diff options
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 5798-0.txt | 2174 | ||||
| -rw-r--r-- | 5798-0.zip | bin | 0 -> 44174 bytes | |||
| -rw-r--r-- | 5798-h.zip | bin | 0 -> 47205 bytes | |||
| -rw-r--r-- | 5798-h/5798-h.htm | 2582 | ||||
| -rw-r--r-- | 5798.txt | 2173 | ||||
| -rw-r--r-- | 5798.zip | bin | 0 -> 44128 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/btfll10.txt | 2306 | ||||
| -rw-r--r-- | old/btfll10.zip | bin | 0 -> 43751 bytes |
11 files changed, 9251 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/5798-0.txt b/5798-0.txt new file mode 100644 index 0000000..8f97d68 --- /dev/null +++ b/5798-0.txt @@ -0,0 +1,2174 @@ +The Project Gutenberg EBook of The Beautiful Lady, by Booth Tarkington + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Beautiful Lady + +Author: Booth Tarkington + +Release Date: May, 2004 [EBook #5798] +Posting Date: March 24, 2009 +Last Updated: September 16, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE BEAUTIFUL LADY *** + + + + +Produced by An Anonymous Volunteer + + + + + + + +THE BEAUTIFUL LADY + +By Booth Tarkington + + + + +Chapter One + + +Nothing could have been more painful to my sensitiveness than to occupy +myself, confused with blushes, at the center of the whole world as a +living advertisement of the least amusing ballet in Paris. + +To be the day's sensation of the boulevards one must possess an +eccentricity of appearance conceived by nothing short of genius; and my +misfortunes had reduced me to present such to all eyes seeking mirth. It +was not that I was one of those people in uniform who carry placards and +strange figures upon their backs, nor that my coat was of rags; on the +contrary, my whole costume was delicately rich and well chosen, of soft +grey and fine linen (such as you see worn by a marquis in the pe'sage +at Auteuil) according well with my usual air and countenance, sometimes +esteemed to resemble my father's, which were not wanting in distinction. + +To add to this my duties were not exhausting to the body. I was required +only to sit without a hat from ten of the morning to midday, and from +four until seven in the afternoon, at one of the small tables under +the awning of the Cafe' de la Paix at the corner of the Place de +l'Opera--that is to say, the centre of the inhabited world. In the +morning I drank my coffee, hot in the cup; in the afternoon I sipped it +cold in the glass. I spoke to no one; not a glance or a gesture of mine +passed to attract notice. + +Yet I was the centre of that centre of the world. All day the crowds +surrounded me, laughing loudly; all the voyous making those jokes for +which I found no repartee. The pavement was sometimes blocked; the +passing coachmen stood up in their boxes to look over at me, small +infants were elevated on shoulders to behold me; not the gravest or +most sorrowful came by without stopping to gaze at me and go away +with rejoicing faces. The boulevards rang to their laughter--all Paris +laughed! + +For seven days I sat there at the appointed times, meeting the eye +of nobody, and lifting my coffee with fingers which trembled with +embarrassment at this too great conspicuosity! Those mournful hours +passed, one by the year, while the idling bourgeois and the travellers +made ridicule; and the rabble exhausted all effort to draw plays of wit +from me. + +I have told you that I carried no placard, that my costume was elegant, +my demeanour modest in all degree. + +"How, then, this excitement?" would be your disposition to inquire. "Why +this sensation?" + +It is very simple. My hair had been shaved off, all over my ears, +leaving only a little above the back of the neck, to give an appearance +of far-reaching baldness, and on my head was painted, in ah! so +brilliant letters of distinctness: + + Theatre + + Folie-Rouge + + Revue + + de + + Printemps + + Tous les Soirs + +Such was the necessity to which I was at that time reduced! One has +heard that the North Americans invent the most singular advertising, +but I will not believe they surpass the Parisian. Myself, I say I cannot +express my sufferings under the notation of the crowds that moved about +the Cafe' de la Paix! The French are a terrible people when they +laugh sincerely. It is not so much the amusing things which cause +them amusement; it is often the strange, those contrasts which contain +something horrible, and when they laugh there is too frequently some +person who is uncomfortable or wicked. I am glad that I was born not a +Frenchman; I should regret to be native to a country where they invent +such things as I was doing in the Place de l'Opera; for, as I tell you, +the idea was not mine. + +As I sat with my eyes drooping before the gaze of my terrible and +applauding audiences, how I mentally formed cursing words against the +day when my misfortunes led me to apply at the Theatre Folie-Rouge for +work! I had expected an audition and a role of comedy in the Revue; for, +perhaps lacking any experience of the stage, I am a Neapolitan by birth, +though a resident of the Continent at large since the age of fifteen. +All Neapolitans can act; all are actors; comedians of the greatest, +as every traveller is cognizant. There is a thing in the air of +our beautiful slopes which makes the people of a great instinctive +musicalness and deceptiveness, with passions like those burning in +the old mountain we have there. They are ready to play, to sing--or to +explode, yet, imitating that amusing Vesuvio, they never do this last +when you are in expectancy, or, as a spectator, hopeful of it. + +How could any person wonder, then, that I, finding myself suddenly +destitute in Paris, should apply at the theatres? One after another, +I saw myself no farther than the director's door, until (having had no +more to eat the day preceding than three green almonds, which I took +from a cart while the good female was not looking) I reached the +Folie-Rouge. Here I was astonished to find a polite reception from the +director. It eventuated that they wished for a person appearing like +myself a person whom they would outfit with clothes of quality in all +parts, whose external presented a gentleman of the great world, not +merely of one the galant-uomini, but who would impart an air to a table +at a cafe' where he might sit and partake. The contrast of this with +the emplacement of the establishment on his bald head-top was to be the +success of the idea. It was plain that I had no baldness, my hair being +very thick and I but twenty-four years of age, when it was explained +that my hair could be shaved. They asked me to accept, alas! not a part +in the Revue, but a specialty as a sandwich-man. Knowing the English +tongue as I do, I may afford the venturesomeness to play upon it +a little: I asked for bread, and they offered me not a role, but a +sandwich! + +It must be undoubted that I possessed not the disposition to make any +fun with my accomplishments during those days that I spent under the +awning of the Cafe' de la Paix. I had consented to be the advertisement +in greatest desperation, and not considering what the reality would be. +Having consented, honour compelled that I fulfil to the ending. Also, +the costume and outfittings I wore were part of my emolument. They had +been constructed for me by the finest tailor; and though I had impulses, +often, to leap up and fight through the noisy ones about me and run far +to the open country, the very garments I wore were fetters binding me to +remain and suffer. It seemed to me that the hours were spent not in the +centre of a ring of human persons, but of un-well-made pantaloons and +ugly skirts. Yet all of these pantaloons and skirts had such scrutinous +eyes and expressions of mirth to laugh like demons at my conscious, +burning, painted head; eyes which spread out, astonished at the sight +of me, and peered and winked and grinned from the big wrinkles above +the gaiters of Zouaves, from the red breeches of the gendarmes, the +knickerbockers of the cyclists, the white ducks of sergents de ville, +and the knees of the boulevardiers, bagged with sitting cross-legged at +the little tables. I could not escape these eyes;--how scornfully they +twinkled at me from the spurred and glittering officers' boots! How with +amaze from the American and English trousers, both turned up and creased +like folded paper, both with some dislike for each other but for all +other trousers more. + +It was only at such times when the mortifications to appear so greatly +embarrassed became stronger than the embarrassment itself that I could +by will power force my head to a straight construction and look out +upon my spectators firmly. On the second day of my ordeal, so facing +the laughers, I found myself facing straight into the monocle of my +half-brother and ill-wisher, Prince Caravacioli. + +At this, my agitation was sudden and very great, for there was no one +I wished to prevent perceiving my condition more than that old Antonio +Caravacioli! I had not known that he was in Paris, but I could have no +doubt it was himself: the monocle, the handsome nose, the toupee', +the yellow skin, the dyed-black moustache, the splendid height--it was +indeed Caravacioli! He was costumed for the automobile, and threw but +one glance at me as he crossed the pavement to his car, which was in +waiting. There was no change, not of the faintest, in that frosted +tragic mask of a countenance, and I was glad to think that he had not +recognized me. + +And yet, how strange that I should care, since all his life he had +declined to recognize me as what I was! Ah, I should have been glad to +shout his age, his dyes, his artificialities, to all the crowd, so to +touch him where it would most pain him! For was he not the vainest man +in the whole world? How well I knew his vulnerable point: the monstrous +depth of his vanity in that pretense of youth which he preserved through +superhuman pains and a genius of a valet, most excellently! I had much +to pay Antonio for myself, more for my father, most for my mother. +This was why that last of all the world I would have wished that old +fortune-hunter to know how far I had been reduced! + +Then I rejoiced about that change which my unreal baldness produced in +me, giving me a look of forty years instead of twenty-four, so that +my oldest friend must take at least three stares to know me. Also, my +costume would disguise me from the few acquaintances I had in Paris +(if they chanced to cross the Seine), as they had only seen me in the +shabbiest; while, at my last meeting with Antonio, I had been as fine in +the coat as now. + +Yet my encouragement was not so joyful that my gaze lifted often. On +the very last day, in the afternoon when my observances were most and +noisiest, I lifted my eyes but once during the final half-hour--but such +a one that was! + +The edge of that beautiful grey pongee skirt came upon the lid of my +lowered eyelid like a cool shadow over hot sand. A sergent had just made +many of the people move away, so there remained only a thin ring of +the laughing pantaloons about me, when this divine skirt presented its +apparition to me. A pair of North-American trousers accompanied it, +turned up to show the ankle-bones of a rich pair of stockings; neat, +enthusiastic and humorous, I judged them to be; for, as one may +discover, my only amusement during my martyrdom--if this misery can +be said to possess such alleviatings--had been the study of feet, +pantaloons, and skirts. The trousers in this case detained my +observation no time. They were but the darkest corner of the chiaroscuro +of a Rembrandt--the mellow glow of gold was all across the grey skirt. + +How shall I explain myself, how make myself understood? Shall I be +thought sentimentalistic or but mad when I declare that my first +sight of the grey pongee skirt caused me a thrill of excitation, of +tenderness, and--oh-i-me!--of self-consciousness more acute than all my +former mortifications. It was so very different from all other skirts +that had shown themselves to me those sad days, and you may understand +that, though the pantaloons far outnumbered the skirts, many hundreds of +the latter had also been objects of my gloomy observation. + +This skirt, so unlike those which had passed, presented at once the +qualifications of its superiority. It had been constructed by an artist, +and it was worn by a lady. It did not pine, it did not droop; there was +no more an atom of hanging too much than there was a portion inflated +by flamboyancy; it did not assert itself; it bore notice without +seeking it. Plain but exquisite, it was that great rarity--goodness made +charming. + +The peregrination of the American trousers suddenly stopped as they +caught sight of me, and that precious skirt paused, precisely in +opposition to my little table. I heard a voice, that to which the +skirt pertained. It spoke the English, but not in the manner of the +inhabitants of London, who seem to sing undistinguishably in their +talking, although they are comprehensible to each other. To an Italian +it seems that many North-Americans and English seek too often the +assistance of the nose in talking, though in different manners, each +equally unagreeable to our ears. The intelligent among our lazzaroni +of Naples, who beg from tourists, imitate this, with the purpose of +reminding the generous traveller of his home, in such a way to soften +his heart. But there is some difference: the Italian, the Frenchman, +or German who learns English sometimes misunderstands the American: the +Englishman he sometimes understands. + +This voice that spoke was North-American. Ah, what a voice! Sweet as the +mandolins of Sorento! Clear as the bells of Capri! To hear it, was like +coming upon sight of the almond-blossoms of Sicily for the first time, +or the tulip-fields of Holland. Never before was such a voice! + +"Why did you stop, Rufus?" it said. + +"Look!" replied the American trousers; so that I knew the pongee lady +had not observed me of herself. + +Instantaneously there was an exclamation, and a pretty grey parasol, +closed, fell at my feet. It is not the pleasantest to be an object which +causes people to be startled when they behold you; but I blessed the +agitation of this lady, for what caused her parasol to fall from her +hand was a start of pity. + +"Ah!" she cried. "The poor man!" + +She had perceived that I was a gentleman. + +I bent myself forward and lifted the parasol, though not my eyes I could +not have looked up into the face above me to be Caesar! Two hands came +down into the circle of my observation; one of these was that belonging +to the trousers, thin, long, and white; the other was the grey-gloved +hand of the lady, and never had I seen such a hand--the hand of an angel +in a suede glove, as the grey skirt was the mantle of a saint made by +Doucet. I speak of saints and angels; and to the large world these may +sound like cold words.--It is only in Italy where some people are found +to adore them still. + +I lifted the parasol toward that glove as I would have moved to set a +candle on an altar. Then, at a thought, I placed it not in the glove, +but in the thin hand of the gentleman. At the same time the voice of the +lady spoke to me--I was to have the joy of remembering that this voice +had spoken four words to me. + +"Je vous remercie, monsieur," it said. + +"Pas de quoi!" I murmured. + +The American trousers in a loud tone made reference in the idiom to my +miserable head: "Did you ever see anything to beat it?" + +The beautiful voice answered, and by the gentleness of her sorrow for me +I knew she had no thought that I might understand. "Come away. It is too +pitiful!" + +Then the grey skirt and the little round-toed shoes beneath it passed +from my sight, quickly hidden from me by the increasing crowd; yet I +heard the voice a moment more, but fragmentarily: "Don't you see how +ashamed he is, how he must have been starving before he did that, or +that someone dependent on him needed--" + +I caught no more, but the sweetness that this beautiful lady understood +and felt for the poor absurd wretch was so great that I could have wept. +I had not seen her face; I had not looked up--even when she went. + +"Who is she?" cried a scoundrel voyous, just as she turned. "Madame of +the parasol? A friend of monsieur of the ornamented head?" + +"No. It is the first lady in waiting to his wife, Madame la Duchesse," +answered a second. "She has been sent with an equerry to demand of +monseigneur if he does not wish a little sculpture upon his dome as well +as the colour decorations!" + +"'Tis true, my ancient?" another asked of me. + +I made no repartee, continuing to sit with my chin dependent upon my +cravat, but with things not the same in my heart as formerly to the +arrival of that grey pongee, the grey glove, and the beautiful voice. + +Since King Charles the Mad, in Paris no one has been completely free +from lunacy while the spring-time is happening. There is something in +the sun and the banks of the Seine. The Parisians drink sweet and fruity +champagne because the good wines are already in their veins. These +Parisians are born intoxicated and remain so; it is not fair play to +require them to be like other human people. Their deepest feeling is +for the arts; and, as everyone had declared, they are farceurs in their +tragedies, tragic in their comedies. They prepare the last epigram in +the tumbril; they drown themselves with enthusiasm about the alliance +with Russia. In death they are witty; in war they have poetic spasms; in +love they are mad. + +The strangest of all this is that it is not only the Parisians who are +the insane ones in Paris; the visitors are none of them in behaviour as +elsewhere. You have only to go there to become as lunatic as the rest. +Many travellers, when they have departed, remember the events they have +caused there as a person remembers in the morning what he has said and +thought in the moonlight of the night. + +In Paris it is moonlight even in the morning; and in Paris one falls in +love even more strangely than by moonlight. + +It is a place of glimpses: a veil fluttering from a motor-car, a little +lace handkerchief fallen from a victoria, a figure crossing a lighted +window, a black hat vanishing in the distance of the avenues of the +Tuileries. A young man writes a ballade and dreams over a bit of lace. +Was I not, then, one of the least extravagant of this mad people? Men +have fallen in love with photographs, those greatest of liars; was I +so wild, then, to adore this grey skirt, this small shoe, this divine +glove, the golden-honey voice--of all in Paris the only one to pity and +to understand? Even to love the mystery of that lady and to build my +dreams upon it?--to love all the more because of the mystery? Mystery +is the last word and the completing charm to a young man's passion. Few +sonnets have been written to wives whose matrimony is more than five +years of age--is it not so? + + + +Chapter Two + + +When my hour was finished and I in liberty to leave that horrible +corner, I pushed out of the crowd and walked down the boulevard, my +hat covering my sin, and went quickly. To be in love with my mystery, I +thought, that was a strange happiness! It was enough. It was romance! To +hear a voice which speaks two sentences of pity and silver is to have a +chime of bells in the heart. But to have a shaven head is to be a monk! +And to have a shaven head with a sign painted upon it is to be a pariah. +Alas! I was a person whom the Parisians laughed at, not with! + +Now that at last my martyrdom was concluded, I had some shuddering, as +when one places in his mouth a morsel of unexpected flavour. I wondered +where I had found the courage to bear it, and how I had resisted hurling +myself into the river, though, as is known, that is no longer safe, for +most of those who attempt it are at once rescued, arrested, fined, and +imprisoned for throwing bodies into the Seine, which is forbidden. + +At the theatre the frightful badge was removed from my head-top and I +was given three hundred francs, the price of my shame, refusing an offer +to repeat the performance during the following week. To imagine such +a thing made me a choking in my throat, and I left the bureau in some +sickness. This increased so much (as I approached the Madeleine, where +I wished to mount an omnibus) that I entered a restaurant and drank a +small glass of cognac. Then I called for writing-papers and wrote to +the good Mother Superior and my dear little nieces at their convent. I +enclosed two hundred and fifty francs, which sum I had fallen behind in +my payments for their education and sustenance, and I felt a moment's +happiness that at least for a while I need not fear that my poor +brother's orphans might become objects of charity--a fear which, +accompanied by my own hunger, had led me to become the joke of the +boulevards. + +Feeling rich with my remaining fifty francs, I ordered the waiter to +bring me a goulasch and a carafe of blond beer, after the consummation +of which I spent an hour in the reading of a newspaper. Can it be +credited that the journal of my perusement was the one which may be +called the North-American paper of the aristocracies of Europe? Also, it +contains some names of the people of the United States at the hotels and +elsewhere. + +How eagerly I scanned those singular columns! Shall I confess to what +purpose? I read the long lists of uncontinental names over and over, but +I lingered not at all upon those like "Muriel," "Hermione," +"Violet," and "Sibyl," nor over "Balthurst," "Skeffington-Sligo," and +"Covering-Legge"; no, my search was for the Sadies and Mamies, the +Thompsons, Van Dusens, and Bradys. In that lies my preposterous secret. + +You will see to what infatuation those words of pity, that sense of a +beautiful presence, had led me. To fall in love must one behold a face? +Yes; at thirty. At twenty, when one is something of a poet--No: it +is sufficient to see a grey pongee skirt! At fifty, when one is a +philosopher--No: it is enough to perceive a soul! I had done both; I +had seen the skirt; I had perceived the soul! Therefore, while hungry, I +neglected my goulasch to read these lists of names of the United +States again and again, only that I might have the thought that one +of them--though I knew not which--might be this lady's, and that in so +infinitesimal a degree I had been near her again. Will it be estimated +extreme imbecility in me when I ventured the additional confession that +I felt a great warmth and tenderness toward the possessors of all these +names, as being, if not herself, at least her compatriots? + +I am now brought to the admission that before to-day I had experienced +some prejudices against the inhabitants of the North-American republic, +though not on account of great experience of my own. A year previously I +had made a disastrous excursion to Monte Carlo in the company of a +young gentleman of London who had been for several weeks in New York and +Washington and Boston, and appeared to know very much of the country. +He was never anything but tired in speaking of it, and told me a +great amount. He said many times that in the hotels there was never a +concierge or portier to give you information where to discover the best +vaudeville; there was no concierge at all! In New York itself, my +friend told me, a facchino, or species of porter, or some such +good-for-nothing, had said to him, including a slap on the shoulder, +"Well, brother, did you receive your delayed luggage correctly?" (In +this instance my studies of the North-American idiom lead me to +believe that my friend was intentionally truthful in regard to the +principalities, but mistaken in his observation of detail.) He declared +the recent willingness of the English to take some interest in the +United-Statesians to be a mistake; for their were noisy, without real +confidence in themselves; they were restless and merely imitative +instead of inventive. He told me that he was not exceptional; all +Englishmen had thought similarly for fifty or sixty years; therefore, +naturally, his opinion carried great weight with me. And myself, to my +astonishment, I had often seen parties of these republicans become all +ears and whispers when somebody called a prince or a countess passed +by. Their reverence for age itself, in anything but a horse, had often +surprised me by its artlessness, and of all strange things in the world, +I have heard them admire old customs and old families. It was strange to +me to listen, when I had believed that their land was the only one +where happily no person need worry to remember who had been his +great-grandfather. + +The greatest of my own had not saved me from the decoration of the +past week, yet he was as much mine as he was Antonio Caravacioli's; and +Antonio, though impoverished, had his motor-car and dined well, since +I happened to see, in my perusal of the journal, that he had been to +dinner the evening before at the English Embassy with a great company. +"Bravo, Antonio! Find a rich foreign wife if you can, since you cannot +do well for yourself at home!" And I could say so honestly, without +spite, for all his hatred of me,--because, until I had paid my addition, +I was still the possessor of fifty francs! + +Fifty francs will continue life in the body of a judicial person a long +time in Paris, and combining that knowledge and the good goulasch, I +sought diligently for "Mamies" and "Sadies" with a revived spirit. +I found neither of those adorable names--in fact, only two such +diminutives, which are more charming than our Italian ones: A Miss +Jeanie Archibald Zip and a Miss Fannie Sooter. None of the names was +harmonious with the grey pongee--in truth, most of them were no prettier +(however less processional) than royal names. I could not please myself +that I had come closer to the rare lady; I must be contented that the +same sky covered us both, that the noise of the same city rang in her +ears as mine. + +Yet that was a satisfaction, and to know that it was true gave me +mysterious breathlessness and made me hear fragments of old songs during +my walk that night. I walked very far, under the trees of the Bois, +where I stopped for a few moments to smoke a cigarette at one of the +tables outside, at Armenonville. + +None of the laughing women there could be the lady I sought; and as my +refusing to command anything caused the waiter uneasiness, in spite of +my prosperous appearance, I remained but a few moments, then trudged on, +all the long way to the Cafe' de Madrid, where also she was not. + +How did I assure myself of this since I had not seen her face? I cannot +tell you. Perhaps I should not have known her; but that night I was sure +that I should. + +Yes, as sure of that as I was sure that she was beautiful! + + + +Chapter Three + + +Early the whole of the next day, endeavoring to look preoccupied, I +haunted the lobbies and vicinity of the most expensive hotels, unable to +do any other thing, but ashamed of myself that I had not returned to +my former task of seeking employment, although still reassured by +possession of two louis and some silver, I dined well at a one-franc +coachman's restaurant, where my elegance created not the slightest +surprise, and I felt that I might live in this way indefinitely. + +However, dreams often conclude abruptly, and two louis always do, as +I found, several days later, when, after paying the rent for my +unspeakable lodging and lending twenty francs to a poor, bad painter, +whom I knew and whose wife was ill, I found myself with the choice of +obtaining funds on my finery or not eating, either of which I was very +loath to do. It is not essential for me to tell any person that when you +seek a position it is better that you appear not too greatly in need +of it; and my former garments had prejudiced many against me, I fear, +because they had been patched by a friendly concierge. Pantaloons suffer +as terribly as do antiques from too obvious restorations; and while I +was only grateful to the good woman's needle (except upon one occasion +when she forgot to remove it), my costume had reached, at last, great +sympathies for the shade of Praxiteles, feeling the same melancholy over +original intentions so far misrepresented by renewals. + +Therefore I determined to preserve my fineries to the uttermost; and +it was fortunate that I did so; because, after dining, for three nights +upon nothing but looking out of my window, the fourth morning brought me +a letter from my English friend. I had written to him, asking if he knew +of any people who wished to pay a salary to a young man who knew how to +do nothing. I place his reply in direct annexation: + +"Henrietta Street, Cavendish Square, May 14. + +"My dear Ansolini,--Why haven't you made some of your relatives do +something? I understand that they do not like you; neither do my own, +but after our crupper at Monte Carlo what could mine do, except provide? +If a few pounds (precious few, I fear!) be of any service to you, let +me know. In the mean time, if you are serious about a position, I +may, preposterously enough, set you in the way of it. There is an old +thundering Yankee here, whom I met in the States, and who believed me a +god because I am the nephew of my awful uncle, for whose career he +has ever had, it appears, a life-long admiration, sir! Now, by chance, +meeting this person in the street, it developed that he had need of +a man, precisely such a one as you are not: a sober, tutorish, +middle-aged, dissenting parson, to trot about the Continent tied to a +dancing bear. It is the old gentleman's cub, who is a species of Caliban +in fine linen, and who has taken a few too many liberties in the land +of the free. In fact, I believe he is much a youth of my own kind with +similar admiration for baccarat and good cellars. His father must return +at once, and has decided (the cub's native heath and friends being too +wild) to leave him in charge of a proper guide, philosopher, courier, +chaplain, and friend, if such can be found, the same required to travel +with the cub and keep him out of mischief. I thought of your letter +directly, and I have given you the most tremendous recommendation--part +of it quite true, I suspect, though I am not a judge of learning. I +explained, however, that you are a master of languages, of elegant +though subdued deportment, and I extolled at length your saintly habits. +Altogether, I fear there may have been too much of the virtuoso in my +interpretation of you; few would have recognized from it the gentleman +who closed a table at Monte Carlo and afterwards was closed himself in +the handsome and spectacular fashion I remember with both delight and +regret. Briefly, I lied like a master. He almost had me in the matter of +your age; it was important that you should be middle-aged. I swore that +you were at least thirty-eight, but, owing to exemplary habits, looked +very much younger. The cub himself is twenty-four. + +"Hence, if you are really serious and determined not to appeal to your +people, call at once upon Mr. Lambert R. Poor, of the Hotel d'Iena. He +is the father, and the cub is with him. The elder Yankee is primed with +my praises of you, and must engage someone at once, as he sails in a day +or two. Go--with my blessing, an air of piety, and as much age as you +can assume. When the father has departed, throw the cub into the Seine, +but preserve his pocket-book, and we shall have another go at those +infernal tables. Vale! J.G.S." + +I found myself smiling--I fear miserably--over this kind letter, +especially at the wonder of my friend that I had not appealed to my +relatives. The only ones who would have liked to help me, if they had +known I needed something, were my two little nieces who were in my own +care; because my father, being but a poet, had no family, and my mother +had lost hers, even her eldest son, by marrying my father. After that +they would have nothing to do with her, nor were they asked. That +rascally old Antonio was now the head of all the Caravacioli, as was I +of my own outcast branch of our house--that is, of my two little nieces +and myself. It was partly of these poor infants I had thought when I +took what was left of my small inheritance to Monte Carlo, hoping, since +I seemed to be incapable of increasing it in any other way, that number +seventeen and black would hand me over a fortune as a waiter does wine. +Alas! Luck is not always a fool's servant, and the kind of fortune she +handed me was of that species the waiter brings you in the other bottle +of champagne, the gold of a bubbling brain, lasting an hour. After +this there is always something evil to one's head, and mine, alas! was +shaved. + +Half an hour after I had read the letter, the little paper-flower +makers in the attic window across from mine may have seen me shaving +it--without pleasure--again. What else was I to do? I could not +well expect to be given the guardianship of an erring young man if I +presented myself to his parent as a gentleman who had been sitting at +the Cafe' de la Paix with his head painted. I could not wear my hat +through the interview. I could not exhibit the thick five days' stubble, +to appear in contrast with the heavy fringe that had been spared;--I +could not trim the fringe to the shortness of the stubble; I should +have looked like Pierrot. I had only, then, to remain bald, and, if +I obtained the post, to shave in secret--a harmless and mournful +imposition. + +It was well for me that I came to this determination. I believe it was +the appearance of maturity which my head and dining upon thoughts lent +me, as much as my friend's praises, which created my success with the +amiable Mr. Lambert R. Poor. I witness that my visit to him provided +one of the most astonishing interviews of my life. He was an instance of +those strange beings of the Western republic, at whom we are perhaps too +prone to pass from one of ourselves to another the secret smile, because +of some little imperfections of manner. It is a type which has grown +more and more familiar to us, yet never less strange: the man in costly +but severe costume, big, with a necessary great waistcoat, not noticing +the loudness of his own voice; as ignorant of the thousand tiny things +which we observe and feel as he would be careless of them (except for +his wife) if he knew. We laugh at him, sometimes even to his face, and +he does not perceive it. We are a little afraid that he is too large +to see it; hence too large for us to comprehend, and in spite of our +laughter we are always conscious of a force--yes, of a presence! We jeer +slyly, but we respect, fear a little, and would trust. + +Such was my patron. He met me with a kind greeting, looked at me very +earnestly, but smiling as if he understood my good intentions, as one +understands the friendliness of a capering poodle, yet in such a way +that I could not feel resentment, for I could see that he looked at +almost everyone in the same fashion. + +My friend had done wonders for me; and I made the best account of myself +that I could, so that within half an hour it was arranged that I +should take charge of his son, with an honourarium which gave me great +rejoicing for my nieces and my accumulated appetite. + +"I think I can pick men," he said, "and I think that you are the man I +want. You're old enough and you've seen enough, and you know enough to +keep one fool boy in order for six months." + +So frankly he spoke of his son, yet not without affection and +confidence. Before I left, he sent for the youth himself, Lambert R. +Poor, Jr.,--not at all a Caliban, but a most excellent-appearing, tall +gentleman, of astonishingly meek countenance. He gave me a sad, slow +look from his blue eyes at first; then with a brightening smile he +gently shook my hand, murmuring that he was very glad in the prospect +of knowing me better; after which the parent defined before him, with +singular elaboration, my duties. I was to correct all things in his +behaviour which I considered improper or absurd. I was to dictate the +line of travel, to have a restraining influence upon expenditures; in +brief, to control the young man as a governess does a child. + +To all of his parent's instructions Poor Jr. returned a dutiful nod and +expressed perfect acquiescence. The following day the elder sailed from +Cherbourg, and I took up my quarters with the son. + + + +Chapter Four + + +It is with the most extreme mortification that I record my ensuing +experiences, for I felt that I could not honourably accept my salary +without earning it by carrying out the parent Poor's wishes. That first +morning I endeavoured to direct my pupil's steps toward the Musee de +Cluny, with the purpose of inciting him to instructive study; but in the +mildest, yet most immovable manner, he proposed Longchamps and the races +as a substitute, to conclude with dinner at La Cascade and supper at +Maxim's or the Cafe' Blanche, in case we should meet engaging company. +I ventured the vainest efforts to reason with him, making for myself +a very uncomfortable breakfast, though without effect upon him of any +visibility. His air was uninterruptedly mild and modest; he rarely +lifted his eyes, but to my most earnest argument replied only by +ordering more eggs and saying in a chastened voice: + +"Oh no; it is always best to begin school with a vacation. To +Longchamps--we!" + +I should say at once that through this young man I soon became +an amateur of the remarkable North-American idioms, of humour and +incomparable brevities often more interesting than those evolved by the +thirteen or more dialects of my own Naples. Even at our first breakfast +I began to catch lucid glimpses of the intention in many of his almost +incomprehensible statements. I was able, even, to penetrate his meaning +when he said that although he was "strong for aged parent," he himself +had suffered much anguish from overwork of the "earnest youth racquette" +in his late travels, and now desired to "create considerable trouble for +Paris." + +Naturally, I did not wish to begin by antagonizing my pupil--an +estrangement at the commencement would only lead to his deceiving me, or +a continued quarrel, in which case I should be of no service to my +kind patron, so that after a strained interval I considered it best to +surrender. + +We went to Longchamps. + +That was my first mistake; the second was to yield to him concerning +the latter part of his programme; but opposition to Mr. Poor, Jr. had +a curious effect of inutility. He had not in the least the air of +obstinacy,--nothing could have been less like rudeness; he neither +frowned not smiled; no, he did not seem even to be insisting; on +the contrary, never have I beheld a milder countenance, nor heard a +pleasanter voice; yet the young man was so completely baffling in his +mysterious way that I considered him unique to my experience. + +Thus, when I urged him not to place large wagers in the pesage, his +whispered reply was strange and simple--"Watch me!" This he conclusively +said as he deposited another thousand-franc note, which, within a few +moments, accrued to the French government. + + +Longchamps was but the beginning of a series of days and nights +which wore upon my constitution--not indeed with the intensity of +mortification which my former conspicuosity had engendered, yet my +sorrows were stringent. It is true that I had been, since the age of +seventeen, no stranger to the gaieties and dissipations afforded by the +capitals of Europe; I may say I had exhausted these, yet always with +some degree of quiet, including intervals of repose. I was tired of all +the great foolishnesses of youth, and had thought myself done with them. +Now I found myself plunged into more uproarious waters than I had ever +known I, who had hoped to begin a life of usefulness and peace, was +forced to dwell in the midst of a riot, pursuing my extraordinary +charge. + +There is no need that I should describe those days and nights. They +remain in my memory as a confusion of bad music, crowds, motor-cars and +champagne of which Poor Jr. was a distributing centre. He could never be +persuaded to the Louvre, the Carnavalet, or the Luxembourg; in truth, he +seldom rose in time to reach the museums, for they usually close at +four in the afternoon. Always with the same inscrutable meekness of +countenance, each night he methodically danced the cake-walk at Maxim's +or one of the Montemarte restaurants, to the cheers of acquaintances of +many nationalities, to whom he offered libations with prodigal enormity. +He carried with him, about the boulevards at night, in the highly +powerful car he had hired, large parties of strange people, who would +loudly sing airs from the Folie-Rouge (to my unhappy shudderings) all +the way from the fatiguing Bal Bullier to the Cafe' de Paris, where the +waiters soon became affluent. + +And how many of those gaily dressed and smiling ladies whose bright +eyes meet yours on the veranda of the Theatre Marigny were provided with +excessive suppers and souvenir fans by the inexhaustible Poor Jr.! He +left a trail of pink hundred-franc notes behind him, like a running boy +dropping paper in the English game; and he kept showers of gold louis +dancing in the air about him, so that when we entered the various cafes +or "American bars" a cheer (not vocal but to me of perfect audibility) +went up from the hungry and thirsty and borrowing, and from the +attendants. Ah, how tired I was of it, and how I endeavoured to discover +a means to draw him to the museums, and to Notre Dame and the Pantheon! + +And how many times did I unwillingly find myself in the too enlivening +company of those pretty supper-girls, and what jokings upon his head-top +did the poor bald gentleman not undergo from those same demoiselles with +the bright eyes, the wonderful hats, and the fluffy dresses! + +How often among those gay people did I find myself sadly dreaming of +that grey pongee skirt and the beautiful heart that had understood! +Should I ever see that lady? Not, I knew, alas! in the whirl about Poor +Jr.! As soon look for a nun at the Cafe' Blanche! + +For some reason I came to be persuaded that she had left Paris, that she +had gone away; and I pictured her--a little despairingly--on the borders +of Lucerne, with the white Alps in the sky above her,--or perhaps +listening to the evening songs on the Grand Canal, and I would try to +feel the little rocking of her gondola, making myself dream that I sat +at her feet. Or I could see the grey flicker of the pongee skirt in +the twilight distance of cathedral aisles with a chant sounding from +a chapel; and, so dreaming, I would start spasmodically, to hear the +red-coated orchestra of a cafe' blare out into "Bedelia," and awake to +the laughter and rouge and blague which that dear pongee had helped me +for a moment to forget! + +To all places, Poor Jr., though never unkindly, dragged me with him, +even to make the balloon ascent at the Porte Maillot on a windy evening. +Without embarrassment I confess that I was terrified, that I clung to +the ropes with a clutch which frayed my gloves, while Poor Jr. leaned +back against the side of the basket and gazed upward at the great +swaying ball, with his hands in his pockets, humming the strange ballad +that was his favourite musical composition: + + "The prettiest girl I ever saw + Was sipping cider through a straw-aw-haw!" + +In that horrifying basket, scrambling for a foothold while it swung +through arcs that were gulfs, I believed that my sorrows approached a +sudden conclusion, but finding myself again upon the secure earth, I +decided to come to an understanding with the young man. + +Accordingly, on the following morning, I entered his apartment and +addresses myself to Poor Jr. as severely as I could (for, truthfully, +in all his follies I had found no ugliness in his spirit--only a +good-natured and inscrutable desire of wild amusement) reminding him +of the authority his father had deputed to me, and having the +venturesomeness to hint that the son should show some respect to my +superior age. + +To my consternation he replied by inquiring if I had shaved my head as +yet that morning. I could only drop in a chair, stammering to know what +he meant. + +"Didn't you suppose I knew?" he asked, elevating himself slightly on his +elbow from the pillow. "Three weeks ago I left my aged parent in London +and ran over here for a day. I saw you at the Cafe' de la Paix, and even +then I knew that it was shaved, not naturally bald. When you came here I +recognized you like a shot, and that was why I was glad to accept you +as a guardian. I've enjoyed myself considerably of late, and you've been +the best part of it,--I think you are a wonderation! I wouldn't have any +other governess for the world, but you surpass the orchestra when you +beg me to respect your years! I will bet you four dollars to a lead +franc piece that you are younger than I am!" + +Imagine the completeness of my dismay! Although he spoke in tones the +most genial, and without unkindness, I felt myself a man of tatters +before him, ashamed to have him know my sorry secret, hopeless to +see all chance of authority over him gone at once, and with it my +opportunity to earn a salary so generous, for if I could continue to +be but an amusement to him and only part of his deception of Lambert R. +Poor, my sense of honour must be fit for the guillotine indeed. + +I had a little struggle with myself, and I think I must have wiped some +amounts of the cold perspiration from my absurd head before I was able +to make an answer. It may be seen what a coward I was, and how I feared +to begin again that search for employment. At last, however, I was in +self-control, so that I might speak without being afraid that my voice +would shake. + +"I am sorry," I said. "It seemed to me that my deception would not cause +any harm, and that I might be useful in spite of it--enough to earn +my living. It was on account of my being very poor; and there are two +little children I must take care of.--Well, at least, it is over now. I +have had great shame, but I must not have greater." + +"What do you mean?" he asked me rather sharply. + +"I will leave immediately," I said, going to the door. "Since I am no +more than a joke, I can be of no service to your father or to you; but +you must not think that I am so unreasonable as to be angry with you. A +man whom you have beheld reduced to what I was, at the Cafe' de la Paix, +is surely a joke to the whole world! I will write to your father before +I leave the hotel and explain that I feel myself unqualified--" + +"You're going to write to him why you give it up!" he exclaimed. + +"I shall make no report of espionage," I answered, with, perhaps, some +bitterness, "and I will leave the letter for you to read and to send, of +yourself. It shall only tell him that as a man of honour I cannot keep a +position for which I have no qualification." + +I was going to open the door, bidding him adieu, when he called out to +me. + +"Look here!" he said, and he jumped out of bed in his pajamas and came +quickly, and held out his hand. "Look here, Ansolini, don't take it that +way. I know you've had pretty hard times, and if you'll stay, I'll get +good. I'll go to the Louvre with you this afternoon; we'll dine at +one of the Duval restaurants, and go to that new religious tragedy +afterwards. If you like, we'll leave Paris to-morrow. There's a little +too much movement here, maybe. For God's sake, let your hair grow, and +we'll go down to Italy and study bones and ruins and delight the aged +parent!