summaryrefslogtreecommitdiff
path: root/6076-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:26:51 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:26:51 -0700
commitd953d799e1020c9b1f7b6cc3ee98ad019a6c56df (patch)
treee8bf7089d6063a1b41f090f28fcab6e77525468d /6076-h
initial commit of ebook 6076HEADmain
Diffstat (limited to '6076-h')
-rw-r--r--6076-h/6076-h.htm2143
1 files changed, 2143 insertions, 0 deletions
diff --git a/6076-h/6076-h.htm b/6076-h/6076-h.htm
new file mode 100644
index 0000000..030b141
--- /dev/null
+++ b/6076-h/6076-h.htm
@@ -0,0 +1,2143 @@
+<?xml version="1.0" encoding="us-ascii"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ Legends of San Francisco, by George W. Caldwell, M. D.
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+Project Gutenberg's The Legends of San Francisco, by George W. Caldwell
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Legends of San Francisco
+
+Author: George W. Caldwell
+
+Release Date: April 13, 2009 [EBook #6076]
+
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE LEGENDS OF SAN FRANCISCO ***
+
+
+
+
+Produced by David Schwan, and David Widger
+
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ LEGENDS OF SAN FRANCISCO
+ </h1>
+ <p>
+ <br /><br />
+ </p>
+<pre xml:space="preserve">
+ Other Books by the Same Author:
+
+ Legends of Southern California.
+ Oriental Rambles.
+ Rainbow Stories.
+ The Wizzywab.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h2>
+ By George W. Caldwell, M. D.
+ </h2>
+ <h4>
+ Dedication.
+ </h4>
+<pre xml:space="preserve">
+ My San Francisco on her seven hills is smiling,
+ Beside an opalescent sunset sea;
+ There is a magic in her bracing air beguiling,
+ Yet filling all with tireless energy.
+ The tingling tang of open sea the breeze is giving;
+ The fog rolls in and drives heat languors out,
+ And thrills her loyal subjects with the joy of living,
+ And puts the love of idleness to rout.
+
+ When in the valleys, fervent summer heat oppresses,
+ And gives no, respite night or day,
+ There is a City that the cooling fog caresses,
+ Upon the breezy San Francisco Bay.
+ When winter rains and sun have wrought in fragrant flowers
+ A multicolored carpet on the land,
+ A charm is in her circling hills and redwood bowers
+ That only those who see can understand.
+
+ She has a mystic charm in all the changing seasons&mdash;
+ A lure that brings the stranger to her door,
+ And in these pages I will give the Indian's reasons
+ For charms and lures, never told before.
+ The legends of the hills, the fog, the gulls, the waters
+ Idealize the beautiful and true;
+ Allow me, therefore, California's Native Daughters,
+ To dedicate this book of verse to you.
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h3>
+ Contents
+ </h3>
+ <table summary="" style="margin-right: auto; margin-left: auto">
+ <tr>
+ <td>
+ <p class="toc">
+ <a href="#link2H_4_0001"> The Maid of Tamalpais. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> The Twin Guardians of the Golden Gate.
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> The Sea Gulls. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0004"> The Islands of the Bay. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0005"> The Lake of Merita. </a>
+ </p>
+ </td>
+ </tr>
+ </table>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h2>
+ The Maid of Tamalpais.
+ </h2>
+<pre xml:space="preserve">
+ This she told me in the firelight
+ As I sat beside her campfire,
+ In a grove of giant redwoods,
+ On the slope of Tamalpais.
+
+ Old she was, and bent and wrinkled,
+ Lone survivor of the Tamals,
+ Ancient tribe of Indian people,
+ Who have left their name and legend
+ On the mountain they held sacred.
+ On the ground she sat and brooded,
+ With a blanket wrapped around her&mdash;
+ Sat and gazed into the campfire.
+ On her bronze and furrowed features,
+ On her hair of snowy whiteness,
+ Played the shadows and the firelight.
+ Long she gazed into the embers,
+ And I feared I had offended
+ In the question I had asked her.
+ Then she spoke in measured accents,
+ Slowly, with a mournful cadence,
+ And long intervals of silence.
+
+ "You have asked me why my people
+ Will not climb Mount Tamalpais&mdash;
+ Why we hold the mountain sacred.
+ I am old, and when the Raven
+ Calls my spirit to the Father,
+ None will know the ancient story,
+ Sacred legend of the Tamals.
+ Therefore, I will tell the story,
+ I will tell and you shall write it,
+ Else it will be lost forever;
+ I will tell it that the paleface
+ May respect our sacred mountain."
+
+ "In the morning of creation
+ All the world was covered over
+ With the flood of troubled waters.
+ Only Beaver and the Turtle
+ Swam about upon the surface.
+ Beaver said, 'I'm very weary.'
+ Turtle said, 'Dive to the bottom.'
+ Beaver dove and brought up gravel,
+ Laid it on the back of Turtle;
+ Dove again and brought a pebble,
+ Then another and another.
+ Pebbles grew to rocks and boulders,
+ As a peak above the waters&mdash;
+ Thus was Mount Diablo fashioned.
+
+ Beaver sat upon the mountain,
+ Gazing out across the waters;
+ Saw a single feather floating;
+ Feather grew into an Eagle;
+ Eagle flew and sat by Beaver.
+ Long they talked about creation,
+ Counseled, planned, and reconsidered,
+ Then they moulded clay with tules;
+ Beaver placed his hair upon it,
+ Eagle breathed into its nostrils
+ Thus Coyote was created.
+ Coyote barked and sat beside them.
+ Many creatures were created;
+ Some with hair, and some with feathers;
+ Some with scales, or shells, or bristles.
+
+ Other peaks and mountain ridges
+ Then appeared above the waters.
+ Walls of hills were then continued
+ North and south, to hold the waters
+ In a mammoth lake, that, filling
+ All the Sacramento Valley,
+ Found its outlet to the ocean
+ Through the Russian River Canyon.
+ Round the lake the blazing mountains
+ Spouted lava and hot ashes;
+ Casting on the troubled waters
+ Lurid gleams and purple shadows.
+
+ By the lake Coyote wandered&mdash;
+ Sat and howled, for he was lonely,
+ Lonely for a Man to tame him
+ Into Dog as a companion.
+ Then Coyote mixed dry tules
+ With wet clay and made a figure.
+ Sun God came and shone upon it;
+ Spirit came and blew upon it,
+ And a Man was thus created.
+ Sun God made the Moon to guard him,
+ And she stood before his tepee,
+ Watching while the Sun was sleeping;
+ But she loved the Sun and followed
+ Him into the starry heavens,
+ Always with her face turned to him.
+ Still she watched the lonely tepee,
+ And her heart was touched with pity
+ For the lonely man within it,
+ So she made a lovely woman,
+ Gave her constancy, and sent her
+ On a moonbeam to his tepee,
+ As his helpmate and companion.
+ Man then multiplied, and flourished,
+ Building villages and lording
+ Over all the other creatures.
+
+ On the sunny eastern margin
+ Of the Bay of San Francisco,
+ Grew the village of the Tamals;
+ Fisher folk they were, and gentle,
+ Seeking not for wars of conquest;
+ Fishing in the purple waters
+ From their boats of bark or rawhide;
+ Wading in the limpid shallows
+ Seeking oysters, clams and mussels.
