diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:27:10 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:27:10 -0700 |
| commit | 35e2437c5b352542022fae9aa408ffbe43eca669 (patch) | |
| tree | 5d28e6feba9b12b9f8f92ab7c61e6dd1f830c504 /6242-h | |
Diffstat (limited to '6242-h')
| -rw-r--r-- | 6242-h/6242-h.htm | 2907 |
1 files changed, 2907 insertions, 0 deletions
diff --git a/6242-h/6242-h.htm b/6242-h/6242-h.htm new file mode 100644 index 0000000..6837eb7 --- /dev/null +++ b/6242-h/6242-h.htm @@ -0,0 +1,2907 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <title> + Parables of a Province, by Gilbert Parker + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd7; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> + <p> + <br /><br /> + </p> +<pre xml:space="preserve"> +The Project Gutenberg EBook of Parables Of A Province, by Gilbert Parker + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Parables Of A Province + +Author: Gilbert Parker + +Release Date: October 18, 2006 [EBook #6242] +Last Updated: August 27, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK PARABLES OF A PROVINCE *** + + + +Produced by David Widger + + + + + +</pre> + + <h1> + PARABLES OF A PROVINCE + </h1> + <p> + <br /><br /> + </p> + <h2> + By Gilbert Parker + </h2> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <blockquote> + <p class="toc"> + <big><b>CONTENTS</b></big> + </p> + <p> + <br /> + </p> + <p class="toc"> + <a href="#link2H_4_0001"> THE GOLDEN PIPES </a> + </p> + <p class="toc"> + <a href="#link2H_4_0002"> THE GUARDIAN OF THE FIRE </a> + </p> + <p class="toc"> + <a href="#link2H_4_0003"> BY THAT PLACE CALLED PERADVENTURE </a> + </p> + <p class="toc"> + <a href="#link2H_4_0004"> THE SINGING OF THE BEES </a> + </p> + <p class="toc"> + <a href="#link2H_4_0005"> THE WHITE OMEN </a> + </p> + <p class="toc"> + <a href="#link2H_4_0006"> THE SOJOURNERS </a> + </p> + <p class="toc"> + <a href="#link2H_4_0007"> THE TENT OF THE PURPLE MAT </a> + </p> + <p class="toc"> + <a href="#link2H_4_0008"> THERE WAS A LITTLE CITY </a> + </p> + <p class="toc"> + <a href="#link2H_4_0009"> THE FORGE IN THE VALLEY </a> + </p> + </blockquote> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001"> + <!-- H2 anchor --> </a> + </p> + <h2> + THE GOLDEN PIPES + </h2> + <p> + They hung all bronzed and shining, on the side of Margath Mountain—the + tall and perfect pipes of the organ which was played by some son of God + when the world was young. At least Hepnon the cripple said this was so, + when he was but a child, and when he got older he said that even now a + golden music came from the pipes at sunrise and sunset. And no one laughed + at Hepnon, for you could not look into the dark warm eyes, dilating with + his fancies, or see the transparent temper of his face, the look of the + dreamer over all, without believing him, and reproving your own judgment. + You felt that he had travelled ways you could never travel, that he had + had dreams beyond you, that his fanciful spirit had had adventures you + would give years of your dull life to know. + </p> + <p> + And yet he was not made only as women are made, fragile and trembling in + his nerves. For he was strong of arm, and there was no place in the hills + to be climbed by venturesome man, which he could not climb with crutch and + shrivelled leg. Also, he was a gallant horseman, riding with his knees and + one foot in stirrup, his crutch slung behind him. It may be that was why + rough men listened to his fancies about the Golden Pipes. Indeed they + would go out at sunrise and look across to where the pipes hung, taking + the rosy glory of the morning, and steal away alone at sunset, and in some + lonely spot lean out towards the flaming instrument to hear if any music + rose from them. The legend that one of the Mighty Men of the Kimash Hills + came here to play, with invisible hands, the music of the first years of + the world, became a truth, though a truth that none could prove. And + by-and-by, no man ever travelled the valley without taking off his hat as + he passed the Golden Pipes—so had a cripple with his whimsies worked + upon the land. + </p> + <p> + Then, too, perhaps his music had to do with it. As a child he had only a + poor concertina, but by it he drew the traveller and the mountaineer and + the worker in the valley to him like a magnet. Some touch of the + mysterious, some sweet fantastical melody in all he played, charmed them, + even when he gave them old familiar airs. From the concertina he passed to + the violin, and his skill and mastery over his followers grew; and then + there came a notable day when up over a thousand miles of country a + melodeon was brought him. Then a wanderer, a minstrel outcast from a far + country, taking refuge in those hills, taught him, and there was one long + year of loving labour together, and merry whisperings between the two, and + secret drawings, and worship of the Golden Pipes; and then the minstrel + died, and left Hepnon alone. + </p> + <p> + And now they said that Hepnon tried to coax out of the old melodeon the + music of the Golden Pipes. But a look of sorrow grew upon his face, and + stayed for many months. Then there came a change, and he went into the + woods, and began working there in the perfect summer weather; and the tale + went abroad that he was building an organ, so that he might play for all + who came, the music he heard on the Golden Pipes—for they had + ravished his ear since childhood, and now he must know the wonderful + melodies all by heart, they said. + </p> + <p> + With consummate patience Hepnon dried the wood and fashioned it into long + tuneful tubes, beating out soft metal got from the forge in the valley to + case the lips of them, tanning the leather for the bellows, stretching it, + and exposing all his work to the sun of early morning, which gave every + fibre and valve a rich sweetness, like a sound fruit of autumn. People + also said that he set all the pieces out at sunrise and sunset that the + tone of the Golden Pipes might pass into them, so that when the organ was + built, each part should be saturated with such melody as it had drawn in, + according to its temper and its fibre. + </p> + <p> + So the building of the organ went on, and a year passed, and then another, + and it was summer again; and soon Hepnon began to build also—while + yet it was sweet weather—a home for his organ, a tall nest of cedar + added to his father’s house. And in it every piece of wood, and every + board had been made ready by his own hands, and set in the sun and dried + slowly to a healthy soundness; and he used no nails of metal, but wooden + pins of the iron-wood or hickory tree, and it was all polished, and there + was no paint or varnish anywhere; and when you spoke in this nest your + voice sounded pure and strong. + </p> + <p> + At last the time came when, piece by piece, the organ was set up in its + home; and as the days and weeks went by, and autumn drew to winter, and + the music of the Golden Pipes stole down the flumes of snow to their + ardent lover, and spring came with its sap, and small purple blossoms, and + yellow apples of mandrake, and summer stole on luxurious and dry; the face + of Hepnon became thinner and thinner, a strange deep light shone in his + eyes, and all his person seemed to exhale a kind of glow. He ceased to + ride, to climb, to lift weights with his strong arms, as he had—poor + cripple—been once so proud to do. A delicacy came upon him, and more + and more he withdrew himself to his organ, and to those lofty and lonely + places where he could see—and hear—the Golden Pipes boom + softly over the valley. + </p> + <p> + At last it all was done, even to the fine-carved stool of cedar whereon he + should sit when he played his organ. Never yet had he done more than sound + each note as he made it, trying it, softening it by tender devices with + the wood; but now the hour was come when he should gather down the soul of + the Golden Pipes to his fingers, and give to the ears of the world the + song of the morning stars, the music of Jubal and his comrades, the + affluent melody to which the sons of men, in the first days, paced the + world in time with the thoughts of God. For days he lived alone in the + cedar-house—and who may know what he was doing dreaming, listening, + or praying? Then the word went through the valley and the hills, that one + evening he would play for all who came; and that day was “Toussaint,” or + the Feast of All Souls. + </p> + <p> + So they came both old and young, and they did not enter the house, but + waited outside, upon the mossy rocks, or sat among the trees, and watched + the heavy sun roll down and the Golden Pipes flame in the light of + evening. Far beneath in the valley the water ran lightly on, but there + came no sound from it, none from anywhere; only a general pervasive murmur + quieting to the heart. + </p> + <p> + Now they heard a note come from the organ—a soft low sound that + seemed to rise out of the good earth and mingle with the vibrant air, the + song of birds, the whisper of trees, and the murmuring water. Then came + another, and another note, then chords, and chords upon these, and + by-and-by, rolling tides of melody, until, as it seemed to the listeners, + the air ached with the incomparable song; and men and women wept, and + children hid their heads in the laps of their mothers, and young men and + maidens dreamed dreams never to be forgotten. For one short hour the music + went on, then twilight came. Presently the sounds grew fainter, and + exquisitely painful, and now a low sob seemed to pass through all the + heart of the organ, and then silence fell, and in the sacred pause, Hepnon + came out among them all, pale and desolate. He looked at them a minute + most sadly, and then lifting up his arms towards the Golden Pipes, now + hidden in the dusk, he cried low and brokenly: + </p> + <p> + “O my God, give me back my dream!” + </p> + <p> + Then his crutch seemed to give way beneath him, and he sank upon the + ground, faint and gasping. + </p> + <p> + They raised him up, and women and men whispered in his ear + </p> + <p> + “Ah, the beautiful, beautiful music, Hepnon!” But he only said: “O my God, + O my God, give me back my dream!” When he had said it thrice, he turned + his face to where his organ was in the cedar-house, and then his eyes + closed, and he fell asleep: and they could not wake him. But at sunrise + the next morning a shiver passed through him, and then a cold quiet stole + over him, and Hepnon and the music of the Golden Pipes departed from the + Voshti Hills, and came again no more. + </p> + <p> + <a name="link2H_4_0002" id="link2H_4_0002"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + THE GUARDIAN OF THE FIRE + </h2> + <h3> + “Height unto height answereth knowledge.” + </h3> + <p> + His was the first watch, the farthest fire, for Shaknon Hill towered above + the great gulf, and looked back also over thirty leagues of country + towards the great city. There came a time again when all the land was + threatened. From sovereign lands far off, two fleets were sailing hard to + reach the wide basin before the walled city, the one to save, the other to + destroy. If Tinoir, the Guardian of the Fire, should sight the destroying + fleet, he must light two fires on Shaknon Hill, and then, at the edge of + the wide basin, in a treacherous channel, the people would send out + fire-rafts to burn the ships of the foe. Five times in the past had Tinoir + been the Guardian of the Fire, and five times had the people praised him; + but praise and his scanty wage were all he got. + </p> + <p> + The hut in which he lived with his wife on another hill, ten miles from + Shaknon, had but two rooms, and their little farm and the garden gave them + only enough to live—no more. Elsewhere there was good land in + abundance, but it had been said years ago to Tinoir by the great men, that + he should live not far from Shaknon, so that in times of peril he might + guard the fire and be sentinel for all the people. Perhaps Tinoir was too + dull to see that he was giving all and getting naught; that while he + waited and watched he was always poor, and also was getting old. There was + no house or home within fifty miles of them, and only now and then some + wandering Indians lifted the latch, and drew in beside their hearth, or a + good priest with a soul of love for others, came and said Mass in the room + where a little Calvary had been put up. Two children had come and gone, + and Tinoir and Dalice had dug their graves and put them in a warm nest of + maple leaves, and afterwards lived upon the memories of them. But after + these two, children came no more; and Tinoir and Dalice grew closer and + closer to each other, coming to look alike in face, as they had long been + alike in mind and feeling. None ever lived nearer to nature than they, and + wild things grew to be their friends; so that you might see Dalice at her + door tossing crumbs with one hand to birds, and with the other bits of + meat to foxes, martens, and wild dogs, which came and went unharmed by + them. Tinoir shot no wild animals for profit—only for food and for + skins and furs to wear. Because of this he was laughed at by all who knew, + save the priest of St. Sulpice, who, on Easter Day, when the little man + came yearly to Mass over two hundred miles of country, praised him to his + people, and made much of him, though