summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-01-28 04:25:15 -0800
committernfenwick <nfenwick@pglaf.org>2025-01-28 04:25:15 -0800
commit5292a03332102637f359cdff46cefb67bbf1fd41 (patch)
tree38a81721b6c166507b5fce0571c72d98de303d63
parentb362b12c143bacef290ceca9cc8355b4d9839600 (diff)
NormalizeHEADmain
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/61843-h.zipbin406983 -> 0 bytes
-rw-r--r--old/61843-h/61843-h.htm1207
-rw-r--r--old/61843-h/images/cover.jpgbin307601 -> 0 bytes
-rw-r--r--old/61843-h/images/illus.jpgbin77809 -> 0 bytes
-rw-r--r--old/61843.txt1098
-rw-r--r--old/61843.zipbin21361 -> 0 bytes
9 files changed, 17 insertions, 2305 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..043a3a3
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #61843 (https://www.gutenberg.org/ebooks/61843)
diff --git a/old/61843-h.zip b/old/61843-h.zip
deleted file mode 100644
index b6e5532..0000000
--- a/old/61843-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/61843-h/61843-h.htm b/old/61843-h/61843-h.htm
deleted file mode 100644
index f81ddf0..0000000
--- a/old/61843-h/61843-h.htm
+++ /dev/null
@@ -1,1207 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=us-ascii" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- The Project Gutenberg eBook of Exit from Asteroid 60, by D. L. James.
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
-
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2 {
- text-align: center; /* all headings centered */
- clear: both;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-hr {
- width: 33%;
- margin-top: 2em;
- margin-bottom: 2em;
- margin-left: 33.5%;
- margin-right: 33.5%;
- clear: both;
-}
-
-hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
-hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;}
-
-.center {text-align: center;}
-
-.right {text-align: right;}
-
-.caption {font-weight: bold;}
-
-/* Images */
-.figcenter {
- margin: auto;
- text-align: center;
-}
-
-div.titlepage {
- text-align: center;
- page-break-before: always;
- page-break-after: always;
-}
-
-div.titlepage p {
- text-align: center;
- text-indent: 0em;
- font-weight: bold;
- line-height: 1.5;
- margin-top: 3em;
-}
-
-
- </style>
- </head>
-<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Exit From Asteroid 60, by D. L. James
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: Exit From Asteroid 60
-
-Author: D. L. James
-
-Release Date: April 16, 2020 [EBook #61843]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK EXIT FROM ASTEROID 60 ***
-
-
-
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-</pre>
-
-
-<div class="figcenter">
- <img src="images/cover.jpg" width="351" height="500" alt=""/>
-</div>
-
-<hr class="chap" />
-
-<div class="titlepage">
-
-<h1>EXIT FROM ASTEROID 60</h1>
-
-<h2>By D. L. JAMES</h2>
-
-<p>Strange things were happening on Echo, weird<br />
-Martian satellite. But none stranger than<br />
-the two Earthlings who hurtled into the<br />
-star-lanes from its deep, hidden core.</p>
-
-<p>[Transcriber's Note: This etext was produced from<br />
-Planet Stories Winter 1940.<br />
-Extensive research did not uncover any evidence that<br />
-the U.S. copyright on this publication was renewed.]</p>
-
-</div>
-
-<hr class="chap" />
-
-<p>Echo is naturally magnetic, probably more so than any other
-planetoid&mdash;and Neal Bormon cursed softly, just to relieve his feelings,
-as that magnetism gripped the small iron plates on the soles of the
-rough boots with which the Martians had provided him. Slavery&mdash;and
-in the twenty-ninth century! It was difficult to conceive of it, but
-it was all too painfully true. His hands, inside their air-tight
-gauntlets, wadded into fists; little knots of muscle bulged along his
-lean jaw, and he stared at the darkness around him as if realizing it
-for the first time. This gang had plenty of guts, to shanghai men from
-the Earth-Mars Transport Lines. They'd never get by with it.</p>
-
-<p>And yet, they had&mdash;until now. First, Keith Calbur, and then himself. Of
-course, there had been others before Calbur, but not personal friends
-of Neal Bormon. Men just disappeared. And you could do that in the
-Martian spaceport of Quessel without arousing much comment&mdash;unless you
-were a high official. But when Calbur failed to show up in time for a
-return voyage to Earth, Bormon had taken up the search.</p>
-
-<p>Vague clews had led him into that pleasure palace in Quessel&mdash;a joint
-frequented alike by human beings and Martians&mdash;a fantasmagoria of
-tinkling soul-lights; gossamer arms of frozen music that set your
-senses reeling when they floated near you; lyric forms that lived
-and danced and died like thoughts. Then someone had crushed a bead
-of reverie-gas, probably held in a Martian tentacle, under Bormon's
-nostrils, and now&mdash;here he was on Echo.</p>
-
-<p>He gave an angry yank at the chain which was locked around his left
-wrist. The other end was fastened to a large metal basket partly filled
-with lumps of whitish-gray ore, and the basket bobbed and scraped along
-behind him as he advanced. Of the hundred or more Earthmen, prisoners
-here on Echo, only seven or eight were within sight of Bormon, visible
-as mere crawling spots of light; but he knew that each was provided
-with a basket and rock-pick similar to his own. As yet he had not
-identified anyone of them as Keith Calbur. Suddenly the metallic voice
-of a Martian guard sounded in Bormon's ears.</p>
-
-<p>"Attention. One-seven-two. Your basket is not yet half filled, your
-oxygen tank is nearly empty. You will receive no more food or oxygen
-until you deliver your quota of ore. Get busy."</p>
-
-<p>"To hell with you!" fumed Bormon&mdash;quite vainly, as he well knew, for
-the helmet of his space suit was not provided with voice-sending
-equipment. Nevertheless, after a swift glance at the oxygen gauge, he
-began to swing his rock-pick with renewed vigor, pausing now and then
-to toss the loosened lumps of ore into the latticed basket. On Earth,
-that huge container, filled with ore, would have weighed over a ton;
-here on Echo its weight was only a few pounds.</p>
-
-<p>Neal Bormon had the average spaceman's dread of oxygen shortage. And
-so, working steadily, he at last had the huge basket filled with
-ore&mdash;almost pure rhodium&mdash;judging by the color and weight of the lumps.
