summaryrefslogtreecommitdiff
path: root/57504-0.txt
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-02-08 07:03:56 -0800
committernfenwick <nfenwick@pglaf.org>2025-02-08 07:03:56 -0800
commitb7602ff9a341ac1debbfb59feb8e5bdb2fcf4461 (patch)
tree2168d6425eaa850c1d83c0227138247839208199 /57504-0.txt
parent22051a0dd694c39b111e0ca83ccc2e9db58e0365 (diff)
Update from July 14, 2018
Diffstat (limited to '57504-0.txt')
-rw-r--r--57504-0.txt4661
1 files changed, 4661 insertions, 0 deletions
diff --git a/57504-0.txt b/57504-0.txt
new file mode 100644
index 0000000..9204041
--- /dev/null
+++ b/57504-0.txt
@@ -0,0 +1,4661 @@
+Project Gutenberg's The Angel in the Cloud, by Edwin W. (Wiley) Fuller
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org/license
+
+
+Title: The Angel in the Cloud
+
+Author: Edwin W. (Wiley) Fuller
+
+Release Date: July 14, 2018 [EBook #57504]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE ANGEL IN THE CLOUD ***
+
+
+
+
+Produced by Chuck Greif and the Online Distributed
+Proofreading Team at http://www.pgdp.net (This file was
+produced from images available at The Internet Archive)
+
+
+
+
+
+
+
+
+
+
+ THE ANGEL
+ IN THE CLOUD
+
+ BY
+
+ EDWIN W. FULLER
+
+ PRIVATELY PRINTED
+ MCMVII
+
+
+
+
+ _Copyright, 1907
+ Sumner Fuller Parham_
+
+
+
+
+ TO THE
+
+ HALLOWED MEMORY OF MY FATHER,
+
+ WHO,
+
+ EVEN WHILE I WAS GAZING UPON THE GOLDEN CITY
+
+ PASSED WITHIN ITS WALLS,
+
+ THIS LITTLE VOLUME IS INSCRIBED,
+
+ WITH TEARS.
+
+
+
+
+PREFACE
+
+
+To those who may favor these pages with perusal, I make this earnest
+request: that, if they commence, they will read all. Knowing that the
+best mode of dealing with doubts is to state and refute, successively, I
+regret that the plan of the present work forces a separation of the
+statement and refutation. To read one without the other were to defeat
+the object in view; hence my request.
+
+Many of the subjects of thought are worn smooth with the touch of ages,
+so that hope for originality is as slender as the bridge of Al Sirat;
+but in the bulrush ark of self-confidence, pitched with Faith, I commit
+my first-born to the Nile of public opinion; whether to perish by
+crocodile critics, or bask in the palace of favor, the Future, alone,
+must determine. May Pharaoh’s daughter find it!
+
+ E. W. F.
+
+LOUISBURG, Jan. 17th, 1871.
+
+
+
+
+A NOTE
+
+
+_First published more than thirty-five years ago, in the lifetime of the
+poet, THE ANGEL IN THE CLOUD has long since passed not only out of print
+but out of the memory of most living men. Of the copies of the original
+edition, only few are known to exist. Upon his surviving family is
+imposed the obligation, and to them comes the privilege, of rescuing
+from the realm of forgotten things these evidences of a graceful and
+genuine poetic gift in one whose memory they revere and whose genius
+they are unwilling to have die. It is therefore with the sense of
+performing a grateful duty that they have caused to be printed this new
+edition of Edwin Fuller’s poems, in the hope and belief that others,
+like themselves, will value it both as friends of the gentle poet and as
+disinterested lovers of good literature._
+
+August, 1907.
+
+
+
+
+ THE ANGEL IN THE CLOUD
+
+
+ ’Twas noon in August, and the sultry heat
+ Had driven me from sunny balcony
+ Into the shaded hall, where spacious doors
+ Stood open wide, and lofty windows held
+ Their sashes up, to woo the breeze, in vain.
+ The filmy lace that curtained them was still,
+ And every silken tassel hung a-plumb.
+ The maps and unframed pictures o’er the wall
+ Gave not a rustle; only now and then
+ Was heard the jingling sound of melting ice,
+ Deep in a massive urn, whose silver sides
+ With trickling dewbeads ran. The little birds,
+ Up in their cages, perched with open beaks,
+ And throbbing throats, upon the swaying rings,
+ Or plashed the tepid water in their cups
+ With eager breast. My favorite pointer lay,
+ With lolling tongue, and rapid panting sides,
+ Beside my chair, upon the matted floor.
+ All things spoke heat, oppressive heat intense,
+ Save swallows twittering up the chimney-flue,
+ Whose hollow flutterings sounded cool alone.
+ To find relief I seized my hat and book,
+ And fled into the park. Along a path
+ Of smoothest gravel, oval, curving white,
+ Between two rows of closely shaven hedge,
+ I passed towards a latticed summer-house;
+ A fairy bower, built in Eastern style,
+ With spires, and balls, and fancy trellis-work,
+ O’er which was spread the jasmine’s leafy net,
+ To snare the straying winds. Within I fell
+ Upon a seat of woven cane, and fanned
+ My streaming face in vain. The very winds
+ Seemed to have fled, and left alone the heat
+ To rise from parchèd lawn and scorching fields,
+ Like trembling incense to the blazing god.
+ The leaves upon the wan and yellow trees
+ Hung motionless, as if of rigid steel;
+ And e’en the feath’ry pendula of spray,
+ With faintest oscillation, dared not wave.
+ The withered flowers shed a hot perfume,
+ That sickened with its fragrance; and the bees
+ Worked lazily, as if they longed to kick
+ The yellow burdens from their patient thighs,
+ And rest beneath the ivy parasols.
+ The butterflies refrained from aimless flight,
+ And poised on blooms with gaudy, gasping wings.
+ The fountain scarcely raised its languid jet
+ An inch above its tube; the basin deigned
+ A feeble ripple for its tinkling fall,
+ And rolled the little waves with noiseless beat
+ Against the marble side. The bright-scaled fish
+ All huddled ’neath the jutting ledge’s shade,
+ Where, burnished like their magnet toy types,
+ They rose and fell as if inanimate;
+ Or, with a restless stroke of tinted fin,
+ Turned in their places pettishly around;
+ While, with each move, the tiny whirlpools spun
+ Like crystal dimples on the water’s face.
+ The sculptured lions crouched upon the edge,
+ With gaping jaws, and stony, fixèd eyes,
+ That ever on the pool glared thirstily.
+ Deep in the park, beneath the trees, were grouped
+ The deer, their noses lowered to the earth,
+ To snuff a cooler air; their slender feet
+ Impatient stamping at the teasing flies;
+ While o’er their heads the branching antlers spread,
+ A mocking skeleton of shade! A fawn,
+ Proud of his dappled coat, played here and there,
+ Regardless of repose; the silver bell,
+ That tinkled from a band of broidered silk,
+ Proclaiming him a petted favorite.
+ Save him alone, all things in view sought rest,
+ And wearied Nature seemed to yield the strife,
+ And smold’ring wait her speedy sacrifice.
+
+ The heat grew hotter as I watched its work,
+ And with its fervor overcome, I rose,
+ And through the grounds, towards an orchard bent
+ My faltering steps in full despair of ease.
+ Down through the lengthened rows of laden trees,
+ Whose golden-freighted boughs o’erlapped the way,
+ I hurried till I reached the last confines.
+ Here stood a gnarléd veteran, now too old
+ To bear much fruit, but weaving with its leaves
+ So dense a shade, the smallest fleck of sun
+ Could not creep through. Beneath it spread a couch
+ Of velvet moss, fit for the slumbers of a king.
+ Here prone I fell, at last amid a scene
+ That promised refuge from the glaring heat.
+ Beyond me stretched the orchard’s canopy
+ Of thick, rank foliage, almost drooping down
+ Upon the green plush carpet underneath.
+ Close at my feet a crystal spring burst forth,
+ And rolled its gurgling waters down the glade
+ Now spreading in a rilling silver sheet
+ O’er some broad rock, then gath’ring at its base
+ Into a foamy pool that churned the sand,
+ And mingling sparks of shining isinglass,
+ It danced away o’er gleamy, pebbly bed,
+ Where, midst the grassy nooks and fibrous roots,
+ The darting minnows played at hide and seek,
+ Oft fluttering upwards, to the top, to spit
+ A tiny bubble out, or slyly snap
+ Th’ unwary little insect hov’ring near;
+ Till, by its tributes widened to a brook,
+ It poured its limpid waters undefiled
+ In to the river’s dun and dirty waves,--
+ A type of childhood’s guileless purity,
+ That mingling with the sordid world is lost.
+
+ Far in the distance, lofty mountains loomed,
+ Their blue sides trembling in the sultry haze.
+ From me to them spread varicultured fields,
+ That formed a patchwork landscape, which deserved
+ The pencil of a Rembrandt and his skill;
+ The hardy yellow stubble smoothly shaved,
+ With boldness lying ’neath the scorching sun;
+ The suffering corn, with tasselled heads all bowed,
+ And twisted arms appealing, raised to Heaven;
+ The meadows faded by the constant blaze;
+ The cattle lying in the hedge’s shade;
+ Across the landscape drawn a glitt’ring band,
+ Where winds the river, like a giant snake,
+ The ripples flashing like his polished scales.
+ Above the scene a lonely vulture wheeled,
+ Turning with every curve from side to side,
+ As if the fierce rays broiled his dusky wings;
+ And circling onwards, dwindled to a speck,
+ And in the distance vanished out of sight!
+ Complete repose was stamped on everything,
+ Save where a tireless ant tugged at a crumb,
+ To drag it o’er th’ impeding spires of moss;
+ And one poor robin, with her breast all pale
+ And feather-scarce, hopped wearily along
+ The streamlet’s edge, with plaintive clock-like chirp,
+ And searching, found and bore the curling worm,
+ Up to the yellow-throated brood o’erhead.
+ Behind the mountains reared the copper clouds
+ Of summer skies, that whitened as they rose,
+ Till bleached to snow, they drifted dreamily,
+ Like gleaming icebergs, through the blue sublime.
+ And as they, one by one, sailed far away,
+ Methought they were as ships from Earth to Heaven,
+ Thus slowly floating to the Eternal Port.
+ The Thunder’s muttered growl my reverie broke,
+ And looking toward the West, I saw a storm,
+ With gloomy wrath, had thrown its dark-blue line
+ Of breastworks, quiv’ring with each grand discharge
+ Of its own ordnance, o’er th’ horizon’s verge.
+ Some time it stood to gloat upon its prey,
+ Then, girding up its strength, began its march.
+ Extending far its black gigantic arms,
+ It grimly clambered up the tranquil sky;
+ Till, half-way up the arch, its shaggy brows
+ Scowled down in rage upon the frightened earth;
+ While through its wind-cleft portals sped the darts,
+ That brightly hurtled through the sultry air.
+ And down the mountain-sides the shadow crept,
+ A dark veil spreading over field and wood,
+ Thus adding gloom to Nature’s awful hush.
+ The fleecy racks had fled far to the East,
+ Where sporting safely in the gilding light,
+ They mocked the angry monster’s cumbrous speed.
+
+ Then, while I marked its progress, came a train,
+ Of dark and doubting thoughts into my mind,
+ And bitterly thus my reflections ran:
+ Strange is the Providence that rules the world,
+ That sets the Medean course of Nature’s laws;
+ Sometimes adapting law to circumstance,
+ But oftener making law fulfilled a curse.
+ Yon brewing storm in verdant summer comes,
+ When vegetation spreads its foliage sails,
+ That, like a full-rigged ship’s, are easier torn;
+ Why comes it not in winter, when the trees,
+ With canvas reefed by Autumn’s furling frosts,
+ Could toss in nude defiance to the blast?
+ The murd’rous wind precedes the gentle shower
+ And ere the suffering grain has quenched its thirst,
+ It bows the heavy head, alone of worth,
+ And from the ripening stalk wrings out the life,
+ While gayly nod the heads of chaff unharmed.
+ The rank miasma floats in summer-time,
+ When man must brave its poisoned breath or starve;
+ It hovers sickliest over richest fields
+ While over sterile lands the air is pure;
+ The tallest oak is by the lightning riven,
+ The hateful bramble on the ground is spared;
+ The crop man needs demands his constant work,
+ The weeds alone spring forth without the plow;
+ The sweetest flowers wear the sharpest thorns,
+ The deadliest reptiles lurk in fairest paths!
+ Wherever Nature shows her brightest smile,
+ ’Tis but a mask to hide her darkest frown.
+ The tropics seem an Eden of luscious fruits
+ And flowers, and groves of loveliest birds, and lakes
+ That mirror their gay plumage flitting o’er;
+ Where man may live in luxury of thought,
+ Without the crime of schemes, or curse of toil--
+ The tropics seem a Hell, when all with life
+ Are stifled with the foul sirocco’s breath;
+ When from the green-robed mountain’s volcan top,
+ A fire-fountain spouts its blazing jet
+ Far up against the starry dome of Heaven;
+ Returning in its vast umbrella shape,
+ Leaps in red cataracts adown the slope,
+ Shaves clean the mountain of its emerald hair,
+ And leaves it bald with ashes on its head.
+ Below, the valley is a crimson sea,
+ Whose glowing billows break to white-hot foam;
+ And as they surge amid the towering trees,
+ They, tottering, bow forever to the waves;
+ The leaves and branches, crackling into flame,
+ Leave only clotted cinders floating there;
+ The darting birds, their gaudy plumage singed,
+ Fall fluttering in, with little puffs of smoke.
+ The fleeing beasts are lapped in, bellowing,
+ And charred to coal, drift idly with the tide.
+ The red flood, breaking through the vale, rolls on
+ Its devious way towards the sea; the glare
+ Illuminating far its winding track,
+ As if a devil flew with flaming torch,
+ Or when an earthquake gapes its black-lined jaws,
+ And, growling, gulps a city’s busy throng
+ Into its greedy bowels. Or the sea bursts forth
+ Its bands of rock, and laughing at “Thus far!”
+ Rolls wildly over peopled towns, and homes
+ In fancied safety; playing fearful pranks,
+ O’er which to chuckle in its briny bed;
+ Jeering the stones because they cannot swim,
+ And crushing like a shell all work of wood;
+ Docking the laden ships upon the hills,
+ And tossing lighter craft about like weeds;
+ Till, wearied with the spoiling, sinks to rest.
+
+ Thus Nature to herself is but half kind,
+ But over man holds fullest tyranny;
+ And man, a creature who cannot prevent
+ His own existence! Why not happy made?
+ For surely ’twere as easy to create
+ Man in a state of happiness and good,
+ And keep him there, as to create at all.
+ If misery’s not deserved before his birth,
+ Then misery must from purest malice flow;
+ Yet malice none assign to Providence.
+ But some may say: Were man thus happy made,
+ He would not be a person, but a thing,
+ And lose the very seed of happiness,
+ The consciousness of merit. Grant ’tis true!
+ Then why does merit rarely meet reward?
+ And why does there appear a tendency,
+ Throughout the polity divine, to mark
+ With disapproval all the good in man,
+ And bless the evil? Through the entire world
+ Is felt this conflict: some strange power within
+ Exciting us to good, while all events
+ Proclaim its folly. Throughout Nature’s laws,
+ Through man in every station, up to God,
+ This fatal contradiction glares. The storm,
+ With ruthless breath, annihilates the cot
+ That, frail and humble, shields the widow’s head;
+ And while she reads within the use-worn Book
+ That none who trusts shall e’er be desolate,
+ The falling timbers crush the promise out,
+ And she is dead beneath her ruined home!
+ The prostrate cottage passed, the very wind
+ Now howls a rough but fawning lullaby
+ Around the marble walls, and lofty dome,
+ That shelter pride and heartless arrogance.
+
+ And when the Boaz Winter throws his skirt
+ Of purest white across the lap of Earth,
+ And decks her bare arborial hair with gems,
+ Whose feeblest flash would pale the Koh-i-noor,
+ The rich, alone, find beauty in the scene,
+ And, clad in thankless comfort, brave the cold.
+ The gliding steels flash through the feathery drifts,
+ The jingling bells proclaiming happiness;
+ Yet ’neath the furry robe the oath is heard,
+ And boisterous laughter at the ribald jest.
+ The coldest hearts beat ’neath the warmest clothes;
+ And often all the blessings wealth can give,
+ Are heaped on one, whose daily life reviles
+ The very name of Him who doth bestow.
+ While in a freezing garret, o’er the coals
+ That, bluely flickering with the feeble flame,
+ Seem cold themselves, a trusting Christian bends;
+ Her faith all mocked by cruel circumstance.
+ The cold, bare walls, the chilling air-swept floor;
+ Some broken stools, a mattress stuffed with straw,
+ Upholstering the apartment. Through the sash,
+ The wind, with jaggèd lips of broken glass,
+ Shrieks in its freezing spite. A cold-blued babe,
+ With face too thin to hold a dimple’s print,
+ With famished gums tugs at the arid breast,
+ Thrusting its bare, splotched arms, in eagerness,
+ From out the poor white blanket’s ravelled edge.
+ Beside the mother sits a little boy,
+ With one red frost-cracked hand spread out, in vain,
+ To warm above the faintly-burning coals;
+ The other pressing hardly ’gainst his teeth
+ A stale and tasteless loaf of smallest size,
+ Which lifting often to the mother’s view,
+ He offers part; she only shakes her head,
+ And sadly smiles upon the gaunt young face.
+ Yet in her basket, on a pile of work,
+ An open Bible lies with outstretched leaves,
+ Whose verses speak in keenest irony:
+ “Do good,” and “verily thou shalt be fed.”
+ And so through all the world, the righteous poor,
+ The wicked rich. Deceit, and fraud, and craft
+ Reap large rewards, while pure integrity
+ Must gnaw the bone of faith with here and there
+ A speck of flesh called consciousness of right,
+ To reach the marrow in another world.
+ But man within himself’s the greatest paradox;
+ “A little animal,” as Voltaire says,
+ And yet a greater wonder than the sun,
+ Or spangled firmament. That little one
+ Can weigh and measure all the wheeling worlds,
+ But finds within his “five feet” home, a Sphinx
+ Whose riddle he can never solve.
+ “Thyself,”
+ The oracles of old bade men to know,
+ As if to mock their very impotence;
+ And man, to know himself, for centuries
+ Has toiled and studied deep, in vain.--
+ Not man in flesh, for blest Hippocrates
+ Bright trimmed his lamp, and passed it down the line,
+ And each disciple adding of his oil,
+ It blazes now above the ghastly corpse,
+ Till every fibre, every thread-like vein,
+ Is known familiar as a city’s streets;
+ The little muscle twitching back the lip,
+ Rejoicing in a name that spans the page.
+ But man in mind, that is not seen nor felt,
+ But only knows he is, through consciousness.
+ He sees an outside world, with all its throng
+ Of busy people who care not for him,
+ And only few that know he does exist;
+ And yet he feels the independent world
+ Is but effect produced upon himself,
+ The Universe is packed within his mind,
+ His mind within its little house of clay.
+ What is that mind? Has it a formal shape?
+ And has it substance, color, weight, or force?
+ What are the chains that bind it to the flesh?
+ That never break except in death, though oft
+ The faculties are sent far out through space?
+ Where is it placed, in head, or hands, or feet?
+ And can it have existence without place?
+ And if a place, it must extension have,
+ And if extended, it is matter proven.
+ Poor man! he has but mind to view mind with,
+ And might as well attempt to see the eye
+ Without a mirror! True, faint consciousness
+ Holds up a little glass, wherein he sees
+ A few vague facts that cannot satisfy.
+ For these, and their attendant laws, have fought
+ The mental champions of the world till now
+ That each may deck them in his livery,
+ And claim them as his own discovery.
+
+ Hedged in, man does not know that he is paled,
+ And struggles fiercely ’gainst the boundaries,
+ And strives to get a glimpse of those far realms
+ Of thought sublime, where his short wings would sink
+ With helpless fluttering, through the vast profound.
+ Upon the coals of curiosity,
+ A writhing worm, he’s laid; and twists and turns,
+ To find, in vain, the healing salve of Truth.
+
+ But grant that mind exists in fullest play:
+ How does it work and what its modes of thought?
+ Here consciousness may act, and hold to view
+ A dim outline of powers, contraposed.
+ In such a conflict, every one may seize
+ The doctrine suits him best. Hence different creeds--
+ Desire battling reason, reason will,
+ And will the weathercock of motive’s wind;
+ Motive the cringing slave of circumstance.
+ And here Charybdis rises; no control
+ Has man o’er circumstance, but circumstance
+ Begets the motive governing the will;
+ Then how can man be free? Yet some may say,
+ Man can obey the motive, or can not.
+ He can, but only when a stronger rules.
+ That we without a motive never act,
+ I do declare, though in the face of Reid.
+ That that is strongest which impels, a child
+ Might know, although Jouffroy exclaims,
+ “You’re reasoning in a circle.” Let us place
+ An iron fragment ’twixt two magnet-bars,
+ What one attracts is thereby stronger proved.
+ Or it may be the really weaker one,
+ But yet, because of nearness to the steel,
+ Possess a relatively greater force.
+ And so of motives, howe’er trivial they,
+ The one that moves is strongest to the mind.
+ To illustrate: Suppose I pare a peach;
+ A friend near by me banteringly asserts
+ That I can not refrain from eating it.
+ Two motives now arise--the appetite,
+ And the desire to prove my self-control.
+ I hesitate awhile, then laughing say,
+ “I would not give the peach to prove you wrong.”
+ But as my teeth press on it, pride springs up,
+ And bids me show that I am not the slave
+ Of appetite, and far away I hurl
+ The tinted, fragrant sphere.
