Illustration: PLATE 233
+
+MURCIA: A CART LOADED WITH “TINAJAS”]
+
+[Illustration: PLATE 234
+
+MURCIA: HARVEST-TIME]
+
+[Illustration: PLATE 235
+
+ENVIRONS OF MURCIA: THE HUERTA DES CAPUCINS]
+
+[Illustration: PLATE 236
+
+ENVIRONS OF MURCIA: THE HUERTA DES CAPUCINS]
+
+[Illustration: PLATE 237
+
+ENVIRONS OF MURCIA: VIEW FROM THE HUERTA DES CAPUCINS]
+
+[Illustration: PLATE 238
+
+ENVIRONS OF MURCIA: THE HUERTA DES CAPUCINS, DATE-GATHERING]
+
+[Illustration: PLATE 239
+
+ORIHUELA: GENERAL VIEW]
+
+[Illustration: PLATE 240
+
+ORIHUELA: GENERAL VIEW FROM THE PUERTA DE MURCIA]
+
+[Illustration: PLATE 241
+
+ORIHUELA: THE RIVER SEGURA]
+
+[Illustration: PLATE 242
+
+ORIHUELA: THE RIVER SEGURA FROM THE EAST]
+
+[Illustration: PLATE 243
+
+ORIHUELA: DOOR OF THE CHURCH OF SANTIAGO]
+
+[Illustration: PLATE 244
+
+CARTHAGENA: GENERAL VIEW]
+
+[Illustration: PLATE 245
+
+CARTHAGENA: A PARTIAL VIEW.]
+
+[Illustration: PLATE 246
+
+CARTHAGENA: VIEW FROM THE STATION]
+
+[Illustration: PLATE 247
+
+CARTHAGENA: VIEW FROM THE HIGH ROAD]
+
+[Illustration: PLATE 248
+
+CARTHAGENA: VIEW FROM QUITAPELLIJOS]
+
+[Illustration: PLATE 249
+
+CARTHAGENA: VIEW FROM THE FORT OF ATALAYA]
+
+[Illustration: PLATE 250
+
+CARTHAGENA: VIEW FROM THE FORT OF ATALAYA]
+
+[Illustration: PLATE 251
+
+CARTHAGENA: VIEW FROM ST. JOSEPH’S MILL]
+
+[Illustration: PLATE 252
+
+CARTHAGENA: VIEW FROM ST. JOSEPH’S MILL]
+
+[Illustration: PLATE 253
+
+CARTHAGENA: VIEW FROM THE FORT OF GALERA]
+
+[Illustration: PLATE 254
+
+CARTHAGENA: VIEW FROM THE FORT OF GALERA]
+
+[Illustration: PLATE 255
+
+CARTHAGENA: VIEW OF THE HARBOUR]
+
+[Illustration: PLATE 256
+
+CARTHAGENA: SANTA LUCIA AND THE HARBOUR]
+
+[Illustration: PLATE 257
+
+CARTHAGENA: THE HARBOUR FROM SANTA LUCIA]
+
+[Illustration: PLATE 258
+
+CARTHAGENA: THE HARBOUR FROM SANTA LUCIA]
+
+[Illustration: PLATE 259
+
+CARTHAGENA: THE HARBOUR FROM THE POWDER MAGAZINE]
+
+[Illustration: PLATE 260
+
+CARTHAGENA: THE HARBOUR FROM TRINCABATIJOS]
+
+[Illustration: PLATE 261
+
+CARTHAGENA: VIEW FROM THE ESPLANADERO]
+
+[Illustration: PLATE 262
+
+CARTHAGENA: THE ENTRANCE TO THE HARBOUR FROM TRINCABATIJOS]
+
+[Illustration: PLATE 263
+
+CARTHAGENA: THE BREAKWATER]
+
+[Illustration: PLATE 264
+
+CARTHAGENA: ENTRANCE TO THE HARBOUR]
+
+[Illustration: PLATE 265
+
+CARTHAGENA: ENTRANCE TO THE ARSENAL]
+
+[Illustration: PLATE 266
+
+CARTHAGENA: PUERTA DEL MAR]
+
+[Illustration: PLATE 267
+
+CARTHAGENA: PUERTA DE MURCIA]
+
+[Illustration: PLATE 268
+
+CARTHAGENA: PLAZA DE LAS MONJAS]
+
+[Illustration: PLATE 269
+
+CARTHAGENA: THE MARINE COLLEGE]
+
+[Illustration: PLATE 270
+
+CARTHAGENA: THE BULL-RING]
+
+[Illustration: PLATE 271
+
+ARCHENA: THE BATHS, FROM LA SIERRA DE VERDELENA]
+
+[Illustration: PLATE 272
+
+ARCHENA: GENERAL VIEW OF THE BATHS FROM THE WEST]
+
+[Illustration: PLATE 273
+
+ARCHENA: GENERAL VIEW OF THE BATHS AT THE ENTRANCE TO THE VILLAGE]
+
+[Illustration: PLATE 274
+
+ARCHENA: ENTRANCE TO THE BATHS]
+
+[Illustration: PLATE 275
+
+ARCHENA: THE CARRETERA AND RIVER SEGURA]
+
+[Illustration: PLATE 276
+
+ARCHENA: VIEW OF THE CHURCH]
+
+[Illustration: PLATE 277
+
+ARCHENA: INTERIOR OF THE CHURCH]
+
+[Illustration: PLATE 278
+
+ARCHENA: THE CHURCH: ALTAR OF THE “VIRGEN DE LA SALUD”]
+
+[Illustration: PLATE 279
+
+ENVIRONS OF ARCHENA: VIEW OF VILLANUEVA]
+
+[Illustration: PLATE 280
+
+ENVIRONS OF ARCHENA: VIEW OF BLANCA FROM THE SALTO DEL PALOMO]
+
+[Illustration: PLATE 281
+
+ENVIRONS OF ARCHENA: VIEW OF BLANCA FROM BUJAMENTE]
+
+[Illustration: PLATE 282
+
+ENVIRONS OF ARCHENA: VILLAGE AND GARDENS OF ULEA FROM VILLANUEVA]
+
+[Illustration: PLATE 283
+
+ENVIRONS OF ARCHENA: VILLAGE AND GARDENS OF ULEA, EAST SIDE]
+
+[Illustration: PLATE 284
+
+ENVIRONS OF ARCHENA: VILLAGE OF OJOS AND MOUNTAINS]
+
+[Illustration: PLATE 285
+
+ENVIRONS OF ARCHENA: THE GARDENS OF OJOS, FROM THE LOVERS’ LEAP]
+
+[Illustration: PLATE 286
+
+ENVIRONS OF ARCHENA: THE LOVERS’ LEAP]
+
+[Illustration: PLATE 287
+
+LORCA: GENERAL VIEW]
+
+[Illustration: PLATE 288
+
+LORCA: VIEW FROM THE RAILWAY STATION]
+
+
+
+
+
+End of Project Gutenberg's Valencia and Murcia, by Albert F. Calvert
+
+*** END OF THE PROJECT GUTENBERG EBOOK 63136 ***
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+<p class="figcenter">
+<a href="images/cover.jpg">
+<img src="images/cover.jpg"
+height="550" alt="[Image of
+the book's cover unavailable.]" /></a>
+</p>
+
+<table border="0" cellpadding="0" cellspacing="0" summary=""
+style="border: 2px black solid;margin:auto auto;max-width:50%;
+padding:1%;">
+<tr><td>
+
+<p class="c"><a href="#CONTENTS">Contents.</a></p>
+
+<p class="c"><a href="#LIST_OF_ILLUSTRATIONS">List of Illustrations</a><br /> <span class="nonvis">(In certain versions of this etext [in certain browsers]
+clicking on the image will bring up a larger version.)</span></p>
+
+<p class="c">(etext transcriber's note: No misspellings of Spanish words
+have been corrected.)</p></td></tr>
+</table>
+
+<p><span class="pagenum"><a name="page_i" id="page_i">{i}</a></span>&nbsp; </p>
+
+<p class="c">THE SPANISH SERIES</p>
+
+<p class="c"><big>VALENCIA AND MURCIA</big></p>
+
+<p><span class="pagenum"><a name="page_ii" id="page_ii">{ii}</a></span>&nbsp; </p>
+
+<div class="bbox">
+<p class="c">THE SPANISH SERIES<br /><br />
+<i>EDITED BY<br />
+ALBERT F. CALVERT</i></p>
+
+<table border="0" cellpadding="0" cellspacing="0" summary="">
+
+<tr><td style="padding:0%;" class="nind">
+<span class="smcap">Goya</span><br />
+<span class="smcap">Toledo</span><br />
+<span class="smcap">Madrid</span><br />
+<span class="smcap">Seville</span><br />
+<span class="smcap">Murillo</span><br />
+<span class="smcap">Cordova</span><br />
+<span class="smcap">El Greco</span><br />
+<span class="smcap">Velazquez</span><br />
+<span class="smcap">Cervantes</span><br />
+<span class="smcap">The Prado</span><br />
+<span class="smcap">The Escorial</span><br />
+<span class="smcap">Royal Palaces of Spain</span><br />
+<span class="smcap">Spanish Arms and Armour</span><br />
+<span class="smcap">Granada and the Alhambra</span><br />
+<span class="smcap">Leon, Burgos, and Salamanca</span><br />
+<span class="smcap">Valladolid, Oviedo, Segovia, Zamora, Avila, and Zaragoza</span><br />
+</td></tr>
+</table>
+</div>
+
+<p><span class="pagenum"><a name="page_iii" id="page_iii">{iii}</a></span>&nbsp; </p>
+
+<h1>VALENCIA<br />
+AND MURCIA</h1>
+
+<div class="pote"><div class="potem">
+<div class="stot"><b>
+A GLANCE AT AFRICAN SPAIN<br />
+BY A. F. CALVERT <img src="images/flwrs.png"
+width="100"
+alt=""
+/><br />
+
+WITH 288 PLATES <img src="images/flwrs.png"
+width="100"
+alt=""
+/><br /></b>
+</div>
+</div>
+</div>
+
+<p class="cb">
+LONDON: JOHN LANE, THE BODLEY HEAD<br />
+NEW YORK: JOHN LANE COMPANY: MCMXI<br />
+<span class="pagenum"><a name="page_iv" id="page_iv">{iv}</a></span>
+
+<br /><br /><br />
+<small>THE BALLANTYNE PRESS TAVISTOCK STREET COVENT GARDEN LONDON<br /></small>
+<span class="pagenum"><a name="page_v" id="page_v">{v}</a></span></p>
+
+<h2><a name="CONTENTS" id="CONTENTS"></a>CONTENTS</h2>
+
+<table border="0" cellpadding="4" cellspacing="0" summary="">
+
+<tr><td>&nbsp;</td><td><small>PAGE</small></td></tr>
+<tr><td valign="top"><a href="#THE_OLD_KINGDOM_OF_VALENCIA">THE OLD KINGDOM OF VALENCIA</a></td><td class="rt" valign="bottom"><a href="#page_1">1</a></td></tr>
+<tr><td valign="top"><a href="#SAGUNTUM_AND_CASTELLON">SAGUNTUM AND CASTELLON</a></td><td class="rt" valign="bottom"><a href="#page_26">26</a></td></tr>
+<tr><td valign="top"><a href="#THE_KINGDOM_OF_MURCIA">THE KINGDOM OF MURCIA</a></td><td class="rt" valign="bottom"><a href="#page_33">33</a></td></tr>
+</table>
+
+<p><span class="pagenum"><a name="page_vi" id="page_vi">{vi}</a></span>&nbsp; </p>
+
+<p><span class="pagenum"><a name="page_vii" id="page_vii">{vii}</a></span>&nbsp; </p>
+
+<h2><a name="LIST_OF_ILLUSTRATIONS" id="LIST_OF_ILLUSTRATIONS"></a>LIST OF ILLUSTRATIONS</h2>
+
+<table border="0" cellpadding="2" cellspacing="0" summary=""
+style="margin:1em auto;max-width:85%;">
+
+<tr><th colspan="2">VALENCIA</th></tr>
+
+<tr><td class="c"><small>TITLE</small></td>
+<td class="rt"><small>PLATE</small></td></tr>
+
+<tr><td valign="top"><a href="#plt_001">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_001">1</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_002">General View, looking South</a></td>
+<td class="rt" valign="bottom"><a href="#plt_002">2</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_003">View from the Puente del Mar</a></td>
+<td class="rt" valign="bottom"><a href="#plt_003">3</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_004">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_004">4</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_005">View from the Puente del Mar</a></td>
+<td class="rt" valign="bottom"><a href="#plt_005">5</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_006">Entrance to the Town by the Puerta de Santa Lucia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_006">6</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_007">The Fair at the Puerta de Santa Lucia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_007">7</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_008">Puerta de Serranos</a></td>
+<td class="rt" valign="bottom"><a href="#plt_008">8</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_009">Puerta de Cuarte</a></td>
+<td class="rt" valign="bottom"><a href="#plt_009">9</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_010">The Market-Place</a></td>
+<td class="rt" valign="bottom"><a href="#plt_010">10</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_011">The Puente Real</a></td>
+<td class="rt" valign="bottom"><a href="#plt_011">11</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_012">Paseo de la Glorieta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_012">12</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_013">Paseo de la Glorieta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_013">13</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_014">Paseo de la Alameda</a></td>
+<td class="rt" valign="bottom"><a href="#plt_014">14</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_015">Fountain of the Alameda</a></td>
+<td class="rt" valign="bottom"><a href="#plt_015">15</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_016">Plaza de la Aduana</a></td>
+<td class="rt" valign="bottom"><a href="#plt_016">16</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_017">Plaza de Santo Domingo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_017">17</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_018">Plaza de San Francisco</a></td>
+<td class="rt" valign="bottom"><a href="#plt_018">18</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_019">Plaza de Tétuan</a></td>
+<td class="rt" valign="bottom"><a href="#plt_019">19</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_020">Plaza de la Constitucion</a></td>
+<td class="rt" valign="bottom"><a href="#plt_020">20</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_021">Calle de la Bajada de San Francisco</a></td>
+<td class="rt" valign="bottom"><a href="#plt_021">21</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_022">Calle de San Vicente</a></td>
+<td class="rt" valign="bottom"><a href="#plt_022">22</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_023">Tros Alt</a></td>
+<td class="rt" valign="bottom"><a href="#plt_023">23</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_024">Calle de la Bolseria y Tros Alt</a></td>
+<td class="rt" valign="bottom"><a href="#plt_024">24</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_025">General View of the Cathedral</a></td>
+<td class="rt" valign="bottom"><a href="#plt_025">25</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_026">The Cathedral: Gate of the Apostles</a></td>
+<td class="rt" valign="bottom"><a href="#plt_026">26</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_027">The Cathedral: Puerta del Palau</a></td>
+<td class="rt" valign="bottom"><a href="#plt_027">27</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_028">The Cathedral: A Door</a></td>
+<td class="rt" valign="bottom"><a href="#plt_028">28</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_029">The Temple</a></td>
+<td class="rt" valign="bottom"><a href="#plt_029">29</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_030">The Miguelete</a></td>
+<td class="rt" valign="bottom"><a href="#plt_030">30</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_031">Church of Santa Catalina</a></td>
+<td class="rt" valign="bottom"><a href="#plt_031">31</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_032">Church of Santa Catalina</a></td>
+<td class="rt" valign="bottom"><a href="#plt_032">32</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_033">Church of Los Santos Juanes</a></td>
+<td class="rt" valign="bottom"><a href="#plt_033">33</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_034">Façade of San Miguel el Real</a></td>
+<td class="rt" valign="bottom"><a href="#plt_034">34</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_035">Church of Santa Cruz</a></td>
+<td class="rt" valign="bottom"><a href="#plt_035">35</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_036">Church of Santa Cruz</a></td>
+<td class="rt" valign="bottom"><a href="#plt_036">36</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_037">Entrance to the Church of San Andrés</a></td>
+<td class="rt" valign="bottom"><a href="#plt_037">37</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_038">The Campo-Santo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_038">38</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_039">The Campo-Santo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_039">39</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_040">The Campo-Santo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_040">40</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_041">The Audiencia, old Palace of the Cortes</a></td>
+<td class="rt" valign="bottom"><a href="#plt_041">41</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_042">Royal Hall in the Audiencia, upper part</a></td>
+<td class="rt" valign="bottom"><a href="#plt_042">42</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_043">Royal Hall in the Audiencia, lower part</a></td>
+<td class="rt" valign="bottom"><a href="#plt_043">43</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_044">Interior Door of the Audiencia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_044">44</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_045">The Exchange</a></td>
+<td class="rt" valign="bottom"><a href="#plt_045">45</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_046">The Exchange: Detail of the Gallery</a></td>
+<td class="rt" valign="bottom"><a href="#plt_046">46</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_047">Interior of the Exchange</a></td>
+<td class="rt" valign="bottom"><a href="#plt_047">47</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_048">Interior Door of the Exchange</a></td>
+<td class="rt" valign="bottom"><a href="#plt_048">48</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_049">Colegio del Patriarca</a></td>
+<td class="rt" valign="bottom"><a href="#plt_049">49</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_050">Courtyard in the Colegio del Patriarca</a></td>
+<td class="rt" valign="bottom"><a href="#plt_050">50</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_051">Courtyard of the University</a></td>
+<td class="rt" valign="bottom"><a href="#plt_051">51</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_052">Entrance to the Civil Hospital</a></td>
+<td class="rt" valign="bottom"><a href="#plt_052">52</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_053">Gate of Mosen S’Orrell</a></td>
+<td class="rt" valign="bottom"><a href="#plt_053">53</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_054">The Custom-House</a></td>
+<td class="rt" valign="bottom"><a href="#plt_054">54</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_055">The Archbishop’s Palace</a></td>
+<td class="rt" valign="bottom"><a href="#plt_055">55</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_056">The Bull-Ring</a></td>
+<td class="rt" valign="bottom"><a href="#plt_056">56</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_057">Tobacco Factory</a></td>
+<td class="rt" valign="bottom"><a href="#plt_057">57</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_058">A Private House</a></td>
+<td class="rt" valign="bottom"><a href="#plt_058">58</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_059">Statue of King Jaime</a></td>
+<td class="rt" valign="bottom"><a href="#plt_059">59</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_060">Statue of Ribera</a></td>
+<td class="rt" valign="bottom"><a href="#plt_060">60</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_061">Statue of St Christopher</a></td>
+<td class="rt" valign="bottom"><a href="#plt_061">61</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_062">Palace of the Marqués de Dos Aguas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_062">62</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_063">Palace of the Marqués de Dos Aguas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_063">63</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_064">Portal of the Palace of the Marqués de Dos Aguas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_064">64</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_065">Palace of the Marqués de Ripalda</a></td>
+<td class="rt" valign="bottom"><a href="#plt_065">65</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_066">General View of Grao</a></td>
+<td class="rt" valign="bottom"><a href="#plt_066">66</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_067">Grao Harbour</a></td>
+<td class="rt" valign="bottom"><a href="#plt_067">67</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_068">Grao Harbour</a></td>
+<td class="rt" valign="bottom"><a href="#plt_068">68</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_069">Grao Harbour</a></td>
+<td class="rt" valign="bottom"><a href="#plt_069">69</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_070">Camino del Grao: Hermitage of Ave Maria</a></td>
+<td class="rt" valign="bottom"><a href="#plt_070">70</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_071">A “Tartana,” or Char-à-banc</a></td>
+<td class="rt" valign="bottom"><a href="#plt_071">71</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_072">Peasants</a></td>
+<td class="rt" valign="bottom"><a href="#plt_072">72</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_073">Peasants</a></td>
+<td class="rt" valign="bottom"><a href="#plt_073">73</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_074">Peasants</a></td>
+<td class="rt" valign="bottom"><a href="#plt_074">74</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_075">Types of Women</a></td>
+<td class="rt" valign="bottom"><a href="#plt_075">75</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_076">“Tribunal des Eaux”</a></td>
+<td class="rt" valign="bottom"><a href="#plt_076">76</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_077">Barbers on the Bridge of Serranos</a></td>
+<td class="rt" valign="bottom"><a href="#plt_077">77</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_078">Zigzag of the Cabrillas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_078">78</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_079">A Road in Cabañal</a></td>
+<td class="rt" valign="bottom"><a href="#plt_079">79</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_080">A Road in Cabañal</a></td>
+<td class="rt" valign="bottom"><a href="#plt_080">80</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_081">The Shores of the Mediterranean</a></td>
+<td class="rt" valign="bottom"><a href="#plt_081">81</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_082">The Shores of the Mediterranean</a></td>
+<td class="rt" valign="bottom"><a href="#plt_082">82</a></td></tr>
+
+<tr><th colspan="2">MURVIEDRO</th></tr>
+
+<tr><td valign="top"><a href="#plt_083">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_083">83</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_084">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_084">84</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_085">View from the Station</a></td>
+<td class="rt" valign="bottom"><a href="#plt_085">85</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_086">View from the Castle</a></td>
+<td class="rt" valign="bottom"><a href="#plt_086">86</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_087">The Castle and Town</a></td>
+<td class="rt" valign="bottom"><a href="#plt_087">87</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_088">The Castle</a></td>
+<td class="rt" valign="bottom"><a href="#plt_088">88</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_089">The Castle from one of the Courts</a></td>
+<td class="rt" valign="bottom"><a href="#plt_089">89</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_090">Entrance to the Castle</a></td>
+<td class="rt" valign="bottom"><a href="#plt_090">90</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_091">General View of the Roman Amphitheatre</a></td>
+<td class="rt" valign="bottom"><a href="#plt_091">91</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_092">General View of the Roman Amphitheatre</a></td>
+<td class="rt" valign="bottom"><a href="#plt_092">92</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_093">The Roman Amphitheatre</a></td>
+<td class="rt" valign="bottom"><a href="#plt_093">93</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_094">Interior of the Roman Amphitheatre</a></td>
+<td class="rt" valign="bottom"><a href="#plt_094">94</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_095">Principal Gate of the Roman Amphitheatre</a></td>
+<td class="rt" valign="bottom"><a href="#plt_095">95</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_096">Entrance to the Roman Amphitheatre</a></td>
+<td class="rt" valign="bottom"><a href="#plt_096">96</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_097">Entrance to the Roman Amphitheatre</a></td>
+<td class="rt" valign="bottom"><a href="#plt_097">97</a></td></tr>
+
+<tr><th colspan="2">JATIVA</th></tr>
+
+<tr><td valign="top"><a href="#plt_098">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_098">98</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_099">View from the Station</a></td>
+<td class="rt" valign="bottom"><a href="#plt_099">99</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_100">The Civil Hospital</a></td>
+<td class="rt" valign="bottom"><a href="#plt_100">100</a></td></tr>
+
+<tr><th colspan="2">ALICANTE</th></tr>
+
+<tr><td valign="top"><a href="#plt_101">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_101">101</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_102">The Castle</a></td>
+<td class="rt" valign="bottom"><a href="#plt_102">102</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_103">View from the Castle</a></td>
+<td class="rt" valign="bottom"><a href="#plt_103">103</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_104">The Breakwater</a></td>
+<td class="rt" valign="bottom"><a href="#plt_104">104</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_105">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_105">105</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_106">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_106">106</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_107">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_107">107</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_108">Paseo de los Martires</a></td>
+<td class="rt" valign="bottom"><a href="#plt_108">108</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_109">Paseo de los Martires</a></td>
+<td class="rt" valign="bottom"><a href="#plt_109">109</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_110">Paseo de los Martires</a></td>
+<td class="rt" valign="bottom"><a href="#plt_110">110</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_111">Paseo de los Martires</a></td>
+<td class="rt" valign="bottom"><a href="#plt_111">111</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_112">Paseo de Nuñez</a></td>
+<td class="rt" valign="bottom"><a href="#plt_112">112</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_113">The Town Hall</a></td>
+<td class="rt" valign="bottom"><a href="#plt_113">113</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_114">The Town Hall</a></td>
+<td class="rt" valign="bottom"><a href="#plt_114">114</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_115">Monument to Quijano</a></td>
+<td class="rt" valign="bottom"><a href="#plt_115">115</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_116">The Bull-Ring</a></td>
+<td class="rt" valign="bottom"><a href="#plt_116">116</a></td></tr>
+
+<tr><th colspan="2">ELCHE</th></tr>
+
+<tr><td valign="top"><a href="#plt_117">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_117">117</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_118">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_118">118</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_119">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_119">119</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_120">View of the Town</a></td>
+<td class="rt" valign="bottom"><a href="#plt_120">120</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_121">Plaza Mayor</a></td>
+<td class="rt" valign="bottom"><a href="#plt_121">121</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_122">View from the Station</a></td>
+<td class="rt" valign="bottom"><a href="#plt_122">122</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_123">The Road to Alicante</a></td>
+<td class="rt" valign="bottom"><a href="#plt_123">123</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_124">The Road from Alicante</a></td>
+<td class="rt" valign="bottom"><a href="#plt_124">124</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_125">The Town Hall</a></td>
+<td class="rt" valign="bottom"><a href="#plt_125">125</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_126">Church of San Juan</a></td>
+<td class="rt" valign="bottom"><a href="#plt_126">126</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_127">Bridge over the Rambla de Elche</a></td>
+<td class="rt" valign="bottom"><a href="#plt_127">127</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_128">View from the Railway Bridge</a></td>
+<td class="rt" valign="bottom"><a href="#plt_128">128</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_129">The Canal</a></td>
+<td class="rt" valign="bottom"><a href="#plt_129">129</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_130">Washing Linen in the Canal</a></td>
+<td class="rt" valign="bottom"><a href="#plt_130">130</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_131">A Canal</a></td>
+<td class="rt" valign="bottom"><a href="#plt_131">131</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_132">Tower of Rapsamblanc, belonging to the Conde de Luna</a></td>
+<td class="rt" valign="bottom"><a href="#plt_132">132</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_133">Castle of the Duque de Altamira, now a Prison</a></td>
+<td class="rt" valign="bottom"><a href="#plt_133">133</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_134">Mill and Castle of the Duque de Altamira</a></td>
+<td class="rt" valign="bottom"><a href="#plt_134">134</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_135">Castle of the Duque de Altamira</a></td>
+<td class="rt" valign="bottom"><a href="#plt_135">135</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_136">Castle and Mill</a></td>
+<td class="rt" valign="bottom"><a href="#plt_136">136</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_137">Palms</a></td>
+<td class="rt" valign="bottom"><a href="#plt_137">137</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_138">Country Spinners</a></td>
+<td class="rt" valign="bottom"><a href="#plt_138">138</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_139">Casa de la Huerta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_139">139</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_140">A Country Road</a></td>
+<td class="rt" valign="bottom"><a href="#plt_140">140</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_141">A Country House</a></td>
+<td class="rt" valign="bottom"><a href="#plt_141">141</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_142">A Country House</a></td>
+<td class="rt" valign="bottom"><a href="#plt_142">142</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_143">A Famous Palm</a></td>
+<td class="rt" valign="bottom"><a href="#plt_143">143</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_144">A Palm celebrated for its Resemblance to a Column</a></td>
+<td class="rt" valign="bottom"><a href="#plt_144">144</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_145">Palm Groves</a></td>
+<td class="rt" valign="bottom"><a href="#plt_145">145</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_146">A Road</a></td>
+<td class="rt" valign="bottom"><a href="#plt_146">146</a></td></tr>
+
+<tr><th colspan="2">SAX</th></tr>
+
+<tr><td valign="top"><a href="#plt_147">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_147">147</a></td></tr>
+
+<tr><th colspan="2">MURCIA</th></tr>
+
+<tr><td valign="top"><a href="#plt_148">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_148">148</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_149">View from the Tower of the Cathedral, towards the South</a></td>
+<td class="rt" valign="bottom"><a href="#plt_149">149</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_150">View of the Town</a></td>
+<td class="rt" valign="bottom"><a href="#plt_150">150</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_151">General View of the Town</a></td>
+<td class="rt" valign="bottom"><a href="#plt_151">151</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_152">General View of the Town</a></td>
+<td class="rt" valign="bottom"><a href="#plt_152">152</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_153">General View of the Town</a></td>
+<td class="rt" valign="bottom"><a href="#plt_153">153</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_154">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_154">154</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_155">The Bridge</a></td>
+<td class="rt" valign="bottom"><a href="#plt_155">155</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_156">The River</a></td>
+<td class="rt" valign="bottom"><a href="#plt_156">156</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_157">The Bridge over the Segura</a></td>
+<td class="rt" valign="bottom"><a href="#plt_157">157</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_158">The River Segura</a></td>
+<td class="rt" valign="bottom"><a href="#plt_158">158</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_159">The Fair</a></td>
+<td class="rt" valign="bottom"><a href="#plt_159">159</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_160">The Fair</a></td>
+<td class="rt" valign="bottom"><a href="#plt_160">160</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_161">The Market-Place</a></td>
+<td class="rt" valign="bottom"><a href="#plt_161">161</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_162">Plaza de Santo Domingo on Market-Day</a></td>
+<td class="rt" valign="bottom"><a href="#plt_162">162</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_163">Paseo del Malecon</a></td>
+<td class="rt" valign="bottom"><a href="#plt_163">163</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_164">Plaza de Santa Catalina</a></td>
+<td class="rt" valign="bottom"><a href="#plt_164">164</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_165">Plaza de Toros, now Plaza de San Agustin</a></td>
+<td class="rt" valign="bottom"><a href="#plt_165">165</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_166">Paseo del Arenal</a></td>
+<td class="rt" valign="bottom"><a href="#plt_166">166</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_167">Plaza de San Pedro</a></td>
+<td class="rt" valign="bottom"><a href="#plt_167">167</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_168">Paseo de Floridablanca and Palace of the Exhibition</a></td>
+<td class="rt" valign="bottom"><a href="#plt_168">168</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_169">Plaza de Santa Isabella</a></td>
+<td class="rt" valign="bottom"><a href="#plt_169">169</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_170">Calle del Puente</a></td>
+<td class="rt" valign="bottom"><a href="#plt_170">170</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_171">Plaza de la Gloriéta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_171">171</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_172">Plaza de la Gloriéta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_172">172</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_173">The Cathedral</a></td>
+<td class="rt" valign="bottom"><a href="#plt_173">173</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_174">General View of the Cathedral</a></td>
+<td class="rt" valign="bottom"><a href="#plt_174">174</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_175">Principal Façade of the Cathedral</a></td>
+<td class="rt" valign="bottom"><a href="#plt_175">175</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_176">Tower of the Cathedral</a></td>
+<td class="rt" valign="bottom"><a href="#plt_176">176</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_177">Side Door of the Cathedral</a></td>
+<td class="rt" valign="bottom"><a href="#plt_177">177</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_178">The Cathedral: Gate of the Apostles</a></td>
+<td class="rt" valign="bottom"><a href="#plt_178">178</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_179">The Cathedral: Chapel of the Marqués de los Velez</a></td>
+<td class="rt" valign="bottom"><a href="#plt_179">179</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_180">The Cathedral: Detail of the Façade</a></td>
+<td class="rt" valign="bottom"><a href="#plt_180">180</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_181">Detail of the Cathedral</a></td>
+<td class="rt" valign="bottom"><a href="#plt_181">181</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_182">The Cathedral: Window of the Belfry</a></td>
+<td class="rt" valign="bottom"><a href="#plt_182">182</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_183">The Cathedral: Principal Nave</a></td>
+<td class="rt" valign="bottom"><a href="#plt_183">183</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_184">The Cathedral: Lateral Nave</a></td>
+<td class="rt" valign="bottom"><a href="#plt_184">184</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_185">The Cathedral: Behind the Choir</a></td>
+<td class="rt" valign="bottom"><a href="#plt_185">185</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_186">The Cathedral: Entrance to the Chapel of the Marqués de los Velez</a></td>
+<td class="rt" valign="bottom"><a href="#plt_186">186</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_187">The Cathedral: Chapel of the Marqués de los Velez</a></td>
+<td class="rt" valign="bottom"><a href="#plt_187">187</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_188">The Cathedral: The High Altar</a></td>
+<td class="rt" valign="bottom"><a href="#plt_188">188</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_189">The Cathedral: The High Altar</a></td>
+<td class="rt" valign="bottom"><a href="#plt_189">189</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_190">The Cathedral: General View of the Choir</a></td>
+<td class="rt" valign="bottom"><a href="#plt_190">190</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_191">The Cathedral: The Bishop’s Throne, in the Choir</a></td>
+<td class="rt" valign="bottom"><a href="#plt_191">191</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_192">The Cathedral: Detail of the Choir Stalls</a></td>
+<td class="rt" valign="bottom"><a href="#plt_192">192</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_193">The Cathedral: Detail of the Choir Stalls</a></td>
+<td class="rt" valign="bottom"><a href="#plt_193">193</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_194">The Cathedral: The Sacristy</a></td>
+<td class="rt" valign="bottom"><a href="#plt_194">194</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_195">The Cathedral: Tomb of Alfonso the Wise</a></td>
+<td class="rt" valign="bottom"><a href="#plt_195">195</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_196">Church of Santo Domingo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_196">196</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_197">Church of Santo Domingo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_197">197</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_198">Church of San Bartolomé</a></td>
+<td class="rt" valign="bottom"><a href="#plt_198">198</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_199">Façade of the Convent de la Misericordia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_199">199</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_200">Palace of the Marqués de Villafranca de los Velez, and Convent of Santa Clara</a></td>
+<td class="rt" valign="bottom"><a href="#plt_200">200</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_201">The Episcopal Palace</a></td>
+<td class="rt" valign="bottom"><a href="#plt_201">201</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_202">Casa Huerta de las Bombas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_202">202</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_203">Palace of the Marqués de Almodovar</a></td>
+<td class="rt" valign="bottom"><a href="#plt_203">203</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_204">Palace of the Baron de Albalá</a></td>
+<td class="rt" valign="bottom"><a href="#plt_204">204</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_205">Palace of the Marqués de Espinardo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_205">205</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_206">The “Contraste”</a></td>
+<td class="rt" valign="bottom"><a href="#plt_206">206</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_207">Monument to Salzillo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_207">207</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_208">Roman Altar dedicated to Peace, found in Carthagena and moved in 1594 to the Palace of the Marqués de Espinardo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_208">208</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_209">House in the Calle Jaboneria</a></td>
+<td class="rt" valign="bottom"><a href="#plt_209">209</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_210">House of the Painter Villasis</a></td>
+<td class="rt" valign="bottom"><a href="#plt_210">210</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_211">A Balcony in the Calle Traperia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_211">211</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_212">Puerta Cadenas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_212">212</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_213">Teatro de Romea</a></td>
+<td class="rt" valign="bottom"><a href="#plt_213">213</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_214">The Bull-Ring</a></td>
+<td class="rt" valign="bottom"><a href="#plt_214">214</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_215">The Town Hall</a></td>
+<td class="rt" valign="bottom"><a href="#plt_215">215</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_216">The Town Hall</a></td>
+<td class="rt" valign="bottom"><a href="#plt_216">216</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_217">Procession leaving the Church of Jesus in Holy Week&mdash;St. Veronica</a></td>
+<td class="rt" valign="bottom"><a href="#plt_217">217</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_218">Procession leaving the Church of Jesus in Holy Week&mdash;Th Kiss of Judas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_218">218</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_219">Procession in Holy Week. The Garden of Gethsemane</a></td>
+<td class="rt" valign="bottom"><a href="#plt_219">219</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_220">Procession in Holy Week. Our Lord Falling</a></td>
+<td class="rt" valign="bottom"><a href="#plt_220">220</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_221">Procession in Holy Week. The Scourging</a></td>
+<td class="rt" valign="bottom"><a href="#plt_221">221</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_222">Church of Jesus. The Last Supper, by Zarzillo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_222">222</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_223">Pilgrimage of St. Blas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_223">223</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_224">Ruins of the Arab Baths</a></td>
+<td class="rt" valign="bottom"><a href="#plt_224">224</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_225">Environs of Murcia: Convent of San Jeronimo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_225">225</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_226">Environs of Murcia: Hermitage of the Fuensanta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_226">226</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_227">Environs of Murcia: Hermitage of the Fuensanta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_227">227</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_228">Environs of Murcia: Hermitage of the Fuensanta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_228">228</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_229">Environs of Murcia: Castle of Monteagudo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_229">229</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_230">Paisaje de la Huerta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_230">230</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_231">Paisaje de la Huerta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_231">231</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_232">Paisaje de la Huerta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_232">232</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_233">A Cart Loaded with “Tinajas”</a></td>
+<td class="rt" valign="bottom"><a href="#plt_233">233</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_234">Harvest-Time</a></td>
+<td class="rt" valign="bottom"><a href="#plt_234">234</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_235">Environs of Murcia: The Huerta des Capucins</a></td>
+<td class="rt" valign="bottom"><a href="#plt_235">235</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_236">Environs of Murcia: The Huerta des Capucins</a></td>
+<td class="rt" valign="bottom"><a href="#plt_236">236</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_237">Environs of Murcia: View from the Huerta des Capucins</a></td>
+<td class="rt" valign="bottom"><a href="#plt_237">237</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_238">Environs of Murcia: The Huerta des Capucins&mdash;Date-Gathering</a></td>
+<td class="rt" valign="bottom"><a href="#plt_238">238</a></td></tr>
+
+<tr><th colspan="2">ORIHUELA</th></tr>
+
+<tr><td valign="top"><a href="#plt_239">General View</a></td><td class="rt" valign="bottom"><a href="#plt_239">239</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_240">General View from the Puerta de Murcia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_240">240</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_241">The River Segura</a></td>
+<td class="rt" valign="bottom"><a href="#plt_241">241</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_242">The River Segura from the East</a></td>
+<td class="rt" valign="bottom"><a href="#plt_242">242</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_243">Door of the Church of Santiago</a></td>
+<td class="rt" valign="bottom"><a href="#plt_243">243</a></td></tr>
+
+<tr><th colspan="2">CARTHAGENA</th></tr>
+
+<tr><td valign="top"><a href="#plt_244">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_244">244</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_245">A Partial View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_245">245</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_246">View from the Station</a></td>
+<td class="rt" valign="bottom"><a href="#plt_246">246</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_247">View from the High Road</a></td>
+<td class="rt" valign="bottom"><a href="#plt_247">247</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_248">View from Quitapellijos</a></td>
+<td class="rt" valign="bottom"><a href="#plt_248">248</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_249">View from the Fort of Atalaya</a></td>
+<td class="rt" valign="bottom"><a href="#plt_249">249</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_250">View from the Fort of Atalaya</a></td>
+<td class="rt" valign="bottom"><a href="#plt_250">250</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_251">View from St. Joseph’s Mill</a></td>
+<td class="rt" valign="bottom"><a href="#plt_251">251</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_252">View from St. Joseph’s Mill</a></td>
+<td class="rt" valign="bottom"><a href="#plt_252">252</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_253">View from the Fort of Galera</a></td>
+<td class="rt" valign="bottom"><a href="#plt_253">253</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_254">View from the Fort of Galera</a></td>
+<td class="rt" valign="bottom"><a href="#plt_254">254</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_255">View of the Harbour</a></td>
+<td class="rt" valign="bottom"><a href="#plt_255">255</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_256">Santa Lucia and the Harbour</a></td>
+<td class="rt" valign="bottom"><a href="#plt_256">256</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_257">The Harbour from Santa Lucia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_257">257</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_258">The Harbour from Santa Lucia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_258">258</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_259">The Harbour from the Powder Magazine</a></td>
+<td class="rt" valign="bottom"><a href="#plt_259">259</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_260">The Harbour from Trincabatijos</a></td>
+<td class="rt" valign="bottom"><a href="#plt_260">260</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_261">View from the Esplanadero</a></td>
+<td class="rt" valign="bottom"><a href="#plt_261">261</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_262">The Entrance to the Harbour from Trincabatijos</a></td>
+<td class="rt" valign="bottom"><a href="#plt_262">262</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_263">The Breakwater</a></td>
+<td class="rt" valign="bottom"><a href="#plt_263">263</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_264">Entrance to the Harbour</a></td>
+<td class="rt" valign="bottom"><a href="#plt_264">264</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_265">Entrance to the Arsenal</a></td>
+<td class="rt" valign="bottom"><a href="#plt_265">265</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_266">Puerta del Mar</a></td>
+<td class="rt" valign="bottom"><a href="#plt_266">266</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_267">Puerta de Murcia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_267">267</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_268">Plaza de las Monjas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_268">268</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_269">The Marine College</a></td>
+<td class="rt" valign="bottom"><a href="#plt_269">269</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_270">The Bull-Ring</a></td>
+<td class="rt" valign="bottom"><a href="#plt_270">270</a></td></tr>
+
+<tr><th colspan="2">ARCHENA</th></tr>
+
+<tr><td valign="top"><a href="#plt_271">The Baths, from La Sierra de Verdelena</a></td>
+<td class="rt" valign="bottom"><a href="#plt_271">271</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_272">General View of the Baths from the West</a></td>
+<td class="rt" valign="bottom"><a href="#plt_272">272</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_273">General View of the Baths at the Entrance to the Village</a></td>
+<td class="rt" valign="bottom"><a href="#plt_273">273</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_274">Entrance to the Baths</a></td>
+<td class="rt" valign="bottom"><a href="#plt_274">274</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_275">The Carretera and River Segura</a></td>
+<td class="rt" valign="bottom"><a href="#plt_275">275</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_276">View of the Church</a></td>
+<td class="rt" valign="bottom"><a href="#plt_276">276</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_277">Interior of the Church</a></td>
+<td class="rt" valign="bottom"><a href="#plt_277">277</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_278">The Church: Altar of the “Virgen de la Salud”</a></td>
+<td class="rt" valign="bottom"><a href="#plt_278">278</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_279">Environs of Archena: View of Villanueva</a></td>
+<td class="rt" valign="bottom"><a href="#plt_279">279</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_280">Environs of Archena: View of Blanca from the Salto del Palomo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_280">280</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_281">Environs of Archena: View of Blanca from Bujamente</a></td>
+<td class="rt" valign="bottom"><a href="#plt_281">281</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_282">Environs of Archena: Village and Gardens of Ulea from Villanueva</a></td>
+<td class="rt" valign="bottom"><a href="#plt_282">282</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_283">Environs of Archena: Village and Gardens of Ulea, East Side</a></td>
+<td class="rt" valign="bottom"><a href="#plt_283">283</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_284">Environs of Archena: Village of Ojos and Mountains</a></td>
+<td class="rt" valign="bottom"><a href="#plt_284">284</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_285">Environs of Archena: The Gardens of Ojos, from the Lovers’ Leap</a></td>
+<td class="rt" valign="bottom"><a href="#plt_285">285</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_286">Environs of Archena: The Lovers’ Leap</a></td>
+<td class="rt" valign="bottom"><a href="#plt_286">286</a></td></tr>
+
+<tr><th colspan="2">LORCA</th></tr>
+
+<tr><td valign="top"><a href="#plt_287">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_287">287</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_288">View from the Railway Station</a></td>
+<td class="rt" valign="bottom"><a href="#plt_288">288</a></td></tr>
+</table>
+
+<p><span class="pagenum"><a name="page_1" id="page_1">{1}</a></span>&nbsp; </p>
+
+<h1>VALENCIA &amp; MURCIA</h1>
+
+<h2><a name="THE_OLD_KINGDOM_OF_VALENCIA" id="THE_OLD_KINGDOM_OF_VALENCIA"></a>THE OLD KINGDOM OF VALENCIA</h2>
+
+<p class="nind"><span class="smcap">Shut</span> in between the barren range of the Sierra Molina on the north, and
+the arid plains of Murcia to the south, the ancient Kingdom of Valencia
+is one of the regions of Spain least visited by the tourist. And yet, a
+flowering and fruitful Eden, it lies beneath a burning sun, its waters
+trained in obedience to the hand of man. It puts forth a vegetation of
+tropical luxuriance. Demeter has blessed the land. Under the soft
+caressing winds that sweep up from the Mediterranean the soil yields
+four or five crops in the year to the industry of the peasant. And if at
+times the dreaded sirocco, charged with poisonous vapours from the
+Albufera, lays the country prostrate&mdash;well, for every Paradise was
+devised a snake!</p>
+
+<p>The people of the province, with the exception of those of Orihuela,
+speak that variety of the Romance which I may call Catalan, and which,
+with local modification, is common all along the eastern coast of Spain
+from the mouth of the<span class="pagenum"><a name="page_2" id="page_2">{2}</a></span> Segura to the frontier of Rousillon. Limousin, as
+it is sometimes called, is not a mere dialect, but a quite distinct
+language, a survival of the old <i>Langue d’oc</i>. Probably it was spoken by
+those Romanised Spaniards who were driven north of the Pyrenees by the
+Arabic invasion. It would be restored by them when they reconquered this
+portion of their old territory. The Christian population, before
+Valencia was recovered by Jaime el Conqueridor of Aragon, spoke
+Castilian or a tongue akin to it. But the Catalan of the new rulers was
+stronger, and soon swept aside the common speech of the people.
+Curiously enough, this same Catalan was not the language used in Aragon
+itself, a fact which no doubt had a strong determining influence in the
+choice of Castilian at the time of the unification of the two kingdoms.
+Why Orihuela alone clung to its old Castilian tongue in despite of the
+Conqueror is not clear, unless it was owing merely to the proximity of
+Murcia.</p>
+
+<p>In character the Valencians are superstitious, revengeful, relentless in
+hate. “Ni olvido ni perdono” is their motto. They love the colour and
+joy of life. Dancing and love-making are their chief delights. And yet
+they are a laborious race. But their white, rather flabby appearance
+proclaims them lacking in backbone and initiative. “Flesh is grass, and
+grass is water. The men<span class="pagenum"><a name="page_3" id="page_3">{3}</a></span> are women, the women&mdash;nothing!” says their own
+proverb.</p>
+
+<p>The fertile huerta has found its novelist in Blasco Ibañez, a native of
+Valencia, who has beautifully described the languid life of the
+province. A translation must necessarily lack the force and elegance of
+the master’s style, but the following passages will at least enable the
+reader to picture a summer in the south:</p>
+
+<p>“When the vast plain awakes in the bluish light of dawn, the last of the
+nightingales that have sung through the night breaks off abruptly in his
+final trill, as though he had been stricken by the steely shaft of day.
+Sparrows in whole coveys burst forth from the thatched roofs, and
+beneath this aerial rabble preening their wings the trees shake and nod.</p>
+
+<p>“One by one the murmurs of the night subside; the trickling of the
+water-courses, the sighing of the reeds, the barking of the watchful
+dogs, other sounds belonging to the day, grow louder and fill the
+huerta, the crow of the cock is heard from every farm, and the village
+bells proclaim the call to prayer borne across from the towers of
+Valencia, which are yet misty in the distance. From the farmyards arises
+a discordant animal concert&mdash;the neighing of horses, the bellowing of
+oxen, the clucking of hens, the bleating of lambs, the grunting of
+swine&mdash;the<span class="pagenum"><a name="page_4" id="page_4">{4}</a></span> sounds produced by beasts that scent the keen odour of
+vegetation in the morning breeze and are hungry for the fields.</p>
+
+<p>“The sky is suffused with light, and with light life inundates the plain
+and penetrates to the interior of human and animal abodes. Doors open
+creaking. In the porches white figures appear, their hands clasped
+behind their necks, scanning the horizon. From the stables issue towards
+the city milch cows, herds of goats, manure-carts. Bells tinkle between
+the dwarf trees bordering the high road, and every now and again is
+heard the sharp “Arre, Aca” of the drivers.</p>
+
+<p>“On the thresholds of the cottages those bound for the town exchange
+greetings with those who stay in the fields. ‘Bon dia nos done Deu!’
+[May God give us a good day!] ‘Bon Dia.’</p>
+
+<p>“Immense is the energy, the explosion of life at midsummer, the best
+season of the year, the time of harvest and abundance. Space throbs with
+light and heat. The African sun rains torrents of fire on the land
+already crackled and wrinkled by its burning caresses, and its golden
+beams pierce the dense foliage, beneath which are hidden the canals and
+trenches to save them from the all-powerful vivifying heat.</p>
+
+<p>“The branches of the trees are heavy with fruit. They bend beneath the
+weight of yellow<span class="pagenum"><a name="page_5" id="page_5">{5}</a></span> grapes covered with glazed leaves. Like the pink
+cheeks of a child grow the apricots amid the verdure. Children greedily
+eye the luxurious burden of the fig-trees. From the gardens is wafted
+the scent of jasmin, and the magnolias dispense their incense in the
+burning air, laden with the perfume of cereals.</p>
+
+<p>“The gleaming scythe has already sheared the land, levelling the golden
+fields of wheat and the tall corn-stalks which bowed beneath their heavy
+load of life. The hay forms yellow hills which reflect the colour of the
+sun. The wheat is winnowed in a whirlwind of dust; in the naked fields
+among the stubble sparrows hop from spot to spot in search of stray
+gleanings. Everywhere are happiness and joyous labour. Waggons go
+groaning down the road; children frolic in the fields and among the
+sheaves, thinking of the wheaten cakes in prospect, and of the lazy
+pleasant life which begins for the farmer when his barn is filled. Even
+the old horses stride along more gaily, cheered by the smell of the
+golden grain which will flow steadily into their mangers as the year
+rolls on.</p>
+
+<p>“When the harvest has levelled the panorama and cleared the great
+stretches of wheat sprinkled with poppies, the plain seems vast, almost
+illimitable. Farther than the eye can reach stretch its great squares of
+red soil, marked off by paths and<span class="pagenum"><a name="page_6" id="page_6">{6}</a></span> trenches. The Sunday’s rest is
+rigorously observed over the whole countryside. Not a man is seen
+toiling in the fields, not a beast at work on the road. Down the paths
+pass old women with their mantillas drawn over their eyes, and their
+little chairs hanging to their arms. In the distance resound, like the
+tearing of linen, the shots fired at the swallows, which fly hither and
+thither in circles. A noise seems to be produced by their wings ruffling
+the crystal firmament. From the canals rises the murmur of clouds of
+almost invisible flies. In a farm all painted blue, under an ancient
+arbour, there is a whirlwind of gaily-coloured shawls and petticoats,
+while the guitars with their drowsy rhythm and the strident cornets
+accompany the measures of the Valencian ‘Jota.’</p>
+
+<p>“In the village the little plaza is thronged with the field-folk. The
+men are in their shirt-sleeves with black sashes and gorgeous
+handkerchiefs arranged mitre-like on their heads. The old men lean on
+their big Liria sticks. The young men, with sleeves turned up, display
+their red nervous arms and carry mere sprigs of ash between their huge
+knotted fingers.</p>
+
+<p>“In the afternoon, towards the fountain along the road, bordered with
+poplars which shake their silvered foliage, go groups of girls with
+their pitchers on their heads. Their rhythmical move<span class="pagenum"><a name="page_7" id="page_7">{7}</a></span>ments and their
+grace recall the Athenian Canephori. This procession to the well lends
+to the huerta something of a Biblical character. The Fontana de la Reina
+is the pride of the huerta, condemned to drink the water of wells, and
+the red and dirty liquid of the canals. It is esteemed as an ancient and
+valuable work. It has a square basin with walls of reddish stone. The
+water is below the soil. You reach the bottom by means of six green and
+slippery steps. Opposite the steps is a defaced bas-relief, probably a
+Virgin attended by angels&mdash;no doubt an ex-voto of the time of the
+Conquest. Laughter and chatter are not wanting round the well. The girls
+cluster round, eager to fill their pitchers but in no hurry to depart.
+They jostle each other on the steps, with their petticoats gathered in
+between their legs, the better to lean forward and to plunge their
+vessels into the basin. The surface of the water is unceasingly troubled
+by the bubbles rising from the sandy bed, which is covered with weeds
+waving in the current.”</p>
+
+<p>The exuberant natural life pictured in these passages is not altogether
+due to the bounty of nature. The scorching sun would have brought death
+instead of life to Valencia without the co-operation of man. The whole
+province is a triumph of irrigation. The Moors were masters of hydraulic
+science. They tapped the Jucar and<span class="pagenum"><a name="page_8" id="page_8">{8}</a></span> the Guadalaviar and drew their
+waters through the Moncada and seven smaller but magnificent canals into
+every corner of the land. This was the legacy they left behind when they
+were so suicidally expelled. Their successors, as Mr. Richard Ford so
+eloquently puts it, exercise “a magic control over water, wielding it at
+their bidding”&mdash;presumably as Gilbert’s hero Ferdinando brandished the
+turtle soup!</p>
+
+<p>Bequeathed also directly by the Moors, the Tribunal of the Waters is the
+most interesting sight of Valencia. It is independent of all law; no
+Government has ever touched it; it has no written records. The court
+meets every Thursday morning at eleven o’clock at the Apostles’ Gate of
+the Cathedral in the capital, to try all cases and disputes in regard to
+the precious water that is the life-blood of the province. There are
+seven judges, one for each canal, elected by the peasantry of the
+districts, and each is known by the name of his canal&mdash;Mislata, Cuarte,
+and so forth. They are grave, stoutly-built men, with tanned faces and
+close-cropped hair. They wear black, the colour beloved by the
+comfortably situated working man all the world over; but they have not
+degenerated quite so far as to discard the native handkerchief round
+their polished brows, or the espadrilla, the Valencian shoe.<span class="pagenum"><a name="page_9" id="page_9">{9}</a></span></p>
+
+<p>Except that the turban has given place to the sombrero and the divan to
+an ancient sofa, the proceedings of the tribunal are as patriarchal as
+of old. In the plaza a crowd of litigants are collected, chattering,
+gesticulating, arguing their wrongs according to the manner of their
+kind all the world over. With an air of importance befitting the
+occasion the Alguazil of the tribunal places the magisterial bench in
+the shadow of the great Gothic portal. A light rail will keep the vulgar
+at a distance. Then the peasant magistrates take their seats, and the
+oldest pronounces the words, “Se abri el tribunal” (The tribunal is
+open). A portentous silence falls, for any one who speaks before his
+turn must pay a fine. One by one the litigants are introduced within the
+railing and plead their cause bareheaded before the court. Woe to the
+insolent wight that dare stand covered in its presence. The Alguazil
+will tear the handkerchief from off his head, and he will also be
+mulcted in a fine. Each must await the tapping of the presidential foot
+before he ventures into the presence. But the severity of the discipline
+does not suffice to make the fiery Valencians restrain their feelings.
+At every moment there is an explosion of wrath or indignation, a heated
+expostulation from one or other of the parties. The fines collected must
+be a considerable sum. Out of their own wisdom the judges give their<span class="pagenum"><a name="page_10" id="page_10">{10}</a></span>
+decisions, which are almost invariably received without discontent. The
+Valencians are anxious to preserve their unique tribunal from criticism
+and interference, for they know that in Spain, as in other countries,
+royal justice is a costly matter.</p>
+
+<p>The history of Valencia for all practical purposes is that of its
+capital and namesake. “Its name,” says Mr. Ford, “is fondly derived
+from, or considered equivalent to, Roman, because Ρὡμη in Greek
+signifies power, as Valencia does in Latin.” The principle is doubtless
+excellent, but seems to be that of <i>lucus a non lucendo</i>.</p>
+
+<p>When the warriors of Viriathus surrendered to Rome on the death of their
+chief, Valencia was granted to them by the Consul D. Junius Brutus.
+Destroyed by Pompey, it became a <i>colonia</i> when rebuilt and the capital
+of the Edetani. But the history of few Roman colonies, as it has reached
+us, is of interest. The province had the usual martyrs under the
+persecution of Diocletian and Decius, and was the place of banishment of
+the zealot Ermengild. Proud of its haughty name, Valencia has yet
+allowed itself to be taken and retaken oftener than any other city in
+the world. In 413 it yielded to the Goths, and three hundred years later
+with great nonchalance transferred its allegiance to the Moor. It formed
+at one time part of the Khalifate; and again, one or more petty kingdoms
+in itself.<span class="pagenum"><a name="page_11" id="page_11">{11}</a></span></p>
+
+<p>Don Feodoro Lleorente speaks of “the slave kings” of Valencia. It is
+certain that many of its rulers were slave adventurers from the palace
+of the Khalifa, who, like the janizaries of Turkey had literally carved
+their fortunes with their swords. One of these princes added the
+Balearic Isles to his realms and unsuccessfully attempted the conquest
+of Sardinia.</p>
+
+<p>The kingdom thus founded by military adventurers was overthrown by the
+most famous of that warlike brood.</p>
+
+<p>The Moors had made the desert blossom like the rose. Wealth and
+prosperity had been secured to the province. The Moslem paradise was
+located here. Medinat-u-Tarab was its capital&mdash;the City of Mirth. The
+greedy eyes of Christian neighbours were inevitably drawn to such a
+region, and the break-up of the Ummeyah dynasty offered an excellent
+opportunity for interference.</p>
+
+<p>Valencia was split up into factions, and the King or Amir Kadir was
+merely the puppet of the two opposing parties, who alternately supported
+him on his tottering throne. But the Moors were a proud race and felt
+themselves dishonoured in yielding homage to so weak a ruler. Headed by
+Ibn Jahhaf, the people rose in revolt. Kadir fled, but was detected
+under his woman’s disguise, was taken and beheaded.<span class="pagenum"><a name="page_12" id="page_12">{12}</a></span> That strange
+anomaly a Mohammedan republic was formed. A council of the leaders was
+constituted with Ibn Jahhaf as President.</p>
+
+<p>A people which arrogates the right to choose its ruler has ever been
+considered a sort of pirate among the nations, and fair game for more
+powerful States. Kadir, at the time of his deposition, had been under
+the hardly disinterested protection of the Cid, who, under pretence of
+avenging his <i>protégé’s</i> death, immediately advanced on Valencia. For
+some time Ibn Jahhaf, who seems to have had some of the qualities of a
+great general, amused the Campeador with negotiations, while he pushed
+hastily forward preparations for defence. Discovering that he was being
+played with, the Cid swept through the country and threw his army round
+Valencia, which for twenty months made a stubborn resistance. The city
+falling at length, Jahhaf, who had become a special object of hatred to
+the Conqueror, was burnt alive in the plaza. Until his death in 1097,
+the Cid ruled the kingdom as absolute lord and despot. The legend runs
+that Ximena, his wife, defended the city for two years after her
+husband’s death. And so great was the reputation and the terror of the
+Campeador that she finally won a victory over the Mussulmans and carried
+him to his last resting-place at Cardeña by the stratagem of placing his
+corpse<span class="pagenum"><a name="page_13" id="page_13">{13}</a></span> fully armed upon his war-horse with his celebrated sword in his
+hand.</p>
+
+<p>But for two centuries longer Valencia followed the law of the Prophet.
