12 files changed, 1258 insertions, 0 deletions
diff --git a/5934-h/5934-h.htm b/5934-h/5934-h.htm
new file mode 100644
index 0000000..ff3437b
--- /dev/null
+++ b/5934-h/5934-h.htm
@@ -0,0 +1,1258 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>THE HISTORY OF DON QUIXOTE, By Cervantes, Vol. II.,  Part 31.</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<style type="text/css">
+    <!--
+		body {background:#faebd7; margin:10%; text-align:justify}
+    P { text-indent:   1em;
+        margin-top:    .75em;
+        margin-bottom: .75em; }
+    H1,H2,H3,H4,H5,H6 { text-align: center; }
+    HR  { width: 33%; text-align: center; }
+		blockquote {font-size: 97%; }
+		.figleft   {float: left;}
+    .figright  {float: right;}
+    .toc       { margin-left: 15%; margin-bottom: 0em;}
+    CENTER { padding: 10px;}
+		PRE    { font-family: Times; font-size: 97%; margin-left: 15%;}
+    // -->
+</style>
+
+
+</head>
+<body>
+
+<h2>THE HISTORY OF DON QUIXOTE, Vol. II.,  Part 31.</h2>
+<pre>
+
+The Project Gutenberg EBook of The History of Don Quixote, Vol. II., Part
+31, by Miguel de Cervantes
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The History of Don Quixote, Vol. II., Part 31
+
+Author: Miguel de Cervantes
+
+Release Date: July 25, 2004 [EBook #5934]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK DON QUIXOTE, PART 31 ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+
+
+
+
+
+
+<br>
+<hr>
+<br><br><br><br><br><br>
+
+
+
+<center>
+<h1>DON QUIXOTE</h1>
+<br>
+<h2>by Miguel de Cervantes</h2>
+<br>
+<h3>Translated by John Ormsby</h3>
+</center>
+
+<br><br>
+<center><h3>
+Volume II.,&nbsp; Part 31
+<br><br>
+Chapters 44-45
+</h3></center>
+
+
+<br><br>
+<center>
+<img alt="bookcover.jpg (230K)" src="images/bookcover.jpg" height="842" width="650">
+</center>
+<a href="images/bookcover.jpg" target="_blank"><img alt="Full Size" src="images/enlarge.jpg">
+</a>
+<br><br><br><br>
+
+<br><br><br><br>
+<center>
+<img alt="spine.jpg (152K)" src="images/spine.jpg" height="842" width="650">
+</center>
+<a href="images/spine.jpg" target="_blank"><img alt="Full Size" src="images/enlarge.jpg">
+</a>
+<br><br><br><br>
+
+
+<center>
+<h3>Ebook Editor's Note</h3>
+</center>
+<blockquote><blockquote><blockquote><blockquote>
+<p>
+The book cover and spine above and the images which follow were not part of the original Ormsby
+translation&mdash;they are taken from the 1880 edition of J. W. Clark, illustrated by
+Gustave Dore.  Clark in his edition states that, "The English text of 'Don Quixote'
+adopted in this edition is that of Jarvis, with occasional corrections from Motteaux."
+See in the introduction below John Ormsby's critique of
+both the Jarvis and Motteaux translations.  It has been elected in the present Project Gutenberg edition
+to attach the famous engravings of Gustave Dore to the Ormsby translation instead
+of the Jarvis/Motteaux. The detail of many of the Dore engravings can be fully appreciated only
+by utilizing the "Enlarge" button to expand them to their original dimensions.  Ormsby
+in his Preface has criticized the fanciful nature  of Dore's illustrations; others feel
+these woodcuts and steel engravings well match Quixote's dreams.
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;D.W.</p>
+</blockquote></blockquote></blockquote></blockquote>
+<br><br><br><br>
+
+
+<br><br><br><br>
+<center>
+<img alt="p003.jpg (307K)" src="images/p003.jpg" height="813" width="650">
+</center>
+<a href="images/p003.jpg" target="_blank"><img alt="Full Size" src="images/enlarge.jpg">
+</a>
+<br><br><br><br>
+
+
+<center><h2>CONTENTS</h2></center>
+
+
+<pre>
+
+<a href="#ch44b">CHAPTER XLIV</a>
+HOW SANCHO PANZA WAS CONDUCTED TO HIS GOVERNMENT,
+AND OF THE STRANGE ADVENTURE THAT BEFELL DON QUIXOTE
+IN THE CASTLE
+
+<a href="#ch45b">CHAPTER XLV</a>
+OF HOW THE GREAT SANCHO PANZA TOOK POSSESSION OF HIS
+ISLAND, AND OF HOW HE MADE A BEGINNING IN GOVERNING
+
+</pre>
+
+<br><br><br><br>
+
+
+<center><h1>DON QUIXOTE</h1></center>
+<br><br>
+<center><h2>Volume II.</h2></center>
+<br>
+<br>
+<br>
+
+
+<br><br>
+<center><h2><a name="ch44b"></a>CHAPTER XLIV.</h2></center>
+<br>
+<center><h3>HOW SANCHO PANZA WAS CONDUCTED TO HIS GOVERNMENT, AND OF THE STRANGE
+ADVENTURE THAT BEFELL DON QUIXOTE IN THE CASTLE
+</h3></center>
+<br>
+<br>
+
+<center><a name="p44a"></a><img alt="p44a.jpg (140K)" src="images/p44a.jpg" height="425" width="650">
+</center>
+<a href="images/p44a.jpg" target="_blank"><img alt="Full Size" src="images/enlarge.jpg"></a>
+<br><br><br><br>
+
+<p>It is stated, they say, in the true original of this history, that
+when Cide Hamete came to write this chapter, his interpreter did not
+translate it as he wrote it&mdash;that is, as a kind of complaint the
+Moor made against himself for having taken in hand a story so dry
+and of so little variety as this of Don Quixote, for he found
+himself forced to speak perpetually of him and Sancho, without
+venturing to indulge in digressions and episodes more serious and more
+interesting. He said, too, that to go on, mind, hand, pen always
+restricted to writing upon one single subject, and speaking through
+the mouths of a few characters, was intolerable drudgery, the result
+of which was never equal to the author's labour, and that to avoid
+this he had in the First Part availed himself of the device of novels,
