summaryrefslogtreecommitdiff
path: root/old/60038-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/60038-0.txt')
-rw-r--r--old/60038-0.txt5270
1 files changed, 0 insertions, 5270 deletions
diff --git a/old/60038-0.txt b/old/60038-0.txt
deleted file mode 100644
index 7361738..0000000
--- a/old/60038-0.txt
+++ /dev/null
@@ -1,5270 +0,0 @@
-The Project Gutenberg EBook of Great Men as Prophets of a New Era, by
-Newell Dwight Hillis
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Great Men as Prophets of a New Era
-
-Author: Newell Dwight Hillis
-
-Release Date: August 1, 2019 [EBook #60038]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK GREAT MEN AS PROPHETS OF A NEW ERA ***
-
-
-
-
-Produced by David T. Jones, L. Harrison, Al Haines & the
-online Distributed Proofreaders Canada team at
-http://www.pgdpcanada.net
-
-
-
-
-
-
-
-
-
-Great Men as Prophets of a New Era
-
-
-
-
-By Newell Dwight Hillis
-
-
- REBUILDING EUROPE IN THE FACE OF WORLD-WIDE BOLSHEVISM
-
- THE BLOT ON THE KAISER'S 'SCUTCHEON
- Cloth,
- GERMAN ATROCITIES
- Cloth,
- Each 12mo. cloth,
-
- STUDIES OF THE GREAT WAR
- What Each Nation Has at Stake
-
- LECTURES AND ORATIONS BY HENRY WARD BEECHER
- Collected by Newell Dwight Hillis
-
- THE MESSAGE OF DAVID SWING TO HIS GENERATION
- Compiled, with Introductory Memorial Address by Newell Dwight Hillis
-
- ALL THE YEAR ROUND
- Sermons for Church and Civic Celebrations
-
- THE BATTLE OF PRINCIPLES
- A Study of the Heroism and Eloquence of the Anti-Slavery Conflict
-
- THE CONTAGION OF CHARACTER
- Studies in Culture and Success
-
- THE FORTUNE OF THE REPUBLIC
- Studies, National and Patriotic, upon the America of To-day and
- To-morrow
-
- GREAT BOOKS AS LIFE-TEACHERS
- Studies of Character, Real and Ideal
-
- THE INVESTMENT OF INFLUENCE
- A Study of Social Sympathy and Service
-
- A MAN'S VALUE TO SOCIETY
- Studies in Self-Culture and Character
-
-
- FORETOKENS OF IMMORTALITY
- 12mo. cloth,
-
- HOW THE INNER LIGHT FAILED
- 18mo. cloth,
-
- RIGHT LIVING AS A FINE ART
- A Study of Channing's Symphony
- 12mo. boards,
-
- THE MASTER OF THE SCIENCE OF RIGHT LIVING
- 12mo. boards,
-
- ACROSS THE CONTINENT OF THE YEARS
- 16mo. old English boards,
-
- THE SCHOOL IN THE HOME
-
-
-
-
- Great Men as Prophets
- of a New Era
-
- By
- NEWELL DWIGHT HILLIS
-
- _Author of "The Investment of Influence,"
- "A Man's Value to Society," "Great
- Books as Life Teachers"_
-
- NEW YORK CHICAGO
- Fleming H. Revell Company
- LONDON AND EDINBURGH
-
-
-
-
- Copyright, 1922, by
- FLEMING H. REVELL COMPANY
-
- New York: 158 Fifth Avenue
- Chicago: 17 North Wabash Ave.
- London: 21 Paternoster Square
- Edinburgh: 75 Princes Street
-
-
-
-
-Foreword
-
-
-Great institutions are the shadows that great men cast across the
-centuries. A great law, a great liberty, a great art or tool or reform
-represents a great soul, organized, and made unconsciously immortal
-for all time. Explorers trace the Nile or Amazon back to the lake in
-which the river takes its rise. Historians trace institutions back to
-some hero from whose mind and heart the life-giving movement pours
-forth. When the scholar travels back to the far-off beginnings of
-jurisprudence, he comes to some Moses, toiling in Thebes, to some
-Solon in Athens, to some Justinian in Rome. Not otherwise the
-renaissance of painting, sculpture, and architecture begins with some
-Giotto, some Michael Angelo, some Christopher Wren. Scholars often
-speak of history as narratory or philosophical, but in the last
-analysis, history is biographical. These studies were prepared for the
-students of Plymouth Institute in the belief that biography is life's
-wisest teacher, and that the lives of great men are the most inspiring
-books to be found in our libraries.
-
- N. D. H.
-
- _Plymouth Institute,
- Brooklyn, N. Y._
-
-
-
-
-Contents
-
-
- I. Dante, and the Dawn After the Dark
- Ages 9
- (1265-1321)
-
- II. Savonarola, and the Renaissance of Conscience 34
- (1452-1498)
-
- III. William the Silent, and Brave Little
- Holland 55
- (1533-1584)
-
- IV. Oliver Cromwell, and the Rise of Democracy
- in England 84
- (1599-1658)
-
- V. John Milton, the Scholar in Politics 115
- (1608-1674)
-
- VI. John Wesley, and the Moral Awakening
- of the Common People 143
- (1703-1791)
-
- VII. Garibaldi, the Idol of the New Italy 166
- (1807-1882)
-
- VIII. John Ruskin, and the Diffusion of the
- Beautiful 190
- (1819-1900)
-
- Index 217
-
-
-
-
-I
-
-DANTE
-
-(1265-1321)
-
-_And the Dawn After the Dark Ages_
-
-
-All scholars are agreed as to the classes of men who build the State.
-There are the soldiers who keep the State in liberty, the physicians
-who keep the State in health, the teachers who sow the land with
-wisdom and knowledge, the farmers and merchants who feed and clothe
-the people, the prophets who keep the visions burning, and the poets
-who inspire and fertilize the soul of the race. But in every age and
-clime, the poet has been the real builder of his city and country. The
-only kind of work that lives forever is the work of the poet.
-Parthenons and cathedrals crumble, tools rust, bridges decay, bronzes
-melt, but the truth, put in artistic work, survives war, flood, fire,
-and the tooth of time itself. "The poet's power," said George William
-Curtis, "is not dramatic, obvious, imposing, immediate, like that of
-the statesman, the warrior and the inventor. But it is as deep and as
-strong and abiding. The soldier fights for his native land, but the
-poet makes it worth fighting for. The statesman enlarges liberty, but
-the poet fosters that love in the heart of the citizen. The inventor
-multiplies the conveniences of life, but the poet makes the life
-itself worth living. We cannot find out the secret of his power. Until
-we know why the rose is sweet, or the dewdrop pure, or the rainbow
-beautiful, we cannot know why the poet is the best benefactor of
-humanity. But we know that the poet is the harmonizer, strengthener
-and consoler, and that the inexpressible mystery of Divine Love and
-purpose has been best breathed in parable and poem."
-
-By common consent the three great poets of the world are Homer, Dante
-and Shakespeare; and of the three, the two supreme names are Dante and
-Shakespeare. After six centuries, what Hallam said nearly a hundred
-years ago still holds true: "Dante's orbit is his own, and the track
-of his wheels can never be confounded with that of any rival." Dante
-was the greatest man of his country, he wrote the greatest book of his
-era, he started the greatest intellectual movement of any age or time.
-The influence of his thinking upon the people of Italy, the Italy of
-his own day and of succeeding generations, is one of the marvels of
-history. He was the interpreter of his age to itself; but he was also
-the interpreter of man to all ages. Some names there are whose light
-shines brightly for a brief time, after the fashion of the falling
-stars, but Dante's emblem is the sun, whose going forth is unto the
-ends of the earth, and whose shining brings universal summer.
-
-Dante has been well-called the "Morning Star of the Renaissance." He
-was born at the end of, perhaps, the darkest period in history,--the
-five black centuries succeeding the fall of Rome; he lived to see the
-first fruits of his own sowing--that wonderful rebirth of art and
-culture which was to culminate, two hundred years later, in the
-canvases of Raphael and the sculptures of Michael Angelo. It has been
-beautifully said that before singing his song Dante had to invent his
-harp. No graceful phrase ever had a sounder kernel of truth. Great
-poets are more than great artists in language; they create languages,
-and Dante, like his two great compeers, Homer and Shakespeare, moulded
-and shaped the tongue for future generations. He began his career at a
-moment when the Latin tongue was dying and the Italian language was
-still waiting to be born. He took the vulgar speech of his own day and
-gave it colour and richness, form and substance, eternal dignity and
-beauty. What Homer did for the Greek language, what King Alfred's
-Bible did for English literature, that, and more, did Dante for the
-Italian tongue. The influence of his thinking upon the people of Italy
-is indicated by the fact that _The Divine Comedy_ was printed three
-times in the one year of 1472, nine times before the fifteenth century
-ended, and, to-day, there are literally thousands of volumes in the
-libraries of the world upon Dante and his poems. With loving
-extravagance d'Annunzio said at the great celebration held last year
-in Italy: "Single-handed Dante created Italy, as Michael Angelo by
-sheer force of genius created his _Moses_, and made it the supreme
-marble in history."
-
-No one has ever been able to define genius, though many scholars have
-told us what genius is not. Many men in the English lecture halls and
-universities had talent, but that stablekeeper's son, John Keats, had
-genius. More than one of the four hundred members of the House of
-Lords during Charles the Second's reign had talent, but a poor tinker,
-John Bunyan, had genius, that blazed like the sun. There were
-multitudes of men living in the Thirteen Colonies, and many of them
-rich, but that poor boy flying a kite, Benjamin Franklin, had the
-divine gift. Not otherwise, many men living in Florence at the end of
-the thirteenth century had talent, but Dante Alighieri had the gift,
-and he towered above his fellows as Monte Rosa towers above the
-burning plains of Italy. Strictly speaking, Dante's gift was not that
-of the poet alone. He was a moralist as well as a poet--above all
-others, the singer of man's soul. He believed himself to be ordained
-of God to explain the moral order of the universe, man's share in that
-order, his duty and his destiny. Blind Homer gave us the immortal
-_Iliad_ and _Odyssey_, but Homer was a poet, not a teacher, and if
-there are lessons in the story of Achilles and Ulysses we have to
-learn those lessons for ourselves. Shakespeare, the organ-voice of
-England, gave us _Lear_ and _Hamlet_, _Othello_ and _Macbeth_, but
-Shakespeare was a poet, not a teacher, and Macbeth's sin, written
-though it is in letters of fire, is nevertheless accompanied by no
-comments of the author. Not so with the immortal _Comedy_ of Dante.
-For Dante was a teacher first, and a poet afterward. Without the
-brilliancy of intellect or the compass of achievements that were
-Shakespeare's, without the directness or the simplicity of Homer, he
-was more serious than either. He had the passion of a reformer, the
-fiery courage of a prophet. He poured his very heart's blood into his
-pages. Hating oppression, he was like one specially raised up to point
-the path to peace, and to vindicate the ways of God to man.
-
-The great thinker was born in Florence in the year 1265. His era was
-the era of the Dark Ages; his century one of the submerged centuries.
-For five hundred years black darkness had lain upon the world. It was
-an era of war, when barons were constantly at strife. Feudalism was
-entrenched behind stone walls, the landowners were masters, and the
-serfs were slaves. Every road was infested with bandits. There was no
-shipping upon the Mediterranean. The mariner's compass had not yet
-been invented. Commerce was scant and factories almost unknown. Men
-lived, for the most part, on coarse bread and vegetables, without
-luxuries, and without what we call the simplest necessities. The
-common people were huddled in miserable villages, behind stone walls,
-with unpaved streets and windowless houses, in which ignorance, filth,
-squalor, and bestiality prevailed. Peasants wore the same leather
-garments for a lifetime. The dead were buried under the churches.
-Prisoners rotted in dungeons under the banqueting hall of the castle.
-Two hundred years were to pass before Columbus set foot upon the deck
-of the _Santa Maria_. Two hundred and fifty years were to pass before
-Michael Angelo could lift the dome above St. Peter's. But if the
-peasant was ignorant, and the poor man wretched, the nobleman and
-courtier was the child of luxury and gilded vice. It was an age of
-contrasts so violent as to be all but incredible to the modern reader.
-There were no books, for the art of printing was still to be invented,
-yet in an age of parchment manuscripts young noblemen were taught to
-speak in verse and to write in rhymed pentameters. There was no
-science of geography and the world was believed to be a flat board
-with a fence around it. Yet in this era, when few men could spell and
-fewer read, the very monks in the monasteries were writing theses on
-problems so abstract as to weary the modern scholar. For five hundred
-years the world had looked to the Church, but the Church had descended
-to the perpetration of crimes so terrible, that their mere chronicle
-sickens the heart and chills the blood.
-
-Into this world of paradox and contradiction--a world of gloom, shot
-through with fitful gleams of superstition--was born Dante, the poet of
-love and hope and divine regeneration. We know little of Dante's
-parentage, as we know all too little of his life, but this much we do
-know--the family was the noble family of the Alighieri, followers and
-supporters of the party then in power in Florence. Dante was educated by
-his mother, and by his mother's relative, the scholar-poet Brunetto
-Latini. Like John Stuart Mill he was a mental prodigy from infancy. Like
-Milton he was trained in the strictest academical education which the
-age afforded. Like Bacon he was a universal scholar before he passed out
-of his teens. Like Pope he thought and wrote in verse before he could
-write in prose. Among his friends and intimates were the poets Guido
-Cavalcanti and Cino da Pistoria, Dino Frescobaldi and Lapo Guianni, the
-musician Casella and the artist Giotto. With such companions and under
-such guidance, Dante mastered all the sciences of the day at a time when
-it was not impossible to know all that could be known.
-
-But dreamer and student though he was, he early insisted upon sharing
-the burdens of the State. On two occasions he bore arms for his
-country. While still in his twenties he was offered the post of
-ambassador to Rome; before he was thirty he had represented his native
-city at foreign courts, and from his thirtieth to his thirty-fifth
-year his voice was heard with growing frequency in municipal affairs.
-In the summer of the year 1300, when he was thirty-five years of age,
-he was chosen as one of the Priors, or magistrates, of Florence.
-
-The opening year of the new century--the year in which Giotto was
-meditating his immortal _Duomo_, with its famous tower--was ushered in
-by a civic revolution in Florence. Dante, with other innocent
-citizens, was banished and condemned to death by burning. A statesman,
-he saw his party defeated and driven from the land; a man of property,
-he lost his whole fortune; one of the proudest of men, he was forced
-to humble himself and live on foreign alms. Inspired by the noblest
-intentions, the world gave him no thanks, but drove him forth like a
-wild beast, branded his name with foul crimes and condemned him to
-wander over the hills of Italy till death at last gave him release. He
-never saw Florence again. For years he knew poverty, neglect and
-hatred. Sick with the noise of political dissension, he strained his
-eyes toward the hills for the appearance of a universal monarch; but
-the vision was never realized. We know but little of his wanderings.
-Many cities and castles have claimed the honour of giving him shelter;
-we know only that in old age he was compelled to "climb the
-stranger's toilsome stairs, and eat the bitter bread of others."
-
-Such, briefly sketched, is the life-history of this man who has been
-called "the voice of ten silent centuries." In an era of luxury he had
-lived simply and frugally; in an era of debate and publicity, he had
-preferred seclusion; drawn at last into public life by his own sense
-of duty, he had been driven forth into exile, to die alone in a
-foreign city. It is the greatness of Dante that, in spite of defeat
-and disappointment, in spite of every form of hardship, in the face of
-every conceivable form of adversity, he went on with his work and
-completed his masterpiece, the greatest achievement in the whole
-history of Italian literature. Out of his own heart-break he distilled
-hope and encouragement for others and from the broken harmonies of his
-own life he created a world-symphony.
-
-The best-loved books in our libraries are books of heroism, books of
-eloquence, books of success, and books of love. It is a matter of
-misfortune that no history of human love has ever been written.
-Scholars have set forth the history of wars, the history of engines
-and ships, the history of laws and reforms, but no library holds a
-history of the greatest gift of man, the gift of love. That is the one
-creative gift that belongs to his soul. Beyond all other writers, the
-author of the _Divine Comedy_ is the poet of love. Love was the
-inspiration of his youth, the beacon of his middle life and the
-transfiguring glory of his old age. All his poems are monuments to the
-abiding and ennobling power of a pure passion. His love for Beatrice
-has fascinated the generations, and remains to-day one of the few
-immortal love stories of the world, as moving as the romance of
-Abelard and Héloise, and infinitely more exalting. No understanding of
-his poems is possible without a knowledge of that love and its
-tremendous influence upon his life and work.
-
-Beatrice Portinari, the object of Dante's devotion, was the daughter
-of a merchant, living in a street not far from his father's house.
-Dante saw her but a few times, and she died when he was twenty-seven,
-but from the moment when, on that bright spring morning, he first
-viewed her lovely face, his whole heart and mind were kindled. "She
-appeared to me," he writes, "at a festival, dressed in that most noble
-and honourable colour, scarlet--girden and ornamented in a manner
-suitable to her age, and from that moment love ruled my soul. After
-many days had passed, it happened that passing through the streets,
-she turned her eyes to the spot where I stood, and with ineffable
-courtesy, she greeted me, and this had such an effect on me that it
-seemed I had reached the furthest limit of blessedness." He describes
-but three other meetings. While he was absent from the city--probably
-during one of the two campaigns in which he fought--her father gave
-her in marriage to another man. She was only twenty-four when she died.
-
-No one will ever know whether Beatrice was indeed the loveliest girl
-in Italy; whether she really was the daughter of intellect, or whether
-the greatness was in Dante, who projected the image of beauty, created
-by his imagination and superimposed upon Beatrice. We all know that it
-is within the power of the sun in the late afternoon to cast the
-brilliant hues of gold and purple upon the vine and transform slender
-tendrils into purest gold. Dante had a powerful intellect, the finest
-imagination of any known artist, vast moral endowments--gifts,
-however, that in themselves are impotent. The sailing vessel, no
-matter how large the sails, is helpless until the winds fill the
-canvas, and hurl the cargo toward some far-off port. Just as Abelard
-waited for the coming of Héloise; just as Robert Browning's soul was
-never properly enkindled before the coming of Elizabeth Barrett, so
-the intellect of Dante waited for Beatrice. The quality and quantity
-of flame in the fireplace is not determined by the size of the match
-that kindles the fire, but by the quality of fuel that waits for the
-spark. The strength and power of Dante's attachment was in the vast
-endowments of his soul, and not in Beatrice. It may well be that
-thirty years later, Dante, who realized that he was the strongest man
-then living in the world and who was at once a scholar, a statesman
-and a soldier, during the solitude of his exile in a distant city
-turned his mind backward and broke the alabaster box of genius upon
-the head of a commonplace girl, just as Raphael lent the beauty of St.
-Cecilia to the face and figure of a flower-woman, a girl whose face
-and figure furnished the outlines for his drawing, but held no part of
-the divine, ineffable and dazzling loveliness of an angel.
-
-Whatever the truth--and there is little chance that we shall ever know
-the truth--this much is certain: Dante's earliest long poem, the
-famous "_Vita Nuova_" (New Life) celebrates his love for Beatrice, and
-is nothing more than a journal of the heart, a secret diary of his
-emotions. The _Vita Nuova_ is as far removed from the modern
-sentimental love tale as June is removed from some almanac prepared a
-year in advance of the weather changes predicted. It records Dante's
-first glimpse of Beatrice, the adoration she awakened in him, and the
-fervour of devotion to which she lifted him; it describes his
-premonition of her death, and it ends with his resolve to devote his
-remaining years to her memory. The last chapter of the book looks
-forward to the _Divine Comedy_. About a year after Beatrice's death,
-he writes: "It was given me to behold a wonderful vision, wherein I
-saw things which determined me to say nothing further of this blessed
-one unto such time as I could discourse more worthily concerning her.
-And to this end I labour all I can, as she in truth knoweth. Therefore
-if it be His pleasure through whom is the life of all things that my
-life continue with me a few years, it is my hope that I shall yet
-write concerning her what hath not before been written of any woman."
-Completed years later, the immortal _Comedy_ exists to-day as the most
-wonderful tribute to a woman ever penned by any poet.
-
-In a mood of lofty pride, Dante placed himself among the six great
-poets of all time. To-day, all scholars applaud the accuracy and
-humility of his judgment. Every strong man knows what he can do. He
-is conscious of his own vast reserves. So often has he measured
-himself with his fellow-men that he realizes the number, the magnitude
-and relative strength of his divine endowments. All men of the first
-order of genius have realized the endowment they have received from
-God and their fathers. And the _Divine Comedy_ justifies Dante's pride
-in his own powers. It cannot be classified with a phrase nor dismissed
-with a label. It is not a poem, like one of Tennyson's _Idylls of the
-King_; it is rather an encyclopedia upon Italy. It is at one and the
-same moment an autobiography, a series of personal reminiscences, a
-philosophy, an oration and the spiritual pilgrimage of a thirteenth
-century _Childe Harold_, with here and there a lyric poem. The motive
-which inspired Dante was his sense of the wretchedness of man in this
-mortal life. The only means of rescue from this wretchedness he
-conceived to be the exercise of reason, enlightened by God. To
-convince man of this truth, to bring home to him the conviction of the
-eternal consequences of his conduct in this world, to show him the
-path of salvation, was Dante's aim. To lend force and beauty to such a
-design he conceived the poem as an allegory, and made himself to be
-its protagonist. He depicts a vision, in which the poet is conducted
-first by Virgil, as the representative of human reason, through Hell
-and Purgatory, and then by Beatrice, as the representative of divine
-revelation, through Paradise to the Heaven, where at last he beholds
-the triune God.
-
-The action of the _Divine Comedy_ opens in the early morning of the
-Thursday before Easter in the year 1300. Dante dreams that he had
-"reached the half-way point in his path of life, at the entrance of an
-obscure forest." He would advance, but three horrible beasts bar the
-way, a wolf, a lion and a leopard, symbolical of the temptations of the
-world--cupidity, the pride of life and the lusts of the flesh. Then the
-shade of Virgil appears, representing the intellect and conscience,
-glorified--to serve as his guide in the long wanderings through the
-Inferno. Virgil tells him he can accompany him only through Hell and
-Purgatory, but that Beatrice shall conduct him through those happy
-spheres, the portals of which a pagan may not enter. So begins that
-wondrous journey through the regions of the damned, over the entrance of
-which is written the awful words: "All hope abandon ye who enter here."
-The world through which the two poets journey is peopled, not with
-characters of heroic story, but with men and women known personally or
-by repute to Dante. Popes, kings, emperors, poets and warriors,
-Florentine citizens of all degrees are there, "some doomed to hopeless
-punishment, others expiating their offenses in milder torments and
-looking forward to deliverance in due time." Hell is conceived as a vast
-conical hollow, reaching to the center of the earth. It has three great
-divisions, corresponding to Aristotle's three classes of vice,
-incontinence, brutishness and malice. The sinners, by malice, are
-divided from the last by a yet more formidable barrier. They lie at the
-bottom of a pit, with vertical sides, and accessible only by
-supernatural means; a monster named Geryon bears the poets down on his
-back. At the very bottom of the pit is Lucifer, immovably fixed in ice.
-And climbing down his limbs, the travellers reach the center of the
-earth, whence a cranny conducts them back to the surface, which they
-reach as Easter Day is dawning.
-
-Purgatory is conceived as a mountain, rising solitary from the ocean
-on that side of the earth that is opposite to ours. It is divided into
-terraces and its top is the terrestrial Paradise, the first abode of
-man. The seven terraces correspond to the seven deadly sins, which
-encircle the mountain and are reached by a series of steep climbs,
-compared by Dante to the path from Florence to Samminiato. The
-penalties are not degrading, but rather tests of patience or
-endurance; and in several cases Dante has to bear a share in them as
-he passes. At one point, the poet hesitates when he comes to a path
-filled with a sheet of flame; but Virgil speaks: "Between Beatrice and
-thee there is but that wall." Dante at once plunges into the heart of
-the flames. On the summit of the mountain is the Earthly Paradise, "a
-scene of unsurpassed magnificence," where Beatrice, representing
-divine knowledge, divine love and purity, is waiting to lead the
-wanderer through the nine spheres of the old Ptolemaic system to the
-very throne of God.
-
-Such is the general scheme of the poem, in which Dante's conception of
-the universe is depicted in scenes of intense vividness and dramatic
-force. It embraces the whole field of human experience. Its aim is
-"not to delight, but to reprove, to rebuke, to exhort, to form men's
-characters" by teaching them what courses of life will meet reward,
-what with penalty hereafter; to "put into verse," as the poet says,
-"things difficult to think." The title given it is often
-misunderstood. The men of the Middle Ages gave the name "Tragedy" to
-every poem that ended sadly, and the name "Comedy" to every tale that
-ended happily. There are no traces of wit and humour in this book with
-its descriptions of the cleansing pains of Purgatory and the highest
-reaches of Paradise. Men who have little imagination seem quite unable
-to transport themselves back into the life and thought of the
-thirteenth century. Even Voltaire calls Dante a savage, and Goethe,
-who blundered often in his judgments of men and books, and often had
-to reverse himself, thought Dante's work "dull and unreadable." But
-that reader who supposes that Dante is giving a literal description of
-the physical torments of hell, or imagines that Michael Angelo, in his
-_Last Judgment_, was portraying his own literal belief, will find
-nothing inspiring in this wonderful book.
-
-During the last six centuries the thinking of the world has changed.
-Physical pain has assumed new importance. No man living to-day has
-ever witnessed a brother man sentenced by a court to be burned alive,
-or later on, has been tried himself, and upon a false charge sentenced
-to death by flame. We stand aghast at Dante's miseries and monsters,
-furies and gorgons, snakes and fires, lakes of pitch and pools of
-blood, a physical hell of utter and unspeakable dreariness and
-despair. But Dante's was an era of outbreaking and almost universal
-physical cruelty; sinners and criminals could not be reached by
-argument, for they could not think; there was but one way to approach
-animal man, and that was from the animal side. Through fear, Dante
-endeavoured to scourge men back from the horrors of iniquity. He
-appealed to material men through the imagery of material flames, and
-slowly by this scourge, tried to drive them back toward obedience,
-sympathy and love for the poor and the weak. For their allurement also
-he showed them a golden city in the far-off blue, with the flowers
-blooming in the fields of Paradise. He used his unrivalled genius to
-make vice and sin revolting and infinitely repulsive, just as he tried
-to make truth, kindness and justice alluring.
-
-This volume, therefore, represents "the life history of a human soul
-redeemed from sin and error, from lust and wrath and mammon, and
-restored to the right path by the reason and the grace which enable
-him to see things as they are." Dante's conception is that "penalty is
-the same thing as sin, only it is sin taken at a later period of its
-history and a little lower down the stream." It is in life, here and
-now, that men's hands are fouled with the pits of greed; their
-tongues tipped with envenomed hate; their hearts steeped in crimson
-ooze. It is here and now that materialists "load themselves down with
-sacks of yellow clay," that misers plunge into "the boiling pitch of
-avarice." The genius of the _Inferno_ is that sins are seeds, big with
-the harvest of their own penalty.
-
-Our age makes little of the _Purgatory_ itself--this realm which Dante
-describes as the place where the human soul is cleansed and made
-worthy to ascend to heaven. It is described as a kind of vestibule of
-Paradise, where the soul fronts the results of wrong-doing, through
-the debt of penalty and the evil inclination of the will, and the
-instincts that have been perverted. The sins of which men are cleansed
-are the sins against love and pride, envy and anger; the sins of the
-body, avarice and gluttony and passion. The angels that cleanse are
-the angels of forgiveness and peace. On that island of cleansing
-Virgil and Dante land, and place their hands upon the ground and bathe
-in dew their tear-stained cheeks. But climbing up the steep way of
-penitence is like climbing up a craggy mountainside, toiling on hands
-and knees, with tire that almost brings despair; and yet the higher
-Dante climbs the easier the task. Just as in the _Inferno_, Dante
-placed certain well-known figures--Judas Iscariot, who for avarice
-betrayed his Lord, and Alberigo who with horrible treachery murdered
-his own guests at a banquet, and that "youth who made the Great
-Refusal"; so in the _Purgatory_ he shows us many men known to history
-who have stumbled here and there and are breast-buried in the rubbish
-of the world, to whom comes some angel bringing release, and
-whispering "Loose him, and let him go."
-
-When he approaches the confines of Paradise and sees from afar the
-glorified form of Beatrice, Dante asks that God may become to his soul
-like a refiner's fire and cleanse away any stain or dross of sin.
-Gladly he enters that healing flame, guided by a sweet voice, which
-sang, "Come, ye blessed of my Father;" but, says Dante, "When I was
-within I would have flung myself into molten glass to cool myself, so
-immeasurable was the burning there." Then, broken down with utter
-remorse, he falls in a swoon; but he is plunged in the waters of
-forgetfulness and refreshed, like young plants; re-clad as if by the
-angel of spring, he issues from the wave, pure and true, ready to
-mount to the stars beyond.
-
-Strangely enough, this book, the _Inferno_, is the most widely read.