+It was finally wrested from the yoke of Islam on the memorable 28th of
+September 1238, when the standard of the victorious Jaime I. of Aragon
+was hoisted over the tower of Ali Bufat, and the Crescent bowed before
+the Cross. The conquest in the history of Aragon ranks with the taking
+of Seville in the history of Castile. Granada was the joint conquest of
+both kingdoms. The way in which the Moors in these old days surrendered
+their whole kingdom to the Christians, sometimes after only one battle
+had been fought, stands out in dark contrast with the tenacious
+resistance offered by their descendants in Algeria in modern times.
+Enervated by the climate of Spain the Mussulmans of that country were
+absolutely incapable of maintaining a prolonged guerilla warfare. If a
+fortified capital was taken they at once handed over the whole kingdom
+to the conqueror. They were not of course peculiar in this respect. The
+sentiments of nationality and physical courage are characteristic far
+more of the modern than of the ancient world. We have only to compare
+the resistance of the Anglo-Saxons to the Normans with that of the Boers
+to the British, of the French in the Hundred Years War with that of
+their<span class="pagenum"><a name="page_14" id="page_14">{14}</a></span> descendants in 1871, to realise how much more of manliness and
+endurance we possess than did our ancestors. We must go back to the days
+of Leonidas and Regulus to find parallels for the exploits of our own
+Indian Army; to Numantia and Seguntum for parallels to Saragossa and
+Gerona. National and individual self-respect withered under feudalism,
+and revived only on the introduction of free institutions.</p>
+
+<p>The commerce and wealth of the country now fell into the hands of the
+Jews, who came over in great numbers from Aragon. For a long time the
+industrious people lived, hated it is true, but unmolested, in their own
+quarter of the city. But one ill-fated day a band of children, urged on
+probably by some fanatic, marched against the Jewry crying that they had
+come to baptize the unbelieving dogs, and that the Archdeacon of Seville
+was close upon their heels. In terror the wretched people retreated to
+their homes, firmly barricading themselves. Some of the Christian
+children got shut up in the quarter. Like wildfire the rumour spread
+through the streets that the Jews were submitting them to untold
+tortures behind their barred doors. The whole populace went mad with the
+rage for blood, attacked the wholly unprepared Jews, and the most
+horrible scenes of massacre ensued. This was in 1391. The prosperity of
+Valencia suffered its first severe<span class="pagenum"><a name="page_15" id="page_15">{15}</a></span> blow with the barbarous expulsion of
+the Moors at the command of Philip III. Another fell some time later
+when, on account of its strenuous opposition to the French claim to the
+Crown, Philip V. confiscated the liberties of the province and imposed
+an enormous fine.</p>
+
+<p>But Valencia, though fallen from its old estate, is nevertheless to-day
+a thriving prosperous province; its capital is handsome and progressive.
+Busy life pulsates through the streets; the <i>cafés</i> are alive with the
+hum of voices. There is little to recall the days of its allegiance to
+the Prophet, and it has not retained more monuments of the past than
+most other cities. From the sightseer’s point of view it is not
+intensely interesting; from the stranger’s, even less convenient, since
+indications of the names of the streets are few and far between. New and
+splendid avenues are arising, which, in pleasant contrast to the dull
+uniformity of most Continental town perspectives, contain houses
+original and individual in style. You enter the town by one of two
+massive castellated gates, which give a note of the mediæval picturesque
+to their respective quarters. The fourteenth century Torres de Serranos
+form a narrow archway flanked by two fine octagonal towers. Above, are
+windows with elaborate panelling, and heavy machicolations crown the
+whole building. The Torres de Cuartes, of a<span class="pagenum"><a name="page_16" id="page_16">{16}</a></span> century later, are very
+similar, but the parapet is itself borne on corbels and machicolated.
+Unfortunately the walls of the city have perished.</p>
+
+<p>The Cathedral, the Lonja, and the Picture Gallery exhaust the sights of
+Valencia. The Cathedral was founded in 1262 on the ruins of the Great
+Mosque, which in its turn had replaced the Temple of Diana. It is far
+inferior to most of the great Spanish churches in beauty and interest.
+Originally Gothic, it was considerably enlarged in the fifteenth
+century, the height, however, being left unaltered. The principal
+entrance, in the receding circular form, is an outrage, but the north
+door, called the Puerta de los Apostoles, richly sculptured and
+delicately moulded, exhibits the skill and industry of the fourteenth
+century at its best.</p>
+
+<p>Above the semicircular Puerta de Palau is an interesting series of
+medallions. These represent the heads of fourteen men and women. These
+are the seven knights of the Conquest and the seven fair ladies they
+sought in the surrounding provinces, from whom the whole Valencian
+nobility is said to be sprung. This doorway is evidently by the same
+hand as the Puerta de los Infantes at Lerida. But the most striking part
+of the Cathedral is the imposing Miguelete Tower. Its sculpture is
+indifferent, but seen from a distance the effect is fine. It is the
+great landmark of the<span class="pagenum"><a name="page_17" id="page_17">{17}</a></span> district, and the Valencians speak of exile as
+“losing sight of the Miguelete.”</p>
+
+<p>The plan of the Cathedral, like most Spanish churches, is cruciform. In
+1760 the interior was modernised in a manner that makes the
+beauty-loving traveller long to tear his hair&mdash;or that of the
+perpetrator of the “restoration.” Over-decoration is its chief defect.
+The walls have been encrusted with marbles, the Gothic columns almost
+concealed by Corinthian pilasters, the pointed arches rounded off. The
+church may merit its surname of “La Rica,” but it has lost that
+atmosphere of remote beauty that calls forth the instincts of religion
+in the worshipper. During the French occupation of 1809 the magnificent
+silver altar was melted down, but fortunately its protecting door panels
+were uninjured. These are painted with six pictures by Francisco Pagano
+and Pablo de San Leocadio, disciples of Leonardo da Vinci, and ascribed
+by some to the master himself. The spurs and bridle of Jaime el
+Conqueridor, presented by him on the day he took the city to his Master
+of the Horse, are preserved on one of the pillars on the Gospel side.</p>
+
+<p>The choir is for the most part modern, with plain and classical walnut
+stalls. The rear portion, or <i>trascoro</i>, dates from the fifteenth
+century, and is decorated with a fine series of Biblical<span class="pagenum"><a name="page_18" id="page_18">{18}</a></span> scenes in
+alabaster. The chapels have little of interest, except the tomb of Tomás
+de Villanueva, the holy Archbishop of Valencia, in the one dedicated to
+him. Over the crossing rises the fine octagonal lantern, which was built
+in 1404 and restored in 1731. It was once adorned by many trophies,
+among them the flags taken from the Genoese by Ramon Corveran, a famous
+sea-dog of Valencia. These, however, have long since vanished.</p>
+
+<p>After the Cathedral the Lonja de la Seda, or Silk Exchange, is the most
+interesting sight of Valencia. Built in the Gothic style (though not of
+the purest) it is one of the best specimens of civil architecture of the
+Middle Ages that we have remaining. Its square tower, crenellated
+chimneys, open galleries and high windows give an extremely fine effect.
+The hall has spirally fluted pillars that branch out into graceful
+clusters of palm-leaves. The ceiling is painted with stars and round the
+walls runs the legend, “He only that shall not have deceived nor done
+usury shall be worthy of eternal life,” which (let us hope) has guided
+generations of merchants into the paths of commercial integrity. The
+Audiencia, in good Renaissance style, is well worth a visit, where in
+the Salon de Cortes the old provincial States assembled till the middle
+of the eighteenth century. As a building the University is beautiful,<span class="pagenum"><a name="page_19" id="page_19">{19}</a></span>
+if it is a little backward in thought. Here Fernando VII. raised the
+noble sport of <i>Tauromachy</i>, or Bull-fighting, to the dignity of a
+Faculty!</p>
+
+<p>The smaller churches are interesting enough, but not striking, and the
+visitor will do well to prefer the almost deserted Picture Gallery.
+Until the name of Velasquez dwarfed that of every other Spanish artist,
+Valencia boasted a school of painting second to none in the country.
+Ribalta, Juanes, Ribera, Espinosa, and Orrente all lived and loved and
+painted in the old kingdom. The story of Ribalta is romantic. The son of
+a ploughman, he deemed himself on the high road to fortune when he
+entered a Valencian studio as a pupil. But alas! the black eyes and
+pretty figure of his master’s daughter proved more alluring than canvas
+virgins. Ribalta was dismissed the studio in disgrace. He wandered
+towards Italy, the land of promise, and studied under the brothers
+Carracci. Some years later he returned. His mistress was in possession
+of the studio, her father having gone out. A wooden and lifeless Madonna
+stood on an easel. Ribalta seized a brush and painted furiously until
+sunset, and when the artist returned a masterpiece was awaiting him.
+Astonishment, admiration, tears, and gratitude&mdash;no artist could forbid
+his daughter’s <i>fiançailles</i> with a man of genius. Ribalta after<span class="pagenum"><a name="page_20" id="page_20">{20}</a></span>wards
+devoted his whole life to the adornment of the churches of his native
+kingdom.</p>
+
+<p>But Valencia is hardly less distinguished for its theatre than for its
+painting. Here at the end of the sixteenth century was founded the
+celebrated society of “Nocturnes” which welcomed the youth of Lope de
+Vega. Guillen de Castro was its head, a man of wit and honourable
+family, whose adventurous life ended in the gutter. He is best known as
+the author of <i>Las Mocedades del Cid</i>, a tedious drama with a fine
+heroic touch, whence Corneille drew his inspiration.</p>
+
+<p>Leaving Valencia we run southward as far as Alcira without a stop. Here
+we cross the Jucar, which strikes terror into the hearts of the
+townsfolk. Rising in the rainy season with terrible rapidity, with
+constant shiftings of its channel, it sweeps over the countryside,
+swallowing up whole villages in its destructive, impetuous course. When
+the sky grows black and the river starts to rise, the panic-stricken
+inhabitants run to the churches and seize the images. Then with frenzied
+prayers to the <i>Pare San Bernard</i>, they dip the holy forehead in the
+water, hoping to stay the onrush of the torrent. But the inundated
+country to-day will in a few years bear heavy rice crops and luxuriant
+orchards. The swampy unhealthy lagoon, the Albufera (which<span class="pagenum"><a name="page_21" id="page_21">{21}</a></span> gave its
+name to one of Napoleon’s marshals) is becoming filled up with the
+<i>débris</i> brought down from the mountains. Soon it, too, will be a
+fertile huerta. Meanwhile, trees are being planted on the rugged
+hill-side, a wise measure which it is hoped will check the violence of
+the floods and the denudation of the arid soil.</p>
+
+<p>Jativa will be our next stopping-place. Like most of the towns in this
+country it is rich in historic interest. Past cottages, embosomed in
+palm-and orange-trees, you climb up to the hill where the old and new
+castles stand side by side. Here in 1284 the Infantes de la Cerda,
+rightful heirs to the throne, were confined by their Uncle Sancho el
+Bravo. Here too the Duke of Calabria, heir of Naples, languished for ten
+years after having trusted himself to the honour of Gonzalo de Cordoba,
+who betrayed him. This was one of the three deeds of which Gonzalo is
+said to have repented at the last. Indeed the castle of Jativa seems to
+have greatly troubled his death-bed, for we learn that the second of
+these three misdeeds was the imprisonment in the same place of the
+infamous Cæsar Borgia. The Borgias&mdash;those super-men of the
+Renaissance&mdash;had their origin in the neighbourhood of Jativa, which also
+boasts itself the birthplace of the artist Ribera.</p>
+
+<p>The smaller coast towns of Alicante attract the weary traveller by their
+beautifully sounding<span class="pagenum"><a name="page_22" id="page_22">{22}</a></span> names: Benidorm, Villajoyosa&mdash;what pleasant chords
+they strike in the imagination! But time is short. You think of them
+regretfully and hurry towards the capital. But first, if the month is
+April, you must turn aside for a flying visit to Alcoy, where every year
+a mediæval joust takes place to the glory of Saint George (the city’s
+patron saint) and the discomfiture of the Moors. This is to celebrate
+the taking of the town from the Moors by Jaime el Conqueridor in 1253.</p>
+
+<p>Alicante, the largest town in the province of that name, and the second
+in the Kingdom of Valencia, is as dull as most thriving commercial
+centres. Its broad white quays are thronged with a busy bustling
+humanity. Touches of vivid colour in the dress of the women, who are
+labouring like navvies, a burning sun overhead, and the blue of the
+Mediterranean, make a not unpleasing picture. Behind the town towers an
+enormous rock&mdash;a second Gibraltar&mdash;crowned by the old castle of Santa
+Barbara. A deep fissure in the rock recalls the stubborn siege of 1707,
+when the English General and all his garrison were blown to pieces by a
+mine.</p>
+
+<p>Southwards still, to Elche, the City of Palms, or, less poetically, “The
+Frying-pan!” A mist of heat seems to hang over the little
+Oriental-looking town. Not even in the palm groves that<span class="pagenum"><a name="page_23" id="page_23">{23}</a></span> shut out the
+desert can you avoid it. These magnificent trees (it has been estimated
+that there are 80,000 in the belt that encircles the town) provide
+practically all the palms used by the Christian churches in Passion
+Week. In the shade of their avenues flourish the laurel, the rose, and
+the geranium; beyond, extend crops of lucerne and wheat, watered by the
+carefully regulated Vinalapo.</p>
+
+<p>But though Elche makes an agreeable impression on travellers, in Spain
+it is chiefly celebrated for its Passion or Mystery Play, the only one
+of its kind in the kingdom. Elche is under the special protection of Our
+Lady of the Assumption, who sent her miraculous image over the seas
+along with the words and music of the opera inscribed <i>Soy para Elche</i>
+(I am for Elche). To this image, supposed to have been found in 1370 by
+a coastguard named Canto, many houses and palm plantations round the
+city belong. They are all marked with a crown and the initials M.V. The
+image is said to have been carved by St. Luke, but hardly reflects
+credit on his skill. However, the miracles it performs seem highly
+satisfactory, judging by the magnificent jewels and garments that have
+been presented by the faithful.</p>
+
+<p>The opera is presented on August 13 and 14, the eve and the feast of the
+Assumption. In a<span class="pagenum"><a name="page_24" id="page_24">{24}</a></span> country where the sister of Cervantes was allowed to
+install a theatre in her convent and herself play the leading <i>rôles</i>,
+you are not surprised to find that the representation takes place in the
+church, which is, however, for the occasion, carefully stripped of
+sacred images.</p>
+
+<p>The scenery, as in mediæval days, is simple. There is a little cave for
+the Garden of Gethsemane, a plain coffin for the Holy Sepulchre. Angels
+playing harps on a blue cloth stretched across the roof betoken the
+celestial regions. Hence, by an ingenious arrangement of ropes and
+pulleys, angels will presently come down to take the Virgin up to
+heaven. Apostles and saints, their names legibly inscribed on cardboard
+haloes, the holy angels and the Trinity itself have all their appointed
+parts. The Virgin is a small boy of eleven. Unfortunately that touch of
+vulgarity which seems inseparable from modern Continental Catholicism
+liberally decorates the angels with well-greased hair, vivid sashes, and
+paper flowers of startling hues. However, the crowded audience is not
+critical and very real emotion at times interrupts the continuous
+chatter and shaking of fans. There seems something singularly human in a
+religion so all-embracing.</p>
+
+<p>Orihuela, in its fertile plain, rendered independent of rain by the
+waters of the Segura, will be our last stopping-place in the southern
+portion<span class="pagenum"><a name="page_25" id="page_25">{25}</a></span> of the kingdom. Here the Goths made a last resistance under
+Theodomir. Orihuela is the only city in the district where Castilian is
+spoken. Its square towers and domes shaded with palms are decidedly
+Oriental in appearance. A visit to the Cathedral shows some beautiful
+choir-stalls of carved mahogany, but the interior of the building has
+been hopelessly barbarised. There is little else to detain us here, so
+we take train again for Valencia and the north.<span class="pagenum"><a name="page_26" id="page_26">{26}</a></span></p>
+
+<h2><a name="SAGUNTUM_AND_CASTELLON" id="SAGUNTUM_AND_CASTELLON"></a>SAGUNTUM AND CASTELLON</h2>
+
+<p class="nind"><span class="smcap">Leaving</span> the city of Valencia, the traveller journeys northwards through
+one of the most luxuriant garden-plains of southern Europe. Groves of
+olive, almond, and orange trees crowd thick upon each other, their
+almost monotonous fruitfulness broken only by an occasional graceful
+cluster of stately palms. Soon there comes in sight a hill crowned with
+an irregular line of battlemented walls. Its silhouette is warm against
+the sky-line. This is Saguntum, famed in story.</p>
+
+<p>You pass out of the station and on your left rise up the eastern slopes
+of the Saguntine hill. At its feet are huddled the dark green tiled
+roofs of the village, from among which the little church of San Salvador
+detaches its quadrangular tower, proudly conscious that (in the eye of
+its worshippers at least) it is the oldest Christian foundation in the
+whole of Spain. Tiny cottages gleam white in the dark places of the
+rocks, between thickets of aloes and prickly-pear. And far above, the
+reddish walls of the castle with its huge square towers stretch in
+slanting belts<span class="pagenum"><a name="page_27" id="page_27">{27}</a></span> along the summit of the hill, keeping watch over the
+ever-retreating sea that has so often been studded with the ships of
+enemies.</p>
+
+<p>To the right, coaches from Teruel and Segorbe lumber along a white
+ribbon of road, smothered in clouds of dust. Clambering up the fence of
+masonry that separates populace and passengers a dozen Saguntine youths,
+burnt by the sun, with eyes like sloes and jet-black hair, hail you in
+eager tones. They thrust towards you sinewy arms holding cups of milk or
+wine and plates of savoury meats, with branches of oranges or wands
+garlanded with fruits and sweet-smelling flowers.</p>
+
+<p>But it is a silent town, Saguntum (or Murviedro as it is generally
+called), and seems to brood on memories of the past. Founded in 1389
+B.C. by the Greeks of Zacynthus, it has been held in turn by
+Carthaginian and Roman, by Goth, Moor, and Spaniard. Its place in
+history is unique. The story of its famous siege has repeatedly been
+told.</p>
+
+<p>It is the year 219 <small>B.C.</small>&mdash;the eve of the Second Punic War. Hannibal,
+having sworn war to the death on Rome, is gathering his forces for a
+crushing blow. The wealth of Saguntum attracts him; impoverished by the
+loss of Sicily, its position as frontier town appeals to him as a
+strategist; as the ally of Rome it draws his hatred. Suddenly<span class="pagenum"><a name="page_28" id="page_28">{28}</a></span> a force
+of a hundred and fifty thousand Carthaginian soldiers is hurled against
+the town; battering-rams thunder at the gates; huge catapults scatter
+death among the startled townsfolk. Then begins a struggle that can be
+compared only with Numantia in ancient or Saragossa in modern times.
+Force and cunning have met their match in desperate heroism.</p>
+
+<p>The siege lasted for eight months. Rome was appealed to, but her
+Ambassadors were not allowed to land. They turned to Carthage and
+entered the Senate House. “I bring you peace or war,” cried Valerius
+Flaccus; “choose which you will have!” and resounding cries of “War!
+War!” initiated one of the fiercest struggles of antiquity. But though
+fighting against a common enemy, Rome deserted her Spanish ally.</p>
+
+<p>A city beseiged is a city doomed. Saguntum could hold out no longer.
+Hannibal named his terms&mdash;life and two garments to each individual.
+Arms, wealth, and Fatherland must all be given up, and the inhabitants
+must drift to whatever part of the world the conqueror decreed.</p>
+
+<p>Immediately, by order of the Senate, a scaffold was erected in the
+public square. All the wealth from the public treasury was flung upon
+it. Private citizens added their treasures to the holocaust, and with
+the courage of despair flung themselves into the flames. Then a shout
+arose<span class="pagenum"><a name="page_29" id="page_29">{29}</a></span> from the walls; one of the towers had fallen and the attacking
+army swarmed over the ramparts to wholesale massacre. Such is Livy’s
+account, but it is probably an overstatement. For though the
+Carthaginians, being a Semitic race, were capable of any cruelty,
+history records that the first act of the Scipios, on rebuilding the
+town four years later, was to buy back the exiled inhabitants.</p>
+
+<p>Two thousand years later Saguntum was once again the theatre of war,
+when in 1808 it was attacked and taken by Marshal Suchet. But Napoleon’s
+success was as ephemeral as Hannibal’s. The French violet could not take
+root in the granite of Spain.</p>
+
+<p>The present castle is principally Moorish, though some traces of the old
+Saguntine walls can be distinguished. It is probable that the keep
+described by Livy occupied the site of the present citadel. There are
+some old Moorish cisterns to which the girls of the village climb in the
+evening with water-jars on their shoulders.</p>
+
+<p>A little lower down the hill lies the ancient Roman amphitheatre, the
+most nearly perfect of its kind that exists to-day, not even excepting
+those of Italy. The separate entrances that Roman ceremony required for
+knights and magistrates, for women and for the common people, can still
+be recognised in spite of the depredations of<span class="pagenum"><a name="page_30" id="page_30">{30}</a></span> Suchet and the
+Philistines. Its thirty-three tiers of bluish grey pebbles, cemented
+cunningly together to look like huge blocks of stone, rise with the
+sloping hill-side. The theatregoer of Murviedro had little to complain
+of in the old days. If the play was tedious, he could turn his eye to
+the beautiful scenery that lay before him. His lot was enviable beside
+the Londoner’s.</p>
+
+<p>The plain that now separates Murviedro from the sea is rich in ruins of
+a bygone age. Desultory excavations have yielded some results. In 1795 a
+magnificent mosaic was discovered representing Bacchus astride a tiger
+in the midst of revellers, which, unfortunately, has since been lost.
+For the antiquary with money at his back and method in his brain a rich
+and interesting harvest lies waiting.</p>
+
+<p>Leaving Saguntum we continue northwards past the picturesque old castle
+of Almenara; past Nules, famous for its mineral springs; past Burriana,
+whose oranges you have eaten in every country of Europe; and the train
+steams at length into Castellon de la Plana. To the eye this city is
+uninteresting enough, but the imagination is touched by the recital of
+its history.</p>
+
+<p>A league to the north of the town the barren mountains of the Desierta
+rise from an arid plain. Here can be seen some crumbling grey walls and
+a hermitage in honour of St. Mary Magdalena.<span class="pagenum"><a name="page_31" id="page_31">{31}</a></span> The walls mark the site of
+the old town captured in 1233 by Jaime I. of Aragon. A few years later
+the inhabitants petitioned the King’s lieutenant for leave to remove
+their town to the fertile plain on the coast where it now stands. Not
+only was this granted but considerable privileges were bestowed on the
+enterprising city.</p>
+
+<p>Every year on the third Sunday in Lent this event is commemorated by the
+Feast of Las Gayates. Clergy and laity alike, bearing green reeds,
+proceed in pilgrimage to the hermitage, where a solemn service is
+celebrated. A gay crowd invades the hill. They sing; they dance; they
+shout; they eat and drink. After this sylvan feast, they troop back to
+the town. At nightfall a second procession sets out, in which are
+represented with all edifying accompaniments the worldly pomps and
+repentance of the Magdalene. Raised up among a myriad flashing lanterns
+the “Gayata,” which gives its name to the festival and recalls the
+removal of the city, is borne along with song and dance.</p>
+
+<p>More than once has Castellon fought bravely in defence of its liberties.
+A very strenuous resistance was offered to Pedro IV. when the women
+fought side by side with the men upon the walls. One of the amazon
+warriors killed a relative of the attacking General, Don Pedro de Boil,
+and was hanged in the market-place on the<span class="pagenum"><a name="page_32" id="page_32">{32}</a></span> fall of the city, along with
+the other rebel leaders. Considering the part that Spanish women have
+played in the history of their country, it is curious to remember that
+voluptuous indolence is supposed to entirely sum up their character. The
+War of the Brotherhood, that great popular rising, gave three more
+martyrs to Castellon. It is not, therefore, surprising to find that this
+city to-day stands, in the province to which it gives its name, for
+democratic tendencies. So Morella on its rocky throne, the stronghold of
+the ferocious Carlist chief, Cabrera, stands for aristocratic
+militarism; and Segorbe, lying in the shadow of the magnificent
+monastery of Valdecristo, for the ecclesiastical element and clerical
+control.<span class="pagenum"><a name="page_33" id="page_33">{33}</a></span></p>
+
+<h2><a name="THE_KINGDOM_OF_MURCIA" id="THE_KINGDOM_OF_MURCIA"></a>THE KINGDOM OF MURCIA</h2>
+
+<p class="nind"><span class="smcap">The</span> ancient Kingdom of Murcia, which lies to the south of Valencia,
+includes the two modern provinces of Murcia and Albacete. It is a wild,
+fierce region, where the sun’s heat scorches all vegetation from off the
+hill-sides. Deep and terrible chasms yawn between the rugged mountains;
+there are sharp and rocky peaks that seem to have been thrown up by
+sudden upheavals of the earth, and at their feet lie great stretches of
+tawny desert recalling the burning expanse of the Sahara. The shadow of
+long-continued drought often broods over the whole kingdom. But yet the
+district watered by the Segura is an earthly paradise&mdash;in spring all
+flowers, in autumn all fruit. Mingling with the carob-tree and
+broad-leaved palm glistens the gold of oranges, and luxuriant vines give
+pleasant promise of a sparkling harvest.</p>
+
+<p>But nature has not thus blessed the land of her own free will. She
+needed coaxing and much wooing by the cunning Arabs. A wonderful system
+of irrigation prevails, and science has harnessed fast the wayward
+rivers. The greatest<span class="pagenum"><a name="page_34" id="page_34">{34}</a></span> treasure of the Murcian, water, is sold by auction
+to the highest bidder. M. Jean Brunhés, in a lately published work,
+gives some very curious and interesting details relating to this
+singular system.</p>
+
+<p>The volume of the Monegre is divided into old and new water, the former
+belonging of right to the ancient riparian proprietors, the latter to
+the owners of the locks and reservoirs. A very vicious system prevails
+at Lorca. There, a private company has obtained all rights in the water
+of Guadalentin, subject to the condition of supplying the old
+proprietors of the adjoining lands with 500 litres per second every day.
+Only in rainy seasons, when the company’s barrage is swept away by the
+torrent (as it usually is some five or six times in the year), does the
+water become public property. When this happens the company is not
+allowed to make the barrage any stronger when it is rebuilt. In seasons
+of drought the owners are masters of the situation, and are able to
+recoup themselves for the losses thus incurred by forcing up prices to a
+figure absolutely ruinous to all but the richest cultivators. There is
+only one palliation to this system, that the bidder who has bought the
+first lot can buy as many of the lots following as he may desire at the
+same figure. Notwithstanding this poor concession it would seem that the
+principle of private<span class="pagenum"><a name="page_35" id="page_35">{35}</a></span> ownership has been pushed a little too far in this
+part of the world.</p>
+
+<p>Here is M. Brunhés’ account of the water auction at Lorca:</p>
+
+<p>“The sale takes place in a badly lit hall with naked walls, on a level
+with the street, with which it communicates by an immense door almost
+its own breadth. This door remains open during the sale, and the crowd
+of bidders stand partly in the street. The hall has no floor; you stand
+on the bare ground. Opposite the door at the end of the hall is a
+railed-off daïs, entered by a side door, and without any direct
+communication with the public side. On the daïs the secretaries are
+seated at a large table covered by a threadbare green cloth. Behind the
+table are five arm-chairs. In one is seated the presiding officer (a
+civil engineer who must own no land in the Vega). On a stool is
+stationed the crier.</p>
+
+<p>“At eight o’clock in the morning, at a sign from the presiding officer,
+the crier pronounces these words in a singing monotonous voice, and
+without any pause between the two phrases: ‘In honour of the Holy
+Sacrament of the Altar, who buys the first lot of Sotellana?’
+Immediately shouts go up, ‘Eight, nine, or ten reales!’ One voice
+overpowers the other, wide mouths vociferate loudly, necks are strained,
+muscles grow tense with excitement. The bidders press and<span class="pagenum"><a name="page_36" id="page_36">{36}</a></span> crush each
+other against the iron railing, for the one nearest has the best chance
+of being heard. The presiding officer listens and follows the frantic
+shouting with sovereign calm. Suddenly, with a quick gesture, he
+designates the highest bidder. At once the clamour ceases. Amid absolute
+silence the man indicated calls out his name, which the clerks write
+down.</p>
+
+<p>“The men are hatless. Some wear black or dark-coloured handkerchiefs
+bound round their heads, but all hold their broad-brimmed hats in their
+hands. No one smokes or talks till the bidding recommences, and even
+those in the street are silent and bareheaded. It is easy to see that
+all are peasants. Heads are closely cropped; here are no beards or
+moustaches, no one wears a collar, and most carry a cloak other than the
+aristocratic <i>capa</i> on the shoulders or arm. It is a curious and
+impressive sight enough these bronzed physiognomies, animated by one
+desire to obtain, as cheaply as may be, possession of the supreme good,
+water.”</p>
+
+<p>Such is the province of Murcia in the twentieth century. When vegetation
+depended only on the sun and very infrequent rain, the land can have
+been very little better than an arid wilderness. And yet its possession
+has from the earliest times been a matter of keen dispute. To the early
+inhabitants have always been ascribed those<span class="pagenum"><a name="page_37" id="page_37">{37}</a></span> simple guileless virtues
+with which the eighteenth century endowed the noble savage. Like the
+high-souled inhabitants of More’s “Utopia,” they used the gold and
+silver, in which their mountains abounded, for the meanest articles of
+domestic use. But this admirable custom seems unfortunately to have been
+based on mere ignorance of the value of their treasures.</p>
+
+<p>More sophisticated were the Phœnicians, who scented the precious metals
+from afar, and here, as everywhere, established their commercial
+centres. Next, the Greeks swooped down and planted colonies, rivalry
+between the two races precipitating the fierce conflict between their
+respective allies, the Carthaginians and the Romans. New Carthage, or
+Cartagena, was founded by Hasdrubal; his son made it the starting-place
+of his famous march to Rome. The city made a brave resistance to Scipio,
+and its fall marked the downfall of the Carthaginian in Spain.</p>
+
+<p>As an outpost of the Roman Empire this district was one of the first
+abandoned to the attacks of the barbarians. Under the Visigoths it
+became a duchy with the name of Aurariola, which offered so determined a
+resistance to the Mussulman that it was enabled to retain its
+independence, subject merely to the Khalifa as suzerain. Here, as in so
+many Iberian sieges, the women played<span class="pagenum"><a name="page_38" id="page_38">{38}</a></span> no small part. Dressed as men,
+they paraded the walls of the city: and by this stratagem enabled Duke
+Theodomir to obtain such favourable terms.</p>
+
+<p>Perpetuating the memory of this Duke, the province lasted under the name
+of Todmir some sixty-eight years as a self-governing State. But the last
+governors allied themselves with Charlemagne. Arab invaders poured in,
+who soon swamped the Christian population and Todmir was completely
+absorbed into the Moslem Empire.</p>
+
+<p>A new capital, Murcia, was founded, that soon rivalled Toledo and
+Cordoba as a manufactory of arms. After undergoing the usual
+vicissitudes of Moorish States, it was taken in 1266 by Jaime el
+Conqueridor, and handed over to his son-in-law, the King of Castile. For
+two hundred years it endured the attacks of the Moors of Granada, acting
+meanwhile as a buffer to the Christian kingdom.</p>
+
+<p>Murcia to-day seems a survival of the Middle Ages. The legend goes that
+Adam returning to earth recognised the province as the only relic of the
+world he left. The Murcians are a conservative people, clinging to the
+beliefs and ideas of their forefathers, untouched by the march of
+thought. Religion is the changeless background of their lives, and often
+its picturesque ceremonies completely hold the stage. One of the most<span class="pagenum"><a name="page_39" id="page_39">{39}</a></span>
+interesting of their religious festivals is the Passion Procession held
+on Good Friday. According to tradition this has continued without
+interruption since 1603, except in the year 1809 only, when it was
+forbidden by the Government.</p>
+
+<p>Organised by the Confraternity of Jesus, the great feature of the
+procession is the magnificent series of carved groups (known as <i>pasos</i>)
+representing scenes from the Biblical narrative. These are the work of
+the great master Salzillo, who is said to have carved no fewer than 1792
+wooden figures in his long life of seventy-six years. During the
+eighteenth century the Trades Guilds of Murcia gave special support to
+the Confraternity. They are accordingly granted the privilege of
+carrying the different <i>pasos</i> in the procession. Thus the “Kiss of
+Judas” is borne by the bakers; Santa Veronica by the weavers; while the
+tailors carry the gigantic group of the Last Supper. The bearers, all
+alike clad in purple, carry lighted candles and musical instruments.
+Their hoods shroud their heads, the eyes alone being visible through
+slits; a knotted rope girdles the waist, and stockings of coarse white
+wool, instead of the bare feet demanded by the original statute,
+acknowledge the claims of the twentieth century.</p>
+
+<p>It is six o’clock on Good Friday morning. The streets are thronged with
+eager sightseers; heads<span class="pagenum"><a name="page_40" id="page_40">{40}</a></span> are devoutly bared and many a plain wooden
+cross is displayed to mark the sympathy of the crowd. A band of mounted
+gendarmes clears the way. The standard-bearer chants to the populace
+that “This is done in remembrance of the Passion of Our Lord Jesus
+Christ.” Smothered in flowers the first five <i>pasos</i> are borne along.
+Then to the sound of drum and trumpet, with the ringing of bells and the
+blare of bugles, Our Father Jesus passes, enveloped in a cloud of
+flaming candles, accompanied by the Holy Brotherhood. The remaining
+<i>pasos</i> follow close, the clergy and the representatives of King and
+Bishop bringing up the rear.</p>
+
+<p>The <i>pasos</i> themselves will repay inspection. Though abounding in
+ludicrous anachronisms, often in flabby sentiment, they are beautifully
+carved and superbly mounted. It is said that £1000 was offered by an
+enthusiastic German for the uplifted arm of St. Peter in the “Kiss of
+Judas.”</p>
+
+<p>The first group of the Last Supper is of enormous size, requiring no
+fewer than twenty-four bearers during the procession. Among the tailors
+of the city there is keen competition for this honour, for the splendid
+collation that is offered by the pious to the lifeless feasters is later
+sold by auction for the benefit of the bearers. The price it fetches is
+no small one, for<span class="pagenum"><a name="page_41" id="page_41">{41}</a></span> it is regarded as true <i>pain béni</i>, bringing
+happiness to those who eat. The Agony in the Garden is reputed of
+supernatural design and is known as “The Pearl of Salzillo.” The Angel
+Gabriel is considered unrivalled, and the legend goes that the Duke of
+Wellington bid £80,000 for this one figure. The figures are
+magnificently clothed, the sword and crown of Jesus being set down in
+the accounts of the brotherhood at £200 and £120 respectively. Perhaps
+the finest of the groups is that which comes last&mdash;our Lady of Dolours,
+whose expression of supreme sorrow has rarely been equalled whether by
+chisel or brush. It is said that the sculptor copied it from the
+countenance of his own daughter, to whom, with this end in view, he had
+deliberately presented a forged letter announcing the suicide of her
+betrothed. The <i>pasos</i> are deposited in the Ermita de Jesus, where they
+can be seen by the traveller.</p>
+
+<p>In the town of Murcia itself the influence of the Cross has almost
+completely banished the Crescent. Gone is the Alcazar, where the Amirs
+mimicked the State of Cordoba and Toledo; gone is the mosque, where
+thousands of turbaned heads bowed daily towards Mecca. But in the centre
+of the city is one of those squares found in every southern and eastern
+city, which in Spain is always named after the Constitution, in Italy
+after Victor Emmanuel, and in France<span class="pagenum"><a name="page_42" id="page_42">{42}</a></span> after the Republic. To cross it in
+the afternoon would mean sudden death, for Murcia is one of the hottest
+corners of Europe. But later a gentle breeze springs up and the citizens
+troop out to meet with friends upon the Malecon and admire the charming
+view of the Segura valley, which, as M. Brunhés has said, is “an
+admirable zone of model agricultural establishment.” This fertile huerta
+bespeaks industry as great as that of the Swiss or Scottish peasant, for
+the worship of sloth with which Mr. O’Shea charges the Murcian people is
+groundless and unjust.</p>
+
+<p>A visit to the Cathedral will exhaust the architectural sights of
+Murcia. Even this is not of first-class interest. Dating in parts from
+1386 and Gothic in style, the west front is Churrigueresque, though
+fortunately not in the most florid style of that unhappy architect. The
+earthquake of 1829 and a fire in the middle of the last century have
+greatly damaged the interior, but the general effect is sufficiently
+striking. The choir-stalls of carved walnut are very beautiful, but the
+reredos is poor. The eighth wonder of the world, in the opinion of the
+inhabitants, is the little Velez Chapel modelled on the Constable’s
+Chapel at Burgos, but parts of it, according to Don Rodrigo Amador de
+los Rios, show the painful caprices and aberrations which announce the
+death agony of a powerful art. Just beyond the Junteron<span class="pagenum"><a name="page_43" id="page_43">{43}</a></span> Chapel, with
+its wealth of beautifully sculptured figures and designs in the most
+exuberant Renaissance style, is the urn where the city carefully guards
+the internal organs of Alfonso the Learned&mdash;a gruesome legacy but one
+greatly valued.</p>
+
+<p>Much older than Murcia, the old Visigothic capital Carthagena has
+preserved even fewer monuments of antiquity, though it has not lost the
+military character first impressed upon it by its founder Hasdrubal. For
+this is the first arsenal of Spain and perhaps its strongest fortress.
+Its splendid sheltered harbour is defended by powerful forts and
+formidable batteries. Their fire has not always been directed upon the
+enemies of Spain. For many months in 1873 over them waved the red flag
+of the Intransigents, the extreme communistic republicans, who,
+simultaneously with the Carlists of the north, threatened to ruin
+Castelar’s Government at Madrid. The acquisition of the great national
+arsenal without firing a shot was, of course, of the utmost advantage to
+the determined revolutionaries. The garrison, in addition to the
+enthusiastic population, included several revolted battalions of regular
+troops under General Contreras.</p>
+
+<p>Against this terrible stronghold of the Revolution, General Martinez
+Campos advanced with an<span class="pagenum"><a name="page_44" id="page_44">{44}</a></span> army from Madrid, with orders to reduce the
+place with the utmost despatch. This was easier said than done. Supplies
+were lacking; the advantage in artillery lay entirely with the besieged.
+The Carlists effected diversions in favour of the Intransigents&mdash;an odd
+coalition. Meanwhile three of the revolutionary vessels were seized by a
+Prussian squadron as pirates&mdash;an utterly unjustifiable interference with
+the domestic affairs of another State. The Prussians and Italians
+exacted, moreover, a war indemnity of 50,000 pesetas from the Cantonal
+Junta, which body became a prey to internal dissensions. One of its
+members was assassinated. Taking advantage of these embarrassments of
+the besieged the republican troops redoubled their efforts. Señor
+Castelar came down from Madrid to assume the supreme command, and
+Martinez Campos was superseded by General Lopez Dominguez. An incessant
+bombardment was kept up, the besieged responding shell by shell. In
+January the frigate <i>Tetuan</i> was burnt to the water’s edge, and a day or
+two later the explosion of the magazine destroyed hundreds of the
+garrison. The end was near. The city had for half a year defied almost
+the whole kingdom and withstood the covert attacks of foreign Powers.
+The Government troops forced their way into wretched, blood-drenched
+Carthagena; Galvez, Contreras, and the<span class="pagenum"><a name="page_45" id="page_45">{45}</a></span> leaders of the cantonal movement
+escaped by sea in the ironclad <i>Numancia</i>, which far exceeded the
+Government vessels in speed, and took refuge in Algeria. Thus collapsed
+a movement which was, after the Commune of Paris, the most determined
+organised attempt ever made to subvert the existing constitution of
+European society.</p>
+
+<p>I have given at some length this chapter in the history of Carthagena,
+partly because the town has little interest of itself, and partly
+because these events though so recent and significant are ignored by
+most writers of travel books. Out of so much evil good came at last, for
+these well-nigh fatal disorders opened the eyes of the Spaniards to the
+instability of the Madrid Government and formed the prelude to the reign
+of peace inaugurated by the accession to the throne of King Alfonso XII.</p>
+
+<p>Boasting less than most Spanish provinces of sights that appeal only to
+the casual tourist, Murcia is interesting as a region of perpetual
+struggle and bloodshed; of struggle against nature, of struggles between
+differing religions, and of the deadly internecine feuds of race and
+race.</p>
+
+<p><span class="pagenum"><a name="page_46" id="page_46">{46}</a></span>&nbsp; </p>
+
+<p><span class="pagenum"><a name="page_47" id="page_47">{47}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_001" id="plt_001"></a><br />
+<span class="caption1">Plate 1</span>
+<br /><a href="images/plt_001.jpg">
+<img src="images/plt_001.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_48" id="page_48">{48}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_002" id="plt_002"></a><br />
+<span class="caption1">Plate 2</span>
+<br /><a href="images/plt_002.jpg">
+<img src="images/plt_002.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: GENERAL VIEW, LOOKING SOUTH</span></div>
+
+<p><span class="pagenum"><a name="page_49" id="page_49">{49}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_003" id="plt_003"></a><br />
+<span class="caption1">Plate 3</span>
+<br /><a href="images/plt_003.jpg">
+<img src="images/plt_003.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: VIEW FROM THE PUENTE DEL MAR</span></div>
+
+<p><span class="pagenum"><a name="page_50" id="page_50">{50}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_004" id="plt_004"></a><br />
+<span class="caption1">Plate 4</span>
+<br /><a href="images/plt_004.jpg">
+<img src="images/plt_004.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_51" id="page_51">{51}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_005" id="plt_005"></a><br />
+<span class="caption1">Plate 5</span>
+<br /><a href="images/plt_005.jpg">
+<img src="images/plt_005.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: VIEW FROM THE PUENTE DEL MAR</span></div>
+
+<p><span class="pagenum"><a name="page_52" id="page_52">{52}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_006" id="plt_006"></a><br />
+<span class="caption1">Plate 6</span>
+<br /><a href="images/plt_006.jpg">
+<img src="images/plt_006.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: ENTRANCE TO THE TOWN BY THE PUERTA DE SANTA LUCIA</span></div>
+
+<p><span class="pagenum"><a name="page_53" id="page_53">{53}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_007" id="plt_007"></a><br />
+<span class="caption1">Plate 7</span>
+<br /><a href="images/plt_007.jpg">
+<img src="images/plt_007.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE FAIR AT THE PUERTA DE SANTA LUCIA</span></div>
+
+<p><span class="pagenum"><a name="page_54" id="page_54">{54}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_008" id="plt_008"></a><br />
+<span class="caption1">Plate 8</span>
+<br /><a href="images/plt_008.jpg">
+<img src="images/plt_008.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PUERTA DE SERRANOS</span></div>
+
+<p><span class="pagenum"><a name="page_55" id="page_55">{55}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_009" id="plt_009"></a><br />
+<span class="caption1">Plate 9</span>
+<br /><a href="images/plt_009.jpg">
+<img src="images/plt_009.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PUERTA DE CUARTE</span></div>
+
+<p><span class="pagenum"><a name="page_56" id="page_56">{56}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_010" id="plt_010"></a><br />
+<span class="caption1">Plate 10</span>
+<br /><a href="images/plt_010.jpg">
+<img src="images/plt_010.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE MARKET-PLACE</span></div>
+
+<p><span class="pagenum"><a name="page_57" id="page_57">{57}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_011" id="plt_011"></a><br />
+<span class="caption1">Plate 11</span>
+<br /><a href="images/plt_011.jpg">
+<img src="images/plt_011.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE PUENTE REAL</span></div>
+
+<p><span class="pagenum"><a name="page_58" id="page_58">{58}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_012" id="plt_012"></a><br />
+<span class="caption1">Plate 12</span>
+<br /><a href="images/plt_012.jpg">
+<img src="images/plt_012.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PASEO DE LA GLORIETA</span></div>
+
+<p><span class="pagenum"><a name="page_59" id="page_59">{59}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_013" id="plt_013"></a><br />
+<span class="caption1">Plate 13</span>
+<br /><a href="images/plt_013.jpg">
+<img src="images/plt_013.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PASEO DE LA GLORIETA</span></div>
+
+<p><span class="pagenum"><a name="page_60" id="page_60">{60}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_014" id="plt_014"></a><br />
+<span class="caption1">Plate 14</span>
+<br /><a href="images/plt_014.jpg">
+<img src="images/plt_014.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PASEO DE LA ALAMEDA</span></div>
+
+<p><span class="pagenum"><a name="page_61" id="page_61">{61}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_015" id="plt_015"></a><br />
+<span class="caption1">Plate 15</span>
+<br /><a href="images/plt_015.jpg">
+<img src="images/plt_015.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: FOUNTAIN OF THE ALAMEDA</span></div>
+
+<p><span class="pagenum"><a name="page_62" id="page_62">{62}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_016" id="plt_016"></a><br />
+<span class="caption1">Plate 16</span>
+<br /><a href="images/plt_016.jpg">
+<img src="images/plt_016.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PLAZA DE LA ADUANA</span></div>
+
+<p><span class="pagenum"><a name="page_63" id="page_63">{63}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_017" id="plt_017"></a><br />
+<span class="caption1">Plate 17</span>
+<br /><a href="images/plt_017.jpg">
+<img src="images/plt_017.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PLAZA DE SANTO DOMINGO</span></div>
+
+<p><span class="pagenum"><a name="page_64" id="page_64">{64}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_018" id="plt_018"></a><br />
+<span class="caption1">Plate 18</span>
+<br /><a href="images/plt_018.jpg">
+<img src="images/plt_018.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PLAZA DE SAN FRANCISCO</span></div>
+
+<p><span class="pagenum"><a name="page_65" id="page_65">{65}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_019" id="plt_019"></a><br />
+<span class="caption1">Plate 19</span>
+<br /><a href="images/plt_019.jpg">
+<img src="images/plt_019.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PLAZA DE TÉTUAN</span></div>
+
+<p><span class="pagenum"><a name="page_66" id="page_66">{66}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_020" id="plt_020"></a><br />
+<span class="caption1">Plate 20</span>
+<br /><a href="images/plt_020.jpg">
+<img src="images/plt_020.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PLAZA DE LA CONSTITUCION</span></div>
+
+<p><span class="pagenum"><a name="page_67" id="page_67">{67}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_021" id="plt_021"></a><br />
+<span class="caption1">Plate 21</span>
+<br /><a href="images/plt_021.jpg">
+<img src="images/plt_021.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: CALLE DE LA BAJADA DE SAN FRANCISCO</span></div>
+
+<p><span class="pagenum"><a name="page_68" id="page_68">{68}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_022" id="plt_022"></a><br />
+<span class="caption1">Plate 22</span>
+<br /><a href="images/plt_022.jpg">
+<img src="images/plt_022.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: CALLE DE SAN VICENTE</span></div>
+
+<p><span class="pagenum"><a name="page_69" id="page_69">{69}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_023" id="plt_023"></a><br />
+<span class="caption1">Plate 23</span>
+<br /><a href="images/plt_023.jpg">
+<img src="images/plt_023.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: TROS ALT</span></div>
+
+<p><span class="pagenum"><a name="page_70" id="page_70">{70}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_024" id="plt_024"></a><br />
+<span class="caption1">Plate 24</span>
+<br /><a href="images/plt_024.jpg">
+<img src="images/plt_024.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: CALLE DE LA BOLSERIA Y TROS ALT</span></div>
+
+<p><span class="pagenum"><a name="page_71" id="page_71">{71}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_025" id="plt_025"></a><br />
+<span class="caption1">Plate 25</span>
+<br /><a href="images/plt_025.jpg">
+<img src="images/plt_025.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: GENERAL VIEW OF THE CATHEDRAL</span></div>
+
+<p><span class="pagenum"><a name="page_72" id="page_72">{72}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_026" id="plt_026"></a><br />
+<span class="caption1">Plate 26</span>
+<br /><a href="images/plt_026.jpg">
+<img src="images/plt_026.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA CATHEDRAL: GATE OF THE APOSTLES</span></div>
+
+<p><span class="pagenum"><a name="page_73" id="page_73">{73}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_027" id="plt_027"></a><br />
+<span class="caption1">Plate 27</span>
+<br /><a href="images/plt_027.jpg">
+<img src="images/plt_027.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE CATHEDRAL, PUERTA DEL PALAU</span></div>
+
+<p><span class="pagenum"><a name="page_74" id="page_74">{74}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_028" id="plt_028"></a><br />
+<span class="caption1">Plate 28</span>
+<br /><a href="images/plt_028.jpg">
+<img src="images/plt_028.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA CATHEDRAL: A DOOR</span></div>
+
+<p><span class="pagenum"><a name="page_75" id="page_75">{75}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_029" id="plt_029"></a><br />
+<span class="caption1">Plate 29</span>
+<br /><a href="images/plt_029.jpg">
+<img src="images/plt_029.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE TEMPLE</span></div>
+
+<p><span class="pagenum"><a name="page_76" id="page_76">{76}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_030" id="plt_030"></a><br />
+<span class="caption1">Plate 30</span>
+<br /><a href="images/plt_030.jpg">
+<img src="images/plt_030.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE MIGUELETE</span></div>
+
+<p><span class="pagenum"><a name="page_77" id="page_77">{77}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_031" id="plt_031"></a><br />
+<span class="caption1">Plate 31</span>
+<br /><a href="images/plt_031.jpg">
+<img src="images/plt_031.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: CHURCH OF SANTA CATALINA</span></div>
+
+<p><span class="pagenum"><a name="page_78" id="page_78">{78}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_032" id="plt_032"></a><br />
+<span class="caption1">Plate 32</span>
+<br /><a href="images/plt_032.jpg">
+<img src="images/plt_032.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: CHURCH OF SANTA CATALINA</span></div>
+
+<p><span class="pagenum"><a name="page_79" id="page_79">{79}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_033" id="plt_033"></a><br />
+<span class="caption1">Plate 33</span>
+<br /><a href="images/plt_033.jpg">
+<img src="images/plt_033.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: CHURCH OF LOS SANTOS JUANES</span></div>
+
+<p><span class="pagenum"><a name="page_80" id="page_80">{80}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_034" id="plt_034"></a><br />
+<span class="caption1">Plate 34</span>
+<br /><a href="images/plt_034.jpg">
+<img src="images/plt_034.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: FAÇADE OF SAN MIGUEL EL REAL</span></div>
+
+<p><span class="pagenum"><a name="page_81" id="page_81">{81}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_035" id="plt_035"></a><br />
+<span class="caption1">Plate 35</span>
+<br /><a href="images/plt_035.jpg">
+<img src="images/plt_035.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: CHURCH OF SANTA CRUZ</span></div>
+
+<p><span class="pagenum"><a name="page_82" id="page_82">{82}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_036" id="plt_036"></a><br />
+<span class="caption1">Plate 36</span>
+<br /><a href="images/plt_036.jpg">
+<img src="images/plt_036.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: CHURCH OF SANTA CRUZ</span></div>
+
+<p><span class="pagenum"><a name="page_83" id="page_83">{83}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_037" id="plt_037"></a><br />
+<span class="caption1">Plate 37</span>
+<br /><a href="images/plt_037.jpg">
+<img src="images/plt_037.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: ENTRANCE TO THE CHURCH OF SAN ANDRÉS</span></div>
+
+<p><span class="pagenum"><a name="page_84" id="page_84">{84}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_038" id="plt_038"></a><br />
+<span class="caption1">Plate 38</span>
+<br /><a href="images/plt_038.jpg">
+<img src="images/plt_038.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE CAMPO-SANTO</span></div>
+
+<p><span class="pagenum"><a name="page_85" id="page_85">{85}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_039" id="plt_039"></a><br />
+<span class="caption1">Plate 39</span>
+<br /><a href="images/plt_039.jpg">
+<img src="images/plt_039.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE CAMPO-SANTO</span></div>
+
+<p><span class="pagenum"><a name="page_86" id="page_86">{86}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_040" id="plt_040"></a><br />
+<span class="caption1">Plate 40</span>
+<br /><a href="images/plt_040.jpg">
+<img src="images/plt_040.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE CAMPO-SANTO</span></div>
+
+<p><span class="pagenum"><a name="page_87" id="page_87">{87}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_041" id="plt_041"></a><br />
+<span class="caption1">Plate 41</span>
+<br /><a href="images/plt_041.jpg">
+<img src="images/plt_041.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE AUDIENCIA, OLD PALACE OF THE CORTES</span></div>
+
+<p><span class="pagenum"><a name="page_88" id="page_88">{88}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_042" id="plt_042"></a><br />
+<span class="caption1">Plate 42</span>
+<br /><a href="images/plt_042.jpg">
+<img src="images/plt_042.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: ROYAL HALL IN THE AUDIENCIA, UPPER PART</span></div>
+
+<p><span class="pagenum"><a name="page_89" id="page_89">{89}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_043" id="plt_043"></a><br />
+<span class="caption1">Plate 43</span>
+<br /><a href="images/plt_043.jpg">
+<img src="images/plt_043.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: ROYAL HALL IN THE AUDIENCIA, LOWER PART</span></div>
+
+<p><span class="pagenum"><a name="page_90" id="page_90">{90}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_044" id="plt_044"></a><br />
+<span class="caption1">Plate 44</span>
+<br /><a href="images/plt_044.jpg">
+<img src="images/plt_044.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: INTERIOR DOOR OF THE AUDIENCIA</span></div>
+
+<p><span class="pagenum"><a name="page_91" id="page_91">{91}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_045" id="plt_045"></a><br />
+<span class="caption1">Plate 45</span>
+<br /><a href="images/plt_045.jpg">
+<img src="images/plt_045.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE EXCHANGE</span></div>
+
+<p><span class="pagenum"><a name="page_92" id="page_92">{92}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_046" id="plt_046"></a><br />
+<span class="caption1">Plate 46</span>
+<br /><a href="images/plt_046.jpg">
+<img src="images/plt_046.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE EXCHANGE. DETAIL OF THE GALLERY</span></div>
+
+<p><span class="pagenum"><a name="page_93" id="page_93">{93}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_047" id="plt_047"></a><br />
+<span class="caption1">Plate 47</span>
+<br /><a href="images/plt_047.jpg">
+<img src="images/plt_047.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: INTERIOR OF THE EXCHANGE</span></div>
+
+<p><span class="pagenum"><a name="page_94" id="page_94">{94}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_048" id="plt_048"></a><br />
+<span class="caption1">Plate 48</span>
+<br /><a href="images/plt_048.jpg">
+<img src="images/plt_048.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: INTERIOR DOOR OF THE EXCHANGE</span></div>
+
+<p><span class="pagenum"><a name="page_95" id="page_95">{95}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_049" id="plt_049"></a><br />
+<span class="caption1">Plate 49</span>
+<br /><a href="images/plt_049.jpg">
+<img src="images/plt_049.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: COLEGIO DEL PATRIARCA</span></div>
+
+<p><span class="pagenum"><a name="page_96" id="page_96">{96}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_050" id="plt_050"></a><br />
+<span class="caption1">Plate 50</span>
+<br /><a href="images/plt_050.jpg">
+<img src="images/plt_050.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: COURTYARD IN THE COLEGIO DEL PATRIARCA</span></div>
+
+<p><span class="pagenum"><a name="page_97" id="page_97">{97}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_051" id="plt_051"></a><br />
+<span class="caption1">Plate 51</span>
+<br /><a href="images/plt_051.jpg">
+<img src="images/plt_051.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: COURTYARD OF THE UNIVERSITY</span></div>
+
+<p><span class="pagenum"><a name="page_98" id="page_98">{98}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_052" id="plt_052"></a><br />
+<span class="caption1">Plate 52</span>
+<br /><a href="images/plt_052.jpg">
+<img src="images/plt_052.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: ENTRANCE TO THE CIVIL HOSPITAL</span></div>
+
+<p><span class="pagenum"><a name="page_99" id="page_99">{99}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_053" id="plt_053"></a><br />
+<span class="caption1">Plate 53</span>
+<br /><a href="images/plt_053.jpg">
+<img src="images/plt_053.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: GATE OF MOSEN S’ORRELL</span></div>
+
+<p><span class="pagenum"><a name="page_100" id="page_100">{100}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_054" id="plt_054"></a><br />
+<span class="caption1">Plate 54</span>
+<br /><a href="images/plt_054.jpg">
+<img src="images/plt_054.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE CUSTOM-HOUSE</span></div>
+
+<p><span class="pagenum"><a name="page_101" id="page_101">{101}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_055" id="plt_055"></a><br />
+<span class="caption1">Plate 55</span>
+<br /><a href="images/plt_055.jpg">
+<img src="images/plt_055.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE ARCHBISHOP’S PALACE</span></div>
+
+<p><span class="pagenum"><a name="page_102" id="page_102">{102}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_056" id="plt_056"></a><br />
+<span class="caption1">Plate 56</span>
+<br /><a href="images/plt_056.jpg">
+<img src="images/plt_056.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE BULL-RING</span></div>
+
+<p><span class="pagenum"><a name="page_103" id="page_103">{103}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_057" id="plt_057"></a><br />
+<span class="caption1">Plate 57</span>
+<br /><a href="images/plt_057.jpg">
+<img src="images/plt_057.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: TOBACCO FACTORY</span></div>
+
+<p><span class="pagenum"><a name="page_104" id="page_104">{104}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_058" id="plt_058"></a><br />
+<span class="caption1">Plate 58</span>
+<br /><a href="images/plt_058.jpg">
+<img src="images/plt_058.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: A PRIVATE HOUSE</span></div>
+
+<p><span class="pagenum"><a name="page_105" id="page_105">{105}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_059" id="plt_059"></a><br />
+<span class="caption1">Plate 59</span>
+<br /><a href="images/plt_059.jpg">
+<img src="images/plt_059.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: STATUE OF KING JAIME</span></div>
+
+<p><span class="pagenum"><a name="page_106" id="page_106">{106}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_060" id="plt_060"></a><br />
+<span class="caption1">Plate 60</span>
+<br /><a href="images/plt_060.jpg">
+<img src="images/plt_060.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: STATUE OF RIBERA</span></div>
+
+<p><span class="pagenum"><a name="page_107" id="page_107">{107}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_061" id="plt_061"></a><br />
+<span class="caption1">Plate 61</span>
+<br /><a href="images/plt_061.jpg">
+<img src="images/plt_061.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: STATUE OF ST. CHRISTOPHER</span></div>
+
+<p><span class="pagenum"><a name="page_108" id="page_108">{108}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_062" id="plt_062"></a><br />
+<span class="caption1">Plate 62</span>
+<br /><a href="images/plt_062.jpg">
+<img src="images/plt_062.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PALACE OF THE MARQUÉS DE DOS AGUAS</span></div>
+
+<p><span class="pagenum"><a name="page_109" id="page_109">{109}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_063" id="plt_063"></a><br />
+<span class="caption1">Plate 63</span>
+<br /><a href="images/plt_063.jpg">
+<img src="images/plt_063.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PALACE OF THE MARQUÉS DE DOS AGUAS</span></div>
+
+<p><span class="pagenum"><a name="page_110" id="page_110">{110}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_064" id="plt_064"></a><br />
+<span class="caption1">Plate 64</span>
+<br /><a href="images/plt_064.jpg">
+<img src="images/plt_064.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PORTAL OF THE PALACE OF THE MARQUÉS DE DOS AGUAS</span></div>
+
+<p><span class="pagenum"><a name="page_111" id="page_111">{111}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_065" id="plt_065"></a><br />
+<span class="caption1">Plate 65</span>
+<br /><a href="images/plt_065.jpg">
+<img src="images/plt_065.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PALACE OF THE MARQUES DE RIPALDA</span></div>
+
+<p><span class="pagenum"><a name="page_112" id="page_112">{112}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_066" id="plt_066"></a><br />
+<span class="caption1">Plate 66</span>
+<br /><a href="images/plt_066.jpg">
+<img src="images/plt_066.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">GENERAL VIEW OF GRAO</span></div>
+
+<p><span class="pagenum"><a name="page_113" id="page_113">{113}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_067" id="plt_067"></a><br />
+<span class="caption1">Plate 67</span>
+<br /><a href="images/plt_067.jpg">
+<img src="images/plt_067.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">GRAO HARBOUR</span></div>
+
+<p><span class="pagenum"><a name="page_114" id="page_114">{114}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_068" id="plt_068"></a><br />
+<span class="caption1">Plate 68</span>
+<br /><a href="images/plt_068.jpg">
+<img src="images/plt_068.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">GRAO HARBOUR</span></div>
+
+<p><span class="pagenum"><a name="page_115" id="page_115">{115}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_069" id="plt_069"></a><br />
+<span class="caption1">Plate 69</span>
+<br /><a href="images/plt_069.jpg">
+<img src="images/plt_069.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">GRAO HARBOUR</span></div>
+
+<p><span class="pagenum"><a name="page_116" id="page_116">{116}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_070" id="plt_070"></a><br />
+<span class="caption1">Plate 70</span>
+<br /><a href="images/plt_070.jpg">
+<img src="images/plt_070.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CAMINO DEL GRAO: HERMITAGE OF AVE MARIA</span></div>
+
+<p><span class="pagenum"><a name="page_117" id="page_117">{117}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_071" id="plt_071"></a><br />
+<span class="caption1">Plate 71</span>
+<br /><a href="images/plt_071.jpg">
+<img src="images/plt_071.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: A “TARTANA,” OR CHAR-À-BANC</span></div>
+
+<p><span class="pagenum"><a name="page_118" id="page_118">{118}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_072" id="plt_072"></a><br />
+<span class="caption1">Plate 72</span>
+<br /><a href="images/plt_072.jpg">
+<img src="images/plt_072.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PEASANTS</span></div>
+
+<p><span class="pagenum"><a name="page_119" id="page_119">{119}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_073" id="plt_073"></a><br />
+<span class="caption1">Plate 73</span>
+<br /><a href="images/plt_073.jpg">
+<img src="images/plt_073.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PEASANTS</span></div>
+
+<p><span class="pagenum"><a name="page_120" id="page_120">{120}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_074" id="plt_074"></a><br />
+<span class="caption1">Plate 74</span>
+<br /><a href="images/plt_074.jpg">
+<img src="images/plt_074.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PEASANTS</span></div>
+
+<p><span class="pagenum"><a name="page_121" id="page_121">{121}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_075" id="plt_075"></a><br />
+<span class="caption1">Plate 75</span>
+<br /><a href="images/plt_075.jpg">
+<img src="images/plt_075.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: TYPES OF WOMEN</span></div>
+
+<p><span class="pagenum"><a name="page_122" id="page_122">{122}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_076" id="plt_076"></a><br />
+<span class="caption1">Plate 76</span>
+<br /><a href="images/plt_076.jpg">
+<img src="images/plt_076.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: TRIBUNAL DES EAUX</span></div>
+
+<p><span class="pagenum"><a name="page_123" id="page_123">{123}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_077" id="plt_077"></a><br />
+<span class="caption1">Plate 77</span>
+<br /><a href="images/plt_077.jpg">
+<img src="images/plt_077.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: BARBERS ON THE BRIDGE OF SERRANOS</span></div>
+
+<p><span class="pagenum"><a name="page_124" id="page_124">{124}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_078" id="plt_078"></a><br />
+<span class="caption1">Plate 78</span>
+<br /><a href="images/plt_078.jpg">
+<img src="images/plt_078.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: ZIGZAG OF THE CABRILLAS</span></div>
+
+<p><span class="pagenum"><a name="page_125" id="page_125">{125}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_079" id="plt_079"></a><br />
+<span class="caption1">Plate 79</span>
+<br /><a href="images/plt_079.jpg">
