summaryrefslogtreecommitdiff
path: root/old/56049-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/56049-0.txt')
-rw-r--r--old/56049-0.txt2936
1 files changed, 0 insertions, 2936 deletions
diff --git a/old/56049-0.txt b/old/56049-0.txt
deleted file mode 100644
index d47227c..0000000
--- a/old/56049-0.txt
+++ /dev/null
@@ -1,2936 +0,0 @@
-The Project Gutenberg EBook of Cleopatra, by Henry Houssaye
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Cleopatra
- a Study
-
-Author: Henry Houssaye
-
-Translator: D. A. F.
-
-Release Date: November 25, 2017 [EBook #56049]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK CLEOPATRA ***
-
-
-
-
-Produced by Turgut Dincer, Charlie Howard, and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive)
-
-
-
-
-
-
-
-
-
-CLEOPATRA
-
- HENRY HOUSSAYE
-
- CLEOPATRA
- A STUDY
-
- TRANSLATED FROM THE FRENCH BY
- A. F. D.
-
- [Illustration]
-
- AUTHORIZED EDITION
-
- [Illustration]
-
- NEW-YORK
- DUPRAT & CO.
- 1890
-
-
-
-
- COPYRIGHT, 1890, BY DUPRAT & CO.
-
- THE DE VINNE PRESS.
-
-
-
-
- CALMANN LÉVY, Editeur,
- 3, rue Auber, 3.
-
- PARIS, le 21 Août, 1890.
-
-_Messieurs et Chers Confrères_:
-
-Nous venons de recevoir votre chèque, et nous vous envoyons en échange,
-par la présente lettre, tant en notre nom qu’au nom de l’auteur,
-l’autorisation exclusive de publier aux Etats-Unis, une traduction de
-l’étude de Mr. Henry Houssaye sur Cléopâtre.
-
-Nous saisissons avec empressement cette occasion de rendre hommage à
-la parfaite correction de vos procédés. Vous donnez un exemple qui
-vous honore fort, et dont nous vous savons d’autant plus gré, que nous
-aimons à croire qu’il sera suivi.
-
-Agréez, Messieurs et chers confrères, mes salutations empressées.
-
- PAUL CALMANN LÉVY.
-
- MM. DUPRAT & CO.,
- New-York.
-
-
-
-
-CONTENTS
-
-
- I 9
-
- II 16
-
- III 28
-
- IV 37
-
- V 53
-
- VI 68
-
- VII 77
-
- VIII 85
-
-
-
-
-[Illustration]
-
-CLEOPATRA.
-
-
-I.
-
-
-After an existence of forty or fifty centuries, the empire of Egypt
-was expiring under the “evil eye” of the Romans. The Greek dynasty,
-which had given to the country a new strength and reviving brilliancy,
-had exhausted itself in debauchery, crimes, and civil wars. It was now
-sustained only by the good-will of Rome, whose fatal protection was
-bought at a high price, and who still designed to tolerate, for a time,
-at least, the independence of Egypt. Freed from nearly all military
-service by the introduction of Hellenic and Gallic mercenaries the
-Egyptians had lost their warlike habits. They had suffered so many
-invasions and submitted to so many foreign dominations that all that
-remained for patriotism was the religion of their ancestors. Little
-mattered it to them, born servile and used to despotism, whether they
-were governed by a Greek king or a Roman pro-consul—they would give not
-an ear of corn less, nor receive a blow the more.
-
-Her glory eclipsed and her power decayed, Egypt still possessed her
-marvelous wealth. Agriculture, manufactures, and commerce poured into
-Alexandria a triple wave of gold. Egypt had erewhile supplied Greece
-and Asia Minor with corn; it remained the inexhaustible granery of the
-Mediterranean basin. But the fertile valley of the Nile—“so fertile,”
-says Herodotus, “that there was no need of the plough,” produced not
-corn only. Barley, maize, flax, cotton, indigo, the papyrus, henna,
-with which the women tinted their finger nails, clover sufficient for
-countless herds of cattle and sheep, onions and radishes, supplied
-to the laborers employed in building the great pyramid of Cheops to
-the amount of eight millions of drachms, grapes, dates, figs, and
-that delicious fruit of the lotus, which, according to Homer, “made
-one forget his native land,” were other sources of wealth. Native
-industry produced paper, furniture of wood, ivory, and metal; weapons,
-carpets, mats, fabrics of linen, wool, and silk; cloths, embroidered
-and painted; glazed pottery, glass-ware, vases of bronze and alabaster,
-enamels, jewels of gold and settings of gems. Finally commerce, which
-had its factories beyond the Aromatic Cape, which sent its caravans
-across Arabia and the Lybian Desert, and whose countless ships ploughed
-the seas from the Pillars of Hercules to the mouth of the Indus, had
-made Alexandria the emporium of the three continents. Under Ptolemy
-XI., the father of Cleopatra, the taxes, tithes, import and export
-duties cast annually into the royal treasury twelve thousand five
-hundred talents—sixty-eight millions of francs.
-
-The capital of the Ptolemies, Alexandria, made Achilles Tatius exclaim,
-“We are conquered,” and the probability is that he saw this city only
-after the ruin of many of its fine edifices. But what at all times was
-most striking to the stranger was less the number and magnificence
-of the buildings than the noble order and symmetrical arrangement
-of the city. Two great avenues, bordered with colonnades of marble
-and crossing at right angles, traverse Alexandria—the longitudinal
-avenue, more than thirty stadia (four thousand eight hundred meters)
-in length, and thirty-five meters in width, ran from east to west,
-beginning at the gate of the Necropolis and terminating at the Canopic
-gate. The transverse avenue extended for a length of seventeen stadia,
-from the southern enclosure to the great port. All the other streets
-and avenues, alike paved with heavy blocks of stone and provided
-with sidewalks, all crossing at right angles, met the two chief
-thoroughfares. This regularity, this noble appearance, and endless
-perspectives gave to Alexandria a character peculiar to itself. One
-felt that, unlike other cities which grow by degrees, by successive
-additions, Alexandria had been created at one stroke, on a fixed plan;
-and in truth this city had, so to speak, risen from the sand at the
-will of Alexander. It was Alexander who determined the position of the
-city; it was Alexander who had given it the form of the Macedonian
-chlamys; it was Alexander who, with his architect Dinarchus, had
-traced this network of streets and avenues, marked out the dykes to
-be raised for the new port, and appointed the sites for the principal
-edifices. Afterwards the Ptolemies adorned the city; they built
-innumerable monuments, created wonderful gardens; populous suburbs
-arose, both east and west; but as a whole Alexandria remained as it was
-conceived by Alexander.
-
-It was from the Paneum, an artificial elevation in the heart of
-the city thirty-five meters in height, that a complete panorama of
-Alexandria could be seen. On the south, thousands of houses and private
-palaces stretched away to the circumference which, owing to the
-perspective, seemed to bathe in the shining waters of Lake Maratis.
-Humble cottages, rough-coated with lime, pierced irregularly with
-little windows, having wooden gratings, and terraced roofs surrounded
-by ventilators, serving as sleeping-places in the hot summer nights,
-alternated with vast residences rising amidst courts and gardens,
-concealing from the view of the outside world by lofty walls, turreted
-like ramparts, their white façades and sculptured porticos with rows
-of painted columns and cornices decorated with many colored bands. The
-grand Serapium overlooked this whole portion. This colossal edifice was
-reached by a winding staircase of a hundred steps; columns of syenite
-of the Corinthian order, thirty-two meters in height, supported the
-cupola.
-
-Looking towards the sea the view embraced the northern portions, the
-old port and the new separated from each other by a gigantic mole seven
-stadia in extent which united the island of Pharos with the city. At
-the eastern extremity of this island rose the lighthouse, an immense
-octagon tower of two stories, one hundred and eleven meters in height,
-and built wholly of white marble. Around the vast port, from Cape
-Lochias to the Heptastadium, extended a noble line of piers along which
-arose palaces and temples. Edifices of pure Greek style stood side
-by side with Egyptian buildings and other magnificent ones in which
-both styles of architecture had combined their elements, relieving the
-utter plainness of Semitic art by ornaments of the Hellenic order,
-alternating Corinthian columns with campaniform, and uniting the
-acanthus leaf with the papyrus flower. Perspectives of cloisters ended
-in apses of marble exedræ; at the extremity of long avenues of sphinxes
-gigantic pylons raised their pyramidal masses, where painted on white
-screens filed on processions of figures, and the entablature of which
-bore the emblematic disk with the great wings unfolded. Here a Greek
-temple presented a pediment sculptured in Parian marble; there an
-Egyptian temple, vast, squat, mysterious, showed its granite mass whose
-quadrangular pillars bore on the four faces of their cubic capitals
-the head of the god Hathor. On terraces covered with beds of roses,
-and shaded by sycamores, mimosas, and palms, rose palaces surrounded
-by porticos supported by columns of lotus form, alleys of pylons,
-pavilions in the form of conic towers, open kiosks, tribunes supported
-by caryatides. In the squares, at the junction of the streets, before
-the great edifices arose sculptured heads of Mercury, Osirian colossi,
-statues of the Greek gods, altars, heroums, dominated at intervals by
-lofty obelisks and tall masts fixed in the ground whose many colored
-flags fluttered in the breeze.
-
-Among these endless monuments would first be noticed, at the extremity
-of the cape, the temple of Isis Lochias, and a noble royal villa; then
-before the Closed Port of the Kings the shipyards and the arsenal
-buildings. There began the Bruchium. Enclosed by lofty walls and
-hanging gardens the Bruchium was a city within the city—the City of the
-Ptolemies. Each of the Lagidæ had built a palace, erected a temple,
-opened gushing fountains, planted groves of acacias and sycamores,
-created ponds where bloomed water-lilies, and the blue lotus flower.
-Strabo applied to the monuments of the Bruchium the line of the
-Odyssey: “One produces the other.” Near the various palaces of the
-kings and their vast appurtenances arose the temple of Chronos, the
-temple of Isis Pelusia, the lesser Serapium, the temple of Poseidon
-[Neptune], the gymnasium with its porticos of a stadium in extent, the
-theater, the covered gallery, the library containing seven hundred
-thousand volumes.
-
-Finally the Soma, the immense mausoleum in which Alexander’s body
-rested in a coffin of solid gold, afterwards replaced by one of glass.
-One other edifice of the Bruchium attracted the eye by its vast
-proportions and its epistyle crowned by a dome. It was the celebrated
-museum of Alexandria, at once a school, a monastery, and an academy.
-
-Grammarians, poets, philosophers, and astronomers lived there together
-at the expense of the Ptolemies, and it was maliciously called the
-Cage of the Muses,—a splendid cage, however, in which sang Theocritus,
-Callimachus, Apollonius, and whence arose the noble voice of the
-Alexandrian philosophy.
-
-Beyond the temple of Poseidon the quays inflected in a broken line
-towards the southwest. There also edifice succeeded to edifice—the
-exchange, the temple of Bendis, the temple of Arsinoë, and the immense
-Apostasia in which was gathered the merchandise of the whole world.
-Beyond the Heptastadium was the old port with its great shipbuilding
-yards, and farther to the west, outside the walls, the suburb of the
-Necropolis, the funeral quarter of the embalmers.
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-II.
-
-
-Alexandria was a cosmopolitan city. Whilst the cities of Upper Egypt
-and Heptanomis had preserved the national character, in the Delta the
-Hellenic civilization had been grafted on the Egyptian, or rather they
-went side by side. The laws and decrees were written in both languages;
-the priesthood, the government, the police, the tribunals, the whole
-administration belonged equally to both; the army was composed of Greek
-and Gallic mercenaries, of Cilician robbers, of fugitive Roman slaves.
-In Alexandria, where for more than two centuries unnumbered colonies
-had settled, the native race dwelt together in the ancient Egyptian
-city of Rhakotis, but they composed at the most only one-third of the
-population. The Jews, who inhabited a distinct quarter where they had
-their ethnarch and their Sanhedrim, were in the proportion of one to
-three. From the Pharos to the Serapium, from the gate of the Necropolis
-to the Canopic gate were seen as many foreigners as Egyptians. They
-composed a noisy and variegated crowd of Greeks, Jews, Syrians,
-Italians, Arabs, Illyrians, Persians, and Phenicians. In the streets
-and on the wharves every language was spoken, in the temples every god
-was worshiped. Into this Babel each race brought its own passions. The
-population of Alexandria, which amounted to three hundred and twenty
-thousand exclusive of the slaves, was as turbulent as that of the other
-Egyptian cities was tranquil and resigned, and during the reigns of the
-latter Lagidæ the Alexandrian populace always seconded the revolutions
-of the palace, hoping under new sovereigns to find more liberty and
-less taxes.
-
-Ptolemy XI. (Auletes) died in July, 51 B. C. He left four children.
-By his will he appointed to succeed him on the throne his eldest
-daughter Cleopatra and his eldest son Ptolemy, and according to the
-custom of Egypt the brother was to marry the sister. At her father’s
-death Cleopatra was sixteen and Ptolemy thirteen years old. The
-tutor of young Ptolemy, the eunuch Pothinus, was an ambitious man,
-and, being complete master of the mind of his pupil, he calculated
-to rule Egypt under the new reign; but he soon found that Cleopatra
-would permit neither him nor Ptolemy to govern the kingdom. Proud and
-headstrong, Cleopatra was likewise skillful, intelligent, and very
-learned; she spoke eight or ten languages, among them Egyptian, Greek,
-Latin, Hebrew, Arabic, and Syriac. How is it possible to think that
-this woman, so haughty and so gifted, would abandon her share of the
-sovereignty in favor of a child governed by a eunuch? Either she would
-get rid of her brother, or if she consented to live with the young
-king she would soon acquire an absolute supremacy over him. Pothinus
-realized this, and he devoted all his energies to accomplish the ruin
-of the queen. He began by provoking jealousies among the ministers
-and the high officers of the crown; then, when the dissension between
-the partisans of the king and those of Cleopatra was at its height he
-aroused the people of Alexandria against the young queen. He accused
-her of desiring to reign alone, even should she have to call in the
-armed intervention of the Romans. He declared that she had made this
-plan in conjunction with the eldest son of the great Pompey, Cn.
-Pompey, who, on his way through Alexandria in 49, had then become
-her lover. The riot reached even to the gates of the palace, and
-the connivance of Pothinus and the young king could not escape the
-perspicacity of Cleopatra. She quitted Alexandria, accompanied by a
-few faithful attendants. The fugitive, however, did not regard herself
-as vanquished; she would not so easily renounce that crown which she
-had already worn for three years. It was soon known that Cleopatra had
-raised an army on the confines of Egypt and Arabia, and that she was
-marching on Pelusium. The young king collected his forces and advanced
-to meet her.
-
-The brother and sister, the husband and wife, were face to face with
-their armies in the neighborhood of Pelusium when the illustrious
-victim of Pharsalia came to seek an asylum in Egypt. Pompey supposed
-he might reckon on the gratitude of the children of Ptolemy Auletes,
-for it was at his instigation that seven years previously Gabienus,
-pro-consul of Syria, had replaced that king on his throne. It is true
-that after the battle of Pharsalia Pompey was helpless and Cæsar
-all-powerful, and in assisting a fugitive from whom nothing more could
-be hoped for, the anger of Cæsar might be provoked. Pothinus and the
-other ministers of the young king did not hesitate; they welcomed
-Pompey; but it was to murder him as soon as he set foot on Egyptian
-territory. His head, embalmed with the learned art of the Egyptians,
-was presented to Cæsar when the latter, who was pursuing Pompey, landed
-at Alexandria. Cæsar turned his eyes from the ghastly trophy, and
-warmly reproached Pothinus and Achillas with their crime. Doubtless the
-two wretches cared but little for his reproaches; they considered that
-they had done Cæsar a great service in ridding him of his most powerful
-adversary, and they knew enough of mankind to understand that, Pompey
-being dead, it was easy for Cæsar to be magnanimous.
-
-Cæsar soon learned the contentions of Ptolemy and Cleopatra, the
-flight of the latter in consequence of the threats of the populace,
-and the battle about to take place between the two armies assembled
-at Pelusium. It had always been the Roman policy to intermeddle in
-the private dissensions of nations. This policy of intervention was
-still more in order for Cæsar with regard to Egypt, because during
-his first consulate Ptolemy Auletes had been declared the ally of
-Rome, and in his will had conjured the Roman people to have his last
-wishes executed. Another motive, which he does not mention in his
-“Commentaries,” induced Cæsar to intermeddle in the affairs of Egypt.
-With little expense he had made himself the creditor of the late king,
-and he had to call upon the heirs for a large amount. This was no less
-than seven millions fifty thousand sesterces which remained due of the
-thirty-three thousand talents which Ptolemy had promised to pay Cæsar
-and Pompey if by the assistance of the Romans he should recover his
-crown.
-
-Pothinus, however, thought he had done enough for Cæsar in offering
-him the head of Pompey. He urged him, therefore, to reëmbark and to go
-whither he was called by much more important matters than the disputes
-of Ptolemy and Cleopatra: to Pontus, whence Pharnaces was driving his
-lieutenant Domitius, to Rome where Cœlius was exciting the plebeians.