+ In the course of generations
+ Piles of shells of many banquets,
+ With the ashes of their campfires,
+ Formed a mound upon the bay shore.
+ Shell Mound Park, the people call it,
+ And they gather in the shadows
+ Of the ancient oaks for pleasure,
+ Roasting clams as in the old days
+ When the Tamals lived upon it.
+ Gone are now the limpid shallows;
+ Gone the oysters and the mussels,
+ And no more are grassy meadows
+ Dappled with the spreading oak trees;
+ For great factories, grim and sordid,
+ Sprawl in squalid blocks around it,
+ And the smoke of forge and furnace
+ Rise from stacks into the heavens.
+
+ Paleface men with concave glasses,
+ Learned in lore of printed pages,
+ Dig into the mounds and gather
+ Spear and arrow heads and axes,
+ Broken weapons and utensils
+ Made of flint, or bone, or seashell.
+
+ To the northward, where great boulders
+ Lie in tumbled piles and masses,
+ And a Thousand Oaks are clustered,
+ And the crags upthrust their fingers
+ Through the meadows of the uplands,
+ Was another Indian village,
+ Ancient stronghold of the Tamals.
+
+ In the village on the hillside
+ Men were hunters, brave and fearless,
+ Skillful with the bow and arrow,
+ Artful with the snare and deadfall;
+ Hunting deer and elk and bison
+ In the open grassy meadows,
+ Tracking wolf and mountain lion
+ To their lairs among the redwoods;
+ Bearing on their backs the trophies
+ To their camp when night was falling.
+
+ In the village maids and matrons
+ Dressed the furs and tanned the buckskin,
+ Dried the venison, and traded
+ With the Shell Mound folks for salmon,
+ Mussels, clams and abalones,
+ Ornaments of bone or seashell,
+ Weapons chipped from flint or jasper.
+ From the oaks they gathered acorns,
+ And beneath the fragrant bay trees
+ And the heavy blooming buckeyes,
+ Ground the acorns into flour
+ To be baked upon the hot-stones.
+
+ To this day the smoke of campfires
+ May be traced in caves, and crannies
+ Where the overhanging cliffsides
+ Gives protection from the rainstorms.
+ If you search among the thickets
+ Of the low widespreading buckeyes
+ You will find their ancient mortars
+ In the bedrock still remaining&mdash;
+ Mortar holes ground deep, and polished
+ By the toil of many women
+ Pounding, grinding with a pestle
+ Fashioned from a stream-worn boulder.
+
+ Gone are all those ancient people,
+ Perished now for many ages.
+ Many oaks have grown and withered,
+ Many buckeyes bloomed and faded,
+ Many tribes have fought and conquered,
+ Lived for many generations,
+ Then were driven out by others.
+ Still the mortar holes will linger
+ As our monuments forever."
+
+ Fainter grew the voice, still fainter,
+ Sinking almost to a whisper,
+ With a hesitating quaver,
+ As the picture came before her
+ Of her disappearing people.
+ Then I rose and piled more branches
+ Of the redwood on the campfire,
+ And the flames and sparks leaped upward,
+ Lighting up the mournful forest,
+ Driving back the eerie shadows.
+
+ Long she bowed her head in silence,
+ Then resumed her rhythmic speaking.
+ In the village lived a maiden,
+ Fairest of all comely maidens
+ Ever born among the Tamals;
+ Fair of face and pure of spirit,
+ Kind in thought and quick in service
+ To the young and old and helpless;
+ Ever eager for her duty,
+ Ever singing at her labor.
+
+ When she sat beneath the buckeyes
+ Grinding acorns in the mortar,
+ Humming birds came sipping honey
+ From the heavy scented blossoms;
+ Wild birds came and sang their sweetest
+ Music as they perched above her;
+ And the Fairies came to greet her
+ Dressed as Butterflies, and fluttered
+ Round her head and whispered secrets&mdash;
+ Secrets not revealed to others.
+
+ Little wonder that the Chieftain,
+ Young and brave and wise in counsel,
+ Loved the maid and wished to take her
+ As his wife to rule his people.
+ But she answered him with sadness,
+ For she loved the youth, 'Beloved,
+ This is not the time for lovers,
+ But for warriors to make ready,
+ For a danger comes upon us.
+ God has sent a warning message
+ By the Fairies, and they whispered
+ To me as I ground the acorns
+ In the mortar 'neath the buckeyes.
+
+ Rally all your braves around you,
+ Seize your strong bows, fill your quivers
+ With the long flint-pointed arrows;
+ Guard the ridges to the eastward
+ Ere the foe shall fall upon us.'
+
+ To the eastward where Diablo
+ Rears its peak above the fog banks
+ Drifting landward from the ocean,
+ Lived a warlike tribe of people.
+ Fierce they were, and grim and cruel,
+ Worshiping the Fire Demon
+ Who is crouching in the mountain.
+
+ From their heights they saw the waters
+ Of the Bay of San Francisco
+ Lying crystal-clear and purple.
+ Then no Sacramento River
+ Poured its flood of silt into it,
+ For a range of hills continued,
+ All unbroken, from Diablo
+ To the distant smoking mountain
+ Which is now called Saint Helena.
+
+ Long they watched the bay and marveled
+ At its strange, alluring beauty;
+ Watched it in its changing colors&mdash;
+ In the gray of misty mornings,
+ In the blue of sunny mid-day,
+ In the glories of the sunset,
+ In the silver flood of moonlight&mdash;
+ It enticed and seemed to beckon,
+ Then, as ever, to the strangers.
+
+ Long their Wizards danced, and rattled
+ With their gourds, to rouse the Demon
+ Of the Mountain to assist them&mdash;
+ Danced until they fell in frenzy,
+ Prophesying wealth of plunder.
+ Warriors danced and chanted war songs,
+ Stamped and shouted, waved their war clubs,
+ With the war paint on their bodies,
+ Black and yellow and vermillion.
+ Hideous and terrifying
+ Were they when they took the warpath.
+
+ Oh, the terror of their coming!
+ Oh, the horror of the battle
+ On the meadows of the uplands!
+ Forward, by the strength of numbers,
+ Pressed the Devils of Diablo;
+ Slowly backward fell the Tamals
+ To the Stronghold of the Boulders.
+ When the darkness of the midnight
+ Fell as a protecting blanket,
+ Silently my tribe retreated,
+ Ere the ring should be completed
+ By the merciless invaders.
+ All the Tamals started northward&mdash;
+ Men and women, little children&mdash;
+ Through the open, grassy meadows,
+ Through the forest to the ridges
+ Circling round the Bay below them.
+ At the dawning of the morning
+ They were resting on a hilltop.
+ To the west the Bay was sleeping
+ Underneath its misty blanket;
+ To the east a lake was gleaming
+ In the rosy light of sunrise.
+
+ While they rested on the mountain,
+ Weary, footsore, and disheartened,
+ Came pursuing scouts to spy them.
+ Fierce and bloody was the combat,
+ All the rocks were stained with crimson.