+<img src="images/plt_079.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF VALENCIA: A ROAD IN CABAÑAL</span></div>
+
+<p><span class="pagenum"><a name="page_126" id="page_126">{126}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_080" id="plt_080"></a><br />
+<span class="caption1">Plate 80</span>
+<br /><a href="images/plt_080.jpg">
+<img src="images/plt_080.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF VALENCIA: A ROAD IN CABAÑAL</span></div>
+
+<p><span class="pagenum"><a name="page_127" id="page_127">{127}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_081" id="plt_081"></a><br />
+<span class="caption1">Plate 81</span>
+<br /><a href="images/plt_081.jpg">
+<img src="images/plt_081.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE SHORES OF THE MEDITERRANEAN</span></div>
+
+<p><span class="pagenum"><a name="page_128" id="page_128">{128}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_082" id="plt_082"></a><br />
+<span class="caption1">Plate 82</span>
+<br /><a href="images/plt_082.jpg">
+<img src="images/plt_082.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE SHORES OF THE MEDITERRANEAN</span></div>
+
+<p><span class="pagenum"><a name="page_129" id="page_129">{129}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_083" id="plt_083"></a><br />
+<span class="caption1">Plate 83</span>
+<br /><a href="images/plt_083.jpg">
+<img src="images/plt_083.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_130" id="page_130">{130}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_084" id="plt_084"></a><br />
+<span class="caption1">Plate 84</span>
+<br /><a href="images/plt_084.jpg">
+<img src="images/plt_084.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_131" id="page_131">{131}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_085" id="plt_085"></a><br />
+<span class="caption1">Plate 85</span>
+<br /><a href="images/plt_085.jpg">
+<img src="images/plt_085.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: VIEW FROM THE STATION</span></div>
+
+<p><span class="pagenum"><a name="page_132" id="page_132">{132}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_086" id="plt_086"></a><br />
+<span class="caption1">Plate 86</span>
+<br /><a href="images/plt_086.jpg">
+<img src="images/plt_086.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: VIEW FROM THE CASTLE</span></div>
+
+<p><span class="pagenum"><a name="page_133" id="page_133">{133}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_087" id="plt_087"></a><br />
+<span class="caption1">Plate 87</span>
+<br /><a href="images/plt_087.jpg">
+<img src="images/plt_087.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: THE CASTLE AND TOWN</span></div>
+
+<p><span class="pagenum"><a name="page_134" id="page_134">{134}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_088" id="plt_088"></a><br />
+<span class="caption1">Plate 88</span>
+<br /><a href="images/plt_088.jpg">
+<img src="images/plt_088.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: THE CASTLE</span></div>
+
+<p><span class="pagenum"><a name="page_135" id="page_135">{135}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_089" id="plt_089"></a><br />
+<span class="caption1">Plate 89</span>
+<br /><a href="images/plt_089.jpg">
+<img src="images/plt_089.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: THE CASTLE FROM ONE OF THE COURTS</span></div>
+
+<p><span class="pagenum"><a name="page_136" id="page_136">{136}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_090" id="plt_090"></a><br />
+<span class="caption1">Plate 90</span>
+<br /><a href="images/plt_090.jpg">
+<img src="images/plt_090.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: ENTRANCE TO THE CASTLE</span></div>
+
+<p><span class="pagenum"><a name="page_137" id="page_137">{137}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_091" id="plt_091"></a><br />
+<span class="caption1">Plate 91</span>
+<br /><a href="images/plt_091.jpg">
+<img src="images/plt_091.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: GENERAL VIEW OF THE ROMAN AMPHITHEATRE</span></div>
+
+<p><span class="pagenum"><a name="page_138" id="page_138">{138}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_092" id="plt_092"></a><br />
+<span class="caption1">Plate 92</span>
+<br /><a href="images/plt_092.jpg">
+<img src="images/plt_092.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: GENERAL VIEW OF THE ROMAN AMPHITHEATRE</span></div>
+
+<p><span class="pagenum"><a name="page_139" id="page_139">{139}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_093" id="plt_093"></a><br />
+<span class="caption1">Plate 93</span>
+<br /><a href="images/plt_093.jpg">
+<img src="images/plt_093.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: THE ROMAN AMPHITHEATRE</span></div>
+
+<p><span class="pagenum"><a name="page_140" id="page_140">{140}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_094" id="plt_094"></a><br />
+<span class="caption1">Plate 94</span>
+<br /><a href="images/plt_094.jpg">
+<img src="images/plt_094.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: INTERIOR OF THE ROMAN AMPHITHEATRE</span></div>
+
+<p><span class="pagenum"><a name="page_141" id="page_141">{141}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_095" id="plt_095"></a><br />
+<span class="caption1">Plate 95</span>
+<br /><a href="images/plt_095.jpg">
+<img src="images/plt_095.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: PRINCIPAL GATE OF THE ROMAN AMPHITHEATRE</span></div>
+
+<p><span class="pagenum"><a name="page_142" id="page_142">{142}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_096" id="plt_096"></a><br />
+<span class="caption1">Plate 96</span>
+<br /><a href="images/plt_096.jpg">
+<img src="images/plt_096.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: ENTRANCE TO THE ROMAN AMPHITHEATRE</span></div>
+
+<p><span class="pagenum"><a name="page_143" id="page_143">{143}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_097" id="plt_097"></a><br />
+<span class="caption1">Plate 97</span>
+<br /><a href="images/plt_097.jpg">
+<img src="images/plt_097.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: ENTRANCE TO THE ROMAN AMPHITHEATRE</span></div>
+
+<p><span class="pagenum"><a name="page_144" id="page_144">{144}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_098" id="plt_098"></a><br />
+<span class="caption1">Plate 98</span>
+<br /><a href="images/plt_098.jpg">
+<img src="images/plt_098.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">JATIVA: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_145" id="page_145">{145}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_099" id="plt_099"></a><br />
+<span class="caption1">Plate 99</span>
+<br /><a href="images/plt_099.jpg">
+<img src="images/plt_099.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">JATIVA: VIEW FROM THE STATION</span></div>
+
+<p><span class="pagenum"><a name="page_146" id="page_146">{146}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_100" id="plt_100"></a><br />
+<span class="caption1">Plate 100</span>
+<br /><a href="images/plt_100.jpg">
+<img src="images/plt_100.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">JATIVA: THE CIVIL HOSPITAL</span></div>
+
+<p><span class="pagenum"><a name="page_147" id="page_147">{147}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_101" id="plt_101"></a><br />
+<span class="caption1">Plate 101</span>
+<br /><a href="images/plt_101.jpg">
+<img src="images/plt_101.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_148" id="page_148">{148}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_102" id="plt_102"></a><br />
+<span class="caption1">Plate 102</span>
+<br /><a href="images/plt_102.jpg">
+<img src="images/plt_102.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: THE CASTLE</span></div>
+
+<p><span class="pagenum"><a name="page_149" id="page_149">{149}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_103" id="plt_103"></a><br />
+<span class="caption1">Plate 103</span>
+<br /><a href="images/plt_103.jpg">
+<img src="images/plt_103.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: VIEW FROM THE CASTLE</span></div>
+
+<p><span class="pagenum"><a name="page_150" id="page_150">{150}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_104" id="plt_104"></a><br />
+<span class="caption1">Plate 104</span>
+<br /><a href="images/plt_104.jpg">
+<img src="images/plt_104.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: THE BREAKWATER</span></div>
+
+<p><span class="pagenum"><a name="page_151" id="page_151">{151}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_105" id="plt_105"></a><br />
+<span class="caption1">Plate 105</span>
+<br /><a href="images/plt_105.jpg">
+<img src="images/plt_105.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_152" id="page_152">{152}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_106" id="plt_106"></a><br />
+<span class="caption1">Plate 106</span>
+<br /><a href="images/plt_106.jpg">
+<img src="images/plt_106.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_153" id="page_153">{153}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_107" id="plt_107"></a><br />
+<span class="caption1">Plate 107</span>
+<br /><a href="images/plt_107.jpg">
+<img src="images/plt_107.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_154" id="page_154">{154}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_108" id="plt_108"></a><br />
+<span class="caption1">Plate 108</span>
+<br /><a href="images/plt_108.jpg">
+<img src="images/plt_108.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: PASEO DE LOS MARTIRES</span></div>
+
+<p><span class="pagenum"><a name="page_155" id="page_155">{155}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_109" id="plt_109"></a><br />
+<span class="caption1">Plate 109</span>
+<br /><a href="images/plt_109.jpg">
+<img src="images/plt_109.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: PASEO DE LOS MARTIRES</span></div>
+
+<p><span class="pagenum"><a name="page_156" id="page_156">{156}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_110" id="plt_110"></a><br />
+<span class="caption1">Plate 110</span>
+<br /><a href="images/plt_110.jpg">
+<img src="images/plt_110.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: PASEO DE LOS MARTIRES</span></div>
+
+<p><span class="pagenum"><a name="page_157" id="page_157">{157}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_111" id="plt_111"></a><br />
+<span class="caption1">Plate 111</span>
+<br /><a href="images/plt_111.jpg">
+<img src="images/plt_111.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: PASEO DE LOS MARTIRES</span></div>
+
+<p><span class="pagenum"><a name="page_158" id="page_158">{158}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_112" id="plt_112"></a><br />
+<span class="caption1">Plate 112</span>
+<br /><a href="images/plt_112.jpg">
+<img src="images/plt_112.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: PASEO DE NUÑEZ</span></div>
+
+<p><span class="pagenum"><a name="page_159" id="page_159">{159}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_113" id="plt_113"></a><br />
+<span class="caption1">Plate 113</span>
+<br /><a href="images/plt_113.jpg">
+<img src="images/plt_113.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: THE TOWN HALL</span></div>
+
+<p><span class="pagenum"><a name="page_160" id="page_160">{160}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_114" id="plt_114"></a><br />
+<span class="caption1">Plate 114</span>
+<br /><a href="images/plt_114.jpg">
+<img src="images/plt_114.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: THE TOWN HALL</span></div>
+
+<p><span class="pagenum"><a name="page_161" id="page_161">{161}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_115" id="plt_115"></a><br />
+<span class="caption1">Plate 115</span>
+<br /><a href="images/plt_115.jpg">
+<img src="images/plt_115.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: MONUMENT TO QUIJANO</span></div>
+
+<p><span class="pagenum"><a name="page_162" id="page_162">{162}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_116" id="plt_116"></a><br />
+<span class="caption1">Plate 116</span>
+<br /><a href="images/plt_116.jpg">
+<img src="images/plt_116.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: THE BULL-RING</span></div>
+
+<p><span class="pagenum"><a name="page_163" id="page_163">{163}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_117" id="plt_117"></a><br />
+<span class="caption1">Plate 117</span>
+<br /><a href="images/plt_117.jpg">
+<img src="images/plt_117.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_164" id="page_164">{164}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_118" id="plt_118"></a><br />
+<span class="caption1">Plate 118</span>
+<br /><a href="images/plt_118.jpg">
+<img src="images/plt_118.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_165" id="page_165">{165}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_119" id="plt_119"></a><br />
+<span class="caption1">Plate 119</span>
+<br /><a href="images/plt_119.jpg">
+<img src="images/plt_119.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_166" id="page_166">{166}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_120" id="plt_120"></a><br />
+<span class="caption1">Plate 120</span>
+<br /><a href="images/plt_120.jpg">
+<img src="images/plt_120.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: VIEW OF THE TOWN</span></div>
+
+<p><span class="pagenum"><a name="page_167" id="page_167">{167}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_121" id="plt_121"></a><br />
+<span class="caption1">Plate 121</span>
+<br /><a href="images/plt_121.jpg">
+<img src="images/plt_121.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: PLAZA MAYOR</span></div>
+
+<p><span class="pagenum"><a name="page_168" id="page_168">{168}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_122" id="plt_122"></a><br />
+<span class="caption1">Plate 122</span>
+<br /><a href="images/plt_122.jpg">
+<img src="images/plt_122.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: VIEW FROM THE STATION</span></div>
+
+<p><span class="pagenum"><a name="page_169" id="page_169">{169}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_123" id="plt_123"></a><br />
+<span class="caption1">Plate 123</span>
+<br /><a href="images/plt_123.jpg">
+<img src="images/plt_123.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: THE ROAD TO ALICANTE</span></div>
+
+<p><span class="pagenum"><a name="page_170" id="page_170">{170}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_124" id="plt_124"></a><br />
+<span class="caption1">Plate 124</span>
+<br /><a href="images/plt_124.jpg">
+<img src="images/plt_124.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: THE ROAD FROM ALICANTE</span></div>
+
+<p><span class="pagenum"><a name="page_171" id="page_171">{171}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_125" id="plt_125"></a><br />
+<span class="caption1">Plate 125</span>
+<br /><a href="images/plt_125.jpg">
+<img src="images/plt_125.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: THE TOWN HALL</span></div>
+
+<p><span class="pagenum"><a name="page_172" id="page_172">{172}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_126" id="plt_126"></a><br />
+<span class="caption1">Plate 126</span>
+<br /><a href="images/plt_126.jpg">
+<img src="images/plt_126.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: CHURCH OF SAN JUAN</span></div>
+
+<p><span class="pagenum"><a name="page_173" id="page_173">{173}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_127" id="plt_127"></a><br />
+<span class="caption1">Plate 127</span>
+<br /><a href="images/plt_127.jpg">
+<img src="images/plt_127.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: BRIDGE OVER THE RAMBLA DE ELCHE</span></div>
+
+<p><span class="pagenum"><a name="page_174" id="page_174">{174}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_128" id="plt_128"></a><br />
+<span class="caption1">Plate 128</span>
+<br /><a href="images/plt_128.jpg">
+<img src="images/plt_128.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: VIEW FROM THE RAILWAY BRIDGE</span></div>
+
+<p><span class="pagenum"><a name="page_175" id="page_175">{175}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_129" id="plt_129"></a><br />
+<span class="caption1">Plate 129</span>
+<br /><a href="images/plt_129.jpg">
+<img src="images/plt_129.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: THE CANAL</span></div>
+
+<p><span class="pagenum"><a name="page_176" id="page_176">{176}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_130" id="plt_130"></a><br />
+<span class="caption1">Plate 130</span>
+<br /><a href="images/plt_130.jpg">
+<img src="images/plt_130.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: WASHING LINEN IN THE CANAL</span></div>
+
+<p><span class="pagenum"><a name="page_177" id="page_177">{177}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_131" id="plt_131"></a><br />
+<span class="caption1">Plate 131</span>
+<br /><a href="images/plt_131.jpg">
+<img src="images/plt_131.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: A CANAL</span></div>
+
+<p><span class="pagenum"><a name="page_178" id="page_178">{178}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_132" id="plt_132"></a><br />
+<span class="caption1">Plate 132</span>
+<br /><a href="images/plt_132.jpg">
+<img src="images/plt_132.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: TOWER OF RAPSAMBLANC, BELONGING TO THE CONDE DE LUNA</span></div>
+
+<p><span class="pagenum"><a name="page_179" id="page_179">{179}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_133" id="plt_133"></a><br />
+<span class="caption1">Plate 133</span>
+<br /><a href="images/plt_133.jpg">
+<img src="images/plt_133.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: CASTLE OF THE DUQUE DE ALTAMIRA, NOW A PRISON</span></div>
+
+<p><span class="pagenum"><a name="page_180" id="page_180">{180}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_134" id="plt_134"></a><br />
+<span class="caption1">Plate 134</span>
+<br /><a href="images/plt_134.jpg">
+<img src="images/plt_134.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: MILL AND CASTLE OF THE DUQUE DE ALTAMIRA</span></div>
+
+<p><span class="pagenum"><a name="page_181" id="page_181">{181}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_135" id="plt_135"></a><br />
+<span class="caption1">Plate 135</span>
+<br /><a href="images/plt_135.jpg">
+<img src="images/plt_135.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: CASTLE OF THE DUQUE DE ALTAMIRA</span></div>
+
+<p><span class="pagenum"><a name="page_182" id="page_182">{182}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_136" id="plt_136"></a><br />
+<span class="caption1">Plate 136</span>
+<br /><a href="images/plt_136.jpg">
+<img src="images/plt_136.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: CASTLE AND MILL</span></div>
+
+<p><span class="pagenum"><a name="page_183" id="page_183">{183}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_137" id="plt_137"></a><br />
+<span class="caption1">Plate 137</span>
+<br /><a href="images/plt_137.jpg">
+<img src="images/plt_137.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: PALMS</span></div>
+
+<p><span class="pagenum"><a name="page_184" id="page_184">{184}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_138" id="plt_138"></a><br />
+<span class="caption1">Plate 138</span>
+<br /><a href="images/plt_138.jpg">
+<img src="images/plt_138.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: COUNTRY SPINNERS</span></div>
+
+<p><span class="pagenum"><a name="page_185" id="page_185">{185}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_139" id="plt_139"></a><br />
+<span class="caption1">Plate 139</span>
+<br /><a href="images/plt_139.jpg">
+<img src="images/plt_139.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: CASA DE LA HUERTA</span></div>
+
+<p><span class="pagenum"><a name="page_186" id="page_186">{186}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_140" id="plt_140"></a><br />
+<span class="caption1">Plate 140</span>
+<br /><a href="images/plt_140.jpg">
+<img src="images/plt_140.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: A COUNTRY ROAD</span></div>
+
+<p><span class="pagenum"><a name="page_187" id="page_187">{187}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_141" id="plt_141"></a><br />
+<span class="caption1">Plate 141</span>
+<br /><a href="images/plt_141.jpg">
+<img src="images/plt_141.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: A COUNTRY HOUSE</span></div>
+
+<p><span class="pagenum"><a name="page_188" id="page_188">{188}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_142" id="plt_142"></a><br />
+<span class="caption1">Plate 142</span>
+<br /><a href="images/plt_142.jpg">
+<img src="images/plt_142.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: A COUNTRY HOUSE</span></div>
+
+<p><span class="pagenum"><a name="page_189" id="page_189">{189}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_143" id="plt_143"></a><br />
+<span class="caption1">Plate 143</span>
+<br /><a href="images/plt_143.jpg">
+<img src="images/plt_143.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: A FAMOUS PALM</span></div>
+
+<p><span class="pagenum"><a name="page_190" id="page_190">{190}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_144" id="plt_144"></a><br />
+<span class="caption1">Plate 144</span>
+<br /><a href="images/plt_144.jpg">
+<img src="images/plt_144.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: A PALM CELEBRATED FOR ITS RESEMBLANCE TO A COLUMN</span></div>
+
+<p><span class="pagenum"><a name="page_191" id="page_191">{191}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_145" id="plt_145"></a><br />
+<span class="caption1">Plate 145</span>
+<br /><a href="images/plt_145.jpg">
+<img src="images/plt_145.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: PALM GROVES</span></div>
+
+<p><span class="pagenum"><a name="page_192" id="page_192">{192}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_146" id="plt_146"></a><br />
+<span class="caption1">Plate 146</span>
+<br /><a href="images/plt_146.jpg">
+<img src="images/plt_146.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: A ROAD</span></div>
+
+<p><span class="pagenum"><a name="page_193" id="page_193">{193}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_147" id="plt_147"></a><br />
+<span class="caption1">Plate 147</span>
+<br /><a href="images/plt_147.jpg">
+<img src="images/plt_147.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">SAX: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_194" id="page_194">{194}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_148" id="plt_148"></a><br />
+<span class="caption1">Plate 148</span>
+<br /><a href="images/plt_148.jpg">
+<img src="images/plt_148.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_195" id="page_195">{195}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_149" id="plt_149"></a><br />
+<span class="caption1">Plate 149</span>
+<br /><a href="images/plt_149.jpg">
+<img src="images/plt_149.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: VIEW FROM THE TOWER OF THE CATHEDRAL, TOWARDS THE SOUTH</span></div>
+
+<p><span class="pagenum"><a name="page_196" id="page_196">{196}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_150" id="plt_150"></a><br />
+<span class="caption1">Plate 150</span>
+<br /><a href="images/plt_150.jpg">
+<img src="images/plt_150.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: VIEW OF THE TOWN</span></div>
+
+<p><span class="pagenum"><a name="page_197" id="page_197">{197}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_151" id="plt_151"></a><br />
+<span class="caption1">Plate 151</span>
+<br /><a href="images/plt_151.jpg">
+<img src="images/plt_151.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: GENERAL VIEW OF THE TOWN</span></div>
+
+<p><span class="pagenum"><a name="page_198" id="page_198">{198}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_152" id="plt_152"></a><br />
+<span class="caption1">Plate 152</span>
+<br /><a href="images/plt_152.jpg">
+<img src="images/plt_152.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: GENERAL VIEW OF THE TOWN</span></div>
+
+<p><span class="pagenum"><a name="page_199" id="page_199">{199}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_153" id="plt_153"></a><br />
+<span class="caption1">Plate 153</span>
+<br /><a href="images/plt_153.jpg">
+<img src="images/plt_153.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: GENERAL VIEW OF THE TOWN</span></div>
+
+<p><span class="pagenum"><a name="page_200" id="page_200">{200}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_154" id="plt_154"></a><br />
+<span class="caption1">Plate 154</span>
+<br /><a href="images/plt_154.jpg">
+<img src="images/plt_154.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_201" id="page_201">{201}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_155" id="plt_155"></a><br />
+<span class="caption1">Plate 155</span>
+<br /><a href="images/plt_155.jpg">
+<img src="images/plt_155.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE BRIDGE</span></div>
+
+<p><span class="pagenum"><a name="page_202" id="page_202">{202}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_156" id="plt_156"></a><br />
+<span class="caption1">Plate 156</span>
+<br /><a href="images/plt_156.jpg">
+<img src="images/plt_156.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE RIVER</span></div>
+
+<p><span class="pagenum"><a name="page_203" id="page_203">{203}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_157" id="plt_157"></a><br />
+<span class="caption1">Plate 157</span>
+<br /><a href="images/plt_157.jpg">
+<img src="images/plt_157.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE BRIDGE OVER THE SEGURA</span></div>
+
+<p><span class="pagenum"><a name="page_204" id="page_204">{204}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_158" id="plt_158"></a><br />
+<span class="caption1">Plate 158</span>
+<br /><a href="images/plt_158.jpg">
+<img src="images/plt_158.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE RIVER SEGURA</span></div>
+
+<p><span class="pagenum"><a name="page_205" id="page_205">{205}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_159" id="plt_159"></a><br />
+<span class="caption1">Plate 159</span>
+<br /><a href="images/plt_159.jpg">
+<img src="images/plt_159.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE FAIR</span></div>
+
+<p><span class="pagenum"><a name="page_206" id="page_206">{206}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_160" id="plt_160"></a><br />
+<span class="caption1">Plate 160</span>
+<br /><a href="images/plt_160.jpg">
+<img src="images/plt_160.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE FAIR</span></div>
+
+<p><span class="pagenum"><a name="page_207" id="page_207">{207}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_161" id="plt_161"></a><br />
+<span class="caption1">Plate 161</span>
+<br /><a href="images/plt_161.jpg">
+<img src="images/plt_161.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE MARKET-PLACE</span></div>
+
+<p><span class="pagenum"><a name="page_208" id="page_208">{208}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_162" id="plt_162"></a><br />
+<span class="caption1">Plate 162</span>
+<br /><a href="images/plt_162.jpg">
+<img src="images/plt_162.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PLAZA DE SANTO DOMINGO ON MARKET-DAY</span></div>
+
+<p><span class="pagenum"><a name="page_209" id="page_209">{209}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_163" id="plt_163"></a><br />
+<span class="caption1">Plate 163</span>
+<br /><a href="images/plt_163.jpg">
+<img src="images/plt_163.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PASEO DEL MALECON</span></div>
+
+<p><span class="pagenum"><a name="page_210" id="page_210">{210}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_164" id="plt_164"></a><br />
+<span class="caption1">Plate 164</span>
+<br /><a href="images/plt_164.jpg">
+<img src="images/plt_164.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PLAZA DE SANTA CATALINA</span></div>
+
+<p><span class="pagenum"><a name="page_211" id="page_211">{211}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_165" id="plt_165"></a><br />
+<span class="caption1">Plate 165</span>
+<br /><a href="images/plt_165.jpg">
+<img src="images/plt_165.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PLAZA DE TOROS, NOW PLAZA DE SAN AUGUSTIN</span></div>
+
+<p><span class="pagenum"><a name="page_212" id="page_212">{212}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_166" id="plt_166"></a><br />
+<span class="caption1">Plate 166</span>
+<br /><a href="images/plt_166.jpg">
+<img src="images/plt_166.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PASEO DEL ARENAL</span></div>
+
+<p><span class="pagenum"><a name="page_213" id="page_213">{213}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_167" id="plt_167"></a><br />
+<span class="caption1">Plate 167</span>
+<br /><a href="images/plt_167.jpg">
+<img src="images/plt_167.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PLAZA DE SAN PEDRO</span></div>
+
+<p><span class="pagenum"><a name="page_214" id="page_214">{214}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_168" id="plt_168"></a><br />
+<span class="caption1">Plate 168</span>
+<br /><a href="images/plt_168.jpg">
+<img src="images/plt_168.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PASEO DE FLORIDABLANCA AND PALACE OF THE EXHIBITION</span></div>
+
+<p><span class="pagenum"><a name="page_215" id="page_215">{215}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_169" id="plt_169"></a><br />
+<span class="caption1">Plate 169</span>
+<br /><a href="images/plt_169.jpg">
+<img src="images/plt_169.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PLAZA DE SANTA ISABELLA</span></div>
+
+<p><span class="pagenum"><a name="page_216" id="page_216">{216}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_170" id="plt_170"></a><br />
+<span class="caption1">Plate 170</span>
+<br /><a href="images/plt_170.jpg">
+<img src="images/plt_170.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: CALLE DEL PUENTE</span></div>
+
+<p><span class="pagenum"><a name="page_217" id="page_217">{217}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_171" id="plt_171"></a><br />
+<span class="caption1">Plate 171</span>
+<br /><a href="images/plt_171.jpg">
+<img src="images/plt_171.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PLAZA DE LA GLORIÉTA</span></div>
+
+<p><span class="pagenum"><a name="page_218" id="page_218">{218}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_172" id="plt_172"></a><br />
+<span class="caption1">Plate 172</span>
+<br /><a href="images/plt_172.jpg">
+<img src="images/plt_172.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PLAZA DE LA GLORIÉTA</span></div>
+
+<p><span class="pagenum"><a name="page_219" id="page_219">{219}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_173" id="plt_173"></a><br />
+<span class="caption1">Plate 173</span>
+<br /><a href="images/plt_173.jpg">
+<img src="images/plt_173.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE CATHEDRAL</span></div>
+
+<p><span class="pagenum"><a name="page_220" id="page_220">{220}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_174" id="plt_174"></a><br />
+<span class="caption1">Plate 174</span>
+<br /><a href="images/plt_174.jpg">
+<img src="images/plt_174.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: GENERAL VIEW OF THE CATHEDRAL</span></div>
+
+<p><span class="pagenum"><a name="page_221" id="page_221">{221}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_175" id="plt_175"></a><br />
+<span class="caption1">Plate 175</span>
+<br /><a href="images/plt_175.jpg">
+<img src="images/plt_175.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PRINCIPAL FAÇADE OF THE CATHEDRAL</span></div>
+
+<p><span class="pagenum"><a name="page_222" id="page_222">{222}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_176" id="plt_176"></a><br />
+<span class="caption1">Plate 176</span>
+<br /><a href="images/plt_176.jpg">
+<img src="images/plt_176.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: TOWER OF THE CATHEDRAL</span></div>
+
+<p><span class="pagenum"><a name="page_223" id="page_223">{223}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_177" id="plt_177"></a><br />
+<span class="caption1">Plate 177</span>
+<br /><a href="images/plt_177.jpg">
+<img src="images/plt_177.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: SIDE DOOR OF THE CATHEDRAL</span></div>
+
+<p><span class="pagenum"><a name="page_224" id="page_224">{224}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_178" id="plt_178"></a><br />
+<span class="caption1">Plate 178</span>
+<br /><a href="images/plt_178.jpg">
+<img src="images/plt_178.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: GATE OF THE APOSTLES</span></div>
+
+<p><span class="pagenum"><a name="page_225" id="page_225">{225}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_179" id="plt_179"></a><br />
+<span class="caption1">Plate 179</span>
+<br /><a href="images/plt_179.jpg">
+<img src="images/plt_179.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: CHAPEL OF THE MARQUÉS DE LOS VELEZ</span></div>
+
+<p><span class="pagenum"><a name="page_226" id="page_226">{226}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_180" id="plt_180"></a><br />
+<span class="caption1">Plate 180</span>
+<br /><a href="images/plt_180.jpg">
+<img src="images/plt_180.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: DETAIL OF THE FAÇADE</span></div>
+
+<p><span class="pagenum"><a name="page_227" id="page_227">{227}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_181" id="plt_181"></a><br />
+<span class="caption1">Plate 181</span>
+<br /><a href="images/plt_181.jpg">
+<img src="images/plt_181.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: DETAIL OF THE CATHEDRAL</span></div>
+
+<p><span class="pagenum"><a name="page_228" id="page_228">{228}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_182" id="plt_182"></a><br />
+<span class="caption1">Plate 182</span>
+<br /><a href="images/plt_182.jpg">
+<img src="images/plt_182.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: WINDOW OF THE BELFRY</span></div>
+
+<p><span class="pagenum"><a name="page_229" id="page_229">{229}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_183" id="plt_183"></a><br />
+<span class="caption1">Plate 183</span>
+<br /><a href="images/plt_183.jpg">
+<img src="images/plt_183.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: PRINCIPAL NAVE</span></div>
+
+<p><span class="pagenum"><a name="page_230" id="page_230">{230}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_184" id="plt_184"></a><br />
+<span class="caption1">Plate 184</span>
+<br /><a href="images/plt_184.jpg">
+<img src="images/plt_184.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: LATERAL NAVE</span></div>
+
+<p><span class="pagenum"><a name="page_231" id="page_231">{231}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_185" id="plt_185"></a><br />
+<span class="caption1">Plate 185</span>
+<br /><a href="images/plt_185.jpg">
+<img src="images/plt_185.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: BEHIND THE CHOIR</span></div>
+
+<p><span class="pagenum"><a name="page_232" id="page_232">{232}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_186" id="plt_186"></a><br />
+<span class="caption1">Plate 186</span>
+<br /><a href="images/plt_186.jpg">
+<img src="images/plt_186.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: ENTRANCE TO THE CHAPEL OF THE MARQUÉS DE LOS VELEZ</span></div>
+
+<p><span class="pagenum"><a name="page_233" id="page_233">{233}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_187" id="plt_187"></a><br />
+<span class="caption1">Plate 187</span>
+<br /><a href="images/plt_187.jpg">
+<img src="images/plt_187.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: CHAPEL OF THE MARQUÉS DE LOS VELEZ</span></div>
+
+<p><span class="pagenum"><a name="page_234" id="page_234">{234}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_188" id="plt_188"></a><br />
+<span class="caption1">Plate 188</span>
+<br /><a href="images/plt_188.jpg">
+<img src="images/plt_188.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: THE HIGH ALTAR</span></div>
+
+<p><span class="pagenum"><a name="page_235" id="page_235">{235}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_189" id="plt_189"></a><br />
+<span class="caption1">Plate 189</span>
+<br /><a href="images/plt_189.jpg">
+<img src="images/plt_189.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: THE HIGH ALTAR</span></div>
+
+<p><span class="pagenum"><a name="page_236" id="page_236">{236}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_190" id="plt_190"></a><br />
+<span class="caption1">Plate 190</span>
+<br /><a href="images/plt_190.jpg">
+<img src="images/plt_190.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: GENERAL VIEW OF THE CHOIR</span></div>
+
+<p><span class="pagenum"><a name="page_237" id="page_237">{237}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_191" id="plt_191"></a><br />
+<span class="caption1">Plate 191</span>
+<br /><a href="images/plt_191.jpg">
+<img src="images/plt_191.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: THE BISHOP’S THRONE, IN THE CHOIR</span></div>
+
+<p><span class="pagenum"><a name="page_238" id="page_238">{238}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_192" id="plt_192"></a><br />
+<span class="caption1">Plate 192</span>
+<br /><a href="images/plt_192.jpg">
+<img src="images/plt_192.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: DETAIL OF THE CHOIR STALLS</span></div>
+
+<p><span class="pagenum"><a name="page_239" id="page_239">{239}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_193" id="plt_193"></a><br />
+<span class="caption1">Plate 193</span>
+<br /><a href="images/plt_193.jpg">
+<img src="images/plt_193.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: DETAIL OF THE CHOIR STALLS</span></div>
+
+<p><span class="pagenum"><a name="page_240" id="page_240">{240}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_194" id="plt_194"></a><br />
+<span class="caption1">Plate 194</span>
+<br /><a href="images/plt_194.jpg">
+<img src="images/plt_194.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: THE SACRISTY</span></div>
+
+<p><span class="pagenum"><a name="page_241" id="page_241">{241}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_195" id="plt_195"></a><br />
+<span class="caption1">Plate 195</span>
+<br /><a href="images/plt_195.jpg">
+<img src="images/plt_195.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: TOMB OF ALFONSO THE WISE</span></div>
+
+<p><span class="pagenum"><a name="page_242" id="page_242">{242}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_196" id="plt_196"></a><br />
+<span class="caption1">Plate 196</span>
+<br /><a href="images/plt_196.jpg">
+<img src="images/plt_196.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: CHURCH OF SANTO DOMINGO</span></div>
+
+<p><span class="pagenum"><a name="page_243" id="page_243">{243}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_197" id="plt_197"></a><br />
+<span class="caption1">Plate 197</span>
+<br /><a href="images/plt_197.jpg">
+<img src="images/plt_197.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: CHURCH OF SANTO DOMINGO</span></div>
+
+<p><span class="pagenum"><a name="page_244" id="page_244">{244}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_198" id="plt_198"></a><br />
+<span class="caption1">Plate 198</span>
+<br /><a href="images/plt_198.jpg">
+<img src="images/plt_198.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: CHURCH OF SAN BARTOLOMÉ</span></div>
+
+<p><span class="pagenum"><a name="page_245" id="page_245">{245}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_199" id="plt_199"></a><br />
+<span class="caption1">Plate 199</span>
+<br /><a href="images/plt_199.jpg">
+<img src="images/plt_199.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: FAÇADE OF THE CONVENT DE LA MISERICORDIA</span></div>
+
+<p><span class="pagenum"><a name="page_246" id="page_246">{246}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_200" id="plt_200"></a><br />
+<span class="caption1">Plate 200</span>
+<br /><a href="images/plt_200.jpg">
+<img src="images/plt_200.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PALACE OF THE MARQUÉS DE VILLAFRANCA DE LOS VELEZ AND CONVENT OF SANTA CLARA</span></div>
+
+<p><span class="pagenum"><a name="page_247" id="page_247">{247}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_201" id="plt_201"></a><br />
+<span class="caption1">Plate 201</span>
+<br /><a href="images/plt_201.jpg">
+<img src="images/plt_201.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE EPISCOPAL PALACE</span></div>
+
+<p><span class="pagenum"><a name="page_248" id="page_248">{248}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_202" id="plt_202"></a><br />
+<span class="caption1">Plate 202</span>
+<br /><a href="images/plt_202.jpg">
+<img src="images/plt_202.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: CASA HUERTA DE LAS BOMBAS</span></div>
+
+<p><span class="pagenum"><a name="page_249" id="page_249">{249}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_203" id="plt_203"></a><br />
+<span class="caption1">Plate 203</span>
+<br /><a href="images/plt_203.jpg">
+<img src="images/plt_203.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PALACE OF THE MARQUÉS DE ALMODOVAR</span></div>
+
+<p><span class="pagenum"><a name="page_250" id="page_250">{250}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_204" id="plt_204"></a><br />
+<span class="caption1">Plate 204</span>
+<br /><a href="images/plt_204.jpg">
+<img src="images/plt_204.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PALACE OF THE BARON DE ALBALA</span></div>
+
+<p><span class="pagenum"><a name="page_251" id="page_251">{251}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_205" id="plt_205"></a><br />
+<span class="caption1">Plate 205</span>
+<br /><a href="images/plt_205.jpg">
+<img src="images/plt_205.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PALACE OF THE MARQUÉS DE ESPINARDO</span></div>
+
+<p><span class="pagenum"><a name="page_252" id="page_252">{252}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_206" id="plt_206"></a><br />
+<span class="caption1">Plate 206</span>
+<br /><a href="images/plt_206.jpg">
+<img src="images/plt_206.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE “CONTRASTE”</span></div>
+
+<p><span class="pagenum"><a name="page_253" id="page_253">{253}</a></span>
+</p>
+<div class="figcenter">
+<br /><a name="plt_207" id="plt_207"></a><br />
+<span class="caption1">Plate 207</span>
+<br /><a href="images/plt_207.jpg">
+<img src="images/plt_207.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: MONUMENT TO SALZILLO</span></div>
+
+<p><span class="pagenum"><a name="page_254" id="page_254">{254}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_208" id="plt_208"></a><br />
+<span class="caption1">Plate 208</span>
+<br /><a href="images/plt_208.jpg">
+<img src="images/plt_208.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: ROMAN ALTAR DEDICATED TO PEACE, FOUND IN CARTHAGENA AND MOVED IN 1594 TO THE PALACE OF THE MARQUÉS DE ESPINARDO</span></div>
+
+<p><span class="pagenum"><a name="page_255" id="page_255">{255}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_209" id="plt_209"></a><br />
+<span class="caption1">Plate 209</span>
+<br /><a href="images/plt_209.jpg">
+<img src="images/plt_209.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: HOUSE IN THE CALLE JABONERIA</span></div>
+
+<p><span class="pagenum"><a name="page_256" id="page_256">{256}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_210" id="plt_210"></a><br />
+<span class="caption1">Plate 210</span>
+<br /><a href="images/plt_210.jpg">
+<img src="images/plt_210.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: HOUSE OF THE PAINTER VILLASIS</span></div>
+
+<p><span class="pagenum"><a name="page_257" id="page_257">{257}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_211" id="plt_211"></a><br />
+<span class="caption1">Plate 211</span>
+<br /><a href="images/plt_211.jpg">
+<img src="images/plt_211.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: A BALCONY IN THE CALLE TRAPERIA</span></div>
+
+<p><span class="pagenum"><a name="page_258" id="page_258">{258}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_212" id="plt_212"></a><br />
+<span class="caption1">Plate 212</span>
+<br /><a href="images/plt_212.jpg">
+<img src="images/plt_212.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PUERTA CADENAS</span></div>
+
+<p><span class="pagenum"><a name="page_259" id="page_259">{259}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_213" id="plt_213"></a><br />
+<span class="caption1">Plate 213</span>
+<br /><a href="images/plt_213.jpg">
+<img src="images/plt_213.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: TEATRO DE ROMEA</span></div>
+
+<p><span class="pagenum"><a name="page_260" id="page_260">{260}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_214" id="plt_214"></a><br />
+<span class="caption1">Plate 214</span>
+<br /><a href="images/plt_214.jpg">
+<img src="images/plt_214.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE BULL RING</span></div>
+
+<p><span class="pagenum"><a name="page_261" id="page_261">{261}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_215" id="plt_215"></a><br />
+<span class="caption1">Plate 215</span>
+<br /><a href="images/plt_215.jpg">
+<img src="images/plt_215.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE TOWN HALL</span></div>
+
+<p><span class="pagenum"><a name="page_262" id="page_262">{262}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_216" id="plt_216"></a><br />
+<span class="caption1">Plate 216</span>
+<br /><a href="images/plt_216.jpg">
+<img src="images/plt_216.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE TOWN HALL</span></div>
+
+<p><span class="pagenum"><a name="page_263" id="page_263">{263}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_217" id="plt_217"></a><br />
+<span class="caption1">Plate 217</span>
+<br /><a href="images/plt_217.jpg">
+<img src="images/plt_217.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PROCESSION LEAVING THE CHURCH OF JESUS IN HOLY WEEK ST. VERONICA</span></div>
+
+<p><span class="pagenum"><a name="page_264" id="page_264">{264}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_218" id="plt_218"></a><br />
+<span class="caption1">Plate 218</span>
+<br /><a href="images/plt_218.jpg">
+<img src="images/plt_218.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">PROCESSION LEAVING THE CHURCH OF JESUS IN HOLY WEEK&mdash;THE
+KISS OF JUDAS</span></div>
+
+<p><span class="pagenum"><a name="page_265" id="page_265">{265}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_219" id="plt_219"></a><br />
+<span class="caption1">Plate 219</span>
+<br /><a href="images/plt_219.jpg">
+<img src="images/plt_219.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PROCESSION IN HOLY WEEK. THE GARDEN OF GETHSEMANE</span></div>
+
+<p><span class="pagenum"><a name="page_266" id="page_266">{266}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_220" id="plt_220"></a><br />
+<span class="caption1">Plate 220</span>
+<br /><a href="images/plt_220.jpg">
+<img src="images/plt_220.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PROCESSION IN HOLY WEEK. OUR LORD FALLING</span></div>
+
+<p><span class="pagenum"><a name="page_267" id="page_267">{267}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_221" id="plt_221"></a><br />
+<span class="caption1">Plate 221</span>
+<br /><a href="images/plt_221.jpg">
+<img src="images/plt_221.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PROCESSION IN HOLY WEEK. THE SCOURGING</span></div>
+
+<p><span class="pagenum"><a name="page_268" id="page_268">{268}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_222" id="plt_222"></a><br />
+<span class="caption1">Plate 222</span>
+<br /><a href="images/plt_222.jpg">
+<img src="images/plt_222.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: CHURCH OF JESUS THE LAST SUPPER, BY ZARZILLO</span></div>
+
+<p><span class="pagenum"><a name="page_269" id="page_269">{269}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_223" id="plt_223"></a><br />
+<span class="caption1">Plate 223</span>
+<br /><a href="images/plt_223.jpg">
+<img src="images/plt_223.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PILGRIMAGE OF ST. BLAS</span></div>
+
+<p><span class="pagenum"><a name="page_270" id="page_270">{270}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_224" id="plt_224"></a><br />
+<span class="caption1">Plate 224</span>
+<br /><a href="images/plt_224.jpg">
+<img src="images/plt_224.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: RUINS OF THE ARAB BATHS</span></div>
+
+<p><span class="pagenum"><a name="page_271" id="page_271">{271}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_225" id="plt_225"></a><br />
+<span class="caption1">Plate 225</span>
+<br /><a href="images/plt_225.jpg">
+<img src="images/plt_225.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: CONVENT OF SAN JERONIMO</span></div>
+
+<p><span class="pagenum"><a name="page_272" id="page_272">{272}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_226" id="plt_226"></a><br />
+<span class="caption1">Plate 226</span>
+<br /><a href="images/plt_226.jpg">
+<img src="images/plt_226.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: HERMITAGE OF THE FUENSANTA</span></div>
+
+<p><span class="pagenum"><a name="page_273" id="page_273">{273}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_227" id="plt_227"></a><br />
+<span class="caption1">Plate 227</span>
+<br /><a href="images/plt_227.jpg">
+<img src="images/plt_227.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: HERMITAGE OF THE FUENSANTA</span></div>
+
+<p><span class="pagenum"><a name="page_274" id="page_274">{274}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_228" id="plt_228"></a><br />
+<span class="caption1">Plate 228</span>
+<br /><a href="images/plt_228.jpg">
+<img src="images/plt_228.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: HERMITAGE OF THE FUENSANTA</span></div>
+
+<p><span class="pagenum"><a name="page_275" id="page_275">{275}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_229" id="plt_229"></a><br />
+<span class="caption1">Plate 229</span>
+<br /><a href="images/plt_229.jpg">
+<img src="images/plt_229.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: CASTLE OF MONTEAGUDO</span></div>
+
+<p><span class="pagenum"><a name="page_276" id="page_276">{276}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_230" id="plt_230"></a><br />
+<span class="caption1">Plate 230</span>
+<br /><a href="images/plt_230.jpg">
+<img src="images/plt_230.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PAISAJE DE LA HUERTA</span></div>
+
+<p><span class="pagenum"><a name="page_277" id="page_277">{277}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_231" id="plt_231"></a><br />
+<span class="caption1">Plate 231</span>
+<br /><a href="images/plt_231.jpg">
+<img src="images/plt_231.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PAISAJE DE LA HUERTA</span></div>
+
+<p><span class="pagenum"><a name="page_278" id="page_278">{278}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_232" id="plt_232"></a><br />
+<span class="caption1">Plate 232</span>
+<br /><a href="images/plt_232.jpg">
+<img src="images/plt_232.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PAISAJE DE LA HUERTA</span></div>
+
+<p><span class="pagenum"><a name="page_279" id="page_279">{279}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_233" id="plt_233"></a><br />
+<span class="caption1">Plate 233</span>
+<br /><a href="images/plt_233.jpg">
+<img src="images/plt_233.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: A CART LOADED WITH “TINAJAS”</span></div>
+
+<p><span class="pagenum"><a name="page_280" id="page_280">{280}</a></span>
+</p>
+<div class="figcenter">
+<br /><a name="plt_234" id="plt_234"></a><br />
+<span class="caption1">Plate 234</span>
+<br /><a href="images/plt_234.jpg">
+<img src="images/plt_234.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: HARVEST-TIME</span></div>
+
+<p><span class="pagenum"><a name="page_281" id="page_281">{281}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_235" id="plt_235"></a><br />
+<span class="caption1">Plate 235</span>
+<br /><a href="images/plt_235.jpg">
+<img src="images/plt_235.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: THE HUERTA DES CAPUCINS</span></div>
+
+<p><span class="pagenum"><a name="page_282" id="page_282">{282}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_236" id="plt_236"></a><br />
+<span class="caption1">Plate 236</span>
+<br /><a href="images/plt_236.jpg">
+<img src="images/plt_236.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: THE HUERTA DES CAPUCINS</span></div>
+
+<p><span class="pagenum"><a name="page_283" id="page_283">{283}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_237" id="plt_237"></a><br />
+<span class="caption1">Plate 237</span>
+<br /><a href="images/plt_237.jpg">
+<img src="images/plt_237.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: VIEW FROM THE HUERTA DES CAPUCINS</span></div>
+
+<p><span class="pagenum"><a name="page_284" id="page_284">{284}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_238" id="plt_238"></a><br />
+<span class="caption1">Plate 238</span>
+<br /><a href="images/plt_238.jpg">
+<img src="images/plt_238.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: THE HUERTA DES CAPUCINS, DATE-GATHERING</span></div>
+
+<p><span class="pagenum"><a name="page_285" id="page_285">{285}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_239" id="plt_239"></a><br />
+<span class="caption1">Plate 239</span>
+<br /><a href="images/plt_239.jpg">
+<img src="images/plt_239.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ORIHUELA: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_286" id="page_286">{286}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_240" id="plt_240"></a><br />
+<span class="caption1">Plate 240</span>
+<br /><a href="images/plt_240.jpg">
+<img src="images/plt_240.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ORIHUELA: GENERAL VIEW FROM THE PUERTA DE MURCIA</span></div>
+
+<p><span class="pagenum"><a name="page_287" id="page_287">{287}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_241" id="plt_241"></a><br />
+<span class="caption1">Plate 241</span>
+<br /><a href="images/plt_241.jpg">
+<img src="images/plt_241.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ORIHUELA: THE RIVER SEGURA</span></div>
+
+<p><span class="pagenum"><a name="page_288" id="page_288">{288}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_242" id="plt_242"></a><br />
+<span class="caption1">Plate 242</span>
+<br /><a href="images/plt_242.jpg">
+<img src="images/plt_242.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ORIHUELA: THE RIVER SEGURA FROM THE EAST</span></div>
+
+<p><span class="pagenum"><a name="page_289" id="page_289">{289}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_243" id="plt_243"></a><br />
+<span class="caption1">Plate 243</span>
+<br /><a href="images/plt_243.jpg">
+<img src="images/plt_243.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ORIHUELA: DOOR OF THE CHURCH OF SANTIAGO</span></div>
+
+<p><span class="pagenum"><a name="page_290" id="page_290">{290}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_244" id="plt_244"></a><br />
+<span class="caption1">Plate 244</span>
+<br /><a href="images/plt_244.jpg">
+<img src="images/plt_244.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_291" id="page_291">{291}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_245" id="plt_245"></a><br />
+<span class="caption1">Plate 245</span>
+<br /><a href="images/plt_245.jpg">
+<img src="images/plt_245.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: A PARTIAL VIEW.</span></div>
+
+<p><span class="pagenum"><a name="page_292" id="page_292">{292}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_246" id="plt_246"></a><br />
+<span class="caption1">Plate 246</span>
+<br /><a href="images/plt_246.jpg">
+<img src="images/plt_246.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM THE STATION</span></div>
+
+<p><span class="pagenum"><a name="page_293" id="page_293">{293}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_247" id="plt_247"></a><br />
+<span class="caption1">Plate 247</span>
+<br /><a href="images/plt_247.jpg">
+<img src="images/plt_247.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM THE HIGH ROAD</span></div>
+
+<p><span class="pagenum"><a name="page_294" id="page_294">{294}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_248" id="plt_248"></a><br />
+<span class="caption1">Plate 248</span>
+<br /><a href="images/plt_248.jpg">
+<img src="images/plt_248.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM QUITAPELLIJOS</span></div>
+
+<p><span class="pagenum"><a name="page_295" id="page_295">{295}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_249" id="plt_249"></a><br />
+<span class="caption1">Plate 249</span>
+<br /><a href="images/plt_249.jpg">
+<img src="images/plt_249.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM THE FORT OF ATALAYA</span></div>
+
+<p><span class="pagenum"><a name="page_296" id="page_296">{296}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_250" id="plt_250"></a><br />
+<span class="caption1">Plate 250</span>
+<br /><a href="images/plt_250.jpg">
+<img src="images/plt_250.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM THE FORT OF ATALAYA</span></div>
+
+<p><span class="pagenum"><a name="page_297" id="page_297">{297}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_251" id="plt_251"></a><br />
+<span class="caption1">Plate 251</span>
+<br /><a href="images/plt_251.jpg">
+<img src="images/plt_251.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM ST. JOSEPH’S MILL</span></div>
+
+<p><span class="pagenum"><a name="page_298" id="page_298">{298}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_252" id="plt_252"></a><br />
+<span class="caption1">Plate 252</span>
+<br /><a href="images/plt_252.jpg">
+<img src="images/plt_252.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM ST. JOSEPH’S MILL</span></div>
+
+<p><span class="pagenum"><a name="page_299" id="page_299">{299}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_253" id="plt_253"></a><br />
+<span class="caption1">Plate 253</span>
+<br /><a href="images/plt_253.jpg">
+<img src="images/plt_253.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM THE FORT OF GALERA</span></div>
+
+<p><span class="pagenum"><a name="page_300" id="page_300">{300}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_254" id="plt_254"></a><br />
+<span class="caption1">Plate 254</span>
+<br /><a href="images/plt_254.jpg">
+<img src="images/plt_254.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM THE FORT OF GALERA</span></div>
+
+<p><span class="pagenum"><a name="page_301" id="page_301">{301}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_255" id="plt_255"></a><br />
+<span class="caption1">Plate 255</span>
+<br /><a href="images/plt_255.jpg">
+<img src="images/plt_255.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW OF THE HARBOUR</span></div>
+
+<p><span class="pagenum"><a name="page_302" id="page_302">{302}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_256" id="plt_256"></a><br />
+<span class="caption1">Plate 256</span>
+<br /><a href="images/plt_256.jpg">
+<img src="images/plt_256.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: SANTA LUCIA AND THE HARBOUR</span></div>
+
+<p><span class="pagenum"><a name="page_303" id="page_303">{303}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_257" id="plt_257"></a><br />
+<span class="caption1">Plate 257</span>
+<br /><a href="images/plt_257.jpg">
+<img src="images/plt_257.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: THE HARBOUR FROM SANTA LUCIA</span></div>
+
+<p><span class="pagenum"><a name="page_304" id="page_304">{304}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_258" id="plt_258"></a><br />
+<span class="caption1">Plate 258</span>
+<br /><a href="images/plt_258.jpg">
+<img src="images/plt_258.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: THE HARBOUR FROM SANTA LUCIA</span></div>
+
+<p><span class="pagenum"><a name="page_305" id="page_305">{305}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_259" id="plt_259"></a><br />
+<span class="caption1">Plate 259</span>
+<br /><a href="images/plt_259.jpg">
+<img src="images/plt_259.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: THE HARBOUR FROM THE POWDER MAGAZINE</span></div>
+
+<p><span class="pagenum"><a name="page_306" id="page_306">{306}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_260" id="plt_260"></a><br />
+<span class="caption1">Plate 260</span>
+<br /><a href="images/plt_260.jpg">
+<img src="images/plt_260.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: THE HARBOUR FROM TRINCABATIJOS</span></div>
+
+<p><span class="pagenum"><a name="page_307" id="page_307">{307}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_261" id="plt_261"></a><br />
+<span class="caption1">Plate 261</span>
+<br /><a href="images/plt_261.jpg">
+<img src="images/plt_261.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM THE ESPLANADERO</span></div>
+
+<p><span class="pagenum"><a name="page_308" id="page_308">{308}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_262" id="plt_262"></a><br />
+<span class="caption1">Plate 262</span>
+<br /><a href="images/plt_262.jpg">
+<img src="images/plt_262.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: THE ENTRANCE TO THE HARBOUR FROM TRINCABATIJOS</span></div>
+
+<p><span class="pagenum"><a name="page_309" id="page_309">{309}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_263" id="plt_263"></a><br />
+<span class="caption1">Plate 263</span>
+<br /><a href="images/plt_263.jpg">
+<img src="images/plt_263.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: THE BREAKWATER</span></div>
+
+<p><span class="pagenum"><a name="page_310" id="page_310">{310}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_264" id="plt_264"></a><br />
+<span class="caption1">Plate 264</span>
+<br /><a href="images/plt_264.jpg">
+<img src="images/plt_264.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: ENTRANCE TO THE HARBOUR</span></div>
+
+<p><span class="pagenum"><a name="page_311" id="page_311">{311}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_265" id="plt_265"></a><br />
+<span class="caption1">Plate 265</span>
+<br /><a href="images/plt_265.jpg">
+<img src="images/plt_265.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: ENTRANCE TO THE ARSENAL</span></div>
+
+<p><span class="pagenum"><a name="page_312" id="page_312">{312}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_266" id="plt_266"></a><br />
+<span class="caption1">Plate 266</span>
+<br /><a href="images/plt_266.jpg">
+<img src="images/plt_266.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: PUERTA DEL MAR</span></div>
+
+<p><span class="pagenum"><a name="page_313" id="page_313">{313}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_267" id="plt_267"></a><br />
+<span class="caption1">Plate 267</span>
+<br /><a href="images/plt_267.jpg">
+<img src="images/plt_267.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: PUERTA DE MURCIA</span></div>
+
+<p><span class="pagenum"><a name="page_314" id="page_314">{314}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_268" id="plt_268"></a><br />
+<span class="caption1">Plate 268</span>
+<br /><a href="images/plt_268.jpg">
+<img src="images/plt_268.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: PLAZA DE LAS MONJAS</span></div>
+
+<p><span class="pagenum"><a name="page_315" id="page_315">{315}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_269" id="plt_269"></a><br />
+<span class="caption1">Plate 269</span>
+<br /><a href="images/plt_269.jpg">
+<img src="images/plt_269.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: THE MARINE COLLEGE</span></div>
+
+<p><span class="pagenum"><a name="page_316" id="page_316">{316}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_270" id="plt_270"></a><br />
+<span class="caption1">Plate 270</span>
+<br /><a href="images/plt_270.jpg">
+<img src="images/plt_270.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: THE BULL-RING</span></div>
+
+<p><span class="pagenum"><a name="page_317" id="page_317">{317}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_271" id="plt_271"></a><br />
+<span class="caption1">Plate 271</span>
+<br /><a href="images/plt_271.jpg">
+<img src="images/plt_271.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ARCHENA: THE BATHS, FROM LA SIERRA DE VERDELENA</span></div>
+
+<p><span class="pagenum"><a name="page_318" id="page_318">{318}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_272" id="plt_272"></a><br />
+<span class="caption1">Plate 272</span>
+<br /><a href="images/plt_272.jpg">
+<img src="images/plt_272.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ARCHENA: GENERAL VIEW OF THE BATHS FROM THE WEST</span></div>
+
+<p><span class="pagenum"><a name="page_319" id="page_319">{319}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_273" id="plt_273"></a><br />
+<span class="caption1">Plate 273</span>
+<br /><a href="images/plt_273.jpg">
+<img src="images/plt_273.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ARCHENA: GENERAL VIEW OF THE BATHS AT THE ENTRANCE TO THE VILLAGE</span></div>
+
+<p><span class="pagenum"><a name="page_320" id="page_320">{320}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_274" id="plt_274"></a><br />
+<span class="caption1">Plate 274</span>
+<br /><a href="images/plt_274.jpg">
+<img src="images/plt_274.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ARCHENA: ENTRANCE TO THE BATHS</span></div>
+
+<p><span class="pagenum"><a name="page_321" id="page_321">{321}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_275" id="plt_275"></a><br />
+<span class="caption1">Plate 275</span>
+<br /><a href="images/plt_275.jpg">
+<img src="images/plt_275.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ARCHENA: THE CARRETERA AND RIVER SEGURA</span></div>
+
+<p><span class="pagenum"><a name="page_322" id="page_322">{322}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_276" id="plt_276"></a><br />
+<span class="caption1">Plate 276</span>
+<br /><a href="images/plt_276.jpg">
+<img src="images/plt_276.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ARCHENA: VIEW OF THE CHURCH</span></div>
+
+<p><span class="pagenum"><a name="page_323" id="page_323">{323}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_277" id="plt_277"></a><br />
+<span class="caption1">Plate 277</span>
+<br /><a href="images/plt_277.jpg">
+<img src="images/plt_277.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ARCHENA: INTERIOR OF THE CHURCH</span></div>
+
+<p><span class="pagenum"><a name="page_324" id="page_324">{324}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_278" id="plt_278"></a><br />
+<span class="caption1">Plate 278</span>
+<br /><a href="images/plt_278.jpg">
+<img src="images/plt_278.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ARCHENA: THE CHURCH: ALTAR OF THE “VIRGEN DE LA SALUD”
+</span></div>
+
+<p><span class="pagenum"><a name="page_325" id="page_325">{325}</a></span></p>
+
+<div class="figcenter">
+<br /><a name="plt_279" id="plt_279"></a><br />
+<span class="caption1">Plate 279</span>
+<br /><a href="images/plt_279.jpg">
+<img src="images/plt_279.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF ARCHENA: VIEW OF VILLANUEVA</span></div>
+
+<p><span class="pagenum"><a name="page_326" id="page_326">{326}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_280" id="plt_280"></a><br />
+<span class="caption1">Plate 280</span>
+<br /><a href="images/plt_280.jpg">
+<img src="images/plt_280.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF ARCHENA: VIEW OF BLANCA FROM THE SALTO DEL PALOMO</span></div>
+
+<p><span class="pagenum"><a name="page_327" id="page_327">{327}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_281" id="plt_281"></a><br />
+<span class="caption1">Plate 281</span>
+<br /><a href="images/plt_281.jpg">
+<img src="images/plt_281.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF ARCHENA: VIEW OF BLANCA FROM BUJAMENTE</span></div>
+
+<p><span class="pagenum"><a name="page_328" id="page_328">{328}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_282" id="plt_282"></a><br />
+<span class="caption1">Plate 282</span>
+<br /><a href="images/plt_282.jpg">
+<img src="images/plt_282.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF ARCHENA: VILLAGE AND GARDENS OF ULEA FROM VILLANUEVA</span></div>
+
+<p><span class="pagenum"><a name="page_329" id="page_329">{329}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_283" id="plt_283"></a><br />
+<span class="caption1">Plate 283</span>
+<br /><a href="images/plt_283.jpg">
+<img src="images/plt_283.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF ARCHENA: VILLAGE AND GARDENS OF ULEA, EAST SIDE</span></div>
+
+<p><span class="pagenum"><a name="page_330" id="page_330">{330}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_284" id="plt_284"></a><br />
+<span class="caption1">Plate 284</span>
+<br /><a href="images/plt_284.jpg">
+<img src="images/plt_284.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF ARCHENA: VILLAGE OF OJOS AND MOUNTAINS</span></div>
+
+<p><span class="pagenum"><a name="page_331" id="page_331">{331}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_285" id="plt_285"></a><br />
+<span class="caption1">Plate 285</span>
+<br /><a href="images/plt_285.jpg">
+<img src="images/plt_285.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF ARCHENA: THE GARDENS OF OJOS, FROM THE LOVERS’ LEAP</span></div>
+
+<p><span class="pagenum"><a name="page_332" id="page_332">{332}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_286" id="plt_286"></a><br />
+<span class="caption1">Plate 286</span>
+<br /><a href="images/plt_286.jpg">
+<img src="images/plt_286.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF ARCHENA: THE LOVERS’ LEAP</span></div>
+
+<p><span class="pagenum"><a name="page_333" id="page_333">{333}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_287" id="plt_287"></a><br />
+<span class="caption1">Plate 287</span>
+<br /><a href="images/plt_287.jpg">
+<img src="images/plt_287.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">LORCA: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_334" id="page_334">{334}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_288" id="plt_288"></a><br />
+<span class="caption1">Plate 288</span>
+<br /><a href="images/plt_288.jpg">
+<img src="images/plt_288.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">LORCA: VIEW FROM THE RAILWAY STATION</span></div>
+
+<hr class="full" />
+
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 63136 ***</div>
+</body>
+</html>
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+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
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+status under the laws that apply to them.
