summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--6177.txt2164
-rw-r--r--6177.zipbin0 -> 45597 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
5 files changed, 2180 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/6177.txt b/6177.txt
new file mode 100644
index 0000000..206d1ee
--- /dev/null
+++ b/6177.txt
@@ -0,0 +1,2164 @@
+The Project Gutenberg EBook Pierre And His People, V4, by G. Parker
+#5 in our series by Gilbert Parker
+ Contents:
+ The Tall Master
+ The Crimson Flag
+ The Flood
+ In Pipi Valley
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**EBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These EBooks Were Prepared By Thousands of Volunteers*****
+
+
+Title: Pierre And His People, [Tales of the Far North], Volume 4.
+
+Author: Gilbert Parker
+
+Release Date: July, 2004 [EBook #6177]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on August 27, 2002]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+
+
+
+
+*** START OF THE PROJECT GUTENBERG EBOOK PIERRE AND HIS PEOPLE, V4, PARKER ***
+
+
+
+This eBook was produced by David Widger <widger@cecomet.net>
+
+
+
+[NOTE: There is a short list of bookmarks, or pointers, at the end of the
+file for those who may wish to sample the author's ideas before making an
+entire meal of them. D.W.]
+
+
+
+
+
+PIERRE AND HIS PEOPLE
+
+TALES OF THE FAR NORTH
+
+By Gilbert Parker
+
+Volume 4.
+
+
+THE TALL MASTER
+THE CRIMSON FLAG
+THE FLOOD
+IN PIPI VALLEY
+
+
+
+
+THE TALL MASTER
+
+The story has been so much tossed about in the mouths of Indians, and
+half-breeds, and men of the Hudson's Bay Company, that you are pretty
+sure to hear only an apocryphal version of the thing as you now travel in
+the North. But Pretty Pierre was at Fort Luke when the battle occurred,
+and, before and after, he sifted the business thoroughly. For he had a
+philosophical turn, and this may be said of him, that he never lied
+except to save another from danger. In this matter he was cool and
+impartial from first to last, and evil as his reputation was in many ways
+there were those who believed and trusted him. Himself, as he travelled
+here and there through the North, had heard of the Tall Master. Yet he
+had never met anyone who had seen him; for the Master had dwelt, it was
+said, chiefly among the strange tribes of the Far-Off Metal River whose
+faces were almost white, and who held themselves aloof from the southern
+races. The tales lost nothing by being retold, even when the historians
+were the men of the H. B. C.;---Pierre knew what accomplished liars may
+be found among that Company of Adventurers trading in Hudson's Bay, and
+how their art had been none too delicately engrafted by his own people.
+But he was, as became him, open to conviction, especially when,
+journeying to Fort Luke, he heard what John Hybar, the Chief Factor--
+a man of uncommon quality--had to say. Hybar had once lived long among
+those Indians of the Bright Stone, and had seen many rare things among
+them. He knew their legends of the White Valley and the Hills of the
+Mighty Men, and how their distinctive character had imposed itself on the
+whole Indian race of the North, so that there was none but believed, even
+though vaguely, in a pleasant land not south but Arcticwards; and Pierre
+himself, with Shon McGann and Just Trafford, had once had a strange
+experience in the Kimash Hills. He did not share the opinion of Lazenby,
+the Company's clerk at Fort Luke, who said, when the matter was talked of
+before him, that it was all hanky-panky,--which was evidence that he had
+lived in London town, before his anxious relatives, sending him forth
+under the delusive flag of adventure and wild life, imprisoned him in the
+Arctic regions with the H. B. C.
+
+Lazenby admired Pierre; said he was good stuff, and voted him amusing,
+with an ingenious emphasis of heathen oaths; but advised him, as only an
+insolent young scoundrel can, to forswear securing, by the seductive game
+of poker or euchre, larger interest on his capital than the H. B. C.;
+whose record, he insisted, should never be rivalled by any single man in
+any single lifetime. Then he incidentally remarked that he would like to
+empty the Company's cash-box once--only once;--thus reconciling the
+preacher and the sinner, as many another has done. Lazenby's morals were
+not bad, however. He was simply fond of making them appear terrible;
+even when in London he was more idle than wicked. He gravely suggested
+at last, as a kind of climax, that he and Pierre should go out on the pad
+together. This was a mere stroke of pleasantry on his part, because, the
+most he could loot in that far North were furs and caches of buffalo
+meat; and a man's capacity and use for them were limited. Even Pierre's
+especial faculty and art seemed valueless so far Polewards; but he had
+his beat throughout the land, and he kept it like a perfect patrolman.
+He had not been at Fort Luke for years, and he would not be there again
+for more years; but it was certain that he would go on reappearing till
+he vanished utterly. At the end of the first week of this visit at Fort
+Luke, so completely had he conquered the place, that he had won from the
+Chief Factor the year's purchases of skins, the stores, and the Fort
+itself; and every stitch of clothing owned by Lazenby: so that, if he had
+insisted on the redemption of the debts, the H. B. C. and Lazenby had
+been naked and hungry in the wilderness. But Pierre was not a hard
+creditor. He instantly and nonchalantly said that the Fort would be
+useless to him, and handed it back again with all therein, on a most
+humorously constructed ninety-nine years' lease; while Lazenby was left
+in pawn. Yet Lazenby's mind was not at certain ease; he had a wholesome
+respect for Pierre's singularities, and dreaded being suddenly called
+upon to pay his debt before he could get his new clothes made, maybe, in
+the presence of Wind Driver, chief of the Golden Dogs, and his demure and
+charming daughter, Wine Face, who looked upon him with the eye of
+affection--a matter fully, but not ostentatiously, appreciated by
+Lazenby. If he could have entirely forgotten a pretty girl in South
+Kensington, who, at her parents' bidding, turned her shoulder on him, he
+would have married Wine Face; and so he told Pierre. But the half-breed
+had only a sardonic sympathy for such weakness. Things changed at once
+when Shon McGann arrived. He should have come before, according to a
+promise given Pierre, but there were reasons for the delay; and these
+Shon elaborated in his finely picturesque style.
+
+He said that he had lost his way after he left the Wapiti Woods, and
+should never have found it again, had it not been for a strange being who
+came upon him and took him to the camp of the White Hand Indians, and
+cared for him there, and sent him safely on his way again to Fort Luke.
+
+"Sorra wan did I ever see like him," said Shon, with a face that was
+divil this minute and saint the next; pale in the cheek, and black in the
+eye, and grizzled hair flowin' long at his neck and lyin' like snakes on
+his shoulders; and whin his fingers closed on yours, bedad! they didn't
+seem human at all, for they clamped you so cold and strong."
+
+"'For they clamped you so cold and strong,'" replied Pierre, mockingly,
+yet greatly interested, as one could see by the upward range of his eye
+towards Shon. "Well, what more?"
+
+"Well, squeeze the acid from y'r voice, Pierre; for there's things that
+better become you: and listen to me, for I've news for all here at the
+Fort, before I've done, which'll open y'r eyes with a jerk."
+
+"With a wonderful jerk, hold! let us prepare, messieurs, to be waked with
+an Irish jerk!" and Pierre pensively trifled with the fringe on Shon's
+buckskin jacket, which was whisked from his fingers with smothered anger.
+For a few moments he was silent; but the eager looks of the Chief Factor
+and Lazenby encouraged him to continue. Besides, it was only Pierre's
+way--provoking Shon was the piquant sauce of his life.
+
+"Lyin' awake I was," continued Shon, "in the middle of the night, not
+bein' able to sleep for a pain in a shoulder I'd strained, whin I heard a
+thing that drew me up standin'. It was the sound of a child laughin'; so
+wonderful and bright, and at the very door of me tent it seemed. Then it
+faded away till it was only a breath, lovely, and idle, and swingin'. I
+wint to the door and looked out. There was nothin' there, av coorse."
+"And why 'av coorse'?" rejoined Pierre. The Chief Factor was intent on
+what Shon was saying, while Lazenby drummed his fingers on the table, his
+nose in the air.
+
+"Divils me darlin', but ye know as well as I, that there's things in the
+world neither for havin' nor handlin'. And that's wan of thim, says I to
+meself. . . . I wint back and lay down, and I heard the voice singin'
+now and comin' nearer and nearer, and growin' louder and louder, and then
+there came with it a patter of feet, till it was as a thousand children
+were dancin' by me door. I was shy enough, I'll own; but I pulled aside
+the curtain of the tent to see again: and there was nothin' beyand for
+the eye. But the singin' was goin' past and recedin' as before, till it
+died away along the waves of prairie grass. I wint back and give Grey
+Nose, my Injin bed-fellow, a lift wid me fut. 'Come out of that,' says
+I, 'and tell me if dead or alive I am.' He got up, and there was the
+noise soft and grand again, but with it now the voices of men, the flip
+of birds' wings and the sighin' of tree tops, and behind all that the
+long wash of a sea like none I ever heard. . . . 'Well,' says I to
+the Injin grinnin' before me, 'what's that, in the name o' Moses?'
+'That,' says he, laughin' slow in me face, 'is the Tall Master--him that
+brought you to the camp.' Thin I remimbered all the things that's been
+said of him, and I knew it was music I'd been hearin' and not children's
+voices nor anythin' else at all.
+
+"'Come with me,' says Grey Nose; and he took me to the door of a big tent
+standin' alone from the rest.
+
+"'Wait a minute,' says he, and he put his hand on the tent curtain; and at
+that there was a crash, as a million gold hammers were fallin' on silver
+drums. And we both stood still; for it seemed an army, with swords
+wranglin' and bridle-chains rattlin', was marchin' down on us. There was
+the divil's own uproar, as a battle was comin' on; and a long line of
+spears clashed. But just then there whistled through the larrup of sound
+a clear voice callin', gentle and coaxin', yet commandin' too; and the
+spears dropped, and the pounding of horsehoofs ceased, and then the army
+marched away; far away; iver so far away, into--"
+
+"Into Heaven!" flippantly interjected Lazenby. "Into Heaven, say I, and
+be choked to you! for there's no other place for it; and I'll stand by
+that, till I go there myself, and know the truth o' the thing." Pierre
+here spoke. "Heaven gave you a fine trick with words, Shon McGann. I
+sometimes think Irishmen have gifts for only two things--words and women.
+. . . 'Bien,' what then?"
+
+Shon was determined not to be angered. The occasion was too big. "Well,
+Grey Nose lifted the curtain and wint in. In a minute he comes out.
+'You can go in,' says he. So in I wint, the Injin not comin', and there
+in the middle of the tint stood the Tall Master, alone. He had his
+fiddle to his chin, and the bow hoverin' above it. He looked at me for a
+long time along the thing; then, all at once, from one string I heard the
+child laughin' that pleasant and distant, though the bow seemed not to be
+touchin'. Soon it thinned till it was the shadow of a laugh, and I
+didn't know whin it stopped, he smilin' down at the fiddle bewhiles.