+ Was not each thought
+ Spontaneous? Could I control their rise?
+ How perfectly absurd to talk of choice
+ Between two motives offered to the mind!
+ As if the motive was a horse we’d choose
+ To pull our minds about. There is no choice
+ Until the motive makes it; then we choose,
+ Not ’tween the motives, but the acts.
+ If, then,
+ The spring of action is the motive’s power,
+ The motive being far beyond our sway,
+ Where is our freedom? But a fabled myth!
+ And man but differs from a star in this,--
+ The laws of stars are fixed and definite,
+ And every movement there can be foretold;
+ Of man, no deed can be foreseen till done.
+ At most we can but form a general guess
+ How he will act, at such a time and place.
+ Even if we knew the motives that would rise,
+ We could not prophesy unless we knew
+ Our subject’s frame of mind; for differently,
+ On different minds, same motives often act.
+ Hence, we can tell the conduct of a friend
+ More surely than a stranger’s, since we know,
+ By long acquaintance, how his motives work.
+ But should new motives rise, we cannot tell
+ Until experience gives us data new.
+ Thus we will ride beside a friend alone,
+ And show to him our money without fear,
+ Because we know the motives--love for us,
+ Honor, and horror of disgraceful crime--
+ Are stronger with him than cupidity.
+ But with a stranger we would feel unsafe;
+ Nor would we trust our friend, were we alone
+ Upon an island, wrecked, and without food,
+ And saw his eye with hunger glare, and heard
+ The famished motive whispering to him, “Kill!”
+ If he were free, would we feel slightest fear?
+ For all his soul would shudder from the deed,
+ And never motive could impel such crime.
+
+ Upon this principal all law is made;
+ For were man free he could not be controlled,
+ And all compliance would be his caprice.
+ But since he is the tyrant-motive’s slave,
+ The law to govern motive only seeks
+ And builds its sanction on the base of pain,
+ As motive strongest in the human heart.
+ It only falls below perfection’s height,
+ Because there are exceptions to the rule;
+ When hate and passion, lust and greed of gold,
+ Prove stronger than the fear of distant pain.
+ And could the law know fully every heart,
+ And vary sanction, there would be no crime.
+
+ But law itself, and the obeying world,
+ Are proofs against the grosser form of Fate:
+ That all is preordained, nor can be changed.
+ All human life is vacillating life;
+ We make our plans each day, then alter them.
+ We form resolves one hour that break the next,
+ And no one dares assert that he will act,
+ Upon the morrow, in a certain way;
+ But cries, it all depends on circumstance.
+ And this is strange, that while we cannot change
+ Our lives one tittle by our own free will,
+ We help, each day, to change our neighbor’s course;
+ And he assists the motives changing ours.
+ For all relations to our fellow-men,
+ Are powers that form our lives, in spite of us.
+ But we may change our motives, often do,
+ By changing place, or circumstance of life,
+ By hearing, reading, or reflective thought;
+ Yet are these very things from motives done,
+ And motives mocking all our vain commands.
+ One motive made the object of an act,
+ Another rises subject of the act;
+ And to the final motive we can never reach.
+
+ The world’s a self-adjusting, vast machine,
+ Whose human comparts cannot guide themselves;
+ And each is but a puppet to the whole,
+ Yet adds its mite towards its government;
+ Here, in this motive circle, lies all Fate.
+ Our fellow-men with motives furnish us,
+ While we contribute to their motive fund.
+ The real power, hidden deep within,
+ Escapes the eye of careless consciousness;
+ Who proudly tells us we are action’s cause.
+ Upon this error men, mistaken, raise
+ The edifice of law in all its forms;
+ That yet performs its varied functions well,
+ Because it offers motives that restrain,
+ Till stronger overcome, and crime ensues.
+ The motive gibbet lifts its warning arms;
+ The pillory gapes its scolloped lips for necks;
+ The lash grows stiff with blood and shreds of flesh;
+ The treadmill yields beneath the wearied feet;
+ And Sabbath after Sabbath preachers tell
+ Of judgment, and of awful Hell, and Heaven;
+ All these, to stronger make, than lust of sin.
+ And yet, to lead my reasoning to its end,
+ I find a chaos of absurdity.
+ If I am by an unruled motive driven,
+ Why act at all? Why passive not recline
+ Upon the lap of destiny, and wait her arms?
+ Why struggle to acquire means of life,
+ When Fate must fill our mouths or let us die?
+ Why go not naked forth into the world,
+ And trust to Fate for clothes? Why spring aside
+ From falling weight, or flee a burning house,
+ Or fight with instinct strength the clasp of waves?
+ Because we cannot help it; every act
+ Behind it has a motive, whose command
+ We, willing or unwilling, must obey.
+
+ Law governs motives, motives create law;
+ Between the reflex action man is placed,
+ The helpless shuttlecock of unjust Fate!
+ Now passive driven to commit a crime,
+ Then by the driver laid upon the rack;
+ A Zeno’s slave, compelled by Fate to steal,
+ And then compelled by Fate to bear the lash!
+
+ What gross injustice is the rule of life!
+ A sentient being made without a will,
+ And placed a cat’s-paw in the hands of Fate,
+ Who rakes the moral embers for a sin,
+ That, found, must burn the helpless one alone.
+ All right and wrong, and whate’er makes man man,
+ Are gone, and language is half obsolete;
+ No need of words to tell of moral worth
+ Existing not, nor e’en conceivable;
+ No words of blame or commendation, given
+ According to the intention of a deed;
+ No words of cheer or comfort, to incite,
+ For man must act without our useless tongues;
+ No words of prayer, if Fate supplies our wants;
+ No words of prayer, if Fate locks up her store;
+ No words of love, for fondest love were loathed
+ If fanned by Fate to flame. No words of hate,
+ For all forgive a wrong when helpless done;
+ The buds that bloom upon the desert heart
+ Lose all their sweetness when they’re forced to grow;
+ All pleasure’s marred because it is not earned,
+ And pain more painful since ’tis undeserved.
+
+ Man falling from his high estate, becomes
+ A brute with keener sensibilities;
+ Endowed with mind, upon whose plastic face
+ Fate writes its batch of lies; poor man believes,
+ And prates of moral agency, and cants
+ Of good _he_ does, and evil that _he_ shuns.
+ With blind content, he rests in false belief,
+ And happy thus escapes the mental rack--
+ The consciousness of what he really is.
+
+ And yet why false belief? The world believes,
+ And acting, moves in general harmony;
+ Could harmony from such an error flow?
+ Would all believe, would not some one
+ Have doubted by his works as well as faith?
+ The veriest skeptic walks the earth to-day,
+ As if he held the seal of freest will,
+ And shapes its course, and judges all mankind
+ By freedom’s rule.
+ Then may not that be true
+ Which most believe, and those who doubt profess
+ In every act; as that which few believe
+ And to which none conform?
+ Two paths I see,
+ One marked Free-Will, the other Fate. The first,
+ Extending far as human thought can reach,
+ Through lovely meads with sweetest flowers, and fruits
+ Of actions clearly shown as right and wrong,
+ Because of choice ’twixt the two; of laws
+ With sanction suiting agents who are free;
+ Of courts acquitting the insane of crime,
+ Of crime made crime, alone, when done as crime,
+ Of judgment passed by public sentiment
+ On action in the ratio of liberty.
+ Delightful view; but seek an entrance there--
+ The towering bars of unruled motive stand
+ Before the path, and none can overleap.
+
+ The field of Fate lies open; nothing bars
+ Our progress there. A thousand different ways
+ The path diverges. Every by-path leads
+ To some foul pit or bottomless abyss.
+ Along each side are strewed the whitening bones
+ Of venturous pilgrims, lost amid its snares,
+ Some broken on the rocks of gross decree,
+ Who hold an unchanged destiny from birth;
+ Who will not take a medicine if sick,
+ Who cant of “To be, will be,” and the time
+ Unalterably set to each man’s life.
+ Some stranded on the finer form of Fate,
+ Who say it works by means. Hence they believe
+ In using all preventives to disease,
+ In going boating in a rubber belt,
+ In placing Franklin rods upon a house,
+ In preaching, and in praying men repent.
+ These, when one dies, cry out, “It was his time.”
+ Or if he should recover, “It was not.”
+ Their fate is always ex post facto fate,
+ And knowing not the future, they abide
+ The issue of events, and then confirm
+ Their dogged dogmas.
+ Still another class,
+ Though fewer far in numbers, perish here.
+ These are the sophists; men who deeply dive
+ Beneath the surface of effect, and trace
+ Our actions to their source. They find that man,
+ Made in the glorious image of his God,
+ Is not an independent cause, but works
+ From motive causes out of his control.
+ They find that every mental act must flow
+ From outside source, then fearlessly ascend
+ The chain of being to a height divine,
+ And dare to fetter the Eternal mind,
+ And throw their bonds around Omnipotence.
+ As well a spider in an eagle’s nest
+ Might, from his hidden web among the twigs,
+ Attempt to throw his little gluey thread
+ Around the mottled wing, whose muscled strength
+ Beats hurried vacuums in the ocean’s spray,
+ Or circling upward, parts the thunder-cloud,
+ And bursts above; and shaking off the mists,
+ With rigid feathers bright as burnished steel,
+ Floats proudly through the tranquil air.
+ Which realm
+ Shall now be mine, Free-Will or Fate? The one
+ Stands open wide, but all in ruin ends;
+ The other, fair if once within the pale;
+ But how to scale the barriers none can tell.
+ Bah! all is doubt. I’ll leave the mystic paths
+ Where, on each side, are ranged the phantom shapes
+ Of disputants, alive and dead, who fight,
+ With foolish zeal, o’er myths intangible;
+ When each one cries “Eureka!” for his creed.
+ That scarcely lives a day, then yields its place.
+ A Roman ’gainst a Roman, Greek to Greek,
+ A zealous Omar with an Ali paired;
+ A saintly Pharisee in hot dispute
+ With Sadducees. Along th’ illustrious rows
+ Of lesser lights, who advocate the creeds
+ Of their respective masters, we descend
+ To later days and see Titanic minds
+ Exert their giant strength to reach the truth,
+ And, baffled, fall. Locke, ever elsewhere clear,
+ Here mystified Spinoza’s dizzy wing
+ O’erweighted by his strange “imperium;”
+ Hobbes, with his new intrinsic liberty;
+ And Belsham’s quaint reduction too absurd;
+ “Sufficient reason,” reared in Leibnitz’s strength;
+ Reid, Collins, Edwards, Tappan, Priestley, Clarke,
+ All push each other from the door of Truth.
+
+ None ever have, nor ever will, on earth,
+ Reach truth of theory concerning Fate.
+ It stands as whole from every touch of man
+ As ocean’s broad blue scroll, whose rubber waves
+ Erase the furrows of the plowing keels.
+
+ Then, careless whether man be king or slave,
+ I’ll take his actions, whether free or not,
+ And trace them to their sources. Deep the dive,
+ But, throwing off the buoys of Charity
+ And Faith, and all the prejudice of life,
+ I grasp the lead of Doubt, and downward sink
+ Into the cesspool of the human heart,
+ To find the fount, that to the surface casts
+ A thousand bubbles of such varied hues:
+ The pale white bubble of hypocrisy,
+ The murky bubble of revenge and hate,
+ The frail gilt bubble of ambition’s hope,
+ The rainbow bubble of sweet love in youth,
+ The dull slime bubble of a sensual lust,
+ The crystal bubble of true charity!
+ Instead of analyzing every fact
+ Of moral nature, searching for its source,
+ I’ll name a source most probable, and try
+ The facts upon it; if they fit, confirm,
+ If not, reject. With Hobbes and Paley then
+ I join; and here avow that all mankind
+ Have but one source of action--Love of self--
+ Yet not self-love as understands the world,
+ For that’s a name for error shown by few;
+ But natural instinct that impels all men
+ To give self pleasure, and to save it pain;
+ For pain and pleasure are Life’s only modes--
+ No neutral state--we suffer, or enjoy;
+ And every action’s linked with one of these.
+ We cannot act without a consciousness,
+ A consciousness of pleasure or of pain,
+ The very automatic workings of our frames
+ Are pleasures, unmarked from their constancy;
+ But if impeded, they produce a pain.
+ This instinct, teaching us to pleasure seek,
+ And pain avoid, none ever disobey;
+ For be their conduct what it may, a crime
+ Or virtue, greed or pure benevolence,
+ To find the greatest pleasure is their aim.
+ Nay, start not, critic, but attend the proofs.
+ A man exists within himself alone,
+ Himself, or he would lose identity.
+ To him the world exists but by effects
+ Upon himself. His actions toward it then
+ Bear reference to himself. He cannot act
+ Without affecting self. His nature’s law
+ Demands that self be dealt with pleasantly.
+
+ There is no pain or pleasure in the world,
+ But as he feels th’ reality in self,
+ Or fancies it by signs in other men.
+ This fancied pain is never _real_ pain,
+ But yields a _real_ reflex. Others’ pain
+ Is never pain to us, unless we know
+ It does exist. Within a hundred yards
+ A neighbor dies, in agony intense,
+ And yet we feel no slightest trace of pain,
+ Unless informed thereof. ’Tis only when we know,
+ And therefore are affected, that we feel.
+
+ The modes of pain and pleasure are then two,
+ A real and a fancied one. The first acute,
+ In ratio of our sensibilities;
+ The last in ratio of our image-power.
+ These gifts in different men unequal are,
+ And hence life’s varied phases. One may deem
+ A real pain far greater than a pain
+ In fancy formed, from others’ sufferings;
+ He eats alone, and drives the starving off.
+ Another’s fancy paints more vividly,
+ And he endures keen hunger to supply
+ The poor with food. And so of pleasure too,--
+ And this moves all to shun the greatest pain,
+ And find the greatest pleasure.
+ Different minds,
+ And each at different times of life, possess
+ A different standard of this highest good.
+ The swaddled infant wails for its own food,
+ Because its highest pleasure is alone in sense;
+ The child will from its playmate hide a cake
+ Until it learns that praise for sharing it
+ Gives greater pleasure than the sweetened taste;
+ One boy at school proves insubordinate,
+ His schoolmates’ praise he deems his highest good;
+ Another studies well, because he values more
+ A parent’s smile. The murderer with his knife,
+ The maiden praying in her purity,
+ The miser dying over hoards of gold,
+ The widow casting thither her two mites,
+ A white-veil bending o’er the dying couch,
+ A stained beauty floating through the waltz,
+ The preacher’s zeal, the gambler’s eager zest;
+ All have one motive, greatest good to self!
+
+ The tender stop their ears, and cry aloud:
+ “What! do you dare assert the gambler seeks
+ With hellish zeal the faintest shade of good?
+ That he is holy as the Man of God?”
+ By no means, yet he seeks his good the same.
+ Not good as you’ve been taught to apprehend,
+ But good, the greatest to his frame of mind.
+ Do not exclaim that good is always good,
+ And never differs from itself. Anon
+ We’ll speak of abstract truths, if such there be
+ That good and pleasure are synonymous
+ At times of action, is most surely plain;
+ For pleasure’s but the consciousness of good,
+ Or satisfaction of our tendencies.
+ If all the gambler’s soul is bent on gain,
+ Then at the moment gain is greatest good;
+ But should you reason with him, and explain
+ Another life, and make it really seem
+ To him the best, he straight would change his course.
+
+ “But,” cries my friend, “the preacher, if he’s true,
+ Must labor, not for self, but others’ good;
+ And in proportion as the self’s forgot,
+ And others cared for, does his conduct rise.”
+
+ But he can not, if conscious, forget self,
+ For everything he does is felt within;
+ But deeds for others’ good a pleasure give;
+ If done in pain to self, the pleasure’s more.
+ To gain the pleasure, self is put to pain,
+ Just as a vesication brings relief.
+ If he refused to undergo the pain
+ Remorse would double it.
+ Among his flock
+ Some one is sick; to visit him is right,
+ And done, affords a pleasure. Sweeter far
+ That pleasure, if he walks through snow and ice,
+ At duty’s call!
+
+ Sublime self-sacrifice,
+ Of which men prate, is nothing more nor less
+ Than base self-worship. Little pain endured
+ T’ avoid a great; a smaller pleasure lost
+ To gain a larger!
+
+ All the preacher’s words,
+ That burn or die upon the stolid ear,
+ Are spoken from this motive, good to self.
+ You stare; but it is true. Why does he preach?
+ To save men’s souls?--Why does he try to save?
+ Because he loves his fellow-men? Not so.
+ His love for them but to the pleasure adds,
+ Which duty done confers; but all his work
+ Must be with reference to himself alone,
+ Though cunning self the real motive hides,
+ And leaves his broad philanthropy and love
+ To claim the merit. Let a score of men,
+ The blackest sinners, die. He knows it not,
+ And feels no pang; but if he is informed,
+ He suffers reflex pain. And if his charge,
+ Remorseful tortures for unfaithfulness.
+ And only is the state of souls to him
+ Of interest, as they are known. When known,
+ It is a source of pleasure or of pain
+ Which all his labor is to gain or shun.
+
+ “This difference then,” says one, “between men’s lives;
+ Some live for present, some for future good.
+ The sensual care for self on earth alone,
+ The mystic cares for self beyond the grave.”
+
+ Both love a present self, in present time.
+ They differ in their notions of its good.
+ The stern ascetic, with his shirt of hair,
+ His bleeding penitential knees, his fasts
+ To almost death, his soul-exhausting prayers,
+ Is seeking, cries the world, good after death.
+ And yet his course of life is that alone
+ Which could yield pleasure in his state of mind.
+ He suffers, it is true, but hope of Heaven
+ Thus rendered sure, as much a present good
+ Is, as the food that feasts the epicure.
+ The contemplation of his future home,
+ Which he is thus securing, is a balm
+ That heals his stripes, and sweetens all their pain.
+ The penance blows upon his blood-wealed breast
+ Are bliss compared to lashes of remorse.
+ So for the greater good, the hope of Heaven,
+ He undergoes “the trivial pain of flesh.”
+ The epicure cares not a fig for Heaven,
+ But finds his greatest good in pleasing sense.
+ And so the man who gives his wealth away
+ Is just as selfish as the money-slave
+ Who grinds out life amid his dusty bags.
+ They both seek happiness with equal zest:
+ The one finds pleasure in the many thanks
+ Of those receiving, or the public’s praise,
+ Or if concealed, in consciousness of right;
+ The other in the consciousness of wealth.
+
+ If all men act from motives just the same,
+ Where is the right and wrong? In the effect?
+ The quality of actions must be judged
+ From their intent, and not their consequence.
+ If two men matches light for their cigars,
+ And from one careless dropped, a house is burned,
+ Is he that dropped it guiltier of crime
+ Than he whose match went out? Most surely no!
+ Then is the miser blameless, though he turn
+ The helpless orphan freezing from his door;
+ And Dives should not be commended more,
+ Though all his goods to feed the poor he gives.
+
+ How then shall we determine quality
+ Of actions, when their sources are the same,
+ And their effects possess no quality?
+ Two dead men lie in blood beside the way,
+ The one shot by a friend, an accident;
+ The other murdered for his gold. ’Tis plain
+ No wrong lies in th’ effects, for both are ’like;
+ And of the agents, he of accident
+ Had no intent, and therefore did no wrong.
+ The other killed to satisfy the self,
+ A motive founding all the Christian work,
+ And right if that is right. The wrong
+ Then lies between the motive and effect,
+ And must exist in the effecting means.
+ Yet how within the means is wrong proved wrong?
+ Jouffroy would say, because a disregard
+ Of others’ rights; for here he places good,
+ When classifying Nature’s moral facts.
+ He makes the child first serve flesh self,
+ Then moral self, and last to others’ good
+ Ascend, and general order. What a myth!
+ As if man thought of others, save effect
+ From them upon himself. But order gives
+ A greater good to self; therefore he joins
+ His strength to others, creates laws that bind
+ Himself and them, and produce harmony.
+ He thus surrenders minor good of self,
+ To gain a greater. This is all the need
+ He has of order, though Jouffroy asserts
+ That order universal is the Good.
+ Yet still he says that private good of each
+ Is but a fragment of the absolute,
+ And that regard for every being’s rights
+ Is binding as the universal law!
+
+ Regard for others’ rights indeed, when men
+ Unharmed agree to hang a man for crime!
+ Not for the crime--that’s past; but to prevent
+ A second crime, which crime alone exists
+ In apprehensive fancy. Thus for wrong
+ That’s but forethought, they do a real wrong.
+ To save their rights from harm they fear may come.
+ They strip a fellow-man of actual right,
+ And highest, right of life; then dare to call
+ Their action pure, divinely just, and good,
+ And all the farce of empty names.
+ They make
+ Of gross injustice individual,
+ A flimsy justice, for mankind at large,
+ And cry, Let it be done, though Heaven fall!
+ As if a whole could differ from its parts,
+ Or right be made from wrong. Yet some may say
+ That one is sacrificed for many’s good,
+ Or hung that many may avoid his fate;
+ And that his crime deserved what he received.
+
+ But law must value every man alike,
+ And cannot save one man, or thousand men,
+ From future evil, only possible,
+ By greatest evil to another man,
+ In its own view of justice. Nor can crime
+ Meet punishment, at mortal hands, by right,
+ For murder’s murder, done by one or twelve,
+ And legal murder’s done in colder blood,
+ Whose stains are chalked by vain authority.
+ Authority! the child of numbers and self-love!
