summaryrefslogtreecommitdiff
path: root/old/62619.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/62619.txt')
-rw-r--r--old/62619.txt1081
1 files changed, 0 insertions, 1081 deletions
diff --git a/old/62619.txt b/old/62619.txt
deleted file mode 100644
index 72ff533..0000000
--- a/old/62619.txt
+++ /dev/null
@@ -1,1081 +0,0 @@
-The Project Gutenberg EBook of The Avenger, by Stuart Fleming
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: The Avenger
-
-Author: Stuart Fleming
-
-Release Date: July 11, 2020 [EBook #62619]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE AVENGER ***
-
-
-
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-
-
-
- THE AVENGER
-
- By STUART FLEMING
-
- Karson was creating a superman to fight the weird
- super-monsters who had invaded Earth. But he was
- forgetting one tiny thing--like calls to like.
-
- [Transcriber's Note: This etext was produced from
- Planet Stories Spring 1944.
- Extensive research did not uncover any evidence that
- the U.S. copyright on this publication was renewed.]
-
-
-_Peter Karson was dead. He had been dead for some time now, but
-the dark blood was still oozing from the crushed ruin of his face,
-trickling down into his sodden sleeve, and falling, drop by slow drop,
-from his fingertips. His head was tilted over the back of the chair at
-a queer, unnatural angle, so that the light made deep pools of shadow
-where his eyes had been._
-
-_There was no sound in the room except for the small splashing the
-blood made as it dropped into the sticky pool on the floor. The great
-banks of machinery around the walls were silent. I knew that they would
-never come to life again._
-
-_I rose and walked over to the window. Outside, the stars were as
-before: tiny, myriad points of light, infinitely far away. They had not
-changed, and yet they were suddenly no longer friendly. They were cold
-and alien. It was I who had changed: something inside me was dead, like
-the machinery, and like Peter._
-
-_It was a kind of indefinable emptiness. I do not think it was what
-Peter called an emotion; and yet it had nothing to do with logic,
-either. It was just an emptiness--a void that could not be filled by
-eating or drinking._
-
-_It was not a longing. I had no desire that things should be otherwise
-than they were. I did not even wish that Peter were not dead, for
-reason had told me that he had to die. That was the end of it._
-
-_But the void was still there, unexplainable and impossible to ignore.
-For the first time in all my life I had found a problem that I could
-not solve. Strange, disturbing sensations stirred and whispered within
-me, nagging, gnawing. And suddenly--something moved on the skin of my
-cheek. I raised a hand to it, slowly._
-
-_A tear was trickling down my cheek._
-
- * * * * *
-
-Young Peter Karson put the last black-print down and sighed with
-satisfaction. His dream was perfect; the _Citadel_ was complete, every
-minutest detail provided for--on paper. In two weeks they would be
-laying the core, and then the metal giant itself would begin to grow,
-glittering, pulsing with each increment of power, until at last it lay
-finished, a living thing.
-
-Then there would remain only the task of blasting the great, shining
-ship out into the carefully-calculated orbit that would be its home.
-In his mind's eye he could see it, slowly wheeling, like a second
-satellite, about the Earth; endlessly gathering knowledge into its
-insatiable mechanisms. He could see, too, the level on level of
-laboratories and storerooms that filled its interlocking segments; the
-meteor deflectors, the air renewal system, the mighty engines at the
-stern--all the children of his brain.
-
-Out there, away from the muffling, distorting, damnable blanket of
-atmosphere, away from Earth's inexorable gravitational pull, would be
-a laboratory such as man had never seen. The ship would be filled with
-the sounds of busy men and women, wresting secrets from the reluctant
-ether. A new chemistry, a new physics; perhaps even a new biochemistry.
-
-A discordant note suddenly entered his fantasy. He looked up, conscious
-of the walls of his office again, but could see nothing unusual. Still,
-that thin, dark whisper of dread was at the back of his mind. Slowly,
-as if reluctantly compelled, he turned around to face the window at his
-back.
