summaryrefslogtreecommitdiff
path: root/old/56074-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/56074-0.txt')
-rw-r--r--old/56074-0.txt2427
1 files changed, 0 insertions, 2427 deletions
diff --git a/old/56074-0.txt b/old/56074-0.txt
deleted file mode 100644
index 9c65c8f..0000000
--- a/old/56074-0.txt
+++ /dev/null
@@ -1,2427 +0,0 @@
-Project Gutenberg's Pan-Worship and Other Poems, by Eleanor Farjeon
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: Pan-Worship and Other Poems
-
-Author: Eleanor Farjeon
-
-Release Date: November 28, 2017 [EBook #56074]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK PAN-WORSHIP AND OTHER POEMS ***
-
-
-
-
-Produced by Larry B. Harrison, MWS and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-
-
-
-
-
-
-
- PAN-WORSHIP
- AND OTHER POEMS
-
-
-
-
- PAN-WORSHIP
- AND OTHER POEMS
-
- BY
- ELEANOR FARJEON
-
- LONDON
- ELKIN MATHEWS, VIGO STREET, W.
- 1908
-
-
-
-
- TO MY FATHER
-
-
-
-
-CONTENTS
-
-
- PAGE.
-
- Pan-Worship 9
-
- Vagrant Songs 13
-
- King Laurin's Garden 18
-
- The Mysterious Forest 21
-
- The Old Grey Queen 22
-
- The Quest 24
-
- The Unspoken Word 26
-
- In the Oculist's Anteroom 33
-
- Little Dream-Brother 34
-
- Faust and Margaret 36
-
- Dream-Ships 37
-
- The Moral 38
-
- Colour-Tones 40
-
- From an old Garden 42
-
- A Sheaf of Nature-Songs 59
-
- Apollo in Pherae 72
-
-
-
-
-PAN-WORSHIP
-
-
- In Arcady there lies a crystal spring
- Ring'd all about with green melodious reeds
- Swaying seal'd music up and down the wind.
- Here on its time-defacèd pedestal
- The image of a half-forgotten God
- Crumbles to its complete oblivion.
- The faithful and invariable earth
- Tilts at the shrine her sacrificial cup,
- Spilling libations from the brim that runs
- The golden nectar of her daffodils
- And rivulets of summer-breathing flow'rs.
- O evanescent temples built of man
- To deities he honoured and dethroned!
- Earth shoots a trail of her eternal vine
- To crown the head that men have ceased to honour.
- Beneath the coronal of leaf and lichen
- The mocking smile upon the lips derides
- Pan's lost dominion; but the pointed ears
- Are keen and prick'd with old remember'd sounds.
- All my breast aches with longing for the past!
- Thou God of stone, I have a craving in me
- For knowledge of thee as thou wert in old
- Enchanted twilights in Arcadia.
- Arcadia! it is the very music
- Of the first spring-tide rippling its first wave
- Over the naked, laughing baby world ...
- Come again, thou sparkling spring-tide, come again,
- Rush in and flood this autumn from my soul!
- These waters welling at a dead God's shrine,
- These happy waters bubbling limpid kisses,
- Even with such bright and eager lips made wet
- The hem of the earth's garment in the days
- When earth was youthful and the Gods of Greece
- In starry constellation crowned Olympus.
- What drifting mists have veil'd the Olympian fires?
- What of the Gods of Greece? and what of Greece?
- O virgin Greece, standing with naked feet
- In the morning dews of the world against the light
- Of an infant dawn! old Greece, ever-young Greece,
- The pagan in my blood, the instinct in me
- That yearns back, back to nature-worship, cries
- Aloud to thee! I would stoop to kiss those feet,
- Sweet white wet feet washed with the earth's first dews:—
- And leaning ear to grass I would re-catch
- Echoes of footsteps sounding down dim ages
- For ever the music once they made on thee:
- The flaming step of the young Apollo when,
- With limbs like light and golden locks toss'd back
- On a smooth ivory shoulder, he avenged
- His mother's wrongs on Python: the dreaming step
- Of Hylas in the woods of Mysia
- Leading to sleep beneath sweet sylvan waters:
- The laughing step of untrammell'd Atalanta
- Spurning the ground before her golden capture:
- Child-Proserpina stepping like a flower,
- And the singing step of Syrinx fleeing—what?
- If thou couldst speak, neglected, sneering stone,
- Thou wouldst know how to answer me. Wilt thou
- Not speak?... How still it is!... The noise of the world
- Is shut about with silence!... If I kneel,
- Bend and adore, make sacrifice to thee,
- If to thy long-deserted fane I bring
- Tribute of milk and honey—then if I snap
- That loveliest pipe of all at the spring's margin
- And let the song of Syrinx from its hollow,
- Nay, even the nymph's sweet self—O Pan, old Pan,
- Shall I not see thee stirring in the stone,
- Crack thy confinement, leap forth—_be_ again?
- I can believe it, master of bright streams,
- Lord of green woodlands, king of sun-spread plains
- And star-splashed hills and valleys drenched in moonlight!
- And I shall see again a dance of Dryads
- And airy shapes of Oreads circling free
- To shy sweet pipings of fantastic fauns
- And lustier-breathing satyrs ... God of Nature,
- Thrice hailing thee by name with boisterous lungs
- I will thrill thee back from the dead ages, thus:
- _Pan! Pan! O Pan! bring back thy reign again
- Upon the earth!_...
- Numb pointed ears, ye hear
- Only the wash and whisper of far waters,
- The pale green waters of thin distant Springs
- Under the pale green light of distant moons
- Washing upon the shores of the old, old world
- With a foam of flowers, a foam of whispering flowers....
-
-
-
-
-VAGRANT SONGS
-
-
-I
-
- But yesterday the winds of March
- Bent back the barren branches of the larch ...
- But O! to-day
- The bareness from the earth is swept away.
-
- Deep through my swelling breast I hear
- The wild call of the gipsy time o' year—
- O, Vagrant Spring,
- Brother o' mine, I'm for the gipsying!
-
- The greening earth I stand upon
- Tingles my feet: Brother, we must begone!
- Younger and younger,
- All my heart cries aloud with Wander-Hunger
-
-
-II
-
- Of troubles know I none,
- Of pleasures know I many—
- I rove beneath the sun
- Without a single penny.
-
- A king might envy long
- The fare my board adorning—
- Upon a throstle's song
- I broke my fast this morning;
-
- My lunch, a girl's quick smile,
- As I'm a living sinner;
- She walked with me a mile ...
- I kissed her for my dinner.
-
- Of troubles know I none,
- Of pleasures know I many—
- I fare beneath the sun
- Without a single penny!
-
-
-III
-
- O, how she laughs with me,
- Eats with me, quaffs with me,
- Smiles to me, sighs to me,
- Questions, replies to me,
- Answers my every mood,
- Finds good what I find good,
- Earth, the green Mother!
- Where shall man live and die
- Having my treasury
- Which never gold could buy—
- Water and air and sky
- And Earth's great sympathy—
- Save he do live as I?
- Join with me, Brother!
-
- If you be sickening
- Here's for your quickening!
- Here at the heart of it
- You shall be part of it,
- And the good smell of rain
- Shall make you whole again—
- Join with me, Brother!
- Here the life-sap runs green,
- Here the life-ways are clean,
- Here just one bird that sings
- Re-starts your sluggish springs,
- Here under moon and sun
- You, I and She are one,
- Earth, the green Mother!
-
-
-IV
-
- I lay me on the ground
- Under the dark,
- And Heaven's purple arc
- Drew its deep curtains round
- My weary head and shut away the sound.
- The golden star-lights crept
- Over the hill ...
- I lay so very still
- I heard them as they stepped ...
- "Sleep!" breathed the Earth. Upon her breast I slept.