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+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #63136 (https://www.gutenberg.org/ebooks/63136)
diff --git a/old/63136-0.txt b/old/63136-0.txt
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+The Project Gutenberg EBook of Valencia and Murcia, by Albert F. Calvert
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org/license
+
+
+Title: Valencia and Murcia
+
+Author: Albert F. Calvert
+
+Release Date: September 6, 2020 [EBook #63136]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK VALENCIA AND MURCIA ***
+
+
+
+
+Produced by Chuck Greif and the Online Distributed
+Proofreading Team at http://www.pgdp.net (This file was
+produced from images available at The Internet Archive)
+
+
+
+
+
+
+
+
+
+                          THE SPANISH SERIES
+
+
+                          VALENCIA AND MURCIA
+
+
+
+
+                          THE SPANISH SERIES
+
+                     _EDITED BY ALBERT F. CALVERT_
+
+
+                      GOYA
+                      TOLEDO
+                      MADRID
+                      SEVILLE
+                      MURILLO
+                      CORDOVA
+                      EL GRECO
+                      VELAZQUEZ
+                      THE PRADO
+                      THE ESCORIAL
+                      VALENCIA AND MURCIA
+                      SCULPTURE IN SPAIN
+                      ROYAL PALACES OF SPAIN
+                      GRANADA AND ALHAMBRA
+                      SPANISH ARMS AND ARMOUR
+                      LEON, BURGOS AND SALAMANCA
+                      CATALONIA AND THE BALEARIC ISLES
+                      VALLADOLID, OVIEDO, SEGOVIA,
+                         ZAMORA, AVILA AND ZARAGOZA
+
+
+
+
+                               VALENCIA
+                              AND MURCIA
+                       A GLANCE AT AFRICAN SPAIN
+                           BY A. F. CALVERT
+                            WITH 288 PLATES
+
+
+                  LONDON: JOHN LANE, THE BODLEY HEAD
+                  NEW YORK: JOHN LANE COMPANY: MCMXI
+
+
+
+
+      THE BALLANTYNE PRESS TAVISTOCK STREET COVENT GARDEN LONDON
+
+
+
+
+CONTENTS
+
+
+                                                                    PAGE
+
+THE OLD KINGDOM OF VALENCIA                                            1
+
+SAGUNTUM AND CASTELLON                                                26
+
+THE KINGDOM OF MURCIA                                                 33
+
+
+
+
+LIST OF ILLUSTRATIONS
+
+
+VALENCIA
+
+TITLE                                                              PLATE
+
+General View                                                           1
+
+General View, looking South                                            2
+
+View from the Puente del Mar                                           3
+
+General View                                                           4
+
+View from the Puente del Mar                                           5
+
+Entrance to the Town by the Puerta de Santa Lucia                      6
+
+The Fair at the Puerta de Santa Lucia                                  7
+
+Puerta de Serranos                                                     8
+
+Puerta de Cuarte                                                       9
+
+The Market-Place                                                      10
+
+The Puente Real                                                       11
+
+Paseo de la Glorieta                                                  12
+
+Paseo de la Glorieta                                                  13
+
+Paseo de la Alameda                                                   14
+
+Fountain of the Alameda                                               15
+
+Plaza de la Aduana                                                    16
+
+Plaza de Santo Domingo                                                17
+
+Plaza de San Francisco                                                18
+
+Plaza de Tétuan                                                       19
+
+Plaza de la Constitucion                                              20
+
+Calle de la Bajada de San Francisco                                   21
+
+Calle de San Vicente                                                  22
+
+Tros Alt                                                              23
+
+Calle de la Bolseria y Tros Alt                                       24
+
+General View of the Cathedral                                         25
+
+The Cathedral: Gate of the Apostles                                   26
+
+The Cathedral: Puerta del Palau                                       27
+
+The Cathedral: A Door                                                 28
+
+The Temple                                                            29
+
+The Miguelete                                                         30
+
+Church of Santa Catalina                                              31
+
+Church of Santa Catalina                                              32
+
+Church of Los Santos Juanes                                           33
+
+Façade of San Miguel el Real                                          34
+
+Church of Santa Cruz                                                  35
+
+Church of Santa Cruz                                                  36
+
+Entrance to the Church of San Andrés                                  37
+
+The Campo-Santo                                                       38
+
+The Campo-Santo                                                       39
+
+The Campo-Santo                                                       40
+
+The Audiencia, old Palace of the Cortes                               41
+
+Royal Hall in the Audiencia, upper part                               42
+
+Royal Hall in the Audiencia, lower part                               43
+
+Interior Door of the Audiencia                                        44
+
+The Exchange                                                          45
+
+The Exchange: Detail of the Gallery                                   46
+
+Interior of the Exchange                                              47
+
+Interior Door of the Exchange                                         48
+
+Colegio del Patriarca                                                 49
+
+Courtyard in the Colegio del Patriarca                                50
+
+Courtyard of the University                                           51
+
+Entrance to the Civil Hospital                                        52
+
+Gate of Mosen S’Orrell                                                53
+
+The Custom-House                                                      54
+
+The Archbishop’s Palace                                               55
+
+The Bull-Ring                                                         56
+
+Tobacco Factory                                                       57
+
+A Private House                                                       58
+
+Statue of King Jaime                                                  59
+
+Statue of Ribera                                                      60
+
+Statue of St Christopher                                              61
+
+Palace of the Marqués de Dos Aguas                                    62
+
+Palace of the Marqués de Dos Aguas                                    63
+
+Portal of the Palace of the Marqués de Dos Aguas                      64
+
+Palace of the Marqués de Ripalda                                      65
+
+General View of Grao                                                  66
+
+Grao Harbour                                                          67
+
+Grao Harbour                                                          68
+
+Grao Harbour                                                          69
+
+Camino del Grao: Hermitage of Ave Maria                               70
+
+A “Tartana,” or Char-à-banc                                           71
+
+Peasants                                                              72
+
+Peasants                                                              73
+
+Peasants                                                              74
+
+Types of Women                                                        75
+
+“Tribunal des Eaux”                                                   76
+
+Barbers on the Bridge of Serranos                                     77
+
+Zigzag of the Cabrillas                                               78
+
+A Road in Cabañal                                                     79
+
+A Road in Cabañal                                                     80
+
+The Shores of the Mediterranean                                       81
+
+The Shores of the Mediterranean                                       82
+
+
+MURVIEDRO
+
+General View                                                          83
+
+General View                                                          84
+
+View from the Station                                                 85
+
+View from the Castle                                                  86
+
+The Castle and Town                                                   87
+
+The Castle                                                            88
+
+The Castle from one of the Courts                                     89
+
+Entrance to the Castle                                                90
+
+General View of the Roman Amphitheatre                                91
+
+General View of the Roman Amphitheatre                                92
+
+The Roman Amphitheatre                                                93
+
+Interior of the Roman Amphitheatre                                    94
+
+Principal Gate of the Roman Amphitheatre                              95
+
+Entrance to the Roman Amphitheatre                                    96
+
+Entrance to the Roman Amphitheatre                                    97
+
+JATIVA
+
+General View                                                          98
+
+View from the Station                                                 99
+
+The Civil Hospital                                                   100
+
+
+ALICANTE
+
+General View                                                         101
+
+The Castle                                                           102
+
+View from the Castle                                                 103
+
+The Breakwater                                                       104
+
+General View                                                         105
+
+General View                                                         106
+
+General View                                                         107
+
+Paseo de los Martires                                                108
+
+Paseo de los Martires                                                109
+
+Paseo de los Martires                                                110
+
+Paseo de los Martires                                                111
+
+Paseo de Nuñez                                                       112
+
+The Town Hall                                                        113
+
+The Town Hall                                                        113
+
+Monument to Quijano                                                  115
+
+The Bull-Ring                                                        116
+
+
+ELCHE
+
+General View                                                         117
+
+General View                                                         118
+
+General View                                                         119
+
+View of the Town                                                     120
+
+Plaza Mayor                                                          121
+
+View from the Station                                                122
+
+The Road to Alicante                                                 123
+
+The Road from Alicante                                               124
+
+The Town Hall                                                        125
+
+Church of San Juan                                                   126
+
+Bridge over the Rambla de Elche                                      127
+
+View from the Railway Bridge                                         128
+
+The Canal                                                            129
+
+Washing Linen in the Canal                                           130
+
+A Canal                                                              131
+
+Tower of Rapsamblanc, belonging to the Conde de
+Luna                                                                 132
+
+Castle of the Duque de Altamira, now a Prison                        133
+
+Mill and Castle of the Duque de Altamira                             134
+
+Castle of the Duque de Altamira                                      135
+
+Castle and Mill                                                      136
+
+Palms                                                                137
+
+Country Spinners                                                     138
+
+Casa de la Huerta                                                    139
+
+A Country Road                                                       140
+
+A Country House                                                      141
+
+A Country House                                                      142
+
+A Famous Palm                                                        143
+
+A Palm celebrated for its Resemblance to a Column                    144
+
+Palm Groves                                                          145
+
+A Road                                                               146
+
+
+SAX
+
+General View                                                         147
+
+
+MURCIA
+
+General View                                                         148
+
+View from the Tower of the Cathedral, towards the
+South                                                                149
+
+View of the Town                                                     150
+
+General View of the Town                                             151
+
+General View of the Town                                             152
+
+General View of the Town                                             153
+
+General View                                                         154
+
+The Bridge                                                           155
+
+The River                                                            156
+
+The Bridge over the Segura                                           157
+
+The River Segura                                                     158
+
+The Fair                                                             159
+
+The Fair                                                             160
+
+The Market-Place                                                     161
+
+Plaza de Santo Domingo on Market-Day                                 162
+
+Paseo del Malecon                                                    163
+
+Plaza de Santa Catalina                                              164
+
+Plaza de Toros, now Plaza de San Agustin                             165
+
+Paseo del Arenal                                                     166
+
+Plaza de San Pedro                                                   167
+
+Paseo de Floridablanca and Palace of the Exhibition                  168
+
+Plaza de Santa Isabella                                              169
+
+Calle del Puente                                                     170
+
+Plaza de la Gloriéta                                                 171
+
+Plaza de la Gloriéta                                                 172
+
+The Cathedral                                                        173
+
+General View of the Cathedral                                        174
+
+Principal Façade of the Cathedral                                    175
+
+Tower of the Cathedral                                               176
+
+Side Door of the Cathedral                                           177
+
+The Cathedral: Gate of the Apostles                                  178
+
+The Cathedral: Chapel of the Marqués de los Velez                    179
+
+The Cathedral: Detail of the Façade                                  180
+
+Detail of the Cathedral                                              181
+
+The Cathedral: Window of the Belfry                                  182
+
+The Cathedral: Principal Nave                                        183
+
+The Cathedral: Lateral Nave                                          184
+
+The Cathedral: Behind the Choir                                      185
+
+The Cathedral: Entrance to the Chapel of the Marqués
+de los Velez                                                         186
+
+The Cathedral: Chapel of the Marqués de los Velez                    187
+
+The Cathedral: The High Altar                                        188
+
+The Cathedral: The High Altar                                        189
+
+The Cathedral: General View of the Choir                             190
+
+The Cathedral: The Bishop’s Throne, in the Choir                     191
+
+The Cathedral: Detail of the Choir Stalls                            192
+
+The Cathedral: Detail of the Choir Stalls                            193
+
+The Cathedral: The Sacristy                                          194
+
+The Cathedral: Tomb of Alfonso the Wise                              195
+
+Church of Santo Domingo                                              196
+
+Church of Santo Domingo                                              197
+
+Church of San Bartolomé                                              198
+
+Façade of the Convent de la Misericordia                             199
+
+Palace of the Marqués de Villafranca de los Velez, and
+Convent of Santa Clara                                               200
+
+The Episcopal Palace                                                 201
+
+Casa Huerta de las Bombas                                            202
+
+Palace of the Marqués de Almodovar                                   203
+
+Palace of the Baron de Albalá                                        204
+
+Palace of the Marqués de Espinardo                                   205
+
+The “Contraste”                                                      206
+
+Monument to Salzillo                                                 207
+
+Roman Altar dedicated to Peace, found in Carthagena
+and moved in 1594 to the Palace of the Marqués de
+Espinardo                                                            208
+
+House in the Calle Jaboneria                                         209
+
+House of the Painter Villasis                                        210
+
+A Balcony in the Calle Traperia                                      211
+
+Puerta Cadenas                                                       212
+
+Teatro de Romea                                                      213
+
+The Bull-Ring                                                        214
+
+The Town Hall                                                        215
+
+The Town Hall                                                        216
+
+Procession leaving the Church of Jesus in Holy Week--St.
+Veronica                                                             217
+
+Procession leaving the Church of Jesus in Holy Week--The
+Kiss of Judas                                                        218
+
+Procession in Holy Week. The Garden of Gethsemane                    219
+
+Procession in Holy Week. Our Lord Falling                            220
+
+Procession in Holy Week. The Scourging                               221
+
+Church of Jesus. The Last Supper, by Zarzillo                        222
+
+Pilgrimage of St. Blas                                               223
+
+Ruins of the Arab Baths                                              224
+
+Environs of Murcia: Convent of San Jeronimo                          225
+
+Environs of Murcia: Hermitage of the Fuensanta                       226
+
+Environs of Murcia: Hermitage of the Fuensanta                       227
+
+Environs of Murcia: Hermitage of the Fuensanta                       228
+
+Environs of Murcia: Castle of Monteagudo                             229
+
+Paisaje de la Huerta                                                 230
+
+Paisaje de la Huerta                                                 231
+
+Paisaje de la Huerta                                                 232
+
+A Cart Loaded with “Tinajas”                                         233
+
+Harvest-Time                                                         234
+
+Environs of Murcia: The Huerta des Capucins                          235
+
+Environs of Murcia: The Huerta des Capucins                          236
+
+Environs of Murcia: View from the Huerta des
+Capucins                                                             237
+
+Environs of Murcia: The Huerta des Capucins--Date-Gathering          238
+
+
+ORIHUELA
+
+General View                                                         239
+
+General View from the Puerta de Murcia                               240
+
+The River Segura                                                     241
+
+The River Segura from the East                                       242
+
+Door of the Church of Santiago                                       243
+
+
+CARTHAGENA
+
+General View                                                         244
+
+A Partial View                                                       245
+
+View from the Station                                                246
+
+View from the High Road                                              247
+
+View from Quitapellijos                                              248
+
+View from the Fort of Atalaya                                        249
+
+View from the Fort of Atalaya                                        250
+
+View from St. Joseph’s Mill                                          251
+
+View from St. Joseph’s Mill                                          252
+
+View from the Fort of Galera                                         253
+
+View from the Fort of Galera                                         254
+
+View of the Harbour                                                  255
+
+Santa Lucia and the Harbour                                          256
+
+The Harbour from Santa Lucia                                         257
+
+The Harbour from Santa Lucia                                         258
+
+The Harbour from the Powder Magazine                                 259
+
+The Harbour from Trincabatijos                                       260
+
+View from the Esplanadero                                            261
+
+The Entrance to the Harbour from Trincabatijos                       262
+
+The Breakwater                                                       263
+
+Entrance to the Harbour                                              264
+
+Entrance to the Arsenal                                              265
+
+Puerta del Mar                                                       266
+
+Puerta de Murcia                                                     267
+
+Plaza de las Monjas                                                  268
+
+The Marine College                                                   269
+
+The Bull-Ring                                                        270
+
+
+ARCHENA
+
+The Baths, from La Sierra de Verdelena                               271
+
+General View of the Baths from the West                              272
+
+General View of the Baths at the Entrance to the
+Village                                                              273
+
+Entrance to the Baths                                                274
+
+The Carretera and River Segura                                       275
+
+View of the Church                                                   276
+
+Interior of the Church                                               277
+
+The Church: Altar of the “Virgen de la Salud”                        278
+
+Environs of Archena: View of Villanueva                              279
+
+Environs of Archena: View of Blanca from the Salto del
+Palomo                                                               280
+
+Environs of Archena: View of Blanca from Bujamente                   281
+
+Environs of Archena: Village and Gardens of Ulea
+from Villanueva                                                      282
+
+Environs of Archena: Village and Gardens of Ulea,
+East Side                                                            283
+
+Environs of Archena: Village of Ojos and Mountains                   284
+
+Environs of Archena: The Gardens of Ojos, from the
+Lovers’ Leap                                                         285
+
+Environs of Archena: The Lovers’ Leap                                286
+
+
+LORCA
+
+General View                                                         287
+
+View from the Railway Station                                        288
+
+
+
+
+VALENCIA & MURCIA
+
+
+
+
+THE OLD KINGDOM OF VALENCIA
+
+
+Shut in between the barren range of the Sierra Molina on the north, and
+the arid plains of Murcia to the south, the ancient Kingdom of Valencia
+is one of the regions of Spain least visited by the tourist. And yet, a
+flowering and fruitful Eden, it lies beneath a burning sun, its waters
+trained in obedience to the hand of man. It puts forth a vegetation of
+tropical luxuriance. Demeter has blessed the land. Under the soft
+caressing winds that sweep up from the Mediterranean the soil yields
+four or five crops in the year to the industry of the peasant. And if at
+times the dreaded sirocco, charged with poisonous vapours from the
+Albufera, lays the country prostrate--well, for every Paradise was
+devised a snake!
+
+The people of the province, with the exception of those of Orihuela,
+speak that variety of the Romance which I may call Catalan, and which,
+with local modification, is common all along the eastern coast of Spain
+from the mouth of the Segura to the frontier of Rousillon. Limousin, as
+it is sometimes called, is not a mere dialect, but a quite distinct
+language, a survival of the old _Langue d’oc_. Probably it was spoken by
+those Romanised Spaniards who were driven north of the Pyrenees by the
+Arabic invasion. It would be restored by them when they reconquered this
+portion of their old territory. The Christian population, before
+Valencia was recovered by Jaime el Conqueridor of Aragon, spoke
+Castilian or a tongue akin to it. But the Catalan of the new rulers was
+stronger, and soon swept aside the common speech of the people.
+Curiously enough, this same Catalan was not the language used in Aragon
+itself, a fact which no doubt had a strong determining influence in the
+choice of Castilian at the time of the unification of the two kingdoms.
+Why Orihuela alone clung to its old Castilian tongue in despite of the
+Conqueror is not clear, unless it was owing merely to the proximity of
+Murcia.
+
+In character the Valencians are superstitious, revengeful, relentless in
+hate. “Ni olvido ni perdono” is their motto. They love the colour and
+joy of life. Dancing and love-making are their chief delights. And yet
+they are a laborious race. But their white, rather flabby appearance
+proclaims them lacking in backbone and initiative. “Flesh is grass, and
+grass is water. The men are women, the women--nothing!” says their own
+proverb.
+
+The fertile huerta has found its novelist in Blasco Ibañez, a native of
+Valencia, who has beautifully described the languid life of the
+province. A translation must necessarily lack the force and elegance of
+the master’s style, but the following passages will at least enable the
+reader to picture a summer in the south:
+
+“When the vast plain awakes in the bluish light of dawn, the last of the
+nightingales that have sung through the night breaks off abruptly in his
+final trill, as though he had been stricken by the steely shaft of day.
+Sparrows in whole coveys burst forth from the thatched roofs, and
+beneath this aerial rabble preening their wings the trees shake and nod.
+
+“One by one the murmurs of the night subside; the trickling of the
+water-courses, the sighing of the reeds, the barking of the watchful
+dogs, other sounds belonging to the day, grow louder and fill the
+huerta, the crow of the cock is heard from every farm, and the village
+bells proclaim the call to prayer borne across from the towers of
+Valencia, which are yet misty in the distance. From the farmyards arises
+a discordant animal concert--the neighing of horses, the bellowing of
+oxen, the clucking of hens, the bleating of lambs, the grunting of
+swine--the sounds produced by beasts that scent the keen odour of
+vegetation in the morning breeze and are hungry for the fields.
+
+“The sky is suffused with light, and with light life inundates the plain
+and penetrates to the interior of human and animal abodes. Doors open
+creaking. In the porches white figures appear, their hands clasped
+behind their necks, scanning the horizon. From the stables issue towards
+the city milch cows, herds of goats, manure-carts. Bells tinkle between
+the dwarf trees bordering the high road, and every now and again is
+heard the sharp “Arre, Aca” of the drivers.
+
+“On the thresholds of the cottages those bound for the town exchange
+greetings with those who stay in the fields. ‘Bon dia nos done Deu!’
+[May God give us a good day!] ‘Bon Dia.’
+
+“Immense is the energy, the explosion of life at midsummer, the best
+season of the year, the time of harvest and abundance. Space throbs with
+light and heat. The African sun rains torrents of fire on the land
+already crackled and wrinkled by its burning caresses, and its golden
+beams pierce the dense foliage, beneath which are hidden the canals and
+trenches to save them from the all-powerful vivifying heat.
+
+“The branches of the trees are heavy with fruit. They bend beneath the
+weight of yellow grapes covered with glazed leaves. Like the pink
+cheeks of a child grow the apricots amid the verdure. Children greedily
+eye the luxurious burden of the fig-trees. From the gardens is wafted
+the scent of jasmin, and the magnolias dispense their incense in the
+burning air, laden with the perfume of cereals.
+
+“The gleaming scythe has already sheared the land, levelling the golden
+fields of wheat and the tall corn-stalks which bowed beneath their heavy
+load of life. The hay forms yellow hills which reflect the colour of the
+sun. The wheat is winnowed in a whirlwind of dust; in the naked fields
+among the stubble sparrows hop from spot to spot in search of stray
+gleanings. Everywhere are happiness and joyous labour. Waggons go
+groaning down the road; children frolic in the fields and among the
+sheaves, thinking of the wheaten cakes in prospect, and of the lazy
+pleasant life which begins for the farmer when his barn is filled. Even
+the old horses stride along more gaily, cheered by the smell of the
+golden grain which will flow steadily into their mangers as the year
+rolls on.
+
+“When the harvest has levelled the panorama and cleared the great
+stretches of wheat sprinkled with poppies, the plain seems vast, almost
+illimitable. Farther than the eye can reach stretch its great squares of
+red soil, marked off by paths and trenches. The Sunday’s rest is
+rigorously observed over the whole countryside. Not a man is seen
+toiling in the fields, not a beast at work on the road. Down the paths
+pass old women with their mantillas drawn over their eyes, and their
+little chairs hanging to their arms. In the distance resound, like the
+tearing of linen, the shots fired at the swallows, which fly hither and
+thither in circles. A noise seems to be produced by their wings ruffling
+the crystal firmament. From the canals rises the murmur of clouds of
+almost invisible flies. In a farm all painted blue, under an ancient
+arbour, there is a whirlwind of gaily-coloured shawls and petticoats,
+while the guitars with their drowsy rhythm and the strident cornets
+accompany the measures of the Valencian ‘Jota.’
+
+“In the village the little plaza is thronged with the field-folk. The
+men are in their shirt-sleeves with black sashes and gorgeous
+handkerchiefs arranged mitre-like on their heads. The old men lean on
+their big Liria sticks. The young men, with sleeves turned up, display
+their red nervous arms and carry mere sprigs of ash between their huge
+knotted fingers.
+
+“In the afternoon, towards the fountain along the road, bordered with
+poplars which shake their silvered foliage, go groups of girls with
+their pitchers on their heads. Their rhythmical movements and their
+grace recall the Athenian Canephori. This procession to the well lends
+to the huerta something of a Biblical character. The Fontana de la Reina
+is the pride of the huerta, condemned to drink the water of wells, and
+the red and dirty liquid of the canals. It is esteemed as an ancient and
+valuable work. It has a square basin with walls of reddish stone. The
+water is below the soil. You reach the bottom by means of six green and
+slippery steps. Opposite the steps is a defaced bas-relief, probably a
+Virgin attended by angels--no doubt an ex-voto of the time of the
+Conquest. Laughter and chatter are not wanting round the well. The girls
+cluster round, eager to fill their pitchers but in no hurry to depart.
+They jostle each other on the steps, with their petticoats gathered in
+between their legs, the better to lean forward and to plunge their
+vessels into the basin. The surface of the water is unceasingly troubled
+by the bubbles rising from the sandy bed, which is covered with weeds
+waving in the current.”
+
+The exuberant natural life pictured in these passages is not altogether
+due to the bounty of nature. The scorching sun would have brought death
+instead of life to Valencia without the co-operation of man. The whole
+province is a triumph of irrigation. The Moors were masters of hydraulic
+science. They tapped the Jucar and the Guadalaviar and drew their
+waters through the Moncada and seven smaller but magnificent canals into
+every corner of the land. This was the legacy they left behind when they
+were so suicidally expelled. Their successors, as Mr. Richard Ford so
+eloquently puts it, exercise “a magic control over water, wielding it at
+their bidding”--presumably as Gilbert’s hero Ferdinando brandished the
+turtle soup!
+
+Bequeathed also directly by the Moors, the Tribunal of the Waters is the
+most interesting sight of Valencia. It is independent of all law; no
+Government has ever touched it; it has no written records. The court
+meets every Thursday morning at eleven o’clock at the Apostles’ Gate of
+the Cathedral in the capital, to try all cases and disputes in regard to
+the precious water that is the life-blood of the province. There are
+seven judges, one for each canal, elected by the peasantry of the
+districts, and each is known by the name of his canal--Mislata, Cuarte,
+and so forth. They are grave, stoutly-built men, with tanned faces and
+close-cropped hair. They wear black, the colour beloved by the
+comfortably situated working man all the world over; but they have not
+degenerated quite so far as to discard the native handkerchief round
+their polished brows, or the espadrilla, the Valencian shoe.
+
+Except that the turban has given place to the sombrero and the divan to
+an ancient sofa, the proceedings of the tribunal are as patriarchal as
+of old. In the plaza a crowd of litigants are collected, chattering,
+gesticulating, arguing their wrongs according to the manner of their
+kind all the world over. With an air of importance befitting the
+occasion the Alguazil of the tribunal places the magisterial bench in
+the shadow of the great Gothic portal. A light rail will keep the vulgar
+at a distance. Then the peasant magistrates take their seats, and the
+oldest pronounces the words, “Se abri el tribunal” (The tribunal is
+open). A portentous silence falls, for any one who speaks before his
+turn must pay a fine. One by one the litigants are introduced within the
+railing and plead their cause bareheaded before the court. Woe to the
+insolent wight that dare stand covered in its presence. The Alguazil
+will tear the handkerchief from off his head, and he will also be
+mulcted in a fine. Each must await the tapping of the presidential foot
+before he ventures into the presence. But the severity of the discipline
+does not suffice to make the fiery Valencians restrain their feelings.
+At every moment there is an explosion of wrath or indignation, a heated
+expostulation from one or other of the parties. The fines collected must
+be a considerable sum. Out of their own wisdom the judges give their
+decisions, which are almost invariably received without discontent. The
+Valencians are anxious to preserve their unique tribunal from criticism
+and interference, for they know that in Spain, as in other countries,
+royal justice is a costly matter.
+
+The history of Valencia for all practical purposes is that of its
+capital and namesake. “Its name,” says Mr. Ford, “is fondly derived
+from, or considered equivalent to, Roman, because Ρὡμη in Greek
+signifies power, as Valencia does in Latin.” The principle is doubtless
+excellent, but seems to be that of _lucus a non lucendo_.
+
+When the warriors of Viriathus surrendered to Rome on the death of their
+chief, Valencia was granted to them by the Consul D. Junius Brutus.
+Destroyed by Pompey, it became a _colonia_ when rebuilt and the capital
+of the Edetani. But the history of few Roman colonies, as it has reached
+us, is of interest. The province had the usual martyrs under the
+persecution of Diocletian and Decius, and was the place of banishment of
+the zealot Ermengild. Proud of its haughty name, Valencia has yet
+allowed itself to be taken and retaken oftener than any other city in
+the world. In 413 it yielded to the Goths, and three hundred years later
+with great nonchalance transferred its allegiance to the Moor. It formed
+at one time part of the Khalifate; and again, one or more petty kingdoms
+in itself.
+
+Don Feodoro Lleorente speaks of “the slave kings” of Valencia. It is
+certain that many of its rulers were slave adventurers from the palace
+of the Khalifa, who, like the janizaries of Turkey had literally carved
+their fortunes with their swords. One of these princes added the
+Balearic Isles to his realms and unsuccessfully attempted the conquest
+of Sardinia.
+
+The kingdom thus founded by military adventurers was overthrown by the
+most famous of that warlike brood.
+
+The Moors had made the desert blossom like the rose. Wealth and
+prosperity had been secured to the province. The Moslem paradise was
+located here. Medinat-u-Tarab was its capital--the City of Mirth. The
+greedy eyes of Christian neighbours were inevitably drawn to such a
+region, and the break-up of the Ummeyah dynasty offered an excellent
+opportunity for interference.
+
+Valencia was split up into factions, and the King or Amir Kadir was
+merely the puppet of the two opposing parties, who alternately supported
+him on his tottering throne. But the Moors were a proud race and felt
+themselves dishonoured in yielding homage to so weak a ruler. Headed by
+Ibn Jahhaf, the people rose in revolt. Kadir fled, but was detected
+under his woman’s disguise, was taken and beheaded. That strange
+anomaly a Mohammedan republic was formed. A council of the leaders was
+constituted with Ibn Jahhaf as President.
+
+A people which arrogates the right to choose its ruler has ever been
+considered a sort of pirate among the nations, and fair game for more
+powerful States. Kadir, at the time of his deposition, had been under
+the hardly disinterested protection of the Cid, who, under pretence of
+avenging his _protégé’s_ death, immediately advanced on Valencia. For
+some time Ibn Jahhaf, who seems to have had some of the qualities of a
+great general, amused the Campeador with negotiations, while he pushed
+hastily forward preparations for defence. Discovering that he was being
+played with, the Cid swept through the country and threw his army round
+Valencia, which for twenty months made a stubborn resistance. The city
+falling at length, Jahhaf, who had become a special object of hatred to
+the Conqueror, was burnt alive in the plaza. Until his death in 1097,
+the Cid ruled the kingdom as absolute lord and despot. The legend runs
+that Ximena, his wife, defended the city for two years after her
+husband’s death. And so great was the reputation and the terror of the
+Campeador that she finally won a victory over the Mussulmans and carried
+him to his last resting-place at Cardeña by the stratagem of placing his
+corpse fully armed upon his war-horse with his celebrated sword in his
+hand.
+
+But for two centuries longer Valencia followed the law of the Prophet.
+It was finally wrested from the yoke of Islam on the memorable 28th of
+September 1238, when the standard of the victorious Jaime I. of Aragon
+was hoisted over the tower of Ali Bufat, and the Crescent bowed before
+the Cross. The conquest in the history of Aragon ranks with the taking
+of Seville in the history of Castile. Granada was the joint conquest of
+both kingdoms. The way in which the Moors in these old days surrendered
+their whole kingdom to the Christians, sometimes after only one battle
+had been fought, stands out in dark contrast with the tenacious
+resistance offered by their descendants in Algeria in modern times.
+Enervated by the climate of Spain the Mussulmans of that country were
+absolutely incapable of maintaining a prolonged guerilla warfare. If a
+fortified capital was taken they at once handed over the whole kingdom
+to the conqueror. They were not of course peculiar in this respect. The
+sentiments of nationality and physical courage are characteristic far
+more of the modern than of the ancient world. We have only to compare
+the resistance of the Anglo-Saxons to the Normans with that of the Boers
+to the British, of the French in the Hundred Years War with that of
+their descendants in 1871, to realise how much more of manliness and
+endurance we possess than did our ancestors. We must go back to the days
+of Leonidas and Regulus to find parallels for the exploits of our own
+Indian Army; to Numantia and Seguntum for parallels to Saragossa and
+Gerona. National and individual self-respect withered under feudalism,
+and revived only on the introduction of free institutions.
+
+The commerce and wealth of the country now fell into the hands of the
+Jews, who came over in great numbers from Aragon. For a long time the
+industrious people lived, hated it is true, but unmolested, in their own
+quarter of the city. But one ill-fated day a band of children, urged on
+probably by some fanatic, marched against the Jewry crying that they had
+come to baptize the unbelieving dogs, and that the Archdeacon of Seville
+was close upon their heels. In terror the wretched people retreated to
+their homes, firmly barricading themselves. Some of the Christian
+children got shut up in the quarter. Like wildfire the rumour spread
+through the streets that the Jews were submitting them to untold
+tortures behind their barred doors. The whole populace went mad with the
+rage for blood, attacked the wholly unprepared Jews, and the most
+horrible scenes of massacre ensued. This was in 1391. The prosperity of
+Valencia suffered its first severe blow with the barbarous expulsion of
+the Moors at the command of Philip III. Another fell some time later
+when, on account of its strenuous opposition to the French claim to the
+Crown, Philip V. confiscated the liberties of the province and imposed
+an enormous fine.
+
+But Valencia, though fallen from its old estate, is nevertheless to-day
+a thriving prosperous province; its capital is handsome and progressive.
+Busy life pulsates through the streets; the _cafés_ are alive with the
+hum of voices. There is little to recall the days of its allegiance to
+the Prophet, and it has not retained more monuments of the past than
+most other cities. From the sightseer’s point of view it is not
+intensely interesting; from the stranger’s, even less convenient, since
+indications of the names of the streets are few and far between. New and
+splendid avenues are arising, which, in pleasant contrast to the dull
+uniformity of most Continental town perspectives, contain houses
+original and individual in style. You enter the town by one of two
+massive castellated gates, which give a note of the mediæval picturesque
+to their respective quarters. The fourteenth century Torres de Serranos
+form a narrow archway flanked by two fine octagonal towers. Above, are
+windows with elaborate panelling, and heavy machicolations crown the
+whole building. The Torres de Cuartes, of a century later, are very
+similar, but the parapet is itself borne on corbels and machicolated.
+Unfortunately the walls of the city have perished.
+
+The Cathedral, the Lonja, and the Picture Gallery exhaust the sights of
+Valencia. The Cathedral was founded in 1262 on the ruins of the Great
+Mosque, which in its turn had replaced the Temple of Diana. It is far
+inferior to most of the great Spanish churches in beauty and interest.
+Originally Gothic, it was considerably enlarged in the fifteenth
+century, the height, however, being left unaltered. The principal
+entrance, in the receding circular form, is an outrage, but the north
+door, called the Puerta de los Apostoles, richly sculptured and
+delicately moulded, exhibits the skill and industry of the fourteenth
+century at its best.
+
+Above the semicircular Puerta de Palau is an interesting series of
+medallions. These represent the heads of fourteen men and women. These
+are the seven knights of the Conquest and the seven fair ladies they
+sought in the surrounding provinces, from whom the whole Valencian
+nobility is said to be sprung. This doorway is evidently by the same
+hand as the Puerta de los Infantes at Lerida. But the most striking part
+of the Cathedral is the imposing Miguelete Tower. Its sculpture is
+indifferent, but seen from a distance the effect is fine. It is the
+great landmark of the district, and the Valencians speak of exile as
+“losing sight of the Miguelete.”
+
+The plan of the Cathedral, like most Spanish churches, is cruciform. In
+1760 the interior was modernised in a manner that makes the
+beauty-loving traveller long to tear his hair--or that of the
+perpetrator of the “restoration.” Over-decoration is its chief defect.
+The walls have been encrusted with marbles, the Gothic columns almost
+concealed by Corinthian pilasters, the pointed arches rounded off. The
+church may merit its surname of “La Rica,” but it has lost that
+atmosphere of remote beauty that calls forth the instincts of religion
+in the worshipper. During the French occupation of 1809 the magnificent
+silver altar was melted down, but fortunately its protecting door panels
+were uninjured. These are painted with six pictures by Francisco Pagano
+and Pablo de San Leocadio, disciples of Leonardo da Vinci, and ascribed
+by some to the master himself. The spurs and bridle of Jaime el
+Conqueridor, presented by him on the day he took the city to his Master
+of the Horse, are preserved on one of the pillars on the Gospel side.
+
+The choir is for the most part modern, with plain and classical walnut
+stalls. The rear portion, or _trascoro_, dates from the fifteenth
+century, and is decorated with a fine series of Biblical scenes in
+alabaster. The chapels have little of interest, except the tomb of Tomás
+de Villanueva, the holy Archbishop of Valencia, in the one dedicated to
+him. Over the crossing rises the fine octagonal lantern, which was built
+in 1404 and restored in 1731. It was once adorned by many trophies,
+among them the flags taken from the Genoese by Ramon Corveran, a famous
+sea-dog of Valencia. These, however, have long since vanished.
+
+After the Cathedral the Lonja de la Seda, or Silk Exchange, is the most
+interesting sight of Valencia. Built in the Gothic style (though not of
+the purest) it is one of the best specimens of civil architecture of the
+Middle Ages that we have remaining. Its square tower, crenellated
+chimneys, open galleries and high windows give an extremely fine effect.
+The hall has spirally fluted pillars that branch out into graceful
+clusters of palm-leaves. The ceiling is painted with stars and round the
+walls runs the legend, “He only that shall not have deceived nor done
+usury shall be worthy of eternal life,” which (let us hope) has guided
+generations of merchants into the paths of commercial integrity. The
+Audiencia, in good Renaissance style, is well worth a visit, where in
+the Salon de Cortes the old provincial States assembled till the middle
+of the eighteenth century. As a building the University is beautiful,
+if it is a little backward in thought. Here Fernando VII. raised the
+noble sport of _Tauromachy_, or Bull-fighting, to the dignity of a
+Faculty!
+
+The smaller churches are interesting enough, but not striking, and the
+visitor will do well to prefer the almost deserted Picture Gallery.
+Until the name of Velasquez dwarfed that of every other Spanish artist,
+Valencia boasted a school of painting second to none in the country.
+Ribalta, Juanes, Ribera, Espinosa, and Orrente all lived and loved and
+painted in the old kingdom. The story of Ribalta is romantic. The son of
+a ploughman, he deemed himself on the high road to fortune when he
+entered a Valencian studio as a pupil. But alas! the black eyes and
+pretty figure of his master’s daughter proved more alluring than canvas
+virgins. Ribalta was dismissed the studio in disgrace. He wandered
+towards Italy, the land of promise, and studied under the brothers
+Carracci. Some years later he returned. His mistress was in possession
+of the studio, her father having gone out. A wooden and lifeless Madonna
+stood on an easel. Ribalta seized a brush and painted furiously until
+sunset, and when the artist returned a masterpiece was awaiting him.
+Astonishment, admiration, tears, and gratitude--no artist could forbid
+his daughter’s _fiançailles_ with a man of genius. Ribalta afterwards
+devoted his whole life to the adornment of the churches of his native
+kingdom.
+
+But Valencia is hardly less distinguished for its theatre than for its
+painting. Here at the end of the sixteenth century was founded the
+celebrated society of “Nocturnes” which welcomed the youth of Lope de
+Vega. Guillen de Castro was its head, a man of wit and honourable
+family, whose adventurous life ended in the gutter. He is best known as
+the author of _Las Mocedades del Cid_, a tedious drama with a fine
+heroic touch, whence Corneille drew his inspiration.
+
+Leaving Valencia we run southward as far as Alcira without a stop. Here
+we cross the Jucar, which strikes terror into the hearts of the
+townsfolk. Rising in the rainy season with terrible rapidity, with
+constant shiftings of its channel, it sweeps over the countryside,
+swallowing up whole villages in its destructive, impetuous course. When
+the sky grows black and the river starts to rise, the panic-stricken
+inhabitants run to the churches and seize the images. Then with frenzied
+prayers to the _Pare San Bernard_, they dip the holy forehead in the
+water, hoping to stay the onrush of the torrent. But the inundated
+country to-day will in a few years bear heavy rice crops and luxuriant
+orchards. The swampy unhealthy lagoon, the Albufera (which gave its
+name to one of Napoleon’s marshals) is becoming filled up with the
+_débris_ brought down from the mountains. Soon it, too, will be a
+fertile huerta. Meanwhile, trees are being planted on the rugged
+hill-side, a wise measure which it is hoped will check the violence of
+the floods and the denudation of the arid soil.
+
+Jativa will be our next stopping-place. Like most of the towns in this
+country it is rich in historic interest. Past cottages, embosomed in
+palm-and orange-trees, you climb up to the hill where the old and new
+castles stand side by side. Here in 1284 the Infantes de la Cerda,
+rightful heirs to the throne, were confined by their Uncle Sancho el
+Bravo. Here too the Duke of Calabria, heir of Naples, languished for ten
+years after having trusted himself to the honour of Gonzalo de Cordoba,
+who betrayed him. This was one of the three deeds of which Gonzalo is
+said to have repented at the last. Indeed the castle of Jativa seems to
+have greatly troubled his death-bed, for we learn that the second of
+these three misdeeds was the imprisonment in the same place of the
+infamous Cæsar Borgia. The Borgias--those super-men of the
+Renaissance--had their origin in the neighbourhood of Jativa, which also
+boasts itself the birthplace of the artist Ribera.
+
+The smaller coast towns of Alicante attract the weary traveller by their
+beautifully sounding names: Benidorm, Villajoyosa--what pleasant chords
+they strike in the imagination! But time is short. You think of them
+regretfully and hurry towards the capital. But first, if the month is
+April, you must turn aside for a flying visit to Alcoy, where every year
+a mediæval joust takes place to the glory of Saint George (the city’s
+patron saint) and the discomfiture of the Moors. This is to celebrate
+the taking of the town from the Moors by Jaime el Conqueridor in 1253.
+
+Alicante, the largest town in the province of that name, and the second
+in the Kingdom of Valencia, is as dull as most thriving commercial
+centres. Its broad white quays are thronged with a busy bustling
+humanity. Touches of vivid colour in the dress of the women, who are
+labouring like navvies, a burning sun overhead, and the blue of the
+Mediterranean, make a not unpleasing picture. Behind the town towers an
+enormous rock--a second Gibraltar--crowned by the old castle of Santa
+Barbara. A deep fissure in the rock recalls the stubborn siege of 1707,
+when the English General and all his garrison were blown to pieces by a
+mine.
+
+Southwards still, to Elche, the City of Palms, or, less poetically, “The
+Frying-pan!” A mist of heat seems to hang over the little
+Oriental-looking town. Not even in the palm groves that shut out the
+desert can you avoid it. These magnificent trees (it has been estimated
+that there are 80,000 in the belt that encircles the town) provide
+practically all the palms used by the Christian churches in Passion
+Week. In the shade of their avenues flourish the laurel, the rose, and
+the geranium; beyond, extend crops of lucerne and wheat, watered by the
+carefully regulated Vinalapo.
+
+But though Elche makes an agreeable impression on travellers, in Spain
+it is chiefly celebrated for its Passion or Mystery Play, the only one
+of its kind in the kingdom. Elche is under the special protection of Our
+Lady of the Assumption, who sent her miraculous image over the seas
+along with the words and music of the opera inscribed _Soy para Elche_
+(I am for Elche). To this image, supposed to have been found in 1370 by
+a coastguard named Canto, many houses and palm plantations round the
+city belong. They are all marked with a crown and the initials M.V. The
+image is said to have been carved by St. Luke, but hardly reflects
+credit on his skill. However, the miracles it performs seem highly
+satisfactory, judging by the magnificent jewels and garments that have
+been presented by the faithful.
+
+The opera is presented on August 13 and 14, the eve and the feast of the
+Assumption. In a country where the sister of Cervantes was allowed to
+install a theatre in her convent and herself play the leading _rôles_,
+you are not surprised to find that the representation takes place in the
+church, which is, however, for the occasion, carefully stripped of
+sacred images.
+
+The scenery, as in mediæval days, is simple. There is a little cave for
+the Garden of Gethsemane, a plain coffin for the Holy Sepulchre. Angels
+playing harps on a blue cloth stretched across the roof betoken the
+celestial regions. Hence, by an ingenious arrangement of ropes and
+pulleys, angels will presently come down to take the Virgin up to
+heaven. Apostles and saints, their names legibly inscribed on cardboard
+haloes, the holy angels and the Trinity itself have all their appointed
+parts. The Virgin is a small boy of eleven. Unfortunately that touch of
+vulgarity which seems inseparable from modern Continental Catholicism
+liberally decorates the angels with well-greased hair, vivid sashes, and
+paper flowers of startling hues. However, the crowded audience is not
+critical and very real emotion at times interrupts the continuous
+chatter and shaking of fans. There seems something singularly human in a
+religion so all-embracing.
+
+Orihuela, in its fertile plain, rendered independent of rain by the
+waters of the Segura, will be our last stopping-place in the southern
+portion of the kingdom. Here the Goths made a last resistance under
+Theodomir. Orihuela is the only city in the district where Castilian is
+spoken. Its square towers and domes shaded with palms are decidedly
+Oriental in appearance. A visit to the Cathedral shows some beautiful
+choir-stalls of carved mahogany, but the interior of the building has
+been hopelessly barbarised. There is little else to detain us here, so
+we take train again for Valencia and the north.
+
+
+
+
+SAGUNTUM AND CASTELLON
+
+
+Leaving the city of Valencia, the traveller journeys northwards through
+one of the most luxuriant garden-plains of southern Europe. Groves of
+olive, almond, and orange trees crowd thick upon each other, their
+almost monotonous fruitfulness broken only by an occasional graceful
+cluster of stately palms. Soon there comes in sight a hill crowned with
+an irregular line of battlemented walls. Its silhouette is warm against
+the sky-line. This is Saguntum, famed in story.
+
+You pass out of the station and on your left rise up the eastern slopes
+of the Saguntine hill. At its feet are huddled the dark green tiled
+roofs of the village, from among which the little church of San Salvador
+detaches its quadrangular tower, proudly conscious that (in the eye of
+its worshippers at least) it is the oldest Christian foundation in the
+whole of Spain. Tiny cottages gleam white in the dark places of the
+rocks, between thickets of aloes and prickly-pear. And far above, the
+reddish walls of the castle with its huge square towers stretch in
+slanting belts along the summit of the hill, keeping watch over the
+ever-retreating sea that has so often been studded with the ships of
+enemies.
+
+To the right, coaches from Teruel and Segorbe lumber along a white
+ribbon of road, smothered in clouds of dust. Clambering up the fence of
+masonry that separates populace and passengers a dozen Saguntine youths,
+burnt by the sun, with eyes like sloes and jet-black hair, hail you in
+eager tones. They thrust towards you sinewy arms holding cups of milk or
+wine and plates of savoury meats, with branches of oranges or wands
+garlanded with fruits and sweet-smelling flowers.
+
+But it is a silent town, Saguntum (or Murviedro as it is generally
+called), and seems to brood on memories of the past. Founded in 1389
+B.C. by the Greeks of Zacynthus, it has been held in turn by
+Carthaginian and Roman, by Goth, Moor, and Spaniard. Its place in
+history is unique. The story of its famous siege has repeatedly been
+told.
+
+It is the year 219 B.C.--the eve of the Second Punic War. Hannibal,
+having sworn war to the death on Rome, is gathering his forces for a
+crushing blow. The wealth of Saguntum attracts him; impoverished by the
+loss of Sicily, its position as frontier town appeals to him as a
+strategist; as the ally of Rome it draws his hatred. Suddenly a force
+of a hundred and fifty thousand Carthaginian soldiers is hurled against
+the town; battering-rams thunder at the gates; huge catapults scatter
+death among the startled townsfolk. Then begins a struggle that can be
+compared only with Numantia in ancient or Saragossa in modern times.
+Force and cunning have met their match in desperate heroism.
+
+The siege lasted for eight months. Rome was appealed to, but her
+Ambassadors were not allowed to land. They turned to Carthage and
+entered the Senate House. “I bring you peace or war,” cried Valerius
+Flaccus; “choose which you will have!” and resounding cries of “War!