-
-There, outside the window, fifty stories up, a face was staring
-impassively in at him. That was the first impression he got; just a
-face, staring. Then he saw, with a queer, icy chill, that the face was
-blood-red and subtly inhuman. It tapered off into a formless, shriveled
-body.
-
-For a moment or an eternity it hung there, unsupported, the bulging
-eyes staring at him. Then it grew misty at the edges. It dissolved
-slowly away and was gone.
-
-"Lord!" he said.
-
-He stared after it, stunned into immobility. Down in the street
-somewhere, a portable video was shrilling a popular song; after a
-moment he heard the faint swish of a tube car going past. Everything
-was normal. Nothing, on examination, seemed to have changed. But the
-world had grown suddenly unreal.
-
-One part of his brain had been shocked into its shell. It was hiding
-from the thing that had hurt it, and it refused to respond. But the
-other part was going calmly, lucidly on, quite without his volition.
-It considered the possibility that he had gone temporarily insane, and
-decided that this was probable.
-
-Hardly knowing what he did, he found a cigarette and lit it. His hands
-were shaking. He stared at them dully, and then he reached over to the
-newsbox on his desk, and switched it on.
-
-There were flaring red headlines.
-
-Relief washed over him, leaving him breathless. He was horrified,
-of course, but only abstractedly. For the moment he could only be
-glad that what he had seen was terrible reality rather than even more
-terrible illusion.
-
- INVADERS APPEAR IN BOSTON.
- 200 DEAD
-
-Then lines of type, and farther down:
-
- 50 CHILDREN DISAPPEAR FROM
- PARIS MATERNITY CENTER
-
-He pressed the stud. The roll was full of them.
-
- MOON SHIP DESTROYED
- IN TRANSIT
- NO COMMUNICATION FROM
- ANTARCTICA IN 6 HOURS
- STRANGE FORCE DEFLECTS
- PLANES FROM SAHARA AREA
- WORLD POLICE MOBILIZING
-
-The item below the last one said:
-
-Pacifica, June 7--The World Police are mobilizing, for the first time
-in fifty years. The order was made public early this morning by
-R. Stein, Secretary of the Council, who said in part:
-
-"The reason for this ... order must be apparent to all civilized
-peoples. For the Invaders have spared no part of this planet in their
-depredations: they have laid Hong Kong waste; they have terrorized
-London; they have destroyed the lives of citizens in every member state
-and in every inhabited area. There can be few within reach of printed
-reports or my words who have not seen the Invaders, or whose friends
-have not seen them.
-
-"The peoples of the world, then, know what they are, and know that
-we face the most momentous struggle in our history. We face an enemy
-_superior to ourselves in every way_.
-
-"Since the Invaders first appeared in Wood River, Oregon, 24 hours
-ago, they have not once acknowledged our attempts to communicate, or
-in any way taken notice of our existence as reasoning beings. They
-have treated us precisely as we, in less enlightened days, might
-have treated a newly-discovered race of lower animals. They have not
-attacked our centers of government, nor immobilized our communications,
-nor laid siege to our defenses. But in instance after instance, they
-have done as they would with us. They have examined us, dissected us,
-driven us mad, killed us with no discernable provocation; and this is
-more intolerable than any normal invasion.
-
-"I have no fear that the people of Earth will fail to meet this
-challenge, for there is no alternative. Not only our individual lives
-are threatened, but our existence as a race. We must, and will, destroy
-the Invaders!"
-
-Peter sank back in his chair, the full shock of it striking him for the
-first time.
-
-"_Will_ we?" he asked himself softly.
-
- * * * * *
-
-It was only two stories down the moving ramp to Lorelei Cooper's
-laboratory. Peter took it in fifteen seconds, running, and stumbled to
-a halt in front of the door marked "Radiation." She had set her door
-mechanism to "Etaoin Shrdlu," principally because he hated double-talk.
-He mouthed the syllables, had to repeat them because he put an accent
-in the wrong place, and squeezed through the door as soon as it opened
-far enough to admit him.
-
-Lorelei, beautiful in spite of dark-circled eyes and a smear of grease
-on her chin, looked up from a huge ledger at the end of the room. One
-blonde eyebrow arched in the quizzical expression he knew so well.