-The _Purgatory_ is less frequently opened, while men value least of
-all the _Paradise_ of Dante. Doubtless the reason is that experience
-has brought familiarity with sin, so that all men understand its
-penalties, and at the selfsame time know something of penitence and of
-pardon, while the nature of that realm of perfect happiness,
-righteousness and peace is beyond human experience. But if any man was
-ever purified by suffering and earned the right to trust his visions
-and surrender himself to the pictures that noble imagination painted,
-that man was Dante. On the side of culture the measure of education of
-any man is his knowledge of Shakespeare. On the side of imagination
-and of pure and tender goodness, a man is a man just in proportion as
-he knows his Dante. James Russell Lowell's supreme essay was his essay
-on Dante, and he tells us that the great Italian "wrote with his
-heart's blood, like an inspired prophet of old." 'Midst all his
-poverty, exile and grief, he rose triumphant over sorrow and neglect.
-He never lost his confidence in the ultimate victory of right and
-truth. Hating oppression, he struggled as a prophet of liberty.
-Offered an invitation to return to his native city, on the condition
-that he would humiliate himself by confessing that he had done a
-wrong, he accepted an exile's death rather than be faithless to his
-great convictions. Climbing the stairs of other men's houses, he
-salted his bread with his own tears.
-
-An old man at fifty-six, his last days were spent in Ravenna, in the
-house of a noble duke, who recognized in Dante the greatest man of his
-time. Long afterward, Byron sought out the house where Dante died, and
-falling upon his knees, beat upon his breast and wept, at the
-recollection of the sorrows that overwhelmed the master of them all.
-Just as Bunyan was rewarded for the second book in English literature
-by twelve years in Bedford Jail, so Dante, as a reward for writing the
-greatest book in Italian literature, was exiled from his home and
-city, pursued by spies, hunted over the hills with hounds, made to
-conceal himself in dens and caves of the earth, and brought to an
-untimely death. Dying, Dante might have used the words which, later,
-fell from the lips of Bacon, "I leave my name and fame to foreign
-lands, and to my own country when long time has passed." Let us
-believe that after having lived for fifty-six years in at once an
-_Inferno_ and a _Purgatory_, at last Dante, the prisoner, was redeemed
-out of his dungeon, the exile out of his loneliness, the fugitive out
-of his rags and crusts, and the cave wherein he was hiding from his
-pursuers; that the man who for years held heart-break at bay at last
-was brought in out of the night, the fire-mist and the hail, into the
-imperial palaces of God, where one word of welcome repaid him ten
-thousand times for the bitter, grievous years, and where one word of
-love leaped forth from the ineffable light--and in a moment, his every
-wound was healed!
-
-
-
-
-II
-
-SAVONAROLA
-
-(1452-1498)
-
-_And the Renaissance of Conscience_
-
-
-When the first warm days of May come to a land chilled through with the
-frosts of winter, all pastures and meadows, all vineyards and orchards,
-even the desert and the mountain rift awake to a new bloom and beauty.
-The revival of learning which culminated in that golden age known as the
-Renaissance was ushered in by the poet Dante, with his love for Beatrice
-and his immortal poem called the _Divine Comedy_. Dante has been likened
-unto that angel who descended from Heaven and, standing with one foot on
-the sea and one on the land, lifted the trumpet to his lips, and wakened
-the whole world. To Dante belongs the double glory "of immortalizing in
-verse the centuries behind him, while he inaugurated a new age and
-created a new language." But if Dante's face was turned upward and
-backward, his work was taken up by the great humanist, Petrarch, whose
-face was toward the future. Soon the whole land was awake, and while
-other countries were held in the grip of ice and winter, full summer
-burst upon Italy.
-
-Scholars have interpreted the Renaissance from many different angles.
-Students of literature identify it with the discovery and reproduction
-of the manuscripts of the Greek and Latin authors. Artists associate
-it with Giotto's paintings and tower, with Michael Angelo's _Moses and
-Last Judgment_, and with the names of Alberti and Leonardo. Scientists
-point toward the discoveries of Copernicus and Columbus, just as
-jurists think of the rise of popular freedom and the overthrow of
-tyranny. Practical men associate the new era with the art of printing
-and the manufacture of paper and gunpowder, with the use of the
-compass by mariners, and the telescope by astronomers. But none of
-these interpretations fully suffice to explain the new era, with its
-new energy of the intellect and its outburst of unrivalled genius.
-
-The mental and emotional condition of Europe at the beginning of the
-fifteenth century may be likened to the vague longings in the heart of
-that child, who, legend hath it, was carried away from his father's
-castle by a band of gipsies. The gipsies carried the boy to Spain, and
-there they taught him to ride and hunt and steal after the gipsy
-fashion. But he had the blood of his ancestors within him, and there
-was something burning and throbbing within. Sometimes in his dreams he
-saw a beautiful face leaning over him, and heard the bosom pressure
-words of his mother, who could not be forgotten. Not otherwise was it
-with society at the beginning of the fifteenth century. For centuries
-the books, the arts, the tools, once so familiar to Virgil and Horace,
-to Mæcenas and Cæsar Augustus had lain neglected on the shores of that
-Dead Sea called the Dark Ages. Vague and uneasy memories haunted Europe.
-Imagination increased the value of the lost treasure. Looking backward
-through an atmosphere roseate through fancy, Helen's face took on new
-loveliness. Achilles became the ideal knight, Ulysses a divine hero, and
-Penelope the sum of all the gifts distributed among ideal women.
-
-But in the middle of the fifteenth century occurred the fall of
-Constantinople, that Saragossa sea into which had been drawn the
-literary treasures of the preceding centuries. Constantinople had
-become a treasure-house in which were assembled the manuscripts that
-had been carried away by the citizens of Rome fleeing from the Huns.
-As the centuries came and went, merchants, bankers, rich men from
-far-off provinces had taken their jewels, carved furniture, ivories,
-paintings, bronzes, marbles, rugs, silks, laces, and housed their
-treasure in palaces, looking out upon the Bosphorus. So that in 1452,
-when the advancing Saracens approached the city, the scholars and rich
-men of Constantinople fled to their boats, and spreading canvas sailed
-into the western sun. Months passed before these fugitives dropped
-anchor at the mouth of the Po. One morning, an old man, wrapped in a
-cloak stained with the salt seawater, stepped from a little boat to
-the wharf of Florence. Being poor and also hungry he made his way to a
-bread-shop. Having no money, he drew from beneath his cloak a
-parchment. When the bread-shop was filled with listeners he began to
-read the story of Helen's beauty and Achilles' courage; the story of
-Ulysses' wanderings and Penelope's fidelity; the tale of blind
-Oedipus, and of his daughter's loving care. He recited the oration of
-Pericles after the plague in Athens, and told the story of the
-wanderings of Æneas. With ever-increasing excitement the men of
-Florence listened. At last, waking from the spell, they lifted the
-stranger upon their shoulders and carried him to the palace of a
-merchant prince, and bade him tell the story, and soon the merchant's
-house was crowded with young men preparing pages of vellum and sheets
-of leather, while writers copied the poems and the dramas of the old
-manuscript, and artists turned the vellum pages into illuminated
-missals. The spark became a flame. Learning became a glorious
-contagion. The fires spread from village to village, and city to city.
-The dawn of the modern world had come.
-
-In the city of Florence, circumstances and climate were singularly
-favourable to the new movement. Florence was the city of flowers; it
-lay upon the banks of the Arno, set amidst orange groves, and its
-palaces, art galleries, and churches, when the vineyards were in full
-bloom, looked like a string of pearls lying in a cup of emeralds. All
-that Athens had been to the age of Pericles, Florence was to be to the
-era of Savonarola. Neither time nor events have availed to lessen the
-hold of Florence upon the great men of earth. Because of her rich
-associations with genius and beauty, the greatest souls of the earth
-have often turned feet toward Florence, as the birds of paradise leave
-the desert to seek out the oasis with its fountain and flowers.
-Florence was the city of Dante with his _Divine Comedy_, the city of
-Giotto, with his tower, of Gioberti, with the gates of wrought iron
-that are so beautiful that Michael Angelo said they were worthy to be
-the gates of Paradise. To Florence in after years went Robert
-Browning, to write _The Ring and the Book_, and Elizabeth Barrett,
-with the finest love sonnets in literature. To Florence centuries
-later went George Eliot, to write her _Romola_, and in Florence, Keats
-and Shelley dreamed their dreams of song and verse. To Florence came
-Cavour, the statesman, and Mazzini, the reformer, Garibaldi, the
-soldier, to build the new Italy. Many the scholar and patriot who has
-said with Robert Browning, "Italy is a word graven on my heart." And
-it was to Florence that there came in the year 1490 Savonarola, the
-greatest moral force the city ever knew.
-
-Savonarola was a man of almost universal genius. He was an orator, and
-the fire of his eloquence still burns in the sermons he has left the
-world. He was a reformer, and descended upon the sins of his age like
-a flame of fire, shaking Italy like the stroke of an earthquake. He
-was a prophet, and he dreamed dreams of a new Italy and of a golden
-age in morals. He was a statesman and he was created a preacher, and
-he fulfilled the dreams of a divine Orpheus, who drew all things to
-him by the mystery and magic of his speech. He was a martyr, and wore,
-not the red hat of the cardinal, but the fire that belonged to the
-chariot of flame, in which his soul rode up to Heaven to meet his God.
-Like all men of the first order of genius he was great on many sides.
-It was his glory that he awakened the moral sense and brought the life
-of God into the soul of man. Savonarola was like the Matterhorn or the
-Breithorn that lift their peaks so high that they look out upon the
-Rhine of the north and the Po of the south, upon the vineyards of
-France and the valleys of Austria.
-
-In the very year that Constantinople fell, and the scholars fled,
-carrying their manuscripts--as sparks fly from the hammer falling upon
-an anvil--Savonarola entered into being in the beautiful little city
-of Ferrara. His grandfather was a physician, a teacher of the youth of
-his town, and a member of the council. He had achieved some honour as
-a scholar, and won much gold and favour as a skillful surgeon. To his
-father's house came a few leading men of the villages round about to
-read the pages of Dante and to talk about the manuscripts that had
-thrown all Italy into a fever of excitement. The boy had a hungry
-mind, and rose early and sat up late to read the copies of the few
-books that his father had in the little library. His native town was
-the capital of the little state, and the Duke of Este was his father's
-friend. When the boy was six years of age, Pope Pius II passed through
-Ferrara on his way to a celebration in Venice, and in preparation for
-his coming a crimson canopy was stretched above the street, while in
-the public square a throne was erected, and when the Pope had taken
-his seat therein a procession of children passed by, strewing flowers
-at the feet of the Pope. Young men and women sang songs in his honour,
-and chanted hymns of his praise, midst clouds of golden incense
-filling all the air. On the outskirts of the crowd stood the miserable
-poor, the half-starved peasants, the ragged children, the miserable
-lepers. Their faces were gaunt, their eyes hollow, their bread,
-crusts, their garments, rags, and the spectacle of gluttony,
-drunkenness and luxury, in contrast with the vast multitude of
-starving poor, created such a revulsion in the mind of the boy that
-from that hour all should have known that it was only a question of
-time when this gifted youth would become an ascetic and a reformer.
-
-The revulsion in the heart of Savonarola was inevitably deepened by
-the lust and cruelty laid to the door of the Church itself. That was
-a dark hour for the Papacy and Italy. Paul II was a Venetian merchant,
-greedy, ambitious, who, in middle age, saw that the Pope was
-incidentally an ecclesiastic, but essentially an emperor, a statesman
-and a banker. Everything he touched in business turned to gold. He had
-agents out in all the world buying diamonds, pearls, rubies and
-emeralds. He hired architects, sculptors and painters, and made the
-church an art gallery. "Once the church had wooden cups and plates for
-the communion, but golden priests. Now," wrote Savonarola, "the church
-has golden cups and plates, but wooden-headed priests." The Rome of
-that time was a Rome of art and vice, gold and blood, cathedrals and
-mud huts. The least shocking page in the papal history of the time
-describes Alexander VI, and his son Cæsare and his daughter Lucretia,
-standing in the open window of the papal palace, looking down into the
-courtyard, filled with unlucky criminals. These prisoners, sentenced
-to death, ran round and round the court, while Cæsare let fly his
-arrows, and the Pope and Lucretia applauded each lucky hit. The scene
-is one of many, and the knowledge of such scenes inevitably brought
-about rebellion in the soul of Savonarola.
-
-At the beginning of his career, the young reformer attracted but
-little attention. He entered a monastery and became a monk, and his
-novitiate was chiefly marked by a fervour of humilities. He sought the
-most menial offices, and did penance for his sins by the severest
-austerities. He was soon worn to a shadow, but his gaunt features were
-beautified by an expression of singular force and benevolence.
-Luminous dark eyes sparkled and flamed beneath his thick brows and his
-large mouth was as capable of gentle sweetness as of power and set
-resolve. But the spectacle of the sensualism, drunkenness, cruelty,
-theft, ignorance and wretchedness of Florence, that had a handful of
-aristocrats at one extreme and thousands of paupers at the other,
-gradually filled his soul with burning indignation. He began to see
-visions and to make prophecies which afterward were mysteriously
-fulfilled. His first success as a preacher came when he was thirty-one
-and the following year at Brescia, in a sermon on the Apocalypse, he
-shook men's souls by his terrible picture of the wrath to come. A halo
-of light was reported to have been seen about his head, and when, six
-years later, he returned to Florence, to preach in the cathedral, his
-fame as an orator had gone before him and the cloister gardens were
-too small to contain the crowds that flocked to hear him.
-
-The occasion of his first sermon in the cathedral was one long
-remembered in the city. The vast multitudes saw a gaunt figure whose
-thick hood covered the whole head and shoulders. From deeply sunken
-eye-sockets there looked out two eyes that blazed as with lightning.
-The nose was strong and prominent, with wide nostrils, capable of
-terrible distention under the stress of emotion. The mouth was full,
-with compressed, projecting lips, and large, as if made for a torrent
-of eloquence. The speaker was a visionary, and a seer. At one moment
-he melted his audience to tears, at another he stirred them to horror,
-again quickening their souls with prayer and pleadings, that had in
-them the sweetness of the very spirit of Christ. Soon the walls of the
-church reëchoed with sobs and wailings, dominated by one ringing
-voice. One scribe explains fragments of the sermon with these words:
-"Here I was so overcome with weeping that I could not go on." The
-poet, Mirandola, tells us that Savonarola's voice was like a clap of
-doom: a cold shiver ran through the marrow of his bones, and the hair
-of his head stood on end as he listened. The theme that morning was
-this: "Repent! A judgment of God is at hand. A sword is suspended
-over you. Italy is doomed for her iniquity." The speaker prophesied
-coming bloodshed, the ruin of cities, the trampling down of provinces,
-the passage of armies, and the devastating wars that were about to
-fall on Italy.
-
-The great man of Florence at this moment was Lorenzo the Magnificent.
-Lorenzo was the most powerful figure in Italy, the most
-widely-travelled, and the richest man of his time. Tiring of luxury
-and flattery, he was ambitious to be called the patron of art and
-literature. He had fitted up a great banqueting-room in his palace, in
-which he could assemble painters, sculptors, architects, actors,
-poets, philosophers. His seat at the head of the table was after the
-fashion of a throne, and he had made himself a kind of dictator in the
-realm of learning. Always open to flattery, he was surrounded by a
-group of citizens who never ceased burning incense at the altar of his
-egotism. He was at once a politician, a poet, an amateur actor,
-dramatist, and singer. At his table sat Ficino, who translated Plato's
-works into Latin, and Pico della Mirandola, who was the idol of
-Florentine society. It was the latter's boast that a single reading
-fixed in his memory any language, any essay or poem, and made it his
-forever. Other guests were Leo Alberti and Leonardo, the two men of
-comprehensive genius in all the group that lived in the palace of the
-Prince. Constant adulation made Lorenzo arrogant and vain to the last
-degree. In disguise he led a group of dissipated young men in the
-carnival fêtes. He wrote licentious carnival songs and so degraded
-were his followers that they went everywhither shouting his praises as
-a poet superior to Dante. And when, in July of the following year,
-Savonarola was elected Prior of St. Mark's, Lorenzo sent messengers to
-him, bidding him to show more respect to the head of the State.
-
-Savonarola refused to do so. One day the Prince was seen walking in
-the garden of the monastery. An attendant came in to Savonarola, and
-announced that Lorenzo the Magnificent was in the garden. "Does he ask
-for me?" "No," replied the young monk. "Then let him walk." Shortly
-afterward the Prince sent a deputation to wait on the new Prior,
-telling him that it was not good form to preach against the Prince,
-who was the patron of St. Mark's, to which Savonarola replied, "Did I
-receive my position from Lorenzo, or from Almighty God?" Savonarola's
-eyes blazed, and he spake in tones of thunder and the answer was,
-"From Almighty God." "Then," went on the Prior, "to Almighty God will
-I render homage."
-
-Lorenzo, as it chanced, was drawing near to the end of his life. One
-day a messenger came from the palace announcing his dangerous illness.
-Because Lorenzo had usurped the liberties of his country, had robbed
-and oppressed his own people, Savonarola would not go. Then a second
-messenger came, saying that the Prince was dying and asked absolution.
-The Prior found the Prince propped up upon velvet pillows, and lying
-in a great silken chamber. All his life long, Lorenzo had been
-accustomed to soft words and pliant service. Now this stern prophet of
-duty towered above his couch like a messenger of God. The Prior told
-him absolution could not be granted except upon certain conditions.
-"Three things are required of you; you must have a full and lively
-faith in God's mercy; you must restore your ill-gotten gains; you must
-restore liberty to Florence." Twice the Prince assented, but the third
-time his face went white. He shivered, as if in fear, and at length,
-in silence, he turned his face toward the wall. Savonarola turned his
-back. He would not grant absolution. Lorenzo died. The news was spread
-through the city by the relatives and servants standing about the
-bedside of the dead Prince. The event heaved the soul of Florence as
-the tides heave the sea.
-
-The Prior was now the most influential man in Italy. His sermons took
-on a new boldness, and his denunciation of vices filled the city with
-excitement. Ever increasing his power as a preacher, he now added
-certain addresses as a patriot. He hated the tyranny of the Medici
-with an undying hatred. Taking upon himself full responsibility, he
-sent a letter of welcome to Charles VIII and his French army,
-believing that if Florence opened her gates to the French, the
-Florentines might recover their own liberty. Having expelled the
-family of the Medici, he found it necessary to write a constitution
-for Florence, and his influence in shaping that constitution was the
-most powerful influence exerted in that critical time. Leaving to
-others the task of writing the code, he told the people plainly that,
-of necessity, a government by one man strengthened the single ruler
-toward despotism and autocracy, while self-government, through the
-choice of representatives, worked for the diffusion of strength and
-responsibility. He proposed a grand council of 3,000 citizens
-appointed by the city judges, a body that answers to our House of
-Representatives, and another superior council of eighty citizens, all
-over forty years of age, who, in turn, were to share with the
-magistrates the task of appointing the higher officers of the State.
-Then he brought about a reform of taxation, full amnesty for political
-offenders, made usury a treasonable act, founded a bank that loaned
-money to the poor on their character and to the rich on their
-collateral. He organized a movement against licentious plays, against
-luxury, extravagance, ostentatious dress and houses. And when the
-exiled princes made an alliance with the Pope, he denounced the crimes
-of the Papacy.
-
-Little by little, a great moral revival swept over Florence and Italy,
-a revival that culminated in the coming together of the Florentines in
-the public square, where the people threw upon a blazing fire their
-vanities, with all the implements of gambling, fraud, and trickery, of
-vice and drunkenness. Without being himself an ascetic, without making
-any sweeping attack upon pleasure through music or the drama,
-Savonarola was an opponent of every form of sensuality, and the gilded
-vices that undermine sound morals. He was first of all a preacher,
-changing men's lives and, incidentally, stating the reasons for their
-personal reformation. Luther changed men's thinking first, and showed
-men why this was wrong, and that was right, and therefore wrought
-fundamental changes. But Savonarola was less of a thinker and more of
-an evangelist. He had all the action of Demosthenes, all the
-earnestness of Peter the Hermit, all the voice, the gestures and the
-manner of Whitefield. He believed that the inevitable end of sin was
-the Inferno of Dante, and therefore his language was full of fire, his
-voice full of tears, and he plead with men to flee from Vanity Fair as
-Lot fled from Sodom.
-
-His uncompromising spirit had long since aroused the hatred of
-political adversaries as well as of the degraded court of Rome. Even
-now, when his authority was at its height, when his fame filled the
-land, and the vast cathedral and its precincts lacked space for the
-crowds flocking to hear him, his enemies were secretly preparing his
-downfall. From the beginning it was plain that Socrates was fighting a
-losing battle against the wicked judges of Athens. From the beginning
-it must have been plain to Dante that his cunning and insidious foes,
-who felt that he alone stood between them and their own enrichment,
-would drive him an exile from Florence. And when Savonarola came into
-collision with Pope Alexander VI, it was like a bird of paradise
-going up against some Gibraltar of granite and steel.
-
-Pope Alexander's two ambitions were the advancement of his family and
-the strengthening of his temporal power. It was Alexander who, knowing
-that the Sultan had a rival in the person of the young Prince Djem,
-seized the young noble and put him in jail, on condition that forty
-thousand ducats yearly should be paid for his jail fee. It was to
-Alexander that, later, the Turk sent dispatches offering three hundred
-thousand ducats if he would do away with the youth. History has
-extenuated many of the crimes of Alexander, but this traffic in murder
-for the Turks can never be forgiven. It was Alexander also who made
-impossible liberty of the press, by forcing printers to submit their
-books to the control of archbishops. It was Alexander who maintained a
-harem in the Vatican. It was Alexander whose spies were in every inn,
-in every village. His secret agents were in all the audiences of
-Savonarola. Alexander looked upon the Prior as a traitor, disloyal and
-dangerous to the Papacy. At first he sent agents to Florence, and
-offered bribes to Savonarola, asked if he would accept a cardinal's
-hat, and invited him to Rome to visit the Vatican. Savonarola
-answered by redoubling his attacks. He called Rome a harlot church,
-till the Pope ordered his excommunication. And at length, becoming
-alarmed for their city, the magistrates of Florence forbade
-Savonarola's preaching, and closed the cathedral to his work.
-
-Retiring to St. Mark's, the great leader wrote letters to the crowned
-heads of Europe, and called for a general council. He reviewed the
-crimes of which the Pope had been guilty, and the list of vices was
-long and black. His letters to various princes were intercepted, and
-taken to Alexander. Then agents, with large sums of money, were sent
-to Florence to organize a movement to destroy the Prior. Every
-conceivable plot was organized against him, but he escaped poison, the
-knife, and the assassin's club. His enemies challenged him to the
-ordeal by fire, and when he asked that he might be allowed to carry
-the crucifix and the sacrament in his hand they withdrew the
-challenge. Thrown into prison, the inquisitors subjected him to the
-most cruel torture. He was drawn up to the ceiling by a rope fourteen
-times, and then suddenly dropped, until muscles, tendons and bones
-were all but torn from their sockets. He was denied food and water and
-sleep. And finally his reason gave way. Bodily pain so injured and
-inflamed the brain that it refused its action. Among his last words
-were the words of the dying Saviour, "In thee, O Lord, have I trusted.
-Let me never be confounded."
-
-When he was condemned to the flames, he appealed to the government of
-Florence, but the rulers hastened to support the papal decree, and
-insisted upon the execution of the sentence. On the morning upon which
-he was to die, the great public square in Florence was crowded with
-citizens. Multitudes who had wept during his sermons and whose lives
-had been changed by his teachings, stood in grief and trepidation
-around the funeral pyre, just as the multitudes in Jerusalem stood in
-fear about the cross of Christ. In pronouncing the sentence of death,
-the bishop of Verona, overwhelmed with fear and confusion, said, "I
-separate thee from the Church militant and the Church triumphant." To
-which Savonarola answered, "From the Church militant, yes, but from
-the Church triumphant, that is not given unto you." The soldiers
-pushed the lowest dregs of the city, thieves, drunkards, diseased
-criminals, close to his scaffold, and encouraged them to assail him
-with vile words and vile deeds. At ten o'clock of the 23d of May,
-1498, his enemies achieved his death. Like Elijah he ascended unto
-heaven in a chariot of fire. But soon thereafter the guilty leaders of
-the Church discovered that his work had just begun. He had aroused the
-conscience of the people, who followed Luther in a revolt against the
-sale of indulgences that gave the right for the crime and sin. His
-assertion of personal liberty put strength into Luther's arm and faith
-into the heart of Calvin. Erasmus borrowed from Savonarola his
-teachings of reasonableness and light. In exalting the Bible as the
-final source of authority, he had enthroned that Book and the
-teachings of Jesus above all popes and cardinals and bishops.
-Practical men, Galileo, and Bacon, and Erasmus, and Tyndale, borrowed
-courage from his life and writings. And to this day the influence of
-this preacher, prophet, martyr, is still potent, not alone in Italy,
-but throughout the world.
-
-
-
-
-III
-
-WILLIAM THE SILENT
-
-(1533-1584)
-
-_And Brave Little Holland_
-
-
-Be the reasons what they may, liberty owes much to little lands and
-confined peoples. Go back to any age and continent, place side by side
-a little nation and a large one, and if the first has made for liberty
-and progress, the second has often made for bondage and superstition.
-For the beginnings of morals and religion we go back, not to that
-widely extended state named Babylon, but to little Palestine, shut in
-between the desert and the deep sea. For the beginnings of art and
-culture we go not to the vast, rich plains of Asia Minor, but to that
-little rocky land named Greece. For the beginnings of the republic we
-go not to the sunny plains of Italy, but to the narrow valleys between
-the Alpine Mountains. What great contribution to civilization has
-Russia made to the world? But the little Swiss Republic has given us
-the international postal system, international arbitration and the
-referendum. Commerce owes a great debt to little Venice. Modern
-banking owes a great debt to little Scotland. Asia and Africa owe a
-great debt to little England. And though Holland was a narrow strip of
-land but twenty miles wide and one hundred miles long, yet the world
-can never repay the debt it owes to this mother of republics.
-
-For lovers of liberty the most sacred spot in modern Europe is the
-square of the Binnenhof at The Hague. A tablet there records the words
-with which William the Silent challenged Philip II--words that were
-first made the foundation of the Dutch Republic, words that our
-pilgrim fathers took as the basis of their New England institutions.
-
-"We declare to you that you have no right to interfere with the
-conscience of any one so long as he has done nothing to work injury to
-another person or public scandal."
-
-We can never forget that Holland gave the founders of our Republic
-their shelter, with safety and leisure for working out their dreams
-and visions of self-government. But a full century before the Pilgrim
-Fathers set foot in Leyden, Holland had become a shelter to foreign
-exiles, and her citizens had pledged themselves to a deathless hatred
-of all forms of tyranny. To the cities of Holland had fled those men
-who were denied liberty of thought in Paris and Nuremburg. To Holland
-had come the victims of oppression in Venice and Florence. It was in
-Holland that the great Humanist had lived and died, that scholar and
-philosopher Erasmus, who wrought as powerfully for reform in religion
-as Huss and Savonarola. It was Erasmus who forged the intellectual
-weapons used by Luther in Germany, and Calvin in Geneva. It was
-Erasmus who first made a correct text for the Greek Testament. It was
-Erasmus who put the Bible into the common languages of Europe. And it
-was a group of Dutchmen who first demanded the separation of Church
-and State. Two generations before William Bradford gathered his little
-band in Leyden, William the Silent stood forth to challenge the divine
-right of kings.
-
-John Ruskin once called attention to the fact that as every great
-art-age has been a reaction from an era of unendurable ugliness, so
-every movement for liberty has been a reaction precipitated by
-unwonted tyranny. Certain it is that as Oliver Cromwell represented a
-rebound from feudalism, and Abraham Lincoln a reaction from the
-cruelty of slavery, so William the Silent represented a thrilling
-protest against the crime of a foreign usurper. His career is as
-romantic and many-coloured as the career of David, the fugitive,
-fleeing from Saul, or that of Robert Bruce, hiding in caves and dens
-from the pursuers who threatened his life. In youth he was the
-companion of kings, but he became the champion of the people against
-their king, the idol of his followers, and the hero of a lost cause.
-Like David, he knew the weariness and painfulness of the exile's lot.
-Like Lincoln, he had a face furrowed with anxiety, and fell a victim
-to the assassin's bullet. Reared in luxury, the heir to titles and
-vast estates, the head of a dynasty, whose blood still flows in the
-veins of Europe's rulers, for the cause of liberty he resigned his
-rank, that he might serve the poor and oppressed. He was a statesman,
-and had the foresight that organizes out of defeat, and is
-unconquerable because it never knows when it is defeated. He was a
-reformer, and attacked injustice and despotism in an era when of
-necessity his labours were fruitless. He was a soldier, and had the
-personal daring and the strong arm that count for more than strategic
-skill. He was a hero, and though daily the hired poisoners sought
-entrance to his palace, and assassins ever dogged his steps upon the
-streets, despite the six attempts upon his life, he maintained his
-courage and his boundless hope. In an age when society had not yet
-doubted the divine right of kings, William of Orange fronted Philip II
-with a denial of this citadel of tyranny and injustice, affirmed the
-principle that the creed of a nation and the creed of individuals is a
-matter of their own choice and their own conscience.
-
-Our libraries hold no more instructive volumes than Motley's story of
-the Netherlands, their rise to material prosperity and their struggle
-for liberty under the leadership of this man known as William the
-Silent. The tale of their slow growth as a maritime nation is an epic of
-indomitable courage in the face of every conceivable form of obstacle.
