116 files changed, 17 insertions, 3850 deletions

diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..829d96b
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #56210 (https://www.gutenberg.org/ebooks/56210)
diff --git a/old/56210-0.txt b/old/56210-0.txt
deleted file mode 100644
index e06180b..0000000
--- a/old/56210-0.txt
+++ /dev/null
@@ -1,1107 +0,0 @@
-The Project Gutenberg EBook of The Lincoln Country in Pictures, by 
-Carl Frazier and Rosalie Frazier
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever.  You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org.  If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: The Lincoln Country in Pictures
-
-Author: Carl Frazier
-        Rosalie Frazier
-
-Release Date: December 20, 2017 [EBook #56210]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE LINCOLN COUNTRY IN PICTURES ***
-
-
-
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-                       The Isaac Golliher house.
-
-  [Illustration: Split-rail fence.]
-
-
-
-
-                             _The_ LINCOLN
-                                COUNTRY
-                             _in Pictures_
-
-
-                      By CARL and ROSALIE FRAZIER
-
-  [Illustration: Ox-drawn wagon.]
-
-             HASTINGS HOUSE    _Publishers_    New York 22
-
-  [Illustration: The story of Abraham Lincoln is ever fresh. It appeals
-  to the imagination and grips the vision of many people in various
-  ways. Perhaps that is why millions of visitors make pilgrimages to the
-  humble abodes in which he lived and the places he frequented.
-                       _Photograph Courtesy Chicago Historical Society._]
-
-  [Illustration: “Every man is said to have his peculiar ambition.
-  Whether it be true or not, I can say for one that I have no other so
-  great as that of being truly esteemed by my fellow men, rendering
-  myself worthy of their esteem. How far I shall succeed in gratifying
-  this ambition, is yet to be developed.”
-                           —_Address to Sangamon County, March 9, 1832._]
-
-             Copyright © 1963, by Carl and Rosalie Frazier
-
-      All rights reserved. No part of this book may be reproduced
-              without written permission of the publisher.
-
-                   Published simultaneously in Canada
-           by S. J. Reginald Saunders, Publishers, Toronto 2B
-
-           Library of Congress Catalog Card Number: 63-19173
-
-               _Printed in the United States of America_
-
-
-
-
-                                FOREWORD
-
-
-We know it is no longer possible to add anything new to the written word
-about Lincoln. The hundreds of historians who have attempted to write
-the life of the Great Emancipator have covered every facet of it.
-Therefore, we have chosen to present our story of a by-gone day in a
-series of camera impressions, hoping to arouse in our readers an
-emotional sense of “present being.”
-
-We have done this for two reasons: first, because Lincoln’s early
-frontier has achieved a factual and imaginative rebirth through loving
-care and painstaking efforts after having fallen into ruin for many
-years. Secondly, we believe as many historians do, that America owes
-much of the credit for its national character and institutions to the
-atmosphere of the early frontier. It was the appreciation of the role it
-played on the character of Lincoln that brought about the restoration of
-New Salem, Illinois, and those objects which were so closely associated
-with him. These objects are of special interest because it was among
-them that he moved slowly forward through a cycle of failures and
-successes before reaching the high place which destiny had reserved for
-him. No man in American history has started with so little and achieved
-so much.
-
-With a certain temerity then, we present our pictorial history of the
-environment in which Lincoln spent the most formative years of his life.
-It was from this frontier atmosphere and these frontier people that
-Lincoln acquired his uncanny understanding of how common folk think and
-the wisdom that enabled him to hold in his hands the ties that bound a
-people and made a nation.
-
-
-
-
-                _A Brief Chronology of Abraham Lincoln_
-
-
-  Feb. 12, 1809    Born on Sinking Spring Farm near Hodgenville, Kentucky.
-  1811 to 1816     The family, which included Abe’s sister, Sarah, lived
-                   on Knob Creek near Hodgenville, Kentucky.
-  Nov. 1816        The family moved to Pigeon Creek in Indiana.
-  Oct. 5, 1818     Abe’s mother died of “milk sickness.”
-  Dec. 2, 1819     Thomas Lincoln married Sarah Bush Johnston, a widow
-                   with three children, from Elizabethtown, Kentucky.
-  Jan. 20, 1828    Sister Sarah died.
-  Mar. 1830        The Lincoln family moved from Indiana to Illinois.
-  Apr. 19, 1831    Offut’s flatboat piloted by Lincoln got stuck on the
-                   dam at New Salem, Illinois.
-  Mar. 9, 1832     Announced candidacy for the Illinois Legislature.
-  May 8, 1832      Mustered into U.S. Army for service in Black Hawk War.
-  July 16, 1832    Mustered out of military service.
-  Aug. 6, 1832     Defeated for the Legislature.
-  May 7, 1833      Appointed postmaster at New Salem, Illinois.
-  Aug. 4, 1834     Elected to the Legislature.
-  Mar. 24, 1836    Sworn in as a lawyer of the Circuit Court of Sangamon
-                   County.
-  Aug. 1, 1836     Reelected to the Legislature for a second term.
-  Sept. 9, 1836    Licensed to practice law.
-  Mar. 1, 1837     Admitted to the bar in Illinois.
-  Mar. 15, 1837    Moved from New Salem to Springfield, Illinois.
-  Aug. 1, 1838     Reelected to the Legislature for a third term.
-  Dec. 3, 1839     Admitted to practice law in the Circuit Court of the
-                   United States.
-  Aug. 1, 1840     Reelected to the Legislature for a fourth term.
-  Nov. 4, 1842     Married Mary Todd of Lexington, Kentucky.
-  Aug. 1, 1843     First child, Robert Todd Lincoln, was born.
-  Jan. 7, 1844     Bought home in Springfield.
-  Mar. 10, 1846    Second child, Edward Baker Lincoln, was born.
-  Aug. 3, 1846     Elected to Congress.
-  Dec. 6, 1847     Took seat in Congress.
-  Mar. 7, 1849     Admitted to practice law before United States Supreme
-                   Court.
-  Feb. 1, 1850     Second child, Edward Baker Lincoln, died.
-  Dec. 21, 1850    Third child, William Wallace Lincoln, was born.
-  Jan. 17, 1851    Lincoln’s father, Thomas, died.
-  Apr. 4, 1853     Fourth child, Thomas “Tad” Lincoln, was born.
-  June 16, 1858    Delivered “house divided” speech at Springfield.
-  Aug. 21, 1858    First debate, with Stephen A. Douglas at Ottawa,
-                   Illinois.
-  Aug. 27, 1858    Second debate, at Freeport, Illinois.
-  Sept. 15, 1858   Third debate, at Jonesboro, Illinois.
-  Sept. 18, 1858   Fourth debate, at Charleston, Illinois.
-  Oct. 7, 1858     Fifth debate, at Galesburg, Illinois.
-  Oct. 13, 1858    Sixth debate, at Quincy, Illinois.
-  Oct. 15, 1858    Seventh and last debate, at Alton, Illinois.
-  Nov. 2, 1858     Defeated by Douglas for the United States Senate.
-  Nov. 5, 1858     First mentioned in press for President.
-  May 18, 1860     Nominated for the Presidency.
-  Nov. 6, 1860     Elected President.
-  Jan. 31, 1861    Visited for the last time with his stepmother.
-  Mar. 4, 1861     Inaugurated as President.
-  Nov. 8, 1864     Reelected as President.
-  Mar. 4, 1865     Reinaugurated as President.
-  Apr. 14, 1865    Shot by Booth.
-  Apr. 15, 1865    Died in Washington.
-  May 4, 1865      Buried in Oak Ridge Cemetery, Springfield, Illinois.
-
-  [Illustration: It was from the faithful Sinking Spring, near
-  Hodgenville, Kentucky, that the farm of Lincoln’s nativity got its
-  name.]
-
-  [Illustration: The branches of the Boundary Oak, a landmark for early
-  frontiersmen, still shelter the hallowed birthplace of the man who
-  went to school for perhaps a year, split rails in frontier clearings,
-  traveled the Eighth Circuit as a lawyer, became President of the
-  United States, freed the slaves, spoke the First and Second Inaugurals
-  and the Gettysburg Address.]
-
-  [Illustration: On February 12, 1809, a blizzard raged at Sinking
-  Spring Farm, near Hodgenville, Kentucky. The wind howled down the
-  chimney and through the cracks of the humble log cabin in which
-  Abraham Lincoln was born to Thomas and Nancy Lincoln. The proud
-  parents named the boy Abraham after his grandfather.]
-
-  [Illustration: When Abe was two years old, his father moved the family
-  to Knob Creek Farm where they lived until Abe was seven. The cabin lay
-  nestled in a valley surrounded by rolling hills and deep gorges. Here
-  Abe played with his friend, Austin Gollaher, gathered firewood from
-  the forest, wild berries from the vales, and for a short time attended
-  Mrs. Hodgen’s “blab” school. Thomas Lincoln decided to move his family
-  across the Ohio River to live on Pigeon Creek in Indiana where the
-  soil was richer and there were no slaves.]
-
-  [Illustration: The Lincoln’s erected a new log cabin on Pigeon Creek
-  in Indiana. For the next fourteen years they struggled with the almost
-  impossible odds of a bitter and treacherous wilderness. It was here
-  that Abe’s mother died, and he helped his father lay her to rest in
-  the forest.]
-
-  [Illustration: In the little Log Schoolhouse near Pigeon Creek, in
-  Indiana, Abe managed to get a few scattered weeks of sporadic
-  schooling in readin’ writin’ and cipherin’ to the rule of three.]
-
-  [Illustration: Abe did his homework by the light of the smouldering
-  fireplace. He would scrape his charcoal cipherin’ from wooden boards
-  so as to use them over and over again.]
-
-  [Illustration: The Lincoln family often attended services in the
-  little Baptist Church that Abe helped his father to build, near Pigeon
-  Creek, in Indiana.]
-
-  [Illustration: This was the home of Josiah Crawford, a neighboring
-  farmer, where Abe alternated working and learning. Mr. Crawford had
-  several books which he lent Abe. When plowing, Abe read at the end of
-  each furrow while he stopped to allow his horse to “breathe.”]
-
-  [Illustration: In Gentryville, not far from Pigeon Creek, Mr. Gentry,
-  a farmer and storekeeper lived in this two-story log mansion. At
-  times, when his father didn’t need his help, Abe worked in Mr.
-  Gentry’s store and on the farm. He helped Allen, Mr. Gentry’s son,
-  build a flatboat, load it with store produce and float it down the
-  Ohio and Mississippi rivers to New Orleans.]
-
-  [Illustration: It was early spring of 1830 when the Lincoln’s made the
-  long dismal journey from Indiana to the promising prairies of
-  Illinois. Their stout wagons were piled high with rough-hewn
-  furniture, feather beds, personal belongings, iron pots and pans.
-  There were plows for breaking the “prairie’s sleeping sod” and tools
-  for building a new log cabin.]
-
-  [Illustration: This rustic abode was the last home of Thomas and Sarah
-  Lincoln. Abe, who was now past twenty-one, had left his parents to
-  seek his fortune on the bustling Illinois frontier.]
-
-  [Illustration: Timber lined the river’s banks and crowned the rolling
-  hills.]
-
-  [Illustration: Historical marker.]
-
-
-                               NEW SALEM
-
-In the fall of 1828, James Rutledge and John Camron erected homes on
-this hill. The following year they built a grist and sawmill on the
-Sangamon River just below the hill, laid out the town of New Salem and
-began to sell lots. The mill became so popular that the town grew
-rapidly and flourished for several years although it never included more
-than one hundred inhabitants. With the founding and growth of
-Petersburg, two miles to the north and more accessibly located, its
-decline began. When the seat of the new County of Menard was located at
-Petersburg in 1839, New Salem quickly passed out of existence.
-
-Abraham Lincoln resided at New Salem from the summer of 1831 until the
-spring of 1837, supporting himself successively as clerk and mill hand,
-soldier in the Black Hawk War, storekeeper, postmaster and deputy
-surveyor. In 1832 he entered politics. Although defeated in his first
-campaign for the Legislature, he was elected a member of the House of
-Representatives in 1834 and again in 1836. Throughout his residence at
-New Salem, Lincoln strove to perfect his education, studying grammar,
-mathematics, and finally law. Upon his admission to the bar in March
-1837, he sought greater opportunities than New Salem offered, and so
-removed to Springfield.
-
-  [Illustration: It was on a pleasant April day that the flat-bottomed
-  boat, loaded with barrel pork, corn and live pigs, and piloted by
-  young Abe Lincoln, rounded a bend in the Sangamon River and came to
-  rest on top of the miller’s dam that stretched out across the river.
-  The bow of the boat was raised high into the air. The squeals of the
-  frightened pigs brought the citizens of New Salem hurrying down the
-  bluff to the river bank.
-
-  This was Lincoln’s introduction to the people of New Salem. Denton
-  Offut, a swaggering, boastful, hard-drinking frontiersman, was owner
-  of the boat. He became so impressed with the thriving little village
-  that he decided to return after the voyage to New Orleans, and open a
-  store with Lincoln as his clerk. The new store was opened the
-  following September.]
-
-  [Illustration: Lincoln helped fell the trees from which Offut’s
-  one-room log store was erected. It stands on the bluff that leads down
-  to the grist mill and the river bank. It was the usual type of
-  frontier store, stocked with produce from the prairie farms or objects
-  made at home.
-
-  It was while working for Offut that Lincoln decided to improve his
-  education. In fair weather, when there were no customers about,
-  Lincoln could be seen lounging on the porch studying or talking with
-  friends about slavery, crops, politics, cockfighting, horse racing or
-  just telling stories to listening loafers.]
-
-  [Illustration: At the top of the bluff, among the tall oak trees,
-  stood the cabin of Rowen Herndon. Lincoln boarded here because it was
-  near the store.]
-
-  [Illustration: Bill Cleary’s saloon stood a short distance down the
-  bluff from Offut’s store. It was the hangout for Jack Armstrong, who
-  challenged Lincoln to a wrestling match. Even though the match ended
-  in a draw, it gave Lincoln the reputation for courage and strength
-  that convinced his associates that he “belonged.”]
-
-  [Illustration: New Salem was a trading post for the farmers who
-  cultivated farms on the surrounding prairies. On Main Street there was
-  a cobbler, a hatter, a cooper, a blacksmith and wagon builder, a
-  wheelwright and several merchants.
-
-  These tradesmen had come to New Salem to help fill the needs felt by
-  everyone. At the height of its prosperity, New Salem had a population
-  of a hundred citizens and some twenty-five or thirty buildings.]
-
-  [Illustration: The buildings were made of logs, notched together at
-  the corners and chinked with native clay.]
-
-  [Illustration: Roofs were pitched and covered with clapboard shingles
-  called “shakes.”]
-
-  [Illustration: Better homes in New Salem had chimneys made of stone.]
-
-  [Illustration: Most homes had “cat and clay” chimneys, made of logs
-  and chinked with native clay. On cold windy days members of the
-  household were kept busy running outside to see whether or not the
-  chimney had caught fire.]
-
-  [Illustration: New Salem homes had window panes made of glass.]
-
-  [Illustration: Windows were usually near the fireplace where family
-  activity was carried on.]
-
-  [Illustration: Over an open fire, in iron pots, frying pans and
-  skillets, housewives cooked venison stew, roasted pork and wild game,
-  fried mush, baked corn bread and corn dodgers to a golden brown and
-  often hard enough “to split a board or fell a deer at forty feet.”]
-
-  [Illustration: Sturdy trestle tables served the pioneer family well.]
-
-  [Illustration: Pioneer women were especially proud of their chinaware.]
-
-  [Illustration: A Seth Thomas clock adorned the mantles of those who
-  were able to afford a touch of elegance.]
-
-  [Illustration: Housewives spun the wool from which they made garments
-  often stiff and too large, but suitable as garments to protect the
-  family from the elements.]
-
-  [Illustration: Beds were dressed with home-woven coverlets.]
-
-  [Illustration: Babies came in annual crops.]
-
-  [Illustration: Of the humble one-room log house the cooper’s son
-  wrote: “At meal time it was all kitchen. On rainy days, when neighbors
-  came to relate their exploits, how many deer and wild turkey they had
-  killed, it was all sitting room. On Sunday, when the young men all
-  dressed up in their jeans, and the young ladies, in their best bow
-  dresses, it was all parlor. At night it was all bedroom.”]
-
-  [Illustration: Outside, wood stacked high during the summer, dwindled
-  rapidly as the winter passed.]
-
-  [Illustration: From the ash hoppers, found in every backyard, lye was
-  leeched for use in making soap.]
-
-  [Illustration: Wells with windlass ropes and wooden buckets supplied
-  the household with needed water.]
-
-  [Illustration: Rain barrels caught the “soft” water that dripped from
-  the eaves. This water was used for the family washing.]
-
-  [Illustration: Samuel Hill, New Salem’s most prosperous businessman,
-  owned the only four-room, two-story house in the village.]
-
-  [Illustration: The opulence reflected in the Hill residence was not
-  common to the homes of New Salem.]
-
-  [Illustration: Samuel Hill was also owner of the woolhouse and carding
-  machine. In spring, during wool shearing time, farmers brought their
-  wool to the warehouse in sacks, old bed quilts and petticoats, pinned
-  with thorns from the honey locust.]
-
-  [Illustration: The carding machine in action was New Salem’s most
-  dramatic attraction. From dawn until darkness the weary treading of
-  oxen hoofs on the cleated treadmill powered the squeaking, moaning,
-  wooden gears of the carding machine.]
-
-  [Illustration: Samuel Hill and John McNeal owned the most successful
-  store in New Salem. It was the center of village life. Under its
-  protective porch people gathered to argue the questions of temperance,
-  travel and human slavery.]
-
-  [Illustration: Doctor John Allen lived across the road from the
-  Hill-McNeal store. Unconvinced of the virtue of quinine for treating
-  malaria fever, the doctor kept to such old remedies as Peruvian bark,
-  jalop, calomel and boneset tea.]
-
-  [Illustration: Peter Lukin, the cobbler, lived next door to Doctor
-  Allen. The cobbler shop was in the small lean-to. As winter approached
-  the cobbler converted piles of animal hides into shoes for the
-  community.]
-
-  [Illustration: Residence and office of Doctor Francis Regnier, Allen’s
-  capable colleague, who purged, bled, blistered, puked, and salivated
-  his patients.]
-
-  [Illustration: The Doctor’s medical laboratory and reference library.]
-
-  [Illustration: This was the home and workshop of Martin Waddell, the
-  village hatter. He made hats from opossum, raccoon and rabbit skins. A
-  rabbitskin hat cost fifty cents. A hat made from an opossum or raccoon
-  skin, with the tail hanging down in the back, cost two dollars.]
-
-  [Illustration: In this kettle Waddell prepared the skins from which he
-  made the hats.]
-
-  [Illustration: Residence of Isaac Burner. Very little is known about
-  the Burner family.]
-
-  [Illustration: A familiar sight on Main Street, New Salem.]
-
-  [Illustration: In the small lean-to in the rear of his cabin, Robert
-  Johnson, the wheelwright and cabinetmaker, painstakingly made spinning
-  wheels, wagon wheels, looms, and sturdy furniture for the community.]
-
-  [Illustration: Residence of Isaac Golliher, who had the only root
-  cellar in the village.]