+ Regard for rights of things, indeed, when beasts
+ And birds must yield their right of life that man
+ May please his right of taste. When, during Lent,
+ The holy-days of fasting and of prayer,
+ The scaly victims crowd the Bishop’s board,
+ Their flesh unfleshed by Conscience’ pliant rule,
+ Our palates must be for a moment pleased,
+ Though costing something agonies of death;
+ And worse than robbers, what we cannot give,
+ We dare to take.
+ They have no souls, say you?
+ Nor after death exist?
+ That nothing’s lost,
+ Philosophy maintains as axiom truth.
+ An object disappears, but somewhere lives
+ In other form. The water-pool to mist
+ Is changed, the powder into flame and smoke.
+ My pointer dies, his body, decomposed,
+ The air, the soil, and vegetation feeds;
+ Yet still exists, although disintegrate.
+ For there was something, while the pointer lived,
+ That was not body, but that governed it,
+ A spirit, essence, call it what you will,
+ A something seen but through phenomena,
+ And by them proved most clearly to exist.
+ A something, not the feet that made them run,
+ A something, not the eyes, but knew they saw,
+ A something, without which the eyes could see
+ As much as glasses can without the eye,
+ The something, “Carlo” named, that knew the name.
+ The pointer dies, and we dissect the flesh.
+ All there, none missing, to the tiniest nerve;
+ Yet something’s gone, the more important part,
+ And can you say that it has ceased to be,
+ When th’ flesh, inferior to it, still exists?
+ The spirit, if existent, must be whole,
+ Nor can be parted till material proven.
+ That Carlo lives, seems plain as I shall live;
+ He lived for self, and so did I; we fare
+ Alike in after-life, we differ here
+ In consciousness of immortality.
+ But I digress.
+ Where is the right and wrong?
+ This is the Gordian knot no sword can cut,
+ All sages of the world, with wisdom-teeth,
+ Have gnawed this file without the least effect.
+ The thousand savants of old Greece and Rome
+ Proclaimed a thousand theories of good,
+ That each, successive, proud devoid of truth.
+ A myriad moderns have advanced their views,
+ Each gained a few disciples, who avowed their truth,
+ And each, by some one else, been proven wrong.
+ A Bentham marches out utility,
+ A moral test from benefit or harm.
+ As if the good depended on effect,
+ And good would not be good, though universe
+ In all its phases found no use! And Price
+ Parades his “reason,” with its simple good;
+ Who’d rather give the question up, than err,
+ And so declares it cannot be defined.
+ Then Wollaston declares that good is truth,
+ Which no one doubts, far as it goes; it goes
+ Toward good, as far as truth, its attribute;
+ Beyond, it cannot reach. And Montesquieu
+ And Clarke, relation’s order preach; a rule
+ That makes the growing grain, or falling shower,
+ A moral agent, capable of good.
+ Then Wolf and Malebranche perfection see,
+ And therefore good, in God; but their sight fails,
+ And God may mirror good, but man’s weak eyes
+ Ne’er see it. Adam Smith, with “sentiment”
+ Proceeds to dress a thought, and call it, good;
+ And makes the abstract of a Universe
+ Arise from puling human sympathy.
+ The largest concourse follow Hutcheson,
+ Although the greater part ne’er heard of him.
+ The world at large believes in moral sense;
+ They call it conscience! Oh the precious word!
+ Though stretched and warped, they almost deify,
+ And term it man’s tribunal in his breast,
+ Where he may judge his actions, right or wrong.
+ What nonsense! Conscience is but consciousness
+ Of soul, and idea of its good. We form
+ This idea from regard of fellow-men,
+ Association, and from thought. We find
+ Sometimes the good of soul conflicts with flesh,
+ And when we know the soul above the flesh,
+ We yield to that the preference. Hence arise
+ The foolish notions of self disregard.
+ The savage does not know he has a soul,
+ And therefore has no conscience. He can steal
+ Without remorse. But when he learns of soul,
+ He finds it has a good, and by this test
+ Tries moral actions, are they good for soul?
+ And this is conscience.
+ Yet is conscience changed
+ By circumstance. The Hindoo mother tears
+ The helpless infant from her trickling breast,
+ To feed the crocodile, and save her soul;
+ She’s happier in its conscience-murdered wail
+ Than in its gleeful prattle on her knee.
+ And daily we see one commit a deed
+ Without a pang, another dare not do.
+ If conscience may be warped but one degree
+ By plain Sorites, it may be reversed,
+ And only prove an interested thought.
+
+ To abstract good no man has found the key,
+ Though in the various forms of concrete good
+ We see the similars, and from these frame
+ A good that serves the purposes of life.
+ We pass it as we do the concept, “Man,”
+ But never ope to count the attributes.
+ Our purest right is but approximate
+ To this vague abstract idea, how obtained,
+ We know not. Plato says ’tis memory
+ Of previous life. Perhaps! ’Tis very dim
+ In this; and yet it rocks the cradle world
+ As strongly as the baby man can bear
+ And so of truth, or aught abstract, we know
+ Of such existence somewhere, that is all.
+ “But we,” cries one, “do hold some abstract truth,
+ In perfect form. The truth of science’ laws,
+ The truths of numbers, each are perfect truths.”
+ The truths of science are hypotheses,
+ And only true as far as they explain.
+ But perfect truth must save all facts,
+ That ever rose or possibly can rise.
+ “The priest of Nature” thought he held the truth
+ When throughout space he tracked the motes of light,
+ And ground the sunbeams into dazzling dust.
+ Our quivering waves through subtle ether flash,
+ And drown Sir Isaac’s atoms in a flood
+ Of glorious truth; till some new fact shall rise
+ To give our truth the lie, and cause a change
+ Of theory.
+ Our numbers no truth have,
+ Or but a shadow, cast on Earth by truth
+ Existent in some unknown world. We make
+ Our little numbers fit the shadow’s line
+ As best they can, and boast eternal truth!
+ Yet take a simple form of numbers, “two,”
+ We cannot have a perfect thought of this,
+ Because the mind directly asks, two what?
+ ’Tis not enough chameleon to feed
+ On empty air. Two units, we reply
+ Then what is meant by unity? An “One,”--
+ The mind can only cognize o-n-e,
+ Which makes three units and not one.
+ The mind
+ Must have a concrete object to adjust
+ The abstract on, before it comprehends.
+ But two concretes are never two, because
+ They never can be proved exactly ’like.
+ To illustrate: suppose two ivory balls,
+ Of finest mold, and equal weight, precise
+ As hair-hung scales, arranged most delicate,
+ Can prove; yet they can not be shown
+ To differ, not the trillionth of a grain;
+ Or if they could, they may in density
+ Be unlike; then to equal weight, one must
+ Be larger by the trillionth of an inch.
+ Even if alike in density and weight,
+ No one will dare assert that they possess
+ A perfect similarity in all.
+ The abstract two is twice as much as one,
+ But our two balls unlike, perforce must be
+ Greater or less than two of either one;
+ But two of one, the same can never be
+ On poor, imperfect Earth. Thus all our twos
+ Fall, in some measure, short of concept two.
+ And if we paint the concept to the eye,
+ The figure 2 of finest stereotype,
+ Beneath the microscope imperfect shows.
+ And so our perfect numbers, wisdom’s boast,
+ Are faint, uncertain shadows in the mind,
+ That we can never picture to the eye,
+ Nor truthfully apply to anything.
+ We use a ragged, ill-drawn substitute,
+ That answers all the purposes of life.
+ The truths of mathematics, so sublime,
+ Are never true to us, concretely known;
+ And in the abstract so concealed are they,
+ No man can swear he has their perfect form.
+ We can’t conceive a line without some breadth--
+ The perfect line possesses length alone;
+ Earth never saw a pure right-angle drawn,
+ Pythag’ras cannot prove his theorem,
+ The finest quadrant is but nearest truth,
+ The closest measures but approximate,
+ And all from Sanconiathon to Pierce,
+ With grandest soaring into Number’s realms,
+ Have only fluttered feebly o’er the ground,
+ Their heaven-strong wings by feebling matter tied.
+
+ Man is a pris’ner, but the prison walls
+ Are very vast; so vast the universe
+ Lies, like a mote, within their mighty scope.
+ Most are content to grovel on the earth,
+ Some rise a little way, and sink again;
+ And some, on noble wing, soar to the bounds,
+ And eager beat the bars. Beyond these walls
+ The abstract lies, and oft the straggling rays,
+ Through crevices and chinks, stray to our jail;
+ And these we fondly hug as truth.
+ Poor man!
+ The glimpses of the great Beyond have roused,
+ For centuries, his curious soul to flight.
+ With eagle eye fixed on the distant goal,
+ He cleaves his way, till dashed against the walls;
+ Some fall with bruiséd wing again to Earth,
+ And some cling bravely there, so eager they
+ To reach the untouched prize, and so intent
+ Their gaze upon its light, they notice not
+ The bounds, till Hamilton, with wary eye,
+ Discovers the Eternal bounding line,
+ And sadly shows its hopeless fixity.
+
+ But man on Earth I love to ridicule,
+ A little clod of sordid selfishness!
+ I’ll take his mental acts of every kind
+ And see how self originates them all;
+ I’ll follow Stewart, since he classifies
+ With shrewd discretion, though his reasoning err,
+ He places first the appetites; and these
+ Perforce are selfish, as our self alone
+ Must feel and suffer with our wants. Our food
+ Tastes good alone to us. The richest feast,
+ In others’ mouths, could never satisfy
+ Our appetite for food; self must be fed.
+ Desires are next; and that of knowledge, first,
+ Is proven selfish, by his quoted line
+ From Cicero--that “knowledge is the food
+ Of mind”--and food is ever sought for self.
+ Desire of social intercourse with men,
+ From thought that it will better self, proceeds.
+ Man’s state is friendly, not a state of war,
+ For instinct teaches him society
+ Will offer many benefits to self;
+ And only when he has a cause to fear
+ That self will suffer, does he learn to war.
+ Desire to gain esteem, is self in search
+ Of approbation; like the appetite,
+ The end pursued affects alone the self.
+ And lastly Stewart boasts posthumous fame,
+ When self, as sacrificed, can seek no good.
+ To prove the motive is a selfish good,
+ I’ll not assert enjoyment after life,
+ But say, the pleasure of the millions’ praise,
+ Anticipated in the present thought,
+ And intense consciousness of heroism,
+ Far more than compensates the pangs of death.
+ A Curtius leaping down the dread abyss,
+ Enjoys his fame enough, before he strikes,
+ To pay for every pain of mangling death.
+ Affections next adorn the moral page.
+ At that of kindred, mothers cry aloud:
+ “For shame! for shame! do you pretend to say
+ I love my child with any thought of self?
+ When I would lay my arm upon the block,
+ And have it severed for his slightest good!”
+ I’ll square your love by Reason’s rigid rule,
+ And test its source. Why do you love him so?
+ For benefit he has conferred, or may?
+ No, as the helpless babe, demanding care,
+ You love him most. Your love is instinct then,
+ And like the cow her calf, you love your child;
+ That you may care for him, before self moves.
+ Then do you love him always just the same,
+ When rude and bad as when obedient?
+ But I’ll dissect your love, and take away
+ Each part affecting self; and see what’s left.
+ He now has grown beyond your instinct love;
+ You love him, first, because he is your son,
+ And you would suffer blame, if you did not;
+ You love him, too, because he does reflect
+ A credit on yourself. You feel assured
+ That others thinking well of him, think well
+ Of you. Because it flatters all your pride
+ To think so fine a life is part of yours;
+ Because his high opinion of your worth
+ Evokes a meet return; because you look
+ Into the future, and see honors bright
+ Awaiting you through him; because you feel
+ The world is praising you for loving him,
+ And would condemn you, did you not. And last,
+ You feel the pleasure deep of self-esteem,
+ Because you fill the public’s and your own
+ Romantic ideas of a mother’s love.
+
+ Let each component part be now destroyed,
+ And see if still you love him. As a man,
+ He plunges into vice of vilest kinds;
+ His bright reflections on yourself are gone,
+ And people think the worse of you, for him;
+ You never smile, but frown, upon him now,
+ But still you love him dearly! To his vice
+ He adds a crime, a foul and blasting crime;
+ Your pride is gone, you feel a bitter shame,
+ A score of opposites to love creep in;
+ A righteous anger at his foolish sins,
+ A just contempt for nature, weak as his;
+ But yet you love him fondly, for the world
+ Is lauding you for “mother’s holy love”;
+ And you delight its clinging strength to show,
+ You gain in public credit by your woes,
+ And get the soothing martyr’s sympathy.
+ But let him still grow worse, and sink so low,
+ That people say you are disgraced through him,
+ Your warmest friends will not acquaintance own,
+ Your love for such an object’s ridiculed,
+ And gains respect from none. Your only chance
+ Is to disown him. How you loud proclaim,
+ “He’s not my child but by the accident
+ Of birth!”
+ Do yet you love him in your heart?
+ This then because you think yourself so good,
+ So heaven-like, for loving him disgraced,
+ You go to see him in the shameful jail;
+ He spits upon, and beats you from his cell,
+ And tells you that he hates your very name.
+ Now all your love is gone, except the glow
+ Of pity for him chained to dungeon floor;
+ But he’s released, and deeper goes in crime;
+ Then, lastly, Pity yields. Your heart is stone!
+
+ But love was only touched in selfish part,
+ Yet should you still deny your love is self’s;
+ Of several children, do you not love most
+ The one whose conduct pleases most yourself?
+ But love, unselfish, never could be moved
+ By anything affecting self alone.
+
+ The throbbing hearts of lovers beat for self,
+ And this I’ll prove, though Pyramus may vow
+ He has no thought but Thisbe.
+ Take away
+ Love’s sensual part, which is an appetite,
+ And therefore selfish, by its Nature’s law;
+ And what remains is, first, a slight conceit
+ At our discernment in the choice we’ve made,
+ And then a pride that we have won the prize;
+ A pride, that some one thinks we are the best;
+ A pleasure in her presence, too, we feel,
+ Because in every look she manifests
+ Her preference for us. This is flattering
+ Beyond all else that we have ever known.
+ A friend may raise our self-esteem, indeed,
+ By showing constantly his own esteem,
+ But never can man’s vanity receive
+ A higher tribute than a woman’s love!
+ This tribute, we, of course, reciprocate,
+ And when together, we increase self-love
+ By mutual words expressing our regard.
+ Yet when our love is deepest, if we find
+ Our Self is not so worshipped as we thought,
+ Our love grows cold; and when we are not loved
+ We cease to love. To illustrate permit:
+
+ You’re on the topmost wave of fervid love--
+ A wilder flame than poets ever sung;
+ You’ve passed the timid declaration’s bounds,
+ And revel in a full assured return.
+ There is no need for check upon your heart,
+ It has full leave to pour its gushing tide
+ Of feeling forth, and meet responsive floods.
+ You meet her in the parlor’s solitude,
+ No meddling eye to watch the sacred scene.
+ The purple curtains hang their corded folds
+ Before the tell-tale windows; closed the door,
+ And sealed with softest list. The rich divan
+ Is drawn before the ruddy grate that glows
+ With red between the bars, and blue above.
+ You sit beside The Angel of your dreams,
+ And gaze in adoration. What a form!
+ Revealed in faultless symmetry by robes
+ Of rare, exquisite elegance, and taste,
+ That fit the tap’ring waist and arching neck.
+ And how superbly flow the torrents of her hair!
+ Which she has shaken loose, because “it’s you”;
+ Her great brown eyes that gaze so dreamily
+ Upon the flowers of the vellum-screen
+ That wards the fire from her tinted cheek!
+ One hollow foot, in dainty, bronze bootee,
+ Tapping the tufted lion on the rug;
+ A snowy hand with blazing solitaire--
+ The pledge of your betrothal--nestling soft
+ Within your own.
+ And thus you sit, and breathe
+ With tones so soft, because the ear’s so near,
+ The mutual confidence of little cares;
+ And how you longed for months to tell your love,
+ But feared a cold rebuke; and how you dared
+ To hope through all the gloom; and how you grieved
+ At every favor shown to other men;
+ How now the clouds have flown away,
+ And all is brightness, joy, and tender love.
+ Then drawing nearer, round the slender waist
+ You pass an arm; and nestling cheek to cheek,
+ Palm throbbing palm, you hush all useless words,
+ And thought meets thought, in silent love.
+ And now and then, you leave the cheek, to kiss
+ The coral lips; yet not with transient touch,
+ But with a fervid, lingering pressure there,
+ As if you longed to force the lips apart,
+ And drink the soul; while both her melting orbs
+ Are drooped beneath your burning inch-near eyes.
+ The parting hour must come. The good-night said,
+ You rise to leave; and turning, at the door,
+ You see her head drooped on the sofa’s arm,
+ You fancy she is sighing that you’re gone;
+ And stealing back on tiptoe, gently raise
+ The beauteous face, and take it ’twixt your palms;
+ And gazing on the features radiant,
+ Distorted queerly by your pressing hands,
+ You feel that life, the parting cannot bear,
+ That you must stay forever there, or die!
+ Another effort, one more nectar sip,
+ You rush from out the room, and slam the door,
+ Just on the steps, you meet your rival’s face.
+ He has an easy confidence, and walks
+ Into the house, as if it were his own.
+ Poor fellow! how you really pity him!
+ You can afford to be magnanimous,
+ And deprecate his certain, cruel fate.
+ You murmur: “Well, he brings it on himself,”
+ And turn to go. The window’s near the ground,
+ And slightly raised. Although you know it’s mean,
+ You cannot now resist, but creep up near,
+ And with a finger part the curtain’s fringe.
+ You see your darling run across the room
+ With both extended hands, and hear her say:
+ “Oh Fred! I am so very glad you’ve come,
+ I feared that stupid thing would never leave,
+ I had to let him take my hand awhile,
+ And mumble over it, to get him off.”
+
+ You grasp the iron railing for support,
+ And, faint and dizzy with the agony
+ Of love’s departure, cling till all has fled;
+ Then stagger home without a trace of love.
+ Yet only Self is touched; her beauty’s there,
+ Her sparkling wit, and her intelligence,
+ Her manner even, towards you, has not changed,
+ And, were you with her, she would be the same.
+ Love’s every motive disappeared with Self,
+ No pride of conquest, no romance of thought;
+ You meet no sympathy, but ridicule!
+
+ A mother’s love may last through injury,
+ Because it reaps the self’s reward of praise
+ For constancy, through wrong. The lover’s flame.
+ Unless supplied with fuel-self, dies out,
+ For, burning, ’twould deserve supreme contempt.
+
+ The less affairs of life are traced to Self.
+ The code of Etiquette, that Chesterfield
+ Defines “Benevolence in little things,”
+ Is but a scheme to give Self consciousness
+ Of excellence in breeding, and to keep
+ “Our Circle” sep’rate by its shibboleth.
+ The stately bow, the graceful sip of wine,
+ The useless little finger’s dainty crook
+ In lifting up the fragile Sevres cup,
+ The holding of the hat in morning calls,
+ The touch of it when passing through the streets,
+ The drawing of a glove, the use of cane--
+ Our every act is coupled with the thought
+ How well Self does all this.
+
+ Our very words
+ Are used to gratify the self. Men talk
+ By preference, for they judge their words
+ Will gain them more applause than listening.
+ But if attention yields more fruit to Self,
+ How patiently they hear the longest tale,
+ And laugh in glee at its insipid close!
+ If with superiors, we attend, because
+ Attention pleases more with them than words;
+ But if inferiors, we must talk the most,
+ Since their attention flatters us so much.
+ The cause of converse, Self, is oftenest food.
+ How few the talks that are not spiced with “I,”
+ What “I” can do, or did or will!
+
+ Sometimes,
+ The Self is held, on purpose, up for jest;
+ As when men tell a joke upon themselves.
+ But here the shame of conduct or mishap
+ Is more than balanced by the hearty laugh,
+ Which gives its pleasant witness to our wit.
+ We never tell what will present ourselves
+ In such an aspect laughter cannot heal;
+ Although it compliments our telling powers.
+
+ Attentions to the fair, but seek for Self
+ Their smiles of favor. Little deeds of love
+ To those around us, look for their reward.
+ The youth polite, who gives his chair to Age,
+ “Without a thought of Self,” is yet provoked,
+ If Age do not evince, by nod or smile,
+ His obligation to that unthought Self.
+
+ The very qualities we call innate,
+ Arise and rule through Self. Our reverence,
+ Or tendency to worship, is to gain
+ A good. Religion grows this tendency
+ Into the various Churches, all whose ends
+ Are to secure eternal good for Self.
+ And those who preach that man does sacrifice
+ Himself for fellow-men, I ask, why none
+ Will give his soul for others’? Many give
+ The paltry life on Earth for others’ good;
+ The very stones would cry “O! fool!” to him
+ Who’d yield his soul; for that is highest Self,
+ And nothing e’er can compensate its loss.
+
+ In all these things, Self stands behind the scenes,
+ And men see not the force that moves them on.
+ But in the boudoir, ’tis enthroned supreme,
+ And does not care to hide the cloven foot.
+ In every home, the marble and the log,
+ In mammoth trunks, and chests of simple pine,
+ In rosewood cases, and the pasteboard box,
+ Are crammed the slaves of Self, to poor and rich,
+ The clothes that, fine or common, feed its pride.
