summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-01-27 10:38:45 -0800
committernfenwick <nfenwick@pglaf.org>2025-01-27 10:38:45 -0800
commitb0c38ddb85f340ce270a54dc300523eb65be450a (patch)
treeac4adf5fcedfb8ac8329543417663bbe3acbf046
parent35729712e0ad26495ac6dcec3b61bcf5ca5447a8 (diff)
NormalizeHEADmain
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/60283-h.zipbin499003 -> 0 bytes
-rw-r--r--old/60283-h/60283-h.htm925
-rw-r--r--old/60283-h/images/cover.jpgbin290531 -> 0 bytes
-rw-r--r--old/60283-h/images/illus.jpgbin193332 -> 0 bytes
-rw-r--r--old/60283.txt813
-rw-r--r--old/60283.zipbin14877 -> 0 bytes
9 files changed, 17 insertions, 1738 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..27b9a4b
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #60283 (https://www.gutenberg.org/ebooks/60283)
diff --git a/old/60283-h.zip b/old/60283-h.zip
deleted file mode 100644
index 96bce7b..0000000
--- a/old/60283-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/60283-h/60283-h.htm b/old/60283-h/60283-h.htm
deleted file mode 100644
index 93dd98d..0000000
--- a/old/60283-h/60283-h.htm
+++ /dev/null
@@ -1,925 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=us-ascii" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- The Project Gutenberg eBook of The Birds and the Bees, by Dave E. Fisher.
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
-
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2 {
- text-align: center; /* all headings centered */
- clear: both;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-hr {
- width: 33%;
- margin-top: 2em;
- margin-bottom: 2em;
- margin-left: 33.5%;
- margin-right: 33.5%;
- clear: both;
-}
-
-hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
-hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;}
-
-.center {text-align: center;}
-
-.right {text-align: right;}
-
-.caption {font-weight: bold;}
-
-/* Images */
-.figcenter {
- margin: auto;
- text-align: center;
-}
-
-div.titlepage {
- text-align: center;
- page-break-before: always;
- page-break-after: always;
-}
-
-div.titlepage p {
- text-align: center;
- text-indent: 0em;
- font-weight: bold;
- line-height: 1.5;
- margin-top: 3em;
-}
-
-.ph1 { text-align: center; text-indent: 0em; font-weight: bold; }
-.ph1 { font-size: large; margin: .83em auto; }
-
-
- </style>
- </head>
-<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of The Birds and the Bees, by David E. Fisher
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: The Birds and the Bees
-
-Author: David E. Fisher
-
-Release Date: September 12, 2019 [EBook #60283]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE BIRDS AND THE BEES ***
-
-
-
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-</pre>
-
-
-<div class="figcenter">
- <img src="images/cover.jpg" width="352" height="500" alt=""/>
-</div>
-
-<hr class="chap" />
-
-<div class="titlepage">
-
-<h1>The Birds and the Bees</h1>
-
-<h2>BY DAVE E. FISHER</h2>
-
-<p class="ph1"><i>Which goes to prove that, in some<br />
-instances, being heroic is easy!</i></p>
-
-<p>[Transcriber's Note: This etext was produced from<br />
-Worlds of If Science Fiction, August 1957.<br />
-Extensive research did not uncover any evidence that<br />
-the U.S. copyright on this publication was renewed.]</p>
-
-</div>
-
-<hr class="chap" />
-
-<p>I was wandering among the tall grass of the slopes, listening to the
-soft whistling of the wind; allowing the grass to caress my toga and
-thighs. It was a day soft and clear; a day accepted by the young,
-cherished by we old. Across the gently undulating hills stood the
-magnificent Melopolis, encradling the Oracle of Delni. I do not, of
-course, believe in the gods per se; still there is a grandeur in the
-very stones that transcends their human sculptors, and it is no wonder
-to me that many cling tenaciously, and ignorantly, to the old religion.
-Cling to the gods of old, who drew man upward from wherever he began.
-In whose names Man killed and plundered, while struggling up. In whose
-names Man finally left this earth, to seek his cousins among the stars.</p>
-
-<p>But of course there were no cousins. There was nothing. And Man
-returned, and settled down to live. Saddened, but resigned and content
-to live in peace with his knowledge and his power. Gone now are all the
-ancient evils, wars, emergencies.</p>
-
-<p>"Sias! Sias&mdash;" And they were upon me.</p>
-
-<p>That is, Xeon was upon me. But I knew that where Xeon is, Melia must
-soon appear. And indeed it was but a moment before Melia slipped
-through the high grass to stand at his side. Their youthful voices were
-babbling in excitement.</p>
-
-<p>Melia was a She, with the swelling breasts that were, so tradition
-states, quite prevalent among members of the race long ago, and are
-seldom seen today. Indeed, Melia was on this account made the butt of
-many jokes and, I fear, would have had a lonely life of it had it not
-been for the friendship of Xeon.</p>
-
-<p>"Sias," they were saying, "the Maternite's gone."</p>
-
-<p>I stared in amazement.</p>
-
-<p>"Gone? It cannot be gone. It has always been&mdash;"</p>
-
-<p>"Oh my gods!" Xeon shouted. "I tell you it's gone! Will you&mdash;"</p>
-
-<p>Melia interrupted him quietly. "Xeon, will you lose all respect for
-the Elder?" Then turned to me, and said calmly, "The watcher at the
-Maternite Machine, it appears, has been drunk. The heat rose above the
-warning, continued to rise, and then&mdash;poof. Everything has evaporated
-in Maternite. All the Prelife is gone."</p>
-
-<p>"All of it?" I asked.</p>
-
-<p>"There is nothing left," Melia insisted. "Can more be made? And if not,
-what will happen with no more children?"</p>
-
-<p>"That is for the priests to say, not I," I replied. In moments of
-emergency, it is wise to speak with caution. That is, I suppose so. I
-have never before been in a real emergency.</p>
-
-<hr class="tb" />
-
-<p>A man my age does not hurry in the heat of the midday sun&mdash;maddugs
-nenglishmin go out in the midday sun, as the ancients say, although I
-often wonder why&mdash;but Xeon and Melia ran all the way down to the city.