+Then he said without lookin' at me,--'It is the spirit of the White
+Valley and the Hills of the Mighty Men; of which all men shall know, for
+the North will come to her spring again one day soon, at the remaking of
+the world. They thought the song would never be found again, but I have
+given it a home here.' And he bent and kissed the strings. After, he
+turned sharply as if he'd been spoken to, and looked at someone beside
+him; someone that I couldn't see. A cloud dropped upon his face, he
+caught the fiddle hungrily to his breast, and came limpin' over to me--
+for there was somethin' wrong with his fut--and lookin' down his hook-
+nose at me, says he,--'I've a word for them at Fort Luke, where you're
+goin', and you'd better be gone at once; and I'll put you on your way.
+There's to be a great battle. The White Hands have an ancient feud with
+the Golden Dogs, and they have come from where the soft Chinook wind
+ranges the Peace River, to fight until no man of all the Golden Dogs be
+left, or till they themselves be destroyed. It is the same north and
+south,' he wint on; 'I have seen it all in Italy, in Greece, in--' but
+here he stopped and smiled strangely. After a minute he wint on: 'The
+White Hands have no quarrel with the Englishmen of the Fort, and I would
+warn them, for Englishmen were once kind to me--and warn also the Golden
+Dogs. So come with me at once,' says he. And I did. And he walked with
+me till mornin', carryin' the fiddle under his arm, but wrapped in a
+beautiful velvet cloth, havin' on it grand figures like the arms of a
+king or queen. And just at the first whisk of sun he turned me into a
+trail and give me good-bye, sayin' that maybe he'd follow me soon, and,
+at any rate, he'd be there at the battle. Well, divils betide me! I got
+off the track again; and lost a day; but here I am; and there's me story
+to take or lave as you will."
+
+Shon paused and began to fumble with the cards on the table before him,
+looking the while at the others.
+
+The Chief Factor was the first to speak. "I don't doubt but he told you
+true about the White Hands and the Golden Dogs," he said; "for there's
+been war and bad blood between them beyond the memory of man--at least
+since the time that the Mighty Men lived, from which these date their
+history. But there's nothing to be done to-night; for if we tell old
+Wind Driver, there'll be no sleeping at the Fort. So we'll let the thing
+stand."
+
+"You believe all this poppy-cock, Chief?" said Lazenby to the Factor,
+but laughing in Shon's face the while. The Factor gravely replied:
+"I knew of the Tall Master years ago on the Far-Off Metal River; and
+though I never saw him I can believe these things--and more. You do not
+know this world through and through, Lazenby; you have much to learn."
+
+Pierre said nothing. He took the cards from Shon and passed them to and
+fro in his hand. Mechanically he dealt them out, and as mechanically
+they took them up and in silence began to play.
+
+The next day there was commotion and excitement at Fort Luke. The Golden
+Dogs were making preparations for the battle. Pow-wow followed pow-wow,
+and paint and feathers followed all. The H. B. C. people had little to
+do but look to their guns and house everything within the walls of the
+Fort.
+
+At night, Shon, Pierre, and Lazenby were seated about the table in the
+common-room, the cards lying dealt before them, waiting for the Factor to
+come. Presently the door opened and the Factor entered, followed by
+another. Shon and Pierre sprang to their feet.
+
+"The Tall Master," said Shon with a kind of awe; and then stood still.
+
+Their towering visitor slowly unloosed something he carried very
+carefully and closely beneath his arm, and laid it on the table, dropping
+his compass-like fingers softly on it. He bowed gravely to each, yet the
+bow seemed grotesque, his body was so ungainly. With the eyes of all
+drawn to him absolutely, he spoke in a low sonorous tone: "I have
+followed the traveller fast"--his hand lifted gently towards Shon--"for
+there are weighty concerns abroad, and I have things to say and do before
+I go again to my people--and beyond. . . . I have hungered for the
+face of a white man these many years, and his was the first I saw;"--
+again he tossed a long finger towards the Irishman--"and it brought back
+many things. I remember. . . . " He paused, then sat down; and they
+all did the same. He looked at them one by one with distant kindness.
+"I remember," he continued, and his strangely articulated fingers folded
+about the thing on the table beside him, "when"--here the cards caught
+his eye. His face underwent a change. An eager fantastic look shot from
+his eye, "when I gambled this away at Lucca,"--his hand drew the bundle
+closer to him--"but I won it back again--at a price!" he gloomily added,
+glancing sideways as to someone at his elbow.
+
+He remained, eyes hanging upon space for a moment, then he recollected
+himself and continued: "I became wiser; I never risked it again; but I
+loved the game always. I was a gamester from the start--the artist is
+always so when he is greatest,--like nature herself. And once, years
+after, I played with a mother for her child--and mine. And yet once
+again at Parma with"--here he paused, throwing that sharp sidelong
+glance--"with the greatest gamester, for the infinite secret of Art: and
+I won it; but I paid the price! . . . I should like to play now."
+
+He reached his hand, drew up five cards, and ran his eye through them.
+"Play!" he said. "The hand is good--very good. . . . Once when I
+played with the Princess--but it is no matter; and Tuscany is far away!
+. . . Play!" he repeated.
+
+Pierre instantly picked up the cards, with an air of cool satisfaction.
+He had either found the perfect gamester or the perfect liar. He knew
+the remedy for either.
+
+The Chief Factor did not move. Shon and Lazenby followed Pierre's
+action. By their positions Lazenby became his partner. They played in
+silence for a minute, the Tall Master taking all. "Napoleon was a
+wonderful player, but he lost with me," he said slowly as he played a
+card upon three others and took them.
+
+Lazenby was so taken back by this remark that, presently, he trumped
+his partner's ace, and was rewarded by a talon-like look from the Tall
+Master's eye; but it was immediately followed by one of saturnine
+amusement.
+
+They played on silently.
+
+"Ah, you are a wonderful player!" he presently said to Pierre, with a
+look of keen scrutiny. "Come, I will play with you--for values--the
+first time in seventy-five years; then, no more!"
+
+Lazenby and Shon drew away beside the Chief Factor. The two played.
+Meanwhile Lazenby said to Shon: "The man's mad. He talks about Napoleon
+as if he'd known him--as if it wasn't three-fourths of a century ago.
+Does he think we're all born idiots? Why, he's not over sixty years old
+now. But where the deuce did he come from with that Italian face? And
+the funniest part of it is, he reminds me of someone. Did you notice how
+he limped--the awkward beggar!"
+
+Lazenby had unconsciously lifted his voice, and presently the Tall Master
+turned and said to him: "I ran a nail into my foot at Leyden seventy-odd
+years ago."
+
+"He's the devil himself," rejoined Lazenby, and he did not lower his
+voice.
+
+"Many with angelic gifts are children of His Dark Majesty," said the Tall
+Master, slowly; and though he appeared closely occupied with the game, a
+look of vague sadness came into his face.
+
+For a half-hour they played in silence, the slight, delicate-featured
+half-breed, and the mysterious man who had for so long been a thing of
+wonder in the North, a weird influence among the Indians.
+
+There was a strange, cold fierceness in the Tall Master's face. He now
+staked his precious bundle against the one thing Pierre prized--the gold
+watch received years ago for a deed of heroism on the Chaudiere. The
+half-breed had always spoken of it as amusing, but Shon at least knew
+that to Pierre it was worth his right hand.
+
+Both men drew breath slowly, and their eyes were hard. The stillness
+became painful; all were possessed by the grim spirit of Chance. . . .
+The Tall Master won. He came to his feet, his shambling body drawn
+together to a height. Pierre rose also. Their looks clinched. Pierre
+stretched out his hand. "You are my master at this," he said.
+
+The other smiled sadly. "I have played for the last time. I have not
+forgotten how to win. If I had lost, uncommon things had happened.
+This,"--he laid his hand on the bundle and gently undid it,--"is my
+oldest friend, since the warm days at Parma . . . all dead . . . all
+dead." Out of the velvet wrapping, broidered with royal and ducal arms,
+and rounded by a wreath of violets--which the Chief Factor looked at
+closely--he drew his violin. He lifted it reverently to his lips.
+
+"My good Garnerius!" he said. "Three masters played you, but I am chief
+of them all. They had the classic soul, but I the romantic heart--'les
+grandes caprices.'" His head lifted higher. "I am the master artist of
+the world. I have found the core of Nature. Here in the North is the
+wonderful soul of things. Beyond this, far beyond, where the foolish
+think is only inviolate ice, is the first song of the Ages in a very
+pleasant land. I am the lost Master, and I shall return, I shall return
+. . . but not yet . . . not yet."
+
+He fetched the instrument to his chin with a noble pride. The ugliness
+of his face was almost beautiful now.
+
+The Chief Factor's look was fastened on him with bewilderment; he was
+trying to remember something: his mind went feeling, he knew not why,
+for a certain day, a quarter of a century before, when he unpacked a box
+of books and papers from England. Most of them were still in the Fort.
+The association of this man with these things fretted him.
+
+The Tall Master swung his bow upward, but at that instant there came a
+knock, and, in response to a call, Wind Driver and Wine Face entered.
+Wine Face was certainly a beautiful girl; and Lazenby might well have
+been pardoned for throwing in his fate with such a heathen, if he
+despaired of ever seeing England again. The Tall Master did not turn
+towards these. The Indians sat gracefully on a bearskin before the fire.
+The eyes of the girl were cast shyly upon the Man as he stood there
+unlike an ordinary man; in his face a fine hardness and the cold light of
+the North. He suddenly tipped his bow upward and brought it down with a
+most delicate crash upon the strings. Then softly, slowly, he passed
+into a weird fantasy. The Indians sat breathless. Upon them it acted
+more impressively than the others: besides, the player's eye was
+searching them now; he was playing into their very bodies. And they
+responded with some swift shocks of recognition crossing their faces.
+Suddenly the old Indian sprang up. He thrust his arms out, and made, as
+if unconsciously, some fantastic yet solemn motions. The player smiled
+in a far-off fashion, and presently ran the bow upon the strings in an
+exquisite cry; and then a beautiful avalanche of sound slid from a
+distance, growing nearer and nearer, till it swept through the room, and
+imbedded all in its sweetness.
+
+At this the old Indian threw himself forward at the player's feet. "It
+is the song of the White Weaver, the maker of the world--the music from
+the Hills of the Mighty Men. . . . I knew it--I knew it--but never
+like that. . . . It was lost to the world; the wild cry of the lofty
+stars. . . ." His face was wet.
+
+The girl too had risen. She came forward as if in a dream and reverently
+touched the arm of the musician, who paused now, and was looking at them
+from under his long eyelashes. She said whisperingly: "Are you a spirit?
+Do you come from the Hills of the Mighty Men?"
+
+He answered gravely: "I am no spirit. But I have journeyed in the Hills
+of the Mighty Men and along their ancient hunting-grounds. This that I
+have played is the ancient music of the world--the music of Jubal and his
+comrades. It comes humming from the Poles; it rides laughing down the
+planets; it trembles through the snow; it gives joy to the bones of the
+wind. . . . And I am the voice of it," he added; and he drew up his
+loose unmanageable body till it looked enormous, firm, and dominant.
+
+The girl's fingers ran softly over to his breast. "I will follow you,"
+she said, "when you go again to the Happy Valleys."
+
+Down from his brow there swept a faint hue of colour, and, for a breath,
+his eyes closed tenderly with hers. But he straightway gathered back his
+look again, his body shrank, not rudely, from her fingers, and he
+absently said: "I am old-in years the father of the world. It is a man's
+life gone since, at Genoa, she laid her fingers on my breast like that.
