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The Project Gutenberg eBook of Argonaut and Juggernaut,
by Osbert Sitwell
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<div>*** START OF THE PROJECT GUTENBERG EBOOK 61368 ***</div>
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<br /><br />
Argonaut and<br />
Juggernaut<br />
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BY<br />
</p>
<p class="t2">
OSBERT SITWELL<br />
</p>
<p><br /><br /></p>
<p class="t3">
LONDON<br />
Chatto & Windus<br />
1919<br />
</p>
<p><br /><br /><br /></p>
<p class="t4">
<i>All rights reserved</i>
</p>
<p><br /><br /><br /></p>
<p class="t3">
TO<br />
THE MEMORY OF<br />
ROBERT ROSS<br />
</p>
<p><br /><br /><br /></p>
<p class="noindent">
My thanks are due to Messrs. Blackwell for
permission to reprint certain poems which
first appeared in the anthology "Wheels," and
to the editors of <i>The Times</i>, the <i>Nation</i>, <i>Art and
Letters</i>, the <i>Cambridge Magazine</i>, <i>Everyman</i>,
<i>Colour</i>, <i>New Paths</i>, and <i>Poetry and Drama</i>
(New Series), for allowing me to reprint
various poems which first appeared in their
columns. Several of the war verses at the
end of this volume first appeared in the
<i>Nation</i> under the signature "Miles."
</p>
<p><br /><br /><br /></p>
<h3>
<a id="howshallwe"></a>
"HOW SHALL WE RISE TO GREET THE DAWN?"<br />
</h3>
<p class="poem">
How shall we rise to greet the dawn?<br />
Not timidly,<br />
With a hand above our eyes,<br />
But greet the strong light<br />
Joyfully;<br />
Nor will we mistake the dawn<br />
For the mid-day.<br />
</p>
<p class="poem">
We must create and fashion a new God—<br />
A God of power, of beauty, and of strength—<br />
Created painfully, cruelly,<br />
Labouring from the revulsion of men's minds.<br />
</p>
<p class="poem">
It is not that the money-changers<br />
Ply their trade<br />
Within the sacred places;<br />
But that the old God<br />
Has made the Stock Exchange his Temple.<br />
We must drive him from it.<br />
Why should we tinker with clay feet?<br />
We will fashion<br />
A perfect unity<br />
Of precious metals.<br />
</p>
<p class="poem">
Let us tear the paper moon<br />
From its empty dome.<br />
Let us see the world with young eyes.<br />
Let us harness the waves to make power,<br />
And in so doing,<br />
Seek not to spoil their rolling freedom,<br />
But to endow<br />
The soiled and straining cities<br />
With the same splendour of strength.<br />
</p>
<p class="poem">
We will not be afraid,<br />
Tho' the golden geese cackle in the Capitol,<br />
In fear<br />
That their eggs may be placed<br />
In an incubator.<br />
Continually they cackle thus—<br />
These venerable birds—<br />
Crying, "Those whom the Gods love<br />
Die young,"<br />
Or something of that sort.<br />
But we will see that they live<br />
And prosper.<br />
</p>
<p class="poem">
Let us prune the tree of language<br />
Of its dead fruit.<br />
Let us melt up the clichés<br />
Into molten metal;<br />
Fashion weapons that will scald and flay;<br />
Let us curb this eternal humour<br />
And become witty.<br />
</p>
<p class="poem">
Let us dig up the dragon's teeth<br />
From this fertile soil;<br />
Swiftly,<br />
Before they fructify;<br />
Let us give them as medicine<br />
To the writhing monster itself.<br />
</p>
<p class="poem">
We must create and fashion a new God—<br />
A God of power, of beauty, and of strength;<br />
Created painfully, cruelly,<br />
Labouring from the revulsion of men's minds.<br />
Cast down the idols of a thousand years,<br />
Crush them to dust<br />
Beneath the dancing rhythm of our feet.<br />
Oh! let us dance upon the weak and cruel:<br />
We must create and fashion a new God.<br />
</p>
<p class="poem">
<i>November</i>, 1918.<br />
</p>
<p><br /><br /><br /></p>
<p class="t3b">
CONTENTS<br />
</p>
<p class="t3">
PREFACE POEM<br />
</p>
<p class="noindent">
<a href="#howshallwe">"How shall We rise to Greet the Dawn?"</a><br />
</p>
<p><br /></p>
<p class="t3b">
<a href="#book1">BOOK I: THE PHOENIX-FEASTERS</a><br />
</p>
<p class="t3">
<a href="#part1">PART I</a><br />
</p>
<p class="noindent">
<a href="#prelude">Prelude</a><br />
<a href="#silence">The Silence of God</a><br />
<a href="#adventure">Adventure</a><br />
<a href="#dusk">Dusk</a><br />
<a href="#sailor">Sailor-Song</a><br />
<a href="#dance">The Dance</a><br />
<a href="#whyshould">Why should a Sailor ride the Sea?</a><br />
</p>
<p class="t3">
<a href="#part2">PART II</a><br />
</p>
<p class="noindent">
<a href="#cornucopia">Cornucopia</a><br />
<a href="#song">Song</a><br />
<a href="#prospect">Prospect Road</a><br />
</p>
<p><br /><br /></p>
<p class="t3b">
<a href="#book2">BOOK II: GREEN-FLY</a><br />
</p>
<p class="noindent">
<a href="#warhorses">War Horses</a><br />
<a href="#churchparade">Church-Parade</a><br />
<a href="#mrskinfoot">At the House of Mrs. Kinfoot</a><br />
<a href="#greenfly">Green-fly</a><br />
<a href="#deluxe">De Luxe</a><br />
</p>
<p><br /><br /></p>
<p class="t3b">
<a href="#book3">BOOK III: PROMENADES</a><br />
</p>
<p class="noindent">
<a href="#nocturne">Nocturne</a><br />
<a href="#catcher">Lament of the Mole Catcher</a><br />
<a href="#beginning">The Beginning</a><br />
<a href="#theend">The End</a><br />
<a href="#fountains">Fountains</a><br />
<a href="#songfauns">Song of the Fauns</a><br />
<a href="#cruelty">"A Sculptor's Cruelty"</a><br />
<a href="#pierrotold">Pierrot Old</a><br />
<a href="#night">Night</a><br />
<a href="#carcassonne">From Carcassonne</a><br />
<a href="#progress">Progress</a><br />
<a href="#prodigal">Return of the Prodigal</a><br />
<a href="#london">London Squares</a><br />
<a href="#tears">Tears</a><br />
<a href="#clavichords">Clavichords</a><br />
<a href="#promenades">Promenades</a><br />
<a href="#clownpondi">Clown Pondi</a><br />
<a href="#lausiac">Lausiac Theme</a><br />
<a href="#metamorphosis">Metamorphosis</a><br />
<a href="#gipsyqueen">The Gipsy Queen</a><br />
<a href="#blackmass">Black Mass</a><br />
<a href="#pierrotwar">Pierrot at the War</a><br />
<a href="#springhours">Spring Hours</a><br />
</p>
<p><br /><br /></p>
<p class="t3b">
<a href="#book4">BOOK IV: WAR POEMS</a><br />
</p>
<p class="noindent">
<a href="#babel">"Therefore is the Name of it called Babel"</a><br />
<a href="#harlequinade">Twentieth-Century Harlequinade</a><br />
<a href="#generation">This Generation</a><br />
<a href="#sheepsong">Sheep-Song</a><br />
<a href="#lament">The Poet's Lament</a><br />
<a href="#judas">Judas and the Profiteer</a><br />
<a href="#rhapsode">Rhapsode</a><br />
<a href="#abraham">The Modern Abraham</a><br />
<a href="#trap">The Trap</a><br />
<a href="#eternal">The Eternal Club</a><br />
<a href="#heaven">Heaven</a><br />
<a href="#pedlar">The Blind Pedlar</a><br />
<a href="#moloch">Hymn to Moloch</a><br />
<a href="#armchair">Armchair</a><br />
<a href="#ragtime">Ragtime</a><br />
<a href="#peace">Peace Celebration</a><br />
<a href="#nextwar">The Next War</a><br />
</p>
<p><br /><br /><br /></p>
<p>
<a id="book1"></a>
<a id="part1"></a>
</p>
<h2>
BOOK I
<br />
THE PHOENIX-FEASTERS<br />
</h2>
<p><br /><br /><br /></p>
<p class="noindent">
<i>To</i> EDITH<br />
</p>
<p class="t2">
THE PHOENIX-FEASTERS<br />
</p>
<p class="t3b">
PART I<br />
</p>
<h3>
<a id="prelude"></a>
PRELUDE<br />
</h3>
<p class="poem">
We have wandered through the dim valleys of sleep<br />
—That lie so still and far—<br />
Have bathed in the lakes of silence,<br />
Where each star<br />
Shines brighter than its own reflection in the heavens;<br />
Where, diving deep,<br />
My soul has sought to catch and keep<br />
The silver feathers of the moon<br />
That float like down upon the waters,<br />
In whose pale rest<br />
We find<br />
Forgetfulness of death<br />
That comes so soon<br />
—Waters that lull the mind<br />
With some sweet breath<br />
Of wind, of flowers,<br />
With summer showers of rain,<br />
Or quicken it with recreative pain.<br />
</p>
<p class="poem">
We have fled further from this leaden cage,<br />
Seeking those rainbow forests,<br />
Where the light<br />
Thrills through you, shaking, fainting, with delight;<br />
Where sway tall luminous trees<br />
Wind-swept in one vast flashing harmony,<br />
That like a wave<br />
Splashes its seething sound<br />
And then envelops you.<br />
</p>
<p class="poem">
We have strayed to other places,<br />
Courts of fear,<br />
That stretch like echoes through the endless dusk<br />
Drenched with dead memories;<br />
Like musk<br />
They cling about you<br />
In a heavy cloud.<br />
Each shadow-sound we hear<br />
Clutches the heart.<br />
With fevered hands we tear<br />
The terror-pulsing walls<br />
—Fight our way out<br />
—Out<br />
Into other Courts<br />
As vague and full of fear.<br />
And we have found the proud and distant palaces of night.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="silence"></a>
THE SILENCE OF GOD<br />
</h3>
<p class="poem">
One night upon the southern sea<br />
In helpless calm we lay,<br />
Waiting for day,<br />
Waiting for day.<br />
</p>
<p class="poem">
As goldripe fruit fall from a tree<br />
A comet fell; no other sight,<br />
But in the ocean tracks of light<br />
Trembled—then passed away,<br />
Away.<br />
</p>
<p class="poem">
No sound broke on our waiting ears,<br />
Though instinct whispered wayward fears<br />
Of things we cannot tell—<br />
Of things the sea could tell.<br />
</p>
<p class="poem">
No wisp of wind, no watery sound<br />
Reached us; as if high on the ground<br />
We stayed. A sense of fever fell<br />
Upon each mind,<br />
Each soul and mind.<br />
</p>
<p class="poem">
Until our eyes, that ever sought<br />
The cloying empty darkness, find<br />
Another shape—or is it wrought<br />
Of terror?—on the deep<br />
The endless deep.<br />
</p>
<p class="poem">
All dark it lay. No light shone out;<br />
And though we cried across, no shout<br />
Came back to us. As if in sleep<br />
The black bulk lay so still,<br />
So still.<br />
</p>
<p class="poem">
No sign came back; no answering cry<br />
Cleft the immense monotony<br />
That swathed us like a funeral pall,<br />
In folds of menace; almost shrill<br />
The silence seemed,<br />
And we so small.<br />
</p>
<p class="poem">
Swiftly a boat was lowered down;<br />
The rowlocks creaked; our track shone white<br />
Behind us like God's frown,<br />
God's frown.<br />
</p>
<p class="poem">
We clambered up that great ship's height;<br />
There was no light; there was no sound;<br />
Nor was there any being found<br />
Upon that ship,<br />
That ship.<br />
</p>
<p class="poem">
We groped our way along. God knows<br />
How long the rats had been alone<br />
With dust and rust! Yet flight was shown<br />
To have been instant, in the grip<br />
Of some force stronger than its foes<br />
—Its human foes.<br />
</p>
<p class="poem">
* * * * *<br />
</p>
<p class="poem">
Then sudden from the dark there thrilled<br />
The distant dying of a song<br />
That hung like haze upon the sea, and filled<br />
Each soul with joy and terror strong,<br />
With joy and terror strong.<br />
</p>
<p class="poem">
Upon the sombre air were spent<br />
These notes, as from a hidden place<br />
Where all time and all love lay pent<br />
In lingering embrace—<br />
In lingering embrace.<br />
</p>
<p class="poem">
Deep in our hearts we felt the call;<br />
We knew that if our fate should send<br />
That song again, we must leave all<br />
And follow to the end,<br />
The end.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="adventure"></a>
ADVENTURE<br />
</h3>
<p class="poem">
Down through the torrid seas we swept,<br />
Sails curved like bows about to shoot.<br />
As an arrow speeds through the air<br />
Our ship parted the clinging waters.<br />
</p>
<p class="poem">
Then, out of the ocean<br />
Blossomed a distant land.<br />
</p>
<p class="poem">
* * * * *<br />
</p>
<p class="poem">
The air quivered,<br />
Dancing above it<br />
In a frenzy of passion.<br />
Waves of heat trembled towards us<br />
Across the cool lassitude of the ocean.<br />
They rolled new odours at us,<br />
Sounding the chords of hidden senses,<br />
Till we were alert<br />
With minds as sensitive and taut<br />
As resined strings.<br />
The sea itself<br />
Crouched down behind us,<br />
Urging us on,<br />
Driving us on,<br />
To unknown<br />
Perilous adventures.<br />
</p>
<p class="poem">
* * * * *<br />
</p>
<p class="poem">
Ships and sea were forgotten.<br />
We trampled<br />
And stumbled<br />
On, on,<br />
Through the burning sand<br />
To the hot shroud of the squat threatening forest,<br />
Where, as you walked,<br />
You tore apart<br />
A solid sheet of air.<br />
</p>
<p class="poem">
Brown satyrs grimaced at us,<br />
Swinging with long hairy arms<br />
From crooked branch to crooked branch.<br />
The sun<br />
Was at its height.<br />
Rays pierced the hot shade;<br />
White lines of light<br />
Shot through the shadows<br />
To where a point of green<br />
Shuddered with dangerous movement,<br />
Throbbed and hummed with the whirr of insects.<br />
Birds more bright than any streamers from the sun<br />
Cleft the air<br />
Like hammers;<br />
Scintillating wings<br />
Tossed patches of colour<br />
Into the dark shimmering air.<br />
Shrill calls<br />
Whistled like knives<br />
Hurled through the empty heat.<br />
</p>
<p class="poem">
Frantic chattering rose up.<br />
Through the honeycombed darkness<br />
Slim animals<br />
—Their hides splashed with false sunlight—<br />
Quivered away<br />
Into the hollow distance.<br />
Or clattered past us,<br />
Cloven hooves<br />
Kicking at the hard, bent trunks<br />
Of gnarled trees.<br />
Large hairy fruits of wood<br />