-
-  [Illustration: For three years Lincoln was postmaster at New Salem. In
-  this position he became well-acquainted with people for miles around.
-  It was here he began his lifelong habit of reading newspapers, through
-  which, in part, he learned to interpret public opinion. To supplement
-  his earnings as postmaster he did odd jobs, such as clerking in Hill’s
-  store, helping out at the mill or splitting rails.]
-
-  [Illustration: This was the home of Alexander Trent. When Lincoln
-  became postmaster he was required to furnish bond of five hundred
-  dollars. Alexander Trent was one of his bondsmen.]
-
-  [Illustration: Henry Onstat’s cabin and the cooperage where he made
-  barrels so much in demand by the community of New Salem.]
-
-  [Illustration: The cooperage was a busy place. There was always a
-  great pile of shavings in the fireplace. Lincoln often came to the
-  cooperage at night and by the glow of the burning shavings he studied
-  mathematics, literature and law.]
-
-  [Illustration: Across the road from the cooperage stood the double
-  cabin of Jack Kelso, philosopher and fisherman, and his
-  brother-in-law, Joshua Miller, the powerful village blacksmith.]
-
-  [Illustration: Lincoln was a frequent visitor to the Kelso cabin; he
-  and Jack often sat around the table and by the cheerful glow of the
-  fireplace, read and discussed Shakespeare, Blackstone and Burns. It
-  was Jack Kelso who introduced Lincoln to the classics of literature.]
-
-  [Illustration: Joshua Miller’s blacksmith shop was the busiest place
-  in town. The ring of his anvil was heard from morning until night
-  throughout the village as he shaped metal into oxen shoes, horseshoes
-  and farm implements.]
-
-  [Illustration: Lincoln, seeking an occupation that would afford him a
-  better living than odd jobs, considered becoming a blacksmith. For a
-  time his strong arms grappled with the chore, but he preferred lighter
-  work which allowed him more time for studying. He also had thoughts of
-  becoming a merchant.]
-
-  [Illustration: The limbs of the great oak tree still cast their
-  shadows across the Lincoln-Berry store. In fair weather, when
-  housewives were busy and sales were restricted to an occasional pound
-  of sugar or a piece of beeswax, Lincoln, barefoot, lay stretched out
-  under the oak tree, lost in a book.]
-
-  [Illustration: The Rutledge Tavern, where Lincoln courted Ann
-  Rutledge, stood across the road from the Lincoln-Berry store. While
-  waiting on a customer, or studying under the oak tree, he often paused
-  to watch her as she moved about the yard of the tavern.]
-
-  [Illustration: A burning candle in the tavern window welcomed whatever
-  wayfarer might be seeking food and lodging.]
-
-  [Illustration: The tavern was a pleasant and comfortable place. Every
-  day brought new guests to the dining room. For a time Lincoln lived at
-  the tavern; his wit and tall tales often made him the center of
-  interest.]
-
-  [Illustration: While residing at the tavern, Lincoln climbed the rungs
-  of a well-worn ladder to the loft, where he shared a bed with E. Y.
-  Ellis, who says that Lincoln’s wit and stories often kept the other
-  male guests in an uproar until late at night.]
-
-  [Illustration: The west room of the tavern accommodated the Rutledge
-  family and now and then an overnight lady guest.]
-
-  [Illustration: On Sunday evenings the Rutledge family and friends
-  gathered before the fireplace to listen to a sermon and to sing hymns.
-  Lincoln stood near Ann and turned the pages of her _Missouri Harmony
-  Song Book_.]
-
-  [Illustration: The betrothal of Ann Rutledge and Lincoln ended with
-  her untimely death. Ann’s brother said: “The effect upon Mr. Lincoln’s
-  mind was terrible. He became plunged in despair, and many of his
-  friends feared reason would desert her throne. His extraordinary
-  emotions were regarded as strong evidence of the existence of the
-  tenderest relations between himself and the deceased.”]
-
-  [Illustration: Lincoln, the ardent student, could be found pursuing
-  his studies in the most unusual places. Squire Godbey, seeing him
-  stretched out on a pile of wood, inquired: “What are you reading Abe?”
-  Lincoln replied: “I am not reading. I am studying Law.” “Law? Good God
-  A’mighty!” exclaimed the surprised squire as he walked away.]
-
-  [Illustration: The little subscription schoolhouse stands a half mile
-  south of the village near Purkapile “crick.” Schoolmaster Mentor
-  Graham was a constant stimulus to Lincoln and always ready to help and
-  encourage him. After the day’s routine had ended Lincoln often came to
-  the school so that the master might evaluate his progress.]
-
-  [Illustration: In 1834, Lincoln’s quest for knowledge and esteem was
-  rewarded. The citizens of Sangamon County sent the novice lawmaker to
-  the State Capitol at Vandalia, to take his seat in the Ninth General
-  Assembly of the Legislature of Illinois.]
-
-  [Illustration: In the Assembly, Lincoln said little, but observed
-  closely and learned much. He was among men of affairs, education and
-  political experience. He became floor leader of the Whigs and an
-  esteemed member of a political group known as the “Long Nine” who were
-  successful in having the State Capitol moved from Vandalia to
-  Springfield.]
-
-  [Illustration: In March of 1837, after having been admitted to the bar
-  in Illinois, Lincoln moved from New Salem to Springfield. For the next
-  twenty-five years the first State Capitol Building in Springfield
-  became the center of his many activities.]
-
-  [Illustration: The Postville Courthouse was on the “Old Eighth
-  Circuit.” In Lincoln’s day judges and lawyers rode horseback from one
-  county courthouse to another, so as to make a living by representing
-  the litigants in the suits to be heard. This was known as “riding the
-  circuit.”]
-
-  [Illustration: The Mount Pulaski Courthouse hasn’t changed much since
-  Lincoln practiced law here more than a hundred years ago.]
-
-  [Illustration: In the court and jury room Lincoln argued cases before
-  such distinguished judges as David Davis, who became a Justice of the
-  United States Supreme Court.]
-
-  [Illustration: During those inevitable moments of disturbance when the
-  courtroom became unruly, Judge Davis would sound this gavel calling
-  for order in the court.]
-
-  [Illustration: The Metamora Courthouse, dating from 1845, retains the
-  atmosphere of those rugged days when Lincoln and his colleagues came
-  here to plead for justice before the bar.]
-
-  [Illustration: At Metamora, Lincoln sat at this table. The “skirt” was
-  cut away to accommodate his long legs.]
-
-  [Illustration: The well-worn courthouse doorstep is evidence of one
-  court room visitor’s observations: “Court week is a general holiday.
-  Not only suitors, jurors and witnesses, but all who can spare the time
-  brush up their coats and brush down their horses to go to court.”]
-
-  [Illustration: An atmosphere of exultation pervaded the Metamora
-  courtroom when Lincoln was present. He was the most popular of all the
-  barristers who traveled the Eighth Circuit.]
-
-  [Illustration: The Old Cass County Courthouse in Beadstown, Illinois,
-  was the scene of the “Duff” Armstrong murder trial in which Lincoln
-  defended the son of “Aunt Hanna” Armstrong, who had befriended him
-  when he lived in New Salem. During the trial Lincoln proved, by
-  referring to an almanac, that the moon was not shining brightly at the
-  time of the murder. It is said that tears stood in Lincoln’s eyes as
-  he pleaded for the boy’s life and that the hardened pioneer jurymen
-  wept with him. Young Armstrong was acquitted.]
-
-  [Illustration: The courtroom.]
-
-  [Illustration: On the evening of July 29, 1858, Lincoln, Republican
-  Candidate for the United States Senate and the incumbent Democratic
-  Senator, Stephen A. Douglas, were guests at the Bryant Home. It was
-  here that the two politicians agreed to their seven debates.]
-
-  [Illustration: Lincoln occupied the chair below during the evening’s
-  discussion.]
-
-  [Illustration: On this table Douglas wrote a letter to Lincoln
-  confirming the schedule for seven debates.]
-
-  [Illustration: This memorial to the Lincoln-Douglas debates, at
-  Quincy, Illinois, stands as a symbol of Lincoln’s moral and spiritual
-  convictions. They enabled him to match wits with Stephen A. Douglas,
-  who was blind to the evils of slavery and deaf and dumb to those who
-  expressed a desire to abolish it.]
-
-  [Illustration: Lincoln had crossed the threshold of his greatest
-  ambition when he and his family became frequent visitors to the
-  Governor’s Mansion, where they mingled with the elite both politically
-  and socially. Lincoln’s name had been mentioned in the press as a
-  possible candidate for the Presidency.]
-
-  [Illustration: “The Rail Splitter.” Lincoln acquired this nickname
-  during the 1860 convention in Chicago, where he became known as “The
-  Rail Splitter” candidate for President of the United States.]
-
-  [Illustration: It was to this house, Lincoln’s Springfield residence,
-  that the appointed committee came on May 19, 1860 to notify “The Rail
-  Splitter” candidate of his nomination for the Presidency.]
-
-  [Illustration: One of the committeemen rang the front doorbell, which
-  has announced visitors to the Lincoln house for more than a hundred
-  years.]
-
-  [Illustration: “The Rail Splitter” himself opened the front door and
-  welcomed the committee into the entrance hall, where both the humble
-  and the great had always been welcome visitors.]
-
-  [Illustration: It was in the north parlor that the committee
-  spokesman, George Ashmun, delivered to Lincoln the letter which
-  confirmed his nomination, a copy of the Republican platform and a
-  short congratulatory speech. “The Rail Splitter” candidate stood tall
-  and dignified, a grave expression on his rugged countenance.]
-
-  [Illustration: The committee was introduced to Mrs. Lincoln in the
-  south parlor, where she served refreshments and water. Later “The Rail
-  Splitter” opined that the water seemed a sufficient stimulant.]
-
-  [Illustration: Mr. Lincoln’s favorite rocker.]
-
-  [Illustration: Mrs. Lincoln’s sewing rocker.]
-
-  [Illustration: When Mrs. Lincoln was entertaining friends, “Honest
-  Abe” often retired to the kitchen where he stretched out on the floor
-  to read a book or newspaper.]
-
-  [Illustration: It was a cold January day when Lincoln journeyed from
-  Springfield to this quaint little house near Charleston, Illinois, to
-  visit for the last time with his beloved stepmother, before leaving
-  for Washington and his inauguration.]
-
-  [Illustration: While sitting before the glowing fireplace, Lincoln and
-  his stepmother must have reminisced about those formidable days in the
-  forests of Indiana and the first few years on the prairies of
-  Illinois.]
-
-  [Illustration: “How slowly, and yet by happily prepared steps, he came
-  to his place,” said Emerson. This statue is in Chicago’s Lincoln Park.]
-
-  [Illustration: At the dedication of the memorial and tomb to the Great
-  Emancipator in Oak Ridge Cemetery, Springfield, Illinois, Governor
-  Richard Oglesby spoke these words: “And now under the gracious favor
-  of Almighty God, I dedicate this monument to the memory of the obscure
-  boy, the honest man, the illustrious statesman, the great liberator,
-  and the martyr President Abraham Lincoln, and to the keeping of Time.”]
-
-
-
-
-                          The LINCOLN COUNTRY:
-                              IN PICTURES
-                     _by Carl and Rosalie Frazier_
-
-
-Perhaps no man in American history has been viewed with such respect and
-reverence by the American people as has Abraham Lincoln. School children
-and scholars alike have been moved by the humanity of his deeply lined
-face, have marveled at his rise from poverty to the Presidency, have
-sorrowed anew at the tragedy of his death, have read his words and been
-unable to erase them from their memory. If there is one historic person
-most of us would like to know, it is Abraham Lincoln.
-
-Here—in these pages which recreate the world Lincoln knew as a child and
-a young man—the reader can come close to Lincoln. In these fine
-photographs, which carefully depict the familiar, everyday scenes of
-young Abe’s manhood, he can see Lincoln’s world as Lincoln saw it. As
-the authors say: “It was from this frontier atmosphere and these
-frontier people that Lincoln acquired his uncanny understanding of how
-common folk think and the wisdom that enabled him to hold in his hands
-the ties that bound a people and made a nation.”
-
-It is this atmosphere that the authors have captured in over 100
-photographs, and it is the rhythm of frontier life that they have caught
-in the factual simplicity of the text. Here is the farm in Kentucky
-where Lincoln was born; here are reconstructed the smithy, the tavern,
-the houses of New Salem, Illinois where Lincoln was a clerk, where he
-studied law, where he was elected to the state legislature. Here is the
-Springfield that Lincoln knew when he was first elected to Congress, the
-town where his sons were born, where in 1860 he learned that he was a
-candidate for the Presidency. This is Lincoln’s country. As the reader
-follows Lincoln through the pages of this book, he will feel suddenly
-close to the man who left such an indelible imprint on the history of
-this nation—and upon its people.
-
-
-CARL and ROSALIE FRAZIER live in Chicago, Illinois where they pursue
-their professions as artists and photographers. Their knowledge of
-Abraham Lincoln comes from their considerable and extensive research
-into Lincoln’s life and their many pilgrimages to those places where he
-lived in Kentucky, Indiana and Illinois.
-
-The Fraziers became interested in trying to capture through the lenses
-of their cameras that certain something which attracts visitors by the
-thousands to the Lincoln shrines every year. They hope this picture book
-will preserve, or at least refresh the memories of these observant
-visitors, and bring to those who may never have this opportunity a
-better mental picture of this benevolent man’s environment.
-
-
-                      HASTINGS HOUSE • PUBLISHERS
-                             _New York 22_
-
-  [Illustration: The Rutledge Tavern where Abraham Lincoln often stayed.
-  The well-worn ladder leads to his bed in the loft.]
-
-
-
-
-                          Transcriber’s Notes
-
-
---Copyright notice provided as in the original—this e-text is public
-  domain in the country of publication.
-
---Silently corrected palpable typos; left non-standard spellings and
-  dialect unchanged.
-
---Moved some captions closer to the corresponding pictures.
-
---In the text versions, delimited italicized text by _underscores_.
-
-
-
-
-
-
-
-End of the Project Gutenberg EBook of The Lincoln Country in Pictures, by 
-Carl Frazier and Rosalie Frazier
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE LINCOLN COUNTRY IN PICTURES ***
-
-***** This file should be named 56210-0.txt or 56210-0.zip *****
-This and all associated files of various formats will be found in:
-        http://www.gutenberg.org/5/6/2/1/56210/
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
-  This eBook is for the use of anyone anywhere in the United States and
-  most other parts of the world at no cost and with almost no
-  restrictions whatsoever. You may copy it, give it away or re-use it
-  under the terms of the Project Gutenberg License included with this
-  eBook or online at www.gutenberg.org. If you are not located in the
-  United States, you'll have to check the laws of the country where you
-  are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
-  the use of Project Gutenberg-tm works calculated using the method
-  you already use to calculate your applicable taxes. The fee is owed
-  to the owner of the Project Gutenberg-tm trademark, but he has
-  agreed to donate royalties under this paragraph to the Project
-  Gutenberg Literary Archive Foundation. Royalty payments must be paid
-  within 60 days following each date on which you prepare (or are
-  legally required to prepare) your periodic tax returns. Royalty
-  payments should be clearly marked as such and sent to the Project
-  Gutenberg Literary Archive Foundation at the address specified in
-  Section 4, "Information about donations to the Project Gutenberg
-  Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
-  you in writing (or by e-mail) within 30 days of receipt that s/he
-  does not agree to the terms of the full Project Gutenberg-tm
-  License. You must require such a user to return or destroy all
-  copies of the works possessed in a physical medium and discontinue
-  all use of and all access to other copies of Project Gutenberg-tm
-  works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
-  any money paid for a work or a replacement copy, if a defect in the
-  electronic work is discovered and reported to you within 90 days of
-  receipt of the work.
-
-* You comply with all other terms of this agreement for free
-  distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
-    Dr. Gregory B. Newby
-    Chief Executive and Director
-    gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/56210-0.zip b/old/56210-0.zip
deleted file mode 100644
index 2e5c4e8..0000000
--- a/old/56210-0.zip
+++ /dev/null
diff --git a/old/56210-8.txt b/old/56210-8.txt
deleted file mode 100644
index 58ab637..0000000
--- a/old/56210-8.txt
+++ /dev/null
@@ -1,1107 +0,0 @@
-The Project Gutenberg EBook of The Lincoln Country in Pictures, by 
-Carl Frazier and Rosalie Frazier
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever.  You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org.  If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: The Lincoln Country in Pictures
-
-Author: Carl Frazier
-        Rosalie Frazier
-
-Release Date: December 20, 2017 [EBook #56210]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE LINCOLN COUNTRY IN PICTURES ***
-
-
-
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-                       The Isaac Golliher house.
-
-  [Illustration: Split-rail fence.]
-
-
-
-
-                             _The_ LINCOLN
-                                COUNTRY
-                             _in Pictures_
-
-
-                      By CARL and ROSALIE FRAZIER
-
-  [Illustration: Ox-drawn wagon.]
-
-             HASTINGS HOUSE    _Publishers_    New York 22
-
-  [Illustration: The story of Abraham Lincoln is ever fresh. It appeals
-  to the imagination and grips the vision of many people in various
-  ways. Perhaps that is why millions of visitors make pilgrimages to the
-  humble abodes in which he lived and the places he frequented.
-                       _Photograph Courtesy Chicago Historical Society._]
-
-  [Illustration: "Every man is said to have his peculiar ambition.
-  Whether it be true or not, I can say for one that I have no other so
-  great as that of being truly esteemed by my fellow men, rendering
-  myself worthy of their esteem. How far I shall succeed in gratifying
-  this ambition, is yet to be developed."
-                          --_Address to Sangamon County, March 9, 1832._]
-
-             Copyright � 1963, by Carl and Rosalie Frazier
-
-      All rights reserved. No part of this book may be reproduced
-              without written permission of the publisher.
-
-                   Published simultaneously in Canada
-           by S. J. Reginald Saunders, Publishers, Toronto 2B
-
-           Library of Congress Catalog Card Number: 63-19173
-
-               _Printed in the United States of America_
-
-
-
-
-                                FOREWORD
-
-
-We know it is no longer possible to add anything new to the written word
-about Lincoln. The hundreds of historians who have attempted to write
-the life of the Great Emancipator have covered every facet of it.
-Therefore, we have chosen to present our story of a by-gone day in a
-series of camera impressions, hoping to arouse in our readers an
-emotional sense of "present being."
-
-We have done this for two reasons: first, because Lincoln's early
-frontier has achieved a factual and imaginative rebirth through loving
-care and painstaking efforts after having fallen into ruin for many
-years. Secondly, we believe as many historians do, that America owes
-much of the credit for its national character and institutions to the
-atmosphere of the early frontier. It was the appreciation of the role it
-played on the character of Lincoln that brought about the restoration of
-New Salem, Illinois, and those objects which were so closely associated
-with him. These objects are of special interest because it was among
-them that he moved slowly forward through a cycle of failures and
-successes before reaching the high place which destiny had reserved for
-him. No man in American history has started with so little and achieved
-so much.
-
-With a certain temerity then, we present our pictorial history of the
-environment in which Lincoln spent the most formative years of his life.
-It was from this frontier atmosphere and these frontier people that
-Lincoln acquired his uncanny understanding of how common folk think and
-the wisdom that enabled him to hold in his hands the ties that bound a
-people and made a nation.