+ Then the scouts, or those still living,
+ Fled to tell their wicked Chieftain
+ Where to find the fleeing Tamals.
+
+ Loud the wail of lamentation
+ When the Tamals saw their warriors
+ Who had fallen in the combat
+ Lying lifeless on the mountain.
+ Louder still, the cry of anguish
+ When they found their Maid of Mercy
+ Helpless now, and sorely wounded.
+ No more would her strong young shoulders
+ Bear the wounded braves to safety,
+ Nor would she withdraw the arrows,
+ Bind the wounds nor stanch the bleeding.
+
+ On the shoulder of the Chieftain
+ She was carried, for no other
+ Had such strength and gentle manner.
+ On his shoulder thus he bore her,
+ Fleeing northward on the ridges,
+ Bore her gladly, for he loved her.
+ All the women were exhausted,
+ All the children, tired and weeping;
+ Half the warriors, dead or wounded&mdash;
+ Slow and painful was the progress.
+
+ On they fled, but often turning,
+ Looking backward o'er their shoulders,
+ Fearful lest the foe o'ertake them
+ Ere they reached a place of safety.
+
+ Came a deadly fear upon them!
+ 'We are lost,' they cried in terror,
+ For a league behind them, followed
+ Such a host of men or devils
+ That they could not hope to conquer.
+ 'We are lost,' they moaned, 'Their number
+ Is the number of the needles
+ On the redwoods in the forest;
+ And they follow as the foxes
+ Follow rabbits in the open.'
+
+ 'We shall die, oh, my beloved,'
+ Said the Chieftain to the maiden.
+ 'And die gladly,' said the maiden,
+ 'If our people may not perish.
+ As I sat beneath the buckeye
+ At my mortar, grinding acorns,
+ Fairy butterflies came to me,
+ Fluttered round my head and told me
+ That an enemy was coming;
+ And I warned you, oh, my lover.'
+ 'Aye, you did, my best beloved.'
+ 'And they promised, oh, my lover,
+ That our God would save our people
+ Should I offer up my spirit
+ As a sacrifice before Him.'
+
+ And the young Chief spoke, and answered,
+ 'Life without you would be empty;
+ Let my spirit travel with you
+ Through the spaces of the heavens,
+ To the upper world of spirits.'
+
+ 'It shall be as you have spoken,'
+ Said the maiden to her lover,
+ 'And I know that God will answer
+ With a mighty sign from heaven.
+ Stoop, and bow your head, my lover,
+ That my face may turn to heaven.
+ Mighty Father, save my people,
+ Take my spirit and my lover's
+ To the spirit land of lovers;
+ Lift your hand and strike the mountain!
+ Cut a chasm wide, between us
+ And the wicked ones who follow;
+ Save my people, oh, my Father,
+ Strike the mountain! Strike the mountain!'
+
+ Came a rumble in the distance,
+ Nearer, louder, terrifying!
+ God had heard her prayer, and lifted
+ Up his hand to strike the mountain.
+ When the mighty blow descended
+ With the crash of many thunders,
+ All the mountains rocked and trembled,
+ Rose and fell, and swayed and shuddered;
+ And across the Coast Range Mountains
+ Yawned a chasm, hot and smoking;
+ Into it careened the hillsides;
+ Mountains swooned and fell into it.
+ Through it, as a giant sluiceway,
+ Rushed the roaring, boiling waters
+ Of the lake, in tumbling tumult,
+ Flooding all the bayside lowlands,
+ Racing through the Golden Gateway
+ In a cataract stupendous.
+ Saint Helena burst its crater
+ With a blast that leveled forests,
+ And the falling sand and cinders
+ Buried deep the fallen giants,
+ To be petrified to agate.
+ Through the steam and sulphurous vapors,
+ Flashed the lightning on the mountains,
+ And the din of quake and thunder
+ Beat the air until it quivered.
+
+ When God, his righteous wrath abating,
+ Ceased to shake and rend and deluge,
+ And the last reverberation
+ Died away into the distance,
+ And the trade winds from the ocean
+ Blew away the smoke and vapors,
+ Those remaining of the Tamals
+ Gazed with wonder at a mountain
+ That was standing, new, before them,
+ For upon it lay the maiden
+ With her face upturned to heaven,
+ As it was when she was praying
+ To her God to save her people.
+ On her youthful breast and body
+ Lay a forest, like a mantle,
+ New and green, and decked with flowers.
+ And her willing feet were resting
+ Near the bay and new-made river;
+ While the Chief, her faithful lover,
+ Bending 'neath his sacred burden,
+ Stretched his arms out to the valleys
+ Where his people would find shelter.
+
+ Here for countless generations
+ We have lived in peace and safety,
+ Roaming through the wooded valleys,
+ Hunting on the grassy meadows,
+ Fishing in the bays and rivers.
+
+ Now you know the sacred story
+ Of the Maid of Tamalpais&mdash;
+ Why no Tamal ever ventured
+ To the holy crest above us.
+ Would we tread upon the features
+ Of the martyred Maid who saved us?
+ Would we desecrate the rock-tomb
+ Of our Chief, her well beloved?
+
+ There she lies in all her beauty,
+ Sacred Maid of Tamalpais!
+ If her eyes should turn from heaven,
+ She would see across the waters
+ Piles of tumbled crags and boulders
+ In the Grove of Thousand Oak Trees,
+ Where the buckeye trees still blossom
+ Over mortar holes, half hidden.
+ Children play with merry laughter
+ Hide and seek among the boulders.
+ Even now perhaps, the Fairies
+ Dressed as butterflies may whisper
+ Secrets in the ears of children,
+ If they listen to the voices.
+
+ If her eyes should trace the steamers
+ As they thread the curving channel
+ Opened by the ancient earthquake,
+ She would see them pass an island
+ On whose red and barren summit
+ She was wounded in the battle.
+ White men call it Red Rock Island,
+ Knowing not the crimson color
+ Is from blood, shed in the battle
+ Fought upon the lofty summit
+ Of a mountain that was swallowed
+ When the mighty chasm opened,
+ Leaving but its peak projecting
+ Through the surface of the waters.
+
+ There she lies in queenly beauty,
+ Martyred Maid of Tamalpais,
+ With her face upturned to heaven,
+ As when praying, 'Take me, Father;
+ Save my people; Save the Tamals.'
+ On her head the snows of winter
+ Lay a crown of shining crystals.
+ Fog banks twine their arms about her
+ To embrace her and caress her.
+ Passing rainclouds bathe her features
+ With their tear drops, shed in sorrow,
+ And the rainbow arches over
+ With the glories of a halo.
+
+ She is first to have the greeting
+ Of the rising sun, and latest
+ To receive his goodnight kisses.
+ On her sides the purple shadows
+ Linger longest in the twilight.
+ For her robe the fairest wildflowers
+ Bloom throughout the changing seasons&mdash;
+ Violets, and pink wild roses,
+ Blue forget-me-nots, and lilies
+ Vie to give their sweetest perfumes
+ To the Maid of Tamalpais.
