diff options
Diffstat (limited to 'old')
| -rw-r--r-- | old/sistr10.txt | 2119 | ||||
| -rw-r--r-- | old/sistr10.zip | bin | 0 -> 28254 bytes |
2 files changed, 2119 insertions, 0 deletions
diff --git a/old/sistr10.txt b/old/sistr10.txt new file mode 100644 index 0000000..8cee0c0 --- /dev/null +++ b/old/sistr10.txt @@ -0,0 +1,2119 @@ +*******The Project Gutenberg Etext of The Sisters' Tragedy****** +by Thomas Bailey Aldrich + + + +Copyright laws are changing all over the world, be sure to check +the copyright laws for your country before posting these files! + +Please take a look at the important information in this header. +We encourage you to keep this file on your own disk, keeping an +electronic path open for the next readers. Do not remove this. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**Etexts Readable By Both Humans and By Computers, Since 1971** + +*These Etexts Prepared By Hundreds of Volunteers and Donations* + +Information on contacting Project Gutenberg to get Etexts, and +further information is included below. We need your donations. + + +The Sisters' Tragedy + +by Thomas Bailey Aldrich + +July, 1996 [Etext #595] + + +*******The Project Gutenberg Etext of The Sisters' Tragedy****** +*****This file should be named sistr10.txt or sistr10.zip****** + +Corrected EDITIONS of our etexts get a new NUMBER, sistr11.txt. +VERSIONS based on separate sources get new LETTER, sistr10a.txt. + + +This etext was created by Judith Boss, Omaha, Nebraska. + + +We are now trying to release all our books one month in advance +of the official release dates, for time for better editing. + +Please note: neither this list nor its contents are final till +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg Etexts is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. To be sure you have an +up to date first edition [xxxxx10x.xxx] please check file sizes +in the first week of the next month. Since our ftp program has +a bug in it that scrambles the date [tried to fix and failed] a +look at the file size will have to do, but we will try to see a +new copy has at least one byte more or less. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +fifty hours is one conservative estimate for how long it we take +to get any etext selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. This +projected audience is one hundred million readers. If our value +per text is nominally estimated at one dollar then we produce $4 +million dollars per hour this year as we release some eight text +files per month: thus upping our productivity from $2 million. + +The Goal of Project Gutenberg is to Give Away One Trillion Etext +Files by the December 31, 2001. [10,000 x 100,000,000=Trillion] +This is ten thousand titles each to one hundred million readers, +which is 10% of the expected number of computer users by the end +of the year 2001. + +We need your donations more than ever! + +All donations should be made to "Project Gutenberg/IBC", and are +tax deductible to the extent allowable by law ("IBC" is Illinois +Benedictine College). (Subscriptions to our paper newsletter go +to IBC, too) + +For these and other matters, please mail to: + +Project Gutenberg +P. O. Box 2782 +Champaign, IL 61825 + +When all other email fails try our Michael S. Hart, Executive +Director: +hart@vmd.cso.uiuc.edu (internet) hart@uiucvmd (bitnet) + +We would prefer to send you this information by email +(Internet, Bitnet, Compuserve, ATTMAIL or MCImail). + +****** +If you have an FTP program (or emulator), please +FTP directly to the Project Gutenberg archives: +[Mac users, do NOT point and click. . .type] + +ftp uiarchive.cso.uiuc.edu +login: anonymous +password: your@login +cd etext/etext90 through /etext96 +or cd etext/articles [get suggest gut for more information] +dir [to see files] +get or mget [to get files. . .set bin for zip files] +GET INDEX?00.GUT +for a list of books +and +GET NEW GUT for general information +and +MGET GUT* for newsletters. + +**Information prepared by the Project Gutenberg legal advisor** +(Three Pages) + + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this etext, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you can distribute copies of this etext if you want to. + +*BEFORE!* YOU USE OR READ THIS ETEXT +By using or reading any part of this PROJECT GUTENBERG-tm +etext, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this etext by +sending a request within 30 days of receiving it to the person +you got it from. If you received this etext on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM ETEXTS +This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG- +tm etexts, is a "public domain" work distributed by Professor +Michael S. Hart through the Project Gutenberg Association at +Illinois Benedictine College (the "Project"). Among other +things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this etext +under the Project's "PROJECT GUTENBERG" trademark. + +To create these etexts, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's etexts and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other etext medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] the Project (and any other party you may receive this +etext from as a PROJECT GUTENBERG-tm etext) disclaims all +liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this etext within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold the Project, its directors, +officers, members and agents harmless from all liability, cost +and expense, including legal fees, that arise directly or +indirectly from any of the following that you do or cause: +[1] distribution of this etext, [2] alteration, modification, +or addition to the etext, or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this etext electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + etext or this "small print!" statement. You may however, + if you wish, distribute this etext in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word pro- + cessing or hypertext software, but only so long as + *EITHER*: + + [*] The etext, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The etext may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the etext (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + etext in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the etext refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Project of 20% of the + net profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Association / Illinois + Benedictine College" within the 60 days following each + date you prepare (or were legally required to prepare) + your annual (or equivalent periodic) tax return. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +The Project gratefully accepts contributions in money, time, +scanning machines, OCR software, public domain etexts, royalty +free copyright licenses, and every other sort of contribution +you can think of. Money should be paid to "Project Gutenberg +Association / Illinois Benedictine College". + +*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END* + + + + + +THE SISTERS' TRAGEDY +WITH OTHER POEMS, LYR- +ICAL AND DRAMATIC. BY +THOMAS BAILEY ALDRICH + + + + + +CONTENTS + + + +THE SISTERS' TRAGEDY +THE LAST CAESAR +IN WESTMINSTER ABBEY +ALEC YEATON'S SON +AT THE FUNERAL OF A MINOR POET +BATUSCHKA +ACT V +TENNYSON +THE SHIPMAN'S TALE +"I VEX ME NOT WITH BROODING ON THE YEARS" +MONODY ON THE DEATH OF WENDELL PHILLIPS +INTERLUDES + ECHO-SONG + A MOOD + GUILIELMUS REX + "PILLARED ARCH AND SCULPTURED TOWER + THRENODY + SESTET + A TOUCH OF NATURE + MEMORY + "I'LL NOT CONFER WITH SORROW" + A DEDICATION + NO SONGS IN WINTER + "LIKE CRUSOE, WALKING BY THE LONELY STRAND + THE LETTER + SARGENT'S PORTRAIT OF EDWIN BOOTH AT "THE PLAYERS" +PAULINE PAVLOVNA +BAGATELLE. + CORYDON: A PASTORAL + AT A READING + THE MENU + AN ELECTIVE COURSE + L'EAU DORMANTE + THALIA + PALINODE + A PETITION + + + + + + +THE SISTERS' TRAGEDY + +A. D. 1670 + +AGLAE, a widow +MURIEL, her unmarried sister. + +IT happened once, in that brave land that lies +For half the twelvemonth wrapt in sombre skies, +Two sisters loved one man. He being dead, +Grief loosed the lips of her he had not wed, +And all the passion that through heavy years +Had masked in smiles unmasked itself in tears. +No purer love may mortals know than this, +The hidden love that guards another's bliss. +High in a turret's westward-facing room, +Whose painted window held the sunset's bloom, +The two together grieving, each to each +Unveiled her soul with sobs and broken speech. + +Both still were young, in life's rich summer yet; +And one was dark, with tints of violet +In hair and eyes, and one was blond as she +Who rose--a second daybreak--from the sea, +Gold-tressed and azure-eyed. In that lone place, +Like dusk and dawn, they sat there face to face. + +She spoke the first whose strangely silvering hair +No wreath had worn, nor widow's weed might wear, +And told her blameless love, and knew no shame-- +Her holy love that, like a vestal flame +Beside the sacred body of some queen +Within a guarded crypt had burned unseen +From weary year to year. And she who heard +Smiled proudly through her tears and said no word, +But, drawing closer, on the troubled brow +Laid one long kiss, and that was words enow! + + +MURIEL. + +Be still, my heart! Grown patient with thine ache, +Thou shouldst be dumb, yet needs must speak, or break. +The world is empty now that he is gone. + + +AGLAE. + +Ay, sweetheart! + + +MURIEL. + + None was like him, no, not one. +From other men he stood apart, alone +In honor spotless as unfallen snow. +Nothing all evil was it his to know; +His charity still found some germ, some spark +Of light in natures that seemed wholly dark. +He read men's souls; the lowly and the high +Moved on the self-same level in his eye. +Gracious to all, to none subservient, +Without offence he spake the word he meant-- +His word no trick of tact or courtly art, +But the white flowering of the noble heart. +Careless he was of much the world counts gain, +Careless of self, too simple to be vain, +Yet strung so finely that for conscience-sake +He would have gone like Cranmer to the stake. +I saw--how could I help but love? And you-- + + +AGLAE. + +At this perfection did I worship too . . . +'Twas this that stabbed me. Heed not what I say! +I meant it not, my wits are gone astray, +With all that is and has been. No, I lie-- +Had he been less perfection, happier I! + + +MURIEL. + +Strange words and wild! 'Tis the distracted mind +Breathes them, not you, and I no meaning find. + + +AGLAE. + +Yet 'twere as plain as writing on a scroll +Had you but eyes to read within my soul.-- +How a grief hidden feeds on its own mood, +Poisons the healthful currents of the blood +With bitterness, and turns the heart to stone! +I think, in truth, 'twere better to make moan, +And so be done with it. This many a year, +Sweetheart, have I laughed lightly and made cheer, +Pierced through with sorrow! + + Then the widowed one +With sorrowfullest eyes beneath the sun, +Faltered, irresolute, and bending low +Her head, half whispered, + + Dear, how could you know? +What masks are faces!--yours, unread by me +These seven long summers; mine, so placidly +Shielding my woe! No tremble of the lip, +No cheek's quick pallor let our secret slip! +Mere players we, and she that played the queen, +Now in her homespun, looks how poor and mean! +How shall I say it, how find words to tell +What thing it was for me made earth a hell +That else had been my heaven! 'Twould blanch your cheek +Were I to speak it. Nay, but I will speak, +Since like two souls at compt we seem to stand, +Where nothing may be hidden. Hold my hand, +But look not at me! Noble 'twas, and meet, +To hide your heart, nor fling it at his feet +To lie despised there. Thus saved you our pride +And that white honor for which earls have died. +You were not all unhappy, loving so! +I with a difference wore my weight of woe. +My lord was he. It was my cruel lot, +My hell, to love him--for he loved me not! + +Then came a silence. Suddenly like death +The truth flashed on them, and each held her breath-- +A flash of light whereby they both were slain, +She that was loved and she that loved in vain! + + + + +THE LAST CAESAR + +1851-1870 + +I + +Now there was one who came in later days +To play at Emperor: in the dead of night +Stole crown and sceptre, and stood forth to light +In sudden purple. The dawn's straggling rays +Showed Paris fettered, murmuring in amaze, +With red hands at her throat--a piteous sight. +Then the new Caesar, stricken with affright +At his own daring, shrunk from public gaze + +In the Elysee, and had lost the day +But that around him flocked his birds of prey, +Sharp-beaked, voracious, hungry for the deed. +'Twixt hope and fear behold great Caesar hang! +Meanwhile, methinks, a ghostly laughter rang +Through the rotunda of the Invalides. + +II + +What if the boulevards, at set of sun, +Reddened, but not with sunset's kindly glow? +What if from quai and square the murmured woe +Swept heavenward, pleadingly? The prize was won, +A kingling made and Liberty undone. +No Emperor, this, like him awhile ago, +But his Name's shadow; that one struck the blow +Himself, and sighted the street-sweeping gun! + +This was a man of tortuous heart and brain, +So warped he knew not his own point of view-- +The master of a dark, mysterious smile. + +And there he plotted, by the storied Seine +And in the fairy gardens of St. Cloud, +The Sphinx that puzzled Europe, for awhile. + + + +III + +I see him as men saw him once--a face +Of true Napoleon pallor; round the eyes +The wrinkled care; mustache spread pinion-wise, +Pointing his smile with odd sardonic grace +As wearily he turns him in his place, +And bends before the hoarse Parisian cries-- +Then vanishes, with glitter of gold-lace +And trumpets blaring to the patient skies. + +Not thus he vanished later! On his path +The Furies waited for the hour and man, +Foreknowing that they waited not in vain. + +Then fell the day, O day of dreadful wrath! +Bow down in shame, O crimson-girt Sedan! +Weep, fair Alsace! weep, loveliest Lorraine! + +So mused I, sitting underneath the trees +In that old garden of the Tuileries, +Watching the dust of twilight sifting down +Through chestnut boughs just toucht with autumn's brown-- +Not twilight yet, but that illusive bloom +Which holds before the deep-etched shadows come; +For still the garden stood in golden mist, +Still, like a river of molten amethyst, +The Seine slipt through its spans of fretted stone, +And, near the grille that once fenced in a throne, +The fountains still unbraided to the day +The unsubstantial silver of their spray. + +A spot to dream in, love in, waste one's hours! +Temples and palaces, and gilded towers, +And fairy terraces!