+like "The Ill-advised Curiosity," and "The Captive Captain," which
+stand, as it were, apart from the story; the others are given there
+being incidents which occurred to Don Quixote himself and could not be
+omitted. He also thought, he says, that many, engrossed by the
+interest attaching to the exploits of Don Quixote, would take none
+in the novels, and pass them over hastily or impatiently without
+noticing the elegance and art of their composition, which would be
+very manifest were they published by themselves and not as mere
+adjuncts to the crazes of Don Quixote or the simplicities of Sancho.
+Therefore in this Second Part he thought it best not to insert novels,
+either separate or interwoven, but only episodes, something like them,
+arising out of the circumstances the facts present; and even these
+sparingly, and with no more words than suffice to make them plain; and
+as he confines and restricts himself to the narrow limits of the
+narrative, though he has ability; capacity, and brains enough to
+deal with the whole universe, he requests that his labours may not
+be despised, and that credit be given him, not alone for what he
+writes, but for what he has refrained from writing.</p>
+
+<p>And so he goes on with his story, saying that the day Don Quixote
+gave the counsels to Sancho, the same afternoon after dinner he handed
+them to him in writing so that he might get some one to read them to
+him. They had scarcely, however, been given to him when he let them
+drop, and they fell into the hands of the duke, who showed them to the
+duchess and they were both amazed afresh at the madness and wit of Don
+Quixote. To carry on the joke, then, the same evening they
+despatched Sancho with a large following to the village that was to
+serve him for an island. It happened that the person who had him in
+charge was a majordomo of the duke's, a man of great discretion and
+humour&mdash;and there can be no humour without discretion&mdash;and the same
+who played the part of the Countess Trifaldi in the comical way that
+has been already described; and thus qualified, and instructed by
+his master and mistress as to how to deal with Sancho, he carried
+out their scheme admirably. Now it came to pass that as soon as Sancho
+saw this majordomo he seemed in his features to recognise those of the
+Trifaldi, and turning to his master, he said to him, "Senor, either
+the devil will carry me off, here on this spot, righteous and
+believing, or your worship will own to me that the face of this
+majordomo of the duke's here is the very face of the Distressed One."</p>
+
+<p>Don Quixote regarded the majordomo attentively, and having done
+so, said to Sancho, "There is no reason why the devil should carry
+thee off, Sancho, either righteous or believing&mdash;and what thou meanest
+by that I know not; the face of the Distressed One is that of the
+majordomo, but for all that the majordomo is not the Distressed One;
+for his being so would involve a mighty contradiction; but this is not
+the time for going into questions of the sort, which would be
+involving ourselves in an inextricable labyrinth. Believe me, my
+friend, we must pray earnestly to our Lord that he deliver us both
+from wicked wizards and enchanters."</p>
+
+<p>"It is no joke, senor," said Sancho, "for before this I heard him
+speak, and it seemed exactly as if the voice of the Trifaldi was
+sounding in my ears. Well, I'll hold my peace; but I'll take care to
+be on the look-out henceforth for any sign that may be seen to confirm
+or do away with this suspicion."</p>
+
+<p>"Thou wilt do well, Sancho," said Don Quixote, "and thou wilt let me
+know all thou discoverest, and all that befalls thee in thy
+government."</p>
+
+<p>Sancho at last set out attended by a great number of people. He
+was dressed in the garb of a lawyer, with a gaban of tawny watered
+camlet over all and a montera cap of the same material, and mounted
+a la gineta upon a mule. Behind him, in accordance with the duke's
+orders, followed Dapple with brand new ass-trappings and ornaments
+of silk, and from time to time Sancho turned round to look at his ass,
+so well pleased to have him with him that he would not have changed
+places with the emperor of Germany. On taking leave he kissed the
+hands of the duke and duchess and got his master's blessing, which Don
+Quixote gave him with tears, and he received blubbering.</p>
+
+<br><br><br><br>
+<center><a name="p44b"></a><img alt="p44b.jpg (341K)" src="images/p44b.jpg" height="846" width="650">
+</center>
+<a href="images/p44b.jpg" target="_blank"><img alt="Full Size" src="images/enlarge.jpg"></a>
+<br><br><br><br>
+
+
+<p>Let worthy Sancho go in peace, and good luck to him, Gentle
+Reader; and look out for two bushels of laughter, which the account of
+how he behaved himself in office will give thee. In the meantime
+turn thy attention to what happened his master the same night, and
+if thou dost not laugh thereat, at any rate thou wilt stretch thy
+mouth with a grin; for Don Quixote's adventures must be honoured
+either with wonder or with laughter.</p>
+
+<p>It is recorded, then, that as soon as Sancho had gone, Don Quixote
+felt his loneliness, and had it been possible for him to revoke the
+mandate and take away the government from him he would have done so.
