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diff --git a/old/vcntw10.txt b/old/vcntw10.txt new file mode 100644 index 0000000..ec2b40e --- /dev/null +++ b/old/vcntw10.txt @@ -0,0 +1,7704 @@ +The Project Gutenberg EBook of The Voice on the Wire, by Eustace Hale Ball + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg eBook. + +This header should be the first thing seen when viewing this Project +Gutenberg file. Please do not remove it. Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**eBooks Readable By Both Humans and By Computers, Since 1971** + +*****These eBooks Were Prepared By Thousands of Volunteers!***** + + +Title: The Voice on the Wire + +Author: Eustace Hale Ball + +Release Date: May, 2004 [EBook #5672] +[Yes, we are more than one year ahead of schedule] +[This file was first posted on August 7, 2002] +[Date last updated: July 10, 2004] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + +*** START OF THE PROJECT GUTENBERG EBOOK THE VOICE ON THE WIRE *** + + + + + + + + +THE VOICE ON THE WIRE + + + + + +CHAPTER I + +WHEN THREE IS A MYSTERY + + + +"Mr. Shirley is waiting for you in the grill-room, sir. Just +step this way, sir, and down the stairs." + +The large man awkwardly followed the servant to the cosey +grill-room on the lower floor of the club house. He felt that +every man of the little groups about the Flemish tables must be +saying: "What's he doing here?" + +"I wish Monty Shirley would meet me once in a while in the back +room of a ginmill, where I'd feel comfortable," muttered the +unhappy visitor. "This joint is too classy. But that's his game +to play--" + +He reached the sought-for one, however, and exclaimed eagerly: +"By Jiminy, Monty. I'm glad to find you--it would have been my +luck after this day, to get here too late." + +He was greeted with a grip that made even his generous hand +wince, as the other arose to smile a welcome. + +"Hello, Captain Cronin. You're a good sight for a grouchy man's +eyes! Sit down and confide the brand of your particular favorite +poison to our Japanese Dionysius!" + +The Captain sighed with relief, as he obeyed. + +"Bar whiskey is good enough for an old timer like me. Don't +tell me you have the blues--your face isn't built that way!" + +"Gospel truth, Captain. I've been loafing around this club +--nothing to do for a month. Bridge, handball, highballs, and +yarns! I'm actually a nervous wreck because my nerves haven't +had any work to do!" + +"You're the healthiest invalid I've seen since the hospital days +in the Civil War. But don't worry about something to do. I've +some job now. It's dolled up with all them frills you like: +millions, murders and mysteries! If this don't keep you awake, +you'll have nightmares for the next six months. Do you want it?" + +"I'm tickled to death. Spill it!" + +"Monty, it's the greatest case my detective agency has had since +I left the police force eleven years ago. It's too big for me, +and I've come to you to do a stunt as is a stunt. You will plug +it for me, won't you--just as you've always done? If I get the +credit, it'll mean a fortune to me in the advertising alone." + +"Haven't I handled every case for you in confidence. I'm not a +fly-cop, Captain Cronin. I'm a consulting specialist, and +there's no shingle hung out. Perhaps you had better take it to +some one else." + +Shirley pushed away his empty glass impatiently. + +"There, Monty, I didn't mean to offend you. But there's such +swells in this and such a foxey bunch of blacklegs, that I'm as +nervous as a rookie cop on his first arrest. Don't hold a grudge +against me." + +Shirley lit a cigarette and resumed his good nature: "Go on, +Captain. I'm so stale with dolce far niente, after the Black +Pearl affair last month, that I act like an amateur myself. Make +it short, though, for I'm going to the opera." + +The Captain leaned over the table, his face tense with suppressed +emotion. He was a grizzled veteran of the New York police force: +a man who sought his quarry with the ferocity of a bull-dog, when +the line of search was definitely assured. Lacking imagination +and the subtler senses of criminology, Captain Cronin had built +up a reputation for success and honesty in every assignment by +bravery, persistence, and as in this case, the ability to cover +his own deductive weakness by employing the brains of others. + +Montague Shirley was as antithetical from the veteran detective +as a man could well be. A noted athlete in his university, he +possessed a society rating in New York, at Newport and Tuxedo, +and on the Continent which was the envy of many a gilded youth +born to the purple. + +On leaving college, despite an ample patrimony, he had curiously +enough entered the lists as a newspaper man. From the sporting +page he was graduated to police news, then the city desk, at last +closing his career as the genius who invented the weekly Sunday +thriller, in many colors of illustration and vivacious Gallic +style which interpreted into heart throbs and goose-flesh the +real life romances and tragedies of the preceding six days! He +had conquered the paper-and-ink world--then deep within there +stirred the call for participation in the game itself. + +So, dropping quietly into the apparently indolent routine of club +existence, he had devoted his experience and genius to analytical +criminology--a line of endeavor known only to five men in the +world. + +He maintained no offices. He wore no glittering badges: a police +card, a fire badge, and a revolver license, renewed year after +year, were the only instruments of his trade ever in evidence. +Shirley took assignments only from the heads of certain agencies, +by personal arrangement as informal as this from Captain Cronin. +His real clients never knew of his participation, and his prey +never understood that he had been the real head-hunter! + +His fees--Montague Shirley, as a master craftsman deemed his +artistry worthy of the hire. His every case meant a modest +fortune to the detective agency and Shirley's bills were never +rendered, but always paid! + +So, here, the hero of the gridiron and the class re-union, +the gallant of a hundred pre-matrimonial and non-maturing +engagements, the veteran of a thousand drolleries and merry +jousts in clubdom--unspoiled by birth, breeding and wealth, +untrammeled by the juggernaut of pot-boiling and the +salary-grind, had drifted into the curious profession of +confidential, consulting criminal chaser. + +Shirley unostentatiously signaled for an encore on the +refreshments. + +"You're nervous to-night, Captain. You've been doing things +before you consulted me--which is against our Rule Number One, +isn't it?" + +The Captain gulped down his whiskey, and rubbed his forehead. + +"Couldn't help it, Monty. It got too busy for me, before I +realized anything unusual in the case. See what I got from a +gangster before I landed here." + +He turned his close-cropped head, as Montague Shirley leaned +forward to observe an abrasion at the base of his skull. It +was dressed with a coating of collodion. + +"Brass knuckled--I see the mark of the rings. Tried for the +pneumogastric nerves, to quiet you." + +"Whatever he tried for he nearly got. Kelly's nightstick got +his pneumonia gas jet, or whatever you call it. He's still +quiet, in the station house--You know old man Van Cleft, who +owns sky-scrapers down town, don't you?--Well, he's the center +of this flying wedge of excitement. His family are fine people, +I understand. His daughter was to be married next week. Monty, +that wedding'll be postponed, and old Van Cleft won't worry over +dispossess papers for his tenants for the rest of the winter. +See?" + +"Killed?" + +"Correct. He's done, and I had a hell of a time getting the body +home, before the coroner and the police reporters got on the +trail." + +Shirley lowered his high-ball glass, with an earnest stare. + +"What was the idea?" + +"Robbery, of course. His son had me on the case--'phoned from +the garage where the chauffeur brought the body; after he saw the +old man unconscious. Just half an hour before he had left his +office in the same machine, after taking five thousand dollars in +cash from his manager." + +"Who was with him?" + +"Now, that's getting to brass tacks. When I gets that C.Q.D. +from Van Cleft, I finds the young fellow inside the ring of +rubbernecks, blubbering over the old man, where he lies on the +floor of the taxi--looking soused." + +"He was a notorious old sport about town, Captain." + +"Sure--and I thinks, it sorter serves him right. But, that's his +funeral, not mine. Van Cleft, junior, says to me: 'There's the +girl that was with him.'" + +"Where was the girl?" + +"She was sitting on a stool, near the car, a little blonde chorus +chicken, shaking and twitching, while the chauffeur and the +garage boss held her up. I says, 'What's this?' and Van Cleft +tells me all he knows, which ain't nothing. Them guys in that +garage was wise, for it meant a cold five hundred apiece before I +left to keep their lids closed. Van Cleft begs me to hustle the +old man home, so one of my men takes her down to my office, still +a sniffling, and acting like she had the D.T.'s. The young +fellow shook like a leaf, but we takes him over to Central Park +East, to the family mansion,--carrying him up the steps like he +was drunk. We gets him into his own bed, and keeps the sister +from touching his clammy hands, while she orders the family +doctor. When he gets there on the jump, I gives him the wink and +leads him to one side. 'Doc,' I says, 'you know how to write out +a death certificate, to hush this up from your end. I've done +the rest.'" + +Captain Cronin leaned forward, a queer excitement agitating him. + +"Do you know what that doctor says to me, Monty?" + +Shirley shook his head. + +He says; "My God, it's the third!" + +Shirley's white hand gripped the edge of the table. "The Van +Cleft's doctor is one of the greatest surgeons in the country, +Professor MacDonald of the Medical College. He said that?" + +"He did. I answers, 'Whadd'y mean the third?' Then he looks me +straight in the eye, and sings back, 'None of your business.'" +Cronin shook his head. "I never seen a man with a squarer look, +and yet he has me guessing. I goes back to the garage, over past +Eighth Avenue, you know, where two johns come up along side o' +me. One rubs me with his elbow and the other applies that brass +knuckle,--then they gets pinched. I got dressed up in a drug +store, got the chauffeur's license number, and goes on down to my +office to see this girl. She's hysterical about his family using +all their money to put her in jail. I looks at her, and says, +'You won't need their money to get to jail. That old man's +dead!' Her eyes was as big as saucers. 'I thought old Daddy Van +Cleft was drunk.' I tells her, 'He was dead in that taxi, with a +chorus girl, and a roll of bills gone. What you got to say?' +She staggers forward and clutches my coat, and what do you think +SHE says to me?" + +Shirley made the inquiry only with his eyes, puffing his +cigarette slowly. + +"She looks sorter green, and repeats after me: 'Dead, with a +chorus girl, and a roll of bills gone,'--just like a parrot. +Then she springs this on me: 'My God, it's the third!'" + +Shirley dropped his cigarette, leaning forward, all nonchalance +gone. + +"Where is she now? Quick, let's go to her." + +He rose to his feet. Just then a door-boy walked through the +grill-room toward him. "A telephone call for Captain Cronin, +sir; the party said hurry or he would miss something good." + +Shirley snapped out, "When has the rule about telephone calls in +this club been changed? You boys are never to tell any one that +a member or guest are here until the name is announced." + +He turned toward the puzzled Captain. + +"Did you ask any of your operatives to call you here? You know +what a risk you are taking, to connect me with this case like +that, don't you?" + +"I never even breathed it to myself. I told no one." + +"Follow me up to the telephone room." + +Shirley hurried through the grill, to the switchboard, near which +stood the booths for private calls. He called to one of the +operators. "Here, let me at that switchboard." He pushed the +boy aside, and sat down in the vacated chair. + +"Which trunk is it on? Oh, I see, the second. There Captain, +take the fourth booth against the wall." + +Cronin stepped in. Shirley connected up and listened with the +transmitter of the operator at his ear, holding the line open. + +"Go ahead, here's Captain Cronin!" + +A pleasant voice came over the wire. It was musical and sincere. + +"Hello, Captain Cronin, is that you?" + +"Yes! What do you want?" + +The voice continued, with a jolly laugh, ringing and infectious +in its merriment. + +"Well, Captain, the joke's on you. Ha, ha, ha! It's a bully +one! Ho, ho! Ha, ha!" + +"What joke?" + +"You're working on the Van Cleft case. Oh, sure, you are, don't +kid me back. Well, Captain, you've missed two other perfectly +good grafts. This is the third one!" + +There was a click and the speaker, with another merry gurgle, +rang off. + +"Quick, manager's desk," cried Shirley, jiggling the metal key. +"What call was that? Where did it come from?" + +After a little wait, a languid voice answered: "Brooklyn, Main +6969, Party C." + +"Give me the number again--I want to speak on the wire." + +After another delay, the voice replied "The line has been +discontinued." + +"I just had it! What is the name of the subscriber. Hurry, this +is a matter of life and death." + +"It's against the rules to give any further information. But our +record shows that the house burned down about two weeks ago. No +one else has been given the number. There's no instrument +there!" + + + + +CHAPTER II + +THE FLEETING PROMPTER + + +Monty's puzzled smile was in no wise reciprocated by the Captain, +whose red face evidenced a growing resentment. + +He began a tirade, but a wink from the club man warned him. +Shirley replaced the receiver, and the regular attendant resumed +his place at the switchboard. The lad was curious at the unusual +ability of the wealthy Mr. Shirley to handle the bewildering maze +of telephone attachments. Monty explained, as he turned to go +upstairs. + +"Son, that was one of my smart friends trying to play a practical +joke on my guest. I fooled him. Don't let it happen again, +until you send in the party's name first." + +"Yes, sir," meekly promised the boy. + +"Well, Captain Cronin, as the old paperback novels used to say at +the end of the first instalment, 'The Plot thickens!' At first +I thought this case of stupid badger game--" + +"You aren't going to back out, Monty? Here's a whole gang of +crooks which would give you some sport rounding up, and as for +money--" + +"Money is easy, from both sides of a criminal matter. What +interests me is that ghostly telephone call from a house that +burned down, and the caller's knowledge of Number Three. I'm in +this case, have no fear of that." + +Shirley led his guest to the coat room. + +"I'll get a taxicab, Monty. We'd better see that girl first and +then have a look at the body." + +The Captain turned to the door, as the attendant helped Monty +with his overcoat. The waiter from the grill-room approached. +"Excuse me, sir, but the gentleman dropped his handkerchief in +his chair opposite you." + +"Thank you, Gordon," he said, as he faced the servant for an +instant. When he turned again, toward the front hall, the +Captain had passed out of view through the front door. + +Shirley received a surprise when he reached the pavement on +Forty-fourth Street, for Captain Cronin was not in sight. Two +club men descended the steps of the neighboring house. Others +strolled along toward the Avenue, but not a sign of a vehicle of +any description could be seen, nor was there anything suspicious +in view. Cronin had disappeared as effectually as though he had +taken a passing Zeppelin! + +"I'm glad this affair will not bore me," murmured the +criminologist, as he evolved and promptly discarded a dozen vain +theories to explain the disappearance of his companion. + +Twenty minutes were wasted along the block, as he waited for some +sight or sign. Then he decided to go on up to Van Cleft's +residence. But, realizing the probability of "shadow" work upon +all who came from the door of the club, after the curious message +on the wire, Shirley did not propose to expose his hand. Walking +leisurely to the Avenue, he hailed a passing hansom. He directed +the driver to carry him to an address on Central Park West. His +shrewdness was not wasted, for as he stepped into the vehicle, he +espied a slinking figure crossing the street diagonally before +him, to disappear into the shadow of an adjacent doorway. This +was the house of Reginald Van Der Voor, as Shirley knew. It was +closed because its master, a social acquaintance of the club +man's, was at this time touring the Orient in his steam yacht. +No man should have entered that doorway. So, as the horse +started under the flick of the long whip, Shirley peered +unobserved through the glass window at his side. + +A big machine swung up behind the hansom, at some unseen hail, +and the figure came from the doorway, leaping into the car, as it +followed Shirley up the Avenue, a block or so behind. + +"It is not always so easy to follow, when the leader knows his +chase," thought Shirley. "I'm glad I'm only a simple club man." + +The automobile was unmistakably trailing him, as the hansom +crossed the Plaza, then sped through the Park drive, to the +address he had given his driver. + +As Shirley had remembered, this was a large apartment house, in +which one of his bachelor friends lived. He knew the lay of the +building well: next door, with an entrance facing on the side +street was another just like it, and of equal height. + +"Wait for me, here," said Shirley. "I'll pay you now, but want +to go to an address down town in five minutes." + +He gave the driver a bill, then entered and told the elevator man +to take him to the ninth floor. + +"There's nobody in, boss," began the boy. But Shirley shook his +head. + +"My friend is expecting me for a little card game, that's why you +think he is out. Just take me up." + +He handed the negro a quarter, which was complete in its logic. + +As he reached the floor, he waved to the elevator operator. "Go +on down, and don't let any one else come up, for Mr. Greenough +doesn't want company." + +As the car slid down, Shirley fumbled along the familiar hall to +the iron stairs which led to the roof of the building. Up these +he hurried, thence out upon the roof. It was a matter of only +four minutes before he had crossed to the next apartment +building, opened the door of the roof-entry, found the stairs to +the ninth floor, and taken this elevator to the street. + +He walked out of the building, and turned toward Central Park +West, to slyly observe the entrance of the building where waited +the faithful hansom Jehu. A young man was in conversation with +the driver, and the big automobile could be seen on the other +side of the street awaiting further developments. + +"He has a long vigil there," laughed Shirley. "Now, for the real +address. I think I lost the hounds for this time." + +Another vehicle took him through the Park to the darkened mansion +of the Van Clefts'. Here, Shirley's card brought a quick +response from the surprised son of the dead millionaire. + +"Why--why--I'm glad to see you, Mr. Shirley--Who sent you?" he +began. + +Shirley registered complete surprise. "Sent me, my dear Van +Cleft? Who should send me? For what? It just happened that I +was walking up the Avenue, and to-morrow night I plan to give a +little farewell supper to Hal Bingley, class of '03, at the club +You knew him in College? I thought you might like to come." + +"Step in the library," requested Van Cleft, weakly. "Sit down, +Mr. Shirley--I'm upset to-night." + +He mopped his brow with a damp handkerchief, and Shirley's big +heart went out to the young chap, as he saw the haggard lines +of horror and grief on his usually pleasant face. + +"What's the trouble, old man? Anything I can do?" + +"My father just died this evening, and I'm in awful trouble--I +thought it was the Coroner, or the police--" he bit his tongue as +the last words escaped him. Shirley put his hand on Van Cleft's +shoulder, with an inspiring firmness. + +"Tell me how I can help. You've had a big shock. Confide in me, +and I pledge you my word, I'll keep it safer than any one you +could go to." + +Van Cleft groped as a drowning man, at this opportunity. He +caught Shirley's hand and wrung it tensely. + +"Sit down. The doctor is still upstairs with mother and sister. +When the Coroner comes, I would like to have you be here as a +witness. It's an ordeal--I'll tell you everything." + +Shirley listened attentively, without betraying his own +knowledge. Soothing in manner, he questioned the son about any +possible enemy of the murdered man. + +"There's not one I know. Dad is popular--he's been too gay, +lately, but just foolish like a lot of rich men. He wouldn't +harm any one. He inherited his money, you know. Didn't have to +crush the working people. Like me, he's been endeavoring to +spend it ever since he was born, but it comes in too fast from +our estates." + +He looked up apprehensively, at the sympathetic face of his +companion. + +"It's very unwise to tell this. I suppose it's a State's prison +offence to deceive about murder. But you understand our +position: we can't afford to let it become gossip. I'll pay this +girl anything to go to Europe or the Antipodes!" + +"I wouldn't do that," suggested Shirley, thoughtfully. "Let her +stay. You would like to bring the culprit to justice, if it can +be done without dragging your name into it. If he has planned +this, he has executed other schemes. She certainly would not +remain the machine if she were the guilty one. Why not employ a +good detective?" + +"I did, but hesitated to tell you. I secured Captain Cronin, of +the Holland Agency. He's managed everything so far--I was too +rattled myself. But, I wonder why he isn't here now? He was to +return as soon as he visited the garage." + +As Van Cleft spoke, the butler approached with hesitation. + +"Beg pardon, sir. But you are wanted on the telephone, sir." + +"All right, Hoskins. Connect it with the library instrument." + +Van Cleft lifted the receiver nervously, and answered in an +unsteady voice. + +"Yes--This is Van Cleft's residence." + +Silence for a bit, then the wire was busy. + +"What's that? Captain Cronin? What about him? Let me speak to +him." + +Shirley was alert as a cat. Van Cleft was too dazed to +understand his sudden move, as the criminologist caught up the +receiver, and placed his palm for an instant over the mouthpiece. + +"Ask him to say it again--that you didn't understand." Shirley +removed his hand, and obeyed. Shirley held the receiver to his +ear, as the young man spoke. Then he heard these curious words: +"You poor simp, you'd better get that family doctor of yours to +give you some ear medicine, and stop wasting time with the death +certificate. I told you that Cronin was over in Bellevue +Hospital with a fractured skull. Unless you drop this +investigating, you'll get one, too. Ta, ta! Old top!" + +The receiver was hung up quickly at the other end of the line. + +Shirley gave a quick call for "Information," and after several +minutes learned that the call came from a drug store pay-station +in Jersey City! + +The melodious tones were unmistakably those of the speaker who +had used the wire from faraway Brooklyn where the house had been +burned down! It was a human impossibility for any one to have +covered the distance between the two points in this brief time, +except in an aeroplane! + +Van Cleft wondered dumbly at his companion's excitement. Shirley +caught up the telephone again. + +"Some one says that Cronin is at Bellevue Hospital, injured. +I'll find out." + +It was true. Captain Cronin was lying at point of death, the +ward nurse said, in answer to his eager query. At first the +ambulance surgeon had supposed him to be drunk, for a patrolman +had pulled him out of a dark doorway, unconscious. + +"Where was the doorway? This is his son speaking, so tell me +all." + +"Just a minute. Oh! Here is the report slip. He was taken from +the corner of Avenue A and East Eleventh Street. You'd better +come down right away, for he is apt to die tonight. He's only +been here ten minutes." + +"Has any one else telephoned to find out about him?" + +"No. We didn't even know his name until just as you called up, +when we found his papers and some warrants in a pocketbook. How +did you know?" + +But Shirley disconnected curtly, this time. He bowed his head in +thought, and then, with his usual nervous custom, fumbled for a +cigarette. Here was the Captain, whom he had left on Forty-fourth +Street, near Fifth Avenue, a short time before, discovered fully +three miles away. + +And the news telephoned from Jersey City, by the fleeting magic +voice on the wire. Even his iron composure was stirred by this +weird complication. + +"I wonder!" he murmured. He had ample reason to wonder. + + + + +CHAPTER III + +THE INNOCENT BYSTANDER + + +"Well, Mr. Shirley, your coming here was a Godsend! I don't know +what to do now. The newspapers will get this surely. I depended +on Cronin: he must have been drinking." + +Shirley shook his head, as he explained, "I know Cronin's +reputation, for I was a police reporter. He is a sterling man. +There's foul work here which extends beyond your father's case. +But we are wasting time. Why don't you introduce me to your +physician? Just tell him about Cronin, and that you have +confided in me completely." + +Van Cleft went upstairs without a word. Unused to any worry, +always able to pay others for the execution of necessary details, +this young man was a victim of the system which had engulfed his +unfortunate sire in the maelstrom of reckless pleasure. + +By his ingenuous adroitness, it may be seen, Shirley was +inveigling himself into the heart of the affair, in his favorite +disguise as that of the "innocent bystander." His innate +dramatic ability assisted him in maintaining his friendly and +almost impersonal role, with a success which had in the past kept +the secret of his system from even the evildoers themselves. + +"A little investigation of the telephone exchanges during the +next day or two will not be wasted time," he mused. "I'll get +Sam Grindle, their assistant advertising manager to show me the +way the wheels go 'round. No man can ride a Magic Carpet of +Bagdad over the skyscrapers in these days of shattered folklore." + +Howard Van Cleft returned with the famous surgeon, Professor +MacDonald. He was elderly, with the broad high forehead, dignity +of poise, and sharpness of glance which bespeaks the successful +scientist. His face, to-night, was chalky and the firm, full +mouth twitched with nervousness. He greeted Shirley abstractedly. +The criminologist's manner was that of friendly anxiety. + +"You are here, sir, as a friend of the family?" + +"Yes. Howard has told me of the terrible mystery of this case. +As an ex-newspaper man I imagine that my influence and +friendships may keep the unpleasant details from the press." + +"That is good," sighed the doctor, with relief. "How soon will +you do it?" + +"Now, using this telephone. No, for certain reasons, I had +better use an outside instrument. I will call up men I know on +each paper, as though this were a 'scoop,' so that knowing me, +they will be confident that I tell them the truth as a favor. +Such deceit is excusable under the circumstances. It may +eventually bring the murderer to justice." + +Professor MacDonald winced at the word. He turned toward Van +Cleft, on sudden thought, remarking: "Howard your mother and +sister may need the comfort of your presence. I will chat with +your friend until the Coroner comes." + +The physician sank into a library chair. The criminologist +quietly awaited his cue. He lit a cigarette and the minutes +drifted past with no word between them. The doctor's gaze +lowered to the vellum-bound books on the carven table, then to +the gorgeous pattern of the Kermansha at his feet. Once more he +studied the face of his companion, with the keen, soul-gripping +scrutiny of the skilled physician. As last he arrived at a +definite conclusion. He cleared his throat, and fumbled in his +waistcoat pocket for a cigar. A swiftly struck match in Monty's +hand was held up so promptly to the end of the cigar, that the +doctor's lips had not closed about it. This deftness, simple in +itself, did not escape the observation of the scientist. He +smiled for the first time during their interview. + +"Your reflex nerves are very wide awake for a quiet man. I +believe I can depend upon those nerves, and your quietude. May I +ask what occupation you follow, if any? Most of Howard's friends +follow butterflies." + +"I am one of them, then. Some opera, more theatricals, much art +gallery touring. A little regular reading in my rooms, and there +you are! My great grandfather was too poor a trader to succeed +in pelts, so he invested a little money in rocky pastures around +upper Manhattan: this has kept the clerks of the family bankers +busy ever since. I am an optimistic vagabond, enjoying life in +the observation of the rather ludicrous busyness of other folk. +In short, Doctor, I am a corpulent Hamlet, essentially modern in +my cultivation of a joy in life, debating the eternal question +with myself, but lazily leaving it to others to solve. Therein I +am true to my type." + +"Pardon my bluntness," observed MacDonald, watching him through +partially closed eyes. "You are not telling the truth. You are +a busy man, with definite work, but that is no affair of mine. I +recognize in you a different calibre from that of these rich +young idlers in Howard's class. I am going to take you into my +confidence, for you understand the need for secrecy, and will +surely help in every way--noblesse oblige. This man Cronin, the +detective, was rather crude." + +"He is honest and dependable," replied Shirley, loyally. + +"Yes, but I wonder why professional detectives are so primitive. +They wear their calling cards and their business shingles on +their figures and faces. Surely the crooks must know them all +personally. I read detective stories, in rest moments, and every +one of the sleuths lives in some well-known apartment, or on a +prominent street. Some day we may read of one who is truly in +secret service, but not until after his death notice. But there, +I am talking to quiet my own nerves a bit,--now we will get to +cases." + +The doctor dropped his cigar into the bronze tray on the table, +leaning forward with intense earnestness, as he continued. + +"This, Mr. Shirley, is the third murder of the sort within a +week. Wellington Serral, the wealthy broker, came to a sudden +death in a private dining room last Monday, in the company of a +young show girl. He was a patient of mine, and I signed the +death certificate as heart failure, to save the honorable family +name for his two orphaned daughters. + +"Herbert de Cleyster, the railroad magnate, died similarly in a +taxicab on Thursday. He was also one of my patients. There, too, was +concerned another of these wretched chorus girls. To-night the fatal +number of the triad was consummated in this cycle of crime. To +maintain my loyalty to my patients I have risked my professional +reputation. Have I done wrong?" + +"No! The criminal shall be brought to justice," replied Shirley +in a voice vibrant with a profound determination which was not +lost upon his companion. + +"Are you powerful enough to bring this about, without disgracing +me or betraying this sordid tragedy to the morbid scandal-rakers +of the papers?" + +"I will devote every waking hour to it. But, like you, my +efforts must remain entirely secret. I vow to find this man +before I sleep again!" + +"You are determined--yet it cannot be one single man. It must be +an organized gang, for all the crimes have been so strangely +similar, occurring to three men who are friends, and entrez nous, +notorious for their peccadilloes. The girls must be in the +vicious circle, and ably assisted. But there is one thing I +forgot to tell you, which you forgot to ask." + +"And this is?" + +"How they died. It was by some curious method of sudden arterial +stoppage. Old as they were, some fiendish trick was employed so +skilfully that the result was actual heart failure. There was no +trace of drugs in lungs or blood. On each man's breast, beneath +the sternum bone I found a dull, barely discernible bruise mark, +which I later removed by a simple massage of the spot!" + +Shirley closed his eyes, and passed his hand over his own chest +--along the armpits--behind his ears--he seemed to be mentally +enumerating some list of nerve centers. The physician observed +him curiously. + +"I have it, doctor! The sen-si-yao!" + +"What do you mean?" + +"The most powerful and secret of all the death-strokes of the +Japanese art of jiu-jitsu fighting. I paid two thousand dollars +to learn the course from a visiting instructor when I was in +college. It was worth it for this one occasion." + +Shirley arose to his feet, and approached the other, touching his +shoulder. + +"Stand up, if you please. Let me ask if this was the location of +the mark?" + +The physician, interested in this new professional phase, readily +obeyed. One quick movement of Shirley's muscular hand, the thumb +oddly twisted and stiffened, and a sudden jab in the doctor's +abdomen made that gentleman gasp with pain. Shirley's expression +was triumphant, but the professor regarded him with an expression +of terror. + +"Oh! Ugh!--What-did-you-do-to me?" he murmured thickly, when he +was at last able to speak. + +"Merely demonstrated the beginning of the death punch which I +named. That pressure if continued for half a minute would have +been fatal." + +"I wish you would teach me that," was the physician's natural +request, as he nodded with a wry face. + +"Impossible, my dear sir, for I learned it, according to the +Oriental custom under the most sacred obligations of secrecy. +One must advance through the whole course, by initiatory +degrees, before learning the final mysteries of the samurais. +Now, we have a working hypothesis. The girls could never have +accomplished this. One man and one alone must have killed the +three, although doubtless with confederates. Yamashino assured +me that there were only six men in this country who knew it +beside myself. We must find an Orientalist!" + +Shirley paced the floor, but his meditations were interrupted by +the arrival of the Coroner and his physician. Van Cleft hurried +into the room with them, to present the doctor, who exchanged a +formal greeting with the men he had met twice before that week. + +"A sad affair, Professor," observed the Coroner nervously, +drinking in with profound respect the magnificent surroundings +which symbolized the great wealth of which he secretly hoped to +gain a tithing. "I trust that, as usual, in such cases, I may +suggest an undertaker?" + +"Why--talk about that at once, sir?" asked Howard with a shudder. + +The physician, familiar with the subtleties of coroners, gently +placed an arm about the young man's shoulder. He nodded, +understandingly, to the Coroner, as he turned toward Shirley. + +"I must be going now," the latter interposed. "Just a word with +you, Howard, that I may send a message to your mother and +sister." + +The physician led away the two officials as Shirley continued: "I +must go to see Cronin--deserted there like a run-over mongrel on +the street. Can I leave this house by the rear, so that none +shall know of my assistance in the case, or follow me to the +hospital? If you can secure an old hat and coat, I will leave my +own, with my stick, to get them some other time." + +"I will get some from the butler, if you wait just a moment. You +can leave by the rear yard, if you don't mind climbing a high +board fence." + +Van Cleft hurried downstairs, in a few minutes, bearing a +weather-beaten overcoat and an English cap, which Shirley drew +down over his ears. With the coat on, he looked very unlike the +well-groomed club man who had entered. Unseen by Van Cleft he +shifted an automatic revolver into the coat pocket from the +discarded garment. + +"Now, Mr. Shirley, come this way. Follow the rear area-way, +across to the next yard, where after another climb you find a +vacant lot where the Schuylers are preparing to erect their new +city house. Will you attend to everything?" + +"Everything. I'll start sooner than you expect." + +Truly he did! For no sooner had he descended the second fence +into the empty lot than a stinging blow sent him at full length +on the rocky ground, where the excavations were already being +started. Two men pounced upon him in a twinkling--only his great +strength, acquired through the football years, saved him from +immediate defeat. His head throbbed, and he was dizzy as he +caught the wrist of the nearest assailant with a quick twist +which resulted in a sudden, sickening crunch. The man groaned in +agony, but his companion kicked with heavy-shod feet at the +prostrate man. Shirley's left hand duplicated the vice-like grip +upon the ankle of the standing assailant, and his deftness caused +another tendon strain! Both men toppled to the ground, now, and +before they realized it Shirley had reversed the advantage. His +automatic emphasized his superiority of tactics. He understood +their silence, broken only by muted groans: they feared the +police, even as did he, although for different reasons. He +"frisked" the man nearest him upon the ground, and captured +deftly the rascal's weapon: then he sprang up covering the twain. + +"Get up! Youse guys is poachin' in de wrong district--dis belongs +to de Muggins gang. I'll fix youse guys fer buttin' in. Up, +dere!" His hands went into his coat pockets, but the men knew +that they were still pointing at them, the gunman's "cover" as it +is called. They staggered sullenly to their feet. He beckoned +with his head, toward the front of the lot. They followed the +silent instructions, one limping while his mate wrung the injured +wrist in agony. + +Directly before the lot stood a throbbing, empty automobile. +Shirley decided to take another car--he could not guard them and +drive at the same time. + +"Down to Fift' Avnoo," he ordered. "I got two guns--not a woid +from youse!" His erstwhile amiable physiognomy, now gnarled into +an unrecognizable mask of low villainy bespoke his desperate +earnestness. The men obeyed. This was apparently a gangster, of +gangsters--their fear of the dire vengeance of a rival +organization of cut-throats instilled an obedience more humble +than any other threats. + +Toward the Park side they advance, one leaning heavily upon the +other. Shirley, his broad shoulders hunched up; with the collar +drawn high about his neck, the murderous looking cap down over +his eyes, followed them doggedly. + +A big limousine was speeding down the Avenue from some homing +theater party. Shirley hailed it with an authoritive yell which +caused the chauffeur to put on a quick brake. + +"Git out dere,--no gun play. Up inter dat car!" he added, as +they approached the machine. + +"Say, what you drivin' at?" cried the driver, queruously. "Is +this a hold-up?" It was a puzzling moment, but the +criminologist's calm bravado saved the situation: as luck would +have it no policemen were in sight, to spoil the maneuver. + +"No," and he assumed a more natural voice and dialect. "I'm a +detective. These men were just house-breaking, and I got them. +There's twenty-five dollars in it for you, if you take us down to +the Holland Detective Agency, in ten minutes." + +"He's kiddin' ye, feller," snapped out one man. + +"Don't fall fen him, yen boob!" sung out the other. + +But Shirley's automatic now appeared outside the coat pocket. +The chauffeur realized that here was serious gaming. With his +left hand Shirley jerked out the ever ready police card and fire +badge, which seemed official enough to satisfy the driver. + +"Quick now, or I'll run you in, too, for refusing to obey an +officer. You men climb into that back seat. Driver, beat it now +to Thirty-nine West Forty Street, if you need that twenty-five +dollars. I'll sit with them. I don't want any interference so I +can come back and nab the rest of their gang." + +His authoritative manner convinced this new ally, and he climbed +into the car, facing his prisoners, with the two weapons held +down below the level of the windows. Pedestrians and other +motorists little recked what strange cargo was borne as the car +raced down the broad thoroughfare. + +In nine minutes they drew up before the Holland Agency, a +darkened, brown front house of ancient architecture. The +chauffeur sprang out to swing back the door. + +"Go up the steps, and tell the doorman that Captain Cronin wants +two men to bring down their guns and handcuffs and get two +prisoners. Quick!" + +The street was not empty, even at this hour. Yet the passersby +did not realize the grim drama enacted inside the waiting +machine. Hours seemed to pass before Cronin's men returned with +the driver, as much surprised by the three