summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/60288-8.txt3810
-rw-r--r--old/60288-8.zipbin71422 -> 0 bytes
-rw-r--r--old/60288-h.zipbin1268591 -> 0 bytes
-rw-r--r--old/60288-h/60288-h.htm4092
-rw-r--r--old/60288-h/images/ill_001.jpgbin91354 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_002.jpgbin111855 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_003.jpgbin31935 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_004.jpgbin71435 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_005.jpgbin71797 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_006.jpgbin75156 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_007.jpgbin24016 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_008.jpgbin21418 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_009.jpgbin30398 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_010.jpgbin36892 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_011.jpgbin24645 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_012.jpgbin15106 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_013.jpgbin23205 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_014.jpgbin20413 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_015.jpgbin15722 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_016.jpgbin14229 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_017.jpgbin12480 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_018.jpgbin16926 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_019.jpgbin15322 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_020.jpgbin18072 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_021.jpgbin13615 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_022.jpgbin18212 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_023.jpgbin62531 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_024.jpgbin28369 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_025.jpgbin41526 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_026.jpgbin39503 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_027.jpgbin40542 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_028.jpgbin6347 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_029.jpgbin23826 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_030.jpgbin16360 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_031.jpgbin38523 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_032.jpgbin33230 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_033.jpgbin38865 -> 0 bytes
-rw-r--r--old/60288-h/images/ill_034.jpgbin50442 -> 0 bytes
-rw-r--r--old/60288.txt3810
-rw-r--r--old/60288.zipbin71396 -> 0 bytes
43 files changed, 17 insertions, 11712 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..cf92f53
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #60288 (https://www.gutenberg.org/ebooks/60288)
diff --git a/old/60288-8.txt b/old/60288-8.txt
deleted file mode 100644
index 4be20e2..0000000
--- a/old/60288-8.txt
+++ /dev/null
@@ -1,3810 +0,0 @@
-Project Gutenberg's Harper's Round Table, January 5, 1897, by Various
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: Harper's Round Table, January 5, 1897
-
-Author: Various
-
-Release Date: September 12, 2019 [EBook #60288]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK HARPER'S ROUND TABLE ***
-
-
-
-
-Produced by Annie R. McGuire
-
-
-
-
-
-
-
-
-[Illustration: HARPER'S ROUND TABLE]
-
-Copyright, 1897, by HARPER & BROTHERS. All Rights Reserved.
-
- * * * * *
-
-PUBLISHED WEEKLY. NEW YORK, TUESDAY, JANUARY 5, 1897. FIVE CENTS A COPY.
-
-VOL. XVIII.--NO. 897. TWO DOLLARS A YEAR.
-
- * * * * *
-
-
-
-
-[Illustration]
-
-THE LITTLE BISHOP.
-
-BY KATE DOUGLAS WIGGIN.
-
-
-It was I who called him the Little Bishop. His name was Phillips Brooks
-Sanderson, but one seldom heard it at full length, since "Phil" was
-quite enough for an urchin just in his first trousers, and those assumed
-somewhat prematurely. He was "Phil," therefore, to the village, but
-always the dear lovable Little Bishop to me. His home was in Bonnie
-Eagle; it was only because of his mother's illness that he was spending
-the summer with his uncle and aunt in Pleasant River. I could see the
-little brown house from my window. The white road, with strips of tufted
-green between the wheel tracks, curled dustily up to the very door-step,
-and inside the wire screen-door was a wonderful drawn-in rug, shaped
-like half a pie, with "Welcome" in saffron letters on its gray surface.
-I liked the Bishop's aunt; I liked to see her shake the "Welcome" rug
-before breakfast, flinging the cheery word out into the summer sunshine
-like a bright greeting to the new day; I liked to see her go to the
-screen-door a dozen times a day; open it a crack, and chase an imaginary
-fly from the sacred precincts within; I liked to see her come up the
-cellar steps into the side garden, appearing mysteriously as from the
-bowels of the earth, carrying a shining pan of milk in both hands, and
-disappearing through the beds of hollyhocks and sunflowers to the
-pig-pen or the hen-house.
-
-I had not yet grown fond of the uncle, and neither had Phil, for that
-matter; in fact Uncle Abner was rather a difficult person to grow fond
-of, with his fiery red beard, his freckled skin, and his gruff way of
-speaking--for there were no children in the brown house to smooth the
-creases from his forehead or the roughness from his voice.
-
-I was sitting under the shade of the great maple one morning early when
-I first saw the Little Bishop. A tiny figure came down the grass-grown
-road leading a cow by a rope. If it had been a small boy and a small
-cow, a middle-sized boy and an ordinary cow, or a grown man and a big
-cow, I might not have noticed them; but it was the combination of an
-infinitesimal boy and a huge cow that attracted my attention. I could
-not guess the child's years; I only knew that he was small for his age,
-whatever it was. The cow was a dark red beast with a crumpled horn, a
-white star on her forehead, and a large surprised sort of eye. She had,
-of course, two eyes, and both were surprised, but the left one had an
-added hint of amazement in it by virtue of a few white hairs lurking
-accidentally in the centre of the eyebrow.
-
-The boy had a thin sensitive face and curly brown hair, short trousers
-patched on both knees, and a ragged straw hat on the back of his head.
-He pattered along behind the cow, sometimes holding the rope with both
-hands, and getting over the ground in a jerky way, as the animal left
-him no time to think of a smooth path for bare feet. The Sanderson
-pasture was a good half-mile distant, I knew, and the cow seemed in no
-hurry to reach it; accordingly she forsook the road now and then, and
-rambled in the hollows, where the grass was sweeter, to her way of
-thinking. She started on one of these exploring expeditions just as she
-passed the great maple, and gave me time to call out to the little
-fellow, "Is that your cow?"
-
-He blushed and smiled, tried to speak modestly, but there was a quiver
-of pride in his voice as he answered, suggestively, "It's--nearly my
-cow."
-
-"How is that?" I asked.
-
-"Why, when I drive her twenty-nine more times to pasture 'thout her
-gettin' her foot over the rope or 'thout my bein' afraid, she's goin' to
-be my truly cow, Uncle Abner says. Are you 'fraid of cows?"
-
-"Ye-e-es," I confessed, "I am, just a little. You see, I am nothing but
-a grown-up woman, and boys can't understand how we feel about cows."
-
-"_I_ can! They're awful big things, aren't they?"
-
-"Perfectly enormous! I've always thought a cow coming towards you one of
-the biggest things in the world."
-
-"Yes; me too. Don't let's think about it. Do they hook people so very
-often?"
-
-"No, indeed; in fact one scarcely ever hears of such a case."
-
-"If they stepped on your bare foot they'd scrunch it, wouldn't they?"
-
-"Yes, but you are the driver, you mustn't let them do that; you are a
-free-will boy, and they are nothing but cows."
-
-"I know; but p'r'aps there is free-will cows, and if they just _would_
-do it you can't help being scrunched, for you mustn't let go of the rope
-nor run, Uncle Abner says."
-
-"No, of course that would never do."
-
-"Does all the cows where you live go down into the boggy places when
-you're drivin' 'em to pasture, or does some stay in the road?"
-
-"There aren't any cows or any pastures where I live; that's what makes
-me so foolish. Why does yours need a rope?"
-
-"She don't like to go to pasture, Uncle Abner says. Sometimes she'd
-druther stay to home, and so when she gets part way there she turns
-round and comes backwards."
-
-"Dear me!" I thought, "what becomes of this boy mite if she has a spell
-of going backwards? Do you like to drive her?" I asked.
-
-"N--no, not erzackly; but, you see, it'll be my cow if I drive her
-twenty-nine more times 'thout her gettin' her foot over the rope and
-'thout my bein' afraid," and a beaming smile gave a transient brightness
-to his harassed little face. "Will she feed in the ditch much longer?"
-he asked. "Shall I say 'Hurrap'? That's what Uncle Abner
-says--'_Hurrap!_' like that, and it means to hurry up."
-
-It was rather a feeble warning that he sounded, and the cow fed on,
-peacefully. The little fellow looked up at me confidingly, and then
-glanced back at the farm to see if Uncle Abner were watching the
-progress of events.
-
-"What shall we do next?" he asked.
-
-I delighted in that warm, cozy little "_we_"; it took me into the firm
-so pleasantly. I am a weak prop indeed when it comes to cows, but all
-the manhood in my soul rose to arms when he said, "What shall _we_ do
-next?" I became alert, courageous, ingenious, on the instant.
-
-"What is her name?" I asked, sitting up straight in the hammock.
-
-"Buttercup; but she don't seem to know it very well."
-
-"Never mind; you must shout 'Buttercup!' at the top of your voice, and
-twitch the rope _hard_; then I'll call, 'Hurrap!' with all my might at
-the same moment."
-
-We did this; it worked to a charm, and I looked affectionately after my
-Little Bishop as the cow pulled him down Aunt Betty's hill.
-
-The lovely June days wore on. I saw Phil frequently, but the cow was
-seldom present at our interviews, as he now drove her to the pasture
-very early in the morning, the journey thither being one of considerable
-length and her method of reaching the goal being exceedingly
-round-about. Uncle Abner had pointed out the necessity of getting her
-into the pasture at least a few minutes before she had to be taken out
-again, and though I didn't like Uncle Abner, I saw the common-sense of
-this remark. I sometimes caught a glimpse of them at sundown as they
-returned from the pasture to the twilight milking, Buttercup chewing her
-peaceful cud, her soft white bag of milk hanging full, her surprised eye
-rolling in its accustomed "fine frenzy." The frenzied roll did not mean
-anything, the Bishop and I used to assure each other; but if it didn't,
-it was an awful pity she had to do it, the Bishop thought, and I agreed.
-To have an expression of eye that means murder, and yet to be a
-perfectly virtuous and well-meaning animal, this is a calamity which, if
-fully realized, would injure a cow's milk-producing activities
-seriously, I should think.
-
-I was looking at the sun one evening as it dropped like a ball of red
-fire into Wilkins's Woods, when the Little Bishop passed.
-
-"It's the twenty-ninth night," he called, joyously.
-
-"I am so glad," I answered, for I had often feared some accident might
-prevent his claiming the promised reward. "Then to-morrow Buttercup will
-be your own cow?"
-
-"I guess so. That's what Uncle Abner said. He's off to Bonnie Eagle now,
-but he'll be home to-night, and mother's going to send my new hat by
-him. When Buttercup's my own cow I wish I could change her name and call
-her Red Rover, but p'r'aps her mother wouldn't like it. When she b'longs
-to me, mebbe I won't be so 'fraid of gettin' hooked and scrunched,
-because she'll know she's mine, and she'll go better. I haven't let her
-get snarled up in the rope one single time, and I don't show I'm afraid,
-do I?"
-
-"I should never suspect it for an instant," I said, encouragingly. "I've
-often envied you your bold, brave look!"
-
-He appeared distinctly pleased. "I haven't cried, either, when she's
-dragged me over the pasture bars and peeled my legs. Bill Jones's little
-brother Charlie says he ain't afraid of anything, not even bears. He
-says he would walk right up close and cuff 'em if they dared to yip; but
-I ain't like that!"
-
-I told Aunt Betty that it was the Bishop's twenty-ninth night, and that
-the big red cow was to be his on the morrow.
-
-"Well, I hope it'll turn out that way," she said. "But I ain't a mite
-sure that Abner Sanderson will give up that cow when it comes to the
-point. It won't be the first time he's tried to crawl out of a bargain
-with folks a good deal bigger than Phil, for he's close, Abner is! To be
-sure, Phil's father bought all his stock for him years ago, and set him
-up on the farm; perhaps that'll make some difference, now he's died, and
-left nothing to his widder. Abner has hired help in July and August, so
-he can get the cow to the pasture easy enough without Phil. I wish you'd
-go up there to-night, and ask Mis' Sanderson if she'll lend me half her
-yeast-cake, and I'll lend her half of mine a Saturday."
-
-I was used to this errand, for the whole village of Pleasant River would
-sometimes be rocked to the very centre of its being by simultaneous
-desire for a yeast-cake. As the nearest repository was a mile and a half
-distant, as the yeast-cake was valued at two cents and wouldn't keep, as
-the demand was uncertain, being dependent entirely on a fluctuating
-desire for "riz bread," the Edgewood store-keeper refused to order more
-than three yeast-cakes a day at his own risk. Sometimes they remained on
-his hands a dead loss; sometimes eight or ten persons would "hitch up"
-and drive from distant farms for the coveted article, only to be met
-with the flat, "No, I'm all out o' yeast-cake; Mis' Simmons took the
-last; mebbe you can borry half o' hern, she hain't much of a
-bread-eater."
-
-So I climbed the hill to Mrs. Sanderson's, knowing my daily bread
-depended on the successful issue of the call. As I passed by the corner
-of the barn, I paused behind a great clump of elderberry-bushes, for I
-heard the timid voice of the Little Bishop and Uncle Abner's gruff tone.
-I did not wish to interrupt nor overhear a family interview, and I
-thought they might walk on as they talked; but in a moment I heard Uncle
-Abner sit down on a stool by the grindstone as he said:
-
-"Well, now, Phillips Brooks, we'll talk about the red cow. You say
-you've drove her a month, do ye? And the trade between us was that if
-you could drive her a month without her getting the rope over her foot
-and without bein' afraid, you was to have her. That's straight, ain't
-it?" The Bishop's face burned with excitement, his gingham shift rose
-and fell as if he were breathing hard, but he only nodded assent and
-said nothing. "Now," continued Uncle Abner, "have you made out to keep
-the rope from under her feet?"
-
-"She 'ain't got t-t-tangled up one s-single time," said Phil, stuttering
-in his excitement, but looking up with some courage from his bare toes,
-with which he was assiduously ploughing the earth.
-
-"So far, so good. Now 'bout bein' afraid. As you seem so certain of
-gettin' the cow, I suppose you hain't been a mite scared, hev you? Honor
-bright, now!"
-
-"I--I--not but just a little mite. I--"
-
-"Hold up a minute. Of course you didn't _say_ you was afraid, and didn't
-_show_ you was afraid, and nobody knew you _was_ afraid, but that ain't
-the way we fixed it up. You was to call the cow yourn if you could drive
-her to the pasture for a month without _bein'_ afraid. Own up square
-now, hev you ben afraid?"
-
-A long pause, then a faint "Yes."
-
-"Where's your manners?"
-
-"I mean yes sir."
-
-"How often? If it hain't ben too many times mebbe I'll let ye off,
-though you're a reg'lar girl-boy, and'll be runnin' away from the cat
-bimeby. Has it ben--twice?"
-
-"Yes," and the Little Bishop's voice was very faint now, and had a
-decided tear in it.
-
-"Yes what?"
-
-"Yes, sir."
-
-"Has it ben four times?"
-
-"Y-es, sir." More heaving of the gingham shirt.
-
-"Well, you air a coward! How many times? Speak up now."
-
-More digging of the bare toes in the earth, and one premonitory tear
-stealing from under the downcast lids, then:
-
-"A little most every day, and you can keep the cow," wailed the Bishop,
-as he turned abruptly and fled behind the barn, where he flung himself
-into the green depths of a tansy bed, and gave himself up to unmanly
-tears.
-
-I had heard more than I wished, for I had been rooted to the spot, not
-so much because of my interest in Phil as that I did not like to vex
-Uncle Abner by making him aware of my unintentional presence. I did not
-dare seek and comfort my Little Bishop sobbing in the tansy bed, the
-brand of coward on his forehead, and, what was much worse, the fear in
-his heart that he deserved it. I hurried home across the fields, quite
-forgetting my errand, and told Aunt Betty, with tears in my eyes, that I
-would rather eat buttermilk bread for a week than have one of Uncle
-Abner's yeast-cakes in the house. I acknowledged that he had been true
-to his word and had held to his bargain, but I could not forgive his
-making so hard a bargain with my timid Little Bishop.
-
-Aunt Betty finally heard from Mrs. Sanderson, through whom all
-information was sure to filter if you gave it time, that Uncle
-Abner despised a coward, that he considered Phil a regular
-mother's-apron-string boy, and that he was "learnin'" him to be brave.
-
-Bill Jones, the hired man, now drove Buttercup to pasture, though
-whenever Uncle Abner went to Moderation of Bonnie Eagle, as he often
-did, I noticed that Phil took the hired man's place. I often joined him
-on these anxious expeditions, and a like terror in both our souls, we
-attempted to train the red cow and give her some idea of obedience.
-
-"If she only wouldn't look at us that way we would get along real nicely
-with her, wouldn't we?" prattled the dear Bishop, straggling along by my
-side; "and she is a splendid cow; she gives twenty-one quarts a day, and
-Uncle Abner says it's more'n half cream."
-
-I assented in all this, thinking that if Buttercup would give up her
-habit of turning completely round in the road to roll her eyes and
-elevate her white-tipped eyebrow, she might indeed be an enjoyable
-companion; but in her present state of development her society would not
-be agreeable to me even did she give sixty-one quarts of milk a day.
-Furthermore, when I found that she never did any of these reprehensible
-things with Bill Jones, I began to believe cows more intelligent
-creatures than I had supposed them to be, and I was indignant to think
-Buttercup could count so confidently on our weakness.
-
-One evening, when she was more than usually exasperating, I said to the
-Bishop, who was bracing himself to keep from being pulled into a
-way-side brook where she loved to dabble, "Bishop, do you know anything
-about the superiority of mind over matter?" No, he didn't, though it was
-not a fair time to ask the question, for he had sat down in the road to
-get a better purchase on the rope.
-
-"Well, it doesn't signify. What I mean is that we can die but once, and
-it is a glorious thing to die for a great principle. Give me that rope.
-I can pull like an ox in my present frame of mind. You run down on the
-opposite side of the brook, take that big stick, wade right in--you are
-barefooted--brandish the stick, and, if necessary, do more than
-brandish. I would go myself, but it is better she should recognize you
-as a master, and I am in as much danger as you are, anyway. She may try
-to hook you, of course, but you must keep waving the stick--die
-brandishing, Bishop, that's the idea! She may turn and run for me, in
-which case I shall run too; but I shall die running, and Aunt Betty can
-bury us under our favorite sweet-apple-tree!"
-
-The Bishop's soul was fired by my eloquence. The blood mounted to our
-brains simultaneously, and we were flushed with a splendid courage in
-which death looked a mean and paltry thing compared with vanquishing
-that cow. She had already stepped into the pool, but the Bishop waded in
-towards her, moving the alder branch menacingly. She looked up with the
-familiar roll of the eye that had done her such good service all summer,
-but she quailed beneath the stern justice of the Bishop's gaze.
-
-In that moment she felt ashamed, I know, of the misery she had caused
-that helpless mite. At any rate, actuated by fear, surprise, or remorse,
-she turned and walked back into the road without a sign of passion or
-indignation, leaving us rather disappointed at our easy victory. To be
-prepared for a violent death and receive not even a scratch makes one
-fear that one may possibly have overestimated the danger.
-
-Well, we were better friends after that, all three of us, and understood
-one another better as the summer grew into autumn and the great maple
-hung a flaming bough of scarlet over the hammock. Uncle Abner found the
-Bishop very useful at picking up potatoes and gathering apples, but he
-was going to leave Pleasant River as soon as the harvesting was over.
-
-One warm evening Aunt Betty and I were borrowing half a yeast-cake, and
-incidentally sitting on Mrs. Sanderson's steps at sunset. Buttercup was
-being milked on the grassy slope near the shed door. As she walked to
-the barn, after giving up her twelve quarts of yellow milk, she bent her
-neck and snatched a hasty bite from a pile of turnips lying temptingly
-near. In her haste she got more of a mouthful than would be considered
-good manners even among cows, and as she disappeared in the barn door I
-could see a forest of green tops hanging from her mouth, while she
-painfully attempted to grind up the mass of stolen material without
-allowing a single turnip to escape.
-
-It grew dark soon after, and we went into the house, but as we closed
-the door I heard the cow coughing, and said to Mrs. Sanderson,
-"Buttercup was too greedy, and now she has indigestion."
-
-The Bishop always went to bed at sundown, and Uncle Abner had gone to
-the doctor's to have his hand dressed, for he had hurt it in some way in
-the threshing-machine. Bill Jones came in presently and asked for him,
-saying that the cow coughed more and more, and it must be that something
-was wrong, but he could not get her to open her mouth wide enough for
-him to see anything.
-
-When Uncle Abner had driven into the yard, he came in for a lantern, and
-went directly out to the barn. After an hour or more, in which we had
-forgotten the whole occurrence, he came in again. "I'm blamed if we
-ain't goin' to lose that cow," he said. "Come out, will ye, Hannah, and
-hold the lantern? I can't do anything with my right hand in a sling, and
-Bill is the stupidest critter in the country."
-
-We all went out to the barn except Aunt Betty, who ran down the path to
-see if her son Moses had come home from Saco, and could come up to take
-a hand in the exercises.
-
-Buttercup was in a bad way; there was no doubt of it. Something, one of
-the turnips, presumably, had lodged in her throat, and would move
-neither way, despite her attempts to dislodge it. Her breathing was
-labored, and her eyes bloodshot from straining and choking. Once or
-twice they succeeded in getting her mouth partly open, but before they
-could fairly discover the cause of trouble she had wrested her head
-away.
-
-"I can see a little tuft of green sticking straight up in the middle,"
-said Uncle Abner, while Bill Jones and Moses held a lantern on each side
-of Buttercup's head; "but, land! it's so far down, and such a mite of a
-thing, I couldn't git it even if I could use my right hand. S'pose you
-try, Bill."
-
-Bill hemmed and hawed, and confessed he didn't care to try. Buttercup's
-teeth were of good size and excellent quality, and he had no fancy for
-leaving his hand within her jaws. He said he was no good at that kind of
-work, but that he would help Uncle Abner hold the cow's head; that was
-just as necessary, and considerable safer.
-
-Moses was more inclined to the service of humanity, and did his best,
-wrapping his wrist in a cloth, and making desperate but ineffectual dabs
-at the slippery green turnip-tops in the reluctantly opened throat. But
-the cow tossed her head and stamped her feet and switched her tail and
-wriggled from under Bill's hands, so that it seemed altogether
-impossible to reach the seat of the trouble.
-
-Uncle Abner was in despair, fuming and fretting the more because of his
-own uselessness. "Hitch up, Bill," he said, "and, Hannah, you drive over
-to Edgewood for the horse-doctor. I know we can get out that turnip if
-we can hit on the right tools and somebody to manage 'em right; but
-we've got to be quick about it or the critter'll choke to death, sure!
-Your hand's so clumsy, Mose, she thinks her time's come when she feels
-it in her mouth, and your fingers are so big you can't ketch holt o'
-that green stuff 'thout its slippin'!"
-
-"Mine's little; let me try," said a timid voice, and turning round, we
-saw the Bishop, his trousers pulled on over his night-shirt, his curly
-hair ruffled, his eyes big with sleep.
-
-Uncle Abner gave a laugh of good-humored derision. "You--that's afraid
-to drive a cow to pasture? No, sir; you hain't got sand enough for this
-job, I guess!"
-
-Buttercup just then gave a worse cough than ever, and her eyes rolled in
-her head as if she were giving up the ghost.
-
-"I'd rather do it than see her choke to death!" cried the Bishop in
-despair.
-
-"Then, by ginger, you can try it, sonny!" said Uncle Abner. "Now this
-time we'll tie her head up. Take it slow, and make a good job of it."
-
-Accordingly they pried poor Buttercup's jaws open to put a wooden gag
-between them, tied her head up, and kept her as still as they could,
-while we women held the lanterns.
-
-"Now, sonny, strip up your sleeve and reach as fur down 's you can! Wind
-your little fingers in among that green stuff stickin' up there that
-ain't hardly big enough to call green stuff, give it a twist, and pull
-for all you're worth. Land! what a skinny little pipe stem!"
-
-The Bishop had stripped up his sleeve. It was a slender thing, his arm;
-but he had driven the red cow all summer, borne her tantrums, protected
-her from the consequences of her own obstinacy, taking (as he thought) a
-future owner's pride in her splendid flow of milk--grown to love her, in
-a word--and now she was choking to death. Love can put a deal of
-strength into a skinny little pipe-stem at such a time, and it was only
-a slender arm and hand that could have done the work.
-
-Phil trembled with nervousness, but he made a dexterous and dashing
-entrance into the awful cavern of Buttercup's mouth; descended upon the
-tiny clump of green spills or spikes, wound his little fingers in among
-them as firmly as he could, and then gave a long, steady determined pull
-with all the strength in his body. That was not so much in itself, to be
-sure, but he borrowed a good deal more from some reserve quarter, the
-location of which nobody knows anything about, but upon which everybody
-draws in time of need.
-
-Such a valiant pull you would never have expected of the Little Bishop.
-Such a pull that, to his own utter amazement, he suddenly found himself
-lying flat on his back on the barn floor, with a very slippery something
-in his hand, and a fair-sized but rather dilapidated turnip on the end
-of it.
-
-"That's the business!" cried Moses.
-
-"I could 'a' done it as easy as nothin' if my arm had been a leetle mite
-smaller," said Bill Jones.
-
-"You're a trump, sonny!" exclaimed Uncle Abner as he helped Moses untie
-Buttercup's head and took the gag out. "You're a trump, and, by ginger,
-the cow's yourn!"
-
-The welcome air rushed into Buttercup's lungs and cooled her parched,
-torn throat. She was pretty nearly spent, poor thing! and bent her head
-gently over the Little Bishop's shoulder as he threw his arms joyfully
-about her neck, and whispered, "You're my truly cow now, ain't you,
-Buttercup?"
-
-"Aunt Betty," I said, as we walked home under the harvest moon, "there
-are all sorts of cowards, aren't there, and I don't think the Little
-Bishop is the worst kind, do you?"
-
- * * * * *
-
-TRYING TO SEE THE WIND.
-
-Did you ever try to see the wind? It is a very pretty experiment, and
-one easily performed. In the first place choose a windy day, then secure
-a polished piece of metal. (A hand-saw will be the easiest to get.) Hold
-the metallic surface at right angles to the direction of the wind. For
-example, if the wind is in the north, hold the saw east and west
-inclined about forty-five degrees to the horizon. Now look carefully at
-the sharp edge, and you will shortly see the wind pouring over it like a
-waterfall. Do not try the experiment on a rainy or a murky day.
-
-
-
-
-[Illustration]
-
-TORTOISE-SHELLS.
-
-BY A. V. S. ANTHONY.
-
-
-It was a bright winter morning, and the air outside was frosty and
-still. A young maid sat in her cozy chamber dressing her golden-brown
-curls, and as she drew her comb through them she heard a sharp crackling
-sound that caused her to put on her "thinking-cap," as was her habit
-when anything out of the common occurred, for she liked to reason out
-matters in her own quiet way. In her studies she had not as yet reached
-any allusion to that subtile power known as electricity, so she
-concluded that the sound must have come from the comb, which she thought
-was possibly made from the shell of a snapping-turtle. Having settled
-the affair comfortably in her mind, she finished her toilet hastily,
-that she might lose no time in announcing her discovery to the family at
-the breakfast table.
-
-It was the fortunate lot of the head of the family to have been wrecked
-on a coral reef. I say fortunate, because "All's well that ends well,"
-and inside the reef was a small island, on which he, the head of the
-family, had the rare experience of witnessing the catching of turtles
-and the removal of their shells by some native fishermen.
-
-Stories of shipwrecked mariners have been so often told that the
-incidents of mine need not be repeated here. If, as the Irishman said,
-the tale of the _lost_ could be told, it would be quite new and
-interesting; but mine was the very ordinary and commonplace.
-
-After the morning meal was over I told the little maid about it, as I
-briefly tell you here.
-
-I was on my way to Central America, and had almost reached my journey's
-end when our ship was wrecked. We struck the reef about nine o'clock at
-night. It was a very dark and thick night, and the waves dashed over us
-as we huddled together on the quarter-deck while waiting for daylight to
-determine in which direction lay possible safety. When the sun rose the
-next morning we saw approaching us a canoe containing four Indians, with
-whose assistance we got over the dangerous rocks, and were soon on the
-island, which was about ten miles distant from the mainland.
-
-It was a beautiful morning, and after the Indians had made us some hot
-coffee and tortillas (an unleavened corn-cake, baked on hot stones),
-they went off with the Captain and crew to the wreck, to see if anything
-could be saved from it, while I lay under the cocoanut-trees enjoying
-the soft tropical air and congratulating myself on my escape.
-
-When the Captain returned, he determined that he had been driven about
-twenty-five miles out of his course by a strong current that sets up
-northward along the eastern coast of Yucatan, for which he had not made
-proper allowance.
-
-Day was the period of rest for the Indians, and as we all needed sleep,
-we closed our eyes on the lovely yellow light of the Caribbean Sea, and
-stretched ourselves under the shelter of the thatched hut.
-
-Towards sunset the Indians awakened us, and gave us another meal of
-coffee and tortillas, with _chile_--an uncommonly hot little green
-pepper. The night promised to be fine, and the Indians predicted a good
-catch of turtles, as the egg-laying season was nearing its close. So,
-after an hour or two of chatting, we went down to the edge of the beach,
-and hid ourselves among the tall salt grasses that lined the shore above
-high-water mark, where we lay quietly watching the moon rising in its
-mysterious way out of the sea. Not a sound was heard, save the soft
-murmuring of the waves as they washed over the reef about half a mile
-away. We were as still as mice, as the Indians had cautioned us against
-talking, for the turtles were shy, and very quick to take alarm. After a
-long wait one of the men touched my arm, and pointed to some dark
-objects that were slowly crawling out of the water, which was as quiet
-as a mill-pond. Those dark objects were five big turtles that had come
-ashore to lay their eggs, which are from two to three inches in length,
-and sometimes as many as two hundred in number.
-
-[Illustration: WATCHING THE TURTLES COMING OUT OF THE WATER.]
-
-This turtle has a small squat head covered with plates of shell, and has
-a jaw like the beak of a hawk. It has four limbs, or flippers--the
-hindermost being quite long and winglike--which are armed with a couple
-of strong nails, with which it digs holes in the sand when it comes
-ashore to lay its eggs, and it is very fierce at such times if
-disturbed. When the eggs are laid and carefully covered, Mrs. Turtle
-waddles off to the water, and gives no further thought of her two
-hundred or more children which she has left behind.
-
-In the course of time the hot sun hatches out the little chelonians, who
-burst their shells, and digging their way out of the sand, toddle town
-the beach to the sea to begin their careers.
-
-Their food consists of sea-weed, crabs, and fishes, and when they grow
-to be about two hundred pounds in weight, and their shells become
-valuable, it behooves them to keep their "weather eyes" open for
-dark-skinned men when their maternal instincts prompt them to ramble on
-shelving beaches by the light of the moon.
-
-When the turtles were well up on the shore, the natives rushed out with
-stout poles, and after a sharp tussle succeeded in turning them over on
-their backs--no easy task, as they were nearly four feet long, and
-weighed several hundred pounds.
-
-Once on their backs they were helpless, as they were unable to regain
-their natural position. Long after midnight we added another to our
-catch, and then went to rest, leaving the turtles on the beach.
-
-In the morning the natives rolled them over, and after fastening their
-flippers to stakes driven into the beach, built a light fire on their
-backs, which caused the plates to curl at the edges, under which a knife
-was passed and the plates removed, leaving underneath a solid body of
-bony substance, which is the real protecting shield.
-
-The fire seemed to cause the turtles much pain, as they moaned in quite
-a human way, but the work was soon over, and on being released, the poor
-things crawled down the beach and disappeared into the sea. The natives
-are very careful not to fatally injure them, as they are not very
-numerous in these waters, and would soon be exterminated if
-indiscriminately slaughtered, and this is the only variety--the
-hawksbill, _Erectmochelys imbricata_, the zoologists call them--that
-yields the tortoise-shell of commerce. I was told that a second shell
-soon formed, but it grew as one solid mass, and had no commercial value.
-
-There are thirteen of these plates, and the centre one, on a full-grown
-specimen, is oftentimes fully fifteen inches long, weighing over half a
-pound, and ranging from an eighth to a quarter of an inch in thickness.
-
-The finest shell comes from the Eastern Archipelago, around the Celebes,
-and along the coast of New Guinea, and its value depends on its mottled
-color; that having a warm transparent yellow tone, with rich brown
-spots, is the most sought after, and brings the highest price. It is a
-horny substance, much harder, more brittle, and less fibrous than
-ordinary horn, and it is very tender, and should not be exposed to
-severe cold.
-
-In preparing the plates for manufacturing purposes, they are first
-carefully scraped and washed, the rough edges filed off, and then
-treated to a bath of boiling water, after which they are subjected to
-pressure to flatten them. Great care must be used to avoid overheating
-them, as an excess of heat destroys the transparent and translucent
-portions, and turns them into a muddy, opaque mass, and thus impairs the
-market value, so only the most skilful workmen are intrusted with the
-finer grades, as long practice enables them to work the material at a
-moderately low temperature.
-
-The shell has an extremely peculiar quality, and with the proper degree
-of heat can be fashioned into any desired form, which it retains on
-cooling. All the chips, scraps, and filings that come from working the
-shells are carefully saved, as they can be softened and pressed into
-moulds of various shapes.
-
-When thickness is desired, two surfaces are roughened by rasping, and
-the pieces are then plunged into boiling water, which liquefies the
-superficial film, and transforms it into a sort of gluey paste, and when
-the two pieces are pressed together--sometimes between hot irons--a
-solid mass is obtained, without loss of the valuable qualities so much
-esteemed. Many cheap compositions and a large amount of stained horn are
-on the market, which are sold to the unwary as real tortoise-shell, but
-the fraud is easily detected.
-
-The old Romans held the shell in high favor, and used it very freely to
-veneer furniture, etc.; and the modern French and German craftsmen
-decorate their buhl cabinets with it in connection with gold, silver,
-and copper. To-day it is made into many articles of jewelry, chains,
-sleeve-buttons, lorgnettes, combs, and other toilet articles. To-morrow
-it may be out of fashion, and be laid away with camel's-hair shawls.
-
-
-
-
-CAPTAIN JACK'S CHRISTMAS GIFT.
-
-
-It was just in the holiday season when Bob and Tommie were delighted to
-receive a visit from their old friend Captain Hawkins from the
-sea-shore.
-
-"Just thought I'd run up to town for a few minutes," he said, as if it
-were necessary for him to explain his presence in town. "You see, I've
-got a few nevews an' several thousand gran'children what likes to hear
-from me about Christmas-time, so I goes about Bemberton-by-the-Sea, and
-all I can find in the shops down thereabouts is the same old things
-they've had for the last forty year."
-
-"My! Captain Hawkins," said Bob. "Forty years? Are your nephews and
-grandchildren as old as that?"
-
-"Well, pretty nearly," said the Captain, with an uneasy laugh. "Pretty
-nearly; and when you get to be forty you get kind of tired o' tin pails
-and wooden spades and little red jumpin'-jacks an' doll babbies and
-lemon drops. You boys don't understand that, but wait till you get to be
-forty year old, and see if I ain't tellin' you the solemnest kind o'
-truth."
-
-"I guess you're right," said Bob. "I gave my daddy a fine old
-Jack-in-the-box once, and he laughed like everything at first; but he
-didn't play with it much, and finally it came back to me again. Pop's
-pretty nearly forty."
-
-"Yes, an' I guess he laughed like sixty when he saw that Bob-in-a-box."
-
-"Jack-in-a-box," said Bob, with a smile.
-
-"All the same," retorted the old Captain. "Jack-in-a-box,
-Tommie-in-a-box, or Bob-in-a-box! I never could see why they took the
-trouble to specify, and if I'd ever have had any children o' my own the
-Jack-in-a-box would ha' been named after 'em."
-
-"But, Captain, you were just speaking of your grandchildren," said
-Tommie. "How can you have any grandchildren if you haven't had any
-children?"
-
-"Oh, that's easy," replied the Captain. "I've adopted 'em. Whenever I
-see boy or a girl that strikes me as being grand I adopt 'em and call
-'em my grandchildren. I guess I've got most a million of 'em scattered
-round."
-
-"And you've come up to get a million Christmas presents for 'em?" cried
-Bob, in ecstasy.
-
-"Yep--only there ain't more'n ten of 'em," said the Captain, "that
-expects anything. I'm goin' to spend ten cents apiece on 'em, but first
-I've got to get the other eight."
-
-Bob looked at Tommie and Tommie looked at Bob. They were really puzzled
-to think what the Captain could mean.
-
-"The other eight?" asked Bob.
-
-"Yes," said Hawkins. "You boys ain't the only grandchildren I've got. I
-love you, but you ain't the only ones I love. There's at least eight
-more. And what do you suppose I'm goin' to give you all for Christmas?"
-
-The boys gave it up.
-
-"Well," said the Captain, in a whisper, "as I was a-comin' up Broadway
-a-lookin' into the windows, all of a sudden I see a hoss-car goin' along
-without a hoss, and I says goodness gracious that's funny. A hoss-car
-without a hoss, an' what was queerest of all, _no trolley_! Boys, it
-scaret me. Me who was never scaret before was scaret then. So I says to
-a policeman, 'Great scott! Mr. Constable, say, what makes that car go so
-fast?' 'It's the cable,' says he. My goodness thinks I, I'm sorry for
-the man that has to pull it, but I jumps aboard one of 'em, pays my five
-cents, and I have the finest sail from Forty-second Street to the
-Battery you ever see. No wind, no steam, nothin' in sight to move you,
-but movin' just the same, just as if you was on a sled slidin' down a
-hill. It _was fine_. Goin' around by Fourteenth Street you got lurched
-like as if you was at sea, an' then with a clear track and no squalls we
-just bounded down past Canal and Wall streets to Bowlin' Green, and back
-as slick as anything. And I says to myself, Cap'n Hawkins you've struck
-it. Don't give the boys no pails, no Jims-in-the-boxes, no spades, no
-nothin', but get the whole ten of 'em together and give 'em a ride on
-the cable-car whether you're sorry for the feller that pulls the rope or
-not. So I'm goin' back to Bemberton for the other eight, and when you
-boys are free I want you to join us for a sail from Central Park down
-and back, eh?"
-
-
-
-
-VOLCANOES--THEIR MODE OF ACTION AND ORIGIN.
-
-BY NATHANIEL S. SHALER,
-
-PROFESSOR OF GEOLOGY AT HARVARD UNIVERSITY.
-
-
-In endeavoring to set before the reader an account of volcanoes, I find
-a difficulty arising from the fact that very few people have had a
-chance to see these curious features in the machinery of the earth. In
-the United States, except in the far-away island district of Alaska,
-there is not one that has been seen by white men in a state of activity.
-Many, it is true, exist in the Cordilleran district, between the
-Canadian and Mexican line, but these are for the most part inaccessible,
-or, if conveniently placed for the tourists' convenience, are not well
-suited to show the most important facts of these structures. In writing
-about the sea, rivers, mountains, glaciers, or any other class of
-natural objects, our country affords admirable means of illustration,
-which may serve to convey clear impressions; but the story of volcanoes
-has to be told without this help.
-
-It is otherwise in the Old World. In Europe, Ætna and Vesuvius have had
-their activity associated with that of the most cultivated people of the
-world for about twenty-five centuries; and at many points, as in the
-valley of the Po or in central France, there are groups of volcanoes
-which are, though no longer active, in a very perfect state of
-preservation, within sight of the ways which are traversed by all
-sight-seeing travellers.
-
-Its convenient position, immediately neighboring to the most beautiful
-scenery and the greatest treasures of antiquity, has made Vesuvius the
-volcano of all others which people are likely to see. Probably a hundred
-climb it for one who ascends any other cone. This is true of our own
-countrymen who travel as well as those of Europe. This choice of
-Vesuvius as the volcano of pilgrimage is fortunate, for the reason that
-though by no means a great specimen of its kind, it is perhaps the most
-useful to the student of all the thousands that have been examined and
-described by observers of volcanic phenomena. Therefore, as we should
-begin our inquiry by seeing what occurs in a volcanic outbreak, and the
-consequences of these explosions, we will make our study on this
-beautiful cone.
-
-It is characteristic of this most amiable of volcanoes that of late
-years it has been in many frequent slight eruptions. The greater number
-of craters lie sleeping for hundreds or perhaps thousands of years,
-until they break forth with a fury that sends desolation to the country
-for miles from the point where the discharge takes place. But Vesuvius,
-which in its early years was given to furious storms, such as that which
-overwhelmed Herculaneum and Pompeii eighteen centuries ago, has now
-become so mild-mannered that men till their vineyards in a fearless way
-on the slopes which lead up to the crater.
-
-It was my good fortune, about fifteen years ago, on one of several
-visits to Vesuvius, to find it in an excellent state for an inquiry,
-which showed me more of what goes on in an eruption, and led to a better
-insight into the nature of the work than has often been seen by the
-geologist. There was a slight eruption in progress during the night;
-from the windows of my lodging in Naples I could see the successive
-puffs of fire from the crater coming regularly, several each minute. On
-the following morning there was a strong northerly wind blowing, which
-made me hope it would be possible to approach the edge of the opening
-without danger from the falling stones.
-
-Climbing the long way which leads from the railway station on the shores
-of the bay, through the gardens, villages, and vineyards, I came at
-length to the observatory which has been established on the border of
-the area which is reasonably safe in times of trouble. Here I learned
-that the instruments which show the tremblings of the earth, the small
-earthquakes which are not perceived by our bodies, indicated that the
-cone was in a state of constant trembling. The observers who watch this
-apparatus thought it likely that some time during the day the cone would
-be blown away in a violent eruption, such as now and then sends the
-upper part of this and many other volcanoes flying into bits before the
-fierce blast of the escaping vapors.
-
-My way lay across a wide field of lava and cinders to the place where
-the steep slope of the upper cone rose to the level where the crater was
-bombarding the sky with the rapidity of a well-served cannon. The climb
-up this cone, composed of the bits of lava which had been blown into the
-air and had fallen down again to the earth, was very laborious. The
-slope was as steep as a house roof. It took three steps to gain each
-foot in height. Now and then a stronger blast from the crater would
-shake the heap, so that it was hard to keep the ground that had been
-gained. It took a long hour to win the height of four or five hundred
-feet.
-
-[Illustration: "CREEPING TO THE SHARP EDGE OF THE CRATER, I SAW INTO THE
-VERY MOUTH OF THE VOLCANO."]
-
-Creeping to the sharp edge of the crater, and peering cautiously into
-the cavity, I saw into the very mouth of the volcano. The cup-shaped
-depression was about three hundred feet in diameter, and perhaps half
-that depth; it passed downward into a well-like pipe, perhaps sixty feet
-across. The lower part of the pit was, even in the bright sunlight,
-evidently red-hot. The sides of the pipe were white-hot. On this lower
-part of the pit, which shone like the eye of a furnace, a mass of very
-fluid lava was lashing up and down, now rising until it filled the
-bottom of the basin with its fiery tide, again sinking until it was out
-of sight.
-
-Each time the lava rose up into the basin it swelled quickly in its
-middle part, and in the twinkling of an eye it was broken by an
-explosion of such violence that a quantity of the fluid rock was tossed
-in fragments high into the air. As this sped upward and downward, it had
-a chance partly to cool, so that as it fell on the edge of the cone
-opposite to where I was the roar of its striking was very suggestive of
-what would happen if the wind should die away.
-
-Although the circumstances were such as made it hard to observe closely,
-I had no difficulty in seeing that the vapor which blew out at each
-explosion was steam. As it came forth, it was of the steel-blue color
-which we see just where the steam comes from the safety-valve of a very
-hot boiler. As it rose in the crater it soon became white, and as it
-whirled around me it had the well-known odor of steam, mingled with that
-of sulphur. In a word, it was evident that it was the vapor of water
-which was the cause of the explosions.
-
-After I had watched this fascinating scene for about half an hour, with
-much inconvenience from the heat of the earth and from the shaking of
-the ground on which I lay, the explosions, which were at first at the
-rate of three or four each minute, became more and more frequent and
-violent, and the strong wind began to die away, so that a speedy retreat
-was necessary to escape the bits of lava, which were now falling
-heavily. Looking back from the base of the cone, I noted that the
-explosions came faster and faster, so that it sounded as a continuous
-roar. It was just as when a locomotive starts on its journey. At the
-outset we can count the puffs; as the cylinders move faster and faster
-the escape sounds perfectly continuous.
-
-From the base of the cinder cone there flowed out a small lava stream.
-This lava was evidently full of steam, which poured forth from all parts
-of the surface. This is seen in all eruptions. Clouds of steam hung over
-the streams of lava. They are often visible ten miles or more away from
-the current of molten rock. In a great eruption the steam given forth
-from the crater often forms, as it condenses, into rains, that fall in
-fearful torrents about the cone. It is evident, in a word, that the
-explosions of volcanoes are formed by the escape of the vapor of water.
-They are, indeed, like the explosions of boilers.
-
-The question now arises as to the way in which this steam gets into the
-lava. This we can decide by a simple bit of study of the facts. Taking a
-map which shows the positions of several hundred active volcanoes, we
-find at once that they are all situated on the sea floor, from which
-they rise to form islands on its surface; or, when they are on the
-continents, they are never more than two hundred and fifty miles from
-the ocean. This shows that the activity of a volcano is, in some way,
-related to the sea-water. The only way in which we have been able to
-reasonably conceive of the sea bringing about volcanic explosions will
-now be described.
-
-On the sea floor there is a constant laying down of
-sediments--limestones, sandstones, etc. We know by the parts of the old
-sea floor that have been uplifted into dry lands that such beds have
-been formed, to the thickness in all of one or two hundred thousand
-feet. These beds are made of small bits of rocky matter and fragments of
-dead animals and plants. These bits do not fit closely together, and the
-interspaces are filled with sea water, so that as much as one-twelfth of
-the rock is usually made up of the fluid in which it was formed. As the
-ages go on, these beds, with the water which they hold, are buried
-deeper and deeper by the newer rocks which are laid down upon them,
-until it may be that they are thus brought to lie twenty miles or more
-below the surface of the solid earth.
-
-Next let us see as to the heat to which these rocks, with their
-imprisoned water, are exposed. We know, from a great number of studies
-which have been made in mines that for each mile we go downward in the
-earth there is an increase in heat, differing a good deal in different
-places, but on the average amounting to about one hundred degrees.
-Therefore, at the depth of twenty miles the imprisoned water would have
-a temperature of about two thousand degrees. In other words, it would be
-about as hot as the melted iron that comes from the blast-furnace. Thus
-heated, the water of the tiny cells of the rock would tend to explode
-with something like the intensity of gun-powder when it was fired; but
-as it is sealed in by the great thickness of the rock above, it cannot
-_burst_ into vapor--just as in the steam-boiler the water stays as a
-fluid even when it is heated twice as hot as it needs be to become steam
-when it is not confined.
-
-Let us now suppose that a rift, or, as geologists call it, a fault, is
-formed in the rocks leading from the surface downward to the level where
-this very explosive water lies. We can readily fancy that at once the
-fluid would flash into steam; and as this occurred in the myriads of
-little cavities in the rocks, which were so heated that they tended to
-become melted, great quantities of the beds would be forced along with
-the escaping steam in the form of lava. We see also that this would
-account for the fact that when the lava comes to the surface of the
-earth it is commonly filled with steam. When it rises quickly to the
-air, it is blown to fine dust by the expanding vapor; or if it does not
-fly to pieces, the little bits of water expand into bubbles, forming
-pumice or lava, so full of little cavities that it will float on the
-water like cork.
-
-This view as to the origin of volcanoes, although it would not be
-accepted by all the students of these strange features of the earth,
-seems most probable, for the reason that it accounts for the fact that
-all the seats of present volcanic activity are on the floor of the seas
-or near their borders, and that the extinct volcanoes which we have had
-a chance to study lost their activity at a time when, by the changes in
-the shape of the land, the sea was moved away from the region where they
-were found. We easily perceive that it is only where, as in the sea,
-beds are being laid down, one on top of another, that the heat is rising
-in the rocks, and the water in their crevices becoming hotter; beneath
-the land the rocks are always becoming less heated, so that the water
-which they contain is constantly cooling down.
-
-I have spoken of the water contained in the very heated rocks as if it
-remained in the state of fluid. It is likely that, when in its very hot
-state, it may be changed into its gases, oxygen and hydrogen, of which
-it is composed, and that these gases would again become the vapor of
-water as they rose toward the surface and were somewhat cooled. This and
-other matters of chemical detail which go on in the wonderful laboratory
-of the under-earth do not hinder our believing that volcanoes are due to
-the escape of the water which is constantly being buried in the rocks as
-they are built. So large is the amount of this water which lies thus
-buried that probably it amounts to somewhere near as much as is held in
-all the seas. Were it not for the return of the buried fluid through the
-volcanoes, the oceans would doubtless be much smaller than they are.
-They might, indeed, have long since disappeared in the crevices of the
-earth.
-
-
-
-
-A LOYAL TRAITOR.
-
-A STORY OF THE WAR OF 1812 BETWEEN AMERICA AND ENGLAND.
-
-BY JAMES BARNES.
-
-
-CHAPTER XI.
-
-THE SWORD-FISH AND THE WHALE.
-
-Now again we had changed our course, and were going before the wind
-directly to the westward. The breeze was light, and better for a small
-vessel than for a heavy, deep-laden man-of-war, and we might have run
-away in safety if we chose. That something was up, however, that meant
-adventure no one could help seeing.
-
-Orders were given, without any bawling or shouting, to get down the
-top-gallant masts on deck. The crew worked like ants. (I loved them for
-the way they went about it.) The yards were lowered to the deck as
-quickly as if they were clothes-poles in a drying-yard. I had never seen
-anything done so neatly and with such despatch. Our headway decreased,
-of course, as we lost the use of our upper sails.
-
-Mr. Spencer, who was aloft, reported to the deck: "We're hidden now,
-Captain Temple," he said. "She might pass within a quarter of a mile of
-us and never see us."
-
-Purposely I had stepped close to him as he spoke to the Captain, and the
-latter's reply was as astonishing to me as it apparently startled the
-officer. Temple was eagerness in every line of his face. He struck his
-right fist into the palm of his left.
-
-"The closer the better," he exclaimed. Then he turned. "What are the
-soundings?" he inquired of the bow-legged man who had hastened up. (I
-have forgotten to state that we had been heaving the lead for the last
-half-hour.)
-
-"Six fathoms, sir, and shoaling; here it is, sir."
-
-"Prepare to lower away the long-boat, Mr. Bullard," the skipper ordered,
-after a glance at the lead. "Mount the forward swivel in her, pick a
-crew, take a boat's compass, and make off due west. Mr. Spencer, you
-will take command of her. A word with you."
-
-Every one looked at the Captain in astonishment, but no one asked a
-question or put in a word. As I was one of the crew of the long boat, I
-helped to get her ready and swing her overboard. The swivel was lashed
-on the forward gratings, and half a dozen muskets were handed down to
-her, and we shoved off. Mr. Spencer was pale and nervous. As we left the
-brig's side we saw that her helm had been put hard down, and that she
-once more was headed north. There was just enough wind to move her
-slowly through the water. In three minutes she was lost to sight.
-
-We had been resting on our oars, and now Mr. Spencer spoke for the first
-time.
-
-"Make no noise," he said. "Pull slowly, straight ahead."
-
-We gave way, trying our best to silence the thumping in the row-locks.
-So light was the breeze that we could have kept apace of a vessel's
-sailing. For ten minutes we rowed on, and then we stopped again, and
-Spencer spoke.'
-
-"Load that swivel and get ready with those muskets," he ordered.
-
-I heard him mutter something in which I caught the words "tomfoolery"
-and "nonsense," and I looked back over my shoulder. A half-dozen
-perplexed-looking marines were grouped in the bow, and three sailors
-were ramming home a charge in the swivel.
-
-"Lads," said Mr. Spencer, "it's Captain Temple's orders to fire into
-that frigate and get away, if we can. It all depends upon yourselves and
-the way this boat is handled whether we are blown out of the water, or
-cut to pieces, or escape with whole skins. I want no talking in the
-boat."
-
-The man beside me on the thwart pulled his shirt over his head, and
-several others did likewise. They sat there bare from the waist up, and
-their torsos looked like those of the men in some of the old engravings
-in the handsome books I had read at Marshwood.
-
-We were pulling slowly ahead now, and for fully a quarter of an hour we
-rowed without a break. Then Mr. Spencer called for oars, and we drifted
-a long time.
-
-"Listen!" said one of the men in the bow, suddenly. He was bending over,
-with his hand making a hollow back of his ear. Half of the crew did
-likewise. For a minute I could hear nothing. Then I detected a groaning
-sound and a ripple of the water. It was the noise of a vessel's sailing.
-
-"I can see her, sir," the bowman said in a hoarse whisper. "She's not
-five cable-lengths away."
-
-The Lieutenant rose to his feet, and I could see that his hand was
-trembling as he fumbled in the breast of his jacket. He pulled a
-boatswain's whistle out and put it to his lips. But before he blew he
-spoke calmly.
-
-"Bring that gun to bear on her," he said.
-
-"Blow her out of water," spoke up the man beside me, with a chuckle.
-
-What utter foolishness it seemed to me even then (and of a truth it
-probably was that anyhow) to attack a frigate in a long-boat armed with
-six muskets and a broadside that you could carry in the crown of your
-hat! But no one seemed to flinch.
-
-"Give way softly," whispered Mr. Spencer, taking the tiller himself from
-the cockswain. Then, without warning, the silver pipe shrilled out, and
-he bawled at the top of his voice, as if he were commanding a ship's
-crew, instead of a handful of mystified seamen in a cockle-shell: "All
-hands on deck there, and lively! There's a vessel here astern of us!
-Port your helm!" He answered this order himself with an, "Ay, ay, sir,"
-and leaning forward shouted, "Fire!"
-
-Close to the water a great shape could be seen. The little gun
-slap-banged, and almost jumped overboard with the recoil. The six
-muskets rang; and, animated more by the gesture of Mr. Spencer's hand
-than the word, we laid back on the oars. We took perhaps some forty
-strokes or more, when the Lieutenant called for us to cease, with a
-sound of a hiss betwixt his teeth. The huge shape was now astern of us
-on the port hand close too. We had rowed across her bow! Now so tense
-was every nerve, and at such a tension was my mind, that I remembered
-everything I heard and saw so that I can repeat it to a dot.
-
-The shot and volley had been followed by a confused cry and a great
-to-do from the direction of the frigate. Now we could hear a confused
-jumble of accents, and above it the cries of a man's voice in agony,
-"Oh, oh, I'm killed!" it said distinctly. Then a voice commanded
-silence, and we could make out every word that passed.
-
-"Can you see anything ahead there, you men forward?" asked a voice so
-close that it appeared to be directed towards us.
-
-"No, sir; not a thing, sir!" was the answer. If anything, it sounded
-closer than the first.
-
-Then cool and distinct we caught the following orders, as we sat there
-holding our breaths, and our hearts beating so loudly that we nearly
-rocked the boat.
-
-"Ready about! Ready! Ready! Put your helm down, quartermaster."
-
-"Helm's alee, sir."
-
-"Haul taut! Mainsail, haul!" (An anxious waiting pause.) "Head braces!
-Haul well taut! Let go, and haul!"
-
-So firmly were these words impressed upon me that I never had to learn
-afterwards the orders for tacking ship.
-
-Now followed a rumbling sound and some shouts and orders, and then a
-crash and an explosion that ripped the fog and cut great gashes of red
-flame through the gray opaque wall.
-
-"Gee!" said the man next to me, with a shiver, "if that had caught us,
-eh!"
-
-"Good-by, Mary Ann!" said the man in front, looking back over his
-shoulder.
-
-Mr. Spencer was leaning forward. "They think we're off there," he
-whispered, jerking his thumb over his shoulder. "Lads, you did well."
-
-Now all was silence again, and the frigate gathered headway to the
-north. We staid where we were.
-
-But now, if I shall live to be a hundred, I can never get one sound from
-my ears. To the eastward, and beyond the English vessel, sounded the
-shrilling of a fife. The first bars of "Yankee Doodle" was the tune it
-played. I almost leaped up to my feet, but the music was soon ended, for
-a rattling swingeing crash followed a burst of blurred red flame. I
-could smell the smoke from the frigate's broadside that reached us now.
-But it was not she that spoke the second time.
-
-"Kill-Devil's got the weather-gauge of her, by Moses!" said the sailor
-next to me, putting his arm about my neck and giving me a hug.
-
-"Silence in the boat there," ordered Mr. Spencer, angrily.
-
-A roaring crash and confusion of explosions followed. The men in the bow
-began to laugh hysterically, and even Mr. Spencer joined them.
-
-"The _Young Eagle_'s got under her quarter. She'll rip her hide," he
-laughed. "Hark! did you hear that? It's the long twelve. Don't cheer,
-you fools!"
-
-It was well he had given this order, for the men were about to burst
-into a shout. One of them dropped his oar, and was roundly reprimanded
-for it. But now a multitude of sounds came from the direction of the
-fighting-vessels. Groans and orders, cries and firing, and above them
-all the comments from close about me, that in my ignorance I did not
-exactly understand.
-
-"Old Johnny Bull's missed stays," roared Mr. Spencer, laughing. "It's
-the sword-fish and the whale. Stab her again, Captain Temple, stab her
-again!"
-
-A distinct broadside was heard, and then a cheer, followed by a confused
-roaring, with high treble shrieks, like a countertenor's note in a
-chorus.
-
-"Bleed, bleed, bleed," muttered the man next to me.
-
-"That was our cheer," gurgled the cockswain, sawing to and fro in his
-narrow little box; but no sooner had he spoken than a crash louder and
-brighter colored than any of the rest ripped out.
-
-"The frigate's broadside!" gasped Mr. Spencer.
-
-All was silence now.
-
-"Heaven help us, they've sunk her!" the Lieutenant said, hoarsely.
-
-No sound for full five minutes.
-
-Three or four shots now, and then silence again. It appeared to me that
-the fog had lessened. A fine drizzle was falling; and we could see the
-outlines of a vessel not a quarter of a mile away from us.
-
-"Pull for your lives!" cried Mr. Spencer. "Pull for your lives!"
-
-We gave way together, and the heavy boat was soon hitting up a good pace
-and burying her nose as she rose and fell on the seas. The Lieutenant
-took a glance at the small compass, and headed us toward the northwest.
-
-"We're close to Long Island," he said. "I can't make out the _Young
-Eagle_ at all. That ship's the Britisher."
-
-We had rowed but a few minutes longer when, as if by a miracle, the mist
-cleared away and the sun shone out. Clear and distinct a big vessel lay
-off to the eastward. The hated emblem of St. George flew at her peak.
-
-"I thought as much," remarked Mr. Spencer to the cockswain. "She's
-grounded on the sand bank. That's what Temple counted on."
-
-But hurrah! to the windward of the British vessel was a sight that gave
-us joy. There was the _Young Eagle_, eating up into the wind, with her
-jib-boom hanging, and one of her yards aslant. Somehow Temple had found
-time to get up his top-gallant masts again, for they were both in place.
-But now those on board the frigate had espied us; that was plain enough.
-She was not so large a vessel as she had first seemed, being of the
-smaller class, carrying probably not over thirty-two guns at the most.
-She was badly cut up from the effects of her encounter with the brig,
-however. Her foretopmast was gone, her mainyard was over the side, and
-all her running-gear in great confusion. If Captain Temple had been an
-officer of the regular navy he might have deserved cashiering for such a
-foolhardy bit of business as attacking a powerful vessel when he might
-have escaped. He was the only one on board the privateer, however, who
-had reckoned her at less than forty-four guns, and besides this, after
-his glance at the lead he knew where he was, and could have pricked his
-position to a certainty on the map. I know that now.
-
-As Mr. Spencer had said, he surely must have counted on the proximity of
-the sand bar. If the frigate had been taking careful soundings, she
-would never have got on to it.
-
-The fresh wind that had spoiled the fog was coming from the northward (I
-can recall no day in my seafaring life when it blew from so many
-different points as it had in the last ten hours). But I am wandering
-from the recital of what occurred, and now to pick it up again.
-
-As I have stated, the frigate had seen us, and proof positive was not
-wanting, for a puff of smoke from one of the guns of her forward
-division leaped from her side, and the ball came spattering along toward
-us.
-
-"Oh, shoot the shot!" laughed one of the bowmen. We were missed by fully
-a cable's length.
