summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--57372-0.txt (renamed from 57372-8.txt)561
-rw-r--r--57372-h/57372-h.htm417
2 files changed, 88 insertions, 890 deletions
diff --git a/57372-8.txt b/57372-0.txt
index c0a676e..324ee37 100644
--- a/57372-8.txt
+++ b/57372-0.txt
@@ -1,36 +1,8 @@
-The Project Gutenberg EBook of The Literary History of the Adelphi and its
-Neighbourhood, by Austin Brereton
+*** START OF THE PROJECT GUTENBERG EBOOK 57372 ***
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-Title: The Literary History of the Adelphi and its Neighbourhood
-
-Author: Austin Brereton
-
-Release Date: June 22, 2018 [EBook #57372]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK LITERARY HISTORY OF THE ADELPHI ***
-
-
-
-
-Produced by Clarity, Graeme Mackreth and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
@@ -868,7 +840,7 @@ Elizabeth in _King Henry VIII._
[Illustration:
-_Hollár._ 1630.
+_Hollár._ 1630.
DURHAM HOUSE. SALISBURY HOUSE. WORCESTER HOUSE.]
@@ -1119,8 +1091,8 @@ The New Exchange was never a great rival of the old--the
Royal--Exchange, and, in 1623, only fourteen years after its opening,
there were rumours that it was to be converted into dwelling-houses.
"Lady Hatton," it was stated, "is said to have bought Britain's Burse
-for £6000, and means to make the upper part her dwelling-house; the
-lower part lets for £320 a year." The rumour was wrong, however, for
+for £6000, and means to make the upper part her dwelling-house; the
+lower part lets for £320 a year." The rumour was wrong, however, for
the place, although it fell into disrepute, existed until nearly the
middle of the seventeenth century--until, as a matter of fact, 1737.
Its most flourishing period was during the Restoration, when London
@@ -1132,7 +1104,7 @@ in this very place before he took to burlesquing Dryden, D'Avenant,
and the contemporary writers. The Grand Duke Cosmo gives an accurate
picture of the place as it was in Charles II.'s time: "We went to see
the New Exchange, which is not far from the place of the Common Garden,
-in the great street called the Strand. The building has a façade of
+in the great street called the Strand. The building has a façade of
stone, built after the Gothic style, which has lost its colour from
age and become blackish. It contains two long and double galleries,
one above the other, in which are distributed, in several rows, great
@@ -1356,7 +1328,7 @@ Lord-Keeper Coventry, who died here in 1640.
Part of the ground was acquired by Philip Herbert, Earl of Pembroke and
Montgomery, in consideration of his payment to the see of Durham of
-£200 per annum, the grant being confirmed by Act of Parliament in 1640.
+£200 per annum, the grant being confirmed by Act of Parliament in 1640.
And, according to Strype, "It was by his son built into tenements or
houses, as now they are standing, being a handsome street descending
down out of the Strand." This was Durham Yard, which ran down to the
@@ -1435,7 +1407,7 @@ gone to ruin, and was notorious as a place of ill repute. In April
of that year Le Tellier, Archbishop and Duke of Rheims, crossed the
Channel in order to "treat about a marriage with the Lady Mary,
daughter of the Duke of York, with the Dauphin." In some ribald verses
-by the libellous Anthony Wood (or, as he dubbed himself, Anthony à
+by the libellous Anthony Wood (or, as he dubbed himself, Anthony à
Wood, 1632-1695) we read that:
"The Bishop who from France came slowly o'er
@@ -1663,7 +1635,7 @@ interest and curiosity." Her case becoming known, "she was provided
for." The association of Richard Talbot's widow with the Adelphi is
very curious. This lady, Frances Jennings, was sister to the celebrated
Duchess of Marlborough. By her first husband, George, Count Hamilton, a
-member of the Abercorn family, and a _maréchal de camp_ in the French
+member of the Abercorn family, and a _maréchal de camp_ in the French
service, she had three daughters: Elizabeth, afterwards the wife of
Viscount Ross; Frances, wife of Viscount Dillon; and Mary, wife of
Viscount Kingsland. On the death of Count Hamilton, she married Colonel
@@ -1816,7 +1788,7 @@ he takes them to task soundly in his Preface to _The White Milliner_,
as his play was called. Having related the incident which gave rise
to the piece, he goes on to say: "In our day, the dramatist who keeps
aloof from a small faction--which almost avowedly adopts for its motto
-the dogma of Molière,--
+the dogma of Molière,--
'Nul n'aura de l'esprit,
Hors nous et nos amis,'--
@@ -2130,7 +2102,7 @@ According to contemporary evidence, the Duchess of Albemarle was a low,
foul-mouthed creature, of exceedingly coarse habits. "Monk," says Lord
Clarendon in his _History_, "was cursed, after a long familiarity, to
marry a woman of the lowest extraction, the least wit, and less beauty.