+War!” initiated one of the fiercest struggles of antiquity. But though
+fighting against a common enemy, Rome deserted her Spanish ally.
+
+A city beseiged is a city doomed. Saguntum could hold out no longer.
+Hannibal named his terms--life and two garments to each individual.
+Arms, wealth, and Fatherland must all be given up, and the inhabitants
+must drift to whatever part of the world the conqueror decreed.
+
+Immediately, by order of the Senate, a scaffold was erected in the
+public square. All the wealth from the public treasury was flung upon
+it. Private citizens added their treasures to the holocaust, and with
+the courage of despair flung themselves into the flames. Then a shout
+arose from the walls; one of the towers had fallen and the attacking
+army swarmed over the ramparts to wholesale massacre. Such is Livy’s
+account, but it is probably an overstatement. For though the
+Carthaginians, being a Semitic race, were capable of any cruelty,
+history records that the first act of the Scipios, on rebuilding the
+town four years later, was to buy back the exiled inhabitants.
+
+Two thousand years later Saguntum was once again the theatre of war,
+when in 1808 it was attacked and taken by Marshal Suchet. But Napoleon’s
+success was as ephemeral as Hannibal’s. The French violet could not take
+root in the granite of Spain.
+
+The present castle is principally Moorish, though some traces of the old
+Saguntine walls can be distinguished. It is probable that the keep
+described by Livy occupied the site of the present citadel. There are
+some old Moorish cisterns to which the girls of the village climb in the
+evening with water-jars on their shoulders.
+
+A little lower down the hill lies the ancient Roman amphitheatre, the
+most nearly perfect of its kind that exists to-day, not even excepting
+those of Italy. The separate entrances that Roman ceremony required for
+knights and magistrates, for women and for the common people, can still
+be recognised in spite of the depredations of Suchet and the
+Philistines. Its thirty-three tiers of bluish grey pebbles, cemented
+cunningly together to look like huge blocks of stone, rise with the
+sloping hill-side. The theatregoer of Murviedro had little to complain
+of in the old days. If the play was tedious, he could turn his eye to
+the beautiful scenery that lay before him. His lot was enviable beside
+the Londoner’s.
+
+The plain that now separates Murviedro from the sea is rich in ruins of
+a bygone age. Desultory excavations have yielded some results. In 1795 a
+magnificent mosaic was discovered representing Bacchus astride a tiger
+in the midst of revellers, which, unfortunately, has since been lost.
+For the antiquary with money at his back and method in his brain a rich
+and interesting harvest lies waiting.
+
+Leaving Saguntum we continue northwards past the picturesque old castle
+of Almenara; past Nules, famous for its mineral springs; past Burriana,
+whose oranges you have eaten in every country of Europe; and the train
+steams at length into Castellon de la Plana. To the eye this city is
+uninteresting enough, but the imagination is touched by the recital of
+its history.
+
+A league to the north of the town the barren mountains of the Desierta
+rise from an arid plain. Here can be seen some crumbling grey walls and
+a hermitage in honour of St. Mary Magdalena. The walls mark the site of
+the old town captured in 1233 by Jaime I. of Aragon. A few years later
+the inhabitants petitioned the King’s lieutenant for leave to remove
+their town to the fertile plain on the coast where it now stands. Not
+only was this granted but considerable privileges were bestowed on the
+enterprising city.
+
+Every year on the third Sunday in Lent this event is commemorated by the
+Feast of Las Gayates. Clergy and laity alike, bearing green reeds,
+proceed in pilgrimage to the hermitage, where a solemn service is
+celebrated. A gay crowd invades the hill. They sing; they dance; they
+shout; they eat and drink. After this sylvan feast, they troop back to
+the town. At nightfall a second procession sets out, in which are
+represented with all edifying accompaniments the worldly pomps and
+repentance of the Magdalene. Raised up among a myriad flashing lanterns
+the “Gayata,” which gives its name to the festival and recalls the
+removal of the city, is borne along with song and dance.
+
+More than once has Castellon fought bravely in defence of its liberties.
+A very strenuous resistance was offered to Pedro IV. when the women
+fought side by side with the men upon the walls. One of the amazon
+warriors killed a relative of the attacking General, Don Pedro de Boil,
+and was hanged in the market-place on the fall of the city, along with
+the other rebel leaders. Considering the part that Spanish women have
+played in the history of their country, it is curious to remember that
+voluptuous indolence is supposed to entirely sum up their character. The
+War of the Brotherhood, that great popular rising, gave three more
+martyrs to Castellon. It is not, therefore, surprising to find that this
+city to-day stands, in the province to which it gives its name, for
+democratic tendencies. So Morella on its rocky throne, the stronghold of
+the ferocious Carlist chief, Cabrera, stands for aristocratic
+militarism; and Segorbe, lying in the shadow of the magnificent
+monastery of Valdecristo, for the ecclesiastical element and clerical
+control.
+
+
+
+
+THE KINGDOM OF MURCIA
+
+
+The ancient Kingdom of Murcia, which lies to the south of Valencia,
+includes the two modern provinces of Murcia and Albacete. It is a wild,
+fierce region, where the sun’s heat scorches all vegetation from off the
+hill-sides. Deep and terrible chasms yawn between the rugged mountains;
+there are sharp and rocky peaks that seem to have been thrown up by
+sudden upheavals of the earth, and at their feet lie great stretches of
+tawny desert recalling the burning expanse of the Sahara. The shadow of
+long-continued drought often broods over the whole kingdom. But yet the
+district watered by the Segura is an earthly paradise--in spring all
+flowers, in autumn all fruit. Mingling with the carob-tree and
+broad-leaved palm glistens the gold of oranges, and luxuriant vines give
+pleasant promise of a sparkling harvest.
+
+But nature has not thus blessed the land of her own free will. She
+needed coaxing and much wooing by the cunning Arabs. A wonderful system
+of irrigation prevails, and science has harnessed fast the wayward
+rivers. The greatest treasure of the Murcian, water, is sold by auction
+to the highest bidder. M. Jean Brunhés, in a lately published work,
+gives some very curious and interesting details relating to this
+singular system.
+
+The volume of the Monegre is divided into old and new water, the former
+belonging of right to the ancient riparian proprietors, the latter to
+the owners of the locks and reservoirs. A very vicious system prevails
+at Lorca. There, a private company has obtained all rights in the water
+of Guadalentin, subject to the condition of supplying the old
+proprietors of the adjoining lands with 500 litres per second every day.
+Only in rainy seasons, when the company’s barrage is swept away by the
+torrent (as it usually is some five or six times in the year), does the
+water become public property. When this happens the company is not
+allowed to make the barrage any stronger when it is rebuilt. In seasons
+of drought the owners are masters of the situation, and are able to
+recoup themselves for the losses thus incurred by forcing up prices to a
+figure absolutely ruinous to all but the richest cultivators. There is
+only one palliation to this system, that the bidder who has bought the
+first lot can buy as many of the lots following as he may desire at the
+same figure. Notwithstanding this poor concession it would seem that the
+principle of private ownership has been pushed a little too far in this
+part of the world.
+
+Here is M. Brunhés’ account of the water auction at Lorca:
+
+“The sale takes place in a badly lit hall with naked walls, on a level
+with the street, with which it communicates by an immense door almost
+its own breadth. This door remains open during the sale, and the crowd
+of bidders stand partly in the street. The hall has no floor; you stand
+on the bare ground. Opposite the door at the end of the hall is a
+railed-off daïs, entered by a side door, and without any direct
+communication with the public side. On the daïs the secretaries are
+seated at a large table covered by a threadbare green cloth. Behind the
+table are five arm-chairs. In one is seated the presiding officer (a
+civil engineer who must own no land in the Vega). On a stool is
+stationed the crier.
+
+“At eight o’clock in the morning, at a sign from the presiding officer,
+the crier pronounces these words in a singing monotonous voice, and
+without any pause between the two phrases: ‘In honour of the Holy
+Sacrament of the Altar, who buys the first lot of Sotellana?’
+Immediately shouts go up, ‘Eight, nine, or ten reales!’ One voice
+overpowers the other, wide mouths vociferate loudly, necks are strained,
+muscles grow tense with excitement. The bidders press and crush each
+other against the iron railing, for the one nearest has the best chance
+of being heard. The presiding officer listens and follows the frantic
+shouting with sovereign calm. Suddenly, with a quick gesture, he
+designates the highest bidder. At once the clamour ceases. Amid absolute
+silence the man indicated calls out his name, which the clerks write
+down.
+
+“The men are hatless. Some wear black or dark-coloured handkerchiefs
+bound round their heads, but all hold their broad-brimmed hats in their
+hands. No one smokes or talks till the bidding recommences, and even
+those in the street are silent and bareheaded. It is easy to see that
+all are peasants. Heads are closely cropped; here are no beards or
+moustaches, no one wears a collar, and most carry a cloak other than the
+aristocratic _capa_ on the shoulders or arm. It is a curious and
+impressive sight enough these bronzed physiognomies, animated by one
+desire to obtain, as cheaply as may be, possession of the supreme good,
+water.”
+
+Such is the province of Murcia in the twentieth century. When vegetation
+depended only on the sun and very infrequent rain, the land can have
+been very little better than an arid wilderness. And yet its possession
+has from the earliest times been a matter of keen dispute. To the early
+inhabitants have always been ascribed those simple guileless virtues
+with which the eighteenth century endowed the noble savage. Like the
+high-souled inhabitants of More’s “Utopia,” they used the gold and
+silver, in which their mountains abounded, for the meanest articles of
+domestic use. But this admirable custom seems unfortunately to have been
+based on mere ignorance of the value of their treasures.
+
+More sophisticated were the Phœnicians, who scented the precious metals
+from afar, and here, as everywhere, established their commercial
+centres. Next, the Greeks swooped down and planted colonies, rivalry
+between the two races precipitating the fierce conflict between their
+respective allies, the Carthaginians and the Romans. New Carthage, or
+Cartagena, was founded by Hasdrubal; his son made it the starting-place
+of his famous march to Rome. The city made a brave resistance to Scipio,
+and its fall marked the downfall of the Carthaginian in Spain.
+
+As an outpost of the Roman Empire this district was one of the first
+abandoned to the attacks of the barbarians. Under the Visigoths it
+became a duchy with the name of Aurariola, which offered so determined a
+resistance to the Mussulman that it was enabled to retain its
+independence, subject merely to the Khalifa as suzerain. Here, as in so
+many Iberian sieges, the women played no small part. Dressed as men,
+they paraded the walls of the city: and by this stratagem enabled Duke
+Theodomir to obtain such favourable terms.
+
+Perpetuating the memory of this Duke, the province lasted under the name
+of Todmir some sixty-eight years as a self-governing State. But the last
+governors allied themselves with Charlemagne. Arab invaders poured in,
+who soon swamped the Christian population and Todmir was completely
+absorbed into the Moslem Empire.
+
+A new capital, Murcia, was founded, that soon rivalled Toledo and
+Cordoba as a manufactory of arms. After undergoing the usual
+vicissitudes of Moorish States, it was taken in 1266 by Jaime el
+Conqueridor, and handed over to his son-in-law, the King of Castile. For
+two hundred years it endured the attacks of the Moors of Granada, acting
+meanwhile as a buffer to the Christian kingdom.
+
+Murcia to-day seems a survival of the Middle Ages. The legend goes that
+Adam returning to earth recognised the province as the only relic of the
+world he left. The Murcians are a conservative people, clinging to the
+beliefs and ideas of their forefathers, untouched by the march of
+thought. Religion is the changeless background of their lives, and often
+its picturesque ceremonies completely hold the stage. One of the most
+interesting of their religious festivals is the Passion Procession held
+on Good Friday. According to tradition this has continued without
+interruption since 1603, except in the year 1809 only, when it was
+forbidden by the Government.
+
+Organised by the Confraternity of Jesus, the great feature of the
+procession is the magnificent series of carved groups (known as _pasos_)
+representing scenes from the Biblical narrative. These are the work of
+the great master Salzillo, who is said to have carved no fewer than 1792
+wooden figures in his long life of seventy-six years. During the
+eighteenth century the Trades Guilds of Murcia gave special support to
+the Confraternity. They are accordingly granted the privilege of
+carrying the different _pasos_ in the procession. Thus the “Kiss of
+Judas” is borne by the bakers; Santa Veronica by the weavers; while the
+tailors carry the gigantic group of the Last Supper. The bearers, all
+alike clad in purple, carry lighted candles and musical instruments.
+Their hoods shroud their heads, the eyes alone being visible through
+slits; a knotted rope girdles the waist, and stockings of coarse white
+wool, instead of the bare feet demanded by the original statute,
+acknowledge the claims of the twentieth century.
+
+It is six o’clock on Good Friday morning. The streets are thronged with
+eager sightseers; heads are devoutly bared and many a plain wooden
+cross is displayed to mark the sympathy of the crowd. A band of mounted
+gendarmes clears the way. The standard-bearer chants to the populace
+that “This is done in remembrance of the Passion of Our Lord Jesus
+Christ.” Smothered in flowers the first five _pasos_ are borne along.
+Then to the sound of drum and trumpet, with the ringing of bells and the
+blare of bugles, Our Father Jesus passes, enveloped in a cloud of
+flaming candles, accompanied by the Holy Brotherhood. The remaining
+_pasos_ follow close, the clergy and the representatives of King and
+Bishop bringing up the rear.
+
+The _pasos_ themselves will repay inspection. Though abounding in
+ludicrous anachronisms, often in flabby sentiment, they are beautifully
+carved and superbly mounted. It is said that £1000 was offered by an
+enthusiastic German for the uplifted arm of St. Peter in the “Kiss of
+Judas.”
+
+The first group of the Last Supper is of enormous size, requiring no
+fewer than twenty-four bearers during the procession. Among the tailors
+of the city there is keen competition for this honour, for the splendid
+collation that is offered by the pious to the lifeless feasters is later
+sold by auction for the benefit of the bearers. The price it fetches is
+no small one, for it is regarded as true _pain béni_, bringing
+happiness to those who eat. The Agony in the Garden is reputed of
+supernatural design and is known as “The Pearl of Salzillo.” The Angel
+Gabriel is considered unrivalled, and the legend goes that the Duke of
+Wellington bid £80,000 for this one figure. The figures are
+magnificently clothed, the sword and crown of Jesus being set down in
+the accounts of the brotherhood at £200 and £120 respectively. Perhaps
+the finest of the groups is that which comes last--our Lady of Dolours,
+whose expression of supreme sorrow has rarely been equalled whether by
+chisel or brush. It is said that the sculptor copied it from the
+countenance of his own daughter, to whom, with this end in view, he had
+deliberately presented a forged letter announcing the suicide of her
+betrothed. The _pasos_ are deposited in the Ermita de Jesus, where they
+can be seen by the traveller.
+
+In the town of Murcia itself the influence of the Cross has almost
+completely banished the Crescent. Gone is the Alcazar, where the Amirs
+mimicked the State of Cordoba and Toledo; gone is the mosque, where
+thousands of turbaned heads bowed daily towards Mecca. But in the centre
+of the city is one of those squares found in every southern and eastern
+city, which in Spain is always named after the Constitution, in Italy
+after Victor Emmanuel, and in France after the Republic. To cross it in
+the afternoon would mean sudden death, for Murcia is one of the hottest
+corners of Europe. But later a gentle breeze springs up and the citizens
+troop out to meet with friends upon the Malecon and admire the charming
+view of the Segura valley, which, as M. Brunhés has said, is “an
+admirable zone of model agricultural establishment.” This fertile huerta
+bespeaks industry as great as that of the Swiss or Scottish peasant, for
+the worship of sloth with which Mr. O’Shea charges the Murcian people is
+groundless and unjust.
+
+A visit to the Cathedral will exhaust the architectural sights of
+Murcia. Even this is not of first-class interest. Dating in parts from
+1386 and Gothic in style, the west front is Churrigueresque, though
+fortunately not in the most florid style of that unhappy architect. The
+earthquake of 1829 and a fire in the middle of the last century have
+greatly damaged the interior, but the general effect is sufficiently
+striking. The choir-stalls of carved walnut are very beautiful, but the
+reredos is poor. The eighth wonder of the world, in the opinion of the
+inhabitants, is the little Velez Chapel modelled on the Constable’s
+Chapel at Burgos, but parts of it, according to Don Rodrigo Amador de
+los Rios, show the painful caprices and aberrations which announce the
+death agony of a powerful art. Just beyond the Junteron Chapel, with
+its wealth of beautifully sculptured figures and designs in the most
+exuberant Renaissance style, is the urn where the city carefully guards
+the internal organs of Alfonso the Learned--a gruesome legacy but one
+greatly valued.
+
+Much older than Murcia, the old Visigothic capital Carthagena has
+preserved even fewer monuments of antiquity, though it has not lost the
+military character first impressed upon it by its founder Hasdrubal. For
+this is the first arsenal of Spain and perhaps its strongest fortress.
+Its splendid sheltered harbour is defended by powerful forts and
+formidable batteries. Their fire has not always been directed upon the
+enemies of Spain. For many months in 1873 over them waved the red flag
+of the Intransigents, the extreme communistic republicans, who,
+simultaneously with the Carlists of the north, threatened to ruin
+Castelar’s Government at Madrid. The acquisition of the great national
+arsenal without firing a shot was, of course, of the utmost advantage to
+the determined revolutionaries. The garrison, in addition to the
+enthusiastic population, included several revolted battalions of regular
+troops under General Contreras.
+
+Against this terrible stronghold of the Revolution, General Martinez
+Campos advanced with an army from Madrid, with orders to reduce the
+place with the utmost despatch. This was easier said than done. Supplies
+were lacking; the advantage in artillery lay entirely with the besieged.
+The Carlists effected diversions in favour of the Intransigents--an odd
+coalition. Meanwhile three of the revolutionary vessels were seized by a
+Prussian squadron as pirates--an utterly unjustifiable interference with
+the domestic affairs of another State. The Prussians and Italians
+exacted, moreover, a war indemnity of 50,000 pesetas from the Cantonal
+Junta, which body became a prey to internal dissensions. One of its
+members was assassinated. Taking advantage of these embarrassments of
+the besieged the republican troops redoubled their efforts. Señor
+Castelar came down from Madrid to assume the supreme command, and
+Martinez Campos was superseded by General Lopez Dominguez. An incessant
+bombardment was kept up, the besieged responding shell by shell. In
+January the frigate _Tetuan_ was burnt to the water’s edge, and a day or
+two later the explosion of the magazine destroyed hundreds of the
+garrison. The end was near. The city had for half a year defied almost
+the whole kingdom and withstood the covert attacks of foreign Powers.
+The Government troops forced their way into wretched, blood-drenched
+Carthagena; Galvez, Contreras, and the leaders of the cantonal movement
+escaped by sea in the ironclad _Numancia_, which far exceeded the
+Government vessels in speed, and took refuge in Algeria. Thus collapsed
+a movement which was, after the Commune of Paris, the most determined
+organised attempt ever made to subvert the existing constitution of
+European society.
+
+I have given at some length this chapter in the history of Carthagena,
+partly because the town has little interest of itself, and partly
+because these events though so recent and significant are ignored by
+most writers of travel books. Out of so much evil good came at last, for
+these well-nigh fatal disorders opened the eyes of the Spaniards to the
+instability of the Madrid Government and formed the prelude to the reign
+of peace inaugurated by the accession to the throne of King Alfonso XII.
+
+Boasting less than most Spanish provinces of sights that appeal only to
+the casual tourist, Murcia is interesting as a region of perpetual
+struggle and bloodshed; of struggle against nature, of struggles between
+differing religions, and of the deadly internecine feuds of race and
+race.
+
+[Illustration: PLATE 1
+
+VALENCIA: GENERAL VIEW]
+
+[Illustration: PLATE 2
+
+VALENCIA: GENERAL VIEW, LOOKING SOUTH]
+
+[Illustration: PLATE 3
+
+VALENCIA: VIEW FROM THE PUENTE DEL MAR]
+
+[Illustration: PLATE 4
+
+VALENCIA: GENERAL VIEW]
+
+[Illustration: PLATE 5
+
+VALENCIA: VIEW FROM THE PUENTE DEL MAR]
+
+[Illustration: PLATE 6
+
+VALENCIA: ENTRANCE TO THE TOWN BY THE PUERTA DE SANTA LUCIA]
+
+[Illustration: PLATE 7
+
+VALENCIA: THE FAIR AT THE PUERTA DE SANTA LUCIA]
+
+[Illustration: PLATE 8
+
+VALENCIA: PUERTA DE SERRANOS]
+
+[Illustration: PLATE 9
+
+VALENCIA: PUERTA DE CUARTE]
+
+[Illustration: PLATE 10
+
+VALENCIA: THE MARKET-PLACE]
+
+[Illustration: PLATE 11
+
+VALENCIA: THE PUENTE REAL]
+
+[Illustration: PLATE 12
+
+VALENCIA: PASEO DE LA GLORIETA]
+
+[Illustration: PLATE 13
+
+VALENCIA: PASEO DE LA GLORIETA]
+
+[Illustration: PLATE 14
+
+VALENCIA: PASEO DE LA ALAMEDA]
+
+[Illustration: PLATE 15
+
+VALENCIA: FOUNTAIN OF THE ALAMEDA]
+
+[Illustration: PLATE 16
+
+VALENCIA: PLAZA DE LA ADUANA]
+
+[Illustration: PLATE 17
+
+VALENCIA: PLAZA DE SANTO DOMINGO]
+
+[Illustration: PLATE 18
+
+VALENCIA: PLAZA DE SAN FRANCISCO]
+
+[Illustration: PLATE 19
+
+VALENCIA: PLAZA DE TÉTUAN]
+
+[Illustration: PLATE 20
+
+VALENCIA: PLAZA DE LA CONSTITUCION]
+
+[Illustration: PLATE 21
+
+VALENCIA: CALLE DE LA BAJADA DE SAN FRANCISCO]
+
+[Illustration: PLATE 22
+
+VALENCIA: CALLE DE SAN VICENTE]
+
+[Illustration: PLATE 23
+
+VALENCIA: TROS ALT]
+
+[Illustration: PLATE 24
+
+VALENCIA: CALLE DE LA BOLSERIA Y TROS ALT]
+
+[Illustration: PLATE 25
+
+VALENCIA: GENERAL VIEW OF THE CATHEDRAL]
+
+[Illustration: PLATE 26
+
+VALENCIA CATHEDRAL: GATE OF THE APOSTLES]
+
+[Illustration: PLATE 27
+
+VALENCIA: THE CATHEDRAL, PUERTA DEL PALAU]
+
+[Illustration: PLATE 28
+
+VALENCIA CATHEDRAL: A DOOR]
+
+[Illustration: PLATE 29
+
+VALENCIA: THE TEMPLE]
+
+[Illustration: PLATE 30
+
+VALENCIA: THE MIGUELETE]
+
+[Illustration: PLATE 31
+
+VALENCIA: CHURCH OF SANTA CATALINA]
+
+[Illustration: PLATE 32
+
+VALENCIA: CHURCH OF SANTA CATALINA]
+
+[Illustration: PLATE 33
+
+VALENCIA: CHURCH OF LOS SANTOS JUANES]
+
+[Illustration: PLATE 34
+
+VALENCIA: FAÇADE OF SAN MIGUEL EL REAL]
+
+[Illustration: PLATE 35
+
+VALENCIA: CHURCH OF SANTA CRUZ]
+
+[Illustration: PLATE 36
+
+VALENCIA: CHURCH OF SANTA CRUZ]
+
+[Illustration: PLATE 37
+
+VALENCIA: ENTRANCE TO THE CHURCH OF SAN ANDRÉS]
+
+[Illustration: PLATE 38
+
+VALENCIA: THE CAMPO-SANTO]
+
+[Illustration: PLATE 39
+
+VALENCIA: THE CAMPO-SANTO]
+
+[Illustration: PLATE 40
+
+VALENCIA: THE CAMPO-SANTO]
+
+[Illustration: PLATE 41
+
+VALENCIA: THE AUDIENCIA, OLD PALACE OF THE CORTES]
+
+[Illustration: PLATE 42
+
+VALENCIA: ROYAL HALL IN THE AUDIENCIA, UPPER PART]
+
+[Illustration: PLATE 43
+
+VALENCIA: ROYAL HALL IN THE AUDIENCIA, LOWER PART]
+
+[Illustration: PLATE 44
+
+VALENCIA: INTERIOR DOOR OF THE AUDIENCIA]
+
+[Illustration: PLATE 45
+
+VALENCIA: THE EXCHANGE]
+
+[Illustration: PLATE 46
+
+VALENCIA: THE EXCHANGE. DETAIL OF THE GALLERY]
+
+[Illustration: PLATE 47
+
+VALENCIA: INTERIOR OF THE EXCHANGE]
+
+[Illustration: PLATE 48
+
+VALENCIA: INTERIOR DOOR OF THE EXCHANGE]
+
+[Illustration: PLATE 49
+
+VALENCIA: COLEGIO DEL PATRIARCA]
+
+[Illustration: PLATE 50
+
+VALENCIA: COURTYARD IN THE COLEGIO DEL PATRIARCA]
+
+[Illustration: PLATE 51
+
+VALENCIA: COURTYARD OF THE UNIVERSITY]
+
+[Illustration: PLATE 52
+
+VALENCIA: ENTRANCE TO THE CIVIL HOSPITAL]
+
+[Illustration: PLATE 53
+
+VALENCIA: GATE OF MOSEN S’ORRELL]
+
+[Illustration: PLATE 54
+
+VALENCIA: THE CUSTOM-HOUSE]
+
+[Illustration: PLATE 55
+
+VALENCIA: THE ARCHBISHOP’S PALACE]
+
+[Illustration: PLATE 56
+
+VALENCIA: THE BULL-RING]
+
+[Illustration: PLATE 57
+
+VALENCIA: TOBACCO FACTORY]
+
+[Illustration: PLATE 58
+
+VALENCIA: A PRIVATE HOUSE]
+
+[Illustration: PLATE 59
+
+VALENCIA: STATUE OF KING JAIME]
+
+[Illustration: PLATE 60
+
+VALENCIA: STATUE OF RIBERA]
+
+[Illustration: PLATE 61
+
+VALENCIA: STATUE OF ST. CHRISTOPHER]
+
+[Illustration: PLATE 62
+
+VALENCIA: PALACE OF THE MARQUÉS DE DOS AGUAS]
+
+[Illustration: PLATE 63
+
+VALENCIA: PALACE OF THE MARQUÉS DE DOS AGUAS]
+
+[Illustration: PLATE 64
+
+VALENCIA: PORTAL OF THE PALACE OF THE MARQUÉS DE DOS AGUAS]
+
+[Illustration: PLATE 65
+
+VALENCIA: PALACE OF THE MARQUES DE RIPALDA]
+
+[Illustration: PLATE 66
+
+GENERAL VIEW OF GRAO]
+
+[Illustration: PLATE 67
+
+GRAO HARBOUR]
+
+[Illustration: PLATE 68
+
+GRAO HARBOUR]
+
+[Illustration: PLATE 69
+
+GRAO HARBOUR]
+
+[Illustration: PLATE 70
+
+CAMINO DEL GRAO: HERMITAGE OF AVE MARIA]
+
+[Illustration: PLATE 71
+
+VALENCIA: A “TARTANA,” OR CHAR-À-BANC]
+
+[Illustration: PLATE 72
+
+VALENCIA: PEASANTS]
+
+[Illustration: PLATE 73
+
+VALENCIA: PEASANTS]
+
+[Illustration: PLATE 74
+
+VALENCIA: PEASANTS]
+
+[Illustration: PLATE 75
+
+VALENCIA: TYPES OF WOMEN]
+
+[Illustration: PLATE 76
+
+VALENCIA: TRIBUNAL DES EAUX]
+
+[Illustration: PLATE 77
+
+VALENCIA: BARBERS ON THE BRIDGE OF SERRANOS]
+
+[Illustration: PLATE 78
+
+VALENCIA: ZIGZAG OF THE CABRILLAS]
+
+[Illustration: PLATE 79
+
+ENVIRONS OF VALENCIA: A ROAD IN CABAÑAL]
+
+[Illustration: PLATE 80
+
+ENVIRONS OF VALENCIA: A ROAD IN CABAÑAL]
+
+[Illustration: PLATE 81
+
+VALENCIA: THE SHORES OF THE MEDITERRANEAN]
+
+[Illustration: PLATE 82
+
+VALENCIA: THE SHORES OF THE MEDITERRANEAN]
+
+[Illustration: PLATE 83
+
+MURVIEDRO: GENERAL VIEW]
+
+[Illustration: PLATE 84
+
+MURVIEDRO: GENERAL VIEW]
+
+[Illustration: PLATE 85
+
+MURVIEDRO: VIEW FROM THE STATION]
+
+[Illustration: PLATE 86
+
+MURVIEDRO: VIEW FROM THE CASTLE]
+
+[Illustration: PLATE 87
+
+MURVIEDRO: THE CASTLE AND TOWN]
+
+[Illustration: PLATE 88
+
+MURVIEDRO: THE CASTLE]
+
+[Illustration: PLATE 89
+
+MURVIEDRO: THE CASTLE FROM ONE OF THE COURTS]
+
+[Illustration: PLATE 90
+
+MURVIEDRO: ENTRANCE TO THE CASTLE]
+
+[Illustration: PLATE 91
+
+MURVIEDRO: GENERAL VIEW OF THE ROMAN AMPHITHEATRE]
+
+[Illustration: PLATE 92
+
+MURVIEDRO: GENERAL VIEW OF THE ROMAN AMPHITHEATRE]
+
+[Illustration: PLATE 93
+
+MURVIEDRO: THE ROMAN AMPHITHEATRE]
+
+[Illustration: PLATE 94
+
+MURVIEDRO: INTERIOR OF THE ROMAN AMPHITHEATRE]
+
+[Illustration: PLATE 95
+
+MURVIEDRO: PRINCIPAL GATE OF THE ROMAN AMPHITHEATRE]
+
+[Illustration: PLATE 96
+
+MURVIEDRO: ENTRANCE TO THE ROMAN AMPHITHEATRE]
+
+[Illustration: PLATE 97
+
+MURVIEDRO: ENTRANCE TO THE ROMAN AMPHITHEATRE]
+
+[Illustration: PLATE 98
+
+JATIVA: GENERAL VIEW]
+
+[Illustration: PLATE 99
+
+JATIVA: VIEW FROM THE STATION]
+
+[Illustration: PLATE 100
+
+JATIVA: THE CIVIL HOSPITAL]
+
+[Illustration: PLATE 101
+
+ALICANTE: GENERAL VIEW]
+
+[Illustration: PLATE 102
+
+ALICANTE: THE CASTLE]
+
+[Illustration: PLATE 103
+
+ALICANTE: VIEW FROM THE CASTLE]
+
+[Illustration: PLATE 104
+
+ALICANTE: THE BREAKWATER]
+
+[Illustration: PLATE 105
+
+ALICANTE: GENERAL VIEW]
+
+[Illustration: PLATE 106
+
+ALICANTE: GENERAL VIEW]
+
+[Illustration: PLATE 107
+
+ALICANTE: GENERAL VIEW]
+
+[Illustration: PLATE 108
+
+ALICANTE: PASEO DE LOS MARTIRES]
+
+[Illustration: PLATE 109
+
+ALICANTE: PASEO DE LOS MARTIRES]
+
+[Illustration: PLATE 110
+
+ALICANTE: PASEO DE LOS MARTIRES]
+
+[Illustration: PLATE 111
+
+ALICANTE: PASEO DE LOS MARTIRES]
+
+[Illustration: PLATE 112
+
+ALICANTE: PASEO DE NUÑEZ]
+
+[Illustration: PLATE 113
+
+ALICANTE: THE TOWN HALL]
+
+[Illustration: PLATE 114
+
+ALICANTE: THE TOWN HALL]
+
+[Illustration: PLATE 115
+
+ALICANTE: MONUMENT TO QUIJANO]
+
+[Illustration: PLATE 116
+
+ALICANTE: THE BULL-RING]
+
+[Illustration: PLATE 117
+
+ELCHE: GENERAL VIEW]
+
+[Illustration: PLATE 118
+
+ELCHE: GENERAL VIEW]
+
+[Illustration: PLATE 119
+
+ELCHE: GENERAL VIEW]
+
+[Illustration: PLATE 120
+
+ELCHE: VIEW OF THE TOWN]
+
+[Illustration: PLATE 121
+
+ELCHE: PLAZA MAYOR]
+
+[Illustration: PLATE 122
+
+ELCHE: VIEW FROM THE STATION]
+
+[Illustration: PLATE 123
+
+ELCHE: THE ROAD TO ALICANTE]
+
+[Illustration: PLATE 124
+
+ELCHE: THE ROAD FROM ALICANTE]
+
+[Illustration: PLATE 125
+
+ELCHE: THE TOWN HALL]
+
+[Illustration: PLATE 126
+
+ELCHE: CHURCH OF SAN JUAN]
+
+[Illustration: PLATE 127
+
+ELCHE: BRIDGE OVER THE RAMBLA DE ELCHE]
+
+[Illustration: PLATE 128
+
+ELCHE: VIEW FROM THE RAILWAY BRIDGE]
+
+[Illustration: PLATE 129
+
+ELCHE: THE CANAL]
+
+[Illustration: PLATE 130
+
+ELCHE: WASHING LINEN IN THE CANAL]
+
+[Illustration: PLATE 131
+
+ELCHE: A CANAL]
+
+[Illustration: PLATE 132
+
+ELCHE: TOWER OF RAPSAMBLANC, BELONGING TO THE CONDE DE LUNA]
+
+[Illustration: PLATE 133
+
+ELCHE: CASTLE OF THE DUQUE DE ALTAMIRA, NOW A PRISON]
+
+[Illustration: PLATE 134
+
+ELCHE: MILL AND CASTLE OF THE DUQUE DE ALTAMIRA]
+
+[Illustration: PLATE 135
+
+ELCHE: CASTLE OF THE DUQUE DE ALTAMIRA]
+
+[Illustration: PLATE 136
+
+ELCHE: CASTLE AND MILL]
+
+[Illustration: PLATE 137
+
+ELCHE: PALMS]
+
+[Illustration: PLATE 138
+
+ELCHE: COUNTRY SPINNERS]
+
+[Illustration: PLATE 139
+
+ELCHE: CASA DE LA HUERTA]
+
+[Illustration: PLATE 140
+
+ELCHE: A COUNTRY ROAD]
+
+[Illustration: PLATE 141
+
+ELCHE: A COUNTRY HOUSE]
+
+[Illustration: PLATE 142
+
+ELCHE: A COUNTRY HOUSE]
+
+[Illustration: PLATE 143
+
+ELCHE: A FAMOUS PALM]
+
+[Illustration: PLATE 144
+
+ELCHE: A PALM CELEBRATED FOR ITS RESEMBLANCE TO A COLUMN]
+
+[Illustration: PLATE 145
+
+ELCHE: PALM GROVES]
+
+[Illustration: PLATE 146
+
+ELCHE: A ROAD]
+
+[Illustration: PLATE 147
+
+SAX: GENERAL VIEW]
+
+[Illustration: PLATE 148
+
+MURCIA: GENERAL VIEW]
+
+[Illustration: PLATE 149
+
+MURCIA: VIEW FROM THE TOWER OF THE CATHEDRAL, TOWARDS THE SOUTH]
+
+[Illustration: PLATE 150
+
+MURCIA: VIEW OF THE TOWN]
+
+[Illustration: PLATE 151
+
+MURCIA: GENERAL VIEW OF THE TOWN]
+
+[Illustration: PLATE 152
+
+MURCIA: GENERAL VIEW OF THE TOWN]
+
+[Illustration: PLATE 153
+
+MURCIA: GENERAL VIEW OF THE TOWN]
+
+[Illustration: PLATE 154
+
+MURCIA: GENERAL VIEW]
+
+[Illustration: PLATE 155
+
+MURCIA: THE BRIDGE]
+
+[Illustration: PLATE 156
+
+MURCIA: THE RIVER]
+
+[Illustration: PLATE 157
+
+MURCIA: THE BRIDGE OVER THE SEGURA]
+
+[Illustration: PLATE 158
+
+MURCIA: THE RIVER SEGURA]
+
+[Illustration: PLATE 159
+
+MURCIA: THE FAIR]
+
+[Illustration: PLATE 160
+
+MURCIA: THE FAIR]
+
+[Illustration: PLATE 161
+
+MURCIA: THE MARKET-PLACE]
+
+[Illustration: PLATE 162
+
+MURCIA: PLAZA DE SANTO DOMINGO ON MARKET-DAY]
+
+[Illustration: PLATE 163
+
+MURCIA: PASEO DEL MALECON]
+
+[Illustration: PLATE 164
+
+MURCIA: PLAZA DE SANTA CATALINA]
+
+[Illustration: PLATE 165
+
+MURCIA: PLAZA DE TOROS, NOW PLAZA DE SAN AUGUSTIN]
+
+[Illustration: PLATE 166
+
+MURCIA: PASEO DEL ARENAL]
+
+[Illustration: PLATE 167
+
+MURCIA: PLAZA DE SAN PEDRO]
+
+[Illustration: PLATE 168
+
+MURCIA: PASEO DE FLORIDABLANCA AND PALACE OF THE EXHIBITION]
+
+[Illustration: PLATE 169
+
+MURCIA: PLAZA DE SANTA ISABELLA]
+
+[Illustration: PLATE 170
+
+MURCIA: CALLE DEL PUENTE]
+
+[Illustration: PLATE 171
+
+MURCIA: PLAZA DE LA GLORIÉTA]
+
+[Illustration: PLATE 172
+
+MURCIA: PLAZA DE LA GLORIÉTA]
+
+[Illustration: PLATE 173
+
+MURCIA: THE CATHEDRAL]
+
+[Illustration: PLATE 174
+
+MURCIA: GENERAL VIEW OF THE CATHEDRAL]
+
+[Illustration: PLATE 175
+
+MURCIA: PRINCIPAL FAÇADE OF THE CATHEDRAL]
+
+[Illustration: PLATE 176
+
+MURCIA: TOWER OF THE CATHEDRAL]
+
+[Illustration: PLATE 177
+
+MURCIA: SIDE DOOR OF THE CATHEDRAL]
+
+[Illustration: PLATE 178
+
+MURCIA CATHEDRAL: GATE OF THE APOSTLES]
+
+[Illustration: PLATE 179
+
+MURCIA CATHEDRAL: CHAPEL OF THE MARQUÉS DE LOS VELEZ]
+
+[Illustration: PLATE 180
+
+MURCIA CATHEDRAL: DETAIL OF THE FAÇADE]
+
+[Illustration: PLATE 181
+
+MURCIA: DETAIL OF THE CATHEDRAL]
+
+[Illustration: PLATE 182
+
+MURCIA CATHEDRAL: WINDOW OF THE BELFRY]
+
+[Illustration: PLATE 183
+
+MURCIA CATHEDRAL: PRINCIPAL NAVE]
+
+[Illustration: PLATE 184
+
+MURCIA CATHEDRAL: LATERAL NAVE]
+
+[Illustration: PLATE 185
+
+MURCIA CATHEDRAL: BEHIND THE CHOIR]
+
+[Illustration: PLATE 186
+
+MURCIA CATHEDRAL: ENTRANCE TO THE CHAPEL OF THE MARQUÉS DE LOS VELEZ]
+
+[Illustration: PLATE 187
+
+MURCIA CATHEDRAL: CHAPEL OF THE MARQUÉS DE LOS VELEZ]
+
+[Illustration: PLATE 188
+
+MURCIA CATHEDRAL: THE HIGH ALTAR]
+
+[Illustration: PLATE 189
+
+MURCIA CATHEDRAL: THE HIGH ALTAR]
+
+[Illustration: PLATE 190
+
+MURCIA CATHEDRAL: GENERAL VIEW OF THE CHOIR]
+
+[Illustration: PLATE 191
+
+MURCIA CATHEDRAL: THE BISHOP’S THRONE, IN THE CHOIR]
+
+[Illustration: PLATE 192
+
+MURCIA CATHEDRAL: DETAIL OF THE CHOIR STALLS]
+
+[Illustration: PLATE 193
+
+MURCIA CATHEDRAL: DETAIL OF THE CHOIR STALLS]
+
+[Illustration: PLATE 194
+
+MURCIA CATHEDRAL: THE SACRISTY]
+
+[Illustration: PLATE 195
+
+MURCIA CATHEDRAL: TOMB OF ALFONSO THE WISE]
+
+[Illustration: PLATE 196
+
+MURCIA: CHURCH OF SANTO DOMINGO]
+
+[Illustration: PLATE 197
+
+MURCIA: CHURCH OF SANTO DOMINGO]
+
+[Illustration: PLATE 198
+
+MURCIA: CHURCH OF SAN BARTOLOMÉ]
+
+[Illustration: PLATE 199
+
+MURCIA: FAÇADE OF THE CONVENT DE LA MISERICORDIA]
+
+[Illustration: PLATE 200
+
+MURCIA: PALACE OF THE MARQUÉS DE VILLAFRANCA DE LOS VELEZ AND CONVENT OF
+SANTA CLARA]
+
+[Illustration: PLATE 201
+
+MURCIA: THE EPISCOPAL PALACE]
+
+[Illustration: PLATE 202
+
+MURCIA: CASA HUERTA DE LAS BOMBAS]
+
+[Illustration: PLATE 203
+
+MURCIA: PALACE OF THE MARQUÉS DE ALMODOVAR]
+
+[Illustration: PLATE 204
+
+MURCIA: PALACE OF THE BARON DE ALBALA]
+
+[Illustration: PLATE 205
+
+MURCIA: PALACE OF THE MARQUÉS DE ESPINARDO]
+
+[Illustration: PLATE 206
+
+MURCIA: THE “CONTRASTE”]
+
+[Illustration: PLATE 207
+
+MURCIA: MONUMENT TO SALZILLO]
+
+[Illustration: PLATE 208
+
+MURCIA: ROMAN ALTAR DEDICATED TO PEACE, FOUND IN CARTHAGENA AND MOVED IN
+1594 TO THE PALACE OF THE MARQUÉS DE ESPINARDO]
+
+[Illustration: PLATE 209
+
+MURCIA: HOUSE IN THE CALLE JABONERIA]
+
+[Illustration: PLATE 210
+
+MURCIA: HOUSE OF THE PAINTER VILLASIS]
+
+[Illustration: PLATE 211
+
+MURCIA: A BALCONY IN THE CALLE TRAPERIA]
+
+[Illustration: PLATE 212
+
+MURCIA: PUERTA CADENAS]
+
+[Illustration: PLATE 213
+
+MURCIA: TEATRO DE ROMEA]
+
+[Illustration: PLATE 214
+
+MURCIA: THE BULL RING]
+
+[Illustration: PLATE 215
+
+MURCIA: THE TOWN HALL]
+
+[Illustration: PLATE 216
+
+MURCIA: THE TOWN HALL]
+
+[Illustration: PLATE 217
+
+MURCIA: PROCESSION LEAVING THE CHURCH OF JESUS IN HOLY WEEK ST.
+VERONICA]
+
+[Illustration: PLATE 218
+
+MURCIA: PROCESSION LEAVING THE CHURCH OF JESUS IN HOLY WEEK
+
+THE KISS OF JUDAS]
+
+[Illustration: PLATE 219
+
+MURCIA: PROCESSION IN HOLY WEEK. THE GARDEN OF GETHSEMANE]
+
+[Illustration: PLATE 220
+
+MURCIA: PROCESSION IN HOLY WEEK. OUR LORD FALLING]
+
+[Illustration: PLATE 221
+
+MURCIA: PROCESSION IN HOLY WEEK. THE SCOURGING]
+
+[Illustration: PLATE 222
+
+MURCIA: CHURCH OF JESUS THE LAST SUPPER, BY ZARZILLO]
+
+[Illustration: PLATE 223
+
+MURCIA: PILGRIMAGE OF ST. BLAS]
+
+[Illustration: PLATE 224
+
+MURCIA: RUINS OF THE ARAB BATHS]
+
+[Illustration: PLATE 225
+
+ENVIRONS OF MURCIA: CONVENT OF SAN JERONIMO]
+
+[Illustration: PLATE 226
+
+ENVIRONS OF MURCIA: HERMITAGE OF THE FUENSANTA]
+
+[Illustration: PLATE 227
+
+ENVIRONS OF MURCIA: HERMITAGE OF THE FUENSANTA]
+
+[Illustration: PLATE 228
+
+ENVIRONS OF MURCIA: HERMITAGE OF THE FUENSANTA]
+
+[Illustration: PLATE 229
+
+ENVIRONS OF MURCIA: CASTLE OF MONTEAGUDO]
+
+[Illustration: PLATE 230
+
+MURCIA: PAISAJE DE LA HUERTA]
+
+[Illustration: PLATE 231
+
+MURCIA: PAISAJE DE LA HUERTA]
+
+[Illustration: PLATE 232
+
+MURCIA: PAISAJE DE LA HUERTA]
+
+[Illustration: PLATE 233
+
+MURCIA: A CART LOADED WITH “TINAJAS”]
+
+[Illustration: PLATE 234
+
+MURCIA: HARVEST-TIME]
+
+[Illustration: PLATE 235
+
+ENVIRONS OF MURCIA: THE HUERTA DES CAPUCINS]
+
+[Illustration: PLATE 236
+
+ENVIRONS OF MURCIA: THE HUERTA DES CAPUCINS]
+
+[Illustration: PLATE 237
+
+ENVIRONS OF MURCIA: VIEW FROM THE HUERTA DES CAPUCINS]
+
+[Illustration: PLATE 238
+
+ENVIRONS OF MURCIA: THE HUERTA DES CAPUCINS, DATE-GATHERING]
+
+[Illustration: PLATE 239
+
+ORIHUELA: GENERAL VIEW]
+
+[Illustration: PLATE 240
+
+ORIHUELA: GENERAL VIEW FROM THE PUERTA DE MURCIA]
+
+[Illustration: PLATE 241
+
+ORIHUELA: THE RIVER SEGURA]
+
+[Illustration: PLATE 242
+
+ORIHUELA: THE RIVER SEGURA FROM THE EAST]
+
+[Illustration: PLATE 243
+
+ORIHUELA: DOOR OF THE CHURCH OF SANTIAGO]
+
+[Illustration: PLATE 244
+
+CARTHAGENA: GENERAL VIEW]
+
+[Illustration: PLATE 245
+
+CARTHAGENA: A PARTIAL VIEW.]