-
-But the wind was against us, and with a good light to observe our
-progress I noticed that we were making slow headway. The long-boat was
-intended to be rowed by six oars of a side. Now, owing to the extra men
-that we carried, there was only room for ten men to do the pulling; and
-by some mistake the oars that we were wielding were not all of the same
-length, some of the cutter's having been put in by mistake. The weight
-of the swivel caused us to be well down by the head, moreover, and the
-cockswain had to mind his eye to keep headed straight. All idea, of
-course, of our getting back to the brig that day at least was done for,
-and to save ourselves we were making for the shore of Long Island,
-distant about three miles. But we were not out of range of the guns on
-the frigate, and consequently we were yet in danger.
-
-"Come aft here, you men in the bow!" ordered Mr. Spencer. "She'll row
-better. Here, stir a foot!"
-
-He looked back, and just as he did so there came another puff of smoke.
-I saw the ball smash into the top of a wave, strike the water again, and
-then, slightly deflected, it came right for us. I saw this first, and
-backed water, giving a shout of fear. The men in the bow gave a leap
-forward and tumbled in among us, sprawling over our heads and shoulders,
-and bruising shins and elbows.
-
-If the shot had struck four inches lower we would have been sunk then
-and there. It caught the gunwale forward, just abreast of the grating on
-which the swivel was lashed. The poor fellow pulling the bow oar on that
-side gave a shriek and dropped his oar, clasping both hands about his
-head. I looked back and saw the blood trickling over his shoulders and
-through his fingers. A splinter had almost scalped him. We yawed about
-and shipped the top of a sea, and it looked like the end of matters, for
-we were out away to within eight inches of the water, and the bow badly
-stove and broken.
-
-"Cast loose that gun and heave it overboard, two of you," roared Mr.
-Spencer. "The rest all aft. No! Steady! Debrin, you and Jones keep your
-place, and pull, do ye hear, pull."
-
-I laid back with all my might, and so did the man next to me. The brave
-lad in the bow had recovered from the shock of his flesh-wound, and with
-another fellow cast off the lashings of the swivel and dumped it over
-the side. I can never forget the sight of that gory man working there
-with his broad naked back red from his head to his waist. As soon as it
-was finished he tumbled weakly across the thwart. The men in the
-stern-sheets were baling with their hands, and one was using Mr.
-Spencer's cocked hat with great effect, while Jones and I were giving
-way at top strength and keeping with a great effort the seas from
-broaching us. As the weight was now in the stern, we could ride, bar
-accidents, in half safety. And the oars were taken up again. The bowman
-bent over and tied up his wounded comrade's head with his neckerchief,
-and for this the other thanked him as he might for some slight courtesy.
-But a new terror threatened us.
-
-Two successive shots that had been fired at us during the confusion went
-wide, but now we saw that they were lowering away a great barge over the
-Englishman's side, and that the men were sliding down into her.
-
-"Heigh! Look there! The _Young Eagle_'s coming down to pick us up,
-lads," cried Mr. Spencer, turning about in response to a touch on his
-elbow from the cockswain. "Pull now, and get down to it!"
-
-He headed the long-boat more to the westward, and we could see that the
-_Young Eagle_ had repaired some of her damage, and had tacked in the
-direction we were going. She would have passed almost within range of
-the frigate, but all at once the latter vessel gained sternway (her
-top-sails had been aback for some few minutes), and she worked off the
-bar. Our hopes of rescue fell. Turning on her heel, she made out to meet
-our brig. Now we perceived that the frigate's sides were gashed, and two
-or three of her ports astern had been knocked into one big opening. But
-the barge was after us! Every man rowing in our boat could count her
-strokes. There was no use of making light of it! She was gaining at
-every jump, lifting high above the top of a sea, and now and again
-almost disappearing.
-
-There were twelve good men behind those long white sweeps, and they
-rowed a light boat with speed in her. We were making for the shore now,
-and grunting with the weight we put into every backward swing. Mr.
-Spencer was talking to us after the fashion of a cockswain to a racing
-crew, calling out continually:
-
-"Lift her, boys! That's the ticket! Pull altogether," and so forth.
-
-My mouth grew so dry that I could not swallow, and I could feel my head
-roll backward and forward. Presently I began to row with my eyes shut,
-for it seemed an effort to keep my lids from falling. One of the men in
-the stern began to spatter us with water to refresh us, for the sun was
-blistering hot by this time. The Lieutenant stopped his cackling.
-
-The stroke oars were being helped at their work by two men pushing as
-the rowers pulled. I caught a dim sight of this, and wished that some
-one could lay hold of my sweep with me, for my forearms pained, and I
-felt gone in the pit of my stomach. How long we rowed that way I do not
-know, but suddenly I was awakened, as it were, by hearing Mr. Spencer
-say:
-
-"Lads, you have held your own. Keep at it!" Then in a lower tone he
-added, "Get ready with those muskets."
-
-This speech had called me to my senses, and it was almost with a shock
-of surprise that I found myself keeping up the stroke. My eyes had been
-closed so long that the light dazzled me, and at first I could see
-nothing, but I felt better than I had before I closed them. And now to
-say something that is of interest. A refreshment often comes to a man
-whose muscles have apparently expended all their strength, and thus it
-was with me. I was working on my heart and nerves alone, on the very
-life of me, as it were, and to keep this up too long means ruin; that is
-its limitation. When my eyes could focus, what little breath I had
-almost checked.
-
-There was the English barge _not three hundred yards astern_! A
-despairing look behind me, and I saw that the shore was yet a half-mile
-off. The sea was breaking in little rolls of white on every hand, and we
-were in shoal water that had a peculiar yellowish look. I noticed Mr.
-Spencer kicking off his boots.
-
-I closed my eyes again, for the sweat stung them, and I felt a blackness
-coming over me. But just then the crack of a musket sounded in front of
-me. It was followed by another, and a little action began, for the
-English boat was answering. I was wide-awake once more now, but in a
-dream apparently. The marines would stand up and fire, and then squat
-down and load again. I could hear the English bullets sing past.
-
-"Ouch!" exclaimed the cockswain, all at once, as if he had dropped
-something on his toe.
-
-A ball had struck him on the fleshy part of the thigh, and he sat there
-rubbing it and talking in such a comical way that the man on the thwart
-next to me laughed outright in a hoarse, jarring fashion.
-
-[Illustration: A BREAKING WAVE CATCHING US UNDER THE QUARTER WE ROLLED
-OVER FAIRLY.]
-
-We were in the surf by this time, and the British barge was
-half-pistol-shot away, when No. 5 on the starboard hand fell over in a
-faint; the cockswain got another ball, this time in the wrist, that
-caused him to let go the tiller, and a breaking wave catching us under
-the quarter, we rolled over fairly end for end with a clatter. When I
-came up, there was a tremendous seething and bubbling in my ears, and
-putting out my arm I managed to catch hold of the tiller-hooks of the
-overturned boat, and hung on with all my might.
-
-"Help me!" cried a voice. I looked about, and saw the wounded seaman
-weakly swimming alongside. I extended my hand to him, and observed that
-eight or ten others were holding fast with straining fingers to the
-long-boat.
-
-The English barge was backing in carefully and with skill. We were not a
-cable's length from shore, and making for it hand over hand, swimming
-with the ease of a porpoise, was Mr. Spencer. I knew it was he by the
-gleam of gold lace on his high collar. But the seaman had grasped me so
-tightly that I lost my hold, and there came to me the sense that I was
-drowning, and did not care at all.
-
-[TO BE CONTINUED.]
-
-
-
-
-A FAIRY FÊTE.
-
-BY EMMA J. GRAY.
-
-
-"I'm to be a fairy god-mother to-night," were Mabel's words, as, sitting
-in the large Indian chair, her eyes glistened with anticipation.
-
-"What will you wear?"
-
-"Oh, one of Millie's old costumes. You may remember that three years ago
-she took part in the fairies' dream!"
-
-"Yes, I remember."
-
-"Well, by a little alteration the same frock and wings will do for me."
-
-"Are you to have anything to say?"
-
-"I'm to have everything to say. And I'm to wear a crown with a big star
-in the centre," and up went her hand to indicate the place. "And my
-wings are showered with diamond dust, and my dress--oh-h, it dazzles my
-eyes under gas-light! You ought to see the silver spangles!"
-
-"What's the entertainment for, Mabel?"
-
-"Oh, just to amuse people. It is to be given in Mrs. R's---- parlor. Lots
-of folks will be there. It will be simply gorgeous! You know it's the
-fad now to have a magician or something to entertain one's friends, and
-I'm to be sacrificed to-night."
-
-And then up the merry girl jumped to practise a violin solo.
-
-Every reader of HARPER'S ROUND TABLE is familiar with the tales of Hans
-Andersen and the Brothers Grimm, but it is possible that every one does
-not appreciate what delightful entertainment they would make. Therefore
-when Ralph and Margaret wonder what their league could give to replenish
-the treasury, select an appropriate fairy-tale, and while your committee
-are making the business arrangements, the persons who are to take part
-should be busy with rehearsals, so that when the night of entertainment
-arrives, and the house is packed to overflowing, no one will be covered
-with shame and confusion of face.
-
-Among many wonderful tales worthy of particular mention is "Little Ida's
-Flowers," because it is capable of charming representation and
-necessitates many characters. It may be given at any time of the year.
-
-_Characters:_
-
- LITTLE IDA, _a short girl_.
- STUDENT, _a tall boy_.
- FIRST FAIRY.
- SECOND FAIRY.
- PRIVY COUNCILLOR, _a boy representing a middle-aged man_.
- THE READER, _a girl_.
- YELLOW LILY, _a girl_.
- BLUE CROCUS, _a boy_.
- FLOWERS, _girls and boys_.
- BUTTERFLIES, _girls and boys_.
-
-SCENE FIRST.--A library, showing a table, lamp, easy-chairs, sofa, one
-very high chair representing a throne. Ida, costumed as a little girl,
-walks toward the Student, who is seated on the sofa, and holds towards
-him a bunch of flowers.
-
-[Illustration]
-
-_Ida_. "My poor flowers are quite dead. They were so pretty yesterday,
-and now all the leaves are withered. Why do the flowers look so faded
-to-day?"
-
-_Student_. "Do you know what's the matter? The flowers have been at a
-ball last night, and that's why they hang their heads."
-
-_Ida_. "But flowers cannot dance!"
-
-_Student_. "Oh yes! When it grows dark and we are asleep they jump about
-merrily. Almost every night they have a ball."
-
-_Ida_. "Can children go to this ball?"
-
-_Student_. "Yes, quite little daisies and lilies-of-the-valley."
-
-_Ida_. "Where do the beautiful flowers dance?"
-
-_Student_. "Have you not often been outside of the town gate, by the
-great castle where the King lives in summer, and where the beautiful
-garden is with all the flowers? You have seen the swans which swim up to
-you when you want to give them bread crumbs. There are capital balls
-there, believe me!"
-
-_Ida_. "I was out there in the garden yesterday with my mother, but all
-the leaves were off the trees, and there was not one flower left. Where
-are they?"
-
-_Student_. "They are within the castle. As soon as the King and all the
-court go to town, the flowers run out of the garden into the castle and
-are merry. You should see that. The two most beautiful roses seat
-themselves on the throne, and then they are King and Queen; all the red
-coxcombs arrange themselves on either side, and stand and bow; they are
-the chamberlains. Then all the pretty flowers come, and there is a great
-ball. The blue violets represent little naval cadets; they dance with
-hyacinths and crocuses, which they call young ladies; the tulips and the
-great tiger-lilies are old ladies who keep watch that the dancing is
-well done and everything goes on with propriety."
-
-No sooner is this last word uttered than a sound of music is heard.
-Enter two Fairies, who stand one on either side of little Ida, and
-waving their wands over her, sing:
-
- "Oh, listen, listen! your eyes shall glisten
- With pleasure and love and jubilee."
-
-_First Fairy_. "She looks surprised."
-
-_Second Fairy_. "She has dropped her flowers."
-
-_First Fairy_. "She would better sit down."
-
-_Second Fairy_. "Follow me."
-
-Whereupon Ida follows the Second Fairy's lead, who waves her to a seat
-by the Student's side, and immediately the fairies walk to the opposite
-end of the room. As they walk gay music is heard louder and yet louder,
-and in run the Flowers, as the Student has described, the two most
-beautiful roses seating themselves on the tall chair which represents
-the throne.
-
-This scene will allow for a large number of girls and boys, and each
-should be costumed so that no one can make mistake as to what flower
-they are exhibiting. When all are in the room dancing begins, and
-continues for half an hour; as the Flowers retire they make obeisance to
-the King and Queen. And all having now gone but the Fairies, the King
-asks the First Fairy to dance with him, and the Queen the Second Fairy
-to dance with her, and after a short dance they also retire, and Ida and
-the Student are again alone.
-
-_Ida_. "But is nobody there who hurts the flowers for dancing in the
-King's castle?"
-
-_Student_. "There is nobody who really knows about it."
-
-_Ida_. "Can the flowers out of the botanical garden get there? Can they
-go a long distance?"
-
-_Student_. "Yes, certainly. If they like they can fly. Have you not seen
-the beautiful butterflies--red, yellow, and white? They almost look like
-flowers, and that is what they have been."
-
-[Illustration]
-
-Once again gay music is heard, and in come the fairies dancing, followed
-by a train of dancing butterflies, costumed in red, yellow, and white.
-After dancing for ten minutes the butterflies retire, and the fairies
-wave their wands to Ida and the Student, and sing,
-
- "We be fairies of the wood,
- And spend our time, on doing good."
-
-Then they immediately touch their wands to the floor, and the First
-Fairy draws a ring at the feet of Ida, and the Second Fairy at the feet
-of the Student, and then they retire.
-
-_Ida_. "How can one flower talk to another? For you know flowers cannot
-speak."
-
-_Student_. "That they cannot, certainly; but then they can make signs.
-Have you not noticed that when the wind blows a little the flowers nod
-at one another, and move all their green leaves? They can understand
-that just as well as we when we speak together."
-
-_Ida_. "That is funny." And she laughs.
-
-Enter the Privy Councillor, who has come to pay a visit, and sits down
-on the sofa by the Student's side.
-
-_Privy Councillor_. "How can any one put such notions into a child's
-head? They are stupid fancies!"
-
-_Ida_. "What the Student told about the flowers seemed very droll." And
-picking up her nosegay, which had been scattered over the floor, she
-looks tenderly on it while saying, "The flowers are tired because they
-have danced all night." And then walking to a table on which stands a
-doll's bed, she lays them in and puts the coverlet over them. The whole
-evening through she can not help but think of what the Student has told
-her.
-
-SCENE SECOND.--Ida's bedroom. Ida in bed. The night-lamp burning on the
-table.
-
-_Ida_. "I wonder if my flowers are still lying in the doll's bed? How I
-should like to know!" She raises herself a little, and looks at the
-door, which stands ajar. Within lie the flowers. Ida puts her head down
-on her pillow.
-
-[Illustration]
-
-Enter two Fairies. They walk directly to her bed, and stand one on
-either side of Ida's head, slowly waving their wands over her. Piano
-music is softly played, and Ida goes to sleep.
-
-An unseen person now reads the following dream, which may be acted as
-far as is deemed advisable:
-
-"Ida listened, and then it seemed to her as if she heard some one
-playing in the next room. Now all the flowers are certainly dancing in
-there! 'Oh, how glad I should be to see it!' But she dared not get up.
-
-"'If they would only come in,' thought she. But the flowers did not
-come, and the music continued to play beautifully. Then she could not
-bear it any longer, for it was too pretty. She crept out of her little
-bed, and went quietly to the door and looked into the room. Oh, how
-splendid it was!
-
-"There was no night-lamp burning, but still it was quite light; the moon
-shone through the window in the middle of the floor. All the hyacinths
-and tulips stood in two long rows. On the floor all the flowers were
-dancing very gracefully round one another, making perfect turns, and
-holding one another by the long green leaves as they swung round. But at
-the piano sat a great yellow lily, which little Ida had certainly seen
-in summer, for she remembered its manners in playing, sometimes holding
-its long yellow face to one side, sometimes to the other, and nodding in
-tune to the music. (Enter a tall girl, representing a yellow lily.)
-
-"No one noticed little Ida. Then she saw a great blue crocus hop into
-the middle of the table where the doll's bed stood. (Enter a boy,
-costumed to represent a blue crocus.)
-
-"There lay the sick flowers, but they got up directly and nodded to the
-others to say that they wanted to dance too.
-
-"Then it seemed as if something fell down from the table. Ida looked
-that way. It was the birch rod which was jumping down! And a wax doll,
-with just such a broad hat as the Councillor wore, sat upon it. The
-birch rod hopped about among the flowers, for it was dancing the
-mazourka; and the other flowers could not manage that dance because they
-were too light and unable to stamp like that.
-
-"The wax doll on the birch rod all at once became quite great and long,
-and said: 'How can one put such things in a child's head? Those are
-stupid fancies.' And then the wax doll was exactly like the Councillor
-in the broad hat, and looked just as yellow and cross as he. But the
-flowers hit him, and then he shrank up again and became quite a little
-wax doll. That was very amusing to see, and Ida could not restrain her
-laughter. The birch rod went on dancing, and the Councillor was obliged
-to dance too; it was no use, he might make himself great and long, or
-remain the little yellow wax doll with the big black hat. Then the other
-flowers put in a good word for him, and the birch rod gave over.
-
-"Then the door opened and a great number of splendid flowers came
-dancing in. (Enter roses of all sorts and Butterflies, dancing.)
-
-"Ida could not imagine whence they had come; these must certainly be all
-the flowers from the King's castle. First of all came two glorious
-roses, and they had little gold crowns on; they were a King and a Queen.
-Then came the prettiest coronations, and they bowed in all directions.
-Great poppies and peonies blew upon pea-pods till they were quite red in
-the face. The blue hyacinths and the little white snowdrops rang just as
-if they had bells. All danced together, and all the flowers kissed one
-another. It was beautiful to look at.
-
-"At last the flowers wished one another good-night."
-
-No sooner is good-night uttered than the Fairies motion to the flowers
-to keep perfectly still, and point their wands at Ida.
-
-_First Fairy_. "She sleeps, her breathings are not heard."
-
-_Second Fairy_. "Her fragrant tresses are not stirred."
-
-_First Fairy_. "Hasten hither, King and Queen."
-
-_Second Fairy_. "Roses, sweet that we employ."
-
-And immediately the quartette step to the front of the stage and sing a
-good-night song.
-
-At the close of which all dance--even Ida, who wakens by the jollity.
-
-Exeunt.
-
- * * * * *
-
-A GOOD TIMEPIECE.
-
-Here is a fish story, for the truth of which we cannot vouch, but which
-all fishermen young or old will enjoy. It comes from an English journal,
-the Northampton _Daily Reporter_.
-
-Last spring, while a party of tourists were fishing "up North," a
-well-known lawyer lost his gold watch from the boat in which he was
-sitting. Last week he made another visit to the lakes, and during the
-first day's sport caught an eight-pound trout. His astonishment can be
-imagined, when he found his watch lodged in the throat of the trout. The
-watch was running, and the time correct. It being a "stem-winder," the
-supposition is that in masticating his food the fish wound up the watch
-daily.
-
-
-
-
-THE NEW YEAR.
-
-
- The clock struck twelve in the tall church tower,
- And the old year slipped away,
- To be lost in the crowd of phantom years
- In the House of Dreams that stay
- All wrapped in their cloaks of gray.
-
- Then swift and sweet o'er the door's worn sill
- Came the youngest child of Time,
- With a gay little bow and a merry laugh,
- And a voice like bells achime,
- Challenging frost and rime.
-
- He found there was plenty for him to do,
- The strong and the weak were here,
- And both held out their hands to him
- And gave him greetings dear,
- The beautiful young new year.
-
- "You must bring us better days," they said,
- "The old year was a cheat."
- Which I think was mean when the year was dead;
- Such fate do dead years meet,
- To be spurned by scornful feet!
-
- "I bring you the best a year can bring,"
- The new-comer stoutly spake,
- "The chance of work, the gift of trust,
- And the bread of love to break,
- If but my gifts you'll take!"
-
- The noblest thing a year can lay
- In the lap of you or me,
- The brave new year has brought this day,
- It is Opportunity,
- Which the wise are quick to see.
-
- MARGARET E. SANGSTER.
-
-
-
-
-SAVING A TORPEDO-BOAT.
-
-ONE OF THE OLD SAILOR'S YARNS.
-
-BY W. J. HENDERSON.
-
-
-It was a day of southwesterly weather, one of those days on which shower
-follows shower across the murky and writhing sky, and the air feels like
-water atomized. The boys had grown tired of sitting in the house, and
-having donned oil-skins and rubber boots, they had gone down to the pier
-in hope of seeing some interesting sight at sea. They found the Old
-Sailor in his favorite position, and sat down beside him. He too was
-clad in oil-skins, and was shaking his head in solemn discontent because
-he could not get a good view of the ocean. The sea-water was quite cold
-and the rain was much warmer; consequently the surface of the great deep
-was covered with a wavering veil of light gray mist, through which the
-eye could not penetrate more than two hundred and fifty yards.
-
-A few minutes after the boys sat down another thunder-storm broke, and
-rain fell in torrents. The lightning flashed fiercely and the thunder
-bellowed mightily. Suddenly, in the very height of the tumult, out of
-the curtain of the gray mist came a wild, unearthly shriek, rising in
-pitch and intensity each second. The boys started to their feet, pale to
-the lips, and gazing at the Old Sailor with appealing eyes. The next
-instant a long, low, lean, olive-colored hull shot out of the mist. From
-two funnels, one forward and one aft, great streamers of oily black
-smoke went swirling away over the stern, while under the bows a snowy
-jet of gleaming spray spurted high along the craft's sides. From her
-crouching stern the water sprang outward and upward in a boiling wave,
-lashed into silver and emerald by the whizzing screws. She shot past the
-end of the pier, not a hundred yards away, with her whistle shrieking
-wildly as she went. The boys had barely time to catch the outline of her
-and to see the crouching figure of the seaman who tried to peer into the
-mist ahead of her, before she had hissed out of sight, and left only the
-troubled wake to tell the story of her passage.
-
-"What was that?" gasped Henry, when he could catch his breath.
-
-"That, my son," said the Old Sailor, solemnly, "were the United States
-torpedo-boat _Cushing_, bound fur Sandy Hook, an' no time to spare."
-
-"But I should think she'd be in danger of running into some vessel."
-
-"Oh, they can stop her an' back her in twice her own length," said the
-Old Sailor.
-
-"But why does she go so fast?" asked George. "Do they wish to get out of
-the rain?"
-
-"No, I reckon they ain't afraid o' rain," said the Old Sailor, with a
-grave sidewise movement of his head. "But mebbe she are in the same fix
-as the torpedo-boat _Hop-lo_ were at the battle o' Yalu, w'ich the same
-I were her bosun's mate, an' also, moreover, kep' her from sinkin'."
-
-"Oh, tell us about that!" exclaimed George.
-
-"W'ich are the werry identical thing wot I'm agoin' fur to come fur to
-do. It so happened as how I were in Hong-kong w'en that misfortinate
-disagreeability atwixt China and Japan come to a head. Pussonally I
-'ain't never had no werry high respeck fur a Chinaman, but w'en I
-l'arned as how my friend Li Hung-Chang were a-offerin' double wages an'
-double prize-money fur American sailors to ship in the Chinese navy,
-w'y, sez I to myself, sez I, 'Ef I don't get killed, a Chinaman's money
-are as good as a Jap's, an' there's twicet as much on 't; an' ef I do
-get killed, w'y, I reckon as how I won't be no deader under one flag
-than under t'other.' An' with that I ups an' I ships. An' they orders me
-to a bloomin' torpedo-boat.
-
-"I won't say as the _Hop-lo_ weren't a werry good boat, though she'd
-orter been called the Hop-hi, seein' as she were a thirty-knot boat, one
-o' the best ever built by old Thorneycroft in England. She looked a good
-deal like this 'ere _Cushing_ wot jes scooted past, 'ceptin' as how she
-were higher in the bows an' used to get more down by the stern w'en she
-were goin' fast, w'ich the same it were owin' to that I saved her. As I
-said afore, it were at the battle o' Yalu wot it happened. I ain't
-agoin' far to make no circumstigious attempt fur to tell the story o'
-that battle; 'cos w'y, w'en you're into a battle you don't know nothin'
-'bout it. All I knowed was that the torpedo-boats in gineral was
-a-cruisin' around outside o' the battle-ships, like so many porpoises in
-the wake o' whales. The Admiral, w'ich the same I could see him without
-glasses, were a-prancin' around on one leg an' sendin' up signals every
-minute. Waal, the fight was on putty soon, an' ye couldn't see a thing
-'ceptin' smoke. The noise o' them big guns was enough to skeer ye blue,
-but that are not wot I started out fur to tell ye. We got orders fur to
-launch a torpedo at one o' the Japanese battle-ships, an' we went an'
-done it. Wot that there torpedo hit I never rightly knowed--but it
-didn't hit that battle-ship. But she hit us with one o' her five-inch
-guns right under the starboard bow an' blowed a bloomin' big hole below
-our water-line.
-
-[Illustration: "WEI! WEI! WE GO DLOWNEE NOW ALLEE SAMEE STONEE!"]
-
-"'Wei! Wei!' yells the Cap'n, a pug-faced Chinaman with one eye. 'We go
-dlownee now allee samee stonee! Wei! Wei!'
-
-"An' with that the hull crew took to catterwaulin' an' squealin' like a
-lot o' pigs at feedin'-time.
-
-"'Avast there, ye leather-faced slobs!' sez I to them, sez I. 'Run the
-bloomin' boat on the beach!'
-
-"'Melican man biggee foolee!' screamed the Cap'n. 'Beachee allee samee
-twently mile.'
-
-"'Waal, go ahead, anyhow!' sez I to he, sez I, 'an' don't be layin'
-still here. They'll shoot your bloomin' boat full o' holes an' make a
-marine sponge out o' her,' sez I, jes like that, him bein' Cap'n with
-epaulets on, an' me a bosun's mate with nothin' finer 'n a quid o'
-'baccy. Werry good. I rings the bell myself an' the engineer starts her
-ahead full speed. It weren't two minutes afore we was out o' the wust o'
-the fight, but them there Chinks was still scared blue. Nex' minute they
-was scared bluer than ever, fur up comes a feller yellin' like a Bowery
-boy at a four-story fire:
-
-"'We sinkee! Sinkee!'
-
-"'Wei! Wei!' screamed the Cap'n; 'we sinkee; allee samee sharkee eat us!
-Wei! Wei!'
-
-"'Shut up, ye doughnut-headed son of a sea-cook!' sez I to he, sez I.
-'What makes ye think we'll sink?'
-
-"'Watee comee in chop-chop; allee samee whole ocean come! Welly bad!
-U-u-u-gh!'
-
-"'Wei! Wei!' begin the Cap'n agin, jumpin' up an' down like he thought
-he was a jig-dancer in a variety show.
-
-"'Stow yer jaw-tackle there, ye moon-eyed monkey!' sez I, to he, sez I,
-me havin' lost my respeck for him, though he were a Cap'n an' wore a
-sword, w'ich the same it didn't cut no ice. 'Man the pumps, ye batherin'
-screechers!'
-
-"Waal, o' course that weren't edzackly the right kind o' order to give;
-'cos w'y, she were a modern torpedo-boat an' her pumps was run by steam;
-but anyhow it started 'em goin'. Chunk-chunk! chunk-chunk! chunk-chunk!
-they pounded along fur a little while, and then one on 'em stopped all
-on a suddent, with a big crack.
-
-"'Wei! Wei!' squeals the Cap'n.
-
-"'Shut up, ye molasses-colored parrot!' sez I to he, sez I, 'or I'll
-stick ye into one o' yer own torpedo-tubes an' pull the string.'
-
-"'Melican man welly wicked,' he muttered, as he walked forward.
-
-"'Wot are the matter below there?' sez I.
-
-"'Pumpee brokee!' hollered the engineer.
-
-"'Both on 'em?'
-
-"'No, only onee. He heap much brokee. No go any moree.'
-
-"'Keep the other one at it,' sez I.
-
-"Then I goes down below myself fur to see where the bloomin' trouble
-were. Waal, it were not no cheerin' sight wot I seed down there. The
-water sartainly were a-pourin' into the blessed old pot at a werry
-discouragin' gait, and the one pump were not able for to gain any ground
-on it. So sez I to myself, sez I, 'I got to git this 'ere water out o'
-her somehow, or else I'm agoin' to git more water 'n I want myself.' So
-sez I, 'How are I going fur to persuade this 'ere water fur to run out
-o' this 'ere weasel?' An' the werry minute I sez it, I seed how 'twere
-to be done. I jumps on deck an' I sings out fur the crew o' the
-three-pounder rapid-fire gun.
-
-"'Stan' by here, ye clay-colored scaramouches, an' git the gun below!'
-
-"'Wei! Wei!' begins the Cap'n, and with that I ups an' grabs him by the
-pigtail. I hauled him forrad an' I made him fast by that pigtail to the
-ring o' the starboard anchor.
-
-"'Now,' sez I, 'ye howlin' son o' darkness, if I hear another sound out
-o' ye, I'll heave to an' let go the anchor.'
-
-"'Melican man welly wicked,' he moaned.
-
-"I got the gun down into the hold of her, an' I run it away aft. Then I
-loaded it an' p'inted it at the lowest part of her starn. The haythen
-set up a werry commojious amount o' weepin' an' whoopin' w'en they seed
-wot I were a-doin'; 'cos w'y, they thort it would make two holes an'
-sink the boat jes that much faster. But I pulled the trigger an' blowed
-a bloomin' big hole into her starn right alongside o' the rudder-post
-an' underwater. The water did come in right off, an' the Chinks broke
-fur the deck an' commenced to cast off the boat falls. I stood at the
-door o' the fire-room, an' sez I to the engineers an' firemen, sez I:
-
-"'Turn her up to her hottest gait, an' mind that I'll shoot the first
-man that leaves his post.'
-
-"W'ich the same I would 'a' done it; 'cos w'y, they might as well 'a'
-ben shot as drownded.
-
-"'Now, ye gallopin' haythen,' sez I to they, sez I, 'shovel coal fur yer
-lives. Hop, now, hop! Fill the furnaces full; put a ton o' lead on the
-safety-valve; turn on the forced draught, an' turn up the screws till
-they make the water hot astarn on us.'
-
-"Waal, my sons, ye never in all yer born days seed any such hustlin'. It
-warn't fifteen minutes afore they had the furnaces red-hot, an' the
-screws was agoin' round at the rate o' a hundred an' thirty-seven turns
-a minute. It took the wessel a little while to git agoin', but in ten
-minutes she were a-vibratin' like a fiddle-string, so that she jes
-actooally hummed like one. An' go! Waal, ye 'ain't never seed nothin'
-like it in water. W'y, the waves goin' past her looked like the tracks
-o' one o' Farmer Hulick's harrows. Then my scheme beginned fur to work.
-I told ye that the _Hop-lo_ always went down by the starn when she got
-to goin' fast, didn't I?"
-
-"Yes," answered both boys.
-
-"Waal, that were what I were countin' on partly--that an' her speed. The
-water inside o' her commenced fur to run out o' the hole wot I'd blowed
-in her starn. More come in the hole forrad an' flowed aft, so w'en she
-got to goin' at a twenty-five-knot gait, wot come in forrad couldn't
-stop; but jes ran right through her an' out the hole in the starn. The
-faster she went the faster the water went through her, but it couldn't
-stop inside, an' so it didn't get no deeper. Say, ye ort to seed the
-faces o' them Chinamen w'en they seed how my scheme were a-workin'! W'y,
-them fellers mos' killed theirselves a-heavin' coal on an' keepin' her
-goin' faster an' faster. The Cap'll he come down below, looked at the
-water a-runnin' through her, an' sez he to me, sez he,
-
-"'Melican man biggee head.'
-
-"'Werry good,' sez I to he, sez I; 'but wot I want o' you is silence,
-an' that o' the werry quietest sort.'
-
-"'Allee lightee,' sez he.
-
-"'Now,' sez I, 'you stay down here an' keep these bloomin' engineers an'
-firemen at work, an' I'll go an' do the navigatin'.'
-
-"So I left him there, an' I went up an' headed the boat fur the port o'
-Yu-hi, where I knowed there were a ship-yard an' we could git hauled out
-an' repaired. An' in an hour the bloomin' harbor were right over our
-bow. An' now I were puzzled agin; 'cos w'y, ef I stopped her she'd sink,
-an' ef I run her onto the beach the way she were agoin', I'd smash her
-all to splinters no bigger'n rope-yarns. While I were a-walkin' around
-on the deck an' a-worryin', I tuk a look ahead through the marine-glass,
-an' blow me fur a pickled oyster ef I didn't see the werry way out o' my
-trouble."
-
-"What was it?" asked Henry, excitedly.
-
-"A marine railway wot they hauls out wessels on fur to repair 'em. There
-wasn't nothin' on to it, an' there was the rails runnin' with a nice
-slant right down into the water. Waal, I headed her right fur it, an' I
-opened up the whistle an' let out a yell that would wake the town.
-People came out runnin' like they was crazy, an' wavin' their hands fur
-me to stop her; but I didn't pay no 'tention. I hadn't time fur to stop.
-I put my head down the hatchway an' yelled,
-
-"'All hands on deck!'
-
-"Up come the blatherin' chinks a-fallin' all over each other, an' w'en
-they seed how we was headin', they squealed dreadful.
-
-"'Wei! Wei!' sez the Cap'n.
-
-"An' bein' tired o' that, I jes ketched him by the pigtail an' swung him
-overboard an' let him swim ashore. The next minute we struck the marine
-railway head on, going square atween the rails, jes as I counted to do.
-An' o' course we skated our whole length right up the tracks.
-
-"'Over all hands?' I yelled.
-
-"The Chinamen came to life an' seemed to understan', fur over they went,
-an' had chocks under her quicker'n ye could say 'ahoy'; an' there she
-were, comf'able an' snug as an old woman in bed, with all the water run
-out o' her, an' nothin' to do but to plug up the holes an' get to sea
-agin. But d'ye s'pose them bloomin' beggars was grateful to me, fur wot
-I done fur 'em? Not a bit. They court-martialled me fur firin' on my own
-wessel."
-
-
-
-
-[Illustration: INTERSCHOLASTIC SPORT]
-
-
-The All-Boston Interscholastic Football Team for 1896 is as follows:
-
- J. W. HALLOWELL, _Hopkinson's_ end.
- F. GILLISPEE, _Brookline High_ tackle.
- F. W. LOWE, _Boston Latin_ guard.
- F. R. HUTCHINS, _Brookline High_ centre.
- O. TALBOT, _Brookline High_ guard.
- W. D. EATON, _English High_ tackle.
- E. W. MANAHAN, _English High_ end.
- G. A. SAWIN, _Cambridge Manual_ quarter-back.
- W. B. BOYCE, _Brookline High_ half-back.
- CATO THOMPSON, _Cambridge Manual_ half-back.
- A. STILLMAN, _Hopkinson's_ full-back.
-
-[Illustration: E. W. MANAHAN, End.]
-
-[Illustration: F. W. LOWE, Guard.]
-
-[Illustration: W. B. BOYCE, Half-back.]
-
-[Illustration: F. GILLESPIE, Tackle.]
-
-[Illustration: OLIN TALBOT, Guard.]
-
-[Illustration: G. A. SAWIN, Quarter-back and Captain.]
-
-[Illustration: W. D. EATON, Tackle.]
-
-[Illustration: J. W. HALLOWELL, End.]
-
-[Illustration: A. STILLMAN, Full-back.]
-
-[Illustration: C. M. THOMPSON, Half-back.]
-
-[Illustration: F. R. HUTCHINS, Centre.]
-
-The substitutes are W. Murphy, English High, end; C. W. Jaynes,
-Hopkinson's, tackle; C. Shea, Hopkinson's, guard; R. Hazen, Cambridge
-Manual, centre; E. F. Sherlock, English High, quarter-back; G. L.
-Huntress, Hopkinson's, half-back; T. F. Teevens, Boston Latin,
-full-back.
-
-In picking a representative All-Boston Team the first consideration
-given to the individual has been his ability to play his position as
-near perfection as it is proper to expect. The player who has displayed
-the most talent in this direction has earned the title to become a
-member of this team. To reach a standard above the average an All-Boston
-player must necessarily have the essential qualities that define a
-football expert--namely, courage, pluck, reliance, and a true conception
-of collective strength.
-
-For quarter-back, that most important position so difficult to fill
-satisfactorily, there is only one choice, and that is George A. Sawin,
-of Cambridge Manual. He has exemplified the execution of accurate
-passing and the propagation of complicated trick plays, born of natural
-aptitude and experience. Cambridge Manual was reputed to have the most
-intricate formation plays of any team in the league, and their ultimate
-successful completion depended entirely on Sawin's steadiness. That he
-never slipped up was proved by the prosperity that attended the team.
-Sawin's station on the defence is directly behind the centre, where he
-can close up holes at either side of the pivot of the line. As a tackler
-his real value is felt, for he backs up the line and makes it
-impregnable. Sawin has done all the punting for his team, and whenever a
-kick was wanted he exchanged places with a half-back to receive the
-ball. His long punts were constantly commented on, and no one in the
-league excelled him.
-
-The command of the team should also be assumed by Sawin, not alone
-because of his point of vantage in the field, but for his excellence as
-a strategist, and as a leader who inspires confidence in his players,
-and exacts their respect.
-
-The centre of the line can well be taken care of by Hutchins of
-Brookline, who, for a centre, has been unusually active throughout the
-season. He has outclassed every centre that faced him, though outweighed
-in many cases. His football personality lies in his strength to make a
-pathway for a rusher and his conspicuousness in tackling back of the
-line.
-
-No one guard has given evidence of having star abilities, and there are
-several ranking on about the same plane. Talbot of Brookline High, who
-was substitute on last year's All-Boston team, is inferior to nobody
-now, and easily takes a permanent place. He has had excellent coaching
-from an old Harvard guard all the season, and it is no wonder that he
-exhibits all the capabilities of a finished guardsman. For the other
-guard the competition is much closer, but should go to Captain Fred
-Lowe, of Boston Latin, who has had three years' experience, and in that
-time has always stood at the front.
-
-There is no disputing the fact that the tackle positions belong to Eaton
-of English High and Gillispee of Brookline High. Eaton was a member of
-the All-Boston team a year ago as guard, but exigencies arising, he was
-moved to tackle, and his all-round proclivities cropped out there, where
-he has played the same aggressive, straight-forward game that
-characterized him in '95. As a rushing linesman he can claim superiority
-over any man who stood on the scholastic gridiron this fall.
-
-Gillispee of Brookline High has proved his worth as a tackle as the
-season advanced. He has earned his position by hard, untiring effort,
-and in every game he has been prominent in smashing interference and
-making his position invulnerable.
-
-With Hallowell, of Hopkinson's, and Manahan on the ends, the team would
-have an almost perfect line. Hallowell occupied a similar position last
-year, and has sustained his reputation this season. He was the most
-difficult end in the league to circle, for he can wade through the most
-compact interference and nail the runner.
-
-Manahan has played tackle all the year, but this was because he found a
-better end player than a tackle. His position is end, where he
-demonstrated last season his talents, and where he should have been this
-fall. As it was, he played an excellent game at tackle, although
-generally handicapped by the weight of his opponent. The players in this
-team to whom the burden of rushing the ball would fall are Cato
-Thompson, Cambridge Manual, Walter B. Boyce, Brookline, and A. Stillman,
-Hopkinson's.
-
-Thompson and Boyce, the half-backs, are good at line-breaking or end
-plays. The former is especially clever at sprinting around the
-extremities of the line, and has exceptional speed. Boyce is the best
-individual back in the association, and his bucking the line has been
-Brookline's chief mode of gaining ground. Both players are fine
-defensive workers, and would aid Sawin on the line. Stillman gets placed
-not so much for his rushing game as his fearless punting. He can always
-be relied upon to follow his interference closely, and goes into a hole
-like a shot. Teevens of Boston Latin pushes Stillman for the position,
-as he is the surer at gaining through the line.
-
-The following tables complete the records of the New York, Connecticut,
-and Cook County football leagues:
-
-N.Y.I.S.A.A. FOOTBALL CHAMPIONSHIP.
-
- SECTION I.
-
- Games Games Games Points Points
- won. lost. tied. won. lost.
- De La Salle 2 1 1 26 16
- Berkeley 1 1 1 30 14
- Barnard 1 2 0 12 32
-
- SECTION II.
-
- Trinity 2 0 0 50 0
- Dwight 1[1] 2 0 8 42
- Cutler 1 2 0 10 8
-
-[1] This game was won by default from Cutler.
-
-FINAL CHAMPIONSHIP GAME.
-
- De La Salle 2--Trinity 0
-
-SCORES OF GAMES PLAYED.
-
- De La Salle 4--Barnard 6
- De La Salle 6--Berkeley 6
- De La Salle 6--Berkeley 0
- De La Salle 10--Barnard 4[2]
- De La Salle 2--Trinity 0
- Trinity 32--Dwight 0
- Trinity 18--Cutler 0
- Berkeley 24--Barnard 2
- Cutler 10--Dwight 8
- Cutler 0--Dwight 6[3]
-
-[2] An all-round tie in Section I. necessitated a play-off, but as
-Berkeley forfeited, this was the only game played.
-
-[3] Won by Dwight by default.
-
-COOK COUNTY FOOTBALL LEAGUE.
-
- T
- o
- u
- G c
- o h S
- a - a
- l d f
- s o e
- w t
- f n i
- r s e
- o s
- m f
- a B
- T i y P
- o l P o G
- u i O o i G a
- c n p i n a m
- h g p n t m e
- - o t s e s
- d G n s s
- o o e l l
- w a n W o w o
- n l t o s o s
- s s s n t n t
-
- Englewood 12 3 .. 118 12 9 0
- Hyde Park 14 11 .. 128 54 8 1
- Lake View 11 4 .. 40 16 6 2
- Evanston 11 4 .. 82 50 5 3
- North Division 17 6 .. 126 72 5 4
- English High 3 1 .. 22 24 4 5
- Northwest Division 3 1 .. 22 86 3 6
- Manual-Training 1 1 .. 10 78 2 7
- Oak Park 6 3 .. 48 142 1 8
- West Division 0 2 .. 8 84 1 8
-
-CONNECTICUT I.S.F.B.A.
-
-NORTHERN DIVISION.
-
- October 31--New Britain H.-S., 42; Hartford H.-S., 6.
- November 7--New Britain H.-S., 50; Norwich[4] F. A., 0.
-
-SOUTHERN DIVISION.
-
- October 31--Meriden H.-S., 54; Hillhouse H.-S., 12.
- October 31--Bridgeport H.-S., 12; Waterbury H.-S., 8.
- November 7--Meriden H.-S., 20; Bridgeport H.-S., 12.
-
-CHAMPIONSHIP GAME.
-
- November 14--New Britain H.-S., 30; Meriden H.-S., 6.
-
-[4] On October 31 Connecticut Lit. Inst. forfeited to Norwich F. A.
-
-[Illustration: TRINITY SCHOOL FOOTBALL TEAM, OF NEW YORK.]
-
-The Trinity School Football Team this year was the strongest that that
-school has ever put into the field; and although it did not win the New
-York championship, it made an enviable record for itself during the
-season. Thirteen games in all were played as follows:
-
- Trinity 10--Yonkers High-School 0
- Trinity 28--St. Austin's School 0
- Trinity 4--Montclair High-School 2
- Trinity 44--Packard Business College 4
- Trinity 0--St. Paul's School 30
- Trinity 6--Rutger Prep. School 0
- Trinity 10--Staten Island C. C., 2d team 6
- Trinity 0--Princeton Prep. School 10
- Trinity *32--Dwight School 0
- Trinity *18--Cutler School 0
- Trinity * 0--De La Salle School 2
- Trinity 10--Columbia Freshmen 0
-
-The contests marked with a star were games played in the New York
-Interscholastic championship series.
-
-For the first time in several years the Trinity players this season had
-a regular coach, to whom much of the credit of their success is due. The
-'95 team knew nothing of systematic interference, whereas this year's
-eleven was well trained in that branch of the sport, and developed a
-special strength on end plays. Only four of the '95 team returned to
-school this fall. These were Page, centre; Brown, left guard; Stromeyer,
-left half-back, and O'Rourke, full-back. Page and Brown were moved to
-tackles, and proved efficient in those positions.
-
-On looking over the new material at the beginning of the season Captain
-O'Rourke found that he had an abundance of men capable of playing end
-and back, but there were not many heavy players for the centre of the
-line. Consequently in the early games Trinity's opponents made most of
-their advances through the centre; but this weakness was finally
-remedied, and the eleven developed a strong defence. With the experience
-acquired this season next year's eleven should prove particularly
-strong.
-
-With the great development of football among all the schools, it has now
-come to be an important matter with the colleges to keep track of the
-scholastic players, and to depend upon them for material for the
-university elevens. In connection with this it is interesting to look
-over a list of the graduating football-players which has been recently
-compiled.
-
-Beginning with the New York League we find that of the seven members of
-the Berkeley team who graduate next spring, Bien, Gilson, and Rice will
-go to Yale, Walker and Hasbrouck will go to Columbia, Wiley will enter
-Princeton, and Pell will not go to college at all. From the Cutler team
-Yale will get Kimball, Kip, and Lee, Harvard will get Hoffman and Sands,
-and McElroy will go to Columbia. Columbia will get four men from
-Drisler's eleven--Agate, Ballin, Furnald, and Wolff. Columbia also gets
-Brooks from Hamilton Institute; and from the same school Carey will go
-to Princeton, and Foster to Technology, Boston. Of the Dwight
-football-players, Bogart, Cameron, McCord, and Vinton go to Yale, Adler
-to Pennsylvania, Slawson to Princeton, and Eickemeyer to Columbia. From
-the champion team of De La Salle only two go to college--Tilford to
-Yale, and Bennett to Manhattan College.
-
-Not so many men go to college from the Long Island League. Pratt
-Institute will send Bowie and Warner to Cornell, and Nevins to Columbia.
-Brooklyn Latin will send three men to Harvard--Lawrence, E. Motley, and
-J. L. Motley; Auchincloss, Brown, and Hoppin will go to Yale. From the
-championship team of St. Paul's, Garden City, Loraine, Symonds, and
-White will enter Harvard; and Cluett will go to Yale.
-
-The Connecticut League will naturally send more football-players to Yale
-than to any other college. From Hotchkiss School six men will go down to
-New Haven--Hixon, Hoysradt, Montague, Noyes, Reynolds, and Savage. Two
-of the substitutes of the team, Coy, also a tennis-player, and
-Robertson, will likewise go to Yale. Fincke, football man and tennis
-champion, will go to Harvard. From the Hartford High-School Wood goes to
-Cornell; and Cutter, Gibb, Hanford, and Lockwood go to Yale. From
-Meriden Hubbard will go to Yale, and also possibly Gibson and Lane;
-Collins will enter Tufts College. From the champion New Britain team
-Yale will get Buckley, Corbin, and Flannery.
-
-From other schools not in any of the large interscholastic leagues the
-larger colleges will also get a number of good men. From Andover, Yale
-will get Holladay, Swift, Wheeler, and White, and also one or more
-substitutes. Exeter will probably send three players to Harvard. From
-Lawrenceville, Cadwalader, Dudley, and Richards go to Yale; Loy and
-Mattis to Princeton. From the football team of St. Paul's, Concord,
-Henderson and Hollingsworth will enter Harvard; Vredenburg will go to
-Princeton; and Yale will get Campbell, Phipps, and Richardson, besides
-three or four substitutes of the team. Groton will send six
-football-players to Yale--Allen, Gillett, Smith, Strong, Twichell, and
-Whaples. Sturtevant will go to Trinity.
-
-From St. Mark's, Southboro', Harvard will receive Wittemore; Technology
-of Boston will get Adams; while Hare and Nash will go to Yale.
-Westminster School will probably send six of the players of its team to
-Yale--Fabbri, Knapp, McLean, Nisbet, Scott, and Wells. From the Hill
-School only two of the first football team graduate--Keifer, who will go
-to Yale, and Fincke, who is undecided. Taft's School will send seven of
-its football men to New Haven--Bell, Barnett, Lear, Merriman, Townshend,
-Welch, and White.
-
-"FOOTBALL FACTS AND FIGURES."--BY WALTER CAMP.--POST 8VO, PAPER, 75
-CENTS.
-
- THE GRADUATE.
-
-
-
-
-ADVERTISEMENTS.
-
-
-
-
-[Illustration: ROYAL BAKING POWDER]
-
-If you wish
-
-the lightest,
-
-sweetest, finest
-
-cake, biscuit and bread,
-
-ROYAL
-
-BAKING POWDER
-
-is indispensable
-
-in their preparation.
-
-ROYAL BAKING POWDER CO., NEW YORK.
-
-
-
-
-QUESTIONS FOR YOUNG MEN.
-
-ON DRESS.
-
-
-There is a certain professor in a certain university of the United
-States who once, at the beginning of one of his lectures on fine arts,
-got on the subject of the kind of pins worn in the neck-ties of young
-college men. He was a good lecturer, and was always interesting, but
-this lecture was the most interesting of his course to the three hundred
-boys who heard him, and the whole hour was spent on neck-tie pins, their
-use and misuse, and what they suggested. The gist of what he said was
-that there was no more reason why a boy should wear a horseshoe with a
-whip across it all in gold than that houses should have sieves for
-roofs. And that as it was extremely foolish to put a big sieve on your
-house for a roof, so it was quite as foolish to wear horseshoes on your
-neck-ties. The principle of this is that you should have a reason in
-what you wear as well as in other things, and that senseless
-decorations, like horseshoes on neck-ties or neck-ties on horseshoes,
-are silly and unbecoming to a self-respecting person. This particular
-example was only one to illustrate a principle, which is that nothing
-unusual, queer, out of the ordinary, is in itself a good thing; that, in
-fact, most things that are queer and out of the ordinary are likely, in
-the question of dress, to be in bad taste. A man's dress ought to be
-quiet, but it _must_ be clean and well taken care of in every instance.
-The best dressed man is the man who, in whatever company he finds
-himself, is inconspicuous; who, you realize in an indefinite way, is
-well appointed, though you cannot well tell why. If you appear at a
-dinner in overalls, people say you are badly dressed, and they would
-repeat that wise observation if you went out in the field in a
-swallow-tail-coat. In the same way a man who has a flaring neck-tie or a
-purple handkerchief, or very long coat or very short trousers, is at
-once conspicuous, and therefore badly dressed.
-
-This is not a question which involves the expenditure of money. A young
-man's clothing may be worn threadbare, but it can always be clean, and
-it costs no more to buy a quiet-colored cloth than to buy a big check of
-black and green or brown and yellow. If you study the matter a little
-you will find that you can tell the general character of any person by
-his clothes. Some men are sure to always wear slouchy clothes,
-half-soiled linen, a bright green neck-tie; others wear highly colored
-waistcoats; others again are always in the height of fashion--that is, a
-little in the extreme year after year; and still others make a point of
-being badly dressed and out of the prevalent style to show that they are
-not swayed by such silly laws as style. It is easy enough to place all
-these men in their proper places. And then, finally, you see some young
-chap whose clothes are clean, who is neither out of the style of the day
-nor in the height of it, whose clothes may be showing distinct signs of
-wear, but who seems to fit them pretty well, and to be noticeable in no
-particular way so far as they are concerned, and in all probability you
-put him down, if you think of the matter at all, as a man of
-common-sense, of decency, of self-respect, and good manners.
-
-Then, again, some men sit in their shirt sleeves at home. There is no
-reason for this. It is merely a queer idea that you are more comfortable
-in that style of dress. But such men do not realize that their sisters,
-wives, mothers, naturally lose some of their respect for them, and that
-they unconsciously lose a good deal of respect for themselves. Certainly
-these sisters and wives and mothers are the girls and women we think
-most of, and why do we treat them with a disrespect that we would never
-think of subjecting strangers to in our own or in their homes? That
-disrespect to them is a boomerang, a reflector on us ourselves. If you
-dress quietly and decently and as well as you can, if you keep yourself
-and your clothes clean, you are more likely to keep morally clean, to
-think and act in a dignified way, and to treat others with proper
-respect. Of course there are great men who are slovenly, but they are
-never great because they are slovenly, and it would not dull their
-greatness if they kept themselves clean and orderly. It is because they
-grow careless, and carelessness is never excusable in any one. Think
-about your clothes, then, and avoid anything that will make you
-noticeable. That does not mean that one should always be thinking of
-what to wear, that one should be a dandy and a fop. It simply means that
-he should be a self-respecting man who tries to be decent.
-
- * * * * *
-
-Postmen sometimes have very lively experiences in the course of their
-daily rounds. It has often happened that on lonely roads they have had
-to fight their way against tramps and others who lie in wait to see what
-they can get that doesn't belong to them, and may be worth having. The
-most novel experience that has come to notice, however, was in the work
-of an English postman. It appears that on a recent Sunday a swarm of
-bees took possession of the village letter-box at Haunton, six miles
-from Tamworth. There is no collection on Sunday, and on Monday night,
-when the rural postman essayed to take out the letters, he was compelled
-to beat a speedy retreat, and no one could approach within twenty yards
-of the box. The postman avers that that was the liveliest mail he has
-had to do with in a long while.
-
- * * * * *
-
-BLÜCHER'S PIPE-BEARER.
-
-There is a story told somewhere of an old Indian-fighter, one of the
-kind that trailed the war parties of the redskins far back in the last
-century. This veteran loved his pipe, and as the story goes, during one
-of his exploits the Indians followed his trail by the smell of the
-tobacco smoke, and finally a well-aimed bullet knocked the glowing bowl
-from his mouth. Thus warned, he made his escape.
-
-This pipe story does not equal that told of Christian Hennemann, a
-countryman from Rostock, who fought with Field-Marshal Blücher at
-Waterloo. Those who are familiar with Blücher's life know of his
-partiality for a pipe, and even in the heat of battle he never neglected
-his smoke. As day broke the morning of the memorable battle of Waterloo,
-Blücher called the hussar Christian Hennemann, and placed him in charge
-of a box of clay pipes, with the instruction to keep one always ready to
-hand to him, that he might enjoy a few whiffs during the engagement.
-
-As the morning wore on, Blücher sat on his white charger gravely puffing
-away. He had reached out his hand for the second time to take the
-refilled pipe, when an ungenerous cannon-ball dug up the ground near at
-hand, causing his horse to shy. Blücher hastily handed the pipe to
-Christian, saying, "Just keep that lighted for a few moments while I
-drive those rascally Frenchmen back."
-
-The chase was a long one, as history relates, and through the hot summer
-day the battle waged and men fought and died. When the battle was over,
-Blücher and Wellington, who were riding over the scene together,
-happened to pass near where Blücher had first started to chase the
-enemy. Outlined against the sky a lonely man sat perched on a rock. A
-bloody rag was bound around his head, and one arm hung in a sling. He
-was calmly smoking a clay pipe.
-
-With an exclamation of surprise Blücher pulled up.
-
-"Why, it's my Hennemann! How you look, boy! What are you doing here
-alone?"
-
-"Waiting for you, as ordered," was the grumbled reply. "Been waiting
-ever since you left. The French have shot away every pipe in the box.
-They ripped the flesh from my head and shattered my arm with their
-bullets. It's well there is an end to the battle, or you would have been
-too late even for this last pipe."
-
-Wellington, turning to Blücher, remarked:
-
-"You have admired the unflinching loyalty and bravery of my Highlanders.
-What shall I say of this brave soul?"
-
-"But your Highlanders had no pipes to regale themselves with," Blücher
-replied.
-
-
-
-
-[Illustration: STAMPS]
-
- This Department is conducted in the interest of stamp and coin
- collectors, and the Editor will be pleased to answer any question
- on these subjects so far as possible. Correspondents should address
- Editor Stamp Department.
-
-
-The prices of great rarities are not declining, and the common stamps
-are worth as much to-day as ever; but the middle-class U. S. stamps have
-had a serious decline during the past three months. However, the stock
-is not large, it cannot be increased, and the good stamps are constantly
-being spoiled by carelessness or destroyed by accident, hence the
-eventual return to higher values is inevitable.
-
-A rumor has gone abroad that the Bureau of Engraving and Printing in
-Washington contemplates making an entirely new set of postage-stamps, or
-keeping the present dies and changing all the colors. In either case
-there will be a great demand for Plate Nos. The present prices of Plate
-Nos. are quite low, and collectors should make up their albums as soon
-as possible. If a new set of stamps is issued, almost every one will be
-able to get all the new Nos. at a slight advance on face values.
-
-One of the New York dealers has adopted a new method of selling scarce
-stamps. For instance, a U. S. Revenue was placed in the window marked
-$20, the catalogue price, with a notice that the price would be reduced
-$1 each day until sold. Quite a number of collectors kept tally, and
-determined to buy the stamp when it had come down to $12 or $13. They
-are still waiting, as the stamp was sold at $14. Other dealers intend to
-do the same thing with other stamps, and in many instances they expect
-the stamp to be sold the second day.
-
- S. P. KENNA.--There is no accounting for fashion, but the wise
- collector is one of those who set the fashion. Those who come in
- later must pay highest prices. Australians were the most sought
- after three or four years ago, then came West-Indians. U. S.
- stamps, of course, are, and probably will be, more sought after in
- this country than abroad.
-
- J. SHACKHEIM.--A fine unused 90c. U. S. 1860 issue, sold at one
- auction for $11 a few days ago, and the next day a poor copy of the
- same stamp brought $13.50 at another auction. The first was very
- cheap, the second very dear. Unused high values U. S. will always
- be very scarce, and in some cases rare.
-
- J. URBAN.--You have a very interesting lot of coins, but none of
- them is of such rarity as to be worth sending to a dealer. You will
- doubtless be able to get many others in time at nominal prices, and
- thus make up a good collection.
-
- W. HAMMOND, 8 High St., Peabody, Mass., wishes to exchange stamps.
-
- J. O. HALL.--To get the new stamps as issued I would advise you to
- join the American Philatelic Association. Address J. F. Beard,
- secretary, Muscatine, Iowa.
-
- F. X. SCHMIDT.--The first coins struck for an American
- English-speaking country were the Sommer Island III., VI., XII.
- pence in 1616. These are now called the Bermuda Islands. The next
- coins were the New England III., VI., XII. in 1652, and the
- Pine-Tree pieces struck in the same year.
-
- J. KLEINSCHMIDT.--There are two varieties of the 1869 15c. stamp.
- 1. The ordinary, in the frame of which, under the letter T of the
- word POSTAGE, is a diamond. This variety is worth $1.25 used. 2.
- The other has the diamond cut out, and this variety is worth $3
- used.
-
- A. A. DAVIS.--Brazil stamps, both used and unused, had been very
- low in price for all issues from 1850 to 1893. Daring the past two
- years they have gone up in price quite remarkably, as the dealers
- and collectors find that certain varieties are quite scarce. If you
- have the complete sets unused hold on to them, as prices are bound
- to advance.
-
- PHILATUS.
-
-
-
-
-[Illustration: IVORY SOAP]
-
-
-
-
-You Should Have
-
-"Harper's Round Table" for 1896
-
-Volume XVII. With 1276 Pages and about 1200 Illustrations. 4to, Cloth,
-Ornamental, $3.50.
-
- It is doubtful if any other book issued at this holiday season
- contains so many stories for young readers as this volume.--_San
- Francisco Chronicle._
-
- The book is one which is sure to delight all the
- children.--_Detroit Free Press._
-
- A pronounced success as an educational means of great
- value.--_Pittsburg Chronicle-Telegraph._
-
- One of the best periodicals for children ever
- published.--_Philadelphia Ledger._
-
-Naval Actions of the War of 1812
-
-By JAMES BARNES. With 21 Full-page Illustrations by CARLTON T. CHAPMAN,
-printed in color, and 12 Reproductions of Medals. 8vo, Cloth,
-Ornamental, Deckel Edges and Gilt Top, $4.50.
-
- Unquestionably both the most lifelike and the most artistic
- renderings of these encounters ever attempted.--_Boston Journal._
-
- Brimful of adventure, hardihood, and patriotism.--_Philadelphia
- Ledger._
-
-The Dwarfs' Tailor
-
-And Other Fairy Tales. Collected by ZOE DANA UNDERHILL. With 12
-Illustrations. Post 8vo, Cloth, Ornamental, $1.75.