+
+ Lovers climb the sacred mountain,
+ Roam the hillsides, tread the wildwoods,
+ Finding there new inspiration,
+ Hope and happiness, not knowing
+ That the Maid of Tamalpais
+ Gives her spirit to all lovers
+ Who approach her mystic presence.
+
+ I, the last of all the Tamals,
+ Soon will turn my face to heaven
+ Where my own, my best beloved,
+ Waits with outstretched arms, to greet me.
+
+ Write the story for all people;
+ It is finished; I have spoken."
+ Thus she spoke, that ancient woman,
+ Lone survivor of the Tamals,
+ By the campfire in the redwoods,
+ On the slopes of Tamalpais.
+</pre>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ The Twin Guardians of the Golden Gate.
+ </h2>
+<pre xml:space="preserve">
+ Would you know the mystic legend
+ Of the peaks of San Francisco&mdash;
+ Of the Twin Peaks standing Guardian
+ Of the gay and careless city,
+ Ever laughing by the gateway
+ Of our Golden California?
+
+ Would you know what brings the westwind,
+ With its cool and filmy vapors
+ Trailing like a scarf of chiffon
+ Through the narrow Golden Gateway,
+ Screening shore and hills and harbor,
+ While the country all around it
+ Bathes in floods of golden sunshine?
+
+ Would you know why great Sea Lions
+ Flounder on the rocky islands,
+ Standing by the Golden Gateway?
+ Why they fight in baffled fury,
+ Barking ever at the mainland?
+
+ Listen then, and I will tell you
+ As the legend was related
+ By an ancient Tamal woman,
+ As she sat beside the campfire
+ In a grove of giant redwoods
+ On the slopes of Tamalpais.
+
+ "It was long ago, my children,
+ Long ago, in mystic ages
+ When the Gods lived near the people,
+ Who, like infants newly mothered,
+ Needed care and help and guidance.
+ As the children call to parents
+ So the people called to Spirits.
+ Then the Gods were quick to listen,
+ Quick to teach them and protect them,
+ Quick to punish when they trespassed
+ On the rights of one another.
+
+ Near the place where Holy Fathers
+ Built the Mission of Dolores
+ Was a village of the Tamals,
+ Vanished now for many ages.
+ By it was a singing streamlet,
+ Where the willows waved their banners;
+ Round it giant redwoods clustered,
+ Redolent with forest odors;
+ Live oaks, bay trees, and madronas
+ Billowed over plains and hillsides.
+
+ Through the forest ranged the hunters,
+ Seeking game in glen and canyon,
+ Meat for food, and fur for raiment;
+ Vanquishing the forest creatures
+ With flint arrows and stone axes;
+ Seeking fish in bay and river
+ With the spear or net of sinew.
+ On the bay the warriors paddled
+ In canoes of bark or rawhide,
+ Or in mighty redwood dugouts
+ Dared the currents of the narrows
+ Training warriors to be ready
+ To defend their shores and harbor.
+
+ From the North the foemen threatened,
+ As an ever-present shadow.
+ O'er the water came the foemen,
+ In a mighty fleet of warboats;
+ Every summer came the foemen,
+ Came and fought and then retreated.
+
+ In his tepee sat the Chieftain
+ With the Old Men, wise in counsel;
+ All their hearts were solely troubled&mdash;
+ Every summer brought the foemen,
+ Those bronze men of fearless courage,
+ Waxing stronger every season&mdash;
+ Long they counseled with each other;
+ Would the foemen come and conquer?
+ Could the Tamals long withstand them?
+ Thus they questioned in the Council
+ While they planned their last defenses.
+
+ To the Council came the sisters,
+ Yana fair, and Tana fearless,
+ Twins, and daughters of the Chieftain,
+ Came and stood before the wise men,
+ Came and bowed their heads and waited.
+
+ Well the wise men knew the sisters,
+ Maidens blooming into women,
+ Loved them for their grace and beauty,
+ For the joy they radiated,
+ For the charm that emanated
+ From their chaste and gentle spirits,
+ As the perfume that is wafted
+ From the rose buds newly opened.
+
+ Yet the Wise Men gave no welcome,
+ Turned their eyes from Maids to Chieftain.
+ "Why, my Daughters, have you ventured
+ Into this, the warrior's council?
+ Well you know it is forbidden;
+ Neither man nor woman enters
+ When the warriors plan for battle."
+
+ "Let us speak," the Maidens answered,
+ "For we bring a warning message.
+ As we wandered on the ridges
+ Gathering the golden poppies
+ To adorn our Mother's tepee,
+ We were talking of the danger
+ From the foemen of the Northland,
+ When a Maiden stood before us,
+ Strangely fair, with golden tresses,
+ Eyes of deep blue like the lupins,
+ Dressed in garlands made of poppies.
+ Hand in hand we stood and wondered,
+ Till the lovely apparition
+ Smiled and caused our fears to vanish.
+ 'I am the Spirit of the Country,'
+ Said the Maiden of the Poppies,
+ 'And I choose you, my Twin Daughters,
+ For the beauty of your bodies,
+ And the worth of soul within you,
+ As the saviors of your people,
+ As the guardians of my harbor.
+ Take the message to your Chieftain,
+ That the foe comes from the Northland;
+ Yet they shall not harm your people
+ If you stand upon the hilltop
+ With the talisman I give you.
+ Take this Magic Iris with you,
+ Guard it well for every petal
+ Has a charm that brings an answer
+ To a prayer that is unselfish,
+ To a prayer for all the people
+ That will live around your harbor.
+ Never, while you guard the hilltop,
+ Shall a foe invade your country.
+ Petals three there are; three wishes
+ Shall be granted when you make them.'
+ Then the Poppy Maiden vanished,
+ And we hastened to our village.
+ Hand in hand, we ran so swiftly
+ That our feet but touched the flowers;
+ While above our heads the wild ducks
+ Flying southward clamored hoarsely,
+ 'They are coming; They are coming!'
+ Sea gulls, winging from the ocean,
+ Shrieked their warning, 'They are coming!'
+ Then we dared to brave your Council
+ With the message of the Maiden,
+ And the warning of the seabirds.
+
+ 'It is well,' the Chieftain answered,
+ 'Daughters with the eyes of springtime
+ And the faces of the flowers,
+ It is well. The Gods have marked you
+ With their sign upon the forehead;
+ You have stood before a Goddess,
+ And her spirit is upon you.'
+
+ Long the Old Men sat and pondered.
+ Well they knew the ears of children
+ Are attuned to hear the voices
+ Of the Gods and Guardian Spirits.
+ Well they knew that all wild creatures
+ Speak to man if one is worthy
+ To receive their friendly warning;
+ Knew that seabirds, swift and cunning,
+ See the foemen while their war boats
+ Still are far beyond the sea-rim.
+ Thus they reasoned in their council,
+ Then they stood before the people
+ While the Chieftain gave his orders.
+
+ 'Beat the war drums. Call the warriors.
+ Man the war canoes, and station
+ Sentinels upon the headlands
+ Up the coast-land to Bolinas.
+ Let them light the lurid war fires,
+ When they see the foemen coming.'
+
+ Swiftly northward raced the sentries
+ In their light canoes of deerskin&mdash;
+ Through the narrows to Bonita,
+ On the ocean to Bolinas.