-They are of an age to enter manhood, and have all the energy such young
-men do.</p>
-
-<p>As we entered the city, we were surrounded by confusion and
-consternation. And can the simple people be blamed? They were aware
-that they stood in the midst of an unprecedented happening; indeed, an
-emergency. For a machine had failed!</p>
-
-<p>Not in the memory of the eldest among us has a machine failed. They
-were created so long ago, indeed, that the ignorant believe them
-to have been constructed by the gods themselves. And never, so far
-as I know, has one failed. Small wonder that the watcher had been
-negligent. Indeed, the watcher is more a tradition than a necessity.
-Besides, had he been sober, he would not have known what to do. For who
-knows the mysterious workings of the machines?</p>
-
-<hr class="tb" />
-
-<p>I hastened to the City Hall and found the Conclave assembled, waiting
-for me to bring them to order. Xeon and Melia stopped as I mounted the
-steps, but I smiled and motioned them in. They accompanied me past
-the marble pillars into the cool recesses of the Hall, then seated
-themselves on the floor as I took my place by the great table.</p>
-
-<p>Well, you know how these things are. At such a time, many men feel
-impelled to make speeches, and one must not be disrespectful. Prayers
-and supplications were offered to the gods, priests were sent to
-sacrifice, and finally, as the light of the sun was falling between the
-pillars, the High Priest of the Maternite Machine was heard.</p>
-
-<p>He rambled through the customary opening remarks and then, continually
-smoothing his white beard&mdash;of which he is excessively proud&mdash;approached
-the crux of the matter and the Conclave finally heard the facts it had
-assembled to hear. By this time, unfortunately, many of the Conclave
-had departed for home and supper. Yet perhaps it is for the best, for
-those left were the most earnest and intelligent.</p>
-
-<p>"I would not bore you," he said, "with details of which only the gods
-are sure. Know, then, that once granted a few cells of Prelife, it is
-an easy matter for the Maternite Machine to add more and more; thus
-assuring us, as has always been, a continuous source of Prelife to be
-born by the Generating Machine as children. The machines bear the exact
-number of children each year to balance the number of us whom the gods
-claim. Such it has always been from time immemorial."</p>
-
-<p>A murmur of assent and approval of these virtuous words whispered
-around the Hall.</p>
-
-<p>"But now," he continued, however, with less assurance and indeed with
-even a stutter here and there, "an unprecedented situation has arisen.
-Indeed, I might call it an emergency. For the M-Maternite Machine has
-actually failed."</p>
-
-<p>Cries of "Treason" sprang up, and I fear it might have gone hard for
-the priest had I not been able to insure order.</p>
-
-<p>"That is not the worst," he cried, as if in defiance. "All the Prelife
-has been dried up. It will not function. There is no more. And there
-will be no more children!"</p>
-
-<p>At this I feared the Conclave was about to riot. It is at such times
-that I most revere the wisdom of the ancients, who decreed seventy
-years the minimum age for a member of the Conclave. They shouted and
-began to beat their fists, but for how long can a man of seventy years
-roar like a youngster? They quieted, breathing heavily, and I asked,</p>
-
-<p>"Is there no way, then, to produce more Prelife in order that the
-machines may produce more children for us?</p>
-
-<p>"As I have said," he replied, "give the machines but a bit of Prelife
-and they will produce more. But take away that least bit, and they are
-helpless."</p>
-
-<p>Such heresy could have brought a sad end to the priest had not the
-Conclave been so exhausted by the events of the day. We leaned back to
-think.</p>
-
-<p>Rocsates leaned forward and asked, "Must there not&mdash;must there not have
-been a beginning to Prelife? For the Machine, it seems, cannot make it;
-and yet it came from somewhere."</p>
-
-<p>"Riddles are not called for," I answered severely.</p>
-
-<p>"Are not riddles often the beginning of knowledge?" he asked, in that
-irritating dumber-than-thou attitude of his. "Must there not, long ago,
-have been a source of Prelife: a source now forgotten? And may it not
-even now&mdash;should we discover it&mdash;be available to us? I am reminded of
-the story of the animals of old&mdash;"</p>
-
-<p>"I fear your mind is wandering, Rocsates," I was forced to interrupt.