+The duchess observed his dejection and asked him why he was
+melancholy; because, she said, if it was for the loss of Sancho, there
+were squires, duennas, and damsels in her house who would wait upon
+him to his full satisfaction.</p>
+
+<p>"The truth is, senora," replied Don Quixote, "that I do feel the
+loss of Sancho; but that is not the main cause of my looking sad;
+and of all the offers your excellence makes me, I accept only the
+good-will with which they are made, and as to the remainder I
+entreat of your excellence to permit and allow me alone to wait upon
+myself in my chamber."</p>
+
+<p>"Indeed, Senor Don Quixote," said the duchess, "that must not be;
+four of my damsels, as beautiful as flowers, shall wait upon you."</p>
+
+<p>"To me," said Don Quixote, "they will not be flowers, but thorns
+to pierce my heart. They, or anything like them, shall as soon enter
+my chamber as fly. If your highness wishes to gratify me still
+further, though I deserve it not, permit me to please myself, and wait
+upon myself in my own room; for I place a barrier between my
+inclinations and my virtue, and I do not wish to break this rule
+through the generosity your highness is disposed to display towards
+me; and, in short, I will sleep in my clothes, sooner than allow
+anyone to undress me."</p>
+
+<p>"Say no more, Senor Don Quixote, say no more," said the duchess;
+"I assure you I will give orders that not even a fly, not to say a
+damsel, shall enter your room. I am not the one to undermine the
+propriety of Senor Don Quixote, for it strikes me that among his
+many virtues the one that is pre-eminent is that of modesty. Your
+worship may undress and dress in private and in your own way, as you
+please and when you please, for there will be no one to hinder you;
+and in your chamber you will find all the utensils requisite to supply
+the wants of one who sleeps with his door locked, to the end that no
+natural needs compel you to open it. May the great Dulcinea del Toboso
+live a thousand years, and may her fame extend all over the surface of
+the globe, for she deserves to be loved by a knight so valiant and
+so virtuous; and may kind heaven infuse zeal into the heart of our
+governor Sancho Panza to finish off his discipline speedily, so that
+the world may once more enjoy the beauty of so grand a lady."</p>
+
+<p>To which Don Quixote replied, "Your highness has spoken like what
+you are; from the mouth of a noble lady nothing bad can come; and
+Dulcinea will be more fortunate, and better known to the world by
+the praise of your highness than by all the eulogies the greatest
+orators on earth could bestow upon her."</p>
+
+<p>"Well, well, Senor Don Quixote," said the duchess, is nearly
+supper-time, and the duke is is probably waiting; come let us go to
+supper, and retire to rest early, for the journey you made yesterday
+from Kandy was not such a short one but that it must have caused you
+some fatigue."</p>
+
+<p>"I feel none, senora," said Don Quixote, "for I would go so far as
+to swear to your excellence that in all my life I never mounted a
+quieter beast, or a pleasanter paced one, than Clavileno; and I
+don't know what could have induced Malambruno to discard a steed so
+swift and so gentle, and burn it so recklessly as he did."</p>
+
+<p>"Probably," said the duchess, "repenting of the evil he had done
+to the Trifaldi and company, and others, and the crimes he must have
+committed as a wizard and enchanter, he resolved to make away with all
+the instruments of his craft; and so burned Clavileno as the chief
+one, and that which mainly kept him restless, wandering from land to
+land; and by its ashes and the trophy of the placard the valour of the
+great Don Quixote of La Mancha is established for ever."</p>
+
+<p>Don Quixote renewed his thanks to the duchess; and having supped,
+retired to his chamber alone, refusing to allow anyone to enter with
+him to wait on him, such was his fear of encountering temptations that
+might lead or drive him to forget his chaste fidelity to his lady
+Dulcinea; for he had always present to his mind the virtue of
+Amadis, that flower and mirror of knights-errant. He locked the door
+behind him, and by the light of two wax candles undressed himself, but
+as he was taking off his stockings&mdash;O disaster unworthy of such a
+personage!&mdash;there came a burst, not of sighs, or anything belying
+his delicacy or good breeding, but of some two dozen stitches in one
+of his stockings, that made it look like a window-lattice. The
+worthy gentleman was beyond measure distressed, and at that moment
+he would have given an ounce of silver to have had half a drachm of
+green silk there; I say green silk, because the stockings were green.</p>
+
+<p>Here Cide Hamete exclaimed as he was writing, "O poverty, poverty! I
+know not what could have possessed the great Cordovan poet to call
+thee 'holy gift ungratefully received.' Although a Moor, I know well
+enough from the intercourse I have had with Christians that holiness
+consists in charity, humility, faith, obedience, and poverty; but
+for all that, I say he must have a great deal of godliness who can
+find any satisfaction in being poor; unless, indeed, it be the kind of
+poverty one of their greatest saints refers to, saying, 'possess all
+things as though ye possessed them not;' which is what they call
+poverty in spirit. But thou, that other poverty&mdash;for it is of thee I
+am speaking now&mdash;why dost thou love to fall out with gentlemen and men
+of good birth more than with other people? Why dost thou compel them
+to smear the cracks in their shoes, and to have the buttons of their
+coats, one silk, another hair, and another glass? Why must their ruffs
+be always crinkled like endive leaves, and not crimped with a crimping
+iron?" (From this we may perceive the antiquity of starch and
+crimped ruffs.) Then he goes on: "Poor gentleman of good family!