+. . . These things can be no more . . . until the North hath its
+summer again; and I stand young--the Master--upon the summits of my
+renown."
+
+The girl drew slowly back. Lazenby was muttering under his breath now;
+he was overwhelmed by this change in Wine Face. He had been impressed to
+awe by the Tall Master's music, but he was piqued, and determined not to
+give in easily. He said sneeringly that Maskelyne and Cooke in music had
+come to life, and suggested a snake-dance.
+
+The Tall Master heard these things, and immediately he turned to Lazenby
+with an angry look on his face. His brows hung heavily over the dull
+fire of his eyes; his hair itself seemed like Medusa's, just quivering
+into savage life; the fingers spread out white and claw-like upon the
+strings as he curved his violin to his chin, whereof it became, as it
+were, a piece. The bow shot out and down upon the instrument with a
+great clangour. There eddied into a vast arena of sound the prodigious
+elements of war. Torture rose from those four immeasurable chords;
+destruction was afoot upon them; a dreadful dance of death supervened.
+
+Through the Chief Factor's mind there flashed--though mechanically, and
+only to be remembered afterwards--the words of a schoolday poem. It
+shuttled in and out of the music:
+
+ "Wheel the wild dance,
+ While lightnings glance,
+ And thunders rattle loud;
+ And call the brave to bloody grave,
+ To sleep without a shroud."
+
+The face of the player grew old and drawn. The skin was wrinkled, but
+shone, the hair spread white, the nose almost met the chin, the mouth was
+all malice. It was old age with vast power: conquest volleyed from the
+fingers.
+
+Shon McGann whispered aves, aching with the sound; the Chief Factor
+shuddered to his feet; Lazenby winced and drew back to the wall, putting
+his hand before his face as though the sounds were striking him; the old
+Indian covered his head with his arms upon the floor. Wine Face knelt,
+her face all grey, her fingers lacing and interlacing with pain. Only
+Pierre sat with masterful stillness, his eyes never moving from the face
+of the player; his arms folded; his feet firmly wedded to the floor. The
+sound became strangely distressing. It shocked the flesh and angered the
+nerves. Upon Lazenby it acted singularly. He cowered from it, but
+presently, with a look of madness in his eyes, rushed forward, arms
+outstretched, as though to seize this intolerable minstrel. There was a
+sudden pause in the playing; then the room quaked with noise, buffeting
+Lazenby into stillness. The sounds changed instantly again, and music of
+an engaging sweetness and delight fell about them as in silver drops--an
+enchanting lyric of love. Its exquisite tenderness subdued Lazenby, who,
+but now, had a heart for slaughter. He dropped on his knees, threw his
+head into his arms, and sobbed hard. The Tall Master's fingers crept
+caressingly along one of those heavenly veins of sound, his bow poising
+softly over it. The farthest star seemed singing.
+
+At dawn the next day the Golden Dogs were gathered for war before the
+Fort. Immediately after the sun rose, the foe were seen gliding darkly
+out of the horizon. From another direction came two travellers. These
+also saw the White Hands bearing upon the Fort, and hurried forward.
+They reached the gates of the Fort in good time, and were welcomed. One
+was a chief trader from a fort in the west. He was an old man, and had
+been many years in the service of the H. B. C.; and, like Lazenby, had
+spent his early days in London, a connoisseur in all its pleasures; the
+other was a voyageur. They had posted on quickly to bring news of this
+crusade of the White Hands.
+
+The hostile Indians came steadily to within a few hundred yards of the
+Golden Dogs. Then they sent a brave to say that they had no quarrel with
+the people of the Fort; and that if the Golden Dogs came on they would
+battle with them alone; since the time had come for "one to be as both,"
+as their Medicine Men had declared since the days of the Great Race.
+And this signified that one should destroy the other.
+
+At this all the Golden Dogs ranged into line. The sun shone brightly,
+the long hedge of pine woods in the distance caught the colour of the
+sky, the flowers of the plains showed handsomely as a carpet of war. The
+bodies of the fighters glistened. You could see the rise and fall of
+their bare, strenuous chests. They stood as their forefathers in battle,
+almost naked, with crested head, gleaming axe, scalp-knife, and bows and
+arrows. At first there was the threatening rustle of preparation; then
+a great stillness came and stayed for a moment; after which, all at once,
+there sped through the air a big shout of battle, and the innumerable
+twang of flying arrows; and the opposing hosts ran upon each other.
+
+Pierre and Shon McGann, watching from the Fort, cried out with
+excitement.
+
+"Divils me darlin'!" called Shon, "are we gluin' our eyes to a chink in
+the wall, whin the tangle of battle goes on beyand? Bedad, I'll not
+stand it! Look at them twistin' the neck o' war! Open the gates, open
+the gates say I, and let us have play with our guns."
+
+"Hush! 'Mon Dieu!'" interrupted Pierre. "Look! The Tall Master!"
+
+None at the Fort had seen the Tall Master since the night before. Now he
+was covering the space between the walls and the battle, his hair
+streaming behind him.
+
+When he came near to the vortex of fight he raised his violin to his
+chin, and instantly a piercingly sweet call penetrated the wild uproar.
+The Call filled it, drained through it, wrapped it, overcame it; so that
+it sank away at last like the outwash of an exhausted tide: the weft of
+battle stayed unfinished in the loom.
+
+Then from the Indian lodges came the women and children. They drew near
+to the unearthly luxury of that Call, now lifting with an unbounded joy.
+Battleaxes fell to the ground; the warriors quieted even where they stood
+locked with their foes. The Tall Master now drew away from them, facing
+the north and west. That ineffable Call drew them after him with grave
+joy; and they brought their dead and wounded along. The women and
+children glided in among the men and followed also. Presently one girl
+ran away from the rest and came close into the great leader's footsteps.
+
+At that instant, Lazenby, from the wall of the Fort, cried out madly,
+sprang down, opened the gates, and rushed towards the girl, crying: "Wine
+Face! Wine Face!"
+
+She did not look behind. But he came close to her and caught her by the
+waist. "Come back! Come back! O my love, come back!" he urged; but
+she pushed him gently from her.
+
+"Hush! Hush!" she said. "We are going to the Happy Valleys. Don't you
+hear him calling?" . . . And Lazenby fell back.
+
+The Tall Master was now playing a wonderful thing, half dance, half
+carnival; but with that Call still beating through it. They were passing
+the Fort at an angle. All within issued forth to see. Suddenly the old
+trader who had come that morning started forward with a cry; then stood
+still. He caught the Factor's arm; but he seemed unable to speak yet;
+his face was troubled, his eyes were hard upon the player.
+
+The procession passed the empty lodges, leaving the ground strewn with
+their weapons, and not one of their number stayed behind. They passed
+away towards the high hills of the north-west-beautiful austere barriers.
+
+Still the trader gazed, and was pale, and trembled. They watched long.
+The throng of pilgrims grew a vague mass; no longer an army of
+individuals; and the music came floating back with distant charm.
+At last the old man found voice. "My God, it is--"
+
+The Factor touched his arm, interrupting him, and drew a picture from his
+pocket--one but just now taken from that musty pile of books, received so
+many years before. He showed it to the old man.
+
+"Yes, yes," said the other, "that is he. . . . And the world buried
+him forty years ago!"
+
+Pierre, standing near, added with soft irony: "There are strange things
+in the world. He is the gamester of the world. 'Mais' a grand comrade
+also."
+
+The music came waving back upon them delicately but the pilgrims were
+fading from view.
+
+Soon the watchers were alone with the glowing day.
+
+
+
+
+
+
+THE CRIMSON FLAG
+
+Talk and think as one would, The Woman was striking to see; with
+marvellous flaxen hair and a joyous violet eye. She was all pulse and
+dash; but she was as much less beautiful than the manager's wife as Tom
+Liffey was as nothing beside the manager himself; and one would care
+little to name the two women in the same breath if the end had been
+different. When The Woman came to Little Goshen there were others of her
+class there, but they were of a commoner sort and degree. She was the
+queen of a lawless court, though she never, from first to last, spoke to
+one of those others who were her people; neither did she hold commerce
+with any of the ordinary miners, save Pretty Pierre, but he was more
+gambler than miner,--and he went, when the matter was all over, and told
+her some things that stripped her soul naked before her eyes. Pierre had
+a wonderful tongue. It was only the gentlemen-diggers--and there were
+many of them at Little Goshen--who called upon her when the lights were
+low; and then there was a good deal of muffled mirth in the white house
+among the pines. The rougher miners made no quarrel with this, for the
+gentlemen-diggers were popular enough, they were merely sarcastic and
+humorous, and said things which, coming to The Woman's ears, made her
+very merry; for she herself had an abundant wit, and had spent wild hours
+with clever men. She did not resent the playful insolence that sent a
+dozen miners to her house in the dead of night with a crimson flag, which
+they quietly screwed to her roof; and paint, with which they deftly put a
+wide stripe of scarlet round the cornice, and another round the basement.
+In the morning, when she saw what had been done, she would not have the
+paint removed nor the flag taken down; for, she said, the stripes looked
+very well, and the other would show that she was always at home.
+
+Now, the notable thing was that Heldon, the manager, was in The Woman's
+house on the night this was done. Tom Liffey, the lumpish guide and
+trapper, saw him go in; and, days afterwards, he said to Pierre: "Divils
+me own, but this is a bad hour for Heldon's wife--she with a face like a
+princess and eyes like the fear o' God. Nivir a wan did I see like her,
+since I came out of Erin with a clatter of hoofs behoind me and a squall
+on the sea before. There's wimmin there wid cheeks like roses and
+buthermilk, and a touch that'd make y'r heart pound on y'r ribs; but none
+that's grander than Heldon's wife. To lave her for that other, standin'
+hip-high in her shame, is temptin' the fires of Heaven, that basted the
+sinners o' Sodom."
+
+Pierre, pausing between the whiffs of a cigarette, said: "So? But you
+know more of catching foxes in winter, and climbing mountains in summer,
+and the grip of the arm of an Injin girl, than of these things. You are
+young, quite young in the world, Tom Liffey."
+
+"Young I may be with a glint o' grey at me temples from a night o'
+trouble beyand in the hills; but I'm the man, an' the only man, that's
+climbed to the glacier-top--God's Playground, as they call it: and nivir
+a dirty trick have I done to Injin girl or any other; and be damned to
+you there!"
+
+"Sometimes I think you are as foolish as Shon McGann," compassionately
+replied the half-breed.
+
+"You have almighty virtue, and you did that brave trick of the glacier;
+but great men have fallen. You are not dead yet. Still, as you say,
+Heldon's wife is noble to see. She is grave and cold, and speaks little;
+but there is something in her which is not of the meek of the earth.
+Some women say nothing, and suffer and forgive, and take such as Heldon
+back to their bosoms; but there are others--I remember a woman--bien, it
+is no matter, it was long ago; but they two are as if born of one mother;
+and what comes of this will be mad play--mad play."