-To the claims of Cæsar, he replied that the treasury was empty; to his
-offers of arbitration between the heirs of Ptolemy, he objected that
-it was not proper for a foreigner to interfere in this quarrel, that
-such an interference would rouse all Egypt. In support of his words,
-he reminded him that the people of Alexandria, regarding the fasces
-borne before Cæsar as an outrage on the royal dignity, were enraged
-at it; that daily new riots arose, that every night Roman soldiers
-were assassinated, that the Alexandrian population was very numerous,
-and that the army of Cæsar (numbering only three thousand two hundred
-legionaries and eight hundred cavalry) was very small.
-
-But his refusals, his counsels, his implied menaces availed nought
-against the will of Cæsar. His prayers exhausted, he commands. Pothinus
-is ordered formally to invite in his name Ptolemy and Cleopatra to
-disband their armies and to present themselves before his consular
-tribunal to settle their differences. The eunuch was forced to yield,
-but, as cunning as Cæsar was persistent, he hoped to turn this
-intervention, which he at first dreaded, to secure the success of
-his designs. With this purpose he sent to Cleopatra Cæsar’s command
-to disband her troops, but without telling her she was expected at
-Alexandria, and he wrote to Ptolemy to repair at once to Cæsar but
-still to keep his soldiers under arms. Pothinus calculated by these
-means to free himself from Cleopatra’s army and to secure to the young
-king the favor of Cæsar, since Ptolemy alone of the two heirs of
-Auletes summoned by the consul paid due attention to his invitation.
-A few days after, Ptolemy actually arrived in Alexandria. He offered
-to Cæsar the warmest protestations of friendship, in which he was
-joined by Pothinus, Achillas, and the other ministers; he explained
-the disputes between himself and Cleopatra, laying all the blame on
-her. Cæsar, however, was not so easily duped. Pothinus had supposed
-that the absence of Cleopatra would irritate Cæsar against her, but
-Cæsar could not believe that the young queen had, through contempt,
-declined his invitation to repair to Alexandria. He thought it more
-probable that some machination of Pothinus had prevented her coming. In
-order to satisfy himself of this he secretly despatched a messenger to
-Cleopatra, whom he knew to be still at Pelusium.
-
-The queen was waiting impatiently for news from Cæsar. On the receipt
-of his first message, but partially transmitted by Pothinus, she had
-hastened to disband her army. She already felt full confidence in the
-favor of the great leader who was called “the husband of all women,”
-but she knew that she must see Cæsar, or rather that Cæsar must see
-her. But the days passed and the invitation to Alexandria did not
-arrive. Finally the second message reached her, and she learned that
-Cæsar had already sent for her to go to him, but that Pothinus had
-taken measures to prevent her knowing it. The thing was plain enough;
-her enemies were not willing that she should have an interview with
-Cæsar, and now that their trick was discovered they would employ force;
-no doubt they were on their guard and laid their plans accordingly.
-If Cleopatra sought to reach Alexandria by land she would be taken by
-the outposts of the Egyptian army encamped before Pelusium; by sea,
-her royal trireme could not escape the vessels of Ptolemy cruising
-about the entrance to the port. Even should she succeed in reaching
-Alexandria she would run the risk of being torn to pieces by the
-populace, incited by Pothinus. Even in the king’s palace, where Cæsar
-resided as the guest of Ptolemy, that is to say with an Egyptian guard
-of honor, she might be seized and slain by the sentinels.
-
-Cleopatra, abandoning the idea of entering Alexandria with the
-trappings of a queen, bethought herself of a plan to do so not merely
-under a disguise, but as a bale of goods. Accompanied by a single
-devoted attendant, Apollodorus, the Sicilian, she embarked from near
-Pelusium in a decked bark which, in the middle of the night, entered
-the port of Alexandria. They landed at a pier before one of the lesser
-gates of the palace. Cleopatra enveloped herself in a great sack of
-coarse cloth of many colors, such as were used by travelers to pack up
-mats and mattresses, and Apollodorus bound it round with a strap, then
-taking the sack upon his shoulders, entered the gate of the palace,
-went straight to the apartments of Cæsar, and laid his precious burden
-at his feet.
-
-Aphrodite rose radiant from the sea: Cleopatra less pretendingly from
-a sack; but Cæsar was none the less moved at the surprise and ravished
-with the apparition. Cleopatra, who was then nineteen, was in the
-flower of her marvelous and seductive beauty. Dion Cassius calls the
-queen of Egypt the most beautiful of women, but Plutarch finds one
-epithet insufficient to depict her, and expresses himself thus: “There
-was nothing so incomparable in her beauty as to compel admiration;
-but by the charm of her physiognomy, the grace of her whole person,
-the fascination of her presence, Cleopatra left a sting in the soul.”
-This is her veritable portrait. Cleopatra did not possess supreme
-beauty, she possessed supreme seductiveness. As Victor Hugo said of a
-celebrated theatrical character, “She is not pretty, she is worse,”
-which suggestive expression may well apply to Cleopatra. Plutarch
-adds, and his testimony is confirmed by Dion, that Cleopatra spoke
-in a melodious voice and with infinite sweetness. This information
-is valuable in a psychological point of view. Certes, this charm of
-voice, divine gift so rarely bestowed, this pure and winning caress,
-this ever new delight was not one of the least attractions of the Siren
-of the Nile.
-
-This first interview between Cæsar and Cleopatra probably extended
-far into the night. It is certain that, with the earliest dawn, Cæsar
-sent for Ptolemy, and told him he must be reconciled to his sister and
-associate her in the government. “In one night,” says Dion Cassius,
-“Cæsar had become the advocate of her of whom he had erewhile thought
-himself the judge.” Ptolemy was resisting the thinly disguised commands
-of the consul, when Cleopatra appearing, the young king, mad with rage,
-cast his crown at the feet of Cæsar and rushed from the palace uttering
-the cry: “Treason! treason! to arms!” The mob, excited by his cries,
-rose and marched on the palace. Cæsar feeling himself too weak to
-resist (he had but a handful of legionaries about him) ascended one of
-the terraces and harangued the multitude from a distance. He succeeded
-in restoring a calm by his promises of satisfying the Egyptians in
-their demands. Just at this time his legionaries arrived from the camp,
-surrounded the young prince, separated him from his partisans, and
-with every mark of respect reinstated him willy-nilly in the palace
-where he might serve as a hostage for Cæsar. The next day the people
-were assembled in the public square, and Cæsar, accompanied by Ptolemy
-and Cleopatra, went thither in great state with his escort of lictors.
-Every Roman was under arms, ready to suppress the first symptom of
-sedition. Cæsar read aloud the testament of Ptolemy Auletes, and
-declared solemnly in the name of the Roman people that he would insist
-on carrying out the last will of the late king. By this the two elder
-of his children were to reign conjointly over Egypt. As for the other
-two children of the king, he, Cæsar, made them a gift of the island of
-Cyprus, and handed over to them the sovereignty of it.
-
-This scene overawed the Egyptians; nevertheless, Cæsar, fearing an
-insurrection, hastened to summon to Alexandria the new legions which
-he had formed in Asia Minor of the wrecks of Pompey’s army. But long
-before these reënforcements could reach him, the Egyptian army from
-Pelusium, on secret orders from Pothinus, entered the city to drive out
-the Romans. At the same time, Arsinoë, the young sister of Cleopatra,
-assisted by the eunuch Ganymede, made her escape from the palace,
-and in default of Ptolemy, still Cæsar’s prisoner, was received with
-acclamations both by the army and people as the daughter of the Lagidæ.
-This army, commanded by Achillas, amounted to eighteen thousand foot
-and two thousand horse, and the people of Alexandria made with it
-common cause against the foreigner.
-
-Cæsar had but four thousand soldiers and the crews of his triremes. He
-was in extreme peril; occupying with this handful of men the palaces of
-the Bruchium, he was attacked from the city by the troops of Achillas
-and the armed populace, and his fleet, which was at anchor in the
-greater harbor, was virtually captive, since the enemy held the passes
-of Taurus and Heptastadium. He even feared that this inactive fleet
-might fall into the hands of the Alexandrians, who would have made use
-of it to intercept his supplies of men and munitions. Cæsar averted
-this danger by setting fire to his vessels. The immense conflagration
-reached the quays and destroyed many houses and edifices, among others
-the arsenal, the library, and the grain emporium. The Egyptians,
-exasperated, rushed to the attack, but the legionaries, as good diggers
-as brave soldiers, had transformed the Bruchium into an impregnable
-entrenched camp. On all sides were embankments, barricades, lines of
-earthworks; the theater had become a citadel. The Romans sustained
-twenty assaults without losing an inch of ground. Cæsar even succeeded
-in seizing the island of Pharos, which gave him the command of the
-great harbor.
-
-The Egyptians imagined that victory would be theirs if, instead
-of a woman, they could have Ptolemy to lead them. They therefore
-sent word to Cæsar that they made war on him only because he kept
-their king a prisoner, and that as soon as he should be restored
-to liberty hostilities would cease. Cæsar, who knew the fickleness
-of the Alexandrians, yielded—he gave them back Ptolemy. As for his
-accustomed counsellor Pothinus, Cæsar had intercepted letters from him
-to Achillas, and had delivered him over to the lictors. No sooner had
-Ptolemy rejoined the Egyptian army than the war, far from ceasing,
-was renewed with increased vigor. Just then the first reënforcement,
-the thirty-seventh legion, reached Cæsar by sea. The war was carried
-on without any decided advantage till the beginning of the spring
-of 47 B. C. Then it was learned that Pelusium had been taken by
-assault by an army that was coming to the relief of Cæsar; it was a
-body of auxiliaries from Syria, led by Mithridates of Pergamos. The
-Egyptians, fearing to be shut in between two enemies if they remained
-in Alexandria to await the coming of Mithridates, marched to meet him.
-The first battle, which was indecisive, took place near Memphis; but,
-a few days later, Cæsar, who had also quitted Alexandria, succeeded
-in joining the troops of Mithridates and a second battle was fought.
-The Egyptians were broken and cut to pieces, and King Ptolemy drowned
-himself in the Nile. Cæsar returned with his victorious army to
-Alexandria, now humbled; the turbulent populace of the great city,
-henceforth, knowing the power of the Roman steel, received the consul
-with loud acclaims. Thus ended the War of Alexandria, which should
-rather be styled the _War of Cleopatra_, since this war, adding nothing
-to Cæsar’s fame, injurious to his interests, useless to his country,
-and to which he nearly sacrificed both his life and his glory, had been
-maintained by him for the love of Cleopatra.
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-III.
-
-
-Eighteen years previous to these events, Cæsar, being ædile, had
-endeavored to have voted by a plebiscit the execution of the will of
-Alexander II., who had bequeathed Egypt to the Roman people. Now, Egypt
-was subjugated and Cæsar had but to say the word for this vast and
-rich country to become a Roman province. But in the year 63 Cleopatra
-was only just born; in the year 65 Cæsar had not felt the bite of the
-“Serpent of the Nile,” as Shakspeare calls her—the consul took good
-care not to remember the propositions of the ædile. The first act of
-Cæsar on reëntering Alexandria was solemnly to recognize Cleopatra as
-Queen of Egypt. In order, however, to humor the ideas of the Egyptians
-he determined that she should espouse her second brother, Ptolemy
-Neoteras, and share the sovereignty with him. As, however, Dion
-remarks, this union and this sharing were equally visionary; the young
-prince, who was only fifteen, could be neither king nor even husband to
-the queen; apparently Cleopatra was the wife of her brother, and his
-partner on the throne; in reality she reigned solely, and continued the
-mistress of Cæsar.
-
-During the eight months of the Alexandrian struggle Cæsar, shut up in
-the palace, had scarcely quitted Cleopatra, except for the fight, and
-this long honeymoon had seemed short to him. He loved the beautiful
-queen as fondly, and perhaps more so, than in the early days, and he
-could not resolve to leave her. In vain the gravest interests called
-him to Rome, where disorder reigned and blood was flowing, and where,
-since the December of the preceding year, not a letter had been
-received from him;[1] in vain, in Asia, Pharnaces, the conquerer of
-the royal allies of Rome and of the legions of Domitius, has seized
-on Pontus, Cappadocia, and Armenia; in vain, in Africa, Cato and
-the last adherents of Pompey have concentrated at Utica an immense
-army—fourteen legions, ten thousand Numidian horsemen, and one hundred
-and twenty elephants of war; in vain, in Spain, all minds are excited
-and revolt is brewing. Duty, interest, ambition, danger—Cæsar forgets
-everything in the arms of Cleopatra. Truly he is preparing to leave
-Alexandria, but it is to accompany the beautiful queen on a pleasure
-excursion up the Nile. By the orders of Cleopatra, one of those immense
-flat-bottomed pleasure vessels has been prepared, such as were used by
-the Lagidæ for sailing on the river, and called thalamegos (pleasure
-pinnace). It was a veritable floating palace, half a stadium long and
-forty cubits high above the water-line. The stories rose one above
-the other, surrounded by porticos and open galleries, and surmounted
-by belvederes sheltered from the sun by purple awnings. Within were
-numerous apartments, furnished with every convenience and every
-luxurious refinement of Greco-Egyptian civilization, vast saloons
-surrounded by colonnades, a banqueting-hall provided with thirteen
-couches, with a ceiling arched like a grotto, and sparkling with a
-rock-work of jasper, lapis lazuli, cornelian, alabaster, amethyst,
-aquamarine, and topaz. The vessel was built of cedar and cypress, the
-sails were of byssus, the ropes were dyed purple. Throughout, carved
-by skillful hands, were the opening chalices of the lotus, wound the
-volutes of the acanthus, twined garlands of bean-leaves and flowers of
-the date palm. On all sides shone facings of marble, of thyia, ivory,
-onyx, capitals and architraves of bronze. Mimes, acrobats, troops of
-dancing-girls, and flutists were on board to cheer the austere solitude
-of the Thebaīd with the diversions and luxuries of Alexandria.
-
-Cæsar and Cleopatra anticipate with rapture this voyage of
-enchantments; they will carry their young loves amid the old cities of
-Egypt, along the “Golden Nile,” which they will ascend as far as the
-mysterious land of Ethiopia. But on the very eve of their departure the
-legionaries become indignant, they murmur, they rebel; their officers
-cry aloud to the consul, and Cæsar returns to reason. For an instant
-he contemplates carrying Cleopatra away with him to Rome, but that
-project must be deferred. It is in Armenia that the danger is most
-pressing; it is to Armenia that he will first repair. He leaves two
-legions with Cleopatra—a faithful and formidable guard, which will
-secure the tranquility of Alexandria, and sets sail for Antioch.
-
-During the campaigns of Cæsar in Armenia and Africa (from July, 47, to
-June, 46, B. C.) Cleopatra remained in Alexandria, where a few months
-after the departure of the dictator she gave birth to a son. She named
-him Ptolemy-Cæsarion, thus proclaiming her intimate relations with
-Cæsar, which, however, were no secret to the Alexandrians.
-
-When Cæsar, the army of Cato under Thapsus being crushed, was about
-to return to Rome, he wrote to Cleopatra to meet him there. Probably
-she arrived there about midsummer of the year 46, at the period of
-the celebration of Cæsar’s four triumphs. In the second, the triumph
-of Egypt, Cleopatra must have beheld, at the head of the train of
-captives, her sister Arsinoë, who at the breaking out of the war of
-Alexandria had joined her enemies. The queen had brought with her her
-son Cæsarion, her pseudo-husband the young Ptolemy, and a numerous
-train of courtiers and officers. Cæsar gave up his superb villa on the
-right bank of the Tiber as a residence for Cleopatra and her court.
-
-Officially, if we may thus use this very new word to express a very
-old thing, Cleopatra was well received in Rome. She was the queen of
-a great country, the ally of the Republic, and she was the guest of
-Cæsar, then all-powerful; but, beneath the homage offered, lurked
-contempt and hatred. Not that Roman society took offence at her
-intrigue with Cæsar; for more than half a century, republican Rome
-had strangely changed its chaste morals and severe principles. Public
-morality, private morality,—were utterly transformed. Electors sold
-their votes, and the elected made use of their offices to re-imburse
-themselves for their election expenses and to provide means for
-their reëlection; they sold alliances, prevaricated, plundered, took
-ransoms, having an understanding with the publicans (tax-gatherers) to
-grind down the provinces. In the latter times of the Republic in Rome
-politics became the school of crime; the theater, where, contrary to
-the custom of the Greeks, women might take part in the comedies and in
-the obscene games of the mimes and mountebanks, became the school of
-debauchery. The favorite poet is the licentious Catullus; the mold of
-fashion, and at the same time the pupil, client, and friend of Cicero
-is Cœlius, a man of unscrupulous ambition and unbridled libertinism.
-Assassination became a means of government, poison a way to an
-inheritance. From the time of the proscriptions of Sylla, the hold on
-life seemed very precarious; one must make the most of it. “Let us
-live and love,” says Catullus. “Suns may set and rise again, but we,
-when our brief day is ended, must sleep a night that has no morrow.”
-The time was past when the Roman matron lived quietly at home and spun
-with her maidens. She sought adventures, plotted, gave or sold herself.
-Greek libertinism and Oriental voluptuousness had reached Rome and been
-transformed into a gross sensuality. The multiplicity of divorces
-“annihilated the sacredness of the family”; the love of luxury,
-ambition, and extravagant passions ruined its honor, and the noblest
-of the patrician ladies were the foremost in this race of debauchery.
