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+Project Gutenberg's Los Desastres de la guerra:, by Francisco de Goya
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org/license
+
+
+Title: Los Desastres de la guerra:
+       colección de ochenta láminas inventadas y grabadas al agua fuerte
+
+Author: Francisco de Goya
+
+Release Date: August 18, 2019 [EBook #60117]
+
+Language: Spanish
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LOS DESASTRES DE LA GUERRA: ***
+
+
+
+
+Produced by Chuck Greif (This file was produced from images
+available at The Internet Archive)
+
+
+
+
+
+
+
+
+
+                      LOS DESASTRES DE LA GUERRA:
+
+
+   Collecion de ochenta láminas inventadas y grabadas al agua fuerte
+
+                                  POR
+
+                          DON FRANCISCO GOYA.
+
+
+      Publícala la Rˡ. Academia de Nobles Artes de San Fernando.
+
+                                MADRID.
+
+                                 1863.
+
+
+El nombre de Goya es bien conocido de todos los amantes de las Artes, y
+ha volado por España y fuera de ella acompañado de una fama merecida: á
+pesar de la poca justicia con que generalmente son juzgados los hombres
+de mérito verdadero por sus contemporáneos, la generación que concluye,
+que le conoció y trató en su vigor, la que hoy média su camino, que le
+alcanzó en sus últimos años, y la que comienza su carrera artística y ha
+visto sus obras y oido hablar do él á sus padres y á sus maestros, todas
+unánimes le conceden un honroso lugar en la série larga y brillante de
+los artistas españoles. Y no debe Goya su nombre y su fama á la
+circunstancia de haber escaseado tanto los artistas notables en España
+durante el último tercio del siglo pasado y el primero del presente, no:
+Goya hubiera conquistado siempre y en cualesquiera circunstancias el
+renombre que no podia menos de adquirirle su originalidad verdadera,
+hija de la singular independencia de su carácter: maestro de sí mismo,
+puede decirse que por sí solo constituyó Escuela, adoptando un modo de
+ver en artes que nadie tuvo antes que él, que acaso nadie seguirá
+despues. No se propone la Academia hacer una crítica del génio y de las
+obras de este hombre singular, que ha sido ya juzgado con algún acierto
+por propios y estraños; y al publicar una coleccion, hasta ahora
+inédita, de sus estimadas aguas-fuertes, cumple solo un honroso deber,
+contribuyendo á dar á conocer cada vez, mas las obras características de
+tan distinguido maestro, y tan digno individuo de este cuerpo artístico.
+La coleccion que él designó con el nombre de _Estragos ó Desastres de la
+Guerra_, es sin disputa una de las más notables que en este género
+produjo Goya: en ella se descubre todo el brío de su fogosa imaginación,
+exaltada y sobreescilada por un vivo sentimiento de patriotismo, en
+aquellos terribles momentos en que una injusta invasión estranjera
+pretendía humillar el orgullo y altivez característicos del nombre
+castellano: ¿qué mucho, pues, que un español, un aragonés y un hombre
+del carácter duro é independiente de Goya se dejase arrastrar muchas
+veces hasta la exageracion y la caricatura? En cambio respira esta obra
+novedad en los asuntos, originalidad en los tipos, fuego en la
+composicion, valentía y seguridad en la mancha, decision y hasta finura
+en el dibujo. Para que nada falte á esta singular coleccion, las
+leyendas puestas á cada lámina son otro rasgo mas del génio de su autor:
+concisas, incisivas y picantes añaden carácter, si añadírselo es posible
+á lo que ya consignó el lápiz del artista: una breve frase, y á veces
+una palabra sola, revelan con su misma rapidez la idea fugaz que su
+mente concibiera en un momento y su mano representara en poco más de
+otro. La Academia, que ha adquirido las planchas de esta coleccion,
+conocida de muy pocos y de la que solo se habian sacado un número
+reducido de pruebas, la publica con la confianza de que ha de merecer
+una favorable acogida á los amantes de las Artes españolas.