-She was a woman _nihil muliebris præter corpus gerens_," one who had
+She was a woman _nihil muliebris præter corpus gerens_," one who had
nothing feminine but her form. In the opinion of Bishop Burnet, she was
a "ravenous, mean, and contemptible creature, who thought of nothing
but getting and spending." Pepys could not endure her. On March 8,
@@ -2260,7 +2232,7 @@ Durham House." And, on October 1, 1618, there was recorded an indenture
of sale from "Sir Thomas Wilson, of Hertford, now residing in St
Martin-in-the-Fields, London, of a dwelling-house, garden, etc., in
St Martin's-in-the-Fields, between Durham House, Britain's Burse, York
-House, and the River, to Wm. Roo, of London, for £374." Wilson, who was
+House, and the River, to Wm. Roo, of London, for £374." Wilson, who was
knighted in this year, was employed in obtaining admissions, that were
sufficient to condemn him, from Sir Walter Raleigh, then a prisoner
in the Tower. Twenty-eight days after the date of the indenture of
@@ -2361,7 +2333,7 @@ washed by the muddy deposits of the Thames." The property was then in
the possession of the Duke of St Albans, from whom the brothers Adam
obtained a ninety-nine years' lease, dating from Lady-day, 1768. The
Duke, it seems, was in a parlous condition when he parted with this
-property, for the small sum, be it said, of £1200 a year. For, in
+property, for the small sum, be it said, of £1200 a year. For, in
a public print of January 13, 1770, it is stated that "the Duke of
St Albans, who is now confined for debt at Brussels, disposed some
time ago of the ground in Durham Yard in which the new square is now
@@ -2568,10 +2540,10 @@ for they became involved in financial difficulties, and eventually
had to complete their buildings by raising money by means of a public
lottery. Some of these difficulties were alluded to by sympathetic
friends in the press. "The Adelphi buildings," one of them hears, "were
-mortgaged for a loan of £70,000 previous to the late unhappy failures
+mortgaged for a loan of £70,000 previous to the late unhappy failures
of the banks, and it is said that the Messrs Adam had laid out as much
more upon them; so that, in the course of five years, these gentlemen
-expended £140,000 to raise palaces upon an offensive heap of mud, and
+expended £140,000 to raise palaces upon an offensive heap of mud, and
circulated an immense sum to make a palpable nuisance a principal
ornament to the metropolis." Another defender wrote in a similar
strain: "Within a space of time, incredibly short for so magnificent
@@ -2590,10 +2562,10 @@ parishes of St Martin-in-the-Fields and St Mary-le-Bow, in the county
of Middlesex, and other their effects by way of chance in such manner
as may be most for the benefit of themselves and creditors."
-There were 4370 tickets at £50, making £218,500. The prizes numbered
+There were 4370 tickets at £50, making £218,500. The prizes numbered
108, and were thus arranged:--
- 1 £50,080
+ 1 £50,080
1 39,950
@@ -2606,14 +2578,14 @@ There were 4370 tickets at £50, making £218,500. The prizes numbered
1 4,960
100 of different values from
- £100 to £760 33,500
+ £100 to £760 33,500
The first drawn ticket was
entitled to 5,000
The last drawn to 25,090
--------
- £218,500
+ £218,500
The above facts are taken from a rare pamphlet, entitled _Particulars
composing the Prizes in the Adelphi Lottery_, published by the Adams
@@ -2659,7 +2631,7 @@ speculation.
On Thursday, March 3, 1774, the drawing up of the lottery began at the
great room, formerly Jonathan's Coffee House, in Exchange Alley, when
No. 3599 was drawn a blank, but being the first drawn ticket it was
-entitled to £5000. Nine other prizes were drawn on Friday, and at this
+entitled to £5000. Nine other prizes were drawn on Friday, and at this
rate the drawing continued for some time. The newspapers of the period
were full of information and advertisements respecting the lottery; and
the art of advertising appears to have been very thoroughly mastered
@@ -2669,14 +2641,14 @@ were told that there was a great demand and that early application was
necessary--in fact, that the demand began to be prodigious. Then
they were informed that "Messrs Adam propose to keep their office in
the Adelphi open till twelve o'clock on Wednesday night next (March
-9) for the sale of tickets at £50 each, after which the price of the
+9) for the sale of tickets at £50 each, after which the price of the
small quantity remaining in the market must be considerably raised,
on account of the consumption of tickets by the wheel." Portions of
tickets were sold at the various lottery offices thus--a half cost
-£25, 5s.; a thirty-second, £1, 13s.; and a sixty-fourth, 17s. Then
+£25, 5s.; a thirty-second, £1, 13s.; and a sixty-fourth, 17s. Then
there are little bits of gossip in the papers, intended to whet the
appetite of the public. Thus we are told that No. 3599, the first drawn
-ticket, entitled to an estate of the value of £5000, was sold by Messrs
+ticket, entitled to an estate of the value of £5000, was sold by Messrs
Richardson and Goodenough not half an hour before the lottery began
drawing, and, what is very remarkable, was the only ticket they had
left unsold. Soon afterwards, the winner of this ticket disposed of it
@@ -2724,7 +2696,7 @@ educated at Edinburgh University. Here he became on friendly terms
with several fellow students who also attained fame, including David
Hume, Dr William Robertson (the historian), Adam Smith (the political
economist), and Adam Ferguson (the philosopher). In his twenty-sixth
-year Robert Adam visited Italy in the company of Clérisseau, a French
+year Robert Adam visited Italy in the company of Clérisseau, a French
architect, and made a minute study of the ruins of the Emperor
Diocletian's palace at Spalatro, in Venetian Dalmatia. The journal of
his tour was printed in the _Library of the Fine Arts_, and, in 1764,
@@ -2750,7 +2722,7 @@ time there was a pacific invasion of England by the Scots, art being
represented by William Chambers, Allan Ramsay--son of the poet--who,
in Walpole's opinion, excelled Reynolds as a painter of women, Robert
Strange, and the Adam brothers, Robert and James. Mr Clouston doubts
-the statement that Clérisseau accompanied Robert Adam to Italy. The
+the statement that Clérisseau accompanied Robert Adam to Italy. The
young French architect was famous at the time of Adam's visit to the
Continent, "and one of his pupils, Sir W. Chambers, was making a name
in England. It is not altogether evident, therefore, how, a year later,
@@ -2980,9 +2952,9 @@ that he applied, but in vain, to the Society for a little money, and
"an insolent secretary even objected to his charge for colours and
models." Subsequently, the Society relented and advanced the artist
a hundred pounds. The Society "afterwards indulged him with two
-exhibitions of his paintings, in 1783 and 1784, which brought him £503,
+exhibitions of his paintings, in 1783 and 1784, which brought him £503,
12s., the Society paying the cost of the exhibitions, which amounted
-to £174." He was also "rewarded" by the Society with a gold medal. But
+to £174." He was also "rewarded" by the Society with a gold medal. But
he had other, and, perhaps, more pleasing recognitions of his talent.
