diff options
| -rw-r--r-- | .gitattributes | 4 | ||||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/60259-0.txt | 663 | ||||
| -rw-r--r-- | old/60259-0.zip | bin | 13016 -> 0 bytes | |||
| -rw-r--r-- | old/60259-h.zip | bin | 74265 -> 0 bytes | |||
| -rw-r--r-- | old/60259-h/60259-h.htm | 953 | ||||
| -rw-r--r-- | old/60259-h/images/cover.jpg | bin | 60270 -> 0 bytes |
8 files changed, 17 insertions, 1616 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..b897f0c --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #60259 (https://www.gutenberg.org/ebooks/60259) diff --git a/old/60259-0.txt b/old/60259-0.txt deleted file mode 100644 index 145b739..0000000 --- a/old/60259-0.txt +++ /dev/null @@ -1,663 +0,0 @@ -The Project Gutenberg EBook of Reminiscences of Colored People of -Princeton, N. J.: 1800-1900, by Anna Bustill-Smith - -This eBook is for the use of anyone anywhere in the United States and most -other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. - -Title: Reminiscences of Colored People of Princeton, N. J.: 1800-1900 - -Author: Anna Bustill-Smith - -Release Date: September 7, 2019 [EBook #60259] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK REMINISCENCES OF COLORED PEOPLE *** - - - - -Produced by hekula03 and the Online Distributed Proofreading -Team at http://www.pgdp.net (This file was produced from -images generously made available by The Internet Archive) - - - - - - - - - - - REMINISCENCES - - OF - - COLORED PEOPLE - - of Princeton, N. J. - - 1800.-1900. - - * * * - - _By Anna Bustill-Smith._ - - - - -Reminiscences of Colored People of Princeton, N. J. - -Copyrighted 1913 by Anna Bustill-Smith. - - -There are so few histories of colored people, so few records of their -brave and honorable deeds in history, that I feel constrained to record -a few facts relative to these people. It is only a cursory glance I can -give—I could easily enlarge the sketch to twice this size. - -We are proud when we read in Nell’s “Colored Patriots of the Revolution” -that _Oliver Cromwell_ enlisted in a company commanded by Capt. Lowrey, -attached to the Second New Jersey Regiment, under command of Col. Israel -Shreve. He was at the Battles of Trenton, _Princeton_, Brandywine, -Monmouth and Yorktown. He was with the army at the retreat of the -Delaware on the memorable crossing of December, 1776, and relates the -story of the battles of the succeeding days with enthusiasm. He gives -the details of the march from Trenton to _Princeton_, and told with -much humor “that they knocked the British about lively at _Princeton_.” -His discharge (says Dr. McCune Smith) at the end of the war, was in -_Washington’s own handwriting_. He was very proud of it and often spoke -of it. He received an annual pension of $96 until his death, January -24th, 1853, aged 100 years. Had he been white, every newspaper in the -land would have been eloquent in his praise. - -Henry Hill was also in the battle of _Princeton_. He was buried with the -honors of war in 1833. - -_Caesar Trent_ was well known here in 1804. _Peter Polite_, as _Mr. Peter -Scudder_ was called, accumulated some property and owned and conducted a -confectionery on Nassau street, says Hageman. He died in 1848. - -_Anthony Simmons_ was highly esteemed. He was the leading caterer and -his place of business was next to Princeton Bank. His will disposed of -half a dozen properties and devised to the Witherspoon Presbyterian -Church all the property at the corner of Green and Witherspoon streets, -worth now about $7000, and gave a legacy of $500 to Princeton University. - -_Joseph Ten Eyck_, a Princetonian, was a celebrated caterer in New York -city. He had a summer home at 256 Nassau street. He died about 15 years -ago, leaving an estate of $100,000. The largest legacy to Tuskegee -Institute, from a colored person, was $38,000, from Mrs. Mary Hood Shaw, -his adopted daughter. Virtually his money. - -_Gilbert Scudder, Sr._, operated a barber shop on Nassau street, and -rated professors among his patrons. - -_Mrs. Catharine Scudder_, his widow, is still an active, energetic -woman, owning several properties. She is full of happy reminiscences, -and is one of the oldest members of the Presbyterian Church. She brought -with her, when a bride, the first piano owned by a colored family in -Princeton. Her daughter is a musician and elocutionist. Her sons are -well-settled in business. Eugene conducts a second-hand clothing house on -Baker street. Walter is a practicing physician in Philadelphia. - -_Elias Hart_ owned and conducted a restaurant on Witherspoon street. His -widow still owns and occupies the property. - -_Samuel Onque_ and his brother owned a farm opposite. - -_Mr. Hoagland_ purchased a lot from it on which he built his home. His -widow was a great worker in the Presbyterian Church. - -_Mr. John Voorhees_ was an elder in the Presbyterian Church. He and his -wife, Amanda, owned a comfortable home, 23 Quarry street. He left his -estate in the hands of Mr. Joseph Bruere. After the death of Mr. Voorhees -the church received $400 from the estate. - -_Elias Conover_ was for twenty-five years in the Seminary. _Robert -Hendrickson_ and _Charles Whychoff_ have followed him. - -_Philip Scudder_ was for many years sexton at Cemetery. - -_Isaac Stockton_ conducted a grocery store corner Green and Witherspoon -streets. He was a shrewd and successful business man. - -_Mrs. Margaret Stockton_ was quite as well known as _Mrs. Craig_. She -and Mrs. Catharine Scudder are about the last of Princeton’s colored -aristocracy. Her daughter, _Miss Martie Craig_, was an accomplished belle -in her day. She was a great helper in the Presbyterian Church. - -_Charles Craig_ was the pioneer hackman, and his wife a famous cook. -Their son, _Prof. Walter Craig_, was New York’s most famous colored -violinist, and their daughter, _Jestina_, was school teacher and skilled -pianist. - -The _Gordons_ were a large and influential family, like the _Simpsons_. -_Mr. Simpson_ was the pioneer second-hand clothes dealer. - -Mr. and Mrs. Jesse Williams were the pioneer club-house keepers. Their -numerous family still survive and reside in the homestead on Harrison -street. - -Mr. Thomas James was a familiar figure for some years. He was related -to one of the oldest and most aristocratic families in Philadelphia. In -his early life in Princeton he was thrifty and prosperous. His children -buried him quite recently. - -_Mrs. Elon Berry_ is our “shut-in,” but sends out sunshine. - -“Some are and must be greater than the rest.” - -As early as 1816 a Mr. Boardman, a colored student, was here. Many have -since graduated from the Seminary. Revs. L. Z. Johnson and G. S. Stark -received the degree of A. B. on examination. - -_Betsey Stockton_ was one of the first members of the Presbyterian -Church. Hageman tells us “she was a woman of sterling qualities and an -excellent teacher.” She was the first colored missionary to the Hawaiian -Islands and, on her return, taught school. One of her pupils, _Mr. Thomas -Schenck_, attended Lincoln University, graduating in 1869. A bronze -tablet to her memory was recently unveiled in the Presbyterian Church -by Mr. Weber, a former pupil, Gen. A. A. Woodhull making the address. A -stained glass memorial window, the gift of her pupils, adorns the church -and attests to her ability and their love. - -_Rev. Chas. W. Gardiner_ was pastor of the First African Presbyterian -Church of Philadelphia for 12 years, and an early record says “he was -no mean expounder of the Word of God.” He was a man of high mental -attainments. His preaching was eloquent, impressive and effective. He was -ever regarded as a profound thinker and leading ecclesiastical. In 1857 -he was invited by my father, Joseph C. Bustill (then teaching there), to -help form the First Colored Presbyterian Church of Harrisburg, Pa. He was -pastor there several years. A fine portrait of him still hangs in the -lecture room, evidencing their veneration for him. He spent the remaining -years of his life at his home, corner Green and Witherspoon streets. Dr. -Ashbel Green was always interested in him and remembered him in his will. -His grandchildren, _Mrs. Till_ and _Mrs. Boyer_ are still among us. - -_Rev. Mahlon Van Horn_ was graduated from Lincoln University and, for -twenty-five years, was pastor of a congregational church at Newport, R. -I. He was appointed U. S. Consul at St. Thomas Island, and filled his -position with honor to himself and with satisfaction to the Government. -He died in office. - -Who could write of Princeton colored people and omit _Uncle Jimmy -Johnson_? “He was at one time the oldest person connected with the -university, because he had known Dr. Duffield s-s-since he was in -kn-kn-knickerbockers.” He came here a fugitive slave, was recognized by a -student and soon was fleeing from the dreaded slave catcher. Mrs. Provost -paid the $1000 demanded and the students paid the cost of the sensational -trial. Mr. Johnson often showed with justifiable pride his account of the -_repayment of every cent_. He lived long to enjoy his freedom and was -ever affectionately regarded by the students. A granite stone “erected -by graduates of Princeton University” marks his grave. His widow was a -woman of fine presence, cultured and refined. She