-Nearby, a jagged gash of light on the almost black shoulder of Echo
-indicated the location of that tremendous chasm which cut two-thirds
-of the way through the small asteroid, and in which the Martians had
-installed their machine for consuming ore.</p>
-
-<p>Locating this gash of light, Bormon set out toward it, dragging the
-basket of ore behind him over the rough, rocky surface.</p>
-
-<p>The ultimate purpose of that gargantuan mechanism, and why this side of
-the planetoid apparently never turned toward the sun, were mysteries
-with which his mind struggled but could not fathom.</p>
-
-<hr class="tb" />
-
-<p>Presently, having reached the rim of the abyss, with only a narrow
-margin of oxygen left, he commenced the downward passage, his iron-shod
-boots clinging to the vertical wall of metallic rock, and as he
-advanced this magnetic attraction became ever more intense. The blaze
-of lights before him grew brighter and seemed to expand. Dimly, two
-hundred yards over his head, he could glimpse the opposite wall of the
-chasm like the opposing jaw of an enormous vise.</p>
-
-<p>He joined the slow-moving stream of workers. They were filing past a
-guard and out on a narrow metal catwalk that seemed to be suspended&mdash;or
-rather poised&mdash;by thin rods in close proximity to a spacious disk
-which extended from wall to wall of the chasm. They moved in absolute
-silence. Even when tilted ore-baskets dumped a ton or more ore into the
-gaping orifice in the center of the disk, there was still no sound&mdash;for
-Echo, small and barren of native life, lacked even the suggestion of a
-sound-carrying atmosphere.</p>
-
-<p>And that weird soundlessness of the action around him brought a giddy
-sense of unreality to Neal Bormon. Only the harsh, mechanical voice of
-the Martian guard, intoning orders with cold and impersonal precision,
-seemed actually real.</p>
-
-<p>"Attention. One-seven-two. Dump your ore...."</p>
-
-<p>These Earthmen were apparently known by numbers only. Bormon's own
-number&mdash;172&mdash;was on a thin metal stencil stretched across the outer
-surface of the glass vision plate of his helmet; he couldn't forget it.</p>
-
-<p>He obeyed the Martian's order. Then he noticed that men with empty
-baskets were moving along a curved ramp, like a corkscrew, which led to
-a different level, whether above or below he could not possibly tell
-without a distinct mental effort.</p>
-
-<p>He decided it was to a lower level as he moved onward, for the huge
-disk lost its circularity and became like the curving wall of a
-cylinder, or drum, down the outside of which the ramp twisted. Fresh
-ore was also being brought from this direction. And seeming to extend
-out indefinitely into blackness was a misty shaft, like the beam of a
-searchlight. Presently the ramp gave way to a tunnel-like passage.</p>
-
-<p>Flexible metal-sheathed tubes dangled from the ceiling. These tubes
-were labeled: OXYGEN, WATER, NUTRIENT.</p>
-
-<hr class="tb" />
-
-<p>Bormon, patterning the actions of those he observed around him began to
-replenish his supply of these three essentials to life. His space suit
-was of conventional design, with flasks in front for water and nutrient
-fluid, and oxygen tank across the shoulders. By attaching the proper
-tubes and opening valves&mdash;except the oxygen inlet valve, which was
-automatic&mdash;he soon had his suit provisioned to capacity.</p>
-
-<p>He had just finished this operation when someone touched his arm. He
-glanced up at the bulky, tall figure&mdash;an unmistakable form that even a
-month's sojourn on Echo had not been able to rob of a certain virility
-and youthful eclat.</p>
-
-<p>For a moment they stared into each other's eyes through the vision
-plates of their helmets and Bormon was struck dumb by the change, the
-stark and utterly nerve-fagged hopelessness expressed on Keith Calbur's
-features.</p>
-
-<p>Then Calbur tried to grin a welcome, and the effect was ghastly!</p>
-
-<p>For a moment his helmet clicked into contact with Bormon's.</p>
-
-<p>"Neal," he said, his voice sounding far away, "so they got you, too! We
-can't talk here.... I'm pretty well shot. Lived in this damn walking
-tent for ages. No sleep, not since they took me.... Some powder, drug,
-they put in the nutrient fluid&mdash;it's supposed to take the place of
-sleep&mdash;and you can't sleep! Only it doesn't.... You come along with me."</p>
-
-<p>The darkness swallowed them up. Bormon had thrown his rock-pick into
-his empty basket. And now, by keeping one hand in contact with Calbur's
-basket, as it bobbed and jerked on ahead, he was able, even in the inky
-blackness, to keep from straying aside.</p>
-
-<p>After seemingly interminable groping and stumbling, Calbur's light
-flashed on. They had entered a pocket in the rocks, Bormon realized, a
-small cavern whose walls would prevent the light from betraying their
-presence to the guard.</p>
-
-<p>Calbur threw himself exhaustedly down, signifying that Bormon should
-do likewise, and with their helmets touching, a strange conversation
-ensued.</p>
-
-<p>Bormon explained, as well as he was able, his presence there.</p>
-
-<p>"When you didn't show up, Keith, in time to blast for Earth," he said,
-"all we could do was to report your absence to the space police. But
-they're swamped; too many disappearances lately. Moreover, they're
-trying to relocate that stream of meteoric matter which wrecked a
-freighter some time back. They know something is in the wind, but
-they'll never guess this! For weeks they've had the patrol ship,
-<i>Alert</i>, scouting around Mars. So, after making the run to Earth and
-back to Mars&mdash;I had to do that, you know&mdash;I got back in Quessel again
-and commenced to pry around, sort of inviting the same thing to happen
-to me that had happened to you&mdash;and here we are."</p>
-
-<p>"We're here for keeps, looks like," answered Calbur grimly, his voice
-having lost part of that overtone of strained nerves. "A man doesn't
-last long, so the other prisoners say, two months at the most. These
-Marts use Earthmen because we're tougher, here at least, and last
-longer than Marts.... Hell, what wouldn't I give for a smoke!"</p>
-
-<p>"But the purpose, Keith? What's the scheme?"</p>
-
-<p>"I thought you knew. Just Marts with fighting ideas&mdash;a crowd backed by
-wealthy, middle-class Martians who call themselves Lords of Conquest.
-They're building ships, weapons. First, they're going to take over
-Mars from the present government, which is friendly to Earth, and then
-they're going to subdue Earth."</p>
-
-<hr class="tb" />
-
-<p>Calbur had switched off his light, as a matter of precaution, and his
-voice came to Bormon from a seemingly far distant point&mdash;a voice from
-out of the darkness, fraught with fantastic suggestion.</p>
-
-<p>"Ships? You say they're building ships? Where?" Bormon asked, his own
-voice reverberating harshly within the confines of his helmet.</p>
-
-<p>"In a cavern they've blasted out near the south magnetic pole of Mars.
-You know that's an immense, barren region&mdash;lifeless, cold&mdash;bordered on
-the north by impenetrable reed thickets. They need rhodium in large
-quantities for hull alloys and firing chambers. That's why they're
-mining it, here on Echo."</p>
-
-<p>"They'll never get it to Mars," Bormon declared quickly. "Every
-freighter is checked and licensed by the joint governments of Earth and
-Mars."</p>
-
-<p>"They won't?" Calbur laughed, distantly. "Listen, Neal&mdash;every crateful
-of ore that's dumped into their machine, here on Echo, gets to Mars
-within a few hours. And it isn't carried by ships, either!"</p>
-
-<p>"You mean&mdash;?"</p>
-
-<p>"I didn't get the answer, myself, until I'd been here for some time.
-You see, Echo is just a gob of metal&mdash;mostly magnetite, except for
-these granules of rhodium&mdash;forty miles in diameter, but far from round.
-Then there's that chasm, a mammoth crack that's gaped open, cutting
-the planetoid almost in half. The whole thing is magnetic&mdash;like a
-terrestrial lodestone&mdash;and there's a mighty potent field of force
-across that gap in the chasm. The walls are really poles of a bigger
-magnet than was ever built by Martians or human being. And of what does
-a big magnet remind you?"</p>
-
-<p>After a moment of thought, Bormon replied, "Cyclotronic action."</p>
-
-<p>There was a short silence, then Calbur resumed. "These Marts shoot the
-ore across space to the south magnetic pole of Mars. A ground crew
-gathers it up and transports it to their underground laboratories. As
-a prisoner explained it, it was simple; those old-time cyclotrons used
-to build up the velocity of particles, ions mostly, by whirling them
-in spiral orbits in a vacuum-enclosed magnetic field. Well, there's a
-vacuum all around Echo, and clear to Mars. By giving these lumps of ore
-a static charge, they act just like ions. When the stream of ore comes
-out of the machine, it passes through a magnetic lens which focuses it
-like a beam of light on Mars' south pole. And there you have it. Maybe
-you saw what looked like a streak of light shooting off through the
-chasm. That's the ore stream. It comes out on the day side of Echo, and
-so on to Mars. They aim it by turning the whole planetoid."</p>
-
-<p>"Hm-m-m, I understand, now, why it's always dark here&mdash;they keep this
-side of Echo facing away from Mars and the sun."</p>
-
-<p>"Right," said Calbur. "Now we'll have to move. These Marts are
-heartless. They'll let you die for lack of oxygen if you don't turn in
-baskets of ore regularly. But we'll meet here again."</p>
-
-<p>"Just give me time to size things up," Bormon agreed. The effects of
-the reverie-gas was wearing off and he was beginning to feel thoroughly
-alive again and aware of the serious situation which confronted them.
-"Don't let it get you down, Keith," he added. "We'll find a way out."</p>
-
-<p>But his words expressed a confidence that the passing of time did not
-justify.</p>
-
-<p>Again and again he filled his ore-basket, dragged it to the hungry
-mouth of that prodigious mechanism in the abyss, and in return he
-received the essentials for continued life.</p>
-
-<p>During this time he formed a better idea of conditions around him. Once
-he wandered far from the Martian's headquarters, so far that he nearly
-blinded himself in the raw sunlight that bombarded the day side of the
-tiny planetoid. Again, he was strangely comforted with the discovery
-of a small space ship anchored deep in the abyss although he was not
-permitted to go near it.</p>
-
-<hr class="tb" />
-
-<p>He soon found that nothing was to be expected of the horde of Earthmen
-who slaved like automatons over the few miles of Echo immediately
-adjacent to the chasm's rim. The accumulative effect of the drug seemed
-to render them almost insensible of existence.</p>
-
-<p>But with Calbur, who had served for a shorter time, it was different.</p>
-
-<p>"Keith, we've got to tackle one of the Mart guards," Bormon told him,
-during one of their conferences in the cave. "We'll take its ray-tubes,
-fight our way to that ship they've cached in the chasm below the
-cyclotron power plant, and blast away from here."</p>
-
-<p>"How?" asked Calbur. "If you make a move toward one, it'll burn you
-down&mdash;I've seen it happen!"</p>
-
-<p>"Listen, I've spent hours figuring this out. Suppose one of us were to
-stay here in this cave, helmet-light on, and near enough to the opening
-so that his light would show dimly on the outside. Wouldn't a Mart
-guard be sure to come along to investigate?"</p>
-
-<p>"Yes, practically sure," agreed Calbur, but with no great interest.