--It's all right, isn't it?" + +I shook the hand of that kind Poor Jr. with a feeling in my heart that +kept me from saying how greatly I thanked him--and I was sure that I +could do anything for him in the world! + + + +Chapter Five + + +Three days later saw us on the pretty waters of Lake Leman, in the +bright weather when Mont Blanc heaves his great bare shoulders of ice +miles into the blue sky, with no mist-cloak about him. + +Sailing that lake in the cool morning, what a contrast to the champagne +houpla nights of Paris! And how docile was my pupil! He suffered me to +lead him through the Castle of Chillon like a new-born lamb, and even +would not play the little horses in the Kursaal at Geneva, although, +perhaps, that was because the stakes were not high enough to interest +him. He was nearly always silent, and, from the moment of our departure +from Paris, had fallen into dreamfulness, such as would come over myself +at the thought of the beautiful lady. It touched my heart to find how he +was ready with acquiescence to the slightest suggestion of mine, and, +if it had been the season, I am almost credulous that I could have +conducted him to Baireuth to hear Parsifal! + +There were times when his mood of gentle sorrow was so like mine that I +wondered if he, too, knew a grey pongee skirt. I wondered over this so +much, and so marvellingly, also, because of the change in him, that at +last I asked him. + +We had gone to Lucerne; it was clear moonlight, and we smoked on our +little balcony at the Schweitzerhof, puffing our small clouds in the +enormous face of the strangest panorama of the world, that august +disturbation of the earth by gods in battle, left to be a land of tragic +fables since before Pilate was there, and remaining the same after +William Tell was not. I sat looking up at the mountains, and he leaned +on the rail, looking down at the lake. Somewhere a woman was singing +from Pagliacci, and I slowly arrived at a consciousness that I had +sighed aloud once or twice, not so much sadly, as of longing to see that +lady, and that my companion had permitted similar sounds to escape him, +but more mournfully. It was then that I asked him, in earnestness, yet +with the manner of making a joke, if he did not think often of some one +in North America. + +"Do you believe that could be, and I making the disturbance I did in +Paris?" he returned. + +"Yes," I told him, "if you are trying to forget her." + +"I should think it might look more as if I were trying to forget that I +wasn't good enough for her and that she knew it!" + +He spoke in a voice which he would have made full of ease--"off-hand," +as they say; but he failed to do so. + +"That was the case?" I pressed him, you see, but smilingly. + +"Looks a good deal like it," he replied, smoking much at once. + +"So? But that is good for you, my friend!" + +"Probably." He paused, smoking still more, and then said, "It's a +benefit I could get on just as well without." + +"She is in North America?" + +"No; over here." + +"Ah! Then we will go where she is. That will be even better for you! +Where is she?" + +"I don't know. She asked me not to follow her. Somebody else is doing +that." + +The young man's voice was steady, and his face, as usual, showed +no emotion, but I should have been an Italian for nothing had I not +understood quickly. So I waited for a little while, then spoke of old +Pilatus out there in the sky, and we went to bed very late, for it was +out last night in Lucerne. + +Two days later we roared our way out of the gloomy St. Gotthard and +wound down the pass, out into the sunshine of Italy, into that broad +plain of mulberries where the silkworms weave to enrich the proud +Milanese. Ah, those Milanese! They are like the people of Turin, and +look down upon us of Naples; they find us only amusing, because our +minds and movements are too quick for them to understand. I have +no respect for the Milanese, except for three things: they have a +cathedral, a picture, and a dead man. + +We came to our hotel in the soft twilight, with the air so balmy one +wished to rise and float in it. This was the hour for the Cathedral; +therefore, leaving Leonardo and his fresco for the to-morrow, I +conducted my uncomplaining ward forth, and through that big arcade of +which the people are so proud, to the Duomo. Poor Jr. showed few signs +of life as we stood before that immenseness; he said patiently that it +resembled the postals, and followed me inside the portals with languor. + +It was all grey hollowness in the vast place. The windows showed not +any colour nor light; the splendid pillars soared up into the air and +disappeared as if they mounted to heights of invisibility in the sky at +night. Very far away, at the other end of the church it seemed, one lamp +was burning, high over the transept. One could not see the chains of +support nor the roof above it; it seemed a great star, but so much all +alone. We walked down the long aisle to stand nearer to it, the darkness +growing deeper as we advanced. When we came almost beneath, both of us +gazing upward, my companion unwittingly stumbled against a lady who was +standing silently looking up at this light, and who had failed to notice +our approach. The contact was severe enough to dislodge from her hand +her folded parasol, for which I began to grope. + +There was a hurried sentence of excusation from Poor Jr., followed +by moments of silence before she replied. Then I heard her voice in +startled exclamation: + +"Rufus, it is never you?" + +He called out, almost loudly, + +"Alice!" + +Then I knew that it was the second time I had lifted a parasol from the +ground for the lady of the grey pongee and did not see her face; but +this time I placed it in her own hand; for my head bore no shame upon it +now. + +In the surprise of encountering Poor Jr. I do not think she noticed that +she took the parasol or was conscious of my presence, and it was but +too secure that my young friend had forgotten that I lived. I think, +in truth, I should have forgotten it myself, if it had not been for the +leaping of my heart. + +Ah, that foolish dream of mine had proven true: I knew her, I knew her, +unmistaking, without doubt or hesitancy--and in the dark! How should I +know at the mere sound of her voice? I think I knew before she spoke! + +Poor Jr. had taken a step toward her as she fell back; I could only see +the two figures as two shadows upon shadow, while for them I had melted +altogether and was forgotten. + +"You think I have followed you," he cried, "but you have no right to +think it. It was an accident and you've got to believe me!" + +"I believe you," she answered gently. "Why should I not?" + +"I suppose you want me to clear out again," he went on, "and I will; but +I don't see why." + +Her voice answered him out of the shadow: "It is only you who make a +reason why. I'd give anything to be friends with you; you've always +known that." + +"Why can't we be?" he said, sharply and loudly. "I've changed a great +deal. I'm very sensible, and I'll never bother you again--that other +way. Why shouldn't I see a little of you?" + +I heard her laugh then--happily, it seemed to me,--and I thought I +perceived her to extend her hand to him, and that he shook it briefly, +in his fashion, as if it had been the hand of a man and not that of the +beautiful lady. + +"You know I should like nothing better in the world--since you tell me +what you do," she answered. + +"And the other man?" he asked her, with the same hinting of sharpness in +his tone. "Is that all settled?" + +"Almost. Would you like me to tell you?" + +"Only a little--please!" + +His voice had dropped, and he spoke very quietly, which startlingly +caused me to realize what I was doing. I went out of hearing then, very +softly. Is it creible that I found myself trembling when I reached the +twilit piazza? It is true, and I knew that never, for one moment, since +that tragic, divine day of her pity, had I wholly despaired of beholding +her again; that in my most sorrowful time there had always been a +little, little morsel of certain knowledge that I should some day be +near her once more. + +And now, so much was easily revealed to me: it was to see her that the +good Lambert R. Poor Jr., had come to Paris, preceding my patron; it was +he who had passed with her on the last day of my shame, and whom she had +addressed by his central name of Rufus, and it was to his hand that I +had restored her parasol. + +I was to look upon her face at last--I knew it--and to speak with her. +Ah, yes, I did tremble! It was not because I feared she might recognize +her poor slave of the painted head-top, nor that Poor Jr. would tell +her. I knew him now too well to think he would do that, had I been even +that other of whom he had spoken, for he was a brave, good boy, that +Poor Jr. No, it was a trembling of another kind--something I do not know +how to explain to those who have not trembled in the same way; and I +came alone to my room in the hotel, still trembling a little and having +strange quickness of breathing in my chest. + +I did not make any light; I did not wish it, for the precious darkness +of the Cathedral remained with me--magic darkness in which I beheld +floating clouds made of the dust of gold and vanishing melodies. Any +person who knows of these singular things comprehends how little of them +can be told; but to those people who do not know of them, it may appear +all great foolishness. Such people are either too young, and they must +wait, or too old--they have forgotten! + +It was an hour afterward, and Poor Jr. had knocked twice at my door, +when I lighted the room and opened it to him. He came in, excitedly +flushed, and, instead of taking a chair, began to walk quickly up and +down the floor. + +"I'm afraid I forgot all about you, Ansolini," he said, "but that girl I +ran into is a--a Miss Landry, whom I have known a long--" + +I put my hand on his shoulder for a moment and said: + +"I think I am not so dull, my friend!" + +He made a blue flash at me with his eyes, then smiled and shook his +head. + +"Yes, you are right," he answered, re-beginning his fast pace over the +carpet. "It was she that I meant in Lucerne--I don't see why I should +not tell you. In Paris she said she didn't want me to see her +again until I could be--friendly--the old way instead of something +considerably different, which I'd grown to be. Well, I've just told her +not only that I'd behave like a friend, but that I'd changed and felt +like one. Pretty much of a lie that was!" He laighed, without any +amusement. "But it was successful, and I suppose I can keep it up. At +any rate we're going over to Venice with her and her mother to-morrow. +Afterwards, we'll see them in Naples just before they sail." + +"To Venice with them!" I could not repress crying out. + +"Yes; we join parties for two days," he said, and stopped at a window +and looked out attentively at nothing before he went on: "It won't be +very long, and I don't suppose it will ever happen again. The other man +is to meet them in Rome. He's a countryman of yours, and I believe--I +believe it's--about--settled!" + +He pronounced these last words in an even voice, but how slowly! Not +more slowly than the construction of my own response, which I heard +myself making: + +"This countryman of mine--who is he?" + +"One of your kind of Kentucky Colonels," Poor Jr. laughed mournfully. +At first I did not understand; then it came to me that he had sometimes +previously spoken in that idiom of the nobles, and that it had been +his custom to address one of his Parisian followers, a vicomte, as +"Colonel." + +"What is his name?" + +"I can't pronounce it, and I don't know how to spell it," he answered. +"And that doesn't bring me to the verge of the grave! I can bear to +forget it, at least until we get to Naples!" + +He turned and went to the door, saying, cheerfully: "Well, old +horse-thief" (such had come to be his name for me sometimes, and it was +pleasant to hear), "we must be dressing. They're at this hotel, and we +dine with them to-night." + + + +Chapter Six + + +How can I tell of the lady of the pongee--now that I beheld her? Do you +think that, when she came that night to the salon where we were awaiting +her, I hesitated to lift my eyes to her face because of a fear that it +would not be so beautiful as the misty sweet face I had dreamed would be +hers? Ah, no! It was the beauty which was in her heart that had made me +hers; yet I knew that she was beautiful. She was fair, that is all I +can tell. I cannot tell of her eyes, her height, her mouth; I saw her +through those clouds of the dust of gold--she was all glamour and light. +It was to be seen that everyone fell in love with her at once; that the +chef d'orchestre came and played to her; and the waiters--you should +have observed them!--made silly, tender faces through the great groves +of flowers with which Poor Jr. had covered the table. It was most +difficult for me to address her, to call her "Miss Landry." It seemed +impossible that she should have a name, or that I should speak to her +except as "you." + +Even, I cannot tell very much of her mother, except that she was +adorable because of her adorable relationship. She was florid, perhaps, +and her conversation was of commonplaces and echoes, like my own, for +I could not talk. It was Poor Jr. who made the talking, and in spite of +the spell that was on me, I found myself full of admiration and sorrow +for that brave fellow. He was all gaieties and little stories in a way I +had never heard before; he kept us in quiet laughter; in a word, he was +charming. The beautiful lady seemed content to listen with the greatest +pleasure. She talked very little, except to encourage the young man to +continue. I do not think she was brilliant, as they call it, or witty. +She was much more than that in her comprehension, in her kindness--her +beautiful kindness! + +She spoke only once directly to me, except for the little things one +must say. "I am almost sure I have met you, Signor Ansolini." + +I felt myself burning up and knew that the conflagration was visible. +So frightful a blush cannot be prevented by will-power, and I felt it +continuing in hot waves long after Poor Jr. had effected salvation for +me by a small joke upon my cosmopolitanism. + +Little sleep visited me that night. The darkness of my room was luminous +and my closed eyes became painters, painting so radiantly with divine +colours--painters of wonderful portraits of this lady. Gallery after +gallery swam before me, and the morning brought only more! + +What a ride it was to Venice that day! What magical airs we rode +through, and what a thieving old trickster was time, as he always +becomes when one wishes hours to be long! I think Poor Jr. had made +himself forget everything except that he was with her and that he must +be a friend. He committed a thousand ridiculousnesses at the stations; +he filled one side of the compartment with the pretty chianti-bottles, +with terrible cakes, and with fruits and flowers; he never ceased his +joking, which had no tiresomeness in it, and he made the little journey +one of continuing, happy laughter. + +And that evening another of my foolish dreams came true! I sat in a +gondola with the lady of the grey pongee to hear the singing on the +Grand Canal;--not, it is true, at her feet, but upon a little chair +beside her mother. It was my place--to be, as I had been all day, escort +to the mother, and guide and courier for that small party. Contented +enough was I to accept it! How could I have hoped that the Most Blessed +Mother would grant me so much nearness as that? It was not happiness +that I felt, but something so much more precious, as though my +heart-strings were the strings of a harp, and sad, beautiful arpeggios +ran over them. + +I could not speak much that evening, nor could Poor Jr. We were very +silent and listened to the singing, our gondola just touching the others +on each side, those in turn touching others, so that a musician from +the barge could cross from one to another, presenting the hat for +contributions. In spite of this extreme propinquity, I feared the +collector would fall into the water when he received the offering of +Poor Jr. It was "Gra-a-az', Mi-lor! Graz'!" a hundred times, with bows +and grateful smiles indeed! + +It is the one place in the world where you listen to a bad voice with +pleasure, and none of the voices are good--they are harsh and worn with +the night-singing--yet all are beautiful because they are enchanted. + +They sang some of our own Neapolitan songs that night, and last of all +the loveliest of all, "La Luna Nova." It was to the cadence of it that +our gondoliers moved us out of the throng, and it still drifted on the +water as we swung, far down, into sight of the lights of the Ledo: + + "Luna d'ar-gen-to fal-lo so-gnar-- + Ba-cia-lo in fron-te non lo de-star...." + +Not so sweetly came those measures as the low voice of the beautiful +lady speaking them. + +"One could never forget it, never!" she said. "I might hear it a +thousand other times and forget them, but never this first time." + +I perceived that Poor Jr. turned his face abruptly toward hers at this, +but he said nothing, by which I understood not only his wisdom but his +forbearance. + +"Strangely enough," she went on, slowly, "that song reminded me of +something in Paris. Do you remember"--she turned to Poor Jr.--"that poor +man we saw in front of the Cafe' de la Paix with the sign painted upon +his head?" + +Ah, the good-night, with its friendly cloak! The good, kind night! + +"I remember," he answered, with some shortness. "A little faster, +boatman!" + +"I don't know what made it," she said, "I can't account for it, but I've +been thinking of him all through that last song." + +Perhaps not so strange, since one may know how wildly that poor devil +had been thinking of her! + +"I've thought of him so often," the gentle voice went on. "I felt so +sorry for him. I never felt sorrier for any one in my life. I was sorry +for the poor, thin cab-horses in Paris, but I was sorrier for him. I +think it was the saddest sight I ever saw. Do you suppose he still has +to do that, Rufus?" + +"No, no," he answered, in haste. "He'd stopped before I left. He's all +right, I imagine. Here's the Danieli." + +She fastened a shawl more closely about her mother, whom I, with a +ringing in my ears, was trying to help up the stone steps. "Rufus, +I hope," the sweet voice continued, so gently,--"I hope he's found +something to do that's very grand! Don't you? Something to make up to +him for doing that!" + +She had not the faintest dream that it was I. It was just her beautiful +heart. + +The next afternoon Venice was a bleak and empty setting, the jewel +gone. How vacant it looked, how vacant it was! We made not any effort +to penetrate the galleries; I had no heart to urge my friend. For us the +whole of Venice had become one bridge of sighs, and we sat in the shade +of the piazza, not watching the pigeons, and listening very little to +the music. There are times when St. Mark's seems to glare at you with +Byzantine cruelty, and Venice is too hot and too cold. So it was then. +Evening found us staring out at the Adriatic from the terrace of a cafe' +on the Ledo, our coffee cold before us. Never was a greater difference +than that in my companion from the previous day. Yet he was not silent. +He talked of her continually, having found that he could talk of her to +me--though certainly he did not know why it was or how. He told me, as +we sat by the grey-growing sea, that she had spoken of me. + +"She liked you, she liked you very much," he said. "She told me she +liked you because you were quiet and melancholy. Oh Lord, though, she +likes everyone, I suppose! I believe I'd have a better chance with her +if I hadn't always known her. I'm afraid that this damn Italian--I beg +your pardon, Ansolini!--" + +"Ah, no," I answered. "It is sometimes well said." + +"I'm afraid his picturesqueness as a Kentucky Colonel appeals to her too +much. And then he is new to her--a new type. She only met him in Paris, +and he had done some things in the Abyssinian war--" + +"What is his rank?" I asked. + +"He's a prince. Cheap down this way; aren't they? I only hope"--and Poor +Jr. made a groan--"it isn't going to be the old story--and that he'll be +good to her if he gets her." + +"Then it is not yet a betrothal?" + +"Not yet. Mrs. Landry told me that Alice had liked him well enough to +promise she'd give him her answer before she sailed, and that it was +going to be yes. She herself said it was almost settled. That was just +her way of breaking it to me, I fear." + +"You have given up, my friend?" + +"What else can I do? I can't go on following her, keeping up this play +at second cousin, and she won't have anything else. Ever since I grew up +she's been rather sorrowful over me because I didn't do anything but try +to amuse myself--that was one of the reasons she couldn't care for +me, she said, when I asked her. Now this fellow wins, who hasn't done +anything either, except his one campaign. It's not that I ought to have +her, but while I suppose it's a real fascination, I'm afraid there's +a little glitter about being a princess. Even the best of our girls +haven't got over that yet. Ah, well, about me she's right. I've been a +pretty worthless sort. She's right. I've thought it all over. Three days +before they sail we'll go down to Naples and hear the last word, and +whatever it is we'll see them off on the 'Princess Irene.' Then you and +I'll come north and sail by the first boat from Cherbourg. + +"I--I?" I stammered. + +"Yes," he said. "I'm going to make the aged parent shout with unmanly +glee. I'm going to ask him to take me on as a hand. He'll take you, too. +He uses something like a thousand Italians, and a man to manage them +who can talk to them like a Dutch uncle is what he has always needed. He +liked you, and he'll be glad to get you." + +He was a good friend, that Poor Jr., you see, and I shook the hand +that he offered me very hard, knowing how great would have been his +embarrassment had I embraced him in our own fashion. + +"And perhaps you will sail on the 'Princess Irene,' after all," I cried. + +"No," he shook his head sadly, "it will not happen. I have not been +worth it." + + + +Chapter Seven + + +That Naples of mine is like a soiled coronet of white gems, sparkling +only from far away. But I love it altogether, near or far, and my heart +would have leaped to return to it for its own sake, but to come to it +as we did, knowing that the only lady in the world was there.... Again, +this is one of those things I possess no knowledge how to tell, and that +those who know do know. How I had longed for the time to come, how I had +feared it, how I had made pictures of it! + +Yet I feared not so much as my friend, for he had a dim, small hope, +and I had none. How could I have? I--a man whose head had been painted? +I--for whom her great heart had sorrowed as for the thin, beaten +cab-horses of Paris! Hope? All I could hope was that she might never +know, and I be left with some little shred of dignity in her eyes! + +Who cannot see that it was for my friend to fear? At times, with him, it +was despair, but of that brave kind one loves to see--never a quiver of +the lip, no winking of the eyes to keep tears back. And I, although of +a people who express everything in every way, I understood what passed +within him and found time to sorrow for him. + +Most of all, I sorrowed for him as we waited for her on the terrace of +the Bertolini, that perch on the cliff so high that even the noises +of the town are dulled and mingle with the sound of the thick surf far +below. + +Across the city, and beyond, we saw, from the terrace, the old mountain +of the warm heart, smoking amiably, and the lights of Torre del Greco at +its feet, and there, across the bay, I beheld, as I had nightly so long +ago, the lamps of Castellamare, of Sorrento; then, after a stretch of +water, a twinkling which was Capri. How good it was to know that all +these had not taken advantage of my long absence to run away and vanish, +as I had half feared they would. Those who have lived here love them +well; and it was a happy thought that the beautiful lady knew them now, +and shared them. I had never known quite all their loveliness until I +felt that she knew it too. This was something that I must never tell +her--yet what happiness there was in it! + +I stood close to the railing, with a rambling gaze over this enchanted +earth and sea and sky, while my friend walked nervously up and down +behind me. We had come to Naples in the late afternoon, and had found a +note from Mrs. Landry at our hotel, asking us for dinner. Poor Jr. had +not spoken more than twice since he had read me this kind invitation, +but now I heard a low exclamation from him, which let me know who +was approaching; and that foolish trembling got hold of me again as I +turned. + +Mrs. Landry came first, with outstretched hand, making some talk +excusing delay; and, after a few paces, followed the loveliest of all +the world. Beside her, in silhouette against the white window lights of +the hotel, I saw the very long, thin figure of a man, which, even before +I recognized it, carried a certain ominousness to my mind. + +Mrs. Landry, in spite of her florid contentedness, had sometimes a +fluttering appearance of trivial agitations. + +"The Prince came down from Rome this morning," she said nervously, and +I saw my friend throw back his head like a man who declines the +eye-bandage when they are going to shoot him. "He is dining with us. I +know you will be glad to meet him." + +The beautiful lady took Poor Jr.'s hand, more than he hers, for he +seemed dazed, in spite of the straight way he stood, and it was easy to +behold how white his face was. She made the presentation of us both +at the same time, and as the other man came into the light, my mouth +dropped open with wonder at the singular chances which the littleness of +our world brings about. + +"Prince Caravacioli, Mr. Poor. And this is Signor Ansolini." + +It was my half-brother, that old Antonio! + + + +Chapter Eight + + +Never lived any person with more possession of himself than Antonio; he +bowed to each of us with the utmost amiability; and for expression--all +one saw of it was a little streak of light in his eye-glass. + +"It is yourself, Raffaele?" he said to me, in the politest manner, in +our own tongue, the others thinking it some commonplace, and I knew by +his voice that the meeting was as surprising and as exasperating to him +as to me. + +Sometimes dazzling flashes of light explode across the eyes of blind +people. Such a thing happened to my own, now, in the darkness. I found +myself hot all over with a certain rashness that came to me. I felt that +anything was possible if I would but dare enough. + +"I am able to see that it is the same yourself!" I answered, and made +the faintest eye-turn toward Miss Landry. Simultaneously bowing, I let +my hand fall upon my pocket--a language which he understood, and for +which (the Blessed Mother be thanked!) he perceived that I meant to +offer battle immediately, though at that moment he offered me an open +smile of benevolence. He knew nothing of my new cause for war; there was +enough of the old! + +The others were observing us. + +"You have met?" asked the gentle voice of Miss Landry. "You know each +other?" + +"Exceedingly!" I answered, bowing low to her. + +"The dinner is waiting in our own salon," said Mrs. Landry, +interrupting. She led the way with Antonio to an open door on the +terrace where servants were attending, and such a forest of flowers on +the table and about the room as almost to cause her escort to stagger; +for I knew, when I caught sight of them, that he had never been wise +enough to send them. Neither had Poor Jr. done it out of wisdom, but +because of his large way of performing everything, and his wish that +loveliest things should be a background for that lady. + +Alas for him! Those great jars of perfume, orchids and hyacinths and +roses, almost shut her away from his vision. We were at a small round +table, and she directly in opposition to him. Upon her right was +Antonio, and my heart grew cold to see how she listened to him. + +For Antonio could talk. At that time he spoke English even better than +I, though without some knowledge of the North-American idiom which my +travels with Poor Jr. had given me. He was one of those splendid egoists +who seem to talk in modesty, to keep themselves behind scenes, yet who, +when the curtain falls, are discovered to be the heroes, after all, +though shown in so delicate a fashion that the audience flatters itself +in the discovery. + +And how practical was this fellow, how many years he had been developing +his fascinations! I was the only person of that small company who could +have a suspicion that his moustache was dyed, that his hair was toupee, +or that hints of his real age were scorpions and adders to him. I should +not have thought it, if I had not known it. Here was my advantage: I had +known his monstrous vanity all my life. + +So he talked of himself in his various surreptitious ways until coffee +came, Miss Landry listening eagerly, and my poor friend making no +effort; for what were his quiet United States absurdities compared to +the whole-world gaieties and Abyssinian adventures of this Othello, +particularly for a young girl to whom Antonio's type was unfamiliar? For +the first time I saw my young man's brave front desert him. His mouth +drooped, and his eyes had an appearance of having gazed long at a bright +light. I saw that he, unhappy one, was at last too sure what her answer +would be. + +For myself, I said very little--I waited. I hoped and believed Antonio +would attack me in his clever, disguised way, for he had always hated +me and my dead brother, and he had never failed to prove himself too +skilful for us. In my expectancy of his assault there was no mistake. I +comprehended Antonio very well, and I knew that he feared I might seek +to do him an injury, particularly after my inspired speech and gesture +upon the terrace. Also, I felt that he would, if possible, anticipate +my attempt and strike first. I was willing; for I thought myself in +possession of his vulnerable point--never dreaming that he might know my +own! + +At last when he, with the coffee and cigarettes, took the knife in his +hand, he placed a veil over the point. He began, laughingly, with the +picture of a pickpocket he had helped to catch in London. London was +greatly inhabited by pickpockets, according to Antonio's declaration. +Yet, he continued, it was nothing in comparison to Paris. Paris was +the rendezvous, the world's home, for the criminals, adventurers, +and rascals if the world, English, Spanish, South-Americans, +North-Americans,--and even Italians! One must beware of people one had +met in Paris! + +"Of course," he concluded, with a most amiable smile, "there are many +good people there also. That is not to be forgotten. If I should dare +to make a risk on such a trifle, for instance, I would lay wager that +you"--he nodded toward Poor Jr.--"made the acquaintance of Ansolini in +Paris?" + +This was of the greatest ugliness in its underneath significance, though +the manner was disarming. Antonio's smile was so cheerful, his eye-glass +so twinkling, that none of them could have been sure he truly meant +anything harmful of me, though Poor Jr. looked up, puzzled and frowning. + +Before he could answer I pulled myself altogether, as they say, and +leaned forward, resting my elbows upon the table. "It is true," and I +tried to smile as amiably as Antonio. "These coincidences occur. You +meet all the great frauds of the world in Paris. Was it not there"--I +turned to Mrs. Landry--"that you met the young Prince here?" + +At this there was no mistaking that the others perceived. The secret +battle had begun and was not secret. I saw a wild gleam in Poor Jr.'s +eyes, as if he comprehended that strange things were to come; but, ah, +the face of distress and wonder upon Mrs. Landry, who beheld the peace +of both a Prince and a dinner assailed; and, alas! the strange and hurt +surprise that came from the lady of the pongee! Let me not be a boastful +fellow, but I had borne her pity and had adored it--I could face her +wonder, even her scorn. + +It was in the flash of her look that I saw my great chance and what I +must try to do. Knowing Antonio, it was as if I saw her falling into the +deep water and caught just one contemptuous glance from her before the +waves hid her. But how much juster should that contempt have been if I +had not tried to save her! + +As for that old Antonio, he might have known enough to beware. I had +been timid with him always, and he counted on it now, but a man who has +shown a painted head-top to the people of Paris will dare a great deal. + +"As the Prince says," replied Mrs. Landry, with many flutters, "one +meets only the most agreeable people in Paris!" + +"Paris!" I exclaimed. "Ah, that home of ingenuity! How they paint there! +How they live, and how they dye--their beards!" + +You see how the poor Ansolini played the buffoon. I knew they feared +it was wine, I had been so silent until now; but I did not care, I was +beyond care. + +"Our young Prince speaks truly," I cried, raising my voice. "He is wise +beyond his years, this youth! He will be great when he reaches middle +age, for he knows Paris and understands North America! Like myself, he +is grateful that the people of your continent enrich our own! We need +all that you can give us! Where should we be--any of us" (I raised my +voice still louder and waved my hand to Antonio),--"where should we be, +either of us" (and I bowed to the others) "without you?" + +Mrs. Landry rose with precipitousness, and the beautiful lady, very red, +followed. Antonio, unmistakably stung with the scorpions I had set upon +him, sprang to the door, the palest yellow man I have ever beheld, and +let the ladies pass before him. + +The next moment I was left alone with Poor Jr. and his hyacinth trees. + + + +Chapter Nine + + +For several minutes neither of us spoke. Then I looked up to meet my +friend's gaze of perturbation. + +A waiter was proffering cigars. I took one, and waved Poor Jr.'s hand +away from the box of which the waiter made offering. + +"Do not remain!" I whispered, and I saw his sad perplexity. "I know her +answer has not been given. Will you present him his chance to receive +it--just when her sympathy must be stronger for him, since she will +think he has had to bear rudeness?" + +He went out of the door quickly. + +I dod not smoke. I pretended to, while the waiters made the arrangements +of the table and took themselves off. I sat there a long, long time +waiting for Antonio to do what I hoped I had betrayed him to do. + +It befell at last. + +Poor Jr. came to the door and spoke in his steady voice. "Ansolini, will +you come out here a moment?" + +Then I knew that I had succeeded, had made Antonio afraid that I would +do the thing he himself, in a panic, had already done--speak evil of +another privately. + +As I reached the door I heard him call out foolishly, "But Mr. Poor, I +beg you--" + +Poor Jr. put his hand on my shoulder, and we walked out into the dark of +the terrace. Antonio was leaning against the railing, the beautiful lady +standing near. Mrs. Landry had sunk into a chair beside her daughter. No +other people were upon the terrace. + +"Prince Caravacioli has been speaking of you," said Poor Jr., very +quietly. + +"Ah?" said I. + +"I listened to what he said; then I told him that you were my friend, +and that I considered it fair that you should hear what he had to say. +I will repeat what he said, Ansolini. If I mistake anything, he can +interrupt me." + +Antonio laughed, and in such a way, so sincerely, so gaily, that I was +frightened. + +"Very good!" he cried. "I am content. Repeat all." + +"He began," Poor Jr. went on, quietly, though his hand gripped my +shoulder to almost painfulness,--"he began by saying to these ladies, in +my presence, that we should be careful not to pick up chance strangers +to dine, in Italy, and--and he went on to give me a repetition of his +friendly warning about Paris. He hinted things for a while, until I +asked him to say what he knew of you. Then he said he knew all about +you; that you were an outcast, a left-handed member of his own family, +an adventurer--" + +"It is finished, my friend," I said, interrupting him, and gazed with +all my soul upon the beautiful lady. Her face was as white as Antonio's +or that of my friend, or as my own must have been. She strained her eyes +at me fixedly; I saw the tears standing still in them, and I knew the +moment had come. + +"This Caravacioli is my half-brother," I said. + +Antonio laughed again. "Of what kind!" + +Oh, he went on so easily to his betrayal, not knowing the +United-Statesians and their sentiment, as I did. + +"We had the same mother," I continued, as quietly as I could. "Twenty +years after this young--this somewhat young--Prince was born she +divorced his father, Caravacioli, and married a poor poet, whose bust +you can see on the Pincian in Rome, though he died in the cheapest hotel +in Sienna when my true brother and I were children. This young Prince +would have nothing to do with my mother after her second marriage and--" + +"Marriage!" Antonio laughed pleasantly again. He was admirable. "This is +an old tale which the hastiness of our American friend has forced us to +rehearse. The marriage was never recognized by the Vatican, and there +was not twenty years--" + +"Antonio, it is the age which troubles you, after all!" I said, and +laughed heartily, loudly, and a long time, in the most good-natured way, +not to be undone as an actor. + +"Twenty years," I repeated. "But what of it? Some of the best men in the +world use dyes and false--" + +At this his temper went away from him suddenly and completely. I had +struck the right point indeed! + +"You cammorrista!" he cried, and became only himself, his hands +gesturing and flying, all his pleasant manner gone. "Why should we +listen one second more to such a fisherman! The very seiners of the bay +who sell dried sea-horses to the tourists are better gentlemen than you. +You can shrug your shoulders! I saw you in Paris, though you thought I +did not! Oh, I saw you well! Ah! At the Cafe de la Paiz!" + +At this I cried out suddenly. The sting and surprise of it were more +than I could bear. In my shame I would even have tried to drown his +voice with babblings but after this one cry I could not speak for a +while. He went on triumphantly: + +"This rascal, my dear ladies, who has persuaded you to ask him to +dinner, this camel who claims to be my excellent brother, he, for a few +francs, in Paris, shaved his head and showed it for a week to the people +with an advertisement painted upon it of the worst ballet in Paris. This +is the gentleman with whom you ask Caravacioli to dine!" + +It was beyond my expectation, so astonishing and so cruel that I could +only look at him for a moment or two. I felt as one who dreams himself +falling forever. Then I stepped forward and spoke, in thickness of +voice, being unable to lift my head: + +"Again it is true what he says. I was that man of the painted head. I +had my true brother's little daughters to care for. They were at the +convent, and I owed for them. It was also partly for myself, because I +was hungry. I could find not any other way, and so--but that is all." + +I turned and went stumblingly away from them. + +In my agony that she should know, I could do nothing but seek greater +darkness. I felt myself beaten, dizzy with beatings. That thing which +I had done in Paris discredited me. A man whose head-top had borne an +advertisement of the Folie-Rouge to think he could be making a combat +with the Prince Caravacioli! + +Leaning over the railing in the darkest corner of the terrace, I felt my +hand grasped secondarily by that good friend of mine. + +"God bless you!" whispered Poor Jr. + +"On my soul, I believe he's done himself. Listen!" + +I turned. That beautiful lady had stepped out into the light from the +salon door. I could see her face shining, and her eyes--ah me, how +glorious they were! Antonio followed her. + +"But wait," he cried pitifully. + +"Not for you!" she answered, and that voice of hers, always before so +gentle, rang out as the Roman trumpets once rang from this same cliff. +"Not for you! I saw him there with his painted head and I understood! +You saw him there, and you did nothing to help him! And the two little +children--your nieces, too,--and he your brother!" + +Then my heart melted and I found myself choking, for the beautiful lady +was weeping. + +"Not for you, Prince Caravacioli," she cried, through her tears,--"Not +for you!" + + + +Chapter Ten + + +All of the beggars in Naples, I think, all of the flower-girls and boys, +I am sure, and all the wandering serenaders, I will swear, were under +our windows at the Vesuve, from six o'clock on the morning the "Princess +Irene" sailed; and there need be no wonder when it is known that Poor +Jr. had thrown handfuls of silver and five-lire notes from our balcony +to strolling orchestras and singers for two nights before. + +They wakened us with "Addio, la bella Napoli, addio, addio!" sung to the +departing benefactor. When he had completed his toilet and his coffee, +he showed himself on the balcony to them for a moment. Ah! What a +resounding cheer for the signore, the great North-American nobleman! And +how it swelled to a magnificent thundering when another largess of his +came flying down among them! + +Who could have reproved him? Not Raffaele Ansolini, who was on his knees +over the bags and rugs! I think I even made some prolongation of that +position, for I was far from assured of my countenance, that bright +morning. + +I was not to sail in the "Princess Irene" with those dear friends. Ah +no! I had told them that I must go back to Paris to say good-bye to my +little nieces and sail from Boulogne--and I am sure they believed that +was my reason. I had even arranged to go away upon a train which would +make it not possible for me to drive to the dock with them. I did not +wish to see the boat carry them away from me. + +And so the farewells were said in the street in all that crowd. Poor Jr. +and I were waiting at the door when the carriage galloped up. How the +crowd rushed to see that lady whom it bore to us, blushing and laughing! +Clouds of gold-dust came before my eyes again; she wore once more that +ineffable grey pongee! + +Servants ran forward with the effects of Poor Jr. and we both sprang +toward the carriage. + +A flower-girl was offering a great basket of loose violets. Poor Jr. +seized it and threw them like a blue rain over the two ladies. + +"Bravo! Bravo!" + +A hundred bouquets showered into the carriage, and my friend's silver +went out in another shower to meet them. + +"Addio, la bella Napoli!" came from the singers and the violins, but I +cried to them for "La Luna Nova." + +"Good-bye--for a little while--good-bye!" + +I knew how well my friend liked me, because he shook my hand with his +head turned away. Then the grey glove of the beautiful lady touched my +shoulder--the lightest touch in all the world--as I stood close to the +carriage while Poor Jr. climbed in. + +"Good-bye. Thank you--and God bless you!" she said, in a low voice. And +I knew for what she thanked me. + +The driver cracked his whip like an honest Neapolitan. The horses sprang +forward. "Addio, addio!" + +I sang with the musicians, waving and waving and waving my handkerchief +to the departing carriage. + +Now I saw my friend lean over and take the beautiful lady by the hand, +and together they stood up in the carriage and waved their handkerchiefs +to me. Then, but not because they had passed out of sight, I could see +them not any longer. + +They were so good--that kind Poor Jr. and the beautiful lady; they +seemed like dear children--as if they had been my own dear children. + + +THE END + + + + + + + + + + +End of the Project Gutenberg EBook of The Beautiful Lady, by Booth Tarkington + +*** END OF THIS PROJECT GUTENBERG EBOOK THE BEAUTIFUL LADY *** + +***** This file should be named 5798-0.txt or 5798-0.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/5/7/9/5798/ + +Produced by An Anonymous Volunteer + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/5798-0.zip b/5798-0.zip Binary files differnew file mode 100644 index 0000000..7e2ad50 --- /dev/null +++ b/5798-0.zip diff --git a/5798-h.zip b/5798-h.zip Binary files differnew file mode 100644 index 0000000..e501535 --- /dev/null +++ b/5798-h.zip diff --git a/5798-h/5798-h.htm b/5798-h/5798-h.htm new file mode 100644 index 0000000..6779595 --- /dev/null +++ b/5798-h/5798-h.htm @@ -0,0 +1,2582 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <title> + The Beautiful Lady, by Booth Tarkington + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of The Beautiful Lady, by Booth Tarkington + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Beautiful Lady + +Author: Booth Tarkington + +Release Date: March 24, 2009 [EBook #5798] +Last Updated: September 16, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE BEAUTIFUL LADY *** + + + + +Produced by An Anonymous Volunteer, and David Widger + + + + + + +</pre> + + <p> + <br /><br /> + </p> + <h1> + THE BEAUTIFUL LADY + </h1> + <p> + <br /><br /> + </p> + <h2> + By Booth Tarkington + </h2> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <h2> + Contents + </h2> + <table summary="" style="margin-right: auto; margin-left: auto"> + <tr> + <td> + <p class="toc"> + <a href="#link2HCH0001"> Chapter One </a> + </p> + <p class="toc"> + <a href="#link2HCH0002"> Chapter Two </a> + </p> + <p class="toc"> + <a href="#link2HCH0003"> Chapter Three </a> + </p> + <p class="toc"> + <a href="#link2HCH0004"> Chapter Four </a> + </p> + <p class="toc"> + <a href="#link2HCH0005"> Chapter Five </a> + </p> + <p class="toc"> + <a href="#link2HCH0006"> Chapter Six </a> + </p> + <p class="toc"> + <a href="#link2HCH0007"> Chapter Seven </a> + </p> + <p class="toc"> + <a href="#link2HCH0008"> Chapter Eight </a> + </p> + <p class="toc"> + <a href="#link2HCH0009"> Chapter Nine </a> + </p> + <p class="toc"> + <a href="#link2HCH0010"> Chapter Ten </a> + </p> + </td> + </tr> + </table> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> <a name="link2HCH0001" id="link2HCH0001"> + <!