died less than a year -ago. - -_James Titus, Sr._, who owned his home on Green street, was for many -years the trusted messenger of the university. His son, _James, Jr._, -was twenty-eight years gold melter and refiner for M. F. Cronin, Seventh -and Sansom streets, Philadelphia. His son, _James, III_, owns several -properties and resides in our town. His son, _George P. Titus_, was -associated with his father till his death, when he succeeded him. He -is now practical and consulting metalurgist for the Deuber Watchcase -Manufacturing Co., Canton, O. His son, James, IV, graduated from the high -school and business college of Canton, and is his father’s assistant. A -son of James, III, holds a position in the same company. - -_Rev. William D. Robeson_ was, for nearly twenty-five years, pastor of -the Presbyterian Church. He was a graduate of Lincoln University and -Seminary. His many superior qualities of mind and heart won for him many -friends and kept his work pre-eminent. He gave to Princeton the best -years of his life, made many improvements in the church methods and -church property. He is ever the defender of justice—standing firmly for -the rights of our race. He is a Christian gentleman. Two churches he has -pastored since are gratified to have him help them so much—financially as -well as spiritually. He is particularly successful in collecting funds. -He has built one church and liquidated a large indebtedness on the other. -He and his wife M. Louisa Bustill (a Philadelphia school teacher), are -of blessed memory to those who knew them. Their son, _William D., Jr._, -is the only colored Princeton graduate of the Trenton High School. -A graduate of Lincoln University, studied medicine at University of -Pennsylvania. _Reeve_ is doing well in Detroit. _Bennie_ graduated from -Biddle University and is now in the seminary. _Marion_ graduated from -Scotia and _Paul Bustill_ is a member of the baseball, football and -basketball teams and the Glee Club of Somerville High School. - -“_Mom Stewart_” is a class by herself. Always jolly, sensible and -persevering. - -_Mrs. Sarah Dillon_ is one of the oldest members of the Methodist Church. -She has taught in the Presbyterian Sunday-school more than 50 years. - -Her neighbor, _Miss Mary Chew_, owns several Lytle street properties. - -Of our young people, _Mrs. Annie Vanzant Moore_ and _Mrs. Lillian Scudder -Proctor_, have taught in the public school. _Miss Eva Royster_ is our -only graduate from the Trenton Art School. _Leah Lake_, _Bertha Hall_, -_Virginia Smith Rhetta_, and _Ethel Vanzant_ had partial courses in -Trenton High School. _John Richmond_, _Bessie Moore_, _Marie French_, -_Jenetta Watkins_ and _Laura Garner_ are the first colored pupils -to enter Princeton High School. Several boys and girls are pursuing -educational courses or following professions away from Princeton. _Dr. J. -E. Proctor_ is our only colored physician. _F. Louis Sperling_ our only -lawyer and Justice of the Peace. - -The church music is of excellent character, being in such skillful hands -as _Mrs. Blackwell_, _Mrs. Lambert_ and _Mrs. Robinson_. - -The Hoaglands, Sortors, Millers, Vanzants, Schencks, Lakes, Skillmans, -Scudders, Roysters, Hagamans, Conovers, Van Horns, Eustices, Tituses, and -many others were large and highly-respected families still represented. - -The Witherspoon Presbyterian Church is the most flourishing. It has a -large auditorium and parish house and several properties, all in good -condition. They are valued at $37,000. Rev. G. S. Stark is pastor. - -Mt. Pisgah A. M. E. Church maintains its usual high standard. It was -recently enlarged and remodeled. It is valued at $15,000—Rev. Sturgis, -pastor. The late Addison Gordon was a class leader and gave it a legacy -from his $30,000 estate. - -The late Henry Shaw, Robert Hall, Mrs. Dowers, Mrs. Oakham and many more -are its helpers. Mrs. Letitia Blackwell was the oldest member. - -Bright Hope Baptist Church has a commodious building, with lecture room -in basement—$12,000; Rev. Jones is pastor. All three churches have their -own parsonages, electric light and steam heat. - -The Odd Fellows, Knights of Pythias, Elks, Mooses and Good Samaritans are -trustworthy beneficial Orders. The Odd Fellows own their own hall. A -company of colored men own and rent Douglass Hall. - -A Young Men’s Christian Association has been fitted up in a very spacious -and comfortable building. Meetings, books, entertainment, etc., appeal to -the men. Joseph W. Rhetta is secretary. The Women’s Club is successfully -teaching several branches of industry and furnishes entertainment for the -women. - -Our business men are William Moore, John Williams, George Mention, -William Higgins, Theodore Williams, James Dickerson, Peter Brownley, -William Green, Andrew Melchoir, Robert Braxton, John Coy, I. R. Farrier -and Mr. Sheldon. Mrs. Shaw and Mrs. Burrill are our business women. - -Much I intended for this brief sketch is, of necessity, omitted, but I -hope another may write more fully of the colored people of _Princeton_. - - - - - -End of the Project Gutenberg EBook of Reminiscences of Colored People of -Princeton, N. J.: 1800-1900, by Anna Bustill-Smith - -*** END OF THIS PROJECT GUTENBERG EBOOK REMINISCENCES OF COLORED PEOPLE *** - -***** This file should be named 60259-0.txt or 60259-0.