-"I know well the legend of the animals, but what does it have to
-do&mdash;" The heads of the Conclave were turning to me, quizzically. I
-hastened to explain the legend of the animals. "It is said that many
-thousands of years ago, time without reckoning, there existed on the
-earth creatures who were alive like us, and yet not like us. It is said
-they had four legs or more, and no arms, were covered with hair, and
-although not mute, they could not speak."</p>
-
-<p>Rocsates' voice made itself heard. "It is true. Such creatures did
-indeed exist. It is recorded most scientifically in the films."</p>
-
-<p>"If it be so," I said, quieting the hub-bub that followed, "and I would
-not doubt your word, Rocsates, for all know you are the wisest of
-men&mdash;if it were so, then, what of it?"</p>
-
-<p>"May it not be," Rocsates put in, "that these animals had no machines
-to reproduce their kind? For surely the gods would not grant machines
-to such creatures. And indeed, if they had Maternite Machines, why then
-we would yet have these animals among us."</p>
-
-<p>"And how, then, did these animals reproduce?" I asked.</p>
-
-<p>"How, indeed? And is there not a legend&mdash;admitted only a legend&mdash;that
-says there was a time before the machines, and before the Maternite
-Machine, and that at such a time both the animals and Men reproduced
-from within their own bodies?"</p>
-
-<p>At this two members of the Conclave fell immediately into a faint, and
-I would gladly have joined them. I hoped that the youngsters, Xeon
-and Melia, had not heard, but as I turned they were listening most
-attentively to Rocsates, who, amid cries of "Heresy" and "Treason",
-went on:</p>
-
-<p>"I should like to ask the Conclave for permission to search the ancient
-records, in the hope of finding some such knowledge that would prove or
-disprove my words."</p>
-
-<p>"You wish to search the films&mdash;" I began.</p>
-
-<p>"Not the films, Sias, but the books."</p>
-
-<p>Gods, this Rocsates! The books, as well he knows, are so ancient,
-and so delicate, that they are kept in an air-tight tomb; lest,
-being handled, they be destroyed and all knowledge within them lost.
-Therefore, they have not been read in the known history of our race.
-And Rocsates has been anxious for an excuse&mdash;</p>
-
-<p>"Sias," he went on, "if there exists such knowledge as I seek, is it
-not indeed lost to the memory of Man? And if so, are not the books the
-only place where it may be found?"</p>
-
-<p>Rocsates, it is suspected, will never ask a question unless he knows
-the answer beforehand. And so I acquiesced, and agreed, and granted
-permission. And with much misgiving and foreboding of evil, the
-Conclave adjourned.</p>
-
-<hr class="tb" />
-
-<p>Several weeks elapsed before Rocsates requested that the Conclave meet.
-I called the meeting at dawn and so it was yet early in the afternoon
-when formalities were concluded and Rocsates granted leave to speak.</p>
-
-<p>"Some of those among you are She's," he began. "And you know you are
-different from the rest of us. To the advantage, your skin is fairer
-and your features more often handsomer than ours. To the disadvantage,
-your excretory system is not so mechanically dextrous as ours. And, you
-may say, why should this not be so? There is, indeed, no reason why we
-should all be identical. Perforce you have the advantage, perforce we
-do. Yet there is one other distinction.</p>
-
-<p>"Some among you She's have the swelling of the breasts. And does there
-exist no reason for this? Was there not, perhaps in ancient times, a
-cause for this? Do you not wonder, She's, whence you come and for what
-reason?"</p>
-
-<p>"Rocsates," I interrupted. "All this is fascinating, of course. But if
-you could be quick&mdash;"</p>
-
-<p>"Of course," he replied. "In the course of my reading I have read
-many books, and while they are all vague on the subject, this I have
-discovered:</p>
-
-<p>"That there was indeed a time before the machines, in fact the books
-were created in that time, for not one of them mentions the machines.