-
-
-
-
-                _A Brief Chronology of Abraham Lincoln_
-
-
-  Feb. 12, 1809    Born on Sinking Spring Farm near Hodgenville, Kentucky.
-  1811 to 1816     The family, which included Abe's sister, Sarah, lived
-                   on Knob Creek near Hodgenville, Kentucky.
-  Nov. 1816        The family moved to Pigeon Creek in Indiana.
-  Oct. 5, 1818     Abe's mother died of "milk sickness."
-  Dec. 2, 1819     Thomas Lincoln married Sarah Bush Johnston, a widow
-                   with three children, from Elizabethtown, Kentucky.
-  Jan. 20, 1828    Sister Sarah died.
-  Mar. 1830        The Lincoln family moved from Indiana to Illinois.
-  Apr. 19, 1831    Offut's flatboat piloted by Lincoln got stuck on the
-                   dam at New Salem, Illinois.
-  Mar. 9, 1832     Announced candidacy for the Illinois Legislature.
-  May 8, 1832      Mustered into U.S. Army for service in Black Hawk War.
-  July 16, 1832    Mustered out of military service.
-  Aug. 6, 1832     Defeated for the Legislature.
-  May 7, 1833      Appointed postmaster at New Salem, Illinois.
-  Aug. 4, 1834     Elected to the Legislature.
-  Mar. 24, 1836    Sworn in as a lawyer of the Circuit Court of Sangamon
-                   County.
-  Aug. 1, 1836     Reelected to the Legislature for a second term.
-  Sept. 9, 1836    Licensed to practice law.
-  Mar. 1, 1837     Admitted to the bar in Illinois.
-  Mar. 15, 1837    Moved from New Salem to Springfield, Illinois.
-  Aug. 1, 1838     Reelected to the Legislature for a third term.
-  Dec. 3, 1839     Admitted to practice law in the Circuit Court of the
-                   United States.
-  Aug. 1, 1840     Reelected to the Legislature for a fourth term.
-  Nov. 4, 1842     Married Mary Todd of Lexington, Kentucky.
-  Aug. 1, 1843     First child, Robert Todd Lincoln, was born.
-  Jan. 7, 1844     Bought home in Springfield.
-  Mar. 10, 1846    Second child, Edward Baker Lincoln, was born.
-  Aug. 3, 1846     Elected to Congress.
-  Dec. 6, 1847     Took seat in Congress.
-  Mar. 7, 1849     Admitted to practice law before United States Supreme
-                   Court.
-  Feb. 1, 1850     Second child, Edward Baker Lincoln, died.
-  Dec. 21, 1850    Third child, William Wallace Lincoln, was born.
-  Jan. 17, 1851    Lincoln's father, Thomas, died.
-  Apr. 4, 1853     Fourth child, Thomas "Tad" Lincoln, was born.
-  June 16, 1858    Delivered "house divided" speech at Springfield.
-  Aug. 21, 1858    First debate, with Stephen A. Douglas at Ottawa,
-                   Illinois.
-  Aug. 27, 1858    Second debate, at Freeport, Illinois.
-  Sept. 15, 1858   Third debate, at Jonesboro, Illinois.
-  Sept. 18, 1858   Fourth debate, at Charleston, Illinois.
-  Oct. 7, 1858     Fifth debate, at Galesburg, Illinois.
-  Oct. 13, 1858    Sixth debate, at Quincy, Illinois.
-  Oct. 15, 1858    Seventh and last debate, at Alton, Illinois.
-  Nov. 2, 1858     Defeated by Douglas for the United States Senate.
-  Nov. 5, 1858     First mentioned in press for President.
-  May 18, 1860     Nominated for the Presidency.
-  Nov. 6, 1860     Elected President.
-  Jan. 31, 1861    Visited for the last time with his stepmother.
-  Mar. 4, 1861     Inaugurated as President.
-  Nov. 8, 1864     Reelected as President.
-  Mar. 4, 1865     Reinaugurated as President.
-  Apr. 14, 1865    Shot by Booth.
-  Apr. 15, 1865    Died in Washington.
-  May 4, 1865      Buried in Oak Ridge Cemetery, Springfield, Illinois.
-
-  [Illustration: It was from the faithful Sinking Spring, near
-  Hodgenville, Kentucky, that the farm of Lincoln's nativity got its
-  name.]
-
-  [Illustration: The branches of the Boundary Oak, a landmark for early
-  frontiersmen, still shelter the hallowed birthplace of the man who
-  went to school for perhaps a year, split rails in frontier clearings,
-  traveled the Eighth Circuit as a lawyer, became President of the
-  United States, freed the slaves, spoke the First and Second Inaugurals
-  and the Gettysburg Address.]
-
-  [Illustration: On February 12, 1809, a blizzard raged at Sinking
-  Spring Farm, near Hodgenville, Kentucky. The wind howled down the
-  chimney and through the cracks of the humble log cabin in which
-  Abraham Lincoln was born to Thomas and Nancy Lincoln. The proud
-  parents named the boy Abraham after his grandfather.]
-
-  [Illustration: When Abe was two years old, his father moved the family
-  to Knob Creek Farm where they lived until Abe was seven. The cabin lay
-  nestled in a valley surrounded by rolling hills and deep gorges. Here
-  Abe played with his friend, Austin Gollaher, gathered firewood from
-  the forest, wild berries from the vales, and for a short time attended
-  Mrs. Hodgen's "blab" school. Thomas Lincoln decided to move his family
-  across the Ohio River to live on Pigeon Creek in Indiana where the
-  soil was richer and there were no slaves.]
-
-  [Illustration: The Lincoln's erected a new log cabin on Pigeon Creek
-  in Indiana. For the next fourteen years they struggled with the almost
-  impossible odds of a bitter and treacherous wilderness. It was here
-  that Abe's mother died, and he helped his father lay her to rest in
-  the forest.]
-
-  [Illustration: In the little Log Schoolhouse near Pigeon Creek, in
-  Indiana, Abe managed to get a few scattered weeks of sporadic
-  schooling in readin' writin' and cipherin' to the rule of three.]
-
-  [Illustration: Abe did his homework by the light of the smouldering
-  fireplace. He would scrape his charcoal cipherin' from wooden boards
-  so as to use them over and over again.]
-
-  [Illustration: The Lincoln family often attended services in the
-  little Baptist Church that Abe helped his father to build, near Pigeon
-  Creek, in Indiana.]
-
-  [Illustration: This was the home of Josiah Crawford, a neighboring
-  farmer, where Abe alternated working and learning. Mr. Crawford had
-  several books which he lent Abe. When plowing, Abe read at the end of
-  each furrow while he stopped to allow his horse to "breathe."]
-
-  [Illustration: In Gentryville, not far from Pigeon Creek, Mr. Gentry,
-  a farmer and storekeeper lived in this two-story log mansion. At
-  times, when his father didn't need his help, Abe worked in Mr.
-  Gentry's store and on the farm. He helped Allen, Mr. Gentry's son,
-  build a flatboat, load it with store produce and float it down the
-  Ohio and Mississippi rivers to New Orleans.]
-
-  [Illustration: It was early spring of 1830 when the Lincoln's made the
-  long dismal journey from Indiana to the promising prairies of
-  Illinois. Their stout wagons were piled high with rough-hewn
-  furniture, feather beds, personal belongings, iron pots and pans.
-  There were plows for breaking the "prairie's sleeping sod" and tools
-  for building a new log cabin.]
-
-  [Illustration: This rustic abode was the last home of Thomas and Sarah
-  Lincoln. Abe, who was now past twenty-one, had left his parents to
-  seek his fortune on the bustling Illinois frontier.]
-
-  [Illustration: Timber lined the river's banks and crowned the rolling
-  hills.]
-
-  [Illustration: Historical marker.]
-
-
-                               NEW SALEM
-
-In the fall of 1828, James Rutledge and John Camron erected homes on
-this hill. The following year they built a grist and sawmill on the
-Sangamon River just below the hill, laid out the town of New Salem and
-began to sell lots. The mill became so popular that the town grew
-rapidly and flourished for several years although it never included more
-than one hundred inhabitants. With the founding and growth of
-Petersburg, two miles to the north and more accessibly located, its
-decline began. When the seat of the new County of Menard was located at
-Petersburg in 1839, New Salem quickly passed out of existence.
-
-Abraham Lincoln resided at New Salem from the summer of 1831 until the
-spring of 1837, supporting himself successively as clerk and mill hand,
-soldier in the Black Hawk War, storekeeper, postmaster and deputy
-surveyor. In 1832 he entered politics. Although defeated in his first
-campaign for the Legislature, he was elected a member of the House of
-Representatives in 1834 and again in 1836. Throughout his residence at
-New Salem, Lincoln strove to perfect his education, studying grammar,
-mathematics, and finally law. Upon his admission to the bar in March
-1837, he sought greater opportunities than New Salem offered, and so
-removed to Springfield.
-
-  [Illustration: It was on a pleasant April day that the flat-bottomed
-  boat, loaded with barrel pork, corn and live pigs, and piloted by
-  young Abe Lincoln, rounded a bend in the Sangamon River and came to
-  rest on top of the miller's dam that stretched out across the river.
-  The bow of the boat was raised high into the air. The squeals of the
-  frightened pigs brought the citizens of New Salem hurrying down the
-  bluff to the river bank.
-
-  This was Lincoln's introduction to the people of New Salem. Denton
-  Offut, a swaggering, boastful, hard-drinking frontiersman, was owner
-  of the boat. He became so impressed with the thriving little village
-  that he decided to return after the voyage to New Orleans, and open a
-  store with Lincoln as his clerk. The new store was opened the
-  following September.]
-
-  [Illustration: Lincoln helped fell the trees from which Offut's
-  one-room log store was erected. It stands on the bluff that leads down
-  to the grist mill and the river bank. It was the usual type of
-  frontier store, stocked with produce from the prairie farms or objects
-  made at home.
-
-  It was while working for Offut that Lincoln decided to improve his
-  education. In fair weather, when there were no customers about,
-  Lincoln could be seen lounging on the porch studying or talking with
-  friends about slavery, crops, politics, cockfighting, horse racing or
-  just telling stories to listening loafers.]
-
-  [Illustration: At the top of the bluff, among the tall oak trees,
-  stood the cabin of Rowen Herndon. Lincoln boarded here because it was
-  near the store.]
-
-  [Illustration: Bill Cleary's saloon stood a short distance down the
-  bluff from Offut's store. It was the hangout for Jack Armstrong, who
-  challenged Lincoln to a wrestling match. Even though the match ended
-  in a draw, it gave Lincoln the reputation for courage and strength
-  that convinced his associates that he "belonged."]
-
-  [Illustration: New Salem was a trading post for the farmers who
-  cultivated farms on the surrounding prairies. On Main Street there was
-  a cobbler, a hatter, a cooper, a blacksmith and wagon builder, a
-  wheelwright and several merchants.
-
-  These tradesmen had come to New Salem to help fill the needs felt by
-  everyone. At the height of its prosperity, New Salem had a population
-  of a hundred citizens and some twenty-five or thirty buildings.]
-
-  [Illustration: The buildings were made of logs, notched together at
-  the corners and chinked with native clay.]
-
-  [Illustration: Roofs were pitched and covered with clapboard shingles
-  called "shakes."]
-
-  [Illustration: Better homes in New Salem had chimneys made of stone.]
-
-  [Illustration: Most homes had "cat and clay" chimneys, made of logs
-  and chinked with native clay. On cold windy days members of the
-  household were kept busy running outside to see whether or not the
-  chimney had caught fire.]
-
-  [Illustration: New Salem homes had window panes made of glass.]
-
-  [Illustration: Windows were usually near the fireplace where family
-  activity was carried on.]
-
-  [Illustration: Over an open fire, in iron pots, frying pans and
-  skillets, housewives cooked venison stew, roasted pork and wild game,
-  fried mush, baked corn bread and corn dodgers to a golden brown and
-  often hard enough "to split a board or fell a deer at forty feet."]
-
-  [Illustration: Sturdy trestle tables served the pioneer family well.]
-
-  [Illustration: Pioneer women were especially proud of their chinaware.]
-
-  [Illustration: A Seth Thomas clock adorned the mantles of those who
-  were able to afford a touch of elegance.]
-
-  [Illustration: Housewives spun the wool from which they made garments
-  often stiff and too large, but suitable as garments to protect the
-  family from the elements.]
-
-  [Illustration: Beds were dressed with home-woven coverlets.]
-
-  [Illustration: Babies came in annual crops.]
-
-  [Illustration: Of the humble one-room log house the cooper's son
-  wrote: "At meal time it was all kitchen. On rainy days, when neighbors
-  came to relate their exploits, how many deer and wild turkey they had
-  killed, it was all sitting room. On Sunday, when the young men all
-  dressed up in their jeans, and the young ladies, in their best bow
-  dresses, it was all parlor. At night it was all bedroom."]
-
-  [Illustration: Outside, wood stacked high during the summer, dwindled
-  rapidly as the winter passed.]
-
-  [Illustration: From the ash hoppers, found in every backyard, lye was
-  leeched for use in making soap.]
-
-  [Illustration: Wells with windlass ropes and wooden buckets supplied
-  the household with needed water.]
-
-  [Illustration: Rain barrels caught the "soft" water that dripped from
-  the eaves. This water was used for the family washing.]
-
-  [Illustration: Samuel Hill, New Salem's most prosperous businessman,
-  owned the only four-room, two-story house in the village.]
-
-  [Illustration: The opulence reflected in the Hill residence was not
-  common to the homes of New Salem.]
-
-  [Illustration: Samuel Hill was also owner of the woolhouse and carding
-  machine. In spring, during wool shearing time, farmers brought their
-  wool to the warehouse in sacks, old bed quilts and petticoats, pinned
-  with thorns from the honey locust.]
-
-  [Illustration: The carding machine in action was New Salem's most
-  dramatic attraction. From dawn until darkness the weary treading of
-  oxen hoofs on the cleated treadmill powered the squeaking, moaning,
-  wooden gears of the carding machine.]
-
-  [Illustration: Samuel Hill and John McNeal owned the most successful
-  store in New Salem. It was the center of village life. Under its
-  protective porch people gathered to argue the questions of temperance,
-  travel and human slavery.]
-
-  [Illustration: Doctor John Allen lived across the road from the
-  Hill-McNeal store. Unconvinced of the virtue of quinine for treating
-  malaria fever, the doctor kept to such old remedies as Peruvian bark,
-  jalop, calomel and boneset tea.]
-
-  [Illustration: Peter Lukin, the cobbler, lived next door to Doctor
-  Allen. The cobbler shop was in the small lean-to. As winter approached
-  the cobbler converted piles of animal hides into shoes for the
-  community.]
-
-  [Illustration: Residence and office of Doctor Francis Regnier, Allen's
-  capable colleague, who purged, bled, blistered, puked, and salivated
-  his patients.]
-
-  [Illustration: The Doctor's medical laboratory and reference library.]
-
-  [Illustration: This was the home and workshop of Martin Waddell, the
-  village hatter. He made hats from opossum, raccoon and rabbit skins. A
-  rabbitskin hat cost fifty cents. A hat made from an opossum or raccoon
-  skin, with the tail hanging down in the back, cost two dollars.]
-
-  [Illustration: In this kettle Waddell prepared the skins from which he
-  made the hats.]
-
-  [Illustration: Residence of Isaac Burner. Very little is known about
-  the Burner family.]
-
-  [Illustration: A familiar sight on Main Street, New Salem.]
-
-  [Illustration: In the small lean-to in the rear of his cabin, Robert
-  Johnson, the wheelwright and cabinetmaker, painstakingly made spinning
-  wheels, wagon wheels, looms, and sturdy furniture for the community.]
-
-  [Illustration: Residence of Isaac Golliher, who had the only root
-  cellar in the village.]
-
-  [Illustration: For three years Lincoln was postmaster at New Salem. In
-  this position he became well-acquainted with people for miles around.
-  It was here he began his lifelong habit of reading newspapers, through
-  which, in part, he learned to interpret public opinion. To supplement
-  his earnings as postmaster he did odd jobs, such as clerking in Hill's
-  store, helping out at the mill or splitting rails.]
-
-  [Illustration: This was the home of Alexander Trent. When Lincoln
-  became postmaster he was required to furnish bond of five hundred
-  dollars. Alexander Trent was one of his bondsmen.]
-
-  [Illustration: Henry Onstat's cabin and the cooperage where he made
-  barrels so much in demand by the community of New Salem.]
-
-  [Illustration: The cooperage was a busy place. There was always a
-  great pile of shavings in the fireplace. Lincoln often came to the
-  cooperage at night and by the glow of the burning shavings he studied
-  mathematics, literature and law.]
-
-  [Illustration: Across the road from the cooperage stood the double
-  cabin of Jack Kelso, philosopher and fisherman, and his
-  brother-in-law, Joshua Miller, the powerful village blacksmith.]
-
-  [Illustration: Lincoln was a frequent visitor to the Kelso cabin; he
-  and Jack often sat around the table and by the cheerful glow of the
-  fireplace, read and discussed Shakespeare, Blackstone and Burns. It
-  was Jack Kelso who introduced Lincoln to the classics of literature.]
-
-  [Illustration: Joshua Miller's blacksmith shop was the busiest place
-  in town. The ring of his anvil was heard from morning until night
-  throughout the village as he shaped metal into oxen shoes, horseshoes
-  and farm implements.]
-
-  [Illustration: Lincoln, seeking an occupation that would afford him a
-  better living than odd jobs, considered becoming a blacksmith. For a
-  time his strong arms grappled with the chore, but he preferred lighter
-  work which allowed him more time for studying. He also had thoughts of
-  becoming a merchant.]
-
-  [Illustration: The limbs of the great oak tree still cast their
-  shadows across the Lincoln-Berry store. In fair weather, when
-  housewives were busy and sales were restricted to an occasional pound
-  of sugar or a piece of beeswax, Lincoln, barefoot, lay stretched out
-  under the oak tree, lost in a book.]
-
-  [Illustration: The Rutledge Tavern, where Lincoln courted Ann
-  Rutledge, stood across the road from the Lincoln-Berry store. While
-  waiting on a customer, or studying under the oak tree, he often paused
-  to watch her as she moved about the yard of the tavern.]
-
-  [Illustration: A burning candle in the tavern window welcomed whatever
-  wayfarer might be seeking food and lodging.]
-
-  [Illustration: The tavern was a pleasant and comfortable place. Every
-  day brought new guests to the dining room. For a time Lincoln lived at
-  the tavern; his wit and tall tales often made him the center of
-  interest.]
-
-  [Illustration: While residing at the tavern, Lincoln climbed the rungs
-  of a well-worn ladder to the loft, where he shared a bed with E. Y.
-  Ellis, who says that Lincoln's wit and stories often kept the other
-  male guests in an uproar until late at night.]
-
-  [Illustration: The west room of the tavern accommodated the Rutledge
-  family and now and then an overnight lady guest.]
-
-  [Illustration: On Sunday evenings the Rutledge family and friends
-  gathered before the fireplace to listen to a sermon and to sing hymns.
-  Lincoln stood near Ann and turned the pages of her _Missouri Harmony
-  Song Book_.]