+
+[Illustration: PLATE 246
+
+CARTHAGENA: VIEW FROM THE STATION]
+
+[Illustration: PLATE 247
+
+CARTHAGENA: VIEW FROM THE HIGH ROAD]
+
+[Illustration: PLATE 248
+
+CARTHAGENA: VIEW FROM QUITAPELLIJOS]
+
+[Illustration: PLATE 249
+
+CARTHAGENA: VIEW FROM THE FORT OF ATALAYA]
+
+[Illustration: PLATE 250
+
+CARTHAGENA: VIEW FROM THE FORT OF ATALAYA]
+
+[Illustration: PLATE 251
+
+CARTHAGENA: VIEW FROM ST. JOSEPH’S MILL]
+
+[Illustration: PLATE 252
+
+CARTHAGENA: VIEW FROM ST. JOSEPH’S MILL]
+
+[Illustration: PLATE 253
+
+CARTHAGENA: VIEW FROM THE FORT OF GALERA]
+
+[Illustration: PLATE 254
+
+CARTHAGENA: VIEW FROM THE FORT OF GALERA]
+
+[Illustration: PLATE 255
+
+CARTHAGENA: VIEW OF THE HARBOUR]
+
+[Illustration: PLATE 256
+
+CARTHAGENA: SANTA LUCIA AND THE HARBOUR]
+
+[Illustration: PLATE 257
+
+CARTHAGENA: THE HARBOUR FROM SANTA LUCIA]
+
+[Illustration: PLATE 258
+
+CARTHAGENA: THE HARBOUR FROM SANTA LUCIA]
+
+[Illustration: PLATE 259
+
+CARTHAGENA: THE HARBOUR FROM THE POWDER MAGAZINE]
+
+[Illustration: PLATE 260
+
+CARTHAGENA: THE HARBOUR FROM TRINCABATIJOS]
+
+[Illustration: PLATE 261
+
+CARTHAGENA: VIEW FROM THE ESPLANADERO]
+
+[Illustration: PLATE 262
+
+CARTHAGENA: THE ENTRANCE TO THE HARBOUR FROM TRINCABATIJOS]
+
+[Illustration: PLATE 263
+
+CARTHAGENA: THE BREAKWATER]
+
+[Illustration: PLATE 264
+
+CARTHAGENA: ENTRANCE TO THE HARBOUR]
+
+[Illustration: PLATE 265
+
+CARTHAGENA: ENTRANCE TO THE ARSENAL]
+
+[Illustration: PLATE 266
+
+CARTHAGENA: PUERTA DEL MAR]
+
+[Illustration: PLATE 267
+
+CARTHAGENA: PUERTA DE MURCIA]
+
+[Illustration: PLATE 268
+
+CARTHAGENA: PLAZA DE LAS MONJAS]
+
+[Illustration: PLATE 269
+
+CARTHAGENA: THE MARINE COLLEGE]
+
+[Illustration: PLATE 270
+
+CARTHAGENA: THE BULL-RING]
+
+[Illustration: PLATE 271
+
+ARCHENA: THE BATHS, FROM LA SIERRA DE VERDELENA]
+
+[Illustration: PLATE 272
+
+ARCHENA: GENERAL VIEW OF THE BATHS FROM THE WEST]
+
+[Illustration: PLATE 273
+
+ARCHENA: GENERAL VIEW OF THE BATHS AT THE ENTRANCE TO THE VILLAGE]
+
+[Illustration: PLATE 274
+
+ARCHENA: ENTRANCE TO THE BATHS]
+
+[Illustration: PLATE 275
+
+ARCHENA: THE CARRETERA AND RIVER SEGURA]
+
+[Illustration: PLATE 276
+
+ARCHENA: VIEW OF THE CHURCH]
+
+[Illustration: PLATE 277
+
+ARCHENA: INTERIOR OF THE CHURCH]
+
+[Illustration: PLATE 278
+
+ARCHENA: THE CHURCH: ALTAR OF THE “VIRGEN DE LA SALUD”]
+
+[Illustration: PLATE 279
+
+ENVIRONS OF ARCHENA: VIEW OF VILLANUEVA]
+
+[Illustration: PLATE 280
+
+ENVIRONS OF ARCHENA: VIEW OF BLANCA FROM THE SALTO DEL PALOMO]
+
+[Illustration: PLATE 281
+
+ENVIRONS OF ARCHENA: VIEW OF BLANCA FROM BUJAMENTE]
+
+[Illustration: PLATE 282
+
+ENVIRONS OF ARCHENA: VILLAGE AND GARDENS OF ULEA FROM VILLANUEVA]
+
+[Illustration: PLATE 283
+
+ENVIRONS OF ARCHENA: VILLAGE AND GARDENS OF ULEA, EAST SIDE]
+
+[Illustration: PLATE 284
+
+ENVIRONS OF ARCHENA: VILLAGE OF OJOS AND MOUNTAINS]
+
+[Illustration: PLATE 285
+
+ENVIRONS OF ARCHENA: THE GARDENS OF OJOS, FROM THE LOVERS’ LEAP]
+
+[Illustration: PLATE 286
+
+ENVIRONS OF ARCHENA: THE LOVERS’ LEAP]
+
+[Illustration: PLATE 287
+
+LORCA: GENERAL VIEW]
+
+[Illustration: PLATE 288
+
+LORCA: VIEW FROM THE RAILWAY STATION]
+
+
+
+
+
+End of Project Gutenberg's Valencia and Murcia, by Albert F. Calvert
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+max-width:20em;padding:1em;}
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+
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+
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+font-variant:small-caps;}
+
+.cb {text-align:center;text-indent:0%;font-weight:bold;}
+
+.figcenter   {margin:3% auto 3% auto;clear:both;
+text-align:center;text-indent:0%;}
+
+ h1 {margin-top:5%;text-align:center;clear:both;
+font-weight:normal;}
+
+ h2 {margin-top:4%;margin-bottom:2%;text-align:center;clear:both;
+ font-size:105%;font-weight:normal;}
+
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+
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+
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+ {.nonvis
+ {display: none;}
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+ p {margin-top:.2em;text-align:justify;margin-bottom:.2em;text-indent:4%;}
+
+.pagenum  {font-style:normal;position:absolute;
+left:95%;font-size:55%;text-align:right;color:gray;
+background-color:#ffffff;font-variant:normal;font-style:normal;font-weight:normal;text-decoration:none;text-indent:0em;}
+@media print, handheld
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+ {display: none;}
+ }
+
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+
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+.smcap  {font-variant:small-caps;font-size:100%;}
+
+table {margin-top:2%;margin-bottom:2%;margin-left:auto;margin-right:auto;border:none;}
+
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+
+th {padding-top:2em;padding-bottom:1em;}
+
+div.pote {text-align:center;}
+div.potem {font-size:100%;margin:auto auto;text-indent:0%;
+display: inline-block; text-align: left;}
+.stot     {margin-top: .5em;margin-bottom:5em;}
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+  </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Valencia and Murcia, by Albert F. Calvert
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org/license
+
+
+Title: Valencia and Murcia
+
+Author: Albert F. Calvert
+
+Release Date: September 6, 2020 [EBook #63136]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK VALENCIA AND MURCIA ***
+
+
+
+
+Produced by Chuck Greif and the Online Distributed
+Proofreading Team at http://www.pgdp.net (This file was
+produced from images available at The Internet Archive)
+
+
+
+
+
+
+</pre>
+
+<hr class="full" />
+
+<p class="figcenter">
+<a href="images/cover.jpg">
+<img src="images/cover.jpg"
+height="550" alt="[Image of
+the book's cover unavailable.]" /></a>
+</p>
+
+<table border="0" cellpadding="0" cellspacing="0" summary=""
+style="border: 2px black solid;margin:auto auto;max-width:50%;
+padding:1%;">
+<tr><td>
+
+<p class="c"><a href="#CONTENTS">Contents.</a></p>
+
+<p class="c"><a href="#LIST_OF_ILLUSTRATIONS">List of Illustrations</a><br /> <span class="nonvis">(In certain versions of this etext [in certain browsers]
+clicking on the image will bring up a larger version.)</span></p>
+
+<p class="c">(etext transcriber's note: No misspellings of Spanish words
+have been corrected.)</p></td></tr>
+</table>
+
+<p><span class="pagenum"><a name="page_i" id="page_i">{i}</a></span>&nbsp; </p>
+
+<p class="c">THE SPANISH SERIES</p>
+
+<p class="c"><big>VALENCIA AND MURCIA</big></p>
+
+<p><span class="pagenum"><a name="page_ii" id="page_ii">{ii}</a></span>&nbsp; </p>
+
+<div class="bbox">
+<p class="c">THE SPANISH SERIES<br /><br />
+<i>EDITED BY<br />
+ALBERT F. CALVERT</i></p>
+
+<table border="0" cellpadding="0" cellspacing="0" summary="">
+
+<tr><td style="padding:0%;" class="nind">
+<span class="smcap">Goya</span><br />
+<span class="smcap">Toledo</span><br />
+<span class="smcap">Madrid</span><br />
+<span class="smcap">Seville</span><br />
+<span class="smcap">Murillo</span><br />
+<span class="smcap">Cordova</span><br />
+<span class="smcap">El Greco</span><br />
+<span class="smcap">Velazquez</span><br />
+<span class="smcap">Cervantes</span><br />
+<span class="smcap">The Prado</span><br />
+<span class="smcap">The Escorial</span><br />
+<span class="smcap">Royal Palaces of Spain</span><br />
+<span class="smcap">Spanish Arms and Armour</span><br />
+<span class="smcap">Granada and the Alhambra</span><br />
+<span class="smcap">Leon, Burgos, and Salamanca</span><br />
+<span class="smcap">Valladolid, Oviedo, Segovia, Zamora, Avila, and Zaragoza</span><br />
+</td></tr>
+</table>
+</div>
+
+<p><span class="pagenum"><a name="page_iii" id="page_iii">{iii}</a></span>&nbsp; </p>
+
+<h1>VALENCIA<br />
+AND MURCIA</h1>
+
+<div class="pote"><div class="potem">
+<div class="stot"><b>
+A GLANCE AT AFRICAN SPAIN<br />
+BY A. F. CALVERT <img src="images/flwrs.png"
+width="100"
+alt=""
+/><br />
+
+WITH 288 PLATES <img src="images/flwrs.png"
+width="100"
+alt=""
+/><br /></b>
+</div>
+</div>
+</div>
+
+<p class="cb">
+LONDON: JOHN LANE, THE BODLEY HEAD<br />
+NEW YORK: JOHN LANE COMPANY: MCMXI<br />
+<span class="pagenum"><a name="page_iv" id="page_iv">{iv}</a></span>
+
+<br /><br /><br />
+<small>THE BALLANTYNE PRESS TAVISTOCK STREET COVENT GARDEN LONDON<br /></small>
+<span class="pagenum"><a name="page_v" id="page_v">{v}</a></span></p>
+
+<h2><a name="CONTENTS" id="CONTENTS"></a>CONTENTS</h2>
+
+<table border="0" cellpadding="4" cellspacing="0" summary="">
+
+<tr><td>&nbsp;</td><td><small>PAGE</small></td></tr>
+<tr><td valign="top"><a href="#THE_OLD_KINGDOM_OF_VALENCIA">THE OLD KINGDOM OF VALENCIA</a></td><td class="rt" valign="bottom"><a href="#page_1">1</a></td></tr>
+<tr><td valign="top"><a href="#SAGUNTUM_AND_CASTELLON">SAGUNTUM AND CASTELLON</a></td><td class="rt" valign="bottom"><a href="#page_26">26</a></td></tr>
+<tr><td valign="top"><a href="#THE_KINGDOM_OF_MURCIA">THE KINGDOM OF MURCIA</a></td><td class="rt" valign="bottom"><a href="#page_33">33</a></td></tr>
+</table>
+
+<p><span class="pagenum"><a name="page_vi" id="page_vi">{vi}</a></span>&nbsp; </p>
+
+<p><span class="pagenum"><a name="page_vii" id="page_vii">{vii}</a></span>&nbsp; </p>
+
+<h2><a name="LIST_OF_ILLUSTRATIONS" id="LIST_OF_ILLUSTRATIONS"></a>LIST OF ILLUSTRATIONS</h2>
+
+<table border="0" cellpadding="2" cellspacing="0" summary=""
+style="margin:1em auto;max-width:85%;">
+
+<tr><th colspan="2">VALENCIA</th></tr>
+
+<tr><td class="c"><small>TITLE</small></td>
+<td class="rt"><small>PLATE</small></td></tr>
+
+<tr><td valign="top"><a href="#plt_001">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_001">1</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_002">General View, looking South</a></td>
+<td class="rt" valign="bottom"><a href="#plt_002">2</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_003">View from the Puente del Mar</a></td>
+<td class="rt" valign="bottom"><a href="#plt_003">3</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_004">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_004">4</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_005">View from the Puente del Mar</a></td>
+<td class="rt" valign="bottom"><a href="#plt_005">5</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_006">Entrance to the Town by the Puerta de Santa Lucia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_006">6</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_007">The Fair at the Puerta de Santa Lucia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_007">7</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_008">Puerta de Serranos</a></td>
+<td class="rt" valign="bottom"><a href="#plt_008">8</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_009">Puerta de Cuarte</a></td>
+<td class="rt" valign="bottom"><a href="#plt_009">9</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_010">The Market-Place</a></td>
+<td class="rt" valign="bottom"><a href="#plt_010">10</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_011">The Puente Real</a></td>
+<td class="rt" valign="bottom"><a href="#plt_011">11</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_012">Paseo de la Glorieta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_012">12</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_013">Paseo de la Glorieta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_013">13</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_014">Paseo de la Alameda</a></td>
+<td class="rt" valign="bottom"><a href="#plt_014">14</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_015">Fountain of the Alameda</a></td>
+<td class="rt" valign="bottom"><a href="#plt_015">15</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_016">Plaza de la Aduana</a></td>
+<td class="rt" valign="bottom"><a href="#plt_016">16</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_017">Plaza de Santo Domingo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_017">17</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_018">Plaza de San Francisco</a></td>
+<td class="rt" valign="bottom"><a href="#plt_018">18</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_019">Plaza de Tétuan</a></td>
+<td class="rt" valign="bottom"><a href="#plt_019">19</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_020">Plaza de la Constitucion</a></td>
+<td class="rt" valign="bottom"><a href="#plt_020">20</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_021">Calle de la Bajada de San Francisco</a></td>
+<td class="rt" valign="bottom"><a href="#plt_021">21</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_022">Calle de San Vicente</a></td>
+<td class="rt" valign="bottom"><a href="#plt_022">22</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_023">Tros Alt</a></td>
+<td class="rt" valign="bottom"><a href="#plt_023">23</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_024">Calle de la Bolseria y Tros Alt</a></td>
+<td class="rt" valign="bottom"><a href="#plt_024">24</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_025">General View of the Cathedral</a></td>
+<td class="rt" valign="bottom"><a href="#plt_025">25</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_026">The Cathedral: Gate of the Apostles</a></td>
+<td class="rt" valign="bottom"><a href="#plt_026">26</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_027">The Cathedral: Puerta del Palau</a></td>
+<td class="rt" valign="bottom"><a href="#plt_027">27</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_028">The Cathedral: A Door</a></td>
+<td class="rt" valign="bottom"><a href="#plt_028">28</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_029">The Temple</a></td>
+<td class="rt" valign="bottom"><a href="#plt_029">29</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_030">The Miguelete</a></td>
+<td class="rt" valign="bottom"><a href="#plt_030">30</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_031">Church of Santa Catalina</a></td>
+<td class="rt" valign="bottom"><a href="#plt_031">31</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_032">Church of Santa Catalina</a></td>
+<td class="rt" valign="bottom"><a href="#plt_032">32</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_033">Church of Los Santos Juanes</a></td>
+<td class="rt" valign="bottom"><a href="#plt_033">33</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_034">Façade of San Miguel el Real</a></td>
+<td class="rt" valign="bottom"><a href="#plt_034">34</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_035">Church of Santa Cruz</a></td>
+<td class="rt" valign="bottom"><a href="#plt_035">35</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_036">Church of Santa Cruz</a></td>
+<td class="rt" valign="bottom"><a href="#plt_036">36</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_037">Entrance to the Church of San Andrés</a></td>
+<td class="rt" valign="bottom"><a href="#plt_037">37</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_038">The Campo-Santo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_038">38</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_039">The Campo-Santo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_039">39</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_040">The Campo-Santo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_040">40</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_041">The Audiencia, old Palace of the Cortes</a></td>
+<td class="rt" valign="bottom"><a href="#plt_041">41</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_042">Royal Hall in the Audiencia, upper part</a></td>
+<td class="rt" valign="bottom"><a href="#plt_042">42</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_043">Royal Hall in the Audiencia, lower part</a></td>
+<td class="rt" valign="bottom"><a href="#plt_043">43</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_044">Interior Door of the Audiencia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_044">44</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_045">The Exchange</a></td>
+<td class="rt" valign="bottom"><a href="#plt_045">45</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_046">The Exchange: Detail of the Gallery</a></td>
+<td class="rt" valign="bottom"><a href="#plt_046">46</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_047">Interior of the Exchange</a></td>
+<td class="rt" valign="bottom"><a href="#plt_047">47</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_048">Interior Door of the Exchange</a></td>
+<td class="rt" valign="bottom"><a href="#plt_048">48</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_049">Colegio del Patriarca</a></td>
+<td class="rt" valign="bottom"><a href="#plt_049">49</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_050">Courtyard in the Colegio del Patriarca</a></td>
+<td class="rt" valign="bottom"><a href="#plt_050">50</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_051">Courtyard of the University</a></td>
+<td class="rt" valign="bottom"><a href="#plt_051">51</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_052">Entrance to the Civil Hospital</a></td>
+<td class="rt" valign="bottom"><a href="#plt_052">52</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_053">Gate of Mosen S’Orrell</a></td>
+<td class="rt" valign="bottom"><a href="#plt_053">53</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_054">The Custom-House</a></td>
+<td class="rt" valign="bottom"><a href="#plt_054">54</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_055">The Archbishop’s Palace</a></td>
+<td class="rt" valign="bottom"><a href="#plt_055">55</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_056">The Bull-Ring</a></td>
+<td class="rt" valign="bottom"><a href="#plt_056">56</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_057">Tobacco Factory</a></td>
+<td class="rt" valign="bottom"><a href="#plt_057">57</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_058">A Private House</a></td>
+<td class="rt" valign="bottom"><a href="#plt_058">58</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_059">Statue of King Jaime</a></td>
+<td class="rt" valign="bottom"><a href="#plt_059">59</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_060">Statue of Ribera</a></td>
+<td class="rt" valign="bottom"><a href="#plt_060">60</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_061">Statue of St Christopher</a></td>
+<td class="rt" valign="bottom"><a href="#plt_061">61</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_062">Palace of the Marqués de Dos Aguas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_062">62</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_063">Palace of the Marqués de Dos Aguas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_063">63</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_064">Portal of the Palace of the Marqués de Dos Aguas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_064">64</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_065">Palace of the Marqués de Ripalda</a></td>
+<td class="rt" valign="bottom"><a href="#plt_065">65</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_066">General View of Grao</a></td>
+<td class="rt" valign="bottom"><a href="#plt_066">66</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_067">Grao Harbour</a></td>
+<td class="rt" valign="bottom"><a href="#plt_067">67</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_068">Grao Harbour</a></td>
+<td class="rt" valign="bottom"><a href="#plt_068">68</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_069">Grao Harbour</a></td>
+<td class="rt" valign="bottom"><a href="#plt_069">69</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_070">Camino del Grao: Hermitage of Ave Maria</a></td>
+<td class="rt" valign="bottom"><a href="#plt_070">70</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_071">A “Tartana,” or Char-à-banc</a></td>
+<td class="rt" valign="bottom"><a href="#plt_071">71</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_072">Peasants</a></td>
+<td class="rt" valign="bottom"><a href="#plt_072">72</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_073">Peasants</a></td>
+<td class="rt" valign="bottom"><a href="#plt_073">73</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_074">Peasants</a></td>
+<td class="rt" valign="bottom"><a href="#plt_074">74</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_075">Types of Women</a></td>
+<td class="rt" valign="bottom"><a href="#plt_075">75</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_076">“Tribunal des Eaux”</a></td>
+<td class="rt" valign="bottom"><a href="#plt_076">76</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_077">Barbers on the Bridge of Serranos</a></td>
+<td class="rt" valign="bottom"><a href="#plt_077">77</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_078">Zigzag of the Cabrillas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_078">78</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_079">A Road in Cabañal</a></td>
+<td class="rt" valign="bottom"><a href="#plt_079">79</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_080">A Road in Cabañal</a></td>
+<td class="rt" valign="bottom"><a href="#plt_080">80</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_081">The Shores of the Mediterranean</a></td>
+<td class="rt" valign="bottom"><a href="#plt_081">81</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_082">The Shores of the Mediterranean</a></td>
+<td class="rt" valign="bottom"><a href="#plt_082">82</a></td></tr>
+
+<tr><th colspan="2">MURVIEDRO</th></tr>
+
+<tr><td valign="top"><a href="#plt_083">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_083">83</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_084">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_084">84</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_085">View from the Station</a></td>
+<td class="rt" valign="bottom"><a href="#plt_085">85</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_086">View from the Castle</a></td>
+<td class="rt" valign="bottom"><a href="#plt_086">86</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_087">The Castle and Town</a></td>
+<td class="rt" valign="bottom"><a href="#plt_087">87</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_088">The Castle</a></td>
+<td class="rt" valign="bottom"><a href="#plt_088">88</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_089">The Castle from one of the Courts</a></td>
+<td class="rt" valign="bottom"><a href="#plt_089">89</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_090">Entrance to the Castle</a></td>
+<td class="rt" valign="bottom"><a href="#plt_090">90</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_091">General View of the Roman Amphitheatre</a></td>
+<td class="rt" valign="bottom"><a href="#plt_091">91</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_092">General View of the Roman Amphitheatre</a></td>
+<td class="rt" valign="bottom"><a href="#plt_092">92</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_093">The Roman Amphitheatre</a></td>
+<td class="rt" valign="bottom"><a href="#plt_093">93</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_094">Interior of the Roman Amphitheatre</a></td>
+<td class="rt" valign="bottom"><a href="#plt_094">94</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_095">Principal Gate of the Roman Amphitheatre</a></td>
+<td class="rt" valign="bottom"><a href="#plt_095">95</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_096">Entrance to the Roman Amphitheatre</a></td>
+<td class="rt" valign="bottom"><a href="#plt_096">96</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_097">Entrance to the Roman Amphitheatre</a></td>
+<td class="rt" valign="bottom"><a href="#plt_097">97</a></td></tr>
+
+<tr><th colspan="2">JATIVA</th></tr>
+
+<tr><td valign="top"><a href="#plt_098">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_098">98</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_099">View from the Station</a></td>
+<td class="rt" valign="bottom"><a href="#plt_099">99</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_100">The Civil Hospital</a></td>
+<td class="rt" valign="bottom"><a href="#plt_100">100</a></td></tr>
+
+<tr><th colspan="2">ALICANTE</th></tr>
+
+<tr><td valign="top"><a href="#plt_101">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_101">101</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_102">The Castle</a></td>
+<td class="rt" valign="bottom"><a href="#plt_102">102</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_103">View from the Castle</a></td>
+<td class="rt" valign="bottom"><a href="#plt_103">103</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_104">The Breakwater</a></td>
+<td class="rt" valign="bottom"><a href="#plt_104">104</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_105">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_105">105</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_106">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_106">106</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_107">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_107">107</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_108">Paseo de los Martires</a></td>
+<td class="rt" valign="bottom"><a href="#plt_108">108</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_109">Paseo de los Martires</a></td>
+<td class="rt" valign="bottom"><a href="#plt_109">109</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_110">Paseo de los Martires</a></td>
+<td class="rt" valign="bottom"><a href="#plt_110">110</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_111">Paseo de los Martires</a></td>
+<td class="rt" valign="bottom"><a href="#plt_111">111</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_112">Paseo de Nuñez</a></td>
+<td class="rt" valign="bottom"><a href="#plt_112">112</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_113">The Town Hall</a></td>
+<td class="rt" valign="bottom"><a href="#plt_113">113</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_114">The Town Hall</a></td>
+<td class="rt" valign="bottom"><a href="#plt_114">114</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_115">Monument to Quijano</a></td>
+<td class="rt" valign="bottom"><a href="#plt_115">115</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_116">The Bull-Ring</a></td>
+<td class="rt" valign="bottom"><a href="#plt_116">116</a></td></tr>
+
+<tr><th colspan="2">ELCHE</th></tr>
+
+<tr><td valign="top"><a href="#plt_117">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_117">117</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_118">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_118">118</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_119">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_119">119</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_120">View of the Town</a></td>
+<td class="rt" valign="bottom"><a href="#plt_120">120</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_121">Plaza Mayor</a></td>
+<td class="rt" valign="bottom"><a href="#plt_121">121</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_122">View from the Station</a></td>
+<td class="rt" valign="bottom"><a href="#plt_122">122</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_123">The Road to Alicante</a></td>
+<td class="rt" valign="bottom"><a href="#plt_123">123</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_124">The Road from Alicante</a></td>
+<td class="rt" valign="bottom"><a href="#plt_124">124</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_125">The Town Hall</a></td>
+<td class="rt" valign="bottom"><a href="#plt_125">125</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_126">Church of San Juan</a></td>
+<td class="rt" valign="bottom"><a href="#plt_126">126</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_127">Bridge over the Rambla de Elche</a></td>
+<td class="rt" valign="bottom"><a href="#plt_127">127</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_128">View from the Railway Bridge</a></td>
+<td class="rt" valign="bottom"><a href="#plt_128">128</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_129">The Canal</a></td>
+<td class="rt" valign="bottom"><a href="#plt_129">129</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_130">Washing Linen in the Canal</a></td>
+<td class="rt" valign="bottom"><a href="#plt_130">130</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_131">A Canal</a></td>
+<td class="rt" valign="bottom"><a href="#plt_131">131</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_132">Tower of Rapsamblanc, belonging to the Conde de Luna</a></td>
+<td class="rt" valign="bottom"><a href="#plt_132">132</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_133">Castle of the Duque de Altamira, now a Prison</a></td>
+<td class="rt" valign="bottom"><a href="#plt_133">133</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_134">Mill and Castle of the Duque de Altamira</a></td>
+<td class="rt" valign="bottom"><a href="#plt_134">134</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_135">Castle of the Duque de Altamira</a></td>
+<td class="rt" valign="bottom"><a href="#plt_135">135</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_136">Castle and Mill</a></td>
+<td class="rt" valign="bottom"><a href="#plt_136">136</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_137">Palms</a></td>
+<td class="rt" valign="bottom"><a href="#plt_137">137</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_138">Country Spinners</a></td>
+<td class="rt" valign="bottom"><a href="#plt_138">138</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_139">Casa de la Huerta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_139">139</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_140">A Country Road</a></td>
+<td class="rt" valign="bottom"><a href="#plt_140">140</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_141">A Country House</a></td>
+<td class="rt" valign="bottom"><a href="#plt_141">141</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_142">A Country House</a></td>
+<td class="rt" valign="bottom"><a href="#plt_142">142</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_143">A Famous Palm</a></td>
+<td class="rt" valign="bottom"><a href="#plt_143">143</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_144">A Palm celebrated for its Resemblance to a Column</a></td>
+<td class="rt" valign="bottom"><a href="#plt_144">144</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_145">Palm Groves</a></td>
+<td class="rt" valign="bottom"><a href="#plt_145">145</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_146">A Road</a></td>
+<td class="rt" valign="bottom"><a href="#plt_146">146</a></td></tr>
+
+<tr><th colspan="2">SAX</th></tr>
+
+<tr><td valign="top"><a href="#plt_147">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_147">147</a></td></tr>
+
+<tr><th colspan="2">MURCIA</th></tr>
+
+<tr><td valign="top"><a href="#plt_148">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_148">148</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_149">View from the Tower of the Cathedral, towards the South</a></td>
+<td class="rt" valign="bottom"><a href="#plt_149">149</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_150">View of the Town</a></td>
+<td class="rt" valign="bottom"><a href="#plt_150">150</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_151">General View of the Town</a></td>
+<td class="rt" valign="bottom"><a href="#plt_151">151</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_152">General View of the Town</a></td>
+<td class="rt" valign="bottom"><a href="#plt_152">152</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_153">General View of the Town</a></td>
+<td class="rt" valign="bottom"><a href="#plt_153">153</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_154">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_154">154</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_155">The Bridge</a></td>
+<td class="rt" valign="bottom"><a href="#plt_155">155</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_156">The River</a></td>
+<td class="rt" valign="bottom"><a href="#plt_156">156</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_157">The Bridge over the Segura</a></td>
+<td class="rt" valign="bottom"><a href="#plt_157">157</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_158">The River Segura</a></td>
+<td class="rt" valign="bottom"><a href="#plt_158">158</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_159">The Fair</a></td>
+<td class="rt" valign="bottom"><a href="#plt_159">159</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_160">The Fair</a></td>
+<td class="rt" valign="bottom"><a href="#plt_160">160</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_161">The Market-Place</a></td>
+<td class="rt" valign="bottom"><a href="#plt_161">161</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_162">Plaza de Santo Domingo on Market-Day</a></td>
+<td class="rt" valign="bottom"><a href="#plt_162">162</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_163">Paseo del Malecon</a></td>
+<td class="rt" valign="bottom"><a href="#plt_163">163</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_164">Plaza de Santa Catalina</a></td>
+<td class="rt" valign="bottom"><a href="#plt_164">164</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_165">Plaza de Toros, now Plaza de San Agustin</a></td>
+<td class="rt" valign="bottom"><a href="#plt_165">165</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_166">Paseo del Arenal</a></td>
+<td class="rt" valign="bottom"><a href="#plt_166">166</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_167">Plaza de San Pedro</a></td>
+<td class="rt" valign="bottom"><a href="#plt_167">167</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_168">Paseo de Floridablanca and Palace of the Exhibition</a></td>
+<td class="rt" valign="bottom"><a href="#plt_168">168</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_169">Plaza de Santa Isabella</a></td>
+<td class="rt" valign="bottom"><a href="#plt_169">169</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_170">Calle del Puente</a></td>
+<td class="rt" valign="bottom"><a href="#plt_170">170</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_171">Plaza de la Gloriéta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_171">171</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_172">Plaza de la Gloriéta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_172">172</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_173">The Cathedral</a></td>
+<td class="rt" valign="bottom"><a href="#plt_173">173</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_174">General View of the Cathedral</a></td>
+<td class="rt" valign="bottom"><a href="#plt_174">174</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_175">Principal Façade of the Cathedral</a></td>
+<td class="rt" valign="bottom"><a href="#plt_175">175</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_176">Tower of the Cathedral</a></td>
+<td class="rt" valign="bottom"><a href="#plt_176">176</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_177">Side Door of the Cathedral</a></td>
+<td class="rt" valign="bottom"><a href="#plt_177">177</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_178">The Cathedral: Gate of the Apostles</a></td>
+<td class="rt" valign="bottom"><a href="#plt_178">178</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_179">The Cathedral: Chapel of the Marqués de los Velez</a></td>
+<td class="rt" valign="bottom"><a href="#plt_179">179</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_180">The Cathedral: Detail of the Façade</a></td>
+<td class="rt" valign="bottom"><a href="#plt_180">180</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_181">Detail of the Cathedral</a></td>
+<td class="rt" valign="bottom"><a href="#plt_181">181</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_182">The Cathedral: Window of the Belfry</a></td>
+<td class="rt" valign="bottom"><a href="#plt_182">182</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_183">The Cathedral: Principal Nave</a></td>
+<td class="rt" valign="bottom"><a href="#plt_183">183</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_184">The Cathedral: Lateral Nave</a></td>
+<td class="rt" valign="bottom"><a href="#plt_184">184</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_185">The Cathedral: Behind the Choir</a></td>
+<td class="rt" valign="bottom"><a href="#plt_185">185</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_186">The Cathedral: Entrance to the Chapel of the Marqués de los Velez</a></td>
+<td class="rt" valign="bottom"><a href="#plt_186">186</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_187">The Cathedral: Chapel of the Marqués de los Velez</a></td>
+<td class="rt" valign="bottom"><a href="#plt_187">187</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_188">The Cathedral: The High Altar</a></td>
+<td class="rt" valign="bottom"><a href="#plt_188">188</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_189">The Cathedral: The High Altar</a></td>
+<td class="rt" valign="bottom"><a href="#plt_189">189</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_190">The Cathedral: General View of the Choir</a></td>
+<td class="rt" valign="bottom"><a href="#plt_190">190</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_191">The Cathedral: The Bishop’s Throne, in the Choir</a></td>
+<td class="rt" valign="bottom"><a href="#plt_191">191</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_192">The Cathedral: Detail of the Choir Stalls</a></td>
+<td class="rt" valign="bottom"><a href="#plt_192">192</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_193">The Cathedral: Detail of the Choir Stalls</a></td>
+<td class="rt" valign="bottom"><a href="#plt_193">193</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_194">The Cathedral: The Sacristy</a></td>
+<td class="rt" valign="bottom"><a href="#plt_194">194</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_195">The Cathedral: Tomb of Alfonso the Wise</a></td>
+<td class="rt" valign="bottom"><a href="#plt_195">195</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_196">Church of Santo Domingo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_196">196</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_197">Church of Santo Domingo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_197">197</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_198">Church of San Bartolomé</a></td>
+<td class="rt" valign="bottom"><a href="#plt_198">198</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_199">Façade of the Convent de la Misericordia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_199">199</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_200">Palace of the Marqués de Villafranca de los Velez, and Convent of Santa Clara</a></td>
+<td class="rt" valign="bottom"><a href="#plt_200">200</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_201">The Episcopal Palace</a></td>
+<td class="rt" valign="bottom"><a href="#plt_201">201</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_202">Casa Huerta de las Bombas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_202">202</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_203">Palace of the Marqués de Almodovar</a></td>
+<td class="rt" valign="bottom"><a href="#plt_203">203</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_204">Palace of the Baron de Albalá</a></td>
+<td class="rt" valign="bottom"><a href="#plt_204">204</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_205">Palace of the Marqués de Espinardo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_205">205</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_206">The “Contraste”</a></td>
+<td class="rt" valign="bottom"><a href="#plt_206">206</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_207">Monument to Salzillo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_207">207</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_208">Roman Altar dedicated to Peace, found in Carthagena and moved in 1594 to the Palace of the Marqués de Espinardo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_208">208</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_209">House in the Calle Jaboneria</a></td>
+<td class="rt" valign="bottom"><a href="#plt_209">209</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_210">House of the Painter Villasis</a></td>
+<td class="rt" valign="bottom"><a href="#plt_210">210</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_211">A Balcony in the Calle Traperia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_211">211</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_212">Puerta Cadenas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_212">212</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_213">Teatro de Romea</a></td>
+<td class="rt" valign="bottom"><a href="#plt_213">213</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_214">The Bull-Ring</a></td>
+<td class="rt" valign="bottom"><a href="#plt_214">214</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_215">The Town Hall</a></td>
+<td class="rt" valign="bottom"><a href="#plt_215">215</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_216">The Town Hall</a></td>
+<td class="rt" valign="bottom"><a href="#plt_216">216</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_217">Procession leaving the Church of Jesus in Holy Week&mdash;St. Veronica</a></td>
+<td class="rt" valign="bottom"><a href="#plt_217">217</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_218">Procession leaving the Church of Jesus in Holy Week&mdash;Th Kiss of Judas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_218">218</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_219">Procession in Holy Week. The Garden of Gethsemane</a></td>
+<td class="rt" valign="bottom"><a href="#plt_219">219</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_220">Procession in Holy Week. Our Lord Falling</a></td>
+<td class="rt" valign="bottom"><a href="#plt_220">220</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_221">Procession in Holy Week. The Scourging</a></td>
+<td class="rt" valign="bottom"><a href="#plt_221">221</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_222">Church of Jesus. The Last Supper, by Zarzillo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_222">222</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_223">Pilgrimage of St. Blas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_223">223</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_224">Ruins of the Arab Baths</a></td>
+<td class="rt" valign="bottom"><a href="#plt_224">224</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_225">Environs of Murcia: Convent of San Jeronimo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_225">225</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_226">Environs of Murcia: Hermitage of the Fuensanta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_226">226</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_227">Environs of Murcia: Hermitage of the Fuensanta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_227">227</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_228">Environs of Murcia: Hermitage of the Fuensanta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_228">228</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_229">Environs of Murcia: Castle of Monteagudo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_229">229</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_230">Paisaje de la Huerta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_230">230</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_231">Paisaje de la Huerta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_231">231</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_232">Paisaje de la Huerta</a></td>
+<td class="rt" valign="bottom"><a href="#plt_232">232</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_233">A Cart Loaded with “Tinajas”</a></td>
+<td class="rt" valign="bottom"><a href="#plt_233">233</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_234">Harvest-Time</a></td>
+<td class="rt" valign="bottom"><a href="#plt_234">234</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_235">Environs of Murcia: The Huerta des Capucins</a></td>
+<td class="rt" valign="bottom"><a href="#plt_235">235</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_236">Environs of Murcia: The Huerta des Capucins</a></td>
+<td class="rt" valign="bottom"><a href="#plt_236">236</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_237">Environs of Murcia: View from the Huerta des Capucins</a></td>
+<td class="rt" valign="bottom"><a href="#plt_237">237</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_238">Environs of Murcia: The Huerta des Capucins&mdash;Date-Gathering</a></td>
+<td class="rt" valign="bottom"><a href="#plt_238">238</a></td></tr>
+
+<tr><th colspan="2">ORIHUELA</th></tr>
+
+<tr><td valign="top"><a href="#plt_239">General View</a></td><td class="rt" valign="bottom"><a href="#plt_239">239</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_240">General View from the Puerta de Murcia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_240">240</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_241">The River Segura</a></td>
+<td class="rt" valign="bottom"><a href="#plt_241">241</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_242">The River Segura from the East</a></td>
+<td class="rt" valign="bottom"><a href="#plt_242">242</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_243">Door of the Church of Santiago</a></td>
+<td class="rt" valign="bottom"><a href="#plt_243">243</a></td></tr>
+
+<tr><th colspan="2">CARTHAGENA</th></tr>
+
+<tr><td valign="top"><a href="#plt_244">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_244">244</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_245">A Partial View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_245">245</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_246">View from the Station</a></td>
+<td class="rt" valign="bottom"><a href="#plt_246">246</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_247">View from the High Road</a></td>
+<td class="rt" valign="bottom"><a href="#plt_247">247</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_248">View from Quitapellijos</a></td>
+<td class="rt" valign="bottom"><a href="#plt_248">248</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_249">View from the Fort of Atalaya</a></td>
+<td class="rt" valign="bottom"><a href="#plt_249">249</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_250">View from the Fort of Atalaya</a></td>
+<td class="rt" valign="bottom"><a href="#plt_250">250</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_251">View from St. Joseph’s Mill</a></td>
+<td class="rt" valign="bottom"><a href="#plt_251">251</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_252">View from St. Joseph’s Mill</a></td>
+<td class="rt" valign="bottom"><a href="#plt_252">252</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_253">View from the Fort of Galera</a></td>
+<td class="rt" valign="bottom"><a href="#plt_253">253</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_254">View from the Fort of Galera</a></td>
+<td class="rt" valign="bottom"><a href="#plt_254">254</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_255">View of the Harbour</a></td>
+<td class="rt" valign="bottom"><a href="#plt_255">255</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_256">Santa Lucia and the Harbour</a></td>
+<td class="rt" valign="bottom"><a href="#plt_256">256</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_257">The Harbour from Santa Lucia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_257">257</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_258">The Harbour from Santa Lucia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_258">258</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_259">The Harbour from the Powder Magazine</a></td>
+<td class="rt" valign="bottom"><a href="#plt_259">259</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_260">The Harbour from Trincabatijos</a></td>
+<td class="rt" valign="bottom"><a href="#plt_260">260</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_261">View from the Esplanadero</a></td>
+<td class="rt" valign="bottom"><a href="#plt_261">261</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_262">The Entrance to the Harbour from Trincabatijos</a></td>
+<td class="rt" valign="bottom"><a href="#plt_262">262</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_263">The Breakwater</a></td>
+<td class="rt" valign="bottom"><a href="#plt_263">263</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_264">Entrance to the Harbour</a></td>
+<td class="rt" valign="bottom"><a href="#plt_264">264</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_265">Entrance to the Arsenal</a></td>
+<td class="rt" valign="bottom"><a href="#plt_265">265</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_266">Puerta del Mar</a></td>
+<td class="rt" valign="bottom"><a href="#plt_266">266</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_267">Puerta de Murcia</a></td>
+<td class="rt" valign="bottom"><a href="#plt_267">267</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_268">Plaza de las Monjas</a></td>
+<td class="rt" valign="bottom"><a href="#plt_268">268</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_269">The Marine College</a></td>
+<td class="rt" valign="bottom"><a href="#plt_269">269</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_270">The Bull-Ring</a></td>
+<td class="rt" valign="bottom"><a href="#plt_270">270</a></td></tr>
+
+<tr><th colspan="2">ARCHENA</th></tr>
+
+<tr><td valign="top"><a href="#plt_271">The Baths, from La Sierra de Verdelena</a></td>
+<td class="rt" valign="bottom"><a href="#plt_271">271</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_272">General View of the Baths from the West</a></td>
+<td class="rt" valign="bottom"><a href="#plt_272">272</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_273">General View of the Baths at the Entrance to the Village</a></td>
+<td class="rt" valign="bottom"><a href="#plt_273">273</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_274">Entrance to the Baths</a></td>
+<td class="rt" valign="bottom"><a href="#plt_274">274</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_275">The Carretera and River Segura</a></td>
+<td class="rt" valign="bottom"><a href="#plt_275">275</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_276">View of the Church</a></td>
+<td class="rt" valign="bottom"><a href="#plt_276">276</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_277">Interior of the Church</a></td>
+<td class="rt" valign="bottom"><a href="#plt_277">277</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_278">The Church: Altar of the “Virgen de la Salud”</a></td>
+<td class="rt" valign="bottom"><a href="#plt_278">278</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_279">Environs of Archena: View of Villanueva</a></td>
+<td class="rt" valign="bottom"><a href="#plt_279">279</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_280">Environs of Archena: View of Blanca from the Salto del Palomo</a></td>
+<td class="rt" valign="bottom"><a href="#plt_280">280</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_281">Environs of Archena: View of Blanca from Bujamente</a></td>
+<td class="rt" valign="bottom"><a href="#plt_281">281</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_282">Environs of Archena: Village and Gardens of Ulea from Villanueva</a></td>
+<td class="rt" valign="bottom"><a href="#plt_282">282</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_283">Environs of Archena: Village and Gardens of Ulea, East Side</a></td>
+<td class="rt" valign="bottom"><a href="#plt_283">283</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_284">Environs of Archena: Village of Ojos and Mountains</a></td>
+<td class="rt" valign="bottom"><a href="#plt_284">284</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_285">Environs of Archena: The Gardens of Ojos, from the Lovers’ Leap</a></td>
+<td class="rt" valign="bottom"><a href="#plt_285">285</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_286">Environs of Archena: The Lovers’ Leap</a></td>
+<td class="rt" valign="bottom"><a href="#plt_286">286</a></td></tr>
+
+<tr><th colspan="2">LORCA</th></tr>
+
+<tr><td valign="top"><a href="#plt_287">General View</a></td>
+<td class="rt" valign="bottom"><a href="#plt_287">287</a></td></tr>
+
+<tr><td valign="top"><a href="#plt_288">View from the Railway Station</a></td>
+<td class="rt" valign="bottom"><a href="#plt_288">288</a></td></tr>
+</table>
+
+<p><span class="pagenum"><a name="page_1" id="page_1">{1}</a></span>&nbsp; </p>
+
+<h1>VALENCIA &amp; MURCIA</h1>
+
+<h2><a name="THE_OLD_KINGDOM_OF_VALENCIA" id="THE_OLD_KINGDOM_OF_VALENCIA"></a>THE OLD KINGDOM OF VALENCIA</h2>
+
+<p class="nind"><span class="smcap">Shut</span> in between the barren range of the Sierra Molina on the north, and
+the arid plains of Murcia to the south, the ancient Kingdom of Valencia
+is one of the regions of Spain least visited by the tourist. And yet, a
+flowering and fruitful Eden, it lies beneath a burning sun, its waters
+trained in obedience to the hand of man. It puts forth a vegetation of
+tropical luxuriance. Demeter has blessed the land. Under the soft
+caressing winds that sweep up from the Mediterranean the soil yields
+four or five crops in the year to the industry of the peasant. And if at
+times the dreaded sirocco, charged with poisonous vapours from the
+Albufera, lays the country prostrate&mdash;well, for every Paradise was
+devised a snake!</p>
+
+<p>The people of the province, with the exception of those of Orihuela,
+speak that variety of the Romance which I may call Catalan, and which,
+with local modification, is common all along the eastern coast of Spain
+from the mouth of the<span class="pagenum"><a name="page_2" id="page_2">{2}</a></span> Segura to the frontier of Rousillon. Limousin, as
+it is sometimes called, is not a mere dialect, but a quite distinct
+language, a survival of the old <i>Langue d’oc</i>. Probably it was spoken by
+those Romanised Spaniards who were driven north of the Pyrenees by the
+Arabic invasion. It would be restored by them when they reconquered this
+portion of their old territory. The Christian population, before
+Valencia was recovered by Jaime el Conqueridor of Aragon, spoke
+Castilian or a tongue akin to it. But the Catalan of the new rulers was
+stronger, and soon swept aside the common speech of the people.
+Curiously enough, this same Catalan was not the language used in Aragon
+itself, a fact which no doubt had a strong determining influence in the
+choice of Castilian at the time of the unification of the two kingdoms.
+Why Orihuela alone clung to its old Castilian tongue in despite of the
+Conqueror is not clear, unless it was owing merely to the proximity of
+Murcia.</p>
+
+<p>In character the Valencians are superstitious, revengeful, relentless in
+hate. “Ni olvido ni perdono” is their motto. They love the colour and
+joy of life. Dancing and love-making are their chief delights. And yet
+they are a laborious race. But their white, rather flabby appearance
+proclaims them lacking in backbone and initiative. “Flesh is grass, and
+grass is water. The men<span class="pagenum"><a name="page_3" id="page_3">{3}</a></span> are women, the women&mdash;nothing!” says their own
+proverb.</p>
+
+<p>The fertile huerta has found its novelist in Blasco Ibañez, a native of
+Valencia, who has beautifully described the languid life of the
+province. A translation must necessarily lack the force and elegance of
+the master’s style, but the following passages will at least enable the
+reader to picture a summer in the south:</p>
+
+<p>“When the vast plain awakes in the bluish light of dawn, the last of the
+nightingales that have sung through the night breaks off abruptly in his
+final trill, as though he had been stricken by the steely shaft of day.
+Sparrows in whole coveys burst forth from the thatched roofs, and
+beneath this aerial rabble preening their wings the trees shake and nod.</p>
+
+<p>“One by one the murmurs of the night subside; the trickling of the
+water-courses, the sighing of the reeds, the barking of the watchful
+dogs, other sounds belonging to the day, grow louder and fill the
+huerta, the crow of the cock is heard from every farm, and the village
+bells proclaim the call to prayer borne across from the towers of
+Valencia, which are yet misty in the distance. From the farmyards arises
+a discordant animal concert&mdash;the neighing of horses, the bellowing of
+oxen, the clucking of hens, the bleating of lambs, the grunting of
+swine&mdash;the<span class="pagenum"><a name="page_4" id="page_4">{4}</a></span> sounds produced by beasts that scent the keen odour of
+vegetation in the morning breeze and are hungry for the fields.</p>
+
+<p>“The sky is suffused with light, and with light life inundates the plain
+and penetrates to the interior of human and animal abodes. Doors open
+creaking. In the porches white figures appear, their hands clasped
+behind their necks, scanning the horizon. From the stables issue towards
+the city milch cows, herds of goats, manure-carts. Bells tinkle between
+the dwarf trees bordering the high road, and every now and again is
+heard the sharp “Arre, Aca” of the drivers.</p>
+
+<p>“On the thresholds of the cottages those bound for the town exchange
+greetings with those who stay in the fields. ‘Bon dia nos done Deu!’
+[May God give us a good day!] ‘Bon Dia.’</p>
+
+<p>“Immense is the energy, the explosion of life at midsummer, the best
+season of the year, the time of harvest and abundance. Space throbs with
+light and heat. The African sun rains torrents of fire on the land
+already crackled and wrinkled by its burning caresses, and its golden
+beams pierce the dense foliage, beneath which are hidden the canals and
+trenches to save them from the all-powerful vivifying heat.</p>
+
+<p>“The branches of the trees are heavy with fruit. They bend beneath the
+weight of yellow<span class="pagenum"><a name="page_5" id="page_5">{5}</a></span> grapes covered with glazed leaves. Like the pink
+cheeks of a child grow the apricots amid the verdure. Children greedily
+eye the luxurious burden of the fig-trees. From the gardens is wafted
+the scent of jasmin, and the magnolias dispense their incense in the
+burning air, laden with the perfume of cereals.</p>
+
+<p>“The gleaming scythe has already sheared the land, levelling the golden
+fields of wheat and the tall corn-stalks which bowed beneath their heavy
+load of life. The hay forms yellow hills which reflect the colour of the
+sun. The wheat is winnowed in a whirlwind of dust; in the naked fields
+among the stubble sparrows hop from spot to spot in search of stray
+gleanings. Everywhere are happiness and joyous labour. Waggons go
+groaning down the road; children frolic in the fields and among the
+sheaves, thinking of the wheaten cakes in prospect, and of the lazy
+pleasant life which begins for the farmer when his barn is filled. Even
+the old horses stride along more gaily, cheered by the smell of the
+golden grain which will flow steadily into their mangers as the year
+rolls on.</p>
+
+<p>“When the harvest has levelled the panorama and cleared the great
+stretches of wheat sprinkled with poppies, the plain seems vast, almost
+illimitable. Farther than the eye can reach stretch its great squares of
+red soil, marked off by paths and<span class="pagenum"><a name="page_6" id="page_6">{6}</a></span> trenches. The Sunday’s rest is
+rigorously observed over the whole countryside. Not a man is seen
+toiling in the fields, not a beast at work on the road. Down the paths
+pass old women with their mantillas drawn over their eyes, and their
+little chairs hanging to their arms. In the distance resound, like the
+tearing of linen, the shots fired at the swallows, which fly hither and
+thither in circles. A noise seems to be produced by their wings ruffling
+the crystal firmament. From the canals rises the murmur of clouds of
+almost invisible flies. In a farm all painted blue, under an ancient
+arbour, there is a whirlwind of gaily-coloured shawls and petticoats,
+while the guitars with their drowsy rhythm and the strident cornets
+accompany the measures of the Valencian ‘Jota.’</p>
+
+<p>“In the village the little plaza is thronged with the field-folk. The
+men are in their shirt-sleeves with black sashes and gorgeous
+handkerchiefs arranged mitre-like on their heads. The old men lean on
+their big Liria sticks. The young men, with sleeves turned up, display
+their red nervous arms and carry mere sprigs of ash between their huge
+knotted fingers.</p>
+
+<p>“In the afternoon, towards the fountain along the road, bordered with
+poplars which shake their silvered foliage, go groups of girls with
+their pitchers on their heads. Their rhythmical move<span class="pagenum"><a name="page_7" id="page_7">{7}</a></span>ments and their
+grace recall the Athenian Canephori. This procession to the well lends
+to the huerta something of a Biblical character. The Fontana de la Reina
+is the pride of the huerta, condemned to drink the water of wells, and
+the red and dirty liquid of the canals. It is esteemed as an ancient and
+valuable work. It has a square basin with walls of reddish stone. The
+water is below the soil. You reach the bottom by means of six green and
+slippery steps. Opposite the steps is a defaced bas-relief, probably a
+Virgin attended by angels&mdash;no doubt an ex-voto of the time of the
+Conquest. Laughter and chatter are not wanting round the well. The girls
+cluster round, eager to fill their pitchers but in no hurry to depart.
+They jostle each other on the steps, with their petticoats gathered in
+between their legs, the better to lean forward and to plunge their
+vessels into the basin. The surface of the water is unceasingly troubled
+by the bubbles rising from the sandy bed, which is covered with weeds
+waving in the current.”</p>
+
+<p>The exuberant natural life pictured in these passages is not altogether
+due to the bounty of nature. The scorching sun would have brought death
+instead of life to Valencia without the co-operation of man. The whole
+province is a triumph of irrigation. The Moors were masters of hydraulic
+science. They tapped the Jucar and<span class="pagenum"><a name="page_8" id="page_8">{8}</a></span> the Guadalaviar and drew their
+waters through the Moncada and seven smaller but magnificent canals into
+every corner of the land. This was the legacy they left behind when they
+were so suicidally expelled. Their successors, as Mr. Richard Ford so
+eloquently puts it, exercise “a magic control over water, wielding it at
+their bidding”&mdash;presumably as Gilbert’s hero Ferdinando brandished the
+turtle soup!</p>
+
+<p>Bequeathed also directly by the Moors, the Tribunal of the Waters is the
+most interesting sight of Valencia. It is independent of all law; no
+Government has ever touched it; it has no written records. The court
+meets every Thursday morning at eleven o’clock at the Apostles’ Gate of
+the Cathedral in the capital, to try all cases and disputes in regard to
+the precious water that is the life-blood of the province. There are
+seven judges, one for each canal, elected by the peasantry of the
+districts, and each is known by the name of his canal&mdash;Mislata, Cuarte,
+and so forth. They are grave, stoutly-built men, with tanned faces and
+close-cropped hair. They wear black, the colour beloved by the
+comfortably situated working man all the world over; but they have not
+degenerated quite so far as to discard the native handkerchief round
+their polished brows, or the espadrilla, the Valencian shoe.<span class="pagenum"><a name="page_9" id="page_9">{9}</a></span></p>
+
+<p>Except that the turban has given place to the sombrero and the divan to
+an ancient sofa, the proceedings of the tribunal are as patriarchal as
+of old. In the plaza a crowd of litigants are collected, chattering,
+gesticulating, arguing their wrongs according to the manner of their
+kind all the world over. With an air of importance befitting the
+occasion the Alguazil of the tribunal places the magisterial bench in
+the shadow of the great Gothic portal. A light rail will keep the vulgar
+at a distance. Then the peasant magistrates take their seats, and the
+oldest pronounces the words, “Se abri el tribunal” (The tribunal is
+open). A portentous silence falls, for any one who speaks before his
+turn must pay a fine. One by one the litigants are introduced within the
+railing and plead their cause bareheaded before the court. Woe to the
+insolent wight that dare stand covered in its presence. The Alguazil
+will tear the handkerchief from off his head, and he will also be
+mulcted in a fine. Each must await the tapping of the presidential foot
+before he ventures into the presence. But the severity of the discipline
+does not suffice to make the fiery Valencians restrain their feelings.
+At every moment there is an explosion of wrath or indignation, a heated
+expostulation from one or other of the parties. The fines collected must
+be a considerable sum. Out of their own wisdom the judges give their<span class="pagenum"><a name="page_10" id="page_10">{10}</a></span>
+decisions, which are almost invariably received without discontent. The
+Valencians are anxious to preserve their unique tribunal from criticism
+and interference, for they know that in Spain, as in other countries,
+royal justice is a costly matter.</p>
+
+<p>The history of Valencia for all practical purposes is that of its
+capital and namesake. “Its name,” says Mr. Ford, “is fondly derived
+from, or considered equivalent to, Roman, because Ρὡμη in Greek
+signifies power, as Valencia does in Latin.” The principle is doubtless
+excellent, but seems to be that of <i>lucus a non lucendo</i>.</p>
+
+<p>When the warriors of Viriathus surrendered to Rome on the death of their
+chief, Valencia was granted to them by the Consul D. Junius Brutus.
+Destroyed by Pompey, it became a <i>colonia</i> when rebuilt and the capital
+of the Edetani. But the history of few Roman colonies, as it has reached
+us, is of interest. The province had the usual martyrs under the
+persecution of Diocletian and Decius, and was the place of banishment of
+the zealot Ermengild. Proud of its haughty name, Valencia has yet
+allowed itself to be taken and retaken oftener than any other city in
+the world. In 413 it yielded to the Goths, and three hundred years later
+with great nonchalance transferred its allegiance to the Moor. It formed
+at one time part of the Khalifate; and again, one or more petty kingdoms
+in itself.<span class="pagenum"><a name="page_11" id="page_11">{11}</a></span></p>
+
+<p>Don Feodoro Lleorente speaks of “the slave kings” of Valencia. It is
+certain that many of its rulers were slave adventurers from the palace
+of the Khalifa, who, like the janizaries of Turkey had literally carved
+their fortunes with their swords. One of these princes added the
+Balearic Isles to his realms and unsuccessfully attempted the conquest
+of Sardinia.</p>
+
+<p>The kingdom thus founded by military adventurers was overthrown by the
+most famous of that warlike brood.</p>
+
+<p>The Moors had made the desert blossom like the rose. Wealth and
+prosperity had been secured to the province. The Moslem paradise was
+located here. Medinat-u-Tarab was its capital&mdash;the City of Mirth. The
+greedy eyes of Christian neighbours were inevitably drawn to such a
+region, and the break-up of the Ummeyah dynasty offered an excellent
+opportunity for interference.</p>
+
+<p>Valencia was split up into factions, and the King or Amir Kadir was
+merely the puppet of the two opposing parties, who alternately supported
+him on his tottering throne. But the Moors were a proud race and felt
+themselves dishonoured in yielding homage to so weak a ruler. Headed by
+Ibn Jahhaf, the people rose in revolt. Kadir fled, but was detected
+under his woman’s disguise, was taken and beheaded.<span class="pagenum"><a name="page_12" id="page_12">{12}</a></span> That strange
+anomaly a Mohammedan republic was formed. A council of the leaders was
+constituted with Ibn Jahhaf as President.</p>
+
+<p>A people which arrogates the right to choose its ruler has ever been
+considered a sort of pirate among the nations, and fair game for more
+powerful States. Kadir, at the time of his deposition, had been under
+the hardly disinterested protection of the Cid, who, under pretence of
+avenging his <i>protégé’s</i> death, immediately advanced on Valencia. For
+some time Ibn Jahhaf, who seems to have had some of the qualities of a
+great general, amused the Campeador with negotiations, while he pushed
+hastily forward preparations for defence. Discovering that he was being
+played with, the Cid swept through the country and threw his army round
+Valencia, which for twenty months made a stubborn resistance. The city
+falling at length, Jahhaf, who had become a special object of hatred to
+the Conqueror, was burnt alive in the plaza. Until his death in 1097,
+the Cid ruled the kingdom as absolute lord and despot. The legend runs
+that Ximena, his wife, defended the city for two years after her
+husband’s death. And so great was the reputation and the terror of the
+Campeador that she finally won a victory over the Mussulmans and carried
+him to his last resting-place at Cardeña by the stratagem of placing his
+corpse<span class="pagenum"><a name="page_13" id="page_13">{13}</a></span> fully armed upon his war-horse with his celebrated sword in his
+hand.</p>
+
+<p>But for two centuries longer Valencia followed the law of the Prophet.
+It was finally wrested from the yoke of Islam on the memorable 28th of
+September 1238, when the standard of the victorious Jaime I. of Aragon
+was hoisted over the tower of Ali Bufat, and the Crescent bowed before
+the Cross. The conquest in the history of Aragon ranks with the taking
+of Seville in the history of Castile. Granada was the joint conquest of
+both kingdoms. The way in which the Moors in these old days surrendered
+their whole kingdom to the Christians, sometimes after only one battle
+had been fought, stands out in dark contrast with the tenacious
+resistance offered by their descendants in Algeria in modern times.
+Enervated by the climate of Spain the Mussulmans of that country were
+absolutely incapable of maintaining a prolonged guerilla warfare. If a
+fortified capital was taken they at once handed over the whole kingdom
+to the conqueror. They were not of course peculiar in this respect. The
+sentiments of nationality and physical courage are characteristic far
+more of the modern than of the ancient world. We have only to compare
+the resistance of the Anglo-Saxons to the Normans with that of the Boers
+to the British, of the French in the Hundred Years War with that of
+their<span class="pagenum"><a name="page_14" id="page_14">{14}</a></span> descendants in 1871, to realise how much more of manliness and
+endurance we possess than did our ancestors. We must go back to the days
+of Leonidas and Regulus to find parallels for the exploits of our own
+Indian Army; to Numantia and Seguntum for parallels to Saragossa and
+Gerona. National and individual self-respect withered under feudalism,
+and revived only on the introduction of free institutions.</p>
+
+<p>The commerce and wealth of the country now fell into the hands of the
+Jews, who came over in great numbers from Aragon. For a long time the
+industrious people lived, hated it is true, but unmolested, in their own
+quarter of the city. But one ill-fated day a band of children, urged on
+probably by some fanatic, marched against the Jewry crying that they had
+come to baptize the unbelieving dogs, and that the Archdeacon of Seville
+was close upon their heels. In terror the wretched people retreated to
+their homes, firmly barricading themselves. Some of the Christian
+children got shut up in the quarter. Like wildfire the rumour spread
+through the streets that the Jews were submitting them to untold
+tortures behind their barred doors. The whole populace went mad with the
+rage for blood, attacked the wholly unprepared Jews, and the most
+horrible scenes of massacre ensued. This was in 1391. The prosperity of
+Valencia suffered its first severe<span class="pagenum"><a name="page_15" id="page_15">{15}</a></span> blow with the barbarous expulsion of
+the Moors at the command of Philip III. Another fell some time later
+when, on account of its strenuous opposition to the French claim to the
+Crown, Philip V. confiscated the liberties of the province and imposed
+an enormous fine.</p>
+
+<p>But Valencia, though fallen from its old estate, is nevertheless to-day
+a thriving prosperous province; its capital is handsome and progressive.
+Busy life pulsates through the streets; the <i>cafés</i> are alive with the
+hum of voices. There is little to recall the days of its allegiance to
+the Prophet, and it has not retained more monuments of the past than
+most other cities. From the sightseer’s point of view it is not
+intensely interesting; from the stranger’s, even less convenient, since
+indications of the names of the streets are few and far between. New and
+splendid avenues are arising, which, in pleasant contrast to the dull
+uniformity of most Continental town perspectives, contain houses
+original and individual in style. You enter the town by one of two
+massive castellated gates, which give a note of the mediæval picturesque
+to their respective quarters. The fourteenth century Torres de Serranos
+form a narrow archway flanked by two fine octagonal towers. Above, are
+windows with elaborate panelling, and heavy machicolations crown the
+whole building. The Torres de Cuartes, of a<span class="pagenum"><a name="page_16" id="page_16">{16}</a></span> century later, are very
+similar, but the parapet is itself borne on corbels and machicolated.
+Unfortunately the walls of the city have perished.</p>
+
+<p>The Cathedral, the Lonja, and the Picture Gallery exhaust the sights of
+Valencia. The Cathedral was founded in 1262 on the ruins of the Great
+Mosque, which in its turn had replaced the Temple of Diana. It is far
+inferior to most of the great Spanish churches in beauty and interest.
+Originally Gothic, it was considerably enlarged in the fifteenth
+century, the height, however, being left unaltered. The principal
+entrance, in the receding circular form, is an outrage, but the north
+door, called the Puerta de los Apostoles, richly sculptured and
+delicately moulded, exhibits the skill and industry of the fourteenth
+century at its best.</p>
+
+<p>Above the semicircular Puerta de Palau is an interesting series of
+medallions. These represent the heads of fourteen men and women. These
+are the seven knights of the Conquest and the seven fair ladies they
+sought in the surrounding provinces, from whom the whole Valencian
+nobility is said to be sprung. This doorway is evidently by the same
+hand as the Puerta de los Infantes at Lerida. But the most striking part
+of the Cathedral is the imposing Miguelete Tower. Its sculpture is
+indifferent, but seen from a distance the effect is fine. It is the
+great landmark of the<span class="pagenum"><a name="page_17" id="page_17">{17}</a></span> district, and the Valencians speak of exile as
+“losing sight of the Miguelete.”</p>
+
+<p>The plan of the Cathedral, like most Spanish churches, is cruciform. In
+1760 the interior was modernised in a manner that makes the
+beauty-loving traveller long to tear his hair&mdash;or that of the
+perpetrator of the “restoration.” Over-decoration is its chief defect.
+The walls have been encrusted with marbles, the Gothic columns almost
+concealed by Corinthian pilasters, the pointed arches rounded off. The
+church may merit its surname of “La Rica,” but it has lost that
+atmosphere of remote beauty that calls forth the instincts of religion
+in the worshipper. During the French occupation of 1809 the magnificent
+silver altar was melted down, but fortunately its protecting door panels
+were uninjured. These are painted with six pictures by Francisco Pagano
+and Pablo de San Leocadio, disciples of Leonardo da Vinci, and ascribed
+by some to the master himself. The spurs and bridle of Jaime el
+Conqueridor, presented by him on the day he took the city to his Master
+of the Horse, are preserved on one of the pillars on the Gospel side.</p>
+
+<p>The choir is for the most part modern, with plain and classical walnut
+stalls. The rear portion, or <i>trascoro</i>, dates from the fifteenth
+century, and is decorated with a fine series of Biblical<span class="pagenum"><a name="page_18" id="page_18">{18}</a></span> scenes in
+alabaster. The chapels have little of interest, except the tomb of Tomás
+de Villanueva, the holy Archbishop of Valencia, in the one dedicated to
+him. Over the crossing rises the fine octagonal lantern, which was built
+in 1404 and restored in 1731. It was once adorned by many trophies,
+among them the flags taken from the Genoese by Ramon Corveran, a famous
+sea-dog of Valencia. These, however, have long since vanished.</p>
+
+<p>After the Cathedral the Lonja de la Seda, or Silk Exchange, is the most
+interesting sight of Valencia. Built in the Gothic style (though not of
+the purest) it is one of the best specimens of civil architecture of the
+Middle Ages that we have remaining. Its square tower, crenellated
+chimneys, open galleries and high windows give an extremely fine effect.
+The hall has spirally fluted pillars that branch out into graceful
+clusters of palm-leaves. The ceiling is painted with stars and round the
+walls runs the legend, “He only that shall not have deceived nor done
+usury shall be worthy of eternal life,” which (let us hope) has guided
+generations of merchants into the paths of commercial integrity. The
+Audiencia, in good Renaissance style, is well worth a visit, where in
+the Salon de Cortes the old provincial States assembled till the middle
+of the eighteenth century. As a building the University is beautiful,<span class="pagenum"><a name="page_19" id="page_19">{19}</a></span>
+if it is a little backward in thought. Here Fernando VII. raised the
+noble sport of <i>Tauromachy</i>, or Bull-fighting, to the dignity of a
+Faculty!</p>
+
+<p>The smaller churches are interesting enough, but not striking, and the
+visitor will do well to prefer the almost deserted Picture Gallery.
+Until the name of Velasquez dwarfed that of every other Spanish artist,
+Valencia boasted a school of painting second to none in the country.
+Ribalta, Juanes, Ribera, Espinosa, and Orrente all lived and loved and
+painted in the old kingdom. The story of Ribalta is romantic. The son of
+a ploughman, he deemed himself on the high road to fortune when he
+entered a Valencian studio as a pupil. But alas! the black eyes and
+pretty figure of his master’s daughter proved more alluring than canvas
+virgins. Ribalta was dismissed the studio in disgrace. He wandered
+towards Italy, the land of promise, and studied under the brothers
+Carracci. Some years later he returned. His mistress was in possession
+of the studio, her father having gone out. A wooden and lifeless Madonna
+stood on an easel. Ribalta seized a brush and painted furiously until
+sunset, and when the artist returned a masterpiece was awaiting him.
