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-Project Gutenberg's The Legend of Monte della Sibilla, by Clive Bell
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: The Legend of Monte della Sibilla
- or, Le paradis de la reine Sibille
-
-Author: Clive Bell
-
-Release Date: January 6, 2020 [EBook #61120]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE LEGEND OF MONTE DELLA SIBILLA ***
-
-
-
-
-Produced by Laura Natal Rodrigues at Free Literature (Images
-generously made available by Hathi Trust.)
-
-
-
-
-
-
-THE
-
-LEGEND OF MONTE DELLA SIBILLA
-
-OR "LE PARADIS DE LA REINE SIBILLE"
-
-CLIVE BELL
-
-PRINTED AND PUBLISHED BY
-LEONARD AND VIRGINIA WOOLF
-AT THE HOGARTH PRESS
-
-HOGARTH HOUSE RICHMOND
-1923
-
-
-
-
-[Illustration 01]
-
-
-
-
-_TO POLLY FLINDERS_
-
-
-
-
-[Illustration 02]
-
-
-
-
-If you will stop and take a drink
-Where I did, late one afternoon
-In April, you may see turn pink
-A patch of snow, which very soon
-Yellows to green: it seems quite near;
-But is, in fact, up Norcia way
-Or further: the effect's more queer
-Than beautiful: and should you say
-To the _padrone_, Gian Mannino,
-"What peak is that which looks so odd?"
-He'll answer, "Monte Sibillino--
-But they've bunged up the hole, thank God."
-Herr Hans Van Branbourg, 1310
-To 1352 or so,--
-(A period, it seems, when men
-Not unlike us were apt to go
-Five hundred miles to get a thrill
-They might have had for sitting still),--
-Branbourg, I say, having done the lakes
-And all the sights of La Toscana,
-(A jaunt which now a fortnight takes,
-Less then, because one skipped Verona,
-"The Tomb" not having found its owner[1]),
-Came southward by the Val Chiana;
-Heard of the Sybil, wouldn't wait,--no,
-Not a moment, at Spoleto,
-But set off promptly for the cave.
-The natives told him he was brave,--
-Thinking him mad. Had not a monk,
-Il don Antonio Fumato,
-There lost his wits, and, in a funk,
-Five bold young bucks from near Fossato,
-Who made the same attempt before,
-At what they heard and what they saw,
-(Or was that later?) quaked like jelly,
-Shaming the sires of Gabrielle?
-They had seen things to make saints curse,--
-A gate that kept on clipping, clipping,
-(Much like a storm-door only worse,)
-And bound to give you such a nipping
-As nips the persons, now and then,
-Of thoughtless, shunting, railway-men.
-They had felt strange and ghastly winds,
-They had heard strange and sudden noises,
-And what in Italy one finds
-More rarely, gentle, whispering voices:
-'Twas woman's doing--never doubt it--
-A female influence ruled the air;
-And what the coarser said about it
-Was, that although when you got there
-The place might seem an honest hovel,
-Inside, they guessed, you'd find a brothel.
-
-
-Indeed it was a dangerous place.
-But Germans are a stubborn race,
-Not to say obstinate, to boot
-Are fond of ladies: Herr Van Bran
-Swore that if anyone could do't
-He, Hans Van Branbourg, was the man;
-Pushed on to Norcia, then climbed higher,
-And with him went a single squire,
-Called Pons--they say an Englishman,
-I hope he was, because I can
-(As you I think will soon agree)
-Pronounce him brave as brave can be,
-Yet sensible as Sancho Panza,
-Wherewith I neatly close the stanza.
-
-
-The knight pushed on, the squire behind,
-They cared not tuppence for the wind,
-Nor for the strange and sudden noises,
-Nor the discreetly whispering voices,
-Nor all those signs which long ago
-Did duty for a "_numero_".
-They passed the gates of bronze. They came
-To gates of crystal. Here they tapped.
-A lady-porter asked their name:
-Whereat the leader boldly rapped
-Out that which you've already heard, viz:--
-"Herr Hans Van Branbourg, at your service."
-The doors flew wide, and to their eyes
-Revealed the Sibyl's paradise.