-
-"What makes, Peter my love?" she asked, and bent back to the ledger.
-Then she did a double-take, looked at his face intently, and said,
-"Darling, what's wrong?"
-
-He said, "Have you seen the news recently?"
-
-She frowned. "Why, no--Harry and I have been working for thirty-six
-hours straight. Haven't seen anybody, haven't heard anything. Why?"
-
-"You wouldn't believe me. Where's your newsbox?"
-
-She came around the desk and put her hands on his shoulders. "Pete,
-you know I haven't one--it bores me or upsets me, depending on whether
-there's trouble or not. What--"
-
-"I'm sorry, I forgot," he said. "But you have a scanner?"
-
-"Yes, of course. But really, Pete--"
-
-"You'll understand in a minute. Turn it on, Lorelei."
-
-She gazed at him levelly for a moment, kissed him impulsively, and then
-walked over to the video panel on the wall and swept a mountain of
-papers away from in front of it. She turned the selector dial to "News"
-and pressed the stud.
-
-A faint wash of color appeared on the panel, strengthened slowly, and
-suddenly leapt into full brilliance.
-
-Lorelei caught her breath.
-
-It was a street scene in the Science City of Manhattan, flooded by
-the warm spring sunshine. Down on the lowest level, visible past the
-transport and passenger tubes, the parks and moving ways should have
-been dotted with colorful, holiday crowds. The people were there,
-yes but they were flowing away in a swiftly-widening circle. They
-disappeared into buildings, and the ways snatched them up, and in a
-heartbeat they were gone.
-
-There were left only two blood-red, malignant monstrosities somehow
-defiling the air they floated in; and below them, a pitiful huddle of
-flesh no longer recognizable as human beings. They were not dead, those
-men and women, but they wanted to be. Their bodies had been impossibly
-joined, fused together into a single obscene, floundering mass of
-helpless protoplasm. The thin moaning that went up from them was more
-horrible than any cry of agony.
-
-"The Invaders are here, citizens," the commentator was saying in a
-strangled voice. "Stay off the streets. Hide yourselves. Stay off the
-streets...." His voice droned on, but neither of them heard it.
-
- * * * * *
-
-Lorelei buried her head on his chest, clutching at him desperately.
-"Peter!" she said faintly. "Why do they broadcast such things?"
-
-"They have to," he told her grimly. "There will be panics and suicides,
-and they know it; but they have to do it. This isn't like a war, where
-the noncombatants' morale has to be kept up. There aren't going to be
-any noncombatants, this time. Everybody in the world has to know about
-them, so that he can fight them--and then it may not be enough."
-
-The viewpoint of the teleo sender changed as the two red beings soared
-away from their victims and angled slowly up the street. Peter reached
-out to switch off the scanner, and froze. The girl felt his muscles
-tense abruptly, looked back at the scene. The Invaders were floating
-up the sloping side of a tall, pure white structure that dominated the
-rest.
-
-"That's the Atlas building," she said unbelievingly. "Us!"
-
-"Yes."
-
-Silently, they counted stories as the two beings rose. Forty-five ...
-forty-six ... forty-seven ... forty-eight. Inevitably, they halted.
-Then they faded slowly. It was impossible to say whether they had gone
-through the solid wall, or simply melted away.
-
-The man and woman clung together, waiting.
-
-There was a thick, oppressive silence, full of small rustlings and
-other faint sounds that were no longer normal. Then, very near, a man
-screamed in a high, inhuman voice. The screamed dwindled into a throaty
-gurgle and died, leaving silence again.
-
-Peter's lips were cold with sweat. Tiny nerves in his face and arms
-were jumping convulsively. His stomach crawled. He thrust the girl away
-from him and started toward the inner room.
-
-"Wait here," he mouthed.
-
-She was after him, clinging to his arms. "No, Peter! Don't go in there!
-_Peter!_" But he pushed her away again, woodenly, and stalked forward.
-
-There was a space in the middle of the room where machinery had been
-cleared away to make room for an incompleted setup. Peter walked down
-the narrow aisle, past bakelite-sheathed mechanisms and rows of animal
-cages, and paused just short of it.