Were cast at us,<br />
Snarlingly,<br />
From the darkness.<br />
Faces<br />
—Faces peered down<br />
From the interwoven boughs.<br />
</p>
<p class="poem">
Hastily we stumbled on;<br />
Hurriedly we stumbled back,<br />
Bewildered.<br />
Small tracks<br />
Tripped through the blackness<br />
Hither and thither;<br />
Twigs crawled from under our feet,<br />
Hissing away<br />
In venom<br />
—And we were bewildered.<br />
</p>
<p class="poem">
Then suddenly<br />
We felt,<br />
Rumbling in curling patterns through the ground,<br />
The beating of drums.<br />
As winds bellow into caves,<br />
As waves swirl and curl into hollows,<br />
We heard the blowing of wooden trumpets<br />
And of pipes.<br />
</p>
<p class="poem">
Soon,<br />
Under the western canopy of the sun,<br />
Where the fevered hills lay huddled together,<br />
We saw great gourd-shaped palaces<br />
Loom up like mountains.<br />
Figures played on trumpets,<br />
Twisted like snakes,<br />
Or on the curved, carved horns of unknown beasts.<br />
In the sound was mirrored<br />
The panic seizures of the night,<br />
—The fear of things that walk in darkness.<br />
The drums were painted<br />
In hot colours<br />
That, even through the dusk,<br />
Glowed torture and writhing torment.<br />
Like a shower of molten lead<br />
The din fell down upon us<br />
From the Palaces.<br />
</p>
<p class="poem">
Bare yellow women<br />
Hurried<br />
To greet us;<br />
Their heels swayed inward<br />
As they walked.<br />
They offered fruits<br />
—Fruits that were strange to us;<br />
Mellow they were, and with a scent<br />
Of sun, of summer,<br />
And of woodland nights.<br />
We ate<br />
—And dreams closed round.<br />
</p>
<p class="poem">
* * * * *<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="dusk"></a>
DUSK<br />
</h3>
<p class="poem">
Night like a hawk<br />
Swooped down<br />
On to the phoenix bird,<br />
—Tore out its flaming feathers.<br />
Solitary plumes<br />
Flared down into the darkness,<br />
Floating above the distant sea.<br />
Stillness and heat clung together;<br />
And the hawk<br />
Spread out her wings.<br />
</p>
<p class="poem">
Gigantic pinions<br />
Flutter the air above,<br />
Fanning our faces<br />
And<br />
We sing.....<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="sailor"></a>
SAILOR-SONG<br />
</h3>
<p class="poem">
On swinging seas our ship has flown<br />
—In sun and shadow lands alit.<br />
We saw the sack of Carthage Town<br />
(And Dido building it).<br />
</p>
<p class="poem">
Cassandra, direful prophetess,<br />
We heard foretell the fate of Troy,<br />
And through its streets helped wheel and press<br />
That wooden, painted toy.<br />
</p>
<p class="poem">
We've seen events aboard this hulk<br />
Of grave import and mystery<br />
—The serpent's writhing horrid bulk<br />
Go seething through the sea.<br />
</p>
<p class="poem">
Then once we left Atlantis Town.<br />
Behind us like a lily flower<br />
It blossomed; but then down, far down,<br />
Sank every vane and tower.<br />
</p>
<p class="poem">
Now you can hear the clanging beat<br />
Of bells beneath the furious foam.<br />
In coral palaces the great<br />
Sea monsters make their home.<br />
</p>
<p class="poem">
Their corridors with pearl are pav'd;<br />
Float down them in an endless flight<br />
Fierce finny beasts. The walls are laved<br />
In irridescent light.<br />
</p>
<p class="poem">
We brought gifts—myrrh and frankincense—<br />
From Khubla to the Great Moghul;<br />
Espied the Juggernaut immense<br />
Pound over flesh and skull;<br />
</p>
<p class="poem">
Saw desert-men atone for ills<br />
With frenzied hands, with wounds that gape,<br />
—The hermits hidden in the hills<br />
—The Herod in his Tyrian Cape.<br />
</p>
<p class="poem">
From out our ship, held fast by gale,<br />
We watched Andromeda's release;<br />
Beheld the galleon in full sail<br />
That flew the Golden Fleece.<br />
</p>
<p class="poem">
Icarus, proud of his new power,<br />
We saw stretch out his wings to fly.<br />
We heard in that tremendous hour<br />
The cry from Calvary.<br />
</p>
<p class="poem">
Thus many things we understand<br />
That puzzle landsmen: we can tell<br />
Of perils in each time and land;<br />
But outside Heaven or Hell<br />
</p>
<p class="poem">
No fruit so strange we tasted save<br />
But one; none cast so strange a spell<br />
Except the fruit the first Eve gave<br />
To the first man who fell.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="dance"></a>
THE DANCE<br />
</h3>
<p class="poem">
The song ends.<br />
The rocking earth<br />
Plunges madly<br />
—Lunges like a man<br />
About to fight.<br />
Trees roll beckoning branches at us,<br />
Branches that swing and sway.<br />
From the forest<br />
The animals<br />
Howl<br />
Like laughter.<br />
With their burning scimiters<br />
Flames slice the night.<br />
</p>
<p class="poem">
Monotony,<br />
A life preserved in ocean salt,<br />
Scales off our limbs.<br />
Within our veins<br />
The liquor of this fruit-of-fire<br />
Mounts in splendour inexhaustible.<br />
The world itself<br />
Dances<br />
To make us dance<br />
In cosmic frenzy.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="whyshould"></a>
WHY SHOULD A SAILOR RIDE THE SEA?<br />
</h3>
<p class="poem">
Why should a sailor ride the sea,<br />
When he can drink and dance and sing,<br />
Or watch the stars out-blossoming<br />
Upon the tree of night?<br />
</p>
<p class="poem">
Why should he face the tear-salt waves,<br />
When he can sing, or feast on fruit,<br />
Dance to the silver-sobbing lute,<br />
And all men seem his slaves?<br />
</p>
<p class="poem">
No more to ship or sea we'll go,<br />
To watch the land sink out of sight<br />
Suffused by purple fumes of night,<br />
Each heart weighed down with woe.<br />
</p>
<p class="poem">
But under rustling fretted lace<br />
Of leaves, we'll dance and stamp our feet<br />
In frenzy, to the furious beat,<br />
—The rhythm of all space.<br />
</p>
<p class="poem">
Or watch each dappled fawn and elf<br />
Spring from the green lairs where they hide;<br />
Now every soul is multiplied<br />
And communes with itself.<br />
</p>
<p class="poem">
The softly sailing moon is now<br />
A pendulum, hung in a vast<br />
Blue bubble—so to mark our fast<br />
Lithe movements to and fro.<br />
</p>
<p class="poem">
Down from the sky the willing stars<br />
Fall round each brow a crown to form;<br />
Till feet and limbs, a rushing storm,<br />
Dance whirling on in ecstasy.<br />
</p>
<p><br /></p>
<p class="poem">
The earth dances;<br />
The earth dances;<br />
Trees charge at us<br />
Like horsemen;<br />
Forests swoop<br />
Down the hill,<br />
Charging at us,<br />
But we are brave,<br />
Full of a fiery courage,<br />
And go onward<br />
Onward,<br />
Through the galloping trees.<br />
We shout<br />
Glowing phrases<br />
—Snatches of ineffable wit.<br />
</p>
<p class="poem">
The frenzy in our feet<br />
Must surely set the world afire.<br />
Yet still the stars<br />
Rain down their golden tremors of delight,<br />
And the moon<br />
Sweeps like a bird<br />
Through the arch of space.<br />
</p>
<p class="poem">
We, too,<br />
Float downward<br />
Gently<br />
To soft shipwreck.<br />
We, too,<br />
Are of the kindred of the Pleiades;<br />
Reel on our golden path<br />
Down,<br />
Down,<br />
Through the curved emptiness of the heavens.<br />
</p>
<p><br /><br /><br /></p>
<p><a id="part2"></a></p>
<p class="t3b">
PART II
</p>
<p><br /><br /></p>
<h3>
<a id="cornucopia"></a>
CORNUCOPIA<br />
</h3>
<p class="poem">
Now music fills the night with moving shades;<br />
Its velvet darkness, veined like a grape,<br />
Obscures and falls round many a subtle shape<br />
—Figures that steal through cool tall colonnades,<br />
Vast minotaurian corridors of sleep;<br />
Rhythmic they pass us, splashed by red cascades<br />
Of wine, fierce-flashing fountains whose proud waves<br />
Shimmer awhile; plunge foaming over steep<br />
Age-polished rocks, into the dim cold caves<br />
Of starlit dusk below—then merge with night,<br />
Softly as children sinking into sleep.<br />
</p>
<p class="poem">
But now more figures sway into our sight;<br />
Strong and bare-shouldered, pressed and laden down,<br />
Stagger across the terraces. They bear<br />
Great Cornucopia of summer fruit<br />
And heavy roses scented with the noon<br />
—Piled up with fruit and blossoms, all full blown,<br />
Crimson, or golden as the harvest moon—<br />
Piled up and overflowing in a flood<br />
Of riches; brilliant-plumaged birds, that sing<br />
As the faint playing on a far sweet lute,<br />
Warble their tales of conquest and of love;<br />
Perch on each shoulder; sweep each rainbow wing<br />
Like light'ning through the breathless dark above.<br />
Heaped up in vases gems shine hard and bright;<br />
Sudden they flare out—gleaming red like blood—<br />
For now the darkness turns to swelling light,<br />
Great torches gild each shadow, tear the sky,<br />
As drums tear through the silence of the night;<br />
Breaking its crystal quiet—making us cry<br />
Or catch our sobbing breath in sudden fear.<br />
A shadow stumbles, and the jewels shower<br />
On to the pavers with a sharp sweet sound.<br />
They mingle with the fountain drops that flower<br />
Up in a scarlet bloom above the ground,<br />
A beauteous changing blossom; then they rain<br />
On to the broad mysterious terraces,<br />
Where sea-gods rise to watch in cold disdain<br />
Before those vast vermillion palaces,<br />
—Watch where the slumbering coral gods of noon,<br />
Drunk with the sudden golden light and flare<br />
Of flaming torches, try to pluck and tear<br />
That wan enchanted lotus flower, the moon,<br />
Down from its calm still waters; thus they fall,<br />
Like flowing plumes, the fountains of our festival.<br />
</p>
<p class="poem">
Slowly the torches die. They echo long,<br />
These last notes of a Bacchanalian song,<br />
Of drifting drowsy beauty, born of sleep,<br />
—Vast as the sea, as changing and as deep.<br />
In thanksgiving for shelt'ring summer skies<br />
Still, far away, a fervent red light glows.<br />
Small winds brush past against our lips and eyes,<br />
Caress them like a laughing summer rose,<br />
And rainbow moths flit by, in circling flight.<br />
A harp sobs out its crystal syruppings;<br />
Faintly it sounds, as the poor petal-wings,<br />
Fragile yet radiant, of a butterfly<br />
Beating against the barriers of night.<br />
</p>
<p class="poem">
Then from the Ocean came the Syren song,<br />
Heavy with perfume, yet faint as a sigh,<br />
Kissing our minds, and changing right from wrong;<br />
Chaining our limbs; making our bodies seem<br />
Inert and spellbound, dead as in a dream.<br />
</p>
<p class="poem">
* * * * *<br />
</p>
<p class="poem">
Bound by the silver fetters of your voice<br />
To this new slavery of dreams,<br />
We, listening, rejoice.<br />
The magic strains<br />
Swell in this darkness star-devoid.<br />
The music streams<br />
Upon the world in patterns passionate yet clear,<br />
And stains<br />
Each soul. The mind, decoyed<br />
By thoughts that grind and tear<br />
Away old values,<br />
Is sent down other thoughts<br />
So subtly swift,<br />
That in their fleeting passage<br />
They can cut adrift our souls<br />
Upon a sea of wonder and of fear.<br />
Within the arid minds of men<br />
This music sounds but once, for then<br />
They hear no other song.<br />
In it, tumultuous rush of wings,<br />
The glamour of old lovely things<br />
In deserts buried long,<br />
The grace of beasts that bound and leap<br />
With movements blithe and strong<br />
—Of those that creep<br />
Away in hissing-reptile rage—<br />
All these, all these are found.<br />
They hear<br />
The secrets, solved, of each dead age,<br />
Each mystery is clear.<br />
For in this music's flow, the din<br />
Of spheres that tear and speed and spin<br />
Through pulsing space is heard,<br />
And all things men have loved and feared<br />
Are mirror'd in each sound.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="song"></a>
SONG<br />
</h3>
<p class="poem">
Our hidden voices, wreathed with love's soft flowers,<br />
Wind-toss'd thro' valleys, tremble across seas<br />
To turbann'd cities; touch tall lonely towers,<br />
Call to you thro' the sky, the wind, the trees.<br />
</p>
<p class="poem">
Misted and golden as the hanging moon,<br />
That like a summer fruit floats from the sky,<br />
Thrills out our distant age-enchanted tune,<br />
—Nor will it let you pass our beauty by.<br />
But if it should not reach to stir your mind,<br />
Then hold a summer rose against the ear,<br />
Till through its crimson sweetness you can hear<br />
The falling flow of rhythm—so designed<br />
That from this secret island, like a star<br />
Shining above a shrouded world, our song<br />
Cleaves through the darkest night and echoes long,<br />
Bidding you follow whether near or far.<br />
Come hither where the mermaids churn the foam,<br />
Lashing their tails across the calm, or dive<br />
To groves and gardens of bright flowers; then roam<br />
Beneath the shade of stone-branched trees, or drive<br />
Some slow sea-monster to its musselled home.<br />
Here, as a ladder, they climb up and down<br />
The rainbow's steep refracted steps of light,<br />
Till, when the dusk sends down its rippling frown,<br />
They quiver back to us in silver flight.<br />
The moon sails down once more; our mermaids bring<br />
Rich gifts of ocean fruit. Again we sing.<br />
Enchantment, love, vague fear, and memories<br />
That cling about us like the fumes of wine<br />
With myriad love-enhancing mysteries<br />