+always cockering up his honour, dining miserably and in secret, and
+making a hypocrite of the toothpick with which he sallies out into the
+street after eating nothing to oblige him to use it! Poor fellow, I
+say, with his nervous honour, fancying they perceive a league off
+the patch on his shoe, the sweat-stains on his hat, the shabbiness
+of his cloak, and the hunger of his stomach!"</p>
+
+<p>All this was brought home to Don Quixote by the bursting of his
+stitches; however, he comforted himself on perceiving that Sancho
+had left behind a pair of travelling boots, which he resolved to
+wear the next day. At last he went to bed, out of spirits and heavy at
+heart, as much because he missed Sancho as because of the
+irreparable disaster to his stockings, the stitches of which he
+would have even taken up with silk of another colour, which is one
+of the greatest signs of poverty a gentleman can show in the course of
+his never-failing embarrassments. He put out the candles; but the
+night was warm and he could not sleep; he rose from his bed and opened
+slightly a grated window that looked out on a beautiful garden, and as
+he did so he perceived and heard people walking and talking in the
+garden. He set himself to listen attentively, and those below raised
+their voices so that he could hear these words:</p>
+
+<p>"Urge me not to sing, Emerencia, for thou knowest that ever since
+this stranger entered the castle and my eyes beheld him, I cannot sing
+but only weep; besides my lady is a light rather than a heavy sleeper,
+and I would not for all the wealth of the world that she found us
+here; and even if she were asleep and did not waken, my singing
+would be in vain, if this strange AEneas, who has come into my
+neighbourhood to flout me, sleeps on and wakens not to hear it."</p>
+
+<p>"Heed not that, dear Altisidora," replied a voice; "the duchess is
+no doubt asleep, and everybody in the house save the lord of thy heart
+and disturber of thy soul; for just now I perceived him open the
+grated window of his chamber, so he must be awake; sing, my poor
+sufferer, in a low sweet tone to the accompaniment of thy harp; and
+even if the duchess hears us we can lay the blame on the heat of the
+night."</p>
+
+<p>"That is not the point, Emerencia," replied Altisidora, "it is
+that I would not that my singing should lay bare my heart, and that
+I should be thought a light and wanton maiden by those who know not
+the mighty power of love; but come what may; better a blush on the
+cheeks than a sore in the heart;" and here a harp softly touched
+made itself heard. As he listened to all this Don Quixote was in a
+state of breathless amazement, for immediately the countless
+adventures like this, with windows, gratings, gardens, serenades,
+lovemakings, and languishings, that he had read of in his trashy books
+of chivalry, came to his mind. He at once concluded that some damsel
+of the duchess's was in love with him, and that her modesty forced her
+to keep her passion secret. He trembled lest he should fall, and
+made an inward resolution not to yield; and commending himself with
+all his might and soul to his lady Dulcinea he made up his mind to
+listen to the music; and to let them know he was there he gave a
+pretended sneeze, at which the damsels were not a little delighted,
+for all they wanted was that Don Quixote should hear them. So having
+tuned the harp, Altisidora, running her hand across the strings, began
+this ballad:</p>
+
+
+<pre>
+O thou that art above in bed,
+  Between the holland sheets,
+A-lying there from night till morn,
+  With outstretched legs asleep;
+
+O thou, most valiant knight of all
+  The famed Manchegan breed,
+Of purity and virtue more
+  Than gold of Araby;
+
+Give ear unto a suffering maid,
+  Well-grown but evil-starr'd,
+For those two suns of thine have lit
+  A fire within her heart.
+
+Adventures seeking thou dost rove,
+  To others bringing woe;
+Thou scatterest wounds, but, ah, the balm
+  To heal them dost withhold!
+
+Say, valiant youth, and so may God
+  Thy enterprises speed,
+Didst thou the light mid Libya's sands
+  Or Jaca's rocks first see?
+
+Did scaly serpents give thee suck?
+  Who nursed thee when a babe?
+Wert cradled in the forest rude,
+  Or gloomy mountain cave?
+
+O Dulcinea may be proud,
+  That plump and lusty maid;
+For she alone hath had the power
+  A tiger fierce to tame.
+
+And she for this shall famous be
+  From Tagus to Jarama,
+From Manzanares to Genil,
+  From Duero to Arlanza.
+
+Fain would I change with her, and give
+  A petticoat to boot,
+The best and bravest that I have,
+  All trimmed with gold galloon.
