summaryrefslogtreecommitdiff
path: root/old/55931-8.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/55931-8.txt')
-rw-r--r--old/55931-8.txt937
1 files changed, 0 insertions, 937 deletions
diff --git a/old/55931-8.txt b/old/55931-8.txt
deleted file mode 100644
index f8842e8..0000000
--- a/old/55931-8.txt
+++ /dev/null
@@ -1,937 +0,0 @@
-The Project Gutenberg EBook of California Missions, by Karl Frederick Brown
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: California Missions
- A Guide to the Historic Trails of the Padres
-
-Author: Karl Frederick Brown
-
-Release Date: November 11, 2017 [EBook #55931]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK CALIFORNIA MISSIONS ***
-
-
-
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
- [Illustration: _A Map Showing Location of the California Missions_]
-
- [Illustration: California Missions]
-
- [Illustration: Façade]
-
-
-
-
- _California Missions_
-
-
- A GUIDE TO THE HISTORIC TRAILS OF THE PADRES
-
- By KARL F. BROWN
-
- Illustrated with seventy-eight photographs
- By FLOYD RAY
-
- Foreword by
- REXFORD NEWCOMB
- _Dean, College of Fine and Applied Arts
- University of Illinois_
-
- [Illustration: Bell tower]
-
- COPYRIGHT 1939 BY KARL F. BROWN AND FLOYD RAY
- GARDEN CITY PUBLISHING CO., Inc.
- NEW YORK
-
- [Illustration: _Chapel, San Diego De Alcalá_]
-
- [Illustration: _Façade, San Diego De Alcalá_]
-
-
-
-
- _Foreword_
-
-
-Along the strand of the Pacific between San Diego and Sonoma, the
-intrepid monks of the Order of Saint Francis strung that cordon of
-missions that were to become, as time went on, the outposts of
-civilization along the sunset coast of California.
-
-Begun in 1769, this chain of churches along _El Camino Real_ was
-complete by 1823, and in these establishments the devoted followers of
-Padre Junípero Serra sought to win for Christ and the Crown of Spain
-devotees among the dusky inhabitants of this land. How well they
-succeeded may be judged when we learn that often in the more prosperous
-missions as many as two thousand Indians were being trained at one time.
-
- [Illustration: _Cloister, San Diego De Alcalá_]
-
-And what was the routine by which these fervent priests of Old Spain
-hoped to convert the backward natives of the coast into God-fearing,
-self-supporting and self-respecting subjects of his Hispanic majesty,
-the king? The system of training prescribed plenty of work accompanied
-by instruction in the handcrafts and Christian doctrine. To this end,
-each day, the morning bell assembled the Indians in the chapel for
-prayers and mass. Following this, breakfast was eaten, after which each
-went to his assigned task. At eleven o'clock dinner was eaten; then a
-siesta. Work, resumed at 2 P.M., continued until an hour before sunset,
-when the Angelus recalled all to worship. After prayers and rosary,
-supper was eaten, after which recreation ensued until early bedtime.
-
- [Illustration: _Bell Tower, San Diego De Alcalá_]
-
- [Illustration: _Bell Tower, San Antonio De Pala_]
-
-This was the happy pattern of life that obtained in these picturesque
-missions which at once comprised the early churches, the first schools,
-the first factories and the work-a-day habitations of the priests and
-their charges. Viewed in this light these old buildings become real
-human documents and are therefore very precious to all interested in the
-beginnings of civilization within our broad land.
-
- [Illustration: _Chapel, San Antonio De Pala_]
-
-Through the glamor that time and an exotic origin have cast over these
-old monuments, they continue to hold for us a fascination matched by
-that of few American structures. And, in journeying to these historic
-shrines, you will discover how these hard-headed priests, in sheltering
-their converts, created in simplicity and strength a type of
-architecture which considered from the standpoint of practical living,
-climatic background, materials of construction and ethnic significance,
-has rarely been equalled in any land. What a matchless artistic heritage
-they have left us!
