NormalizeHEADmain

1 files changed, 0 insertions, 869 deletions

diff --git a/old/61372-0.txt b/old/61372-0.txt
deleted file mode 100644
index cf26c4a..0000000
--- a/old/61372-0.txt
+++ /dev/null
@@ -1,869 +0,0 @@
-The Project Gutenberg EBook of The Cruise of the Catalpa, by John J. Breslin
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever.  You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org.  If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: The Cruise of the Catalpa
-       A Poem
-
-Author: John J. Breslin
-
-Release Date: February 11, 2020 [EBook #61372]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE CRUISE OF THE CATALPA ***
-
-
-
-
-Produced by Paul Marshall, Tim Lindell and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-
-
-
-
-Transcriber’s Notes:
-
-  Underscores “_” before and after a word or phrase indicate _italics_
-    in the original text.
-  Small capitals have been converted to SOLID capitals.
-  Typographical errors have been silently corrected.
-
-
-
-
-                                  THE
-                         Cruise of the Catalpa.
-
-                                A POEM.
-
-                                   BY
-                            JOHN J. BRESLIN,
-
-          _Chief of the Rescuers of the Fenian Prisoners from
-                         Freemantle, Australia_.
-
-                             [Illustration]
-
-                                BOSTON:
-                     PRESS OF ROCKWELL & CHURCHILL,
-                            39 ARCH STREET.
-                                 1876.
-
-       Entered according to Act of Congress, in the year 1876, by
-                            DANIEL M. LYNCH,
-       in the office of the Librarian of Congress, at Washington.
-
-
-[Illustration]
-
-
-
-
-[_Written on board the “Catalpa.”_]
-
-
-
-
-                           A DESCRIPTIVE POEM
-                                 OF THE
-                     Rescue of the Fenian Prisoners
-                                  FROM
-                         FREEMANTLE, AUSTRALIA.
-
-
-      It was on Easter Monday, in ’Seventy-six,
-      In Freemantle the jailers were all in a fix,
-      From Fauntleroy,[1] down to Amen-timbertoe,[2]
-      There was racing and chasing and bother, you know,
-      For the Fenians had sliddered[3] right off in a row;
-      But what’s that to any one, whether or no?
-
-      Oh! Wilson and Cranston and Hogan are gone,
-      With Darragh and Hassett and staunch Harrington;
-      For Collins and Johnston have opened the ball,
-      And to join in the dancing, out step Jones and Hall,
-      And they tripped to a tune that was far from being slow;
-      But what’s that to any one, whether or no?
-
-      Cops,[4] warders and soldiers are running a race
-      And the mounted policemen prepare to give chase;
-      In the pensioner’s barracks the trumpet did blow,
-      And old Finnerty’s[5] bugle was purple, I know;
-      But the boys know their road, and are bound for to go;
-      So what’s that to any one, whether or no?
-
-      There are two trotting teams on the Rockingham road,
-      From the gloom of a prison each bearing its load,
-      And full hearts are beating with freedom and joy,
-      As they sweep ’round the sand hills and through the Blackboy.
-      With the sunlight of Hope every face is aglow;
-      But what’s that to any one, whether or no?
-
-      On, on through the bush, as they ride to the beach,
-      In vain for his captives may Robinson[6] screech,
-      And Harvest[7] may swagger to cover his fears
-      As they drag out the guns of the Perth volunteers;
-      But the Fenians are off; they may puff, pant and blow;
-      For what’s that to any one, whether or no?
-
-      Near Rockingham jetty, upon the white sand,
-      With revolvers and rifles the Fenians stand—
-      Gay, fearless and free, stepping into their boat;
-      Shove her off! then out oars! on the waters afloat!
-      Now a right saucy Yankee tar takes them in tow;
-      And what’s that to any one, whether or no?
-
-      Now Silvee and Toby and Mopsa give way,
-      For the good ship _Catalpa_ lies out in the bay.
-      “Come down, you big Louis,” the captain did roar,
-      “Now what do you say, men? pull off from the shore;
-      You Lombar, keep stroke; pull, men, cheerily, oh!”
-      And what’s that to any one, whether or no?