-Among them were Valeria, the sister of Hortensius; Sempronia, wife of
-Junius Brutus; Claudia, wife of Lucullus, and the other Claudia, wife
-of Quintus Metellus Celer. Again there was Junia, the wife of Lepidus;
-Posthumia, the wife of Sulpicius; Lollia, the wife of Gabinius;
-Tertullia, the wife of Crassus; Mucia, the wife of the great Pompey;
-Servilia, the mother of Brutus, and many others.
-
-In so dissolute and adulterous a city, it could shock no one that Cæsar
-should be false to his wife with one mistress or even with several;
-but in the midst of her debaucheries, and even though Rome had lost
-many of her ancient virtues, she still preserved the pride of the
-Roman name. These conquerors of the world looked upon other nations as
-of servile race and inferior humanity. Little did they care for the
-transient loves of Cæsar and Ennoah, queen of Mauritania, nor would
-they have cared any more had Cleopatra served merely to beguile his
-leisure during the war of Alexandria; but in bringing this woman to
-the seven-hilled city, in publicly acknowledging her as his mistress,
-in forcing on all the spectacle of a Roman citizen, five times consul
-and thrice dictator, as the lover of an Egyptian woman, Cæsar seemed,
-according to the ideas of the time, to insult all Rome. As Merivale
-justly observes: “If one can imagine the effect that would have been
-produced in the fifteenth century by the marriage of a peer of England
-or of a grandee of Spain with a Jewess some idea may be formed of
-the impression made on the Roman people by the intrigue of Cæsar and
-Cleopatra.”
-
-Cæsar had received supreme power and had been deified. He was
-created dictator for ten years, and in the city his statue bore this
-inscription: “Cæsari semideo”—To Cæsar the demigod. He might believe
-himself sufficiently powerful to despise Roman prejudices; for the
-rest, during the last two years of his life, Cæsar, till then so
-prudent, so cautious in humoring the sentiments of the plebeians, so
-skillful in using them for his own designs, pretended in his public
-life to despise and brave public opinion. It was the same in his
-private life; far from dismissing Cleopatra, he visited her more
-frequently than ever at the villa on the Tiber, talked incessantly of
-the queen, and allowed her publicly to call her son Cæsarion.
-
-He went further still; he erected in the temple of Venus the golden
-statue of Cleopatra, thus adding to the insult to the Roman people the
-outrage to the Roman gods. It was not enough that Cæsar for love of
-Cleopatra had not reduced Egypt to a Roman province; not enough that
-he had installed this foreigner in Rome, in his villa on the banks of
-the Tiber, and that he lavished on her every mark of honor and every
-testimony of love;—now he dedicated, in the temple of a national
-divinity, the statue of this prostitute of Alexandria, this barbarous
-queen of the land of magicians, of thaumaturgy [wonder-working], of
-eunuchs, of servile dwellers by the Nile, these worshipers of stuffed
-birds and gods with the heads of beasts. Men asked each other where
-the infatuation of Cæsar would end. It was reported that the dictator
-was preparing to propose, by the tribune Helvius Cinna, a law which
-would permit him to espouse as many wives as he desired in order to
-beget children by them. It was said that he was about to recognize
-the son of Cleopatra as his heir, and still further, that after
-having exhausted Italy in levies of men and money he would leave the
-government of Rome in the hands of his creatures and transfer the seat
-of empire to Alexandria. These rumors aroused all minds against Cæsar,
-and, if we may credit Dion, tended _to arm his assassins against him_
-(to furnish the dagger to slay him).[2] Notwithstanding this hostility,
-Cleopatra was not deserted in the villa on the Tiber. To please
-the divine Julius, to approach him more intimately, the Cæsarians
-controlled their antipathy and frequently visited the beautiful
-queen. To this court of Egypt transported to the banks of the Tiber
-came Mark Antony, Dolabella, Lepidus, then general-of-horse; Oppius
-Curio, Cornelius Balbus, Helvius Cinna, Matius, the prætor Vendidius,
-Trebonius, and others. Side by side with the partisans of Cæsar were
-also some of his secret enemies, such as Atticus, a celebrated silver
-merchant with great interests in Egypt, and others whom he had won
-over, like Cicero. The latter while making his peace with Cæsar did
-not forget his master-passion, love of books and of curiosities. An
-insatiable collector, he thought to enrich his library at Tusculum
-without loosing his purse-strings, and requested Cleopatra to send
-for him to Alexandria, where such treasures abounded, for a few Greek
-manuscripts and Egyptian antiquities. The queen promised willingly, and
-one of her officers, Aumonius, who, formerly an ambassador of Ptolemy
-Auletes to Rome, had there known Cicero, undertook the commission; but
-whether through forgetfulness or negligence the promised gifts came
-not, and Cicero preserved so deep an enmity to the queen in consequence
-that he afterwards wrote to Atticus, “I hate the queen (odi reginam),”
-giving as his only reason for this aversion the failure of the royal
-promise. The former consul had also received an affront from Sarapion,
-one of Cleopatra’s officers. This man had gone to his house, and
-when Cicero asked him what he wished he had replied rudely: “I seek
-Atticus,” and at once departed. How often does the ill-conduct of upper
-servants create a prejudice against the great.
-
-The assassination of Cæsar, which struck Cleopatra like a thunderbolt,
-would have been the destruction of all her hopes if one could lose hope
-at twenty-five. Cæsar dead, there was nothing to detain her in Rome,
-and she did not feel safe in this hostile city amid the bloody scenes
-of the parricidal days. She prepared to depart, but Antony having
-entertained for a moment the weak desire of opposing to Octavius as
-Cæsar’s heir the little Cæsarion, Cleopatra remained in Rome until
-the middle of April. When the queen perceived that this project was
-finally abandoned, she hastened to depart from the city where she had
-experienced so much contempt and which she quitted with rage in her
-heart.
-
-
-
-
-[Illustration]
-
-IV.
-
-
-Cleopatra reëntered Alexandria without opposition, but the civil war
-which threatened between the adherents of Cæsar and the republicans
-made her situation difficult and her crown precarious. The ally of the
-Roman people, she could not remain neutral in the struggle; but at
-the risk of the victors’, whoever they might be, making her pay the
-penalty of her desertion by annexing Egypt to the empire, she inclined
-to the Triumvirs; for the partisans of Cæsar had been less inimical
-to her while in Rome, and Antony, through policy indeed, rather than
-friendship, had spoken in favor of her son’s succession. On the other
-hand, if the Triumvirs possessed the West, their adversaries were
-almost the masters of the East, and directly threatened Egypt. At
-the very commencement of hostilities Cassius, who with eight legions
-occupied Syria, called upon Cleopatra to send him reënforcements, and
-almost at the same time one of the lieutenants of Antony, Dolabella,
-besieged in Laodicea, addressed the same demand to her.
-
-Cassius was seemingly victorious, Dolabella the reverse; prudence
-would have advised to side with the former, nevertheless Cleopatra
-remained faithful to her tacit alliance with the Cæsarians. Four
-Roman legions, two left by Cæsar and two composed of the veterans of
-Gabinius, were stationed at Alexandria. The queen commanded them to
-set out for Laodicea, but the envoy of Dolabella, Allienus, who had
-taken the command of these troops, came upon the army of Cassius in
-Syria. Whether from pusillanimity or premeditated treachery, Allienus
-united his legions with those of the enemy against whom he was leading
-them, and only a single Egyptian squadron, which Cleopatra had also
-despatched to Laodicea, reached Antony.
-
-Soon after the departure of the legions, 43 B. C., the young king
-Ptolemy died suddenly. Cleopatra was accused of having him poisoned.
-This crime, which is far from being authenticated, is by no means
-improbable. It may be that when Cleopatra by the departure of the Roman
-soldiers found herself without any reliable troops, she dreaded either
-a conspiracy in the palace or an insurrection which would drive her
-from the throne to place on it her brother. Six years previously the
-same circumstance had resulted to the advantage of her other brother,
-and Cleopatra had nearly fallen a victim. Immediately on the death of
-Ptolemy XIII., the queen took as the sharer of the throne her young son
-Ptolemy-Cæsarion, then four years of age.
-
-Stationed at Cyprus was an Egytian fleet. Cassius sent orders direct to
-the navarch Sarapion, who commanded it, to unite with the republican
-fleet, and the latter obeyed without even referring to his sovereign.
-Not satisfied with the four legions and the squadron which he had
-already received from Cleopatra, much against her will, indeed, Cassius
-again sent her word to furnish him new supplies of troops, ships,
-provisions, and money. The queen, who feared an invasion, which she was
-without forces to repel, sought to temporize. She expressed her regrets
-to Cassius that she could not at once send him aid, Egypt being ruined
-by famine and pestilence. Famine indeed reigned there by reason of an
-insufficient inundation of the Nile, but Egypt was not ruined for all
-that, and whilst Cleopatra was evading the demands of Cassius she was
-preparing a new fleet to assist the Triumvirs. Cassius was not deceived
-by the diplomacy of Cleopatra’s envoy. He determined to invade Egypt.
-He had already set out on his march when Brutus, on the approach of the
-army of Antony, summoned him into Macedonia. Then Cleopatra sent her
-fleet to join the party of the Cæsarians, but on the way this fleet was
-dispersed and almost utterly destroyed by a tempest. Throughout this
-war ill-fortune seemed to pursue Cleopatra—with the best will to second
-the Triumvirs she had been able to give them almost no assistance; on
-the contrary, she had furnished reënforcements to the republicans,
-who, well knowing that these reënforcements had been most unwillingly
-supplied, desired to take vengeance for her reluctance.
-
-The battle of Philippi freed Cleopatra from her anxiety on the score of
-the republicans; but she had still to fear the penalty of her apparent
-desertion of the Triumvirs. After his victory over Brutus, Antony
-overran Greece and Asia Minor for the purpose of levying tribute, and
-was everywhere received as a conqueror. Cities and kings vied with
-each other in adulation, heaped up honors and lavished gifts on him
-to secure immunity for the succor they had afforded, willingly or by
-force, to the vanquished party. At Athens, Megara, Ephesus, Magnesia,
-and Tarsus embassies and royal visits followed each other. To preserve
-to their kingdoms a quasi-autonomy, every petty sovereign of Asia
-hastened to obtain from the powerful triumvir a new investiture of his
-crown. Cleopatra alone, whether from queenly pride or womanly art,
-remained in Egypt and sent no ambassador; she seemed to pretend to
-ignore that the victory at Philippi had rendered Antony the master of
-the East.
-
-The silence of Cleopatra surprised and irritated Antony. Perhaps
-wounded pride was not the only sentiment in the soul of the triumvir.
-When he was commanding the cavalry of Gabinius he had seen Cleopatra,
-then fifteen years old; he had seen her again at Rome, the year of
-Cæsar’s death. Without agreeing wholly with Appian, that Antony was
-already in love with the queen of Egypt, it may be credited that her
-beauty and her attractions had made on him a deep impression. He
-remembered the “Siren of the Nile,” and amid the visits of so many
-kings and powers it was, above all, hers that he awaited, but awaited
-in vain. In the position of Antony, however, to speak was to be obeyed.
-He commanded Cleopatra to repair to Tarsus, to vindicate before his
-tribunal her ambiguous conduct during the civil war. Antony enjoyed in
-advance this deliciously cruel pleasure: the beautiful Cleopatra, the
-haughty queen of Egypt, the woman at whose feet he had seen the divine
-Julius, coming to him as a suppliant.
-
-Quintus Dellius, a creature of Antony’s, was appointed to bear the
-message to Cleopatra. This Dellius, an unscrupulous intriguer and
-agreeable man of pleasure, had by turns betrayed all men and all
-parties. He was called “The Hunter of the Civil Wars”—_Desultor
-bellorum civilium_. He was destined to die the friend of Horace, who
-dedicated an ode to him, and the friend of Augustus who enriched him.
-In the meanwhile he was going to make use of Cleopatra to enable him to
-attain still higher favor with Antony. At the first audience granted
-him by the beautiful queen, he understood the passion of Cæsar and
-foresaw that of Antony. Feeling that Cleopatra would captivate the
-triumvir at the first glance, he saw at once the advantage to be gained
-in the near future from the patronage of the Egyptian queen; and from
-the envoy of Antony he suddenly became the courtier of Cleopatra,
-and from an ambassador an intermeddler. He exhorted the queen to
-hasten into Cilicia, assuring her that, despite his appearance and
-manners suitable to the amphitheater, the rough soldier of Pharsalia
-and Philippi was not so ferocious as he seemed. “Never,” said he,
-“will Antony call tears to eyes so beautiful, and far from causing
-you the least pain he will fulfil your every wish.” Dellius found no
-difficulty in persuading Cleopatra: she saw, shining through his words,
-the dawn of a new fortune equal to that which she had dreamed of as
-the mistress of Cæsar. According to a somewhat doubtful tradition,
-Dellius might have succeeded in more than securing the attention of
-Cleopatra: he might have made himself beloved by her. Be this as it
-may, the queen, yielding to his counsels, determined to set out for
-Tarsus, but in order to enhance the value of the proceeding and to make
-it more effective she was careful not to precipitate it, and under
-various pretexts she often delayed her departure, notwithstanding
-the entreaties of Dellius and the messages constantly increasing in
-earnestness despatched by Antony.
-
-On a day when the triumvir on his judgment-seat was giving public
-audience in the midst of the agora of Tarsus, a great uproar arose on
-the banks of the Cydnus. Antony inquired what it meant. Flatterers as
-all Greeks are, the Cilicians replied that it was Aphrodite herself
-who, for the happiness of Asia, was coming to visit Bacchus. Antony
-liked to assume the name of Bacchus. The crowd which thronged the
-public square rushed in a body to the shore. Antony was left alone
-with his lictors in the deserted agora—his dignity kept him there, but
-he fidgets in his curule chair, till finally curiosity gains the day.
-Unaccustomed to self-control, he, also, descends to the strand. The
-sight is worth the trouble—a vision divine which carries one back to
-the dawn of mythologic times. Cleopatra is entering Tarsus, ascending
-the Cydnus on a vessel plated with gold over which float sails of
-Tyrian purple. The silver oars rise and fall in measured cadence to
-the music of Greek lyres and Egyptian harps. The queen, the goddess
-Cleopatra, lying beneath an awning of cloth of gold which shades the
-deck, appears as the painters usually represent Aphrodite, surrounded
-by rosy children like the Loves, beautiful young girls scarcely clad
-with lightest drapery as Graces and sea-nymphs, bearing garlands of
-roses and the lotus-flower and waving great fans of the feathers of
-the ibis. On the prow of the vessel other Nereides form groups worthy
-the brush of Apelles; Loves suspended to the yards and rigging seem
-descending from the skies. Incense and spikenard kept burning by slaves
-surround the vessel with a light and odorous vapor which sends its
-perfume to both banks of the stream.
-
-Antony at once despatched one of his favorites to Cleopatra to request
-her to sup with him that same night. Cleopatra, availing herself
-doubtless of her title of goddess rather than of that of queen—a queen
-of Egypt was nobody in comparison with a triumvir—made response that it
-was she who invited Antony to supper, and the Roman did not decline the
-invitation. He went at the hour appointed to the palace, which several
-days previously Cleopatra had had secretly prepared with gorgeous
-magnificence. The banquet-hall, sumptuously adorned, shone with the
-brilliancy of chandeliers, candelabra, and a multitude of golden
-sconces arranged symmetrically in circles, lozenges, etc. The feast,
-worthy of its decorations, abounded in nectarean wines served in vases
-of solid gold, and in rare and artistic viands prepared by a master
-hand. Antony was a great gastronomist, and three months before this had
-given his cook a house for a dish that pleased him. He would have given
-a whole town to the cook of Cleopatra. As for the beautiful Egyptian,
-the triumvir was already willing to give her the whole world. The next
-day Antony gave a supper to the queen. He hoped to surpass, by means
-of money, the magnificence of his reception, but he was the first to
-recognize his inability to rival her as an Amphitryon, and, clever man
-that he was,[3] he jested gaily in Cleopatra’s presence at his meanness
-and coarse taste. Probably in these two entertainments there was no
-mention of the grievances, real or pretended, with which Rome charged
-Cleopatra. Antony had no longer any thought of summoning her before his
-tribunal as a suppliant—the suppliant would have been Antony himself
-if Cleopatra had rejected his advances. Henceforth it was the queen
-that commanded; the all-powerful triumvir had become the “slave of the
-Egyptian woman,” as Dion Cassius indignantly exclaims.
-
-The first advantage Cleopatra took of her power was to have her son, by
-Cæsar, Ptolemy-Cæsarion, recognized as legitimate heir to the crown of
-Egypt. At Antony’s request the decree was immediately ratified by his
-colleagues, Octavius and Lepidus. Antony alleged as a pretext for this
-favor to Cleopatra, the services she rendered to the Romans during the
-civil war. After having satisfied her ambition, Antony became without
-difficulty the executor of her revenge. Like most women the beautiful
-queen was vindictive, and like Dionysius the Tyrant, she carried her
-prudence to the extent of crime. Her sister Arsinoë had escaped from
-Rome, where she had contributed to Cæsar’s triumph; she had found
-an asylum at Miletus. Whether Cleopatra feared that, ambitious and
-intriguing as she had already shown herself in the War of Alexandria,
-she might again create trouble in Egypt, or simply to avenge herself
-for Arsinoë’s former conduct, the queen besought Antony to have her put
-to death. One crime more or less weighed but little on the conscience
-of the proscriber of the year 711 A. U. C. The unfortunate Arsinoë was
-murdered in the temple of Artemis Leucophryne, where she had sought
-refuge from the hired assassins of Antony. An Egyptian, also a refugee
-in Asia Minor where he passed himself off as Ptolemy XII., drowned as
-was well-known in the Nile, was also put to death. Cleopatra bore an
-ill-will, the cause of which is not known, also to Megabyses, of the
-great temple of Ephesus. He was arrested by Antony’s order, and his
-life was saved only by the interference of the magistrates of the city,
-speaking in the name of the people, who rose in insurrection to rescue
-him. At the same time, Sarapion, the former commander of the Egyptian
-squadron at Cyprus, was beheaded by the order of Antony, thus avenging
-Cleopatra for the defection of her officer and Antony for the aid given
-to Cassius. When Cleopatra arrived at Tarsus in the summer of 41 B. C.,
-Antony was preparing to march against the Parthians. At the end of a
-month the concentration of his troops was accomplished, the fleets
-ready, and no obstacle remained to the departure of the army. But this
-month had been passed with Cleopatra, and Antony had found it very
-short. Listening only to his passion, he put off the expedition till
-the spring and followed the queen into Egypt.