-
- Rexford Newcomb
- _Dean, College of Fine and Applied Arts, University of Illinois_
-
- [Illustration: _Bell Tower From Garden San Antonio De Pala_]
-
- [Illustration: _San Luis Rey_]
-
- [Illustration: _Entrance, San Luis Rey_]
-
- [Illustration: Garden]
-
- [Illustration: _San Juan Capistrano_]
-
-
-
-
- _California Missions_
-
-
-San Diego was first visited by Juan Rodriguez Cabrillo in 1542, but it
-was not until two hundred and twenty-seven years later that the fear
-that Russia or England might take possession of California induced King
-Carlos III of Spain to organize an expedition to colonize the land. It
-was in 1769 that a band of about two hundred men set out by land and sea
-to settle in Alta California. In the last company to come overland was
-Padre Junípero Serra, who, although already advanced in age, had been
-appointed _Padre Presidente_ of the missions. This extraordinary man
-entered into a life of utmost hardship with a fiery enthusiasm that was
-never dampened throughout his life, and to him we owe the chain of
-historic missions that provide the only link to connect us with the
-early life of California and Spain. Twenty-one of these were established
-in California, forming an irregular line reaching from San Diego to
-Sonoma, and connected by El Camino Real (The Royal Road). Today the
-modern highway along the coast, U. S. 101, follows so closely the course
-of this road established by the pioneers one hundred and seventy years
-ago that one can easily say one is following in the footsteps of Father
-Serra and his companions.
-
- [Illustration: _Ruins of Chapel, San Juan Capistrano_]
-
- [Illustration: _Inner Court, San Juan Capistrano_]
-
- [Illustration: _Bell Court Fountain_]
-
- [Illustration: _Mission Shops, San Juan Capistrano_]
-
- [Illustration: _Ruins of Cloister_]
-
- [Illustration: _Fountain Inner Court, San Juan Capistrano_]
-
-On July 16th, 1769, sixteen days after his arrival in San Diego, Father
-Serra established the first mission in California--the Mission San Diego
-de Alcalá. The original site was unsatisfactory so a spot was later
-chosen six miles back from the ocean in Mission Valley where the present
-buildings now stand. San Diego was one of the wealthiest of the
-missions. It had extensive orchards and vineyards, irrigated by an
-aqueduct which brought water from the valley. Parts of the old mission
-dam which was twelve feet thick, may still be seen. The olive trees
-around the Mission form the mother orchard of all California mission
-olives. The whole Mission has been restored in every detail. Its belfry,
-one of the most magnificent of all the missions, is a three-story wall
-pierced by five arches in which hang the old bells.
-
- [Illustration: _Entrance to Church, San Gabriel_]
-
- [Illustration: _Bell Tower, San Gabriel_]
-
-Four miles inland from Oceanside, in a beautiful valley, stands Mission
-San Luis Rey de Francia. The present buildings were started in 1811 by
-Father Peyri, who managed the Mission for thirty years. It is now used
-as a church and a Franciscan college. A feature not found in any other
-mission is the mortuary chapel, a small octagonal shaped room off the
-main chapel. San Luis Rey is typically Spanish in its architecture and
-while not one of the most beautiful, it has a stately magnificence that
-none of the other missions possesses.
-
- [Illustration: _Side Entrance to Chapel, San Gabriel_]
-
- [Illustration: _Façade, San Fernando Rey_]
-
- [Illustration: _Fountain, San Fernando Rey_]
-
- [Illustration: _Façade, Ventura_]
-
-Twenty miles inland from Mission San Luis Rey stands San Antonio de
-Pala, founded as an asistencia. In its chapel are Indian frescoes
-covered for many years with a coat of whitewash given the wall by a
-well-meaning padre. Its campanile, in which hang the original bells,
-stands in the old cemetery. Pala, nestling at the base of the Palomar
-Mountains, is a spot of enchanting beauty.
-
- [Illustration: _Side Door, Ventura_]
-
- [Illustration: _Chapel, Santa Barbara_]
-
-The first attempt to found San Juan Capistrano was in 1775, but due to
-an Indian uprising Father Lasuén was forced to return to San Diego. The
-next year Father Serra came and established the Mission. It took nine
-years to build and was the largest and most beautiful of all. In 1812
-there was an earthquake that destroyed the buildings and killed forty
-Indians who were worshiping in the chapel. All of the buildings have
-been rebuilt except the chapel, of which one of the seven large domes
-still stands in its lonely grandeur, a delight to the artist.
