diff options
Diffstat (limited to '5920.txt')
| -rw-r--r-- | 5920.txt | 1040 |
1 files changed, 1040 insertions, 0 deletions
diff --git a/5920.txt b/5920.txt new file mode 100644 index 0000000..6b7e74a --- /dev/null +++ b/5920.txt @@ -0,0 +1,1040 @@ +The Project Gutenberg EBook of The History of Don Quixote, Vol. I., Part +18., by Miguel de Cervantes + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The History of Don Quixote, Vol. I., Part 18. + +Author: Miguel de Cervantes Saavedra + +Release Date: July 19, 2004 [EBook #5920] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK DON QUIXOTE, PART 18 *** + + + + +Produced by David Widger + + + + + + DON QUIXOTE + + by Miguel de Cervantes + + Translated by John Ormsby + + + Volume I. + + Part 18. + + + +CHAPTER LI. + +WHICH DEALS WITH WHAT THE GOATHERD TOLD THOSE WHO WERE CARRYING OFF DON +QUIXOTE + + +Three leagues from this valley there is a village which, though small, is +one of the richest in all this neighbourhood, and in it there lived a +farmer, a very worthy man, and so much respected that, although to be so +is the natural consequence of being rich, he was even more respected for +his virtue than for the wealth he had acquired. But what made him still +more fortunate, as he said himself, was having a daughter of such +exceeding beauty, rare intelligence, gracefulness, and virtue, that +everyone who knew her and beheld her marvelled at the extraordinary gifts +with which heaven and nature had endowed her. As a child she was +beautiful, she continued to grow in beauty, and at the age of sixteen she +was most lovely. The fame of her beauty began to spread abroad through +all the villages around--but why do I say the villages around, merely, +when it spread to distant cities, and even made its way into the halls of +royalty and reached the ears of people of every class, who came from all +sides to see her as if to see something rare and curious, or some +wonder-working image? + +Her father watched over her and she watched over herself; for there are +no locks, or guards, or bolts that can protect a young girl better than +her own modesty. The wealth of the father and the beauty of the daughter +led many neighbours as well as strangers to seek her for a wife; but he, +as one might well be who had the disposal of so rich a jewel, was +perplexed and unable to make up his mind to which of her countless +suitors he should entrust her. I was one among the many who felt a desire +so natural, and, as her father knew who I was, and I was of the same +town, of pure blood, in the bloom of life, and very rich in possessions, +I had great hopes of success. There was another of the same place and +qualifications who also sought her, and this made her father's choice +hang in the balance, for he felt that on either of us his daughter would +be well bestowed; so to escape from this state of perplexity he resolved +to refer the matter to Leandra (for that is the name of the rich damsel +who has reduced me to misery), reflecting that as we were both equal it +would be best to leave it to his dear daughter to choose according to her +inclination--a course that is worthy of imitation by all fathers who wish +to settle their children in life. I do not mean that they ought to leave +them to make a choice of what is contemptible and bad, but that they +should place before them what is good and then allow them to make a good +choice as they please. I do not know which Leandra chose; I only know her +father put us both off with the tender age of his daughter and vague +words that neither bound him nor dismissed us. My rival is called Anselmo +and I myself Eugenio--that you may know the names of the personages that +figure in this tragedy, the end of which is still in suspense, though it +is plain to see it must be disastrous. + +About this time there arrived in our town one Vicente de la Roca, the son +of a poor peasant of the same town, the said Vicente having returned from +service as a soldier in Italy and divers other parts. A captain who +chanced to pass that way with his company had carried him off from our +village when he was a boy of about twelve years, and now twelve years +later the young man came back in a soldier's uniform, arrayed in a +thousand colours, and all over glass trinkets and fine steel chains. +To-day he would appear in one gay dress, to-morrow in another; but all +flimsy and gaudy, of little substance and less worth. The peasant folk, +who are naturally malicious, and when they have nothing to do can be +malice itself, remarked all this, and