--and yet, and yet +Here in her woe came Marie Antoinette, +Came sweet Corday, Du Barry with shrill cry, +Not learning from her betters how to die! +Here, while the Nations watched with bated breath, +Was held the saturnalia of Red Death! +For where that slim Egyptian shaft uplifts +Its point to catch the dawn's and sunset's drifts +Of various gold, the busy Headsman stood. . . . +Place de la Concorde--no, the Place of Blood! + +And all so peaceful now! One cannot bring +Imagination to accept the thing. +Lies, all of it! some dreamer's wild romance-- +High-hearted, witty, laughter-loving France! +In whose brain was it that the legend grew +Of Maenads shrieking in this avenue, +Of watch-fires burning, Famine standing guard, +Of long-speared Uhlans in that palace-yard! +What ruder sound this soft air ever smote +Than a bird's twitter or a bugle's note? +What darker crimson ever splashed these walks +Than that of rose-leaves dropping from the stalks? +And yet--what means that charred and broken wall, +That sculptured marble, splintered, like to fall, +Looming among the trees there? . . . And you say +This happened, as it were, but yesterday? +And here the Commune stretched a barricade, +And there the final desperate stand was made? +Such things have been? How all things change and fade! +How little lasts in this brave world below! +Love dies; hate cools; the Caesars come and go; +Gaunt Hunter fattens, and the weak grow strong. +Even Republics are not here for long! + +Ah, who can tell what hour may bring the doom, +The lighted torch, the tocsin's heavy boom! + + + + +IN WESTMINSTER ABBEY + +"The Southern Transept, +hardly known by any other name but Poet's Corner." + + DEAN STANLEY. + +TREAD softly here; the sacredest of tombs +Are those that hold your Poets. Kings and queens +Are facile accidents of Time and Chance. +Chance sets them on the heights, they climb not there! +But he who from the darkling mass of men +Is on the wing of heavenly thought upborne +To finer ether, and becomes a voice +For all the voiceless, God anointed him: +His name shall be a star, his grave a shrine. + +Tread softly here, in silent reverence tread. +Beneath those marble cenotaphs and urns +Lies richer dust than ever nature hid +Packed in the mountain's adamantine heart, +Or slyly wrapt in unsuspected sand-- +The dross men toil for, and oft stain the soul. +How vain and all ignoble seems that greed +To him who stands in this dim claustral air +With these most sacred ashes at his feet! +This dust was Chaucer, Spenser, Dryden this-- +The spark that once illumed it lingers still. +O ever-hallowed spot of English earth! +If the unleashed and happy spirit of man +Have option to revisit our dull globe, +What august Shades at midnight here convene +In the miraculous sessions of the moon, +When the great pulse of London faintly throbs, +And one by one the stars in heaven pale! + + + + +ALEC YEATON'S SON + +GLOUCESTER, AUGUST, 1720 + +The wind it wailed, the wind it moaned, + And the white caps flecked the sea; +"An' I would to God," the skipper groaned, + "I had not my boy with me!" + +Snug in the stern-sheets, little John + Laughed as the scud swept by; +But the skipper's sunburnt cheek grew wan + As he watched the wicked sky. + +"Would he were at his mother's side!" + And the skipper's eyes were dim. +"Good Lord in heaven, if ill betide, + What would become of him! + +"For me--my muscles are as steel, + For me let hap what may; +I might make shift upon the keel + Until the break o' day. + +"But he, he is so weak and small, + So young, scarce learned to stand-- +O pitying Father of us all, + I trust him in Thy hand! + +"For Thou, who markest from on high + A sparrow's fall--each one!-- +Surely, O Lord, thou'lt have an eye + On Alec Yeaton's son!" + +Then, helm hard-port; right straight he sailed + Towards the headland light: +The wind it moaned, the wind it wailed, + And black, black fell the night. + +Then burst a storm to make one quail + Though housed from winds and waves-- +They who could tell about that gale + Must rise from watery graves! + +Sudden it came, as sudden went; + Ere half the night was sped, +The winds were hushed, the waves were spent, + And the stars shone overhead. + +Now, as the morning mist grew thin, + The folk on Gloucester shore +Saw a little figure floating in + Secure, on a broken oar! + +Up rose the cry, "A wreck! a wreck! + Pull, mates, and waste no breath!"-- +They knew it, though 'twas but a speck + Upon the edge of death! + +Long did they marvel in the town + At God his strange decree, +That let the stalwart skipper drown + And the little child go free! + + + + +AT THE FUNERAL OF A MINOR POET + +[One of the Bearers soliloquizes:] + +. . . Room in your heart for him, O Mother Earth, +Who loved each flower and leaf that made you fair, +And sang your praise in verses manifold +And delicate, with here and there a line +From end to end in blossom like a bough +The May breathes on, so rich it was. Some thought +The workmanship more costly than the thing +Moulded or carved, as in those ornaments +Found at Mycaene. And yet Nature's self +Works in this wise; upon a blade of grass, +Or what small note she lends the woodland thrush, +Lavishing endless patience. He was born +Artist, not artisan, which some few saw +And many dreamed not. As he wrote no odes +When Croesus wedded or Maecenas died, +And gave no breath to civic feasts and shows, +He missed the glare that gilds more facile men-- +A twilight poet, groping quite alone, +Belated, in a sphere where every nest +Is emptied of its music and its wings. +Not great his gift; yet we can poorly spare +Even his slight perfection in an age +Of limping triolets and tame rondeaux. +He had at least ideals, though unreached, +And heard, far off, immortal harmonies, +Such as fall coldly on our ear to-day. +The mighty Zolaistic Movement now +Engrosses us--a miasmatic breath +Blown from the slums. We paint life as it is, +The hideous side of it, with careful pains, +Making a god of the dull Commonplace. +For have we not the old gods overthrown +And set up strangest idols? We could clip +Imagination's wing and kill delight, +Our sole art being to leave nothing out +That renders art offensive. Not for us +Madonnas leaning from their starry thrones +Ineffable, nor any heaven-wrought dream +Of sculptor or of poet; we prefer +Such nightmare visions as in morbid brains +Take shape and substance, thoughts