-- H2 anchor --> </a> + </p> + <h2> + Chapter One + </h2> + <p> + Nothing could have been more painful to my sensitiveness than to occupy + myself, confused with blushes, at the center of the whole world as a + living advertisement of the least amusing ballet in Paris. + </p> + <p> + To be the day’s sensation of the boulevards one must possess an + eccentricity of appearance conceived by nothing short of genius; and my + misfortunes had reduced me to present such to all eyes seeking mirth. It + was not that I was one of those people in uniform who carry placards and + strange figures upon their backs, nor that my coat was of rags; on the + contrary, my whole costume was delicately rich and well chosen, of soft + grey and fine linen (such as you see worn by a marquis in the pe’sage at + Auteuil) according well with my usual air and countenance, sometimes + esteemed to resemble my father’s, which were not wanting in distinction. + </p> + <p> + To add to this my duties were not exhausting to the body. I was required + only to sit without a hat from ten of the morning to midday, and from four + until seven in the afternoon, at one of the small tables under the awning + of the Cafe’ de la Paix at the corner of the Place de l’Opera—that + is to say, the centre of the inhabited world. In the morning I drank my + coffee, hot in the cup; in the afternoon I sipped it cold in the glass. I + spoke to no one; not a glance or a gesture of mine passed to attract + notice. + </p> + <p> + Yet I was the centre of that centre of the world. All day the crowds + surrounded me, laughing loudly; all the voyous making those jokes for + which I found no repartee. The pavement was sometimes blocked; the passing + coachmen stood up in their boxes to look over at me, small infants were + elevated on shoulders to behold me; not the gravest or most sorrowful came + by without stopping to gaze at me and go away with rejoicing faces. The + boulevards rang to their laughter—all Paris laughed! + </p> + <p> + For seven days I sat there at the appointed times, meeting the eye of + nobody, and lifting my coffee with fingers which trembled with + embarrassment at this too great conspicuosity! Those mournful hours + passed, one by the year, while the idling bourgeois and the travellers + made ridicule; and the rabble exhausted all effort to draw plays of wit + from me. + </p> + <p> + I have told you that I carried no placard, that my costume was elegant, my + demeanour modest in all degree. + </p> + <p> + “How, then, this excitement?” would be your disposition to inquire. “Why + this sensation?” + </p> + <p> + It is very simple. My hair had been shaved off, all over my ears, leaving + only a little above the back of the neck, to give an appearance of + far-reaching baldness, and on my head was painted, in ah! so brilliant + letters of distinctness: + </p> +<pre xml:space="preserve"> + Theatre + + Folie-Rouge + + Revue + + de + + Printemps + + Tous les Soirs +</pre> + <p> + Such was the necessity to which I was at that time reduced! One has heard + that the North Americans invent the most singular advertising, but I will + not believe they surpass the Parisian. Myself, I say I cannot express my + sufferings under the notation of the crowds that moved about the Cafe’ de + la Paix! The French are a terrible people when they laugh sincerely. It is + not so much the amusing things which cause them amusement; it is often the + strange, those contrasts which contain something horrible, and when they + laugh there is too frequently some person who is uncomfortable or wicked. + I am glad that I was born not a Frenchman; I should regret to be native to + a country where they invent such things as I was doing in the Place de + l’Opera; for, as I tell you, the idea was not mine. + </p> + <p> + As I sat with my eyes drooping before the gaze of my terrible and + applauding audiences, how I mentally formed cursing words against the day + when my misfortunes led me to apply at the Theatre Folie-Rouge for work! I + had expected an audition and a role of comedy in the Revue; for, perhaps + lacking any experience of the stage, I am a Neapolitan by birth, though a + resident of the Continent at large since the age of fifteen. All + Neapolitans can act; all are actors; comedians of the greatest, as every + traveller is cognizant. There is a thing in the air of our beautiful + slopes which makes the people of a great instinctive musicalness and + deceptiveness, with passions like those burning in the old mountain we + have there. They are ready to play, to sing—or to explode, yet, + imitating that amusing Vesuvio, they never do this last when you are in + expectancy, or, as a spectator, hopeful of it. + </p> + <p> + How could any person wonder, then, that I, finding myself suddenly + destitute in Paris, should apply at the theatres? One after another, I saw + myself no farther than the director’s door, until (having had no more to + eat the day preceding than three green almonds, which I took from a cart + while the good female was not looking) I reached the Folie-Rouge. Here I + was astonished to find a polite reception from the director. It eventuated + that they wished for a person appearing like myself a person whom they + would outfit with clothes of quality in all parts, whose external + presented a gentleman of the great world, not merely of one the + galant-uomini, but who would impart an air to a table at a cafe’ where he + might sit and partake. The contrast of this with the emplacement of the + establishment on his bald head-top was to be the success of the idea. It + was plain that I had no baldness, my hair being very thick and I but + twenty-four years of age, when it was explained that my hair could be + shaved. They asked me to accept, alas! not a part in the Revue, but a + specialty as a sandwich-man. Knowing the English tongue as I do, I may + afford the venturesomeness to play upon it a little: I asked for bread, + and they offered me not a role, but a sandwich! + </p> + <p> + It must be undoubted that I possessed not the disposition to make any fun + with my accomplishments during those days that I spent under the awning of + the Cafe’ de la Paix. I had consented to be the advertisement in greatest + desperation, and not considering what the reality would be. Having + consented, honour compelled that I fulfil to the ending. Also, the costume + and outfittings I wore were part of my emolument. They had been + constructed for me by the finest tailor; and though I had impulses, often, + to leap up and fight through the noisy ones about me and run far to the + open country, the very garments I wore were fetters binding me to remain + and suffer. It seemed to me that the hours were spent not in the centre of + a ring of human persons, but of un-well-made pantaloons and ugly skirts. + Yet all of these pantaloons and skirts had such scrutinous eyes and + expressions of mirth to laugh like demons at my conscious, burning, + painted head; eyes which spread out, astonished at the sight of me, and + peered and winked and grinned from the big wrinkles above the gaiters of + Zouaves, from the red breeches of the gendarmes, the knickerbockers of the + cyclists, the white ducks of sergents de ville, and the knees of the + boulevardiers, bagged with sitting cross-legged at the little tables. I + could not escape these eyes;—how scornfully they twinkled at me from + the spurred and glittering officers’ boots! How with amaze from the + American and English trousers, both turned up and creased like folded + paper, both with some dislike for each other but for all other trousers + more. + </p> + <p> + It was only at such times when the mortifications to appear so greatly + embarrassed became stronger than the embarrassment itself that I could by + will power force my head to a straight construction and look out upon my + spectators firmly. On the second day of my ordeal, so facing the laughers, + I found myself facing straight into the monocle of my half-brother and + ill-wisher, Prince Caravacioli. + </p> + <p> + At this, my agitation was sudden and very great, for there was no one I + wished to prevent perceiving my condition more than that old Antonio + Caravacioli! I had not known that he was in Paris, but I could have no + doubt it was himself: the monocle, the handsome nose, the toupee’, the + yellow skin, the dyed-black moustache, the splendid height—it was + indeed Caravacioli! He was costumed for the automobile, and threw but one + glance at me as he crossed the pavement to his car, which was in waiting. + There was no change, not of the faintest, in that frosted tragic mask of a + countenance, and I was glad to think that he had not recognized me. + </p> + <p> + And yet, how strange that I should care, since all his life he had + declined to recognize me as what I was! Ah, I should have been glad to + shout his age, his dyes, his artificialities, to all the crowd, so to + touch him where it would most pain him! For was he not the vainest man in + the whole world? How well I knew his vulnerable point: the monstrous depth + of his vanity in that pretense of youth which he preserved through + superhuman pains and a genius of a valet, most excellently! I had much to + pay Antonio for myself, more for my father, most for my mother. This was + why that last of all the world I would have wished that old fortune-hunter + to know how far I had been reduced! + </p> + <p> + Then I rejoiced about that change which my unreal baldness produced in me, + giving me a look of forty years instead of twenty-four, so that my oldest + friend must take at least three stares to know me. Also, my costume would + disguise me from the few acquaintances I had in Paris (if they chanced to + cross the Seine), as they had only seen me in the shabbiest; while, at my + last meeting with Antonio, I had been as fine in the coat as now. + </p> + <p> + Yet my encouragement was not so joyful that my gaze lifted often. On the + very last day, in the afternoon when my observances were most and + noisiest, I lifted my eyes but once during the final half-hour—but + such a one that was! + </p> + <p> + The edge of that beautiful grey pongee skirt came upon the lid of my + lowered eyelid like a cool shadow over hot sand. A sergent had just made + many of the people move away, so there remained only a thin ring of the + laughing pantaloons about me, when this divine skirt presented its + apparition to me. A pair of North-American trousers accompanied it, turned + up to show the ankle-bones of a rich pair of stockings; neat, enthusiastic + and humorous, I judged them to be; for, as one may discover, my only + amusement during my martyrdom—if this misery can be said to possess + such alleviatings—had been the study of feet, pantaloons, and + skirts. The trousers in this case detained my observation no time. They + were but the darkest corner of the chiaroscuro of a Rembrandt—the + mellow glow of gold was all across the grey skirt. + </p> + <p> + How shall I explain myself, how make myself understood? Shall I be thought + sentimentalistic or but mad when I declare that my first sight of the grey + pongee skirt caused me a thrill of excitation, of tenderness, and—oh-i-me!—of + self-consciousness more acute than all my former mortifications. It was so + very different from all other skirts that had shown themselves to me those + sad days, and you may understand that, though the pantaloons far + outnumbered the skirts, many hundreds of the latter had also been objects + of my gloomy observation. + </p> + <p> + This skirt, so unlike those which had passed, presented at once the + qualifications of its superiority. It had been constructed by an artist, + and it was worn by a lady. It did not pine, it did not droop; there was no + more an atom of hanging too much than there was a portion inflated by + flamboyancy; it did not assert itself; it bore notice without seeking it. + Plain but exquisite, it was that great rarity—goodness made + charming. + </p> + <p> + The peregrination of the American trousers suddenly stopped as they caught + sight of me, and that precious skirt paused, precisely in opposition to my + little table. I heard a voice, that to which the skirt pertained. It spoke + the English, but not in the manner of the inhabitants of London, who seem + to sing undistinguishably in their talking, although they are + comprehensible to each other. To an Italian it seems that many + North-Americans and English seek too often the assistance of the nose in + talking, though in different manners, each equally unagreeable to our + ears. The intelligent among our lazzaroni of Naples, who beg from + tourists, imitate this, with the purpose of reminding the generous + traveller of his home, in such a way to soften his heart. But there is + some difference: the Italian, the Frenchman, or German who learns English + sometimes misunderstands the American: the Englishman he sometimes + understands. + </p> + <p> + This voice that spoke was North-American. Ah, what a voice! Sweet as the + mandolins of Sorento! Clear as the bells of Capri! To hear it, was like + coming upon sight of the almond-blossoms of Sicily for the first time, or + the tulip-fields of Holland. Never before was such a voice! + </p> + <p> + “Why did you stop, Rufus?” it said. + </p> + <p> + “Look!” replied the American trousers; so that I knew the pongee lady had + not observed me of herself. + </p> + <p> + Instantaneously there was an exclamation, and a pretty grey parasol, + closed, fell at my feet. It is not the pleasantest to be an object which + causes people to be startled when they behold you; but I blessed the + agitation of this lady, for what caused her parasol to fall from her hand + was a start of pity. + </p> + <p> + “Ah!” she cried. “The poor man!” + </p> + <p> + She had perceived that I was a gentleman. + </p> + <p> + I bent myself forward and lifted the parasol, though not my eyes I could + not have looked up into the face above me to be Caesar! Two hands came + down into the circle of my observation; one of these was that belonging to + the trousers, thin, long, and white; the other was the grey-gloved hand of + the lady, and never had I seen such a hand—the hand of an angel in a + suede glove, as the grey skirt was the mantle of a saint made by Doucet. I + speak of saints and angels; and to the large world these may sound like + cold words.—It is only in Italy where some people are found to adore + them still. + </p> + <p> + I lifted the parasol toward that glove as I would have moved to set a + candle on an altar. Then, at a thought, I placed it not in the glove, but + in the thin hand of the gentleman. At the same time the voice of the lady + spoke to me—I was to have the joy of remembering that this voice had + spoken four words to me. + </p> + <p> + “Je vous remercie, monsieur,” it said. + </p> + <p> + “Pas de quoi!” I murmured. + </p> + <p> + The American trousers in a loud tone made reference in the idiom to my + miserable head: “Did you ever see anything to beat it?” + </p> + <p> + The beautiful voice answered, and by the gentleness of her sorrow for me I + knew she had no thought that I might understand. “Come away. It is too + pitiful!” + </p> + <p> + Then the grey skirt and the little round-toed shoes beneath it passed from + my sight, quickly hidden from me by the increasing crowd; yet I heard the + voice a moment more, but fragmentarily: “Don’t you see how ashamed he is, + how he must have been starving before he did that, or that someone + dependent on him needed—” + </p> + <p> + I caught no more, but the sweetness that this beautiful lady understood + and felt for the poor absurd wretch was so great that I could have wept. I + had not seen her face; I had not looked up—even when she went. + </p> + <p> + “Who is she?” cried a scoundrel voyous, just as she turned. “Madame of the + parasol? A friend of monsieur of the ornamented head?” + </p> + <p> + “No. It is the first lady in waiting to his wife, Madame la Duchesse,” + answered a second. “She has been sent with an equerry to demand of + monseigneur if he does not wish a little sculpture upon his dome as well + as the colour decorations!” + </p> + <p> + “‘Tis true, my ancient?” another asked of me. + </p> + <p> + I made no repartee, continuing to sit with my chin dependent upon my + cravat, but with things not the same in my heart as formerly to the + arrival of that grey pongee, the grey glove, and the beautiful voice. + </p> + <p> + Since King Charles the Mad, in Paris no one has been completely free from + lunacy while the spring-time is happening. There is something in the sun + and the banks of the Seine. The Parisians drink sweet and fruity champagne + because the good wines are already in their veins. These Parisians are + born intoxicated and remain so; it is not fair play to require them to be + like other human people. Their deepest feeling is for the arts; and, as + everyone had declared, they are farceurs in their tragedies, tragic in + their comedies. They prepare the last epigram in the tumbril; they drown + themselves with enthusiasm about the alliance with Russia. In death they + are witty; in war they have poetic spasms; in love they are mad. + </p> + <p> + The strangest of all this is that it is not only the Parisians who are the + insane ones in Paris; the visitors are none of them in behaviour as + elsewhere. You have only to go there to become as lunatic as the rest. + Many travellers, when they have departed, remember the events they have + caused there as a person remembers in the morning what he has said and + thought in the moonlight of the night. + </p> + <p> + In Paris it is moonlight even in the morning; and in Paris one falls in + love even more strangely than by moonlight. + </p> + <p> + It is a place of glimpses: a veil fluttering from a motor-car, a little + lace handkerchief fallen from a victoria, a figure crossing a lighted + window, a black hat vanishing in the distance of the avenues of the + Tuileries. A young man writes a ballade and dreams over a bit of lace. Was + I not, then, one of the least extravagant of this mad people? Men have + fallen in love with photographs, those greatest of liars; was I so wild, + then, to adore this grey skirt, this small shoe, this divine glove, the + golden-honey voice—of all in Paris the only one to pity and to + understand? Even to love the mystery of that lady and to build my dreams + upon it?—to love all the more because of the mystery? Mystery is the + last word and the completing charm to a young man’s passion. Few sonnets + have been written to wives whose matrimony is more than five years of age—is + it not so? + </p> + <p> + <a name="link2HCH0002" id="link2HCH0002"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + Chapter Two + </h2> + <p> + When my hour was finished and I in liberty to leave that horrible corner, + I pushed out of the crowd and walked down the boulevard, my hat covering + my sin, and went quickly. To be in love with my mystery, I thought, that + was a strange happiness! It was enough. It was romance! To hear a voice + which speaks two sentences of pity and silver is to have a chime of bells + in the heart. But to have a shaven head is to be a monk! And to have a + shaven head with a sign painted upon it is to be a pariah. Alas! I was a + person whom the Parisians laughed at, not with! + </p> + <p> + Now that at last my martyrdom was concluded, I had some shuddering, as + when one places in his mouth a morsel of unexpected flavour. I wondered + where I had found the courage to bear it, and how I had resisted hurling + myself into the river, though, as is known, that is no longer safe, for + most of those who attempt it are at once rescued, arrested, fined, and + imprisoned for throwing bodies into the Seine, which is forbidden. + </p> + <p> + At the theatre the frightful badge was removed from my head-top and I was + given three hundred francs, the price of my shame, refusing an offer to + repeat the performance during the following week. To imagine such a thing + made me a choking in my throat, and I left the bureau in some sickness. + This increased so much (as I approached the Madeleine, where I wished to + mount an omnibus) that I entered a restaurant and drank a small glass of + cognac. Then I called for writing-papers and wrote to the good Mother + Superior and my dear little nieces at their convent. I enclosed two + hundred and fifty francs, which sum I had fallen behind in my payments for + their education and sustenance, and I felt a moment’s happiness that at + least for a while I need not fear that my poor brother’s orphans might + become objects of charity—a fear which, accompanied by my own + hunger, had led me to become the joke of the boulevards. + </p> + <p> + Feeling rich with my remaining fifty francs, I ordered the waiter to bring + me a goulasch and a carafe of blond beer, after the consummation of which + I spent an hour in the reading of a newspaper. Can it be credited that the + journal of my perusement was the one which may be called the + North-American paper of the aristocracies of Europe? Also, it contains + some names of the people of the United States at the hotels and elsewhere. + </p> + <p> + How eagerly I scanned those singular columns! Shall I confess to what + purpose? I read the long lists of uncontinental names over and over, but I + lingered not at all upon those like “Muriel,” “Hermione,” “Violet,” and + “Sibyl,” nor over “Balthurst,” “Skeffington-Sligo,” and “Covering-Legge”; + no, my search was for the Sadies and Mamies, the Thompsons, Van Dusens, + and Bradys. In that lies my preposterous secret. + </p> + <p> + You will see to what infatuation those words of pity, that sense of a + beautiful presence, had led me. To fall in love must one behold a face? + Yes; at thirty. At twenty, when one is something of a poet—No: it is + sufficient to see a grey pongee skirt! At fifty, when one is a philosopher—No: + it is enough to perceive a soul! I had done both; I had seen the skirt; I + had perceived the soul! Therefore, while hungry, I neglected my goulasch + to read these lists of names of the United States again and again, only + that I might have the thought that one of them—though I knew not + which—might be this lady’s, and that in so infinitesimal a degree I + had been near her again. Will it be estimated extreme imbecility in me + when I ventured the additional confession that I felt a great warmth and + tenderness toward the possessors of all these names, as being, if not + herself, at least her compatriots? + </p> + <p> + I am now brought to the admission that before to-day I had experienced + some prejudices against the inhabitants of the North-American republic, + though not on account of great experience of my own. A year previously I + had made a disastrous excursion to Monte Carlo in the company of a young + gentleman of London who had been for several weeks in New York and + Washington and Boston, and appeared to know very much of the country. He + was never anything but tired in speaking of it, and told me a great + amount. He said many times that in the hotels there was never a concierge + or portier to give you information where to discover the best vaudeville; + there was no concierge at all! In New York itself, my friend told me, a + facchino, or species of porter, or some such good-for-nothing, had said to + him, including a slap on the shoulder, “Well, brother, did you receive + your delayed luggage correctly?” (In this instance my studies of the + North-American idiom lead me to believe that my friend was intentionally + truthful in regard to the principalities, but mistaken in his observation + of detail.) He declared the recent willingness of the English to take some + interest in the United-Statesians to be a mistake; for their were noisy, + without real confidence in themselves; they were restless and merely + imitative instead of inventive. He told me that he was not exceptional; + all Englishmen had thought similarly for fifty or sixty years; therefore, + naturally, his opinion carried great weight with me. And myself, to my + astonishment, I had often seen parties of these republicans become all + ears and whispers when somebody called a prince or a countess passed by. + Their reverence for age itself, in anything but a horse, had often + surprised me by its artlessness, and of all strange things in the world, I + have heard them admire old customs and old families. It was strange to me + to listen, when I had believed that their land was the only one where + happily no person need worry to remember who had been his + great-grandfather. + </p> + <p> + The greatest of my own had not saved me from the decoration of the past + week, yet he was as much mine as he was Antonio Caravacioli’s; and + Antonio, though impoverished, had his motor-car and dined well, since I + happened to see, in my perusal of the journal, that he had been to dinner + the evening before at the English Embassy with a great company. “Bravo, + Antonio! Find a rich foreign wife if you can, since you cannot do well for + yourself at home!” And I could say so honestly, without spite, for all his + hatred of me,—because, until I had paid my addition, I was still the + possessor of fifty francs! + </p> + <p> + Fifty francs will continue life in the body of a judicial person a long + time in Paris, and combining that knowledge and the good goulasch, I + sought diligently for “Mamies” and “Sadies” with a revived spirit. I found + neither of those adorable names—in fact, only two such diminutives, + which are more charming than our Italian ones: A Miss Jeanie Archibald Zip + and a Miss Fannie Sooter. None of the names was harmonious with the grey + pongee—in truth, most of them were no prettier (however less + processional) than royal names. I could not please myself that I had come + closer to the rare lady; I must be contented that the same sky covered us + both, that the noise of the same city rang in her ears as mine. + </p> + <p> + Yet that was a satisfaction, and to know that it was true gave me + mysterious breathlessness and made me hear fragments of old songs during + my walk that night. I walked very far, under the trees of the Bois, where + I stopped for a few moments to smoke a cigarette at one of the tables + outside, at Armenonville. + </p> + <p> + None of the laughing women there could be the lady I sought; and as my + refusing to command anything caused the waiter uneasiness, in spite of my + prosperous appearance, I remained but a few moments, then trudged on, all + the long way to the Cafe’ de Madrid, where also she was not. + </p> + <p> + How did I assure myself of this since I had not seen her face? I cannot + tell you. Perhaps I should not have known her; but that night I was sure + that I should. + </p> + <p> + Yes, as sure of that as I was sure that she was beautiful! + </p> + <p> + <a name="link2HCH0003" id="link2HCH0003"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + Chapter Three + </h2> + <p> + Early the whole of the next day, endeavoring to look preoccupied, I + haunted the lobbies and vicinity of the most expensive hotels, unable to + do any other thing, but ashamed of myself that I had not returned to my + former task of seeking employment, although still reassured by possession + of two louis and some silver, I dined well at a one-franc coachman’s + restaurant, where my elegance created not the slightest surprise, and I + felt that I might live in this way indefinitely. + </p> + <p> + However, dreams often conclude abruptly, and two louis always do, as I + found, several days later, when, after paying the rent for my unspeakable + lodging and lending twenty francs to a poor, bad painter, whom I knew and + whose wife was ill, I found myself with the choice of obtaining funds on + my finery or not eating, either of which I was very loath to do. It is not + essential for me to tell any person that when you seek a position it is + better that you appear not too greatly in need of it; and my former + garments had prejudiced many against me, I fear, because they had been + patched by a friendly concierge. Pantaloons suffer as terribly as do + antiques from too obvious restorations; and while I was only grateful to + the good woman’s needle (except upon one occasion when she forgot to + remove it), my costume had reached, at last, great sympathies for the + shade of Praxiteles, feeling the same melancholy over original intentions + so far misrepresented by renewals. + </p> + <p> + Therefore I determined to preserve my fineries to the uttermost; and it + was fortunate that I did so; because, after dining, for three nights upon + nothing but looking out of my window, the fourth morning brought me a + letter from my English friend. I had written to him, asking if he knew of + any people who wished to pay a salary to a young man who knew how to do + nothing. I place his reply in direct annexation: + </p> + <p> + “Henrietta Street, Cavendish Square, May 14. + </p> + <p> + “My dear Ansolini,—Why haven’t you made some of your relatives do + something? I understand that they do not like you; neither do my own, but + after our crupper at Monte Carlo what could mine do, except provide? If a + few pounds (precious few, I fear!) be of any service to you, let me know. + In the mean time, if you are serious about a position, I may, + preposterously enough, set you in the way of it. There is an old + thundering Yankee here, whom I met in the States, and who believed me a + god because I am the nephew of my awful uncle, for whose career he has + ever had, it appears, a life-long admiration, sir! Now, by chance, meeting + this person in the street, it developed that he had need of a man, + precisely such a one as you are not: a sober, tutorish, middle-aged, + dissenting parson, to trot about the Continent tied to a dancing bear. It + is the old gentleman’s cub, who is a species of Caliban in fine linen, and + who has taken a few too many liberties in the land of the free. In fact, I + believe he is much a youth of my own kind with similar admiration for + baccarat and good cellars. His father must return at once, and has decided + (the cub’s native heath and friends being too wild) to leave him in charge + of a proper guide, philosopher, courier, chaplain, and friend, if such can + be found, the same required to travel with the cub and keep him out of + mischief. I thought of your letter directly, and I have given you the most + tremendous recommendation—part of it quite true, I suspect, though I + am not a judge of learning. I explained, however, that you are a master of + languages, of elegant though subdued deportment, and I extolled at length + your saintly habits. Altogether, I fear there may have been too much of + the virtuoso in my interpretation of you; few would have recognized from + it the gentleman who closed a table at Monte Carlo and afterwards was + closed himself in the handsome and spectacular fashion I remember with + both delight and regret. Briefly, I lied like a master. He almost had me + in the matter of your age; it was important that you should be + middle-aged. I swore that you were at least thirty-eight, but, owing to + exemplary habits, looked very much younger. The cub himself is + twenty-four. + </p> + <p> + “Hence, if you are really serious and determined not to appeal to your + people, call at once upon Mr. Lambert R. Poor, of the Hotel d’Iena. He is + the father, and the cub is with him. The elder Yankee is primed with my + praises of you, and must engage someone at once, as he sails in a day or + two. Go—with my blessing, an air of piety, and as much age as you + can assume. When the father has departed, throw the cub into the Seine, + but preserve his pocket-book, and we shall have another go at those + infernal tables. Vale! J.G.S.” + </p> + <p> + I found myself smiling—I fear miserably—over this kind letter, + especially at the wonder of my friend that I had not appealed to my + relatives. The only ones who would have liked to help me, if they had + known I needed something, were my two little nieces who were in my own + care; because my father, being but a poet, had no family, and my mother + had lost hers, even her eldest son, by marrying my father. After that they + would have nothing to do with her, nor were they asked. That rascally old + Antonio was now the head of all the Caravacioli, as was I of my own + outcast branch of our house—that is, of my two little nieces and + myself. It was partly of these poor infants I had thought when I took what + was left of my small inheritance to Monte Carlo, hoping, since I seemed to + be incapable of increasing it in any other way, that number seventeen and + black would hand me over a fortune as a waiter does wine. Alas! Luck is + not always a fool’s servant, and the kind of fortune she handed me was of + that species the waiter brings you in the other bottle of champagne, the + gold of a bubbling brain, lasting an hour. After this there is always + something evil to one’s head, and mine, alas! was shaved. + </p> + <p> + Half an hour after I had read the letter, the little paper-flower makers + in the attic window across from mine may have seen me shaving it—without + pleasure—again. What else was I to do? I could not well expect to be + given the guardianship of an erring young man if I presented myself to his + parent as a gentleman who had been sitting at the Cafe’ de la Paix with + his head painted. I could not wear my hat through the interview. I could + not exhibit the thick five days’ stubble, to appear in contrast with the + heavy fringe that had been spared;—I could not trim the fringe to + the shortness of the stubble; I should have looked like Pierrot. I had + only, then, to remain bald, and, if I obtained the post, to shave in + secret—a harmless and mournful imposition. + </p> + <p> + It was well for me that I came to this determination. I believe it was the + appearance of maturity which my head and dining upon thoughts lent me, as + much as my friend’s praises, which created my success with the amiable Mr. + Lambert R. Poor. I witness that my visit to him provided one of the most + astonishing interviews of my life. He was an instance of those strange + beings of the Western republic, at whom we are perhaps too prone to pass + from one of ourselves to another the secret smile, because of some little + imperfections of manner. It is a type which has grown more and more + familiar to us, yet never less strange: the man in costly but severe + costume, big, with a necessary great waistcoat, not noticing the loudness + of his own voice; as ignorant of the thousand tiny things which we observe + and feel as he would be careless of them (except for his wife) if he knew. + We laugh at him, sometimes even to his face, and he does not perceive it. + We are a little afraid that he is too large to see it; hence too large for + us to comprehend, and in spite of our laughter we are always conscious of + a force—yes, of a presence! We jeer slyly, but we respect, fear a + little, and would trust. + </p> + <p> + Such was my patron. He met me with a kind greeting, looked at me very + earnestly, but smiling as if he understood my good intentions, as one + understands the friendliness of a capering poodle, yet in such a way that + I could not feel resentment, for I could see that he looked at almost + everyone in the same fashion. + </p> + <p> + My friend had done wonders for me; and I made the best account of myself + that I could, so that within half an hour it was arranged that I should + take charge of his son, with an honourarium which gave me great rejoicing + for my nieces and my accumulated appetite. + </p> + <p> + “I think I can pick men,” he said, “and I think that you are the man I + want. You’re old enough and you’ve seen enough, and you know enough to + keep one fool boy in order for six months.” + </p> + <p> + So frankly he spoke of his son, yet not without affection and confidence. + Before I left, he sent for the youth himself, Lambert R. Poor, Jr.,—not + at all a Caliban, but a most excellent-appearing, tall gentleman, of + astonishingly meek countenance. He gave me a sad, slow look from his blue + eyes at first; then with a brightening smile he gently shook my hand, + murmuring that he was very glad in the prospect of knowing me better; + after which the parent defined before him, with singular elaboration, my + duties. I was to correct all things in his behaviour which I considered + improper or absurd. I was to dictate the line of travel, to have a + restraining influence upon expenditures; in brief, to control the young + man as a governess does a child. + </p> + <p> + To all of his parent’s instructions Poor Jr. returned a dutiful nod and + expressed perfect acquiescence. The following day the elder sailed from + Cherbourg, and I took up my quarters with the son. + </p> + <p> + <a name="link2HCH0004" id="link2HCH0004"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + Chapter Four + </h2> + <p> + It is with the most extreme mortification that I record my ensuing + experiences, for I felt that I could not honourably accept my salary + without earning it by carrying out the parent Poor’s wishes. That first + morning I endeavoured to direct my pupil’s steps toward the Musee de + Cluny, with the purpose of inciting him to instructive study; but in the + mildest, yet most immovable manner, he proposed Longchamps and the races + as a substitute, to conclude with dinner at La Cascade and supper at + Maxim’s or the Cafe’ Blanche, in case we should meet engaging company. I + ventured the vainest efforts to reason with him, making for myself a very + uncomfortable breakfast, though without effect upon him of any visibility. + His air was uninterruptedly mild and modest; he rarely lifted his eyes, + but to my most earnest argument replied only by ordering more eggs and + saying in a chastened voice: + </p> + <p> + “Oh no; it is always best to begin school with a vacation. To Longchamps—we!” + </p> + <p> + I should say at once that through this young man I soon became an amateur + of the remarkable North-American idioms, of humour and incomparable + brevities often more interesting than those evolved by the thirteen or + more dialects of my own Naples. Even at our first breakfast I began to + catch lucid glimpses of the intention in many of his almost + incomprehensible statements. I was able, even, to penetrate his meaning + when he said that although he was “strong for aged parent,” he himself had + suffered much anguish from overwork of the “earnest youth racquette” in + his late travels, and now desired to “create considerable trouble for + Paris.” + </p> + <p> + Naturally, I did not wish to begin by antagonizing my pupil—an + estrangement at the commencement would only lead to his deceiving me, or a + continued quarrel, in which case I should be of no service to my kind + patron, so that after a strained interval I considered it best to + surrender. + </p> + <p> + We went to Longchamps. + </p> + <p> + That was my first mistake; the second was to yield to him concerning the + latter part of his programme; but opposition to Mr. Poor, Jr. had a + curious effect of inutility. He had not in the least the air of obstinacy,—nothing + could have been less like rudeness; he neither frowned not smiled; no, he + did not seem even to be insisting; on the contrary, never have I beheld a + milder countenance, nor heard a pleasanter voice; yet the young man was so + completely baffling in his mysterious way that I considered him unique to + my experience. + </p> + <p> + Thus, when I urged him not to place large wagers in the pesage, his + whispered reply was strange and simple—“Watch me!” This he + conclusively said as he deposited another thousand-franc note, which, + within a few moments, accrued to the French government. + </p> + <p> + Longchamps was but the beginning of a series of days and nights which wore + upon my constitution—not indeed with the intensity of mortification + which my former conspicuosity had engendered, yet my sorrows were + stringent. It is true that I had been, since the age of seventeen, no + stranger to the gaieties and dissipations afforded by the capitals of + Europe; I may say I had exhausted these, yet always with some degree of + quiet, including intervals of repose. I was tired of all the great + foolishnesses of youth, and had thought myself done with them. Now I found + myself plunged into more uproarious waters than I had ever known I, who + had hoped to begin a life of usefulness and peace, was forced to dwell in + the midst of a riot, pursuing my extraordinary charge. + </p> + <p> + There is no need that I should describe those days and nights. They remain + in my memory as a confusion of bad music, crowds, motor-cars and champagne + of which Poor Jr. was a distributing centre. He could never be persuaded + to the Louvre, the Carnavalet, or the Luxembourg; in truth, he seldom rose + in time to reach the museums, for they usually close at four in the + afternoon. Always with the same inscrutable meekness of countenance, each + night he methodically danced the cake-walk at Maxim’s or one of the + Montemarte restaurants, to the cheers of acquaintances of many + nationalities, to whom he offered libations with prodigal enormity. He + carried with him, about the boulevards at night, in the highly powerful + car he had hired, large parties of strange people, who would loudly sing + airs from the Folie-Rouge (to my unhappy shudderings) all the way from the + fatiguing Bal Bullier to the Cafe’ de Paris, where the waiters soon became + affluent. + </p> + <p> + And how many of those gaily dressed and smiling ladies whose bright eyes + meet yours on the veranda of the Theatre Marigny were provided with + excessive suppers and souvenir fans by the inexhaustible Poor Jr.! He left + a trail of pink hundred-franc notes behind him, like a running boy + dropping paper in the English game; and he kept showers of gold louis + dancing in the air about him, so that when we entered the various cafes or + “American bars” a cheer (not vocal but to me of perfect audibility) went + up from the hungry and thirsty and borrowing, and from the attendants. Ah, + how tired I was of it, and how I endeavoured to discover a means to draw + him to the museums, and to Notre Dame and the Pantheon! + </p> + <p> + And how many times did I unwillingly find myself in the too enlivening + company of those pretty supper-girls, and what jokings upon his head-top + did the poor bald gentleman not undergo from those same demoiselles with + the bright eyes, the wonderful hats, and the fluffy dresses! + </p> + <p> + How often among those gay people did I find myself sadly dreaming of that + grey pongee skirt and the beautiful heart that had understood! Should I + ever see that lady? Not, I knew, alas! in the whirl about Poor Jr.! As + soon look for a nun at the Cafe’ Blanche! + </p> + <p> + For some reason I came to be persuaded that she had left Paris, that she + had gone away; and I pictured her—a little despairingly—on the + borders of Lucerne, with the white Alps in the sky above her,—or + perhaps listening to the evening songs on the Grand Canal, and I would try + to feel the little rocking of her gondola, making myself dream that I sat + at her feet. Or I could see the grey flicker of the pongee skirt in the + twilight distance of cathedral aisles with a chant sounding from a chapel; + and, so dreaming, I would start spasmodically, to hear the red-coated + orchestra of a cafe’ blare out into “Bedelia,” and awake to the laughter + and rouge and blague which that dear pongee had helped me for a moment to + forget! + </p> + <p> + To all places, Poor Jr., though never unkindly, dragged me with him, even + to make the balloon ascent at the Porte Maillot on a windy evening. + Without embarrassment I confess that I was terrified, that I clung to the + ropes with a clutch which frayed my gloves, while Poor Jr. leaned back + against the side of the basket and gazed upward at the great swaying ball, + with his hands in his pockets, humming the strange ballad that was his + favourite musical composition: + </p> +<pre xml:space="preserve"> + “The prettiest girl I ever saw + Was sipping cider through a straw-aw-haw!” + </pre> + <p> + In that horrifying basket, scrambling for a foothold while it swung + through arcs that were gulfs, I believed that my sorrows approached a + sudden conclusion, but finding myself again upon the secure earth, I + decided to come to an understanding with the young man. + </p> + <p> + Accordingly, on the following morning, I entered his apartment and + addresses myself to Poor Jr. as severely as I could (for, truthfully, in + all his follies I had found no ugliness in his spirit—only a + good-natured and inscrutable desire of wild amusement) reminding him of + the authority his father had deputed to me, and having the venturesomeness + to hint that the son should show some respect to my superior age. + </p> + <p> + To my consternation he replied by inquiring if I had shaved my head as yet + that morning. I could only drop in a chair, stammering to know what he + meant. + </p> + <p> + “Didn’t you suppose I knew?” he asked, elevating himself slightly on his + elbow from the pillow. “Three weeks ago I left my aged parent in London + and ran over here for a day. I saw you at the Cafe’ de la Paix, and even + then I knew that it was shaved, not naturally bald. When you came here I + recognized you like a shot, and that was why I was glad to accept you as a + guardian. I’ve enjoyed myself considerably of late, and you’ve been the + best part of it,—I think you are a wonderation! I wouldn’t have any + other governess for the world, but you surpass the orchestra when you beg + me to respect your years! I will bet you four dollars to a lead franc + piece that you are younger than I am!” + </p> + <p> + Imagine the completeness of my dismay! Although he spoke in tones the most + genial, and without unkindness, I felt myself a man of tatters before him, + ashamed to have him know my sorry secret, hopeless to see all chance of + authority over him gone at once, and with it my opportunity to earn a + salary so generous, for if I could continue to be but an amusement to him + and only part of his deception of Lambert R. Poor, my sense of honour must + be fit for the guillotine indeed. + </p> + <p> + I had a little struggle with myself, and I think I must have wiped some + amounts of the cold perspiration from my absurd head before I was able to + make an answer. It may be seen what a coward I was, and how I feared to + begin again that search for employment. At last, however, I was in + self-control, so that I might speak without being afraid that my voice + would shake. + </p> + <p> + “I am sorry,” I said. “It seemed to me that my deception would not cause + any harm, and that I might be useful in spite of it—enough to earn + my living. It was on account of my being very poor; and there are two + little children I must take care of.—Well, at least, it is over now. + I have had great shame, but I must not have greater.” + </p> + <p> + “What do you mean?” he asked me rather sharply. + </p> + <p> + “I will leave immediately,” I said, going to the door. “Since I am no more + than a joke, I can be of no service to your father or to you; but you must + not think that I am so unreasonable as to be angry with you. A man whom + you have beheld reduced to what I was, at the Cafe’ de la Paix, is surely + a joke to the whole world! I will write to your father before I leave the + hotel and explain that I feel myself unqualified—” + </p> + <p> + “You’re going to write to him why you give it up!” he exclaimed. + </p> + <p> + “I shall make no report of espionage,” I answered, with, perhaps, some + bitterness, “and I will leave the letter for you to read and to send, of + yourself. It shall only tell him that as a man of honour I cannot keep a + position for which I have no qualification.” + </p> + <p> + I was going to open the door, bidding him adieu, when he called out to me. + </p> + <p> + “Look here!” he said, and he jumped out of bed in his pajamas and came + quickly, and held out his hand. “Look here, Ansolini, don’t take it that + way. I know you’ve had pretty hard times, and if you’ll stay, I’ll get + good. I’ll go to the Louvre with you this afternoon; we’ll dine at one of + the Duval restaurants, and go to that new religious tragedy afterwards. If + you like, we’ll leave Paris to-morrow. There’s a little too much movement + here, maybe. For God’s sake, let your hair grow, and we’ll go down to + Italy and study bones and ruins and delight the aged parent!