-
- The twenty-two tales form a cosmopolitan array that cannot fail to
- delight young readers.--_Chicago Tribune._
-
- Fascinating for old and young.--_Boston Traveller._
-
-A Virginia Cavalier
-
-A Story of the Youth of George Washington. By MOLLY ELLIOT SEAWELL.
-Illustrated. Post 8vo, Cloth, Ornamental, $1.50.
-
- Warmly commended to all young American readers.--_Chicago
- Inter-Ocean._
-
- An absorbing tale.--_Philadelphia Bulletin._
-
-Rick Dale
-
-A Story of the Northwest Coast. By KIRK MUNROE. Illustrated by W. A.
-ROGERS. Post 8vo, Cloth, Ornamental, $1.25.
-
- Lively and exciting, and has, incidentally, much first-hand
- information about the far Northwest.--_Outlook_, N. Y.
-
- Capital story of adventure.--_Philadelphia Evening Bulletin._
-
- * * * * *
-
-HARPER & BROTHERS, Publishers, New York
-
-
-
-
-What All Ought to Read.
-
-A member living in the South asks for a list of books that persons of
-all ages ought to read in order to begin further reading--books that
-ought to be read, no matter in what direction a later taste might lead.
-
-Here is a list prepared last year to fit this very question. It was
-prepared by some one well qualified for the task:
-
- _Tales from Shakespeare_, by Charles and Mary Lamb.
- Sir Walter Scott's _Ivanhoe_, _Lady of the Lake_, and _Marmion_.
- Tennyson's _Idyls of the King_.
- Macaulay's _History of England_.
- Higginson's _Young Folks' History of the United States_.
- Thackeray's _The Virginians_.
- Walter Besant's _For Faith and Freedom_.
- Dickens's _Tale of Two Cities_.
- _Brave Little Holland, and what She taught Us_, by W. E. Griffis.
- Lew. Wallace's _Ben-Hur_.
- _Bible Characters_, by Charles Reade.
- _Recreations in Botany_, by Caroline A. Creevey.
- _The History of a Mouthful of Bread_, by Jean Macé.
- Laboulaye's _Fairy-Tales_.
- _Life and Letters of Louisa M. Alcott_.
- _John Halifax, Gentleman_, by Mrs. Craik.
- Longfellow's _Evangeline_.
- Irving's _Life of Washington_.
- Whittier's _Snow-Bound_.
- Hawthorne's _House of Seven Gables_ and _Tanglewood Tales_.
- Fenimore Cooper's _Leatherstocking Tales_ and _Last of the Mohicans_.
- Amelia E. Barr's _Bow of Orange Ribbon_.
- Alexander Johnston's _American Politics_.
-
-How many of these have you read? And why may not a Chapter take up this
-list?
-
- * * * * *
-
-A Call for Charity.
-
- The storm of September 29 caused such disaster at Fort White that I
- have decided to write to you, through the columns of HARPER'S ROUND
- TABLE, and ask you to send ten cents to Mrs. E. G. Persons, Fort
- White, Florida. It will be distributed among the storm sufferers of
- that place, which was almost totally wrecked. Only three
- dwelling-houses were left standing. The turpentine-men were ruined,
- as nearly all the turpentine-trees were blown down. I hope that you
- will all respond liberally and quickly, for what is a very small
- sum to one person will mean a great deal to the storm sufferers.
-
- ALBERT H. ROBERTS, K.R.T.
- ANITA, FLA.
-
- * * * * *
-
-Working a Turpentine Orchard.
-
-Our national Department of Agriculture gathers facts in relation to
-forestry as well as to farming, and publishes them for the use of any
-one who wishes them. It has just issued some interesting facts about
-pine-trees, of the variety from which turpentine is obtained.
-
-"Work in a turpentine orchard is started in the early part of the
-winter, with the cutting of the boxes. Trees of full growth, according
-to their circumference, receive from two to four boxes.
-
-"The boxes are cut from eight to twelve inches above the base of the
-tree, seven inches deep and slanting from the outside to the interior.
-In the adult trees they are fourteen inches in the greatest diameter,
-and four inches in the greatest width, with a capacity of about three
-pints. In the mean time the ground is laid bare around the tree for a
-breadth of two and a half to three feet, and all combustible material
-loose on the ground is raked into heaps to be burned, in order to
-protect the trees from the danger of catching fire during the
-conflagrations, which are frequently started in the pine forests by
-design or carelessness. The employment of fire for the protection of
-turpentine orchards against the same element necessarily involves the
-total destruction of the smaller tree growth, and if allowed to spread
-without control beyond the proper limit often carries ruin to the
-adjoining forests.
-
-"During the early days of spring the turpentine begins to flow, and
-chipping is begun, as the work of washing the trees is called, by which
-the surface of the trees above the box is laid bare beyond the youngest
-layers of the wood to a depth of about an inch from the outside of the
-bark. The removal of the bark and of the outermost layers of the
-wood--the "chipping" or "hacking"--is done with a peculiar tool, the
-"hacker," a strong knife with a curved edge fastened to the end of a
-handle bearing on its lower end an iron ball of about four pounds in
-weight, to give increased force to the stroke inflicted upon the tree,
-and thus to lighten the labor of chipping. As soon as the scarified
-surface ceases to discharge turpentine freely, fresh incisions are made
-with the hacker. The chipping is repeated every week from March to
-October or November, extending generally through a period of thirty-two
-weeks, and the weight of the chip is increased about one and one-half to
-two inches every month. The rosin which accumulates in the boxes is
-dipped into a pail with a flat trowel-shaped dipper, and is then
-transferred to a barrel for transportation to the still."
-
- * * * * *
-
-Queer Complication of Territory.
-
-Kings and presidents send ambassadors to the capitals of other
-countries, as you know. The residence of these ambassadors is, in law,
-not a part of the country in whose capital they are located, but a part
-of the country from which comes the ambassador residing there at the
-moment. For instance, the residence of the American Ambassador to France
-is in Paris, but at law it is not French but United States territory. A
-novel incident grew out of this legal fiction recently.
-
-The Japanese Embassy in Berlin is not German, but Japan territory, of
-course. The embassy owns a parrot. The parrot got out of its cage and
-took lodgement in a neighboring tree--a tree in Germany, not in Japan. A
-Japanese servant remaining in Japan levelled a hose at the parrot, with
-the aim of dislodging him. It chanced that beneath the tree there sat,
-at the time, a German resident of wealth. The water that dislodged the
-parrot drenched him and ruined his clothes. He sued for damages, and got
-$4--a compromise sum, because the inflictor of the damage was a resident
-of Japan, had not left his own country, and could not be dragged into a
-German police court.
-
- * * * * *
-
-A Lake without Water.
-
-Central Australia is only now becoming known, as is Central Africa. An
-explorer tells the following about a wonderful "lake":
-
-"We came, just at dusk, to the top of a sand hill, and saw Lake Amadeus
-lying at our feet. It was a strange sight. The bed of the lake was here
-only some three-quarters of a mile wide, but east and west it stretched
-away to the horizon, widening out, especially westwards, into a vast
-sheet many miles across. There was not a speck of water, only a dead
-level surface of white salt standing out against the rich after-glow on
-the west and the dull sky to the east, whilst north and south it was
-hemmed in by low hills covered with dark scrub."
-
- * * * * *
-
-To Amateur Paper Publishers.
-
-Will publishers of amateur newspapers send sample copies to A. R.
-Abbott, 38 Franklin Street, Northampton, Massachusetts?
-
- * * * * *
-
-A Query in Natural History.
-
- Some time ago, under the above heading, a caterpillar was described
- which is commonly called saddle-back or slug caterpillar.
- Naturalists know it by the euphonious title of _Sibine stimulea_,
- which tells us that the tufts of bristles have nettlelike powers of
- irritation. The name slug caterpillar is given it because, the
- abdominal legs being absent, it moves with a smooth, gliding,
- snail-like motion. It feeds on many plants and trees, such as corn,
- rose, cherry, pear, and apple. After spending some weeks feeding on
- the leaves, it spins a brown cocoon, nearly spherical, surrounded
- by a loose silken web, and about July 1 a small moth emerges.
-
- It resembles those small moths commonly designated as "millers."
- The wings, which spread about one and one-half inches, are of a
- beautiful rich brown color, with a dark streak on the fore wings,
- near which are three whitish spots. Although nature has furnished
- the caterpillar with a protective armor of poisonous bristles, yet
- it does not seem to me to merit the epithet "hideous creature."
-
- C. W. B.
- EAST ORANGE, N. J.
-
- * * * * *
-
-Questions and Answers.
-
-Henry Osborn asks what causes Indian-summer weather, and why it is so
-called. Neither is quite clear, dear Sir Henry. In Canada it is known as
-St. Martin's summer. Why we call it Indian summer we have been unable to
-find out. Can any one tell us? By early American colonists it was
-thought that the haze was real smoke wafted from fires started by the
-Indians in anticipation of winter.--A Pennsylvania member asks how
-commercial pop-corn is made so excellent, when he has so much difficulty
-in getting his corn to pop well. The reasons are several. One is
-practice, which makes perfect. Another is good tools. Coal is poor stuff
-to pop corn over. Get coke. That is better because it stays hot, and
-does not die down as coal does. For popping corn in large quantities
-regular furnaces lined with fire-brick are provided, and there are huge
-wire baskets that are handled crane fashion. Some hold a bushel of corn
-when popped. Pop-corn parties are said to be more common than usual this
-autumn.
-
-Gardner W. Millet asks when rifles were invented, and when metallic
-ammunition, all ready for use, was first used. He also asks about
-breech-loading guns and magazine-rifles. The earliest breech-loaders
-were used in 1537, but during the seventeenth and eighteenth centuries
-they were common. They were also crude. At Kuisyingen, in 1636, only
-seven shots were fired by soldiers in eight hours. The flintlock was of
-Spanish origin, and came in about 1630. William, Prince of Orange,
-brought it to England in 1688. Rifles are quite old, having been used in
-Germany in the eighteenth century--early part. The Furguson, a breech
-loading rifle, was used by American patriots during the Revolution. The
-civil war brought into use the metallic ammunition, all ready for
-loading on the instant, though there were many breech-loading rifles in
-use before that day. The magazine-guns were invented in 1835, but not
-much used till thirty years later. The rifle used by the United States
-weighs eight pounds and twelve ounces, has a 0.3 calibre, and five
-rounds of ammunition.
-
-"C. G. A." is informed that Mrs. Augusta J. Evans, the author, is still
-living, we believe, in Mobile, Alabama. A granddaughter is also a
-resident of Mobile, named Mrs. Gaillard, formerly Miss Wilson.--Jay F.
-Hammond asks if a barrel is used for a post-office at Cape of Good Hope,
-as is said to be used at the Strait of Magellan. We think not. The
-extremity of Africa is quite unlike the extremity of South America.
-Perhaps some South African reader can tell us more.--Edwy L. Taylor: The
-Camera Club Competitions close February 15. The reference to an earlier
-closing was an error.--Edward C. Wood: Your game may be copyrighted, but
-unless it be a mechanical contrivance, or a part of such, and that new,
-it cannot be patented. The cost of a copyright is fifty cents, with a
-further fifty cents for a transcript, while a patent costs upwards of
-$100. We can find no record of the firm you mention. To copyright your
-game mail two copies addressed to the Librarian of Congress, Washington,
-D. C., give your full name and address, state the purpose of sending,
-and enclose $1. Nothing else is required. To make the copyright
-effective you must conspicuously place on every copy the words
-"Copyright, 1896, by Edward C. Wood, Philadelphia."--C. B. M.: Apply to
-Samuel French & Son, Dramatic Publishers, New York, and state just what
-you want. They will reply at once, giving list, if you mention the ROUND
-TABLE.
-
-
-
-
-[Illustration: THE CAMERA CLUB]
-
- Any questions in regard to photograph matters will be willingly
- answered by the Editor of this column, and we should be glad to
- hear from any of our club who can make helpful suggestions.
-
-
-HINTS ON RETOUCHING.
-
-II.--SPOTS AND SCRATCHES.
-
-It often happens that there are spots on a negative--caused by specks of
-dust on the plate, air-bubbles in the developer, or unlucky scratches in
-the handling--which if not covered in some way make a black spot on the
-silver paper, and mar the beauty of what would otherwise be a fine
-picture. With a little practice one can learn to fill up these defects
-so that they will be scarcely noticeable in the print.
-
-Take a drop or two of the retouching varnish on the end of the finger,
-and rub it lightly and evenly over the places which are to be retouched.
-Put to dry in a place free from dust; it will be dry enough in three or
-four hours. Place the retouching-frame on a table by a window with a
-good strong light, close the blind or lower the shade over the upper
-part of the window, and place a sheet of white paper under the frame on
-the table. Place the negative in the frame, and over it put a piece of
-opaque paper with a hole an inch or two in diameter opening over the
-place to be retouched. This also protects the film and shuts off all
-light except from the points to be treated. Now if the hole is a large
-one, take the brush and moisten it, and rub a little of the lampblack
-from the cake of water-color on it. Then with the greatest care touch
-the spot directly in the centre with a bit of the paint. Rinse the
-brush, and turning it till a fine point is obtained, work the paint
-carefully toward the edges of the spot, taking care that it does not
-touch the film but comes close to it. Let the paint dry, and if the
-first application has not made the spot of an equal density with the
-surrounding film, repeat the process. If the operation is not
-successful, the paint can be removed by applying a little turpentine on
-a soft cloth.
-
-If the spot to be retouched is very small, or if there is a scratch on
-the film, take a soft pencil sharpened according to directions given in
-the first paper on retouching, and with very minute strokes go over the
-places until the required density is obtained. Sometimes it is necessary
-to go over the places several times before the spots appear like the
-film.
-
-If a negative has sharp, harsh contrasts, they can be softened by going
-over them carefully with the pencil, using the softest one for this
-purpose, and then blending the pencil strokes with a crayon stump.
-
-Freckles, heavy shadows under the eyes and nose, are easily removed or
-softened by using a needle-pointed pencil of very soft lead.
-
-Undesirable backgrounds, or objects which have been unavoidably included
-in the picture, may be blocked out by using a thin solution of
-lampblack, and applying it to the back of the plate. A light coat
-obscures the background, and a thick coat blocks it out entirely.
-
-In beginning the practice of retouching, it is wise to experiment on
-poor negatives, as first attempts are not always successful. Do not be
-discouraged if the first trial prove a failure. Remember your early
-experience in making negatives, and try again; for perseverance, no
-matter in what direction, is sure to bring its reward--success.
-
- SIR KNIGHT WILLIAM MERRITT sends a print which shows no detail at
- the corners, and says that all his plates have the same fault, and
- asks what is the matter. The lens does not cover the plate--that
- is, the lens is too small for the size plate used. It may be that
- the diaphragm is too large, and by using a smaller diaphragm the
- blur showing on the edges of the picture would be corrected. The
- smaller the opening the more extended the sharp field of the lens;
- but the smaller the opening the longer must be the exposure.
-
- SIR KNIGHT CHARLES M. TODD asks if hypo is always used for the
- fixing-bath without regard to the kind of developer; if a
- ferrotype-plate will impart a gloss to all kinds of prints except
- blue prints; if the whole roll of films in a pocket kodak would
- have to be exposed before one could develop any of the exposures;
- if developing solution may be used the second time if only one or
- two negatives have been developed in it. Hypo is always used for
- the fixing-bath, as it is the cheapest and safest chemical for the
- dissolving of the unused or unacted upon silver salts.
- Ferrotype-plate will not impart a gloss to a platinum, bromide, or
- any of the soft-tinted papers. The films in a pocket kodak should
- all be used before developing. There are only twelve films in a
- roll, and if part were taken out, one film would have to be spoiled
- in order to put the unused films back on the empty spool. Developer
- may be used the second and even the third time. Most amateurs have
- a bottle for old developer, and use it for starting development, as
- it is safer unless one knows the exact time of the exposure of the
- plate.
-
- SIR KNIGHT F. ELTON MORSE, 11 and 13 Market St., Lynn, Mass.,
- wishes to exchange landscape views with other members of the Camera
- Club.
-
-
-
-
-ADVERTISEMENTS.
-
-
-
-
-Postage Stamps, &c.
-
-
-
-
-[Illustration: STAMPS]
-
-=ALBUM AND LIST FREE!= Also 100 all diff. Venezuela, Bolivia, etc., only
-10c. Agts. wanted at 50% Com. =C. A. Stegmann=, 5941 Cote Brilliant Ave.,
-St. Louis, Mo.
-
-
-
-
-500 Mixed, Australian, etc., 10c.; =105 var.= Zululand, etc., and album,
-10c.; 12 Africa, 10c.; 15 Asia,10c. Bargain list free. F. P. VINCENT,
-Chatham, N.Y.
-
-
-
-
-U.S. Postage and Rev. Fine approval sheets. Agts. wanted.
-
-P. S. CHAPMAN, Box 151, Bridgeport, Ct.
-
-
-
-
-U. S.
-
-25 diff U.S. stamps 10c., 100 diff. foreign 10c. Agts w'td @ 50%. List
-free! L. B. Dover & Co. 5958 Theodosia, St. Louis, Mo.
-
-
-
-
-[Illustration]
-
-To Show
-
-Your
-
-Heels
-
-To other skaters wear the
-
-Barney & Berry Skates.
-
-Highest Award World's Fair.
-
-Catalogue Free.
-
-BARNEY & BERRY, Springfield, Mass.
-
-
-
-
-[Illustration: PISO'S CURE FOR CONSUMPTION]
-
-CURES WHERE ALL ELSE FAILS.
-
-Best Cough Syrup. Tastes Good. Use
-
-in time. Sold by druggists.
-
-
-
-
-"A perfect type of the highest order
-
-of excellence in manufacture."
-
-[Illustration: Walter Baker & Co.'s Breakfast Cocoa]
-
-Absolutely Pure.
-
-Delicious.
-
-Nutritious.
-
-COSTS LESS THAN ONE CENT A CUP.
-
-Be sure that you get the
-
-genuine article, made at
-
-DORCHESTER, MASS.,
-
-By WALTER BAKER & CO., Ltd.
-
-Established 1780.
-
-
-
-
-EARN A TRICYCLE.
-
-[Illustration]
-
-We wish to introduce our Teas. Sell 30 lbs. and we will give you a Fairy
-Tricycle; sell 25 lbs. for a Solid Silver Watch and Chain; 50 lbs. for a
-Gold Watch and Chain; 75 lbs. for a Bicycle; 10 lbs. for a Gold Ring.
-Write for catalog and order sheet Dept. I
-
-W. G. BAKER,
-
-Springfield, Mass.
-
-
-
-
-LAUGHING CAMERA. 10C.
-
-[Illustration: MY! OH MY!!]
-
-The latest invention in Cameras. You look through the lens and your
-stout friends will look like living skeletons, your thin friends like
-Dime Museum fat men, horses like giraffes and in fact everything appears
-as though you were living in another world. Each camera contains two
-strong lenses in neatly finished leatherette case. The latest
-mirth-maker on the market; creates bushels of sport. Catalogue of 1,000
-novelties and sample camera 10c., 3 for 25c., 12 for 90c. mailed
-postpaid. Agents wanted.
-
-ROBT. H. INGERSOLL & BRO.,
-
-Dept. No. 62, 65 Cortlandt St., N. Y.
-
-
-
-
-HOOPING-COUGH
-
-CROUP.
-
-Roche's Herbal Embrocation.
-
-The celebrated and effectual English Cure without internal medicine.
-Proprietors, W. EDWARD & SON, Queen Victoria St., London, England. All
-Druggists.
-
-E. Fougera & Co., 30 North William St., N. Y.
-
-
-
-
-PLAYS
-
---SPEAKERS--
-
-For Home and School.
-
-New Catalogues FREE.
-
-DE WITT, Rose St., N.Y.
-
---DIALOGUES--
-
-
-
-
-HOME STUDY
-
-Success in Business Life is within the reach of all who take a thorough
-Business College course at Home, by Mail. It will pay to Investigate.
-Cat. free. Trial lesson 10c.
-
-BRYANT& STRATTON, 85 College Bldg., Buffalo, N.Y.
-
-
-
-
-BOYS and GIRLS
-
-can earn money by working half an hour daily distributing free samples
-of Headache Powders. For full particulars address, CAPITAL DRUG CO., Box
-880, Augusta, Me.
-
-
-
-
-PLAYS
-
-
-Dialogues, Speakers for School, Club and Parlor. Catalogue free.
-
-T. S. DENISON, Publisher, Chicago, Ill.
-
-
-
-
-[Illustration]
-
-THE SONG OF THE MUSES.
-
- What is that melody weird and wild
- That throbs and sobs like the wail of a child
- Through the quiet night so still and mild?
-
- Behold, it is a choir feline,
- With tenors, altos--all told, nine;
- Those are the Mewses, I opine.
-
- * * * * *
-
-A PRACTICAL LITTLE GIRL.
-
-"Oh, for the wings of a dove!" sang Mollie.
-
-"What do you want with the wings of a dove, my dear?" asked her mother.
-
-"To put on my new hat," said Mollie.
-
- * * * * *
-
-HIS EXPLANATION.
-
-"See here, Tommie," observed Tommie's teacher, "you ought to be able to
-spell your own name."
-
-"I can," said Tommie.
-
-"Then why don't you? You've written it Tomie instead of Tommie."
-
-"Oh, as for that," said Tommie, "you told us not to waste anything, and
-that extra m is just a waste of ink."
-
- * * * * *
-
-GOING INTO A NEW LINE.
-
-"What'll you swap off a three-cent Nicaragua '95 for, Jack?" asked
-Jack's uncle of the young stamp-collector.
-
-"I won't swap it off for anything, Uncle George, but I tell you what I
-will do. I'll swap off my whole collection for a goat. Stamps are always
-the same, but goats--my--they're never the same!"
-
- * * * * *
-
-NOTHING WONDERFUL.
-
-"So you don't think much of Jack the Giant-killer, eh, Bobbie?"
-
-"NO. He was smart. But not particularly wonderful. Why, look at me! I
-can tire my Pa out in five minutes, and I guess _he_ could lick any
-giant Jack ever saw."
-
- * * * * *
-
-During the winter months the farmers' boys and girls have lots of fun
-with their parties, taffy pulls, and such enjoyments, and considerable
-humor can be found in their happy repartee. At one of these candy
-parties a guest not altogether liked by some of the girls, unfortunately
-sat in a saucer of maple sugar left on a chair to cool off, and his
-unceremonious departure was the wonder of the evening. It was rather
-hard on the young man, and it is doubtful whether he found anything to
-end his embarrassment in the note he received the next day from the
-daughter, saying that if the "Mr. D---- who sat in the saucer of maple
-sugar last night will kindly return the saucer, he will save himself
-further trouble."
-
- * * * * *
-
-AN OBJECTION.
-
-"I hate dancing-school," said Jack. "It's lots of fun dancing, but every
-time I want to waltz I have to load myself up with some girl or other.
-Why can't they let a feller dance by himself?"
-
- * * * * *
-
-A SURGEON OF THE BICYCLE.
-
-There are enterprising bicycle people in England as well as in this
-country. A year or more ago London was flooded with the following
-circular by a bicycle-repairer, which is ingenious enough in its wording
-to have been the product of a Yankee:
-
-"Bicycle surgery.
-
-"Acute and chronic cases treated with assurance of success.
-
-"Languid tires restored to health and vigor.
-
-"Tires blown up without pain. Wind free. No cure, no pay asked.
-
-"We understand the anatomy, physiology, and hygiene of wheels, and
-homoeopathic or allopathic treatment, as individual cases require.
-Sure cure guaranteed.
-
-"Testimonials:
-
-"'My wheel had three ribs fractured, and you cured it in one treatment.'
-
-"'My tires were suffering with a case of acute aneurism, which had been
-pronounced fatal by other bicycle-doctors, but you cured the disorder,
-and I did not lose a day of my tour.'
-
-"Thousands of testimonials like the above sent on application.
-
- "Dr. Blank, B.S. (Bicycle Surgeon.)
- No. -- Tottenham Court Road."
-
- * * * * *
-
-FORCE OF HABIT.
-
-He was thoroughly a business man, and he judged everything from the
-point of view of weight--as was natural, since he dealt in things which
-were sold according to their avoirdupois. One day somebody asked him if
-he had any children.
-
-"Yes," he said. "I've got 453 pounds of boys, and 236 pounds of girls."
-
- * * * * *
-
-A SMALL BOY'S FEET.
-
-"If it wasn't for me my class in school wouldn't have any standing at
-all," said Hubert.
-
-"Nonsense!" said his aunt. "Your mother says you are the foot of it."
-
-"I am," said Hubert. "How could it stand if it didn't have a foot?"
-
- * * * * *
-
-NOT REPEATED.
-
-"When you stepped on that gentleman's foot, Tommie, I hope you
-apologized?"
-
-"Oh, yes, indeed I did," said Tommie, "and he gave me ten cents for
-being such a good boy."
-
-"Did he? And what did you do then?"
-
-"Stepped on the other and apologized again, but it didn't work."
-
- * * * * *
-
-A JOKE UNDER THE SEA.
-
-"Let's get up a minstrel show," said the Shad to the Shark.
-
-"All right," said the Shark. "I've got a splendid mouth for tambo."
-
-"And think of my capacity for the bones, eh?" said the Shad.
-
-And the minnows in the school that was swimming by laughed so heartily
-that they swam down the Shark's throat without knowing it.
-
-
-
-
-
-End of Project Gutenberg's Harper's Round Table, January 5, 1897, by Various
-
-*** END OF THIS PROJECT GUTENBERG EBOOK HARPER'S ROUND TABLE ***
-
-***** This file should be named 60288-8.txt or 60288-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/0/2/8/60288/
-
-Produced by Annie R. McGuire
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/60288-8.zip b/old/60288-8.zip
deleted file mode 100644
index d1d6028..0000000
--- a/old/60288-8.zip
+++ /dev/null
Binary files differ
diff --git a/old/60288-h.zip b/old/60288-h.zip
deleted file mode 100644
index 39bc1b9..0000000
--- a/old/60288-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/60288-h.htm b/old/60288-h/60288-h.htm
deleted file mode 100644
index 0ae2fcb..0000000
--- a/old/60288-h/60288-h.htm
+++ /dev/null
@@ -1,4092 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- The Project Gutenberg eBook of Harper's Round Table, January 5, 1897, by Various.
- </title>
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2,h3,h4,h5,h6 {
- text-align: center; /* all headings centered */
- clear: both;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-.p2 {margin-top: 2em;}
-.p4 {margin-top: 4em;}
-.p6 {margin-top: 6em;}
-
-hr {
- width: 33%;
- margin-top: 2em;
- margin-bottom: 2em;
- margin-left: auto;
- margin-right: auto;
- clear: both;
-}
-
-hr.tb {width: 45%;}
-hr.chap {width: 65%}
-hr.full {width: 95%;}
-
-table {
- margin-left: auto;
- margin-right: auto;
-}
-
-.pagenum { /* uncomment the next line for invisible page numbers */
- /* visibility: hidden; */
- position: absolute;
- left: 92%;
- font-size: smaller;
- text-align: right;
-} /* page numbers */
-
-.blockquot {
- margin-left: 5%;
- margin-right: 10%;
-}
-
-.center {text-align: center;}
-
-.right {text-align: right;}
-
-.smcap {font-variant: small-caps;}
-
-.caption {font-weight: bold;}
-
-/* Images */
-.figcenter {
- margin: auto;
- text-align: center;
-}
-
-.figleft {
- float: left;
- clear: left;
- margin-left: 0;
- margin-bottom: 1em;
- margin-top: 1em;
- margin-right: 1em;
- padding: 0;
- text-align: center;
-}
-
-.figright {
- float: right;
- clear: right;
- margin-left: 1em;
- margin-bottom:
- 1em;
- margin-top: 1em;
- margin-right: 0;
- padding: 0;
- text-align: center;
-}
-
-/* Footnotes */
-.footnotes {border: dashed 1px;}
-
-.footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;}
-
-.fnanchor {
- vertical-align: super;
- font-size: .8em;
- text-decoration:
- none;
-}
-
- </style>
- </head>
-<body>
-
-
-<pre>
-
-Project Gutenberg's Harper's Round Table, January 5, 1897, by Various
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: Harper's Round Table, January 5, 1897
-
-Author: Various
-
-Release Date: September 12, 2019 [EBook #60288]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK HARPER'S ROUND TABLE ***
-
-
-
-
-Produced by Annie R. McGuire
-
-
-
-
-
-</pre>
-
-
-<div class="center">
-<table border="0" cellpadding="0" cellspacing="0" summary="">
-<tr><td align="left"><a href="#THE_LITTLE_BISHOP">THE LITTLE BISHOP.</a></td></tr>
-<tr><td align="left"><a href="#TORTOISE-SHELLS">TORTOISE-SHELLS.</a></td></tr>
-<tr><td align="left"><a href="#CAPTAIN_JACKS_CHRISTMAS_GIFT">CAPTAIN JACK'S CHRISTMAS GIFT.</a></td></tr>
-<tr><td align="left"><a href="#VOLCANOES_THEIR_MODE_OF_ACTION_AND_ORIGIN">VOLCANOES&mdash;THEIR MODE OF ACTION AND ORIGIN.</a></td></tr>
-<tr><td align="left"><a href="#A_LOYAL_TRAITOR">A LOYAL TRAITOR.</a></td></tr>
-<tr><td align="left"><a href="#A_FAIRY_FETE">A FAIRY FÊTE.</a></td></tr>
-<tr><td align="left"><a href="#THE_NEW_YEAR">THE NEW YEAR.</a></td></tr>
-<tr><td align="left"><a href="#SAVING_A_TORPEDO-BOAT">SAVING A TORPEDO-BOAT.</a></td></tr>
-<tr><td align="left"><a href="#INTERSCHOLASTIC_SPORT">INTERSCHOLASTIC SPORT.</a></td></tr>
-<tr><td align="left"><a href="#QUESTIONS_FOR_YOUNG_MEN">QUESTIONS FOR YOUNG MEN.</a></td></tr>
-<tr><td align="left"><a href="#STAMPS">STAMPS.</a></td></tr>
-<tr><td align="left"><a href="#THE_CAMERA_CLUB">THE CAMERA CLUB.</a></td></tr>
-</table></div>
-
-<p><span class="pagenum"><a name="Page_233" id="Page_233">[Pg 233]</a></span></p>
-
-<div class="figcenter" style="width: 800px;">
-<img src="images/ill_001.jpg" width="800" height="328" alt="HARPER'S ROUND TABLE" />
-</div>
-
-<p class="center">Copyright, 1897, by <span class="smcap">Harper &amp; Brothers</span>. All Rights Reserved.</p>
-
-<hr class="full" />
-
-<div class="center">
-<table border="0" cellpadding="4" cellspacing="0" width="100%" summary="">
-<tr><td align="left"><span class="smcap">published weekly</span>.</td><td align="center">NEW YORK, TUESDAY, JANUARY 5, 1897.</td><td align="right"><span class="smcap">five cents a copy</span>.</td></tr>
-<tr><td align="left"><span class="smcap">vol. xviii.&mdash;no</span>. 897.</td><td align="center"></td><td align="right"><span class="smcap">two dollars a year</span>.</td></tr>
-</table></div>
-
-<hr class="full" />
-
-<div class="figcenter" style="width: 700px;"><a name="THE_LITTLE_BISHOP" id="THE_LITTLE_BISHOP"></a>
-<img src="images/ill_002.jpg" width="700" height="509" alt="" />
-</div>
-
-<h2>THE LITTLE BISHOP.</h2>
-
-<h3>BY KATE DOUGLAS WIGGIN.</h3>
-
-<p>It was I who called him the Little Bishop. His name was Phillips Brooks
-Sanderson, but one seldom heard it at full length, since "Phil" was
-quite enough for an urchin just in his first trousers, and those assumed
-somewhat prematurely. He was "Phil," therefore, to the village, but
-always the dear lovable Little Bishop to me. His home was in Bonnie
-Eagle; it was only because of his mother's illness that he was spending
-the summer with his uncle and aunt in Pleasant River. I could see the
-little brown house from my window. The white road, with strips of tufted
-green between the wheel tracks, curled dustily up to the very door-step,
-and inside the wire screen-door was a wonderful drawn-in rug, shaped
-like half a pie, with "Welcome" in saffron letters on its gray surface.
-I liked the Bishop's aunt; I liked to see her shake the "Welcome" rug
-before breakfast, flinging the cheery word out into the summer sunshine
-like a bright greeting to the new day; I liked to see her go to the
-screen-door a dozen times a day; open it a crack, and chase an imaginary
-fly from the sacred precincts within; I liked to see her come<span class="pagenum"><a name="Page_234" id="Page_234">[Pg 234]</a></span> up the
-cellar steps into the side garden, appearing mysteriously as from the
-bowels of the earth, carrying a shining pan of milk in both hands, and
-disappearing through the beds of hollyhocks and sunflowers to the
-pig-pen or the hen-house.</p>
-
-<p>I had not yet grown fond of the uncle, and neither had Phil, for that
-matter; in fact Uncle Abner was rather a difficult person to grow fond
-of, with his fiery red beard, his freckled skin, and his gruff way of
-speaking&mdash;for there were no children in the brown house to smooth the
-creases from his forehead or the roughness from his voice.</p>
-
-<p>I was sitting under the shade of the great maple one morning early when
-I first saw the Little Bishop. A tiny figure came down the grass-grown
-road leading a cow by a rope. If it had been a small boy and a small
-cow, a middle-sized boy and an ordinary cow, or a grown man and a big
-cow, I might not have noticed them; but it was the combination of an
-infinitesimal boy and a huge cow that attracted my attention. I could
-not guess the child's years; I only knew that he was small for his age,
-whatever it was. The cow was a dark red beast with a crumpled horn, a
-white star on her forehead, and a large surprised sort of eye. She had,
-of course, two eyes, and both were surprised, but the left one had an
-added hint of amazement in it by virtue of a few white hairs lurking
-accidentally in the centre of the eyebrow.</p>
-
-<p>The boy had a thin sensitive face and curly brown hair, short trousers
-patched on both knees, and a ragged straw hat on the back of his head.
-He pattered along behind the cow, sometimes holding the rope with both
-hands, and getting over the ground in a jerky way, as the animal left
-him no time to think of a smooth path for bare feet. The Sanderson
-pasture was a good half-mile distant, I knew, and the cow seemed in no
-hurry to reach it; accordingly she forsook the road now and then, and
-rambled in the hollows, where the grass was sweeter, to her way of
-thinking. She started on one of these exploring expeditions just as she
-passed the great maple, and gave me time to call out to the little
-fellow, "Is that your cow?"</p>
-
-<p>He blushed and smiled, tried to speak modestly, but there was a quiver
-of pride in his voice as he answered, suggestively, "It's&mdash;nearly my
-cow."</p>
-
-<p>"How is that?" I asked.</p>
-
-<p>"Why, when I drive her twenty-nine more times to pasture 'thout her
-gettin' her foot over the rope or 'thout my bein' afraid, she's goin' to
-be my truly cow, Uncle Abner says. Are you 'fraid of cows?"</p>
-
-<p>"Ye-e-es," I confessed, "I am, just a little. You see, I am nothing but
-a grown-up woman, and boys can't understand how we feel about cows."</p>
-
-<p>"<i>I</i> can! They're awful big things, aren't they?"</p>
-
-<p>"Perfectly enormous! I've always thought a cow coming towards you one of
-the biggest things in the world."</p>
-
-<p>"Yes; me too. Don't let's think about it. Do they hook people so very
-often?"</p>
-
-<p>"No, indeed; in fact one scarcely ever hears of such a case."</p>
-
-<p>"If they stepped on your bare foot they'd scrunch it, wouldn't they?"</p>
-
-<p>"Yes, but you are the driver, you mustn't let them do that; you are a
-free-will boy, and they are nothing but cows."</p>
-
-<p>"I know; but p'r'aps there is free-will cows, and if they just <i>would</i>
-do it you can't help being scrunched, for you mustn't let go of the rope
-nor run, Uncle Abner says."</p>
-
-<p>"No, of course that would never do."</p>
-
-<p>"Does all the cows where you live go down into the boggy places when
-you're drivin' 'em to pasture, or does some stay in the road?"</p>
-
-<p>"There aren't any cows or any pastures where I live; that's what makes
-me so foolish. Why does yours need a rope?"</p>
-
-<p>"She don't like to go to pasture, Uncle Abner says. Sometimes she'd
-druther stay to home, and so when she gets part way there she turns
-round and comes backwards."</p>
-
-<p>"Dear me!" I thought, "what becomes of this boy mite if she has a spell
-of going backwards? Do you like to drive her?" I asked.</p>
-
-<p>"N&mdash;no, not erzackly; but, you see, it'll be my cow if I drive her
-twenty-nine more times 'thout her gettin' her foot over the rope and
-'thout my bein' afraid," and a beaming smile gave a transient brightness
-to his harassed little face. "Will she feed in the ditch much longer?"
-he asked. "Shall I say 'Hurrap'? That's what Uncle Abner
-says&mdash;'<i>Hurrap!</i>' like that, and it means to hurry up."</p>
-
-<p>It was rather a feeble warning that he sounded, and the cow fed on,
-peacefully. The little fellow looked up at me confidingly, and then
-glanced back at the farm to see if Uncle Abner were watching the
-progress of events.</p>
-
-<p>"What shall we do next?" he asked.</p>
-
-<p>I delighted in that warm, cozy little "<i>we</i>"; it took me into the firm
-so pleasantly. I am a weak prop indeed when it comes to cows, but all
-the manhood in my soul rose to arms when he said, "What shall <i>we</i> do
-next?" I became alert, courageous, ingenious, on the instant.</p>
-
-<p>"What is her name?" I asked, sitting up straight in the hammock.</p>
-
-<p>"Buttercup; but she don't seem to know it very well."</p>
-
-<p>"Never mind; you must shout 'Buttercup!' at the top of your voice, and
-twitch the rope <i>hard</i>; then I'll call, 'Hurrap!' with all my might at
-the same moment."</p>
-
-<p>We did this; it worked to a charm, and I looked affectionately after my
-Little Bishop as the cow pulled him down Aunt Betty's hill.</p>
-
-<p>The lovely June days wore on. I saw Phil frequently, but the cow was
-seldom present at our interviews, as he now drove her to the pasture
-very early in the morning, the journey thither being one of considerable
-length and her method of reaching the goal being exceedingly
-round-about. Uncle Abner had pointed out the necessity of getting her
-into the pasture at least a few minutes before she had to be taken out
-again, and though I didn't like Uncle Abner, I saw the common-sense of
-this remark. I sometimes caught a glimpse of them at sundown as they
-returned from the pasture to the twilight milking, Buttercup chewing her
-peaceful cud, her soft white bag of milk hanging full, her surprised eye
-rolling in its accustomed "fine frenzy." The frenzied roll did not mean
-anything, the Bishop and I used to assure each other; but if it didn't,
-it was an awful pity she had to do it, the Bishop thought, and I agreed.
-To have an expression of eye that means murder, and yet to be a
-perfectly virtuous and well-meaning animal, this is a calamity which, if
-fully realized, would injure a cow's milk-producing activities
-seriously, I should think.</p>
-
-<p>I was looking at the sun one evening as it dropped like a ball of red
-fire into Wilkins's Woods, when the Little Bishop passed.</p>
-
-<p>"It's the twenty-ninth night," he called, joyously.</p>
-
-<p>"I am so glad," I answered, for I had often feared some accident might
-prevent his claiming the promised reward. "Then to-morrow Buttercup will
-be your own cow?"</p>
-
-<p>"I guess so. That's what Uncle Abner said. He's off to Bonnie Eagle now,
-but he'll be home to-night, and mother's going to send my new hat by
-him. When Buttercup's my own cow I wish I could change her name and call
-her Red Rover, but p'r'aps her mother wouldn't like it. When she b'longs
-to me, mebbe I won't be so 'fraid of gettin' hooked and scrunched,
-because she'll know she's mine, and she'll go better. I haven't let her
-get snarled up in the rope one single time, and I don't show I'm afraid,
-do I?"</p>
-
-<p>"I should never suspect it for an instant," I said, encouragingly. "I've
-often envied you your bold, brave look!"</p>
-
-<p>He appeared distinctly pleased. "I haven't cried, either, when she's
-dragged me over the pasture bars and peeled my legs. Bill Jones's little
-brother Charlie says he ain't afraid of anything, not even bears. He
-says he would walk right up close and cuff 'em if they dared to yip; but
-I ain't like that!"</p>
-
-<p>I told Aunt Betty that it was the Bishop's twenty-ninth night, and that
-the big red cow was to be his on the morrow.</p>
-
-<p>"Well, I hope it'll turn out that way," she said. "But I ain't a mite
-sure that Abner Sanderson will give up that cow when it comes to the
-point. It won't be the first time<span class="pagenum"><a name="Page_235" id="Page_235">[Pg 235]</a></span> he's tried to crawl out of a bargain
-with folks a good deal bigger than Phil, for he's close, Abner is! To be
-sure, Phil's father bought all his stock for him years ago, and set him
-up on the farm; perhaps that'll make some difference, now he's died, and
-left nothing to his widder. Abner has hired help in July and August, so
-he can get the cow to the pasture easy enough without Phil. I wish you'd
-go up there to-night, and ask Mis' Sanderson if she'll lend me half her
-yeast-cake, and I'll lend her half of mine a Saturday."</p>
-
-<p>I was used to this errand, for the whole village of Pleasant River would
-sometimes be rocked to the very centre of its being by simultaneous
-desire for a yeast-cake. As the nearest repository was a mile and a half
-distant, as the yeast-cake was valued at two cents and wouldn't keep, as
-the demand was uncertain, being dependent entirely on a fluctuating
-desire for "riz bread," the Edgewood store-keeper refused to order more
-than three yeast-cakes a day at his own risk. Sometimes they remained on
-his hands a dead loss; sometimes eight or ten persons would "hitch up"
-and drive from distant farms for the coveted article, only to be met
-with the flat, "No, I'm all out o' yeast-cake; Mis' Simmons took the
-last; mebbe you can borry half o' hern, she hain't much of a
-bread-eater."</p>
-
-<p>So I climbed the hill to Mrs. Sanderson's, knowing my daily bread
-depended on the successful issue of the call. As I passed by the corner
-of the barn, I paused behind a great clump of elderberry-bushes, for I
-heard the timid voice of the Little Bishop and Uncle Abner's gruff tone.
-I did not wish to interrupt nor overhear a family interview, and I
-thought they might walk on as they talked; but in a moment I heard Uncle
-Abner sit down on a stool by the grindstone as he said:</p>
-
-<p>"Well, now, Phillips Brooks, we'll talk about the red cow. You say
-you've drove her a month, do ye? And the trade between us was that if
-you could drive her a month without her getting the rope over her foot
-and without bein' afraid, you was to have her. That's straight, ain't
-it?" The Bishop's face burned with excitement, his gingham shift rose
-and fell as if he were breathing hard, but he only nodded assent and
-said nothing. "Now," continued Uncle Abner, "have you made out to keep
-the rope from under her feet?"</p>
-
-<p>"She 'ain't got t-t-tangled up one s-single time," said Phil, stuttering
-in his excitement, but looking up with some courage from his bare toes,
-with which he was assiduously ploughing the earth.</p>
-
-<p>"So far, so good. Now 'bout bein' afraid. As you seem so certain of
-gettin' the cow, I suppose you hain't been a mite scared, hev you? Honor
-bright, now!"</p>
-
-<p>"I&mdash;I&mdash;not but just a little mite. I&mdash;"</p>
-
-<p>"Hold up a minute. Of course you didn't <i>say</i> you was afraid, and didn't
-<i>show</i> you was afraid, and nobody knew you <i>was</i> afraid, but that ain't
-the way we fixed it up. You was to call the cow yourn if you could drive
-her to the pasture for a month without <i>bein'</i> afraid. Own up square
-now, hev you ben afraid?"</p>
-
-<p>A long pause, then a faint "Yes."</p>
-
-<p>"Where's your manners?"</p>
-
-<p>"I mean yes sir."</p>
-
-<p>"How often? If it hain't ben too many times mebbe I'll let ye off,
-though you're a reg'lar girl-boy, and'll be runnin' away from the cat
-bimeby. Has it ben&mdash;twice?"</p>
-
-<p>"Yes," and the Little Bishop's voice was very faint now, and had a
-decided tear in it.</p>
-
-<p>"Yes what?"</p>
-
-<p>"Yes, sir."</p>
-
-<p>"Has it ben four times?"</p>
-
-<p>"Y-es, sir." More heaving of the gingham shirt.</p>
-
-<p>"Well, you air a coward! How many times? Speak up now."</p>
-
-<p>More digging of the bare toes in the earth, and one premonitory tear
-stealing from under the downcast lids, then:</p>
-
-<p>"A little most every day, and you can keep the cow," wailed the Bishop,
-as he turned abruptly and fled behind the barn, where he flung himself
-into the green depths of a tansy bed, and gave himself up to unmanly
-tears.</p>
-
-<p>I had heard more than I wished, for I had been rooted to the spot, not
-so much because of my interest in Phil as that I did not like to vex
-Uncle Abner by making him aware of my unintentional presence. I did not
-dare seek and comfort my Little Bishop sobbing in the tansy bed, the
-brand of coward on his forehead, and, what was much worse, the fear in
-his heart that he deserved it. I hurried home across the fields, quite
-forgetting my errand, and told Aunt Betty, with tears in my eyes, that I
-would rather eat buttermilk bread for a week than have one of Uncle
-Abner's yeast-cakes in the house. I acknowledged that he had been true
-to his word and had held to his bargain, but I could not forgive his
-making so hard a bargain with my timid Little Bishop.</p>
-
-<p>Aunt Betty finally heard from Mrs. Sanderson, through whom all
-information was sure to filter if you gave it time, that Uncle
-Abner despised a coward, that he considered Phil a regular
-mother's-apron-string boy, and that he was "learnin'" him to be brave.</p>
-
-<p>Bill Jones, the hired man, now drove Buttercup to pasture, though
-whenever Uncle Abner went to Moderation of Bonnie Eagle, as he often
-did, I noticed that Phil took the hired man's place. I often joined him
-on these anxious expeditions, and a like terror in both our souls, we
-attempted to train the red cow and give her some idea of obedience.</p>
-
-<p>"If she only wouldn't look at us that way we would get along real nicely
-with her, wouldn't we?" prattled the dear Bishop, straggling along by my
-side; "and she is a splendid cow; she gives twenty-one quarts a day, and
-Uncle Abner says it's more'n half cream."</p>
-
-<p>I assented in all this, thinking that if Buttercup would give up her
-habit of turning completely round in the road to roll her eyes and
-elevate her white-tipped eyebrow, she might indeed be an enjoyable
-companion; but in her present state of development her society would not
-be agreeable to me even did she give sixty-one quarts of milk a day.
-Furthermore, when I found that she never did any of these reprehensible
-things with Bill Jones, I began to believe cows more intelligent
-creatures than I had supposed them to be, and I was indignant to think
-Buttercup could count so confidently on our weakness.</p>
-
-<p>One evening, when she was more than usually exasperating, I said to the
-Bishop, who was bracing himself to keep from being pulled into a
-way-side brook where she loved to dabble, "Bishop, do you know anything
-about the superiority of mind over matter?" No, he didn't, though it was
-not a fair time to ask the question, for he had sat down in the road to
-get a better purchase on the rope.</p>
-
-<p>"Well, it doesn't signify. What I mean is that we can die but once, and
-it is a glorious thing to die for a great principle. Give me that rope.
-I can pull like an ox in my present frame of mind. You run down on the
-opposite side of the brook, take that big stick, wade right in&mdash;you are
-barefooted&mdash;brandish the stick, and, if necessary, do more than
-brandish. I would go myself, but it is better she should recognize you
-as a master, and I am in as much danger as you are, anyway. She may try
-to hook you, of course, but you must keep waving the stick&mdash;die
-brandishing, Bishop, that's the idea! She may turn and run for me, in
-which case I shall run too; but I shall die running, and Aunt Betty can
-bury us under our favorite sweet-apple-tree!"</p>
-
-<p>The Bishop's soul was fired by my eloquence. The blood mounted to our
-brains simultaneously, and we were flushed with a splendid courage in
-which death looked a mean and paltry thing compared with vanquishing
-that cow. She had already stepped into the pool, but the Bishop waded in
-towards her, moving the alder branch menacingly. She looked up with the
-familiar roll of the eye that had done her such good service all summer,
-but she quailed beneath the stern justice of the Bishop's gaze.</p>
-
-<p>In that moment she felt ashamed, I know, of the misery she had caused
-that helpless mite. At any rate, actuated by fear, surprise, or remorse,
-she turned and walked back into the road without a sign of passion or
-indignation, leaving us rather disappointed at our easy victory. To be
-prepared for a violent death and receive not even a scratch makes one
-fear that one may possibly have overestimated the danger.</p>
-
-<p><span class="pagenum"><a name="Page_236" id="Page_236">[Pg 236]</a></span></p>
-
-<p>Well, we were better friends after that, all three of us, and understood
-one another better as the summer grew into autumn and the great maple
-hung a flaming bough of scarlet over the hammock. Uncle Abner found the
-Bishop very useful at picking up potatoes and gathering apples, but he
-was going to leave Pleasant River as soon as the harvesting was over.</p>
-
-<p>One warm evening Aunt Betty and I were borrowing half a yeast-cake, and
-incidentally sitting on Mrs. Sanderson's steps at sunset. Buttercup was
-being milked on the grassy slope near the shed door. As she walked to
-the barn, after giving up her twelve quarts of yellow milk, she bent her
-neck and snatched a hasty bite from a pile of turnips lying temptingly
-near. In her haste she got more of a mouthful than would be considered
-good manners even among cows, and as she disappeared in the barn door I
-could see a forest of green tops hanging from her mouth, while she
-painfully attempted to grind up the mass of stolen material without
-allowing a single turnip to escape.</p>
-
-<p>It grew dark soon after, and we went into the house, but as we closed
-the door I heard the cow coughing, and said to Mrs. Sanderson,
-"Buttercup was too greedy, and now she has indigestion."</p>
-
-<p>The Bishop always went to bed at sundown, and Uncle Abner had gone to
-the doctor's to have his hand dressed, for he had hurt it in some way in
-the threshing-machine. Bill Jones came in presently and asked for him,
-saying that the cow coughed more and more, and it must be that something
-was wrong, but he could not get her to open her mouth wide enough for
-him to see anything.</p>
-
-<p>When Uncle Abner had driven into the yard, he came in for a lantern, and
-went directly out to the barn. After an hour or more, in which we had
-forgotten the whole occurrence, he came in again. "I'm blamed if we
-ain't goin' to lose that cow," he said. "Come out, will ye, Hannah, and
-hold the lantern? I can't do anything with my right hand in a sling, and
-Bill is the stupidest critter in the country."</p>
-
-<p>We all went out to the barn except Aunt Betty, who ran down the path to
-see if her son Moses had come home from Saco, and could come up to take
-a hand in the exercises.</p>
-
-<p>Buttercup was in a bad way; there was no doubt of it. Something, one of
-the turnips, presumably, had lodged in her throat, and would move
-neither way, despite her attempts to dislodge it. Her breathing was
-labored, and her eyes bloodshot from straining and choking. Once or
-twice they succeeded in getting her mouth partly open, but before they
-could fairly discover the cause of trouble she had wrested her head
-away.</p>
-
-<p>"I can see a little tuft of green sticking straight up in the middle,"
-said Uncle Abner, while Bill Jones and Moses held a lantern on each side
-of Buttercup's head; "but, land! it's so far down, and such a mite of a
-thing, I couldn't git it even if I could use my right hand. S'pose you
-try, Bill."</p>
-
-<p>Bill hemmed and hawed, and confessed he didn't care to try. Buttercup's
-teeth were of good size and excellent quality, and he had no fancy for
-leaving his hand within her jaws. He said he was no good at that kind of
-work, but that he would help Uncle Abner hold the cow's head; that was
-just as necessary, and considerable safer.</p>
-
-<p>Moses was more inclined to the service of humanity, and did his best,
-wrapping his wrist in a cloth, and making desperate but ineffectual dabs
-at the slippery green turnip-tops in the reluctantly opened throat. But
-the cow tossed her head and stamped her feet and switched her tail and
-wriggled from under Bill's hands, so that it seemed altogether
-impossible to reach the seat of the trouble.</p>
-
-<p>Uncle Abner was in despair, fuming and fretting the more because of his
-own uselessness. "Hitch up, Bill," he said, "and, Hannah, you drive over
-to Edgewood for the horse-doctor. I know we can get out that turnip if
-we can hit on the right tools and somebody to manage 'em right; but
-we've got to be quick about it or the critter'll choke to death, sure!
-Your hand's so clumsy, Mose, she thinks her time's come when she feels
-it in her mouth, and your fingers are so big you can't ketch holt o'
-that green stuff 'thout its slippin'!"</p>
-
-<p>"Mine's little; let me try," said a timid voice, and turning round, we
-saw the Bishop, his trousers pulled on over his night-shirt, his curly
-hair ruffled, his eyes big with sleep.</p>
-
-<p>Uncle Abner gave a laugh of good-humored derision. "You&mdash;that's afraid
-to drive a cow to pasture? No, sir; you hain't got sand enough for this
-job, I guess!"</p>
-
-<p>Buttercup just then gave a worse cough than ever, and her eyes rolled in
-her head as if she were giving up the ghost.</p>
-
-<p>"I'd rather do it than see her choke to death!" cried the Bishop in
-despair.</p>
-
-<p>"Then, by ginger, you can try it, sonny!" said Uncle Abner. "Now this
-time we'll tie her head up. Take it slow, and make a good job of it."</p>
-
-<p>Accordingly they pried poor Buttercup's jaws open to put a wooden gag
-between them, tied her head up, and kept her as still as they could,
-while we women held the lanterns.</p>
-
-<p>"Now, sonny, strip up your sleeve and reach as fur down 's you can! Wind
-your little fingers in among that green stuff stickin' up there that
-ain't hardly big enough to call green stuff, give it a twist, and pull
-for all you're worth. Land! what a skinny little pipe stem!"</p>
-
-<p>The Bishop had stripped up his sleeve. It was a slender thing, his arm;
-but he had driven the red cow all summer, borne her tantrums, protected
-her from the consequences of her own obstinacy, taking (as he thought) a
-future owner's pride in her splendid flow of milk&mdash;grown to love her, in
-a word&mdash;and now she was choking to death. Love can put a deal of
-strength into a skinny little pipe-stem at such a time, and it was only
-a slender arm and hand that could have done the work.</p>
-
-<p>Phil trembled with nervousness, but he made a dexterous and dashing
-entrance into the awful cavern of Buttercup's mouth; descended upon the
-tiny clump of green spills or spikes, wound his little fingers in among
-them as firmly as he could, and then gave a long, steady determined pull
-with all the strength in his body. That was not so much in itself, to be
-sure, but he borrowed a good deal more from some reserve quarter, the
-location of which nobody knows anything about, but upon which everybody
-draws in time of need.</p>
-
-<p>Such a valiant pull you would never have expected of the Little Bishop.