Tinoir was not vain enough to see it. + </p> + <p> + When word came down the river, and up over the hills to Tinoir, that war + was come and that he must go to watch for the hostile fleet and for the + friendly fleet as well, he made no murmur, though it was the time of + harvest, and Dalice had had a sickness from which she was not yet + recovered. + </p> + <p> + “Go, my Tinoir,” said Dalice, with a little smile, “and I will reap the + grain. If your eyes are sharp you shall see my bright sickle moving in the + sun.” + </p> + <p> + “There is the churning of the milk too, Dalice,” answered Tinoir; “you are + not strong, and sometimes the butter comes slow; and there’s the milking + also.” + </p> + <p> + “Strength is coming to me fast, Tinoir,” she said, and drew herself up; + but her dress lay almost flat on her bosom. Tinoir took her arm and felt + it above the elbow. + </p> + <p> + “It is like the muscle of a little child,” he said. + </p> + <p> + “But I will drink those bottles of red wine the Governor sent the last + time you watched the fire on Shaknon,” she said, brightening up, and + trying to cheer him. He nodded, for he saw what she was trying to do, and + said: “Also a little of the gentian and orange root three times a day-eh, + Dalice?” + </p> + <p> + After arranging for certain signs, by little fires, which they were to + light upon the hills and so speak with each other, they said, “Good day, + Dalice,” and “Good day, Tinoir,” drank a glass of the red wine, and added: + “Thank the good God;” then Tinoir wiped his mouth with his sleeve, and + went away, leaving Dalice with a broken glass at her feet, and a look in + her eyes which it was well that Tinoir did not see. + </p> + <p> + But as he went he was thinking how, the night before, Dalice had lain with + her arm round his neck hour after hour as she slept, as she did before + they ever had a child; and that even in her sleep, she kissed him as she + used to kiss him before he brought her away from the parish of Ste. + Genevieve to be his wife. And the more he thought about it the happier he + became, and more than once he stopped and shook his head in pleased + retrospection. And Dalice thought of it too as she hung over the churn, + her face drawn and tired and shining with sweat; and she shook her head, + and tears came into her eyes, for she saw further into things than Tinoir. + And once as she passed his coat on the wall, she rubbed it softly with her + hand, as she might his curly head when he lay beside her. + </p> + <p> + From Shaknon Tinoir watched; but of course he could never see her bright + sickle shining, and he could not know whether her dress still hung loose + upon her breast, or whether the flesh of her arms was still like a + child’s. If all was well with Dalice a little fire should be lighted at + the house door just at the going down of the sun, and it should be at once + put out. If she was ill, a fire should be lit and then put out two hours + after sundown. If she should be ill beyond any help, this fire should burn + on till it went out. + </p> + <p> + Day after day Tinoir, as he watched for the coming fleet, saw the fire lit + at sundown, and then put out. But one night the fire did not come till two + hours after sundown, and it was put out at once. He fretted much, and he + prayed that Dalice might be better, and he kept to his post, looking for + the fleet of the foe. Evening after evening was this other fire lighted + and then put out at once; and a great longing came to him to leave this + guarding of the fire, and go to her—“For half a day,” he said—“just + for half a day!” But in that half day the fleet might pass, and then it + would be said that Tinoir had betrayed his country. At last sleep left + him, and he fought a demon night and day; and always he remembered + Dalice’s arm about his neck, and her kisses that last night they were + together. Twice he started away from his post to go to her, but before he + had gone a hundred paces he came back. + </p> + <p> + At last one afternoon he saw ships, not far off, rounding the great cape + in the gulf, and after a time, at sunset, he knew by their shape it was + the fleet of the foe; and so he lighted his great fires, and they were + answered leagues away towards the city by another beacon. + </p> + <p> + Two hours after sunset of this day the fire in front of Tinoir’s home was + lighted, and was not put out, and Tinoir sat and watched it till it died + away. So he lay in the light of his own great war-fire till morning, for + he could not travel at night, and then, his duty over, he went back to his + home. He found Dalice lying beside the ashes of her fire, past hearing all + he said in her ear, unheeding the kiss he set upon her lips. + </p> + <p> + Two nights afterwards, coming back from laying her beside her children, he + saw a great light in the sky towards the city, as of a huge fire. When the + courier came to him bearing the Governor’s message and the praise of the + people, and told of the enemy’s fleet destroyed by the fire-rafts, he + stared at the man, then turned his head to a place where a pine cross + showed against the green grass, and said: + </p> + <p> + “Dalice—my wife—is dead.” + </p> + <p> + “You have saved your country, Tinoir,” answered the courier kindly. + </p> + <p> + “I have lost Dalice!” he said, and fondled the rosary Dalice used to carry + when she lived; and he would speak to the man no more. + </p> + <p> + <a name="link2H_4_0003" id="link2H_4_0003"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + BY THAT PLACE CALLED PERADVENTURE + </h2> + <p> + By that place called Peradventure in the Voshti Hills dwelt Golgothar the + strong man, who, it was said, could break an iron pot with a blow, or pull + a tall sapling from the ground. + </p> + <p> + “If I had a hundred men so strong,” said Golgothar, “I would go and + conquer Nooni, the city of our foes.” + </p> + <p> + Because he had not the hundred men he did not go; and Nooni still sent + insults to the country of Golgothar, and none could travel safe between + the capitals. And Golgothar was sorry. + </p> + <p> + “If I had a hundred men so strong,” said Golgothar, “I would build a dyke + to keep the floods back from the people crowded on the lowlands.” + </p> + <p> + Because he had not the hundred men, now and again the floods came down, + and swept the poor folk out to sea, or laid low their habitations. And + Golgothar pitied them. + </p> + <p> + “If I had a hundred men so strong,” said Golgothar, “I would clear the + wild boar from the forests, that the children should not fear to play + among the trees.” + </p> + <p> + Because he had not the hundred men the graves of children multiplied, and + countless mothers sat by empty beds and mourned. And Golgothar put his + head between his knees in trouble for them. + </p> + <p> + “If I had a hundred men so strong,” said Golgothar, “I would with great + stones mend the broken pier, and the bridge between the islands should not + fall.” Because he had not the hundred men, at last the bridge gave way, + and a legion of the king’s army were carried to the whirlpool, where they + fought in vain. And Golgothar made a feast of remembrance to them, and + tears dripped on his beard when he said: “Hail and Farewell!” + </p> + <p> + “If I had a hundred men so strong,” said Golgothar, “I would go against + the walls of chains our rebels built, and break them one by one.” + </p> + <p> + Because he had not the hundred men, the chain walls blocked the only pass + between the hills, and so cut in two the kingdom: and they who pined for + corn went wanting, and they who yearned for fish stayed hungry. And + Golgothar, brooding, said his heart bled for his country. + </p> + <p> + “If I had a hundred men so strong,” said Golgothar, “I would go among the + thousand brigands of Mirnan, and bring again the beloved daughter of our + city.” + </p> + <p> + Because he had not the hundred men the beloved lady languished in her + prison, for the brigands asked as ransom the city of Talgone which they + hated. And Golgothar carried in his breast a stone image she had given + him, and for very grief let no man speak her name before him. + </p> + <p> + “If I had a hundred men so strong—” said Golgothar, one day, + standing on a great point of land and looking down the valley. + </p> + <p> + As he said it, he heard a laugh, and looking down he saw Sapphire, or + Laugh of the Hills, as she was called. A long staff of iron-wood was in + her hands, with which she jumped the dykes and streams and rocky fissures; + in her breast were yellow roses, and there was a tuft of pretty feathers + in her hair. She reached up and touched him on the breast with her staff, + then she laughed again, and sang a snatch of song in mockery: + </p> +<pre xml:space="preserve"> + “I am a king, + I have no crown, + I have no throne to sit in—” + </pre> + <p> + “Pull me up, boy,” she said. She wound a leg about the staff, and, taking + hold, he drew her up as if she had been a feather. + </p> + <p> + “If I had a hundred mouths I would kiss you for that,” she said, still + mocking; “but having only one, I’ll give it to the cat, and weep for + Golgothar.” + </p> + <p> + “Silly jade,” he said, and turned towards his tent. + </p> + <p> + As they passed a slippery and dangerous place, where was one strong + solitary tree, she suddenly threw a noose over him, drew it fast and + sprang far out over the precipice into the air. Even as she did so, he + jumped behind the tree, and clasped it, else on the slippery place he + would have gone over with her. The rope came taut, and presently he drew + her up again to safety, and while she laughed at him and mocked him, he + held her tight under his arm, and carried her to his lodge, where he let + her go. + </p> + <p> + “Why did you do it, devil’s madcap?” he asked. + </p> + <p> + “Why didn’t you wait for the hundred men so strong?” she laughed. + </p> + <p> + “Why did you jump behind the tree? + </p> +<pre xml:space="preserve"> + “‘If I had a hundred men, heigho, + I would buy my corn for a penny a gill. + If I had a hundred men or so, + I would dig a grave for the maid of the hill, heigho!’” + </pre> + <p> + He did not answer her, but stirred the soup in the pot and tasted it, and + hung a great piece of meat over the fire. Then he sat down, and only once + did he show anger as she mocked him, and that was when she thrust her hand + into his breast, took out the little stone image, and said: + </p> +<pre xml:space="preserve"> + “If a little stone god had a hundred hearts, + Would a little stone goddess trust in one?” + </pre> + <p> + Then she made as if she would throw it into the fire, but he caught her + hand and crushed it, so that she cried out for pain and anger, and said: + </p> + <p> + “Brute of iron, go break the posts in the brigands’ prison-house, but + leave a poor girl’s wrist alone. If I had a hundred men—” she added, + mocking wildly again, and then, springing at him, put her two thumbs at + the corners of his eyes, and cried: “Stir a hand, and out they will come—your + eyes for my bones!” + </p> + <p> + He did not stir till her fury was gone. Then he made her sit down and eat + with him, and afterwards she said softly to him, and without a laugh: “Why + should the people say, ‘Golgothar is our shame, for he has great strength, + and yet he does nothing but throw great stones for sport into the sea’?” + </p> + <p> + He had the simple mind of a child, and he listened to her patiently, and + at last got up and began preparing for a journey, cleaning all his + weapons, and gathering them together. She understood him, and she said, + with a little laugh like music: “One strong man is better than a hundred—a + little key will open a great door easier than a hundred hammers. What is + the strength of a hundred bullocks without this?” she added, tapping him + on the forehead. + </p> + <p> + Then they sat down and talked together quietly for a long time; and at + sunset she saw him start away upon great errands. + </p> + <p> + Before two years had gone, Nooni, the city of their foes, was taken; the + chain wall of the rebels opened to the fish and corn of the poor; the + children wandered in the forest without fear of wild boars; the dyke was + built to save the people in the lowlands; and Golgothar carried to the + castle the King had given him the daughter of the city, freed from Mirnan. + </p> + <p> + “If Golgothar had a hundred wives—” said a voice to the strong man + as he entered the castle gates. Looking up he saw Sapphire. He stretched + out his hand to her in joy and friendship. + </p> + <p> + “—I would not be one of them,” she added, with a mocking laugh, as + she dropped from the wall, leaped the moat by the help of her staff, and + danced away laughing. There are those who say, however that tears fell + down her cheeks as she laughed. + </p> + <p> + <a name="link2H_4_0004" id="link2H_4_0004"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + THE SINGING OF THE BEES + </h2> + <h3> + “Mother, didst thou not say thy prayers last night?” + </h3> + <p> + “Twice, my child.” + </p> + <p> + “Once before the little shrine, and once beside my bed—is it not + so?” + </p> + <p> + “It is so, my Fanchon. What hast thou in thy mind?” + </p> + <p> + “Thou didst pray that the storm die in the hills, and the flood cease, and + that my father come before it was again the hour of prayer. It is now the + hour. Canst thou not hear