-
-
-What saw they? Antoine de la Sale,
-Who wrote _Les quinze joies_ and all
-_Les cent nouvelles nouvelles_ as well,
-What I could not invent can tell;
-Seeing he came in 1420
-To hold an inquest on the spot,
-And information got in plenty,--
-Indeed he clambered to the grot,
-But only peeped inside the cavern--
-Later, however, at the tavern
-He learnt the truth of what befell
-Van Branbourg in the Sybil's hell.
-They saw a crowd of pretty girls--
-These were the Sybil's seneschals--
-Who bade them change their dirty linen
-And rigged them out "from the beginning"
-(The text has _ab initio_);
-Up strike the fiddles; off they go
-Through pretty rooms and splendid halls
-And gardens framed in sheltering walls,
-The which were gay with flowers as well
-As comely "_dames et demoiselles_".
-Accompanied by knights and squires
-In divers fashionable attires,
-Much as our Longchamps beauties go
-Surrounded by their _gigolos._
-
-
-Gaping they go; until they see
-'La reine Sibylle', who from her throne
-Welcomed the strangers graciously,
-Observing she'd already known
-Men of their race, which (_vide Tacite_)
-Was honest, brave, but inficite,[2]
-And only that for want of practice
-In social arts and crafts. The fact is
-She much admired the Teuton physique,
-(I know some ladies can't abide it),
-So murmured, "You're my guests for this week:
-Later you'll tell me, when you've tried it,
-If you'll become my _pensionnaires._
-I'll only add that we are here
-Until the crack of doom. And then?"
-Queried our cautious gentlemen.
-
-
-"Then we shall see what we shall see,"
-Answered the lady airily,
-Fobbing them off with such old saws
-As rarely fail to elicit roars
-Of laughter from the House and Bar,
---As "Wait and see" and "Chi lo sa";
-Then, sweetly added, "If you please,
-Hear our conditions, which are these.
-Who stays
-Eight days
-May go away the next.
-On no pretext
-Who stays more
-May or durst
-Go before
-The thirty-first.
-Who yet stays more
-Must outstay
-By one day
-His fifteenth score.
-Then or never:
-For who stays
-Further days
-Stays for ever,[3]
-"Further," said she, "if you will be
-My guests, this Paradise of mine
-Is at your service; what you see
-Of fun and beauty, flowers and wine,
-Is for your pleasure: also choose
-Amongst my ladies who are free
-(There're always plenty on the loose)
-Her who most charms you. Certainly
-You'll find them charming, trained to please,
-To move with grace, converse with ease,
-Well bred, well dressed, well read, well meant,
-In all ways sweetly competent:"
-Whereat squire Pons was "moult" content,
-And, plucking at his master's jacket,
-Said "Sir, let's stay and stand the racket."
-
-
-They said they'd stay a week; but when
-The week was up they stayed again;
-Indeed "_les plaisirs étaient tels_"
-Days seemed like hours in that hell:
-So says La Sale, who ought to know
-What pleasures seemed like years ago,
-Seeing he wrote "_Les quinze joies
-De Mariage_", but then, _ma foi_,
-They took their pleasures[4] otherwise
-Than husbands in that Paradise.
-
-
-It was an abbey of Thelème,
-Compounded with Arabian nights;
-Where every sort of pretty game
-And wit and wine and all delights
-Were shared with pretty, clever girls,
-Who never dreamed of being pals;
-But were what girls should always be,
-In manner prim, in fancy free.
-Thus was there hope for everyone,
-All were fastidious, none was prude,
-Which means flirtation's ticklish fun
-Supplanted dreary certitude.
-There was the best of everything,
-Of wine, of song, and all the rest,
-The best to drink, to kiss, to sing,
-And taste to know what is the best.
-A match for every mood: to please
-The thoughtful, cloisters; polished halls
-For dancers; vines and olive trees
-And rivers under ancient walls
-Flowing, for every heart's delight,--
-Were there: and there was rest by day and mirth by
-night.
-
-
-Music there was in every part;
-And almost always you could hear
-A song or septet by Mozart,
-And not a note of Meyerbeer.
-There story-tellers had a way
-Of being neither dull nor long
-But, like Voltaire or Mérimée,
-Were rarely sweet and never strong.
-Perrons, parterres and green pelouses
-Abounded; walks of turf and sand;
-And restaurants like La Pérouse;
-Fiddles and horns, and no Jazz Band.