That sturdy traveller and philanthropist, Jonas Hanway (1712-1786),
came to one of the exhibitions, and the pioneer of the umbrella was so
@@ -3277,8 +3249,8 @@ would be, and even is, so happily and so well established.
Behind Francis the First and Lord Arundel are Hugo Grotius, Father
Paul, and Pope Adrian. Towards the top of the picture, and near the
centre, sits Homer; on his right hand, Milton; next him, Shakespeare,
-Spenser, Chaucer, and Sappho. Behind Sappho sits Alcæus, who is
-talking with Ossian; near him are Menander, Molière, Congreve, Bruma,
+Spenser, Chaucer, and Sappho. Behind Sappho sits Alcæus, who is
+talking with Ossian; near him are Menander, Molière, Congreve, Bruma,
Confucius, Mango Capac, etc. etc. Next Homer, on the other side, is
Archbishop Fenelon, with Virgil leaning on his shoulder; and near them
are Tasso, Ariosto, and Dante. Behind Dante, Petrarca, Laura, Giovanni,
@@ -3296,7 +3268,7 @@ behind whom is Giles Hussey. Nicholas Poussin and the Sicyonian maid
are near them, with Callimachus and Pamphilius; near Appelles is
Corregio; behind Raphaello stand Michael Angelo and Leonardo da Vinci,
and behind them, Ghiberti, Donatello, Massachio, Brunaleschi, Albert
-Dürer, Giotto, and Cimabue.
+Dürer, Giotto, and Cimabue.
In the top of this part of the picture the painter has happily glanced
at what is called by astronomers the System of Systems, where the fixed
@@ -3359,7 +3331,7 @@ men."[31] Her late Majesty, Queen Victoria, was awarded the Society's
medal in her jubilee year, 1887.
The notorious quack doctor Joshua Ward (1685-1761), who was caricatured
-by Hogarth, allowed the Italian sculptor, Agostino Carlini, £100 a
+by Hogarth, allowed the Italian sculptor, Agostino Carlini, £100 a
year, so that he should work on his statue for life. The impudent
inventor of "Friar's Balsam" left this statue to the Society of Arts.
This quack, who was nicknamed "Spot" Ward, from a birth-mark on his
@@ -3376,7 +3348,7 @@ amassed a fortune.
[Illustration:
- _Gércault._
+ _Gércault._
ENTRANCE TO THE ADELPHI ARCHES.]
@@ -3476,7 +3448,7 @@ great actor set out on the eventful 10th of June, 1776, for the stage
of Drury Lane Theatre, whereon he then made his last appearance. He
acted Don Felix, in Mrs Centlivre's comedy, _The Wonder, a Woman keeps
a Secret_. He had previously disposed of his interest in the patent,
-for the sum of £35,000, to Richard Brinsley Sheridan and Richard Ford.
+for the sum of £35,000, to Richard Brinsley Sheridan and Richard Ford.