-Hour by hour he was sinking closer to that animate coma which gripped
-the other Earthmen. "But what would that get you? If you lose too much
-time, you'll be cut off from rations."</p>
-
-<p>"I know, but suppose also that one of us&mdash;I, for instance&mdash;was hiding
-in the rocks above the cave, with a big chunk of ore, ready to heave it
-down on the Mart?"</p>
-
-<p>Calbur seemed to be thinking this over, and for a moment there was
-silence.</p>
-
-<p>"When shall we try it?" he demanded suddenly, and there was a note of
-eagerness and hope in his voice. "It's simple enough. It might actually
-work."</p>
-
-<p>"Right now! If we put it off, it'll soon be too late."</p>
-
-<p>They discussed details, laying their plans carefully, Bormon prudently
-refraining any suggestion that this move was one born of sheer
-desperation on his part.</p>
-
-<p>Everything settled, Calbur moved up near the opening, so that his
-helmet-light could be dimly seen from outside the cave. Bormon,
-dragging his ore-basket, climbed up in the rocks directly over the
-entrance, and presently found concealment that suited him. Near at
-hand he placed a loose chunk of rock which on Earth would have weighed
-perhaps eighty pounds. The trap was set.</p>
-
-<p>He settled himself to wait. His own light was, of course, extinguished.
-Far off he could see crawling blobs of luminance as guards and human
-workers moved slowly over the surface of Echo. Otherwise stygian
-darkness surrounded him. But he had chosen a position which, he hoped,
-would not be revealed by the light of any Martian bent on investigating
-the cave.</p>
-
-<p>There were, he had learned, actually less than a score of Martians
-here on Echo; about half of them stayed around that cyclotronic
-ore-hurler in the chasm. They depended on secrecy, and were in constant
-communication, by ether-wave, with spies not only on Earth and Mars but
-among the personnel of the space police itself. These spies were in a
-position to warn them to shut down operations in case the ore stream
-through space attracted notice and was in danger of being investigated.
-It was all being conducted with true Martian insidiousness.</p>
-
-<p>Thus Bormon's thoughts were wandering when, at last, he became aware
-that a Martian guard was approaching. His cramped muscles suddenly grew
-tense. His heart began to pound; it was now or never&mdash;and he must not
-fail!</p>
-
-<hr class="tb" />
-
-<p>The Martian, reeling along rapidly on the mechanical legs attached
-to its space armor, appeared to suspect nothing. It approached amid
-a rosette of light which seemed to chase back the shadows into a
-surrounding black wall. It had evidently seen the gleam of Calbur's
-helmet-light, for it was heading directly toward the mouth of the cave
-above which Bormon crouched.</p>
-
-<p>The moment for action arrived. Tense as a tirhco spring, Bormon leaped
-erect, hurled the jagged lump of rock down on the rounded dome of the
-Martian's armor. Then, without pausing to ascertain the result, he
-grasped the rim of his ore-basket and swinging it in a wide arc before
-him, leaped downward&mdash;</p>
-
-<p>For a moment Martian, basket and Earthman were in a mad tangle. Bormon
-realized that the Martian had been toppled over, and that one of its
-ray-tubes was sending out a coruscating plume of fire as it ate into
-the rocks. The moment seemed propitious to Bormon!</p>
-
-<p>Hands gripping and searching desperately, he found the oddly-shaped
-clamp that bound the two halves of the Martian's space armor
-together&mdash;and released it.</p>
-
-<p>There was a hiss of escaping gas. Abruptly those metal handlers ceased
-to thrash about....</p>
-
-<p>Bormon, thrilling with success, rose to his feet, turned off the
-Martian's ray-tube just as Calbur, delayed with having to drag his
-ore-basket, through the rather narrow opening, dashed into view.</p>
-
-<p>There was no need for words. Bormon handed him a ray-tube.</p>
-
-<p>Within a matter of seconds, each had burned through a link of the chain
-around his wrist. They were free from those accursed baskets! Calbur
-secreted the weapon in a pouch of his space suit, then swiftly they set
-to work, for their next move had been carefully planned.</p>
-
-<p>Opening the armor fully, they began to remove the dead Martian, puffed
-up like a kernel of pop-corn by the sudden loss of its air pressure.</p>
-
-<p>Having cleared the armor, Bormon climbed inside&mdash;space suit and
-all&mdash;folding up like a pocket knife so as to resemble somewhat the
-alien shape it was intended to hold, and tested the semi-automatic
-controls. Everything appeared to be in working order. Assuring himself
-of this as well as his knowledge of Martian mechanics would permit, he
-crawled out again to help Calbur.</p>
-
-<p>Calbur was scrambling to collect ore. And under their combined efforts
-one of the baskets was presently filled&mdash;for the last time, Bormon
-fervently hoped!</p>
-
-<p>Again he entered that strange conveyance, the Martian's armor, and
-after some experimental manipulation of the push-button controls,
-managed to get the thing upright on its jointed, metal legs and start
-it moving awkwardly in the direction of the chasm.</p>
-
-<p>Behind him came Calbur, dragging the basket of ore&mdash;for lacking a
-disguise such as Bormon's, he must have some excuse for returning to
-the cabin, and he had wrapped the chain around his wrist to conceal
-the fact that it had been severed.</p>
-
-<p>Bormon, in the narrow confines of his armor, disconnected the
-mechanical voder used by its deposed owner, for all Martians are
-voiceless.</p>
-
-<p>His greatest fear was that one of the Martian guards would attempt to
-communicate with him. This would disclose the imposture immediately,
-since he would be unable to reply. For all Martian communication, even
-by ether-wave, is visual&mdash;the medium being a complicated series of
-symbols based on their ancient sign language, the waving of tentacles,
-which no human brain has ever fully understood. The means of producing
-these conventionalized symbols was a tiny keyboard, just below an oval,
-silvery screen, and as Bormon sent his odd conveyance stalking down the
-side of the chasm, toward that sweeping disk which he now knew to be
-formed by the ends of two cyclotronic D-chambers facing each other, he
-kept one eye on this silvery screen, but it remained blank.</p>
-
-<p>He moved on down past the catwalk to the lower ramp. Here he must pass
-close to a Martian guard.</p>
-
-<p>But this Martian seemed to give him no attention whatever.</p>
-
-<p>Reaching a point opposite the ship, Bormon stepped from the ramp. Still
-that oval screen remained blank. No Martian was apparently paying
-enough attention to him to question his movements.</p>
-
-<p>Again he caused the armor to advance slowly, picking his way along the
-rock surface. He reached the ship.</p>
-
-<p>For a moment he was hidden behind the hull. One glance sent his hopes
-plunging utterly. Neither of the two fuel caps were clamped down, which
-could mean but one thing&mdash;the ship's tanks were empty!</p>
-
-<p>It was a stunning blow. No wonder the Martians felt safe in leaving the
-ship practically unguarded. After a moment, anger began to mount above
-Bormon's disappointment. He would start to kill off Martians! If he and
-Calbur couldn't get away from Echo, then he'd see that at least some
-of these Marts didn't either. He might even wipe them all out. Calbur,
-too, had a ray-tube.</p>
-
-<p>But what of Calbur? Quickly Bormon moved from behind the ship. Calbur
-was loitering on the ramp, ore-basket empty, evidently on the point of
-making a break to join him.</p>
-
-<p>Frantically, Bormon focused the ether-wave on Calbur's helmet, hurling
-a warning.</p>
-
-<p>"Stay where you are. It's a washout! No fuel...."</p>
-
-<p>He began moving across the rocks toward the power-plant. That was the
-most likely spot to commence&mdash;more Marts close at hand. He'd take them
-by surprise.</p>
-
-<p>Suddenly he was cold, calculating, purposeful. After all, there wasn't
-much chance of wiping them all out&mdash;and yet he might. He should strike
-at a vital point, cripple them, so as to give Calbur and the others a
-chance in case he only managed to kill a few before passing out of the
-picture.</p>
-
-<p>A glittering neutrochrome helix on top of the power-plant gave him a
-suggestion. Why not destroy their communications, fix things so they
-couldn't call for help from Mars?</p>
-
-<hr class="tb" />
-
-<p>Abruptly he realized something was wrong. That silver oval six inches
-from his face was flashing a bewildering complexity of symbols.