took note of his finery and +jewellery, piece by piece, and discovered that he had three suits of +different colours, with garters and stockings to match; but he made so +many arrangements and combinations out of them, that if they had not +counted them, anyone would have sworn that he had made a display of more +than ten suits of clothes and twenty plumes. Do not look upon all this +that I am telling you about the clothes as uncalled for or spun out, for +they have a great deal to do with the story. He used to seat himself on a +bench under the great poplar in our plaza, and there he would keep us all +hanging open-mouthed on the stories he told us of his exploits. There was +no country on the face of the globe he had not seen, nor battle he had +not been engaged in; he had killed more Moors than there are in Morocco +and Tunis, and fought more single combats, according to his own account, +than Garcilaso, Diego Garcia de Paredes and a thousand others he named, +and out of all he had come victorious without losing a drop of blood. On +the other hand he showed marks of wounds, which, though they could not be +made out, he said were gunshot wounds received in divers encounters and +actions. Lastly, with monstrous impudence he used to say "you" to his +equals and even those who knew what he was, and declare that his arm was +his father and his deeds his pedigree, and that being a soldier he was as +good as the king himself. And to add to these swaggering ways he was a +trifle of a musician, and played the guitar with such a flourish that +some said he made it speak; nor did his accomplishments end here, for he +was something of a poet too, and on every trifle that happened in the +town he made a ballad a league long. + +This soldier, then, that I have described, this Vicente de la Roca, this +bravo, gallant, musician, poet, was often seen and watched by Leandra +from a window of her house which looked out on the plaza. The glitter of +his showy attire took her fancy, his ballads bewitched her (for he gave +away twenty copies of every one he made), the tales of his exploits which +he told about himself came to her ears; and in short, as the devil no +doubt had arranged it, she fell in love with him before the presumption +of making love to her had suggested itself to him; and as in love-affairs +none are more easily brought to an issue than those which have the +inclination of the lady for an ally, Leandra and Vicente came to an +understanding without any difficulty; and before any of her numerous +suitors had any suspicion of her design, she had already carried it into +effect, having left the house of her dearly beloved father (for mother +she had none), and disappeared from the village with the soldier, who +came more triumphantly out of this enterprise than out of any of the +large number he laid claim to. All the village and all who heard of it +were amazed at the affair; I was aghast, Anselmo thunderstruck, her +father full of grief, her relations indignant, the authorities all in a +ferment, the officers of the Brotherhood in arms. They scoured the roads, +they searched the woods and all quarters, and at the end of three days +they found the flighty Leandra in a mountain cave, stript to her shift, +and robbed of all the money and precious jewels she had carried away from +home with her. + +They brought her back to her unhappy father, and questioned her as to her +misfortune, and she confessed without pressure that Vicente de la Roca +had deceived her, and under promise of marrying her had induced her to +leave her father's house, as he meant to take her to the richest and most +delightful city in the whole world, which was Naples; and that she, +ill-advised and deluded, had believed him, and robbed her father, and +handed over all to him the night she disappeared; and that he had carried +her away to a rugged mountain and shut her up in the eave where they had +found her. She said, moreover, that the soldier, without robbing her of +her honour, had taken from her everything she had, and made off, leaving +her in the cave, a thing that still further surprised everybody. It was +not easy for us to credit the young man's continence, but she asserted it +with such earnestness that it helped to console her distressed father, +who thought nothing of what had been taken since the jewel that once lost +can never be recovered had been left to his daughter. The same day that +Leandra made her appearance her father removed her from our sight and +took her away to shut her up in a convent in a town near