-Then reproduction was carried on by individuals, without help of the
-then nonexistent machines. The She's are not wanderers from another
-land, but they have lived with us for all time; they are not another
-race, but we are all types of one race. And the fact of reproduction is
-somehow intimately related to the physical distinctions of the She's!"</p>
-
-<p>These last sentences were shouted to be heard above the roar of the
-crowd. Yet when Rocsates stopped, so also did the noise, so shocked and
-amazed at his words were they. And I confess, myself also.</p>
-
-<p>"In fact," Rocsates added, sitting down, "this process of reproduction
-seems to have been so simple that there was once a problem of
-over-population."</p>
-
-<p>Order was lost among the Conclave as each man turned to speak to his
-neighbor, and for some time I could not restore order. I realized that
-something had to be done to save Rocsates before the outrage of the
-assembled overwhelmed him.</p>
-
-<p>"It seems," I shouted, "that there is a flaw in your logic." For if
-such there was, I was hopeful of dismissing the entire affair with
-no harm done. "For if people reproduced too often, why then this
-reproduction must have been a pleasant thing to do; otherwise they
-would not have done so to excess. And if it was a pleasant thing to do,
-where is the necessity for the machines, and why were they created?"</p>
-
-<p>Rocsates seemed perplexed by this problem, whereupon Xeon, who together
-with Melia were at the Conclave without permission, shouted, "Perhaps
-the process of reproduction was of <i>such</i> a pleasure that the Conclave
-ruled it to be a sin? And therefore the machines were necessary!"</p>
-
-<p>At this impudence the Conclave dissolved in an uproar, and I was beyond
-power to restrain them from placing Xeon under arrest. Privately,
-however, I had to admit that his supposition was a possibility, and
-thus I authorized Rocsates to continue his search.</p>
-
-<hr class="tb" />
-
-<p>Now indeed I was sorely worried concerning Xeon, for he must languish
-in the dungeon until the Conclave is satisfied to release him, and this
-they cannot do until they meet again.</p>
-
-<p>I needed a sufficient excuse to call a meeting of the Conclave,
-whereupon I might argue for the lad. When I heard that Rocsates again
-desired audience, I immediately proclaimed a meeting of the Conclave
-to be held the next day at dawn, and so that night slept well.</p>
-
-<p>The Conclave had come to order and formalities had been initiated when
-Rocsates entered and took his place. He clutched under one shoulder
-a thin, rectangular object, but that is not what impressed me. His
-appearance&mdash;he looked as if he had not slept of late, nor eaten either.
-His eyes were sunken, and his features had doubled in age. He was bent
-and tired. But it was his eyes. There was a horror in them.</p>
-
-<p>I was shocked, and could not help staring at him. And then the
-formalities were over. I intended to speak for Xeon, but Rocsates was
-on his feet and I gave way.</p>
-
-<p>"I have indeed discovered the secret of reproduction," he began. "After
-many searchings, I came upon this&mdash;" and he held forth the object he
-had carried in. "It is a book. It is entitled, 'Living a Normal Sex
-Life.' It seems to be some sort of a do-it-yourself pamphlet." He
-dropped the book on the table and rubbed his hands over his eyes.</p>
-
-<p>There was something in the man's behavior that commanded everyone's
-attention. He went on, speaking low. "The word 'Sex' is not defined,
-but it seems to mean...." His words trailed off. He was obviously
-unsure of how to continue. "I had better start at the beginning, I
-suppose," he said. "You see, once upon a time there were birds and
-bees...."</p>
-
-<hr class="tb" />
-
-<p>When he finished the Conclave sat in horrified silence. His words,
-with all their horror, had the ring of truth and there were no cries of
-'Heresy'. There was only stunned disbelief and the beginnings of nausea.</p>
-
-<p>It is the mark of honor that a leader shall carry on when others fear
-to move. I cleared my throat.</p>
-
-<p>"Shall not these organs which you mention have atrophied by now? With
-no use throughout all these generations, will they not have evolved
-into nothingness?"</p>
-
-<p>"I do not think so," Rocsates replied after a while. "What to us is
-an eon, to evolution is but an instant. And then the swelling of the
-breasts, I believe, proves that there is still reproductive activity in
-some, at least, of the She's."</p>
-
-<p>We sat shaking our heads, bowed under terrible reality.</p>
-
-<p>"Then we must experiment," I said. "But whom could we ask to submit to
-such horror?"</p>
-
-<p>"I have already taken the liberty of asking for volunteers," Rocsates
-replied. "The She, of course, must be one with the swelling of the
-breasts. Melia has volunteered, on condition that Xeon be released from
-dungeon. Are there any objections?"</p>
-
-<hr class="chap" />
-
-<div class="figcenter">
- <img src="images/illus.jpg" width="650" height="469" alt=""/>
-</div>
-
-<hr class="chap" />
-
-<p>There were none, of course. Who would refuse a boon to one who would
-undergo such an ordeal for the City?</p>
-
-<p>"And who will be the partner?" I asked.</p>
-
-<p>"In all honor, could Xeon allow Melia to surpass him in courage? It
-shall be he," Rocsates said. And with his word the two entered the Hall
-and stood, noble and naked.</p>
-
-<p>Rocsates gestured to the table, and Melia started to climb upon it,
-but Xeon stepped forward.</p>
-
-<p>"My lords," he said, "would not better results be obtained were we to
-conduct the experiment in the fields before the Oracle of Delni, that
-the gods may help us?"</p>
-
-<p>His glance reached into my soul, and I was proud of Xeon. A true
-friend, he thought even now of the comfort of Melia. The marble table
-was indeed hard, and from Rocsates' description it seemed that Melia's
-position would be as uncomfortable as it would be undignified. The soft
-fields might be some slight help.</p>
-
-<p>I voiced my assent, and the entire Conclave adjourned to the fields.</p>
-
-<hr class="tb" />
-
-<p>It was nearly dark when we walked home, Rocsates and I, arm in arm. It
-had been a horrible day. The inhuman indignity, the cries&mdash;</p>
-
-<p>We tarried before my home, leaned on the stone, stared at the first
-stars.</p>
-
-<p>"They seemed finally to accomplish all the book described," I muttered.</p>
-
-<p>"They may indeed have succeeded," Rocsates replied. "There is mentioned
-a time lapse which is necessary. The child does not appear immediately."</p>
-
-<p>"It doesn't matter," I said disconsolately. "Who could ask them to go
-through such an ordeal again?"</p>
-
-<p>And then I looked down to earth again, and saw them standing before me.