-
-
-V
-
- I'll stay one night beneath your roof,
- And longer I will stay for no man,
- And as for love, I'm loving-proof—
- Turn by your eyes, White Woman.
-
- The Wander-fever's in my blood,
- I have no time for simple loving—
- The hot Earth is in roving mood,
- And I too must be roving.
-
- _If_ I should love you ... soon, ah, soon
- I'd break your heart to go a-roaming,
- And chasing shadows of the moon
- Think never once of homing.
-
- Why will you wring my breast with tears?
- Tears will not quench the Wander-fever.
- Why will you fill my soul with fears
- When I will go for ever?
-
- I whom the Earth's green passions move
- Have put away all passions human ...
- I will not love!... I _dare_ not love ...
- Turn by your eyes, White Woman.
-
-
-VI
-
- I went far and cold
- Over upland wold
- Where the story of spring's breathing
- Scarcely yet was told.
- Shifting monotone
- Of the pale wind's moan
- Through my hair at dusk went wreathing,
- And I walked alone.
-
- Far below and far
- Where the homesteads are
- One small ruddy candle twinkled,
- Warmer than a star.
- When the day was gone,
- Softly one by one
- Homing-lights the valley sprinkled ...
- And I wandered on.
-
-
-
-
-KING LAURIN'S GARDEN
-
-(_A Styrian Peasant-Girl Dreams at her Wheel_)
-
-
- King Laurin has a garden of roses
- Where warm sweet odours do idly flow
- Wave upon wave through the charmèd air ...
- It is sin to wish for the garden of roses
- In the heart of wild mountains where no men go.
-
- Laurin is king of a rosy garden.
- The lure of the roses is rare, O rare!
- They tremble and brighten and throb and glow ...
- I may not think of King Laurin's garden.
- A danger, they tell me, for maids is there.
-
- There are four high gates to the garden of roses,
- For the treasure of bloom a golden guard,
- A precious cup for the rose-wine red.
- O the golden gates of the garden of roses!
- They are bright and beautiful, tall and barred.
-
- There is no strong wall round the rosy garden;
- From gate to gate runs a woven thread,
- Yellow and silken and fine, for ward.
- Who snaps the ward of the rosy garden
- With his hand and his foot shall he pay, 'tis said.
-
- Laurin who rules the garden of roses
- Is an elf-king, therefore he has no soul.
- (_The good priest shudders at Laurin's name._)
- Poor soulless elf of the garden of roses!
- Shall I pray for King Laurin at Vesper-toll?
-
- They say no prayers in the rosy garden
- Where life is the flash of a fragrant flame
- Like the heart of a flower on fire: the whole
- Of forbidden sweet is the rosy garden
- I may not think of and feel no shame.
-
- For in King Laurin's garden of roses
- Waking thought shall be stilled asleep,
- And the still heart dream itself half-awake ...
- O the soft, soft dreams of the garden of roses!
- They creep ... (_I look not_) ... but they steal and creep.
-
- Laurin the king of the rosy garden
- Has a magic girdle that none can break.
- It makes the pulse of his life to leap
- With twelve men's strength. In the rosy garden
- He is feared and feared for the girdle's sake.
-
- Laurin the king of the garden of roses
- Has a magic crown where strange birds so sing
- That resistance and doubt by their song once kissed
- Melt into trance. In the garden of roses
- He is loved and loved for his crowned bird-ring.
-
- Laurin the king of the rosy garden
- Has a magic cloak the colour of mist,
- And he goes invisibly wandering
- Far from the bourne of the rosy garden
- Like a cloud of pearl and of amethyst.
-
- He seeks a bride for his garden of roses,
- For the soulless spirit a human girl ...
- (_The priest bids me wear my cross and pray_) ...
- He will bear her back to his garden of roses
- In the mist of his magic grey-and-pearl.
-
- Kunhild was borne to the rosy garden,
- The sister of Dietrich of Bern, one day.
- A fair green mead and a cloud's dim swirl,
- And Kunhild awoke in the rosy garden ...
- But she stood by a linden-tree first, they say.
-
- * * * * *
-
- _King Laurin has a garden of roses
- Full of warm odours_ ... I'll sit and spin
- As my Mother bids me ... _O wine-red glow
- Of half-waked dreams in the garden of roses_ ...
- Spin, wheel!... _fine thread, bright like silk, and thin_.
-
- _A grey mist steals from the rosy garden
- In the heart of wild mountains where no men go_ ...
- To think of the garden they say is sin—
- I'll dream no more of King Laurin's garden ...
- _See! in our meadow green lindens grow_....
-
-
-
-
-THE MYSTERIOUS FOREST
-
-
- I stood on the verge of the mysterious forest,
- Sunlight lay behind me on the meadows,
- But all the world of the mysterious forest
- Was a world of wraiths and shadows.
-
- The dim trees beckoned, beckoned with their branches,
- I said: "The sun's behind me on the meadows."
- A dim voice calling, calling through the branches
- From the world of wraiths and shadows.
-
- I saw a pale young Queen, her eyes were mournful,
- Steal ghostwise ... is the sun yet on the meadows?...
- More phantoms passed and all their eyes were mournful
- In the world of wraiths and shadows.
-
- I see a blue light in the mysterious forest,
- The cold night lies behind me on the meadows.
- The branches beckon in the mysterious forest ...
- They beckon, beckon, beckon, call and beckon
- From the world of wraiths and shadows.
-
-
-
-
-THE OLD GREY QUEEN
-
-
- The Princess looked from the old grey tower;
- She was a-weary of being there.
- She wore no crown but her own gold hair,
- And the old grey Queen had shut her there,
- She was so like a flower.
-
- "The young King's-Son comes over the sea
- From the West," said the Queen who was grey and old.
- "In an unlit hall were not grey as gold?
- In an unlit hall what are young and old?
- We'll greet i' the dark," said she.
-
- The Princess looked from the old grey tower ...
- Lo! a milk-white sail on the sunlit ocean.
- Fluttered her heart to its fluttering motion,
- And the King's-Son looked from the golden ocean ...
- She was so like a flower.
-
- "Why do the grey seas break and boom?
- And why is the starless dusk so grey?
- And why does the young King's-Son delay?
- Shall I," said the Queen who was old and grey,
- "Sit all night i' the gloom?"
-
- The grey seas broke on an empty tower
- Like pain that knocks on an empty breast.
- Lo! a milk-white sail that flew the crest
- Of Love and of Youth met breast to breast
- Melted away in the golden West....
-
- The old grey Queen beat her empty breast:
- "She was so like a flower."
-
-
-
-
-THE QUEST
-
-
- A Knight rides forth upon a Quest,
- And his young Squire follows after;
- The Knight's eyes dwell on a star's white crest,
- And the Squire's eyes dwell on laughter.
-
- "What of the Quest that claims our swords?"
- The young Squire asks his master.
- The Knight says, "'Tis too high for words,"
- And they speed their horses faster.
-
- A beggar hails them: "Alms! alms, Sir Knight,
- Or loose my life with your dagger!"
- The Knight sees only a star's white light,
- And the Squire's purse pays the beggar.
-
- A sturdy robber the highroad bars:
- "Sir Knight, our debts we'll settle!"
- The Knight hears only the song of stars,
- And the Squire's blade wins the battle.
-
- A lady looks from a castle wall:
- "Sir Knight, in pity stay thee!
- Untrammel me who lie here in thrall,
- And I in love will pay thee."
-
- The Knight is set on a goal heaven-high
- Where a silver star is risen,
- And the young Squire it is springs by
- To free the maid from prison.
-
- "Take, good Sir Knight, my pleasure and pride,
- The meed of valiant striving!
- Here wait the lips of your glad bride
- Whose name is Joy-of-Living."
-
- Starward, starward the rapt Knight goes,
- The star's true image missing.
