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diff --git a/5713.txt b/5713.txt new file mode 100644 index 0000000..19a685e --- /dev/null +++ b/5713.txt @@ -0,0 +1,3176 @@ +The Project Gutenberg EBook of Tales of War, by Lord Dunsany + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Tales of War + +Author: Lord Dunsany + +Release Date: May, 2004 [EBook #5713] +Last Updated: August 18, 2012 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK TALES OF WAR *** + + + + +Produced by William McClain + + + + + + +TALES OF WAR + +By Lord Dunsany + + +1918 + + + + +The Prayer of the Men of Daleswood + + +He said: "There were only twenty houses in Daleswood. A place you +would scarcely have heard of. A village up top of the hills. + +"When the war came there was no more than thirty men there between +sixteen and forty-five. They all went. + +"They all kept together; same battalion, same platoon. They was like +that in Daleswood. Used to call the hop pickers foreigners, the ones +that come from London. They used to go past Daleswood, some of them, +every year, on their way down to the hop fields. Foreigners they used +to call them. Kept very much to themselves, did the Daleswood people. +Big woods all round them. + +"Very lucky they was, the Daleswood men. They'd lost no more than +five killed and a good sprinkling of wounded. But all the wounded was +back again with the platoon. This was up to March when the big +offensive started. + +"It came very sudden. No bombardment to speak of. Just a burst of Tok +Emmas going off all together and lifting the front trench clean out of +it; then a barrage behind, and the Boche pouring over in thousands. +'Our luck is holding good,' the Daleswood men said, for their trench +wasn't getting it at all. But the platoon on their right got it. And +it sounded bad too a long way beyond that. No one could be quite sure. +But the platoon on their right was getting it: that was sure enough. + +"And then the Boche got through them altogether. A message came to +say so. 'How are things on the right?' they said to the runner. 'Bad,' +said the runner, and he went back, though Lord knows what he went back +to. The Boche was through right enough. 'We'll have to make a +defensive flank,' said the platoon commander. He was a Daleswood man +too. Came from the big farm. He slipped down a communication trench +with a few men, mostly bombers. And they reckoned they wouldn't see +any of them any more, for the Boche was on the right, thick as +starlings. + +"The bullets were snapping over thick to keep them down while the +Boche went on, on the right: machine guns, of course. The barrage was +screaming well over and dropping far back, and their wire was still +all right just in front of them, when they put up a head to look. +There was the left platoon of the battalion. One doesn't bother, +somehow, so much about another battalion as one's own. One's own gets +sort of homely. And there they were wondering how their own officer +was getting on, and the few fellows with them, on his defensive flank. +The bombs were going off thick. All the Daleswood men were firing half +right. It sounded from the noise as if it couldn't last long, as if it +would soon be decisive, and the battle be won, or lost, just there on +the right, and perhaps the war ended. They didn't notice the left. +Nothing to speak of. + +"Then a runner came from the left. 'Hullo!' they said, 'How are +things over there?' + +"'The Boche is through,' he said. 'Where's the officer?' 'Through!' +they said. It didn't seem possible. However did he do that? they +thought. And the runner went on to the right to look for the officer. + +"And then the barrage shifted further back. The shells still screamed +over them, but the bursts were further away. That is always a relief. +Probably they felt it. But it was bad for all that. Very bad. It meant +the Boche was well past them. They realized it after a while. + +"They and their bit of wire were somehow just between two waves of +attack. Like a bit of stone on the beach with the sea coming in. A +platoon was nothing to the Boche; nothing much perhaps just then to +anybody. But it was the whole of Daleswood for one long generation. + +"The youngest full-grown man they had left behind was fifty, and some +one had heard that he had died since the war. There was no one else in +Daleswood but women and children, and boys up to seventeen. + +"The bombing had stopped on their right; everything was quieter, and +the barrage further away. When they began to realize what that meant +they began to talk of Daleswood. And then they thought that when all +of them were gone there would be nobody who would remember Daleswood +just as it used to be. For places alter a little, woods grow, and +changes come, trees get cut down, old people die; new houses are built +now and then in place of a yew tree, or any old thing, that used to be +there before; and one way or another the old things go; and all the +time you have people thinking that the old times were best, and the +old ways when they were young. And the Daleswood men were beginning to +say, 'Who would there be to remember it just as it was?' + +"There was no gas, the wind being wrong for it, so they were able to +talk, that is if they shouted, for the bullets alone made as much +noise as breaking up an old shed, crisper like, more like new timber +breaking; and the shells of course was howling all the time, that is +the barrage that was bursting far back. The trench still stank of +them. + +"They said that one of them must go over and put his hands up, or run +away if he could, whichever he liked, and when the war was over he +would go to some writing fellow, one of those what makes a living by +it, and tell him all about Daleswood, just as it used to be, and he +would write it out proper and there it would be for always. They all +agreed to that. And then they talked a bit, as well as they could +above that awful screeching, to try and decide who it should be. The +eldest, they said, would know Daleswood best. But he said, and they +came to agree with him, that it would be a sort of waste to save the +life of a man what had had his good time, and they ought to send the +youngest, and they would tell him all they knew of Daleswood before +his time, and everything would be written down just the same and the +old time remembered. + +"They had the idea somehow that the women thought more of their own +man and their children and the washing and what-not; and that the deep +woods and the great hills beyond, and the plowing and the harvest and +snaring rabbits in winter and the sports in the village in summer, and +the hundred things that pass the time of one generation in an old, old +place like Daleswood, meant less to them than the men. Anyhow they did +not quite seem to trust them with the past. + +"The youngest of them was only just eighteen. That was Dick. They +told him to get out and put his hands up and be quick getting across, +as soon as they had told him one or two things about the old time in +Daleswood that a youngster like him wouldn't know. + +"Well, Dick said he wasn't going, and was making trouble about it, so +they told Fred to go. Back, they told him, was best, and come up +behind the Boche with his hands up; they would be less likely to shoot +when it was back towards their own supports. + +"Fred wouldn't go, and so on with the rest. Well, they didn't waste +time quarrelling, time being scarce, and they said what was to be +done? There was chalk where they were, low down in the trench, a +little brown clay on the top of it. There was a great block of it +loose near a shelter. They said they would carve with their knives on +the big bowlder of chalk all that they knew about Daleswood. They +would write where it was and just what it was like, and they would +write something of all those little things that pass with a +generation. They reckoned on having the time for it. It would take a +direct hit with something large, what they call big stuff, to do any +harm to that bowlder. They had no confidence in paper, it got so +messed up when you were hit; besides, the Boche had been using +thermite. Burns, that does. + +"They'd one or two men that were handy at carving chalk; used to do +the regimental crest and pictures of Hindenburg, and all that. They +decided they'd do it in reliefs. + +"They started smoothing the chalk. They had nothing more to do but +just to think what to write. It was a great big bowlder with plenty of +room on it. The Boche seemed not to know that they hadn't killed the +Daleswood men, just as the sea mightn't know that one stone stayed dry +at the coming in of the tide. A gap between two divisions probably. + +"Harry wanted to tell of the woods more than anything. He was afraid +they might cut them down because of the war, and no one would know of +the larks they had had there as boys. Wonderful old woods they were, +with a lot of Spanish chestnut growing low, and tall old oaks over it. +Harry wanted them to write down what the foxgloves were like in the +wood at the end of summer, standing there in the evening, 'Great +solemn rows,' he said, 'all odd in the dusk. All odd in the evening, +going there after work; and makes you think of fairies.' There was +lots of things about those woods, he said, that ought to be put down +if people were to remember Daleswood as it used to be when they knew +it. What were the good old days without those woods? he said. + +"But another wanted to tell of the time when they cut the hay with +scythes, working all those long days at the end of June; there would +be no more of that, he said, with machines come in and all. + +"There was room to tell of all that and the woods too, said the +others, so long as they put it short like. + +"And another wanted to tell of the valleys beyond the wood, far +afield where the men went working; the women would remember the hay. +The great valleys he'd tell of. It was they that made Daleswood. The +valleys beyond the wood and the twilight on them in summer. Slopes +covered with mint and thyme, all solemn at evening. A hare on them +perhaps, sitting as though they were his, then lolloping slowly away. +It didn't seem from the way he told of those old valleys that he +thought they could ever be to other folk what they were to the +Daleswood men in the days he remembered. He spoke of them as though +there were something in them, besides the mint and the thyme and the +twilight and hares, that would not stay after these men were gone, +though he did not say what it was. Scarcely hinted it even. + +"And still the Boche did nothing to the Daleswood men. The bullets +had ceased altogether. That made it much quieter. The shells still +snarled over, bursting far, far away. + +"And Bob said tell of Daleswood itself, the old village, with queer +chimneys, of red brick, in the wood. There weren't houses like that +nowadays. They'd be building new ones and spoiling it, likely, after +the war. And that was all he had to say. + +"And nobody was for not putting down anything any one said. It was +all to go in on the chalk, as much as would go in the time. For they +all sort of understood that the Daleswood of what they called the good +old time was just the memories that those few men had of the days they +had spent there together. And that was the Daleswood they loved, and +wanted folks to remember. They were all agreed as to that. And then +they said how was they to write it down. And when it came to writing +there was so much to be said, not spread over a lot of paper I don't +mean, but going down so deep like, that it seemed to them how their +own talk wouldn't be good enough to say it. And they knew no other, +and didn't know what to do. I reckon they'd been reading magazines and +thought that writing had to be like that muck. Anyway, they didn't +know what to do. I reckon their talk would be good enough for +Daleswood when they loved Daleswood like that. But they didn't, and +they were puzzled. + +"The Boche was miles away behind them now, and his barrage with him. +Still in front he did nothing. + +"They talked it all over and over, did the Daleswood men. They tried +everything. But somehow or other they couldn't get near what they +wanted to say about old summer evenings. Time wore on. The bowlder was +smooth and ready, and that whole generation of Daleswood men could +find no words to say what was in their hearts about Daleswood. There +wasn't time to waste. And the only thing they thought of in the end +was 'Please, God, remember Daleswood just like it used to be.' And +Bill and Harry carved that on the chalk between them. + +"What happened to the Daleswood men? Why, nothing. There come one of +them counter-attacks, a regular bastard for Jerry. The French made it +and did the Boche in proper. I got the story from a man with a hell of +a great big hammer, long afterwards when that trench was well behind +our line. He was smashing up a huge great chunk of chalk because he +said they all felt it was so damn silly." + + + + +The Road + + +The battery Sergeant-Major was practically asleep. He was all worn out +by the continuous roar of bombardments that had been shaking the +dugouts and dazing his brains for weeks. He was pretty well fed up. + +The officer commanding the battery, a young man in a very neat uniform +and of particularly high birth, came up and spat in his face. The +Sergeant-Major sprang to attention, received an order, and took a +stick at once and beat up the tired men. For a message had come to the +battery that some English (God punish them!) were making a road at X. + +The gun was fired. It was one of those unlucky shots that come on days +when our luck is out. The shell, a 5.9, lit in the midst of the British +working party. It did the Germans little good. It did not stop the +deluge of shells that was breaking up their guns and was driving +misery down like a wedge into their spirits. It did not improve the +temper of the officer commanding the battery, so that the men suffered +as acutely as ever under the Sergeant-Major. But it stopped the road +for that day. + +I seemed to see that road going on in a dream. + +Another working party came along next day, with clay pipes and got to +work; and next day and the day after. Shells came, but went short or +over; the shell holes were neatly patched up; the road went on. Here +and there a tree had to be cut, but not often, not many of them were +left; it was mostly digging and grubbing up roots, and pushing +wheelbarrows along planks and duck-boards, and filling up with stones. +Sometimes the engineers would come: that was when streams were +crossed. The engineers made their bridges, and the infantry working +party went on with the digging and laying down stones. It was +monotonous work. Contours altered, soil altered, even the rock beneath +it, but the desolation never; they always worked in desolation and +thunder. And so the road went on. + +They came to a wide river. They went through a great forest. They +passed the ruins of what must have been quite fine towns, big +prosperous towns with universities in them. I saw the infantry working +party with their stumpy clay pipes, in my dream, a long way on from +where that shell had lit, which stopped the road for a day. And behind +them curious changes came over the road at X. You saw the infantry +going up to the trenches, and going back along it into reserve. They +marched at first, but in a few days they were going up in motors, grey +busses with shuttered windows. And then the guns came along it, miles +and miles of guns, following after the thunder which was further off +over the hills. And then one day the cavalry came by. Then stores in +wagons, the thunder muttering further and further away. I saw +farm-carts going down the road at X. And then one day all manner of +horses and traps and laughing people, farmers and women and boys all +going by to X. There was going to be a fair. + +And far away the road was growing longer and longer amidst, as always, +desolation and thunder. And one day far away from X the road grew very +fine indeed. It was going proudly through a mighty city, sweeping in +like a river; you would not think that it ever remembered duck-boards. +There were great palaces there, with huge armorial eagles blazoned in +stone, and all along each side of the road was a row of statues of +kings. And going down the road towards the palace, past the statues of +the kings, a tired procession was riding, full of the flags of the +Allies. And I looked at the flags in my dream, out of national pride +to see whether we led, or whether France or America. America went +before us, but I could not see the Union Jack in the van nor the +Tricolour either, nor the Stars and Stripes: Belgium led and then +Serbia, they that had suffered most. + +And before the flags, and before the generals, I saw marching along on +foot the ghosts of the working party that were killed at X, gazing +about them in admiration as they went, at the great city and at the +palaces. And one man, wondering at the Sieges Allee, turned round to +the Lance Corporal in charge of the party: "That is a fine road that +we made, Frank," he said. + + + + +An Imperial Monument + + +It is an early summer's morning: the dew is all over France: the train +is going eastwards. They are quite slow, those troop trains, and there +are few embankments or cuttings in those flat plains, so that you seem +to be meandering along through the very life of the people. The roads +come right down to the railways, and the sun is shining brightly over +the farms and the people going to work along the roads, so that you +can