—It’s + all right, isn’t it?” + </p> + <p> + I shook the hand of that kind Poor Jr. with a feeling in my heart that + kept me from saying how greatly I thanked him—and I was sure that I + could do anything for him in the world! + </p> + <p> + <a name="link2HCH0005" id="link2HCH0005"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + Chapter Five + </h2> + <p> + Three days later saw us on the pretty waters of Lake Leman, in the bright + weather when Mont Blanc heaves his great bare shoulders of ice miles into + the blue sky, with no mist-cloak about him. + </p> + <p> + Sailing that lake in the cool morning, what a contrast to the champagne + houpla nights of Paris! And how docile was my pupil! He suffered me to + lead him through the Castle of Chillon like a new-born lamb, and even + would not play the little horses in the Kursaal at Geneva, although, + perhaps, that was because the stakes were not high enough to interest him. + He was nearly always silent, and, from the moment of our departure from + Paris, had fallen into dreamfulness, such as would come over myself at the + thought of the beautiful lady. It touched my heart to find how he was + ready with acquiescence to the slightest suggestion of mine, and, if it + had been the season, I am almost credulous that I could have conducted him + to Baireuth to hear Parsifal! + </p> + <p> + There were times when his mood of gentle sorrow was so like mine that I + wondered if he, too, knew a grey pongee skirt. I wondered over this so + much, and so marvellingly, also, because of the change in him, that at + last I asked him. + </p> + <p> + We had gone to Lucerne; it was clear moonlight, and we smoked on our + little balcony at the Schweitzerhof, puffing our small clouds in the + enormous face of the strangest panorama of the world, that august + disturbation of the earth by gods in battle, left to be a land of tragic + fables since before Pilate was there, and remaining the same after William + Tell was not. I sat looking up at the mountains, and he leaned on the + rail, looking down at the lake. Somewhere a woman was singing from + Pagliacci, and I slowly arrived at a consciousness that I had sighed aloud + once or twice, not so much sadly, as of longing to see that lady, and that + my companion had permitted similar sounds to escape him, but more + mournfully. It was then that I asked him, in earnestness, yet with the + manner of making a joke, if he did not think often of some one in North + America. + </p> + <p> + “Do you believe that could be, and I making the disturbance I did in + Paris?” he returned. + </p> + <p> + “Yes,” I told him, “if you are trying to forget her.” + </p> + <p> + “I should think it might look more as if I were trying to forget that I + wasn’t good enough for her and that she knew it!” + </p> + <p> + He spoke in a voice which he would have made full of ease—“off-hand,” + as they say; but he failed to do so. + </p> + <p> + “That was the case?” I pressed him, you see, but smilingly. + </p> + <p> + “Looks a good deal like it,” he replied, smoking much at once. + </p> + <p> + “So? But that is good for you, my friend!” + </p> + <p> + “Probably.” He paused, smoking still more, and then said, “It’s a benefit + I could get on just as well without.” + </p> + <p> + “She is in North America?” + </p> + <p> + “No; over here.” + </p> + <p> + “Ah! Then we will go where she is. That will be even better for you! Where + is she?” + </p> + <p> + “I don’t know. She asked me not to follow her. Somebody else is doing + that.” + </p> + <p> + The young man’s voice was steady, and his face, as usual, showed no + emotion, but I should have been an Italian for nothing had I not + understood quickly. So I waited for a little while, then spoke of old + Pilatus out there in the sky, and we went to bed very late, for it was out + last night in Lucerne. + </p> + <p> + Two days later we roared our way out of the gloomy St. Gotthard and wound + down the pass, out into the sunshine of Italy, into that broad plain of + mulberries where the silkworms weave to enrich the proud Milanese. Ah, + those Milanese! They are like the people of Turin, and look down upon us + of Naples; they find us only amusing, because our minds and movements are + too quick for them to understand. I have no respect for the Milanese, + except for three things: they have a cathedral, a picture, and a dead man. + </p> + <p> + We came to our hotel in the soft twilight, with the air so balmy one + wished to rise and float in it. This was the hour for the Cathedral; + therefore, leaving Leonardo and his fresco for the to-morrow, I conducted + my uncomplaining ward forth, and through that big arcade of which the + people are so proud, to the Duomo. Poor Jr. showed few signs of life as we + stood before that immenseness; he said patiently that it resembled the + postals, and followed me inside the portals with languor. + </p> + <p> + It was all grey hollowness in the vast place. The windows showed not any + colour nor light; the splendid pillars soared up into the air and + disappeared as if they mounted to heights of invisibility in the sky at + night. Very far away, at the other end of the church it seemed, one lamp + was burning, high over the transept. One could not see the chains of + support nor the roof above it; it seemed a great star, but so much all + alone. We walked down the long aisle to stand nearer to it, the darkness + growing deeper as we advanced. When we came almost beneath, both of us + gazing upward, my companion unwittingly stumbled against a lady who was + standing silently looking up at this light, and who had failed to notice + our approach. The contact was severe enough to dislodge from her hand her + folded parasol, for which I began to grope. + </p> + <p> + There was a hurried sentence of excusation from Poor Jr., followed by + moments of silence before she replied. Then I heard her voice in startled + exclamation: + </p> + <p> + “Rufus, it is never you?” + </p> + <p> + He called out, almost loudly, + </p> + <p> + “Alice!” + </p> + <p> + Then I knew that it was the second time I had lifted a parasol from the + ground for the lady of the grey pongee and did not see her face; but this + time I placed it in her own hand; for my head bore no shame upon it now. + </p> + <p> + In the surprise of encountering Poor Jr. I do not think she noticed that + she took the parasol or was conscious of my presence, and it was but too + secure that my young friend had forgotten that I lived. I think, in truth, + I should have forgotten it myself, if it had not been for the leaping of + my heart. + </p> + <p> + Ah, that foolish dream of mine had proven true: I knew her, I knew her, + unmistaking, without doubt or hesitancy—and in the dark! How should + I know at the mere sound of her voice? I think I knew before she spoke! + </p> + <p> + Poor Jr. had taken a step toward her as she fell back; I could only see + the two figures as two shadows upon shadow, while for them I had melted + altogether and was forgotten. + </p> + <p> + “You think I have followed you,” he cried, “but you have no right to think + it. It was an accident and you’ve got to believe me!” + </p> + <p> + “I believe you,” she answered gently. “Why should I not?” + </p> + <p> + “I suppose you want me to clear out again,” he went on, “and I will; but I + don’t see why.” + </p> + <p> + Her voice answered him out of the shadow: “It is only you who make a + reason why. I’d give anything to be friends with you; you’ve always known + that.” + </p> + <p> + “Why can’t we be?” he said, sharply and loudly. “I’ve changed a great + deal. I’m very sensible, and I’ll never bother you again—that other + way. Why shouldn’t I see a little of you?” + </p> + <p> + I heard her laugh then—happily, it seemed to me,—and I thought + I perceived her to extend her hand to him, and that he shook it briefly, + in his fashion, as if it had been the hand of a man and not that of the + beautiful lady. + </p> + <p> + “You know I should like nothing better in the world—since you tell + me what you do,” she answered. + </p> + <p> + “And the other man?” he asked her, with the same hinting of sharpness in + his tone. “Is that all settled?” + </p> + <p> + “Almost. Would you like me to tell you?” + </p> + <p> + “Only a little—please!” + </p> + <p> + His voice had dropped, and he spoke very quietly, which startlingly caused + me to realize what I was doing. I went out of hearing then, very softly. + Is it creible that I found myself trembling when I reached the twilit + piazza? It is true, and I knew that never, for one moment, since that + tragic, divine day of her pity, had I wholly despaired of beholding her + again; that in my most sorrowful time there had always been a little, + little morsel of certain knowledge that I should some day be near her once + more. + </p> + <p> + And now, so much was easily revealed to me: it was to see her that the + good Lambert R. Poor Jr., had come to Paris, preceding my patron; it was + he who had passed with her on the last day of my shame, and whom she had + addressed by his central name of Rufus, and it was to his hand that I had + restored her parasol. + </p> + <p> + I was to look upon her face at last—I knew it—and to speak + with her. Ah, yes, I did tremble! It was not because I feared she might + recognize her poor slave of the painted head-top, nor that Poor Jr. would + tell her. I knew him now too well to think he would do that, had I been + even that other of whom he had spoken, for he was a brave, good boy, that + Poor Jr. No, it was a trembling of another kind—something I do not + know how to explain to those who have not trembled in the same way; and I + came alone to my room in the hotel, still trembling a little and having + strange quickness of breathing in my chest. + </p> + <p> + I did not make any light; I did not wish it, for the precious darkness of + the Cathedral remained with me—magic darkness in which I beheld + floating clouds made of the dust of gold and vanishing melodies. Any + person who knows of these singular things comprehends how little of them + can be told; but to those people who do not know of them, it may appear + all great foolishness. Such people are either too young, and they must + wait, or too old—they have forgotten! + </p> + <p> + It was an hour afterward, and Poor Jr. had knocked twice at my door, when + I lighted the room and opened it to him. He came in, excitedly flushed, + and, instead of taking a chair, began to walk quickly up and down the + floor. + </p> + <p> + “I’m afraid I forgot all about you, Ansolini,” he said, “but that girl I + ran into is a—a Miss Landry, whom I have known a long—” + </p> + <p> + I put my hand on his shoulder for a moment and said: + </p> + <p> + “I think I am not so dull, my friend!” + </p> + <p> + He made a blue flash at me with his eyes, then smiled and shook his head. + </p> + <p> + “Yes, you are right,” he answered, re-beginning his fast pace over the + carpet. “It was she that I meant in Lucerne—I don’t see why I should + not tell you. In Paris she said she didn’t want me to see her again until + I could be—friendly—the old way instead of something + considerably different, which I’d grown to be. Well, I’ve just told her + not only that I’d behave like a friend, but that I’d changed and felt like + one. Pretty much of a lie that was!” He laighed, without any amusement. + “But it was successful, and I suppose I can keep it up. At any rate we’re + going over to Venice with her and her mother to-morrow. Afterwards, we’ll + see them in Naples just before they sail.” + </p> + <p> + “To Venice with them!” I could not repress crying out. + </p> + <p> + “Yes; we join parties for two days,” he said, and stopped at a window and + looked out attentively at nothing before he went on: “It won’t be very + long, and I don’t suppose it will ever happen again. The other man is to + meet them in Rome. He’s a countryman of yours, and I believe—I + believe it’s—about—settled!” + </p> + <p> + He pronounced these last words in an even voice, but how slowly! Not more + slowly than the construction of my own response, which I heard myself + making: + </p> + <p> + “This countryman of mine—who is he?” + </p> + <p> + “One of your kind of Kentucky Colonels,” Poor Jr. laughed mournfully. At + first I did not understand; then it came to me that he had sometimes + previously spoken in that idiom of the nobles, and that it had been his + custom to address one of his Parisian followers, a vicomte, as “Colonel.” + </p> + <p> + “What is his name?” + </p> + <p> + “I can’t pronounce it, and I don’t know how to spell it,” he answered. + “And that doesn’t bring me to the verge of the grave! I can bear to forget + it, at least until we get to Naples!” + </p> + <p> + He turned and went to the door, saying, cheerfully: “Well, old + horse-thief” (such had come to be his name for me sometimes, and it was + pleasant to hear), “we must be dressing. They’re at this hotel, and we + dine with them to-night.” + </p> + <p> + <a name="link2HCH0006" id="link2HCH0006"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + Chapter Six + </h2> + <p> + How can I tell of the lady of the pongee—now that I beheld her? Do + you think that, when she came that night to the salon where we were + awaiting her, I hesitated to lift my eyes to her face because of a fear + that it would not be so beautiful as the misty sweet face I had dreamed + would be hers? Ah, no! It was the beauty which was in her heart that had + made me hers; yet I knew that she was beautiful. She was fair, that is all + I can tell. I cannot tell of her eyes, her height, her mouth; I saw her + through those clouds of the dust of gold—she was all glamour and + light. It was to be seen that everyone fell in love with her at once; that + the chef d’orchestre came and played to her; and the waiters—you + should have observed them!—made silly, tender faces through the + great groves of flowers with which Poor Jr. had covered the table. It was + most difficult for me to address her, to call her “Miss Landry.” It seemed + impossible that she should have a name, or that I should speak to her + except as “you.” + </p> + <p> + Even, I cannot tell very much of her mother, except that she was adorable + because of her adorable relationship. She was florid, perhaps, and her + conversation was of commonplaces and echoes, like my own, for I could not + talk. It was Poor Jr. who made the talking, and in spite of the spell that + was on me, I found myself full of admiration and sorrow for that brave + fellow. He was all gaieties and little stories in a way I had never heard + before; he kept us in quiet laughter; in a word, he was charming. The + beautiful lady seemed content to listen with the greatest pleasure. She + talked very little, except to encourage the young man to continue. I do + not think she was brilliant, as they call it, or witty. She was much more + than that in her comprehension, in her kindness—her beautiful + kindness! + </p> + <p> + She spoke only once directly to me, except for the little things one must + say. “I am almost sure I have met you, Signor Ansolini.” + </p> + <p> + I felt myself burning up and knew that the conflagration was visible. So + frightful a blush cannot be prevented by will-power, and I felt it + continuing in hot waves long after Poor Jr. had effected salvation for me + by a small joke upon my cosmopolitanism. + </p> + <p> + Little sleep visited me that night. The darkness of my room was luminous + and my closed eyes became painters, painting so radiantly with divine + colours—painters of wonderful portraits of this lady. Gallery after + gallery swam before me, and the morning brought only more! + </p> + <p> + What a ride it was to Venice that day! What magical airs we rode through, + and what a thieving old trickster was time, as he always becomes when one + wishes hours to be long! I think Poor Jr. had made himself forget + everything except that he was with her and that he must be a friend. He + committed a thousand ridiculousnesses at the stations; he filled one side + of the compartment with the pretty chianti-bottles, with terrible cakes, + and with fruits and flowers; he never ceased his joking, which had no + tiresomeness in it, and he made the little journey one of continuing, + happy laughter. + </p> + <p> + And that evening another of my foolish dreams came true! I sat in a + gondola with the lady of the grey pongee to hear the singing on the Grand + Canal;—not, it is true, at her feet, but upon a little chair beside + her mother. It was my place—to be, as I had been all day, escort to + the mother, and guide and courier for that small party. Contented enough + was I to accept it! How could I have hoped that the Most Blessed Mother + would grant me so much nearness as that? It was not happiness that I felt, + but something so much more precious, as though my heart-strings were the + strings of a harp, and sad, beautiful arpeggios ran over them. + </p> + <p> + I could not speak much that evening, nor could Poor Jr. We were very + silent and listened to the singing, our gondola just touching the others + on each side, those in turn touching others, so that a musician from the + barge could cross from one to another, presenting the hat for + contributions. In spite of this extreme propinquity, I feared the + collector would fall into the water when he received the offering of Poor + Jr. It was “Gra-a-az’, Mi-lor! Graz’!” a hundred times, with bows and + grateful smiles indeed! + </p> + <p> + It is the one place in the world where you listen to a bad voice with + pleasure, and none of the voices are good—they are harsh and worn + with the night-singing—yet all are beautiful because they are + enchanted. + </p> + <p> + They sang some of our own Neapolitan songs that night, and last of all the + loveliest of all, “La Luna Nova.” It was to the cadence of it that our + gondoliers moved us out of the throng, and it still drifted on the water + as we swung, far down, into sight of the lights of the Ledo: + </p> +<pre xml:space="preserve"> + “Luna d’ar-gen-to fal-lo so-gnar— + Ba-cia-lo in fron-te non lo de-star....” + </pre> + <p> + Not so sweetly came those measures as the low voice of the beautiful lady + speaking them. + </p> + <p> + “One could never forget it, never!” she said. “I might hear it a thousand + other times and forget them, but never this first time.” + </p> + <p> + I perceived that Poor Jr. turned his face abruptly toward hers at this, + but he said nothing, by which I understood not only his wisdom but his + forbearance. + </p> + <p> + “Strangely enough,” she went on, slowly, “that song reminded me of + something in Paris. Do you remember”—she turned to Poor Jr.—“that + poor man we saw in front of the Cafe’ de la Paix with the sign painted + upon his head?” + </p> + <p> + Ah, the good-night, with its friendly cloak! The good, kind night! + </p> + <p> + “I remember,” he answered, with some shortness. “A little faster, + boatman!” + </p> + <p> + “I don’t know what made it,” she said, “I can’t account for it, but I’ve + been thinking of him all through that last song.” + </p> + <p> + Perhaps not so strange, since one may know how wildly that poor devil had + been thinking of her! + </p> + <p> + “I’ve thought of him so often,” the gentle voice went on. “I felt so sorry + for him. I never felt sorrier for any one in my life. I was sorry for the + poor, thin cab-horses in Paris, but I was sorrier for him. I think it was + the saddest sight I ever saw. Do you suppose he still has to do that, + Rufus?” + </p> + <p> + “No, no,” he answered, in haste. “He’d stopped before I left. He’s all + right, I imagine. Here’s the Danieli.” + </p> + <p> + She fastened a shawl more closely about her mother, whom I, with a ringing + in my ears, was trying to help up the stone steps. “Rufus, I hope,” the + sweet voice continued, so gently,—“I hope he’s found something to do + that’s very grand! Don’t you? Something to make up to him for doing that!” + </p> + <p> + She had not the faintest dream that it was I. It was just her beautiful + heart. + </p> + <p> + The next afternoon Venice was a bleak and empty setting, the jewel gone. + How vacant it looked, how vacant it was! We made not any effort to + penetrate the galleries; I had no heart to urge my friend. For us the + whole of Venice had become one bridge of sighs, and we sat in the shade of + the piazza, not watching the pigeons, and listening very little to the + music. There are times when St. Mark’s seems to glare at you with + Byzantine cruelty, and Venice is too hot and too cold. So it was then. + Evening found us staring out at the Adriatic from the terrace of a cafe’ + on the Ledo, our coffee cold before us. Never was a greater difference + than that in my companion from the previous day. Yet he was not silent. He + talked of her continually, having found that he could talk of her to me—though + certainly he did not know why it was or how. He told me, as we sat by the + grey-growing sea, that she had spoken of me. + </p> + <p> + “She liked you, she liked you very much,” he said. “She told me she liked + you because you were quiet and melancholy. Oh Lord, though, she likes + everyone, I suppose! I believe I’d have a better chance with her if I + hadn’t always known her. I’m afraid that this damn Italian—I beg + your pardon, Ansolini!—” + </p> + <p> + “Ah, no,” I answered. “It is sometimes well said.” + </p> + <p> + “I’m afraid his picturesqueness as a Kentucky Colonel appeals to her too + much. And then he is new to her—a new type. She only met him in + Paris, and he had done some things in the Abyssinian war—” + </p> + <p> + “What is his rank?” I asked. + </p> + <p> + “He’s a prince. Cheap down this way; aren’t they? I only hope”—and + Poor Jr. made a groan—“it isn’t going to be the old story—and + that he’ll be good to her if he gets her.” + </p> + <p> + “Then it is not yet a betrothal?” + </p> + <p> + “Not yet. Mrs. Landry told me that Alice had liked him well enough to + promise she’d give him her answer before she sailed, and that it was going + to be yes. She herself said it was almost settled. That was just her way + of breaking it to me, I fear.” + </p> + <p> + “You have given up, my friend?” + </p> + <p> + “What else can I do? I can’t go on following her, keeping up this play at + second cousin, and she won’t have anything else. Ever since I grew up + she’s been rather sorrowful over me because I didn’t do anything but try + to amuse myself—that was one of the reasons she couldn’t care for + me, she said, when I asked her. Now this fellow wins, who hasn’t done + anything either, except his one campaign. It’s not that I ought to have + her, but while I suppose it’s a real fascination, I’m afraid there’s a + little glitter about being a princess. Even the best of our girls haven’t + got over that yet. Ah, well, about me she’s right. I’ve been a pretty + worthless sort. She’s right. I’ve thought it all over. Three days before + they sail we’ll go down to Naples and hear the last word, and whatever it + is we’ll see them off on the ‘Princess Irene.’ Then you and I’ll come + north and sail by the first boat from Cherbourg. + </p> + <p> + “I—I?” I stammered. + </p> + <p> + “Yes,” he said. “I’m going to make the aged parent shout with unmanly + glee. I’m going to ask him to take me on as a hand. He’ll take you, too. + He uses something like a thousand Italians, and a man to manage them who + can talk to them like a Dutch uncle is what he has always needed. He liked + you, and he’ll be glad to get you.” + </p> + <p> + He was a good friend, that Poor Jr., you see, and I shook the hand that he + offered me very hard, knowing how great would have been his embarrassment + had I embraced him in our own fashion. + </p> + <p> + “And perhaps you will sail on the ‘Princess Irene,’ after all,” I cried. + </p> + <p> + “No,” he shook his head sadly, “it will not happen. I have not been worth + it.” + </p> + <p> + <a name="link2HCH0007" id="link2HCH0007"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + Chapter Seven + </h2> + <p> + That Naples of mine is like a soiled coronet of white gems, sparkling only + from far away. But I love it altogether, near or far, and my heart would + have leaped to return to it for its own sake, but to come to it as we did, + knowing that the only lady in the world was there.... Again, this is one + of those things I possess no knowledge how to tell, and that those who + know do know. How I had longed for the time to come, how I had feared it, + how I had made pictures of it! + </p> + <p> + Yet I feared not so much as my friend, for he had a dim, small hope, and I + had none. How could I have? I—a man whose head had been painted? I—for + whom her great heart had sorrowed as for the thin, beaten cab-horses of + Paris! Hope? All I could hope was that she might never know, and I be left + with some little shred of dignity in her eyes! + </p> + <p> + Who cannot see that it was for my friend to fear? At times, with him, it + was despair, but of that brave kind one loves to see—never a quiver + of the lip, no winking of the eyes to keep tears back. And I, although of + a people who express everything in every way, I understood what passed + within him and found time to sorrow for him. + </p> + <p> + Most of all, I sorrowed for him as we waited for her on the terrace of the + Bertolini, that perch on the cliff so high that even the noises of the + town are dulled and mingle with the sound of the thick surf far below. + </p> + <p> + Across the city, and beyond, we saw, from the terrace, the old mountain of + the warm heart, smoking amiably, and the lights of Torre del Greco at its + feet, and there, across the bay, I beheld, as I had nightly so long ago, + the lamps of Castellamare, of Sorrento; then, after a stretch of water, a + twinkling which was Capri. How good it was to know that all these had not + taken advantage of my long absence to run away and vanish, as I had half + feared they would. Those who have lived here love them well; and it was a + happy thought that the beautiful lady knew them now, and shared them. I + had never known quite all their loveliness until I felt that she knew it + too. This was something that I must never tell her—yet what + happiness there was in it! + </p> + <p> + I stood close to the railing, with a rambling gaze over this enchanted + earth and sea and sky, while my friend walked nervously up and down behind + me. We had come to Naples in the late afternoon, and had found a note from + Mrs. Landry at our hotel, asking us for dinner. Poor Jr. had not spoken + more than twice since he had read me this kind invitation, but now I heard + a low exclamation from him, which let me know who was approaching; and + that foolish trembling got hold of me again as I turned. + </p> + <p> + Mrs. Landry came first, with outstretched hand, making some talk excusing + delay; and, after a few paces, followed the loveliest of all the world. + Beside her, in silhouette against the white window lights of the hotel, I + saw the very long, thin figure of a man, which, even before I recognized + it, carried a certain ominousness to my mind. + </p> + <p> + Mrs. Landry, in spite of her florid contentedness, had sometimes a + fluttering appearance of trivial agitations. + </p> + <p> + “The Prince came down from Rome this morning,” she said nervously, and I + saw my friend throw back his head like a man who declines the eye-bandage + when they are going to shoot him. “He is dining with us. I know you will + be glad to meet him.” + </p> + <p> + The beautiful lady took Poor Jr.‘s hand, more than he hers, for he seemed + dazed, in spite of the straight way he stood, and it was easy to behold + how white his face was. She made the presentation of us both at the same + time, and as the other man came into the light, my mouth dropped open with + wonder at the singular chances which the littleness of our world brings + about. + </p> + <p> + “Prince Caravacioli, Mr. Poor. And this is Signor Ansolini.” + </p> + <p> + It was my half-brother, that old Antonio! + </p> + <p> + <a name="link2HCH0008" id="link2HCH0008"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + Chapter Eight + </h2> + <p> + Never lived any person with more possession of himself than Antonio; he + bowed to each of us with the utmost amiability; and for expression—all + one saw of it was a little streak of light in his eye-glass. + </p> + <p> + “It is yourself, Raffaele?” he said to me, in the politest manner, in our + own tongue, the others thinking it some commonplace, and I knew by his + voice that the meeting was as surprising and as exasperating to him as to + me. + </p> + <p> + Sometimes dazzling flashes of light explode across the eyes of blind + people. Such a thing happened to my own, now, in the darkness. I found + myself hot all over with a certain rashness that came to me. I felt that + anything was possible if I would but dare enough. + </p> + <p> + “I am able to see that it is the same yourself!” I answered, and made the + faintest eye-turn toward Miss Landry. Simultaneously bowing, I let my hand + fall upon my pocket—a language which he understood, and for which + (the Blessed Mother be thanked!) he perceived that I meant to offer battle + immediately, though at that moment he offered me an open smile of + benevolence. He knew nothing of my new cause for war; there was enough of + the old! + </p> + <p> + The others were observing us. + </p> + <p> + “You have met?” asked the gentle voice of Miss Landry. “You know each + other?” + </p> + <p> + “Exceedingly!” I answered, bowing low to her. + </p> + <p> + “The dinner is waiting in our own salon,” said Mrs. Landry, interrupting. + She led the way with Antonio to an open door on the terrace where servants + were attending, and such a forest of flowers on the table and about the + room as almost to cause her escort to stagger; for I knew, when I caught + sight of them, that he had never been wise enough to send them. Neither + had Poor Jr. done it out of wisdom, but because of his large way of + performing everything, and his wish that loveliest things should be a + background for that lady. + </p> + <p> + Alas for him! Those great jars of perfume, orchids and hyacinths and + roses, almost shut her away from his vision. We were at a small round + table, and she directly in opposition to him. Upon her right was Antonio, + and my heart grew cold to see how she listened to him. + </p> + <p> + For Antonio could talk. At that time he spoke English even better than I, + though without some knowledge of the North-American idiom which my travels + with Poor Jr. had given me. He was one of those splendid egoists who seem + to talk in modesty, to keep themselves behind scenes, yet who, when the + curtain falls, are discovered to be the heroes, after all, though shown in + so delicate a fashion that the audience flatters itself in the discovery. + </p> + <p> + And how practical was this fellow, how many years he had been developing + his fascinations! I was the only person of that small company who could + have a suspicion that his moustache was dyed, that his hair was toupee, or + that hints of his real age were scorpions and adders to him. I should not + have thought it, if I had not known it. Here was my advantage: I had known + his monstrous vanity all my life. + </p> + <p> + So he talked of himself in his various surreptitious ways until coffee + came, Miss Landry listening eagerly, and my poor friend making no effort; + for what were his quiet United States absurdities compared to the + whole-world gaieties and Abyssinian adventures of this Othello, + particularly for a young girl to whom Antonio’s type was unfamiliar? For + the first time I saw my young man’s brave front desert him. His mouth + drooped, and his eyes had an appearance of having gazed long at a bright + light. I saw that he, unhappy one, was at last too sure what her answer + would be. + </p> + <p> + For myself, I said very little—I waited. I hoped and believed + Antonio would attack me in his clever, disguised way, for he had always + hated me and my dead brother, and he had never failed to prove himself too + skilful for us. In my expectancy of his assault there was no mistake. I + comprehended Antonio very well, and I knew that he feared I might seek to + do him an injury, particularly after my inspired speech and gesture upon + the terrace. Also, I felt that he would, if possible, anticipate my + attempt and strike first. I was willing; for I thought myself in + possession of his vulnerable point—never dreaming that he might know + my own! + </p> + <p> + At last when he, with the coffee and cigarettes, took the knife in his + hand, he placed a veil over the point. He began, laughingly, with the + picture of a pickpocket he had helped to catch in London. London was + greatly inhabited by pickpockets, according to Antonio’s declaration. Yet, + he continued, it was nothing in comparison to Paris. Paris was the + rendezvous, the world’s home, for the criminals, adventurers, and rascals + if the world, English, Spanish, South-Americans, North-Americans,—and + even Italians! One must beware of people one had met in Paris! + </p> + <p> + “Of course,” he concluded, with a most amiable smile, “there are many good + people there also. That is not to be forgotten. If I should dare to make a + risk on such a trifle, for instance, I would lay wager that you”—he + nodded toward Poor Jr.—“made the acquaintance of Ansolini in Paris?” + </p> + <p> + This was of the greatest ugliness in its underneath significance, though + the manner was disarming. Antonio’s smile was so cheerful, his eye-glass + so twinkling, that none of them could have been sure he truly meant + anything harmful of me, though Poor Jr. looked up, puzzled and frowning. + </p> + <p> + Before he could answer I pulled myself altogether, as they say, and leaned + forward, resting my elbows upon the table. “It is true,” and I tried to + smile as amiably as Antonio. “These coincidences occur. You meet all the + great frauds of the world in Paris. Was it not there”—I turned to + Mrs. Landry—“that you met the young Prince here?” + </p> + <p> + At this there was no mistaking that the others perceived. The secret + battle had begun and was not secret. I saw a wild gleam in Poor Jr.‘s + eyes, as if he comprehended that strange things were to come; but, ah, the + face of distress and wonder upon Mrs. Landry, who beheld the peace of both + a Prince and a dinner assailed; and, alas! the strange and hurt surprise + that came from the lady of the pongee! Let me not be a boastful fellow, + but I had borne her pity and had adored it—I could face her wonder, + even her scorn. + </p> + <p> + It was in the flash of her look that I saw my great chance and what I must + try to do. Knowing Antonio, it was as if I saw her falling into the deep + water and caught just one contemptuous glance from her before the waves + hid her. But how much juster should that contempt have been if I had not + tried to save her! + </p> + <p> + As for that old Antonio, he might have known enough to beware. I had been + timid with him always, and he counted on it now, but a man who has shown a + painted head-top to the people of Paris will dare a great deal. + </p> + <p> + “As the Prince says,” replied Mrs. Landry, with many flutters, “one meets + only the most agreeable people in Paris!” + </p> + <p> + “Paris!” I exclaimed. “Ah, that home of ingenuity! How they paint there! + How they live, and how they dye—their beards!” + </p> + <p> + You see how the poor Ansolini played the buffoon. I knew they feared it + was wine, I had been so silent until now; but I did not care, I was beyond + care. + </p> + <p> + “Our young Prince speaks truly,” I cried, raising my voice. “He is wise + beyond his years, this youth! He will be great when he reaches middle age, + for he knows Paris and understands North America! Like myself, he is + grateful that the people of your continent enrich our own! We need all + that you can give us! Where should we be—any of us” (I raised my + voice still louder and waved my hand to Antonio),—“where should we + be, either of us” (and I bowed to the others) “without you?” + </p> + <p> + Mrs. Landry rose with precipitousness, and the beautiful lady, very red, + followed. Antonio, unmistakably stung with the scorpions I had set upon + him, sprang to the door, the palest yellow man I have ever beheld, and let + the ladies pass before him. + </p> + <p> + The next moment I was left alone with Poor Jr. and his hyacinth trees. + </p> + <p> + <a name="link2HCH0009" id="link2HCH0009"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + Chapter Nine + </h2> + <p> + For several minutes neither of us spoke. Then I looked up to meet my + friend’s gaze of perturbation. + </p> + <p> + A waiter was proffering cigars. I took one, and waved Poor Jr.‘s hand away + from the box of which the waiter made offering. + </p> + <p> + “Do not remain!” I whispered, and I saw his sad perplexity. “I know her + answer has not been given. Will you present him his chance to receive it—just + when her sympathy must be stronger for him, since she will think he has + had to bear rudeness?” + </p> + <p> + He went out of the door quickly. + </p> + <p> + I dod not smoke. I pretended to, while the waiters made the arrangements + of the table and took themselves off. I sat there a long, long time + waiting for Antonio to do what I hoped I had betrayed him to do. + </p> + <p> + It befell at last. + </p> + <p> + Poor Jr. came to the door and spoke in his steady voice. “Ansolini, will + you come out here a moment?” + </p> + <p> + Then I knew that I had succeeded, had made Antonio afraid that I would do + the thing he himself, in a panic, had already done—speak evil of + another privately. + </p> + <p> + As I reached the door I heard him call out foolishly, “But Mr. Poor, I beg + you—” + </p> + <p> + Poor Jr. put his hand on my shoulder, and we walked out into the dark of + the terrace. Antonio was leaning against the railing, the beautiful lady + standing near. Mrs. Landry had sunk into a chair beside her daughter. No + other people were upon the terrace. + </p> + <p> + “Prince Caravacioli has been speaking of you,” said Poor Jr., very + quietly. + </p> + <p> + “Ah?” said I. + </p> + <p> + “I listened to what he said; then I told him that you were my friend, and + that I considered it fair that you should hear what he had to say. I will + repeat what he said, Ansolini. If I mistake anything, he can interrupt + me.” + </p> + <p> + Antonio laughed, and in such a way, so sincerely, so gaily, that I was + frightened. + </p> + <p> + “Very good!” he cried. “I am content. Repeat all.” + </p> + <p> + “He began,” Poor Jr. went on, quietly, though his hand gripped my shoulder + to almost painfulness,—“he began by saying to these ladies, in my + presence, that we should be careful not to pick up chance strangers to + dine, in Italy, and—and he went on to give me a repetition of his + friendly warning about Paris. He hinted things for a while, until I asked + him to say what he knew of you. Then he said he knew all about you; that + you were an outcast, a left-handed member of his own family, an adventurer—” + </p> + <p> + “It is finished, my friend,” I said, interrupting him, and gazed with all + my soul upon the beautiful lady. Her face was as white as Antonio’s or + that of my friend, or as my own must have been. She strained her eyes at + me fixedly; I saw the tears standing still in them, and I knew the moment + had come. + </p> + <p> + “This Caravacioli is my half-brother,” I said. + </p> + <p> + Antonio laughed again. “Of what kind!” + </p> + <p> + Oh, he went on so easily to his betrayal, not knowing the + United-Statesians and their sentiment, as I did. + </p> + <p> + “We had the same mother,” I continued, as quietly as I could. “Twenty + years after this young—this somewhat young—Prince was born she + divorced his father, Caravacioli, and married a poor poet, whose bust you + can see on the Pincian in Rome, though he died in the cheapest hotel in + Sienna when my true brother and I were children. This young Prince would + have nothing to do with my mother after her second marriage and—” + </p> + <p> + “Marriage!” Antonio laughed pleasantly again. He was admirable. “This is + an old tale which the hastiness of our American friend has forced us to + rehearse. The marriage was never recognized by the Vatican, and there was + not twenty years—” + </p> + <p> + “Antonio, it is the age which troubles you, after all!” I said, and + laughed heartily, loudly, and a long time, in the most good-natured way, + not to be undone as an actor. + </p> + <p> + “Twenty years,” I repeated. “But what of it? Some of the best men in the + world use dyes and false—” + </p> + <p> + At this his temper went away from him suddenly and completely. I had + struck the right point indeed! + </p> + <p> + “You cammorrista!” he cried, and became only himself, his hands gesturing + and flying, all his pleasant manner gone. “Why should we listen one second + more to such a fisherman! The very seiners of the bay who sell dried + sea-horses to the tourists are better gentlemen than you. You can shrug + your shoulders! I saw you in Paris, though you thought I did not! Oh, I + saw you well! Ah! At the Cafe de la Paiz!” + </p> + <p> + At this I cried out suddenly. The sting and surprise of it were more than + I could bear. In my shame I would even have tried to drown his voice with + babblings but after this one cry I could not speak for a while. He went on + triumphantly: + </p> + <p> + “This rascal, my dear ladies, who has persuaded you to ask him to dinner, + this camel who claims to be my excellent brother, he, for a few francs, in + Paris, shaved his head and showed it for a week to the people with an + advertisement painted upon it of the worst ballet in Paris. This is the + gentleman with whom you ask Caravacioli to dine!” + </p> + <p> + It was beyond my expectation, so astonishing and so cruel that I could + only look at him for a moment or two. I felt as one who dreams himself + falling forever. Then I stepped forward and spoke, in thickness of voice, + being unable to lift my head: + </p> + <p> + “Again it is true what he says. I was that man of the painted head. I had + my true brother’s little daughters to care for. They were at the convent, + and I owed for them. It was also partly for myself, because I was hungry. + I could find not any other way, and so—but that is all.” + </p> + <p> + I turned and went stumblingly away from them. + </p> + <p> + In my agony that she should know, I could do nothing but seek greater + darkness. I felt myself beaten, dizzy with beatings. That thing which I + had done in Paris discredited me. A man whose head-top had borne an + advertisement of the Folie-Rouge to think he could be making a combat with + the Prince Caravacioli! + </p> + <p> + Leaning over the railing in the darkest corner of the terrace, I felt my + hand grasped secondarily by that good friend of mine. + </p> + <p> + “God bless you!” whispered Poor Jr. + </p> + <p> + “On my soul, I believe he’s done himself. Listen!” + </p> + <p> + I turned. That beautiful lady had stepped out into the light from the + salon door. I could see her face shining, and her eyes—ah me, how + glorious they were! Antonio followed her. + </p> + <p> + “But wait,” he cried pitifully. + </p> + <p> + “Not for you!” she answered, and that voice of hers, always before so + gentle, rang out as the Roman trumpets once rang from this same cliff. + “Not for you! I saw him there with his painted head and I understood! You + saw him there, and you did nothing to help him! And the two little + children—your nieces, too,—and he your brother!” + </p> + <p> + Then my heart melted and I found myself choking, for the beautiful lady + was weeping. + </p> + <p> + “Not for you, Prince Caravacioli,” she cried, through her tears,—“Not + for you!” + </p> + <p> + <a name="link2HCH0010" id="link2HCH0010"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + Chapter Ten + </h2> + <p> + All of the beggars in Naples, I think, all of the flower-girls and boys, I + am sure, and all the wandering serenaders, I will swear, were under our + windows at the Vesuve, from six o’clock on the morning the “Princess + Irene” sailed; and there need be no wonder when it is known that Poor Jr. + had thrown handfuls of silver and five-lire notes from our balcony to + strolling orchestras and singers for two nights before. + </p> + <p> + They wakened us with “Addio, la bella Napoli, addio, addio!” sung to the + departing benefactor. When he had completed his toilet and his coffee, he + showed himself on the balcony to them for a moment. Ah! What a resounding + cheer for the signore, the great North-American nobleman! And how it + swelled to a magnificent thundering when another largess of his came + flying down among them! + </p> + <p> + Who could have reproved him? Not Raffaele Ansolini, who was on his knees + over the bags and rugs! I think I even made some prolongation of that + position, for I was far from assured of my countenance, that bright + morning. + </p> + <p> + I was not to sail in the “Princess Irene” with those dear friends. Ah no! + I had told them that I must go back to Paris to say good-bye to my little + nieces and sail from Boulogne—and I am sure they believed that was + my reason. I had even arranged to go away upon a train which would make it + not possible for me to drive to the dock with them. I did not wish to see + the boat carry them away from me. + </p> + <p> + And so the farewells were said in the street in all that crowd. Poor Jr. + and I were waiting at the door when the carriage galloped up. How the + crowd rushed to see that lady whom it bore to us, blushing and laughing! + Clouds of gold-dust came before my eyes again; she wore once more that + ineffable grey pongee! + </p> + <p> + Servants ran forward with the effects of Poor Jr. and we both sprang + toward the carriage. + </p> + <p> + A flower-girl was offering a great basket of loose violets. Poor Jr. + seized it and threw them like a blue rain over the two ladies. + </p> + <p> + “Bravo! Bravo!” + </p> + <p> + A hundred bouquets showered into the carriage, and my friend’s silver went + out in another shower to meet them. + </p> + <p> + “Addio, la bella Napoli!” came from the singers and the violins, but I + cried to them for “La Luna Nova.” + </p> + <p> + “Good-bye—for a little while—good-bye!” + </p> + <p> + I knew how well my friend liked me, because he shook my hand with his head + turned away. Then the grey glove of the beautiful lady touched my shoulder—the + lightest touch in all the world—as I stood close to the carriage + while Poor Jr. climbed in. + </p> + <p> + “Good-bye. Thank you—and God bless you!” she said, in a low voice. + And I knew for what she thanked me. + </p> + <p> + The driver cracked his whip like an honest Neapolitan. The horses sprang + forward. “Addio, addio!” + </p> + <p> + I sang with the musicians, waving and waving and waving my handkerchief to + the departing carriage. + </p> + <p> + Now I saw my friend lean over and take the beautiful lady by the hand, and + together they stood up in the carriage and waved their handkerchiefs to + me. Then, but not because they had passed out of sight, I could see them + not any longer. + </p> + <p> + They were so good—that kind Poor Jr. and the beautiful lady; they + seemed like dear children—as if they had been my own dear children. + </p> + <p> + THE END <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of The Beautiful Lady, by Booth Tarkington + +*** END OF THIS PROJECT GUTENBERG EBOOK THE BEAUTIFUL LADY *** + +***** This file should be named 5798-h.htm or 5798-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/5/7/9/5798/ + +Produced by An Anonymous Volunteer, and David Widger + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm’s +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state’s laws. + +The Foundation’s principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation’s web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> diff --git a/5798.txt b/5798.txt new file mode 100644 index 0000000..557f7c4 --- /dev/null +++ b/5798.txt @@ -0,0 +1,2173 @@ +The Project Gutenberg EBook of The Beautiful Lady, by Booth Tarkington + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Beautiful Lady + +Author: Booth Tarkington + +Release Date: May, 2004 [EBook #5798] +Posting Date: March 24, 2009 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE BEAUTIFUL LADY *** + + + + +Produced by An Anonymous Volunteer + + + + + + + +THE BEAUTIFUL LADY + +By Booth Tarkington + + + + +Chapter One + + +Nothing could have been more painful to my sensitiveness than to occupy +myself, confused with blushes, at the center of the whole world as a +living advertisement of the least amusing ballet in Paris. + +To be the day's sensation of the boulevards one must possess an +eccentricity of appearance conceived by nothing short of genius; and my +misfortunes had reduced me to present such to all eyes seeking mirth. It +was not that I was one of those people in uniform who carry placards and +strange figures upon their backs, nor that my coat was of