this, in the +hope that time may wear away some of the disgrace she has incurred. +Leandra's youth furnished an excuse for her fault, at least with those to +whom it was of no consequence whether she was good or bad; but those who +knew her shrewdness and intelligence did not attribute her misdemeanour +to ignorance but to wantonness and the natural disposition of women, +which is for the most part flighty and ill-regulated. + +Leandra withdrawn from sight, Anselmo's eyes grew blind, or at any rate +found nothing to look at that gave them any pleasure, and mine were in +darkness without a ray of light to direct them to anything enjoyable +while Leandra was away. Our melancholy grew greater, our patience grew +less; we cursed the soldier's finery and railed at the carelessness of +Leandra's father. At last Anselmo and I agreed to leave the village and +come to this valley; and, he feeding a great flock of sheep of his own, +and I a large herd of goats of mine, we pass our life among the trees, +giving vent to our sorrows, together singing the fair Leandra's praises, +or upbraiding her, or else sighing alone, and to heaven pouring forth our +complaints in solitude. Following our example, many more of Leandra's +lovers have come to these rude mountains and adopted our mode of life, +and they are so numerous that one would fancy the place had been turned +into the pastoral Arcadia, so full is it of shepherds and sheep-folds; +nor is there a spot in it where the name of the fair Leandra is not +heard. Here one curses her and calls her capricious, fickle, and +immodest, there another condemns her as frail and frivolous; this pardons +and absolves her, that spurns and reviles her; one extols her beauty, +another assails her character, and in short all abuse her, and all adore +her, and to such a pitch has this general infatuation gone that there are +some who complain of her scorn without ever having exchanged a word with +her, and even some that bewail and mourn the raging fever of jealousy, +for which she never gave anyone cause, for, as I have already said, her +misconduct was known before her passion. There is no nook among the +rocks, no brookside, no shade beneath the trees that is not haunted by +some shepherd telling his woes to the breezes; wherever there is an echo +it repeats the name of Leandra; the mountains ring with "Leandra," +"Leandra" murmur the brooks, and Leandra keeps us all bewildered and +bewitched, hoping without hope and fearing without knowing what we fear. +Of all this silly set the one that shows the least and also the most +sense is my rival Anselmo, for having so many other things to complain +of, he only complains of separation, and to the accompaniment of a +rebeck, which he plays admirably, he sings his complaints in verses that +show his ingenuity. I follow another, easier, and to my mind wiser +course, and that is to rail at the frivolity of women, at their +inconstancy, their double dealing, their broken promises, their unkept +pledges, and in short the want of reflection they show in fixing their +affections and inclinations. This, sirs, was the reason of words and +expressions I made use of to this goat when I came up just now; for as +she is a female I have a contempt for her, though she is the best in all +my fold. This is the story I promised to tell you, and if I have been +tedious in telling it, I will not be slow to serve you; my hut is close +by, and I have fresh milk and dainty cheese there, as well as a variety +of toothsome fruit, no less pleasing to the eye than to the palate. + + + + +CHAPTER LII. + +OF THE QUARREL THAT DON QUIXOTE HAD WITH THE GOATHERD, TOGETHER WITH THE +RARE ADVENTURE OF THE PENITENTS, WHICH WITH AN EXPENDITURE OF SWEAT HE +BROUGHT TO A HAPPY CONCLUSION + + +The goatherd's tale gave great satisfaction to all the hearers, and the +canon especially enjoyed it, for he had remarked with particular +attention the manner in which it had been told, which was as unlike the +manner of a clownish goatherd as it was like that of a polished city wit; +and he observed that the curate had been quite right in saying that the +woods bred men of learning. They all offered their services to Eugenio +but he who showed himself most liberal in this way was Don Quixote, who +said to him, "Most assuredly, brother goatherd, if I found myself in a +position to attempt any adventure, I would, this very instant, set out on +your behalf, and would rescue Leandra from that convent (where no doubt +she is kept against her will), in spite of the abbess and all who