-Such a pull that, to his own utter amazement, he suddenly found himself
-lying flat on his back on the barn floor, with a very slippery something
-in his hand, and a fair-sized but rather dilapidated turnip on the end
-of it.</p>
-
-<p>"That's the business!" cried Moses.</p>
-
-<p>"I could 'a' done it as easy as nothin' if my arm had been a leetle mite
-smaller," said Bill Jones.</p>
-
-<p>"You're a trump, sonny!" exclaimed Uncle Abner as he helped Moses untie
-Buttercup's head and took the gag out. "You're a trump, and, by ginger,
-the cow's yourn!"</p>
-
-<p>The welcome air rushed into Buttercup's lungs and cooled her parched,
-torn throat. She was pretty nearly spent, poor thing! and bent her head
-gently over the Little Bishop's shoulder as he threw his arms joyfully
-about her neck, and whispered, "You're my truly cow now, ain't you,
-Buttercup?"</p>
-
-<p>"Aunt Betty," I said, as we walked home under the harvest moon, "there
-are all sorts of cowards, aren't there, and I don't think the Little
-Bishop is the worst kind, do you?"</p>
-
-<hr class="tb" />
-
-<h3>TRYING TO SEE THE WIND.</h3>
-
-<p>Did you ever try to see the wind? It is a very pretty experiment, and
-one easily performed. In the first place choose a windy day, then secure
-a polished piece of metal. (A hand-saw will be the easiest to get.) Hold
-the metallic surface at right angles to the direction of the wind. For
-example, if the wind is in the north, hold the saw east and west
-inclined about forty-five degrees to the horizon. Now look carefully at
-the sharp edge, and you will shortly see the wind pouring over it like a
-waterfall. Do not try the experiment on a rainy or a murky day.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_237" id="Page_237">[Pg 237]</a></span></p>
-
-<div class="figcenter" style="width: 400px;"><a name="TORTOISE-SHELLS" id="TORTOISE-SHELLS"></a>
-<img src="images/ill_003.jpg" width="400" height="270" alt="" />
-</div>
-
-<h2>TORTOISE-SHELLS.</h2>
-
-<h3>BY A.&nbsp;V.&nbsp;S. ANTHONY.</h3>
-
-<p>It was a bright winter morning, and the air outside was frosty and
-still. A young maid sat in her cozy chamber dressing her golden-brown
-curls, and as she drew her comb through them she heard a sharp crackling
-sound that caused her to put on her "thinking-cap," as was her habit
-when anything out of the common occurred, for she liked to reason out
-matters in her own quiet way. In her studies she had not as yet reached
-any allusion to that subtile power known as electricity, so she
-concluded that the sound must have come from the comb, which she thought
-was possibly made from the shell of a snapping-turtle. Having settled
-the affair comfortably in her mind, she finished her toilet hastily,
-that she might lose no time in announcing her discovery to the family at
-the breakfast table.</p>
-
-<p>It was the fortunate lot of the head of the family to have been wrecked
-on a coral reef. I say fortunate, because "All's well that ends well,"
-and inside the reef was a small island, on which he, the head of the
-family, had the rare experience of witnessing the catching of turtles
-and the removal of their shells by some native fishermen.</p>
-
-<p>Stories of shipwrecked mariners have been so often told that the
-incidents of mine need not be repeated here. If, as the Irishman said,
-the tale of the <i>lost</i> could be told, it would be quite new and
-interesting; but mine was the very ordinary and commonplace.</p>
-
-<p>After the morning meal was over I told the little maid about it, as I
-briefly tell you here.</p>
-
-<p>I was on my way to Central America, and had almost reached my journey's
-end when our ship was wrecked. We struck the reef about nine o'clock at
-night. It was a very dark and thick night, and the waves dashed over us
-as we huddled together on the quarter-deck while waiting for daylight to
-determine in which direction lay possible safety. When the sun rose the
-next morning we saw approaching us a canoe containing four Indians, with
-whose assistance we got over the dangerous rocks, and were soon on the
-island, which was about ten miles distant from the mainland.</p>
-
-<p>It was a beautiful morning, and after the Indians had made us some hot
-coffee and tortillas (an unleavened corn-cake, baked on hot stones),
-they went off with the Captain and crew to the wreck, to see if anything
-could be saved from it, while I lay under the cocoanut-trees enjoying
-the soft tropical air and congratulating myself on my escape.</p>
-
-<p>When the Captain returned, he determined that he had been driven about
-twenty-five miles out of his course by a strong current that sets up
-northward along the eastern coast of Yucatan, for which he had not made
-proper allowance.</p>
-
-<p>Day was the period of rest for the Indians, and as we all needed sleep,
-we closed our eyes on the lovely yellow light of the Caribbean Sea, and
-stretched ourselves under the shelter of the thatched hut.</p>
-
-<p>Towards sunset the Indians awakened us, and gave us another meal of
-coffee and tortillas, with <i>chile</i>&mdash;an uncommonly hot little green
-pepper. The night promised to be fine, and the Indians predicted a good
-catch of turtles, as the egg-laying season was nearing its close. So,
-after an hour or two of chatting, we went down to the edge of the beach,
-and hid ourselves among the tall salt grasses that lined the shore above
-high-water mark, where we lay quietly watching the moon rising in its
-mysterious way out of the sea. Not a sound was heard, save the soft
-murmuring of the waves as they washed over the reef about half a mile
-away. We were as still as mice, as the Indians had cautioned us against
-talking, for the turtles were shy, and very quick to take alarm. After a
-long wait one of the men touched my arm, and pointed to some dark
-objects that were slowly crawling out of the water, which was as quiet
-as a mill-pond. Those dark objects were five big turtles that had come
-ashore to lay their eggs, which are from two to three inches in length,
-and sometimes as many as two hundred in number.</p>
-
-<div class="figcenter" style="width: 600px;">
-<img src="images/ill_004.jpg" width="600" height="406" alt="" />
-<span class="caption">WATCHING THE TURTLES COMING OUT OF THE WATER.</span>
-</div>
-
-<p>This turtle has a small squat head covered with plates of shell, and has
-a jaw like the beak of a hawk. It has four limbs, or flippers&mdash;the
-hindermost being quite long and winglike&mdash;which are armed with a couple
-of strong nails, with which it digs holes in the sand when it comes
-ashore to lay its eggs, and it is very fierce at such times if
-disturbed. When the eggs are laid and carefully covered, Mrs. Turtle
-waddles off to the water, and gives no further thought of her two
-hundred or more children which she has left behind.</p>
-
-<p>In the course of time the hot sun hatches out the little chelonians, who
-burst their shells, and digging their way out of the sand, toddle town
-the beach to the sea to begin their careers.</p>
-
-<p>Their food consists of sea-weed, crabs, and fishes, and<span class="pagenum"><a name="Page_238" id="Page_238">[Pg 238]</a></span> when they grow
-to be about two hundred pounds in weight, and their shells become
-valuable, it behooves them to keep their "weather eyes" open for
-dark-skinned men when their maternal instincts prompt them to ramble on
-shelving beaches by the light of the moon.</p>
-
-<p>When the turtles were well up on the shore, the natives rushed out with
-stout poles, and after a sharp tussle succeeded in turning them over on
-their backs&mdash;no easy task, as they were nearly four feet long, and
-weighed several hundred pounds.</p>
-
-<p>Once on their backs they were helpless, as they were unable to regain
-their natural position. Long after midnight we added another to our
-catch, and then went to rest, leaving the turtles on the beach.</p>
-
-<p>In the morning the natives rolled them over, and after fastening their
-flippers to stakes driven into the beach, built a light fire on their
-backs, which caused the plates to curl at the edges, under which a knife
-was passed and the plates removed, leaving underneath a solid body of
-bony substance, which is the real protecting shield.</p>
-
-<p>The fire seemed to cause the turtles much pain, as they moaned in quite
-a human way, but the work was soon over, and on being released, the poor
-things crawled down the beach and disappeared into the sea. The natives
-are very careful not to fatally injure them, as they are not very
-numerous in these waters, and would soon be exterminated if
-indiscriminately slaughtered, and this is the only variety&mdash;the
-hawksbill, <i>Erectmochelys imbricata</i>, the zoologists call them&mdash;that
-yields the tortoise-shell of commerce. I was told that a second shell
-soon formed, but it grew as one solid mass, and had no commercial value.</p>
-
-<p>There are thirteen of these plates, and the centre one, on a full-grown
-specimen, is oftentimes fully fifteen inches long, weighing over half a
-pound, and ranging from an eighth to a quarter of an inch in thickness.</p>
-
-<p>The finest shell comes from the Eastern Archipelago, around the Celebes,
-and along the coast of New Guinea, and its value depends on its mottled
-color; that having a warm transparent yellow tone, with rich brown
-spots, is the most sought after, and brings the highest price. It is a
-horny substance, much harder, more brittle, and less fibrous than
-ordinary horn, and it is very tender, and should not be exposed to
-severe cold.</p>
-
-<p>In preparing the plates for manufacturing purposes, they are first
-carefully scraped and washed, the rough edges filed off, and then
-treated to a bath of boiling water, after which they are subjected to
-pressure to flatten them. Great care must be used to avoid overheating
-them, as an excess of heat destroys the transparent and translucent
-portions, and turns them into a muddy, opaque mass, and thus impairs the
-market value, so only the most skilful workmen are intrusted with the
-finer grades, as long practice enables them to work the material at a
-moderately low temperature.</p>
-
-<p>The shell has an extremely peculiar quality, and with the proper degree
-of heat can be fashioned into any desired form, which it retains on
-cooling. All the chips, scraps, and filings that come from working the
-shells are carefully saved, as they can be softened and pressed into
-moulds of various shapes.</p>
-
-<p>When thickness is desired, two surfaces are roughened by rasping, and
-the pieces are then plunged into boiling water, which liquefies the
-superficial film, and transforms it into a sort of gluey paste, and when
-the two pieces are pressed together&mdash;sometimes between hot irons&mdash;a
-solid mass is obtained, without loss of the valuable qualities so much
-esteemed. Many cheap compositions and a large amount of stained horn are
-on the market, which are sold to the unwary as real tortoise-shell, but
-the fraud is easily detected.</p>
-
-<p>The old Romans held the shell in high favor, and used it very freely to
-veneer furniture, etc.; and the modern French and German craftsmen
-decorate their buhl cabinets with it in connection with gold, silver,
-and copper. To-day it is made into many articles of jewelry, chains,
-sleeve-buttons, lorgnettes, combs, and other toilet articles. To-morrow
-it may be out of fashion, and be laid away with camel's-hair shawls.</p>
-
-<hr class="chap" />
-<h2><a name="CAPTAIN_JACKS_CHRISTMAS_GIFT" id="CAPTAIN_JACKS_CHRISTMAS_GIFT">CAPTAIN JACK'S CHRISTMAS GIFT.</a></h2>
-
-<p>It was just in the holiday season when Bob and Tommie were delighted to
-receive a visit from their old friend Captain Hawkins from the
-sea-shore.</p>
-
-<p>"Just thought I'd run up to town for a few minutes," he said, as if it
-were necessary for him to explain his presence in town. "You see, I've
-got a few nevews an' several thousand gran'children what likes to hear
-from me about Christmas-time, so I goes about Bemberton-by-the-Sea, and
-all I can find in the shops down thereabouts is the same old things
-they've had for the last forty year."</p>
-
-<p>"My! Captain Hawkins," said Bob. "Forty years? Are your nephews and
-grandchildren as old as that?"</p>
-
-<p>"Well, pretty nearly," said the Captain, with an uneasy laugh. "Pretty
-nearly; and when you get to be forty you get kind of tired o' tin pails
-and wooden spades and little red jumpin'-jacks an' doll babbies and
-lemon drops. You boys don't understand that, but wait till you get to be
-forty year old, and see if I ain't tellin' you the solemnest kind o'
-truth."</p>
-
-<p>"I guess you're right," said Bob. "I gave my daddy a fine old
-Jack-in-the-box once, and he laughed like everything at first; but he
-didn't play with it much, and finally it came back to me again. Pop's
-pretty nearly forty."</p>
-
-<p>"Yes, an' I guess he laughed like sixty when he saw that Bob-in-a-box."</p>
-
-<p>"Jack-in-a-box," said Bob, with a smile.</p>
-
-<p>"All the same," retorted the old Captain. "Jack-in-a-box,
-Tommie-in-a-box, or Bob-in-a-box! I never could see why they took the
-trouble to specify, and if I'd ever have had any children o' my own the
-Jack-in-a-box would ha' been named after 'em."</p>
-
-<p>"But, Captain, you were just speaking of your grandchildren," said
-Tommie. "How can you have any grandchildren if you haven't had any
-children?"</p>
-
-<p>"Oh, that's easy," replied the Captain. "I've adopted 'em. Whenever I
-see boy or a girl that strikes me as being grand I adopt 'em and call
-'em my grandchildren. I guess I've got most a million of 'em scattered
-round."</p>
-
-<p>"And you've come up to get a million Christmas presents for 'em?" cried
-Bob, in ecstasy.</p>
-
-<p>"Yep&mdash;only there ain't more'n ten of 'em," said the Captain, "that
-expects anything. I'm goin' to spend ten cents apiece on 'em, but first
-I've got to get the other eight."</p>
-
-<p>Bob looked at Tommie and Tommie looked at Bob. They were really puzzled
-to think what the Captain could mean.</p>
-
-<p>"The other eight?" asked Bob.</p>
-
-<p>"Yes," said Hawkins. "You boys ain't the only grandchildren I've got. I
-love you, but you ain't the only ones I love. There's at least eight
-more. And what do you suppose I'm goin' to give you all for Christmas?"</p>
-
-<p>The boys gave it up.</p>
-
-<p>"Well," said the Captain, in a whisper, "as I was a-comin' up Broadway
-a-lookin' into the windows, all of a sudden I see a hoss-car goin' along
-without a hoss, and I says goodness gracious that's funny. A hoss-car
-without a hoss, an' what was queerest of all, <i>no trolley</i>! Boys, it
-scaret me. Me who was never scaret before was scaret then. So I says to
-a policeman, 'Great scott! Mr. Constable, say, what makes that car go so
-fast?' 'It's the cable,' says he. My goodness thinks I, I'm sorry for
-the man that has to pull it, but I jumps aboard one of 'em, pays my five
-cents, and I have the finest sail from Forty-second Street to the
-Battery you ever see. No wind, no steam, nothin' in sight to move you,
-but movin' just the same, just as if you was on a sled slidin' down a
-hill. It <i>was fine</i>. Goin' around by Fourteenth Street you got lurched
-like as if you was at sea, an' then with a clear track and no squalls we
-just bounded down past Canal and Wall streets to Bowlin' Green, and back
-as slick as anything. And I says to myself, Cap'n Hawkins you've struck
-it. Don't give the boys no pails, no Jims-in-the-boxes, no spades, no
-nothin', but get the whole ten of 'em together and give 'em a ride on
-the cable-car whether you're sorry for the feller that pulls the rope or
-not. So I'm goin' back to Bemberton for the other eight, and when you
-boys are free I want you to join us for a sail from Central Park down
-and back, eh?"</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_239" id="Page_239">[Pg 239]</a></span></p>
-
-<h2><a name="VOLCANOES_THEIR_MODE_OF_ACTION_AND_ORIGIN" id="VOLCANOES_THEIR_MODE_OF_ACTION_AND_ORIGIN">VOLCANOES&mdash;THEIR MODE OF ACTION AND ORIGIN.</a></h2>
-
-<h3>BY NATHANIEL S. SHALER,</h3>
-
-<h4><span class="smcap">Professor of Geology at Harvard University</span>.</h4>
-
-<p>In endeavoring to set before the reader an account of volcanoes, I find
-a difficulty arising from the fact that very few people have had a
-chance to see these curious features in the machinery of the earth. In
-the United States, except in the far-away island district of Alaska,
-there is not one that has been seen by white men in a state of activity.
-Many, it is true, exist in the Cordilleran district, between the
-Canadian and Mexican line, but these are for the most part inaccessible,
-or, if conveniently placed for the tourists' convenience, are not well
-suited to show the most important facts of these structures. In writing
-about the sea, rivers, mountains, glaciers, or any other class of
-natural objects, our country affords admirable means of illustration,
-which may serve to convey clear impressions; but the story of volcanoes
-has to be told without this help.</p>
-
-<p>It is otherwise in the Old World. In Europe, Ætna and Vesuvius have had
-their activity associated with that of the most cultivated people of the
-world for about twenty-five centuries; and at many points, as in the
-valley of the Po or in central France, there are groups of volcanoes
-which are, though no longer active, in a very perfect state of
-preservation, within sight of the ways which are traversed by all
-sight-seeing travellers.</p>
-
-<p>Its convenient position, immediately neighboring to the most beautiful
-scenery and the greatest treasures of antiquity, has made Vesuvius the
-volcano of all others which people are likely to see. Probably a hundred
-climb it for one who ascends any other cone. This is true of our own
-countrymen who travel as well as those of Europe. This choice of
-Vesuvius as the volcano of pilgrimage is fortunate, for the reason that
-though by no means a great specimen of its kind, it is perhaps the most
-useful to the student of all the thousands that have been examined and
-described by observers of volcanic phenomena. Therefore, as we should
-begin our inquiry by seeing what occurs in a volcanic outbreak, and the
-consequences of these explosions, we will make our study on this
-beautiful cone.</p>
-
-<p>It is characteristic of this most amiable of volcanoes that of late
-years it has been in many frequent slight eruptions. The greater number
-of craters lie sleeping for hundreds or perhaps thousands of years,
-until they break forth with a fury that sends desolation to the country
-for miles from the point where the discharge takes place. But Vesuvius,
-which in its early years was given to furious storms, such as that which
-overwhelmed Herculaneum and Pompeii eighteen centuries ago, has now
-become so mild-mannered that men till their vineyards in a fearless way
-on the slopes which lead up to the crater.</p>
-
-<p>It was my good fortune, about fifteen years ago, on one of several
-visits to Vesuvius, to find it in an excellent state for an inquiry,
-which showed me more of what goes on in an eruption, and led to a better
-insight into the nature of the work than has often been seen by the
-geologist. There was a slight eruption in progress during the night;
-from the windows of my lodging in Naples I could see the successive
-puffs of fire from the crater coming regularly, several each minute. On
-the following morning there was a strong northerly wind blowing, which
-made me hope it would be possible to approach the edge of the opening
-without danger from the falling stones.</p>
-
-<p>Climbing the long way which leads from the railway station on the shores
-of the bay, through the gardens, villages, and vineyards, I came at
-length to the observatory which has been established on the border of
-the area which is reasonably safe in times of trouble. Here I learned
-that the instruments which show the tremblings of the earth, the small
-earthquakes which are not perceived by our bodies, indicated that the
-cone was in a state of constant trembling. The observers who watch this
-apparatus thought it likely that some time during the day the cone would
-be blown away in a violent eruption, such as now and then sends the
-upper part of this and many other volcanoes flying into bits before the
-fierce blast of the escaping vapors.</p>
-
-<p>My way lay across a wide field of lava and cinders to the place where
-the steep slope of the upper cone rose to the level where the crater was
-bombarding the sky with the rapidity of a well-served cannon. The climb
-up this cone, composed of the bits of lava which had been blown into the
-air and had fallen down again to the earth, was very laborious. The
-slope was as steep as a house roof. It took three steps to gain each
-foot in height. Now and then a stronger blast from the crater would
-shake the heap, so that it was hard to keep the ground that had been
-gained. It took a long hour to win the height of four or five hundred
-feet.</p>
-
-<div class="figcenter" style="width: 600px;">
-<img src="images/ill_005.jpg" width="600" height="410" alt="" />
-<span class="caption">"CREEPING TO THE SHARP EDGE OF THE CRATER, I SAW INTO THE
-VERY MOUTH OF THE VOLCANO."</span>
-</div>
-
-<p>Creeping to the sharp edge of the crater, and peering cautiously into
-the cavity, I saw into the very mouth of the volcano. The cup-shaped
-depression was about three hundred feet in diameter, and perhaps half
-that depth; it passed downward into a well-like pipe, perhaps sixty feet
-across. The lower part of the pit was, even in the bright sunlight,
-evidently red-hot. The sides of the pipe were white-hot. On this lower
-part of the pit, which shone like the eye of a furnace, a mass of very
-fluid lava was lashing up and down, now rising until it filled the
-bottom of the basin with its fiery tide, again sinking until it was out
-of sight.</p>
-
-<p>Each time the lava rose up into the basin it swelled quickly in its
-middle part, and in the twinkling of an eye it was broken by an
-explosion of such violence that a quantity of the fluid rock was tossed
-in fragments high into the air. As this sped upward and downward, it had
-a chance partly to cool, so that as it fell on the edge of the cone
-opposite to where I was the roar of its striking was very suggestive of
-what would happen if the wind should die away.</p>
-
-<p>Although the circumstances were such as made it hard to observe closely,
-I had no difficulty in seeing that the vapor which blew out at each
-explosion was steam. As it came forth, it was of the steel-blue color
-which we see just where the steam comes from the safety-valve of a very
-hot boiler. As it rose in the crater it soon became white, and as it
-whirled around me it had the well-known odor of steam, mingled with that
-of sulphur. In a word, it was evident that it was the vapor of water
-which was the cause of the explosions.</p>
-
-<p>After I had watched this fascinating scene for about half an hour, with
-much inconvenience from the heat of the earth and from the shaking of
-the ground on which I lay, the explosions, which were at first at the
-rate of three or four each minute, became more and more frequent and
-violent, and the strong wind began to die away, so that a speedy retreat
-was necessary to escape the bits of lava, which were now falling
-heavily. Looking back from the base of the cone, I noted that the
-explosions came faster and faster, so that it sounded as a continuous
-roar. It was just as when a locomotive starts on its journey. At the
-outset we can count the puffs; as the cylinders move faster and faster
-the escape sounds perfectly continuous.</p>
-
-<p>From the base of the cinder cone there flowed out a small lava stream.
-This lava was evidently full of steam, which poured forth from all parts
-of the surface. This is seen in all eruptions. Clouds of steam hung over
-the streams of lava. They are often visible ten miles or more away from
-the current of molten rock. In a great eruption the steam given forth
-from the crater often forms, as it condenses, into rains, that fall in
-fearful torrents about the cone. It is evident, in a word, that the
-explosions of volcanoes are formed by the escape of the vapor of water.
-They are, indeed, like the explosions of boilers.</p>
-
-<p>The question now arises as to the way in which this steam gets into the
-lava. This we can decide by a simple bit of study of the facts. Taking a
-map which shows the positions of several hundred active volcanoes, we
-find at once that they are all situated on the sea floor, from which
-they rise to form islands on its surface; or, when they are on the
-continents, they are never more than two hundred and fifty miles from
-the ocean. This shows that the activity of a volcano is, in some way,
-related to the sea-water. The only way in which we have been able to<span class="pagenum"><a name="Page_240" id="Page_240">[Pg 240]</a></span>
-reasonably conceive of the sea bringing about volcanic explosions will
-now be described.</p>
-
-<p>On the sea floor there is a constant laying down of
-sediments&mdash;limestones, sandstones, etc. We know by the parts of the old
-sea floor that have been uplifted into dry lands that such beds have
-been formed, to the thickness in all of one or two hundred thousand
-feet. These beds are made of small bits of rocky matter and fragments of
-dead animals and plants. These bits do not fit closely together, and the
-interspaces are filled with sea water, so that as much as one-twelfth of
-the rock is usually made up of the fluid in which it was formed. As the
-ages go on, these beds, with the water which they hold, are buried
-deeper and deeper by the newer rocks which are laid down upon them,
-until it may be that they are thus brought to lie twenty miles or more
-below the surface of the solid earth.</p>
-
-<p>Next let us see as to the heat to which these rocks, with their
-imprisoned water, are exposed. We know, from a great number of studies
-which have been made in mines that for each mile we go downward in the
-earth there is an increase in heat, differing a good deal in different
-places, but on the average amounting to about one hundred degrees.
-Therefore, at the depth of twenty miles the imprisoned water would have
-a temperature of about two thousand degrees. In other words, it would be
-about as hot as the melted iron that comes from the blast-furnace. Thus
-heated, the water of the tiny cells of the rock would tend to explode
-with something like the intensity of gun-powder when it was fired; but
-as it is sealed in by the great thickness of the rock above, it cannot
-<i>burst</i> into vapor&mdash;just as in the steam-boiler the water stays as a
-fluid even when it is heated twice as hot as it needs be to become steam
-when it is not confined.</p>
-
-<p>Let us now suppose that a rift, or, as geologists call it, a fault, is
-formed in the rocks leading from the surface downward to the level where
-this very explosive water lies. We can readily fancy that at once the
-fluid would flash into steam; and as this occurred in the myriads of
-little cavities in the rocks, which were so heated that they tended to
-become melted, great quantities of the beds would be forced along with
-the escaping steam in the form of lava. We see also that this would
-account for the fact that when the lava comes to the surface of the
-earth it is commonly filled with steam. When it rises quickly to the
-air, it is blown to fine dust by the expanding vapor; or if it does not
-fly to pieces, the little bits of water expand into bubbles, forming
-pumice or lava, so full of little cavities that it will float on the
-water like cork.</p>
-
-<p>This view as to the origin of volcanoes, although it would not be
-accepted by all the students of these strange features of the earth,
-seems most probable, for the reason that it accounts for the fact that
-all the seats of present volcanic activity are on the floor of the seas
-or near their borders, and that the extinct volcanoes which we have had
-a chance to study lost their activity at a time when, by the changes in
-the shape of the land, the sea was moved away from the region where they
-were found. We easily perceive that it is only where, as in the sea,
-beds are being laid down, one on top of another, that the heat is rising
-in the rocks, and the water in their crevices becoming hotter; beneath
-the land the rocks are always becoming less heated, so that the water
-which they contain is constantly cooling down.</p>
-
-<p>I have spoken of the water contained in the very heated rocks as if it
-remained in the state of fluid. It is likely that, when in its very hot
-state, it may be changed into its gases, oxygen and hydrogen, of which
-it is composed, and that these gases would again become the vapor of
-water as they rose toward the surface and were somewhat cooled. This and
-other matters of chemical detail which go on in the wonderful laboratory
-of the under-earth do not hinder our believing that volcanoes are due to
-the escape of the water which is constantly being buried in the rocks as
-they are built. So large is the amount of this water which lies thus
-buried that probably it amounts to somewhere near as much as is held in
-all the seas. Were it not for the return of the buried fluid through the
-volcanoes, the oceans would doubtless be much smaller than they are.
-They might, indeed, have long since disappeared in the crevices of the
-earth.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_241" id="Page_241">[Pg 241]</a></span></p>
-
-<h2><a name="A_LOYAL_TRAITOR" id="A_LOYAL_TRAITOR">A LOYAL TRAITOR.</a></h2>
-
-<h4>A STORY OF THE WAR OF 1812 BETWEEN AMERICA AND ENGLAND.</h4>
-
-<h3>BY JAMES BARNES.</h3>
-
-<h3>CHAPTER XI.</h3>
-
-<h3>THE SWORD-FISH AND THE WHALE.</h3>
-
-<p>Now again we had changed our course, and were going before the wind
-directly to the westward. The breeze was light, and better for a small
-vessel than for a heavy, deep-laden man-of-war, and we might have run
-away in safety if we chose. That something was up, however, that meant
-adventure no one could help seeing.</p>
-
-<p>Orders were given, without any bawling or shouting, to get down the
-top-gallant masts on deck. The crew worked like ants. (I loved them for
-the way they went about it.) The yards were lowered to the deck as
-quickly as if they were clothes-poles in a drying-yard. I had never seen
-anything done so neatly and with such despatch. Our headway decreased,
-of course, as we lost the use of our upper sails.</p>
-
-<p>Mr. Spencer, who was aloft, reported to the deck: "We're hidden now,
-Captain Temple," he said. "She might pass within a quarter of a mile of
-us and never see us."</p>
-
-<p>Purposely I had stepped close to him as he spoke to the Captain, and the
-latter's reply was as astonishing to me as it apparently startled the
-officer. Temple was eagerness in every line of his face. He struck his
-right fist into the palm of his left.</p>
-
-<p>"The closer the better," he exclaimed. Then he turned. "What are the
-soundings?" he inquired of the bow-legged man who had hastened up. (I
-have forgotten to state that we had been heaving the lead for the last
-half-hour.)</p>
-
-<p>"Six fathoms, sir, and shoaling; here it is, sir."</p>
-
-<p>"Prepare to lower away the long-boat, Mr. Bullard," the skipper ordered,
-after a glance at the lead. "Mount the forward swivel in her, pick a
-crew, take a boat's compass, and make off due west. Mr. Spencer, you
-will take command of her. A word with you."</p>
-
-<p>Every one looked at the Captain in astonishment, but no one asked a
-question or put in a word. As I was one of the crew of the long boat, I
-helped to get her ready and swing her overboard. The swivel was lashed
-on the forward gratings, and half a dozen muskets were handed down to
-her, and we shoved off. Mr. Spencer was pale and nervous. As we left the
-brig's side we saw that her helm had been put hard down, and that she
-once more was headed north. There was just enough wind to move her
-slowly through the water. In three minutes she was lost to sight.</p>
-
-<p>We had been resting on our oars, and now Mr. Spencer spoke for the first
-time.</p>
-
-<p>"Make no noise," he said. "Pull slowly, straight ahead."</p>
-
-<p>We gave way, trying our best to silence the thumping in the row-locks.
-So light was the breeze that we could have kept apace of a vessel's
-sailing. For ten minutes we rowed on, and then we stopped again, and
-Spencer spoke.'</p>
-
-<p>"Load that swivel and get ready with those muskets," he ordered.</p>
-
-<p>I heard him mutter something in which I caught the words "tomfoolery"
-and "nonsense," and I looked back over my shoulder. A half-dozen
-perplexed-looking marines were grouped in the bow, and three sailors
-were ramming home a charge in the swivel.</p>
-
-<p><span class="pagenum"><a name="Page_242" id="Page_242">[Pg 242]</a></span></p>
-
-<p>"Lads," said Mr. Spencer, "it's Captain Temple's orders to fire into
-that frigate and get away, if we can. It all depends upon yourselves and
-the way this boat is handled whether we are blown out of the water, or
-cut to pieces, or escape with whole skins. I want no talking in the
-boat."</p>
-
-<p>The man beside me on the thwart pulled his shirt over his head, and
-several others did likewise. They sat there bare from the waist up, and
-their torsos looked like those of the men in some of the old engravings
-in the handsome books I had read at Marshwood.</p>
-
-<p>We were pulling slowly ahead now, and for fully a quarter of an hour we
-rowed without a break. Then Mr. Spencer called for oars, and we drifted
-a long time.</p>
-
-<p>"Listen!" said one of the men in the bow, suddenly. He was bending over,
-with his hand making a hollow back of his ear. Half of the crew did
-likewise. For a minute I could hear nothing. Then I detected a groaning
-sound and a ripple of the water. It was the noise of a vessel's sailing.</p>
-
-<p>"I can see her, sir," the bowman said in a hoarse whisper. "She's not
-five cable-lengths away."</p>
-
-<p>The Lieutenant rose to his feet, and I could see that his hand was
-trembling as he fumbled in the breast of his jacket. He pulled a
-boatswain's whistle out and put it to his lips. But before he blew he
-spoke calmly.</p>
-
-<p>"Bring that gun to bear on her," he said.</p>
-
-<p>"Blow her out of water," spoke up the man beside me, with a chuckle.</p>
-
-<p>What utter foolishness it seemed to me even then (and of a truth it
-probably was that anyhow) to attack a frigate in a long-boat armed with
-six muskets and a broadside that you could carry in the crown of your
-hat! But no one seemed to flinch.</p>
-
-<p>"Give way softly," whispered Mr. Spencer, taking the tiller himself from
-the cockswain. Then, without warning, the silver pipe shrilled out, and
-he bawled at the top of his voice, as if he were commanding a ship's
-crew, instead of a handful of mystified seamen in a cockle-shell: "All
-hands on deck there, and lively! There's a vessel here astern of us!
-Port your helm!" He answered this order himself with an, "Ay, ay, sir,"
-and leaning forward shouted, "Fire!"</p>
-
-<p>Close to the water a great shape could be seen. The little gun
-slap-banged, and almost jumped overboard with the recoil. The six
-muskets rang; and, animated more by the gesture of Mr. Spencer's hand
-than the word, we laid back on the oars. We took perhaps some forty
-strokes or more, when the Lieutenant called for us to cease, with a
-sound of a hiss betwixt his teeth. The huge shape was now astern of us
-on the port hand close too. We had rowed across her bow! Now so tense
-was every nerve, and at such a tension was my mind, that I remembered
-everything I heard and saw so that I can repeat it to a dot.</p>
-
-<p>The shot and volley had been followed by a confused cry and a great
-to-do from the direction of the frigate. Now we could hear a confused
-jumble of accents, and above it the cries of a man's voice in agony,
-"Oh, oh, I'm killed!" it said distinctly. Then a voice commanded
-silence, and we could make out every word that passed.</p>
-
-<p>"Can you see anything ahead there, you men forward?" asked a voice so
-close that it appeared to be directed towards us.</p>
-
-<p>"No, sir; not a thing, sir!" was the answer. If anything, it sounded
-closer than the first.</p>
-
-<p>Then cool and distinct we caught the following orders, as we sat there
-holding our breaths, and our hearts beating so loudly that we nearly
-rocked the boat.</p>
-
-<p>"Ready about! Ready! Ready! Put your helm down, quartermaster."</p>
-
-<p>"Helm's alee, sir."</p>
-
-<p>"Haul taut! Mainsail, haul!" (An anxious waiting pause.) "Head braces!
-Haul well taut! Let go, and haul!"</p>
-
-<p>So firmly were these words impressed upon me that I never had to learn
-afterwards the orders for tacking ship.</p>
-
-<p>Now followed a rumbling sound and some shouts and orders, and then a
-crash and an explosion that ripped the fog and cut great gashes of red
-flame through the gray opaque wall.</p>
-
-<p>"Gee!" said the man next to me, with a shiver, "if that had caught us,
-eh!"</p>
-
-<p>"Good-by, Mary Ann!" said the man in front, looking back over his
-shoulder.</p>
-
-<p>Mr. Spencer was leaning forward. "They think we're off there," he
-whispered, jerking his thumb over his shoulder. "Lads, you did well."</p>
-
-<p>Now all was silence again, and the frigate gathered headway to the
-north. We staid where we were.</p>
-
-<p>But now, if I shall live to be a hundred, I can never get one sound from
-my ears. To the eastward, and beyond the English vessel, sounded the
-shrilling of a fife. The first bars of "Yankee Doodle" was the tune it
-played. I almost leaped up to my feet, but the music was soon ended, for
-a rattling swingeing crash followed a burst of blurred red flame. I
-could smell the smoke from the frigate's broadside that reached us now.
-But it was not she that spoke the second time.</p>
-
-<p>"Kill-Devil's got the weather-gauge of her, by Moses!" said the sailor
-next to me, putting his arm about my neck and giving me a hug.</p>
-
-<p>"Silence in the boat there," ordered Mr. Spencer, angrily.</p>
-
-<p>A roaring crash and confusion of explosions followed. The men in the bow
-began to laugh hysterically, and even Mr. Spencer joined them.</p>
-
-<p>"The <i>Young Eagle</i>'s got under her quarter. She'll rip her hide," he
-laughed. "Hark! did you hear that? It's the long twelve. Don't cheer,
-you fools!"</p>
-
-<p>It was well he had given this order, for the men were about to burst
-into a shout. One of them dropped his oar, and was roundly reprimanded
-for it. But now a multitude of sounds came from the direction of the
-fighting-vessels. Groans and orders, cries and firing, and above them
-all the comments from close about me, that in my ignorance I did not
-exactly understand.</p>
-
-<p>"Old Johnny Bull's missed stays," roared Mr. Spencer, laughing. "It's
-the sword-fish and the whale. Stab her again, Captain Temple, stab her
-again!"</p>
-
-<p>A distinct broadside was heard, and then a cheer, followed by a confused
-roaring, with high treble shrieks, like a countertenor's note in a
-chorus.</p>
-
-<p>"Bleed, bleed, bleed," muttered the man next to me.</p>
-
-<p>"That was our cheer," gurgled the cockswain, sawing to and fro in his
-narrow little box; but no sooner had he spoken than a crash louder and
-brighter colored than any of the rest ripped out.</p>
-
-<p>"The frigate's broadside!" gasped Mr. Spencer.</p>
-
-<p>All was silence now.</p>
-
-<p>"Heaven help us, they've sunk her!" the Lieutenant said, hoarsely.</p>
-
-<p>No sound for full five minutes.</p>
-
-<p>Three or four shots now, and then silence again. It appeared to me that
-the fog had lessened. A fine drizzle was falling; and we could see the
-outlines of a vessel not a quarter of a mile away from us.</p>
-
-<p>"Pull for your lives!" cried Mr. Spencer. "Pull for your lives!"</p>
-
-<p>We gave way together, and the heavy boat was soon hitting up a good pace
-and burying her nose as she rose and fell on the seas. The Lieutenant
-took a glance at the small compass, and headed us toward the northwest.</p>
-
-<p>"We're close to Long Island," he said. "I can't make out the <i>Young
-Eagle</i> at all. That ship's the Britisher."</p>
-
-<p>We had rowed but a few minutes longer when, as if by a miracle, the mist
-cleared away and the sun shone out. Clear and distinct a big vessel lay
-off to the eastward. The hated emblem of St. George flew at her peak.</p>
-
-<p>"I thought as much," remarked Mr. Spencer to the cockswain. "She's
-grounded on the sand bank. That's what Temple counted on."</p>
-
-<p>But hurrah! to the windward of the British vessel was a sight that gave
-us joy. There was the <i>Young Eagle</i>, eating up into the wind, with her
-jib-boom hanging, and one of her yards aslant. Somehow Temple had found
-time to get up his top-gallant masts again, for they were both in place.
-But now those on board the frigate had espied us; that was plain enough.
-She was not so large a vessel as<span class="pagenum"><a name="Page_243" id="Page_243">[Pg 243]</a></span> she had first seemed, being of the
-smaller class, carrying probably not over thirty-two guns at the most.
-She was badly cut up from the effects of her encounter with the brig,
-however. Her foretopmast was gone, her mainyard was over the side, and
-all her running-gear in great confusion. If Captain Temple had been an
-officer of the regular navy he might have deserved cashiering for such a
-foolhardy bit of business as attacking a powerful vessel when he might
-have escaped. He was the only one on board the privateer, however, who
-had reckoned her at less than forty-four guns, and besides this, after
-his glance at the lead he knew where he was, and could have pricked his
-position to a certainty on the map. I know that now.</p>
-
-<p>As Mr. Spencer had said, he surely must have counted on the proximity of
-the sand bar. If the frigate had been taking careful soundings, she
-would never have got on to it.</p>
-
-<p>The fresh wind that had spoiled the fog was coming from the northward (I
-can recall no day in my seafaring life when it blew from so many
-different points as it had in the last ten hours). But I am wandering
-from the recital of what occurred, and now to pick it up again.</p>
-
-<p>As I have stated, the frigate had seen us, and proof positive was not
-wanting, for a puff of smoke from one of the guns of her forward
-division leaped from her side, and the ball came spattering along toward
-us.</p>
-
-<p>"Oh, shoot the shot!" laughed one of the bowmen. We were missed by fully
-a cable's length.</p>
-
-<p>But the wind was against us, and with a good light to observe our
-progress I noticed that we were making slow headway. The long-boat was
-intended to be rowed by six oars of a side. Now, owing to the extra men
-that we carried, there was only room for ten men to do the pulling; and
-by some mistake the oars that we were wielding were not all of the same
-length, some of the cutter's having been put in by mistake. The weight
-of the swivel caused us to be well down by the head, moreover, and the
-cockswain had to mind his eye to keep headed straight. All idea, of
-course, of our getting back to the brig that day at least was done for,
-and to save ourselves we were making for the shore of Long Island,
-distant about three miles. But we were not out of range of the guns on
-the frigate, and consequently we were yet in danger.</p>
-
-<p>"Come aft here, you men in the bow!" ordered Mr. Spencer. "She'll row
-better. Here, stir a foot!"</p>
-
-<p>He looked back, and just as he did so there came another puff of smoke.
-I saw the ball smash into the top of a wave, strike the water again, and
-then, slightly deflected, it came right for us. I saw this first, and
-backed water, giving a shout of fear. The men in the bow gave a leap
-forward and tumbled in among us, sprawling over our heads and shoulders,
-and bruising shins and elbows.</p>
-
-<p>If the shot had struck four inches lower we would have been sunk then
-and there. It caught the gunwale forward, just abreast of the grating on
-which the swivel was lashed. The poor fellow pulling the bow oar on that
-side gave a shriek and dropped his oar, clasping both hands about his
-head. I looked back and saw the blood trickling over his shoulders and
-through his fingers. A splinter had almost scalped him. We yawed about
-and shipped the top of a sea, and it looked like the end of matters, for
-we were out away to within eight inches of the water, and the bow badly
-stove and broken.</p>
-
-<p>"Cast loose that gun and heave it overboard, two of you," roared Mr.
-Spencer. "The rest all aft. No! Steady! Debrin, you and Jones keep your
-place, and pull, do ye hear, pull."</p>
-
-<p>I laid back with all my might, and so did the man next to me. The brave
-lad in the bow had recovered from the shock of his flesh-wound, and with
-another fellow cast off the lashings of the swivel and dumped it over
-the side. I can never forget the sight of that gory man working there
-with his broad naked back red from his head to his waist. As soon as it
-was finished he tumbled weakly across the thwart. The men in the
-stern-sheets were baling with their hands, and one was using Mr.
-Spencer's cocked hat with great effect, while Jones and I were giving
-way at top strength and keeping with a great effort the seas from
-broaching us. As the weight was now in the stern, we could ride, bar
-accidents, in half safety. And the oars were taken up again. The bowman
-bent over and tied up his wounded comrade's head with his neckerchief,
-and for this the other thanked him as he might for some slight courtesy.
-But a new terror threatened us.</p>
-
-<p>Two successive shots that had been fired at us during the confusion went
-wide, but now we saw that they were lowering away a great barge over the
-Englishman's side, and that the men were sliding down into her.</p>
-
-<p>"Heigh! Look there! The <i>Young Eagle</i>'s coming down to pick us up,
-lads," cried Mr. Spencer, turning about in response to a touch on his
-elbow from the cockswain. "Pull now, and get down to it!"</p>
-
-<p>He headed the long-boat more to the westward, and we could see that the
-<i>Young Eagle</i> had repaired some of her damage, and had tacked in the
-direction we were going. She would have passed almost within range of
-the frigate, but all at once the latter vessel gained sternway (her
-top-sails had been aback for some few minutes), and she worked off the
-bar. Our hopes of rescue fell. Turning on her heel, she made out to meet
-our brig. Now we perceived that the frigate's sides were gashed, and two
-or three of her ports astern had been knocked into one big opening. But
-the barge was after us! Every man rowing in our boat could count her
-strokes. There was no use of making light of it! She was gaining at
-every jump, lifting high above the top of a sea, and now and again
-almost disappearing.</p>
-
-<p>There were twelve good men behind those long white sweeps, and they
-rowed a light boat with speed in her. We were making for the shore now,
-and grunting with the weight we put into every backward swing. Mr.
-Spencer was talking to us after the fashion of a cockswain to a racing
-crew, calling out continually:</p>
-
-<p>"Lift her, boys! That's the ticket! Pull altogether," and so forth.</p>
-
-<p>My mouth grew so dry that I could not swallow, and I could feel my head
-roll backward and forward. Presently I began to row with my eyes shut,
-for it seemed an effort to keep my lids from falling. One of the men in
-the stern began to spatter us with water to refresh us, for the sun was
-blistering hot by this time. The Lieutenant stopped his cackling.</p>
-
-<p>The stroke oars were being helped at their work by two men pushing as
-the rowers pulled. I caught a dim sight of this, and wished that some
-one could lay hold of my sweep with me, for my forearms pained, and I
-felt gone in the pit of my stomach. How long we rowed that way I do not
-know, but suddenly I was awakened, as it were, by hearing Mr. Spencer
-say:</p>
-
-<p>"Lads, you have held your own. Keep at it!" Then in a lower tone he
-added, "Get ready with those muskets."</p>
-
-<p>This speech had called me to my senses, and it was almost with a shock
-of surprise that I found myself keeping up the stroke. My eyes had been
-closed so long that the light dazzled me, and at first I could see
-nothing, but I felt better than I had before I closed them. And now to
-say something that is of interest. A refreshment often comes to a man
-whose muscles have apparently expended all their strength, and thus it
-was with me. I was working on my heart and nerves alone, on the very
-life of me, as it were, and to keep this up too long means ruin; that is
-its limitation. When my eyes could focus, what little breath I had
-almost checked.</p>
-
-<p>There was the English barge <i>not three hundred yards astern</i>! A
-despairing look behind me, and I saw that the shore was yet a half-mile
-off. The sea was breaking in little rolls of white on every hand, and we
-were in shoal water that had a peculiar yellowish look. I noticed Mr.
-Spencer kicking off his boots.</p>
-
-<p>I closed my eyes again, for the sweat stung them, and I felt a blackness
-coming over me. But just then the crack of a musket sounded in front of
-me. It was followed by another, and a little action began, for the
-English boat was answering. I was wide-awake once more now, but in a
-dream apparently. The marines would stand up and fire, and then squat
-down and load again. I could hear the English bullets sing past.</p>
-
-<p><span class="pagenum"><a name="Page_244" id="Page_244">[Pg 244]</a></span></p>
-
-<p>"Ouch!" exclaimed the cockswain, all at once, as if he had dropped
-something on his toe.</p>
-
-<p>A ball had struck him on the fleshy part of the thigh, and he sat there
-rubbing it and talking in such a comical way that the man on the thwart
-next to me laughed outright in a hoarse, jarring fashion.</p>
-
-<div class="figcenter" style="width: 600px;">
-<img src="images/ill_006.jpg" width="600" height="474" alt="" />
-<span class="caption">A BREAKING WAVE CATCHING US UNDER THE QUARTER WE ROLLED
-OVER FAIRLY.</span>
-</div>
-
-<p>We were in the surf by this time, and the British barge was
-half-pistol-shot away, when No. 5 on the starboard hand fell over in a
-faint; the cockswain got another ball, this time in the wrist, that
-caused him to let go the tiller, and a breaking wave catching us under
-the quarter, we rolled over fairly end for end with a clatter. When I
-came up, there was a tremendous seething and bubbling in my ears, and
-putting out my arm I managed to catch hold of the tiller-hooks of the
-overturned boat, and hung on with all my might.</p>
-
-<p>"Help me!" cried a voice. I looked about, and saw the wounded seaman
-weakly swimming alongside. I extended my hand to him, and observed that
-eight or ten others were holding fast with straining fingers to the
-long-boat.</p>
-
-<p>The English barge was backing in carefully and with skill. We were not a
-cable's length from shore, and making for it hand over hand, swimming
-with the ease of a porpoise, was Mr. Spencer. I knew it was he by the
-gleam of gold lace on his high collar. But the seaman had grasped me so
-tightly that I lost my hold, and there came to me the sense that I was
-drowning, and did not care at all.</p>
-
-<h4>[<span class="smcap">to be continued</span>.]</h4>
-
-<hr class="chap" />
-<h2><a name="A_FAIRY_FETE" id="A_FAIRY_FETE">A FAIRY FÊTE.</a></h2>
-
-<h3>BY EMMA J. GRAY.</h3>
-
-<p>"I'm to be a fairy god-mother to-night," were Mabel's words, as, sitting
-in the large Indian chair, her eyes glistened with anticipation.</p>
-
-<p>"What will you wear?"</p>
-
-<p>"Oh, one of Millie's old costumes. You may remember that three years ago
-she took part in the fairies' dream!"</p>
-
-<p>"Yes, I remember."</p>
-
-<p>"Well, by a little alteration the same frock and wings will do for me."</p>
-
-<p>"Are you to have anything to say?"</p>
-
-<p>"I'm to have everything to say. And I'm to wear a crown with a big star
-in the centre," and up went her hand to indicate the place. "And my
-wings are showered with diamond dust, and my dress&mdash;oh-h, it dazzles my
-eyes under gas-light! You ought to see the silver spangles!"</p>
-
-<p>"What's the entertainment for, Mabel?"</p>
-
-<p>"Oh, just to amuse people. It is to be given in Mrs. R's&mdash;&mdash; parlor. Lots
-of folks will be there. It will be simply gorgeous! You know it's the
-fad now to have a magician or something to entertain one's friends, and
-I'm to be sacrificed to-night."</p>
-
-<p>And then up the merry girl jumped to practise a violin solo.</p>
-
-<p>Every reader of <span class="smcap">Harper's Round Table</span> is familiar with the tales of Hans
-Andersen and the Brothers Grimm, but it is possible that every one does
-not appreciate what delightful entertainment they would make. Therefore
-when Ralph and Margaret wonder what their league could give to replenish
-the treasury, select an appropriate fairy-tale, and while your committee
-are making the business arrangements, the persons who are to take part
-should be busy with rehearsals, so that when the night of entertainment
-arrives, and the house is packed to overflowing, no one will be covered
-with shame and confusion of face.</p>
-
-<p>Among many wonderful tales worthy of particular mention is "Little Ida's
-Flowers," because it is capable of charming representation and
-necessitates many characters. It may be given at any time of the year.</p>
-
-<h4><i>Characters:</i></h4>
-
-<div class="center">
-<table border="0" cellpadding="0" cellspacing="0" summary="">
-<tr><td align="left"><span class="smcap">Little Ida</span>, <i>a short girl</i>.</td></tr>
-<tr><td align="left"><span class="smcap">Student</span>, <i>a tall boy</i>.</td></tr>
-<tr><td align="left"><span class="smcap">First Fairy</span>.</td></tr>
-<tr><td align="left"><span class="smcap">Second Fairy</span>.</td></tr>
-<tr><td align="left"><span class="smcap">Privy Councillor</span>, <i>a boy representing a middle-aged man</i>.</td></tr>
-<tr><td align="left"><span class="smcap">The Reader</span>, <i>a girl</i>.</td></tr>
-<tr><td align="left"><span class="smcap">Yellow Lily</span>, <i>a girl</i>.</td></tr>
-<tr><td align="left"><span class="smcap">Blue Crocus</span>, <i>a boy</i>.</td></tr>
-<tr><td align="left"><span class="smcap">Flowers</span>, <i>girls and boys</i>.</td></tr>
-<tr><td align="left"><span class="smcap">Butterflies</span>, <i>girls and boys</i>.</td></tr>
-</table></div>
-
-<p><span class="smcap">Scene First</span>.&mdash;A library, showing a table, lamp, easy-chairs, sofa, one
-very high chair representing a throne. Ida, costumed as a little girl,
-walks toward the Student, who is seated on the sofa, and holds towards
-him a bunch of flowers.</p>
-
-<div class="figleft" style="width: 331px;">
-<img src="images/ill_007.jpg" width="331" height="400" alt="" />
-</div>
-
-<p><i>Ida</i>. "My poor flowers are quite dead. They were so pretty yesterday,
-and now all the leaves are withered. Why do the flowers look so faded
-to-day?"</p>
-
-<p><i>Student</i>. "Do you know what's the matter? The flowers have been at a
-ball last night, and that's why they hang their heads."</p>
-
-<p><i>Ida</i>. "But flowers cannot dance!"</p>
-
-<p><i>Student</i>. "Oh yes! When it grows dark and we are asleep they jump about
-merrily. Almost every night they have a ball."</p>
-
-<p><i>Ida</i>. "Can children go to this ball?"</p>
-
-<p><i>Student</i>. "Yes, quite little daisies and lilies-of-the-valley."</p>
-
-<p><i>Ida</i>. "Where do the beautiful flowers dance?"</p>
-
-<p><i>Student</i>. "Have you not often been outside of the town gate, by the
-great castle where the King lives in summer, and where the beautiful
-garden is with all the flowers? You have seen the swans which swim up to
-you when you want to give them bread crumbs. There are capital balls
-there, believe me!"</p>
-
-<p><i>Ida</i>. "I was out there in the garden yesterday with my<span class="pagenum"><a name="Page_245" id="Page_245">[Pg 245]</a></span> mother, but all
-the leaves were off the trees, and there was not one flower left. Where
-are they?"</p>
-
-<p><i>Student</i>. "They are within the castle. As soon as the King and all the
-court go to town, the flowers run out of the garden into the castle and
-are merry. You should see that. The two most beautiful roses seat
-themselves on the throne, and then they are King and Queen; all the red
-coxcombs arrange themselves on either side, and stand and bow; they are
-the chamberlains. Then all the pretty flowers come, and there is a great
-ball. The blue violets represent little naval cadets; they dance with
-hyacinths and crocuses, which they call young ladies; the tulips and the
-great tiger-lilies are old ladies who keep watch that the dancing is
-well done and everything goes on with propriety."</p>
-
-<p>No sooner is this last word uttered than a sound of music is heard.
-Enter two Fairies, who stand one on either side of little Ida, and
-waving their wands over her, sing:</p>
-
-<p>
-<span style="margin-left: 18em;">"Oh, listen, listen! your eyes shall glisten</span><br />
-<span style="margin-left: 18em;">With pleasure and love and jubilee."</span><br />
-</p>
-
-<p><i>First Fairy</i>. "She looks surprised."</p>
-
-<p><i>Second Fairy</i>. "She has dropped her flowers."</p>
-
-<p><i>First Fairy</i>. "She would better sit down."</p>
-
-<p><i>Second Fairy</i>. "Follow me."</p>
-
-<p>Whereupon Ida follows the Second Fairy's lead, who waves her to a seat
-by the Student's side, and immediately the fairies walk to the opposite
-end of the room. As they walk gay music is heard louder and yet louder,
-and in run the Flowers, as the Student has described, the two most
-beautiful roses seating themselves on the tall chair which represents
-the throne.</p>
-
-<p>This scene will allow for a large number of girls and boys, and each
-should be costumed so that no one can make mistake as to what flower
-they are exhibiting. When all are in the room dancing begins, and
-continues for half an hour; as the Flowers retire they make obeisance to
-the King and Queen. And all having now gone but the Fairies, the King
-asks the First Fairy to dance with him, and the Queen the Second Fairy
-to dance with her, and after a short dance they also retire, and Ida and
-the Student are again alone.</p>
-
-<p><i>Ida</i>. "But is nobody there who hurts the flowers for dancing in the
-King's castle?"</p>
-
-<p><i>Student</i>. "There is nobody who really knows about it."</p>
-
-<p><i>Ida</i>. "Can the flowers out of the botanical garden get there? Can they
-go a long distance?"</p>
-
-<p><i>Student</i>. "Yes, certainly. If they like they can fly. Have you not seen
-the beautiful butterflies&mdash;red, yellow, and white? They almost look like
-flowers, and that is what they have been."</p>
-
-<div class="figright" style="width: 240px;">
-<img src="images/ill_008.jpg" width="240" height="400" alt="" />
-</div>
-
-<p>Once again gay music is heard, and in come the fairies dancing, followed
-by a train of dancing butterflies, costumed in red, yellow, and white.
-After dancing for ten minutes the butterflies retire, and the fairies
-wave their wands to Ida and the Student, and sing,</p>
-
-<p>
-<span style="margin-left: 18em;">"We be fairies of the wood,</span><br />
-<span style="margin-left: 18em;">And spend our time, on doing good."</span><br />
-</p>
-
-<p>Then they immediately touch their wands to the floor, and the First
-Fairy draws a ring at the feet of Ida, and the Second Fairy at the feet
-of the Student, and then they retire.</p>
-
-<p><i>Ida</i>. "How can one flower talk to another? For you know flowers cannot
-speak."</p>
-
-<p><i>Student</i>. "That they cannot, certainly; but then they can make signs.
-Have you not noticed that when the wind blows a little the flowers nod
-at one another, and move all their green leaves? They can understand
-that just as well as we when we speak together."</p>
-
-<p><i>Ida</i>. "That is funny." And she laughs.</p>
-
-<p>Enter the Privy Councillor, who has come to pay a visit, and sits down
-on the sofa by the Student's side.</p>
-
-<p><i>Privy Councillor</i>. "How can any one put such notions into a child's
-head? They are stupid fancies!"</p>
-
-<p><i>Ida</i>. "What the Student told about the flowers seemed very droll." And
-picking up her nosegay, which had been scattered over the floor, she
-looks tenderly on it while saying, "The flowers are tired because they
-have danced all night." And then walking to a table on which stands a
-doll's bed, she lays them in and puts the coverlet over them. The whole
-evening through she can not help but think of what the Student has told
-her.</p>
-
-<p><span class="smcap">Scene Second</span>.&mdash;Ida's bedroom. Ida in bed. The night-lamp burning on the
-table.</p>
-
-<p><i>Ida</i>. "I wonder if my flowers are still lying in the doll's bed? How I
-should like to know!" She raises herself a little, and looks at the
-door, which stands ajar. Within lie the flowers. Ida puts her head down
-on her pillow.</p>
-
-<div class="figright" style="width: 358px;">
-<img src="images/ill_009.jpg" width="358" height="400" alt="" />
-</div>
-
-<p>Enter two Fairies. They walk directly to her bed, and stand one on
-either side of Ida's head, slowly waving their wands over her. Piano
-music is softly played, and Ida goes to sleep.</p>
-
-<p>An unseen person now reads the following dream, which may be acted as
-far as is deemed advisable:</p>
-
-<p>"Ida listened, and then it seemed to her as if she heard some one
-playing in the next room. Now all the flowers are certainly dancing in
-there! 'Oh, how glad I should be to see it!' But she dared not get up.</p>
-
-<p>"'If they would only come in,' thought she. But the flowers did not
-come, and the music continued to play beautifully. Then she could not
-bear it any longer, for it<span class="pagenum"><a name="Page_246" id="Page_246">[Pg 246]</a></span> was too pretty. She crept out of her little
-bed, and went quietly to the door and looked into the room. Oh, how
-splendid it was!</p>
-
-<p>"There was no night-lamp burning, but still it was quite light; the moon
-shone through the window in the middle of the floor. All the hyacinths
-and tulips stood in two long rows. On the floor all the flowers were
-dancing very gracefully round one another, making perfect turns, and
-holding one another by the long green leaves as they swung round. But at
-the piano sat a great yellow lily, which little Ida had certainly seen
-in summer, for she remembered its manners in playing, sometimes holding
-its long yellow face to one side, sometimes to the other, and nodding in
-tune to the music. (Enter a tall girl, representing a yellow lily.)</p>
-
-<p>"No one noticed little Ida. Then she saw a great blue crocus hop into
-the middle of the table where the doll's bed stood. (Enter a boy,
-costumed to represent a blue crocus.)</p>
-
-<p>"There lay the sick flowers, but they got up directly and nodded to the
-others to say that they wanted to dance too.</p>
-
-<p>"Then it seemed as if something fell down from the table. Ida looked
-that way. It was the birch rod which was jumping down! And a wax doll,
-with just such a broad hat as the Councillor wore, sat upon it. The
-birch rod hopped about among the flowers, for it was dancing the
-mazourka; and the other flowers could not manage that dance because they
-were too light and unable to stamp like that.</p>
-
-<p>"The wax doll on the birch rod all at once became quite great and long,
-and said: 'How can one put such things in a child's head? Those are
-stupid fancies.' And then the wax doll was exactly like the Councillor
-in the broad hat, and looked just as yellow and cross as he. But the
-flowers hit him, and then he shrank up again and became quite a little
-wax doll. That was very amusing to see, and Ida could not restrain her
-laughter. The birch rod went on dancing, and the Councillor was obliged
-to dance too; it was no use, he might make himself great and long, or
-remain the little yellow wax doll with the big black hat. Then the other
-flowers put in a good word for him, and the birch rod gave over.</p>
-
-<p>"Then the door opened and a great number of splendid flowers came
-dancing in. (Enter roses of all sorts and Butterflies, dancing.)</p>
-
-<p>"Ida could not imagine whence they had come; these must certainly be all
-the flowers from the King's castle. First of all came two glorious
-roses, and they had little gold crowns on; they were a King and a Queen.
-Then came the prettiest coronations, and they bowed in all directions.