-Melia cast her eyes down, and would not raise them. Xeon held his arm
-about her shoulders, as if to protect her, but I know not from whom.</p>
-
-<p>"Sias," he said. Then stopped, embarrassed.</p>
-
-<p>I waited, and Rocsates was silent, and he continued.</p>
-
-<p>"Sias, we come to tell.... We will...." He raised his eyes to mine and
-said manfully, "We shall try again."</p>
-
-<p>I am afraid that tears came to my eyes. Such sacrifice&mdash;</p>
-
-<p>"We beg one favor," Xeon went on. "We are agreed that&mdash;Well, we should
-like to be left alone, in private, to try."</p>
-
-<p>"Of course," I replied. Anything they might want they could have. My
-relief and gratitude must have showed, for Xeon took a deep breath and
-spoke again.</p>
-
-<p>"We do not deserve praise, Sias," he said. "The truth is, we ... we
-sort of enjoy it."</p>
-
-<p>I watched them turn and wander off together under the stars.</p>
-
-<p>My heart has a warmth in it, and I no longer fear for the future of our
-race when our young people can show such nobility and sacrifice.</p>
-
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of Project Gutenberg's The Birds and the Bees, by David E. Fisher
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE BIRDS AND THE BEES ***
-
-***** This file should be named 60283-h.htm or 60283-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/0/2/8/60283/
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-</pre>
-
-</body>
-</html>
diff --git a/old/60283-h/images/cover.jpg b/old/60283-h/images/cover.jpg
deleted file mode 100644
index a82daa8..0000000
--- a/old/60283-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60283-h/images/illus.jpg b/old/60283-h/images/illus.jpg
deleted file mode 100644
index 0747645..0000000
--- a/old/60283-h/images/illus.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60283.txt b/old/60283.txt
deleted file mode 100644
index bb088c5..0000000
--- a/old/60283.txt
+++ /dev/null
@@ -1,813 +0,0 @@
-The Project Gutenberg EBook of The Birds and the Bees, by David E. Fisher
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: The Birds and the Bees
-
-Author: David E. Fisher
-
-Release Date: September 12, 2019 [EBook #60283]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE BIRDS AND THE BEES ***
-
-
-
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-
-
-
- The Birds and the Bees
-
- BY DAVE E. FISHER
-
- _Which goes to prove that, in some
- instances, being heroic is easy!_
-
- [Transcriber's Note: This etext was produced from
- Worlds of If Science Fiction, August 1957.
- Extensive research did not uncover any evidence that
- the U.S. copyright on this publication was renewed.]
-
-
-I was wandering among the tall grass of the slopes, listening to the
-soft whistling of the wind; allowing the grass to caress my toga and
-thighs. It was a day soft and clear; a day accepted by the young,
-cherished by we old. Across the gently undulating hills stood the
-magnificent Melopolis, encradling the Oracle of Delni. I do not, of
-course, believe in the gods per se; still there is a grandeur in the
-very stones that transcends their human sculptors, and it is no wonder
-to me that many cling tenaciously, and ignorantly, to the old religion.
-Cling to the gods of old, who drew man upward from wherever he began.
-In whose names Man killed and plundered, while struggling up. In whose
-names Man finally left this earth, to seek his cousins among the stars.
-
-But of course there were no cousins. There was nothing. And Man
-returned, and settled down to live. Saddened, but resigned and content
-to live in peace with his knowledge and his power. Gone now are all the
-ancient evils, wars, emergencies.
-
-"Sias! Sias--" And they were upon me.
-
-That is, Xeon was upon me. But I knew that where Xeon is, Melia must
-soon appear. And indeed it was but a moment before Melia slipped
-through the high grass to stand at his side. Their youthful voices were
-babbling in excitement.
-
-Melia was a She, with the swelling breasts that were, so tradition
-states, quite prevalent among members of the race long ago, and are
-seldom seen today. Indeed, Melia was on this account made the butt of
-many jokes and, I fear, would have had a lonely life of it had it not
-been for the friendship of Xeon.
-
-"Sias," they were saying, "the Maternite's gone."
-
-I stared in amazement.
-
-"Gone? It cannot be gone. It has always been--"
-
-"Oh my gods!" Xeon shouted. "I tell you it's gone! Will you--"
-
-Melia interrupted him quietly. "Xeon, will you lose all respect for
-the Elder?" Then turned to me, and said calmly, "The watcher at the
-Maternite Machine, it appears, has been drunk. The heat rose above the
-warning, continued to rise, and then--poof. Everything has evaporated
-in Maternite. All the Prelife is gone."