that taint the air +And make all life unlovely. Will it last? +Beauty alone endures from age to age, +From age to age endures, handmaid of God. +Poets who walk with her on earth go hence +Bearing a talisman. You bury one, +With his hushed music, in some Potter's Field; +The snows and rains blot out his very name, +As he from life seems blotted: through Time's glass +Slip the invisible and magic sands +That mark the century, then falls a day +The world is suddenly conscious of a flower, +Imperishable, ever to be prized, +Sprung from the mould of a forgotten grave. +'Tis said the seeds wrapt up among the balms +And hieroglyphics of Egyptian kings +Hold strange vitality, and, planted, grow +After the lapse of thrice a thousand years. +Some day, perchance, some unregarded note +Of our poor friend here--some sweet minor chord +That failed to lure our more accustomed ear-- +May witch the fancy of an unborn age. +Who knows, since seeds have such tenacity? +Meanwhile he's dead, with scantiest laurel won +And little of our Nineteenth Century gold. +So, take him, Earth, and this his mortal part, +With that shrewd alchemy thou hast, transmute +To flower and leaf in thine unending Springs! + + + + +BATUSCHKA.<1> + +From yonder gilded minaret +Beside the steel-blue Neva set, +I faintly catch, from time to time, +The sweet, aerial midnight chime-- + "God save the Tsar!" + +Above the ravelins and the moats +Of the white citadel it floats; +And men in dungeons far beneath +Listen, and pray, and gnash their teeth-- + "God save the Tsar!" + +The soft reiterations sweep +Across the horror of their sleep, + + <1> "Little Father," or "Dear Little Father," +a term of endearment applied +to the Tsar in Russian folk-song. +As if some daemon in his glee +Were mocking at their misery-- + "God save the Tsar!" + +In his Red Palace over there, +Wakeful, he needs must hear the prayer. +How can it drown the broken cries +Wrung from his children's agonies?-- + "God save the Tsar!" + +Father they called him from of old-- +Batuschka! . . . How his heart is cold! +Wait till a million scourged men +Rise in their awful might, and then-- + God save the Tsar! + + + + +ACT V + +[Midnight.] + +First, two white arms that held him very close, +And ever closer as he drew him back +Reluctantly, the loose gold-colored hair +A thousand delicate fibres reaching out +Still to detain him; then some twenty steps +Of iron staircase winding round and down, +And ending in a narrow gallery hung +With Gobelin tapestries--Andromeda +Rescued by Perseus, and the sleek Diana +With her nymphs bathing; at the farther end +A door that gave upon a starlit grove +Of citron and clipt palm-trees; then a path +As bleached as moonlight, with the shadow of leaves +Stamped black upon it; next a vine-clad length +Of solid masonry; and last of all +A Gothic archway packed with night, and then-- +A sudden gleaming dagger through his heart. + + + + +TENNYSON + +I + +Shakespeare and Milton--what third blazoned name + Shall lips of after-ages link to these? + His who, beside the wild encircling seas, +Was England's voice, her voice with one acclaim, +For threescore years; whose word of praise was fame, + Whose scorn gave pause to man's iniquities. + + +II + +What strain was his in that Crimean war? + A bugle-call in battle; a low breath, + Plaintive and sweet, above the fields of death! +So year by year the music rolled afar, +From Euxine wastes to flowery Kandahar, + Bearing the laurel or the cypress wreath. + + +III + +Others shall have their little space of time, + Their proper niche and bust, then fade away + Into the darkness, poets of a day; +But thou, O builder of enduring rhyme, +Thou shalt not pass! Thy fame in every clime + On earth shall live where Saxon speech has sway. + + +IV + +Waft me this verse across the winter sea, + Through light and dark, through mist and blinding sleet, + O winter winds, and lay it at his feet; +Though the poor gift betray my poverty, +At his feet lay it: it may chance that he + Will find no gift, where reverence is, unmeet. + + + + +THE SHIPMAN'S TALE + +Listen, my masters! I speak naught but truth. +From dawn to dawn they drifted on and on, +Not knowing whither nor to what dark end. +Now the North froze them, now the hot South scorched. +Some called to God, and found great comfort so; +Some gnashed their teeth with curses, and some laughed +An empty laughter, seeing they yet lived, +So sweet was breath between their foolish lips. +Day after day the same relentless sun, +Night after night the same unpitying stars. +At intervals fierce lightnings tore the clouds, +Showing vast hollow spaces, and the sleet +Hissed, and the torrents of the sky were loosed. +From time to time a hand relaxed its grip, +And some pale wretch slid down into the dark +With stifled moan, and transient horror seized +The rest who waited, knowing what must be. +At every turn strange shapes reached up and clutched +The whirling wreck, held on awhile, and then +Slipt back into that blackness whence they came. +Ah, hapless folk, to be so tost and torn, +So racked by hunger, fever, fire, and wave, +And swept at last into the nameless void-- +Frail girls, strong men, and mothers with their babes! + +And was none saved? + + My masters, not a soul! + +O shipman, woful, woful is thy tale! +Our hearts are heavy and our eyes are dimmed. +What ship is this that suffered such ill fate? + +What ship, my masters? Know ye not?--The World! + + + + +"I VEX ME NOT WITH BROODING ON THE YEARS" + +I vex me not with brooding on the years + That were ere I drew breath: why should I then + Distrust the darkness that may fall again + When life is done? Perchance in other spheres-- +Dead planets--I once tasted mortal tears, + And walked as now among a throng of men, + Pondering things that lay beyond my ken, + Questioning death, and solacing my fears. +Ofttimes indeed strange sense have I of this, + Vague memories that hold me with a spell, + Touches of unseen lips upon my brow, +Breathing some incommunicable bliss! + In years foregone, O Soul, was all not well? + Still lovelier life awaits thee. Fear not thou! + + + + +MONODY ON THE DEATH OF WENDELL PHILLIPS + +I + +One by one they go +Into the unknown dark-- +Star-lit brows of the brave, +Voices that drew men's souls. +Rich is the land, O Death! +Can give you dead like our dead!