-Simultaneously the Martian on the ramp began to move quickly and
-questioningly toward him.</p>
-
-<p>The moment had arrived. Bormon swung the metal handler bearing the
-ray-tube into line and pressed the firing button....</p>
-
-<p>Amid a splatter of coruscating sparks the Martian went down.</p>
-
-<p>"Number one!" growled Bormon. Everything now depended on prompt action
-and luck&mdash;mostly luck! As quickly as possible he heeled around, aimed
-at the helix on the power-plant. It swayed slowly as that pale blue
-shaft ate into its supports, then drifted away.</p>
-
-<p>He had lost sight of Calbur. Absolute silence still reigned, but on
-airless Echo that silence was portentous. Along the rim of the chasm he
-could see the glitter of Martian armor against the blackness of space.
-The alarm had been given. But for the moment he was more concerned
-with the imminent danger from those who tended the intricate controls
-in the power-plant, and the guard at the far end of the catwalk. This
-guard was protected by the catwalk itself and the stream of Earthmen
-slaves still moving uncomprehendingly along it. Bormon sent his space
-armor reeling forward, intent on seeking shelter behind the bulk of the
-power-plant.</p>
-
-<p>He almost reached that protection. But suddenly sparks plumed around
-him, and his armor slumped forward&mdash;one leg missing. He fell,
-fortunately, just within the shelter of the power-plant.</p>
-
-<p>Desperately he struggled to open the armor, so as to get the ray-tube
-in his own hand. But when he finally crawled forth it was to face three
-Martians grouped around him, their weapons&mdash;six in number&mdash;unwaveringly
-centered on him.</p>
-
-<p>"Earthman," said the mechanical speaker coldly inside his helmet, "you
-have killed a Martian."</p>
-
-<p>And then, with true Martian decisiveness and cruelty, they pronounced
-inhuman judgment on him.</p>
-
-<p>"We in our kindness shall not immediately demand your life as forfeit.
-You shall wander unhindered over Echo, dying slowly, until your oxygen
-is gone. Do not ask for more; it is sealed from you. Do not again enter
-the chasm; it is death to you. Now go."</p>
-
-<hr class="tb" />
-
-<p>Hours later Bormon was indeed wandering, hopeless as a lost soul,
-over nighted Echo, awaiting the consummation of his sentence, which
-now seemed very near. Already his oxygen gauge indicated zero and
-he was face to face with the "dying slowly" process promised by the
-Martians&mdash;the terrible death of suffocation.</p>
-
-<p>Now, as things began to seem vague and unreal around him, Bormon was
-drawing near that hidden cave where he and Calbur had often met for
-like a final flash of inspiration had come the thought that here, if
-anywhere, he would find Calbur.</p>
-
-<p>It was strange, he reflected, how the life in a man forces him on and
-on, always hoping, to the very end. For now it seemed that the most
-important thing in the universe was to find Calbur.</p>
-
-<p>He had husbanded the last of his oxygen to the utmost. But panting,
-now, for breath, he opened the valve a fraction of a turn and staggered
-on in the darkness. And suddenly, dimly as in a dream, he knew that at
-last he had found Calbur....</p>
-
-<p>And Calbur was doing a queer thing. Gauntleted hands moving hastily in
-the chalky radiance cast by his helmet-light, he was tossing chunks of
-rhodium from his filled ore-basket&mdash;</p>
-
-<p>Then their helmets clicked together, and he heard Calbur's voice,
-faint, urgent:</p>
-
-<p>"Climb in the basket! I'll cover you with ore so they won't see you.
-I'll drag you in. Well get your tank filled&mdash;I swear it!"</p>
-
-<p>The next instant, it seemed, Bormon felt himself being tumbled into the
-ore-basket. Chunks of ore began pressing down lightly on his body. Then
-the basket commenced to pitch and scrape over the rocks.</p>
-
-<p>But his lungs were bursting! Could he last? He had to. He couldn't fool
-Calbur by passing out&mdash;not now. Something like destiny was working, and
-he'd have to see it through.</p>
-
-<p>Something was tapping on his helmet. Bormon opened his eyes, and light
-was trickling down between the chunks of ore. No longer was there any
-scraping vibrations. Something, metallic, snakelike, was being pressed
-into his hand.</p>
-
-<p>And then Bormon remembered. The oxygen tube! With a final rallying
-of forces only partly physical, he managed to stab the tube over the
-intake of his tank. The automatic valve clicked and a stream of pure
-delight swept into his lungs!</p>
-
-<p>For a time he lay there, his body trembling with the exquisite torture
-of vitality reawakening, slowly closing the helmet-valve to balance the
-increase of pressure in the tank.</p>
-
-<p>Suddenly that snakelike tube was jerked away from between the chunks of
-ore, and again the basket began a scraping advance.</p>
-
-<p>Bormon's new lease on life brought its problems. What was about to
-happen? In a moment, now, Calbur would be ordered by the guard to
-dump his ore. They wouldn't have a chance, there on the catwalk. For
-Bormon's abrupt reappearance would bring swift extinction, probably to
-both.</p>
-
-<p>The basket stopped. They had reached the ore-dump. Calbur's head and
-shoulders appeared. Behind the vision plate in his helmet there was a
-queer, set expression on his thin face. He thrust the ray-tube into
-Bormon's hands.</p>
-
-<p>Bormon sprang erect, leaped from the basket. For a moment he stared
-around, locating the guard at the end of the catwalk. As yet the guard
-appeared not to have noticed anything unusual. But where was Calbur?</p>
-
-<p>"Attention. One-six-nine. Dump your ore," ordered the guard, coldly,
-mechanically.</p>
-
-<p>Something seemed to draw Bormon's eyes into focus on his own number
-stencil. One-six-nine, he read. Calbur's number! And then, suddenly, he
-realized the dreadful, admirable thing Keith Calbur had done....</p>
-
-<p>For Calbur had leaped through the ore-chute, into the cyclotron's
-maelstromic heart! Despairing, he had chosen a way out. He had
-forfeited his life so that Bormon could take his place.</p>
-
-<p>"Dump your ore," repeated the Martian guard, coldly.</p>
-
-<p>"To hell with you!" snarled Bormon, and blasted with the tube.</p>
-
-<hr class="chap" />
-
-<div class="figcenter">
- <img src="images/illus.jpg" width="294" height="500" alt=""/>
-</div>
-
-<hr class="chap" />
-
-<p>He missed the Martian. Still weakened by the ordeal he had just passed
-through, and overwrought as an effect of Calbur's last despairing
-act, his aim was not true. Nevertheless, that coruscating shaft was
-fraught with far-reaching consequence. Passing three feet to the left
-of the Martian, it snapped two of the rods which braced the catwalk in
-position over the cyclotron drum. Thus released at the far end, the
-metal ribbon&mdash;for the catwalk was little more than that&mdash;curled and
-twisted like a tirhco spring, pitching Bormon, as from a catapult,
-straight along the path so recently chosen by Calbur.</p>
-
-<p>Destiny had indeed provided them both with a strange exit from Echo,
-for in that split second Bormon realized that he was being hurled
-squarely into the gaping orifice of the cyclotron.</p>
-
-<hr class="tb" />
-
-<p>Far out in the vacuity between Echo and Mars, Captain Dunstan sat in
-his cabin aboard the Patrol Ship <i>Alert</i>&mdash;most powerful and, therefore,
-speediest craft possessed by the Earth-Mars Space Police.</p>
-
-<p>On his desk lay two jagged pieces of ore, whitish-gray in color, which
-he had been examining.</p>
-
-<p>His speculations were interrupted by the sudden bursting open of the
-cabin door. An officer, spruce in gray uniform and silver braid,
-entered hurriedly, his face flushed with excitement.</p>
-
-<p>"Captain Dunstan, the most extraordinary thing has happened! We've just
-picked up two men&mdash;two men drifting with the meteoric stream, and in
-space suits&mdash;and they're alive!"</p>
-
-<p>Captain Dunstan rose slowly. "Alive, and adrift in space? Then it's the
-first such occurrence in the history of space travel! Who are they?"</p>
-
-<p>"I don't know, sir. So far we've got only one out of his suit. But I
-have reason to believe they're the men recently reported as missing by
-the E.M.T. Lines. He babbled something about Echo&mdash;that there's hell to
-pay on Echo. I imagine he means Asteroid No. 60. But&mdash;"</p>
-
-<p>"Lead the way," said the captain, stepping quickly toward the doorway.