strange faces within +the machine, as he had been. + +"You take these men upstairs and keep them locked up," bluntly +commanded the criminologist. "They're nabbed on the new case of +the Captain's which started to-night, I'm going over to Bellevue +to see him." His voice was still disguised, his features twisted +even yet. + +The men gave him a curious glance, and then obeyed. As they +disappeared behind the heavy wooden door, Shirley stepped into a +dark hallway, close by. He lit a wax match to give him light for +the choosing of the right amount, from the roll of bills which he +drew forth. The chauffeur whistled with surprise at the size of +the denominations. The twenty-five were handed over. + +"Thanks very much, my friend," and the face unsnarled itself, +into the amiable lines of the normal. The voice was agreeable +and smooth, which surprised the man the more. "You took me out +of a ticklish situation tonight. I don't want any mere policemen +to spoil my little game. Please oil up your forgettery with +these, and then--forget!" + +"Say, gov'nor," retorted the driver, as he put the money into the +band of his leather cap. "I ain't seen so much real change since +my boss got stung on the war. I ain't so certain but what you +was the gink robbin' that house, at that. But that's them guys +funeral if you beat 'em to it. Good-night--much obliged. But I +got to slip it to you, gov'nor--you ain't none of them Central +Office flat-feet, sure 'nuff! If you are a detective, you're +some fly cop!" + + + + +CHAPTER IV + +A SCIENTIFIC NOVELTY + + +In a private ward room at Bellevue Hospital, Captain Cronin was +just returning to memory of himself and things that had been. +Shirley arrived at his cot-side as he was being propped up more +comfortably. The older man's face broke into game smiles, as the +criminologist took the chair provided by the pretty nurse. + +"Thanks, I'll have a little chat with my friend, if you don't +think it will do him any harm." + +"He is better now, sir. We feared he was fatally injured when +they brought him in. I'll be outside in the corridor if you need +anything." + +She left not without an admiring look at the big chap, wondering +why he wore such disreputable superstructure with patent leather +pumps and silk hose showing below the ragged overcoat. Strange +sights come to hospitals, curiosity frequently leading to +unprofitable knowledge: so she was silently discreet. Shirley's +garb was not unobserved by the detective chief. Monty laughed +reminiscently at the questioning glance. + +"These are my working clothes--a fine combination. I nabbed two +of the gang. But what became of you?" + +"Outside that club door, I wanted to save time for us both. I +took the first taxi in sight. Before I could even call out to +you, the door slammed on me, the shades flopped down, the car +started up--the next thing I knew this here nurse was sticking a +spoon in my mouth, a-saying: 'Take this--it's fine for what ails +you!'" + +"I wonder if it could have been the same machine they left at Van +Cleft's? I will tell you how things progressed." So he did, +leaving out only the confidence of Professor MacDonald. The +Captain became feverishly excited, until Shirley abjured him to +beware of a relapse. "You must be calm, for the next twenty-four +hours: there will be much for you to do, even then. Meanwhile, +let me call up your agency; then you give them instructions over +this table telephone to let Howard Van Cleft interview the little +chorus girl, with his friend. I'll be the friend." + +"I'm afraid I'm going to be snowed under in this case, Monty. +The finest job I've had these dozen years. But you're square, +and will do all you can." + +"Old friend, I'll do what I can to make Van Cleft and the +newspapers sure that you are the most wonderful sleuth inside or +outside the public library. Here's your office--speak up. Let +me lift you." + +"Hello Pat!" called Cronin, as his superintendent came to the +'phone. "I am detained at Bellevue, so that I can't be there +when Van Cleft comes down. Let him Third Degree that little Jane +from the garage. Keep them two men apart, too--oh, that's all +right, the fellow is a friend of mine on the 'Frisco police +force. He won't butt in." Silence for a moment, then: "Oh, +shucks, let 'em yowl! They've got more than kidnapping to worry +about for the next twenty-five years." + +He hung up the receiver, sinking back on his pillows wan from the +strain. Monty handed him a glass of water, and adjusted the +bandages with a hand as tender as a woman's. He lifted the +instrument again. + +"You are sterling, twenty-two carat and a yard wide, Captain! +Now, get to sleep while I find out who the ring-master is. I've +sworn to keep awake until I do. I think it well to telephone Van +Cleft, and arrange for a better get-a-way for us both." + +He was soon talking with the son of the murdered man. "Meet me +down at the Vanderbilt Hotel--ask for Mr. Hepburn's room, and +send up the name of Williams. See you in an hour. Good-bye." + +Hanging up the receiver, he turned toward the door, after a +friendly pat on Cronin's shoulder. The bell rang, and the +Captain reached for it, to sink back exhausted upon the bed. +Shirley answered, to be greeted by a pleasant feminine voice. + +"Is this Captain Cronin?" + +Instantly the criminologist replied affirmatively, suiting his +tones as best he could to the gruff voice of the detective chief, +with a wink at that worthy. + +"I just called up, Captain, to ask about you--Oh, you don't +recognize my voice. I'm Miss Wilberforce, private secretary to +Mr. Van Cleft. Has any one been to see you yet? I understand +that you are very busy, and have already missed two other good +cases, this one being the THIRD! Well, don't hurry, Captain. +You may get the rest to come--if you live long enough. +Good-bye!" + +Shirley looked at Cronin, startled. Another mention of the +mystic number. He called for information about the origin of the +call. + +"Lordee, son! Are they at it again?" asked Cronin in disgust. + +"Yes--overdoing it. One thing is clear, that whoever is behind +this telephone trickery is very clever, and very conceited over +that cleverness. It may be a costly vanity. Yes, information?" + +"The call was from Rector 2190-D. The American Sunday School +Organization, sir--It doesn't answer now; the office must be +closed." + +Shirley put the instrument down, with a smile on his pursed lips. +He waved a good natured farewell to his friend, as he drew the +cap down over his eyes. + +"Look a little happier, Captain. I'll send down some fruit and +a special vintage from our club which has bottled up in it the +sunlight of a dozen years in Southern France. I hope they keep +the telephone wires busy--they may tangle themselves up in their +own spider-web!" + +Leaving the hospital, he hurried to the hotel. One of his secret +idiosyncracies was a custom of "living around" at a number of +hotels, under aliases. Maintaining pleasant suites in each, he +kept full supplies of linen and garments, while effectively +blotting out his own identity for "doubling" work. + +He was known as "Mr. Hepburn" here, and entering the side door he +was subjected to the curious gaze of only one servant, the operator +of the small elevator. Once in the shelter of his quarters he +rummaged through some scrap-books for data--he found it in a Sunday +feature story published a month before in a semi-theatrical paper. +It described with rollicking sarcasm, a gay "millionaire" party +which had been given in Rector's private dining rooms. Among the +ridiculed hosts were Van Cleft, Wellington Serral and Herbert De +Cleyster! Here, in some elusive manner, ran the skein of truth which +if followed would lead to the solution of mystery. He must carve out +of this mass of pregnant clues the essentials upon which to act, as +the sculptor chisels the marble of a huge block to expose the figure +of his inspiration, encased there all the time! + +"To find out the source of their golden-haired nymphs for this +merry-merry, that is the question! Some stage doorkeeper might +be persuaded to unburden what soul he has left!" + +He jotted in his memorandum book the names of the other eight +wealthy men who were pilloried by the journalist. The younger +men, Shirley felt sure, were of that peculiarly Manhattanse type +of hanger-on--well-groomed, happy-go-hellward youths who danced, +laughed and drank well,--so essential to the philanderings of +these rich old Harlequins and their gilded Columbines. As he +scribbled, the telephone of the room tinkled its summons. + +He started toward it: then his invaluable intuition prompted him +to walk into the adjoining room, where another instrument stood +on a small table, handy to the bed. Only two people could +possibly know he was there. Van Cleft could not have arrived, as +yet. The other bell jingled impatiently, but Shirley finally +heard the voice of the switch-board girl. + +"I'm trying to get you on the other wire, sir. There's a call." + +"Don't connect me," he hurriedly ordered, "except to open the +switch, so I may listen. If I hang up without a word, tell the +party I will be back in twenty minutes." + +With a hotel telephone girl tact is more important than even the +knowledge of wire-knitting. It was the woman's voice which he +had heard at the hospital. Captain Cronin was anxious to speak +to Mr. Williams, who was calling on Mr. Hepburn! With the +biggest jolt of this day of surprises Shirley disconnected and +whistled. Again he laughed--with that grim chuckle which was so +characteristic of his supreme battling mood! They had found the +trail even quicker than he had expected. Fortunate it was that +he had not mentioned his own name in telephoning from the +hospital to Howard. Not a wire was safe from these mysterious +eaves-droppers now. He hurried into a business suit, and left +the hotel, to walk over Thirty-fourth Street to the studio of +his friend, Hammond Bell. Here he was admitted, to find the +portrait-painter finishing a solitary chafing-dish supper. + +"Delighted, Monty! Join me in the encore on this creamed +chicken and mushrooms!" + +"Too rich for my primitive blood, Hammond. I'm in a hurry to get +a favor." + +"I've received enough at your hands--say the word." + +"Simply this: I want to experiment with sound waves. I +remembered that once in a while some of these wild Bohemian +friends of yours warbled post-impressionist love-songs into your +phonograph. It stood the strain, and so must be a good one. It +is too late now to get one in a shop; will you lend me the whole +outfit, with the recording attachment as well, for to-night and +to-morrow?" + +"The easiest thing you know. Let's slide it into this grip--you +can carry the horn." + +Three minutes later Shirley made his exit, and soon was shaking +hands with Van Cleft in his own room at the hotel. He sketched +his idea hurriedly, as he adjusted the instrument on the +dressing-table near the telephone. + +"When the call comes, be sure to say: 'Get closer, I can't hear +you.' That's the method, and it's so simple it is almost silly." +They were barely ready when the bell warned them. At Van Cleft's +reply, when the call for "Mr. Williams" Shirley pushed the horn +close to the telephone receiver. Van Cleft twisted it, so as to +give the best advantage, and demanded that the speaker come +closer to the 'phone. + +"Can you hear me now?" asked the feminine voice. "Do you hear me +now?" + +"No, speak louder. This is Mr. Williams. Speak up. I can't +understand you." The voice was petulant and so distinct that +even Shirley could hear it, as he knelt by the side of the +phonograph. Again Van Cleft insisted on his deafness. There +was the suggestion of a break in the voice which brought to +Shirley's eyes the sparkle of a presentiment of success. At +last Van Cleft admitted that he could hear. + +"Well, you fool, I've a message for your friend Mr. Van Cleft." + +"Which one?" was the innocent inquiry, as he forgot for an +instant that now he was the sole bearer of that name. + +"The one that's left. Tell him there will be none left if he +continues this gum-shoe work. He had better let well enough +alone, and let that little girl get out of town as soon as +possible. The papers will go crazy over a scandal like this, and +some one is apt to grab Van Cleft. That's all. Good-bye!" + +Silently Shirley shut off the lever of the machine, to catch up +the receiver. As before his endeavor to locate the call resulted +in a new address: this time in the Bronx! + +"Ah, the lady leaps from the business district to the Bronx in +half an hour. That is what I call some traveling." + +Van Cleft studied him with open mouth, as he withdrew the +phonograph record, coating it with the preservative to make the +tiny lines permanent. + +"In the name of common sense, who was that? And what's this +phonograph game?" he demanded. + +"The second question may answer the first before sunrise, unless +I am badly mistaken. I have heard an old adage which declares +that if you give a man long enough rope he will hang himself. My +new application is that you let him talk enough he is apt to sing +his own swan song, for a farewell perch on the electric chair at +Sing Sing!" + +Then he lit a cigarette and packed up the phonograph. + + + + +CHAPTER V + +THE MISBEHAVIOR OF THE 'PHONE + + +Still befuddled by the unusual events of the day, Howard Van +Cleft was unable to delight in a theoretical discovery. Personal +fear began to manifest itself. + +"Mr. Shirley, you're going at this too strong. We know the +guilty party--this miserable girl in the machine. We want to +hush it up and let things go at that." + +"We're hushing it, aren't we?" demanded Shirley, as he placed the +record in the grip. "Don't you see the wisdom of knowing who may +systematically blackmail you after secrecy is obtained. This is +a matter of the future, as well as the present." + +"But I don't want to lose my own life--I am young, with life +before me, and I want to let well enough alone, after these +threats." + +"I am afraid that you have a yellow streak." His lip curled as +he studied the pallid features of the heir to the Van Cleft +millions. Fearless himself, he could still understand the +tremors of this care-free butterfly: yet he knew he must crush +the dangerous thoughts which were developing. "If you mistrust +me, hustle for yourself. You have the death-certificate, the +services will be over in a few days, and then you will have +enough money to live on your father's yacht or terra firma for +the rest of your life, in the China Sea, or India, as far away +from Broadway chorus girls as you want. That might be safe." + +He gazed out of the window, toward the twinkling lights far away +across the East River. His sarcasm made Van Cleft wince as +though from a whip lash. The latter mopped his forehead and +tried to steady his voice, as he replied with all humility. + +"You're a brick, and I don't mean to offend you. Today has been +terrible, you know: this tornado has swept me from my moorings. +I don't know where to turn." + +"I am thoughtless," and Shirley's warm hand grasped the flaccid +fingers of the young man. "Forgive me for letting my interest +run away with my sympathies. I'm thinking of the future, more +than mere protection from newspaper scandal. This crime is so +ingenious that I believe it has a more powerful motive than mere +robbery. You are now at the head of a great house of finance +and society. You must guard your mother and your sister, and +those yet to come. A deadly snake is writhing its slimy trail +somewhere: here--there--'round about us! Who knows where it will +strike next? Who knows how far that blow may reach--even unto +China, or wherever you run?" + +He hesitated, studying the effect upon Van Cleft, who dropped +limply into a chair, his eyes dark with terror. The +psychological +ruse had won. Selfish cowardice, which temporarily threatened to +ruin his campaign, now gave way to the instinct of a fighting +defense. + +"There, Van Cleft, it is ghastly. You have the significance now: +we must scotch the snake. That girl is over at the Holland +Agency, and we should see her at once, to learn what she knows. +Cronin has arranged for my coming with you, so introduce me under +my real name. + +"Wait here fifteen minutes after I leave, so that I may get the +phonograph in readiness, for you will undoubtedly be shadowed, +and that may mean another telephone call. You were not a coward +in college--I do not believe you are one now!" + +Van Cleft straightened up proudly. + +"No, I will fight them with all I have. But why these phonograph +records: isn't one enough?" + +"No, I want autographs of all the voices. I will go now. Don't +hurry in following me. Do not fear to let any shadowers see you +--it will help us along." + +Before many minutes he had been admitted to the corridor of the +Holland Agency by a sharp-nosed individual who regarded him with +suspicion. The operatives were undoubtedly expecting trouble +from all quarters, for three other large men of the "bull" type, +heavy-jowled, ponderous men, surrounded him as he presented his +card. + +"I am the friend of Howard Van Cleft, about whom Captain Cronin +telephoned you from Bellevue. I am to help him interview the +girl: may I wait until he arrives?" + +"Oh, you're wise to the case? Sure then, come into the reception +room on the right. What's that in your grip?" asked the apparent +leader of the men. + +"Just an idea of Van Cleft's," said Shirley, as he followed into +the adjoining compartment. "It's a phonograph. Have you +received any phoney 'phone calls to-night? Queer ones that you +didn't expect and couldn't explain? Van Cleft has, and he +decided to take records of them on this machine." + +The superintendent nodded. Shirley opened the grip and drew out +the instrument, and made ready on the small table, near which was +the desk telephone. + +"Let's get this in readiness then, and if you get any calls have +them switched up to this instrument, so that when you talk, you +can hold the receiver handy to the horn." + +"Young feller, I think you must know more about this business +than you've a right to. Just keep your hands above the table--I +think I'll frisk you!" + +"No need," snapped Shirley with a smile in his eyes, and the +automatic revolver was drawn and covering the detective before he +could reach forward. "But I have no designs on you. You will +have to work quicker than that with some people in this case." + +He slid the weapon across the table to the other who snatched it +anxiously. + +"If a call comes and you don't recognize the voice at once, +please ask the party to come closer to the 'phone, to speak +louder--listen, there is the bell now! Get it connected here at +once!" + +The surprised superintendent, fearing that after all he might +miss some good lead, yielded to his professional curiosity +against his professional prejudices. He bawled down the hall. + +"Switch on up here, Mike. I'll talk." He caught up the +instrument, as Shirley dropped to his knees beside him, to +swing the horn into place. + +"What's that?" he shouted over the wire. "Yes, shure it is-- +What's that you say?--I don't get you, cull--You want to speak +to the girl?--What girl?--Talk louder. Hire a hall!--Say, I +ain't no mind reader! Speak up." + +Over the instrument came the phrase once more: "Can you hear me +now?" + +It was the man's voice! Shirley was exultant. + +"Yes, I hear you. What do you want?" + +"I want to call for my sister, if you're going to let her go. I +want--" + +An inspiration prompted Shirley to press down the prongs of the +receiver. The connection was stopped, and the superintendent +turned upon him angrily. + +"You spoiled that, you nut! We was just about to find out who +her brother was--say, who are you, anyway?" + +"There, don't you worry. That makes another call certain. Don't +you see? That's what I'm playing for. But here comes Van Cleft, +who will tell you I am all right." + +The millionaire entered the hallway before any serious +altercation could arise. He greeted Shirley warmly and +introduced him to Pat Cleary. The man was mollified. + +"Well, I'm Captain Cronin's right bower, and I thinks as how this +guy is the joker of the deck trying to make a dirty deuce out of +me. But, if you want to see the girl, she's right upstairs. His +work was a little speedy on first acquaintance. Nick, keep your +eyes on this machine, for we may get another call on this floor +--This way gentlemen. Watch your step, for the hallway's dark." + +The girl was imprisoned in a windowless room on the second floor. +As the door opened, Shirley beheld a pitiful sight. Attired in +the finery of the Rialto, she lay prone upon a couch in the +center of the dingy room, sobbing hysterically. Her blonde hair +was disheveled, her features wan and distorted from her paroxysms +of fear and grief. Like a frightened animal, she sprang to her +feet as they entered the room, retreating to the wall, her +trembling hands spread as though to brace her from falling. + +"I didn't do it! I swear! The old fool was soused and I don't +know what was the matter with me. But I didn't kill any one in +the world!" + +"There, sit down, little girl, and don't get frightened. This +gentleman and I have come to learn the truth--not to punish you +for something you didn't do. Start with the beginning and tell +all you remember." + +Shirley's gentle manner was so unexpected, his voice so inspiring +that she relaxed, sinking to the floor, as Shirley caught her +limp girlish form in his arms. He placed her on the couch again, +and she regained her composure under his calm urging. Little by +little she visualized the details of the gruesome evening and +narrated them under the magnetic cross-questions of the +criminologist. + +She had met the elder Van Cleft in the tea-room of a Broadway +hostelry, by appointment made the evening before at Pinkie +Taylor's birthday party. After several drinks together they took +a taxicab to ride uptown to a little chop house. Did she see any +one she knew in the tea-room? Of course, several of the fellows +and girls whom she couldn't remember just now, buzzed about, for +Van Cleft was a liberal entertainer around the youngsters. She +had five varieties of cocktails in succession, and she became +dizzy. In the taxicab she became dizzier and when next she +remembered anything definite she was sitting on the stool in the +garage where she had been arrested. That was all. As she +reached this point there came a knock on the door with a call for +Van Cleft. + +"You Van's son!" she screamed. Then she fainted, while Shirley +caught her, calling an assistant to care for her, as he followed +Van Cleft downstairs to answer the telephone. "You know your +cues?" + +The millionaire nodded, as with trembling fingers he caught up +the instrument and knelt on the bare floor to hold it close to +the phonograph, which Shirley was engineering, with a fresh +record in place. + +"Hello! Hello, there, I say. Hello!" + +Shirley strained his ears, to hear this time a rough, wheezy +voice which caused the two men to exchange startled glances, as +it proceeded: "Is this you, Howard, my boy?" + +"What do you want? I can't hear you. The telephone is buzzing. +Louder please!" + +Shirley nodded approbation, as the machine ran along merrily. + +"Now, can you hear me. Ahem! Can you hear me now? Is this +Howard Van Cleft?" + +"Yes, go ahead, but louder still." + +"Now, can you hear me? This is your father's dearest friend, +Howard,--this is William Grimsby speaking. I am fearfully +distressed and shocked to learn of his death, my poor boy. And +Howard, I am grieved to learn that there is some little scandal +about it. As your father's confidential adviser, I urge you to +hush it up at all cost. I was told at your home just now by one +of the servants that you had gone to this vulgar detective +agency." + +Here Shirley shut off the phonograph, addressing Van Cleft with +his hand over the mouthpiece of the telephone for the minute. + +"Keep on talking until I return. Get his advice about flowers +and everything else you can think of." + +Then he ran from the room, into the hallway, out of the door, and +down the stoop to Fortieth Street. He looked about uncertainly, +then espied across the way a tailor shop, where the light of the +late workman still burned. Monty hurried thither and asked the +use of the telephone upon the wall. + +"Shuair, mister, but it will cost you a dime, for I have to pay +the gas and the rent." + +From the telephone directory he obtained the address and number +of William Grimsby, the banker. He received an answer promptly. +The servant, after learning his name promised to call the master. +A gruff voice answered soon. Mr. Grimsby declared that he had +been reading in his library for the last two hours, undisturbed +by any telephone calls. Shirley expressed a doubt. + +"How dare you doubt my word, sir. The telephone is in my +reception room where I heard it ring just now, for the first +time. What do you want?" + +"An interview with you to-morrow morning at nine on a life and +death matter. I can merely remind you, sir, that two of your +friends, Wellington Serral and Herbert de Cleyster have met +mysterious deaths during the past week. Mr. Van Cleft died of +heart failure to-night. I will be there at nine. As you value +your own life do not leave your residence or even answer any +telephone messages again until I see you." + +"Well, I'll be--" Shirley disconnected, before the verb was +reached. He tossed the coin to the tailor, and speedily returned +to the waiting room where he signaled Van Cleft to end the +conversation. + +"Quick now, find out what wire called you up." The answer was +"William Grimsby, 97 Fifth Avenue." + +"You had the wrong tip that time, Mr. Shirley," said Van Cleft. +"But how could he have found out where I was, for none of the +servants know about Captain Cronin, or even my family that I was +coming down here. He gave me some good advice however. I want +to pay the hush money and end it all forever." + +Shirley had preserved the record and put it away with the others +in the grip. Now he lit a cigarette and puffed several rings of +smoke before answering. + +"Van, it must be wonderful to be twins." + +"This is no night for joking," petulantly, observed the nervous +young man. "I want the girl silenced--" + +"She won't open her mouth after I tell her some things. It may +entertain you to know, Van, that while you were getting such good +advice from Mr. Grimsby on this wire, I was talking to the real +Mr. Grimsby on his own wire: he said I was his first caller in +more than an hour. So, I gave him some good advice, which +wouldn't interest you. After this don't believe what the +telephone tells." + +"Who was I speaking with?" + +"The most brilliant criminal it has ever been my pleasure to run +across," and his eyes snapped with joy, the huntsman instinct +rising to the surface at last, "I will call him the voice until +I know his better name. He is the most scientific crook of the +age." + +"What do you know about criminals?" was the incredulous question. + +"I'll know a hundred times as much as I do now, when I know all +about this one, Van. You'd better have Cleary send an armed +guard along with you, and get home for a good rest. Get a man +who can drive a car, and bring back the empty auto three houses +away from your residence: it will bear looking into! I'm going +up to have a revival meeting with that girl now, for I am +convinced that she is not a whit more implicated in the +conception or execution of this crime than you are. Good-night." + +Van Cleft left the house, with a pitying shake of the head. He +was not quite certain that he had done wisely, after all, in +bringing his eccentric friend into the affair. He little +reckoned how much more peculiarly Montague Shirley was to act for +the remainder of the night. + + + + +CHAPTER VI + +AN EXPERIMENT WITH THE "MOVIES" + + +The cross-examination of Polly Marion resulted in little +advantage. She had known of the sudden departure of two other +songbirds, well equipped with funds for the land of Somewhere +Else. Their absence had been the subject of some quiet jesting +among the dragon flies who flitted over the pond of pleasure. A +suggestion, from some unrecalled source, that their disappearance +had been connected with the deaths of the two aged suitors was +revitalized in her memory by the words of the elderly detective. +Familiar with the strange life of this jeweled half-world +Shirley's keenness brought forth nothing to convince him that the +girl had been more culpable than in the following of her class, +known to the initiate as the "gentle art of gold digging." + +"Polly, go home now, and stay away from these parties: that's my +honest advice, if you want to be on the 'outside looking in,' +when some one is sent to prison for this. I am in favor of +hushing up this affair, and want to ease it up for you. Are you +wise?" + +Polly was wise, beyond her years. Her equipoise was regained, +and with a coquettish interest in this handsome interviewer--such +girls always have an eye for future business--he returned to her +theatrical lodging house, in which at least dwelt her wardrobe +and makeup box when she was "trouping" in some spangled chorus. +Of recent months she had not been subjected to the Hurculean +rigors of bearing the spear, thanks to the gratuities of the +open-handed Van Cleft, Senior. She pleaded to remain out of the +white lights, meaning it as she spoke. But Shirley wisely felt +that the butterfly would emerge from the chrysalis, shortly, to +flutter into certain gardens where he would fain cull rare +blossoms! Pat Cleary deputized a "shadow" to diarize her exits +and entrances. + +"The hooks are cleaned, with fresh bait upon them," soliloquized +Shirley, as he went down the dark stoop. "Now for a little +laboratory work on the wherefore of the why!" + +Although long after midnight, he numbered among his +acquaintanceship, many whom he could find far from Slumber-land. His +steps led to the apartment of a certain theatrical manager, whom he +found engaged in a lively tournament of the chips, jousting with two +leading men, one playwright, a composer and a merchant prince. The +latter, of course, was winning. The host, contributing both chips +and bottled cheer, was far from optimistic until the arrival of the +club man. + +"A live one abaft the mizzen!" exclaimed Dick Holloway, "Here's +Shirley sent by Heaven to join us. After all I hope to pay my +next month's rent." + +Noisily welcomed by the victims of mercantile prowess, he +apologetically declined to flirt with Dame Fortune, pleading a +business purpose. + +"Business, Monty! By the shade of Shakspeare! I never knew you +to look at business, except to prevent it running you down like a +Fourth Avenue mail bus." + +"It is in the interest of science," said Shirley, drawing the +manager aside, "an experiment--" + +"Fudge on science. You interrupt a game at this time of night!" + +"But it means money. I am willing to pay." + +"Ah, Monty, money should never come between friends, and so I +retract: with three failures this season, because the public +doesn't appreciate art." + +"It's about moving pictures. I know that you have floated a +syndicate for big productions. Do you work night and day?" + +"An investment? Heaven bless you! Come into my bedroom and +we'll arrange things of course, we work at night. Just this +minute they are producing the 'Bartered Bride' in six reels and +eighteen thrills a foot. A magnificently equipped studio, the +public yelling for more how much have you?" + +"Not so fast, Dick. It's merely some special work tonight, what +you would call trick photography. I need a photographer, some +lights, a little space, a microscopic lens and the complete +developing during the night. And, I'll pay cash, as I have done +with some suspicious poker losses in this temple of the muses on +bygone evenings. Which, I may urge with gentle sarcasm is more +than I have frequently received at your hands." + +"Touche!" laughed Holloway. "I'll write a note to the studio +manager--he's there now, and will do what you want. You could +have your picture completed by morning with a little financial +coaxing applied in the right place. Come to the library table. +Go on with the game, boys, it will save me a little." + +The potentate of dry goods was drawing in his winnings, as +Shirley leaned over Holloway's shoulder to dictate the missive. +Suddenly a revolver shot rang out from the window, and a bullet +crashed into the wall behind Shirley's head. + +His hand, idly dropped into his overcoat pocket, intuitively +closed around his automatic revolver. A dark silhouette was +outlined against the gray luminosity cast up by the lights of +Broadway, half a block from the window. Through the opening +another belching flame shot forth, to be answered by the +criminologist's weapon, barking like a miltraileuse. They +heard a stifled cry, and as Shirley ran forward, he exclaimed +with disappointment. + +"He's escaped down the fire-escape and through that skylight." + +He faced about to smile grimly at the curious scene within. The +playwright had taken refuge among the brass andirons of the big +empty fireplace. The matinee heroes were under chairs, and +Holloway behind the mahogany buffet. From the direction of the +stairway came shrill cries from the speeding merchant, softening +in intensity as he neared the street level. + +"The battle's over!" exclaimed Holloway. "I don't know whether +it was my chorus men wishing the gipsy curse on me, or the +stage-carpenters going on a strike. But look! See the swag that +Jerry left behind! What shall we do with it?" + +"Loot!" suggested the playwright, with rare discrimination, as he +dusted off the wood ashes, and approached the table with +glistening eyes. "We'll divide share and share alike. It's the +only way to win from Jerry." + +Temperament was asserting its gameness. Shirley put back into +position a shattered portrait of Sarah Bernhardt, and his eyes +twinkled as the apostles of the muses hastened to divide the +chips of the departed one into five generous piles. Holloway +completed the letter, albeit with a nervous chirography, and +handed him the envelope. + +"Go now, before a submarine war zone is declared. I'm going to +close up shop before the police come visiting. Good luck, Monty, +in the cause of science." + +Although his conscience was clear about the game having created +five surprised winners by his interruption, he was disturbed over +the certainty that the voice was aware of his personal work in +the case. The difficulties were now trebled! Before any +policemen appeared Shirley had passed Broadway on his way to the +motion picture studio, on the West side of Tenth Avenue. Whatever +secret observers may have been on his tracks, nothing untoward +occurred: still, his senses were quickened into caution by the +attempt on his life. + +A parley with a grumpy gateman, the presentation of his letter +and he was admitted to the presence of the manager, a man +exhausted with the strenuosity of night and day work. Shirley +understood the antidote for his sullenness. + +"Here, old man, send out for a little luncheon for the two of us. +I have some unusual experimental work, and need the assistance of +a well-known expert like yourself." The flattery, embellished by +a ten-dollar bill, opened a flood-gate of optimism. + +A camera man was summoned, and the apparatus prepared for some +"close-up" motion pictures. Under the weird green lights of the +mercury vapor lamps, a director and company of players were busily +enacting a dramatic scene, before a studio set. They gave little +heed to the newcomer: boredom is a prime requisite of poise in the +motion picture art. + +"I have here three phonograph records, which I want +photographed." + +"But they don't move--you want a still camera," exclaimed the +dumfounded manager. + +"Yes, they do move as the picture is taken. I want a microscopic +lens used in the camera in such a way that we take a motion +picture of the twinings and twistings of one little thread on the +wax cylinder, as it records the sound waves around the cylinder." + +The photographer sniffed with scorn, being familiar with +eccentric uplifters of the "movies," but responded to the command +of the manager to adjust his delicate camera mechanism for the +task. + +"There is a certain phrase of words on each cylinder which I want +recorded this way. Can all three be taken parallel with each +other on the same film?" + +"Sure, easiest thing to do--just a triple exposure. We take it +on one edge of the film, through a little slit just a bit wider +than the space of the thread, cut in a screen. Then we rewind +that film, and slide the slit to the middle of the lens, take +your second wax record, and do the same on the right edge of the +film for the third. But what's the idea?" + +The camera man began to show interest: he was a skilled +mechanician and he caught the drift of a sensible purpose, at +last. + +Shirley did not answer. He placed the first record in the +phonograph, running it until the feminine voice could be +distinguished asking: "Can you hear me now?" He marked the +beginning and end of this phrase with his pocket knife. So with +the merry masculine and the aged, disagreeable voice, he located +the same order of words: "Can you hear me now?" The operation +seems easy, in the telling, or again perhaps it appears intensely +involved and hardly worth the trouble. A motto of Shirley's was: +"Nothing is too much trouble if it's worth while." So, with +this. To the cynical camera man its general nature was expressed +in his whispered phrase to the manager: + +"You better not leave them property butcher knives on that there +table, Mr. Harrison. This gink is nuts: he thinks's he's Mike +Angelo or some other sculpture. He'll start sculpin' the crowd +in a minute!" + +"You take the picture and keep your opinions to yourself," +snapped Shirley whose hearing was highly trained. + +The man lapsed into silence. For two hours they fumed and +perspired and swore, under the intense heat of the low-hung +mercury lamps, until at last a test proved they had the right +combination. Shirley greased the skill of the camera man with a +well-directed gratuity, and ordered speedy development of the +film. Before this was done, however, he took six other records +of voices from the folk in the studio, using the same words: "Can +you hear me now?" + +The three strips of triple exposures were taken to the dark +room and developed by the camera man. They were dried on the +revolving electric drums, near a battery of fans. Shirley +studied every step of the work, with this and that question +--this had been his method of acquiring a curiously catholic +knowledge of scientific methods since leaving the university, +where sporting proclivities had prompted him to slide through +courses with as little toil as possible. + +A print upon "positive" film was made from each: every strip +was duplicated twenty-five times, at Shirley's suggestion. +Then after two hours of effort the material was ready to be run +through the projecting machine, for viewing upon the screen. + +The manager led Shirley to the small exhibition theatre in which +every film was studied, changed and cut from twenty to fifty +times before being released for the theatres. The camera man +went into the little fire-proof booth, to operate the machine. + +"Which one first, chief?" + +"Take one by chance," said Shirley, "and I will guess its number. +Start away." + +There was a flare of light upon the screen, as the operator +fussed with the lamp for better lumination. He slowly began to +turn the crank, and the criminologist watched the screen with no +little excitement. The picture thrown up resembled nothing so +much as three endless snakes twisting in the same general rhythm +from top to bottom of the frame. The twenty-five duplicates were +all joined to the original, so that there was ample opportunity +to compare the movements. + +"Well, gov'nor, which film was that?" asked the operator. + +"Not A--it was B or C!" + +"Correct. How'd you guess it? Which is this one?" + +As he adjusted another roll of film in the projector, Shirley +turned to the manager sitting at his side. "Mr. Harrison, were +those snakes all exactly alike?" + +"No. They all wriggled in the same direction, at the same time. +But little rough angles in some movements and queer curves in +others made each individually different." + +"Just what I thought. There goes another.