-We see these people for the sake of liberty retreating from the rich
-plains of central Europe into the morass that the Roman historian said
-was "neither land nor water." With infinite labour they built barriers
-and dikes against the North Sea, developed a system of veins and
-arteries through which they compelled the ocean to fertilize their
-fields, and constructed watery highways for carrying their commerce into
-distant lands. At length a region outcast of earth and ocean alike
-"wrestled from both domains their richest treasure." Brave cities
-floated mermaid-like upon the bosom of the sea. Standing upon the canal
-boats, travellers looked down upon cattle grazing below the level of the
-ocean, beheld orchards and gardens whose tree-tops scarcely reached the
-level of the waves. Unconsciously this race that had struggled so long
-and victoriously over storms and seas was educating itself of the
-struggle with the still more savage despotism of man.
-
-With intelligence and enterprise came the development of trade, and in
-the fifteenth century the Hollanders became the carriers of the
-world's commerce. Their ships and their sailors made their way around
-into the Baltic, to the ports of all northern Europe, to the ports of
-France and Spain, of Genoa and Naples and Venice, to Constantinople
-and Alexandria, and from thence south into all countries and
-continents. As bees flitting from orchard to orchard fertilize the
-fruit, so these ships passing from port to port and continent to
-continent fertilized the minds of men. Returning home they brought
-bulbs, roots and seeds that soon made Holland the gayest flower-garden
-in Europe and the home of modern floriculture and horticulture. From
-the Far East they brought the suggestion of movable types. The
-bleached linens, the tapestries and woollen goods of Holland won fame
-throughout the world. The homes of her burghers were models of
-comfort and even luxury. Small merchants of Amsterdam and Leyden and
-Rotterdam became merchant princes. Weavers and spinners of linen and
-silk, workers in iron, as well as silver and gold, left the other
-lands of Europe and settled in the Dutch seaports.
-
-In that little strip of land were inclosed 208 walled cities and 6,300
-villages guarded by a belt of sixty fortresses. Little wonder that
-Spain looked longingly toward this people and meditated plans for
-breaking down its fortresses, subjugating its peoples and transferring
-its accumulated treasure from the chests of the burghers to the vaults
-of the Spanish dons and cavaliers. And when at length it began to look
-as if the scepter of the sea might pass from Spain to Holland, King
-Philip and his soldiers, under Bloody Alva, resolved to draw a circle
-of fire around little Holland and rob her of the treasure she had so
-slowly earned.
-
-Fully to understand the heroic struggle of the Hollanders under William
-of Orange, we must know the immediate cause of the controversy and the
-source of the tyranny they opposed. That cause was the Inquisition and
-the tyranny was that of Spain's ambitious rulers. At the moment of the
-outbreak, Spain was the richest and the most powerful nation in Europe.
-Victorious in Africa and Italy, her emperor had carried war into France
-and now reigned over Germany as well as those provinces now known as
-Belgium and Holland. If we ask from whence Spain derived the money for
-these wars of conquest the answer is found in the vast treasure she
-acquired in the New World. Prescott tells us that when the Spanish
-soldiers captured the capital of Peru, the soldiers spent days in
-melting down the golden vessels which they found in the vaults of
-temples and palaces. In that era, when the yellow metal was worth so
-much, a single ship carried to Spain $15,500,000 in gold, besides vast
-treasures of silver and jewels. When Cortez approached the palace of
-Montezuma the king's messengers met the general bearing gifts from their
-lord. These gifts included 200 pounds (avoirdupois) of gold for the
-leader and two pounds of gold for each soldier. The full value of the
-treasure that Spain carried from the cities and states of the New World
-will, doubtless, never be known.
-
-But it must be remembered that the Spanish soldiers who went into
-Mexico and Peru turned those two countries into a wilderness. For a
-full half-century these brutal soldiers, burning with avarice, went
-everywhither, looting towns, pillaging cities, butchering the people,
-lifting the torch upon cottage and palace alike. The awful anguish and
-suffering that Spain wrought upon the helpless people of Mexico and
-Peru is one of the bloodiest chapters in history. The eagle pouncing
-upon the dove, the panther leaping upon the young fawn, but faintly
-interpret to us the savage cruelty of the Spaniard as he raged through
-the new world. And when the Spanish ships came home, laden with gold
-and silver the Emperor found means to prosecute his plans for military
-conquest. Spanish armies were soon marching into northern Italy, into
-Austria and Germany, into France and finally into Holland. Flushed
-with victory and greedy of Holland's treasures, Philip determined to
-punish these people for their refusal to vote supplies to his army, by
-establishing there the Inquisition by the sword.
-
-The Inquisition, that mediæval instrument for the detection of
-punishment of disbelievers in the established Church, had existed in
-all its horrible malignity for two hundred and fifty years. But it
-remained for Philip of Spain to make its name forever a byword and a
-hissing in the mouth of history. He had begun by employing it against
-the wealthy Jews and Moors, who made up the richest, the most
-intelligent and prosperous classes in Spain. During the first few
-years after its institution the Spanish population fell from
-10,000,000 to 7,000,000. In eighteen years Torquemada burned 10,220
-persons and confiscated the property of 97,321 others. Primarily, the
-Inquisition was a machine to search men's secret thoughts. It arrested
-on suspicion, "tortured for confession and then punished with fire."
-One witness brought a victim to the rack, and two to the flames.
-
-The trial took place at midnight in a gloomy dungeon dimly lighted by
-torches. Lea tells us "the Grand Inquisitor was enveloped in a black
-robe with eyes glaring at his victim through holes cut in the hood."
-Preparatory to examination, the victim, whether man, maiden or matron,
-was stripped and stretched upon a bench, after which all the weights,
-pulleys, and screws by which "tendons could be strained without
-cracking, bones crushed without breaking, body tortured without dying,
-were put into operation." When condemnation was pronounced the tongue
-was mutilated so that the victim could neither speak nor swallow. When
-the morning came, a breakfast with rare delicacies was placed before
-the sufferer and with ironical invitation he was urged to satisfy his
-hunger. Then a procession was formed, headed by the magistrates,
-prelates and nobility, and the prisoner was led to the public square,
-where an address was given, lauding the Inquisition, condemning heresy
-and warning the people against want of subjection to the Pope and the
-Emperor. Then while hymns were sung, blazing fagots were piled about
-the prisoner until his body was reduced to a heap of ashes.
-
-Such was the devilish institution Philip of Spain determined to set up
-in Holland as a means of accomplishing his twofold aim, the punishment
-of "disbelievers" and the despoiling of the Dutch burghers'
-treasure-chests. Little wonder that even this sturdy folk drew back
-from the thought in horror. They were not a people to submit to such
-barbarities as they had already proved, by giving shelter to foreign
-exiles. When the Inquisition was first inaugurated in Spain, and men
-first stretched upon the rack as heretics, Holland had opened her
-doors to the fugitives, who fled alike from the wrath of kings and
-priests. All over the world, with its darkness and superstition, its
-cruelty, its flames, its racks and thumbscrews, men of independent
-minds had secretly turned their thoughts toward little Holland, and
-their steps toward the seaports where the Dutch merchants bought and
-sold the treasures of the sea. So, now, there developed in the
-Netherlands a united protest, representing tens of thousands of
-people, who deserted the churches ruled by the officials of the
-Inquisition. These protestors went into the open air beyond the city
-walls where they sang songs, and listened to the preaching of the
-reformed ministers. Soon the Roman Catholics under the guidance of the
-Spanish army, and the Protestants under William of Orange, stood over
-against one another like two castles with cannon shotted to the
-muzzle. And finally the storm broke, and the protestors went into the
-churches their own hands had built, and covered the floor with rubbish
-of broken statues, effigies, and images, cleansing the walls with axe
-and hammer and broom, and leaving only the pulpit for the teacher, and
-the plain pews for the worshippers.
-
-The spark which finally set aflame the powder-magazine of men's hearts
-was the entrance into Holland, in 1567, of the Duke of Alva, at the
-head of twenty thousand of Spain's finest troops. Bloody Alva was the
-most accomplished and capable general in Europe. He had been
-victorious in campaigns in Africa, Italy, France and Germany. He has
-been called the most bloodthirsty man who ever led troops to battle,
-and he was sent to Holland to satiate his wolfish instincts. His army
-included 6,000 horsemen, notorious for the cruelty with which they had
-butchered their captives in the Italian campaigns. Alva promised to
-turn these human wolves loose upon the sheep of Holland. Having
-arrived in Antwerp and established himself in the citadel, his first
-act was to organize the "Bloody Council." This monster, whose cruelty
-was never equalled by any savage beast, announced that if in the Roman
-era the Emperor contented himself with the heads of a few leaders,
-leaving the multitude in safety, _he_ would order the death of the
-multitude, naming a few who were to be permitted to live. Soon the
-streets were filled with dead bodies. Not content with hanging,
-burning, and beheading the leaders, Alva hung the corpses beside the
-road as a warning against free-thinking.
-
-In seven brief years this man brought charges of heresy, treason and
-insubordination against 30,000 inhabitants. He boasted that he had
-executed 18,600, while the number of those who had perished by battle,
-siege, starvation and butchery defied all computation. And the more
-the people rebelled, the more cruel were the methods he devised to
-torment them. To the gallows he added the stake and the sword. Men
-were beheaded, roasted before slow fires, pitched to death with hot
-tongs, broken on the wheel, flayed alive. On one occasion the skins of
-leaders were stripped from the living bodies and stretched upon drums
-for beating at the funeral march of their brethren to the gallows. The
-barbarities committed during the sacking of starving villages, Motley
-tells us are beyond belief. "Unborn infants were torn from the living
-bodies of their mothers; women and children were violated by
-thousands; whole populations burned and hacked to pieces by soldiers,
-and every mode which cruelty in its wanton ingenuity could desire."
-
-Such was the administration of the man of whom it was said: "He
-possessed no virtues, while the few vices he had were colossal." To
-Philip, Bloody Alva explained his failure to subdue the Hollanders by
-the statement that his "rule had been too merciful."
-
-Over against this human monster, with his implacable hatreds and his
-bestial cruelties, stands William of Orange, the champion of liberty
-and the saviour of the Netherlands. By a strange coincidence, the
-first vivid picture we have of this prince who gave up a life of ease
-and luxury to defend the rights of his fellow men, is the scene at the
-abdication of Charles V, when, in the presence of a great multitude at
-Brussels, that ruler turned over the sovereignty of the Netherlands to
-his son, young Philip II of Spain. William of Orange was then a youth
-of twenty-two, a stadtholder, or imperial governor, of three rich
-provinces, and the commander of the official army on the French
-frontier.
-
-"Arrayed in armour inlaid with gold," says the historian, "with a
-steel helmet under his left arm, he looked the picture of noble
-manhood." Beside him, as he fronted the assemblage, stood young
-Philip, a youth of twenty-eight, dressed in velvet and gold, but
-physically ill-shapen and already an object of dislike and distrust.
-Impressive indeed the contrast between these two young men, destined
-in a few short years to be pitted against each other like gladiators
-in the long struggle for liberty. "The one had a genius for
-government, the other possessed a talent for misgovernment. William of
-Orange had a passion for toleration; Philip II had a passion for
-crushing every form of toleration." Sovereign at twenty-eight, Philip
-was already a prey to that consuming ambition which, with his fierce
-bigotry, was soon to win him universal hatred.
-
-How different this young prince William, with his godlike physique,
-his perfect balance of heart and intellect, his conscience that could
-not endure the thought of tyranny. Little wonder that men loved him.
-In person most elegant, in manners most accomplished, he had been
-educated by his mother, Juliana of Stolberg, a woman of rare abilities
-and deeply religious character. As a _grand seigneur_, with great
-estates and a brilliant retinue, he had known every temptation of
-wealth and luxury. But neither the flattery of his friends nor the
-adulation of his followers had sapped his manhood. He was already a
-seasoned soldier, and almost at once he was to win fame as a
-diplomatist. We see him serving at the head of his troops throughout
-one more campaign; then, at the age of twenty-six, acting as one of
-the three plenipotentiaries at the treaty of Cateau-Cambrésis. Sent to
-France as hostage for the fulfillment of this treaty, we find him the
-cynosure of all men's eyes at the greatest and most brilliant court of
-the day. Little here to warn those arch-plotters, Henry of France and
-Philip of Spain, that he was soon to become their deadliest foe. Yet
-already he was meditating rebellion against the horrors they were
-planning. And soon he was to give up all thoughts of court
-distinction, and go forth to organize peasants and rebels into an
-army, besieging his own castle in the cause of liberty.
-
-It was while he was still at the French court that the incident took
-place which gave him his title of William the Silent. The peace
-between Henry and Philip had just been concluded, with one purpose in
-view as advised by cardinals and priests. "Both sovereigns were to
-massacre the Protestants in their dominions, and in the Netherlands
-the Spanish troops were to be employed for this special purpose." The
-Duke of Alva was in the secret, and King Henry supposed that William
-of Orange was also. One day while hunting, with William riding at his
-side, Henry of France unfolded the horrible scheme. The young prince
-heard him without a word. He had not been told of the project, but he
-betrayed his ignorance by no sign of speech or gesture. Henry assumed
-that he approved of the awful butchery. No man was ever more
-grievously in error. From that moment William of Orange knew that his
-call had come, from that hour he meditated his withdrawal from the
-political parties of the guilty leaders. And when at length the martyr
-fires were kindled in Holland, and the Inquisition, under Bloody
-Alva, began its hellish tasks of "Church discipline" William of Orange
-sold his plate and jewels, abandoned the great estates he had
-inherited, and throwing in his lot with the common people, went to the
-defense of the Netherlands in the struggle for liberty of thought.
-
-William had already intervened, at the risk of his life, on more than
-one occasion of strife and bloodshed. But the harshness with which the
-laws against heretics were now carried out, the presence of Spanish
-troops, the filling up of ministerial offices by Spaniards and other
-foreigners was stirring the whole country, and presently his own son,
-studying at the University of Louvain, was seized and carried off to
-Spain. William himself was outlawed and his property confiscated.
-Finding that he had been for years the real head of the movement for
-liberty, Alva, as Governor-General, now set a price upon his head. It
-was the darkest hour of the long struggle. In constant danger of
-assassination, in constant fear of betrayal, unable to convince his
-own people that the contest could never be won, William wandered from
-place to place, a fugitive and an exile.
-
-But he never once lost heart or capitulated to despair. In that hour
-he seemed to have the strength of ten. He was at once general,
-statesman, diplomat, financier and saviour of his people. Like David,
-he went through the forest collecting outlaws and men who had
-grievances; he organized a score of bands to prey upon the Spanish
-army; he developed a system of secret service by which he kept spies
-in Alva's citadel and informed his people of the enemy plans. He
-raised a little army--saw it defeated--raised another, and saw the
-crafty Alva refuse to fight until he was forced to allow it to
-disband. In seven years he organized four such armies, only to be
-overwhelmed again and again by force of numbers. With peasants armed
-with pikes and pistols he fought veterans who had guns, cannons and
-6,000 horses. Attempt after attempt was a failure, but he would not
-confess defeat. When all seemed lost, he wrote to his brother, "With
-God's help, I am determined to go on." And at length, in the face of
-defeat on land, he turned to the sea and, organizing his little fleet
-of "Beggars," became a terror to the Spanish galleons.
-
-Fascinating the story of how this term, "the Beggars," came to be the
-watchword of the Hollanders' revolt. One day when the clouds were at
-their blackest, the nobles of Brussels rode in a body to the Duchess
-Margaret to beseech the withdrawal of the Spanish troops. They came
-plainly dressed and unarmed, and marching four abreast into the
-council chamber, petitioned her to suspend the Inquisition. While
-Margaret, deeply touched, shed tears over the piteous appeal, one of
-her counsellors, named Berlaymont, spoke scornfully of the petitioners
-as "a troop of beggars." The dropping of that single word was like the
-dropping of a spark into a powder-magazine. That night a banquet was
-held, with three hundred nobles present, and "Long live the Beggars!"
-rose on every side. Born of a jibe, the name "Beggars" caught the
-imagination of the people; the revolt spread like wild-fire, and
-henceforth the phrase became a battle-cry, which was to ring out on
-every bloody field of the long struggle.
-
-But the battle was only begun. Though the spring of 1572 brought hope,
-the hope was quickly dashed by the news of the terrible massacre of
-St. Bartholomew in France. Charles IX had aligned himself with Philip
-of Spain and was seeking to exterminate the Protestants. And Bloody
-Alva now redoubled his cruelties in Holland. With incredible ferocity,
-he attacked and captured the city of Naarden, butchering every man,
-woman, and child, and razing every building to the ground. Haarlem
-was next marked for destruction. The garrison, numbering less than two
-thousand men, was reinforced by Catherine van Hasselaar and her corps
-of three hundred women, who handled spade and pick, hot water and
-blazing hoops of tar during the assaults. Alkmaar came next. Sixteen
-thousand Spaniards under Don Frederic, Alva's son, began the siege,
-expecting the town to fall as Haarlem had. But the hated foreigners
-were met in the breaches by women, boys and girls, who fought with
-pick, stones, fire and hot water for a full month.
-
-When the brutal Spanish troops threatened to beat the patriots down by
-sheer force of numbers, the peasants cut their dikes, flooded their
-own fields and homes and renewed the attack upon the Spaniards from
-the branches of their orchards and the tops of their houses. Clinging
-to the dikes by their finger-tips, these people fought their way back
-into the marshes, where the ground was more solid beneath their feet.
-No pen can describe and no brush can paint the scenes of this and the
-other sieges that followed. The history of heroism holds no more
-impressive spectacle than the sight of these patriots who, in the hour
-when the siege was suddenly lifted, left their dead in the streets
-and went staggering toward the church to give thanks to God and swear
-anew their hatred of tyranny before their lips had even tasted bread.
-
-The struggle went on for a score of years. Driven out of their homes,
-with no shelter of tent or stable, fleeing constantly from the enemy,
-hiding under the slough grass and digging holes in the frozen sand,
-the patriots perished by the thousands. In winter, when the frost was
-bitter, and Alva looked out upon ice on every side, he ordered
-thousands of pairs of skates, that his men might the more easily hunt
-down the fugitives. At the climax of the struggle William the Silent,
-worn with excessive labours, his health undermined by weeks and months
-spent in the swamps and in the dikes, was stricken with fever and all
-but died. When the illness was at its height and he was only a
-skeleton, too weak to hold his pen in his hand, able only to whisper
-dispatches to his messengers, came the news that Leyden, already
-besieged for months, and now plague-stricken, was about to surrender.
-
-The Spaniards were determined to win this defiant city, for it was the
-very heart of Holland and the most beautiful city in the Netherlands.
-It lay below the level of the ocean, protected by great dikes, and
-its canals, shaded on either side by lime trees, poplars, and
-willows, were crossed by one hundred and forty-five bridges. Its
-houses were beautiful, its public square spacious, its churches
-imposing. The Spanish commander had built sixty-six forts around the
-city and so severe was the blockade that no succour by land was
-possible. There were no troops in the town, save a small corps of
-freebooters and five companies of the burgher guards. "The sole
-reliance of the city was on the stout hearts of its inhabitants within
-the walls, and on the sleepless energy of William the Silent without."
-William, assuring them of deliverance, had implored them to hold out
-at least three months, and they had "relied on his calm and
-unflinching soul as on a rock of adamant." They were unaware of his
-illness, for he had said nothing of it in his messages, knowing that
-it would cast a deeper shadow on the city.
-
-When the word reached him that the besieged could hold out no longer,
-he decided once more to call in the aid of the sea. Leyden lay fifteen
-miles from the ocean, but the ocean could be brought to Leyden, and
-though he had no army with which to overwhelm the besiegers he still
-had his veteran "Beggars" and a tiny fleet of vessels. He determined
-to sacrifice the neighbouring countryside, with its houses and
-villages, its fields and flocks, if only he might save the heroic city
-and its defenders. On a day in August, the great sluices were opened
-and the ocean began to pour in over the land. While he still lay
-desperately ill, waiting for the rising of the waters, his agents were
-busy assembling a fleet of flat-bottomed boats laden with herring and
-bread for the starving people.
-
-Meanwhile, within the city all was silence and death. Pestilence
-stalked everywhere and the inhabitants fell like grass beneath the
-scythe. The only communication was by carrier pigeons, and only the
-messages from William kept up the hearts of the defenders. The scenes
-of tragedy within the walls are not to be described. And by a stroke
-of evil fate the wind, blowing steadily in the wrong direction,
-delayed the rising of the waters.
-
-Even in its despair, the city was sublime. At the climax of its
-sufferings, a committee waited on the burgomaster to advise surrender.
-He was a tall, haggard, imposing figure, with dark visage and
-commanding eyes. He waved his broad-leafed hat for silence, and then,
-to use Motley's words, gave answer, "What would ye, my friends, why
-do ye murmur, that we do not break our vows, and surrender the city
-to the Spaniards--a fate more terrible than the agony which she now
-endures? I tell you I have made an oath before the city, and may God
-give me strength to keep my oath! I can die but once; whether by your
-hands, the enemy's, or by the hand of God. My own fate is indifferent
-to me; not so that of the city entrusted to my care. I know that I
-shall starve, if not soon relieved, but starvation is preferable to
-the dishonourable death which is the only alternative. Your menaces
-move me not; my life is at your disposal; here is my sword, plunge it
-into my breast; and divide my flesh among you. Take my body to appease
-your hunger, but expect no surrender so long as I remain alive."
-
-Then came a gale from the northwest, and when the waters were piled up
-in huge waves, the ocean swept across the ruined dikes. The flotilla
-of the "Beggars," that had waited outside, unable to advance, a
-painted fleet upon a painted ocean, now surged forward in a wild rush
-to save the city. Spaniards by the hundreds sank beneath the deepening
-and treacherous flood. The fortress of Alva was destroyed. At midnight
-the enemy deserted their redoubts and fled, and at daybreak the ships
-of William the Silent came through the canals. Soldiers threw bread to
-the starving citizens, and two hours later every living person who
-could walk made his way to the church to sing a hymn of deliverance,
-during which the multitude broke down and wept like children. The day
-following, the wind shifted to the east, and blew a tempest. "It was,"
-says the historian, "as if the waters having done their work of
-redemption, had been rolled back by an omnipotent hand, and when four
-days had passed the land was bare again, and the reconstruction of the
-dikes well advanced."
-
-Such was the spirit of William the Silent, and his followers. The
-eventual outcome was inevitable. At length the Spaniards came to see
-that victory could be bought at one price and one price
-alone--extermination. From Spain came overtures to William of Orange.
-His reply is historic: "Peace only upon three conditions: (1) Freedom
-of worship, (2) A land dedicated to liberty, (3) All Spaniards in
-civil and military employment to be withdrawn forever." In April,
-1576, an act of Union was agreed and signed at Delft, by which supreme
-authority was conferred upon him. In September of that year William
-entered Brussels in triumph, as the acknowledged leader of all the
-Netherlands, Catholic and Protestant alike. And at length, at Utrecht,
-a federal republic was established, with a written constitution--that
-republic which was to exist for two hundred years under the motto "by
-concord little things become great." William's struggle was over and
-the battle won.
-
-But, all unconsciously, the architect of the new republic was moving
-toward his end. Like Moses, if he had led the people out of the
-wilderness it was not given him to see the promised land. For years
-his steps had been dogged by hired assassins. There had scarcely been
-an hour during his long warfare when bribes and gold were not offered
-for his death. It was a miracle that he had escaped the dagger, the
-club and the cup of poison. He was now fifty-one years of age. His
-portraits exhibit him as a man whose lips were locked with iron, whose
-face was furrowed with care, his look alert and strained, his air that
-"of a man at bay, having staked his life and life's work." And yet he
-was one of the most charming of companions, brilliant of address, of
-so winning a manner that it was said "every time he took off his hat
-he won a subject from the King of Spain."
-
-One morning, while writing at his desk, a young Spaniard who had
-forged the seals obtained access to the Prince's writing room. Because
-he had been searched by the guard the visitor was without weapon. But
-having delivered his forged letter, he asked the Prince for a Bible
-and the loan of a few crowns. He received a gift of twelve pieces of
-silver, and went into the courtyard, where, with the Prince's own
-money, he purchased a pistol from the guard. Thence he returned to
-find a hiding place in the dark passageway, and to empty three shots
-into the Prince's breast.
-
-With the death of William the Silent the Netherlands lost their
-noblest hero, their most sublime patriot, and one of the greatest
-leaders of all time. Few are the names worthy to be ranked with that
-of this Prince of the blood who gave his wealth, his strength and
-finally his life for the cause of liberty. Ruling with a strong hand,
-he was not a despot; brave, he was not reckless; giant, he was also
-gentle; warring against the Inquisition, with its thumbscrews and
-fagots, he held himself back from bloodthirstiness and revenge. The
-victim of every kind of attack that hate could devise or malignity
-invent, he never degraded himself by meeting hate with hate or crime
-with crime. When the long struggle for liberty which he began was
-brought to an issue, Spain had buried 350,000 of her sons and allies
-in Holland, spent untold millions for the destroying of freedom, and
-sunk from the ranks of the first power in Europe to the level of a
-fourth-rate country--stagnant in ideas, cruel in government,
-superstitious in religion. But brave little Holland had emerged to
-serve forever as a rock against tyranny and a refuge from oppression.
-
-
-
-
-IV
-
-OLIVER CROMWELL
-
-(1599-1658)
-
-_And the Rise of Democracy in England_
-
-
-Society's ingratitude to its heroes and leaders is proverbial. Earth's
-bravest souls have been misunderstood in youth, maligned in manhood
-and neglected in old age. The fathers slay the prophets, the children
-build the sepulchres, and the grandchildren wear deeply the path the
-heroes trod. History teems with illustrations of this principle.
-Socrates is the wisest prophet, the noblest teacher, the truest
-citizen and patriot that Athens ever had, and Athens rewards him with
-a cup of poison. In a critical hour Savonarola saves the liberty of
-his city, and Florence burns him in the market-place. Cervantes writes
-the only world-wide thing in Spanish literature, and for an abiding
-place Spain rewards him, not with a mansion, but with a blanket in a
-dungeon, feeds him, not upon the apples of Paradise, but on the apples
-of Sodom, and gives him to drink, not the nectar of the gods, but
-vinegar mingled with gall.
-
-Next to the Bible in influence upon English literature comes the
-_Pilgrim's Progress_. England kept John Bunyan in jail at Bedford for
-twelve years, as his reward. For some reason, nations reserve their
-wreaths of recognition until the heart is broken, until hope is dead,
-and the ambitions are in heaven. The history of the other great
-leaders, therefore, leads us to expect that the greatest, because the
-most typical, Englishman of all time, shall be unique in his obloquy
-and shame, as he was signal in his supreme gifts. During his life the
-very skies rained lies and cruel taunts; in his death the mildewed
-lips of slander took up new falsehoods. In the grave the very dust of
-this hero furnished a sure foundation for the temple of liberty, but
-his grave was despoiled. With pomp and pageantry Charles the Second
-ordered his bones to be exhumed, and the skeleton hung between thieves
-at Tyburn to satisfy his hatred. For twelve years Cromwell's skull was
-elevated upon a pole above Westminster Hall, where it stood exposed to
-the rains of twelve summers and the snows of twelve winters.
-
-And now that two hundred and fifty years have passed away, these
-centuries have not availed for extinguishing the fires of hatred and
-controversy, or for doing justice to the memory of this man, Oliver
-Cromwell, God's appointed king.
-
-We would naturally expect that time would have availed to clear the
-name and fame of Cromwell and to secure for him the recognition that
-his achievements deserve. But it was hard for some royalists to
-forgive this man who turned his hand against the sacred person of the
-King. For nearly three centuries the conflict has raged. The royal
-historians count Cromwell the greatest hypocrite in history, the
-trickster, the regicide, the political Judas of all time. For a
-hundred years after his death, no man was found brave enough to
-mention the name of Oliver Cromwell in Windsor Castle or the House of
-Lords. England's Abbey has made a place for the statues of that
-one-talent general, Burgoyne, whose chief business was to surrender
-his troops to our colonial soldiers, but the Abbey has no niche for a
-bust of the only English general who ranks with the great soldiers of
-history--Alexander, Cæsar, Napoleon, Grant, and now Foch--these six
-and no more.
-
-The British Houses of Parliament are crowded with statues of
-politicians who gave the people what they wanted, and some statesmen
-who gave the people what they ought to have. And there, too, are found
-the busts of kings and queens, Bloody Mary, contemptible John, those
-little feeblings and parasites named the Georges. But low down and
-bespattered with mud she has written the name of her greatest monarch,
-and the most powerful ruler that ever sat upon a throne.
-
-Not until Carlyle came forward did the cloud of slander begin to lift.
-When the three hundredth anniversary of the birth of Cromwell was
-celebrated, Great Britain awakened to the fact that too little
-recognition had been given to the great reformer whose career was one
-of the marvels of English history. The measure of a nation's greatness
-is the kind of man it admires. To-day, it is of little consequence
-what we think of Cromwell, but it is of the first importance that
-Cromwell should approve the leaders of our world-capitals. Only in the
-last generation has the tide turned, and the reaction begun to set in.
-John Morley, busied with his biography of Gladstone, took time to
-write a history of the man whom he calls the maker of English history.
-Professor Gardiner asserts that England has done injustice to Cromwell
-and that the time has come for her to right a great wrong. All the
-world has at last begun to recognise the fact that the farmer of
-Huntingdon was an uncrowned king, ruling of his own natural right.