might +try to prevent me, and would place her in your hands to deal with her +according to your will and pleasure, observing, however, the laws of +chivalry which lay down that no violence of any kind is to be offered to +any damsel. But I trust in God our Lord that the might of one malignant +enchanter may not prove so great but that the power of another better +disposed may prove superior to it, and then I promise you my support and +assistance, as I am bound to do by my profession, which is none other +than to give aid to the weak and needy." + +The goatherd eyed him, and noticing Don Quixote's sorry appearance and +looks, he was filled with wonder, and asked the barber, who was next him, +"Senor, who is this man who makes such a figure and talks in such a +strain?" + +"Who should it be," said the barber, "but the famous Don Quixote of La +Mancha, the undoer of injustice, the righter of wrongs, the protector of +damsels, the terror of giants, and the winner of battles?" + +"That," said the goatherd, "sounds like what one reads in the books of +the knights-errant, who did all that you say this man does; though it is +my belief that either you are joking, or else this gentleman has empty +lodgings in his head." + +"You are a great scoundrel," said Don Quixote, "and it is you who are +empty and a fool. I am fuller than ever was the whoreson bitch that bore +you;" and passing from words to deeds, he caught up a loaf that was near +him and sent it full in the goatherd's face, with such force that he +flattened his nose; but the goatherd, who did not understand jokes, and +found himself roughly handled in such good earnest, paying no respect to +carpet, tablecloth, or diners, sprang upon Don Quixote, and seizing him +by the throat with both hands would no doubt have throttled him, had not +Sancho Panza that instant come to the rescue, and grasping him by the +shoulders flung him down on the table, smashing plates, breaking glasses, +and upsetting and scattering everything on it. Don Quixote, finding +himself free, strove to get on top of the goatherd, who, with his face +covered with blood, and soundly kicked by Sancho, was on all fours +feeling about for one of the table-knives to take a bloody revenge with. +The canon and the curate, however, prevented him, but the barber so +contrived it that he got Don Quixote under him, and rained down upon him +such a shower of fisticuffs that the poor knight's face streamed with +blood as freely as his own. The canon and the curate were bursting with +laughter, the officers were capering with delight, and both the one and +the other hissed them on as they do dogs that are worrying one another in +a fight. Sancho alone was frantic, for he could not free himself from the +grasp of one of the canon's servants, who kept him from going to his +master's assistance. + +At last, while they were all, with the exception of the two bruisers who +were mauling each other, in high glee and enjoyment, they heard a trumpet +sound a note so doleful that it made them all look in the direction +whence the sound seemed to come. But the one that was most excited by +hearing it was Don Quixote, who though sorely against his will he was +under the goatherd, and something more than pretty well pummelled, said +to him, "Brother devil (for it is impossible but that thou must be one +since thou hast had might and strength enough to overcome mine), I ask +thee to agree to a truce for but one hour for the solemn note of yonder +trumpet that falls on our ears seems to me to summon me to some new +adventure." The goatherd, who was by this time tired of pummelling and +being pummelled, released him at once, and Don Quixote rising to his feet +and turning his eyes to the quarter where the sound had been heard, +suddenly saw coming down the slope of a hill several men clad in white +like penitents. + +The fact was that the clouds had that year withheld their moisture from +the earth, and in all the villages of the district they were organising +processions, rogations, and penances, imploring God to open the hands of +his mercy and send the rain; and to this end the people of a village that +was hard by were going in procession to a holy hermitage there was on one +side of that valley. Don Quixote when he saw the strange garb of the +penitents, without reflecting how often he had seen it before, took it +into his head that this was a case of adventure, and that it fell to him +alone as a knight-errant to engage in it; and he was all the more +confirmed in this notion, by the idea that an image draped