-
-      Now past Garden Island, and clear off the Sound,
-      Make sail on the boat, pass the liquor around;
-      Shift your seats, trim the boat, as she bends to the breeze,
-      And light as a sea-gull skims over the seas;
-      There’s a rest from the oar, while the fair breezes blow;
-      And what’s that to any one, whether or no?
-
-      At six in the evening we sighted the bark,
-      And we steered on her track till the evening grew dark,
-      When a squall coming down, with its venomous blast,
-      Almost swamped our good boat, as it tore out her mast;
-      So all night on the billows we tossed to and fro;
-      But what’s that to any one, whether or no?
-
-      Next morning at seven we raised her again,
-      Topsails, mainsails and hull—we were nearing her plain,
-      When we spied the _Georgette_, steaming out of the Sound,
-      And we knew by her course for the bark she was bound;
-      So we hauled down our sail, then lay to and lay low;
-      But what’s that to any one, whether or no?
-
-      So the _Georgette_ passed by bearing down on our ship;
-      All safe for the present—now, boys, let her rip;
-      Then we pulled in her wake for to see what she’d do,
-      And beside the _Catalpa_ we saw her heave to,
-      And lay alongside her ten minutes or so;
-      But what’s that to any one, whether or no?
-
-      See the _Georgette_ steams off, and is running inshore;
-      Make sail on the boat, out with paddle and oar;
-      For with every sail set, on her course down the bay,
-      The good ship _Catalpa_ is bearing away.
-      To gain on her now we’ve a hard row to hoe;
-      But what’s that to any one, whether or no?
-
-      To follow our bark we were pulling amain,
-      When we saw the _Georgette_ coming for us again.
-      In search of our boat she was steaming right back,
-      And we almost despaired as we lay in her track;
-      So we hauled down our sail and again we lay low;
-      And what’s that to any one, whether or no?
-
-      Still nearer and nearer the steamer came on,
-      And our plan of escape seemed all shattered and gone;
-      Hope faded away to a very small speck,
-      As we saw her lookout and the men on her deck;
-      But she passed us unseen—Fate had ordered it so;
-      And what’s that to any one, whether or no?
-
-      So the steamer passed on, and was soon out of sight;
-      Boys, now for the bark, we must catch her ere night;
-      Every stroke is for freedom—pull fast, and pull strong—
-      Pull, fellows, together and send her along;
-      See the bark change her course, heading for us I trow;
-      And what’s that to any one, whether or no?
-
-      It was two in the evening, and everything clear,
-      The bark coming to us, and nothing to fear,
-      When a sail on our lee, standing out from the shore,
-      Set us pulling our strongest with paddle and oar;
-      It’s a race for the ship, men; then row, bullies, row!
-      But what’s that to any one, whether or no?
-
-      With the sail on our lee, heading on for the ship,
-      We pulled strong and steady, and gave her the slip;
-      For beside the _Catalpa_ we tossed oars at three,
-      With the water-police boat close up on her lee.
-      Quick on deck now, my lads! It was just “touch and go;”
-      But what’s that to any one, whether or no?
-
-      Hoist the star-spangled banner, the flag of the free!
-      The brightest and best that waves over the sea:
-      May its stars ever brighten, its shadow increase,
-      Then a fig for John Bull and his water-police.
-      Wear ship! then for sea, blow you fair breezes, blow!
-      And what’s that to any one, whether or no?
-
-      Here’s a health to brave Anthony, pass it along,
-      May his fortune be great, and his name live in song;
-      Here’s to Smith, our first-mate, fill your glasses with glee,
-      For a right manly, true-hearted sailor is he.
-      Here’s success to the cause that we all of us know;
-      But what’s that to any one, whether or no?
-
-      Here’s the good ship _Catalpa_, and all her ship’s crew;
-      Land of felons and jailers, here’s to you adieu,
-      From your dry, sandy shores we are speeding away,
-      May your fortune be brighter at no distant day;
-      Here’s the land of the free, may it flourish and grow,—
-      And God prosper old Ireland wherever we go.
-
-[1] Comptroller-General.
-
-[2] Nickname of the prison chaplain.
-
-[3] Prison slang, meaning slipping away.
-
-[4] Slang for police.
-
-[5] Major Finnerty, commanding the military in Freemantle; bugle being
-slang for nose, and the major’s fuddled up to the orthodox rosy red.