-"There's something mighty queer going on."</p>
-
-<hr class="tb" />
-
-<p>And so, by a lucky break, Neal Bormon found himself snatched from death
-and aboard the <i>Alert</i>, arriving there by a route as hazardous and
-strange as was ever experienced by spaceman.</p>
-
-<p>And no less strange and unexpected came the knowledge of Keith Calbur's
-arrival there ahead of him.</p>
-
-<p>Bormon, who was last to be drawn in by the grapple-ray and helped out
-of his space suit by the willing hands of the <i>Alert's</i> crew, was still
-capable of giving an understandable account of things; although Calbur,
-until the effects of the Martian drug wore off, would be likely to
-remain in his somewhat neurotic condition of bewilderment.</p>
-
-<p>"These Marts," said Bormon, after a great deal of explaining on both
-sides, "don't know that you have discovered their stream of ore. They
-won't know it until their communications have been repaired."</p>
-
-<p>Captain Dunstan nodded. "That explains why we were able, on this
-occasion, to approach the meteoric stream without its immediate
-disappearance. But I cannot understand," he confessed, "how two men
-could have passed through such an apparatus as you describe, and remain
-alive."</p>
-
-<p>"Perhaps I can offer a possible explanation," said an officer whose
-insignia was that of Chief Electrobiologist. "If, as we suspect, this
-Martian invention is founded on the old and well-known cyclotronic
-principle, then we have nothing but reciprocal interaction of electric
-fields and magnetic fields. And these fields, as such, are entirely
-harmless to living organisms, just as harmless as gravitational fields.
-Moreover, any static charge carried by the bodies of these men would
-have been slowly dissipated through the grapple-ray with which they
-were drawn out of the ore stream."</p>
-
-<p>This explanation appeared to satisfy the captain. "You say,"
-he questioned, addressing Bormon, "that there are other men on
-Echo&mdash;Earthmen being used as slaves?"</p>
-
-<p>"Yes, more than a hundred."</p>
-
-<p>Captain Dunstan's mouth became a fighting, grim line. He gave several
-swift orders to his officers, who scattered immediately.</p>
-
-<p>Somewhat later, Bormon found his way into the surgery where Calbur
-lay&mdash;not sleeping yet, but resting peacefully.</p>
-
-<p>Assuring himself of this, Bormon, too, let his long frame slump down on
-a near-by cot&mdash;not to sleep, either, but to contemplate pleasantly the
-wiping-up process soon to take place on Echo, and elsewhere.</p>
-
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Exit From Asteroid 60, by D. L. James
-
-*** END OF THIS PROJECT GUTENBERG EBOOK EXIT FROM ASTEROID 60 ***
-
-***** This file should be named 61843-h.htm or 61843-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/1/8/4/61843/
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
-</body>
-</html>
diff --git a/old/61843-h/images/cover.jpg b/old/61843-h/images/cover.jpg
deleted file mode 100644
index 772fb20..0000000
--- a/old/61843-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/61843-h/images/illus.jpg b/old/61843-h/images/illus.jpg
deleted file mode 100644
index 7f2d0a3..0000000
--- a/old/61843-h/images/illus.jpg
+++ /dev/null
Binary files differ
diff --git a/old/61843.txt b/old/61843.txt
deleted file mode 100644
index 738251a..0000000
--- a/old/61843.txt
+++ /dev/null
@@ -1,1098 +0,0 @@
-The Project Gutenberg EBook of Exit From Asteroid 60, by D. L. James
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: Exit From Asteroid 60
-
-Author: D. L. James
-
-Release Date: April 16, 2020 [EBook #61843]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK EXIT FROM ASTEROID 60 ***
-
-
-
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-
-
-
- EXIT FROM ASTEROID 60
-
- By D. L. JAMES
-
- Strange things were happening on Echo, weird
- Martian satellite. But none stranger than
- the two Earthlings who hurtled into the
- star-lanes from its deep, hidden core.
-
- [Transcriber's Note: This etext was produced from
- Planet Stories Winter 1940.
- Extensive research did not uncover any evidence that
- the U.S. copyright on this publication was renewed.]
-
-
-Echo is naturally magnetic, probably more so than any other
-planetoid--and Neal Bormon cursed softly, just to relieve his feelings,
-as that magnetism gripped the small iron plates on the soles of the
-rough boots with which the Martians had provided him. Slavery--and
-in the twenty-ninth century! It was difficult to conceive of it, but
-it was all too painfully true. His hands, inside their air-tight
-gauntlets, wadded into fists; little knots of muscle bulged along his
-lean jaw, and he stared at the darkness around him as if realizing it
-for the first time. This gang had plenty of guts, to shanghai men from
-the Earth-Mars Transport Lines. They'd never get by with it.
-
-And yet, they had--until now. First, Keith Calbur, and then himself. Of
-course, there had been others before Calbur, but not personal friends
-of Neal Bormon. Men just disappeared. And you could do that in the
-Martian spaceport of Quessel without arousing much comment--unless you
-were a high official. But when Calbur failed to show up in time for a
-return voyage to Earth, Bormon had taken up the search.
-
-Vague clews had led him into that pleasure palace in Quessel--a joint
-frequented alike by human beings and Martians--a fantasmagoria of
-tinkling soul-lights; gossamer arms of frozen music that set your
-senses reeling when they floated near you; lyric forms that lived
-and danced and died like thoughts. Then someone had crushed a bead
-of reverie-gas, probably held in a Martian tentacle, under Bormon's
-nostrils, and now--here he was on Echo.
-
-He gave an angry yank at the chain which was locked around his left
-wrist. The other end was fastened to a large metal basket partly filled
-with lumps of whitish-gray ore, and the basket bobbed and scraped along
-behind him as he advanced. Of the hundred or more Earthmen, prisoners
-here on Echo, only seven or eight were within sight of Bormon, visible
-as mere crawling spots of light; but he knew that each was provided
-with a basket and rock-pick similar to his own. As yet he had not
-identified anyone of them as Keith Calbur. Suddenly the metallic voice
-of a Martian guard sounded in Bormon's ears.
-
-"Attention. One-seven-two. Your basket is not yet half filled, your
-oxygen tank is nearly empty. You will receive no more food or oxygen
-until you deliver your quota of ore. Get busy."
-
-"To hell with you!" fumed Bormon--quite vainly, as he well knew, for
-the helmet of his space suit was not provided with voice-sending
-equipment. Nevertheless, after a swift glance at the oxygen gauge, he
-began to swing his rock-pick with renewed vigor, pausing now and then
-to toss the loosened lumps of ore into the latticed basket. On Earth,
-that huge container, filled with ore, would have weighed over a ton;
-here on Echo its weight was only a few pounds.
-
-Neal Bormon had the average spaceman's dread of oxygen shortage. And
-so, working steadily, he at last had the huge basket filled with
-ore--almost pure rhodium--judging by the color and weight of the lumps.
-Nearby, a jagged gash of light on the almost black shoulder of Echo
-indicated the location of that tremendous chasm which cut two-thirds
-of the way through the small asteroid, and in which the Martians had
-installed their machine for consuming ore.
-
-Locating this gash of light, Bormon set out toward it, dragging the
-basket of ore behind him over the rough, rocky surface.
-
-The ultimate purpose of that gargantuan mechanism, and why this side of
-the planetoid apparently never turned toward the sun, were mysteries
-with which his mind struggled but could not fathom.
-
- * * * * *
-
-Presently, having reached the rim of the abyss, with only a narrow
-margin of oxygen left, he commenced the downward passage, his iron-shod
-boots clinging to the vertical wall of metallic rock, and as he
-advanced this magnetic attraction became ever more intense. The blaze
-of lights before him grew brighter and seemed to expand. Dimly, two
-hundred yards over his head, he could glimpse the opposite wall of the
-chasm like the opposing jaw of an enormous vise.
-
-He joined the slow-moving stream of workers. They were filing past a
-guard and out on a narrow metal catwalk that seemed to be suspended--or
-rather poised--by thin rods in close proximity to a spacious disk
-which extended from wall to wall of the chasm. They moved in absolute
-silence. Even when tilted ore-baskets dumped a ton or more ore into the
-gaping orifice in the center of the disk, there was still no sound--for
-Echo, small and barren of native life, lacked even the suggestion of a
-sound-carrying atmosphere.
-
-And that weird soundlessness of the action around him brought a giddy
-sense of unreality to Neal Bormon. Only the harsh, mechanical voice of
-the Martian guard, intoning orders with cold and impersonal precision,
-seemed actually real.
-
-"Attention. One-seven-two. Dump your ore...."
-
-These Earthmen were apparently known by numbers only. Bormon's own
-number--172--was on a thin metal stencil stretched across the outer
-surface of the glass vision plate of his helmet; he couldn't forget it.
-
-He obeyed the Martian's order. Then he noticed that men with empty
-baskets were moving along a curved ramp, like a corkscrew, which led to
-a different level, whether above or below he could not possibly tell
-without a distinct mental effort.