in black they +had with them was some illustrious lady that these villains and +discourteous thieves were carrying off by force. As soon as this occurred +to him he ran with all speed to Rocinante who was grazing at large, and +taking the bridle and the buckler from the saddle-bow, he had him bridled +in an instant, and calling to Sancho for his sword he mounted Rocinante, +braced his buckler on his arm, and in a loud voice exclaimed to those who +stood by, "Now, noble company, ye shall see how important it is that +there should be knights in the world professing the of knight-errantry; +now, I say, ye shall see, by the deliverance of that worthy lady who is +borne captive there, whether knights-errant deserve to be held in +estimation," and so saying he brought his legs to bear on Rocinante--for +he had no spurs--and at a full canter (for in all this veracious history +we never read of Rocinante fairly galloping) set off to encounter the +penitents, though the curate, the canon, and the barber ran to prevent +him. But it was out of their power, nor did he even stop for the shouts +of Sancho calling after him, "Where are you going, Senor Don Quixote? +What devils have possessed you to set you on against our Catholic faith? +Plague take me! mind, that is a procession of penitents, and the lady +they are carrying on that stand there is the blessed image of the +immaculate Virgin. Take care what you are doing, senor, for this time it +may be safely said you don't know what you are about." Sancho laboured in +vain, for his master was so bent on coming to quarters with these sheeted +figures and releasing the lady in black that he did not hear a word; and +even had he heard, he would not have turned back if the king had ordered +him. He came up with the procession and reined in Rocinante, who was +already anxious enough to slacken speed a little, and in a hoarse, +excited voice he exclaimed, "You who hide your faces, perhaps because you +are not good subjects, pay attention and listen to what I am about to say +to you." The first to halt were those who were carrying the image, and +one of the four ecclesiastics who were chanting the Litany, struck by the +strange figure of Don Quixote, the leanness of Rocinante, and the other +ludicrous peculiarities he observed, said in reply to him, "Brother, if +you have anything to say to us say it quickly, for these brethren are +whipping themselves, and we cannot stop, nor is it reasonable we should +stop to hear anything, unless indeed it is short enough to be said in two +words." + +"I will say it in one," replied Don Quixote, "and it is this; that at +once, this very instant, ye release that fair lady whose tears and sad +aspect show plainly that ye are carrying her off against her will, and +that ye have committed some scandalous outrage against her; and I, who +was born into the world to redress all such like wrongs, will not permit +you to advance another step until you have restored to her the liberty +she pines for and deserves." + +From these words all the hearers concluded that he must be a madman, and +began to laugh heartily, and their laughter acted like gunpowder on Don +Quixote's fury, for drawing his sword without another word he made a rush +at the stand. One of those who supported it, leaving the burden to his +comrades, advanced to meet him, flourishing a forked stick that he had +for propping up the stand when resting, and with this he caught a mighty +cut Don Quixote made at him that severed it in two; but with the portion +that remained in his hand he dealt such a thwack on the shoulder of Don +Quixote's sword arm (which the buckler could not protect against the +clownish assault) that poor Don Quixote came to the ground in a sad +plight. + +Sancho Panza, who was coming on close behind puffing and blowing, seeing +him fall, cried out to his assailant not to strike him again, for he was +poor enchanted knight, who had never harmed anyone all the days of his +life; but what checked the clown was, not Sancho's shouting, but seeing +that Don Quixote did not stir hand or foot; and so, fancying he had +killed him, he hastily hitched up his tunic under his girdle and took to +his heels across the country like a deer. + +By this time all Don Quixote's companions had come up to where he lay; +but the processionists seeing them come running, and with them the +officers of the Brotherhood with their crossbows, apprehended mischief, +and clustering round the image, raised their hoods, and grasped their +scourges, as the priests did their tapers, and