-
-[6] W. F. C. Robinson, Governor of West Australia, who was so eager to
-capture us that he personally assisted to put the cannon and ammunition
-on board.
-
-[7] Colonel Harvest, commander of the forces in West Australia.
-
-
-
-
-Rolling Home.
-
-
-[The following is one of his latest literary efforts,—which was
-often sung by the ship’s company,—a song entitled “Rolling Home,”
-which eminently proves that he is possessed of as much poetic fire
-and genius, as he is of tact and ability to carry out great political
-undertakings.]
-
-      Right across the Indian Ocean, while the trade-wind follows fast,
-      Speeds our ship with gentle motion; fear and chains behind us
-          cast.
-      Rolling home! rolling home! rolling home across the sea;
-      Rolling home to bright Columbia; home to friends and Liberty.
-
-      Through the waters blue and bright, through dark wave and hissing
-          foam,
-      Ever onward, with delight, we are sailing still for home;
-      O’er our pathway in the sunshine flies the wide-winged albatross;
-      O’er our topmast in the moonlight hangs the starry southern cross.
-                        Rolling home, etc., etc.
-
-      By the stormy Cape now flying, with a full and flowing sail;
-      See! the daylight ’round us dying on the black breast of the gale;
-      See! the lightning flash above us, and the dark surge roll below;
-      Here’s a health to those who love us, here’s defiance to the foe.
-                        Rolling home, etc., etc.
-
-      Now the wide Atlantic cleaving, with our good ship speeding free,
-      The dull “Cape of storms” we’re leaving far to eastward on our
-          lee;
-      And as homeward through the waters on the old _Catalpa_ goes,
-      Ho! you fellows on the masthead, let us hear once more, “He
-          blows!”
-                      Rolling home, etc., etc.
-
-      Next by lonely St. Helena, with a steady wind we glide,
-      By the rock-built, sea-girt prison where the gallant Frenchman
-          died;
-      With the flying-fish and porpoise sporting round us in the wave,
-      With the stars and stripes of freedom floating o’er us bright and
-          brave.
-                      Rolling home, etc., etc.
-
-      Past “the Line!” and now the Dipper[8] hangs glittering in the
-          sky,
-      Onward still! in the blue water see the Gulf-weed[9] passing by.
-      Homeward! homeward to Columbia! blow you steady breezes, blow;
-      Till we hear it from the masthead, the joyful cry, “Land, ho!”
-                      Rolling home, etc., etc.
-
-[8] American sailors called Ursa Major the Dipper.
-
-[9] Meeting the Gulf-weed out at sea encouraged Columbus and his
-sailors to continue on their course, it being considered an indication
-of land.
-
-
-
-
-The Cruise of the Catalpa.
-
-
-_A Song written on the Homeward Voyage, and dedicated to the Crew._
-
-      I’m Irish, if you like, and perhaps my name is Mike;
-      I’m a land-crab, and but little of a sailor;
-      So, for want of better news, now I’ll tell you of a cruise
-      I once took on board a simple Yankee whaler.
-      From New Bedford she was bound to the Western whaling ground,
-      Where they said the whales were always found in plenty;
-      So a willing son of toil, in the hope of striking oil,
-      I shipped, the greenest hand amongst the twenty.
-      Our old barque was staunch and sound, copper-fastened and well
-          found,—
-      When I call her old, don’t think that I deride her;
-      Catalpa was her name, and when first on board I came,
-      I can tell you it was rather “rough on Snyder;”
-      For the captain and the mate, they were up both soon and late,
-      And around the decks kept hollering and bawling;
-      Though I wasn’t very sick, faith I’d rather cut my stick,
-      Than those blasted ropes eternally keep hauling.
-
-      _Chorus._—Pass the bottle, if you please, now we’re sitting
-                           at our ease,
-                        Let us moisten up till song flows ripe and
-                             mellow;
-                      Here’s to every honest lass, and together as they
-                           pass,
-                        Here’s a health to every honest, manly fellow!
-
-      Well we weathered out a gale, when we captured our first whale,
-      And a bully hundred-barreller we got;
-      May I never die in sin, when it came to cutting-in,
-      All hell was there to pay, and no pitch hot;
-      For the skipper stamped and tore, and the mates they jumped and
-          swore,
-      When they might as well just take it cool and easy;
-      And the way the blubber flew round the decks among the crew,
-      You’d imagine every man of them was crazy.