+ The velvets, satins, silken _robes de flamme_,
+ The worsted, calico, and homespun stripe;
+ The Guipure, Valenciennes, and Appliqué,
+ The gimp, galloon, and shallow bias frill;
+ The Talmas, Arabs, basques and paletots,
+ The coarse plaid shawl, the hood, and woollen scarf;
+ The chignons, chatelaines, and plaited braids,
+ The beaded net, and tight-screwed knot of hair;
+ The dazzling jewels, ranged in season sets,
+ The pinchbeck, gilt, and waxen trinketry;
+ The tinted boots, half-way the silken hose,
+ The shoes that tie o’er cotton blue-and-white;
+ The corset laced to hasten ready Death,
+ The leather belt, that cuts the broad, thick waist;
+ The bosom heaving only waves of wire,
+ The bosom, cotton stuffed, beyond all shape;
+ The belladonna sparkling in the eye,
+ The finger tip, and water without soap;
+ The rouge and carmine for the city cheeks,
+ The berries’ ruddy juice for rural ones;
+ The pearly powder, with its poisoned dust,
+ The cup of flour to ghastlify the face;--
+ All these, and thousand fixtures none can count,
+ Man’s vanity, and woman’s love of show,
+ Appropriate for Self.
+ And such is Man!
+ The puzzle of the Universe! Within,
+ A giant to himself; without, a babe.
+ A giant that we cannot but despise,
+ A babe we must admire for his power.
+ His mind, Promethean spark divine, can pierce
+ The shadowy Past, and gaze in rapturous awe
+ Upon the birth of worlds, that from the Mind
+ Eternal spring to blazing entities,
+ And whirl their radiant orbs through cooling space;
+ Or place the earth beneath its curious ken,
+ And with an “Open Sesame!” descend
+ Into its rocky chambers, there unfold
+ The stone archives, and read their graven truths--
+ Earth’s history written by itself therein--
+ How age by age, a globe of liquid fire,
+ It dimmer grew, and dark and stiff,
+ And drying, took a rough, uneven face;
+ Above the wave, the mountain’s smoking top
+ Appeared, beneath it gaped the valley’s gorge;
+ But smoking still, it stood a gloomy globe,
+ Naked and without life. And how the trees
+ And herbs their robes of foliage brought; their form
+ And life adapted to their heated bed.
+ And how a stream of animation poured
+ Upon its face, when ready to sustain;
+ Great beasts who trod the cindered soil unscathed,
+ And tramped the fervid plains with unscorched soles.
+ Great fish whose hardened fins hot waters churned
+ That steamed at every stroke. How periods passed
+ And fields and forests teemed with gentler life,
+ The waters wound in rivers to the sea,
+ Then spread their vap’ry wings and fled to land.
+ The oceans tossed in bondage patiently;
+ Volcanic mountains closed their festering mouths,
+ And Earth made ready for her master, Man.
+
+ It traces Man, expelled from Paradise,
+ Along the winding track of centuries.
+ It marks his slow development, from two,
+ To families, and tribes, and nations vast.
+ It gazes on the wondrous scenes of war,
+ And peace, and battle plain, and civic game;
+ And lives through each, with all of real life,
+ Except the body’s presence there. It turns
+ From man to beasts and birds, and careless strokes
+ The lion’s mane, the humbird’s scarlet throat.
+ It tracks the mammoth to his jungle home,
+ Or creeps within the infusoria’s cell.
+ It measures Earth from pole to pole, or weighs
+ The bit of brass, that lights the battery spark.
+ Is Earth too small, it plumes its flight through space;
+ From world to world, as bird from twig to twig,
+ It flies, and furls its wing upon their discs,
+ To tell their weight, and giant size, or breathe
+ Their very air to find its gaseous parts.
+ Now bathing in pale Saturn’s misty rings,
+ Or chasing all the moons of Jupiter
+ Behind his darkened cone. The glorious sun,
+ With dazzling vapor robe, and seas of fire,
+ Whose cyclones dart the forkèd flames far out,
+ To lap so hungrily amid the stars,
+ Is but its playhouse, where it rides the storms,
+ That sweep vast trenches through the surging fire,
+ In which the little Earth could roll unseen;
+ Or bolder still, beyond our system’s bounds,
+ It soars amid the wilderness of worlds;
+ Finds one condemned to meet a doom of fire,
+ And makes its very flames inscribe their names,
+ In dusky lines, upon the spectroscope.
+ With shuddering thought to see a world consumed,
+ The fate prepared for ours, it lingers there
+ Until the lurid conflagration dies.
+ And then seeks Earth, and leaves the laggard,
+ Light,
+ To plod its journey vast.
+ The smallest mote
+ Of dust that settles on an insect’s wing,
+ It can dissect to atoms ultimate.
+ With these, too small for sight, may Fancy deal,
+ And revel in her Lilliputian realm.
+ These atoms forming all, by Boscovitch
+ Are proved, in everything, to be alike;
+ And ultimate, since indivisible.
+ Each in its place maintained by innate force
+ And relatively far from each, as Earth
+ From Sun.
+ Suppose, then, each to be a world,
+ Peopled with busy life, a human flood,
+ As earnest in their little plans as we,
+ As grand in their opinion of themselves!
+ Oh! what a depth of contrast for the mind!
+ The finest grain of sand, upon the beach,
+ Has in its form a million perfect worlds!
+ Or take the other scale, suppose the Earth,
+ Our great and glorious Earth, to only form
+ The millionth atom of some grain of sand,
+ That shines unnoticed on an ocean’s shore,
+ Whose waves wash o’er our whirling stars and sun
+ Too insignificant to feel their surge.
+ Another step on either side, and mind,
+ In flesh, shrinks from the giant grasp.
+ Yet noble are its pinions, strong their flight;
+ Thrice, only, do they droop their baffled strength,
+ Before the Future, Infinite, Abstract!
+ The first is locked, the second out of reach,
+ The third a maze that none can penetrate.
+ The first, alone to inspiration opes;
+ The second dashed to Earth her boldest wing,
+ Spinoza’s, who essayed the idea God,
+ And grappling bravely with the grand concept,
+ So far above the utmost strength of Man,
+ Placed God’s existence in extent and thought;
+ And filled all space with God. The Universe,
+ A bud or bloom of the Eternal Mind,
+ That opens like a flower into this form,
+ And may retract Creation in Itself!
+ Alas! that effort so sublime should end
+ In mystery and doubt.
+ A Universe,
+ How vast so ever, has its bounds somewhere,
+ But Space possesses none, and God in Space,
+ Would be so far beyond Creation’s speck,
+ He scarce would know it did exist. That part
+ Of Mind, expressed in matter, would be lost
+ Amid the Infinite domains of thought.
+
+ Yet Man in flesh, the casket of the mind,
+ Whose wondrous power I’ve told, is ever chained,
+ A grovelling worm, to Earth, and never leaves
+ The sod where he must lie. No time is his
+ But present; not a mem’ry of the past.
+ His very food, while in his mouth, alone,
+ Tastes good. He stands a dummy in the world,
+ That only acts when acted on. How great
+ The mystery of union ’tween the two!
+ A feather touches not the body, but the mind
+ Perceives it; yet the mind may live through scenes
+ The body never knew, nor can. Yet not
+ With vivid life--the sense is lacking there.
+ The memory of a banquet may be plain,
+ So that the daintest dish could be described,
+ As well as if the eye and tongue were there;
+ The eye and tongue, alone the present know,
+ And find no good in anything that’s past.
+ All thought is folly, every path is dark;
+ Truth gleaming fairly in the distant haze,
+ On near approach becomes the blackest lie.
+ Man and his soul may go, nor will I fret
+ To learn their mystic bonds. A worm I am,
+ And worm I must remain, till Death shall burst
+ The chrysalis, and free the web-wound wings.
+ Yet, oh! ’twere grand to spurn the clogging Earth
+ And cleave the air towards yonder looming cloud;
+ To stand upon its red-bound crest and dare
+ The storm-king’s wildest wrath.
+
+ My thoughts
+ Grew dull, my eyelids slowly closed, the scene
+ Became confused and melted into sleep.
+ And far up in the blue, as yet untouched
+ By clouds, I saw a white descending speck.
+ Methought ’twas but a feather from the breast
+ Of some migrating swan, that Earthward fell,
+ And watched to see it caught upon the wind,
+ And sail a tiny kite to fairy land.
+ But circling down, the speck became a dove,
+ A heron, then a swan, and larger still,
+ Till I could mark a pair of great white wings,
+ Between which hung its wondrous form. Still down
+ It swept, till scarce above the trees it stood,
+ Resting on quivering wings, as if it sought
+ A place to ’light. I saw then what it was,
+ A steed of matchless beauty, agile grace,
+ Combined with muscled strength; but ere I drew
+ The first long breath, that follows such surprise
+ It gently downward swooped, and at my feet,
+ With dainty hoof, the turf impatient pawed.
+ Enrapt, I gazed upon its beauteous form,
+ Its sculptured head, and countenance benign,
+ The soft sad eyes, the arrow-pointed ears,
+ The scarlet nostrils opening like two flowers,
+ The sinewed neck, curved like a swimming swan’s,
+ The splendid mane, a cataract of milk,
+ That poured its foaming torrents half to Earth,
+ The tap’ring limbs, tipped with pink-hued hoofs,
+ That touched our soil with a proud disdain;
+ The dazzling satin coat, and netting veins,
+ And last the glorious wings, whose feathers lapped
+ Like scales of creamy gold. What seemed a cloth
+ Of woven snow, with richest silver fringe,
+ Draped with its gorgeous folds the shining flanks.
+
+ It was perfection’s type, the absolute,
+ Not one defect; the tiniest hair was smooth,
+ The smallest feather’s edge unfrayed. The eyes
+ Without the slightest bloodshot fleck, or mote.
+ No fault the microscope could have revealed,
+ Though magnifying many million times.
+ So great my wonder, that I could not move,
+ But lay entranced, while he stood waiting there;
+ Till wearied with my long delay, he raised
+ His wings half-way, and eager trembled them,
+ As bluebirds do when near their mate; a neigh
+ Of trumpet tone aroused me. Then I sprang
+ Upon his back, and wildly shouted “On!”
+ A spring with gathered feet, a clash of wings,
+ That made me cling in terror, and we swept
+ From Earth into the air. Woods, plains, and streams
+ Flashed by beneath, as, up and on, we charged
+ Straight to the frowning cloud.
+ My very brain
+ Reeled with our lightning speed, and dizzy height,
+ And oh! how silent was the air. No sound,
+ Except the steady beat of fanning wings,
+ That hurled us on a rod at every stroke.
+ The bellowing winds were loosed and fiercely met
+ Our flight. They tossed the broad white mane across
+ My shrinking shoulders, like a scarf of silk;
+ They blew the strong-quilled feathers all awry,
+ And like a banner beat the silvered cloth;
+ But swerving not to right or left, we pressed
+ Straight onward to the goal.
+ At last I reined
+ My steed upon the shaggy ridge of clouds,
+ And caracoled along the beetling cliffs,
+ Up to the very summit. Then I paused.
+ Behind me lay the world with all its hum
+ Of life, the distant city’s veil of smoke,
+ The village gleaming white amid the trees;
+ The very orchard I had left, now seemed
+ A downy nest of green, and far away
+ I caught the shimmer of the sea, where sails,
+ With glidings, glittered like the snowy gulls.
+ Behind all was serene, before me seethed
+ The caldron of the tempest’s wrath.
+ Thick clouds,
+ Thrice tenfold blacker than the black outside
+ We see, deep in the crackling fire-crypts writhed,
+ And boiling rose and fell. A deafening blast
+ Roaring its thunder voice above the scene,
+ As if the fiends of Hell concocted there
+ The scalding beverage of the damned.
+ My horse
+ Had snuffed the fumes, and rearing on the brink,
+ That fearful brink, an instant pawed the air,
+ And then sprang off. A suffocating plunge,
+ Through heat and blinding smoke, while to his neck
+ Convulsively I clung! Down through the cloud,
+ Until I gasped for breath, and felt my brain
+ Was bursting with the fervid weight.
+ He stopped
+ Before a large pavilion, round whose walls,
+ As faithful guard, a whirlwind fierce revolved,
+ And at whose folded door, with dazzling blade,
+ The lightning stood a sentinel. My steed
+ Was passport, and I passed within, but stopped
+ Upon the threshold, dumb with awe. The walls
+ Seemed blazing mirrors, whose bright polished sides
+ “Threw back in flaming lineaments” the form
+ Of every object there,--a trembling wretch,
+ With pallid countenance, shown ghastly red,
+ Upon a horse of War’s own direful hue,
+ I saw reflected there. The floor seemed made
+ Of tesselated froth, whose bubbles burst,
+ With constant hissing, into rainbow sparks;
+ While like the sulph’rous canopy, that drapes,
+ At evening’s close, a gory battle-field,
+ The roof of crimson vapor drooped and rose,
+ With every breath and every slightest sound.
+ And in the center of the glowing room,
+ Upon a sapphire throne an Angel sat,
+ Upon whose brow Rebuke and Wisdom met.
+ He gazed upon me with such pitying look,
+ And yet withal so stern, that all my pride
+ Was gone, and humble as a conquered child,
+ I ran with trembling haste and near the throne
+ Kneeled down.
+ “Vain man,” he said, “and hast thou dared
+ To doubt the providence of God; Behold!”
+ And, lo! one side of the pavilion rose,
+ And out before me lay Immensity.
+ The frothy floor, now crumbling from the edge,
+ Dissolved away close to my very feet,
+ The walls contracted their three sides in one,
+ And I, beside a throne I dared not grasp,
+ Stood on a narrow ledge of fragile foam,
+ That clicked its thousand little globes of air,
+ With every motion of my feet.
+ Far down
+ Below, the black abyss of chaos yawned,
+ So vast, I gasped while gazing, and so deep,
+ The Sun’s swift arrowy rays flash down for years,
+ And scarcely reach the dark confines, or fade
+ Amid the impenetrable gloom. Methought
+ ’Twas Hell’s wide jaws, that opened underneath
+ The Universe, to catch as crumbs the worlds
+ Condemned, and shaken from their orbit’s track.
+ And long I looked into the vast black throat,
+ To trace the murky glow of hidden fire,
+ Or catch the distant roar. But all was still;
+ No murmur broke the silence of its gloom,
+ No faintest glimmer told of lurking light,
+ No smoky volumes curdled in its depths;
+ As dark as Egypt’s plague, serenely calm,
+ Defying light, the empty hall of Space,
+ Where twinkled not a star nor blazed a sun.--
+ A grand eternal night!
+ I shuddering turned,
+ With freezing blood to think of falling there,
+ And stretched a palsied hand to touch the throne.
+ The Angel’s eye was sterner, as he waved
+ Towards my steed, who seemed of marble carved.
+ The wings unfolded, and he leaped in air,
+ Beating from off the ledge the flakes of foam
+ That sank, with airy spirals, out of sight.
+ With slanting flight across the gulf he sheared;
+ The moveless wings were not extended straight,
+ But stood, at graceful angle, o’er his back,
+ As, swifter than a swooping kite, he flashed
+ Adown the gloom. His flowing mane broad borne
+ Out level, like another wing; his feet
+ With slow ellipses moving alternate,
+ As if he trod an unseen path. ’Twas grand
+ To see his graceful form, more snowy white
+ Against the black relief, sublimely float
+ Across the dark profound, and down its depths,
+ Pass from my view. As when an Eagle soars
+ Beyond our vision in the azure sky,
+ We wonder what he sees, or whither flies,
+ So I stood wondering if he would return,
+ And what his destination down th’ abyss.
+
+ Above, around, all was infinitude
+ Of light and harmony. The worlds moved on,
+ In mazy multitude, without a jar,
+ Star circling planet, planet sun, and suns
+ In systems, farther yet and farther still,
+ Till multiplying millions mingled formed
+ A sheet of milky hue. And far beyond
+ The last pale star, appeared a dazzling spot,
+ That flamed with brightness so ineffable
+ The eye shrank ’neath its gleam. And from its light,
+ Athwart the endless realms of space, there streamed
+ A radiance that illumed the Universe,
+ And down across the chasm of Chaos flung
+ A wavering band of purple and of gold.
+ And in that distant spot my ’wildered eyes
+ Traced out the figure of a Great White Throne,
+ Round which, in grand and solemn majesty,
+ Slow swept Creation’s boundless macrocosm.--
+ I felt too insignificant to pray,
+ But mutely waited for the Angel’s words.
+ He spoke not, but the curtains closer drew,
+ And left a narrow opening in front.
+ Then with a speed the lightning ne’er attained,
+ Our cloud pavilion swiftly whirled through space.
+ A seed that would have slain me with its haste,
+ Had not the Angel been so near.
+ As on the cars,
+ We dash through towns, and mark the hurrying lights,
+ Or shudder at an engine rattling by;
+ So through our door, I marked the countless worlds,
+ In clustering systems, chained by gravity,
+ Flash by an endless course. A second’s time
+ Sufficed to pass our little group of stars,
+ That waltz about our Sun, as if it lit
+ The very Universe. Then systems came,
+ Round which our system moves, and these
+ Round others, till the series grew so vast
+ I shrank from looking. Great Alcyone,
+ Our telescopic giantess, a babe
+ Amid the monsters of the starry tribe,
+ The last familiar face in Heaven’s throng,
+ Blazed by the door; an instant, out of sight!
+ And after all that we have known or named
+ On Earth were far behind, the millions came
+ In endless multitude; and on we swept,
+ Till worlds became a dull monotony,
+ And all the wonders of the Heavens were shown.
+ A planet wheels its huge proportions past,
+ Its pimpled face with red volcanoes thick,
+ That, with our speed, seem girdling bands of light;
+ A Sun, whose flame would fade our yellow spark,
+ Roars out a moment at our narrow door
+ As through its blaze we fly, then dies away,
+ Casting a weird and momentary gleam
+ Over the Angel’s unrelenting face;
+ A meteor tears its whizzing way along,
+ All showering off the scintillating sparks
+ That mark its trail. Far off, a comet runs
+ Its bended course, the mighty fan-like tail
+ Lit with a myriad globes of dancing fire,
+ That seemed like Argus’ eyes on Juno’s bird.
+ And on we sped, till one last Sun appeared,
+ A monstrous hemisphere of concave shape,
+ And brilliancy intense; it seemed to stand
+ On great Creation’s bounds, a lense of light.
+ Close by its vast red rim we shaved, and passed
+ Beyond, to empty space unoccupied.
+ No world, no sun, no object passed the door;
+ The steady blue, tinged with a brightening gold,
+ Alone was seen. Still on and on we flew,
+ Until a score of ages seemed elapsed,
+ And I had near forgotten Earth and home.
+
+ And yet the air grew brighter, till I feared
+ That we approached a sun, so infinite
+ In light, that I should sink in dazzled death.
+
+ We came to rest, the curtains fell away,
+ And lo! I stood within the light of Heaven.
+ And oh! its glorious light! No angry red,
+ Nor blinding white, nor sickly yellow glare,
+ But one vast golden flood, sublime, serene,
+ No object near, on which it could reflect,
+ It formed the very atmosphere itself,
+ An air in which the soul could bathe and breathe,
+ And ever live without its fleshly food.
+
+ No object near, for on the farthest bounds
+ Of space immense as mortal can conceive,
+ Creation hung, a group of clustering motes,
+ Where only suns were seen as tiny specks,
+ And Earth and smaller stars were out of sight.
+ No object near, for farther than the motes,
+ The walls of Heaven, in glorious grandeur loomed,
+ Yet near as flesh and blood could bear.
+ How grand!
+ From infinite to infinite extent
+ The glittering battlements were spread, the height
+ Above conception, built of purest gold,
+ Yet gold transparent, for I could discern
+ Though indistinctly, domes and spires beyond,
+ And all the wondrous workmanship divine,
+ That blazed with jewels, flashing varied hues
+ In perfect union; and bright happy fields,
+ That bloomed with flowers immortal, in whose midst
+ The crystal river ran. And through the scenes
+ Thronged million forms, that each sought happiness,
+ From million varied, purified desires.
+ Each face serenely bright as Evening’s star,
+ And some I thought I knew, were dear to me;
+ But as I gazed, they ever disappeared.
+
+ Along the walls, twelve gates of pearl were seen,
+ So great their breadth, and high their jewelled arch,
+ That Earth could almost trundle in untouched,
+ And in each arch was fixed a giant bell
+ Of silver, with a golden tongue that hung,
+ A pendant sun. So wide the silver lips,
+ That Chimularee plucked up by the roots,
+ And as a clapper swung within its circ,
+ Would tinkle, like a pebble, noiselessly
+ Against the rigid side. And as the saved
+ Were brought in teeming host, by Angel bands,
+ Before the gates, the bells began their swing;
+ And to and fro the ponderous tongue was hurled,
+ Till through the portals marched the shouting throng,
+ And then it fell against the bounding side.
+ And loud and long their booming thunder
+ Rends the golden air asunder,
+ While the ransomed, passing under,
+ Fall in praise beneath the bells,
+ Whose mighty throbbing welcome tells;
+ And the Angels hush their harps in wonder--
+ Bells of Heaven, glory booming bells!
+
+ Gentler now, the silver’s shiver
+ Purls the rippling waves that quiver
+ Through the ether’s tide forever,
+ Mellow as they left the bells,
+ Whose softening vibrate welcome tells;
+ And the quavers play adown the river--
+ Bells of Heaven, softly sobbing bells!
+
+ Then the dreamy cadence dying,
+ Sings as soft as zephyrs sighing;
+ Faintest echoes cease replying
+ To the murmur of the bells,
+ Whose stilling tremor welcome tells,
+ Faintly as the snow-flakes falling, lying--
+ Bells of Heaven, dreamy murmuring bells!
+
+ And in and out those Gates of Pearl, there streamed
+ A ceaseless throng of Angels, errand bound.
+ From one came forth a band of choristers,
+ With shining harps, and sweeping out through space,
+ Their long white lines bent gracefully, they sang.
+ Although so far away, that purest air
+ Brought every note exquisite to my ear.