awaited the attack, +resolved to defend themselves and even to take the offensive against +their assailants if they could. Fortune, however, arranged the matter +better than they expected, for all Sancho did was to fling himself on his +master's body, raising over him the most doleful and laughable +lamentation that ever was heard, for he believed he was dead. The curate +was known to another curate who walked in the procession, and their +recognition of one another set at rest the apprehensions of both parties; +the first then told the other in two words who Don Quixote was, and he +and the whole troop of penitents went to see if the poor gentleman was +dead, and heard Sancho Panza saying, with tears in his eyes, "Oh flower +of chivalry, that with one blow of a stick hast ended the course of thy +well-spent life! Oh pride of thy race, honour and glory of all La Mancha, +nay, of all the world, that for want of thee will be full of evil-doers, +no longer in fear of punishment for their misdeeds! Oh thou, generous +above all the Alexanders, since for only eight months of service thou +hast given me the best island the sea girds or surrounds! Humble with the +proud, haughty with the humble, encounterer of dangers, endurer of +outrages, enamoured without reason, imitator of the good, scourge of the +wicked, enemy of the mean, in short, knight-errant, which is all that can +be said!" + +At the cries and moans of Sancho, Don Quixote came to himself, and the +first word he said was, "He who lives separated from you, sweetest +Dulcinea, has greater miseries to endure than these. Aid me, friend +Sancho, to mount the enchanted cart, for I am not in a condition to press +the saddle of Rocinante, as this shoulder is all knocked to pieces." + +"That I will do with all my heart, senor," said Sancho; "and let us +return to our village with these gentlemen, who seek your good, and there +we will prepare for making another sally, which may turn out more +profitable and creditable to us." + +"Thou art right, Sancho," returned Don Quixote; "It will be wise to let +the malign influence of the stars which now prevails pass off." + +The canon, the curate, and the barber told him he would act very wisely +in doing as he said; and so, highly amused at Sancho Panza's +simplicities, they placed Don Quixote in the cart as before. The +procession once more formed itself in order and proceeded on its road; +the goatherd took his leave of the party; the officers of the Brotherhood +declined to go any farther, and the curate paid them what was due to +them; the canon begged the curate to let him know how Don Quixote did, +whether he was cured of his madness or still suffered from it, and then +begged leave to continue his journey; in short, they all separated and +went their ways, leaving to themselves the curate and the barber, Don +Quixote, Sancho Panza, and the good Rocinante, who regarded everything +with as great resignation as his master. The carter yoked his oxen and +made Don Quixote comfortable on a truss of hay, and at his usual +deliberate pace took the road the curate directed, and at the end of six +days they reached Don Quixote's village, and entered it about the middle +of the day, which it so happened was a Sunday, and the people were all in +the plaza, through which Don Quixote's cart passed. They all flocked to +see what was in the cart, and when they recognised their townsman they +were filled with amazement, and a boy ran off to bring the news to his +housekeeper and his niece that their master and uncle had come back all +lean and yellow and stretched on a truss of hay on an ox-cart. It was +piteous to hear the cries the two good ladies raised, how they beat their +breasts and poured out fresh maledictions on those accursed books of +chivalry; all which was renewed when they saw Don Quixote coming in at +the gate. + +At the news of Don Quixote's arrival Sancho Panza's wife came running, +for she by this time knew that her husband had gone away with him as his +squire, and on seeing Sancho, the first thing she asked him was if the +ass was well. Sancho replied that he was, better than his master was. + +"Thanks be to God," said she, "for being so good to me; but now tell me, +my friend, what have you made by your squirings? What gown have you +brought me back? What shoes for your children?" + +"I bring nothing of that sort, wife," said Sancho; "though I bring other +things of more consequence and value." + +"I am very glad of that," returned his wife; "show me these things of +more value and consequence, my