-      So we cruised the season out where the sperm-whales did spout,
-      And I learned what cutting-in and trying-out meant;
-      When, on a friendly call, we anchored at Fayal,
-      And sent our oil on shore there for transhipment.
-      Then we hoisted sail again, bound for the Spanish main,
-      Six months upon hard-tack, salt beef and pork.
-      Some may like a sailor’s life, but I’d rather have a wife,
-      And the humblest little shanty in New York.
-                      _Chorus._—Pass the bottle round, etc.
-
-      Steering for the river Platte, so the captain and the mate
-      Told us, green ones, who inquired where we were going;
-      But eastward, day by day, we kept bearing still away,
-      And where he meant to stop there was no knowing.
-      So the shellbacks then began to growl at the “old man,”
-      Steering for the river Platte in such a manner;
-      But as little did they know where the skipper meant to go,
-      As a puppy dog of etiquette or grammar.
-      Well, we sighted land at last, and soon our anchor cast,
-      But to name the place, I guess, my friends, would fail ye;
-      For the land to which we bore, and where we went ashore,
-      Was Bunbury, in Western Australia.
-      We entered for recruits, wood, water, fish and fruits,
-      Spuds, onions, and our liberty on shore;
-      In a fortnight, well prepared, scrubbed, painted and repaired,
-      We hoisted sail and put to sea once more.
-                      _Chorus._—Pass the bottle round, etc.
-
-      And then the joy began for every Irishman,
-      Whose soul indignant spurns at British slavery,
-      Who hates the tyrant guile, and the cunning, low and vile,
-      That fosters cant, hypocrisy and knavery.
-      Six Irish soldiers brave, rescued from the living grave,
-      In which the cursed spite of England bound them,
-      Life and liberty to save, came flying o’er the wave,
-      And along with our bold skipper there we found them.
-      Then the British lion roared for his captives; and, on board
-      A steamer, sent out soldiery to find them;
-      Police and volunteers, great guns and cannoneers,
-      To capture, and once more in fetters bind them.
-      They followed us all day, and we couldn’t get away,
-      For the wind was light, and blowing on the land;
-      And we tacked all through the night, till the early morning light
-      Showed the steamer coming for us close at hand.
-                      _Chorus._—Pass the bottle, etc.
-
-      It was useless strife to wage, she had got the weather-gage,
-      On the wind she couldn’t hope to outsail her;
-      So we held upon our course, to see what moral force
-      They’d try upon the simple Yankee whaler.
-      Then hot in haste and rage, all ready to engage,
-      They came like bloodhounds straining at the slip,
-      And the boss of all these jailers, to frighten us poor sailors,
-      Fired a round shot from his cannon at our ship.
-      We never cracked a lay, on our course still bore away,
-      And he found we wouldn’t scare worth a cent;
-      So another dodge he tried, but we knew the beggar lied,
-      When he said he’d orders from our government.
-      Then like a puffing pig, he strutted very big,
-      On his quarter-deck, and loudly gave us warning,
-      That he’d blow us to the devil, which wasn’t very civil
-      To lads who’d been up early in the morning.
-                      _Chorus._—Pass the bottle, etc.
-
-      But he found us rather fly, alive, quite pert, and spry,
-      Cool and ready for this boast, right little caring,
-      And our answer soon went back, as upon the starboard tack,
-      Right down upon his broadside we came bearing;
-      For we knew our cause was just, so in God we put our trust,
-      For Liberty, all threats and danger scorning;
-      And o’er our heads there flew Freedom’s flag, red, white and blue,
-      Streaming gaily in the breeze, our peak adorning.
-      Then he hailed us once again, having blustered all in vain,
-      With a mild request to let him come on board;
-      But our captain answered no; “it would never do for Joe;”
-      At sea to stop, he couldn’t well afford.
-      So they left us in despair, and skulked off to their lair,
-      Whilst our starry flag with joyful hearts we hail her,
-      For the lion dropped his tail, and his growl became a wail,
-      When bearded by a simple Yankee whaler.
-                      _Chorus._—Pass the bottle, etc.
-
-      I’m Irish if you like, and perhaps my name is _Mike_,
-      I’m a land-crab, and but little of a sailor;
-      From the Western whaling ground, all safe and homeward bound,
-      On board a little, saucy Yankee whaler.