-- +Such as he from whose hand +The magic web of romance +Slipt, and the art was lost! +Such as he who erewhile-- +The last of the Titan brood-- +With his thunder the Senate shook; +Or he who, beside the Charles, +Untoucht of envy or hate, +Tranced the world with his song; +Or that other, that gray-eyed seer +Who in pastoral Concord ways +With Plato and Hafiz walked. + + +II + +Not of these was the man +Whose wraith, through the mists of night, +Through the shuddering wintry stars, +Has passed to eternal morn. +Fit were the moan of the sea +And the clashing of cloud on cloud +For the passing of that soul! + +Ever he faced the storm! +No weaver of rare romance, +No patient framer of laws, +No maker of wondrous rhyme, +No bookman wrapt in his dream. +His was the voice that rang +In the fight like a bugle-call, +And yet could be tender and low +As when, on a night in June, +The hushed wind sobs in the pines. +His was the eye that flashed +With a sabre's azure gleam, +Pointing to heights unwon! + + +III + +Not for him were these days +Of clerkly and sluggish calm-- +To the petrel the swooping gale! +Austere he seemed, but the hearts +Of all men beat in his breast; +No fetter but galled his wrist, +No wrong that was not his own. +What if those eloquent lips +Curled with the old-time scorn? +What if in needless hours +His quick hand closed on the hilt? +'Twas the smoke from the well-won fields +That clouded the veteran's eyes. +A fighter this to the end! + +Ah, if in coming times +Some giant evil arise, +And Honor falter and pale, +His were a name to conjure with! +God send his like again! + + + + + + +INTERLUDES + + + + + + +ECHO-SONG + +I + +Who can say where Echo dwells? + In some mountain-cave, methinks, + Where the white owl sits and blinks; +Or in deep sequestered dells, +Where the foxglove hangs its bells, + Echo dwells. + Echo! + Echo! + + +II + +Phantom of the crystal Air, + Daughter of sweet Mystery! + Here is one has need of thee; +Lead him to thy secret lair, +Myrtle brings he for thy hair-- + Hear his prayer, + Echo! + Echo! + + +III + +Echo, lift thy drowsy head, + And repeat each charmed word + Thou must needs have overheard +Yestere'en ere, rosy-red, +Daphne down the valley fled-- + Words unsaid, + Echo! + Echo! + + +IV + +Breathe the vows she since denies! + She hath broken every vow; + What she would she would not now-- +Thou didst hear her perjuries. +Whisper, whilst I shut my eyes, + Those sweet lies, + Echo! + Echo! + + + + +A MOOD + +A blight, a gloom, I know not what, has crept upon my gladness-- +Some vague, remote ancestral touch of sorrow, or of madness; +A fear that is not fear, a pain that has not pain's insistence; +A sense of longing, or of loss, in some foregone existence; +A subtle hurt that never pen has writ nor tongue has spoken-- +Such hurt perchance as Nature feels when a blossomed bough is broken. + + + + +GUILIELMUS REX + +The folk who lived in Shakespeare's day +And saw that gentle figure pass +By London Bridge, his frequent way-- +They little knew what man he was. + +The pointed beard, the courteous mien, +The equal port to high and low, +All this they saw or might have seen-- +But not the light behind the brow! + +The doublet's modest gray or brown, +The slender sword-hilt's plain device, +What sign had these for prince or clown? +Few turned, or none, to scan him twice. + +Yet 'twas the king of England's kings! +The rest with all their pomps and trains +Are mouldered, half-remembered things-- +'Tis he alone that lives and reigns! + + + + +"PILLARED ARCH AND SCULPTURED TOWER" + +Pillared arch and sculptured tower +Of Ilium have had their hour; +The dust of many a king is blown +On the winds from zone to zone; +Many a warrior sleeps unknown. +Time and Death hold each in thrall, +Yet is Love the lord of all; +Still does Helen's beauty stir +Because a poet sang of her! + + + + +THRENODY + +I + +Upon your hearse this flower I lay. +Brief be your sleep! You shall be known +When lesser men have had their day: +Fame blossoms where true seed is sown, +Or soon or late, let Time wrong what it may. + + +II + +Unvext by any dream of fame, +You smiled, and bade the world pass by: +But I--I turned, and saw a name +Shaping itself against the sky-- +White star that rose amid the battle's flame! + + +III + +Brief be your sleep, for I would see +Your laurels--ah, how trivial now +To him must earthly laurel be +Who wears the amaranth on his brow! +How vain the voices of mortality! + + + + +SESTET + +SENT TO A FRIEND WITH A VOLUME OF TENNYSON + +Wouldst know the clash of knightly steel on steel? +Or list the throstle singing loud and clear? +Or walk at twilight by some haunted mere +In Surrey; or in throbbing London feel +Life's pulse at highest--hark, the minster's peal! . . . +Turn but the page, that various world is here! + + + + +A TOUCH OF NATURE + +When first the crocus thrusts its point of gold +Up through the still snow-drifted garden mould, +And folded green things in dim woods unclose +Their crinkled spears, a sudden tremor goes +Into my veins and makes me kith and kin +To every wild-born thing that thrills and blows. +Sitting beside this crumbling sea-coal fire, +Here in the city's ceaseless roar and din, +Far from the brambly paths I used to know, +Far from the rustling brooks that slip and shine +Where the Neponset alders take their glow, +I share the tremulous sense of bud and briar +And inarticulate ardors of the vine. + + + + +MEMORY + +My mind lets go a thousand things, +Like dates of wars and deaths of kings, +And yet recalls the very hour-- +'Twas noon by yonder village tower, +And on the last blue noon in May-- +The wind came briskly up this way, +Crisping the brook beside the road; +Then, pausing here, set down its load +Of pine-scents, and shook listlessly +Two petals from that wild-rose tree. + + + + +"I'LL NOT CONFER WITH SORROW" + +I'll not confer with Sorrow + Till to-morrow; +But Joy shall have her way + This very day. + +Ho, eglantine and cresses + For her tresses!-- +Let Care, the beggar, wait + Outside the gate. + +Tears if you will--but after + Mirth and laughter; +Then, folded hands on breast + And endless rest. + + + + +A DEDICATION + +Take these rhymes into thy grace, + Since they are of thy begetting, +Lady, that dost make each place + Where thou art a jewel's setting. + +Some such glamour lend this Book: + Let it be thy poet's wages +That henceforth thy gracious look + Lies reflected on its pages. + + + + +NO SONGS IN WINTER + +The sky is gray as gray may be, +There is no bird upon the bough, +There is no leaf on vine or tree. + +In the Neponset marshes now +Willow-stems, rosy in the wind, +Shiver with hidden sense of snow. + +So too 'tis winter in my mind, +No light-winged fancy comes and stays: +A season churlish and unkind. + +Slow creep the hours, slow creep the days, +The black ink crusts upon the pen-- +Just wait till bluebirds, wrens, and jays +And golden orioles come again! + + + + +"LIKE CRUSOE, WALKING BY THE LONELY STRAND" + +Like Crusoe, walking by the lonely strand +And seeing a human footprint on the sand, +Have I this day been startled, finding here, +Set in brown mould and delicately clear, +Spring's footprint--the first crocus of the year! +O sweet invasion! Farewell solitude! +Soon shall wild creatures of the field and wood +Flock from all sides with much ado and stir, +And make of me most willing prisoner! + + + + +THE LETTER + +EDWARD ROWLAND SILL, DIED FEBRUARY 27, 1887 + +I held his letter in my hand, + And even while I read +The lightning flashed across the land + The word that he was dead. + +How strange it seemed! His living voice + Was speaking from the page +Those courteous phrases, tersely choice, + Light-hearted, witty, sage. + +I wondered what it was that died! + The man himself was here, +His modesty, his