-
-The two red beings were there, formless bodies hazy in midair, the
-distorted, hairless skulls in profile, staring at something outside his
-range of vision.
-
- * * * * *
-
-Peter forced himself forward another step. Little Harry Kanin,
-Lorelei's assistant, was crumpled in a corner, half supported by the
-broad base of an X-ray chamber. His face was flaccid and bloated. His
-glazed eyes, impassive yet somehow pleading, stared at nothingness
-straight ahead of him.
-
-The Invaders ignored Peter, staring expressionlessly down at Kanin.
-In a moment Peter realized what they were doing to him. He stood,
-paralyzed with horror, and watched it happen.
-
-The little man's body was sagging, ever so slowly, as if he were
-relaxing tiredly. His torso was telescoping, bit by bit; his spread
-legs grew wider and more shapeless, his cheeks caved in and his skull
-grew gradually flatter.
-
-When it was over, the thing that had been Kanin was a limp, boneless
-puddle of flesh. Peter could not look at it.
-
-There was a scream in his throat that would not come out. He was beyond
-fear, beyond agony. He turned to the still-hovering monsters and said
-in a terrible voice, "Why? Why?"
-
-The nearest being turned slowly to regard him. Its lips did not move,
-but there was a tiny sound in Peter's brain, a thin, dry whispering.
-
-The scream was welling up. He fought it down and listened.
-
-"_Wurnkomellilonasendiktolsasangkanmiamiamimami...._"
-
-The face was staring directly into his, the bulging eyes hypnotic. The
-ears were small, no more than excresences of skin. The narrow lips
-seemed sealed together; a thin, slimy ichor drooled from them. There
-were lines in the face, but they were lines of age, not emotion. Only
-the eyes were alive.
-
-"_... raswilopreatadvuonistuwurncchtusanlgkelglawwalinom...._"
-
-"I can't understand," he cried wildly. "What do you want?"
-
-"_... morofelcovisyanmamiwurlectaunntous._"
-
-He heard a faint sound behind him, and whirled. It was the first
-time he had realized that Lorelei had followed him. She stood there,
-swaying, very pale, looking at the red Invaders. Her eyes swiveled
-slowly....
-
-"_Opreniktoulestritifenrelngetnaktwiltoctpre._"
-
-His voice was hoarse. "Don't look! Don't--Go back!" The horrible,
-mindless noise in his throat was almost beyond his power to repress.
-His insides writhed to thrust it out.
-
-She didn't see him. Her eyes glazed, and she dropped limply to the
-floor.
-
-The scream came out then. Before he knew, even, that he could hold
-it back no longer, his mouth was wide open, his muscles tensed, his
-fingernails slicing his palms. It echoed with unbelievable volume in
-the room. It was a scream to split eardrums; a scream to wake the dead.
-
- * * * * *
-
-Somebody said, "Doctor!"
-
-He wanted to say, "Yes, get a doctor. Lorelei--" but his mouth only
-twitched feebly. He couldn't seem to get it to work properly.
-
-He tried again. "Doctor."
-
-"Yes?" A gentle, masculine voice.
-
-He opened his eyes with an effort. There was a blurred face before him;
-in a moment it grew clearer. The strong, clean-shaven chin contrasted
-oddly with the haggard circles under the eyes. There was a clean,
-starched odor.
-
-"Where am I?" he said. He tried to turn his head, but a firm hand
-pressed him back into the sheets.
-
-"You're in a hospital. Just lie quietly, please."
-
-He tried to get up again. "Where's Lorelei?"
-
-"She's well, and you'll see her soon. Now lie quietly. You've been a
-very sick man."
-
-Peter sank back in the bed. The room was coming into focus. He looked
-around him slowly. He felt very weak, but perfectly lucid.
-
-"Yes...." he said. "How long have I been here, Doctor?"
-
-The man hesitated, looked at him intently. "Three months," he said. He
-turned and gave low-voiced instructions to a nurse, and then went away.