-Great poppies and peonies blew upon pea-pods till they were quite red in
-the face. The blue hyacinths and the little white snowdrops rang just as
-if they had bells. All danced together, and all the flowers kissed one
-another. It was beautiful to look at.</p>
-
-<p>"At last the flowers wished one another good-night."</p>
-
-<p>No sooner is good-night uttered than the Fairies motion to the flowers
-to keep perfectly still, and point their wands at Ida.</p>
-
-<p><i>First Fairy</i>. "She sleeps, her breathings are not heard."</p>
-
-<p><i>Second Fairy</i>. "Her fragrant tresses are not stirred."</p>
-
-<p><i>First Fairy</i>. "Hasten hither, King and Queen."</p>
-
-<p><i>Second Fairy</i>. "Roses, sweet that we employ."</p>
-
-<p>And immediately the quartette step to the front of the stage and sing a
-good-night song.</p>
-
-<p>At the close of which all dance&mdash;even Ida, who wakens by the jollity.</p>
-
-<p>Exeunt.</p>
-
-<hr class="tb" />
-
-<h3>A GOOD TIMEPIECE.</h3>
-
-<p>Here is a fish story, for the truth of which we cannot vouch, but which
-all fishermen young or old will enjoy. It comes from an English journal,
-the Northampton <i>Daily Reporter</i>.</p>
-
-<p>Last spring, while a party of tourists were fishing "up North," a
-well-known lawyer lost his gold watch from the boat in which he was
-sitting. Last week he made another visit to the lakes, and during the
-first day's sport caught an eight-pound trout. His astonishment can be
-imagined, when he found his watch lodged in the throat of the trout. The
-watch was running, and the time correct. It being a "stem-winder," the
-supposition is that in masticating his food the fish wound up the watch
-daily.</p>
-
-<hr class="chap" />
-<h2><a name="THE_NEW_YEAR" id="THE_NEW_YEAR">THE NEW YEAR.</a></h2>
-
-<p>
-<span style="margin-left: 19em;">The clock struck twelve in the tall church tower,</span><br />
-<span style="margin-left: 20em;">And the old year slipped away,</span><br />
-<span style="margin-left: 19em;">To be lost in the crowd of phantom years</span><br />
-<span style="margin-left: 20em;">In the House of Dreams that stay</span><br />
-<span style="margin-left: 24em;">All wrapped in their cloaks of gray.</span><br />
-<br />
-<span style="margin-left: 19em;">Then swift and sweet o'er the door's worn sill</span><br />
-<span style="margin-left: 20em;">Came the youngest child of Time,</span><br />
-<span style="margin-left: 19em;">With a gay little bow and a merry laugh,</span><br />
-<span style="margin-left: 20em;">And a voice like bells achime,</span><br />
-<span style="margin-left: 24em;">Challenging frost and rime.</span><br />
-<br />
-<span style="margin-left: 19em;">He found there was plenty for him to do,</span><br />
-<span style="margin-left: 20em;">The strong and the weak were here,</span><br />
-<span style="margin-left: 19em;">And both held out their hands to him</span><br />
-<span style="margin-left: 20em;">And gave him greetings dear,</span><br />
-<span style="margin-left: 24em;">The beautiful young new year.</span><br />
-<br />
-<span style="margin-left: 19em;">"You must bring us better days," they said,</span><br />
-<span style="margin-left: 20em;">"The old year was a cheat."</span><br />
-<span style="margin-left: 19em;">Which I think was mean when the year was dead;</span><br />
-<span style="margin-left: 20em;">Such fate do dead years meet,</span><br />
-<span style="margin-left: 24em;">To be spurned by scornful feet!</span><br />
-<br />
-<span style="margin-left: 19em;">"I bring you the best a year can bring,"</span><br />
-<span style="margin-left: 20em;">The new-comer stoutly spake,</span><br />
-<span style="margin-left: 19em;">"The chance of work, the gift of trust,</span><br />
-<span style="margin-left: 20em;">And the bread of love to break,</span><br />
-<span style="margin-left: 24em;">If but my gifts you'll take!"</span><br />
-<br />
-<span style="margin-left: 19em;">The noblest thing a year can lay</span><br />
-<span style="margin-left: 20em;">In the lap of you or me,</span><br />
-<span style="margin-left: 19em;">The brave new year has brought this day,</span><br />
-<span style="margin-left: 20em;">It is Opportunity,</span><br />
-<span style="margin-left: 24em;">Which the wise are quick to see.</span><br />
-<br />
-<span style="margin-left: 34em;"><span class="smcap">Margaret E. Sangster</span>.</span><br />
-</p>
-
-<hr class="chap" />
-<h2><a name="SAVING_A_TORPEDO-BOAT" id="SAVING_A_TORPEDO-BOAT">SAVING A TORPEDO-BOAT.</a></h2>
-
-<h3>ONE OF THE OLD SAILOR'S YARNS.</h3>
-
-<h3>BY W.&nbsp;J. HENDERSON.</h3>
-
-<p>It was a day of southwesterly weather, one of those days on which shower
-follows shower across the murky and writhing sky, and the air feels like
-water atomized. The boys had grown tired of sitting in the house, and
-having donned oil-skins and rubber boots, they had gone down to the pier
-in hope of seeing some interesting sight at sea. They found the Old
-Sailor in his favorite position, and sat down beside him. He too was
-clad in oil-skins, and was shaking his head in solemn discontent because
-he could not get a good view of the ocean. The sea-water was quite cold
-and the rain was much warmer; consequently the surface of the great deep
-was covered with a wavering veil of light gray mist, through which the
-eye could not penetrate more than two hundred and fifty yards.</p>
-
-<p>A few minutes after the boys sat down another thunder-storm broke, and
-rain fell in torrents. The lightning flashed fiercely and the thunder
-bellowed mightily. Suddenly, in the very height of the tumult, out of
-the curtain of the gray mist came a wild, unearthly shriek, rising in<span class="pagenum"><a name="Page_247" id="Page_247">[Pg 247]</a></span>
-pitch and intensity each second. The boys started to their feet, pale to
-the lips, and gazing at the Old Sailor with appealing eyes. The next
-instant a long, low, lean, olive-colored hull shot out of the mist. From
-two funnels, one forward and one aft, great streamers of oily black
-smoke went swirling away over the stern, while under the bows a snowy
-jet of gleaming spray spurted high along the craft's sides. From her
-crouching stern the water sprang outward and upward in a boiling wave,
-lashed into silver and emerald by the whizzing screws. She shot past the
-end of the pier, not a hundred yards away, with her whistle shrieking
-wildly as she went. The boys had barely time to catch the outline of her
-and to see the crouching figure of the seaman who tried to peer into the
-mist ahead of her, before she had hissed out of sight, and left only the
-troubled wake to tell the story of her passage.</p>
-
-<p>"What was that?" gasped Henry, when he could catch his breath.</p>
-
-<p>"That, my son," said the Old Sailor, solemnly, "were the United States
-torpedo-boat <i>Cushing</i>, bound fur Sandy Hook, an' no time to spare."</p>
-
-<p>"But I should think she'd be in danger of running into some vessel."</p>
-
-<p>"Oh, they can stop her an' back her in twice her own length," said the
-Old Sailor.</p>
-
-<p>"But why does she go so fast?" asked George. "Do they wish to get out of
-the rain?"</p>
-
-<p>"No, I reckon they ain't afraid o' rain," said the Old Sailor, with a
-grave sidewise movement of his head. "But mebbe she are in the same fix
-as the torpedo-boat <i>Hop-lo</i> were at the battle o' Yalu, w'ich the same
-I were her bosun's mate, an' also, moreover, kep' her from sinkin'."</p>
-
-<p>"Oh, tell us about that!" exclaimed George.</p>
-
-<p>"W'ich are the werry identical thing wot I'm agoin' fur to come fur to
-do. It so happened as how I were in Hong-kong w'en that misfortinate
-disagreeability atwixt China and Japan come to a head. Pussonally I
-'ain't never had no werry high respeck fur a Chinaman, but w'en I
-l'arned as how my friend Li Hung-Chang were a-offerin' double wages an'
-double prize-money fur American sailors to ship in the Chinese navy,
-w'y, sez I to myself, sez I, 'Ef I don't get killed, a Chinaman's money
-are as good as a Jap's, an' there's twicet as much on 't; an' ef I do
-get killed, w'y, I reckon as how I won't be no deader under one flag
-than under t'other.' An' with that I ups an' I ships. An' they orders me
-to a bloomin' torpedo-boat.</p>
-
-<p>"I won't say as the <i>Hop-lo</i> weren't a werry good boat, though she'd
-orter been called the Hop-hi, seein' as she were a thirty-knot boat, one
-o' the best ever built by old Thorneycroft in England. She looked a good
-deal like this 'ere <i>Cushing</i> wot jes scooted past, 'ceptin' as how she
-were higher in the bows an' used to get more down by the stern w'en she
-were goin' fast, w'ich the same it were owin' to that I saved her. As I
-said afore, it were at the battle o' Yalu wot it happened. I ain't
-agoin' far to make no circumstigious attempt fur to tell the story o'
-that battle; 'cos w'y, w'en you're into a battle you don't know nothin'
-'bout it. All I knowed was that the torpedo-boats in gineral was
-a-cruisin' around outside o' the battle-ships, like so many porpoises in
-the wake o' whales. The Admiral, w'ich the same I could see him without
-glasses, were a-prancin' around on one leg an' sendin' up signals every
-minute. Waal, the fight was on putty soon, an' ye couldn't see a thing
-'ceptin' smoke. The noise o' them big guns was enough to skeer ye blue,
-but that are not wot I started out fur to tell ye. We got orders fur to
-launch a torpedo at one o' the Japanese battle-ships, an' we went an'
-done it. Wot that there torpedo hit I never rightly knowed&mdash;but it
-didn't hit that battle-ship. But she hit us with one o' her five-inch
-guns right under the starboard bow an' blowed a bloomin' big hole below
-our water-line.</p>
-
-<div class="figright" style="width: 295px;">
-<img src="images/ill_010.jpg" width="295" height="400" alt="" />
-<span class="caption">"WEI! WEI! WE GO DLOWNEE NOW ALLEE SAMEE STONEE!"</span>
-</div>
-
-<p>"'Wei! Wei!' yells the Cap'n, a pug-faced Chinaman with one eye. 'We go
-dlownee now allee samee stonee! Wei! Wei!'</p>
-
-<p>"An' with that the hull crew took to catterwaulin' an' squealin' like a
-lot o' pigs at feedin'-time.</p>
-
-<p>"'Avast there, ye leather-faced slobs!' sez I to them, sez I. 'Run the
-bloomin' boat on the beach!'</p>
-
-<p>"'Melican man biggee foolee!' screamed the Cap'n. 'Beachee allee samee
-twently mile.'</p>
-
-<p>"'Waal, go ahead, anyhow!' sez I to he, sez I, 'an' don't be layin'
-still here. They'll shoot your bloomin' boat full o' holes an' make a
-marine sponge out o' her,' sez I, jes like that, him bein' Cap'n with
-epaulets on, an' me a bosun's mate with nothin' finer 'n a quid o'
-'baccy. Werry good. I rings the bell myself an' the engineer starts her
-ahead full speed. It weren't two minutes afore we was out o' the wust o'
-the fight, but them there Chinks was still scared blue. Nex' minute they
-was scared bluer than ever, fur up comes a feller yellin' like a Bowery
-boy at a four-story fire:</p>
-
-<p>"'We sinkee! Sinkee!'</p>
-
-<p>"'Wei! Wei!' screamed the Cap'n; 'we sinkee; allee samee sharkee eat us!
-Wei! Wei!'</p>
-
-<p>"'Shut up, ye doughnut-headed son of a sea-cook!' sez I to he, sez I.
-'What makes ye think we'll sink?'</p>
-
-<p>"'Watee comee in chop-chop; allee samee whole ocean come! Welly bad!
-U-u-u-gh!'</p>
-
-<p>"'Wei! Wei!' begin the Cap'n agin, jumpin' up an' down like he thought
-he was a jig-dancer in a variety show.</p>
-
-<p>"'Stow yer jaw-tackle there, ye moon-eyed monkey!' sez I, to he, sez I,
-me havin' lost my respeck for him, though he were a Cap'n an' wore a
-sword, w'ich the same it didn't cut no ice. 'Man the pumps, ye batherin'
-screechers!'</p>
-
-<p>"Waal, o' course that weren't edzackly the right kind o' order to give;
-'cos w'y, she were a modern torpedo-boat an' her pumps was run by steam;
-but anyhow it started 'em goin'. Chunk-chunk! chunk-chunk! chunk-chunk!
-they pounded along fur a little while, and then one on 'em stopped all
-on a suddent, with a big crack.</p>
-
-<p>"'Wei! Wei!' squeals the Cap'n.</p>
-
-<p>"'Shut up, ye molasses-colored parrot!' sez I to he, sez I, 'or I'll
-stick ye into one o' yer own torpedo-tubes an' pull the string.'</p>
-
-<p>"'Melican man welly wicked,' he muttered, as he walked forward.</p>
-
-<p>"'Wot are the matter below there?' sez I.</p>
-
-<p>"'Pumpee brokee!' hollered the engineer.</p>
-
-<p>"'Both on 'em?'</p>
-
-<p>"'No, only onee. He heap much brokee. No go any moree.'</p>
-
-<p>"'Keep the other one at it,' sez I.</p>
-
-<p>"Then I goes down below myself fur to see where the bloomin' trouble
-were. Waal, it were not no cheerin' sight wot I seed down there. The
-water sartainly were a-pourin' into the blessed old pot at a werry
-discouragin' gait, and the one pump were not able for to gain any ground
-on it. So sez I to myself, sez I, 'I got to git this 'ere water out o'
-her somehow, or else I'm agoin' to git more water 'n I want myself.' So
-sez I, 'How are I going fur to persuade this 'ere water fur to run out
-o' this 'ere weasel?' An' the werry minute I sez it, I seed how 'twere
-to be done. I jumps on deck an' I sings out fur the crew o' the
-three-pounder rapid-fire gun.</p>
-
-<p>"'Stan' by here, ye clay-colored scaramouches, an' git the gun below!'</p>
-
-<p>"'Wei! Wei!' begins the Cap'n, and with that I ups an' grabs him by the
-pigtail. I hauled him forrad an' I made him fast by that pigtail to the
-ring o' the starboard anchor.</p>
-
-<p>"'Now,' sez I, 'ye howlin' son o' darkness, if I hear another sound out
-o' ye, I'll heave to an' let go the anchor.'</p>
-
-<p>"'Melican man welly wicked,' he moaned.</p>
-
-<p>"I got the gun down into the hold of her, an' I run it away aft. Then I
-loaded it an' p'inted it at the lowest part of her starn. The haythen
-set up a werry commojious amount o' weepin' an' whoopin' w'en they seed
-wot I were a-doin'; 'cos w'y, they thort it would make two holes an'
-sink the boat jes that much faster. But I pulled the trigger an' blowed
-a bloomin' big hole into her starn right alongside o' the rudder-post
-an' underwater. The water did come in right off, an' the Chinks broke
-fur the deck an' commenced to cast off the boat falls. I stood at the
-door o' the fire-room, an' sez I to the engineers an' firemen, sez I:</p>
-
-<p>"'Turn her up to her hottest gait, an' mind that I'll shoot the first
-man that leaves his post.'</p>
-
-<p><span class="pagenum"><a name="Page_248" id="Page_248">[Pg 248]</a></span></p>
-
-<p>"W'ich the same I would 'a' done it; 'cos w'y, they might as well 'a'
-ben shot as drownded.</p>
-
-<p>"'Now, ye gallopin' haythen,' sez I to they, sez I, 'shovel coal fur yer
-lives. Hop, now, hop! Fill the furnaces full; put a ton o' lead on the
-safety-valve; turn on the forced draught, an' turn up the screws till
-they make the water hot astarn on us.'</p>
-
-<p>"Waal, my sons, ye never in all yer born days seed any such hustlin'. It
-warn't fifteen minutes afore they had the furnaces red-hot, an' the
-screws was agoin' round at the rate o' a hundred an' thirty-seven turns
-a minute. It took the wessel a little while to git agoin', but in ten
-minutes she were a-vibratin' like a fiddle-string, so that she jes
-actooally hummed like one. An' go! Waal, ye 'ain't never seed nothin'
-like it in water. W'y, the waves goin' past her looked like the tracks
-o' one o' Farmer Hulick's harrows. Then my scheme beginned fur to work.
-I told ye that the <i>Hop-lo</i> always went down by the starn when she got
-to goin' fast, didn't I?"</p>
-
-<p>"Yes," answered both boys.</p>
-
-<p>"Waal, that were what I were countin' on partly&mdash;that an' her speed. The
-water inside o' her commenced fur to run out o' the hole wot I'd blowed
-in her starn. More come in the hole forrad an' flowed aft, so w'en she
-got to goin' at a twenty-five-knot gait, wot come in forrad couldn't
-stop; but jes ran right through her an' out the hole in the starn. The
-faster she went the faster the water went through her, but it couldn't
-stop inside, an' so it didn't get no deeper. Say, ye ort to seed the
-faces o' them Chinamen w'en they seed how my scheme were a-workin'! W'y,
-them fellers mos' killed theirselves a-heavin' coal on an' keepin' her
-goin' faster an' faster. The Cap'll he come down below, looked at the
-water a-runnin' through her, an' sez he to me, sez he,</p>
-
-<p>"'Melican man biggee head.'</p>
-
-<p>"'Werry good,' sez I to he, sez I; 'but wot I want o' you is silence,
-an' that o' the werry quietest sort.'</p>
-
-<p>"'Allee lightee,' sez he.</p>
-
-<p>"'Now,' sez I, 'you stay down here an' keep these bloomin' engineers an'
-firemen at work, an' I'll go an' do the navigatin'.'</p>
-
-<p>"So I left him there, an' I went up an' headed the boat fur the port o'
-Yu-hi, where I knowed there were a ship-yard an' we could git hauled out
-an' repaired. An' in an hour the bloomin' harbor were right over our
-bow. An' now I were puzzled agin; 'cos w'y, ef I stopped her she'd sink,
-an' ef I run her onto the beach the way she were agoin', I'd smash her
-all to splinters no bigger'n rope-yarns. While I were a-walkin' around
-on the deck an' a-worryin', I tuk a look ahead through the marine-glass,
-an' blow me fur a pickled oyster ef I didn't see the werry way out o' my
-trouble."</p>
-
-<p>"What was it?" asked Henry, excitedly.</p>
-
-<p>"A marine railway wot they hauls out wessels on fur to repair 'em. There
-wasn't nothin' on to it, an' there was the rails runnin' with a nice
-slant right down into the water. Waal, I headed her right fur it, an' I
-opened up the whistle an' let out a yell that would wake the town.
-People came out runnin' like they was crazy, an' wavin' their hands fur
-me to stop her; but I didn't pay no 'tention. I hadn't time fur to stop.
-I put my head down the hatchway an' yelled,</p>
-
-<p>"'All hands on deck!'</p>
-
-<p>"Up come the blatherin' chinks a-fallin' all over each other, an' w'en
-they seed how we was headin', they squealed dreadful.</p>
-
-<p>"'Wei! Wei!' sez the Cap'n.</p>
-
-<p>"An' bein' tired o' that, I jes ketched him by the pigtail an' swung him
-overboard an' let him swim ashore. The next minute we struck the marine
-railway head on, going square atween the rails, jes as I counted to do.
-An' o' course we skated our whole length right up the tracks.</p>
-
-<p>"'Over all hands?' I yelled.</p>
-
-<p>"The Chinamen came to life an' seemed to understan', fur over they went,
-an' had chocks under her quicker'n ye could say 'ahoy'; an' there she
-were, comf'able an' snug as an old woman in bed, with all the water run
-out o' her, an' nothin' to do but to plug up the holes an' get to sea
-agin. But d'ye s'pose them bloomin' beggars was grateful to me, fur wot
-I done fur 'em? Not a bit. They court-martialled me fur firin' on my own
-wessel."</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_249" id="Page_249">[Pg 249]</a></span></p>
-
-<div class="figcenter" style="width: 600px;"><a name="INTERSCHOLASTIC_SPORT" id="INTERSCHOLASTIC_SPORT"></a>
-<img src="images/ill_011.jpg" width="600" height="127" alt="INTERSCHOLASTIC SPORT" />
-</div>
-
-<p>The All-Boston Interscholastic Football Team for 1896 is as follows:</p>
-
-<div class="center">
-<table border="0" cellpadding="0" cellspacing="0" summary="">
-<tr><td align="left"><span class="smcap">J.&nbsp;W. Hallowell</span>, <i>Hopkinson's</i></td><td align="right">end.</td></tr>
-<tr><td align="left"><span class="smcap">F. Gillispee</span>, <i>Brookline High</i></td><td align="right">tackle.</td></tr>
-<tr><td align="left"><span class="smcap">F.&nbsp;W. Lowe</span>, <i>Boston Latin</i></td><td align="right">guard.</td></tr>
-<tr><td align="left"><span class="smcap">F.&nbsp;R. Hutchins</span>, <i>Brookline High</i></td><td align="right">centre.</td></tr>
-<tr><td align="left"><span class="smcap">O. Talbot</span>, <i>Brookline High</i></td><td align="right">guard.</td></tr>
-<tr><td align="left"><span class="smcap">W.&nbsp;D. Eaton</span>, <i>English High</i></td><td align="right">tackle.</td></tr>
-<tr><td align="left"><span class="smcap">E.&nbsp;W. Manahan</span>, <i>English High</i></td><td align="right">end.</td></tr>
-<tr><td align="left"><span class="smcap">G.&nbsp;A. Sawin</span>, <i>Cambridge Manual</i></td><td align="right">quarter-back.</td></tr>
-<tr><td align="left"><span class="smcap">W.&nbsp;B. Boyce</span>, <i>Brookline High</i></td><td align="right">half-back.</td></tr>
-<tr><td align="left"><span class="smcap">Cato Thompson</span>, <i>Cambridge Manual</i></td><td align="right">half-back.</td></tr>
-<tr><td align="left"><span class="smcap">A. Stillman</span>, <i>Hopkinson's</i></td><td align="right">full-back.</td></tr>
-</table></div>
-
-<div class="figleft" style="width: 141px;">
-<img src="images/ill_012.jpg" width="141" height="350" alt="" />
-<span class="caption">E.&nbsp;W. MANAHAN, End.</span>
-</div>
-
-<div class="figright" style="width: 179px;">
-<img src="images/ill_013.jpg" width="179" height="350" alt="" />
-<span class="caption">F.&nbsp;W. LOWE, Guard.</span>
-</div>
-
-<p style="clear:both;">&nbsp;</p>
-
-<div class="figleft" style="width: 196px;">
-<img src="images/ill_014.jpg" width="196" height="350" alt="" />
-<span class="caption">W.&nbsp;B. BOYCE, Half-back.</span>
-</div>
-
-<div class="figright" style="width: 174px;">
-<img src="images/ill_015.jpg" width="174" height="350" alt="" />
-<span class="caption">F. GILLESPIE, Tackle.</span>
-</div>
-
-<p style="clear:both;">&nbsp;</p>
-
-<div class="figleft" style="width: 137px;">
-<img src="images/ill_016.jpg" width="137" height="350" alt="" />
-<span class="caption">OLIN TALBOT, Guard.</span>
-</div>
-
-<div class="figright" style="width: 155px;">
-<img src="images/ill_017.jpg" width="155" height="350" alt="" />
-<span class="caption">G.&nbsp;A. SAWIN, Quarter-back and Captain.</span>
-</div>
-
-<p style="clear:both;">&nbsp;</p>
-
-<div class="figleft" style="width: 158px;">
-<img src="images/ill_018.jpg" width="158" height="350" alt="" />
-<span class="caption">W.&nbsp;D. EATON, Tackle.</span>
-</div>
-
-<div class="figright" style="width: 155px;">
-<img src="images/ill_019.jpg" width="155" height="350" alt="" />
-<span class="caption">J.&nbsp;W. HALLOWELL, End.</span>
-</div>
-
-<p style="clear:both;">&nbsp;</p>
-
-<div class="figleft" style="width: 235px;">
-<img src="images/ill_020.jpg" width="235" height="350" alt="" />
-<span class="caption">A. STILLMAN, Full-back.</span>
-</div>
-
-<div class="figright" style="width: 145px;">
-<img src="images/ill_021.jpg" width="145" height="350" alt="" />
-<span class="caption">C.&nbsp;M. THOMPSON, Half-back.</span>
-</div>
-
-<p style="clear:both;">&nbsp;</p>
-
-<div class="figleft" style="width: 142px;">
-<img src="images/ill_022.jpg" width="142" height="350" alt="" />
-<span class="caption">F.&nbsp;R. HUTCHINS, Centre.</span>
-</div>
-
-<p>The substitutes are W. Murphy, English High, end; C.&nbsp;W. Jaynes,
-Hopkinson's, tackle; C. Shea, Hopkinson's, guard; R. Hazen, Cambridge
-Manual, centre; E.&nbsp;F. Sherlock, English High, quarter-back; G.&nbsp;L.
-Huntress, Hopkinson's, half-back; T.&nbsp;F. Teevens, Boston Latin,
-full-back.</p>
-
-<p>In picking a representative All-Boston Team the first consideration
-given to the individual has been his ability to play his position as
-near perfection as it is proper to expect. The player who has displayed
-the most talent in this direction has earned the title to become a
-member of this team. To reach a standard above the average an All-Boston
-player must necessarily have the essential qualities that define a
-football expert&mdash;namely, courage, pluck, reliance, and a true conception
-of collective strength.</p>
-
-<p>For quarter-back, that most important position so difficult to fill
-satisfactorily, there is only one choice, and that is George A. Sawin,
-of Cambridge Manual. He has exemplified the execution of accurate
-passing and the propagation of complicated trick plays, born of natural
-aptitude and experience. Cambridge Manual was reputed to have the most
-intricate formation plays of any team in the league, and their ultimate
-successful completion depended entirely on Sawin's steadiness. That he
-never slipped up was proved by the prosperity that attended the team.
-Sawin's station on the defence is directly behind the centre, where he
-can close up holes at either side of the pivot of the line. As a tackler
-his real value is felt, for he backs up the line and makes it
-impregnable. Sawin has done all the punting for his team, and whenever a
-kick was wanted he exchanged places with a half-back to receive the
-ball. His long punts were constantly commented on, and no one in the
-league excelled him.</p>
-
-<p>The command of the team should also be assumed by Sawin, not alone
-because of his point of vantage in the field, but for his excellence as
-a strategist, and as a leader who inspires confidence in his players,
-and exacts their respect.</p>
-
-<p><span class="pagenum"><a name="Page_250" id="Page_250">[Pg 250]</a></span></p>
-
-<p>The centre of the line can well be taken care of by Hutchins of
-Brookline, who, for a centre, has been unusually active throughout the
-season. He has outclassed every centre that faced him, though outweighed
-in many cases. His football personality lies in his strength to make a
-pathway for a rusher and his conspicuousness in tackling back of the
-line.</p>
-
-<p>No one guard has given evidence of having star abilities, and there are
-several ranking on about the same plane. Talbot of Brookline High, who
-was substitute on last year's All-Boston team, is inferior to nobody
-now, and easily takes a permanent place. He has had excellent coaching
-from an old Harvard guard all the season, and it is no wonder that he
-exhibits all the capabilities of a finished guardsman. For the other
-guard the competition is much closer, but should go to Captain Fred
-Lowe, of Boston Latin, who has had three years' experience, and in that
-time has always stood at the front.</p>
-
-<p>There is no disputing the fact that the tackle positions belong to Eaton
-of English High and Gillispee of Brookline High. Eaton was a member of
-the All-Boston team a year ago as guard, but exigencies arising, he was
-moved to tackle, and his all-round proclivities cropped out there, where
-he has played the same aggressive, straight-forward game that
-characterized him in '95. As a rushing linesman he can claim superiority
-over any man who stood on the scholastic gridiron this fall.</p>
-
-<p>Gillispee of Brookline High has proved his worth as a tackle as the
-season advanced. He has earned his position by hard, untiring effort,
-and in every game he has been prominent in smashing interference and
-making his position invulnerable.</p>
-
-<p>With Hallowell, of Hopkinson's, and Manahan on the ends, the team would
-have an almost perfect line. Hallowell occupied a similar position last
-year, and has sustained his reputation this season. He was the most
-difficult end in the league to circle, for he can wade through the most
-compact interference and nail the runner.</p>
-
-<p>Manahan has played tackle all the year, but this was because he found a
-better end player than a tackle. His position is end, where he
-demonstrated last season his talents, and where he should have been this
-fall. As it was, he played an excellent game at tackle, although
-generally handicapped by the weight of his opponent. The players in this
-team to whom the burden of rushing the ball would fall are Cato
-Thompson, Cambridge Manual, Walter B. Boyce, Brookline, and A. Stillman,
-Hopkinson's.</p>
-
-<p>Thompson and Boyce, the half-backs, are good at line-breaking or end
-plays. The former is especially clever at sprinting around the
-extremities of the line, and has exceptional speed. Boyce is the best
-individual back in the association, and his bucking the line has been
-Brookline's chief mode of gaining ground. Both players are fine
-defensive workers, and would aid Sawin on the line. Stillman gets placed
-not so much for his rushing game as his fearless punting. He can always
-be relied upon to follow his interference closely, and goes into a hole
-like a shot. Teevens of Boston Latin pushes Stillman for the position,
-as he is the surer at gaining through the line.</p>
-
-<p>The following tables complete the records of the New York, Connecticut,
-and Cook County football leagues:</p>
-
-<h4>N.Y.I.S.A.A. FOOTBALL CHAMPIONSHIP.</h4>
-
-<div class="center">
-<table border="0" cellpadding="4" cellspacing="0" summary="">
-<tr><td align="left">SECTION I.</td></tr>
-<tr><td align="left"> </td></tr>
-<tr><td align="left"></td><td align="center">Games</td><td align="center">Games</td><td align="center">Games</td><td align="center">Points</td><td align="right">Points</td></tr>
-<tr><td align="left"></td><td align="center">won.</td><td align="center">lost.</td><td align="center">tied.</td><td align="center">won.</td><td align="right">lost.</td></tr>
-<tr><td align="left">De La Salle</td><td align="right">2</td><td align="right">1</td><td align="right">1</td><td align="right">26</td><td align="right">16</td></tr>
-<tr><td align="left">Berkeley</td><td align="right">1</td><td align="right">1</td><td align="right">1</td><td align="right">30</td><td align="right">14</td></tr>
-<tr><td align="left">Barnard</td><td align="right">1</td><td align="right">2</td><td align="right">0</td><td align="right">12</td><td align="right">32</td></tr>
-<tr><td align="left"> </td></tr>
-<tr><td align="left">SECTION II.</td></tr>
-<tr><td align="left"> </td></tr>
-<tr><td align="left">Trinity</td><td align="right">2</td><td align="right">0</td><td align="right">0</td><td align="right">50</td><td align="right">0</td></tr>
-<tr><td align="left">Dwight</td><td align="right">1<a name="FNanchor_1_1" id="FNanchor_1_1"></a><a href="#Footnote_1_1" class="fnanchor">[1]</a></td><td align="right">2</td><td align="right">0</td><td align="right">8</td><td align="right">42</td></tr>
-<tr><td align="left">Cutler</td><td align="right">1</td><td align="right">2</td><td align="right">0</td><td align="right">10</td><td align="right">8</td></tr>
-</table></div>
-
-<h4>FINAL CHAMPIONSHIP GAME.</h4>
-
-<div class="center">
-<table border="0" cellpadding="2" cellspacing="0" summary="">
-<tr><td align="left">De La Salle</td><td align="right">2</td><td align="left">Trinity</td><td align="right">0</td></tr>
-</table></div>
-
-<h4>SCORES OF GAMES PLAYED.</h4>
-
-<div class="center">
-<table border="0" cellpadding="2" cellspacing="0" summary="">
-<tr><td align="left">De La Salle</td><td align="right">4</td><td align="left">Barnard</td><td align="right">6</td></tr>
-<tr><td align="left">De La Salle</td><td align="right">6</td><td align="left">Berkeley</td><td align="right">6</td></tr>
-<tr><td align="left">De La Salle</td><td align="right">6</td><td align="left">Berkeley</td><td align="right">0</td></tr>
-<tr><td align="left">De La Salle</td><td align="right">10</td><td align="left">Barnard</td><td align="right">4<a name="FNanchor_2_2" id="FNanchor_2_2"></a><a href="#Footnote_2_2" class="fnanchor">[2]</a></td></tr>
-<tr><td align="left">De La Salle</td><td align="right">2</td><td align="left">Trinity</td><td align="right">0</td></tr>
-<tr><td align="left">Trinity</td><td align="right">32</td><td align="left">Dwight</td><td align="right">0</td></tr>
-<tr><td align="left">Trinity</td><td align="right">18</td><td align="left">Cutler</td><td align="right">0</td></tr>
-<tr><td align="left">Berkeley</td><td align="right">24</td><td align="left">Barnard</td><td align="right">2</td></tr>
-<tr><td align="left">Cutler</td><td align="right">10</td><td align="left">Dwight</td><td align="right">8</td></tr>
-<tr><td align="left">Cutler</td><td align="right">0</td><td align="left">Dwight</td><td align="right">6<a name="FNanchor_3_3" id="FNanchor_3_3"></a><a href="#Footnote_3_3" class="fnanchor">[3]</a></td></tr>
-</table></div>
-
-<h4>COOK COUNTY FOOTBALL LEAGUE.</h4>
-
-<div class="center">
-<table border="0" cellpadding="2" cellspacing="0" summary="">
-<tr><td align="right"></td><td align="right"></td><td align="right">T</td></tr>
-<tr><td align="right"></td><td align="right"></td><td align="right">o</td></tr>
-<tr><td align="right"></td><td align="right"></td><td align="right">u</td></tr>
-<tr><td align="right"></td><td align="right">G</td><td align="right">c</td></tr>
-<tr><td align="right"></td><td align="right">o</td><td align="right">h</td><td align="right">S</td></tr>
-<tr><td align="right"></td><td align="right">a</td><td align="right">-</td><td align="right">a</td></tr>
-<tr><td align="right"></td><td align="right">l</td><td align="right">d</td><td align="right">f</td></tr>
-<tr><td align="right"></td><td align="right">s</td><td align="right">o</td><td align="right">e</td></tr>
-<tr><td align="right"></td><td align="right"></td><td align="right">w</td><td align="right">t</td></tr>
-<tr><td align="right"></td><td align="right">f</td><td align="right">n</td><td align="right">i</td></tr>
-<tr><td align="right"></td><td align="right">r</td><td align="right">s</td><td align="right">e</td></tr>
-<tr><td align="right"></td><td align="right">o</td><td align="right"></td><td align="right">s</td></tr>
-<tr><td align="right"></td><td align="right">m</td><td align="right">f</td></tr>
-<tr><td align="right"></td><td align="right"></td><td align="right">a</td><td align="right">B</td></tr>
-<tr><td align="right"></td><td align="right">T</td><td align="right">i</td><td align="right">y</td><td align="right"></td><td align="right">P</td></tr>
-<tr><td align="right"></td><td align="right">o</td><td align="right">l</td><td align="right"></td><td align="right">P</td><td align="right">o</td><td align="right"></td><td align="right">G</td></tr>
-<tr><td align="right"></td><td align="right">u</td><td align="right">i</td><td align="right">O</td><td align="right">o</td><td align="right">i</td><td align="right">G</td><td align="right">a</td></tr>
-<tr><td align="right"></td><td align="right">c</td><td align="right">n</td><td align="right">p</td><td align="right">i</td><td align="right">n</td><td align="right">a</td><td align="right">m</td></tr>
-<tr><td align="right"></td><td align="right">h</td><td align="right">g</td><td align="right">p</td><td align="right">n</td><td align="right">t</td><td align="right">m</td><td align="right">e</td></tr>
-<tr><td align="right"></td><td align="right">-</td><td align="right"></td><td align="right">o</td><td align="right">t</td><td align="right">s</td><td align="right">e</td><td align="right">s</td></tr>
-<tr><td align="right"></td><td align="right">d</td><td align="right">G</td><td align="right">n</td><td align="right">s</td><td align="right"></td><td align="right">s</td></tr>
-<tr><td align="right"></td><td align="right">o</td><td align="right">o</td><td align="right">e</td><td align="right"></td><td align="right">l</td><td align="right"></td><td align="right">l</td></tr>
-<tr><td align="right"></td><td align="right">w</td><td align="right">a</td><td align="right">n</td><td align="right">W</td><td align="right">o</td><td align="right">w</td><td align="right">o</td></tr>
-<tr><td align="right"></td><td align="right">n</td><td align="right">l</td><td align="right">t</td><td align="right">o</td><td align="right">s</td><td align="right">o</td><td align="right">s</td></tr>
-<tr><td align="right"></td><td align="right">s</td><td align="right">s</td><td align="right">s</td><td align="right">n</td><td align="right">t</td><td align="right">n</td><td align="right">t</td></tr>
-<tr><td align="left">Englewood</td><td align="right">12</td><td align="right">3</td><td align="right">..</td><td align="right">118</td><td align="right">12</td><td align="right">9</td><td align="right">0</td></tr>
-<tr><td align="left">Hyde Park</td><td align="right">14</td><td align="right">11</td><td align="right">..</td><td align="right">128</td><td align="right">54</td><td align="right">8</td><td align="right">1</td></tr>
-<tr><td align="left">Lake View</td><td align="right">11</td><td align="right">4</td><td align="right">..</td><td align="right">40</td><td align="right">16</td><td align="right">6</td><td align="right">2</td></tr>
-<tr><td align="left">Evanston</td><td align="right">11</td><td align="right">4</td><td align="right">..</td><td align="right">82</td><td align="right">50</td><td align="right">5</td><td align="right">3</td></tr>
-<tr><td align="left">North Division</td><td align="right">17</td><td align="right">6</td><td align="right">..</td><td align="right">126</td><td align="right">72</td><td align="right">5</td><td align="right">4</td></tr>
-<tr><td align="left">English High</td><td align="right">3</td><td align="right">1</td><td align="right">..</td><td align="right">22</td><td align="right">24</td><td align="right">4</td><td align="right">5</td></tr>
-<tr><td align="left">Northwest Division</td><td align="right">3</td><td align="right">1</td><td align="right">..</td><td align="right">22</td><td align="right">86</td><td align="right">3</td><td align="right">6</td></tr>
-<tr><td align="left">Manual-Training</td><td align="right">1</td><td align="right">1</td><td align="right">..</td><td align="right">10</td><td align="right">78</td><td align="right">2</td><td align="right">7</td></tr>
-<tr><td align="left">Oak Park</td><td align="right">6</td><td align="right">3</td><td align="right">..</td><td align="right">48</td><td align="right">142</td><td align="right">1</td><td align="right">8</td></tr>
-<tr><td align="left">West Division</td><td align="right">0</td><td align="right">2</td><td align="right">..</td><td align="right">8</td><td align="right">84</td><td align="right">1</td><td align="right">8</td></tr>
-</table></div>
-
-<p><span class="pagenum"><a name="Page_251" id="Page_251">[Pg 251]</a></span></p>
-
-<h3>CONNECTICUT I.S.F.B.A.</h3>
-
-<h4>NORTHERN DIVISION.</h4>
-
-<div class="center">
-<table border="0" cellpadding="0" cellspacing="0" summary="">
-<tr><td align="left">October 31&mdash;New Britain H.-S., 42; Hartford H.-S., 6.</td></tr>
-<tr><td align="left">November 7&mdash;New Britain H.-S., 50; Norwich<a name="FNanchor_4_4" id="FNanchor_4_4"></a><a href="#Footnote_4_4" class="fnanchor">[4]</a> F.&nbsp;A., 0.</td></tr>
-</table></div>
-
-<h4>SOUTHERN DIVISION.</h4>
-
-<div class="center">
-<table border="0" cellpadding="0" cellspacing="0" summary="">
-<tr><td align="left">October 31&mdash;Meriden H.-S., 54; Hillhouse H.-S., 12.</td></tr>
-<tr><td align="left">October 31&mdash;Bridgeport H.-S., 12; Waterbury H.-S., 8.</td></tr>
-<tr><td align="left">November 7&mdash;Meriden H.-S., 20; Bridgeport H.-S., 12.</td></tr>
-</table></div>
-
-<h4>CHAMPIONSHIP GAME.</h4>
-
-<div class="center">
-<table border="0" cellpadding="0" cellspacing="0" summary="">
-<tr><td align="left">November 14&mdash;New Britain H.-S., 30; Meriden H.-S., 6.</td></tr>
-</table></div>
-
-<div class="figcenter" style="width: 600px;">
-<img src="images/ill_023.jpg" width="600" height="338" alt="" />
-<span class="caption">TRINITY SCHOOL FOOTBALL TEAM, OF NEW YORK.</span>
-</div>
-
-<p>The Trinity School Football Team this year was the strongest that that
-school has ever put into the field; and although it did not win the New
-York championship, it made an enviable record for itself during the
-season. Thirteen games in all were played as follows:</p>
-
-<div class="center">
-<table border="0" cellpadding="2" cellspacing="0" summary="">
-<tr><td align="left">Trinity</td><td align="right">10</td><td align="left">Yonkers High-School</td><td align="right">0</td></tr>
-<tr><td align="left">Trinity</td><td align="right">28</td><td align="left">St. Austin's School</td><td align="right">0</td></tr>
-<tr><td align="left">Trinity</td><td align="right">4</td><td align="left">Montclair High-School</td><td align="right">2</td></tr>
-<tr><td align="left">Trinity</td><td align="right">44</td><td align="left">Packard Business College</td><td align="right">4</td></tr>
-<tr><td align="left">Trinity</td><td align="right">0</td><td align="left">St. Paul's School</td><td align="right">30</td></tr>
-<tr><td align="left">Trinity</td><td align="right">6</td><td align="left">Rutger Prep. School</td><td align="right">0</td></tr>
-<tr><td align="left">Trinity</td><td align="right">10</td><td align="left">Staten Island C.&nbsp;C., 2d team</td><td align="right">6</td></tr>
-<tr><td align="left">Trinity</td><td align="right">0</td><td align="left">Princeton Prep. School</td><td align="right">10</td></tr>
-<tr><td align="left">Trinity</td><td align="right">*32</td><td align="left">Dwight School</td><td align="right">0</td></tr>
-<tr><td align="left">Trinity</td><td align="right">*18</td><td align="left">Cutler School</td><td align="right">0</td></tr>
-<tr><td align="left">Trinity</td><td align="right">*0</td><td align="left">De La Salle School</td><td align="right">2</td></tr>
-<tr><td align="left">Trinity</td><td align="right">10</td><td align="left">Columbia Freshmen</td><td align="right">0</td></tr>
-</table></div>
-
-<p>The contests marked with a star were games played in the New York
-Interscholastic championship series.</p>
-
-<p>For the first time in several years the Trinity players this season had
-a regular coach, to whom much of the credit of their success is due. The
-'95 team knew nothing of systematic interference, whereas this year's
-eleven was well trained in that branch of the sport, and developed a
-special strength on end plays. Only four of the '95 team returned to
-school this fall. These were Page, centre; Brown, left guard; Stromeyer,
-left half-back, and O'Rourke, full-back. Page and Brown were moved to
-tackles, and proved efficient in those positions.</p>
-
-<p>On looking over the new material at the beginning of the season Captain
-O'Rourke found that he had an abundance of men capable of playing end
-and back, but there were not many heavy players for the centre of the
-line. Consequently in the early games Trinity's opponents made most of
-their advances through the centre; but this weakness was finally
-remedied, and the eleven developed a strong defence. With the experience
-acquired this season next year's eleven should prove particularly
-strong.</p>
-
-<p>With the great development of football among all the schools, it has now
-come to be an important matter with the colleges to keep track of the
-scholastic players, and to depend upon them for material for the
-university elevens. In connection with this it is interesting to look
-over a list of the graduating football-players which has been recently
-compiled.</p>
-
-<p>Beginning with the New York League we find that of the seven members of
-the Berkeley team who graduate next spring, Bien, Gilson, and Rice will
-go to Yale, Walker and Hasbrouck will go to Columbia, Wiley will enter
-Princeton, and Pell will not go to college at all. From the Cutler team
-Yale will get Kimball, Kip, and Lee, Harvard will get Hoffman and Sands,
-and McElroy will go to Columbia. Columbia will get four men from
-Drisler's eleven&mdash;Agate, Ballin, Furnald, and Wolff. Columbia also gets
-Brooks from Hamilton Institute; and from the same school Carey will go
-to Princeton, and Foster to Technology, Boston. Of the Dwight
-football-players, Bogart, Cameron, McCord, and Vinton go to Yale, Adler
-to Pennsylvania, Slawson to Princeton, and Eickemeyer to Columbia. From
-the champion team of De La Salle only two go to college&mdash;Tilford to
-Yale, and Bennett to Manhattan College.</p>
-
-<p>Not so many men go to college from the Long Island League. Pratt
-Institute will send Bowie and Warner to Cornell, and Nevins to Columbia.
-Brooklyn Latin will send three men to Harvard&mdash;Lawrence, E. Motley, and
-J.&nbsp;L. Motley; Auchincloss, Brown, and Hoppin will go to Yale. From the
-championship team of St. Paul's, Garden City, Loraine, Symonds, and
-White will enter Harvard; and Cluett will go to Yale.</p>
-
-<p>The Connecticut League will naturally send more football-players to Yale
-than to any other college. From Hotchkiss School six men will go down to
-New Haven&mdash;Hixon, Hoysradt, Montague, Noyes, Reynolds, and Savage. Two
-of the substitutes of the team, Coy, also a tennis-player, and
-Robertson, will likewise go to Yale. Fincke, football man and tennis
-champion, will go to Harvard. From the Hartford High-School Wood goes to
-Cornell; and Cutter, Gibb, Hanford, and Lockwood go to Yale. From
-Meriden Hubbard will go to Yale, and also possibly Gibson and Lane;
-Collins will enter Tufts College. From the champion New Britain team
-Yale will get Buckley, Corbin, and Flannery.</p>
-
-<p>From other schools not in any of the large interscholastic leagues the
-larger colleges will also get a number of good men. From Andover, Yale
-will get Holladay, Swift, Wheeler, and White, and also one or more
-substitutes. Exeter will probably send three players to Harvard. From
-Lawrenceville, Cadwalader, Dudley, and Richards go to Yale; Loy and
-Mattis to Princeton. From the football team of St. Paul's, Concord,
-Henderson and Hollingsworth will enter Harvard; Vredenburg will go to
-Princeton; and Yale will get Campbell, Phipps, and Richardson, besides
-three or four substitutes of the team. Groton will send six
-football-players to Yale&mdash;Allen, Gillett, Smith, Strong, Twichell, and
-Whaples. Sturtevant will go to Trinity.</p>
-
-<p>From St. Mark's, Southboro', Harvard will receive Wittemore; Technology
-of Boston will get Adams; while Hare and Nash will go to Yale.
-Westminster School will probably send six of the players of its team to
-Yale&mdash;Fabbri, Knapp, McLean, Nisbet, Scott, and Wells. From the Hill
-School only two of the first football team graduate&mdash;Keifer, who will go
-to Yale, and Fincke, who is undecided. Taft's School will send seven of
-its football men to New Haven&mdash;Bell, Barnett, Lear, Merriman, Townshend,
-Welch, and White.</p>
-
-<h4>"FOOTBALL FACTS AND FIGURES."&mdash;<span class="smcap">By Walter Camp.&mdash;Post 8vo, Paper, 75
-Cents</span>.</h4>
-
-<p>
-<span style="margin-left: 34em;"><span class="smcap">The Graduate</span>.</span><br />
-</p>
-
-<hr class="chap" />
-<h2>ADVERTISEMENTS.</h2>
-
-<hr class="chap" />
-<div class="figcenter" style="width: 224px;">
-<img src="images/ill_024.jpg" width="224" height="400" alt="ROYAL BAKING POWDER" />
-</div>
-
-<p class="center">If you wish</p>
-
-<p class="center">the lightest,</p>
-
-<p class="center">sweetest, finest</p>
-
-<p class="center">cake, biscuit and bread,</p>
-
-<h2>ROYAL</h2>
-
-<h3>BAKING POWDER</h3>
-
-<p class="center">is indispensable</p>
-
-<p class="center">in their preparation.</p>
-
-<h4>ROYAL BAKING POWDER CO., NEW YORK.</h4>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_252" id="Page_252">[Pg 252]</a></span></p>
-
-<h2><a name="QUESTIONS_FOR_YOUNG_MEN" id="QUESTIONS_FOR_YOUNG_MEN">QUESTIONS FOR YOUNG MEN.</a></h2>
-
-<h3>ON DRESS.</h3>
-
-<p>There is a certain professor in a certain university of the United
-States who once, at the beginning of one of his lectures on fine arts,
-got on the subject of the kind of pins worn in the neck-ties of young
-college men. He was a good lecturer, and was always interesting, but
-this lecture was the most interesting of his course to the three hundred
-boys who heard him, and the whole hour was spent on neck-tie pins, their
-use and misuse, and what they suggested. The gist of what he said was
-that there was no more reason why a boy should wear a horseshoe with a
-whip across it all in gold than that houses should have sieves for
-roofs. And that as it was extremely foolish to put a big sieve on your
-house for a roof, so it was quite as foolish to wear horseshoes on your
-neck-ties. The principle of this is that you should have a reason in
-what you wear as well as in other things, and that senseless
-decorations, like horseshoes on neck-ties or neck-ties on horseshoes,
-are silly and unbecoming to a self-respecting person. This particular
-example was only one to illustrate a principle, which is that nothing
-unusual, queer, out of the ordinary, is in itself a good thing; that, in
-fact, most things that are queer and out of the ordinary are likely, in
-the question of dress, to be in bad taste. A man's dress ought to be
-quiet, but it <i>must</i> be clean and well taken care of in every instance.
-The best dressed man is the man who, in whatever company he finds
-himself, is inconspicuous; who, you realize in an indefinite way, is
-well appointed, though you cannot well tell why. If you appear at a
-dinner in overalls, people say you are badly dressed, and they would
-repeat that wise observation if you went out in the field in a
-swallow-tail-coat. In the same way a man who has a flaring neck-tie or a
-purple handkerchief, or very long coat or very short trousers, is at
-once conspicuous, and therefore badly dressed.</p>
-
-<p>This is not a question which involves the expenditure of money. A young
-man's clothing may be worn threadbare, but it can always be clean, and
-it costs no more to buy a quiet-colored cloth than to buy a big check of
-black and green or brown and yellow. If you study the matter a little
-you will find that you can tell the general character of any person by
-his clothes. Some men are sure to always wear slouchy clothes,
-half-soiled linen, a bright green neck-tie; others wear highly colored
-waistcoats; others again are always in the height of fashion&mdash;that is, a
-little in the extreme year after year; and still others make a point of
-being badly dressed and out of the prevalent style to show that they are
-not swayed by such silly laws as style. It is easy enough to place all
-these men in their proper places. And then, finally, you see some young
-chap whose clothes are clean, who is neither out of the style of the day
-nor in the height of it, whose clothes may be showing distinct signs of
-wear, but who seems to fit them pretty well, and to be noticeable in no
-particular way so far as they are concerned, and in all probability you
-put him down, if you think of the matter at all, as a man of
-common-sense, of decency, of self-respect, and good manners.</p>
-
-<p>Then, again, some men sit in their shirt sleeves at home. There is no
-reason for this. It is merely a queer idea that you are more comfortable
-in that style of dress. But such men do not realize that their sisters,
-wives, mothers, naturally lose some of their respect for them, and that
-they unconsciously lose a good deal of respect for themselves. Certainly
-these sisters and wives and mothers are the girls and women we think
-most of, and why do we treat them with a disrespect that we would never
-think of subjecting strangers to in our own or in their homes? That
-disrespect to them is a boomerang, a reflector on us ourselves. If you
-dress quietly and decently and as well as you can, if you keep yourself
-and your clothes clean, you are more likely to keep morally clean, to
-think and act in a dignified way, and to treat others with proper
-respect. Of course there are great men who are slovenly, but they are
-never great because they are slovenly, and it would not dull their
-greatness if they kept themselves clean and orderly. It is because they
-grow careless, and carelessness is never excusable in any one. Think
-about your clothes, then, and avoid anything that will make you
-noticeable. That does not mean that one should always be thinking of
-what to wear, that one should be a dandy and a fop. It simply means that
-he should be a self-respecting man who tries to be decent.</p>
-
-<hr class="tb" />
-
-<p>Postmen sometimes have very lively experiences in the course of their
-daily rounds. It has often happened that on lonely roads they have had
-to fight their way against tramps and others who lie in wait to see what
-they can get that doesn't belong to them, and may be worth having. The
-most novel experience that has come to notice, however, was in the work
-of an English postman. It appears that on a recent Sunday a swarm of
-bees took possession of the village letter-box at Haunton, six miles
-from Tamworth. There is no collection on Sunday, and on Monday night,
-when the rural postman essayed to take out the letters, he was compelled
-to beat a speedy retreat, and no one could approach within twenty yards
-of the box. The postman avers that that was the liveliest mail he has
-had to do with in a long while.</p>
-
-<hr class="tb" />
-
-<h3>BLÜCHER'S PIPE-BEARER.</h3>
-
-<p>There is a story told somewhere of an old Indian-fighter, one of the
-kind that trailed the war parties of the redskins far back in the last
-century. This veteran loved his pipe, and as the story goes, during one
-of his exploits the Indians followed his trail by the smell of the
-tobacco smoke, and finally a well-aimed bullet knocked the glowing bowl
-from his mouth. Thus warned, he made his escape.</p>
-
-<p>This pipe story does not equal that told of Christian Hennemann, a
-countryman from Rostock, who fought with Field-Marshal Blücher at
-Waterloo. Those who are familiar with Blücher's life know of his
-partiality for a pipe, and even in the heat of battle he never neglected
-his smoke. As day broke the morning of the memorable battle of Waterloo,
-Blücher called the hussar Christian Hennemann, and placed him in charge
-of a box of clay pipes, with the instruction to keep one always ready to
-hand to him, that he might enjoy a few whiffs during the engagement.</p>
-
-<p>As the morning wore on, Blücher sat on his white charger gravely puffing
-away. He had reached out his hand for the second time to take the
-refilled pipe, when an ungenerous cannon-ball dug up the ground near at
-hand, causing his horse to shy. Blücher hastily handed the pipe to
-Christian, saying, "Just keep that lighted for a few moments while I
-drive those rascally Frenchmen back."</p>
-
-<p>The chase was a long one, as history relates, and through the hot summer
-day the battle waged and men fought and died. When the battle was over,
-Blücher and Wellington, who were riding over the scene together,
-happened to pass near where Blücher had first started to chase the
-enemy. Outlined against the sky a lonely man sat perched on a rock. A
-bloody rag was bound around his head, and one arm hung in a sling. He
-was calmly smoking a clay pipe.</p>
-
-<p>With an exclamation of surprise Blücher pulled up.</p>
-
-<p>"Why, it's my Hennemann! How you look, boy! What are you doing here
-alone?"</p>
-
-<p>"Waiting for you, as ordered," was the grumbled reply. "Been waiting
-ever since you left. The French have shot away every pipe in the box.
-They ripped the flesh from my head and shattered my arm with their
-bullets. It's well there is an end to the battle, or you would have been
-too late even for this last pipe."</p>
-
-<p>Wellington, turning to Blücher, remarked:</p>
-
-<p>"You have admired the unflinching loyalty and bravery of my Highlanders.
-What shall I say of this brave soul?"</p>
-
-<p>"But your Highlanders had no pipes to regale themselves with," Blücher
-replied.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_253" id="Page_253">[Pg 253]</a></span></p>
-
-<div class="figcenter" style="width: 600px;"><a name="STAMPS" id="STAMPS"></a>
-<img src="images/ill_025.jpg" width="600" height="208" alt="STAMPS" />
-</div>
-
-<blockquote>
-
-<p>This Department is conducted in the interest of stamp and coin
-collectors, and the Editor will be pleased to answer any question
-on these subjects so far as possible. Correspondents should address
-Editor Stamp Department.</p></blockquote>
-
-<p>The prices of great rarities are not declining, and the common stamps
-are worth as much to-day as ever; but the middle-class U.&nbsp;S. stamps have
-had a serious decline during the past three months. However, the stock
-is not large, it cannot be increased, and the good stamps are constantly
-being spoiled by carelessness or destroyed by accident, hence the
-eventual return to higher values is inevitable.</p>
-
-<p>A rumor has gone abroad that the Bureau of Engraving and Printing in
-Washington contemplates making an entirely new set of postage-stamps, or
-keeping the present dies and changing all the colors. In either case
-there will be a great demand for Plate Nos. The present prices of Plate
-Nos. are quite low, and collectors should make up their albums as soon
-as possible. If a new set of stamps is issued, almost every one will be
-able to get all the new Nos. at a slight advance on face values.</p>
-
-<p>One of the New York dealers has adopted a new method of selling scarce
-stamps. For instance, a U.&nbsp;S. Revenue was placed in the window marked
-$20, the catalogue price, with a notice that the price would be reduced
-$1 each day until sold. Quite a number of collectors kept tally, and
-determined to buy the stamp when it had come down to $12 or $13. They
-are still waiting, as the stamp was sold at $14. Other dealers intend to
-do the same thing with other stamps, and in many instances they expect
-the stamp to be sold the second day.</p>
-
-<blockquote>
-
-<p><span class="smcap">S.&nbsp;P. Kenna</span>.&mdash;There is no accounting for fashion, but the wise
-collector is one of those who set the fashion. Those who come in
-later must pay highest prices. Australians were the most sought
-after three or four years ago, then came West-Indians. U.&nbsp;S.
-stamps, of course, are, and probably will be, more sought after in
-this country than abroad.</p>
-
-<p><span class="smcap">J. Shackheim</span>.&mdash;A fine unused 90c. U.&nbsp;S. 1860 issue, sold at one
-auction for $11 a few days ago, and the next day a poor copy of the
-same stamp brought $13.50 at another auction. The first was very
-cheap, the second very dear. Unused high values U.&nbsp;S. will always
-be very scarce, and in some cases rare.</p>
-
-<p><span class="smcap">J. Urban</span>.&mdash;You have a very interesting lot of coins, but none of
-them is of such rarity as to be worth sending to a dealer. You will
-doubtless be able to get many others in time at nominal prices, and
-thus make up a good collection.</p>
-
-<p><span class="smcap">W. Hammond</span>, 8 High St., Peabody, Mass., wishes to exchange stamps.</p>
-
-<p><span class="smcap">J.&nbsp;O. Hall</span>.&mdash;To get the new stamps as issued I would advise you to
-join the American Philatelic Association. Address J.&nbsp;F. Beard,
-secretary, Muscatine, Iowa.</p>
-
-<p><span class="smcap">F.&nbsp;X. Schmidt</span>.&mdash;The first coins struck for an American
-English-speaking country were the Sommer Island III., VI., XII.
-pence in 1616. These are now called the Bermuda Islands. The next
-coins were the New England III., VI., XII. in 1652, and the
-Pine-Tree pieces struck in the same year.</p>
-
-<p><span class="smcap">J. Kleinschmidt</span>.&mdash;There are two varieties of the 1869 15c. stamp.
-1. The ordinary, in the frame of which, under the letter T of the
-word POSTAGE, is a diamond. This variety is worth $1.25 used. 2.
-The other has the diamond cut out, and this variety is worth $3
-used.</p>
-
-<p><span class="smcap">A.&nbsp;A. Davis</span>.&mdash;Brazil stamps, both used and unused, had been very
-low in price for all issues from 1850 to 1893. Daring the past two
-years they have gone up in price quite remarkably, as the dealers
-and collectors find that certain varieties are quite scarce. If you
-have the complete sets unused hold on to them, as prices are bound
-to advance.</p></blockquote>
-
-<p>
-<span style="margin-left: 34em;"><span class="smcap">Philatus</span>.</span><br />
-</p>
-
-<hr class="chap" />
-<div class="figcenter" style="width: 600px;">
-<img src="images/ill_026.jpg" width="600" height="292" alt="IVORY SOAP" />
-</div>
-
-<hr class="chap" />
-<h2>You Should Have</h2>
-
-<h3>"Harper's Round Table" for 1896</h3>
-
-<p class="center">Volume XVII. With 1276 Pages and about 1200 Illustrations. 4to, Cloth,
-Ornamental, $3.50.</p>
-
-<blockquote>
-
-<p>It is doubtful if any other book issued at this holiday season
-contains so many stories for young readers as this volume.&mdash;<i>San
-Francisco Chronicle.</i></p>
-
-<p>The book is one which is sure to delight all the
-children.&mdash;<i>Detroit Free Press.</i></p>
-
-<p>A pronounced success as an educational means of great
-value.&mdash;<i>Pittsburg Chronicle-Telegraph.</i></p>
-
-<p>One of the best periodicals for children ever
-published.&mdash;<i>Philadelphia Ledger.</i></p></blockquote>
-
-<h3>Naval Actions of the War of 1812</h3>
-
-<p>By <span class="smcap">James Barnes</span>. With 21 Full-page Illustrations by <span class="smcap">Carlton T. Chapman</span>,
-printed in color, and 12 Reproductions of Medals. 8vo, Cloth,
-Ornamental, Deckel Edges and Gilt Top, $4.50.</p>
-
-<blockquote>
-
-<p>Unquestionably both the most lifelike and the most artistic
-renderings of these encounters ever attempted.&mdash;<i>Boston Journal.</i></p>
-
-<p>Brimful of adventure, hardihood, and patriotism.&mdash;<i>Philadelphia
-Ledger.</i></p></blockquote>
-
-<h3>The Dwarfs' Tailor</h3>
-
-<p class="center">And Other Fairy Tales. Collected by <span class="smcap">Zoe Dana Underhill</span>. With 12
-Illustrations. Post 8vo, Cloth, Ornamental, $1.75.</p>
-
-<blockquote>
-
-<p>The twenty-two tales form a cosmopolitan array that cannot fail to
-delight young readers.&mdash;<i>Chicago Tribune.</i></p>
-
-<p>Fascinating for old and young.&mdash;<i>Boston Traveller.</i></p></blockquote>
-
-<h3>A Virginia Cavalier</h3>
-
-<p class="center">A Story of the Youth of George Washington. By <span class="smcap">Molly Elliot Seawell</span>.
-Illustrated. Post 8vo, Cloth, Ornamental, $1.50.</p>
-
-<blockquote>
-
-<p>Warmly commended to all young American readers.&mdash;<i>Chicago
-Inter-Ocean.</i></p>
-
-<p>An absorbing tale.&mdash;<i>Philadelphia Bulletin.</i></p></blockquote>
-
-<h3>Rick Dale</h3>
-
-<p class="center">A Story of the Northwest Coast. By <span class="smcap">Kirk Munroe</span>. Illustrated by <span class="smcap">W.&nbsp;A.