- The lady laughs like a lovely rose
- And the Squire's lips do the kissing.
-
- "What, boy, are you my love doth woo?
- What's he that would not woo it?"
- "He's John-a-Dreams-o'-Dering-do,
- And I'm Dick-up-an'-Do-it."
-
-
-
-
-THE UNSPOKEN WORD
-
-
-THE MAN'S SIDE
-
- Two years I have lived in a dream
- And have dared not to end it—
- Owned wealth in a measure supreme
- And been fearful to spend it.
-
- You, woman of beauty and love
- In such noble wise fashioned,
- Are my dreams and my rich treasure-trove.
- I am shamed that, impassioned,
-
- In secret I levy demands
- Upon more than you've given—
- Crave yourself, heart and soul, eyes and hands,
- Which in sum make up heaven.
-
- Unconscious of aught, through these days
- You have let me be near you,
- Knowing not how your thousand sweet ways
- Only serve to endear you
-
- To all in your orbit who move,
- In such innocence wronging
- As friendship what really is love
- And unsatisfied longing.
-
- Yet, your friendship—to be just your friend—
- So caps love in another,
- That I would my love, burned to its end,
- In its own smoke might smother,
-
- Lest I in an outbreak one day
- Ask of friendship aught stronger—
- When you may forbid me to say
- Even "friend" any longer.
-
- So I come in the old way and go,
- While my heart's quickened beatings
- Are hidden, and you never know
- What I glean from our meetings;
-
- How a word, a look even, which seems
- So unconsciously meted,
- Builds new dreams on the wreckage of dreams
- That were never completed.
-
- You once dropped a flower—did not see
- That I hid in my bosom
- What was more than Golconda to me,
- And to you a bruised blossom.
-
- Ten seconds I once held your hand
- While you pulled from the river
- A lily. Could you understand
- Why my own hand should quiver?
-
- Small matters these things you account
- Who so lightly diffuse them,
- But to all my life's joy they amount—
- And my fear is, to lose them.
-
- One day, when your eyes are still kind
- And your voice is still tender,
- I shall slip the control of my mind,
- All my future surrender,
-
- Obeying the primal desire
- To fall down and adore you,
- And outpour in one instant of fire
- All the love I have for you.
-
- 'Twill be death, and far worse, at your feet
- When my lips cease to blunder
- And I look up your dear eyes to meet
- Overrunning with wonder.
-
- Thereafter—what? Nothing, I fear—
- Even dreams will have vanished
- When I by my act from your sphere
- Shall for ever be banished.
-
- Dear, that is the moment I dread—
- When you hear my confession,
- When the word I withhold has been said
- And my love finds expression;
-
- But till then (and God knows how I seek
- To postpone and postpone it),
- Till my love grows too strong, lips too weak
- To much longer disown it,
-
- I shall come, if I may, day by day,
- My small gleanings to gather,
- While you think of me—how shall we say?
- As a brother or father;
-
- And you never will guess, till you learn
- From a heart brimming over,
- That I've met you at every turn
- As a passionate lover.
-
-
-THE WOMAN'S SIDE
-
- How long will you hold back, belov'd? How long
- Leave the supreme, the final word unspoken?
- The barrier of silence hold unbroken?
- Men—you, too, being a man—have called you strong,
- A doer of big deeds, great acts. But they are wrong.
-
- You lack in courage. I, being woman, know
- How often woman shapes man's enterprises,
- Cloaking her work in manifold disguises
- Lest he should chafe too large a debt to owe—
- Strikes every blow up to the very hundredth blow
-
- That shall at last resolve, achieve, complete
- The foregone nine-and-ninety. This, grown wiser,
- She leaves with him for fear he should despise her.
- _He_ wins the credit for the final feat—
- Thought of _his_ triumph, not hers, made all her toiling sweet.
-
- Belov'd, how long before you understand?
- Why, I have known two years you were my lover,
- That all my being to yours was given over!
- The thing your heart most yearns for lies at hand
- Awaiting only this, that you shall make demand.
-
- Have I not worked for all betwixt us two
- Since first I saw your love spring into being,
- And you became too faint of heart for seeing
- That the one peach you longed to garner grew,
- Ripened, and mellowed here only for you, for you?
-
- You would have drawn abashed from out my life
- Had I permitted; it became _my_ mission
- To bring the golden moment to fruition
- Through, ah, how many hours of wistful strife
- With you, who guessed not, even, the tender struggle rife
-
- Between us. When I met you with a smile,
- "Love's not for me," you thought, "yet while she kindly
- Still looks and speaks, I'll stay." And went thus blindly
- Taking for innocence what sprang from guile
- That I might hold you by me just a little while.
-
- The day I dropped a flower upon the path,
- Did you not know it was the thing I aimed for
- When you behind me loitered (somewhat lamed for
- A good excuse), secured it free from scath
- And hid it close, to reap therefrom love's aftermath
-
- In hours when I was absent? Why, I _meant_,
- Belov'd, that you should have this one flower-treasure
- (Stolen, you thought!) out of my heart's full measure—
- Meant that your solitary nights be spent
- Cheek to its petals pressed where all my love lay pent.
-
- And then, the day you helped me from the boat,
- "It is but chance," you thought, "I hold her fingers
- In mine past custom's limit, while she lingers
- To cull the waterlily there afloat."
- It was not chance, belov'd. And still you would not note.
-
- I have done all a woman may do, dear,
- With eyes and hands and tones of voice have spoken,
- In all but words have given you the token
- And seal of love. What is it then you fear?
- Can you not take one step, the goal being now so near?
-
- Just the last word to utter, just the last
- Step to be taken—it is very little!
- Can you believe Love's structure is so brittle?
- All I have builded in these two years past
- Fall tottering at one word? It is of stronger cast.
-
- You would not have me speak. That part is yours.
- My share is finished and I wait for you now.
- The time to act has come—what will you do now?
- Dear, even I'd say the word that all ensures
- But that were more than love itself of love endures.
-
- I had to spend my strength when you were weak,
- Be guide along the road from its beginning
- To the last barrier. Am I worth the winning?
- But _you_ must turn the key. It will not creak.
- Beloved, I am waiting still ... will you not speak?
-
-
-
-
-IN THE OCULIST'S ANTEROOM
-
-
-I
-
- Not to be able to see!...
- Almost as well not be.
- And that man in there in his single hand
- Holds all God's light,
- Or just so much, you understand,
- As may be drunk in by another's sight—
- Dear God, will he give the light to me?
-
- Or will a fathomless night
- Drop its veil across the sight
- Of my straining eyes, to become mere husks
- Whence the kernel slips,
- Knowing none of God's dawns and only God's dusks ...
- That man has them all at his finger-tips.
- Dear God! will he clear the dusk from the light?
-
-
-II
-
- He has spoken. The man with his cold voice has spoken.
- The seal of suspense lies here shattered and broken,
- _And I know_ ... And I know
- What the coming years hold which an hour since were dumb to me—
- God! how precious the jewel of your light has become to me
- Where's my hat? Let me go.
-
-
-
-
-LITTLE DREAM-BROTHER.
-
-
- Little dream-brother that died
- When I was not a year out of heaven,
- I heard you when you tried
- To come to me yestereven.
-
- As I lay in bed
- Midway 'twixt nothingness and waking,
- I heard the window shaking
- And the beat of wings upon the pane.
- "It is not the rain,
- But my little dream-brother out there," I said.
-
- I turned in bed:
- "Come in, little dream-brother."
- "I can only come in by the gates of sleep
- And by no other.
- Through the niche of the tiniest dream I can creep—
- Sleep, sister, do sleep," you said.
-
- And so through the night we waited—
- You on the window-threshold there
- In the wet windy weather,
- And I abed—with breath bated,
- Just to catch the first moment of sleep unaware
- And fly kissing together.