-
-"All of it?" I asked.
-
-"There is nothing left," Melia insisted. "Can more be made? And if not,
-what will happen with no more children?"
-
-"That is for the priests to say, not I," I replied. In moments of
-emergency, it is wise to speak with caution. That is, I suppose so. I
-have never before been in a real emergency.
-
- * * * * *
-
-A man my age does not hurry in the heat of the midday sun--maddugs
-nenglishmin go out in the midday sun, as the ancients say, although I
-often wonder why--but Xeon and Melia ran all the way down to the city.
-They are of an age to enter manhood, and have all the energy such young
-men do.
-
-As we entered the city, we were surrounded by confusion and
-consternation. And can the simple people be blamed? They were aware
-that they stood in the midst of an unprecedented happening; indeed, an
-emergency. For a machine had failed!
-
-Not in the memory of the eldest among us has a machine failed. They
-were created so long ago, indeed, that the ignorant believe them
-to have been constructed by the gods themselves. And never, so far
-as I know, has one failed. Small wonder that the watcher had been
-negligent. Indeed, the watcher is more a tradition than a necessity.
-Besides, had he been sober, he would not have known what to do. For who
-knows the mysterious workings of the machines?
-
- * * * * *
-
-I hastened to the City Hall and found the Conclave assembled, waiting
-for me to bring them to order. Xeon and Melia stopped as I mounted the
-steps, but I smiled and motioned them in. They accompanied me past
-the marble pillars into the cool recesses of the Hall, then seated
-themselves on the floor as I took my place by the great table.
-
-Well, you know how these things are. At such a time, many men feel
-impelled to make speeches, and one must not be disrespectful. Prayers
-and supplications were offered to the gods, priests were sent to
-sacrifice, and finally, as the light of the sun was falling between the
-pillars, the High Priest of the Maternite Machine was heard.
-
-He rambled through the customary opening remarks and then, continually
-smoothing his white beard--of which he is excessively proud--approached
-the crux of the matter and the Conclave finally heard the facts it had
-assembled to hear. By this time, unfortunately, many of the Conclave
-had departed for home and supper. Yet perhaps it is for the best, for
-those left were the most earnest and intelligent.
-
-"I would not bore you," he said, "with details of which only the gods
-are sure. Know, then, that once granted a few cells of Prelife, it is
-an easy matter for the Maternite Machine to add more and more; thus
-assuring us, as has always been, a continuous source of Prelife to be
-born by the Generating Machine as children. The machines bear the exact
-number of children each year to balance the number of us whom the gods
-claim. Such it has always been from time immemorial."
-
-A murmur of assent and approval of these virtuous words whispered
-around the Hall.
-
-"But now," he continued, however, with less assurance and indeed with
-even a stutter here and there, "an unprecedented situation has arisen.
-Indeed, I might call it an emergency. For the M-Maternite Machine has
-actually failed."
-
-Cries of "Treason" sprang up, and I fear it might have gone hard for
-the priest had I not been able to insure order.
-
-"That is not the worst," he cried, as if in defiance. "All the Prelife
-has been dried up. It will not function. There is no more. And there
-will be no more children!"
-
-At this I feared the Conclave was about to riot. It is at such times
-that I most revere the wisdom of the ancients, who decreed seventy
-years the minimum age for a member of the Conclave. They shouted and
-began to beat their fists, but for how long can a man of seventy years
-roar like a youngster? They quieted, breathing heavily, and I asked,
-
-"Is there no way, then, to produce more Prelife in order that the
-machines may produce more children for us?
-
-"As I have said," he replied, "give the machines but a bit of Prelife
-and they will produce more. But take away that least bit, and they are
-helpless."
-
-Such heresy could have brought a sad end to the priest had not the
-Conclave been so exhausted by the events of the day. We leaned back to
-think.
-
-Rocsates leaned forward and asked, "Must there not--must there not have
-been a beginning to Prelife? For the Machine, it seems, cannot make it;
-and yet it came from somewhere."
-
-"Riddles are not called for," I answered severely.
-
-"Are not riddles often the beginning of knowledge?" he asked, in that
-irritating dumber-than-thou attitude of his. "Must there not, long ago,
-have been a source of Prelife: a source now forgotten? And may it not
-even now--should we discover it--be available to us? I am reminded of
-the story of the animals of old--"
-
-"I fear your mind is wandering, Rocsates," I was forced to interrupt.
-"I know well the legend of the animals, but what does it have to
-do--" The heads of the Conclave were turning to me, quizzically. I
-hastened to explain the legend of the animals. "It is said that many
-thousands of years ago, time without reckoning, there existed on the
-earth creatures who were alive like us, and yet not like us. It is said
-they had four legs or more, and no arms, were covered with hair, and
-although not mute, they could not speak."
-
-Rocsates' voice made itself heard. "It is true. Such creatures did
-indeed exist. It is recorded most scientifically in the films."