the storm and the wash of the flood? And my + father does not come!” + </p> + <p> + “Dear Fanchon, God is good.” + </p> + <p> + “When thou wast asleep I rose from my bed, and in the dark I kissed the + feet of—Him—on the little Calvary; and I did not speak, but in + my heart I called.” + </p> + <p> + “What didst thou call, my child?” + </p> + <p> + “I called to my father: ‘Come back-come back!’” + </p> + <p> + “Thou shouldst have called to God, my Fanchon.” + </p> + <p> + “I loved my father, and I called to him.” + </p> + <p> + “Thou shouldst love God.” + </p> + <p> + “I knew my father first. If God loved thee, He would answer thy prayer. + Dost thou not hear the cracking of the cedar trees and the cry of the + wolves—they are afraid. All day and all night the rain and wind come + down, and the birds and wild fowl have no peace. I kissed—His feet, + and my throat was full of tears; but I called in my heart. Yet the storm + and the dark stay, and my father does not come.” + </p> + <p> + “Let us be patient, my Fanchon.” + </p> + <p> + “He went to guide the priest across the hills. Why does not God guide him + back?” + </p> + <p> + “My Fanchon, let us be patient.” + </p> + <p> + “The priest was young, and my father has grey hair.” + </p> + <p> + “Wilt thou not be patient, my child?” + </p> + <p> + “He filled the knapsack of the priest with food better than his own, and—thou + didst not see it—put money in his hand.” + </p> + <p> + “My own, the storm may pass.” + </p> + <p> + “He told the priest to think upon our home as a little nest God set up + here for such as he.” + </p> + <p> + “There are places of shelter in the hills for thy father, my Fanchon.” + </p> + <p> + “And when the priest prayed, ‘That Thou mayst bring us safely to this + place where we would go,’ my father said so softly, ‘We beseech Thee to + hear us, good Lord!’” + </p> + <p> + “My Fanchon, thy father hath gone this trail many times.” + </p> + <p> + “The prayer was for the out-trail, not the in-trail, my mother.” + </p> + <p> + “Nay, I do not understand thee.” + </p> + <p> + “A swarm of bees came singing through the room last night, my mother. It + was dark and I could not see, but there was a sweet smell, and I heard the + voices.” + </p> + <p> + “My child, thou art tired with watching, and thy mind is full of fancies. + Thou must sleep.” + </p> + <p> + “I am tired of watching. Through the singing of the bees as they passed + over my bed, I heard my father’s voice. I could not hear the words, they + seemed so far away, like the voices of the bees; and I did not cry out, + for the tears were in my throat. After a moment the room was so still that + it made my heart ache.” + </p> + <p> + “Oh, my Fanchon, my child, thou dost break my heart! Dost thou not know + the holy words?” + </p> + <p> + “‘And their souls do pass like singing bees, where no man may follow. + These are they whom God gathereth out of the whirlwind and the desert, and + bringeth home in a goodly swarm.’” + </p> + <p> + Night drew close to the earth, and as suddenly as a sluice-gate drops and + holds back a flood the storm ceased. Along the crest of the hills there + slowly grew a line of light, and then the serene moon came up and on, + persistent to give the earth love where it had had punishment. Divers + flocks of clouds, camp-followers of the storm, could not abash her. But + once she drew shrinking back behind a slow troop of them; for down at the + bottom of a gorge lay a mountaineer, face upward and unmoving, as he had + lain since a rock loosened beneath him, and the depths swallowed him. If + he had had ears to hear, he would have answered the soft, bitter cries + which rose from a but on the Voshti Hills above him: + </p> + <p> + “Michel, Michel, art thou gone?” + </p> + <p> + “Come back, oh, my father, come back!” + </p> + <p> + But perhaps it did avail that there were lighted candles before a little + shrine, and that a mother, in her darkness, kissed the feet of One on a + Calvary. + </p> + <p> + <a name="link2H_4_0005" id="link2H_4_0005"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + THE WHITE OMEN + </h2> + <h3> + “Ah, Monsieur, Monsieur, come quick!” + </h3> + <p> + “My son, wilt thou not be patient?” + </p> + <p> + “But she—my Fanchon—and the child!” + </p> + <p> + “I knew thy Fanchon, and her father, when thou wast yet a child.” + </p> + <p> + “But they may die before we come, Monsieur.” + </p> + <p> + “These things are in God’s hands, Gustave.” + </p> + <p> + “You are not a father; you have never known what makes the world seem + nothing.” + </p> + <p> + “I knew thy Fanchon’s father.” + </p> + <p> + “Is that the same?” + </p> + <p> + “There are those who save and those who die for others. Of thy love thou + wouldst save—the woman hath lain in thine arms, the child is of + this. But to thy Fanchon’s father I was merely a priest—we had not + hunted together nor met often about the fire, and drew fast the curtains + for the tales which bring men close. He took me safely on the out-trail, + but on the home-trail he was cast away. Dost thou not think the love of + him that stays as great as the love of him that goes?” + </p> + <p> + “Ah, thou wouldst go far to serve my wife and child!” + </p> + <p> + “Love knows not distance; it hath no continent; its eyes are for the + stars, its feet for the swords; it continueth, though an army lay waste + the pasture; it comforteth when there are no medicines; it hath the relish + of manna; and by it do men live in the desert.” + </p> + <p> + “But if it pass from a man, that which he loves, and he is left alone, + Monsieur?” + </p> + <p> + “That which is loved may pass, but love hath no end.” + </p> + <p> + “Thou didst love my Fanchon’s father?” + </p> + <p> + “I prayed him not to go, for a storm was on, but there was the thought of + wife and child on him—the good Michel—and he said: ‘It is the + home-trail, and I must get to my nest.’ Poor soul, poor soul! I who carry + my life as a leaf in autumn for the west wind was saved, and he—!” + </p> + <p> + “We are on the same trail now, Monsieur?” + </p> + <p> + “See: how soft a night, and how goodly is the moon!” + </p> + <p> + “It is the same trail now as then, Monsieur?” + </p> + <p> + “And how like velvet are the shadows in the gorge there below—like + velvet-velvet.” + </p> + <p> + “Like a pall. He travelled this trail, Monsieur?” + </p> + <p> + “I remember thy Fanchon that night—so small a child was she, with + deep brown eyes, a cloud of hair that waved about her head, and a face + that shone like spring. I have seen her but once since then, and yet thou + sayest thy Fanchon has now her great hour, that she brings forth?” + </p> + <p> + “Yes. In the morning she cried out to me twice, for I am not easy of + waking—shame to me—and said: ‘Gustave, thou shalt go for the + priest over the hills, for my time is at hand, and I have seen the White + Omen on the wall.’ The White Omen—you know, Monsieur?” + </p> + <p> + “What does such as she with the legend of the White Omen, Gustave?” + </p> + <p> + “Who can tell what is in the heart of a mother? Their eyes are not the + eyes of such as we.” + </p> + <p> + “Neither the eyes of man nor priest—thou sayest well. How did she + see it?” + </p> + <p> + “She was lying in a soft sleep, when something like a pain struck through + her eyes, and she waked. There upon the wall over the shrine was the white + arrow with the tuft of fire. It came and went three times, and then she + called me.” + </p> + <p> + “What tale told the arrow to thy Fanchon, Gustave?” + </p> + <p> + “That for the child which cometh into the world a life must go from the + world.” + </p> + <p> + “The world is wide and souls are many, Gustave.” + </p> + <p> + “Most true; but her heart was heavy, and it came upon her that the child + might be spared and herself taken.” + </p> + <p> + “Is not that the light of thy home—yonder against the bunch of + firs?” + </p> + <p> + “Yes, yes, good father, they have put a light in the window. See, see, + there are two lights. Ah, merci, merci, they both live! She hath had her + hour! That was the sign our mother promised me.” + </p> + <p> + “Michel’s wife—ah, yes, Michel’s wife! Blessed be God. A moment, + Gustave; let us kneel here...” + </p> + <p> + ... “Monsieur, did you not see a white arrow shoot down the sky as the + prayer ended?” + </p> + <p> + “My son, it was a falling star.” + </p> + <p> + “It seemed to have a tuft of fire.” + </p> + <p> + “Hast thou also the mind of a woman, Gustave?” + </p> + <p> + “I cannot tell. If it was not a human soul it was a world, and death is + death.” + </p> + <p> + “Thou shalt think of life, Gustave. In thy nest there are two birds where + was but one. Keep in thy heart the joy of life and the truth of love, and + the White Omen shall be naught to thee.” + </p> + <p> + “May I say ‘thou’ as I speak?” + </p> + <p> + “Thou shalt speak as I speak to thee.” + </p> + <p> + “Thy face is pale-art thou ill, mon pere?” + </p> + <p> + “I have no beard, and the moon shines in my face.” + </p> + <p> + “Thy look is as that of one without sight.” + </p> + <p> + “Nay, nay, I can see the two lights in thy window, my son.” + </p> + <p> + “Joy—joy, a little while, and I shall clasp my Fanchon in my arms!” + </p> + <p> + “Thy Fanchon, and the child—and the child.” + </p> + <p> + The fire sent a trembling glow through the room of a hut on a Voshti hill, + and the smell of burning fir and camphire wood filtered through the air + with a sleepy sweetness. So delicate and faint between the quilts lay the + young mother, the little Fanchon, a shining wonder still in her face, and + the exquisite touch of birth on her—for when a child is born the + mother also is born again. So still she lay until one who gave her into + the world stooped, and drawing open the linen at her breast, nestled a + little life there, which presently gave a tiny cry, the first since it + came forth. Then Fanchon’s arms drew up, and, with eyes all tenderly + burning, she clasped the babe to her breast, and as silk breast touched + silk cheek, there sprang up in her the delight and knowledge that the doom + of the White Omen was not for herself. Then she called the child by its + father’s name, and said into the distance: “Gustave, Gustave, come back!” + </p> + <p> + And the mother of Fanchon, remembering one night so many years before, + said, under her breath: “Michel, Michel, thou art gone so long!” + </p> + <p> + With their speaking, Gustave and the priest entered on them; and Fanchon + crying out for joy, said: + </p> + <p> + “Kiss thy child—thy little Gustave, my husband.” Then, to the + priest: + </p> + <p> + “Last night I saw the White Omen, mon pere; and one could not die, nor let + the child die, without a blessing. But we shall both live now.” + </p> + <p> + The priest blessed all, and long time he talked with the wife of the lost + Michel. When he rose to go to bed she said to him: “The journey has been + too long, mon pere. Your face is pale and you tremble. Youth has no + patience. Gustave hurried you.” + </p> + <p> + “Gustave yearned for thy Fanchon and the child. The White Omen made him + afraid.” + </p> + <p> + “But the journey was too much. It is a hard, a bitter trail.” + </p> + <p> + “I have come gladly as I went once with thy Michel. But, as thou sayest, I + am tired—at my heart. I will get to my rest.” + </p> + <p> + Near dawn Gustave started from the bed where he sat watching, for he saw + the White Omen over against the shrine, and then a voice said, as it were + out of a great distance: + </p> + <p> + “Even me also, O my father!” + </p> + <p> + With awed footsteps, going to see, he found that a man had passed out upon + that trail by which no hunter from life can set a mark to guide a comrade; + leaving behind the bones and flesh which God set up, too heavy to carry on + so long a journey. + </p> + <p> + <a name="link2H_4_0006" id="link2H_4_0006"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + THE SOJOURNERS + </h2> + <h3> + “My father, shall we soon be there?” + </h3> + <p> + The man stopped, and shading his eyes with his hand, looked long before + him into the silver haze. They were on the southern bank of a wide valley, + flanked by deep hills looking wise as grey-headed youth, a legion of close + comrades, showing no gap in their ranks. They seemed to breathe; to sit, + looking down into the valley, with heads dropped on their breasts, and + deep overshadowed eyes, that never changed, in mist or snow, or sun, or + any kind of weather: dark brooding lights that knew the secrets of the + world, watchful yet kind. Races, ardent with longing, had come and gone + through the valley, had passed the shining porches in the North on the way + to the quiet country; and they had never come again, though shadows + flitted back and forth when the mists came down: visiting spirits, + hungering on the old trail for some that had dropped by the way. As the + ages passed, fewer and fewer travelled through the valley-no longer a + people or a race, but twos and threes, and sometimes a small company, like + soldiers of a battered guard, and oftener still solitary pilgrims, broken + with much travel and bowed with loneliness. But they always cried out with + joy when they beheld far off in the North, at the end of the long trail, + this range of grey and violet hills break into golden gaps with scarlet + walls, and rivers of water ride through them pleasantly. Then they hurried + on to the opal haze that hung at