see their faces clearly as the slow train passes them by. + +They are all women and boys that work on the farms; sometimes perhaps +you see a very old man, but nearly always women and boys; they are out +working early. They straighten up from their work as we go by and lift +their hands to bless us. + +We pass by long rows of the tall French poplars, their branches cut +away all up the trunk, leaving only an odd round tuft at the top of +the tree; but little branches are growing all up the trunk now, and +the poplars are looking unkempt. It would be the young men who would +cut the branches of the poplars. They would cut them for some useful +thrifty purpose that I do not know; and then they would cut them +because they were always cut that way, as long ago as the times of the +old men's tales about France; but chiefly, I expect, because youth +likes to climb difficult trees; that is why they are clipped so very +high. And the trunks are all unkempt now. + +We go on by many farms with their shapely red-roofed houses; they +stand there, having the air of the homes of an ancient people; they +would not be out of keeping with any romance that might come, or any +romance that has come in the long story of France, and the girls of +those red-roofed houses work all alone in the fields. + +We pass by many willows and come to a great marsh. In a punt on some +open water an old man is angling. We come to fields again, and then to +a deep wood. France smiles about us in the open sunlight. + +But towards evening we pass over the border of this pleasant country +into a tragical land of destruction and gloom. It is not only that +murder has walked here to and fro for years, until all the fields are +ominous with it, but the very fields themselves have been mutilated +until they are unlike fields, the woods have been shattered right down +to the anemones, and the houses have been piled in heaps of rubbish, +and the heaps of rubbish have been scattered by shells. We see no more +trees, no more houses, no more women, no cattle even now. We have come +to the abomination of desolation. And over it broods, and will +probably brood for ever, accursed by men and accursed by the very +fields, the hyena-like memory of the Kaiser, who has whitened so many +bones. + +It may be some satisfaction to his selfishness to know that the +monument to it cannot pass away, to know that the shell holes go too +deep to be washed away by the healing rains of years, to know that the +wasted German generations will not in centuries gather up what has +been spilt on the Somme, or France recover in the sunshine of many +summers from all the misery that his devilish folly has caused. It is +likely to be to such as him a source of satisfaction, for the truly +vain care only to be talked of in many mouths; they hysterically love +to be thought of, and the notice of mankind is to them a mirror which +reflects their futile postures. The admiration of fools they love, and +the praise of a slavelike people, but they would sooner be hated by +mankind than be ignored and forgotten as is their due. And the truly +selfish care only for their imperial selves. + +Let us leave him to pass in thought from ruin to ruin, from wasted +field to field, from crater to crater; let us leave his fancy haunting +cemeteries in the stricken lands of the world, to find what glee he +can in this huge manifestation of his imperial will. + +We neither know to what punishment he moves nor can even guess what +fitting one is decreed. But the time is surely appointed and the +place. Poor trifler with Destiny, who ever had so much to dread? + + + + +A Walk to the Trenches + + +To stand at the beginning of a road is always wonderful; for on all +roads before they end experience lies, sometimes adventure. And a +trench, even as a road, has its beginnings somewhere. In the heart of +a very strange country you find them suddenly. A trench may begin in +the ruins of a house, may run up out of a ditch; may be cut into a +rise of ground sheltered under a hill, and is built in many ways by +many men. As to who is the best builder of trenches there can be +little doubt, and any British soldier would probably admit that for +painstaking work and excellence of construction there are few to rival +Von Hindenburg. His Hindenburg line is a model of neatness and +comfort, and it would be only a very ungrateful British soldier who +would deny it. + +You come to the trenches out of strangely wasted lands, you come +perhaps to a wood in an agony of contortions, black, branchless, +sepulchral trees, and then no more trees at all. The country after +that is still called Picardy or Belgium, still has its old name on the +map as though it smiled there yet, sheltering cities and hamlet and +radiant with orchards and gardens, but the country named Belgium--or +whatever it be--is all gone away, and there stretches for miles +instead one of the world's great deserts, a thing to take its place no +longer with smiling lands, but with Sahara, Gobi, Kalahari, and the +Karoo; not to be thought of as Picardy, but more suitably to be named +the Desert of Wilhelm. Through these sad lands one goes to come to the +trenches. Overhead floats until it is chased away an aeroplane with +little black crosses, that you can scarcely see at his respectful +height, peering to see what more harm may be done in the desolation +and ruin. Little flashes sparkle near him, white puffs spread out +round the flashes: and he goes, and our airmen go away after him; +black puffs break out round our airmen. Up in the sky you hear a faint +tap-tapping. They have got their machine guns working. + +You see many things there that are unusual in deserts: a good road, a +railway, perhaps a motor bus; you see what was obviously once a +village, and hear English songs, but no one who has not seen it can +imagine the country in which the trenches lie, unless he bear a desert +clearly in mind, a desert that has moved from its place on the map by +some enchantment of wizardry, and come down on a smiling country. +Would it not be glorious to be a Kaiser and be able to do things like +that? + +Past all manner of men, past no trees, no hedges, no fields, but only +one field from skyline to skyline that has been harrowed by war, one +goes with companions that this event in our history has drawn from all +parts of the earth. On that road you may hear all in one walk where is +the best place to get lunch in the City; you may hear how they laid a +drag for some Irish pack, and what the Master said; you may hear a +farmer lamenting over the harm that rhinoceroses do to his coffee +crop; you may hear Shakespeare quoted and La vie Parisienne. + +In the village you see a lot of German orders, with their silly notes +of exclamation after them, written up on notice boards among the +ruins. Ruins and German orders. That turning movement of Von Kluck's +near Paris in 1914 was a mistake. Had he not done it we might have had +ruins and German orders everywhere. And yet Von Kluck may comfort +himself with the thought that it is not by his mistakes that Destiny +shapes the world: such a nightmare as a world-wide German domination +can have had no place amongst the scheme of things. + +Beyond the village the batteries are thick. A great howitzer near the +road lifts its huge muzzle slowly, fires and goes down again, and +lifts again and fires. It is as though Polyphemus had lifted his huge +shape slowly, leisurely, from the hillside where he was sitting, and +hurled the mountain top, and sat down again. If he is firing pretty +regularly you are sure to get the blast of one of them as you go by, +and it can be a very strong wind indeed. One's horse, if one is +riding, does not very much like it, but I have seen horses far more +frightened by a puddle on the road when coming home from hunting in +the evening: one 12-inch howitzer more or less in France calls for no +great attention from man or beast. + +And so we come in sight of the support trenches where we are to dwell +for a week before we go on for another mile over the hills, where the +black fountains are rising. + + + + +A Walk in Picardy + + +Picture any village you know. In such a village as that the trench +begins. That is to say, there are duck-boards along a ditch, and the +ditch runs into a trench. Only the village is no longer there. It was +like some village you know, though perhaps a little merrier, because +it was further south and nearer the sun; but it is all gone now. And +the trench runs out of the ruins, and is called Windmill Avenue. There +must have been a windmill standing there once. + +When you come from the ditch to the trench you leave the weeds and +soil and trunks of willows and see the bare chalk. At the top of those +two white walls is a foot or so of brown clay. The brown clay grows +deeper as you come to the hills, until the chalk has disappeared +altogether. Our alliance with France is new in the history of man, but +it is an old, old union in the history of the hills. White chalk with +brown clay on top has dipped and gone under the sea; and the hills of +Sussex and Kent are one with the hills of Picardy. + +And so you may pass through the chalk that lies in that desolate lane +with memories of more silent and happier hills; it all depends on what +the chalk means to you: you may be unfamiliar with it and in that case +you will not notice it; or you may have been born among those +thyme-scented hills and yet have no errant fancies, so that you will +not think of the hills that watched you as a child, but only keep your +mind on the business in hand; that is probably best. + +You come after a while to other trenches: notice boards guide you, and +you keep to Windmill Avenue. You go by Pear Lane, Cherry Lane, and +Plum Lane. Pear trees, cherry trees and plum trees must have grown +there. You are passing through either wild lanes banked with briar, +over which these various trees peered one by one and showered their +blossoms down at the end of spring, and girls would have gathered the +fruit when it ripened, with the help of tall young men; or else you +are passing through an old walled garden, and the pear and the cherry +and plum were growing against the wall, looking southwards all through +the summer. There is no way whatever of telling which it was; it is +all one in war; whatever was there is gone; there remain to-day, and +survive, the names of those three trees only. We come next to Apple +Lane. You must not think that an apple tree ever grew there, for we +trace here the hand of the wit, who by naming Plum Lane's neighbour +"Apple Lane" merely commemorates the inseparable connection that +plum has with apple forever in the minds of all who go to modern war. +For by mixing apple with plum the manufacturer sees the opportunity of +concealing more turnip in the jam, as it were, at the junction of the +two forces, than he might be able to do without this unholy alliance. + +We come presently to the dens of those who trouble us (but only for +our own good), the dugouts of the trench mortar batteries. It is noisy +when they push up close to the front line and play for half an hour or +so with their rivals: the enemy sends stuff back, our artillery join +in; it is as though, while you were playing a game of croquet, giants +hundreds of feet high, some of them friendly, some unfriendly, +carnivorous and hungry, came and played football on your croquet lawn. + +We go on past Battalion Headquarters, and past the dugouts and +shelters of various people having business with History, past stores +of bombs and the many other ingredients with which history is made, +past men coming down who are very hard to pass, for the width of two +men and two packs is the width of a communication trench and sometimes +an inch over; past two men carrying a flying pig slung on a pole +between them; by many turnings; and Windmill Avenue brings you at last +to Company Headquarters in a dugout that Hindenburg made with his +German thoroughness. + +And there, after a while, descends the Tok Emma man, the officer +commanding a trench mortar battery, and is given perchance a whiskey +and water, and sits on the best empty box that we have to offer, and +lights one of our cigarettes. + +"There's going to be a bit of a strafe at 5.30," he says. + + + + +What Happened on the Night of the Twenty-Seventh + + +The night of the twenty-seventh was Dick Cheeser's first night on +sentry. The night was far gone when he went on duty; in another hour +they would stand to. Dick Cheeser had camouflaged his age when he +enlisted: he was barely eighteen. A wonderfully short time ago he was +quite a little boy; now he was in a frontline trench. It hadn't seemed +that things were going to alter like that. Dick Cheeser was a plowboy: +long brown furrows over haughty, magnificent downs seemed to stretch +away into the future as far as his mind could see. No narrow outlook +either, for the life of nations depends upon those brown furrows. But +there are the bigger furrows that Mars makes, the long brown trenches +of war; the life of nations depends on these too; Dick Cheeser had +never pictured these. He had heard talk about a big navy and a lot of +Dreadnoughts; silly nonsense he called it. What did one want a big +navy for? To keep the Germans out, some people said. But the Germans +weren't coming. If they wanted to come, why didn't they come? Anybody +could see that they never did come. Some of Dick Cheeser's pals had +votes. + +And so he had never pictured any change from plowing the great downs; +and here was war at last, and here was he. The Corporal showed him +where to stand, told him to keep a good lookout and left him. + +And there was Dick Cheeser alone in the dark with an army in front of +him, eighty yards away: and, if all tales were true, a pretty horrible +army. + +The night was awfully still. I use the adverb not as Dick Cheeser +would have used it. The stillness awed him. There had not been a shell +all night. He put his head up over the parapet and waited. Nobody +fired at him. He felt that the night was waiting for him. He heard +voices going along the trench: some one said it was a black night: the +voices died away. A mere phrase; the night wasn't black at all, it was +grey. Dick Cheeser was staring at it, and the night was staring back +at him, and seemed to be threatening him; it was grey, grey as an old +cat that they used to have at home, and as artful. Yes, thought Dick +Cheeser, it was an artful night; that was what was wrong with it. If +shells had come or the Germans, or anything at all, you would know how +to take it; but that quiet mist over huge valleys, and stillness! +Anything might happen. Dick waited and waited, and the night waited +too. He felt they were watching each other, the night and he. He felt +that each was crouching. His mind slipped back to the woods on hills +he knew. He was watching with eyes and ears and imagination to see +what would happen in No Man's Land under that ominous mist: but his +mind took a peep for all that at the old woods that he knew. He +pictured himself, he and a band of boys, chasing squirrels again in +the summer. They used to chase a squirrel from tree to tree, throwing +stones, till they tired it: and then they might hit it with a stone: +usually not. Sometimes the squirrel would hide, and a boy would have +to climb after it. It was great sport, thought Dick Cheeser. What a +pity he hadn't had a catapult in those days, he thought. Somehow the +years when he had not had a catapult seemed all to be wasted years. +With a catapult one might get the squirrel almost at once, with luck: +and what a great thing that would be. All the other boys would come +round to look at the squirrel, and to look at the catapult, and ask +him how he did it. He wouldn't have to say much, there would be the +squirrel; no boasting would be necessary with the squirrel lying dead. +It might spread to other things, even rabbits; almost anything, in +fact. He would certainly get a catapult first thing when he got home. +A little wind blew in the night, too cold for summer. It blew away, as +it were, the summer of Dick's memories; blew away hills and woods and +squirrel. It made for a moment a lane in the mist over No Man's Land. +Dick Cheeser peered down it, but it closed again. "No," Night seemed +to say, "you don't guess my secret." And the awful hush intensified. +"What would they do?" thought the sentry. "What were they planning +in all those miles of silence?" Even the Verys were few. When one +went up, far hills seemed to sit and brood over the valley: their +black shapes seemed to know what would happen in the mist and seemed +sworn not to say. The rocket faded, and the hills went back into +mystery again, and Dick Cheeser peered level again over the ominous +valley. + +All the dangers and sinister shapes and evil destinies, lurking +between the armies in that mist, that the sentry faced that night +cannot be told until the history of the war is written by a historian +who can see the mind of the soldier. Not a shell fell all night, no +German stirred; Dick Cheeser was relieved at "Stand to" and his +comrades stood to beside him, and soon it was wide, golden, welcome +dawn. + +And for all the threats of night the thing that happened was one that +the lonely sentry had never foreseen: in the hour of his watching Dick +Cheeser, though scarcely eighteen, became a full-grown man. + + + + +Standing To + + +One cannot say that one time in the trenches is any more tense than +another. One cannot take any one particular hour and call it, in +modern nonsensical talk, "typical hour in the trenches." The routine +of the trenches has gone on too long for that. The tensest hour ought +to be half an hour before dawn, the hour when attacks are expected and +men stand to. It is an old convention of war that that is the +dangerous hour, the hour when defenders are weakest and attack most to +be feared. For darkness favours the attackers then as night favours +the lion, and then dawn comes and they can hold their gains in the +light. Therefore in every trench in every war the garrison is prepared +in that menacing hour, watching in greater numbers than they do the +whole night through. As the first lark lifts from meadows they stand +there in the dark. Whenever there is any war in any part of the world +you may be sure that at that hour men crowd to their parapets: when +sleep is deepest in cities they are watching there. + +When the dawn shimmers a little, and a grey light comes, and widens, +and all of a sudden figures become distinct, and the hour of the +attack that is always expected is gone, then perhaps some faint +feeling of gladness stirs the newest of the recruits; but chiefly the +hour passes like all the other hours there, an unnoticed fragment of +the long, long routine that is taken with resignation mingled with +jokes. + +Dawn comes shy with a wind scarce felt, dawn faint and strangely +perceptible, feeble and faint in the east while men still watch the +darkness. When did the darkness go? When did the dawn grow golden? It +happened as in a moment, a moment you did not see. Guns flash no +longer: the sky is gold and serene; dawn stands there like Victory +that will shine, on one of these years when the Kaiser goes the way of +the older curses of earth. Dawn, and the men unfix bayonets as they +step down from the fire-step and clean their rifles with +pull-throughs. Not all together, but section by section, for it would +not do for a whole company to be caught cleaning their rifles at dawn, +or at any other time. + +They rub off the mud or the rain that has come at night on their +rifles, they detach the magazine and see that its spring is working, +they take out the breechblock and oil it, and put back everything +clean: and another night is gone; it is one day nearer victory. + + + + +The Splendid Traveller + + +A traveller threw his cloak over his shoulder and came down slopes of +gold in El Dorado. From incredible heights he came. He came from where +the peaks of the pure gold mountain shone a little red with the +sunset; from crag to crag of gold he stepped down slowly. Sheer out of +romance he came through the golden evening. + +It was only an incident of every day; the sun had set or was setting, +the air turned chill, and a battalion's bugles were playing +"Retreat" when this knightly stranger, a British aeroplane, dipped, +and went homeward over the infantry. That beautiful evening call, and +the golden cloud bank towering, and that adventurer coming home in the +cold, happening all together, revealed in a flash the fact (which +hours of thinking sometimes will not bring) that we live in such a +period of romance as the troubadours would have envied. + +He came, that British airman, over the border, sheer over No Man's +Land and the heads of the enemy and the mysterious land behind, +snatching the secrets that the enemy would conceal. Either he had +defeated the German airmen who would have stopped his going, or they +had not dared to try. Who knows what he had done? He had been abroad +and was coming home in the evening, as he did every day. + +Even when all its romance has been sifted from an age (as the +centuries sift) and set apart from the trivial, and when all has been +stored by the poets; even then what has any of them more romantic than +these adventurers in the evening air, coming home in the twilight with +the black shells bursting below? + +The infantry look up with the same vague wonder with which children +look at dragon flies; sometimes they do not look at all, for all that +comes in France has its part with the wonder of a terrible story as +well as with the incidents of the day, incidents that recur year in +and year out, too often for us to notice them. If a part of the moon +were to fall off in the sky and come tumbling to earth, the comment on +the lips of the imperturbable British watchers that have seen so much +would be, "Hullo, what is Jerry up to now?" + +And so the British aeroplane glides home in the evening, and the light +fades from the air, and what is left of the poplars grows dark against +the sky, and what is left of the houses grows more mournful in the +gloaming, and night comes, and with it the sounds of thunder, for the +airman has given his message to the artillery. It is as though Hermes +had gone abroad sailing upon his sandals, and had found some bad land +below those winged feet wherein men did evil and kept not the laws of +gods or men; and he had brought this message back and the gods were +angry. + +For the wars we fight to-day are not like other wars, and the wonders +of them are unlike other wonders. If we do not see in them the saga +and epic, how shall we tell of them? + +England + +"And then we used to have sausages," said the Sergeant. + +"And mashed?" said the Private. + +"Yes," said the Sergeant, "and beer. And then we used to go home. +It was grand in the evenings. We used to go along a lane that was full +of them wild roses. And then we come to the road where the houses +were. They all had their bit of a garden, every house." + +"Nice, I calls it, a garden," the Private said. + +"Yes," said the Sergeant, "they all had their garden. It came right +down to the road. Wooden palings: none of that there wire." + +"I hates wire," said the Private. + +"They didn't have none of it," the N. C. O. went on. "The gardens +came right down to the road, looking lovely. Old Billy Weeks he had +them tall pale-blue flowers in his garden nearly as high as a man." + +"Hollyhocks?" said the Private. + +"No, they wasn't hollyhocks. Lovely they were. We used to stop and +look at them, going by every evening. He had a path up the middle of +his garden paved with red tiles, Billy Weeks had; and these tall blue +flowers growing the whole way along it, both sides like. They was a +wonder. Twenty gardens there must have been, counting them all; but +none to touch Billy Weeks with his pale-blue flowers. There was an old +windmill away to the left. Then there were the swifts sailing by +overhead and screeching: just about as high again as the houses. Lord, +how them birds did fly. And there was the other young fellows, what +were not out walking, standing about by the roadside, just doing +nothing at all. One of them had a flute: Jim Booker, he was. Those +were great days. The bats used to come out, flutter, flutter, flutter; +and then there'd be a star or two; and the smoke from the chimneys +going all grey; and a little cold wind going up and down like the +bats; and all the colour going out of things; and the woods looking +all strange, and a wonderful quiet in them, and a mist coming up from +the stream. It's a queer time that. It's always about that time, the +way I see it: the end of the evening in the long days, and a star or +two, and me and my girl going home. + +"Wouldn't you like to talk about things for a bit the way you +remember them?" + +"Oh, no, Sergeant," said the other, "you go on. You do bring it all +back so." + +"I used to bring her home," the Sergeant said, "to her father's +house. Her father was keeper there, and they had a house in the wood. +A fine house with queer old tiles on it, and a lot of large friendly +dogs. I knew them all by name, same as they knew me. I used to walk +home then along the side of the wood. The owls would be about; you +could hear them yelling. They'd float out of the wood like, sometimes: +all large and white." + +"I knows them," said the Private. + +"I saw a fox once so close I could nearly touch him, walking like he +was on velvet. He just slipped out of the wood." + +"Cunning old brute," said the Private. + +"That's the time to be out," said the Sergeant. "Ten o'clock on a +summer's night, and the night full of noises, not many of them, but +what there is, strange, and coming from a great way off, through the +quiet, with nothing to stop them. Dogs barking, owls hooting, an old +cart; and then just once a sound that you couldn't account for at all, +not anyhow. I've heard sounds on nights like that that nobody 'ud +think you'd heard, nothing like the flute that young Booker had, +nothing like anything on earth." + +"I know," said the Private. + +"I never told any one before, because they wouldn't believe you. But +it doesn't matter now. There'd be a light in the window to guide me +when I got home. I'd walk up through the flowers of our garden. We had +a lovely garden. Wonderful white and strange the flowers looked of a +nighttime." + +"You bring it all back wonderful," said the Private. + +"It's a great thing to have lived," said the Sergeant. + +"Yes, Sergeant," said the other, "I wouldn't have missed it, not +for anything." + +For five days the barrage had rained down behind them: they were +utterly cut off and had no hope of rescue: their food was done, and +they did not know where they were. + + + + +Shells + + +When the aeroplanes are home and the sunset has flared away, and it is +cold, and night comes down over France, you notice the guns more than +you do by day, or else they are actually more active then, I do not +know which it is. + +It is then as though a herd of giants, things of enormous height, came +out from lairs in the earth and began to play with the hills. It is as +though they picked up the tops of the hills in their hands and then +let them drop rather slowly. It is exactly like hills falling. You see +the flashes all along the sky, and then that lumping thump as though +the top of the hill had been let drop, not all in one piece, but +crumbled a little as it would drop from your hands if you were three +hundred feet high and were fooling about in the night, spoiling what +it had taken so long to make. That is heavy stuff bursting, a little +way off. + +If you are anywhere near a shell that is bursting, you can hear in it +a curious metallic ring. That applies to the shells of either side, +provided that you are near enough, though usually of course it is the +hostile shell and not your own that you are nearest to, and so one +distinguishes them. It is curious, after such a colossal event as this +explosion must be in the life of a bar of steel, that anything should +remain at all of the old bell-like voice of the metal, but it appears +to, if you listen attentively; it is perhaps its last remonstrance +before leaving its shape and going back to rust in the earth again for +ages. + +Another of the voices of the night is the whine the shell makes in +coming; it is not unlike the cry the hyena utters as soon as it's dark +in Africa: "How nice traveller would taste," the hyena seems to say, +and "I want dead White Man." It is the rising note of the shell as +it comes nearer, and its dying away when it has gone over, that make +it reminiscent of the hyena's method of diction. If it is not going +over then it has something quite different to say. It begins the same +as the other, it comes up, talking of the back areas with the same +long whine as the other. I have heard old hands say "That one is +going well over." "Whee-oo," says the shell; but just where the +"oo" should be long drawn out and turn into the hyena's final +syllable, it says something quite different. "Zarp," it says. That +is bad. Those are the shells that are looking for you. + +And then of course there is the whizz-bang coming from close, along +his flat trajectory: he has little to say, but comes like a sudden +wind, and all that he has to do is done and over at once. + +And then there is the gas shell, who goes over gurgling gluttonously, +probably in big herds, putting down a barrage. It is the liquid inside +that gurgles before it is turned to gas by the mild explosion; that is +the explanation of it; yet that does not prevent one picturing a tribe +of cannibals who have winded some nice juicy men and are smacking +their chops and dribbling in anticipation. + +And a wonderful thing to see, even in those wonderful nights, is our +thermite bursting over the heads of the Germans. The shell breaks into +a shower of golden rain; one cannot judge easily at night how high +from the ground it breaks, but about as high as the tops of trees seen +at a hundred yards. It spreads out evenly all round and rains down +slowly; it is a bad shower to be out in, and for a long time after it +has fallen, the sodden grass of winter, and the mud and old bones +beneath it, burn quietly in a circle. On such a night as this, and in +such showers, the flying pigs will go over, which take two men to +carry each of them; they go over and root right down to the German +dugout, where the German has come in out of the golden rain, and they +fling it all up in the air. + +These are such nights as Scheherazade with all her versatility never +dreamed of; or if such nightmares came she certainly never told of +them, or her august master, the Sultan, light of the age, would have +had her at once beheaded; and his people would have deemed that he did +well. It has been reserved for a modern autocrat to dream such a +nightmare, driven to it perhaps by the tales of a white-whiskered +Scheherazade, the Lord of the Kiel Canal; and being an autocrat he has +made the nightmare a reality for the world. But the nightmare is +stronger than its master, and grows mightier every night; and the +All-Highest War Lord learns that there are powers in Hell that are +easily summoned by the rulers of earth, but that go not easily home. + + + + +Two Degrees of Envy + + +It was night in the front line and no moon, or the moon was hidden. +There was a strafe going on. The Tok Emmas were angry. And the +artillery on both sides were looking for the Tok Emmas. + +Tok Emma, I may explain for the blessed dwellers in whatever far happy +island there be that has not heard of these things, is the crude +language of Mars. He has not time to speak of a trunk mortar battery, +for he is always in a hurry, and so he calls them T. M.'s. But Bellona +might not hear him saying T. M., for all the din that she makes: might +think that he said D. N; and so he calls it Tok Emma. Ak, Beer, C, +Don: this is the alphabet of Mars. + +And the huge minnies were throwing old limbs out of No Man's Land into +the frontline trench, and shells were rasping down through the air +that seemed to resist them until it was torn to pieces: they burst and +showers of mud came down from heaven. Aimlessly, as it seemed, shells +were bursting now and then in the air, with a flash intensely red: the +smell of them was drifting down the trenches. + +In the middle of all this Bert Butterworth was hit. "Only in the +foot," his pals said. "Only!" said Bert. They put him on a +stretcher and carried him down the trench. They passed Bill +Britterling, standing in the mud, an old friend of Bert's. Bert's +face, twisted with pain, looked up to Bill for some sympathy. + +"Lucky devil," said Bill. + +Across the way on the other side of No Man's Land there was mud the +same as on Bill's side: only the mud over there stank; it didn't seem +to have been kept clean somehow. And the parapet was sliding away in +places, for working parties had not had much of a chance. They had +three Tok Emmas working in that battalion front line, and the British +batteries did not quite know where they were, and there were eight of +them looking. + +Fritz Groedenschasser, standing in that unseemly mud, greatly yearned +for them to find soon what they were looking for. Eight batteries +searching for something they can't find, along a trench in which you +have to be, leaves the elephant hunter's most desperate tale a little +dull and insipid. Not that Fritz Groedenschasser knew anything about +elephant hunting: he hated all things sporting, and cordially approved +of the execution of Nurse Cavell. And there was thermite too. +Flammenwerfer was all very well, a good German weapon: it could burn a +man alive at twenty yards. But this accursed flaming English thermite +could catch you at four miles. It wasn't fair. + +The three German trench mortars were all still firing. When would the +English batteries find what they were looking for, and this awful +thing stop? The night was cold and smelly. + +Fritz shifted his feet in the foul mud, but no warmth came to him that +way. + +A gust of shells was coming along the trench. Still they had not found +the minnewerfer! Fritz moved from his place altogether to see if he +could find some place where the parapet was not broken. And as he +moved along the sewerlike trench he came on a wooden cross that marked +the grave of a man he once had known, now buried some days in the +parapet, old Ritz Handelscheiner. + +"Lucky devil," said Fritz. + + + + +The Master of No Man's Land + + +When the last dynasty has fallen and the last empire passed away, when +man himself has gone, there will probably still remain the swede. [The +rutabaga or Swedish turnip.] + +There grew a swede in No Man's Land by Croisille near the Somme, and +it had grown there for a long while free from man. + +It grew as you never saw a swede grow before. It grew tall and strong +and weedy. It lifted its green head and gazed round over No Man's +Land. Yes, man was gone, and it was the day of the swede. + +The storms were tremendous. Sometimes pieces of iron sang through its +leaves. But man was gone and it was the day of the swede. + +A man used to come there once, a great French