-
-"If it be so," I said, quieting the hub-bub that followed, "and I would
-not doubt your word, Rocsates, for all know you are the wisest of
-men--if it were so, then, what of it?"
-
-"May it not be," Rocsates put in, "that these animals had no machines
-to reproduce their kind? For surely the gods would not grant machines
-to such creatures. And indeed, if they had Maternite Machines, why then
-we would yet have these animals among us."
-
-"And how, then, did these animals reproduce?" I asked.
-
-"How, indeed? And is there not a legend--admitted only a legend--that
-says there was a time before the machines, and before the Maternite
-Machine, and that at such a time both the animals and Men reproduced
-from within their own bodies?"
-
-At this two members of the Conclave fell immediately into a faint, and
-I would gladly have joined them. I hoped that the youngsters, Xeon
-and Melia, had not heard, but as I turned they were listening most
-attentively to Rocsates, who, amid cries of "Heresy" and "Treason",
-went on:
-
-"I should like to ask the Conclave for permission to search the ancient
-records, in the hope of finding some such knowledge that would prove or
-disprove my words."
-
-"You wish to search the films--" I began.
-
-"Not the films, Sias, but the books."
-
-Gods, this Rocsates! The books, as well he knows, are so ancient,
-and so delicate, that they are kept in an air-tight tomb; lest,
-being handled, they be destroyed and all knowledge within them lost.
-Therefore, they have not been read in the known history of our race.
-And Rocsates has been anxious for an excuse--
-
-"Sias," he went on, "if there exists such knowledge as I seek, is it
-not indeed lost to the memory of Man? And if so, are not the books the
-only place where it may be found?"
-
-Rocsates, it is suspected, will never ask a question unless he knows
-the answer beforehand. And so I acquiesced, and agreed, and granted
-permission. And with much misgiving and foreboding of evil, the
-Conclave adjourned.
-
- * * * * *
-
-Several weeks elapsed before Rocsates requested that the Conclave meet.
-I called the meeting at dawn and so it was yet early in the afternoon
-when formalities were concluded and Rocsates granted leave to speak.
-
-"Some of those among you are She's," he began. "And you know you are
-different from the rest of us. To the advantage, your skin is fairer
-and your features more often handsomer than ours. To the disadvantage,
-your excretory system is not so mechanically dextrous as ours. And, you
-may say, why should this not be so? There is, indeed, no reason why we
-should all be identical. Perforce you have the advantage, perforce we
-do. Yet there is one other distinction.
-
-"Some among you She's have the swelling of the breasts. And does there
-exist no reason for this? Was there not, perhaps in ancient times, a
-cause for this? Do you not wonder, She's, whence you come and for what
-reason?"
-
-"Rocsates," I interrupted. "All this is fascinating, of course. But if
-you could be quick--"
-
-"Of course," he replied. "In the course of my reading I have read
-many books, and while they are all vague on the subject, this I have
-discovered:
-
-"That there was indeed a time before the machines, in fact the books
-were created in that time, for not one of them mentions the machines.
-Then reproduction was carried on by individuals, without help of the
-then nonexistent machines. The She's are not wanderers from another
-land, but they have lived with us for all time; they are not another
-race, but we are all types of one race. And the fact of reproduction is
-somehow intimately related to the physical distinctions of the She's!"
-
-These last sentences were shouted to be heard above the roar of the
-crowd. Yet when Rocsates stopped, so also did the noise, so shocked and
-amazed at his words were they. And I confess, myself also.
-
-"In fact," Rocsates added, sitting down, "this process of reproduction
-seems to have been so simple that there was once a problem of
-over-population."
-
-Order was lost among the Conclave as each man turned to speak to his
-neighbor, and for some time I could not restore order. I realized that
-something had to be done to save Rocsates before the outrage of the
-assembled overwhelmed him.
-
-"It seems," I shouted, "that there is a flaw in your logic." For if
-such there was, I was hopeful of dismissing the entire affair with
-no harm done. "For if people reproduced too often, why then this
-reproduction must have been a pleasant thing to do; otherwise they
-would not have done so to excess. And if it was a pleasant thing to do,
-where is the necessity for the machines, and why were they created?"
-
-Rocsates seemed perplexed by this problem, whereupon Xeon, who together
-with Melia were at the Conclave without permission, shouted, "Perhaps
-the process of reproduction was of _such_ a pleasure that the Conclave
-ruled it to be a sin? And therefore the machines were necessary!"
-
-At this impudence the Conclave dissolved in an uproar, and I was beyond
-power to restrain them from placing Xeon under arrest. Privately,
-however, I had to admit that his supposition was a possibility, and
-thus I authorized Rocsates to continue his search.
-
- * * * * *
-
-Now indeed I was sorely worried concerning Xeon, for he must languish
-in the dungeon until the Conclave is satisfied to release him, and this
-they cannot do until they meet again.
-
-I needed a sufficient excuse to call a meeting of the Conclave,
-whereupon I might argue for the lad. When I heard that Rocsates again
-desired audience, I immediately proclaimed a meeting of the Conclave
-to be held the next day at dawn, and so that night slept well.