-
-  [Illustration: The betrothal of Ann Rutledge and Lincoln ended with
-  her untimely death. Ann's brother said: "The effect upon Mr. Lincoln's
-  mind was terrible. He became plunged in despair, and many of his
-  friends feared reason would desert her throne. His extraordinary
-  emotions were regarded as strong evidence of the existence of the
-  tenderest relations between himself and the deceased."]
-
-  [Illustration: Lincoln, the ardent student, could be found pursuing
-  his studies in the most unusual places. Squire Godbey, seeing him
-  stretched out on a pile of wood, inquired: "What are you reading Abe?"
-  Lincoln replied: "I am not reading. I am studying Law." "Law? Good God
-  A'mighty!" exclaimed the surprised squire as he walked away.]
-
-  [Illustration: The little subscription schoolhouse stands a half mile
-  south of the village near Purkapile "crick." Schoolmaster Mentor
-  Graham was a constant stimulus to Lincoln and always ready to help and
-  encourage him. After the day's routine had ended Lincoln often came to
-  the school so that the master might evaluate his progress.]
-
-  [Illustration: In 1834, Lincoln's quest for knowledge and esteem was
-  rewarded. The citizens of Sangamon County sent the novice lawmaker to
-  the State Capitol at Vandalia, to take his seat in the Ninth General
-  Assembly of the Legislature of Illinois.]
-
-  [Illustration: In the Assembly, Lincoln said little, but observed
-  closely and learned much. He was among men of affairs, education and
-  political experience. He became floor leader of the Whigs and an
-  esteemed member of a political group known as the "Long Nine" who were
-  successful in having the State Capitol moved from Vandalia to
-  Springfield.]
-
-  [Illustration: In March of 1837, after having been admitted to the bar
-  in Illinois, Lincoln moved from New Salem to Springfield. For the next
-  twenty-five years the first State Capitol Building in Springfield
-  became the center of his many activities.]
-
-  [Illustration: The Postville Courthouse was on the "Old Eighth
-  Circuit." In Lincoln's day judges and lawyers rode horseback from one
-  county courthouse to another, so as to make a living by representing
-  the litigants in the suits to be heard. This was known as "riding the
-  circuit."]
-
-  [Illustration: The Mount Pulaski Courthouse hasn't changed much since
-  Lincoln practiced law here more than a hundred years ago.]
-
-  [Illustration: In the court and jury room Lincoln argued cases before
-  such distinguished judges as David Davis, who became a Justice of the
-  United States Supreme Court.]
-
-  [Illustration: During those inevitable moments of disturbance when the
-  courtroom became unruly, Judge Davis would sound this gavel calling
-  for order in the court.]
-
-  [Illustration: The Metamora Courthouse, dating from 1845, retains the
-  atmosphere of those rugged days when Lincoln and his colleagues came
-  here to plead for justice before the bar.]
-
-  [Illustration: At Metamora, Lincoln sat at this table. The "skirt" was
-  cut away to accommodate his long legs.]
-
-  [Illustration: The well-worn courthouse doorstep is evidence of one
-  court room visitor's observations: "Court week is a general holiday.
-  Not only suitors, jurors and witnesses, but all who can spare the time
-  brush up their coats and brush down their horses to go to court."]
-
-  [Illustration: An atmosphere of exultation pervaded the Metamora
-  courtroom when Lincoln was present. He was the most popular of all the
-  barristers who traveled the Eighth Circuit.]
-
-  [Illustration: The Old Cass County Courthouse in Beadstown, Illinois,
-  was the scene of the "Duff" Armstrong murder trial in which Lincoln
-  defended the son of "Aunt Hanna" Armstrong, who had befriended him
-  when he lived in New Salem. During the trial Lincoln proved, by
-  referring to an almanac, that the moon was not shining brightly at the
-  time of the murder. It is said that tears stood in Lincoln's eyes as
-  he pleaded for the boy's life and that the hardened pioneer jurymen
-  wept with him. Young Armstrong was acquitted.]
-
-  [Illustration: The courtroom.]
-
-  [Illustration: On the evening of July 29, 1858, Lincoln, Republican
-  Candidate for the United States Senate and the incumbent Democratic
-  Senator, Stephen A. Douglas, were guests at the Bryant Home. It was
-  here that the two politicians agreed to their seven debates.]
-
-  [Illustration: Lincoln occupied the chair below during the evening's
-  discussion.]
-
-  [Illustration: On this table Douglas wrote a letter to Lincoln
-  confirming the schedule for seven debates.]
-
-  [Illustration: This memorial to the Lincoln-Douglas debates, at
-  Quincy, Illinois, stands as a symbol of Lincoln's moral and spiritual
-  convictions. They enabled him to match wits with Stephen A. Douglas,
-  who was blind to the evils of slavery and deaf and dumb to those who
-  expressed a desire to abolish it.]
-
-  [Illustration: Lincoln had crossed the threshold of his greatest
-  ambition when he and his family became frequent visitors to the
-  Governor's Mansion, where they mingled with the elite both politically
-  and socially. Lincoln's name had been mentioned in the press as a
-  possible candidate for the Presidency.]
-
-  [Illustration: "The Rail Splitter." Lincoln acquired this nickname
-  during the 1860 convention in Chicago, where he became known as "The
-  Rail Splitter" candidate for President of the United States.]
-
-  [Illustration: It was to this house, Lincoln's Springfield residence,
-  that the appointed committee came on May 19, 1860 to notify "The Rail
-  Splitter" candidate of his nomination for the Presidency.]
-
-  [Illustration: One of the committeemen rang the front doorbell, which
-  has announced visitors to the Lincoln house for more than a hundred
-  years.]
-
-  [Illustration: "The Rail Splitter" himself opened the front door and
-  welcomed the committee into the entrance hall, where both the humble
-  and the great had always been welcome visitors.]
-
-  [Illustration: It was in the north parlor that the committee
-  spokesman, George Ashmun, delivered to Lincoln the letter which
-  confirmed his nomination, a copy of the Republican platform and a
-  short congratulatory speech. "The Rail Splitter" candidate stood tall
-  and dignified, a grave expression on his rugged countenance.]
-
-  [Illustration: The committee was introduced to Mrs. Lincoln in the
-  south parlor, where she served refreshments and water. Later "The Rail
-  Splitter" opined that the water seemed a sufficient stimulant.]
-
-  [Illustration: Mr. Lincoln's favorite rocker.]
-
-  [Illustration: Mrs. Lincoln's sewing rocker.]
-
-  [Illustration: When Mrs. Lincoln was entertaining friends, "Honest
-  Abe" often retired to the kitchen where he stretched out on the floor
-  to read a book or newspaper.]
-
-  [Illustration: It was a cold January day when Lincoln journeyed from
-  Springfield to this quaint little house near Charleston, Illinois, to
-  visit for the last time with his beloved stepmother, before leaving
-  for Washington and his inauguration.]
-
-  [Illustration: While sitting before the glowing fireplace, Lincoln and
-  his stepmother must have reminisced about those formidable days in the
-  forests of Indiana and the first few years on the prairies of
-  Illinois.]
-
-  [Illustration: "How slowly, and yet by happily prepared steps, he came
-  to his place," said Emerson. This statue is in Chicago's Lincoln Park.]
-
-  [Illustration: At the dedication of the memorial and tomb to the Great
-  Emancipator in Oak Ridge Cemetery, Springfield, Illinois, Governor
-  Richard Oglesby spoke these words: "And now under the gracious favor
-  of Almighty God, I dedicate this monument to the memory of the obscure
-  boy, the honest man, the illustrious statesman, the great liberator,
-  and the martyr President Abraham Lincoln, and to the keeping of Time."]
-
-
-
-
-                          The LINCOLN COUNTRY:
-                              IN PICTURES
-                     _by Carl and Rosalie Frazier_
-
-
-Perhaps no man in American history has been viewed with such respect and
-reverence by the American people as has Abraham Lincoln. School children
-and scholars alike have been moved by the humanity of his deeply lined
-face, have marveled at his rise from poverty to the Presidency, have
-sorrowed anew at the tragedy of his death, have read his words and been
-unable to erase them from their memory. If there is one historic person
-most of us would like to know, it is Abraham Lincoln.
-
-Here--in these pages which recreate the world Lincoln knew as a child
-and a young man--the reader can come close to Lincoln. In these fine
-photographs, which carefully depict the familiar, everyday scenes of
-young Abe's manhood, he can see Lincoln's world as Lincoln saw it. As
-the authors say: "It was from this frontier atmosphere and these
-frontier people that Lincoln acquired his uncanny understanding of how
-common folk think and the wisdom that enabled him to hold in his hands
-the ties that bound a people and made a nation."
-
-It is this atmosphere that the authors have captured in over 100
-photographs, and it is the rhythm of frontier life that they have caught
-in the factual simplicity of the text. Here is the farm in Kentucky
-where Lincoln was born; here are reconstructed the smithy, the tavern,
-the houses of New Salem, Illinois where Lincoln was a clerk, where he
-studied law, where he was elected to the state legislature. Here is the
-Springfield that Lincoln knew when he was first elected to Congress, the
-town where his sons were born, where in 1860 he learned that he was a
-candidate for the Presidency. This is Lincoln's country. As the reader
-follows Lincoln through the pages of this book, he will feel suddenly
-close to the man who left such an indelible imprint on the history of
-this nation--and upon its people.
-
-
-CARL and ROSALIE FRAZIER live in Chicago, Illinois where they pursue
-their professions as artists and photographers. Their knowledge of
-Abraham Lincoln comes from their considerable and extensive research
-into Lincoln's life and their many pilgrimages to those places where he
-lived in Kentucky, Indiana and Illinois.
-
-The Fraziers became interested in trying to capture through the lenses
-of their cameras that certain something which attracts visitors by the
-thousands to the Lincoln shrines every year. They hope this picture book
-will preserve, or at least refresh the memories of these observant
-visitors, and bring to those who may never have this opportunity a
-better mental picture of this benevolent man's environment.
-
-
-                      HASTINGS HOUSE � PUBLISHERS
-                             _New York 22_
-
-  [Illustration: The Rutledge Tavern where Abraham Lincoln often stayed.
-  The well-worn ladder leads to his bed in the loft.]
-
-
-
-
-                          Transcriber's Notes
-
-
---Copyright notice provided as in the original--this e-text is public
-  domain in the country of publication.
-
---Silently corrected palpable typos; left non-standard spellings and
-  dialect unchanged.
-
---Moved some captions closer to the corresponding pictures.
-
---In the text versions, delimited italicized text by _underscores_.
-
-
-
-
-
-
-
-End of the Project Gutenberg EBook of The Lincoln Country in Pictures, by 
-Carl Frazier and Rosalie Frazier
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE LINCOLN COUNTRY IN PICTURES ***
-
-***** This file should be named 56210-8.txt or 56210-8.zip *****
-This and all associated files of various formats will be found in:
-        http://www.gutenberg.org/5/6/2/1/56210/
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
-  This eBook is for the use of anyone anywhere in the United States and
-  most other parts of the world at no cost and with almost no
-  restrictions whatsoever. You may copy it, give it away or re-use it
-  under the terms of the Project Gutenberg License included with this
-  eBook or online at www.gutenberg.org. If you are not located in the
-  United States, you'll have to check the laws of the country where you
-  are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
-  the use of Project Gutenberg-tm works calculated using the method
-  you already use to calculate your applicable taxes. The fee is owed
-  to the owner of the Project Gutenberg-tm trademark, but he has
-  agreed to donate royalties under this paragraph to the Project
-  Gutenberg Literary Archive Foundation. Royalty payments must be paid
-  within 60 days following each date on which you prepare (or are
-  legally required to prepare) your periodic tax returns. Royalty
-  payments should be clearly marked as such and sent to the Project
-  Gutenberg Literary Archive Foundation at the address specified in
-  Section 4, "Information about donations to the Project Gutenberg
-  Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
-  you in writing (or by e-mail) within 30 days of receipt that s/he
-  does not agree to the terms of the full Project Gutenberg-tm
-  License. You must require such a user to return or destroy all
-  copies of the works possessed in a physical medium and discontinue
-  all use of and all access to other copies of Project Gutenberg-tm
-  works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
-  any money paid for a work or a replacement copy, if a defect in the
-  electronic work is discovered and reported to you within 90 days of
-  receipt of the work.
-
-* You comply with all other terms of this agreement for free
-  distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
-    Dr. Gregory B. Newby
-    Chief Executive and Director
-    gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/56210-8.zip b/old/56210-8.zip
deleted file mode 100644
index ce22c79..0000000
--- a/old/56210-8.zip
+++ /dev/null
diff --git a/old/56210-h.zip b/old/56210-h.zip
deleted file mode 100644
index 8d78021..0000000
--- a/old/56210-h.zip
+++ /dev/null
diff --git a/old/56210-h/56210-h.htm b/old/56210-h/56210-h.htm
deleted file mode 100644
index d9c68ff..0000000
--- a/old/56210-h/56210-h.htm
+++ /dev/null
@@ -1,1636 +0,0 @@
-<?xml version="1.0" encoding="utf-8"?>
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
-<head>
-<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
-<meta http-equiv="Content-Style-Type" content="text/css" />
-<meta name="viewport" content="width=device-width, initial-scale=1.0" />
-<title>The Lincoln Country in Pictures, by Carl and Rosalie Frazier: a Project Gutenberg eBook</title>
-<meta name="author" content="Carl and Rosalie Frazier" />
-<meta name="pss.pubdate" content="1963" />
-<link rel="schema.DC" href="http://dublincore.org/documents/1998/09/dces/" />
-<meta name="DC.Title" content="The Lincoln Country in Pictures" />
-<meta name="DC.Language" content="en" />
-<meta name="DC.Format" content="text/html" />
-<meta name="DC.Created" content="1963" />
-<meta name="DC.Creator" content="Carl and Rosalie Frazier (****-****)" />
-<style type="text/css">
-body { margin-right:4em; margin-left:4em; }
-blockquote { margin-right:0; margin-left:0; }
-
-table.header       { margin-right:auto; margin-left:auto; clear:both; }
-table.header tr td { font-weight:bold;  font-size:110%; }
-table.header img   { margin-bottom:1em; }
-table { margin-right:auto; margin-left:auto; }
-
-h1  { text-align:center; clear:both; }
-h2  { text-align:center; clear:both; margin-top:2em; margin-bottom:1.5em; }
-h3  { text-align:center; clear:both; font-family:sans-serif; margin-top:1.5em; margin-bottom:.5em; font-size:100%; }
-h4  { text-align:center; clear:both; }
-
-.large    { font-size:125%; }
-.small    { font-size:90%; }
-.smaller  { font-size:75%; }
-.sc       { font-variant:small-caps; font-style: normal; }
-.hst      { margin-left:2em; }
-td  { vertical-align:top; }
-.l  { text-align:left;   }
-.c  { text-align:center; }
-.r  { text-align:right;  }
-.b  { font-weight:bold;  }
-.u  { text-decoration:underline; }
-.ss { font-family:sans-serif; font-weight:bold; }
-.gs { letter-spacing:1.5em; }
-.jr1 { text-align:right; }
-
-.w100 { margin-left:0; width:100%; margin-top:0em; margin-bottom:0em; border-bottom:medium double black; }
-hr    { width:40%; margin-left:30%; }
-
-div.img  { margin-left:auto; margin-right:auto; text-align:center; clear:both; margin-top:1.5em; }
-div.head { margin-bottom:2em; }
-
-p          { text-align:justify; text-indent:1.5em; margin-top:0; margin-bottom:0; }
-p.center    { text-align:center; text-indent:0; margin-top:1em; margin-bottom:1em; clear:both; }
-p.tbcenter  { text-align:center; text-indent:0; margin-top:2em; margin-bottom:1em; clear:both; }
-p.caption  { text-align:justify; text-indent:0; margin-top:0; margin-bottom:1em;
-             margin-right:auto; margin-left:auto; max-width:30em; }
-p.caphead, p.capbody  { text-align:justify; text-indent:0; margin-top:0; margin-bottom:1em;
-             margin-right:auto; margin-left:auto; max-width:30em; }
-p.capbodyxx  { text-align:justify; text-indent:0; margin-top:0; margin-bottom:1em; margin-left:2em; margin-right:2em; font-size:90%; font-style:italic; }
-p.capcenter { text-align:center; text-indent:0; margin-top:0; margin-bottom:1em; margin-left:2em; margin-right:2em; font-size:90%; font-style:italic; }
-.caption .verse { font-size:90%; font-style:italic; margin-top:0; }
-.caption .verse .t0 { margin-left:7em; }
-div.caption { margin-bottom:1.5em; }
-p.author  { text-align:center; text-indent:0; margin-top:0; margin-bottom:1em; font-weight:bold; font-size:90%; }
-p.source, blockquote p  { text-indent:-1em; margin-left:1em; margin-top:2em; margin-bottom:1em; font-size:90%; }
-
-p.lr, div.lr, span.lr { display:block; text-indent:0; margin-left:0em; margin-right:1em; margin-top:0; margin-bottom:0; text-align:right; }
-.center, .tbcenter       { text-align:center; clear:both; }                  /* TEXTUAL MARKUP */
-span.center              { display:block; }
-p.tb                     { margin-top:1.5em; }
-
-                                              /* TOCILL */
-.tocl dt { text-align:right; clear:both; }
-.tocl dt a { text-align:left; float:left; display:inline-block; }
-                                              /* PAGE BREAKS */
-span.pb, div.pb, dt.pb, p.pb  { text-align:right; float:right; margin-right:0em; clear:right; }
-div.pb { display:inline; }
-.pb, dt.pb, dl.toc dt.pb, dl.tocl dt.pb, .index dt.pb
-       { text-align:right; float:right; margin-left: 1.5em;
-         margin-top:.5em; margin-bottom:.5em; display:inline; text-indent:0;
-         font-size:80%; font-style:normal; font-weight:bold;
-         color:gray; border:1px solid gray;padding:1px 3px; }
-div.index .pb  { display:block; }
-.bq  div.pb, .bq span.pb  { font-size:90%; margin-right:2em; }
-
-                                              /* INDEX */
-.index dt { text-align:right; clear:both; }
-.index dt span.jl  { text-align:left; float:left; }
-.index dt.center { text-align:center; }
-                                              /* VERSE */
-.verse    { text-align:left; margin-top:1em; margin-bottom:1em; margin-left:0em; }
-p.t0, p.l { margin-left:4em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.lb                 { margin-left:4em;  text-indent:-3em; margin-top:2em; margin-bottom:0; text-align:left; }
-p.tw, div.tw, .tw    { margin-left:1em;  text-indent:-1em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t,  div.t,  .t     { margin-left:5em;  text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t2,  div.t2,  .t2  { margin-left:6em;  text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t3,  div.t3,  .t3  { margin-left:7em;  text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t4,  div.t4,  .t4  { margin-left:8em;  text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t5,  div.t5,  .t5  { margin-left:9em;  text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t6,  div.t6,  .t6  { margin-left:10em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t7,  div.t7,  .t7  { margin-left:11em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t8,  div.t8,  .t8  { margin-left:12em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t9,  div.t9,  .t9  { margin-left:13em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t10, div.t10,.t10  { margin-left:14em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t11, div.t11,.t11  { margin-left:15em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t12, div.t12,.t12  { margin-left:16em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t13, div.t13,.t13  { margin-left:17em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t14, div.t14,.t14  { margin-left:18em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t15, div.t15,.t15  { margin-left:19em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-
-.fnblock   { margin-top:2em; }
-.fndef     { text-align:justify; margin-top:1.5em; margin-left:1.5em; text-indent:-1.5em; }
-.fndef p.fncont, .fndef dl { margin-left:0em; text-indent:0em; }
-sup, a.fn { font-size:75%; vertical-align:100%; line-height:50%; font-weight:normal; }
-h2   a.fn { font-size:50%; vertical-align:120%; font-weight:normal; }
-h3   a.fn { font-size:50%; font-weight:normal; }
-dl.biblio dt { margin-left:4em; text-indent:-4em; text-align:justify; }
-
-dl.toc dt     { margin-left:1em; text-indent:-1em; }
-dl.toc dd     { margin-left:3em; text-indent:-1em; }
-dl.toc dd.ddt { margin-left:5em; text-indent:-1em; }
-
-dl.dlblock dt  { margin-top:1em;  margin-bottom:.5em; text-align:justify; }
-dl.dlblock dd  { margin-top:.5em; margin-bottom:.5em; text-align:justify; margin-left:0em; }
-
-dl.undent dt  { margin-top:0em; margin-bottom:0em; }
-
-.ab, .abl {
-font-weight:bold; text-decoration:none;
-border-style:solid; border-color:gray; border-width:1px;
-margin-right:0px; margin-top:5px;
-display:inline-block; text-align:center; }
-.ab { width:1em; }
-</style>
-</head>
-<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of The Lincoln Country in Pictures, by 
-Carl Frazier and Rosalie Frazier
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever.  You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org.  If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: The Lincoln Country in Pictures
-
-Author: Carl Frazier
-        Rosalie Frazier
-
-Release Date: December 20, 2017 [EBook #56210]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE LINCOLN COUNTRY IN PICTURES ***
-
-
-
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-</pre>
-
-<div id="cover" class="img">
-<img id="coverpage" src="images/cover.jpg" alt="The Lincoln Country in Pictures" width="500" height="687" />
-</div>
-<p class="caption">The Isaac Golliher house.</p>
-<div class="img" id="fig1">
-<img src="images/p01.jpg" alt="Split-rail fence." width="713" height="1000" />
-</div>
-<div class="box">
-<h1><i>The</i> LINCOLN
-<br />COUNTRY
-<br /><i>in Pictures</i></h1>
-<p class="center">By CARL and ROSALIE FRAZIER</p>
-<div class="img" id="fig2">
-<img src="images/p02a.jpg" alt="Ox-drawn wagon." width="800" height="644" />
-</div>
-<p class="center">HASTINGS HOUSE<span class="hst"> <i>Publishers</i></span> <span class="hst">New York 22</span></p>
-</div>
-<div class="img" id="fig3">
-<img src="images/p02b.jpg" alt="" width="670" height="800" />
-<div class="caption">
-<p class="caphead">The story of Abraham Lincoln is ever fresh. It appeals to the imagination and
-grips the vision of many people in various ways. Perhaps that is why millions of
-visitors make pilgrimages to the humble abodes in which he lived and the places
-he frequented.