-Rogers</span>. Post 8vo, Cloth, Ornamental, $1.25.</p>
-
-<blockquote>
-
-<p>Lively and exciting, and has, incidentally, much first-hand
-information about the far Northwest.&mdash;<i>Outlook</i>, N.&nbsp;Y.</p>
-
-<p>Capital story of adventure.&mdash;<i>Philadelphia Evening Bulletin.</i></p></blockquote>
-
-<hr class="tb" />
-
-<h4>HARPER &amp; BROTHERS, Publishers, New York</h4>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_254" id="Page_254">[Pg 254]</a></span></p>
-
-<h3>What All Ought to Read.</h3>
-
-<p>A member living in the South asks for a list of books that persons of
-all ages ought to read in order to begin further reading&mdash;books that
-ought to be read, no matter in what direction a later taste might lead.</p>
-
-<p>Here is a list prepared last year to fit this very question. It was
-prepared by some one well qualified for the task:</p>
-
-<div class="center">
-<table border="0" cellpadding="0" cellspacing="0" summary="">
-<tr><td align="left"><i>Tales from Shakespeare</i>, by Charles and Mary Lamb.</td></tr>
-<tr><td align="left">Sir Walter Scott's <i>Ivanhoe</i>, <i>Lady of the Lake</i>, and <i>Marmion</i>.</td></tr>
-<tr><td align="left">Tennyson's <i>Idyls of the King</i>.</td></tr>
-<tr><td align="left">Macaulay's <i>History of England</i>.</td></tr>
-<tr><td align="left">Higginson's <i>Young Folks' History of the United States</i>.</td></tr>
-<tr><td align="left">Thackeray's <i>The Virginians</i>.</td></tr>
-<tr><td align="left">Walter Besant's <i>For Faith and Freedom</i>.</td></tr>
-<tr><td align="left">Dickens's <i>Tale of Two Cities</i>.</td></tr>
-<tr><td align="left"><i>Brave Little Holland, and what She taught Us</i>, by W.&nbsp;E. Griffis.</td></tr>
-<tr><td align="left">Lew. Wallace's <i>Ben-Hur</i>.</td></tr>
-<tr><td align="left"><i>Bible Characters</i>, by Charles Reade.</td></tr>
-<tr><td align="left"><i>Recreations in Botany</i>, by Caroline A. Creevey.</td></tr>
-<tr><td align="left"><i>The History of a Mouthful of Bread</i>, by Jean Macé.</td></tr>
-<tr><td align="left">Laboulaye's <i>Fairy-Tales</i>.</td></tr>
-<tr><td align="left"><i>Life and Letters of Louisa M. Alcott</i>.</td></tr>
-<tr><td align="left"><i>John Halifax, Gentleman</i>, by Mrs. Craik.</td></tr>
-<tr><td align="left">Longfellow's <i>Evangeline</i>.</td></tr>
-<tr><td align="left">Irving's <i>Life of Washington</i>.</td></tr>
-<tr><td align="left">Whittier's <i>Snow-Bound</i>.</td></tr>
-<tr><td align="left">Hawthorne's <i>House of Seven Gables</i> and <i>Tanglewood Tales</i>.</td></tr>
-<tr><td align="left">Fenimore Cooper's <i>Leatherstocking Tales</i> and <i>Last of the Mohicans</i>.</td></tr>
-<tr><td align="left">Amelia E. Barr's <i>Bow of Orange Ribbon</i>.</td></tr>
-<tr><td align="left">Alexander Johnston's <i>American Politics</i>.</td></tr>
-</table></div>
-
-<p>How many of these have you read? And why may not a Chapter take up this
-list?</p>
-
-<hr class="tb" />
-
-<h3>A Call for Charity.</h3>
-
-<blockquote>
-
-<p>The storm of September 29 caused such disaster at Fort White that I
-have decided to write to you, through the columns of <span class="smcap">Harper's Round
-Table</span>, and ask you to send ten cents to Mrs. E.&nbsp;G. Persons, Fort
-White, Florida. It will be distributed among the storm sufferers of
-that place, which was almost totally wrecked. Only three
-dwelling-houses were left standing. The turpentine-men were ruined,
-as nearly all the turpentine-trees were blown down. I hope that you
-will all respond liberally and quickly, for what is a very small
-sum to one person will mean a great deal to the storm sufferers.</p></blockquote>
-
-<p>
-<span style="margin-left: 34em;"><span class="smcap">Albert H. Roberts</span>, K.R.T.</span><br />
-<span style="margin-left: 34em;"><span class="smcap">Anita, Fla</span>.</span><br />
-</p>
-
-<hr class="tb" />
-
-<h3>Working a Turpentine Orchard.</h3>
-
-<p>Our national Department of Agriculture gathers facts in relation to
-forestry as well as to farming, and publishes them for the use of any
-one who wishes them. It has just issued some interesting facts about
-pine-trees, of the variety from which turpentine is obtained.</p>
-
-<p>"Work in a turpentine orchard is started in the early part of the
-winter, with the cutting of the boxes. Trees of full growth, according
-to their circumference, receive from two to four boxes.</p>
-
-<p>"The boxes are cut from eight to twelve inches above the base of the
-tree, seven inches deep and slanting from the outside to the interior.
-In the adult trees they are fourteen inches in the greatest diameter,
-and four inches in the greatest width, with a capacity of about three
-pints. In the mean time the ground is laid bare around the tree for a
-breadth of two and a half to three feet, and all combustible material
-loose on the ground is raked into heaps to be burned, in order to
-protect the trees from the danger of catching fire during the
-conflagrations, which are frequently started in the pine forests by
-design or carelessness. The employment of fire for the protection of
-turpentine orchards against the same element necessarily involves the
-total destruction of the smaller tree growth, and if allowed to spread
-without control beyond the proper limit often carries ruin to the
-adjoining forests.</p>
-
-<p>"During the early days of spring the turpentine begins to flow, and
-chipping is begun, as the work of washing the trees is called, by which
-the surface of the trees above the box is laid bare beyond the youngest
-layers of the wood to a depth of about an inch from the outside of the
-bark. The removal of the bark and of the outermost layers of the
-wood&mdash;the "chipping" or "hacking"&mdash;is done with a peculiar tool, the
-"hacker," a strong knife with a curved edge fastened to the end of a
-handle bearing on its lower end an iron ball of about four pounds in
-weight, to give increased force to the stroke inflicted upon the tree,
-and thus to lighten the labor of chipping. As soon as the scarified
-surface ceases to discharge turpentine freely, fresh incisions are made
-with the hacker. The chipping is repeated every week from March to
-October or November, extending generally through a period of thirty-two
-weeks, and the weight of the chip is increased about one and one-half to
-two inches every month. The rosin which accumulates in the boxes is
-dipped into a pail with a flat trowel-shaped dipper, and is then
-transferred to a barrel for transportation to the still."</p>
-
-<hr class="tb" />
-
-<h3>Queer Complication of Territory.</h3>
-
-<p>Kings and presidents send ambassadors to the capitals of other
-countries, as you know. The residence of these ambassadors is, in law,
-not a part of the country in whose capital they are located, but a part
-of the country from which comes the ambassador residing there at the
-moment. For instance, the residence of the American Ambassador to France
-is in Paris, but at law it is not French but United States territory. A
-novel incident grew out of this legal fiction recently.</p>
-
-<p>The Japanese Embassy in Berlin is not German, but Japan territory, of
-course. The embassy owns a parrot. The parrot got out of its cage and
-took lodgement in a neighboring tree&mdash;a tree in Germany, not in Japan. A
-Japanese servant remaining in Japan levelled a hose at the parrot, with
-the aim of dislodging him. It chanced that beneath the tree there sat,
-at the time, a German resident of wealth. The water that dislodged the
-parrot drenched him and ruined his clothes. He sued for damages, and got
-$4&mdash;a compromise sum, because the inflictor of the damage was a resident
-of Japan, had not left his own country, and could not be dragged into a
-German police court.</p>
-
-<hr class="tb" />
-
-<h3>A Lake without Water.</h3>
-
-<p>Central Australia is only now becoming known, as is Central Africa. An
-explorer tells the following about a wonderful "lake":</p>
-
-<p>"We came, just at dusk, to the top of a sand hill, and saw Lake Amadeus
-lying at our feet. It was a strange sight. The bed of the lake was here
-only some three-quarters of a mile wide, but east and west it stretched
-away to the horizon, widening out, especially westwards, into a vast
-sheet many miles across. There was not a speck of water, only a dead
-level surface of white salt standing out against the rich after-glow on
-the west and the dull sky to the east, whilst north and south it was
-hemmed in by low hills covered with dark scrub."</p>
-
-<hr class="tb" />
-
-<h3>To Amateur Paper Publishers.</h3>
-
-<p>Will publishers of amateur newspapers send sample copies to A.&nbsp;R.
-Abbott, 38 Franklin Street, Northampton, Massachusetts?</p>
-
-<hr class="tb" />
-
-<h3>A Query in Natural History.</h3>
-
-<blockquote>
-
-<p>Some time ago, under the above heading, a caterpillar was described
-which is commonly called saddle-back or slug caterpillar.
-Naturalists know it by the euphonious title of <i>Sibine stimulea</i>,
-which tells us that the tufts of bristles have nettlelike powers of
-irritation. The name slug caterpillar is given it because, the
-abdominal legs being absent, it moves with a smooth, gliding,
-snail-like motion. It feeds on many plants and trees, such as corn,
-rose, cherry, pear, and apple. After spending some weeks feeding on
-the leaves, it spins a brown cocoon, nearly spherical, surrounded
-by a loose silken web, and about July 1 a small moth emerges.</p>
-
-<p>It resembles those small moths commonly designated as "millers."
-The wings, which spread about one and one-half inches, are of a
-beautiful rich brown color, with a dark streak on the fore wings,
-near which are three whitish spots. Although nature has furnished
-the caterpillar with a protective armor of poisonous bristles, yet
-it does not seem to me to merit the epithet "hideous creature."</p></blockquote>
-
-<p>
-<span style="margin-left: 34em;">C.&nbsp;W.&nbsp;B.</span><br />
-<span style="margin-left: 34em;"><span class="smcap">East Orange, N.&nbsp;J</span>.</span><br />
-</p>
-
-<hr class="tb" />
-
-<h3>Questions and Answers.</h3>
-
-<p>Henry Osborn asks what causes Indian-summer weather, and why it is so
-called. Neither is quite clear, dear Sir Henry. In Canada it is known as
-St. Martin's summer. Why we call it Indian summer we have been unable to
-find out. Can any one tell us? By early American colonists it was
-thought that the haze was real smoke wafted from fires started by the
-Indians in anticipation of winter.&mdash;A Pennsylvania member asks how
-commercial pop-corn is made so excellent, when he has so much difficulty
-in getting his corn to pop well. The reasons are several. One is
-practice, which makes perfect. Another is good tools. Coal is poor stuff
-to pop corn over. Get coke. That is better because it stays hot, and
-does not die down as coal does. For popping corn in large quantities
-regular furnaces lined with fire-brick are provided, and there are huge
-wire baskets that are handled crane fashion. Some hold a bushel of corn
-when popped. Pop-corn parties are said to be more common than usual this
-autumn.</p>
-
-<p>Gardner W. Millet asks when rifles were invented, and when metallic
-ammunition, all ready for use, was first used. He also asks about
-breech-loading guns and magazine-rifles. The earliest breech-loaders
-were used in 1537, but during the seventeenth and eighteenth centuries
-they were common. They were also crude. At Kuisyingen, in 1636, only
-seven shots were fired by soldiers in eight hours. The flintlock was of
-Spanish origin, and came in about 1630. William, Prince of Orange,
-brought it to England in 1688. Rifles are quite old, having been used in
-Germany in the eighteenth century&mdash;early part. The Furguson, a breech
-loading rifle, was used by American patriots during the Revolution. The
-civil war brought into use the metallic ammunition, all ready for
-loading on the instant, though there were many breech-loading rifles in
-use before that day. The magazine-guns were invented in 1835, but not
-much used till thirty years later. The rifle used by the United States
-weighs eight pounds and twelve ounces, has a 0.3 calibre, and five
-rounds of ammunition.</p>
-
-<p>"C.&nbsp;G.&nbsp;A." is informed that Mrs. Augusta J. Evans, the author, is still
-living, we believe, in Mobile, Alabama. A granddaughter is also a
-resident of Mobile, named Mrs. Gaillard, formerly Miss Wilson.&mdash;Jay F.
-Hammond asks if a barrel is used for a post-office at Cape of Good Hope,
-as is said to be used at the Strait of Magellan. We think not. The
-extremity of Africa is quite unlike the extremity of South America.
-Perhaps some South African reader can tell us more.&mdash;Edwy L. Taylor: The
-Camera Club Competitions close February 15. The reference to an earlier
-closing was an error.&mdash;Edward C. Wood: Your game may be copyrighted, but
-unless it be a mechanical contrivance, or a part of such, and that new,
-it cannot be patented. The cost of a copyright is fifty cents, with a
-further fifty cents for a transcript, while a patent costs upwards of
-$100. We can find no record of the firm you mention. To copyright your
-game mail two copies addressed to the Librarian of Congress, Washington,
-D.&nbsp;C., give your full name and address, state the purpose of sending,
-and enclose $1. Nothing else is required. To make the copyright
-effective you must conspicuously place on every copy the words
-"Copyright, 1896, by Edward C. Wood, Philadelphia."&mdash;C.&nbsp;B.&nbsp;M.: Apply to
-Samuel French &amp; Son, Dramatic Publishers, New York, and state just what
-you want. They will reply at once, giving list, if you mention the <span class="smcap">Round
-Table</span>.</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_255" id="Page_255">[Pg 255]</a></span></p>
-
-<div class="figcenter" style="width: 600px;"><a name="THE_CAMERA_CLUB" id="THE_CAMERA_CLUB"></a>
-<img src="images/ill_027.jpg" width="600" height="195" alt="THE CAMERA CLUB" />
-</div>
-
-<blockquote>
-
-<p>Any questions in regard to photograph matters will be willingly
-answered by the Editor of this column, and we should be glad to
-hear from any of our club who can make helpful suggestions.</p></blockquote>
-
-<h3>HINTS ON RETOUCHING.</h3>
-
-<h3>II.&mdash;SPOTS AND SCRATCHES.</h3>
-
-<p>It often happens that there are spots on a negative&mdash;caused by specks of
-dust on the plate, air-bubbles in the developer, or unlucky scratches in
-the handling&mdash;which if not covered in some way make a black spot on the
-silver paper, and mar the beauty of what would otherwise be a fine
-picture. With a little practice one can learn to fill up these defects
-so that they will be scarcely noticeable in the print.</p>
-
-<p>Take a drop or two of the retouching varnish on the end of the finger,
-and rub it lightly and evenly over the places which are to be retouched.
-Put to dry in a place free from dust; it will be dry enough in three or
-four hours. Place the retouching-frame on a table by a window with a
-good strong light, close the blind or lower the shade over the upper
-part of the window, and place a sheet of white paper under the frame on
-the table. Place the negative in the frame, and over it put a piece of
-opaque paper with a hole an inch or two in diameter opening over the
-place to be retouched. This also protects the film and shuts off all
-light except from the points to be treated. Now if the hole is a large
-one, take the brush and moisten it, and rub a little of the lampblack
-from the cake of water-color on it. Then with the greatest care touch
-the spot directly in the centre with a bit of the paint. Rinse the
-brush, and turning it till a fine point is obtained, work the paint
-carefully toward the edges of the spot, taking care that it does not
-touch the film but comes close to it. Let the paint dry, and if the
-first application has not made the spot of an equal density with the
-surrounding film, repeat the process. If the operation is not
-successful, the paint can be removed by applying a little turpentine on
-a soft cloth.</p>
-
-<p>If the spot to be retouched is very small, or if there is a scratch on
-the film, take a soft pencil sharpened according to directions given in
-the first paper on retouching, and with very minute strokes go over the
-places until the required density is obtained. Sometimes it is necessary
-to go over the places several times before the spots appear like the
-film.</p>
-
-<p>If a negative has sharp, harsh contrasts, they can be softened by going
-over them carefully with the pencil, using the softest one for this
-purpose, and then blending the pencil strokes with a crayon stump.</p>
-
-<p>Freckles, heavy shadows under the eyes and nose, are easily removed or
-softened by using a needle-pointed pencil of very soft lead.</p>
-
-<p>Undesirable backgrounds, or objects which have been unavoidably included
-in the picture, may be blocked out by using a thin solution of
-lampblack, and applying it to the back of the plate. A light coat
-obscures the background, and a thick coat blocks it out entirely.</p>
-
-<p>In beginning the practice of retouching, it is wise to experiment on
-poor negatives, as first attempts are not always successful. Do not be
-discouraged if the first trial prove a failure. Remember your early
-experience in making negatives, and try again; for perseverance, no
-matter in what direction, is sure to bring its reward&mdash;success.</p>
-
-<blockquote>
-
-<p><span class="smcap">Sir Knight William Merritt</span> sends a print which shows no detail at
-the corners, and says that all his plates have the same fault, and
-asks what is the matter. The lens does not cover the plate&mdash;that
-is, the lens is too small for the size plate used. It may be that
-the diaphragm is too large, and by using a smaller diaphragm the
-blur showing on the edges of the picture would be corrected. The
-smaller the opening the more extended the sharp field of the lens;
-but the smaller the opening the longer must be the exposure.</p>
-
-<p><span class="smcap">Sir Knight Charles M. Todd</span> asks if hypo is always used for the
-fixing-bath without regard to the kind of developer; if a
-ferrotype-plate will impart a gloss to all kinds of prints except
-blue prints; if the whole roll of films in a pocket kodak would
-have to be exposed before one could develop any of the exposures;
-if developing solution may be used the second time if only one or
-two negatives have been developed in it. Hypo is always used for
-the fixing-bath, as it is the cheapest and safest chemical for the
-dissolving of the unused or unacted upon silver salts.
-Ferrotype-plate will not impart a gloss to a platinum, bromide, or
-any of the soft-tinted papers. The films in a pocket kodak should
-all be used before developing. There are only twelve films in a
-roll, and if part were taken out, one film would have to be spoiled
-in order to put the unused films back on the empty spool. Developer
-may be used the second and even the third time. Most amateurs have
-a bottle for old developer, and use it for starting development, as
-it is safer unless one knows the exact time of the exposure of the
-plate.</p>
-
-<p><span class="smcap">Sir Knight F. Elton Morse</span>, 11 and 13 Market St., Lynn, Mass.,
-wishes to exchange landscape views with other members of the Camera
-Club.</p></blockquote>
-
-<hr class="chap" />
-<h2>ADVERTISEMENTS.</h2>
-
-<hr class="chap" />
-<h2>Postage Stamps, &amp;c.</h2>
-
-<hr class="chap" />
-<div class="figcenter" style="width: 153px;">
-<img src="images/ill_028.jpg" width="153" height="108" alt="STAMPS" />
-</div>
-
-<p><b>ALBUM AND LIST FREE!</b> Also 100 all diff. Venezuela, Bolivia, etc., only
-10c. Agts. wanted at 50% Com. <b>C.&nbsp;A. Stegmann</b>, 5941 Cote Brilliant Ave.,
-St. Louis, Mo.</p>
-
-<hr class="chap" />
-<p>500 Mixed, Australian, etc., 10c.; <b>105 var.</b> Zululand, etc., and album,
-10c.; 12 Africa, 10c.; 15 Asia,10c. Bargain list free. F.&nbsp;P. VINCENT,
-Chatham, N.Y.</p>
-
-<hr class="chap" />
-<p class="center">U.S. Postage and Rev. Fine approval sheets. Agts. wanted.</p>
-
-<h4>P.&nbsp;S. CHAPMAN, Box 151, Bridgeport, Ct.</h4>
-
-<hr class="chap" />
-<h2>U.&nbsp;S.</h2>
-
-<p class="center">25 diff U.S. stamps 10c., 100 diff. foreign 10c. Agts w'td @ 50%. List
-free! L.&nbsp;B. Dover &amp; Co. 5958 Theodosia, St. Louis, Mo.</p>
-
-<hr class="chap" />
-<div class="figcenter" style="width: 263px;">
-<img src="images/ill_029.jpg" width="263" height="300" alt="" />
-</div>
-
-<h2>To Show</h2>
-
-<h3>Your</h3>
-
-<h2>Heels</h2>
-
-<p class="center">To other skaters wear the</p>
-
-<h3>Barney &amp; Berry Skates.</h3>
-
-<h2>Highest Award World's Fair.</h2>
-
-<p class="center">Catalogue Free.</p>
-
-<h4>BARNEY &amp; BERRY, Springfield, Mass.</h4>
-
-<hr class="chap" />
-<div class="figcenter" style="width: 400px;">
-<img src="images/ill_030.jpg" width="400" height="137" alt="PISO'S CURE FOR CONSUMPTION" />
-</div>
-
-<hr class="chap" />
-<h4>"A perfect type of the highest order</h4>
-
-<h4>of excellence in manufacture."</h4>
-
-<div class="figcenter" style="width: 357px;">
-<img src="images/ill_031.jpg" width="357" height="400" alt=">Walter Baker &amp; Co.'s Breakfast Cocoa" />
-</div>
-
-<h3>Absolutely Pure.</h3>
-
-<h3>Delicious.</h3>
-
-<h3>Nutritious.</h3>
-
-<h3>COSTS LESS THAN ONE CENT A CUP.</h3>
-
-<p class="center">Be sure that you get the</p>
-
-<p class="center">genuine article, made at</p>
-
-<h3>DORCHESTER, MASS.,</h3>
-
-<h3>By WALTER BAKER &amp; CO., Ltd.</h3>
-
-<p class="center">Established 1780.</p>
-
-<hr class="chap" />
-<h2>EARN A TRICYCLE.</h2>
-
-<div class="figcenter" style="width: 300px;">
-<img src="images/ill_032.jpg" width="300" height="277" alt="" />
-</div>
-
-<p>We wish to introduce our Teas. Sell 30 lbs. and we will give you a Fairy
-Tricycle; sell 25 lbs. for a Solid Silver Watch and Chain; 50 lbs. for a
-Gold Watch and Chain; 75 lbs. for a Bicycle; 10 lbs. for a Gold Ring.
-Write for catalog and order sheet Dept. I</p>
-
-<h4>W.&nbsp;G. BAKER,</h4>
-
-<h4>Springfield, Mass.</h4>
-
-<hr class="chap" />
-<h2>LAUGHING CAMERA. 10C.</h2>
-
-<div class="figcenter" style="width: 294px;">
-<img src="images/ill_033.jpg" width="294" height="283" alt="" />
-<span class="caption">MY! OH MY!!</span>
-</div>
-
-<p>The latest invention in Cameras. You look through the lens and your
-stout friends will look like living skeletons, your thin friends like
-Dime Museum fat men, horses like giraffes and in fact everything appears
-as though you were living in another world. Each camera contains two
-strong lenses in neatly finished leatherette case. The latest
-mirth-maker on the market; creates bushels of sport. Catalogue of 1,000
-novelties and sample camera 10c., 3 for 25c., 12 for 90c. mailed
-postpaid. Agents wanted.</p>
-
-<h4>ROBT. H. INGERSOLL &amp; BRO.,</h4>
-
-<h4>Dept. No. 62, 65 Cortlandt St., N.&nbsp;Y.</h4>
-
-<hr class="chap" />
-<h2>HOOPING-COUGH</h2>
-
-<h2>CROUP.</h2>
-
-<h3>Roche's Herbal Embrocation.</h3>
-
-<p>The celebrated and effectual English Cure without internal medicine.
-Proprietors, <span class="smcap">W. Edward &amp; Son</span>, Queen Victoria St., London, England. All
-Druggists.</p>
-
-<h4>E. Fougera &amp; Co., 30 North William St., N.&nbsp;Y.</h4>
-
-<hr class="chap" />
-<h2>PLAYS</h2>
-
-<h4>&mdash;SPEAKERS&mdash;</h4>
-
-<p class="center">For Home and School.</p>
-
-<p class="center">New Catalogues FREE.</p>
-
-<p class="center"><span class="smcap">De Witt</span>, Rose St., N.Y.</p>
-
-<h4>&mdash;DIALOGUES&mdash;</h4>
-
-<hr class="chap" />
-<h2>HOME STUDY</h2>
-
-<p>Success in Business Life is within the reach of all who take a thorough
-Business College course at Home, by Mail. It will pay to Investigate.
-Cat. free. Trial lesson 10c.</p>
-
-<h4>BRYANT&amp; STRATTON, 85 College Bldg., Buffalo, N.Y.</h4>
-
-<hr class="chap" />
-<h2>BOYS and GIRLS</h2>
-
-<p>can earn money by working half an hour daily distributing free samples
-of Headache Powders. For full particulars address, CAPITAL DRUG CO., Box
-880, Augusta, Me.</p>
-
-<hr class="chap" />
-<h2>PLAYS</h2>
-
-<p class="center">Dialogues, Speakers for School, Club and Parlor. Catalogue free.</p>
-
-<h4>T.&nbsp;S. DENISON, Publisher, Chicago, Ill.</h4>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_256" id="Page_256">[Pg 256]</a></span></p>
-
-<div class="figcenter" style="width: 600px;">
-<img src="images/ill_034.jpg" width="600" height="265" alt="" />
-</div>
-
-<h3>THE SONG OF THE MUSES.</h3>
-
-<p>
-<span style="margin-left: 19em;">What is that melody weird and wild</span><br />
-<span style="margin-left: 19em;">That throbs and sobs like the wail of a child</span><br />
-<span style="margin-left: 19em;">Through the quiet night so still and mild?</span><br />
-<br />
-<span style="margin-left: 19em;">Behold, it is a choir feline,</span><br />
-<span style="margin-left: 19em;">With tenors, altos&mdash;all told, nine;</span><br />
-<span style="margin-left: 19em;">Those are the Mewses, I opine.</span><br />
-</p>
-
-<hr class="tb" />
-
-<h3>A PRACTICAL LITTLE GIRL.</h3>
-
-<p>"Oh, for the wings of a dove!" sang Mollie.</p>
-
-<p>"What do you want with the wings of a dove, my dear?" asked her mother.</p>
-
-<p>"To put on my new hat," said Mollie.</p>
-
-<hr class="tb" />
-
-<h3>HIS EXPLANATION.</h3>
-
-<p>"See here, Tommie," observed Tommie's teacher, "you ought to be able to
-spell your own name."</p>
-
-<p>"I can," said Tommie.</p>
-
-<p>"Then why don't you? You've written it Tomie instead of Tommie."</p>
-
-<p>"Oh, as for that," said Tommie, "you told us not to waste anything, and
-that extra m is just a waste of ink."</p>
-
-<hr class="tb" />
-
-<h3>GOING INTO A NEW LINE.</h3>
-
-<p>"What'll you swap off a three-cent Nicaragua '95 for, Jack?" asked
-Jack's uncle of the young stamp-collector.</p>
-
-<p>"I won't swap it off for anything, Uncle George, but I tell you what I
-will do. I'll swap off my whole collection for a goat. Stamps are always
-the same, but goats&mdash;my&mdash;they're never the same!"</p>
-
-<hr class="tb" />
-
-<h3>NOTHING WONDERFUL.</h3>
-
-<p>"So you don't think much of Jack the Giant-killer, eh, Bobbie?"</p>
-
-<p>"NO. He was smart. But not particularly wonderful. Why, look at me! I
-can tire my Pa out in five minutes, and I guess <i>he</i> could lick any
-giant Jack ever saw."</p>
-
-<hr class="tb" />
-
-<p>During the winter months the farmers' boys and girls have lots of fun
-with their parties, taffy pulls, and such enjoyments, and considerable
-humor can be found in their happy repartee. At one of these candy
-parties a guest not altogether liked by some of the girls, unfortunately
-sat in a saucer of maple sugar left on a chair to cool off, and his
-unceremonious departure was the wonder of the evening. It was rather
-hard on the young man, and it is doubtful whether he found anything to
-end his embarrassment in the note he received the next day from the
-daughter, saying that if the "Mr. D&mdash;&mdash; who sat in the saucer of maple
-sugar last night will kindly return the saucer, he will save himself
-further trouble."</p>
-
-<hr class="tb" />
-
-<h3>AN OBJECTION.</h3>
-
-<p>"I hate dancing-school," said Jack. "It's lots of fun dancing, but every
-time I want to waltz I have to load myself up with some girl or other.
-Why can't they let a feller dance by himself?"</p>
-
-<hr class="tb" />
-
-<h3>A SURGEON OF THE BICYCLE.</h3>
-
-<p>There are enterprising bicycle people in England as well as in this
-country. A year or more ago London was flooded with the following
-circular by a bicycle-repairer, which is ingenious enough in its wording
-to have been the product of a Yankee:</p>
-
-<p>"Bicycle surgery.</p>
-
-<p>"Acute and chronic cases treated with assurance of success.</p>
-
-<p>"Languid tires restored to health and vigor.</p>
-
-<p>"Tires blown up without pain. Wind free. No cure, no pay asked.</p>
-
-<p>"We understand the anatomy, physiology, and hygiene of wheels, and
-hom&oelig;opathic or allopathic treatment, as individual cases require.
-Sure cure guaranteed.</p>
-
-<p>"Testimonials:</p>
-
-<p>"'My wheel had three ribs fractured, and you cured it in one treatment.'</p>
-
-<p>"'My tires were suffering with a case of acute aneurism, which had been
-pronounced fatal by other bicycle-doctors, but you cured the disorder,
-and I did not lose a day of my tour.'</p>
-
-<p>"Thousands of testimonials like the above sent on application.</p>
-
-<p>
-<span style="margin-left: 34em;">"Dr. Blank, B.S. (Bicycle Surgeon.)</span><br />
-<span style="margin-left: 34em;">No. &mdash; Tottenham Court Road."</span><br />
-</p>
-
-<hr class="tb" />
-
-<h3>FORCE OF HABIT.</h3>
-
-<p>He was thoroughly a business man, and he judged everything from the
-point of view of weight&mdash;as was natural, since he dealt in things which
-were sold according to their avoirdupois. One day somebody asked him if
-he had any children.</p>
-
-<p>"Yes," he said. "I've got 453 pounds of boys, and 236 pounds of girls."</p>
-
-<hr class="tb" />
-
-<h3>A SMALL BOY'S FEET.</h3>
-
-<p>"If it wasn't for me my class in school wouldn't have any standing at
-all," said Hubert.</p>
-
-<p>"Nonsense!" said his aunt. "Your mother says you are the foot of it."</p>
-
-<p>"I am," said Hubert. "How could it stand if it didn't have a foot?"</p>
-
-<hr class="tb" />
-
-<h3>NOT REPEATED.</h3>
-
-<p>"When you stepped on that gentleman's foot, Tommie, I hope you
-apologized?"</p>
-
-<p>"Oh, yes, indeed I did," said Tommie, "and he gave me ten cents for
-being such a good boy."</p>
-
-<p>"Did he? And what did you do then?"</p>
-
-<p>"Stepped on the other and apologized again, but it didn't work."</p>
-
-<hr class="tb" />
-
-<h3>A JOKE UNDER THE SEA.</h3>
-
-<p>"Let's get up a minstrel show," said the Shad to the Shark.</p>
-
-<p>"All right," said the Shark. "I've got a splendid mouth for tambo."</p>
-
-<p>"And think of my capacity for the bones, eh?" said the Shad.</p>
-
-<p>And the minnows in the school that was swimming by laughed so heartily
-that they swam down the Shark's throat without knowing it.</p>
-
-<div class="footnotes"><h3>FOOTNOTES:</h3>
-
-<div class="footnote">
-
-<p><a name="Footnote_1_1" id="Footnote_1_1"></a><a href="#FNanchor_1_1"><span class="label">[1]</span></a> This game was won by default from Cutler.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_2_2" id="Footnote_2_2"></a><a href="#FNanchor_2_2"><span class="label">[2]</span></a> An all-round tie in Section I. necessitated a play-off, but
-as Berkeley forfeited, this was the only game played.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_3_3" id="Footnote_3_3"></a><a href="#FNanchor_3_3"><span class="label">[3]</span></a> Won by Dwight by default.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_4_4" id="Footnote_4_4"></a><a href="#FNanchor_4_4"><span class="label">[4]</span></a> On October 31 Connecticut Lit. Inst. forfeited to Norwich
-F.&nbsp;A.</p></div></div>
-
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of Project Gutenberg's Harper's Round Table, January 5, 1897, by Various
-
-*** END OF THIS PROJECT GUTENBERG EBOOK HARPER'S ROUND TABLE ***
-
-***** This file should be named 60288-h.htm or 60288-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/0/2/8/60288/
-
-Produced by Annie R. McGuire
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
-</body>
-</html>
diff --git a/old/60288-h/images/ill_001.jpg b/old/60288-h/images/ill_001.jpg
deleted file mode 100644
index 04f2f8a..0000000
--- a/old/60288-h/images/ill_001.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_002.jpg b/old/60288-h/images/ill_002.jpg
deleted file mode 100644
index 7aa3e1d..0000000
--- a/old/60288-h/images/ill_002.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_003.jpg b/old/60288-h/images/ill_003.jpg
deleted file mode 100644
index 7a52e9a..0000000
--- a/old/60288-h/images/ill_003.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_004.jpg b/old/60288-h/images/ill_004.jpg
deleted file mode 100644
index 91c81fb..0000000
--- a/old/60288-h/images/ill_004.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_005.jpg b/old/60288-h/images/ill_005.jpg
deleted file mode 100644
index 3ffd01f..0000000
--- a/old/60288-h/images/ill_005.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_006.jpg b/old/60288-h/images/ill_006.jpg
deleted file mode 100644
index a5aaecc..0000000
--- a/old/60288-h/images/ill_006.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_007.jpg b/old/60288-h/images/ill_007.jpg
deleted file mode 100644
index 17de84e..0000000
--- a/old/60288-h/images/ill_007.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_008.jpg b/old/60288-h/images/ill_008.jpg
deleted file mode 100644
index fd231ff..0000000
--- a/old/60288-h/images/ill_008.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_009.jpg b/old/60288-h/images/ill_009.jpg
deleted file mode 100644
index 1d1ad0b..0000000
--- a/old/60288-h/images/ill_009.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_010.jpg b/old/60288-h/images/ill_010.jpg
deleted file mode 100644
index 2abf430..0000000
--- a/old/60288-h/images/ill_010.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_011.jpg b/old/60288-h/images/ill_011.jpg
deleted file mode 100644
index 3fbc6b2..0000000
--- a/old/60288-h/images/ill_011.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_012.jpg b/old/60288-h/images/ill_012.jpg
deleted file mode 100644
index a9b7058..0000000
--- a/old/60288-h/images/ill_012.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_013.jpg b/old/60288-h/images/ill_013.jpg
deleted file mode 100644
index d9792fd..0000000
--- a/old/60288-h/images/ill_013.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_014.jpg b/old/60288-h/images/ill_014.jpg
deleted file mode 100644
index e73649b..0000000
--- a/old/60288-h/images/ill_014.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_015.jpg b/old/60288-h/images/ill_015.jpg
deleted file mode 100644
index 11fba8d..0000000
--- a/old/60288-h/images/ill_015.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_016.jpg b/old/60288-h/images/ill_016.jpg
deleted file mode 100644
index 4794f84..0000000
--- a/old/60288-h/images/ill_016.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_017.jpg b/old/60288-h/images/ill_017.jpg
deleted file mode 100644
index 30a7137..0000000
--- a/old/60288-h/images/ill_017.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_018.jpg b/old/60288-h/images/ill_018.jpg
deleted file mode 100644
index adbbf0e..0000000
--- a/old/60288-h/images/ill_018.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_019.jpg b/old/60288-h/images/ill_019.jpg
deleted file mode 100644
index 0483be6..0000000
--- a/old/60288-h/images/ill_019.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_020.jpg b/old/60288-h/images/ill_020.jpg
deleted file mode 100644
index ac2f677..0000000
--- a/old/60288-h/images/ill_020.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_021.jpg b/old/60288-h/images/ill_021.jpg
deleted file mode 100644
index 7d5f171..0000000
--- a/old/60288-h/images/ill_021.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_022.jpg b/old/60288-h/images/ill_022.jpg
deleted file mode 100644
index fdea4e1..0000000
--- a/old/60288-h/images/ill_022.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_023.jpg b/old/60288-h/images/ill_023.jpg
deleted file mode 100644
index 6fa9f08..0000000
--- a/old/60288-h/images/ill_023.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_024.jpg b/old/60288-h/images/ill_024.jpg
deleted file mode 100644
index 5addbd0..0000000
--- a/old/60288-h/images/ill_024.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_025.jpg b/old/60288-h/images/ill_025.jpg
deleted file mode 100644
index fb5d8c8..0000000
--- a/old/60288-h/images/ill_025.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_026.jpg b/old/60288-h/images/ill_026.jpg
deleted file mode 100644
index c8a0781..0000000
--- a/old/60288-h/images/ill_026.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_027.jpg b/old/60288-h/images/ill_027.jpg
deleted file mode 100644
index e095652..0000000
--- a/old/60288-h/images/ill_027.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_028.jpg b/old/60288-h/images/ill_028.jpg
deleted file mode 100644
index 8013f41..0000000
--- a/old/60288-h/images/ill_028.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_029.jpg b/old/60288-h/images/ill_029.jpg
deleted file mode 100644
index db7d19f..0000000
--- a/old/60288-h/images/ill_029.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_030.jpg b/old/60288-h/images/ill_030.jpg
deleted file mode 100644
index 224d2cc..0000000
--- a/old/60288-h/images/ill_030.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_031.jpg b/old/60288-h/images/ill_031.jpg
deleted file mode 100644
index 97fcd61..0000000
--- a/old/60288-h/images/ill_031.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_032.jpg b/old/60288-h/images/ill_032.jpg
deleted file mode 100644
index 6de03e4..0000000
--- a/old/60288-h/images/ill_032.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_033.jpg b/old/60288-h/images/ill_033.jpg
deleted file mode 100644
index 8d5bd64..0000000
--- a/old/60288-h/images/ill_033.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288-h/images/ill_034.jpg b/old/60288-h/images/ill_034.jpg
deleted file mode 100644
index e0e322d..0000000
--- a/old/60288-h/images/ill_034.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60288.txt b/old/60288.txt
deleted file mode 100644
index 150f8c9..0000000
--- a/old/60288.txt
+++ /dev/null
@@ -1,3810 +0,0 @@
-Project Gutenberg's Harper's Round Table, January 5, 1897, by Various
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: Harper's Round Table, January 5, 1897
-
-Author: Various
-
-Release Date: September 12, 2019 [EBook #60288]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK HARPER'S ROUND TABLE ***
-
-
-
-
-Produced by Annie R. McGuire
-
-
-
-
-
-
-
-
-[Illustration: HARPER'S ROUND TABLE]
-
-Copyright, 1897, by HARPER & BROTHERS. All Rights Reserved.
-
- * * * * *
-
-PUBLISHED WEEKLY. NEW YORK, TUESDAY, JANUARY 5, 1897. FIVE CENTS A COPY.
-
-VOL. XVIII.--NO. 897. TWO DOLLARS A YEAR.
-
- * * * * *
-
-
-
-
-[Illustration]
-
-THE LITTLE BISHOP.
-
-BY KATE DOUGLAS WIGGIN.
-
-
-It was I who called him the Little Bishop. His name was Phillips Brooks
-Sanderson, but one seldom heard it at full length, since "Phil" was
-quite enough for an urchin just in his first trousers, and those assumed
-somewhat prematurely. He was "Phil," therefore, to the village, but
-always the dear lovable Little Bishop to me. His home was in Bonnie
-Eagle; it was only because of his mother's illness that he was spending
-the summer with his uncle and aunt in Pleasant River. I could see the
-little brown house from my window. The white road, with strips of tufted
-green between the wheel tracks, curled dustily up to the very door-step,
-and inside the wire screen-door was a wonderful drawn-in rug, shaped
-like half a pie, with "Welcome" in saffron letters on its gray surface.
-I liked the Bishop's aunt; I liked to see her shake the "Welcome" rug
-before breakfast, flinging the cheery word out into the summer sunshine
-like a bright greeting to the new day; I liked to see her go to the
-screen-door a dozen times a day; open it a crack, and chase an imaginary
-fly from the sacred precincts within; I liked to see her come up the
-cellar steps into the side garden, appearing mysteriously as from the
-bowels of the earth, carrying a shining pan of milk in both hands, and
-disappearing through the beds of hollyhocks and sunflowers to the
-pig-pen or the hen-house.
-
-I had not yet grown fond of the uncle, and neither had Phil, for that
-matter; in fact Uncle Abner was rather a difficult person to grow fond
-of, with his fiery red beard, his freckled skin, and his gruff way of
-speaking--for there were no children in the brown house to smooth the
-creases from his forehead or the roughness from his voice.
-
-I was sitting under the shade of the great maple one morning early when
-I first saw the Little Bishop. A tiny figure came down the grass-grown
-road leading a cow by a rope. If it had been a small boy and a small
-cow, a middle-sized boy and an ordinary cow, or a grown man and a big
-cow, I might not have noticed them; but it was the combination of an
-infinitesimal boy and a huge cow that attracted my attention. I could
-not guess the child's years; I only knew that he was small for his age,
-whatever it was. The cow was a dark red beast with a crumpled horn, a
-white star on her forehead, and a large surprised sort of eye. She had,
-of course, two eyes, and both were surprised, but the left one had an
-added hint of amazement in it by virtue of a few white hairs lurking
-accidentally in the centre of the eyebrow.
-
-The boy had a thin sensitive face and curly brown hair, short trousers
-patched on both knees, and a ragged straw hat on the back of his head.
-He pattered along behind the cow, sometimes holding the rope with both
-hands, and getting over the ground in a jerky way, as the animal left
-him no time to think of a smooth path for bare feet. The Sanderson
-pasture was a good half-mile distant, I knew, and the cow seemed in no
-hurry to reach it; accordingly she forsook the road now and then, and
-rambled in the hollows, where the grass was sweeter, to her way of
-thinking. She started on one of these exploring expeditions just as she
-passed the great maple, and gave me time to call out to the little
-fellow, "Is that your cow?"
-
-He blushed and smiled, tried to speak modestly, but there was a quiver
-of pride in his voice as he answered, suggestively, "It's--nearly my
-cow."
-
-"How is that?" I asked.
-
-"Why, when I drive her twenty-nine more times to pasture 'thout her
-gettin' her foot over the rope or 'thout my bein' afraid, she's goin' to
-be my truly cow, Uncle Abner says. Are you 'fraid of cows?"
-
-"Ye-e-es," I confessed, "I am, just a little. You see, I am nothing but
-a grown-up woman, and boys can't understand how we feel about cows."
-
-"_I_ can! They're awful big things, aren't they?"
-
-"Perfectly enormous! I've always thought a cow coming towards you one of
-the biggest things in the world."
-
-"Yes; me too. Don't let's think about it. Do they hook people so very
-often?"
-
-"No, indeed; in fact one scarcely ever hears of such a case."
-
-"If they stepped on your bare foot they'd scrunch it, wouldn't they?"
-
-"Yes, but you are the driver, you mustn't let them do that; you are a
-free-will boy, and they are nothing but cows."
-
-"I know; but p'r'aps there is free-will cows, and if they just _would_
-do it you can't help being scrunched, for you mustn't let go of the rope
-nor run, Uncle Abner says."
-
-"No, of course that would never do."
-
-"Does all the cows where you live go down into the boggy places when
-you're drivin' 'em to pasture, or does some stay in the road?"
-
-"There aren't any cows or any pastures where I live; that's what makes
-me so foolish. Why does yours need a rope?"
-
-"She don't like to go to pasture, Uncle Abner says. Sometimes she'd
-druther stay to home, and so when she gets part way there she turns
-round and comes backwards."
-
-"Dear me!" I thought, "what becomes of this boy mite if she has a spell
-of going backwards? Do you like to drive her?" I asked.
-
-"N--no, not erzackly; but, you see, it'll be my cow if I drive her
-twenty-nine more times 'thout her gettin' her foot over the rope and
-'thout my bein' afraid," and a beaming smile gave a transient brightness
-to his harassed little face. "Will she feed in the ditch much longer?"
-he asked. "Shall I say 'Hurrap'? That's what Uncle Abner
-says--'_Hurrap!_' like that, and it means to hurry up."
-
-It was rather a feeble warning that he sounded, and the cow fed on,
-peacefully. The little fellow looked up at me confidingly, and then
-glanced back at the farm to see if Uncle Abner were watching the
-progress of events.
-
-"What shall we do next?" he asked.
-
-I delighted in that warm, cozy little "_we_"; it took me into the firm
-so pleasantly. I am a weak prop indeed when it comes to cows, but all
-the manhood in my soul rose to arms when he said, "What shall _we_ do
-next?" I became alert, courageous, ingenious, on the instant.
-
-"What is her name?" I asked, sitting up straight in the hammock.
-
-"Buttercup; but she don't seem to know it very well."
-
-"Never mind; you must shout 'Buttercup!' at the top of your voice, and
-twitch the rope _hard_; then I'll call, 'Hurrap!' with all my might at
-the same moment."
-
-We did this; it worked to a charm, and I looked affectionately after my
-Little Bishop as the cow pulled him down Aunt Betty's hill.
-
-The lovely June days wore on. I saw Phil frequently, but the cow was
-seldom present at our interviews, as he now drove her to the pasture
-very early in the morning, the journey thither being one of considerable
-length and her method of reaching the goal being exceedingly
-round-about. Uncle Abner had pointed out the necessity of getting her
-into the pasture at least a few minutes before she had to be taken out
-again, and though I didn't like Uncle Abner, I saw the common-sense of
-this remark. I sometimes caught a glimpse of them at sundown as they
-returned from the pasture to the twilight milking, Buttercup chewing her
-peaceful cud, her soft white bag of milk hanging full, her surprised eye
-rolling in its accustomed "fine frenzy." The frenzied roll did not mean
-anything, the Bishop and I used to assure each other; but if it didn't,
-it was an awful pity she had to do it, the Bishop thought, and I agreed.
-To have an expression of eye that means murder, and yet to be a
-perfectly virtuous and well-meaning animal, this is a calamity which, if
-fully realized, would injure a cow's milk-producing activities
-seriously, I should think.
-
-I was looking at the sun one evening as it dropped like a ball of red
-fire into Wilkins's Woods, when the Little Bishop passed.
-
-"It's the twenty-ninth night," he called, joyously.
-
-"I am so glad," I answered, for I had often feared some accident might
-prevent his claiming the promised reward. "Then to-morrow Buttercup will
-be your own cow?"
-
-"I guess so. That's what Uncle Abner said. He's off to Bonnie Eagle now,
-but he'll be home to-night, and mother's going to send my new hat by
-him. When Buttercup's my own cow I wish I could change her name and call
-her Red Rover, but p'r'aps her mother wouldn't like it. When she b'longs
-to me, mebbe I won't be so 'fraid of gettin' hooked and scrunched,
-because she'll know she's mine, and she'll go better. I haven't let her
-get snarled up in the rope one single time, and I don't show I'm afraid,
-do I?"
-
-"I should never suspect it for an instant," I said, encouragingly. "I've
-often envied you your bold, brave look!"
-
-He appeared distinctly pleased. "I haven't cried, either, when she's
-dragged me over the pasture bars and peeled my legs. Bill Jones's little
-brother Charlie says he ain't afraid of anything, not even bears. He
-says he would walk right up close and cuff 'em if they dared to yip; but
-I ain't like that!"
-
-I told Aunt Betty that it was the Bishop's twenty-ninth night, and that
-the big red cow was to be his on the morrow.
-
-"Well, I hope it'll turn out that way," she said. "But I ain't a mite
-sure that Abner Sanderson will give up that cow when it comes to the
-point. It won't be the first time he's tried to crawl out of a bargain
-with folks a good deal bigger than Phil, for he's close, Abner is! To be
-sure, Phil's father bought all his stock for him years ago, and set him
-up on the farm; perhaps that'll make some difference, now he's died, and
-left nothing to his widder. Abner has hired help in July and August, so
-he can get the cow to the pasture easy enough without Phil. I wish you'd
-go up there to-night, and ask Mis' Sanderson if she'll lend me half her
-yeast-cake, and I'll lend her half of mine a Saturday."
-
-I was used to this errand, for the whole village of Pleasant River would
-sometimes be rocked to the very centre of its being by simultaneous
-desire for a yeast-cake. As the nearest repository was a mile and a half
-distant, as the yeast-cake was valued at two cents and wouldn't keep, as
-the demand was uncertain, being dependent entirely on a fluctuating
-desire for "riz bread," the Edgewood store-keeper refused to order more
-than three yeast-cakes a day at his own risk. Sometimes they remained on
-his hands a dead loss; sometimes eight or ten persons would "hitch up"
-and drive from distant farms for the coveted article, only to be met
-with the flat, "No, I'm all out o' yeast-cake; Mis' Simmons took the
-last; mebbe you can borry half o' hern, she hain't much of a
-bread-eater."
-
-So I climbed the hill to Mrs. Sanderson's, knowing my daily bread
-depended on the successful issue of the call. As I passed by the corner
-of the barn, I paused behind a great clump of elderberry-bushes, for I
-heard the timid voice of the Little Bishop and Uncle Abner's gruff tone.
-I did not wish to interrupt nor overhear a family interview, and I
-thought they might walk on as they talked; but in a moment I heard Uncle
-Abner sit down on a stool by the grindstone as he said:
-
-"Well, now, Phillips Brooks, we'll talk about the red cow. You say
-you've drove her a month, do ye? And the trade between us was that if
-you could drive her a month without her getting the rope over her foot
-and without bein' afraid, you was to have her. That's straight, ain't
-it?" The Bishop's face burned with excitement, his gingham shift rose
-and fell as if he were breathing hard, but he only nodded assent and
-said nothing. "Now," continued Uncle Abner, "have you made out to keep
-the rope from under her feet?"
-
-"She 'ain't got t-t-tangled up one s-single time," said Phil, stuttering
-in his excitement, but looking up with some courage from his bare toes,
-with which he was assiduously ploughing the earth.
-
-"So far, so good. Now 'bout bein' afraid. As you seem so certain of
-gettin' the cow, I suppose you hain't been a mite scared, hev you? Honor
-bright, now!"
-
-"I--I--not but just a little mite. I--"
-
-"Hold up a minute. Of course you didn't _say_ you was afraid, and didn't
-_show_ you was afraid, and nobody knew you _was_ afraid, but that ain't
-the way we fixed it up. You was to call the cow yourn if you could drive
-her to the pasture for a month without _bein'_ afraid. Own up square
-now, hev you ben afraid?"
-
-A long pause, then a faint "Yes."
-
-"Where's your manners?"
-
-"I mean yes sir."
-
-"How often? If it hain't ben too many times mebbe I'll let ye off,
-though you're a reg'lar girl-boy, and'll be runnin' away from the cat
-bimeby. Has it ben--twice?"
-
-"Yes," and the Little Bishop's voice was very faint now, and had a
-decided tear in it.
-
-"Yes what?"
-
-"Yes, sir."
-
-"Has it ben four times?"
-
-"Y-es, sir." More heaving of the gingham shirt.
-
-"Well, you air a coward! How many times? Speak up now."
-
-More digging of the bare toes in the earth, and one premonitory tear
-stealing from under the downcast lids, then:
-
-"A little most every day, and you can keep the cow," wailed the Bishop,
-as he turned abruptly and fled behind the barn, where he flung himself
-into the green depths of a tansy bed, and gave himself up to unmanly
-tears.
-
-I had heard more than I wished, for I had been rooted to the spot, not
-so much because of my interest in Phil as that I did not like to vex
-Uncle Abner by making him aware of my unintentional presence. I did not
-dare seek and comfort my Little Bishop sobbing in the tansy bed, the
-brand of coward on his forehead, and, what was much worse, the fear in
-his heart that he deserved it. I hurried home across the fields, quite
-forgetting my errand, and told Aunt Betty, with tears in my eyes, that I
-would rather eat buttermilk bread for a week than have one of Uncle
-Abner's yeast-cakes in the house. I acknowledged that he had been true
-to his word and had held to his bargain, but I could not forgive his
-making so hard a bargain with my timid Little Bishop.
-
-Aunt Betty finally heard from Mrs. Sanderson, through whom all
-information was sure to filter if you gave it time, that Uncle
-Abner despised a coward, that he considered Phil a regular
-mother's-apron-string boy, and that he was "learnin'" him to be brave.
-
-Bill Jones, the hired man, now drove Buttercup to pasture, though
-whenever Uncle Abner went to Moderation of Bonnie Eagle, as he often
-did, I noticed that Phil took the hired man's place. I often joined him
-on these anxious expeditions, and a like terror in both our souls, we
-attempted to train the red cow and give her some idea of obedience.
-
-"If she only wouldn't look at us that way we would get along real nicely
-with her, wouldn't we?" prattled the dear Bishop, straggling along by my
-side; "and she is a splendid cow; she gives twenty-one quarts a day, and
-Uncle Abner says it's more'n half cream."
-
-I assented in all this, thinking that if Buttercup would give up her
-habit of turning completely round in the road to roll her eyes and
-elevate her white-tipped eyebrow, she might indeed be an enjoyable
-companion; but in her present state of development her society would not
-be agreeable to me even did she give sixty-one quarts of milk a day.
-Furthermore, when I found that she never did any of these reprehensible
-things with Bill Jones, I began to believe cows more intelligent
-creatures than I had supposed them to be, and I was indignant to think
-Buttercup could count so confidently on our weakness.
-
-One evening, when she was more than usually exasperating, I said to the
-Bishop, who was bracing himself to keep from being pulled into a
-way-side brook where she loved to dabble, "Bishop, do you know anything
-about the superiority of mind over matter?" No, he didn't, though it was
-not a fair time to ask the question, for he had sat down in the road to
-get a better purchase on the rope.
-
-"Well, it doesn't signify. What I mean is that we can die but once, and
-it is a glorious thing to die for a great principle. Give me that rope.
-I can pull like an ox in my present frame of mind. You run down on the
-opposite side of the brook, take that big stick, wade right in--you are
-barefooted--brandish the stick, and, if necessary, do more than
-brandish. I would go myself, but it is better she should recognize you
-as a master, and I am in as much danger as you are, anyway. She may try
-to hook you, of course, but you must keep waving the stick--die
-brandishing, Bishop, that's the idea! She may turn and run for me, in
-which case I shall run too; but I shall die running, and Aunt Betty can
-bury us under our favorite sweet-apple-tree!"
-
-The Bishop's soul was fired by my eloquence. The blood mounted to our
-brains simultaneously, and we were flushed with a splendid courage in
-which death looked a mean and paltry thing compared with vanquishing
-that cow. She had already stepped into the pool, but the Bishop waded in
-towards her, moving the alder branch menacingly. She looked up with the
-familiar roll of the eye that had done her such good service all summer,
-but she quailed beneath the stern justice of the Bishop's gaze.
-
-In that moment she felt ashamed, I know, of the misery she had caused
-that helpless mite. At any rate, actuated by fear, surprise, or remorse,
-she turned and walked back into the road without a sign of passion or
-indignation, leaving us rather disappointed at our easy victory. To be
-prepared for a violent death and receive not even a scratch makes one
-fear that one may possibly have overestimated the danger.
-
-Well, we were better friends after that, all three of us, and understood
-one another better as the summer grew into autumn and the great maple
-hung a flaming bough of scarlet over the hammock. Uncle Abner found the
-Bishop very useful at picking up potatoes and gathering apples, but he
-was going to leave Pleasant River as soon as the harvesting was over.
-
-One warm evening Aunt Betty and I were borrowing half a yeast-cake, and
-incidentally sitting on Mrs. Sanderson's steps at sunset. Buttercup was
-being milked on the grassy slope near the shed door. As she walked to
-the barn, after giving up her twelve quarts of yellow milk, she bent her
-neck and snatched a hasty bite from a pile of turnips lying temptingly
-near. In her haste she got more of a mouthful than would be considered
-good manners even among cows, and as she disappeared in the barn door I
-could see a forest of green tops hanging from her mouth, while she
-painfully attempted to grind up the mass of stolen material without
-allowing a single turnip to escape.
-
-It grew dark soon after, and we went into the house, but as we closed
-the door I heard the cow coughing, and said to Mrs. Sanderson,
-"Buttercup was too greedy, and now she has indigestion."
-
-The Bishop always went to bed at sundown, and Uncle Abner had gone to
-the doctor's to have his hand dressed, for he had hurt it in some way in
-the threshing-machine. Bill Jones came in presently and asked for him,
-saying that the cow coughed more and more, and it must be that something
-was wrong, but he could not get her to open her mouth wide enough for
-him to see anything.
-
-When Uncle Abner had driven into the yard, he came in for a lantern, and
-went directly out to the barn. After an hour or more, in which we had
-forgotten the whole occurrence, he came in again. "I'm blamed if we
-ain't goin' to lose that cow," he said. "Come out, will ye, Hannah, and
-hold the lantern? I can't do anything with my right hand in a sling, and
-Bill is the stupidest critter in the country."
-
-We all went out to the barn except Aunt Betty, who ran down the path to
-see if her son Moses had come home from Saco, and could come up to take
-a hand in the exercises.
-
-Buttercup was in a bad way; there was no doubt of it. Something, one of
-the turnips, presumably, had lodged in her throat, and would move
-neither way, despite her attempts to dislodge it. Her breathing was
-labored, and her eyes bloodshot from straining and choking. Once or
-twice they succeeded in getting her mouth partly open, but before they
-could fairly discover the cause of trouble she had wrested her head
-away.
-
-"I can see a little tuft of green sticking straight up in the middle,"
-said Uncle Abner, while Bill Jones and Moses held a lantern on each side
-of Buttercup's head; "but, land! it's so far down, and such a mite of a
-thing, I couldn't git it even if I could use my right hand. S'pose you
-try, Bill."
-
-Bill hemmed and hawed, and confessed he didn't care to try. Buttercup's
-teeth were of good size and excellent quality, and he had no fancy for
-leaving his hand within her jaws. He said he was no good at that kind of
-work, but that he would help Uncle Abner hold the cow's head; that was
-just as necessary, and considerable safer.
-
-Moses was more inclined to the service of humanity, and did his best,
-wrapping his wrist in a cloth, and making desperate but ineffectual dabs
-at the slippery green turnip-tops in the reluctantly opened throat. But
-the cow tossed her head and stamped her feet and switched her tail and
-wriggled from under Bill's hands, so that it seemed altogether
-impossible to reach the seat of the trouble.
-
-Uncle Abner was in despair, fuming and fretting the more because of his
-own uselessness. "Hitch up, Bill," he said, "and, Hannah, you drive over
-to Edgewood for the horse-doctor. I know we can get out that turnip if
-we can hit on the right tools and somebody to manage 'em right; but
-we've got to be quick about it or the critter'll choke to death, sure!
-Your hand's so clumsy, Mose, she thinks her time's come when she feels
-it in her mouth, and your fingers are so big you can't ketch holt o'
-that green stuff 'thout its slippin'!"
-
-"Mine's little; let me try," said a timid voice, and turning round, we
-saw the Bishop, his trousers pulled on over his night-shirt, his curly
-hair ruffled, his eyes big with sleep.
-
-Uncle Abner gave a laugh of good-humored derision. "You--that's afraid
-to drive a cow to pasture? No, sir; you hain't got sand enough for this
-job, I guess!"
-
-Buttercup just then gave a worse cough than ever, and her eyes rolled in
-her head as if she were giving up the ghost.
-
-"I'd rather do it than see her choke to death!" cried the Bishop in
-despair.
-
-"Then, by ginger, you can try it, sonny!" said Uncle Abner. "Now this
-time we'll tie her head up. Take it slow, and make a good job of it."
-
-Accordingly they pried poor Buttercup's jaws open to put a wooden gag
-between them, tied her head up, and kept her as still as they could,
-while we women held the lanterns.
-
-"Now, sonny, strip up your sleeve and reach as fur down 's you can! Wind
-your little fingers in among that green stuff stickin' up there that
-ain't hardly big enough to call green stuff, give it a twist, and pull
-for all you're worth. Land! what a skinny little pipe stem!"
-
-The Bishop had stripped up his sleeve. It was a slender thing, his arm;
-but he had driven the red cow all summer, borne her tantrums, protected
-her from the consequences of her own obstinacy, taking (as he thought) a
-future owner's pride in her splendid flow of milk--grown to love her, in
-a word--and now she was choking to death. Love can put a deal of
-strength into a skinny little pipe-stem at such a time, and it was only
-a slender arm and hand that could have done the work.
-
-Phil trembled with nervousness, but he made a dexterous and dashing
-entrance into the awful cavern of Buttercup's mouth; descended upon the
-tiny clump of green spills or spikes, wound his little fingers in among
-them as firmly as he could, and then gave a long, steady determined pull
-with all the strength in his body. That was not so much in itself, to be
-sure, but he borrowed a good deal more from some reserve quarter, the
-location of which nobody knows anything about, but upon which everybody
-draws in time of need.
-
-Such a valiant pull you would never have expected of the Little Bishop.
-Such a pull that, to his own utter amazement, he suddenly found himself
-lying flat on his back on the barn floor, with a very slippery something
-in his hand, and a fair-sized but rather dilapidated turnip on the end
-of it.
-
-"That's the business!" cried Moses.
-
-"I could 'a' done it as easy as nothin' if my arm had been a leetle mite
-smaller," said Bill Jones.
-
-"You're a trump, sonny!" exclaimed Uncle Abner as he helped Moses untie
-Buttercup's head and took the gag out. "You're a trump, and, by ginger,
-the cow's yourn!"
-
-The welcome air rushed into Buttercup's lungs and cooled her parched,
-torn throat. She was pretty nearly spent, poor thing! and bent her head
-gently over the Little Bishop's shoulder as he threw his arms joyfully
-about her neck, and whispered, "You're my truly cow now, ain't you,
-Buttercup?"
-
-"Aunt Betty," I said, as we walked home under the harvest moon, "there
-are all sorts of cowards, aren't there, and I don't think the Little
-Bishop is the worst kind, do you?"
-
- * * * * *
-
-TRYING TO SEE THE WIND.
-
-Did you ever try to see the wind? It is a very pretty experiment, and
-one easily performed. In the first place choose a windy day, then secure
-a polished piece of metal. (A hand-saw will be the easiest to get.) Hold
-the metallic surface at right angles to the direction of the wind. For
-example, if the wind is in the north, hold the saw east and west
-inclined about forty-five degrees to the horizon. Now look carefully at
-the sharp edge, and you will shortly see the wind pouring over it like a
-waterfall. Do not try the experiment on a rainy or a murky day.