+ ’Twas richly worth life’s toil, to catch one bar
+ Of Heavenly melody. Oh! I would give
+ My pitiful existence, once again
+ To hear the strains that floated to me then,
+ So full, so deep, so ravishingly sweet;
+ Now gentle as a mother’s lullaby,
+ They almost died away, then louder rose,
+ And rolled their volumes through the boundless realms,
+ That trembled with the diapason grand;
+ Until eternal echoes caught the strain,
+ And glory in the highest swelled sublime.
+
+ Entranced, I lay with ’wildered half-closed eyes,
+ Till from another gate, another host
+ Marched forth, the armies of the living God.
+ Beneath their thunder-tread all Heaven shook,
+ And at their head the tall Archangel strode.
+ How grandly terrible his mien! His face
+ Lit with a soul that only kneels to Three;
+ The lofty brows drawn slightly to a frown
+ The eyes that beam with vast intelligence,
+ The depths of distance piercing with their glance;
+ The chiselled lips, compressed with stern resolve,
+ Yet marked with lines and curves of tender love,
+ That ever with a sigh Wrath’s vial broke
+ Upon the doomed. His splendid form so tall,
+ That as he paused a moment in the gate
+ His dazzling crest just grazed the silver bell.
+ He wore no arms nor armor, save a sword
+ Without a sheath, that blazed as broad and bright
+ As sunset bars that shear the zenith’s blue--
+ A sword, that falling flatly on the host
+ Of Xerxes, would have crushed them as we crush
+ A swarm of ants. An edge-stroke on the Earth
+ Would gash the rocky shell to caverned fire.
+ Unfolding wings would shake a continent,
+ He floated down the depths. Behind him came
+ A million foll’wers, counterparts in all,
+ Save presence of command.
+ I wondered not
+ That one should breathe upon the Syrian might,
+ And still the sleeping hearts, four thousand score.
+
+ And from Creation’s little corner came
+ The Guardian Angels, bearing in their arms
+ Their charges during life. As laden bees,
+ They flew to Heaven’s hive; and some passed by
+ So closely I their burdens could discern;
+ And though they came from far-off, unseen Earth,
+ The stiffened forms were borne all tenderly.
+ Some bore the dimpled babe, with soft-closed eyes,
+ As if upon its mother’s breast; its hands,
+ Unhardened yet by toil of life, its face
+ Unfurrowed yet by care’s sharp plough; and some
+ The age-bent form, with ghostly silvered hair,
+ And features gaunt in death, that would have seemed
+ A hideous sight, in any light but Heaven’s;
+ Some bore the rich, who made of Mammon friends,
+ Who wore the purple with a stainless soul;
+ Some bore the poor, who mastered poverty,
+ And broke the ashen crust beneath God’s smile;
+ Their work-worn hands now folded peacefully,
+ And passing towards the harp, the weary feet,
+ So often blistered in life’s bitter dust,
+ To tread with kings the golden streets of Heaven;
+ And some the maiden form bore lovingly,
+ So fair, they seemed twin sisters.
+ And I saw,
+ That, passing through the amber air, they caught
+ Its glowing dust upon them, and were changed,
+ The livid to the radiant. Then as they
+ Approached the City, all the walls were thronged,
+ And all the harps were throbbing to be swept.
+ And mid the throng there moved a dazzling Form,
+ The jewels of whose crown were shaped like thorns.
+ He stood to welcome, and the gates unclosed,
+ And passing through them, all the death sealed eyes
+ Were opened, and they lived!
+ And then I knew
+ What happiness could mean. To leave the Earth,
+ With all its torturing pains and ills of flesh;
+ The lingering, long disease, the wasted frame,
+ And, e’en in health, the constant dread of death,
+ That like the sword of Damocles impends,
+ And none may tell its fall.
+ And worse than flesh,
+ The tortures of the mind in fetters bound;
+ Its chafings at its puling impotence,
+ Its longing after things beyond its reach,
+ Its craving after knowledge never given,
+ Its constant discontent with present time,
+ Its looking towards a future, that but breaks
+ To light alone in distance, never near;
+ Its maddening retrospect o’er wasted life,
+ And loss of golden opportunities;
+ Its consciousness of merit none admit,
+ Its sense of gross injustice from the world;
+ The forced reflections on the sway of self,
+ And consequent contempt for all mankind,
+ Or shameful servitude to their regard;
+ The poisoned thorns, that skirt the “Narrow Way”;
+ The sneering laugh, the tongue of calumny,
+ The envious spites and hates ’tween man and man,
+ The doubts that swarm with thought about our soul,
+ That whispers all our labor here is vain,
+ That death is but extinction, Heaven a myth!
+
+ To leave all these, and find a perfect life,
+ To know that Heaven is sure eternally,
+ That sickness ne’er again will waste our frame,
+ That death shall never come again. The mind
+ In perfect peace and happiness; the hidden
+ Spread out before its ken; a sweet content
+ Pervading every thought, because “just now”
+ Yields happiness as great as future years;
+ Because Life’s highest end is now attained.
+ The consciousness of merit, with reward
+ Surpassing far all we deserved. A Home
+ Of perfect peace, no envious spite or hate
+ Within its sacred walls, but all pure love
+ Towards our fellows, gratitude to God,
+ A gratitude that all Eternal life
+ Will not suffice to prove. ’Twere joy enough
+ To lie before the Throne, and ever cry
+ Our thanks for mercy so supreme! And oh!
+ The vast tranquillity of those who feel
+ That life on Earth is ended, Heaven gained!
+ The Angel marked my gaze of rapt delight,
+ And said, “Wouldst thou go nearer?” Swift as light
+ We moved towards the City. On the steps,
+ In dreamy ecstasy, I lay, afraid to move,
+ Lest all the panorama should dissolve.
+ I cared not that I was unfit to go,
+ I cared not that I must return to Earth;
+ I felt one moment in the Golden walls
+ Was worth a dungeon’s chains “threescore and ten.”
+ The glory of its music, and its light,
+ Grew too intense, and sense forsook my brain.
+
+ Again my eyes unclosed, and ’mid the stars,
+ Familiar faces of the telescope,
+ We sped, while on the last confines of space,
+ The City lay with golden halo girt.
+ The systems passed, we neared old homelike Earth;
+ And far enough to take a hemisphere
+ At single glance, we paused. The little globe
+ Was puffing on, like Kepler’s idea-beast,
+ With breath like tides, and echo sounds of life;
+ Thus trundling on its journey round the sun
+ While o’er its back swarmed men the parasites.
+ As rustic lad, who visits some great town,
+ Returns ashamed of humble country home,
+ So I now blushed to own the world I’d thought
+ Was once so great.
+ The Angel pointed down,
+ And said, “Behold the vast domains of Earth!
+ Behold the wondrous works of man, that calls
+ Himself the measure of the Universe!
+ Those gleaming threads are rivers, and the pools
+ His boundless oceans. Those slow-gliding dots
+ The gallant ships, in which he braves the storms
+ The largest white one, see, is laboring now
+ Beneath a cloud, your hand from here might span;
+ What tiny tossings, like a jasmine’s bloom
+ That drifts along the ripples of a brook!
+ Now on the wave, now ’neath it, now ’tis gone;
+ The pool hath gulfed it like a flake of snow.
+ See, there are railroad lines, what works of art!
+ Thou canst not see the blackened threadlike tracks,
+ But thou mayst see the thundering train, that creeps
+ Across the landscape like a score of ants
+ Well laden, tandem, crawl across the floor.
+ ’Twill take a day to reach yon smoky patch
+ Of pebbles! ’Tis a great metropolis!
+ Where Man is proud in power and lasting strength;
+ Where Art hath budded into perfect bloom,
+ Where towering domes defy the touch of Time,
+ And rock-ribbed structures reck not of his scythe
+ On every side, proclaimed Creation’s lord,
+ Poor flattered Man the title proudly takes--
+ One little gap of Earth, and not a spire
+ Would lift its gilded vane; the very dust
+ Would never rise above the chasm’s mouth.
+ And mark yon crowd outside the city’s bounds,
+ They hail Man’s triumph over Nature’s laws;
+ He conquers gravity, and dares to fly!
+ The speck-like globe slow rises in the air,
+ While all the throng below shout, “God-like Man!”
+ How pitiful! The flag-decked car but drags
+ Its way, a finger’s breadth above their heads,
+ And falls, a few leagues off, into the sea;
+ When ships must rescue Man, the king of air!
+ “He soon will touch the stars,” enthusiasts cry;
+ His highest flights ne’er reach the mountain-top,
+ That lifts its mole-hill head above the plain.
+
+ What different views above and underneath!
+ From one, the silken pear cleaves through the cloud,
+ And floats, beyond your vision, in the blue,
+ And franchised Man no longer wears Earth’s chain;
+ The other sees him drifting o’er the ground,
+ Beneath the level of the hills around,
+ The captive still of watchful gravity.
+
+ Upon yon strip of land, two insect swarms
+ Are drawn up, front to front, in serried lines;
+ These are the armies, ’neath whose trampling tread
+ The very Earth doth tremble, now they join
+ In dreadful conflict. From the battling ranks
+ Leap tiny bits of flame, and puffs of smoke,
+ Where thundering cannon belch their carnage forth;
+ The heated missile cleaves its sparkling way,
+ The screaming shell its smoke-traced curve; the sword
+ Gleams redly with the varnish of its blood,
+ The bayonets like ripples on a lake.
+ How palsied every arm, how still each heart!
+ If one discharge of Heaven’s artillery roared
+ Above their heads--not that faint mutter thou
+ Perchance hast heard from some electric cloud,
+ But when a meteor curves immensity,
+ And bursts in glittering fragments that would dash
+ Thy world an atom from their path. But God
+ Hath thrown the blanket of His atmosphere
+ Around the Earth, and shield, it from the jar
+ Of pealing salvos, that reverberate
+ Through Heaven’s illimitable dome.
+ Yet thou,
+ The meanest of thy race of worms, hast dared
+ To question God’s designs. Know then that He
+ Ordains that all, His glory shall work out.
+ The coral architect beneath the wave
+ Doth magnify Him, as the burning sun
+ That lights a thousand worlds. His power directs
+ The mechanism of a Universe,
+ Whose vastness thou hast been allowed to see,
+ And yet the mottled sparrow in the hedge
+ Falls not without His notice. Magnitude
+ Is not the seal of power, though man thinks so;
+ The least brown feather of the sparrow’s wing,
+ In adaptation to its end displays
+ God’s wisdom, as the ocean. Harmony
+ Is Heaven’s watchword, key to all designs.
+ A tendency towards perfection’s end
+ Pervades Creation; to this perfect end,
+ The polity Divine is leading Earth.
+ Endowed with reason, Man, perforce, is free;
+ And God, forseeing how he’ll freely act,
+ Adjusts all circumstance accordingly.
+ The order of this sequence, Man doth learn
+ In part; adapts himself to these fixed laws;
+ And thus is formed a general harmony.
+ Although the individual may oppose,
+ His forseen freedom, acting in a net
+ Of circumstance, secures the wished-for end.
+ The bloodiest wars are sources of great good,
+ Invasive floods rouse national energies,
+ Or, mingling, form a greater people still;
+ Hume’s skepticism foils its own design,
+ And rouses lusty champions of the Truth,
+ Who build its walls far stronger than before.
+ Poor sordid Man! like all your gold-slave race,
+ You deem wealth happiness. Hence, all your doubts
+ About God’s providence are based on gold.
+ The wicked have it, and the righteous not.
+ What you assert is oftenest reversed,
+ And in a census of the world, you’d find
+ The good, in every land, the wealthiest.
+ But Earth is not the bar where Man is judged;
+ But only where free-will and circumstance
+ May join in general progress. Gold is good!
+ Then good depends on use of circumstance,
+ And not on moral merit. Well ’tis so!
+ For were the righteous only blessed, all men
+ Would righteousness pursue, from sordid aims,--
+ The most devout, who love their money best;
+ And thus good actions’ essence would be lost,
+ That they be done for good, within itself,
+ And not for benefit to be conferred.
+
+ Then for your doubts about the righteous poor;
+ A certain law is fixed for general good,--
+ Some actions yield a gain and some a loss.
+ A wicked man may use the first, and gain,
+ A righteous man may use the last, and lose;
+ The wicked does not gain by wickedness,
+ But by compliance with this natural law.
+ The righteous, still as righteous, might have gained
+ By different course of conduct, had he known;
+ But his condition now, can but be changed
+ By special miracle; but miracles,
+ In favor of the righteous, would destroy
+ All strife for good as good.
+ Their compensation in another world;
+ The poor may find
+ And even here, in consciousness of right,
+ In surety of Heav’n, and peace of mind.
+ And in the case you’ve stated, like all those
+ Who talk as you have done, you overdraw,
+ And color more with Fancy than with Truth.
+ You’ll find no widow, perfect in her trust,
+ As you’ve described, who is so destitute.
+ Go search the lanes and alleys; where you find
+ The greatest squalor, there is greatest crime;
+ For poverty is oftenest but a name
+ For reckless vice, and vile depravity.
+ Your case is but exception to the rule,
+ And not the rule, of Providence. To give
+ The righteous, only, wealth and worldly store
+ Would take away Man’s freedom, and all good.
+
+ But I will answer in your folly’s mode.
+ The justice, then, of Nature’s laws you doubt,
+ Forgetting they are fixed for general good,
+ And not for individual. These laws,
+ In their effects, you praise as very good;
+ Yet, in their causes, call the most unjust.
+ The fertile fields, with grain for man’s support,
+ Are nourished by a miasmatic air,
+ That, sickening but a few, feeds all the world.
+ While, were the air all pure, a few were well,
+ And millions starving. In the tropics, too,
+ The scenes you deprecate, themselves but cause
+ The very beauties you admire. Unjust,
+ You would enjoy effects without a cause.
+ The goods of Nature often take their rise
+ From what to man proves evil. For the goods,
+ He makes his mind to meet the evils; then
+ Can he complain, or think it hard to bear?
+ But Nature’s dealings towards Man are just.
+ He knows that he is free, and Nature not;
+ If he opposes Nature’s laws and falls,
+ Is Nature to be blamed? The widow’s cot
+ Is frail; the laws of general good require
+ A storm; it comes, and shattered falls the cot.
+ Should God have saved it by a miracle,
+ Then all His people could demand the same,
+ And Earth would soon become the bar of God,
+ God may exert a special providence,
+ But Man may not detect it, as the rule
+ Invariable of life, and still be free;
+ For he were thus compelled to seek the good.
+ Then Nature, over Man, holds not a tyranny,
+ But keeps the perfect pandect of her laws,
+ And Man is free to obey them, or oppose.
+
+ Like shallow-thoughted reasoners of Earth,
+ You make assertions without slightest proof,
+ Or faintest shade of truth. Your thesis, this:
+ God marks with disapproval all the good,
+ And blesses all the evil with His smile.
+ Entirely false in every case! The good
+ Are ever happiest, in peace of mind,
+ In ease of conscience, and the hope of Heaven.
+ The wicked may be even rich, but wealth
+ And happiness are far from synonyms.
+ Is happiness the child of circumstance,
+ Or is it not the offspring of the mind?
+ And if the mind be tranquil and serene,
+ Does happiness not follow everywhere?
+ The cause of doubt in you, and many more,
+ Is that the thousands who profess the good,
+ Are ever mourning their unhappy lot,
+ And sighing o’er the gloomy, narrow way;
+ The tribulation of the promise read,
+ Without its good cheer context. These are they
+ Who stamp with misery’s blackest seal, a life
+ Of righteousness. By these you cannot judge,
+ For they are not what they profess, and would
+ Be miserable in Heaven, unless changed.
+ But take the truly good, one who’s content
+ To take whate’er befalls, submissively;
+ Who feels assured that all works for the best;
+ Take him, in all conditions, rich or poor,
+ In sickness or in health, in pain or ease;
+ Compare your happy wicked, with his gold,
+ ’Twill not require a moment to decide
+ Which one is happier!
+ Again, you ask
+ Why Man was not created happy, and kept so?
+ His very freedom and intelligence
+ Prevents a forcèd happiness. The ends
+ Of all Creation would be marred, and Man
+ Lose personality. A happiness
+ Made universal, asks morality
+ That’s universally compelled; and lost
+ Is all the scheme of virtue and reward.
+ Man, forced to action would degenerate
+ Into a listless, lifeless thing; the world
+ Lose all its fine machinery of thought
+ Combined with action. Beautiful variety
+ Could not exist, dull sameness would be life.
+ But Man is placed, with free intelligence,
+ Amid surroundings from which he may cull
+ A happiness intense, whate’er their nature be.
+ If bright, the consciousness they are deserved;
+ If gloomy, sweet reflections that they drape
+ A future all the brighter for their gloom.
+
+ But Man, within himself, your puzzle proves;
+ And not to you alone, for Angel wings
+ Have hovered o’er your globe, and Angel minds
+ Peered curiously into his soul, to learn
+ Its mysteries, in vain. The Mind Supreme
+ That formed the soul, alone can understand
+ Its wondrous depths. ’Tis not surprising then
+ That Man has tried in vain to know himself.
+ His mind, compared with his body, seems so great,
+ He deems its power unlimited. He finds
+ It weak, before the barriers of thought,
+ That gird it, mountain high, on every side.
+ No path can he pursue that’s infinite.
+ And few exist, that do not thither lead.
+ Hence all the vagaries that have obtained
+ Among your race. The doubt of everything,
+ Is only too far tracing of a thought
+ Into absurdity intense. If you
+ Deem all the world effect upon yourself,
+ A principle of fairness would demand
+ That you accord the right to other men.
+ The question then arises, who is he
+ That really does exist, and all the rest
+ His ideas? Sure your neighbor has the right
+ To claim the honor, just as well as you!
+ Hume’s foolish thought, extended to its length,
+ Will answer not a single end of life,
+ And terminates in nonsense none believe.
+
+ The conflict of the mental powers defeats
+ Your inquiries. You cannot reconcile
+ The unruled circumstance, with Man’s free-will
+ You deem the motive free, and Man its slave;
+ As if the motive, unintelligent,
+ Could have a freedom, or a slavery!
+ You make the motive to exist within the mind,
+ When it, perforce, must be without. You get
+ The unruled motive from the circumstance,
+ When this itself must act upon the mind,
+ And if _free_ motives rise within the mind,
+ They are a _part_, and therefore _mind_ is free.
+ And what you deemed a motive to the mind,
+ Was mental action, and its modes of thought.
+ The motive is confined to circumstance,
+ And mind the circumstance can oft control,
+ And even when it cannot, acts at will.
+
+ The mind may to a kingdom be compared,
+ Where Reason occupies the throne. Beneath
+ Its scepter bow, in perfect vassalage,
+ The faculties, desires, and appetites.
+ These then are acted on by motive powers,
+ And straight report the action to their king,
+ Who does impartially decide for each.
+ The unruled motive is without the mind,
+ And forms no part of it, although the parts,
+ Receiving motive action, so are called.
+ Thus when you hunger, the desire of food,
+ Confined to mind, is not a motive power;
+ But urged by motive bodily demand,
+ It tells the need to Reason, who decides.
+ Thus when you pare your peach, the tempting fruit
+ And fleshly need, move on the appetite,
+ Who begs the Reason for consent to eat;
+ Your friend’s opinion of your self-control,
+ Is motive to Desire of esteem,
+ Who begs the Reason to refuse consent.
+ The Reason, then, like righteous judge, decrees
+ In favor of that one, more strongly shown;
+ And feels a perfect freedom in its choice.
+
+ ’Tis most unfair to wait the action’s end,
+ Then cry, the mind was forced to choose this act;
+ But choice is Reason’s free decree. Sometimes
+ The Reason errs, and evil then ensues;
+ But Reason, now more conscious that ’tis free,
+ Regrets it had not acted otherwise.
+ By knowing what your reason deems the best,
+ You judge how other men will act. You learn,
+ By intercourse, what they permit to change
+ The Reason’s sentence. So, while with a friend,
+ You show your wealth, because you know he’s free,
+ And can, and will, resist impulse to crime.
+ Were he not free, you’d dare not go alone
+ With him, for, any moment, might arise
+ A motive irresistible, and he
+ Would kill and rob, because that motive’s slave.
+ Were he not free, you were no more secure,
+ In pleasant parlance, than on desert isle.
+
+ The laws are made for man, alone, as free.
+ For, otherwise, the motives they present
+ Were blind attempts so coincide with Fate.
+ They would complete the gross absurdity,
+ Of Man collective governing himself,
+ And therefore free, while individuals
+ Are helpless slaves of motives they but aid
+ To furnish.
+ Fate, as held in fullest form,
+ Yourself has proved the theory of fools;
+ For were it true, a blind passivity
+ Were Man’s perfection on the Earth. Compare
+ The two; Free-will as held, whate’er their faith,
+ By every one, in daily practices;
+ A world of harmony, for very wars
+ Yield good; a mechanism complicate,
+ That even Angels, wondering at, admire;
+ A world, whose wondrous progress is maintained
+ By practical belief in liberty.
+ And on the other hand, behold a world
+ Of universal inactivity!
+ Its millions starving for delinquent Fate;--
+ I doubt your faith would last till dinner-time,
+ A morning’s lapse would change a hungry globe
+ To firm belief in free-will work for food.
+
+ With many, God’s foreknowledge binds free-will;
+ He knows the future, how each man will act,
+ And man can never change from what God knows.
+ They reason thus, that prescience is decree,
+ And what God knows will happen, must take place.
+ That God may know the future of _free_-will
+ I prove by this. Suppose two worlds alike,
+ And governed by two Gods. Each one can see,
+ And foresee all transpires in both the worlds,
+ Yet each o’er th’ other’s world exerts no power.