+
+"Av coorse his wife may not get to know of it, and--"
+
+"Not get to know it! 'Tsh, you are a child--"
+
+"Faith, I'll say what I think, and that in y'r face! Maybe he'll tire of
+the handsome rip--for handsome she is, like a yellow lily growin' out o'
+mud--and go back to his lawful wife, that believes he's at the mines,
+when he's drinkin' and colloguin' wid a fly-away."
+
+Pierre slowly wheeled till he had the Irishman straight in his eye. Then
+he said in a low, cutting tone: "I suppose your heart aches for the
+beautiful lady, eh?" Here he screwed his slight forefinger into Tom's
+breast; then he added sharply: "'Nom de Dieu,' but you make me angry!
+You talk too much. Such men get into trouble. And keep down the riot of
+that heart of yours, Tom Liffey, or you'll walk on the edge of knives one
+day. And now take an inch of whisky and ease the anxious soul. 'Voila!'"
+After a moment he added: "Women work these things out for themselves."
+Then the two left the hut, and amiably strolled together to the centre of
+the village, where they parted. It was as Pierre had said: the woman
+would work the thing out for herself. Later that evening Heldon's wife
+stood cloaked and veiled in the shadows of the pines, facing the house
+with The Crimson Flag. Her eyes shifted ever from the door to the flag,
+which was stirred by the light breeze. Once or twice she shivered as
+with cold, but she instantly stilled again, and watched. It was
+midnight. Here and there beyond in the village a light showed, and
+straggling voices floated faintly towards her. For a long time no sound
+came from the house. But at last she heard a laugh. At that she drew
+something from her pocket, and held it firmly in her hand. Once she
+turned and looked at another house far up on the hill, where lights were
+burning. It was Heldon's house--her home. A sharp sound as of anguish
+and anger escaped her; then she fastened her eyes on the door in front of
+her.
+
+At that moment Tom Liffey was standing with his hands on his hips looking
+at Heldon's home on the hill; and he said some rumbling words, then
+strode on down the road, and suddenly paused near the wife. He did not
+see her. He faced the door at which she was looking, and shook his fist
+at it.
+
+"A murrain on y'r sowl!" said he, "as there's plague in y'r body, and
+hell in the slide of y'r feet, like the trail of the red spider. And out
+o' that come ye, Heldon, for I know y're there. Out of that, ye beast!
+. . . But how can ye go back--you that's rolled in that sewer--to the
+loveliest woman that ever trod the neck o' the world! Damned y' are in
+every joint o' y'r frame, and damned is y'r sowl, I say, for bringing
+sorrow to her; and I hate you as much for that, as I could worship her
+was she not your wife and a lady o' blood, God save her!"
+
+Then shaking his fist once more, he swung away slowly down the road.
+During this the wife's teeth held together as though they were of a
+piece. She looked after Tom Liffey and smiled; but it was a dreadful
+smile.
+
+"He worships me, that common man--worships me," she said. "This man who
+was my husband has shamed me, left me. Well--"
+
+The door of the house opened; a man came out. His wife leaned a little
+forward, and something clicked ominously in her hand. But a voice came
+up the road towards them through the clear air--the voice of Tom Liffey.
+The husband paused to listen; the wife mechanically did the same. The
+husband remembered this afterwards: it was the key to, and the beginning
+of, a tragedy. These are the words the Irishman sang:
+
+ "She was a queen, she stood up there before me,
+ My blood went roarin' when she touched my hand;
+ She kissed me on the lips, and then she swore me
+ To die for her--and happy was the land."
+
+A new and singular look came into her face. It trans formed her.
+"That," she said in a whisper to herself--"that! He knows the way."
+
+As her husband turned towards his home, she turned also. He heard the
+rustle of garments, and he could just discern the cloaked figure in the
+shadows. He hurried on; the figure flitted ahead of him. A fear
+possessed him in spite of his will. He turned back. The figure stood
+still for a moment, then followed him. He braced himself, faced about,
+and walked towards it: it stopped and waited. He had not the courage.
+He went back again swiftly towards the house he had left. Again he
+looked behind him. The figure was standing, not far, in the pines. He
+wheeled suddenly towards the house, turned a key in the door, and
+entered.
+
+Then the wife went to that which had been her home: Heldon did not go
+thither until the first flush of morning. Pierre, returning from an all-
+night sitting at cards, met him, and saw the careworn look on his face.
+The half-breed smiled. He knew that the event was doubling on the man.
+When Heldon reached his house, he went to his wife's room. It was
+locked. Then he walked down to his mines with a miserable shame and
+anger at his heart. He did not pass The Crimson Flag. He went by
+another way.
+
+That evening, in the dusk, a woman knocked at Tom Liffey's door. He
+opened it.
+
+"Are you alone?" she said. "I am alone, lady."
+
+"I will come in," she added. "You will--come in?" he faltered.
+
+She drew near him, and reached out and gently caught his hand.
+
+"Ah!" he said, with a sound almost like a sob in its intensity, and the
+blood flushed to his hair.
+
+He stepped aside, and she entered. In the light of the candle her eye
+burned into his, but her face wore a shining coldness. She leaned
+towards him.
+
+"You said you could worship me," she whispered, "and you cursed him.
+Well--worship me--altogether--and that will curse him, as he has killed
+me."
+
+"Dear lady!" he said, in an awed, overwhelmed murmur; and he fell back
+to the wall.
+
+She came towards him. "Am I not beautiful?" she urged. She took his
+hand. His eye swam with hers. But his look was different from hers,
+though he could not know that. His was the madness of a man in a dream;
+hers was a painful thing. The Furies dwelt in her. She softly lifted
+his hand above his head, and whispered: "Swear." And she kissed him.
+Her lips were icy, though he did not think so. The blood tossed in his
+veins. He swore: but, doing so, he could not conceive all that would be
+required of him. He was hers, body and soul, and she had resolved on a
+grim thing. . . . In the darkness, they left the hut and passed into
+the woods, and slowly up through the hills.
+
+Heldon returned to his home that night to find it empty. There were no
+servants. There was no wife. Her cat and dog lay dead upon the
+hearthrug. Her clothing was cut into strips. Her wedding-dress was a
+charred heap on the fireplace. Her jewellery lay molten with it. Her
+portrait had been torn from its frame.
+
+An intolerable fear possessed him. Drops of sweat hung on his forehead
+and his hands. He fled towards the town. He bit his finger-nails till
+they bled as he passed the house in the pines. He lifted his arm as if
+the flappings of The Crimson Flag were blows in his face.
+
+At last he passed Tom Liffey's hut. He saw Pierre, coming from it. The
+look on the gambler's face was one, of gloomy wonder. His fingers
+trembled as he lighted a cigarette, and that was an unusual thing. The
+form of Heldon edged within the light. Pierre dropped the match and said
+to him,--"You are looking for your wife?"
+
+Heldon bowed his head. The other threw open the door of the hut. "Come
+in here," he said. They entered. Pierre pointed to a woman's hat on the
+table. "Do you know that?" he asked, huskily, for he was moved. But
+Heldon only nodded dazedly. Pierre continued: "I was to have met Tom
+Liffey here--to-night. He is not here. You hoped--I suppose--to see
+your wife in your--home. She is not there. He left a word on paper for
+me. I have torn it up. Writing is the enemy of man. But I know where
+he is gone. I know also where your wife has gone."
+
+Heldon's face was of a hateful paleness. . . . They passed out into
+the night.
+
+"Where are you going?" Heldon said.
+
+"To God's Playground, if we can get there."
+
+"To God's Playground? To the glacier-top? You are mad."
+
+"No, but he and she were mad. Come on." Then he whispered something,
+and Heldon gave a great cry, and they plunged into the woods.
+
+In the morning the people of Little Goshen, looking towards the glacier,
+saw a flag (they knew afterwards that it was crimson) flying on it. Near
+it were two human figures. A miner, looking through a field-glass, said
+that one figure was crouching by the flag-staff, and that it was a woman.
+The other figure near was a man. As the morning wore on, they saw upon a
+crag of ice below the sloping glacier two men looking upwards towards the
+flag. One of them seemed to shriek out, and threw up his hands, and made
+as if to rush forward; but the other drew him back.
+
+Heldon knew what revenge and disgrace may be at their worst. In vain he
+tried to reach God's Playground. Only one man knew the way, and he was
+dead upon it--with Heldon's wife: two shameless suicides. . . . When
+he came down from the mountain the hair upon his face was white, though
+that upon his head remained black as it had always been. And those
+frozen figures stayed there like statues with that other crimson flag:
+until, one day, a great-bodied wind swept out of the north, and, in pity,
+carried them down a bottomless fissure.
+
+But long before this happened, The Woman had fled from Little Goshen in
+the night, and her house was burned to the ground.
+
+
+
+
+
+
+THE FLOOD
+
+Wendling came to Fort Anne on the day that the Reverend Ezra Badgley and
+an unknown girl were buried. And that was a notable thing. The man had
+been found dead at his evening meal; the girl had died on the same day;
+and they were buried side by side. This caused much scandal, for the man
+was holy, and the girl, as many women said, was probably evil altogether.
+At the graves, when the minister's people saw what was being done, they
+piously protested; but the Factor, to whom Pierre had whispered a word,
+answered them gravely that the matter should go on: since none knew but
+the woman was as worthy of heaven as the man. Wendling chanced to stand
+beside Pretty Pierre.
+
+"Who knows!" he said aloud, looking hard at the graves, "who knows!....
+She died before him, but the dead can strike."
+
+Pierre did not answer immediately, for the Factor was calling the earth
+down on both coffins; but after a moment he added: "Yes, the dead can
+strike." And then the eyes of the two men caught and stayed, and they
+knew that they had things to say to each other in the world.
+
+They became friends. And that, perhaps, was not greatly to Wendling's
+credit; for in the eyes of many Pierre was an outcast as an outlaw.
+Maybe some of the women disliked this friendship most; since Wendling was
+a handsome man, and Pierre was never known to seek them, good or bad; and
+they blamed him for the other's coldness, for his unconcerned yet
+respectful eye.
+
+"There's Nelly Nolan would dance after him to the world's end," said Shon
+McGann to Pierre one day; "and the Widdy Jerome herself, wid her flamin'
+cheeks and the wild fun in her eye, croons like a babe at the breast as
+he slides out his cash on the bar; and over on Gansonby's Flat there's--"
+
+"There's many a fool, 'voila,'" sharply interjected Pierre, as he pushed
+the needle through a button he was sewing on his coat.
+
+"Bedad, there's a pair of fools here, anyway, I say; for the women might
+die without lift at waist or brush of lip, and neither of ye'd say,
+'Here's to the joy of us, goddess, me own!'"
+
+Pierre seemed to be intently watching the needlepoint as it pierced up
+the button-eye, and his reply was given with a slowness corresponding to
+the sedate passage of the needle. "Wendling, you think, cares nothing
+for women? Well, men who are like that cared once for one woman, and
+when that was over--But, pshaw! I will not talk. You are no thinker,
+Shon McGann. You blunder through the world. And you'll tremble as much
+to a woman's thumb in fifty years as now."
+
+"By the holy smoke," said Shon, "though I tremble at that, maybe, I'll
+not tremble, as Wendling, at nothing at all." Here Pierre looked up
+sharply, then dropped his eyes on his work again. Shon lapsed suddenly
+into a moodiness.