farmer, an oppressor of +swedes. Legends were told of him and his herd of cattle, dark +traditions that passed down vegetable generations. It was somehow +known in those fields that the man ate swedes. + +And now his house was gone and he would come no more. + +The storms were terrible, but they were better than man. The swede +nodded to his companions: the years of freedom had come. + +They had always known among them that these years would come. Man had +not been there always, but there had always been swedes. He would go +some day, suddenly, as he came. That was the faith of the swedes. And +when the trees went the swede believed that the day was come. When +hundreds of little weeds arrived that were never allowed before, and +grew unchecked, he knew it. + +After that he grew without any care, in sunlight, moonlight and rain; +grew abundantly and luxuriantly in the freedom, and increased in +arrogance till he felt himself greater than man. And indeed in those +leaden storms that sang often over his foliage all living things +seemed equal. + +There was little that the Germans left when they retreated from the +Somme that was higher than this swede. He grew the tallest thing for +miles and miles. He dominated the waste. Two cats slunk by him from a +shattered farm: he towered above them contemptuously. + +A partridge ran by him once, far, far below his lofty leaves. The +night winds mourning in No Man's Land seemed to sing for him alone. + +It was surely the hour of the swede. For him, it seemed, was No Man's +Land. And there I met him one night by the light of a German rocket +and brought him back to our company to cook. + + + + +Weeds and Wire + + +Things had been happening. Divisions were moving. There had been, +there was going to be, a stunt. A battalion marched over the hill and +sat down by the road. They had left the trenches three days march to +the north and had come to a new country. The officers pulled their +maps out; a mild breeze fluttered them; yesterday had been winter and +to-day was spring; but spring in a desolation so complete and +far-reaching that you only knew of it by that little wind. It was +early March by the calendar, but the wind was blowing out of the gates +of April. A platoon commander, feeling that mild wind blowing, forgot +his map and began to whistle a tune that suddenly came to him out of +the past with the wind. Out of the past it blew and out of the South, +a merry vernal tune of a Southern people. Perhaps only one of those +that noticed the tune had ever heard it before. An officer sitting +near had heard it sung; it reminded him of a holiday long ago in the +South. + +"Where did you hear that tune?" he asked the platoon commander. + +"Oh, the hell of a long way from here," the platoon commander said. + +He did not remember quite where it was he had heard it, but he +remembered a sunny day in France and a hill all dark with pine woods, +and a man coming down at evening out of the woods, and down the slope +to the village, singing this song. Between the village and the slope +there were orchards in blossom. So that he came with his song for +hundreds of yards through orchards. "The hell of a way from here," +he said. + +For a long while then they sat silent. + +"It mightn't have been so very far from here," said the platoon +commander. "It was in France, now I come to think of it. But it was a +lovely part of France, all woods and orchards. Nothing like this, +thank God." And he glanced with a tired look at the unutterable +desolation. + +"Where was it?" said the other. + +"In Picardy," he said. + +"Aren't we in Picardy now?" said his friend. + +"Are we?" he said. + +"I don't know. The maps don't call it Picardy." + +"It was a fine place, anyway," the platoon commander said. "There +seemed always to be a wonderful light on the hills. A kind of short +grass grew on them, and it shone in the sun at evening. There were +black woods above them. A man used to come out of them singing at +evening." + +He looked wearily round at the brown desolation of weeds. As far as +the two officers could see there was nothing but brown weeds and bits +of brown barbed wire. He turned from the desolate scene back to his +reminiscences. + +"He came singing through the orchards into the village," he said. +"A quaint old place with queer gables, called Ville-en-Bois." + +"Do you know where we are?" said the other. + +"No, said the platoon commander." + +"I thought not," he said. "Hadn't you better take a look at the +map?" + +"I suppose so," said the platoon commander, and he smoothed out his +map and wearily got to the business of finding out where he was. + +"Good Lord!" he said. "Ville-en-Bois!" + + + + +Spring in England and Flanders + + +Very soon the earliest primroses will be coming out in woods wherever +they have been sheltered from the north. They will grow bolder as the +days go by, and spread and come all down the slopes of sunny hills. +Then the anemones will come, like a shy pale people, one of the tribes +of the elves, who dare not leave the innermost deeps of the wood: in +those days all the trees will be in leaf, the bluebells will follow, +and certain fortunate woods will shelter such myriads of them that the +bright fresh green of the beech trees will flash between two blues, +the blue of the sky and the deeper blue of the bluebells. Later the +violets come, and such a time as this is the perfect time to see +England: when the cuckoo is heard and he surprises his hearers; when +evenings are lengthening out and the bat is abroad again; and all the +flowers are out and all the birds sing. At such a time not only Nature +smiles but our quiet villages and grave old spires wake up from winter +in the mellow air and wear their centuries lightly. At such a time you +might come just at evening on one of those old villages in a valley +and find it in the mood to tell you the secret of the ages that it hid +and treasured there before the Normans came. Who knows? For they are +very old, very wise, very friendly; they might speak to you one warm +evening. If you went to them after great suffering they might speak to +you; after nights and nights of shelling over in France, they might +speak to you and you might hear them clearly. + +It would be a long, long story that they would tell, all about the +ages; and it would vary wonderfully little, much less perhaps than we +think; and the repetitions rambling on and on in the evening, as the +old belfry spoke and the cottages gathered below it, might sound so +soothing after the boom of shells that perhaps you would nearly sleep. +And then with one's memory tired out by the war one might never +remember the long story they told, when the belfry and the +brown-roofed houses all murmured at evening, might never remember even +that they had spoken all through that warm spring and evening. We may +have heard them speak and forgotten that they have spoken. Who knows? +We are at war, and see so many strange things: some we must forget, +some we must remember; and we cannot choose which. + +To turn from Kent to Flanders is to turn to a time of mourning through +all seasons alike. Spring there brings out no leaf on myriad oaks, nor +the haze of green that floats like a halo above the heads of the birch +trees, that stand with their fairylike trunks haunting the deeps of +the woods. For miles and miles and miles summer ripens no crops, leads +out no maidens laughing in the moonlight, and brings no harvest home. +When Autumn looks on orchards in all that region of mourning he looks +upon barren trees that will never blossom again. Winter drives in no +sturdy farmers at evening to sit before cheery fires, families meet +not at Christmas, and the bells are dumb in belfries; for all by which +a man might remember his home has been utterly swept away: has been +swept away to make a maniacal dancing ground on which a murderous +people dance to their death led by a shallow, clever, callous, +imperial clown. + +There they dance to their doom till their feet shall find the +precipice that was prepared for them on the day that they planned the +evil things they have done. + + + + +The Nightmare Countries + + +There are certain lands in the darker dreams of poetry that stand out +in the memory of generations. There is for instance Poe's "Dark tarn +of Auber, the ghoul-haunted region of Weir"; there are some queer +twists in the river Alph as imagined by Coleridge; two lines of +Swinburne: + + By the tideless dolorous inland sea + In a land of sand and ruin and gold + +are as haunting as any. There are in literature certain regions of +gloom, so splendid that whenever you come on them they leave in the +mind a sort of nightmare country which one's thoughts revisit on +hearing the lines quoted. + +It is pleasant to picture such countries sometimes when sitting before +the fire. It is pleasant because you can banish them by the closing of +a book; a puff of smoke from a pipe will hide them altogether, and +back come the pleasant, wholesome, familiar things. But in France they +are there always. In France the nightmare countries stand all night in +the starlight; dawn comes and they still are there. The dead are +buried out of sight and others take their places among men; but the +lost lands lie unburied gazing up at the winds; and the lost woods +stand like skeletons all grotesque in the solitude; the very seasons +have fled from them. The very seasons have fled; so that if you look +up to see whether summer has turned to autumn, or if autumn has turned +to winter yet, nothing remains to show you. It is like the eccentric +dream of some strange man, very arresting and mysterious, but lacking +certain things that should be there before you can recognize it as +earthly. It is a mad, mad landscape. There are miles and miles and +miles of it. It is the biggest thing man has done. It looks as though +man in his pride, with all his clever inventions, had made for himself +a sorry attempt at creation. + +Indeed when we trace it all back to its origin we find at the +beginning of this unhappy story a man who was only an emperor and +wished to be something more. He would have ruled the world but has +only meddled with it; and his folly has brought misery to millions, +and there lies his broken dream on the broken earth. He will never +take Paris now. He will never be crowned at Versailles as Emperor of +Europe; and after that, most secret dream of all, did not the Caesars +proclaim themselves divine? Was it not whispered among Macedonian +courtiers that Alexander was the child of God? And was the +Hohenzollern less than these? + +What might not force accomplish? All gone now, that dream and the +Hohenzollern line broken. A maniacal dream and broken farms all mixed +up together: they make a pretty nightmare and the clouds still gleam +at night with the flashes of shells, and the sky is still troubled by +day with uncouth balloons and the black bursts of the German shells +and the white of our anti-aircraft. + +And below there lies this wonderful waste land where no girls sing, +and where no birds come but starlings; where no hedgerows stand, and +no lanes with wild roses, and where no pathways run through fields of +wheat, and there are no fields at all and no farms and no farmers; and +two haystacks stand on a hill I know, undestroyed in the desolation, +and nobody touches them for they know the Germans too well; and the +tops have been blown off hills down to the chalk. And men say of this +place that it is Pozieres and of that place that it is Ginchy; nothing +remains to show that hamlets stood there at all, and a brown, brown +weed grows over it all for ever; and a mighty spirit has arisen in +man, and no one bows to the War Lord though many die. And Liberty is +she who sang her songs of old, and is fair as she ever was, when men +see her in visions, at night in No Man's Land when they have the +strength to crawl in: still she walks of a night in Pozieres and in +Ginchy. + +A fanciful man once called himself the Emperor of the Sahara: the +German Kaiser has stolen into a fair land and holds with weakening +hands a land of craters and weed, and wire and wild cabbages and old +German bones. + + + + +Spring and the Kaiser + + +While all the world is waiting for Spring there lie great spaces in +one of the pleasantest lands to which Spring cannot come. + +Pear trees and cherry and orchards flash over other lands, blossoming +as abundantly as though their wonder were new, with a beauty as fresh +and surprising as though nothing like it before had ever adorned +countless centuries. Now with the larch and soon with the beech trees +and hazel, a bright green blazes forth to illumine the year. The +slopes are covered with violets. Those who have gardens are beginning +to be proud of them and to point them out to their neighbours. Almond +and peach in blossom peep over old brick walls. The land dreams of +summer all in the youth of the year. + +But better than all this the Germans have found war. The simple +content of a people at peace in pleasant countries counted for nothing +with them. Their Kaiser prepared for war, made speeches about war, +and, when he was ready, made war. And now the hills that should be +covered with violets are full of murderous holes, and the holes are +half full of empty meat tins, and the garden walls have gone and the +gardens with them, and there are no woods left to shelter anemones. +Boundless masses of brown barbed wire straggle over the landscape. All +the orchards there are cut down out of ruthless spite to hurt France +whom they cannot conquer. All the little trees that grow near gardens +are gone, aspen, laburnum and lilac. It is like this for hundreds of +miles. Hundreds of ruined towns gaze at it with vacant windows and see +a land from which even Spring is banished. And not a ruined house in +all the hundred towns but mourns for some one, man, woman or child; +for the Germans make war equally on all in the land where Spring comes +no more. + +Some day Spring will come back; some day she will shine all April in +Picardy again, for Nature is never driven utterly forth, but comes +back with her seasons to cover up even the vilest things. + +She shall hide the raw earth of the shell holes till the violets come +again; she shall bring back even the orchards for Spring to walk in +once more; the woods will grow tall again above the southern anemones; +and the great abandoned guns of the Germans will rust by the rivers of +France. Forgotten like them, the memory of the War Lord will pass with +his evil deeds. + + + + +Two Songs + + +Over slopes of English hills looking south in the time of violets, +evening was falling. + +Shadows at edges of woods moved, and then merged in the gloaming. + +The bat, like a shadow himself, finding that spring was come, slipped +from the dark of the wood as far as a clump of beech trees and +fluttered back again on his wonderful quiet wings. + +Pairing pigeons were home. + +Very young rabbits stole out to gaze at the calm still world. They +came out as the stars come. At one time they were not there, and then +you saw them, but you did not see them come. + +Towering clouds to the west built palaces, cities and mountains; +bastions of rose and precipices of gold; giants went home over them +draped in mauve by steep rose-pink ravines into emerald-green empires. +Turbulences of colour broke out above the departed sun; giants merged +into mountains, and cities became seas, and new processions of other +fantastic things sailed by. But the chalk slopes facing south smiled +on with the same calm light, as though every blade of grass gathered a +ray from the gloaming. All the hills faced the evening with that same +quiet glow, which faded softly as the air grew colder; and the first +star appeared. + +Voices came up in the hush, clear from the valley, and ceased. A light +was lit, like a spark, in a distant window: more stars appeared and +the woods were all dark now, and shapes even on the hill slopes began +to grow indistinct. + +Home by a laneway in the dim, still evening a girl was going, singing +the Marseillaise. + +In France where the downs in the north roll away without hedges, as +though they were great free giants that man had never confined, as +though they were stretching their vast free limbs in the evening, the +same light was smiling and glimmering softly away. + +A road wound over the downs and away round one of their shoulders. A +hush lay over them as though the giants slept, or as though they +guarded in silence their ancient, wonderful history. + +The stillness deepened and the dimness of twilight; and just before +colours fade, while shapes can still be distinguished, there came by +the road a farmer leading his Norman horse. High over the horse's +withers his collar pointed with brass made him fantastic and huge and +strange to see in the evening. + +They moved together through that mellow light towards where unseen +among the clustered downs the old French farmer's house was sheltered +away. + +He was going home at evening humming "God Save the King." + + + + +The Punishment + + +An exhalation arose, drawn up by the moon, from an old battlefield +after the passing of years. It came out of very old craters and +gathered from trenches, smoked up from No Man's Land, and the ruins of +farms; it rose from the rottenness of dead brigades, and lay for half +the night over two armies; but at midnight the moon drew it up all +into one phantom and it rose and trailed away eastwards. + +It passed over men in grey that were weary of war; it passed over a +land once prosperous, happy and mighty, in which were a people that +were