+ A man in one does wrong; the other God
+ May have foreseen the action for an age,
+ Yet had not slightest power to cause or stop.
+ Does his foreknowledge qualify the act?
+ If thus you can suppose, why not believe,
+ When errors flow from opposite belief?
+ God in the future stands, and waits for man,
+ Who works the present, only gift of Time.
+ There is no future save in God’s own mind.
+ Man’s future means continued present time;
+ God’s future is but present time to Him,
+ In which He lives, not will live when it comes.
+ Man’s acts He sees as done, not to be done.
+ And God compels not more than Man does Man,
+ Who sees his fellow’s deeds, not causes them.
+ Man only knows Man’s present acts; but God
+ The future sees, as present to His mind.
+
+ To end with perfect proof, you know you’re free.
+ This all the world attests, and each believes.
+ How subtle soe’er may his reasoning be,
+ He contradicts it throughout all his life;
+ And all his plans, and all the right and wrong
+ Of self and friends he bases on free-will.
+ If disbelief no inconvenience prove,
+ Few men believe what is not understood;
+ And yet the most familiar things of life
+ Are far beyond their comprehensions’ power.
+ Who understands the turning of the food
+ To sinew, muscle, blood, and bone? yet who
+ Will starve because he knows not how ’tis done?
+ Who understands the mystery of birth,
+ And when and where the soul originates?
+ And yet a million mothers bend, to-day,
+ O’er tender babes, and know that they exist;
+ A billion people know they once were born.
+ Who understands the mystery of death,
+ And how the soul is severed from its clay?
+ Yet who has not wept o’er departed ones,
+ Received the dying clasp, the dying look,
+ And known, full well, Death’s bitter, bitter truth?
+ None comprehends the movement of a limb,
+ Yet many boast the powers of their’s might.
+ Then why doubt freedom of the will, when life,
+ In every phase, but proves its certain truth?
+ The edifice of shallow theorists
+ Before the sweeping blade of practice falls.
+
+ Your dive into the heart yields folly’s fruit;
+ The selfish theory, carried to its end,
+ Makes wrong of right, and overturns the world.
+ And strong it is in seeming; for the self,
+ In human conduct, plays important part.
+ But ’tis not action’s only source, nor dims
+ The quality of every action’s worth.
+ ’Tis true that Man exists in self alone,
+ And in himself feels pain or pleasure. True,
+ An instinct teaches to avoid the one,
+ And seek the other; true, that every act,
+ How small soe’er, gives pleasure or gives pain.
+ Yet thousand deeds are done without regard
+ To one or other, or effect on Self.
+ Howe’er an action may affect the Self,
+ If he that acts has not a thought of it,
+ The action is not selfish. You appeal
+ To Man, and so will I appeal to you.
+ You find a helpless brute, with broken limb,
+ Upon the roadside, moaning out its pain.
+ Now, though to aid will surely pleasure give,
+ And to neglect will cause remorseful pain,
+ Is there a single thought of this, when you,
+ With kindest hand, bind up the swollen bruise,
+ And hold the grateful water to its mouth?
+ Is not each thought to ease the sufferer’s pain?
+ Is not the Self first found, when on your way
+ You go, with lighter heart, for kindness done?
+ And while you think with pleasure on the deed,
+ Would you not feel despised in your own eyes,
+ If consciousness revealed ’twas done for Self?
+ But should you say that Self was thus concealed,
+ And still evoked the deed, the argument
+ The same; if Self was out of thought, the deed
+ Had other source.
+ In all, you thus mistake
+ The deed’s effect, unthought of, for its source.
+ God, in His wisdom, hath affixed to good
+ Performed, a pleasure, and to evil, pain.
+ But selfish actions are not good, you’ve said,
+ And therefore cannot slightest pleasure yield.
+ Here, then, your system contradicts itself;
+ All actions emanate from love of Self,
+ To find the highest pleasure for that Self;
+ And yet the pleasure’s lost by very search;
+ What good soe’er apparently is sought,
+ The consciousness of selfish aims destroys.
+ And here is wisdom manifest. When Self
+ Would seek the good, for pleasure to the Self,
+ The pleasure is not found; but when it seeks
+ The good alone, true pleasure is conferred.
+ I mean the Self of soul, not Self of flesh;
+ For pleasure to the sense, to be attained
+ Is sought; these two are mingled intricate
+ (And hard to separate), in thousand ways.
+ But when Man’s higher Self would seek its good,
+ It must forget the Self. In every case
+ You instanced, Self of soul must be unthought,
+ For pleasure will not come at call of Self.
+ Your gambler none will doubt has selfish ends;
+ Not so the preacher, for his pleasure sought,
+ Would ne’er be found; it must be out of thought.
+ His burning eloquence, his pastoral care,
+ Can not proceed from any love of Self,
+ For Self would suffer, when it knew their source;
+ But as he acts from love of good as good,
+ The Self is happy. When he ascertains
+ That some have died in sin through his neglect,
+ The Self is grieved, not that it was uncared,
+ For care of Self would not allay the pain,
+ But that a duty had not been performed;
+ That good had been neglected, as a good.
+ The gambler’s object may be highest good
+ For Self, according to his estimate;
+ The preacher seeks a good, but not for Self;
+ When Self appears, the good to evil turns.
+ Nor is the mystic selfish in his cave,
+ Save that he buries talents in himself,
+ That might avail for good to other men;
+ But all his mind is bent on pleasing God,
+ His only thought of Self is for its pain;
+ And this he deems acceptable to Heaven.
+ You can not judge by your analysis,
+ But by what passes in the actor’s mind.
+ One surely then could not be selfish termed,
+ Who only lived to mortify the Self,
+ Howe’er mistaken may his conduct be.
+ Nor is the man, who gives his wealth away,
+ If from right principles he gives. ’Tis true,
+ He finds a pleasure in the deed when done,
+ But if to gain that pleasure he has given,
+ It turns to gall and wormwood in his grasp.
+ If two men matches light, and know full well,
+ If one is dropped, a house will be consumed,
+ He is the most guilty that allows its fall.
+ The miser, then, who knows he does a wrong,
+ Is by that knowledge rendered criminal.
+ “The quality of actions must be judged”
+ From their intents, that often differ wide;
+ The man who shoots his friend by accident
+ Has no intent, and therefore does no wrong;
+ But he who murders does a score of wrongs,--
+ A score of basest motives prompt the deed,
+ All centred in the Self. The Christian’s work
+ Must, from its very nature, have no Self,
+ Or it becomes unchristian. Man can judge,
+ Not from effect, but motives ascertained
+ By inference, and experience. The law
+ Is formed hereon, and modified by years.
+ Time teaches men that punishment will stop,
+ And only punishment, the spread of crime.
+ Instinct and Nature’s order teaches you
+ That pain must follow wrong. A man commits
+ A crime; if left unpunished, he repeats;
+ And others, seeing his security,
+ Will do as he has done. So all mankind
+ Would hasten on to lawlessness and ruin.
+ But law, for real wrong inflicts a wrong,
+ Which would be just did it no farther go;
+ But it is proved expedient, inasmuch
+ As it prevents continued crime. Then death
+ By law can not be murder termed, since good
+ In aim and end, without malicious thought.
+ Thus good to many flows from wrong to one
+ (If that may wrong be termed that takes the rights
+ By conduct forfeited), who should receive,
+ Though none reaped benefit. For many’s good,
+ The law is made, yet never does a wrong
+ To individuals, unless deserved.
+
+ Throughout your reas’ning, like all Earthly minds,
+ When dataless, essaying hidden truths,
+ You wander blindly in conjecture’s field,
+ And if you find the truth, it is a chance.
+ You fain would raise a stone of skepticism,
+ By granting souls immortal unto beasts;
+ You prove your pointer must possess a soul,
+ And by your argument, the trees have souls;
+ For when an oak has fallen, every twig
+ May still be there, and something, life, be gone.
+ A chair, a table, anything you see,
+ Possesses something, not of any parts,
+ But that to which the parts are said, belong,
+ Then, one by one, take all the parts away,
+ The something called the table must exist,
+ For ’twas not in a part, nor is removed.
+
+ The mind of beasts exists but through their flesh,
+ And is developed subject to its laws,
+ And flesh is the condition of their life.
+ When flesh dissolves, the mind disintegrates,
+ And ceases to exist. Man feels within,
+ The consciousness of soul, that would survive
+ Though flesh were torn to shreds upon the wheel.
+ The parts of soul that live alone through flesh,
+ Must perish with it in the hour of death.
+
+ But having postulated Self, as source
+ Of human conduct, you compel the acts
+ To fit your theory. You change effect
+ For cause. Where’er a moral pleasure’s found,
+ You judge that for its gain the deed was done;
+ As if the pleasure could be gained by search!
+ That Self does enter largely into inner life
+ Is very plain, for everything affects,
+ In some way, Self; but does the mind regard
+ Effect, or is its object something else?
+ The appetites, affections, and desires,
+ You make of selfish origin, yet know
+ That is not selfish, which alone affects;
+ But acting with a reference to effect.
+ The appetites are instincts; as you breathe,
+ You hunger, thirst, in helplessness. Not Self,
+ But food or drink, the object of your thought.
+ And even while the taste is in your mouth,
+ The mind dwells on the taste, not on the Self.
+ Desires are partly selfish in their mode;
+ Desire of knowledge, seeking honor’s meed,
+ Is selfish; led by curiosity,
+ ’Tis not more selfish than an appetite.
+ Desire of power, esteem, and wide-spread fame,
+ Is selfish, when the thought of their effect
+ On Self shapes out the conduct; when desired
+ For their own sake, unselfish.
+ On the list
+ Affections terminate, you falsely rail
+ The mother, and the lover; both sincere,
+ And both without a thought of selfish aim.
+ ’Tis no reproach to say the mother’s love,
+ In fervid instinct, and development,
+ Is like the cow’s, that God in wisdom gives.
+ No love so pure as that which moves the cow
+ To hover round her young, to bear the blows
+ Impatient hunger deals the udder drained,
+ To smooth with loving tongue the tender coat,
+ Or meet the playful forehead with her own;
+ With threatening horn, to guard approach of harm;
+ And watch, with ceaseless care, the charge in sleep.
+ Her careful love continues, till the calf
+ Has grown beyond her need, and ceases then.
+ A mother loves because it is her child:
+ This is the surest reason you could give.
+ Th’ affection is spontaneous in her breast,
+ But fed and strengthened by his life, if good.
+ The opposites to love you named, affect
+ Her love, by not an injury done to Self,
+ But by their evil, which her soul abhors.
+ Her son’s antagonism’s not to her,
+ But to the good she loves. Her heart withdraws
+ Its twining tendrils from unworthiness.
+ As usual, you select supposed effects,
+ And then assume their causes. Could you see
+ The mother’s heart, you’d find the loss of love
+ Caused not by wrong to her, but wrong abstract
+ Developed in the concrete deeds of crime.
+ Her love is governed by a moral sense,
+ Or idea of the good; the people’s thought
+ About herself comes in as after-part.
+ Bad treatment to herself, although it pain,
+ Deals not a fatal blow to love, except
+ As showing lack of principle in him.
+ And so your lover is not hurt in Self,
+ But moral sense. The loved one’s perfidy,
+ And not her ridicule, beheads your love;
+ Her stunning words were playful pleasantry,
+ Did they not show the baseness of the heart.
+ Indeed, to turn your reasoning on yourself,
+ Her manner even towards you has not changed,
+ And were you present, she would still seem yours;
+ Her eaves-dropped words do not affect the Self,
+ Save as they show her falsity of heart.
+ And tossing on your pillow, through the night,
+ The crushing thought of wrecked integrity
+ Gives deeper pain than all her ridicule.
+ And Self, though pained at thought of being duped,
+ Enjoys relief in thought of its escape.
+ To show that Love is built on higher grounds
+ Than paltry good for Self; that it must have,
+ As corner-stone, a percept of the good,
+ Existing in the object loved, suppose
+ You’re on the topmost height of wildest love,
+ Your arm around her, and your lingering kiss
+ Upon her lips; and Self is king of love.
+ She, nestling on your shoulder, finds ’tis wrong,
+ That love, however true, may grow too warm;
+ That every kiss, however pure, abstracts
+ Some little part from maiden modesty,
+ And steals a pebble from her honor’s wall
+ And rising with the firm resolve, says, “Cease,
+ Unwind your arm, restrain your fervid lips;
+ It may be wrong, and right is surely safe!”
+ Now though the Self is bitterly denied,
+ The rapturous clasp and tender kiss forbid,
+ Is not your love increased a thousand-fold?
+ Do not you feel intensely gratified
+ At this assurance of her moral worth?
+ And would you, for the world, breath aught to cause
+ Her pain, or least regret for her resolve?
+ How firm your trust, how sweet your confidence!
+ You know ’twas not capricious prudery,
+ For your caresses had been oft received;
+ Nor was it sly hypocrisy to win
+ Your heart, for that was long since hers. No thought,
+ But spotless purity, inspired the act;
+ And you are happy, though the Self’s denied.
+
+ The little things of life, that men account
+ Without a moral value, may be done
+ With reference to Self; but oftenest,
+ The mind regards the act, not its effect
+ Upon the Self. The code of Etiquette,
+ The small amenities of social life,
+ The converse, and the articles of dress,
+ May all belong to Self; but moral acts,
+ Those known as right or wrong, have higher source
+ Than Self in any mode.
+ Within Man’s breast
+ There’s something, apprehending good and bad,
+ Called conscience, or the moral sense; it views,
+ Impartially, each act of his, decides
+ Its quality by rule of right and wrong;
+ All trust its judgments most implicitly.--
+ The good is found, yields greatest happiness;
+ Yet seek it for the sake of happiness,
+ And good is evil, with its misery!
+ The good must be pursued, because a good,
+ The evil shunned, because an evil. Thus,
+ The moral sense discerns these qualities
+ In others, and directs our love.
+ A blow
+ The deadliest to our love, would be a blow
+ Aimed at the principle of good. A love,
+ Existing through the injuries done to Self,
+ May meet the public’s praise, and feel its own;
+ But love would merit self-contempt, that loved
+ Whate’er opposed the good. The son may treat
+ The mother with unkindness, yet her love
+ Be undiminished; if he lie, or steal,
+ Her love is less; she cannot love his deed,
+ And cannot love the heart from which they flow
+ So with the youth who gives his chair to Age,
+ He does not so resent that Self’s denied
+ Its meed of thanks, as that ingratitude
+ Should thus be manifest, in little things.
+ A comrade, served the same, would anger cause.
+
+ But him who would give up the highest Self,
+ The soul, for others’ good, you deem a fool;
+ And ask why sacrifice ne’er claimed a soul?
+ Because the soul cannot be sacrificed;
+ No harm to that can others benefit.
+ But if it could, how truly grand the man
+ Who’d take eternal woe for fellow-men!
+ But God, who makes the soul the care of life,
+ Makes every soul stand for itself alone,
+ And in His wisdom hath ordained this law:
+ The greater good man gets for his own soul,
+ The greater good on others’ he confers,
+ While evil to himself, an evil gives.
+
+ Then comes the question of this abstract good,
+ That moral sense declares the end of life.
+ What is its nature? whence does it arise?
+ And whence does man derive the half-formed thought?
+ You have compared the systems that define,
+ Each in its way, the hidden theory.
+ None satisfy, though each some element
+ Sets forth in clear distinctness. Take them all,
+ Select the true of each, as Cousin does,
+ And will eclecticism satisfy?
+ And does the soul not cry for something more?
+ For something that it feels ’twill never reach,
+ The good, as known to minds unclogged with flesh?
+ Man takes the dim outlines of abstract thought,
+ And seeking to evolve their perfect form,
+ The very outlines grow more indistinct;
+ As gazing at a star will make it fade.
+ Man’s only forms of good are blent with flesh,
+ And when he seeks to take the flesh away,
+ And leave the abstract, he is thus confused,
+ As if he should withdraw the wick and oil,
+ And seek to find the flame still in the lamp.
+
+ To learn the source of ideas of the Good,
+ Trace Man collective, to his babyhood;
+ For ’mid the prejudice of full-grown thought,
+ The truth would be effectually concealed.
+ Through every people scattered o’er the globe,
+ There does prevail some idea of a God;
+ Though rude and barbarous this idea be,
+ It still, in some form, does exist. The good,
+ With all, bears reference to this thought;
+ And what this Deity approves is good,
+ And what He disapproves is bad. Men learn
+ What He approves, and what He disapproves,
+ By revelation, inference, and instinct.
+ God’s sanction then is origin of Good,
+ Though afterwards men learn the sweet effects,
+ And practise it for its own sake; and call
+ Their little effort, grandest abstract truth.
+ Developing in intellectual strength,
+ They plaster up this good in various forms,
+ Until, refined beyond all subtilty,
+ It seems to them a self-existent good.
+
+ The good is then a certain quality,
+ In actions, or existence, that assures
+ Divine approval. This vast idea, God,
+ Creation sows in every human heart;
+ All Nature’s grand designs demand a God,
+ A God intelligent. The same instinct
+ That tells His being, teaches what He loves;
+ And what He loves with every people’s good.
+ But different nations entertain ideas
+ Diverse in reference to a Deity,
+ And different notions of what pleases Him.
+ One deems the care of God’s child-gift her good;
+ Another tears the heart-strings from her babe,
+ And feeds, for good, the sacred crocodile.
+
+ The good lies in the thought of pleasing God:
+ The consciousness that God is pleased with us,
+ A pleasure yields, and good might there be sought
+ For pleasure’s sake, and prove a selfish aim;
+ But moral selfishness a pain imparts,
+ And good, for pleasure sought, defeats the search.
+
+ The good is sought, because it pleases God,
+ Not with the doer, but with what is done.
+ Good has its origin in th’ idea God,
+ And what He loves; but to continue good
+ It must retain approval in the act,
+ And not transfer it to the agent’s self.
+ The consciousness that God approves a deed,
+ Makes Man approve, and thus his mind is brought
+ In correlation with the Mind Divine.
+ The man who does an alms, if done to gain
+ God’s favor for himself, feels selfish pain;
+ But if because the act, not he, will please,
+ He finds the pleasure. Man, as time rolls on,
+ Finds general laws that please or displease God,
+ And ranging, under these, subordinates
+ Amenable to them and not to God,
+ The moral quality of lesser deeds
+ He reckons by these laws, nor does ascend
+ To God, that gives their moral quality.
+ Jouffroy, in Order, placed the Abstract Good,
+ And paused a step below the real truth,
+ The idea God, whence Order emanates.
+
+ Thus Man, progressing, good withdraws from God
+ And seems an independent entity,
+ And man denominates it, Abstract Good.
+ He can attain the Abstract but in part;
+ When mind is freed from flesh, he may attain
+ To its full grandeur. Here, at most, he grasps
+ A faint outline, and fits it on concrete.
+ No concept occupies one act of mind,
+ But opening the lettered label, he
+ May count the attributes, and by an act
+ Complex, of memory and cognition, gain
+ Some idea of his Abstract. Thus of “Man,”
+ One act can only cognize M-A-N,
+ But opening, he finds the attributes,
+ As “mammal,” “biped,” “vertebrate.” This act
+ Is complex, and he cannot unitize,
+ Save by the bundle of a word. You’ve said
+ It answers all the purposes of life,
+ Then why seek more? lest speculation vain
+ Point out dim realms, where Man can never tread,
+ These baffling thoughts are given, as peacocks’ feet,
+ To Man’s fond pride. The simplest avenue
+ Of thought, pursued, will reach absurdity,
+ To comprehension finite.
+ Even the truth
+ Of numbers you presume to doubt. Two balls,
+ You claim, can ne’er be two unless alike.
+ You mingle quantity and number, foolishly,
+ As if a ball the size of Earth, and one,
+ A tiny mustard-seed, would not be two!
+ You deem all Mathematics wide at fault,
+ Because Man’s powers to illustrate are weak.
+ Earth has oft seen a pure right angle drawn,
+ Because Man’s sight could not detect a flaw;
+ And if to his discernment perfect made,
+ He must admit its perfect form. If life,
+ In every intricate demand, finds truth,
+ Why seek to overturn by sophistry?
+ You see and know Achilles far beyond
+ The tortoise, yet the super-wise must prove
+ That he can never pass the creeping thing,
+ Although his speed a hundred times as swift!
+ When Man commences, he may find a doubt
+ In everything; his life, his neighbor’s life,
+ The outside world, may all be but a myth;
+ Then let him so believe, but let him act
+ Consistently; but does the skeptic so?
+ He crams all Nature in his little mind,
+ Yet how he cringes to her slightest law!
+ He flees the rain, and wards the cold, or fears
+ The lightning’s glittering blow. He doubts his frame
+ Can work by mechanism so absurd,
+ Yet will not for a day refrain from food!
+
+ When Man compares his body and his mind,
+ And tries the power of each, he magnifies
+ The mind to Deity, and yet how small
+ Compared with what it has to learn! The more
+ Man knows, the more he finds he does not know;
+ And as a traveller toiling up the hill,
+ Each upward step reveals a wider view
+ Of fields of thought sublime he dares not hope
+ To ever reach in life; and wearily he sits
+ Him down upon the mountain-side, so far
+ Beneath its untrod top, and recklessly
+ Doubts everything, because beyond his grasp.
+
+ All skeptic reasoning ends, as did your own,
+ No fruit but blind bewilderment of thought!