+ All was tumult in the village;
+ To each warrior was given
+ Long bows, strong bows, wrapped with sinews,
+ Stores of arrows, eagle feathered,
+ Newly tipped with sharpest flint-heads;
+ Stone head war clubs, wrapped with rawhide;
+ Shields of oakwood, tough and heavy.
+ Women decked the braves with feathers,
+ Robes of fur, and charms of seashell;
+ Roused their courage with the stories
+ Of the prowess of their Fathers;
+ Cheered with songs of deeds of valor
+ Of the heroes of the Tamals;
+ While the children, heavy hearted,
+ Watched the scene in wide-eyed wonder.
+
+ Every day the Chieftain's daughters,
+ As twin sentinels were standing
+ On the hill between the valley
+ And the blue expanse of ocean.
+
+ Every day they watched the Morning
+ Reach his rosy fingers upward,
+ From behind the eastern mountains,
+ Painting with an elfin fancy,
+ Crimson edges on the cloudbanks;
+ Then erasing and repainting
+ Them with gold or mauve or amber;
+ Always changing, as his fancy
+ Swayed the child to blend the colors;
+ Till Old Father Sun uprising,
+ Drove his elfin son to shelter
+ From the dazzle of his presence.
+
+ All day long the faithful sisters
+ Stood upon the ridge and waited&mdash;
+ Waited while the Sun ascended,
+ Crossed the zenith, then descended
+ On his daily westward journey.
+ Watched him sink into the ocean
+ As a molten globe of metal;
+ While the fleecy clouds above him
+ Caught afire, and blazed in beauty,
+ Radiating flaming colors
+ Through the changing clouds, and lighting
+ O'er the purple sea a pathway
+ Glinting in a golden glory.
+
+ Evening came, and still they waited&mdash;
+ While the heavenly dome turned purple,
+ And the twinkling stars were lighted,
+ One by one, until the darkness
+ Scintillated with their sparkle;
+ And a milky way of star-dust
+ Arched across, to hold the heavens
+ High above the reach of mortals.
+
+ Through the night they watched and waited&mdash;
+ While the silver moon was racing
+ Through the silken clouds, and flooding
+ All the bay and hills and ocean
+ With a pale illumination,
+ Casting moving shadows earthward
+ When a dark cloud passed before her.
+ Wild Coyotes broke the silence
+ Of the midnight with their barking,
+ And the prowling Wolves crept nearer,
+ Till the patter of their footsteps
+ Could be heard in stealthy rushes.
+
+ Still the fearless Sisters waited,
+ Watched the north for signal fires,
+ And in eager alternation
+ Held the Magic Yellow Iris.
+
+ Came at last the welcome singing
+ Of the Meadow Lark and Robin,
+ And above the eastern mountains
+ Flushed the rose-light of the morning;
+ Then again the sky was tinted
+ By the Elf who plays with colors,
+ And the sleeping poppies wakened
+ When the sunbeams kissed their eyelids.
+
+ From the Heights of Point Bonita
+ Rose a thread of smoke that lengthened,
+ Broadened, flaunted like a banner,
+ Black and ominous of evil.
+ "They are coming!" Yana whispered,
+ "See, the signal fires are lighted!
+ They are coming. Guardian Spirit
+ Of our native country, save us!"
+ And she pressed the Yellow Iris
+ Closely to her throbbing bosom.
+
+ Over northern rim of ocean
+ Came the war canoes by hundreds,
+ Came until the waters darkened
+ With the number of the warboats.
+ Never could the Tamals conquer
+ Such a multitude of foemen.
+ Swiftly rose and fell their paddles,
+ Flashing in the brilliant sunshine,
+ Trailing scarfs of foam behind them,
+ As they raced toward the harbor.
+
+ Tana searched the far horizon,
+ Saw the signal fires blazing
+ On the mountain tops and headlands,
+ Heard the war drums in the village
+ Roll in constant wild alarum.
+
+ Yana held the Yellow Iris
+ With the Magic in its petals,
+ Held and gazed with adoration
+ On the velvet mystic markings.
+ Then she plucked a magic petal,
+ Held it high, and ere it fluttered
+ To the breeze this prayer was uttered:
+
+ 'Spirit of our Native Country,
+ Goddess guarding home and harbor,
+ Roll the fog-banks o'er the headlands,
+ Hide the narrows from the foemen;
+ Bring the west-wind from the ocean,
+ Drive their boats to crash and shatter
+ On the rocky surf-bound islands.
+ Bring the west-wind! Bring the fogbanks!'
+
+ From the ocean came the west-wind,
+ Blowing stronger, growing cooler,
+ Bringing in protecting fog-banks,
+ Sweeping landward o'er gray waters,
+ Flooding through the Golden Gateway,
+ Rolling over shore and headlands.
+
+ Through the fog the boats were racing
+ For the entrance to the harbor,
+ When they plunged into the smother
+ Of the breakers round the islands&mdash;
+ Crashed upon the rocks and splintered.
+ From the surf the foemen struggled
+ To the rocks and scrambled on them.
+
+ Then the Maiden plucked another
+ Petal from the Magic Iris,
+ And she prayed again, 'Oh, Spirit
+ Of our Native Country, hear us,
+ Change the foemen to Sea-creatures,
+ That they never more attack us.'
+
+ As the magic petal fluttered
+ To the ground the foe was changing.
+ Arms and paddles changed to flippers;
+ Legs were bound as in a bandage,
+ And their brown and hairy bodies
+ Wriggled on the rocks, and crowded,
+ Barking, fighting one another.
+
+ When the danger was averted,
+ When the enemy was helpless,
+ Sisters wept, embraced each other,
+ Thanked the Gods for their deliverance.
+
+ Still remained another petal
+ Of the Magic Yellow Iris.
+ 'One more wish we have, one only.'
+ Said one sister to the other,
+ 'Would we might remain forever,
+ As the guardians of the harbor,
+ To protect it from all foemen,
+ To invoke the fog and west-wind.'
+
+ Then, again The Poppy Maiden
+ Stood triumphantly before them.
+ 'You have chosen well, my children,
+ Had you wished for wealth or beauty,
+ Robes or jewels for adornment,
+ Or for any selfish purpose,
+ Then the petals would have fallen
+ To the earth and lost their Magic.
+ My twin daughters, ever faithful,
+ All your thoughts are for your people;
+ Therefore, you shall be immortal,
+ Standing on the heights forever,
+ As the Guardians of the Harbor.
+ Draw your mantles around your shoulders,
+ Furs they are, but flowers they shall be.
+ As my garments are of flowers,
+ So shall yours be, golden poppies,
+ Lupins, blue, shall deck your mantle.
+ Blue and gold shall be your colors&mdash;
+ Blue, for purity of purpose;
+ Gold, for worth of soul and spirit.
+ While you stand above the harbor,
+ While you call the fog and west-wind,
+ While you wear your cloak of poppies,
+ Never shall a foeman enter
+ Through the Golden Gate with war-boats.
+ Pluck the petal, let it flutter
+ To the ground. Your wish is granted.
+ Stand forever, native daughters,
+ As Twin Peaks, to guard the harbor.'