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/6/0/2/5/60259/ - -Produced by hekula03 and the Online Distributed Proofreading -Team at http://www.pgdp.net (This file was produced from -images generously made available by The Internet Archive) - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for the eBooks, unless you receive -specific permission. If you do not charge anything for copies of this -eBook, complying with the rules is very easy. You may use this eBook -for nearly any purpose such as creation of derivative works, reports, -performances and research. They may be modified and printed and given -away--you may do practically ANYTHING in the United States with eBooks -not protected by U.S. copyright law. Redistribution is subject to the -trademark license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country outside the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you'll have to check the laws of the country where you - are located before using this ebook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm web site -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from both the Project Gutenberg Literary Archive Foundation and The -Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm -trademark. Contact the Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - - - -Section 3. Information about the Project Gutenberg Literary Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's principal office is in Fairbanks, Alaska, with the -mailing address: PO Box 750175, Fairbanks, AK 99775, but its -volunteers and employees are scattered throughout numerous -locations. Its business office is located at 809 North 1500 West, Salt -Lake City, UT 84116, (801) 596-1887. Email contact links and up to -date contact information can be found at the Foundation's web site and -official page at www.gutenberg.org/contact - -For additional contact information: - - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works. - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our Web site which has the main PG search -facility: www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - diff --git a/old/60259-0.zip b/old/60259-0.zip Binary files differdeleted file mode 100644 index abbdffd..0000000 --- a/old/60259-0.zip +++ /dev/null diff --git a/old/60259-h.zip b/old/60259-h.zip Binary files differdeleted file mode 100644 index 8513a5a..0000000 --- a/old/60259-h.zip +++ /dev/null diff --git a/old/60259-h/60259-h.htm b/old/60259-h/60259-h.htm deleted file mode 100644 index 58e069a..0000000 --- a/old/60259-h/60259-h.htm +++ /dev/null @@ -1,953 +0,0 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" - "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> -<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> - <head> - <meta http-equiv="Content-Type" content="text/html;charset=utf-8" /> - <meta http-equiv="Content-Style-Type" content="text/css" /> - <title> - The Project Gutenberg eBook of Reminiscences of Colored People of Princeton, N. J, by Anna Bustill-Smith. - </title> - - <link rel="coverpage" href="images/cover.jpg" /> - -<style type="text/css"> - -a { - text-decoration: none; -} - -body { - margin-left: 10%; - margin-right: 10%; -} - -h1 { - text-align: center; - clear: both; - font-size: 1.5em; -} - -hr { - margin-top: 2em; - margin-bottom: 2em; - clear: both; - width: 65%; - margin-left: 17.5%; - margin-right: 17.5%; -} - -p { - margin-top: 0.5em; - text-align: justify; - margin-bottom: 0.5em; - text-indent: 1em; -} - -.center { - text-align: center; - text-indent: 0em; -} - -.bbox { - margin: auto; - max-width: 20em; - padding: 0.5em; - border: thin solid black; -} - -.figcenter { - margin: auto; - text-align: center; -} - -.larger { - font-size: 150%; -} - -.pagenum { - position: absolute; - right: 4%; - font-size: smaller; - text-align: right; - font-style: normal; -} - -.smaller { - font-size: 90%; -} - -.stars { - letter-spacing: 0.5em; - margin-top: 3em; - margin-bottom: 