+
+O for to be the happy fair
+  Thy mighty arms enfold,
+Or even sit beside thy bed
+  And scratch thy dusty poll!
+
+I rave,&mdash;to favours such as these
+  Unworthy to aspire;
+Thy feet to tickle were enough
+  For one so mean as I.
+
+What caps, what slippers silver-laced,
+  Would I on thee bestow!
+What damask breeches make for thee;
+  What fine long holland cloaks!
+
+And I would give thee pearls that should
+  As big as oak-galls show;
+So matchless big that each might well
+  Be called the great "Alone."
+
+Manchegan Nero, look not down
+  From thy Tarpeian Rock
+Upon this burning heart, nor add
+  The fuel of thy wrath.
+
+A virgin soft and young am I,
+  Not yet fifteen years old;
+(I'm only three months past fourteen,
+  I swear upon my soul).
+I hobble not nor do I limp,
+  All blemish I'm without,
+And as I walk my lily locks
+  Are trailing on the ground.
+
+And though my nose be rather flat,
+  And though my mouth be wide,
+My teeth like topazes exalt
+  My beauty to the sky.
+
+Thou knowest that my voice is sweet,
+  That is if thou dost hear;
+And I am moulded in a form
+  Somewhat below the mean.
+
+These charms, and many more, are thine,
+  Spoils to thy spear and bow all;
+A damsel of this house am I,
+  By name Altisidora.
+
+</pre>
+
+
+
+<br><br><br><br>
+<center><a name="p44c"></a><img alt="p44c.jpg (266K)" src="images/p44c.jpg" height="836" width="650">
+</center>
+<a href="images/p44c.jpg" target="_blank"><img alt="Full Size" src="images/enlarge.jpg"></a>
+<br><br><br><br>
+
+<p>
+Here the lay of the heart-stricken Altisidora came to an end,
+while the warmly wooed Don Quixote began to feel alarm; and with a
+deep sigh he said to himself, "O that I should be such an unlucky
+knight that no damsel can set eyes on me but falls in love with me!
+O that the peerless Dulcinea should be so unfortunate that they cannot
+let her enjoy my incomparable constancy in peace! What would ye with
+her, ye queens? Why do ye persecute her, ye empresses? Why ye pursue
+her, ye virgins of from fourteen to fifteen? Leave the unhappy being
+to triumph, rejoice and glory in the lot love has been pleased to
+bestow upon her in surrendering my heart and yielding up my soul to
+her. Ye love-smitten host, know that to Dulcinea only I am dough and
+sugar-paste, flint to all others; for her I am honey, for you aloes.
+For me Dulcinea alone is beautiful, wise, virtuous, graceful, and
+high-bred, and all others are ill-favoured, foolish, light, and
+low-born. Nature sent me into the world to be hers and no other's;
+Altisidora may weep or sing, the lady for whose sake they belaboured
+me in the castle of the enchanted Moor may give way to despair, but
+I must be Dulcinea's, boiled or roast, pure, courteous, and chaste, in
+spite of all the magic-working powers on earth." And with that he shut
+the window with a bang, and, as much out of temper and out of sorts as
+if some great misfortune had befallen him, stretched himself on his
+bed, where we will leave him for the present, as the great Sancho
+Panza, who is about to set up his famous government, now demands our
+attention.</p>
+
+<br><br><br><br>
+<center><a name="p44e"></a><img alt="p44e.jpg (145K)" src="images/p44e.jpg" height="421" width="650">
+</center>
+<a href="images/p44a.jpg" target="_blank"><img alt="Full Size" src="images/enlarge.jpg"></a>
+<br><br><br><br>
+
+
+<br><br>
+<center><h2><a name="ch45b"></a>CHAPTER XLV.</h2></center>
+<br>
+<center><h3>OF HOW THE GREAT SANCHO PANZA TOOK POSSESSION OF HIS ISLAND, AND
+OF HOW HE MADE A BEGINNING IN GOVERNING
+</h3></center>
+<br>
+<br>
+
+<center><a name="p45a"></a><img alt="p45a.jpg (141K)" src="images/p45a.jpg" height="453" width="650">
+</center>
+<a href="images/p45a.jpg" target="_blank"><img alt="Full Size" src="images/enlarge.jpg"></a>
+<br><br><br><br>
+
+<p>O perpetual discoverer of the antipodes, torch of the world, eye
+of heaven, sweet stimulator of the water-coolers! Thimbraeus here,
+Phoebus there, now archer, now physician, father of poetry, inventor
+of music; thou that always risest and, notwithstanding appearances,
+never settest! To thee, O Sun, by whose aid man begetteth man, to thee
+I appeal to help me and lighten the darkness of my wit that I may be
+able to proceed with scrupulous exactitude in giving an account of the
+great Sancho Panza's government; for without thee I feel myself
+weak, feeble, and uncertain.</p>
+
+<p>To come to the point, then&mdash;Sancho with all his attendants arrived
+at a village of some thousand inhabitants, and one of the largest
+the duke possessed. They informed him that it was called the island of
+Barataria, either because the name of the village was Baratario, or
+because of the joke by way of which the government had been
+conferred upon him. On reaching the gates of the town, which was a