-<span class="lr"><i>Photograph Courtesy Chicago Historical Society.</i></span></p>
-</div></div>
-<div class="pb" id="Page_4">4</div>
-<div class="img" id="fig4">
-<img src="images/p03.jpg" alt="" width="600" height="544" />
-<div class="caption">
-<p class="caphead">&ldquo;Every man is said to have his peculiar ambition. Whether it be true or not, I
-can say for one that I have no other so great as that of being truly esteemed by
-my fellow men, rendering myself worthy of their esteem. How far I shall succeed
-in gratifying this ambition, is yet to be developed.&rdquo;
-<span class="lr">&mdash;<i>Address to Sangamon County, March 9, 1832.</i></span></p>
-</div></div>
-<p class="center">Copyright &copy; 1963, by Carl and Rosalie Frazier</p>
-<p class="center">All rights reserved. No part of this book may be reproduced
-<br />without written permission of the publisher.</p>
-<p class="center">Published simultaneously in Canada
-<br />by S. J. Reginald Saunders, Publishers, Toronto 2B</p>
-<p class="center">Library of Congress Catalog Card Number: 63-19173</p>
-<p class="center"><i>Printed in the United States of America</i></p>
-<div class="pb" id="Page_5">5</div>
-<h2 id="c1">FOREWORD</h2>
-<p>We know it is no longer possible to add anything new to the written word
-about Lincoln. The hundreds of historians who have attempted to write
-the life of the Great Emancipator have covered every facet of it. Therefore, we
-have chosen to present our story of a by-gone day in a series of camera impressions,
-hoping to arouse in our readers an emotional sense of &ldquo;present being.&rdquo;</p>
-<p>We have done this for two reasons: first, because Lincoln&rsquo;s early frontier
-has achieved a factual and imaginative rebirth through loving care and painstaking
-efforts after having fallen into ruin for many years. Secondly, we believe
-as many historians do, that America owes much of the credit for its national
-character and institutions to the atmosphere of the early frontier. It was the
-appreciation of the role it played on the character of Lincoln that brought about
-the restoration of New Salem, Illinois, and those objects which were so closely
-associated with him. These objects are of special interest because it was among
-them that he moved slowly forward through a cycle of failures and successes
-before reaching the high place which destiny had reserved for him. No man in
-American history has started with so little and achieved so much.</p>
-<p>With a certain temerity then, we present our pictorial history of the environment
-in which Lincoln spent the most formative years of his life. It was from
-this frontier atmosphere and these frontier people that Lincoln acquired his uncanny
-understanding of how common folk think and the wisdom that enabled
-him to hold in his hands the ties that bound a people and made a nation.</p>
-<div class="pb" id="Page_6">6</div>
-<h2 id="c2"><i>A Brief Chronology of Abraham Lincoln</i></h2>
-<table class="center" summary="">
-<tr><td class="l">Feb. 12, 1809 </td><td class="l">Born on Sinking Spring Farm near Hodgenville, Kentucky.</td></tr>
-<tr><td class="l">1811 to 1816 </td><td class="l">The family, which included Abe&rsquo;s sister, Sarah, lived on Knob Creek near Hodgenville, Kentucky.</td></tr>
-<tr><td class="l">Nov. 1816 </td><td class="l">The family moved to Pigeon Creek in Indiana.</td></tr>
-<tr><td class="l">Oct. 5, 1818 </td><td class="l">Abe&rsquo;s mother died of &ldquo;milk sickness.&rdquo;</td></tr>
-<tr><td class="l">Dec. 2, 1819 </td><td class="l">Thomas Lincoln married Sarah Bush Johnston, a widow with three children, from Elizabethtown, Kentucky.</td></tr>
-<tr><td class="l">Jan. 20, 1828 </td><td class="l">Sister Sarah died.</td></tr>
-<tr><td class="l">Mar. 1830 </td><td class="l">The Lincoln family moved from Indiana to Illinois.</td></tr>
-<tr><td class="l">Apr. 19, 1831 </td><td class="l">Offut&rsquo;s flatboat piloted by Lincoln got stuck on the dam at New Salem, Illinois.</td></tr>
-<tr><td class="l">Mar. 9, 1832 </td><td class="l">Announced candidacy for the Illinois Legislature.</td></tr>
-<tr><td class="l">May 8, 1832 </td><td class="l">Mustered into U.S. Army for service in Black Hawk War.</td></tr>
-<tr><td class="l">July 16, 1832 </td><td class="l">Mustered out of military service.</td></tr>
-<tr><td class="l">Aug. 6, 1832 </td><td class="l">Defeated for the Legislature.</td></tr>
-<tr><td class="l">May 7, 1833 </td><td class="l">Appointed postmaster at New Salem, Illinois.</td></tr>
-<tr><td class="l">Aug. 4, 1834 </td><td class="l">Elected to the Legislature.</td></tr>
-<tr><td class="l">Mar. 24, 1836 </td><td class="l">Sworn in as a lawyer of the Circuit Court of Sangamon County.</td></tr>
-<tr><td class="l">Aug. 1, 1836 </td><td class="l">Reelected to the Legislature for a second term.</td></tr>
-<tr><td class="l">Sept. 9, 1836 </td><td class="l">Licensed to practice law.</td></tr>
-<tr><td class="l">Mar. 1, 1837 </td><td class="l">Admitted to the bar in Illinois.</td></tr>
-<tr><td class="l">Mar. 15, 1837 </td><td class="l">Moved from New Salem to Springfield, Illinois.</td></tr>
-<tr><td class="l">Aug. 1, 1838 </td><td class="l">Reelected to the Legislature for a third term.</td></tr>
-<tr><td class="l">Dec. 3, 1839 </td><td class="l">Admitted to practice law in the Circuit Court of the United States.</td></tr>
-<tr><td class="l">Aug. 1, 1840 </td><td class="l">Reelected to the Legislature for a fourth term.</td></tr>
-<tr><td class="l">Nov. 4, 1842 </td><td class="l">Married Mary Todd of Lexington, Kentucky.</td></tr>
-<tr><td class="l">Aug. 1, 1843 </td><td class="l">First child, Robert Todd Lincoln, was born.</td></tr>
-<tr class="pbtr"><td colspan="2">
-</td></tr>
-<tr><td class="l">Jan. 7, 1844 </td><td class="l">Bought home in Springfield.</td></tr>
-<tr><td class="l">Mar. 10, 1846 </td><td class="l">Second child, Edward Baker Lincoln, was born.</td></tr>
-<tr><td class="l">Aug. 3, 1846 </td><td class="l">Elected to Congress.</td></tr>
-<tr><td class="l">Dec. 6, 1847 </td><td class="l">Took seat in Congress.</td></tr>
-<tr><td class="l">Mar. 7, 1849 </td><td class="l">Admitted to practice law before United States Supreme Court.</td></tr>
-<tr><td class="l">Feb. 1, 1850 </td><td class="l">Second child, Edward Baker Lincoln, died.</td></tr>
-<tr><td class="l">Dec. 21, 1850 </td><td class="l">Third child, William Wallace Lincoln, was born.</td></tr>
-<tr><td class="l">Jan. 17, 1851 </td><td class="l">Lincoln&rsquo;s father, Thomas, died.</td></tr>
-<tr><td class="l">Apr. 4, 1853 </td><td class="l">Fourth child, Thomas &ldquo;Tad&rdquo; Lincoln, was born.</td></tr>
-<tr><td class="l">June 16, 1858 </td><td class="l">Delivered &ldquo;house divided&rdquo; speech at Springfield.</td></tr>
-<tr><td class="l">Aug. 21, 1858 </td><td class="l">First debate, with Stephen A. Douglas at Ottawa, Illinois.</td></tr>
-<tr><td class="l">Aug. 27, 1858 </td><td class="l">Second debate, at Freeport, Illinois.</td></tr>
-<tr><td class="l">Sept. 15, 1858 </td><td class="l">Third debate, at Jonesboro, Illinois.</td></tr>
-<tr><td class="l">Sept. 18, 1858 </td><td class="l">Fourth debate, at Charleston, Illinois.</td></tr>
-<tr><td class="l">Oct. 7, 1858 </td><td class="l">Fifth debate, at Galesburg, Illinois.</td></tr>
-<tr><td class="l">Oct. 13, 1858 </td><td class="l">Sixth debate, at Quincy, Illinois.</td></tr>
-<tr><td class="l">Oct. 15, 1858 </td><td class="l">Seventh and last debate, at Alton, Illinois.</td></tr>
-<tr><td class="l">Nov. 2, 1858 </td><td class="l">Defeated by Douglas for the United States Senate.</td></tr>
-<tr><td class="l">Nov. 5, 1858 </td><td class="l">First mentioned in press for President.</td></tr>
-<tr><td class="l">May 18, 1860 </td><td class="l">Nominated for the Presidency.</td></tr>
-<tr><td class="l">Nov. 6, 1860 </td><td class="l">Elected President.</td></tr>
-<tr><td class="l">Jan. 31, 1861 </td><td class="l">Visited for the last time with his stepmother.</td></tr>
-<tr><td class="l">Mar. 4, 1861 </td><td class="l">Inaugurated as President.</td></tr>
-<tr><td class="l">Nov. 8, 1864 </td><td class="l">Reelected as President.</td></tr>
-<tr><td class="l">Mar. 4, 1865 </td><td class="l">Reinaugurated as President.</td></tr>
-<tr><td class="l">Apr. 14, 1865 </td><td class="l">Shot by Booth.</td></tr>
-<tr><td class="l">Apr. 15, 1865 </td><td class="l">Died in Washington.</td></tr>
-<tr><td class="l">May 4, 1865 </td><td class="l">Buried in Oak Ridge Cemetery, Springfield, Illinois.</td></tr>
-</table>
-<div class="pb" id="Page_8">8</div>
-<div class="img" id="fig5">
-<img src="images/p04.jpg" alt="" width="600" height="800" />
-<div class="caption">
-<p class="caphead">It was from the faithful Sinking Spring, near Hodgenville, Kentucky, that the
-farm of Lincoln&rsquo;s nativity got its name.</p>
-</div></div>
-<div class="pb" id="Page_9">9</div>
-<div class="img" id="fig6">
-<img src="images/p04a.jpg" alt="" width="633" height="800" />
-<div class="caption">
-<p class="caphead">The branches of the Boundary Oak, a landmark for early frontiersmen, still
-shelter the hallowed birthplace of the man who went to school for perhaps a
-year, split rails in frontier clearings, traveled the Eighth Circuit as a lawyer,
-became President of the United States, freed the slaves, spoke the First and Second
-Inaugurals and the Gettysburg Address.</p>
-</div></div>
-<div class="pb" id="Page_10">10</div>
-<div class="img" id="fig7">
-<img src="images/p05.jpg" alt="" width="672" height="800" />
-<div class="caption">
-<p class="caphead">On February 12, 1809, a blizzard raged at Sinking Spring Farm, near Hodgenville,
-Kentucky. The wind howled down the chimney and through the cracks of
-the humble log cabin in which Abraham Lincoln was born to Thomas and Nancy
-Lincoln. The proud parents named the boy Abraham after his grandfather.</p>
-</div></div>
-<div class="pb" id="Page_11">11</div>
-<div class="img" id="fig8">
-<img src="images/p05a.jpg" alt="" width="700" height="785" />
-<div class="caption">
-<p class="caphead">When Abe was two years old, his father moved the family to Knob Creek Farm
-where they lived until Abe was seven. The cabin lay nestled in a valley surrounded
-by rolling hills and deep gorges. Here Abe played with his friend,
-Austin Gollaher, gathered firewood from the forest, wild berries from the vales,
-and for a short time attended Mrs. Hodgen&rsquo;s &ldquo;blab&rdquo; school. Thomas Lincoln
-decided to move his family across the Ohio River to live on Pigeon Creek in
-Indiana where the soil was richer and there were no slaves.</p>
-</div></div>
-<div class="pb" id="Page_12">12</div>
-<div class="img" id="fig9">
-<img src="images/p06.jpg" alt="" width="1000" height="692" />
-<div class="caption">
-<p class="caphead">The Lincoln&rsquo;s erected a new log cabin on Pigeon Creek in Indiana. For the next
-fourteen years they struggled with the almost impossible odds of a bitter and
-treacherous wilderness. It was here that Abe&rsquo;s mother died, and he helped his
-father lay her to rest in the forest.</p>
-</div></div>
-<div class="pb" id="Page_14">14</div>
-<div class="img" id="fig10">
-<img src="images/p07.jpg" alt="" width="632" height="800" />
-<div class="caption">
-<p class="caphead">In the little Log Schoolhouse near Pigeon Creek, in Indiana, Abe managed to
-get a few scattered weeks of sporadic schooling in readin&rsquo; writin&rsquo; and cipherin&rsquo;
-to the rule of three.</p>
-</div></div>
-<div class="pb" id="Page_15">15</div>
-<div class="img" id="fig11">
-<img src="images/p07a.jpg" alt="" width="633" height="801" />
-<div class="caption">
-<p class="caphead">Abe did his homework by the light of the smouldering fireplace. He would
-scrape his charcoal cipherin&rsquo; from wooden boards so as to use them over and
-over again.</p>
-</div></div>
-<div class="pb" id="Page_16">16</div>
-<div class="img" id="fig12">
-<img src="images/p08.jpg" alt="" width="607" height="800" />
-<div class="caption">
-<p class="caphead">The Lincoln family often attended services in the little Baptist Church that Abe
-helped his father to build, near Pigeon Creek, in Indiana.</p>
-</div></div>
-<div class="pb" id="Page_17">17</div>
-<div class="img" id="fig13">
-<img src="images/p08a.jpg" alt="" width="645" height="799" />
-<div class="caption">
-<p class="caphead">This was the home of Josiah Crawford, a neighboring farmer, where Abe alternated
-working and learning. Mr. Crawford had several books which he lent Abe.
-When plowing, Abe read at the end of each furrow while he stopped to allow
-his horse to &ldquo;breathe.&rdquo;</p>
-</div></div>
-<div class="pb" id="Page_18">18</div>
-<div class="img" id="fig14">
-<img src="images/p09.jpg" alt="" width="693" height="800" />
-<div class="caption">
-<p class="caphead">In Gentryville, not far from Pigeon Creek, Mr. Gentry, a farmer and storekeeper
-lived in this two-story log mansion. At times, when his father didn&rsquo;t need his
-help, Abe worked in Mr. Gentry&rsquo;s store and on the farm. He helped Allen, Mr.
-Gentry&rsquo;s son, build a flatboat, load it with store produce and float it down the
-Ohio and Mississippi rivers to New Orleans.</p>
-</div></div>
-<div class="pb" id="Page_19">19</div>
-<div class="img" id="fig15">
-<img src="images/p09a.jpg" alt="" width="678" height="800" />
-<div class="caption">
-<p class="caphead">It was early spring of 1830 when the Lincoln&rsquo;s made the long dismal journey
-from Indiana to the promising prairies of Illinois. Their stout wagons were piled
-high with rough-hewn furniture, feather beds, personal belongings, iron pots
-and pans. There were plows for breaking the &ldquo;prairie&rsquo;s sleeping sod&rdquo; and tools
-for building a new log cabin.</p>
-</div></div>
-<div class="pb" id="Page_20">20</div>
-<div class="img" id="fig16">
-<img src="images/p10.jpg" alt="" width="1000" height="693" />
-<div class="caption">
-<p class="caphead">This rustic abode was the last home of Thomas and Sarah Lincoln. Abe, who
-was now past twenty-one, had left his parents to seek his fortune on the bustling
-Illinois frontier.</p>
-</div></div>
-<div class="pb" id="Page_22">22</div>
-<div class="img" id="fig17">
-<img src="images/p11.jpg" alt="" width="595" height="800" />
-<div class="caption">
-<p class="caphead">Timber lined the river&rsquo;s banks and crowned the rolling hills.</p>
-</div></div>
-<div class="pb" id="Page_23">23</div>
-<div class="img" id="fig18">
-<img src="images/p11a.jpg" alt="Historical marker." width="568" height="800" />
-</div>
-<h3 id="c3">NEW SALEM</h3>
-<p>In the fall of 1828, James Rutledge and John Camron
-erected homes on this hill. The following year
-they built a grist and sawmill on the Sangamon River
-just below the hill, laid out the town of New Salem
-and began to sell lots. The mill became so popular that the
-town grew rapidly and flourished for several years although
-it never included more than one hundred inhabitants. With
-the founding and growth of Petersburg, two miles to the north
-and more accessibly located, its decline began. When the seat
-of the new County of Menard was located at Petersburg in
-1839, New Salem quickly passed out of existence.</p>
-<p>Abraham Lincoln resided at New Salem from the
-summer of 1831 until the spring of 1837, supporting himself
-successively as clerk and mill hand, soldier in the Black Hawk
-War, storekeeper, postmaster and deputy surveyor. In 1832 he
-entered politics. Although defeated in his first campaign for
-the Legislature, he was elected a member of the House of
-Representatives in 1834 and again in 1836. Throughout his
-residence at New Salem, Lincoln strove to perfect his education,
-studying grammar, mathematics, and finally law. Upon his
-admission to the bar in March 1837, he sought greater opportunities
-than New Salem offered, and so removed to Springfield.</p>
-<div class="pb" id="Page_24">24</div>
-<div class="img" id="fig19">
-<img src="images/p12.jpg" alt="" width="1000" height="696" />
-<div class="caption">
-<p class="caphead">It was on a pleasant April day that the flat-bottomed boat, loaded with barrel
-pork, corn and live pigs, and piloted by young Abe Lincoln, rounded a bend in
-the Sangamon River and came to rest on top of the miller&rsquo;s dam that stretched
-out across the river. The bow of the boat was raised high into the air. The
-squeals of the frightened pigs brought the citizens of New Salem hurrying down
-the bluff to the river bank.</p>
-<p class="capbody">This was Lincoln&rsquo;s introduction to the people of New Salem. Denton Offut, a
-swaggering, boastful, hard-drinking frontiersman, was owner of the boat. He
-became so impressed with the thriving little village that he decided to return
-after the voyage to New Orleans, and open a store with Lincoln as his clerk.