rags; on the +contrary, my whole costume was delicately rich and well chosen, of soft +grey and fine linen (such as you see worn by a marquis in the pe'sage +at Auteuil) according well with my usual air and countenance, sometimes +esteemed to resemble my father's, which were not wanting in distinction. + +To add to this my duties were not exhausting to the body. I was required +only to sit without a hat from ten of the morning to midday, and from +four until seven in the afternoon, at one of the small tables under +the awning of the Cafe' de la Paix at the corner of the Place de +l'Opera--that is to say, the centre of the inhabited world. In the +morning I drank my coffee, hot in the cup; in the afternoon I sipped it +cold in the glass. I spoke to no one; not a glance or a gesture of mine +passed to attract notice. + +Yet I was the centre of that centre of the world. All day the crowds +surrounded me, laughing loudly; all the voyous making those jokes for +which I found no repartee. The pavement was sometimes blocked; the +passing coachmen stood up in their boxes to look over at me, small +infants were elevated on shoulders to behold me; not the gravest or +most sorrowful came by without stopping to gaze at me and go away +with rejoicing faces. The boulevards rang to their laughter--all Paris +laughed! + +For seven days I sat there at the appointed times, meeting the eye +of nobody, and lifting my coffee with fingers which trembled with +embarrassment at this too great conspicuosity! Those mournful hours +passed, one by the year, while the idling bourgeois and the travellers +made ridicule; and the rabble exhausted all effort to draw plays of wit +from me. + +I have told you that I carried no placard, that my costume was elegant, +my demeanour modest in all degree. + +"How, then, this excitement?" would be your disposition to inquire. "Why +this sensation?" + +It is very simple. My hair had been shaved off, all over my ears, +leaving only a little above the back of the neck, to give an appearance +of far-reaching baldness, and on my head was painted, in ah! so +brilliant letters of distinctness: + + Theatre + + Folie-Rouge + + Revue + + de + + Printemps + + Tous les Soirs + +Such was the necessity to which I was at that time reduced! One has +heard that the North Americans invent the most singular advertising, +but I will not believe they surpass the Parisian. Myself, I say I cannot +express my sufferings under the notation of the crowds that moved about +the Cafe' de la Paix! The French are a terrible people when they +laugh sincerely. It is not so much the amusing things which cause +them amusement; it is often the strange, those contrasts which contain +something horrible, and when they laugh there is too frequently some +person who is uncomfortable or wicked. I am glad that I was born not a +Frenchman; I should regret to be native to a country where they invent +such things as I was doing in the Place de l'Opera; for, as I tell you, +the idea was not mine. + +As I sat with my eyes drooping before the gaze of my terrible and +applauding audiences, how I mentally formed cursing words against the +day when my misfortunes led me to apply at the Theatre Folie-Rouge for +work! I had expected an audition and a role of comedy in the Revue; for, +perhaps lacking any experience of the stage, I am a Neapolitan by birth, +though a resident of the Continent at large since the age of fifteen. +All Neapolitans can act; all are actors; comedians of the greatest, +as every traveller is cognizant. There is a thing in the air of +our beautiful slopes which makes the people of a great instinctive +musicalness and deceptiveness, with passions like those burning in +the old mountain we have there. They are ready to play, to sing--or to +explode, yet, imitating that amusing Vesuvio, they never do this last +when you are in expectancy, or, as a spectator, hopeful of it. + +How could any person wonder, then, that I, finding myself suddenly +destitute in Paris, should apply at the theatres? One after another, +I saw myself no farther than the director's door, until (having had no +more to eat the day preceding than three green almonds, which I took +from a cart while the good female was not looking) I reached the +Folie-Rouge. Here I was astonished to find a polite reception from the +director. It eventuated that they wished for a person appearing like +myself a person whom they would outfit with clothes of quality in all +parts, whose external presented a gentleman of the great world, not +merely of one the galant-uomini, but who would impart an air to a table +at a cafe' where he might sit and partake. The contrast of this with +the emplacement of the establishment on his bald head-top was to be the +success of the idea. It was plain that I had no baldness, my hair being +very thick and I but twenty-four years of age, when it was explained +that my hair could be shaved. They asked me to accept, alas! not a part +in the Revue, but a specialty as a sandwich-man. Knowing the English +tongue as I do, I may afford the venturesomeness to play upon it +a little: I asked for bread, and they offered me not a role, but a +sandwich! + +It must be undoubted that I possessed not the disposition to make any +fun with my accomplishments during those days that I spent under the +awning of the Cafe' de la Paix. I had consented to be the advertisement +in greatest desperation, and not considering what the reality would be. +Having consented, honour compelled that I fulfil to the ending. Also, +the costume and outfittings I wore were part of my emolument. They had +been constructed for me by the finest tailor; and though I had impulses, +often, to leap up and fight through the noisy ones about me and run far +to the open country, the very garments I wore were fetters binding me to +remain and suffer. It seemed to me that the hours were spent not in the +centre of a ring of human persons, but of un-well-made pantaloons and +ugly skirts. Yet all of these pantaloons and skirts had such scrutinous +eyes and expressions of mirth to laugh like demons at my conscious, +burning, painted head; eyes which spread out, astonished at the sight +of me, and peered and winked and grinned from the big wrinkles above +the gaiters of Zouaves, from the red breeches of the gendarmes, the +knickerbockers of the cyclists, the white ducks of sergents de ville, +and the knees of the boulevardiers, bagged with sitting cross-legged at +the little tables. I could not escape these eyes;--how scornfully they +twinkled at me from the spurred and glittering officers' boots! How with +amaze from the American and English trousers, both turned up and creased +like folded paper, both with some dislike for each other but for all +other trousers more. + +It was only at such times when the mortifications to appear so greatly +embarrassed became stronger than the embarrassment itself that I could +by will power force my head to a straight construction and look out +upon my spectators firmly. On the second day of my ordeal, so facing +the laughers, I found myself facing straight into the monocle of my +half-brother and ill-wisher, Prince Caravacioli. + +At this, my agitation was sudden and very great, for there was no one +I wished to prevent perceiving my condition more than that old Antonio +Caravacioli! I had not known that he was in Paris, but I could have no +doubt it was himself: the monocle, the handsome nose, the toupee', +the yellow skin, the dyed-black moustache, the splendid height--it was +indeed Caravacioli! He was costumed for the automobile, and threw but +one glance at me as he crossed the pavement to his car, which was in +waiting. There was no change, not of the faintest, in that frosted +tragic mask of a countenance, and I was glad to think that he had not +recognized me. + +And yet, how strange that I should care, since all his life he had +declined to recognize me as what I was! Ah, I should have been glad to +shout his age, his dyes, his artificialities, to all the crowd, so to +touch him where it would most pain him! For was he not the vainest man +in the whole world? How well I knew his vulnerable point: the monstrous +depth of his vanity in that pretense of youth which he preserved through +superhuman pains and a genius of a valet, most excellently! I had much +to pay Antonio for myself, more for my father, most for my mother. +This was why that last of all the world I would have wished that old +fortune-hunter to know how far I had been reduced! + +Then I rejoiced about that change which my unreal baldness produced in +me, giving me a look of forty years instead of twenty-four, so that +my oldest friend must take at least three stares to know me. Also, my +costume would disguise me from the few acquaintances I had in Paris +(if they chanced to cross the Seine), as they had only seen me in the +shabbiest; while, at my last meeting with Antonio, I had been as fine in +the coat as now. + +Yet my encouragement was not so joyful that my gaze lifted often. On +the very last day, in the afternoon when my observances were most and +noisiest, I lifted my eyes but once during the final half-hour--but such +a one that was! + +The edge of that beautiful grey pongee skirt came upon the lid of my +lowered eyelid like a cool shadow over hot sand. A sergent had just made +many of the people move away, so there remained only a thin ring of +the laughing pantaloons about me, when this divine skirt presented its +apparition to me. A pair of North-American trousers accompanied it, +turned up to show the ankle-bones of a rich pair of stockings; neat, +enthusiastic and humorous, I judged them to be; for, as one may +discover, my only amusement during my martyrdom--if this misery can +be said to possess such alleviatings--had been the study of feet, +pantaloons, and skirts. The trousers in this case detained my +observation no time. They were but the darkest corner of the chiaroscuro +of a Rembrandt--the mellow glow of gold was all across the grey skirt. + +How shall I explain myself, how make myself understood? Shall I be +thought sentimentalistic or but mad when I declare that my first +sight of the grey pongee skirt caused me a thrill of excitation, of +tenderness, and--oh-i-me!--of self-consciousness more acute than all my +former mortifications. It was so very different from all other skirts +that had shown themselves to me those sad days, and you may understand +that, though the pantaloons far outnumbered the skirts, many hundreds of +the latter had also been objects of my gloomy observation. + +This skirt, so unlike those which had passed, presented at once the +qualifications of its superiority. It had been constructed by an artist, +and it was worn by a lady. It did not pine, it did not droop; there was +no more an atom of hanging too much than there was a portion inflated +by flamboyancy; it did not assert itself; it bore notice without +seeking it. Plain but exquisite, it was that great rarity--goodness made +charming. + +The peregrination of the American trousers suddenly stopped as they +caught sight of me, and that precious skirt paused, precisely in +opposition to my little table. I heard a voice, that to which the +skirt pertained. It spoke the English, but not in the manner of the +inhabitants of London, who seem to sing undistinguishably in their +talking, although they are comprehensible to each other. To an Italian +it seems that many North-Americans and English seek too often the +assistance of the nose in talking, though in different manners, each +equally unagreeable to our ears. The intelligent among our lazzaroni +of Naples, who beg from tourists, imitate this, with the purpose of +reminding the generous traveller of his home, in such a way to soften +his heart. But there is some difference: the Italian, the Frenchman, +or German who learns English sometimes misunderstands the American: the +Englishman he sometimes understands. + +This voice that spoke was North-American. Ah, what a voice! Sweet as the +mandolins of Sorento! Clear as the bells of Capri! To hear it, was like +coming upon sight of the almond-blossoms of Sicily for the first time, +or the tulip-fields of Holland. Never before was such a voice! + +"Why did you stop, Rufus?" it said. + +"Look!" replied the American trousers; so that I knew the pongee lady +had not observed me of herself. + +Instantaneously there was an exclamation, and a pretty grey parasol, +closed, fell at my feet. It is not the pleasantest to be an object which +causes people to be startled when they behold you; but I blessed the +agitation of this lady, for what caused her parasol to fall from her +hand was a start of pity. + +"Ah!" she cried. "The poor man!" + +She had perceived that I was a gentleman. + +I bent myself forward and lifted the parasol, though not my eyes I could +not have looked up into the face above me to be Caesar! Two hands came +down into the circle of my observation; one of these was that belonging +to the trousers, thin, long, and white; the other was the grey-gloved +hand of the lady, and never had I seen such a hand--the hand of an angel +in a suede glove, as the grey skirt was the mantle of a saint made by +Doucet. I speak of saints and angels; and to the large world these may +sound like cold words.--It is only in Italy where some people are found +to adore them still. + +I lifted the parasol toward that glove as I would have moved to set a +candle on an altar. Then, at a thought, I placed it not in the glove, +but in the thin hand of the gentleman. At the same time the voice of the +lady spoke to me--I was to have the joy of remembering that this voice +had spoken four words to me. + +"Je vous remercie, monsieur," it said. + +"Pas de quoi!" I murmured. + +The American trousers in a loud tone made reference in the idiom to my +miserable head: "Did you ever see anything to beat it?" + +The beautiful voice answered, and by the gentleness of her sorrow for me +I knew she had no thought that I might understand. "Come away. It is too +pitiful!" + +Then the grey skirt and the little round-toed shoes beneath it passed +from my sight, quickly hidden from me by the increasing crowd; yet I +heard the voice a moment more, but fragmentarily: "Don't you see how +ashamed he is, how he must have been starving before he did that, or +that someone dependent on him needed--" + +I caught no more, but the sweetness that this beautiful lady understood +and felt for the poor absurd wretch was so great that I could have wept. +I had not seen her face; I had not looked up--even when she went. + +"Who is she?" cried a scoundrel voyous, just as she turned. "Madame of +the parasol? A friend of monsieur of the ornamented head?" + +"No. It is the first lady in waiting to his wife, Madame la Duchesse," +answered a second. "She has been sent with an equerry to demand of +monseigneur if he does not wish a little sculpture upon his dome as well +as the colour decorations!" + +"'Tis true, my ancient?" another asked of me. + +I made no repartee, continuing to sit with my chin dependent upon my +cravat, but with things not the same in my heart as formerly to the +arrival of that grey pongee, the grey glove, and the beautiful voice. + +Since King Charles the Mad, in Paris no one has been completely free +from lunacy while the spring-time is happening. There is something in +the sun and the banks of the Seine. The Parisians drink sweet and fruity +champagne because the good wines are already in their veins. These +Parisians are born intoxicated and remain so; it is not fair play to +require them to be like other human people. Their deepest feeling is +for the arts; and, as everyone had declared, they are farceurs in their +tragedies, tragic in their comedies. They prepare the last epigram in +the tumbril; they drown themselves with enthusiasm about the alliance +with Russia. In death they are witty; in war they have poetic spasms; in +love they are mad. + +The strangest of all this is that it is not only the Parisians who are +the insane ones in Paris; the visitors are none of them in behaviour as +elsewhere. You have only to go there to become as lunatic as the rest. +Many travellers, when they have departed, remember the events they have +caused there as a person remembers in the morning what he has said and +thought in the moonlight of the night. + +In Paris it is moonlight even in the morning; and in Paris one falls in +love even more strangely than by moonlight. + +It is a place of glimpses: a veil fluttering from a motor-car, a little +lace handkerchief fallen from a victoria, a figure crossing a lighted +window, a black hat vanishing in the distance of the avenues of the +Tuileries. A young man writes a ballade and dreams over a bit of lace. +Was I not, then, one of the least extravagant of this mad people? Men +have fallen in love with photographs, those greatest of liars; was I +so wild, then, to adore this grey skirt, this small shoe, this divine +glove, the golden-honey voice--of all in Paris the only one to pity and +to understand? Even to love the mystery of that lady and to build my +dreams upon it?--to love all the more because of the mystery? Mystery +is the last word and the completing charm to a young man's passion. Few +sonnets have been written to wives whose matrimony is more than five +years of age--is it not so? + + + +Chapter Two + + +When my hour was finished and I in liberty to leave that horrible +corner, I pushed out of the crowd and walked down the boulevard, my +hat covering my sin, and went quickly. To be in love with my mystery, I +thought, that was a strange happiness! It was enough. It was romance! To +hear a voice which speaks two sentences of pity and silver is to have a +chime of bells in the heart. But to have a shaven head is to be a monk! +And to have a shaven head with a sign painted upon it is to be a pariah. +Alas! I was a person whom the Parisians laughed at, not with! + +Now that at last my martyrdom was concluded, I had some shuddering, as +when one places in his mouth a morsel of unexpected flavour. I wondered +where I had found the courage to bear it, and how I had resisted hurling +myself into the river, though, as is known, that is no longer safe, for +most of those who attempt it are at once rescued, arrested, fined, and +imprisoned for throwing bodies into the Seine, which is forbidden. + +At the theatre the frightful badge was removed from my head-top and I +was given three hundred francs, the price of my shame, refusing an offer +to repeat the performance during the following week. To imagine such +a thing made me a choking in my throat, and I left the bureau in some +sickness. This increased so much (as I approached the Madeleine, where +I wished to mount an omnibus) that I entered a restaurant and drank a +small glass of cognac. Then I called for writing-papers and wrote to +the good Mother Superior and my dear little nieces at their convent. I +enclosed two hundred and fifty francs, which sum I had fallen behind in +my payments for their education and sustenance, and I felt a moment's +happiness that at least for a while I need not fear that my poor +brother's orphans might become objects of charity--a fear which, +accompanied by my own hunger, had led me to become the joke of the +boulevards. + +Feeling rich with my remaining fifty francs, I ordered the waiter to +bring me a goulasch and a carafe of blond beer, after the consummation +of which I spent an hour in the reading of a newspaper. Can it be +credited that the journal of my perusement was the one which may be +called the North-American paper of the aristocracies of Europe? Also, it +contains some names of the people of the United States at the hotels and +elsewhere. + +How eagerly I scanned those singular columns! Shall I confess to what +purpose? I read the long lists of uncontinental names over and over, but +I lingered not at all upon those like "Muriel," "Hermione," +"Violet," and "Sibyl," nor over "Balthurst," "Skeffington-Sligo," and +"Covering-Legge"; no, my search was for the Sadies and Mamies, the +Thompsons, Van Dusens, and Bradys. In that lies my preposterous secret. + +You will see to what infatuation those words of pity, that sense of a +beautiful presence, had led me. To fall in love must one behold a face? +Yes; at thirty. At twenty, when one is something of a poet--No: it +is sufficient to see a grey pongee skirt! At fifty, when one is a +philosopher--No: it is enough to perceive a soul! I had done both; I +had seen the skirt; I had perceived the soul! Therefore, while hungry, I +neglected my goulasch to read these lists of names of the United +States again and again, only that I might have the thought that one +of them--though I knew not which--might be this lady's, and that in so +infinitesimal a degree I had been near her again. Will it be estimated +extreme imbecility in me when I ventured the additional confession that +I felt a great warmth and tenderness toward the possessors of all these +names, as being, if not herself, at least her compatriots? + +I am now brought to the admission that before to-day I had experienced +some prejudices against the inhabitants of the North-American republic, +though not on account of great experience of my own. A year previously I +had made a disastrous excursion to Monte Carlo in the company of a +young gentleman of London who had been for several weeks in New York and +Washington and Boston, and appeared to know very much of the country. +He was never anything but tired in speaking of it, and told me a +great amount. He said many times that in the hotels there was never a +concierge or portier to give you information where to discover the best +vaudeville; there was no concierge at all! In New York itself, my +friend told me, a facchino, or species of porter, or some such +good-for-nothing, had said to him, including a slap on the shoulder, +"Well, brother, did you receive your delayed luggage correctly?" (In +this instance my studies of the North-American idiom lead me to +believe that my friend was intentionally truthful in regard to the +principalities, but mistaken in his observation of detail.) He declared +the recent willingness of the English to take some interest in the +United-Statesians to be a mistake; for their were noisy, without real +confidence in themselves; they were restless and merely imitative +instead of inventive. He told me that he was not exceptional; all +Englishmen had thought similarly for fifty or sixty years; therefore, +naturally, his opinion carried great weight with me. And myself, to my +astonishment, I had often seen parties of these republicans become all +ears and whispers when somebody called a prince or a countess passed +by. Their reverence for age itself, in anything but a horse, had often +surprised me by its artlessness, and of all strange things in the world, +I have heard them admire old customs and old families. It was strange to +me to listen, when I had believed that their land was the only one +where happily no person need worry to remember who had been his +great-grandfather. + +The greatest of my own had not saved me from the decoration of the +past week, yet he was as much mine as he was Antonio Caravacioli's; and +Antonio, though impoverished, had his motor-car and dined well, since +I happened to see, in my perusal of the journal, that he had been to +dinner the evening before at the English Embassy with a great company. +"Bravo, Antonio! Find a rich foreign wife if you can, since you cannot +do well for yourself at home!" And I could say so honestly, without +spite, for all his hatred of me,--because, until I had paid my addition, +I was still the possessor of fifty francs! + +Fifty francs will continue life in the body of a judicial person a long +time in Paris, and combining that knowledge and the good goulasch, I +sought diligently for "Mamies" and "Sadies" with a revived spirit. +I found neither of those adorable names--in fact, only two such +diminutives, which are more charming than our Italian ones: A Miss +Jeanie Archibald Zip and a Miss Fannie Sooter. None of the names was +harmonious with the grey pongee--in truth, most of them were no prettier +(however less processional) than royal names. I could not please myself +that I had come closer to the rare lady; I must be contented that the +same sky covered us both, that the noise of the same city rang in her +ears as mine. + +Yet that was a satisfaction, and to know that it was true gave me +mysterious breathlessness and made me hear fragments of old songs during +my walk that night. I walked very far, under the trees of the Bois, +where I stopped for a few moments to smoke a cigarette at one of the +tables outside, at Armenonville. + +None of the laughing women there could be the lady I sought; and as my +refusing to command anything caused the waiter uneasiness, in spite of +my prosperous appearance, I remained but a few moments, then trudged on, +all the long way to the Cafe' de Madrid, where also she was not. + +How did I assure myself of this since I had not seen her face? I cannot +tell you. Perhaps I should not have known her; but that night I was sure +that I should. + +Yes, as sure of that as I was sure that she was beautiful! + + + +Chapter Three + + +Early the whole of the next day, endeavoring to look preoccupied, I +haunted the lobbies and vicinity of the most expensive hotels, unable to +do any other thing, but ashamed of myself that I had not returned to +my former task of seeking employment, although still reassured by +possession of two louis and some silver, I dined well at a one-franc +coachman's restaurant, where my elegance created not the slightest +surprise, and I felt that I might live in this way indefinitely. + +However, dreams often conclude abruptly, and two louis always do, as +I found, several days later, when, after paying the rent for my +unspeakable lodging and lending twenty francs to a poor, bad painter, +whom I knew and whose wife was ill, I found myself with the choice of +obtaining funds on my finery or not eating, either of which I was very +loath to do. It is not essential for me to tell any person that when you +seek a position it is better that you appear not too greatly in need +of it; and my former garments had prejudiced many against me, I fear, +because they had been patched by a friendly concierge. Pantaloons suffer +as terribly as do antiques from too obvious restorations; and while I +was only grateful to the good woman's needle (except upon one occasion +when she forgot to remove it), my costume had reached, at last, great +sympathies for the shade of Praxiteles, feeling the same melancholy over +original intentions so far misrepresented by renewals. + +Therefore I determined to preserve my fineries to the uttermost; and +it was fortunate that I did so; because, after dining, for three nights +upon nothing but looking out of my window, the fourth morning brought me +a letter from my English friend. I had written to him, asking if he knew +of any people who wished to pay a salary to a young man who knew how to +do nothing. I place his reply in direct annexation: + +"Henrietta Street, Cavendish Square, May 14. + +"My dear Ansolini,--Why haven't you made some of your relatives do +something? I understand that they do not like you; neither do my own, +but after our crupper at Monte Carlo what could mine do, except provide? +If a few pounds (precious few, I fear!) be of any service to you, let +me know. In the mean time, if you are serious about a position, I +may, preposterously enough, set you in the way of it. There is an old +thundering Yankee here, whom I met in the States, and who believed me a +god because I am the nephew of my awful uncle, for whose career he +has ever had, it appears, a life-long admiration, sir! Now, by chance, +meeting this person in the street, it developed that he had need of +a man, precisely such a one as you are not: a sober, tutorish, +middle-aged, dissenting parson, to trot about the Continent tied to a +dancing bear. It is the old gentleman's cub, who is a species of Caliban +in fine linen, and who has taken a few too many liberties in the land +of the free. In fact, I believe he is much a youth of my own kind with +similar admiration for baccarat and good cellars. His father must return +at once, and has decided (the cub's native heath and friends being too +wild) to leave him in charge of a proper guide, philosopher, courier, +chaplain, and friend, if such can be found, the same required to travel +with the cub and keep him out of mischief. I thought of your letter +directly, and I have given you the most tremendous recommendation--part +of it quite true, I suspect, though I am not a judge of learning. I +explained, however, that you are a master of languages, of elegant +though subdued deportment, and I extolled at length your saintly habits. +Altogether, I fear there may have been too much of the virtuoso in my +interpretation of you; few would have recognized from it the gentleman +who closed a table at Monte Carlo and afterwards was closed himself in +the handsome and spectacular fashion I remember with both delight and +regret. Briefly, I lied like a master. He almost had me in the matter of +your age; it was important that you should be middle-aged. I swore that +you were at least thirty-eight, but, owing to exemplary habits, looked +very much younger. The cub himself is twenty-four. + +"Hence, if you are really serious and determined not to appeal to your +people, call at once upon Mr. Lambert R. Poor, of the Hotel d'Iena. He +is the father, and the cub is with him. The elder Yankee is primed with +my praises of you, and must engage someone at once, as he sails in a day +or two. Go--with my blessing, an air of piety, and as much age as you +can assume. When the father has departed, throw the cub into the Seine, +but preserve his pocket-book, and we shall have another go at those +infernal tables. Vale! J.G.S." + +I found myself smiling--I fear miserably--over this kind letter, +especially at the wonder of my friend that I had not appealed to my +relatives. The only ones who would have liked to help me, if they had +known I needed something, were my two little nieces who were in my own +care; because my father, being but a poet, had no family, and my mother +had lost hers, even her eldest son, by marrying my father. After that +they would have nothing to do with her, nor were they asked. That +rascally old Antonio was now the head of all the Caravacioli, as was I +of my own outcast branch of our house--that is, of my two little nieces +and myself. It was partly of these poor infants I had thought when I +took what was left of my small inheritance to Monte Carlo, hoping, since +I seemed to be incapable of increasing it in any other way, that number +seventeen and black would hand me over a fortune as a waiter does wine. +Alas! Luck is not always a fool's servant, and the kind of fortune she +handed me was of that species the waiter brings you in the other bottle +of champagne, the gold of a bubbling brain, lasting an hour. After +this there is always something evil to one's head, and mine, alas! was +shaved. + +Half an hour after I had read the letter, the little paper-flower +makers in the attic window across from mine may have seen me shaving +it--without pleasure--again. What else was I to do? I could not +well expect to be given the guardianship of an erring young man if I +presented myself to his parent as a gentleman who had been sitting at +the Cafe' de la Paix with his head painted. I could not wear my hat +through the interview. I could not exhibit the thick five days' stubble, +to appear in contrast with the heavy fringe that had been spared;--I +could not trim the fringe to the shortness of the stubble; I should +have looked like Pierrot. I had only, then, to remain bald, and, if +I obtained the post, to shave in secret--a harmless and mournful +imposition. + +It was well for me that I came to this determination. I believe it was +the appearance of maturity which my head and dining upon thoughts lent +me, as much as my friend's praises, which created my success with the +amiable Mr. Lambert R. Poor. I witness that my visit to him provided +one of the most astonishing interviews of my life. He was an instance of +those strange beings of the Western republic, at whom we are perhaps too +prone to pass from one of ourselves to another the secret smile, because +of some little imperfections of manner. It is a type which has grown +more and more familiar to us, yet never less strange: the man in costly +but severe costume, big, with a necessary great waistcoat, not noticing +the loudness of his own voice; as ignorant of the thousand tiny things +which we observe and feel as he would be careless of them (except for +his wife) if he knew. We laugh at him, sometimes even to his face, and +he does not perceive it. We are a little afraid that he is too large +to see it; hence too large for us to comprehend, and in spite of our +laughter we are always conscious of a force--yes, of a presence! We jeer +slyly, but we respect, fear a little, and would trust. + +Such was my patron. He met me with a kind greeting, looked at me very +earnestly, but smiling as if he understood my good intentions, as one +understands the friendliness of a capering poodle, yet in such a way +that I could not feel resentment, for I could see that he looked at +almost everyone in the same fashion. + +My friend had done wonders for me; and I made the best account of myself +that I could, so that within half an hour it was arranged that I +should take charge of his son, with an honourarium which gave me great +rejoicing for my nieces and my accumulated appetite. + +"I think I can pick men," he said, "and I think that you are the man I +want. You're old enough and you've seen enough, and you know enough to +keep one fool boy in order for six months." + +So frankly he spoke of his son, yet not without affection and +confidence. Before I left, he sent for the youth himself, Lambert R. +Poor, Jr.,--not at all a Caliban, but a most excellent-appearing, tall +gentleman, of astonishingly meek countenance. He gave me a sad, slow +look from his blue eyes at first; then with a brightening smile he +gently shook my hand, murmuring that he was very glad in the prospect +of knowing me better; after which the parent defined before him, with +singular elaboration, my duties. I was to correct all things in his +behaviour which I considered improper or absurd. I was to dictate the +line of travel, to have a restraining influence upon expenditures; in +brief, to control the young man as a governess does a child. + +To all of his parent's instructions Poor Jr. returned a dutiful nod and +expressed perfect acquiescence. The following day the elder sailed from +Cherbourg, and I took up my quarters with the son. + + + +Chapter Four + + +It is with the most extreme mortification that I record my ensuing +experiences, for I felt that I could not honourably accept my salary +without earning it by carrying out the parent Poor's wishes. That first +morning I endeavoured to direct my pupil's steps toward the Musee de +Cluny, with the purpose of inciting him to instructive study; but in the +mildest, yet most immovable manner, he proposed Longchamps and the races +as a substitute, to conclude with dinner at La Cascade and supper at +Maxim's or the Cafe' Blanche, in case we should meet engaging company. +I ventured the vainest efforts to reason with him, making for myself +a very uncomfortable breakfast, though without effect upon him of any +visibility. His air was uninterruptedly mild and modest; he rarely +lifted his eyes, but to my most earnest argument replied only by +ordering more eggs and saying in a chastened voice: + +"Oh no; it is always best to begin school with a vacation. To +Longchamps--we!" + +I should say at once that through this young man I soon became +an amateur of the remarkable North-American idioms, of humour and +incomparable brevities often more interesting than those evolved by the +thirteen or more dialects of my own Naples. Even at our first breakfast +I began to catch lucid glimpses of the intention in many of his almost +incomprehensible statements. I was able, even, to penetrate his meaning +when he said that although he was "strong for aged parent," he himself +had suffered much anguish from overwork of the "earnest youth racquette" +in his late travels, and now desired to "create considerable trouble for +Paris." + +Naturally, I did not wish to begin by antagonizing my pupil--an +estrangement at the commencement would only lead to his deceiving me, or +a continued quarrel, in which case I should be of no service to my +kind patron, so that after a strained interval I considered it best to +surrender. + +We went to Longchamps. + +That was my first mistake; the second was to yield to him concerning +the latter part of his programme; but opposition to Mr. Poor, Jr. had +a curious effect of inutility. He had not in the least the air of +obstinacy,--nothing could have been less like rudeness; he neither +frowned not smiled; no, he did not seem even to be insisting; on +the contrary, never have I beheld a milder countenance, nor heard a +pleasanter voice; yet the young man was so completely baffling in his +mysterious way that I considered him unique to my experience. + +Thus, when I urged him not to place large wagers in the pesage, his +whispered reply was strange and simple--"Watch me!" This he conclusively +said as he deposited another thousand-franc note, which, within a few +moments, accrued to the French government. + + +Longchamps was but the beginning of a series of days and nights +which wore upon my constitution--not indeed with the intensity of +mortification which my former conspicuosity had engendered, yet my +sorrows were stringent. It is true that I had been, since the age of +seventeen, no stranger to the gaieties and dissipations afforded by the +capitals of Europe; I may say I had exhausted these, yet always with +some degree of quiet, including intervals of repose. I was tired of all +the great foolishnesses of youth, and had thought myself done with them. +Now I found myself plunged into more uproarious waters than I had ever +known I, who had hoped to begin a life of usefulness and peace, was +forced to dwell in the midst of a riot, pursuing my extraordinary +charge. + +There is no need that I should describe those days and nights. They +remain in my memory as a confusion of bad music, crowds, motor-cars and +champagne of which Poor Jr. was a distributing centre. He could never be +persuaded to the Louvre, the Carnavalet, or the Luxembourg; in truth, he +seldom rose in time to reach the museums, for they usually close at +four in the afternoon. Always with the same inscrutable meekness of +countenance, each night he methodically danced the cake-walk at Maxim's +or one of the Montemarte restaurants, to the cheers of acquaintances of +many nationalities, to whom he offered libations with prodigal enormity. +He carried with him, about the boulevards at night, in the highly +powerful car he had hired, large parties of strange people, who would +loudly sing airs from the Folie-Rouge (to my unhappy shudderings) all +the way from the fatiguing Bal Bullier to the Cafe' de Paris, where the +waiters soon became affluent. + +And how many of those gaily dressed and smiling ladies whose bright +eyes meet yours on the veranda of the Theatre Marigny were provided with +excessive suppers and souvenir fans by the inexhaustible Poor Jr.! He +left a trail of pink hundred-franc notes behind him, like a running boy +dropping paper in the English game; and he kept showers of gold louis +dancing in the air about him, so that when we entered the various cafes +or "American bars" a cheer (not vocal but to me of perfect audibility) +went up from the hungry and thirsty and borrowing, and from the +attendants. Ah, how tired I was of it, and how I endeavoured to discover +a means to draw him to the museums, and to Notre Dame and the Pantheon! + +And how many times did I unwillingly find myself in the too enlivening +company of those pretty supper-girls, and what jokings upon his head-top +did the poor bald gentleman not undergo from those same demoiselles with +the bright eyes, the wonderful hats, and the fluffy dresses! + +How often among those gay people did I find myself sadly dreaming of +that grey pongee skirt and the beautiful heart that had understood! +Should I ever see that lady? Not, I knew, alas! in the whirl about Poor +Jr.! As soon look for a nun at the Cafe' Blanche! + +For some reason I came to be persuaded that she had left Paris, that she +had gone away; and I pictured her--a little despairingly--on the borders +of Lucerne, with the white Alps in the sky above her,--or perhaps +listening to the evening songs on the Grand Canal, and I would try to +feel the little rocking of her gondola, making myself dream that I sat +at her feet. Or I could see the grey flicker of the pongee skirt in +the twilight distance of cathedral aisles with a chant sounding from +a chapel; and, so dreaming, I would start spasmodically, to hear the +red-coated orchestra of a cafe' blare out into "Bedelia," and awake to +the laughter and rouge and blague which that dear pongee had helped me +for a moment to forget! + +To all places, Poor Jr., though never unkindly, dragged me with him, +even to make the balloon ascent at the Porte Maillot on a windy evening. +Without embarrassment I confess that I was terrified, that I clung to +the ropes with a clutch which frayed my gloves, while Poor Jr. leaned +back against the side of the basket and gazed upward at the great +swaying ball, with his hands in his pockets, humming the strange ballad +that was his favourite musical composition: + + "The prettiest girl I ever saw + Was sipping cider through a straw-aw-haw!" + +In that horrifying basket, scrambling for a foothold while it swung +through arcs that were gulfs, I believed that my sorrows approached a +sudden conclusion, but finding myself again upon the secure earth, I +decided to come to an understanding with the young man. + +Accordingly, on the following morning, I entered his apartment and +addresses myself to Poor Jr. as severely as I could (for, truthfully, +in all his follies I had found no ugliness in his spirit--only a +good-natured and inscrutable desire of wild amusement) reminding him +of the authority his father had deputed to me, and having the +venturesomeness to hint that the son should show some respect to my +superior age. + +To my consternation he replied by inquiring if I had shaved my head as +yet that morning. I could only drop in a chair, stammering to know what +he meant. + +"Didn't you suppose I knew?" he asked, elevating himself slightly on his +elbow from the pillow. "Three weeks ago I left my aged parent in London +and ran over here for a day. I saw you at the Cafe' de la Paix, and even +then I knew that it was shaved, not naturally bald. When you came here I +recognized you like a shot, and that was why I was glad to accept you +as a guardian. I've enjoyed myself considerably of late, and you've been +the best part of it,--I think you are a wonderation! I wouldn't have any +other governess for the world, but you surpass the orchestra when you +beg me to respect your years! I will bet you four dollars to a lead +franc piece that you are younger than I am!" + +Imagine the completeness of my dismay! Although he spoke in tones the +most genial, and without unkindness, I felt myself a man of tatters +before him, ashamed to have him know my sorry secret, hopeless to +see all chance of authority over him gone at once, and with it my +opportunity to earn a salary so generous, for if I could continue to +be but an amusement to him and only part of his deception of Lambert R. +Poor, my sense of honour must be fit for the guillotine indeed. + +I had a little struggle with myself, and I think I must have wiped some +amounts of the cold perspiration from my absurd head before I was able +to make an answer. It may be seen what a coward I was, and how I feared +to begin again that search for employment. At last, however, I was in +self-control, so that I might speak without being afraid that my voice +would shake. + +"I am sorry," I said. "It seemed to me that my deception would not cause +any harm, and that I might be useful in spite of it--enough to earn +my living. It was on account of my being very poor; and there are two +little children I must take care of.--Well, at least, it is over now. I +have had great shame, but I must not have greater." + +"What do you mean?" he asked me rather sharply. + +"I will leave immediately," I said, going to the door. "Since I am no +more than a joke, I can be of no service to your father or to you; but +you must not think that I am so unreasonable as to be angry with you. A +man whom you have beheld reduced to what I was, at the Cafe' de la Paix, +is surely a joke to the whole world! I will write to your father before +I leave the hotel and explain that I feel myself unqualified--" + +"You're going to write to him why you give it up!" he exclaimed. + +"I shall make no report of espionage," I answered, with, perhaps, some +bitterness, "and I will leave the letter for you to read and to send, of +yourself. It shall only tell him that as a man of honour I cannot keep a +position for which I have no qualification." + +I was going to open the door, bidding him adieu, when he called out to +me. + +"Look here!" he said, and he jumped out of bed in his pajamas and came +quickly, and held out his hand. "Look here, Ansolini, don't take it that +way. I know you've had pretty hard times, and if you'll stay, I'll get +good. I'll go to the Louvre with you this afternoon; we'll dine at +one of the Duval restaurants, and go to that new religious tragedy +afterwards. If you like, we'll leave Paris to-morrow. There's a little +too much movement here, maybe. For God's sake, let your hair grow, and +we'll go down to Italy and study bones and ruins and delight the aged +parent!