summaryrefslogtreecommitdiff
path: root/old
diff options
context:
space:
mode:
Diffstat (limited to 'old')
-rw-r--r--old/61372-0.txt869
-rw-r--r--old/61372-0.zipbin14705 -> 0 bytes
-rw-r--r--old/61372-h.zipbin176479 -> 0 bytes
-rw-r--r--old/61372-h/61372-h.htm1012
-rw-r--r--old/61372-h/images/cover.jpgbin68901 -> 0 bytes
-rw-r--r--old/61372-h/images/i_003.jpgbin96118 -> 0 bytes
6 files changed, 0 insertions, 1881 deletions
diff --git a/old/61372-0.txt b/old/61372-0.txt
deleted file mode 100644
index cf26c4a..0000000
--- a/old/61372-0.txt
+++ /dev/null
@@ -1,869 +0,0 @@
-The Project Gutenberg EBook of The Cruise of the Catalpa, by John J. Breslin
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: The Cruise of the Catalpa
- A Poem
-
-Author: John J. Breslin
-
-Release Date: February 11, 2020 [EBook #61372]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE CRUISE OF THE CATALPA ***
-
-
-
-
-Produced by Paul Marshall, Tim Lindell and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-
-
-
-
-Transcriber’s Notes:
-
- Underscores “_” before and after a word or phrase indicate _italics_
- in the original text.
- Small capitals have been converted to SOLID capitals.
- Typographical errors have been silently corrected.
-
-
-
-
- THE
- Cruise of the Catalpa.
-
- A POEM.
-
- BY
- JOHN J. BRESLIN,
-
- _Chief of the Rescuers of the Fenian Prisoners from
- Freemantle, Australia_.
-
- [Illustration]
-
- BOSTON:
- PRESS OF ROCKWELL & CHURCHILL,
- 39 ARCH STREET.
- 1876.
-
- Entered according to Act of Congress, in the year 1876, by
- DANIEL M. LYNCH,
- in the office of the Librarian of Congress, at Washington.
-
-
-[Illustration]
-
-
-
-
-[_Written on board the “Catalpa.”_]
-
-
-
-
- A DESCRIPTIVE POEM
- OF THE
- Rescue of the Fenian Prisoners
- FROM
- FREEMANTLE, AUSTRALIA.
-
-
- It was on Easter Monday, in ’Seventy-six,
- In Freemantle the jailers were all in a fix,
- From Fauntleroy,[1] down to Amen-timbertoe,[2]
- There was racing and chasing and bother, you know,
- For the Fenians had sliddered[3] right off in a row;
- But what’s that to any one, whether or no?
-
- Oh! Wilson and Cranston and Hogan are gone,
- With Darragh and Hassett and staunch Harrington;
- For Collins and Johnston have opened the ball,
- And to join in the dancing, out step Jones and Hall,
- And they tripped to a tune that was far from being slow;
- But what’s that to any one, whether or no?
-
- Cops,[4] warders and soldiers are running a race
- And the mounted policemen prepare to give chase;
- In the pensioner’s barracks the trumpet did blow,
- And old Finnerty’s[5] bugle was purple, I know;
- But the boys know their road, and are bound for to go;
- So what’s that to any one, whether or no?
-
- There are two trotting teams on the Rockingham road,
- From the gloom of a prison each bearing its load,
- And full hearts are beating with freedom and joy,
- As they sweep ’round the sand hills and through the Blackboy.
- With the sunlight of Hope every face is aglow;
- But what’s that to any one, whether or no?
-
- On, on through the bush, as they ride to the beach,
- In vain for his captives may Robinson[6] screech,
- And Harvest[7] may swagger to cover his fears
- As they drag out the guns of the Perth volunteers;
- But the Fenians are off; they may puff, pant and blow;
- For what’s that to any one, whether or no?
-
- Near Rockingham jetty, upon the white sand,
- With revolvers and rifles the Fenians stand—
- Gay, fearless and free, stepping into their boat;
- Shove her off! then out oars! on the waters afloat!
- Now a right saucy Yankee tar takes them in tow;
- And what’s that to any one, whether or no?
-
- Now Silvee and Toby and Mopsa give way,
- For the good ship _Catalpa_ lies out in the bay.
- “Come down, you big Louis,” the captain did roar,
- “Now what do you say, men? pull off from the shore;
- You Lombar, keep stroke; pull, men, cheerily, oh!”
- And what’s that to any one, whether or no?
-
- Now past Garden Island, and clear off the Sound,
- Make sail on the boat, pass the liquor around;
- Shift your seats, trim the boat, as she bends to the breeze,
- And light as a sea-gull skims over the seas;
- There’s a rest from the oar, while the fair breezes blow;
- And what’s that to any one, whether or no?
-
- At six in the evening we sighted the bark,
- And we steered on her track till the evening grew dark,
- When a squall coming down, with its venomous blast,
- Almost swamped our good boat, as it tore out her mast;
- So all night on the billows we tossed to and fro;
- But what’s that to any one, whether or no?
-
- Next morning at seven we raised her again,
- Topsails, mainsails and hull—we were nearing her plain,
- When we spied the _Georgette_, steaming out of the Sound,
- And we knew by her course for the bark she was bound;
- So we hauled down our sail, then lay to and lay low;
- But what’s that to any one, whether or no?
-
- So the _Georgette_ passed by bearing down on our ship;
- All safe for the present—now, boys, let her rip;
- Then we pulled in her wake for to see what she’d do,
- And beside the _Catalpa_ we saw her heave to,
- And lay alongside her ten minutes or so;
- But what’s that to any one, whether or no?
-
- See the _Georgette_ steams off, and is running inshore;
- Make sail on the boat, out with paddle and oar;
- For with every sail set, on her course down the bay,
- The good ship _Catalpa_ is bearing away.
- To gain on her now we’ve a hard row to hoe;
- But what’s that to any one, whether or no?
-
- To follow our bark we were pulling amain,
- When we saw the _Georgette_ coming for us again.
- In search of our boat she was steaming right back,
- And we almost despaired as we lay in her track;
- So we hauled down our sail and again we lay low;
- And what’s that to any one, whether or no?
-
- Still nearer and nearer the steamer came on,
- And our plan of escape seemed all shattered and gone;
- Hope faded away to a very small speck,
- As we saw her lookout and the men on her deck;
- But she passed us unseen—Fate had ordered it so;
- And what’s that to any one, whether or no?
-
- So the steamer passed on, and was soon out of sight;
- Boys, now for the bark, we must catch her ere night;
- Every stroke is for freedom—pull fast, and pull strong—
- Pull, fellows, together and send her along;
- See the bark change her course, heading for us I trow;
- And what’s that to any one, whether or no?
-
- It was two in the evening, and everything clear,
- The bark coming to us, and nothing to fear,
- When a sail on our lee, standing out from the shore,
- Set us pulling our strongest with paddle and oar;
- It’s a race for the ship, men; then row, bullies, row!
- But what’s that to any one, whether or no?