We pour out in one song—intense—divine,<br />
Down the deep moonlit chasms of the waves<br />
Our song floats on the opiate breeze. Why seek<br />
To goad your carven galleys, fast-bound slaves<br />
Who search each sweeping line of bay and creek,<br />
Only to stagger on a hidden rock, or find<br />
The limp dead sails swept off by sudden wind?<br />
Thus always you must search the cruel sea,<br />
For if you find us mankind shall be free!<br />
</p>
<p class="poem">
But when you sleep we grasp you by the hand,<br />
And to the trickling honey of the flute<br />
We lead you to a distant shimmering land<br />
Where lotus-eaters munch their golden fruit,<br />
Then fall upon the fields of summer flowers<br />
In drunken sunlit slumber, while a fawn<br />
Prances and dances round them.<br />
Oh, those hours<br />
When through the crystal valleys of the dawn<br />
Down from the haunted forests of the night<br />
There dash the dew-drenched centaurs on their way,<br />
Mad with the sudden rush of golden light<br />
—Affright the lotus-eaters, as they sway<br />
Towards the woodlands in a stumbling flight.<br />
In these deep groves we follow through the cool<br />
Shadow of high columnar trees, to find<br />
The fallen sky within a forest pool<br />
That's faintly veiled and fretted by a wind,<br />
Lest our white flashing limbs should turn you blind.<br />
</p>
<p class="poem">
* * * * *<br />
</p>
<p class="poem">
As the sweet sound of bells that fall and fade<br />
In watery circles on the verge of night,<br />
So rounded ripples spread beneath the shade<br />
Of flowing branches dripping with green light.<br />
</p>
<p class="poem">
Thus do we wander; but when day is spent<br />
We grope our way thro' vast tall palaces,<br />
Palaces sinister and somnolent,<br />
Where lurk dim fears and unknown menaces.<br />
</p>
<p class="poem">
These high pale walls and this pale shining floor<br />
Seem built of bones, by ages planed and ground<br />
To a white smoothness.<br />
On this rock-bound shore<br />
The bodies of dead sailors oft are found.<br />
</p>
<p class="poem">
These sombre arches pierce the sullen sky.<br />
</p>
<p class="poem">
These pillars are the pillars of the night.<br />
</p>
<p class="poem">
Of what avail your strife and agony?<br />
Why seek to search and struggle for the light?<br />
Our music chains you: binds your limbs from flight.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="prospect"></a>
PROSPECT ROAD<br />
</h3>
<p class="poem">
Gigantic houses, tattered by all time,<br />
Raise their immense and ruined bulk and height<br />
In one unending universal street,<br />
Against a strange and sunken yellow sky<br />
—Like sunset trickling through into the sea,<br />
Down to the depths—yellow and grey and green.<br />
Blind windows face the interminable road;<br />
Innumerable those windows seem to stretch<br />
All smeared and stained and stamped with time and blood,<br />
—Stains that seem faces—horrid twitching masks<br />
Moving their lewd derisive lips and tongues,<br />
Spitting out treacheries with vampire lips—<br />
Or eyes that gaze from far blank-stretching walls<br />
—The tortured eyes of those who see their death<br />
Approaching æon-by-æon along this road.<br />
Behind the walls sound voices whispering<br />
Of dire and hidden, carefully hidden, thoughts—<br />
Cruel, wicked and unfathomable things<br />
That lie behind this infamy of stone.<br />
Then clamour, shrieking voices, or a pause<br />
That falls like lead through the suspended air;<br />
Broken by laughter—rending piercing sounds<br />
That seem to tear the fabric of our minds.<br />
Slinking along these wicked, stricken walls,<br />
I reached a shining distant point of light.<br />
And glory came—vast and unending light,<br />
Rays—flashing, writhing rays of light.<br />
And then the music sounded. Ah, that sound!<br />
</p>
<p class="poem">
Cadences rose and fell unendingly—<br />
Quivering, shining waves of sound and sight—<br />
Sounds of the universe—the cries of space<br />
And planets tumbling wildly round our world<br />
—Showing the meaning of the meaningless.<br />
"God and eternity"—strange flashing sounds<br />
The whirl of time, "Melchisedec"—"Glory of God"<br />
And space—the universe—like framing words—<br />
"Gog and Magog"—"Infinity"—the rush of waters<br />
And the sky comes down.<br />
Down with the splintering stars.<br />
</p>
<p class="poem">
1916-1919.<br />
</p>
<p><br /><br /><br /></p>
<p><a id="book2"></a></p>
<h2>
BOOK II
<br />
GREEN FLY<br />
</h2>
<p><br /><br /></p>
<h3>
<a id="warhorses"></a>
WAR-HORSES<br />
</h3>
<p class="poem">
How they come out<br />
—These Septuagenarian Butterflies—<br />
After resting<br />
For four years!<br />
</p>
<p class="poem">
Surely they are more spirited<br />
Than ever?<br />
Their enamelled wings<br />
Are rusty with waiting<br />
—Their eyelids<br />
Sag a little<br />
Like those of a bloodhound;<br />
But they swim gaily into the limelight.<br />
</p>
<p class="poem">
Oh, these war-horses!<br />
They have seen it through.<br />
Theirs has been a splendid part!<br />
The waiting—the weariness!<br />
For the Queens of Sheba<br />
Are used to courts and feasting;<br />
But for four years<br />
Platitudes have remained<br />
Uncoined,<br />
For there have been few parties<br />
And only<br />
Three stout meals<br />
A day.<br />
</p>
<p class="poem">
But now<br />
They have come out.<br />
They have preened<br />
And dried themselves<br />
After their blood-bath.<br />
Old men seem a little younger,<br />
And tortoise-shell combs<br />
Are longer than ever;<br />
Earrings weigh down aged ears;<br />
And Golconda has given them of its best.<br />
</p>
<p class="poem">
They have seen it through!<br />
Theirs is the triumph,<br />
And, beneath<br />
The carved smile of the Mona Lisa<br />
False teeth,<br />
Rattle<br />
Like machine guns,<br />
In anticipation<br />
Of food and platitudes.<br />
Les Veilles Dames Sans Merci!<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="churchparade"></a>
CHURCH-PARADE<br />
</h3>
<p class="poem">
The flattened sea is harsh and blue—<br />
Lies stiff beneath—one tone, one hue,<br />
While concertina waves unfold<br />
The painted shimmering sands of gold.<br />
</p>
<p class="poem">
Each bird that whirls and wheels on high<br />
Must strangle, stifle in, its cry,<br />
</p>
<p class="poem">
For nothing that's of Nature born<br />
Should seem so on the Sabbath morn.<br />
</p>
<p class="poem">
The terrace glitters hard and white,<br />
Bedaubed and flecked with points of light<br />
</p>
<p class="poem">
That flicker at the passers-by—<br />
Reproachful as a curate's eye.<br />
</p>
<p class="poem">
And china flowers, in steel-bound beds,<br />
Flare out in blues and flaming reds;<br />
</p>
<p class="poem">
Each blossom, rich and opulent,<br />
Stands like a soldier; and its scent<br />
</p>
<p class="poem">
Is turned to camphor in the air.<br />
No breath of wind would ever dare<br />
</p>
<p class="poem">
To make the trees' plump branches sway,<br />
Whose thick green leaves hang down to pray.<br />
</p>
<p class="poem">
The stiff, tall churches vomit out<br />
Their rustling masses of devout,<br />
</p>
<p class="poem">
Tall churches whose stained Gothic night<br />
Refuses to receive the light!<br />
</p>
<p class="poem">
Watch how the stately walk along<br />
Toward the terrace, join the throng<br />
</p>
<p class="poem">
That paces carefully up and down<br />
Above a cut-out cardboard town!<br />
</p>
<p class="poem">
With prayer-book rigid in each hand,<br />
They look below at sea and sand.<br />
</p>
<p class="poem">
The round contentment in their eyes<br />
Betrays their favourite fond surmise,<br />
</p>
<p class="poem">
That all successful at a trade<br />
Shall tread an eternal Church-Parade,<br />
</p>
<p class="poem">
And every soul that's sleek and fat<br />
Shall gain a heavenly top-hat.<br />
</p>
<p class="poem">
From out the Church's Gothic night,<br />
Past beds of blossoms china-bright,<br />
Beneath the green trees' porous shade,<br />
We watch the sea-side Church-Parade.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="mrskinfoot"></a>
AT THE HOUSE OF MRS. KINFOOT<br />
</h3>
<p class="poem">
At the house of Mrs. Kinfoot<br />
Are collected<br />
Men and women<br />
Of all ages.<br />
They are supposed<br />
To sing, paint, or to play the piano.<br />
In the drawing-room<br />
The fireplace is set<br />
With green tiles<br />
Of an acanthus pattern.<br />
The black curls of Mrs. Kinfoot<br />
Are symmetrical.<br />
—Descended, it is said,<br />
From the Kings of Ethiopia—<br />
But the British bourgeoisie has triumphed.<br />
Mr. Kinfoot is bald<br />
And talks<br />
In front of the fireplace<br />
With his head on one side,<br />
And his right hand<br />
In his pocket.<br />
The joy of catching tame elephants,<br />
And finding them to be white ones,<br />
Still gleams from the jungle-eyes<br />
Of Mrs. Kinfoot,<br />
But her mind is no jungle<br />
Of Ethiopia,<br />
But a sound British meadow.<br />
</p>
<p class="poem">
Listen then to the gospel of Mrs. Kinfoot:<br />
"The world was made for the British bourgeoisie,<br />
They are its Swiss Family Robinson;<br />
The world is not what it was.<br />
We cannot understand all this unrest!<br />
</p>
<p class="poem">
Adam and Eve were born to evening dress<br />
In the southern confines<br />
Of Belgravia.<br />
Eve was very artistic, and all that,<br />
And felt the fall<br />
Quite dreadfully.<br />
Cain was such a man of the world<br />
And belonged to every club in London;<br />
His father simply adored him,<br />
—But had never really liked Abel,<br />
Who was rather a milk-sop.<br />
Nothing exists which the British bourgeoisie<br />
Does not understand;<br />
Therefore there is no death<br />
—And, of course, no life.<br />
</p>
<p class="poem">
The British bourgeoisie<br />
Is not born,<br />
And does not die,<br />
But, if it is ill,<br />
It has a frightened look in its eyes.<br />
</p>
<p class="poem">
The War was splendid, wasn't it?<br />
Oh yes, splendid, splendid."<br />
</p>
<p class="poem">
Mrs. Kinfoot is a dear,<br />
And so artistic.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="greenfly"></a>
GREEN-FLY<br />
</h3>
<p class="t3b">
I.<br />
</p>
<p class="poem">
Like ninepins houses stand up square<br />
In lines; their windows mouths to bite<br />
At servants, who lean out to stare<br />
At anything that moves in sight.<br />
</p>
<p class="poem">
Where once was green-limbed tree or ledge<br />
Of greener moss or flowery lane,<br />
Set back behind a private hedge<br />
Each house repeats itself again.<br />
</p>
<p class="poem">
Each house repeats itself again,<br />
But smaller still and yet more dry;<br />
For—just as those who live within—<br />
So have these houses progeny.<br />
</p>
<p class="poem">
Throughout each dusty endless year,<br />
Whose days seem merely wet or fine,<br />
These children constantly appear<br />
In an unending dusty line.<br />
</p>
<p class="poem">
As, on a rose that is ill-grown<br />
Nature, insulted and defied,<br />
Showers down a blight, so sends she down<br />
On houses, those who live inside.<br />
</p>
<p><br /></p>
<p class="t3b">
II.<br />
</p>
<p class="poem">
Within each high, well-papered room,<br />
Compressed, all darkness lay,<br />
Darkness of night, and crypt, and tomb,<br />
Nor ever entered day.<br />
</p>
<p class="poem">
But through the endless black there crept,<br />
With groping hand and groping thought,<br />
With eyes that blinked, but never wept,<br />
And minds that fell, but never fought,<br />
</p>
<p class="poem">
The wonderless, the hard, the nice,<br />
Who scurry at a ray of light,<br />
Then, like a flock of frightened mice,<br />
Career back into night.<br />
</p>
<p class="poem">
From out this damning dreadful dark<br />
(While history, thundering, rolls by)<br />
They wait for an anæmic lark<br />
To sing from weak blue sky.<br />
</p>
<p class="poem">
Or if a dog is hurt, why then<br />
They see the evil, and they cry.<br />
But yet they watch ten million men<br />
Go out to end in agony!<br />
</p>
<p class="poem">
Their own strange God they have set up,<br />
Of clay, of iron, and mothéd hide;<br />
Whose eyes, each convex as a cup,<br />
Reflect the herd endeified.<br />
</p>
<p class="poem">
Their twisted feet in boots He made<br />
To walk the narrow asphalt way,<br />
And gave each room a curtain's shade<br />
To muffle out the light of day.<br />
</p>
<p class="poem">
For this God understands their need;<br />
Created lids for each pale eye;<br />
He sculped each mouth to say "Agreed,"<br />
And gives them coffins if they die.<br />
</p>
<p class="poem">
When, if for punishment they go<br />
To other lands, why, it should be<br />
The judgment that, down there below,<br />
They see this world as they might see!<br />
</p>
<p class="poem">
A world of contrast, shade and light—<br />
Clashing romance and cruelty,<br />
But stricken with the dreadful blight<br />
Of fear to feel and fear to cry.<br />
</p>
<p class="poem">
Where for a moment lives are filled<br />
With love or hate—where born of pain<br />
The children grow up—to be killed!<br />
Where freedom—dead—is born again.<br />
</p>
<p class="poem">
Wherein life's pattern crude and shrill<br />
Is weft by neither foe nor friend,<br />
But by some rough colossal will<br />
Towards some vast invisible end.<br />
</p>
<p class="poem">
But in those houses dark there creep,<br />
With bodies wrapt in woollen dress,<br />
With eyes that blink but never weep,<br />
The sentimental wonderless!<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="deluxe"></a>
DE LUXE<br />
</h3>