--It's all right, isn't it?" + +I shook the hand of that kind Poor Jr. with a feeling in my heart that +kept me from saying how greatly I thanked him--and I was sure that I +could do anything for him in the world! + + + +Chapter Five + + +Three days later saw us on the pretty waters of Lake Leman, in the +bright weather when Mont Blanc heaves his great bare shoulders of ice +miles into the blue sky, with no mist-cloak about him. + +Sailing that lake in the cool morning, what a contrast to the champagne +houpla nights of Paris! And how docile was my pupil! He suffered me to +lead him through the Castle of Chillon like a new-born lamb, and even +would not play the little horses in the Kursaal at Geneva, although, +perhaps, that was because the stakes were not high enough to interest +him. He was nearly always silent, and, from the moment of our departure +from Paris, had fallen into dreamfulness, such as would come over myself +at the thought of the beautiful lady. It touched my heart to find how he +was ready with acquiescence to the slightest suggestion of mine, and, +if it had been the season, I am almost credulous that I could have +conducted him to Baireuth to hear Parsifal! + +There were times when his mood of gentle sorrow was so like mine that I +wondered if he, too, knew a grey pongee skirt. I wondered over this so +much, and so marvellingly, also, because of the change in him, that at +last I asked him. + +We had gone to Lucerne; it was clear moonlight, and we smoked on our +little balcony at the Schweitzerhof, puffing our small clouds in the +enormous face of the strangest panorama of the world, that august +disturbation of the earth by gods in battle, left to be a land of tragic +fables since before Pilate was there, and remaining the same after +William Tell was not. I sat looking up at the mountains, and he leaned +on the rail, looking down at the lake. Somewhere a woman was singing +from Pagliacci, and I slowly arrived at a consciousness that I had +sighed aloud once or twice, not so much sadly, as of longing to see that +lady, and that my companion had permitted similar sounds to escape him, +but more mournfully. It was then that I asked him, in earnestness, yet +with the manner of making a joke, if he did not think often of some one +in North America. + +"Do you believe that could be, and I making the disturbance I did in +Paris?" he returned. + +"Yes," I told him, "if you are trying to forget her." + +"I should think it might look more as if I were trying to forget that I +wasn't good enough for her and that she knew it!" + +He spoke in a voice which he would have made full of ease--"off-hand," +as they say; but he failed to do so. + +"That was the case?" I pressed him, you see, but smilingly. + +"Looks a good deal like it," he replied, smoking much at once. + +"So? But that is good for you, my friend!" + +"Probably." He paused, smoking still more, and then said, "It's a +benefit I could get on just as well without." + +"She is in North America?" + +"No; over here." + +"Ah! Then we will go where she is. That will be even better for you! +Where is she?" + +"I don't know. She asked me not to follow her. Somebody else is doing +that." + +The young man's voice was steady, and his face, as usual, showed +no emotion, but I should have been an Italian for nothing had I not +understood quickly. So I waited for a little while, then spoke of old +Pilatus out there in the sky, and we went to bed very late, for it was +out last night in Lucerne. + +Two days later we roared our way out of the gloomy St. Gotthard and +wound down the pass, out into the sunshine of Italy, into that broad +plain of mulberries where the silkworms weave to enrich the proud +Milanese. Ah, those Milanese! They are like the people of Turin, and +look down upon us of Naples; they find us only amusing, because our +minds and movements are too quick for them to understand. I have +no respect for the Milanese, except for three things: they have a +cathedral, a picture, and a dead man. + +We came to our hotel in the soft twilight, with the air so balmy one +wished to rise and float in it. This was the hour for the Cathedral; +therefore, leaving Leonardo and his fresco for the to-morrow, I +conducted my uncomplaining ward forth, and through that big arcade of +which the people are so proud, to the Duomo. Poor Jr. showed few signs +of life as we stood before that immenseness; he said patiently that it +resembled the postals, and followed me inside the portals with languor. + +It was all grey hollowness in the vast place. The windows showed not +any colour nor light; the splendid pillars soared up into the air and +disappeared as if they mounted to heights of invisibility in the sky at +night. Very far away, at the other end of the church it seemed, one lamp +was burning, high over the transept. One could not see the chains of +support nor the roof above it; it seemed a great star, but so much all +alone. We walked down the long aisle to stand nearer to it, the darkness +growing deeper as we advanced. When we came almost beneath, both of us +gazing upward, my companion unwittingly stumbled against a lady who was +standing silently looking up at this light, and who had failed to notice +our approach. The contact was severe enough to dislodge from her hand +her folded parasol, for which I began to grope. + +There was a hurried sentence of excusation from Poor Jr., followed +by moments of silence before she replied. Then I heard her voice in +startled exclamation: + +"Rufus, it is never you?" + +He called out, almost loudly, + +"Alice!" + +Then I knew that it was the second time I had lifted a parasol from the +ground for the lady of the grey pongee and did not see her face; but +this time I placed it in her own hand; for my head bore no shame upon it +now. + +In the surprise of encountering Poor Jr. I do not think she noticed that +she took the parasol or was conscious of my presence, and it was but +too secure that my young friend had forgotten that I lived. I think, +in truth, I should have forgotten it myself, if it had not been for the +leaping of my heart. + +Ah, that foolish dream of mine had proven true: I knew her, I knew her, +unmistaking, without doubt or hesitancy--and in the dark! How should I +know at the mere sound of her voice? I think I knew before she spoke! + +Poor Jr. had taken a step toward her as she fell back; I could only see +the two figures as two shadows upon shadow, while for them I had melted +altogether and was forgotten. + +"You think I have followed you," he cried, "but you have no right to +think it. It was an accident and you've got to believe me!" + +"I believe you," she answered gently. "Why should I not?" + +"I suppose you want me to clear out again," he went on, "and I will; but +I don't see why." + +Her voice answered him out of the shadow: "It is only you who make a +reason why. I'd give anything to be friends with you; you've always +known that." + +"Why can't we be?" he said, sharply and loudly. "I've changed a great +deal. I'm very sensible, and I'll never bother you again--that other +way. Why shouldn't I see a little of you?" + +I heard her laugh then--happily, it seemed to me,--and I thought I +perceived her to extend her hand to him, and that he shook it briefly, +in his fashion, as if it had been the hand of a man and not that of the +beautiful lady. + +"You know I should like nothing better in the world--since you tell me +what you do," she answered. + +"And the other man?" he asked her, with the same hinting of sharpness in +his tone. "Is that all settled?" + +"Almost. Would you like me to tell you?" + +"Only a little--please!" + +His voice had dropped, and he spoke very quietly, which startlingly +caused me to realize what I was doing. I went out of hearing then, very +softly. Is it creible that I found myself trembling when I reached the +twilit piazza? It is true, and I knew that never, for one moment, since +that tragic, divine day of her pity, had I wholly despaired of beholding +her again; that in my most sorrowful time there had always been a +little, little morsel of certain knowledge that I should some day be +near her once more. + +And now, so much was easily revealed to me: it was to see her that the +good Lambert R. Poor Jr., had come to Paris, preceding my patron; it was +he who had passed with her on the last day of my shame, and whom she had +addressed by his central name of Rufus, and it was to his hand that I +had restored her parasol. + +I was to look upon her face at last--I knew it--and to speak with her. +Ah, yes, I did tremble! It was not because I feared she might recognize +her poor slave of the painted head-top, nor that Poor Jr. would tell +her. I knew him now too well to think he would do that, had I been even +that other of whom he had spoken, for he was a brave, good boy, that +Poor Jr. No, it was a trembling of another kind--something I do not know +how to explain to those who have not trembled in the same way; and I +came alone to my room in the hotel, still trembling a little and having +strange quickness of breathing in my chest. + +I did not make any light; I did not wish it, for the precious darkness +of the Cathedral remained with me--magic darkness in which I beheld +floating clouds made of the dust of gold and vanishing melodies. Any +person who knows of these singular things comprehends how little of them +can be told; but to those people who do not know of them, it may appear +all great foolishness. Such people are either too young, and they must +wait, or too old--they have forgotten! + +It was an hour afterward, and Poor Jr. had knocked twice at my door, +when I lighted the room and opened it to him. He came in, excitedly +flushed, and, instead of taking a chair, began to walk quickly up and +down the floor. + +"I'm afraid I forgot all about you, Ansolini," he said, "but that girl I +ran into is a--a Miss Landry, whom I have known a long--" + +I put my hand on his shoulder for a moment and said: + +"I think I am not so dull, my friend!" + +He made a blue flash at me with his eyes, then smiled and shook his +head. + +"Yes, you are right," he answered, re-beginning his fast pace over the +carpet. "It was she that I meant in Lucerne--I don't see why I should +not tell you. In Paris she said she didn't want me to see her +again until I could be--friendly--the old way instead of something +considerably different, which I'd grown to be. Well, I've just told her +not only that I'd behave like a friend, but that I'd changed and felt +like one. Pretty much of a lie that was!" He laighed, without any +amusement. "But it was successful, and I suppose I can keep it up. At +any rate we're going over to Venice with her and her mother to-morrow. +Afterwards, we'll see them in Naples just before they sail." + +"To Venice with them!" I could not repress crying out. + +"Yes; we join parties for two days," he said, and stopped at a window +and looked out attentively at nothing before he went on: "It won't be +very long, and I don't suppose it will ever happen again. The other man +is to meet them in Rome. He's a countryman of yours, and I believe--I +believe it's--about--settled!" + +He pronounced these last words in an even voice, but how slowly! Not +more slowly than the construction of my own response, which I heard +myself making: + +"This countryman of mine--who is he?" + +"One of your kind of Kentucky Colonels," Poor Jr. laughed mournfully. +At first I did not understand; then it came to me that he had sometimes +previously spoken in that idiom of the nobles, and that it had been +his custom to address one of his Parisian followers, a vicomte, as +"Colonel." + +"What is his name?" + +"I can't pronounce it, and I don't know how to spell it," he answered. +"And that doesn't bring me to the verge of the grave! I can bear to +forget it, at least until we get to Naples!" + +He turned and went to the door, saying, cheerfully: "Well, old +horse-thief" (such had come to be his name for me sometimes, and it was +pleasant to hear), "we must be dressing. They're at this hotel, and we +dine with them to-night." + + + +Chapter Six + + +How can I tell of the lady of the pongee--now that I beheld her? Do you +think that, when she came that night to the salon where we were awaiting +her, I hesitated to lift my eyes to her face because of a fear that it +would not be so beautiful as the misty sweet face I had dreamed would be +hers? Ah, no! It was the beauty which was in her heart that had made me +hers; yet I knew that she was beautiful. She was fair, that is all I +can tell. I cannot tell of her eyes, her height, her mouth; I saw her +through those clouds of the dust of gold--she was all glamour and light. +It was to be seen that everyone fell in love with her at once; that the +chef d'orchestre came and played to her; and the waiters--you should +have observed them!--made silly, tender faces through the great groves +of flowers with which Poor Jr. had covered the table. It was most +difficult for me to address her, to call her "Miss Landry." It seemed +impossible that she should have a name, or that I should speak to her +except as "you." + +Even, I cannot tell very much of her mother, except that she was +adorable because of her adorable relationship. She was florid, perhaps, +and her conversation was of commonplaces and echoes, like my own, for +I could not talk. It was Poor Jr. who made the talking, and in spite of +the spell that was on me, I found myself full of admiration and sorrow +for that brave fellow. He was all gaieties and little stories in a way I +had never heard before; he kept us in quiet laughter; in a word, he was +charming. The beautiful lady seemed content to listen with the greatest +pleasure. She talked very little, except to encourage the young man to +continue. I do not think she was brilliant, as they call it, or witty. +She was much more than that in her comprehension, in her kindness--her +beautiful kindness! + +She spoke only once directly to me, except for the little things one +must say. "I am almost sure I have met you, Signor Ansolini." + +I felt myself burning up and knew that the conflagration was visible. +So frightful a blush cannot be prevented by will-power, and I felt it +continuing in hot waves long after Poor Jr. had effected salvation for +me by a small joke upon my cosmopolitanism. + +Little sleep visited me that night. The darkness of my room was luminous +and my closed eyes became painters, painting so radiantly with divine +colours--painters of wonderful portraits of this lady. Gallery after +gallery swam before me, and the morning brought only more! + +What a ride it was to Venice that day! What magical airs we rode +through, and what a thieving old trickster was time, as he always +becomes when one wishes hours to be long! I think Poor Jr. had made +himself forget everything except that he was with her and that he must +be a friend. He committed a thousand ridiculousnesses at the stations; +he filled one side of the compartment with the pretty chianti-bottles, +with terrible cakes, and with fruits and flowers; he never ceased his +joking, which had no tiresomeness in it, and he made the little journey +one of continuing, happy laughter. + +And that evening another of my foolish dreams came true! I sat in a +gondola with the lady of the grey pongee to hear the singing on the +Grand Canal;--not, it is true, at her feet, but upon a little chair +beside her mother. It was my place--to be, as I had been all day, escort +to the mother, and guide and courier for that small party. Contented +enough was I to accept it! How could I have hoped that the Most Blessed +Mother would grant me so much nearness as that? It was not happiness +that I felt, but something so much more precious, as though my +heart-strings were the strings of a harp, and sad, beautiful arpeggios +ran over them. + +I could not speak much that evening, nor could Poor Jr. We were very +silent and listened to the singing, our gondola just touching the others +on each side, those in turn touching others, so that a musician from +the barge could cross from one to another, presenting the hat for +contributions. In spite of this extreme propinquity, I feared the +collector would fall into the water when he received the offering of +Poor Jr. It was "Gra-a-az', Mi-lor! Graz'!" a hundred times, with bows +and grateful smiles indeed! + +It is the one place in the world where you listen to a bad voice with +pleasure, and none of the voices are good--they are harsh and worn with +the night-singing--yet all are beautiful because they are enchanted. + +They sang some of our own Neapolitan songs that night, and last of all +the loveliest of all, "La Luna Nova." It was to the cadence of it that +our gondoliers moved us out of the throng, and it still drifted on the +water as we swung, far down, into sight of the lights of the Ledo: + + "Luna d'ar-gen-to fal-lo so-gnar-- + Ba-cia-lo in fron-te non lo de-star...." + +Not so sweetly came those measures as the low voice of the beautiful +lady speaking them. + +"One could never forget it, never!" she said. "I might hear it a +thousand other times and forget them, but never this first time." + +I perceived that Poor Jr. turned his face abruptly toward hers at this, +but he said nothing, by which I understood not only his wisdom but his +forbearance. + +"Strangely enough," she went on, slowly, "that song reminded me of +something in Paris. Do you remember"--she turned to Poor Jr.--"that poor +man we saw in front of the Cafe' de la Paix with the sign painted upon +his head?" + +Ah, the good-night, with its friendly cloak! The good, kind night! + +"I remember," he answered, with some shortness. "A little faster, +boatman!" + +"I don't know what made it," she said, "I can't account for it, but I've +been thinking of him all through that last song." + +Perhaps not so strange, since one may know how wildly that poor devil +had been thinking of her! + +"I've thought of him so often," the gentle voice went on. "I felt so +sorry for him. I never felt sorrier for any one in my life. I was sorry +for the poor, thin cab-horses in Paris, but I was sorrier for him. I +think it was the saddest sight I ever saw. Do you suppose he still has +to do that, Rufus?" + +"No, no," he answered, in haste. "He'd stopped before I left. He's all +right, I imagine. Here's the Danieli." + +She fastened a shawl more closely about her mother, whom I, with a +ringing in my ears, was trying to help up the stone steps. "Rufus, +I hope," the sweet voice continued, so gently,--"I hope he's found +something to do that's very grand! Don't you? Something to make up to +him for doing that!" + +She had not the faintest dream that it was I. It was just her beautiful +heart. + +The next afternoon Venice was a bleak and empty setting, the jewel +gone. How vacant it looked, how vacant it was! We made not any effort +to penetrate the galleries; I had no heart to urge my friend. For us the +whole of Venice had become one bridge of sighs, and we sat in the shade +of the piazza, not watching the pigeons, and listening very little to +the music. There are times when St. Mark's seems to glare at you with +Byzantine cruelty, and Venice is too hot and too cold. So it was then. +Evening found us staring out at the Adriatic from the terrace of a cafe' +on the Ledo, our coffee cold before us. Never was a greater difference +than that in my companion from the previous day. Yet he was not silent. +He talked of her continually, having found that he could talk of her to +me--though certainly he did not know why it was or how. He told me, as +we sat by the grey-growing sea, that she had spoken of me. + +"She liked you, she liked you very much," he said. "She told me she +liked you because you were quiet and melancholy. Oh Lord, though, she +likes everyone, I suppose! I believe I'd have a better chance with her +if I hadn't always known her. I'm afraid that this damn Italian--I beg +your pardon, Ansolini!--" + +"Ah, no," I answered. "It is sometimes well said." + +"I'm afraid his picturesqueness as a Kentucky Colonel appeals to her too +much. And then he is new to her--a new type. She only met him in Paris, +and he had done some things in the Abyssinian war--" + +"What is his rank?" I asked. + +"He's a prince. Cheap down this way; aren't they? I only hope"--and Poor +Jr. made a groan--"it isn't going to be the old story--and that he'll be +good to her if he gets her." + +"Then it is not yet a betrothal?" + +"Not yet. Mrs. Landry told me that Alice had liked him well enough to +promise she'd give him her answer before she sailed, and that it was +going to be yes. She herself said it was almost settled. That was just +her way of breaking it to me, I fear." + +"You have given up, my friend?" + +"What else can I do? I can't go on following her, keeping up this play +at second cousin, and she won't have anything else. Ever since I grew up +she's been rather sorrowful over me because I didn't do anything but try +to amuse myself--that was one of the reasons she couldn't care for +me, she said, when I asked her. Now this fellow wins, who hasn't done +anything either, except his one campaign. It's not that I ought to have +her, but while I suppose it's a real fascination, I'm afraid there's +a little glitter about being a princess. Even the best of our girls +haven't got over that yet. Ah, well, about me she's right. I've been a +pretty worthless sort. She's right. I've thought it all over. Three days +before they sail we'll go down to Naples and hear the last word, and +whatever it is we'll see them off on the 'Princess Irene.' Then you and +I'll come north and sail by the first boat from Cherbourg. + +"I--I?" I stammered. + +"Yes," he said. "I'm going to make the aged parent shout with unmanly +glee. I'm going to ask him to take me on as a hand. He'll take you, too. +He uses something like a thousand Italians, and a man to manage them +who can talk to them like a Dutch uncle is what he has always needed. He +liked you, and he'll be glad to get you." + +He was a good friend, that Poor Jr., you see, and I shook the hand +that he offered me very hard, knowing how great would have been his +embarrassment had I embraced him in our own fashion. + +"And perhaps you will sail on the 'Princess Irene,' after all," I cried. + +"No," he shook his head sadly, "it will not happen. I have not been +worth it." + + + +Chapter Seven + + +That Naples of mine is like a soiled coronet of white gems, sparkling +only from far away. But I love it altogether, near or far, and my heart +would have leaped to return to it for its own sake, but to come to it +as we did, knowing that the only lady in the world was there.... Again, +this is one of those things I possess no knowledge how to tell, and that +those who know do know. How I had longed for the time to come, how I had +feared it, how I had made pictures of it! + +Yet I feared not so much as my friend, for he had a dim, small hope, +and I had none. How could I have? I--a man whose head had been painted? +I--for whom her great heart had sorrowed as for the thin, beaten +cab-horses of Paris! Hope? All I could hope was that she might never +know, and I be left with some little shred of dignity in her eyes! + +Who cannot see that it was for my friend to fear? At times, with him, it +was despair, but of that brave kind one loves to see--never a quiver of +the lip, no winking of the eyes to keep tears back. And I, although of +a people who express everything in every way, I understood what passed +within him and found time to sorrow for him. + +Most of all, I sorrowed for him as we waited for her on the terrace of +the Bertolini, that perch on the cliff so high that even the noises +of the town are dulled and mingle with the sound of the thick surf far +below. + +Across the city, and beyond, we saw, from the terrace, the old mountain +of the warm heart, smoking amiably, and the lights of Torre del Greco at +its feet, and there, across the bay, I beheld, as I had nightly so long +ago, the lamps of Castellamare, of Sorrento; then, after a stretch of +water, a twinkling which was Capri. How good it was to know that all +these had not taken advantage of my long absence to run away and vanish, +as I had half feared they would. Those who have lived here love them +well; and it was a happy thought that the beautiful lady knew them now, +and shared them. I had never known quite all their loveliness until I +felt that she knew it too. This was something that I must never tell +her--yet what happiness there was in it! + +I stood close to the railing, with a rambling gaze over this enchanted +earth and sea and sky, while my friend walked nervously up and down +behind me. We had come to Naples in the late afternoon, and had found a +note from Mrs. Landry at our hotel, asking us for dinner. Poor Jr. had +not spoken more than twice since he had read me this kind invitation, +but now I heard a low exclamation from him, which let me know who +was approaching; and that foolish trembling got hold of me again as I +turned. + +Mrs. Landry came first, with outstretched hand, making some talk +excusing delay; and, after a few paces, followed the loveliest of all +the world. Beside her, in silhouette against the white window lights of +the hotel, I saw the very long, thin figure of a man, which, even before +I recognized it, carried a certain ominousness to my mind. + +Mrs. Landry, in spite of her florid contentedness, had sometimes a +fluttering appearance of trivial agitations. + +"The Prince came down from Rome this morning," she said nervously, and +I saw my friend throw back his head like a man who declines the +eye-bandage when they are going to shoot him. "He is dining with us. I +know you will be glad to meet him." + +The beautiful lady took Poor Jr.'s hand, more than he hers, for he +seemed dazed, in spite of the straight way he stood, and it was easy to +behold how white his face was. She made the presentation of us both +at the same time, and as the other man came into the light, my mouth +dropped open with wonder at the singular chances which the littleness of +our world brings about. + +"Prince Caravacioli, Mr. Poor. And this is Signor Ansolini." + +It was my half-brother, that old Antonio! + + + +Chapter Eight + + +Never lived any person with more possession of himself than Antonio; he +bowed to each of us with the utmost amiability; and for expression--all +one saw of it was a little streak of light in his eye-glass. + +"It is yourself, Raffaele?" he said to me, in the politest manner, in +our own tongue, the others thinking it some commonplace, and I knew by +his voice that the meeting was as surprising and as exasperating to him +as to me. + +Sometimes dazzling flashes of light explode across the eyes of blind +people. Such a thing happened to my own, now, in the darkness. I found +myself hot all over with a certain rashness that came to me. I felt that +anything was possible if I would but dare enough. + +"I am able to see that it is the same yourself!" I answered, and made +the faintest eye-turn toward Miss Landry. Simultaneously bowing, I let +my hand fall upon my pocket--a language which he understood, and for +which (the Blessed Mother be thanked!) he perceived that I meant to +offer battle immediately, though at that moment he offered me an open +smile of benevolence. He knew nothing of my new cause for war; there was +enough of the old! + +The others were observing us. + +"You have met?" asked the gentle voice of Miss Landry. "You know each +other?" + +"Exceedingly!" I answered, bowing low to her. + +"The dinner is waiting in our own salon," said Mrs. Landry, +interrupting. She led the way with Antonio to an open door on the +terrace where servants were attending, and such a forest of flowers on +the table and about the room as almost to cause her escort to stagger; +for I knew, when I caught sight of them, that he had never been wise +enough to send them. Neither had Poor Jr. done it out of wisdom, but +because of his large way of performing everything, and his wish that +loveliest things should be a background for that lady. + +Alas for him! Those great jars of perfume, orchids and hyacinths and +roses, almost shut her away from his vision. We were at a small round +table, and she directly in opposition to him. Upon her right was +Antonio, and my heart grew cold to see how she listened to him. + +For Antonio could talk. At that time he spoke English even better than +I, though without some knowledge of the North-American idiom which my +travels with Poor Jr. had given me. He was one of those splendid egoists +who seem to talk in modesty, to keep themselves behind scenes, yet who, +when the curtain falls, are discovered to be the heroes, after all, +though shown in so delicate a fashion that the audience flatters itself +in the discovery. + +And how practical was this fellow, how many years he had been developing +his fascinations! I was the only person of that small company who could +have a suspicion that his moustache was dyed, that his hair was toupee, +or that hints of his real age were scorpions and adders to him. I should +not have thought it, if I had not known it. Here was my advantage: I had +known his monstrous vanity all my life. + +So he talked of himself in his various surreptitious ways until coffee +came, Miss Landry listening eagerly, and my poor friend making no +effort; for what were his quiet United States absurdities compared to +the whole-world gaieties and Abyssinian adventures of this Othello, +particularly for a young girl to whom Antonio's type was unfamiliar? For +the first time I saw my young man's brave front desert him. His mouth +drooped, and his eyes had an appearance of having gazed long at a bright +light. I saw that he, unhappy one, was at last too sure what her answer +would be. + +For myself, I said very little--I waited. I hoped and believed Antonio +would attack me in his clever, disguised way, for he had always hated +me and my dead brother, and he had never failed to prove himself too +skilful for us. In my expectancy of his assault there was no mistake. I +comprehended Antonio very well, and I knew that he feared I might seek +to do him an injury, particularly after my inspired speech and gesture +upon the terrace. Also, I felt that he would, if possible, anticipate +my attempt and strike first. I was willing; for I thought myself in +possession of his vulnerable point--never dreaming that he might know my +own! + +At last when he, with the coffee and cigarettes, took the knife in his +hand, he placed a veil over the point. He began, laughingly, with the +picture of a pickpocket he had helped to catch in London. London was +greatly inhabited by pickpockets, according to Antonio's declaration. +Yet, he continued, it was nothing in comparison to Paris. Paris was +the rendezvous, the world's home, for the criminals, adventurers, +and rascals if the world, English, Spanish, South-Americans, +North-Americans,--and even Italians! One must beware of people one had +met in Paris! + +"Of course," he concluded, with a most amiable smile, "there are many +good people there also. That is not to be forgotten. If I should dare +to make a risk on such a trifle, for instance, I would lay wager that +you"--he nodded toward Poor Jr.--"made the acquaintance of Ansolini in +Paris?" + +This was of the greatest ugliness in its underneath significance, though +the manner was disarming. Antonio's smile was so cheerful, his eye-glass +so twinkling, that none of them could have been sure he truly meant +anything harmful of me, though Poor Jr. looked up, puzzled and frowning. + +Before he could answer I pulled myself altogether, as they say, and +leaned forward, resting my elbows upon the table. "It is true," and I +tried to smile as amiably as Antonio. "These coincidences occur. You +meet all the great frauds of the world in Paris. Was it not there"--I +turned to Mrs. Landry--"that you met the young Prince here?" + +At this there was no mistaking that the others perceived. The secret +battle had begun and was not secret. I saw a wild gleam in Poor Jr.'s +eyes, as if he comprehended that strange things were to come; but, ah, +the face of distress and wonder upon Mrs. Landry, who beheld the peace +of both a Prince and a dinner assailed; and, alas! the strange and hurt +surprise that came from the lady of the pongee! Let me not be a boastful +fellow, but I had borne her pity and had adored it--I could face her +wonder, even her scorn. + +It was in the flash of her look that I saw my great chance and what I +must try to do. Knowing Antonio, it was as if I saw her falling into the +deep water and caught just one contemptuous glance from her before the +waves hid her. But how much juster should that contempt have been if I +had not tried to save her! + +As for that old Antonio, he might have known enough to beware. I had +been timid with him always, and he counted on it now, but a man who has +shown a painted head-top to the people of Paris will dare a great deal. + +"As the Prince says," replied Mrs. Landry, with many flutters, "one +meets only the most agreeable people in Paris!" + +"Paris!" I exclaimed. "Ah, that home of ingenuity! How they paint there! +How they live, and how they dye--their beards!" + +You see how the poor Ansolini played the buffoon. I knew they feared +it was wine, I had been so silent until now; but I did not care, I was +beyond care. + +"Our young Prince speaks truly," I cried, raising my voice. "He is wise +beyond his years, this youth! He will be great when he reaches middle +age, for he knows Paris and understands North America! Like myself, he +is grateful that the people of your continent enrich our own! We need +all that you can give us! Where should we be--any of us" (I raised my +voice still louder and waved my hand to Antonio),--"where should we be, +either of us" (and I bowed to the others) "without you?" + +Mrs. Landry rose with precipitousness, and the beautiful lady, very red, +followed. Antonio, unmistakably stung with the scorpions I had set upon +him, sprang to the door, the palest yellow man I have ever beheld, and +let the ladies pass before him. + +The next moment I was left alone with Poor Jr. and his hyacinth trees. + + + +Chapter Nine + + +For several minutes neither of us spoke. Then I looked up to meet my +friend's gaze of perturbation. + +A waiter was proffering cigars. I took one, and waved Poor Jr.'s hand +away from the box of which the waiter made offering. + +"Do not remain!" I whispered, and I saw his sad perplexity. "I know her +answer has not been given. Will you present him his chance to receive +it--just when her sympathy must be stronger for him, since she will +think he has had to bear rudeness?" + +He went out of the door quickly. + +I dod not smoke. I pretended to, while the waiters made the arrangements +of the table and took themselves off. I sat there a long, long time +waiting for Antonio to do what I hoped I had betrayed him to do. + +It befell at last. + +Poor Jr. came to the door and spoke in his steady voice. "Ansolini, will +you come out here a moment?" + +Then I knew that I had succeeded, had made Antonio afraid that I would +do the thing he himself, in a panic, had already done--speak evil of +another privately. + +As I reached the door I heard him call out foolishly, "But Mr. Poor, I +beg you--" + +Poor Jr. put his hand on my shoulder, and we walked out into the dark of +the terrace. Antonio was leaning against the railing, the beautiful lady +standing near. Mrs. Landry had sunk into a chair beside her daughter. No +other people were upon the terrace. + +"Prince Caravacioli has been speaking of you," said Poor Jr., very +quietly. + +"Ah?" said I. + +"I listened to what he said; then I told him that you were my friend, +and that I considered it fair that you should hear what he had to say. +I will repeat what he said, Ansolini. If I mistake anything, he can +interrupt me." + +Antonio laughed, and in such a way, so sincerely, so gaily, that I was +frightened. + +"Very good!" he cried. "I am content. Repeat all." + +"He began," Poor Jr. went on, quietly, though his hand gripped my +shoulder to almost painfulness,--"he began by saying to these ladies, in +my presence, that we should be careful not to pick up chance strangers +to dine, in Italy, and--and he went on to give me a repetition of his +friendly warning about Paris. He hinted things for a while, until I +asked him to say what he knew of you. Then he said he knew all about +you; that you were an outcast, a left-handed member of his own family, +an adventurer--" + +"It is finished, my friend," I said, interrupting him, and gazed with +all my soul upon the beautiful lady. Her face was as white as Antonio's +or that of my friend, or as my own must have been. She strained her eyes +at me fixedly; I saw the tears standing still in them, and I knew the +moment had come. + +"This Caravacioli is my half-brother," I said. + +Antonio laughed again. "Of what kind!" + +Oh, he went on so easily to his betrayal, not knowing the +United-Statesians and their sentiment, as I did. + +"We had the same mother," I continued, as quietly as I could. "Twenty +years after this young--this somewhat young--Prince was born she +divorced his father, Caravacioli, and married a poor poet, whose bust +you can see on the Pincian in Rome, though he died in the cheapest hotel +in Sienna when my true brother and I were children. This young Prince +would have nothing to do with my mother after her second marriage and--" + +"Marriage!" Antonio laughed pleasantly again. He was admirable. "This is +an old tale which the hastiness of our American friend has forced us to +rehearse. The marriage was never recognized by the Vatican, and there +was not twenty years--" + +"Antonio, it is the age which troubles you, after all!" I said, and +laughed heartily, loudly, and a long time, in the most good-natured way, +not to be undone as an actor. + +"Twenty years," I repeated. "But what of it? Some of the best men in the +world use dyes and false--" + +At this his temper went away from him suddenly and completely. I had +struck the right point indeed! + +"You cammorrista!" he cried, and became only himself, his hands +gesturing and flying, all his pleasant manner gone. "Why should we +listen one second more to such a fisherman! The very seiners of the bay +who sell dried sea-horses to the tourists are better gentlemen than you. +You can shrug your shoulders! I saw you in Paris, though you thought I +did not! Oh, I saw you well! Ah! At the Cafe de la Paiz!" + +At this I cried out suddenly. The sting and surprise of it were more +than I could bear. In my shame I would even have tried to drown his +voice with babblings but after this one cry I could not speak for a +while. He went on triumphantly: + +"This rascal, my dear ladies, who has persuaded you to ask him to +dinner, this camel who claims to be my excellent brother, he, for a few +francs, in Paris, shaved his head and showed it for a week to the people +with an advertisement painted upon it of the worst ballet in Paris. This +is the gentleman with whom you ask Caravacioli to dine!" + +It was beyond my expectation, so astonishing and so cruel that I could +only look at him for a moment or two. I felt as one who dreams himself +falling forever. Then I stepped forward and spoke, in thickness of +voice, being unable to lift my head: + +"Again it is true what he says. I was that man of the painted head. I +had my true brother's little daughters to care for. They were at the +convent, and I owed for them. It was also partly for myself, because I +was hungry. I could find not any other way, and so--but that is all." + +I turned and went stumblingly away from them. + +In my agony that she should know, I could do nothing but seek greater +darkness. I felt myself beaten, dizzy with beatings. That thing which +I had done in Paris discredited me. A man whose head-top had borne an +advertisement of the Folie-Rouge to think he could be making a combat +with the Prince Caravacioli! + +Leaning over the railing in the darkest corner of the terrace, I felt my +hand grasped secondarily by that good friend of mine. + +"God bless you!" whispered Poor Jr. + +"On my soul, I believe he's done himself. Listen!" + +I turned. That beautiful lady had stepped out into the light from the +salon door. I could see her face shining, and her eyes--ah me, how +glorious they were! Antonio followed her. + +"But wait," he cried pitifully. + +"Not for you!" she answered, and that voice of hers, always before so +gentle, rang out as the Roman trumpets once rang from this same cliff. +"Not for you! I saw him there with his painted head and I understood! +You saw him there, and you did nothing to help him! And the two little +children--your nieces, too,--and he your brother!" + +Then my heart melted and I found myself choking, for the beautiful lady +was weeping. + +"Not for you, Prince Caravacioli," she cried, through her tears,--"Not +for you!" + + + +Chapter Ten + + +All of the beggars in Naples, I think, all of the flower-girls and boys, +I am sure, and all the wandering serenaders, I will swear, were under +our windows at the Vesuve, from six o'clock on the morning the "Princess +Irene" sailed; and there need be no wonder when it is known that Poor +Jr. had thrown handfuls of silver and five-lire notes from our balcony +to strolling orchestras and singers for two nights before. + +They wakened us with "Addio, la bella Napoli, addio, addio!" sung to the +departing benefactor. When he had completed his toilet and his coffee, +he showed himself on the balcony to them for a moment. Ah! What a +resounding cheer for the signore, the great North-American nobleman! And +how it swelled to a magnificent thundering when another largess of his +came flying down among them! + +Who could have reproved him? Not Raffaele Ansolini, who was on his knees +over the bags and rugs! I think I even made some prolongation of that +position, for I was far from assured of my countenance, that bright +morning. + +I was not to sail in the "Princess Irene" with those dear friends. Ah +no! I had told them that I must go back to Paris to say good-bye to my +little nieces and sail from Boulogne--and I am sure they believed that +was my reason. I had even arranged to go away upon a train which would +make it not possible for me to drive to the dock with them. I did not +wish to see the boat carry them away from me. + +And so the farewells were said in the street in all that crowd. Poor Jr. +and I were waiting at the door when the carriage galloped up. How the +crowd rushed to see that lady whom it bore to us, blushing and laughing! +Clouds of gold-dust came before my eyes again; she wore once more that +ineffable grey pongee! + +Servants ran forward with the effects of Poor Jr. and we both sprang +toward the carriage. + +A flower-girl was offering a great basket of loose violets. Poor Jr. +seized it and threw them like a blue rain over the two ladies. + +"Bravo! Bravo!" + +A hundred bouquets showered into the carriage, and my friend's silver +went out in another shower to meet them. + +"Addio, la bella Napoli!" came from the singers and the violins, but I +cried to them for "La Luna Nova." + +"Good-bye--for a little while--good-bye!" + +I knew how well my friend liked me, because he shook my hand with his +head turned away. Then the grey glove of the beautiful lady touched my +shoulder--the lightest touch in all the world--as I stood close to the +carriage while Poor Jr. climbed in. + +"Good-bye. Thank you--and God bless you!" she said, in a low voice. And +I knew for what she thanked me. + +The driver cracked his whip like an honest Neapolitan. The horses sprang +forward. "Addio, addio!" + +I sang with the musicians, waving and waving and waving my handkerchief +to the departing carriage. + +Now I saw my friend lean over and take the beautiful lady by the hand, +and together they stood up in the carriage and waved their handkerchiefs +to me. Then, but not because they had passed out of sight, I could see +them not any longer. + +They were so good--that kind Poor Jr. and the beautiful lady; they +seemed like dear children--as if they had been my own dear children. + + +THE END + + + + + + + + + + +End of the Project Gutenberg EBook of The Beautiful Lady, by Booth Tarkington + +*** END OF THIS PROJECT GUTENBERG EBOOK THE BEAUTIFUL LADY *** + +***** This file should be named 5798.txt or 5798.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/5/7/9/5798/ + +Produced by An Anonymous Volunteer + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/5798.zip b/5798.zip Binary files differnew file mode 100644 index 0000000..235addb --- /dev/null +++ b/5798.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..215cff5 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #5798 (https://www.gutenberg.org/ebooks/5798) diff --git a/old/btfll10.txt b/old/btfll10.txt new file mode 100644 index 0000000..a1d9051 --- /dev/null +++ b/old/btfll10.txt @@ -0,0 +1,2306 @@ +The Project Gutenberg EBook of The Beautiful Lady, by Booth Tarkington +#13 in our series by Booth Tarkington + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg eBook. + +This header should be the first thing seen when viewing this Project +Gutenberg file. Please do not remove it. Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**eBooks Readable By Both Humans and By Computers, Since 1971** + +*****These eBooks Were Prepared By Thousands of Volunteers!