-
- But sleep would not come till seven,
- When the shivering day
- Looked up all chilly and grey.
- "Creep into bed,
- Little dream-brother, under my arm
- And I'll keep you warm."
- But you shook your head:
- "It's bed-time in heaven,
- Sister. Goodbye," you said.
-
- There was not a whole year between you
- And me, little dream-brother.
- I cannot remember even to have seen you ...
- And now I might be your mother.
-
-
-
-
-FAUST AND MARGARET
-
-
- "Devil," he said, "Love's Heaven—
- Shall man not therefor lose his soul?"
-
- * * * * *
-
- "God," she whispered, "is Love Heaven?
- Is Heaven a place of dole?"
-
- (_And so she gave his Heaven to the man
- Because the man did crave it.
- And so because she never asked Hell's ban
- He gave it._)
-
- "Devil!" he said, "Love's Hell!
- Man's wild-beast-thirst, how slake it?
- Take the tenderest thing, thus—thus!
- Passion-torture it a spell,
- And break it!"
-
- * * * * *
-
- "God," she whispered, "Love is Heaven.
- Love's not what Love is made for us,
- But what we make it."
-
- (_And so her dead soul found what it had given,
- And what he builded, there his damned soul ended....
- And do you think that either Hell or Heaven
- These sinners' suffering-on-earth amended?_)
-
-
-
-
-DREAM-SHIPS
-
-
- I set my dream-ships floating
- Upon the tides of sleep.
- Beneath whose moving waters
- Unfathomed currents creep;
-
- And one was made of roses
- With flowering mast and spars,
- And one was made of music,
- And one was made of stars:
-
- One was all joy and sorrow
- Made from my own heart-strings,
- And one was like a cradle
- With sails like angels' wings.
-
- O little ships that wander
- All lonely on the deep,
- And only come to haven
- Upon the tides of sleep.
-
-
-
-
-THE MORAL
-
-
- The youth cried in anguish: "God,
- My life is bowed down beneath
- Its woe! I am no mere clod—
- There's fire in my blood and breath.
-
- "You, Who made me of flesh, not stone,
- Of quivering tissues—dare
- You leave me to face alone
- A grief past my strength to bear?
-
- "Life might be veriest heaven,
- Life can be veriest hell—
- In _Your_ hands rests what is given.
- God, I hold You responsible!"
-
- Then the man who was growing grey
- Observed: "In an idle mood
- God blew bubbles one day
- And loosed the glistening brood
-
- On the welkin, one by one—
- Myriads of worlds they sped:
- There were planets and moon and sun,
- And one was the globe we tread."
-
- Then the Spirit that Nullifies,
- Men term Death, asked: "How long?" (One fears
- God shrugged.) "While I blink my eyes—
- Shall we say a billion years?"
-
- * * * * *
-
- The youth on the fable broke,
- And scorn in his accents ran:
- "What is all this to me? I spoke
- To God of _Myself_, old man."
-
-
-
-
-COLOUR-TONES
-
-
-I
-
- A visionary filmy sheen
- Scarce palpable of silver-green
- Limns barren furrow and bare branch.
- One month more, and the welcoming
- Gates o' the world will open wide
- To let the full deep vernal tide
- Sweep overland, an avalanche
- Of green, absorbing in its rush
- This silver-misty verdure ... Hush!
- This is the old earth's dream of Spring.
-
-
-II
-
- In Cobham woods the bluebells run
- Celestial rillets, streams and rivers,
- Or else a purple lake they lie,
- Or little azure pool;
- The blue flood shimmers in the sun
- Or under the wind's breathing shivers,
- While drops cerulean-tincted spill
- Among the grass. Then very still
- The dim sweet waters grow and cool
- Like shadows of the sky.
-
-
-III
-
- The yellow light of daffodils
- The lawns beneath the fruit-trees fills,
- The yellow light of early spring
- Swims in the shining upper air,
- And all about the fragrant fair
- Blossoming boughs of sunlit white
- Like clouds of heavenly incense swing
- 'Twixt yellow light and yellow light.
-
-
-
-
-FROM AN OLD GARDEN
-
-
-OUTSIDE
-
- Trees have grown to the edge of the gate
- Where grey-bearded lichens cling;
- The greenwoods stand in a ring,
- Holding the garden-pearl in their centre
- A jewel inviolate.
- Heart of mine, shall we enter?
-
- There is a charm of sleep in the air,
- Weft of Time's humming loom.
- There in the green half-gloom
- I think some intangible spirit hovers ...
- They say the dim wraiths dwell there
- Of countless, long-dead lovers.
-
- Warp of sleep and woof of love:
- The flush of a live rose glows
- By the pallid death of the rose,
- A song next the hush that stilled its numbers:
- Such is the web Time wove.
- Dare we disturb their slumbers?
-
- We stand on the outskirts, you and I—
- Shall we not venture in?
- They will condone the sin,
- Those dim, dead lovers, will smile and pardon,
- For our honeymoon hangs in the sky.
- Heart of mine, into the garden!
-
-
-INSIDE
-
- You and I here!
- Shut the gate behind us.
- Nothing to fear
- And none to find us.
- We are all the world, dear!
-
- 'Tis a cloister of dreams,
- This dear old garden;
- The sundial seems
- To stand as their warden.
- How Love's star gleams!
-
- We'll sup on the rose,
- Our tent is this willow—
- Lie close, Love, close!
- There's grass for our pillow.
- How Love's star glows!
-
- You and I here
- And the world behind us!
- Nothing to fear
- And none to find us—
- Shut the gate, dear.
-
-
-FLOW'R AND SONG
-
- Song and flow'r and flow'r and song,
- So soothed the summer drifts along:
- Within our hearts a flow'r
- Unfolding hour by hour,
- While a song half-conscious slips
- Over my dear one's lips.
- Flow'r and song and song and flow'r,
- So filled runs by each swift, sweet hour:
- Close to my breast you twine
- Your flow'r-lips laid on mine,
- And I catch before we part
- The song-beats of your heart.
- Flow'r and song in our garden-close
- Like wedded lovers have grown one word.
- I could weave you a wreath from the notes of that bird,
- And pluck you a song from the heart of this rose.
-
-
-DWELLERS IN THE GARDEN
-
- Who dwelt here of old?
- Hush! If I lift from the misty years
- The veil of dead smiles and forgotten tears,
- I think I can picture a little maid
- Crowned with plaits of gold,
- Passing alone down each green arcade
- While the sundial told
- In silence its hours of shine and shade.
- Young she was as the peep of dawn,
- And as a year-old dappled fawn
- Was shy and tender and innocent.
- And all her days were in waiting spent
- Amongst her flowers in a day-dream she
- Builded herself. So continuously
- In waiting and waiting the days went by—
- We know what she waited, love, you and I.
- The flowers had nothing to teach to her—
- In her sleep she could hear the grasses stir,
- She had secrets with every rose in the place,
- The lilies kept smiles for her lily-face,
- She could think their thoughts and utter their speech,
- Had a sister's tender look for each,
- And knew why the trailing clematis
- Dropped on the sundial a purple kiss—
- As surely as we know why, she knew.
- And so in her house of dreams she grew,
- And so the star-lighted nights slipped by.
- We know what she waited for—you and I—
- Who dwelt here of old.
- There's her tale half-told.
-
- What more to unfold?
- When he came at last did they ride away,
- Or, day succeeding each happy day,
- Did they stay with two heartfuls of love to brim
- The garden wherein she had waited him?
- Well, this I know. If they stayed or went,
- After their term of life was spent
- They returned to roam by her lily-pond,
- On to the rosery set beyond,
- Haunt her favourite paths and nooks,
- Re-read the fairy-tales which her books,
- The flowers, had yielded her in such store
- When he was the hero of all their lore.