-
-Then began that mad life of pleasure and debauchery, that long and
-sumptuous orgy, which even in the third century of our era, and after
-the excesses of Nero and Heliogabalus, was still quoted in the Roman
-world, though then slaves to every corruption and exhausted in efforts
-of magnificence, as an inimitable model.
-
-Οι Αχιμητοδιοι: “Those whose life is inimitable.” This, moreover, was
-the name assumed by Antony and Cleopatra and the intimate companions of
-their pleasures.[4] Plutarch and Dion relate that festival succeeded
-to festival, entertainment to entertainment, and hunting parties to
-excursions on the Nile. Cleopatra quitted Antony neither day nor night.
-She drank with him, she gambled with him, hunted with him, she was
-even present at his military exercises when by chance this man of war,
-remembering that he was a soldier, took a fancy to review his legions.
-It is further related that Cleopatra was incessantly inventing some
-new diversion, some unexpected pleasure. But this list is very brief,
-this sketch a very modest and faint description to give an idea of
-the superb orgies, the unrestrained voluptuousness, and the nameless
-prodigalities of the “Inimitables.” Pliny alone of the ancient writers
-has summed them up, perhaps unknown to himself, in the legend, more or
-less symbolic, of the Pearl. One day, says this writer, when Antony was
-extolling the luxuriousness and profusion of a certain entertainment,
-he exclaimed that no other could surpass it. Cleopatra, who always
-affected to put no limit to the possible, replied that the present
-feast was a wretched affair, and she laid a wager that the next day
-she would give one on which she would expend ten millions of sesterces
-(two millions one hundred thousand francs). Antony took the bet. The
-next day the feast, magnificent as it was, had nothing to distinguish
-it from the preceding, and Antony did not fail to rally Cleopatra. “Per
-Bacchus,” cried he, “this would never cost ten millions of sesterces!”
-“I know that,” replied the queen, “but you see only the accessories. I
-myself will drink alone the ten millions,” and at once detaching from
-her ear a single pearl—the largest and most perfect ever seen—she threw
-it into a golden cup, in which it was dissolved in the vinegar there
-prepared, and swallowed at one draught the acid beverage. She was about
-to sacrifice the second pearl when L. Plancus, the umpire of the wager,
-arrested her hand by declaring that she had won.[5]
-
-Picture to yourself the most costly materials, marbles, breccia,
-granites, ebony and cedar woods, porphyry, basalt, agate, onyx,
-lapis-lazuli, bronze, silver, ivory, and gold; conceive the most
-imposing Egyptian, the most beautiful Grecian architecture, imagine
-the Parthenon and the temple of Jupiter Olympus, the Pavilion of
-Rameses, and the ruins of Apollinopolis Magna; recreate the royal
-palaces of Alexandria, which, with their dependencies, their gardens,
-their terraces, rising one above another, made up a third of the
-city: reconstruct the massive enclosures—those double pylons into
-which opened avenues bordered with sphinxes; those obelisks, those
-magnificent propylæa, those saloons three hundred feet long and a
-hundred and fifty wide, supported by vast columns, in which rise
-double rows of pillars ten meters in circumference and twenty meters
-in height, bursting into lotus blossoms at their summits; those
-sanctuaries with their screens enameled in gold and tortoiseshell,
-and studded with gems; those long picture galleries adorned with
-the paintings of Zeuxis, Apelles, and Protogenes; those magnificent
-thermæ with their calidaria, their basins of hot and cold water, their
-retiring-rooms with walls of red porphyry, their porticos adorned
-with statues; those gymnasia, theaters, hippodromes, those stages
-covered with saffron powder, those triclinia where the couches of
-embossed silver rested on Babylonian carpets; those atria with their
-uncovered roofs, sustained by Corinthian columns with capitals of
-golden bronze, by day shaded by purple awnings, the silk of which
-was worth its weight in gold, and at night open to the starry sky.
-See, at all seasons, blooming in the gardens roses and violets, and
-scatter the pavements of onyx and mosaics four times a day with fresh
-flowers; people this scenery with crowds of slaves, pipers, players
-of the harp and psaltery, dancers, actors, Atellans [of the drama,
-as at Atellan, of lascivious character, Atellanæ], acrobats, mimes,
-gymnasts, ballet-dancers, and serpent-charmers. Load these tables with
-oysters from Tarentum, lampreys dressed with garum, bonitos cooked
-in fig-leaves, pink ousels, quails, pheasants, swans, geese livers,
-stews made of the brains of birds, hares cooked rare and dusted with
-coriander seeds, truffles as large as the fist which were assumed to
-fall from the sky like aërolites, cakes of honey and wheat flour, and
-the most delicious fruits of the Mediterranean basin. In the kitchens,
-roasting before the fires on immense hearths, for the entertainment of
-fifteen guests, twelve wild boars, spitted successively at intervals
-of three minutes, so that, according to the duration of the feast,
-one of these animals might be exactly cooked at the very moment it
-was required to be served. Cool in snow the old Cæcuban wine, the
-Falernian ripened for twenty years, the wines of Phlemtes, Chios,
-Issa, the imperial wine of Lesbos, the ripe wine of Rhodes, the sweet
-wine of Mitylene, the Saprian, smelling of violets, and the Thasos,
-said to “rekindle failing love.” Light up the lamps, the torches, and
-the chandeliers, wind the pillars with streamers of fire; open the
-mouths of the bronze colossi that the icy water may flow and cool the
-atmosphere, and the breasts of Isis that the sweet waters may perfume
-it; call in the choirs of singing women with their harps and cythera,
-and the females who dance nude with castanets of gold in their hands;
-add to them representations of comedies, the farces of mimes, the
-tricks of jugglers, and the phantasmagorias of the magicians; offer
-mock engagements in the harbor, and in the hippodrome chariot races
-and combats between lions; summon the masqueraders and witness the
-processions where cluster, around the golden car of Bacchus and the
-Cyprian, fifteen hundred satyrs, a thousand cupids, and eight hundred
-beautiful slaves as nymphs and mimes. Finally, imagine all that Asiatic
-pomp, Egyptian state, and Grecian refinement and depravity, and Roman
-power and licentiousness blended in a single form—a sensual and
-splendid woman, delighting in pleasure and sumptuousness—can achieve
-with such elements and you will have some idea, though very vague and
-feeble, of the “Life Inimitable.”
-
-Sometimes Antony and Cleopatra indulged in more vulgar pleasures.
-Disguised, she as a barmaid, and he as a porter or a sailor, they
-ran, by night, about the streets of Alexandria, knocking at the doors
-of houses, abusing belated pedestrians, entering low lodging-houses,
-and quarreling with drunken men. To the great delight of Antony these
-frolics usually ended in fights. Despite his strength and skill, the
-Roman did not always win, and Cleopatra was sometimes well splashed
-with mud; but victors or vanquished, the lovers returned happy to the
-palace, quite willing to renew their adventures. The secret, however,
-escaped, and thenceforth the royal pair were handled more cautiously,
-without being entirely spared.[6]
-
-These follies did not turn the Alexandrians against the triumvir as
-much as might have been supposed. If they had little esteem for him,
-they liked him for his good humor, and the ease with which he was
-approached. They delighted to say: “Antony wears for the Romans a
-tragic mask, but here he lays it aside, and assumes for us the mask of
-comedy.” His intimate companions and his officers, who shared without
-scruple his voluptuous and unbridled excesses, were still less inclined
-to resent them, for, like himself, they yielded to the bewitching charm
-of Cleopatra. They loved, they admired her, they bore cheerfully her
-snubs and sarcasms, and were not shocked, even if in the midst of a
-feast, at a sign from Antony, she quitted the banquet hall with him,
-and returning after a short absence resumed her position on the couch
-of the triclinium. They studied to please and divert her, each strove
-to be the vilest toady to the queen—“humillimus assentator reginæ”—for
-a smile of Cleopatra they sacrificed all dignity. Once, L. Plancus, a
-man of consular dignity, crowned with rushes, a fish’s tail attached to
-his loins, and his naked body painted blue, actually performed in her
-presence the dance of Glaukos.
-
-With Cæsar, Cleopatra had instinctively played the part of a crowned
-Aspasia, ever bewitching, but uniting dignity with grace, concealing
-the courtesan beneath the robe of a queen, ever equable in mood,
-expressing herself in the choicest language, talking politics, art,
-literature, her marvelous faculties rising without effort to the level
-of the lofty intelligence of the dictator: with Antony, Cleopatra, at
-first through policy, afterwards through love, played the part of a
-Laïs born by chance to a throne. Seeing at once that the inclinations
-of Antony were coarse and low, that his wit was commonplace and his
-language very loose, she immediately set herself to the same tone. She
-kept pace with this great drinker, remaining even till dawn with the
-foaming flagons and goblets continually replenished; she accompanied
-him by night into the suspicious streets of Rhakotis, the old portion
-of Alexandria; she jested cynically, sang amatory songs, recited
-licentious poems; she quarreled with him, provoking and returning
-both abuse and blows. Nothing delighted Antony like the sight of that
-ravishing little hand threatening and beating him, or to hear from
-those divine lips, fit for the choruses of Sophocles or the odes of
-Sappho, the same words that he had heard bandied among the guard of the
-Esquiline gate and in the unmentionable dens of the Suburra.
-
-
-
-
-[Illustration]
-
-V.
-
-
-In the winter of 39 B. C. the war of Persia recalled Antony into
-Italy. Through ambition or resentment against Octavius, and also, says
-Plutarch, through jealousy, Fulvia his wife had fomented this war. She
-hoped that these disturbances would compel Antony to leave Cleopatra,
-in order to defend his power threatened in Rome. Fulvia had succeeded
-but too well. Antony, it is true, was sailing towards Brundusium with
-two hundred sail, but the victorious Octavius was all-powerful in
-Italy, his adversaries dispersed or proscribed; she herself had fled
-and was dying, without a hope of again seeing her husband. Antony heard
-of her death while touching at a port in Sicily. This, in the end, made
-a peace easy. Antony had taken no part in the war of Persia; Fulvia
-alone, aided by her father-in-law, had excited it; her death rendered
-an accommodation possible between Antony and Octavius. Cocceius Nerva,
-Pollio, and Mecænas contrived an interview at Brundusium. They were
-reconciled and made a new division of the empire: Octavius took the
-West, as far as the Adriatic; Antony, the East; and Lepidus had to be
-content with the Roman possessions in Africa.
-
-The treaty of Brundusium gave great satisfaction at Rome, where,
-after so much dissension and bloodshed, peace was ardently desired.
-To secure the fulfilment of it, the friends of the Triumvirs sought
-to unite them by family ties, and they proposed a marriage between
-Antony, who had just lost his wife, and Octavia, sister of Octavius,
-the widow of Marcellus. This noble woman, who to the rarest qualities
-added great beauty of person, could not fail, they thought, to secure
-and fix the love of Antony; she would thus maintain harmony between
-the brothers-in-law, to the great advantage of both and the good of
-the state. Octavius gladly accepted the project, and notwithstanding
-the passion he still entertained for Cleopatra, Antony, in view of the
-political advantages of this union, took good care not to refuse. The
-marriage was forthwith celebrated. The law forbade widows to marry
-before the tenth month, but the senate granted a dispensation to the
-sister of Octavius.
-
-Antony remained at Rome during nearly the whole year 39 B. C. He lived
-in perfect accord with Octavius and shared with him the government of
-the empire; but although he had an equal part in authority and honors
-he felt that he was only second in Rome. In his justifiable pride as
-an old soldier, an accomplished warrior, the lieutenant of Cæsar at
-Pharsalia, and commander-in-chief at Philippi, he was indignant when
-he thought of the supremacy, acknowledged by all, of this almost
-beardless youth. A famous Egyptian soothsayer, whom probably Cleopatra
-herself had despatched to Rome, encouraged Antony in these ideas by
-his predictions and horoscopes. “Your tutelar genius dreads that of
-Octavius,” said he constantly. “Proud and lofty when alone, he loses
-power when you are with Octavius. Here your star is eclipsed; it is
-only away from Rome—it is in the East that it shines in full luster.”
-A new revolt of the Parthians gave Antony a pretext for leaving Rome.
-He set out with Octavia, and touched first at Athens. There he remained
-during the winter of 39–38 B. C., forgetting not only the Parthians
-(leaving his lieutenant Ventidius to conduct the war against them), but
-Alexandria, the “Life Inimitable,” and Cleopatra herself.[7] Doubtless
-he did not love his new wife, the beautiful Octavia, as ardently as he
-had loved Cleopatra, or in the same way, but assuredly he did love her.
-As feeble in will as powerful in body, Antony, the slave of woman, was
-easily dominated. Erewhile Fulvia had enslaved him, then Cleopatra had
-bewitched him, now he yielded to the quiet charm of Octavia.
-
-At the close of the winter he undertook a brief campaign into Syria
-against Antiochus of Commagene, and soon after returned to Athens,
-where he remained two years. In 36, a new difficulty occurring between
-him and Octavius on the subject of the naval expedition against the
-pirates, in which he had refused to second the latter, civil war
-again became imminent. Antony planned a descent upon Italy, with three
-hundred vessels; Octavius, on his side, collected his legions; if
-blood did not yet flow, swords were half unsheathed. In the hope of
-preventing this unnatural war, Octavia entreated Antony to take her
-with him into Italy. The port of Brundusium having refused entrance to
-Antony’s fleet, his vessels moored before Tarentum. Informed of this,
-Octavius was leading his troops by forced marches against that city.
-Octavia desired to land alone. She went to meet Octavius on the way to
-Venosa; passing through the outposts and sentinels, she approached her
-brother, who was attended by Agrippa and Mecænas. She warmly pleaded
-the cause of Antony, and especially conjured Octavius not to reduce her
-from the happiest of women to the most miserable. “At this moment,”
-said she, “the eyes of the world are upon me, the wife of one of the
-rulers of Rome, and the sister of the other. Should the counsel of
-wrath prevail, should war be declared, it may be doubtful to which of
-you two Fate may give the victory, but it is certain to whichever it
-inclines I shall be in grief and desolation.” The ambitious Octavius
-was already coveting universal dominion, but he was a temporizer. He
-yielded to the prayers of Octavia, and for the second time this woman,
-who was the good genius of Antony, maintained the peace of the Roman
-world. The two triumvirs met on the shores of the Gulf of Tarentum, and
-after having lavished on each other various marks of affection they
-agreed to renew the triumvirate for five years. Octavius gave Antony
-two legions to reënforce his army of the East, and in return Antony
-gave up one hundred triremes with brazen rostra and twenty Liburnian
-galleys for his Mediterranean fleet. These were the vessels that were
-to conquer at Actium! From Tarentum, Octavia returned alone to Rome
-with the two children she had borne to Antony; he himself embarked for
-Asia Minor, whither he was summoned by the war with the Parthians. The
-pair agreed to meet again, the expedition over, either at Athens or at
-Rome, when Antony hoped to receive the honors of a triumph.
-
-From the winter of 39 to the summer of 36 B. C., for three long years,
-Cleopatra remained thus parted from Antony. She was queen of Egypt and
-Cyprus, she had borne one son to Cæsar and two to Antony, she possessed
-immense revenues and treasures inexhaustible, but she suffered in her
-pride and in her love from the desertion of the triumvir. Cleopatra
-at twenty years of age had in all probability not loved Cæsar, who
-was over fifty. She loved Antony. In fact, though she had at first
-given herself to the triumvir through policy, yet she soon felt for
-this rough soldier, handsome with the beauty of Hercules, master of
-the East, surrounded by glory and power, the same passion that she
-had inspired in him. If, indeed, the ancient authors do not state in
-words that Cleopatra loved Antony, the scenes which they depict can
-scarcely permit a doubt of it. There is a logic of circumstances. With
-his martial air, his lofty stature and broad chest, his mane of black
-hair and eyes of gloom, his aquiline nose and harshly cut features,
-Antony certainly possessed manly attractions. His first wife, Fulvia,
-loved him passionately; his second wife, Octavia, loved him supremely;
-the haughty Cleopatra gave him love for love. Besides, Shakspeare tells
-us this, and the word of this great painter of the human heart, of this
-marvelously comprehensive genius, may well make up for the silence on
-this point of a Dion Cassius or a Paul Orose.