-
-He decided it was to a lower level as he moved onward, for the huge
-disk lost its circularity and became like the curving wall of a
-cylinder, or drum, down the outside of which the ramp twisted. Fresh
-ore was also being brought from this direction. And seeming to extend
-out indefinitely into blackness was a misty shaft, like the beam of a
-searchlight. Presently the ramp gave way to a tunnel-like passage.
-
-Flexible metal-sheathed tubes dangled from the ceiling. These tubes
-were labeled: OXYGEN, WATER, NUTRIENT.
-
- * * * * *
-
-Bormon, patterning the actions of those he observed around him began to
-replenish his supply of these three essentials to life. His space suit
-was of conventional design, with flasks in front for water and nutrient
-fluid, and oxygen tank across the shoulders. By attaching the proper
-tubes and opening valves--except the oxygen inlet valve, which was
-automatic--he soon had his suit provisioned to capacity.
-
-He had just finished this operation when someone touched his arm. He
-glanced up at the bulky, tall figure--an unmistakable form that even a
-month's sojourn on Echo had not been able to rob of a certain virility
-and youthful eclat.
-
-For a moment they stared into each other's eyes through the vision
-plates of their helmets and Bormon was struck dumb by the change, the
-stark and utterly nerve-fagged hopelessness expressed on Keith Calbur's
-features.
-
-Then Calbur tried to grin a welcome, and the effect was ghastly!
-
-For a moment his helmet clicked into contact with Bormon's.
-
-"Neal," he said, his voice sounding far away, "so they got you, too! We
-can't talk here.... I'm pretty well shot. Lived in this damn walking
-tent for ages. No sleep, not since they took me.... Some powder, drug,
-they put in the nutrient fluid--it's supposed to take the place of
-sleep--and you can't sleep! Only it doesn't.... You come along with me."
-
-The darkness swallowed them up. Bormon had thrown his rock-pick into
-his empty basket. And now, by keeping one hand in contact with Calbur's
-basket, as it bobbed and jerked on ahead, he was able, even in the inky
-blackness, to keep from straying aside.
-
-After seemingly interminable groping and stumbling, Calbur's light
-flashed on. They had entered a pocket in the rocks, Bormon realized, a
-small cavern whose walls would prevent the light from betraying their
-presence to the guard.
-
-Calbur threw himself exhaustedly down, signifying that Bormon should
-do likewise, and with their helmets touching, a strange conversation
-ensued.
-
-Bormon explained, as well as he was able, his presence there.
-
-"When you didn't show up, Keith, in time to blast for Earth," he said,
-"all we could do was to report your absence to the space police. But
-they're swamped; too many disappearances lately. Moreover, they're
-trying to relocate that stream of meteoric matter which wrecked a
-freighter some time back. They know something is in the wind, but
-they'll never guess this! For weeks they've had the patrol ship,
-_Alert_, scouting around Mars. So, after making the run to Earth and
-back to Mars--I had to do that, you know--I got back in Quessel again
-and commenced to pry around, sort of inviting the same thing to happen
-to me that had happened to you--and here we are."
-
-"We're here for keeps, looks like," answered Calbur grimly, his voice
-having lost part of that overtone of strained nerves. "A man doesn't
-last long, so the other prisoners say, two months at the most. These
-Marts use Earthmen because we're tougher, here at least, and last
-longer than Marts.... Hell, what wouldn't I give for a smoke!"
-
-"But the purpose, Keith? What's the scheme?"
-
-"I thought you knew. Just Marts with fighting ideas--a crowd backed by
-wealthy, middle-class Martians who call themselves Lords of Conquest.
-They're building ships, weapons. First, they're going to take over
-Mars from the present government, which is friendly to Earth, and then
-they're going to subdue Earth."
-
- * * * * *
-
-Calbur had switched off his light, as a matter of precaution, and his
-voice came to Bormon from a seemingly far distant point--a voice from
-out of the darkness, fraught with fantastic suggestion.
-
-"Ships? You say they're building ships? Where?" Bormon asked, his own
-voice reverberating harshly within the confines of his helmet.
-
-"In a cavern they've blasted out near the south magnetic pole of Mars.
-You know that's an immense, barren region--lifeless, cold--bordered on
-the north by impenetrable reed thickets. They need rhodium in large
-quantities for hull alloys and firing chambers. That's why they're
-mining it, here on Echo."
-
-"They'll never get it to Mars," Bormon declared quickly. "Every
-freighter is checked and licensed by the joint governments of Earth and
-Mars."
-
-"They won't?" Calbur laughed, distantly. "Listen, Neal--every crateful
-of ore that's dumped into their machine, here on Echo, gets to Mars
-within a few hours. And it isn't carried by ships, either!"
-
-"You mean--?"
-
-"I didn't get the answer, myself, until I'd been here for some time.
-You see, Echo is just a gob of metal--mostly magnetite, except for
-these granules of rhodium--forty miles in diameter, but far from round.
-Then there's that chasm, a mammoth crack that's gaped open, cutting
-the planetoid almost in half. The whole thing is magnetic--like a
-terrestrial lodestone--and there's a mighty potent field of force
-across that gap in the chasm. The walls are really poles of a bigger
-magnet than was ever built by Martians or human being. And of what does
-a big magnet remind you?"
-
-After a moment of thought, Bormon replied, "Cyclotronic action."
-
-There was a short silence, then Calbur resumed. "These Marts shoot the
-ore across space to the south magnetic pole of Mars. A ground crew
-gathers it up and transports it to their underground laboratories. As
-a prisoner explained it, it was simple; those old-time cyclotrons used
-to build up the velocity of particles, ions mostly, by whirling them
-in spiral orbits in a vacuum-enclosed magnetic field. Well, there's a
-vacuum all around Echo, and clear to Mars. By giving these lumps of ore
-a static charge, they act just like ions. When the stream of ore comes
-out of the machine, it passes through a magnetic lens which focuses it
-like a beam of light on Mars' south pole. And there you have it. Maybe
-you saw what looked like a streak of light shooting off through the
-chasm. That's the ore stream. It comes out on the day side of Echo, and
-so on to Mars. They aim it by turning the whole planetoid."
-
-"Hm-m-m, I understand, now, why it's always dark here--they keep this
-side of Echo facing away from Mars and the sun."
-
-"Right," said Calbur. "Now we'll have to move. These Marts are
-heartless. They'll let you die for lack of oxygen if you don't turn in
-baskets of ore regularly. But we'll meet here again."
-
-"Just give me time to size things up," Bormon agreed. The effects of
-the reverie-gas was wearing off and he was beginning to feel thoroughly
-alive again and aware of the serious situation which confronted them.
-"Don't let it get you down, Keith," he added. "We'll find a way out."
-
-But his words expressed a confidence that the passing of time did not
-justify.
-
-Again and again he filled his ore-basket, dragged it to the hungry
-mouth of that prodigious mechanism in the abyss, and in return he
-received the essentials for continued life.
-
-During this time he formed a better idea of conditions around him. Once
-he wandered far from the Martian's headquarters, so far that he nearly
-blinded himself in the raw sunlight that bombarded the day side of the
-tiny planetoid. Again, he was strangely comforted with the discovery
-of a small space ship anchored deep in the abyss although he was not
-permitted to go near it.
-
- * * * * *
-
-He soon found that nothing was to be expected of the horde of Earthmen
-who slaved like automatons over the few miles of Echo immediately
-adjacent to the chasm's rim. The accumulative effect of the drug seemed
-to render them almost insensible of existence.
-
-But with Calbur, who had served for a shorter time, it was different.
-
-"Keith, we've got to tackle one of the Mart guards," Bormon told him,
-during one of their conferences in the cave. "We'll take its ray-tubes,
-fight our way to that ship they've cached in the chasm below the
-cyclotron power plant, and blast away from here."
-
-"How?" asked Calbur. "If you make a move toward one, it'll burn you
-down--I've seen it happen!"
-
-"Listen, I've spent hours figuring this out. Suppose one of us were to
-stay here in this cave, helmet-light on, and near enough to the opening
-so that his light would show dimly on the outside. Wouldn't a Mart
-guard be sure to come along to investigate?"
-
-"Yes, practically sure," agreed Calbur, but with no great interest.
-Hour by hour he was sinking closer to that animate coma which gripped
-the other Earthmen. "But what would that get you? If you lose too much
-time, you'll be cut off from rations."
-
-"I know, but suppose also that one of us--I, for instance--was hiding
-in the rocks above the cave, with a big chunk of ore, ready to heave it
-down on the Mart?"
-
-Calbur seemed to be thinking this over, and for a moment there was
-silence.