scholar's pride, + His soul serene and clear. + +These neither death nor time shall dim, + Still this sad thing must be-- +Henceforth I may not speak to him, + Though he can speak to me! + + + + +SARGENT'S PORTRAIT OF EDWIN BOOTH AT "THE PLAYERS" + +That face which no man ever saw +And from his memory banished quite, +With eyes in which are Hamlet's awe +And Cardinal Richelieu's subtle light, +Looks from this frame. A master's hand +Has set the master-player here, +In the fair temple that he planned +Not for himself. To us most dear +This image of him! "It was thus +He looked; such pallor touched his cheek; +With that same grace he greeted us-- +Nay, 'tis the man, could it but speak!" +Sad words that shall be said some day-- +Far fall the day! O cruel Time, +Whose breath sweeps mortal things away, +Spare long this image of his prime, +That others standing in the place +Where, save as ghosts, we come no more, +May know what sweet majestic face +The gentle Prince of Players wore! + + + + + + +PAULINE PAVLOVNA + +SCENE: St. Petersburg. Period: the present time. A ballroom in the + winter palace of the Prince--. The ladies in character costumes and + masks. The gentlemen in official dress and unmasked, with the + exception of six tall figures in scarlet kaftans, who are treated with + marked distinction as they move here and there among the + promenaders. Quadrille music throughout the dialogue. +Count SERGIUS PAVLOVICH PANSHINE, who has just + arrived, is standing anxiously in the doorway of an antechamber + with his eyes fixed upon a lady in the costume of a maid of honor + in the time of Catherine II. The lady presently disengages herself + from the crowd, and passes near Count PANSHINE, who + impulsively takes her by the hand and leads her across the threshold + of the inner apartment, which is unoccupied. + +HE. + +Pauline! + + +SHE. + + You knew me? + + +HE. + + How could I have failed? +A mask may hide your features, not your soul. +There is an air about you like the air +That folds a star. A blind man knows the night, +And feels the constellations. No coarse sense +Of eye or ear had made you plain to me. +Through these I had not found you; for your eyes, +As blue as violets of our Novgorod, +Look black behind your mask there, and your voice-- +I had not known that either. My heart said, +"Pauline Pavlovna." + + +SHE. + + Ah! Your heart said that? +You trust your heart, then! 'Tis a serious risk!-- +How is it you and others wear no mask? + + +HE. + +The Emperor's orders. + + +SHE. + + Is the Emperor here? +I have not seen him. + + +HE. + + He is one of the six +In scarlet kaftans and all masked alike. +Watch--you will note how every one bows down +Before those figures, thinking each by chance +May be the Tsar; yet none knows which is he. +Even his counterparts are left in doubt. +Unhappy Russia! No serf ever wore +Such chains as gall our Emperor these sad days. +He dare trust no man. + + +SHE. + + All men are so false. + + +HE. + +Spare one, Pauline Pavlovna. + + +SHE. + + No; all, all! +I think there is no truth left in the world, +In man or woman. Once were noble souls.-- +Count Sergius, is Nastasia here to-night? + + +HE. + +Ah! then you know! I thought to tell you first. +Not here, beneath these hundred curious eyes, +In all this glare of light; but in some place +Where I could throw me at your feet and weep. +In what shape came the story to your ear? +Decked in the teller's colors, I'll be sworn; +The truth, but in the livery of a lie, +And so must wrong me. Only this is true: +The Tsar, because I risked my wretched life +To shield a life as wretched as my own, +Bestows upon me, as supreme reward-- +O irony!--the hand of this poor girl. +Says, HERE, I HAVE THE PEARL OF PEARLS FOR YOU, +SUCH AS WAS NEVER PLUCKED FROM OUT THE DEEP +BY INDIAN DIVER, FOR A SULTAN'S CROWN. +YOUR JOY'S DECREED, and stabs me with a smile. + + +SHE. + +And she--she loves you? + + +HE. + + I know not, indeed. +Likes me, perhaps. What matters it?--HER love! +The guardian, Sidor Yurievich, consents, +And she consents. No love in it at all, +A mere caprice, a young girl's spring-tide dream. +Sick of her ear-rings, weary of her mare, +She'll have a lover--something ready-made, +Or improvised between two cups of tea-- +A lover by imperial ukase! +Fate said her word--I chanced to be the man! +If that grenade the crazy student threw +Had not spared me, as well as spared the Tsar, +All this would not have happened. I'd have been +A hero, but quite safe from her romance. +She takes me for a hero--think of that! +Now by our holy Lady of Kazan, +When I have finished pitying myself, +I'll pity her. + + +SHE. + Oh no; begin with her; +She needs it most. + + +HE. + + At her door lies the blame, +Whatever falls. She, with a single word, +With half a tear, had stopt it at the first, +This cruel juggling with poor human hearts. + + +SHE. + +The Tsar commanded it--you said the Tsar. + + +HE. + +The Tsar does what she wills--God fathoms why. +Were she his mistress, now! but there's no snow +Whiter within the bosom of a cloud, +Nor colder either. She is very haughty, +For all her fragile air of gentleness; +With something vital in her, like those flowers +That on our desolate steppes outlast the year. +Resembles you in some things. It was that +First made us friends. I do her justice, see! +For we were friends in that smooth surface way +We Russians have imported out of France. +Alas! from what a blue and tranquil heaven +This bolt fell on me! After these two years, +My suit with Ossip Leminoff at end, +The old wrong righted, the estates restored, +And my promotion, with the ink not dry! +Those fairies which neglected me at birth +Seemed now to lavish all good gifts on me-- +Gold roubles, office, sudden dearest friends. +The whole world smiled; then, as I stooped to taste +The sweetest cup, freak dashed it from my lip. +This very night--just think, this very night-- +I planned to come and beg of you the alms +I dared not ask for in my poverty. +I thought me poor then. How stript am I now! +There's not a ragged mendicant one meets +Along the Nevski Prospekt but has leave +To tell his love, and I have not that right! +Pauline Pavlovna, why do you stand there +Stark as a statue, with no word to say? + + +SHE. + +Because this thing has frozen up my heart. +I think that there is something killed in me, +A dream that would have mocked all other bliss. +What shall I say? What would you have me say? + + +HE. + +If it be possible, the word of words! + + +SHE, VERY SLOWLY. + +Well, then--I love you. I may tell you so +This once, . . . and then forever hold my peace. +We cannot stay here longer unobserved. +No--do not touch me! but stand further off, +And seem to laugh, as if we jested--eyes, +Eyes everywhere! Now turn your face away . . . +I love you. + + +HE. + + With such music in my ears +I would death found me. It were sweet to die +Listening! You love me--prove it. + + +SHE. + + Prove it--how? +I prove it saying it. How else? + + +HE. + + Pauline, +I have three things to choose from; you shall choose: +This