--That is not film A, +either!" + +"Righto!" confirmed the camera man. As the detailed divergence +between the lines became more evident in the repetitions, Shirley +slapped his knee. + +"Now for the finish. Try reel A." + +This time the three snakey lines moved along in almost identical +synchronism. The only difference was that the first was thin, +the second heavier, the third the darkest and most ragged of all. +The relationship was unmistakable! + +"I got you gov'nor," cried the operator. "Some dope, all right, +all right." + +"Why, what is all this?" asked the manager, nonplussed. "The +last three are alike, but what good does it do?" + +"It is known that the human voice in its inflections is like +handwriting--with a distinct personality. Certain words, when +pronounced naturally, without the alterations of dialect, are +always in the same rhythm. The records taken in the studio of +those five words, 'Can you hear me now?' are in the same general +rhythm, but only the last three snakes show exact similarity, to +each little quaver and turn. There was only the difference in +shading: one was the voice of a women. The second of a man of +perhaps forty, the third of an old man--all three taken at +different times, and I thought from different people. But they +all came from one throat, and my work is completed along this +line--Will you please lock up the films, the phonograph, and my +records in your film vault, until I send for them; through Mr. +Holloway?" + +The criminologist arose and walked into the deserted studio, from +whence the company had long since departed for belated slumbers. He +picked up three bricks which lay in a corner of the big studio, and +placed them gently into his grip. The manager and the camera man +observed this with blank amazement, as he locked it and put the key +into his pocket. Then he handed each of them a large-sized bill. + +"I'm very grateful, gentlemen, for your assistance. Pleasant +dreams." + +Shirley abstractedly walked out of the studio, one hand +comfortably in his overcoat pocket, swinging the grip in the +other. + +"Say, Lou," confided the manager, "he's the craziest guy I've +ever seen in the movies. And that's going some, after ten years +of it." + +Lou treated himself to a generous bite of plug tobacco, and spat +philosophically, before replying. + +"Sure, he's crazy. Crazy, like the grandfather of all foxes!" + + + + +CHAPTER VII + +ENTER A BEAUTIFUL WOMAN + + +A reddening zone in the East silhouetted the serrated line of the +distant elevated structure, as Shirley walked along the gray +street, his thoughts busy with the possibilities of applying his +new certainty. + +He had reached Sixth Avenue, and was just passing one of the +elevated pillars when a black touring car crept up behind him. +The clanging bell and the grinding motors of an early surface car +drowned the sound of the automobile in his rear. Suddenly the +big machine sprang forward at highest speed. A man leaned from +the driver's seat, and snatched the grip from his hand. + +The motorman, cursing, threw on the emergency brake, in time to +barely graze the machine with his fender as it shot across the +street before him. + +Shirley's view was cut off, until he had run around the +street-car--then he beheld the big automobile skidding in +a half-circle, as it turned down Fifth Avenue. It was too +far away to distinguish the number of the singing license tag. + +"Much good may the bricks do them! Perhaps they will help to +build the annex necessary up the river, when these gentry go +there for a long visit." + +Shirley laughed at the joke on his pursuers, and turned into a +little all-night grill for a comforting mutton chop of gargantuan +proportions, with an equally huge baked potato. He was a healthy +brute, after all his morbid line of activities! Later, at the +Club, he submitted to the amenities of the barber, whose fine +Italian hand smoothed away, in a skilful massage, the haggard +lines of his long vigil. As he left the club house for William +Grimsby's residence he looked as fresh and bouyant as though he +had enjoyed the conventional eight hours' sleep. + +"You are this Montague Shirley?" was the querulous greeting from +the old gentleman, when he was admitted to the drawing-room. +"You kept me in anguish the entire night, with your silly words. +The telephone bell rang at intervals of half an hour until dawn: +I may have missed some important business deal by not replying +What do you mean? Is this some blackmail game?" + +"No, sir. It has to deal with blackmailing, however--but not for +my profit." + +"Explain quickly. I am a busy man. My motor is waiting now to +take me to my office." + +"Look here, Mr. Grimsby, at this memorandum book," said Shirley, +holding forward the list which he had copied from the joy-party +article in the theatrical paper. "With some friends of yours, +you held merry carnival to Venus and Bacchus at an all-night +lobster palace not long ago. Have I the right names?" + +"This is rank impertinence. How dare you? Get out of my house." + +"Not so fast, my dear sir, until you understand my drift. +Throughout Club circles you and Mr. Van Cleft, with these other +cronies are sarcastically referred to as the Lobster Club. Did +you know that?" + +Grimsby's face was purple with angry mortification, but Shirley +would not be gainsaid. "I am acting in this matter as a friend +of Howard Van Cleft," he continued. "Your three friends have met +their deaths at the hand of a cunning conspirator. Last night, +white I talked with you on the telephone, young Van Cleft was +receiving advice over another wire from a person who pretended to +be William Grimsby--advising him to hush the matter up and drop +the investigation. But--Captain Cronin the famous detective--has +received a tip that the number of victims would be increased very +soon--frankly, now: do you want to be the fourth?" + +Grimsby's face changed to ashen gray, as he timidly clutched +Shirley's sleeve. + +"Then cooperate with me. You understand now the nature of this +villain's work: to rob and assassinate his victim in the company +of a girl, so that this would endeavor to hush the scandal, +without reporting it to the police. His progress is unchecked, +and afterwards he would have untold opportunity for continuing a +demand for hush money on the surviving relatives. May I count on +you to help?" + +"You may count on me to leave the city within the next two +hours." + +"Good! But I want to have you disappear so quietly that this +cunning unknown will not know of it. He is watching your house +now, without a doubt." + +Grimsby strode to the window, with his characteristic limp, and +drew the heavy curtains aside, to peer out nervously. + +"No one is in sight." + +"The man is as unseen in his work as a germ. But he is not +unheard: he uses the telephone to locate his victims, that is why +I advised you to let your instrument ring unanswered." + +"I'll do what I can, if I can keep out of more danger. An old +man craves life more than a young one. I fought through the +Civil War and brought a medal from Congress and this wounded knee +out of it, Mr. Shirley. I didn't fear anything then, but times +have changed!" + +"Here is my plan, then," continued Shirley, his lips twitching with +sub-strata amusement, "I want to impersonate you, when you leave, so +that this man tries to send me after the other three. Don't +interrupt, let me finish--You will say that it is impossible to +deceive any one at close range. Surely, it does sound melodramatic, +like a lurid tale of a paper back novel. But I have studied the +photographs of your friends. You and I bear the closest resemblance +of any in the group. Your weight is about the same as mine--your +shoulders are a trifle stooped and you walk with a curious drag of +your left foot. Your hair is white but thick: the contour of our +faces is quite similar, and so with dry cosmetics, some physical +mimicry, and the use of a pair of horn-rimmed glasses like yours I +can make a comparatively good double. The only exposure to the sharp +eyes of your enemies will be, first, when I substitute myself for +you and take your automobile back home; second, when I go down to +the theatrical district, to visit a well-known tearoom where I learn +you are a frequent guest. There the wall tables are shrouded by +decorations, and I shall keep in the shadow and talk as little as +possible. Behind those dark glasses, and entering the place with +your peculiarly spotted fur coat, I will resemble you more than you +believe. If to add to the illusion, I show hospitable prodigality +with drinks for the others, it is probable that their observation +will be less analytical. Then, third in the line of activities, I +will go to the theatre, sit in a darkened box, and let them take me +where they will in whatever automobile turns up. Thus you see my +campaign." + +"How much do I have to pay you?" + +"I might have expected that," was the laughing retort. "You are +noted for the fortunes you waste on stupid show girls, while +times are hard with you in your offices where young and old men +struggle along to support honest families. Have no fear, Mr. +Grimsby, my income is enough for my simple wants. I am entering +this hunt for big game, just as I have gone to India and East +Africa, for jungle trophies. It will not cost you a nickel." + +"I had better contribute a little," began Grimsby, embarrassed, +as he drew out a check-book. But Shirley negatived with +emphasis. + +"How about your servants? Can you trust them with the secret?" + +"They have been with me for twenty-five years or more. My wife +is in California, and the rest of the servants, except two maids +and a butler, up at my country home on the Hudson." + +"Fine: then, in two hours from now, meet me at the Hotel Astor, +where I have rooms, in the name of Madden. Bring down an extra +suit of clothes, and an extra overcoat, for I want to wear your +fur one, which I see there on the davenport. On the downward +trip instruct your chauffeur to drive your car up to your country +place, as soon as he has made the return trip from the hotel. +You will be there before he gets up, on the country roads and he +will be none the wiser. Goodbye, Mr. Grimsby." + +At the club Shirley made some necessary disposition of his +private matters, for he knew this case would run longer than +a day. From his rooms he sent a note by messenger to his +theatrical friend, Dick Holloway, which read simply. + +"Dear Holloway:--The experiment with the movies won the blue +ribbon. I have a new plan on foot. You can help me in this, as +well. I want you to engage for me a beautiful, clever and daring +actress, afraid of nothing under the sun or moon, and absolutely +unknown on Broadway. No amateurs or stage-struck heiresses or +manicurists: you are the one impresario who can fill my bill. I +will call at your office in fifteen minutes, so have the compact +sealed by then. Who finally won the loot, last night? + + Your friend, Montague Shirley." + +The manager was forced to go through the note twice, to make sure +that his senses were not leaving him. Then he turned in the chair, +toward the unusual young woman who sat in his private office, +observing with mingled amusement and curiosity the fleeting +expressions upon his face. + +"In view of your mission in America, this may interest you," was +his amused comment, as he handed her the missive. "It is from +the most curious man in New York." + +He studied the downcast lashes, as she read the letter. Hers was +a face which had stirred a continent, yet he had never met her +until this memorable day. She might have been twenty-three years +old--and again, might have been three years younger or older. +Rippling red-gold waves of hair separated in the center of her +smooth brow to caress with a soft wave on either side the +blooming cheeks, whose Nature-grown roses were unusual in this +world-weary vicinity of Broadway. A sweet mouth with a sensuous +smile at one corner, and a barely perceptible droop of pathos at +the other, lent an indescribable piquance to her dimpled smile. +The blue orbs which raised to his own with a Sphinxian laugh in +their azure depths thrilled him--Holloway, the blase, the +hardened theatrical manager, flattered and cajoled by hundreds of +beautiful women on the quest of stage success! + +Adroitly veiled beneath the silken folds of the clinging gown, +redolent with the bizarre artistry of a Parisian atelier, was the +shapely suggestion of exquisite physical perfection which did not +escape the connoisseur glance of Holloway. + +"He is a literary man: I know that from the small, yet fluent +writing, and the cross marks for periods show that he has written +for newspapers and corrected his own proofs--He is unusually +definite in what he desires and accustomed to having his +imperious way about most things. In this case, he is easily +pleased--merely perfection is his desire." + +"Shirley is generally prompt, and is apt to breeze in here any +second now, with his two hundred pounds and six feet of brawn and +ginger. I wonder--" + +"Why do you suppose such a paragon is desired by your friend? +Who is he? What is he like, not an ordinary actor--" and the +wondrous eyes darkened with a curious thought. + +"My dear lady, no one has discovered the mental secrets of +Montague Shirley. He apparently wastes his life as do other +popular society men with much money and more time on their hands. +Yet, somehow, I always feel in his presence as one does when +standing on the bow of an ocean liner, with the salt breeze +whizzing into your heart. He is a force of nature, yet he +explains nothing: a thorough man of the world; droll, sarcastic, +generous and I believe for democracy he is unequaled by any +Tammany politician: he knows more policemen, dopes, conductors, +beggars, chauffeurs, gangsters, bartenders, jobless actors, +painters, preachers, anarchists, and all the rest of New York's +flotsam and jetsam than any one in the world. He is always the +polished gentleman, and yet they take him man for man." + +"What does this unusual person do for a living?" + +"Nothing but living!" + +Her interest was naturally undiminshed by this perfervid tribute, +and she clapped her dainty hands together with sudden mirth. + +"You know why I came here, and why to you, Mr. Holloway. You +know who I am, and although I answer none of those exorbitant +terms except that I am not known by sight along your big street +Broadway, why not recommend me for the position?" + +"But you, of all people!" Holloway's face was a study in +amazement. "You can't tell what wild project he has in view. +Shirley is a wild Indian, in many things you know--just when +you least expect it. I have known him a dozen years." + +He paused to weigh the matter, and his sense of humor conquered. +He roared with mirth, which was joined in more sedately by the +unknown girl. "That settles it. You couldn't start on your +campaign in a better way. You shall be the Lady of Mystery in +this story! I will not breathe a hint of your identity to +Shirley, and no one else knows, of course. What a ripping good +joke: I'm glad you came here the first hour after your landing in +New York." + +"What shall I call myself? I have it--a romantic name, which +will be worth laughing over later--let me see--Helene Marigold. +Is that flowery enough?" + +"Shirley will be sure you are an actress when he hears that. Mum +is the word, may you never have stage fright and never miss a +cue--Here he comes now!" + +The criminologist rushed into the office impetuously, dropping +his bag on the floor, and doffing his hat as he beheld the pretty +companion of Holloway. + +"On time to the minute, as usual, Shirley. Your note came, and I +followed your instructions. Let me present to you your new star, +Miss Helene Marigold, who just disembarked on the steamer from +England this morning. You have secured a young lady who is +making all Europe sit up and rub its eyes. I believe I have at +last found a match for you, Prince of the Unexpected!" + +Shirley held forth his fervent hand, and was surprised at the +almost masculine sincerity with which the delicately gloved +fingers returned the pressure. He looked into the blue eyes with +a challenging scrutiny, and received as frank an answer! + +Dick Holloway indulged in an unobserved smile, as he turned to +look out of the window, lost for the nonce in mirthful +speculation. + + + + +CHAPTER VIII + +WHEN GREEK MEETS GREEK + + +"Dick, you can help me further, with your dramatic knowledge. I +feel in duty bound to tell Miss Marigold that she is risking her +life, if she takes up this task." + +Instead of hesitancy, which Shirley half expected, the girl's +face flushed with quickened interest, and her eyes sparkled with +enjoyment as he unfolded the situation. At the mention of +Grimsby, Holloway grunted with disgust--it may have been a +variety of professional jealousy. Who knows? However, the +problem fascinated the mysterious young woman, who blushed, in +spite of herself, when Shirley put his blunt question to her. + +"And you are willing to assume for a time the character of one of +these stage moths, whom rich men of this type pursue and woo, +wine, dine and boast about? Will it interfere with your own +work? Any salary arranged by Mr. Holloway is agreeable, for this +unusual task." + +"The game, not the money, is the attraction. I will be ready +when you pronounce my cue." + +"Splendid. Dick, will you assist Miss Marigold in selecting an +attractive apartment in a theatrical hotel this afternoon. I +will call for her at four-thirty, to take her to tea. She may +not know me, at first glance: that depends upon the help you give +me at the Astor. I will expect you there in an hour. I haven't +acted since I left the college shows: with a hundred chances to +one against my success, even I am not bored." + +He hurried from the office, and Holloway noted the glow in the +girl's glance which followed his stalwart figure. Holloway was a +good tactician: there were reasons why he enjoyed this new role +of match-maker de luxe, yet he played his hand far more subtly +than at poker. Which was well! + +Ensconced in the Astor, Shirley was soon busy before the cheval +glass, from which were suspended three photographs of William +Grimsby, obtained from a photographic news syndicate. + +Coat and waistcoat had been removed, as he discriminatingly +applied the dry cosmetics with skill which suggested that he had +disguised himself for daylight purposes far more than he would +admit. By the time he had powdered his thick locks with the +white pulverized chalk, and donned a pair of horn-rim glasses of +amber tint, his whole personality had changed. The similarity +was startling to the prototype who was admitted to the room a few +minutes later. + +"Why, I beg pardon--I have come to the wrong suite," were +Grimsby's apologetic words, as he essayed to retreat. + +"You are the first victim of the mirage. Do you like the +caricature?" + +"Astounding, my friend!" gasped Grimsby, sinking into the chair. +Shirley drew him to the mirror, to make a closer study of the +lines of senility and late hours. A few delicate touches of +purple and blue, some retouching of the nostrils, and he drew on +the suit provided by his elder. Dick Holloway was announced, and +Shirley ordered some wine and a dinner for one! At Grimsby's +surprise, Shirley, smiled indulgently. + +"I am selfish--I will have a little supper party by myself, and +spare you in nothing. I want you to eat, to drink, to pour wine, +to take out your wallet, to walk, to sit down, to laugh, to +scold! You have a task, sir: I will imitate you move by move! +This is a rare experiment." + +"Great Scott! Which is you?" cried Holloway who entered with the +burdened waiter. + +"Neither. We're both me!" chuckled the criminologist. "But let +me introduce you to my twin--" + +The two men exchanged formalities with an undercurrent of +dislike. Shirley lost no time. He compelled the old man to run +through his paces, as Holloway criticized each study in miming. +Just as the capitalist would swing his arms, limp with his left +leg, shift his head ever so little, from side to side in his +walk, so Shirley copied him. A word here, an exhortation there, +and Shirley improved steadily under Holloway's analytical +direction. At last the lesson was ended, with the manager's +pronounciamento of "graduation cum lauda." + +"I'll have to star you, Monty," he declared, as Shirley put on +the fur greatcoat of the old man, grasping the gold headed cane, +and drooping his shoulders in a perfect imitation of the other's +attitude. + +"Perhaps it will be necessary. The chorus men have invaded +society with their fox-trots and maxixe steps. We club men will +have to countercharge the enemy, for self-preservation, to play +heavy villains upon the stage. Eh?" + +He turned toward Grimsby, who was well wearied with the trying +ordeal, and evidencing a growing nervousness about his own +escape. + +"You know how to leave, according to my plan? Wrap the muffler +well around the lower part of your face, button this second +overcoat closely about your neck, and enter the private carriage +which I ordered for 'Mr. Lee,' waiting now at the Forty-fifth +Street Side. Then drive leisurely to the West Forty-second +Street Ferry, where you can catch the late afternoon train for +your country place." + +"Good-bye, Mr. Shirley. I have been an old curmudgeon with you, +I fear. You have taught this old dog new tricks in several ways, +young man. Neither I nor my friends will forget your bravery. +They are all out of the city by now, according to word from my +private secretary. Your field is clear. Good luck, sir!" + +Shirley and Holloway left the rooms first. Neither addressed the +other on the lift, as it descended to the street level. Holloway +casually followed Monty as he stiffly walked to the big red +limousine waiting at the Forty-fourth Street entrance of the +hostelry. The chauffeur sprang out, opening the door with a +respectful salute. The disguise was successful! + +"Home!" grunted Shirley, sinking back into the car, with collar +high about his neck and the soft hat half concealing his eyes. +He scrutinized the faces of the passers-by, photographing in that +receptive memory of his the ugly features of two men, who peered +into the limousine from under the visors of their black caps. +The car sped up town through the bewildering maze of street +traffic. The chauffeur helped him up the steps of the brownstone +mansion, while Grimsby's old butler swung open the glass door, +with a helping hand under the feeble arm. + +Shirley puffed and grunted impatiently until he heard the door +close behind him. Then straightening up, he turned upon the +startled butler. + +"Well, my man. Go out and tell the chauffeur to leave for the +country at once, as Mr. Grimsby already ordered him to do." + +"My Gawd, sir!" exclaimed the servant, paling perceptibly. +"What's come over you, sir?--Oh, I beg pardon, sir, you're the +other gentleman. You certainly fooled me, sir--You're bloody +brave, sir, to do all this for the master. Are we in any +danger?" + +"Not a bit--whatever happens will be outside the house. Just +keep up the secret, as you value your master's life. Go, and +tell the man. I must kill time here in the library, reading +until four o'clock." + +Shirley threw aside the greatcoat, and walked to the window of +the small reception room which faced the street, to draw aside +the curtains and watch the chauffeur, as he entered the machine +to speed away. A black automobile slowly passed the house, +bearing two men on the driver's seat. From under the visors of +their black caps they scrutinized the building, to hastily look +away as they observed the face at the window. + +Shirley made a note of the number of the machine. He could have +sworn that this was the same car which had passed him that +morning at dawn when the grip was snatched from his hand. + +He returned to the library, where he lost himself in the rare old +volumes of Grimsby's life collection: the criminologist was a +booklover and the hours drifted by as in a happy playtime, until +the butler came to tell him the time. + +"Great Scott! I must hurry. Call a taxi, for me. I will go to +Holloway's office to learn where Miss Marigold has been +ensconced." + +He sat in the machine before the office building, as he sent the +chauffeur up to Dick's office, to inquire for a message to "Mr. +Grimsby." A note was brought down, informing him that the girl +awaited him in the Hotel California, a few blocks above. The +machine started off once more, and Shirley laughed at the droll +situation in which he found himself. + +"I wonder who Helene Marigold can be? I wonder what Holloway +meant precisely when he predicted that I would meet my match. I +am not seeking one kind--and blue eyes, surrounded by red-gold +hair and peaches and cream will not shake my determination." + +But the best laid determinations of bachelor hearts gang aft +agley! + +Down at the Hotel California, famous for its rare collection of +attractive feminine guests and the manifold breach-of-promise +suits which had emanated from the palm bedecked entrance, Helene +Marigold was indulging herself in a delighted, albeit highly +amused, inspection of sundry large boxes which had been arriving +from shops in the neighborhood. + +"As nearly as I can imagine this must look like the bower of a +Broadway Phryne. All that is missing is a family portrait in +crayon of the father who was a coal miner, the presence of a +buxom financial genius for the stage mother, and a Chinese +chow-dog on a cerise velvet cushion. But who ever attains +perfection here below?" + +She lifted some filmy gowns which had arrived in the latest +parcel to her chin, peering over the sheerness of the lacy +cascade, into the mirror of the dressing-table. + +"If good old Jack could see me now? Poor, old, stupid, dear, +silly Jack! I must write to him at once, for he is largely +responsible for my present unusual surroundings. How pleased +this would not make him, the old dear." + +With the thought, she sat down before the escritoire, dipping a +pearl and gold pen, as she paused for the words with which to +begin the note. Another knock came at the door. It could not be +another gown. She had told Holloway to keep all her personal +baggage at the steamer dock until she had finished her lark! At +the portal a diminutive messenger delivered a large white box, +ornately bound in lavender ribbons. When she unwrapped it, +hidden in the folds of many reams of delicate tissue, she found a +gorgeous bunch of orchids. + +"How beautiful! I wonder who could have--" then she found a +white card, and read it aloud, with a mirthful peal of laughter. + +"To Lollypop's little Bonbon Tootems--from her foolish old +Da-Da!" + +Helene turned toward the window, to gaze out over the mysterious, +foreign motley array of roofs and obtruding skyscrapers of this +curious district. + +"This mysterious man plays his part with a sense of humor. If +only he will be different and not mean the flowers, ever!" + +And she forgot to finish the note which was to have gone to +faraway, stupid, dear old Jack. + +Ten minutes later an aged gentleman entered the gorgeous foyer of +the Hotel California, impatiently presenting his card to the +bell-boy, for announcement to Miss Marigold. The lad, true to +tradition, quietly confided the name to the interested clerk, +before doing so. As the visitor was shown to the elevator, the +clerk turned to his assistant with a nudge. + +"There's the easiest spender of the Lobster Club. That means +good trade here, with this new peach in the crate. These old +ginks are hard as Bessemer armor-plate in business, but oh, how +soft the tumble for a new shade of peroxide." + +"Mr. Grimsby" was soon sitting on the velour divan, at a comfortable +distance from possible eavesdroppers at the door. She was putting +the finishing touches to her preparation for the butterfly role. +Shirley felt an unexpected thrill at this little intimacy of their +relations: the rooms were permeated with the most delicate +suggestion of a curious perfume, which was strange to him. Somehow +it fitted her personality so effectually: for despite the physical +appeal of her beauty, now accentuated by the risque costume which +she had donned, at the professional suggestion of Dick Holloway, +there was a pervasive spirituality in the girl's face, her hands, +and the tones of her soft voice. + +She turned to smile at him, her dimples playing hide and seek +with the white pearls beneath the unduly scarlet lip. + +"Isn't this a ripping good situation for a novel?" she began. + +"Yes, too good at present, Miss Marigold. There are too many, +important people to be affected for it ever to be given to the +public, for the identities would all be exposed ruthlessly. +Besides, no one would believe it: it seems too improbable, being +real life. It will be more improbable before we finish the +adventure, I suspect. Can I trust your discretion to keep it +secret? You know, I have a deal of skepticism about the best of +women." + +Helene reddened under that keen glance, and he saw that he had +offended her. + +"I beg your pardon: I know that we shall work it out together, +with absolute mutual trust." + +Such an earnest vibrance was in his voice that somehow she was +reminded of another voice: her mind went back to the neglected +letter to Jack. What could have caused her to be so remiss? +She would not let herself dwell on the subject--instead, with +a surprising deftness, she caught up Shirley's own cue, for a +staggering question of her own. + +"Are you sure that you have absolutely confided in me? Did you +start at the beginning, when you told the story to-day." + +"What do you mean?" and Shirley caught the glance sharply. + +"Your unusual rapidity of action, Mr. Shirley, for a mere +interested friend! It is queer how wonderfully your mind has +connected this work, and the various accidental happenings, to +evolve this clever ruse in which I am to assist. It doesn't seem +so amateurish as you would make it. You seem mysterious to me." + +"Do you think I am the voice? Here is a chance for real +detective work, if you can double the game, and capture me?" was +the laughing retort. "I don't believe you trust me." + +The girl stood up before him, and after one deep look, her eyes +fell before his. Those exquisite lashes sent a tiny flutter +through the case-hardened heart of the club man, despite his +desperate determination to be a Stoic. + +"I do trust you," the voice was impetuous, almost petulant. "You +are a real man: I merely give you credit for being better than +the class of rich young men of whom you pretend to be an absolute +type. But there, I waste words and time. Is my costume for this +little opera boufe satisfactory to you? Do you like my warpaint +and battle armor?" + +She stood before him, a glorious bird of paradise. The wanton +display of a maddening curve of slender ankle, through the slash +of the clinging gown imparted just the needed allurement to stamp +her as a Vestal of the temple of Madness. The cunning simplicity +of the draping over her shoulders--luminous with the iridiscent +gleam of ivory skin beneath, accentuated by the voluptuous beauty +of her youthful bosom--the fleeting change of colors and contours +as she slowly turned about in this maddening soul-trap of silk +and laces--all these were not lost on the senses of Shirley. As +the depths of those blue eyes opened before his gaze, a mad, a +ridiculous aching to crush her in his arms, surprised the +professional consulting criminologist! For this swift instant, +all memory of the Van Cleft case, of every other problem, was +driven from his mind, as a blinding blast of seething desire +surged about him. + +Then the old resolution, the conquering will of the man of one +purpose, beat back the flames of this threatening conflagration. +His eyes narrowed, his hands dropped to his side, and he squinted +at her with the frigid dissective gaze of an artist studying the +curves of a model. + +"You must rouge your cheeks more, blue your eyelids and redden +your lips even yet. Then be generous with the powder--and that +wonderful perfume." + +An inscrutable smile played about the sensitive lips, as Helene +turned to her dressing-table. Shirley stood with his face to the +window; he did not observe it, nor would he have understood its +menace to his own peace of mind. Helene, however, did. She was +a woman. + +"May I smoke a cigarette? I am afraid I am almost a fiend, for I +seem to crave the foolish comfort that I imagine they give, in +times of nervous drain." + +"No, Lollypop's little Bonton Tootems enjoys their fragrance. +Don't ever ask me again. I have completed the mural decoration +with futurist extravagance in the color scheme. My cloak, sir!" + +He tossed it about her, and took up his hat and gold-headed +stick. With a final glance at his own careful make-up, he +started after her for the street. + +"Some chikabiddy!" was the remark of the clerk to the head +bell-boy. The words reached the ears of Shirley and Helene. Her +hand trembled on his arm as they entered a waiting taxicab. She +looked pathetically at him, as she asked. + +"Don't you think I am interested, sincere and loyal, to brave +such remarks as these, and the other worse things they will say +before long? I wouldn't dare do this, if I were not sure that no +one in America but you and Mr. Holloway knows me. To wear this +horrid stuff on my face--to dress in these vulgar clothes--to +impersonate such a girl! You know I'm not nearly as bad as I'm +painted!" + +Shirley clasped her white-gloved hand and nodded. He was +studying the pedestrians for a familiar twain of faces. He was +not disappointed, as the car swung into Broadway. + +"Look--those two men have been following me wherever I have gone. +They are a pair of old-fashioned pirates. Don't forget their +faces!" + + + + +CHAPTER IX + +IN THE GARDEN OF TEMPTATION + + +Their destination, one of the score of tango tea-rooms which had +sprung to mushroom popularity within the year, was soon reached. +Leaning heavily upon his stick, limping like his aged model, and +spluttering impatiently, Shirley was assisted by the uniformed +door man into the lobby. Helene followed meekly. Four hat boys +from the check-room made the conventional scramble for his +greatcoat, hat and stick, nearly upsetting him in their +eagerness. Then Shirley led the way into the half light of the +tropical, indoor garden, picking a way through the tables to a +distant wall seat, embowered with electric grapes and artificial +vines. + +"Sit down, my darling child," said the pseudo Grimsby, as he +dropped into a seat behind the table, which was protected from +the lights, and furthest away from any possible visitors. "We +are early, avoiding the crush. Soon the crowd will be here. We +must have some champagne at once, to assist me in my defensive +tactics. You will have to do most of the talking. Remember, we +are going to the Winter Garden musical review when we leave here: +you may tell this to whom you will." + +Helene looked about curiously, as the big tea-room began to fill +with its usual late afternoon crowd of patrons,--young, old and +indeterminate in age. Women of maturely years, young misses from +"finishing" schools, demimondaine, social "bounders" deluded by +the glitter of their own jewelry and the thrill of their wasted +money that they were climbing into New York society--these and +other curious types rubbed elbows in this melting pot of folly. +The tinkle of glasses, the increasing buzz of conversation, the +empty laughter of too many emptied cocktail glasses mingled with +the droning music of an Hawaiian string quartette in the far +corner. + +Suddenly, with banging tampani and the crash of cymbals, rattle +of tambourines and beating of tomtoms, the barbaric Ethiopians of +the dancing orchestra began their syncopated outrages against +every known law of harmony--swinging weirdly into the bewitching, +tickling, tingling rhythm of a maxixe. + +"How strange!" murmured Helene, as the waiter brought them some +champagne and indigestible pastries--the true ingredients of +'dansant the'. + +"Yes, on with the dance-let joy be unrefined! The fall of the +Roman Empire was the bounce of a rubber nursery ball, compared +with this New York avalanche of luxurious satiation! Now, my +child, old Da-da, is going to become too intoxicated to talk +three words to any of these gallants and their lassies. Grimsby +did not write a monologue for me, so I must pantomime: you will +have to carry the speaking part of our playlet. Flatter them +--but don't leave my side to dance!" + +The first bottle of wine had been carried away by the waiter, +(half emptied it is true,) as he filled a second order. Shirley +shielded his face beneath a drooping spray of artificial blooms +from the top of their wallbower. Several young men were +approaching them, and the criminologist noted with relief that +they evidenced their afternoon libations even so early. Eyes +dulled with over-stimulus were the less analytical. Chance was +favoring him. The newcomers were garbed in that debonair and +"cultured" modishness so dear to the hearts of magazine +illustrators. Faces, weak with sunken cheek lines, strong in +creases of selfishness, darkened by the brush strokes of +nocturnal excesses and seared, all of them with the brand mark of +inbred rascality, identified them to Shirley as members of that +shrewd class of sycophants who feast on the follies of the more +amateurish moths of the Broadway Candles. + +"Hello, old pop Grimsby!" + +"You're in the dark of the moon, Grimmie! I couldn't make you +out but for those horn rimmed head lights." + +"Welcome to the joy-parlor, old scout." + +The greetings of the juvenile buzzards varied only in +phraseology: their portent was identical: "Open wine." + +"Poor Mr Grimsby is so ill this afternoon, but sit down and have +something with us," volunteered Helene tremulously. + +The bees gathered about the table to feast on the vinous honey, +while Shirley, mumbling a few words, maintained his partial +obscurity, with one hand to his forehead. + +"Fine boysh, m'deah. Boysh, meet little Bonbon--my protashsh!" + +Little Bonbon was a pronounced attraction. Her vivacious charm +drew the eyes away from Shirley, who studied the expressions of +the weasel faces about him. The girl's heart sickened under the +brutal frankness of a dozen calculating eyes, yet she valiantly +maintained her part, while Shirley marveled at her clever +simulation of silly, giggly, semi-intoxication. One youth +deserted them to disappear through the distant dining room +entrance. The comments about the table were interesting to the +keen-eared masquerader. + +"Old Grimsby's picked a live one, this time!"--"What show is she +with?"--"Won't Pinkie be sore?" The criminologist was not left +to wonder as to the identity of "Pinkie," for an older man, +walking behind a red-headed girl in a luridly modern gown, +approached the table with the absent guest. The men were talking +earnestly, the girl staring angrily at Shirley's, beautiful +companion. + +"Hey, here come's Reggie! Sit down, Reg. Pop has passed away, +but his credit is still strong." + +"There's Pinkie--come, my dear, and join the Ladies' Aid Society +and have a lemonade," jested another youth, making a place for +the girl in the aisle. + +Pinkie's dark-haired companion sank somewhat unsteadily into a +chair next the girl. He frowned and rubbed his forehead, as +though to clear his mind for needed concentration. He shook +Shirley's arm, and spoke sharply. + +"Look up; Grimmie. I never saw you feel your wine so early in +the afternoon. It was a lucky day for me on Wall Street, so I +celebrated myself. You are here earlier than usual. Everybody +have some champagne with me." + +As he beckoned to the waiter, the red-haired girl bestowed a +murderous look upon Helene, who was sniffing some flowers which +she had drawn from the vase on the table. + +"Who's that Jane?" she demanded, her voice-shaking with jealousy. +"Grimmie, you act as if you were doped. Introduce us to your +swell friend. Wake him, Reg Warren." + +Helene's jeweled white hand protected the safety-first dozing of +her companion, as, through the interstices of his fingers, he +studied the inscrutable difference between the face of Warren and +the other youths about them. + +"Let Pop dream of a new way to make a million!" laughed one young +man. "His money grows while he sleeps." + +"Yes, let him dream on," laughed Helene, with a shrill giggle. +"When he makes that extra million he can star me on Broadway, in +my own show. He, he!" + +"You'll have to spend half of it at John the Barber's getting +your voice marceled and your face manicured," snarled Pinkie. +"Come, Reg, and dance with me: these bounders bore me." + +"Run along, Pinkie, and fox-trot your grouch away with Shine +Taylor. Here comes the wine I ordered--What's your name, girlie? +Where did you meet Grimsby?" + +"Oh, we're old friends," and Helene maliciously spilled a bottle +over the interrogator's waistcoat, as she reached forward to +shake his hand. "My name's Bonbon, you wouldn't believe me if I +told you my real name, anyway. Who are you?" + +"I'm not Neptune," he retorted, as he mopped the bubbles with a +napkin. "You've started in badly." Shirley mentally disagreed. +His stupor still obsessed him, but he noted with interest that +Warren paid the check for his bottle with a new one-hundred +dollar bill. Warren could elicit nothing from Helene but silly +laughter, and so he arose impatiently, as Shine Taylor returned +to whisper something in his ear. "I must be getting back to my +apartment. Bring Grimsby up to it to-night: a little bromo will +bring him back to the land of the living. I'll have a jolly +crowd there--top floor of the Somerset, on Fifty-sixth Street, +you know, near Sixth Avenue. Come up after the show." + +"We're going to the Winter Garden," suggested Helene, at a nudge +from Shirley, and Warren nodded. + +"I'll try to see you later, anyway. Goodbye!" + +Losing interest in the proceedings, as the time for reckoning the +bill approached, the other gallants followed these two. Alone, +again, Shirley ordered some black coffee, and smiled at his +assistant. + +"He told the truth for once." + +"What do you mean?" + +"He will try to see us later. That man is a member of the +murderous clan whom we seek. 