the end of the valley—and who heard + ever of any that wished to leave the Scarlet Hills and the quiet country + beyond! + </p> + <p> + The boy repeated his question: “My father, shall we soon be there?” + </p> + <p> + The man withdrew his hand from over his eyes, and a strange smile came to + his lips. + </p> + <p> + “My son,” he answered, “canst thou not see? Yonder, through the gentle + mist, are the Scarlet Hills. Our journey is near done.” + </p> + <p> + The boy lifted his head and looked. “I can see nothing but the mist, my + father—not the Scarlet Hills. I am tired, I would sleep.” + </p> + <p> + “Thou shalt sleep soon. The wise men told us of the Delightful Chateau at + the gateway of the hills. Courage, my son! If I gave thee the golden balls + to toss, would it cheer thee?” + </p> + <p> + “My father, I care not for the golden balls; but if I had horse and sword + and a thousand men, I would take a city.” + </p> + <p> + The man laid his hand upon the boy’s shoulder. + </p> + <p> + “If I, my son,” he said, “had a horse and sword and a thousand men, I + would build a city.” + </p> + <p> + “Why dost thou not fly thy falcon, or write thy thoughts upon the sand, as + thou didst yesterday, my father?” + </p> + <p> + The man loosed the falcon from his wrist, and watched it fly away. + </p> + <p> + “My son, I care not for the falcon, nor any more for writing on the + sands.” + </p> + <p> + “My father, if thou didst build a city, I would not tear it down, but I + would keep it with my thousand men. + </p> + <p> + “Thou hast well said, my son.” And the man stooped and kissed the lad on + the forehead. + </p> + <p> + And so they travelled on in silence for a long time, and slowly they came + to the opal haze, which smelled sweet as floating flowers, and gave their + hearts a halcyon restfulness. And glancing down at him many times, the + father saw the lad’s face look serenely wise, without becoming old, and + his brown hair clustered on his forehead with all the life of youth in it. + Yet in his eyes the lad seemed as old as himself. + </p> + <p> + “My father,” said the lad again, “wouldst thou then build a city?” + </p> + <p> + And the father answered: “Nay, my son, I would sow seed, and gather it + into harvest—enough for my needs, no more; and sit quiet in my + doorway when my work was done, and be grateful to the gods.” + </p> + <p> + The lad waited a moment, then answered: “When thou wast a governor in our + own country, thou hadst serfs and retainers without number, and fifty men + to beat upon the shields of brass to tell of thy coming through the gates + of the King’s house; now thou wouldst sow a field and sit quiet in thy + doorway, like the blind seller of seed-cakes ‘gainst the temple.” + </p> + <p> + “Even so, my son.” Then he stooped down, knelt upon his knees, and kissed + the earth solemnly, and when he rose there was a smile upon his face. + </p> + <p> + Then the lad said: “When I was the son of a governor I loved to play with + the golden balls, to shoot at the target for pearls, and to ride the + flamingo down; now I would grind the corn which thou didst reap, and with + oil make seed-cakes for our supper, and sit quiet with thee in thy + doorway.” Then he too stooped down and kissed the earth, and rose up again + with a smile upon his face. + </p> + <p> + And as they went the earth seemed suddenly to blossom anew, the glory of + the Scarlet Hills burst upon them, and they could hear bugles calling far + off and see giant figures trooping along the hills, all scarlet too, with + streaming hair. And presently, near to a lake, there was a great gateway, + and perched upon a rock near it a chateau of divine proportions, on which + was written above the perfect doorway: + </p> + <p> + “The Keeper of the House awaits thee. Enter into Quiet.” + </p> + <p> + And they entered, and were possessed of an incomparable peace. And then + came to them an old man of noble countenance, with eye neither dimmed nor + sunken, and cheek dewy as a child’s, and his voice was like an organ when + it plays the soft thanksgiving of a mother. + </p> + <p> + “Why did ye kiss the earth as ye travelled?” he asked. Then they told him, + each with his own tongue, and he smiled upon them and questioned them of + all their speech by the way; and they answered him all honestly and with + gladness, for the searching of their hearts was a joy and relief. But he + looked most lovingly upon the lad. + </p> + <p> + “Wouldst thou, then, indeed enter the quiet country?” he asked. + </p> + <p> + And the lad answered: “I have lived so long in the noise!” + </p> + <p> + “Thou hast learned all, thou hast lived all,” he answered the boy. “Beyond + the Hills of Scarlet there is quiet, and thou shalt dwell there, thou and + he. Ye have the perfect desire—Go in peace, and know that though ye + are of different years, as men count time, God’s clock strikes the same + for both; for both are of equal knowledge, and have the same desire at + last.” + </p> + <p> + Then, lifting up his hands, he said: “O children of men! O noisy world! + when will ye learn the delectable way?” + </p> + <p> + Slowly they all three came from the Chateau, and through the great + gateway, and passed to the margin of a shining lake. There the two stepped + into a boat that waited for them, of which the rowers were nobly + fashioned, like the Keeper of the House, and as they bowed their heads to + a melodious blessing, the boat drew away. Soon, in the sweet haze, they + looked transfigured and enlarged, majestic figures moving through the + Scarlet Hills to the quiet country. Now the valley through which they had + passed was the Valley of Death, where the young become old, and the old + young, and all become wise. + </p> + <p> + <a name="link2H_4_0007" id="link2H_4_0007"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + THE TENT OF THE PURPLE MAT + </h2> + <p> + The Tent stands on the Mount of Lost Winters, in that bit of hospitable + land called the Fair Valley, which is like no other in the North. Whence + comes the soft wind that comforts it, who can tell? It swims through the + great gap in the mountains, and passing down the valley, sinks upon the + prairie of the Ten Stars, where it is lost. What man first placed the Tent + on the Mount none knows, though legends are many. It has a clear outlook + to the north, whence comes the gracious wind, and it is sheltered at the + south by a stout wall of commendable trees; yet these are at some small + distance, so that the Tent has a space all about it, and the figure of the + general land is as that of an amphitheatre. + </p> + <p> + It is made of deerskin, dyed by a strange process which turned it white, + and doctored by some cunning medicine. It is like a perfect parchment, and + shows no decay. It has a centre-pole of excellent fir, and from its peak + flies a strip of snake-skin, dyed a red which never fades. For the greater + part of the year the plateau whereon the Tent stands is covered with a + sweet grass, and when the grass dies there comes a fine white frost, + ungoverned by the sun, in which the footstep sinks, as into an unfilled + honeycomb. + </p> + <p> + The land has few clouds, and no storms, save of the lightest-rain which is + as mist, and snow which is as frosty haze. The sun cherishes the place + continually, and the moon rises on it with a large rejoicing. + </p> + <p> + Yet no man dwells in the valley. It is many scores of leagues from any + habitation, from the lodges of the Indians or the posts of the Company’s + people. There are few tribes that know of it, and these go not to it as + tribes, but as one man or one woman has need. Men say that beyond it, in + another amphitheatre of the hills, is the White Valley, the Place of + Peace, where the sleepers are, and the Scarlet Hunter is sentinel. Yet who + knows—since any that have been there are constrained to be silent, + or forget what they have seen? + </p> + <p> + But this valley where the Tent stands is for those who have broken the + commandment, “Thou shalt not sell thy soul.” Hither they come and wait and + desire continually; and this delightful land is their punishment, for they + have no relish for goodly things, the power to enjoy going from them when + they bargained their souls away. The great peace, the noble pasturage, the + equal joy of day and night wherein is neither heat nor cold, where life is + like the haze on a harvest-field, are for chastisement, till that by great + patience and striving, some one, having the gift of sacrifice, shall give + his life to buy back that soul. For it is in the minds of this people of + the North that for every life that comes into the world one passes out, + and for every soul which is bartered away another must be set free ere it + can be redeemed. + </p> + <p> + Men and women whom life and their own sins had battered came seeking the + Tent; but they were few and they were chiefly old, for conscience cometh + mostly when man can work and wanton no more. Yet one day, when the sight + of the valley was most fair to their eyes, there came out of the southmost + corner a girl, who, as soon as she set foot in the valley, laid aside her + knapsack in the hollow of a tree, also her moccasins and a little cap of + fur, and came on with bare head and feet towards the Mount of the Lost + Winters. + </p> + <p> + She was of good stature, ripely made, not beautiful of face, but with a + look which would make any man turn twice to see, a very glory of fine + hair, and a hand which spoke oftener than the lips. She had come a month’s + travel, scarcely halting from sunrise to sunset, and she was as worn in + body as in spirit. Now, as she passed up the valley she stood still + several times, and looked round in a kind of dream, as well one might who + had come out of an inclement south country to this sweet nourishment. Yet + she stood not still for joy and content, but for pain. Once or twice she + lifted up her hands above her head as though appealing, but these pauses + were only for brief moments, for she kept moving on towards the mountain + with a swift step. When she had climbed the plateau where the delicate + grass yielded with a tender spring to the feet, she paused long and gazed + round, as though to take a last glance at all; then, turning to the Tent, + looked steadfastly at it, awe and wonder, and something more difficult of + interpretation, in her face. At last she slowly came to the curtain of the + Tent, and lifting it, without a pause stepped inside, the curtain falling + behind her. + </p> + <p> + The Tent was empty save for the centre-pole, a wooden trough of dried + fruit, a jar of water, and a mat of the most gentle purple colour, which + was laid between the centre-pole and the tent-curtain. The mat was of + exquisite make, as it seemed from the chosen fibres of some perfect wood, + and the hue was as that of a Tyrian dye. A soft light pervaded the place, + perhaps filtered through the parchment-like white skin of the Tent, for it + seemed to have no other fountain. Upon the farther side a token was drawn + in purple on the tentskin, and the girl, seeing it, turned quickly to the + curtain through which she had passed. Upon the curtain were other signs. + She read them slowly, and repeated them out loud in a low uncertain voice, + like a bird’s note blundering in a flute: + </p> + <p> + “Four hours shalt thou look northward, kneeling on the Mat of Purple, and + thinking of the Camp of the Delightful Fires, around which is the Joyous + City; four hours shalt thou lie prone, thy face upon the soothing earth, + desiring sleep; and four hours shalt thou look within thine own breast, + thinking of thy sin; four hours also shalt thou go through the valley, + calling out that thou art lost, and praying the Scarlet Hunter to bring + thee home. Afterwards thou shalt sleep, and thou shalt comfort thyself + with food when thou wilt. If the Scarlet Hunter comes not, and thy life + faileth for misery, and none comprehending thy state offereth his life, + that thy soul may be free once more—then thou shalt gladly die, and, + yielding thine own body, shall purchase back thy soul; but this is not + possible until thou hast dwelt here a year and a day.” + </p> + <p> + Having read, the girl threw herself face forward on the ground, her body + shaking with grief, and she cried out a man’s name many times with great + bitterness “Ambroise! Ambroise! Ambroise!” + </p> + <p> + A long time she lay prone, crying so; but at last arose and, folding back + the curtain with hot hands, began her vigil for the redemption of a soul. + </p> + <p> + And while her sorrow grew, a father mourned for his daughter and called + his God to witness that he was guiltless of her loss, though he had said + hard words to her by reason of a man called Ambroise. Then, too, the + preacher had exhorted her late and early till her mind was in a maze—it + is enough to have the pangs of youth and love, to be awakened by the pain + of mere growth and knowledge, without the counsel of the overwise to go + jolting through the soul. + </p> + <p> + The girl was only eighteen. She had never known her mother, she had lived + as the flowers do, and when her hour of trial came she felt herself cast + like a wandering bird out of the nest. In her childhood she had known no + preachers, no teaching, save the wholesome catechism of a father’s love + and the sacred intimacy of Nature. Living so, learning by signs the + language