-
- With the sail on our lee, heading on for the ship,
- We pulled strong and steady, and gave her the slip;
- For beside the _Catalpa_ we tossed oars at three,
- With the water-police boat close up on her lee.
- Quick on deck now, my lads! It was just “touch and go;”
- But what’s that to any one, whether or no?
-
- Hoist the star-spangled banner, the flag of the free!
- The brightest and best that waves over the sea:
- May its stars ever brighten, its shadow increase,
- Then a fig for John Bull and his water-police.
- Wear ship! then for sea, blow you fair breezes, blow!
- And what’s that to any one, whether or no?
-
- Here’s a health to brave Anthony, pass it along,
- May his fortune be great, and his name live in song;
- Here’s to Smith, our first-mate, fill your glasses with glee,
- For a right manly, true-hearted sailor is he.
- Here’s success to the cause that we all of us know;
- But what’s that to any one, whether or no?
-
- Here’s the good ship _Catalpa_, and all her ship’s crew;
- Land of felons and jailers, here’s to you adieu,
- From your dry, sandy shores we are speeding away,
- May your fortune be brighter at no distant day;
- Here’s the land of the free, may it flourish and grow,—
- And God prosper old Ireland wherever we go.
-
-[1] Comptroller-General.
-
-[2] Nickname of the prison chaplain.
-
-[3] Prison slang, meaning slipping away.
-
-[4] Slang for police.
-
-[5] Major Finnerty, commanding the military in Freemantle; bugle being
-slang for nose, and the major’s fuddled up to the orthodox rosy red.
-
-[6] W. F. C. Robinson, Governor of West Australia, who was so eager to
-capture us that he personally assisted to put the cannon and ammunition
-on board.
-
-[7] Colonel Harvest, commander of the forces in West Australia.
-
-
-
-
-Rolling Home.
-
-
-[The following is one of his latest literary efforts,—which was
-often sung by the ship’s company,—a song entitled “Rolling Home,”
-which eminently proves that he is possessed of as much poetic fire
-and genius, as he is of tact and ability to carry out great political
-undertakings.]
-
- Right across the Indian Ocean, while the trade-wind follows fast,
- Speeds our ship with gentle motion; fear and chains behind us
- cast.
- Rolling home! rolling home! rolling home across the sea;
- Rolling home to bright Columbia; home to friends and Liberty.
-
- Through the waters blue and bright, through dark wave and hissing
- foam,
- Ever onward, with delight, we are sailing still for home;
- O’er our pathway in the sunshine flies the wide-winged albatross;
- O’er our topmast in the moonlight hangs the starry southern cross.
- Rolling home, etc., etc.
-
- By the stormy Cape now flying, with a full and flowing sail;
- See! the daylight ’round us dying on the black breast of the gale;
- See! the lightning flash above us, and the dark surge roll below;
- Here’s a health to those who love us, here’s defiance to the foe.
- Rolling home, etc., etc.
-
- Now the wide Atlantic cleaving, with our good ship speeding free,
- The dull “Cape of storms” we’re leaving far to eastward on our
- lee;
- And as homeward through the waters on the old _Catalpa_ goes,
- Ho! you fellows on the masthead, let us hear once more, “He
- blows!”
- Rolling home, etc., etc.
-
- Next by lonely St. Helena, with a steady wind we glide,
- By the rock-built, sea-girt prison where the gallant Frenchman
- died;
- With the flying-fish and porpoise sporting round us in the wave,
- With the stars and stripes of freedom floating o’er us bright and
- brave.
- Rolling home, etc., etc.
-
- Past “the Line!” and now the Dipper[8] hangs glittering in the
- sky,
- Onward still! in the blue water see the Gulf-weed[9] passing by.
- Homeward! homeward to Columbia! blow you steady breezes, blow;
- Till we hear it from the masthead, the joyful cry, “Land, ho!”
- Rolling home, etc., etc.
-
-[8] American sailors called Ursa Major the Dipper.
-
-[9] Meeting the Gulf-weed out at sea encouraged Columbus and his
-sailors to continue on their course, it being considered an indication
-of land.
-
-
-
-
-The Cruise of the Catalpa.
-
-
-_A Song written on the Homeward Voyage, and dedicated to the Crew._
-
- I’m Irish, if you like, and perhaps my name is Mike;
- I’m a land-crab, and but little of a sailor;
- So, for want of better news, now I’ll tell you of a cruise
- I once took on board a simple Yankee whaler.
- From New Bedford she was bound to the Western whaling ground,
- Where they said the whales were always found in plenty;
- So a willing son of toil, in the hope of striking oil,
- I shipped, the greenest hand amongst the twenty.
- Our old barque was staunch and sound, copper-fastened and well
- found,—
- When I call her old, don’t think that I deride her;
- Catalpa was her name, and when first on board I came,
- I can tell you it was rather “rough on Snyder;”
- For the captain and the mate, they were up both soon and late,
- And around the decks kept hollering and bawling;
- Though I wasn’t very sick, faith I’d rather cut my stick,
- Than those blasted ropes eternally keep hauling.
-
- _Chorus._—Pass the bottle, if you please, now we’re sitting
- at our ease,
- Let us moisten up till song flows ripe and
- mellow;
- Here’s to every honest lass, and together as they
- pass,
- Here’s a health to every honest, manly fellow!
-
- Well we weathered out a gale, when we captured our first whale,
- And a bully hundred-barreller we got;
- May I never die in sin, when it came to cutting-in,
- All hell was there to pay, and no pitch hot;
- For the skipper stamped and tore, and the mates they jumped and
- swore,
- When they might as well just take it cool and easy;
- And the way the blubber flew round the decks among the crew,
- You’d imagine every man of them was crazy.
- So we cruised the season out where the sperm-whales did spout,
- And I learned what cutting-in and trying-out meant;
- When, on a friendly call, we anchored at Fayal,
- And sent our oil on shore there for transhipment.
- Then we hoisted sail again, bound for the Spanish main,
- Six months upon hard-tack, salt beef and pork.
- Some may like a sailor’s life, but I’d rather have a wife,
- And the humblest little shanty in New York.
- _Chorus._—Pass the bottle round, etc.
-
- Steering for the river Platte, so the captain and the mate
- Told us, green ones, who inquired where we were going;
- But eastward, day by day, we kept bearing still away,
- And where he meant to stop there was no knowing.
- So the shellbacks then began to growl at the “old man,”
- Steering for the river Platte in such a manner;
- But as little did they know where the skipper meant to go,
- As a puppy dog of etiquette or grammar.
- Well, we sighted land at last, and soon our anchor cast,
- But to name the place, I guess, my friends, would fail ye;
- For the land to which we bore, and where we went ashore,
- Was Bunbury, in Western Australia.
- We entered for recruits, wood, water, fish and fruits,
- Spuds, onions, and our liberty on shore;
- In a fortnight, well prepared, scrubbed, painted and repaired,
- We hoisted sail and put to sea once more.
- _Chorus._—Pass the bottle round, etc.