+ And none but fools will e’er believe sincere
+ The faith that doubts alone by theory,
+ And yet approves by practice. Such is yours;
+ The stern necessities of life demand
+ A practical belief, and such is given;
+ And still, forsooth, because your narrow mind
+ Cannot contain the Truth in perfect form,
+ You dare deny it does exist. But few
+ Of skeptic minds are let to live on Earth,
+ And even these made instruments of good,
+ In calling forth defenders of the Truth,
+ Who add their strength to its Eternal Walls.
+ Then here behold God’s wisdom manifest!
+ Amid the care of countless greater orbs,
+ He watches Earth, and knows its smallest thing.
+ While Man, as individual, is free,
+ Collective Man is being surely led
+ Towards an end, but when it will be reached,
+ God knows alone. Then Man will be removed
+ Into a higher or a lower sphere,
+ As he has worthy proved. With Man ’twill be
+ A great event; his awful Judgment-day!
+ When from those far-off realms, the Son shall come
+ With Angel retinue, and through the worlds,
+ Shall lead their solemn flight, to where we stand;
+ And as the trump shall peal its clarion tones,
+ And beat away Earth’s gauze of atmosphere,
+ The millions living, and the billions dead,
+ Will leave the sod, and “caught up in the air,”
+ Shall stand before the Throne, to hear their doom.
+ Then, faces pale with fear, and trembling limbs,
+ Will be on every side, as on the air
+ They rest, with nothing solid ’neath their feet;
+ And see dismantled Earth burst into flames,
+ And reel along its track, a globe of fire,
+ The volumed smoke, a dusky envelope;
+ Its revolutions wrapping pliant flames,
+ In scarlet girdles, round its bulging waist,
+ And hurling streams of centrifugal sparks,
+ In broad red tangents, from the burning orb.
+ Upon the conflagration Man will gaze,
+ With shuddering horror; ’tis his only home,
+ The scene of all his fame, the source of wealth,
+ For which he toiled so wearily. All gone!
+ He would not touch a mountain of pure gold,
+ For ’twould be useless now! Poor, pauper Man,
+ Without his money, chiefest aim of life,
+ Stands homeless ’mid a Universe, to learn
+ If God will be his Father, or his Foe!
+ And from the blackness underneath, the swarms
+ Of Evil ones are thronged, their hideous forms
+ Half shown in lurid light, as here and there
+ They flit, like sharks, expectant of their prey.
+ Then comes the closing scene. The sentence passed,
+ The righteous breaking forth to joyous praise,
+ Shall thread Creation’s wondrous maze of life,
+ And with their Leader, sweep towards yon Heaven;
+ While down the black abyss, with cries of woe
+ That make the darkness tremble, the condemned
+ Are dragged, into its gloom,--and all is o’er--
+ Earth’s ashes float in scattered clouds through space--
+ To Man the grandest era of all Time,
+ To God, completion of Salvation’s scheme!
+
+ But Man deems Judgment too far off for thought,
+ Nor will prepare for such a distant fate;
+ Yet there is something, far more sure than aught
+ Uncertain life can offer; its decision, too,
+ Is just as final as the Judgment doom;
+ And still ’tis oftenest farthest from the thought.
+ ’Tis Death, the welcome or unwelcome guest
+ Of every man, and yet how few prepare
+ For its approach! They give all else a care;
+ Wealth, honor, fame, get all their time,
+ While certain Death’s forgotten, till disease
+ Gives warning; then with hasty penitence,
+ The knees are worn, the heart’s thick rubbish cleared;
+ But oft too late; the heart will not be cleared,
+ The stubborn knees will not consent to bend,
+ The house is set in order, while the guest,
+ In sable robes, stands at the throbbing door.
+
+ And now to close thy lesson, look through this!
+ He gave to me a strangely fashioned glass,
+ Through which, when I had looked to Earth, I saw
+ A long black wall, that towered immensely high,
+ So none might see beyond. Before its length,
+ Mankind were ranged, all weaving busily;
+ The young and old, the maiden and the man;
+ The infant hands unconscious plied the thread,
+ The aged with a feeble, listless move.
+ They wove the warp of Life, and drew its thread
+ From o’er the wall; none knew how far its end
+ Was off, nor when ’twould reach the busy hand,
+ Nor did they care, in aught by action shown,
+ But bending o’er their work, without a glance
+ Towards the thread, that still so smoothly ran,
+ They threw the shuttle back and forth again,
+ Till suddenly the ravelled end appeared,
+ Fell from the wall, and to the shuttle crept;
+ And then the weaver laid his work aside,
+ With folded hands, was wrapped within his warp,
+ To wait the Master’s sentence on his task.
+ I saw the thread, in passing through their hands,
+ Received the various colors, from their touch,
+ And tinged the different patterns that they wove.
+ And oh! how different in design! Some wove
+ A spotless fabric, whose pure simple plan
+ Was always ready for the ending thread;
+ Come when it would, no part was incomplete;
+ But what was done, could bear th’ Inspector’s eye.
+ And others wove a dark and dingy rag,
+ That bore no pattern, save its filthiness;
+ Fit garment for the fool who weaves for flames!
+ Some wove the great red woof of war,
+ With clashing swords, and crossing bayonets,
+ With ghastly bones, and famished widows’ homes,
+ With all the grim machinery of Death,
+ To gain a paltry crown, or curule chair;
+ Perchance, before the crown or chair is reached,
+ The thread gives out, the work is incomplete,
+ And in the gory cloak his hands have wrought,
+ With all its stains unwashed, the hero sleeps.
+ Some shuttles shape the gilded temple, Fame,
+ And count on thread to weave its topmost dome;
+ But ere the lowest pinnacle is touched,
+ The brittle filament is snapped. Some weave
+ The bema, with its loud applause; and some
+ The gaudy chaplet of the bacchanal,
+ And others sweated bays of honest toil.
+ But all the fabrics bear the yellow stain
+ Of gold, o’er which the sinner and the saint
+ Unseemly strive, and he seems happiest
+ Whose work is yellowest.
+ Along the wall,
+ “A fountain filled with blood,” plays constantly,
+ Where man may cleanse the fabric as he weaves;
+ Yet few avail themselves; the waters flow,
+ While Man works on, without regard to stains,
+ Till thread worn thin arouses him to fear,
+ Or breaks before the damning dyes are cleansed.
+
+ And down the line I ran my anxious eyes,
+ To find a weaver I might recognize,
+ And saw, at last, a form by mirrors known.
+ Oh! ’twas a shameful texture that I wove,
+ So dark its hue, so little saving white,
+ Such seldom bathing in the fountain stream,
+ I could not look, but bowed my blushing face,
+ And like the publican of old, cried out,
+ “Be merciful to me a sinner!”
+ “Rise!”
+ The Angel said, “And worship God alone,
+ Return to Earth, enjoy an humble faith,
+ Whose simple trust shall make thee happier
+ Than all the grandeur of philosophy.
+ Should doubts arise, remember, God’s designs
+ Above a finite comprehension stand,
+ And finite doubts, about the Infinite,
+ Assume absurdity’s intensest form.
+ Man, from the stand-point of the Present, looks,
+ And disappointed, bitterly complains
+ Of what would move his deepest gratitude,
+ Could he the issue of the morrow know.
+ God sees the future, and in kindness deals
+ To every man his complement of good.
+ Remember then the weakness of thy mind,
+ Nor doubt because thou canst not understand.
+ To gather scattered jewels thou must kneel;
+ So on thy knees seek truth, and thou shalt find;
+ The nearer Earth thy face, the nearer Heaven
+ Thy heart. And now farewell!”
+ I sprang to clasp
+ His hand in gratitude, but with a wave
+ Of parting benediction, he was gone!
+ Then in an instant, like an aerolite,
+ With naught to bear me up, I fell to Earth,
+ Swifter and swifter, with increasing speed!
+ Now bursting through a sunlit bank of cloud,
+ And clutching, vainly, at the yielding mist,
+ Or through a cradling storm, with thunder charged,
+ Down through the open air, whose parted breath
+ Hissed death into my ears, while all below
+ Seemed rushing up to meet and mangle me.
+ I shrieked aloud, “Oh save me!”--
+ And awoke.
+ The day was o’er, and night had drawn her shades;
+ The twinkling eyes of Heaven shone through the leaves,
+ And lit the tiny rain-globes on the grass;
+ The cloud had passed, and on th’ horizon’s verge,
+ A monster firefly, with shimmering flash,
+ It slowly crawled behind the curve of death.
+ And evening’s silence deeper seemed than noon’s,
+ For not a sound disturbed the hush of night,
+ Save katydids, with quavering monotones,
+ Returning contradictions from the trees.
+ All drenched and chilled, with trembling limbs I rose,
+ And homeward bent my steps; and pondering
+ Upon my dream, this moral from it drew:
+ Man cannot judge the Eternal Mind by his,
+ But must accept the mysteries of Life,
+ As purposes Divine, with perfect ends.
+ And in our darkest clouds, God’s Angels stand,
+ To work Man’s present and eternal good.
+
+
+
+
+ THE VILLAGE ON THE TAR
+
+DEDICATED TO PETTIGREW COUNCIL NO 1. F. OF T.
+
+
+ A drunkard in a distant town lay dying on his bed,
+ There was lack of woman’s gentle touch about his fevered head,
+ But a comrade stood beside him, and wiped the foam away,
+ That bubbled through his frothy lips, to hear what he might say.
+ The poor inebriate faltered, as he caught that comrade’s eye,
+ And he said, “’Tis hard, far, far from home ’mid strangers thus to die.
+ Take a message and a token to my friends away so far,
+ For Louisburg’s my native place, the village on the Tar.
+
+ “Tell my brothers and companions, should they ever wish to know
+ The story of the fallen, ah! the fallen one so low,
+ That we drank the whole night deeply, and when at last ’twas o’er,
+ Full many a form lay beastly drunk along the barroom floor.
+ And there were ’mid those wretches some who had long served sin,
+ Their bloated features telling well what faithful slaves they’d been;
+ And some were young and had not on the Hell-path entered far--
+ And one was from the village, the village on the Tar.
+
+ “Tell my mother that her other sons may still some comfort prove,
+ But I, in even childhood, would scorn that mother’s love;
+ And when she called the children to lift up the evening prayer,
+ One form was always missing, there was e’er one vacant chair,
+ For my father was a drunkard, and even as a child
+ He taught my little feet to tread the road to ruin wild;
+ And when he died and left us to dispute about his will,
+ I let them take whate’er they would, but kept my father’s ‘still,’
+ And with sottish love I used it till its venomed ‘worm’ did gnaw
+ My soul, my mind, my very life, in the village on the Taw.[A]
+
+ “Tell my sister oft to weep for me with sad and drooping head,
+ When she sees the wine flow freely, that poison ruby red,
+ And to turn her back upon it, with deep and burning shame,
+ For her brother fell before it and disgraced the fam’ly name.
+ And if a drunkard seeks her love, oh! tell her, for my sake,
+ To shun the loathsome creature, as she would a deadly snake,
+ And have the old ‘still’ torn away, its fragments scattered far,
+ For the honor of the village, the village on the Tar.
+
+ “There’s another, not a sister; in the merry days of old,
+ You’d have known her by the dark blue eye, and hair of wavy gold;
+ Too gentle e’er to chide me, too devoted e’er to hate,
+ She loved me, though oft warned by all to shun the dreaded fate.
+ Tell her the last night of my life--for ere the morning dawn,
+ My body will be tenantless, my clay-chained spirit gone--
+ I dreamed I stood beside her, and in those lovely blue depths saw
+ The merry light that cheered me, in the village on the Taw.[A]
+
+ “I saw the old Tar hurrying on its bubbles to the sea,
+ As men on life’s waves e’er are swept towards eternity;
+ And the rippling waters mingled with the warbling of the birds,
+ Returned soft silvery echoes to my deep impassioned words;
+ And in those listening ears I poured the sweet tho’ time-worn story,
+ While swimming were those love-lit eyes, in all their tear-pearled glory;
+ And her little hand was closely pressed in mine so brown and braw,
+ Ah! I no more shall meet her, in the village on the Taw.”[A]
+
+ He ceased to speak, and through his frame there ran a shiver slight,
+ His blood-shot eyes rolled inward and revealed their ghastly white,
+ His swollen tongue protruded, o’er his face a pallor spread,
+ His comrade touched his pulse--’twas still--and he was with the dead.
+ The moon from her pavilion, in the blue-draped fleecy cloud,
+ Through the window o’er the corpse had thrown her pale but ghostly shroud,
+ The same moon that gazing upon that couch of straw.
+ Was bathing in a silver flood the village on the Taw.[A]
+
+[A] The Indian name of this river was _Taw_.--PUBLISHER.
+
+
+
+
+ REQUIESCAM
+
+
+ Oh! give me a grave in a lone, gloomy dell,
+ By the side of a deep, swift creek,
+ Where the ripples run like a tinkling bell,
+ Through the grassy nooks, where love so well
+ The minnows to play hide and seek!
+
+ Where in summer the thick twining foliage weaves
+ A green, arching roof upon high,
+ And the rain-drops fall from the dripping eaves,
+ Like tears of grief from the weeping leaves
+ On the face upturned to the sky!
+
+ Where the silence frightens the birds away,
+ And all is still, dreary and weird,
+ Except, perchance at the close of day,
+ The bittern’s boom or the crane’s hoarse bray,
+ Floating over the swamp, is heard.
+
+ Where the dusky wolf and the antlered deer
+ Ever shun the dark, haunted ground;
+ Where the crouching panther ventures near,
+ His tawny coat all bristling with fear,
+ At the sight of the low, red mound.
+
+ Where at twilight gray, the lone whippoorwill
+ May perch on the stake at my head,
+ And with its unearthly, tremulous trill
+ The dreary gloom of the whole place fill
+ With a requiem over the dead.
+
+ Where the greater the ruin in earth’s damp mold,
+ The greater the contrast will prove,
+ When the weary wings of my spirit I fold,
+ In heaven, and swell with a bright harp of gold,
+ The grand pealing anthem of love.
+
+ _February 9th, 1867_
+
+
+
+
+ LINES TO AN ANALYTICAL GEOMETRY
+
+ KNOWN TO THE STUDENTS AS “MISS ANNIE”
+
+ WRITTEN AT THE UNIVERSITY OF NORTH CAROLINA, 1866
+
+
+ At “Elysium” chum and I were sitting,
+ Across our vision memories flitting,
+ Talking, smoking, often spitting
+ On the hearth, not on the floor;
+ When suddenly we heard a spluttering,
+ As of book leaves madly flutt’ring,
+ Some one there seemed slowly mutt’ring,
+ At the bookcase, not the door.
+
+ Wildly springing to my feet
+ (Chum with fright seemed tied t’ his seat),
+ Dreading, fearing I should meet
+ What so like a ghost had spoken--
+ Fellow members, if you’re able
+ To believe what seemed a fable,
+ I saw “Miss Annie” on the table,
+ With rage and anger almost choking.
+
+ Then without a bow or bend,
+ Sitting up upon one end,
+ Without preface thus began--
+ While we both in wonder stared:
+ “O ye worthless lazy scamps!
+ Talk about your midnight lamps,
+ While I’m in the bookcase crampt,
+ To what can such Sophs be compared?
+
+ “Here you’ll sit and smoke and talk,
+ To-morrow morn to black-board walk,
+ Seize your ‘ruler’ and your chalk,
+ Then I hope get badly ‘rushed.’
+ Oh! the present generation,
+ Such neglect to education,
+ Blood and scissors! thunderation!”
+ She was so mad the tears forth gushed.
+
+ Chum and I had heard enough
+ To put us both in quite a huff,
+ So just to stop her noisome stuff
+ I sprang and seized her by the collar.
+ George jumped up and grabbed the poker,
+ Shouted, “Edwin, try to choke her!
+ We’ll stop her mouth, a darned old croaker,
+ Squeeze her tight and make her ‘holloa.’”
+
+ To the fire we held her near,
+ Still she showed no signs of fear.
+ “Shall the red coals be your bier?”
+ She shook her leaves and fluttered, “No.”
+ Now my face with anger flushes,
+ Covered first with scarlet blushes,
+ I cried, “Will you again e’er ‘rush’ us?”
+ Quoth Miss Annie, “Evermore.”
+
+ “Book or fiend,” I cried, up starting,
+ “Be that word our sign of parting.”
+ Then I, in my vengeance darting,
+ Hurled her in the embers red.
+ She slightly quivered, slowly burned;
+ From the sickening sight I turned,
+ Yet from her this lesson learned,
+ Prepare before you go to bed.
+
+
+
+
+ LINES TO COUSINS C. AND E.
+
+ ON THE BIRTH OF THEIR LITTLE DAUGHTER
+
+
+ The marriage over, from the train
+ Of watching seraphs, one long strain
+ Of gratulation broke.
+ And then were still the rustling wings,
+ And fingers hushed the throbbing strings,
+ While thus an angel spoke:
+
+ “Who’ll go to earth to bless this pair
+ With angel child, beneath their care
+ Be trained for bliss or woe?”
+ He ceased, and from the throng sprang three,
+ Faith, Love, and spotless Purity.
+ These knelt, and said “We’ll go.”
+
+ Dear cousins, to you these are sent,
+ Three spirits in one being blent.
+ It is a jewel rare.
+ Oh! keep her pure as when first given,
+ Guide her faith from Earth to Heaven,
+ Guard her love with care.
+
+ _May, 1867._
+
+
+
+
+ THE DEVIL OUTDONE;
+
+ OR,
+
+ THE GUARD OF THE SULPHUR LAKE
+
+
+To her who sent me the Valentine with the cutting irony, “Don’t I look
+pretty in church?” these lines are respectfully inscribed. Not knowing
+her name, I will call her “Taters,” as she drew her elegant and tasty
+simile from that vegetable.
+
+ The Devil was sitting one morning below,
+ And he seemed much perplexed as to what he must do,
+ For his dark brows would knit, and he’d stamp on the ground,
+ And flap his great wings till floating around
+ Were the ashes and feathers.
+ At last with an air
+ Of resolve he threw himself back in his chair,
+ Lit a brimstone cigar, and touched a small bell.
+ An imp appeared, bowed, and on his face fell.
+ “Cloven-foot,” said the D----, “what’s the news from the fire?”
+ “My liege, the great ape has ceased to inspire
+ The victims with terror; they fear him no more,
+ And continually crawl from the flames to the shore.”
+ “Well, Cloven-foot, I had most certainly thought
+ When from Africa’s wilds that baboon you brought,
+ He’d prove such a guard for the great Sulphur Lake
+ The wretches would ne’er cease before him to quake.
+ Now go up to earth, and search till you find
+ Something uglier far, then quick seize and bind
+ And bring it to me; and if it beats the baboon
+ I’ll reward you. Be sure to return just as soon
+ As ’tis possible, and above all things to choose
+ An object whose countenance never will lose
+ Its hideous novelty.” The imp bowed and withdrew,
+ And swiftly to earth on his errand he flew;
+ But in vain did he search where the gorillas roam,
+ Or the jungles of Bengal, the fierce tiger’s home.
+ In vain throughout Europe he searched every place;
+ Nowhere could he find the requisite face.
+ Frustrated and weary, with deep despair frantic,
+ He was skimming the waves of the tossing Atlantic.
+ A few pinion strokes, and he stood on the shore
+ Of the New World, and through it began to explore.
+ But all was in vain, till he chanced to alight
+ In a sweet little village, one smiling morn bright.
+ Disguising himself, he attended the church,
+ Not hoping to find the object of search,
+ But just for the fun.
+ As he stood with the throng
+ That were watching the College girls marching along,
+ He caught a slight glimpse of Miss “Tater’s” sweet face;
+ He sprang to her side, clasped her in embrace,
+ And as he plunged downward he said to himself,
+ “Here’s one will compete with the African elf.”
+ He soon furled his wing on the Plutonian shore,
+ And to his dark ruler his fair burden bore.
+ As the Valentine sender came into sight
+ The Devil himself started back with affright.
+ “Whew! whew!” whistled he, “she’ll do, I declare!
+ Go bring the baboon, and let them compare.”
+ The imp disappeared, then returned with the ape,
+ A creature most frightful in feature and shape.
+ His head was oblong and perfectly bald,
+ Running back from his eyes--no forehead at all;
+ His eyeballs were white, their sockets deep red;
+ His long, glistening teeth strung with human-flesh shred,
+ The gore of his victims from his fingers’ ends flowed;
+ And round his lank limbs candescent chains glowed,
+ In front of Miss “Taters” this creature was led;
+ He gave a look, yelled, and fainted stone dead.
+ “By my tongs,” quoth the Devil, “she’s rather too hard
+ For the old fellow; she’ll make a capital guard.
+ Take her down to the fire.” The imp led the way
+ And far down they went from the clear light of day,
+ Down, down, till the air was all smoky and red,
+ Till the tumult of hell seemed bursting her head;
+ Down, down, till the piteous wails and the moans
+ Of the tortured but echoed the jeers and the groans
+ Of the fiends. Down, down, till they came to the lake
+ That scorches and scalds, but never will slake
+ The thirst of its victims. Far out on its breast
+ It would heave them anon on the red foaming crest
+ Of a billow, then plunge them far deeper beneath
+ Its boiling bosom, in torture to seethe.
+ Along the hot shore the poor creatures would crawl,
+ To pant and to rest from their terrible thrall.
+ From their bodies all smoking the lava would stream,
+ While the shriveled flesh peeled from each quiv’ring limb,
+ And their heart-piercing shrieks rose higher and higher,
+ As the tongue of each wave licked them back in the fire.
+ But as soon as Miss “Taters” had come where they were
+ Every noise was hushed, not a sound could you hear.
+ ’Twas a wonder indeed, and the wonder increased,
+ When the billows of crimson their torture surge ceased.