+Astonishment, admiration, tears, and gratitude&mdash;no artist could forbid
+his daughter’s <i>fiançailles</i> with a man of genius. Ribalta after<span class="pagenum"><a name="page_20" id="page_20">{20}</a></span>wards
+devoted his whole life to the adornment of the churches of his native
+kingdom.</p>
+
+<p>But Valencia is hardly less distinguished for its theatre than for its
+painting. Here at the end of the sixteenth century was founded the
+celebrated society of “Nocturnes” which welcomed the youth of Lope de
+Vega. Guillen de Castro was its head, a man of wit and honourable
+family, whose adventurous life ended in the gutter. He is best known as
+the author of <i>Las Mocedades del Cid</i>, a tedious drama with a fine
+heroic touch, whence Corneille drew his inspiration.</p>
+
+<p>Leaving Valencia we run southward as far as Alcira without a stop. Here
+we cross the Jucar, which strikes terror into the hearts of the
+townsfolk. Rising in the rainy season with terrible rapidity, with
+constant shiftings of its channel, it sweeps over the countryside,
+swallowing up whole villages in its destructive, impetuous course. When
+the sky grows black and the river starts to rise, the panic-stricken
+inhabitants run to the churches and seize the images. Then with frenzied
+prayers to the <i>Pare San Bernard</i>, they dip the holy forehead in the
+water, hoping to stay the onrush of the torrent. But the inundated
+country to-day will in a few years bear heavy rice crops and luxuriant
+orchards. The swampy unhealthy lagoon, the Albufera (which<span class="pagenum"><a name="page_21" id="page_21">{21}</a></span> gave its
+name to one of Napoleon’s marshals) is becoming filled up with the
+<i>débris</i> brought down from the mountains. Soon it, too, will be a
+fertile huerta. Meanwhile, trees are being planted on the rugged
+hill-side, a wise measure which it is hoped will check the violence of
+the floods and the denudation of the arid soil.</p>
+
+<p>Jativa will be our next stopping-place. Like most of the towns in this
+country it is rich in historic interest. Past cottages, embosomed in
+palm-and orange-trees, you climb up to the hill where the old and new
+castles stand side by side. Here in 1284 the Infantes de la Cerda,
+rightful heirs to the throne, were confined by their Uncle Sancho el
+Bravo. Here too the Duke of Calabria, heir of Naples, languished for ten
+years after having trusted himself to the honour of Gonzalo de Cordoba,
+who betrayed him. This was one of the three deeds of which Gonzalo is
+said to have repented at the last. Indeed the castle of Jativa seems to
+have greatly troubled his death-bed, for we learn that the second of
+these three misdeeds was the imprisonment in the same place of the
+infamous Cæsar Borgia. The Borgias&mdash;those super-men of the
+Renaissance&mdash;had their origin in the neighbourhood of Jativa, which also
+boasts itself the birthplace of the artist Ribera.</p>
+
+<p>The smaller coast towns of Alicante attract the weary traveller by their
+beautifully sounding<span class="pagenum"><a name="page_22" id="page_22">{22}</a></span> names: Benidorm, Villajoyosa&mdash;what pleasant chords
+they strike in the imagination! But time is short. You think of them
+regretfully and hurry towards the capital. But first, if the month is
+April, you must turn aside for a flying visit to Alcoy, where every year
+a mediæval joust takes place to the glory of Saint George (the city’s
+patron saint) and the discomfiture of the Moors. This is to celebrate
+the taking of the town from the Moors by Jaime el Conqueridor in 1253.</p>
+
+<p>Alicante, the largest town in the province of that name, and the second
+in the Kingdom of Valencia, is as dull as most thriving commercial
+centres. Its broad white quays are thronged with a busy bustling
+humanity. Touches of vivid colour in the dress of the women, who are
+labouring like navvies, a burning sun overhead, and the blue of the
+Mediterranean, make a not unpleasing picture. Behind the town towers an
+enormous rock&mdash;a second Gibraltar&mdash;crowned by the old castle of Santa
+Barbara. A deep fissure in the rock recalls the stubborn siege of 1707,
+when the English General and all his garrison were blown to pieces by a
+mine.</p>
+
+<p>Southwards still, to Elche, the City of Palms, or, less poetically, “The
+Frying-pan!” A mist of heat seems to hang over the little
+Oriental-looking town. Not even in the palm groves that<span class="pagenum"><a name="page_23" id="page_23">{23}</a></span> shut out the
+desert can you avoid it. These magnificent trees (it has been estimated
+that there are 80,000 in the belt that encircles the town) provide
+practically all the palms used by the Christian churches in Passion
+Week. In the shade of their avenues flourish the laurel, the rose, and
+the geranium; beyond, extend crops of lucerne and wheat, watered by the
+carefully regulated Vinalapo.</p>
+
+<p>But though Elche makes an agreeable impression on travellers, in Spain
+it is chiefly celebrated for its Passion or Mystery Play, the only one
+of its kind in the kingdom. Elche is under the special protection of Our
+Lady of the Assumption, who sent her miraculous image over the seas
+along with the words and music of the opera inscribed <i>Soy para Elche</i>
+(I am for Elche). To this image, supposed to have been found in 1370 by
+a coastguard named Canto, many houses and palm plantations round the
+city belong. They are all marked with a crown and the initials M.V. The
+image is said to have been carved by St. Luke, but hardly reflects
+credit on his skill. However, the miracles it performs seem highly
+satisfactory, judging by the magnificent jewels and garments that have
+been presented by the faithful.</p>
+
+<p>The opera is presented on August 13 and 14, the eve and the feast of the
+Assumption. In a<span class="pagenum"><a name="page_24" id="page_24">{24}</a></span> country where the sister of Cervantes was allowed to
+install a theatre in her convent and herself play the leading <i>rôles</i>,
+you are not surprised to find that the representation takes place in the
+church, which is, however, for the occasion, carefully stripped of
+sacred images.</p>
+
+<p>The scenery, as in mediæval days, is simple. There is a little cave for
+the Garden of Gethsemane, a plain coffin for the Holy Sepulchre. Angels
+playing harps on a blue cloth stretched across the roof betoken the
+celestial regions. Hence, by an ingenious arrangement of ropes and
+pulleys, angels will presently come down to take the Virgin up to
+heaven. Apostles and saints, their names legibly inscribed on cardboard
+haloes, the holy angels and the Trinity itself have all their appointed
+parts. The Virgin is a small boy of eleven. Unfortunately that touch of
+vulgarity which seems inseparable from modern Continental Catholicism
+liberally decorates the angels with well-greased hair, vivid sashes, and
+paper flowers of startling hues. However, the crowded audience is not
+critical and very real emotion at times interrupts the continuous
+chatter and shaking of fans. There seems something singularly human in a
+religion so all-embracing.</p>
+
+<p>Orihuela, in its fertile plain, rendered independent of rain by the
+waters of the Segura, will be our last stopping-place in the southern
+portion<span class="pagenum"><a name="page_25" id="page_25">{25}</a></span> of the kingdom. Here the Goths made a last resistance under
+Theodomir. Orihuela is the only city in the district where Castilian is
+spoken. Its square towers and domes shaded with palms are decidedly
+Oriental in appearance. A visit to the Cathedral shows some beautiful
+choir-stalls of carved mahogany, but the interior of the building has
+been hopelessly barbarised. There is little else to detain us here, so
+we take train again for Valencia and the north.<span class="pagenum"><a name="page_26" id="page_26">{26}</a></span></p>
+
+<h2><a name="SAGUNTUM_AND_CASTELLON" id="SAGUNTUM_AND_CASTELLON"></a>SAGUNTUM AND CASTELLON</h2>
+
+<p class="nind"><span class="smcap">Leaving</span> the city of Valencia, the traveller journeys northwards through
+one of the most luxuriant garden-plains of southern Europe. Groves of
+olive, almond, and orange trees crowd thick upon each other, their
+almost monotonous fruitfulness broken only by an occasional graceful
+cluster of stately palms. Soon there comes in sight a hill crowned with
+an irregular line of battlemented walls. Its silhouette is warm against
+the sky-line. This is Saguntum, famed in story.</p>
+
+<p>You pass out of the station and on your left rise up the eastern slopes
+of the Saguntine hill. At its feet are huddled the dark green tiled
+roofs of the village, from among which the little church of San Salvador
+detaches its quadrangular tower, proudly conscious that (in the eye of
+its worshippers at least) it is the oldest Christian foundation in the
+whole of Spain. Tiny cottages gleam white in the dark places of the
+rocks, between thickets of aloes and prickly-pear. And far above, the
+reddish walls of the castle with its huge square towers stretch in
+slanting belts<span class="pagenum"><a name="page_27" id="page_27">{27}</a></span> along the summit of the hill, keeping watch over the
+ever-retreating sea that has so often been studded with the ships of
+enemies.</p>
+
+<p>To the right, coaches from Teruel and Segorbe lumber along a white
+ribbon of road, smothered in clouds of dust. Clambering up the fence of
+masonry that separates populace and passengers a dozen Saguntine youths,
+burnt by the sun, with eyes like sloes and jet-black hair, hail you in
+eager tones. They thrust towards you sinewy arms holding cups of milk or
+wine and plates of savoury meats, with branches of oranges or wands
+garlanded with fruits and sweet-smelling flowers.</p>
+
+<p>But it is a silent town, Saguntum (or Murviedro as it is generally
+called), and seems to brood on memories of the past. Founded in 1389
+B.C. by the Greeks of Zacynthus, it has been held in turn by
+Carthaginian and Roman, by Goth, Moor, and Spaniard. Its place in
+history is unique. The story of its famous siege has repeatedly been
+told.</p>
+
+<p>It is the year 219 <small>B.C.</small>&mdash;the eve of the Second Punic War. Hannibal,
+having sworn war to the death on Rome, is gathering his forces for a
+crushing blow. The wealth of Saguntum attracts him; impoverished by the
+loss of Sicily, its position as frontier town appeals to him as a
+strategist; as the ally of Rome it draws his hatred. Suddenly<span class="pagenum"><a name="page_28" id="page_28">{28}</a></span> a force
+of a hundred and fifty thousand Carthaginian soldiers is hurled against
+the town; battering-rams thunder at the gates; huge catapults scatter
+death among the startled townsfolk. Then begins a struggle that can be
+compared only with Numantia in ancient or Saragossa in modern times.
+Force and cunning have met their match in desperate heroism.</p>
+
+<p>The siege lasted for eight months. Rome was appealed to, but her
+Ambassadors were not allowed to land. They turned to Carthage and
+entered the Senate House. “I bring you peace or war,” cried Valerius
+Flaccus; “choose which you will have!” and resounding cries of “War!
+War!” initiated one of the fiercest struggles of antiquity. But though
+fighting against a common enemy, Rome deserted her Spanish ally.</p>
+
+<p>A city beseiged is a city doomed. Saguntum could hold out no longer.
+Hannibal named his terms&mdash;life and two garments to each individual.
+Arms, wealth, and Fatherland must all be given up, and the inhabitants
+must drift to whatever part of the world the conqueror decreed.</p>
+
+<p>Immediately, by order of the Senate, a scaffold was erected in the
+public square. All the wealth from the public treasury was flung upon
+it. Private citizens added their treasures to the holocaust, and with
+the courage of despair flung themselves into the flames. Then a shout
+arose<span class="pagenum"><a name="page_29" id="page_29">{29}</a></span> from the walls; one of the towers had fallen and the attacking
+army swarmed over the ramparts to wholesale massacre. Such is Livy’s
+account, but it is probably an overstatement. For though the
+Carthaginians, being a Semitic race, were capable of any cruelty,
+history records that the first act of the Scipios, on rebuilding the
+town four years later, was to buy back the exiled inhabitants.</p>
+
+<p>Two thousand years later Saguntum was once again the theatre of war,
+when in 1808 it was attacked and taken by Marshal Suchet. But Napoleon’s
+success was as ephemeral as Hannibal’s. The French violet could not take
+root in the granite of Spain.</p>
+
+<p>The present castle is principally Moorish, though some traces of the old
+Saguntine walls can be distinguished. It is probable that the keep
+described by Livy occupied the site of the present citadel. There are
+some old Moorish cisterns to which the girls of the village climb in the
+evening with water-jars on their shoulders.</p>
+
+<p>A little lower down the hill lies the ancient Roman amphitheatre, the
+most nearly perfect of its kind that exists to-day, not even excepting
+those of Italy. The separate entrances that Roman ceremony required for
+knights and magistrates, for women and for the common people, can still
+be recognised in spite of the depredations of<span class="pagenum"><a name="page_30" id="page_30">{30}</a></span> Suchet and the
+Philistines. Its thirty-three tiers of bluish grey pebbles, cemented
+cunningly together to look like huge blocks of stone, rise with the
+sloping hill-side. The theatregoer of Murviedro had little to complain
+of in the old days. If the play was tedious, he could turn his eye to
+the beautiful scenery that lay before him. His lot was enviable beside
+the Londoner’s.</p>
+
+<p>The plain that now separates Murviedro from the sea is rich in ruins of
+a bygone age. Desultory excavations have yielded some results. In 1795 a
+magnificent mosaic was discovered representing Bacchus astride a tiger
+in the midst of revellers, which, unfortunately, has since been lost.
+For the antiquary with money at his back and method in his brain a rich
+and interesting harvest lies waiting.</p>
+
+<p>Leaving Saguntum we continue northwards past the picturesque old castle
+of Almenara; past Nules, famous for its mineral springs; past Burriana,
+whose oranges you have eaten in every country of Europe; and the train
+steams at length into Castellon de la Plana. To the eye this city is
+uninteresting enough, but the imagination is touched by the recital of
+its history.</p>
+
+<p>A league to the north of the town the barren mountains of the Desierta
+rise from an arid plain. Here can be seen some crumbling grey walls and
+a hermitage in honour of St. Mary Magdalena.<span class="pagenum"><a name="page_31" id="page_31">{31}</a></span> The walls mark the site of
+the old town captured in 1233 by Jaime I. of Aragon. A few years later
+the inhabitants petitioned the King’s lieutenant for leave to remove
+their town to the fertile plain on the coast where it now stands. Not
+only was this granted but considerable privileges were bestowed on the
+enterprising city.</p>
+
+<p>Every year on the third Sunday in Lent this event is commemorated by the
+Feast of Las Gayates. Clergy and laity alike, bearing green reeds,
+proceed in pilgrimage to the hermitage, where a solemn service is
+celebrated. A gay crowd invades the hill. They sing; they dance; they
+shout; they eat and drink. After this sylvan feast, they troop back to
+the town. At nightfall a second procession sets out, in which are
+represented with all edifying accompaniments the worldly pomps and
+repentance of the Magdalene. Raised up among a myriad flashing lanterns
+the “Gayata,” which gives its name to the festival and recalls the
+removal of the city, is borne along with song and dance.</p>
+
+<p>More than once has Castellon fought bravely in defence of its liberties.
+A very strenuous resistance was offered to Pedro IV. when the women
+fought side by side with the men upon the walls. One of the amazon
+warriors killed a relative of the attacking General, Don Pedro de Boil,
+and was hanged in the market-place on the<span class="pagenum"><a name="page_32" id="page_32">{32}</a></span> fall of the city, along with
+the other rebel leaders. Considering the part that Spanish women have
+played in the history of their country, it is curious to remember that
+voluptuous indolence is supposed to entirely sum up their character. The
+War of the Brotherhood, that great popular rising, gave three more
+martyrs to Castellon. It is not, therefore, surprising to find that this
+city to-day stands, in the province to which it gives its name, for
+democratic tendencies. So Morella on its rocky throne, the stronghold of
+the ferocious Carlist chief, Cabrera, stands for aristocratic
+militarism; and Segorbe, lying in the shadow of the magnificent
+monastery of Valdecristo, for the ecclesiastical element and clerical
+control.<span class="pagenum"><a name="page_33" id="page_33">{33}</a></span></p>
+
+<h2><a name="THE_KINGDOM_OF_MURCIA" id="THE_KINGDOM_OF_MURCIA"></a>THE KINGDOM OF MURCIA</h2>
+
+<p class="nind"><span class="smcap">The</span> ancient Kingdom of Murcia, which lies to the south of Valencia,
+includes the two modern provinces of Murcia and Albacete. It is a wild,
+fierce region, where the sun’s heat scorches all vegetation from off the
+hill-sides. Deep and terrible chasms yawn between the rugged mountains;
+there are sharp and rocky peaks that seem to have been thrown up by
+sudden upheavals of the earth, and at their feet lie great stretches of
+tawny desert recalling the burning expanse of the Sahara. The shadow of
+long-continued drought often broods over the whole kingdom. But yet the
+district watered by the Segura is an earthly paradise&mdash;in spring all
+flowers, in autumn all fruit. Mingling with the carob-tree and
+broad-leaved palm glistens the gold of oranges, and luxuriant vines give
+pleasant promise of a sparkling harvest.</p>
+
+<p>But nature has not thus blessed the land of her own free will. She
+needed coaxing and much wooing by the cunning Arabs. A wonderful system
+of irrigation prevails, and science has harnessed fast the wayward
+rivers. The greatest<span class="pagenum"><a name="page_34" id="page_34">{34}</a></span> treasure of the Murcian, water, is sold by auction
+to the highest bidder. M. Jean Brunhés, in a lately published work,
+gives some very curious and interesting details relating to this
+singular system.</p>
+
+<p>The volume of the Monegre is divided into old and new water, the former
+belonging of right to the ancient riparian proprietors, the latter to
+the owners of the locks and reservoirs. A very vicious system prevails
+at Lorca. There, a private company has obtained all rights in the water
+of Guadalentin, subject to the condition of supplying the old
+proprietors of the adjoining lands with 500 litres per second every day.
+Only in rainy seasons, when the company’s barrage is swept away by the
+torrent (as it usually is some five or six times in the year), does the
+water become public property. When this happens the company is not
+allowed to make the barrage any stronger when it is rebuilt. In seasons
+of drought the owners are masters of the situation, and are able to
+recoup themselves for the losses thus incurred by forcing up prices to a
+figure absolutely ruinous to all but the richest cultivators. There is
+only one palliation to this system, that the bidder who has bought the
+first lot can buy as many of the lots following as he may desire at the
+same figure. Notwithstanding this poor concession it would seem that the
+principle of private<span class="pagenum"><a name="page_35" id="page_35">{35}</a></span> ownership has been pushed a little too far in this
+part of the world.</p>
+
+<p>Here is M. Brunhés’ account of the water auction at Lorca:</p>
+
+<p>“The sale takes place in a badly lit hall with naked walls, on a level
+with the street, with which it communicates by an immense door almost
+its own breadth. This door remains open during the sale, and the crowd
+of bidders stand partly in the street. The hall has no floor; you stand
+on the bare ground. Opposite the door at the end of the hall is a
+railed-off daïs, entered by a side door, and without any direct
+communication with the public side. On the daïs the secretaries are
+seated at a large table covered by a threadbare green cloth. Behind the
+table are five arm-chairs. In one is seated the presiding officer (a
+civil engineer who must own no land in the Vega). On a stool is
+stationed the crier.</p>
+
+<p>“At eight o’clock in the morning, at a sign from the presiding officer,
+the crier pronounces these words in a singing monotonous voice, and
+without any pause between the two phrases: ‘In honour of the Holy
+Sacrament of the Altar, who buys the first lot of Sotellana?’
+Immediately shouts go up, ‘Eight, nine, or ten reales!’ One voice
+overpowers the other, wide mouths vociferate loudly, necks are strained,
+muscles grow tense with excitement. The bidders press and<span class="pagenum"><a name="page_36" id="page_36">{36}</a></span> crush each
+other against the iron railing, for the one nearest has the best chance
+of being heard. The presiding officer listens and follows the frantic
+shouting with sovereign calm. Suddenly, with a quick gesture, he
+designates the highest bidder. At once the clamour ceases. Amid absolute
+silence the man indicated calls out his name, which the clerks write
+down.</p>
+
+<p>“The men are hatless. Some wear black or dark-coloured handkerchiefs
+bound round their heads, but all hold their broad-brimmed hats in their
+hands. No one smokes or talks till the bidding recommences, and even
+those in the street are silent and bareheaded. It is easy to see that
+all are peasants. Heads are closely cropped; here are no beards or
+moustaches, no one wears a collar, and most carry a cloak other than the
+aristocratic <i>capa</i> on the shoulders or arm. It is a curious and
+impressive sight enough these bronzed physiognomies, animated by one
+desire to obtain, as cheaply as may be, possession of the supreme good,
+water.”</p>
+
+<p>Such is the province of Murcia in the twentieth century. When vegetation
+depended only on the sun and very infrequent rain, the land can have
+been very little better than an arid wilderness. And yet its possession
+has from the earliest times been a matter of keen dispute. To the early
+inhabitants have always been ascribed those<span class="pagenum"><a name="page_37" id="page_37">{37}</a></span> simple guileless virtues
+with which the eighteenth century endowed the noble savage. Like the
+high-souled inhabitants of More’s “Utopia,” they used the gold and
+silver, in which their mountains abounded, for the meanest articles of
+domestic use. But this admirable custom seems unfortunately to have been
+based on mere ignorance of the value of their treasures.</p>
+
+<p>More sophisticated were the Phœnicians, who scented the precious metals
+from afar, and here, as everywhere, established their commercial
+centres. Next, the Greeks swooped down and planted colonies, rivalry
+between the two races precipitating the fierce conflict between their
+respective allies, the Carthaginians and the Romans. New Carthage, or
+Cartagena, was founded by Hasdrubal; his son made it the starting-place
+of his famous march to Rome. The city made a brave resistance to Scipio,
+and its fall marked the downfall of the Carthaginian in Spain.</p>
+
+<p>As an outpost of the Roman Empire this district was one of the first
+abandoned to the attacks of the barbarians. Under the Visigoths it
+became a duchy with the name of Aurariola, which offered so determined a
+resistance to the Mussulman that it was enabled to retain its
+independence, subject merely to the Khalifa as suzerain. Here, as in so
+many Iberian sieges, the women played<span class="pagenum"><a name="page_38" id="page_38">{38}</a></span> no small part. Dressed as men,
+they paraded the walls of the city: and by this stratagem enabled Duke
+Theodomir to obtain such favourable terms.</p>
+
+<p>Perpetuating the memory of this Duke, the province lasted under the name
+of Todmir some sixty-eight years as a self-governing State. But the last
+governors allied themselves with Charlemagne. Arab invaders poured in,
+who soon swamped the Christian population and Todmir was completely
+absorbed into the Moslem Empire.</p>
+
+<p>A new capital, Murcia, was founded, that soon rivalled Toledo and
+Cordoba as a manufactory of arms. After undergoing the usual
+vicissitudes of Moorish States, it was taken in 1266 by Jaime el
+Conqueridor, and handed over to his son-in-law, the King of Castile. For
+two hundred years it endured the attacks of the Moors of Granada, acting
+meanwhile as a buffer to the Christian kingdom.</p>
+
+<p>Murcia to-day seems a survival of the Middle Ages. The legend goes that
+Adam returning to earth recognised the province as the only relic of the
+world he left. The Murcians are a conservative people, clinging to the
+beliefs and ideas of their forefathers, untouched by the march of
+thought. Religion is the changeless background of their lives, and often
+its picturesque ceremonies completely hold the stage. One of the most<span class="pagenum"><a name="page_39" id="page_39">{39}</a></span>
+interesting of their religious festivals is the Passion Procession held
+on Good Friday. According to tradition this has continued without
+interruption since 1603, except in the year 1809 only, when it was
+forbidden by the Government.</p>
+
+<p>Organised by the Confraternity of Jesus, the great feature of the
+procession is the magnificent series of carved groups (known as <i>pasos</i>)
+representing scenes from the Biblical narrative. These are the work of
+the great master Salzillo, who is said to have carved no fewer than 1792
+wooden figures in his long life of seventy-six years. During the
+eighteenth century the Trades Guilds of Murcia gave special support to
+the Confraternity. They are accordingly granted the privilege of
+carrying the different <i>pasos</i> in the procession. Thus the “Kiss of
+Judas” is borne by the bakers; Santa Veronica by the weavers; while the
+tailors carry the gigantic group of the Last Supper. The bearers, all
+alike clad in purple, carry lighted candles and musical instruments.
+Their hoods shroud their heads, the eyes alone being visible through
+slits; a knotted rope girdles the waist, and stockings of coarse white
+wool, instead of the bare feet demanded by the original statute,
+acknowledge the claims of the twentieth century.</p>
+
+<p>It is six o’clock on Good Friday morning. The streets are thronged with
+eager sightseers; heads<span class="pagenum"><a name="page_40" id="page_40">{40}</a></span> are devoutly bared and many a plain wooden
+cross is displayed to mark the sympathy of the crowd. A band of mounted
+gendarmes clears the way. The standard-bearer chants to the populace
+that “This is done in remembrance of the Passion of Our Lord Jesus
+Christ.” Smothered in flowers the first five <i>pasos</i> are borne along.
+Then to the sound of drum and trumpet, with the ringing of bells and the
+blare of bugles, Our Father Jesus passes, enveloped in a cloud of
+flaming candles, accompanied by the Holy Brotherhood. The remaining
+<i>pasos</i> follow close, the clergy and the representatives of King and
+Bishop bringing up the rear.</p>
+
+<p>The <i>pasos</i> themselves will repay inspection. Though abounding in
+ludicrous anachronisms, often in flabby sentiment, they are beautifully
+carved and superbly mounted. It is said that £1000 was offered by an
+enthusiastic German for the uplifted arm of St. Peter in the “Kiss of
+Judas.”</p>
+
+<p>The first group of the Last Supper is of enormous size, requiring no
+fewer than twenty-four bearers during the procession. Among the tailors
+of the city there is keen competition for this honour, for the splendid
+collation that is offered by the pious to the lifeless feasters is later
+sold by auction for the benefit of the bearers. The price it fetches is
+no small one, for<span class="pagenum"><a name="page_41" id="page_41">{41}</a></span> it is regarded as true <i>pain béni</i>, bringing
+happiness to those who eat. The Agony in the Garden is reputed of
+supernatural design and is known as “The Pearl of Salzillo.” The Angel
+Gabriel is considered unrivalled, and the legend goes that the Duke of
+Wellington bid £80,000 for this one figure. The figures are
+magnificently clothed, the sword and crown of Jesus being set down in
+the accounts of the brotherhood at £200 and £120 respectively. Perhaps
+the finest of the groups is that which comes last&mdash;our Lady of Dolours,
+whose expression of supreme sorrow has rarely been equalled whether by
+chisel or brush. It is said that the sculptor copied it from the
+countenance of his own daughter, to whom, with this end in view, he had
+deliberately presented a forged letter announcing the suicide of her
+betrothed. The <i>pasos</i> are deposited in the Ermita de Jesus, where they
+can be seen by the traveller.</p>
+
+<p>In the town of Murcia itself the influence of the Cross has almost
+completely banished the Crescent. Gone is the Alcazar, where the Amirs
+mimicked the State of Cordoba and Toledo; gone is the mosque, where
+thousands of turbaned heads bowed daily towards Mecca. But in the centre
+of the city is one of those squares found in every southern and eastern
+city, which in Spain is always named after the Constitution, in Italy
+after Victor Emmanuel, and in France<span class="pagenum"><a name="page_42" id="page_42">{42}</a></span> after the Republic. To cross it in
+the afternoon would mean sudden death, for Murcia is one of the hottest
+corners of Europe. But later a gentle breeze springs up and the citizens
+troop out to meet with friends upon the Malecon and admire the charming
+view of the Segura valley, which, as M. Brunhés has said, is “an
+admirable zone of model agricultural establishment.” This fertile huerta
+bespeaks industry as great as that of the Swiss or Scottish peasant, for
+the worship of sloth with which Mr. O’Shea charges the Murcian people is
+groundless and unjust.</p>
+
+<p>A visit to the Cathedral will exhaust the architectural sights of
+Murcia. Even this is not of first-class interest. Dating in parts from
+1386 and Gothic in style, the west front is Churrigueresque, though
+fortunately not in the most florid style of that unhappy architect. The
+earthquake of 1829 and a fire in the middle of the last century have
+greatly damaged the interior, but the general effect is sufficiently
+striking. The choir-stalls of carved walnut are very beautiful, but the
+reredos is poor. The eighth wonder of the world, in the opinion of the
+inhabitants, is the little Velez Chapel modelled on the Constable’s
+Chapel at Burgos, but parts of it, according to Don Rodrigo Amador de
+los Rios, show the painful caprices and aberrations which announce the
+death agony of a powerful art. Just beyond the Junteron<span class="pagenum"><a name="page_43" id="page_43">{43}</a></span> Chapel, with
+its wealth of beautifully sculptured figures and designs in the most
+exuberant Renaissance style, is the urn where the city carefully guards
+the internal organs of Alfonso the Learned&mdash;a gruesome legacy but one
+greatly valued.</p>
+
+<p>Much older than Murcia, the old Visigothic capital Carthagena has
+preserved even fewer monuments of antiquity, though it has not lost the
+military character first impressed upon it by its founder Hasdrubal. For
+this is the first arsenal of Spain and perhaps its strongest fortress.
+Its splendid sheltered harbour is defended by powerful forts and
+formidable batteries. Their fire has not always been directed upon the
+enemies of Spain. For many months in 1873 over them waved the red flag
+of the Intransigents, the extreme communistic republicans, who,
+simultaneously with the Carlists of the north, threatened to ruin
+Castelar’s Government at Madrid. The acquisition of the great national
+arsenal without firing a shot was, of course, of the utmost advantage to
+the determined revolutionaries. The garrison, in addition to the
+enthusiastic population, included several revolted battalions of regular
+troops under General Contreras.</p>
+
+<p>Against this terrible stronghold of the Revolution, General Martinez
+Campos advanced with an<span class="pagenum"><a name="page_44" id="page_44">{44}</a></span> army from Madrid, with orders to reduce the
+place with the utmost despatch. This was easier said than done. Supplies
+were lacking; the advantage in artillery lay entirely with the besieged.
+The Carlists effected diversions in favour of the Intransigents&mdash;an odd
+coalition. Meanwhile three of the revolutionary vessels were seized by a
+Prussian squadron as pirates&mdash;an utterly unjustifiable interference with
+the domestic affairs of another State. The Prussians and Italians
+exacted, moreover, a war indemnity of 50,000 pesetas from the Cantonal
+Junta, which body became a prey to internal dissensions. One of its
+members was assassinated. Taking advantage of these embarrassments of
+the besieged the republican troops redoubled their efforts. Señor
+Castelar came down from Madrid to assume the supreme command, and
+Martinez Campos was superseded by General Lopez Dominguez. An incessant
+bombardment was kept up, the besieged responding shell by shell. In
+January the frigate <i>Tetuan</i> was burnt to the water’s edge, and a day or
+two later the explosion of the magazine destroyed hundreds of the
+garrison. The end was near. The city had for half a year defied almost
+the whole kingdom and withstood the covert attacks of foreign Powers.
+The Government troops forced their way into wretched, blood-drenched
+Carthagena; Galvez, Contreras, and the<span class="pagenum"><a name="page_45" id="page_45">{45}</a></span> leaders of the cantonal movement
+escaped by sea in the ironclad <i>Numancia</i>, which far exceeded the
+Government vessels in speed, and took refuge in Algeria. Thus collapsed
+a movement which was, after the Commune of Paris, the most determined
+organised attempt ever made to subvert the existing constitution of
+European society.</p>
+
+<p>I have given at some length this chapter in the history of Carthagena,
+partly because the town has little interest of itself, and partly
+because these events though so recent and significant are ignored by
+most writers of travel books. Out of so much evil good came at last, for
+these well-nigh fatal disorders opened the eyes of the Spaniards to the
+instability of the Madrid Government and formed the prelude to the reign
+of peace inaugurated by the accession to the throne of King Alfonso XII.</p>
+
+<p>Boasting less than most Spanish provinces of sights that appeal only to
+the casual tourist, Murcia is interesting as a region of perpetual
+struggle and bloodshed; of struggle against nature, of struggles between
+differing religions, and of the deadly internecine feuds of race and
+race.</p>
+
+<p><span class="pagenum"><a name="page_46" id="page_46">{46}</a></span>&nbsp; </p>
+
+<p><span class="pagenum"><a name="page_47" id="page_47">{47}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_001" id="plt_001"></a><br />
+<span class="caption1">Plate 1</span>
+<br /><a href="images/plt_001.jpg">
+<img src="images/plt_001.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_48" id="page_48">{48}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_002" id="plt_002"></a><br />
+<span class="caption1">Plate 2</span>
+<br /><a href="images/plt_002.jpg">
+<img src="images/plt_002.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: GENERAL VIEW, LOOKING SOUTH</span></div>
+
+<p><span class="pagenum"><a name="page_49" id="page_49">{49}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_003" id="plt_003"></a><br />
+<span class="caption1">Plate 3</span>
+<br /><a href="images/plt_003.jpg">
+<img src="images/plt_003.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: VIEW FROM THE PUENTE DEL MAR</span></div>
+
+<p><span class="pagenum"><a name="page_50" id="page_50">{50}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_004" id="plt_004"></a><br />
+<span class="caption1">Plate 4</span>
+<br /><a href="images/plt_004.jpg">
+<img src="images/plt_004.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_51" id="page_51">{51}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_005" id="plt_005"></a><br />
+<span class="caption1">Plate 5</span>
+<br /><a href="images/plt_005.jpg">
+<img src="images/plt_005.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: VIEW FROM THE PUENTE DEL MAR</span></div>
+
+<p><span class="pagenum"><a name="page_52" id="page_52">{52}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_006" id="plt_006"></a><br />
+<span class="caption1">Plate 6</span>
+<br /><a href="images/plt_006.jpg">
+<img src="images/plt_006.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: ENTRANCE TO THE TOWN BY THE PUERTA DE SANTA LUCIA</span></div>
+
+<p><span class="pagenum"><a name="page_53" id="page_53">{53}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_007" id="plt_007"></a><br />
+<span class="caption1">Plate 7</span>
+<br /><a href="images/plt_007.jpg">
+<img src="images/plt_007.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE FAIR AT THE PUERTA DE SANTA LUCIA</span></div>
+
+<p><span class="pagenum"><a name="page_54" id="page_54">{54}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_008" id="plt_008"></a><br />
+<span class="caption1">Plate 8</span>
+<br /><a href="images/plt_008.jpg">
+<img src="images/plt_008.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PUERTA DE SERRANOS</span></div>
+
+<p><span class="pagenum"><a name="page_55" id="page_55">{55}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_009" id="plt_009"></a><br />
+<span class="caption1">Plate 9</span>
+<br /><a href="images/plt_009.jpg">
+<img src="images/plt_009.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PUERTA DE CUARTE</span></div>
+
+<p><span class="pagenum"><a name="page_56" id="page_56">{56}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_010" id="plt_010"></a><br />
+<span class="caption1">Plate 10</span>
+<br /><a href="images/plt_010.jpg">
+<img src="images/plt_010.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE MARKET-PLACE</span></div>
+
+<p><span class="pagenum"><a name="page_57" id="page_57">{57}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_011" id="plt_011"></a><br />
+<span class="caption1">Plate 11</span>
+<br /><a href="images/plt_011.jpg">
+<img src="images/plt_011.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE PUENTE REAL</span></div>
+
+<p><span class="pagenum"><a name="page_58" id="page_58">{58}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_012" id="plt_012"></a><br />
+<span class="caption1">Plate 12</span>
+<br /><a href="images/plt_012.jpg">
+<img src="images/plt_012.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PASEO DE LA GLORIETA</span></div>
+
+<p><span class="pagenum"><a name="page_59" id="page_59">{59}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_013" id="plt_013"></a><br />
+<span class="caption1">Plate 13</span>
+<br /><a href="images/plt_013.jpg">
+<img src="images/plt_013.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PASEO DE LA GLORIETA</span></div>
+
+<p><span class="pagenum"><a name="page_60" id="page_60">{60}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_014" id="plt_014"></a><br />
+<span class="caption1">Plate 14</span>
+<br /><a href="images/plt_014.jpg">
+<img src="images/plt_014.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PASEO DE LA ALAMEDA</span></div>
+
+<p><span class="pagenum"><a name="page_61" id="page_61">{61}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_015" id="plt_015"></a><br />
+<span class="caption1">Plate 15</span>
+<br /><a href="images/plt_015.jpg">
+<img src="images/plt_015.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: FOUNTAIN OF THE ALAMEDA</span></div>
+
+<p><span class="pagenum"><a name="page_62" id="page_62">{62}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_016" id="plt_016"></a><br />
+<span class="caption1">Plate 16</span>
+<br /><a href="images/plt_016.jpg">
+<img src="images/plt_016.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PLAZA DE LA ADUANA</span></div>
+
+<p><span class="pagenum"><a name="page_63" id="page_63">{63}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_017" id="plt_017"></a><br />
+<span class="caption1">Plate 17</span>
+<br /><a href="images/plt_017.jpg">
+<img src="images/plt_017.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PLAZA DE SANTO DOMINGO</span></div>
+
+<p><span class="pagenum"><a name="page_64" id="page_64">{64}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_018" id="plt_018"></a><br />
+<span class="caption1">Plate 18</span>
+<br /><a href="images/plt_018.jpg">
+<img src="images/plt_018.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PLAZA DE SAN FRANCISCO</span></div>
+
+<p><span class="pagenum"><a name="page_65" id="page_65">{65}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_019" id="plt_019"></a><br />
+<span class="caption1">Plate 19</span>
+<br /><a href="images/plt_019.jpg">
+<img src="images/plt_019.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PLAZA DE TÉTUAN</span></div>
+
+<p><span class="pagenum"><a name="page_66" id="page_66">{66}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_020" id="plt_020"></a><br />
+<span class="caption1">Plate 20</span>
+<br /><a href="images/plt_020.jpg">
+<img src="images/plt_020.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PLAZA DE LA CONSTITUCION</span></div>
+
+<p><span class="pagenum"><a name="page_67" id="page_67">{67}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_021" id="plt_021"></a><br />
+<span class="caption1">Plate 21</span>
+<br /><a href="images/plt_021.jpg">
+<img src="images/plt_021.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: CALLE DE LA BAJADA DE SAN FRANCISCO</span></div>
+
+<p><span class="pagenum"><a name="page_68" id="page_68">{68}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_022" id="plt_022"></a><br />
+<span class="caption1">Plate 22</span>
+<br /><a href="images/plt_022.jpg">
+<img src="images/plt_022.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: CALLE DE SAN VICENTE</span></div>
+
+<p><span class="pagenum"><a name="page_69" id="page_69">{69}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_023" id="plt_023"></a><br />
+<span class="caption1">Plate 23</span>
+<br /><a href="images/plt_023.jpg">
+<img src="images/plt_023.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: TROS ALT</span></div>
+
+<p><span class="pagenum"><a name="page_70" id="page_70">{70}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_024" id="plt_024"></a><br />
+<span class="caption1">Plate 24</span>
+<br /><a href="images/plt_024.jpg">
+<img src="images/plt_024.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: CALLE DE LA BOLSERIA Y TROS ALT</span></div>
+
+<p><span class="pagenum"><a name="page_71" id="page_71">{71}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_025" id="plt_025"></a><br />
+<span class="caption1">Plate 25</span>
+<br /><a href="images/plt_025.jpg">
+<img src="images/plt_025.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: GENERAL VIEW OF THE CATHEDRAL</span></div>
+
+<p><span class="pagenum"><a name="page_72" id="page_72">{72}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_026" id="plt_026"></a><br />
+<span class="caption1">Plate 26</span>
+<br /><a href="images/plt_026.jpg">
+<img src="images/plt_026.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA CATHEDRAL: GATE OF THE APOSTLES</span></div>
+
+<p><span class="pagenum"><a name="page_73" id="page_73">{73}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_027" id="plt_027"></a><br />
+<span class="caption1">Plate 27</span>
+<br /><a href="images/plt_027.jpg">
+<img src="images/plt_027.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE CATHEDRAL, PUERTA DEL PALAU</span></div>
+
+<p><span class="pagenum"><a name="page_74" id="page_74">{74}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_028" id="plt_028"></a><br />
+<span class="caption1">Plate 28</span>
+<br /><a href="images/plt_028.jpg">
+<img src="images/plt_028.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA CATHEDRAL: A DOOR</span></div>
+
+<p><span class="pagenum"><a name="page_75" id="page_75">{75}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_029" id="plt_029"></a><br />
+<span class="caption1">Plate 29</span>
+<br /><a href="images/plt_029.jpg">
+<img src="images/plt_029.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE TEMPLE</span></div>
+
+<p><span class="pagenum"><a name="page_76" id="page_76">{76}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_030" id="plt_030"></a><br />
+<span class="caption1">Plate 30</span>
+<br /><a href="images/plt_030.jpg">
+<img src="images/plt_030.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE MIGUELETE</span></div>
+
+<p><span class="pagenum"><a name="page_77" id="page_77">{77}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_031" id="plt_031"></a><br />
+<span class="caption1">Plate 31</span>
+<br /><a href="images/plt_031.jpg">
+<img src="images/plt_031.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: CHURCH OF SANTA CATALINA</span></div>
+
+<p><span class="pagenum"><a name="page_78" id="page_78">{78}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_032" id="plt_032"></a><br />
+<span class="caption1">Plate 32</span>
+<br /><a href="images/plt_032.jpg">
+<img src="images/plt_032.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: CHURCH OF SANTA CATALINA</span></div>
+
+<p><span class="pagenum"><a name="page_79" id="page_79">{79}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_033" id="plt_033"></a><br />
+<span class="caption1">Plate 33</span>
+<br /><a href="images/plt_033.jpg">
+<img src="images/plt_033.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: CHURCH OF LOS SANTOS JUANES</span></div>
+
+<p><span class="pagenum"><a name="page_80" id="page_80">{80}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_034" id="plt_034"></a><br />
+<span class="caption1">Plate 34</span>
+<br /><a href="images/plt_034.jpg">
+<img src="images/plt_034.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: FAÇADE OF SAN MIGUEL EL REAL</span></div>
+
+<p><span class="pagenum"><a name="page_81" id="page_81">{81}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_035" id="plt_035"></a><br />
+<span class="caption1">Plate 35</span>
+<br /><a href="images/plt_035.jpg">
+<img src="images/plt_035.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: CHURCH OF SANTA CRUZ</span></div>
+
+<p><span class="pagenum"><a name="page_82" id="page_82">{82}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_036" id="plt_036"></a><br />
+<span class="caption1">Plate 36</span>
+<br /><a href="images/plt_036.jpg">
+<img src="images/plt_036.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: CHURCH OF SANTA CRUZ</span></div>
+
+<p><span class="pagenum"><a name="page_83" id="page_83">{83}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_037" id="plt_037"></a><br />
+<span class="caption1">Plate 37</span>
+<br /><a href="images/plt_037.jpg">
+<img src="images/plt_037.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: ENTRANCE TO THE CHURCH OF SAN ANDRÉS</span></div>
+
+<p><span class="pagenum"><a name="page_84" id="page_84">{84}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_038" id="plt_038"></a><br />
+<span class="caption1">Plate 38</span>
+<br /><a href="images/plt_038.jpg">
+<img src="images/plt_038.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE CAMPO-SANTO</span></div>
+
+<p><span class="pagenum"><a name="page_85" id="page_85">{85}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_039" id="plt_039"></a><br />
+<span class="caption1">Plate 39</span>
+<br /><a href="images/plt_039.jpg">
+<img src="images/plt_039.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE CAMPO-SANTO</span></div>
+
+<p><span class="pagenum"><a name="page_86" id="page_86">{86}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_040" id="plt_040"></a><br />
+<span class="caption1">Plate 40</span>
+<br /><a href="images/plt_040.jpg">
+<img src="images/plt_040.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE CAMPO-SANTO</span></div>
+
+<p><span class="pagenum"><a name="page_87" id="page_87">{87}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_041" id="plt_041"></a><br />
+<span class="caption1">Plate 41</span>
+<br /><a href="images/plt_041.jpg">
+<img src="images/plt_041.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE AUDIENCIA, OLD PALACE OF THE CORTES</span></div>
+
+<p><span class="pagenum"><a name="page_88" id="page_88">{88}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_042" id="plt_042"></a><br />
+<span class="caption1">Plate 42</span>
+<br /><a href="images/plt_042.jpg">
+<img src="images/plt_042.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: ROYAL HALL IN THE AUDIENCIA, UPPER PART</span></div>
+
+<p><span class="pagenum"><a name="page_89" id="page_89">{89}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_043" id="plt_043"></a><br />
+<span class="caption1">Plate 43</span>
+<br /><a href="images/plt_043.jpg">
+<img src="images/plt_043.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: ROYAL HALL IN THE AUDIENCIA, LOWER PART</span></div>
+
+<p><span class="pagenum"><a name="page_90" id="page_90">{90}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_044" id="plt_044"></a><br />
+<span class="caption1">Plate 44</span>
+<br /><a href="images/plt_044.jpg">
+<img src="images/plt_044.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: INTERIOR DOOR OF THE AUDIENCIA</span></div>
+
+<p><span class="pagenum"><a name="page_91" id="page_91">{91}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_045" id="plt_045"></a><br />
+<span class="caption1">Plate 45</span>
+<br /><a href="images/plt_045.jpg">
+<img src="images/plt_045.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE EXCHANGE</span></div>
+
+<p><span class="pagenum"><a name="page_92" id="page_92">{92}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_046" id="plt_046"></a><br />
+<span class="caption1">Plate 46</span>
+<br /><a href="images/plt_046.jpg">
+<img src="images/plt_046.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE EXCHANGE. DETAIL OF THE GALLERY</span></div>
+
+<p><span class="pagenum"><a name="page_93" id="page_93">{93}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_047" id="plt_047"></a><br />
+<span class="caption1">Plate 47</span>
+<br /><a href="images/plt_047.jpg">
+<img src="images/plt_047.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: INTERIOR OF THE EXCHANGE</span></div>
+
+<p><span class="pagenum"><a name="page_94" id="page_94">{94}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_048" id="plt_048"></a><br />
+<span class="caption1">Plate 48</span>
+<br /><a href="images/plt_048.jpg">
+<img src="images/plt_048.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: INTERIOR DOOR OF THE EXCHANGE</span></div>
+
+<p><span class="pagenum"><a name="page_95" id="page_95">{95}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_049" id="plt_049"></a><br />
+<span class="caption1">Plate 49</span>
+<br /><a href="images/plt_049.jpg">
+<img src="images/plt_049.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: COLEGIO DEL PATRIARCA</span></div>
+
+<p><span class="pagenum"><a name="page_96" id="page_96">{96}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_050" id="plt_050"></a><br />
+<span class="caption1">Plate 50</span>
+<br /><a href="images/plt_050.jpg">
+<img src="images/plt_050.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: COURTYARD IN THE COLEGIO DEL PATRIARCA</span></div>
+
+<p><span class="pagenum"><a name="page_97" id="page_97">{97}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_051" id="plt_051"></a><br />
+<span class="caption1">Plate 51</span>
+<br /><a href="images/plt_051.jpg">
+<img src="images/plt_051.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: COURTYARD OF THE UNIVERSITY</span></div>
+
+<p><span class="pagenum"><a name="page_98" id="page_98">{98}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_052" id="plt_052"></a><br />
+<span class="caption1">Plate 52</span>
+<br /><a href="images/plt_052.jpg">
+<img src="images/plt_052.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: ENTRANCE TO THE CIVIL HOSPITAL</span></div>
+
+<p><span class="pagenum"><a name="page_99" id="page_99">{99}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_053" id="plt_053"></a><br />
+<span class="caption1">Plate 53</span>
+<br /><a href="images/plt_053.jpg">
+<img src="images/plt_053.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: GATE OF MOSEN S’ORRELL</span></div>
+
+<p><span class="pagenum"><a name="page_100" id="page_100">{100}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_054" id="plt_054"></a><br />
+<span class="caption1">Plate 54</span>
+<br /><a href="images/plt_054.jpg">
+<img src="images/plt_054.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE CUSTOM-HOUSE</span></div>
+
+<p><span class="pagenum"><a name="page_101" id="page_101">{101}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_055" id="plt_055"></a><br />
+<span class="caption1">Plate 55</span>
+<br /><a href="images/plt_055.jpg">
+<img src="images/plt_055.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE ARCHBISHOP’S PALACE</span></div>
+
+<p><span class="pagenum"><a name="page_102" id="page_102">{102}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_056" id="plt_056"></a><br />
+<span class="caption1">Plate 56</span>
+<br /><a href="images/plt_056.jpg">
+<img src="images/plt_056.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE BULL-RING</span></div>
+
+<p><span class="pagenum"><a name="page_103" id="page_103">{103}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_057" id="plt_057"></a><br />
+<span class="caption1">Plate 57</span>
+<br /><a href="images/plt_057.jpg">
+<img src="images/plt_057.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: TOBACCO FACTORY</span></div>
+
+<p><span class="pagenum"><a name="page_104" id="page_104">{104}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_058" id="plt_058"></a><br />
+<span class="caption1">Plate 58</span>
+<br /><a href="images/plt_058.jpg">
+<img src="images/plt_058.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: A PRIVATE HOUSE</span></div>
+
+<p><span class="pagenum"><a name="page_105" id="page_105">{105}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_059" id="plt_059"></a><br />
+<span class="caption1">Plate 59</span>
+<br /><a href="images/plt_059.jpg">
+<img src="images/plt_059.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: STATUE OF KING JAIME</span></div>
+
+<p><span class="pagenum"><a name="page_106" id="page_106">{106}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_060" id="plt_060"></a><br />
+<span class="caption1">Plate 60</span>
+<br /><a href="images/plt_060.jpg">
+<img src="images/plt_060.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: STATUE OF RIBERA</span></div>
+
+<p><span class="pagenum"><a name="page_107" id="page_107">{107}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_061" id="plt_061"></a><br />
+<span class="caption1">Plate 61</span>
+<br /><a href="images/plt_061.jpg">
+<img src="images/plt_061.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: STATUE OF ST. CHRISTOPHER</span></div>
+
+<p><span class="pagenum"><a name="page_108" id="page_108">{108}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_062" id="plt_062"></a><br />
+<span class="caption1">Plate 62</span>
+<br /><a href="images/plt_062.jpg">
+<img src="images/plt_062.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PALACE OF THE MARQUÉS DE DOS AGUAS</span></div>
+
+<p><span class="pagenum"><a name="page_109" id="page_109">{109}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_063" id="plt_063"></a><br />
+<span class="caption1">Plate 63</span>
+<br /><a href="images/plt_063.jpg">
+<img src="images/plt_063.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PALACE OF THE MARQUÉS DE DOS AGUAS</span></div>
+
+<p><span class="pagenum"><a name="page_110" id="page_110">{110}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_064" id="plt_064"></a><br />
+<span class="caption1">Plate 64</span>
+<br /><a href="images/plt_064.jpg">
+<img src="images/plt_064.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PORTAL OF THE PALACE OF THE MARQUÉS DE DOS AGUAS</span></div>
+
+<p><span class="pagenum"><a name="page_111" id="page_111">{111}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_065" id="plt_065"></a><br />
+<span class="caption1">Plate 65</span>
+<br /><a href="images/plt_065.jpg">
+<img src="images/plt_065.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PALACE OF THE MARQUES DE RIPALDA</span></div>
+
+<p><span class="pagenum"><a name="page_112" id="page_112">{112}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_066" id="plt_066"></a><br />
+<span class="caption1">Plate 66</span>
+<br /><a href="images/plt_066.jpg">
+<img src="images/plt_066.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">GENERAL VIEW OF GRAO</span></div>
+
+<p><span class="pagenum"><a name="page_113" id="page_113">{113}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_067" id="plt_067"></a><br />
+<span class="caption1">Plate 67</span>
+<br /><a href="images/plt_067.jpg">
+<img src="images/plt_067.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">GRAO HARBOUR</span></div>
+
+<p><span class="pagenum"><a name="page_114" id="page_114">{114}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_068" id="plt_068"></a><br />
+<span class="caption1">Plate 68</span>
+<br /><a href="images/plt_068.jpg">
+<img src="images/plt_068.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">GRAO HARBOUR</span></div>
+
+<p><span class="pagenum"><a name="page_115" id="page_115">{115}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_069" id="plt_069"></a><br />
+<span class="caption1">Plate 69</span>
+<br /><a href="images/plt_069.jpg">
+<img src="images/plt_069.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">GRAO HARBOUR</span></div>
+
+<p><span class="pagenum"><a name="page_116" id="page_116">{116}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_070" id="plt_070"></a><br />
+<span class="caption1">Plate 70</span>
+<br /><a href="images/plt_070.jpg">
+<img src="images/plt_070.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CAMINO DEL GRAO: HERMITAGE OF AVE MARIA</span></div>
+
+<p><span class="pagenum"><a name="page_117" id="page_117">{117}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_071" id="plt_071"></a><br />
+<span class="caption1">Plate 71</span>
+<br /><a href="images/plt_071.jpg">
+<img src="images/plt_071.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: A “TARTANA,” OR CHAR-À-BANC</span></div>
+
+<p><span class="pagenum"><a name="page_118" id="page_118">{118}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_072" id="plt_072"></a><br />
+<span class="caption1">Plate 72</span>
+<br /><a href="images/plt_072.jpg">
+<img src="images/plt_072.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PEASANTS</span></div>
+
+<p><span class="pagenum"><a name="page_119" id="page_119">{119}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_073" id="plt_073"></a><br />
+<span class="caption1">Plate 73</span>
+<br /><a href="images/plt_073.jpg">
+<img src="images/plt_073.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PEASANTS</span></div>
+
+<p><span class="pagenum"><a name="page_120" id="page_120">{120}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_074" id="plt_074"></a><br />
+<span class="caption1">Plate 74</span>
+<br /><a href="images/plt_074.jpg">
+<img src="images/plt_074.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: PEASANTS</span></div>
+
+<p><span class="pagenum"><a name="page_121" id="page_121">{121}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_075" id="plt_075"></a><br />
+<span class="caption1">Plate 75</span>
+<br /><a href="images/plt_075.jpg">
+<img src="images/plt_075.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: TYPES OF WOMEN</span></div>
+
+<p><span class="pagenum"><a name="page_122" id="page_122">{122}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_076" id="plt_076"></a><br />
+<span class="caption1">Plate 76</span>
+<br /><a href="images/plt_076.jpg">
+<img src="images/plt_076.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: TRIBUNAL DES EAUX</span></div>
+
+<p><span class="pagenum"><a name="page_123" id="page_123">{123}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_077" id="plt_077"></a><br />
+<span class="caption1">Plate 77</span>
+<br /><a href="images/plt_077.jpg">
+<img src="images/plt_077.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: BARBERS ON THE BRIDGE OF SERRANOS</span></div>
+
+<p><span class="pagenum"><a name="page_124" id="page_124">{124}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_078" id="plt_078"></a><br />
+<span class="caption1">Plate 78</span>
+<br /><a href="images/plt_078.jpg">
+<img src="images/plt_078.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: ZIGZAG OF THE CABRILLAS</span></div>
+
+<p><span class="pagenum"><a name="page_125" id="page_125">{125}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_079" id="plt_079"></a><br />
+<span class="caption1">Plate 79</span>
+<br /><a href="images/plt_079.jpg">
+<img src="images/plt_079.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF VALENCIA: A ROAD IN CABAÑAL</span></div>
+
+<p><span class="pagenum"><a name="page_126" id="page_126">{126}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_080" id="plt_080"></a><br />
+<span class="caption1">Plate 80</span>
+<br /><a href="images/plt_080.jpg">
+<img src="images/plt_080.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF VALENCIA: A ROAD IN CABAÑAL</span></div>
+
+<p><span class="pagenum"><a name="page_127" id="page_127">{127}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_081" id="plt_081"></a><br />
+<span class="caption1">Plate 81</span>
+<br /><a href="images/plt_081.jpg">
+<img src="images/plt_081.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE SHORES OF THE MEDITERRANEAN</span></div>
+
+<p><span class="pagenum"><a name="page_128" id="page_128">{128}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_082" id="plt_082"></a><br />
+<span class="caption1">Plate 82</span>
+<br /><a href="images/plt_082.jpg">
+<img src="images/plt_082.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">VALENCIA: THE SHORES OF THE MEDITERRANEAN</span></div>
+
+<p><span class="pagenum"><a name="page_129" id="page_129">{129}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_083" id="plt_083"></a><br />
+<span class="caption1">Plate 83</span>
+<br /><a href="images/plt_083.jpg">
+<img src="images/plt_083.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_130" id="page_130">{130}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_084" id="plt_084"></a><br />
+<span class="caption1">Plate 84</span>
+<br /><a href="images/plt_084.jpg">
+<img src="images/plt_084.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_131" id="page_131">{131}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_085" id="plt_085"></a><br />
+<span class="caption1">Plate 85</span>
+<br /><a href="images/plt_085.jpg">
+<img src="images/plt_085.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: VIEW FROM THE STATION</span></div>
+
+<p><span class="pagenum"><a name="page_132" id="page_132">{132}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_086" id="plt_086"></a><br />
+<span class="caption1">Plate 86</span>
+<br /><a href="images/plt_086.jpg">
+<img src="images/plt_086.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: VIEW FROM THE CASTLE</span></div>
+
+<p><span class="pagenum"><a name="page_133" id="page_133">{133}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_087" id="plt_087"></a><br />
+<span class="caption1">Plate 87</span>
+<br /><a href="images/plt_087.jpg">
+<img src="images/plt_087.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: THE CASTLE AND TOWN</span></div>
+
+<p><span class="pagenum"><a name="page_134" id="page_134">{134}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_088" id="plt_088"></a><br />
+<span class="caption1">Plate 88</span>
+<br /><a href="images/plt_088.jpg">
+<img src="images/plt_088.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: THE CASTLE</span></div>
+
+<p><span class="pagenum"><a name="page_135" id="page_135">{135}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_089" id="plt_089"></a><br />
+<span class="caption1">Plate 89</span>
+<br /><a href="images/plt_089.jpg">
+<img src="images/plt_089.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: THE CASTLE FROM ONE OF THE COURTS</span></div>
+
+<p><span class="pagenum"><a name="page_136" id="page_136">{136}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_090" id="plt_090"></a><br />
+<span class="caption1">Plate 90</span>
+<br /><a href="images/plt_090.jpg">
+<img src="images/plt_090.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: ENTRANCE TO THE CASTLE</span></div>
+
+<p><span class="pagenum"><a name="page_137" id="page_137">{137}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_091" id="plt_091"></a><br />
+<span class="caption1">Plate 91</span>
+<br /><a href="images/plt_091.jpg">
+<img src="images/plt_091.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: GENERAL VIEW OF THE ROMAN AMPHITHEATRE</span></div>
+
+<p><span class="pagenum"><a name="page_138" id="page_138">{138}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_092" id="plt_092"></a><br />
+<span class="caption1">Plate 92</span>
+<br /><a href="images/plt_092.jpg">
+<img src="images/plt_092.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: GENERAL VIEW OF THE ROMAN AMPHITHEATRE</span></div>
+
+<p><span class="pagenum"><a name="page_139" id="page_139">{139}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_093" id="plt_093"></a><br />
+<span class="caption1">Plate 93</span>
+<br /><a href="images/plt_093.jpg">
+<img src="images/plt_093.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: THE ROMAN AMPHITHEATRE</span></div>
+
+<p><span class="pagenum"><a name="page_140" id="page_140">{140}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_094" id="plt_094"></a><br />
+<span class="caption1">Plate 94</span>