-The new store was opened the following September.</p>
-</div></div>
-<div class="pb" id="Page_26">26</div>
-<div class="img" id="fig20">
-<img src="images/p13.jpg" alt="" width="1000" height="692" />
-<div class="caption">
-<p class="caphead">Lincoln helped fell the trees from which Offut&rsquo;s one-room log store was erected.
-It stands on the bluff that leads down to the grist mill and the river bank. It
-was the usual type of frontier store, stocked with produce from the prairie farms
-or objects made at home.</p>
-<p class="capbody">It was while working for Offut that Lincoln decided to improve his education.
-In fair weather, when there were no customers about, Lincoln could be seen
-lounging on the porch studying or talking with friends about slavery, crops,
-politics, cockfighting, horse racing or just telling stories to listening loafers.</p>
-</div></div>
-<div class="pb" id="Page_28">28</div>
-<div class="img" id="fig21">
-<img src="images/p14.jpg" alt="" width="617" height="800" />
-<div class="caption">
-<p class="caphead">At the top of the bluff, among the tall oak trees, stood the cabin of Rowen
-Herndon. Lincoln boarded here because it was near the store.</p>
-</div></div>
-<div class="pb" id="Page_29">29</div>
-<div class="img" id="fig22">
-<img src="images/p14a.jpg" alt="" width="656" height="799" />
-<div class="caption">
-<p class="caphead">Bill Cleary&rsquo;s saloon stood a short distance down the bluff from Offut&rsquo;s store. It
-was the hangout for Jack Armstrong, who challenged Lincoln to a wrestling
-match. Even though the match ended in a draw, it gave Lincoln the reputation
-for courage and strength that convinced his associates that he &ldquo;belonged.&rdquo;</p>
-</div></div>
-<div class="pb" id="Page_30">30</div>
-<div class="img" id="fig23">
-<img src="images/p15.jpg" alt="" width="1000" height="694" />
-<div class="caption">
-<p class="caphead">New Salem was a trading post for the farmers who cultivated farms on the surrounding
-prairies. On Main Street there was a cobbler, a hatter, a cooper, a
-blacksmith and wagon builder, a wheelwright and several merchants.</p>
-<p class="capbody">These tradesmen had come to New Salem to help fill the needs felt by everyone.
-At the height of its prosperity, New Salem had a population of a hundred citizens
-and some twenty-five or thirty buildings.</p>
-</div></div>
-<div class="pb" id="Page_32">32</div>
-<div class="img" id="fig24">
-<img src="images/p16.jpg" alt="" width="700" height="706" />
-<div class="caption">
-<p class="caphead">The buildings were made of logs, notched
-together at the corners and chinked with native clay.</p>
-</div></div>
-<div class="img" id="fig25">
-<img src="images/p16a.jpg" alt="" width="700" height="679" />
-<div class="caption">
-<p class="caphead">Roofs were pitched and covered with
-clapboard shingles called &ldquo;shakes.&rdquo;</p>
-</div></div>
-<div class="pb" id="Page_33">33</div>
-<div class="img" id="fig26">
-<img src="images/p16b.jpg" alt="" width="700" height="669" />
-<div class="caption">
-<p class="caphead">Better homes in New Salem had chimneys
-made of stone.</p>
-</div></div>
-<div class="img" id="fig27">
-<img src="images/p16c.jpg" alt="" width="700" height="702" />
-<div class="caption">
-<p class="caphead">Most homes had &ldquo;cat and clay&rdquo; chimneys,
-made of logs and chinked with native clay. On cold windy
-days members of the household were kept busy running outside
-to see whether or not the chimney had caught fire.</p>
-</div></div>
-<div class="pb" id="Page_34">34</div>
-<div class="img" id="fig28">
-<img src="images/p17.jpg" alt="" width="700" height="681" />
-<div class="caption">
-<p class="caphead">New Salem homes
-had window panes
-made of glass.</p>
-</div></div>
-<div class="img" id="fig29">
-<img src="images/p17a.jpg" alt="" width="700" height="683" />
-<div class="caption">
-<p class="caphead">Windows were usually
-near the fireplace
-where family activity
-was carried on.</p>
-</div></div>
-<div class="pb" id="Page_35">35</div>
-<div class="img" id="fig30">
-<img src="images/p17b.jpg" alt="" width="656" height="800" />
-<div class="caption">
-<p class="caphead">Over an open fire, in iron pots, frying pans and skillets, housewives cooked
-venison stew, roasted pork and wild game, fried mush, baked corn bread and
-corn dodgers to a golden brown and often hard enough &ldquo;to split a board or fell
-a deer at forty feet.&rdquo;</p>
-</div></div>
-<div class="pb" id="Page_36">36</div>
-<div class="img" id="fig31">
-<img src="images/p18.jpg" alt="" width="600" height="597" />
-<div class="caption">
-<p class="caphead">Sturdy trestle tables
-served the pioneer
-family well.</p>
-</div></div>
-<div class="img" id="fig32">
-<img src="images/p18a.jpg" alt="" width="598" height="588" />
-<div class="caption">
-<p class="caphead">Pioneer women were
-especially proud of
-their chinaware.</p>
-</div></div>
-<div class="pb" id="Page_37">37</div>
-<div class="img" id="fig33">
-<img src="images/p18b.jpg" alt="" width="700" height="691" />
-<div class="caption">
-<p class="caphead">A Seth Thomas clock
-adorned the mantles
-of those who were
-able to afford a touch
-of elegance.</p>
-</div></div>
-<div class="img" id="fig34">
-<img src="images/p18c.jpg" alt="" width="700" height="685" />
-<div class="caption">
-<p class="caphead">Housewives spun the
-wool from which
-they made garments
-often stiff and too
-large, but suitable as
-garments to protect
-the family from the
-elements.</p>
-</div></div>
-<div class="pb" id="Page_38">38</div>
-<div class="img" id="fig35">
-<img src="images/p19.jpg" alt="" width="600" height="587" />
-<div class="caption">
-<p class="caphead">Beds were dressed
-with home-woven
-coverlets.</p>
-</div></div>
-<div class="img" id="fig36">
-<img src="images/p19a.jpg" alt="" width="600" height="589" />
-<div class="caption">
-<p class="caphead">Babies came in annual
-crops.</p>
-</div></div>
-<div class="pb" id="Page_39">39</div>
-<div class="img" id="fig37">
-<img src="images/p19b.jpg" alt="" width="678" height="800" />
-<div class="caption">
-<p class="caphead">Of the humble one-room log house the cooper&rsquo;s son wrote: &ldquo;At meal time it was
-all kitchen. On rainy days, when neighbors came to relate their exploits, how
-many deer and wild turkey they had killed, it was all sitting room. On Sunday,
-when the young men all dressed up in their jeans, and the young ladies, in their
-best bow dresses, it was all parlor. At night it was all bedroom.&rdquo;</p>
-</div></div>
-<div class="pb" id="Page_40">40</div>
-<div class="img" id="fig38">
-<img src="images/p20.jpg" alt="" width="700" height="702" />
-<div class="caption">
-<p class="caphead">Outside, wood stacked
-high during the summer,
-dwindled rapidly
-as the winter passed.</p>
-</div></div>
-<div class="img" id="fig39">
-<img src="images/p20a.jpg" alt="" width="700" height="712" />
-<div class="caption">
-<p class="caphead">From the ash hoppers,
-found in every
-backyard, lye was
-leeched for use in
-making soap.</p>
-</div></div>
-<div class="pb" id="Page_41">41</div>
-<div class="img" id="fig40">
-<img src="images/p20b.jpg" alt="" width="700" height="713" />
-<div class="caption">
-<p class="caphead">Wells with windlass
-ropes and wooden
-buckets supplied the
-household with needed
-water.</p>
-</div></div>
-<div class="img" id="fig41">
-<img src="images/p20c.jpg" alt="" width="700" height="716" />
-<div class="caption">
-<p class="caphead">Rain barrels caught
-the &ldquo;soft&rdquo; water that
-dripped from the
-eaves. This water was
-used for the family
-washing.</p>
-</div></div>
-<div class="pb" id="Page_42">42</div>
-<div class="img" id="fig42">
-<img src="images/p21.jpg" alt="" width="667" height="800" />
-<div class="caption">
-<p class="caphead">Samuel Hill, New Salem&rsquo;s most prosperous businessman, owned the only four-room,
-two-story house in the village.</p>
-</div></div>
-<div class="pb" id="Page_43">43</div>
-<div class="img" id="fig43">
-<img src="images/p21a.jpg" alt="" width="664" height="800" />
-<div class="caption">
-<p class="caphead">The opulence reflected in the Hill residence was not common to the homes of
-New Salem.</p>
-</div></div>
-<div class="pb" id="Page_44">44</div>
-<div class="img" id="fig44">
-<img src="images/p22.jpg" alt="" width="643" height="801" />
-<div class="caption">
-<p class="caphead">Samuel Hill was also owner of the woolhouse and carding machine. In spring,
-during wool shearing time, farmers brought their wool to the warehouse in
-sacks, old bed quilts and petticoats, pinned with thorns from the honey locust.</p>
-</div></div>
-<div class="pb" id="Page_45">45</div>
-<div class="img" id="fig45">
-<img src="images/p22a.jpg" alt="" width="633" height="800" />
-<div class="caption">
-<p class="caphead">The carding machine in action was New Salem&rsquo;s most dramatic attraction. From
-dawn until darkness the weary treading of oxen hoofs on the cleated treadmill
-powered the squeaking, moaning, wooden gears of the carding machine.</p>
-</div></div>
-<div class="pb" id="Page_46">46</div>
-<div class="img" id="fig46">
-<img src="images/p23.jpg" alt="" width="640" height="800" />
-<div class="caption">
-<p class="caphead">Samuel Hill and John McNeal owned the most successful store in New Salem.
-It was the center of village life. Under its protective porch people gathered to
-argue the questions of temperance, travel and human slavery.</p>
-</div></div>
-<div class="pb" id="Page_47">47</div>
-<div class="img" id="fig47">
-<img src="images/p23a.jpg" alt="" width="642" height="800" />
-<div class="caption">
-<p class="caphead">Doctor John Allen lived across the road from the Hill-McNeal store. Unconvinced
-of the virtue of quinine for treating malaria fever, the doctor kept to such
-old remedies as Peruvian bark, jalop, calomel and boneset tea.</p>
-</div></div>
-<div class="pb" id="Page_48">48</div>
-<div class="img" id="fig48">
-<img src="images/p24.jpg" alt="" width="633" height="801" />
-<div class="caption">
-<p class="caphead">Peter Lukin, the cobbler, lived next door to Doctor Allen. The cobbler shop was
-in the small lean-to. As winter approached the cobbler converted piles of animal
-hides into shoes for the community.</p>
-</div></div>
-<div class="pb" id="Page_49">49</div>
-<div class="img" id="fig49">
-<img src="images/p24a.jpg" alt="" width="800" height="609" />
-<div class="caption">
-<p class="caphead">Residence and office
-of Doctor Francis
-Regnier, Allen&rsquo;s capable
-colleague, who
-purged, bled, blistered,
-puked, and salivated
-his patients.</p>
-</div></div>
-<div class="img" id="fig50">
-<img src="images/p24b.jpg" alt="" width="700" height="683" />
-<div class="caption">
-<p class="caphead">The Doctor&rsquo;s medical
-laboratory and reference
-library.</p>
-</div></div>
-<div class="pb" id="Page_50">50</div>
-<div class="img" id="fig51">
-<img src="images/p25.jpg" alt="" width="800" height="503" />
-<div class="caption">
-<p class="caphead">This was the home and workshop of Martin Waddell, the village hatter. He
-made hats from opossum, raccoon and rabbit skins. A rabbitskin hat cost fifty
-cents. A hat made from an opossum or raccoon skin, with the tail hanging down
-in the back, cost two dollars.</p>
-</div></div>
-<div class="img" id="fig52">
-<img src="images/p25a.jpg" alt="" width="600" height="496" />
-<div class="caption">
-<p class="caphead">In this kettle Waddell
-prepared the
-skins from which he
-made the hats.</p>
-</div></div>
-<div class="pb" id="Page_51">51</div>
-<div class="img" id="fig53">
-<img src="images/p25b.jpg" alt="" width="800" height="529" />
-<div class="caption">
-<p class="caphead">Residence of Isaac Burner. Very little is known about the Burner family.</p>
-</div></div>
-<div class="img" id="fig54">
-<img src="images/p25c.jpg" alt="" width="800" height="430" />
-<div class="caption">
-<p class="caphead">A familiar sight on Main Street, New Salem.</p>
-</div></div>
-<div class="pb" id="Page_52">52</div>
-<div class="img" id="fig55">
-<img src="images/p26.jpg" alt="" width="788" height="1000" />
-<div class="caption">
-<p class="caphead">In the small lean-to in the rear of his cabin, Robert Johnson, the wheelwright
-and cabinetmaker, painstakingly made spinning wheels, wagon wheels, looms,
-and sturdy furniture for the community.</p>
-</div></div>
-<div class="pb" id="Page_53">53</div>
-<div class="img" id="fig56">
-<img src="images/p26a.jpg" alt="" width="600" height="800" />
-<div class="caption">
-<p class="caphead">Residence of Isaac Golliher, who had the only root cellar in the village.</p>
-</div></div>
-<div class="pb" id="Page_54">54</div>
-<div class="img" id="fig57">
-<img src="images/p27.jpg" alt="" width="665" height="800" />
-<div class="caption">
-<p class="caphead">For three years Lincoln was postmaster at New Salem. In this position he became
-well-acquainted with people for miles around. It was here he began his
-lifelong habit of reading newspapers, through which, in part, he learned to
-interpret public opinion. To supplement his earnings as postmaster he did odd
-jobs, such as clerking in Hill&rsquo;s store, helping out at the mill or splitting rails.</p>
-</div></div>
-<div class="pb" id="Page_55">55</div>
-<div class="img" id="fig58">
-<img src="images/p27a.jpg" alt="" width="630" height="800" />
-<div class="caption">
-<p class="caphead">This was the home of Alexander Trent. When Lincoln became postmaster he
-was required to furnish bond of five hundred dollars. Alexander Trent was one
-of his bondsmen.</p>
-</div></div>
-<div class="pb" id="Page_56">56</div>
-<div class="img" id="fig59">
-<img src="images/p28.jpg" alt="" width="727" height="800" />
-<div class="caption">
-<p class="caphead">Henry Onstat&rsquo;s cabin and the cooperage where he made barrels so much in demand
-by the community of New Salem.</p>
-</div></div>
-<div class="pb" id="Page_57">57</div>
-<div class="img" id="fig60">
-<img src="images/p28a.jpg" alt="" width="671" height="800" />
-<div class="caption">
-<p class="caphead">The cooperage was a busy place. There was always a great pile of shavings in
-the fireplace. Lincoln often came to the cooperage at night and by the glow of
-the burning shavings he studied mathematics, literature and law.</p>
-</div></div>
-<div class="pb" id="Page_58">58</div>
-<div class="img" id="fig61">
-<img src="images/p29.jpg" alt="" width="640" height="800" />
-<div class="caption">
-<p class="caphead">Across the road from the cooperage stood the double cabin of Jack Kelso, philosopher
-and fisherman, and his brother-in-law, Joshua Miller, the powerful village
-blacksmith.</p>
-</div></div>
-<div class="pb" id="Page_59">59</div>
-<div class="img" id="fig62">
-<img src="images/p29a.jpg" alt="" width="646" height="796" />
-<div class="caption">
-<p class="caphead">Lincoln was a frequent visitor to the Kelso cabin; he and Jack often sat around
-the table and by the cheerful glow of the fireplace, read and discussed Shakespeare,
-Blackstone and Burns. It was Jack Kelso who introduced Lincoln to the
-classics of literature.</p>
-</div></div>
-<div class="pb" id="Page_60">60</div>
-<div class="img" id="fig63">
-<img src="images/p30.jpg" alt="" width="648" height="800" />
-<div class="caption">
-<p class="caphead">Joshua Miller&rsquo;s blacksmith shop was the busiest place in town. The ring of his
-anvil was heard from morning until night throughout the village as he shaped
-metal into oxen shoes, horseshoes and farm implements.</p>
-</div></div>
-<div class="pb" id="Page_61">61</div>
-<div class="img" id="fig64">
-<img src="images/p30a.jpg" alt="" width="661" height="800" />
-<div class="caption">
-<p class="caphead">Lincoln, seeking an occupation that would afford him a better living than odd
-jobs, considered becoming a blacksmith. For a time his strong arms grappled
-with the chore, but he preferred lighter work which allowed him more time for
-studying. He also had thoughts of becoming a merchant.</p>
-</div></div>
-<div class="pb" id="Page_62">62</div>
-<div class="img" id="fig65">
-<img src="images/p31.jpg" alt="" width="1000" height="694" />
-<div class="caption">
-<p class="caphead">The limbs of the great oak tree still cast their shadows across the Lincoln-Berry
-store. In fair weather, when housewives were busy and sales were restricted to
-an occasional pound of sugar or a piece of beeswax, Lincoln, barefoot, lay
-stretched out under the oak tree, lost in a book.</p>
-</div></div>
-<div class="pb" id="Page_64">64</div>
-<div class="img" id="fig66">
-<img src="images/p32.jpg" alt="" width="800" height="491" />
-<div class="caption">
-<p class="caphead">The Rutledge Tavern, where Lincoln courted Ann Rutledge, stood across the
-road from the Lincoln-Berry store. While waiting on a customer, or studying
-under the oak tree, he often paused to watch her as she moved about the yard of
-the tavern.</p>
-</div></div>
-<div class="img" id="fig67">
-<img src="images/p32a.jpg" alt="" width="700" height="682" />
-<div class="caption">
-<p class="caphead">A burning candle in
-the tavern window
-welcomed whatever
-wayfarer might be
-seeking food and
-lodging.</p>
-</div></div>
-<div class="pb" id="Page_65">65</div>
-<div class="img" id="fig68">
-<img src="images/p32b.jpg" alt="" width="639" height="800" />
-<div class="caption">
-<p class="caphead">The tavern was a pleasant and comfortable place. Every day brought new guests
-to the dining room. For a time Lincoln lived at the tavern; his wit and tall tales
-often made him the center of interest.</p>
-</div></div>
-<div class="pb" id="Page_66">66</div>
-<div class="img" id="fig69">
-<img src="images/p33.jpg" alt="" width="642" height="800" />
-<div class="caption">
-<p class="caphead">While residing at the tavern, Lincoln climbed the rungs of a well-worn ladder to
-the loft, where he shared a bed with E. Y. Ellis, who says that Lincoln&rsquo;s wit and
-stories often kept the other male guests in an uproar until late at night.</p>
-</div></div>
-<div class="pb" id="Page_67">67</div>
-<div class="img" id="fig70">
-<img src="images/p33a.jpg" alt="" width="625" height="800" />
-<div class="caption">
-<p class="caphead">The west room of the tavern accommodated the Rutledge family and now and
-then an overnight lady guest.</p>
-</div></div>
-<div class="pb" id="Page_68">68</div>
-<div class="img" id="fig71">
-<img src="images/p34.jpg" alt="" width="640" height="800" />
-<div class="caption">
-<p class="caphead">On Sunday evenings the Rutledge family and friends gathered before the fireplace
-to listen to a sermon and to sing hymns. Lincoln stood near Ann and
-turned the pages of her <i>Missouri Harmony Song Book</i>.</p>
-</div></div>
-<div class="pb" id="Page_69">69</div>
-<div class="img" id="fig72">
-<img src="images/p34a.jpg" alt="" width="669" height="800" />
-<div class="caption">
-<p class="caphead">The betrothal of Ann Rutledge and Lincoln ended with her untimely death.