friend; for I want to see them to cheer my +heart that has been so sad and heavy all these ages that you have been +away." + +"I will show them to you at home, wife," said Sancho; "be content for the +present; for if it please God that we should again go on our travels in +search of adventures, you will soon see me a count, or governor of an +island, and that not one of those everyday ones, but the best that is to +be had." + +"Heaven grant it, husband," said she, "for indeed we have need of it. But +tell me, what's this about islands, for I don't understand it?" + +"Honey is not for the mouth of the ass," returned Sancho; "all in good +time thou shalt see, wife--nay, thou wilt be surprised to hear thyself +called 'your ladyship' by all thy vassals." + +"What are you talking about, Sancho, with your ladyships, islands, and +vassals?" returned Teresa Panza--for so Sancho's wife was called, though +they were not relations, for in La Mancha it is customary for wives to +take their husbands' surnames. + +"Don't be in such a hurry to know all this, Teresa," said Sancho; "it is +enough that I am telling you the truth, so shut your mouth. But I may +tell you this much by the way, that there is nothing in the world more +delightful than to be a person of consideration, squire to a +knight-errant, and a seeker of adventures. To be sure most of those one +finds do not end as pleasantly as one could wish, for out of a hundred, +ninety-nine will turn out cross and contrary. I know it by experience, +for out of some I came blanketed, and out of others belaboured. Still, +for all that, it is a fine thing to be on the look-out for what may +happen, crossing mountains, searching woods, climbing rocks, visiting +castles, putting up at inns, all at free quarters, and devil take the +maravedi to pay." + +While this conversation passed between Sancho Panza and his wife, Don +Quixote's housekeeper and niece took him in and undressed him and laid +him in his old bed. He eyed them askance, and could not make out where he +was. The curate charged his niece to be very careful to make her uncle +comfortable and to keep a watch over him lest he should make his escape +from them again, telling her what they had been obliged to do to bring +him home. On this the pair once more lifted up their voices and renewed +their maledictions upon the books of chivalry, and implored heaven to +plunge the authors of such lies and nonsense into the midst of the +bottomless pit. They were, in short, kept in anxiety and dread lest their +uncle and master should give them the slip the moment he found himself +somewhat better, and as they feared so it fell out. + +But the author of this history, though he has devoted research and +industry to the discovery of the deeds achieved by Don Quixote in his +third sally, has been unable to obtain any information respecting them, +at any rate derived from authentic documents; tradition has merely +preserved in the memory of La Mancha the fact that Don Quixote, the third +time he sallied forth from his home, betook himself to Saragossa, where +he was present at some famous jousts which came off in that city, and +that he had adventures there worthy of his valour and high intelligence. +Of his end and death he could learn no particulars, nor would he have +ascertained it or known of it, if good fortune had not produced an old +physician for him who had in his possession a leaden box, which, +according to his account, had been discovered among the crumbling +foundations of an ancient hermitage that was being rebuilt; in which box +were found certain parchment manuscripts in Gothic character, but in +Castilian verse, containing many of his achievements, and setting forth +the beauty of Dulcinea, the form of Rocinante, the fidelity of Sancho +Panza, and the burial of Don Quixote himself, together with sundry +epitaphs and eulogies on his life and character; but all that could be +read and deciphered were those which the trustworthy author of this new +and unparalleled history here presents. And the said author asks of those +that shall read it nothing in return for the vast toil which it has cost +him in examining and searching the Manchegan archives in order to bring +it to light, save that they give him the same credit that people of sense +give to the books of chivalry that pervade the world and are so popular; +for with this he will consider himself amply paid and fully satisfied, +and will be encouraged to seek out and produce other histories, if not as +truthful, at least equal in invention and not less