-Capistrano, elaborately decorated and artistically constructed, is
-sometimes called "Jewel of the Missions."
-
- [Illustration: _Façade, Santa Barbara_]
-
- [Illustration: _General View, Santa Barbara_]
-
-San Gabriel Arcángel was a welcomed pause in the long journey from
-Mexico to Monterey; it was the first stop after crossing the desert and
-mountains. It is distinctively Moorish in its architecture. Its high
-buttressed walls are stone to the windows and brick above and have an
-outside stairway to the choir loft and campanile. In the courtyard is
-one of the largest and oldest grape vines in California.
-
- [Illustration: _Doorway_]
-
- [Illustration: _Altar, Santa Barbara_]
-
- [Illustration: _Detail of Cloister_]
-
-At one time Mission San Fernando Rey de España had an Indian population
-of eleven hundred. Today nothing remains of the Mission but one large
-building. In it one can see the wine cellar and the large copper brandy
-still. Across the street is a large star-shaped fountain copied from one
-in Cordova, Spain, a monument to the artistic work of the Indians.
-
- [Illustration: _Detail of Façade, Santa Barbara_]
-
-Half-way between San Diego and Monterey, Father Serra founded the
-Mission Buenaventura. It was the last founded by him. On a hill above
-the mission he planted a cross that could be seen from both land and
-sea. Today, a replica of the cross stands in the same place. Ventura was
-noted for its beautiful gardens but of these nothing remains except two
-tall palms. The chapel has been restored and is used daily as a place of
-worship.
-
- [Illustration: _Side Door Detail_]
-
- [Illustration: _Cloister, Santa Inez_]
-
- [Illustration: _Detail of Façade_]
-
- [Illustration: _Detail of Cloister_]
-
- [Illustration: _Chapel, Santa Inez_]
-
-Mission Santa Bárbara has never fallen into a state of decay like its
-less fortunate sister missions, as it has always been in the hands of
-its founders, the Franciscans. Although damaged by numerous earthquakes,
-the last in 1925, it has always been faithfully restored. The light
-above the altar has never gone out, the old bells have faithfully rung
-the call to Mass. Its walls, six feet thick and mellowed by time, impart
-a lasting beauty. The bodies of over four thousand Indians lie in its
-tree-shadowed cemetery. In front of the Mission the trickling water from
-an old fountain gives one the restful feeling of the old Spanish siesta.
-It was at this mission that the great historian, Father Engelhardt,
-wrote his great book, "Missions and Missionaries of California."
-
- [Illustration: _La Purisima_]
-
-Mission Santa Inéz was founded to convert the Indians who lived east of
-the Coast Range. The Mission not only suffered from earthquakes but also
-from an Indian uprising. Today it has been restored to its former
-grandeur. Its campanile with its three bells reminds one of Mission San
-Gabriel. In its museum is a collection of old vestments and books.
-
-Nothing remained of Mission La Purísima Conceptión but a few crumbling
-arches, till it was taken over by the state. Today it stands in all its
-former glory, faithfully restored in every detail. The Mission site was
-made a State park and the restoration carried out by the Civilian
-Conservation Corps. Purísima stands as a monument to a nation's
-industry, but lacks the peaceful state of religious tranquility found in
-the other missions.
-
- [Illustration: _Restored Interior, La Purisima_]
-
- [Illustration: _Detail at end of Cloister La Purisima_]
-
- [Illustration: _San Luis Obispo_]
-
-It was at Mission San Luis Obispo de Tolosa that tile was first
-manufactured. The buildings have lost much of their Spanish atmosphere,
-but the interior is in a fair state of restoration. It is now the active
-Catholic Church of the city which was named after it. A few miles from
-San Luis Obispo is the Asistencia of Santa Margarita, unique in that the
-entire ruins have been covered over by a large hay barn. Horses and
-cattle quietly munch their hay through the arched window openings.