+walled one, the municipality came forth to meet him, the bells rang
+out a peal, and the inhabitants showed every sign of general
+satisfaction; and with great pomp they conducted him to the
+principal church to give thanks to God, and then with burlesque
+ceremonies they presented him with the keys of the town, and
+acknowledged him as perpetual governor of the island of Barataria. The
+costume, the beard, and the fat squat figure of the new governor
+astonished all those who were not in the secret, and even all who
+were, and they were not a few. Finally, leading him out of the
+church they carried him to the judgment seat and seated him on it, and
+the duke's majordomo said to him, "It is an ancient custom in this
+island, senor governor, that he who comes to take possession of this
+famous island is bound to answer a question which shall be put to him,
+and which must be a somewhat knotty and difficult one; and by his
+answer the people take the measure of their new governor's wit, and
+hail with joy or deplore his arrival accordingly."</p>
+
+<p>While the majordomo was making this speech Sancho was gazing at
+several large letters inscribed on the wall opposite his seat, and
+as he could not read he asked what that was that was painted on the
+wall. The answer was, "Senor, there is written and recorded the day on
+which your lordship took possession of this island, and the
+inscription says, 'This day, the so-and-so of such-and-such a month
+and year, Senor Don Sancho Panza took possession of this island;
+many years may he enjoy it.'"</p>
+
+<p>"And whom do they call Don Sancho Panza?" asked Sancho.</p>
+
+<p>"Your lordship," replied the majordomo; "for no other Panza but
+the one who is now seated in that chair has ever entered this island."</p>
+
+<p>"Well then, let me tell you, brother," said Sancho, "I haven't got
+the 'Don,' nor has any one of my family ever had it; my name is
+plain Sancho Panza, and Sancho was my father's name, and Sancho was my
+grandfather's and they were all Panzas, without any Dons or Donas
+tacked on; I suspect that in this island there are more Dons than
+stones; but never mind; God knows what I mean, and maybe if my
+government lasts four days I'll weed out these Dons that no doubt
+are as great a nuisance as the midges, they're so plenty. Let the
+majordomo go on with his question, and I'll give the best answer I
+can, whether the people deplore or not."</p>
+
+<p>At this instant there came into court two old men, one carrying a
+cane by way of a walking-stick, and the one who had no stick said,
+"Senor, some time ago I lent this good man ten gold-crowns in gold
+to gratify him and do him a service, on the condition that he was to
+return them to me whenever I should ask for them. A long time passed
+before I asked for them, for I would not put him to any greater
+straits to return them than he was in when I lent them to him; but
+thinking he was growing careless about payment I asked for them once
+and several times; and not only will he not give them back, but he
+denies that he owes them, and says I never lent him any such crowns;
+or if I did, that he repaid them; and I have no witnesses either of
+the loan, or the payment, for he never paid me; I want your worship to
+put him to his oath, and if he swears he returned them to me I forgive
+him the debt here and before God."</p>
+
+<br><br><br><br>
+<center><a name="p45b"></a><img alt="p45b.jpg (400K)" src="images/p45b.jpg" height="856" width="650">
+</center>
+<a href="images/p45b.jpg" target="_blank"><img alt="Full Size" src="images/enlarge.jpg"></a>
+<br><br><br><br>
+
+<p>"What say you to this, good old man, you with the stick?" said
+Sancho.</p>
+
+<p>To which the old man replied, "I admit, senor, that he lent them
+to me; but let your worship lower your staff, and as he leaves it to
+my oath, I'll swear that I gave them back, and paid him really and
+truly."</p>
+
+<p>The governor lowered the staff, and as he did so the old man who had
+the stick handed it to the other old man to hold for him while he
+swore, as if he found it in his way; and then laid his hand on the
+cross of the staff, saying that it was true the ten crowns that were
+demanded of him had been lent him; but that he had with his own hand
+given them back into the hand of the other, and that he, not
+recollecting it, was always asking for them.</p>
+
+<p>Seeing this the great governor asked the creditor what answer he had
+to make to what his opponent said. He said that no doubt his debtor
+had told the truth, for he believed him to be an honest man and a good
+Christian, and he himself must have forgotten when and how he had
+given him back the crowns; and that from that time forth he would make
+no further demand upon him.</p>
+
+<p>The debtor took his stick again, and bowing his head left the court.