<p class="t3b">
I.<br />
</p>
<p class="t3">
HYMN.<br />
</p>
<p class="poem">
Above from plaster-mountains,<br />
Wine-shadowed by the sea,<br />
Spurt white-wool clouds, as fountains<br />
Whirl from a rockery.<br />
</p>
<p class="poem">
These clouds were surely given<br />
To keep the hills from harm,<br />
For when a cloud is riven<br />
The fatted rain falls warm.<br />
</p>
<p class="poem">
Through porous leaves the sun drops<br />
Each dripping stalactite<br />
Of green. The chiselled tree-tops<br />
Seem cut from malachite.<br />
</p>
<p class="poem">
Stiff leaves with ragged edges<br />
(Each one a wooden sword)<br />
Are carved to prickly hedges,<br />
On which, with one accord,<br />
</p>
<p class="poem">
Their clock-work songs of calf-love<br />
Stout birds stop to recite,<br />
From cages which the sun wove<br />
Of shade and latticed light.<br />
</p>
<p class="poem">
Each brittle booth and joy-store<br />
Shines brightly. Below these<br />
The ocean at a toy shore<br />
Yaps like a Pekinese.<br />
</p>
<p><br /></p>
<p class="t3b">
II.<br />
</p>
<p class="t3">
NURSERY RHYME.<br />
</p>
<p class="poem">
The dusky king of Malabar<br />
Is chief of Eastern Potentates;<br />
Yet he wears no clothes except<br />
The jewels that decency dictates.<br />
</p>
<p class="poem">
A thousand Malabaric wives<br />
Roam beneath green-tufted palms;<br />
Revel in the vileness<br />
That Bishop Heber psalms.<br />
</p>
<p class="poem">
From honey-combs of light and shade<br />
They stop to watch black bodies dart<br />
Into the sea to search for pearls.<br />
By means of diabolic art<br />
</p>
<p class="poem">
Magicians keep the sharks away;<br />
Mutter, utter, each dark spell,<br />
So that if a thief should steal,<br />
One more black would go to Hell.<br />
</p>
<p class="poem">
But Mrs. Freudenthal, in furs,<br />
From brioche dreams to mild surprise<br />
Awakes; the music throbs and purrs.<br />
The cellist, with albino eyes,<br />
</p>
<p class="poem">
Rivets attention; is, in fact,<br />
The very climax; pink eyes flash<br />
Whenever nervous and pain-racked<br />
He hears the drums and cymbols clash.<br />
</p>
<p class="poem">
Mrs. Freudenthal day-dreams<br />
—Ice-spoon half-way to her nose—<br />
Till the girl in ochre screams,<br />
Hits out at the girl in rose.<br />
</p>
<p class="poem">
This is not at all the way<br />
To act in large and smart hotels;<br />
Angrily the couples sway,<br />
Eagerly the riot swells.<br />
</p>
<p class="poem">
Girls who cannot act with grace<br />
Should learn behaviour; stay at home;<br />
A convent is the proper place.<br />
Why not join the Church of Rome?<br />
</p>
<p class="poem">
A waiter nearly drops the tray<br />
—Twenty tea-cups in one hand.<br />
Now the band joins in the fray,<br />
Fighting for the Promised Land.<br />
</p>
<p class="poem">
Mrs. Freudenthal resents<br />
The scene; and slowly rustles out,<br />
But the orchestra relents,<br />
Waking from its fever bout.<br />
</p>
<p><br /><br /><br /></p>
<p><a id="book3"></a></p>
<h2>
BOOK III
<br />
PROMENADES<br />
</h2>
<p><br /><br /></p>
<h3>
<a id="nocturne"></a>
NOCTURNE<br />
</h3>
<p class="poem">
The valleys that were known in sunlit hours<br />
Are vast and vague as seas;<br />
Wan as the blackthorn flowers<br />
That quiver in the first spring-scented breeze:<br />
Far as the frosted hollows of the moon.<br />
The sighing woods are still—<br />
Wrapp'd in their age-long boon<br />
Of mystery and sleep. A naked hill,<br />
Loud and discordant, looms against the sky,<br />
And little lights like stars<br />
Break the monotony<br />
Of blue and silver, black and grey. Strange bars<br />
Of light resemble silver masks, and leer<br />
Across the forest lane.<br />
Tall nettles, rank from rain,<br />
Scent all the woods with some ancestral fear.<br />
</p>
<p class="poem">
Trees rustle by the water. A voice sings<br />
Faintly, to ward off fright.<br />
</p>
<p class="poem">
The water breathes pale rings<br />
Of sad, wan light;<br />
Faintly they grow,<br />
Then merge into the night:<br />
The last poor twisted echo takes to flight.<br />
</p>
<p><br /><br /><br /></p>
<p class="noindent">
<i>To</i> W. H. DAVIES.<br />
</p>
<h3>
<a id="catcher"></a>
THE LAMENT OF THE MOLE-CATCHER<br />
</h3>
<p class="poem">
An old, sad man who catches moles<br />
Went lonely down the lane—<br />
All lily-green were the lanes and knolls,<br />
But sorrow numbed his brain.<br />
He paid no heed to flower or weed<br />
As he went his lonely way.<br />
No note he heard from any bird<br />
That sang, that sad spring day.<br />
</p>
<p class="poem">
"I trap'd the moles for forty years<br />
Who could not see the sky,<br />
I reckoned not blind blood or tears,<br />
And the Lord has seen them die.<br />
For forty years I've sought to slay<br />
The small, the dumb, the blind,<br />
But now the Lord has made me pay,<br />
And I am like their kind.<br />
I cannot see or lane or hill,<br />
Or flower or bird or moon;<br />
Lest life shall lay me lower still,<br />
O Lord—come take it soon."<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="beginning"></a>
THE BEGINNING<br />
</h3>
<p class="poem">
Great spheres of fire, to which the sun is nought,<br />
Pass thund'ring round our world. A golden mist—<br />
The margin to the universe—falls round<br />
The verges of our vision. Rocks ablaze<br />
Leap upward to the sun, or fall beneath<br />
The rush of our rapidity, that seems<br />
Catastrophy, and not the joyous birth<br />
Of yet another star. The air is full<br />
Of clashing colour, full of sights and sounds<br />
Too plain and loud for men to heed or hear,<br />
The cosmic cries of pain that follow birth:<br />
A multi-coloured world.<br />
The scorching heat<br />
Surpasses all the equatorial days:<br />
Steam rises from the surface of the sea.<br />
Gigantic rainbow mists resemble forms<br />
That bring to mind strange elemental sprites<br />
Exulting in the chaos of creation.<br />
They glide above the tumult-ridden sea<br />
Which now is shaken as are autumn leaves;<br />
Great hollows open and reveal its depths—<br />
Devoid of any form of life or death.<br />
Till wave on wave it gathers strength again<br />
And shakes a mountain, splits it to the base<br />
(Still weak from struggle as a new-born babe).<br />
Then night comes on, and shows the flaming path<br />
Of all the rocks that vainly seek the sun.<br />
Broad as the arch of space, a myriad moons<br />
Sail slowly by the sea; the glowing world<br />
Shows up the pallor of their ivory.<br />
The din grows greater from the universe:<br />
There rises up the smell of fire and iron,—<br />
Not dreary like the smell of burnt-out things,<br />
But like the smell of some gigantic forge—<br />
Cheerful, of good intent, and full of life.<br />
</p>
<p class="poem">
Now all the joyous cries of sea and earth,<br />
The universal harmonies of birth,<br />
Rise up to haunt the slumber of their God.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="theend"></a>
THE END<br />
</h3>
<p class="poem">
Round the great ruins crawl those things of slime<br />
Green ruins lichenous and scarred by moss—<br />
An evil lichen that proclaims world doom,<br />
Like blood dried brown upon a dead man's face.<br />
And nothing moves save those monstrosities,<br />
Armoured and grey, and of a monster size.<br />
</p>
<p class="poem">
But now, a thing passed through the cloying air<br />
With flap and clatter of its scaly wings—<br />
As if the whole world echoed from some storm.<br />
One scarce could see it in the dim green light<br />
Till suddenly it swooped and made a dart<br />
And brushed away one of those things of slime,<br />
Just as a hawk might sweep upon its prey.<br />
</p>
<p class="poem">
It seems as if the light grows dimmer yet—<br />
No radiance from the dreadful green above,<br />
Only a lustrous light or iridescence<br />
As if from off a carrion-fly,—surrounds<br />
That vegetation which is never touched<br />
By any breeze. The air is thick, and brings<br />
The tainted subtle sweetness of decay.<br />
Where, yonder, lies the noisome river-course,<br />
There shows a faintly phosphorescent glow.<br />
</p>
<p class="poem">
Long writhing bodies fall and twist and rise,<br />
And one can hear them playing in the mud.<br />
Upon the ruined walls there gleam and shine<br />
The track of those grey vast monstrosities—<br />
As some gigantic snail had crawled along.<br />
</p>
<p class="poem">
All round the shining bushes waver lines<br />
Suggesting shadows, slight and grey, but full<br />
Of that which makes one nigh to dead with fear.<br />
</p>
<p class="poem">
Watch how those awful shadows culminate<br />
And dance in one long wish to hurt the world.<br />
</p>
<p class="poem">
A world that now is past all agony!<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="fountains"></a>
FOUNTAINS<br />
</h3>
<p class="poem">
"The graven fountain-masks suffer and weep.<br />
Carved with a smile, the poor mouths clutch<br />
At a half-remembered song,<br />
Striving to forget the agony of ever laughing."<br />
SACHEVERELL SITWELL.<br />
</p>
<p><br /></p>
<p class="poem">
Some fountains sing of love<br />
In full and flute-like notes that charge the night<br />
With all the red-mouthed essence of the rose;<br />
Then turn to voices murmuring above,<br />
Among the trees,<br />
Of hidden sweet delight.<br />
</p>
<p class="poem">
Another fountain flows<br />
With the faint music of a first spring breeze;<br />
Each falling drop is jewelled by the moon<br />
To some fine luminous ecstasy of light.<br />
It sings of noon,<br />
Of sunlit blossoms on a first spring day<br />
And all things sweet and pleasant to the sight.<br />
</p>
<p class="poem">
Another fountain sings<br />
Of the cool pleasures of those moonlit hours<br />
When dappled sylvan things<br />
Trample through thickets and through secret bowers<br />
To prance and play,<br />
Or, squatting round in rings,<br />
To wreathe their horned heads with wan sweet flowers<br />
Till dawn comes grey and sweeps them to the wood.<br />
</p>
<p class="poem">
Another fountain sobs<br />
Its song of passions that have passed away.<br />
Then with a sound like threatening rolling drums, it throbs<br />
And bursts into a flood<br />
Of fierce wild music; and its savage spray<br />
Becomes the blood<br />
Renewed, of crimes long past.<br />
</p>
<p class="poem">
Another fountain sings its song of fear,<br />
Of rustics flying fast<br />
Before some foe—<br />
A deadly, unknown foe that comes so near<br />
They feel his panting breath,<br />
And run for many a lengthy, panic mile.<br />
</p>
<p class="poem">
Those graven fountain-masks are white with woe!<br />
Carved with a happy smile<br />
They strive to weep...<br />
End their eternal laughing—for awhile<br />
To lose themselves in sleep<br />
Or in the silver peacefulness of death.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="songfauns"></a>
SONG OF THE FAUNS<br />
</h3>
<p class="poem">
When the woods are white beneath the moon<br />
And grass is wet with crystal dew,<br />
When in the pool<br />
So clear and cool<br />
The moon reflects itself anew,<br />
We raise ourselves from daylight's swoon,<br />
We shake away<br />
The sleep of day,<br />
Out from our bosky homes we spring;<br />
Horns wreathed with flowers,<br />
Throughout the hours<br />
Of moonlight, worshipping we sing.<br />
Pale iv'ry goddess, whose wan light<br />
Looks down upon us worshipping—<br />
Each dappled faun<br />
Who shuns the dawn,<br />
Is here, and rarest gifts we bring—<br />
The feathers of the birds of night<br />
Wrought to a crown<br />
Of softest down<br />
We offer you, and crystal bright,<br />
The dew within a lily cup<br />
Reflecting stars<br />
In shining bars;<br />
All things most strange we offer up—<br />
Rich gifts of fruit and honeyed flowers<br />
To place within your secret bowers.<br />
We shake down apples from the trees,<br />
And pears, and plums with velvet skin;<br />
Up to the sky<br />
We cast these high<br />
And pray you'll stoop to net them in.<br />
We dance: then fall upon our knees<br />
And pray and sing—all this to show<br />
The love that all loyal fauns must owe<br />
To you, white goddess of the night.<br />
But no more play,<br />
We must away,<br />
The eastern sky is growing bright.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="cruelty"></a>
"A SCULPTOR'S CRUELTY"<br />
</h3>
<p class="poem">
The faun runs through the forest of the noon,<br />
Then leaps into some lovely shrouded glade<br />
Splashed with hot light. He dances in the shade<br />
Of tower-like trees, whose branches sway and swoon<br />
Beneath their weight of green. No breath of air<br />
Ruffles the vivid blossom or the moss<br />
On which he pirouettes, all is so fair!<br />
</p>
<p class="poem">
He leaps about; then, tired and at a loss<br />
For what to do, he roams the wood—espies<br />
A figure like himself—but stiff and grey!<br />
Lacking the hairy chest and dappled thighs<br />
That are his pride. "But surely this can play<br />
And scamper, dance and snuffle through the day<br />
As well as me?" So he comes near and eyes<br />
The lichened features of a faun of stone.<br />
</p>
<p class="poem">
Oh! it is sad to be so young—alone!<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="pierrotold"></a>
PIERROT OLD
</h3>
<p class="poem">
The harvest moon is at its height,<br />
The evening primrose greets its light<br />
With grace and joy: then opens up<br />
The mimic moon within its cup.<br />
Tall trees, as high as Babel tower,<br />
Throw down their shadows to the flower—<br />
Shadows that shiver—seem to see<br />
An ending to infinity.<br />