of law and wisdom, she had indrawn the significance of legend, + the power of the awful natural. She had made her own commandments. + </p> + <p> + When Ambroise the courier came, she had looked into his eyes and seen her + own—indeed, it was most wonderful, for those two pairs of eyes were + as those of one person. And each, as each looked, smiled—that smile + which is the coming laughter of a heart at itself. Yet they were different—he + a man, she a woman; he versed in evil, she taught in good; he a vagrant of + the snows, the fruit of whose life was like the contemptible stones of the + desert; she the keeper of a goodly lodge, past which flowed a water that + went softly, making rich the land, the fountain of her perfect deeds. He, + looking into her eyes, saw himself when he had no sin on his soul; and she + into his—as it seemed, her own always—saw herself as it were + in a cobweb of evils which she could not understand. As his heart grew + lighter, hers grew sick, even when she knew that these were the only eyes + in which she could ever see happiness. + </p> + <p> + It grew upon her that Ambroise’s sins were hers and not his; that she, not + he, had bartered a soul for the wages of sin. When they said at the Fort + that her eyes and Ambroise’s, and her face and his, were as of one piece, + the pain of the thought deepened, and other pains came likewise, for her + father and the preacher urged that a man who had sold himself to the devil + was no comrade for her in little or much. Yet she loved him as only they + can who love for the first time, and with the deep primitive emotions + which are out of the core of nature. But her heart had been cloven as by a + wedge, and she would not, and could not, lie in his arms, nor rest her + cheek to his, nor seek that haven where true love is fastened like a nail + on the wall of that inn called home. He was herself, he must be brought + back; and so, one night, while yet the winter was on, she stole away out + of the Fort, pausing at his door a moment only, laying her hand upon it as + one might tenderly lay it on the brow of a sick sleeper. Then she stepped + away out on the plains, pointing her course by the moon, for the Mount of + Lost Winters and the Tent of the Purple Mat. + </p> + <p> + When the people of the Fort waked, and it was found that she was gone, + search parties sallied out, but returned as they went after many days. And + at last, because Ambroise suffered as one ground between rolling stones, + even the preacher and the father of the girl relented towards him. After + some weeks there came word through a wandering tribe that the body of a + girl had been found on the Child o’ Sin River, and black pelts were hung + as mourning on the lodges and houses and walls of the Fort, and the father + shut himself in his room, admitting no one. Still, they mourned without + great cause. + </p> + <p> + But, if the girl had taken the sins of Ambroise with her, she had left him + beside that soft flowing river of her goodness; and the savour of the + herbs on its banks was to him like the sun on a patch of pennyroyal, + bringing medicine to the sick body through the nostrils. So one morning, + after many months, having crept from the covert of remorse, he took a + guide to start him in the right trail, and began his journey to the + Valley, whither she had gone before him, though he knew it not. From the + moment that his guide left him dangers beset him, and those spirits called + the Mockers, which are the evil deeds of a man crying to Heaven, came + crying about him from the dead white trees, breathing through the powdery + air, whistling down the moonlight; so that to cheer him he called out + again and again, like any heathen: + </p> +<pre xml:space="preserve"> + “Keeper, O Keeper of the Kimash Hills! + I am as a dog in the North Sea, + I am as a bat in a cave, + As a lizard am I on a prison wall, + As a tent with no pole, + As a bird with one wing; + I am as a seal in the desert, + I am as a wild horse alone. + O Scarlet Hunter of the Kimash Hills! + Thou hast an arm like a shooting star, + Thou hast an eye like the North Sky fires, + Thou hast a pouch for the hungry, + Thou hast a tent for the lost: + Hear me, O Keeper of the Kimash Hills!” + </pre> + <p> + And whether or not this availed him, who can tell? There be many names of + the One Thing, and the human soul hath the same north and south, if there + be any north and south and east and west, save in the words of men. But + something availed; and one day a footworn traveller, entering the Valley + at the southmost corner, laid his cap and bag, moccasins, bow and arrow, + and an iron weapon away in a hollow log, seeing not that there were also + another bag and cap, and a pair of moccasins there. Then, barefooted and + bareheaded, he marched slowly up the Valley, and all its loveliness smote + him as a red iron is buffeted at the forge; and an exquisite agony coursed + through his veins, so that he cried out, hiding his face. And yet he needs + must look and look, all his sight aching with this perfection, never + overpowering him, but keeping him ever in the relish of his torture. + </p> + <p> + At last he came to the door of the Tent in the late evening, and, intent + not only to buy back the soul he had marketed—for the sake of the + memory of the woman, and believing that none would die for him and that he + must die for himself—he lifted the curtain and entered. Then he gave + a great cry, for there she lay asleep, face downward, her forehead on the + Purple Mat. + </p> + <p> + “Sherah! Sherah!” he cried, dropping on his knees beside her and lifting + up her head. + </p> + <p> + “Ambroise!” she called out faintly, her pale face drawing away from his + breast. + </p> + <p> + “Sherah, why didst thou come here?” he said. “Thou! thou!” + </p> + <p> + “To buy back my soul, Ambroise. And this is the last day of the year that + I have spent here. Oh, why, why didst thou come? To-morrow all should have + been well!” + </p> + <p> + “To buy back thy soul—thou didst no wrong!” But at that moment their + eyes drew close, and changed, and he understood. + </p> + <p> + “For me—for me!” he whispered. + </p> + <p> + “Nay, for me!” she replied. + </p> + <p> + Then they noticed that the Purple Mat on which they knelt was red under + their knees, and a goodly light shone through the Tent, not of the day or + night. And as they looked amazed, the curtain of the Tent drew open, and + one entered, clothed in red from head to foot; and they knew him to be the + Scarlet Hunter, the lover of the lost, the Keeper of the Kimash Hills. + </p> + <p> + Looking at them steadfastly he said to Sherah: “Thou has prevailed. + To-night, at the setting of the sun, an old man died in Syria who uttered + thy name as in a dream when he passed. The soul of Ambroise hath been + bought back by thee.” + </p> + <p> + Then he spoke to Ambroise. “Because thy spirit was willing, and for the + woman’s sake thou shalt have peace; but this year which she has spent for + thee shall be taken from thy life, and added to hers. Come, and I will + start ye on the swift trail to your own country, and ye shall come here no + more.” + </p> + <p> + As they rose, obeying him, they saw that the red of the Mat had gone a + perfect white, and they knew not what to think, for they had acted after + the manner of the heathen; but that night, as they travelled with joy + towards that Inn called Home, down at the Fort, a preacher with rude noise + cried to those who would hear him: “Though your sins be as scarlet they + shall become whiter than snow.” + </p> + <p> + <a name="link2H_4_0008" id="link2H_4_0008"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + THERE WAS A LITTLE CITY + </h2> + <p> + It lay between the mountains and the sea, and a river ran down past it, + carrying its good and ill news to a pacific shore, and out upon soft + winds, travelling lazily to the scarlet east. All white and a tempered + red, it nestled in a valley with other valleys on lower steppes, which + seemed as if built by the gods, that they might travel easily from the + white-topped mountains, Margath, Shaknon, and the rest, to wash their feet + in the sea. In the summer a hot but gracious mistiness softened the green + of the valleys, the varying colours of the hills, the blue of the river, + the sharp outlines of the cliffs. Along the high shelf of the mountain, + muletrains travelled like a procession seen in dreams—slow, hazy, + graven yet moving, a part of the ancient hills themselves; upon the river + great rafts, manned by scarlet-vested crews, swerved and swam, guided by + the gigantic oars which needed five men to lift and swayargonauts they + from the sweet-smelling forests to the salt-smelling main. In winter the + little city lay still under a coverlet of pure white, with the mists from + the river and the great falls above frozen upon the trees, clothing them + as graciously as with white samite; so that far as eye could see there was + a heavenly purity upon all, covering every mean and distorted thing. There + were days when no wind stirred anywhere, and the gorgeous sun made the + little city and all the land round about a pretty silver kingdom, where + Oberon and his courtiers might have danced and been glad. Often, too, you + could hear a distant wood-cutter’s axe make a pleasant song in the air, + and the wood-cutter himself, as the hickory and steel swung in a shining + half-circle to the bole of balsam, was clad in the bright livery of frost, + his breath issuing in grey smoke like life itself, mystic and peculiar, + man, axe, tree, and breath one common being. And when, by-and-by, the + woodcutter added a song of his own to the song his axe made, the illusion + was not lost, but rather heightened; for it, too, was part of the + unassuming pride of nature, childlike in its simplicity, primeval in its + suggestion and expression. The song had a soft monotony, swinging + backwards and forwards to the waving axe like the pendulum of a clock. It + began with a low humming, as one could think man made before he heard the + Voice which taught him how to speak. And then came the words: + </p> +<pre xml:space="preserve"> + “None shall stand in the way of the lord, + The lord of the Earth—of the rivers and trees, + Of the cattle and fields and vines! + Hew! + Here shall I build me my cedar home, + A city with gates, a road to the sea + For I am the lord of the Earth! + Hew! Hew! + Hew and hew, and the sap of the tree + Shall be yours, and your bones shall be strong, + Shall be yours, and your heart shall rejoice, + Shall be yours, and the city be yours, + And the key of its gates be the key + Of the home where your little ones dwell. + Hew and be strong! Hew and rejoice! + For man is the lord of the Earth, + And God is the Lord over all!” + </pre> + <p> + And so long as the little city stands will this same wood-cutter’s name + and history stand also. He had camped where it stood now, when nothing was + there save the wild duck in the reeds, the antelopes upon the hills, and + all manner of furred and feathered things; and it all was his. He had seen + the yellow flashes of gold in the stream called Pipi, and he had not + gathered it, for his life was simple, and he was young enough to cherish + in his heart the love of the open world, beyond the desire of cities and + the stir of the market-place. In those days there was not a line in his + face, not an angle in his body—all smoothly rounded and lithe and + alert, like him that was called “the young lion of Dedan.” Day by day he + drank in the wisdom of the hills and the valleys, and he wrote upon the + dried barks of trees the thoughts that came as he lay upon the bearskin in + his tent, or cooled his hands and feet, of a hot summer day, in the moist + sandy earth, and watched the master of the deer lead his cohorts down the + passes of the hills. + </p> + <p> + But by-and-by mule-trains began to crawl along the ledges of Margath + Mountain, and over Shaknon came adventurers, and after them, wandering men + seeking a new home, women and children coming also. But when these came he + had passed the spring-time of his years, and had grown fixed in the love + of the valley, where his sole visitors had been passing tribes of Indians, + who knew his moods and trespassed not at all on his domain. The + adventurers hungered for the gold in the rivers, and they made it one long + washing-trough, where the disease that afflicted them passed on from man + to man like poison down a sewer. Then the little city grew, and with the + search for gold came other seekings and findings and toilings, and men who + came as one stops at an inn to feed, stayed to make their home, and women + made the valley cheerful, and children were born, and the pride of the + place was as great as that of some village of the crimson East, where + every man has ancestors to Mahomet and beyond. + </p> + <p> + And he, Felion, who had been lord and master of the valley, worked with + them, but did not seek for riches, and more often drew away into the hills + to find some newer place unspoiled by man. But again and again he + returned; for no fire is like the old fire, and no trail like the old + trail. And at last it seemed as if he had driven his tent-peg in the Long + Valley for ever; for, from among the women who came, he chose one comely + and wise and kind, and for five years the world grew older, and Felion did + not know