-
-Great as might have been the suffering of this other Dido, one can
-scarcely imagine her enveloped in habiliments of woe and sighing in
-the retirement of her palace. In all probability Cleopatra continued
-her gay life of pompous show, giving to pleasure all the time that was
-left from official ceremonies, public audiences and other duties of the
-government, and her conferences with architects and engineers.[8] The
-Typhonium, at Denderah, dates from the reign of Cleopatra. As is shown
-by its cartouches, she also labored at the great temple of Denderah, at
-those of Edfou, Heminthis, and Coptos, as well as at the monuments of
-Thebes situated on the left bank of the Nile. At Alexandria, besides
-the Cæsarium, which it appears was begun by Cleopatra, she had many
-fine buildings erected; but as with many other more ancient palaces and
-temples, there remains of them not a vestige on that surface which the
-ruins of centuries have in so many places raised to a height of fully
-ten meters.
-
-Did the queen seek to play the indifferent by leaving Antony without
-tidings, or, as Plutarch insinuates and Shakspeare declares, did
-she, during these three years, overwhelm him with dolorous appeals
-and burning messages of love? According to Josephus, her voluptuous
-temperament was ever leading her into transient amours. Besides Cneius
-Pompey, Cæsar, Dellius, Antony, and Herod, king of the Jews, the five
-lovers who are accredited or attributed to her, the queen of Egypt had
-many flirtations and anonymous entanglements. Is this calumny? It is
-rather a slander. Be this as it may, the accusation is no proof that
-Cleopatra no longer loved Antony. These riddles of the heart and the
-senses are, after all, no enigma.
-
-As for Antony, it seems that he had indeed forgotten Cleopatra.
-Not only during the three years that he had passed with Octavia at
-Athens and Rome; not only on his return from the expedition against
-Antiochus of Commagene had he not visited Egypt, but even on his way
-from Tarentum to Laodicea he had not touched at Alexandria, which
-was almost directly in his course. He sailed straight for Syria. By
-a singular fatality, scarcely had he set foot in Asia when he felt
-his passion rekindle with the utmost violence. He established himself
-at Laodicea, and at once despatched his friend Fonteius Capito into
-Egypt to conduct Cleopatra to Syria. The queen, enchanted, had no
-thought of delaying her departure in order to make herself the more
-desired, as she had done five years before. She embarked at once, and
-was received at Laodicea by her lover with transports of joy. To prove
-otherwise than by caresses his unspeakable happiness at seeing her
-again, he gave her, not jewels, but kingdoms: Chalcedon, Phœnicia,
-Cœolo-Syria, a great part of Cilicia, Genesereth in Judea, noted for
-its balm, and Nabathae in Arabia. Antony had no right to dispose of
-these territories, which belonged to the _Roman people_; but mad with
-pride as much as with love he declared that “The glory of Rome was
-displayed much less in her conquests and possessions than in the gifts
-she bestowed.”[9]
-
-A few days after they were again compelled to part, with the promise,
-however, of meeting again in the spring at Alexandria. Antony passed
-with his army into Armenia; Cleopatra returned to Egypt, passing
-through Apamea, Damascus, and Petrea. She desired to settle with the
-kings of Judea and Arabia the amount of the tribute which these rulers
-were to pay yearly for the portions of territory which Antony had
-bestowed. The king of Arabia promised three hundred talents (sixteen
-hundred and sixty thousand francs); the tribute of the king of the Jews
-was greater. This king was Herod, whom the protection of Antony had
-a few years before placed on the throne. He went to Damascus to meet
-Cleopatra. According to Josephus, Herod, who was remarkably handsome,
-repulsed the shameless advances of the queen, even proposing to put
-her to death whilst she was in his power in order to deliver Antony
-from her fatal influence; but his counselors dissuaded him from this
-crime, telling him that from that moment he would incur the terrible
-vengeance of Antony.
-
-Cleopatra had not been long in Alexandria when she received a message
-from Antony, dated at Leucocoma, a city on the seaboard of Syria. He
-entreated her to join him at once with money, stores, and clothing
-for his soldiers, who were destitute of everything. The war had been
-unsuccessful. By his too eager desire to rejoin Cleopatra in the
-spring, Antony had compromised the success of the campaign. When he
-reached Armenia, after a forced march of eight thousand stadia, he
-should have gone into winter quarters and not opened the campaign
-till the spring, with troops rested and refreshed, and at a favorable
-season. Too impatient to submit to this long delay, he entered Upper
-Media, and that his march might be more rapid he left behind all his
-siege machinery under the guard of one detachment. Chariots, towers,
-catapults, battering-rams eighty feet long—all were destroyed by the
-Parthian cavalry. Through the want of these batteries Antony failed
-in the attack on the city of Phraata. Threatened by an overwhelming
-force, he was compelled to retreat. It was midwinter, the legionaries
-had to march through the snow amid freezing squalls. Every morning many
-were found frozen to death. Provisions failed, they lost their way,
-and the formidable Parthian cavalry harassed the exhausted columns.
-In this terrible retreat, the remembrance of which may have occurred
-to Napoleon before crossing the Niemen, Antony recovered his energy
-and his qualities as a general; insensible to fatigue and hunger he
-was everywhere present; he was both imperator and centurion. Ever
-at the point where danger threatened most, in twenty-seven days he
-fought eighteen battles. Victor at night, the next day the struggle
-was renewed against fresh and ever-increasing forces. When Antony
-reached the coast of Syria his army was reduced from seventy thousand
-to thirty-eight thousand men. More fortunate than Crassus, however, the
-Romans brought back their eagles.
-
-Cleopatra in vain used all despatch; she did not reach Antony as soon
-as he had hoped, and his impatience became agony. He imagined that the
-queen would not comply with the appeal of a conquered man. Overcome
-by despair he fell into a sort of stupor. Then he sought distraction
-in drinking, but the pleasures of the table, of which he had been so
-utterly deprived during the campaign of Media, had no power to relieve
-his anxiety. At the very height of an orgy he would suddenly rise from
-the table, leave his companions, and hasten to the seashore, where he
-would remain whole hours with his eyes fixed on the horizon in the
-direction whence he expected Cleopatra to appear.
-
-At length the long-desired queen arrived with provisions and clothing,
-and about two hundred and forty talents of silver. The paying of the
-legionaries,[10] the reorganization of the army, and the collection
-of contributions compelled Antony to remain some time longer at
-Leucocoma, and Cleopatra remained with him. Meanwhile, the news of the
-disastrous expedition having reached Rome, Octavia, still devoted to
-her husband despite the efforts of Octavius, who had had the cruelty to
-inform her of the reunion of Antony and Cleopatra, determined to embark
-for Asia. She entreated Octavius to furnish her with ships, soldiers,
-and money. Report had informed Octavius of the renewed passion of
-Antony. He yielded to the request of Octavia in the hope that the
-insulting reception she was likely to receive from her husband might
-detach her from him forever and rouse the indignation of the Romans.
-Not to risk a meeting with Cleopatra, Octavia landed at Athens, whence
-she sent word to Antony of her arrival. But the triumvir would not
-dismiss his mistress; he wrote to Octavia to remain at Athens, offering
-her as a pretext his intention of undertaking a new expedition against
-the Parthians. In fact, the king of Media, incessantly a prey to these
-wild hordes, had proposed to Antony an alliance against them. Without
-resenting Antony’s refusal to receive her, of which refusal she did
-not deceive herself as to the cause, Octavia wrote again to Antony.
-This letter contained no reproaches; the young wife asked the triumvir
-simply whither she should send the reënforcements and the munitions
-she had brought for him. These included, besides military clothing
-and arms, machines of war and a large amount of money, three thousand
-chosen men as splendidly armed as the prætorian cohorts. Octavia had
-sacrificed a portion of her private fortune to add this quota to the
-supplies. Niger was charged with the delivery of this letter. Often
-interviewed by Antony, who held him in great esteem, he mildly pointed
-out the wrongs of Octavia, reminded him of the rare virtues of this
-admirable woman, and exhorted him in the name of his own interests so
-seriously involved, and of his renown so sadly compromised, to abandon
-Cleopatra.
-
-Much shaken, Antony hesitated. He thought he would go to Media. By
-this means he could send Cleopatra back to Egypt, leave Octavia in
-Greece, and delay, until his return from the campaign, the decision
-which he could not resolve now to make; but Cleopatra, with the
-penetration of a woman who loves, read the heart of Antony. She saw
-herself a second time in danger of losing her lover; moreover, she had
-the advantage over Octavia of being near Antony. She redoubled her
-smiles and caresses, purposely exaggerating the passion already very
-warm and unfeigned which possessed her. Then, at the first broaching
-of his departure for Media, she pretended a mortal sorrow. She would
-neither eat nor sleep, she passed her days and nights in tears; her
-pale face, her haggard features and sunken eyes, her stony look and
-pallid lips struck all who approached her. Her women, her friends, the
-intimates of the triumvir whom she had won over by her flatteries and
-promises, reproached Antony with his want of feeling. They accused him
-of allowing to die of grief the most adorable of women, who breathed
-only for him. “Octavia,” said they, “is bound to you merely by her
-brother’s interest; she enjoys all the advantages of a wife’s title,
-while Cleopatra, the queen of so many peoples, is called only the
-mistress of Antony, ἐρω.μένην Ἀντωνíου. She refuses not this name,
-she does not feel humiliated by it—she glories in it: her sole bliss,
-her only ambition, is to live with thee!” Antony yielded, overcome by
-such speeches and by the fear that Cleopatra, who possessed his whole
-heart, and whom only his reason urged him to resist, would die of grief
-or take poison. He therefore postponed his expedition into Media, and
-returned with Cleopatra to Alexandria, where they resumed the “Life
-Inimitable.”
-
-At the commencement of the year 34, Antony joined his legions in Asia.
-In a few days he defeated the Armenians, made prisoner the king and all
-his family, and reduced the country to subjection. After this glorious
-campaign Antony was to enjoy a triumph at Rome, but through love and
-devotion to Cleopatra, whom he wished to share his honors, the ceremony
-was given at Alexandria. For the first time a Roman received the reward
-of a triumph outside of Rome. It was an insult to the city, which thus
-seemed discrowned; it was an offense to the senate and the people, from
-whom alone the honor of a triumph could be received.
-
-This scandalous triumph was of the utmost magnificence. Through
-Alexandria, decorated with the richest ornaments and massed with
-flowers, filed to the sound of horns and trumpets, the legionaries, the
-auxiliary cavalry, the priests, the censer-bearers, and the deputies
-from different cities, wearing crowns of gold, chariots filled with
-trophies, and thousands of captives. Before the triumphal chariot,
-drawn by four white horses, walked the king Artavasdes, his wife, and
-two sons, bound in chains of gold. When the chariot arrived before
-Cleopatra, who, seated on a throne of gold and ivory, presided at the
-triumph, Antony stayed his quadriga, and presented to the queen his
-royal captives. After the procession and the sacrifices, he gave a
-mammoth banquet to the citizens of Alexandria. Enormous tables were
-spread in the gardens of the palace and in the public squares. The
-feast over, Antony seated Cleopatra on her throne of gold and ivory
-[chryselephantine], and placed himself on a similar one; the trumpets
-sounded, the soldiers presented arms, and the whole people collected
-in crowds around the two lovers. Then Antony proclaimed that from
-that time Cleopatra should be called the Queen of Kings, and her son,
-Cæsarion, the heir of Julius, the divine, the King of Kings; and he
-renewed to them the sovereignty of Egypt and Cyprus. Next he publicly
-settled the state of the three children borne him by Cleopatra. He gave
-to the eldest, Alexander, called by him Helios, Armenia, Media, and the
-country of the Parthians; to his twin-sister Cleopatra, whom he called
-Selene, the kingdom of Lybia; to Ptolemy, Phœnicia, Syria, and Cilicia.
-At each proclamation of the triumvir, heralds repeated his words and
-the trumpets sounded. The same day the youthful (infant) sovereigns
-were presented by Antony to the army and the people. Alexander appeared
-in the robes of the Mede with the cidaris (sash) of the kings of
-Persia, and a platoon of Armenians as a guard of honor. Ptolemy had an
-escort of Macedonian mercenaries armed with lances eighteen feet long;
-he wore the long purple mantle, the sandals embroidered with gold, and
-the crown of precious stones of the successors of Alexander.
-
-Cleopatra had already set the example of such masquerades. Two years
-before, on her return from Laodicea, when Antony had added to her
-dominions Phœnicia, Chalcedon, Cœlo-Syria and many other countries she
-had opened a new era and had assumed the name of the New Isis, or New
-Goddess. It was in the narrow garment of Isis, and on her head the
-covering of Isis (the golden horns, between which rested the vulture
-head), with the lotoform scepter in her hand, that she presided at
-public ceremonies or gave state audiences.
-
-Submissive to these caprices Antony allowed himself to be represented
-in paintings and groups of statuary under the figures of Osiris and
-Bacchus, seated beside Cleopatra Isis and Cleopatra Selene. It seemed
-that bewitched by his mistress he renounced his country for her. He
-accepted the office of grand-gymnasiarch of Alexandria. He commanded
-that the effigy of the Egyptian queen should be engraved on the back of
-his imperial coins; he even dared to inscribe the name of Cleopatra on
-the shields of his legionaries. He permitted, by a shameless inversion
-of parts, that the queen should go about Alexandria seated in a curule
-chair, whilst he, carrying a scimeter and wearing a purple robe with
-jeweled clasps, accompanied her on foot surrounded by Egyptian officers
-and the base troop of eunuchs.
-
-
-
-
-[Illustration]
-
-VI.
-
-
-By deposing Lepidus, Octavius had changed the triumvirate into a
-duumvirate, and the empire became divided between himself and Antony.
-But the domination of the East satisfied the pride of Antony no
-better than the domination of the West sufficed for the ambition of
-Octavius. Though twice deferred, the civil war remained inevitable.
-In his extreme caution, Octavius would still have delayed it; in his
-folly, Antony precipitated it. He despised Octavius as a general; his
-flatterers and his soldiers, who adored him, predicted victory to his
-arms; Cleopatra, who retained the angry recollection of the insolent
-reception by the Romans, burned to avenge it, and confiding in the
-sword of Antony, she already swore “By the justice which she would soon
-dispense at the Capitol.”[11]
-
-Antony began by overwhelming Octavius with reproaches and dark threats.
-His clients, who were numerous in Rome, his friends, his emissaries
-sent from Egypt, made themselves busy in enhancing with the people his
-grievances, real and supposed. Octavius, said they, has robbed Sextus
-Pompey of Sicily without dividing the spoils with his colleague: he
-has not even restored the hundred and twenty triremes borrowed for
-that war; he has deposed Lepidus and retained for himself alone the
-provinces, the legions, and the ships of war that had been assigned
-to that triumvir; he has distributed to his own soldiers nearly all
-the public lands of Italy, without keeping any for the veterans of
-Antony. Every act of the government of Octavius was criticized and
-incriminated. The people were reminded that he was crushing Italy under
-the weight of taxes; he was accused of aiming at sovereign power.
-They even went the length of saying that the true heir of Cæsar was
-not Octavius, his nephew, but Cæsar’s own son Cæsarion, and that a
-second will of the Dictator would some day be forthcoming. According
-to Dion Cassius, Antony, by his formal recognition of Cæsarion as the
-legitimate son of Cæsar, had raised to a climax the uneasiness and
-anger of Octavius.
-
-Meanwhile Octavius bided his time; his preparations for war were not
-complete, and Antony was still popular in Rome, where he maintained
-very many clients, protected by Octavia his wife. She, in spite of
-the insult inflicted by Antony, was still wholly devoted to him; in
-vain, on her return from Greece, had Octavius besought her to forget
-her husband and to quit his dwelling; she had utterly refused to do
-so. She continued to reside in that famous mansion, once the property
-of the great Pompey, there educating with equal care and tenderness
-her own children by Antony and those of his first wife. The clients of
-Antony and the friends he sent from Alexandria were sure of finding
-support and assistance from Octavia; she even obtained favors for them
-from Octavius, irritated though he might be; finally she incessantly
-assumed in his presence the defense of Antony, excusing both faults
-and follies, and declaring that it was a hateful thing for two great
-emperors to incite Romans to slay each other, the one to avenge
-personal wrongs, the other for the love of a foreign woman.
-
-Octavius, who took for his motto: “That which is well done is done
-quickly enough,” _sat celeriter feri quidquid fiat satis bene_,
-appeared to give way to the prayers of Octavia; but if he made no
-haste to declare war he was preparing it slowly, and preparing also
-public opinion. He made the most of Antony’s disgraceful life in
-Egypt—his enslavement by Cleopatra. It was said in the senate, in the
-army, among the people, “Antony is no longer a Roman; he is the slave
-of the queen of Egypt, the incestuous daughter of the Lagidæ: his
-country is Alexandria and thither he would transfer the capital of the
-empire; his gods are Knouph with the ram’s head, Ra of the vulture
-beak, the dog-headed Anubis—latrans Anubis; his counselors are the
-eunuch Mardion, Charmion, and Iras, the tire-woman of that Cleopatra
-on whom he has promised to bestow Rome.” These idle tales inspired the
-Romans with a sentiment of horror which still survives in the verses
-of the poets of that period: “Among our eagles,” says Horace, “the sun
-beholds, O infamy, the base standard of an Egyptian woman.... Romans
-sold to a woman blush not to bear arms for her.... In the intoxication
-of her success and the madness of her hopes, this monster—_monstrum
-illud_—dreams the fall of the Capitol, and is preparing with her
-troops of despicable slaves and eunuchs the funeral rites of the
-empire.” “Thus,” writes Propertius, “this royal prostitute—_meretrix
-regina_—eternal disgrace of the blood of Philip, would force the Tiber
-to endure the menaces of the Nile, and thrust aside the Roman trumpets
-to make way for the shrieking sistra (Egyptian timbrels).”[12]
-
-Domitius Ænobarbus and C. Sossius were elected consuls 32 B. C. Both
-were partisans of Antony, and made vain attempts to save him by
-unmasking Octavius to the senate, but the majority declared against
-them. Dreading the anger of the implacable Perusian lover of justice
-they went into exile with several of the senators. They could not at
-once join Antony, who was in Armenia, negotiating the marriage of his
-very youthful son, Alexander, with Jotapa, daughter of the king of
-Media. They announced to him by letter that Octavius was hastening
-his preparations, and that immediate hostilities might be expected.