-      You may say I’ve lots of cheek, aye, and maybe call me _Greek_,
-      Though I never knew Omega yet from Alpha;
-      But I’ve sailed the world around, on the goose you’ll find I’m
-          sound,
-      And I’ve cruised aboard the gallant old _Catalpa_.
-      Pass the bottle, if you please, now we’re sitting at our ease,
-      Let us moisten up till song flows ripe and mellow;
-      Here’s to every honest lass, and as on through life they pass,
-      Here’s a health to every honest, manly fellow.
-
-
-
-
-The Sunburst and Tricolor.
-
-
-[_Written previous to sailing for Australia, and dedicated to the
-“U.I.B.”_]
-
-      AIR.—_Down, down in our village._
-
-      Comrades, around, come let us sing,
-        The Sunburst and the Tricolor;
-      Our hearts’ affections ’round them cling,
-        With hope and pride for evermore.
-      Now first to _thee_ our fathers raised,
-        Proud standard of the mighty dead!
-      Whose golden glory flashed and blazed
-        In triumph, o’er their victor tread.
-              The Green! the Green!
-              With emerald sheen,
-      Though Time hath tarnished many a fold;
-              The blood and tears,
-              And dust of years,
-      ’Twill cast them off when once unrolled.
-              Our own old flag,
-              Our dear old flag,
-              Our native Green!
-              Our own dear flag,
-              ’Twill wave again,
-              O’er earth and main,
-              Our native Green!
-              Our Sunburst flag.
-
-      Hurrah! ’tis freedom’s earliest dawn,
-        Bright streamers flash the cloudy skies;
-      Out from the night of slavery drawn,
-        Behold our Tricolor arise!
-      The emblem of a patriot’s love,
-        The symbol of a Nation’s faith,
-      We swear each fold that floats above,
-        To hold and guard it until death.
-                Soon may we see
-                Amongst the free
-      Our Tricolor, a standard brave!
-                Green, white and gold,
-                Proudly unrolled,
-      Triumphant over Ireland wave!
-                Our own young flag,
-                Our dear young flag,
-                  Our Tricolor.
-                Our brave young flag,
-                  Long torn and tried;
-                Now side by side,
-                  True hearts uphold,
-                Our brave young flag.
-
-
-
-
-
-End of Project Gutenberg's The Cruise of the Catalpa, by John J. Breslin
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE CRUISE OF THE CATALPA ***
-
-***** This file should be named 61372-0.txt or 61372-0.zip *****
-This and all associated files of various formats will be found in:
-        http://www.gutenberg.org/6/1/3/7/61372/
-
-Produced by Paul Marshall, Tim Lindell and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
-  This eBook is for the use of anyone anywhere in the United States and
-  most other parts of the world at no cost and with almost no
-  restrictions whatsoever. You may copy it, give it away or re-use it
-  under the terms of the Project Gutenberg License included with this
-  eBook or online at www.gutenberg.org. If you are not located in the
-  United States, you'll have to check the laws of the country where you
-  are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
-  the use of Project Gutenberg-tm works calculated using the method
-  you already use to calculate your applicable taxes. The fee is owed
-  to the owner of the Project Gutenberg-tm trademark, but he has
-  agreed to donate royalties under this paragraph to the Project
-  Gutenberg Literary Archive Foundation. Royalty payments must be paid
-  within 60 days following each date on which you prepare (or are
-  legally required to prepare) your periodic tax returns. Royalty
-  payments should be clearly marked as such and sent to the Project
-  Gutenberg Literary Archive Foundation at the address specified in
-  Section 4, "Information about donations to the Project Gutenberg
-  Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
-  you in writing (or by e-mail) within 30 days of receipt that s/he
-  does not agree to the terms of the full Project Gutenberg-tm
-  License. You must require such a user to return or destroy all
-  copies of the works possessed in a physical medium and discontinue
-  all use of and all access to other copies of Project Gutenberg-tm
-  works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
-  any money paid for a work or a replacement copy, if a defect in the
-  electronic work is discovered and reported to you within 90 days of
-  receipt of the work.
-
-* You comply with all other terms of this agreement for free
-  distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
-    Dr. Gregory B. Newby
-    Chief Executive and Director
-    gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-