it. When he danced his little daughter on his knee, he felt that + he had found a new world. + </p> + <p> + But? a day came when trouble fell upon the little city, for of a sudden + the reef of gold was lost, and the great crushing-mills stood idle, and + the sound of the hammers was stayed. And they came to Felion, because in + his youth he had been of the best of the schoolmen; and he got up from his + misery—only the day before his wife had taken a great and lonely + journey to that Country which welcomes, but never yields again—and + leaving his little child behind, he went down to the mines. And in three + days they found the reef once more; for it had curved like the hook of a + sickle, and the first arc of the yellow circle had dropped down into the + bowels of the earth. + </p> + <p> + And so he saved the little city from disaster, and the people blessed him + at the moment; and the years went on. + </p> + <p> + Then there came a time when the little city was threatened with a woeful + flood, because of a breaking flume; but by a simple and wise device Felion + stayed the danger. + </p> + <p> + And again the people blessed him; and the years went on. + </p> + <p> + By-and-by an awful peril came, for two-score children had set a great raft + loose upon the river, and they drifted down towards the rapids in the + sight of the people; and mothers and helpless fathers wrung their hands, + for on the swift tide no boat could reach them, and none could intercept + the raft. But Felion, seeing, ran out upon the girders of a bridge that + was being builded, and there, before them all, as the raft passed under, + he let himself fall, breaking his leg as he dropped among the timbers of + the fore-part of the raft; for the children were all gathered at the back, + where the great oars lay motionless, one dragging in the water behind. + Felion drew himself over to the huge oar, and with the strength of five + men, while the people watched and prayed, he kept the raft straight for + the great slide, else it had gone over the dam and been lost, and all that + were thereon. A mile below, the raft was brought to shore, and again the + people said that Felion had saved the little city from disaster. + </p> + <p> + And they blessed him for the moment; and the years went on. + </p> + <p> + Felion’s daughter grew towards womanhood, and her beauty was great, and + she was welcome everywhere in the valley, the people speaking well of her + for her own sake. But at last a time came when of the men of the valley + one called, and Felion’s daughter came quickly to him, and with tears for + her father and smiles for her husband, she left the valley and journeyed + into the east, having sworn to love and cherish him while she lived. And + her father, left solitary, mourned for her, and drew away into a hill + above the valley in a cedar house that he built; and having little else to + love, loved the earth, and sky, and animals, and the children from the + little city when they came his way. But his heart was sore; for by-and-by + no letters came from his daughter, and the little city, having prospered, + concerned it self no more with him. When he came into its streets there + were those who laughed, for he was very tall and rude, and his grey hair + hung loose on his shoulders, and his dress was still a hunter’s. They had + not long remembered the time when a grievous disease, like a plague, fell + upon the place, and people died by scores, as sheep fall in a murrain. And + again they had turned to him, and he, because he knew of a miraculous + medicine got from Indian sachems, whose people had suffered of this + sickness, came into the little city, and by his medicines and fearless + love and kindness stayed the plague. + </p> + <p> + And thus once more he saved the little city from disaster, and they + blessed him for the moment; and the years went on. + </p> + <p> + In time they ceased to think of Felion at all, and he was left alone; even + the children came no more to visit him; and he had pleasure only in + hunting and shooting and in felling trees, with which he built a high + stockade and a fine cedar house within it. And all the work of this he did + with his own hands, even to the polishing of the floors and the carved + work of the large fireplaces. Yet he never lived in the house, nor in any + room of it, and the stockade gate was always shut; and when any people + passed that way they stared and shrugged their shoulders, and thought + Felion mad or a fool. But he was wise in his own way, which was not the + way of those who had reason to bless him for ever, and who forgot him, + though he had served them through so many years. Against the little city + he had an exceeding bitterness; and this grew, and had it not been that + his heart was kept young by the love of the earth, and the beasts about + him in the hills, he must needs have cursed the place and died. But the + sight of a bird in the nest with her young, and the smell of a lair, and + the light of the dawn that came out of the east, and the winds that came + up from the sea, and the hope that would not die kept him from being of + those who love not life for life’s sake, be it in ease or in sorrow. He + was of those who find all worth the doing, even all worth the suffering; + and so, though he frowned and his lips drew tight with anger when he + looked down at the little city, he felt that elsewhere in the world there + was that which made it worth the saving. + </p> + <p> + If his daughter had been with him he would have laughed at that which his + own hands had founded, protected, and saved. But no word came from her, + and laughter was never on his lips—only an occasional smile when, + perhaps, he saw two sparrows fighting, or watched the fish chase each + other in the river, or a toad, too lazy to jump, walk stupidly like a + convict, dragging his long, green legs behind him. And when Felion looked + up towards Shaknon and Margath, a light came in his eyes, for they were + wise and quiet, and watched the world, and something of their grandeur + drew about him like a cloak. As age cut deep lines in his face and gave + angles to his figure, a strange, settled dignity grew upon him, whether he + swung his axe by the balsams or dressed the skins of the animals he had + killed, piling up the pelts in a long shed in the stockade, a goodly + heritage for his daughter, if she ever came back. Every day at sunrise he + walked to the door of his house and looked eastward steadily, and + sometimes there broke from his lips the words: “My daughter-Carille!” + Again, he would sit and brood with his chin in his hand, and smile, as + though remembering pleasant things. + </p> + <p> + One day at last, in the full tide of summer, a man, haggard and troubled, + came to Felion’s house, and knocked, and, getting no reply, waited; and + whenever he looked down at the little city he wrung his hands, and more + than once he put them up to his face and shuddered, and again looked for + Felion. Just when the dusk was rolling down, Felion came back, and, seeing + the man, would have passed him without a word, but that the man stopped + with an eager, sorrowful gesture and said: “The plague has come upon us + again, and the people, remembering how you healed them long ago, beg you + to come.” + </p> + <p> + At that Felion leaned his fishing-rod against the door and answered: + </p> + <p> + “What people?” + </p> + <p> + The other then replied: “The people of the little city below, Felion.” + </p> + <p> + “I do not know your name,” was the reply; “I know naught of you or of your + city.” + </p> + <p> + “Are you mad?” cried the man. “Do you forget the little city down there? + Have you no heart?” + </p> + <p> + A strange smile passed over Felion’s face, and he answered: “When one + forgets, why should the other remember?” + </p> + <p> + He turned and went into the house and shut the door, and though the man + knocked, the door was no opened, and he went back angry and miserable; and + the people could not believe that Felion would no come to help them, as he + had done all his life. A dawn three others came, and they found Felion + looking out towards the east, his lips moving as though he prayed. Yet it + was no prayer, only a call, that was on his lips. They felt a sort of awe + in his presence, for now he seemed as if he had lived more than a century, + so wise and old was the look of his face, so white his hair, so set and + distant his dignity. They begged him to come, and, bringing his medicines, + save the people, for death was galloping through the town, knocking at + many doors. + </p> + <p> + “One came to heal you,” he answered—“the young man of the schools, + who wrote mystic letters after his name; it swings on a brass by his + door-where is he?” + </p> + <p> + “He is dead of the plague,” they replied, “and the other also that came + with him, who fled before the sickness, fell dead of it on the roadside, + going to the sea.” + </p> + <p> + “Why should I go?” he replied, and he turned threateningly to his weapon, + as if in menace of their presence. + </p> + <p> + “You have no one to leave behind,” they answered eagerly, “and you are + old.” + </p> + <p> + “Liars,” he rejoined, “let the little city save itself!” and he wheeled + and went into his house, and they saw that they had erred in not + remembering his daughter, whose presence they had once prized. They saw + that they had angered him beyond soothing; and they went back in grief, + for two of them had lost dear relatives by the fell sickness. When they + told what had happened, the people said: “We will send the women; he will + listen to them—he had a daughter.” + </p> + <p> + That afternoon, when all the hills lay still and dead, and nowhere did + bird or breeze stir, the women came, and they found him seated with his + back turned to the town. He was looking into the deep woods, into the hot + shadows of the trees. + </p> + <p> + “We have come to bring you to the little city,” they said to him; “the + sick grow in numbers every hour.” + </p> + <p> + “It is safe in the hills,” he answered, not looking at them. “Why do the + people stay in the valley?” + </p> + <p> + “Every man has a friend, or a wife, or a child, ill or dying, and every + woman has a husband, or a child, or a friend, or a brother. Cowards have + fled, and many of them have fallen by the way.” + </p> + <p> + “Last summer I lay sick here many weeks and none came near me—why + should I go to the little city?” he demanded austerely. “Four times I + saved it, and of all that I saved none came to give me water to drink, or + food to eat, and I lay burning with fever, and thirsty and hungry—God + of heaven, how thirsty!” + </p> + <p> + “We did not know,” they answered humbly; “you came to us so seldom, we had + forgotten; we were fools.” + </p> + <p> + “I came and went fifty years,” he answered bitterly, “and I have forgotten + how to rid the little city of the plague!” + </p> + <p> + At that one of the women, mad with anger, made as if to catch him by his + beard, but she forbore, and said: “Liar—the men shall hang you to + your own rooftree!” + </p> + <p> + His eyes had a wild light, but he waved his hand quietly, and answered: + “Begone, and learn how great a sin is ingratitude.” + </p> + <p> + He turned away from them gloomily, and would have entered his home, but + one of the women, who was young, plucked his sleeve, and said sorrowfully: + “I loved Carille, your daughter.” + </p> + <p> + “And forgot her and her father. I am three-score and ten years, and she + has been gone fifteen, and for the first time I see your face,” was his + scornful reply. + </p> + <p> + She was tempted to say: “I was ever bearing children and nursing them, and + the hills were hard to climb, and my husband would not go;” but she saw + how dark his look was, and she hid her face in her hands and turned away + to follow after the others. She had five little children, and her heart + was anxious for them and her eyes full of tears. + </p> + <p> + Anger and remorse seized on the little city, and there were those who + would have killed Felion, but others saw that the old man had been sorely + wronged in the past, and these said: “Wait until the morrow and we will + devise something.” + </p> + <p> + That night a mule-train crept slowly down the mountain side and entered + the little city, for no one who came with them knew of the plague. The + caravan had come from the east across the great plains, and not from the + west, which was the travelled highway to the sea. Among them was a woman + who already was ill of a fever, and knew naught of what passed round her. + She had with her a beautiful child; and one of the women of the place + devised a thing. “This woman,” she said, “does not belong to the little + city, and he can have nothing against her; she is a stranger. Let one of + us take this beautiful lad to him, and he shall ask Felion to come and + save his mother.” + </p> + <p> + Every one approved the woman’s wisdom, and in the early morning she + herself, with another, took the child and went up the long hillside in the + heavy heat; and when they came near Felion’s house the women stayed + behind, and the child went forward, having been taught what to say to the + old man. + </p> + <p> + Felion sat just within his doorway, looking out into the sunlight which + fell upon the red and white walls of the little city, flanked by young + orchards, with