-
- And then the joy began for every Irishman,
- Whose soul indignant spurns at British slavery,
- Who hates the tyrant guile, and the cunning, low and vile,
- That fosters cant, hypocrisy and knavery.
- Six Irish soldiers brave, rescued from the living grave,
- In which the cursed spite of England bound them,
- Life and liberty to save, came flying o’er the wave,
- And along with our bold skipper there we found them.
- Then the British lion roared for his captives; and, on board
- A steamer, sent out soldiery to find them;
- Police and volunteers, great guns and cannoneers,
- To capture, and once more in fetters bind them.
- They followed us all day, and we couldn’t get away,
- For the wind was light, and blowing on the land;
- And we tacked all through the night, till the early morning light
- Showed the steamer coming for us close at hand.
- _Chorus._—Pass the bottle, etc.
-
- It was useless strife to wage, she had got the weather-gage,
- On the wind she couldn’t hope to outsail her;
- So we held upon our course, to see what moral force
- They’d try upon the simple Yankee whaler.
- Then hot in haste and rage, all ready to engage,
- They came like bloodhounds straining at the slip,
- And the boss of all these jailers, to frighten us poor sailors,
- Fired a round shot from his cannon at our ship.
- We never cracked a lay, on our course still bore away,
- And he found we wouldn’t scare worth a cent;
- So another dodge he tried, but we knew the beggar lied,
- When he said he’d orders from our government.
- Then like a puffing pig, he strutted very big,
- On his quarter-deck, and loudly gave us warning,
- That he’d blow us to the devil, which wasn’t very civil
- To lads who’d been up early in the morning.
- _Chorus._—Pass the bottle, etc.
-
- But he found us rather fly, alive, quite pert, and spry,
- Cool and ready for this boast, right little caring,
- And our answer soon went back, as upon the starboard tack,
- Right down upon his broadside we came bearing;
- For we knew our cause was just, so in God we put our trust,
- For Liberty, all threats and danger scorning;
- And o’er our heads there flew Freedom’s flag, red, white and blue,
- Streaming gaily in the breeze, our peak adorning.
- Then he hailed us once again, having blustered all in vain,
- With a mild request to let him come on board;
- But our captain answered no; “it would never do for Joe;”
- At sea to stop, he couldn’t well afford.
- So they left us in despair, and skulked off to their lair,
- Whilst our starry flag with joyful hearts we hail her,
- For the lion dropped his tail, and his growl became a wail,
- When bearded by a simple Yankee whaler.
- _Chorus._—Pass the bottle, etc.
-
- I’m Irish if you like, and perhaps my name is _Mike_,
- I’m a land-crab, and but little of a sailor;
- From the Western whaling ground, all safe and homeward bound,
- On board a little, saucy Yankee whaler.
- You may say I’ve lots of cheek, aye, and maybe call me _Greek_,
- Though I never knew Omega yet from Alpha;
- But I’ve sailed the world around, on the goose you’ll find I’m
- sound,
- And I’ve cruised aboard the gallant old _Catalpa_.
- Pass the bottle, if you please, now we’re sitting at our ease,
- Let us moisten up till song flows ripe and mellow;
- Here’s to every honest lass, and as on through life they pass,
- Here’s a health to every honest, manly fellow.
-
-
-
-
-The Sunburst and Tricolor.
-
-
-[_Written previous to sailing for Australia, and dedicated to the
-“U.I.B.”_]
-
- AIR.—_Down, down in our village._
-
- Comrades, around, come let us sing,
- The Sunburst and the Tricolor;
- Our hearts’ affections ’round them cling,
- With hope and pride for evermore.
- Now first to _thee_ our fathers raised,
- Proud standard of the mighty dead!
- Whose golden glory flashed and blazed
- In triumph, o’er their victor tread.
- The Green! the Green!
- With emerald sheen,
- Though Time hath tarnished many a fold;
- The blood and tears,
- And dust of years,
- ’Twill cast them off when once unrolled.
- Our own old flag,
- Our dear old flag,
- Our native Green!
- Our own dear flag,
- ’Twill wave again,
- O’er earth and main,
- Our native Green!
- Our Sunburst flag.
-
- Hurrah! ’tis freedom’s earliest dawn,
- Bright streamers flash the cloudy skies;
- Out from the night of slavery drawn,
- Behold our Tricolor arise!
- The emblem of a patriot’s love,
- The symbol of a Nation’s faith,
- We swear each fold that floats above,
- To hold and guard it until death.
- Soon may we see
- Amongst the free
- Our Tricolor, a standard brave!
- Green, white and gold,
- Proudly unrolled,
- Triumphant over Ireland wave!
- Our own young flag,
- Our dear young flag,
- Our Tricolor.
- Our brave young flag,
- Long torn and tried;
- Now side by side,
- True hearts uphold,
- Our brave young flag.
-
-
-
-
-
-End of Project Gutenberg's The Cruise of the Catalpa, by John J. Breslin
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE CRUISE OF THE CATALPA ***
-
-***** This file should be named 61372-0.txt or 61372-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/1/3/7/61372/
-
-Produced by Paul Marshall, Tim Lindell and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/61372-0.zip b/old/61372-0.zip
deleted file mode 100644
index e35c67d..0000000
--- a/old/61372-0.zip
+++ /dev/null
Binary files differ
diff --git a/old/61372-h.zip b/old/61372-h.zip
deleted file mode 100644
index 580a2bd..0000000
--- a/old/61372-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/61372-h/61372-h.htm b/old/61372-h/61372-h.htm
deleted file mode 100644
index aa8e5b4..0000000
--- a/old/61372-h/61372-h.htm
+++ /dev/null
@@ -1,1012 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- The Project Gutenberg eBook of The Cruise of the Catalpa, by John J. Breslin
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
-.covernote {visibility: hidden; display: none;}
-div.chapter {page-break-before: always;}
-
-h1,h2 { text-align: center; clear: both; }
-h1 {page-break-before: always; }
-h2 {page-break-before: avoid;}
-.nobreak {page-break-before: avoid;}
-
-p { margin-top: .51em; text-align: justify; text-indent: 1.5em; margin-bottom: .49em; }
-p.no-indent { margin-top: .51em; text-align: justify; text-indent: 0em; margin-bottom: .49em;}
-p.indent { text-indent: 1.5em;}
-p.f120 { font-size: 120%; text-align: center; text-indent: 0em; }
-p.f150 { font-size: 150%; text-align: center; text-indent: 0em; }
-p.f200 { font-size: 200%; text-align: center; text-indent: 0em; }
-
-.space-above1 { margin-top: 1em; }
-.space-above2 { margin-top: 2em; }
-.space-below2 { margin-bottom: 2em; }
-
-hr.r5 {width: 5%; margin-top: 1em; margin-bottom: 1em;
- margin-left: 47.5%; margin-right: 47.5%; }
-hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%; }
-
-.pagenum {
- position: absolute;
- left: 92%;
- font-size: smaller;
- text-align: right;
-}
-
-.blockquot {
- margin-left: 15%;
- margin-right: 15%;
-}
-
-.bbox {border: solid 2px;}
-.center {text-align: center; text-indent: 0; }
-.smcap {font-variant: small-caps;}
-.u {text-decoration: underline;}
-
-img {max-width: 100%; height: auto;}
-
-.figcenter { margin: auto; text-align: center; }
-
-.footnotes {border: dashed 1px;}
-.footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;}
-.footnote .label {position: absolute; right: 84%; text-align: right;}
-.fnanchor {
- vertical-align: super;
- font-size: .8em;
- text-decoration: none;
-}
-
-.poetry-container { text-align: center; }
-.poem { display: inline-block; text-align: left; }
-.poem .stanza {margin: 1em 0em 1em 0em;}
-
- .poem span.i0 {display: block; margin-left: 0em; padding-left: 3em; text-indent: -3em;}
- .poem span.i4 {display: block; margin-left: 2em; padding-left: 3em; text-indent: -3em;}
- .poem span.i10 {display: block; margin-left: 5em; padding-left: 3em; text-indent: -3em;}
- .poem span.i12 {display: block; margin-left: 6em; padding-left: 3em; text-indent: -3em;}
- .poem span.i14 {display: block; margin-left: 7em; padding-left: 3em; text-indent: -3em;}
- .poem span.i18 {display: block; margin-left: 9em; padding-left: 3em; text-indent: -3em;}
-
-.transnote {background-color: #E6E6FA;
- color: black;
- font-size:smaller;
- padding:0.5em;
- margin-bottom:5em;
- font-family:sans-serif, serif; }
-
- @media handheld { .pagenum {display:none;}
- .covernote {visibility: visible; display: block;}
- .poem { display: block; }
-}
-
- </style>
- </head>
-<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of The Cruise of the Catalpa, by John J. Breslin
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: The Cruise of the Catalpa
- A Poem
-
-Author: John J. Breslin
-
-Release Date: February 11, 2020 [EBook #61372]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE CRUISE OF THE CATALPA ***
-
-
-
-
-Produced by Paul Marshall, Tim Lindell and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-
-
-
-
-</pre>
-
-
-<div class="transnote covernote">
-<p>The cover image was created by the transcriber,
-based on the original cover, and is placed in the public domain.</p>
-</div>
-
-<hr class="chap" />
-<h1>THE<br /><big><i>Cruise of the Catalpa.</i></big></h1>
-<p class="f200 space-above1"><b>A POEM.</b></p>
-
-<p class="center space-above2">BY<br /><big>JOHN J. BRESLIN</big>,</p>
-
-<p class="center space-below2"><i>Chief of the Rescuers of the Fenian Prisoners from
-Freemantle, Australia</i>.</p>
-
-<p class="center space-above2"><big>BOSTON:</big><br />PRESS OF ROCKWELL &amp; CHURCHILL,<br />
-39 <span class="smcap">Arch Street</span>.<br />1876.</p>
-
-<p class="center space-above2 space-below2">Entered according to Act of Congress, in the year 1876, by<br />
-<big>DANIEL M. LYNCH</big>,<br />in the office of the Librarian of Congress, at Washington.</p>
-
-<div class="chapter"><div class="figcenter">
- <img src="images/i_003.jpg" alt="Portrait of John Breslin" width="400" height="541" />
-</div></div>
-
-<p><span class="pagenum"><a name="Page_5" id="Page_5">[Pg 5]</a></span></p>
-<hr class="chap" />
-<div class="chapter">
-<p class="f150 space-above2 space-below2">[<i>Written on board the “Catalpa.”</i>]</p>
-
-<h2 class="nobreak" title="A Descriptive Poem of the Rescue of the Fenian Prisoners from Freemantle, Australia.">A
-DESCRIPTIVE POEM<br />OF THE<br />Rescue of the Fenian Prisoners<br />
-FROM<br />FREEMANTLE, AUSTRALIA.</h2>
-</div>
-
-<div class="poetry-container"><div class="poem"><div class="stanza">
-<span class="i0">It was on Easter Monday, in ’Seventy-six,</span>
-<span class="i0">In Freemantle the jailers were all in a fix,</span>
-<span class="i0">From Fauntleroy,<a name="FNanchor_1_1" id="FNanchor_1_1"></a><a href="#Footnote_1_1" class="fnanchor">[1]</a> down to Amen-timbertoe,<a name="FNanchor_2_2" id="FNanchor_2_2"></a><a href="#Footnote_2_2" class="fnanchor">[2]</a></span>
-<span class="i0">There was racing and chasing and bother, you know,</span>
-<span class="i0">For the Fenians had sliddered<a name="FNanchor_3_3" id="FNanchor_3_3"></a><a href="#Footnote_3_3" class="fnanchor">[3]</a>
- right off in a row;</span>
-<span class="i0">But what’s that to any one, whether or no?</span>
-</div><div class="stanza">
-<span class="i0">Oh! Wilson and Cranston and Hogan are gone,</span>
-<span class="i0">With Darragh and Hassett and staunch Harrington;</span>
-<span class="i0">For Collins and Johnston have opened the ball,</span>
-<span class="i0">And to join in the dancing, out step Jones and Hall,</span>
-<span class="i0">And they tripped to a tune that was far from being slow;</span>
-<span class="i0">But what’s that to any one, whether or no?</span>
-<span class="pagenum"><a name="Page_6" id="Page_6">[Pg 6]</a></span>
-</div><div class="stanza">
-<span class="i0">Cops,<a name="FNanchor_4_4" id="FNanchor_4_4"></a><a href="#Footnote_4_4" class="fnanchor">[4]</a>
- warders and soldiers are running a race</span>
-<span class="i0">And the mounted policemen prepare to give chase;</span>
-<span class="i0">In the pensioner’s barracks the trumpet did blow,</span>
-<span class="i0">And old Finnerty’s<a name="FNanchor_5_5" id="FNanchor_5_5"></a><a href="#Footnote_5_5" class="fnanchor">[5]</a>
- bugle was purple, I know;</span>
-<span class="i0">But the boys know their road, and are bound for to go;</span>
-<span class="i0">So what’s that to any one, whether or no?</span>
-</div><div class="stanza">
-<span class="i0">There are two trotting teams on the Rockingham road,</span>
-<span class="i0">From the gloom of a prison each bearing its load,</span>
-<span class="i0">And full hearts are beating with freedom and joy,</span>
-<span class="i0">As they sweep ’round the sand hills and through the Blackboy.</span>
-<span class="i0">With the sunlight of Hope every face is aglow;</span>
-<span class="i0">But what’s that to any one, whether or no?</span>
-</div><div class="stanza">
-<span class="i0">On, on through the bush, as they ride to the beach,</span>
-<span class="i0">In vain for his captives may Robinson<a name="FNanchor_6_6" id="FNanchor_6_6"></a><a href="#Footnote_6_6" class="fnanchor">[6]</a>
- screech,</span>
-<span class="i0">And Harvest<a name="FNanchor_7_7" id="FNanchor_7_7"></a><a href="#Footnote_7_7" class="fnanchor">[7]</a>
- may swagger to cover his fears</span>
-<span class="i0">As they drag out the guns of the Perth volunteers;</span>
-<span class="i0">But the Fenians are off; they may puff, pant and blow;</span>
-<span class="i0">For what’s that to any one, whether or no?</span>