-
-The world's ingratitude to Cromwell becomes the more striking when we
-remember what he did for Great Britain, for her people, to right the
-wrongs of her poor, to found her free institutions and to give her a
-place among the nations of the earth. Oliver Cromwell found England
-almost next to nothing in the scale of European politics. France
-pitied poor little England, and Spain, the one world-wide force of the
-time, despised her. He found her people a group of quarrelling sects,
-divided, hostile and full of hate. Her soil was scored with countless
-insurrections; her commerce was dead; her navy was so miserably weak
-that pirates sailed up the Thames, dropped anchor in the night in
-front of Westminster Hall, and flung defiance to the frightened
-merchants. In a single year, three thousand Englishmen were impressed
-by these pirates and sold in the slave markets of Algiers,
-Constantinople and the West Indies. He found the king a tyrant, who
-one day made the boast that he had brought every man who had opposed
-his will to the Tower or the scaffold. He found Parliament saying, "We
-have struggled for twenty years, and every attempt has ended with a
-halter, and it is better to endure a present ill than flee to others
-that we know not of."
-
-And in the very darkest hour of England's history, this farmer flung
-himself into the breach and besought his countrymen to unite in one
-supreme effort to achieve liberty for the common people. For forty
-years he had been a plain country gentleman, content with his farm;
-ten years later he was "the most famous military captain in Europe,
-the greatest man in England, and the wisest ruler England ever had."
-He lived to hold the destinies of his country in his hands, to
-enthrone justice and toleration over a great part of Europe, received
-overtures for alliances from many kings, and died in the royal palace
-at Whitehall, and was buried amid the lamentations of many who had
-been his bitter enemies.
-
-Cromwell's greatness stirs our sense of wonder the more, because he
-accomplished what others had sought to achieve and failed. Balfour or
-Lloyd George trained for years to his task, is like one who stands in
-the midst of an arsenal, protected by walls and battlements, and
-served by cannon and machine guns. To employ Carlyle's expressive
-figure, a dwarf who stands with a match before a cannon can beat down
-a stronghold, but he must be a giant indeed who can capture an armed
-fortress with naked fists, as did Oliver Cromwell. He lived in an age
-of great men. The era of Shakespeare, of Marlowe, Jonson and Bacon was
-closing. It was the era of John Pym, called "The Old Man Eloquent." It
-was the era of Hampden, the patrician, the orator and hero. It was the
-time of Sir Harry Vane, the distinguished gentleman who came to Boston
-to be made ruler of that new city, and whom Wendell Phillips called
-the noblest patriot that ever walked the streets of the new capital.
-Coke was on the bench, meditating his decisions, while Lyttleton was
-perfecting his interpretations of the Constitution. John Milton was
-making his plea for the liberty of the press. Owen and Sherlock and
-Howe were in the pulpits.
-
-These were among the bravest spirits that have ever stood upon our
-earth. All hated tyranny, and all loved liberty. All sought to
-overthrow the rule of the despot and yet, when all had done their
-best, England was sold like a slave in the market-place. It was the
-farmer of Huntingdon who, in that critical hour, came forward and
-showed himself equal to the emergency. It was this country gentleman,
-without political experience, this general who became a statesman
-without the discipline of statecraft, who became the shepherd of his
-people and overthrew that citadel of iniquity called the Divine Right
-of Kings; who rid England of her pirates, developed a great commerce,
-built up the most powerful navy that then sailed the sea--a possession
-England has never lost--corrected the code, rectified the
-Constitution, laid the foundation for the present Bill of Rights. This
-is why John Morley asks us to study carefully the lineaments of this
-man whose body England, to her undying shame, and in the days of her
-dishonour, hung in chains at Tyburn.
-
-If we are to understand Cromwell's character and career and his place
-among the world's leaders, we must recall his age and time and the
-England of that far-off day, when he wrought his work and dipped his
-sword in heaven. What of the religious condition of England in the era
-of intolerance, when the prophet of God was anointed with the ointment
-of war, black and sulphurous? It is the year 1630, and Cromwell is
-still in his early manhood. One bright morning, with St. Paul's to his
-back, Cromwell entered Ludgate Circus. In the midst of the circus
-stood a scaffold and around it was a great throng, crowding and
-pressing toward the place of torture. At the foot of the scaffold was
-a venerable scholar, his white hair flowing upon his shoulders, a man
-of stainless character and spotless life, renowned for his devotion,
-eloquence and patriotism. When the executioner led the aged pastor up
-the steps, the soldiers tore off his garments. He was whipped until
-blood ran in streams down his back, both nostrils were slit and his
-ears cropped off, hot irons were brought and two letters, "S-S"--sower
-of sedition--were burned into his forehead.
-
-What crime had this pastor committed? Perhaps he had lifted a
-firebrand upon the King's palace; perhaps he had organized some foul
-gunpowder plot to overthrow the throne itself. Perhaps he had been
-guilty of treason, or some foul and nameless sin against the State.
-Not so. The reading of the decision of the judge and the decree of the
-punishment made clear the truth. It seemed that a fortnight before,
-the aged pastor had been commanded to give up his extempore prayers
-and the singing of the Psalms, and had been commanded to read the
-written prayers and sing the hymns prescribed by the state Church. But
-the gentle scholar had disregarded the command, and on the following
-Sunday walked in the ways familiar and dear to him by reason of long
-association. He had dared to sing the same old Psalms and lift his
-heart to God in extempore prayer, after the manner of his fathers.
-And when the executioner announced that on the following Saturday at
-high noon the old scholar would be brought a second time into Ludgate
-Circus, and there scourged before the people, the cloud upon Oliver
-Cromwell's brow was black as the thunder-storm that stands upon the
-western sky, black and vociferous with thunder. Kings, the head of the
-Church of Jesus Christ!
-
-Two hundred years later, Abraham Lincoln, standing in the market-place
-of New Orleans, was to see a coloured child torn from its mother's
-arms, held by the auctioneer upon the block and sold to the highest
-bidder. With a lump in his throat, Abraham Lincoln turned to his
-brother and said: "If the time ever comes when I can strike, I will
-hit slavery as hard a blow as I can." And when Cromwell turned away
-from that scene in Ludgate Circus he went home to dream about the era
-of toleration and liberty and charity, and registered a vow to strike,
-when the time came, the hardest blow he could against the citadel of
-intolerance and bigotry on the part of the Church.
-
-But political England was as dark and troublesome as the religious
-world of that day. One of the noblest men of the time was Sir John
-Eliot. He was the child of wealth and opportunity. The university had
-lent him culture, travel had lent breadth, and leisure had given him
-the opportunity to grow wise and ripe. His nature was singularly lofty
-and devout, his temper ardent and chivalric. His one ambition was to
-serve his mother country. A vice-admiral, he was given power to defend
-the commerce of the country and overthrow the pirates. After many
-attempts, by a clever but dangerous maneuver he entrapped the king of
-the pirates, Nutt, who had taken one hundred and twenty English ships
-and sold the sailors in the slave market of Algiers and Tripoli. But
-King Charles freed the pirate, and punished the vice-admiral by four
-months' imprisonment, for he had taken bribes against his own sailors.
-
-When Sir John Eliot had been released, he charged the King with
-complicity in a crime. For reply the King levied an illegal fine. Sir
-John Eliot was rich, and he might have bought immunity. In his home
-dwelt a beautiful wife and little children, and with flight he might
-have escaped his prison. His wealth would have enabled him to live
-abroad in ease, but he preferred to stay at home and die in London
-Tower for principle. And no martyr, going to his stake, no hero,
-falling at the head of a battle line, ever did a nobler thing than
-Sir John Eliot, when he refused to pay his fine and preferred death to
-enjoying the pleasures of expediency for a season. For three years the
-hero bore his imprisonment and endured the tortures of confinement.
-The rigours of the Tower could not break his dauntless spirit. One day
-he found blood upon his handkerchief. Fearing that death was near, he
-sent a request to the royal palace. "A little more air, your majesty,
-that I may gain strength to die in!" But John Eliot had thwarted the
-King's policy, and Charles carried his vindictiveness even to death.
-"Not humble enough," was the King's reply. Blows cannot break the
-will, waters cannot drown the will, flames cannot consume the will,
-and in the hour of Eliot's death, Charles knew that his opponent had
-conquered. One day John Eliot's son petitioned the King that he might
-carry his father's remains to Cornwall to lie with those of his
-ancestors. Charles wrote on the petition: "Let Sir John Eliot's body
-be buried in the parish where he died, and his ashes lie unmarked in
-the Chapel of the Tower."
-
-But the social England of the era of Cromwell is a darker picture
-still. If our age is the era of the rise and reign of the common
-people, that was an age when the middle-class was as yet almost
-unknown. Feudalism still survived. There were the plebeians on the one
-hand, and the patrician class on the other. Theoretically the King
-owned the land, and the lords and gentlemen were agents under him.
-Kenilworth Castle and its lord stand for the social England of that
-day. My lord dwelt in a castle--the people dwelt in mud huts. He wore
-purple and fine linen--his people wore coats of sheepskin, slept on
-beds of straw, ate black bread, knew sorrow by day and misery by
-night. Did a farmer sow a field and reap the harvest? Every third
-shock belonged to the lord of the castle. Did the husbandman drive his
-flocks afield? In the autumn, every third sheep and bullock belonged
-to my lord. Was the grain ripe in the field? If the peasant owed
-twenty days' labour without return at the time of sowing to my lord,
-he had to give ten days more to the lord of the castle in the time of
-the harvest. Again without recompense. And so it generally came about
-that for want of proper time to plough and plant and for opportunity
-of reaping in the hour when his grain was ripe, the serf fronted the
-winter with an empty granary, and the cry of his children was
-exceeding bitter.
-
-There were few bridges across the streams, there was no glass in the
-farmer's window, not one in a thousand owned a book, sanitation was
-almost unknown, every other babe died in infancy; if the upper classes
-came out of the Black Death almost unscathed, about a third of the
-peasant class was swept off by that scourge, which the physicians now
-know was caused by insufficient food and decayed grain. It was an era
-of ignorance and brutality among the poor, an era of snobs and of
-criminals. Cromwell found a hundred laws upon the English statute
-books that involve hanging for petty infringements against the rights
-of the King. He found woman a chattel and one day saw a man sell his
-wife in the market-place and beheld the purchaser lead the girl off in
-a halter. When the traveller rode up to London, he passed between a
-line of gibbets, where corpses hung rotting in chains. Highwaymen rode
-even into London, at nightfall, and tied their horses in Hyde Park,
-robbed people in the streets, broke into stores and rode away
-unmolested. One advertisement read thus: "For sale, a negro boy, aged
-eleven years. Inquire at the Coffee House, Threadneedle Street, behind
-the Royal Exchange."
-
-Drunkenness and gambling were all but universal. One Secretary of
-State was notorious as the greatest drunkard and the most unlucky
-gambler of his era. A Prime Minister was allowed to appear at the
-opera house with his mistress, and was esteemed the finest public man
-of his century. We are face to face with corruption in politics,
-incompetence in council and paganism in religion. To-day a member of
-the Cabinet who would use his private information for purposes of
-gambling in Wall Street would be instantly ruined. But in that era,
-the King and his courtiers filled their coffers by such methods
-without any criticism.
-
-In such an era, Cromwell saw that there was no hope for England until
-there was a middle class. He determined to destroy the castles that
-offered shelter to the princes who had spoiled and robbed and outraged
-the poor, who had no defense to which they could flee when they had
-outraged the law. It has often been said that he was an iconoclast; in
-razing the castles of England to the ground and overthrowing the
-strongholds he was the greatest criminal of his age; but if he loved the
-castles and architecture less, it was because he loved the poor more. He
-levelled stones down that he might have a foundation upon which the poor
-could climb up, and thereby he destroyed the strongholds of feudalism
-and laid the foundations of the Bill of Rights of 1832, and was the
-forerunner of our own Washington and Lincoln.
-
-Who is this King Charles who stands for the old order, and who is the
-great representative of the doctrine of the divine right of kings? He
-was a grandson of Mary, Queen of Scots, who, in fleeing from Scotland,
-seized the hand of Lord Lindsay, her foe, and holding it aloft in her
-grasp swore by it, "I will have your head for this, so I assure you."
-His father was James the First of England and Sixth of Scotland, who
-had some gifts and also virtues, but who after all was simply an
-animated stomach, carried far by a handful of intellectual faculties.
-That Charles the First had qualities denied to his father all must
-confess. He was gifted with a certain taste for pictures, he had some
-imagination, and loved good literature. During his imprisonment he
-read Tasso, Spenser's _Faerie Queen_, and, above all, Shakespeare. He
-was methodical and decorous, but his favourite essay was Bacon's
-"Essay on Simulation and Dissimulation." As a diplomat he believed
-that Machiavelli's _Prince_ was the ideal to be followed, in that
-truth is so precious a quantity that it ought not to be wasted on the
-common people. He was not renowned for chivalry or a sense of
-gratitude. Witness his foul desertion of Strafford in the hour when
-Strafford exclaimed: "Put not your trust in princes!"
-
-Again and again, through his selfishness, he spoiled his people. To
-obtain money he sold to one of his favourites the exclusive right to
-use sedan chairs in London, and put chains across the streets and made
-it a criminal offense for a gentleman to drive his coach into the
-limits of the city. He taxed the shoes the people wore, the salt they
-ate, the beds on which they slept, and the very windows through which
-the light came. He hired spies to make out a list of merchants who had
-an income of more than £2,000 a year and by indirect blackmail
-obtained money therefrom. When the Black Death broke out, and the
-streets of London were piled with corpses, and the committee of relief
-asked for public subscriptions, Charles the First fled to Hampton
-Court and made no subscription, large or small, to the relief fund.
-
-And how did he amuse himself during those days when every house in
-London was left desolate? In his far-off palace, surrounded by guards,
-beyond whom no messenger could pass, Charles the First sat, surrounded
-by his court. He sent to Amsterdam for jewellers and paid £10,400 for
-a necklace. He paid £8,000 for a gold collar for himself, and £10,000
-for a diamond ring for the Queen. On the ground that Parliament had
-not imposed taxes sufficient for his expenses, he made a tax
-proclamation for himself. Then Parliament, led by Pym and Hampden and
-Eliot, brought in a bill of remonstrance. They assumed that the King
-ruled under preëxisting laws. They declared that if Charles refused to
-call a Parliament and arrogated its power to himself, twelve peers
-might call a Parliament, and if this failed, the citizens might come
-together through a committee and elect their representatives.
-
-But the King was consumed with egotism and vanity. He sent orders to
-Parliament to deliver to him the five leaders who stood for the
-liberties of the people, and with a mob of soldiers he entered the
-House of Commons to seize Hampden and Pym. But the House refused to
-give up its members, and helped them to escape through one of the
-windows, and the next day it brought them back in a triumphal
-procession. Returning to his palace, the King found the streets
-crowded with people, silent, sullen, dark with anger. He heard threats
-and growls from every side. One prophet of righteousness called out,
-"To your tents, O Israel!" Suddenly Charles the First realized that
-his people, driven to bay, had at last bestirred themselves, and,
-fearing he might be driven into a corner, his cheek went white as
-marble. That night, conscious of his danger, he fled to Hampton Court,
-while the whole city applauded the five leaders who had escaped the
-snare. He had furnished the dynamite to blow up his throne. The
-people, represented by Parliament, stood over against the peers,
-represented by the King, as enemies. It was "either your neck, or my
-neck," and when a few weeks passed, there began the era of civil war,
-with blazing towns and castles and strongholds. "Whom the gods would
-destroy, they first make mad."
-
-But who is the man who shall do for England what Savonarola did for
-Florence, and Luther for Germany, and William Tell for Switzerland,
-and Washington and Lincoln for our own country? Oliver Cromwell was of
-Celtic stock and noble family. It is a singular coincidence that he
-was a ninth cousin of that Charles whose death warrant he was to sign;
-that seventeen of his relatives were in Parliament to sign the Great
-Remonstrance, and that ten of his blood-relatives joined with him in
-signing the death warrant of the King. Cromwell was sixteen years of
-age, and enrolled himself as a student at Cambridge on the very day
-that great Shakespeare died in Stratford. The greatest thing England
-ever did in literature ended on the day when perhaps the greatest
-thing she did in action began. John Milton said that Cromwell nursed
-his great soul in silence and solitude. He was but a child when the
-news of the Gunpowder Plot filled his father's house with excitement.
-He was but a child when a dispatch was laid in his father's hands
-announcing the death of Henry of Navarre, the founder of Protestantism
-in France. From boyhood he loved the story of the brave and gallant
-Sir Walter Raleigh, and the announcement that he was to be executed to
-please the King of Spain filled him with tumultuous indignation.
-
-In appearance he was above medium stature, built like Daniel Webster
-and Brougham and Beecher, with great, beautiful head, bronzed face,
-heavy, projecting eyebrows, large forehead, two eyes burning like
-flames of fire beneath the overhanging cliffs. He was of sandy
-complexion, like Alexander and Napoleon. But if he were thick set, he
-was of finely compacted fiber, and this man, who was to deal a
-crushing blow at Marston Moor, and sign the King's death warrant and
-"grasp the scepter of a throne" and raze to the ground the citadels
-of iniquity, the old strong castles of feudalism, was also strong
-enough to lift little England with her six millions to a level with
-the thirty millions of mighty Spain. Not until he was forty years of
-age did this farmer enter Parliament. One day, in the House of
-Commons, Sir Philip Warwick, while listening to a sharp voice, said to
-John Hampden, whose seat was near him: "Mr. Hampden, who is that
-sloven who spoke just now, for I see he is on our side, by his
-speaking so warmly?" "That sloven," replied Hampden, "whom you see
-before you--that sloven, I say--if we ever come to a breach with the
-King--God forbid--that sloven, I say, would, in that case, be the
-greatest man in England." But Hampden knew him also as gentle and
-lovable, tender toward his friends, loved by his rustic neighbours,
-though this vehement man, with sword stuck close to his side, had
-stern and uncompromising work, and the most difficult task ever set
-before an Englishman. "A larger soul, I think," writes Carlyle, "had
-seldom dwelt in a house of clay than was his."
-
-Much of the criticism of Cromwell that has been so bitter, so rabid
-and so persistent would at once disappear if it were understood that
-the central element in Cromwell's life was religion. He was first of
-all a Puritan, essentially a religious reformer and incidentally a
-politician. This is the clue to the maze, this is the key to the
-problem, and the solution to this historical enigma. He was by nature
-a poet and a prophet, haunted by sublime vision, dreaming of heaven
-and hell, as did Dante and Bunyan. "Verily," said he, "I think the
-Lord is with me. I undertake strange things, yet do I go through them
-to great profit and gladness and furtherance of the Lord's great work.
-I do feel myself lifted on by a strange force. I cannot tell why. By
-night and by day I am urged forward in the great work."
-
-Had he lived in the days of Jeremiah, he would have dreamed dreams and
-seen visions and foretold retribution upon the wrongdoers. Had he
-lived in the days of Socrates, he would have made much of the voice of
-God. Had he lived in the time of Bernard the Monk, or Francis of
-Assisi, he would have dwelt apart from men and fed his soul in
-solitude. Like John Bunyan, he was a melancholy, brooding, lonely
-figure, who sometimes fought with Apollyon in the Valley of
-Humiliation, and sometimes was lifted to the heights of the Delectable
-Mountains. He was a man of singular sincerity, who confessed like
-Paul: "Oft have I been in hell, and sometimes have I been caught up
-into the seventh heaven and heard things not lawful to utter."
-Blackness of darkness on one day, blinding radiance of light on
-another--both experiences were his. "I think I am the poorest wretch
-that lives, but I love God, or rather I am beloved of God." There
-speaks the religious leader, and not the ambitious politician.
-
-"In the whole history of Europe," writes Frederic Harrison, "Oliver
-Cromwell is the one ruler into whose presence no vicious man could ever
-come, into whose service no vicious man might ever enter." What an army
-was that which he collected! When one of his officers was guilty of
-profanity and vulgarity in his presence, he was immediately dismissed.
-Cromwell sought out men like John Milton to be associated with him in
-diplomatic work. "If I were to choose," he writes, "any servant--the
-meanest officers of the army of the Commonwealth--I would choose a godly
-man that hath principle, especially where a trust is to be committed,
-because I know where to find a man that hath principle." He believed,
-also, and practiced prayer, for more things are wrought by prayer than
-are dreamed of in man's philosophy. With Tennyson, he held that "with
-prayer men are bound as with chains of gold about the feet of God." One
-day, overpressed with work, he went into the country to spend the night
-with an old friend. After the Lord Protector had retired, the host heard
-words, as of one speaking. Standing by the door of Cromwell's room, in
-which he feared that some enemy might have found entrance, he heard
-Cromwell pouring out his heart to God, telling Him that this was not a
-work that he had taken up for himself; that it was God's work; that the
-people were God's children, and the world God's world. Little wonder
-that the modern politician cannot understand Oliver Cromwell, and finds
-his life full of contradictory elements.
-
-Not all present-day politicians could stand the prayer test. Cromwell
-was a God-intoxicated man. He believed that the Sermon on the Mount
-and the law of Sinai were the basis of all political creeds. "We
-think," writes the historian, "that religion is a part of life; the
-Puritan thought it was the whole of life." That which was morally
-right could not be politically wrong, that which was politically right
-could not be morally wrong. The principles of justice and honesty that
-made the individual life worthy were one with the principles that made
-national life worthy. Between man and man you expected truth. Was it
-a matter of indifference for the King to lie to his ministers, his
-people, and his Parliament? Is a king to be excused who broke all
-pledges, and laid dishonest taxes on his people? These questions were
-incidentally political questions, but primarily moral problems. And
-they thrust Cromwell, the religious recluse, into the whirl and
-turmoil of politics, and made him a soldier and a statesman.
-
-What a study in contrasts is the story of this farmer of Huntingdon!
-One day Parliament makes remonstrance; it sends the King word that he
-must call Parliament at regular intervals; that taxes must be voted by
-Parliament; that in the event of the King's refusing to call a
-Parliament for the correction of injustice, the peers may issue the
-call; that if the peers refuse, the judges may issue it, and if the
-judges play false, the people may come together for election. Hampden,
-Pym and Cromwell indict the King for wrong and tyranny. Charles gives
-orders that the five leaders of Parliament shall be delivered to the
-Keeper of the Tower. The King flees to Hampton Court, and sends the
-gold plate and the crown jewels to Paris, hires foreign troops, lands
-them upon English shores and England is plunged into civil war.
-
-For the time being, Parliament is stunned, and the leaders seem
-paralyzed. But one man is equal to the emergency. This farmer, in
-rural England, assembles the gentlemen who live in his neighbourhood.
-They crowd under the trees in his orchard, he reads a psalm, kneels
-down and prays with them, then tells them that on the morrow a
-representative of the King is to be in Cambridge to call for troops.
-Cromwell announces that to-morrow he proposes to hang the King's
-representative at the crossroads, and to seize the gold plate of the
-university to hire troops. "I want no tapsters, or gamesters or
-cowards, but only gentlemen who fear God and keep His commandments." A
-few weeks later, Prince Rupert and Charles meet Lord Essex and the
-Parliamentary forces at Marston Moor, and at first are overwhelmingly
-successful. When the Puritans are defeated, Lord Essex orders Cromwell
-to bring up his regiment, and the stroke of Cromwell's Ironsides is
-the stroke of an earthquake. The farmer turns defeat into victory.
-
-Then comes the overthrow of Charles at Naseby, and "God's crowning
-mercy" at Worcester. When Scotland tries to force the Presbytery upon
-England, Cromwell leads his troops north to Edinburgh. When the Irish
-rise up at Drogheda, he marches into Ireland. When Charles breaks all
-his pledges, and his private correspondence is discovered, exhibiting
-him in the light of traitor to the liberties of England, Oliver
-Cromwell becomes executioner, for he has to decide between the head of
-the King, or the neck of the Parliament. Offered the throne, with the
-right of descent passing over to his son, he refuses the crown, for he
-wishes to be the protector, to guard the precious seeds of liberty
-until such time as a worthy successor for the throne shall appear. If
-for a time he rules as military dictator, it grows out of the
-necessities of the times, for Parliament is weak, divided into hostile
-camps, refusing to correct the laws, investigate the abuses of judges,
-revise the principles of taxation, do anything for the navy, lighten
-the burdens of the common people. Divided into little cliques,
-Parliament wastes weeks and months, and at last Oliver Cromwell enters
-the House of Commons and dissolves Parliament, charging them with
-having thrown away a great opportunity. "May God choose between you
-and me!" exclaims the one man who understands the emergency. He is the
-true king who can do the thing that needs to be done!
-
-What were the qualities that made Cromwell the great hero that he
-was? Lord Morley tells us that Cromwell was first of all a practical
-man, tactful, straightforward, and going straight to his object. With
-the instincts of the true general, for soldiers he selected sturdy
-farmers, country gentlemen, men of iron nerve, who did not drink nor
-gamble, but with whom war meant business. He gave to each of his
-soldiers a pocket-Bible, and when he hurled his regiments against the
-jaunty and dapper youths who made up the army of Prince Rupert, his
-troops swept through the royalist army "as a cannon ball goes through
-a heap of egg-shells." "Pray, but keep your powder dry," was his
-motto. He had also the genius of hard work, and the love of detail. He
-could toil terribly. Nothing escaped his vigilance.
-
-One day he was asked whether he knew that Charles II, then living in
-Paris, had a representative in England? "Certainly," he replied. "He
-has one representative who sleeps in such a house, and another who
-sleeps near the palace. The correspondence of the first is in a trunk
-under his bed. The letters of the second are in a certain inn."
-
-When he came at length to live in a palace, Oliver Cromwell was simple
-in his tastes, pure in his morals, tireless in his pursuit of duty.
-It is said that he was a Philistine, and the enemy of culture. But he
-loved music and encouraged the opera. He loved literature, and his
-warmest friend was John Milton, the greatest poet and author of the
-age. If he levelled the castles of England to the ground, that
-feudalism might have no stronghold to which it could flee, it cannot
-be said that he hated art, for Cromwell bought the cartoons of Raphael
-for England, and preserved the art treasures of Charles the First. It
-stirs our sense of wonder that men should think that Cromwell
-represents opposition to culture, and that Charles the Second stands
-for the refinements of life. Charles the Second, the royalist, was a
-king who endeavoured to sell the cartoons of Raphael that Cromwell had
-preserved, to the King of France, to obtain money for his court. He
-encouraged bull-baiting and cock-fighting and pleasures steeped in
-animalism and vulgarity. No one claims that Cromwell himself was a
-piece of granite, unhewn and unpolished. The fact is, neither the
-Puritan nor the royalist stood for full culture and refinement. But of
-the two men, a thousand times preferable is the Cromwell who
-maintained friendship with John Milton, who represented genius united
-to the noblest character.
-
-But great as was Cromwell, the ruler, he was greater still as father,
-citizen and Christian. Alone, amid conspiracies and plots, the weary
-Titan staggered on. At last the burden broke his heart. He held the
-realm in order by his will, gave law to Europe, and defended the weak,
-crushed the bigot, so that far away in Rome the Pope trembled at his
-name, and the sons of the martyrs blessed him. Suddenly he realized
-that his great work was done. On his death-bed he lay with one hand
-upon the breast of Christ, and the other stretched out toward
-Washington and Lincoln. For hours he lay, speaking great and noble
-words. The storm that passed over London that day and uprooted the
-trees in Hyde Park was the fitting dirge for the passing of this noble
-soul. "God is good," he murmured. Urged to take a potion and find
-sleep, he answered: "It is not my design to drink and sleep, but my
-wish is to make what haste I can to be gone." An hour later he lay
-calm and speechless. His work was done. He had shattered that citadel
-of iniquity, the Divine Right of Kings, and secured for the people of
-England the rights of conscience and religion. When the King returned,
-he returned to reign in accordance with the people's will. When the
-Church was restored, it was restored upon the basis of the Act of
-Toleration, and the concession that no church can coerce the
-conscience of the people. Cromwell had compacted Scotland and England.
-He had outlined the movement of the reform bill of 1832. He had
-brought in an epoch when, for the first and only time in Europe,
-morality and religion were qualifications insisted upon in a court.
-Much of that which is best in the life and thought of America and
-England, the republic and the great monarchy alike owe to that stern
-workman of God, Oliver Cromwell.
-
-
-
-
-V
-
-JOHN MILTON
-
-(1608-1674)
-
-_The Scholar in Politics_
-
-
-By common consent, critics acclaim John Milton the greatest Latin
-scholar, the foremost man of letters and one of the two first literary
-artists England has produced. Historians have united to give him a
-place among the ten great names in English history. Take out of our
-institutions Milton's plea for the liberty of the printing press, his
-views on education, and all modern society would be changed. Tennyson
-called Milton "the God-gifted organ-voice of England, the
-mighty-mouthed inventor of harmonies; an angel skilled to sing of time
-and of eternity; a seer who spent his days and nights listening to the
-sevenfold _Hallelujah Chorus_ of Almighty God." Voltaire was not an
-Englishman, but Voltaire characterized Milton's poems as "the noblest
-product of the human imagination." Many American statesmen believe
-that the principles of the Compact signed in the cabin of the
-_Mayflower_ and the final Constitution, are none other than the
-reproduction in political terms of the dreams of freedom that haunted
-the soul of John Milton all his life long. But it remained for
-Wordsworth to pay the supreme tribute to this immortal singer:
-
- "Thy soul was like a star and dwelt apart;
- Thou hadst a voice that sounded like the sea;
- Pure as the native heavens, majestic, free.