great, oozy meadows beyond these, where cattle ate, + knee-deep in the lush grass and cool reed-beds. Along the riverside, far + up on the high banks, were the tall couches of dead Indians, set on poles, + their useless weapons laid along the deerskin pall. Down the hurrying + river there passed a raft, bearing a black flag on a pole, and on it were + women and children who were being taken down to the sea from the doomed + city. These were they who had lost fathers and brothers; and now were + going out alone with the shadow of the plague over them, for there was + none to say them nay. The tall oarsmen bent to their task, and Felion felt + his blood beat faster when he saw the huge oars swing high, then drop and + bend in the water, as the raft swung straight in its course and passed on + safe through the narrow slide into the white rapids below, which licked + the long timbers as with white tongues, and tossed spray upon the sad + voyagers. Felion remembered the day when he left his own child behind and + sprang from the bridge to the raft whereon were the children of the little + city, and saved them. + </p> + <p> + And when he tried to be angry now, the thought of the children as they + watched him, with his broken leg striving against their peril, softened + his heart. He shook his head, for suddenly there came to him the memory of + a time, three-score years before, when he and the foundryman’s daughter + had gone hunting flag-flowers by the little trout stream; of the songs + they sang together at the festivals, she in her sweet Quaker garb and + demure Quaker beauty, he lithe, alert, and full of the joy of life and + loving. As he sat so, thinking, he wondered where she was, and why he + should be thinking of her now, facing the dreary sorrow of this pestilence + and his own anger and vengeance. He nodded softly to the waving trees far + down in the valley, for his thoughts had drifted on to his wife as he + first saw her. She was standing bare-armed among the grape-vines by a wall + of rock, the dew of rich life on her lip and forehead, her grey eyes + swimming with a soft light; and looking at her he had loved her at once, + as he had loved, on the instant, the little child that came to him later; + as he had loved the girl into which the child grew, till she left him and + came back no more. Why had he never gone in search of her? + </p> + <p> + He got to his feet involuntarily and stepped towards the door, looking + down into the valley. As his eyes rested on the little city his face grew + dark, but his eyes were troubled and presently grew bewildered, for out of + a green covert near there stepped a pretty boy, who came to him with + frank, unabashed face and a half-shy smile. + </p> + <p> + Felion did not speak at first, but stood looking, and presently the child + said: “I have come to fetch you.” + </p> + <p> + “To fetch me where, little man?” asked Felion, a light coming into his + face, his heart beating faster. + </p> + <p> + “To my mother. She is sick.” + </p> + <p> + “Where is your mother?” + </p> + <p> + “She’s in the village down there,” answered the boy, pointing. + </p> + <p> + In spite of himself, Felion smiled in a sour sort of way, for the boy had + called the place a village, and he relished the unconscious irony. + </p> + <p> + “What is the matter with her?” asked Felion, beckoning the lad inside. + </p> + <p> + The lad came and stood in the doorway, gazing round curiously, while the + old man sat down and looked at him, moved, he knew not why. + </p> + <p> + The bright steel of Felion’s axe, standing in the corner, caught the lad’s + eye and held it. Felion saw, and said: “What are you thinking of?” + </p> + <p> + The lad answered: “Of the axe. When I’m bigger I will cut down trees and + build a house, a bridge, and a city. Aren’t you coming quick to help my + mother? She will die if you don’t come.” + </p> + <p> + Felion did not answer, and from the trees without two women watched him + anxiously. + </p> + <p> + “Why should I come?” asked Felion curiously. “Because she’s sick, and + she’s my mother.” + </p> + <p> + “Why should I do it because she’s your mother?” + </p> + <p> + “I don’t know,” the lad answered, and his brow knitted in the attempt to + think it out, “but I like you.” He came and stood beside the old man and + looked into his face with a pleasant confidence. “If your mother was sick, + and I could heal her, I would—I know I would—I wouldn’t be + afraid to go down into the village.” + </p> + <p> + Here were rebuke, love, and impeachment, all in one, and the old man half + started from his seat. + </p> + <p> + “Did you think I was afraid?” he asked of the boy, as simply as might a + child of a child, so near are children and wise men in their thoughts. + </p> + <p> + “I knew if you didn’t it’d be because you were angry or were afraid, and + you didn’t look angry.” + </p> + <p> + “How does one look when one is angry?” + </p> + <p> + “Like my father.” + </p> + <p> + “And how does your father look?” + </p> + <p> + “My father’s dead.” + </p> + <p> + “Did he die of the plague?” asked Felion, laying his hand on the lad’s + shoulder. + </p> + <p> + “No,” said the lad quickly, and shut his lips tight. + </p> + <p> + “Won’t you tell me?” asked Felion, with a strange inquisitiveness. + </p> + <p> + “No. Mother’ll tell you, but I won’t.” The lad’s eyes filled with tears. + </p> + <p> + “Poor boy—poor boy!” said Felion, and his hand tightened on the + small shoulder. + </p> + <p> + “Don’t be sorry for me; be sorry for mother, please,” said the boy, and he + laid a hand on the old man’s knee, and that touch went to a heart long + closed against the little city below; and Felion rose and said: “I will go + with you to your mother.” + </p> + <p> + Then he went into another room, and the boy came near the axe and ran his + fingers along the bright steel, and fondled the handle, as does a hunter + the tried weapon which has been his through many seasons. When the old man + came back he said to the boy: “Why do you look at the axe?” + </p> + <p> + “I don’t know,” was the answer; “maybe because my mother used to sing a + song about the wood-cutters.” Without a word, and thinking much, he + stepped out into the path leading to the little city, the lad holding one + hand. Years afterwards men spoke with a sort of awe or reverence of seeing + the beautiful stranger lad leading old Felion into the plague-stricken + place, and how, as they passed, women threw themselves at Felion’s feet, + begging him to save their loved ones. And a drunkard cast his arm round + the old man’s shoulder and sputtered foolish pleadings in his ear; but + Felion only waved them back gently, and said: “By-and-by, by-and-by—God + help us all!” + </p> + <p> + Now a fevered hand snatched at him from a doorway, moanings came from + everywhere, and more than once he almost stumbled over a dead body; others + he saw being carried away to the graveyard for hasty burial. Few were the + mourners that followed, and the faces of those who watched the processions + go by were set and drawn. The sunlight and the green trees seemed an + insult to the dead. + </p> + <p> + They passed into the house where the sick woman lay, and some met him at + the door with faces of joy and meaning; for now they knew the woman and + would have spoken to him of her; but he waved them off, and put his + fingers upon his lips and went where a fire burned in a kitchen, and + brewed his medicines. And the child entered the room where his mother lay, + and presently he came to the kitchen and said: “She is asleep—my + mother.” + </p> + <p> + The old man looked down on him a moment steadily, and a look of + bewilderment came into his face. But he turned away again to the simmering + pots. The boy went to the window and, leaning upon the sill, began to hum + softly a sort of chant, while he watched a lizard running hither and + thither in the sun. As he hummed, the old man listened, and presently, + with his medicines in his hands and a half-startled look, he came over to + the lad. + </p> + <p> + “What are you humming?” he asked. + </p> + <p> + The lad answered: “A song of the wood-cutters.” + </p> + <p> + “Sing it again,” said Felion. + </p> + <p> + The lad began to sing: + </p> +<pre xml:space="preserve"> + “Here shall I build me my cedar house, + A city with gates, a road to the sea— + For I am the lord of the Earth! Hew! Hew!” + </pre> + <p> + The old man stopped him. “What is your name?” + </p> + <p> + “My name is Felion,” answered the lad; and he put his face close to the + jug that held the steaming tinctures: but the old man caught the little + chin in his huge hand and bent back the head, looking long into the lad’s + eyes. At last he caught little Felion’s hand and hurried into the other + room, where the woman lay in a stupor. The old man came quickly to her and + looked into her face. Seeing, he gave a broken cry and said: + </p> + <p> + “Carille, my daughter! Carille!” + </p> + <p> + He drew her to his breast, and as he did so he groaned aloud, for he knew + that inevitable Death was waiting for her at the door. He straightened + himself up, clasped the child to his breast, and said: “I, too, am Felion, + my little son.” + </p> + <p> + And then he set about to defeat that dark, hovering Figure at the door. + </p> + <p> + For three long hours he sat beside her, giving her little by little his + potent medicines; and now and again he stopped his mouth with his hand, + lest he should cry out; and his eyes never wavered from her face, not even + to the boy, who lay asleep in the corner. + </p> + <p> + At last his look relaxed its vigilance, for a dewy look passed over the + woman’s face, and she opened her eyes and saw him, and gave a little cry + of “Father!” and was straightway lost in his arms. + </p> + <p> + “I have come home to die,” she said. + </p> + <p> + “No, no, to live!” he answered firmly. “Why did you not send me word all + these long years?” + </p> + <p> + “My husband was in shame, in prison, and I in sorrow,” she answered sadly. + “I could not.” + </p> + <p> + “He did evil? He is—” he paused. + </p> + <p> + “He is dead,” she said. “It is better so.” Her eyes wandered round the + room restlessly, and then fixed upon the sleeping child, and a smile + passed over her face. She pointed to the lad. + </p> + <p> + The old man nodded. “He brought me here,” he said gently. Then he got to + his feet. “You must sleep now,” he added, and he gave her a cordial. “I + must go forth and save the sick.” + </p> + <p> + “Is it a plague?” she asked. + </p> + <p> + He nodded. “They said you would not come to save them,” she continued + reproachfully. “You came to me because I was your Carille, only for that?” + </p> + <p> + “No, no,” he answered; “I knew not who you were. I came to save a mother + to her child.” + </p> + <p> + “Thank God!” she said. + </p> + <p> + With a happy smile she hid her face in the pillow. At last, leaving her + and the child asleep, old Felion went forth into the little city, and the + people flocked to him, and for many days he came and went ceaselessly. + </p> + <p> + And once more he saved the city, and the people blessed him: and the years + go on. + </p> + <p> + <a name="link2H_4_0009" id="link2H_4_0009"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + THE FORGE IN THE VALLEY + </h2> + <p> + He lay where he could see her working at the forge. As she worked she + sang: + </p> +<pre xml:space="preserve"> + “When God was making the world, + (Swift is the wind and white is the fire) + The feet of his people danced the stars; + There was laughter and swinging bells, + + And clanging iron and breaking breath, + The hammers of heaven making the hills, + The vales on the anvil of God. + (Wild is the fire and low is the wind.)” + </pre> + <p> + His eyes were shining, and his face had a pale radiance from the reflected + light, though he lay in the shadow where he could watch her, while she + could not see him. Now her hand was upon the bellows, and the low, white + fire seethed hungrily up, and set its teeth upon the iron she held; now it + turned the iron about upon the anvil, and the sparks showered about her + very softly and strangely. There was a cheerful gravity in her motions, a + high, fine look in her face. + </p> + <p> + They two lived alone in the solitudes of Megalon Valley. + </p> + <p> + It was night now, and the pleasant gloom of the valley was not broken by + any sound save the hum of the stream near by, and the song, and the + ringing anvil. But into the workshop came the moist, fragrant smell of the + acacia and the maple, and a long brown lizard stretched its neck sleepily + across the threshold of the door opening into the valley. + </p> + <p> + The song went on: + </p> +<pre xml:space="preserve"> + “When God had finished the world + (Bright was the fire and sweet was the wind) + Up from the valleys came song, + To answer the morning stars, + And the hand of man on the anvil rang; + His breath was big in his breast, his life + Beat strong on the walls of the world. + (Glad is the wind and tall is the fire.)” + </pre> + <p> + He put his hands to his eyes, and took them away again, as though to make + sure that the song was not a dream. Wonder grew upon his thin, bearded + face, he ran his fingers through his thick hair in a dazed way. Then he + lay and looked, and a rich warm flush crept over his cheek, and stayed + there. + </p> + <p> + There was a great gap in his memory. + </p> + <p> + The evening wore on. Once or twice the woman turned towards the room where + the man lay, and listened—she could not see his face from where she + stood. At such times he lay still, though his heart beat quickly, like + that of an expectant child. His lips opened to speak, but still they + remained silent. As yet he was like a returned traveller who does not + quickly recognise old familiar things, and who is struggling with vague + suggestions and forgotten events. As time went on, the woman turned + towards the doorway oftener, and shifted her position so that she faced + it, and the sparks, flying up, lighted her face with a wonderful irregular + brightness. + </p> + <p> + “Samantha,” he said at last, and his voice sounded so strange to him that + the word quivered timidly towards her. + </p> + <p> + She paused upon a stroke, and some new note in his voice sent so sudden a + thrill to her heart that she caught her breath with a painful kind of joy. + The hammer dropped upon the anvil, and, in a moment, she stood in the + doorway of his room. + </p> + <p> + “Francis, Francis,” she responded in a low whisper. He started up from his + couch of skins. “Samantha, my wife!” he cried, in a strong proud voice. + </p> + <p> + She dropped beside him and caught his head, like a mother, to her + shoulder, and set her warm lips on his forehead and hair with a kind of + hunger; and then he drew her face down and kissed her on the lips. Tears + hung at her eyes, and presently dropped on her cheeks, a sob shook her, + and then she was still, her hands grasping his shoulders. + </p> + <p> + “Have I been ill?” he asked. + </p> + <p> + “You have been very ill, Francis.” + </p> + <p> + “Has it been long?” + </p> + <p> + Her fingers passed tenderly through his grizzled hair. “Too long, too + long, my husband,” she replied. + </p> + <p> + “Is it summer now?” + </p> + <p> + “Yes, Francis, it is summer.” + </p> + <p> + “Was it in the spring, Samantha?