+<br /><a href="images/plt_094.jpg">
+<img src="images/plt_094.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: INTERIOR OF THE ROMAN AMPHITHEATRE</span></div>
+
+<p><span class="pagenum"><a name="page_141" id="page_141">{141}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_095" id="plt_095"></a><br />
+<span class="caption1">Plate 95</span>
+<br /><a href="images/plt_095.jpg">
+<img src="images/plt_095.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: PRINCIPAL GATE OF THE ROMAN AMPHITHEATRE</span></div>
+
+<p><span class="pagenum"><a name="page_142" id="page_142">{142}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_096" id="plt_096"></a><br />
+<span class="caption1">Plate 96</span>
+<br /><a href="images/plt_096.jpg">
+<img src="images/plt_096.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: ENTRANCE TO THE ROMAN AMPHITHEATRE</span></div>
+
+<p><span class="pagenum"><a name="page_143" id="page_143">{143}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_097" id="plt_097"></a><br />
+<span class="caption1">Plate 97</span>
+<br /><a href="images/plt_097.jpg">
+<img src="images/plt_097.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURVIEDRO: ENTRANCE TO THE ROMAN AMPHITHEATRE</span></div>
+
+<p><span class="pagenum"><a name="page_144" id="page_144">{144}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_098" id="plt_098"></a><br />
+<span class="caption1">Plate 98</span>
+<br /><a href="images/plt_098.jpg">
+<img src="images/plt_098.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">JATIVA: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_145" id="page_145">{145}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_099" id="plt_099"></a><br />
+<span class="caption1">Plate 99</span>
+<br /><a href="images/plt_099.jpg">
+<img src="images/plt_099.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">JATIVA: VIEW FROM THE STATION</span></div>
+
+<p><span class="pagenum"><a name="page_146" id="page_146">{146}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_100" id="plt_100"></a><br />
+<span class="caption1">Plate 100</span>
+<br /><a href="images/plt_100.jpg">
+<img src="images/plt_100.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">JATIVA: THE CIVIL HOSPITAL</span></div>
+
+<p><span class="pagenum"><a name="page_147" id="page_147">{147}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_101" id="plt_101"></a><br />
+<span class="caption1">Plate 101</span>
+<br /><a href="images/plt_101.jpg">
+<img src="images/plt_101.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_148" id="page_148">{148}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_102" id="plt_102"></a><br />
+<span class="caption1">Plate 102</span>
+<br /><a href="images/plt_102.jpg">
+<img src="images/plt_102.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: THE CASTLE</span></div>
+
+<p><span class="pagenum"><a name="page_149" id="page_149">{149}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_103" id="plt_103"></a><br />
+<span class="caption1">Plate 103</span>
+<br /><a href="images/plt_103.jpg">
+<img src="images/plt_103.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: VIEW FROM THE CASTLE</span></div>
+
+<p><span class="pagenum"><a name="page_150" id="page_150">{150}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_104" id="plt_104"></a><br />
+<span class="caption1">Plate 104</span>
+<br /><a href="images/plt_104.jpg">
+<img src="images/plt_104.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: THE BREAKWATER</span></div>
+
+<p><span class="pagenum"><a name="page_151" id="page_151">{151}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_105" id="plt_105"></a><br />
+<span class="caption1">Plate 105</span>
+<br /><a href="images/plt_105.jpg">
+<img src="images/plt_105.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_152" id="page_152">{152}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_106" id="plt_106"></a><br />
+<span class="caption1">Plate 106</span>
+<br /><a href="images/plt_106.jpg">
+<img src="images/plt_106.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_153" id="page_153">{153}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_107" id="plt_107"></a><br />
+<span class="caption1">Plate 107</span>
+<br /><a href="images/plt_107.jpg">
+<img src="images/plt_107.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_154" id="page_154">{154}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_108" id="plt_108"></a><br />
+<span class="caption1">Plate 108</span>
+<br /><a href="images/plt_108.jpg">
+<img src="images/plt_108.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: PASEO DE LOS MARTIRES</span></div>
+
+<p><span class="pagenum"><a name="page_155" id="page_155">{155}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_109" id="plt_109"></a><br />
+<span class="caption1">Plate 109</span>
+<br /><a href="images/plt_109.jpg">
+<img src="images/plt_109.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: PASEO DE LOS MARTIRES</span></div>
+
+<p><span class="pagenum"><a name="page_156" id="page_156">{156}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_110" id="plt_110"></a><br />
+<span class="caption1">Plate 110</span>
+<br /><a href="images/plt_110.jpg">
+<img src="images/plt_110.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: PASEO DE LOS MARTIRES</span></div>
+
+<p><span class="pagenum"><a name="page_157" id="page_157">{157}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_111" id="plt_111"></a><br />
+<span class="caption1">Plate 111</span>
+<br /><a href="images/plt_111.jpg">
+<img src="images/plt_111.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: PASEO DE LOS MARTIRES</span></div>
+
+<p><span class="pagenum"><a name="page_158" id="page_158">{158}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_112" id="plt_112"></a><br />
+<span class="caption1">Plate 112</span>
+<br /><a href="images/plt_112.jpg">
+<img src="images/plt_112.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: PASEO DE NUÑEZ</span></div>
+
+<p><span class="pagenum"><a name="page_159" id="page_159">{159}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_113" id="plt_113"></a><br />
+<span class="caption1">Plate 113</span>
+<br /><a href="images/plt_113.jpg">
+<img src="images/plt_113.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: THE TOWN HALL</span></div>
+
+<p><span class="pagenum"><a name="page_160" id="page_160">{160}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_114" id="plt_114"></a><br />
+<span class="caption1">Plate 114</span>
+<br /><a href="images/plt_114.jpg">
+<img src="images/plt_114.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: THE TOWN HALL</span></div>
+
+<p><span class="pagenum"><a name="page_161" id="page_161">{161}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_115" id="plt_115"></a><br />
+<span class="caption1">Plate 115</span>
+<br /><a href="images/plt_115.jpg">
+<img src="images/plt_115.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: MONUMENT TO QUIJANO</span></div>
+
+<p><span class="pagenum"><a name="page_162" id="page_162">{162}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_116" id="plt_116"></a><br />
+<span class="caption1">Plate 116</span>
+<br /><a href="images/plt_116.jpg">
+<img src="images/plt_116.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ALICANTE: THE BULL-RING</span></div>
+
+<p><span class="pagenum"><a name="page_163" id="page_163">{163}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_117" id="plt_117"></a><br />
+<span class="caption1">Plate 117</span>
+<br /><a href="images/plt_117.jpg">
+<img src="images/plt_117.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_164" id="page_164">{164}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_118" id="plt_118"></a><br />
+<span class="caption1">Plate 118</span>
+<br /><a href="images/plt_118.jpg">
+<img src="images/plt_118.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_165" id="page_165">{165}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_119" id="plt_119"></a><br />
+<span class="caption1">Plate 119</span>
+<br /><a href="images/plt_119.jpg">
+<img src="images/plt_119.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_166" id="page_166">{166}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_120" id="plt_120"></a><br />
+<span class="caption1">Plate 120</span>
+<br /><a href="images/plt_120.jpg">
+<img src="images/plt_120.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: VIEW OF THE TOWN</span></div>
+
+<p><span class="pagenum"><a name="page_167" id="page_167">{167}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_121" id="plt_121"></a><br />
+<span class="caption1">Plate 121</span>
+<br /><a href="images/plt_121.jpg">
+<img src="images/plt_121.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: PLAZA MAYOR</span></div>
+
+<p><span class="pagenum"><a name="page_168" id="page_168">{168}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_122" id="plt_122"></a><br />
+<span class="caption1">Plate 122</span>
+<br /><a href="images/plt_122.jpg">
+<img src="images/plt_122.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: VIEW FROM THE STATION</span></div>
+
+<p><span class="pagenum"><a name="page_169" id="page_169">{169}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_123" id="plt_123"></a><br />
+<span class="caption1">Plate 123</span>
+<br /><a href="images/plt_123.jpg">
+<img src="images/plt_123.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: THE ROAD TO ALICANTE</span></div>
+
+<p><span class="pagenum"><a name="page_170" id="page_170">{170}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_124" id="plt_124"></a><br />
+<span class="caption1">Plate 124</span>
+<br /><a href="images/plt_124.jpg">
+<img src="images/plt_124.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: THE ROAD FROM ALICANTE</span></div>
+
+<p><span class="pagenum"><a name="page_171" id="page_171">{171}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_125" id="plt_125"></a><br />
+<span class="caption1">Plate 125</span>
+<br /><a href="images/plt_125.jpg">
+<img src="images/plt_125.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: THE TOWN HALL</span></div>
+
+<p><span class="pagenum"><a name="page_172" id="page_172">{172}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_126" id="plt_126"></a><br />
+<span class="caption1">Plate 126</span>
+<br /><a href="images/plt_126.jpg">
+<img src="images/plt_126.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: CHURCH OF SAN JUAN</span></div>
+
+<p><span class="pagenum"><a name="page_173" id="page_173">{173}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_127" id="plt_127"></a><br />
+<span class="caption1">Plate 127</span>
+<br /><a href="images/plt_127.jpg">
+<img src="images/plt_127.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: BRIDGE OVER THE RAMBLA DE ELCHE</span></div>
+
+<p><span class="pagenum"><a name="page_174" id="page_174">{174}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_128" id="plt_128"></a><br />
+<span class="caption1">Plate 128</span>
+<br /><a href="images/plt_128.jpg">
+<img src="images/plt_128.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: VIEW FROM THE RAILWAY BRIDGE</span></div>
+
+<p><span class="pagenum"><a name="page_175" id="page_175">{175}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_129" id="plt_129"></a><br />
+<span class="caption1">Plate 129</span>
+<br /><a href="images/plt_129.jpg">
+<img src="images/plt_129.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: THE CANAL</span></div>
+
+<p><span class="pagenum"><a name="page_176" id="page_176">{176}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_130" id="plt_130"></a><br />
+<span class="caption1">Plate 130</span>
+<br /><a href="images/plt_130.jpg">
+<img src="images/plt_130.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: WASHING LINEN IN THE CANAL</span></div>
+
+<p><span class="pagenum"><a name="page_177" id="page_177">{177}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_131" id="plt_131"></a><br />
+<span class="caption1">Plate 131</span>
+<br /><a href="images/plt_131.jpg">
+<img src="images/plt_131.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: A CANAL</span></div>
+
+<p><span class="pagenum"><a name="page_178" id="page_178">{178}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_132" id="plt_132"></a><br />
+<span class="caption1">Plate 132</span>
+<br /><a href="images/plt_132.jpg">
+<img src="images/plt_132.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: TOWER OF RAPSAMBLANC, BELONGING TO THE CONDE DE LUNA</span></div>
+
+<p><span class="pagenum"><a name="page_179" id="page_179">{179}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_133" id="plt_133"></a><br />
+<span class="caption1">Plate 133</span>
+<br /><a href="images/plt_133.jpg">
+<img src="images/plt_133.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: CASTLE OF THE DUQUE DE ALTAMIRA, NOW A PRISON</span></div>
+
+<p><span class="pagenum"><a name="page_180" id="page_180">{180}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_134" id="plt_134"></a><br />
+<span class="caption1">Plate 134</span>
+<br /><a href="images/plt_134.jpg">
+<img src="images/plt_134.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: MILL AND CASTLE OF THE DUQUE DE ALTAMIRA</span></div>
+
+<p><span class="pagenum"><a name="page_181" id="page_181">{181}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_135" id="plt_135"></a><br />
+<span class="caption1">Plate 135</span>
+<br /><a href="images/plt_135.jpg">
+<img src="images/plt_135.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: CASTLE OF THE DUQUE DE ALTAMIRA</span></div>
+
+<p><span class="pagenum"><a name="page_182" id="page_182">{182}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_136" id="plt_136"></a><br />
+<span class="caption1">Plate 136</span>
+<br /><a href="images/plt_136.jpg">
+<img src="images/plt_136.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: CASTLE AND MILL</span></div>
+
+<p><span class="pagenum"><a name="page_183" id="page_183">{183}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_137" id="plt_137"></a><br />
+<span class="caption1">Plate 137</span>
+<br /><a href="images/plt_137.jpg">
+<img src="images/plt_137.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: PALMS</span></div>
+
+<p><span class="pagenum"><a name="page_184" id="page_184">{184}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_138" id="plt_138"></a><br />
+<span class="caption1">Plate 138</span>
+<br /><a href="images/plt_138.jpg">
+<img src="images/plt_138.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: COUNTRY SPINNERS</span></div>
+
+<p><span class="pagenum"><a name="page_185" id="page_185">{185}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_139" id="plt_139"></a><br />
+<span class="caption1">Plate 139</span>
+<br /><a href="images/plt_139.jpg">
+<img src="images/plt_139.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: CASA DE LA HUERTA</span></div>
+
+<p><span class="pagenum"><a name="page_186" id="page_186">{186}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_140" id="plt_140"></a><br />
+<span class="caption1">Plate 140</span>
+<br /><a href="images/plt_140.jpg">
+<img src="images/plt_140.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: A COUNTRY ROAD</span></div>
+
+<p><span class="pagenum"><a name="page_187" id="page_187">{187}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_141" id="plt_141"></a><br />
+<span class="caption1">Plate 141</span>
+<br /><a href="images/plt_141.jpg">
+<img src="images/plt_141.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: A COUNTRY HOUSE</span></div>
+
+<p><span class="pagenum"><a name="page_188" id="page_188">{188}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_142" id="plt_142"></a><br />
+<span class="caption1">Plate 142</span>
+<br /><a href="images/plt_142.jpg">
+<img src="images/plt_142.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: A COUNTRY HOUSE</span></div>
+
+<p><span class="pagenum"><a name="page_189" id="page_189">{189}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_143" id="plt_143"></a><br />
+<span class="caption1">Plate 143</span>
+<br /><a href="images/plt_143.jpg">
+<img src="images/plt_143.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: A FAMOUS PALM</span></div>
+
+<p><span class="pagenum"><a name="page_190" id="page_190">{190}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_144" id="plt_144"></a><br />
+<span class="caption1">Plate 144</span>
+<br /><a href="images/plt_144.jpg">
+<img src="images/plt_144.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: A PALM CELEBRATED FOR ITS RESEMBLANCE TO A COLUMN</span></div>
+
+<p><span class="pagenum"><a name="page_191" id="page_191">{191}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_145" id="plt_145"></a><br />
+<span class="caption1">Plate 145</span>
+<br /><a href="images/plt_145.jpg">
+<img src="images/plt_145.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: PALM GROVES</span></div>
+
+<p><span class="pagenum"><a name="page_192" id="page_192">{192}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_146" id="plt_146"></a><br />
+<span class="caption1">Plate 146</span>
+<br /><a href="images/plt_146.jpg">
+<img src="images/plt_146.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ELCHE: A ROAD</span></div>
+
+<p><span class="pagenum"><a name="page_193" id="page_193">{193}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_147" id="plt_147"></a><br />
+<span class="caption1">Plate 147</span>
+<br /><a href="images/plt_147.jpg">
+<img src="images/plt_147.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">SAX: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_194" id="page_194">{194}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_148" id="plt_148"></a><br />
+<span class="caption1">Plate 148</span>
+<br /><a href="images/plt_148.jpg">
+<img src="images/plt_148.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_195" id="page_195">{195}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_149" id="plt_149"></a><br />
+<span class="caption1">Plate 149</span>
+<br /><a href="images/plt_149.jpg">
+<img src="images/plt_149.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: VIEW FROM THE TOWER OF THE CATHEDRAL, TOWARDS THE SOUTH</span></div>
+
+<p><span class="pagenum"><a name="page_196" id="page_196">{196}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_150" id="plt_150"></a><br />
+<span class="caption1">Plate 150</span>
+<br /><a href="images/plt_150.jpg">
+<img src="images/plt_150.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: VIEW OF THE TOWN</span></div>
+
+<p><span class="pagenum"><a name="page_197" id="page_197">{197}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_151" id="plt_151"></a><br />
+<span class="caption1">Plate 151</span>
+<br /><a href="images/plt_151.jpg">
+<img src="images/plt_151.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: GENERAL VIEW OF THE TOWN</span></div>
+
+<p><span class="pagenum"><a name="page_198" id="page_198">{198}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_152" id="plt_152"></a><br />
+<span class="caption1">Plate 152</span>
+<br /><a href="images/plt_152.jpg">
+<img src="images/plt_152.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: GENERAL VIEW OF THE TOWN</span></div>
+
+<p><span class="pagenum"><a name="page_199" id="page_199">{199}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_153" id="plt_153"></a><br />
+<span class="caption1">Plate 153</span>
+<br /><a href="images/plt_153.jpg">
+<img src="images/plt_153.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: GENERAL VIEW OF THE TOWN</span></div>
+
+<p><span class="pagenum"><a name="page_200" id="page_200">{200}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_154" id="plt_154"></a><br />
+<span class="caption1">Plate 154</span>
+<br /><a href="images/plt_154.jpg">
+<img src="images/plt_154.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_201" id="page_201">{201}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_155" id="plt_155"></a><br />
+<span class="caption1">Plate 155</span>
+<br /><a href="images/plt_155.jpg">
+<img src="images/plt_155.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE BRIDGE</span></div>
+
+<p><span class="pagenum"><a name="page_202" id="page_202">{202}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_156" id="plt_156"></a><br />
+<span class="caption1">Plate 156</span>
+<br /><a href="images/plt_156.jpg">
+<img src="images/plt_156.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE RIVER</span></div>
+
+<p><span class="pagenum"><a name="page_203" id="page_203">{203}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_157" id="plt_157"></a><br />
+<span class="caption1">Plate 157</span>
+<br /><a href="images/plt_157.jpg">
+<img src="images/plt_157.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE BRIDGE OVER THE SEGURA</span></div>
+
+<p><span class="pagenum"><a name="page_204" id="page_204">{204}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_158" id="plt_158"></a><br />
+<span class="caption1">Plate 158</span>
+<br /><a href="images/plt_158.jpg">
+<img src="images/plt_158.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE RIVER SEGURA</span></div>
+
+<p><span class="pagenum"><a name="page_205" id="page_205">{205}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_159" id="plt_159"></a><br />
+<span class="caption1">Plate 159</span>
+<br /><a href="images/plt_159.jpg">
+<img src="images/plt_159.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE FAIR</span></div>
+
+<p><span class="pagenum"><a name="page_206" id="page_206">{206}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_160" id="plt_160"></a><br />
+<span class="caption1">Plate 160</span>
+<br /><a href="images/plt_160.jpg">
+<img src="images/plt_160.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE FAIR</span></div>
+
+<p><span class="pagenum"><a name="page_207" id="page_207">{207}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_161" id="plt_161"></a><br />
+<span class="caption1">Plate 161</span>
+<br /><a href="images/plt_161.jpg">
+<img src="images/plt_161.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE MARKET-PLACE</span></div>
+
+<p><span class="pagenum"><a name="page_208" id="page_208">{208}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_162" id="plt_162"></a><br />
+<span class="caption1">Plate 162</span>
+<br /><a href="images/plt_162.jpg">
+<img src="images/plt_162.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PLAZA DE SANTO DOMINGO ON MARKET-DAY</span></div>
+
+<p><span class="pagenum"><a name="page_209" id="page_209">{209}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_163" id="plt_163"></a><br />
+<span class="caption1">Plate 163</span>
+<br /><a href="images/plt_163.jpg">
+<img src="images/plt_163.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PASEO DEL MALECON</span></div>
+
+<p><span class="pagenum"><a name="page_210" id="page_210">{210}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_164" id="plt_164"></a><br />
+<span class="caption1">Plate 164</span>
+<br /><a href="images/plt_164.jpg">
+<img src="images/plt_164.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PLAZA DE SANTA CATALINA</span></div>
+
+<p><span class="pagenum"><a name="page_211" id="page_211">{211}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_165" id="plt_165"></a><br />
+<span class="caption1">Plate 165</span>
+<br /><a href="images/plt_165.jpg">
+<img src="images/plt_165.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PLAZA DE TOROS, NOW PLAZA DE SAN AUGUSTIN</span></div>
+
+<p><span class="pagenum"><a name="page_212" id="page_212">{212}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_166" id="plt_166"></a><br />
+<span class="caption1">Plate 166</span>
+<br /><a href="images/plt_166.jpg">
+<img src="images/plt_166.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PASEO DEL ARENAL</span></div>
+
+<p><span class="pagenum"><a name="page_213" id="page_213">{213}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_167" id="plt_167"></a><br />
+<span class="caption1">Plate 167</span>
+<br /><a href="images/plt_167.jpg">
+<img src="images/plt_167.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PLAZA DE SAN PEDRO</span></div>
+
+<p><span class="pagenum"><a name="page_214" id="page_214">{214}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_168" id="plt_168"></a><br />
+<span class="caption1">Plate 168</span>
+<br /><a href="images/plt_168.jpg">
+<img src="images/plt_168.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PASEO DE FLORIDABLANCA AND PALACE OF THE EXHIBITION</span></div>
+
+<p><span class="pagenum"><a name="page_215" id="page_215">{215}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_169" id="plt_169"></a><br />
+<span class="caption1">Plate 169</span>
+<br /><a href="images/plt_169.jpg">
+<img src="images/plt_169.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PLAZA DE SANTA ISABELLA</span></div>
+
+<p><span class="pagenum"><a name="page_216" id="page_216">{216}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_170" id="plt_170"></a><br />
+<span class="caption1">Plate 170</span>
+<br /><a href="images/plt_170.jpg">
+<img src="images/plt_170.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: CALLE DEL PUENTE</span></div>
+
+<p><span class="pagenum"><a name="page_217" id="page_217">{217}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_171" id="plt_171"></a><br />
+<span class="caption1">Plate 171</span>
+<br /><a href="images/plt_171.jpg">
+<img src="images/plt_171.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PLAZA DE LA GLORIÉTA</span></div>
+
+<p><span class="pagenum"><a name="page_218" id="page_218">{218}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_172" id="plt_172"></a><br />
+<span class="caption1">Plate 172</span>
+<br /><a href="images/plt_172.jpg">
+<img src="images/plt_172.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PLAZA DE LA GLORIÉTA</span></div>
+
+<p><span class="pagenum"><a name="page_219" id="page_219">{219}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_173" id="plt_173"></a><br />
+<span class="caption1">Plate 173</span>
+<br /><a href="images/plt_173.jpg">
+<img src="images/plt_173.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE CATHEDRAL</span></div>
+
+<p><span class="pagenum"><a name="page_220" id="page_220">{220}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_174" id="plt_174"></a><br />
+<span class="caption1">Plate 174</span>
+<br /><a href="images/plt_174.jpg">
+<img src="images/plt_174.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: GENERAL VIEW OF THE CATHEDRAL</span></div>
+
+<p><span class="pagenum"><a name="page_221" id="page_221">{221}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_175" id="plt_175"></a><br />
+<span class="caption1">Plate 175</span>
+<br /><a href="images/plt_175.jpg">
+<img src="images/plt_175.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PRINCIPAL FAÇADE OF THE CATHEDRAL</span></div>
+
+<p><span class="pagenum"><a name="page_222" id="page_222">{222}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_176" id="plt_176"></a><br />
+<span class="caption1">Plate 176</span>
+<br /><a href="images/plt_176.jpg">
+<img src="images/plt_176.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: TOWER OF THE CATHEDRAL</span></div>
+
+<p><span class="pagenum"><a name="page_223" id="page_223">{223}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_177" id="plt_177"></a><br />
+<span class="caption1">Plate 177</span>
+<br /><a href="images/plt_177.jpg">
+<img src="images/plt_177.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: SIDE DOOR OF THE CATHEDRAL</span></div>
+
+<p><span class="pagenum"><a name="page_224" id="page_224">{224}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_178" id="plt_178"></a><br />
+<span class="caption1">Plate 178</span>
+<br /><a href="images/plt_178.jpg">
+<img src="images/plt_178.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: GATE OF THE APOSTLES</span></div>
+
+<p><span class="pagenum"><a name="page_225" id="page_225">{225}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_179" id="plt_179"></a><br />
+<span class="caption1">Plate 179</span>
+<br /><a href="images/plt_179.jpg">
+<img src="images/plt_179.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: CHAPEL OF THE MARQUÉS DE LOS VELEZ</span></div>
+
+<p><span class="pagenum"><a name="page_226" id="page_226">{226}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_180" id="plt_180"></a><br />
+<span class="caption1">Plate 180</span>
+<br /><a href="images/plt_180.jpg">
+<img src="images/plt_180.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: DETAIL OF THE FAÇADE</span></div>
+
+<p><span class="pagenum"><a name="page_227" id="page_227">{227}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_181" id="plt_181"></a><br />
+<span class="caption1">Plate 181</span>
+<br /><a href="images/plt_181.jpg">
+<img src="images/plt_181.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: DETAIL OF THE CATHEDRAL</span></div>
+
+<p><span class="pagenum"><a name="page_228" id="page_228">{228}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_182" id="plt_182"></a><br />
+<span class="caption1">Plate 182</span>
+<br /><a href="images/plt_182.jpg">
+<img src="images/plt_182.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: WINDOW OF THE BELFRY</span></div>
+
+<p><span class="pagenum"><a name="page_229" id="page_229">{229}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_183" id="plt_183"></a><br />
+<span class="caption1">Plate 183</span>
+<br /><a href="images/plt_183.jpg">
+<img src="images/plt_183.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: PRINCIPAL NAVE</span></div>
+
+<p><span class="pagenum"><a name="page_230" id="page_230">{230}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_184" id="plt_184"></a><br />
+<span class="caption1">Plate 184</span>
+<br /><a href="images/plt_184.jpg">
+<img src="images/plt_184.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: LATERAL NAVE</span></div>
+
+<p><span class="pagenum"><a name="page_231" id="page_231">{231}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_185" id="plt_185"></a><br />
+<span class="caption1">Plate 185</span>
+<br /><a href="images/plt_185.jpg">
+<img src="images/plt_185.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: BEHIND THE CHOIR</span></div>
+
+<p><span class="pagenum"><a name="page_232" id="page_232">{232}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_186" id="plt_186"></a><br />
+<span class="caption1">Plate 186</span>
+<br /><a href="images/plt_186.jpg">
+<img src="images/plt_186.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: ENTRANCE TO THE CHAPEL OF THE MARQUÉS DE LOS VELEZ</span></div>
+
+<p><span class="pagenum"><a name="page_233" id="page_233">{233}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_187" id="plt_187"></a><br />
+<span class="caption1">Plate 187</span>
+<br /><a href="images/plt_187.jpg">
+<img src="images/plt_187.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: CHAPEL OF THE MARQUÉS DE LOS VELEZ</span></div>
+
+<p><span class="pagenum"><a name="page_234" id="page_234">{234}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_188" id="plt_188"></a><br />
+<span class="caption1">Plate 188</span>
+<br /><a href="images/plt_188.jpg">
+<img src="images/plt_188.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: THE HIGH ALTAR</span></div>
+
+<p><span class="pagenum"><a name="page_235" id="page_235">{235}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_189" id="plt_189"></a><br />
+<span class="caption1">Plate 189</span>
+<br /><a href="images/plt_189.jpg">
+<img src="images/plt_189.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: THE HIGH ALTAR</span></div>
+
+<p><span class="pagenum"><a name="page_236" id="page_236">{236}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_190" id="plt_190"></a><br />
+<span class="caption1">Plate 190</span>
+<br /><a href="images/plt_190.jpg">
+<img src="images/plt_190.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: GENERAL VIEW OF THE CHOIR</span></div>
+
+<p><span class="pagenum"><a name="page_237" id="page_237">{237}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_191" id="plt_191"></a><br />
+<span class="caption1">Plate 191</span>
+<br /><a href="images/plt_191.jpg">
+<img src="images/plt_191.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: THE BISHOP’S THRONE, IN THE CHOIR</span></div>
+
+<p><span class="pagenum"><a name="page_238" id="page_238">{238}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_192" id="plt_192"></a><br />
+<span class="caption1">Plate 192</span>
+<br /><a href="images/plt_192.jpg">
+<img src="images/plt_192.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: DETAIL OF THE CHOIR STALLS</span></div>
+
+<p><span class="pagenum"><a name="page_239" id="page_239">{239}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_193" id="plt_193"></a><br />
+<span class="caption1">Plate 193</span>
+<br /><a href="images/plt_193.jpg">
+<img src="images/plt_193.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: DETAIL OF THE CHOIR STALLS</span></div>
+
+<p><span class="pagenum"><a name="page_240" id="page_240">{240}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_194" id="plt_194"></a><br />
+<span class="caption1">Plate 194</span>
+<br /><a href="images/plt_194.jpg">
+<img src="images/plt_194.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: THE SACRISTY</span></div>
+
+<p><span class="pagenum"><a name="page_241" id="page_241">{241}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_195" id="plt_195"></a><br />
+<span class="caption1">Plate 195</span>
+<br /><a href="images/plt_195.jpg">
+<img src="images/plt_195.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA CATHEDRAL: TOMB OF ALFONSO THE WISE</span></div>
+
+<p><span class="pagenum"><a name="page_242" id="page_242">{242}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_196" id="plt_196"></a><br />
+<span class="caption1">Plate 196</span>
+<br /><a href="images/plt_196.jpg">
+<img src="images/plt_196.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: CHURCH OF SANTO DOMINGO</span></div>
+
+<p><span class="pagenum"><a name="page_243" id="page_243">{243}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_197" id="plt_197"></a><br />
+<span class="caption1">Plate 197</span>
+<br /><a href="images/plt_197.jpg">
+<img src="images/plt_197.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: CHURCH OF SANTO DOMINGO</span></div>
+
+<p><span class="pagenum"><a name="page_244" id="page_244">{244}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_198" id="plt_198"></a><br />
+<span class="caption1">Plate 198</span>
+<br /><a href="images/plt_198.jpg">
+<img src="images/plt_198.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: CHURCH OF SAN BARTOLOMÉ</span></div>
+
+<p><span class="pagenum"><a name="page_245" id="page_245">{245}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_199" id="plt_199"></a><br />
+<span class="caption1">Plate 199</span>
+<br /><a href="images/plt_199.jpg">
+<img src="images/plt_199.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: FAÇADE OF THE CONVENT DE LA MISERICORDIA</span></div>
+
+<p><span class="pagenum"><a name="page_246" id="page_246">{246}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_200" id="plt_200"></a><br />
+<span class="caption1">Plate 200</span>
+<br /><a href="images/plt_200.jpg">
+<img src="images/plt_200.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PALACE OF THE MARQUÉS DE VILLAFRANCA DE LOS VELEZ AND CONVENT OF SANTA CLARA</span></div>
+
+<p><span class="pagenum"><a name="page_247" id="page_247">{247}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_201" id="plt_201"></a><br />
+<span class="caption1">Plate 201</span>
+<br /><a href="images/plt_201.jpg">
+<img src="images/plt_201.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE EPISCOPAL PALACE</span></div>
+
+<p><span class="pagenum"><a name="page_248" id="page_248">{248}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_202" id="plt_202"></a><br />
+<span class="caption1">Plate 202</span>
+<br /><a href="images/plt_202.jpg">
+<img src="images/plt_202.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: CASA HUERTA DE LAS BOMBAS</span></div>
+
+<p><span class="pagenum"><a name="page_249" id="page_249">{249}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_203" id="plt_203"></a><br />
+<span class="caption1">Plate 203</span>
+<br /><a href="images/plt_203.jpg">
+<img src="images/plt_203.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PALACE OF THE MARQUÉS DE ALMODOVAR</span></div>
+
+<p><span class="pagenum"><a name="page_250" id="page_250">{250}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_204" id="plt_204"></a><br />
+<span class="caption1">Plate 204</span>
+<br /><a href="images/plt_204.jpg">
+<img src="images/plt_204.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PALACE OF THE BARON DE ALBALA</span></div>
+
+<p><span class="pagenum"><a name="page_251" id="page_251">{251}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_205" id="plt_205"></a><br />
+<span class="caption1">Plate 205</span>
+<br /><a href="images/plt_205.jpg">
+<img src="images/plt_205.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PALACE OF THE MARQUÉS DE ESPINARDO</span></div>
+
+<p><span class="pagenum"><a name="page_252" id="page_252">{252}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_206" id="plt_206"></a><br />
+<span class="caption1">Plate 206</span>
+<br /><a href="images/plt_206.jpg">
+<img src="images/plt_206.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE “CONTRASTE”</span></div>
+
+<p><span class="pagenum"><a name="page_253" id="page_253">{253}</a></span>
+</p>
+<div class="figcenter">
+<br /><a name="plt_207" id="plt_207"></a><br />
+<span class="caption1">Plate 207</span>
+<br /><a href="images/plt_207.jpg">
+<img src="images/plt_207.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: MONUMENT TO SALZILLO</span></div>
+
+<p><span class="pagenum"><a name="page_254" id="page_254">{254}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_208" id="plt_208"></a><br />
+<span class="caption1">Plate 208</span>
+<br /><a href="images/plt_208.jpg">
+<img src="images/plt_208.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: ROMAN ALTAR DEDICATED TO PEACE, FOUND IN CARTHAGENA AND MOVED IN 1594 TO THE PALACE OF THE MARQUÉS DE ESPINARDO</span></div>
+
+<p><span class="pagenum"><a name="page_255" id="page_255">{255}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_209" id="plt_209"></a><br />
+<span class="caption1">Plate 209</span>
+<br /><a href="images/plt_209.jpg">
+<img src="images/plt_209.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: HOUSE IN THE CALLE JABONERIA</span></div>
+
+<p><span class="pagenum"><a name="page_256" id="page_256">{256}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_210" id="plt_210"></a><br />
+<span class="caption1">Plate 210</span>
+<br /><a href="images/plt_210.jpg">
+<img src="images/plt_210.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: HOUSE OF THE PAINTER VILLASIS</span></div>
+
+<p><span class="pagenum"><a name="page_257" id="page_257">{257}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_211" id="plt_211"></a><br />
+<span class="caption1">Plate 211</span>
+<br /><a href="images/plt_211.jpg">
+<img src="images/plt_211.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: A BALCONY IN THE CALLE TRAPERIA</span></div>
+
+<p><span class="pagenum"><a name="page_258" id="page_258">{258}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_212" id="plt_212"></a><br />
+<span class="caption1">Plate 212</span>
+<br /><a href="images/plt_212.jpg">
+<img src="images/plt_212.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PUERTA CADENAS</span></div>
+
+<p><span class="pagenum"><a name="page_259" id="page_259">{259}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_213" id="plt_213"></a><br />
+<span class="caption1">Plate 213</span>
+<br /><a href="images/plt_213.jpg">
+<img src="images/plt_213.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: TEATRO DE ROMEA</span></div>
+
+<p><span class="pagenum"><a name="page_260" id="page_260">{260}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_214" id="plt_214"></a><br />
+<span class="caption1">Plate 214</span>
+<br /><a href="images/plt_214.jpg">
+<img src="images/plt_214.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE BULL RING</span></div>
+
+<p><span class="pagenum"><a name="page_261" id="page_261">{261}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_215" id="plt_215"></a><br />
+<span class="caption1">Plate 215</span>
+<br /><a href="images/plt_215.jpg">
+<img src="images/plt_215.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE TOWN HALL</span></div>
+
+<p><span class="pagenum"><a name="page_262" id="page_262">{262}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_216" id="plt_216"></a><br />
+<span class="caption1">Plate 216</span>
+<br /><a href="images/plt_216.jpg">
+<img src="images/plt_216.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: THE TOWN HALL</span></div>
+
+<p><span class="pagenum"><a name="page_263" id="page_263">{263}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_217" id="plt_217"></a><br />
+<span class="caption1">Plate 217</span>
+<br /><a href="images/plt_217.jpg">
+<img src="images/plt_217.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PROCESSION LEAVING THE CHURCH OF JESUS IN HOLY WEEK ST. VERONICA</span></div>
+
+<p><span class="pagenum"><a name="page_264" id="page_264">{264}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_218" id="plt_218"></a><br />
+<span class="caption1">Plate 218</span>
+<br /><a href="images/plt_218.jpg">
+<img src="images/plt_218.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">PROCESSION LEAVING THE CHURCH OF JESUS IN HOLY WEEK&mdash;THE
+KISS OF JUDAS</span></div>
+
+<p><span class="pagenum"><a name="page_265" id="page_265">{265}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_219" id="plt_219"></a><br />
+<span class="caption1">Plate 219</span>
+<br /><a href="images/plt_219.jpg">
+<img src="images/plt_219.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PROCESSION IN HOLY WEEK. THE GARDEN OF GETHSEMANE</span></div>
+
+<p><span class="pagenum"><a name="page_266" id="page_266">{266}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_220" id="plt_220"></a><br />
+<span class="caption1">Plate 220</span>
+<br /><a href="images/plt_220.jpg">
+<img src="images/plt_220.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PROCESSION IN HOLY WEEK. OUR LORD FALLING</span></div>
+
+<p><span class="pagenum"><a name="page_267" id="page_267">{267}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_221" id="plt_221"></a><br />
+<span class="caption1">Plate 221</span>
+<br /><a href="images/plt_221.jpg">
+<img src="images/plt_221.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PROCESSION IN HOLY WEEK. THE SCOURGING</span></div>
+
+<p><span class="pagenum"><a name="page_268" id="page_268">{268}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_222" id="plt_222"></a><br />
+<span class="caption1">Plate 222</span>
+<br /><a href="images/plt_222.jpg">
+<img src="images/plt_222.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: CHURCH OF JESUS THE LAST SUPPER, BY ZARZILLO</span></div>
+
+<p><span class="pagenum"><a name="page_269" id="page_269">{269}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_223" id="plt_223"></a><br />
+<span class="caption1">Plate 223</span>
+<br /><a href="images/plt_223.jpg">
+<img src="images/plt_223.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PILGRIMAGE OF ST. BLAS</span></div>
+
+<p><span class="pagenum"><a name="page_270" id="page_270">{270}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_224" id="plt_224"></a><br />
+<span class="caption1">Plate 224</span>
+<br /><a href="images/plt_224.jpg">
+<img src="images/plt_224.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: RUINS OF THE ARAB BATHS</span></div>
+
+<p><span class="pagenum"><a name="page_271" id="page_271">{271}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_225" id="plt_225"></a><br />
+<span class="caption1">Plate 225</span>
+<br /><a href="images/plt_225.jpg">
+<img src="images/plt_225.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: CONVENT OF SAN JERONIMO</span></div>
+
+<p><span class="pagenum"><a name="page_272" id="page_272">{272}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_226" id="plt_226"></a><br />
+<span class="caption1">Plate 226</span>
+<br /><a href="images/plt_226.jpg">
+<img src="images/plt_226.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: HERMITAGE OF THE FUENSANTA</span></div>
+
+<p><span class="pagenum"><a name="page_273" id="page_273">{273}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_227" id="plt_227"></a><br />
+<span class="caption1">Plate 227</span>
+<br /><a href="images/plt_227.jpg">
+<img src="images/plt_227.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: HERMITAGE OF THE FUENSANTA</span></div>
+
+<p><span class="pagenum"><a name="page_274" id="page_274">{274}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_228" id="plt_228"></a><br />
+<span class="caption1">Plate 228</span>
+<br /><a href="images/plt_228.jpg">
+<img src="images/plt_228.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: HERMITAGE OF THE FUENSANTA</span></div>
+
+<p><span class="pagenum"><a name="page_275" id="page_275">{275}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_229" id="plt_229"></a><br />
+<span class="caption1">Plate 229</span>
+<br /><a href="images/plt_229.jpg">
+<img src="images/plt_229.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: CASTLE OF MONTEAGUDO</span></div>
+
+<p><span class="pagenum"><a name="page_276" id="page_276">{276}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_230" id="plt_230"></a><br />
+<span class="caption1">Plate 230</span>
+<br /><a href="images/plt_230.jpg">
+<img src="images/plt_230.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PAISAJE DE LA HUERTA</span></div>
+
+<p><span class="pagenum"><a name="page_277" id="page_277">{277}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_231" id="plt_231"></a><br />
+<span class="caption1">Plate 231</span>
+<br /><a href="images/plt_231.jpg">
+<img src="images/plt_231.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PAISAJE DE LA HUERTA</span></div>
+
+<p><span class="pagenum"><a name="page_278" id="page_278">{278}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_232" id="plt_232"></a><br />
+<span class="caption1">Plate 232</span>
+<br /><a href="images/plt_232.jpg">
+<img src="images/plt_232.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: PAISAJE DE LA HUERTA</span></div>
+
+<p><span class="pagenum"><a name="page_279" id="page_279">{279}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_233" id="plt_233"></a><br />
+<span class="caption1">Plate 233</span>
+<br /><a href="images/plt_233.jpg">
+<img src="images/plt_233.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: A CART LOADED WITH “TINAJAS”</span></div>
+
+<p><span class="pagenum"><a name="page_280" id="page_280">{280}</a></span>
+</p>
+<div class="figcenter">
+<br /><a name="plt_234" id="plt_234"></a><br />
+<span class="caption1">Plate 234</span>
+<br /><a href="images/plt_234.jpg">
+<img src="images/plt_234.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">MURCIA: HARVEST-TIME</span></div>
+
+<p><span class="pagenum"><a name="page_281" id="page_281">{281}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_235" id="plt_235"></a><br />
+<span class="caption1">Plate 235</span>
+<br /><a href="images/plt_235.jpg">
+<img src="images/plt_235.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: THE HUERTA DES CAPUCINS</span></div>
+
+<p><span class="pagenum"><a name="page_282" id="page_282">{282}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_236" id="plt_236"></a><br />
+<span class="caption1">Plate 236</span>
+<br /><a href="images/plt_236.jpg">
+<img src="images/plt_236.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: THE HUERTA DES CAPUCINS</span></div>
+
+<p><span class="pagenum"><a name="page_283" id="page_283">{283}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_237" id="plt_237"></a><br />
+<span class="caption1">Plate 237</span>
+<br /><a href="images/plt_237.jpg">
+<img src="images/plt_237.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: VIEW FROM THE HUERTA DES CAPUCINS</span></div>
+
+<p><span class="pagenum"><a name="page_284" id="page_284">{284}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_238" id="plt_238"></a><br />
+<span class="caption1">Plate 238</span>
+<br /><a href="images/plt_238.jpg">
+<img src="images/plt_238.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF MURCIA: THE HUERTA DES CAPUCINS, DATE-GATHERING</span></div>
+
+<p><span class="pagenum"><a name="page_285" id="page_285">{285}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_239" id="plt_239"></a><br />
+<span class="caption1">Plate 239</span>
+<br /><a href="images/plt_239.jpg">
+<img src="images/plt_239.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ORIHUELA: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_286" id="page_286">{286}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_240" id="plt_240"></a><br />
+<span class="caption1">Plate 240</span>
+<br /><a href="images/plt_240.jpg">
+<img src="images/plt_240.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ORIHUELA: GENERAL VIEW FROM THE PUERTA DE MURCIA</span></div>
+
+<p><span class="pagenum"><a name="page_287" id="page_287">{287}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_241" id="plt_241"></a><br />
+<span class="caption1">Plate 241</span>
+<br /><a href="images/plt_241.jpg">
+<img src="images/plt_241.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ORIHUELA: THE RIVER SEGURA</span></div>
+
+<p><span class="pagenum"><a name="page_288" id="page_288">{288}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_242" id="plt_242"></a><br />
+<span class="caption1">Plate 242</span>
+<br /><a href="images/plt_242.jpg">
+<img src="images/plt_242.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ORIHUELA: THE RIVER SEGURA FROM THE EAST</span></div>
+
+<p><span class="pagenum"><a name="page_289" id="page_289">{289}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_243" id="plt_243"></a><br />
+<span class="caption1">Plate 243</span>
+<br /><a href="images/plt_243.jpg">
+<img src="images/plt_243.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ORIHUELA: DOOR OF THE CHURCH OF SANTIAGO</span></div>
+
+<p><span class="pagenum"><a name="page_290" id="page_290">{290}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_244" id="plt_244"></a><br />
+<span class="caption1">Plate 244</span>
+<br /><a href="images/plt_244.jpg">
+<img src="images/plt_244.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_291" id="page_291">{291}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_245" id="plt_245"></a><br />
+<span class="caption1">Plate 245</span>
+<br /><a href="images/plt_245.jpg">
+<img src="images/plt_245.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: A PARTIAL VIEW.</span></div>
+
+<p><span class="pagenum"><a name="page_292" id="page_292">{292}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_246" id="plt_246"></a><br />
+<span class="caption1">Plate 246</span>
+<br /><a href="images/plt_246.jpg">
+<img src="images/plt_246.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM THE STATION</span></div>
+
+<p><span class="pagenum"><a name="page_293" id="page_293">{293}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_247" id="plt_247"></a><br />
+<span class="caption1">Plate 247</span>
+<br /><a href="images/plt_247.jpg">
+<img src="images/plt_247.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM THE HIGH ROAD</span></div>
+
+<p><span class="pagenum"><a name="page_294" id="page_294">{294}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_248" id="plt_248"></a><br />
+<span class="caption1">Plate 248</span>
+<br /><a href="images/plt_248.jpg">
+<img src="images/plt_248.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM QUITAPELLIJOS</span></div>
+
+<p><span class="pagenum"><a name="page_295" id="page_295">{295}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_249" id="plt_249"></a><br />
+<span class="caption1">Plate 249</span>
+<br /><a href="images/plt_249.jpg">
+<img src="images/plt_249.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM THE FORT OF ATALAYA</span></div>
+
+<p><span class="pagenum"><a name="page_296" id="page_296">{296}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_250" id="plt_250"></a><br />
+<span class="caption1">Plate 250</span>
+<br /><a href="images/plt_250.jpg">
+<img src="images/plt_250.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM THE FORT OF ATALAYA</span></div>
+
+<p><span class="pagenum"><a name="page_297" id="page_297">{297}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_251" id="plt_251"></a><br />
+<span class="caption1">Plate 251</span>
+<br /><a href="images/plt_251.jpg">
+<img src="images/plt_251.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM ST. JOSEPH’S MILL</span></div>
+
+<p><span class="pagenum"><a name="page_298" id="page_298">{298}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_252" id="plt_252"></a><br />
+<span class="caption1">Plate 252</span>
+<br /><a href="images/plt_252.jpg">
+<img src="images/plt_252.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM ST. JOSEPH’S MILL</span></div>
+
+<p><span class="pagenum"><a name="page_299" id="page_299">{299}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_253" id="plt_253"></a><br />
+<span class="caption1">Plate 253</span>
+<br /><a href="images/plt_253.jpg">
+<img src="images/plt_253.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM THE FORT OF GALERA</span></div>
+
+<p><span class="pagenum"><a name="page_300" id="page_300">{300}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_254" id="plt_254"></a><br />
+<span class="caption1">Plate 254</span>
+<br /><a href="images/plt_254.jpg">
+<img src="images/plt_254.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM THE FORT OF GALERA</span></div>
+
+<p><span class="pagenum"><a name="page_301" id="page_301">{301}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_255" id="plt_255"></a><br />
+<span class="caption1">Plate 255</span>
+<br /><a href="images/plt_255.jpg">
+<img src="images/plt_255.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW OF THE HARBOUR</span></div>
+
+<p><span class="pagenum"><a name="page_302" id="page_302">{302}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_256" id="plt_256"></a><br />
+<span class="caption1">Plate 256</span>
+<br /><a href="images/plt_256.jpg">
+<img src="images/plt_256.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: SANTA LUCIA AND THE HARBOUR</span></div>
+
+<p><span class="pagenum"><a name="page_303" id="page_303">{303}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_257" id="plt_257"></a><br />
+<span class="caption1">Plate 257</span>
+<br /><a href="images/plt_257.jpg">
+<img src="images/plt_257.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: THE HARBOUR FROM SANTA LUCIA</span></div>
+
+<p><span class="pagenum"><a name="page_304" id="page_304">{304}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_258" id="plt_258"></a><br />
+<span class="caption1">Plate 258</span>
+<br /><a href="images/plt_258.jpg">
+<img src="images/plt_258.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: THE HARBOUR FROM SANTA LUCIA</span></div>
+
+<p><span class="pagenum"><a name="page_305" id="page_305">{305}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_259" id="plt_259"></a><br />
+<span class="caption1">Plate 259</span>
+<br /><a href="images/plt_259.jpg">
+<img src="images/plt_259.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: THE HARBOUR FROM THE POWDER MAGAZINE</span></div>
+
+<p><span class="pagenum"><a name="page_306" id="page_306">{306}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_260" id="plt_260"></a><br />
+<span class="caption1">Plate 260</span>
+<br /><a href="images/plt_260.jpg">
+<img src="images/plt_260.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: THE HARBOUR FROM TRINCABATIJOS</span></div>
+
+<p><span class="pagenum"><a name="page_307" id="page_307">{307}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_261" id="plt_261"></a><br />
+<span class="caption1">Plate 261</span>
+<br /><a href="images/plt_261.jpg">
+<img src="images/plt_261.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: VIEW FROM THE ESPLANADERO</span></div>
+
+<p><span class="pagenum"><a name="page_308" id="page_308">{308}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_262" id="plt_262"></a><br />
+<span class="caption1">Plate 262</span>
+<br /><a href="images/plt_262.jpg">
+<img src="images/plt_262.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: THE ENTRANCE TO THE HARBOUR FROM TRINCABATIJOS</span></div>
+
+<p><span class="pagenum"><a name="page_309" id="page_309">{309}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_263" id="plt_263"></a><br />
+<span class="caption1">Plate 263</span>
+<br /><a href="images/plt_263.jpg">
+<img src="images/plt_263.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: THE BREAKWATER</span></div>
+
+<p><span class="pagenum"><a name="page_310" id="page_310">{310}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_264" id="plt_264"></a><br />
+<span class="caption1">Plate 264</span>
+<br /><a href="images/plt_264.jpg">
+<img src="images/plt_264.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: ENTRANCE TO THE HARBOUR</span></div>
+
+<p><span class="pagenum"><a name="page_311" id="page_311">{311}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_265" id="plt_265"></a><br />
+<span class="caption1">Plate 265</span>
+<br /><a href="images/plt_265.jpg">
+<img src="images/plt_265.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: ENTRANCE TO THE ARSENAL</span></div>
+
+<p><span class="pagenum"><a name="page_312" id="page_312">{312}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_266" id="plt_266"></a><br />
+<span class="caption1">Plate 266</span>
+<br /><a href="images/plt_266.jpg">
+<img src="images/plt_266.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: PUERTA DEL MAR</span></div>
+
+<p><span class="pagenum"><a name="page_313" id="page_313">{313}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_267" id="plt_267"></a><br />
+<span class="caption1">Plate 267</span>
+<br /><a href="images/plt_267.jpg">
+<img src="images/plt_267.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: PUERTA DE MURCIA</span></div>
+
+<p><span class="pagenum"><a name="page_314" id="page_314">{314}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_268" id="plt_268"></a><br />
+<span class="caption1">Plate 268</span>
+<br /><a href="images/plt_268.jpg">
+<img src="images/plt_268.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: PLAZA DE LAS MONJAS</span></div>
+
+<p><span class="pagenum"><a name="page_315" id="page_315">{315}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_269" id="plt_269"></a><br />
+<span class="caption1">Plate 269</span>
+<br /><a href="images/plt_269.jpg">
+<img src="images/plt_269.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: THE MARINE COLLEGE</span></div>
+
+<p><span class="pagenum"><a name="page_316" id="page_316">{316}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_270" id="plt_270"></a><br />
+<span class="caption1">Plate 270</span>
+<br /><a href="images/plt_270.jpg">
+<img src="images/plt_270.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">CARTHAGENA: THE BULL-RING</span></div>
+
+<p><span class="pagenum"><a name="page_317" id="page_317">{317}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_271" id="plt_271"></a><br />
+<span class="caption1">Plate 271</span>
+<br /><a href="images/plt_271.jpg">
+<img src="images/plt_271.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ARCHENA: THE BATHS, FROM LA SIERRA DE VERDELENA</span></div>
+
+<p><span class="pagenum"><a name="page_318" id="page_318">{318}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_272" id="plt_272"></a><br />
+<span class="caption1">Plate 272</span>
+<br /><a href="images/plt_272.jpg">
+<img src="images/plt_272.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ARCHENA: GENERAL VIEW OF THE BATHS FROM THE WEST</span></div>
+
+<p><span class="pagenum"><a name="page_319" id="page_319">{319}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_273" id="plt_273"></a><br />
+<span class="caption1">Plate 273</span>
+<br /><a href="images/plt_273.jpg">
+<img src="images/plt_273.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ARCHENA: GENERAL VIEW OF THE BATHS AT THE ENTRANCE TO THE VILLAGE</span></div>
+
+<p><span class="pagenum"><a name="page_320" id="page_320">{320}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_274" id="plt_274"></a><br />
+<span class="caption1">Plate 274</span>
+<br /><a href="images/plt_274.jpg">
+<img src="images/plt_274.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ARCHENA: ENTRANCE TO THE BATHS</span></div>
+
+<p><span class="pagenum"><a name="page_321" id="page_321">{321}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_275" id="plt_275"></a><br />
+<span class="caption1">Plate 275</span>
+<br /><a href="images/plt_275.jpg">
+<img src="images/plt_275.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ARCHENA: THE CARRETERA AND RIVER SEGURA</span></div>
+
+<p><span class="pagenum"><a name="page_322" id="page_322">{322}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_276" id="plt_276"></a><br />
+<span class="caption1">Plate 276</span>
+<br /><a href="images/plt_276.jpg">
+<img src="images/plt_276.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ARCHENA: VIEW OF THE CHURCH</span></div>
+
+<p><span class="pagenum"><a name="page_323" id="page_323">{323}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_277" id="plt_277"></a><br />
+<span class="caption1">Plate 277</span>
+<br /><a href="images/plt_277.jpg">
+<img src="images/plt_277.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ARCHENA: INTERIOR OF THE CHURCH</span></div>
+
+<p><span class="pagenum"><a name="page_324" id="page_324">{324}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_278" id="plt_278"></a><br />
+<span class="caption1">Plate 278</span>
+<br /><a href="images/plt_278.jpg">
+<img src="images/plt_278.jpg"
+height="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ARCHENA: THE CHURCH: ALTAR OF THE “VIRGEN DE LA SALUD”
+</span></div>
+
+<p><span class="pagenum"><a name="page_325" id="page_325">{325}</a></span></p>
+
+<div class="figcenter">
+<br /><a name="plt_279" id="plt_279"></a><br />
+<span class="caption1">Plate 279</span>
+<br /><a href="images/plt_279.jpg">
+<img src="images/plt_279.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF ARCHENA: VIEW OF VILLANUEVA</span></div>
+
+<p><span class="pagenum"><a name="page_326" id="page_326">{326}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_280" id="plt_280"></a><br />
+<span class="caption1">Plate 280</span>
+<br /><a href="images/plt_280.jpg">
+<img src="images/plt_280.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF ARCHENA: VIEW OF BLANCA FROM THE SALTO DEL PALOMO</span></div>
+
+<p><span class="pagenum"><a name="page_327" id="page_327">{327}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_281" id="plt_281"></a><br />
+<span class="caption1">Plate 281</span>
+<br /><a href="images/plt_281.jpg">
+<img src="images/plt_281.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF ARCHENA: VIEW OF BLANCA FROM BUJAMENTE</span></div>
+
+<p><span class="pagenum"><a name="page_328" id="page_328">{328}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_282" id="plt_282"></a><br />
+<span class="caption1">Plate 282</span>
+<br /><a href="images/plt_282.jpg">
+<img src="images/plt_282.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF ARCHENA: VILLAGE AND GARDENS OF ULEA FROM VILLANUEVA</span></div>
+
+<p><span class="pagenum"><a name="page_329" id="page_329">{329}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_283" id="plt_283"></a><br />
+<span class="caption1">Plate 283</span>
+<br /><a href="images/plt_283.jpg">
+<img src="images/plt_283.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF ARCHENA: VILLAGE AND GARDENS OF ULEA, EAST SIDE</span></div>
+
+<p><span class="pagenum"><a name="page_330" id="page_330">{330}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_284" id="plt_284"></a><br />
+<span class="caption1">Plate 284</span>
+<br /><a href="images/plt_284.jpg">
+<img src="images/plt_284.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF ARCHENA: VILLAGE OF OJOS AND MOUNTAINS</span></div>
+
+<p><span class="pagenum"><a name="page_331" id="page_331">{331}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_285" id="plt_285"></a><br />
+<span class="caption1">Plate 285</span>
+<br /><a href="images/plt_285.jpg">
+<img src="images/plt_285.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF ARCHENA: THE GARDENS OF OJOS, FROM THE LOVERS’ LEAP</span></div>
+
+<p><span class="pagenum"><a name="page_332" id="page_332">{332}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_286" id="plt_286"></a><br />
+<span class="caption1">Plate 286</span>
+<br /><a href="images/plt_286.jpg">
+<img src="images/plt_286.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">ENVIRONS OF ARCHENA: THE LOVERS’ LEAP</span></div>
+
+<p><span class="pagenum"><a name="page_333" id="page_333">{333}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_287" id="plt_287"></a><br />
+<span class="caption1">Plate 287</span>
+<br /><a href="images/plt_287.jpg">
+<img src="images/plt_287.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">LORCA: GENERAL VIEW</span></div>
+
+<p><span class="pagenum"><a name="page_334" id="page_334">{334}</a></span>&nbsp; </p>
+
+<div class="figcenter">
+<br /><a name="plt_288" id="plt_288"></a><br />
+<span class="caption1">Plate 288</span>
+<br /><a href="images/plt_288.jpg">
+<img src="images/plt_288.jpg"
+width="600" alt="[Image unavailable.]" /></a>
+<br /><span class="caption">LORCA: VIEW FROM THE RAILWAY STATION</span></div>
+
+<hr class="full" />
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of Project Gutenberg's Valencia and Murcia, by Albert F. Calvert
+
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+</body>
+</html>
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