3em; - text-align: center; -} - -@media handheld { - -img { - max-width: 100%; - width: auto; - height: auto; -} -} - </style> - </head> -<body> - - -<pre> - -The Project Gutenberg EBook of Reminiscences of Colored People of -Princeton, N. J.: 1800-1900, by Anna Bustill-Smith - -This eBook is for the use of anyone anywhere in the United States and most -other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. - -Title: Reminiscences of Colored People of Princeton, N. J.: 1800-1900 - -Author: Anna Bustill-Smith - -Release Date: September 7, 2019 [EBook #60259] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK REMINISCENCES OF COLORED PEOPLE *** - - - - -Produced by hekula03 and the Online Distributed Proofreading -Team at http://www.pgdp.net (This file was produced from -images generously made available by The Internet Archive) - - - - - - -</pre> - - -<div class="figcenter" style="width: 500px;"> -<img src="images/cover.jpg" width="500" height="650" alt="Cover image" /> -</div> - -<hr /> - -<div class="bbox"> - -<p class="center larger">REMINISCENCES<br /> -<span class="smaller">OF</span><br /> -COLORED PEOPLE<br /> -of Princeton, N. J.</p> - -<p class="center larger">1800.-1900.</p> - -<p class="stars">* * *</p> - -<p class="center"><i>By Anna Bustill-Smith.</i></p> - -</div> - -<hr /> - -<p><span class="pagenum"><a name="Page_1" id="Page_1">[1]</a></span></p> - -<h1>Reminiscences of Colored People -of Princeton, N. J.</h1> - -<p class="center smaller">Copyrighted 1913 by Anna Bustill-Smith.</p> - -<p>There are so few histories of colored -people, so few records of their brave -and honorable deeds in history, that I -feel constrained to record a few facts -relative to these people. It is only a -cursory glance I can give—I could easily -enlarge the sketch to twice this size.</p> - -<p>We are proud when we read in Nell’s -“Colored Patriots of the Revolution” -that <i>Oliver Cromwell</i> enlisted in a company -commanded by Capt. Lowrey, attached -to the Second New Jersey Regiment, -under command of Col. Israel -Shreve. He was at the Battles of Trenton, -<i>Princeton</i>, Brandywine, Monmouth -and Yorktown. He was with -the army at the retreat of the Delaware -on the memorable crossing of December, -1776, and relates the story of -the battles of the succeeding days with<span class="pagenum"><a name="Page_2" id="Page_2">[2]</a></span> -enthusiasm. He gives the details of -the march from Trenton to <i>Princeton</i>, -and told with much humor “that they -knocked the British about lively at -<i>Princeton</i>.” His discharge (says Dr. -McCune Smith) at the end of the war, -was in <i>Washington’s own handwriting</i>. -He was very proud of it and often -spoke of it. He received an annual pension -of $96 until his death, January -24th, 1853, aged 100 years. Had he -been white, every newspaper in the -land would have been eloquent in his -praise.</p> - -<p>Henry Hill was also in the battle of -<i>Princeton</i>. He was buried with the -honors of war in 1833.</p> - -<p><i>Caesar Trent</i> was well known here -in 1804. <i>Peter Polite</i>, as <i>Mr. Peter -Scudder</i> was called, accumulated some -property and owned and conducted a -confectionery on Nassau street, says -Hageman. He died in 1848.</p> - -<p><i>Anthony Simmons</i> was highly esteemed.<span class="pagenum"><a name="Page_3" id="Page_3">[3]</a></span> -He was the leading caterer -and his place of business was next to -Princeton Bank. His will disposed of -half a dozen properties and devised to -the Witherspoon Presbyterian Church -all the property at the corner of Green -and Witherspoon streets, worth now -about $7000, and gave a legacy of -$500 to Princeton University.</p> - -<p><i>Joseph Ten Eyck</i>, a Princetonian, -was a celebrated caterer in New York -city. He had a summer home at 256 -Nassau street. He died about 15 years -ago, leaving an estate of $100,000. The -largest legacy to Tuskegee Institute, -from a colored person, was $38,000, -from Mrs. Mary Hood Shaw, his adopted -daughter. Virtually his money.</p> - -<p><i>Gilbert Scudder, Sr.</i>, operated a barber -shop on Nassau street, and rated -professors among his patrons.</p> - -<p><i>Mrs. Catharine Scudder</i>, his widow, -is still an active, energetic woman, -owning several properties. She is full<span class="pagenum"><a name="Page_4" id="Page_4">[4]</a></span> -of happy reminiscences, and is one of -the oldest members of the Presbyterian -Church. She brought with her, when -a bride, the first piano owned by a colored -family in Princeton. Her daughter -is a musician and elocutionist. Her -sons are well-settled in business. Eugene -conducts a second-hand clothing -house on Baker street. Walter is a -practicing physician in Philadelphia.