-
-"When shall we try it?" he demanded suddenly, and there was a note of
-eagerness and hope in his voice. "It's simple enough. It might actually
-work."
-
-"Right now! If we put it off, it'll soon be too late."
-
-They discussed details, laying their plans carefully, Bormon prudently
-refraining any suggestion that this move was one born of sheer
-desperation on his part.
-
-Everything settled, Calbur moved up near the opening, so that his
-helmet-light could be dimly seen from outside the cave. Bormon,
-dragging his ore-basket, climbed up in the rocks directly over the
-entrance, and presently found concealment that suited him. Near at
-hand he placed a loose chunk of rock which on Earth would have weighed
-perhaps eighty pounds. The trap was set.
-
-He settled himself to wait. His own light was, of course, extinguished.
-Far off he could see crawling blobs of luminance as guards and human
-workers moved slowly over the surface of Echo. Otherwise stygian
-darkness surrounded him. But he had chosen a position which, he hoped,
-would not be revealed by the light of any Martian bent on investigating
-the cave.
-
-There were, he had learned, actually less than a score of Martians
-here on Echo; about half of them stayed around that cyclotronic
-ore-hurler in the chasm. They depended on secrecy, and were in constant
-communication, by ether-wave, with spies not only on Earth and Mars but
-among the personnel of the space police itself. These spies were in a
-position to warn them to shut down operations in case the ore stream
-through space attracted notice and was in danger of being investigated.
-It was all being conducted with true Martian insidiousness.
-
-Thus Bormon's thoughts were wandering when, at last, he became aware
-that a Martian guard was approaching. His cramped muscles suddenly grew
-tense. His heart began to pound; it was now or never--and he must not
-fail!
-
- * * * * *
-
-The Martian, reeling along rapidly on the mechanical legs attached
-to its space armor, appeared to suspect nothing. It approached amid
-a rosette of light which seemed to chase back the shadows into a
-surrounding black wall. It had evidently seen the gleam of Calbur's
-helmet-light, for it was heading directly toward the mouth of the cave
-above which Bormon crouched.
-
-The moment for action arrived. Tense as a tirhco spring, Bormon leaped
-erect, hurled the jagged lump of rock down on the rounded dome of the
-Martian's armor. Then, without pausing to ascertain the result, he
-grasped the rim of his ore-basket and swinging it in a wide arc before
-him, leaped downward--
-
-For a moment Martian, basket and Earthman were in a mad tangle. Bormon
-realized that the Martian had been toppled over, and that one of its
-ray-tubes was sending out a coruscating plume of fire as it ate into
-the rocks. The moment seemed propitious to Bormon!
-
-Hands gripping and searching desperately, he found the oddly-shaped
-clamp that bound the two halves of the Martian's space armor
-together--and released it.
-
-There was a hiss of escaping gas. Abruptly those metal handlers ceased
-to thrash about....
-
-Bormon, thrilling with success, rose to his feet, turned off the
-Martian's ray-tube just as Calbur, delayed with having to drag his
-ore-basket, through the rather narrow opening, dashed into view.
-
-There was no need for words. Bormon handed him a ray-tube.
-
-Within a matter of seconds, each had burned through a link of the chain
-around his wrist. They were free from those accursed baskets! Calbur
-secreted the weapon in a pouch of his space suit, then swiftly they set
-to work, for their next move had been carefully planned.
-
-Opening the armor fully, they began to remove the dead Martian, puffed
-up like a kernel of pop-corn by the sudden loss of its air pressure.
-
-Having cleared the armor, Bormon climbed inside--space suit and
-all--folding up like a pocket knife so as to resemble somewhat the
-alien shape it was intended to hold, and tested the semi-automatic
-controls. Everything appeared to be in working order. Assuring himself
-of this as well as his knowledge of Martian mechanics would permit, he
-crawled out again to help Calbur.
-
-Calbur was scrambling to collect ore. And under their combined efforts
-one of the baskets was presently filled--for the last time, Bormon
-fervently hoped!
-
-Again he entered that strange conveyance, the Martian's armor, and
-after some experimental manipulation of the push-button controls,
-managed to get the thing upright on its jointed, metal legs and start
-it moving awkwardly in the direction of the chasm.
-
-Behind him came Calbur, dragging the basket of ore--for lacking a
-disguise such as Bormon's, he must have some excuse for returning to
-the cabin, and he had wrapped the chain around his wrist to conceal
-the fact that it had been severed.
-
-Bormon, in the narrow confines of his armor, disconnected the
-mechanical voder used by its deposed owner, for all Martians are
-voiceless.
-
-His greatest fear was that one of the Martian guards would attempt to
-communicate with him. This would disclose the imposture immediately,
-since he would be unable to reply. For all Martian communication, even
-by ether-wave, is visual--the medium being a complicated series of
-symbols based on their ancient sign language, the waving of tentacles,
-which no human brain has ever fully understood. The means of producing
-these conventionalized symbols was a tiny keyboard, just below an oval,
-silvery screen, and as Bormon sent his odd conveyance stalking down the
-side of the chasm, toward that sweeping disk which he now knew to be
-formed by the ends of two cyclotronic D-chambers facing each other, he
-kept one eye on this silvery screen, but it remained blank.
-
-He moved on down past the catwalk to the lower ramp. Here he must pass
-close to a Martian guard.
-
-But this Martian seemed to give him no attention whatever.
-
-Reaching a point opposite the ship, Bormon stepped from the ramp. Still
-that oval screen remained blank. No Martian was apparently paying
-enough attention to him to question his movements.
-
-Again he caused the armor to advance slowly, picking his way along the
-rock surface. He reached the ship.
-
-For a moment he was hidden behind the hull. One glance sent his hopes
-plunging utterly. Neither of the two fuel caps were clamped down, which
-could mean but one thing--the ship's tanks were empty!
-
-It was a stunning blow. No wonder the Martians felt safe in leaving the
-ship practically unguarded. After a moment, anger began to mount above
-Bormon's disappointment. He would start to kill off Martians! If he and
-Calbur couldn't get away from Echo, then he'd see that at least some
-of these Marts didn't either. He might even wipe them all out. Calbur,
-too, had a ray-tube.
-
-But what of Calbur? Quickly Bormon moved from behind the ship. Calbur
-was loitering on the ramp, ore-basket empty, evidently on the point of
-making a break to join him.
-
-Frantically, Bormon focused the ether-wave on Calbur's helmet, hurling
-a warning.
-
-"Stay where you are. It's a washout! No fuel...."
-
-He began moving across the rocks toward the power-plant. That was the
-most likely spot to commence--more Marts close at hand. He'd take them
-by surprise.
-
-Suddenly he was cold, calculating, purposeful. After all, there wasn't
-much chance of wiping them all out--and yet he might. He should strike
-at a vital point, cripple them, so as to give Calbur and the others a
-chance in case he only managed to kill a few before passing out of the
-picture.
-
-A glittering neutrochrome helix on top of the power-plant gave him a
-suggestion. Why not destroy their communications, fix things so they
-couldn't call for help from Mars?
-
- * * * * *
-
-Abruptly he realized something was wrong. That silver oval six inches
-from his face was flashing a bewildering complexity of symbols.
-Simultaneously the Martian on the ramp began to move quickly and
-questioningly toward him.
-
-The moment had arrived. Bormon swung the metal handler bearing the
-ray-tube into line and pressed the firing button....
-
-Amid a splatter of coruscating sparks the Martian went down.
-
-"Number one!" growled Bormon. Everything now depended on prompt action
-and luck--mostly luck! As quickly as possible he heeled around, aimed
-at the helix on the power-plant. It swayed slowly as that pale blue
-shaft ate into its supports, then drifted away.
-
-He had lost sight of Calbur. Absolute silence still reigned, but on
-airless Echo that silence was portentous. Along the rim of the chasm he
-could see the glitter of Martian armor against the blackness of space.
-The alarm had been given. But for the moment he was more concerned
-with the imminent danger from those who tended the intricate controls
-in the power-plant, and the guard at the far end of the catwalk. This
-guard was protected by the catwalk itself and the stream of Earthmen
-slaves still moving uncomprehendingly along it. Bormon sent his space
-armor reeling forward, intent on seeking shelter behind the bulk of the
-power-plant.
-
-He almost reached that protection. But suddenly sparks plumed around
-him, and his armor slumped forward--one leg missing. He fell,
-fortunately, just within the shelter of the power-plant.
-
-Desperately he struggled to open the armor, so as to get the ray-tube
-in his own hand. But when he finally crawled forth it was to face three
-Martians grouped around him, their weapons--six in number--unwaveringly
-centered on him.
-
-"Earthman," said the mechanical speaker coldly inside his helmet, "you
-have killed a Martian."