+
+ That was long ago, my children,
+ When the earth was young, and people
+ Heard the voices of the Spirits&mdash;
+ Knew the language of the sea-birds.
+ To this day the ancient warriors
+ Flounder on the Sea Rock Islands,
+ Barking, roaring, crowding, fighting,
+ Near the gateway of the harbor.
+ Still the Sisters, as the Twin Peaks,
+ Guard the city and the harbor.
+ In the summer, at the season
+ When the ancient foes came southward,
+ They invoke the cooling west-wind
+ With its fog, to screen the harbor;
+ Yet, the sunlight seeks the valley
+ Where the ancient tepees clustered,
+ Beaming there in benediction,
+ While around it lie the shadows.'
+
+ That, my children, is the legend
+ Told beside the evening campfire
+ By the ancient Tamal woman,
+ In a grove of giant redwoods,
+ On the slopes of Tamalpais.
+</pre>
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ The Sea Gulls.
+ </h2>
+<pre xml:space="preserve">
+ Round the boat the Sea Gulls hovered,
+ Soaring on their spreading pinions,
+ Floating on the air, but turning
+ Searching eyes upon the people;
+ Searching, searching, always searching,
+ Winging, swinging, darting, calling
+ In their plaintive tones, "Ah-we-a."
+
+ By my side my friend, the Tamal,
+ Stood and gazed upon the Sea Gulls.
+ Long he gazed in deep abstraction,
+ Then he said, "They still are searching,
+ Still are calling to Ah-we-a.
+ Would you know the Tamal legend
+ Of Ah-we-a and the Sea Gulls?
+
+ Know you, then, that these blue waters
+ Were not always calm and peaceful.
+ Once the Sea King, grim and moody,
+ Held his court within this harbor&mdash;
+ Held his carnivals of beauty,
+ And his wild and stormy revels.
+
+ In the cove of Sausalito,
+ Where the houses of the paleface
+ Terrace on the wooded hillside
+ And the sailboats ride at anchor,
+ Lived a tribe of fisher people,
+ Building homes among the crannies
+ Of the rocks upon the bayshore,
+ Fishing in the harbor waters
+ From their light canoes of redwood&mdash;
+ Fishing boldly in defiance
+ Of the Sea King's fitful anger
+ At the raiding of his Kingdom
+ And the slaughter of his subjects.
+
+ Oft the Sea King, in reprisal,
+ Lashed the harbor with his west wind
+ Till the breakers leaped in frenzy,
+ Overturning boats and claiming
+ Many fishermen as victims.
+
+ Those who clung in desperation
+ To their boats and reached the mainland
+ Told the tale of their encounter
+ With the Sea King in the tempest.
+ Through the smother of the surges,
+ Through the driving rain and fog-banks,
+ Came the Sea King's boat upon them,
+ Drawn by floundering sea horses
+ With their manes of seafoam curling
+ From the prow and backward trailing.
+ Through the mist they saw it faintly,
+ As a ghostly apparition,
+ Riding down upon the billows&mdash;
+ Phantom ship, at times transparent,
+ White or gray&mdash;to ride them over;
+ Racing nearer, nearer, nearer,
+ Then dissolving into vapor;
+ Or, at times, it darted past them.
+ Giving glimpses through the fog-banks
+ Of the Furies at the paddles,
+ Bending, dipping, throwing surges
+ From their mighty magic paddles,
+ While the wake of foaming waters
+ Seethed and boiled in whirlpool currents.
+
+ Long the warfare had continued.
+ Fishermen must live by fishing,
+ And the Sea King claimed his victims
+ Through a strategy of cunning,
+ Seeking ever to beguile them
+ To the sea to work his vengeance.
+
+ When day dawned in rosy splendor
+ Calm and still the harbor waters
+ As a sea of purple satin,
+ Only wrinkled into ruffles,
+ Ever widening in a circle
+ Where the fishes leaped the surface.
+
+ Fishermen with song and laughter,
+ Waved farewell to wives and children,
+ Paddled off into the silence;
+ Then, without a sign of warning,
+ Gales arose and lashed the harbor
+ Till the waters writhed and tumbled,
+ Wave on wave, in thundering tumult;
+ And the Sea King, in his anger,
+ Dashed the boats, o'erturned and empty,
+ High upon the rocky seashore
+ At the feet of wailing women.
+
+ Queen Ah-we-a of the Fishers
+ Mourned the sorrows of her people;
+ Comforted the weeping widows;
+ Cared for all the little orphans.
+ Little wonder that her subjects
+ Loved the gentle Queen Ah-we-a.
+
+ Long the Queen in silence pondered
+ On the perils of her people.
+ Long she stood upon the headland
+ Where the wind-distorted cedars
+ Cling upon the rocky hillside.
+ Long she prayed to the Great Spirit
+ For his guidance and protection.
+ Long she prayed and watched and waited
+ Till the moon came up and silvered
+ All the sea, and cast the shadows
+ Of the cedars, weird and lonely.
+
+ From the harbor came the night winds
+ Robed in tinsel veils of vapors,
+ And they whispered in the branches
+ Of the cedar trees above her&mdash;
+ Whispered of the King, their master,
+ Whispered terms for ceasing warfare.
+
+ Ah-we-a heard the hard conditions,
+ Bowed her head as in submission.
+ On her face the resolution
+ For a sacrifice was graven&mdash;
+ For a sacrifice so noble
+ That the Spirit in the Heavens
+ Smiled and promised, in her absence,
+ To protect her Fisher people.
+
+ Morning dawned, with vapors brooding
+ On the silent glassy waters.
+ Queen Ah-we-a called her people
+ To the sandy shore, and standing
+ In her light canoe of deer skin,
+ Told them of her nightlong vigil.
+ 'Now I go,' she said in parting,
+ 'To the great boat of the Sea King,
+ There to plead that storms be banished,
+ Banished from our bay forever.
+ The Great Spirit will protect you
+ Till I come again to lead you.'
+ Then her paddle dipped the water,
+ And her light canoe of deer skin
+ Went into the fog and faded,
+ Faded to a shadow outline,
+ Then was gone into the silence.
+
+ Long and watchfully the people
+ Waited for the Queen Ah-we-a.
+ Then a great fear came upon them.
+ 'She is lost. The wicked Sea King
+ Holds her hostage on his war boat.'
+
+ Thus they mourned, and prayed the Father,
+ The Great Spirit, that he give them
+ Wings to fly above the waters
+ Where the Sea King could not reach them.
+ 'Give us wings,' they prayed 'On pinions
+ Would we fly to find Ah-we-a.
+ Change us, Father, into sea birds.
+ Let us search and find Ah-we-a,
+ And at last, when we have found her,
+ Change us back to Fisher People.
+
+ In the flicker of an eyelid,
+ All the fisher men and women
+ And their children changed to Sea Gulls.
+ And the Father, ever mindful
+ Of his promise to Ah-we-a,
+ Put into the hearts of mortals
+ Universal love for Sea Gulls.
+ Laws have even been enacted
+ To protect them from the hunters.
+
+ To this day the faithful Sea Gulls
+ Search the Bay, now free from tempests;
+ Search the ferry boats and steamers,
+ Soaring by on spreading pinions,
+ Peering into people's faces,
+ Searching for their Queen Ah-we-a.