-
-The Conclave had come to order and formalities had been initiated when
-Rocsates entered and took his place. He clutched under one shoulder
-a thin, rectangular object, but that is not what impressed me. His
-appearance--he looked as if he had not slept of late, nor eaten either.
-His eyes were sunken, and his features had doubled in age. He was bent
-and tired. But it was his eyes. There was a horror in them.
-
-I was shocked, and could not help staring at him. And then the
-formalities were over. I intended to speak for Xeon, but Rocsates was
-on his feet and I gave way.
-
-"I have indeed discovered the secret of reproduction," he began. "After
-many searchings, I came upon this--" and he held forth the object he
-had carried in. "It is a book. It is entitled, 'Living a Normal Sex
-Life.' It seems to be some sort of a do-it-yourself pamphlet." He
-dropped the book on the table and rubbed his hands over his eyes.
-
-There was something in the man's behavior that commanded everyone's
-attention. He went on, speaking low. "The word 'Sex' is not defined,
-but it seems to mean...." His words trailed off. He was obviously
-unsure of how to continue. "I had better start at the beginning, I
-suppose," he said. "You see, once upon a time there were birds and
-bees...."
-
- * * * * *
-
-When he finished the Conclave sat in horrified silence. His words,
-with all their horror, had the ring of truth and there were no cries of
-'Heresy'. There was only stunned disbelief and the beginnings of nausea.
-
-It is the mark of honor that a leader shall carry on when others fear
-to move. I cleared my throat.
-
-"Shall not these organs which you mention have atrophied by now? With
-no use throughout all these generations, will they not have evolved
-into nothingness?"
-
-"I do not think so," Rocsates replied after a while. "What to us is
-an eon, to evolution is but an instant. And then the swelling of the
-breasts, I believe, proves that there is still reproductive activity in
-some, at least, of the She's."
-
-We sat shaking our heads, bowed under terrible reality.
-
-"Then we must experiment," I said. "But whom could we ask to submit to
-such horror?"
-
-"I have already taken the liberty of asking for volunteers," Rocsates
-replied. "The She, of course, must be one with the swelling of the
-breasts. Melia has volunteered, on condition that Xeon be released from
-dungeon. Are there any objections?"
-
-There were none, of course. Who would refuse a boon to one who would
-undergo such an ordeal for the City?
-
-"And who will be the partner?" I asked.
-
-"In all honor, could Xeon allow Melia to surpass him in courage? It
-shall be he," Rocsates said. And with his word the two entered the Hall
-and stood, noble and naked.
-
-Rocsates gestured to the table, and Melia started to climb upon it,
-but Xeon stepped forward.
-
-"My lords," he said, "would not better results be obtained were we to
-conduct the experiment in the fields before the Oracle of Delni, that
-the gods may help us?"
-
-His glance reached into my soul, and I was proud of Xeon. A true
-friend, he thought even now of the comfort of Melia. The marble table
-was indeed hard, and from Rocsates' description it seemed that Melia's
-position would be as uncomfortable as it would be undignified. The soft
-fields might be some slight help.
-
-I voiced my assent, and the entire Conclave adjourned to the fields.
-
- * * * * *
-
-It was nearly dark when we walked home, Rocsates and I, arm in arm. It
-had been a horrible day. The inhuman indignity, the cries--
-
-We tarried before my home, leaned on the stone, stared at the first
-stars.
-
-"They seemed finally to accomplish all the book described," I muttered.
-
-"They may indeed have succeeded," Rocsates replied. "There is mentioned
-a time lapse which is necessary. The child does not appear immediately."
-
-"It doesn't matter," I said disconsolately. "Who could ask them to go
-through such an ordeal again?"
-
-And then I looked down to earth again, and saw them standing before me.
-Melia cast her eyes down, and would not raise them. Xeon held his arm
-about her shoulders, as if to protect her, but I know not from whom.
-
-"Sias," he said. Then stopped, embarrassed.
-
-I waited, and Rocsates was silent, and he continued.
-
-"Sias, we come to tell.... We will...." He raised his eyes to mine and
-said manfully, "We shall try again."
-
-I am afraid that tears came to my eyes. Such sacrifice--
-
-"We beg one favor," Xeon went on. "We are agreed that--Well, we should
-like to be left alone, in private, to try."
-
-"Of course," I replied. Anything they might want they could have. My
-relief and gratitude must have showed, for Xeon took a deep breath and
-spoke again.
-
-"We do not deserve praise, Sias," he said. "The truth is, we ... we
-sort of enjoy it."
-
-I watched them turn and wander off together under the stars.
-
-My heart has a warmth in it, and I no longer fear for the future of our
-race when our young people can show such nobility and sacrifice.
-
-
-
-
-
-End of Project Gutenberg's The Birds and the Bees, by David E. Fisher
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE BIRDS AND THE BEES ***
-
-***** This file should be named 60283.txt or 60283.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/0/2/8/60283/
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/60283.zip b/old/60283.zip
deleted file mode 100644
index 86da2c6..0000000
--- a/old/60283.zip
+++ /dev/null
Binary files differ