-Ann&rsquo;s brother said: &ldquo;The effect upon Mr. Lincoln&rsquo;s mind was terrible. He became
-plunged in despair, and many of his friends feared reason would desert her
-throne. His extraordinary emotions were regarded as strong evidence of the
-existence of the tenderest relations between himself and the deceased.&rdquo;</p>
-</div></div>
-<div class="pb" id="Page_70">70</div>
-<div class="img" id="fig73">
-<img src="images/p35.jpg" alt="" width="675" height="800" />
-<div class="caption">
-<p class="caphead">Lincoln, the ardent student, could be found pursuing his studies in the most
-unusual places. Squire Godbey, seeing him stretched out on a pile of wood, inquired:
-&ldquo;What are you reading Abe?&rdquo; Lincoln replied: &ldquo;I am not reading. I am
-studying Law.&rdquo; &ldquo;Law? Good God A&rsquo;mighty!&rdquo; exclaimed the surprised squire as
-he walked away.</p>
-</div></div>
-<div class="pb" id="Page_71">71</div>
-<div class="img" id="fig74">
-<img src="images/p35a.jpg" alt="" width="673" height="800" />
-<div class="caption">
-<p class="caphead">The little subscription schoolhouse stands a half mile south of the village near
-Purkapile &ldquo;crick.&rdquo; Schoolmaster Mentor Graham was a constant stimulus to
-Lincoln and always ready to help and encourage him. After the day&rsquo;s routine
-had ended Lincoln often came to the school so that the master might evaluate
-his progress.</p>
-</div></div>
-<div class="pb" id="Page_72">72</div>
-<div class="img" id="fig75">
-<img src="images/p36.jpg" alt="" width="645" height="800" />
-<div class="caption">
-<p class="caphead">In 1834, Lincoln&rsquo;s quest for knowledge and esteem was rewarded. The citizens
-of Sangamon County sent the novice lawmaker to the State Capitol at Vandalia,
-to take his seat in the Ninth General Assembly of the Legislature of Illinois.</p>
-</div></div>
-<div class="pb" id="Page_73">73</div>
-<div class="img" id="fig76">
-<img src="images/p36a.jpg" alt="" width="683" height="800" />
-<div class="caption">
-<p class="caphead">In the Assembly, Lincoln said little, but observed closely and learned much. He
-was among men of affairs, education and political experience. He became floor
-leader of the Whigs and an esteemed member of a political group known as the
-&ldquo;Long Nine&rdquo; who were successful in having the State Capitol moved from
-Vandalia to Springfield.</p>
-</div></div>
-<div class="pb" id="Page_74">74</div>
-<div class="img" id="fig77">
-<img src="images/p37.jpg" alt="" width="638" height="800" />
-<div class="caption">
-<p class="caphead">In March of 1837, after having been admitted to the bar in Illinois, Lincoln
-moved from New Salem to Springfield. For the next twenty-five years the first
-State Capitol Building in Springfield became the center of his many activities.</p>
-</div></div>
-<div class="pb" id="Page_75">75</div>
-<div class="img" id="fig78">
-<img src="images/p37a.jpg" alt="" width="671" height="800" />
-<div class="caption">
-<p class="caphead">The Postville Courthouse was on the &ldquo;Old Eighth Circuit.&rdquo; In Lincoln&rsquo;s day
-judges and lawyers rode horseback from one county courthouse to another, so as
-to make a living by representing the litigants in the suits to be heard. This was
-known as &ldquo;riding the circuit.&rdquo;</p>
-</div></div>
-<div class="pb" id="Page_76">76</div>
-<div class="img" id="fig79">
-<img src="images/p38.jpg" alt="" width="613" height="800" />
-<div class="caption">
-<p class="caphead">The Mount Pulaski Courthouse hasn&rsquo;t changed much since Lincoln practiced
-law here more than a hundred years ago.</p>
-</div></div>
-<div class="pb" id="Page_77">77</div>
-<div class="img" id="fig80">
-<img src="images/p38a.jpg" alt="" width="800" height="564" />
-<div class="caption">
-<p class="caphead">In the court and jury room Lincoln argued cases before such distinguished judges
-as David Davis, who became a Justice of the United States Supreme Court.</p>
-</div></div>
-<div class="img" id="fig81">
-<img src="images/p38b.jpg" alt="" width="700" height="546" />
-<div class="caption">
-<p class="caphead">During those inevitable moments of disturbance when the
-courtroom became unruly, Judge Davis would sound this gavel calling for order
-in the court.</p>
-</div></div>
-<div class="pb" id="Page_78">78</div>
-<div class="img" id="fig82">
-<img src="images/p39.jpg" alt="" width="634" height="800" />
-<div class="caption">
-<p class="caphead">The Metamora Courthouse, dating from 1845, retains the atmosphere of those
-rugged days when Lincoln and his colleagues came here to plead for justice before
-the bar.</p>
-</div></div>
-<div class="pb" id="Page_79">79</div>
-<div class="img" id="fig83">
-<img src="images/p39a.jpg" alt="" width="600" height="607" />
-<div class="caption">
-<p class="caphead">At Metamora, Lincoln
-sat at this table.
-The &ldquo;skirt&rdquo; was cut
-away to accommodate
-his long legs.</p>
-</div></div>
-<div class="img" id="fig84">
-<img src="images/p39b.jpg" alt="" width="602" height="600" />
-<div class="caption">
-<p class="caphead">The well-worn courthouse
-doorstep is evidence
-of one court
-room visitor&rsquo;s observations:
-&ldquo;Court week
-is a general holiday.
-Not only suitors, jurors
-and witnesses, but
-all who can spare the
-time brush up their
-coats and brush down
-their horses to go to
-court.&rdquo;</p>
-</div></div>
-<div class="pb" id="Page_80">80</div>
-<div class="img" id="fig85">
-<img src="images/p40.jpg" alt="" width="629" height="799" />
-<div class="caption">
-<p class="caphead">An atmosphere of exultation pervaded the Metamora courtroom when Lincoln
-was present. He was the most popular of all the barristers who traveled the
-Eighth Circuit.</p>
-</div></div>
-<div class="pb" id="Page_81">81</div>
-<div class="img" id="fig86">
-<img src="images/p40a.jpg" alt="" width="800" height="453" />
-<div class="caption">
-<p class="caphead">The Old Cass County Courthouse in Beadstown, Illinois, was the scene of the
-&ldquo;Duff&rdquo; Armstrong murder trial in which Lincoln defended the son of &ldquo;Aunt
-Hanna&rdquo; Armstrong, who had befriended him when he lived in New Salem.
-During the trial Lincoln proved, by referring to an almanac, that the moon was
-not shining brightly at the time of the murder. It is said that tears stood in
-Lincoln&rsquo;s eyes as he pleaded for the boy&rsquo;s life and that the hardened pioneer
-jurymen wept with him. Young Armstrong was acquitted.</p>
-</div></div>
-<div class="img" id="fig87">
-<img src="images/p40b.jpg" alt="The courtroom." width="700" height="366" />
-</div>
-<div class="pb" id="Page_82">82</div>
-<div class="img" id="fig88">
-<img src="images/p41.jpg" alt="" width="800" height="517" />
-<div class="caption">
-<p class="caphead">On the evening of July 29, 1858, Lincoln, Republican Candidate for the United
-States Senate and the incumbent Democratic Senator, Stephen A. Douglas, were
-guests at the Bryant Home. It was here that the two politicians agreed to their
-seven debates.</p>
-</div></div>
-<div class="img" id="fig89">
-<img src="images/p41a.jpg" alt="" width="612" height="700" />
-<div class="caption">
-<p class="caphead">Lincoln occupied the chair below during the evening&rsquo;s discussion.</p>
-</div></div>
-<div class="img" id="fig90">
-<img src="images/p41b.jpg" alt="" width="651" height="700" />
-<div class="caption">
-<p class="caphead">On this table
-Douglas wrote a letter to Lincoln confirming the schedule for seven debates.</p>
-</div></div>
-<div class="pb" id="Page_83">83</div>
-<div class="img" id="fig91">
-<img src="images/p41c.jpg" alt="" width="648" height="800" />
-<div class="caption">
-<p class="caphead">This memorial to the Lincoln-Douglas debates, at Quincy, Illinois, stands as a
-symbol of Lincoln&rsquo;s moral and spiritual convictions. They enabled him to match
-wits with Stephen A. Douglas, who was blind to the evils of slavery and deaf
-and dumb to those who expressed a desire to abolish it.</p>
-</div></div>
-<div class="pb" id="Page_84">84</div>
-<div class="img" id="fig92">
-<img src="images/p42.jpg" alt="" width="652" height="800" />
-<div class="caption">
-<p class="caphead">Lincoln had crossed the threshold of his greatest ambition when he and his
-family became frequent visitors to the Governor&rsquo;s Mansion, where they mingled
-with the elite both politically and socially. Lincoln&rsquo;s name had been mentioned
-in the press as a possible candidate for the Presidency.</p>
-</div></div>
-<div class="pb" id="Page_85">85</div>
-<div class="img" id="fig93">
-<img src="images/p42a.jpg" alt="" width="636" height="800" />
-<div class="caption">
-<p class="caphead">&ldquo;The Rail Splitter.&rdquo; Lincoln acquired this nickname during the 1860 convention
-in Chicago, where he became known as &ldquo;The Rail Splitter&rdquo; candidate for President
-of the United States.</p>
-</div></div>
-<div class="pb" id="Page_86">86</div>
-<div class="img" id="fig94">
-<img src="images/p43.jpg" alt="" width="1000" height="682" />
-<div class="caption">
-<p class="caphead">It was to this house, Lincoln&rsquo;s Springfield residence, that the appointed committee
-came on May 19, 1860 to notify &ldquo;The Rail Splitter&rdquo; candidate of his nomination
-for the Presidency.</p>
-</div></div>
-<div class="pb" id="Page_88">88</div>
-<div class="img" id="fig95">
-<img src="images/p44.jpg" alt="" width="619" height="801" />
-<div class="caption">
-<p class="caphead">One of the committeemen rang the front doorbell, which has announced visitors
-to the Lincoln house for more than a hundred years.</p>
-</div></div>
-<div class="pb" id="Page_89">89</div>
-<div class="img" id="fig96">
-<img src="images/p44a.jpg" alt="" width="644" height="800" />
-<div class="caption">
-<p class="caphead">&ldquo;The Rail Splitter&rdquo; himself opened the front door and welcomed the committee
-into the entrance hall, where both the humble and the great had always been
-welcome visitors.</p>
-</div></div>
-<div class="pb" id="Page_90">90</div>
-<div class="img" id="fig97">
-<img src="images/p45.jpg" alt="" width="668" height="800" />
-<div class="caption">
-<p class="caphead">It was in the north parlor that the committee spokesman, George Ashmun,
-delivered to Lincoln the letter which confirmed his nomination, a copy of the
-Republican platform and a short congratulatory speech. &ldquo;The Rail Splitter&rdquo;
-candidate stood tall and dignified, a grave expression on his rugged countenance.</p>
-</div></div>
-<div class="pb" id="Page_91">91</div>
-<div class="img" id="fig98">
-<img src="images/p45a.jpg" alt="" width="641" height="800" />
-<div class="caption">
-<p class="caphead">The committee was introduced to Mrs. Lincoln in the south parlor, where she
-served refreshments and water. Later &ldquo;The Rail Splitter&rdquo; opined that the water
-seemed a sufficient stimulant.</p>
-</div></div>
-<div class="pb" id="Page_92">92</div>
-<div class="img" id="fig99">
-<img src="images/p46.jpg" alt="" width="596" height="595" />
-<div class="caption">
-<p class="caphead">Mr. Lincoln&rsquo;s favorite rocker.</p>
-</div></div>
-<div class="img" id="fig100">
-<img src="images/p46a.jpg" alt="" width="600" height="590" />
-<div class="caption">
-<p class="caphead">Mrs. Lincoln&rsquo;s sewing rocker.</p>
-</div></div>
-<div class="pb" id="Page_93">93</div>
-<div class="img" id="fig101">
-<img src="images/p46b.jpg" alt="" width="634" height="800" />
-<div class="caption">
-<p class="caphead">When Mrs. Lincoln was entertaining friends, &ldquo;Honest Abe&rdquo; often retired to the
-kitchen where he stretched out on the floor to read a book or newspaper.</p>
-</div></div>
-<div class="pb" id="Page_94">94</div>
-<div class="img" id="fig102">
-<img src="images/p47.jpg" alt="" width="800" height="413" />
-<div class="caption">
-<p class="caphead">It was a cold January day when Lincoln journeyed from Springfield to this
-quaint little house near Charleston, Illinois, to visit for the last time
-with his beloved stepmother, before leaving for Washington and his inauguration.</p>
-</div></div>
-<div class="img" id="fig103">
-<img src="images/p47a.jpg" alt="" width="800" height="522" />
-<div class="caption">
-<p class="caphead">While sitting before the glowing fireplace, Lincoln and his stepmother
-must have reminisced about those formidable days in the forests of Indiana
-and the first few years on the prairies of Illinois.</p>
-</div></div>
-<div class="pb" id="Page_95">95</div>
-<div class="img" id="fig104">
-<img src="images/p47b.jpg" alt="" width="621" height="800" />
-<div class="caption">
-<p class="caphead">&ldquo;How slowly, and yet by happily prepared steps, he came to his place,&rdquo; said
-Emerson. This statue is in Chicago&rsquo;s Lincoln Park.</p>
-</div></div>
-<div class="pb" id="Page_96">96</div>
-<div class="img" id="fig105">
-<img src="images/p48.jpg" alt="" width="706" height="800" />
-<div class="caption">
-<p class="caphead">At the dedication of the memorial and tomb to the Great Emancipator in Oak
-Ridge Cemetery, Springfield, Illinois, Governor Richard Oglesby spoke these
-words: &ldquo;And now under the gracious favor of Almighty God, I dedicate this
-monument to the memory of the obscure boy, the honest man, the illustrious
-statesman, the great liberator, and the martyr President Abraham Lincoln, and
-to the keeping of Time.&rdquo;</p>
-</div></div>
-<hr />
-<h2 id="c4">The LINCOLN COUNTRY:
-<br /><span class="small">IN PICTURES
-<br /><i>by Carl and Rosalie Frazier</i></span></h2>
-<p>Perhaps no man in American history has
-been viewed with such respect and reverence
-by the American people as has Abraham
-Lincoln. School children and scholars alike
-have been moved by the humanity of his
-deeply lined face, have marveled at his rise
-from poverty to the Presidency, have sorrowed
-anew at the tragedy of his death, have
-read his words and been unable to erase them
-from their memory. If there is one historic
-person most of us would like to know, it is
-Abraham Lincoln.</p>
-<p>Here&mdash;in these pages which recreate the
-world Lincoln knew as a child and a young
-man&mdash;the reader can come close to Lincoln.
-In these fine photographs, which carefully
-depict the familiar, everyday scenes of young
-Abe&rsquo;s manhood, he can see Lincoln&rsquo;s world
-as Lincoln saw it. As the authors say: &ldquo;It
-was from this frontier atmosphere and these
-frontier people that Lincoln acquired his uncanny
-understanding of how common folk
-think and the wisdom that enabled him to
-hold in his hands the ties that bound a people
-and made a nation.&rdquo;</p>
-<p>It is this atmosphere that the authors have
-captured in over 100 photographs, and it is
-the rhythm of frontier life that they have
-caught in the factual simplicity of the text.
-<span class="pb" id="Page_98">98</span>
-Here is the farm in Kentucky where Lincoln
-was born; here are reconstructed the smithy,
-the tavern, the houses of New Salem, Illinois
-where Lincoln was a clerk, where he studied
-law, where he was elected to the state legislature.
-Here is the Springfield that Lincoln
-knew when he was first elected to Congress,
-the town where his sons were born, where
-in 1860 he learned that he was a candidate
-for the Presidency. This is Lincoln&rsquo;s country.
-As the reader follows Lincoln through the
-pages of this book, he will feel suddenly
-close to the man who left such an indelible
-imprint on the history of this nation&mdash;and
-upon its people.</p>
-<p class="tb"><b>CARL and ROSALIE FRAZIER</b> live in
-Chicago, Illinois where they pursue their professions
-as artists and photographers. Their
-knowledge of Abraham Lincoln comes from
-their considerable and extensive research into
-Lincoln&rsquo;s life and their many pilgrimages to
-those places where he lived in Kentucky,
-Indiana and Illinois.</p>
-<p>The Fraziers became interested in trying to
-capture through the lenses of their cameras
-that certain something which attracts visitors
-by the thousands to the Lincoln shrines every
-year. They hope this picture book will preserve,
-or at least refresh the memories of these
-observant visitors, and bring to those who may
-never have this opportunity a better mental
-picture of this benevolent man&rsquo;s environment.</p>
-<p class="tbcenter"><b>HASTINGS HOUSE &#149; PUBLISHERS</b>
-<br /><i>New York 22</i></p>
-<div class="pb" id="Page_99">99</div>
-<div class="img" id="fig106">
-<img src="images/p49.jpg" alt="" width="757" height="799" />
-<div class="caption">
-<p class="caphead">The Rutledge Tavern where Abraham Lincoln often stayed.