Before his actual farewell, he gave the public an opportunity of
seeing him in several of his other favourite characters, including
Hamlet, Richard III., and King Lear. He only acted Richard once during
@@ -3554,7 +3526,7 @@ wrote the following lines on the subject:--
To be more rapid, clear, and strong;
When from his classic urn Burke pours
A copious stream through banks of flowers;
- When Barré stern, with accents deep,
+ When Barré stern, with accents deep,
Calls up Lord North, and murders sleep;
And if his Lordship rise to speak,
Then wit and argument awake:
@@ -3590,7 +3562,7 @@ note in the lives of these three people. They bridge over the years
1776 to 1822. In the former year, it should be borne in mind, the
actor was nearly sixty years old, his wife a little younger, while
Hannah More was but thirty-one years of age. The affection of the
-elderly couple for their young protégée is remarkable, and, curiously
+elderly couple for their young protégée is remarkable, and, curiously
enough, the career of the latter began with Garrick's leaving the
stage. On June 10, 1776, Hannah More writes to David Garrick: "I think,
by the time this reaches you, I may congratulate you on the end of
@@ -4013,7 +3985,7 @@ elder, the dramatist; John Dunning, afterwards Baron Ashburton, whose
_Inquiry into the Doctrines lately promulgated concerning Juries,
Libels_, etc., was pronounced by Horace Walpole "the finest piece
... written for liberty since Lord Somers"; Edmund Burke; Colonel
-Isaac Barré, the Irish soldier and politician; the Hon. Charles Fox;
+Isaac Barré, the Irish soldier and politician; the Hon. Charles Fox;
Lord Charles Spencer; the deputy usher of the black rod; and many
other distinguished men. The committee from Drury Lane consisted of
Richard Yates, Tom King, Vernon, William Parsons, James Dodd--an actor
@@ -4314,7 +4286,7 @@ at her ease with persons who had suffered the same loss with herself,
he said that was a comfort she could seldom have, considering the
superiority of his [Garrick's] merit, and cordiality of their union. He
bore his strong testimony to the liberality of Garrick. He reproved
-me with pretended sharpness for reading _Les Pensées de Pascal_, or
+me with pretended sharpness for reading _Les Pensées de Pascal_, or
any of the Port Royal authors; alleging that, as a good Protestant,
I ought to abstain from books written by Catholics. I was beginning
to stand upon my defence, when he took me with both hands, and with
@@ -4604,7 +4576,7 @@ the public about this time, although he was denounced as a quack by the
medical profession. After a visit to the continent, during which he
received many testimonials from people in the first rank of society, he
came to the Adelphi in 1779. His house and apparatus, it was stated,
-cost him £10,000. The entrance hall was adorned with crutches which
+cost him £10,000. The entrance hall was adorned with crutches which
had been discarded by his "patients," and, in the rooms above, were
large, gaudily-decorated electrical machines, glass globes, marble
statues, and figures of dragons; the windows were of stained glass, and
@@ -4612,10 +4584,10 @@ the air was laden with the perfume of incense. The door was guarded by
huge footmen. One apartment was devoted to Apollo, and contained "a
magnificent temple, sacred to health." He lectured at enormous prices
and obtained fabulous sums for his quack remedies. For a night in the
-"celestial bed," which ensured a beautiful progeny, his fee was £100;
+"celestial bed," which ensured a beautiful progeny, his fee was £100;
his "elixir of life" brought him a fee of one thousand pounds, but his
"earth-bath" was only a modest guinea, while a magneto-electric bed
-could be slept in for £50 a night.
+could be slept in for £50 a night.
In August, 1780, Horace Walpole visited "The Temple of Health" in the
Adelphi, and pronounced it "the most impudent puppet-show of imposition
@@ -4749,7 +4721,7 @@ before his death, he made an affidavit, in which he stated that from
the last day of December 1792, to January 15, 1793, he neither ate,
drank, nor took anything but cold water, sustaining life by wearing
cut-up turfs against his naked body, and by rubbing his limbs with his
-own nervous æthereal balsam. He died suddenly at his house, opposite
+own nervous æthereal balsam. He died suddenly at his house, opposite
the Archers' Hall, Edinburgh, on June 23, 1794. Graham, though a quack,
and possibly a madman, was not without some knowledge. He was against
flesh-eating and excess in alcohol, and believed in cold bathing, open
@@ -4814,7 +4786,7 @@ was the first stage representative of the character, and the part was
frequently acted by the late John Lawrence Toole. "Tommy" Hill, as he
was familiarly called, always boasted that he had whatever was wanted:
"Cards, sir? Pooh! pooh! Nonsense! thousands of packs in the house."
-Planché says of him: "His _spécialité_ was the accurate information he
+Planché says of him: "His _spécialité_ was the accurate information he
could impart on all the petty details of the domestic economy of his
friends, the contents of their wardrobes, their pantries, the number
of pots of preserve in their store-closets, and of the table-napkins
@@ -4973,7 +4945,7 @@ many years to come. The embankment, the construction of which involved
the abolition of the Adelphi wharves, was opened in 1870 by the Prince
of Wales (Edward VII.), as the representative of Queen Victoria. This
magnificent example of engineering was begun in 1862, and the cost was
-about £2,000,000.
+about £2,000,000.
FOOTNOTES:
@@ -5185,7 +5157,7 @@ by the Strand banker, whereupon he withdrew from his old firm, and
Campbell & Coutts came into existence at No. 59 Strand. On the death of
his partner, in 1761, James Coutts took his brother, Thomas, into the
firm. James Coutts died in 1778, leaving Thomas in full control of the
-business, and his only daughter inherited his fortune of £70,000.
+business, and his only daughter inherited his fortune of £70,000.