***** + + +Title: The Beautiful Lady + +Author: Booth Tarkington + +Release Date: May, 2004 [EBook #5798] +[Yes, we are more than one year ahead of schedule] +[This file was first posted on September 3, 2002] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + +*** START OF THE PROJECT GUTENBERG EBOOK THE BEAUTIFUL LADY *** + + + + + + + + + + + + +The Beautiful Lady + +Booth Tarkington + + + + +Chapter One + + +Nothing could have been more painful to my sensitiveness than to +occupy myself, confused with blushes, at the center of the whole +world as a living advertisement of the least amusing ballet in +Paris. + +To be the day's sensation of the boulevards one must possess an +eccentricity of appearance conceived by nothing short of genius; +and my misfortunes had reduced me to present such to all eyes +seeking mirth. It was not that I was one of those people in +uniform who carry placards and strange figures upon their backs, +nor that my coat was of rags; on the contrary, my whole costume +was delicately rich and well chosen, of soft grey and fine linen +(such as you see worn by a marquis in the pe'sage at Auteuil) +according well with my usual air and countenance, sometimes +esteemed to resemble my father's, which were not wanting in +distinction. + +To add to this my duties were not exhausting to the body. I was +required only to sit without a hat from ten of the morning to +midday, and from four until seven in the afternoon, at one of +the small tables under the awning of the Cafe' de la Paix at the +corner of the Place de l'Opera--that is to say, the centre of +the inhabited world. In the morning I drank my coffee, hot in +the cup; in the afternoon I sipped it cold in the glass. I spoke +to no one; not a glance or a gesture of mine passed to attract +notice. + +Yet I was the centre of that centre of the world. All day the +crowds surrounded me, laughing loudly; all the voyous making +those jokes for which I found no repartee. The pavement was +sometimes blocked; the passing coachmen stood up in their boxes +to look over at me, small infants were elevated on shoulders to +behold me; not the gravest or most sorrowful came by without +stopping to gaze at me and go away with rejoicing faces. The +boulevards rang to their laughter--all Paris laughed! + +For seven days I sat there at the appointed times, meeting the +eye of nobody, and lifting my coffee with fingers which trembled +with embarrassment at this too great conspicuosity! Those +mournful hours passed, one by the year, while the idling +bourgeois and the travellers made ridicule; and the rabble +exhausted all effort to draw plays of wit from me. + +I have told you that I carried no placard, that my costume was +elegant, my demeanour modest in all degree. + +"How, then, this excitement?" would be your disposition to +inquire. "Why this sensation?" + +It is very simple. My hair had been shaved off, all over my +ears, leaving only a little above the back of the neck, to give +an appearance of far-reaching baldness, and on my head was +painted, in ah! so brilliant letters of distinctness: + +Theatre + +Folie-Rouge + +Revue + +de + +Printemps + +Tous les Soirs + +Such was the necessity to which I was at that time reduced! One +has heard that the North Americans invent the most singular +advertising, but I will not believe they surpass the Parisian. +Myself, I say I cannot express my sufferings under the notation +of the crowds that moved about the Cafe' de la Paix! The French +are a terrible people when they laugh sincerely. It is not so +much the amusing things which cause them amusement; it is often +the strange, those contrasts which contain something horrible, +and when they laugh there is too frequently some person who is +uncomfortable or wicked. I am glad that I was born not a +Frenchman; I should regret to be native to a country where they +invent such things as I was doing in the Place de l'Opera; for, +as I tell you, the idea was not mine. + +As I sat with my eyes drooping before the gaze of my terrible +and applauding audiences, how I mentally formed cursing words +against the day when my misfortunes led me to apply at the +Theatre Folie-Rouge for work! I had expected an audition and a +role of comedy in the Revue; for, perhaps lacking any experience +of the stage, I am a Neapolitan by birth, though a resident of +the Continent at large since the age of fifteen. All Neapolitans +can act; all are actors; comedians of the greatest, as every +traveller is cognizant. There is a thing in the air of our +beautiful slopes which makes the people of a great instinctive +musicalness and deceptiveness, with passions like those burning +in the old mountain we have there. They are ready to play, to +sing--or to explode, yet, imitating that amusing Vesuvio, they +never do this last when you are in expectancy, or, as a +spectator, hopeful of it. + +How could any person wonder, then, that I, finding myself +suddenly destitute in Paris, should apply at the theatres? One +after another, I saw myself no farther than the director's door, +until (having had no more to eat the day preceding than three +green almonds, which I took from a cart while the good female +was not looking) I reached the Folie-Rouge. Here I was +astonished to find a polite reception from the director. It +eventuated that they wished for a person appearing like myself +a person whom they would outfit with clothes of quality in +all parts, whose external presented a gentleman of the great +world, not merely of one the galant-uomini, but who would impart +an air to a table at a cafe' where he might sit and partake. The +contrast of this with the emplacement of the establishment on +his bald head-top was to be the success of the idea. It was +plain that I had no baldness, my hair being very thick and I but +twenty-four years of age, when it was explained that my hair +could be shaved. They asked me to accept, alas! not a part in +the Revue, but a specialty as a sandwich-man. Knowing the +English tongue as I do, I may afford the venturesomeness to play +upon it a little: I asked for bread, and they offered me not a +role, but a sandwich! + +It must be undoubted that I possessed not the disposition to +make any fun with my accomplishments during those days that I +spent under the awning of the Cafe' de la Paix. I had consented +to be the advertisement in greatest desperation, and not +considering what the reality would be. Having consented, honour +compelled that I fulfil to the ending. Also, the costume and +outfittings I wore were part of my emolument. They had been +constructed for me by the finest tailor; and though I had +impulses, often, to leap up and fight through the noisy ones +about me and run far to the open country, the very garments I +wore were fetters binding me to remain and suffer. It seemed to +me that the hours were spent not in the centre of a ring of +human persons, but of un-well-made pantaloons and ugly skirts. +Yet all of these pantaloons and skirts had such scrutinous eyes +and expressions of mirth to laugh like demons at my conscious, +burning, painted head; eyes which spread out, astonished at the +sight of me, and peered and winked and grinned from the big +wrinkles above the gaiters of Zouaves, from the red breeches of +the gendarmes, the knickerbockers of the cyclists, the white +ducks of sergents de ville, and the knees of the boulevardiers, +bagged with sitting cross-legged at the little tables. I could +not escape these eyes;--how scornfully they twinkled at me +from the spurred and glittering officers' boots! How with amaze +from the American and English trousers, both turned up and +creased like folded paper, both with some dislike for each other +but for all other trousers more. + +It was only at such times when the mortifications to appear so +greatly embarrassed became stronger than the embarrassment +itself that I could by will power force my head to a straight +construction and look out upon my spectators firmly. On the +second day of my ordeal, so facing the laughers, I found myself +facing straight into the monocle of my half-brother and ill- +wisher, Prince Caravacioli. + +At this, my agitation was sudden and very great, for there was +no one I wished to prevent perceiving my condition more than +that old Antonio Caravacioli! I had not known that he was in +Paris, but I could have no doubt it was himself: the monocle, +the handsome nose, the toupee', the yellow skin, the dyed-black +moustache, the splendid height--it was indeed Caravacioli! He +was costumed for the automobile, and threw but one glance at me +as he crossed the pavement to his car, which was in waiting. +There was no change, not of the faintest, in that frosted tragic +mask of a countenance, and I was glad to think that he had not +recognized me. + +And yet, how strange that I should care, since all his life he +had declined to recognize me as what I was! Ah, I should have +been glad to shout his age, his dyes, his artificialities, to +all the crowd, so to touch him where it would most pain him! For +was he not the vainest man in the whole world? How well I knew +his vulnerable point: the monstrous depth of his vanity in that +pretense of youth which he preserved through superhuman pains +and a genius of a valet, most excellently! I had much to pay +Antonio for myself, more for my father, most for my mother. This +was why that last of all the world I would have wished that old +fortune-hunter to know how far I had been reduced! + +Then I rejoiced about that change which my unreal baldness +produced in me, giving me a look of forty years instead of +twenty-four, so that my oldest friend must take at least three +stares to know me. Also, my costume would disguise me from the +few acquaintances I had in Paris (if they chanced to cross the +Seine), as they had only seen me in the shabbiest; while, at my +last meeting with Antonio, I had been as fine in the coat as +now. + +Yet my encouragement was not so joyful that my gaze lifted +often. On the very last day, in the afternoon when my +observances were most and noisiest, I lifted my eyes but once +during the final half-hour--but such a one that was! + +The edge of that beautiful grey pongee skirt came upon the lid +of my lowered eyelid like a cool shadow over hot sand. A sergent +had just made many of the people move away, so there remained +only a thin ring of the laughing pantaloons about me, when this +divine skirt presented its apparition to me. A pair of North- +American trousers accompanied it, turned up to show the ankle- +bones of a rich pair of stockings; neat, enthusiastic and +humorous, I judged them to be; for, as one may discover, my only +amusement during my martyrdom--if this misery can be said to +possess such alleviatings--had been the study of feet, +pantaloons, and skirts. The trousers in this case detained my +observation no time. They were but the darkest corner of the +chiaroscuro of a Rembrandt--the mellow glow of gold was all +across the grey skirt. + +How shall I explain myself, how make myself understood? Shall I +be thought sentimentalistic or but mad when I declare that my +first sight of the grey pongee skirt caused me a thrill of +excitation, of tenderness, and--oh-i-me!--of self- +consciousness more acute than all my former mortifications. It +was so very different from all other skirts that had shown +themselves to me those sad days, and you may understand that, +though the pantaloons far outnumbered the skirts, many hundreds +of the latter had also been objects of my gloomy observation. + +This skirt, so unlike those which had passed, presented at once +the qualifications of its superiority. It had been constructed +by an artist, and it was worn by a lady. It did not pine, it did +not droop; there was no more an atom of hanging too much than +there was a portion inflated by flamboyancy; it did not assert +itself; it bore notice without seeking it. Plain but exquisite, +it was that great rarity--goodness made charming. + +The peregrination of the American trousers suddenly stopped as +they caught sight of me, and that precious skirt paused, +precisely in opposition to my little table. I heard a voice, +that to which the skirt pertained. It spoke the English, but not +in the manner of the inhabitants of London, who seem to sing +undistinguishably in their talking, although they are +comprehensible to each other. To an Italian it seems that many +North-Americans and English seek too often the assistance of the +nose in talking, though in different manners, each equally +unagreeable to our ears. The intelligent among our lazzaroni of +Naples, who beg from tourists, imitate this, with the purpose of +reminding the generous traveller of his home, in such a way to +soften his heart. But there is some difference: the Italian, the +Frenchman, or German who learns English sometimes misunderstands +the American: the Englishman he sometimes understands. + +This voice that spoke was North-American. Ah, what a voice! +Sweet as the mandolins of Sorento! Clear as the bells of Capri! +To hear it, was like coming upon sight of the almond-blossoms of +Sicily for the first time, or the tulip-fields of Holland. Never +before was such a voice! + +"Why did you stop, Rufus?" it said. + +"Look!" replied the American trousers; so that I knew the pongee +lady had not observed me of herself. + +Instantaneously there was an exclamation, and a pretty grey +parasol, closed, fell at my feet. It is not the pleasantest to +be an object which causes people to be startled when they behold +you; but I blessed the agitation of this lady, for what caused +her parasol to fall from her hand was a start of pity. + +"Ah!" she cried. "The poor man!" + +She had perceived that I was a gentleman. + +I bent myself forward and lifted the parasol, though not my eyes +I could not have looked up into the face above me to be +Caesar! Two hands came down into the circle of my observation; +one of these was that belonging to the trousers, thin, long, and +white; the other was the grey-gloved hand of the lady, and never +had I seen such a hand--the hand of an angel in a suede glove, +as the grey skirt was the mantle of a saint made by Doucet. I +speak of saints and angels; and to the large world these may +sound like cold words.--It is only in Italy where some people +are found to adore them still. + +I lifted the parasol toward that glove as I would have moved to +set a candle on an altar. Then, at a thought, I placed it not in +the glove, but in the thin hand of the gentleman. At the same +time the voice of the lady spoke to me--I was to have the joy +of remembering that this voice had spoken four words to me. + +"Je vous remercie, monsieur," it said. + +"Pas de quoi!" I murmured. + +The American trousers in a loud tone made reference in the idiom +to my miserable head: "Did you ever see anything to beat it?" + +The beautiful voice answered, and by the gentleness of her +sorrow for me I knew she had no thought that I might understand. +"Come away. It is too pitiful!" + +Then the grey skirt and the little round-toed shoes beneath it +passed from my sight, quickly hidden from me by the increasing +crowd; yet I heard the voice a moment more, but fragmentarily: +"Don't you see how ashamed he is, how he must have been starving +before he did that, or that someone dependent on him needed--" + +I caught no more, but the sweetness that this beautiful lady +understood and felt for the poor absurd wretch was so great that +I could have wept. I had not seen her face; I had not looked up +--even when she went. + +"Who is she?" cried a scoundrel voyous, just as she turned. +"Madame of the parasol? A friend of monsieur of the ornamented +head?" + +"No. It is the first lady in waiting to his wife, Madame la +Duchesse," answered a second. "She has been sent with an equerry +to demand of monseigneur if he does not wish a little sculpture +upon his dome as well as the colour decorations!" + +"'Tis true, my ancient?" another asked of me. + +I made no repartee, continuing to sit with my chin dependent +upon my cravat, but with things not the same in my heart as +formerly to the arrival of that grey pongee, the grey glove, and +the beautiful voice. + +Since King Charles the Mad, in Paris no one has been completely +free from lunacy while the spring-time is happening. There is +something in the sun and the banks of the Seine. The Parisians +drink sweet and fruity champagne because the good wines are +already in their veins. These Parisians are born intoxicated and +remain so; it is not fair play to require them to be like other +human people. Their deepest feeling is for the arts; and, as +everyone had declared, they are farceurs in their tragedies, +tragic in their comedies. They prepare the last epigram in the +tumbril; they drown themselves with enthusiasm about the +alliance with Russia. In death they are witty; in war they have +poetic spasms; in love they are mad. + +The strangest of all this is that it is not only the Parisians +who are the insane ones in Paris; the visitors are none of them +in behaviour as elsewhere. You have only to go there to become +as lunatic as the rest. Many travellers, when they have +departed, remember the events they have caused there as a person +remembers in the morning what he has said and thought in the +moonlight of the night. + +In Paris it is moonlight even in the morning; and in Paris one +falls in love even more strangely than by moonlight. + +It is a place of glimpses: a veil fluttering from a motor-car, a +little lace handkerchief fallen from a victoria, a figure +crossing a lighted window, a black hat vanishing in the distance +of the avenues of the Tuileries. A young man writes a ballade +and dreams over a bit of lace. Was I not, then, one of the least +extravagant of this mad people? Men have fallen in love with +photographs, those greatest of liars; was I so wild, then, to +adore this grey skirt, this small shoe, this divine glove, the +golden-honey voice--of all in Paris the only one to pity and +to understand? Even to love the mystery of that lady and to +build my dreams upon it?--to love all the more because of the +mystery? Mystery is the last word and the completing charm to a +young man's passion. Few sonnets have been written to wives +whose matrimony is more than five years of age--is it not so? + + + +Chapter Two + + +When my hour was finished and I in liberty to leave that +horrible corner, I pushed out of the crowd and walked down the +boulevard, my hat covering my sin, and went quickly. To be in +love with my mystery, I thought, that was a strange happiness! +It was enough. It was romance! To hear a voice which speaks two +sentences of pity and silver is to have a chime of bells in the +heart. But to have a shaven head is to be a monk! And to have a +shaven head with a sign painted upon it is to be a pariah. Alas! +I was a person whom the Parisians laughed at, not with! + +Now that at last my martyrdom was concluded, I had some +shuddering, as when one places in his mouth a morsel of +unexpected flavour. I wondered where I had found the courage to +bear it, and how I had resisted hurling myself into the river, +though, as is known, that is no longer safe, for most of those +who attempt it are at once rescued, arrested, fined, and +imprisoned for throwing bodies into the Seine, which is +forbidden. + +At the theatre the frightful badge was removed from my head-top +and I was given three hundred francs, the price of my shame, +refusing an offer to repeat the performance during the following +week. To imagine such a thing made me a choking in my throat, +and I left the bureau in some sickness. This increased so much +(as I approached the Madeleine, where I wished to mount an +omnibus) that I entered a restaurant and drank a small glass of +cognac. Then I called for writing-papers and wrote to the good +Mother Superior and my dear little nieces at their convent. I +enclosed two hundred and fifty francs, which sum I had fallen +behind in my payments for their education and sustenance, and I +felt a moment's happiness that at least for a while I need not +fear that my poor brother's orphans might become objects of +charity--a fear which, accompanied by my own hunger, had led +me to become the joke of the boulevards. + +Feeling rich with my remaining fifty francs, I ordered the +waiter to bring me a goulasch and a carafe of blond beer, after +the consummation of which I spent an hour in the reading of a +newspaper. Can it be credited that the journal of my perusement +was the one which may be called the North-American paper of the +aristocracies of Europe? Also, it contains some names of the +people of the United States at the hotels and elsewhere. + +How eagerly I scanned those singular columns! Shall I confess to +what purpose? I read the long lists of uncontinental names over +and over, but I lingered not at all upon those like "Muriel," +"Hermione," "Violet," and "Sibyl," nor over "Balthurst," +"Skeffington-Sligo," and "Covering-Legge"; no, my search was for +the Sadies and Mamies, the Thompsons, Van Dusens, and Bradys. In +that lies my preposterous secret. + +You will see to what infatuation those words of pity, that sense +of a beautiful presence, had led me. To fall in love must one +behold a face? Yes; at thirty. At twenty, when one is something +of a poet--No: it is sufficient to see a grey pongee skirt! At +fifty, when one is a philosopher--No: it is enough to perceive +a soul! I had done both; I had seen the skirt; I had perceived +the soul! Therefore, while hungry, I neglected my goulasch to +read these lists of names of the United States again and again, +only that I might have the thought that one of them--though I +knew not which--might be this lady's, and that in so +infinitesimal a degree I had been near her again. Will it be +estimated extreme imbecility in me when I ventured the +additional confession that I felt a great warmth and tenderness +toward the possessors of all these names, as being, if not +herself, at least her compatriots? + +I am now brought to the admission that before to-day I had +experienced some prejudices against the inhabitants of the +North-American republic, though not on account of great +experience of my own. A year previously I had made a disastrous +excursion to Monte Carlo in the company of a young gentleman of +London who had been for several weeks in New York and Washington +and Boston, and appeared to know very much of the country. He +was never anything but tired in speaking of it, and told me a +great amount. He said many times that in the hotels there was +never a concierge or portier to give you information where to +discover the best vaudeville; there was no concierge at all! In +New York itself, my friend told me, a facchino, or species of +porter, or some such good-for-nothing, had said to him, +including a slap on the shoulder, "Well, brother, did you +receive your delayed luggage correctly?" (In this instance my +studies of the North-American idiom lead me to believe that my +friend was intentionally truthful in regard to the +principalities, but mistaken in his observation of detail.) He +declared the recent willingness of the English to take some +interest in the United-Statesians to be a mistake; for their +were noisy, without real confidence in themselves; they were +restless and merely imitative instead of inventive. He told me +that he was not exceptional; all Englishmen had thought +similarly for fifty or sixty years; therefore, naturally, his +opinion carried great weight with me. And myself, to my +astonishment, I had often seen parties of these republicans +become all ears and whispers when somebody called a prince or a +countess passed by. Their reverence for age itself, in anything +but a horse, had often surprised me by its artlessness, and of +all strange things in the world, I have heard them admire old +customs and old families. It was strange to me to listen, when I +had believed that their land was the only one where happily no +person need worry to remember who had been his great- +grandfather. + +The greatest of my own had not saved me from the decoration of +the past week, yet he was as much mine as he was Antonio +Caravacioli's; and Antonio, though impoverished, had his motor- +car and dined well, since I happened to see, in my perusal of +the journal, that he had been to dinner the evening before at +the English Embassy with a great company. "Bravo, Antonio! Find +a rich foreign wife if you can, since you cannot do well for +yourself at home!" And I could say so honestly, without spite, +for all his hatred of me,--because, until I had paid my +addition, I was still the possessor of fifty francs! + +Fifty francs will continue life in the body of a judicial person +a long time in Paris, and combining that knowledge and the good +goulasch, I sought diligently for "Mamies" and "Sadies" with a +revived spirit. I found neither of those adorable names--in +fact, only two such diminutives, which are more charming than +our Italian ones: A Miss Jeanie Archibald Zip and a Miss Fannie +Sooter. None of the names was harmonious with the grey pongee -- +in truth, most of them were no prettier (however less +processional) than royal names. I could not please myself that I +had come closer to the rare lady; I must be contented that the +same sky covered us both, that the noise of the same city rang +in her ears as mine. + +Yet that was a satisfaction, and to know that it was true gave +me mysterious breathlessness and made me hear fragments of old +songs during my walk that night. I walked very far, under the +trees of the Bois, where I stopped for a few moments to smoke a +cigarette at one of the tables outside, at Armenonville. + +None of the laughing women there could be the lady I sought; and +as my refusing to command anything caused the waiter uneasiness, +in spite of my prosperous appearance, I remained but a few +moments, then trudged on, all the long way to the Cafe' de +Madrid, where also she was not. + +How did I assure myself of this since I had not seen her face? I +cannot tell you. Perhaps I should not have known her; but that +night I was sure that I should. + +Yes, as sure of that as I was sure that she was beautiful! + + + +Chapter Three + + +Early the whole of the next day, endeavoring to look +preoccupied, I haunted the lobbies and vicinity of the most +expensive hotels, unable to do any other thing, but ashamed of +myself that I had not returned to my former task of seeking +employment, although still reassured by possession of two louis +and some silver, I dined well at a one-franc coachman's +restaurant, where my elegance created not the slightest +surprise, and I felt that I might live in this way indefinitely. + +However, dreams often conclude abruptly, and two louis always +do, as I found, several days later, when, after paying the rent +for my unspeakable lodging and lending twenty francs to a poor, +bad painter, whom I knew and whose wife was ill, I found myself +with the choice of obtaining funds on my finery or not eating, +either of which I was very loath to do. It is not essential for +me to tell any person that when you seek a position it is better +that you appear not too greatly in need of it; and my former +garments had prejudiced many against me, I fear, because they +had been patched by a friendly concierge. Pantaloons suffer as +terribly as do antiques from too obvious restorations; and while +I was only grateful to the good woman's needle (except upon one +occasion when she forgot to remove it), my costume had reached, +at last, great sympathies for the shade of Praxiteles, feeling +the same melancholy over original intentions so far +misrepresented by renewals. + +Therefore I determined to preserve my fineries to the uttermost; +and it was fortunate that I did so; because, after dining, for +three nights upon nothing but looking out of my window, the +fourth morning brought me a letter from my English friend. I had +written to him, asking if he knew of any people who wished to +pay a salary to a young man who knew how to do nothing. I place +his reply in direct annexation: + +"Henrietta Street, Cavendish Square, May 14. + +"My dear Ansolini,--Why haven't you made some of your +relatives do something? I understand that they do not like you; +neither do my own, but after our crupper at Monte Carlo what +could mine do, except provide? If a few pounds (precious few, I +fear!) be of any service to you, let me know. In the mean time, +if you are serious about a position, I may, preposterously +enough, set you in the way of it. There is an old thundering +Yankee here, whom I met in the States, and who believed me a god +because I am the nephew of my awful uncle, for whose career he +has ever had, it appears, a life-long admiration, sir! Now, by +chance, meeting this person in the street, it developed that he +had need of a man, precisely such a one as you are not: a sober, +tutorish, middle-aged, dissenting parson, to trot about the +Continent tied to a dancing bear. It is the old gentleman's cub, +who is a species of Caliban in fine linen, and who has taken a +few too many liberties in the land of the free. In fact, I +believe he is much a youth of my own kind with similar +admiration for baccarat and good cellars. His father must return +at once, and has decided (the cub's native heath and friends +being too wild) to leave him in charge of a proper guide, +philosopher, courier, chaplain, and friend, if such can be +found, the same required to travel with the cub and keep him out +of mischief. I thought of your letter directly, and I have given +you the most tremendous recommendation--part of it quite true, +I suspect, though I am not a judge of learning. I explained, +however, that you are a master of languages, of elegant though +subdued deportment, and I extolled at length your saintly +habits. Altogether, I fear there may have been too much of the +virtuoso in my interpretation of you; few would have recognized +from it the gentleman who closed a table at Monte Carlo and +afterwards was closed himself in the handsome and spectacular +fashion I remember with both delight and regret. Briefly, I lied +like a master. He almost had me in the matter of your age; it +was important that you should be middle-aged. I swore that you +were at least thirty-eight, but, owing to exemplary habits, +looked very much younger. The cub himself is twenty-four. + +"Hence, if you are really serious and determined not to appeal +to your people, call at once upon Mr. Lambert R. Poor, of the +Hotel d'Iena. He is the father, and the cub is with him. The +elder Yankee is primed with my praises of you, and must engage +someone at once, as he sails in a day or two. Go--with my +blessing, an air of piety, and as much age as you can assume. +When the father has departed, throw the cub into the Seine, but +preserve his pocket-book, and we shall have another go at those +infernal tables. Vale! J.G.S." + +I found myself smiling--I fear miserably--over this kind +letter, especially at the wonder of my friend that I had not +appealed to my relatives. The only ones who would have liked to +help me, if they had known I needed something, were my two +little nieces who were in my own care; because my father, being +but a poet, had no family, and my mother had lost hers, even her +eldest son, by marrying my father. After that they would have +nothing to do with her, nor were they asked. That rascally old +Antonio was now the head of all the Caravacioli, as was I of my +own outcast branch of our house--that is, of my two little +nieces and myself. It was partly of these poor infants I had +thought when I took what was left of my small inheritance to +Monte Carlo, hoping, since I seemed to be incapable of +increasing it in any other way, that number seventeen and black +would hand me over a fortune as a waiter does wine. Alas! Luck +is not always a fool's servant, and the kind of fortune she +handed me was of that species the waiter brings you in the other +bottle of champagne, the gold of a bubbling brain, lasting an +hour. After this there is always something evil to one's head, +and mine, alas! was shaved. + +Half an hour after I had read the letter, the little paper- +flower makers in the attic window across from mine may have seen +me shaving it--without pleasure--again. What else was I to +do? I could not well expect to be given the guardianship of an +erring young man if I presented myself to his parent as a +gentleman who had been sitting at the Cafe' de la Paix with his +head painted. I could not wear my hat through the interview. I +could not exhibit the thick five days' stubble, to appear in +contrast with the heavy fringe that had been spared;--I could +not trim the fringe to the shortness of the stubble; I should +have looked like Pierrot. I had only, then, to remain bald, and, +if I obtained the post, to shave in secret--a harmless and +mournful imposition. + +It was well for me that I came to this determination. I believe +it was the appearance of maturity which my head and dining upon +thoughts lent me, as much as my friend's praises, which created +my success with the amiable Mr. Lambert R. Poor. I witness that +my visit to him provided one of the most astonishing interviews +of my life. He was an instance of those strange beings of the +Western republic, at whom we are perhaps too prone to pass from +one of ourselves to another the secret smile, because of some +little imperfections of manner. It is a type which has grown +more and more familiar to us, yet never less strange: the man in +costly but severe costume, big, with a necessary great +waistcoat, not noticing the loudness of his own voice; as +ignorant of the thousand tiny things which we observe and feel +as he would be careless of them (except for his wife) if he +knew. We laugh at him, sometimes even to his face, and he does +not perceive it. We are a little afraid that he is too large to +see it; hence too large for us to comprehend, and in spite of +our laughter we are always conscious of a force--yes, of a +presence! We jeer slyly, but we respect, fear a little, and +would trust. + +Such was my patron. He met me with a kind greeting, looked at me +very earnestly, but smiling as if he understood my good +intentions, as one understands the friendliness of a capering +poodle, yet in such a way that I could not feel resentment, for +I could see that he looked at almost everyone in the same +fashion. + +My friend had done wonders for me; and I made the best account +of myself that I could, so that within half an hour it was +arranged that I should take charge of his son, with an +honourarium which gave me great rejoicing for my nieces and my +accumulated appetite. + +"I think I can pick men," he said, "and I think that you are the +man I want. You're old enough and you've seen enough, and you +know enough to keep one fool boy in order for six months." + +So frankly he spoke of his son, yet not without affection and +confidence. Before I left, he sent for the youth himself, +Lambert R. Poor, Jr.,--not at all a Caliban, but a most +excellent-appearing, tall gentleman, of astonishingly meek +countenance. He gave me a sad, slow look from his blue eyes at +first; then with a brightening smile he gently shook my hand, +murmuring that he was very glad in the prospect of knowing me +better; after which the parent defined before him, with singular +elaboration, my duties. I was to correct all things in his +behaviour which I considered improper or absurd. I was to +dictate the line of travel, to have a restraining influence upon +expenditures; in brief, to control the young man as a governess +does a child. + +To all of his parent's instructions Poor Jr. returned a dutiful +nod and expressed perfect acquiescence. The following day the +elder sailed from Cherbourg, and I took up my quarters with the +son. + + + +Chapter Four + + +It is with the most extreme mortification that I record my +ensuing experiences, for I felt that I could not honourably +accept my salary without earning it by carrying out the parent +Poor's wishes. That first morning I endeavoured to direct my +pupil's steps toward the Musee de Cluny, with the purpose of +inciting him to instructive study; but in the mildest, yet most +immovable manner, he proposed Longchamps and the races as a +substitute, to conclude with dinner at La Cascade and supper at +Maxim's or the Cafe' Blanche, in case we should meet engaging +company. I ventured the vainest efforts to reason with him, +making for myself a very uncomfortable breakfast, though without +effect upon him of any visibility. His air was uninterruptedly +mild and modest; he rarely lifted his eyes, but to my most +earnest argument replied only by ordering more eggs and saying +in a chastened voice: + +"Oh no; it is always best to begin school with a vacation. To +Longchamps--we!" + +I should say at once that through this young man I soon became +an amateur of the remarkable North-American idioms, of humour +and incomparable brevities often more interesting than those +evolved by the thirteen or more dialects of my own Naples. Even +at our first breakfast I began to catch lucid glimpses of the +intention in many of his almost incomprehensible statements. I +was able, even, to penetrate his meaning when he said that +although he was "strong for aged parent," he himself had +suffered much anguish from overwork of the "earnest youth +racquette" in his late travels, and now desired to "create +considerable trouble for Paris." + +Naturally, I did not wish to begin by antagonizing my pupil -- +an estrangement at the commencement would only lead to his +deceiving me, or a continued quarrel, in which case I should be +of no service to my kind patron, so that after a strained +interval I considered it best to surrender. + +We went to Longchamps. + +That was my first mistake; the second was to yield to him +concerning the latter part of his programme; but opposition to +Mr. Poor, Jr. had a curious effect of inutility. He had not in +the least the air of obstinacy,--nothing could have been less +like rudeness; he neither frowned not smiled; no, he did not +seem even to be insisting; on the contrary, never have I beheld +a milder countenance, nor heard a pleasanter voice; yet the +young man was so completely baffling in his mysterious way that +I considered him unique to my experience. + +Thus, when I urged him not to place large wagers in the pesage, +his whispered reply was strange and simple--"Watch me!" This +he conclusively said as he deposited another thousand-franc +note, which, within a few moments, accrued to the French +government. + + +Longchamps was but the beginning of a series of days and nights +which wore upon my constitution--not indeed with the intensity +of mortification which my former conspicuosity had engendered, +yet my sorrows were stringent. It is true that I had been, since +the age of seventeen, no stranger to the gaieties and +dissipations afforded by the capitals of Europe; I may say I had +exhausted these, yet always with some degree of quiet, including +intervals of repose. I was tired of all the great foolishnesses +of youth, and had thought myself done with them. Now I found +myself plunged into more uproarious waters than I had ever known +I, who had hoped to begin a life of usefulness and peace, was +forced to dwell in the midst of a riot, pursuing my +extraordinary charge. + +There is no need that I should describe those days and nights. +They remain in my memory as a confusion of bad music, crowds, +motor-cars and champagne of which Poor Jr. was a distributing +centre. He could never be persuaded to the Louvre, the +Carnavalet, or the Luxembourg; in truth, he seldom rose in time +to reach the museums, for they usually close at four in the +afternoon. Always with the same inscrutable meekness of +countenance, each night he methodically danced the cake-walk at +Maxim's or one of the Montemarte restaurants, to the cheers of +acquaintances of many nationalities, to whom he offered +libations with prodigal enormity. He carried with him, about the +boulevards at night, in the highly powerful car he had hired, +large parties of strange people, who would loudly sing airs from +the Folie-Rouge (to my unhappy shudderings) all the way from the +fatiguing Bal Bullier to the Cafe' de Paris, where the waiters +soon became affluent. + +And how many of those gaily dressed and smiling ladies whose +bright eyes meet yours on the veranda of the Theatre Marigny +were provided with excessive suppers and souvenir fans by the +inexhaustible Poor Jr.! He left a trail of pink hundred-franc +notes behind him, like a running boy dropping paper in the +English game; and he kept showers of gold louis dancing in the +air about him, so that when we entered the various cafes or +"American bars" a cheer (not vocal but to me of perfect +audibility) went up from the hungry and thirsty and borrowing, +and from the attendants. Ah, how tired I was of it, and how I +endeavoured to discover a means to draw him to the museums, and +to Notre Dame and the Pantheon! + +And how many times did I unwillingly find myself in the too +enlivening company of those pretty supper-girls, and what +jokings upon his head-top did the poor bald gentleman not +undergo from those same demoiselles with the bright eyes, the +wonderful hats, and the fluffy dresses! + +How often among those gay people did I find myself sadly +dreaming of that grey pongee skirt and the beautiful heart that +had understood! Should I ever see that lady? Not, I knew, alas! +in the whirl about Poor Jr.! As soon look for a nun at the Cafe' +Blanche! + +For some reason I came to be persuaded that she had left Paris, +that she had gone away; and I pictured her--a little +despairingly--on the borders of Lucerne, with the white Alps +in the sky above her,--or perhaps listening to the evening +songs on the Grand Canal, and I would try to feel the little +rocking of her gondola, making myself dream that I sat at her +feet. Or I could see the grey flicker of the pongee skirt in the +twilight distance of cathedral aisles with a chant sounding from +a chapel; and, so dreaming, I would start spasmodically, to hear +the red-coated orchestra of a cafe' blare out into "Bedelia," +and awake to the laughter and rouge and blague which that dear +pongee had helped me for a moment to forget! + +To all places, Poor Jr., though never unkindly, dragged me with +him, even to make the balloon ascent at the Porte Maillot on a +windy evening. Without embarrassment I confess that I was +terrified, that I clung to the ropes with a clutch which frayed +my gloves, while Poor Jr. leaned back against the side of the +basket and gazed upward at the great swaying ball, with his +hands in his pockets, humming the strange ballad that was his +favourite musical composition: + +"The prettiest girl I ever saw + +Was sipping cider through a straw-aw-haw!" + +In that horrifying basket, scrambling for a foothold while it +swung through arcs that were gulfs, I believed that my sorrows +approached a sudden conclusion, but finding myself again upon +the secure earth, I decided to come to an understanding with the +young man. + +Accordingly, on the following morning, I entered his apartment +and addresses myself to Poor Jr. as severely as I could (for, +truthfully, in all his follies I had found no ugliness in his +spirit--only a good-natured and inscrutable desire of wild +amusement) reminding him of the authority his father had deputed +to me, and having the venturesomeness to hint that the son +should show some respect to my superior age. + +To my consternation he replied by inquiring if I had shaved my +head as yet that morning. I could only drop in a chair, +stammering to know what he meant. + +"Didn't you suppose I knew?" he asked, elevating himself +slightly on his elbow from the pillow. "Three weeks ago I left +my aged parent in London and ran over here for a day. I saw you +at the Cafe' de la Paix, and even then I knew that it was +shaved, not naturally bald. When you came here I recognized you +like a shot, and that was why I was glad to accept you as a +guardian. I've enjoyed myself considerably of late, and you've +been the best part of it,--I think you are a wonderation! I +wouldn't have any other governess for the world, but you surpass +the orchestra when you beg me to respect your years! I will bet +you four dollars to a lead franc piece that you are younger than +I am!" + +Imagine the completeness of my dismay! Although he spoke in +tones the most genial, and without unkindness, I felt myself a +man of tatters before him, ashamed to have him know my sorry +secret, hopeless to see all chance of authority over him gone at +once, and with it my opportunity to earn a salary so generous, +for if I could continue to be but an amusement to him and only +part of his deception of Lambert R. Poor, my sense of honour +must be fit for the guillotine indeed. + +I had a little struggle with myself, and I think I must have +wiped some amounts of the cold perspiration from my absurd head +before I was able to make an answer. It may be seen what a +coward I was, and how I feared to begin again that search for +employment. At last, however, I was in self-control, so that I +might speak without being afraid that my voice would shake. + +"I am sorry," I said. "It seemed to me that my deception would +not cause any harm, and that I might be useful in spite of it -- +enough to earn my living. It was on account of my being very +poor; and there are two little children I must take care of. -- +Well, at least, it is over now. I have had great shame, but I +must not have greater." + +"What do you mean?" he asked me rather sharply. + +"I will leave immediately," I said, going to the door. "Since I +am no more than a joke, I can be of no service to your father or +to you; but you must not think that I am so unreasonable as to +be angry with you. A man whom you have beheld reduced to what I +was, at the Cafe' de la Paix, is surely a joke to the whole +world! I will write to your father before I leave the hotel and +explain that I feel myself unqualified--" + +"You're going to write to him why you give it up!" he exclaimed. + +"I shall make no report of espionage," I answered, with, +perhaps, some bitterness, "and I will leave the letter for you +to read and to send, of yourself. It shall only tell him that as +a man of honour I cannot keep a position for which I have no +qualification." + +I was going to open the door, bidding him adieu, when he called +out to me. + +"Look here!" he said, and he jumped out of bed in his pajamas +and came quickly, and held out his hand. "Look here, Ansolini, +don't take it that way. I know you've had pretty hard times, and +if you'll stay, I'll get good. I'll go to the Louvre with you +this afternoon; we'll dine at one of the Duval restaurants, and +go to that new religious tragedy afterwards. If you like, we'll +leave Paris to-morrow. There's a little too much movement here, +maybe. For God's sake, let your hair grow, and we'll go down to +Italy and study bones and ruins and delight the aged parent! -- +It's all right, isn't it?" + +I shook the hand of that kind Poor Jr. with a feeling in my +heart that kept me from saying how greatly I thanked him--and +I was sure that I could do anything for him in the world! + + + +Chapter Five + + +Three days later saw us on the pretty waters of Lake Leman, in +the bright weather when Mont Blanc heaves his great bare +shoulders of ice miles into the blue sky, with no mist-cloak +about him. + +Sailing that lake in the cool morning, what a contrast to the +champagne houpla nights of Paris! And how docile was my pupil! +He suffered me to lead him through the Castle of Chillon like a +new-born lamb, and even would not play the little horses in the +Kursaal at Geneva, although, perhaps, that was because the +stakes were not high enough to interest him. He was nearly +always silent, and, from the moment of our departure from Paris, +had fallen into dreamfulness, such as would come over myself at +the thought of the beautiful lady. It touched my heart to find +how he was ready with acquiescence to the slightest suggestion +of mine, and, if it had been the season, I am almost credulous +that I could have conducted him to Baireuth to hear Parsifal! + +There were times when his mood of gentle sorrow was so like mine +that I wondered if he, too, knew a grey pongee skirt. I wondered +over this so much, and so marvellingly, also, because of the +change in him, that at last I asked him. + +We had gone to Lucerne; it was clear moonlight, and we smoked on +our little balcony at the Schweitzerhof, puffing our small +clouds in the enormous face of the strangest panorama of the +world, that august disturbation of the earth by gods in battle, +left to be a land of tragic fables since before Pilate was +there, and remaining the same after William Tell was not. I sat +looking up at the mountains, and he leaned on the rail, looking +down at the lake. Somewhere a woman was singing from Pagliacci, +and I slowly arrived at a consciousness that I had sighed aloud +once or twice, not so much sadly, as of longing to see that +lady, and that my companion had permitted similar sounds to +escape him, but more mournfully. It was then that I asked him, +in earnestness, yet with the manner of making a joke, if he did +not think often of some one in North America. + +"Do you believe that could be, and I making the disturbance I +did in Paris?" he returned. + +"Yes," I told him, "if you are trying to forget her." + +"I should think it might look more as if I were trying to forget +that I wasn't good enough for her and that she knew it!" + +He spoke in a voice which he would have made full of ease -- +"off-hand," as they say; but he failed to do so. + +"That was the case?" I pressed him, you see, but smilingly. + +"Looks a good deal like it," he replied, smoking much at once. + +"So? But that is good for you, my friend!" + +"Probably." He paused, smoking still more, and then said, "It's +a benefit I could get on just as well without." + +"She is in North America?" + +"No; over here." + +"Ah! Then we will go where she is. That will be even better for +you! Where is she?" + +"I don't know. She asked me not to follow her. Somebody else is +doing that." + +The young man's voice was steady, and his face, as usual, showed +no emotion, but I should have been an Italian for nothing had I +not understood quickly. So I waited for a little while, then +spoke of old Pilatus out there in the sky, and we went to bed +very late, for it was out last night in Lucerne. + +Two days later we roared our way out of the gloomy St. Gotthard +and wound down the pass, out into the sunshine of Italy, into +that broad plain of mulberries where the silkworms weave to +enrich the proud Milanese. Ah, those Milanese! They are like the +people of Turin, and look down upon us of Naples; they find us +only amusing, because our minds and movements are too quick for +them to understand. I have no respect for the Milanese, except +for three things: they have a cathedral, a picture, and a dead +man. + +We came to our hotel in the soft twilight, with the air so balmy +one wished to rise and float in it. This was the hour for the +Cathedral; therefore, leaving Leonardo and his fresco for the +to-morrow, I conducted my uncomplaining ward forth, and through +that big arcade of which the people are so proud, to the Duomo. +Poor Jr. showed few signs of life as we stood before that +immenseness; he said patiently that it resembled the postals, +and followed me inside the portals with languor. + +It was all grey hollowness in the vast place. The windows showed +not any colour nor light; the splendid pillars soared up into +the air and disappeared as if they mounted to heights of +invisibility in the sky at night. Very far away, at the other +end of the church it seemed, one lamp was burning, high over the +transept. One could not see the chains of support nor the roof +above it; it seemed a great star, but so much all alone. We +walked down the long aisle to stand nearer to it, the darkness +growing deeper as we advanced. When we came almost beneath, both +of us gazing upward, my companion unwittingly stumbled against a +lady who was standing silently looking up at this light, and who +had failed to notice our approach. The contact was severe enough +to dislodge from her hand her folded parasol, for which I began +to grope. + +There was a hurried sentence of excusation from Poor Jr., +followed by moments of silence before she replied. Then I heard +her voice in startled exclamation: + +"Rufus, it is never you?" + +He called out, almost loudly, + +"Alice!" + +Then