-
-Peter's head began spinning just a little. Glass clinked from a metal
-stand near his head; the nurse bent over him with a glass half full of
-milky fluid. It tasted awful, but she made him drink it all.
-
-In a moment he began to relax, and the room got fuzzy again. Just
-before he drifted off, he said sleepily, "You can't--fool me. It's been
-_more_--than three--months."
-
-He was right. All the nurses, and even Dr. Arnold, were evasive, but he
-kept asking them why he couldn't see Lorelei, and finally he wormed it
-out of them. It had been nine and a half months, not three, and he'd
-been in a coma all that time. Lorelei, it seemed, had recovered much
-sooner.
-
-"She was only suffering from ordinary shock," Arnold explained.
-"Seeing that assistant of hers--it was enough to knock anybody out,
-especially a woman. But you stood actual mental contact with _them_
-for approximately five minutes. Yes, we know--you talked a lot. It's a
-miracle you're alive, and rational."
-
-"But where is she?" Peter complained. "You still haven't explained why
-I haven't been able to see her."
-
-Arnold frowned. "All right," he said. "I guess you're strong enough to
-take it. She's underground, with the rest of the women and children,
-and a good two-thirds of the male population. That's where you'll go,
-as soon as you're well enough to be moved. We started digging in six
-months ago."
-
-"But why?" Peter whispered.
-
-Arnold's strong jaw knotted. "We're hiding," he said. "Everything else
-has failed."
-
-Peter couldn't think of anything to say. Dr. Arnold's voice went on
-after a moment, musingly. "We're burrowing into the earth, like worms.
-It didn't take us long to find out we couldn't kill them. They didn't
-even take any notice of our attempts to do so, except once. That was
-when a squadron of the Police caught about fifty of them together at
-one time, and attacked with flame guns and a new secret weapon. It
-didn't hurt them, but it annoyed them. It was the first time they'd
-been annoyed, I think. They blew up half a state, and it's still
-smoldering."
-
-"And since then?" Peter asked huskily.
-
-"Since then, we've been burrowing. All the big cities.... It would be
-an impossible task if we tried to include all the thinly-populated
-areas, of course, but it doesn't matter. By the time we excavate
-enough to take care of a quarter of the earth's population, the other
-three-quarters will be dead, or worse."
-
-"I wonder," Peter said shakily, "if I am strong enough to take it."
-
-Arnold laughed harshly. "You are. You've got to be. You're part of our
-last hope, you see."
-
-"Our last hope?"
-
-"Yes. You're a scientist."
-
-"I see," said Peter. And for the first time, he thought of the
-_Citadel_. No plan leaped full-born into his mind, but, _maybe_, he
-thought, _there's a chance_....
-
- * * * * *
-
-It wasn't very big, the thing that had been his shining dream. It lay
-there in its rough cradle, a globe of raw dura-steel not more than
-five hundred meters in diameter, where the _Citadel_ was to have been a
-thousand. It wouldn't house a hundred scientists, eagerly delving into
-the hinterland of research. The huge compartments weren't filled with
-the latest equipment for chemical and physical experiment; instead,
-there was compressed oxygen there, and concentrated food, enough to
-last a lifetime.
-
-It was a new world, all by itself; or else it was a tomb. And there was
-one other change, one that you couldn't see from the outside. The solid
-meters of lead in its outer skin, the shielding to keep out cosmic
-rays, were gone.
-
-A man had just finished engraving the final stroke on its nameplate, to
-the left of the airlock--_The Avenger_. He stepped away now, and joined
-the group a little distance away, silently waiting.
-
-Lorelei said, "You can't do it. I won't let you! Peter--"
-
-"Darling," he began wearily.
-
-"Don't throw your life away! Give us time--there must be another way."
-
-"There's no other way," Peter said. He gripped her arms tightly, as if
-he could compel her to understand by the sheer pressure of his fingers.
-"Darling, listen to me. We've tried everything. We've gone underground,
-but that's only delaying the end. _They_ still come down here, only not
-as many. The mortality rate is up, the suicide rate is up, the birth
-rate is down, in spite of anything we can do. You've seen the figures:
-we're riding a curve that ends in extinction fifty years from now.