Thomas Coutts, who ultimately became known as "the richest man in
London," was a great character. He had received an excellent training
@@ -5332,7 +5304,7 @@ to secure the cordial co-operation of the heads of the various
banking-houses in London, was in the habit of frequently inviting them
to dinner. On one of these occasions the manager of a City bank, in
retailing the news of the day, accidentally remarked that a certain
-nobleman had applied to his firm for the loan of £30,000, and had been
+nobleman had applied to his firm for the loan of £30,000, and had been
refused. Mr Coutts listened, and said nothing; but the moment his
guests had retired, about ten o'clock in the evening, he started off
to the house of the nobleman mentioned, and requested the honour of an
@@ -5343,11 +5315,11 @@ presented them to his lordship. The latter, very agreeably surprised,
exclaimed, 'But what security am I to give you?' 'I shall be satisfied
with your lordship's note of hand,' was the reply. The 'I.O.U.' was
instantly given, with the remark, 'I find I shall only require for the
-present £10,000; I therefore return you £20,000, with which you will be
+present £10,000; I therefore return you £20,000, with which you will be
pleased to open an account in my name.' This generous, or, as it may
more truly be called, exceedingly well-calculated, act of Mr Coutts
was not lost upon the nobleman, who, in addition to paying in within
-a few months £200,000 to his account, the produce of the sale of an
+a few months £200,000 to his account, the produce of the sale of an
estate, recommended several high personages to patronise the bank in
the Strand. Among new clients who opened accounts there was King George
III."
@@ -5357,7 +5329,7 @@ Alexander Trotter, Paymaster of the Navy, who, despite the facts that
his salary was a mere five hundred a year and that he had no other
means, passed some fifteen million pounds through Coutts' Bank and
speculated hugely on the Stock Exchange, his transactions amounting
-in one day to £300,000. In giving evidence in the trial of Lord
+in one day to £300,000. In giving evidence in the trial of Lord
Melville, the treasurer of the Navy, in 1806, he said: "I certainly
made use of that part which was not likely to be claimed for my own
benefit, generally by lending it at interest, and at times by investing
@@ -5379,7 +5351,7 @@ own benefit or advantage, but that, owing to the way in which the
pay-master had blended his own money and the public money, it was
impossible to ascertain with precision whether the advances he had made
to the treasurer were from one source or the other." An important point
-in the trial turned upon the disposal of a certain sum of £30,000, and
+in the trial turned upon the disposal of a certain sum of £30,000, and
it could not be determined as to whether the money came from the Navy,
or, as a loan, from Messrs Coutts. Hence arose the apocryphal story of
the staid banker, to whom caution was second nature, wishing to lend
@@ -5465,7 +5437,7 @@ Coutts by Lord Macartney, while on his embassy to China in 1792-95. In
another room is a collection of portraits of the early friends of the
wealthy banker, including the portrait of Dr Armstrong, the poet, by
Sir Joshua Reynolds. The strong rooms, or vaults of the house--'which
-alone cost £10,000'--will repay an endeavour to obtain a sight of
+alone cost £10,000'--will repay an endeavour to obtain a sight of
them. Here, in a succession of cloister-like avenues, are stored in
boxes of all shapes, sizes, and colours, patents, title-deeds, plate,
etc., of many of the nobility and gentry of Great Britain."[50] The
@@ -5507,13 +5479,13 @@ Portugal.
The partners in the bank are, with the exception of the Hon. W.F.D.
Smith, of Scottish descent. On February 23, 1906, the capital was
-registered as £600,000, distributed as follows:--
+registered as £600,000, distributed as follows:--
William Rolle Malcolm, Lord A. Campbell,
G.J. Marjoribanks, and the Earl of
Harrowby, as trustees for the persons
interested under the will of Harriot,
- Duchess of St Albans £223,600
+ Duchess of St Albans £223,600
Ronald Malcolm and G.J. Marjoribanks
(jointly) 82,900
Archibald Dudley Ryder, Edward Dudley
@@ -5528,10 +5500,10 @@ registered as £600,000, distributed as follows:--
Archibald Dudley Ryder 4,250
The Hon. Edward Dudley Ryder 4,250
--------
- £600,000
+ £600,000
Thomas Coutts left all his property to his wife. His personal estate
-was valued at just under £600,000, but "as his own personal stocks
+was valued at just under £600,000, but "as his own personal stocks
and shares and his interest in the stocks and shares held by the bank
were mingled, and it would be difficult for others than his partners
to distinguish which was the bank's property and which was his own,
@@ -5547,9 +5519,9 @@ William Matthew Coulthurst, all of the Strand, with William George
Adam, Accountant-General of the High Court of Chancery, and John
Parkinson, of Lincoln's Inn Fields. She bequeathed to her husband the
use and enjoyment during his life of Holly Lodge, Highgate (which Mr
-Coutts had bought for her at a cost of £25,000), the use and enjoyment
-of rooms in the Strand, a legacy of £10,000 for furniture, a selection
-of plate, not exceeding in value £2000, and an annuity of £10,000; but
+Coutts had bought for her at a cost of £25,000), the use and enjoyment
+of rooms in the Strand, a legacy of £10,000 for furniture, a selection
+of plate, not exceeding in value £2000, and an annuity of £10,000; but
the annuity and the use and enjoyment of Holly Lodge were to cease if
he should permit his uncle, Lord Amilius Beauclerk, or his brothers,
Frederick or Charles Beauclerk, to reside in these quarters for one
@@ -5575,7 +5547,7 @@ of the Adams imprint. Next door, however, Garrick's house is little
changed; the ceiling in his drawing-room was painted by Antonio Zucchi,
A.R.A., Angelica Kauffmann's second husband, and it is in a splendid
state of preservation, as is the magnificent marble chimney-piece,
-which is said to have cost £300--the rooms in which Mr and Mrs Garrick
+which is said to have cost £300--the rooms in which Mr and Mrs Garrick
died are now in the occupation of the Institution of Naval Architects.