- Hand in hand they go as of old,
- He brave and bold,
- She crowned with gold.
-
- Ah, love, they are neither the first nor last!
- For all of those, having loved and passed,
- In spirit come back when their dust is cold,
- Who dwelt here of old.
-
-
-A ROSE-SONG
-
- Oh, what a realm, what a riot of roses!
- Here we stand
- Right in the heart of a great rose-land!
- Over our head the blossom-world closes,
- Under our feet—
- Walls, ceil and carpet are flowery-sweet.
-
- Snowy and crimson and pink and golden
- Twine and trail,
- Vivid as life is, as death is, pale.
- Here they bloom as they bloomed in olden
- Days when we
- Were unborn shades, and the shades that be
-
- Had right in these grounds to resent intrusion.
- Now you and I
- Jealously cherish our privacy.
- How came these roses by their profusion,
- Tier on tier
- Of bloom on bloom running uncurb'd here?
-
- I think I can guess what they would answer,
- Whence they came,
- Pallid petal and flower of flame,
- Inscribed with such lore as the old romancer
- Of Italy
- Left the world to make love-songs by.
-
- We are born, these pink roses say, of kisses,
- Dye of the blush.
- What though time's passage their soft lisp hush?
- The seeds were scattered of lovers' blisses,
- And year by year
- We renew their tender caresses here.
-
- We are born of joy, say these petals yellow,
- Tinge of delight.
- What though love's sunshine be lapped in night?
- We, sprung from its seeds, rich-toned and mellow,
- Perpetuate
- The days when the orbit of love waxed great.
-
- We are born, these red ones say, of passion,
- Flush of the heart.
- What though the sound of love's steps depart?
- The seeds were sown, and we in this fashion
- Immortalize
- Remembrance thereof in the heart's own dyes.
-
- We are born, say these snow-white blooms, of the spirit,
- Children of death.
- What is the ceasing of mere life-breath?
- Love is sustained by its own pure merit,
- Its memory
- Renewed and renewed to infinity.
-
- Belov'd, we are adding to these rose-bowers.
- When we have passed
- Here our hearts' treasure will lie amassed.
- Pink, gold, crimson and snowy flowers,
- Thus and thus,
- To the limit of time will bloom for us.
-
-
-BY THE FOUNTAIN
-
- Come down, dear, to the fountain's pool with me,
- And help me guess how long since last it tinkled
- And trickled out thin streams of minstrelsy—
-
- How long since last the grass with pearls it sprinkled.
- It was yet young the day it fell asleep,
- For time has left its glassy face unwrinkled.
-
- Ah, could we where the shadows lie most deep
- Peering discern the dear forgotten faces
- Of girls who o'er the brink were wont to peep,
-
- With shy eyes seeking in the depths the graces
- Made dear and lovely to them by love's praise.
- Can all have passed away and left no traces?
-
- They dreamed, as we too dream, through summer days,
- And hid their white thoughts in such water-lilies
- As float here now. Flowers do not change their ways.
-
- Ah, love, to-day the lucent water still is
- As tho' no rosy finger-tips had dipped
- And dabbled it, and hushed the fountain's rill is.
-
- Their feet across the velvet greensward tripped,
- Their bosoms pressed the crumbling grey-stone basin,
- They fed the ruddy goldfish laughing-lipped ...
-
- Is not one left? Look, look! I seem to trace in
- The murky deeps some shape of hoary carp—
- Too late! for now I only see your face in
-
- The water, smiling questions. He was sharp,
- That king-fish, but I caught his gold crown's glimmer ...
- Oh, fountain, tune again for us your harp,
-
- Fling through the air for us your diamond shimmer
- Of spray. Two new young lovers seek your shrine.
- Those loves of old with years grow fainter, dimmer,
-
- But ours is warm and living and divine,
- And time has not yet breathed upon its lustre,
- And I am hers and she is all of mine!
-
- And here we kneel where once old loves would muster,
- Shut in the lilies one new secret up,
- And add her image to the beauty-cluster
- Of those whose eyes lie mirrored in your cup.
-
-
-TIME AND LOVE
-
- Old sundial, you stand here for Time:
- For Love, the vine that round your base
- Its tendrils twines, and dares to climb
- And lay one flower-capped spray in grace
- Without the asking on your cold
- Unsmiling and unfrowning face.
- Yet, sundial, even Time may mould.
- In years to come the foot shall stumble
- Upon your shattered ruins where
- This vine will flourish still, as rare,
- As fresh, as fragrant as of old.
- Love will not crumble.
-
- Kisses have worn your stones away,
- Lov'd lips you did not pulse beneath;
- Dropt tears have hastened your decay
- And brought you one step nigher death;
- And you have heard, unthrilled, unmoved,
- The music of Love's golden breath
- And seen the light in eyes that loved.
- You think you hold the core and kernel
- Of all the world beneath your crust,
- Old dial? But when you lie in dust,
- This vine will bloom, strong, green, and proved.
- Love is eternal.
-
-
-RIFLED FLOWERS
-
- Why is the lily's cheek waxen with grief?
- A brown-and-gold thief
- Dived down to her core
- And burgled her store.
- Bowed with her sweetness she saw him depart,
- But her soul was too pure to complain.
- Dear, drop a kiss in her heart
- And make the sweet lily all honey again.
-
- Why does the fox-glove droop low, bell and leaf?
- A silver-winged thief
- Who delved in her pollen
- With gold powder swollen
- Fled in new blossoms her wealth to disburse
- And left her not one yellow grain.
- Sweet, blow a kiss in her purse
- And fill the dear fox-glove with treasure again.
-
-
-FAIRY-TIME
-
- Lie very still, love, where I fold
- You close: the clocks strike fairy-time.
- The thin, sweet tinkle of their chime
- Is like a thread of gold
- Woven through the heart of night
- For our delight.
- And following the elfin call
- Faint noises, half-tones, rise and fall—
- The whirr and flit of fairy wings
- Pass and re-pass,
- And we can hear among the grass
- Musicians tune their buzzing strings,
- And small feet tapping on the ground
- The measures of a fairy round.
- Out of the roses stream wee elves,
- Sweet peas are fairies in themselves,
- And myriad water-sprites
- From dreaming water-lilies rise,
- Such glistening, ephemeral mites,
- Flashing like spray across our eyes.
- Watch how all whirl, dissolve, and mix
- Again, foot it so daintily,
- Play such quaint, pretty tricks—
- Some on wild moths go riding by,
- Breaking them in with rein and bit
- Of gossamer: some lurk and flit,
- Making pretence at hide and-seek
- Behind the daisies, laugh and peek
- Like children: disregarding rules,
- Play leap-frog with the spotted stools
- Of fungus, each night newly-sprung
- For them to sport among ...
- Suddenly all grow hushed with awe—
- Come closer, dear!
- The voice of one who broke the law
- Of Fairyland sounds harsh and near,
- And overhead a dark shape flies.
- Bound in a hollow oak by day
- He, like the wizard Merlin, lies,
- But is condemned to pass the night
- In restless flight
- Until the dawn looms grey....
- There! he has passed. And in a trice
- They all forget him, joining hands
- Once more in glittering, laughing bands,
- Employing every strange device
- And twist and twirl
- And mazy whirl
- To build their graceful, freakish dance—
- Like moonbeam motes they glide and glance
- Under the starshine. Seize this chance
- Of watching them. To-morrow we
- No trace shall see
- Of all their revels save—who knows?—
- A broken toadstool, or the spun
- Fine silken spider's web undone,
- The shattered petals of a rose
- Tom in the careless frolic, or
- The bloom brushed from some untamed wing
- Of moth, and on their dancing-floor
- Staining the grass a bright green ring.
- Lie close, and let us look our fill
- To-night. Be very still.