-There were no bounders and no bores,
-No reach-me-downs, no general stores,
-No clubs, no colonels, not a hearty
-Good fellow there to spoil a party,
-No district-visitor or pastor,
-And not a sign of Lady Astor.
-There were no 'cinemas', no groups
-Of shop boys, no colonial troops,
-No one who hit straight from the shoulder,
-And not a season-ticket holder;
-There was nor creditor nor debtor,
-There was not in that pleasant land
-A soul who wished to make it better,
-All were content to understand
-Their happiness; nay, what is more,
-No lady wanted for her lover
-That kind of smutty, solemn bore,
-Who sick with genius, must uncover
-For our souls' good his nasty sore:
-Believe me there did not exist
-A single, small coprologist.
-So simple-minded were the ladies
-In that old-fashioned Sibyl's Hades.
-
-
-Alas I pure joy the fates forbid.
-Alas! that poet's not an ass
-Who has it that an _aliquid_
-_Amari_ rises in the glass
-Almost invariably when we
-Suppose we've cheated destiny.
-
-
-Van Branbourg, and his British pup too,
-Observed that every Friday night,
-No matter what they might be up to,
-The partners of their dear delight
-Slipped off at twelve, upon the stroke,
-And left them puzzling out the joke,
-As best they might, till Monday morning;
-When back their ladies came more kind,
-More sweet, than ever. But this warning
-Served to unsettle Branbourg's mind.
-He had a Lutheran soul. What malice,
-What mischief might they be about?
-He tracked them to the Sybil's palace,
-And there it was he found them out.
-From Friday night to Monday morning,
-He found these artless, frolick gadders,
-Who left their lovers without warning,
-Lay with their queen, asleep like adders;
-Not in a peaceful girlish doze,
-But serpentlike and comatose.[5]
-"Pish," said the squire, "here are no evils."
-The German said, "These girls are devils."
-
-
-His northern soul was deeply stirred,
-He said--"My man, it's time we went,"
-Which good squire Pons thought quite absurd,
-And said so. "Pons, d'you know we've spent
-Here," groaned his chief, "three hundred days,
-Abounding in lascivious ways.
-Pack up, and say 'good-bye' my man."
-Thus spoke the Prussian Knight, Van Bran.
-
-
-The ladies, as you may suppose,
-Were _navrées, marrieés_, quite upset.
-They had to let them go because
-Such was the formal bargain. Yet
-They used all arts against all rules,
-As Dido did. The gentlemen,
-Much like Aenæas, looked like fools,
-And acting now as he did then,
-First sighed, then blustered, lastly went:
-Such is the heroic temperament.
-
-
-They went to see the Pope at Rome,
-To beg his Holiness's pardon:
-And though the Suisse said "Not at home",
-They caught him reading in the garden:
-Down furiously the book he slammed,
-And bellowed "You may both be damned."
-
-
-In this some hold the Pope was wrong,
-And went by much beyond his brief:
-But that's no matter to my song,
-Nor can it give us great relief
-That Lettenhove speaks of a stick
-Which played the old Tannhäuser trick,
-Bourgeoning into buds of pity,
-After our friends had left the city.
-The Pope, he adds, was quite upset,
-And owned he'd spoken out of pet,
-Was strangely troubled for their fate,
-Sent absolution--all too late:
-For which, he thinks, the Pope must go
-To join his victims down below.
-You may conceive the lamentation
-Of our poor knight on this occasion.
-He was, like others of his nation,
-A damned good fellow--only flabby--
-Who, on the slightest provocation,
-Would fight or weep. A speech so shabby
-As this, he took to heart, because
-His sense of sin increased his fears;
-So, on the Milvian Bridge it was
-His squire found him, bathed in tears,
-And gathered it was his intent
-To jump from off that monument.
-
-
-And here our Pons was at his best;
-He turned the scene from tears to laughter,
-Said "Cheer-i-o" and all the rest
-The case demanded: "Since hereafter
-Our lot is bound to be unpleasant,"
-Said he "let's think about the present;
-And, since the Pope declares us sinful,
-By God, old bean, let's have a skinfull.
-Seeing Old Nick is whom we're meant for
-We'll wait at least until we're sent for;
-I see no sort of use in hurry
-Or going half-way to meet worry.
-Since when we're dead we'll roast for lust
-Let's put off dying till we must;
-And since to roast foredoomed I am,
-Why liefer for a sheep than lamb;
-Before we reach the Christian hell,
-There is another--you know well."