-
- [Illustration: _Sacristy, San Miguel_]
-
- [Illustration: _San Miguel_]
-
-The very walls of San Miguel Arcángel, due to its sympathetic
-restoration, seem to echo the footsteps of the old padres. Inside the
-chapel the huge rafters, crudely hewn from logs, are painted in bright
-colors. The design painted on the walls by the Indians show large fluted
-pillars with a balcony and railing above. The floor is of burned brick,
-worn smooth by the tread of bare feet. Its crudely decorated pulpit and
-confessional are the same as the day they were built. The Mission did
-not have a bell-tower so the bell was mounted on a wooden scaffold. To
-enter the ancient edifice is to enter directly into the past.
-
- [Illustration: _Detail of Cloister, San Miguel_]
-
- [Illustration: _Forecourt, San Miguel_]
-
- [Illustration: _Chapel_]
-
- [Illustration: _Gate to Forecourt_]
-
- [Illustration: _Entrance to Cloister_]
-
- [Illustration: _Ruins of Arches, San Antonio De Padua_]
-
- [Illustration: _Double Arched Window_]
-
-A few rain-washed adobe walls around which the wind blows constantly is
-all that is left of Mission Nuestra Señora Dolorissima de la Soledad. A
-picture of dreary desolation and aptly named, Our Lady of Solitude.
-
- [Illustration: _Side View_]
-
- [Illustration: _Arches_]
-
- [Illustration: _Façade, San Antonio De Padua_]
-
- [Illustration: _Doorway to Sacristy, San Antonio De Padua_]
-
-Father Serra founded his third Mission, San Antonio de Padua, in a well
-wooded valley. When the bells rang in celebration an Indian appeared out
-of the trees, and for the first time a native was present at the
-founding of a mission. Its quiet surroundings are very much as they were
-in the past. The buildings were constructed of brick instead of adobe.
-Parts of a stone-walled irrigation ditch which brought water for many
-miles still stand near at hand.
-
-Monterey was used as a mission for but one year and then became the
-Presidio Chapel. Behind the Mission is the tree under which the first
-Mass in California was offered. Many of the old relics of the early
-Church are preserved here. It is now the San Carlos Parish Church.
-
- [Illustration: _Soledad_]
-
- [Illustration: _Tower at San Juan Bautista_]
-
-When Father Serra decided to move the Mission from Monterey he chose a
-site about five miles away where the Rio Carmelo enters the sea. Here he
-founded Mission San Carlos Borromeo, which became the headquarters of
-the _Padre Presidentes_ of the California missions. In its quiet
-sanctuary are the graves of Father Serra, Lasuén, Crespi and López,
-names famous in the history of the missions. Father Serra spent most of
-his life at San Carlos. His cell, measuring about eleven feet square,
-has been restored. The building is Moorish in style.
-
- [Illustration: _San Juan Bautista_]
-
-A replica in concrete has been built of Mission Santa Cruz. It is about
-half the size of the original and stands on the old Mission grounds.
-
-Mission San Juan Bautista stands facing the plaza in the old pueblo of
-San Juan. It was here that Helen Hunt Jackson began her famous story,
-"Ramona" and Joaquin Murrietta, the famous Mexican bandit, worshipped.
-San Juan saw great activity during the gold rush as it was a stage stop
-on the road to the mines. The long arcade that extends the whole length
-of the building, contains twenty arches. In the garden is a sundial,
-placed there by the padres. Its old cemetery is in an olive grove whose
-trees cast fantastic shadows on the time worn headstones.
-
- [Illustration: _Cloister_]
-
- [Illustration: _Window_]
-
- [Illustration: _Doorway at San Juan Bautista_]
-
- [Illustration: _End of Cloister_]
-
- [Illustration: _Garden, San Juan Bautista_]
-
- [Illustration: _Cemetery at San Juan Bautista_]
-
- [Illustration: _Arches_]
-
-On the site of Mission Santa Clara de Asís stands a concrete structure,
-the chapel of the University of Santa Clara. All that remains of the old
-buildings are a few tiles in the roof, and a part of the garden wall. In
-front of the Church stands the old redwood cross, raised in 1777. It is
-now encased in a sheathing of pine.
-
- [Illustration: _Parish Church, Monterey_]
-
-Mission San José de Guadalupe was at one time the most prosperous of all
-the missions. In livestock alone it had 12,000 cattle, 13,000 horses and
-13,000 sheep. It was the centre of social life for the surrounding
-ranches and the stopping place for the Forty-niners who used the Mission
-Pass between San Francisco and the mines. Only a part of the living
-quarters remains today. Beside this building is the old cemetery, back
-of which is the Mission garden.