-
-
-THE WANING YEAR
-
- Two little things, dear, I have seen
- To-day that overflowed my breast with sorrow—
- We may not stay here many another morrow.
-
- Amongst the leafage, by its green
- Still-living sisters tenderly enfolden,
- I saw one single leaf grown dry and golden.
-
- And down the alleys of the rose
- Passing, I saw one lightly breathed-on blossom
- Fall instantly deflowered to earth's brown bosom.
-
- Compassionate summer ere she goes
- Strikes tender notes surcharged with wistful warnings ...
- Dear heart, we must begone ere many mornings.
-
-
-SHADOWS
-
- We thought we were here alone,
- Had spent our summer of love
- By all other hearts unknown,
- Of all other eyes unseen—
- But something came to disprove
- Last night what we thought had been.
-
- The shadows fell one by one—
- We have watched them fall before
- And fancied ourselves alone;
- But they seemed to waver and move
- Last night, and to wander o'er
- Our green-tented couch of love.
-
- You were asleep, and I
- Would not disturb your dreams
- Lest the shadowy shapes should fly.
- I saw them gather and mount
- In ever-increasing streams—
- More lovers than I could count.
-
- They circled around our bed
- And watched us a little while
- From the sides and foot and head;
- And some of that shadow-band
- Were wistful, and some would smile,
- But all seemed to understand.
-
- Then I felt light fingers twine
- In my hair, and soft breath enwreathe
- My brow ... lips were laid to mine ...
- But none of the hands was this,
- Nor the breath the breath you breathe,
- The kisses were not your kiss.
-
- Then ... you turned on your side to press
- More close with the smile that slips
- From its hiding at my caress,
- And you breathed my name in my ear
- As though I had kissed your lips ...
- But I had not kissed you, dear.
-
-
-THE LAST NIGHT
-
- Well, is it done? is it over?
- Three months in these groves I have been your lover,
- Added my voice to the echoing chorus
- Of those who loved here before us.
-
- We have pressed the paths made sweet
- By the pressure of bygone lovers' feet,
- Have lain amid flowerless violet-beds
- Where they laid their happy heads;
-
- We have flung a red-rose petal
- On the glass of the pond and watched it settle,
- Then drift like a boat down one of her streams
- With our cargo of hopes and dreams.
-
- So many have come and gone,
- Have done the things which we two have done:
- Have leaned in revery sweet and solemn,
- Hands laced, on the sundial's column:
-
- Have found their three months as brief
- As the life of a blade of grass, a leaf—
- As eternal, too, as the leafage is
- Have found their three months of bliss.
-
- For us it is finished and over.
- Our three months are spent when as lover and lover
- We may roam these groves. But to-night we are nearest,
- This being our last night, dearest,
-
- The spirits of those who wander
- Near our lily-pond, by our sundial yonder,
- In our rose-realm ... Farewells are not easily spoken,
- So their silence remains unbroken.
-
- But I see through a mist of tears
- This garden after a million years,
- Where two shades more move eternally ...
- Heart of mine, they are you and I.
-
-
-
-
-A SHEAF OF NATURE-SONGS
-
-(Overstrand, 1905.)
-
-
-I
-
- They were gathered up in the moods
- Which I found in the solitudes
- Of the shore and the fields and the woods,
- Of the dawn and the noon and the even,
- Of the earth and the sea and of heaven.
- And some lack rhythm and metre,
- And none of the songs is sweeter,
- Or as sweet (by the infinite span
- Which divides the work of man
- From the work of his God), as the thing
- Which was the fountain and spring
- Whence my heart drew its need to sing.
- But because wherever I went
- Much song in my heart was pent:
- Because the sea and the sky
- Filled my breast with such melody:
- Because the woodlands and all
- God's earth became musical
- As they entered into my soul:
- Because I captured the whole
- Of Nature for my possession:
- I sang just to find expression
- For the joy and the love and the pride of it—
- Else all song in me might have died of it.
-
-
-II
-
- The infinite sky overhead
- And on the horizon
- The infinite sea.
- Green billowing grass for my bed—
- At last I am out of my prison
- And free!
-
- An insect creeps over my page,
- An infinite mite
- With all life folded under its wings.
- I am of no sex, of no age,
- Here out of sight
- Of the world, all alone with God's infinite things.
-
- Oh, the world of small leafage
- Peopling the bank where I lean,
- And the one white daisy
- With its wisdom of things supernal.
- They live out their brief age,
- Brief but eternal,
- And time itself recedes and grows hazy
- In this little infinite world of green.
-
- Behind me the copse
- Like a round cup dips
- Filled with a pool of soft shadows,
- And to me in the meadows
- One shy bird-voice from the tree-top drips
- And into the hollow of shadows it melts and drops.
-
- They are all around me
- And all above me,
- Half-seen, half-heard,
- Flower and leaf and insect and bird,
- Wild, timid creatures,
- Simple and friendly and shy;
- And so still I lie
- Where they have found me
- That I think in time they may learn to love me,
- For they are Nature's
- And so am I.
-
- One by one she unfolds each feature,
- The Infinite Mother
- To her child.
- There was a new bird-call,
- And there was another!
- I too shall learn to grow simple and shy and wild ...
- Only Nature and Nature and nothing but Nature,
- And I alone in the heart of it all.
-
-
-III
-
- They who dwell in the southlands say,
- Little green England of mine, that you
- Are misty and colourless, cold and grey.
- If it be true
- And they can know it who dwell afar,
- You only are grey as diamonds are.
-
- To-day in the warm soft evening light
- You are a zone of delicate tints;
- On the rim of the sea the sun is bright,
- And shoots and glints
- Sparkles of gold through its splendid blue.
- Who say you are colourless know not you.
-
- Opal gleams on the sunset sky
- Where a wave of the liquid sapphire flows;
- One bright cloud on its flood drifts by
- Of pearl and rose;
- The air is radiant and crystalline
- As rare jewels delved from a fairy mine.
-
- A breeze just shivers the green of the corn
- And sweeps it into a silver sea;
- Infinite sensitive shades new-born
- On hill and lea
- Over the land's lap flit and pass
- Like elusive tints in Venetian glass
-
- Nature has painted you in pastel,
- You are her palette of tender hues,
- Little green England of mine, where dwell
- Change, and infuse,
- The million lights of the polar-star,
- And you only are grey as diamonds are.
-
-
-IV
-
- If I could unravel
- The music of the grass,
- Beyond those confines travel
- Which mortals cannot pass,
- I think that I should capture all
- The secret of things musical—
- All music ever will be, and all it ever was.
-
- Ear close to earth inclining
- I hear her wordless song
- Of threads past man's divining
- Woven the grass among.
- Beneath these fragrant, tangled weeds
- She sings the strain to which her seeds
- March into life, push upward to heaven, and grow strong.
-
- Then like a voice replying
- Follows her cradle-croon
- Lulling tired things that, dying,
- Back to their Mother swoon.
- For where the worlds of grasses spring
- Both life and death their choral sing,
- The spheres' eternal roundel circling an afternoon.
-
- The music of existence
- Moves underneath my ear—
- From how remote a distance
- Comes that which sounds so near!
- Could I the human barrier pass
- By the fine measure of one grass
- I then might comprehend what now I only hear.
-
- There's such melodious stirring
- Of hidden, secret things,
- There's such harmonious whirring
- Of faint mysterious wings;
- And underneath this leaf is curled
- The song, I think, of all the world—
- Up-turned, should I discover the seed from which it springs?
-
- If I could unravel
- The music of the grass,
- Beyond those confines travel
- Which mortals cannot pass,
- I think that I should capture all
- The secret of things musical—
- All music ever will be, and all it ever was.
-
-
-V
-
- Hark!
- It is afternoon,
- Yet that must be a lark.