gradually starving; it passed by ancient belfries in which there +were no bells now; it passed over fear and misery and weeping, and so +came to the palace at Potsdam. It was the dead of the night between +midnight and dawn, and the palace was very still that the Emperor +might sleep, and sentries guarded it who made no noise and relieved +others in silence. Yet it was not so easy to sleep. Picture to +yourself a murderer who had killed a man. Would you sleep? Picture +yourself the man that planned this war! Yes, you sleep, but nightmares +come. + +The phantom entered the chamber. "Come," it said. + +The Kaiser leaped up at once as obediently as when he came to +attention on parade, years ago, as a subaltern in the Prussian Guard, +a man whom no woman or child as yet had ever cursed; he leaped up and +followed. They passed the silent sentries; none challenged and none +saluted; they were moving swiftly over the town as the felon Gothas +go; they came to a cottage in the country. They drifted over a little +garden gate, and there in a neat little garden the phantom halted like +a wind that has suddenly ceased. "Look," it said. + +Should he look? Yet he must look. The Kaiser looked; and saw a window +shining and a neat room in the cottage: there was nothing dreadful +there; thank the good German God for that; it was all right, after +all. The Kaiser had had a fright, but it was all right; there was only +a woman with a baby sitting before the fire, and two small children +and a man. And it was quite a jolly room. And the man was a young +soldier; and, why, he was a Prussian Guardsman,--there was his +helmet hanging on the wall,--so everything was all right. They were +jolly German children; that was well. How nice and homely the room +was. There shone before him, and showed far off in the night, the +visible reward of German thrift and industry. It was all so tidy and +neat, and yet they were quite poor people. The man had done his work +for the Fatherland, and yet beyond all that had been able to afford +all those little knickknacks that make a home so pleasant and that in +their humble little way were luxury. And while the Kaiser looked the +two young children laughed as they played on the floor, not seeing +that face at the window. + +Why! Look at the helmet. That was lucky. A bullet hole right through +the front of it. That must have gone very close to the man's head. How +ever did it get through? It must have glanced upwards as bullets +sometimes do. The hole was quite low in the helmet. It would be +dreadful to have bullets coming by close like that. The firelight +flickered, and the lamp shone on, and the children played on the +floor, and the man was smoking out of a china pipe; he was strong and +able and young, one of the wealth-winners of Germany. + +"Have you seen?" said the phantom. + +"Yes," said the Kaiser. It was well, he thought, that a Kaiser +should see how his people lived. + +At once the fire went out and the lamp faded away, the room fell +sombrely into neglect and squalor, and the soldier and the children +faded away with the room; all disappeared phantasmally, and nothing +remained but the helmet in a kind of glow on the wall, and the woman +sitting all by herself in the darkness. + +"It has all gone," said the Kaiser. + +"It has never been," said the phantom. + +The Kaiser looked again. Yes, there was nothing there, it was just a +vision. There were the grey walls all damp and uncared for, and that +helmet standing out solid and round, like the only real thing among +fancies. No, it had never been. It was just a vision. + +"It might have been," said the phantom. + +Might have been? How might it have been? + +"Come," said the phantom. + +They drifted away down a little lane that in summer would have had +roses, and came to an Uhlan's house; in times of peace a small farmer. +Farm buildings in good repair showed even in the night, and the black +shapes of haystacks; again a well-kept garden lay by the house. The +phantom and the Kaiser stood in the garden; before them a window +glowed in a lamplit room. + +"Look," said the phantom. + +The Kaiser looked again and saw a young couple; the woman played with +a baby, and all was prosperous in the merry room. Again the hard-won +wealth of Germany shone out for all to see, the cosy comfortable +furniture spoke of acres well cared for, spoke of victory in the +struggle with the seasons on which wealth of nations depends. + +"It might have been," said the phantom. Again the fire died out and +the merry scene faded away, leaving a melancholy, ill-kept room, with +poverty and mourning haunting dusty corners and the woman sitting +alone. + +"Why do you show me this?" said the Kaiser. "Why do you show me +these visions?" + +"Come," said the phantom. + +"What is it?" said the Kaiser. "Where are you bringing me?" + +"Come," said the phantom. + +They went from window to window, from land to land. You had seen, had +you been out that night in Germany, and able to see visions, an +imperious figure passing from place to place, looking on many scenes. +He looked on them, and families withered away, and happy scenes faded, +and the phantom said to him "Come." He expostulated but obeyed; and +so they went from window to window of hundreds of farms in Prussia, +till they came to the Prussian border and went on into Saxony; and +always you would have heard, could you hear spirits speak, "It might +have been," "It might have been," repeated from window to window. + +They went down through Saxony, heading for Austria. And for long the +Kaiser kept that callous, imperious look. But at last he, even he, at +last he nearly wept. And the phantom turned then and swept him back +over Saxony, and into Prussia again and over the sentries' heads, back +to his comfortable bed where it was so hard to sleep. + +And though they had seen thousands of merry homes, homes that can +never be merry now, shrines of perpetual mourning; though they had +seen thousands of smiling German children, who will never be born now, +but were only the visions of hopes blasted by him; for all the leagues +over which he had been so ruthlessly hurried, dawn was yet barely +breaking. + +He had looked on the first few thousand homes of which he had robbed +all time, and which he must see with his eyes before he may go hence. +The first night of the Kaiser's punishment was accomplished. + + + + +The English Spirit + + +By the end of the South African war Sergeant Cane had got one thing +very well fixed in his mind, and that was that war was an overrated +amusement. He said he "was fed up with it," partly because that +misused metaphor was then new, partly because every one was saying it: +he felt it right down in his bones, and he had a long memory. So when +wonderful rumours came to the East Anglian village where he lived, on +August 1, 1914, Sergeant Cane said: "That means war," and decided +then and there to have nothing to do with it: it was somebody else's +turn; he felt he had done enough. Then came August 4th, and England +true to her destiny, and then Lord Kitchener's appeal for men. +Sergeant Cane had a family to look after and a nice little house: he +had left the army ten years. + +In the next week all the men went who had been in the army before, all +that were young enough, and a good sprinkling of the young men too who +had never been in the army. Men asked Cane if he was going, and he +said straight out "No." + +By the middle of August Cane was affecting the situation. He was a +little rallying point for men who did not want to go. "He knows what +it's like," they said. + +In the smoking room of the Big House sat the Squire and his son, Arthur +Smith; and Sir Munion Boomer-Platt, the Member for the division. The +Squire's son had been in the last war as a boy, and like Sergeant Cane +had left the army since. All the morning he had been cursing an +imaginary general, seated in the War Office at an imaginary desk with +Smith's own letter before him, in full view but unopened. Why on earth +didn't he answer it, Smith thought. But he was calmer now, and the +Squire and Sir Munion were talking of Sergeant Cane. + +"Leave him to me," said Sir Munion. + +"Very well," said the Squire. So Sir Munion Boomer-Platt went off +and called on Sergeant Cane. + +Mrs Cane knew what he had come for. + +"Don't let him talk you over, Bill," she said. + +"Not he," said Sergeant Cane. + +Sir Munion came on Sergeant Cane in his garden. + +"A fine day," said Sir Munion. And from that he went on to the war. +"If you enlist," he said, "they will make you a sergeant again at +once. You will get a sergeant's pay, and your wife will get the new +separation allowance." + +"Sooner have Cane," said Mrs Cane. + +"Yes, yes, of course," said Sir Munion. "But then there is the +medal, probably two or three medals, and the glory of it, and it is +such a splendid life." + +Sir Munion did warm to a thing whenever he began to hear his own +words. He painted war as it has always been painted, one of the most +beautiful things you could imagine. And then it mustn't be supposed +that it was like those wars that there used to be, a long way off. +There would be houses where you would be billeted, and good food, and +shady trees and villages wherever you went. And it was such an +opportunity of seeing the Continent ("the Continent as it really +is," Sir Munion called it) as would never come again, and he only +wished he were younger. Sir Munion really did wish it, as he spoke, +for his own words stirred him profoundly; but somehow or other they +did not stir Sergeant Cane. No, he had done his share, and he had a +family to look after. + +Sir Munion could not understand him: he went back to the Big House and +said so. He had told him all the advantages he could think of that +were there to be had for the asking, and Sergeant Cane merely +neglected them. + +"Let me have a try," said Arthur Smith. "He soldiered with me +before." + +Sir Munion shrugged his shoulders. He had all the advantages at his +fingers' ends, from pay to billeting: there was nothing more to be +said. Nevertheless young Smith went. + +"Hullo, Sergeant Cane," said Smith. + +"Hello, sir," said the sergeant. + +"Do you remember that night at Reit River?" + +"Don't I, sir," said Cane. + +"One blanket each and no ground sheet?" + +"I remember, sir," said Cane. + +"Didn't it rain," said Smith. + +"It rained that night, proper." + +"Drowned a few of the lice, I suppose." + +"Not many," said Cane. + +"No, not many," Smith reflected. "The Boers had the range all right +that time." + +"Gave it us proper," said Cane. + +"We were hungry that night," said Smith. "I could have eaten +biltong." + +"I did eat some of it," said Cane. "Not bad stuff, what there was +of it, only not enough." + +"I don't think," said Smith, "that I've ever slept on the bare +earth since." + +"No, sir?" said Cane. "It's hard. You get used to it. But it will +always be hard." + +"Yes, it will always be hard," said Smith. "Do you remember the +time we were thirsty?" + +"Oh, yes, sir," said Cane, "I remember that. One doesn't forget +that." + +"No. I still dream of it sometimes," said Smith. "It makes a nasty +dream. I wake with my mouth all dry too, when I dream that." + +"Yes," said Cane, "one doesn't forget being thirsty." + +"Well," said Smith, "I suppose we're for it all over again?" + +"I suppose so, sir," said Cane. + +An Investigation Into the Causes and Origin of the War + +The German imperial barber has been called up. He must have been +called up quite early in the war. I have seen photographs in papers +that leave no doubt of that. Who he is I do not know: I once read his +name in an article but have forgotten it; few even know if he still +lives. And yet what harm he has done! What vast evils he has +unwittingly originated! Many years ago he invented a frivolity, a jeu +d'esprit easily forgivable to an artist in the heyday of his youth, to +whom his art was new and even perhaps wonderful. A craft, of course, +rather than an art, and a humble craft at that; but then, the man was +young, and what will not seem wonderful to youth? + +He must have taken the craft very seriously, but as youth takes things +seriously, fantastically and with laughter. He must have determined to +outshine rivals: he must have gone away and thought, burning candles +late perhaps, when all the palace was still. But how can youth think +seriously? And there had come to him this absurd, this fantastical +conceit. What else would have come? The more seriously he took the +tonsorial art, the more he studied its tricks and phrases and heard +old barbers lecture, the more sure were the imps of youth to prompt +him to laughter and urge him to something outrageous and ridiculous. +The background of the dull pomp of Potsdam must have made all this +more certain. It was bound to come. + +And so one day, or, as I have suggested, suddenly late one night, +there came to the young artist bending over tonsorial books that +quaint, mad, odd, preposterous inspiration. Ah, what pleasure there is +in the madness of youth; it is not like the madness of age, clinging +to outworn formulae; it is the madness of breaking away, of galloping +among precipices, of dallying with the impossible, of courting the +absurd. And this inspiration, it was in none of the books; the +lecturer barbers had not lectured on it, could not dream of it and did +not dare to; there was no tradition for it, no precedent; it was mad; +and to introduce it into the pomp of Potsdam, that was the daring of +madness. And this preposterous inspiration of the absurd young +barber-madman was nothing less than a moustache that without any curve +at all, or any suggestion of sanity, should go suddenly up at the ends +very nearly as high as the eyes! + +He must have told his young fellow craftsmen first, for youth goes +first to youth with its hallucinations. And they, what could they have +said? You cannot say of madness that it is mad, you cannot call +absurdity absurd. To have criticized would have revealed jealousy; and +as for praise you could not praise a thing like that. They probably +shrugged, made gestures; and perhaps one friend warned him. But you +cannot warn a man against a madness; if the madness is in possession +it will not be warned away: why should it? And then perhaps he went to +the old barbers of the Court. You can picture their anger. Age does +not learn from youth in any case. But there was the insult to their +ancient craft, bad enough if only imagined, but here openly spoken of. +And what would come of it? They must have feared, on the one hand, +dishonour to their craft if this young barber were treated as his +levity deserved; and, on the other hand, could they have feared his +success? I think they could not have guessed it. + +And then the young idiot with his preposterous inspiration must have +looked about to see where he could practise his new absurdity. It +should have been enough to have talked about it among his fellow +barbers; they would have gone with new zest to their work next day for +this delirious interlude, and no harm would have been done. "Fritz," +(or Hans) they would have said, "was a bit on last night, a bit full +up," or whatever phrase they use to touch on drunkenness; and the +thing would have been forgotten. We all have our fancies. But this +young fool wanted to get his fancy mixed up with practice: that's +where he was mad. And in Potsdam, of all places. + +He probably tried his friends first, young barbers at the Court and +others of his own standing. None of them were fools enough to be seen +going about like that. They had jobs to lose. A Court barber is one +thing, a man who cuts ordinary hair is quite another. Why should they +become outcasts because their friend chose to be mad? + +He probably tried his inferiors then, but they would have been timid +folk; they must have seen the thing was absurd, and of course daren't +risk it. Again, why should they? + +Did he try to get some noble then to patronize his invention? Probably +the first refusals he had soon inflamed his madness more, and he threw +caution insanely to the winds, and went straight to the Emperor. + +It was probably about the time that the Emperor dismissed Bismarck; +certainly the drawings of that time show him still with a sane +moustache. + +The young barber probably chanced on him in this period, finding him +bereft of an adviser, and ready to be swayed by whatever whim should +come. Perhaps he was attracted by the barber's hardihood, perhaps the +absurdity of his inspiration had some fascination for him, perhaps he +merely saw that the thing was new and, feeling jaded, let the barber +have his way. And so the frivolity became a fact, the absurdity became +visible, and honour and riches came the way of the barber. + +A small thing, you might say, however fantastical. And yet I believe +the absurdity of that barber to be among the great evils that have +brought death nearer to man; whimsical and farcical as it was, yet a +thing deadlier than Helen's beauty or Tamerlane's love of skulls. For +just as character is outwardly shown so outward things react upon the +character; and who, with that daring barber's ludicrous fancy visible +always on his face, could quite go the sober way of beneficent +monarchs? The fantasy must be mitigated here, set off there; had you +such a figure to dress, say for amateur theatricals, you would realize +the difficulty. The heavy silver eagle to balance it; the glittering +cuirass lower down, preventing the eye from dwelling too long on the +barber's absurdity. And then the pose to go with the cuirass and to +carry off the wild conceit of that