King Edward VII. was an honorary life member of the Savage Club
from 1882 until his Accession in 1901. Honorary life members of the
@@ -5684,7 +5656,7 @@ let it to the Lord Keepers of the Great Seal.
Lord Chancellor Bacon, the son of Nicholas Bacon, Lord Keeper, was
born here in 1561, and here his father died in 1579. One of the most
interesting of literary associations is that of Francis Bacon with York
-House. He built an aviary here at a cost of £300, and here Aubrey laid
+House. He built an aviary here at a cost of £300, and here Aubrey laid
the scene of his jesting with the fishermen, although Bacon himself
placed it at Chelsea: "His Lordship (Bacon) being in Yorke House garden
looking on Fishers, as they were throwing their nett, asked them
@@ -5750,7 +5722,7 @@ Portsmouth, by John Felton, on August 23, 1628.
The entertainments given by Buckingham at York House were unrivalled in
their magnificence. A contemporary account of one of them is furnished
-by the great courtier, François de Bassompiere (1579-1646), Marshal
+by the great courtier, François de Bassompiere (1579-1646), Marshal
of France, in his _Embassy to England_,[55] an account of his sojourn
here in 1626. "The King," he says, "supped at one table with the Queen
and me, which was served by a complete ballet at each course with
@@ -5805,7 +5777,7 @@ handsomest bodied man of England; his limbs so well compacted, and his
conversation so pleasing, and of so sweet a disposition. And truly
his intellectuals were very great; he had a sound judgment, and was
of a quick apprehension, insomuch that I have heard it from two men,
-and very great men (neither of them had gotten so little as £3600 per
+and very great men (neither of them had gotten so little as £3600 per
annum by the Court), whom of all men in the world Buckingham had most
wronged--yet I heard both those men say and give him this testimony,
that he was as inwardly beautiful as he was outwardly, and that the
@@ -5835,7 +5807,7 @@ made Buckingham the Zimri of his _Absalom and Achitophel_:--
"Some of the chiefs were princes in the land:
In the first rank of these did Zimri stand,
A man so various, that he seemed to be,
- Not one, but all mankind's epitomê;
+ Not one, but all mankind's epitomê;
Stiff in opinions, always in the wrong,
Was everything by starts, and nothing long;
But in the course of one revolving moon,
@@ -5871,7 +5843,7 @@ House" were ordered to be sold on August 20, 1645, but not before one
John Trayleman, an "old trusty servant," had smuggled some of the
treasures over to Holland, where they found a purchaser in the Archduke
Leopold. For one of these pictures, the Ecce Homo, by Titian, the first
-Duke of Buckingham had been offered £7000, either in money or land,
+Duke of Buckingham had been offered £7000, either in money or land,
by Lord Arundel. In this painting, likenesses of the Pope, Charles
V., and Solyman the Magnificent were introduced. The Duke returned to
England in 1657, and obtained an introduction to General Fairfax, who
@@ -5986,8 +5958,8 @@ gardens in order to obtain money for his extravagances. The purchasers
were Roger Higgs, of St Margaret's, Westminster, Esq.; Emery Hill, of
Westminster, gentleman; Nicholas Eddyn, of Westminster, woodmonger;
and John Green, of Westminster, brewer; and the price of the property
-was £30,000. In 1668, the rental of "York House and tenements, in the
-Strand," had been fixed at £1359, 10s. The Duke made it a condition of
+was £30,000. In 1668, the rental of "York House and tenements, in the
+Strand," had been fixed at £1359, 10s. The Duke made it a condition of
the sale that his name should be commemorated in the new buildings to
be erected on the site of York House; hence we have York Buildings,
Buckingham Street, Villiers Street, and Duke Street, at the present
@@ -6159,7 +6131,7 @@ satire was in more lively strain:--
The gate had become so neglected in 1823 that it was necessary to
repair the roof and stone-work and to renew the iron-work. This was
-done at a cost of £300, defrayed by a rate levied on the occupants of
+done at a cost of £300, defrayed by a rate levied on the occupants of
York Buildings. Thirteen years later, however, I find a complaint that
the gate had been allowed "from neglect, to be almost smothered in
river mud." Again, in 1854, it was said to be "in a ruinous state"--a
@@ -6183,7 +6155,7 @@ been excavated from time to time in Brook Street, Grosvenor Square, and
other places. In 1688, there were forty-eight shares in the company.