'To-night is the night' for the +exit of William Grimsby--but, perhaps we may have a stage wait +which will surprise them." + +Gradually the guests thinned out in the tea-room, but Shirley +cautiously waited until the last. + +"Do you believe these young men are all members of the gang?" +asked the girl. "Why do you suppose these men are all criminals? +They surely look a bad lot." + +"There are two general reasons why men go wrong. One is hard +luck, aided by tempting opportunity--they hope to make a success +out of failure, and then keep on the straight path for the rest +of their lives. Such men are the absconders, the forgers, the +bank-wreckers, and even the petty thieves. But once branded +with the prison bars and stripes, they seldom find it possible to +turn against the tide in which they find themselves: so they +become habitual offenders. They are the easiest criminals to +detect. The second class are the born crooks, who are lazy, +sharp-witted and without enough will-power to battle against the +problems of honesty in work. It is easy enough to succeed if a +man is clever and unscrupulous without a shred of generosity. +The hard problem is to be affectionate, human, and conquer +every-day battles by remaining actively honest, when your rivals +are not straight. The born crook is safer from prison than the +weakling of the first class." He looked down at the coffee, and +then continued. + +"I do not believe all these young men are in this curious plot. +They are merely the small fry of the fishing banks: they are +petty rascals, with occasional big game. But somewhere, behind +this sinister machine, is a guiding hand on the throttle, a brain +which is profound, an eye which is all-seeing and a heart as cold +as an Antartic mountain. There is the exceptional type of +criminal who is greedy--for money and its luxurious +possibilities; selfish--with regard for no other heart in the +world; crafty--with the cunning of an Apache, enjoying the thrill +of crime and cruelty; refined and vainglorious--with pride in his +skill to thwart justice and confidence in his ability to +continually broaden the scope of his work. Crime is the ruling +passion of this unknown man. And the way to catch him is by +using that passion as a bait upon the hook. I am the wriggling +little angle worm who will dangle before his eyes to-night. But +I do not expect to land him--I merely purpose to learn his +identity, to draw the net of the law about him, in such a way as +to keep the Grimsby and Van Cleft names from the case." + +"And how can that be done?" + +"That, young lady, is my 'fatal secret.' The subplot developing +within my mind is still nebulous with me,--you would lose all +interest, as would I, if you knew what was going to happen. But +the time has passed, and now we can go to the theatre. I bought +the tickets by messenger this afternoon. I will let you do the +talking to the chauffeur and the usher." + +They left the tea-room, the last guests out. + +It was a touching sight to see the elderly gentleman supported on +one side by a fat French waiter, and on the opposite, by the +solicitous girl. The old Civil War wound was unusually +troublesome. + + + + +CHAPTER X + +WHEN IT'S DARK IN THE PARK + + +At the entrance of the restaurant the starter tooted his shrill +whistle, and a driver began to crank his automobile in the +waiting line of cars. According to the rules of the taxi stands +he was next in order. But, as is frequently the custom in the +hotly contested district of "good fares" another car "cut in" +from across the street. This taxi swung quickly around and drew +up before the waiting criminologist. + +Grunting and mumbling, as though still deep in his cups, Monty +allowed himself to be half pushed, half lifted into the car by +the attendant. Helene followed him. "Winter Garden," she +directed, and the machine sped away, while the thwarted driver in +the rear sent a volley of anathemas after his successful +competitor. + +Shirley scrutinized the interior of the machine, but there seemed +nothing to distinguish it from the thousands of other piratical +craft which pillage the public with the aid of the taximeter +clock on the port beam! Soon they were at the big Broadway +playhouse, where Shirley floundered out first, after the +ungallant manner of many sere-and-yellow beaux. He swayed +unsteadily, teetering on his cane, as Helene leaped lightly to +the sidewalk beside him. The driver stood by the door of the +car, leering at him. + +"Here, keep the change," and Shirley handed him a generous bill. + +"Shall I wait fer ye, gov'nor? I ain't got no call to-night. +I'll be around here all evening." + +The criminologist nodded, and the chauffeur handed Helene the +carriage number check. + +"Don't let 'em steal de old gink, inside, girlie. He's strong +fer de chorus chickens." + +Helene shuddered before the hawk-like glare of his malevolent +eyes, but in her part, she shook her head with a laugh, and +followed airily after her escort. + +"Good-evening, sir. Back again to-night, I see," volunteered the +ticket taker, to whom William Grimsby was a familiar visitant. +Shirley reeled with steadied and studied equilibrium, into the +foyer of the theatre, as he nodded. Their seats were purposely +in the rear of a side box, well protected from the audience by +the holders of the front positions. The criminologist appeared +to relapse into dreams of bygone days, while his companion peered +into the vast audience and then at the nimble limbed chorus on +the stage with piquant curiosity. + +"For years I wanted to see an American stage and an American +audience," she confided in an undertone, "and to think that when +I do so, it is acting myself, on the other side of the footlights +in a stranger, more dramatic part than any one else in the +theatre. A curious world, isn't it?" + +Shirley breathed deeply, drinking in the maddening perfume of her +glorious hair, so perilously near his own face. The shimmer of her +shoulders, the adorable curves of that enticing scarlet mouth +murmuring so near his own, and yet so far away, in this soul-racking +game of make-believe, stirred his blood as nothing else had done in +all the kalaediscopic years. + +"Yes, a more than curious world. How things have changed since +last evening when I planned a sleepy evening at the opera. I +wonder what the outcome will be?" + +Helene looked up at him quickly, then as suddenly toward the +Russian danseuse within the golden frame of the great proscenium. +The orchestra, with its maddening Slavic music, stirred her +pulses with a strange telepathy. The evening wore along, until +the final curtain. Shirley, with cumbersome effort helped her +with her cloak, dropping his hat and stick more than once in +simulated awkwardness. The electric numerals of the carriage +call soon brought the grimy-faced chauffeur. + +"Jack on the spot, gov'nor, that's me!" and he swung the door +open. + +"We'll go get some supper--no, we'll take little 'scursion in +Central Park, first," and his voice was thick, "correct, cabbie. +Drive us shru Central Park." + +"Are you going to take a chance in a dark park?" Helene asked +him, as they sat within the car, while the chauffeur cranked. +Shirley was sharply observing the man. A pedestrian crossed +directly in front of the machine, brushing against the driver, as +he fumbled with the lamp. If there were an interchange of words, +the criminologist could not detect it. + +"Surely. The park is good. We can be free of interference from +the police. Are you afraid?" + +"No--" yet, it was a pardonably weak little voice which uttered +the valiant monosyllable. + +"Here, Miss Marigold. Take this revolver. Don't use it until +you have to, but then don't hesitate a second." + +The machine started slowly up the street. Shirley groped about +the sides and bottom of the car, to make sure that no one could +be concealed within it. They were advancing up Broadway in +leisurely fashion. It might have been for the purpose of +allowing some to follow. Shirley wondered, then sniffed the air +suspiciously. The girl looked at him with a silent question. + +"Quick, tear off your glove and let me have that diamond ring I +noticed on your finger, the large solitaire, not the dinner +ring." + +Unquestioningly she obeyed. There was a strange Oriental odor +in the car--suggestive of an incense. The car was gliding up +Central Park West, toward one of the road entrances into the Park +proper. Shirley's hand clutched the ring, tensely. The driver, +tactfully looking straight to the front, gave no heed to the +occupants of the Death Car. He was, by this time speeding too +rapidly for either of his passengers to have leaped out without +injury. Shirley understood the smoothness of the voice's system, +by now. His hand slid to the top of the glass door pane, on the +right. Down the glass, across the bottom, down from the other +corner, and then over the top line, he cut with the diamond, +using a peculiar pressure. He rose to his feet, gave the lower +part of the pane a sharp tap. The glass, practically cut loose +from its case, now dropped and would have slid out to the roadway +with a crash had he not dexterously caught it, to draw it into +the car. Quickly he repeated the operation with the door pane at +the left. A nauseating, weakening something in the car sent +Helene's head spinning; she choked for breath and lay back +weakly, despite her will. Shirley turned to the small glass +square in the rear. This came out more easily. He lay the glass +with the others, on the floor of the car. The good clear air +whirled through the openings, reviving the girl. + +"Keep your eyes open, and that revolver ready. Now is the time. +Pretend to sleep." + +Shirley had drawn his own automatic by this time, and he realized +that the machine was slowing down. The chauffeur, as they passed +a walk light, looked back, observing that the two were apparently +unconscious. He slowed down still more, and tooted his horn +three times. A large touring car passed them, to stop some +distance ahead. Then it sped on, as Shirley's taxi followed +lazily. + +A figure suddenly came out of the darkness of the road. The +driver stopped the taxi, and walked around the front, as though +to adjust the lamp. The door opened slowly. A face covered with +a black handkerchief obtruded. A hand slid up the detective's +knee, along his side toward the abdomen, and a protruding thumb +began a singular pressure directly below the criminologist's +heart. Shirley's analysis for Dr. MacDonald had been correct! +But jiu-jitsu is essentially a game for two. + +Shirley's left hand suddenly shot forth to the neck of his +assailant. His muscular fingers closed in a deft and vice-like +pinch directly below the silk handkerchief. It was the +pneumogastric nerve, which he reached: a nerve which, when +deadened by Oriental skill, paralyzes the vocal chords. Not a +sound emanated from the mysterious man, even when Shirley's right +hand shot forward, under the chin of the other, for a deft blow +across the thorax. The other tumbled backward. + +"What's wrong, Chief? Too much gas?" cried the chauffeur rushing +to the side of the fallen man. As the driver dropped to his +knees, Shirley flung himself like a tiger upon the rascal's back. +The struggle was brief--the same silent silencer accomplished its +purpose. Before the man knew what had happened to him, he was +dragged inside the car, and another deft pinch sent him to +oblivion! + +"Hit him over the forehead with the butt of the revolver if he +opens his mouth," grunted Shirley. "This is the chauffeur, now +I'll get the other one." + +Just then a cry came from the darkness: it was a passing +patrolman. + +"What you doing in that auto?" + +But Shirley waited for no parley-explanations, showing his hand, +laying the whole scandal before the morning edition of the +newspapers, were all out of question now. He must take up the +pursuit later. He caught up, the chauffeur's cap, sprang into +the driver's seat, and the car shot forward like a race horse as +he threw forward the lever. The astonished policeman was within +twenty-five yards of the spot, when the auto disappeared in the +darkness. He pursued it vainly. + +A few moments later, a man with a handkerchief across his face, +groaned and then raised himself on his elbow, there in the +roadway. He could not remember where he was, nor why. Slowly he +crawled on hands and knees, into the rhododendrons by the +roadside, where he again lost consciousness. + +A big touring car rounded the curve of the roadway. + +"Not a sign of the Chief," said the driver. "He must have gone +back to the garage with the Monk. But that's a fool idea. Let's +get down there right away." + +The injured man's memory returned, and he rose stiffly to his +feet. He limped out of the Park, putting away the handkerchief, +muttering profanity and trying to fathom the mystery. As nearly +as he could reason it out, he must have been struck by another +machine from the rear. + +Far up in the northernmost driveway of the Park, where shrub +grown banks and rocky uplands shelter the thoroughfares, Shirley +stopped his runaway taxicab. + +"Let me have his rubber coat, for I'm going to hide this car out +on Long Island. It's a long ride, but this man and his machine +will disappear as completely as though they had been dumped in +the ocean." + +Shirley manacled the prisoner, and gagged him with a tightly +knotted handkerchief. He put the greatcoat of Grimsby's about +Helene's shoulders, as he brought her to the front seat of the +machine. Then he shut the doors on the prisoner, and drove the +automobile out through the Easterly entrance of the park. + +"I'm not really brave, Mr. Montague," said the tired voice at his +side. "I'm so glad I'm sitting by you, instead of back inside. +We will be home soon, won't we? I'm so exhausted--my first day +in a strange country, you know." + +Shirley, with the skill of a racing expert, guided the machine +through the maze of streets toward the Bridge over the East +River. The touch of that sweet shoulder, as it unconsciously +nestled against his own, sent through him a tremor which he had +not experienced during the weird silent battle in the dark. + +"A strange night, in a strange country. Are you sorry you tried +it?" + +With a sidelong glance, he caught the starry light in her eyes as +she looked up at him: there seemed more than the mere reflection +of passing street lamps. + +"A wonderful night: I'm glad, so glad, not sorry," was her dreamy +response. She lapsed into silence as the somnolent drone of the +motor and the whirr of the wheels caused the tired eyes to close +sleepily. + +When he looked at her again, as they were speeding down the +bridge Plaza in Long Island City, she was dozing. The drowsy +head touched his shoulder; she seemed like a child, worn out with +games, trustingly asleep in the care of a big, strong brother. + + + + +CHAPTER XI + +A TURN IN THE TRAIL + + +Helene was still asleep when Shirley stopped the engine of the +taxi before a stately Colonial mansion seated back among the +pines of a beautiful Long Island estate. They had been driving +for more than an hour. The girl stirred languorously as he +strove to awaken her. She murmured drowsily: + +"No, Jack, dear. Emphatically no. Let's not talk about it any +more, dear boy." + +"Who can Jack be?" and a surprising pang shot through Montague +Shirley's heart. "Jack, dear! Well, and what's it my business. +She is a stranger. She lives her life and I mine. But, at any +rate, that settles some silly things I've been thinking. I'm +less awake than she is." + +This time he tried with better success, and Helene rubbed her +eyes, with hands stiffened by the brisk bite of the chill wind. +She gazed at the dimly lit house, at the big figure beside her, +as Shirley sprang to the ground--then remembered it all, and +trembled despite herself. + +"Oh, it's you, Mr. Shirley," and she summoned up a little throaty +laugh, as she arose stiffly. "What a queer place to be in!" + +"We are a long way from New York's white lights, Miss Marigold. +This is the country home of a good old friend of mine. You can +remain here for the rest of the night, as his wife's guest. +To-morrow, when you are rested, he can send you to the city in +one of his cars." + +"You are the most curious man in two continents. I am bewildered. +First, you kidnap a chauffeur and privateer his car, then me. Now +you besiege a friend and wish to leave me on his doorstep as a +foundling." + +"I'm sorry--it's the exigency of war! We must finish what we +started. This is the only place I know where I could thoroughly +hide my trail. We must wake up Jim, but first I will have a look +at our guest." + +Shirley walked around the car, shooting the beam from his pocket +flashlight in through the open window of the taxi, to be met by +the wicked black eyes of his prisoner, who uttered volumes of +unpronounceable hatred. + +"You are still with us, little bright eyes. A pleasant trip, I +trust? I hope you found the air good--I tried to improve the +ventilation for your benefit, as well as my own." Only a subdued +gurgle answered him. + +"Oh, what will they think of me--in this immodest gown, with this +paint on my face, and at this hour of night?" pleaded Helene, as +he started toward the door of the mansion. + +"It would be awful at that," and Shirley paused at the beseeching +tone of the girl. "I want you to meet Mrs. Jim as well as Jim. +I am afraid they would think this was the echo of an old college +escapade, and misjudge you. Let me think--" + +He led her to a little summer-house close by, and tucked the big +coat about her as he added: "It's dark here--the wind doesn't +reach you, and I'll take you back to town in five minutes. Will +that do?" + +As she nodded, he hurried to the door where he yanked vigorously +at the bell. An angry head protruded from an upper story, after +many encores of the peals. + +"Aw, what the dickens? Go some place else and find out!" + +"Jim, Jim. It's Monty! Come down and let me in quick." + +The window closed with a bang as the head was withdrawn, while a +light soon appeared in the beveled panes of the big front door. + +"You poor boob," was the cheerful greeting as it swung wide, +"What brings you out here? I thought it was the usual joy party +which had lost its way. They always pick me out for an +information bureau. Come on in!" + +Shirley spoke rapidly, in a low tone. The girl in the dark +summer-house marveled at the rapid change of mien, as Jim +suddenly ran down the steps to gaze into the taxicab, then +nodding to Shirley. The house-holder as promptly returned +through his front door, while Shirley swiftly unmanacled the +prisoner enough to let him walk, stiff and awkward from the +long ordeal in the car. The stern grip, of his captor prompted +obedience. + +Friend Jim had appeared with warmer garments, carrying a lantern. +At the door of the stable Jim's stentorian yell to the groom +seemed useless, but the two men entered. Helene felt miserably +weak and deserted, in the chill night, but she was cheered by +seeing the energetic Shirley reappear, pushing open the doors of +the garage, which was connected with the stable. He hurried to +the deserted taxicab, where he seemed busied for several minutes, +the glow of his pocket lamp shooting out now and then. Through +the door of the garage a long, rakish-looking racing car was +being pushed out by Jim and his sleepy groom. There was a cheery +shout from the taxi, and Helene heard a ripping sound. Shirley +reappeared, carrying an oblong box. + +"I have the gas generator:--it was built in, under the seat, and +controlled by a battery wire from the front lamp, Jim. A nice +little mechanism. Well, old pal, please apologize to Mrs. +Merrivale for my rude interruption of her beauty sleep. Keep a +fatherly eye on Gentleman Mike, and the taxicab under cover. +I'll communicate with you very soon. So long." + +To Helene's amazement, Shirley cranked the racer, jumped in and +seemed to be starting away without her, down the sweep of the +driveway. Could he have forgotten her? The man must indeed +be mad, as some of his actions indicated! But her aroused +indignation was turned to admiration of his finesse, for suddenly +he veered the lights of the car toward the garage door, throwing +them in the faces of Jim and his servant. He leaped out again, +walking past the place of concealment. + +"Slip into the car, while I go inside with them. I'll come out +on the run, and no one will be the wiser." + +With this passing stage direction he rushed toward his +accomodating friend, with some final directions. They were +apparently humorous in content, for both the other men roared +with mirth, as he walked inside the building, with them, an arm +around the shoulder of each. Helene obeyed him, hiding as best +she could in the low seat of the throbbing machine. As Shirley +returned, Jim Merrivale was still laughing blithely. + +"Good-bye, you old maniac: you'll be the death of me. I'll take +care of the star boarder, however, and feed him champagne and +mushrooms." + +With a roar, Shirley started the engines, as he bounced into the +seat, and they sped down the curving driveway, with Helene +leaning forward, unobserved. + +"There, we've had a little by-play that friend Jim didn't guess. +I always enjoy a little intrigue," he laughed, as they whizzed +along toward distant New York. "But, I had to lie, and lie, and +lie--like the light that lies in women's eyes. What a jolly +game!" + +He was a big boy, happy in the excitement, and bubbling with his +superabundance of vitality. Helene felt curiously drawn toward +him, in this mood: she remembered a little paragraph she had read +in a book that day: + +"A woman loves a man for the boy spirit that she discovers in +him: she loves him out of pity when it dies!" Then she +fearsomely changed the current of her thoughts, to complain +pathetically of the cold wind! + +"There, now, I am so thoughtless," was his apology, as he stopped +the car, to wrap the overcoat more closely about her, and tuck +her comfortably in a big fur. Through the darkened streets of +the suburb they raced, entering the silent factory districts, +which presaged the nearness of the river. It was well on toward +daybreak before they rolled over the Queensboro Bridge to +Manhattan. It was his second day without sleep, but Shirley was +sustained by the bizarre nature of the exploit: he could have +kept at the steering wheel for an eternity. + +"Are you glad we're getting back?" he asked. Helene shook her +head, then she answered dreamily. + +"Do you remember something from one of Browning's poems, that I +do? It's just silly for us, but I understand it better now." + +Shirley surprised her by quoting it, as he looked ahead into the +dark street through which they swung, his unswerving hand steady +on the wheel: + + "What if we still ride on, we two, + With life forever old yet new, + Changed not in kind, but in degree, + The instant made eternity,-- + And heaven just prove that I and she + Ride, ride together, forever ride?" + +A quick flush, not caused by the biting wind, suffused her cheek +beneath the remnants of the rouge. Then she laughed up at him +appreciatively. + +"Curious how our minds ran that way, and hit the very same poem, +wasn't it?" + +Shirley smiled back, as he swung down Fifth Avenue. + +"Not so curious after all!" + +Soon they drew up before the ornate portal of the California +Hotel, where late arrivals were so customary as to cause no +comment. He bade her good-night, words seeming futile after +their long hours together. The drive in the car to the club was +short. Paddy the door man was instructed to send down to +Shirley's own garage for a mechanic to store the car until +further orders. The criminologist had ere this rubbed off his +grease paint, so that his appearance was not unusual. Once in his +rooms he treated himself to a piping hot shower, cleaned off the +powder from his dark locks, and as he smoked a soothing +cigarette, in his bathrobe, studied the mechanism of the +gas generator for a few moments. + +"That was made by an expert who understands infernal machines +with a malevolent genius. I must look out for him," he mused. +"Well, I promised Professor MacDonald that I would not sleep +until I had come face to face with the voice. I have fulfilled +the vow: now for forgetfulness." + +He tumbled into bed, but not to oblivion. For his dreams were +disturbed by tantalizing visions of certain sun-gold locks and +blue eyes not at all in their simple connection with the business +end of the Van Cleft mystery. + + + + +CHAPTER XII + +THE HAND OF THE VOICE + + +It took stoicism to the Nth degree for Shirley to respond to the +early telephone call next morning, from the clerk of the club. A +few minutes of violent exercise, in the hand ball court, the +plunge, a short swim in the natatorium and a rub down from the +Swedish masseur, however, brought him around to the mood for +another adventure. Sending for the racing car he began the +round-up of details. There was, first of all, Captain Cronin to +be visited in Bellevue. Here he was agreeably surprised to find +the detective chief recuperating with the abettance of his rugged +Celtic physique. The nurse told Shirley that another day's +treatment would allow the Captain to return to his own home: +Shirley knew this meant the executive office of the Holland +Detective Agency. + +"And sure, Monty, when I have a free foot once again, I'm going +to apply it to them gangsters who put me to sleep." + +"Just what I want you to do, Captain! I 'phoned to your men this +morning while I had breakfast at the club: they have that taxicab +which was left near Van Cleft's house. It's put away safely, +Cleary said. There are two gangsters where the dogs won't bite +them; today they are sending out to Jim Merrivale's house to get +the third and he'll be busy with a little private third degree. +I have no evidence which would connect the man who tried to kill +me last night with the other murders, except in a circumstantial +way. What I must do is to follow up the trail, and get the +gentleman carrying out the bales, in other words, with the goods +on him." + +"You'll get him, Monty, if I know you. The fellow hasn't called +up at all on the telephone to-day. I think he's afraid of you." + +"No, Captain Cronin, not that! He's up to some new game. Well, +I'm off--take care of yourself and don't eat anything the nurse +doesn't bring you with her own hands. I wouldn't put anything +past this gang." + +He shook hands and hurried out of the hospital, with several +more errands to complete. He looked vainly about him for the +gray racing-car. It was gone! Here was another unexpected +interference with his work, and Shirley, sotto voce, expressed +himself more practically than politely. He hurried to an +ambulance driver who stood in a doorway, solacing his jangled +nerves with a corn-cob smoke. + +"Neighbor, did you see any one take the gray car standing here a +few minutes ago?" + +"Yep, a feller just came out of the hospital entry, cranked her +and jumped in." + +"How long ago?" + +"Well, I just returned with a suicide actor case five minutes +ago." + +"Then you might have seen him enter first?" + +"Nope. Not a sign. All I seen was the way he cranked the +machine, and he didn't waste any elbow grease doin' it, either. +He knew the trick. That's what I thought when I seen him, even +if he did look like a dude." + +Shirley hurried to the entry once more. This was the only portal +through which visitors were admitted to the hospital for the +purpose of calling on patients. He hastened to the uniformed +attendant who took down the names of all applicants. This man, +upon inquiry, was a trifle dubious. True, there had been two +Italian women and before them--yes, there had been a young chap +with a green velour hat, and white spats. He had asked about a +Captain Cronin, and when told that a visitor was already seeing +the patient, agreed to wait outside. It had been about five +minutes before. The man was indefinite about more details. +Shirley hurried to the telephone booth in the corridor. To +Headquarters he reported the theft of car "99835 N.Y.," giving a +description of its special features and its make. This warning +he knew would be telephoned to all stations within five minutes, +so that every policeman in New York would be on the lookout for +the missing machine. Satisfied, he left the hospital, to walk +across the long block to the nearest north and south avenue, +where he might catch a surface car. + +Suddenly he halted, to mutter in astonishment at a sight which +was the surprise of the morning: it was the missing car standing +peacefully on the next corner. + +"I wonder what that means?" he murmured, as he stopped to study +with great interest the window of an Italian green grocer. A +sidelong glance at the car and its surroundings revealed nothing +out of the way. He retraced his steps to the hospital, wasted +ten minutes with a cigarette or two, and still no one seemed to +take an interest in the automobile. Finally he walked up to the +car, trying the lock of which he had the only key. Apparently it +had been untampered with, for the key worked perfectly. Here was +Jim Merrivale's car, a good three hundred yards away from the +place where he had locked it to prevent any moving. He felt +certain that keen eyes had him under surveillance, yet he could +not observe any observers within the range of his own vision. It +was simply a stupid, quiet slum neighborhood and at the time, +unusually deserted by the customary hordes of children and dogs! + +What had been the purpose in moving it such a short distance? + +Where had it been in the twenty-five minutes since he had left it +at the entrance to the hospital? + +Why had it been left here, of all places, where he would +naturally walk if desirous of taking a street-car? + +There seemed no immediate answer to the conundrums. So, he +nonchalantly clambered into the car, after cranking it. The +mechanism seemed in perfect order. Puzzled, he started to speed +up the street, when he observed a white envelope close by his +foot, on the floor of the car. + +He picked it up, and tearing it open quickly read this simple +message. + +"To whom it may concern: It is frequently advisable to mind your +own business--is it not? Answer: Yes!" + +"Huh," grunted Shirley. "While not thrilling in originality, it +is a lasting truth which nobody can deny. I'll save this and +frame it on the walls of my rooms." + +As he drove around the corner and up the Avenue, there was +suddenly a terrific explosion, which threw him completely out of +the machine! The car, without a driver, its engines whirring +madly, dashed into a helpless corner fruit stand, scattering +oranges, bananas, apples and desolation in its wake, as it vainly +endeavored to climb to the second story with super-mechanical +intelligence! Shirley, stunned and bruised, fell to the pavement +where he lay until an excited patrolman rushed to his rescue. + +A little "first aid" work brought Shirley back to consciousness, +and he stiffly rose to his feet, with a head throbbing too much +for any real thinking. + +"What's the matter with your auto?" cried the policeman. "Can't +you run it? Let's see the number." The officer took out his +notebook, to jot down the details according to police rules. +Then he turned on Shirley in amazement. "Be gorry, it's car +99835 N.Y. I just wrote the number down when I came on post with +my squad! This car is stolen. You come with me!" + +Shirley had been adjusting the mechanism, and the wheels had +ceased their whirring. He tried to expostulate in a dazed way, +realizing that for once the department was working with a +vengeful promptness. He was hoist by his own petard! + +"I'm the owner of the car," he began, rubbing his aching +forehead. + +"What's yer name?" + +"Montague Shirley!" The policeman laughed, as he caught the +criminologist by the shoulder, and blew his whistle for another +man from post duty. + +"You lie. This car is owned by James Merrivale. You can't put +over raw stuff like that on me. I'm no rookie--Here, Joe," (as +the other policeman ran up through the growing, jeering crowd,) +"watch this machine. This guy's one of them auto Raffles, and I +done a good job when I lands him. I'm going to the station-house +now." + +The other policeman was examining the car, when he called to his +fellow officer: "Here, Sim, did you see this car was blown up +inside the seat?" + +Shirley, his acuteness returned by this time, ran to the car +eluding his captor's hold. He had not observed before the jagged +shattered hole torn in the side of the leather side. It had all +happened so swiftly, that his professional instincts were slow in +reasserting themselves after the "buck" of the car. + +"You're right," he exclaimed. "There's an alarm clock and a dry +battery--the same man made this who built the gas-generator--" + +"Whadd'ye mean--ain't you the feller after all?" asked the first +patrolman, beginning to get dubious about his arrest. + +"No, I am no thief. But just take me to the station-house quick, +and turn in your report. Let this other man guard that car. +Hurry up!" + +"Say, feller, who do you think is making this arrest? You'll go +to the station-house when I get ready." + +"Then you're ready now," snapped the criminologist. "You'll see +me discharged very promptly, when I speak to the Commissioner +over the wire." + +The officer was supercilious until the station-house was reached. +He had heard this blatant talk before. What was his surprise +when Shirley telephoned to the head of the Department and then +called the Captain to the instrument. + +"Release Mr. Shirley at once," was the crisp order. "Give him +any men or assistance he needs." + +"Well, whadd'ye know about that? Not even entered on the blotter +to credit me with a good arrest!" The patrolman turned away in +disgust. + +"Do you want any of the reserves, sir?" The Captain was +scrupulously polite. + +"Not one. I'm going to study that machine again. You might +detail a plain clothes man to walk along the other side of the +street for luck. Good-day." + +The automobile to which he returned was still the object of +community interest. Shirley took the remains of the bomb which +had caused his sudden elevation. The policeman approached him +from the fruit store. + +"The man wants damages for the stock you destroyed, mister. I'll +fix it up with him if you want--about twenty-five dollars will +do." + +"Well, hand him this five-dollar bill and see if that won't dry +some of the imported tears," retorted Shirley with a laugh. In a +few minutes he was bowling along on a surface car, to the club. +There was no longer any use in trying to hide his identity or +address, for the conspirators knew at least of his interest and +assistance in the case: although in this as all others he was not +known to be a professional sleuth. + +In the quiet of his room he drew out magnifying glasses and other +instruments for a thorough analysis of the remains of the +infernal machine. He compared this with the mechanism of the +gas-generator which had been placed in the seat of the Death +taxi. There was evidence that it had come from the same source. +Shirley sniffed at the generator and the peculiar odor still +clinging to it was familiar. + +"Well, I think I will have a little surprise for Mr. Voice, the +next time we grapple, which will be an encore of his own tune, +with a new verse!" + +He went to a cabinet, took out a small glass vial, filled with a +limpid liquid and placed it within his own pocket. Then he +prepared for a new line of activities for the day. His first +duty was a call on Pat Cleary, superintendent of the Holland +Agency. + +"The Captain is progressing splendidly," was his answer to the +anxious query. "He will be back in the harness again to-morrow. +How are the prisoners?" + +"They have tried to break out twice and gave my doorman a black +eye. But they got four in return: Nick is no mollycoddle, you +know. I can't quite get the number of these fellows, for they +are not registered down at Headquarters, in the Rogue's Gallery. +Their finger-prints are new ones in this district, too. They +look like imported birds, Mr. Shirley. What do you think?" + +Cleary's opinion of the club man had been gaining in ascendency. + +"They may be visitors from another city, but I think the state +will keep them here as guests for a nice long time, Cleary. They +say New York is inhospitable to strangers, but we occasionally +pay for board and room from the funds of the taxpayers without a +kick. We saved the day for the Van Clefts, all right. The paper +told of a beautiful but quiet funeral ceremony, while the +daughter has postponed her marriage for six months." + +Then he recounted the adventure of the exploding car. Cleary lit +his malodorous pipe, and shook his head thoughtfully. + +"Young man, you know your own affairs best. But with all your +money, you'd better take to the tall pines yourself, like these +old guys in the 'Lobster Club.' That's the advice of a man who's +in the business for money not glory. This is a bum game. +They'll get me some day, some of these yeggs or bunk artists that +I've sent away for recuperation, as the doctors call it. But I'm +doing it for bread and beefsteak, while it lasts. You run along +and play--a good way from the fire, or you'll get more than your +fingers burnt. Take their hint and beat it while the beating's +good." + +A glint of steel shone from the eyes of the criminologist as he +lit another cigarette and took up his walking-stick. + +"Why, Cleary, this is what I call real sport. Why go hunting +polar bears and tigers when we've got all this human game around +the Gold Coast of Manhattan? I'm tired of furs: I want a few +scalps. Good-morning." + +As Cleary went up the stairway to renew the ginger of the Third +Degree for the two prisoners, he smiled to himself, and muttered: + +"The guy ain't such a boob as he looks: he's just a high-class +nut. I'd enjoy it myself if it wasn't my regular work." + +At Dick Holloway's office Shirley was greeted with an eager +demand for his report of the former evening's activities. An +envious look was on the face of the theatrical manager. + +"Shucks, Monty! It's a shame that all this sport is private +stock, and can't be bottled up and peddled to the public, for +they're just crazy about gangster melodrama. They're paying +opera prices for the old time ten-twent-and-thirt-melodrama, +right on Broadway. Hurry up and get the man and I'll have him +dramatized while the craze is rampant." + +"Not while I own the copyright," retorted Shirley, "this is one +of the chapters of my life that isn't going to be typewritten, +much less the subject of gate-receipts." + +"I'm not so certain of that," and Holloway's smile was quizzical. + +"What do you mean? Who is this Helene Marigold? I have a right +to know in a case like this." + +"Good intuition, as far as you go. But you're guessing wrong, +for she has nothing to do with my little joke. But why worry +about her?" laughed Holloway. His friend had leaned forward, +intensely, clutching his cane, with an unusually serious look on +his face. Holloway had never seen Shirley take such an interest +in any woman before. He arose from his desk-chair and walked to +the broad window, which overlooked the thronging sidewalks of +Broadway. + +"Down there is the biggest, busiest street in the world filled +with women of all hues and shades. This is the first time you +ever looked so anxious about any combination of lace, curls, +silks and gew-gaws before. You have been the bright and shining +example of indifferent bachelor freedom which has made me--thrice +divorced--so envious of your unalloyed, unalimonied joy. Don't +betray the feet of clay which have supported my idol!" + +The baffling smile of the debonair club man returned to Shirley's +face, as he twitted back: "Purely an altruistic inquiry, Dick. I +feared that you might be risking your own heart and the modicum +of freedom which you still possess. But I'll wager a supper-party +for four that I'll find out who she is, without either you or she +telling me." + +"Taken. At last I'm to have a free banquet, after years of +business entertaining. You have met a girl who will match your +wits--I expect the sparks to fly. Well, she's worth while--I +might do worse--but in perfect fairness she ought to do better. +How about it?" + +"Yes, with Jack," and Shirley tapped the walking stick on the +floor with an emphatic thump, while Holloway regarded him in +startled surprise. + +"Who is Jack?" + +"You see--I am learning already. But, you and I are drifting +from my task. I wish that you would take me to call on Miss +Marigold, in my present lack of disguise. I do not care for that +ancient garb any