+
+Varias son las biografías que se han escrito y publicado del célebre
+Goya, cuya vida y cuyo retrato son ya bastante conocidos; por eso la
+Academia no cree necesario poner al frente de esta publicacion sino una
+brevísima noticia de su vida y obras, para conocimiento de aquellos
+pocos que antes de examinarla, no hayan leído ninguna de aquellas.
+
+D. Francisco Goya y Lucientes nació en Fuentedetodos, Aragón, el dia 31
+de Marzo de 1746: no se tienen noticias detalladas de su juventud, y
+solo se sabe que desde la edad de 13 años se dedicó al dibujo en
+Zaragoza bajo la dirección de D. José Luzan, y que, muy jóven aún, pasó
+á Roma donde continuó sus estudios. Las primeras obras que dieron á
+conocer su génio en la pintura fueron los cuadros que ejecutó para la
+fábrica de tapices, cuyo valor autorizaba con su visto bueno el
+caballero Mengs, á quien tenia asombrado la grande facilidad con que los
+hacia. Pintó al fresco una de las medias naranjas de la Iglesia del
+Pilar de Zaragoza y en Madrid la capilla de San Antonio de la Florida.
+Tuvo bastante facilidad en los retratos, y los mejores fueron los de
+aquellos amigos en que no empleó mas que una sesión. El Cristo y cuadro
+del Santo en la Iglesia de San Francisco, y el de San José de Calasanz
+en la de San Antonio Abad de Madrid, los tres que hizo para la capilla
+del Monte Torrero en Zaragoza, el prendimiento que existe en la
+sacristía de la Catedral de Toledo, y Santa Justa y Rufina en la de
+Sevilla, bastan para dar á conocer su mérito artístico; aunque siempre
+merecieron su predileccion los cuadros que tenia en su casa, pues, como
+pintados con libertad según su génio y para su uso particular, los hizo
+con el cuchillo de la paleta en lugar del pincel, logrando sin embargo
+que causen un efecto admirable á proporcionada distancia. Pintó muchos
+cuadros en que representó con admirable verdad las costumbres del pueblo
+bajo de Madrid, y otros muchos asuntos variados y caprichosos. Son muy
+notables y dignas de verse entre sus obras de estos géneros la coleccion
+de cuadros que posee el Excmo. Sr. Duque de Osuna en su bella quinta de
+la Alameda, que representan varias escenas populares en figuras de
+tamaño mayor y mas concluidas que lo que generalmente acostumbraba, los
+retratos que en considerable número tienen el mismo Sr. Duque y el de
+Fernan-Nuñez, y la de pinturas al temple que ejecutó sobre los muros de
+la casa que habitó en las afueras de Madrid, situada en una altura,
+cerca del camino de la ermita de San Isidro y que hoy pertenece al Sr.
+D. Segundo Colmenares: los asuntos de estas pinturas son muy variados;
+conciliábulos de brujas, riñas, escenas de costumbres y algún asunto
+mitológico. La Academia posee cuatro cuadros compañeros que representan
+un auto de fé, una procesiosn de Semana santa, una corrida de toros en
+una aldea, y una casa de locos; posee además otro que representa la
+mascarada del entierro de la sardina, de figuras pequeñas como los otros
+cuatro; otros dos que representan en tamaño natural el uno una mujer
+tendida y caprichosamente vestida de maja, y el otro otra que pasa por
+retrato de la actriz conocida por la Tirana, y el retrato del mismo
+Goya. Las dos anteriores se van á grabar para formar parle de la
+coleccion de grabados de sus cuadros notables que la Academia se propone
+publicar.
+
+Grabó al agua fuerte además de la coleccion que hoy se publica otras
+tres que compondrán mas de doscientos cobres y pasó los últimos años de
+su vida dibujando constantemente.
+
+Fué nombrado individuo de esta Academia en 7 de Mayo de 1780, Director
+de Pintura en 15 de Setiembre de 1795, quedando como honorario dos años
+despues. Fué pintor de cámara del Rey Cárlos IV desde Abril de 1789 y el
+primero de los de esta clase en Octubre de 1799. Falleció en Burdeos á
+los 84 años de edad el 16 de Abril de 1828.