+ Winging, swinging, darting, calling
+ In their plaintive tones, 'Ah-we-a;'
+ For they know that when they find her
+ They will change to human beings,
+ Subjects of the Queen Ah-we-a.
+
+ Thus was told the ancient legend
+ Of Ah-we-a and the Sea Gulls.
+</pre>
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ The Islands of the Bay.
+ </h2>
+<pre xml:space="preserve">
+ Tamalpais wrapped her mantle
+ Of the clouds about her shoulders.
+ Gray the day, and melancholy,
+ For December rains were falling,
+ Falling in a steady downpour.
+ Mournful branches of the redwoods,
+ Drooping, dripping, swayed above us;
+ Moaned above the lonely cabin
+ On the slope of Tamalpais.
+ Raindrops pattered on the shingles,
+ Beat against the eastern windows,
+ Flooding down the glass in torrents.
+
+ Through the veil of slanting rainfall.
+ Could be seen the distant harbor,
+ With its flecks of fleecy vapors
+ Floating, merging, disappearing.
+
+ In the fireplace of the cabin,
+ Logs and knots of pine were blazing,
+ Snapping with the pitch imprisoned;
+ Flocks of sparks were flying upward;
+ Flags of flame were waving welcome,
+ Warming, cheering, exorcising
+ Ghosts of Gloom and eerie phantoms;
+ Bringing brightness and the odor
+ Of the burning pitch that lingers
+ As the incense of the forests.
+
+ By the fireplace sat the Tamal,
+ Lone survivor of her people&mdash;
+ Sat and listened to the patter
+ Of the raindrops on the shingles,
+ To the soughing of the west-wind
+ In the branches of the redwoods.
+ Long she gazed upon the harbor,
+ Lying leaden-gray below us.
+ Then, she told this ancient legend&mdash;
+ Legend of her tribe, the Tamals,
+ Legend of an ancient deluge.
+
+ "Do you see," she said, "the Islands
+ Of the Albatross and Beaver?
+ By another name you call them.
+ One is crested by a prison,
+ Grim and somber, melancholy;
+ One is gay with flags and bunting,
+ Ringing with the martial music
+ Of your sailor boys in training;
+ Yet, if you observe them closely,
+ You will see in one the profile
+ Of an Albatross, a giant
+ Sea bird, sleeping on the water;
+ While the other is a Beaver
+ Facing always to the eastward.
+ When the noon sun casts its shadows
+ You may see his stony features
+ From the deck of ferry steamers
+ Near the pier that wades the shallows
+ On the harbor's eastern border,
+ Tamals call them Sacred Islands
+ Of the Albatross and Beaver,
+ For upon their backs were carried
+ All the Tamals through the deluge.
+
+ Down the ages came the legend,
+ Told by Fathers to the children,
+ Told on rainy winter evenings
+ Round the campfires of the Tamals.
+
+ From the ocean rolled the rain-clouds,
+ Came unceasingly the rain-clouds.
+ Black and heavy were the rain-clouds,
+ Lighted only by the flashes
+ Of the lightning playing in them.
+ Fell the rain as falls the torrents
+ In the waterfalls of rivers,
+ Fell through days of murky darkness,
+ Fell through nights of inky blackness,
+ Fell for days and nights unnumbered.
+ Waters covered plains and valleys.
+ On the coast the sea was rising,
+ Flooding all the lower country,
+ Creeping up the mountain foothills;
+ Still the rains in floods descended.
+
+ Up the slopes of Tamalpais
+ Climbed the people of the Tamals,
+ While behind them crept the waters,
+ Covering the hills and mountains.
+ One by one the peaks were swallowed
+ In the flood of rising waters.
+ On the gray and sullen waters
+ Floated logs and trees uprooted;
+ On the trunks and in the branches
+ Cowered creatures of the forests,
+ Then the people prayed the Spirit&mdash;
+ Prayed the Father in the Heavens&mdash;
+ That he save his tribe, the Tamals,
+ Ere the waters rise above them;
+ And the Spirit heard their pleading,
+ Sent the Albatross and Beaver,
+ Giant messengers from Heaven,
+ As the Saviors of the Tamals.
+
+ Albatross came from the westward,
+ Through the lightning of the storm-clouds,
+ Growing larger, coming nearer,
+ Till the thunder of his pinions
+ Echoed from the cliffs above them,
+ Then he rested on the waters.
+
+ From the eastward came the Beaver,
+ Swimming through the turbid waters,
+ Growing, growing, ever growing,
+ Till he had become a Giant,
+ On whose back the tribe of Tamals
+ Could find refuge from the waters.
+
+ Then a voice spoke from the storm-clouds,
+ Spoke in mighty tones of thunder:
+ 'I have heard your prayer, Oh Tamals;
+ You shall live, and shall re-people
+ All the world with men and women.
+ I will give to them the spirit
+ Of the Albatross who searches
+ Distant seas on tireless pinions.
+ I will give to them the wisdom
+ Of the Beaver who with patience
+ Labors, building and constructing.
+ On the Albatross and Beaver
+ You shall ride, until the waters
+ Shall return to their own borders.'
+
+ On the Albatross and Beaver
+ All the Tamals rode in safety,
+ While the swirling deluge covered
+ All the foothills and the mountains.
+ Then the northwind, dry and scorching,
+ Drove the rain-clouds to the ocean,
+ And the sun-rays, piercing through them,
+ Glinted on the troubled waters.
+ Came the peak of Tamalpais
+ As an island to the surface;
+ Down the slopes the flood receded
+ Baring forests to the sunlight,
+ Then the grass-lands of the valleys
+ And the old familiar coastline.
+
+ With rejoicing all the Tamals
+ Sought their homes along the bayshore,
+ Singing thanks to the Great Spirit,
+ Singing praises to their saviors,
+ Giant Albatross and Beaver,
+ Resting then, within the harbor.
+ Then again, in voice of thunder,
+ Spoke the Spirit from the Heavens;
+ 'Let the Totem of the Tamals
+ Be the Albatross and Beaver;
+ Search and Labor, be their motto;
+ And, lest children of their children
+ May forget their mighty saviors,
+ Giant Albatross and Beaver
+ Shall be changed to rocky Islands&mdash;
+ Monuments to stand forever,
+ In the Harbor of the Tamals.'
+
+ Thus the ancient Tamal woman
+ Told the Legend of the Islands,
+ While December rains were falling,
+ And the fragrant pine was burning
+ In the fireplace of the cabin
+ On the slope of Tamalpais.
+</pre>
+ <p>
+ <a name="link2H_4_0005" id="link2H_4_0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ The Lake of Merita.
+ </h2>
+<pre xml:space="preserve">
+ The lengthening shadows of evening
+ Were creeping on Mount Tamalpais,
+ Painting with purple the valleys,
+ Gilding the ridges and summit.
+ Green were the groves of the redwoods,
+ Lacing their branches together;
+ Through them the last rays of sunlight
+ Pierced to the carpet of needles.
+ Only the tinkling of water,
+ Only the breeze in the branches,
+ Only the call of the blue jays
+ Broke the mysterious silence.