-The well-worn ladder leads to his bed in the loft.</p>
-</div></div>
-<h2>Transcriber&rsquo;s Notes</h2>
-<ul>
-<li>Copyright notice provided as in the original&mdash;this e-text is public domain in the country of publication.</li>
-<li>Silently corrected palpable typos; left non-standard spellings and dialect unchanged.</li>
-<li>Moved some captions closer to the corresponding pictures.</li>
-<li>In the text versions, delimited italicized text by _underscores_.</li>
-</ul>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of The Lincoln Country in Pictures, by 
-Carl Frazier and Rosalie Frazier
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE LINCOLN COUNTRY IN PICTURES ***
-
-***** This file should be named 56210-h.htm or 56210-h.zip *****
-This and all associated files of various formats will be found in:
-        http://www.gutenberg.org/5/6/2/1/56210/
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
-  This eBook is for the use of anyone anywhere in the United States and
-  most other parts of the world at no cost and with almost no
-  restrictions whatsoever. You may copy it, give it away or re-use it
-  under the terms of the Project Gutenberg License included with this
-  eBook or online at www.gutenberg.org. If you are not located in the
-  United States, you'll have to check the laws of the country where you
-  are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
-  the use of Project Gutenberg-tm works calculated using the method
-  you already use to calculate your applicable taxes. The fee is owed
-  to the owner of the Project Gutenberg-tm trademark, but he has
-  agreed to donate royalties under this paragraph to the Project
-  Gutenberg Literary Archive Foundation. Royalty payments must be paid
-  within 60 days following each date on which you prepare (or are
-  legally required to prepare) your periodic tax returns. Royalty
-  payments should be clearly marked as such and sent to the Project
-  Gutenberg Literary Archive Foundation at the address specified in
-  Section 4, "Information about donations to the Project Gutenberg
-  Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
-  you in writing (or by e-mail) within 30 days of receipt that s/he
-  does not agree to the terms of the full Project Gutenberg-tm
-  License. You must require such a user to return or destroy all
-  copies of the works possessed in a physical medium and discontinue
-  all use of and all access to other copies of Project Gutenberg-tm
-  works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
-  any money paid for a work or a replacement copy, if a defect in the
-  electronic work is discovered and reported to you within 90 days of
-  receipt of the work.
-
-* You comply with all other terms of this agreement for free
-  distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
-    Dr. Gregory B. Newby
-    Chief Executive and Director
-    gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
-</body>
-</html>
diff --git a/old/56210-h/images/cover.jpg b/old/56210-h/images/cover.jpg
deleted file mode 100644
index fc60bdc..0000000
--- a/old/56210-h/images/cover.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p01.jpg b/old/56210-h/images/p01.jpg
deleted file mode 100644
index eb43685..0000000
--- a/old/56210-h/images/p01.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p02a.jpg b/old/56210-h/images/p02a.jpg
deleted file mode 100644
index 31c8964..0000000
--- a/old/56210-h/images/p02a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p02b.jpg b/old/56210-h/images/p02b.jpg
deleted file mode 100644
index 8a31a34..0000000
--- a/old/56210-h/images/p02b.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p03.jpg b/old/56210-h/images/p03.jpg
deleted file mode 100644
index 436c3dd..0000000
--- a/old/56210-h/images/p03.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p04.jpg b/old/56210-h/images/p04.jpg
deleted file mode 100644
index a89d623..0000000
--- a/old/56210-h/images/p04.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p04a.jpg b/old/56210-h/images/p04a.jpg
deleted file mode 100644
index 2cd27de..0000000
--- a/old/56210-h/images/p04a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p05.jpg b/old/56210-h/images/p05.jpg
deleted file mode 100644
index 6095309..0000000
--- a/old/56210-h/images/p05.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p05a.jpg b/old/56210-h/images/p05a.jpg
deleted file mode 100644
index e083147..0000000
--- a/old/56210-h/images/p05a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p06.jpg b/old/56210-h/images/p06.jpg
deleted file mode 100644
index 3c5a7cb..0000000
--- a/old/56210-h/images/p06.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p07.jpg b/old/56210-h/images/p07.jpg
deleted file mode 100644
index ce56174..0000000
--- a/old/56210-h/images/p07.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p07a.jpg b/old/56210-h/images/p07a.jpg
deleted file mode 100644
index 1cf68c8..0000000
--- a/old/56210-h/images/p07a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p08.jpg b/old/56210-h/images/p08.jpg
deleted file mode 100644
index 7adc091..0000000
--- a/old/56210-h/images/p08.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p08a.jpg b/old/56210-h/images/p08a.jpg
deleted file mode 100644
index 720f8e5..0000000
--- a/old/56210-h/images/p08a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p09.jpg b/old/56210-h/images/p09.jpg
deleted file mode 100644
index 8435762..0000000
--- a/old/56210-h/images/p09.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p09a.jpg b/old/56210-h/images/p09a.jpg
deleted file mode 100644
index 5ccdef8..0000000
--- a/old/56210-h/images/p09a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p10.jpg b/old/56210-h/images/p10.jpg
deleted file mode 100644
index 0ad1fbf..0000000
--- a/old/56210-h/images/p10.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p11.jpg b/old/56210-h/images/p11.jpg
deleted file mode 100644
index 83cac98..0000000
--- a/old/56210-h/images/p11.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p11a.jpg b/old/56210-h/images/p11a.jpg
deleted file mode 100644
index d5f6020..0000000
--- a/old/56210-h/images/p11a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p12.jpg b/old/56210-h/images/p12.jpg
deleted file mode 100644
index 316dd5e..0000000
--- a/old/56210-h/images/p12.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p13.jpg b/old/56210-h/images/p13.jpg
deleted file mode 100644
index d11d556..0000000
--- a/old/56210-h/images/p13.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p14.jpg b/old/56210-h/images/p14.jpg
deleted file mode 100644
index dfae0bc..0000000
--- a/old/56210-h/images/p14.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p14a.jpg b/old/56210-h/images/p14a.jpg
deleted file mode 100644
index 94f5453..0000000
--- a/old/56210-h/images/p14a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p15.jpg b/old/56210-h/images/p15.jpg
deleted file mode 100644
index 5fc90c6..0000000
--- a/old/56210-h/images/p15.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p16.jpg b/old/56210-h/images/p16.jpg
deleted file mode 100644
index 72946f6..0000000
--- a/old/56210-h/images/p16.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p16a.jpg b/old/56210-h/images/p16a.jpg
deleted file mode 100644
index a119d57..0000000
--- a/old/56210-h/images/p16a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p16b.jpg b/old/56210-h/images/p16b.jpg
deleted file mode 100644
index a2fbb21..0000000
--- a/old/56210-h/images/p16b.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p16c.jpg b/old/56210-h/images/p16c.jpg
deleted file mode 100644
index c0c4c1c..0000000
--- a/old/56210-h/images/p16c.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p17.jpg b/old/56210-h/images/p17.jpg
deleted file mode 100644
index e5c32ba..0000000
--- a/old/56210-h/images/p17.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p17a.jpg b/old/56210-h/images/p17a.jpg
deleted file mode 100644
index ab9f530..0000000
--- a/old/56210-h/images/p17a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p17b.jpg b/old/56210-h/images/p17b.jpg
deleted file mode 100644
index 4e89d3b..0000000
--- a/old/56210-h/images/p17b.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p18.jpg b/old/56210-h/images/p18.jpg
deleted file mode 100644
index ec99b04..0000000
--- a/old/56210-h/images/p18.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p18a.jpg b/old/56210-h/images/p18a.jpg
deleted file mode 100644
index e2da06a..0000000
--- a/old/56210-h/images/p18a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p18b.jpg b/old/56210-h/images/p18b.jpg
deleted file mode 100644
index 856b2b5..0000000
--- a/old/56210-h/images/p18b.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p18c.jpg b/old/56210-h/images/p18c.jpg
deleted file mode 100644
index 3df4341..0000000
--- a/old/56210-h/images/p18c.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p19.jpg b/old/56210-h/images/p19.jpg
deleted file mode 100644
index 28aa3b1..0000000
--- a/old/56210-h/images/p19.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p19a.jpg b/old/56210-h/images/p19a.jpg
deleted file mode 100644
index 75841df..0000000
--- a/old/56210-h/images/p19a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p19b.jpg b/old/56210-h/images/p19b.jpg
deleted file mode 100644
index 2ce7b6e..0000000
--- a/old/56210-h/images/p19b.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p20.jpg b/old/56210-h/images/p20.jpg
deleted file mode 100644
index cb325dd..0000000
--- a/old/56210-h/images/p20.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p20a.jpg b/old/56210-h/images/p20a.jpg
deleted file mode 100644
index 2d7ffda..0000000
--- a/old/56210-h/images/p20a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p20b.jpg b/old/56210-h/images/p20b.jpg
deleted file mode 100644
index 7407f07..0000000
--- a/old/56210-h/images/p20b.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p20c.jpg b/old/56210-h/images/p20c.jpg
deleted file mode 100644
index fae7b89..0000000
--- a/old/56210-h/images/p20c.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p21.jpg b/old/56210-h/images/p21.jpg
deleted file mode 100644
index 6b6fc9e..0000000
--- a/old/56210-h/images/p21.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p21a.jpg b/old/56210-h/images/p21a.jpg
deleted file mode 100644
index eeb41c3..0000000
--- a/old/56210-h/images/p21a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p22.jpg b/old/56210-h/images/p22.jpg
deleted file mode 100644
index 61e2dfb..0000000
--- a/old/56210-h/images/p22.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p22a.jpg b/old/56210-h/images/p22a.jpg
deleted file mode 100644
index e9dae9e..0000000
--- a/old/56210-h/images/p22a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p23.jpg b/old/56210-h/images/p23.jpg
deleted file mode 100644
index 2003465..0000000
--- a/old/56210-h/images/p23.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p23a.jpg b/old/56210-h/images/p23a.jpg
deleted file mode 100644
index bd6930d..0000000
--- a/old/56210-h/images/p23a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p24.jpg b/old/56210-h/images/p24.jpg
deleted file mode 100644
index 6d6f020..0000000
--- a/old/56210-h/images/p24.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p24a.jpg b/old/56210-h/images/p24a.jpg
deleted file mode 100644
index 2be6abb..0000000
--- a/old/56210-h/images/p24a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p24b.jpg b/old/56210-h/images/p24b.jpg
deleted file mode 100644
index fbec98e..0000000
--- a/old/56210-h/images/p24b.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p25.jpg b/old/56210-h/images/p25.jpg
deleted file mode 100644
index 78be3d3..0000000
--- a/old/56210-h/images/p25.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p25a.jpg b/old/56210-h/images/p25a.jpg
deleted file mode 100644
index 4e71755..0000000
--- a/old/56210-h/images/p25a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p25b.jpg b/old/56210-h/images/p25b.jpg
deleted file mode 100644
index c47cb6b..0000000
--- a/old/56210-h/images/p25b.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p25c.jpg b/old/56210-h/images/p25c.jpg
deleted file mode 100644
index 933f0b4..0000000
--- a/old/56210-h/images/p25c.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p26.jpg b/old/56210-h/images/p26.jpg
deleted file mode 100644
index 370841c..0000000
--- a/old/56210-h/images/p26.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p26a.jpg b/old/56210-h/images/p26a.jpg
deleted file mode 100644
index 0e9e7b0..0000000
--- a/old/56210-h/images/p26a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p27.jpg b/old/56210-h/images/p27.jpg
deleted file mode 100644
index 5f79830..0000000
--- a/old/56210-h/images/p27.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p27a.jpg b/old/56210-h/images/p27a.jpg
deleted file mode 100644
index 5fe5e63..0000000
--- a/old/56210-h/images/p27a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p28.jpg b/old/56210-h/images/p28.jpg
deleted file mode 100644
index 5415a66..0000000
--- a/old/56210-h/images/p28.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p28a.jpg b/old/56210-h/images/p28a.jpg
deleted file mode 100644
index d614fb9..0000000
--- a/old/56210-h/images/p28a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p29.jpg b/old/56210-h/images/p29.jpg
deleted file mode 100644
index 21082ee..0000000
--- a/old/56210-h/images/p29.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p29a.jpg b/old/56210-h/images/p29a.jpg
deleted file mode 100644
index 919f14e..0000000
--- a/old/56210-h/images/p29a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p30.jpg b/old/56210-h/images/p30.jpg
deleted file mode 100644
index e3b47b7..0000000
--- a/old/56210-h/images/p30.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p30a.jpg b/old/56210-h/images/p30a.jpg
deleted file mode 100644
index b78d224..0000000
--- a/old/56210-h/images/p30a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p31.jpg b/old/56210-h/images/p31.jpg
deleted file mode 100644
index 596d8ee..0000000
--- a/old/56210-h/images/p31.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p32.jpg b/old/56210-h/images/p32.jpg
deleted file mode 100644
index c0618de..0000000
--- a/old/56210-h/images/p32.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p32a.jpg b/old/56210-h/images/p32a.jpg
deleted file mode 100644
index 400a5aa..0000000
--- a/old/56210-h/images/p32a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p32b.jpg b/old/56210-h/images/p32b.jpg
deleted file mode 100644
index fb252c4..0000000
--- a/old/56210-h/images/p32b.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p33.jpg b/old/56210-h/images/p33.jpg
deleted file mode 100644
index bcea495..0000000
--- a/old/56210-h/images/p33.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p33a.jpg b/old/56210-h/images/p33a.jpg
deleted file mode 100644
index 5f5c36c..0000000
--- a/old/56210-h/images/p33a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p34.jpg b/old/56210-h/images/p34.jpg
deleted file mode 100644
index 81b681d..0000000
--- a/old/56210-h/images/p34.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p34a.jpg b/old/56210-h/images/p34a.jpg
deleted file mode 100644
index b2c18cb..0000000
--- a/old/56210-h/images/p34a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p35.jpg b/old/56210-h/images/p35.jpg
deleted file mode 100644
index 204f16d..0000000
--- a/old/56210-h/images/p35.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p35a.jpg b/old/56210-h/images/p35a.jpg
deleted file mode 100644
index e60f002..0000000
--- a/old/56210-h/images/p35a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p36.jpg b/old/56210-h/images/p36.jpg
deleted file mode 100644
index 6d835d3..0000000
--- a/old/56210-h/images/p36.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p36a.jpg b/old/56210-h/images/p36a.jpg
deleted file mode 100644
index ea0daed..0000000
--- a/old/56210-h/images/p36a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p37.jpg b/old/56210-h/images/p37.jpg
deleted file mode 100644
index da646cf..0000000
--- a/old/56210-h/images/p37.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p37a.jpg b/old/56210-h/images/p37a.jpg
deleted file mode 100644
index 141d8e6..0000000
--- a/old/56210-h/images/p37a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p38.jpg b/old/56210-h/images/p38.jpg
deleted file mode 100644
index b8dd35d..0000000
--- a/old/56210-h/images/p38.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p38a.jpg b/old/56210-h/images/p38a.jpg
deleted file mode 100644
index 788cb30..0000000
--- a/old/56210-h/images/p38a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p38b.jpg b/old/56210-h/images/p38b.jpg
deleted file mode 100644
index 4306a01..0000000
--- a/old/56210-h/images/p38b.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p39.jpg b/old/56210-h/images/p39.jpg
deleted file mode 100644
index 0abb580..0000000
--- a/old/56210-h/images/p39.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p39a.jpg b/old/56210-h/images/p39a.jpg
deleted file mode 100644
index fca3b82..0000000
--- a/old/56210-h/images/p39a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p39b.jpg b/old/56210-h/images/p39b.jpg
deleted file mode 100644
index 4434046..0000000
--- a/old/56210-h/images/p39b.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p40.jpg b/old/56210-h/images/p40.jpg
deleted file mode 100644
index 5789ea6..0000000
--- a/old/56210-h/images/p40.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p40a.jpg b/old/56210-h/images/p40a.jpg
deleted file mode 100644
index b80a1e4..0000000
--- a/old/56210-h/images/p40a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p40b.jpg b/old/56210-h/images/p40b.jpg
deleted file mode 100644
index ff751f2..0000000
--- a/old/56210-h/images/p40b.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p41.jpg b/old/56210-h/images/p41.jpg
deleted file mode 100644
index dafd5e3..0000000
--- a/old/56210-h/images/p41.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p41a.jpg b/old/56210-h/images/p41a.jpg
deleted file mode 100644
index bbb92f6..0000000
--- a/old/56210-h/images/p41a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p41b.jpg b/old/56210-h/images/p41b.jpg
deleted file mode 100644
index bc207c7..0000000
--- a/old/56210-h/images/p41b.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p41c.jpg b/old/56210-h/images/p41c.jpg
deleted file mode 100644
index 4bd303a..0000000
--- a/old/56210-h/images/p41c.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p42.jpg b/old/56210-h/images/p42.jpg
deleted file mode 100644
index 9013e19..0000000
--- a/old/56210-h/images/p42.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p42a.jpg b/old/56210-h/images/p42a.jpg
deleted file mode 100644
index 4c8ec4b..0000000
--- a/old/56210-h/images/p42a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p43.jpg b/old/56210-h/images/p43.jpg
deleted file mode 100644
index 51d78eb..0000000
--- a/old/56210-h/images/p43.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p44.jpg b/old/56210-h/images/p44.jpg
deleted file mode 100644
index f6db394..0000000
--- a/old/56210-h/images/p44.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p44a.jpg b/old/56210-h/images/p44a.jpg
deleted file mode 100644
index 20baa1c..0000000
--- a/old/56210-h/images/p44a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p45.jpg b/old/56210-h/images/p45.jpg
deleted file mode 100644
index 7bdc71f..0000000
--- a/old/56210-h/images/p45.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p45a.jpg b/old/56210-h/images/p45a.jpg
deleted file mode 100644
index 1d3c80f..0000000
--- a/old/56210-h/images/p45a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p46.jpg b/old/56210-h/images/p46.jpg
deleted file mode 100644
index b37dd56..0000000
--- a/old/56210-h/images/p46.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p46a.jpg b/old/56210-h/images/p46a.jpg
deleted file mode 100644
index bc868ff..0000000
--- a/old/56210-h/images/p46a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p46b.jpg b/old/56210-h/images/p46b.jpg
deleted file mode 100644
index 903a95a..0000000
--- a/old/56210-h/images/p46b.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p47.jpg b/old/56210-h/images/p47.jpg
deleted file mode 100644
index dd62af4..0000000
--- a/old/56210-h/images/p47.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p47a.jpg b/old/56210-h/images/p47a.jpg
deleted file mode 100644
index 15ad74a..0000000
--- a/old/56210-h/images/p47a.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p47b.jpg b/old/56210-h/images/p47b.jpg
deleted file mode 100644
index 61cff8b..0000000
--- a/old/56210-h/images/p47b.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p48.jpg b/old/56210-h/images/p48.jpg
deleted file mode 100644
index 6896ca2..0000000
--- a/old/56210-h/images/p48.jpg
+++ /dev/null
diff --git a/old/56210-h/images/p49.jpg b/old/56210-h/images/p49.jpg
deleted file mode 100644
index 4dfdf90..0000000
--- a/old/56210-h/images/p49.jpg
+++ /dev/null