-</div><div class="stanza">
-<span class="i0">Near Rockingham jetty, upon the white sand,</span>
-<span class="i0">With revolvers and rifles the Fenians stand—</span>
-<span class="i0">Gay, fearless and free, stepping into their boat;</span>
-<span class="i0">Shove her off! then out oars! on the waters afloat!</span>
-<span class="i0">Now a right saucy Yankee tar takes them in tow;</span>
-<span class="i0">And what’s that to any one, whether or no?</span>
-<span class="pagenum"><a name="Page_7" id="Page_7">[Pg 7]</a></span>
-</div><div class="stanza">
-<span class="i0">Now Silvee and Toby and Mopsa give way,</span>
-<span class="i0">For the good ship <i>Catalpa</i> lies out in the bay.</span>
-<span class="i0">“Come down, you big Louis,” the captain did roar,</span>
-<span class="i0">“Now what do you say, men? pull off from the shore;</span>
-<span class="i0">You Lombar, keep stroke; pull, men, cheerily, oh!”</span>
-<span class="i0">And what’s that to any one, whether or no?</span>
-</div><div class="stanza">
-<span class="i0">Now past Garden Island, and clear off the Sound,</span>
-<span class="i0">Make sail on the boat, pass the liquor around;</span>
-<span class="i0">Shift your seats, trim the boat, as she bends to the breeze,</span>
-<span class="i0">And light as a sea-gull skims over the seas;</span>
-<span class="i0">There’s a rest from the oar, while the fair breezes blow;</span>
-<span class="i0">And what’s that to any one, whether or no?</span>
-</div><div class="stanza">
-<span class="i0">At six in the evening we sighted the bark,</span>
-<span class="i0">And we steered on her track till the evening grew dark,</span>
-<span class="i0">When a squall coming down, with its venomous blast,</span>
-<span class="i0">Almost swamped our good boat, as it tore out her mast;</span>
-<span class="i0">So all night on the billows we tossed to and fro;</span>
-<span class="i0">But what’s that to any one, whether or no?</span>
-</div><div class="stanza">
-<span class="i0">Next morning at seven we raised her again,</span>
-<span class="i0">Topsails, mainsails and hull—we were nearing her plain,</span>
-<span class="i0">When we spied the <i>Georgette</i>, steaming out of the Sound,</span>
-<span class="i0">And we knew by her course for the bark she was bound;</span>
-<span class="i0">So we hauled down our sail, then lay to and lay low;</span>
-<span class="i0">But what’s that to any one, whether or no?</span>
-</div><div class="stanza">
-<span class="i0">So the <i>Georgette</i> passed by bearing down on our ship;</span>
-<span class="i0">All safe for the present—now, boys, let her rip;</span>
-<span class="i0">Then we pulled in her wake for to see what she’d do,</span>
-<span class="i0">And beside the <i>Catalpa</i> we saw her heave to,</span>
-<span class="i0">And lay alongside her ten minutes or so;</span>
-<span class="i0">But what’s that to any one, whether or no?</span>
-<span class="pagenum"><a name="Page_8" id="Page_8">[Pg 8]</a></span>
-</div><div class="stanza">
-<span class="i0">See the <i>Georgette</i> steams off, and is running inshore;</span>
-<span class="i0">Make sail on the boat, out with paddle and oar;</span>
-<span class="i0">For with every sail set, on her course down the bay,</span>
-<span class="i0">The good ship <i>Catalpa</i> is bearing away.</span>
-<span class="i0">To gain on her now we’ve a hard row to hoe;</span>
-<span class="i0">But what’s that to any one, whether or no?</span>
-</div><div class="stanza">
-<span class="i0">To follow our bark we were pulling amain,</span>
-<span class="i0">When we saw the <i>Georgette</i> coming for us again.</span>
-<span class="i0">In search of our boat she was steaming right back,</span>
-<span class="i0">And we almost despaired as we lay in her track;</span>
-<span class="i0">So we hauled down our sail and again we lay low;</span>
-<span class="i0">And what’s that to any one, whether or no?</span>
-</div><div class="stanza">
-<span class="i0">Still nearer and nearer the steamer came on,</span>
-<span class="i0">And our plan of escape seemed all shattered and gone;</span>
-<span class="i0">Hope faded away to a very small speck,</span>
-<span class="i0">As we saw her lookout and the men on her deck;</span>
-<span class="i0">But she passed us unseen—Fate had ordered it so;</span>
-<span class="i0">And what’s that to any one, whether or no?</span>
-</div><div class="stanza">
-<span class="i0">So the steamer passed on, and was soon out of sight;</span>
-<span class="i0">Boys, now for the bark, we must catch her ere night;</span>
-<span class="i0">Every stroke is for freedom—pull fast, and pull strong—</span>
-<span class="i0">Pull, fellows, together and send her along;</span>
-<span class="i0">See the bark change her course, heading for us I trow;</span>
-<span class="i0">And what’s that to any one, whether or no?</span>
-</div><div class="stanza">
-<span class="i0">It was two in the evening, and everything clear,</span>
-<span class="i0">The bark coming to us, and nothing to fear,</span>
-<span class="i0">When a sail on our lee, standing out from the shore,</span>
-<span class="i0">Set us pulling our strongest with paddle and oar;</span>
-<span class="i0">It’s a race for the ship, men; then row, bullies, row!</span>
-<span class="i0">But what’s that to any one, whether or no?</span>
-<span class="pagenum"><a name="Page_9" id="Page_9">[Pg 9]</a></span>
-</div><div class="stanza">
-<span class="i0">With the sail on our lee, heading on for the ship,</span>
-<span class="i0">We pulled strong and steady, and gave her the slip;</span>
-<span class="i0">For beside the <i>Catalpa</i> we tossed oars at three,</span>
-<span class="i0">With the water-police boat close up on her lee.</span>
-<span class="i0">Quick on deck now, my lads! It was just “touch and go;”</span>
-<span class="i0">But what’s that to any one, whether or no?</span>
-</div><div class="stanza">
-<span class="i0">Hoist the star-spangled banner, the flag of the free!</span>
-<span class="i0">The brightest and best that waves over the sea:</span>
-<span class="i0">May its stars ever brighten, its shadow increase,</span>
-<span class="i0">Then a fig for John Bull and his water-police.</span>
-<span class="i0">Wear ship! then for sea, blow you fair breezes, blow!</span>
-<span class="i0">And what’s that to any one, whether or no?</span>
-</div><div class="stanza">
-<span class="i0">Here’s a health to brave Anthony, pass it along,</span>
-<span class="i0">May his fortune be great, and his name live in song;</span>
-<span class="i0">Here’s to Smith, our first-mate, fill your glasses with glee,</span>
-<span class="i0">For a right manly, true-hearted sailor is he.</span>