</p>
<p class="poem">
The Pagan Pan has now unbent<br />
And stoops to sniff the night-stock scent<br />
That brings a memory sad and old,<br />
When he was young, and free, and bold,<br />
To play his pipe in forests black,<br />
Or follow in some goatherd's track<br />
Who, fill'd with panic fear, then flees<br />
Through all the terror-threatening trees.<br />
</p>
<p class="poem">
Huge silver moths, like ghosts of flowers,<br />
Hover about the warm dark bowers,<br />
And wait to breathe the lime-tree scent<br />
That perfum'd many a compliment<br />
Address'd to beauties young and gay,<br />
Their faces powdered by the ray<br />
Of that same moon that looks upon<br />
Their dreary lichen-cover'd tomb.<br />
The dryads throw their water wide<br />
And strive to stem the surging tide<br />
That dashes up the fountain base,<br />
Hoping to catch the moon's pale face—<br />
A game now played without a score<br />
For three good centuries or more.<br />
And all the earth smells warm and sweet<br />
—A fitting place for fairy feet.<br />
</p>
<p class="poem">
But now a figure white and frail<br />
Leaps out into the moonlight pale.<br />
From wakeful thoughts, old age and grief,<br />
He finds in this strange world relief.<br />
Yet all the shadow, scent and sound,<br />
Poor Pierrot's mind do sad confound.<br />
Watch how he dances to the moon<br />
While singing some faint fragrant tune!<br />
</p>
<p class="poem">
But Pierrot now is tired and sad<br />
—Remembers all the evenings mad<br />
He spent with that fantastic band<br />
So gaily wand'ring o'er the land.<br />
They all are dead—and at an end,<br />
And he is left without a friend.<br />
For tho' the hours can pass away,<br />
Poor Pierrot still must grieve and stay.<br />
</p>
<p class="poem">
Upon the dewy grass he lies:<br />
The perfumes stir strange memories.<br />
Once more he hears a laughing cry<br />
That brings great tear-drops to his eye.<br />
That step—that look—that voice—that smile.<br />
Ah! they've been buried a long while!<br />
And who's the man in pantaloons,<br />
And he who sings such festive tunes?<br />
Why, it's that laughing man of sin,<br />
That roguish rascal Harlequin!<br />
</p>
<p class="poem">
Forgiving Pierrot hides his head<br />
Deep in the grass and mourns the dead;<br />
Forgetting all the pranks they play'd,<br />
And how he was himself betray'd.<br />
</p>
<p class="poem">
The butterfly lives but one day,<br />
But Pierrot still seems doom'd to stay.<br />
</p>
<p class="poem">
He falls asleep there, tragic-white,<br />
And wakes to find the bleak daylight.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="night"></a>
NIGHT<br />
</h3>
<p class="poem">
All the dim terrors dwelling far below,<br />
Interr'd by many thousand years of life,<br />
Arise to revel in this evil dark:<br />
The wail forlorn of dogs that mourn for men—<br />
A shuffling footfall on a creaking board,<br />
The handle of a door that shakes and turns—<br />
A door that opens slightly, not enough:<br />
The rustling sigh of silk along a floor,<br />
The knowledge of being watched by one long dead,<br />
By something that is outside Nature's pale.<br />
The unheard sounds that haunt an ancient house:<br />
The feel of one who listens in the dark,<br />
Listens to that which happened long ago,<br />
Or what will happen after we are dust.<br />
The awful waiting for a near event,<br />
Or for a crash to rend the silence deep<br />
Enveloping a house that always waits—<br />
A house that whispers to itself and weeps.<br />
The murmur of the yew, or woodland cries,<br />
A sombre note of music on the breeze;<br />
A shudder from the ivy that entwines<br />
The horror that is felt within its grip.<br />
The sound of prowling things that walk abroad,<br />
The nauseous flapping of Night's bat-like wings—<br />
These are the signs the gods have given us<br />
To know the limit of our days and powers.<br />
</p>
<p><br /><br /><br /></p>
<p class="noindent">
<i>To</i> MARGARET GREVILLE<br />
</p>
<h3>
<a id="carcassonne"></a>
FROM CARCASSONNE<br />
</h3>
<p class="t3b">
I<br />
</p>
<p class="poem">
Now night,<br />
The sighing night,<br />
Descends to hide and heal<br />
The crimson wounds<br />
Ripped in the sky,<br />
Where the high helmet-towers<br />
(With clouds as streaming feathers)<br />
Have torn the Heavens<br />
In their incessant sunset battle.<br />
</p>
<p class="poem">
Below,<br />
Upon the mound,<br />
Small golden flowers<br />
Release their daylight slowly<br />
At the Night's behest,<br />
Till they become pale discs<br />
That quiver<br />
When the evening wind<br />
Draws his thin fingers<br />
Down the dew-drenched grass<br />
—As an old harper,<br />
Who awakes<br />
From drunken sunlit slumber,<br />
Blindly plucks<br />
His silver-sounding strings,<br />
Making the sound<br />
That, further, darker down<br />
The trees make,<br />
When they draw back<br />
Their upturned leaves<br />
In fountain-foaming hurry.<br />
</p>
<p><br /></p>
<p class="t3b">
II<br />
</p>
<p class="poem">
The curling, hump-backed dolphins,<br />
Drunk with purple fumes<br />
Of wine-stained sunset,<br />
Plunge through the wider waters of the night—<br />
Waters that well down every narrow street<br />
In darkening billows,<br />
Till they become quiet, full—<br />
Canals that, mirror-like,<br />
Reflect each sound<br />
Of snarling song<br />
In all the town.<br />
</p>
<p class="poem">
And as the dolphins dive<br />
There splashes back<br />
Upon their goat-eared riders,<br />
Dislodged in sudden fury,<br />
The foaming froth of summer-cooling winds<br />
—Issuing from where the northern trees<br />
Bellow their resined breath<br />
Across the seas<br />
To ripple through far fields<br />
Of twilight flowers—<br />
Sweeping across<br />
To where these old high towers<br />
Of Carcassonne<br />
Still stand to break their flow.<br />
</p>
<p class="poem">
Neptune, from his high pedestal,<br />
Can watch the waters of the night<br />
Rise, further, further,<br />
And the faun-riders sink below<br />
The conquering, cool tide.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="progress"></a>
PROGRESS<br />
</h3>
<p class="poem">
The city's heat is like a leaden pall—<br />
Its lowered lamps glow in the midnight air<br />
Like mammoth orange-moths that flit and flare<br />
Through the dark tapestry of night. The tall<br />
Black houses crush the creeping beggars down,<br />
Who walk beneath and think of breezes cool,<br />
Of silver bodies bathing in a pool,<br />
Or trees that whisper in some far, small town<br />
Whose quiet nursed them, when they thought that gold<br />
Was merely metal, not a grave of mould<br />
In which men bury all that's fine and fair.<br />
When they could chase the jewelled butterfly<br />
Through the green bracken-scented lanes, or sigh<br />
For all the future held so rich and rare;<br />
When, though they knew it not, their baby cries<br />
Were lovely as the jewelled butterflies.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="prodigal"></a>
THE RETURN OF THE PRODIGAL<br />
</h3>
<p class="poem">
I lay awake in that dim room of fear<br />
Which seemed to hold the essence of the night,<br />
Clutched in the grip of its tall sentient walls:<br />
Dark walls and high, that stretch for ever up—<br />
Up to the darkness, vague and menacing,<br />
As if no light could ever penetrate<br />
That mist of shadows, only cast a gloom<br />
More cavernous upon the atmosphere<br />
That seems to thicken into cloudy shapes,<br />
Substantiate—then disappear and die.<br />
And all the room is full of whisperings;<br />
Of moving things that hope I do not heed;<br />
And sudden gusts of wind blow cold upon<br />
My head, lifting the heavy mantle of the air,<br />
Revealing for an instant some vague thought<br />
Snatched from the haunting lumberland of dreams.<br />
Far in the distance, from the open night,<br />
Sounds an insistent hooting from the wood;<br />
The owl is calling to its kindred things.<br />
The bat emits its sinful piercing note—<br />
So high one cannot hear it, only feel<br />
The rhythm beat within the shrinking ear.<br />
A faint breeze blows in from the countryside,<br />
Rustling the curtains with the forest's breath,<br />
Stirring the grass of many an unknown tomb,<br />
Some new—some immemorably old,<br />
Whose dwellers never heard an owl at night,<br />
Only the reptile sounds and beating wings<br />
Of some forefather of that bird of night—<br />
Some flapping scaly monster with huge wings.<br />
Then, sudden, through the rustling of the room<br />
Silence shrills out its startling trumpet call<br />
Of terror, and the house is frozen still.<br />
Despair dropp'd down like rain upon my heart,<br />
Catching my breath and clutching at my throat.<br />
Fear magnified my senses, and my brain<br />
Could hear beyond the threshold of this world.<br />
Then through the threatening silence of the house,<br />
The silent waiting for the coming play—<br />
There came that halting well-remembered tread,<br />
The dreadful limp, and dragging of the feet,<br />
That cruel sin-white face looked through the door!<br />
And in my scream—that rent the trembling air,<br />
Reaching the woods and tainting them with death,<br />
Filling the fountain with strange ripplings<br />
That make the moon's reflection but a mask<br />
Like to that face of shame—my soul passed out—<br />
Out of my ashen lips, to find its end.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="london"></a>
LONDON SQUARES<br />
</h3>
<p class="poem">
To-night this city seems delirious. The air<br />
Is fever'd, hot and heavy—yet each street,<br />
Each tortuous lane and slumb'ring stone-bound square<br />
Smells of the open woods, so wild and sweet.<br />
Through the dim spaces, where each town-bred tree<br />
Sweeps out, mysterious and tall and still,<br />
The country's passionate spirit—old and free—<br />
Flings off the fetters of the calm and chill.<br />
</p>
<p class="poem">
There in the garden, fauns leap out and sing—<br />
Chant those strange sun-born songs from far away!<br />
With joyous ecstasy in this new spring,<br />
They cast the coats and top-hats of the day.<br />
</p>
<p class="poem">
There by the railings, where the women pace<br />
With painted faces, passionless and dead,<br />
Out of the dark, Pan shows his leering face,<br />
Mocks their large hats and faces painted red.<br />
Then as they walk away, he mocks their lives,<br />
Racking each wearied soul with lost desires,<br />
And—cruelty more subtle—he contrives<br />
With aching memories of love's first fires<br />
To tune their hearts up to a different key.<br />
</p>
<p class="poem">
So, when they sleep, the withered years unfold<br />
—Again, as children round a mother's knee<br />
They listen to their future as foretold<br />
—A future rich and innocent and gay.<br />
</p>
<p class="poem">
Then wake up to the agony of day!<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="tears"></a>
TEARS
</h3>
<p class="poem">
Silence o'erwhelms the melody of Night,<br />
Then slowly drips on to the woods that sigh<br />
For their past vivid vernal ecstasy.<br />
The branches and the leaves let in the light<br />
In patterns, woven 'gainst the paler sky<br />
—Create mysterious Gothic tracery<br />
Between those high dark pillars, that affright<br />
Poor weary mortals who are wand'ring by.<br />
</p>
<p class="poem">
Silence drips on the woods like sad faint rain<br />
Making each frail tired sigh a sob of pain;<br />
Each drop that falls, a hollow painted tear<br />
Such as are shed by Pierrots when they fear<br />
Black clouds may crush their silver lord to death.<br />
The world is waxen; and the wind's least breath<br />
Would make a hurricane of sound. The earth<br />
Smells of the hoarded sunlight that gave birth<br />
To the gold-glowing radiance of that leaf<br />
Which falls to bury from our sight its grief.<br />
</p>
<p><br /><br /><br /></p>
<p class="noindent">
<i>To</i> VIOLET GORDON-WOODHOUSE<br />
</p>
<h3>
<a id="clavichords"></a>
CLAVICHORDS<br />
</h3>
<p class="poem">
Its pure and dulcet tone<br />
So clear and cool<br />
Rings out—tho' muffled by the centuries<br />
Passed by;<br />
Each note<br />
A distant sigh<br />
From some dead lovely throat.<br />
</p>
<p class="poem">
A sad cascade of sound<br />
Floods the dim room with faded memories<br />
Of beauty that has gone<br />
Like the reflected rhythm in some dusk blue pool,<br />
Of dancing figures (long laid in the ground)—<br />
Like moonlit skies<br />
Or some far song harmonious and sublime—<br />
Breaking the leaden slumber of the night.<br />
A perfume, faint yet fair<br />
As of an old press'd blossom that's reborn<br />
Seeming to flower alone<br />
Within the arid wilderness of Time.<br />
</p>
<p class="poem">
The music fills the air<br />
Soft as the outspread fluttering wings<br />
Of flower-bright butterflies<br />
That dive and float<br />
Through the sweet rose-flushed hours of summer dawn.<br />
The rippling sound of silver strings<br />
Break o'er our senses as small foaming waves<br />
Break over rocks,<br />
And into hidden caves<br />
Of silent waters—never to be found—<br />
Waters as clear and glistening as gems.<br />
</p>
<p class="poem">
And in this ancient pool of melodies,<br />
So soothing, deep,<br />
We search for strange lost images and diadems<br />
And old drowned pleasures,<br />
—Each one shining bright<br />
And rescued from the crystal depths of sleep.<br />
</p>
<p class="poem">
As the far sun-kissed sails of some full-rigged boat,<br />
Blown by a salt cool breeze,<br />
—Laden with age-old treasures<br />
And rich merchandise—<br />