+
+"Yes," said Pierre, "as Wendling, at nothing at all? Well?"
+
+"Well, this, Pierre, for you that's a thinker from me that's none. I was
+walking with him in Red Glen yesterday. Sudden he took to shiverin', and
+snatched me by the arm, and a mad look shot out of his handsome face.
+'Hush!' says he. I listened. There was a sound like the hard rattle of
+a creek over stones, and then another sound behind that. 'Come quick,'
+says he, the sweat standin' thick on him; and he ran me up the bank--for
+it was at the beginnin' of the Glen where the sides were low--and there
+we stood pantin' and starin' flat at each other. 'What's that? and
+what's got its hand on ye? for y' are cold as death, an' pinched in the
+face, an' you've bruised my arm,' said I. And he looked round him slow
+and breathed hard, then drew his fingers through the sweat on his cheek.
+'I'm not well, and I thought I heard--you heard it; what was it like?'
+said he; and he peered close at me. 'Like water,' said I; 'a little
+creek near, and a flood comin' far off.' 'Yes, just that,' said he; 'it's
+some trick of wind in the place, but it makes a man foolish, and an inch
+of brandy would be the right thing.' I didn't say no to that. And on we
+came, and brandy we had with a wish in the eye of Nelly Nolan that'd warm
+the heart of a tomb. . . . And there's a cud for your chewin',
+Pierre. Think that by the neck and the tail, and the divil absolve ye."
+
+During this, Pierre had finished with the button. He had drawn on his
+coat and lifted his hat, and now lounged, trying the point of the needle
+with his forefinger. When Shon ended, he said with a sidelong glance:
+"But what did you think of all that, Shon?"
+
+"Think! There it was! What's the use of thinkin'? There's many a trick
+in the world with wind or with spirit, as I've seen often enough in ould
+Ireland, and it's not to be guessed by me." Here his voice got a little
+lower and a trifle solemn. "For, Pierre," spoke he, "there's what's more
+than life or death, and sorra wan can we tell what it is; but we'll know
+some day whin--"
+
+"When we've taken the leap at the Almighty Ditch," said Pierre, with a
+grave kind of lightness. "Yes, it is all strange. But even the Almighty
+Ditch is worth the doing: nearly everything is worth the doing; being
+young, growing old, fighting, loving--when youth is on--hating, eating,
+drinking, working, playing big games. All is worth it except two
+things."
+
+"And what are they, bedad?"
+
+"Thy neighbour's wife and murder. Those are horrible. They double on a
+man one time or another; always."
+
+Here, as in curiosity, Pierre pierced his finger with the needle, and
+watched the blood form in a little globule. Looking at it meditatively
+and sardonically, he said: "There is only one end to these. Blood for
+blood is a great matter; and I used to wonder if it would not be terrible
+for a man to see his death coming on him drop by drop, like that." He
+let the spot of blood fall to the floor. "But now I know that there is a
+punishment worse than that . . . 'mon Dieu!' worse than that," he
+added.
+
+Into Shon's face a strange look had suddenly come. "Yes, there's
+something worse than that, Pierre."
+
+"So, 'bien?'"
+
+Shon made the sacred gesture of his creed. "To be punished by the dead.
+And not see them--only hear them." And his eyes steadied firmly to the
+other's.
+
+Pierre was about to reply, but there came the sound of footsteps through
+the open door, and presently Wendling entered slowly. He was pale and
+worn, and his eyes looked out with a searching anxiousness. But that did
+not render him less comely. He had always dressed in black and white,
+and this now added to the easy and yet severe refinement of his person.
+His birth and breeding had occurred in places unfrequented by such as
+Shon and Pierre; but plains and wild life level all; and men are friends
+according to their taste and will, and by no other law. Hence these with
+Wendling. He stretched out his hand to each without a word. The hand-
+shake was unusual; he had little demonstration ever. Shon looked up
+surprised, but responded. Pierre followed with a swift, inquiring look;
+then, in the succeeding pause, he offered cigarettes. Wendling took one;
+and all, silent, sat down. The sun streamed intemperately through the
+doorway, making a broad ribbon of light straight across the floor to
+Wendling's feet. After lighting his cigarette, he looked into the
+sunlight for a moment, still not speaking. Shon meanwhile had started
+his pipe, and now, as if he found the silence awkward,--"It's a day for
+God's country, this," he said: "to make man a Christian for little or
+much, though he play with the Divil betunewhiles." Without looking at
+them, Wendling said, in a low voice: "It was just such a day, down there
+in Quebec, when It happened. You could hear the swill of the river, the
+water licking the piers, and the saws in the Big Mill and the Little Mill
+as they marched through the timber, flashing their teeth like bayonets.
+It's a wonderful sound on a hot, clear day--that wild, keen singing of
+the saws, like the cry of a live thing fighting and conquering. Up from
+the fresh-cut lumber in the yards there came a smell like the juice of
+apples, and the sawdust, as you thrust your hand into it, was as cool and
+soft as the leaves of a clove-flower in the dew. On these days the town
+was always still. It looked sleeping, and you saw the heat quivering up
+from the wooden walls and the roofs of cedar shingles as though the
+houses were breathing."
+
+Here he paused, still intent on the shaking sunshine. Then he turned to
+the others as if suddenly aware that he had been talking to them. Shon
+was about to speak, but Pierre threw a restraining glance, and, instead,
+they all looked through the doorway and beyond. In the settlement below
+they saw the effect that Wendling had described. The houses breathed.
+A grasshopper went clacking past, a dog at the door snapped up a fly; but
+there seemed no other life of day. Wendling nodded his head towards the
+distance. "It was quiet, like that. I stood and watched the mills and
+the yards, and listened to the saws, and looked at the great slide, and
+the logs on the river: and I said ever to myself that it was all mine--
+all. Then I turned to a big house on the hillock beyond the cedars,
+whose windows were open, with a cool dusk lying behind them. More than
+all else, I loved to think I owned that house and what was in it. . . .
+She was a beautiful woman. And she used to sit in a room facing the
+mill--though the house fronted another way--thinking of me, I did not
+doubt, and working at some delicate needle-stuff. There never had been a
+sharp word between us, save when I quarrelled bitterly with her brother,
+and he left the mill and went away. But she got over that mostly, though
+the lad's name was, never mentioned between us. That day I was so hungry
+for the sight of her that I got my field-glass--used to watch my vessels
+and rafts making across the bay--and trained it on the window where I
+knew she sat. I thought, it would amuse her, too, when I went back at
+night, if I told her what she had been doing. I laughed to myself at the
+thought of it as I adjusted the glass. . . . I looked. . . .
+There was no more laughing. . . . I saw her, and in front of her a
+man, with his back half on me. I could not recognise him, though at the
+instant I thought he was something familiar. I failed to get his face at
+all. Hers I found indistinctly. But I saw him catch her playfully by
+the chin! After a little they rose. He put his arm about her and kissed
+her, and he ran his fingers through her hair. She had such fine golden
+hair--so light, and it lifted to every breath. Something got into my
+brain. I know now it was the maggot which sent Othello mad. The world
+in that hour was malicious, awful. . . .
+
+"After a time--it seemed ages, she and everything had receded so far--
+I went . . . home. At the door I asked the servant who had been
+there. She hesitated, confused, and then said the young curate of the
+parish. I was very cool: for madness is a strange thing; you see
+everything with an intense aching clearness--that is the trouble. . . .
+She was more kind than common. I do not think I was unusual. I was
+playing a part well, my grandmother had Indian blood like yours, Pierre,
+and I was waiting. I was even nicely critical of her to myself. I
+balanced the mole on her neck against her general beauty; the curve of
+her instep, I decided, was a little too emphatic. I passed her backwards
+and forwards, weighing her at every point; but yet these two things were
+the only imperfections. I pronounced her an exceeding piece of art--and
+infamy. I was much interested to see how she could appear perfect in her
+soul. I encouraged her to talk. I saw with devilish irony that an angel
+spoke. And, to cap it all, she assumed the fascinating air of the
+mediator--for her brother; seeking a reconciliation between us. Her
+amazing art of person and mind so worked upon me that it became
+unendurable; it was so exquisite--and so shameless. I was sitting where
+the priest had sat that afternoon; and when she leaned towards me I
+caught her chin lightly and trailed my fingers through her hair as he
+had done: and that ended it, for I was cold, and my heart worked with
+horrible slowness. Just as a wave poises at its height before breaking
+upon the shore, it hung at every pulse-beat, and then seemed to fall over
+with a sickening thud. I arose, and acting still, spoke impatiently of
+her brother. Tears sprang to her eyes. Such divine dissimulation,
+I thought--too good for earth. She turned to leave the room, and I did
+not stay her. Yet we were together again that night. . . . I was
+only waiting."
+
+The cigarette had dropped from his fingers to the floor, and lay there
+smoking. Shon's face was fixed with anxiety; Pierre's eyes played
+gravely with the sunshine. Wendling drew a heavy breath, and then went
+on.
+
+"Again, next day, it was like this-the world draining the heat. . . .
+I watched from the Big Mill. I saw them again. He leaned over her chair
+and buried his face in her hair. The proof was absolute now. . . .
+I started away, going a roundabout, that I might not be seen. It took me
+some time. I was passing through a clump of cedar when I saw them making
+towards the trees skirting the river. Their backs were on me. Suddenly
+they diverted their steps--towards the great slide, shut off from water
+this last few months, and used as a quarry to deepen it. Some petrified
+things had been found in the rocks, but I did not think they were going
+to these. I saw them climb down the rocky steps; and presently they were
+lost to view. The gates of the slide could be opened by machinery from
+the Little Mill. A terrible, deliciously malignant thought came to me.
+I remember how the sunlight crept away from me and left me in the dark.
+I stole through that darkness to the Little Mill. I went to the
+machinery for opening the gates. Very gently I set it in motion, facing
+the slide as I did so. I could see it through the open sides of the
+mill. I smiled to think what the tiny creek, always creeping through a
+faint leak in the gates and falling with a granite rattle on the stones,
+would now become. I pushed the lever harder--harder. I saw the gates
+suddenly give, then fly open, and the river sprang roaring massively
+through them. I heard a shriek through the roar. I shuddered; and a
+horrible sickness came on me. . . . And as I turned from the
+machinery, I saw the young priest coming at me through a doorway! . . .
+It was not the priest and my wife that I had killed; but my wife and her
+brother. . . ."
+
+He threw his head back as though something clamped his throat. His voice
+roughened with misery. "The young priest buried them both, and people
+did not know the truth. They were even sorry for me. But I gave up the
+mills--all; and I became homeless . . . this."
+
+Now he looked up at the two men, and said: "I have told you because you
+know something, and because there will, I think, be an end soon." He got
+up and reached out a trembling hand for a cigarette. Pierre gave him
+one. "Will you walk with me?" he asked.
+
+Shon shook his head. "God forgive you," he replied, "I can't do it."
+
+But Wendling and Pierre left the hut together. They walked for an hour,
+scarcely speaking, and not considering where they went. At last Pierre
+mechanically turned to go down into Red Glen. Wendling stopped short,
+then, with a sighing laugh, strode on. "Shoo has told you what happened
+here?" he said.
+
+Pierre nodded.