</p> - -<p><i>Elias Hart</i> owned and conducted a -restaurant on Witherspoon street. His -widow still owns and occupies the property.</p> - -<p><i>Samuel Onque</i> and his brother owned -a farm opposite.</p> - -<p><i>Mr. Hoagland</i> purchased a lot from -it on which he built his home. His -widow was a great worker in the Presbyterian -Church.</p> - -<p><i>Mr. John Voorhees</i> was an elder in -the Presbyterian Church. He and his -wife, Amanda, owned a comfortable -home, 23 Quarry street. He left his<span class="pagenum"><a name="Page_5" id="Page_5">[5]</a></span> -estate in the hands of Mr. Joseph -Bruere. After the death of Mr. Voorhees -the church received $400 from the -estate.</p> - -<p><i>Elias Conover</i> was for twenty-five -years in the Seminary. <i>Robert Hendrickson</i> -and <i>Charles Whychoff</i> have -followed him.</p> - -<p><i>Philip Scudder</i> was for many years -sexton at Cemetery.</p> - -<p><i>Isaac Stockton</i> conducted a grocery -store corner Green and Witherspoon -streets. He was a shrewd and successful -business man.</p> - -<p><i>Mrs. Margaret Stockton</i> was quite as -well known as <i>Mrs. Craig</i>. She and -Mrs. Catharine Scudder are about the -last of Princeton’s colored aristocracy. -Her daughter, <i>Miss Martie Craig</i>, was -an accomplished belle in her day. She -was a great helper in the Presbyterian -Church.</p> - -<p><i>Charles Craig</i> was the pioneer hackman, -and his wife a famous cook. Their<span class="pagenum"><a name="Page_6" id="Page_6">[6]</a></span> -son, <i>Prof. Walter Craig</i>, was New -York’s most famous colored violinist, -and their daughter, <i>Jestina</i>, was school -teacher and skilled pianist.</p> - -<p>The <i>Gordons</i> were a large and influential -family, like the <i>Simpsons</i>. <i>Mr. -Simpson</i> was the pioneer second-hand -clothes dealer.</p> - -<p>Mr. and Mrs. Jesse Williams were -the pioneer club-house keepers. Their -numerous family still survive and reside -in the homestead on Harrison -street.</p> - -<p>Mr. Thomas James was a familiar -figure for some years. He was related -to one of the oldest and most aristocratic -families in Philadelphia. In his -early life in Princeton he was thrifty -and prosperous. His children buried -him quite recently.</p> - -<p><i>Mrs. Elon Berry</i> is our “shut-in,” -but sends out sunshine.</p> - -<p>“Some are and must be greater than -the rest.”</p> - -<p><span class="pagenum"><a name="Page_7" id="Page_7">[7]</a></span></p> - -<p>As early as 1816 a Mr. Boardman, a -colored student, was here. Many have -since graduated from the Seminary. -Revs. L. Z. Johnson and G. S. Stark -received the degree of A. B. on examination.</p> - -<p><i>Betsey Stockton</i> was one of the first -members of the Presbyterian Church. -Hageman tells us “she was a woman -of sterling qualities and an excellent -teacher.” She was the first colored missionary -to the Hawaiian Islands and, -on her return, taught school. One of -her pupils, <i>Mr. Thomas Schenck</i>, -attended Lincoln University, graduating -in 1869. A bronze tablet to her -memory was recently unveiled in the -Presbyterian Church by Mr. Weber, a -former pupil, Gen. A. A. Woodhull -making the address. A stained glass -memorial window, the gift of her pupils, -adorns the church and attests to -her ability and their love.</p> - -<p><i>Rev. Chas. W. Gardiner</i> was pastor<span class="pagenum"><a name="Page_8" id="Page_8">[8]</a></span> -of the First African Presbyterian -Church of Philadelphia for 12 years, -and an early record says “he was no -mean expounder of the Word of God.” -He was a man of high mental attainments. -His preaching was eloquent, -impressive and effective. He was ever -regarded as a profound thinker and -leading ecclesiastical. In 1857 he was -invited by my father, Joseph C. Bustill -(then teaching there), to help form the -First Colored Presbyterian Church of -Harrisburg, Pa. He was pastor there -several years. A fine portrait of him -still hangs in the lecture room, evidencing -their veneration for him. He -spent the remaining years of his life at -his home, corner Green and Witherspoon -streets. Dr. Ashbel Green was -always interested in him and remembered -him in his will. His grandchildren, -<i>Mrs. Till</i> and <i>Mrs. Boyer</i> are still -among us.</p> - -<p><i>Rev. Mahlon Van Horn</i> was graduated<span class="pagenum"><a name="Page_9" id="Page_9">[9]</a></span> -from Lincoln University and, for -twenty-five years, was pastor of a congregational -church at Newport, R. I. -He was appointed U. S. Consul at St. -Thomas Island, and filled his position -with honor to himself and with satisfaction -to the Government. He died in -office.