- We must be free or die that speak the tongue
- That Shakespeare spoke; the faith and morals hold
- Which Milton held."
-
-Poet, statesman, philosopher, champion and martyr of English
-literature, John Milton was born at one of the critical moments in the
-history of mankind. His era, says Macaulay, "was one of the memorable
-eras--the very crisis of the great conflict between liberty and
-despotism, reason and prejudice. The battle was fought for no single
-generation, for no single land. The destinies of the human race were
-staked on the same cast with the freedom of the English people. Then
-were first proclaimed those mighty principles which have since worked
-their way into the depth of the American forests . . . and from one
-end of Europe to the other have kindled an unquenchable fire in the
-hearts of the oppressed. Of those principles, then struggling for
-their existence, Milton was the most devoted and eloquent champion."
-
-If it be true, as Macaulay would have us believe, that as civilization
-advances, poetry necessarily declines, and that in an enlightened and
-literary society the poet's difficulties are "in proportion to his
-proficiency" as a scholar, then it may truly be said that few poets
-have triumphed over greater difficulties than John Milton. He was born
-at the end of the heroic age in English literature, and he enjoyed all
-the benefits and advantages that travel and culture could bestow upon
-him. If, however, as others of us believe, great literature is like a
-spring of clear water, bubbling out of the soil, and no man can say
-what mysterious elements give it its crystal purity, then it behooves
-us to examine somewhat into the nature of Milton's parentage, the
-character of his environment and the significance of the training he
-received as a young man.
-
-The great poet was born in London, eight years before the death of
-Shakespeare. The first sixteen years of his life were the last sixteen
-of the reign of James I. In Cheapside, within a block of his father's
-house, stood the old "Mermaid" tavern of Marlow, Ben Jonson, Dekker
-and Philip Massinger. His father was a scrivener, who drew deeds, made
-wills, invested money for his clients, and, in general, fulfilled for
-many families the tasks that now devolve upon the modern trust
-company. The father's skill and probity won for him an increasing
-number of clients, and with money came leisure for study and travel.
-He was a musician, a man of culture, a composer of considerable note;
-and he made his home an all-round center for young artists and
-authors. From the beginning, he recognized the unique genius of his
-son, and made the development of that genius to be the chief object of
-his life. He never tired of telling the boy that his first duty was to
-make the most possible out of himself. He held to those ideals that
-were outlined in Plato's and Aristotle's books on education. Whatever
-development could come through music, art, lectures, books, teachers,
-travel, was given the young poet. Just as misers pursue the
-accumulation of gold, just as ambitious statesmen pursue office and
-honour, so this father, by day and by night, toiled upon the education
-of his son; first teaching the child in his own library; then calling
-to his aid wise and experienced tutors; then sending the boy to a
-great London grammar school and thence to Cambridge University. The
-boy showed promise from the first. His exercises, "in English or other
-tongue, prosing or versing, but chiefly the latter," early attracted
-attention. He studied hard, at school and at home; often studying till
-twelve at night. He loved books, "and he loved better to be foremost."
-He was only fifteen years of age when he wrote:
-
- "Let us blaze his name abroad,
- For of gods, he is the God,
-
- Who by wisdom did create
- Th' painted heavens so full of state,
-
- He the golden tressèd sun
- Caused all day his course to run,
- Th' hornèd moon to hang by night
- 'Mid her spangled sisters bright;
-
- For his mercies aye endure,
- Ever faithful, ever sure."
-
-Throughout his youth, Milton's enthusiasm for reading and learning
-burned like a fire, by day and by night. He was one of the few students
-outside of Italy who could think in Latin, debate in Latin, and write
-verse in Latin quite as readily as in English. "He was a profound and
-elegant classical scholar; he had studied all the mysteries of
-Rabbinical literature; he was intimately acquainted with every language
-of modern Europe from which either pleasure or information was then to
-be derived." He fulfilled his own definition of education:--"I call a
-complete and generous education that which fits a man to perform justly,
-skillfully and magnanimously all the offices, both private and public,
-of peace and war." And he believed that culture and character should
-have an aggressive note. "I take it to be my portion in this life, by
-labour and intense study, to leave something so written to after time,
-that they should not willingly let it die." Faithfully did he seek to
-live up to these high ideals. He sowed no wild oats, cut no bloody
-gashes in his conscience and memory, dwelt apart from vice and
-sensualism, and, at last, left the university with the approbation of
-the good and with no stain upon his soul.
-
-Upon entering Cambridge it had been his intention to become a clergyman,
-but that intention he soon abandoned. The reasons he gives us are "the
-tyranny that had invaded the church," and the fact that, finding he
-could not honestly subscribe to the oaths and obligations required, he
-"thought it better to preserve a blameless silence before the sacred
-office of speaking, begun with servitude and forswearing." His father,
-meantime, had retired from business, and taken a country house in a
-small village near Windsor, about twenty miles from London. Few fathers
-have ever been as generous in meeting and encouraging a son's desire to
-devote himself to literature. For the next five years and eight months,
-in that country quietude, within sight of the towers of Windsor, Milton
-describes himself as "wholly intent, through a period of absolute
-leisure, on a steady perusal of the Greek and Latin writers." His
-father, of course, had provided the funds. His biographer Masson says:
-"Not until Milton was thirty-two years of age, if even then, did he earn
-a penny for himself." Such a life would have ruined ninety-nine out of
-every hundred talented young men; but it is the genius of Milton that he
-put those years to good use. Believing himself to be one dedicated to a
-high purpose, he not only completed his studies in classical literature
-but produced, at the same time, those early immortal classics known as
-his "minor" poems. There he wrote the "Lycidas," one of the world's
-great elegies; there the "Comus," which alone of all the masques of that
-time and preceding time, "has gone in its entirety into the body of
-living English literature." And there he wrote those two exquisite,
-airy fancies known to every schoolboy under the titles of "L'Allegro,"
-and "Il Penseroso."
-
-It was in 1638, at the age of thirty, that Milton determined to
-broaden his views by study in foreign lands. Once more his father
-generously made possible the fulfillment of his ambition. The young
-scholar naturally turned his steps toward Italy, then the home of
-painting, letters and the newer learning. His biographer pictures him
-for us--"a slight, patrician figure, distinguished alike in mind and
-physique. . . . He carries letters from Sir Henry Wotton; he sees the
-great Hugo Grotius at Paris; sees the sunny country of olives in
-Provence; sees the superb front of Genoa piling up from the blue
-waters of the Mediterranean; sees Galileo at Florence--the old
-philosopher too blind to study the face of the studious young
-Englishman that has come so far to greet him. He sees, too, what is
-best and bravest at Rome; among the rest St. Peter's, just then
-brought to completion, and in the first freshness of its great tufa
-masonry. He is fêted by studious young Italians; has the freedom of
-the Accademia della Crusca; blazes out in love-sonnets to some
-dark-eyed signorina of Bologna; returns by Venice and by Geneva where
-he hobnobs with the Diodati, friends of his old school-fellow,
-Charles Diodati." In Rome again, we find him writing Latin poems, some
-of which, seen by learned Italians, stir these writers to amazement at
-the thought that a Briton could be so excellent a Latin poet. It was
-their praise, Milton says in one of his letters, that led to his
-renewed resolve to devote his life to literature. Then and there he
-determined to do for England what Homer had done for Greece, what
-Virgil had done for Rome, what Dante had done for Italy. Lingering in
-the Sistine Chapel and in the various galleries of the Vatican, he saw
-the religious dramas of Michael Angelo, and the paintings of Raphael,
-with the story of the temptation of Adam and Eve, culminating in the
-Last Judgment. And in those hours of leisure and contemplation he
-stored his memory with the glorious images that he was to use in later
-years for unfolding and unveiling the fall of man's soul in his
-_Paradise Lost_ and _Paradise Regained_.
-
-It was while he was in the midst of his studies in the libraries of
-Rome and Florence, that the news reached him of the civil war
-threatening at home. Charles the First had reaffirmed the doctrine of
-the divine right of kings--that iniquitous theory which long afterward
-was to be revived by Kaiser Wilhelm as an excuse for the Great War.
-Over against Charles stood the Parliament, representing the people,
-and led by John Eliot and John Pym, John Hampden and Oliver Cromwell.
-Milton, with instant decision, turned his steps toward England. "I
-thought it dishonourable," he tells us, "that I should be travelling
-at ease for amusement when my fellow-countrymen at home were fighting
-for liberty." Back in London, he found the country rocking on a red
-wave--the Scotch marching over the border--the Long Parliament
-portending--Strafford and Laud on the verge of impeachment--city
-pitted against city; brother against brother. His own father, drawing
-near to the end of his life, was a strong Royalist. The storm had
-broken, and in that sea of trouble the King and the old leaders were
-to go down. It is the glory of Milton that in that hour he chose to
-ally himself with a great cause and abandoning, for the time, his
-dream of an immortal epic, threw himself into the struggle for
-intellectual and moral liberty.
-
-For the next twenty years, he was engulfed in a maelstrom of politics,
-tossed on a feverish tide of political hatred. With his own father and
-brother on the side of the King, he could no longer live under their
-roof; and unwilling to surrender his convictions of freedom and
-self-government, he struck out for himself in London. He took
-lodgings, and for years earned a slender livelihood by preparing
-pupils for the university. He gave his mornings to his students, and
-spent his evenings in writing pleas, attacking the autocracy of the
-King, and supporting the Puritan Leaders who wished to found the new
-commonwealth. It was not only Milton's life that was so affected. The
-lives of almost all his English contemporaries suffered similarly.
-Through the twenty years, from 1640 to 1660, there was an eclipse of
-pure literature in England. When he wrote he wrote necessarily, in
-prose. "I have the use," he explains, "as I may account it, of my
-_left hand_." But never once did he lose sight of his ideal--poetry.
-"Neither do I think it shame," he explains in one of his pamphlets,
-"to covenant with any knowing reader, that for some few years yet I
-may go on trust with him toward the payment of what I am now
-indebted,"--meaning the composition of some poem which "the world
-would not willingly let die." He kept his promise--in the fullness of
-time. But in the interval, he played his part in the great drama of
-the Civil War.
-
-At the very outset he was forced to endure and triumph over a
-personal misfortune. Like Shakespeare and Goethe, and many other
-poets, John Milton was most unfortunate in his marital life. At
-thirty-five, after a month's rest in the country, he returned to
-London, bringing with him a wife. She was young and of a family
-virtually committed to the Royalist cause; she had a shallow mind, and
-no sympathy either for Milton's artistic aims or his political
-convictions. The Civil War was on, Milton was giving himself with
-intense application to important public topics, was away from home in
-consultation with public men the long day through, and often returned
-late at night. The poor girl was in despair. A stranger in a great
-city, with no gift for friendship, she slowly became conscious of the
-fact that she never could be interested in John Milton's life. Urging
-the necessity of a brief visit to her country home, she went away and
-later positively refused to return. Milton was first hurt, then
-angered and finally disillusioned; and after great mental distress and
-careful study of the whole question of marriage and divorce, he
-published his views, which have exerted a profound and lasting
-influence upon society.
-
-John Milton held that divorce should be as easy as marriage, and that
-when two people, beginning their contract in good faith, discover
-after honest endeavour, that there can be no happiness in the home,
-and both decide that it is best and honourable to separate, then there
-should be no legal obstacle to prevent this, providing always that
-proper provision be made for the support and education of children,
-whose character and disposition could not fail to be injured by the
-daily spectacle of unhappiness. Years afterward, when his wife's
-family had been rendered homeless, he took them all back into his own
-house. When his wife died, he married again, and within a year he was
-left a widower. Six years later he married his third wife, but his
-home was embittered by endless warfare between his daughters and his
-third wife. One of his letters says plainly that his wife was kind to
-him in his blind, old age when his daughters were undutiful and inhuman.
-
-The Civil War was scarcely begun before he issued the first of those
-thunderbolts of indignation and exhortation known as his pamphlets on
-church discipline, education, and the liberty of unlicensed printing.
-The years that followed were years of incessant labour. He began and
-completed during this period his _History of England_, written from
-the viewpoint of the common people and tracing the ills, the poverty,
-and rebellion of Britain to misgovernment and tyranny. When Parliament
-tried the King upon charges of treason, and executed Charles, it was
-John Milton who came forward to defend Parliament, in a treatise which
-bore this title upon the title page:
-
- The Tenure of Kings and Magistrate
- Proving that it is Lawful
- To call to account a tyrant or wicked King
- And, after due conviction, to depose and put him to death.
-
- By
- JOHN MILTON.
-
-Milton was not only the greatest pamphleteer of his generation--"head
-and shoulders above the rest"--but there is no life of that time, not
-even Cromwell's, in which the history of the revolution, so far as the
-deep underlying ideas were concerned, may be better studied. He was
-the first Englishman of note outside of Parliament to attach himself
-thus openly to the new Commonwealth. And every one of his prose works
-had this great quality, that it struck a blow for liberty.
-
-In beginning any study of Milton it must be remembered that his
-intellect was essentially athletic. If he was the great poet of his
-era, he was not a dreamer of the closet, but a man who plunged into
-the thick of the fight, and made his writing and his doing a vital and
-indestructible part of his time. In analyzing the scholar's influence,
-De Quincey speaks of "the literature of knowledge" and "the literature
-of power." The function of the first is to teach men, the function of
-the second is to move and persuade men to action. De Quincey wishes us
-to understand that Milton's writings entered almost immediately into
-the thinking and the doing of the British people, just as bread enters
-into the blood of the physical system. Milton cared nothing for
-learning for its own sake. Knowledge was important only to the degree
-in which it was vitally creative, inspiring men, correcting their
-blunders, rebuking their selfishness, enlightening their darkness, and
-lifting them into the realm of silence, peace, and mystery. After
-defining the true scholar and Christian, as a knight going forth to
-war against every form of ignorance and tyranny, he exclaims, "I
-cannot praise a fugitive and cloistered virtue unexercised and
-unbreathed, that never sallies out and sees her adversary, but slinks
-out of the race, where that immortal garland is to be run for, not
-without dust and heat." Learning, with Milton, was a means of
-enlarging his being and doing. Mark Pattison has well said, "He
-cultivated not letters, but himself, and sought to enter into
-possession of his own mental kingdom. Not that he might reign there,
-but that he might royally use its resources in building up a work
-which should bring honour to his country and his native tongue."
-
-The glory of the battle which he fought for freedom--the freedom of
-the human mind--is all his own. "Thousands and tens of thousands among
-his contemporaries raised their voices against ship-money and the Star
-Chamber; but there were few indeed who discerned the more fearful
-evils of moral and intellectual slavery, and the benefits which would
-result from the liberty of the press and the unfettered exercise of
-private judgment." Milton was determined that the people should think
-for themselves, as well as tax themselves. And that he might shake the
-very foundations of the corruptions which he saw debasing the state,
-he selected for himself the most arduous and dangerous literary
-service. "At the beginning he wrote with incomparable energy and
-eloquence against the bishops. But, when his opinion seemed likely to
-prevail, he passed on to other subjects, and abandoned prelacy to the
-crowd of writers who now hastened to insult a falling party." He
-pressed always into the forlorn hope. The very men who most
-disapproved of his opinions were forced to respect the hardihood with
-which he maintained them.
-
-Milton's prose pamphlets deserve the close study of every writer who
-wishes to know the full power of the English language. They sparkle
-with fine passages; they ring with eloquence; they have the fire and
-the fervour of a great mind at white heat. For quotable sentences,
-they are "a perfect field of cloth of gold." And the fineness and
-stiffness of their texture is by no means their greatest splendour.
-Every one of these controversial pamphlets answers to its author's
-definition of a good book in that it contains "the precious life-blood
-of a master spirit."
-
-By far the most popular, and probably the most eloquent of all his
-prose writings is the famous _Areopagitica_, his argument for the
-liberty of unlicensed printing. It appeared on the 25th of November
-1664, deliberately unlicensed and unregistered, and was a remonstrance
-addressed to Parliament in the form and style of an oration to be
-delivered in the assembly. Nobly eulogistic of Parliament in other
-respects, it denounced their printing ordinance as utterly unworthy of
-them, and of the new era of English liberties. Admired to-day because
-its main doctrine has become axiomatic--at one blow it accomplished
-the repeal of the licensing system and established forever the freedom
-of the English press--it contains passages which for power and beauty
-of prose make the finest declamations of Edmund Burke sink into
-insignificance.
-
-It was not, however, the _Areopagitica_, but his vindication of the
-execution of Charles the First that procured for Milton the office of
-Latin Secretary under Cromwell's government. His boundless admiration
-for Cromwell had shown itself already in his immortal sonnet on the
-great soldier. He considered Cromwell the greatest and the best man of
-his generation, or of many generations; and he regarded Cromwell's
-assumption of the supreme power, as well as his retention of that
-power with a sovereign title, "as no real suppression of the republic,
-but as necessary for the preservation of the republic." Cromwell, in
-turn, saw in Milton a most powerful defender of the new commonwealth.
-By 1651 it was generally conceded that "the reputation of the
-Commonwealth abroad had been established by two agencies, and only
-two:--the victories of Cromwell, and the prose pamphlets of John
-Milton." In the nature of the case, their friendship and mutual
-respect of the two men was inevitable.
-
-After the death of Charles, new treaties had to be drawn between
-England and Spain, England and France and Italy and Holland. These
-state papers were all written in Latin, and the Secretary of Latin and
-of Foreign Relations was a great person in the cabinet of every
-country. Milton's knowledge of Spanish, French, Italian, German,
-Dutch, as well as Latin and Greek, made him an important figure in the
-deliberations of Cromwell's Council of State. His special duty was the
-drafting in Latin of letters of state, but from the first, he was
-employed in every conceivable kind of work. The council looked to him
-for everything in the nature of literary vigilance in the interests of
-the struggling Commonwealth. He was employed in personal conferences,
-in the examination of suspected papers, in interviews with their
-authors and printers, agents of foreign towns, envoys, ambassadors. It
-was a period of intense and feverish activity, with cabinet meetings,
-conferences between the leaders of the government, necessarily held at
-night. In that era of candle-light and flickering torches, with oil
-and electricity both still unknown, Milton, with despatches to be
-translated, notes to be made at all hours, was soon imperilling his
-eyesight. He was forty years of age when he took the post; at
-forty-six, as a result of his continuous and indomitable activities,
-he had ruined his eyes and was totally blind.
-
-Wonderful the fortitude with which he faced this affliction! Hear the
-lines he composed in the first of those dark days:
-
- "When I consider how my light is spent
- Ere half my days, in this dark world and wide,
- And that one talent, which is death to hide,
- Lodged with me useless, though my soul more bent
- To serve therewith my Maker, and present
- My true account, lest he, returning, chide;
- 'Dost God exact day-labour, light denied?'
- I fondly ask: But Patience, to prevent
- That murmur, soon replies--'God doth not heed
- Either man's work, or his own gifts; who best
- Bear his mild yoke, they serve him best; his state
- Is kingly; thousands at his bidding speed
- And post o'er land and ocean without rest;
- They also serve, who only stand and wait.'"
-
-And hard upon this catastrophe came a new turn in the wheel of fortune.
-Cromwell died; the Commonwealth came to an end; all London threw its
-cap in the air at the Restoration. The leaders of the Commonwealth had
-to flee for their lives. Some fled to America for safety and some were
-caught and executed. Cromwell's body was taken from its grave in
-Westminster Abbey, suspended from the gallows, and left to dangle there.
-Past Milton's house, near Red Lion Square, the howling mob went by,
-dragging the body of his old leader. Milton himself, blind and in
-hiding, narrowly escaped execution. His head was forfeit, his pamphlets
-burned by public order. Only chance, and the exertion of influential
-friends, saved him from discovery and death. His escape from the
-scaffold is a mystery now, as it was a mystery at the time.
-
-In the evil days that followed--the days of the Restoration, with its
-revenges and reactions, its return to high Episcopacy and suppression
-of every form of dissent and sectarianism, its new and shameless royal
-court--Milton, blind and forgotten by the public, turned to his
-long-cherished dream of a great poem. For twenty years, through all
-the storm and stress of political agitation, it had never been
-banished wholly from his thoughts. In the library of Cambridge
-University there may be seen to-day a list of over one hundred
-possible subjects, written in his own hand during some leisure-hour
-when he was pondering the great project of his heart. Living in
-retirement, visited only by a few close friends, he now proceeded to
-compose the masterpiece planned as a young man. Unable to see a book,
-forced to beg every friend who visited him to read aloud to him,
-dependent upon the assistance of three rebellious daughters, none of
-whom understood the many languages he knew so well, he nevertheless
-drove forward, determined to finish his task. _Paradise Lost_, begun
-and brought to completion in the face of every sort of discouragement,
-was finished in 1665 and published in 1667.
-
-This amazing poem--the glory of English literature--is one of the few
-monumental works of the world. The English language possesses no other
-epic poem, nor a poem of any other kind, which approaches it in
-sustained sublimity. Nothing in modern epic literature is comparable
-to it save only the _Divine Comedy_ of Dante. It is impossible, in a
-single page or chapter, to call the roll of the beauties of Milton's
-poetic style. Much has been written of the organ-music of his verse,
-its magical, mysterious influence. Speaking generally, the terms mean
-little; but applied to Milton, both have significance. For his
-melody, his verse-structure, the very names he employs act like an
-incantation, with an almost occult power.
-
-James Russell Lowell emphasizes this quality: "It is wonderful how,
-from the most withered and juiceless hint gathered in his reading, his
-grand images rise like an exhalation; how from the most battered old
-lamp, caught in that huge drag-net with which he swept the waters of
-learning, he could conjure up a tall genii to build his palaces." His
-words, says Macaulay, in another brilliant summary, "are words of
-enchantment. No sooner are they pronounced, than the past is present
-and the distant near. New forms of beauty start at once into
-existence, and all the burial places of the memory give up their dead.
-Change the structure of the sentence; substitute one synonym for
-another, and the whole effect is destroyed. There is large learning in
-the poem--weighty and recondite; but this spoils no music; great
-cumbrous names catch sonorous vibrations under his modulating touch,
-and colossal shields and spheres clash together like symbols. The
-whole burden of his knowledges--Pagan, Christian, or Hebraic, lift up
-and sink away upon the undulations of his sublime verse, as
-heavy-laden ships rise and fall upon some great ground swell making
-in from outer seas."
-
-Fully to comprehend the peculiar sublimity of _Paradise Lost_, one must
-understand the peculiar character of the age in which Milton was living.
-It was a theological era, as the next century was a political era. In
-their reaction from the absolutism of Rome, the Puritans hated
-everything that reminded them of the Roman excesses, and that revulsion
-extended not only to the ecclesiastical autocracy of Rome, but to the
-lesser things, the clouds of incense, stained glass and the rich dresses
-of the clergy, the ecclesiastical holidays. These Puritans are called by
-Macaulay the most remarkable body of men that the world has ever
-produced. They had a contempt for all terrestrial distinctions.
-Confident of the favour of God, they despised the dignities of this
-world. "Unacquainted with the works of philosophers and poets they were
-deeply read in the oracles of God. If their names were not found in the
-registers of heralds, they were recorded in the Book of Life. If their
-steps were not accompanied by a splendid train of menials, legions of
-ministering angels had charge over them. Their palaces were houses not
-made with hands; their diadems crowns of glory which shall never fade
-away. On the rich and the eloquent, on nobles and priests they looked
-down with contempt; for they esteemed themselves rich in a more precious
-treasure, and eloquent in a more sublime language, nobles by right of an
-earlier creation and priests by the imposition of a mightier hand. Thus
-the Puritan was made up of two different men--the one all
-self-abasement, penitence, gratitude, passion; the other proud, calm,
-inflexible, sagacious. He prostrated himself in the dust before his
-Maker; but he set his foot on the neck of his King."
-
-It is only to be expected that the literature of such an age--both
-prose and poetry--should be to a large degree theological. Milton's
-_Paradise Lost_ is an epic of war between good and evil. Not that,
-strictly speaking, Milton belonged to the class just described. He was
-not a Puritan, any more than he was a Freethinker, or a Royalist. In
-his character the noblest qualities of all three groups were combined.
-"From the Parliament and from the Court, from the conventicle and from
-the Gothic cloister, from the gloomy circles of the Roundheads and the
-Christmas revels of the Cavalier, his nature selected and drew to
-itself whatever was great and good." But the peculiar religious note
-that is in his great epic, the serious note, the note of dignity, is
-the distillation of an atmosphere charged and aquiver with the most
-intense theological convictions.
-
-Numerous accounts have come down to us of Milton's personal appearance
-and habits toward the end of his life. By nature a patrician,
-reserved, clothed with a gentle dignity, he was not without a certain
-haughty, defiant self-assertion such as Lowell ascribes to Dante and
-Michael Angelo. He came to be a familiar figure in the neighbourhood
-of his residence, "a slender figure, of middle stature or a little
-less, generally dressed in a grey cloak or overcoat, and wearing
-sometimes a small silver-hilted sword, evidently in feeble health, but
-still looking younger than he was, with his lightish hair, and his
-fair, rather than aged or pale, complexion."
-
-He was a very early riser, and regular in the distribution of his day,
-"spending the first part, to his midday dinner, always in his own
-room, amid his books, with an amanuensis to read for him and write to
-his dictation. Usually there was singing in the late afternoon, when
-there was a voice to sing for him; and instrumental music, when his,
-or a friendly hand touched the old organ." He loved the out-of-door
-life, walked much in the fields, loved his garden and his flowers,
-made his library to be the world of the open air.
-
-From time to time learned and noble visitors, native and foreign, made
-their way to his modest home. They read in the lines of his noble
-countenance the proud and mournful history of his glory and his
-affliction. They listened to his slightest words, they kneeled to kiss
-his hand and weep upon it, for the neglect of an age that was unworthy
-of his talents and his virtues. They contested with his daughters the
-privilege of reading Homer to him, or of taking down the immortal
-accents which flowed from his lips. But, for the most part, his last
-days were days of retirement. The grand loneliness of his latter years
-makes him the most impressive figure in our literary history. Yet it
-is idle to talk of the loneliness of one, the habitual companions of
-whose mind were the Past and Future. "I always seem to see him,
-leaning in his blindness, one hand on the shoulder of each, sure that
-the Future will guard the song which the Past had inspired."
-
-Few characters have stood the test of time and history so well. And no
-other man has so fully incarnated himself in literature. Therefore the
-tribute of James Russell Lowell: "We say of Shakespeare that he had
-the power of transforming himself into everything, but of Milton that
-he had the power of transforming everything into himself." Dante is
-individual, rather than self-conscious, and he, the cast-iron man,
-grows pliable as a field of grain at the breath of Beatrice, and flows
-away in waves of sunshine. But Milton never let himself go for a
-moment. As other poets are possessed by their theme, so is he
-self-possessed, his great theme being John Milton, and his great duty
-that of interpreter between him and the world. Puritanism has left an
-abiding mark in politics and religion, but its true monuments are the
-prose of Bunyan and the verse of Milton. For the epitaph written by
-his friend was scrupulously accurate: "Whatsoever things are true,
-whatsoever things are pure, whatsoever things are lovely, whatsoever
-things are honest, whatsoever things are of good report, Milton
-thought upon these things."
-
-
-
-
-VI
-
-JOHN WESLEY
-
-(1703-1791)
-
-_And the Moral Awakening of the Common People_
-
-
-Now that long time has passed, the two bright names of the eighteenth
-century are seen to be the names of Washington and Wesley. The
-statement will come with a note of shock to many readers, but beyond
-most critical estimates, it is one that will stand examination. Time
-has a way of reversing judgments, and not the least of the changes in
-men's thought has been the gradual transformation in the attitude of
-the historian toward Wesley, carried to his grave by six poor men in
-1791. Now that one hundred and twenty years have passed, Wesley has
-thirty millions of followers, who believe in his method and are
-carrying forward his work. The time has come when there is not a city
-in Great Britain, or on the North American continent, or in India--and
-few indeed, of any size in China or Japan--where there are not some
-disciples of this teacher, spreading his message, according to his
-plan. During these hundred and twenty years, dynasties have fallen,
-empires have perished, cities and states have changed, but the ideas
-and the influence of Wesley, stamped upon the memories of his
-followers, have spread like leaven, working often in silence and
-secrecy, but slowly transforming the world.
-
-The praise of his critics is enough to lend John Wesley enduring fame.
-Leslie Stephen called him "the greatest captain of men of his century."
-Macaulay ridiculed the historians of his day who failed to see that "the
-greatest event of the era was the work of Wesley." To Macaulay's
-statement that Wesley had a genius for government, equal to that of
-Richelieu, Matthew Arnold added, "He had a genius for godliness." Buckle
-called him the first of ecclesiastical statesmen, while Lecky said,
-"Wesley's sermons were of greater historic importance to England than
-all the victories by land and sea under Pitt."
-
-"No other man," writes Augustine Birrell, "did such a life-work for
-England. He helped to save England from the horrors of the French
-Revolution." This is not a careless pronouncement, nor an instance of
-biographical exaggeration. Born in 1703, belonging to the era just
-preceding the French Revolution, John Wesley, with his fifty years among
-the working people of Great Britain, changed the thinking of his time.