+
+"And you know what came once when you walked with me.... The dead can
+strike," he added. Pierre sought his eye. "The minister and the girl
+buried together that day," he said, "were--"
+
+He stopped, for behind him he heard the sharp, cold trickle of water.
+Silent they walked on. It followed them. They could not get out of the
+Glen now until they had compassed its length--the walls were high. The
+sound grew. The men faced each other.
+
+"Good-bye," said Wendling; and he reached out his hand swiftly. But
+Pierre heard a mighty flood groaning on them, and he blinded as he
+stretched his arm in response. He caught at Wendling's shoulder, but
+felt him lifted and carried away, while he himself stood still in a
+screeching wind and heard impalpable water rushing over him. In a minute
+it was gone; and he stood alone in Red Glen.
+
+He gathered himself up and ran. Far down, where the Glen opened to the
+plain, he found Wendling. The hands were wrinkled; the face was cold;
+the body was wet: the man was drowned and dead.
+
+
+
+
+
+
+IN PIPI VALLEY
+
+"Divils me darlins, it's a memory I have of a time whin luck wasn't
+foldin' her arms round me, and not so far back aither, and I on the
+wallaby track hot-foot for the City o' Gold."
+
+Shon McGann said this in the course of a discussion on the prosperity of
+Pipi Valley. Pretty Pierre remarked nonchalantly in reply,--"The wallaby
+track--eh--what is that, Shon?"
+
+"It's a bit of a haythen y' are, Pierre. The wallaby track? That's the
+name in Australia for trampin' west through the plains of the Never-Never
+Country lookin' for the luck o' the world; as, bedad, it's meself that
+knows it, and no other, and not by book or tellin' either, but with the
+grip of thirst at me throat and a reef in me belt every hour to quiet the
+gnawin'." And Shon proceeded to light his pipe afresh.
+
+"But the City o' Gold-was there much wealth for you there, Shon?"
+
+Shon laughed, and said between the puffs of smoke, "Wealth for me, is it?
+Oh, mother o' Moses! wealth of work and the pride of livin' in the heart
+of us, and the grip of an honest hand betunewhiles; and what more do y'
+want, Pierre?"
+
+The Frenchman's drooping eyelids closed a little more, and he replied,
+meditatively: "Money? No, that is not Shon McGann. The good fellowship
+of thirst?--yes, a little. The grip of the honest hand, quite, and the
+clinch of an honest waist? Well, 'peut-etre.'
+
+"Of the waist which is not honest?--tsh! he is gay--and so!"
+
+The Irishman took his pipe from his mouth, and held it poised before him.
+He looked inquiringly and a little frowningly at the other for a moment,
+as if doubtful whether to resent the sneer that accompanied the words
+just spoken; but at last he good-humouredly said: "Blood o' me bones, but
+it's much I fear the honest waist hasn't always been me portion--Heaven
+forgive me!"
+
+"'Nom de pipe,' this Irishman!" replied Pierre. "He is gay; of good
+heart; he smiles, and the women are at his heels; he laughs, and they are
+on their knees--Such a fool he is!"
+
+Still Shon McGann laughed.
+
+"A fool I am, Pierre, or I'd be in ould Ireland at this minute, with a
+roof o' me own over me and the friends o' me youth round me, and brats
+on me knee, and the fear o' God in me heart."
+
+"'Mais,' Shon," mockingly rejoined the Frenchman, "this is not Ireland,
+but there is much like that to be done here. There is a roof, and there
+is that woman at Ward's Mistake, and the brats--eh, by and by?"
+
+Shon's face clouded. He hesitated, then replied sharply: "That woman, do
+y' say, Pierre, she that nursed me when the Honourable and meself were
+taken out o' Sandy Drift, more dead than livin'; she that brought me back
+to life as good as ever, barrin' this scar on me forehead and a stiffness
+at me elbow, and the Honourable as right as the sun, more luck to him!
+which he doesn't need at all, with the wind of fortune in his back and
+shiftin' neither to right nor left. --That woman! faith, y'd better not
+cut the words so sharp betune yer teeth, Pierre."
+
+"But I will say more--a little--just the same. She nursed you--well,
+that is good; but it is good also, I think, you pay her for that, and
+stop the rest. Women are fools, or else they are worse. This one? She
+is worse. Yes; you will take my advice, Shon McGann." The Irishman came
+to his feet with a spring, and his words were angry.
+
+"It doesn't come well from Pretty Pierre, the gambler, to be revilin'
+a woman; and I throw it in y'r face, though I've slept under the same
+blanket with ye, an' drunk out of the same cup on manny a tramp, that you
+lie dirty and black when ye spake ill--of my wife."
+
+This conversation had occurred in a quiet corner of the bar-room of the
+Saints' Repose. The first few sentences had not been heard by the others
+present; but Shon's last speech, delivered in a ringing tone, drew the
+miners to their feet, in expectation of seeing shots exchanged at once.
+The code required satisfaction, immediate and decisive. Shon was not
+armed, and some one thrust a pistol towards him; but he did not take it.
+Pierre rose, and coming slowly to him, laid a slender finger on his
+chest, and said:
+
+"So! I did not know that she was your wife. That is a surprise."
+
+The miners nodded assent. He continued:
+
+"Lucy Rives your wife! Hola, Shon McGann, that is such a joke."
+
+"It's no joke, but God's truth, and the lie is with you, Pierre."
+
+Murmurs of anticipation ran round the room; but the half-breed said:
+"There will be satisfaction altogether; but it is my whim to prove what
+I say first; then"--fondling his revolver--"then we shall settle. But,
+see: you will meet me here at ten o'clock to-night, and I will make it,
+I swear to you, so clear, that the woman is vile."
+
+The Irishman suddenly clutched the gambler, shook him like a dog, and
+threw him against the farther wall. Pierre's pistol was levelled from
+the instant Shon moved; but he did not use it. He rose on one knee after
+the violent fall, and pointing it at the other's head, said coolly: "I
+could kill you, my friend, so easy! But it is not my whim. Till ten
+o'clock is not long to wait, and then, just here, one of us shall die.
+Is it not so?" The Irishman did not flinch before the pistol. He said
+with low fierceness, "At ten o'clock, or now, or any time, or at any
+place, y'll find me ready to break the back of the lies y've spoken, or
+be broken meself. Lucy Rives is my wife, and she's true and straight as
+the sun in the sky. I'll be here at ten o'clock, and as ye say, Pierre,
+one of us makes the long reckoning for this." And he opened the door and
+went out.
+
+The half-breed moved to the bar, and, throwing down a handful of silver,
+said: "It is good we drink after so much heat. Come on, come on,
+comrades."
+
+The miners responded to the invitation. Their sympathy was mostly with
+Shon McGann; their admiration was about equally divided; for Pretty
+Pierre had the quality of courage in as active a degree as the Irishman,
+and they knew that some extraordinary motive, promising greater
+excitement, was behind the Frenchman's refusal to send a bullet
+through Shon's head a moment before.
+
+King Kinkley, the best shot in the Valley next to Pierre, had watched the
+unusual development of the incident with interest; and when his glass had
+been filled he said, thoughtfully: "This thing isn't according to Hoyle.
+There's never been any trouble just like it in the Valley before. What's
+that McGann said about the lady being his wife? If it's the case, where
+hev we been in the show? Where was we when the license was around? It
+isn't good citizenship, and I hev my doubts."
+
+Another miner, known as the Presbyterian, added: "There's some
+skulduggery in it, I guess. The lady has had as much protection as if
+she was the sister of every citizen of the place, just as much as Lady
+Jane here (Lady Jane, the daughter of the proprietor of the Saints'
+Repose, administered drinks), and she's played this stacked hand on us,
+has gone one better on the sly."
+
+"Pierre," said King Kinkley, "you're on the track of the secret, and
+appear to hev the advantage of the lady: blaze it--blaze it out."
+
+Pierre rejoined, "I know something; but it is good we wait until ten
+o'clock. Then I will show you all the cards in the pack. Yes, so,
+'bien sur.'"
+
+And though there was some grumbling, Pierre had his way. The spirit of
+adventure and mutual interest had thrown the French half-breed, the
+Irishman, and the Hon. Just Trafford together on the cold side of the
+Canadian Rockies; and they had journeyed to this other side, where the
+warm breath from the Pacific passed to its congealing in the ranges.
+They had come to the Pipi field when it was languishing. From the moment
+of their coming its luck changed; it became prosperous. They conquered
+the Valley each after his kind. The Honourable--he was always called
+that--mastered its resources by a series of "great lucks," as Pierre
+termed it, had achieved a fortune, and made no enemies; and but two
+months before the day whose incidents are here recorded, had gone to the
+coast on business. Shon had won the reputation of being a "white man,"
+to say nothing of his victories in the region of gallantry. He made no
+wealth; he only got that he might spend. Irishman-like he would barter
+the chances of fortune for the lilt of a voice or the clatter of a pretty
+foot.
+
+Pierre was different. "Women, ah, no!" he would say, "they make men
+fools or devils."
+
+His temptation lay not that way. When the three first came to the Pipi,
+Pierre was a miner, simply; but nearly all his life he had been something
+else, as many a devastated pocket on the east of the Rockies could bear
+witness; and his new career was alien to his soul. Temptation grew
+greatly on him at the Pipi, and in the days before he yielded to it he
+might have been seen at midnight in his but playing solitaire. Why he
+abstained at first from practising his real profession is accounted for
+in two ways: he had tasted some of the sweets of honest companionship
+with the Honourable and Shon, and then he had a memory of an ugly night
+at Pardon's Drive a year before, when he stood over his own brother's
+body, shot to death by accident in a gambling row having its origin with
+himself. These things had held him back for a time; but he was weaker
+than his ruling passion.
+
+The Pipi was a young and comparatively virgin field; the quarry was at
+his hand. He did not love money for its own sake; it was the game that
+enthralled him. He would have played his life against the treasury of a
+kingdom, and, winning it with loaded double sixes, have handed back the
+spoil as an unredeemable national debt.
+
+He fell at last, and in falling conquered the Pipi Valley; at the same
+time he was considered a fearless and liberal citizen, who could shoot as
+straight as he played well. He made an excursion to another field,
+however, at an opportune time, and it was during this interval that the
+accident to Shon and the Honourable had happened. He returned but a few
+hours before this quarrel with Shon occurred, and in the Saints' Repose,
+whither he had at once gone, he was told of the accident. While his
+informant related the incident and the romantic sequence of Shon's
+infatuation, the woman passed the tavern and was pointed out to Pierre.
+The half-breed had not much excitableness in his nature, but when he saw
+this beautiful woman with a touch of the Indian in her contour, his pale
+face flushed, and he showed his set teeth under his slight moustache.
+He watched her until she entered a shop, on the signboard of which was
+written--written since he had left a few months ago--Lucy Rives,
+Tobacconist.
+
+Shon had then entered the Saints' Repose; and we know the rest. A couple
+of hours after this nervous episode, Pierre might have been seen standing
+in the shadow of the pines not far from the house at Ward's Mistake,
+where, he had been told, Lucy Rives lived with an old Indian woman. He
+stood, scarcely moving, and smoking cigarettes, until the door opened.