longer. It was stretching the chances rather +far, but thanks to the darkness, the champagne, and good fortune, +I succeeded in impersonating our aged friend without detection. +I will not return to Grimsby's house, but propose now to get down +to brass tacks with Mr. Voice, even though the tacks be hard to +sit upon. I wish to use her as a bait, by taking her out to tea +and getting a first-hand speaking acquaintance with these +convivial assassins." + +"Monty, you are wasting your talents outside the pages of a play +manuscript, but we will make that call instanter." + +In leisure, they promenaded up the crowded Gay Wide Way, through the +noontime crowd of theatrical folk who dot the thoroughfare in this +part of the city. His adversaries were to have every opportunity to +observe his movements and draw their own conclusions. At the Hotel +California new comment buzzed between the garrulous clerk and the +switchboard person, at sight of the well-known manager and his +prosperous-looking companion. + +"Who is that come on?" asked the clerk of the bellboy. + +"Sure, dat's Montague Shirley, one of dem rich ginks from de +College Club on Forty-fourth Street, where I used to woik in de +check room. If I had dat guy's money I'd buy a hotel like dis." + +"Then I see where Holloway, with that blonde dame upstairs, will +be putting on a new musical show, with a new angel. It's a great +business, Miss Gwendolyn--no wonder they call it art." And the +clerk removed a silk handkerchief from his coat cuff, to dust the +register wistfully. "Why didn't I devote my talents to the drama +instead of room-keys and due-bills?" + +But Miss Gwendolyn was too busy talking to the Milwaukee drummer +in Room 72 to formulate a logical reason. Shirley and Holloway +improved the time by taking the elevator to the top floor where +Helene greeted them at the door of her pretty apartment. She +welcomed them happily, declaring it had been a lonesome morning. + +"Weren't you resting from that long thrill of last night, in +which you starred?" asked Holloway. + +"It was too thrilling for me to sleep: I know I look a perfect +frump, this morning. I tossed on the pillow, watching the dawn +over your towering New York roofs, so nervous and almost +miserable. But, with company, it's all right again." + +Holloway laughed inwardly at the warmth of the glance which she +bestowed upon Shirley. From the angle of an audience, he was +beginning to observe a phase of this double play of personalities +which was unseen by either of the participants. Two sleepless +nights, after such a first evening together, and what then? He +imagined the denouement, with a growing enjoyment of his +vantage-point as the game advanced. + +"To-day, I am reversing the usual progress of history," said +Shirley, as he sat down in the window-seat. "From second +juvenility I am returning to the first. In other words, I wish +to become your adoring suitor in the role of Montague Shirley." + +"I don't understand," and her eyes widened in wonder, not without +an accompanying blush which did not escape Holloway. + +"No longer a lamb in sheep's clothing, I want to entertain you, +without the halo of William Grimsby's millions. I want to take +tea with these gentle-voiced cut-throats, who after my warning +to-day, are directing their attention to me." He narrated the +narrow escape from death in the racing-car. Helene's eyes +darkened with an uncertainty which he had hardly expected. +Perhaps she would refuse to carry out their compact along these +dangerous lines. + +"Do you feel it wise to place yourself beneath this new menace?" + +"The sword of Damocles is over me now, I know. To run would be a +confession of weakness and open the field for his further +activities, with the rear-guard continuously exposed. There is +nothing like the personal equation. I will call at five this +afternoon, if you are willing, Miss Marigold?" + +"I will fight it out to the end," and she placed her warm hand +firmly within his own. The two friends departed, Shirley +retracing his steps to the club where many things were to be +studied and planned. His system of debit and credit records of +facts known and needed, was one which brought finite results. As +he smoked and pondered at his ease, a tapping on the study door +aroused him from his vagrant speculations. At his call, a +respectful Japanese servant presented a note, just left by a +messenger-boy. He tore the envelope and read it. + +"Montague Shirley:--The third time is finis. As a friend you +accomplished the purpose you sought. There is no grudge against +you. Why seek one? It is fatal for you to remain in the city. +Leave while you have time." + +That was all. The chirography was the same as that upon the note +of the racing-car episode. Shirley locked up the missive in his +cabinet, and smiled at the increasing tenseness of the situation. + +"The writer of these two notes may have an opportunity to leave +town himself before long, to rest his nerves in the quiet valley +of the Hudson, at Ossining. My friend the enemy will soon be +realizing a deficit in his rolling-stock and gentlemanly +assistants. Two automobiles and three prisoners to date. There +should be additional results before midnight. I wonder where he +gardens into fruition these flowers of crime?" + +And even as he pondered, a curious scene was being enacted within +a dozen city blocks of the commodious club house. + + + + +CHAPTER XIII + +THE SPIDER'S WEB + + +The setting was a bleak and musty cellar, beneath an old stable +of dingy, brick construction. The building had been modernized +to the extent of one single decoration on the street front, an +electric sign: "Garage." On the floor, level with the sidewalk, +stood half a dozen automobiles of varied manufacture and age. +Near the wide swinging doors of oak, stood a big, black +limousine. Two taxicabs of the usual appearance occupied the +space next to this, while a handsome machine faced them on the +opposite side of the room. Two ancient machines were backed +against the wall, in the rear. + +In the basement beneath, several men were grouped in the front +compartment, which was separated by a thick wooden partition from +the rear of the cellar. Three dusty incandescents illuminated +this space. In the back a curious arrangement of two large +automobile headlights set on deal tables directed glaring rays +toward the one door of the partition. In the center of the rear +room was another table, standing behind a screen of wire gauze, +at the bottom of which was cut a small semicircle, large enough +for the protrusion of a white, tense hand, whose fingers were +even now spasmodically clenching in nervous indication of fury. +Behind either lamp was a heavy black screen, which effectually +shut off ingress to that portion of the room. + +The man standing between the table and the closed door of the +partition, full in the light of the lamps, watched the hand as +though fascinated. He could see nothing else, for behind the +gauze all was darkness. Absolutely invisible, sat the possessor +of the hand, observing the face of his interviewer, on the +brighter side of the gauze. + +"So, there's no word from the Monk?" + +"No, chief. De bloke's disappeared. Either he got so much swag +offen dis old Grimsby guy, after youse got de bumps, or he had +cold feet and beat it wid de machine," + +"It's a crooked game on me." rasped the voice behind the screen. +"I'll send him up for this. You know how far my lines go out. +What about Dutch Jake and Ben the Bite?" + +The man before the screen shook his head in helpless bewilderment +There was a suggestion of fright in his manner, as well. + +"Can't find out a t'ing, gov'nor. I hopes you don't blame me for +dis. I'm doin' my share. Dey just disappears dat night w'en you +sends 'em to shadder Van Cleft's joint. My calcerlation is--" + +"I'm not paying you to calculate. I've trusted you and lost six +thousand dollars' worth of automobiles for my pains. You can +just calculate this, that unless I get some news about Jake, Ben +and the Monk by this time tomorrow, I'll send some news down to +Police headquarters on Lafayette Street that will make you wish +you had never been born." + +For some reason not difficult to guess, the suggestion had a +galvanic effect on the bewildered one. His hands trembled as he +raised them imploringly to the screen. + +"Oh, gov'nor, wot have I done? Ain't I been on de level wid yez? +Say, I ain't never even seen yez for de fourteen months I've been +yer gobetween. I've been beat up by de cops, pinched and sent to +de workhouse 'cause I wouldn't squeal, and now ye t'reatens me. +Did I ever fall down on a trick ontil dis week? You'se ain't +goin' ter welch on me, are you'se? I ain't no welcher meself, +an' ye knows it." + +The other snapped out curtly: "Very well, cut out the sob stuff. +It's up to you to prove that there hasn't been a leak somewhere +or a double cross. Send in those rummies,--I want to give them +the once over again. There's a nigger in the woodpile somewhere, +and I'm no abolitionist! Quick now. Get a wiggle on." + +The hand was withdrawn from the little opening, as the lieutenant +advanced into the front compartment of the cellar. He beckoned +meaningly to the others to follow him. They obeyed with a +slinking walk, which showed that they were obsessed by some great +dread, in that unseen presence, in the heart of the spider-web! + +"Which one of you is the stool pigeon," came the harsh query. + +"W'y, gov'nor, none of us. You'se knows us," whined one of the +men. + +"Yes, and I know enough to send you all to Atlanta or Sing Sing +or Danamora, for the rest of your rotten lives, if I want to." + +The rascals stared vainly into the black vacuum of the screen, +blinking in the glaring lights, cowering instinctively before the +unseen but certain malignancy of the power behind that mysterious +wall. + +"I brought you here to New York," continued the master, "you are +making more money with less work and risk than ever before. But +you're playing false with me, and I know some one is slipping +information where it oughtn't to go. I'm going to skin alive the +one who I catch. There's one eye that never sleeps, don't forget +that." + +"Gee, boss, wot do we know to slip?" advanced the most forward of +them. "We follers orders, and gets our kale and dat's all. We +ain't never even seen ya, and don't know even wot de whole game +is. Don't queer us, gov'nor!" + +"Go out front again, and shut off this blab. I warn you that's +all-Now, Phil, give this to the men. Tell them to keep off the +cocaine--they're getting to be a lot of bone heads lately. Too +much dope will spoil the best crook in the world." + +The white hand passed out a roll of crisp, new currency to the +lieutenant of the gang, who gingerly reached for it, as though he +expected the tapering fingers to claw him. + +"Fifty dollars to each man. No holding out. Remember, every one +of them is spying on the other to me. I'm not a Rip Van Winkle. +Now, I want you to keep this fellow Montague Shirley covered but +don't put him away until I give you the word. Send the bunch +upstairs, for I don't want to be disturbed the next two hours. +And just keep off the coke yourself. You're scratching your face +a good deal these days--I know the signs." + +Phil expostulated nervously. "Oh, gov'nor, I ain't no fiend--just +once and a while I gets a little rummy, and brightens up. It takes +too much money to git it now, anyway. Goodbye, chief." + +As he closed the wooden door to pay the gangsters, there was a +slight grating noise, which followed a double click. A bar of +wood automatically slid down into position behind the door, +blocking a possible opening from the front of the cellar. The +lights suddenly were darkened. The sound of shuffling feet would +have indicated to a listener that the owner of the nervous hand +was retreating to the rear of the darkened den. A noise +resembling that of the turn of a rusty hinge might have then been +heard: there was a metallic clang, the rattle of a sliding chain +and the rear room was as empty as it was black! + +In the front room, after payment from the red-headed ruffian, +Phil, the men clambered in single file up a wooden ladder to the +street level. A trap-door was put into place and closed. Then +the men began to shoot "craps" for a readjustment of the spoils, +with the result that Red Phil, as his henchmen called him, was +the smiling possessor of most of the money, without the erstwhile +necessity of "holding out." + +Then the gangsters scattered to the nearby gin-shops to while +away the time before darkness should call for their evil +activities. It was a cheerful little assortment of desperadoes, +yet in appearance they did not differ from most of the habitues +of New York garages, those cesspools of urban criminality. + +From his club, Shirley telephoned Jim Merrivale in his downtown +office, purposely giving another name, as he addressed his +friend--a pseudonym upon which they had agreed during the night +call. Shirley was suspicious of all telephones, by this time, +and his guarded inquiry gave no possible clue to a wiretapping +eavesdropper. + +"How is the new bull-dog?" was the question, after the first +guarded greeting. "Is he still muzzled?" + +"Yes, Mr. Smith," responded Merrivale, "and the meanest specimen +I have ever seen outside a Zoo! When I sent the groom out to +feed him this morning, he snarled and tried to claw him. He's on +a hunger strike. I looked up the license number on his collar +but he's not registered in this state." (This, Shirley knew, +meant the automobile tag under the machine which had been +captured.) + +"When are you apt to send for him--I don't think I'll keep him any +longer than I can help." + +"I'll send out from the dog store, with a letter signed by me. +Feed him a little croton oil to cure his disposition. Good-bye, +for now, Jim. I'll write you, this day." + +Shirley hung up, and smiled with satisfaction at the news. The +man would be glad to get bread and water, before long, he felt +assured. However, he despatched a note to Cleary, of the Holland +Agency, enclosing a written order to Merrivale to deliver over +the prisoner, for safer keeping in the city. + +This disposed of the started out from the club house for his +afternoon of dissipation. As he left the doorway, he noticed the +two men with the black caps standing not far away. They were +engrossed in the rolling of cigarettes, but the swift glance +which they shot at him did not escape Monty. + +"Like the poor and the bill collectors, they are always with us," +was his thought, as he calmly strolled over to the Hotel +California. He determined to place them in a quiet, sheltered +retreat at the earliest opportunity. He found Helene more +attractive than ever. + +"Shall I put on this wretched rouge again to-day," was the +plaintive question, after the first greeting. "I hate it so +--and yet, will do whatever you order." + +"Your role calls for it, my dear girl. Perhaps we may close the +dramatic engagement sooner than we expect. To-night should be an +eventful one, for I will accept every lead which Reginald Warren +offers. I would like to have a record of his voice, and that of +some of his friends. There is a difference between the telephone +voice and that heard face to face,--you would be a good witness +if I could persuade him to sing or speak for me into a record. +You can straighten out the difficulties of this case, if you +will, in a thoroughly feminine manner." + +"And what, sir, is that, I pray you?" + +"Give him the opportunity--to fall in love with you." + +Helene's cheeks flushed a stronger carmine than the rouge which +she was administering, as she looked up in quick embarrassment. + +"I don't want him to love me. I want no man to love me," was the +petulant answer. + +"Doubtless you have reason to be satisfied as things are," +replied Shirley, puffing a cigarette, "but the softness of +cerebral conditions increases in direct ratio with the mushiness +of the affections. If it is important to us--and you are my +partner in this fascinating business venture--will you not +sacrifice your emotions to that extent: merely to let him lead +himself on, as most men do?" He paused for a critical +observation of her, and then added: "You are even more beautiful +to-day than you were yesterday. He cannot help loving you if he +is given the chance!" + +Helene's white fingers crushed the orchid which she was pinning +to the bosom of her gown. Her intent gaze met the mask of +Shirley's ingenuous smile, reading in his telltale eyes a message +which needed no court interpreter! Quickly she turned to her +mirror to put the finishing touches to her coiffure, the golden +curls so alluringly wilful. + +"Your flattery, sir, is very cruel. Beware! I may take it +seriously. What would happen if my verdant heart were to fall a +victim to the cunning wiles of the voice? Remember, I have only +met two men, since I came to America, yesterday. And they are +both pronounced woman-haters. I will take you at your word, +about Mr. Reginald Warren, and loosen my blandishments to the +best of my rustic ability." + +A wayward twinkle in her eyes should have warned Shirley that she +was planning a little mischief. But, he was too preoccupied in +finding the real front of her baffling street cloak to observe +it. They left for the tearoom, while Helene still laughed to +herself over certain subtle possibilities which she saw in the +situation. + + + + +CHAPTER XIV + +A PILGRIMAGE INTO FRIVOLITY + + +Rather early, again, for the usual throng, they were able to +choose their position to their liking: to-day, it was in the +center of the big room, close by the space cleared for the +dancing. Gradually the tables were occupied, apparently by the +identical people of the afternoon before, so marked is the +peculiar character of the dance-mad individuality. To-day he +varied his menu with a mild order of cocktails--for now he was +not emulating the Epicurean record of the bibulous Grimsby. They +observed with amusement the weird contortions, seldom graced by a +vestige of rhythm or beauty, with which the intent dancers spun +and zigzagged. + +"Considering how much money they pay to learn these steps from +dancing-masters, there is unusually small value in the market, +Miss Marigold. I resigned myself to the approach of the sunset +years, and became a voluntary exile in the garden of the +wallflowers, when society dancing became mathematical." + +"I don't understand?" + +"Once it was possible to chat, to smile, to woo or to silently +enjoy the music and the measures of the dance in company with a +sympathetic partner. Now, however, since the triumph of the 'New +Mode,' one must count 'one-two-three,' and one's partner is more +captious than a schoolmarm! What puzzles me is the need for new +steps, to be learned from expensive teachers, when it's so easy +to slide down hill in this part of New York. But here endeth the +sermon, for I recognize the amiable Pinkie at that other table, +where she is studying your face with the malevolence of a cobra." + +Helene slowly turned her eyes toward the other girl, who now +advanced with forced effusiveness. + +"Oh, my dear, and you're back again today. But where is dear old +Grimmie; he is a nice old soul, though a trifle near-sighted. He +wasn't half seas over last night--he was a war-zone submarine, +out for a long-distance record!" + +She impudently seated herself at the table with them, sending a +questioning glance at the handsome companion of her quondam +rival. Helene instinctively drew back, but a warning glance from +Shirley plunged her into her assumed character, and she greeted +the other girl with the quasi-comradeship of their class. + +"Oh, yes, dear. Grimsby was a little poisoned by the salad or +something like that: he was actually disagreeable with me, of all +people in the world. But, I have so many friends that Grimsby +does not give me any worry. He means nothing in my life. You +seemed quite worried over him, though--" + +"Yes, girlie," was Pinkie's effort to parry. "I was upset--not +because he was with you, but to see the old chap showing his age. +His taste has deteriorated so much since he started wearing +glasses. But why don't you introduce me to your gentleman +friend?" + +Helene's faint smile expressed volumes, as she turned toward the +modest Shirley with a bow of condescension. "This is Pinkie, one +of old Grimsby's sweethearts, Mr. Shirley. I'm sure you'll like +her." + +"Are you Montague Shirley?" demanded the auburn-haired coquette +with sudden interest. As Shirley nodded, she caught his hand +with an ardent glance, ogling him impressively, as she continued: +"I've heard a lot of you. I'm just that pleased to meet you!" + +An indefinable resentment crept over Helene. How could this +creature of the demi-monde have even distant acquaintance of such +a wholesome, superior man as her escort? The effusiveness was +irritating, and the overacted kittenishness of the girl made her +sick at heart, although she betrayed no sign of her feeling. +Helene could not understand that despite its mammoth size, New +York is relatively provincial in the club and theatrical +community, his acquaintanceship numbering into the thousands. +Town Topics, the social gossipers of the newspapers and talkative +club men bandied names about in such wise that it was easy for +members of Pinkie's profession to satisfy their hopeful +curiosity--prompted by visions of eventual social conquest on the +one hand and a professional desire to memorize street numbers on +the Wealth Highway for ultimate financial manipulations. As one +of the richest members of the exclusive bachelor set, Montague +Shirley, even unknown to himself, occupied reserved niches in the +ambitions of a hundred and one fair plotters! + +"You will honor us by taking a drink, Miss Pinkie?" was the +criminologist's courteous overture. + +"Pinkie Marlowe, if you want to know the rest of my name. Yes, I +need a little absinthe to wake me up, for I just finished +breakfast. We had a large party last night at Reg Warren's. Why +don't you dance with me?" + +"The old adage about fat men never being loved applies especially +to those who brave the terrors of the fox-trot. I weigh two +hundred, so I wisely sit under the trees and laugh at the +others." + +"You two hundred?" and admiration flashed from Pinkie's emotional +eyes, "I don't believe it. Why, you're just right! I could +dance with a man like you all night!" + +Helene's helplessness only fanned the flames of her inward fury +at the brazen intent of the girl. She forgot about Jack and even +her plans about Reginald Warren. But Shirley's purpose was now +rewarded, for Pinkie acted as the magnet to draw over several of +the gilded youths whom they had met the day before. More +introductions followed, and additional refreshments were soon +gracing the table. Shine Taylor was the next to join the party, +and erelong the waited-for visitor was approaching them. His +eyes were upon Shirley from the instant that he entered the room: +he advanced directly toward their table with a certainty which +proved to Monty that method was in every move. + +"What a pleasant surprise, little Bonbon!" exclaimed this +gentleman as he drew up to their table. "I'm so glad. I was +afraid you wouldn't get home safely with Grimsby; he was so +absolutely overcome last night. He promised to bring you to my +little entertainment but didn't show up. What became of him?" + +"Join us in a drink and forget him," suggested Helene, as she +took his hand with an innocently stupid smile. "This is Mr. +Shirley, Mr.--Mr.--I had so much champagne last night I forgot +your name." + +"Warren, that's simple enough. Glad to see you, Mr. Sherwood, +oh, Shirley! It seems as though I had heard your name--aren't +you an actor, or an artist? A musician, or something like that? +My memory is so miserable." + +"I'm just a 'something like that,' not even an actor," was the +answer, as the tiniest of nudges registered Helene's +appreciation. "What is your favorite poison?" + +Warren gave him a startled look, and then laughed: "Oh, you mean +to drink? Now you must join me for I am the intruder." He drew +out a roll of money; more nice, new hundred dollar bills. +Shirley remembered that old Van Cleft had drawn several thousand +dollars from his office the night of the murder. Even his +trained stoicism rebelled at thought of drinking a cocktail +bought with this bloody currency! + +"You didn't tell me about Grimsby?" persisted Warren, turning to +Helene, with an admiring scrutiny of the girl's charms. "I'm +rather interested." + +"You'll have to ask him, not me. After we took a taxi from the +Winter-Garden we had a ride in the Park. So stupid, I thought, +at this time of the year. When I woke up, Grimmie was helping me +into the entrance of the hotel. He was very cross with the +chauffeur and with me, too. Then he took the taxi and went home, +still angry." + +"So!" after a moment's silence, Warren continued, a puzzled look +on his face. "What was the trouble? I don't see how any one +could be cross with a nice little girl like you. But to-night, +I'm to have another little party up at my house. Bring some one +up, who won't be cross. You come, Mr. Shirley?" + +Helene hesitated, but Monty acquiesced. + +"That would be splendid. What time?" + +"About eleven. I'll expect you--I must run along now, as I'm +ordering some fancy dishes." + +Shirley had paid his waiter, and he rose with Helene. + +"We must be leaving, too. I'll accept your invitation." + +"And I'll be there, too, Mr. Shirley," put in Pinkie Marlowe. +"I'll teach you some new steps. Reggie has a wonderful +phonograph for dancing, with all the new tunes. See you later, +girlie." + +They were accompanied to the door by Shine and Warren. At the +check-room, Shirley was interested to note that Shine Taylor took +out his green velour hat. His feet were adorned with white +spats. After the door of their taxi had slammed he confided to +Helene that he had located the gentleman who had caused his wreck +that morning. Still, however, the clues were too weak for +action. The car went first to the club, where Shirley sent in +for any possible letters or messages. The servant brought out a +note. It was another surprise. He gave an address to the driver +and as the car turned up Fifth Avenue, he studied this missive +with knit brows. + +"A new worry?" asked Helene. "May I help you?" + +He handed her the letter, and she noticed the nervous +handwriting. It was short. + +"Dear Mr. Shirley: Just received a threatening note demanding +money. Can you come up at once? Howard V. C." + +Shirley answered the question in the blue eyes, as she finished. + +"As I thought it would turn out. Baffled in their game of +robbing old men who have all left the city, they have begun to +work the chance for blackmail. I will advise Van Cleft to pay +them, and then we will follow the money. Here is the mansion and +I will be out in five minutes." + +He soon disappeared behind the bronze door. True to his promise, +in five minutes he had returned. He looked up and down the +Avenue amazed. Not a trace of the taxicab, nor of Helene +Marigold could be seen! + +Shirley's impulse was to pinch himself to awaken from the +chimera. He knew she was armed, and would use the weapon if only +to call for help. For the first time in his career the chill of +terror crept into his heart--not for himself, but an irresistible +dread of some impending danger for this unfathomable woman who +had shared his dangers so uncomplainingly during this last +wonderful day. He racked his mind vainly for some plausible +reason. "She knows I need her. Yet at the supreme moment of the +game she disappears. Can she be like other women, when she is +most necessary?" + +And he walked slowly down the Avenue, disconcerted, endeavoring +to solve this sudden abortion of his best laid plans. + + + + +CHAPTER XV + +CONCERNING HELENE'S FINESSE + + +Shirley endured a miserable three hours, in his attempts to +locate the girl. She had not returned to the Hotel California, +and he returned to the club in moody reflection. It was +beginning to snow, and the ground was soon covered with a thin +coat of white, through which he noticed his footprints stenciled +against the black of the wet pavement. He wasted a dozen matches +in the freshening wind, as he tried to light a cigarette. He +stepped into a doorway on the Avenue to avail himself of its +shelter. As he turned out to the street again, he almost bumped +into two men, wearing black caps! One of them grunted a curt +apology, as he stepped on. + +"They are after me as usual," he thought. "Why not reverse +operations and find out where they belong?" + +It seemed hopeless: as in a checker game they had him at +disadvantage with the odd number of the "move." Theirs was the +chance to observe, and an open attempt to follow them would be +ridiculous. Then, the footprints gave him an idea. + +Dimly behind could be discerned the two men, as he quickened his +pace, turning into a side street, off Fifth Avenue. Here he knew +that traffic would be light, and his footprints the best evidence +of his progress. The men unwittingly caught his plan, and +dropped almost out of sight. At the intersection of Madison +Avenue, they quickened their steps, and caught up with him again. +Across corners, down quiet streets, and by purposed diagonals he +led them: still they dogged his footprints. So adroit were they +that only one experienced in the art could have realized their +watchfulness. + +Shirley now turned a corner quickly, into an unusually deserted +thoroughfare, running with short steps, so as not to betray his +speed by the tracks. Before they had time to round the corner he +ran up the thinly blanketed steps of a private residence. Then +he backed, as swiftly down the stoop, and thus crablike, walked +across the street, down a dozen houses and backward still, up the +steps of another private dwelling. Inside the vestibule he hid +himself. The entry had strong wooden outside doors, and he tried +the strength of the hinges: they satisfied him. A dim light +burned behind the glass of the inner portal. He quietly +clambered up the door, and balanced himself on the wood which +gallantly stood the strain. Fortunately it did not come within +four feet of the high ceiling of the old fashioned house. + +He suffered a good ten minutes' wait before his ruse was +rewarded. Being on the "fence" was a pastime compared to this +precarious test of his muscles. The two men who had followed the +first footprints tired of waiting before the house. One of them +determined to investigate the other steps, which led into the +house of their vigilance, from the other dwelling. And so he +followed on, to the vestibule where he rang the bell. Shirley +could have touched his head, so near he was, but the darkness of +the upper space covered the retreat of the criminologist. + +"What do you want?" was the angry question of an indignant old +caretaker who answered the bell tardily. "You woke me up." + +"Say, lady, can I speak to Mr. Montague Shirley?" began the man, +gingerly. + +"You get away from this house, you loafer or I'll call the +police. No one by that name ain't here. Now, you get!" + +She slammed the door in his face. + +"I'll get Chuck to watch de udder joint," muttered the man, in a +tone audible to Shirley. "Den I'll go back and git orders from +Phil." + +This habit of thinking aloud was expensive. Shirley stiffly but +noiselessly slid down the steps, as he disappeared in the +thickening snowfall. The criminologist slowly crossed the +street, and sheltered himself in a basement entrance, from which +he reversed the shadowing process. The twain hesitated before the +first house, then one came up the sidewalk, as the other stood his +ground. This man passed within a few feet of Shirley, who followed +him over to Madison Avenue, then north to Fifty-fifth Street. Here +he turned west, and turned into one of the old stables, formerly +used by the gentry of the exclusive section for their blooded +steeds. Into one building, which announced its identity as "Garage" +with its glittering electric sign, the man disappeared. + +Shirley paused, looked about him, and chuckled. For he knew that +through the block on Fifty-sixth Street was the tall apartment +building, known as the Somerset--the address given him by +Reginald Warren. + +"If I only had some word from Helene Marigold I could go ahead +before they realized my knowledge." + +Even as this thought crossed his mind, he turned back into Sixth +Avenue. A hatless, breathless young person, running down the +snowy street collided with him. As he began to apologize, he +awoke to the startling fact that it was his assistant. + +"Great Scott! What are you doing here? Where have you been all +this time?" + +The girl caught his arm unsteadily, but there was a triumph in +her voice, as she cried: "Oh, this wonderful chance meeting. I +was running down to my hotel but you have saved the day. I will +tell you later. Quick, take this book." + +She drew forth a volume, flexibly bound, like a small loose-leaf +ledger. Shirley stuck it into his overcoat pocket, which he was +already slipping about the girl's shivering shoulders. + +"Take me back at once, for there is more for me to do." + +"Where, my dear girl? You are indeed the lady of mysteries." + +"To the basement of Warren's apartment house. I came down the +dumb-waiter, when they left me. I left the little door ajar--Can +you pull me up again? He is on the eighth floor. It is a long +pull--Oh, if we can only make it before they return." + +Her eyes sparkled with the thrill of the mad game, as she ran +once more, Shirley keeping pace with her. The flurries of the +snowstorm protected them from too-curious observation, as the +streets seemed deserted by pedestrians who feared the growing +blizzard. She led him to the tradesman's entrance of the +Somerset, into the dark corridor through which she had emerged. + +"Don't strike a light, for I can feel the way. We mustn't be +seen." + +Shirley obeyed,--at last she found the base of the dumbwaiter +shaft. + +"How did you have the strength to lower yourself down this shaft +--it is no small task?" and his tone was admiring. + +"I am not a weakling--tennis, boating, swimming were all in my +education; they helped. But it is beyond me to pull all those +floors, and lift my weight. Pull up as far as the little +elevator car goes, then go away and come to his party to look for +me. Do not be surprised at my actions. My role has really +developed into that of an emotional heavy." + +She patted his hand with a relaxation of tenderness, as he began +to draw on the long rope. The girl was by no means a light +weight, but at last the dumb-waiter came to a stop. Shirley +heard the opening and closing of a door above. Then, still +wondering at it all, he returned to the street as unobserved as +they had entered. There was at least an hour to wait. He walked +over to the Athletic Club, of which he was a remiss member, +attending seldom during the recent months when his exercise had +been more tragic than gymnastic work. In the library of the club +house he sat down to study the volume which Helene had thrust +into his hands at their startling meeting. + +He gave a low whistle of surprise. + +"Some little book!" he muttered, "and Helene Marigold has shown +me that I must fight hard to equal her in the race for laurels!" + +Then he proceeded to rack his brains with a new and knottier +problem than any which he had yet encountered. + + + + +CHAPTER XVI + +THE STRANGE AND SURPRISING WARREN + + +The volume was a loose-leaf diary, with each page dated, and of +letter size. It covered more than the current year, however, +running back for nearly eighteen months. It was as scrupulously +edited as a lawyer's engagement book, and curiously enough it was +entirely written in typewriting! + +Most surprising of all, however, was the curious code in which +the entire matter was transcribed,--the most unusual one which +Shirley had ever read. + +Here was the first page to which he opened, letter for letter and +symbol for symbol: + +"THURSDAY: JANUARY SEVENTH, 1915. +;rstmrfagtp,ansmlafrav;rudyrtaftreadocayjpi +dsmfaoma,ptmomha,pmlassdohmrfaypayscoae +ptlagptayrsadjomrasddohmrfagocahrmrsypta +,sthoragsotgscafsyraeoyjafrav;rudyrtasyagobra +djomrasmfalprajse;ruavobrtomhas,rakslras +smffanrmasddohmrfan;svlavstagpta,raqsofaqj +o;apmrajimftrfavpbrtomhadqrvos; aeptlakpn +agomodjrfatobrtdofraftobrasyarohjyoayjotfad +ocadjstqafrqpdoyr famohjyasmfaffuagpitayjpi +dsmfadsgrafrqpdoyagogyrrmajimftrfa; rmyaf +p;;ua,stopmayepajimfrtgptaftrddagptaqstyua +eoyjabsmv;rgyamrcyasgyrtmppmasfbsmvrfad +jomrapmrayjpidsm daypavpbrtapqyopmapga +usvjyadimnrs, aqsofaypantplrtayjsyamohjyapt +frfaqtpbodop,dayr;rqjpmragptausvjyayepa,p +myjabtiodra, pmlasddohmrdagptkpnamrcyafs +uasfbs mvrfadjomragojimftrfapmasvvpimyae +ptlapmaer;;omhypmadrtts;a,syyrtatrqsitdan; +svla,svjomra" + +and so it ran on, baffling and inspiring a headache! + +Shirley went over and over the lines of this bewildering phalanx +of letters with no reward for his absorbed devotion to the +puzzle. + +"Let me see," he mused. "Thursday, January seventh, was the date +upon which Washington Serral was murdered, according to Doctor +MacDonald. Any man who will maintain a record of the days in +such a difficult code as this must not only be extremely +methodical, but is certain to have much to put upon that record +worth the trouble. Here may lay the secret of the entire case." + +At the end of the hour he had allowed himself, there was no more +proximity to solution than at the inception of his effort. It +was almost half-past eleven, and he knew that it was time to go +to Warren's apartment. He sent a messenger with the book, +carefully wrapped up, to his rooms at the club on Forty-fourth +Street. It was too interesting a document to risk taking up to +that apartment again, after Helene's exertions in obtaining it. + +The Somerset was not dissimilar from the hundreds of highly +embellished dwellings of the sort which abound in the region of +the Park, causing out-of-town visitors to marvel justly at the +source of the vast sums of money with which to pay the enormous +rentals of them all. + +The elevator operator smirked knowingly, when he asked for +Warren's apartment. "You-all can go right up, boss. He's +holdin' forth for another of dem high sassiety shindigs to-night. +Dat gemman alluz has too many callin' to bother with the +telephone when he has a party. You don't need no announcin'." + +The man directed him to the door on the left. Closed as it was +the sounds of merrymaking emanated into the corridor. Shirley's +pressure on the bell was answered by Shine Taylor's startled +face. Warren stood behind him. The surprise of the pair amused +Shirley, but their composure bespoke trained self-control. + +"I'm sorry to be late," was the criminologist's greeting. "But I +came up to apologize for not being able to bring Miss Marigold. +We missed connections somewhere, and I couldn't find her." + +"I am so pleased to have you with us anyway. We'll try to get +along without her--" but Warren was interrupted to his +discomfiture. + +A silvery laugh came from the hallway behind him. Helene +Marigold waved a champagne glass at Shirley. + +"There's my tardy escort now. I'm here, Shirley old top! Te, +he! You see I played a little joke on you this afternoon and +eloped with a handsomer man than you." She leaned unsteadily +against the door post and waved a white hand at him as she +coaxed. "Come on in, old dear, and don't be cross now with your +little Bonbon Tootems!" + +Taylor and Warren exchanged glances, for this was an unexpected +sally. But they were prompt in their effusive cordiality, as +they assisted Shirley in removing his overcoat, and hanging his +hat with those of the other guests. He placed his cane against +the hall tree, and followed his host into the jollified +apartment. He did not overlook the swift glide of Shine's hand +into each of his overcoat pockets in the brief interval. Here +was a skilful "dip"--Shirley, however, had taken care that the +pickpocket would find nothing to worry him in the overcoat. + +Warren's establishment was a gorgeous one. To Shirley it was +hard to harmonize the character of the man as he had already +deduced it with the evident passion for the beautiful. That +such a connoisseur of art objects could harbor in so broad and +cultured a mind the machinations of such infamy seemed almost +incredible. The riddle was not new with Reginald Warren's case: +for morals and "culture" have shown their sociological, economic +and even diplomatic independence of each other from the time when +the memory of man runneth not! + +Shirley's admiration was shrewdly sensed by his host. So after a +tactful introduction to the self-absorbed merrymakers, now in all +stages of stimulated exuberance, he conducted his guest on a tour +of inspection about his rooms. + +"So, you like etchings? I want you to see my five Whistlers. +Here is my Fritz Thaulow, and there is my Corot. This crayon by +Von Lenbach is a favorite of mine." His black eyes sparkled with +pride as he pointed out one gem after another in this veritable +storehouse of artistic surprises. Few of the jolly throng