- No other bird flies up so high
- And shakes its sparkling spray of song
- Through the grey clouds in the sky,
- No other bird has just that thrilling
- Note in trilling,
- Or can sustain so long
- Its liquid flood of mirth:
- As rare a boon
- To thirsty ears as God's dew is to earth.
- Yet it is afternoon.
- I thought the larks, all scorning
- The jaded hours, sang only in the morning.
- And I, whose first flushed youth is going,
- Who watch the swift noon growing
- Upon me, hour by hour,
- Feeling that I must always stand apart
- From earth's sweet singers, because I lacked the pow'r
- To loose the morning song-burst from my heart—
- Oh, songster of the mellowing hour of day,
- Shall I, too, late or soon,
- Learn from your throat the way
- To loose my power of song even in my afternoon?
-
-
-VI
-
- The day was a lifeless day.
- Under a tree I lay
- And round me its branches bent
- Touching the earth like a tent.
- There was no stir of breeze;
- I was shut in with trees,
- Locked from the world by these;
- Dead leaves were piled on the ground,
- And the forest lay in a swound,
- Throbbed with nor pulse nor breath,
- And I thought: "It is waiting Death."
- So I lay there, still and oppressed,
- While the silence grew in my breast.
-
- Presently as I lay
- I heard from far away
- Little pattering feet
- Over the dry leaves beat;
- Tripping along pell-mell,
- Thicker and faster they fell
- Than tongue could count or tell.
- And I fancied the birds and deer
- And rabbits, too awed for fear,
- Were creeping my aid to plead
- Impelled by our common need—
- Till into my sheltered place
- One raindrop splashed on my face.
-
- I lay there tented and dry
- While the dews, dropped out of the sky,
- Made music upon the sheaves
- Of last year's stacked-up leaves—
- No steps of wild things that trod,
- But the whispering voice of God
- In grave commune with the sod,
- Messenger-angels rife
- With words not of Death but Life,
- Bidding the old brown Earth
- Prepare for her great re-birth
- And look to Heaven in pride
- Renewed and revivified.
-
- Then I heard far under the soil
- The seedlings stir and toil,
- And blade and bulb and root
- Put forth each one new shoot,
- And I felt deep down and deep
- A million pulses leap
- Out of their term of sleep,
- And I thought the acorn spoke
- With the voice of the full-grown oak,
- And the cone wore the crown divine
- Of the red-stemmed, crested pine,
- And the haw held all the blush
- And bloom of the wild-rose bush.
-
- What helped these young things to grow?
- Dead leaves of a year ago,
- Leaves heaped up in their crowds
- And spread like funeral-shrouds;
- Yet life sprang out of their death
- As the blade slips out of its sheath,
- Life was fostered beneath
- The leaves here rotting away
- And emerged from their decay.
- Are all things that seem to die
- Renewed to infinity,
- And the bodies and souls of men
- Made and re-made again?
-
- With the scent of the rain-wet loam
- In my nostrils, I turned me home.
-
-
-VII
-
- I lay on the shore beside the sea,
- And the young moon climbed the hill of the sky
- And paused a space to look down on me
- Alone with my misery
-
- Then on the fallow blue fields above
- The young moon sowed its seed of stars;
- Light gleamed from the mirror of her named Love
- And flashed from the shield of Mars.
-
- The stars sprang up from the silver seed
- Wherever that silver sower trod.
- Through the windows of heaven watching my need
- I knew them the eyes of God.
-
- Little blue waves with blown foam capped
- Crept on the solitary shore
- Which the sea's white lips still licked and lapped
- For ever and evermore.
-
- The silver moon waxed strong and older;
- I thought I saw it stop to fling
- A silver sickle over its shoulder
- And commence its harvesting.
-
- The strong moon ploughed through the fields of heaven,
- Its eternal labour but half-begun.
- My breast dropped its load of earthy leaven
- As the stars dropped one by one.
-
- I had sat there hugging my trivial cross,
- My infinitesimal mortal pains,
- Reckoning up how my mortal loss
- Outmeasured my mortal gains.
-
- I saw the moon reaping God's blue fields
- Night after night sown thick with seeds.
- I saw the crop which God's harvest yields
- Not in men's dreams, but deeds.
-
- The old moon climbed down the hill of the sky,
- The strong young day flashed up in flame.
- The moon dropped into the sea, and I
- Bowed down my head in shame.
-
-
-
-
-APOLLO IN PHERAE
-
-
- _Asklepios! dead son! Asklepios!_
-
- I was a God. I am a God. I tend
- Admetos' flocks upon the meek green earth,
- And sun-fires course in all the veins of me.
- I watch mild sheep a-browse in tame, sweet pastures
- Or dipping in quiet waters. Yesterday
- I blazed the heavenly arc from east to west;
- Men saw me pinnacled on the crest of noon
- Crown'd with celestial flame ...
- _Asklepios!_
- To-day the discrown'd gold of my hair is strewn
- In the green lap of grasses, my bowed brow
- Leans on the good strong shoulder of the earth
- Even as a stricken mortal's might, that seeks
- His comfortable mother in his grief.
- Earth, earth, what flower from seed wilt thou put forth
- Fed by the waters of mine eyes, that most
- Shoot lightnings? dews wrung from the Sun-god's eyes,
- Divinely wrathful, mortally unhappy!
-
- _Asklepios! my son! Asklepios!_
- I am a God. Admetos is a King.
- The God came to the King's doors overnight
- And knocked and was admitted; and the King
- Knew me and asked my will.
- "To be thy servant
- Throughout a year of days," I answered him.
- "Phœbus-Apollo, how shall this thing be?"
- I said: "I slew a smith, a monstrous clod,
- Not God or mortal, one that had done evil.
- I am the avenger of evil among the Gods,
- For this one and for that I have stretched my bow
- And winged my arrow through the heart of Wrong;
- But this was evil done unto myself,
- And Vengeance wore the sleek face of Advantage,
- Wherefor Zeus robs me of my Godhead, King,
- And I will be thy shepherd for a year."
- He stood half wonderstruck, half shamed-protesting,
- But I bade him bring me out among his flocks
- And speak no more.
- "I will have peace," I said.
-
- "Fear not, and bid thy people not to fear;
- For I am worn with too much strife and passion,
- And no more hurt shall come from that I do.
- Thou shalt not suffer by this term of service,
- But see thy lands grow rich and bountiful,
- And where thou lov'st I'll win thy love for thee,
- And life shall prosper with thee,
- "Life is sweet!
- Make it not too sweet, God, lest when death come
- It look more bitter than my soul can bear."
- "Even death, Admetos, I'll delay for thee.
- Now, peace! I am done with vengeance for a space."
- Thus I am come again upon the earth
- Even as a common man ...
- _Asklepios!_
-
- The people eye me timidly, and dare
- Not consort with the God they may not worship.
- Even so it was in those first days of life
- When I was a boy in Delos with my Mother,
- And only half aware I was a God.
- O this unconquerable loneliness
- That binds the crown of Godhead on our brows!
- Yet easier the aloofness of the people
- Than the familiar face of the half-God Pan.
- I met in the woods the brute-divinity,
- Who fleered an impudent hoof, a satyr-smile
- Licking his lips:
- "What, Helios! is the sun
- Debased to something lower than the earth?
- What! are we two, I of the beast's grain, thou
- The delicate, disdainful spirit of flame,
- The seed of mischief and the seed of Zeus,
- Brought equal at the last? Nay, is the beast
- Sun's master, Helios? Shepherds are my subjects.
- I do not sway high kingdoms of the air—
- I drag my hoofs in the clay. I do not fashion
- Songs for the stars upon a golden lyre—
- I (as did Marsyas, ha?) scrape out rough tunes
- On common reeds. I am not beautiful,
- I have not eyes like June-blue heavens on fire,
- Nor hair filched from the harvest of the sun,
- Nor a white matchless shape, supple and swift
- And strong and splendid. I am an earthy thing,
- Half goat and half coarse boor, not fit to touch
- The sun's moon-sister—(yet, who knows? who knows!