-
-"They'll live, and we'll die, because they're a superior race. We're a
-million years too far back even to understand what they are or where
-they came from. Besides them, we're apes. There's only one answer."
-
-She was crying now, silently, with great racking sobs that shook her
-slender body. But he went remorselessly on.
-
-"Out there, in space, the cosmics change unshielded life. They
-make tentacles out of arms; or scales out of hair; or twelve toes,
-or a dozen ears--or a better brain. Out of those millions of
-possible mutations, there's one that will save the human race. We
-can't fight _them_, but a superman could. That's our only chance.
-Lorelei--darling--don't you see that?"
-
-She choked, "But why can't you take me along?"
-
-He stared unseeingly past her wet, upturned face. "You know why," he
-said bitterly. "Those rays are strong. They don't only work on embryos;
-they change adult life forms, too. I have one chance in seven of
-staying alive. You'd have one chance in a million of staying beautiful.
-I couldn't stand that. I'd kill myself, and then humanity would die,
-too. You'd be their murderer."
-
-Her sobs gradually died away. She straightened slowly until he no
-longer had to support her, but all the vitality and resilience was gone
-out of her body. "All right," she said in a lifeless voice. "You'll
-come back, Peter."
-
-He turned away suddenly, not trusting himself to kiss her goodbye. A
-line from an old film kept echoing through his head. "_They'll_ come
-back--but not as _boys_!"
-
-We'll come back, but not as men.
-
-We'll come back, but not as elephants.
-
-We'll come back, but not as octopi.
-
- * * * * *
-
-He was trembling violently. He ran the last few steps, stumbled into
-the airlock, and pressed the stud that would seal the door behind him.
-_We'll come back...._ He heard the massive disk sink home, closing him
-off. Then he sank down on the floor of the airlock and put his head in
-shaking hands.
-
-After a while he roused himself, closed the inner door of the lock
-behind him, and walked down the long corridor into the control chamber.
-The shining banks of keys were there, waiting for his touch; he slumped
-down before them and listlessly closed the contact of the visiplate.
-
-He swung its field slowly, scanning for the last time the bare walls
-of the underground chamber, making sure that all the spectators had
-retired out of the way of the blast. Then his clawed fingers poised
-over the keys, hovered a moment, and thrust down.
-
-Acceleration pressed him deep into his chair. In the visiplate, the
-heavy doors that closed the tunnel above him flashed back, one by one.
-The energy-charged screen flickered off to let him pass, and closed
-smoothly behind him. The last doors, cleverly camouflaged, slipped back
-into place and then dwindled in the distance. It was done.
-
-He flashed on out, past the moon, past Mars, over the asteroid belt.
-The days merged into weeks, then months, and finally, far out, _The
-Avenger_ curved into an orbit and held it. The great motors died, and
-the silence pressed in about him.
-
-Already he could feel the invisible rays burning resistlessly through
-his flesh as if it were water, shifting the cells of his body, working
-its slow, monstrous alchemy upon him. Peter waited until the changes
-were unmistakably evident in his skin and hair, and then he smashed all
-the mirrors in the ship.
-
-The embryos were pulsing with unnatural life, even in the suspended
-animation of their crystal cells. One by one he allowed them to
-mature, and after weeks or years destroyed the monstrosities that came
-from the incubators. Time went by, meaninglessly. He ate when he was
-hungry, slept when his driving purpose let him, and worked unceasingly,
-searching for the million-to-one chance.
-
-He stared sometimes through changed eyes at the tiny blue star that was
-Earth, wondering if the race he had left behind still burrowed in its
-worm-tunnels, digging deeper and deeper away from the sunlight. But
-after a time he ceased even to wonder.
-
-And one changeling-child he did not destroy. He fed knowledge to its
-eager brain, and watched it through the swift years, with a dawning
-hope....
-
- * * * * *
-
-Peter closed the diary. "The rest you know, Robert," he said.
-
-"Yes," I told him. "I was that child. I am the millionth mutation you
-were searching for."