mad, mad barber. He has much to +answer for, that eccentric man whose name so few remember. For pose +led to actions; and just when Europe most needed a man of wise +counsels, restraining the passions of great empires, just then she had +ruling over Germany and, unhappily, dominating Austria, a man who +every year grew more akin to the folly of that silly barber's youthful +inspiration. + +Let us forgive the barber. For long I have known from pictures that I +have seen of the Kaiser that he has gone to the trenches. Probably he +is dead. Let us forgive the barber. But let us bear in mind that the +futile fancies of youth may be deadly things, and that one of them +falling on a fickle mind may so stir its shallows as to urge it to +disturb and set in motion the avalanches of illimitable grief. + +Lost + +Describing a visit, say the papers of March 28th, which the Kaiser +paid incognito to Cologne Cathedral on March 18th before the great +battle, the Cologne correspondent of the Tyd says: + +There were only a few persons in the building. Under high arches +and in spacious solitude the Kaiser sat, as if in deep thought, +before the priests' choir. Behind him his military staff stood +respectfully at a distance. Still musing as he rose, the monarch +resting both hands on his walking-stick remains standing immovable +for some minutes... I shall never forget this picture of the musing +monarch praying in Cologne Cathedral on the eve of the great +battle. + +Probably he won't forget it. The German casualty lists will help to +remind him. But what is more to the point is that this expert +propagandist has presumably received orders that we are not to forget +it, and that the sinister originator of the then impending holocaust +should be toned down a little in the eyes at least of the Tyd to +something a little more amiable. + +And no doubt the little piece of propaganda gave every satisfaction to +those who ordered it, or they would not have passed it out to the Tyd, +and the touching little scene would never have reached our eyes. At +the same time the little tale would have been better suited to the +psychology of other countries if he had made the War Lord kneel when +he prayed in Cologne Cathedral, and if he had represented the Military +Staff as standing out of respect to One who, outside Germany, is held +in greater respect than the All Highest. + +And had the War Lord really knelt is it not possible that he might +have found pity, humility, or even contrition? Things easily +overlooked in so large a cathedral when sitting erect, as a War Lord, +before the priests' choir, but to be noticed perhaps with one's eyes +turned to the ground. + +Perhaps he nearly found one of those things. Perhaps he felt (who +knows?) just for a moment, that in the dimness of those enormous +aisles was something he had lost a long, long while ago. + +One is not mistaken to credit the very bad with feeling far, faint +appeals from things of glory like Cologne Cathedral; it is that the +appeals come to them too far and faint on their headlong descent to +ruin. + +For what was the War Lord seeking? Did he know that pity for his poor +slaughtered people, huddled by him on to our ceaseless machine guns, +might be found by seeking there? Or was it only that the lost thing, +whatever it was, made that faint appeal to him, passing the door by +chance, and drew him in, as the scent of some herb or flower in a +moment draws us back years to look for something lost in our youth; we +gaze back, wondering, and do not find it. + +And to think that perhaps he lost it by very little! That, but for +that proud attitude and the respectful staff, he might have seen what +was lost, and have come out bringing pity for his people. Might have +said to the crowd that gave him that ovation, as we read, outside the +door: "My pride has driven you to this needless war, my ambition has +made a sacrifice of millions, but it is over, and it shall be no more; +I will make no more conquests." + +They would have killed him. But for that renunciation, perhaps, +however late, the curses of the widows of his people might have kept +away from his grave. + +But he did not find it. He sat at prayer. Then he stood. Then he +marched out: and his staff marched out behind him. And in the gloom of +the floor of the vast Cologne Cathedral lie the things that the Kaiser +did not find and never will find now. Unnoticed thus, and in some +silent moment, passes a man's last chance. + + + + +The Last Mirage + + +The desolation that the German offensive has added to the dominions of +the Kaiser cannot easily be imagined by any one who has never seen a +desert. Look at it on the map and it is full of the names of towns and +villages; it is in Europe, where there are no deserts; it is a fertile +province among places of famous names. Surely it is a proud addition +to an ambitious monarch's possessions. Surely there is something there +that it is worth while to have conquered at the cost of army corps. +No, nothing. They are mirage towns. The farms grow Dead Sea fruit. +France recedes before the imperial clutch. France smiles, but not for +him. His new towns seem to be his because their names have not yet +been removed from any map, but they crumble at his approach because +France is not for him. His deadly ambition makes a waste before it as +it goes, clutching for cities. It comes to them and the cities are not +there. + +I have seen mirages and have heard others told of, but the best +mirages of all we never hear described; the mirage that waterless +travellers see at the last. Those fountains rising out of onyx basins, +blue and straight into incredible heights, and falling and flooding +cool white marble; the haze of spray above their feathery heads +through which the pale green domes of weathered copper shimmer and +shake a little; mysterious temples, the tombs of unknown kings; the +cataracts coming down from rose-quartz cliffs, far off but seen quite +clearly, growing to rivers bearing curious barges to the golden courts +of Sahara. These things we never see; they are seen at the last by men +who die of thirst. + +Even so has the Kaiser looked at the smiling plains of France. Even so +has he looked on her famous ancient cities and the farms and the +fertile fields and the woods and orchards of Picardy. With effort and +trouble he has moved towards them. As he comes near to them the cities +crumble, the woods shrivel and fall, the farms fade out of Picardy, +even the hedgerows go; it is bare, bare desert. He had been sure of +Paris, he had dreamed of Versailles and some monstrous coronation, he +had thought his insatiable avarice would be sated. For he had plotted +for conquest of the world, that boundless greed of his goading him on +as a man in the grip of thirst broods upon lakes. + +He sees victory near him now. That also will fade in the desert of old +barbed wire and weeds. When will he see that a doom is over all his +ambitions? For his dreams of victory are like those last dreams that +come in deceptive deserts to dying men. + +There is nothing good for him in the desert of the Somme. Bapaume is +not really there, though it be marked on his maps; it is only a +wilderness of slates and brick. Peronne looks like a city a long way +off, but when you come near it is only the shells of houses. Poziere, +Le Sars, Sapigny, are gone altogether. + +And all is Dead Sea fruit in a visible desert. The reports of German +victories there are mirage like all the rest; they too will fade into +weeds and old barbed wire. + +And the advances that look like victories, and the ruins that look +like cities, and the shell-beaten broken fields that look like +farms,--they and the dreams of conquest and all the plots and ambitions, +they are all the mirage of a dying dynasty in a desert it made for its +doom. + +Bones lead up to the desert, bones are scattered about it, it is the +most menacing and calamitous waste of all the deadly places that have +been inclement to man. It flatters the Hohenzollerns with visions of +victory now because they are doomed by it and are about to die. When +their race has died the earth shall smile again, for their deadly +mirage shall oppress us no more. The cities shall rise again and the +farms come back; hedgerows and orchards shall be seen again; the woods +shall slowly lift their heads from the dust; and gardens shall come +again where the desert was, to bloom in happier ages that forget the +Hohenzollerns. + + + + +A Famous Man + + +Last winter a famous figure walked in Behagnies. Soldiers came to see +him from their billets all down the Arras road, from Ervillers and +from Sapigny, and from the ghosts of villages back from the road, +places that once were villages but are only names now. They would walk +three or four miles, those who could not get lorries, for his was one +of those names that all men know, not such a name as a soldier or poet +may win, but a name that all men know. They used to go there at +evening. + +Four miles away on the left as you went from Ervillers, the guns +mumbled over the hills, low hills over which the Verys from the +trenches put up their heads and peered around,--greeny, yellowy +heads that turned the sky sickly, and the clouds lit up and went grey +again all the night long. As you got near to Behagnies you lost sight +of the Verys, but the guns mumbled on. A silly little train used to +run on one's left, which used to whistle loudly, as though it asked to +be shelled, but I never saw a shell coming its way; perhaps it knew +that the German gunners could not calculate how slow it went. It +crossed the road as you got down to Behagnies. + +You passed the graves of two or three German soldiers with their names +on white wooden crosses,--men killed in 1914; and then a little +cemetery of a French cavalry regiment, where a big cross stood in the +middle with a wreath and a tricolor badge, and the names of the men. +And then one saw trees. That was always a wonder, whether one saw +their dark shapes in the evening, or whether one saw them by day, and +knew from the look of their leaves whether autumn had come yet, or +gone. In winter at evening one just saw the black bulk of them, but +that was no less marvellous than seeing them green in summer; trees by +the side of the Arras-Bapaume road, trees in mid-desert in the awful +region of Somme. There were not many of them, just a cluster, fewer +than the date palms in an oasis in Sahara, but an oasis is an oasis +wherever you find it, and a few trees make it. There are little places +here and there, few enough as the Arabs know, that the Sahara's deadly +sand has never been able to devastate; and there are places even in +the Somme that German malice, obeying the Kaiser as the sand of Sahara +obeys the accursed sirocco, has not been able to destroy quite to the +uttermost. That little cluster of trees at Behagnies is one of these; +Divisional Headquarters used to shelter beneath them; and near them +was a statue on a lawn which probably stood by the windows of some +fine house, though there is no trace of the house but the lawn and +that statue now. + +And over the way on the left a little further on, just past the +officers' club, a large hall stood where one saw that famous figure, +whom officers and men alike would come so far to see. + +The hall would hold perhaps four or five hundred seats in front of a +stage fitted up very simply with red, white and blue cloths, but +fitted up by some one that understood the job; and at the back of that +stage on those winter evenings walked on his flat and world-renowned +feet the figure of Charlie Chaplin. + +When aeroplanes came over bombing, the dynamos used to stop for they +supplied light to other places besides the cinema, and the shade of +Charlie Chaplin would fade away. But the men would wait till the +aeroplanes had gone and that famous figure came waddling back to the +screen. There he amused tired men newly come from the trenches, there +he brought laughter to most of the twelve days that they had out of +the line. + +He is gone from Behagnies now. He did not march in the retreat a +little apart from the troops, with head bent forward and hand thrust +in jacket, a flat-footed Napoleon: yet he is gone; for no one would +have left behind for the enemy so precious a thing as a Charlie +Chaplin film. He is gone but he will return. He will come with his +cane one day along that Arras road to the old hut in Behagnies; and +men dressed in brown will welcome him there again. + +He will pass beyond it through those desolate plains, and over the +hills beyond them, beyond Bapaume. Far hamlets to the east will know +his antics. + +And one day surely, in old familiar garb, without court dress, without +removing his hat, armed with that flexible cane, he will walk over the +faces of the Prussian Guard and, picking up the Kaiser by the collar, +with infinite nonchalance in finger and thumb, will place him neatly +in a prone position and solemnly sit on his chest. + + + + +The Oases of Death + + +While the German guns were pounding Amiens and the battle of dull +Prussianism against Liberty raged on, they buried Richthofen in the +British lines. + +They had laid him in a large tent with his broken machine outside it. +Thence British airmen carried him to the quiet cemetery, and he was +buried among the cypresses in this old resting place of French +generations just as though he had come there bringing no harm to +France. + +Five wreaths were on his coffin, placed there by those who had fought +against him up in the air. And under the wreaths on the coffin was +spread the German flag. + +When the funeral service was over three volleys were fired by the +escort, and a hundred aviators paid their last respects to the grave +of their greatest enemy; for the chivalry that the Prussians have +driven from earth and sea lives on in the blue spaces of the air. + +They buried Richthofen at evening, and the planes came droning home as +they buried him, and the German guns roared on and guns answered, +defending Amiens. And in spite of all, the cemetery had the air of +quiet, remaining calm and aloof, as all French graveyards are. For +they seem to have no part in the cataclysm that shakes all the world +but them; they seem to withdraw amongst memories and to be aloof from +time, and, above all, to be quite untroubled by the war that rages +to-day, upon which they appear to look out listlessly from among their +cypress and yew, and dimly, down a vista of centuries. They are very +strange, these little oases of death that remain unmoved and green +with their trees still growing, in the midst of a desolation as far as +the eye can see, in which cities and villages and trees and hedges and +farms and fields and churches are all gone, and where hugely broods a +desert. It is as though Death, stalking up and down through France for +four years, sparing nothing, had recognized for his own his little +gardens, and had spared only them. + + + + +Anglo-Saxon Tyranny + + +"We need a sea," says Big-Admiral von Tirpitz, "freed of +Anglo-Saxon tyranny." Unfortunately neither the British Admiralty nor +the American Navy permit us to know how much of the Anglo-Saxon +tyranny is done by American destroyers and how much by British ships +and even trawler. It would interest both countries to know, if it +could be known. But the Big-Admiral is unjust to France, for the +French navy exerts a tyranny at sea that can by no means be +overlooked, although naturally from her position in front of the mouth +of the Elbe England practises the culminating insupportable tyranny of +keeping the High Seas Fleet in the Kiel Canal. + +It is not I, but the Big-Admiral, who chose the word tyranny as +descriptive of the activities of the Anglo-Saxon navies. He was making +a speech at Dusseldorf on May 25th and was reported in the +Dusseldorfer Nachrichten on May 27th. + +Naturally it does not seem like tyranny to us, even the contrary; but +for an admiral, ein Grosse-Admiral, lately commanding a High Seas +Fleet, it must have been more galling than we perhaps can credit to be +confined in a canal. There was he, who should have been breasting the +blue, or at any rate doing something salty and nautical, far out in +the storms of that sea that the Germans call an Ocean, with the +hurricane raging angrily in his whiskers and now and then wafting +tufts of them aloft to white the halyards; there was he constrained to +a command the duties of which however nobly he did them could be +equally well carried out by any respectable bargee. He hoped for a +piracy of which the Lusitania was merely a beginning; he looked for +the bombardment of innumerable towns; he pictured slaughter in many a +hamlet of fishermen; he planned more than all those things of which +U-boat commanders are guilty; he saw himself a murderous old man, +terrible to seafarers, and a scourge of the coasts, and fancied +himself chronicled in after years by such as told dark tales of +Captain Kidd or the awful buccaneers; but he followed in the end no +more desperate courses than to sit and watch his ships on a wharf near +Kiel like one of Jacob's night watchmen. + +No wonder that what appears to us no more than the necessary +protection of women and children in seacoast towns from murder should +be to him an intolerable tyranny. No wonder that the guarding of +travellers of the allied countries at sea, and even those of the +neutrals, should be a most galling thing to the Big-Admiral's thwarted +ambition, looking at it from the point of view of one who to +white-whiskered age has retained the schoolboy's natural love of the +black and yellow flag. A