marriage, or Siberia, or France. +The first means hell; the second, purgatory; +The third--with you--were nothing less than heaven! + + +SHE, STARTING. + +How dared you even dream it! + + +HE. + + I was mad. +This business has touched me in the brain. +Have patience! the calamity's so new. +(Pauses.) +There is a fourth way; but that gate is shut +To brave men who hold life a thing of God. + + +SHE. + +Yourself spoke there; the rest was not of you. + + +HE. + +Oh, lift me to your level! So I'm safe. +What's to be done? + + +SHE. + + There must be some path out. +Perhaps the Emperor-- + + +HE. + + Not a ray of hope! +His mind is set on this with that insistence +Which seems to seize on all match-making folk. +The fancy bites them, and they straight go mad. + + +SHE. + +Your father's friend, the Metropolitan-- +A word from him . . . + + +HE. + + Alas, he too is bitten! +Gray-haired, gray-hearted, worldly wise, he sees +This marriage makes me the Tsar's protege, +And opens every door to preference. + + +SHE. + +Think while I think. There surely is some key +Unlocks the labyrinth, could we but find it. +Nastasia! + + +HE. + + What! beg life of her? Not I. + + +SHE. + +Beg love. She is a woman, young, perhaps +Untouched as yet of this too poisonous air. +Were she told all, would she not pity us? +For if she love you, as I think she must, +Would not some generous impulse stir in her, +Some latent, unsuspected spark illume? +How love thrills even commonest girl-clay, +Ennobling it an instant, if no more! +You said that she is proud; then touch her pride, +And turn her into marble with the touch. +But yet the gentler passion is the stronger. +Go to her, tell her, in some tenderest phrase +That will not hurt too much--ah, but 'twill hurt!-- +Just how your happiness lies in her hand +To make or mar for all time; hint, not say, +Your heart is gone from you, and you may find-- + + +HE. + +A casemate in St. Peter and St. Paul +For, say, a month; then some Siberian town. +Not this way lies escape. At my first word +That sluggish Tartar blood would turn to fire +In every vein. + + +SHE. + + How blindly you read her, +Or any woman! Yes, I know. I grant +How small we often seem in our small world +Of trivial cares and narrow precedents-- +Lacking that wide horizon stretched for men-- +Capricious, spiteful, frightened at a mouse; +But when it comes to suffering mortal pangs, +The weakest of us measures pulse with you. + + +HE. + +Yes, you, not she. If she were at your height! +But there's no martyr wrapt in HER rose flesh. +There should have been; for Nature gave you both +The self-same purple for your eyes and hair, +The self-same Southern music to your lips, +Fashioned you both, as 'twere, in the same mould, +Yet failed to put the soul in one of you! +I know her wilful--her light head quite turned +In this court atmosphere of flatteries; +A Moscow beauty, petted and spoiled there, +And since spoiled here; as soft as swan's down now, +With words like honey melting from the comb, +But being crossed, vindictive, cruel, cold. +I fancy her, between two rosy smiles, +Saying, "Poor fellow, in the Nertchinsk mines!" +That is the sum of her. + + +SHE. + + You know her not. +Count Sergius Pavlovich, you said no mask +Could hide the soul, yet how you have mistaken +The soul these two months--and the face to-night! + [Removes her mask.] + + +HE. + +You!--it was YOU! + + +SHE. + + Count Sergius Pavlovich, +Go find Pauline Pavlovna--she is here-- +And tell her that the Tsar has set you free. + [She goes out hurriedly, replacing her mask.] + + + + + + +BAGATELLE + + + + +CORYDON + +A PASTORAL + +SCENE: A roadside in Arcady + +SHEPHERD. + +Good sir, have you seen pass this way +A mischief straight from market-day? +You'd know her at a glance, I think; +Her eyes are blue, her lips are pink; +She has a way of looking back +Over her shoulder, and, alack! +Who gets that look one time, good sir, +Has naught to do but follow her. + + +PILGRIM. + +I have not seen this maid, methinks, +Though she that passed had lips like pinks. + + +SHEPHERD. + +Or like two strawberries made one +By some sly trick of dew and sun. + + +PILGRIM. + +A poet! + + +SHEPHERD. + + Nay, a simple swain +That tends his flock on yonder plain, +Naught else, I swear by book and bell. +But she that passed--you marked her well. +Was she not smooth as any be +That dwell herein in Arcady? + + +PILGRIM. + +Her skin was as the satin bark +Of birches. + + +SHEPHERD. + + Light or dark? + + +PILGRIM. + + Quite dark. + + +SHEPHERD. + +Then 'twas not she. + + +PILGRIM. + + The peach's side +That's next the sun is not so dyed +As was her cheek. Her hair hung down +Like summer twilight falling brown; +And when the breeze swept by, I wist +Her face was in a sombre mist. + + +SHEPHERD. + +No, that is not the maid I seek. +HER hair lies gold against the cheek; +Her yellow tresses take the morn +Like silken tassels of the corn. +And yet--brown locks are far from bad. + + +PILGRIM. + +Now I bethink me, this one had +A figure like the willow-tree +Which, slight and supple, wondrously +Inclines to droop with pensive grace, +And still retains its proper place; +A foot so arched and very small +The marvel was she walked at all; +Her hand--in sooth I lack for words-- +Her hand, five slender snow-white birds. +Her voice--though she but said "God-speed"-- +Was melody blown through a reed; +The girl Pan changed into a pipe +Had not a note so full and ripe. +And then her eye--my lad, her eye! +Discreet, inviting, candid, shy, +An outward ice, an inward fire, +And lashes to the heart's desire-- +Soft fringes blacker than the sloe. + + +SHEPHERD, THOUGHTFULLY. + +Good sir, which way did THIS one go? +. . . . . . . . + + +PILGRIM, SOLUS. + +So, he is off! The silly youth +Knoweth not Love in sober sooth. +He loves--thus lads at first are blind-- +No woman, only Womankind. +I needs must laugh, for, by the Mass, +No maid at all did this way pass! + + + + +AT A READING + +The spare Professor, grave and bald, +Began his paper. It was called, +I think, "A Brief Historic Glance +At Russia, Germany, and France." +A glance, but to my best belief +'Twas almost anything but brief-- +A wide survey, in which the earth +Was seen before mankind had birth; +Strange monsters basked them in the sun, +Behemoth, armored glyptodon, +And in the dawn's unpractised ray +The transient dodo winged its way; +Then, by degrees, through silt and slough, +We reached Berlin--I don't know how. +The good Professor's monotone +Had turned me into senseless stone +Instanter, but that near me sat +Hypatia in her new spring hat, +Blue-eyed, intent, with lips whose bloom +Lighted the heavy-curtained room. +Hypatia--ah, what lovely things +Are fashioned out of eighteen springs! +At first, in sums of this amount, +The eighteen winters do not count. +Just as my eyes were growing dim +With heaviness, I saw that slim, +Erect, elastic figure there, +Like a pond-lily taking air. +She looked so fresh, so wise, so neat, +So altogether crisp and sweet, +I quite forgot what Bismarck said, +And why the Emperor shook his