gave +evidence of appreciating them: the man was curiously superior to +his associations in education as well as the patent evidence +which Shirley now observed of being to the manor born. Helene +Marigold, ensconced in a big library chair, her feet curled under +her, pink fingers supporting the oval chin, dreamily watched +Shirley's absorption. She seemed almost asleep, but her mind +drank in each mood that fired the criminologist's face, as he +thoroughly relaxed from his usual bland superiority of mien, to +revel in the treasures. + +Ivory masterpieces, Hindu carvings, bronzes, landscapes, rare +wood-cuts, water colors--such a harmonious variety he had seldom +seen in any private collection. The library was another +thesaurus: rich bindings encased volumes worthy of their garb. +The books, furthermore, showed the mellowing evidence of frequent +use; here was no patron of the instalment editions-de-luxe! + +"You like my things," and Warren's voice purred almost happily. +There was a softening change in his attitude, which Shirley +understood. The appreciation of a fellow worshiper warmed his +heart. "My books--all bound privately, you know, for I hate shop +bindings. Most of them from second-hand stalls, redolent with +the personalities of half a hundred readers. Books are so much +more worth reading when they have been read and read again. +Don't you think so?" + +"Yes. I see your tastes run to the modern school. Individualism, +even morbidity: Spencer, Nietsche, Schopenhauer, Tolstoi, Kropotkin, +Gorky--They express your thoughts collectively?" + +"Yes, but not radically enough. My entire intellectual life has +driven me forward--I am a disciple of the absolute freedom, the +divinity of self, and--but there I invited you to a joy party, +not a university seminar." + +"But the party will grow riper with age," and Shirley was prone +to continue the autopsy. "You are a university man. Where did +you study?" + +"Sipping here and there," and a forgivable vanity lightened +Warren's face. "Gottingen, Warsaw, Jena, Oxford, Milan, The +Sorbonne and even at Heidelberg, the jolly old place. You see my +scar?" He pulled back a lock of his wavy black hair from the +left temple to show a cut from a student duelist's sword. "But +you Americans--I mean, we Americans--we have such opportunities +to pick up the best things from the rest of the world." + +"No, Warren," and Shirley shook his head, not overlooking the +slight break which indicated that his host was a foreigner, +despite the quick change. "I have been to busy wasting time to +collect anything but fleeting memories. Too much polo, swimming, +yachting, golfing--I have fallen into evil ways. I think your +example may reform me. You must dine with me at my club some +day, and give me some hints about making such wonderful +purchases." + +"I know the most wonderful antique shop," Warren began, and just +then was interrupted by Shine Taylor and a dizzy blonde person +with whom he maxixed through the Hindu draperies, each deftly +balancing a champagne glass. + +"Here, Reg, you neglect your other guests. Come on in!" Shine's +companion held out a wine glass to Warren, but her eyes were +fixed in a fascinated stare upon Montague Shirley, + +"Why, what are you doing here?" + +It was little Dolly Marion, Van Cleft's companion on the fatal +automobile ride. She trembled: the glass fell to the floor with +a tinkly crash. Shirley smiled indulgently. Taylor and Warren +exchanged looks, but Monty knew that they must by this time be +aware of his command to the girl to abstain from gay +associations. + +"You couldn't resist the call of the wild, could you, Miss +Dolly?" + +The girl sheepishly giggled, and danced out of the room, to sink +into a chair, wondering what this visitation meant. Another +masculine butterfly pressed more champagne upon her, and in a few +moments she had forgotten to worry about anything more important +than the laws of gravity. Warren had been rudely dragged away +from his intellectual kinship with his guest. His manner +changed, almost indefinably, but Shirley understood. He looked +at Helene, a little bundle of sleepy sweetness in the big chair. + +"Well, Miss! Where did you go when I left you on my call of +condolence to Howard Van Cleft? He leaves town to-night for a +trip on his yacht, and it was my last chance to say good-bye." + +"Where is he going?" was Warren's lapsus linguae, at this bit of +news. + +"Down to the Gulf, I believe. Do you know him, Warren? Nice +chap. Too bad about his father's sudden death from heart +failure, wasn't it? He told me they were putting in supplies for +a two months' cruise and would not be able to sail before three +in the morning." + +"I don't know Van Cleft," was Warren's guarded reply. "Of +course, I read of his sad loss. But he is so rich now that he +can wipe out his grief with a change of scene and part of the +inheritance. It's being done in society, these days." + +"Poor Van Cleft! He's besieged by blackmailers, who threaten to +lay bare his father's extravagant innuendos, unless he pays fifty +thousand dollars. He can afford it, but as he says, it's war +times and money is scarce as brunette chorus girls. He has put +the matter before the District Attorney and is going to sail for +Far Cathay until they round up the gang. These criminals are so +clumsy nowadays, I imagine it will be an easy task, don't you, +Warren?" + +The other man's eyes narrowed to black slits as he studied the +childlike expression of Shirley's face. He wondered if there +could be a covert threat in this innocent confidence. He +answered laconically: "Oh, I suppose so. We read about crooks +in the magazines and then see their capers in the motion picture +thrillers, but down in real life, we find them a sordid, +unimaginative lot of rogues." + +He proffered Shirley a cigarette from his jeweled case. As he +leaned toward the table to draw a match from the small bronze +holder, Helene observed Shirley deftly substitute it for one of +his own, secreting the first. + +"Yes," continued Shirley, "the criminal who is caught generally +loses his game because he is mechanical and ungifted with talent. +But think of the criminals who have yet to be captured--the +brilliant, the inspired ones, the chess-players of wickedness who +love their game and play it with the finesse of experts." + +Shirley smoothed away the ripple of suspicion which he had +mischievously aroused with, "So, that is why fellows like us would +not bother with the life. The same physical and intellectual effort +expended by a criminal genius would bring him money and power with +no clutching legal hand to fear. But there, we're getting morbid. +What I really want to do is to satisfy my vanity. Where did Miss +Marigold disappear?" + +"Talking about me?" and Helene opened her eyes languorously. "I +was so tired waiting for you that when Mr. Warren came along in +his wonderful new car I yielded to his invitation, so we enjoyed +that tea-room trip which you had promised. Such a lark! Then we +came up here where I had the most wonderful dinner with him and +three girls. I was tired and sleepy, so I dozed away on that +library davenport until the party began--and there you are and +here I are, and so, forgive me, Monty?" + +She slipped nimbly to the floor, with a maddening display of a +silken ankle, advancing to the criminologist with a wistful +playfulness which brought a flush of sudden feeling, to the face +of Reginald Warren. Helene was carrying out his directions to +the letter, Shirley observed. + +They lingered at Warren's festivities until a wee sma' hour, +Helene pretending to share the conviviality, while actually +maintaining a hawk-like watch upon the two conspirators as she +now felt them to be. She was amused by the frequency with +which Shine Taylor and Reginald Warren plied their guest with +cigarettes: Shirley's legerdemain in substituting them was worthy +of the vaudeville stage. + +"The wine and my smoking have made me drowsy," he told her, with +no effort at concealment. "We must get home or I'll fall asleep +myself." + +A covert smile flitted across Warren's pale face, as Shirley +unconventionally indulged in several semi-polite yawns, nodding +a bit, as well. Helene accepted glass after glass of wine, +thoughtfully poured out by her host. And as thoughtfully, did +she pour it into the flower vases when his back was turned: she +matched the other girls' acute transports of vinous joy without +an error. Shirley walked to the window, asking if he might open +it for a little fresh air. Warren nodded smiling. + +"You are well on the way to heaven in this altitude of eight +stories," volunteered Shirley, with a sleepy laugh. + +"Yes. The eighth and top floor. A burglar could make a good +haul of my collection, except that I have the window to the fire +escape barred from the inside, around the corner facing to the +north. Here, I am safe from molestation." + +"A great view of the Park--what a fine library for real reading; +and I see you have a typewriter--the same make I used to thump, +when I did newspaper work--a Remwood. Let me see some of your +literary work, sometime--" + +Warren waved a deprecating hand. "Very little--editors do not +like it. I do better with an adding machine down on Wall Street +than a typewriter. But let us join the others." There was a +noticeable reluctance about dwelling upon the typewriter subject. +Warren hurried into the drawing-room, as Shirley followed with a +perceptible stagger. + +Shine Taylor scrutinized his condition, as he asked for another +cigarette. As he yielded to an apparent craving for sleep, the +others danced and chatted, while Taylor disappeared through the +hall door. After a few minutes he returned to grimace slightly +at Warren. Shirley roused himself from his stupor. + +"Bonbon, let us be going. Good-night, everybody." + +He walked unsteadily to the door, amid a chorus of noisy farewells, +with Helene unsteady and hilarious behind him. Warren and Shine +seemed satisfied with their hospitable endeavors, as they bade +good-night. The elevator brought up two belated guests, the roseate +Pinkie and a colorless youth. + +"Oh, are you going, Mr. Shirley? What a blooming shame. I just +left the most wonderful supper-party at the Claridge to see you." + +"Too bad: I hope for better luck next time." + +"The elevator is waiting," and Helene's gaze was scornful. +Shirley restrained his smile at the girl's covert hatred of the +redhaired charmer. Then he asked maliciously: "Isn't she +interesting? Too bad she associates with her inferiors." + +"You put it mildly." + +"Here, boy, call a taxicab," he ordered the attendant, as they +reached the lower level. + +"Sorry, boss, but I dassent leave the elevator at this time of +night. I'm the only one in the place jest now." + +Shirley insisted, with a duty soother of silver, but the negro +returned in a few minutes, shaking his head. Shirley ordered him +to telephone the nearest hacking-stand. Then followed another +delay, without result. + +"Come, Miss Helene, there is method in this. Let us walk, as it +seems to have been planned we should." + +"Is it wise? Why put yourself in their net?" + +For reply, he placed in her hand the walking stick which he had +so carefully guarded when they entered the apartment. It was +heavier than a policeman's nightstick. As he retook it, she +observed the straightening line of his lips. + +"As the French say, 'We shall see what we shall see.' Please +walk a little behind me, so that my right arm may be free." + +It was after two, and the street was dark. Shirley had noted an +arc-light on the corner when he had entered the building--now it +was extinguished. A man lurched forward as they turned into +Sixth Avenue, his eyes covered by a dark cap. + +"Say gent! Give a guy that's down an' out the price of a beef +stew? I got three pennies an' two more'll fix me." + +"No!" + +"Aw, gent, have a heart!" The man was persistent, drawing +closer, as Shirley walked an with his companion, into the +increasing darkness, away from the corner. Another figure +appeared from a dark doorway. + +"I'm broke too, Mister. Kin yer help a poor war refugee on a +night like this?" + +Shirley slipped his left hand inside his coat pocket and drew out +a handkerchief to the surprise of the men. He suddenly drew +Helene back against the wall, and stood between her and the two +men. + +"What do you thugs want?" snapped the criminologist, as he +clenched the cane tightly and held the handkerchief in his left +hand. There was no reply. The men realized that he knew their +purpose--one dropped to a knee position as the other sprang +forward. The famous football toe shot forward with more at stake +than ever in the days when the grandstands screeched for a field +goal. At the same instant he swung the loaded cane upon the +shoulders of the upright man, missing his head. + +The second man swung a blackjack. + +The first, with a bleeding face staggered to his feet. + +The handkerchief went up to the mouth of the active assailant, +and to Helene's astonishment, he sank back with a moan. Shirley +pounced upon his mate, and after a slight tussle, applied the +handkerchief with the same benumbing effect. Then he rolled it +up and tossed it far from him. + +He took a police whistle from his pocket and blew it three times. +His assailants lay quietly on the ground, so that when the +officer arrived he found an immaculately garbed gentleman dusting +off his coat shoulder, and looking at his watch. + +"What is it, sir?" he cried. + +"A couple of drunks attacked me, after I wouldn't give them a +handout. Then they passed away. You won't need my complaint +--look at them--" + +The policeman shook the men, but they seemed helpless except to +groan and hold their heads in mute agony, dull and apparently +unaware of what was going on about them. + +"Well, if you don't want to press the charge of assault?" + +"No. I may have it looked up by my attorney. Tonight I do not +care to take my wife to the stationhouse with me. They ought to +get thirty days, at that." + +Shirley took Helene's arm, and the officer nodded. + +"I'll send for the wagon, sir. They're some pickled. +Good-night." + +As they walked up to the nearest car crossing, Helene turned to +him with her surprise unabated. + +"What did you do to them, Mr. Shirley?" + +"Merely crushed a small vial of Amyl nitrite which I thoughtfully +put in my handkerchief this afternoon. It is a chemical whose +fumes are used for restoring people afflicted with heart failure: +with men like these, and the amount of the liquid which I gave +them for perfume, the result was the same as complete +unconsciousness from drunkenness.--Science is a glorious thing, +Miss Helene." + + + + +CHAPTER XVII + +IN WHICH SHIRLEY SURPRISES HIMSELF + + +They reached the hotel without untoward adventure. + +"Perhaps we might find a little corner in that dining-room I saw +this afternoon, with an obliging waiter to bring us something to +eat. Shall we try? I need a lot of coffee, for I am going down +to the dock of the Yacht Club to await developments." + +"You big silly boy," she cautioned, with a maternal note in her +voice which was very sweet to bachelor ears from such a maiden +mouth, "you must not let Nature snap. You have a wonderful +physique but you must go home to bed." + +"It can't be done--I want to hear about your little visit to the +apartment, and the story of the diary. I'll ask the clerk." + +A bill glided across the register of the hotel desk, and the +greeter promised to attend to the club sandwiches himself. He +led them to a cosey table, in the deserted room, and started out +to send the bell-boy to a nearby lunchroom. + +"Just a minute please,--if any one calls up Miss Marigold, don't +let them know she has returned. I have something important to +say, without interruption: you understand?" + +"Yes, I get you, sir," and the droll part was that with a +familiarity generated of the hotel arts he did understand even +better than Shirley or Helene. He had seen many other young +millionaires and golden-haired actresses. Shirley looked across +the table into the astral blue of those gorgeous eyes. Certain +unbidden, foolish words strove to liberate themselves from his +stubborn lips. + +"I am a consummate idiot!" was all that escaped, and Helene +looked her surprise. + +"Why, have you made a mistake?" + +"I hope not. But tell me of Warren's mistake." + +She had been waiting what seemed an eternity before Van Cleft's +house, when a big machine drew up alongside. Warren greeted +her with a smiling invitation to leave Shirley guessing. Her +willingness to go, she felt, would disarm his suspicions. The +little dinner in the apartment with Shine, Warren and three girls +had been in good taste enough: pretending, however, to be +overcome with weariness she persuaded them to let her cuddle up +on the couch, where she feigned sleep. Warren had tossed an +overcoat over her and left the apartment with the others, +promising to return in a few minutes. He had said to Shine, +"She'll be quiet until we return--it may be a good alibi to have +her here." Then he had disappeared, wearing only a soft hat, +with no other overcoat. Listening at the closed hall door, she +heard him direct the elevator man, "Second off, Joe." The door +was locked from the outside. The servant's entrance was locked, +all the bedrooms locked, every one with a Yale lock above the +ordinary keyhole. The Chinese cook had been sent out sometime +before to buy groceries and wine for the later party. + +"But where did you find the note-book? It may send him to the +electric chair." Monty Shirley was lighting one of the +cigarettes handed him by his host. He sniffed at it and crushed +out the embers at the end. "This cigarette would have sent me to +dreamland for a day at least--Warren understands as much +chemistry as I do." + +"At first I studied the books in the library out of curiosity and +then noticed that three books were shoved in, out of alignment +with the others on the shelf. With a manservant in the house, +instead of a woman, of course things needed dusting. But where +these three books were it had been rubbed off! I took out the +books, reached behind and found the little leather volume. It +was simple. I went to his typewriter when I saw that the pages +were all typed, and took out some note-paper, from the bronze +rack." + +"And then, Miss Sleuth?" + +"Don't laugh at me. I had heard of the legal phrase 'corroborative +evidence,' so knowing that it would be necessary to connect that +typewriter with the book, I rattled off a few lines on the machine. +Here it is: it will show the individuality of the machine to an +expert." + +"You wonderful girl!" he murmured simply. She protested, "Don't +tease me. I have watched you and am learning some of your simple +but complete methods of working. I understand you better than +you think." + +"Go on with your story," and Shirley was uncomfortable, although +he knew not why. + +"That is the end of my tale of woe. The kitchen being open, I +took advantage of the dumb-waiter, as you already know. It's +fortunate that waiter is dumb, for it must have many lurid +confessions to make. I never saw such an interminable shaft; it +seemed higher than the Eiffel Tower. See how I blistered my +hands on the rope, letting myself down." + +She opened her palms, showing the red souvenirs of the coarse +strands. Almost unconsciously she placed her soft fingers within +Shirley's for a brief instant. She quickly drew them away, +sensing a blush beneath the cosmetics, glad that he could not +detect it. That gentle contact thrilled Shirley again, even as +the dear memory of the tired cheek against his shoulder, during +the automobile trip of the previous night. + +"After finding you so accidentally and returning with your aid, +on the little elevator, I threw myself back into the original +pose on the big couch. It was just in time, for Warren returned. +His cook came in shortly afterward. I imagine that he allows no +one in that apartment, ordinarily, when he is not there himself. +But what, sir, do you think I discovered upon the shoulder of his +coat?" + +Shirley shook his head. "A beautiful crimson hair," he asked +gravely, "from the sun-kissed forehead of the delectable Pinkie? Or +was it white, from the tail of the snowy charger which tradition +informs us always lurks in the vicinity of auburn-haired +enchantresses?" + +"Nothing so romantic. Just cobwebs! He saw me looking at them, +and brushed them off very quickly." + +"The man thinks he is a wine bottle of rare vintage!" observed +Shirley. But the jest was only in his words. He looked at her +seriously and then rapt in thought, closed his eyes the better to +aid his mental calculation. "He got off at the second floor--He +wore no overcoat--A black silk handkerchief--cobwebs--and that +garage on the other street, through the block! Miss Helene, you +are a splendid ally!" + +"Won't you tell me what you mean about the garage? Who were +those men who attacked you? What happened since I deserted you?" + +But Shirley provokingly shook his head, as he drew out his watch. + +"It is half-past two. I must hurry down to East Twenty-fifth +Street and the East River, at the yacht club mooring, before +three. Tomorrow I will give you my version in some quiet +restaurant, far from the gadding crowd of the White Light +district." + +He rose, drawing back his chair; they walked to the elevator +together. The clerk beckoned politely. + +"A gent named Mr. Warren telephoned to ask if you were home yet, +Miss Marigold. I told him not yet. Was that wrong?" + +"It was very kind of you. Thank you so much," and Helene's smile +was the cause of an uneasy flutter in the breast of the blase +clerk. "Good-night." + +"That's a lucky guy, at that, Jimmie," confided the clerk to the +bell-boy. "She is some beauty show, ain't she? And she's on the +right track, too." + +"Yep, but she's too polite to be a great actress or a star. Her +temper'ment ain't mean enough!" responded this Solomon in brass +buttons. "I hopes we gits invited to the wedding!" + +Outside, Shirley enjoyed the stimulus of the bracing early +morning air. A new inspiration seemed to fire him, altogether +dissimilar to the glow which he was wont to feel when plunging +into a dangerous phase of a professional case. He slowly drew +from his pocket the typed note-paper which had nestled in such +enviable intimacy with that courageous heart. The faint +fragrance of her exquisite flesh clung to it still. He held it +to his lips and kissed it. Then he stopped, to turn about and +look upward at the tall hostelry behind him. High up below the +renaissance cornice he beheld the lights glow forth in the rooms +which he knew were Helene's. + +As he hurried to the club, he muttered angrily to himself: "I +have made one discovery, at least, in this unusual exploit. I +find that I have lost what common sense I possessed when I became +a Freshman at college!" + + + + +CHAPTER XVIII + +ON THE RISING TIDE + + +A hurried message to the Holland Agency brought four plain +clothes men from the private reserve, under the leadership of +superintendent Cleary. Monty met them at the doorway of the club +house, wearing a rough and tumble suit. + +They sped downtown, toward the East River, the criminologist on +the seat where he could direct the driver. At Twenty-sixth +Street, near the docks, they dismounted and Shirley gave his +directions to the detectives. + +"I want you to slide along these doorways, working yourselves +separately down the water front until you are opposite the yacht +club landing. I will work on an independent line. You must get +busy when I shoot, yell or whistle,--I can't tell which. As the +popular song goes, 'You're here and I'm here, so what do we +care?' This is a chance for the Holland Agency to get a great +story in the papers for saving young Van Cleft from the +kidnappers." + +He left them at the corner, and crossing to the other pavement, +began to stagger aimlessly down the street, looking for all the +world like a longshoreman returning home from a bacchanalian +celebration from some nearby Snug Harbor. It was a familiar type +of pedestrian in this neighborhood at this time of the morning. + +"That guy's a cool one, Mike," said Cleary to one of his men. +"These college ginks ain't so bad at that when you get to know +'em with their dress-suits off." + +"He's a reg'lar feller, that's all," was Mike's philosophical +response. "Edjication couldn't kill it in 'im." + +A hundred yards offshore was the beautiful steam yacht of the Van +Clefts', the "White Swan." Lights on the deck and a few glowing +portholes showed unusual activity aboard. Shirley's hint to +Warren about the contemplated trip to southern climes was the +exact truth. Naked truth, he had found, was ofttimes a more +valuable artifice than Munchausen artistry of the most consummate +craft! The longshoreman, apparently befuddled in his bearings, +wandered toward the dock, which protruded into the river, a part +of the club property. He staggered, tumbled and lay prostrate on +the snowy planks. + +Then he crawled awkwardly toward one of the big spiles at the +side of the structure, where he passed into a profound slumber. +This, too, was a conventional procedure for the neighborhood! A +man walked across the street, from the darkness of a deserted +hallway: he gave the somnolent one a kick. The longshoreman +grunted, rolled over, and continued to snore obliviously. + +An automobile honk-honked up Twenty-third Street, and then swung +around in a swift curve toward the dock. The investigating +kicker slunk away, down the street. The limousine drew up at the +entrance to the tender gangway. Accompanied by a portly servant, +a young man in a fur coat, stepped from the machine. + +"Give them another call with your horn, Sam," he directed. "The +boat will be in for me, then." + +This was done. A scraping noise came from the hanging stairway +of the dock, and a voice called up from the darkness: "Here we +are, sir!" Howard Van Cleft leaned over the edge and looked +down, somewhat nervously. A reassuring word came up from the +boat, rocking against the spiles. + +"You was a bit late, sir. You said three, Mr. Van Cleft, and now +it's ten after. So the captain sent us in to wait for you. +Everything's shipshape, sir, steam up, and all the supplies +aboard. Climb right down the ladder, sir. Steady now, lads!" + +This seemed to presage good. Van Cleft turned to his butler. + +"Take down the luggage, Edward. Goodbye, Sam. Keep an eye on +the machines. The folks will attend to everything for you while +I am away. Good-bye." + +The butler had delivered the baggage and now returned up the +ladder, puffing with his exertions. + +"Good-bye, sir," and his voice was more emotional than usual. +"Watch yourself, sir, if you please, sir. You're the last Van +Cleft, and we need you, sir." The old man touched his hat, and +climbed into the automobile, as Van Cleft climbed down the +ladder. The machine sped away under the skilful guidance of Sam. + +"Steady, sir, steady--There, we have you now, sir,--Quick, men! +Up the river with the tide. Row like hell!--Keep your oars +muffled--here comes the other boat." + +All this seemed naturally the accompaniment of the embarkment of +Van Cleft's yachting cruise, but the sleeping longshoreman +suddenly arose to his feet and blew a shrill police whistle. +Next instant the flash of his pocket-lamp illumined the dark boat +below him. A volley of curses greeted this untoward action! A +revolver barked from the hand of a big man in the stern. Young +Van Cleft lay face downward in the boat, neatly gagged and bound. +As the light still flickered over the surprised oarsmen, an +answering shot evidenced better aim. The man in the back of the +bobbing vessel groaned as he fell forward upon the prostrate body +of the pinioned millionaire. One oarsman disappeared over the +side of the boat, to glide into the unfathomable darkness, with +skilful strokes. + +"Hold still! I'll kill the first man who makes a move!" + +As Shirley's voice rang out, Cleary with his assistants was +dashing across the open space to the end of the dock. + +"Shove out that boat-hook and hold onto the dock!" was the +additional order, accompanied by a punctuation mark in the form +of another bullet which splintered the gunwale of the boat. +Looking as they were, into the dazzling eye of the bulb light, +the men were uncertain of the number of their assailants: +surrender was natural. Cleary's men made quick work of them. +The boat from the yacht now hove to by this time, filled with +excited and profane sailormen. The skipper of the "White Swan," +revolver drawn, stood in its bow as it bumped against the +stairway. Howard Van Cleft was unbound: dazed but happy he tried +to talk. + +"What--why--who?" he mumbled. + +"Pat Cleary, from the Holland Detective Agency," was Shirley's +response. "There, handcuff these men quick. Two cops are +coming. We want the credit of this job before the rookies beat +us to it." + +Van Cleft recognized the speaker, and caught his hand fervently. +Shirley, though, was too busy for gratitude. He gave another +quick direction. + +"Hurry on board your yacht tender and get underway. Your life +isn't worth a penny if you stay in town another hour. These men +will be attended to. Good luck and goodbye." + +The young man rapidly transferred his luggage to his own boat. +They were soon out of view on their way to the larger vessel. +Shirley turned toward Cleary. + +"I'll file the charge against these two men. They tried to rob +me and make their getaway in this boat. You were down here as a +bodyguard for Van Cleft, who, of course, knew nothing about the +matter as he left for his cruise. So his name can be kept out of +it entirely. And the fact that you helped to save him from +paying fifty thousand dollars in blackmail, will not injure the +size of Captain Cronin's bill. Get me?" + +"It's got!" laughed Cleary. + +Two patrolmen were dumfounded when they reached the spot to find +four men in handcuffs in charge of six armed guardians. The +superintendent explained the situation as laid out by Shirley. +The cavalcade took its way to the East Twenty-first Street Police +Station, where the complaint was filed. Sullen and perplexed +about their failure, the men were all locked in their cells, +after their leader had his shoulder dressed by an interne +summoned from the nearby Bellevue Hospital. + +Shirley and Cleary returned with the others to the waiting +automobile, after these formalities. The prisoners had been +given the customary opportunity to telephone to friends, but +strangely enough did not avail themselves of it. + +"We're cutting down the ranks of the enemy, Cleary," observed the +detective as he lit a cigarette. "But I wonder who it was that +escaped in the water?" + +"He'll be next in the net. But say, Mr. Shirley, what percentage +do you get for all this work, I'm awondering?" was the answering +query. The criminologist laughed. + +"Thanks, my dear man, simply thanks. That's a rare thing for a +well-to-do man to get since the I.W.W. proved to the world that +it's a crime for a man to own more than ten dollars, or even to +earn it! But I wish you would drop me off about half a block +from the Somerset Apartments, on Fifty-sixth Street. I want to +watch for a late arrival." + +He waited in the shadows of the houses on the opposite side of +the street. After half an hour he was rewarded by the sight of +Mr. Shine Taylor dismounting from a taxicab. The young gentleman +wore a heavy overcoat over a bedraggled suit. One of his snowy +spats was missing; his hat was dripping, still, from its early +immersion. He entered the building, after a cautious survey of +the deserted street, with a stiff and exhausted gait. + +Shirley was satisfied with this new knot in the string. He +returned to his rooms at the club, to gain fresh strength for the +trailing on the morrow. And this time, he felt that he deserved +his rest! + +Next morning, after his usual plunge and rub-down, he ordered +breakfast in his rooms. He instructed the clerk to send up a +Remwood typewriter, and began his experiments with the code of +the diary. + +From an old note-book, in which were tabulated the order of +letter recurrences according to their frequency in ordinary +English words, he freshened his memory. This was the natural +sequence, in direct ratio to the use of the letters: "E: T: A: O: +N: I: S: B: M, etc." The use of "E" was double that of any +other. Yet on the pages of the book he found that the most +frequently recurring symbol was "R" which was, ordinarily, one of +the least used in the alphabet. "T," which would have been second +in popularity, naturally, was seen only a few times in +proportion. "Y," also seldom used, appeared very often. The +symbol "A" was used with surprising frequency. + +"Let me see," he mused. "This code is strictly typewritten. It +must be arranged on some mechanical twist of the typing method. +A is used so many times that it might be safe to assume that it +is used for a space, as all the words in this code run together. +If A is used that way, what takes its place? S would by rights +be seventh on the list, but the average I have made shows that it +is about third or fourth." + +Carefully he jotted down in separate columns on a piece of paper +the individual repetitions of letters on the page of "January 7, +1915." He arrived at the conclusion, then, that "R" was used for +"E," that "S" took the place of "A" and that "Y" alternated in +this cipher for "T" which was second on his little list. + +Fur the benefit of the reader who may be interested enough to +work out this little problem, along the lines of Shirley's +deductions the arrangement of the so-called "Standard" keyboard +is here shown, as it was on the "Number Four" machine of Warren's +Remwood, and the duplicate machine which Shirley was using. + + Q W E R T Y U I O P + + A S D F G H J K L ; + + Z X C V B N M , . + + Shift SPACE BAR Shift + Key Key + +This diagram represents the "lower case" or small letters, +capitals being made by holding down one of the shift keys on +either side, and striking the other letter at the same time, +there being two symbols on each metal type key. As only small +letters were used through the code Shirley did not bother about +the capitals. He realized at last, that if his theory of +substitution were correct the writer had struck the key to the +right of the three frequent letters. He had the inception of the +scheme. + +Starting with the first line of the sentences so jumbled on the +page for January 7, 1915, he began to reverse the operation, +copying it off, hitting on the typewriter the keyboard letter to +the left of the one indicated in the order of the cipher. + +The result was gratifying. He continued for several lines, +having trouble only with the letter "P." At last he realized +that the only substitution for that could be "Q." In other +words, "A" had been used for the space letter throughout, and for +all the other symbols the one on the right had been struck, +except "P" which being at the end of the line had been merely +swung to the first letter on the other end of it! + +No wonder Warren had been so confident of its baffling simplicity! +Many of the well-known rules for reading codes would not work with +this one, and had it not been for Shirley's suspicion, aroused in +the library of the arch-schemer the night before, he would hardly +have given the typewriter, as a mechanical aide, a second thought. +Warren's desire to drop the subject of machines had planted a +dangerous seed. + +Laboriously Shirley typed off the material of the entire page for +the fatal Thursday, and his elation knew no bounds as he realized +that here was a key to many of the activities of his enemy. He +donned his hat and coat and hurried over to the Hotel California +to show his discovery to Helene. She invited him up to her suite +at once, where he wasted no words but exhibited the triumphant +result of his efforts. He handed her his own transcription, and +this is what she read: + +"January 7, 1915, Thursday. + +learned from bank de cleyster drew six thousand in morning monk +assigned to taxi work for tea shine assigned to fix generator +margie fairfax date with de cleyster at five, shine and joe +hawley covering game jake and ben assigned black car for me paid +phil one hundred covering special work job finished riverside +drive at eighty third sharp deposited night and day four thousand +safe deposit fifteen hundred lent dolly marion two hundred for +dress for party with van cleft next afternoon advanced shine one +thousand to cover option of yacht sunbeam paid to broker that +night ordered provisions telephone for yacht two month cruise +monk assigned for job next day advanced shine five hundred on +account work on wellington serral matter repairs black machine +fifty party apartment same night champagne one hundred fifty +caterer one hundred tips fifty five to janitor taxis twelve must +stir phil up on work for grimsby matter memorandum arrange for +yacht mooring on east river instead of north after wednesday +eighth job finis memorandum settle telephone exchange proceeds +not later than monday paid electrician special wiring two hundred +in full settlement." + +"There, Miss Helene, how do you like my little game of letter +building?" + +There was a boyish gleam of triumph in his smile as he turned +toward her. + +"You are a wizard, but how did you work it all out?" There was +no smile in her face, only a mingled horror at the revelations of +this calculating monster in his businesslike murder work, and an +unfeigned admiration for Shirley's keenness. + +"A very old method, but one which would have availed for naught +without your help. The letter paper which you used and the +unmistakable identity of Warren's machine are two more bars of +iron with which to imprison him. The paper of that note is the +same on which they wrote to Van Ceft for money, and their threats +to me. This shows from a microscopic examination of its texture. +I will give the whole book to a trustworthy stenographer: more +than six months of these little confessions are tabulated here. +Warren was evidently so used to this code that he could write in +it as easily as I do with the straight alphabet. His training in +German universities developed a thoroughness, a methodical +recording of every thing, which is apt to cost him dearly. And +his undoubted vanity prompted him to have a little volume of his +own in that library to which he could turn occasionally for the +retrospection of his own cleverness. Now, I must investigate +this clever telephone system. I think I have the clue +necessary." + +He intrusted the book to Helene for the morning, promising to +return in an hour or two with new information, drolly refusing to +tell her his destination. + +"You're a bad, bold boy, and should be spanked, for not letting +some one know where to look for you in case you get into +difficulties," she pouted. "Perhaps I will do some equally +foolish thing myself." + +"If you knew how you frightened me yesterday!" he began. + +"Did you really worry and really care?" But Shirley had slipped +out of the door, leaving her to wonder, and then begin that long +delayed letter to Jack. + + + + +CHAPTER XIX + +AN EXPEDITION UNDERGROUND + + +The criminologist picked his way through the swarming vehicles +which swung up and down Broadway, across to Seventh Avenue, where +he turned into a plumber's shop. This fellow had handled small +jobs on Shirley's extensive real estate holdings, and he was +naturally delighted to do a favor in the hope of obtaining new +work. + +"Mike, I want to borrow an old pair of overalls, a jumper and one +of those blue caps hanging up on your wall. And I need some +plumbers' tools, as well, for a little joke I am to play on one +of my friends." + +The workman was astounded at such a request from his rich client, +but nodded willingly. The dirtiest of the clothes answered +Shirley's requirements and with soot rubbed over his face and +hands, his hair disarranged, he satisfied his artistic craving +for detail. He was transformed into a typical leadpipe brigand. +Hanging his own garments in the closet, after transferring his +automatic revolver into the pocket of the jeans, he started out, +carrying the furnace pot, and looking like a union-label article. + +He reached the Somerset by a roundabout walk, passing more than +one of his acquaintances with inward amusement at their failure +to recognize him. He had arranged for Helene to invite Shine +Taylor and Reginald Warren down to call on her at the apartment +in the California at this particular time. So thus he felt that +the coast was clear. At the tradesmen's entrance, where he had +gone before to hoist on the dumbwaiter, he entered the building. +An investigation of the basement showed him that in the rear of +the building were one large and two small courts or air shafts. +Then he ascended the iron stairway to the street level of the +vestibule. + +"Say, bo, I come to fix de pipes on de second floor," was his +self-introduction to the haughty negro attendant. "Dey're +leakin' an' me boss tells me to git on de job in a hustle." + +"Which one? I ain't heard o' no leaks. It must be in de empty +apartment in de