pirate, he would say, has as much right to +live as wasps or tigers. The Anglo-Saxon navies, he might argue, have +a certain code of rules for use at sea; they let women get first into +the boats, for instance, when ships are sinking, and they rescue +drowning mariners when they can: no actual harm in all this, he would +feel, though it would weaken you, as Hindenburg said of poetry; but if +all these little rules are tyrannously enforced on those who may think +them silly, what is to become of the pirate? Where, if people like +Beattie and Sims had always had their way, would be those rollicking +tales of the jolly Spanish Main, and men walking the plank into the +big blue sea, and long, low, rakish craft putting in to Indian +harbours with a cargo of men and women all hung from the yard-arm? A +melancholy has come over the spirit of Big-Admiral von Tirpitz in the +years he has spent in the marshes between the Elbe and Kiel, and in +that melancholy he sees romance crushed; he sees no more pearl +earrings and little gold rings in the hold, he sees British +battleships spoiling the Spanish Main, and hateful American cruisers +in the old Sargasso Sea; he sees himself, alas, the last of all the +pirates. + +Let him take comfort. There were always pirates. And in spite of the +tyranny of England and America, and of France, which the poor old man +perplexed with his troubles forgot, there will be pirates still. Not +many perhaps, but enough U-boats will always be able to slip through +that tyrannous blockade to spread indiscriminate slaughter amongst the +travellers of any nation, enough to hand on the old traditions of +murder at sea. And one day Captain Kidd, with such a bow as they used +to make in ports of the Spanish Main, will take off his ancient hat, +sweeping it low in Hell, and be proud to clasp the hand of the Lord of +the Kiel Canal. + + + + +Memories + + + ... far-off things + And battles long ago. + + +Those who live in an old house are necessarily more concerned with +paying the plumber, should his art be required, or choosing wall paper +that does not clash with the chintzes, than with the traditions that +may haunt its corridors. In Ireland,--and no one knows how old that +is, for the gods that lived there before the Red Branch came wrote few +chronicles on the old grey Irish stones and wrote in their own +language,--in Ireland we are more concerned with working it so that +Tim Flanagan gets the job he does be looking for. + +But in America those who remember Ireland remember her, very often, +from old generations; maybe their grandfather migrated, perhaps his +grandfather, and Ireland is remembered by old tales treasured among +them. Now Tim Flanagan will not be remembered in a year's time when he +has the job for which he has got us to agitate, and the jobberies that +stir us move not the pen of History. + +But the tales that Irish generations hand down beyond the Atlantic +have to be tales that are worth remembering. They are tales that have +to stand the supreme test, tales that a child will listen to by the +fireside of an evening, so that they go down with those early +remembered evenings that are last of all to go of the memories of a +lifetime. A tale that a child will listen to must have much grandeur. +Any cheap stuff will do for us, bad journalism, and novels by girls +that could get no other jobs; but a child looks for those things in a +tale that are simple and noble and epic, the things that Earth +remembers. And so they tell, over there, tales of Sarsfield and of the +old Irish Brigade; they tell, of an evening, of Owen Roe O'Neill. And +into those tales come the plains of Flanders again and the ancient +towns of France, towns famous long ago and famous yet: let us rather +think of them as famous names and not as the sad ruins we have seen, +melancholy by day and monstrous in the moonlight. + +Many an Irishman who sails from America for those historic lands knows +that the old trees that stand there have their roots far down in soil +once richened by Irish blood. When the Boyne was lost and won, and +Ireland had lost her King, many an Irishman with all his wealth in a +scabbard looked upon exile as his sovereign's court. And so they came +to the lands of foreign kings, with nothing to offer for the +hospitality that was given them but a sword; and it usually was a +sword with which kings were well content. Louis XV had many of them, +and was glad to have them at Fontenoy; the Spanish King admitted them +to the Golden Fleece; they defended Maria Theresa. Landen in Flanders +and Cremona knew them. A volume were needed to tell of all those +swords; more than one Muse has remembered them. It was not disloyalty +that drove them forth; their King was gone, they followed, the oak was +smitten and brown were the leaves of the tree. + +But no such mournful metaphor applies to the men who march to-day +towards the plains where the "Wild Geese" were driven. They go with +no country mourning them, but their whole land cheers them on; they go +to the inherited battlefields. And there is this difference in their +attitude to kings, that those knightly Irishmen of old, driven +homeless over-sea, appeared as exiles suppliant for shelter before the +face of the Grand Monarch, and he, no doubt with exquisite French +grace, gave back to them all they had lost except what was lost +forever, salving so far as he could the injustice suffered by each. +But to-day when might, for its turn, is in the hands of democracies, +the men whose fathers built the Statue of Liberty have left their +country to bring back an exiled king to his home, and to right what +can be righted of the ghastly wrongs of Flanders. + +And if men's prayers are heard, as many say, old saints will hear old +supplications going up by starlight with a certain wistful, musical +intonation that has linked the towns of Limerick and Cork with the +fields of Flanders before. + + + + +The Movement + + +For many years Eliphaz Griggs was comparatively silent. Not that he +did not talk on all occasions whenever he could find hearers, he did +that at great length; but for many years he addressed no public +meeting, and was no part of the normal life of the northeast end of +Hyde Park or Trafalgar Square. And then one day he was talking in a +public house where he had gone to talk on the only subject that was +dear to him. He waited, as was his custom, until five or six men were +present, and then he began. "Ye're all damned, I'm saying, damned +from the day you were born. Your portion is Tophet." + +And on that day there happened what had never happened in his +experience before. Men used to listen in a tolerant way, and say +little over their beer, for that is the English custom; and that would +be all. But to-day a man rose up with flashing eyes and went over to +Eliphaz and gripped him by the hand: "They're all damned," said the +stranger. + +That was the turning point in the life of Eliphaz. Up to that moment +he had been a lonely crank, and men thought he was queer; but now +there were two of them and he became a Movement. A Movement in England +may do what it likes: there was a Movement, before the War, for +spoiling tulips in Kew Gardens and breaking church windows; it had its +run like the rest. + +The name of Eliphaz's new friend was Ezekiel Pim: and they drew up +rules for their Movement almost at once; and very soon country inns +knew Eliphaz no more. And for some while they missed him where he used +to drop in of an evening to tell them they were all damned: and then a +man proved one day that the earth was flat, and they all forgot +Eliphaz. + +But Eliphaz went to Hyde Park and Ezekiel Pim went with him, and there +you would see them close to the Marble Arch on any fine Sunday +afternoon, preaching their Movement to the people of London. "You are +all damned," said Eliphaz. "Your portion shall be damnation for +everlasting." + +"All damned," added Ezekiel. + +Eliphaz was the orator. He would picture Hell to you as it really is. +He made you see pretty much what it will be like to wriggle and turn +and squirm, and never escape from burning. But Ezekiel Pim, though he +seldom said more than three words, uttered those words with such +alarming sincerity and had such a sure conviction shining in his eyes +that searched right in your face as he said them, and his long hair +waved so weirdly as his head shot forward when he said "You're all +damned," that Ezekiel Pim brought home to you that the vivid +descriptions of Eliphaz really applied to you. + +People who lead bad lives get their sensibilities hardened. These did +not care very much what Eliphaz said. But girls at school, and several +governesses, and even some young clergy, were very much affected. +Eliphaz Griggs and Ezekiel Pim seemed to bring Hell so near to you. +You could almost feel it baking the Marble Arch from two to four on +Sundays. And at four o'clock the Surbiton Branch of the International +Anarchists used to come along, and Eliphaz Griggs and Ezekiel Pim +would pack up their flag and go, for the pitch belonged to the +Surbiton people till six; and the crank Movements punctiliously +recognize each other's rights. If they fought among themselves, which +is quite unthinkable, the police would run them in; it is the one +thing that an anarchist in England may never do. + +When the War came the two speakers doubled their efforts. The way they +looked at it was that here was a counter-attraction taking people's +minds off the subject of their own damnation just as they had got them +to think about it. Eliphaz worked as he had never worked before; he +spared nobody; but it was still Ezekiel Pim who somehow brought it +most home to them. + +One fine spring afternoon Eliphaz Griggs was speaking at his usual +place and time; he had wound himself up wonderfully. "You are +damned," he was saying, "for ever and ever and ever. Your sins have +found you out. Your filthy lives will be as fuel round you and shall +burn for ever and ever." + +"Look here," said a Canadian soldier in the crowd, "we shouldn't +allow that in Ottawa." + +"What?" asked an English girl. + +"Why, telling us we're all damned like that," he said. + +"Oh, this is England," she said. "They may all say what they like +here." + +"You are all damned," said Ezekiel, jerking forward his head and +shoulders till his hair flapped out behind. "All, all, all damned." + +"I'm damned if I am," said the Canadian soldier. + +"Ah," said Ezekiel, and a sly look came into his face. + +Eliphaz flamed on. "Your sins are remembered. Satan shall grin at +you. He shall heap cinders on you for ever and ever. Woe to you, +filthy livers. Woe to you, sinners. Hell is your portion. There shall +be none to grieve for you. You shall dwell in torment for ages. None +shall be spared, not one. Woe everlasting... Oh, I beg pardon, +gentlemen, I'm sure." For the Pacifists' League had been kept waiting +three minutes. It was their turn to-day at four. + + + + +Nature's Cad + + +The claim of Professor Grotius Jan Beek to have discovered, or +learned, the language of the greater apes has been demonstrated +clearly enough. He is not the original discoverer of the fact that +they have what may be said to correspond with a language; nor is he +the first man to have lived for some while in the jungle protected by +wooden bars, with a view to acquiring some knowledge of the meaning of +the various syllables that gorillas appear to utter. If so crude a +collection of sounds, amounting to less than a hundred words, if words +they are, may be called a language, it may be admitted that the +Professor has learned it, as his recent experiments show. What he has +not proved is his assertion that he has actually conversed with a +gorilla, or by signs, or grunts, or any means whatever obtained an +insight, as he put it, into its mentality, or, as we should put it, +its point of view. This Professor Beek claims to have done; and though +he gives us a certain plausible corroboration of a kind which makes +his story appear likely, it should be borne in mind that it is not of +the nature of proof. + +The Professor's story is briefly that having acquired this language, +which nobody that has witnessed his experiments will call in question, +he went back to the jungle for a week, living all the time in the +ordinary explorer's cage of the Blik pattern. Towards the very end of +the week a big male gorilla came by, and the Professor attracted it by +the one word "Food." It came, he says, close to the cage, and seemed +prepared to talk but became very angry on seeing a man there, and beat +the cage and would say nothing. The Professor says that he asked it +why it was angry. He admits that he had learned no more than forty +words of this language, but believes that there are perhaps thirty +more. Much however is expressed, as he says, by mere intonation. +Anger, for instance; and scores of allied words, such as terrible, +frightful, kill, whether noun, verb or adjective, are expressed, he +says, by a mere growl. Nor is there any word for "Why," but queries +are signified by the inflexion of the voice. + +When he asked it why it was angry the gorilla said that men killed +him, and added a noise that the professor said was evidently meant to +allude to guns. The only word used, he says, in this remark of the +gorilla's was the word that signified "man." The sentence as +understood by the professor amounted to "Man kill me. Guns." But the +word "kill" was represented simply by a snarl, "me" by slapping +its chest, and "guns" as I have explained was only represented by a +noise. The Professor believes that ultimately a word for guns may be +evolved out of that noise, but thinks that it will take many +centuries, and that if during that time guns should cease to be in +use, this stimulus being withdrawn, the word will never be evolved at +all, nor of course will it be needed. + +The Professor tried, by evincing interest, ignorance, and incredulity, +and even indignation, to encourage the gorilla to say more; but to his +disappointment, all the more intense after having exchanged that one +word of conversation with one of the beasts, the gorilla only repeated +what it had said, and beat on the cage again. For half an hour this +went on, the Professor showing every sign of sympathy, the gorilla +raging and beating upon the cage. + +It was half an hour of the most intense excitement to the Professor, +during which time he saw the realization of dreams that many +considered crazy, glittering as it were within his grasp, and all the +while this ridiculous gorilla would do nothing but repeat the mere +shred of a sentence and beat the cage with its great hands; and the +heat of course was intense. And by the end of the half hour the +excitement and the heat seem to have got the better of the Professor's +temper, and he waved the disgusting brute angrily away with a gesture +that probably was not much less impatient than the gorilla's own. And +at that the animal suddenly became voluble. He beat more furiously +than ever upon the cage and slipped his great fingers through the +bars, trying to reach the Professor, and poured out volumes of +ape-chatter. + +Why, why did men shoot at him, he asked. He made himself terrible, +therefore men ought to love him. That was the whole burden of what the +Professor calls its argument. "Me, me terrible," two slaps on the +chest and then a growl. "Man love me." And then the emphatic +negative word, and the sound that meant guns, and sudden furious +rushes at the cage to try to get at the Professor. + +The gorilla, Professor Beek explains, evidently admired only strength; +whenever he said "I make myself terrible to Man," a sentence he +often repeated, he drew himself up and thrust out his huge chest and +bared his frightful teeth; and certainly, the Professor says, there +was something terribly grand about the menacing brute. "Me +terrible," he repeated again and again, "Me terrible. Sky, sun, +stars with me. Man love me. Man love me. No?" It meant that all the +great forces of nature assisted him and his terrible teeth, which he +gnashed repeatedly, and that therefore man should love him, and he +opened his great jaws wide as he said this, showing all the brutal +force of them. + +There was to my mind a genuine ring in Professor Beek's story, because +he was obviously so much more concerned, and really troubled, by the +dreadful depravity of this animal's point of view, or mentality as he +called it, than he was concerned with whether or not we believed what +he had said. + +And I mentioned that there was a circumstance in his story of a +plausible and even corroborative nature. It is this. Professor Beek, +who noticed at the time a bullet wound in the tip of the gorilla's +left ear, by means of which it was luckily identified, put his +analysis of its mentality in writing and showed it to several others, +before he had any way of accounting for the beast having such a mind. + +Long afterwards it was definitely ascertained that this animal had +been caught when young on the slopes of Kilimanjaro and trained and +even educated, so far as such things are possible, by an eminent +German Professor, a persona grata at the Court of Berlin. + + + + +The Home of Herr Schnitzelhaaser + + +The guns in the town of Greinstein were faintly audible. The family of +Schnitzelhaaser lived alone there in mourning, an old man and old +woman. They never went out or saw any one, for they knew they could +not speak as though they did not mourn. They feared that their secret +would escape them. They had never cared for the war that the War Lord +made. They no longer cared what he did with