-
-
-
-
-[Illustration]
-
-TORTOISE-SHELLS.
-
-BY A. V. S. ANTHONY.
-
-
-It was a bright winter morning, and the air outside was frosty and
-still. A young maid sat in her cozy chamber dressing her golden-brown
-curls, and as she drew her comb through them she heard a sharp crackling
-sound that caused her to put on her "thinking-cap," as was her habit
-when anything out of the common occurred, for she liked to reason out
-matters in her own quiet way. In her studies she had not as yet reached
-any allusion to that subtile power known as electricity, so she
-concluded that the sound must have come from the comb, which she thought
-was possibly made from the shell of a snapping-turtle. Having settled
-the affair comfortably in her mind, she finished her toilet hastily,
-that she might lose no time in announcing her discovery to the family at
-the breakfast table.
-
-It was the fortunate lot of the head of the family to have been wrecked
-on a coral reef. I say fortunate, because "All's well that ends well,"
-and inside the reef was a small island, on which he, the head of the
-family, had the rare experience of witnessing the catching of turtles
-and the removal of their shells by some native fishermen.
-
-Stories of shipwrecked mariners have been so often told that the
-incidents of mine need not be repeated here. If, as the Irishman said,
-the tale of the _lost_ could be told, it would be quite new and
-interesting; but mine was the very ordinary and commonplace.
-
-After the morning meal was over I told the little maid about it, as I
-briefly tell you here.
-
-I was on my way to Central America, and had almost reached my journey's
-end when our ship was wrecked. We struck the reef about nine o'clock at
-night. It was a very dark and thick night, and the waves dashed over us
-as we huddled together on the quarter-deck while waiting for daylight to
-determine in which direction lay possible safety. When the sun rose the
-next morning we saw approaching us a canoe containing four Indians, with
-whose assistance we got over the dangerous rocks, and were soon on the
-island, which was about ten miles distant from the mainland.
-
-It was a beautiful morning, and after the Indians had made us some hot
-coffee and tortillas (an unleavened corn-cake, baked on hot stones),
-they went off with the Captain and crew to the wreck, to see if anything
-could be saved from it, while I lay under the cocoanut-trees enjoying
-the soft tropical air and congratulating myself on my escape.
-
-When the Captain returned, he determined that he had been driven about
-twenty-five miles out of his course by a strong current that sets up
-northward along the eastern coast of Yucatan, for which he had not made
-proper allowance.
-
-Day was the period of rest for the Indians, and as we all needed sleep,
-we closed our eyes on the lovely yellow light of the Caribbean Sea, and
-stretched ourselves under the shelter of the thatched hut.
-
-Towards sunset the Indians awakened us, and gave us another meal of
-coffee and tortillas, with _chile_--an uncommonly hot little green
-pepper. The night promised to be fine, and the Indians predicted a good
-catch of turtles, as the egg-laying season was nearing its close. So,
-after an hour or two of chatting, we went down to the edge of the beach,
-and hid ourselves among the tall salt grasses that lined the shore above
-high-water mark, where we lay quietly watching the moon rising in its
-mysterious way out of the sea. Not a sound was heard, save the soft
-murmuring of the waves as they washed over the reef about half a mile
-away. We were as still as mice, as the Indians had cautioned us against
-talking, for the turtles were shy, and very quick to take alarm. After a
-long wait one of the men touched my arm, and pointed to some dark
-objects that were slowly crawling out of the water, which was as quiet
-as a mill-pond. Those dark objects were five big turtles that had come
-ashore to lay their eggs, which are from two to three inches in length,
-and sometimes as many as two hundred in number.
-
-[Illustration: WATCHING THE TURTLES COMING OUT OF THE WATER.]
-
-This turtle has a small squat head covered with plates of shell, and has
-a jaw like the beak of a hawk. It has four limbs, or flippers--the
-hindermost being quite long and winglike--which are armed with a couple
-of strong nails, with which it digs holes in the sand when it comes
-ashore to lay its eggs, and it is very fierce at such times if
-disturbed. When the eggs are laid and carefully covered, Mrs. Turtle
-waddles off to the water, and gives no further thought of her two
-hundred or more children which she has left behind.
-
-In the course of time the hot sun hatches out the little chelonians, who
-burst their shells, and digging their way out of the sand, toddle town
-the beach to the sea to begin their careers.
-
-Their food consists of sea-weed, crabs, and fishes, and when they grow
-to be about two hundred pounds in weight, and their shells become
-valuable, it behooves them to keep their "weather eyes" open for
-dark-skinned men when their maternal instincts prompt them to ramble on
-shelving beaches by the light of the moon.
-
-When the turtles were well up on the shore, the natives rushed out with
-stout poles, and after a sharp tussle succeeded in turning them over on
-their backs--no easy task, as they were nearly four feet long, and
-weighed several hundred pounds.
-
-Once on their backs they were helpless, as they were unable to regain
-their natural position. Long after midnight we added another to our
-catch, and then went to rest, leaving the turtles on the beach.
-
-In the morning the natives rolled them over, and after fastening their
-flippers to stakes driven into the beach, built a light fire on their
-backs, which caused the plates to curl at the edges, under which a knife
-was passed and the plates removed, leaving underneath a solid body of
-bony substance, which is the real protecting shield.
-
-The fire seemed to cause the turtles much pain, as they moaned in quite
-a human way, but the work was soon over, and on being released, the poor
-things crawled down the beach and disappeared into the sea. The natives
-are very careful not to fatally injure them, as they are not very
-numerous in these waters, and would soon be exterminated if
-indiscriminately slaughtered, and this is the only variety--the
-hawksbill, _Erectmochelys imbricata_, the zoologists call them--that
-yields the tortoise-shell of commerce. I was told that a second shell
-soon formed, but it grew as one solid mass, and had no commercial value.
-
-There are thirteen of these plates, and the centre one, on a full-grown
-specimen, is oftentimes fully fifteen inches long, weighing over half a
-pound, and ranging from an eighth to a quarter of an inch in thickness.
-
-The finest shell comes from the Eastern Archipelago, around the Celebes,
-and along the coast of New Guinea, and its value depends on its mottled
-color; that having a warm transparent yellow tone, with rich brown
-spots, is the most sought after, and brings the highest price. It is a
-horny substance, much harder, more brittle, and less fibrous than
-ordinary horn, and it is very tender, and should not be exposed to
-severe cold.
-
-In preparing the plates for manufacturing purposes, they are first
-carefully scraped and washed, the rough edges filed off, and then
-treated to a bath of boiling water, after which they are subjected to
-pressure to flatten them. Great care must be used to avoid overheating
-them, as an excess of heat destroys the transparent and translucent
-portions, and turns them into a muddy, opaque mass, and thus impairs the
-market value, so only the most skilful workmen are intrusted with the
-finer grades, as long practice enables them to work the material at a
-moderately low temperature.
-
-The shell has an extremely peculiar quality, and with the proper degree
-of heat can be fashioned into any desired form, which it retains on
-cooling. All the chips, scraps, and filings that come from working the
-shells are carefully saved, as they can be softened and pressed into
-moulds of various shapes.
-
-When thickness is desired, two surfaces are roughened by rasping, and
-the pieces are then plunged into boiling water, which liquefies the
-superficial film, and transforms it into a sort of gluey paste, and when
-the two pieces are pressed together--sometimes between hot irons--a
-solid mass is obtained, without loss of the valuable qualities so much
-esteemed. Many cheap compositions and a large amount of stained horn are
-on the market, which are sold to the unwary as real tortoise-shell, but
-the fraud is easily detected.
-
-The old Romans held the shell in high favor, and used it very freely to
-veneer furniture, etc.; and the modern French and German craftsmen
-decorate their buhl cabinets with it in connection with gold, silver,
-and copper. To-day it is made into many articles of jewelry, chains,
-sleeve-buttons, lorgnettes, combs, and other toilet articles. To-morrow
-it may be out of fashion, and be laid away with camel's-hair shawls.
-
-
-
-
-CAPTAIN JACK'S CHRISTMAS GIFT.
-
-
-It was just in the holiday season when Bob and Tommie were delighted to
-receive a visit from their old friend Captain Hawkins from the
-sea-shore.
-
-"Just thought I'd run up to town for a few minutes," he said, as if it
-were necessary for him to explain his presence in town. "You see, I've
-got a few nevews an' several thousand gran'children what likes to hear
-from me about Christmas-time, so I goes about Bemberton-by-the-Sea, and
-all I can find in the shops down thereabouts is the same old things
-they've had for the last forty year."
-
-"My! Captain Hawkins," said Bob. "Forty years? Are your nephews and
-grandchildren as old as that?"
-
-"Well, pretty nearly," said the Captain, with an uneasy laugh. "Pretty
-nearly; and when you get to be forty you get kind of tired o' tin pails
-and wooden spades and little red jumpin'-jacks an' doll babbies and
-lemon drops. You boys don't understand that, but wait till you get to be
-forty year old, and see if I ain't tellin' you the solemnest kind o'
-truth."
-
-"I guess you're right," said Bob. "I gave my daddy a fine old
-Jack-in-the-box once, and he laughed like everything at first; but he
-didn't play with it much, and finally it came back to me again. Pop's
-pretty nearly forty."
-
-"Yes, an' I guess he laughed like sixty when he saw that Bob-in-a-box."
-
-"Jack-in-a-box," said Bob, with a smile.
-
-"All the same," retorted the old Captain. "Jack-in-a-box,
-Tommie-in-a-box, or Bob-in-a-box! I never could see why they took the
-trouble to specify, and if I'd ever have had any children o' my own the
-Jack-in-a-box would ha' been named after 'em."
-
-"But, Captain, you were just speaking of your grandchildren," said
-Tommie. "How can you have any grandchildren if you haven't had any
-children?"
-
-"Oh, that's easy," replied the Captain. "I've adopted 'em. Whenever I
-see boy or a girl that strikes me as being grand I adopt 'em and call
-'em my grandchildren. I guess I've got most a million of 'em scattered
-round."
-
-"And you've come up to get a million Christmas presents for 'em?" cried
-Bob, in ecstasy.
-
-"Yep--only there ain't more'n ten of 'em," said the Captain, "that
-expects anything. I'm goin' to spend ten cents apiece on 'em, but first
-I've got to get the other eight."
-
-Bob looked at Tommie and Tommie looked at Bob. They were really puzzled
-to think what the Captain could mean.
-
-"The other eight?" asked Bob.
-
-"Yes," said Hawkins. "You boys ain't the only grandchildren I've got. I
-love you, but you ain't the only ones I love. There's at least eight
-more. And what do you suppose I'm goin' to give you all for Christmas?"
-
-The boys gave it up.
-
-"Well," said the Captain, in a whisper, "as I was a-comin' up Broadway
-a-lookin' into the windows, all of a sudden I see a hoss-car goin' along
-without a hoss, and I says goodness gracious that's funny. A hoss-car
-without a hoss, an' what was queerest of all, _no trolley_! Boys, it
-scaret me. Me who was never scaret before was scaret then. So I says to
-a policeman, 'Great scott! Mr. Constable, say, what makes that car go so
-fast?' 'It's the cable,' says he. My goodness thinks I, I'm sorry for
-the man that has to pull it, but I jumps aboard one of 'em, pays my five
-cents, and I have the finest sail from Forty-second Street to the
-Battery you ever see. No wind, no steam, nothin' in sight to move you,
-but movin' just the same, just as if you was on a sled slidin' down a
-hill. It _was fine_. Goin' around by Fourteenth Street you got lurched
-like as if you was at sea, an' then with a clear track and no squalls we
-just bounded down past Canal and Wall streets to Bowlin' Green, and back
-as slick as anything. And I says to myself, Cap'n Hawkins you've struck
-it. Don't give the boys no pails, no Jims-in-the-boxes, no spades, no
-nothin', but get the whole ten of 'em together and give 'em a ride on
-the cable-car whether you're sorry for the feller that pulls the rope or
-not. So I'm goin' back to Bemberton for the other eight, and when you
-boys are free I want you to join us for a sail from Central Park down
-and back, eh?"
-
-
-
-
-VOLCANOES--THEIR MODE OF ACTION AND ORIGIN.
-
-BY NATHANIEL S. SHALER,
-
-PROFESSOR OF GEOLOGY AT HARVARD UNIVERSITY.
-
-
-In endeavoring to set before the reader an account of volcanoes, I find
-a difficulty arising from the fact that very few people have had a
-chance to see these curious features in the machinery of the earth. In
-the United States, except in the far-away island district of Alaska,
-there is not one that has been seen by white men in a state of activity.
-Many, it is true, exist in the Cordilleran district, between the
-Canadian and Mexican line, but these are for the most part inaccessible,
-or, if conveniently placed for the tourists' convenience, are not well
-suited to show the most important facts of these structures. In writing
-about the sea, rivers, mountains, glaciers, or any other class of
-natural objects, our country affords admirable means of illustration,
-which may serve to convey clear impressions; but the story of volcanoes
-has to be told without this help.
-
-It is otherwise in the Old World. In Europe, AEtna and Vesuvius have had
-their activity associated with that of the most cultivated people of the
-world for about twenty-five centuries; and at many points, as in the
-valley of the Po or in central France, there are groups of volcanoes
-which are, though no longer active, in a very perfect state of
-preservation, within sight of the ways which are traversed by all
-sight-seeing travellers.
-
-Its convenient position, immediately neighboring to the most beautiful
-scenery and the greatest treasures of antiquity, has made Vesuvius the
-volcano of all others which people are likely to see. Probably a hundred
-climb it for one who ascends any other cone. This is true of our own
-countrymen who travel as well as those of Europe. This choice of
-Vesuvius as the volcano of pilgrimage is fortunate, for the reason that
-though by no means a great specimen of its kind, it is perhaps the most
-useful to the student of all the thousands that have been examined and
-described by observers of volcanic phenomena. Therefore, as we should
-begin our inquiry by seeing what occurs in a volcanic outbreak, and the
-consequences of these explosions, we will make our study on this
-beautiful cone.
-
-It is characteristic of this most amiable of volcanoes that of late
-years it has been in many frequent slight eruptions. The greater number
-of craters lie sleeping for hundreds or perhaps thousands of years,
-until they break forth with a fury that sends desolation to the country
-for miles from the point where the discharge takes place. But Vesuvius,
-which in its early years was given to furious storms, such as that which
-overwhelmed Herculaneum and Pompeii eighteen centuries ago, has now
-become so mild-mannered that men till their vineyards in a fearless way
-on the slopes which lead up to the crater.
-
-It was my good fortune, about fifteen years ago, on one of several
-visits to Vesuvius, to find it in an excellent state for an inquiry,
-which showed me more of what goes on in an eruption, and led to a better
-insight into the nature of the work than has often been seen by the
-geologist. There was a slight eruption in progress during the night;
-from the windows of my lodging in Naples I could see the successive
-puffs of fire from the crater coming regularly, several each minute. On
-the following morning there was a strong northerly wind blowing, which
-made me hope it would be possible to approach the edge of the opening
-without danger from the falling stones.
-
-Climbing the long way which leads from the railway station on the shores
-of the bay, through the gardens, villages, and vineyards, I came at
-length to the observatory which has been established on the border of
-the area which is reasonably safe in times of trouble. Here I learned
-that the instruments which show the tremblings of the earth, the small
-earthquakes which are not perceived by our bodies, indicated that the
-cone was in a state of constant trembling. The observers who watch this
-apparatus thought it likely that some time during the day the cone would
-be blown away in a violent eruption, such as now and then sends the
-upper part of this and many other volcanoes flying into bits before the
-fierce blast of the escaping vapors.
-
-My way lay across a wide field of lava and cinders to the place where
-the steep slope of the upper cone rose to the level where the crater was
-bombarding the sky with the rapidity of a well-served cannon. The climb
-up this cone, composed of the bits of lava which had been blown into the
-air and had fallen down again to the earth, was very laborious. The
-slope was as steep as a house roof. It took three steps to gain each
-foot in height. Now and then a stronger blast from the crater would
-shake the heap, so that it was hard to keep the ground that had been
-gained. It took a long hour to win the height of four or five hundred
-feet.
-
-[Illustration: "CREEPING TO THE SHARP EDGE OF THE CRATER, I SAW INTO THE
-VERY MOUTH OF THE VOLCANO."]
-
-Creeping to the sharp edge of the crater, and peering cautiously into
-the cavity, I saw into the very mouth of the volcano. The cup-shaped
-depression was about three hundred feet in diameter, and perhaps half
-that depth; it passed downward into a well-like pipe, perhaps sixty feet
-across. The lower part of the pit was, even in the bright sunlight,
-evidently red-hot. The sides of the pipe were white-hot. On this lower
-part of the pit, which shone like the eye of a furnace, a mass of very
-fluid lava was lashing up and down, now rising until it filled the
-bottom of the basin with its fiery tide, again sinking until it was out
-of sight.
-
-Each time the lava rose up into the basin it swelled quickly in its
-middle part, and in the twinkling of an eye it was broken by an
-explosion of such violence that a quantity of the fluid rock was tossed
-in fragments high into the air. As this sped upward and downward, it had
-a chance partly to cool, so that as it fell on the edge of the cone
-opposite to where I was the roar of its striking was very suggestive of
-what would happen if the wind should die away.
-
-Although the circumstances were such as made it hard to observe closely,
-I had no difficulty in seeing that the vapor which blew out at each
-explosion was steam. As it came forth, it was of the steel-blue color
-which we see just where the steam comes from the safety-valve of a very
-hot boiler. As it rose in the crater it soon became white, and as it
-whirled around me it had the well-known odor of steam, mingled with that
-of sulphur. In a word, it was evident that it was the vapor of water
-which was the cause of the explosions.
-
-After I had watched this fascinating scene for about half an hour, with
-much inconvenience from the heat of the earth and from the shaking of
-the ground on which I lay, the explosions, which were at first at the
-rate of three or four each minute, became more and more frequent and
-violent, and the strong wind began to die away, so that a speedy retreat
-was necessary to escape the bits of lava, which were now falling
-heavily. Looking back from the base of the cone, I noted that the
-explosions came faster and faster, so that it sounded as a continuous
-roar. It was just as when a locomotive starts on its journey. At the
-outset we can count the puffs; as the cylinders move faster and faster
-the escape sounds perfectly continuous.
-
-From the base of the cinder cone there flowed out a small lava stream.
-This lava was evidently full of steam, which poured forth from all parts
-of the surface. This is seen in all eruptions. Clouds of steam hung over
-the streams of lava. They are often visible ten miles or more away from
-the current of molten rock. In a great eruption the steam given forth
-from the crater often forms, as it condenses, into rains, that fall in
-fearful torrents about the cone. It is evident, in a word, that the
-explosions of volcanoes are formed by the escape of the vapor of water.
-They are, indeed, like the explosions of boilers.
-
-The question now arises as to the way in which this steam gets into the
-lava. This we can decide by a simple bit of study of the facts. Taking a
-map which shows the positions of several hundred active volcanoes, we
-find at once that they are all situated on the sea floor, from which
-they rise to form islands on its surface; or, when they are on the
-continents, they are never more than two hundred and fifty miles from
-the ocean. This shows that the activity of a volcano is, in some way,
-related to the sea-water. The only way in which we have been able to
-reasonably conceive of the sea bringing about volcanic explosions will
-now be described.
-
-On the sea floor there is a constant laying down of
-sediments--limestones, sandstones, etc. We know by the parts of the old
-sea floor that have been uplifted into dry lands that such beds have
-been formed, to the thickness in all of one or two hundred thousand
-feet. These beds are made of small bits of rocky matter and fragments of
-dead animals and plants. These bits do not fit closely together, and the
-interspaces are filled with sea water, so that as much as one-twelfth of
-the rock is usually made up of the fluid in which it was formed. As the
-ages go on, these beds, with the water which they hold, are buried
-deeper and deeper by the newer rocks which are laid down upon them,
-until it may be that they are thus brought to lie twenty miles or more
-below the surface of the solid earth.
-
-Next let us see as to the heat to which these rocks, with their
-imprisoned water, are exposed. We know, from a great number of studies
-which have been made in mines that for each mile we go downward in the
-earth there is an increase in heat, differing a good deal in different
-places, but on the average amounting to about one hundred degrees.
-Therefore, at the depth of twenty miles the imprisoned water would have
-a temperature of about two thousand degrees. In other words, it would be
-about as hot as the melted iron that comes from the blast-furnace. Thus
-heated, the water of the tiny cells of the rock would tend to explode
-with something like the intensity of gun-powder when it was fired; but
-as it is sealed in by the great thickness of the rock above, it cannot
-_burst_ into vapor--just as in the steam-boiler the water stays as a
-fluid even when it is heated twice as hot as it needs be to become steam
-when it is not confined.
-
-Let us now suppose that a rift, or, as geologists call it, a fault, is
-formed in the rocks leading from the surface downward to the level where
-this very explosive water lies. We can readily fancy that at once the
-fluid would flash into steam; and as this occurred in the myriads of
-little cavities in the rocks, which were so heated that they tended to
-become melted, great quantities of the beds would be forced along with
-the escaping steam in the form of lava. We see also that this would
-account for the fact that when the lava comes to the surface of the
-earth it is commonly filled with steam. When it rises quickly to the
-air, it is blown to fine dust by the expanding vapor; or if it does not
-fly to pieces, the little bits of water expand into bubbles, forming
-pumice or lava, so full of little cavities that it will float on the
-water like cork.
-
-This view as to the origin of volcanoes, although it would not be
-accepted by all the students of these strange features of the earth,
-seems most probable, for the reason that it accounts for the fact that
-all the seats of present volcanic activity are on the floor of the seas
-or near their borders, and that the extinct volcanoes which we have had
-a chance to study lost their activity at a time when, by the changes in
-the shape of the land, the sea was moved away from the region where they
-were found. We easily perceive that it is only where, as in the sea,
-beds are being laid down, one on top of another, that the heat is rising
-in the rocks, and the water in their crevices becoming hotter; beneath
-the land the rocks are always becoming less heated, so that the water
-which they contain is constantly cooling down.
-
-I have spoken of the water contained in the very heated rocks as if it
-remained in the state of fluid. It is likely that, when in its very hot
-state, it may be changed into its gases, oxygen and hydrogen, of which
-it is composed, and that these gases would again become the vapor of
-water as they rose toward the surface and were somewhat cooled. This and
-other matters of chemical detail which go on in the wonderful laboratory
-of the under-earth do not hinder our believing that volcanoes are due to
-the escape of the water which is constantly being buried in the rocks as
-they are built. So large is the amount of this water which lies thus
-buried that probably it amounts to somewhere near as much as is held in
-all the seas. Were it not for the return of the buried fluid through the
-volcanoes, the oceans would doubtless be much smaller than they are.
-They might, indeed, have long since disappeared in the crevices of the
-earth.
-
-
-
-
-A LOYAL TRAITOR.
-
-A STORY OF THE WAR OF 1812 BETWEEN AMERICA AND ENGLAND.
-
-BY JAMES BARNES.
-
-
-CHAPTER XI.
-
-THE SWORD-FISH AND THE WHALE.
-
-Now again we had changed our course, and were going before the wind
-directly to the westward. The breeze was light, and better for a small
-vessel than for a heavy, deep-laden man-of-war, and we might have run
-away in safety if we chose. That something was up, however, that meant
-adventure no one could help seeing.
-
-Orders were given, without any bawling or shouting, to get down the
-top-gallant masts on deck. The crew worked like ants. (I loved them for
-the way they went about it.) The yards were lowered to the deck as
-quickly as if they were clothes-poles in a drying-yard. I had never seen
-anything done so neatly and with such despatch. Our headway decreased,
-of course, as we lost the use of our upper sails.
-
-Mr. Spencer, who was aloft, reported to the deck: "We're hidden now,
-Captain Temple," he said. "She might pass within a quarter of a mile of
-us and never see us."
-
-Purposely I had stepped close to him as he spoke to the Captain, and the
-latter's reply was as astonishing to me as it apparently startled the
-officer. Temple was eagerness in every line of his face. He struck his
-right fist into the palm of his left.
-
-"The closer the better," he exclaimed. Then he turned. "What are the
-soundings?" he inquired of the bow-legged man who had hastened up. (I
-have forgotten to state that we had been heaving the lead for the last
-half-hour.)
-
-"Six fathoms, sir, and shoaling; here it is, sir."
-
-"Prepare to lower away the long-boat, Mr. Bullard," the skipper ordered,
-after a glance at the lead. "Mount the forward swivel in her, pick a
-crew, take a boat's compass, and make off due west. Mr. Spencer, you
-will take command of her. A word with you."
-
-Every one looked at the Captain in astonishment, but no one asked a
-question or put in a word. As I was one of the crew of the long boat, I
-helped to get her ready and swing her overboard. The swivel was lashed
-on the forward gratings, and half a dozen muskets were handed down to
-her, and we shoved off. Mr. Spencer was pale and nervous. As we left the
-brig's side we saw that her helm had been put hard down, and that she
-once more was headed north. There was just enough wind to move her
-slowly through the water. In three minutes she was lost to sight.
-
-We had been resting on our oars, and now Mr. Spencer spoke for the first
-time.
-
-"Make no noise," he said. "Pull slowly, straight ahead."
-
-We gave way, trying our best to silence the thumping in the row-locks.
-So light was the breeze that we could have kept apace of a vessel's
-sailing. For ten minutes we rowed on, and then we stopped again, and
-Spencer spoke.'
-
-"Load that swivel and get ready with those muskets," he ordered.
-
-I heard him mutter something in which I caught the words "tomfoolery"
-and "nonsense," and I looked back over my shoulder. A half-dozen
-perplexed-looking marines were grouped in the bow, and three sailors
-were ramming home a charge in the swivel.
-
-"Lads," said Mr. Spencer, "it's Captain Temple's orders to fire into
-that frigate and get away, if we can. It all depends upon yourselves and
-the way this boat is handled whether we are blown out of the water, or
-cut to pieces, or escape with whole skins. I want no talking in the
-boat."
-
-The man beside me on the thwart pulled his shirt over his head, and
-several others did likewise. They sat there bare from the waist up, and
-their torsos looked like those of the men in some of the old engravings
-in the handsome books I had read at Marshwood.
-
-We were pulling slowly ahead now, and for fully a quarter of an hour we
-rowed without a break. Then Mr. Spencer called for oars, and we drifted
-a long time.
-
-"Listen!" said one of the men in the bow, suddenly. He was bending over,
-with his hand making a hollow back of his ear. Half of the crew did
-likewise. For a minute I could hear nothing. Then I detected a groaning
-sound and a ripple of the water. It was the noise of a vessel's sailing.
-
-"I can see her, sir," the bowman said in a hoarse whisper. "She's not
-five cable-lengths away."
-
-The Lieutenant rose to his feet, and I could see that his hand was
-trembling as he fumbled in the breast of his jacket. He pulled a
-boatswain's whistle out and put it to his lips. But before he blew he
-spoke calmly.
-
-"Bring that gun to bear on her," he said.
-
-"Blow her out of water," spoke up the man beside me, with a chuckle.
-
-What utter foolishness it seemed to me even then (and of a truth it
-probably was that anyhow) to attack a frigate in a long-boat armed with
-six muskets and a broadside that you could carry in the crown of your
-hat! But no one seemed to flinch.
-
-"Give way softly," whispered Mr. Spencer, taking the tiller himself from
-the cockswain. Then, without warning, the silver pipe shrilled out, and
-he bawled at the top of his voice, as if he were commanding a ship's
-crew, instead of a handful of mystified seamen in a cockle-shell: "All
-hands on deck there, and lively! There's a vessel here astern of us!
-Port your helm!" He answered this order himself with an, "Ay, ay, sir,"
-and leaning forward shouted, "Fire!"
-
-Close to the water a great shape could be seen. The little gun
-slap-banged, and almost jumped overboard with the recoil. The six
-muskets rang; and, animated more by the gesture of Mr. Spencer's hand
-than the word, we laid back on the oars. We took perhaps some forty
-strokes or more, when the Lieutenant called for us to cease, with a
-sound of a hiss betwixt his teeth. The huge shape was now astern of us
-on the port hand close too. We had rowed across her bow! Now so tense
-was every nerve, and at such a tension was my mind, that I remembered
-everything I heard and saw so that I can repeat it to a dot.
-
-The shot and volley had been followed by a confused cry and a great
-to-do from the direction of the frigate. Now we could hear a confused
-jumble of accents, and above it the cries of a man's voice in agony,
-"Oh, oh, I'm killed!" it said distinctly. Then a voice commanded
-silence, and we could make out every word that passed.
-
-"Can you see anything ahead there, you men forward?" asked a voice so
-close that it appeared to be directed towards us.
-
-"No, sir; not a thing, sir!" was the answer. If anything, it sounded
-closer than the first.
-
-Then cool and distinct we caught the following orders, as we sat there
-holding our breaths, and our hearts beating so loudly that we nearly
-rocked the boat.
-
-"Ready about! Ready! Ready! Put your helm down, quartermaster."
-
-"Helm's alee, sir."
-
-"Haul taut! Mainsail, haul!" (An anxious waiting pause.) "Head braces!
-Haul well taut! Let go, and haul!"
-
-So firmly were these words impressed upon me that I never had to learn
-afterwards the orders for tacking ship.
-
-Now followed a rumbling sound and some shouts and orders, and then a
-crash and an explosion that ripped the fog and cut great gashes of red
-flame through the gray opaque wall.
-
-"Gee!" said the man next to me, with a shiver, "if that had caught us,
-eh!"
-
-"Good-by, Mary Ann!" said the man in front, looking back over his
-shoulder.
-
-Mr. Spencer was leaning forward. "They think we're off there," he
-whispered, jerking his thumb over his shoulder. "Lads, you did well."
-
-Now all was silence again, and the frigate gathered headway to the
-north. We staid where we were.
-
-But now, if I shall live to be a hundred, I can never get one sound from
-my ears. To the eastward, and beyond the English vessel, sounded the
-shrilling of a fife. The first bars of "Yankee Doodle" was the tune it
-played. I almost leaped up to my feet, but the music was soon ended, for
-a rattling swingeing crash followed a burst of blurred red flame. I
-could smell the smoke from the frigate's broadside that reached us now.
-But it was not she that spoke the second time.
-
-"Kill-Devil's got the weather-gauge of her, by Moses!" said the sailor
-next to me, putting his arm about my neck and giving me a hug.
-
-"Silence in the boat there," ordered Mr. Spencer, angrily.
-
-A roaring crash and confusion of explosions followed. The men in the bow
-began to laugh hysterically, and even Mr. Spencer joined them.
-
-"The _Young Eagle_'s got under her quarter. She'll rip her hide," he
-laughed. "Hark! did you hear that? It's the long twelve. Don't cheer,
-you fools!"
-
-It was well he had given this order, for the men were about to burst
-into a shout. One of them dropped his oar, and was roundly reprimanded
-for it. But now a multitude of sounds came from the direction of the
-fighting-vessels. Groans and orders, cries and firing, and above them
-all the comments from close about me, that in my ignorance I did not
-exactly understand.
-
-"Old Johnny Bull's missed stays," roared Mr. Spencer, laughing. "It's
-the sword-fish and the whale. Stab her again, Captain Temple, stab her
-again!"
-
-A distinct broadside was heard, and then a cheer, followed by a confused
-roaring, with high treble shrieks, like a countertenor's note in a
-chorus.
-
-"Bleed, bleed, bleed," muttered the man next to me.
-
-"That was our cheer," gurgled the cockswain, sawing to and fro in his
-narrow little box; but no sooner had he spoken than a crash louder and
-brighter colored than any of the rest ripped out.
-
-"The frigate's broadside!" gasped Mr. Spencer.
-
-All was silence now.
-
-"Heaven help us, they've sunk her!" the Lieutenant said, hoarsely.
-
-No sound for full five minutes.
-
-Three or four shots now, and then silence again. It appeared to me that
-the fog had lessened. A fine drizzle was falling; and we could see the
-outlines of a vessel not a quarter of a mile away from us.
-
-"Pull for your lives!" cried Mr. Spencer. "Pull for your lives!"
-
-We gave way together, and the heavy boat was soon hitting up a good pace
-and burying her nose as she rose and fell on the seas. The Lieutenant
-took a glance at the small compass, and headed us toward the northwest.
-
-"We're close to Long Island," he said. "I can't make out the _Young
-Eagle_ at all. That ship's the Britisher."
-
-We had rowed but a few minutes longer when, as if by a miracle, the mist
-cleared away and the sun shone out. Clear and distinct a big vessel lay
-off to the eastward. The hated emblem of St. George flew at her peak.
-
-"I thought as much," remarked Mr. Spencer to the cockswain. "She's
-grounded on the sand bank. That's what Temple counted on."
-
-But hurrah! to the windward of the British vessel was a sight that gave
-us joy. There was the _Young Eagle_, eating up into the wind, with her
-jib-boom hanging, and one of her yards aslant. Somehow Temple had found
-time to get up his top-gallant masts again, for they were both in place.
-But now those on board the frigate had espied us; that was plain enough.
-She was not so large a vessel as she had first seemed, being of the
-smaller class, carrying probably not over thirty-two guns at the most.
-She was badly cut up from the effects of her encounter with the brig,
-however. Her foretopmast was gone, her mainyard was over the side, and
-all her running-gear in great confusion. If Captain Temple had been an
-officer of the regular navy he might have deserved cashiering for such a
-foolhardy bit of business as attacking a powerful vessel when he might
-have escaped. He was the only one on board the privateer, however, who
-had reckoned her at less than forty-four guns, and besides this, after
-his glance at the lead he knew where he was, and could have pricked his
-position to a certainty on the map. I know that now.
-
-As Mr. Spencer had said, he surely must have counted on the proximity of
-the sand bar. If the frigate had been taking careful soundings, she
-would never have got on to it.
-
-The fresh wind that had spoiled the fog was coming from the northward (I
-can recall no day in my seafaring life when it blew from so many
-different points as it had in the last ten hours). But I am wandering
-from the recital of what occurred, and now to pick it up again.
-
-As I have stated, the frigate had seen us, and proof positive was not
-wanting, for a puff of smoke from one of the guns of her forward
-division leaped from her side, and the ball came spattering along toward
-us.
-
-"Oh, shoot the shot!" laughed one of the bowmen. We were missed by fully
-a cable's length.
-
-But the wind was against us, and with a good light to observe our
-progress I noticed that we were making slow headway. The long-boat was
-intended to be rowed by six oars of a side. Now, owing to the extra men
-that we carried, there was only room for ten men to do the pulling; and
-by some mistake the oars that we were wielding were not all of the same
-length, some of the cutter's having been put in by mistake. The weight
-of the swivel caused us to be well down by the head, moreover, and the
-cockswain had to mind his eye to keep headed straight. All idea, of
-course, of our getting back to the brig that day at least was done for,
-and to save ourselves we were making for the shore of Long Island,
-distant about three miles. But we were not out of range of the guns on
-the frigate, and consequently we were yet in danger.
-
-"Come aft here, you men in the bow!" ordered Mr. Spencer. "She'll row
-better. Here, stir a foot!"
-
-He looked back, and just as he did so there came another puff of smoke.
-I saw the ball smash into the top of a wave, strike the water again, and
-then, slightly deflected, it came right for us. I saw this first, and
-backed water, giving a shout of fear. The men in the bow gave a leap
-forward and tumbled in among us, sprawling over our heads and shoulders,
-and bruising shins and elbows.
-
-If the shot had struck four inches lower we would have been sunk then
-and there. It caught the gunwale forward, just abreast of the grating on
-which the swivel was lashed. The poor fellow pulling the bow oar on that
-side gave a shriek and dropped his oar, clasping both hands about his
-head. I looked back and saw the blood trickling over his shoulders and
-through his fingers. A splinter had almost scalped him. We yawed about
-and shipped the top of a sea, and it looked like the end of matters, for
-we were out away to within eight inches of the water, and the bow badly
-stove and broken.
-
-"Cast loose that gun and heave it overboard, two of you," roared Mr.
-Spencer. "The rest all aft. No! Steady! Debrin, you and Jones keep your
-place, and pull, do ye hear, pull."
-
-I laid back with all my might, and so did the man next to me. The brave
-lad in the bow had recovered from the shock of his flesh-wound, and with
-another fellow cast off the lashings of the swivel and dumped it over
-the side. I can never forget the sight of that gory man working there
-with his broad naked back red from his head to his waist. As soon as it
-was finished he tumbled weakly across the thwart. The men in the
-stern-sheets were baling with their hands, and one was using Mr.
-Spencer's cocked hat with great effect, while Jones and I were giving
-way at top strength and keeping with a great effort the seas from
-broaching us. As the weight was now in the stern, we could ride, bar
-accidents, in half safety. And the oars were taken up again. The bowman
-bent over and tied up his wounded comrade's head with his neckerchief,
-and for this the other thanked him as he might for some slight courtesy.
-But a new terror threatened us.
-
-Two successive shots that had been fired at us during the confusion went
-wide, but now we saw that they were lowering away a great barge over the
-Englishman's side, and that the men were sliding down into her.
-
-"Heigh! Look there! The _Young Eagle_'s coming down to pick us up,
-lads," cried Mr. Spencer, turning about in response to a touch on his
-elbow from the cockswain. "Pull now, and get down to it!"
-
-He headed the long-boat more to the westward, and we could see that the
-_Young Eagle_ had repaired some of her damage, and had tacked in the
-direction we were going. She would have passed almost within range of
-the frigate, but all at once the latter vessel gained sternway (her
-top-sails had been aback for some few minutes), and she worked off the
-bar. Our hopes of rescue fell. Turning on her heel, she made out to meet
-our brig. Now we perceived that the frigate's sides were gashed, and two
-or three of her ports astern had been knocked into one big opening. But
-the barge was after us! Every man rowing in our boat could count her
-strokes. There was no use of making light of it! She was gaining at
-every jump, lifting high above the top of a sea, and now and again
-almost disappearing.
-
-There were twelve good men behind those long white sweeps, and they
-rowed a light boat with speed in her. We were making for the shore now,
-and grunting with the weight we put into every backward swing. Mr.
-Spencer was talking to us after the fashion of a cockswain to a racing
-crew, calling out continually:
-
-"Lift her, boys! That's the ticket! Pull altogether," and so forth.
-
-My mouth grew so dry that I could not swallow, and I could feel my head
-roll backward and forward. Presently I began to row with my eyes shut,
-for it seemed an effort to keep my lids from falling. One of the men in
-the stern began to spatter us with water to refresh us, for the sun was
-blistering hot by this time. The Lieutenant stopped his cackling.
-
-The stroke oars were being helped at their work by two men pushing as
-the rowers pulled. I caught a dim sight of this, and wished that some
-one could lay hold of my sweep with me, for my forearms pained, and I
-felt gone in the pit of my stomach. How long we rowed that way I do not
-know, but suddenly I was awakened, as it were, by hearing Mr. Spencer
-say:
-
-"Lads, you have held your own. Keep at it!" Then in a lower tone he
-added, "Get ready with those muskets."
-
-This speech had called me to my senses, and it was almost with a shock
-of surprise that I found myself keeping up the stroke. My eyes had been
-closed so long that the light dazzled me, and at first I could see
-nothing, but I felt better than I had before I closed them. And now to
-say something that is of interest. A refreshment often comes to a man
-whose muscles have apparently expended all their strength, and thus it
-was with me. I was working on my heart and nerves alone, on the very
-life of me, as it were, and to keep this up too long means ruin; that is
-its limitation. When my eyes could focus, what little breath I had
-almost checked.
-
-There was the English barge _not three hundred yards astern_! A
-despairing look behind me, and I saw that the shore was yet a half-mile
-off. The sea was breaking in little rolls of white on every hand, and we
-were in shoal water that had a peculiar yellowish look. I noticed Mr.
-Spencer kicking off his boots.
-
-I closed my eyes again, for the sweat stung them, and I felt a blackness
-coming over me. But just then the crack of a musket sounded in front of
-me. It was followed by another, and a little action began, for the
-English boat was answering. I was wide-awake once more now, but in a
-dream apparently. The marines would stand up and fire, and then squat
-down and load again. I could hear the English bullets sing past.
-
-"Ouch!" exclaimed the cockswain, all at once, as if he had dropped
-something on his toe.
-
-A ball had struck him on the fleshy part of the thigh, and he sat there
-rubbing it and talking in such a comical way that the man on the thwart
-next to me laughed outright in a hoarse, jarring fashion.
-
-[Illustration: A BREAKING WAVE CATCHING US UNDER THE QUARTER WE ROLLED
-OVER FAIRLY.]
-
-We were in the surf by this time, and the British barge was
-half-pistol-shot away, when No. 5 on the starboard hand fell over in a
-faint; the cockswain got another ball, this time in the wrist, that
-caused him to let go the tiller, and a breaking wave catching us under
-the quarter, we rolled over fairly end for end with a clatter. When I
-came up, there was a tremendous seething and bubbling in my ears, and
-putting out my arm I managed to catch hold of the tiller-hooks of the
-overturned boat, and hung on with all my might.
-
-"Help me!" cried a voice. I looked about, and saw the wounded seaman
-weakly swimming alongside. I extended my hand to him, and observed that
-eight or ten others were holding fast with straining fingers to the
-long-boat.
-
-The English barge was backing in carefully and with skill. We were not a
-cable's length from shore, and making for it hand over hand, swimming
-with the ease of a porpoise, was Mr. Spencer. I knew it was he by the
-gleam of gold lace on his high collar. But the seaman had grasped me so
-tightly that I lost my hold, and there came to me the sense that I was
-drowning, and did not care at all.
-
-[TO BE CONTINUED.]
-
-
-
-
-A FAIRY FETE.
-
-BY EMMA J. GRAY.
-
-
-"I'm to be a fairy god-mother to-night," were Mabel's words, as, sitting
-in the large Indian chair, her eyes glistened with anticipation.
-
-"What will you wear?"
-
-"Oh, one of Millie's old costumes. You may remember that three years ago
-she took part in the fairies' dream!"
-
-"Yes, I remember."
-
-"Well, by a little alteration the same frock and wings will do for me."
-
-"Are you to have anything to say?"
-
-"I'm to have everything to say. And I'm to wear a crown with a big star
-in the centre," and up went her hand to indicate the place. "And my
-wings are showered with diamond dust, and my dress--oh-h, it dazzles my
-eyes under gas-light! You ought to see the silver spangles!"
-
-"What's the entertainment for, Mabel?"
-
-"Oh, just to amuse people. It is to be given in Mrs. R's---- parlor. Lots
-of folks will be there. It will be simply gorgeous! You know it's the
-fad now to have a magician or something to entertain one's friends, and
-I'm to be sacrificed to-night."
-
-And then up the merry girl jumped to practise a violin solo.
-
-Every reader of HARPER'S ROUND TABLE is familiar with the tales of Hans
-Andersen and the Brothers Grimm, but it is possible that every one does
-not appreciate what delightful entertainment they would make. Therefore
-when Ralph and Margaret wonder what their league could give to replenish
-the treasury, select an appropriate fairy-tale, and while your committee
-are making the business arrangements, the persons who are to take part
-should be busy with rehearsals, so that when the night of entertainment
-arrives, and the house is packed to overflowing, no one will be covered
-with shame and confusion of face.
-
-Among many wonderful tales worthy of particular mention is "Little Ida's
-Flowers," because it is capable of charming representation and
-necessitates many characters. It may be given at any time of the year.
-
-_Characters:_
-
- LITTLE IDA, _a short girl_.
- STUDENT, _a tall boy_.
- FIRST FAIRY.
- SECOND FAIRY.
- PRIVY COUNCILLOR, _a boy representing a middle-aged man_.
- THE READER, _a girl_.
- YELLOW LILY, _a girl_.
- BLUE CROCUS, _a boy_.
- FLOWERS, _girls and boys_.
- BUTTERFLIES, _girls and boys_.
-
-SCENE FIRST.--A library, showing a table, lamp, easy-chairs, sofa, one
-very high chair representing a throne. Ida, costumed as a little girl,
-walks toward the Student, who is seated on the sofa, and holds towards
-him a bunch of flowers.
-
-[Illustration]
-
-_Ida_. "My poor flowers are quite dead. They were so pretty yesterday,
-and now all the leaves are withered. Why do the flowers look so faded
-to-day?"
-
-_Student_. "Do you know what's the matter? The flowers have been at a
-ball last night, and that's why they hang their heads."
-
-_Ida_. "But flowers cannot dance!"
-
-_Student_. "Oh yes! When it grows dark and we are asleep they jump about
-merrily. Almost every night they have a ball."
-
-_Ida_. "Can children go to this ball?"
-
-_Student_. "Yes, quite little daisies and lilies-of-the-valley."
-
-_Ida_. "Where do the beautiful flowers dance?"
-
-_Student_. "Have you not often been outside of the town gate, by the
-great castle where the King lives in summer, and where the beautiful
-garden is with all the flowers? You have seen the swans which swim up to
-you when you want to give them bread crumbs. There are capital balls
-there, believe me!"
-
-_Ida_. "I was out there in the garden yesterday with my mother, but all
-the leaves were off the trees, and there was not one flower left. Where
-are they?"
-
-_Student_. "They are within the castle. As soon as the King and all the
-court go to town, the flowers run out of the garden into the castle and
-are merry. You should see that. The two most beautiful roses seat
-themselves on the throne, and then they are King and Queen; all the red
-coxcombs arrange themselves on either side, and stand and bow; they are
-the chamberlains. Then all the pretty flowers come, and there is a great
-ball. The blue violets represent little naval cadets; they dance with
-hyacinths and crocuses, which they call young ladies; the tulips and the
-great tiger-lilies are old ladies who keep watch that the dancing is
-well done and everything goes on with propriety."
-
-No sooner is this last word uttered than a sound of music is heard.
-Enter two Fairies, who stand one on either side of little Ida, and
-waving their wands over her, sing:
-
- "Oh, listen, listen! your eyes shall glisten
- With pleasure and love and jubilee."
-
-_First Fairy_. "She looks surprised."
-
-_Second Fairy_. "She has dropped her flowers."
-
-_First Fairy_. "She would better sit down."
-
-_Second Fairy_. "Follow me."
-
-Whereupon Ida follows the Second Fairy's lead, who waves her to a seat
-by the Student's side, and immediately the fairies walk to the opposite
-end of the room. As they walk gay music is heard louder and yet louder,
-and in run the Flowers, as the Student has described, the two most
-beautiful roses seating themselves on the tall chair which represents
-the throne.
-
-This scene will allow for a large number of girls and boys, and each
-should be costumed so that no one can make mistake as to what flower
-they are exhibiting. When all are in the room dancing begins, and
-continues for half an hour; as the Flowers retire they make obeisance to
-the King and Queen. And all having now gone but the Fairies, the King
-asks the First Fairy to dance with him, and the Queen the Second Fairy
-to dance with her, and after a short dance they also retire, and Ida and
-the Student are again alone.
-
-_Ida_. "But is nobody there who hurts the flowers for dancing in the
-King's castle?"
-
-_Student_. "There is nobody who really knows about it."
-
-_Ida_. "Can the flowers out of the botanical garden get there? Can they
-go a long distance?"
-
-_Student_. "Yes, certainly. If they like they can fly. Have you not seen
-the beautiful butterflies--red, yellow, and white? They almost look like
-flowers, and that is what they have been."
-
-[Illustration]
-
-Once again gay music is heard, and in come the fairies dancing, followed
-by a train of dancing butterflies, costumed in red, yellow, and white.
-After dancing for ten minutes the butterflies retire, and the fairies
-wave their wands to Ida and the Student, and sing,
-
- "We be fairies of the wood,
- And spend our time, on doing good."
-
-Then they immediately touch their wands to the floor, and the First
-Fairy draws a ring at the feet of Ida, and the Second Fairy at the feet
-of the Student, and then they retire.
-
-_Ida_. "How can one flower talk to another? For you know flowers cannot
-speak."
-
-_Student_. "That they cannot, certainly; but then they can make signs.
-Have you not noticed that when the wind blows a little the flowers nod
-at one another, and move all their green leaves? They can understand
-that just as well as we when we speak together."
-
-_Ida_. "That is funny." And she laughs.
-
-Enter the Privy Councillor, who has come to pay a visit, and sits down
-on the sofa by the Student's side.
-
-_Privy Councillor_. "How can any one put such notions into a child's
-head? They are stupid fancies!"
-
-_Ida_. "What the Student told about the flowers seemed very droll." And
-picking up her nosegay, which had been scattered over the floor, she
-looks tenderly on it while saying, "The flowers are tired because they
-have danced all night." And then walking to a table on which stands a
-doll's bed, she lays them in and puts the coverlet over them. The whole
-evening through she can not help but think of what the Student has told
-her.
-
-SCENE SECOND.--Ida's bedroom. Ida in bed. The night-lamp burning on the
-table.
-
-_Ida_. "I wonder if my flowers are still lying in the doll's bed? How I
-should like to know!" She raises herself a little, and looks at the
-door, which stands ajar. Within lie the flowers. Ida puts her head down
-on her pillow.
-
-[Illustration]
-
-Enter two Fairies. They walk directly to her bed, and stand one on
-either side of Ida's head, slowly waving their wands over her. Piano
-music is softly played, and Ida goes to sleep.
-
-An unseen person now reads the following dream, which may be acted as
-far as is deemed advisable:
-
-"Ida listened, and then it seemed to her as if she heard some one
-playing in the next room. Now all the flowers are certainly dancing in
-there! 'Oh, how glad I should be to see it!' But she dared not get up.
-
-"'If they would only come in,' thought she. But the flowers did not
-come, and the music continued to play beautifully. Then she could not
-bear it any longer, for it was too pretty. She crept out of her little
-bed, and went quietly to the door and looked into the room. Oh, how
-splendid it was!
-
-"There was no night-lamp burning, but still it was quite light; the moon
-shone through the window in the middle of the floor. All the hyacinths
-and tulips stood in two long rows. On the floor all the flowers were
-dancing very gracefully round one another, making perfect turns, and
-holding one another by the long green leaves as they swung round. But at
-the piano sat a great yellow lily, which little Ida had certainly seen
-in summer, for she remembered its manners in playing, sometimes holding
-its long yellow face to one side, sometimes to the other, and nodding in
-tune to the music. (Enter a tall girl, representing a yellow lily.)
-
-"No one noticed little Ida. Then she saw a great blue crocus hop into
-the middle of the table where the doll's bed stood. (Enter a boy,
-costumed to represent a blue crocus.)
-
-"There lay the sick flowers, but they got up directly and nodded to the
-others to say that they wanted to dance too.
-
-"Then it seemed as if something fell down from the table. Ida looked
-that way. It was the birch rod which was jumping down! And a wax doll,
-with just such a broad hat as the Councillor wore, sat upon it. The
-birch rod hopped about among the flowers, for it was dancing the
-mazourka; and the other flowers could not manage that dance because they
-were too light and unable to stamp like that.
-
-"The wax doll on the birch rod all at once became quite great and long,
-and said: 'How can one put such things in a child's head? Those are
-stupid fancies.' And then the wax doll was exactly like the Councillor
-in the broad hat, and looked just as yellow and cross as he. But the
-flowers hit him, and then he shrank up again and became quite a little
-wax doll. That was very amusing to see, and Ida could not restrain her
-laughter. The birch rod went on dancing, and the Councillor was obliged
-to dance too; it was no use, he might make himself great and long, or
-remain the little yellow wax doll with the big black hat. Then the other
-flowers put in a good word for him, and the birch rod gave over.
-
-"Then the door opened and a great number of splendid flowers came
-dancing in. (Enter roses of all sorts and Butterflies, dancing.)
-
-"Ida could not imagine whence they had come; these must certainly be all
-the flowers from the King's castle. First of all came two glorious
-roses, and they had little gold crowns on; they were a King and a Queen.
-Then came the prettiest coronations, and they bowed in all directions.
-Great poppies and peonies blew upon pea-pods till they were quite red in
-the face. The blue hyacinths and the little white snowdrops rang just as
-if they had bells. All danced together, and all the flowers kissed one
-another. It was beautiful to look at.
-
-"At last the flowers wished one another good-night."
-
-No sooner is good-night uttered than the Fairies motion to the flowers
-to keep perfectly still, and point their wands at Ida.
-
-_First Fairy_. "She sleeps, her breathings are not heard."
-
-_Second Fairy_. "Her fragrant tresses are not stirred."
-
-_First Fairy_. "Hasten hither, King and Queen."
-
-_Second Fairy_. "Roses, sweet that we employ."
-
-And immediately the quartette step to the front of the stage and sing a
-good-night song.
-
-At the close of which all dance--even Ida, who wakens by the jollity.
-
-Exeunt.
-
- * * * * *
-
-A GOOD TIMEPIECE.
-
-Here is a fish story, for the truth of which we cannot vouch, but which
-all fishermen young or old will enjoy. It comes from an English journal,
-the Northampton _Daily Reporter_.
-
-Last spring, while a party of tourists were fishing "up North," a
-well-known lawyer lost his gold watch from the boat in which he was
-sitting. Last week he made another visit to the lakes, and during the
-first day's sport caught an eight-pound trout. His astonishment can be
-imagined, when he found his watch lodged in the throat of the trout. The
-watch was running, and the time correct. It being a "stem-winder," the
-supposition is that in masticating his food the fish wound up the watch
-daily.
-
-
-
-
-THE NEW YEAR.
-
-
- The clock struck twelve in the tall church tower,
- And the old year slipped away,
- To be lost in the crowd of phantom years
- In the House of Dreams that stay
- All wrapped in their cloaks of gray.
-
- Then swift and sweet o'er the door's worn sill
- Came the youngest child of Time,
- With a gay little bow and a merry laugh,
- And a voice like bells achime,
- Challenging frost and rime.
-
- He found there was plenty for him to do,
- The strong and the weak were here,
- And both held out their hands to him
- And gave him greetings dear,
- The beautiful young new year.
-
- "You must bring us better days," they said,
- "The old year was a cheat."
- Which I think was mean when the year was dead;
- Such fate do dead years meet,
- To be spurned by scornful feet!
-
- "I bring you the best a year can bring,"
- The new-comer stoutly spake,
- "The chance of work, the gift of trust,
- And the bread of love to break,
- If but my gifts you'll take!"
-
- The noblest thing a year can lay
- In the lap of you or me,
- The brave new year has brought this day,
- It is Opportunity,
- Which the wise are quick to see.
-
- MARGARET E. SANGSTER.
-
-
-
-
-SAVING A TORPEDO-BOAT.
-
-ONE OF THE OLD SAILOR'S YARNS.
-
-BY W. J. HENDERSON.
-
-
-It was a day of southwesterly weather, one of those days on which shower
-follows shower across the murky and writhing sky, and the air feels like
-water atomized. The boys had grown tired of sitting in the house, and
-having donned oil-skins and rubber boots, they had gone down to the pier
-in hope of seeing some interesting sight at sea. They found the Old
-Sailor in his favorite position, and sat down beside him. He too was
-clad in oil-skins, and was shaking his head in solemn discontent because
-he could not get a good view of the ocean. The sea-water was quite cold
-and the rain was much warmer; consequently the surface of the great deep
-was covered with a wavering veil of light gray mist, through which the
-eye could not penetrate more than two hundred and fifty yards.
-
-A few minutes after the boys sat down another thunder-storm broke, and
-rain fell in torrents. The lightning flashed fiercely and the thunder
-bellowed mightily. Suddenly, in the very height of the tumult, out of
-the curtain of the gray mist came a wild, unearthly shriek, rising in
-pitch and intensity each second. The boys started to their feet, pale to
-the lips, and gazing at the Old Sailor with appealing eyes. The next
-instant a long, low, lean, olive-colored hull shot out of the mist. From
-two funnels, one forward and one aft, great streamers of oily black
-smoke went swirling away over the stern, while under the bows a snowy
-jet of gleaming spray spurted high along the craft's sides. From her
-crouching stern the water sprang outward and upward in a boiling wave,
-lashed into silver and emerald by the whizzing screws. She shot past the
-end of the pier, not a hundred yards away, with her whistle shrieking
-wildly as she went. The boys had barely time to catch the outline of her
-and to see the crouching figure of the seaman who tried to peer into the
-mist ahead of her, before she had hissed out of sight, and left only the
-troubled wake to tell the story of her passage.
-
-"What was that?" gasped Henry, when he could catch his breath.
-
-"That, my son," said the Old Sailor, solemnly, "were the United States
-torpedo-boat _Cushing_, bound fur Sandy Hook, an' no time to spare."
-
-"But I should think she'd be in danger of running into some vessel."
-
-"Oh, they can stop her an' back her in twice her own length," said the
-Old Sailor.
-
-"But why does she go so fast?" asked George. "Do they wish to get out of
-the rain?"
-
-"No, I reckon they ain't afraid o' rain," said the Old Sailor, with a
-grave sidewise movement of his head. "But mebbe she are in the same fix
-as the torpedo-boat _Hop-lo_ were at the battle o' Yalu, w'ich the same
-I were her bosun's mate, an' also, moreover, kep' her from sinkin'."
-
-"Oh, tell us about that!" exclaimed George.
-
-"W'ich are the werry identical thing wot I'm agoin' fur to come fur to
-do. It so happened as how I were in Hong-kong w'en that misfortinate
-disagreeability atwixt China and Japan come to a head. Pussonally I
-'ain't never had no werry high respeck fur a Chinaman, but w'en I
-l'arned as how my friend Li Hung-Chang were a-offerin' double wages an'
-double prize-money fur American sailors to ship in the Chinese navy,
-w'y, sez I to myself, sez I, 'Ef I don't get killed, a Chinaman's money
-are as good as a Jap's, an' there's twicet as much on 't; an' ef I do
-get killed, w'y, I reckon as how I won't be no deader under one flag
-than under t'other.' An' with that I ups an' I ships. An' they orders me
-to a bloomin' torpedo-boat.
-
-"I won't say as the _Hop-lo_ weren't a werry good boat, though she'd
-orter been called the Hop-hi, seein' as she were a thirty-knot boat, one
-o' the best ever built by old Thorneycroft in England. She looked a good
-deal like this 'ere _Cushing_ wot jes scooted past, 'ceptin' as how she
-were higher in the bows an' used to get more down by the stern w'en she
-were goin' fast, w'ich the same it were owin' to that I saved her. As I
-said afore, it were at the battle o' Yalu wot it happened. I ain't
-agoin' far to make no circumstigious attempt fur to tell the story o'
-that battle; 'cos w'y, w'en you're into a battle you don't know nothin'
-'bout it. All I knowed was that the torpedo-boats in gineral was
-a-cruisin' around outside o' the battle-ships, like so many porpoises in
-the wake o' whales. The Admiral, w'ich the same I could see him without
-glasses, were a-prancin' around on one leg an' sendin' up signals every
-minute. Waal, the fight was on putty soon, an' ye couldn't see a thing
-'ceptin' smoke. The noise o' them big guns was enough to skeer ye blue,
-but that are not wot I started out fur to tell ye. We got orders fur to
-launch a torpedo at one o' the Japanese battle-ships, an' we went an'
-done it. Wot that there torpedo hit I never rightly knowed--but it
-didn't hit that battle-ship. But she hit us with one o' her five-inch
-guns right under the starboard bow an' blowed a bloomin' big hole below
-our water-line.
-
-[Illustration: "WEI! WEI! WE GO DLOWNEE NOW ALLEE SAMEE STONEE!"]
-
-"'Wei! Wei!' yells the Cap'n, a pug-faced Chinaman with one eye. 'We go
-dlownee now allee samee stonee! Wei! Wei!'
-
-"An' with that the hull crew took to catterwaulin' an' squealin' like a
-lot o' pigs at feedin'-time.
-
-"'Avast there, ye leather-faced slobs!' sez I to them, sez I. 'Run the
-bloomin' boat on the beach!'
-
-"'Melican man biggee foolee!' screamed the Cap'n. 'Beachee allee samee
-twently mile.'