I knew that it was the second time I had lifted a parasol +from the ground for the lady of the grey pongee and did not see +her face; but this time I placed it in her own hand; for my head +bore no shame upon it now. + +In the surprise of encountering Poor Jr. I do not think she +noticed that she took the parasol or was conscious of my +presence, and it was but too secure that my young friend had +forgotten that I lived. I think, in truth, I should have +forgotten it myself, if it had not been for the leaping of my +heart. + +Ah, that foolish dream of mine had proven true: I knew her, I +knew her, unmistaking, without doubt or hesitancy--and in the +dark! How should I know at the mere sound of her voice? I think +I knew before she spoke! + +Poor Jr. had taken a step toward her as she fell back; I could +only see the two figures as two shadows upon shadow, while for +them I had melted altogether and was forgotten. + +"You think I have followed you," he cried, "but you have no +right to think it. It was an accident and you've got to believe +me!" + +"I believe you," she answered gently. "Why should I not?" + +"I suppose you want me to clear out again," he went on, "and I +will; but I don't see why." + +Her voice answered him out of the shadow: "It is only you who +make a reason why. I'd give anything to be friends with you; +you've always known that." + +"Why can't we be?" he said, sharply and loudly. "I've changed a +great deal. I'm very sensible, and I'll never bother you again +-- that other way. Why shouldn't I see a little of you?" + +I heard her laugh then--happily, it seemed to me,--and I +thought I perceived her to extend her hand to him, and that he +shook it briefly, in his fashion, as if it had been the hand of +a man and not that of the beautiful lady. + +"You know I should like nothing better in the world--since you +tell me what you do," she answered. + +"And the other man?" he asked her, with the same hinting of +sharpness in his tone. "Is that all settled?" + +"Almost. Would you like me to tell you?" + +"Only a little--please!" + +His voice had dropped, and he spoke very quietly, which +startlingly caused me to realize what I was doing. I went out of +hearing then, very softly. Is it creible that I found myself +trembling when I reached the twilit piazza? It is true, and I +knew that never, for one moment, since that tragic, divine day +of her pity, had I wholly despaired of beholding her again; that +in my most sorrowful time there had always been a little, little +morsel of certain knowledge that I should some day be near her +once more. + +And now, so much was easily revealed to me: it was to see her +that the good Lambert R. Poor Jr., had come to Paris, preceding +my patron; it was he who had passed with her on the last day of +my shame, and whom she had addressed by his central name of +Rufus, and it was to his hand that I had restored her parasol. + +I was to look upon her face at last--I knew it--and to speak +with her. Ah, yes, I did tremble! It was not because I feared +she might recognize her poor slave of the painted head-top, nor +that Poor Jr. would tell her. I knew him now too well to think +he would do that, had I been even that other of whom he had +spoken, for he was a brave, good boy, that Poor Jr. No, it was a +trembling of another kind--something I do not know how to +explain to those who have not trembled in the same way; and I +came alone to my room in the hotel, still trembling a little and +having strange quickness of breathing in my chest. + +I did not make any light; I did not wish it, for the precious +darkness of the Cathedral remained with me--magic darkness in +which I beheld floating clouds made of the dust of gold and +vanishing melodies. Any person who knows of these singular +things comprehends how little of them can be told; but to those +people who do not know of them, it may appear all great +foolishness. Such people are either too young, and they must +wait, or too old--they have forgotten! + +It was an hour afterward, and Poor Jr. had knocked twice at my +door, when I lighted the room and opened it to him. He came in, +excitedly flushed, and, instead of taking a chair, began to walk +quickly up and down the floor. + +"I'm afraid I forgot all about you, Ansolini," he said, "but +that girl I ran into is a--a Miss Landry, whom I have known a +long--" + +I put my hand on his shoulder for a moment and said: + +"I think I am not so dull, my friend!" + +He made a blue flash at me with his eyes, then smiled and shook +his head. + +"Yes, you are right," he answered, re-beginning his fast pace +over the carpet. "It was she that I meant in Lucerne--I don't +see why I should not tell you. In Paris she said she didn't want +me to see her again until I could be--freiendly--the old way +instead of something considerably different, which I'd grown +to be. Well, I've just told her not only that I'd behave like a +friend, but that I'd changed and felt like one. Pretty much of a +lie that was!" He laighed, without any amusement. "But it was +successful, and I suppose I can keep it up. At any rate we're +going over to Venice with her and her mother to-morrow. +Afterwards, we'll see them in Naples just before they sail." + +"To Venice with them!" I could not repress crying out. + +"Yes; we join parties for two days," he said, and stopped at a +window and looked out attentively at nothing before he went on: +"It won't be very long, and I don't suppose it will ever happen +again. The other man is to meet them in Rome. He's a countryman +of yours, and I believe--I believe it's--about--settled!" + +He pronounced these last words in an even voice, but how slowly! +Not more slowly than the construction of my own response, which +I heard myself making: + +"This countryman of mine--who is he?" + +"One of your kind of Kentucky Colonels," Poor Jr. laughed +mournfully. At first I did not understand; then it came to me +that he had sometimes previously spoken in that idiom of the +nobles, and that it had been his custom to address one of his +Parisian followers, a vicomte, as "Colonel." + +"What is his name?" + +"I can't pronounce it, and I don't know how to spell it," he +answered. "And that doesn't bring me to the verge of the grave! +I can bear to forget it, at least until we get to Naples!" + +He turned and went to the door, saying, cheerfully: "Well, old +horse-thief" (such had come to be his name for me sometimes, and +it was pleasant to hear), "we must be dressing. They're at this +hotel, and we dine with them to-night." + + + +Chapter Six + + +How can I tell of the lady of the pongee--now that I beheld +her? Do you think that, when she came that night to the salon +where we were awaiting her, I hesitated to lift my eyes to her +face because of a fear that it would not be so beautiful as the +misty sweet face I had dreamed would be hers? Ah, no! It was the +beauty which was in her heart that had made me hers; yet I knew +that she was beautiful. She was fair, that is all I can tell. I +cannot tell of her eyes, her height, her mouth; I saw her +through those clouds of the dust of gold--she was all glamour +and light. It was to be seen that everyone fell in love with her +at once; that the chef d'orchestre came and played to her; and +the waiters--you should have observed them!--made silly, +tender faces through the great groves of flowers with which Poor +Jr. had covered the table. It was most difficult for me to +address her, to call her "Miss Landry." It seemed impossible +that she should have a name, or that I should speak to her +except as "you." + +Even, I cannot tell very much of her mother, except that she was +adorable because of her adorable relationship. She was florid, +perhaps, and her conversation was of commonplaces and echoes, +like my own, for I could not talk. It was Poor Jr. who made the +talking, and in spite of the spell that was on me, I found +myself full of admiration and sorrow for that brave fellow. He +was all gaieties and little stories in a way I had never heard +before; he kept us in quiet laughter; in a word, he was +charming. The beautiful lady seemed content to listen with the +greatest pleasure. She talked very little, except to encourage +the young man to continue. I do not think she was brilliant, as +they call it, or witty. She was much more than that in her +comprehension, in her kindness--her beautiful kindness! + +She spoke only once directly to me, except for the little things +one must say. "I am almost sure I have met you, Signor +Ansolini." + +I felt myself burning up and knew that the conflagration was +visible. So frightful a blush cannot be prevented by will-power, +and I felt it continuing in hot waves long after Poor Jr. had +effected salvation for me by a small joke upon my +cosmopolitanism. + +Little sleep visited me that night. The darkness of my room was +luminous and my closed eyes became painters, painting so +radiantly with divine colours--painters of wonderful portraits +of this lady. Gallery after gallery swam before me, and the +morning brought only more! + +What a ride it was to Venice that day! What magical airs we rode +through, and what a thieving old trickster was time, as he +always becomes when one wishes hours to be long! I think Poor +Jr. had made himself forget everything except that he was with +her and that he must be a friend. He committed a thousand +ridiculousnesses at the stations; he filled one side of the +compartment with the pretty chianti-bottles, with terrible +cakes, and with fruits and flowers; he never ceased his joking, +which had no tiresomeness in it, and he made the little journey +one of continuing, happy laughter. + +And that evening another of my foolish dreams came true! I sat +in a gondola with the lady of the grey pongee to hear the +singing on the Grand Canal;--not, it is true, at her feet, but +upon a little chair beside her mother. It was my place--to be, +as I had been all day, escort to the mother, and guide and +courier for that small party. Contented enough was I to accept +it! How could I have hoped that the Most Blessed Mother would +grant me so much nearness as that? It was not happiness that I +felt, but something so much more precious, as though my heart- +strings were the strings of a harp, and sad, beautiful arpeggios +ran over them. + +I could not speak much that evening, nor could Poor Jr. We were +very silent and listened to the singing, our gondola just +touching the others on each side, those in turn touching others, +so that a musician from the barge could cross from one to +another, presenting the hat for contributions. In spite of this +extreme propinquity, I feared the collector would fall into the +water when he received the offering of Poor Jr. It was +"Gra-a-az', Mi-lor! Graz'!" a hundred times, with bows and +grateful smiles indeed! + +It is the one place in the world where you listen to a bad voice +with pleasure, and none of the voices are good--they are harsh +and worn with the night-singing--yet all are beautiful because +they are enchanted. + +They sang some of our own Neapolitan songs that night, and last +of all the loveliest of all, "La Luna Nova." It was to the +cadence of it that our gondoliers moved us out of the throng, +and it still drifted on the water as we swung, far down, into +sight of the lights of the Ledo: + +"Luna d'ar-gen-to fal-lo so-gnar-- + +Ba-cia-lo in fron-te non lo de-star. . . ." + +Not so sweetly came those measures as the low voice of the +beautiful lady speaking them. + +"One could never forget it, never!" she said. "I might hear it a +thousand other times and forget them, but never this first +time." + +I perceived that Poor Jr. turned his face abruptly toward hers +at this, but he said nothing, by which I understood not only his +wisdom but his forbearance. + +"Strangely enough," she went on, slowly, "that song reminded me +of something in Paris. Do you remember"--she turned to Poor +Jr.--"that poor man we saw in front of the Cafe' de la Paix +with the sign painted upon his head?" + +Ah, the good-night, with its friendly cloak! The good, kind +night! + +"I remember," he answered, with some shortness. "A little +faster, boatman!" + +"I don't know what made it," she said, "I can't account for it, +but I've been thinking of him all through that last song." + +Perhaps not so strange, since one may know how wildly that poor +devil had been thinking of her! + +"I've thought of him so often," the gentle voice went on. "I +felt so sorry for him. I never felt sorrier for any one in my +life. I was sorry for the poor, thin cab-horses in Paris, but I +was sorrier for him. I think it was the saddest sight I ever +saw. Do you suppose he still has to do that, Rufus?" + +"No, no," he answered, in haste. "He'd stopped before I left. +He's all right, I imagine. Here's the Danieli." + +She fastened a shawl more closely about her mother, whom I, with +a ringing in my ears, was trying to help up the stone steps. +"Rufus, I hope," the sweet voice continued, so gently,--"I +hope he's found something to do that's very grand! Don't you? +Something to make up to him for doing that!" + +She had not the faintest dream that it was I. It was just her +beautiful heart. + +The next afternoon Venice was a bleak and empty setting, the +jewel gone. How vacant it looked, how vacant it was! We made not +any effort to penetrate the galleries; I had no heart to urge my +friend. For us the whole of Venice had become one bridge of +sighs, and we sat in the shade of the piazza, not watching the +pigeons, and listening very little to the music. There are times +when St. Mark's seems to glare at you with Byzantine cruelty, +and Venice is too hot and too cold. So it was then. Evening +found us staring out at the Adriatic from the terrace of a cafe' +on the Ledo, our coffee cold before us. Never was a greater +difference than that in my companion from the previous day. Yet +he was not silent. He talked of her continually, having found +that he could talk of her to me--though certainly he did not +know why it was or how. He told me, as we sat by the grey- +growing sea, that she had spoken of me. + +"She liked you, she liked you very much," he said. "She told me +she liked you because you were quiet and melancholy. Oh Lord, +though, she likes everyone, I suppose! I believe I'd have a +better chance with her if I hadn't always known her. I'm afraid +that this damn Italian--I beg your pardon, Ansolini!--" + +"Ah, no," I answered. "It is sometimes well said." + +"I'm afraid his picturesqueness as a Kentucky Colonel appeals to +her too much. And then he is new to her--a new type. She only +met him in Paris, and he had done some things in the Abyssinian +war--" + +"What is his rank?" I asked. + +"He's a prince. Cheap down this way; aren't they? I only hope" +--and Poor Jr. made a groan--"it isn't going to be the old +story--and that he'll be good to her if he gets her." + +"Then it is not yet a betrothal?" + +"Not yet. Mrs. Landry told me that Alice had liked him well +enough to promise she'd give him her answer before she sailed, +and that it was going to be yes. She herself said it was almost +settled. That was just her way of breaking it to me, I fear." + +"You have given up, my friend?" + +"What else can I do? I can't go on following her, keeping up +this play at second cousin, and she won't have anything else. +Ever since I grew up she's been rather sorrowful over me because +I didn't do anything but try to amuse myself--that was one of +the reasons she couldn't care for me, she said, when I asked +her. Now this fellow wins, who hasn't done anything either, +except his one campaign. It's not that I ought to have her, but +while I suppose it's a real fascination, I'm afraid there's a +little glitter about being a princess. Even the best of our +girls haven't got over that yet. Ah, well, about me she's right. +I've been a pretty worthless sort. She's right. I've thought it +all over. Three days before they sail we'll go down to Naples +and hear the last word, and whatever it is we'll see them off on +the 'Princess Irene.' Then you and I'll come north and sail by +the first boat from Cherbourg. + +"I--I?" I stammered. + +"Yes," he said. "I'm going to make the aged parent shout with +unmanly glee. I'm going to ask him to take me on as a hand. +He'll take you, too. He uses something like a thousand Italians, +and a man to manage them who can talk to them like a Dutch uncle +is what he has always needed. He liked you, and he'll be glad to +get you." + +He was a good friend, that Poor Jr., you see, and I shook the +hand that he offered me very hard, knowing how great would have +been his embarrassment had I embraced him in our own fashion. + +"And perhaps you will sail on the 'Princess Irene,' after all," +I cried. + +"No," he shook his head sadly, "it will not happen. I have not +been worth it." + + + +Chapter Seven + + +That Naples of mine is like a soiled coronet of white gems, +sparkling only from far away. But I love it altogether, near or +far, and my heart would have leaped to return to it for its own +sake, but to come to it as we did, knowing that the only lady in +the world was there. . . . Again, this is one of those things I +possess no knowledge how to tell, and that those who know do +know. How I had longed for the time to come, how I had feared +it, how I had made pictures of it! + +Yet I feared not so much as my friend, for he had a dim, small +hope, and I had none. How could I have? I--a man whose head +had been painted? I--for whom her great heart had sorrowed as +for the thin, beaten cab-horses of Paris! Hope? All I could hope +was that she might never know, and I be left with some little +shred of dignity in her eyes! + +Who cannot see that it was for my friend to fear? At times, with +him, it was despair, but of that brave kind one loves to see -- +never a quiver of the lip, no winking of the eyes to keep tears +back. And I, although of a people who express everything in +every way, I understood what passed within him and found time to +sorrow for him. + +Most of all, I sorrowed for him as we waited for her on the +terrace of the Bertolini, that perch on the cliff so high that +even the noises of the town are dulled and mingle with the sound +of the thick surf far below. + +Across the city, and beyond, we saw, from the terrace, the old +mountain of the warm heart, smoking amiably, and the lights of +Torre del Greco at its feet, and there, across the bay, I +beheld, as I had nightly so long ago, the lamps of Castellamare, +of Sorrento; then, after a stretch of water, a twinkling which +was Capri. How good it was to know that all these had not taken +advantage of my long absence to run away and vanish, as I had +half feared they would. Those who have lived here love them +well; and it was a happy thought that the beautiful lady knew +them now, and shared them. I had never known quite all their +loveliness until I felt that she knew it too. This was something +that I must never tell her--yet what happiness there was in +it! + +I stood close to the railing, with a rambling gaze over this +enchanted earth and sea and sky, while my friend walked +nervously up and down behind me. We had come to Naples in the +late afternoon, and had found a note from Mrs. Landry at our +hotel, asking us for dinner. Poor Jr. had not spoken more than +twice since he had read me this kind invitation, but now I heard +a low exclamation from him, which let me know who was +approaching; and that foolish trembling got hold of me again as +I turned. + +Mrs. Landry came first, with outstretched hand, making some talk +excusing delay; and, after a few paces, followed the loveliest +of all the world. Beside her, in silhouette against the white +window lights of the hotel, I saw the very long, thin figure of +a man, which, even before I recognized it, carried a certain +ominousness to my mind. + +Mrs. Landry, in spite of her florid contentedness, had sometimes +a fluttering appearance of trivial agitations. + +"The Prince came down from Rome this morning," she said +nervously, and I saw my friend throw back his head like a man +who declines the eye-bandage when they are going to shoot him. +"He is dining with us. I know you will be glad to meet him." + +The beautiful lady took Poor Jr.'s hand, more than he hers, for +he seemed dazed, in spite of the straight way he stood, and it +was easy to behold how white his face was. She made the +presentation of us both at the same time, and as the other man +came into the light, my mouth dropped open with wonder at the +singular chances which the littleness of our world brings about. + +"Prince Caravacioli, Mr. Poor. And this is Signor Ansolini." + +It was my half-brother, that old Antonio! + + + +Chapter Eight + + +Never lived any person with more possession of himself than +Antonio; he bowed to each of us with the utmost amiability; and +for expression--all one saw of it was a little streak of light +in his eye-glass. + +"It is yourself, Raffaele?" he said to me, in the politest +manner, in our own tongue, the others thinking it some +commonplace, and I knew by his voice that the meeting was as +surprising and as exasperating to him as to me. + +Sometimes dazzling flashes of light explode across the eyes of +blind people. Such a thing happened to my own, now, in the +darkness. I found myself hot all over with a certain rashness +that came to me. I felt that anything was possible if I would +but dare enough. + +"I am able to see that it is the same yourself!" I answered, and +made the faintest eye-turn toward Miss Landry. Simultaneously +bowing, I let my hand fall upon my pocket--a language which he +understood, and for which (the Blessed Mother be thanked!) he +perceived that I meant to offer battle immediately, though at +that moment he offered me an open smile of benevolence. He knew +nothing of my new cause for war; there was enough of the old! + +The others were observing us. + +"You have met?" asked the gentle voice of Miss Landry. "You know +each other?" + +"Exceedingly!" I answered, bowing low to her. + +"The dinner is waiting in our own salon," said Mrs. Landry, +interrupting. She led the way with Antonio to an open door on +the terrace where servants were attending, and such a forest of +flowers on the table and about the room as almost to cause her +escort to stagger; for I knew, when I caught sight of them, that +he had never been wise enough to send them. Neither had Poor Jr. +done it out of wisdom, but because of his large way of +performing everything, and his wish that loveliest things should +be a background for that lady. + +Alas for him! Those great jars of perfume, orchids and hyacinths +and roses, almost shut her away from his vision. We were at a +small round table, and she directly in opposition to him. Upon +her right was Antonio, and my heart grew cold to see how she +listened to him. + +For Antonio could talk. At that time he spoke English even +better than I, though without some knowledge of the North- +American idiom which my travels with Poor Jr. had given me. He +was one of those splendid egoists who seem to talk in modesty, +to keep themselves behind scenes, yet who, when the curtain +falls, are discovered to be the heroes, after all, though shown +in so delicate a fashion that the audience flatters itself in +the discovery. + +And how practical was this fellow, how many years he had been +developing his fascinations! I was the only person of that small +company who could have a suspicion that his moustache was dyed, +that his hair was toupee, or that hints of his real age were +scorpions and adders to him. I should not have thought it, if I +had not known it. Here was my advantage: I had known his +monstrous vanity all my life. + +So he talked of himself in his various surreptitious ways until +coffee came, Miss Landry listening eagerly, and my poor friend +making no effort; for what were his quiet United States +absurdities compared to the whole-world gaieties and Abyssinian +adventures of this Othello, particularly for a young girl to +whom Antonio's type was unfamiliar? For the first time I saw my +young man's brave front desert him. His mouth drooped, and his +eyes had an appearance of having gazed long at a bright light. I +saw that he, unhappy one, was at last too sure what her answer +would be. + +For myself, I said very little--I waited. I hoped and believed +Antonio would attack me in his clever, disguised way, for he had +always hated me and my dead brother, and he had never failed to +prove himself too skilful for us. In my expectancy of his +assault there was no mistake. I comprehended Antonio very well, +and I knew that he feared I might seek to do him an injury, +particularly after my inspired speech and gesture upon the +terrace. Also, I felt that he would, if possible, anticipate my +attempt and strike first. I was willing; for I thought myself in +possession of his vulnerable point--never dreaming that he +might know my own! + +At last when he, with the coffee and cigarettes, took the knife +in his hand, he placed a veil over the point. He began, +laughingly, with the picture of a pickpocket he had helped to +catch in London. London was greatly inhabited by pickpockets, +according to Antonio's declaration. Yet, he continued, it was +nothing in comparison to Paris. Paris was the rendezvous, the +world's home, for the criminals, adventurers, and rascals if the +world, English, Spanish, South-Americans, North-Americans,-- +and even Italians! One must beware of people one had met in +Paris! + +"Of course," he concluded, with a most amiable smile, "there are +many good people there also. That is not to be forgotten. If I +should dare to make a risk on such a trifle, for instance, I +would lay wager that you"--he nodded toward Poor Jr.--"made +the acquaintance of Ansolini in Paris?" + +This was of the greatest ugliness in its underneath +significance, though the manner was disarming. Antonio's smile +was so cheerful, his eye-glass so twinkling, that none of them +could have been sure he truly meant anything harmful of me, +though Poor Jr. looked up, puzzled and frowning. + +Before he could answer I pulled myself altogether, as they say, +and leaned forward, resting my elbows upon the table. "It is +true," and I tried to smile as amiably as Antonio. "These +coincidences occur. You meet all the great frauds of the world +in Paris. Was it not there"--I turned to Mrs. Landry--"that +you met the young Prince here?" + +At this there was no mistaking that the others perceived. The +secret battle had begun and was not secret. I saw a wild gleam +in Poor Jr.'s eyes, as if he comprehended that strange things +were to come; but, ah, the face of distress and wonder upon Mrs. +Landry, who beheld the peace of both a Prince and a dinner +assailed; and, alas! the strange and hurt surprise that came +from the lady of the pongee! Let me not be a boastful fellow, +but I had borne her pity and had adored it--I could face her +wonder, even her scorn. + +It was in the flash of her look that I saw my great chance and +what I must try to do. Knowing Antonio, it was as if I saw her +falling into the deep water and caught just one contemptuous +glance from her before the waves hid her. But how much juster +should that contempt have been if I had not tried to save her! + +As for that old Antonio, he might have known enough to beware. I +had been timid with him always, and he counted on it now, but a +man who has shown a painted head-top to the people of Paris will +dare a great deal. + +"As the Prince says," replied Mrs. Landry, with many flutters, +"one meets only the most agreeable people in Paris!" + +"Paris!" I exclaimed. "Ah, that home of ingenuity! How they +paint there! How they live, and how they dye--their beards!" + +You see how the poor Ansolini played the buffoon. I knew they +feared it was wine, I had been so silent until now; but I did +not care, I was beyond care. + +"Our young Prince speaks truly," I cried, raising my voice. "He +is wise beyond his years, this youth! He will be great when he +reaches middle age, for he knows Paris and understands North +America! Like myself, he is grateful that the people of your +continent enrich our own! We need all that you can give us! +Where should we be--any of us" (I raised my voice still louder +and waved my hand to Antonio),--"where should we be, either of +us" (and I bowed to the others) "without you?" + +Mrs. Landry rose with precipitousness, and the beautiful lady, +very red, followed. Antonio, unmistakably stung with the +scorpions I had set upon him, sprang to the door, the palest +yellow man I have ever beheld, and let the ladies pass before +him. + +The next moment I was left alone with Poor Jr. and his hyacinth +trees. + + + +Chapter Nine + + +For several minutes neither of us spoke. Then I looked up to +meet my friend's gaze of perturbation. + +A waiter was proffering cigars. I took one, and waved Poor Jr.'s +hand away from the box of which the waiter made offering. + +"Do not remain!" I whispered, and I saw his sad perplexity. "I +know her answer has not been given. Will you present him his +chance to receive it--just when her sympathy must be stronger +for him, since she will think he has had to bear rudeness?" + +He went out of the door quickly. + +I dod not smoke. I pretended to, while the waiters made the +arrangements of the table and took themselves off. I sat there a +long, long time waiting for Antonio to do what I hoped I had +betrayed him to do. + +It befell at last. + +Poor Jr. came to the door and spoke in his steady voice. +"Ansolini, will you come out here a moment?" + +Then I knew that I had succeeded, had made Antonio afraid that I +would do the thing he himself, in a panic, had already done -- +speak evil of another privately. + +As I reached the door I heard him call out foolishly, "But Mr. +Poor, I beg you--" + +Poor Jr. put his hand on my shoulder, and we walked out into the +dark of the terrace. Antonio was leaning against the railing, +the beautiful lady standing near. Mrs. Landry had sunk into a +chair beside her daughter. No other people were upon the +terrace. + +"Prince Caravacioli has been speaking of you," said Poor Jr., +very quietly. + +"Ah?" said I. + +"I listened to what he said; then I told him that you were my +friend, and that I considered it fair that you should hear what +he had to say. I will repeat what he said, Ansolini. If I +mistake anything, he can interrupt me." + +Antonio laughed, and in such a way, so sincerely, so gaily, that +I was frightened. + +"Very good!" he cried. "I am content. Repeat all." + +"He began," Poor Jr. went on, quietly, though his hand gripped +my shoulder to almost painfulness,--"he began by saying to +these ladies, in my presence, that we should be careful not to +pick up chance strangers to dine, in Italy, and--and he went +on to give me a repetition of his friendly warning about Paris. +He hinted things for a while, until I asked him to say what he +knew of you. Then he said he knew all about you; that you were +an outcast, a left-handed member of his own family, an +adventurer--" + +"It is finished, my friend," I said, interrupting him, and gazed +with all my soul upon the beautiful lady. Her face was as white +as Antonio's or that of my friend, or as my own must have been. +She strained her eyes at me fixedly; I saw the tears standing +still in them, and I knew the moment had come. + +"This Caravacioli is my half-brother," I said. + +Antonio laughed again. "Of what kind!" + +Oh, he went on so easily to his betrayal, not knowing the +United-Statesians and their sentiment, as I did. + +"We had the same mother," I continued, as quietly as I could. +"Twenty years after this young--this somewhat young--Prince +was born she divorced his father, Caravacioli, and married a +poor poet, whose bust you can see on the Pincian in Rome, though +he died in the cheapest hotel in Sienna when my true brother and +I were children. This young Prince would have nothing to do with +my mother after her second marriage and--" + +"Marriage!" Antonio laughed pleasantly again. He was admirable. +"This is an old tale which the hastiness of our American friend +has forced us to rehearse. The marriage was never recognized by +the Vatican, and there was not twenty years--" + +"Antonio, it is the age which troubles you, after all!" I said, +and laughed heartily, loudly, and a long time, in the most good- +natured way, not to be undone as an actor. + +"Twenty years," I repeated. "But what of it? Some of the best +men in the world use dyes and false--" + +At this his temper went away from him suddenly and completely. I +had struck the right point indeed! + +"You cammorrista!" he cried, and became only himself, his hands +gesturing and flying, all his pleasant manner gone. "Why should +we listen one second more to such a fisherman! The very seiners +of the bay who sell dried sea-horses to the tourists are better +gentlemen than you. You can shrug your shoulders! I saw you in +Paris, though you thought I did not! Oh, I saw you well! Ah! At +the Cafe de la Paiz!" + +At this I cried out suddenly. The sting and surprise of it were +more than I could bear. In my shame I would even have tried to +drown his voice with babblings but after this one cry I could +not speak for a while. He went on triumphantly: + +"This rascal, my dear ladies, who has persuaded you to ask him +to dinner, this camel who claims to be my excellent brother, he, +for a few francs, in Paris, shaved his head and showed it for a +week to the people with an advertisement painted upon it of the +worst ballet in Paris. This is the gentleman with whom you ask +Caravacioli to dine!" + +It was beyond my expectation, so astonishing and so cruel that I +could only look at him for a moment or two. I felt as one who +dreams himself falling forever. Then I stepped forward and +spoke, in thickness of voice, being unable to lift my head: + +"Again it is true what he says. I was that man of the painted +head. I had my true brother's little daughters to care for. They +were at the convent, and I owed for them. It was also partly for +myself, because I was hungry. I could find not any other way, +and so--but that is all." + +I turned and went stumblingly away from them. + +In my agony that she should know, I could do nothing but seek +greater darkness. I felt myself beaten, dizzy with beatings. +That thing which I had done in Paris discredited me. A man whose +head-top had borne an advertisement of the Folie-Rouge to think +he could be making a combat with the Prince Caravacioli! + +Leaning over the railing in the darkest corner of the terrace, I +felt my hand grasped secondarily by that good friend of mine. + +"God bless you!" whispered Poor Jr. + +"On my soul, I believe he's done himself. Listen!" + +I turned. That beautiful lady had stepped out into the light +from the salon door. I could see her face shining, and her eyes +--ah me, how glorious they were! Antonio followed her. + +"But wait," he cried pitifully. + +"Not for you!" she answered, and that voice of hers, always +before so gentle, rang out as the Roman trumpets once rang from +this same cliff. "Not for you! I saw him there with his painted +head and I understood! You saw him there, and you did nothing to +help him! And the two little children--your nieces, too,-- +and he your brother!" + +Then my heart melted and I found myself choking, for the +beautiful lady was weeping. + +"Not for you, Prince Caravacioli," she cried, through her tears, +--"Not for you!" + + + +Chapter Ten + + +All of the beggars in Naples, I think, all of the flower-girls +and boys, I am sure, and all the wandering serenaders, I will +swear, were under our windows at the Vesuve, from six o'clock on +the morning the "Princess Irene" sailed; and there need be no +wonder when it is known that Poor Jr. had thrown handfuls of +silver and five-lire notes from our balcony to strolling +orchestras and singers for two nights before. + +They wakened us with "Addio, la bella Napoli, addio, addio!" +sung to the departing benefactor. When he had completed his +toilet and his coffee, he showed himself on the balcony to them +for a moment. Ah! What a resounding cheer for the signore, the +great North-American nobleman! And how it swelled to a +magnificent thundering when another largess of his came flying +down among them! + +Who could have reproved him? Not Raffaele Ansolini, who was on +his knees over the bags and rugs! I think I even made some +prolongation of that position, for I was far from assured of my +countenance, that bright morning. + +I was not to sail in the "Princess Irene" with those dear +friends. Ah no! I had told them that I must go back to Paris to +say good-bye to my little nieces and sail from Boulogne--and I +am sure they believed that was my reason. I had even arranged to +go away upon a train which would make it not possible for me to +drive to the dock with them. I did not wish to see the boat +carry them away from me. + +And so the farewells were said in the street in all that crowd. +Poor Jr. and I were waiting at the door when the carriage +galloped up. How the crowd rushed to see that lady whom it bore +to us, blushing and laughing! Clouds of gold-dust came before my +eyes again; she wore once more that ineffable grey pongee! + +Servants ran forward with the effects of Poor Jr. and we both +sprang toward the carriage. + +A flower-girl was offering a great basket of loose violets. Poor +Jr. seized it and threw them like a blue rain over the two +ladies. + +"Bravo! Bravo!" + +A hundred bouquets showered into the carriage, and my friend's +silver went out in another shower to meet them. + +"Addio, la bella Napoli!" came from the singers and the violins, +but I cried to them for "La Luna Nova." + +"Good-bye--for a little while--good-bye!" + +I knew how well my friend liked me, because he shook my hand +with his head turned away. Then the grey glove of the beautiful +lady touched my shoulder--the lightest touch in all the world +--as I stood close to the carriage while Poor Jr. climbed in. + +"Good-bye. Thank you--and God bless you!" she said, in a low +voice. And I knew for what she thanked me. + +The driver cracked his whip like an honest Neapolitan. The +horses sprang forward. "Addio, addio!" + +I sang with the musicians, waving and waving and waving my +handkerchief to the departing carriage. + +Now I saw my friend lean over and take the beautiful lady by the +hand, and together they stood up in the carriage and waved their +handkerchiefs to me. Then, but not because they had passed out +of sight, I could see them not any longer. + +They were so good--that kind Poor Jr. and the beautiful lady; +they seemed like dear children--as if they had been my own +dear children. + + +THE END + + + + + + +End of the Project Gutenberg EBook of The Beautiful Lady, by Booth Tarkington + +*** END OF THE PROJECT GUTENBERG EBOOK THE BEAUTIFUL LADY *** + +This file should be named btfll10.txt or btfll10.zip +Corrected EDITIONS of our eBooks get a new NUMBER, btfll11.txt +VERSIONS based on separate sources get new LETTER, btfll10a.txt + + + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. Thus, we usually do not +keep eBooks in compliance with any particular paper edition. + +We are now trying to release all our eBooks one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to tell us about any error or corrections, +even years after the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg eBooks is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. + +Most people start at our Web sites at: +http://gutenberg.net or +http://promo.net/pg + +These Web sites include award-winning information about Project +Gutenberg, including how to donate, how to help produce our new +eBooks, and how to subscribe to our email newsletter (free!). + + +Those of you who want to download any eBook before announcement +can get to them as follows, and just download by date. This is +also a good way to get them instantly upon announcement, as the +indexes our cataloguers produce obviously take a while after an +announcement goes out in the Project Gutenberg Newsletter. + +http://www.ibiblio.org/gutenberg/etext03 or +ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03 + +Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 + +Just search by the first five letters of the filename you want, +as it appears in our Newsletters. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any eBook selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. Our +projected audience is one hundred million readers. If the value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour in 2002 as we release over 100 new text +files per month: 1240 more eBooks in 2001 for a total of 4000+ +We are already on our way to trying for 2000 more eBooks in 2002 +If they reach just 1-2% of the world's population then the total +will reach over half a trillion eBooks given away by year's end. + +The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks! +This is ten thousand titles each to one hundred million readers, +which is only about 4% of the present number of computer users. + +Here is the briefest record of our progress (* means estimated): + +eBooks Year Month + + 1 1971 July + 10 1991 January + 100 1994 January + 1000 1997 August + 1500 1998 October + 2000 1999 December + 2500 2000 December + 3000 2001 November + 4000 2001 October/November + 6000 2002 December* + 9000 2003 November* +10000 2004 January* + + +The Project Gutenberg Literary Archive Foundation has been created +to secure a future for Project Gutenberg into the next millennium. + +We need your donations more than ever! + +As of February, 2002, contributions are being solicited from people +and organizations in: Alabama, Alaska, Arkansas, Connecticut, +Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois, +Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts, +Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New +Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio, +Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South +Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West +Virginia, Wisconsin, and Wyoming. + +We have filed in all 50 states now, but these are the only ones +that have responded. + +As the requirements for other states are met, additions to this list +will be made and fund raising will begin in the additional states. +Please feel free to ask to check the status of your state. + +In answer to various questions we have received on this: + +We are constantly working on finishing the paperwork to legally +request donations in all 50 states. If your state is not listed and +you would like to know if we have added it since the list you have, +just ask. + +While we cannot solicit donations from people in states where we are +not yet registered, we know of no prohibition against accepting +donations from donors in these states who approach us with an offer to +donate. + +International donations are accepted, but we don't know ANYTHING about +how to make them tax-deductible, or even if they CAN be made +deductible, and don't have the staff to handle it even if there are +ways. + +Donations by check or money order may be sent to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + +Contact us if you want to arrange for a wire transfer or payment +method other than by check or money order. + +The Project Gutenberg Literary Archive Foundation has been approved by +the US Internal Revenue Service as a 501(c)(3) organization with EIN +[Employee Identification Number] 64-622154. Donations are +tax-deductible to the maximum extent permitted by law. As fund-raising +requirements for other states are met, additions to this list will be +made and fund-raising will begin in the additional states. + +We need your donations more than ever! + +You can get up to date donation information online at: + +http://www.gutenberg.net/donation.html + + +*** + +If you can't reach Project Gutenberg, +you can always email directly to: + +Michael S. Hart <hart@pobox.com> + +Prof. Hart will answer or forward your message. + +We would prefer to send you information by email. + + +**The Legal Small Print** + + +(Three Pages) + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this eBook, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you may distribute copies of this eBook if you want to. + +*BEFORE!* YOU USE OR READ THIS EBOOK +By using or reading any part of this PROJECT GUTENBERG-tm +eBook, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this eBook by +sending a request within 30 days of receiving it to the person +you got it from. If you received this eBook on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM EBOOKS +This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks, +is a "public domain" work distributed by Professor Michael S. Hart +through the Project Gutenberg Association (the "Project"). +Among other things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this eBook +under the "PROJECT GUTENBERG" trademark. + +Please do not use the "PROJECT GUTENBERG" trademark to market +any commercial products without permission. + +To create these eBooks, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's eBooks and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other eBook medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] Michael Hart and the Foundation (and any other party you may +receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims +all liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this eBook within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold Michael Hart, the Foundation, +and its trustees and agents, and any volunteers associated +with the production and distribution of Project Gutenberg-tm +texts harmless, from all liability, cost and expense, including +legal fees, that arise directly or indirectly from any of the +following that you do or cause: [1] distribution of this eBook, +[2] alteration, modification, or addition to the eBook, +or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this eBook electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + eBook or this "small print!" statement. You may however, + if you wish, distribute this eBook in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word + processing or hypertext software, but only so long as + *EITHER*: + + [*] The eBook, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The eBook may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the eBook (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + eBook in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the eBook refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Foundation of 20% of the + gross profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Literary Archive Foundation" + the 60 days following each date you prepare (or were + legally required to prepare) your annual (or equivalent + periodic) tax return. Please contact us beforehand to + let us know your plans and to work out the details. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +Project Gutenberg is dedicated to increasing the number of +public domain and licensed works that can be freely distributed +in machine readable form. + +The Project gratefully accepts contributions of money, time, +public domain materials, or royalty free copyright licenses. +Money should be paid to the: +"Project Gutenberg Literary Archive Foundation." + +If you are interested in contributing scanning equipment or +software or other items, please contact Michael Hart at: +hart@pobox.com + +[Portions of this eBook's header and trailer may be reprinted only +when distributed free of all fees. Copyright (C) 2001, 2002 by +Michael S. Hart. Project Gutenberg is a TradeMark and may not be +used in any sales of Project Gutenberg eBooks or other materials be +they hardware or software or any other related product without +express permission.] + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END* + diff --git a/old/btfll10.zip b/old/btfll10.zip Binary files differnew file mode 100644 index 0000000..1cfd335 --- /dev/null +++ b/old/btfll10.zip |