-Antony, like a good general, determined, in order to get the start of
-his enemy, to carry the war into Italy. He immediately sent Canidius
-with sixteen legions to the sea-coast of Asia Minor, and himself
-proceeded to Ephesus, where all his allies were directed to unite
-their contingents. Cleopatra was the first to arrive, with two hundred
-vessels of from three to ten banks of oars, and a war subsidy of twenty
-thousand talents (one hundred thousand francs).
-
-It would have been better for Antony had this fleet remained in
-Egyptian waters, this money in the treasury of the Lagidæ, and
-Cleopatra herself in Alexandria. This bewitching but fatal being
-brought to the Roman camp her gorgeous licentiousness and her unbridled
-desire of pleasure. At Ephesus where she landed, at Samos whither they
-afterwards proceeded, the mad follies of Alexandria were renewed. The
-constant arrivals of kings, governors, deputations from cities bringing
-to Antony troops and vessels served as a pretext for magnificent feasts
-and innumerable dramatic representations. A thousand comedians and
-rope-dancers were collected, and whilst the whole world, says Plutarch,
-echoed with the noise of arms and the groans of men, at Samos nothing
-was heard but laughter and the music of flutes and citharæ. Time passed
-quickly in these pleasures, and there was not an hour to lose if the
-offensive were to be taken. Until then the friends and captains of
-Antony, Dellius, Marcus Silanus, Titius, Plancus, all equally yielding
-to the seductions of Cleopatra, had made no effort to separate their
-leader from this fatal woman. Now the great game was to be played, and
-in this game they staked, as it were, their lives against the dominion
-of the world. They appealed to Antony. Ænobarbus, the only one of the
-Antonites who had never hailed Cleopatra as queen, was spokesman, and
-declared plainly that the Egyptian must be sent back to Alexandria till
-the close of the war. Antony promised to send her. Unfortunately for
-him, Cleopatra heard of this proceeding. Now less than ever would she
-leave Antony alone, exposed to the final appeals of Octavia her former
-successful rival; she knew too well the vacillating mind and weak soul
-of Antony. Would he have strength to refuse a reconciliation so much
-desired in the camp as well as at Rome, which would consolidate its
-threatened power and secure peace to the empire? Cleopatra won over
-Canidius, after Ænobarbus the most noted captain of the army of the
-East; and by dint of prayers, coquetry, and money, it is said, she
-persuaded him to espouse her cause. He represented to Antony that it
-was neither just nor wise to send away an ally who furnished to the war
-supplies so considerable; that he would thus alienate the Egyptians,
-whose ships formed the main strength of the fleet. He added that
-Cleopatra was, in the council, inferior to none of the kings who were
-to fight under the orders of Antony; she, who had so long governed
-alone so great an empire, and who, since they had been associated
-together, had acquired still greater experience in affairs. He talked
-against reason, but he spoke in accordance with the heart of Antony,
-and Cleopatra remained with the army.
-
-Meanwhile the friends that still remained to Antony in Rome despatched
-one of their number, Geminius, to make a last attempt to free him from
-his mistress. Geminius for days tried in vain to see Antony alone.
-Cleopatra, who suspected the Roman of working in the interests of
-Octavia, never left her lover for an instant. At length, at the close
-of a supper, Antony, half-drunk, called upon Geminius to declare
-instantly the object of his coming. “The matters of which I have to
-speak,” replied Geminius angrily, “cannot be discussed after drinking;
-but what I can tell you as well drunk as sober is that all would be
-well if Cleopatra returned to Egypt.” In a rage, the queen exclaimed:
-“You do well to speak before the torture compels it.” Antony was no
-less enraged. The next day Geminius, feeling by no means in safety,
-reëmbarked for Italy.
-
-The vindictive Egyptian also bore malice against the friends of Antony
-who had joined with Ænobarbus to procure her departure. Sarcasms,
-offenses, insults, and ill offices were all employed by her so
-effectually that Silanus, Dellius (her former lover, it is said), and
-Plancus and Titius, both persons of consular dignity, abandoned the
-party of Antony.
-
-As much to revenge themselves on their former leader as to conciliate
-their new master, Plancus and Titius on their return to Rome revealed
-to Octavius certain clauses in the will of Antony, the divulging of
-which would complete his ruin in the minds of the people. Antony,
-recognizing Cæsarion as the son of Cæsar, was dividing the Roman East
-among his other children and the queen of Egypt, and willed that even
-should he die in Rome, his body should be transported to Alexandria and
-delivered to Cleopatra. The two officers added that they were positive
-as to these dispositions, as, at the desire of Antony, they themselves
-had read the will, had affixed their seal, and had deposited it in
-the college of the Vestals. Octavius demanded the will. The Vestals
-declared that they would not give it up, but that if he would come and
-take it himself they could not prevent him. Octavius felt no scruple in
-doing so; he took the will and read it before the Senate. The Conscript
-Fathers, it must be confessed, were no less indignant at the violation
-of the will of Antony than at the contents of the document itself.
-Octavius, however, had the excuse of acting for the good of the people.
-The skillful and patient politician was about to attain his end. He
-procured also a _senatus-consultum_ (a judgment of the Senate), by
-which Antony was deposed from the consular dignity, and the same day,
-January 1, 31 B. C., he declared war, not on Antony, but on the queen
-of Egypt. This was a last tribute to public opinion—Cæsar would not
-risk the odium of arming Roman against Roman.
-
-He knew well that Antony would not desert Cleopatra, and therefore by
-conducting his legions against the detested Egyptian, he would throw on
-Antony the responsibility of the civil war.
-
-Antony and Cleopatra passed at Athens the autumn of 32 and part of
-the winter of 31 B. C. Whilst their soldiers were exhausting all
-the cities of Greece by enormous requisitions, and completing their
-crews by means of the press-gang, dragging sons from their mothers,
-and husbands from their wives, the lovers continued to lead their gay
-life. Spectacles, public games, interminable feasts, and mad orgies
-incessantly succeeded each other. Jealous of the memory which Octavia
-had left in Athens, where her beauty was still talked of, Cleopatra
-would fain have effaced it by her pomp, her flatteries, and her
-largesses to the people. The Athenians, setting little value on honors,
-even now somewhat obsolete, which it was in their power to bestow,
-determined to offer Cleopatra the “Freedom of the City,” and decreed
-that a statue should be erected to her. The decree was presented to
-her by deputies, among whom figured Antony as an Athenian citizen. The
-document was read to the queen, after which her virtues and merits
-were eulogized in an eloquent address. The vanity of Cleopatra was
-gratified, but her hatred unappeased. She exacted from Antony his
-repudiation of Octavia, and that from Athens itself, that city where
-the couple had spent three happy years, he should send to Rome his
-command for her to depart from his house. Octavia quitted it, clad in
-mourning and weeping, and leading with her the two children of Antony.
-The unhappy woman loved him still.[13]
-
-
-
-
-[Illustration]
-
-VII.
-
-
-Antony had not abandoned his original design of preventing the
-combining of the forces of Octavius by carrying the war into Italy; but
-he had lost much time. In the spring of 31 B. C., his army and fleet
-being concentrated at Actium, at the mouth of the Gulf of Ambracia, he
-was preparing to join them when he learned that some Roman vessels were
-coasting the shores of Epirus. It was but the vanguard of Agrippa’s
-fleet, but the presence of this vanguard showed that the preparations
-of Octavius were in a very advanced state, if not complete. The time
-for surprising him was past. Antony decided, before forming new plans,
-to wait till the Romans should have defined their plan of the campaign.
-The fleet and the army, therefore, remained at Actium, but as the place
-was unwholesome and a stay there wearisome, Antony went to Patras with
-Cleopatra. Early in August he received the important news that the
-Roman fleet had just anchored off the coast of Epirus, that the troops
-were landing, and that Octavius was already at Toryne. Antony at once
-set out for Actium, much excited and very ill pleased that the enemy so
-quickly and so easily had taken up its position. Cleopatra jested with
-his uneasiness: “What a misfortune,” said she, “that Octavius should be
-sitting upon a dipper!”—in Greek Toryne means a dipper.
-
-The army of Antony, consisting of nineteen legions and twelve
-thousand cavalry, and numerous auxiliaries, Cilicians, Paphlagonians,
-Cappadocians, Jews, Medes, Arabs, amounted to one hundred and ten
-thousand men. His fleet numbered nearly five hundred vessels of three,
-five, eight, and ten banks of oars. These last, built in Egypt, were
-veritable floating fortresses, surmounted with towers and furnished
-with powerful war-engines. Octavius had eighty thousand foot soldiers
-recruited in Italy, Sicily, Spain, and Gaul, ten thousand horse, and
-but two hundred and fifty vessels, triremes with rostra and light
-Liburnian galleys in about equal numbers. If the land forces were about
-of equal effective strength the disproportion between the naval forces
-was immense; but the ships of Octavius made up for their inferiority of
-numbers by their superiority of manœuvring, and the excellence of their
-crews, who had all been with Agrippa during the long Sicilian war. On
-the contrary, Antony’s sailors were comparatively few, and most of them
-were going into battle for the first time; his heavy ships were clumsy
-in their evolutions,—as the hyperbolical Florus expressed it: “The sea
-groaned under their weight, and the wind exhausted itself in moving
-them.”
-
-The army of Antony occupied the northern point of Acarnania, with a
-strong detachment on the coast of Epirus, which was directly opposite.
-Firmly entrenched within defenses raised during the winter, he
-commanded the narrow passage into the Gulf of Ambracia in which his
-fleet was moored. Octavius had pitched his camp in Epirus, at a short
-distance from the advanced posts of Antony. Antony held an excellent
-position for defense, which enabled him to resist successfully the
-attacks of the Romans: for the Pass of Actium could not be forced; but
-he was blockaded on the side of the sea whence almost all his stores
-and munitions must reach him.
-
-For several days the two armies were face to face. Octavius, desirous
-to engage, endeavored by every feint to draw his adversary into action
-either on land or sea. Antony, uneasy, anxious, hesitating, could
-not decide what step to take. He embarked the greater portion of his
-troops and transferred them to the coast of Epirus, as if to attack the
-Roman camp; then he changed his mind and recrossed into Acarnania. The
-officers of Antony, auguring ill of the manœuvring qualities of his
-huge vessels, and, at the same time, full of confidence in the valor
-of the legionaries, counseled him to fight the battle on land. This
-was also the desire of the army. At a review he was accosted by an old
-centurion all seamed with scars: “Oh, Emperor, dost thou distrust these
-wounds and this sword, that thou puttest thy hope in rotten wood? Let
-the men of Egypt and Phœnicia fight on the sea, but to us, give us
-the land where we are used to hold our own, and where we know how to
-conquer or to die.” But Antony was disturbed by sinister omens. In many
-places his statues and those of Cleopatra had been struck by lightning;
-at Alba a marble statue, erected in honor of the triumvir, had been
-found covered with sweat. “A sign still more alarming,” says Plutarch,
-“some swallows, having built their nests under the stern of the
-_Antoniad_, Cleopatra’s flagship, other swallows came, drove the first
-away, and killed their young ones.” Frequent defeats in the skirmishes
-around Actium, the desertion of Domitius Ænobarbus, who suddenly passed
-over to the enemy, the defection of two of the allied kings, who, with
-their forces, abandoned the army, confirmed these evil omens in the
-superstitious soul of Antony. He suspected everything and everybody—his
-fortune, his soldiers, his friends, Cleopatra herself. Seeing her sad,
-discouraged, a prey to gloomy thoughts—for she, too, dwelt on the omens
-of the swallows of the _Antoniad_ and the shattered statues—he fancied
-that she wished to poison him, that by this crime she might secure the
-favor of Octavius. For days he would take neither food nor drink that
-she had not first tasted. Out of pity for her lover, Cleopatra lent
-herself willingly to this caprice. One night, however, at the close of
-the supper, she took a rose from her crown and lightly dipped it into
-a cup of wine which she handed smilingly to Antony. He put it to his
-lips, when she arrested his hand and gave the poisoned wine to a slave
-to drink, who immediately fell to the floor writhing in mortal agony.
-“O Antony!” exclaimed Cleopatra, “what a woman you suspect. See now
-that neither means nor opportunities to slay you would fail me if I
-could live without you!”
-
-The anxiety and depression reached the army, encamped in an unwholesome
-situation, and with reduced supplies. One day, Canidius himself,
-hitherto so eager for battle, counseled the abandonment of the
-fleet, and to carry the war into Thrace, where Dikome, king of the
-Getæ, promised to send reënforcements. But what need was there of
-reënforcements, since they were already superior in numbers to the
-enemy? Cleopatra offered another opinion, if no less shameful, at any
-rate more sensible. Flight against flight, it would be better to go to
-Egypt than to Thrace. She proposed to leave part of the army in Greece,
-to garrison the fortified towns; to embark the rest, and set sail for
-Egypt, passing through the fleet of Octavius. After fresh hesitation,
-Antony adopted this plan, though assuredly it was bitter to flee from
-an army whose leader he despised. All tends to the belief, besides,
-that Antony hoped to destroy the Roman fleet in the naval engagement
-that must ensue on issuing from the narrow passage of Actium. If he
-gained the victory he would be able to regain his position and attack
-the demoralized army of Octavius; if the victory remained doubtful—for
-with so powerful a fleet he could not admit the supposition of a
-defeat—he would sail for Egypt. The retreat would be but a last
-resource.
-
-Desertion and disease had greatly reduced the crews of the galleys.
-Antony decided to burn one hundred and forty of them in order to fill
-up with their crews the remainder of the fleet. Twenty-two thousand
-legionaries, auxiliaries, and slingers were put on board the ships.
-Not to discourage the soldiers and sailors, it was concealed from
-them that these preparations for battle were indeed preparations for
-retreat. The secret was so well kept, that it was a surprise to the
-pilots when they received orders to carry the sails with them. They
-recollected that in battle the vessels were worked with oars only.
-Antony had it reported that the sails were carried the better to pursue
-the enemy after the victory.
-
-On the morning of September 2d the vessels of Antony formed in four
-grand divisions, crossed the channel of Actium, and, issuing thence,
-were disposed in battle array opposite the fleet of Octavius, who was
-awaiting them at eight or ten stadia from the land. On the side of
-Antony, he himself, with Publicola, commanded the right wing; Marcus
-Justus and Marcus Octavius the center, and Cœlius the left wing.
-Cleopatra commanded the reserve with sixty Egyptian vessels. On the
-side of the Romans, Octavius commanded the right wing, Agrippa the
-left, and Arruntius the center. About noon the battle began. The troops
-on land, who were under arms and motionless near the shore, saw not,
-as is usual in sea-fights, the galleys rush at each other seeking to
-strike with their rostra or beaks of steel. On account of their slow
-rate of speed, the heavy vessels of Antony could not strike with that
-impetuosity which gives force to the shock, and the light galleys of
-the Romans feared to break their rostra against those enormous ships,
-constructed of strong beams joined with iron. The battle was like a
-succession of sieges, a combat of moving citadels with moving towers.
-Three or four Roman galleys would unite to attack one of Antony’s
-vessels, so huge, says Virgil, that they looked like the Cyclades
-sailing on the waters. The soldiers cast grappling-irons, fired burning
-arrows on the decks, attached fire-ships to the keels, and rushed to
-board them, while the powerful batteries placed at the summit of the
-towers of the beleaguered ship showered down on the assailants a hail
-of stones and arrows. At the very first the Roman right wing, commanded
-by Octavius, gave way before the attack of the division under Cœlius.