entertaining. The +first words written on the parchment found in the leaden box were these: + + + THE ACADEMICIANS OF + ARGAMASILLA, A VILLAGE OF + LA MANCHA, + ON THE LIFE AND DEATH + OF DON QUIXOTE OF LA MANCHA, + HOC SCRIPSERUNT +MONICONGO, ACADEMICIAN OF ARGAMASILLA, + + +ON THE TOMB OF DON QUIXOTE +EPITAPH + +The scatterbrain that gave La Mancha more + Rich spoils than Jason's; who a point so keen + Had to his wit, and happier far had been +If his wit's weathercock a blunter bore; +The arm renowned far as Gaeta's shore, + Cathay, and all the lands that lie between; + The muse discreet and terrible in mien +As ever wrote on brass in days of yore; +He who surpassed the Amadises all, + And who as naught the Galaors accounted, + Supported by his love and gallantry: +Who made the Belianises sing small, + And sought renown on Rocinante mounted; + Here, underneath this cold stone, doth he lie. + + + +PANIAGUADO, +ACADEMICIAN OF ARGAMASILLA, +IN LAUDEM DULCINEAE DEL TOBOSO + +SONNET + +She, whose full features may be here descried, + High-bosomed, with a bearing of disdain, + Is Dulcinea, she for whom in vain +The great Don Quixote of La Mancha sighed. +For her, Toboso's queen, from side to side + He traversed the grim sierra, the champaign + Of Aranjuez, and Montiel's famous plain: +On Rocinante oft a weary ride. +Malignant planets, cruel destiny, + Pursued them both, the fair Manchegan dame, +And the unconquered star of chivalry. + Nor youth nor beauty saved her from the claim +Of death; he paid love's bitter penalty, + And left the marble to preserve his name. + + + +CAPRICHOSO, A MOST ACUTE ACADEMICIAN +OF ARGAMASILLA, IN PRAISE OF ROCINANTE, +STEED OF DON QUIXOTE OF LA MANCHA + +SONNET + +On that proud throne of diamantine sheen, + Which the blood-reeking feet of Mars degrade, +The mad Manchegan's banner now hath been + By him in all its bravery displayed. + There hath he hung his arms and trenchant blade +Wherewith, achieving deeds till now unseen, + He slays, lays low, cleaves, hews; but art hath made +A novel style for our new paladin. +If Amadis be the proud boast of Gaul, + If by his progeny the fame of Greece + Through all the regions of the earth be spread, +Great Quixote crowned in grim Bellona's hall + To-day exalts La Mancha over these, + And above Greece or Gaul she holds her head. +Nor ends his glory here, for his good steed +Doth Brillador and Bayard far exceed; +As mettled steeds compared with Rocinante, +The reputation they have won is scanty. + +BURLADOR, ACADEMICIAN OF ARGAMASILLA, +ON SANCHO PANZA + +SONNET + + The worthy Sancho Panza here you see; + A great soul once was in that body small, + Nor was there squire upon this earthly ball +So plain and simple, or of guile so free. +Within an ace of being Count was he, + And would have been but for the spite and gall + Of this vile age, mean and illiberal, +That cannot even let a donkey be. +For mounted on an ass (excuse the word), + By Rocinante's side this gentle squire + Was wont his wandering master to attend. +Delusive hopes that lure the common herd + With promises of ease, the heart's desire, + In shadows, dreams, and smoke ye always end. + + + + +CACHIDIABLO, +ACADEMICIAN OF ARGAMASILLA, +ON THE TOMB OF DON QUIXOTE +EPITAPH + +The knight lies here below, + Ill-errant and bruised sore, + Whom Rocinante bore +In his wanderings to and fro. +By the side of the knight is laid + Stolid man Sancho too, + Than whom a squire more true +Was not in the esquire trade. + + TIQUITOC, + ACADEMICIAN OF ARGAMASILLA, +ON THE TOMB OF DULCINEA DEL TOBOSO + + EPITAPH +Here Dulcinea lies. + Plump was she and robust: + Now she is ashes and dust: +The end of all flesh that dies. +A lady of high degree, + With the port of a lofty dame, + And the great Don Quixote's flame, +And the pride of her village was she. + +These were all the verses that could be deciphered; the rest, the writing +being worm-eaten, were handed over to one of the Academicians to make out +their meaning conjecturally. We have been informed that at the cost of +many sleepless nights and much toil he has succeeded, and that he means +to publish them in hopes of Don Quixote's third sally. + +"Forse altro cantera con miglior plectro." + + + + + +End of the Project Gutenberg EBook of The History of Don Quixote, Vol. I., +Part 18., by Miguel de Cervantes + +*** END OF THIS PROJECT GUTENBERG EBOOK DON QUIXOTE, PART 18 *** + +***** This file should be named 5920.txt or 5920.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/5/9/2/5920/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