it. They never read his +speeches; they never hung out flags when he ordered flags: they hadn't +the heart to. + +They had had four sons. + +The lonely old couple would go as far as the shop for food. Hunger +stalked behind them. They just beat hunger every day, and so saw +evening: but there was nothing to spare. Otherwise they did not go out +at all. Hunger had been coming slowly nearer of late. They had nothing +but the ration, and the ration was growing smaller. They had one pig +of their own, but the law said you might not kill it. So the pig was +no good to them. + +They used to go and look at that pig sometimes when hunger pinched. +But more than that they did not dare to contemplate. + +Hunger came nearer and nearer. The war was going to end by the first +of July. The War Lord was going to take Paris on this day and that +would end the war at once. But then the war was always going to end. +It was going to end in 1914, and their four sons were to have come +home when the leaves fell. The War Lord had promised that. And even if +it did end, that would not bring their four sons home now. So what did +it matter what the War Lord said. + +It was thoughts like these that they knew they had to conceal. It was +because of thoughts like these that they did not trust themselves to +go out and see other people, for they feared that by their looks if by +nothing else, or by their silence or perhaps their tears, they might +imply a blasphemy against the All Highest. And hunger made one so +hasty. What might one not say? And so they stayed indoors. + +But now. What would happen now? The War Lord was coming to Greinstein +in order to hear the guns. One officer of the staff was to be billeted +in their house. And what would happen now? + +They talked the whole thing over. They must struggle and make an +effort. The officer would be there for one evening. He would leave in +the morning quite early in order to make things ready for the return +to Potsdam: he had charge of the imperial car. So for one evening they +must be merry. They would suppose, it was Herr Schnitzelhaaser's +suggestion, they would think all the evening that Belgium and France +and Luxemburg all attacked the Fatherland, and that the Kaiser, +utterly unprepared, quite unprepared, called on the Germans to defend +their land against Belgium. + +Yes, the old woman could imagine that; she could think it all the +evening. + +And then,--it was no use not being cheerful altogether,--then one +must imagine a little more, just for the evening: it would come quite +easy; one must think that the four boys were alive. + +Hans too? (Hans was the youngest). + +Yes, all four. Just for the evening. + +But if the officer asks? + +He will not ask. What are four soldiers? + +So it was all arranged; and at evening the officer came. He brought +his own rations, so hunger came no nearer. Hunger just lay down +outside the door and did not notice the officer. + +A this supper the officer began to talk. The Kaiser himself, he said, +was at the Schartzhaus. + +"So," said Herr Schnitzelhaaser; "just over the way." So close. +Such an honour. + +And indeed the shadow of the Schartzhaus darkened their garden in the +morning. + +It was such an honour, said Frau Schnitzelhaaser too. And they began +to praise the Kaiser. So great a War Lord, she said; the most glorious +war there had ever been. + +Of course, said the officer, it would end on the first of July. + +Of course, said Frau Schnitzelhaaser. And so great an admiral, too. +One must remember that also. And how fortunate we were to have him: +one must not forget that. Had it not been for him the crafty Belgians +would have attacked the Fatherland, but they were struck down before +they could do it. So much better to prevent a bad deed like that than +merely to punish after. So wise. And had it not been for him, if it +had not been for him... + +The old man saw that she was breaking down and hastily he took up that +feverish praise. Feverish it was, for their hunger and bitter loss +affected their minds no less than illness does, and the things they +did they did hastily and intemperately. His praise of the War Lord +raced on as the officer ate. He spoke of him as of those that benefit +man, as of monarchs who bring happiness to their people. And now, he +said, he is here in the Schartzhaus beside us, listening to the guns +just like a common soldier. + +Finally the guns, as he spoke, coughed beyond ominous hills. +Contentedly the officer went on eating. He suspected nothing of the +thoughts his host and hostess were hiding. At last he went upstairs to +bed. + +As fierce exertion is easy to the fevered, so they had spoken; and it +wears them, so they were worn. The old woman wept when the officer +went out of hearing. But old Herr Schnitzelhaaser picked up a big +butcher's knife. "I will bear it no more," he said. + +His wife watched him in silence as he went away with his knife. Out of +the house he went and into the night. Through the open door she saw +nothing; all was dark; even the Schartzhaus, where all was gay +to-night, stood dark for fear of aeroplanes. The old woman waited in +silence. + +When Herr Schnitzelhaaser returned there was blood on his knife. + +"What have you done?" the old woman asked him quite calmly. "I have +killed our pig," he said. + +She broke out then, all the more recklessly for the long restraint of +the evening; the officer must have heard her. + +"We are lost! We are lost!" she cried. "We may not kill our pig. +Hunger has made you mad. You have ruined us." + +"I will bear it no longer," he said. "I have killed our pig." + +"But they will never let us eat it," she cried. "Oh, you have +ruined us!" + +"If you did not dare to kill our pig," he said, "why did you not +stop me when you saw me go? You saw me go with the knife?" + +"I thought," she said, "you were going to kill the Kaiser." + + + + +A Deed of Mercy + + +As Hindenburg and the Kaiser came down, as we read, from Mont d'Hiver, +during the recent offensive, they saw on the edge of a crater two +wounded British soldiers. The Kaiser ordered that they should be cared +for: their wounds were bound up and they were given brandy, and +brought round from unconsciousness. That is the German account of it, +and it may well be true. It was a kindly act. + +Probably had it not been for this the two men would have died among +those desolate craters; no one would have known, and no one could have +been blamed for it. + +The contrast of this spark of imperial kindness against the gloom of +the background of the war that the Kaiser made is a pleasant thing to +see, even though it illuminates for only a moment the savage darkness +in which our days are plunged. It was a kindness that probably will +long be remembered to him. Even we, his enemies, will remember it. And +who knows but that when most he needs it his reward for the act will +be given him. + +For Judas, they say, once in his youth, gave his cloak, out of +compassion, to a shivering beggar, who sat shaken with ague, in rags, +in bitter need. And the years went by and Judas forgot his deed. And +long after, in Hell, Judas they say was given one day's respite at the +end of every year because of this one kindness he had done so long +since in his youth. And every year he goes, they say, for a day and +cools himself among the Arctic bergs; once every year for century +after century. + +Perhaps some sailor on watch on a misty evening blown far out of his +course away to the north saw something ghostly once on an iceberg +floating by, or heard some voice in the dimness that seemed like the +voice of man, and came home with this weird story. And perhaps, as the +story passed from lip to lip, men found enough justice in it to +believe it true. So it came down the centuries. + +Will seafarers ages hence on dim October evenings, or on nights when +the moon is ominous through mist, red and huge and uncanny, see a +lonely figure sometimes on the loneliest part of the sea, far north of +where the Lusitania sank, gathering all the cold it can? Will they see +it hugging a crag of iceberg wan as itself, helmet, cuirass and ice +pale-blue in the mist together? Will it look towards them with +ice-blue eyes through the mist, and will they question it, meeting on +those bleak seas? Will it answer--or will the North wind howl like +voices? Will the cry of seals be heard, and ice floes grinding, and +strange birds lost upon the wind that night, or will it speak to them +in those distant years and tell them how it sinned, betraying man? + +It will be a grim, dark story in that lonely part of the sea, when he +confesses to sailors, blown too far north, the dreadful thing he +plotted against man. The date on which he is seen will be told from +sailor to sailor. Queer taverns of distant harbours will know it well. +Not many will care to be at sea that day, and few will risk being +driven by stress of weather on the Kaiser's night to the bergs of the +haunted part of sea. + +And yet for all the grimness of the pale-blue phantom, with cuirass +and helmet and eyes shimmering on deadly icebergs, and yet for all the +sorrow of the wrong he did against man, the women drowned and the +children, and all the good ships gone, yet will the horrified mariners +meeting him in the mist grudge him no moment of the day he has earned, +or the coolness he gains from the bergs, because of the kindness he +did to the wounded men. For the mariners in their hearts are kindly +men, and what a soul gains from kindness will seem to them well +deserved. + + + + +Last Scene of All + + +After John Calleron was hit he carried on in a kind of twilight of the +mind. Things grew dimmer and calmer; harsh outlines of events became +blurred; memories came to him; there was a singing in his ears like +far-off bells. Things seemed more beautiful than they had a while ago; +to him it was for all the world like evening after some quiet sunset, +when lawns and shrubs and woods and some old spire look lovely in the +late light, and one reflects on past days. Thus he carried on, seeing +things dimly. And what is sometimes called "the roar of battle," +those aerial voices that snarl and moan and whine and rage at +soldiers, had grown dimmer too. It all seemed further away, and +littler, as far things are. He still heard the bullets: there is +something so violently and intensely sharp in the snap of passing +bullets at short ranges that you hear them in deepest thought, and +even in dreams. He heard them, tearing by, above all things else. The +rest seemed fainter and dimmer, and smaller and further away. + +He did not think he was very badly hit, but nothing seemed to matter +as it did a while ago. Yet he carried on. + +And then he opened his eyes very wide and found he was back in London +again in an underground train. He knew it at once by the look of it. +He had made hundreds of journeys, long ago, by those trains. He knew +by the dark, outside, that it had not yet left London; but what was +odder than that, if one stopped to think of it, was that he knew +exactly where it was going. It was the train that went away out into +the country where he used to live as a boy. He was sure of that +without thinking. + +When he began to think how he came to be there he remembered the war +as a very far-off thing. He supposed he had been unconscious a very +long time. He was all right now. + +Other people were sitting beside him on the same seat. They all seemed +like people he remembered a very long time ago. In the darkness +opposite, beyond the windows of the train, he could see their +reflections clearly. He looked at the reflections but could not quite +remember. + +A woman was sitting on his left. She was quite young. She was more +like some one that he most deeply remembered than all the others were. +He gazed at her, and tried to clear his mind. + +He did not turn and stare at her, but he quietly watched her +reflection before him in the dark. Every detail of her dress, her +young face, her hat, the little ornaments she wore, were minutely +clear before him, looking out of the dark. So contented she looked you +would say she was untouched by war. + +As he gazed at the clear calm face and the dress that seemed neat +though old and, like all things, so faraway, his mind grew clearer and +clearer. It seemed to him certain it was the face of his mother, but +from thirty years ago, out of old memories and one picture. He felt +sure it was his mother as she had been when he was very small. And yet +after thirty years how could he know? He puzzled to try and be quite +sure. But how she came to be there, looking like that, out of those +oldest memories, he did not think of at all. + +He seemed to be hugely tired by many things and did not want to think. +Yet he was very happy, more happy even than tired men just come home +all new to comfort. + +He gazed and gazed at the face in the dark. And then he felt quite +sure. + +He was about to speak. Was she looking at him? Was she watching him, +he wondered. He glanced for the first time to his own reflection in +that clear row of faces. + +His own reflection was not there, but blank dark showed between his +two neighbours. And then he knew he was dead. + + + + +Old England + + +Towards winter's end on a high, big, bare down, in the south of +England, John Plowman was plowing. He was plowing the brown field at +the top of the hill, good soil of the clay; a few yards lower down was +nothing but chalk, with shallow flinty soil and steep to plow; so they +let briars grow there. For generations his forbears had plowed on the +top of that hill. John did not know how many. The hills were very old; +it might have been always. + +He scarcely looked to see if his furrow was going straight. The work +he was doing was so much in his blood that he could almost feel if +furrows were straight or not. Year after year they moved on the same +old landmarks; thorn trees and briars mostly guided the plow, where +they stood on the untamed land beyond; the thorn trees grew old at +their guiding, and still the furrows varied not by the breadth of a +hoof-mark. + +John, as he plowed, had leisure to meditate on much besides the crops; +he knew so much of the crops that his thoughts could easily run free +from them; he used to meditate on who they were that lived in briar +and thorn tree, and danced as folk said all through midsummer night, +and sometimes blessed and sometimes harmed the crops; for he knew that +in Old England were wonderful ancient things, odder and older things +than many folks knew. And his eyes had leisure to see much beside the +furrows, for he could almost feel the furrows going straight. + +One day at his plowing, as he watched the thorn ahead, he saw the +whole big hill besides, looking south, and the lands below it; one day +he saw in the bright sun of late winter a horseman riding the road +through the wide lands below. The horseman shone as he rode, and wore +white linen over what was shining, and on the linen was a big red +cross. "One of them knights," John Plowman said to himself or his +horse, "going to them crusades." And he went on with his plowing all +that day satisfied, and remembered what he had seen for years, and +told his son. + +For there is in England, and there always was, mixed with the needful +things that feed or shelter the race, the wanderer-feeling for +romantic causes that runs deep and strange through the other thoughts, +as the Gulf Stream runs through the sea. Sometimes generations of John +Plowman's family would go by and no high romantic cause would come to +sate that feeling. They would work on just the same though a little +sombrely, as though some good thing had been grudged them. And then +the Crusades had come, and John Plowman had seen the Red Cross knight +go by, riding towards the sea in the morning, and Jon Plowman was +satisfied. + +Some generations later a man of the same name was plowing the same +hill. They still plowed the brown clay at the top and left the slope +wild, though there were many changes. And the furrows were wonderfully +straight still. And half he watched a thorn tree ahead as he plowed +and half he took in the whole hill sloping south and the wide lands +below it, far beyond which was the sea. They had a railway now down in +the valley. The sunlight glittering near the end of winter shone on a +train that was marked with great white squares and red crosses on +them. + +John Plowman stopped his horses and looked at the train. "An +ambulance train," he said, "coming up from the coast." He thought +of the lads he knew and wondered if any were there. He pitied the men +in that train and envied them. And then there came to him the thought +of England's cause and of how those men had upheld it, at sea and in +crumbling cities. He thought of the battle whose echoes reached +sometimes to that field, whispering to furrows and thorn trees that +had never heard them before. He thought of the accursed tyrant's cruel +might, and of the lads that had faced it. He saw the romantic +splendour of England's cause. He was old but had seen the glamour for +which each generation looked. Satisfied in his heart and cheered with +a new content he went on with his age-old task in the business of man +with the hills. + + + + + + +End of the Project Gutenberg EBook of Tales of War, by Lord Dunsany + +*** END OF THIS PROJECT GUTENBERG EBOOK TALES OF WAR *** + +***** This file should be named 5713.txt or 5713.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/5/7/1/5713/ + +Produced by William McClain + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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