-<span class="i0">Here’s success to the cause that we all of us know;</span>
-<span class="i0">But what’s that to any one, whether or no?</span>
-</div><div class="stanza">
-<span class="i0">Here’s the good ship <i>Catalpa</i>, and all her ship’s crew;</span>
-<span class="i0">Land of felons and jailers, here’s to you adieu,</span>
-<span class="i0">From your dry, sandy shores we are speeding away,</span>
-<span class="i0">May your fortune be brighter at no distant day;</span>
-<span class="i0">Here’s the land of the free, may it flourish and grow,—</span>
-<span class="i0">And God prosper old Ireland wherever we go.</span>
-</div></div></div>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_10" id="Page_10">[Pg 10]</a></span></p>
-
-<div class="chapter"><h2>Rolling Home.</h2></div>
-
-<p class="blockquot">[The following is one of his latest literary efforts,—which was
-often sung by the ship’s company,—a song entitled “Rolling Home,”
-which eminently proves that he is possessed of as much poetic fire
-and genius, as he is of tact and ability to carry out great political
-undertakings.]</p>
-
-<div class="poetry-container"><div class="poem"><div class="stanza">
-<span class="i0">Right across the Indian Ocean, while the trade-wind follows fast,</span>
-<span class="i0">Speeds our ship with gentle motion; fear and chains behind us cast.</span>
-<span class="i0">Rolling home! rolling home! rolling home across the sea;</span>
-<span class="i0">Rolling home to bright Columbia; home to friends and Liberty.</span>
-</div><div class="stanza">
-<span class="i0">Through the waters blue and bright, through dark wave and hissing foam,</span>
-<span class="i0">Ever onward, with delight, we are sailing still for home;</span>
-<span class="i0">O’er our pathway in the sunshine flies the wide-winged albatross;</span>
-<span class="i0">O’er our topmast in the moonlight hangs the starry southern cross.</span>
-</div><div class="stanza">
-<span class="i18">Rolling home, etc., etc.</span>
-</div><div class="stanza">
-<span class="i0">By the stormy Cape now flying, with a full and flowing sail;</span>
-<span class="i0">See! the daylight ’round us dying on the black breast of the gale;</span>
-<span class="i0">See! the lightning flash above us, and the dark surge roll below;</span>
-<span class="i0">Here’s a health to those who love us, here’s defiance to the foe.</span>
-</div><div class="stanza">
-<span class="i18">Rolling home, etc., etc.</span>
-<span class="pagenum"><a name="Page_11" id="Page_11">[Pg 11]</a></span>
-</div><div class="stanza">
-<span class="i0">Now the wide Atlantic cleaving, with our good ship speeding free,</span>
-<span class="i0">The dull “Cape of storms” we’re leaving far to eastward on our lee;</span>
-<span class="i0">And as homeward through the waters on the old <i>Catalpa</i> goes,</span>
-<span class="i0">Ho! you fellows on the masthead, let us hear once more, “He blows!”</span>
-</div><div class="stanza">
-<span class="i18">Rolling home, etc., etc.</span>
-</div><div class="stanza">
-<span class="i0">Next by lonely St. Helena, with a steady wind we glide,</span>
-<span class="i0">By the rock-built, sea-girt prison where the gallant Frenchman died;</span>
-<span class="i0">With the flying-fish and porpoise sporting round us in the wave,</span>
-<span class="i0">With the stars and stripes of freedom floating o’er us bright and brave.</span>
-</div><div class="stanza">
-<span class="i18">Rolling home, etc., etc.</span>
-</div><div class="stanza">
-<span class="i0">Past “the Line!” and now the Dipper<a name="FNanchor_8_8" id="FNanchor_8_8"></a><a href="#Footnote_8_8" class="fnanchor">[8]</a>
- hangs glittering in the sky,</span>
-<span class="i0">Onward still! in the blue water see the Gulf-weed<a name="FNanchor_9_9" id="FNanchor_9_9"></a><a href="#Footnote_9_9" class="fnanchor">[9]</a>
- passing by.</span>
-<span class="i0">Homeward! homeward to Columbia! blow you steady breezes, blow;</span>
-<span class="i0">Till we hear it from the masthead, the joyful cry, “Land, ho!”</span>
-</div><div class="stanza">
-<span class="i18">Rolling home, etc., etc.</span>
-</div></div></div>
-
-<hr class="chap" />
-<p><span class="pagenum"><a name="Page_12" id="Page_12">[Pg 12]</a></span></p>
-
-<div class="chapter"><h2>The Cruise of the Catalpa.</h2></div>
-<p class="f120"><i>A Song written on the Homeward Voyage,<br />and dedicated to the Crew.</i></p>
-
-<div class="poetry-container"><div class="poem"><div class="stanza">
-<span class="i0">I’m Irish, if you like, and perhaps my name is Mike;</span>
-<span class="i0">I’m a land-crab, and but little of a sailor;</span>
-<span class="i0">So, for want of better news, now I’ll tell you of a cruise</span>
-<span class="i0">I once took on board a simple Yankee whaler.</span>
-<span class="i0">From New Bedford she was bound to the Western whaling ground,</span>
-<span class="i0">Where they said the whales were always found in plenty;</span>
-<span class="i0">So a willing son of toil, in the hope of striking oil,</span>
-<span class="i0">I shipped, the greenest hand amongst the twenty.</span>
-<span class="i0">Our old barque was staunch and sound, copper-fastened and well found,—</span>
-<span class="i0">When I call her old, don’t think that I deride her;</span>
-<span class="i0">Catalpa was her name, and when first on board I came,</span>
-<span class="i0">I can tell you it was rather “rough on Snyder;”</span>
-<span class="i0">For the captain and the mate, they were up both soon and late,</span>
-<span class="i0">And around the decks kept hollering and bawling;</span>
-<span class="i0">Though I wasn’t very sick, faith I’d rather cut my stick,</span>
-<span class="i0">Than those blasted ropes eternally keep hauling.</span>
-</div><div class="stanza">
-<span class="i0"><i>Chorus.</i>—Pass the bottle, if you please, now we’re sitting at our ease,</span>
-<span class="i12">Let us moisten up till song flows ripe and mellow;</span>
-<span class="i10">Here’s to every honest lass, and together as they pass,</span>
-<span class="i12">Here’s a health to every honest, manly fellow!</span>
-<span class="pagenum"><a name="Page_13" id="Page_13">[Pg 13]</a></span>
-</div><div class="stanza">
-<span class="i0">Well we weathered out a gale, when we captured our first whale,</span>
-<span class="i0">And a bully hundred-barreller we got;</span>
-<span class="i0">May I never die in sin, when it came to cutting-in,</span>
-<span class="i0">All hell was there to pay, and no pitch hot;</span>
-<span class="i0">For the skipper stamped and tore, and the mates they jumped and swore,</span>
-<span class="i0">When they might as well just take it cool and easy;</span>