Fade into evening on the foam-flecked seas—<br />
So this last glowing note<br />
Hovers awhile—then dies.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="promenades"></a>
PROMENADES<br />
</h3>
<p class="poem">
Long promenades against the sea<br />
Kaleidoscopic, chattering!<br />
Pavilions rising from the sea,<br />
On which a fawning, flattering,<br />
Hot crush of orientals move,<br />
And sell their cheap and tawdry wares,<br />
To other Jews, and aldermen,<br />
And rich, retired, provincial mayors.<br />
Oh! many colours in the sun;<br />
Copper and gold predominate!<br />
Parasols, held 'gainst the sun<br />
Throw down their shadows incohate<br />
On leering faces looking sly—<br />
All shining with the heat of June.<br />
The shifting masses move and talk<br />
And whistle tunes all out of tune.<br />
</p>
<p class="poem">
Long promenades against the sea,<br />
And oranges and mandolines!<br />
Pavilions rising from the sea<br />
And penny-in-the-slot machines!<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="clownpondi"></a>
CLOWN PONDI<br />
</h3>
<p class="poem">
When youth and strength had changed my blood to fire<br />
And every day passed long and glorious,<br />
Another link in the eternal chain<br />
Of life, I turned my love of luring and my sense<br />
For all the unfathomable ways of God,<br />
My burning sense for laughter and my joy<br />
In crowds, in tumult, and in blazing lights,<br />
To make my fellows see these qualities.<br />
Thus I became "Clown Pondi," and my fame<br />
Grew high in every theatre in the land.<br />
</p>
<p class="poem">
I seem'd to draw fresh vigour from the crowds—<br />
Loving the sea of faces, eyes with tears,<br />
And gaping mouths wide open—loosely hung;<br />
The acrid, opalescent haze of smoke,<br />
Hanging above the auditorium.<br />
And over it the crowded galleries<br />
That float far up, like painted prows of ships—<br />
All overweighted and alive with men.<br />
I loved the limelight, hard and white and strong,<br />
The throbbing music and the theatre's scent,<br />
That artificial, paper, printed scent<br />
That sweeps across the footlights to the stalls.<br />
</p>
<p class="poem">
Then was I pleased to strut about the stage,<br />
With face dead white, and strangely purple nose—<br />
Flamboyant in the garb of foolery—<br />
To run about too quickly—and fall down;<br />
To make queer noises—inarticulate<br />
Strange sounds and oaths, the signal for my share<br />
Of cackling laughter.<br />
Thus the years pass'd by<br />
And—all unheeding—swept away my youth,<br />
Till, one sad night, I heard a voice near-by:<br />
"Ah! Poor old man! It's shocking they should laugh;<br />
Mock his bent legs, and poor old toothless jaws!"<br />
</p>
<p class="poem">
And then old-age rush'd down upon my head,<br />
Each sombre year roll'd past in solemn time;<br />
In true perspective—to the jingling tune<br />
That was my exit; and so near came death,<br />
Holding a mirror to my ridicule,<br />
That show'd each line beneath the smearing paint,<br />
Each wrinkle underneath the dab of rouge,<br />
</p>
<p class="poem">
That in my sudden hopelessness I wept.<br />
But as I left the stage with dragging feet,<br />
With body bent with age, and crouching low,<br />
I heard the applauding people pause and say,<br />
"Who but Clown Pondi could amuse us so?"<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="lausiac"></a>
LAUSIAC THEME<br />
</h3>
<p class="poem">
SERAPION-THE-SINDONITE<br />
Wore a cloth about his loins.<br />
This Christian Recondite<br />
Never carried coins.<br />
</p>
<p class="poem">
Never did he ask for bread;<br />
Revelled in his own distress.<br />
High of spirit, low of head,<br />
With no other dress<br />
</p>
<p class="poem">
Than a loin-cloth, Serapion<br />
Was free from greed and gluttony<br />
Progressed in the direction<br />
Of impassivity.<br />
</p>
<p class="poem">
Serapion, though ascetic,<br />
Could not keep within his cell—<br />
Spiritual athletic,<br />
Who wrestled with Hell—<br />
</p>
<p class="poem">
This Sindonitic holy man<br />
Converted, overcome by pity,<br />
Thais, the famous courtesan,<br />
To Christianity.<br />
</p>
<p class="poem">
Thais was not thin or frail<br />
But full of figure. Flesh and blood<br />
Rose up in riot—made her rail<br />
At a selfless God.<br />
</p>
<p class="poem">
From Theban windows, far above,<br />
She plays and sings to a guitar<br />
With low voice: the light of love<br />
Beckons like a star.<br />
</p>
<p class="poem">
Eagerly she welcomed in<br />
The unexpected Sindonite;<br />
But he spoke to her of sin—<br />
Set her soul alight.<br />
</p>
<p class="poem">
So they went together out<br />
To the crowded, garish street,<br />
Where he taught her how to flout<br />
Fumes of wine and meat.<br />
</p>
<p class="poem">
To the Thebaid they go—<br />
Where she stands each Christian test,<br />
Plaiting palm-leaves to and fro,<br />
Sure of heaven's rest.<br />
</p>
<p class="poem">
In the desert they both died,<br />
Thais and the holy man.<br />
They were buried side by side,<br />
Ascetic and courtesan.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="metamorphosis"></a>
METAMORPHOSIS<br />
</h3>
<p class="poem">
The woods that ever love the moon, rest calm and white<br />
Beneath a mist-wrapp'd hill:<br />
An owl, horned wizard of the night,<br />
Flaps through the air so soft and still;<br />
Moaning, it wings its flight<br />
Far from the forest cool,<br />
To find the star-entangled surface of a pool,<br />
Where it may drink its fill<br />
Of stars; a blossom-laden breeze<br />
Scatters its treasures—each a fallen moon<br />
Among the waiting trees—<br />
Bears back the faded shadow-scents of noon.<br />
</p>
<p class="poem">
The whispering wood is full of dim, vague fears.<br />
The rustling branches sway<br />
And listen for some sound from far away—<br />
A silver piping down the Pagan years<br />
Since Time's first joyous birth—<br />
The listening trees all sigh,<br />
The moment of their hornèd king is nigh.<br />
Then, peal on peal, there sounds the fierce wild mirth<br />
Of Pan their master, lord and king,<br />
And round him in a moonlit ring<br />
His court, so wan and sly!<br />
</p>
<p class="poem">
But then the trees closed round and hid from sight<br />
Their deeds—the voices seemed to die.<br />
</p>
<p class="poem">
An owl, horned wizard of the night,<br />
Flaps through the air so soft and still.<br />
Moans, as it wings its flight<br />
Toward the mist-wrapp'd hill.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="gipsyqueen"></a>
THE GIPSY QUEEN<br />
</h3>
<p class="poem">
A ragged Gipsy walked the road,<br />
Her eyes blazed fierce and strong,<br />
But she gazed at me as on she strode,<br />
She fiercely gazed, and long.<br />
</p>
<p class="poem">
"Give me a penny, sir," she said,<br />
"To buy me drink and buy me bread,<br />
For I've nothing had to eat or drink,<br />
And at night I never sleep a wink.<br />
Cold is the snow and wet the rain,<br />
But my soul died when my love was slain!"<br />
</p>
<p class="poem">
"Fair Gipsy, in some southern clime,<br />
I've seen your face before<br />
In some far other distant time,<br />
But whom are you weeping for?"<br />
</p>
<p class="poem">
"'Twas Antony I loved," she said,<br />
"For him, in vain, I shed these tears,<br />
But my loved Antony is dead—<br />
Is dead these long two thousand years;<br />
</p>
<p class="poem">
Then I was mighty Egypt's pride,<br />
Fear'd both by friend and foe—<br />
</p>
<p class="poem">
Yet they believe Cleopatra died<br />
Two thousand years ago!"<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="blackmass"></a>
BLACK MASS<br />
</h3>
<p class="poem">
The atmosphere is charged with hidden things<br />
—Thoughts that are waiting—wanting to revive<br />
Primeval terrors from their present graves<br />
—Those half-thoughts hidden from the mind of man.<br />
</p>
<p class="poem">
The fear of those bright, countless stars that shine<br />
Celestially serene on summer nights,<br />
—And those, too far for human eye to see—<br />
That make men feel as small and ill at ease<br />
As do the thoughts of immortality;<br />
The fear of seas that stretch beyond our sight<br />
Unspoilt by any memory of a ship—<br />
Strange, silent seas that lap the unknown shores<br />
Of some far-distant, undiscovered land;<br />
The curious fear of caves and horrid depths<br />
Where lurk those monsters that we hide away<br />
And bury in our self-complacency.<br />
The dread of all that waits unseen, yet heard;<br />
The fear of moonlight falling on a face;<br />
The sound of sobs at night, the fear of laughter;<br />
The misty terror lurking in a wood<br />
Which night has wrapped in her soft robe of sighs.<br />
</p>
<p class="poem">
The horror that is felt where man is not,<br />
In lonely lands all dotted with squat trees<br />
That seem to move in the grey twilight breeze<br />
—Or sit and watch you like malicious cripples,<br />
Intent on every movement, every thought—<br />
Where stones, like evil fungi, raise their bulk<br />
Cover'd with lichen older than the hills—<br />
A warning for the ages yet to come;<br />
Stones that have seen the sun, and moon, and stars,<br />
Deflect their course for very weariness.<br />
These fears are gathered, press'd into a room<br />
Vibrating with the wish to damage man;<br />
To put a seal upon his mind and soul—<br />
These fears are fused into a living flame.<br />
</p>
<p class="poem">
The room is filled with men of evil thoughts,<br />
And some poor timid ones, on evil bent.<br />
They stand in anxious, ghastly expectation.<br />
</p>
<p class="poem">
The guttering light is low, and follows them<br />
With subtle shadows tall beyond belief:<br />
Vast elemental shapes that make men feel<br />
Like dusty atoms blown by wayward winds<br />
About the world: shadows that sway and swing.<br />
And sigh and talk, as if themselves alive.<br />
Small shadows cringe about the room incredibly,<br />
Grotesque and dwarf-like in their attitudes;<br />
Malignant, mocking things that caper round—<br />
Triumphant heralds of an evil reign.<br />
</p>
<p class="poem">
Secret and swift they flit about the wall;<br />
Noiseless, they drag their feet about the floor,<br />
And murmur subtle infamies of love,<br />
Sweet-sounding threats, and bribes, and baleful thoughts.<br />
</p>
<p class="poem">
Yet all are waiting, evilly alert...<br />
Yet all are waiting—watching for events.<br />
</p>
<p class="poem">
Silence has ceased to be a negative,<br />
Becomes a thing of substance—fills the room<br />
And clings like ivy to the listening walls.<br />
The flickering light flares up—then gutters out.<br />
The shadows seem to shiver and expand<br />
To active, evil things that breathe and live.<br />
</p>
<p class="poem">
But now they whirl and dance in ecstasy.<br />
The highest moment of their mass is near.<br />
We only feel the swaying of the shades,<br />
—Rhythm of wicked music that escapes<br />
Our consciousness, tho' we have known it long—<br />
The music of the evil things of Night<br />
Scarcely remembered from some dim, vast world—<br />
The things that haunted us when we were young<br />
And nearer to our past realities.<br />
Like scaly snakes, the hymn to evil writhes<br />
Through the sub-conscious basis of our mind.<br />
Eddies of icy breath, or hot as flame,<br />
Twist into all the corners of the room,<br />
Filling our veins with fire like red-hot iron,<br />
And wicked as the Prince of Evil Things.<br />
</p>
<p class="poem">
Faintly his glowing presence is revealed to us<br />
Amid the chorus of his satellites.<br />
The consummation of our awful hopes.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="pierrotwar"></a>
PIERROT AT THE WAR<br />
</h3>
<p class="poem">
The leaden years have dragged themselves away;<br />
The blossoms of the world lie all dash'd down<br />
And flattened by the hurricane of death:<br />
The roses fallen, and their fragrant breath<br />
Has passed beyond our senses—and we drown<br />
Our tragic thoughts: confine them to the day.<br />
</p>
<p class="poem">
Pierrot was happy here two years ago,<br />
Singing through all the summer-scented hours,<br />
Dancing throughout the warm moon-haunted night.<br />
Swan-like his floating sleeves, so long and white,<br />
Sailed the blue waters of the dusk. Wan flowers,<br />
Like moons, perfumed the crystal valley far below.<br />
</p>
<p class="poem">
But now these moonlit sleeves lie on the ground,<br />
Trampled and torn from many a deadly fight.<br />
With fingers clenched, and face a mask of stone,<br />
He gazes at the sky—left all alone—<br />
Grimacing under every rising light:<br />
His body waits the peace his soul has found.<br />
</p>
<p class="poem">
<i>April</i>, 1917.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="springhours"></a>
SPRING HOURS<br />
</h3>
<p class="poem">
The air is silken—soft and dark—<br />
Calm as the waters of some blue, far sea;<br />
Sweet as a youthful dream,<br />
The trees stand cold and stark,<br />
Yet full of the new life which makes each tree<br />
To tremble with delight; sets free<br />
The summer rapture of the stream.<br />
</p>
<p class="poem">
But now the clouds disperse and drift away,<br />
Splashing the woods with patches of pale light,<br />
Sail off like silver ships, and then display<br />
The dazzling myriad blossoms of the night.<br />
</p>
<p class="poem">
Ah! It is worth full many a sun-gilt hour<br />
To see the heavens bursting into flower.<br />
</p>
<p><br /><br /><br /></p>
<p>
<a id="book4"></a>
<a id="babel"></a>
</p>
<h2>
BOOK IV
<br />
WAR POEMS<br />
</h2>
<p><br /><br /></p>