-The eighteenth century was a coarse age; Carlyle summarized it in a
-single biting phrase: "soul extinct; stomach well alive." The pictures
-of Hogarth, the journals of Wesley, and the _History of Great Criminals_
-prove that there was at least a basis for Carlyle's bitterness. Dr.
-Johnson, in his _Dictionary_, defines a pension as "pay given to a
-street hireling for treason to his country." Burke describes the British
-Secretary of State as "the greatest drunkard and most unlucky gambler of
-his age." Walpole portrays cabinet ministers and statesmen reeling into
-the ferry-boat of Charon at forty-five, worn out with drunkenness and
-gout. In his pictures of Beer Street and Gin Lane, Hogarth sketches the
-drunkenness and filth of the London that he calls "the city of gallows,"
-with a street that was a lane of gibbets, where the corpses of felons
-hung. Hume and Walpole both prophesied an inevitable revolution, with
-corpses that would be piled up as barricades "in front of human beasts
-who fought with the ferocity of tigers." But at the very moment when
-France was seething with revolt, across in England, in Newcastle and
-Moorfields, thousands of grimy miners were assembled, now weeping in
-penitence, now singing hymns of praise to God. When the spirit of
-destruction swept over Europe, Wesley's revival had done its work, and
-its influence held the people of England back from the horrors of the
-guillotine in Paris. It is for this reason that historians rank John
-Wesley in terms of abiding influence, above Pitt, Wellington and Nelson.
-
-In _Adam Bede_, George Eliot, the great novelist, describes with the
-minuteness of an eye-witness an open-air revival meeting among the early
-Methodists of England. Her heroine, Dinah Morris, relates the incident
-in the following words: "It was on just such a sort of evening as this,
-when I was a little girl, and my aunt took me to hear a good man preach
-out-of-doors, just as we are here. I remember his face well; he was a
-very old man, and had very long, white hair, his voice was very soft and
-beautiful, not like any voice I had ever heard before. I was a little
-girl, and scarcely knew anything, and this old man seemed to me such a
-different sort of man from anybody I had ever seen before, that I
-thought that he had perhaps come down from the skies to preach to us,
-and I said, 'Aunt, will he go back into the sky to-night, like the
-picture in the Bible?'" . . . That man of God was John Wesley, who had
-spent a lifetime going up and down the land, doing good. He had preached
-from fifteen to twenty times a week for fifty years--in all, over forty
-thousand times. In this, his sixty-second year, he was to preach eight
-hundred times. He had ridden nearly two hundred and fifty thousand
-miles; and in his long preaching tours through Ireland he had crossed
-the Channel forty times. The poor had lost their heart to him. The
-ignorant, the outcast, the collier and clerk alike, all pressed and
-thronged about this saintly figure, with his beautiful face, his clear
-eyes, his musical voice, who never tired of telling people, "God is
-love; Christ is love; and religion is life, as it is the happiest, so it
-is the cheerfullest thing in the world."
-
-It is written of Moses that his hands were held up by two friends, Aaron
-and Hur. Not otherwise John Wesley was supported on either side by two
-great comrades,--Whitefield, the evangelist, and his own brother,
-Charles Wesley. If any man ever had the gift of eloquence and oratory,
-it was George Whitefield. At twenty-one years of age Whitefield received
-orders, and within a single year he was England's first preacher in
-point of hearers. His warmest friends may have overpraised this
-evangelist, but his harshest critics concede that he had the most
-musical, carrying voice that ever issued from a speaker's throat. During
-his career he wrote some sixty sermons, but he preached them over and
-over again, eighteen thousand times. Within a single week he spoke on an
-average of forty hours. There is nothing in his sermons, as they have
-come down to us, to explain their marvellous transforming influence, but
-Whitefield had the vision of the seer, saw heaven and hell as clearly as
-he saw the world around him, and could make men see and feel what he
-himself experienced. Benjamin Franklin heard Whitefield preach in
-Philadelphia, and was carried away by the personality of the preacher,
-whose luminous eyes, matchless voice, and transfigured face stirred the
-men of the Quaker City as if he were the angel Gabriel.
-
-Charles Wesley, like George Whitefield, was an evangelist who preached
-constantly in the open air, to multitudes of fifteen to twenty
-thousand people. He was without the iron strength of Whitefield, but
-for fifteen years he did preach once a day, and sometimes two and
-three times. He lacked Whitefield's organ voice, and the strange
-mystic, magical charm of his brother John, but his sentences were
-short, with the swiftness of bullets, and he was a most persuasive
-orator. The fact was, Charles Wesley's emotions were often beyond his
-powers of control. He pled with men with tears running down his
-cheeks; his voice shook and quavered; he melted men until their hearts
-were like water. Often, in the midst of his sermon, he broke into
-song. In theory he was a high-churchman, but in practice he was a
-nonconformist, who ordained laymen to the ministry. He was a little
-man, short-sighted, quick to resent a wrong, loyal in friendship, most
-lovable, full of faults, and full of sorrow by reason of his faults,
-an inspired singer of hymns; but he lacked the order, the organizing
-gift, the iron purpose and the unyielding will of his brother John.
-
-Far greater than either Whitefield or Charles Wesley was the brother,
-preacher, statesman, theologian, scholar, and evangelist. John Wesley
-outlived Whitefield by thirty, and his brother Charles, by four years.
-If Whitefield preached eighteen thousand times, this amazing man
-preached forty-two thousand, four hundred times and within fifty-one
-years. His comrades broke down, his friends passed away, bitter
-opposition developed, the doors of the churches were closed against
-him but Wesley's zeal "burned long, burned undimmed, burned when even
-the fire of life turned to ashes." For fifty years he not only
-preached, but published seven volumes a year. He did an enormous work
-as author and publisher. In the interests of the poor he was the first
-man to publish cheap literature, and he brought many wise books within
-the reach of colliers and peasants. He wrote a volume on household
-medicine; simple books on grammar, style, good health and history. He
-translated the writings of other authors, and abridged works that were
-beyond the poor man's purse. The germ of the modern lecture system,
-social settlement work, night-schools, and the shelter-houses of
-General Booth, are all in Wesley's work. He accomplished an incredible
-amount as author, publisher, educator, and organizer of social and
-political reforms. His _Journal_, covering a period of fifty-four
-years, and existing to-day in the shape of twenty-one beautifully
-written volumes, has been called "the most amazing record of human
-exertion ever penned."
-
-This personal _Journal_ of John Wesley deserves a place among the few
-great journals of the world. There are only two other eighteen century
-volumes worthy to be spoken of in the same breath:--Walpole's _Letters_
-and Boswell's _Johnson_. Horace Walpole was the rich idler, the male
-butterfly, who lived for pleasure and position, and in his gossiping
-letters embalmed for later generations "all the lords and ladies, the
-rakes and flirts, the fools and spendthrifts, the gossip and scandal of
-a rich man's career." Dr. Johnson stands for manliness, independence,
-courage, robust common sense. His chief interests in life were
-literature and politics, and Boswell says that he divided society into
-two classes, Whigs who were to be cudgelled and scourged, and Tories who
-were to be admired and praised. But Wesley's _Journal_ is upon a far
-higher level. His spirit is not that of curiosity, as was Walpole's, nor
-of vehement resentment and personal preferences, as was Johnson's. It is
-that of a passionate and divine pity. He possessed an overpowering sense
-of the value of men apart from their position, their politics, their
-knowledge or ignorance, their poverty or wealth; he saw them as God sees
-them. And the result is a work far sweeter and finer than either of the
-two famous volumes just considered.
-
-Wonderful the picture of serenity and strength given us in these
-intimate, vivid pages. The story of a single day is the story of the
-whole fifty years. Wesley rose at four o'clock, read his devotional
-books until five, preached in the open air to the colliers who had to go
-to their tasks at half-past six. After breakfast at seven, he mounted
-his horse; drew rein for a few minutes from time to time to read a page
-in some book that he was analyzing; after twenty or thirty miles' ride,
-preached in a public square or some churchyard at noon; dismissed his
-hearers at one o'clock that they might return to their work; rode
-rapidly, often twenty miles, to his next appointment, where he preached
-at five; after supper, when the evening twilight fell, preached again,
-holding a service that often lasted until nine or even ten o'clock.
-
-During the half century, Wesley worked along the lines of a triangle,
-westward from London to Bristol, north by Liverpool and Carlisle to
-Newcastle; then back to London through the towns of the east coast of
-England. His preaching tours followed the lines of England's
-industrial centers. He worked where the population was thickest. He
-loved the mining districts, where two or three thousand men would
-assemble for him at almost any hour of the day. The falling rain
-never disturbed him, the rough roads seemed to bring no tire. He loved
-crowds, and noise and excitement did not seem to wear upon his
-strength. Apparently there was not a tired or sore nerve in his
-wonderful little body. An entry in his journal speaks of having
-travelled that day ninety miles, and not being in the least tired,
-although he seems to have preached three times. "Many a rough journey
-have I had before," says the _Journal_, "but one like this I never
-had, between wind and rain, ice and snow, and driving sleet and
-piercing cold. But it is past; those days will return no more, and are
-therefore as though they had never been." His appointments were often
-made a fortnight in advance. His journals are filled with pictures of
-deep snow, dripping skies, bitter northwest winds.
-
-What is the secret of Wesley's greatness, and how did he ever endure
-such labour? The hidings of his power are in his wonderful ancestry.
-Long after Samuel Wesley's death, the son found in the garret of the
-old rectory a manuscript of his father's, with a scheme of world-wide
-evangelization which became a chart for the son, who said, "the world
-is my parish." The mother, Susannah, was possessed of so many gifts
-that her son felt that to have fallen heir to her mental and moral
-treasures was, in itself, a gift of God. Gibbon described his tutor in
-Oxford as a "man who remembered that he had a salary to receive and
-forgot that he had a duty to perform."
-
-John Wesley had the opposite theory of life. At seventeen, going to
-Oxford he won distinction as a scholar of the finest classical taste,
-of the most liberal and manly sentiments, and one of the finest men of
-his time. Elected a Fellow of Lincoln College when thirty-two years of
-age, appointed lecturer in Greek, carrying on his own studies in
-Arabic and Hebrew, in poetry and oratory, young Wesley wrote in his
-_Journal_ a sentence that describes the next sixty years of his life:
-"Leisure and I have taken leave of each other." It was true of him in
-middle life, and it was to be true of him to the day of his death.
-
-During the critical years when Wesley was educating himself, his
-favourite books were the _Imitation of Christ_, by Thomas à Kempis,
-Jeremy Taylor's _Purity of Intention_, and William Law's masterpiece,
-_Serious Call_. It was while he was in Oxford that he formed the habit
-of reading for one hour before he outlined the duties of the day. Then
-came the two years' visit to the United States, his brief ministry in
-Georgia, his friendship with the Moravians, and that golden hour on
-May 24, 1738, when he went with Peter Böehler and passed through an
-experience like that of Paul on the road to Damascus, that has been
-described by the critical historian Lecky,--"It is scarcely an
-exaggeration to say that the scene which took place at that humble
-meeting in Aldersgate Street forms an epoch in English history." But
-it is a striking fact that Wesley's real work did not begin until he
-had reached full middle life. It was under the influence of George
-Whitefield, the greatest pulpit orator England has produced, that
-Wesley went to Bristol and under pressure by Whitefield, consented to
-speak in the open air to some three thousand people, gathered about a
-little eminence. Few careers offer greater encouragement and
-inspiration to the man who at middle-age has yet to find himself.
-
-And what was the secret of his incredible strength? The secret is very
-simple. During each day he kept two or three little islands of silence
-and solitude for himself, betwixt the sermons and crowds. He learned
-how to read books on horseback. He never hurried, and never worried.
-He preached with physical restraint, so that public speech became a
-form of physical exercise, a life-giving kind of gymnastics. He
-learned how to breathe, so that speaking three, or four and five hours
-a day did not injure his vocal cords. Morley, in his _Life of
-Gladstone_, says that at Gravesend, Gladstone spoke for two hours to
-an audience of twenty thousand, and his biographer declares that
-physically and intellectually, that speech was the greatest of Mr.
-Gladstone's career. Gladstone was sixty-two years old when he
-performed that feat, which is unique in his career. Wesley's journal
-is filled with records like this:--
-
- Sunday, August 10, 1786. Preached in the churchyard to large
- congregations.
-
- Preached at one P. M. to twenty thousand.
-
- At five o'clock to another such congregation.
-
- All at the utmost stretch of my voice.
-
- But my strength was as my day.
-
-Seven years later, August 23, 1773, his journal holds this record:
-
- Preached at Gwennap Pit to above 32,000, perhaps the first time that a
- man of seventy had been heard by 30,000 persons.
-
-Fitchett says that Wesley's voice must have far outranged Gladstone's.
-The people all stood closely packed together. At Bristol, after the
-audience had gone, one man measured the ground from Wesley's stand to
-the outskirts of the audience and found it to be 420 feet. For this
-reason his biographers say that Wesley preached more sermons, rode
-more miles, worked more hours, printed more books, and influenced more
-lives than any Englishman of his age, or _any_ age. In 1773 he writes,
-"I am seventy-three years old, and far abler to preach than I was at
-twenty-three." Ten years later, the old man writes, "I have entered
-into the eighty-third year of my age. I am never tired, either with
-preaching, writing or travelling." And yet his emotions had tremendous
-intensity. He held thousands of miners in breathless silence for an
-hour and a half at a time. When he was ill, he exclaimed that if he
-could only go into the pulpit for two hours, and have a good sweat he
-thought he might recover. His secret of health was "a little more
-work." That was the tonic that cured worry and dissipated all clouds.
-
-The moral courage of John Wesley is one of the wonderful spectacles of
-history. He lived in a brutal, cruel century. The crowds did not stop
-with jeers, oaths, vulgar epithets. It was a time when disputes were
-marked by all the savagery of a Spanish bull-fight. Wesley gives the
-details of these persecutions and without complaint. The period
-between June 1743, and February 1744, was particularly trying. An
-organized movement was carried on to intimidate the people from
-following Wesley. In several cities the Methodists were beaten and
-plundered by a rabble that broke into their houses, destroyed their
-victuals and goods, threatened their lives, and abused their women.
-During that winter Wesley received many blows, occasionally lost part
-of his clothing and was often covered with dirt. Meanwhile, enemies
-went on in advance to sow the towns with wild scandals, and stir up
-strife and storm, but Wesley went on building churches, developing
-schools, training lay preachers, organizing his people to take care of
-the class during his absence.
-
-Wesley was a scholar, and prepared his sermons with the greatest care.
-He was also a flaming evangelist, and therefore was freed from what
-Robertson of Brighton describes as "the treadmill necessity of being
-always ready twice a week with earnest thoughts on solemn themes."
-Like Beecher, Wesley was not afraid of repeating his sermons. Like
-Wendell Phillips, he thought a lecturer was never in shape until he
-had one hundred nights of delivery back of him. Having heard a good
-man say, "Once in seven years I burn all my sermons," Wesley answered,
-"I cannot write a better sermon on the Good Steward than I did seven
-years ago; I cannot write a better on the Great Assize than I did
-twenty years ago; I cannot write a better on the use of money than I
-did thirty years ago."
-
-As an orator, Wesley had many wonderful gifts. Not a large man, he was
-compact and strong, with nerves of silk and sinews of steel. In
-moments of impassioned speech he seemed to tower and take on the
-dimensions of a giant. His portraits show him to have been a man of
-fine figure, and beautiful face, with firm lips, mobile and sensitive,
-eyes bright and kindly. His complexion was very beautiful, fair, clear
-and somewhat ruddy. His forehead was broad, and beautifully curved.
-His voice was called the finest instrument of its kind in England,
-always saving that of Whitefield. During his college days he made a
-reputation as an accurate scholar, and a keen and skillful logician.
-All his life long he retained his analytic method, and was always
-working upon his sermons. He was a master of keen, arrowy sentences.
-His sermons abound in short paragraphs. His illustrations are simple,
-but so perfectly related to his thought, that they become a part of
-the argument itself. The chief characteristic of his style is its
-clearness. He excelled in the searching force of the application, and
-tested the result of each address by the number of hearers whom he had
-persuaded to change their lives at a given moment.
-
-Little by little he developed a kingly authority. He carried the
-atmosphere of gentle supremacy. "How did you know that Theseus was a
-god?" The answer was: "I recognized Apollo by his speech; Mars by his
-thunderbolts; Minerva by her wisdom, but I knew that Theseus was a
-god, because whatsoever he did, whether he sat, or whether he walked
-or whatsoever he did, he conquered." John Wesley was a natural king,
-ruling men by the divine right of moral supremacy. One day a mob
-threatened to tear him in pieces. "I called," Wesley writes, "for a
-chair. Suddenly the winds were hushed, and all was calm and still; my
-heart was filled with love; my eyes with tears; my mouth with
-arguments. The leaders were amazed; they were ashamed; they were
-melted down; they devoured every word." At the end of the sermon the
-leader, who held a stone in his hand, with which to strike Wesley,
-seemed transformed. He turned to his followers and shouted, "If any
-man dares to lift a hand against Mr. Wesley he will have to reckon
-with me first!" Those who came to curse remained to pray.
-
-Wesley has had scores of biographers, and every one of them seems to
-have emphasized the happiness and the serene cheerfulness of his daily
-life. If there ever lived a man who dwelt in constant sunshine, and
-maintained unbroken tranquillity and peace amidst endless storm and
-tumult, that man was John Wesley. He cared nothing about a great
-house, servants, equipage, money. It is said that the profits of his
-various publications were about $150,000, but he gave this money away
-as fast as it came in. He discovered the simple life long before
-Pastor Wagner. He ate sparingly, cared nothing for rich foods or
-costly raiment. He loved the temperate zone, far removed alike from
-luxury and poverty. He never wrote a creed. In welcoming a member into
-his company he asked two questions, "Is thine heart right? If it be,
-give me thine hand. Dost thou love and serve God? It is enough. I give
-thee the right hand of fellowship." In that spirit, when members of
-other churches came to him he bade them keep their own creed if only
-"they did love and serve God, and desired to save souls."
-
-And so his work spread into every land. Asbury, the great pioneer, rode
-his horse to and fro over the Alleghany Mountains, preaching in hundreds
-of settlements between the Atlantic Coast and the Mississippi River.
-Simpson, with his unrivalled eloquence, travelled from state to state
-for forty years, founding churches, charging class leaders, consecrating
-lay preachers, placing the torch in the hand of some gifted youth, and
-sending him out to light a thousand other tapers. Taylor made his way
-across India with its three hundred millions, and in every cannibal
-island in the South Seas and along the path through the jungles of
-Africa, went the followers of Wesley. It is a wonderful story. For the
-man who counted himself the friend of all the churches and the enemy of
-none "has liberalized, broadened and sweetened every Christian faith."
-
-The year 1741 brought the beginning of Wesley's plan of world
-evangelization. He saw that the millions of the human race would never
-be reached by a handful of preachers. He tells us that it was as if a
-veil had fallen from his eyes, after which he saw clearly that Jesus
-used lay disciples, both men and women, for the spread of His life and
-teaching. Holding a candle in his hand, Wesley lighted another
-candle, and watched the flame leap from taper to taper. He organized
-each group of one hundred converts into a class and pledged them to
-come together in a meeting, when each disciple was to tell the story
-of what the living Christ had done for him. He saw that merchants
-advertised their cotton and their woollen goods; that manufacturers
-went everywhither telling other men the advantages of the new loom, or
-locomotive; and instead of having one minister to confess Christ
-before five hundred dumb hearers, Wesley conceived the idea of
-dedicating each of the five hundred hearers, not to dumbness but to
-full speech, and to send them forth, from house to house, and mine to
-mine, and school to school.
-
-Scientists tell us that the Gulf Stream, made up of individual drops
-of water, each of which has been warmed by the tropic sun, bathes
-England and turns a land that is as far north as Labrador into a land
-of fruit and flowers. And from that hour, if other churches had one
-minister, to five hundred disciples, Wesley dedicated laymen and
-laywomen to the task of going forth into all the world to tell the
-story of the love of God to sinful men.
-
-The movement he started is still advancing in the world. It was Wesley
-who gave the impulse to Wilberforce, the emancipator, to Howard, the
-prison reformer, to Livingstone, the missionary, to the Booths with
-their work for the submerged classes. Above any other man in modern
-times he made it plain to the miner, the peasant, and the criminal, that
-they must achieve eminence through penitence and obedience, love and
-self-sacrificing service. Having turned multitudes to righteousness, his
-name now shines like the brightness of the firmament, and will continue
-to shine like the stars for ever and ever.
-
-John Wesley mastered another secret--he knew how to die gloriously. In
-his last hours, Moody, the evangelist, turned with smiles to a friend,
-and whispered, "They were all wrong. There is no valley, and no
-shadow." Wesley died with that memorable word upon his lips, "The best
-of all is, God is with us." He preached his last sermon on February
-23, 1791. His last letter was addressed to Wilberforce, and was a
-protest against the horrors of slavery. A few weeks before, he had
-given the first five days of the new year to the task of walking
-through the streets of London, soliciting alms for the relief of the
-poor. In those days his appearance in the street was the signal for
-all passers-by to uncover. Men revered him as a noble saint. He died
-singing, in the spirit of serene happiness and outbreaking joy:
-
- "_I'll praise my Maker while I've breath_
- _And when my voice is lost in death,_
- _Praise shall employ my nobler powers._"
-
-Great was the power of the soldier, Napoleon; wonderful the genius of
-his opponent Wellington, the victor; marvellous the influence of Pitt,
-with his vision of the expansion of England as a world power; but more
-wonderful, a thousand times, the influence of John Wesley, carried to
-his grave by six very poor men, but whose work is memorable, whose
-influence is immortal, and whose spirit is inshrined in the hearts of
-millions of his grateful followers.
-
-
-
-
-VII
-
-GARIBALDI
-
-(1807-1882)
-
-_The Idol of the New Italy_
-
-
-Among the builders of the New Italy, history has made a large place
-for Mazzini, the agitator and author, and for Cavour, the statesman,
-but the common people have kept the first place in their heart for
-Garibaldi, the soldier, and hero. Mazzini was the John the Baptist of
-the movement, who descended upon the political ills and wrongs of his
-time, carrying a torch in one hand and a sword in the other. Cavour
-was the statesman of the movement, a most skillful diplomat, who
-organized political and moral forces against the foul wrongs found in
-the prisons of Naples and the palaces of Rome. But it was Garibaldi
-who captured the imagination of the Italian people, who turned mobs
-into regiments, overthrew the citadels of iniquity, and made possible
-the realization of the visions of Mazzini and the reforms of Cavour.
-
-Unlike the other great men whose stories fill the pages of this
-little book, Garibaldi was not a man of universal genius; he wrote no
-enduring history nor philosophy, he created no body of laws. In terms
-of intellect his gifts were modest. No pamphlet, no great speech
-survives his death. He was one of the common people. But he was born
-with the gift of surrender, and he knew how to dedicate himself to a
-great cause. Early in his career Garibaldi allied himself with an
-unpopular movement, in the interests of the poor and the oppressed,
-and thereby opened the doors of hope to all men of modest gifts, who
-are ambitious to serve their fellows.
-
-The career of this soldier, Garibaldi, forms one of the most dramatic
-and fascinating tales in history. It is a story so unique and
-unexplainable that many Italians speak of the miraculous note in it,
-the note of mystery. Garibaldi's mother was a remarkable woman, who
-believed that her son had a call from God to do a great piece of work,
-and she filled the soul of the child with the firm belief that he
-could not be killed by any sword or bullet or cannon-ball. This
-supreme conviction explains, in part, deliverances that his
-biographers tell us were "miraculous." With words of matchless
-simplicity, the apostle Paul tells us the number of times he was
-stoned and mobbed, flogged and imprisoned; but the perils of
-Garibaldi in the wilderness, in the city and the sea were scarcely
-less dramatic. In his boyhood his father was the captain of a sailing
-vessel, who owned and commanded his own ship and made the ports
-between Nice and Constantinople. At fifteen years of age the boy went
-to sea; learned to build a sailing-vessel, to rig the masts, to sail
-the boat against opposing winds, and to fight the pirates who were
-still occasionally found upon the seas. And he was barely twenty when,
-under the influence of Mazzini, he surrendered his soul to the spirit
-of Washington and Hamilton and dreamed the dream of a second republic.
-From that moment, when, heart and soul, he threw himself into the
-cause of liberty, his life was one long chapter of thrilling
-adventures and miraculous escapes.
-
-His biography teems with striking incidents. Once, after enlisting on
-the side of the revolutionists, he was on a small vessel going up the
-La Plata River. Rounding a bend in the stream, Garibaldi's little boat
-was attacked by two large vessels, that opened fire, cut down the
-masts, carried away the sails, and covered the decks with killed and
-wounded. As captain of the boat, Garibaldi wore his red shirt, and so
-became the target of the gunners. When several of his men tried to
-drag him below, he answered, "I can't be killed!" A few minutes later
-a shot struck his neck and cut a part of the jugular vein. Now, many
-surgeons say that if the jugular vein be severed it cannot be healed,
-because it is always throbbing and throbbing with each pulse beat,
-just as it is said that a shot through the heart is fatal. A little
-later the boat struck a sandbar, and the battle swept to another part
-of the river. The physician told Garibaldi that his wound was fatal,
-and asked what word he wished to send home. Garibaldi answered, "Tell
-my mother I shall live to be seventy-six."
-
-On another occasion, his place of hiding was surrounded by a company
-of soldiers, who opened fire upon the house. Garibaldi awakened, flung
-open the door, took his sword in one hand and his dagger in the
-other--his ammunition was exhausted--and rushed forth against the
-enemy. From their ambush these enemies saw his red shirt. They had
-heard that no bullet could kill him, and armed as they were, they fled
-in every direction, across fields and into the woods.
-
-At the very outset of his career, Garibaldi's life was threatened by
-the State and a price put upon his head. Under the influence of
-Mazzini, he had joined a secret society and been made acquainted with
-the plans for a revolution in Italy. The plot was betrayed by a spy,
-and in the disguise of a peasant trying to buy sheep, Garibaldi was
-forced to flee across the line into France. Once on French territory,
-he abandoned caution and entered a village inn. "I must have something
-to eat," he told the landlord, "I am starving." His host was
-suspicious and asked Garibaldi if he was not a fugitive, to which the
-youth replied with open truthfulness, "Yes, I am an Italian! I fled
-from soldiers who would have shot or hung me, had they been quick
-enough." . . . "What have you done?" asked the landlord. Garibaldi
-answered: "I met Mazzini. He told me about the republic in the United
-States. He said that the American colonists threw off the yoke of a
-tyrant and made a constitution for themselves, and asked whether the
-people of Italy could not break their own fetters. I answered that
-Italy should become a republic."
-
-After that bold statement, the landlord signalled to one of his men,
-who put his hand upon Garibaldi's shoulder, saying, "I am an officer
-of the French government. Under the treaty with Italy I am sworn to
-arrest all those accused of treason who flee across the frontier." . . .
-"Very well," said Garibaldi. "And now that is settled, give me
-something to eat!"
-
-When the servant asked Garibaldi whether he had money for his dinner,
-the youth pulled out his purse. "Since I am going to be either hung or
-shot, I may as well have one good meal before I die!" He then asked
-two or three strangers who were in the inn to join him in his last
-dinner, and extended that invitation until there were fifteen or
-twenty about the table, singing, telling stories, and relating
-incidents of adventure. When Garibaldi saw that the time had come for
-his arrest, since a group of soldiers had appeared at the door, he
-arose, and looking out upon his new friends, said, "Well, the
-landlord, who is an officer of the government, has sent for these
-soldiers to arrest me. It seems I have committed treason. I wanted to
-have a republic in Italy. So I joined Mazzini's society." One by one
-the inmates of the inn rose. One looked toward the landlord and said,
-"Is this true? Are you going to imprison and shoot this man? Why, this
-Garibaldi is a great man, and a good man; I never saw him before
-to-night, but before you arrest him you will have to arrest me."
-Another shouted, "Before you shoot Garibaldi, you will have to shoot
-me!" A moment later, the whole company had joined to form a bodyguard
-around the brave young stranger. They lifted Garibaldi to their
-shoulders. They dared the officers to arrest him. They carried him out
-to the stable behind the inn, filled his pockets with copper and
-silver, and paid the driver to set him twenty miles beyond the
-frontier. Four of them rode with him as a guard to protect him. . . .
-
-Condemned to death, he escaped to South America, where he plunged at
-once into the struggle for liberty there. The story of the happiness
-and prosperity of the people of the United States under a free
-government had spread all over the Southern continent. Unfortunately
-there were still many men who believed in autocracy and in the
-absolutism of an hereditary despot. Garibaldi at once took sides. He
-fought on the sea. He began as a private sailor, but soon became
-commander of the fleet. He fought on the land. He began as a private
-soldier, but he ended as a general. Once he was captured and beaten
-within an inch of his life. Once he was taken from a prison and hung
-by his hands from a beam. During those two hours, he tells us, he
-suffered the anguish of a hundred deaths.
-
-Then came the dramatic meeting with Anita. One of his soldiers told
-Garibaldi about the beauty, bravery and self-sacrifice of a daughter
-of a certain rich man. Hearing that this girl, Anita, had gone to
-visit a friend in the village, Garibaldi, with several of his men,
-rode to the little store. Drawing rein before the door of the shop, he
-sent one of his men into the store to buy some trifle. In the upper
-window stood Anita. Garibaldi turned his horse and rode close to the
-door. Looking up, he met the eyes of Anita, and for a full minute,
-without saying a word, the two looked each into the soul of the other.