After the Scotch rebellion in 1715, the company invested large sums
in purchasing forfeited estates, which no Scot would buy. Bankruptcy
-followed, and, in 1783, the Scotch estates were sold for £102,537.[59]
+followed, and, in 1783, the Scotch estates were sold for £102,537.[59]
A curious description of the works is given in the _Foreigner's
Guide to London_ for 1720: "Here you see a high wooden tower and a
water-engine of a new invention, that draws out of the Thames above
@@ -6272,7 +6244,7 @@ Quakers forced themselves upon him, and presented him with _Barclay's
Apology_, after which the Czar attended their meeting in Gracechurch
Street. He once asked them of what use they were to any kingdom, since
they would not bear arms. On taking his farewell of King William, Peter
-drew a rough ruby, valued at £10,000, from his waistcoat pocket, and
+drew a rough ruby, valued at £10,000, from his waistcoat pocket, and
presented it to him screwed up in brown paper. He went back just in
time to crush the Strelitzes, imprison his sister Sophia, and wage war
on Charles XII. The great reformer was only twenty-six years old when
@@ -6447,7 +6419,7 @@ In the building of his "sumptuous palace," which he called Northampton
House, he had for his architects Bernard Jansen, who was more a
stonemason than an architect, and another maker of funeral monuments,
Gerrard Christmas (Garret Christmas). The latter carved for himself
-the initials C. Æ. (Christmas Ædificavit), in large capitals over
+the initials C. Æ. (Christmas Ædificavit), in large capitals over
the old stone gateway, which was replaced by a new front towards the
Strand in the reign of George II. At that time the house consisted of
three sides of a quadrangle, the centre facing the Strand, and, of
@@ -6558,12 +6530,12 @@ marriage by her grandmother to Thynne, who, however, had agreed, on
account of the youth of his bride, that the marriage should not be
consummated until a year had elapsed. The lady, however, took such a
dislike to Thynne that she fled for protection to Lady Temple at the
-Hague. "In the meantime, the famous Count Königsmark--noted for his
+Hague. "In the meantime, the famous Count Königsmark--noted for his
beauty and intrigues in most of the Courts of Europe--had accidentally
met Lady Ogle in public, and had either fallen in love with her
person, or with the vast fortune of which she was the mistress. That
the feeling was reciprocal there is not the least reason to suppose.
-Königsmark, however, equally daring and unprincipled, determined by
+Königsmark, however, equally daring and unprincipled, determined by
foul, if not by fair means, to make her his wife, and, as the first
step, projected the assassination of the unfortunate Thynne. The
persons whom he hired to commit the crime were three foreigners--one
@@ -6585,7 +6557,7 @@ halt. One shot only was fired, which was from a musketoon, carried by
Borotski. So true, however, was the aim, that as many as five bullets
entered the body of his victim. Thynne was forthwith carried to his
own residence, where he lingered till about six o'clock the following
-morning, when he expired."[64] Königsmark attempted to escape, but he
+morning, when he expired."[64] Königsmark attempted to escape, but he
was arrested at Gravesend at the very moment that he was about to set
foot on a foreign vessel. He was immediately brought to trial, and,
after some delay, acquitted. His accomplices were condemned to death,
@@ -6614,7 +6586,7 @@ Algernon Seymour greatly improved the Strand front of Northumberland
House, and built the gallery, or great room, which formed the western
wing of the south side. In the cornice, or balustrading, on the top
of the south front he had inserted the letters and date: A.S.P.N.
-(Algernon Seymour Princeps Northumbriæ), A.D. 1749.
+(Algernon Seymour Princeps Northumbriæ), A.D. 1749.
[Illustration: CHARING CROSS, BEFORE THE BUILDING OF NORTHUMBERLAND
AVENUE.]
@@ -6786,7 +6758,7 @@ resistance was abandoned, and the Board having, in 1872, learned that
the present Duke of Northumberland was willing to sell his property, an
agreement was in the year 1873 concluded and ratified by Parliament,
under which the Board acquired his Grace's property upon payment of
-£500,000, the Board at the same time obtaining power to make the new
+£500,000, the Board at the same time obtaining power to make the new
street."[67] The opposition of the owner of Northumberland House to
the destruction of this historical property was natural enough, and
many otherwise uninterested persons lamented the proposed demolition.
@@ -6805,9 +6777,9 @@ of that year, "the fine old mansion underwent its final stage of
degradation." Its materials were sold by auction. The lots consisted
of 3,000,000 bricks, the grand marble staircase, the elaborate
ornamentation of the various apartments and corridors, and lead to
-the weight of 400 tons. The sale realised but £6500, and of this
+the weight of 400 tons. The sale realised but £6500, and of this
sum the great staircase--subsequently removed to No. 49 Prince's
-Gate--brought £360. Some of the pictures had been removed to Alnwick
+Gate--brought £360. Some of the pictures had been removed to Alnwick
Castle, Northumberland, others to the ducal town residence, No. 2
Grosvenor Place. "The progress of wealth and luxury," said a writer
in the _Standard_ at the time of the projected demolition, "has long
@@ -6836,7 +6808,7 @@ The Strand portion of the house is marked by the Grand Hotel, the
opening of which, in 1880, was considered of so much importance
that its initiation was attended by the Lord Mayor of the City of
London, who was accompanied by the sheriffs. Two other of the Gordon
-hotels in this Avenue, the Métropole and Victoria, opened in 1885
+hotels in this Avenue, the Métropole and Victoria, opened in 1885
and 1887 respectively, indicate the site of the extensive gardens of
Northumberland House. The handsome building of the Constitutional Club,
the offices of the Royal Colonial Institute, and the headquarters
@@ -6885,7 +6857,7 @@ Cousins_ in 1820, and the _Trip to France_ and the _Trip to America_
in the two succeeding years. For the last two sketches he received a
thousand pounds. "A thousand pounds!" he used to exclaim, with a shrug
of the shoulders, "and all for nonsense."[68] He was lucky enough to
-obtain a legacy of £300 for a complimentary epigram on Mr Strachan, the
+obtain a legacy of £300 for a complimentary epigram on Mr Strachan, the
King's printer. Being patted on the head when a boy by Chief-Justice
Mansfield, in Highgate churchyard, and once seeing Horace Walpole on
his lawn at Twickenham, were the two chief historical events of Mr
@@ -7279,7 +7251,7 @@ Indian Emperour_, newly printed.