+Observing this, and how, without another word, he made off, and
+observing too the resignation of the plaintiff, Sancho buried his head
+in his bosom and remained for a short space in deep thought, with
+the forefinger of his right hand on his brow and nose; then he
+raised his head and bade them call back the old man with the stick,
+for he had already taken his departure. They brought him back, and
+as soon as Sancho saw him he said, "Honest man, give me that stick,
+for I want it."</p>
+
+<p>"Willingly," said the old man; "here it is senor," and he put it
+into his hand.</p>
+
+<p>Sancho took it and, handing it to the other old man, said to him,
+"Go, and God be with you; for now you are paid."</p>
+
+<p>"I, senor!" returned the old man; "why, is this cane worth ten
+gold-crowns?"</p>
+
+<p>"Yes," said the governor, "or if not I am the greatest dolt in the
+world; now you will see whether I have got the headpiece to govern a
+whole kingdom;" and he ordered the cane to be broken in two, there, in
+the presence of all. It was done, and in the middle of it they found
+ten gold-crowns. All were filled with amazement, and looked upon their
+governor as another Solomon. They asked him how he had come to the
+conclusion that the ten crowns were in the cane; he replied, that
+observing how the old man who swore gave the stick to his opponent
+while he was taking the oath, and swore that he had really and truly
+given him the crowns, and how as soon as he had done swearing he asked
+for the stick again, it came into his head that the sum demanded
+must be inside it; and from this he said it might be seen that God
+sometimes guides those who govern in their judgments, even though they
+may be fools; besides he had himself heard the curate of his village
+mention just such another case, and he had so good a memory, that if
+it was not that he forgot everything he wished to remember, there
+would not be such a memory in all the island. To conclude, the old men
+went off, one crestfallen, and the other in high contentment, all
+who were present were astonished, and he who was recording the
+words, deeds, and movements of Sancho could not make up his mind
+whether he was to look upon him and set him down as a fool or as a man
+of sense.</p>
+
+<p>As soon as this case was disposed of, there came into court a
+woman holding on with a tight grip to a man dressed like a
+well-to-do cattle dealer, and she came forward making a great outcry
+and exclaiming, "Justice, senor governor, justice! and if I don't
+get it on earth I'll go look for it in heaven. Senor governor of my
+soul, this wicked man caught me in the middle of the fields here and
+used my body as if it was an ill-washed rag, and, woe is me! got
+from me what I had kept these three-and-twenty years and more,
+defending it against Moors and Christians, natives and strangers;
+and I always as hard as an oak, and keeping myself as pure as a
+salamander in the fire, or wool among the brambles, for this good
+fellow to come now with clean hands to handle me!"</p>
+
+<p>"It remains to be proved whether this gallant has clean hands or
+not," said Sancho; and turning to the man he asked him what he had
+to say in answer to the woman's charge.</p>
+
+<p>He all in confusion made answer, "Sirs, I am a poor pig dealer,
+and this morning I left the village to sell (saving your presence)
+four pigs, and between dues and cribbings they got out of me little
+less than the worth of them. As I was returning to my village I fell
+in on the road with this good dame, and the devil who makes a coil and
+a mess out of everything, yoked us together. I paid her fairly, but
+she not contented laid hold of me and never let go until she brought
+me here; she says I forced her, but she lies by the oath I swear or am
+ready to swear; and this is the whole truth and every particle of it."</p>
+
+<p>The governor on this asked him if he had any money in silver about
+him; he said he had about twenty ducats in a leather purse in his
+bosom. The governor bade him take it out and hand it to the
+complainant; he obeyed trembling; the woman took it, and making a
+thousand salaams to all and praying to God for the long life and
+health of the senor governor who had such regard for distressed
+orphans and virgins, she hurried out of court with the purse grasped
+in both her hands, first looking, however, to see if the money it
+contained was silver.</p>
+
+<p>As soon as she was gone Sancho said to the cattle dealer, whose
+tears were already starting and whose eyes and heart were following
+his purse, "Good fellow, go after that woman and take the purse from
+her, by force even, and come back with it here;" and he did not say it
+to one who was a fool or deaf, for the man was off like a flash of
+lightning, and ran to do as he was bid.</p>
+
+<p>All the bystanders waited anxiously to see the end of the case,
+and presently both man and woman came back at even closer grips than
+before, she with her petticoat up and the purse in the lap of it,
+and he struggling hard to take it from her, but all to no purpose,
+so stout was the woman's defence, she all the while crying out,
+"Justice from God and the world! see here, senor governor, the
+shamelessness and boldness of this villain, who in the middle of the
+town, in the middle of the street, wanted to take from me the purse
+your worship bade him give me."</p>
+
+<p>"And did he take it?" asked the governor.</p>
+
+<p>"Take it!" said the woman; "I'd let my life be taken from me
+sooner than the purse. A pretty child I'd be! It's another sort of cat
+they must throw in my face, and not that poor scurvy knave. Pincers
+and hammers, mallets and chisels would not get it out of my grip;
+no, nor lions' claws; the soul from out of my body first!"</p>
+
+<p>"She is right," said the man; "I own myself beaten and powerless;
+I confess I haven't the strength to take it from her;" and he let go
+his hold of her.</p>
+
+<p>Upon this the governor said to the woman, "Let me see that purse, my
+worthy and sturdy friend." She handed it to him at once, and the
+governor returned it to the man, and said to the unforced mistress
+of force, "Sister, if you had shown as much, or only half as much,
+spirit and vigour in defending your body as you have shown in
+defending that purse, the strength of Hercules could not have forced
+you. Be off, and God speed you, and bad luck to you, and don't show
+your face in all this island, or within six leagues of it on any side,
+under pain of two hundred lashes; be off at once, I say, you
+shameless, cheating shrew."</p>
+
+<p>The woman was cowed and went off disconsolately, hanging her head;
+and the governor said to the man, "Honest man, go home with your
+money, and God speed you; and for the future, if you don't want to
+lose it, see that you don't take it into your head to yoke with
+anybody." The man thanked him as clumsily as he could and went his
+way, and the bystanders were again filled with admiration at their new
+governor's judgments and sentences.</p>
+
+<p>Next, two men, one apparently a farm labourer, and the other a
+tailor, for he had a pair of shears in his hand, presented
+themselves before him, and the tailor said, "Senor governor, this
+labourer and I come before your worship by reason of this honest man
+coming to my shop yesterday (for saving everybody's presence I'm a
+passed tailor, God be thanked), and putting a piece of cloth into my
+hands and asking me, 'Senor, will there be enough in this cloth to
+make me a cap?' Measuring the cloth I said there would. He probably
+suspected&mdash;as I supposed, and I supposed right&mdash;that I wanted to steal
+some of the cloth, led to think so by his own roguery and the bad
+opinion people have of tailors; and he told me to see if there would
+be enough for two. I guessed what he would be at, and I said 'yes.'