+ When the imp had examined more closely, he found
+ The victims had fainted, the fire gone down.
+ He hurried her back to his master and said,
+ “The fires are out, and the wretches are dead.”
+ “What, the fires extinguished! those fires of old!
+ Take her back! I begin e’en myself to feel cold!
+ She’ll ruin us all with her terrible face;
+ She’s rather hard-favored for even this place.”
+
+ _April, 1867._
+
+
+
+
+ THE SUNFLOWER
+
+ LINES SUGGESTED BY OBSERVING GEN. PETTIGREW’S NAME OMITTED IN MRS.
+ DOWNING’S “MEMORIAL FLOWERS” AND IN THE “SOUTHERN BOUQUET”
+
+
+ When poets cull memorial flowers,
+ With which our martyrs’ graves to strew,
+ They choose no one in Nature’s bowers
+ For Pettigrew.
+
+ Yet there is one, and only one,
+ Which truly represents his name;
+ A flower that revels in the sun,
+ And drinks his flame.
+
+ A flower that opens when, all red,
+ The sun hath kissed the eastern skies;
+ But westward turned, it droops its head
+ And proudly dies.
+
+ Thus when the sun of victory sheared
+ Its gory way o’er clouds of war,
+ This flower’s tow’ring crest appeared
+ A beacon star.
+
+ And in its gorgeous, glorious rays,
+ This flower basked, and only bowed
+ When coming conquest’s bloody haze
+ That sun did shroud.
+
+ Crushed flower, with thy broken stem,
+ I’ll keep thee near to typify
+ The fallen form; the hero’s fame
+ Can never die.
+
+ _June 19th, 1867._
+
+
+
+
+ AN ELEGY
+
+WRITTEN ON THE ROTUNDA STEPS, UNIVERSITY OF VIRGINIA, 1868
+
+
+ The bell the knell of evening lecture tolls,
+ The thronging students pour from every door;
+ The tutor gathers up his notes and rolls,
+ And homeward wends his weary way once more.
+
+ The noisy crowd is gone, there is a pause,
+ And hushed is all the busy hum and whirl,
+ Save where from yonder room breaks loud applause
+ That welcomes some professor’s parting “curl.”
+
+ Save that from yonder plain, the lower lawn,
+ Some base-ball novice makes harsh rhyms to _psalm_,
+ Because a veteran, with his hands of horn,
+ Has “pitched” too “hot” a ball for his soft palm.
+
+ Beneath those balconies, along those rows,
+ Where sinks the wall in many a jail-like cell,
+ Each wrapped in silence now and in repose,
+ The minstrels of the “Calathump” do dwell.
+
+ The whispered call of evil-masking night,
+ The signal whistle of the well-known crew,
+ The bumping bang of “blowers” beat with might,
+ Will often rouse the “Nippers of Peru.”
+
+ For them in vain for hours their hearts will burn,
+ While busy housewives tremble at their noise,
+ And frightened children to their fathers turn,
+ Too badly scared to think of play or toys.
+
+ Oft has th’ rotunda echoed to their songs,
+ In dulcet strains that on the still air broke;
+ Oft has the lawn resounded with their gongs,
+ That roared and rattled ’neath their sturdy stroke.
+
+ Let not their victims mock th’ infernal din,
+ Coal-scuttle drums, and clarion paper trump;
+ But let them hear with a sardonic “grin,”
+ The hideous clamor of a “Calathump.”
+
+ The boast of Mozart, or Beethoven’s pride,
+ The sweetest notes Von Weber ever gave,
+ Alike would prove harsh dissonance beside
+ The gushing concord of one college stave.
+
+ To-night upon their pillows will be laid
+ Heads that are pregnant with some secret plan;
+ Hands that a “poker” often may have swayed,
+ Or waked to ecstasy an old tin pan.
+
+ In vain grave study holds before their gaze
+ Her ample page and honor’s glittering roll;
+ The fire of “frolic” in their bosom plays,
+ And warms the devilish current of their soul.
+
+ Full many a mind that might have nations hurled
+ About as toys, has hid its talents rare;
+ And many a voice that might have moved a world,
+ Has cracked in shoutings on the midnight air.
+
+ Some village Hampden here by night may bawl,
+ Some unknown Milton, but by no means mute;
+ Some David that may soothe a savage Saul,
+ As yet entirely guiltless of a lute.
+
+ The applause of gaping urchins to command,
+ The darkies’ laughter at their quaint disguise,
+ A few short words from some one to the band,
+ This is their sole reward, their hard-earned prize.
+
+ But who to dumb forgetfulness a prey,
+ Would start to nip with dry and husky throttle?
+ Whene’er they march along the Devil’s way,
+ They take his own peculiar seal, the bottle.
+
+ Amid the madding crowd that gathers thick,
+ A moving pandemonium they stray,
+ And down those much frequented walks of brick
+ They hold the noisy tenor of their way.
+
+
+ THE EPIGRAM
+
+ Here go at last, all yelling to the town,
+ A band of youths to Judson’s too well known;
+ Fair science ever met their darkest frown,
+ And foul intemperance marked them for her own.
+
+ Small is their bounty, but “a drink” they chime,
+ As round the crowded counter many jam;
+ Each gives to Judson (all he has) a dime,
+ Each gets from him (’tis all he wants) a dram.
+
+ _January, 1868._
+
+
+
+
+ FIRE EYES
+
+
+ Hast thou on summer’s eve ere marked
+ The storm on cloud wings soaring high,
+ And spreading far his pinions black,
+ Across the blue good-natured sky?
+ And hast thou seen from ’neath his brow
+ The lightning’s eye gleam fiercely bright,
+ As if to pierce a thousand foes
+ With daggers of his living light?
+ As flash the lightnings in the skies,
+ So gleam, when angry, “Fire Eyes.”
+
+ Hast thou on autumn eve e’er seen
+ The sun just nestling on his pillow,
+ While sapphire clouds were silver-fringed,
+ As seafoam crests the surging billow?
+ And hast thou seen the golden gaze
+ The sun bestows on Nature fair,
+ That dyes the gorgeous landscape o’er
+ And almost melts the amber air?
+ As beams the sun on autumn skies
+ So smile, when pleased, bright “Fire Eyes.”
+
+
+
+
+ MY DARLING’S JESSAMINE
+
+
+ ’Twas only a sprig of white jessamine,
+ That came in a letter she wrote;
+ But I value it more than the costliest vine
+ Whose tendrils o’er marble-carved trellis-work twine:
+ _’Twas worn at my darling one’s throat_.
+
+ A throat that encages the nightingale’s trill,
+ And sweetens each silvery note,
+ And I think as I hear, in a rapturous thrill,
+ Her voice, whose volume can heaven’s dome fill,
+ That the _angels have lent her a throat_.
+
+ More sweet than exotics that Fashion dupes wear
+ As through the gay ballroom they float!
+ In the leaves of my Bible I laid it with care,
+ More _sacredly dear_ than a _buried friend’s hair_
+ Since worn at my darling one’s throat!
+
+ _July, 1870._
+
+
+
+
+ THE PARTING SHIP
+
+
+ In pensive mood I stood upon the quay,
+ Where busy Commerce plied her energy;
+ Where loading vessels hung their sails at rest,
+ And rose and fell, upon the water’s breast.
+ Where busy little tugs with hissing steam
+ Buried their noses in the foaming stream.
+ Near by, a steamer in a paneled wharf
+ Chafed at her chains and panted to be off.
+ A strange, mysterious ship, no pennon bold
+ Her nation or her destination told;
+ No crew was seen, no farewell song was sung,
+ No parting loved ones to each other clung;
+ No wife was weeping on her husband’s neck,
+ No mother blessed her wayward boy on deck.
+ A ceaseless throng pressed through the cabin door,
+ As if they longed to leave their native shore;
+ No backward glance, no tearful farewell view,
+ And no one seemed to think home worth adieu.
+ At last the bell was rung, the plank was drawn,
+ And with a shivering sigh, the ship was gone.
+ Then as I marked her curving track of foam,
+ I wondered in what waters she would roam;
+ I thought of those on board, the reckless air
+ Of their departure, and I breathed a prayer.
+ A red-haired man stood turning up a wheel,
+ That wound a clanking chain upon a reel;
+ I laid a coin upon his brawny hand,
+ And asked him, “Who thus leave their native land?”
+ He leaned upon his wheel and closed one eye,
+ As if the lid were burdened with a sty;
+ Then with a laugh he answered, “By the devil’s spleen and liver,
+ It’s on’y a Fulton ferry-boat a’gwine a’gross East River.”
+
+
+
+
+ TO M----, FROM E----
+
+ WRITTEN ON THE FLY-LEAF OF A BIBLE
+
+
+ One year of sweetest love intense!
+ One year of mutual confidence!
+ One year of gazing into eyes,
+ In which the love-light never dies!
+ One year of clasping hands, that thrill
+ With throbbing love from life’s red rill
+ One year of clouds, whose transient shade
+ The after glory brighter made!
+ One year of doubts, whose fleeting rust
+ Could not corrode our links of trust!
+ One year of prayer, whose pleading tone
+ Has for _each other_ sued the Throne!
+ One year _together_--may it prove
+ Prophetic of our earthly love!
+ One year _each other’s_--may it be
+ A type of our _eternity_!
+
+ _Sunday, May, 1871._
+
+
+
+
+ UNDER THE PINES
+
+“TELL THEM TO BURY ME UNDER THE PINES AT HOME.” FROM “SEA GIFT.”
+
+
+ I would not rest in the moldering tomb
+ Of the grim church-yard, where the ivy twines,
+ But make me a grave in the forest’s gloom,
+ Where the breezes wave, like a soldier’s plume,
+ Each dark-green bough of the dear old pines;
+
+ Where the lights and shadows softly merge,
+ And the sun-flakes sift through the netted vines;
+ Where the sea winds, sad with the sob of the surge,
+ From the harp-leaves sweep a solemn dirge
+ For the dead beneath the sighing pines.
+
+ When the winter’s icy fingers sow
+ The mound with jewels till it shines,
+ And cowled in hoods of glistening snow,
+ Like white-veiled sisters bending low,
+ Bow, sorrowing, the silent pines.
+
+ While others fought for cities proud,
+ For fertile plains and wealth of mines,
+ I breathed the sulph’rous battle cloud,
+ I bared my breast, and took my shroud
+ For the land where wave the grand old pines.
+
+ Though comrades sigh and loved ones weep
+ For the form shot down in the battle lines,
+ In my grave of blood I gladly sleep,
+ If the life I gave will help to keep
+ The Vandal’s foot from the Land of Pines.
+
+ * * * * *
+
+ The Vandal’s foot hath pressed our sod,
+ His heel hath crushed our sacred shrines;
+ And, bowing ’neath the chastening rod,
+ We lift our hearts and hands to God,
+ And cry: “Oh! save our Land of Pines!”
+
+
+
+
+ THE LAST LOOK
+
+ TO MARY
+
+
+ Do not fasten the lid of the coffin down yet;
+ Let me have a long look at the face of my pet.
+ Please all quit the chamber and pull to the door,
+ And leave me alone with my darling once more.
+
+ Is this little Ethel, so cold, and so still!
+ Beat, beat, breaking heart, ’gainst God’s mystic will,
+ Remember, O Christ, thou didst dread thine own cup,
+ And while I drink mine, let thine arm bear me up.
+
+ But the moments are fleeting: I must stamp on my brain,
+ Each dear little feature, for never again
+ Can I touch her; and only God measures how much
+ Affection a mother conveys by her touch.
+
+ Oh! dear little head, oh! dear little hair,
+ So silken, so golden, so soft, and so fair,
+ Will I never more smooth it? Oh! help me, my God,
+ To bear this worst stroke of the chastening rod.
+
+ Those bright little eyes that used to feign sleep,
+ Or sparkle so merrily, playing at peep,
+ Closed forever! And yet they seemed closed with a sigh,
+ As if for our sake she regretted to die.
+
+ And that dear little _mouth_, once so warm and so soft,
+ Always willing to kiss you, no matter how oft,
+ Cold and rigid, without the least tremor of breath,
+ How could you claim _Ethel_, O pitiless death!
+
+ Her hands! No, ’twill kill me to think how they wove
+ Through my daily existence a tissue of love.
+ Each finger’s a print upon memory’s page,
+ That will brighten, thank God! and not dim with my age.
+
+ Sick or well, they were ready at every request
+ To amuse us: sweet hands! they deserve a sweet rest.
+ Their last little trick was to wipe “Bopeep’s” eye,
+ Their last little gesture, to wave us good-bye.
+
+ Little feet! little feet, how dark the heart’s gloom,
+ Where your patter is hushed in that desolate room!
+ For oh! ’twas a sight sweet beyond all compare,
+ To see little “Frisky” rock back in her chair.
+
+ * * * * *
+
+ O Father! have mercy, and grant me thy grace
+ To see, through this frown, the smile on thy face;
+ To feel that this sorrow is sent for the best,
+ And to learn from my darling a lesson of rest.
+
+ _February 16th, 1875._
+
+
+
+
+LINES WRITTEN AT THE REQUEST OF AN UNKNOWN FRIEND
+
+
+ We’ve never met; I’ve never pressed your hand,
+ Nor caught the light of Friendship in your eyes;
+ Yet bound by grief, between two graves we stand,
+ And mingle tears, and hear each other’s sighs.
+
+ The same dark wings have taken from each hearth
+ The brightest jewel of the circle there,
+ And poor Faith stumbles at the mound of earth,
+ And feebly yields her place to wan Despair.
+
+ The same dear Christ that took our little one,
+ And laid her precious head upon His breast,
+ In tender love called home your darling son
+ To enter early his eternal rest.
+
+ But who could stand beside the open tomb,
+ And hear the clods fall on the coffin lid,
+ And see deep underneath the earthen gloom,
+ The dearest love of life forever hid?
+
+ Could we not hear the grave’s red lips proclaim,
+ “I am the Resurrection and the Life,”
+ And realize that Death in Jesus’ name
+ Is only rest from labor, pain, and strife?
+
+ ’Tis hard to feel assured our sainted dead
+ Are happy _there_, as we could make them here;
+ We love them so we give them up with dread,
+ And lay them in Christ’s arms with doubt and fear.
+
+ Oh! for a faith that sees in all God sends
+ The kindness of a father to his son;
+ That prays, in every trial--if it ends
+ In joy or grief, “Thy will, O Lord, be done.”
+
+ Beneath the same dark shadow let us kneel,
+ And lift our broken hearts in prayer to God
+ That while He chastens, He will help us feel
+ The wisdom of His purpose in the rod.
+
+ We are not strangers now; from heart to heart
+ The electric chords of mutual sorrow thrill.
+ And clasping hands across the miles apart,
+ We stand resolved, to “suffer and be still.”
+
+
+
+
+ OUT IN THE RAIN
+
+
+ The night is dark and cold, a beating rain
+ Falls ceaselessly upon the dripping roof;
+ The dismal wind, with now a fierce, wild shriek,
+ And now a hollow moan, as if in pain,
+ Circles the eaves, and bends the tortured trees that wring
+ Their long, bear hands in the bleak blast.
+ Within
+ Our chamber all is bright and warm. The fire
+ Burns with a ruddy blaze. The shaded lamp
+ Softens the pictures on the wall, and glows
+ Upon the flowers in the carpet, till they seem
+ All fresh and fragrant. Stretched upon the rug,
+ His collar gleaming in the fire-light, little Pip
+ Is sleeping on, defiant of the storm without.
+ The very furniture enjoys the warmth,
+ And from its sides reflects the cheerful light.
+ Up in its painted cage, the little bird,
+ His yellow head beneath his soft, warm wing,
+ Is hiding. Oh! my God, out in the storm
+ _Our little yellow head_ is beaten by the rain.
+ So lonely looks that precious little face
+ Up at the cold, dark coffin’s lid above,
+ In the bleak graveyard’s solitude!
+ Oh! Ethel darling, do you feel afraid?
+ Or is Christ with you in your little grave?
+ When last we gazed upon those lovely eyes
+ They looked so tranquil, in their last repose,
+ We knew that Christ’s own tender hand had sealed
+ Their lids with His eternal peace.
+ Oh! darling, are you happy up in heaven?
+ And do the angels part that golden hair
+ As tenderly as we? O Saviour dear,
+ Thou knowest childhood’s tenderness. Amid
+ The care of countless worlds, sometimes descend
+ From thine almighty throne of power, and find
+ That little yellow head, and lay it on thy breast,
+ And smooth her brow with thine own pierced hand;
+ She’ll kiss the wound and try to make it well.
+ And tell her how we love her memory here;
+ And let her sometimes see us, that she may
+ Remember us. O Jesus, we can trust
+ Her to thy care; and when we lay us down
+ To rest, beside that lonely, little grave,
+ Oh! let her meet us with her harp.
+ God help us both to make that meeting sure!
+
+
+
+
+ THE LILY AND THE DEW-DROP
+
+
+ Deep in a cell of darkest green,
+ Rayless and murky with unbroken gloom,
+ With downcast head and shrinking, modest mien,
+ A lily of the valley shed her rare perfume,
+ Breathed softly, as a sea shell’s murmur, from her bloom
+ An odor so exquisite, none can tell,
+ If ’tis an odor or a whispered sigh
+ That like the dying echoes of a bell
+ Falls on the raptured sense so dreamily,
+ The soul swoons in the tearful clasp of memory.
+
+ So when an old man hears a harvest song
+ He used to sing, or smells the new-mown hay,
+ A host of saddened recollections throng
+ The dusty chambers of his heart, and play
+ Upon the cobwebs there a soft Æolian lay.
+
+ (_Unfinished._)
+
+
+
+
+ LINES,
+
+ WRITTEN AFTER HAVING A HEMORRHAGE FROM THE LUNGS
+
+Written a short time before his death and handed to his wife with the
+request, “Do not open this until I am well, or until my death.”
+
+
+ Life bloomed for me as if my path thro’ Eden
+ Led its flowery way. Success had crowned
+ In many ways my efforts. No dark strife
+ With adverse Fate its portent shadows cast
+ Across the calm blue scope of heaven.
+ And though
+ Pride often chafed at plain commercial life,
+ It was but transient, for ambitious Hope
+ Kept ever in my view Fame’s gilded dome,
+ Upon whose highest pinnacle I chose my niche,
+ For vain conceit had whispered in my ear
+ That I had Genius to encharm the world,
+ And I looked forward to the loud applause
+ Of nations as a simple thing of time.
+ Of death I thought but as a fright for those
+ Who have no destiny but dying. Mine
+ Would come in age, but as a pallid seal
+ To Honor gained, and Life’s long labors done.
+ Yet I had felt the breath of Asrael’s wing
+ When from my youthful head he took my father’s hand,
+ And from my manhood’s arms my only child,
+ And down the past a little mound of earth,
+ Tombed with the darkest sorrow of our hearts,
+ Still stands, though veiling in the folds of time.
+ Of heaven I thought but as a distant home,
+ A place of sweetest rest that I would gain,
+ When weary of the burden of the world.
+ Thus gay of thought and bright of hope, I moved
+ Amid the flowers of my way.
+ At once,
+ With scarce a rustle in the rose leaves, came
+ A shadowy form, and standing silently
+ Before my pathway, breathed a whispered sigh,
+ As if it loathed its office to perform;
+ Then laid Consumption’s ghastly banner on my breast,
+ Its pale folds crossed with fatal red.
+ The sky
+ Grew dark, the rose leaves withered, as the form
+ Withdrew, still silently; while I, alone
+ Upon the roadside, kneeled to pray for light.
+ The stunned surprise of sudden shattered hopes,
+ The faith of self-appointed destiny,
+ Still turned my eyes toward the Temple Fame.
+ Across its gilded dome a spotless cloud
+ Had drifted, hiding it from view, but lo!
+ The cloud, unfolding snowy depths, disclosed
+ The glories of that “House not made with hands,”
+ And bending from it, so full of tenderness,
+ I could discern the loved ones “gone before.”
+ And over all I recognized the Form
+ Whose brow endured Gabbatha’s shameful crown,
+ Whose woe distilled itself in trickling blood,
+ By Cedron’s murmuring wave.
+ As tenderly
+ As ever mother touched her babe, He bore
+ Within His arms a little angel form,
+ With golden hair and blue expressive eyes,
+ One dimpled hand lay on His willing cheek,
+ While He bent down to meet the sweet caress,
+ The other, with that well-remembered look
+ She kissed, and threw the kiss to me.
+ Then down
+ I bowed my face, and longed to know mine end.
+ ’Twere very sweet to leave all toil and care
+ And join the blessed ones beyond the tide;
+ And still ’twere sweet beyond compare to wait
+ Till eventide with loved ones here, and share
+ Their weal or woe.
+ Then came a flute-like voice
+ That thrilled the solemn air:
+ “Pursue thy way,
+ Yet humbly walk and watch, and if I come
+ At midnight, or at noon, be ready.”
+ Thus
+ I wish to live, life’s aims subserved to God;
+ And each continued day and hour regard
+ As special gifts to be improved for Him;
+ To wear the girdle of the world about my loins
+ So loosely that a moment will suffice
+ To break the clasp, and lay it down.
+
+
+ THE END
+
+
+
+
+
+End of Project Gutenberg's The Angel in the Cloud, by Edwin W. (Wiley) Fuller
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE ANGEL IN THE CLOUD ***
+
+***** This file should be named 57504-0.txt or 57504-0.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/5/7/5/0/57504/
+
+Produced by Chuck Greif and the Online Distributed
+Proofreading Team at http://www.pgdp.net (This file was
+produced from images available at The Internet Archive)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org/license
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.