_January 2, 1668._--I took my wife and her girl out to the New
Exchange, and there my wife bought herself a lace for a handkercher,
-which I do give her, of about £3, for a new year's gift, and I did buy
+which I do give her, of about £3, for a new year's gift, and I did buy
also a lace for a band for myself.
_January 17, 1668._--So home, and there alone with my wife and Deb. to
@@ -7294,7 +7266,7 @@ Mr Clerke, my solicitor ... so I by water with him to the New Exchange
and there we parted, and I took my wife and Deb. up, and to the
nursery.... Thence to the New Exchange, to take some things home that
my wife hath bought, a dressing-box and other things for her chamber
-and table, that cost me above £4.
+and table, that cost me above £4.
_April 9, 1668._--I to the New Exchange, there to meet Mrs Burroughs,
and did take her in a carosse and carry her towards the Park, kissing
@@ -7358,12 +7330,12 @@ _November 23, 1668._--So to the looking-glass man's by the New Exchange.
_January 1, 1669._--Up, and with W. Hewer, to the New Exchange, and
then he and I to the cabinet-shops, to look out, and did agree, for a
cabinet to give my wife for a New Year's gift, and I did buy one cost
-me £11.
+me £11.
_January 11, 1669._--Calling at the New Exchange for a book or two to
send to Mr Shepley and thence home.... Thence to the New Exchange,
to buy some things; and among others my wife did give me my pair of
-gloves, which, by contract, she is to give me in her £30 a year.
+gloves, which, by contract, she is to give me in her £30 a year.
_February 4, 1669._--So to the New Exchange, and thence home to my
letters.
@@ -7563,13 +7535,13 @@ Index
Baron-Wilson, Mrs, 208.
- Barré, Isaac, 147.
+ Barré, Isaac, 147.
Barrington, Lord, 181.
Barry, James, 101-118.
- Bassompiere, François de, 223-224.
+ Bassompiere, François de, 223-224.
Bathurst, Lady, 159.
@@ -8069,7 +8041,7 @@ Index
Horace's _Art of Poetry_, 29.
- Hôtel Métropole, 269.
+ Hôtel Métropole, 269.
Hotel Victoria, 269.
@@ -8136,7 +8108,7 @@ Index
Kneller, Godfrey, 40.
- Königsmark, Count, 255-257.
+ Königsmark, Count, 255-257.
Lamb, Charles, 183.
@@ -8579,365 +8551,4 @@ Index
End of the Project Gutenberg EBook of The Literary History of the Adelphi
and its Neighbourhood, by Austin Brereton
-*** END OF THIS PROJECT GUTENBERG EBOOK LITERARY HISTORY OF THE ADELPHI ***
-
-***** This file should be named 57372-8.txt or 57372-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/7/3/7/57372/
-
-Produced by Clarity, Graeme Mackreth and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
+*** END OF THE PROJECT GUTENBERG EBOOK 57372 ***
diff --git a/57372-h/57372-h.htm b/57372-h/57372-h.htm
index 9f8485a..52fd05a 100644
--- a/57372-h/57372-h.htm
+++ b/57372-h/57372-h.htm
@@ -172,47 +172,7 @@ table {
<body>
-<pre>
-
-The Project Gutenberg EBook of The Literary History of the Adelphi and its
-Neighbourhood, by Austin Brereton
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: The Literary History of the Adelphi and its Neighbourhood
-
-Author: Austin Brereton
-
-Release Date: June 22, 2018 [EBook #57372]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK LITERARY HISTORY OF THE ADELPHI ***
-
-
-
-
-Produced by Clarity, Graeme Mackreth and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-
-
-
-
-</pre>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 57372 ***</div>
@@ -9353,380 +9313,7 @@ will accompany my being blind, the good God prepare me!"</p></div></div>
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of The Literary History of the Adelphi
-and its Neighbourhood, by Austin Brereton
-
-*** END OF THIS PROJECT GUTENBERG EBOOK LITERARY HISTORY OF THE ADELPHI ***
-
-***** This file should be named 57372-h.htm or 57372-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/7/3/7/57372/
-
-Produced by Clarity, Graeme Mackreth and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 57372 ***</div>
</body>
</html>