</p> - -<p>Who could write of Princeton colored -people and omit <i>Uncle Jimmy Johnson</i>? -“He was at one time the oldest -person connected with the university, -because he had known Dr. Duffield -s-s-since he was in kn-kn-knickerbockers.” -He came here a fugitive slave, was -recognized by a student and soon was -fleeing from the dreaded slave catcher. -Mrs. Provost paid the $1000 demanded -and the students paid the cost of the -sensational trial. Mr. Johnson often -showed with justifiable pride his account -of the <i>repayment of every cent</i>. -He lived long to enjoy his freedom and -was ever affectionately regarded by the<span class="pagenum"><a name="Page_10" id="Page_10">[10]</a></span> -students. A granite stone “erected by -graduates of Princeton University” -marks his grave. His widow was a -woman of fine presence, cultured and -refined. She died less than a year ago.</p> - -<p><i>James Titus, Sr.</i>, who owned his -home on Green street, was for many -years the trusted messenger of the university. -His son, <i>James, Jr.</i>, was twenty-eight -years gold melter and refiner -for M. F. Cronin, Seventh and Sansom -streets, Philadelphia. His son, <i>James, -III</i>, owns several properties and resides -in our town. His son, <i>George P. Titus</i>, -was associated with his father till his -death, when he succeeded him. He is -now practical and consulting metalurgist -for the Deuber Watchcase Manufacturing -Co., Canton, O. His son, -James, IV, graduated from the high -school and business college of Canton, -and is his father’s assistant. A son of -James, III, holds a position in the same -company.</p> - -<p><span class="pagenum"><a name="Page_11" id="Page_11">[11]</a></span></p> - -<p><i>Rev. William D. Robeson</i> was, for -nearly twenty-five years, pastor of the -Presbyterian Church. He was a graduate -of Lincoln University and Seminary. -His many superior qualities of -mind and heart won for him many -friends and kept his work pre-eminent. -He gave to Princeton the best years of -his life, made many improvements in -the church methods and church property. -He is ever the defender of justice—standing -firmly for the rights of -our race. He is a Christian gentleman. -Two churches he has pastored since are -gratified to have him help them so much—financially -as well as spiritually. -He is particularly successful in collecting -funds. He has built one church and -liquidated a large indebtedness on the -other. He and his wife M. Louisa -Bustill (a Philadelphia school teacher), -are of blessed memory to those who -knew them. Their son, <i>William D., Jr.</i>, -is the only colored Princeton graduate<span class="pagenum"><a name="Page_12" id="Page_12">[12]</a></span> -of the Trenton High School. A graduate -of Lincoln University, studied -medicine at University of Pennsylvania. -<i>Reeve</i> is doing well in Detroit. -<i>Bennie</i> graduated from Biddle University -and is now in the seminary. <i>Marion</i> -graduated from Scotia and <i>Paul -Bustill</i> is a member of the baseball, -football and basketball teams and the -Glee Club of Somerville High School.</p> - -<p>“<i>Mom Stewart</i>” is a class by herself. -Always jolly, sensible and persevering.</p> - -<p><i>Mrs. Sarah Dillon</i> is one of the oldest -members of the Methodist Church. She -has taught in the Presbyterian Sunday-school -more than 50 years.</p> - -<p>Her neighbor, <i>Miss Mary Chew</i>, -owns several Lytle street properties.</p> - -<p>Of our young people, <i>Mrs. Annie -Vanzant Moore</i> and <i>Mrs. Lillian Scudder -Proctor</i>, have taught in the public -school. <i>Miss Eva Royster</i> is our only -graduate from the Trenton Art School. -<i>Leah Lake</i>, <i>Bertha Hall</i>, <i>Virginia<span class="pagenum"><a name="Page_13" id="Page_13">[13]</a></span> -Smith Rhetta</i>, and <i>Ethel Vanzant</i> had -partial courses in Trenton High -School. <i>John Richmond</i>, <i>Bessie Moore</i>, -<i>Marie French</i>, <i>Jenetta Watkins</i> and -<i>Laura Garner</i> are the first colored -pupils to enter Princeton High School. -Several boys and girls are pursuing -educational courses or following professions -away from Princeton. <i>Dr. J. -E. Proctor</i> is our only colored physician. -<i>F. Louis Sperling</i> our only lawyer -and Justice of the Peace.</p> - -<p>The church music is of excellent character, -being in such skillful hands as -<i>Mrs. Blackwell</i>, <i>Mrs. Lambert</i> and <i>Mrs. -Robinson</i>.</p> - -<p>The Hoaglands, Sortors, Millers, -Vanzants, Schencks, Lakes, Skillmans, -Scudders, Roysters, Hagamans, Conovers, -Van Horns, Eustices, Tituses, -and many others were large and highly-respected -families still represented.