-<span class="i0">And the way the blubber flew round the decks among the crew,</span>
-<span class="i0">You’d imagine every man of them was crazy.</span>
-<span class="i0">So we cruised the season out where the sperm-whales did spout,</span>
-<span class="i0">And I learned what cutting-in and trying-out meant;</span>
-<span class="i0">When, on a friendly call, we anchored at Fayal,</span>
-<span class="i0">And sent our oil on shore there for transhipment.</span>
-<span class="i0">Then we hoisted sail again, bound for the Spanish main,</span>
-<span class="i0">Six months upon hard-tack, salt beef and pork.</span>
-<span class="i0">Some may like a sailor’s life, but I’d rather have a wife,</span>
-<span class="i0">And the humblest little shanty in New York.</span>
-<span class="i18"><i>Chorus.</i>—Pass the bottle round, etc.</span>
-</div><div class="stanza">
-<span class="i0">Steering for the river Platte, so the captain and the mate</span>
-<span class="i0">Told us, green ones, who inquired where we were going;</span>
-<span class="i0">But eastward, day by day, we kept bearing still away,</span>
-<span class="i0">And where he meant to stop there was no knowing.</span>
-<span class="i0">So the shellbacks then began to growl at the “old man,”</span>
-<span class="i0">Steering for the river Platte in such a manner;</span>
-<span class="i0">But as little did they know where the skipper meant to go,</span>
-<span class="i0">As a puppy dog of etiquette or grammar.</span>
-<span class="i0">Well, we sighted land at last, and soon our anchor cast,</span>
-<span class="i0">But to name the place, I guess, my friends, would fail ye;</span>
-<span class="i0">For the land to which we bore, and where we went ashore,</span>
-<span class="i0">Was Bunbury, in Western Australia.</span>
-<span class="pagenum"><a name="Page_14" id="Page_14">[Pg 14]</a></span>
-<span class="i0">We entered for recruits, wood, water, fish and fruits,</span>
-<span class="i0">Spuds, onions, and our liberty on shore;</span>
-<span class="i0">In a fortnight, well prepared, scrubbed, painted and repaired,</span>
-<span class="i0">We hoisted sail and put to sea once more.</span>
-<span class="i18"><i>Chorus.</i>—Pass the bottle round, etc.</span>
-</div><div class="stanza">
-<span class="i0">And then the joy began for every Irishman,</span>
-<span class="i0">Whose soul indignant spurns at British slavery,</span>
-<span class="i0">Who hates the tyrant guile, and the cunning, low and vile,</span>
-<span class="i0">That fosters cant, hypocrisy and knavery.</span>
-<span class="i0">Six Irish soldiers brave, rescued from the living grave,</span>
-<span class="i0">In which the cursed spite of England bound them,</span>
-<span class="i0">Life and liberty to save, came flying o’er the wave,</span>
-<span class="i0">And along with our bold skipper there we found them.</span>
-<span class="i0">Then the British lion roared for his captives; and, on board</span>
-<span class="i0">A steamer, sent out soldiery to find them;</span>
-<span class="i0">Police and volunteers, great guns and cannoneers,</span>
-<span class="i0">To capture, and once more in fetters bind them.</span>
-<span class="i0">They followed us all day, and we couldn’t get away,</span>
-<span class="i0">For the wind was light, and blowing on the land;</span>
-<span class="i0">And we tacked all through the night, till the early morning light</span>
-<span class="i0">Showed the steamer coming for us close at hand.</span>
-<span class="i18"><i>Chorus.</i>—Pass the bottle, etc.</span>
-</div><div class="stanza">
-<span class="i0">It was useless strife to wage, she had got the weather-gage,</span>
-<span class="i0">On the wind she couldn’t hope to outsail her;</span>
-<span class="i0">So we held upon our course, to see what moral force</span>
-<span class="i0">They’d try upon the simple Yankee whaler.</span>
-<span class="i0">Then hot in haste and rage, all ready to engage,</span>
-<span class="i0">They came like bloodhounds straining at the slip,</span>
-<span class="i0">And the boss of all these jailers, to frighten us poor sailors,</span>
-<span class="i0">Fired a round shot from his cannon at our ship.</span>
-<span class="pagenum"><a name="Page_15" id="Page_15">[Pg 15]</a></span>
-<span class="i0">We never cracked a lay, on our course still bore away,</span>
-<span class="i0">And he found we wouldn’t scare worth a cent;</span>
-<span class="i0">So another dodge he tried, but we knew the beggar lied,</span>
-<span class="i0">When he said he’d orders from our government.</span>
-<span class="i0">Then like a puffing pig, he strutted very big,</span>
-<span class="i0">On his quarter-deck, and loudly gave us warning,</span>
-<span class="i0">That he’d blow us to the devil, which wasn’t very civil</span>
-<span class="i0">To lads who’d been up early in the morning.</span>
-<span class="i18"><i>Chorus.</i>—Pass the bottle, etc.</span>
-</div><div class="stanza">
-<span class="i0">But he found us rather fly, alive, quite pert, and spry,</span>
-<span class="i0">Cool and ready for this boast, right little caring,</span>
-<span class="i0">And our answer soon went back, as upon the starboard tack,</span>
-<span class="i0">Right down upon his broadside we came bearing;</span>
-<span class="i0">For we knew our cause was just, so in God we put our trust,</span>
-<span class="i0">For Liberty, all threats and danger scorning;</span>
-<span class="i0">And o’er our heads there flew Freedom’s flag, red, white and blue,</span>
-<span class="i0">Streaming gaily in the breeze, our peak adorning.</span>
-<span class="i0">Then he hailed us once again, having blustered all in vain,</span>
-<span class="i0">With a mild request to let him come on board;</span>
-<span class="i0">But our captain answered no; “it would never do for Joe;”</span>
-<span class="i0">At sea to stop, he couldn’t well afford.</span>
-<span class="i0">So they left us in despair, and skulked off to their lair,</span>
-<span class="i0">Whilst our starry flag with joyful hearts we hail her,</span>
-<span class="i0">For the lion dropped his tail, and his growl became a wail,</span>
-<span class="i0">When bearded by a simple Yankee whaler.</span>
-<span class="i18"><i>Chorus.</i>—Pass the bottle, etc.</span>
-</div><div class="stanza">
-<span class="i0">I’m Irish if you like, and perhaps my name is <i>Mike</i>,</span>
-<span class="i0">I’m a land-crab, and but little of a sailor;</span>
-<span class="i0">From the Western whaling ground, all safe and homeward bound,</span>
-<span class="i0">On board a little, saucy Yankee whaler.</span>
-<span class="pagenum"><a name="Page_16" id="Page_16">[Pg 16]</a></span>
-<span class="i0">You may say I’ve lots of cheek, aye, and maybe call me <i>Greek</i>,</span>