-The knight deplored this shallow mood,
-But let Pons lead him where he would.
-
-
-"And they are gone: aye, ages long ago,"
-(That is from Keats),--gone without absolution,
-Or penitence; nor have we means to know
-If they regret their hasty resolution.
-Only La Sale, the encomiast of marriage,
-(And author of a book still more surprising[6])
-In 1420 coming in his carriage,
-Or on his mule, here archaeologizing
-In Umbria, heard this curious story:
-And thinking that there might be more he,
-As I have said, stopped at the tavern,
-And even climbed up to the cavern,
-Whereon, confirming what he'd heard,
-He puzzled out this awful word--
-I give it as the author gave it--
-"Her Hans Wanbranbourg (_sic_) _intravit_":
-I give it just as it was writ
-HER HANS WANBRANBOURG
-INTRAVIT.
-
-
-Years later, Monsieur Gaston Paris,
-That learned Frenchman, came this way.
-It poured with rain. He could not tarry.
-He gave the cave a single day.
-He noticed that the mouth was blocked
-And asked the peasants 'why', who, shocked,
-Informed him how on summer nights
-The Sybil and her horrid sprites
-Came out and danced their hellish jigs,
-And crushed the corn and scared the pigs.
-On which unamiable narration
-The _savant_ made this observation--
-That they were very simple fools
-To put their trust in masons' tools,
-Seeing that fiends, our souls' ill-wishers,
-Slip slyly through the smallest fissures.
-And, in effect, for all their skill,
-The peasants owned, _they dance there still._
-
-
-O Hans Van Branbourg, I applaud
-You first, remembering you're a lord;
-And next the not-to-be-forgot,
-Your squire and my compatriot,
-Him, Pons. For since we're far from sure
-If Heaven will prove a sinecure,
-And seeing that it's quite uncertain
-What fate awaits beyond the curtain;
-Seeing you wanton down the years,
-While we are in the vale of tears,
-And even thus the odds are even
-On waking up in Hell or Heaven,
-While many hold the odds not small
-Against our waking up at all;
-I can't but think that you were wise
-To choose the Sibyl's paradise:
-I say it with a heavy heart,
-I think you chose the better part.
-
-
-For in man's dire perplexity,
-The old and best philosophy
-Holds that a woodcock in the shop is
-Well worth a couple in the coppice,
-And tons of may-be bliss don't measure
-One ounce of certain, solid pleasure.
-Whence, once in Anchiale's city
-Aristobulus found this witty
-Inscription cut with wise intent,
-Upon an ancient monument,
-ΕΣΘΙΕ ΠΙΝΕ ΠΑΙΖΕ, thus,
-By good king Sardanapalus,
-"Eat, drink, and--well, the rest's not worth a cuss."
-
-
-And so, my friends, though your adventure
-May get from others only censure,
-Though curates and idealists
-May call you 'rank materialists',
-And pompous atheistic prigs,
-'Blind-worms' and 'Hedonistic pigs';
-Though other men, and wise ones too,
-May hold that there is more to do
-Than laugh and let the world go by
-Saying "To-morrow we shall die";
-Yet in a matter so obscure
-Wise men may differ to be sure.
-Myself, I never thought it clever
-To fuss about the "grand forever",
-And cultivate a soul with care for
-That vast but vague hereafter; wherefore
-In my opinion, you did well
-To live for love, though love is hell.
-
-
-
-
-[Illustration 03]
-
-
-
-
-[Footnote 1: In my opinion it is time
-To legalise the cockney rhyme.]
-
-[Footnote 2: Not 'facete'? No, because in modern times
-We're prouder of our Latin than our rhymes.]
-
-[Footnote 3: Perhaps I ought to add a line
-To say the verse is Sybilline;
-It is portentously ill writ;
-Scholars must make the best of it.]
-
-[Footnote 4: Both Sale and Andrea Baberino say
-"_Le coeur ne saurait les imaginer_".]
-
-[Footnote 5: Sale says they "_à la manière
-De couleuvres et de serpents_" were.]
-
-[Footnote 6: From this strange book well named '_La Salade_'
-
-
-
-
-
-End of Project Gutenberg's The Legend of Monte della Sibilla, by Clive Bell
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