rear, kase dat old maid in de front would been +kickin' my fool head off ef she's had any trouble. She's always +grouchy." + +"Sure, dingy, it's de empty one in de rear. Lemme in an' I'll +fix it." + +"You-all better see de superintendent. People is apt to be +lookin' at dat apartment to-day to rent it, an' he mightn't want +no plumber mussin' round. I'll go hunt 'im fer you-all." + +"Say, you jest lemme in now. I'm paid by de hour. You knows +what plumber bills is, an' your superintendent'll fire you if he +has to pay ten dollars' overtime 'cause you hold me up." + +This was superior logic. The negro took him up and opened the +door. Shirley entered, and peered out of the court window in the +rear. Helene's suggestion about the dust was applicable here, +for he found all the windows coated except the one opening upon +the areaway. Below he observed a stone paving with a cracked +surface. It was semidark, but his electric pocket-light enabled +him to observe one piece of the rock which seemed entirely +detached. Shirley investigated the closets of the empty +apartment. In one of them he discovered the object of his +search. It was a knotted rope. He first observed the exact way +in which it had been folded in order to replace it without +suspicion being aroused. Then he took it to the small window of +the air shafts hanging it on a hook which was half concealed +behind the ledge. Down this he lowered himself, hand over hand. +The stone was quickly lifted--it was hinged on the under surface. + n the dark hole which was before him there was an iron ladder. +Down he went, into the utter blackness. His outstretched hands +apprised him that he was at the beginning of a walled tunnel, +through which he groped in a half-upright position. He reached +an iron door, and remembering his direction calculated that this +must be at the rear entrance of the old garage on West +Fifty-fifth +Street. It opened, as he swung a heavy iron bar, fitted with a +curious mechanism resembling the front of a safe. Softly he +entered, carrying his heavy boots in his hand. All was still +within, and he shot the glow ray of his little lamp about him. +As the reader may guess, it was the rear room of Warren's private +spider-web! The table, facing the screen was surmounted by an +ingenious telephone switchboard. + +Shirley examined this closely. The various plugs were labelled: +"Rector," "Flatbush," "Jersey City," "Main," "Morningside," and +other names which Shirley recognized as "central" stations of the +telephone company. Here was the partial solution of the +mysterious calls. He determined to test the service! + +He took up the telephone receiver and sent the plug into the +orifice under the label, "Co." wondering what that might be. +Soon there was an answer. + +"Yes, Chief. What is it?" + +"How's everything?" was Shirley's hoarse remark. "I find +connections bad in the Bronx? What's the matter?" + +"I'll send one of the outside men up there to see, Chief. +There's a new exchange manager there, and he may be having the +wires inspected. But my tap is on the cable behind the building. +I don't see how he could get wise." + +Shirley smiled at this inadvertent betrayal of the system: wire +tapping with science. He was able to trap the confederate with +his own mesh of copper now. + +"I want to see you right away. Some cash for you. I'm sick with +a cold in the throat so don't keep me waiting. Go up town and +stand in the doorway at 192 West Forty-first Street. Don't let +anybody see you while you wait there, so keep back out of sight. +How soon can you be there?" + +"Oh, in half an hour if I hurry. Any trouble? You certainly +have a bum voice, Chief. But how will I know it's you?" + +"I'll just say, 'Telephone,' and then you come right along with +me, to a place I have in mind. Don't be late, now! Good-bye." + +Shirley drew out the connection and tried the exchange labelled +"Rector." Instantly a pleasant girl's voice inquired the number +desired. + +"Bryant 4802-R." + +This was the Hotel California. + +The operator on the switchboard of the hostelry replied. + +"Give me Miss Marigold's apartment, please." + +Helene's voice was soon on the wire. Shirley asked for Warren in +a gruff tone. + +"What do you want?" was that gentleman's musical inquiry, in the +tones which were already so familiar to the criminologist. + +"Chief, dis is de Rat. I wants to meet you down at de Blue Goose +on Water Street in half an hour. Kin you'se come? It's +important." + +The other was evidently mystified. + +"The Rat? What do you mean? I don't know you. Ring off!" + +Shirley heard the other receiver click. He held the wire, +reasoning out the method of the intriguer. Soon there was a buzz +in his ear, and Warren's voice came to him. It was droll, this +reversal of the original method, which had been so puzzling. + +"What number is this?" + +"Rector 4471, sir," answered the criminologist in the best +falsetto tone he could muster. Then he disconnected with a +smile. This was turning the tables with a vengeance. But he +knew that he must be getting away from the den before the +possible investigation by Warren or his lieutenant. There were +many things he would have liked to study about the place. But +his curiosity about the telephone had made it impossible for him +to remain. It was a costly mistake, as events were destined to +prove! + +He hurried out of the compartment, into the tunnel, up the rope +and through the window. He replaced the knotted rope, exactly as +it had been before. He put a few drippings of molten lead from +the bubbling pot, under the wash-stand of the bathroom, to carry +out the illusion of his work as plumber. Then he departed from +the building, as he had entered. + +In ten minutes he was changing his garments in Mike's plumbing +shop, with a fabulous story of the excruciating joke he had +played upon a sick friend. Then he walked rapidly to the doorway +at 192 West Forty-first Street. + +Back against the wall of this empty store entry, lounged a +pleasant-looking young man who puffed at a perfecto. Shirley +stepped in, and in a low tone, said: "Telephone." The other +started visibly, and scrutinized the well-groomed club man from +head to foot. + +"Well, Chief, you're a surprise. I never thought you looked like +that. Where will we go?" + +"Over to the gambling house a friend of mine runs, just around the +corner. There we can talk in quiet." + +Shirley led the way, restraining the smile which itched to betray +his enjoyment of the situation. The other studied him with +sidelong glances of unabated astonishment. They were soon going +up the steps of the Holland Agency, which looked for all the +world, with its closed shutters, and quiet front, like a retreat +for the worshipers of Dame Fortune. Cronin fortunately did not +believe in signs. So the young man was not suspicious, even when +Shirley gave three knocks upon the door, to be admitted by the +sharp-nosed guardian of the portal. + +"Tell Cleary to come downstairs, Nick," said the criminologist. +"I want him to meet a friend of mine." + +The superintendent was soon speeding two steps at a time. + +"The Captain is back, Mr. Shirley," he exclaimed. "He's in the +private office on a couch." + +"Good, then we'll take my friend right to him." + +The stranger was beginning to evidence uneasiness, and he turned +questioningly to his conductor, with a growing frown. + +"Say, what are you leading me into, Chief?" + +Shirley said nothing but strode to the rear of the floor, through +the door of Captain Cronin's sanctum. The old detective was +covered with a steamer shawl, as he stretched out on a davenport. +The young man observed the photographs around the room,--an +enormous collection of double-portraits of profile and front face +views--the advertized crooks for whom Cronin had his nets spread +in a dozen cases. The handcuffs on the desk, the measuring +stand, the Bertillon instruments on the table, all these aroused +his suspicions instantly. + +He whirled about, angrily. + +Shirley smiled in his face. Then he addressed the surprised +Captain Cronin. + +"Here is our little telephone expert who arranged the wires for +Warren and his gang, Captain. You are welcome to add him to your +growing collection of prisoners." + +For answer the young man whipped out a revolver and fired +point-blank at the criminologist. His was a ready trigger finger. +But he was no swifter than the convalescent detective on the couch, +who had swung a six shooter from a mysterious fold of the steamer +blanket, and planted a bullet into the man's shoulder from the rear. + +As the smoke cleared away, Shirley straightened up from the +crouching position on the floor which had saved him from the +assassin, and dragged the wounded criminal to his feet. The +handcuffs clicked about his wrists before the young man had +grasped the entire situation. Cleary and three others of the +private force were in the room. + +"I've got to hurry along now, Captain. Just let him know that +his Chief is captured and the sooner he turns State's evidence +the better it will be for him. The District Attorney might make +it lighter, if he helps. I'll be back this evening if I can." +And Shirley hurried away, leaving much surprise and bewilderment +in every mind. + +Cronin was equal to the task of picking up the threads, and under +his sarcasm, and Cleary's rough arguments, the prisoner admitted +some interesting matters about the mysterious employer whose face +he had never seen. But Shirley's task was far from completed. + + + + +CHAPTER XX + +A DOUBLE ON THE TRAIL + + +Shirley walked up to the Hotel California, at the door of which +he met Warren and Taylor just leaving. They looked somewhat +embarrassed but his manner was cordiality itself. + +"Sorry you are going. I was just stepping up to see Miss +Marigold. Won't you come back?" + +His invitation was refused. Then Shirley urged Warren to be his +guest at the club for dinner that evening. This was accepted +with a surprising alacrity. So, he left them, and was soon +talking with Helene. + +"You missed a curious little sociable party," she assured him. +"They tried to quiz me, and I confess that I worked for the same +purpose--no results on either side. But, Warren had an unusual +telephone call, which disturbed him so much that he hurried away, +sooner than he had planned." + +Shirley recounted his explorations of the afternoon, with the +explanation of Reginald's disturbance. It was certain now that +the leader of the assassins had something to cause uneasiness, +--enough to take his mind off the campaign of murder and +blackmail. + +"But he will try to get you out of the way," was her anxious +answer. "You are multiplying needless dangers. Why don't you +have him arrested now--the phonograph records will identify his +voice, will they not? The diary will show his career, and +everything seems complete in the case." + +Shirley sat down in the window-seat, before replying. + +"It is just my own vanity, then, perhaps. I am foolish enough to +believe that I can trap him on some crime which will give him the +complete punishment he deserves without dragging in the names of +these unfortunate old society men. All our trouble would be for +nothing, just now, if the story came out. The phonograph records +helped me--but I prefer to keep that method to myself, as a +matter of interest and selfishness. Somewhere, in that beautiful +apartment of his there must be clues which will send him to the +electric chair on former crimes: Warren is an artist who has +handled other brushes than the ones he used on this masterpiece. +He is not a beginner. So, I must ransack his apartment." + +"That is impossible, with all the care he takes with bolts and +locks." + +"We shall see. Meanwhile, I'll spin the yarn of the last +thirty-six hours. I'm sure your curiosity is whetted: my own +is by no means satisfied." + +So he gave her a survey of the progress he had made. Helene +brought forth a number of typewritten pages which she had +transcribed from the diary, proudly exhibiting a machine which +she had ordered sent up from the hotel office. + +"There, sir, we are unwinding the ravelings of his past life to +an extent. I have found a mysterious reference to a Montfluery +case in Paris, during August of last year. What can you do to +investigate that lead?" + +Shirley jotted down the name, and answered: "A cable to the +prefecture of Police of the city of Paris from Captain Cronin +will bring details. That should be an added link in the chain, +within the next twenty-four hours. I am going to leave you for +the while, as I wish to investigate a certain yacht which is +moored in the East River. That yacht is there for a purpose--you +remember his reference to the payment of supplies for a two-month +cruise. My amateurish vanity leads me to a hope that I can +capture him just at the crucial moment when he thinks he is +successful in his escape from pursuit." + +"That is the childishness of the masculine mind," retorted +Helene. "You say we women are illogical, but we are essentially +practical in the small things. I would advise closing the doors +before the horse escapes, rather than a chase from behind!" + +"Perhaps," answered Monty, "but the uncertainty does allure me. +I always enjoyed skating on thin ice, from the days of college +when I loved to get through a course of lectures on as little +work as possible. The satisfaction of 'getting away with it' +against odds was so exhilarating. I will return after my little +dinner with Warren at the Club. Where will you dine?" + +"Your friend Dick Holloway is taking me to some restaurant where +singing and music may alter my refusal to him." + +"Your refusal?" and Shirley shot a quick glance at the girl. Her +dimples appeared as she added: "Yes--he wants me to star in a +little play for the coming spring, but I have had such fun +playing in real-life drama that I said him nay." + +"Oh," was all the criminologist said, but as he left, Helene's +laugh interpretated a little feminine satisfaction. Monty's mind +was just disturbed enough about the attitude of Dick Holloway to +keep him from worrying over the Warren case until he had reached +the East River, near the yacht club mooring. + +There was the white yacht which had been mentioned in the +purloined book. It was a trim, speedy craft. The criminologist +walked down a few blocks to the office of a boat contractor with +whom he had dealt on bygone occasions. + +"I want to engage a fast motor-boat, Mr. Manby," was his request. +"The speediest thing you've got. Keep it down at your dock, at +Twenty-first Street, with plenty of gasoline and a man on duty +all the time, starting with six o'clock to-night. I may need it +at a minute's notice." + +"I've got a hydroplane which I'll sell this spring to some +yachtsman," said Manby. "It's a bargain--you can do forty miles +an hour in it, without getting a drop of spray. Shall I show it +to you?" + +"Yes, and the two men who you will have alternating on duty, so +they will know me when I come for it. I'll pay for every minute +it is reserved." + +They soon came to terms; the men were introduced and Shirley was +well satisfied with the racing craft, which was moored according +to his directions, handy for a quick embarkation. + +Then he went up to the Holland Agency. Cronin was disappointed +in his results with the telephone confederate. All of Warren's +men were close-mouthed, as though through some biting fear of +swift and unerring vengeance for "squealing." Even the prisoners +in the station-house had not volunteered to communicate with +friends, as they were allowed to do by law. They were "standing +pat," as the old detective declared in disgust. + +"That proves one thing," remarked the criminologist. "They are +not local products, or they would have friends other than their +chief on whom to call for bail or aid. Their whole work centers +on him. I think I will send a code message to this man Phil this +afternoon or evening. He may be able to read it, and if he does, +it may assist us. I wish you would have a man call on Miss +Marigold at the California Hotel, so that she may know his face. +Then keep him covering her for they are apt to get suspicious of +her and try to quiet her. She is a game and fearless girl, but +she is no match for this gang." + +Cronin assigned one of the men immediately, and the sleuth took +up a note of introduction to Helene, in which Monty explained the +need for his watch. + +Shirley then repaired to the club house to await his dinner +guest. He was thoughtful about the alacrity of Warren to dine +with him. There was more to this assumed friendliness than the +mere desire to talk to him. + +"I wonder if he wants to keep me occupied for some certain +reason?" pondered the club man. "Helene is protected now by a +silent watcher. The members of the Lobster Club are all out of +the city. Van Cleft is safe on the ocean. They must be laying a +trap. I wonder where that trap would be?" + +As he looked about his rooms he realized that many important +pieces of evidence were locked up in his chests and the small +safe. His bedroom, in the uppermost floor of the club building, +was in a quiet and less frequented part of the house. Shirley +summoned one of the shrewd Japanese valets who worked on the +dormitory floors of the building. + +"Chen," he began. "Are you a good fighter?" + +The Mongolian grinned characteristically. Shirley took out a +bill, and handed it to the little fellow. + +"I have reason to think some one may come into my rooms to-night, +while I am busy downstairs. How would you like to lock yourself +on the inside of my clothes closet, and wait? The air is not +very good, but with this ten dollars you could take a nice ride +in the country to-morrow, and get lots of good oxygen in your +lungs to make up for it." + +Chen was a willing little self-jailer. Shirley handed him his +own revolver, and the slant eyes sparkled with glee at the +opportunity for some excitement. Americans may carp at the +curious manners and alleged shortcomings of the Oriental, but +personal fear does not seem to be in the category of their +faults. So, with this little valet, who improved his time, as +Shirley had discovered, by taking special courses in Columbia +University's scientific department. The criminologist had used +him on more than one occasion when Eastern subtlety and apparent +lack of guile had accomplished the impossible! + +The closet door was closed, and Shirley went downstairs. At the +desk of the, club clerk he sent a cablegram to the police +authorities of Paris. The message was simple + +"Cable collect to Holland Detective Agency name and record of man +in Montfleury case, August, 1914. Do you want him? ......... + ........ Cronin, Captain." + +Shirley smiled as he handed the envelope to the little messenger +who had been summoned, and made his exit through the front +doorway just as the affable Reginald Warren entered it: another +instance of "ships that pass in the night," was the thought of +the host who advanced courteously. + +"You are on time to the minute: German training, I see. Let the +boy have your hat and coat, Mr. Warren." + +These little amenities completed, they sauntered about the +beautiful building, Shirley pointing out the many interesting +photographs of athletic teams, trophies, club posters, portraits +of famous graduates, and the like, which seem part and parcel of +collegiate atmosphere. Warren was profoundly interested, yet +there was an abstraction in his conversation which was not +unobserved by his entertainer. As they passed a tall, colonial +clock in the broad hallway, Shirley caught him glancing uneasily +at it. This was the second time he had looked at its silvered +face since they came into the range of it. Purposely the club +man took him down the length of the big dining-hall, to exhibit +the trophies of the hunt, from jungles and polar regions, +contributed by the sportsmen members of past classes. Here +Shirley chatted about this and that boar's head, yonder elephant +hide, the other tiger skin, until he had consumed additional +time. As they passed into the lounging room Shirley led his +guest past another small mahogany clock. Again the sharp, +anxious glance at the progress of the minutes. He was convinced +by now that some deviltry was being perfected on schedule time. +He began to worry over his little assistant on the floor high +above: perhaps he would not be able to cope with the plotters, +after all. Yet, Chen was wiry, cunning, and needed no diagrams +as to the purpose for which he was to guard the rooms. + +At last Shirley led Warren to the grill-room where they ordered +their dinner: the supreme test of a gentleman is his taste in the +menu for a discriminating guest. Warren sensed this, as the +delicious viands and rare old wines were brought out in a +combination which would have warmed the heart cockles of the +fussiest old gourmon from Goutville! + +"Ah, a feast fit for the gods," were his admiring words, as the +two men smiled across this strange board of hospitality. In the +midst of the meal, their chat of student days was interrupted by +a page who approached Shirley. + +"Begging your pardon, sir, but I have a note which was left here +by messenger for a gentleman named Mr. R. Warren; your guest, I +believe, sir?" + +Warren's face flushed, and his surprise was indubitable. He +snatched the envelope from the boy, who had reached it toward +Shirley. The criminologist was no less in the dark. Warren, +with a scant apology, tore open the missive. It was typewritten! +He read it, and his brows came together with an angry scowl. + +He arose from his seat swiftly, turning toward Shirley with a +nervous twitching of the erstwhile firm lips. + +"Would you pardon me if I ran? A Wall Street client of mine has +suddenly been stricken with apoplexy. We have deals together, +dependent upon gentlemen's agreements, without a word of writing. +It may mean a fortune to get to him before he loses all power of +speech. It is a shame to spoil, at this time, such a wonderful +dinner as I had promised myself with you. Can you forgive me?" + +The man was visibly panic-stricken, although his superb nerve was +fighting hard to cover his terror. Shirley wondered what news +could have fallen into his hand this way. He watched the +envelope, hoping that he would inadvertently drop it. But no +such luck! Warren carefully folded it and put it with the letter +into the breast pocket of his coat. + +"My dear fellow, business before indigestion, always! I am sorry +to have you go, but we will try again. I will go upstairs with +you. Shall I call a taxicab for you?" + +Warren expostulated, but the host followed him to the check room. +Unseen by Warren, Shirley inserted a handkerchief from his own +pocket into the overcoat pocket of the other with a +sleight-of-hand +substitution, in the withdrawal of the guest's small linen +square! + +Warren rushed to the door. He sprang into the first taxicab that +came along, and disappeared. Shirley watched the car as it raced +away and noticed its number. He turned to the door man. + +"Whose machine was that? On the regular club stand here?" + +"Yes, sir. A man named Perkins drives it, sir." + +"Will it return here as soon as the fare is taken to the end of +the trip?" + +"Yes, sir, they have orders for that. They belong to a gent who +supplies cars for our club exclusively, sir. They are not +allowed to take outside passengers." + +"Very good! You send for me, in my rooms, as soon as the driver +of the car shows up. I want to find out where he went." + +Shirley hurried up in the lift to his own floor. He went to the +door of his room, and tried to open it with his key. It was +bolted from inside! There came a muffled report from within. +Then he heard a cry, which he recognized as the voice of Chen, +the Jap. He dropped to the floor, listening at the crack--a +scuffle was in progress within! + + + + +CHAPTER XXI + +A BURGLARY FOR JUSTICE + + +Shirley rose, and once more applied that gridiron-trained boot of +his: this time to the lock of the door. Two doses resulted in a +complete cure for its obstinacy. As he rushed into the room, he +saw a figure swing out of the window on a dangling rope. He +hesitated--the desire to chase this intruder to the roof of the +club struggled with his duty to the unfortunate Jap, who lay on +the floor, where he was being garroted by a burly ruffian in a +chauffeur's habiliments. He sprang toward his little assistant, +and made quick work of the big man. + +As he threw the other, with one of his "silencer" twists of the +neck cords, the Jap sprang up. A demoniac anger twisted that +usually smiling countenance, and it took all of Shirley's +strength, to wrest away the automatic revolver from the maddened +valet, to prevent swift revenge. + +"Why, Chen. He's caught. Don't shoot him now!" + +Chen, with a voluble stream of Nagasaki profanity, spluttered in +rage, and strove like a bantam rooster to get at his antagonist. +The necessity for quieting him to prevent bloodshed was fatal to +the pursuit of the other man, as Shirley realized bitterly. The +servants were running to the room by this time. The club steward +opened the battered door, and Shirley turned to explain. + +"You have a brave little man, here, Cushman. Chen heard this +burglar in my room, and tried to capture him at the risk of his +own life. He deserves promotion and a raise in salary. Go +downstairs and call the police. We'll have this fellow locked +up!" + +The man glared at Shirley, and rubbed his throat which throbbed +from the vice-like grip of the jiu-jitsu. Chen still breathed +hard and his almond eyes rolled nervously. At last he was quiet +again, although the slender fingers twitched hungrily for a +clawing of that dirty neck. Shirley patted him on the back. +Judgment had come to another of the gangsters, and the +criminologist was pleased at the diminution in the ranks of his +opponent. + +An examination of his cabinet and dresser drawers showed that the +pillaging had barely begun when Chen popped out of his hiding-place. +It was no wonder that Warren had been so solicitous as to the +speeding time: intuition had once more intervened to interrupt these +well-laid schemes. + +The little Jap could tell barely more of his adventure than that +he had opened the door when he heard men walking and talking in +the room. Then the struggle had ensued, with the result already +described. + +Now, indeed, was Shirley more puzzled than ever at Warren's +sudden departure. It had upset the plans of the conspirators: it +was an unwelcome surprise to their Chief. And furthermore it had +interfered with a little scheme of the criminologist by which he +had expected to craftily imprison his guest for the remainder of +the night. + +The room was put in order--not much was there to rearrange, for +the tussle had come so promptly. With a final look at his +belongings, Shirley left Chen in charge, not forgetting to slip +to him another reward for his courage. + +Then he went downstairs and hurried over to the Hotel California +to hold a conference of war with Helene Marigold. + +She was nervous, as she greeted him. Yet a subtle smile on her +face showed that she was not surprised by the visit. Shirley +quickly outlined the occurrences of the dinner hour. When he +asked her opinion, for he had learned to place a growing trust in +her quick grasp of things, she walked silently to her typewriter. + +"Here, sir, is a little note which may amuse you." + +She handed him a piece of paper. It read: + +"Chief: The Monk has turned up at the Blue Goose on Water Street. +He is drunk and telling all he knows. Come down at once to help +us quiet him. Hurry or every thing will be known. You know +who." + +Shirley looked at the message, and then with tilted eyebrows at +his fair companion. + +"What do you know about the Blue Goose?" he asked. "And the +Monk? For I presume that you wrote this out?" + +"Your presumption is correct. I remembered hearing Warren ask +Taylor this afternoon after that telephone call from you, where +the Blue Goose saloon could be. Taylor told him it was a +sailor's dive on Water Street. The night they thought me +dreaming on his library couch, I heard Taylor ask Warren if they +had heard from the Monk. So, it seemed to me that the two +questions might interest Mr. Reginald Warren if presented in a +language that he understood." + +"And what was that language?" + +"It was a code message, which I typed out on this Remwood machine +here, by the system you told me. It was slow work, but I +finished it and sent it over to the club, knowing Warren would be +with you. I really don't know what good the message would do. +But being an illogical woman, and a descendant of Pandora, I +thought it would be amusing to open the Pandora's box and let all +the little devils loose, just to see the glitter of their wings!" + +Shirley caught her hands delightedly. + +"You bully girl! Nothing could have happened better. I'll +improve my time now, by visiting Mr. Warren's apartment, impolite +as it is without an invitation. And then I think I will go +calling in that little cave of the winds in the rear of his art +collection, on the other street." + +"But, Monty--I Mean, Mr. Shirley," and a rosy embarrassment +overcame her, "you will put your head into the lion's mouth once +too often. Why not wait until you get him under lock and key?" + +"My dear girl, we will telephone my club and talk to the door +man. I think that he may be under lock and key by this time, in +a manner you little suspect. Let me have the number." + +He went to the instrument on her dressing-table. The club was +soon reached, and Dan the door man was answering his eager +question. + +"Yes, sir, the taxi has come back, sir." + +"Send the chauffeur to the wire. I want to talk to him," said +Shirley. The man was soon speaking. "What address did you take +that gentleman to, my man?" + +"Why, sir, I started out for the Battery, but sir, a terrible +thing happened." + +"What was it?" + +"The gentleman was overcome with an ep'leptic stroke or somethin' +like that. He pounded on the winder behind me, and when I +stopped me car, and looked in he was down an' out. I was on +Thirty-third Street and Fift' Avenue at the time, so I calls a +cop, and he orders me to run 'im over to Bellevue. He's there +now, sir. He ain't hardly breathin', sir. It's terrible!" + +"Too bad, I must go and call, to see if I can help him!" was +Shirley's remark as he hung up the receiver. He repeated the +news to Helene. Her eyes sparkled, as she said: "Ah, those +symptoms resemble the ones you told me which came from that +amo-amas-amat-citron, or whatever it was." + +"Not quite such a loving lemon, Miss Marigold," he chuckled. +"Amyl nitrite. The same soothing syrup which quieted our +would-be robbers on Sixth Avenue, that night when we left his +apartment. It will wear off in about three hours. I had a +little glass container folded in my own handkerchief, which I put +in his overcoat pocket as a parting souvenir, crushing it as I +did so. I reasoned that undue anxiety which he displayed might +cause him to mop his brow, close to that student-duel scar. One +smell of the chemical on that handkerchief, in the quantity which +I gave, was enough to quiet his worries. Now for the Somerset +Apartment." + +He looked at his watch. + +"It is eight fifteen. I want you to telephone up to Warren's +apartment exactly at ten o'clock. Tell them--there should be a +them, that I have been overcome in your apartment, and that they +are the only people who can help you, or who know you. I believe +that the idea of finding me unconscious, and getting me away will +bring any and all of his friends who may be there. If Taylor is +there with others, he will hardly leave them in the place when he +goes. What I want is to be sure that the coast is cleared of +people at that hour. Then I will make an investigation into his +papers and other matters of interest. Can I count on you?" + +A reproachful pouting of the scarlet lips was the only answer. +Shirley left, this time hurrying uptown to a certain +engine-house, +whose fire captain he had known quite well in the old reportorial +days. + +It was beginning to snow once more. And as Shirley slipped out +of the engine-house, carrying a scaling ladder which he had +borrowed after much persuasion from his good-natured friend, he +thanked his luck for this natural veiling of the night, to baffle +eyes too curious about the campaign he had planned. He knew the +posts of the policemen on this street, and sedulously avoided +them. + +The Warren apartment faced the Eastern side of the structure, and +when he reached the front of the Somerset, he sought for a way in +which to use his implement. A scaling ladder, it may be +explained to the uninitiated, is about eight feet long--a single +fire-proof bar, on which are short cross-pieces. At one end is a +curiously curving serrated hook, which is used for grappling on +the sills of windows or ledges above. It is the most useful +weapon for the city fire-fighter, enabling him to climb +diagonally across the face of a threatened structure, or even to +swing horizontally from one window to a far one, where ladders +and hose-streams might not reach. + +A hundred feet to the West of the Somerset he found the +excavations for a new apartment house. No watchman was in sight, +in the mist of falling flakes, so the criminologist disappeared +over the fence which separated the plot of ground from the +sidewalk. Advancing with many a stumble through the blasted rock +and shale, he obtained ingress to an alleyway in the rear. +Following this brought him to the back of the Somerset. Shirley +had an obstinate grandfather, and heredity was strong upon him. +It seemed a foolhardy attempt to scale the big structure, but he +raised the ladder to the window-sill of the second story, +climbing cautiously up to that ledge. + +On the second sill he rested, then stretched his scaler diagonally +forward to the left. As he put his feet upon this, he swung like a +pendulum across the space. It was a severe grueling of nerves, but +his judgment of placement was good. When the ladder stopped swinging +he clambered up another story, as he had learned to do on truant +afternoons wasted at the firemen's training school, during the +privileged days of journalistic work. + +Floor after floor he ascended, until he reached the eighth, on +which was Shirley's great goal. Here he exerted the utmost +prudence, refraining from the natural impulse to look down at the +great crevasse beneath him. His footing was slippery, but the +thickening snowfall was a boon in white disguise, for it +protected him from almost certain observation from the street +below. Slowly he raised his eyes to a level with the illuminated +window, and peered in. + +A strange sight greeted him. + +Shine Taylor was busily engaged in the 'twisting of coils of +wire, about shiny brass cylinders, with an array of small and +large clocks, electric batteries and mysterious bottles on the +carved library table. He was intent upon the manufacture of +another of his diabolical engines of death! + +Even as he watched, the door opened and who should stagger into +the room but Reginald Warren! + +"Great Scott, Reg! What hit you?" was Taylor's ejaculation, as +the other stumbled forward, with a hand to his purple face, to +sink into an easy-chair, groaning. The man outside the window +could not distinguish the words, but the current of thought was +well expressed in pantomime. + +"I've been drugged!" moaned Warren. "That devil put something on +my handkerchief which knocked me out. I came to in Bellevue and +I had a time getting away to come back here. What about the +Monk? Did you see him?" + +Taylor had run to his side. It seemed as though Warren's eyes +would pop from his head. The veins were swollen on his pallid +brow, and he gasped for air. + +"Open the window!" he murmured, and his confederate rushed to +the very portal through which the criminologist was watching this +unusual scene, with bated breath. His heart sank, as he lowered +himself with a suddenness which vibrated the loosely-attached +scaler. For the first time his eyes turned toward the terrifying +distance from which he had ascended. + +There was a squeak and he heard the window slide in its frame. +He felt that all was over. It would be impossible for Shine +Taylor not to observe the hooked prong of the ladder, with its +curving metal a few inches from his hands. In this ghastly +minute of suspense, Shiley's thoughts, strangely enough turned +back to one thing. He did not dash through the gamut of his life +experiences nor regret all past peccadilloes, as novelists inform +us is generally the ultimate thought in the supreme moment before +a dash into eternity! He felt only a maddening, itchingly +bewitching desire to reach up to his coat pocket and draw out +that scent-laden page of typed note-paper which had been +glorified by its caress of the warm, bare bosom of the wonderful +woman who had so mysteriously drifted into the current of his +life. + +Then he heard a voice through the open window so close to his +ears: it was Shine Taylor's nasal whine. + +"It's snowing, Reg. The air will do you good. What a gorgeous +night for a murder. Tell me now, what was the trouble?" + +And Shirley swung, and swung and swung! + + + + +CHAPTER XXII + +IN THE DOUBLE TRAP + + +Eternity had passed, the Judgment Day had been overlooked and new +aeons had gone their way, it seemed to the criminologist, when +the voice was audible again. + +"Oh, all right. I just drew it down from the top. Tell me about +your doping. Who was the devil?" + +He had been unobserved. By the grace of the fates, Warren's +sudden appearance had given him a better chance to hear their +secrets, and Taylor's own abstraction had dissipated any interest +in the world beyond the window. Again he lifted himself to the +level of the sill, sure that the creamy curtains upon which the +light from the big electrolier was beaming, would shield him from +their view. Warren called for some brandy. Taylor served him, +but it was three minutes or more before the other could collect +himself. Then he began furiously, as the pain in his forehead +diminished. + +"This Shirley: he's a clever dog. He put something on my +handkerchief, and when I got that message of yours it got me, +right in the taxicab, as I was on my way to the Blue Goose to +meet you." + +"To meet me?" and Taylor's turn came to be startled. "I don't +know why you should meet me at the Blue Goose!" + +"Say, didn't you send me this note in code?" demanded Warren, +drawing out the typewritten sheet. Taylor shook his head, with a +blanched face. + +The other looked at him with the first evidence of fear which +Shirley had ever seen on the confident face. Warren caught his +assistant's hand, and drew his face down toward the note. + +"Look, it is in our code. Phil can read it but he is the only +one beside you. He is locked up in jail, and couldn't reach a +typewriter. I got a message from him this afternoon that he +wouldn't squeal. You know how he smuggled it out to me. Tell me +how could any one know about the Monk and write this so?" + +Taylor shook his head, speechless. As he turned his face toward +the window Shirley observed the great drawn shadows under his +squinting eyes. The sudden shock was telling on that weasel +face. Taylor walked unsteadily toward the infernal machine, and +he looked blankly toward Warren again. The other's blazing orbs +were full upon him now. There was a frightful menace in their +glittering depths as he spoke. + +"Taylor, if I thought you had sold out I'd skin you alive right +now!" + +"Reg--Reg--you are my best friend. Don't say a thing like that." + +"Are you selling me for some purpose. Are you soft on that +chicken? Has she blarneyed you into this?" demanded his chief, +rising, unsteadily, but fierce in his suspicious tensity. + +Taylor cowered, with imploring hands stretched out. + +"Why, Reg, no one ever did for me what you've done. I'd die +rather than sell you out, and there ain't a dame in the world +that could make me soft on a real game like this." + +As Warren studied his white face there came a tinkle on the +telephone. + +"What's that? Who's that?" Warren turned and ran toward the +instrument, still studying the face of his companion. It was +evident that a seed of distrust was planted in his bosom. He +answered nervously. + +"Yes, yes! What do you want? Who's speaking?" + +Then he listened, and a wise expression came over his face. It +broke into a smile for the first time since he entered the room. +He winked at Taylor who drew near him. Shirley strained his ears +to catch the words. + +"Yes, yes, why, my dear Miss Bonbon. Surely, I'll be glad to +come down--To help take care of Mr. Shirley--Of course, I will +come in my machine and bring him uptown to a hospital--That's +what you want?