-<span class="i0">Though I never knew Omega yet from Alpha;</span>
-<span class="i0">But I’ve sailed the world around, on the goose you’ll find I’m sound,</span>
-<span class="i0">And I’ve cruised aboard the gallant old <i>Catalpa</i>.</span>
-<span class="i0">Pass the bottle, if you please, now we’re sitting at our ease,</span>
-<span class="i0">Let us moisten up till song flows ripe and mellow;</span>
-<span class="i0">Here’s to every honest lass, and as on through life they pass,</span>
-<span class="i0">Here’s a health to every honest, manly fellow.</span>
-</div></div></div>
-
-<hr class="chap" />
-<p><span class="pagenum"><a name="Page_17" id="Page_17">[Pg 17]</a></span></p>
-
-<div class="chapter"><h2>The Sunburst and Tricolor.</h2></div>
-
-<p class="f120">[<i>Written previous to sailing for Australia,<br />and dedicated to the “U.I.B.”</i>]</p>
-
-<div class="poetry-container"><div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">Air.</span>—<i>Down, down in our village.</i></span>
-</div><div class="stanza">
-<span class="i0">Comrades, around, come let us sing,</span>
-<span class="i4">The Sunburst and the Tricolor;</span>
-<span class="i0">Our hearts’ affections ’round them cling,</span>
-<span class="i4">With hope and pride for evermore.</span>
-<span class="i0">Now first to <i>thee</i> our fathers raised,</span>
-<span class="i4">Proud standard of the mighty dead!</span>
-<span class="i0">Whose golden glory flashed and blazed</span>
-<span class="i4">In triumph, o’er their victor tread.</span>
-<span class="i10">The Green! the Green!</span>
-<span class="i10">With emerald sheen,</span>
-<span class="i0">Though Time hath tarnished many a fold;</span>
-<span class="i10">The blood and tears,</span>
-<span class="i10">And dust of years,</span>
-<span class="i0">’Twill cast them off when once unrolled.</span>
-<span class="i10">Our own old flag,</span>
-<span class="i10">Our dear old flag,</span>
-<span class="i10">Our native Green!</span>
-<span class="i10">Our own dear flag,</span>
-<span class="i10">’Twill wave again,</span>
-<span class="i10">O’er earth and main,</span>
-<span class="i10">Our native Green!</span>
-<span class="i10">Our Sunburst flag.</span>
-<span class="pagenum"><a name="Page_18" id="Page_18">[Pg 18]</a></span>
-</div><div class="stanza">
-<span class="i0">Hurrah! ’tis freedom’s earliest dawn,</span>
-<span class="i4">Bright streamers flash the cloudy skies;</span>
-<span class="i0">Out from the night of slavery drawn,</span>
-<span class="i4">Behold our Tricolor arise!</span>
-<span class="i0">The emblem of a patriot’s love,</span>
-<span class="i4">The symbol of a Nation’s faith,</span>
-<span class="i0">We swear each fold that floats above,</span>
-<span class="i4">To hold and guard it until death.</span>
-<span class="i10">Soon may we see</span>
-<span class="i10">Amongst the free</span>
-<span class="i0">Our Tricolor, a standard brave!</span>
-<span class="i10">Green, white and gold,</span>
-<span class="i10">Proudly unrolled,</span>
-<span class="i0">Triumphant over Ireland wave!</span>
-<span class="i10">Our own young flag,</span>
-<span class="i10">Our dear young flag,</span>
-<span class="i14">Our Tricolor.</span>
-<span class="i10">Our brave young flag,</span>
-<span class="i14">Long torn and tried;</span>
-<span class="i10">Now side by side,</span>
-<span class="i14">True hearts uphold,</span>
-<span class="i10">Our brave young flag.</span>
-</div></div></div>
-
-<hr class="chap" />
-<div class="footnotes">
-<p class="f150 u"><b>Footnotes:</b></p>
-
-<div class="footnote"><p class="no-indent">
-<a name="Footnote_1_1" id="Footnote_1_1"></a><a href="#FNanchor_1_1"><span class="label">[1]</span></a>
-Comptroller-General.</p></div>
-
-<div class="footnote"><p class="no-indent">
-<a name="Footnote_2_2" id="Footnote_2_2"></a><a href="#FNanchor_2_2"><span class="label">[2]</span></a>
-Nickname of the prison chaplain.</p></div>
-
-<div class="footnote"><p class="no-indent">
-<a name="Footnote_3_3" id="Footnote_3_3"></a><a href="#FNanchor_3_3"><span class="label">[3]</span></a>
-Prison slang, meaning slipping away.</p></div>
-
-<div class="footnote"><p class="no-indent">
-<a name="Footnote_4_4" id="Footnote_4_4"></a><a href="#FNanchor_4_4"><span class="label">[4]</span></a>
-Slang for police.</p></div>
-
-<div class="footnote"><p class="no-indent">
-<a name="Footnote_5_5" id="Footnote_5_5"></a><a href="#FNanchor_5_5"><span class="label">[5]</span></a>
-Major Finnerty, commanding the military in Freemantle; bugle being
-slang for nose, and the major’s fuddled up to the orthodox rosy red.</p></div>
-
-<div class="footnote"><p class="no-indent">
-<a name="Footnote_6_6" id="Footnote_6_6"></a><a href="#FNanchor_6_6"><span class="label">[6]</span></a>
-W. F. C. Robinson, Governor of West Australia, who was so eager to capture
-us that he personally assisted to put the cannon and ammunition on board.</p></div>
-
-<div class="footnote"><p class="no-indent">
-<a name="Footnote_7_7" id="Footnote_7_7"></a><a href="#FNanchor_7_7"><span class="label">[7]</span></a>
-Colonel Harvest, commander of the forces in West Australia.</p></div>
-
-<div class="footnote"><p class="no-indent">
-<a name="Footnote_8_8" id="Footnote_8_8"></a><a href="#FNanchor_8_8"><span class="label">[8]</span></a>
-American sailors called Ursa Major the Dipper.</p></div>
-
-<div class="footnote"><p class="no-indent">
-<a name="Footnote_9_9" id="Footnote_9_9"></a><a href="#FNanchor_9_9"><span class="label">[9]</span></a>
-Meeting the Gulf-weed out at sea encouraged Columbus and his sailors
-to continue on their course, it being considered an indication of land.</p></div>
-</div>
-
-<hr class="chap" />
-
-<div class="transnote bbox">
-<p class="f120 space-above1">Transcriber's Notes:</p>
-<hr class="r5" />
-<p class="indent">Typographical errors have been silently corrected.</p>
-</div>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of Project Gutenberg's The Cruise of the Catalpa, by John J. Breslin
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE CRUISE OF THE CATALPA ***
-
-***** This file should be named 61372-h.htm or 61372-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/1/3/7/61372/
-
-Produced by Paul Marshall, Tim Lindell and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
-</body>
-</html>
diff --git a/old/61372-h/images/cover.jpg b/old/61372-h/images/cover.jpg
deleted file mode 100644
index f26c3a9..0000000
--- a/old/61372-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/61372-h/images/i_003.jpg b/old/61372-h/images/i_003.jpg
deleted file mode 100644
index bea9973..0000000
--- a/old/61372-h/images/i_003.jpg
+++ /dev/null
Binary files differ