-
-His eyes glowed suddenly in their misshapen sockets. "You are. Your
-brain is as superior to mine as mine is to an anthropoid's. You solve
-instinctively problems that would take our mechanical computers hours
-of work. You are a superman."
-
-"I am without your imperfections," I said, flexing my arms.
-
-He rose and strode nervously over to the window. I watched him as he
-stood there, outlined against the blazing galaxies. He had changed but
-little in the years that I had known him. His lank gray hair straggled
-over his sunken eyes; his cheeks were blobbed with excresences of
-flesh; one corner of his mouth was drawn up in a perpetual grin. He had
-a tiny sixth finger on his left hand.
-
-He turned again, and I saw the old scar on his cheek where I had once
-accidentally drawn one of my talons across his face.
-
-"And now," he said softly, "we will go home. I've waited so
-long--keeping the control chamber and the engine room locked away from
-you, not telling you, even, about Earth until now--because I had to be
-sure. But now, the waiting is over.
-
-"They're still there, I'm sure of it--the people, and the Invaders. You
-can kill the Invaders, Robert."
-
-He looked at me, a little oddly, almost as if he had some instinctive
-knowledge of what was to come. But he went on swiftly, "On Earth we
-had a saying: 'Fight fire with fire.' That is the way it will be with
-you. You are completely, coldly logical, just as _they_ are. You can
-understand them, and so you can conquer them."
-
-I said, "That is the reason why we will not go back to Earth."
-
-He stared at me, his jaw slack, his hands trembling. "What--what did
-you say?"
-
-I repeated it patiently.
-
-"But why?" he cried, sinking down into the chair before me. In an
-instant all the joy had gone out of him. I could not understand his
-suffering, but I could recognize it.
-
-"You yourself have said it," I told him. "I am a being of logic, just
-as the beings who have invaded your planet are. I do not comprehend the
-things which you call hate, fear, joy and love, as they do not. If I
-went to Earth, I would use your people to further my knowledge, just as
-the invaders do. I would have no reason to kill the invaders. They are
-more nearly kin to me than your people."
-
- * * * * *
-
-Peter's eyes were dull, his limbs slumped. For a moment I thought that
-the shock had deranged his mind.
-
-His voice trembled when he said, "But if I ask you to kill them, and
-not my people?"
-
-"To do so would be illogical."
-
-He waved his hands helplessly. "Gratitude?" he muttered.
-
-"No, you don't understand that, either."
-
-Then he cried suddenly, "But I am your friend, Robert!"
-
-"I do not understand 'friend,'" I said.
-
-I did understand "gratitude," a little. It was a reciprocal
-arrangement: I did what Peter wished, so long as I did not actively
-want to do otherwise, because he had done things for me. Very well,
-then we must not go back. It was very simple, but I knew that he could
-not comprehend it.
-
-I tried to explain it to him, however. But he only stared at me, with
-an expression on his face that I had never seen there before, and that,
-somehow, I did not like to see. It was disquieting, and so I hastened
-to the end that I knew was inevitable.
-
-"Will you promise," I asked, "to abide by my decision?"
-
-He kept on looking at me, his lips trembling in their fixed grin. "No!"
-he said. "Never! You'll change your mind some day--you must! We'll go
-back, then--I'll make you go back! Lorelei--" He collapsed, sobbing,
-his head sunk in his arms.
-
-I knew that what he said was partly true. Some day, when I slept, as I
-would have to within months, he would go down to the control room, set
-the keys for the return, and lock the combinations of the doors behind
-him again. Sooner or later, in spite of me, _The Avenger_ would go
-home. There was only one thing to do.
-
-He was still slumped in his chair, his body shaken by his sobs. I rose
-silently, and stood for a moment looking down at him. It was best that
-it happen now; it was what he would have called "mercy."
-
-_I extended my arms, looking at the corded, black-furred length of
-them. I looked down at him once more, saying a silent farewell; and
-then I clasped his gray head, very quickly, between my hands._
-
-
-
-
-
-End of the Project Gutenberg EBook of The Avenger, by Stuart Fleming
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE AVENGER ***
-
-***** This file should be named 62619.txt or 62619.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/2/6/1/62619/
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-