+
+
+[Imagen: Tristes presentimientos de lo que ha de acontecer.]
+
+[Imagen: Con razon ó sin ella.]
+
+[Imagen: Lo mismo.]
+
+[Imagen: Las mugeres dan valor.]
+
+[Imagen: Y son fieras.]
+
+[Imagen: Bien te se está.]
+
+[Imagen: Que valor!]
+
+[Imagen: Siempre sucede.]
+
+[Imagen: No quieren.]
+
+[Imagen: Tampoco.]
+
+[Imagen: Ni por esas.]
+
+[Imagen: Para eso habeis nacido.]
+
+[Imagen: Amarga presencia.]
+
+[Imagen: Duro es el paso!]
+
+[Imagen: Y no hai remedio.]
+
+[Imagen: Se aprovechan.]
+
+[Imagen: No se convienen.]
+
+[Imagen: Enterrar y callar.]
+
+[Imagen: Ya no hay tiempo.]
+
+[Imagen: Curarlos, y á otra.]
+
+[Imagen: Será lo mismo.]
+
+[Imagen: Tanto y mas.]
+
+[Imagen: Lo mismo en otras partes.]
+
+[Imagen: Aun podrán servir.]
+
+[Imagen: Tambien estos.]
+
+[Imagen: No se puede mirar.]
+
+[Imagen: Caridad.]
+
+[Imagen: Populacho.]
+
+[Imagen: Lo merecia.]
+
+[Imagen: Estragos de la guerra.]
+
+[Imagen: Fuerte cosa es!]
+
+[Imagen: Por qué?]
+
+[Imagen: Qué hai que hacer mas?]
+
+[Imagen: Por una navaja.]
+
+[Imagen: No se puede saber por qué.]
+
+[Imagen: Tampoco.]
+
+[Imagen: Esto es peor.]
+
+[Imagen: Bárbaros!]
+
+[Imagen: Grande hazaña!] Con muertos!
+
+[Imagen: Algun partido saca.]
+
+[Imagen: Escapan entre las llamas.]
+
+[Imagen: Todo va revuelto.]
+
+[Imagen: Tambien esto.]
+
+[Imagen: Yo lo vi.]
+
+[Imagen: Y esto tambien.]
+
+[Imagen: Esto es malo.]
+
+[Imagen: Así sucedió.]
+
+[Imagen: Cruel lástima!]
+
+[Imagen: Caridad de una muger.]
+
+[Imagen: Madre infeliz!]
+
+[Imagen: Gracias á la almorta.]
+
+[Imagen: No llegan á tiempo.]
+
+[Imagen: Espiró sin remedio.]
+
+[Imagen: Clamores en vano.]
+
+[Imagen: Lo peor es pedir.]
+
+[Imagen: Al cementerio.]
+
+[Imagen: Sanos y enfermos.]
+
+[Imagen: No hay que dar voces.]
+
+[Imagen: De qué sirve una taza?]
+
+[Imagen: No hay quien los socorra.]
+
+[Imagen: Si son de otro linage.]
+
+[Imagen: Las camas de la muerte.]
+
+[Imagen: Muertos recogidos.]
+
+[Imagen: Carretadas al cementerio.]
+
+[Imagen: Qué alboroto es este?]
+
+[Imagen: Extraña devocion!]
+
+[Imagen: Esta no lo es menos.]
+
+[Imagen: Que locura!]
+
+[Imagen: Nada.] Ello dirá.
+
+[Imagen: No saben el camino.]
+
+[Imagen: Contra el bien general.]
+
+[Imagen: Las resultas.]
+
+[Imagen: Gatesca pantomima.]
+
+[Imagen: Esto es lo peor!]
+
+[Imagen: Farándula de charlatanes.]
+
+[Imagen: El buitre carnívoro.]
+
+[Imagen: Que se rompe la cuerda.]
+
+[Imagen: Se defiende bien.]
+
+[Imagen: Murió la Verdad.]
+
+[Imagen: Se resucitará?]
+
+
+
+
+
+
+
+
+End of Project Gutenberg's Los Desastres de la guerra:, by Francisco de Goya
+
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