head, +And how it was Von Moltke's frown +Cost France another frontier town. +The only facts I took away +From the Professor's theme that day +Were these: a forehead broad and low, +Such as the antique sculptures show; +A chin to Greek perfection true; +Eyes of Astarte's tender blue; +A high complexion without fleck +Or flaw, and curls about her neck. + + + + +THE MENU + +I beg you come to-night and dine. +A welcome waits you, and sound wine-- +The Roederer chilly to a charm, +As Juno's breath the claret warm, +The sherry of an ancient brand. +No Persian pomp, you understand-- +A soup, a fish, two meats, and then +A salad fit for aldermen +(When aldermen, alas, the days! +Were really worth their mayonnaise); +A dish of grapes whose clusters won +Their bronze in Carolinian sun; +Next, cheese--for you the Neufchatel, +A bit of Cheshire likes me well; +Cafe au lait or coffee black, +With Kirsch or Kummel or Cognac +(The German band in Irving Place +By this time purple in the face); +Cigars and pipes. These being through, +Friends shall drop in, a very few-- +Shakespeare and Milton, and no more. +When these are guests I bolt the door, +With Not at Home to any one +Excepting Alfred Tennyson. + + + + +AN ELECTIVE COURSE + +LINES FOUND AMONG THE PAPERS OF A HARVARD UNDERGRADUATE + +The bloom that lies on Fanny's cheek +Is all my Latin, all my Greek; +The only sciences I know +Are frowns that gloom and smiles that glow; +Siberia and Italy +Lie in her sweet geography; +No scholarship have I but such +As teaches me to love her much. + +Why should I strive to read the skies, +Who know the midnight of her eyes? +Why should I go so very far +To learn what heavenly bodies are! +Not Berenice's starry hair +With Fanny's tresses can compare; +Not Venus on a cloudless night, +Enslaving Science with her light, +Ever reveals so much as when +SHE stares and droops her lids again. + +If Nature's secrets are forbidden +To mortals, she may keep them hidden. +AEons and aeons we progressed +And did not let that break our rest; +Little we cared if Mars o'erhead +Were or were not inhabited; +Without the aid of Saturn's rings +Fair girls were wived in those far springs; +Warm lips met ours and conquered us +Or ere thou wert, Copernicus! + +Graybeards, who seek to bridge the chasm +'Twixt man to-day and protoplasm, +Who theorize and probe and gape, +And finally evolve an ape-- +Yours is a harmless sort of cult, +If you are pleased with the result. +Some folks admit, with cynic grace, +That you have rather proved your case. +These dogmatists are so severe! +Enough for me that Fanny's here, +Enough that, having long survived +Pre-Eveic forms, she HAS arrived-- +An illustration the completest +Of the survival of the sweetest. + +Linnaeus, avaunt! I only care +To know what flower she wants to wear. +I leave it to the addle-pated +To guess how pinks originated, +As if it mattered! The chief thing +Is that we have them in the Spring, +And Fanny likes them. When they come, +I straightway send and purchase some. +The Origin of Plants--go to! +Their proper end _I_ have in view. + +O loveliest book that ever man +Looked into since the world began +Is Woman! As I turn those pages, +As fresh as in the primal ages, +As day by day I scan, perplext, +The ever subtly changing text, +I feel that I am slowly growing +To think no other work worth knowing. +And in my copy--there is none +So perfect as the one I own-- +I find no thing set down but such +As teaches me to love it much. + + + + +L'EAU DORMANTE + +Curled up and sitting on her feet, + Within the window's deep embrasure, +Is Lydia; and across the street, + A lad, with eyes of roguish azure, +Watches her buried in her book. +In vain he tries to win a look, +And from the trellis over there +Blows sundry kisses through the air, +Which miss the mark, and fall unseen, +Uncared for. Lydia is thirteen. + +My lad, if you, without abuse, + Will take advice from one who's wiser, +And put his wisdom to more use + Than ever yet did your adviser; + +If you will let, as none will do, +Another's heartbreak serve for two, +You'll have a care, some four years hence, +How you lounge there by yonder fence +And blow those kisses through that screen-- +For Lydia will be seventeen. + + + + +THALIA + +A MIDDLE-AGED LYRICAL POET IS SUPPOSED TO BE TAKING + FINAL LEAVE OF THE MUSE OF COMEDY. SHE HAS + BROUGHT HIM HIS HAT AND GLOVES, AND IS + ABSTRACTEDLY PICKING A THREAD OF GOLD HAIR + FROM HIS COAT SLEEVE AS HE BEGINS TO SPEAK: + +I say it under the rose-- + oh, thanks!--yes, under the laurel, +We part lovers, not foes; + we are not going to quarrel. + +We have too long been friends + on foot and in gilded coaches, +Now that the whole thing ends, + to spoil our kiss with reproaches. + +I leave you; my soul is wrung; + I pause, look back from the portal-- +Ah, I no more am young, + and you, child, you are immortal! + +Mine is the glacier's way, + yours is the blossom's weather-- +When were December and May + known to be happy together? + +Before my kisses grow tame, + before my moodiness grieve you, +While yet my heart is flame, + and I all lover, I leave you. + +So, in the coming time, + when you count the rich years over, +Think of me in my prime, + and not as a white-haired lover, + +Fretful, pierced with regret, + the wraith of a dead Desire +Thrumming a cracked spinet + by a slowly dying fire. + +When, at last, I am cold-- + years hence, if the gods so will it-- +Say, "He was true as gold," + and wear a rose in your fillet! + +Others, tender as I, + will come and sue for caresses, +Woo you, win you, and die-- + mind you, a rose in your tresses! + +Some Melpomene woo, + some hold Clio the nearest; +You, sweet Comedy--you + were ever sweetest and dearest! + +Nay, it is time to go-- + when writing your tragic sister +Say to that child of woe + how sorry I was I missed her. + +Really, I cannot stay, + though "parting is such sweet sorrow" . . . +Perhaps I will, on my way + down-town, look in to-morrow! + + + + +PALINODE + +Who is Lydia, pray, and who +Is Hypatia? Softly, dear, +Let me breathe it in your ear-- +They are you, and only you. +And those other nameless two +Walking in Arcadian air-- +She that was so very fair? +She that had the twilight hair?-- +They were you, dear, only you. +If I speak of night or day, +Grace of fern or bloom of grape, +Hanging cloud or fountain spray, +Gem or star or glistening dew, +Or of mythologic shape, +Psyche, Pyrrha, Daphne, say-- +I mean you, dear, you, just you. + + + + +A PETITION + +To spring belongs the violet, and the blown +Spice of the roses let the summer own. +Grant me this favor, Muse--all else withhold-- +That I may not write verse when I am old. + +And yet I pray you, Muse, delay the time! +Be not too ready to deny me rhyme; +And when the hour strikes, as it must, dear Muse, +I beg you very gently break the news. + + + + + +End of The Project Gutenberg Etext of The Sisters' Tragedy + diff --git a/old/sistr10.zip b/old/sistr10.zip Binary files differnew file mode 100644 index 0000000..32d0ff5 --- /dev/null +++ b/old/sistr10.zip |