-
-"'Waal, go ahead, anyhow!' sez I to he, sez I, 'an' don't be layin'
-still here. They'll shoot your bloomin' boat full o' holes an' make a
-marine sponge out o' her,' sez I, jes like that, him bein' Cap'n with
-epaulets on, an' me a bosun's mate with nothin' finer 'n a quid o'
-'baccy. Werry good. I rings the bell myself an' the engineer starts her
-ahead full speed. It weren't two minutes afore we was out o' the wust o'
-the fight, but them there Chinks was still scared blue. Nex' minute they
-was scared bluer than ever, fur up comes a feller yellin' like a Bowery
-boy at a four-story fire:
-
-"'We sinkee! Sinkee!'
-
-"'Wei! Wei!' screamed the Cap'n; 'we sinkee; allee samee sharkee eat us!
-Wei! Wei!'
-
-"'Shut up, ye doughnut-headed son of a sea-cook!' sez I to he, sez I.
-'What makes ye think we'll sink?'
-
-"'Watee comee in chop-chop; allee samee whole ocean come! Welly bad!
-U-u-u-gh!'
-
-"'Wei! Wei!' begin the Cap'n agin, jumpin' up an' down like he thought
-he was a jig-dancer in a variety show.
-
-"'Stow yer jaw-tackle there, ye moon-eyed monkey!' sez I, to he, sez I,
-me havin' lost my respeck for him, though he were a Cap'n an' wore a
-sword, w'ich the same it didn't cut no ice. 'Man the pumps, ye batherin'
-screechers!'
-
-"Waal, o' course that weren't edzackly the right kind o' order to give;
-'cos w'y, she were a modern torpedo-boat an' her pumps was run by steam;
-but anyhow it started 'em goin'. Chunk-chunk! chunk-chunk! chunk-chunk!
-they pounded along fur a little while, and then one on 'em stopped all
-on a suddent, with a big crack.
-
-"'Wei! Wei!' squeals the Cap'n.
-
-"'Shut up, ye molasses-colored parrot!' sez I to he, sez I, 'or I'll
-stick ye into one o' yer own torpedo-tubes an' pull the string.'
-
-"'Melican man welly wicked,' he muttered, as he walked forward.
-
-"'Wot are the matter below there?' sez I.
-
-"'Pumpee brokee!' hollered the engineer.
-
-"'Both on 'em?'
-
-"'No, only onee. He heap much brokee. No go any moree.'
-
-"'Keep the other one at it,' sez I.
-
-"Then I goes down below myself fur to see where the bloomin' trouble
-were. Waal, it were not no cheerin' sight wot I seed down there. The
-water sartainly were a-pourin' into the blessed old pot at a werry
-discouragin' gait, and the one pump were not able for to gain any ground
-on it. So sez I to myself, sez I, 'I got to git this 'ere water out o'
-her somehow, or else I'm agoin' to git more water 'n I want myself.' So
-sez I, 'How are I going fur to persuade this 'ere water fur to run out
-o' this 'ere weasel?' An' the werry minute I sez it, I seed how 'twere
-to be done. I jumps on deck an' I sings out fur the crew o' the
-three-pounder rapid-fire gun.
-
-"'Stan' by here, ye clay-colored scaramouches, an' git the gun below!'
-
-"'Wei! Wei!' begins the Cap'n, and with that I ups an' grabs him by the
-pigtail. I hauled him forrad an' I made him fast by that pigtail to the
-ring o' the starboard anchor.
-
-"'Now,' sez I, 'ye howlin' son o' darkness, if I hear another sound out
-o' ye, I'll heave to an' let go the anchor.'
-
-"'Melican man welly wicked,' he moaned.
-
-"I got the gun down into the hold of her, an' I run it away aft. Then I
-loaded it an' p'inted it at the lowest part of her starn. The haythen
-set up a werry commojious amount o' weepin' an' whoopin' w'en they seed
-wot I were a-doin'; 'cos w'y, they thort it would make two holes an'
-sink the boat jes that much faster. But I pulled the trigger an' blowed
-a bloomin' big hole into her starn right alongside o' the rudder-post
-an' underwater. The water did come in right off, an' the Chinks broke
-fur the deck an' commenced to cast off the boat falls. I stood at the
-door o' the fire-room, an' sez I to the engineers an' firemen, sez I:
-
-"'Turn her up to her hottest gait, an' mind that I'll shoot the first
-man that leaves his post.'
-
-"W'ich the same I would 'a' done it; 'cos w'y, they might as well 'a'
-ben shot as drownded.
-
-"'Now, ye gallopin' haythen,' sez I to they, sez I, 'shovel coal fur yer
-lives. Hop, now, hop! Fill the furnaces full; put a ton o' lead on the
-safety-valve; turn on the forced draught, an' turn up the screws till
-they make the water hot astarn on us.'
-
-"Waal, my sons, ye never in all yer born days seed any such hustlin'. It
-warn't fifteen minutes afore they had the furnaces red-hot, an' the
-screws was agoin' round at the rate o' a hundred an' thirty-seven turns
-a minute. It took the wessel a little while to git agoin', but in ten
-minutes she were a-vibratin' like a fiddle-string, so that she jes
-actooally hummed like one. An' go! Waal, ye 'ain't never seed nothin'
-like it in water. W'y, the waves goin' past her looked like the tracks
-o' one o' Farmer Hulick's harrows. Then my scheme beginned fur to work.
-I told ye that the _Hop-lo_ always went down by the starn when she got
-to goin' fast, didn't I?"
-
-"Yes," answered both boys.
-
-"Waal, that were what I were countin' on partly--that an' her speed. The
-water inside o' her commenced fur to run out o' the hole wot I'd blowed
-in her starn. More come in the hole forrad an' flowed aft, so w'en she
-got to goin' at a twenty-five-knot gait, wot come in forrad couldn't
-stop; but jes ran right through her an' out the hole in the starn. The
-faster she went the faster the water went through her, but it couldn't
-stop inside, an' so it didn't get no deeper. Say, ye ort to seed the
-faces o' them Chinamen w'en they seed how my scheme were a-workin'! W'y,
-them fellers mos' killed theirselves a-heavin' coal on an' keepin' her
-goin' faster an' faster. The Cap'll he come down below, looked at the
-water a-runnin' through her, an' sez he to me, sez he,
-
-"'Melican man biggee head.'
-
-"'Werry good,' sez I to he, sez I; 'but wot I want o' you is silence,
-an' that o' the werry quietest sort.'
-
-"'Allee lightee,' sez he.
-
-"'Now,' sez I, 'you stay down here an' keep these bloomin' engineers an'
-firemen at work, an' I'll go an' do the navigatin'.'
-
-"So I left him there, an' I went up an' headed the boat fur the port o'
-Yu-hi, where I knowed there were a ship-yard an' we could git hauled out
-an' repaired. An' in an hour the bloomin' harbor were right over our
-bow. An' now I were puzzled agin; 'cos w'y, ef I stopped her she'd sink,
-an' ef I run her onto the beach the way she were agoin', I'd smash her
-all to splinters no bigger'n rope-yarns. While I were a-walkin' around
-on the deck an' a-worryin', I tuk a look ahead through the marine-glass,
-an' blow me fur a pickled oyster ef I didn't see the werry way out o' my
-trouble."
-
-"What was it?" asked Henry, excitedly.
-
-"A marine railway wot they hauls out wessels on fur to repair 'em. There
-wasn't nothin' on to it, an' there was the rails runnin' with a nice
-slant right down into the water. Waal, I headed her right fur it, an' I
-opened up the whistle an' let out a yell that would wake the town.
-People came out runnin' like they was crazy, an' wavin' their hands fur
-me to stop her; but I didn't pay no 'tention. I hadn't time fur to stop.
-I put my head down the hatchway an' yelled,
-
-"'All hands on deck!'
-
-"Up come the blatherin' chinks a-fallin' all over each other, an' w'en
-they seed how we was headin', they squealed dreadful.
-
-"'Wei! Wei!' sez the Cap'n.
-
-"An' bein' tired o' that, I jes ketched him by the pigtail an' swung him
-overboard an' let him swim ashore. The next minute we struck the marine
-railway head on, going square atween the rails, jes as I counted to do.
-An' o' course we skated our whole length right up the tracks.
-
-"'Over all hands?' I yelled.
-
-"The Chinamen came to life an' seemed to understan', fur over they went,
-an' had chocks under her quicker'n ye could say 'ahoy'; an' there she
-were, comf'able an' snug as an old woman in bed, with all the water run
-out o' her, an' nothin' to do but to plug up the holes an' get to sea
-agin. But d'ye s'pose them bloomin' beggars was grateful to me, fur wot
-I done fur 'em? Not a bit. They court-martialled me fur firin' on my own
-wessel."
-
-
-
-
-[Illustration: INTERSCHOLASTIC SPORT]
-
-
-The All-Boston Interscholastic Football Team for 1896 is as follows:
-
- J. W. HALLOWELL, _Hopkinson's_ end.
- F. GILLISPEE, _Brookline High_ tackle.
- F. W. LOWE, _Boston Latin_ guard.
- F. R. HUTCHINS, _Brookline High_ centre.
- O. TALBOT, _Brookline High_ guard.
- W. D. EATON, _English High_ tackle.
- E. W. MANAHAN, _English High_ end.
- G. A. SAWIN, _Cambridge Manual_ quarter-back.
- W. B. BOYCE, _Brookline High_ half-back.
- CATO THOMPSON, _Cambridge Manual_ half-back.
- A. STILLMAN, _Hopkinson's_ full-back.
-
-[Illustration: E. W. MANAHAN, End.]
-
-[Illustration: F. W. LOWE, Guard.]
-
-[Illustration: W. B. BOYCE, Half-back.]
-
-[Illustration: F. GILLESPIE, Tackle.]
-
-[Illustration: OLIN TALBOT, Guard.]
-
-[Illustration: G. A. SAWIN, Quarter-back and Captain.]
-
-[Illustration: W. D. EATON, Tackle.]
-
-[Illustration: J. W. HALLOWELL, End.]
-
-[Illustration: A. STILLMAN, Full-back.]
-
-[Illustration: C. M. THOMPSON, Half-back.]
-
-[Illustration: F. R. HUTCHINS, Centre.]
-
-The substitutes are W. Murphy, English High, end; C. W. Jaynes,
-Hopkinson's, tackle; C. Shea, Hopkinson's, guard; R. Hazen, Cambridge
-Manual, centre; E. F. Sherlock, English High, quarter-back; G. L.
-Huntress, Hopkinson's, half-back; T. F. Teevens, Boston Latin,
-full-back.
-
-In picking a representative All-Boston Team the first consideration
-given to the individual has been his ability to play his position as
-near perfection as it is proper to expect. The player who has displayed
-the most talent in this direction has earned the title to become a
-member of this team. To reach a standard above the average an All-Boston
-player must necessarily have the essential qualities that define a
-football expert--namely, courage, pluck, reliance, and a true conception
-of collective strength.
-
-For quarter-back, that most important position so difficult to fill
-satisfactorily, there is only one choice, and that is George A. Sawin,
-of Cambridge Manual. He has exemplified the execution of accurate
-passing and the propagation of complicated trick plays, born of natural
-aptitude and experience. Cambridge Manual was reputed to have the most
-intricate formation plays of any team in the league, and their ultimate
-successful completion depended entirely on Sawin's steadiness. That he
-never slipped up was proved by the prosperity that attended the team.
-Sawin's station on the defence is directly behind the centre, where he
-can close up holes at either side of the pivot of the line. As a tackler
-his real value is felt, for he backs up the line and makes it
-impregnable. Sawin has done all the punting for his team, and whenever a
-kick was wanted he exchanged places with a half-back to receive the
-ball. His long punts were constantly commented on, and no one in the
-league excelled him.
-
-The command of the team should also be assumed by Sawin, not alone
-because of his point of vantage in the field, but for his excellence as
-a strategist, and as a leader who inspires confidence in his players,
-and exacts their respect.
-
-The centre of the line can well be taken care of by Hutchins of
-Brookline, who, for a centre, has been unusually active throughout the
-season. He has outclassed every centre that faced him, though outweighed
-in many cases. His football personality lies in his strength to make a
-pathway for a rusher and his conspicuousness in tackling back of the
-line.
-
-No one guard has given evidence of having star abilities, and there are
-several ranking on about the same plane. Talbot of Brookline High, who
-was substitute on last year's All-Boston team, is inferior to nobody
-now, and easily takes a permanent place. He has had excellent coaching
-from an old Harvard guard all the season, and it is no wonder that he
-exhibits all the capabilities of a finished guardsman. For the other
-guard the competition is much closer, but should go to Captain Fred
-Lowe, of Boston Latin, who has had three years' experience, and in that
-time has always stood at the front.
-
-There is no disputing the fact that the tackle positions belong to Eaton
-of English High and Gillispee of Brookline High. Eaton was a member of
-the All-Boston team a year ago as guard, but exigencies arising, he was
-moved to tackle, and his all-round proclivities cropped out there, where
-he has played the same aggressive, straight-forward game that
-characterized him in '95. As a rushing linesman he can claim superiority
-over any man who stood on the scholastic gridiron this fall.
-
-Gillispee of Brookline High has proved his worth as a tackle as the
-season advanced. He has earned his position by hard, untiring effort,
-and in every game he has been prominent in smashing interference and
-making his position invulnerable.
-
-With Hallowell, of Hopkinson's, and Manahan on the ends, the team would
-have an almost perfect line. Hallowell occupied a similar position last
-year, and has sustained his reputation this season. He was the most
-difficult end in the league to circle, for he can wade through the most
-compact interference and nail the runner.
-
-Manahan has played tackle all the year, but this was because he found a
-better end player than a tackle. His position is end, where he
-demonstrated last season his talents, and where he should have been this
-fall. As it was, he played an excellent game at tackle, although
-generally handicapped by the weight of his opponent. The players in this
-team to whom the burden of rushing the ball would fall are Cato
-Thompson, Cambridge Manual, Walter B. Boyce, Brookline, and A. Stillman,
-Hopkinson's.
-
-Thompson and Boyce, the half-backs, are good at line-breaking or end
-plays. The former is especially clever at sprinting around the
-extremities of the line, and has exceptional speed. Boyce is the best
-individual back in the association, and his bucking the line has been
-Brookline's chief mode of gaining ground. Both players are fine
-defensive workers, and would aid Sawin on the line. Stillman gets placed
-not so much for his rushing game as his fearless punting. He can always
-be relied upon to follow his interference closely, and goes into a hole
-like a shot. Teevens of Boston Latin pushes Stillman for the position,
-as he is the surer at gaining through the line.
-
-The following tables complete the records of the New York, Connecticut,
-and Cook County football leagues:
-
-N.Y.I.S.A.A. FOOTBALL CHAMPIONSHIP.
-
- SECTION I.
-
- Games Games Games Points Points
- won. lost. tied. won. lost.
- De La Salle 2 1 1 26 16
- Berkeley 1 1 1 30 14
- Barnard 1 2 0 12 32
-
- SECTION II.
-
- Trinity 2 0 0 50 0
- Dwight 1[1] 2 0 8 42
- Cutler 1 2 0 10 8
-
-[1] This game was won by default from Cutler.
-
-FINAL CHAMPIONSHIP GAME.
-
- De La Salle 2--Trinity 0
-
-SCORES OF GAMES PLAYED.
-
- De La Salle 4--Barnard 6
- De La Salle 6--Berkeley 6
- De La Salle 6--Berkeley 0
- De La Salle 10--Barnard 4[2]
- De La Salle 2--Trinity 0
- Trinity 32--Dwight 0
- Trinity 18--Cutler 0
- Berkeley 24--Barnard 2
- Cutler 10--Dwight 8
- Cutler 0--Dwight 6[3]
-
-[2] An all-round tie in Section I. necessitated a play-off, but as
-Berkeley forfeited, this was the only game played.
-
-[3] Won by Dwight by default.
-
-COOK COUNTY FOOTBALL LEAGUE.
-
- T
- o
- u
- G c
- o h S
- a - a
- l d f
- s o e
- w t
- f n i
- r s e
- o s
- m f
- a B
- T i y P
- o l P o G
- u i O o i G a
- c n p i n a m
- h g p n t m e
- - o t s e s
- d G n s s
- o o e l l
- w a n W o w o
- n l t o s o s
- s s s n t n t
-
- Englewood 12 3 .. 118 12 9 0
- Hyde Park 14 11 .. 128 54 8 1
- Lake View 11 4 .. 40 16 6 2
- Evanston 11 4 .. 82 50 5 3
- North Division 17 6 .. 126 72 5 4
- English High 3 1 .. 22 24 4 5
- Northwest Division 3 1 .. 22 86 3 6
- Manual-Training 1 1 .. 10 78 2 7
- Oak Park 6 3 .. 48 142 1 8
- West Division 0 2 .. 8 84 1 8
-
-CONNECTICUT I.S.F.B.A.
-
-NORTHERN DIVISION.
-
- October 31--New Britain H.-S., 42; Hartford H.-S., 6.
- November 7--New Britain H.-S., 50; Norwich[4] F. A., 0.
-
-SOUTHERN DIVISION.
-
- October 31--Meriden H.-S., 54; Hillhouse H.-S., 12.
- October 31--Bridgeport H.-S., 12; Waterbury H.-S., 8.
- November 7--Meriden H.-S., 20; Bridgeport H.-S., 12.
-
-CHAMPIONSHIP GAME.
-
- November 14--New Britain H.-S., 30; Meriden H.-S., 6.
-
-[4] On October 31 Connecticut Lit. Inst. forfeited to Norwich F. A.
-
-[Illustration: TRINITY SCHOOL FOOTBALL TEAM, OF NEW YORK.]
-
-The Trinity School Football Team this year was the strongest that that
-school has ever put into the field; and although it did not win the New
-York championship, it made an enviable record for itself during the
-season. Thirteen games in all were played as follows:
-
- Trinity 10--Yonkers High-School 0
- Trinity 28--St. Austin's School 0
- Trinity 4--Montclair High-School 2
- Trinity 44--Packard Business College 4
- Trinity 0--St. Paul's School 30
- Trinity 6--Rutger Prep. School 0
- Trinity 10--Staten Island C. C., 2d team 6
- Trinity 0--Princeton Prep. School 10
- Trinity *32--Dwight School 0
- Trinity *18--Cutler School 0
- Trinity * 0--De La Salle School 2
- Trinity 10--Columbia Freshmen 0
-
-The contests marked with a star were games played in the New York
-Interscholastic championship series.
-
-For the first time in several years the Trinity players this season had
-a regular coach, to whom much of the credit of their success is due. The
-'95 team knew nothing of systematic interference, whereas this year's
-eleven was well trained in that branch of the sport, and developed a
-special strength on end plays. Only four of the '95 team returned to
-school this fall. These were Page, centre; Brown, left guard; Stromeyer,
-left half-back, and O'Rourke, full-back. Page and Brown were moved to
-tackles, and proved efficient in those positions.
-
-On looking over the new material at the beginning of the season Captain
-O'Rourke found that he had an abundance of men capable of playing end
-and back, but there were not many heavy players for the centre of the
-line. Consequently in the early games Trinity's opponents made most of
-their advances through the centre; but this weakness was finally
-remedied, and the eleven developed a strong defence. With the experience
-acquired this season next year's eleven should prove particularly
-strong.
-
-With the great development of football among all the schools, it has now
-come to be an important matter with the colleges to keep track of the
-scholastic players, and to depend upon them for material for the
-university elevens. In connection with this it is interesting to look
-over a list of the graduating football-players which has been recently
-compiled.
-
-Beginning with the New York League we find that of the seven members of
-the Berkeley team who graduate next spring, Bien, Gilson, and Rice will
-go to Yale, Walker and Hasbrouck will go to Columbia, Wiley will enter
-Princeton, and Pell will not go to college at all. From the Cutler team
-Yale will get Kimball, Kip, and Lee, Harvard will get Hoffman and Sands,
-and McElroy will go to Columbia. Columbia will get four men from
-Drisler's eleven--Agate, Ballin, Furnald, and Wolff. Columbia also gets
-Brooks from Hamilton Institute; and from the same school Carey will go
-to Princeton, and Foster to Technology, Boston. Of the Dwight
-football-players, Bogart, Cameron, McCord, and Vinton go to Yale, Adler
-to Pennsylvania, Slawson to Princeton, and Eickemeyer to Columbia. From
-the champion team of De La Salle only two go to college--Tilford to
-Yale, and Bennett to Manhattan College.
-
-Not so many men go to college from the Long Island League. Pratt
-Institute will send Bowie and Warner to Cornell, and Nevins to Columbia.
-Brooklyn Latin will send three men to Harvard--Lawrence, E. Motley, and
-J. L. Motley; Auchincloss, Brown, and Hoppin will go to Yale. From the
-championship team of St. Paul's, Garden City, Loraine, Symonds, and
-White will enter Harvard; and Cluett will go to Yale.
-
-The Connecticut League will naturally send more football-players to Yale
-than to any other college. From Hotchkiss School six men will go down to
-New Haven--Hixon, Hoysradt, Montague, Noyes, Reynolds, and Savage. Two
-of the substitutes of the team, Coy, also a tennis-player, and
-Robertson, will likewise go to Yale. Fincke, football man and tennis
-champion, will go to Harvard. From the Hartford High-School Wood goes to
-Cornell; and Cutter, Gibb, Hanford, and Lockwood go to Yale. From
-Meriden Hubbard will go to Yale, and also possibly Gibson and Lane;
-Collins will enter Tufts College. From the champion New Britain team
-Yale will get Buckley, Corbin, and Flannery.
-
-From other schools not in any of the large interscholastic leagues the
-larger colleges will also get a number of good men. From Andover, Yale
-will get Holladay, Swift, Wheeler, and White, and also one or more
-substitutes. Exeter will probably send three players to Harvard. From
-Lawrenceville, Cadwalader, Dudley, and Richards go to Yale; Loy and
-Mattis to Princeton. From the football team of St. Paul's, Concord,
-Henderson and Hollingsworth will enter Harvard; Vredenburg will go to
-Princeton; and Yale will get Campbell, Phipps, and Richardson, besides
-three or four substitutes of the team. Groton will send six
-football-players to Yale--Allen, Gillett, Smith, Strong, Twichell, and
-Whaples. Sturtevant will go to Trinity.
-
-From St. Mark's, Southboro', Harvard will receive Wittemore; Technology
-of Boston will get Adams; while Hare and Nash will go to Yale.
-Westminster School will probably send six of the players of its team to
-Yale--Fabbri, Knapp, McLean, Nisbet, Scott, and Wells. From the Hill
-School only two of the first football team graduate--Keifer, who will go
-to Yale, and Fincke, who is undecided. Taft's School will send seven of
-its football men to New Haven--Bell, Barnett, Lear, Merriman, Townshend,
-Welch, and White.
-
-"FOOTBALL FACTS AND FIGURES."--BY WALTER CAMP.--POST 8VO, PAPER, 75
-CENTS.
-
- THE GRADUATE.
-
-
-
-
-ADVERTISEMENTS.
-
-
-
-
-[Illustration: ROYAL BAKING POWDER]
-
-If you wish
-
-the lightest,
-
-sweetest, finest
-
-cake, biscuit and bread,
-
-ROYAL
-
-BAKING POWDER
-
-is indispensable
-
-in their preparation.
-
-ROYAL BAKING POWDER CO., NEW YORK.
-
-
-
-
-QUESTIONS FOR YOUNG MEN.
-
-ON DRESS.
-
-
-There is a certain professor in a certain university of the United
-States who once, at the beginning of one of his lectures on fine arts,
-got on the subject of the kind of pins worn in the neck-ties of young
-college men. He was a good lecturer, and was always interesting, but
-this lecture was the most interesting of his course to the three hundred
-boys who heard him, and the whole hour was spent on neck-tie pins, their
-use and misuse, and what they suggested. The gist of what he said was
-that there was no more reason why a boy should wear a horseshoe with a
-whip across it all in gold than that houses should have sieves for
-roofs. And that as it was extremely foolish to put a big sieve on your
-house for a roof, so it was quite as foolish to wear horseshoes on your
-neck-ties. The principle of this is that you should have a reason in
-what you wear as well as in other things, and that senseless
-decorations, like horseshoes on neck-ties or neck-ties on horseshoes,
-are silly and unbecoming to a self-respecting person. This particular
-example was only one to illustrate a principle, which is that nothing
-unusual, queer, out of the ordinary, is in itself a good thing; that, in
-fact, most things that are queer and out of the ordinary are likely, in
-the question of dress, to be in bad taste. A man's dress ought to be
-quiet, but it _must_ be clean and well taken care of in every instance.
-The best dressed man is the man who, in whatever company he finds
-himself, is inconspicuous; who, you realize in an indefinite way, is
-well appointed, though you cannot well tell why. If you appear at a
-dinner in overalls, people say you are badly dressed, and they would
-repeat that wise observation if you went out in the field in a
-swallow-tail-coat. In the same way a man who has a flaring neck-tie or a
-purple handkerchief, or very long coat or very short trousers, is at
-once conspicuous, and therefore badly dressed.
-
-This is not a question which involves the expenditure of money. A young
-man's clothing may be worn threadbare, but it can always be clean, and
-it costs no more to buy a quiet-colored cloth than to buy a big check of
-black and green or brown and yellow. If you study the matter a little
-you will find that you can tell the general character of any person by
-his clothes. Some men are sure to always wear slouchy clothes,
-half-soiled linen, a bright green neck-tie; others wear highly colored
-waistcoats; others again are always in the height of fashion--that is, a
-little in the extreme year after year; and still others make a point of
-being badly dressed and out of the prevalent style to show that they are
-not swayed by such silly laws as style. It is easy enough to place all
-these men in their proper places. And then, finally, you see some young
-chap whose clothes are clean, who is neither out of the style of the day
-nor in the height of it, whose clothes may be showing distinct signs of
-wear, but who seems to fit them pretty well, and to be noticeable in no
-particular way so far as they are concerned, and in all probability you
-put him down, if you think of the matter at all, as a man of
-common-sense, of decency, of self-respect, and good manners.
-
-Then, again, some men sit in their shirt sleeves at home. There is no
-reason for this. It is merely a queer idea that you are more comfortable
-in that style of dress. But such men do not realize that their sisters,
-wives, mothers, naturally lose some of their respect for them, and that
-they unconsciously lose a good deal of respect for themselves. Certainly
-these sisters and wives and mothers are the girls and women we think
-most of, and why do we treat them with a disrespect that we would never
-think of subjecting strangers to in our own or in their homes? That
-disrespect to them is a boomerang, a reflector on us ourselves. If you
-dress quietly and decently and as well as you can, if you keep yourself
-and your clothes clean, you are more likely to keep morally clean, to
-think and act in a dignified way, and to treat others with proper
-respect. Of course there are great men who are slovenly, but they are
-never great because they are slovenly, and it would not dull their
-greatness if they kept themselves clean and orderly. It is because they
-grow careless, and carelessness is never excusable in any one. Think
-about your clothes, then, and avoid anything that will make you
-noticeable. That does not mean that one should always be thinking of
-what to wear, that one should be a dandy and a fop. It simply means that
-he should be a self-respecting man who tries to be decent.
-
- * * * * *
-
-Postmen sometimes have very lively experiences in the course of their
-daily rounds. It has often happened that on lonely roads they have had
-to fight their way against tramps and others who lie in wait to see what
-they can get that doesn't belong to them, and may be worth having. The
-most novel experience that has come to notice, however, was in the work
-of an English postman. It appears that on a recent Sunday a swarm of
-bees took possession of the village letter-box at Haunton, six miles
-from Tamworth. There is no collection on Sunday, and on Monday night,
-when the rural postman essayed to take out the letters, he was compelled
-to beat a speedy retreat, and no one could approach within twenty yards
-of the box. The postman avers that that was the liveliest mail he has
-had to do with in a long while.
-
- * * * * *
-
-BLUeCHER'S PIPE-BEARER.
-
-There is a story told somewhere of an old Indian-fighter, one of the
-kind that trailed the war parties of the redskins far back in the last
-century. This veteran loved his pipe, and as the story goes, during one
-of his exploits the Indians followed his trail by the smell of the
-tobacco smoke, and finally a well-aimed bullet knocked the glowing bowl
-from his mouth. Thus warned, he made his escape.
-
-This pipe story does not equal that told of Christian Hennemann, a
-countryman from Rostock, who fought with Field-Marshal Bluecher at
-Waterloo. Those who are familiar with Bluecher's life know of his
-partiality for a pipe, and even in the heat of battle he never neglected
-his smoke. As day broke the morning of the memorable battle of Waterloo,
-Bluecher called the hussar Christian Hennemann, and placed him in charge
-of a box of clay pipes, with the instruction to keep one always ready to
-hand to him, that he might enjoy a few whiffs during the engagement.
-
-As the morning wore on, Bluecher sat on his white charger gravely puffing
-away. He had reached out his hand for the second time to take the
-refilled pipe, when an ungenerous cannon-ball dug up the ground near at
-hand, causing his horse to shy. Bluecher hastily handed the pipe to
-Christian, saying, "Just keep that lighted for a few moments while I
-drive those rascally Frenchmen back."
-
-The chase was a long one, as history relates, and through the hot summer
-day the battle waged and men fought and died. When the battle was over,
-Bluecher and Wellington, who were riding over the scene together,
-happened to pass near where Bluecher had first started to chase the
-enemy. Outlined against the sky a lonely man sat perched on a rock. A
-bloody rag was bound around his head, and one arm hung in a sling. He
-was calmly smoking a clay pipe.
-
-With an exclamation of surprise Bluecher pulled up.
-
-"Why, it's my Hennemann! How you look, boy! What are you doing here
-alone?"
-
-"Waiting for you, as ordered," was the grumbled reply. "Been waiting
-ever since you left. The French have shot away every pipe in the box.
-They ripped the flesh from my head and shattered my arm with their
-bullets. It's well there is an end to the battle, or you would have been
-too late even for this last pipe."
-
-Wellington, turning to Bluecher, remarked:
-
-"You have admired the unflinching loyalty and bravery of my Highlanders.
-What shall I say of this brave soul?"
-
-"But your Highlanders had no pipes to regale themselves with," Bluecher
-replied.
-
-
-
-
-[Illustration: STAMPS]
-
- This Department is conducted in the interest of stamp and coin
- collectors, and the Editor will be pleased to answer any question
- on these subjects so far as possible. Correspondents should address
- Editor Stamp Department.
-
-
-The prices of great rarities are not declining, and the common stamps
-are worth as much to-day as ever; but the middle-class U. S. stamps have
-had a serious decline during the past three months. However, the stock
-is not large, it cannot be increased, and the good stamps are constantly
-being spoiled by carelessness or destroyed by accident, hence the
-eventual return to higher values is inevitable.
-
-A rumor has gone abroad that the Bureau of Engraving and Printing in
-Washington contemplates making an entirely new set of postage-stamps, or
-keeping the present dies and changing all the colors. In either case
-there will be a great demand for Plate Nos. The present prices of Plate
-Nos. are quite low, and collectors should make up their albums as soon
-as possible. If a new set of stamps is issued, almost every one will be
-able to get all the new Nos. at a slight advance on face values.
-
-One of the New York dealers has adopted a new method of selling scarce
-stamps. For instance, a U. S. Revenue was placed in the window marked
-$20, the catalogue price, with a notice that the price would be reduced
-$1 each day until sold. Quite a number of collectors kept tally, and
-determined to buy the stamp when it had come down to $12 or $13. They
-are still waiting, as the stamp was sold at $14. Other dealers intend to
-do the same thing with other stamps, and in many instances they expect
-the stamp to be sold the second day.
-
- S. P. KENNA.--There is no accounting for fashion, but the wise
- collector is one of those who set the fashion. Those who come in
- later must pay highest prices. Australians were the most sought
- after three or four years ago, then came West-Indians. U. S.
- stamps, of course, are, and probably will be, more sought after in
- this country than abroad.
-
- J. SHACKHEIM.--A fine unused 90c. U. S. 1860 issue, sold at one
- auction for $11 a few days ago, and the next day a poor copy of the
- same stamp brought $13.50 at another auction. The first was very
- cheap, the second very dear. Unused high values U. S. will always
- be very scarce, and in some cases rare.
-
- J. URBAN.--You have a very interesting lot of coins, but none of
- them is of such rarity as to be worth sending to a dealer. You will
- doubtless be able to get many others in time at nominal prices, and
- thus make up a good collection.
-
- W. HAMMOND, 8 High St., Peabody, Mass., wishes to exchange stamps.
-
- J. O. HALL.--To get the new stamps as issued I would advise you to
- join the American Philatelic Association. Address J. F. Beard,
- secretary, Muscatine, Iowa.
-
- F. X. SCHMIDT.--The first coins struck for an American
- English-speaking country were the Sommer Island III., VI., XII.
- pence in 1616. These are now called the Bermuda Islands. The next
- coins were the New England III., VI., XII. in 1652, and the
- Pine-Tree pieces struck in the same year.
-
- J. KLEINSCHMIDT.--There are two varieties of the 1869 15c. stamp.
- 1. The ordinary, in the frame of which, under the letter T of the
- word POSTAGE, is a diamond. This variety is worth $1.25 used. 2.
- The other has the diamond cut out, and this variety is worth $3
- used.
-
- A. A. DAVIS.--Brazil stamps, both used and unused, had been very
- low in price for all issues from 1850 to 1893. Daring the past two
- years they have gone up in price quite remarkably, as the dealers
- and collectors find that certain varieties are quite scarce. If you
- have the complete sets unused hold on to them, as prices are bound
- to advance.
-
- PHILATUS.
-
-
-
-
-[Illustration: IVORY SOAP]
-
-
-
-
-You Should Have
-
-"Harper's Round Table" for 1896
-
-Volume XVII. With 1276 Pages and about 1200 Illustrations. 4to, Cloth,
-Ornamental, $3.50.
-
- It is doubtful if any other book issued at this holiday season
- contains so many stories for young readers as this volume.--_San
- Francisco Chronicle._
-
- The book is one which is sure to delight all the
- children.--_Detroit Free Press._
-
- A pronounced success as an educational means of great
- value.--_Pittsburg Chronicle-Telegraph._
-
- One of the best periodicals for children ever
- published.--_Philadelphia Ledger._
-
-Naval Actions of the War of 1812
-
-By JAMES BARNES. With 21 Full-page Illustrations by CARLTON T. CHAPMAN,
-printed in color, and 12 Reproductions of Medals. 8vo, Cloth,
-Ornamental, Deckel Edges and Gilt Top, $4.50.
-
- Unquestionably both the most lifelike and the most artistic
- renderings of these encounters ever attempted.--_Boston Journal._
-
- Brimful of adventure, hardihood, and patriotism.--_Philadelphia
- Ledger._
-
-The Dwarfs' Tailor
-
-And Other Fairy Tales. Collected by ZOE DANA UNDERHILL. With 12
-Illustrations. Post 8vo, Cloth, Ornamental, $1.75.
-
- The twenty-two tales form a cosmopolitan array that cannot fail to
- delight young readers.--_Chicago Tribune._
-
- Fascinating for old and young.--_Boston Traveller._
-
-A Virginia Cavalier
-
-A Story of the Youth of George Washington. By MOLLY ELLIOT SEAWELL.
-Illustrated. Post 8vo, Cloth, Ornamental, $1.50.
-
- Warmly commended to all young American readers.--_Chicago
- Inter-Ocean._
-
- An absorbing tale.--_Philadelphia Bulletin._
-
-Rick Dale
-
-A Story of the Northwest Coast. By KIRK MUNROE. Illustrated by W. A.
-ROGERS. Post 8vo, Cloth, Ornamental, $1.25.
-
- Lively and exciting, and has, incidentally, much first-hand
- information about the far Northwest.--_Outlook_, N. Y.
-
- Capital story of adventure.--_Philadelphia Evening Bulletin._
-
- * * * * *
-
-HARPER & BROTHERS, Publishers, New York
-
-
-
-
-What All Ought to Read.
-
-A member living in the South asks for a list of books that persons of
-all ages ought to read in order to begin further reading--books that
-ought to be read, no matter in what direction a later taste might lead.
-
-Here is a list prepared last year to fit this very question. It was
-prepared by some one well qualified for the task:
-
- _Tales from Shakespeare_, by Charles and Mary Lamb.
- Sir Walter Scott's _Ivanhoe_, _Lady of the Lake_, and _Marmion_.
- Tennyson's _Idyls of the King_.
- Macaulay's _History of England_.
- Higginson's _Young Folks' History of the United States_.
- Thackeray's _The Virginians_.
- Walter Besant's _For Faith and Freedom_.
- Dickens's _Tale of Two Cities_.
- _Brave Little Holland, and what She taught Us_, by W. E. Griffis.
- Lew. Wallace's _Ben-Hur_.
- _Bible Characters_, by Charles Reade.
- _Recreations in Botany_, by Caroline A. Creevey.
- _The History of a Mouthful of Bread_, by Jean Mace.
- Laboulaye's _Fairy-Tales_.
- _Life and Letters of Louisa M. Alcott_.
- _John Halifax, Gentleman_, by Mrs. Craik.
- Longfellow's _Evangeline_.
- Irving's _Life of Washington_.
- Whittier's _Snow-Bound_.
- Hawthorne's _House of Seven Gables_ and _Tanglewood Tales_.
- Fenimore Cooper's _Leatherstocking Tales_ and _Last of the Mohicans_.
- Amelia E. Barr's _Bow of Orange Ribbon_.
- Alexander Johnston's _American Politics_.
-
-How many of these have you read? And why may not a Chapter take up this
-list?
-
- * * * * *
-
-A Call for Charity.
-
- The storm of September 29 caused such disaster at Fort White that I
- have decided to write to you, through the columns of HARPER'S ROUND
- TABLE, and ask you to send ten cents to Mrs. E. G. Persons, Fort
- White, Florida. It will be distributed among the storm sufferers of
- that place, which was almost totally wrecked. Only three
- dwelling-houses were left standing. The turpentine-men were ruined,
- as nearly all the turpentine-trees were blown down. I hope that you
- will all respond liberally and quickly, for what is a very small
- sum to one person will mean a great deal to the storm sufferers.
-
- ALBERT H. ROBERTS, K.R.T.
- ANITA, FLA.
-
- * * * * *
-
-Working a Turpentine Orchard.
-
-Our national Department of Agriculture gathers facts in relation to
-forestry as well as to farming, and publishes them for the use of any
-one who wishes them. It has just issued some interesting facts about
-pine-trees, of the variety from which turpentine is obtained.
-
-"Work in a turpentine orchard is started in the early part of the
-winter, with the cutting of the boxes. Trees of full growth, according
-to their circumference, receive from two to four boxes.
-
-"The boxes are cut from eight to twelve inches above the base of the
-tree, seven inches deep and slanting from the outside to the interior.
-In the adult trees they are fourteen inches in the greatest diameter,
-and four inches in the greatest width, with a capacity of about three
-pints. In the mean time the ground is laid bare around the tree for a
-breadth of two and a half to three feet, and all combustible material
-loose on the ground is raked into heaps to be burned, in order to
-protect the trees from the danger of catching fire during the
-conflagrations, which are frequently started in the pine forests by
-design or carelessness. The employment of fire for the protection of
-turpentine orchards against the same element necessarily involves the
-total destruction of the smaller tree growth, and if allowed to spread
-without control beyond the proper limit often carries ruin to the
-adjoining forests.
-
-"During the early days of spring the turpentine begins to flow, and
-chipping is begun, as the work of washing the trees is called, by which
-the surface of the trees above the box is laid bare beyond the youngest
-layers of the wood to a depth of about an inch from the outside of the
-bark. The removal of the bark and of the outermost layers of the
-wood--the "chipping" or "hacking"--is done with a peculiar tool, the
-"hacker," a strong knife with a curved edge fastened to the end of a
-handle bearing on its lower end an iron ball of about four pounds in
-weight, to give increased force to the stroke inflicted upon the tree,
-and thus to lighten the labor of chipping. As soon as the scarified
-surface ceases to discharge turpentine freely, fresh incisions are made
-with the hacker. The chipping is repeated every week from March to
-October or November, extending generally through a period of thirty-two
-weeks, and the weight of the chip is increased about one and one-half to
-two inches every month. The rosin which accumulates in the boxes is
-dipped into a pail with a flat trowel-shaped dipper, and is then
-transferred to a barrel for transportation to the still."
-
- * * * * *
-
-Queer Complication of Territory.
-
-Kings and presidents send ambassadors to the capitals of other
-countries, as you know. The residence of these ambassadors is, in law,
-not a part of the country in whose capital they are located, but a part
-of the country from which comes the ambassador residing there at the
-moment. For instance, the residence of the American Ambassador to France
-is in Paris, but at law it is not French but United States territory. A
-novel incident grew out of this legal fiction recently.
-
-The Japanese Embassy in Berlin is not German, but Japan territory, of
-course. The embassy owns a parrot. The parrot got out of its cage and
-took lodgement in a neighboring tree--a tree in Germany, not in Japan. A
-Japanese servant remaining in Japan levelled a hose at the parrot, with
-the aim of dislodging him. It chanced that beneath the tree there sat,
-at the time, a German resident of wealth. The water that dislodged the
-parrot drenched him and ruined his clothes. He sued for damages, and got
-$4--a compromise sum, because the inflictor of the damage was a resident
-of Japan, had not left his own country, and could not be dragged into a
-German police court.
-
- * * * * *
-
-A Lake without Water.
-
-Central Australia is only now becoming known, as is Central Africa. An
-explorer tells the following about a wonderful "lake":
-
-"We came, just at dusk, to the top of a sand hill, and saw Lake Amadeus
-lying at our feet. It was a strange sight. The bed of the lake was here
-only some three-quarters of a mile wide, but east and west it stretched
-away to the horizon, widening out, especially westwards, into a vast
-sheet many miles across. There was not a speck of water, only a dead
-level surface of white salt standing out against the rich after-glow on
-the west and the dull sky to the east, whilst north and south it was
-hemmed in by low hills covered with dark scrub."
-
- * * * * *
-
-To Amateur Paper Publishers.
-
-Will publishers of amateur newspapers send sample copies to A. R.
-Abbott, 38 Franklin Street, Northampton, Massachusetts?
-
- * * * * *
-
-A Query in Natural History.
-
- Some time ago, under the above heading, a caterpillar was described
- which is commonly called saddle-back or slug caterpillar.
- Naturalists know it by the euphonious title of _Sibine stimulea_,
- which tells us that the tufts of bristles have nettlelike powers of
- irritation. The name slug caterpillar is given it because, the
- abdominal legs being absent, it moves with a smooth, gliding,
- snail-like motion. It feeds on many plants and trees, such as corn,
- rose, cherry, pear, and apple. After spending some weeks feeding on
- the leaves, it spins a brown cocoon, nearly spherical, surrounded
- by a loose silken web, and about July 1 a small moth emerges.
-
- It resembles those small moths commonly designated as "millers."
- The wings, which spread about one and one-half inches, are of a
- beautiful rich brown color, with a dark streak on the fore wings,
- near which are three whitish spots. Although nature has furnished
- the caterpillar with a protective armor of poisonous bristles, yet
- it does not seem to me to merit the epithet "hideous creature."
-
- C. W. B.
- EAST ORANGE, N. J.
-
- * * * * *
-
-Questions and Answers.
-
-Henry Osborn asks what causes Indian-summer weather, and why it is so
-called. Neither is quite clear, dear Sir Henry. In Canada it is known as
-St. Martin's summer. Why we call it Indian summer we have been unable to
-find out. Can any one tell us? By early American colonists it was
-thought that the haze was real smoke wafted from fires started by the
-Indians in anticipation of winter.--A Pennsylvania member asks how
-commercial pop-corn is made so excellent, when he has so much difficulty
-in getting his corn to pop well. The reasons are several. One is
-practice, which makes perfect. Another is good tools. Coal is poor stuff
-to pop corn over. Get coke. That is better because it stays hot, and
-does not die down as coal does. For popping corn in large quantities
-regular furnaces lined with fire-brick are provided, and there are huge
-wire baskets that are handled crane fashion. Some hold a bushel of corn
-when popped. Pop-corn parties are said to be more common than usual this
-autumn.
-
-Gardner W. Millet asks when rifles were invented, and when metallic
-ammunition, all ready for use, was first used. He also asks about
-breech-loading guns and magazine-rifles. The earliest breech-loaders
-were used in 1537, but during the seventeenth and eighteenth centuries
-they were common. They were also crude. At Kuisyingen, in 1636, only
-seven shots were fired by soldiers in eight hours. The flintlock was of
-Spanish origin, and came in about 1630. William, Prince of Orange,
-brought it to England in 1688. Rifles are quite old, having been used in
-Germany in the eighteenth century--early part. The Furguson, a breech
-loading rifle, was used by American patriots during the Revolution. The
-civil war brought into use the metallic ammunition, all ready for
-loading on the instant, though there were many breech-loading rifles in
-use before that day. The magazine-guns were invented in 1835, but not
-much used till thirty years later. The rifle used by the United States
-weighs eight pounds and twelve ounces, has a 0.3 calibre, and five
-rounds of ammunition.
-
-"C. G. A." is informed that Mrs. Augusta J. Evans, the author, is still
-living, we believe, in Mobile, Alabama. A granddaughter is also a
-resident of Mobile, named Mrs. Gaillard, formerly Miss Wilson.--Jay F.
-Hammond asks if a barrel is used for a post-office at Cape of Good Hope,
-as is said to be used at the Strait of Magellan. We think not. The
-extremity of Africa is quite unlike the extremity of South America.
-Perhaps some South African reader can tell us more.--Edwy L. Taylor: The
-Camera Club Competitions close February 15. The reference to an earlier
-closing was an error.--Edward C. Wood: Your game may be copyrighted, but
-unless it be a mechanical contrivance, or a part of such, and that new,
-it cannot be patented. The cost of a copyright is fifty cents, with a
-further fifty cents for a transcript, while a patent costs upwards of
-$100. We can find no record of the firm you mention. To copyright your
-game mail two copies addressed to the Librarian of Congress, Washington,
-D. C., give your full name and address, state the purpose of sending,
-and enclose $1. Nothing else is required. To make the copyright
-effective you must conspicuously place on every copy the words
-"Copyright, 1896, by Edward C. Wood, Philadelphia."--C. B. M.: Apply to
-Samuel French & Son, Dramatic Publishers, New York, and state just what
-you want. They will reply at once, giving list, if you mention the ROUND
-TABLE.
-
-
-
-
-[Illustration: THE CAMERA CLUB]
-
- Any questions in regard to photograph matters will be willingly
- answered by the Editor of this column, and we should be glad to
- hear from any of our club who can make helpful suggestions.
-
-
-HINTS ON RETOUCHING.
-
-II.--SPOTS AND SCRATCHES.
-
-It often happens that there are spots on a negative--caused by specks of
-dust on the plate, air-bubbles in the developer, or unlucky scratches in
-the handling--which if not covered in some way make a black spot on the
-silver paper, and mar the beauty of what would otherwise be a fine
-picture. With a little practice one can learn to fill up these defects
-so that they will be scarcely noticeable in the print.
-
-Take a drop or two of the retouching varnish on the end of the finger,
-and rub it lightly and evenly over the places which are to be retouched.
-Put to dry in a place free from dust; it will be dry enough in three or
-four hours. Place the retouching-frame on a table by a window with a
-good strong light, close the blind or lower the shade over the upper
-part of the window, and place a sheet of white paper under the frame on
-the table. Place the negative in the frame, and over it put a piece of
-opaque paper with a hole an inch or two in diameter opening over the
-place to be retouched. This also protects the film and shuts off all
-light except from the points to be treated. Now if the hole is a large
-one, take the brush and moisten it, and rub a little of the lampblack
-from the cake of water-color on it. Then with the greatest care touch
-the spot directly in the centre with a bit of the paint. Rinse the
-brush, and turning it till a fine point is obtained, work the paint
-carefully toward the edges of the spot, taking care that it does not
-touch the film but comes close to it. Let the paint dry, and if the
-first application has not made the spot of an equal density with the
-surrounding film, repeat the process. If the operation is not
-successful, the paint can be removed by applying a little turpentine on
-a soft cloth.
-
-If the spot to be retouched is very small, or if there is a scratch on
-the film, take a soft pencil sharpened according to directions given in
-the first paper on retouching, and with very minute strokes go over the
-places until the required density is obtained. Sometimes it is necessary
-to go over the places several times before the spots appear like the
-film.
-
-If a negative has sharp, harsh contrasts, they can be softened by going
-over them carefully with the pencil, using the softest one for this
-purpose, and then blending the pencil strokes with a crayon stump.
-
-Freckles, heavy shadows under the eyes and nose, are easily removed or
-softened by using a needle-pointed pencil of very soft lead.
-
-Undesirable backgrounds, or objects which have been unavoidably included
-in the picture, may be blocked out by using a thin solution of
-lampblack, and applying it to the back of the plate. A light coat
-obscures the background, and a thick coat blocks it out entirely.
-
-In beginning the practice of retouching, it is wise to experiment on
-poor negatives, as first attempts are not always successful. Do not be
-discouraged if the first trial prove a failure. Remember your early
-experience in making negatives, and try again; for perseverance, no
-matter in what direction, is sure to bring its reward--success.
-
- SIR KNIGHT WILLIAM MERRITT sends a print which shows no detail at
- the corners, and says that all his plates have the same fault, and
- asks what is the matter. The lens does not cover the plate--that
- is, the lens is too small for the size plate used. It may be that
- the diaphragm is too large, and by using a smaller diaphragm the
- blur showing on the edges of the picture would be corrected. The
- smaller the opening the more extended the sharp field of the lens;
- but the smaller the opening the longer must be the exposure.
-
- SIR KNIGHT CHARLES M. TODD asks if hypo is always used for the
- fixing-bath without regard to the kind of developer; if a
- ferrotype-plate will impart a gloss to all kinds of prints except
- blue prints; if the whole roll of films in a pocket kodak would
- have to be exposed before one could develop any of the exposures;
- if developing solution may be used the second time if only one or
- two negatives have been developed in it. Hypo is always used for
- the fixing-bath, as it is the cheapest and safest chemical for the
- dissolving of the unused or unacted upon silver salts.
- Ferrotype-plate will not impart a gloss to a platinum, bromide, or
- any of the soft-tinted papers. The films in a pocket kodak should
- all be used before developing. There are only twelve films in a
- roll, and if part were taken out, one film would have to be spoiled
- in order to put the unused films back on the empty spool. Developer
- may be used the second and even the third time. Most amateurs have
- a bottle for old developer, and use it for starting development, as
- it is safer unless one knows the exact time of the exposure of the
- plate.
-
- SIR KNIGHT F. ELTON MORSE, 11 and 13 Market St., Lynn, Mass.,
- wishes to exchange landscape views with other members of the Camera
- Club.
-
-
-
-
-ADVERTISEMENTS.
-
-
-
-
-Postage Stamps, &c.
-
-
-
-
-[Illustration: STAMPS]
-
-=ALBUM AND LIST FREE!= Also 100 all diff. Venezuela, Bolivia, etc., only
-10c. Agts. wanted at 50% Com. =C. A. Stegmann=, 5941 Cote Brilliant Ave.,
-St. Louis, Mo.
-
-
-
-
-500 Mixed, Australian, etc., 10c.; =105 var.= Zululand, etc., and album,
-10c.; 12 Africa, 10c.; 15 Asia,10c. Bargain list free. F. P. VINCENT,
-Chatham, N.Y.
-
-
-
-
-U.S. Postage and Rev. Fine approval sheets. Agts. wanted.
-
-P. S. CHAPMAN, Box 151, Bridgeport, Ct.
-
-
-
-
-U. S.
-
-25 diff U.S. stamps 10c., 100 diff. foreign 10c. Agts w'td @ 50%. List
-free! L. B. Dover & Co. 5958 Theodosia, St. Louis, Mo.
-
-
-
-
-[Illustration]
-
-To Show
-
-Your
-
-Heels
-
-To other skaters wear the
-
-Barney & Berry Skates.
-
-Highest Award World's Fair.
-
-Catalogue Free.
-
-BARNEY & BERRY, Springfield, Mass.
-
-
-
-
-[Illustration: PISO'S CURE FOR CONSUMPTION]
-
-CURES WHERE ALL ELSE FAILS.
-
-Best Cough Syrup. Tastes Good. Use
-
-in time. Sold by druggists.
-
-
-
-
-"A perfect type of the highest order
-
-of excellence in manufacture."
-
-[Illustration: Walter Baker & Co.'s Breakfast Cocoa]
-
-Absolutely Pure.
-
-Delicious.
-
-Nutritious.
-
-COSTS LESS THAN ONE CENT A CUP.
-
-Be sure that you get the
-
-genuine article, made at
-
-DORCHESTER, MASS.,
-
-By WALTER BAKER & CO., Ltd.
-
-Established 1780.
-
-
-
-
-EARN A TRICYCLE.
-
-[Illustration]
-
-We wish to introduce our Teas. Sell 30 lbs. and we will give you a Fairy
-Tricycle; sell 25 lbs. for a Solid Silver Watch and Chain; 50 lbs. for a
-Gold Watch and Chain; 75 lbs. for a Bicycle; 10 lbs. for a Gold Ring.
-Write for catalog and order sheet Dept. I
-
-W. G. BAKER,
-
-Springfield, Mass.
-
-
-
-
-LAUGHING CAMERA. 10C.
-
-[Illustration: MY! OH MY!!]
-
-The latest invention in Cameras. You look through the lens and your
-stout friends will look like living skeletons, your thin friends like
-Dime Museum fat men, horses like giraffes and in fact everything appears
-as though you were living in another world. Each camera contains two
-strong lenses in neatly finished leatherette case. The latest
-mirth-maker on the market; creates bushels of sport. Catalogue of 1,000
-novelties and sample camera 10c., 3 for 25c., 12 for 90c. mailed
-postpaid. Agents wanted.
-
-ROBT. H. INGERSOLL & BRO.,
-
-Dept. No. 62, 65 Cortlandt St., N. Y.
-
-
-
-
-HOOPING-COUGH
-
-CROUP.
-
-Roche's Herbal Embrocation.
-
-The celebrated and effectual English Cure without internal medicine.
-Proprietors, W. EDWARD & SON, Queen Victoria St., London, England. All
-Druggists.
-
-E. Fougera & Co., 30 North William St., N. Y.
-
-
-
-
-PLAYS
-
---SPEAKERS--
-
-For Home and School.
-
-New Catalogues FREE.
-
-DE WITT, Rose St., N.Y.
-
---DIALOGUES--
-
-
-
-
-HOME STUDY
-
-Success in Business Life is within the reach of all who take a thorough
-Business College course at Home, by Mail. It will pay to Investigate.
-Cat. free. Trial lesson 10c.
-
-BRYANT& STRATTON, 85 College Bldg., Buffalo, N.Y.
-
-
-
-
-BOYS and GIRLS
-
-can earn money by working half an hour daily distributing free samples
-of Headache Powders. For full particulars address, CAPITAL DRUG CO., Box
-880, Augusta, Me.
-
-
-
-
-PLAYS
-
-
-Dialogues, Speakers for School, Club and Parlor. Catalogue free.
-
-T. S. DENISON, Publisher, Chicago, Ill.
-
-
-
-
-[Illustration]
-
-THE SONG OF THE MUSES.
-
- What is that melody weird and wild
- That throbs and sobs like the wail of a child
- Through the quiet night so still and mild?
-
- Behold, it is a choir feline,
- With tenors, altos--all told, nine;
- Those are the Mewses, I opine.
-
- * * * * *
-
-A PRACTICAL LITTLE GIRL.
-
-"Oh, for the wings of a dove!" sang Mollie.
-
-"What do you want with the wings of a dove, my dear?" asked her mother.
-
-"To put on my new hat," said Mollie.
-
- * * * * *
-
-HIS EXPLANATION.
-
-"See here, Tommie," observed Tommie's teacher, "you ought to be able to
-spell your own name."
-
-"I can," said Tommie.
-
-"Then why don't you? You've written it Tomie instead of Tommie."
-
-"Oh, as for that," said Tommie, "you told us not to waste anything, and
-that extra m is just a waste of ink."
-
- * * * * *
-
-GOING INTO A NEW LINE.
-
-"What'll you swap off a three-cent Nicaragua '95 for, Jack?" asked
-Jack's uncle of the young stamp-collector.
-
-"I won't swap it off for anything, Uncle George, but I tell you what I
-will do. I'll swap off my whole collection for a goat. Stamps are always
-the same, but goats--my--they're never the same!"
-
- * * * * *
-
-NOTHING WONDERFUL.
-
-"So you don't think much of Jack the Giant-killer, eh, Bobbie?"
-
-"NO. He was smart. But not particularly wonderful. Why, look at me! I
-can tire my Pa out in five minutes, and I guess _he_ could lick any
-giant Jack ever saw."
-
- * * * * *
-
-During the winter months the farmers' boys and girls have lots of fun
-with their parties, taffy pulls, and such enjoyments, and considerable
-humor can be found in their happy repartee. At one of these candy
-parties a guest not altogether liked by some of the girls, unfortunately
-sat in a saucer of maple sugar left on a chair to cool off, and his
-unceremonious departure was the wonder of the evening. It was rather
-hard on the young man, and it is doubtful whether he found anything to
-end his embarrassment in the note he received the next day from the
-daughter, saying that if the "Mr. D---- who sat in the saucer of maple
-sugar last night will kindly return the saucer, he will save himself
-further trouble."
-
- * * * * *
-
-AN OBJECTION.
-
-"I hate dancing-school," said Jack. "It's lots of fun dancing, but every
-time I want to waltz I have to load myself up with some girl or other.
-Why can't they let a feller dance by himself?"
-
- * * * * *
-
-A SURGEON OF THE BICYCLE.
-
-There are enterprising bicycle people in England as well as in this
-country. A year or more ago London was flooded with the following
-circular by a bicycle-repairer, which is ingenious enough in its wording
-to have been the product of a Yankee:
-
-"Bicycle surgery.
-
-"Acute and chronic cases treated with assurance of success.
-
-"Languid tires restored to health and vigor.
-
-"Tires blown up without pain. Wind free. No cure, no pay asked.
-
-"We understand the anatomy, physiology, and hygiene of wheels, and
-homoeopathic or allopathic treatment, as individual cases require.
-Sure cure guaranteed.
-
-"Testimonials:
-
-"'My wheel had three ribs fractured, and you cured it in one treatment.'
-
-"'My tires were suffering with a case of acute aneurism, which had been
-pronounced fatal by other bicycle-doctors, but you cured the disorder,
-and I did not lose a day of my tour.'
-
-"Thousands of testimonials like the above sent on application.
-
- "Dr. Blank, B.S. (Bicycle Surgeon.)
- No. -- Tottenham Court Road."
-
- * * * * *
-
-FORCE OF HABIT.
-
-He was thoroughly a business man, and he judged everything from the
-point of view of weight--as was natural, since he dealt in things which
-were sold according to their avoirdupois. One day somebody asked him if
-he had any children.
-
-"Yes," he said. "I've got 453 pounds of boys, and 236 pounds of girls."
-
- * * * * *
-
-A SMALL BOY'S FEET.
-
-"If it wasn't for me my class in school wouldn't have any standing at
-all," said Hubert.
-
-"Nonsense!" said his aunt. "Your mother says you are the foot of it."
-
-"I am," said Hubert. "How could it stand if it didn't have a foot?"
-
- * * * * *
-
-NOT REPEATED.
-
-"When you stepped on that gentleman's foot, Tommie, I hope you
-apologized?"
-
-"Oh, yes, indeed I did," said Tommie, "and he gave me ten cents for
-being such a good boy."
-
-"Did he? And what did you do then?"
-
-"Stepped on the other and apologized again, but it didn't work."
-
- * * * * *
-
-A JOKE UNDER THE SEA.
-
-"Let's get up a minstrel show," said the Shad to the Shark.
-
-"All right," said the Shark. "I've got a splendid mouth for tambo."
-
-"And think of my capacity for the bones, eh?" said the Shad.
-
-And the minnows in the school that was swimming by laughed so heartily
-that they swam down the Shark's throat without knowing it.
-
-
-
-
-
-End of Project Gutenberg's Harper's Round Table, January 5, 1897, by Various
-
-*** END OF THIS PROJECT GUTENBERG EBOOK HARPER'S ROUND TABLE ***
-
-***** This file should be named 60288.txt or 60288.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/0/2/8/60288/
-
-Produced by Annie R. McGuire
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/60288.zip b/old/60288.zip
deleted file mode 100644
index 981d8da..0000000
--- a/old/60288.zip
+++ /dev/null
Binary files differ