+Shon came out and walked down the hillside to the town. Then Pierre went
+to the door, and without knocking, opened it, and entered. A woman
+started up from a seat where she was sewing, and turned towards him.
+As she did so, the work, Shon's coat, dropped from her hands, her face
+paled, and her eyes grew big with fear. She leaned against a chair for
+support--this man's presence had weakened her so. She stood silent, save
+for a slight moan that broke from her lips, as Pierre lighted a cigarette
+coolly, and then said to an old Indian woman who sat upon the floor
+braiding a basket: "Get up, Ikni, and go away."
+
+Ikni rose, came over, and peered into the face of the half-breed. Then
+she muttered: "I know you--I know you. The dead has come back again."
+She caught his arm with her bony fingers as if to satisfy herself that he
+was flesh and blood, and shaking her head dolefully, went from the room.
+When the door closed behind her there was silence, broken only by an
+exclamation from the man.
+
+The other drew her hand across her eyes, and dropped it with a motion of
+despair. Then Pierre said, sharply: "Bien?"
+
+"Francois," she replied, "you are alive!"
+
+"Yes, I am alive, Lucy."
+
+She shuddered, then grew still again and whispered: "Why did you let it
+be thought that you were drowned? Why? Oh, why?" she moaned.
+
+He raised his eyebrows slightly, and between the puffs of smoke, said:
+
+"Ah yes, my Lucy, why? It was so long ago. Let me see: so--so--ten
+years. Ten years is a long time to remember, eh?"
+
+He came towards her. She drew back; but her hand remained on the chair.
+He touched the plain gold ring on her finger, and said:
+
+"You still wear it. To think of that--so loyal for a woman! How she
+remembers, holy Mother! . . . But shall I not kiss you, yes, just
+once after eight years--my wife?"
+
+She breathed hard and drew back against the wall, dazed and frightened,
+and said:
+
+"No, no, do not come near me; do not speak to me--ah, please, stand back,
+for a moment--please!"
+
+He shrugged his shoulders slightly, and continued, with mock tenderness:
+
+"To think that things come round so! And here you have a home. But that
+is good. I am tired of much travel and life all alone. The prodigal
+goes not to the home, the home comes to the prodigal." He stretched up
+his arms as if with a feeling of content.
+
+"Do you--do you not know," she said, "that--that--"
+
+He interrupted her:
+
+"Do I not know, Lucy, that this is your home? Yes. But is it not all
+the same? I gave you a home ten years ago--to think, ten years ago!
+We quarrelled one night, and I left you. Next morning my boat was found
+below the White Cascade--yes, but that was so stale a trick! It was not
+worthy of Francois Rives. He would do it so much better now; but he was
+young then; just a boy, and foolish. Well, sit down, Lucy, it is a long
+story, and you have much to tell, how much--who knows?" She came slowly
+forward and said with a painful effort:
+
+"You did a great wrong, Francois. You have killed me.
+
+"Killed you, Lucy, my wife! Pardon! Never in those days did you look so
+charming as now--never. But the great surprise of seeing your husband,
+it has made you shy, quite shy. There will be much time now for you to
+change all that. It is quite pleasant to think on, Lucy. . . . You
+remember the song we used to sing on the Chaudiere at St. Antoine? See,
+I have not forgotten it--
+
+ "'Nos amants sont en guerre,
+ Vole, mon coeur, vole.'"
+
+He hummed the lines over and over, watching through his half-shut eyes
+the torture he was inflicting.
+
+"Oh, Mother of God," she whispered, "have mercy! Can you not see, do you
+not know? I am not as you left me."
+
+"Yes, my wife, you are just the same; not an hour older. I am glad that
+you have come to me. But how they will envy Pretty Pierre!"
+
+"Envy--Pretty-Pierre," she repeated, in distress; "are you Pretty Pierre?
+Ah, I might have known, I might have known!"
+
+"Yes, and so! Is not Pretty Pierre as good a name as Francois Rives?
+Is it not as good as Shon McGann?"
+
+"Oh, I see it all, I see it all now!" she said mournfully. "It was with
+you he quarrelled, and about me. He would not tell me what it was. You
+know, then, that I am--that I am married--to him?"
+
+"Quite. I know all that; but it is no marriage." He rose to his feet
+slowly, dropping the cigarette from his lips as he did so. "Yes," he
+continued, "and I know that you prefer Shon McGann to Pretty Pierre."
+
+She spread out her hands appealingly.
+
+"But you are my wife, not his. Listen: do you know what I shall do?
+I will tell you in two hours. It is now eight o'clock. At ten o'clock
+Shon McGann will meet me at the Saints' Repose. Then you shall know....
+Ah, it is a pity! Shon was my good friend, but this spoils all that.
+Wine--it has danger; cards--there is peril in that sport; women--they
+make trouble most of all."
+
+"O God," she piteously said, "what did I do? There was no sin in me.
+I was your faithful wife, though you were cruel to me. You left me,
+cheated me, brought this upon me. It is you that has done this
+wickedness, not I." She buried her face in her hands, falling on her
+knees beside the chair.
+
+He bent above her: "You loved the young avocat better, eight years ago."
+
+She sprang to her feet. "Ah, now I understand,' she said. "That was why
+you quarrelled with me; why you deserted me. You were not man enough to
+say what made you so much the--so wicked and hard, so--"
+
+"Be thankful, Lucy, that I did not kill you then," he interjected.
+
+"But it is a lie," she cried; "a lie!"
+
+She went to the door and called the Indian woman. "Ikni," she said.
+"He dares to say evil of Andre and me. Think--of Andre!"
+
+Ikni came to him, put her wrinkled face close to his, and said: "She was
+yours, only yours; but the spirits gave you a devil. Andre, oh, oh,
+Andre! The father of Andre was her father--ah, that makes your sulky
+eyes to open. Ikni knows how to speak. Ikni nursed them both. If you
+had waited you should have known. But you ran away like a wolf from a
+coal of fire; you shammed death like a fox; you come back like the snake
+to crawl into the house and strike with poison tooth, when you should be
+with the worms in the ground. But Ikni knows--you shall be struck with
+poison too, the Spirit of the Red Knife waits for you. Andre was her
+brother."
+
+He pushed her aside savagely: "Be still!" he said. "Get out-quick.
+'Sacre'--quick!"
+
+When they were alone again he continued with no anger in his tone: "So,
+Andre the avocat and you--that, eh? Well, you see how much trouble has
+come; and now this other--a secret too. When were you married to Shon
+McGann?"
+
+"Last night," she bitterly replied; "a priest came over from the Indian
+village."
+
+"Last night," he musingly repeated. "Last night I lost two thousand
+dollars at the Little Goshen field. I did not play well last night;
+I was nervous. In ten years I had not lost so much at one game as I did
+last night. It was a punishment for playing too honest, or something;
+eh, what do you think, Lucy--or something, 'hein?'"
+
+She said nothing, but rocked her body to and fro.
+
+"Why did you not make known the marriage with Shon?"
+
+"He was to have told it to-night," she said.
+
+There was silence for a moment, then a thought flashed into his eyes, and
+he rejoined with a jarring laugh, "Well, I will play a game to-night,
+Lucy Rives; such a game that Pretty Pierre will never be forgotten in the
+Pipi Valley--a beautiful game, just for two. And the other who will
+play--the wife of Francois Rives shall see if she will wait; but she must
+be patient, more patient than her husband was ten years ago."
+
+"What will you do--tell me, what will you do?"
+
+"I will play a game of cards--just one magnificent game; and the cards
+shall settle it. All shall be quite fair, as when you and I played in
+the little house by the Chaudiere--at first, Lucy,--before I was a
+devil."
+
+Was this peculiar softness to his last tones assumed or real? She looked
+at him inquiringly; but he moved away to the window, and stood gazing
+down the hillside towards the town below. His eyes smarted.
+
+"I will die," she said to herself in whispers--"I will die." A minute
+passed, and then Pierre turned and said to her: "Lucy, he is coming up
+the hill. Listen. If you tell him that I have seen you, I will shoot
+him on sight, dead. You would save him, for a little, for an hour or
+two--or more? Well, do as I say; for these things must be according to
+the rules of the game, and I myself will tell him all at the Saints'
+Repose. He gave me the lie there, and I will tell him the truth before
+them all there. Will you do as I say?"
+
+She hesitated an instant, and then replied: "I will not tell him."
+
+"There is only one way, then," he continued. "You must go at once from
+here into the woods behind there, and not see him at all. Then at ten
+o'clock you will come to the Saints' Repose, if you choose, to know how
+the game has ended."
+
+She was trembling, moaning, no longer. A set look had come into her
+face; her eyes were steady and hard. She quietly replied: "Yes, I shall
+be there."
+
+He came to her, took her hand, and drew from her finger the wedding-ring
+which last night Shon McGann had placed there. She submitted passively.
+Then, with an upward wave of his fingers, he spoke in a mocking
+lightness, but without any of the malice which had first appeared in his
+tones, words from an old French song:
+
+ "I say no more, my lady
+ Mironton, Mironton, Mirontaine!
+ I say no more, my lady,
+ As nought more can be said."
+
+He opened the door, motioned to the Indian woman, and, in a few moments,
+the broken-hearted Lucy Rives and her companion were hidden in the pines;
+and Pretty Pierre also disappeared into the shadow of the woods as Shon
+McGann appeared on the crest of the hill.
+
+The Irishman walked slowly to the door, and pausing, said to himself:
+"I couldn't run the big risk, me darlin', without seein' you again, God
+help me! There's danger ahead which little I'd care for if it wasn't for
+you."
+
+Then he stepped inside the house--the place was silent; he called, but no
+one answered; he threw open the doors of the rooms, but they were empty;
+he went outside and called again, but no reply came, except the flutter
+of a night-hawk's wings and the cry of a whippoorwill. He went back into
+the house and sat down with his head between his hands. So, for a
+moment, and then he raised his head, and said with a sad smile: "Faith,
+Shon, me boy, this takes the life out of you! the empty house where she
+ought to be, and the smile of her so swate, and the hand of her that
+falls on y'r shoulder like a dove on the blessed altar-gone, and lavin'
+a chill on y'r heart like a touch of the dead. Sure, nivir a wan of me
+saw any that could stand wid her for goodness, barrin' the angel that
+kissed me good-bye with one foot in the stirrup an' the troopers behind
+me, now twelve years gone, in ould Donegal, and that I'll niver see
+again, she lyin' where the hate of the world will vex the heart of her no
+more, and the masses gone up for her soul. Twice, twice in y'r life,
+Shon McGann, has the cup of God's joy been at y'r lips, and is it both
+times that it's to spill?--Pretty Pierre shoots straight and sudden, and
+maybe it's aisy to see the end of it; but as the just God is above us,
+I'll give him the lie in his throat betimes for the word he said agin me
+darlin'. What's the avil thing that he has to say? What's the divil's
+proof he would bring? And where is she now? Where are you, Lucy? I
+know the proof I've got in me heart that the wreck of the world couldn't
+shake, while that light, born of Heaven, swims up to your eyes whin you
+look at me!"