</p> - -<p>The Witherspoon Presbyterian -Church is the most flourishing. It has<span class="pagenum"><a name="Page_14" id="Page_14">[14]</a></span> -a large auditorium and parish house -and several properties, all in good condition. -They are valued at $37,000. -Rev. G. S. Stark is pastor.</p> - -<p>Mt. Pisgah A. M. E. Church maintains -its usual high standard. It was -recently enlarged and remodeled. It -is valued at $15,000—Rev. Sturgis, -pastor. The late Addison Gordon was -a class leader and gave it a legacy -from his $30,000 estate.</p> - -<p>The late Henry Shaw, Robert Hall, -Mrs. Dowers, Mrs. Oakham and many -more are its helpers. Mrs. Letitia -Blackwell was the oldest member.</p> - -<p>Bright Hope Baptist Church has a -commodious building, with lecture room -in basement—$12,000; Rev. Jones is -pastor. All three churches have their -own parsonages, electric light and -steam heat.</p> - -<p>The Odd Fellows, Knights of Pythias, -Elks, Mooses and Good Samaritans are -trustworthy beneficial Orders. The<span class="pagenum"><a name="Page_15" id="Page_15">[15]</a></span> -Odd Fellows own their own hall. A -company of colored men own and rent -Douglass Hall.</p> - -<p>A Young Men’s Christian Association -has been fitted up in a very spacious -and comfortable building. Meetings, -books, entertainment, etc., appeal -to the men. Joseph W. Rhetta is secretary. -The Women’s Club is successfully -teaching several branches of industry -and furnishes entertainment for -the women.</p> - -<p>Our business men are William -Moore, John Williams, George Mention, -William Higgins, Theodore Williams, -James Dickerson, Peter Brownley, -William Green, Andrew Melchoir, Robert -Braxton, John Coy, I. R. Farrier -and Mr. Sheldon. Mrs. Shaw and Mrs. -Burrill are our business women.</p> - -<p>Much I intended for this brief sketch -is, of necessity, omitted, but I hope -another may write more fully of the -colored people of <i>Princeton</i>.</p> - - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Reminiscences of Colored People of -Princeton, N. J.: 1800-1900, by Anna Bustill-Smith - -*** END OF THIS PROJECT GUTENBERG EBOOK REMINISCENCES OF COLORED PEOPLE *** - -***** This file should be named 60259-h.htm or 60259-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/6/0/2/5/60259/ - -Produced by hekula03 and the Online Distributed Proofreading -Team at http://www.pgdp.net (This file was produced from -images generously made available by The Internet Archive) - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for the eBooks, unless you receive -specific permission. If you do not charge anything for copies of this -eBook, complying with the rules is very easy. You may use this eBook -for nearly any purpose such as creation of derivative works, reports, -performances and research. They may be modified and printed and given -away--you may do practically ANYTHING in the United States with eBooks -not protected by U.S. copyright law. Redistribution is subject to the -trademark license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country outside the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you'll have to check the laws of the country where you - are located before using this ebook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm web site -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from both the Project Gutenberg Literary Archive Foundation and The -Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm -trademark. Contact the Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - - - -Section 3. Information about the Project Gutenberg Literary Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's principal office is in Fairbanks, Alaska, with the -mailing address: PO Box 750175, Fairbanks, AK 99775, but its -volunteers and employees are scattered throughout numerous -locations. Its business office is located at 809 North 1500 West, Salt -Lake City, UT 84116, (801) 596-1887. Email contact links and up to -date contact information can be found at the Foundation's web site and -official page at www.gutenberg.org/contact - -For additional contact information: - - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works. - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our Web site which has the main PG search -facility: www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - - -</pre> - -</body> -</html> diff --git a/old/60259-h/images/cover.jpg b/old/60259-h/images/cover.jpg Binary files differdeleted file mode 100644 index 1ba8c40..0000000 --- a/old/60259-h/images/cover.jpg +++ /dev/null |