-Suddenly Garibaldi said, "Señorita! I have never seen you before. I do
-not know your name, but you belong to me! Sooner or later you will
-come to me." Anita arose. She leaned out of the window. In a low voice
-she said, "Shall I come now?" And Garibaldi answered, "I will ride up
-the street and return within a moment. Be ready at this spot." There
-was just time for Anita to grasp a cloak and a few articles of
-clothing. A moment later, down the street on a gallop came Garibaldi,
-followed by his soldiers. Anita was standing on the stone step. As
-Garibaldi dashed by, he put out his right arm, swept her against his
-horse and up to the front of the saddle and dashed away for a ten
-mile gallop to a little church whose frightened priest refused to
-perform the marriage ceremony without publishing the banns for the
-next two Sundays. Anita's father was of the other political party and
-the soldier knew that the consent would never be given. Garibaldi laid
-two revolvers upon the altar and said quietly, "Father, the service
-will proceed immediately."
-
-So they were married. Anita was well educated as well as brave and
-very beautiful. In a fit of anger and hate, her father organized a
-group of conspirators who were to receive a rich reward for killing
-Garibaldi. It was Anita who discovered the plot and fired the pistol
-that led the conspirators to believe that they had been discovered.
-Later, a drunken mob discovered that she was alone in a little house.
-The leader of the despot organized a group at midnight, all of them
-crazed with liquor. They set fire to the house and then rushed in,
-only to find that Garibaldi had not yet returned home. And when these
-drunken brigands had beaten Anita down and knocked her into
-unconsciousness Garibaldi returned unarmed save for his dagger. One by
-one he took these eight men who were standing about the unconscious
-girl, and one by one they went down before him.
-
-His life in South America, extending over a period of fourteen years,
-was one long struggle against tyranny and oppression. Fighting first
-in the revolt against Brazil, then joining the patriots of Uruguay, he
-formed the Italian Legion, and in the spring of 1846 won the battles
-of Cerro and Sant'Antonio, assuring the freedom of Uruguay. Refusing
-all honours and recompense he returned to Italy, having heard of the
-incipient struggle for liberty at home. He landed at Nice in 1848 and,
-forming a volunteer army of 3,000, plunged at once into the struggle
-against the French. His troops were largely students, mere lads, many
-of them never before under fire, and the troops of the enemy included
-the legions of France, Austria and Spain. The climax of the struggle
-came with his wonderful retreat through central Italy toward Venice,
-pursued by four armies. Only his consummate generalship and the
-matchless loyalty of his men saved them all from annihilation. During
-this retreat, Garibaldi was accompanied by his wife, Anita, who had
-cut off her hair and mounted a horse, and who wore men's clothing to
-avoid observation. Realizing at length that the struggle was hopeless,
-Garibaldi issued an order, releasing his soldiers, and bidding them
-return to their homes. And leaving Anita hidden at the house of a
-friend, he himself took refuge in a cave in the hills, after the
-fashion of David the Fugitive and Robert Bruce--a hiding-place from
-which he continued to send forth his military orders.
-
-Among the many wonder tales of this period, many of which are
-traditional and perhaps untrustworthy, there is one that bears the
-stamp of reality. One night Garibaldi was asleep in the cave. A
-faithful soldier was on guard. Suddenly the soldier saw a torch waving
-in the blackness of the valley below. The torch was spelling a signal,
-but the guard was ignorant of its significance. He hurried into the
-cave and wakened his leader. Garibaldi knew the signal--it told of the
-approaching death of Anita. With instant decision, he started down the
-mountainside; made his way to the house of a peasant, and, despatching
-a man in advance, found and mounted a horse for the long ride to the
-village where Anita lay dying. Ahead of him, the galloping rider
-warned the countryside, shouting that Garibaldi was coming and
-commanding every man to go into his house and close the door, that no
-man might see the face of the fugitive, for whose person a reward had
-long been offered. The hurrying hero changed horses, and when the day
-was nearly done, rode into the village to the house where his beloved
-wife lay dying. In the night, wrestling with the death angel,
-Garibaldi was defeated, and left desolate. When the morning came, he
-wrapped Anita's body in the flag of the new republic, and buried her
-in the corner of the garden. That night he rode back to his handful of
-fugitives, hidden in a defile of the mountains.
-
-It was about the year 1850 that, once more a fugitive, Garibaldi
-sailed for America, and coming to New York, settled as a chandler on
-Staten Island. He had a brother living in New York, and the brother
-had never tired of writing letters about the wonderful opportunities
-in the United States. It was an era of candles. Kerosene oil was but
-little used, while gas and electricity were unknown. As a cattle
-drover in the Argentine Republic, Garibaldi had seen the great herds
-on the ranches, the tanneries filled with hides, the great stores of
-tallow in the warehouses. He entered into an agreement with a friend
-in South America to keep him supplied with tallow, and over at St.
-George he started his little candle factory. Later, he became a
-trading skipper and in 1854 was able to return to Italy with funds
-sufficient to purchase the tiny island of Caprera, and build the
-house which thenceforth was to be his home.
-
-Throughout the four years in America and on the sea, he had never once
-ceased to dream his dream of liberty and a republic to be set up in
-Italy. In 1851, while he was living here, Louis Kossuth, the Hungarian
-patriot, had landed in New York and received an ovation. While here,
-Kossuth had perfected the constitution for the republic he proposed to
-set up in Hungary, and had announced his plans for the overthrow of
-the royal family, and the enthronement of a president. Garibaldi kept
-in touch with every such new movement. He read the daily papers of New
-York; met the political leaders of the city and everywhere heard
-discussions as to Washington and Franklin, Hamilton and Webster. The
-fire burned ever more fiercely in his heart. He wrote a friend saying:
-"Whenever they are ready, the people of Italy can shake off the old
-tyranny that has come down from the middle ages, just as a peasant in
-the forest shakes the fallen leaves from his coat."
-
-And during his trading days, while on a voyage to Hong Kong, he
-dreamed another dream, of a different kind. Half-way across the ocean,
-he dreamed that he saw his mother kneeling at the foot of a white
-cross. He fell upon his knees beside it and heard her say: "Fight
-only for liberty, my son! Fight only for liberty!" It was his
-birthday, the fifth of May. Months later, he discovered that on that
-very night his mother had passed away in the little house in Nice.
-From that hour he dedicated the remainder of his life to the
-liberation of his native land.
-
-One day, while he was following the plow on his little island farm near
-the coast of Sardinia, a messenger brought word that an Austrian
-regiment had landed on the shore of Sardinia and seized the island for
-Austria. Once more, Garibaldi plunged into the struggle. For a year he
-fought at the head of Italian volunteers under Victor Emmanuel, against
-the Austrians, liberating the Alpine territory as far as the frontier of
-Tyrol. Then, in retirement at Genoa, came another summons--a letter
-telling the story of the sufferings of the liberal leaders in Naples.
-King Francis, the tyrant of Naples, had been arresting by wholesale men
-suspected of sympathy with free institutions. The despot filled the
-dungeons, crowded the upper cells, packed the corridors between the rows
-of cells, until there was not room for men even to lie down upon the
-floor. Without any warning whatsoever, the soldiers would appear at the
-home of some citizen. Without any hearing, much less a trial, men were
-sent to the royal prison and jammed into corridors already filled to
-suffocation with murderers, brigands, thieves, forgers. The under-cells
-dripped with filth. There was no sanitation. Vermin, rats, every form of
-vice and uncleanliness were there. In the stifling heat some smothered
-to death.
-
-Gladstone was at this time in Italy. One day he reached Naples, en
-route for Pompeii and Herculaneum. Calling upon the British Consul, he
-was told about these prisons, that were death-traps. He hurried back
-to London. He used his official position as a statesman under Queen
-Victoria to address a letter to the civilized peoples of the world. A
-wave of indignation and horror swept over the capitals of Europe. The
-hour had struck for Italy. Garibaldi headed a tiny army and started
-south to the attack. Naples was besieged. After weeks of fighting, and
-oft wounded, one day with clothes covered with blood he addressed a
-handful of citizens: "Soldiers, what I have to offer you is
-this--hunger, thirst, cold, heat, no pay, no barracks, no rations,
-frequent alarms, forced marches, charges at the point of the bayonet.
-Whoever loves honour and fatherland, follow me!" Ah, Garibaldi knew
-that there is a latent instinct of heroism in every human heart. Why
-are there few boys going into the ministry to-day? Because the task
-has become too easy. Here are the young fisherman, John; the young
-physician, Luke; the young rabbi, Paul;--offer them stones, scourges,
-blows, fagot-fires, martyrdom, and they will leap into the breach.
-After that appeal of Garibaldi four thousand men followed their leader
-to battle. Soon the bloody tyrant of Naples was driven from his city.
-
-Then came the long campaigns in the south, with Garibaldi's entrance
-into the city of Palermo; the struggle in Sicily, the siege of the
-fortress at Massina, the triumphal march through Calabria, his victory
-at Naples, culminating with that great day, September 7th, 1860, when
-he handed over a fleet and an army to Victor Emmanuel. Having endured
-every form of peril, hunger, and cold, with loss of blood through many
-wounds, the citizens of Naples, after the expulsion of their recreant
-King, turned with one heart and offered him the throne for his
-leverage, and the palace for his home. But Garibaldi refused the
-throne, because he believed in the republic, and no bribe nor
-blandishment could swerve him a hair's breadth from his conviction
-that the fairest, stablest form of government was self-government.
-
-On the day of his entrance, the people went out and carried him into
-the city upon their shoulders. All along the central street he was
-welcomed with the words, "Secundo Washington"--"Second Washington."
-For what Lincoln did for the three million slaves, and what Washington
-did for the three million colonists, Garibaldi had wrought for three
-million downtrodden Italian peasants. But having freed the people from
-cruel oppression, he sent for Victor Emmanuel, the ruler who had
-insulted him, and said, looking toward his army and the captains of
-his navy, "I have not been trained for civil government! I therefore
-abdicate my position as commander-in-chief of the army and navy, and I
-turn these instruments of defense and offense over to you." History
-holds the story of no sublimer act of disinterested patriotism. That
-deed insured a united Italy, the chief aim of Garibaldi's life.
-
-From that hour his fame, his place in the history of Italy were fully
-established. During the next few years many honours and offices were
-offered Garibaldi, all of which he consistently declined. He was the
-last hero of the heroic age of the new Italy, the most popular, the
-most legendary, in the sense that he resembled a hero of old romance.
-A faithful soldier, who might have been a king; a hero always a hero,
-even to his own servants and amid sordid circumstances; unspoiled by
-the admiration of the world and the adulation of his friends; a
-warrior with hands unstained by plunder, cruelty or the useless
-shedding of blood, he remained to the end one of the few characters
-for whom neither wealth nor rank ever offered temptation. Michelet,
-the French historian, wrote of him, "There is one hero in all
-Europe--one! I do not know a second. All his life is a romance; and
-since he had the greatest reasons for hatred to France, who had stolen
-his Nice, caused him to be fired upon at Aspromonte, fought against
-him at Mentana, you guess that it was this man who flew (during the
-Franco-German War) to immolate himself for France. And how modestly,
-withal! Nothing mattered it to him that he was placed in obscure posts
-quite unworthy of him. Grand man, my Garibaldi! My single hero! Always
-loftier than fortune! How sublimely does his memory rise and swell
-toward the future!"
-
-In retrospect, strategists tell us that Garibaldi knew little and
-cared less about the usual military tactics, or the plans of
-organization and transport taught in military schools. His wonderful
-career, with its many and brilliant victories, is explained by the
-supreme influence which his person exercised. Knowing neither danger
-nor fear, rushing into the most perilous spots, his very daring
-fascinated and inspired his followers. "He had all the instincts of
-the lion; not merely the headlong courage, but the far nobler
-qualities of magnanimity, placability, self-denial. His impulses were
-all generous, his motives invariably upright, his conscience
-unerring." The most loving among great leaders, the least hating among
-great soldiers, he was devoid of all personal ambition, as he was
-devoid of all rancour and malice. He was one of the most picturesque
-leaders, one of the most dramatic figures in all history. "None could
-fail to admire or be inspired by the sight of him on the field of
-battle, as with clear, ringing silver voice, his lion-like face, his
-plain red shirt and grey trousers, he sat his horse with perfect ease
-and calm, guiding his soldiers by plunging into the thick of the enemy
-and trusting his troops to follow."
-
-Garibaldi's moral courage was always the equal of his physical
-bravery. During the siege of Rome, when he was defending the city
-against the forces of Austria and of France, the enemy located the
-house from which he was directing the defense. Cannonball, smashing
-through the roof, carried away his flag; bullets aimed with unerring
-accuracy entered the windows, and buried themselves in the walls.
-While the others ran to the cellar, Garibaldi walked out the front
-door, stood on the steps, and calmly supervised the carrying to a
-place of safety of all the important military papers. That night the
-Roman leaders sent messengers to Garibaldi, and insisted upon
-surrender. At last Garibaldi exclaimed, "Is it not enough that I must
-fight our enemies? Has it come to this, that with equal strength I
-must oppose my friends?" And then, he lifted his broken sword, and
-exclaimed: "On my monument write these words, 'A man who never
-surrendered to the enemies of human freedom!'"
-
-Where were the hidings of this man's power? History tells of no leader
-who was so idolized. For Garibaldi men braved martyrdom. For him,
-women endured starvation. Priests risked the anathema of their
-masters. Boys, wearing the red shirt, flung themselves upon the
-bayonets of Austria and France. Captured, they were tortured by the
-enemy, but died smiling rather than betray Garibaldi. There is a
-tradition not mentioned by his best biographer, that many Italians
-claim is absolutely true. Once when he was in hiding, he appeared at
-midnight in the public square of Naples. The city was completely
-controlled by the King, who had set a price upon Garibaldi's head. But
-many of the people were secret followers of Garibaldi, who wished to
-confer with one of his friends in the prison. Recognizing a policeman
-who was his friend, Garibaldi put his fingers upon his lips and drew
-his cloak the closer about his face. After a whispered word the
-soldier led Garibaldi to the entrance of the prison. Another whispered
-word and the great iron gate swung open. A second whispered
-conversation and the inner gate opened. Within, another guard stooped
-while Garibaldi whispered in his ear. A little later, out of a cell,
-came that captured friend of Garibaldi. The hero asked and obtained
-the information he desired. Putting his two fingers upon his lips,
-Garibaldi saluted, and was led to the inner gate. Having passed
-through he put those two fingers upon his lips, saluted, and was led
-to the outer gate. Putting his fingers upon his lips he saluted again,
-and with an officer who had become his guide, walked hurriedly to an
-alley, where he stepped into his carriage, where he saluted and
-disappeared in the darkness--whether cellar or attic no man knows
-unto this day. The following morning Garibaldi led his troops into
-battle. Now tell me, where is there in history of human heroism a
-chapter more thrilling than this story of Garibaldi?
-
-The truism that men without fault are generally men without force, is
-well illustrated in the life of Garibaldi. It is the strongest, most
-adventurous, romantic and troublous career in history. There are many
-blots upon his scutcheon, just as there are many yellow spots upon the
-front columns of the Parthenon, and nothing is gained by calling the
-roll of faults rehearsed by his critics and enemies. "The evil that men
-do lives after them; the good is oft interred with their bones."
-Remember the story of the farmer in Sardinia who came home at night,
-sick because he had lost a favourite lamb, and how the next morning
-Garibaldi returned with the little dumb creature wrapped in his blanket
-and lying upon his bosom. Remember, how at Palermo, Garibaldi came out
-of the battlefield unshaken, but at sight of the little orphans in the
-asylum crying for food the great soldier burst into tears. Even when
-they led him to the palace and called him "Your Excellency," he frowned
-and moved to the lighthouse, where, the idol of his people, he lived in
-a tiny room with no furniture but a couch and a stool. Once he was
-offered great riches if he would go out to China and lead a regiment and
-ship slaves to South America, but he answered that "Not all the wealth
-of the Indies could induce him to buy and sell human flesh." After his
-long campaigns and victories for the people of Uruguay the new
-government sent him a title deed to an enormous tract of land and
-thousands of heads of cattle, but he tore up the deeds because he had
-fought for liberty. In time of plague he became a nurse, in time of
-shipwreck he risked his life to save his comrades.
-
-It is true that for some years, under the influence of two friends who
-were foreigners, he passed under the influence of their own materialism
-and doubt, and he tells us that from that hour it seemed as if the
-spirit of his mother and of Anita had both deserted him. During the last
-years of his life he became almost a hermit and seemed to be confused by
-the problems of the world in which he lived. But he had been starved,
-imprisoned, tortured, betrayed and shot down. The real Garibaldi speaks
-in this message that he addressed to the people of Italy:
-
-"I am a Christian and I speak to Christians.
-
-"I love and venerate the religion of Christ.
-
-"Christ came into the world to deliver humanity from slavery.
-
-"You who are here have the duty to educate the people.
-
-"Educate them to be Christians.
-
-"Education gives liberty.
-
-"On a strong and wholesome education for the people depend the liberty
-and greatness of Italy!
-
-"Viva Victor Emmanuel!
-
-"Viva Italia!
-
-"Viva Christianity!"
-
-
-
-
-VIII
-
-JOHN RUSKIN
-
-(1819-1900)
-
-_And the Diffusion of the Beautiful_
-
-
-The genius of John Ruskin's message is in a single sentence: "Life
-without industry is guilt, and industry without art and education is
-brutality." He held that all the doing that makes commerce is born of
-the thinking that makes scholars, and that all the flying of looms and
-the whirling of spindles begins with the quiet thought of some
-scholar, hidden in a closet, or sequestered in a cloister. He never
-made the mistake of supposing that education would change a ten-cent
-boy into a thousand-dollar-a-year man, but he _did_ know that there is
-some power in Nature that will transform a seed into a sheaf, an acorn
-into an oak, and that the truth will change a child into a sage, a
-statesman, a seer, a man with a message for his century.
-
-Ruskin wrote many volumes to prove that wealth is not in raw
-material;--not in iron, not in wood, not in stone, not in cotton, not
-in wool. Wealth is largely in the intelligence put into the raw
-material. Pig-iron is worth twenty dollars a ton, but intelligence
-turns that ton of iron into a ton of tempered hair-springs, and it is
-worth perhaps ten thousand dollars a ton. The clay in Rodin's
-_Thinker_ represents a value of a few francs, but the idea in the
-_Thinker_ brought 150,000 francs. On the sixtieth anniversary of the
-coronation of Queen Victoria, an editor offered Rudyard Kipling $1,000
-for a Commemoration poem. The paper, ink and the pen stand for a few
-pennies; all the rest of the $1,000 was for a trained intellect. The
-average income of a family in the United States to-day is not far from
-$2,000. That income could be carried up to $4,000 if our workers would
-only double the intelligence, efficiency and loyalty put into the raw
-material they handle!
-
-The career of Edison illustrates the industrial value of one informed
-intellect to the nation. In 1910, business men in the United States
-had invested in the expired patents of Thomas Edison six billion seven
-hundred millions of dollars. These factories brought in an annual
-income of a billion and seventy millions of dollars. To-day,
-half-a-dozen Edisons, the one showing us how to burn the coal in the
-ground, the other taking nitrogen out of the air, another showing us
-how to transmute metals, another attacking the enemies of the cotton,
-the fruits and the grains, with a teacher who would show the parents
-of the country how successfully to assault intellectual and moral
-illiteracy, would easily double our annual income. What our
-country--what every country--needs is an invasion of knowledge and
-sound sense. Therefore Ruskin's message, "the first business of the
-nation is the manufacture of souls of a good quality."
-
-During his lifetime John Ruskin wrote some forty volumes. Between the
-ages of twenty and thirty he wrote _Modern Painters_, dealing with the
-claims of cloud, sun, shower, wave, shrub and flower, land, sea, and
-sky upon man's intellectual and moral life. He held that the open-air
-world is man's best college and the forces of the winter and the
-summer his best teachers. From thirty to forty he wrote the _Lectures
-on Architecture_, and _Stones of Venice_, with many studies of the
-galleries, towers, and cathedrals of Florence and Rome. In these books
-his thought is that the soul of the people within determines the
-painting, architecture and civilization of the state without. From
-forty to fifty he wrote many books on the claim of the beautiful upon
-man's spiritual life, and insisted that those claims were binding not
-less upon the working people and the peasants in factory and field,
-than upon the scholar in his library and the artist in his studio.
-
-From fifty to sixty he wrote his _Fors Clavigera_, his _Time and
-Tide_, _Munera Pulveris_, and _Unto This Last_, studies of the
-problems of wealth and poverty, of labour and capital. He tells us
-that men, to-day, are charmed with the glitter of gold and silver as
-young birds are charmed with the glitter of snakes' eyes; that the
-business man is divinely called to serve through property; that there
-is, however, such a thing as a despotism of wealth; that the property
-of some millionaires represents the breaking of the strength and the
-will of competitors and the paralysis of the forces of the people, so
-that what seems to be wealth, in verity is only "the gilded index of
-far-reaching ruin, a wreckers' handful of coin, gleaned from the beach
-to which he has beguiled an argosy; the camp follower's bundle of
-rags, unwrapped from the breasts of goodly soldiers dead, the purchase
-pieces of potter's fields, wherein shall be buried together the
-citizen and the stranger."
-
-And then Ruskin bent himself to what he believed to be the real task
-of his life, the writing of a series of books on the problems of
-labour and capital, in the hope that he might save the State from
-trampled cornfields and from bloody streets. But just at the supreme
-moment in his career his health gave way, and he never completed his
-studies of the _Robber King_, the _Rust Kings_, the _Moth King_ and
-the _Hero Kings_. John Ruskin died believing himself to be an
-unfulfilled prophecy, in that he was unable to complete these books
-for which he believed all his life had been one long preparation. But
-in reality he was a prophet who gave forth a message that is slowly
-transforming the institutions of mankind.
-
-A full understanding of Ruskin's life-work begins with an outlook upon
-his contribution to modern social reform. Biographers often identify a
-great reform with one man's name, as if this man, single handed, had
-wrought the social transformation. Thus they speak of Howard as the
-reformer of prisons; of Shaftesbury as the author of the Poor Acts; of
-Cobden as the author of the Corn Laws; of Lincoln, as the emancipator
-of slaves; of Booth as the founder of the City Colony, the Home
-Colony, the Farm Colony. But strictly speaking, thousands of leaders
-of the movement for the abolition of slavery stood behind the forces
-of Wilberforce in England, and Lincoln in the United States. Not
-otherwise many biographers have claimed too much for the influence of
-Ruskin, certainly more than the master would have claimed for himself.
-
-At the beginning of his career Ruskin started a movement to diffuse
-the beautiful in the life of the people. For centuries the beautiful
-had been concentrated in the temples of Athens, the palaces and
-galleries of Italy, the museums of Paris and London, in the manor
-houses of the landed gentry. Meanwhile the poor people of Athens,
-Venice and Florence lived in huts, wore leather garments, ate crusts,
-dwelt amid ugliness, squalor and filth. Ruskin dreamed a dream of the
-beautiful put into the life of the common people. He found that
-Sheffield, with its smoking chimneys and grimy streets, had been
-spoken of as the ugliest factory town in England. Therefore Ruskin
-went to Sheffield, hired a building, installed therein his paintings,
-etchings, and illuminated missals, and hired a few instructors to help
-him diffuse the beautiful in the daily life of the people. He brought
-in men who made the implements of the dining-room, and showed them how
-to make the knife, the fork, the spoon, the table linen, minister to
-the sentiment of taste and refinement. He brought in men who made
-wall-papers for the poor man's house, and showed the craftsmen how to
-make the colours soft and warm, delicate and beautiful. He interested
-himself in beautiful furniture. He wrought with William Morris for a
-more beautiful type of illustrations in books and magazines. He
-denounced the ugliness of the houses and clothing and bridges and
-railways. He insisted that women should have beautiful garments, the
-youth read beautiful books, the men ride in beautiful cars, the
-families live in beautiful little houses, the children play upon
-beautiful carpets and look upon walls that had one or two beautiful
-pictures. John Ruskin laboured, and others wrought with him, and now
-at last we have entered into the fruit of their labours. To-day the
-beautiful, once concentrated in temples, palaces, and cathedrals, is
-diffused in the life of the common people.
-
-In the same fashion Ruskin started a movement among the working men
-for a diffusion of sound learning. The St. George Guild represents the
-first University Extension Course and the first Chautauqua system our
-world ever knew. More than fifty years ago he worked out his plan to
-carry the knowledge given to rich men's sons in their lecture halls
-and libraries to the working people, who were to carry on their
-studies in the evening after the day's labour was over. He laid out a
-course of studies for these working men, planned the organization of
-lecture centers, gave us the outline of the University Extension
-Course of lectures, induced many men in England to go from one working
-man's guild and club to another, and after Ruskin's health broke down,
-the men in the faculty of Oxford University took Ruskin's mother-idea,
-and developed it into the University Extension Course of lectures.
-Brought to our country that idea has spread through these lecture
-courses carried on in great halls in the winter, in tents and open-air
-assemblies in the summer.
-
-We say much of our Social Settlement Work, and trace these thousands
-of settlements in the tenement-house region of great cities back to
-Arnold Toynbee's work, and that of Canon Barnett, in the East End of
-London. But we must remember that when Ruskin was lecturing in Oxford
-to some of the richest boys in Great Britain he told them that every
-boy who consumed more than he produced was a pauper and that the more
-the youth received from his ancestors and the State, the larger his
-debt to those who were less fortunate. He believed that every gifted
-boy should keep in touch, not only with his own class, but with all
-classes, and that every youth would do well to do some physical work
-every day. Ruskin and his students built a road outside of Oxford, and
-the foreman of the gang of students was young Arnold Toynbee. Toynbee
-admired and loved Ruskin, as a young pupil and disciple loves a noble
-teacher and a great master.
-
-After his health broke down, Ruskin gave up his work in Whitechapel Road
-and urged Arnold Toynbee to give himself to the problems of the poor,
-and when Ruskin's health gave way completely, it was Toynbee who rewrote
-his lectures on labour and capital and gave them a new form in his
-_Industrial Revolution in Great Britain_. The time came when Arnold
-Toynbee broke down with overwork and brain fever, as his master had
-broken before him, and his friend Canon Barnett raised the money to make
-Toynbee Hall a permanent institution. But the seed of the Social
-Settlement movement was John Ruskin's brief career in the tenement
-region of the East End, and the first full fruit was in his disciple's
-Toynbee Hall and in Canon Barnett's noble work at St. Jude's. Little by
-little the Social Settlement Idea spread, until in the tenement regions
-of Manchester, Birmingham, New York, Boston, Chicago and San Francisco,
-gifted men and women of wealth, leisure and patrician position, began
-to give their lives to the neglected poor.
-
-Not less striking, the influence of Ruskin upon the plans of General
-Booth. Long before the book called _In Darkest England and the Way
-Out_ was published, Ruskin founded his coöperative printing press in a
-little colony outside of London. One of his biographers has told the
-story of Ruskin's plan to make the men and women in the poorhouses
-self-supporting, happy and useful. This biographer has never fully
-established the connection between that first coöperative colony of
-Ruskin, and Booth's plans for the City Colony, the Farm Colony and the
-Foreign Colony. But one thing is certain:--Ruskin had a pioneer mind.
-Instead of his chief interest being in mountains and clouds, in wave
-and flower, cathedrals, pictures, marbles, illuminated missals, the
-overmastering enthusiasm of his life was people, and his real message
-was a message of social reform. When long time has passed, Ruskin's
-fame will rest upon his work as a social reformer, a man who loved the
-poor and weak.
-
-Not less significant, his views of education, that have leavened all
-modern schools whatsoever. Matthew Arnold defined culture as "a
-familiarity with the best that has ever been done in literature."
-Ruskin insisted that there were thousands of scholars living in their
-libraries, surrounded by books, who were perfectly familiar with the
-best that has ever been thought or done, but whose knowledge was all
-but worthless, because it was selfish. He looked upon the informed man
-as a sower, going forth to sow the seed of truth over the wide land.
-All selfish culture is like salt in a barrel; the salt has no power to
-save unless it is scattered. Selfish culture is like seed corn in the
-granary, important for a harvest. Under Ruskin's influence many of his
-friends gave an evening or two a week to lectures before his working
-men's clubs, his art groups, and his classes for the improvement of
-the handicrafts.
-
-No modern author has made so much of vision, or tried so hard to teach
-people how to see. Many teachers think that education is stuffing the
-pocket of memory with a mass of facts. When the mind is filled so that
-it cannot hold another truth, the youth receives a diploma. Ruskin held
-that education was teaching the child how to see everything true and
-beautiful in land and sea and sky. "For a thousand great speakers, there
-is only one great thinker; for a thousand great thinkers, there is only
-one great see-er; we cut out one 'e' and leave it seer, but the true
-poet and sage is simply the see-er." The millions are blind to the
-signals hanged out from the battlements of cloud. Isaac Newton was a
-see-er,--he saw an apple falling from the tree; saw a moon falling
-through space, and gave us the law of gravity. Columbus was a see-er. In
-a crevice in a bit of driftwood, tossed upon the shore of Spain, he saw
-a strange pebble, and his imagination leaped from the driftwood to the
-unknown forest from whence it came, from that bright piece of stone to
-the mountain range of which it was a part. Columbus had the seeing eye,
-and discovered the continent hidden behind the clouds.