+
+He rose to his feet again and walked to and fro; he went once more to the
+doors; he looked here and there through the growing dusk, but to no
+purpose. She had said that she would not go to her shop this night; but
+if not, then where could she have gone and Ikni, too? He felt there was
+more awry in his life than he cared to put into thought or speech. He
+picked up the sewing she had dropped and looked at it as one would regard
+a relic of the dead; he lifted her handkerchief, kissed it, and put it in
+his breast. He took a revolver from his pocket and examined it closely,
+looked round the room as though to fasten it in his memory, and then
+passed out, closing the door behind him. He walked down the hillside and
+went to her shop in the one street of the town, but she was not there,
+nor had the lad in charge seen her.
+
+Meanwhile, Pretty Pierre had made his way to the Saints' Repose, and was
+sitting among the miners indolently smoking. In vain he was asked to
+play cards. His one reply was, "No, pardon, no! I play one game only
+to-night, the biggest game ever played in Pipi Valley." In vain, also,
+was he asked to drink. He refused the hospitality, defying the danger
+that such lack of good-fellowship might bring forth. He hummed in
+patches to himself the words of a song that the 'brules' were wont to
+sing when they hunted the buffalo:
+
+ "'Voila!' it is the sport to ride--
+ Ah, ah the brave hunter!
+
+ To thrust the arrow in his hide,
+ To send the bullet through his side
+ 'Ici,' the buffalo, 'joli!'
+ Ah, ah the buffalo!"
+
+He nodded here and there as men entered; but he did not stir from his
+seat. He smoked incessantly, and his eyes faced the door of the bar-room
+that entered upon the street. There was no doubt in the minds of any
+present that the promised excitement would occur. Shon McGann was as
+fearless as he was gay. And Pipi Valley remembered the day in which he
+had twice risked his life to save two women from a burning building--Lady
+Jane and another. And Lady Jane this evening was agitated, and once or
+twice furtively looked at something under the bar-counter; in fact, a
+close observer would have noticed anger or anxiety in the eyes of the
+daughter of Dick Waldron, the keeper of the Saints' Repose. Pierre would
+certainly have seen it had he been looking that way. An unusual
+influence was working upon the frequenters of the busy tavern. Planned,
+premeditated excitement was out of their line. Unexpectedness was the
+salt of their existence. This thing had an air of system not in accord
+with the suddenness of the Pipi mind. The half-breed was the only one
+entirely at his ease; he was languid and nonchalant; the long lashes of
+his half-shut eyelids gave his face a pensive look. At last King Kinkley
+walked over to him and said: "There's an almighty mysteriousness about
+this event which isn't joyful, Pretty Pierre. We want to see the muss
+cleared up, of course; we want Shon McGann to act like a high-toned
+citizen, and there's a general prejudice in favour of things bein' on the
+flat of your palm, as it were. Now this thing hangs fire, and there's a
+lack of animation about it, isn't there?"
+
+To this, Pretty Pierre replied: "What can I do? This is not like other
+things; one had to wait; great things take time. To shoot is easy; but
+to shoot is not all, as you shall see if you have a little patience.
+Ah, my friend, where there is a woman, things are different. I throw a
+glass in your face, we shoot, someone dies, and there it is quite plain
+of reason; you play a card which was dealt just now, I call you--
+something, and the swiftest finger does the trick; but in such as this,
+one must wait for the sport."
+
+It was at this point that Shon McGann entered, looked round, nodded to
+all, and then came forward to the table where Pretty Pierre sat. As the
+other took out his watch, Shon said firmly but quietly: "Pierre, I gave
+you the lie to-day concerning me wife, and I'm here, as I said I'd be,
+to stand by the word I passed then."
+
+Pierre waved his fingers lightly towards the other, and slowly rose.
+Then he said in sharp tones: "Yes, Shon McGann, you gave me the lie.
+There is but one thing for that in Pipi Valley. You choked me; I would
+not take that from a saint of heaven; but there was another thing to do
+first. Well, I have done it; I said I would bring proofs--I have them."
+He paused, and now there might have been seen a shining moisture on his
+forehead, and his words came menacingly from between his teeth, while the
+room became breathlessly still, save that in the silence a sleeping dog
+sighed heavily: "Shon McGann," he added, "you are living with my wife."
+
+Twenty men drew in a sharp breath of excitement, and Shon came a step
+nearer the other, and said in a strange voice: "I--am--living--with--
+your--wife?"
+
+"As I say, with my wife, Lucy Rives. Francois Rives was my name ten
+years ago. We quarrelled. I left her, and I never saw her again until
+to-night. You went to see her two hours ago. You did not find her.
+Why? She was gone because her husband, Pierre, told her to go. You want
+a proof? You shall have it. Here is the wedding-ring you gave her last
+night."
+
+He handed it over, and Shon saw inside it his own name and hers.
+
+"My God!" he said. "Did she know? Tell me she didn't know, Pierre?"
+
+"No, she did not know. I have truth to speak to night. I was jealous,
+mad, and foolish, and I left her. My boat was found upset. They
+believed I was drowned. 'Bien,' she waited until yesterday, and then
+she took you--but she was my wife; she is my wife--and so you see!"
+
+The Irishman was deadly pale.
+
+"It's an avil heart y' had in y' then, Pretty Pierre, and it's an avil
+day that brought this thing to pass, and there's only wan way to the end
+of it."
+
+"So, that is true. There is only one way," was the reply; "but what
+shall that way be? Someone must go: there must be no mistake. I have
+to propose. Here on this table we lay a revolver. We will give up these
+which we have in our pockets. Then we will play a game of euchre, and
+the winner of the game shall have the revolver. We will play for a life.
+That is fair, eh--that is fair?" he said to those around.
+
+King Kinkley, speaking for the rest, replied: "That's about fair. It
+gives both a chance, and leaves only two when it's over. While the woman
+lives, one of you is naturally in the way. Pierre left her in a way that
+isn't handsome; but a wife's a wife, and though Shon was all in the glum
+about the thing, and though the woman isn't to be blamed either, there's
+one too many of you, and there's got to be a vacation for somebody.
+Isn't that so?"
+
+The rest nodded assent. They had been so engaged that they did not see
+a woman enter the bar from behind, and crouch down beside Lady Jane,
+a woman whom the latter touched affectionately on the shoulder and
+whispered to once or twice, while she watched the preparations for the
+game.
+
+The two men sat down, Shon facing the bar and Pierre with his back to it.
+
+The game began, neither man showing a sign of nervousness, though Shon
+was very pale. The game was to finish for ten points. Men crowded about
+the tables silent but keenly excited; cigars were chewed instead of
+smoked, and liquor was left undrunk. At the first deal Pierre made a
+march, securing two. At the next Shon made a point, and at the next also
+a march. The half-breed was playing a straight game. He could have
+stacked the cards, but he did not do so; deft as he was he might have
+cheated even the vigilant eyes about him, but it was not so; he played as
+squarely as a novice. At the third, at the fourth, deal he made a march;
+at the fifth, sixth, and seventh deals, Shon made a march, a point, and a
+march. Both now had eight points. At the next deal both got a point,
+and both stood at nine!
+
+Now came the crucial play.
+
+During the progress of the game nothing had been heard save the sound of
+a knuckle on the table, the flip flip of the pasteboard, or the rasp of a
+heel on the floor. There was a set smile on Shon's face--a forgotten
+smile, for the rest of the face was stern and tragic. Pierre smoked
+cigarettes, pausing, while his opponent was shuffling and dealing, to
+light them.
+
+Behind the bar as the game proceeded the woman who knelt beside Lady Jane
+listened to every sound. Her eyes grew more agonised as the numbers,
+whispered to her by her companion, climbed to the fatal ten.
+
+The last deal was Shon's; there was that much to his advantage. As he
+slowly dealt, the woman--Lucy Rives--rose to her feet behind Lady Jane.
+So absorbed were all that none saw her. Her eyes passed from Pierre to
+Shon, and stayed.
+
+When the cards were dealt, with but one point for either to gain, and so
+win and save his life, there was a slight pause before the two took them
+up. They did not look at one another; but each glanced at the revolver,
+then at the men nearest them, and lastly, for an instant, at the cards
+themselves, with their pasteboard faces of life and death turned
+downward. As the players picked them up at last and spread them out fan-
+like, Lady Jane slipped something into the hand of Lucy Rives.
+
+Those who stood behind Shon McGann stared with anxious astonishment at
+his hand; it contained only nine and ten spots. It was easy to see the
+direction of the sympathy of Pipi Valley. The Irishman's face turned a
+slight shade paler, but he did not tremble or appear disturbed.
+
+Pierre played his biggest card and took the point. He coolly counted
+one, and said, "Game. I win." The crowd drew back. Both rose to their
+feet. In the painful silence the half-breed's hand was gently laid on
+the revolver. He lifted it, and paused slightly, his eyes fixed to the
+steady look in those of Shon McGann. He raised the revolver again, till
+it was level with Shon's forehead, till it was even with his hair! Then
+there was a shot, and someone fell--not Shon, but Pierre, saying, as they
+caught him, "Mon Dieu! Mon Dieu! From behind!"
+
+Instantly there was another shot, and someone crashed against the bottles
+in the bar. The other factor in the game, the wife, had shot at Pierre,
+and then sent a bullet through her own lungs.
+
+Shon stood for a moment as if he was turned to stone, and then his head
+dropped in his arms upon the table. He had seen both shots fired, but
+could not speak in time.
+
+Pierre was severely but not dangerously wounded in the neck.
+
+But the woman--? They brought her out from behind the counter. She
+still breathed; but on her eyes was the film of coming death. She turned
+to where Shon sat. Her lips framed his name, but no voice came forth.
+Someone touched him on the shoulder. He looked up and caught her last
+glance. He came and stooped beside her; but she had died with that one
+glance from him, bringing a faint smile to her lips. And the smile
+stayed when the life of her had fled--fled through the cloud over her
+eyes, from the tide-beat of her pulse. It swept out from the smoke and
+reeking air into the open world, and beyond, into those untried paths
+where all must walk alone, and in what bitterness, known only to the
+Master of the World who sees these piteous things, and orders in what
+fashion distorted lives shall be made straight and wholesome in the
+Places of Readjustment.
+
+Shon stood silent above the dead body.
+
+One by one the miners went out quietly. Presently Pierre nodded towards
+the door, and King Kinkley and another lifted him and carried him towards
+it. Before they passed into the street he made them turn him so that he
+could see Shon. He waved his hand towards her that had been his wife,
+and said: "She should have shot but once and straight, Shon McGann, and
+then!--Eh, 'bien!'"
+
+The door closed, and Shon McGann was left alone with the dead.
+
+
+
+
+ETEXT EDITOR'S BOOKMARKS:
+
+Irishmen have gifts for only two things--words and women
+More idle than wicked
+Reconciling the preacher and the sinner, as many another has
+
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK PIERRE AND HIS PEOPLE, V4, PARKER ***
+
+*********** This file should be named 6177.txt or 6177.zip ***********
+
+This eBook was produced by David Widger
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+https://gutenberg.org or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+https://www.gutenberg.org/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+
diff --git a/6177.zip b/6177.zip
new file mode 100644
index 0000000..f7bb8b5
--- /dev/null
+++ b/6177.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..b448d40
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #6177 (https://www.gutenberg.org/ebooks/6177)