-At the other extremity Agrippa, having designed a movement to surround
-Antony and Publicola, these turned on their right and thus uncovered
-the center of the line of battle. The swift Liburnian galleys improved
-the opportunity to attack the vessels of the two Marcuses, in the rear
-of which was the reserve under Cleopatra. Success and reverse went
-hand in hand; the two sides fought with equal fury, and the victory
-was doubtful, but the nervousness of Cleopatra was to be the ruin of
-Antony’s cause. For hours she had suffered a fever of agony. From the
-deck of the _Antoniad_ she anxiously watched the movements of the
-fleets. In the beginning she had hoped for victory; now, terrified by
-the clamor and tumult, her only desire was to escape. She awaited with
-ever-increasing impatience the signal for retreat. Suddenly she noticed
-the right wing moving towards the coast of Epirus, the left putting to
-sea, and the center, which protected her, attacked, separated, broken,
-penetrated by the Roman Liburnians. Then, “pale with her approaching
-death”—_pallens morte futura_—listening only to her terror, she ordered
-the sails to be hoisted, and with her sixty vessels she passed through
-the midst of the combatants and fled towards the open sea. In the midst
-of the battle Antony perceived the motion of the Egyptian squadron, and
-recognized the _Antoniad_ by its purple sails; Cleopatra was fleeing,
-robbing him at the decisive moment of his powerful reserve; but the
-queen could not order the retreat, he alone could give the signal
-for that. There is some mistake—a feint, perhaps a panic. Antony in
-his turn hoists the sails of his galley, and rushes in the wake of
-Cleopatra. He will bring back the Egyptian vessels and restore the
-chances of the battle. But before overtaking the _Antoniad_ the unhappy
-man has time to think. Cleopatra has deserted him either through
-cowardice or treason; he can bring back to Actium neither her nor her
-fleet. Next he thinks he will return to the combat, which is now only a
-rout, to die with his soldiers—to _die_ without seeing Cleopatra once
-more! he cannot do it. A fatal power drags him after this woman. He
-reaches the _Antoniad_, but then he is overcome with his disgrace. He
-refuses to see the queen. He seats himself on the prow of the vessel,
-his head on his hands, and remains thus for three days and three nights.
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-VIII.
-
-
-The Egyptian fleet and some other vessels which had followed the
-fugitives put into the port of Cænopolis, near Cape Tenarum. Often
-repulsed by the obstinate silence of Antony, Cleopatra’s women finally
-succeeded in bringing about an interview between the lovers. They
-supped and passed the night together. O, wretched human weakness!
-
-Some of his friends who had escaped from Actium brought them news. The
-fleet had made an obstinate resistance, but all the vessels which were
-not sunk or burned were now in possession of Octavius. The army still
-maintained its position, and appeared to be faithful. Antony at once
-sent messengers and despatched Canidius with orders to recall those
-troops, and himself embarked for Cyrenaica, where he still had several
-legions. One of his vessels bore his jewels, his valuables, and all the
-services of gold and silver which he had used at his entertainments of
-the kings, his allies. Before departing from Cænopolis, Antony divided
-all this wealth among a few of his friends, whom he constrained to
-seek an asylum in Greece, refusing to allow them any longer to follow
-his fatal fortunes. When parting from them he talked in the kindest
-manner, seeking to console them and regarding their tears with a sad
-but kindly smile.
-
-Cleopatra had sailed from Greece some days before Antony. She was in
-haste to return to Egypt, fearing that the news of the disaster of
-Actium might provoke a revolution. To mislead the people for a few
-days, and thus gain time to take her measures, she entered the port of
-Alexandria with all the parade of a triumph. Her ships, their prows
-adorned with crowns, resounded with the songs of victory and the music
-of flutes and sistra. No sooner was she reinstalled in the palace than
-she put to death many whose intrigues she feared. These executions,
-which benefited the royal treasury, for death involved the confiscation
-of the wealth of the real or pretended guilty, delivered Cleopatra
-from all fear of an immediate revolution, but she none the less felt
-a mortal terror about the future. She still suffered from the horror
-of Actium;—at times haunted by the idea of suicide, she contemplated a
-death as pompous as had been her life, and she erected at the extremity
-of Cape Lochias an immense tomb, in which to consume herself and her
-treasures. At other times she thought of flight, and by her orders a
-number of her largest ships were transported with great reënforcements
-of men, engines, and beasts of burden across the isthmus to the Red
-Sea. She had a vision of embarking with all her wealth for some unknown
-country of Asia or Africa, there to renew her existence of lust and
-pleasure.
-
-Antony soon returned to Alexandria. He was in a state of gloomy
-discouragement; his army in Acarnania, deserted by Canidius, who had
-taken flight, had surrendered to Octavius after a week of hesitation;
-in Cyrenaica he could not even obtain a meeting with his lieutenant
-Scarpus, who, having taken sides with the Cæsarians, had threatened
-his life; Herod, his creature, whom he had made king of the Jews, had
-offered his allegiance to the conqueror of Actium; defection on all
-sides with his allies as with his legions. Antony reached the point
-of doubting even Cleopatra; he would scarcely see her. Exasperated
-at the cruelty of the gods, and still more so at the perfidy of men,
-he resolved to pass in solitude the wretched days that his enemies
-might yet permit him to live. The story of Timon, the misanthrope of
-Athens, which he had heard in happier days, recurred to his memory,
-and, determined to live like Timon, he settled in the barren mole
-of Poseidon, and busied himself there in erecting a tower which he
-intended to call the Timonion.
-
-Cleopatra yielded less submissively to fate. Attacked in the crisis of
-danger by a fainting courage to which Antony was an utter stranger, the
-immediate danger past she recovered all her powers. With her exalted
-imagination she could not despair either wholly or even for very long.
-She learned that the vessels she had had transported to the Red Sea had
-been burned by the Arabs, and thus her flight prevented. She at once
-prepared for determined resistance. Whilst Antony was losing his time
-playing the misanthrope, the queen raised fresh forces, furnished new
-vessels, formed new alliances, repaired the fortifications of Pelusium
-and Alexandria, distributed arms to the people, and to encourage the
-Alexandrians to the determined defense of their city, she inscribed the
-name of her son, Cæsarion, in the rolls of the militia. Antony could
-not but admire the courage and energy of Cleopatra, and, entreated
-by his friends besides being weary of his solitude, he resumed his
-residence at the palace. The queen received him as in the happy days of
-his return from Cilicia or Armenia. They again enjoyed with the friends
-of the last hour banquets, festivals, orgies—only “The Inimitables”
-changed their appellation, and called themselves “The Inseparables in
-Death”: οἱ συναποθανουμéνοι.
-
-The choice of this funereal name, assumed as much from resignation as
-bravado, sufficiently reveals the state of mind of the lovers. Antony,
-it seems, had lost all hope; Cleopatra still hoped, but with intervals
-of gloomy discouragement. At such times she would descend to the crypts
-of the palace, near the prisons of the condemned; slaves would drag
-them, a few at a time, from their cells to test on them the effects of
-different poisons. Cleopatra watched with a curiosity, more painful
-even than cruel, the dying agonies of the victims. The experiments were
-frequently repeated, for the queen could not discover the poison of her
-dreams—a poison that slays instantly without pain and without shock.
-She noticed that violent poisons killed swiftly but with frightful
-torture, and that less active ones inflicted lingering agonies;
-then she studied the bites of serpents, and after new experiments
-she discovered that the venom of an Egyptian viper, called in Greek
-“Aspis,” caused neither convulsion nor any painful sensation, and led
-by a constantly increasing drowsiness to a gentle death, like a sleep.
-As for Antony, like Cato and Brutus, he had his sword.
-
-In the midst of these preparations for defense and for death the
-vanquished of Actium sought to negotiate with their conqueror.
-Octavius, recalled to Rome by a threatened sedition of the veterans,
-had in the course of the winter gone to Syria, where he was
-concentrating his forces. Antony wrote to him; he reminded him of
-his former friendship, recalled his services, made excuses for the
-wrongs he had done, and ended by promising to lay down his arms on
-condition of being allowed to live as a private citizen at Alexandria.
-Octavius deigned no reply, nor did he reply to a second letter in which
-he offered to kill himself, provided that Cleopatra might continue
-to reign over Egypt. The queen on her side, and unknown to Antony,
-despatched an envoy to Octavius with rich gifts. Less generous than her
-lover, who had offered his life to secure her crown, she separated his
-cause from her own. The Egyptian envoy represented to Octavius that his
-hatred of Antony ought not to include the queen, who had had no part
-in the late events. It was Rome, said he, that declared war on Egypt,
-to bring matters to a close with Antony. Was not Cleopatra compelled
-to arm in her own defense? But now that Antony is overcome, compelled
-to exile or suicide, the Romans may safely show mercy to Cleopatra and
-leave her on the throne. That is far more to their interest than to
-force this powerful queen to a desperate struggle.
-
-Octavius already considered himself the master of Egypt—and of
-the world. He feared but little the broken sword in the hand of
-Antony, still less the shattered remains of the army of Cleopatra
-and the wrecks of her navy. But there were two things still beyond
-his power—all-powerful emperor as he was—the immense treasures of
-Cleopatra, on which he had reckoned to pay his legionaries, and
-Cleopatra herself, whom he wished to grace his triumph; she might
-escape the Roman by death and her treasure by fire. Traitors and spies
-were not lacking in Alexandria; and Octavius knew, through their
-reports, of the queen’s experiments in poisons as well as that she
-had collected all her treasures in her future tomb. He was compelled
-to employ cunning with the Egyptian, and, believing himself justified
-by the words of her ambassador to propose such a step, he declared
-that if the queen would compass Antony’s death she should preserve
-her sovereignty. Some days after, fearful that this somewhat savage
-diplomacy might not prevail with Cleopatra, he despatched to her
-Thyreus, his freedman. In Egypt, Thyreus talked openly before the court
-and Antony of the resentment of Octavius and of his severe decrees,
-but having obtained without difficulty a secret audience of Cleopatra
-he told her that he had been charged by his master to repeat his
-assurances that she had nothing to fear. To satisfy her of this, he
-pretended to confide to her that she was beloved by Octavius as of old
-by Cæsar and Antony. Cleopatra had many interviews with Thyreus and
-publicly showed him much friendliness. Antony took the alarm, and,
-suspicious of Cleopatra whether as woman or queen, he made use of what
-power was left him to avenge himself on Thyreus, and in spite of his
-character as ambassador he had him beaten with rods and sent him back
-bleeding to his master. The anger of Antony proves that Cleopatra had
-not listened with inattentive ears to the communications of Thyreus. A
-woman readily believes this sort of declaration, especially when she
-has been much beloved. It is true that Cleopatra was then thirty-seven
-years old, but had she any less confidence in her ever-victorious
-charms? It is also true that Octavius had never seen her, unless,
-perhaps, thirteen years before, at Rome, after the death of Cæsar;
-but did not the universal fame of her attractions suffice to inspire,
-if not exactly love, at least a vague desire and an ardent and eager
-curiosity? Cleopatra had loved Antony passionately, but this love
-had been aroused, strengthened, and exalted as much by the glory and
-power of the triumvir as by his manly beauty and strength. Now Antony
-was conquered, a fugitive, betrayed by his friends, deserted by his
-legions; himself hopeless and dispirited he seemed to bow to his fate.
-His absurd retreat to the Timonion after the battle of Actium, while
-she, seized with a feverish activity, was preparing everything for a
-final effort, had inspired more scorn than pity in the heart of the
-queen. Women neither understand nor can they forgive those perilous
-moments of depression which at certain times overcome the bravest.
-Little as was the love she still bore Antony, and anxious as she might
-be about the revelations made by Thyreus, Cleopatra never thought for
-a moment of having Antony slain, or of giving him up to Octavius; but
-what, perhaps, she could not help hoping was, that Antony, his life
-threatened in Alexandria, forsaken by his last legionaries, and having
-no other than Egyptian troops of doubtful fidelity, would flee into
-Numidia or Spain and thus deliver her from her embarrassments.
-
-About the middle of the spring of 30 B. C. news reached Alexandria
-that a Roman army had crossed the western frontier of Egypt. Antony
-collected a few troops and marched to meet the enemy. A battle was
-fought beneath the walls of the strong city of Prætonium, which was
-already in the hands of the Romans. Antony, with his handful of men,
-was repulsed. When he returned to Alexandria Octavius was within two
-days’ march of the city. Whilst his lieutenant, Cornelius Gallus, was
-penetrating into Egypt by Cyrenaica he himself had entered through
-Syria and had taken Pelusium, after a real or feigned resistance,
-in either case a very brief one. After the surrender of Pelusium,
-the last of the Romans who had remained faithful to Antony cried out
-treason, declaring that Seleucus had surrendered the city by the
-orders of Cleopatra herself. Is it true that the queen had given such
-instructions? It may be doubted; nevertheless, Cleopatra’s trouble
-of mind and her secret hopes give a color to these suspicions. To
-vindicate herself she gave up to Antony the wife and children of
-Seleucus, and proposed that he should put them to death. This was but
-a very doubtful proof of her innocence, but Antony had to be satisfied
-with it. His anger subsided before her protestations and tears, true or
-false; now was not the time for recriminations: he must fight. Octavius
-had pitched his camp on the heights about twenty stadia east of
-Alexandria. Antony, having led in person a strong reconnoitering body
-of cavalry in that direction, fell in, not far from the Hippodrome,
-with the whole body of the Roman cavalry. A furious battle was fought
-in which, notwithstanding their great superiority of numbers, the
-Romans were broken and utterly routed. Antony pursued them to their
-entrenchments; then he returned to the city, strengthened by this
-victory, of little importance indeed, but brilliant and of good augury.
-He sprang from his horse before the palace, and, without taking time
-to lay aside his armor, rushed, still wearing helmet and cuirass, and
-covered with the blood and sweat of the fight, to embrace Cleopatra.
-She, deceiving herself as to the importance of this skirmish, felt her
-love and her hopes at the same time revive. She had again found her
-Antony, her emperor, her god of war. She threw herself passionately on
-his neck, wounding her breasts against his cuirass. At this moment of
-sincere feeling she must have reproached herself grievously (if she
-had committed it) with the treason of Pelusium; and the confidences
-which she had accepted from the envoy of Octavius must have recurred to
-her as a bitter remorse. Cleopatra desired to review the troops. She
-made them a speech, and, having had the bravest of them pointed out to
-her, she gave him a complete armor of solid gold.
-
-Antony, restored to hope, no longer contemplated negotiating, and
-the same day sent a herald to Octavius to invite him to decide their
-quarrel by single combat in sight of the two armies. Octavius replied
-disdainfully that there was more than one other way for Antony to seek
-death. This speech, that marked so great assurance in his enemy, struck
-Antony as a fatal omen. Suddenly, dashed from his chimerical hopes, he
-felt his situation in all its gloomy reality. Resolved, nevertheless,
-the next day to fight one last battle, he ordered a sumptuous feast.
-“To-morrow,” said he, “it will, perhaps, be too late!” The supper was
-sad as a funeral banquet; the few friends that were faithful to him
-maintained a gloomy silence, some even wept. Antony, simulating a
-confidence which he did not feel, said to them to revive their sinking
-spirits: “Think not that to-morrow I shall only seek a glorious death;
-I shall fight for life and victory.” At daybreak, while the troops
-were taking up their position before the Roman camp, and the Egyptian
-fleet, which was to support the action by attacking that of Octavius,
-was doubling Cape Lochias, Antony posted himself on an eminence whence
-he commanded both the plain and the sea. The Egyptian vessels advanced
-in battle array against the Roman Liburnians, but, when within two
-arrow-flights, the rowers raised high in air their long oars in salute.
-The salute was returned by the Romans, and immediately the two fleets,
-mingling and making now but one, sailed into the port together. Almost
-at the same moment Antony sees his cavalry,—that cavalry which the day
-previous had fought with such intrepidity,—move without orders and pass
-over to Octavius. In the Roman lines the trumpets sounded the onset;
-the legions dashed forward with their accustomed war-cry: “_Comminus!
-Comminus!_” (Hand-to-hand!) The infantry of Antony did not wait the
-shock—it broke and rushed towards the city, dragging their leader
-in the midst of the rout. Antony, mad with rage, uttering threats
-and curses, striking the fugitives indifferently with the blade and
-the flat of his sword, re-entered Alexandria exclaiming that he was
-betrayed by Cleopatra, given up by this woman to those with whom he had
-fought solely for love of her.
-
-Cleopatra had no longer the power either to betray or to save Antony;
-for she, the “New Goddess,” the “Queen of Kings,” she, too, was
-abandoned by her people, as he, the great captain, was deserted by his
-army. Their cause was lost, who would be faithful to it? During the
-preceding day and night, Octavius’s emissaries had worked upon the
-legionaries and the Egyptians, promising to the former amnesty, to the
-latter safety. The valiant soldier on whom Cleopatra the day before had
-bestowed the golden suit of armor had not even waited for the morning
-to pass into the Roman camp; that very night he had deserted! At the
-sight of the fugitives rushing like a torrent into the city, Cleopatra
-is overcome with terror. She is aware of the suspicions of Antony,
-she knows his terrible fits of rage. Already she is familiar with the
-idea of death, but she desires a more easy death, a death the sister
-of sleep. She shudders and revolts at the thought of Antony’s sword;
-she has a vision of hideous wounds in her person, her breast, perhaps
-her face. As for attempting to calm his fury, she has neither strength
-nor courage for that. Desperate, she quits the palace with Iras and
-Charmion, and withdraws to her tomb, of which she has the door closed;
-and, to prevent Antony’s attempting to force this refuge, she gives
-orders to tell him she is no more.[14]
-
-Antony, rushing like a madman about the deserted apartments of the
-palace, learns the news. His anger dissolves in tears: “What more have
-you to expect, Antony?” exclaimed he, “Fortune robs you of the only
-blessing which made life dear.” He commands his freedman Eros to slay
-him; then, unfastening his cuirass, he addresses this last adieu to
-Cleopatra: “O, Cleopatra! I do not complain that thou art taken from
-me, since in a moment I shall rejoin thee.” Eros, meanwhile, has drawn
-his sword, but instead of striking Antony, he stabs himself. “Brave
-Eros,” said Antony, seeing him fall dead at his feet, “you set me the
-example!” and, thrusting the sword into his breast, he sinks fainting
-upon a couch.