--Yes, indeed, nothing would give me greater +pleasure." + +He rang off, and turned toward Taylor. + +"That smooth devil has sniffed some of his own dope as sure as +you live, Shine. We'll get him. Call up and have the machine +sent around. You and I will be a committee of two, and we'll end +this tonight. Bring what you need." + +Warren drank another full glass of brandy, while Taylor gave a +quick order over the telephone. Then the latter snatched up a +small black satchel which was standing on a side table. The +assistant came to the window, and Shirley dropped down out of +sight, for another moment of suspense. But the sash was quickly +closed and bolted. + +The light was turned out, and he waited another five minutes, +stiffening in the cold wind which had sprung up to send the big +flakes in eddies against his numbed fingers. With difficulty he +fished out a long, thin wire from his pocket, with which he had +frequently turned the safety catch of windows on other such +occasions. Again it served its purpose, and he drew himself up +to the sash of the opened window. He brushed off the snow, so as +to leave no telltale puddles of drippings. He went to the door +of the library, and then to that of the vestibule. + +It was locked from the outside, even as they had done when Helene +was the drowsy prisoner. + +He had little time, he knew, for his search, but he first thought +of the girl's predicament. He must cover the tracks there. He +took up the receiver, and in a minute was talking to her. + +"I'm in. Leave word downstairs (and pay the clerk and bell-boy a +good bribe) that you have gone to a hospital with a sick friend. +Tell them to swear to that, and better still leave the hotel at +once, hunt up Dick Holloway--you'll find him at the Thespis Club +to-night. Send in the chauffeur to ask for him and have him stay +with you in the machine. I am going to visit the other place +when I finish here. I'll be down there, at the Thespis Club, by +eleven again. Good-bye--use your wits." + +Then he began a hurried ransacking of the apartment. He picked +up a note-book here, sheets of memoranda there, letters and +documents which he thought would be convenient. Warren's +bedrooms were locked, but a small "jimmie" sufficed to force +them open. He found in one drawer a dozen or more bank books, +with as many different financial houses, and under many names. +This he shoved into his pockets. At last, satisfied that he +could gain no more, he retreated to the window. He shut this and +was once more on the windowsill. Here he looked down, and a new +inspiration came to him. He would have difficulty in getting +admission to the apartment entrance, at this time of night. The +attendant would remember him and warn Warren upon the latter's +return. It was but one more climb, a single story, to the roof. +So, up he went, deserting the faithful scaling ladder on the +roof, for the time being. + +He sought around for several minutes on the snowy, slippery +surface before he found the entrance to the iron stairway close +by the elevator shaft. Then he went softly down. + +Past Warren's apartment, on his way without a noise, his boots +off, he continued until he reached the second floor. Here he was +baffled again. Why had he not taken some impression of the +pass-key of the negro attendant when let in before? Yet now he +remembered that the man had never relinquished his hold upon that +open sesame. He remembered the "jimmy"--yet this would betray +him, by the broken lock! + +There was the servant's entrance, however, in the rear of the +hallway. To this he slipped, even as the elevator passed up +bearing Warren and Shine Taylor, muttering angrily. Shirley +found the rear door to the rooms, and there he worked quickly, +forcing the lock. He was soon inside, and hid himself in the +pantry of the darkened apartment. He had not long to wait. + +There was a clicking noise which reverberated through the empty +room, as the other two entered by the front portal. He heard +them talking in whispers, then the creaking of a window, and all +was silent again. + +Shirley went to the same small window through which he had +descended before. With his boots tied together by their laces, +and suspended from his neck, on either side, he went down the +rope noiselessly. He found the iron door partially opened, as he +reached the end of the corridor. A block of wood held it back +from the jamb. + +"He is prepared for a quick retreat. So shall I be," thought +Shirley, as he noiselessly crept into the chamber, after having +drawn away the wooden block. He let the door come gently to its +frame, stopping it within an inch of its lock. As he turned +slightly forward he caught two curious silhouettes: Warren at his +table, with Shine at his side, their outlines clear and black +against the brightness of the headlights. On, the other side of +the transparent screen stood a man, with one eye blackened, his +face badly bruised and wicked in its battered condensation of +evil determination with rage and fright, so oddly mixed. + +"It ain't my fault, Chief! There are only six of the boys left. +I tried me best but this little Chinyman he soaks me one on the +lamp, with a gun butt. Me pal was nabbed in the room when I +sneaks out on the rope. I finds out afterward that Jimmie's +watch must-a been about twenty minutes slow. That's how we +misses." + +"But you didn't get him, and I'm going to break you for this!" + +"But gov'nor, listen--we leaves the machine all right. That'll +git 'im anyway. What'll I do?" + +"I have the addresses of the other men here in my pocket. You +tell them to stick right in their rooms for the next twenty-four +hours. If they don't hear anything from me, tell them to go to +Frisco by roundabout ways and I'll forward their money, care of +Kelso. Now get out." + +The man disappeared and there was a double click as the door to +the front compartment closed. Warren turned toward Taylor, While +Shirley flattened himself against the rear wall, and crouched +down slowly, without a betraying sound. + +"I don't understand that girl not being there. Some one's +closing in on us. I'm going to break that girl's spirit before +I'm through. She'll be on the yacht tonight, for everything's +ready now. What sort of a machine did you arrange for his room?" + +"The old telephone one we worked in Oakland. It is under his +bed. I told the men to do that first before they went through +his things. Then it would look like plain robbery, and when he +goes to take the receiver off the hook it's 'good-night, nursey!' +That little popper will blow the roof off that club house!" + +Shirley's blood might have run cold at the calm pride of this +degenerate fiend, had it not been boiling at the reference to +Helene. He crept nearer to them, along the wall. He lay down on +the floor, below the level of the first bullet paths. Then he +drew his automatic and the bulb light, ready for his surprise. + +"I'll call up Kick Brown at the telephone company. He's on duty +until twelve. That's an hour yet." + +He placed the plug in position but there came no answer over his +private wire. Warren cursed: this time in a dialect unknown to +Shirley. The man was asserting his most primitive nature now. + +"What does that mean? He knows that it's important to-night. +I wonder if some one has squealed. You know what I said +upstairs, Shine?" Warren's voice was ominous. "I don't like the +looks of things. And you're the only one who has ever known the +inside working of my system. I've even told you the key to my +code--Phil knows it in part, but there is nothing I've kept from +you." + +Here Shirley's dramatic instinct asserted itself. In a +sepulchral voice, he spoke: "One key to the right, in writing. +One to the left to read. Hands up, Warren, you're wanted in +Paris, and we have the goods on you!" + +Placing the bulb light far to his left, he twisted the little +catch which kept it glowing permanently. The light fell full on +the face of Warren and Taylor as they sprang up back to back! + +"Drop that revolver. It's all up now. You go to the chair for +these murders." + +Warren shot for the body he supposed to be above the little +light. As he did so Shirley sent a bullet into the arch +criminal's right wrist. The weapon dropped from his hand to the +table. Shine Taylor, terror-stricken, staggered against his +companion, groping for support. Warren misunderstood it: he +thought his assistant was trying to hold him. The swift +interpretation gave new fuel to the flame of mistrust which had +sprung up in his heart. He knew not how many men were about him +--he merely realized that his crafty plans had been set at +naught,--there could be only this one explanation. He struck at +Taylor, who moaned in pain. + +"You cur, you've squealed on me!" With his uninjured left hand +he caught the other in his Oriental death grip, with all his +consummate skill. Astonished at the sudden move, Shirley rose to +his feet. But he hesitated too long. + +With a faint gurgle, Shine Taylor, pickpocket, mechanical artist +and criminal genius sank to the mouldy ground of the cellar +--lifeless! + +Shirley snatched up the light, instinctively throwing its rays +upon the face of the dead man. It was horrible to see this +ghastly ending of the miserable life, so suddenly conceived and +grewsomely executed! Here was Warren's opportunity. He caught +up his weapon from the table with the left hand, and sent a shot +at the intruder, leaping at the same time toward the rear +entrance. Monty swung the light about, but the other threw on an +electric switch. He stood by the iron portal a fiendish smirk on +his distorted features. + +"So, my luck is good after all: I've got you where I most want +you!" His weapon covered Shirley's. "I shoot as well with my +left hand as with my right. But, no, I won't shoot you. I'll +put you away without a trace left. That is always the clever +way. I told you that the average criminal was too careless about +little things. Good-bye, Mr. Montague Shirley, I wish you a +pleasant journey!" + +His hand, bleeding from the bullet wound, was pushing the iron +door, behind him as he faced Shirley. Suddenly a frightful sound +broke the stillness: it was the final exhalation of air from the +dead man's lungs. It sent a creeping chill through Shirley's +blood. Warren's right hand dropped, nervously for an instant, +despite his resolution. In that second Shirley had brought his +own weapon up to a level with the other's eyes. + +The door closed with a clang! + +Warren's face lost its sneering smile. He was locked in from +the rear! + +"Now, let's see you get out the front way," retorted the +criminologist. He had one hand behind him. He felt a metal +contrivance, With three buttons on it. He thought perhaps it +were the controlling switch for the lights. He would take his +chances in the dark. He pressed all three quickly. + +There was a clang from the front, as some mechanism whirred for +an instant. A gong sounded above, and scurrying feet could be +heard--then were audible no more. It was the warning alarm for +the gangsters: they had fled. + +Suddenly to Shirley's straining ears came the tick-ticking of an +alarm clock, from the corner of the room to his right. He dare +not look at it. Warren's eyes grew black with the Great Fear! + +"You fool, you've locked all the entrances, and sent the men +away. That clock will ring in exactly five minutes. When it +does, this place will go up from a load of lyddite. You've dug +your own grave!" + +Warren's voice was hoarse, and his bright eyes radiated venomously, +as he kept his weapon pointed, like Shirley's, at the face opposite. +They were both prisoners in the death cellar, with the advantage in +favor of neither! + +And the ticking clock, with its maddening, mechanical death chant +seemed to Shirley to cry, with each beat, like the reminiscence +of some nightmare barbershop: "Next! Next! Next!" + + + + +CHAPTER XXIII + +CAPTURED AND THEN + + +Warren's white lips were moving in perfect synchronism, as he +counted the seconds and ticks of the clock. Shirley, never so +acute, cudgeled his mind for some devise by which he might +overcame the other. It was hopeless. At last, just as he knew +the inevitable second was almost completed, a faint rustling came +from the other side of the iron door. Warren's face brightened +with hope. With a nerve-racking rasp, the iron bar on the other +side was raised: it was a torturing delay as the two waited! + +The door slowly opened. After a harrowing pause a revolver +muzzle slid gently through the crack, and a woman's voice +murmured softly: "Drop the gun!" + +It was Helene Marigold! + +Warren's ashen face changed to purple hue, his hand trembled just +enough to incite Shirley to a desperate chance. As the criminal +drew the trigger with a spasmodic jerk, Shirley was dropping to +the floor, whence he pushed himself forward with a froglike leap, +as he straightened out the great muscles. + +Together they rolled in a frenzied struggle. + +"Run back, Helene. The clock will explode!" cried Shirley, +desperately. Instead, she sprang into the bright room, espied +the diabolical arrangement in the corner, and ran to pick it up. +She saw the wire, and her deft fingers reached behind the clock +to turn back its hands. Had she torn the wire, as a man would +have done, the dreaded explosion would have ended it all. + +"We're coming!" + +It was the voice of Pat Cleary from the passageway. He rushed +through the subterranean passage, followed by several men, with +Dick Holloway excitedly in their train. After a titanic +struggle, with the man baffled in this maddening moment of ruined +triumph, they handcuffed him. + +Shirley led Helene into the front compartment before she could +observe the horror stamped upon the face of the murdered rogue. + +The girl turned her glorious eyes to his, reached forth her +hands, and then the eternal feminine conquered as she trembled +unsteadily and sank into his arms. + +"Break down the doors, Cleary. Out here, to the street. Pull +off the hands of that clock--it's a lyddite bomb!" cried Shirley, +excitedly. + +One of the men used the table with clattering effect. The iron +door of the front room gave way, and Shirley carried Helene up +the ladder, to the main floor of the old garage. She seemed a +sleeping lily--so pale, so fragile, so fragrant in her colorless +beauty. He had never seen her so before! For an instant a great +terror pierced him: she seemed not to breathe. But as he placed +his face close to her mouth, her eyes opened for one divine look, +then drooped again. A white hand and arm curled, with childish +confidence, about his shoulder. He bore her thus to the big car +from the Agency, which stood outside. + +"Quick, down to the Hotel California," he called to the +chauffeur, "Pat Cleary can handle matters there." + +As they sped toward her apartment the roses took their wonted +place in her cheeks. She sat up to smile in his face. Then she +lowered her glance, with carmine mounting hotly to her brow. +Helene said no word--nor did Shirley. She simply leaned toward +him, to bury her face upon the broad shoulder, as neither heeded +the possible curiosity of the driver on the seat in front. + +At least, they understood completely. There was nothing else to +say! + + * * * + +As Shirley left her at the door of the apartment, he turned into +the elevator, his mind whirling with the strange imprisonment +into which he had let his unwilling heart drift. The clerk +stopped him at the lower floor. + +"There's a call for you, sir. It's rush, the gentleman said!" + +"Great Scott! What now?" he ran to the instrument, and he heard +Captain Cronin's excited voice. + +"Shirley. The man's escaped again! They just came into the +place. He threw some sort of bottle at the front of the patrol +wagon which blew it all to pieces. He got away in the mix-up +--three policemen were injured!" + +"I'll get him, Captain, if it's the last act of my life." + +To the surprise of the blase clerk, the well-known club man ran +out of the hotel, dropping his hat in his excitement. He shouted +to the driver who still waited in the agency machine. + +"The sky's the limit, now, son. Race for Twenty-first Street and +the East River. Let me off at the end of the dock. Then go back +to get some men from the agency, as I'll have a prisoner, then, +or they'll get my body!" + +The machine raced down the street, regardless of the warnings of +policemen. Shirley was confident that his was not the only car +on such a mission. He reached the dock of Manby, where was +waiting the expert engineer of the hydroplane. He had not +planned in vain. + +"Have you seen an auto go past here before mine?" + +"Yes, sir, I was smoking me pipe, and settin' on the rail of the +dock, when one shoots up toward the Twenty-third Street Ferry, +with a cop on a motor-cycle chasin' it behind." + +"Then, quick, into the boat." + +They clambered down the wet ladder, and after an aggravating +delay, the whirring engines of the racing craft were started. +Shirley took off his coat, and lashed a long rope about his +waist. He tied the other end of it securely to a thwart in the +boat. + +"What's your idee, Cap?" asked the engineer, as he waited the +signal. + +"There's a man trying to catch that white yacht out in the river. +I want to get him, that's all. If I fall out of this boat, keep +right on going, for I'm tied up now. Where's the boat hook?" + +"Here, sir. Are you ready? Just give me your directions. All +right, sir, we're off." + +Shirley grunted and the hydroplane sped out onto the river, in a +big curve, as he directed. Like a white ghost on the river was +the trim yacht, which even now could be seen speeding down the +stream, all steam up. There were two toots on the whistle and +Shirley feared that his man had boarded her. But the hydroplane, +ploughing through the cold waves, whizzed toward the yacht, as he +climbed out to the small flat stern. A small boat had swung +close to the yacht now. A ladder had been lowered from a spar, +while a man standing in the little craft missed it. The yacht +was gliding past the boat, when another rope ladder was deftly +swung over the stern. + +The hydroplane was close up now, and Shirley saw his prey +dangling at the end of the ladder, now in the water, struggling +with the rungs of the ladder, and now being drawn up. + +His engineer, with a skilful hand on the helm, swung in close to +the yacht, as keen for the capture as his patron. They whizzed +past at almost railroad speed, and Shirley, sprang toward the +ladder. His arms closed about the body of Reginald Warren in a +grip which he braced by a curious finger-lock he had learned in +wrestling practice. + +Two revolvers barked over the taffrail of the yacht, as the +hydroplane raced onward, dragging Shirley and his prisoner at the +end of the rope, through the water. Again the shots rang out, +but they were out of range, on the dark waters so quickly, that +before the police boat had set out from shore to investigate the +firing from the pleasure vessel, the criminologist's struggle +with his wounded antagonist was over. + +Half drowned, himself, with Warren completely past consciousness, +Shirley was pulled into his own boat as the engines were slowed +down. They returned rapidly to the dock. + +"Help me work him--that was a pretty rough yank. He's been shot +in the hand already." + +They rolled Warren on a barrel, "pumped" his arms, and by the +time the Cronin automobile had returned with the other +detectives, Warren was restored to understanding again. Shirley +forced some liquor between his teeth, to be greeted with a +torrent of strange oaths. + +"The jig is up, Warren," said the criminologist. "As a chess-player +in the little game, you are a wonder. But, I think I may at last +call 'Checkmate.'" + +"I'm not dead yet, Shirley," hissed Warren. "I gave you your +chance to keep out of this. But you wouldn't take it. I'll +settle the score with you before I'm finished. There's one man +in the world who knows how to get away from bars. I'm that man." + +Then his teeth snapped together with a click. He said nothing +more that night, even during the operation for probing Shirley's +bullet, and the painful dressing. At the station-house, and his +arraignment before the magistrate at Night Court, where he saw +some other familiar faces of his fellow gangsters--now rounded up +on the same charges--he still maintained that feline silence. + +And his eyes never left the face of Montague Shirley, as long as +that calm young man was in sight! + +Shirley merely presented his charge of murder--for the strangling +of Shine Taylor. The names of the aged millionaires were not +brought into the matter--there was no need. He had done his work +well. + +At Cronin's agency, late that night, there came a cablegram from +the greatest detective bureau of France. + +"The Montfleury case" was the most daring robbery and sale of +state war secrets ever perpetrated in Paris. It had been +successful, despite the capture, and conviction of the criminal, +Laschlas Rozi, a Hungarian adventurer who had killed three men to +carry his point. The scoundrel had escaped after murdering his +prison guard, and wearing his clothes out of the gaol. A reward +of 100,000 francs had been offered for his capture, by the +Department of Justice. + +"Monty, who gets all the credit for this little deal--that's +what's bothering me?" asked Captain Cronin, as they sipped a +toast of rare old port, in his rear office. + +Shirley lit the ubiquitous cigarette, and tilted back in his +chair. + +"Captain: why ask foolish questions? This case ought to buy you +five or six of those big farms you've been planning about--and +leave you fifty thousand dollars with which to pay the damages +for being a gentleman farmer." + +"And you, Monty? You know you never have to present a bill with +me. What will you do with your pin money?" + +"I'm going down on Fifth Avenue tomorrow and invest it in a +solitaire ring, for a very small finger." + + + + +CHAPTER XXIV + +CONCLUSION + + +Shirley made some investigations in a private reading room of the +Public Library: there was much good treasure there, not salable +over the counter of a grocery store, mayhap, but unusually +valuable in the high grade work which was his specialty. In an +old volume enumerating the noble families of Austro-Hungary he +found two distinguished lines, "Laschlas" and "Rozi." + +From the library he went to a cable office where he sent a +message to the chief of police of Budapesth inquiring about the +remaining members of the families. The old volume in the library +was thirty-four years behind the times: it was the only record +obtainable in America. + +After a couple of hours, which he devote to some personal +matters, he received a response to his inquiry. When translated +from the Hungarian it read thus: + +"Professor Montague Shirley, College Club, N.Y., U.S.A. + +Families extinct except Countess Laschlas, and son Count Rozi +Laschlas, reported killed in Albanian revolution. + + Csherkini, Minister of Justice." + +The criminologist was happy. Here was a weapon which he had not +yet used. Now he turned his steps towards the Tombs, for an +interview with the prisoner. + +After some parley with the warden, he was admitted for a visit to +Reginald Warren. That gentleman's fury was rekindled at the +sight of the club man who had been so instrumental in his +downfall. But a cunning smile played over the features of the +criminal. + +"So, you have come to gloat over your work, Shirley? Well, it is +a game two can play." + +"Yes? I am always interested in sport. I came to see if there +was anything I could do for you in your confinement," was the +unruffled reply. + +"You will be busy with your own affairs," retorted Warren. "I +have been busy writing my confession. Here is the manuscript. I +will baffle all your efforts to hush up the affairs of the +'Lobster Club.' Furthermore, my confession," (and he exultantly +waved a mass of manuscript at his visitor,) "will send young Van +Cleft to prison for perjury on the certificate of his father's +death. Captain Cronin, that prince of blockheads, will share the +same fate. Professor MacDonald, who I know very well signed the +death certificates, will be disgraced and driven from +professional standing. You will be implicated in this plot to +thwart justice. With the German university thoroughness to which +you so sarcastically referred, I have written down the facts as +carefully as though I were preparing a thesis for a doctor's +degree!" + +He laughed maliciously, studying the effect of his words. He was +disappointed. Shirley's bland manner changed not a whit. +Instead the criminologist offered him a cigarette. + +"You might as well smoke now--as later!" and there was a wealth +of innuendo in the emphasis. "Is that all you are going to do, +to square your accounts?" + +"By no means! As my trump card, I have implicated Miss Helene +Marigold in the various exploits which have been so successful +now. She is unknown in New York--I investigated that matter. +She will have a fine task in proving an alibi, after the careful +preparation I have made. In fact, I accuse her of being the +mistress of my dead con'federate--" + +Shirley sprang to his feet, and the rage which was shown in his +strong features brought a leer to the face of the other. + +"Strike me," continued the tormentor. "All I have to do is to +call the guard. I have been busy thinking since they locked me +up here. There is nothing more to do to me than the electric +chair--but, I am not finished yet." + +The criminologist controlled himself with difficulty. He +realized that an altercation with the prisoner would shatter his +whole case, like a house of cards blown down by a vagrant breeze. +He sat down again, the mask of calm indifference playing over +his features. + +"And what then?" + +"Is not that sufficient to interest you? It will be another +month before my trial, and my literary work has just begun. The +newspapers are filled with war news, which have ceased to be a +nine days' wonder. I shall provide them with material which will +be the story of the age! Another month, and then?" + +The prisoner lit the cigarette which he had accepted, and +stretched back in the plain wooden chair to enjoy the misery of +his victim. + +"But, a month--let me see? That would enable me to do some +corresponding myself, wouldn't it?" and Shirley took out a +memorandum book. "You have degraded a splendid intellect, a +gallant spirit and brought disgrace upon yourself, for this +miserable ending. You have ruthlessly murdered others, caring +naught for the misery and wretchedness of those left behind. Has +it been worth it all, Warren?" + +The other's eyes twinkled, as he nodded. + +"A wonderful game. And I haven't completed the score, even now." + +"You are right, Warren. There is one soul more whom you have not +affected. It is too bad that you were not killed in the Albanian +revolution,--then you would have been on record as a hero instead +of the vilest scoundrel in Christendom." + +Had the death-dealing current of the electric chair been turned +upon Warren he could not have been more startled, as he sprang +up. His pallid face seemed to turn a sickly green, as his dark +eyes opened in galvanized amazement. + +"Albanian--what do you mean? I never saw Albania!" + +"You will never see it again. You will never see Budapesth +again, either," was the menacing continuation of the +criminologist's methodical speech. "But a very old lady, the +Countess Laschlas, will see the accounts of her son's wretched +death, in the New York papers which will be sent to her, in care +of the American consul!" + +It was merely a deductive guess: but the shot struck the center +of the bull's-eye. Warren, alias Count Laschlas, staggered back, +and his nervous fingers touched the chilling surface of the stone +wall. He dropped his eyes, and then strove to regain his +nonchalance. It was a pitiable failure. + +"Just as you have dealt to the children of others, so will you +deal with your own mother, the last of a distinguished line of +aristocrats. I swear, by the memory of my own dead parents, that +I will avenge the misery you have given to the innocent. The +good Book says, the sins of the fathers shall be visited upon the +children even unto the third and the fourth generation. But life +to-day has taught me that the sins of the children are visited +upon the fathers and the mothers--especially, the sweet, loving, +trusting mothers! As I value my honor, Reginald Warren, or Count +Rozi, I will see to it that your mother shall know every detail +of the whole miserable career of her son. That is my answer to +your alleged confession. If there is a hereafter, from which you +may observe that which follows your death, you will be able to +see through eternity the earthly punishment which has been +visited upon the one person whom you love and respect." + +The criminal's ashen face was buried in his hands. + +Great sobs emanated from his white lips, as his shoulders heaved +in a paroxysm. + +Shirley had struck the Achilles tendon--the hardest wretch in the +world had one, as he knew! + +"Oh--oh--" he moaned, "the poor little mutter. She has forgiven +so much, suffered so much. You can't do it. You won't do it!" +He fell to his knees, clawing at the criminologist's garments +with his trembling hands, the tears streaming down his face. + +"What about those who have seen no compassion from you?" cried +Shirley in a terrible voice. "Your vanity, your self-worship! +Do they not comfort you now? This is only the suffering of +another which you contemplate! Why all these hysterics?" + +Warren, groveling on the floor of the reception-room, was a +picture of abject, horrid soul-torture. At last, through the +subtlety of this unconventional sleuth, along methods which were +never dreamed of in the ordinary police category, he had been +broken on the wheel which he had himself so cunningly +constructed! + +"And if that mother dies, cursing your memory with her last +breath, cursing the love of the father, of her husband, of the +ancestors, all responsible for your being in the world today, +what will you think, when you watch from the other side of that +great unseen wall?" + +"Oh, Shirley! I can't. See--I'll destroy this stuff. I'll keep +silent about the others. I mean it. Here: I tear it up now and +give you the pieces to burn!" + +Warren, maddened by his fears, nervously tore the sheets into +bits and pressed the remnants into the criminologist's hands. + +"Will you promise to keep my identity a secret?" + +"I will not send word to Budapesth. You have a bad record in +Paris, and other parts of the world. But, if you play fair on +the confidential nature of this case, saving the innocent from +disgrace and shame, I will see that the story never reaches your +mother. There is no need to ask this on your honor--that does +not count." + +Warren winced at this final thrust. He turned toward Shirley, +eagerly. + +"You don't understand me at that, Shirley. I have had a curious +career. Somewhere I inherited a strain of criminality--you know +how many ancestors a man has in ten generations. I was a member +of a poor but prominent family. The government paid for my +education in the best universities of Europe, for I was to hold a +position under the Emperor, which had been held in my family for +generations. But I was ruined by the extravagances and the +excesses which I learned from the rich young men whom I met. I +studied feverishly, yet was able to waste much time with the +gilded fools, by my ability to learn more quickly. The result +was that I could not be contented with the small salary of my +government office. I had to keep up appearances with my +companions. So, I drifted into gambling, into sharp tricks--then +became a mercenary soldier, an officer, in the continuous +revolutions of the southeastern part of Europe. I sank deeper +and at last, in one serious escapade, I managed to have myself +reported dead, so as to quiet the heartaches of my mother, who +believed I was killed on the battlefield. There is the miserable +story--or all I will tell. They caught me in Paris and a girl +betrayed part of my name--fortunately they did not hunt me up, so +my mother was saved that disgrace. Will you keep the secret now, +on our understanding?" + +"I give you my word for that, Warren." Shirley rose, putting the +torn-up papers into his pockets. "I am sorry for the past--but +you have made the present for yourself. Good-bye." + +Warren returned to his cell and the detective to the club house. + +There he found an additional cable message. It said: "Countess +Laschlas has been dead ten months." It was signed like the +other. + +Shirley tore up the message, and blinked more than seemed +necessary. + +"Poor little old lady, she knows it all now. I will not have to +tell her." + + * * * + +That afternoon Shirley called again at the Hotel California for +Helene. + +"I want you to go to a sweet, old-fashioned English tea-room, +where I may tell you the rest of the story. There will be no +tango music, no cymbals, no tinkling cocktails, nor, champagne. +Can you pour real tea?" + +"I am an English girl. I have been five days without it." + +As they were ensconced at the quaint little table, he realized +how wondrously blended in her was that triad of feminine +essential spirits: the eternal mother instinct, the sensuous +strength of the wife-love and the wistful allurement of maiden +tenderness. + +"Does my great big boy wish three lumps of sugar, after his hard +tasks?" + +"He'll die in the flower of immaturity if he has too many sweets +in one day." + +He drew out his memorandum book, opening it to a closely-written +page. + +"Before the confections, I must hand in my report to the +commanding officer." + +"Advance three paces to the front, and hand over the details," +and she added another lump of sugar, with a mischievous twinkle +in the blue eyes. + +"Very well, excellency. We transcribed the addresses of Warren's +gangsters from his note-book, and they have all been arrested. The +men we captured in the earlier skirmishes are all languishing in the +tombs, as accomplices in his crime, as well as for their attempts +against my own life. You will be astonished, Helene, at the +revelations of his operations as shown by his bank-books, a +translation of that diary and some of the letters which I took when +I burglarized his rooms. I have sent a code letter to Phil, advising +him to confess all, and that man's testimony adds to the +corroboration. I went down to the District Attorney with a full +statement of the facts, leaving nothing unbared. Like me, he agreed +that it were best to let the law take its course, demanding the full +penalty, and saving the honor of a dozen families who would have +been dragged into the case, had not Warren laid himself liable by +the murder of his confederate, Taylor. That young man was an +electrical genius--with his brains misguided by his equally +misdirected employer. There is no chance of a miscarriage of +justice, and Warren had accumulated so much money that many of the +victims of his organization can be reimbursed in full." + +"You have handled all this with a suspicious skill for a lazy +society man, with no experience in such matters." + +Shirley understood the subtle sarcasm of the remark, but he +proceeded unruffled, to lull her suspicious. + +"I only tried to cover the points which meant happiness and peace +of mind to others. It was merely a matter of common or garden +horse sense, as we call it in America. Warren has been +systematically robbing the rich men of New York for three years, +under various subterfuges. No wonder he could afford such +gorgeous collections of art, keeping aloof from his associates in +crime. His treasures, like those in many European museums were +bought with blood. It is curious how a complex case like this +smooths itself out so simply when the key is obtained. And you, +Helene, have been the genius to supply that key: my own work has +been merely corroborative!" + +He looked at the delicate features of the girl, remembering with +a recurring thrill the margin by which they had escaped death in +the cellar den of the conspirators. + +"Cleary and Dick Holloway told me how cleverly you led the men to +the Somerset where you followed my trail through the mole's +passage. It was a frightful risk for you to take: Cleary should +have had more sense and led the way himself." + +Helene's lips pursed themselves into a tempting pout. + +"Are you not happier that it was I, at that supreme moment?" + +"Indeed I am: success was all the sweeter. There is remaining +only one mystery which I must admit is still unsolved in this +curious affair. And that is you. Who are you?" + +She parried with the same question. + +"I know your name, sir, but you profess to be a society +butterfly, flitting from pleasure to dissipation, and back again. +Tell me the truth, now, if ever." + +"Why--gracious, Helene--of all the foolish questions!" He was +adorably boyish in his confusion. She laughed gleefully, like a +happy schoolgirl. + +"Then, Monty Shirley, my score is better than yours, for I have +every mystery cleared. But while I know all about you, what +frightful chances you are taking with me!" + +Shirley reddened, as he burned his finger with the match which +had been raised to the end of his cigarette. He accused her of +teasing, and she glanced happily at the iridiscent solitaire upon +the third finger of her left hand. + +"Dear boy, I realize that I understand about you what you cannot +fathom with me. You are not a moth, but your self-sacrifice, and +bravery in this case are professional: you worked on this case as +you have on a hundred others: you are a very original and +successful expert in criminology. And I am not more than half +bad at observation and deduction, myself; now, am I, dear?" + +Shirley gracefully admitted defeat, with a question: "Who are +you, Helene? And who is dear old Jack?" + +The roses blossomed in her cheeks as she answered: "Jack is a +very sweet boy, ten years older than you in gray hair and the +calendar, and infinitely younger in worldly wisdom and intellect. +He is an English army officer, who was foolish enough to imagine +he loved me, foolish enough to propose every three days for +the last three years and foolish enough to bore me until in +self-defense I escaped from his clutches. As for myself, at +least I am not the young woman who can stand staying in that +gaudy theatrical hotel for another day longer. I have done so +many bold, unmaidenly things that you may believe it easy for +me. It is not. + +"I am truly a horrid, old-time, hoopskirt-minded prude. My first +act of domestic tyranny is to make you find a sedate, prim place +for my work and play, where I may know my own blushes when I see +them in the mirror, and will have less occasion to deserve them!" + +"Your work? What is that?" + +"It is very hard work--with a typewriter, but not in code. I +will not divulge my name until we tell it to the marriage license +clerk. But Dick Holloway knows me, and I came to this country, +partly to see him. I have written a few plays, which simple as +they were, seemed to interest European audiences and critics. +Some of my novels have strangely enough brought in royalties, +despite the publishers! But, I became satiated with life in +England and on the Continent. I came here because I felt that I +needed life in a younger and newer country. I needed an +emotional and physical awakening." + +"You have not wasted any time in drowsiness since you +reached America." + +"No--and all because I went to Holloway's office that fateful +morning, before I saw any one else in New York, to ask about a +play which he is to produce this spring. I confess that it was +my first experience as an actress. Will you forgive my +deception?" + +Shirley nodded, as he studied the animated face with a new +interest. He admitted to himself that Holloway's prediction had +come true--he had met his match. + +"And so, my dear Helene (for such I shall always call you, +whether your really, truly name be Mehitabel, Samantha or +Sophronisa) you came here, went through all these horrors without +a complaint, crushing the independence of my confirmed +bachelorhood for the sake of what we newspaper men call copy?" + +Helene nodded demurely. + +"Yes, but it was such wonderful 'copy,' Monty boy." + +The criminologist scowled over his cigarette, yet he could not +feel as unhappy as he felt this defeat should make him. + +"When will the 'copy' be ready for publication, my dear girl. It +would be most interesting, I fancy." + +Helene caught his hand, drawing it toward her throbbing heart. +Her wet lips were almost touching his ear, as she confided, +whisperingly, with the blue eyes averted: "Only published in +editions de luxe: some bindings will be with blue ribbons, some +with pink. All of them with flexible backs and gloriously +illumined by the Master's brush. The authors' autographs will be +on every copy to prove the collaboration, and every volume will +be a poem in itself .... But there, Montague dear, I am a +novelist--not a fortune-teller!" + +"How can I forecast the exact dates of publication?" + + + + + + + + + + +End of Project Gutenberg's The Voice on the Wire, by Eustace Hale Ball + +*** END OF THE PROJECT GUTENBERG EBOOK THE VOICE ON THE WIRE *** + +This file should be named vcntw10.txt or vcntw10.zip +Corrected EDITIONS of our eBooks get a new NUMBER, vcntw11.txt +VERSIONS based on separate sources get new LETTER, vcntw10a.txt + + + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. 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