+
+ Far through the canyon I wandered,
+ Far to her camp in the redwoods&mdash;
+ The home of the Indian woman,
+ Wrinkled and old and decrepit,
+ Learned in the lore of the Tamals.
+ Nearing her camp-fire, I saw her,
+ And halted in fear, lest I trespass.
+
+ She sat like a Priestess of Forests,
+ Chanting with weird intonations,
+ Slowly, with strange repetitions,
+ Swaying in rhythmical measure.
+ Round her the wild forest creatures
+ Gathered and sat at attention.
+ Birds ceased their anthems of evening,
+ Fluttered to branches above her,
+ Listened as if fascinated.
+
+ The singing was hushed when she saw me;
+ Away fled the wild things to cover.
+ "Welcome, my friend," said the Tamal.
+ "A seat at my camp-fire is waiting."
+ Her welcome was hearty and friendly,
+ But out of the shade of the forests
+ Came chattering, chirping and barking,
+ Resenting, reproaching, complaining.
+
+ I sat by the camp-fire and listened
+ In wonder. The scene was uncanny.
+ At last, when the plaints had subsided,
+ Or faded away in the distance,
+ I said , "Tell me, friend, by what magic
+ Are wild creatures called to your camp-fire.
+ Is it a secret you cherish?
+ May you reveal it to others?"
+
+ She gazed in the flickering embers,
+ Dreamily gazed in the embers,
+ Then she replied, "You have heard me
+ Singing the song of Merita,
+ The magical song of Merita,
+ Merita, the friend of wild creatures,
+ Wearers of fur or of feathers,
+ Creatures of forest and mountain,
+ Birds of the sea and the marshes.
+
+ I will tell you the tale of Merita,
+ Merita, the daughter of Yado,
+ Chief of the fishermen people
+ Who lived by the Lake of the Oak Trees,
+ Far to the east of the harbor.
+
+ Slender and tall was Merita,
+ Dark were her eyes, and her tresses
+ Glossy and black as the feathers
+ That gleam on the wings of the raven.
+ Gentle and kind was Merita,
+ Serving the young and the aged,
+ Nursing the sick and the wounded,
+ Cheering when sorrow was breaking
+ The heart of some one of her people.
+ The Gods taught Merita the language
+ Of birds that made nests in the oak trees,
+ Of water fowl thronging the tules,
+ Of all furry creatures that peopled
+ The hills and the valleys around them.
+ They came from afar when she called them,
+ Called with her song, and they hastened
+ To tell her their troubles and sorrows.
+ She bound up their wounds and caressed them,
+ And told them the wiles of the hunters.
+
+ Wandering one day to the northward,
+ She came to a creek where strawberries,
+ Ripe and delicious were growing
+ Beside a small stream that cascaded
+ Down from the Peak of the Grizzlies.
+ Refreshing herself with the berries
+ She sat in the shade of the live oaks,
+ The ancient and widespreading live oaks,
+ And called to the wild forest creatures,
+ Singing the Song of Merita.
+
+ 'Come, come, come, birds of the air,
+ For I love you.
+ Come, come, come, tell how you fare,
+ For I love you.
+ Come, come, come, wild creatures, know
+ That I love you.
+ Come, come, come, tell me your woe,
+ For I love you.
+ Come, come, come, you will I serve,
+ For I love you.
+ Come, come, come, you well deserve,
+ And I love you.
+ Come, come, come, I bring you aid,
+ For I love you.
+ Come, come, come, be not afraid,
+ For I love you.
+ Come, come, come&mdash;come&mdash;come&mdash;come.'
+
+ Before the monotonous chanting
+ Was finished, the Blue Jays and Robins,
+ Pigeons, and Bluebirds, and Blackbirds
+ Flew to the branches above her,
+ And tipping their heads to observe her
+ Opened their bills in complaining.
+ Down from the canyon a white fawn
+ Came with a shaft in her shoulder,
+ Fell at the feet of Merita,
+ Bleating her plea for protection.
+ Quickly the arrow was taken
+ Out of her quivering shoulder.
+ Then came the hunter, pursuing&mdash;
+ Halted, and gazed in amazement.
+ 'I am Zarando, the Tamal,
+ Chief of the Thousand Oaks People.
+ Pardon me, if I have wounded
+ A pet of the beautiful stranger.'
+
+ Under the arm of Merita
+ The frightened fawn crept for protection.
+
+ 'I am Merita, the daughter
+ Of Yado, the Chief of the Fishers
+ Who live by the Lake of the Oak Trees.
+ The Fawn is my friend, and she answers
+ My call to all wild forest creatures.'
+
+ 'I have a call,' said Zarando,
+ 'A call to decoy the wild creatures
+ Into the range of my arrows,
+ Yet few are deceived by the pretense.
+ Teach me your call, oh, Merita.
+
+ 'Nay, nay, Zarando; love only
+ Will draw the wild creatures around you.
+ Love does not change cannot injure&mdash;
+ The shaft is not aimed at a loved one.
+ If you would draw the wild creatures,
+ Love them, and guard them from danger.'
+
+ 'I am a hunter, Merita,
+ And yet would I gladly abandon
+ The bow and the trap to secure
+ The charm that the Great Spirit gives you.
+ Tell me the secret, Merita,
+ Teach me to speak in the language
+ Of all the wild creatures around you;
+ Teach me to know and to love them.'
+
+ Then were the first lessons given,
+ Where now gather thousands of students,
+ Beneath the old widespreading live oaks
+ That stand by the stream in the Campus.
+ There the first Teacher and Pupil,
+ Merita and young Chief Zarando,
+ Met on the mornings that followed,
+ Met for the love of the study,
+ And then for the love of each other.
+
+ No more were the Tamals and Fishers
+ Rivals, at war with each other;
+ United they lived as one people&mdash;
+ One people around the great harbor.
+ Zarando, their chief ruled with justice;
+ Merita, their Queen ruled with mercy.
+ Their village grew up where the oak trees
+ Stand on a point in the Lakelet.
+ The water birds came at her calling,
+ And thronged on the Lake of Merita,
+ Holding conventions, and heeding
+ The judgments she gave in their quarrels.
+ No one disturbed them nor harmed them;
+ There was a refuge from danger.
+
+ It is said that souls of the lovers
+ Still live in the oak trees that border
+ The shore of the Lake of Merita;
+ And that water-birds come at their calling,
+ And throng, unafraid, on the waters,
+ Hearing the song of Merita:
+
+ 'Come, come, come, birds of the air,
+ For I love you.
+ Come, come, come, tell how you fare,
+ For I love you.
+ Come, come, come, I bring you aid,
+ For I love you.
+ Come, come, come, be not afraid,
+ For I love you.'
+ Come, come, come,
+ Come,
+ Come,
+ Come."
+</pre>
+<pre xml:space="preserve">
+ The End
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of Project Gutenberg's The Legends of San Francisco, by George W. Caldwell
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE LEGENDS OF SAN FRANCISCO ***
+
+***** This file should be named 6076-h.htm or 6076-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/6/0/7/6076/
+
+Produced by David Schwan, and David Widger
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>