<h3>
"THEREFORE IS THE NAME OF IT CALLED BABEL"<br />
</h3>
<p class="poem">
And still we stood and stared far down<br />
Into that ember-glowing town,<br />
Which every shaft and shock of fate<br />
Had shorn unto its base. Too late<br />
Came carelessly Serenity.<br />
</p>
<p class="poem">
Now torn and broken houses gaze<br />
On to the rat-infested maze<br />
That once sent up rose-silver haze<br />
To mingle through eternity.<br />
</p>
<p class="poem">
The outlines once so strongly wrought,<br />
Of city walls, are now a thought<br />
Or jest unto the dead who fought...<br />
Foundation for futurity.<br />
</p>
<p class="poem">
The shimmering sands where once there played<br />
Children with painted pail and spade<br />
Are dreary desolate—afraid<br />
To meet night's dark humanity,<br />
</p>
<p class="poem">
Whose silver cool remakes the dead,<br />
And lays no blame on any head<br />
For all the havoc, fire, and lead,<br />
That fell upon us suddenly,<br />
</p>
<p class="poem">
When all we came to know as good<br />
Gave way to Evil's fiery flood,<br />
And monstrous myths of iron and blood<br />
Seem to obscure God's clarity.<br />
</p>
<p class="poem">
Deep sunk in sin, this tragic star<br />
Sinks deeper still, and wages war<br />
Against itself; strewn all the seas<br />
With victims of a world disease<br />
—And we are left to drink the lees<br />
Of Babel's direful prophecy.<br />
</p>
<p class="poem">
<i>January</i>, 1916.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="harlequinade"></a>
TWENTIETH-CENTURY HARLEQUINADE<br />
</h3>
<p class="poem">
Fate, malign dotard, weary from his days,<br />
Too old for memory, yet craving pleasure,<br />
Now finds the night too long and bitter cold<br />
—Reminding him of death—the sun too hot.<br />
The beauty of the universe he hates,<br />
Yet stands regarding earthly carnivals:<br />
The clatter and the clang of car and train,<br />
The hurrying throng of homeward-going men,<br />
The cries of children, colour of the streets,<br />
Their whistling and their shouting and their joy,<br />
The lights, the trees, the fanes and towers of churches,<br />
Thanksgiving for the sun, the moon, the earth,<br />
The labour, love, and laughter of our lives.<br />
</p>
<p class="poem">
He thinks they mock his age with ribaldry.<br />
</p>
<p class="poem">
From far within his æon-battered brain<br />
Well up those wanton wistful images<br />
That first beguiled the folk of Bergamo.<br />
Now like himself, degraded and distress'd,<br />
They sink to ignominy; but the clown<br />
Remains, reminder of their former state,<br />
And still earns hurricanes of hoarse applause.<br />
</p>
<p class="poem">
This dotard now decides to end the earth<br />
(Wrecked by its own and his futility).<br />
Recalls the formula of world-broad mirth<br />
—A senseless hitting of those unaware,<br />
Unnecessary breaking of their chattels.<br />
</p>
<p class="poem">
The pantomime of life is near its close:<br />
The stage is strewn with ends and bits of things,<br />
With mortals maim'd or crucified, and left<br />
To gape at endless horror through eternity.<br />
</p>
<p class="poem">
The face of Fate is wet with other paint<br />
Than that incarnadines the human clown:<br />
Yet still he waves a bladder, red as gold,<br />
And still he gaily hits about with it,<br />
And still the dread revealing limelight plays<br />
Till the whole sicken'd scene becomes afire.<br />
Antic himself falls on the funeral pyre<br />
Of twisted, tortured, mortifying men.<br />
</p>
<p class="poem">
<i>March</i>, 1916.<br />
</p>
<p><br /><br /><br /></p>
<p class="noindent">
<i>To</i> HELEN<br />
</p>
<h3>
<a id="generation"></a>
THIS GENERATION<br />
</h3>
<p class="poem">
Their youth was fevered—passionate, quick to drain<br />
The last few pleasures from the cup of life<br />
Before they turn'd to suck the dregs of pain<br />
And end their young-old lives in mortal strife.<br />
They paid the debts of many a hundred year<br />
Of foolishness and riches in alloy.<br />
They went to death; nor did they shed a tear<br />
For all they sacrificed of love and joy.<br />
Their tears ran dry when they were in the womb,<br />
For, entering life—they found it was their tomb.<br />
</p>
<p class="poem">
1917.<br />
</p>
<p><br /><br /><br /></p>
<p class="noindent">
<i>To</i> FRANCIS MEYNELL<br />
</p>
<h3>
<a id="sheepsong"></a>
SHEEP-SONG<br />
</h3>
<p class="poem">
From within our pens,<br />
Stout built,<br />
We watch the sorrows of the world.<br />
Imperturbably<br />
We see the blood<br />
Drip and ooze on to the walls.<br />
Without a sigh<br />
We watch our lambs<br />
Stuffed and fattened for the slaughter....<br />
</p>
<p class="poem">
In our liquid eyes lie hidden<br />
The mystery of empty spaces<br />
All the secrets of the vacuum.<br />
</p>
<p class="poem">
Yet we can be moved;<br />
When the head-sheep bleats,<br />
We bleat with him;<br />
When he stampedes<br />
—Heavy with foot-rot—<br />
We gallop after him<br />
Until<br />
In our frenzy<br />
We trip him up<br />
—And a new sheep leads us.<br />
</p>
<p class="poem">
We are the greatest sheep in the world;<br />
There are no sheep like us.<br />
We come of an imperial bleat;<br />
Our voices,<br />
Trembling with music,<br />
Call to our lambs oversea.<br />
With us they crash across continents.<br />
</p>
<p class="poem">
We will not heed the herdsmen,<br />
For they warned us,<br />
"Do not stampede";<br />
Yet we were forced to do so.<br />
Never will we trust a herdsman again.<br />
</p>
<p class="poem">
Then the black lamb asked,<br />
Saying, "Why did we start this glorious Gadarene descent?"<br />
And the herd bleated angrily,<br />
"We went in with clean feet,<br />
And we will come out with empty heads.<br />
We gain nothing by it,<br />
Therefore<br />
It is a noble thing to do.<br />
We are stampeding to end stampedes.<br />
We are fighting for lambs<br />
Who are never likely to be born.<br />
</p>
<p class="poem">
When once a sheep gets its blood up<br />
The goats will remember...."<br />
</p>
<p class="poem">
But the herdsman swooped down<br />
Shouting,<br />
"Get back to your pens there."<br />
</p>
<p class="poem">
<i>September</i>, 1918.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="lament"></a>
THE POET'S LAMENT.<br />
</h3>
<p class="poem">
Before the dawning of the death-day<br />
My mind was a confusion of beauty.<br />
Thoughts fell from it in riot<br />
Of colour,<br />
In wreaths and garlands of flowers and fruit...<br />
</p>
<p class="poem">
Then the red dawn came<br />
—And no thought came to me<br />
Except anger<br />
And bitter reproach.<br />
God filled my mouth<br />
With the burning pebbles of hatred,<br />
And choked my soul<br />
With a whirl-wind of fury.<br />
He made my tongue<br />
A flaming sword<br />
To cut and wither<br />
The white soft edges<br />
Of their anæmic souls.<br />
I ridiculed them,<br />
I despised them,<br />
I loathed them<br />
... But they had stolen my soul away.<br />
</p>
<p class="poem">
Yes, they had stolen my soul from me.<br />
My heart jumps up into my mouth<br />
In fury;<br />
They have stolen my soul away.<br />
</p>
<p class="poem">
But we will wait,<br />
And later words will come<br />
—Words that in their burning flight<br />
Shall scorch and flay,<br />
Or flare like fireworks<br />
Above their heads.<br />
In those days my soul shall be restored to me<br />
And they shall remember,<br />
They shall remember!<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="judas"></a>
JUDAS AND THE PROFITEER<br />
</h3>
<p class="poem">
Judas descended to this lower Hell<br />
To meet his only friend—the profiteer—<br />
Who, looking fat and rubicund and well,<br />
Regarded him, and then said with a sneer,<br />
"Iscariot, they did you! Fool! to sell<br />
For silver pence the body of God's Son,<br />
Whereas for maiming men with sword and shell<br />
I gain at least a golden million."<br />
</p>
<p class="poem">
But Judas answered: "You deserve your gold;<br />
It's not His body but His soul you've sold!"<br />
</p>
<p><br /><br /><br /></p>
<p><a id="rhapsode"></a></p>
<p class="noindent">
<i>To</i> H. W. MASSINGHAM
</p>
<h3>
RHAPSODE<br />
</h3>
<p class="poem">
Why should we sing to you of little things—<br />
You who lack all imagination?<br />
Why should we sing to you of your poor joys,<br />
That you may see beauty through a poet's mind—<br />
Beauty where there was none before?<br />
Why should we heed your miserable opinions,<br />
And your paltry fears?<br />
Why listen to your tales and narratives—<br />
Long lanes of boredom along which you<br />
Amble amiably all the dull days<br />
Of your unnecessary lives?<br />
We know you now—and what you wish to be told:<br />
That the larks are singing in the trenches,<br />
That the fruit trees will again blossom in the spring,<br />
That Youth is always happy;<br />
But you know the misery that lies<br />
Under the surface—<br />
And we will dig it up for you!<br />
We shall sing to you<br />
Of the men who have been trampled<br />
To death in the circus of Flanders;<br />
Of the skeletons that gather the fruit<br />
From the ruined orchards of France;<br />
And of those left to rot under an Eastern sun—<br />
Whose dust mingles with the sand<br />
Of distant, strange deserts,<br />
And whose bones are crushed against<br />
The rocks of unknown seas;<br />
All dead—dead,<br />
Defending you and what you stand for.<br />
</p>
<p class="poem">
You hope that we shall tell you that they found their<br />
happiness in fighting,<br />
Or that they died with a song on their lips,<br />
Or that we shall use the old familiar phrases<br />
With which your paid servants please you in the Press:<br />
But we are poets,<br />
And shall tell the truth.<br />
</p>
<p class="poem">
You, my dear sir,<br />
You are so upset<br />
At being talked to in this way<br />
That when night<br />
Has coffin'd this great city<br />
Beneath the folds of the sun's funeral pall,<br />
You will have to drink a little more champagne,<br />
And visit a theatre or perhaps a music-hall.<br />
What you need (as you rightly say, my dear sir) is CHEERING-UP.<br />
There you will see vastly funny sketches<br />
Of your fighting countrymen;<br />
And they will be represented<br />
As those of whom you may be proud.<br />
For they cannot talk English properly,<br />
Or express themselves but by swearing;<br />
Or perhaps they may be shown as drunk.<br />
But they will all appear cheerful,<br />
And you will be pleased;<br />
And as you lurch amiably home, you will laugh,<br />
And at each laugh<br />
Another countryman will be dead!<br />
</p>
<p class="poem">
When Christ was slowly dying on that tree—<br />
Hanging in agony upon that hideous Cross—<br />
Tortured, betrayed, and spat upon,<br />
Loud through the thunder and the earthquake's roar<br />
Rang out<br />
Those blessed humble human words of doubt:<br />
"My God! My God! why hast Thou forsaken Me?"<br />
But near by was a cheerfully chattering group<br />
Of sects,<br />
Of Pharisees and Sadducees,<br />
And all were shocked—<br />
Pained beyond measure.<br />
And they said:<br />
"At least he might have died like a hero<br />
With an oath on his lips,<br />
Or the refrain from a comic song—<br />
Or a cheerful comment of some kind.<br />
It was very unpleasant for all of us—<br />
But we had to see it through.<br />
I hope people will not think we have gone too far—<br />
Or behaved badly in any way."<br />
</p>
<p class="poem">
There in the street below a drunken man reels home,<br />
And as he goes<br />
He sings with sentiment:<br />
"Keep the home fires burning!"<br />
And the constable helps him on his way.<br />
But we—<br />
We should be thrown into prison,<br />
Or cast into an asylum,<br />
For we want—<br />
PEACE!<br />
</p>
<p class="poem">
<i>September</i>, 1917.<br />
</p>
<p><br /><br /><br /></p>
<p class="poem">
<i>To</i> SIEGFRIED SASSOON<br />
</p>
<h3>
<a id="abraham"></a>
THE MODERN ABRAHAM<br />
</h3>
<p class="poem">
His purple fingers clutch a large cigar—<br />
Plump, mottled fingers, with a ring or two.<br />
He rests back in his fat armchair. The war<br />
Has made this change in him. As he looks through<br />
His cheque-book with a tragic look he sighs:<br />
"Disabled Soldiers' Fund" he reads afresh,<br />
And through his meat-red face peer angry eyes—<br />
The spirit piercing through its mound of flesh.<br />
</p>
<p class="poem">
They should not ask me to subscribe again!<br />
Consider me and all that I have done—<br />
I've fought for Britain with my might and main;<br />
I make explosives—and I gave a son.<br />
My factory, converted for the fight<br />
(I do not like to boast of what I've spent),<br />
Now manufactures gas and dynamite,<br />
Which only pays me seventy per cent.<br />
And if I had ten other sons to send<br />
I'd make them serve my country to the end,<br />
So all the neighbours should flock round and say:<br />
"Oh! look what Mr. Abraham has done.<br />
He loves his country in the elder way;<br />
Poor gentleman, he's lost another son!"<br />
</p>
<p class="poem">
1917.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="trap"></a>
THE TRAP<br />
</h3>
<p class="poem">
The world is young and green.<br />
Its woods are golden beneath the May-time sun;<br />
But within its trap of steel the rabbit plunges<br />
Madly to and fro.<br />
It will bleed to death<br />
Slowly,<br />
Slowly,<br />
Unless there is some escape.<br />
Why will not someone release it?<br />
</p>
<p class="poem">
And presently a kindly passer-by<br />
Stoops down.<br />
The rabbit's eye glints at him—<br />
Gleaming from the impenetrable obscurity of its prison.<br />