-
-And then, with true Martian decisiveness and cruelty, they pronounced
-inhuman judgment on him.
-
-"We in our kindness shall not immediately demand your life as forfeit.
-You shall wander unhindered over Echo, dying slowly, until your oxygen
-is gone. Do not ask for more; it is sealed from you. Do not again enter
-the chasm; it is death to you. Now go."
-
- * * * * *
-
-Hours later Bormon was indeed wandering, hopeless as a lost soul,
-over nighted Echo, awaiting the consummation of his sentence, which
-now seemed very near. Already his oxygen gauge indicated zero and
-he was face to face with the "dying slowly" process promised by the
-Martians--the terrible death of suffocation.
-
-Now, as things began to seem vague and unreal around him, Bormon was
-drawing near that hidden cave where he and Calbur had often met for
-like a final flash of inspiration had come the thought that here, if
-anywhere, he would find Calbur.
-
-It was strange, he reflected, how the life in a man forces him on and
-on, always hoping, to the very end. For now it seemed that the most
-important thing in the universe was to find Calbur.
-
-He had husbanded the last of his oxygen to the utmost. But panting,
-now, for breath, he opened the valve a fraction of a turn and staggered
-on in the darkness. And suddenly, dimly as in a dream, he knew that at
-last he had found Calbur....
-
-And Calbur was doing a queer thing. Gauntleted hands moving hastily in
-the chalky radiance cast by his helmet-light, he was tossing chunks of
-rhodium from his filled ore-basket--
-
-Then their helmets clicked together, and he heard Calbur's voice,
-faint, urgent:
-
-"Climb in the basket! I'll cover you with ore so they won't see you.
-I'll drag you in. Well get your tank filled--I swear it!"
-
-The next instant, it seemed, Bormon felt himself being tumbled into the
-ore-basket. Chunks of ore began pressing down lightly on his body. Then
-the basket commenced to pitch and scrape over the rocks.
-
-But his lungs were bursting! Could he last? He had to. He couldn't fool
-Calbur by passing out--not now. Something like destiny was working, and
-he'd have to see it through.
-
-Something was tapping on his helmet. Bormon opened his eyes, and light
-was trickling down between the chunks of ore. No longer was there any
-scraping vibrations. Something, metallic, snakelike, was being pressed
-into his hand.
-
-And then Bormon remembered. The oxygen tube! With a final rallying
-of forces only partly physical, he managed to stab the tube over the
-intake of his tank. The automatic valve clicked and a stream of pure
-delight swept into his lungs!
-
-For a time he lay there, his body trembling with the exquisite torture
-of vitality reawakening, slowly closing the helmet-valve to balance the
-increase of pressure in the tank.
-
-Suddenly that snakelike tube was jerked away from between the chunks of
-ore, and again the basket began a scraping advance.
-
-Bormon's new lease on life brought its problems. What was about to
-happen? In a moment, now, Calbur would be ordered by the guard to
-dump his ore. They wouldn't have a chance, there on the catwalk. For
-Bormon's abrupt reappearance would bring swift extinction, probably to
-both.
-
-The basket stopped. They had reached the ore-dump. Calbur's head and
-shoulders appeared. Behind the vision plate in his helmet there was a
-queer, set expression on his thin face. He thrust the ray-tube into
-Bormon's hands.
-
-Bormon sprang erect, leaped from the basket. For a moment he stared
-around, locating the guard at the end of the catwalk. As yet the guard
-appeared not to have noticed anything unusual. But where was Calbur?
-
-"Attention. One-six-nine. Dump your ore," ordered the guard, coldly,
-mechanically.
-
-Something seemed to draw Bormon's eyes into focus on his own number
-stencil. One-six-nine, he read. Calbur's number! And then, suddenly, he
-realized the dreadful, admirable thing Keith Calbur had done....
-
-For Calbur had leaped through the ore-chute, into the cyclotron's
-maelstromic heart! Despairing, he had chosen a way out. He had
-forfeited his life so that Bormon could take his place.
-
-"Dump your ore," repeated the Martian guard, coldly.
-
-"To hell with you!" snarled Bormon, and blasted with the tube.
-
-He missed the Martian. Still weakened by the ordeal he had just passed
-through, and overwrought as an effect of Calbur's last despairing
-act, his aim was not true. Nevertheless, that coruscating shaft was
-fraught with far-reaching consequence. Passing three feet to the left
-of the Martian, it snapped two of the rods which braced the catwalk in
-position over the cyclotron drum. Thus released at the far end, the
-metal ribbon--for the catwalk was little more than that--curled and
-twisted like a tirhco spring, pitching Bormon, as from a catapult,
-straight along the path so recently chosen by Calbur.
-
-Destiny had indeed provided them both with a strange exit from Echo,
-for in that split second Bormon realized that he was being hurled
-squarely into the gaping orifice of the cyclotron.
-
- * * * * *
-
-Far out in the vacuity between Echo and Mars, Captain Dunstan sat in
-his cabin aboard the Patrol Ship _Alert_--most powerful and, therefore,
-speediest craft possessed by the Earth-Mars Space Police.
-
-On his desk lay two jagged pieces of ore, whitish-gray in color, which
-he had been examining.
-
-His speculations were interrupted by the sudden bursting open of the
-cabin door. An officer, spruce in gray uniform and silver braid,
-entered hurriedly, his face flushed with excitement.
-
-"Captain Dunstan, the most extraordinary thing has happened! We've just
-picked up two men--two men drifting with the meteoric stream, and in
-space suits--and they're alive!"
-
-Captain Dunstan rose slowly. "Alive, and adrift in space? Then it's the
-first such occurrence in the history of space travel! Who are they?"
-
-"I don't know, sir. So far we've got only one out of his suit. But I
-have reason to believe they're the men recently reported as missing by
-the E.M.T. Lines. He babbled something about Echo--that there's hell to
-pay on Echo. I imagine he means Asteroid No. 60. But--"
-
-"Lead the way," said the captain, stepping quickly toward the doorway.
-"There's something mighty queer going on."
-
- * * * * *
-
-And so, by a lucky break, Neal Bormon found himself snatched from death
-and aboard the _Alert_, arriving there by a route as hazardous and
-strange as was ever experienced by spaceman.
-
-And no less strange and unexpected came the knowledge of Keith Calbur's
-arrival there ahead of him.
-
-Bormon, who was last to be drawn in by the grapple-ray and helped out
-of his space suit by the willing hands of the _Alert's_ crew, was still
-capable of giving an understandable account of things; although Calbur,
-until the effects of the Martian drug wore off, would be likely to
-remain in his somewhat neurotic condition of bewilderment.
-
-"These Marts," said Bormon, after a great deal of explaining on both
-sides, "don't know that you have discovered their stream of ore. They
-won't know it until their communications have been repaired."
-
-Captain Dunstan nodded. "That explains why we were able, on this
-occasion, to approach the meteoric stream without its immediate
-disappearance. But I cannot understand," he confessed, "how two men
-could have passed through such an apparatus as you describe, and remain
-alive."
-
-"Perhaps I can offer a possible explanation," said an officer whose
-insignia was that of Chief Electrobiologist. "If, as we suspect, this
-Martian invention is founded on the old and well-known cyclotronic
-principle, then we have nothing but reciprocal interaction of electric
-fields and magnetic fields. And these fields, as such, are entirely
-harmless to living organisms, just as harmless as gravitational fields.
-Moreover, any static charge carried by the bodies of these men would
-have been slowly dissipated through the grapple-ray with which they
-were drawn out of the ore stream."
-
-This explanation appeared to satisfy the captain. "You say,"
-he questioned, addressing Bormon, "that there are other men on
-Echo--Earthmen being used as slaves?"
-
-"Yes, more than a hundred."
-
-Captain Dunstan's mouth became a fighting, grim line. He gave several
-swift orders to his officers, who scattered immediately.
-
-Somewhat later, Bormon found his way into the surgery where Calbur
-lay--not sleeping yet, but resting peacefully.
-
-Assuring himself of this, Bormon, too, let his long frame slump down on
-a near-by cot--not to sleep, either, but to contemplate pleasantly the
-wiping-up process soon to take place on Echo, and elsewhere.
-
-
-
-
-
-End of the Project Gutenberg EBook of Exit From Asteroid 60, by D. L. James
-
-*** END OF THIS PROJECT GUTENBERG EBOOK EXIT FROM ASTEROID 60 ***
-
-***** This file should be named 61843.txt or 61843.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/1/8/4/61843/
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/61843.zip b/old/61843.zip
deleted file mode 100644
index 397d587..0000000
--- a/old/61843.zip
+++ /dev/null
Binary files differ