—Yes, I think it was in the spring,” + he added, musing. + </p> + <p> + “It was in a spring.” + </p> + <p> + “There was snow still on the mountain-top, the river was running high, and + wild fowl were gathered on the island in the lake—yes, I remember, I + think.” + </p> + <p> + “And the men were working at the mine,” she whispered, her voice shaking a + little, and her eyes eagerly questioning his face. + </p> + <p> + “Ah, the mine—it was the mine, Samantha!” he said abruptly, his eyes + flashing up. “I was working at the forge to make a great bolt for the + machinery, and some one forgot and set the engine in motion. I ran out; + but it was too late... and then...” + </p> + <p> + “And then you tried to save them, Francis, and you were hurt.” + </p> + <p> + “What month is this, my wife?” + </p> + <p> + “It is December.” + </p> + <p> + “And that was in October?” + </p> + <p> + “Yes, in October.” + </p> + <p> + “I have been ill since? What happened?” + </p> + <p> + “Many were killed, Francis, and you and I came away.” + </p> + <p> + “Where are we now? I do not know the place.” + </p> + <p> + “This is Megalon Valley. You and I live alone here.” + </p> + <p> + “Why did you bring me here?” + </p> + <p> + “I did not bring you, Francis; you wished me to come. One day you said to + me: ‘There is a place in Megalon Valley where, long ago, an old man lived, + who had become a stranger among men—a place where the blackbird + stays, and the wolf-dog troops and hides, and the damson grows as thick as + blossoms on the acacia. We will go there.’ And I came with you.” + </p> + <p> + “I do not remember. What of the mine? Was I a coward and left the mine? + There was no one understood the ways of the wheel, and rod, and steam, + save me. + </p> + <p> + “The mine is closed, Francis,” she answered gently. “You were no coward, + but—but you had strange fancies. + </p> + <p> + “When did the mine close?” he said, with a kind of sorrow; “I put hard + work and good years into it.” At that moment, when her face drew close to + his, the vision of her as she stood at the anvil came to him with a new + impression, and he said again in a half-frightened way: “When did it + close, Samantha?” + </p> + <p> + “The mine was closed—twelve years ago, my own dear husband.” + </p> + <p> + He got to his feet and clasped her to his breast. A strength came to him + which had eluded him twelve years, and she, womanlike, delighted in that + strength, and, with a great gladness, changed eyes and hands with him; + keeping her soul still her own, brooding and lofty, as is the soul of + every true woman, though, like this one, she labours at a forge, and in a + far, untenanted country is faithful friend, ceaseless apothecary to a + comrade with a disordered mind; living on savage meats, clothing herself + and the other in skins, and, with a divine persistence, keeping a cheerful + heart, certain that the intelligence which was frightened from its home + would come back one day. It should be hers to watch for the great moment, + and give the wanderer loving welcome, lest it should hurry madly away + again into the desert, never to return. + </p> + <p> + She had her reward, yet she wept. She had carried herself before him with + the bright ways of an unvexed girl these twelve years past; she had earned + the salt of her tears. He was dazed still, but, the doublet of his mind no + longer unbraced, he understood what she had been to him, and how she had + tended him in absolute loneliness, her companions the wild things of the + valley—these and God. + </p> + <p> + He drew her into the workshop, and put his hand upon the bellows and + churned them, so that the fire roared joyously up, and the place was red + with the light. In this light he turned her to him and looked at her. The + look was as that of one who had come back from the dead—that naked, + profound, unconditional gaze which is as deep and honest as the primeval + sense. His eyes fell upon her rich, firm, stately body; it lingered for a + moment on the brown fulness of her hair; then her look was gathered to + his, and they fell into each other’s arms. + </p> + <p> + For long they sat in the solemn silence of their joy, and so awed were + they by the thing which had come to them that they felt no surprise when a + wolf-dog crawled over the lizard on the threshold, and stole along the + wall with shining, bloody eyes to an inner room, and stayed there munching + meat to surfeit and drowsiness, and at last crept out and lay beside the + forge in a thick sleep. These two had lived so much with the untamed + things of nature, the bellows and the fire had been so long there, and the + clang of the anvil was so familiar, that there was a kinship among them, + man and beast, with the woman as ruler. + </p> + <p> + “Tell me, Samantha,” he said at last, “what has happened during these + twelve years, all from the first. Keep nothing back. I am strong now.” He + looked around the workshop, then, suddenly, at her, with a strange pain, + and they both turned their heads away for an instant, for the same thought + was on them. Then, presently, she spoke, and answered his shy, sorrowful + thought before all else. “The child is gone,” she softly said. + </p> + <p> + He sat still, but a sob was in his throat. He looked at her with a kind of + fear. He wondered if his madness had cost the life of the child. She + understood. “Did I ever see the child?” he asked. + </p> + <p> + “Oh yes, I sometimes thought that through the babe you would be yourself + again. When you were near her you never ceased to look at her and fondle + her, as I thought very timidly; and you would start sometimes and gaze at + me with the old wise look hovering at your eyes. But the look did not + stay. The child was fond of you, but she faded and pined, and one day as + you nursed her you came to me and said: ‘See, beloved, the little one will + not wake. She pulled at my beard and said, “Daddy,” and fell asleep.’ And + I took her from your arms.... There is a chestnut tree near the door of + our cottage at the mine. One night you and I buried her there; but you do + not remember her, do you?” + </p> + <p> + “My child, my child!” he said, looking out into the night; and he lifted + up his arms and looked at them. “I held her here, and still I never held + her; I fondled her, and yet I never fondled her; I buried her, yet—to + me—she never was born.” + </p> + <p> + “You have been far away, Francis; you have come back home. I waited, and + prayed, and worked with you, and was patient.... It is very strange,” she + continued. “In all these twelve years you cannot remember our past, though + you remembered about this place—the one thing, as if God had made it + so—and now you cannot remember those twelve years.” + </p> + <p> + “Tell me now of the twelve years,” he urged. + </p> + <p> + “It was the same from day to day. When we came from the mountain, we + brought with us the implements of the forge upon a horse. Now and again as + we travelled we cut our way through the heavy woods. You were changed for + the better then; a dreadful trouble seemed to have gone from your face. + There was a strong kind of peace in the valley, and there were so many + birds and animals, and the smell of the trees was so fine, that we were + not lonely, neither you nor I.” + </p> + <p> + She paused, thinking, her eyes looking out to where the Evening Star was + sailing slowly out of the wooded horizon, his look on her. In the pause + the wolf-dog raised its big, sleepy eyes at them, then plunged its head + into its paws, its wildness undisturbed by their presence. + </p> + <p> + Presently the wife continued: “At last we reached here, and here we have + lived, where no human being, save one, has ever been. We put up the forge, + and in a little hill not far away we found coal for it. The days went on. + It was always summer, though there came at times a sharp frost, and + covered the ground with a coverlet of white. But the birds were always + with us, and the beasts were our friends. I learned to love even the + shrill cry of the reed hens, and the soft tap-tap of the wood-pecker is + the sweetest music to my ear after the song of the anvil. How often have + you and I stood here at the anvil, the fire heating the iron, and our + hammers falling constantly! Oh, Francis, I knew that only here with God + and His dumb creatures, and His wonderful healing world, all sun, and + wind, and flowers, and blossoming trees, working as you used to work, as + the first of men worked, would the sane wandering soul return to you. The + thought was in you, too, for you led me here, and have been patient also + in the awful exile of your mind.” + </p> + <p> + “I have been as a child, and not as a man,” he said gravely. “Shall I ever + again be a man, as I once was, Samantha?” + </p> + <p> + “You cannot see yourself,” she said. “A week ago you fell ill, and since + then you have been pale and worn; but your body has been, and is, that of + a great strong man. In the morning I will take you to a spring in the + hills, and you shall see yourself, beloved.” + </p> + <p> + He stood up, stretched himself, went to the door, and looked out into the + valley flooded with moonlight. He drew in a great draught of air, and + said: “The world—the great, wonderful world, where men live, and + love work, and do strong things!”—he paused, and turned with a + trouble in his face. “My wife,” he said, “you have lived with a dead man + twelve years, and I have lost twelve years in the world. I had a great + thought once—an invention—but now—” he hung his head + bitterly. She came to him, and her hands slid up along his breast to his + shoulders, and rested there; and she said, with a glad smile: “Francis, + you have lost nothing. The thing—the invention—was all but + finished when you fell ill a week ago. We have worked at it for these + twelve years; through it, I think, you have been brought back to me. Come, + there is a little work yet to, do upon it;” and she drew him to where a + machine of iron lay in the corner. With a great cry he fell upon his knees + beside it, and fondled it. + </p> + <p> + Then, presently, he rose, and caught his wife to his breast. + </p> + <p> + Together, a moment later, they stood beside the anvil. The wolf-dog fled + out into the night from the shower of sparks, as, in the red light, the + two sang to the clanging of the hammers: + </p> +<pre xml:space="preserve"> + “When God was making the world + (Swift is the wind and white is the fire)” + </pre> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> +<pre xml:space="preserve"> + ETEXT EDITOR’S BOOKMARKS: + + Counsel of the overwise to go jolting through the soul + Love knows not distance; it hath no continent + When a child is born the mother also is born again +</pre> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> +<pre xml:space="preserve"> + + + +End of Project Gutenberg’s Parables Of A Province, by Gilbert Parker + +*** END OF THIS PROJECT GUTENBERG EBOOK PARABLES OF A PROVINCE *** + +***** This file should be named 6242-h.htm or 6242-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/6/2/4/6242/ + +Produced by David Widger + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm’s +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state’s laws. + +The Foundation’s principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation’s web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +</pre> + <p> + <br /><br /><br /><br /> + </p> + </body> +</html> |