-
-Not otherwise the geologist sees the handwriting of God upon the
-rock-pages; the astronomer sees His writing upon the pages of the sky;
-the physiologist reads His writing on the pages of the human body; the
-moralist deciphers the writing on the tablets of the mind and the
-heart. The beginning of Wordsworth's fame was the hour when his eyes
-were opened, and he saw man appearing upon the horizon, and like a
-bright spirit trailing clouds of glory, coming from God who is man's
-home. It was the inner sight of Wordsworth's soul that was "the bliss
-of solitude." It was his power of vision that enabled him to look out
-upon the field, yellow as gold, a vision that lingered long in his
-memory when he said, "and then my heart with rapture thrills, and
-dances with the daffodils."
-
-It is useless for people who are colour-blind to look at Rembrandt's
-portrait. It is folly for people who cannot follow a tune to buy a
-ticket for a symphony concert. Men who by neglect atrophy the
-spiritual faculty, or by sin cut gashes in the nerve of conscience,
-will soon exclaim, in the spirit of the fool, "There is no God," just
-as the blind man is certain that there is no sun. The old black
-ex-slave, Sojourner Truth, once illustrated this principle. In those
-days excitement ran high. Northern merchants, fearful of losing their
-trade with Southern cities, frowned upon any one who dared criticize
-"the peculiar institution" of the South. One day, in New York,
-Sojourner Truth, just escaped from slavery, went to an Abolition
-Meeting, hoping for an opportunity of making a plea for the
-emancipation of her race. When the black woman, with her gnarled
-hands, and face seamed with pain and sorrow, arose to speak, a young
-newspaper reporter slammed his book upon the table, and stamped his
-way down the aisle toward the door. Just before he reached the door,
-Sojourner Truth stretched out her long black finger and said, "Wait a
-minute, honey! You goin' 'way 'cause of me? Listen, honey--I would
-give you some ideas to take home with you to your newspaper, but I see
-you ain't got nothing to carry 'em in!" . . . Homely but forceful
-illustration of an old truth. The angel of truth and the angel of
-beauty, leaning from the battlements of heaven, oft whispers, "Oh, my
-children! I would fain give you a new tool, a new painting, a new
-science, but you have no eyes to see the vision, and no ears to hear
-the sweetest music that ever fell from heaven's battlements." It is
-the man of vision who founds the new school of painting, or the new
-reform or the new liberty. The visions of the idealist to-day become
-the laws and institutions of to-morrow.
-
-In this power of the open eye, Ruskin found the secret of daily
-happiness, and mental growth. No one knew better than John Ruskin that
-the millions of working men and women would never be able to make
-their way to the galleries of Paris and Madrid, of Florence and
-Venice, to St. Peter's or the Parthenon, much less have time, leisure
-and money for travel unto the far-off ends of the earth. Therefore he
-taught the people how to see the wonders of God, in every fluted blade
-of grass, in every bush that blazed with beauty, and blazing, was not
-consumed. He proved that he who knows how to see will find the common
-clod to be a casket filled with gems, and that the sky that looks down
-upon all workers, spreads out scenes of such loveliness and beauty as
-to make travel to distant lands unnecessary!
-
-And yet, for the most part, men turn their eyes toward the sky only in
-moments of utter idleness and insipidity. "One says it has been wet,
-and another, it has been windy, and another, it has been warm. But
-who, among the whole chattering crowd, can tell me of the forms and
-precipices of the chain of tall white mountains that girded the
-horizon at noon yesterday? Who saw the narrow sunbeam that came out of
-the south, and smote upon their summits, until they melted and
-mouldered away in a dust of blue rain? Who saw the dance of the dead
-clouds, when the sunlight left them last night, and the west wind blew
-them before it like withered leaves? All has passed, unregretted, and
-unseen. Not in the clash of the hail nor the drift of the whirlwind,
-are the highest characters developed. God is not in the earthquake,
-nor in the fire, but in the still small voice. Blunt and low those
-faculties of our nature, which can only be addressed through
-lamp-black and lightning."
-
-The whole world owes Ruskin an immeasurable debt for this: that he
-taught us how to see the beauty in the great imperial palace in which
-man hath his home.
-
-In his defense of Turner, the world's greatest landscape painter, Ruskin
-advanced his theory of first seeing accurately, and then, through the
-creative imagination, carrying up to ideal perfection flowers, faces and
-landscapes often marred by the storms and upheavals of life. It is
-altogether probable that John Ruskin saw as accurately the scene of
-loveliness as Turner himself. It seems quite certain that Ruskin was
-altogether unique in his capacity for enjoyment. It was not simply that
-his eyes saw accurately, and his intellect registered his impressions
-without flaw, but that his imagination and his emotions were sensitive
-to the last degree, as sensitive as the silken threads of an Æolian harp
-that responds to the lightest wind that blows. Many people know the
-intense flavour of a strawberry, but Ruskin's soul was pierced with an
-intense and tumultuous pleasure at the sight of the clouds piled up upon
-the mountains. He loved Nature with all the passion with which Dante
-loved Beatrice. In Ruskin's forty odd volumes the scholar can find
-registered a hundred experiences in the presence of the mountain glory
-and the mountain gloom, in which this delight and happiness sent his
-whole body shivering with the piercing intensity that shook the soul of
-Romeo during his passionate interview with Juliet. Coarse natures,
-gluttonous, avaricious, full of hate, can no more understand the
-happiness of Ruskin's life than a deaf man can understand Mozart's
-rapture, when he listened to the music in the cathedral. Not even a
-tornado can make a crowbar vibrate, but the flutter of a lark's wing can
-set a silken thread vibrating and singing.
-
-Ruskin has spread out, like a rich map, the story of the people who
-educated him. The overmastering influence in his life was that of his
-mother. He tells us that he received from his home in childhood the
-priceless gift of peace, in that he had never seen a "moment's trouble
-or disorder in any household matter, or anything whatever done in a
-hurry or undone in due time." To this gift was added the gift of
-obedience. "I obeyed word, or lifted finger, of father or mother,
-simply as a ship her helm; not only without idea of resistance but as
-necessary to me in every moral action as the law of gravity in
-leaping. To the gifts of peace and obedience my parents added the gift
-of Faith, in that nothing was ever promised me that was not given;
-nothing ever threatened me that was not inflicted, and nothing ever
-told me that was not true." And to these was added the habit of fixed
-attention with both eyes and mind--this being the main practical
-faculty of his life, causing Mazzini to say of Ruskin that he had "the
-most analytic mind in Europe."
-
-The books from which Ruskin had his style in childhood were Walter
-Scott's novels, Pope's translation of the _Iliad_, Defoe's _Robinson
-Crusoe_, Bunyan's _Pilgrim's Progress_, and above all, the Bible. "My
-mother forced me, by steady and daily toil, to learn long chapters of
-the Bible by heart; as well as to read it every syllable through
-aloud, hard names and all, from Genesis to the Apocalypse, about once
-a year; and to that discipline, patient, accurate, and resolute, I owe
-much of my general power of taking pains, and the best part of my
-taste in literature." The great chapters of the Bible from which
-Ruskin says he had his style included the fifteenth and twentieth of
-Exodus; the twenty-third Psalm, and also the thirty-second, ninetieth,
-ninety-first, one hundred and third, one hundred and twelfth, one
-hundred and nineteenth, one hundred and thirty-ninth, the Sermon on
-the Mount, the conversion of Paul, his vision on the road to Damascus,
-Paul's Ode to Love and Immortality. "These chapters of the Bible,"
-Ruskin says, "were the most precious, and, on the whole, the one
-essential part of my education."
-
-Ruskin's message upon education is of vital importance to the people
-of our republic. Strictly speaking, education should teach each
-citizen to think aright upon every subject of importance, and to live
-a life that is worthy, making the most out of the gifts received from
-God and one's ancestors. Ruskin traced the national faults and
-miseries of England, to illiteracy and the lack of education in the
-art of living. The inevitable result of this illiteracy was that
-England "despises literature, despises compassion, and concentrates
-the soul on silver." From this illiteracy came physical ugliness,
-envy, cowardice, and selfishness, instead of physical beauty, courage
-and affection. To the dry facts taught, therefore, he proposed to add
-inspiration, and the art of seeing.
-
-Above all, he feared the results of uniformity and the manufacture of
-men by machinery, until all youths coming out of the same school, having
-studied the same facts, in the same way, became as uniform as crackers,
-and also as dry. The important man, he thinks, is the occasional boy,
-who has received a gift and can open up new realms for the rest.
-"Genius? You can't manufacture a great man, any more than you can
-manufacture gold. You find gold, and mint it. You uncover diamonds, but
-do not produce them. You find genius, but you cannot create it." Getting
-on, therefore, does not mean "more horses, more footmen, more fortune,
-more public honour,--it means more personal soul. He only is advancing
-in life whose heart is getting softer, whose blood warmer, whose brain
-quicker, whose spirit is entering into living peace." Education is a
-preparation for complete living; therefore Ruskin adopts Milton's
-definition of the complete and generous education as, "that which fits a
-man to perform justly, skillfully, and magnanimously, all the duties of
-all the offices of life."
-
-Frederic Harrison gives Ruskin's _Unto This Last_ first place as the
-most original book in modern English literature. He ranks it as a
-masterpiece of pure, incisive, brilliant, imaginative writing, "a book
-glowing with wit and fire and passion." The heart of the message is that
-every man is born with a gift appointed by his fathers, and that
-happiness begins with grasping the handle of one's own being. The
-greatest and most enduring work is done for love, and not for wage. The
-soldier's task is to keep the state in liberty, and when the second or
-third battle of Gettysburg or Ypres comes, he does not go on a strike,
-but puts death and duty in front of him and keeps his face to the front;
-in like manner the physician is appointed to keep the state in health
-and in time of yellow fever or the Black Death he works as hard for
-nothing as for a large fee, even as a father, in time of famine,
-shipwreck or battle, will sacrifice himself for his son.
-
-Ruskin held that the commercial text, "Buy in the cheapest market and
-sell in the dearest," was part truth, and part falsehood. "Buy in the
-cheapest market? Yes; but what made your market cheap? Charcoal may be
-cheap among the roof timbers after a fire, and bricks may be cheap in
-your streets after an earthquake, but fire and earthquake may not be,
-therefore, national benefits. Sell in the dearest market? Yes; but
-what made your market dear? Was it to a dying man who gave his last
-coin rather than starve, or to a soldier on his way to pillage the
-bank, that you put your fortune? The final consummation of wealth is
-in full-breathed, bright-eyed and happy-hearted human creatures."
-Therefore, said Ruskin, "I can imagine that England may cast all
-thoughts of possessive wealth back to the barbaric nations among whom
-they first arose; and that, while the sand of the Indias and adamant
-of Golconda may yet stiffen the housings of the charger, and flash
-from the turban of the slave, she at last may be able to lead forth
-her sons, saying, 'These are my jewels!'"
-
-Whether, therefore, property shall be a curse or a blessing depends upon
-man's administrative intelligence. "For centuries great districts of the
-world, rich in soil, and favoured in climate, have lain desert, under
-the rage of their own rivers, not only desert, but plague-struck. The
-stream which, rightly directed, would have flowed in soft irrigation
-from field to field,--would have purified the air, given food to man and
-beast, and carried their burdens for them on its bosom--now overwhelms
-the plain, and poisons the wind, its breath pestilence, and its work
-famine. In like manner, wealth may become water of life, the riches of
-the hand and wisdom, or wealth may be the last and deadliest of national
-plagues, water of Marah, the water of which feeds the roots of all
-evil." Man's body alone is related to factory and mine. No amount of
-ingenuity will ever make iron and steel digestible. Neither the avarice
-nor the rage of men will ever feed them. And however the apple of Sodom
-and the grape of Gomorrah may spread the table with dainties of ashes
-and nectar of asps,--so long as men live by bread, the far-away valleys
-laugh only as they are covered with the gold of God, and echo the shouts
-of His happy multitudes.
-
-During the closing and most fruitful period of his career, Ruskin's
-supreme thought had to do with the manufacture of souls of good
-quality. Quite beyond the influence of some hero or statesman was the
-influence, hidden, constant, but immeasurable, of the spirit of the
-invisible God. "If you ask me for the sum of my life-work, the answer
-is this,--whatever Jesus saith unto you, do that." Daniel Webster
-himself never made a more powerful plea for the Christian Church and
-preacher than Ruskin's statement on the importance of the hour on
-Sunday, after the people have been exposed for six days to the full
-weight of the world's temptation. That hour when men and women come
-in, breathless and weary with the week's labour and "a man sent with a
-message, which is a matter of life or death, has but thirty minutes to
-get at the separate hearts of a thousand men, to convince them of all
-their weaknesses, to shame them for all their sins, to warn them of
-all their dangers, to try by this way and that to stir the hard
-fastenings of those doors, where the Master Himself has stood and
-knocked, yet none opened, and to call at the openings of those dark
-streets, where Wisdom herself has stretched forth her hands and no man
-hath regarded,--thirty minutes to raise the dead in!--let us but once
-understand and feel this, and the pulpit shall become a throne like
-unto a marble rock in the desert, about which the people gather to
-slake their thirst."
-
-And in the very fullness of his power, when his bow was in full
-strength, and every sentence and arrow tipped with fire, Ruskin
-gathered his strength for a final study of the obligations of wealth
-to poverty, of wisdom to ignorance,--the opportunity of rich men to
-serve their generation, and make the world once more an Eden garden of
-happiness and delight. Just as men sweep together an acre of red
-roses, and condense the blossoms into a little vial filled with the
-precious attar, we may condense several volumes of Ruskin into a
-single parable. Why has one man ten-talent power? Why have ninety-nine
-men only one-talent power? Why is one boy ten years of age and strong,
-while in the same orphan asylum are ninety-nine little boys one year
-old? And what if some kind hand hath spread the table with orange,
-date, and plum, with every sweet fruit and nutritious grain? Has the
-ten-year-old boy, answering to the ten-talent man, a right to dash up
-to the table, and with one hand sweep together all the fruits, and
-with the other hand, all the cereals, milk and cream, while he shouts
-to the ninety-nine little one-year-old children, "Every fellow for
-himself! Get all you can! Keep all you can! The devil take the
-hindmost!" This, says Ruskin, is the fashion of certain rust-kings,
-and moth-kings. Why is that one boy ten years of age? Is his strength
-not for the sole purpose of carrying these foods to the little
-one-year-old children, scarcely able to provide for themselves? It is
-said of the Master and Lord of us all, that "being rich, for our sakes
-He made Himself poor." And the kings in the realm of art, or song, of
-industry or finance, have been ordained by God, not to loot the world
-of its blossoms, not to squeeze men, like so many purple clusters,
-into their own cups. In the vegetable world the expert pinches off
-ninety-nine roses, and forces the rich and vital currents into one
-great rose at the end of the stock. But what if a ten-talent man
-should pinch out ninety-nine lesser men as competitors, and force the
-vital elements of all their separate factories and stores, that were
-intended to be distributed among many men, of lesser gifts, into his
-one treasure house?
-
-Ruskin not only pointed the moral but fashioned his own life after it.
-He was one of the few men who have lived what they taught. He fell
-heir to what his generation thought was a very large fortune. He made
-another fortune by sheer force of genius. But he held his treasure as
-a trust fund in the interest of God's poor. And so-called practical
-men turned upon him, with the bitterness and hate of wolves that try
-to pull down some noble stag. His articles were shut out of the
-_Cornhill Magazine_. Through the influence of selfish men who feared
-the influence of his teachings upon the people, he was for a time
-bitterly assaulted. Scoffed at and maligned, he overworked and passed
-from one attack of brain fever to another. When it was too late, the
-angry voices died out of the air, and his sun cleared itself of
-clouds. When at last a wreath of honour was offered Ruskin, it was as
-if an old man had taken the blossoms and the laurel leaf, and carried
-them out to God's acre, to be placed in the snow upon his mother's
-grave. But ours is a world that first slays the prophet and then
-builds his sepulchre. It is indeed, as the wise man said, a world that
-crucifies the Saviour.
-
-And we can say of Ruskin what James Martineau said of the world's
-injustice, that "in almost every age which has stoned the prophets,
-and loaded its philosophers with chains, the ringleaders of the
-anarchy have been, not the lawless and infamous of their day, but the
-archons and chief priests, who could protect their false idols with a
-grand and stiff air, and do their wrongs in the halls of justice, and
-commit their murders as a savoury sacrifice; so that it has been by no
-rude violence, but by clean and holy hands that the guides, the
-saints, the redeemers of men have been poisoned in Athens, tortured in
-Rome, burned in Florence, crucified in Jerusalem." And we ought not to
-be surprised that a world that threatened Milton, starved Swammerdam,
-imprisoned Bunyan, and assassinated Lincoln, should break the health
-and the heart of John Ruskin, who poured out his very life-blood to
-redeem the people from ignorance, and sloth, and wrong.
-
-
-
-
-Index
-
-
- Abelard and Héloise, 19
-
- Achilles, 37
-
- Act of Toleration, The, 114
-
- _Adam Bede_, 146
-
- Æneas, The wanderings of, 35
-
- Alexander the Great, 86, 103
-
- Alexander the Sixth, 42, 51
-
- Alva, Duke of, 61, 66, 67, 68, 71, 72, 73, 74, 75
-
- Angelo, Michael, 11, 12, 15, 27, 39, 123, 140
-
- _Areopagitica_, 131, 132
-
- Aristotle, 25
-
- Arnold, Matthew, 144
-
- Asbury, Francis, 162
-
- Asia Minor, 55
-
- Athens, 26, 37, 50, 84, 195
-
- Augustus Cæsar, 36
-
-
- Bacon, Francis, 32
-
- Balfour, Lord, 89
-
- Barnett, Canon, 197
-
- Barrett, Elizabeth, 39
-
- Beatrice, 19, 20, 21, 22, 24, 26, 30, 205
-
- Bedford Jail, 32, 85
-
- Beecher, Henry Ward, 158
-
- "Beggars," The fleet of, 73, 74, 77
-
- Bernard the Monk, 105
-
- Birrell, Augustine, 144
-
- Black Death, The, 97, 100
-
- "Bloody Council," The, 57
-
- Booth, William, 199
-
- Boswell's _Life of Johnson_, 151
-
- Bradford, William, 57
-
- Brescia, 43
-
- Brougham, Henry, 103
-
- Browning, Robert, 39
-
- Bunyan, John, 12, 32, 85, 105, 142, 216
-
- Burke, Edmund, 132
-
-
- Calvin, John, 54
-
- Carlyle, Thomas, 89, 145
-
- Cateau-Cambresis, Treaty of, 70
-
- Cavour, 39, 166
-
- Cecilia, St., 21
-
- Cervantes, 84
-
- Charles I of England, 94, 95, 99, 101, 102, 103, 109, 110, 112, 123,
- 132, 133
-
- Charles II of England, 111, 112
-
- Charles V, Emperor of Germany, 69
-
- Charles VIII of France, 48
-
- Charles IX of France, 74
-
- Childe Harold, 23
-
- Church, The, 15, 41, 53, 63, 93
-
- Columbus, Christopher, 14, 35, 200
-
- Common people in the Dark Ages, The, 14
-
- _Comus_, 121
-
- Constantinople, 36, 40, 88, 168
-
- Copernicus, 35
-
- Cromwell, Oliver, 57, 85, 86, 87, 88, 91, 97, 98, 102, 103, 106, 107,
- 108, 109, 110, 111, 112, 113, 114, 123, 132, 133, 134, 135
-
- "Crowning Mercy of Worcester, The," 109
-
- Curtis, George William, 9
-
-
- Dante, Alighieri, 10, 11, 13, 15, 16, 18, 20, 21, 22, 23, 24, 25, 26,
- 27, 28, 29, 30, 31, 32, 34, 40, 50, 105, 123, 136, 140, 142,
- 205
-
- Dark Ages, The, 14, 36
-
- Dekker, 118
-
- De Quincey, Thomas, 129
-
- _Divine Comedy, The_, 19, 22, 23, 24, 136
-
- Divine Right of Kings, The, 91, 113, 123
-
-
- Easter Day, 25
-
- Eclipse in English literature, 125
-
- Edison, Thomas, 191
-
- Eliot, George, 39, 146
-
- Eliot, Sir John, 95, 101
-
- England's darkest hour, 89
-
- England in the days of Charles I, 97, 98, 99
-
- Erasmus, 54, 57
-
- Este, Duke of, 41
-
-
- Farmer of Huntingdon, The, 90, 108
-
- Ferrara, 40
-
- Feudalism, 14
-
- Ficino, 45
-
- Florence, 14, 16, 37, 38, 43, 45, 46, 47, 50, 52, 216
-
- Foch, Marshal, 86
-
- Francis of Assisi, 105
-
- Franklin, Benjamin, 12, 147, 178
-
- French Revolution, The, 144
-
-
- Garibaldi, 39, 166, 167, 168, 169, 170, 171, 173, 174, 176, 177, 179,
- 180, 181, 182, 184, 186, 187;
- in the United States, 177
-
- Garibaldi's aim--a united Italy, 182;
- Anita, 174, 175, 177;
- charmed life, 168, 169;
- power over his troops, 185;
- life in South America, 175;
- reckless courage, 171, 172;
- refusal of throne, 181;
- return to Italy, 175;
- loyalty to Victor Emmanuel, 179;
- victories, 181
-
- Geography, The science of, 15
-
- George, David Lloyd, 89
-
- Geryon, 25
-
- Gioberti, 38
-
- Giotto, 7, 38
-
- Gladstone, 180
-
- Goethe, 27
-
- Grant, General, 86
-
- Great Remonstrance, The, 102
-
- Gulf Stream, Influence of the, 163
-
-
- Hallam the historian, 10
-
- Hamilton, Alexander, 168, 178
-
- Hamlet, 13
-
- Hampden, John, 101, 104, 108, 123
-
- Harrison, Frederic, 106, 209
-
- Helen of Troy, 36, 37
-
- Henry of Navarre, 103
-
- History, The scope of, 18
-
- Hogarth, William, 145
-
- Holland, 55, 56, 57, 59
-
- Homer, 10, 11, 12, 13, 123
-
- Horace, 136
-
- House of Lords, The, 12
-
- Hume, David, 145
-
-
- _Idylls of the King_, 23
-
- _Imitation of Christ_, 154
-
- _In Darkest England_, 199
-
- _Inferno, The_, 31, 32
-
- Inquisition, The, 65, 74
-
- Italian language, The, 11
-
- Italian literature, 18
-
-
- James I of England, 117
-
- Jonson, Ben, 90, 117
-
- Julius Cæsar, 86
-
-
- Keats, John, 12
-
- Kenilworth Castle, 96
-
- King Alfred's Bible, 12
-
- Kipling, Rudyard, 190
-
- Kossuth, Louis, 178
-
-
- _Last Judgment, The_, 27
-
- Law's _Serious Call_, 154
-
- Latin tongue, The, 11
-
- Lecky the historian, 144, 155
-
- Leonardo, 35
-
- Leyden, Siege of, 77, 78, 79, 80
-
- Lincoln, Abraham, 57, 58, 99, 102, 113, 182, 194
-
- Lorenzo the Magnificent, 45, 46, 47
-
- Lowell, James Russell, 31, 137, 140, 141
-
- Lucifer, 25
-
- Luther, Martin, 49, 54
-
- _Lycidas_, 121
-
-
- Macaulay, Lord, 116 117, 137, 138, 144
-
- _Macbeth_, 13
-
- Marlow, 90, 117
-
- Marston Moor, Battle of, 103, 109
-
- Martineau, James, 216
-
- Mary Queen of Scots, 99
-
- Massacre of St. Bartholomew, 74
-
- Massinger, Philip, 118
-
- "Mayflower, The," 115
-
- Mazzini, 39, 166, 168, 170
-
- Mæcenas, 36
-
- Medici, The, 48
-
- "Mermaid" Tavern, The, 116
-
- Methodists, The early, 146
-
- Methodism, world-wide sphere of, 162
-
- Michelet, 183
-
- Middle Ages, The, 26
-
- Mill, John Stuart, 16
-
- Milton, John, 16, 103,106, 112, 115, 116, 117, 119, 120, 129, 132,
- 138, 139, 140, 142, 216;
- and his studies, 120, 121;
- at Cambridge, 120;
- made Secretary of State, 133
-
- Milton's belief in himself, 121;
- fight for relationships, 126;
- pamphlets, 131;
- views on divorce, 126, 127
-
- Mirandola, Picadella, 44, 45
-
- Modern world, The dawn of, 37, 38
-
- Monte Rosa, 13
-
- Moravians, The, 155
-
- Morley, John, 111
-
- Morley's _Life of Gladstone_, 156
-
- Morris, William, 196
-
-
- Napoleon, 103, 164
-
- Naseby, Battle of, 109
-
- Nelson, Lord, 146
-
- Newton, Sir Isaac, 200
-
-
- _Othello_, 13
-
-
- Paradise, 26, 28
-
- _Paradise Lost_, 123, 136, 139
-
- _Paradise Regained_, 123
-
- Pattison, Mark, 129
-
- Paul II, 41
-
- Penelope, 36, 37
-
- Pericles, 37
-
- Peter the Hermit, 49
-
- Petrarch, 34
-
- Philip II of Spain, 56, 57, 61, 63, 65, 68, 69, 70, 74
-
- Phillips, Wendell, 90, 158
-
- Pius II, 41
-
- _Pilgrim's Progress, The_, 85
-
- Pitt, William, 144, 146
-
- Plato, 45
-
- Pope, Alexander, 16
-
- Prince Djem, 51
-
- Prince Rupert, 109, 111
-
- Priors of Florence, The, 16
-
- Purgatory, 25, 29, 30, 32
-
- Puritanism, 142
-
- Puritans, The, 138, 139
-
- Pym, John, 101, 108, 123
-
-
- Queen Victoria, 180, 191
-
-
- Raleigh, Sir Walter, 103
-
- Raphael, 11, 21, 112, 123
-
- Ravenna, 32
-
- "Renaissance, The Morning Star of," 10
-
- Renaissance, The, 35
-
- Restoration, The, 135
-
- Revival of learning, The, 34
-
- Richelieu, 144
-
- _Ring and the Book, The_, 39
-
- Rodin's _Thinker_, 191
-
- Rome, 35, 41, 51, 216
-
- _Romola_, 39
-
- Ruskin, John, 57, 190, 192, 193, 195, 196, 197, 198, 199, 200, 203,
- 205, 206, 207, 208, 210, 211, 213, 214, 215, 216;
- and social reform, 194;
- books of his childhood, 207;
- world's debt to, 205
-
-
- Savonarola, 37, 39, 40, 41, 42, 44, 46, 49, 51, 53, 84
-
- Shakespeare, 10, 11, 13, 90, 117, 141
-
- Shelley, 141
-
- Socrates, 50, 84
-
- St. Peter's Cathedral, 15
-
- _Story of the Dutch Republic_, Motley's, 39
-
- Swammerdam, 216
-
-
- Tasso, 99
-
- Taylor's _Purity of Intention_, 154
-
- Tennyson, 106, 115
-
- Torquemada, 64
-
- Toynbee, Arnold, 197, 198
-
- Truth, Sojourner, 202, 203
-
- Turner, J. W., 205
-
- Tyndale, William, 54
-
-
- Ulysses, 13, 36, 37
-
-
- Venice, 55
-
- Verona, Bishop of, 53
-
- Virgil, 24, 29
-
- _Vita Nuova_, 21
-
- Voltaire, 26, 115
-
-
- Walpole, Horace, 145, 151
-
- Washington, George, 99, 102, 113, 143, 168, 182
-
- Webster, Daniel, 103, 178, 212
-
- Wellington, Duke of, 146
-
- Wesley, Charles, 147, 148
-
- Wesley, John, 143, 144, 145, 150, 152, 153, 154, 155, 158, 159, 160,
- 161, 162, 163, 164;
- at Oxford, 154;
- growth of followers, 143;
- _Journal_ of, 150, 153;
- labours of, 100, 152, 153, 156, 157;
- last words of, 164;
- liberality of, 161;
- moral courage of, 157;
- persecution of, 158;
- personal traits, 159;
- plan for world evangelization, 162
-
- Wesley, Samuel, 153
-
- Wesley, Susannah, 153
-
- Whitefield, George, 147, 148, 149, 155
-
- Wilberforce, William, 194
-
- William the Silent, 56, 57, 59, 61, 66, 68, 69, 70, 71, 72, 73, 76,
- 77, 80, 82
-
- Wordsworth, William, 200
-
-
-_Printed in the United States of America_
-
-
-
-
-Transcriber's Note
-
-
- Hyphenation inconsistencies left as in the original
-
- Obvious punctuation and spelling errors repaired
-
- Pg 84: "...the path the heroes' trod." to "...the path the heroes
- trod."
-
- Pg 156: Removed extraneous blank line from August 23, 1733 journal
- entry
-
-
-
-
-
-
-
-
-
-
-End of the Project Gutenberg EBook of Great Men as Prophets of a New Era, by
-Newell Dwight Hillis
-
-*** END OF THIS PROJECT GUTENBERG EBOOK GREAT MEN AS PROPHETS OF A NEW ERA ***
-
-***** This file should be named 60038-0.txt or 60038-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/0/0/3/60038/
-
-Produced by David T. Jones, L. Harrison, Al Haines & the
-online Distributed Proofreaders Canada team at
-http://www.pgdpcanada.net
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-