+He, still following up his original unworthy notion, went on adding
+cap after cap, and I 'yes' after 'yes,' until we got as far as five.
+He has just this moment come for them; I gave them to him, but he
+won't pay me for the making; on the contrary, he calls upon me to
+pay him, or else return his cloth."</p>
+
+<p>"Is all this true, brother?" said Sancho.</p>
+
+<p>"Yes," replied the man; "but will your worship make him show the
+five caps he has made me?"</p>
+
+<p>"With all my heart," said the tailor; and drawing his hand from
+under his cloak he showed five caps stuck upon the five fingers of it,
+and said, "there are the caps this good man asks for; and by God and
+upon my conscience I haven't a scrap of cloth left, and I'll let the
+work be examined by the inspectors of the trade."</p>
+
+<p>All present laughed at the number of caps and the novelty of the
+suit; Sancho set himself to think for a moment, and then said, "It
+seems to me that in this case it is not necessary to deliver
+long-winded arguments, but only to give off-hand the judgment of an
+honest man; and so my decision is that the tailor lose the making
+and the labourer the cloth, and that the caps go to the prisoners in
+the gaol, and let there be no more about it."</p>
+
+<p>If the previous decision about the cattle dealer's purse excited the
+admiration of the bystanders, this provoked their laughter; however,
+the governor's orders were after all executed. All this, having been
+taken down by his chronicler, was at once despatched to the duke,
+who was looking out for it with great eagerness; and here let us leave
+the good Sancho; for his master, sorely troubled in mind by
+Altisidora's music, has pressing claims upon us now.</p>
+
+<br><br><br><br>
+<center><a name="p45e"></a><img alt="p45e.jpg (11K)" src="images/p45e.jpg" height="265" width="263">
+</center>
+
+
+
+
+<br>
+<br>
+<hr>
+<br><br>
+
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of The History of Don Quixote, Vol. II.,
+Part 31, by Miguel de Cervantes
+
+*** END OF THIS PROJECT GUTENBERG EBOOK DON QUIXOTE, PART 31 ***
+
+***** This file should be named 5934-h.htm or 5934-h.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/5/9/3/5934/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
+
diff --git a/5934-h/images/bookcover.jpg b/5934-h/images/bookcover.jpg
new file mode 100644
index 0000000..e256156
--- /dev/null
+++ b/5934-h/images/bookcover.jpg
diff --git a/5934-h/images/enlarge.jpg b/5934-h/images/enlarge.jpg
new file mode 100644
index 0000000..34c47df
--- /dev/null
+++ b/5934-h/images/enlarge.jpg
diff --git a/5934-h/images/p003.jpg b/5934-h/images/p003.jpg
new file mode 100644
index 0000000..1780449
--- /dev/null
+++ b/5934-h/images/p003.jpg
diff --git a/5934-h/images/p44a.jpg b/5934-h/images/p44a.jpg
new file mode 100644
index 0000000..05e492d
--- /dev/null
+++ b/5934-h/images/p44a.jpg
diff --git a/5934-h/images/p44b.jpg b/5934-h/images/p44b.jpg
new file mode 100644
index 0000000..2a5b954
--- /dev/null
+++ b/5934-h/images/p44b.jpg
diff --git a/5934-h/images/p44c.jpg b/5934-h/images/p44c.jpg
new file mode 100644
index 0000000..efc7207
--- /dev/null
+++ b/5934-h/images/p44c.jpg
diff --git a/5934-h/images/p44e.jpg b/5934-h/images/p44e.jpg
new file mode 100644
index 0000000..15d87d6
--- /dev/null
+++ b/5934-h/images/p44e.jpg
diff --git a/5934-h/images/p45a.jpg b/5934-h/images/p45a.jpg
new file mode 100644
index 0000000..c1b8469
--- /dev/null
+++ b/5934-h/images/p45a.jpg
diff --git a/5934-h/images/p45b.jpg b/5934-h/images/p45b.jpg
new file mode 100644
index 0000000..2009e53
--- /dev/null
+++ b/5934-h/images/p45b.jpg
diff --git a/5934-h/images/p45e.jpg b/5934-h/images/p45e.jpg
new file mode 100644
index 0000000..d34e12c
--- /dev/null
+++ b/5934-h/images/p45e.jpg
diff --git a/5934-h/images/spine.jpg b/5934-h/images/spine.jpg
new file mode 100644
index 0000000..7a967ba
--- /dev/null
+++ b/5934-h/images/spine.jpg