- Let her keep watch on Latmos how she will
- Above the slumbers of her pretty shepherd!)
- No, Pan is not as Helios! Helios is
- A shepherd, sister'd by a shepherd's wanton,
- And Pan's a King, and shepherds are his subjects!"
-
- Zeus, did it feed thy pride on proud Olympos,
- Did it pleasure thee to hear the brutish God,
- The disgustful animal we chafe to name
- A God even as ourselves, thus flout thy son?
-
- _Asklepios! dead son! Asklepios!_
-
- Doomed to the solitariness of greatness
- We watch, we lonely Gods on shrouded heights,
- The careful, padded steps, the little lives,
- The little trivial lives of men and women
- That fear our anger and entreat our favour;
- And while we are indifferent all is well,
- And if we rise to hate all is not ill,
- But when we stoop to meet uplifted eyes
- Of bright aspiring fools that will not choose
- To tread life's inconspicuous middle ways—
- O, when we love we bring our lov'd ones woe
-
- I had a son, his name was Phaeton.
- Could he be of my being and not be proud?
- He was all inspiration, and he mounted
- Up to the highest and reached his hands for the sun
- And shouted: "I will light the fires in heaven!"
- But he was three-parts man to one-part God,
- So men and Gods shrugged his brief blaze of glory
- Into extinction ... Thus I lost my son,
- Phaeton, killed thro' overmuch ambition.
-
- I had a son, his name was Orpheus.
- Could he be of my being and not love?
- His love was rooted deeplier than Hell.
- He said: "I will pluck back my love from Hell
- Tho' it upheave all Hell in the plucking." When
- He failed, being one-part man to three-parts God,
- He chose the swift way to regain his love
- And died a vile death ... Thus I lost my son,
- Orpheus, killed thro' too great love and longing.
-
- I had a son. He was Asklepios,
- Could he be of my being and not KNOW?
- His wisdom girdled life and death in one;
- Life smiled on him, because he smiled on death
- And said: "Life is less conquerable than death."
- He said: "I will reverse the word of death."
- He said: "I will make the dead to live again."
- Two days ago Asklepios lived ...
- The King
- Of the nether-world, that wears the face of night
- And hates me, wearing day's face, called on Zeus:
- "This mortal steals upon my sovereignty,
- Stands brazen champion for the world of flesh,
- Determines souls that waver towards the Styx—
- Worse! hales the souls back from beyond the Styx,
- Bringing the dead to life. This is more craft,
- Brother, than we may suffer in a man.
- Shall he with careless finger sway at will
- The Balance of Destiny? Avenge me, Zeus!"
- A Cyclops forged a thunder-bolt for Zeus,
- And, black-browed, Zeus did launch it ... Thus I lost
- My son Asklepios, killed thro' too much knowledge.
-
- _Asklepios! my dead Asklepios!_
-
- Let the dark King of Stygia howl for aid
- To Olympos! I am King of Heaven and ask
- No aid! I wreak my vengeance for myself.
- I rose up in the wrath of my bereavement
- And set an arrow to the silver bow
- That none save I can bend, and let it fly.
- I might not slay the wielder of the bolt,
- But I did slay the forger of the bolt.
- And when I saw the Cyclops pierced and dead
- I came to Zeus and told him of my deed:
- "Father, 'gainst whom my bow was never turned,
- Father, that hast destroyed thine own son's son,
- I defy thy doing and have destroyed thy tool."
-
- Then while the Gods stood all aghast, Zeus spake:
- "Go from among this immortal company
- Which thou hast sinned against in daring so
- To sin against _me_ that am the head of all,
- And learn to quell thy too fierce spirit, learn
- To teach thy riotous blood obedience,
- Serving the sons of men one year of days.
- Go hence! thou art not of us for twelve moons."
- I nothing said, and went. For when we Gods
- Revolt among ourselves the end is near,
- And Zeus must levy justice as he will.
-
- _Asklepios! my dead Asklepios!
- Had an hundred bolts been forged instead of one
- I had slain an hundred Cyclops for thy sake
- And suffered an hundred years of degradation!_
-
- Earth that receivest my body for a space,
- I first saw light upon thee. Comfort me,
- And tame a little the untamed blood in me.
- Better will I endure to learn of thee
- Than of the envious Gods, whom this disgrace
- Serves for a secret feast to glut their hearts on.
- For we have loved each other, thou and I,
- And I have belted thee with golden arms,
- And I have claspt thee daily with hot kisses,
- And felt thee leap and pulse and answer to me
- Like a shy maid grown bold and glad with love.
- There's that in the core of thee that is so kin
- To the core of me, it holds us twain inseverable,
- Tho' from a billion blue-gold caverns of air
- Translucent waves of space roll up an ocean
- 'Twixt earth and sun: our hearts beat time together.
- My sister of the spheres has no such power
- To quicken thee, be lov'd of thee and love thee.
- She rains down light like argent snows; and thou,
- Part shadow'd, part-illumin'd, wholly chill'd,
- Submitt'st thyself to call her queen, who asks
- No ardent service of thee, earth, as I do.
- Yet, chaste twin-sister, we were of one birth;
- Thy veins run all the silver, mine the gold.
- What marvel Leto had nine days labour of us,
- Strenuously thus disparting snow from flame,
- To give the Gods one daughter all pure ice,
- One son all perfect fire?...
- O Thunderer!
- That spark of immortal fire which, pregnant in her,
- Evolved into my Godhead, issuèd
- Out of _thy_ Godhead; my humiliation
- Is thy humiliation, Zeus! I stand
- Supremest in thy shining progeny:
- I am thy glittering symbol fix'd in heaven
- To draw the dazed, adoring eyes of men:
- I am thy arm of vengeance, I the hand
- Bestowing thy good gifts: I am thy Voice
- Of mystic prophecy and divination
- Thro' which thou keep'st thy fingers on men's souls.
- Daughters and sons thou hast whose attributes,
- This one by twisty cunning, this by love
- Too often base, this by remorseless carnage
- Not bearing the high name of vengeance, these
- By the insidious lusts of gold and wine,
- Serve to express thee to the bodies of men;
- But I express thee to the ghost in them,
- For there is none whose vesture is like mine
- Weft only of the spirit's highest tissues,
- So that the world beholding thee thro' me
- Beholds thee at thy zenith, and exalted
- Out of the flesh struggles to sense an instant
- The music, fire and essence of Olympos.
- This Thunderer, wilt thou smirch? More dim, more dim
- Than the imperial spark thou quenchest in me
- Thou mak'st thy imperial fires whence I did spring,
- The fount of us so indissoluble
- That what shames thee shames me.
- Earth, is this vengeance?
-
- Nay, I see clearer. Rest unstained of me,
- Thou God that art the father of my being.
- The spirit of me, which is _Thou_, makes cause with thee
- Against me. We must be inviolable
- Or men will point their fingers—when We fall.
-
- _Asklepios! farewell, Asklepios!_
-
- Earth, I will serve on thee my year of days
- Nor chafe beneath them like a petulant boy.
- Ay, tho' Zeus force my Godhead into bonds
- I will yet bear my bondage like a God.
-
-
-
-
-Transcriber's Note
-
- Obvious punctuation and spelling errors have been repaired.
-
-
-
-
-
-End of Project Gutenberg's Pan-Worship and Other Poems, by Eleanor Farjeon
-
-*** END OF THIS PROJECT GUTENBERG EBOOK PAN-WORSHIP AND OTHER POEMS ***
-
-***** This file should be named 56074-0.txt or 56074-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/6/0/7/56074/
-
-Produced by Larry B. Harrison, MWS and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-