He stoops and lifts the catch<br />
(He cannot hold it long, for the spring is heavy).<br />
The rabbit could now be free,<br />
But it does not move;<br />
For from the darkness of its death-hutch<br />
The world looks like another brightly baited trap.<br />
So, remaining within its steel prison,<br />
It argues thus:<br />
"Perhaps I may bleed to death,<br />
But it will probably take a long time,<br />
And, at any rate,<br />
I am secure<br />
From the clever people outside.<br />
Besides, if I did come out now<br />
All the people who thought I was a lion<br />
Would see, by the trap-mark on my leg,<br />
That I am only an unfortunate rabbit,<br />
And this might promote disloyalty among the children.<br />
When the clamp closed on my leg<br />
It was a ruse<br />
To kill me.<br />
Probably the lifting of it betrays the same purpose!<br />
If I come out now<br />
They will think they can trap rabbits<br />
Whenever they like.<br />
How do I know they will not snare me<br />
Again next year?<br />
Besides, it looks to me from here..."<br />
</p>
<p class="poem">
But the catch drops down,<br />
For the stranger is weary.<br />
From within the hutch<br />
A thin stream of blood<br />
Trickles on to the grass<br />
Outside,<br />
And leaves a brown stain on its brightness.<br />
But the dying rabbit is happy,<br />
Saying:<br />
"I knew it was only a trap!"<br />
</p>
<p class="poem">
<i>April</i>, 1918.<br />
</p>
<p><br /><br /><br /></p>
<p class="poem">
<i>To</i> RODERICK MEIKLEJOHN<br />
</p>
<h3>
<a id="eternal"></a>
THE ETERNAL CLUB<br />
</h3>
<p class="poem">
Warming their withered hands, the dotards say:<br />
"In our youth men were happy till they died.<br />
What is it ails the young men of to-day—<br />
To make them bitter and dissatisfied?"<br />
</p>
<p class="poem">
Two thousand years ago it was the same:<br />
"Poor Joseph! How he'll feel about his son!<br />
I knew him as a child—his head aflame<br />
With gold. He seemed so full of life and fun.<br />
And even as a young man he was fine,<br />
Converting tasteless water into wine.<br />
Then something altered him. He tried to chase<br />
The money-changers from the Temple door.<br />
White ringlets swung and tears shone in their poor<br />
Aged eyes. He grew so bitter and found men<br />
For friends as discontented—lost all count<br />
Of caste—denied his father, faith, and then<br />
He preached that dreadful Sermon on the Mount!<br />
But even then he would not let things be;<br />
For when they nailed him high up on the tree,<br />
And gave him vinegar and pierced his side,<br />
He asked God to forgive them—still dissatisfied!"<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="heaven"></a>
HEAVEN<br />
</h3>
<p class="poem">
A theatre rises dark and mute and drear<br />
Among those houses that stand clustering round.<br />
Passing this pleasure-house, I seem'd to hear<br />
The distant rhythm of some lauding sound,<br />
The hot applause that greeted every night<br />
The favourite song, or girl, or joke, or fight.<br />
The laughter of the young and strong and gay<br />
Who greeted life—then laid their lives away.<br />
</p>
<p class="poem">
Do they, then, watch the same old blatant show,<br />
Forgetting all death's wrench and all its pain<br />
And all their courage shown against the foe?<br />
Is this the heaven that they died to gain?<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="pedlar"></a>
THE BLIND PEDLAR<br />
</h3>
<p class="poem">
I stand alone through each long day<br />
Upon these pavers; cannot see<br />
The wares spread out upon this tray<br />
—For God has taken sight from me!<br />
</p>
<p class="poem">
Many a time I've cursed the night<br />
When I was born. My peering eyes<br />
Have sought for but one ray of light<br />
To pierce the darkness. When the skies<br />
</p>
<p class="poem">
Rain down their first sweet April showers<br />
On budding branches; when the morn<br />
Is sweet with breath of spring and flowers,<br />
I've cursed the night when I was born.<br />
</p>
<p class="poem">
But now I thank God, and am glad<br />
For what I cannot see this day<br />
—The young men crippled, old, and sad,<br />
With faces burnt and torn away;<br />
</p>
<p class="poem">
Or those who, rich and old,<br />
Have battened on the slaughter,<br />
Whose faces, gorged with blood and gold,<br />
Are creased in purple laughter!<br />
</p>
<p class="poem">
<i>January</i>, 1919.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="moloch"></a>
WORLD-HYMN TO MOLOCH<br />
</h3>
<p class="poem">
Holy Moloch, blessed lord,<br />
Hatred to our souls impart.<br />
Put the heathen to the sword,<br />
Wound and pierce each contrite heart.<br />
Never more shall darkness fall<br />
But it seems a funeral pall;<br />
Never shall the red sun rise<br />
But to red and swollen eyes.<br />
In the centuries that roll,<br />
Slowly grinding out our tears,<br />
Often thou hast taken toll;<br />
Never till these latter years<br />
Have all nations lost the fray;<br />
Lead not thou our feet astray.<br />
Never till the present time<br />
Have we offered all we hold,<br />
With one gesture, mad, sublime,<br />
Sons and lovers, lands and gold.<br />
Must we then still pray to thee,<br />
Moloch, for a victory?<br />
</p>
<p class="poem">
Eternal Moloch, strong to slay,<br />
Do not seek to heal or save.<br />
Lord, it is the better way<br />
Swift to send them to the grave.<br />
Those of us too old to go<br />
Send our sons to face the foe,<br />
But, O lord! we must remain<br />
Here, to pray and sort the slain.<br />
In every land the widows weep,<br />
In every land the children cry.<br />
Other gods are lulled to sleep,<br />
All the starving peoples die.<br />
What is left to offer you?<br />
Thou, O Sacred King of Death!<br />
God of Blood and Lord of Guile,<br />
Do not let us waste our breath,<br />
Cast on us thy crimson smile.<br />
Moloch, lord, we pray to thee,<br />
Send at least one victory.<br />
</p>
<p class="poem">
All the men in every land<br />
Pray to thee through battle's din,<br />
Swiftly now to show thy hand,<br />
Pray that soon one side may win.<br />
Under sea and in the sky,<br />
Everywhere our children die;<br />
Laughter, happiness and light<br />
Perished in a single night.<br />
In every land the heaving tides<br />
Wash the sands a dreadful red,<br />
In every land the tired sun hides<br />
Under heaps and hills of dead.<br />
In spite of all we've offered up<br />
Must we drink and drain the cup?<br />
Everywhere the dark floods rise,<br />
Everywhere our hearts are torn.<br />
Every day a new Christ dies,<br />
Every day a devil's born.<br />
Moloch, lord, we pray to thee,<br />
Send at least one victory.<br />
</p>
<p class="poem">
1917.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="armchair"></a>
ARMCHAIR<br />
</h3>
<p class="poem">
If I were still of handsome middle-age<br />
I should not govern yet, but still should hope<br />
To help the prosecution of this war.<br />
I'd talk and eat (though not eat wheaten bread),<br />
I'd send my sons, if old enough, to France,<br />
Or help to do my share in other ways.<br />
All through the long spring evenings, when the sun<br />
Pursues its primrose path towards the hills,<br />
If fine, I'd plant potatoes on the lawn;<br />
If wet, write anxious letters to the Press.<br />
I'd give up wine and spirits, and with pride<br />
Refuse to eat meat more than once a day,<br />
And seek to rob the workers of their beer.<br />
The only way to win a hard-fought war<br />
Is to annoy the people in small ways,<br />
Bully or patronise them, as you will!<br />
I'd teach poor mothers, who have seven sons<br />
—All fighting men of clean and sober life—<br />
How to look after babies and to cook;<br />
Teach them to save their money and invest;<br />
Not to bring children up in luxury<br />
—But do without a nursemaid in the house!<br />
</p>
<p class="poem">
If I were old, or only seventy,<br />
Then should I be a great man in his prime.<br />
I should rule army corps; at my command<br />
Men would rise up, salute me, and attack<br />
—And die. Or I might also govern men<br />
By making speeches with my toothless jaws,<br />
Chattering constantly; and men should say,<br />
"One grand old man is still worth half his pay!"<br />
That day I'd send my grandsons out to France<br />
—And wish I'd got ten other ones to send<br />
(One cannot sacrifice too much, I'd say).<br />
Then would I make a noble toothless speech,<br />
And all the listening Parliament would cheer.<br />
"Gentlemen, we will never end this war<br />
Till all the younger men with martial mien<br />
Have entered capitals; never make peace<br />
Till they are cripples, on one leg, or dead!"<br />
Then would the Bishops all go mad with joy,<br />
Cantuar, Ebor, and the other ones,<br />
Be overwhelmed with pious ecstasy.<br />
In thanking Him we'd got a Christian—<br />
An Englishman—still worth his salt—to talk,<br />
In every pulpit they would preach and prance;<br />
And our great Church would work, as heretofore,<br />
To bring this poor old nation to its knees.<br />
Then we'd forbid all liberty, and make<br />
Free speech a relic of our impious past;<br />
And when this war is finished, when the world<br />
Is torn and bleeding, cut and bruised to death,<br />
Then I'd pronounce my peace terms—to the poor!<br />
But as it is, I am not ninety yet,<br />
And so must pay my reverence to these men—<br />
These grand old men, who still can see and talk,<br />
Who sacrifice each other's sons each day.<br />
O Lord! let me be ninety yet, I pray.<br />
Methuselah was quite a youngster when<br />
He died. Now, vainly weeping, we should say:<br />
"Another great man perished in his prime!"<br />
O let me govern, Lord, at ninety-nine!"<br />
</p>
<p class="poem">
<i>August</i>, 1917.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="ragtime"></a>
RAGTIME<br />
</h3>
<p class="poem">
The lamps glow here and there, then echo down<br />
The vast deserted vistas of the town—<br />
Each light the echo'd note of some refrain<br />
Repeated in the city's fevered brain.<br />
Yet all is still, save when there wanders past<br />
—Finding the silence of the night too long—<br />
Some tattered wretch, who, from the night outcast,<br />
Sings, with an aching heart, a comic song.<br />
The vapid parrot-words flaunt through the night—<br />
Silly and gay, yet terrible. We know<br />
Men sang these words in many a deadly fight,<br />
And threw them—laughing—to a solemn foe;<br />
Sang them where tattered houses stand up tall and stark,<br />
And bullets whistle through the ruined street,<br />
Where live men tread on dead men in the dark,<br />
And skulls are sown in fields once sown with wheat.<br />
Across the sea, where night is dark with blood<br />
And rockets flash, and guns roar hoarse and deep,<br />
They struggle through entanglements and mud,<br />
They suffer wounds—and die—<br />
But here they sleep.<br />
From far away the outcast's vacuous song<br />
Re-echoes like the singing of a throng;<br />
His dragging footfalls echo down the street,<br />
And turn into a myriad marching feet.<br />
</p>
<p class="poem">
<i>December</i>, 1916.<br />
</p>
<p><br /><br /><br /></p>
<h3>
<a id="peace"></a>
PEACE CELEBRATION<br />
</h3>
<p class="poem">
Now we can say of those who died unsung,<br />
Unwept for, torn, "Thank God they were not blind<br />
Or mad! They've perished strong and young,<br />
Missing the misery we elders find<br />
In missing them." With such a platitude<br />
We try to cheer ourselves. And for each life<br />
Laid down for us, with duty well-imbued,<br />
With song-on-lip, in splendid soldier strife—<br />
For sailors, too, who willingly were sunk—<br />
We'll shout "Hooray!"—<br />
And get a little drunk.<br />
</p>
<p><br /><br /><br /></p>
<p class="poem">
<i>To</i> SACHEVERELL<br />
</p>
<h3>
<a id="nextwar"></a>
THE NEXT WAR<br />
</h3>
<p class="poem">
The long war had ended.<br />
Its miseries had grown faded.<br />
Deaf men became difficult to talk to.<br />
Heroes became bores.<br />
</p>
<p class="poem">
Those alchemists<br />
Who had converted blood into gold,<br />
Had grown elderly.<br />
But they held a meeting,<br />
Saying,<br />
"We think perhaps we ought<br />
To put up tombs<br />
Or erect altars<br />
To those brave lads<br />
Who were so willingly burnt,<br />
Or blinded,<br />
Or maimed,<br />
Who lost all likeness to a living thing,<br />
Or were blown to bleeding patches of flesh<br />
For our sakes.<br />
It would look well.<br />
Or we might even educate the children."<br />
</p>
<p class="poem">
But the richest of these wizards<br />
Coughed gently;<br />
And he said,<br />
"I have always been to the front<br />
—In private enterprise—<br />
I yield in public spirit<br />
To no man.<br />
I think yours is a very good idea<br />
—A capital idea—<br />
And not too costly.<br />
But it seems to me<br />
That the cause for which we fought<br />
Is again endangered.<br />
What more fitting memorial for the fallen<br />
Than that their children<br />
Should fall for the same cause?"<br />
Rushing eagerly into the street,<br />
The kindly old gentlemen cried<br />
To the young:<br />
"Will you sacrifice<br />
Through your lethargy<br />
What your fathers died to gain?<br />
Our cause is in peril.<br />
The world must be made safe for the young!"<br />
And the children<br />
Went....<br />
</p>
<p><br /><br /><br /></p>
<p class="t3">
PRINTED BY<br />
BILLING AND SONS, LTD.<br />
GUILDFORD, ENGLAND<br />
</p>
<p><br /><br /><br /><br /></p>
<div>*** END OF THE PROJECT GUTENBERG EBOOK 61368 ***</div>
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