-
-In a few minutes he recovers consciousness. He calls and entreats the
-slaves, the soldiers, to put an end to him, but none dare to comply,
-and he is left alone, howling and struggling on the couch. Meanwhile
-the queen has been informed of the fact. Her grief is bitter and
-profound—the more bitter that it is mingled with remorse. She must see
-Antony again; she commands that he be brought, dead or alive. Diomedes,
-her secretary, hastens to the palace. Antony is at the last gasp, but
-the joy at hearing that the queen is not dead revives him, and “he
-rises,” says Dion Cassius, “as if he might still live!” Slaves bear him
-in their arms, and, to hasten their movements, he utters entreaties,
-invectives, threats, which mingle with the death-rattle. They reach
-the tomb; the queen leans from a window of the upper story; fearing
-a surprise, she will not have the portcullis raised, but she throws
-down some ropes, and commands them to be fastened round Antony. Then,
-aided by Iras and Charmion, the only ones she has allowed to enter
-the mausoleum, she begins to drag him up. “It was not easy,” says
-Plutarch, “for women thus to lift a man of Antony’s size.” Never, say
-those who witnessed it, was a sadder or more pitiful sight. Cleopatra,
-with arms stiff and brow contracted, dragged painfully at the ropes,
-whilst Antony, bleeding and dying, raised himself as much as possible,
-extending towards her his dying hands.
-
-At last he reached her, and they laid him on a bed, where she long
-held him in a close embrace. Her grief spent itself in tears, in sobs,
-in despairing kisses. She called him her husband, her master, her
-emperor; she struck her breast, tore it with her nails, then again
-casting herself upon him, she kissed his wound, wiping off on her face
-the blood that flowed from it. Antony endeavored to calm and console
-her, and entreated her to care for her own safety. Burning with fever,
-he begged for a drink, and swallowed a cup of wine. Death was rapidly
-approaching. Cleopatra renewed her lamentations. “Do not grieve,”
-said he, “for this last misfortune; rather congratulate me for the
-blessings I have enjoyed in my life, and the happiness that has been
-mine in being the most powerful and illustrious of men; congratulate me
-on this, that, being a Roman, none but a Roman has conquered me.” He
-expired in the arms of Cleopatra, dying, as Shakspeare says, where he
-had wished to live.
-
-When Octavius heard of Antony’s death, he despatched Proculeius and
-Gallus with orders to seize Cleopatra before she could have time to
-kill herself. Their calls attracted the attention of the queen; she
-descended and began to parley with them from behind the portcullis.
-Deaf to the promises and protestations of the two Romans, Cleopatra
-declared that she would only surrender if Octavius would agree by oath
-to maintain her or her son on the throne of Egypt; otherwise Cæsar
-should have but her dead body. Proculeius, espying the window which had
-admitted Antony, left his companion to converse alone with the queen,
-and, finding a ladder, placed it against the thick wall, and thus
-entering the tomb, he descended the staircase within and sprang upon
-Cleopatra. Charmion, turning at the noise, exclaimed: “Unhappy queen,
-thou art taken alive!” Cleopatra snatched from her girdle a dagger
-which for some time she had carried in order to kill herself, but
-Proculeius seized her wrist and only allowed her to free herself after
-being assured that she had no other weapon and no suspicious phial
-about her. He then resumed the respectful attitude demanded by the rank
-and misfortunes of the royal captive. He assured her she had nothing to
-fear from Octavius. “O, Queen,” said he, “you are unjust towards Cæsar,
-whom you would rob of the noblest opportunity of exercising clemency.”
-
-Her treasures and her person in the power of the Romans, Cleopatra felt
-herself without the means of defense. What availed it that Cæsar left
-her her life, since henceforth she desired only to die? The only favor
-she asked was to be allowed to pay funeral honors to Antony. Although
-the same request had already been made by the captains of his army who
-had served under Antony, Octavius, touched with compassion, granted the
-prayer of the Egyptian. Cleopatra bathed the body of her lover, adorned
-and armed it as for a last battle, then she laid it in the tomb which
-she had built for herself and in which she had vainly sought death.
-After the obsequies the queen was conducted, by order of Octavius, to
-the palace of the Lagidæ. There she was treated with every attention,
-but she was, so to speak, never lost sight of (a prisoner forever
-watched).
-
-The terrible emotions through which Cleopatra had passed, the intense
-grief which overwhelmed her, above all the wounds she had inflicted on
-herself during the death-struggle of Antony, brought on an inflammation
-of the chest, attended by a burning fever. In this illness she saw the
-hoped-for death, and to hasten her deliverance she refused for many
-days all medical treatment and all food. Octavius was informed of this,
-and he sent her word that she must have forgotten that he held her four
-children as hostages, and that their lives should answer for hers. This
-horrid threat overcame the resolution of Cleopatra, who then consented
-to be properly cared for.
-
-Octavius meanwhile felt he had cause for disquiet. What if the pride
-of the queen overpowered her motherly instincts? what if the horror
-of gracing as a captive his approaching triumph should decide her
-to a self-inflicted death? Doubtless she was well guarded, but what
-negligence or what treason might he not fear? Besides, though without
-arms or poison, might she not induce the faithful Charmion to strangle
-her? “Now Octavius,” so says Dion Cassius, “conceived that the death of
-Cleopatra would have robbed him of his glory.” He resolved, therefore,
-to see her. He knew he possessed sufficient self-control not to become
-entangled, and believed himself sufficiently skillful to keep the queen
-uncertain of the fate to which he destined her.
-
-Cleopatra was no longer deceived as to the pretended sentiments of love
-with which, according to Thyreus, she had inspired Octavius; of this
-we are assured by Plutarch. Since the emperor’s arrival in Alexandria
-he had not even expressed the intention of seeing her, and the harsh
-treatment, the rigorous seclusion, and the savage threats which she
-had to endure from him did not certainly indicate a man in love. Can
-it be said, however, that the prospect of the unexpected visit of
-Octavius aroused in Cleopatra, desperate as she was, no glimpse of
-hope, no fugitive vision of a throne, no last enthusiasm? that from her
-beautiful eyes shot no ray of half-seen triumph?
-
-The queen, scarcely convalescent, was in bed when Octavius entered.
-She sprang from the couch, though wearing only a tunic, and knelt
-before him. At the sight of this woman, worn out by fever, emaciated,
-dreadfully pale, with drawn features, eyes sunken and red with tears,
-bearing on her face and breast the marks made by her own hands,
-Octavius found it hard to believe that this was the enchantress that
-had captivated Cæsar and enslaved Mark Antony; but had Cleopatra
-been more beautiful than Venus he would not have been her lover.
-Continence was not among his virtues, but he was too prudent and too
-clever ever to sacrifice his interests to his passions. He urged the
-queen to return to her couch, and seated himself near her. Cleopatra
-began to vindicate herself, referring all that had passed to the force
-of circumstances and the fear she felt of Antony. She often ceased
-speaking, interrupted by her choking sobs; then, in the hope of moving
-Octavius to pity (of seducing him, some say), she drew from her bosom
-some of Cæsar’s letters, kissed them, and exclaimed: “Wouldst thou know
-how thy father loved me, read these letters.... Oh! Cæsar! why did I
-not die before thee!... but for me you live again in this man!” and
-through her tears she essayed to smile at Octavius. Lamentable scene of
-coquetry, which the wretched woman no longer could or knew how to play.
-
-To her sighs, her moans, the emperor made no reply, even avoiding
-looking at her and keeping his eyes fixed on the floor. He spoke only
-to reply, one by one, to all the arguments by which the queen sought
-to justify herself. Chilled by the impassibility of this man, who,
-without being at all moved by her misfortunes and her sufferings, was
-arguing with her like a schoolmaster, Cleopatra felt that she had
-nothing to hope. Again death appeared as the only liberator. Then she
-ceased her pleas, dried her tears, and, in order completely to deceive
-Octavius, she pretended to be resigned to everything, provided her life
-was spared. She handed him the list of her treasures, and entreated
-him to permit her to retain certain jewels that she might present them
-herself to Livia and Octavia in order to secure their protection. “Take
-courage, O woman!” said the emperor as he left her. “Be hopeful; no
-harm shall happen to you!”
-
-Deceived by the pretended resignation of Cleopatra, Octavius no longer
-doubted that he would be able to exhibit to the Roman rabble the
-haughty queen of Egypt walking in chains before his triumphal car.
-He had not heard, as he left her, the last word uttered by Cleopatra,
-that word which, since the taking of Alexandria, she had incessantly
-repeated: Οἰ θριαμβεúσομαι! “I will not contribute to his triumph.”[15]
-
-A few days after this interview, an intimate companion of Octavius,
-taking pity on such dire reverses, secretly revealed to Cleopatra that
-the next day she would be embarked for Rome. She asked to be allowed
-to go with her women to offer libations at the tomb of Antony. She was
-borne thither in a litter, being still too weak to walk. After pouring
-the wine and adjusting the crowns she kissed for the last time the
-sepulchral stone, saying: “O, beloved Antony, if thy gods have any
-power—for mine have betrayed me—do not abandon thy living wife. Do not
-let thyself be triumphed over, by making her at Rome take part in a
-disgraceful show. Hide me with thee under this earth of Egypt.”
-
-On her return, Cleopatra went to the bath; her women arrayed her in her
-most magnificent robes, dressed her hair with care, and adjusted her
-royal crown. Cleopatra had ordered a splendid repast; her toilet ended,
-she was placed at the table. A countryman entered, carrying a basket.
-A soldier of the guard desiring to see the contents, the man opened it
-and showed some figs; and, the guard exclaiming at the beauty of them,
-he offered them some to taste. His good nature lulled all suspicion;
-he was allowed to pass. Cleopatra received the basket, sent to Octavius
-a letter she had written in the morning, and was then left alone with
-Iras and Charmion. She opened the basket and separated the figs, hoping
-to be stung unawares but the reptile was asleep. Cleopatra discovered
-it beneath the figs. “There it is, then!” cried she, and began to rouse
-it with a golden pin. The asp bit her on the arm.
-
-Warned by the letter of Cleopatra, Octavius sent in haste to the
-apartments. His officers found the guards at their post, ignorant of
-what had occurred. They forced the door and beheld Cleopatra, clad in
-her royal robes, lying lifeless on her golden couch, and at her feet
-the corpse of Iras. Charmion was still alive; leaning over Cleopatra,
-she was arranging with her dying hands the diadem around the head of
-the queen. A soldier exclaimed in a voice of wrath: “Is this well done,
-Charmion?” “Yes,” said the dying Charmion, “it is well done, and worthy
-of a queen, the descendants of so many kings!”
-
-Octavius put to death Cæsarion, the son of Cæsar and Cleopatra, but
-he was merciful to the dead body of the queen. Granting the mournful
-prayer she had made to him in her last letter, he permitted her to be
-buried beside Antony. He also granted honorable burial to the faithful
-slaves, Charmion and Iras, who had accompanied their mistress to the
-world of shadows.
-
-By her suicide, Cleopatra escaped contributing to the triumph of
-Octavius,[16] but failing her person he had her effigy, and the
-statue of Cleopatra with a serpent wound about her arm was borne in
-the triumphal procession. Does it not seem that the statue of this
-illustrious queen, who had subdued the greatest of the Romans, who had
-made Rome tremble, and who preferred death to assisting at her own
-humiliation, had by her death triumphed over her conqueror, and still
-defied the senate and the people on the way to the Capitol?
-
-We can easily conceive of Cleopatra as a great queen, the rival of the
-mythic Semiramis, and the elder sister of the Zenobias, the Isabellas,
-the Maria-Theresas, and the Catharines; but, in truth, only those
-queens are great who possess manly virtues, who rule nations and compel
-events as a great king might do. Cleopatra was too essentially a woman
-to be reckoned among these glorious androgynuses. If for twenty years
-she preserved her throne and maintained the independence of Egypt, it
-was done by mere womanly means—intrigue, gallantry, grace, and weakness
-which is also a grace. Her sole method of governing was, in reality,
-by becoming the mistress of Cæsar and the mistress of Mark Antony.
-It was the Roman sword that sustained the throne of the Lagidæ. When
-by the fault of Cleopatra the weapon was broken, the throne tottered
-and fell. Ambition, her only royal virtue, would have been limited to
-the exercise of her hereditary government if circumstances had not
-developed and exalted it.
-
-Knowing herself weak, without genius and without mental force, she
-reckoned wholly on her lovers for the accomplishment of her designs,
-and it too often happened to this woman, fatal to others as to herself,
-to retard the execution of these, dominated, as she ever was, by the
-imperious desire of some entertainment or some pleasure. This queen
-had the recklessness of the courtesan; women of gallantry might have
-considered her their august and tragic ancestress. She only lived for
-love, pomp, and magnificence; wherefore, when her lover was slain, her
-beauty marred, her wealth lost, and her crown shattered, she found, to
-face death, the masculine courage which had failed her in life.
-
-No, Cleopatra was not a great queen. But for her connection with
-Antony, she would be forgotten with Arsinoë or Berenice. If her renown
-is immortal, it is because she is the heroine of the most dramatic
-love-story of antiquity.
-
-[Illustration]
-
-
-
-
-FOOTNOTES
-
-
-[1] Cicero to Atticus.—In this letter, dated from Brundusium, June 14,
-706 A. U. C., Cicero speaks of the long sojourn of Cæsar at Alexandria.
-There is thought to be much trouble there, “valde esse impedimentum.”
-This “impedimentum,” of which Cæsar makes no complaint, was Cleopatra.
-
-[2] If this were true, Cleopatra would have been as fatal to Cæsar as
-she afterwards became to Antony.
-
-[3] We must not judge Antony wholly by the passionate attacks of
-Cicero. Plutarch quotes a number of clever retorts of this brave and
-excellent soldier; and, in another order of ideas, his letter to
-Octavius and Hirtius, from which we find long extracts in the “Third
-Philippic,” is the work of a skillful politician as well as a model of
-wit.
-
-[4] A curious inscription, discovered in Alexandria by M. C. Vescher,
-is as follows: “Antony the Great, the Inimitable.”
-
-[5] Pliny, IX. 35. The legend is not so much of a myth as it appears.
-Pliny relates that Octavius, having found the second pearl in the
-treasury of Cleopatra, had it cut in two, and with it adorned the ears
-of the Pantheon Venus.
-
-[6] Another incident, also related by Plutarch, says that Antony
-sometimes sought relaxation from the excesses of the “Life Inimitable”
-in more tranquil pleasures, such as angling. Vain even in trifles, and
-mortified if he caught nothing, he had fishes attached to his hook by
-a diver. The trick did not escape Cleopatra. The next day she had a
-salted fish fastened to his hook, which the triumvir drew gravely from
-the water amid shouts of laughter. From this time Antony renounced
-angling.
-
-[7] Appian says positively that Antony was in love with Octavia.
-
-[8] Like all the Ptolemies, the last of the Lagidæ was a great builder.
-
-[9] Antony also made a gift to Cleopatra of the 300,000 manuscripts of
-the library of Pergamos, to replace a part of the volumes burned at
-Alexandria.
-
-[10] Thirty-five drachmæ were given to each legionary, and a less sum
-to every soldier.
-
-[11] The Egyptian, says Florus forcibly, demanded as the price of her
-favors, the Roman Empire from a drunken emperor: “Mulier ægyptia ab
-ebrio imperatore pretium libidinum Romanum Imperium petit.”
-
-[12] These verses were written after the battle of Actium, 31 B. C.,
-but they no less indicate the sentiments of the Romans at the
-commencement of the war. If this indignation and hatred obtained with
-such violence after the victory, what must they have been in the very
-hour of danger? Lucan says: “This woman, the reproach of Egypt, the
-fatal Erinys of Latium, incestuous daughter of the Ptolemies; who made
-the Capitol tremble with her sistra.”
-
-[13] It therefore seems probable that it was in the autumn of 32 B. C.
-that Antony must have married Cleopatra.
-
-[14] Dion says that Cleopatra betrayed Antony at Alexandria, as at
-Pelusium, and that she sent him word of her death that he might be
-urged to commit suicide, and his body given up to Octavius. Once for
-all, we take for authority Plutarch, who seems much more worthy of
-credit. The taking of Alexandria was on August 1, 30 B. C.
-
-[15] The peculiar force of this verb in the passive form cannot be
-fitly rendered in a translation. It is, word for word, “I will not be
-triumphed.”
-
-[16] Cleopatra died the 15th of August, 30 B. C.
-
-
-
-
-Transcriber’s Notes
-
-
-Punctuation and spelling were made consistent when a predominant
-preference was found in this book; otherwise they were not changed.
-
-Simple typographical errors were corrected.
-
-Ambiguous hyphens at the ends of lines were retained.
-
-Table of Contents added by Transcriber and placed into the Public
-Domain.
-
-The illustrations are decorative; the ones at the beginning of each
-chapter are headpieces.
-
-Page 53: “the war of Persia” was printed that way.
-
-Page 65: “ἐρω.μένην” was printed with the period.
-
-Page 103: “Οἰ θριαμβεúσομαι” was printed that way.
-
-
-
-
-
-End of the Project Gutenberg EBook of Cleopatra, by Henry Houssaye
-
-*** END OF THIS PROJECT GUTENBERG EBOOK CLEOPATRA ***
-
-***** This file should be named 56049-0.txt or 56049-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/6/0/4/56049/
-
-Produced by Turgut Dincer, Charlie Howard, and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive)
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-