-
- [Illustration: _Doorway, Monterey_]
-
- [Illustration: _San Carlos De Borromeo_]
-
- [Illustration: _Doorway, San Carlos De Borromeo_]
-
- [Illustration: _Fountain Detail_]
-
- [Illustration: _Gateway to Cemetery_]
-
-There was nothing in the original plans of the missions to name one
-after St. Francis, the founder of the Franciscan Order. The Mexican
-Visitador said, "If Saint Francis wishes a mission, let him show you a
-good port, and let it bear his name." When Portolá discovered San
-Francisco Bay he decided that it was the place the Visitador meant, but
-it was not until seven years later that the Mission San Francisco de
-Asís was founded. It was commonly called Dolores after a small river
-that flowed through the Mission grounds. It is quite different in its
-architecture from the other missions. It has neither archway nor towers
-but a massive façade. Today it stands in quiet simplicity, surrounded on
-all sides by modern buildings of the Catholic Church.
-
- [Illustration: _Bell Tower, San Carlos De Borromeo_]
-
- [Illustration: _Santa Cruz_]
-
-In the city of San Rafael stands a mission bell guidepost, marking the
-site of Mission San Rafael Arcángel.
-
- [Illustration: _Santa Clara_]
-
- [Illustration: _San José De Guadalupe_]
-
- [Illustration: _Porch_]
-
- [Illustration: _San Francisco De Asís_]
-
- [Illustration: _Entrance to Cloister_]
-
-Fear of the Russians caused the Governor to ask Father Altimira to
-establish a mission at Sonoma. He did this without the sanction of the
-Church authorities. Mission San Francisco Solano was the last and the
-most northerly of the twenty-one missions. It is a plain low building,
-facing the plaza.
-
-Of the twenty-one missions originally built one is completely gone,
-another a crumbling wall of adobe, and the remainder in only partial
-restoration. May they all some day be restored to their original
-grandeur, and the romance and history of Old California again be found
-in their splendid old walls.
-
- [Illustration: _Entrance to Chapel_]
-
- [Illustration: _Cloister, San Francisco De Solano_]
-
-
-
-
- LOCATION OF MISSIONS IN THE ORDER OF THEIR FOUNDING
-
-
- Name Date Location
-
- San Diego de Alcalá _July 16, 1769_ In Mission Valley six miles
- N.W. of San Diego.
- San Carlos Borromeo _June 3, 1770_ On the outskirts of village
- of Carmel which is five
- miles from Monterey.
- San Antonio de Padua _July 14, 1771_ Six miles from Jolon. Jolon
- is twenty miles from King
- City. Can also be reached
- from San Simeon Highway
- over very mountainous road.
- Advise going by way of King
- City.
- San Gabriel Arcángel _Sept. 8, 1771_ In city of San Gabriel
- which is 10 miles from Los
- Angeles.
- San Luis Obispo de _Sept. 1, 1772_ In centre of city of San
- Tolosa Luis Obispo.
- San Francisco de Asís _June 29, 1776_ In San Francisco at 16th
- (Mission Dolores) and Dolores Streets.
- San Juan Capistrano _Nov. 1, 1776_ In village of San Juan
- Capistrano which is 65
- miles south of Los Angeles
- on the highway to San Diego.
- Santa Clara de Asis _Jan. 12, 1777_ In the grounds of the
- University of Santa Clara
- which is in the city of
- Santa Clara.
- San Buenaventura _March 31, 1782_ Located in city of Ventura
- which is 60 miles north of
- Los Angeles.
- Santa Barbara _Dec. 4, 1786_ In the city of Santa
- Barbara.
- La Purísima Concepción _Dec. 8, 1787_ Five miles north of town of
- Lompoc.
- Santa Cruz _Aug. 28, 1791_ In city of Santa Cruz.
- Soledad _Oct. 9, 1791_ Ruins of this Mission are
- about two miles from the
- town of Soledad.
- San José _June 11, 1797_ About 15 miles north of San
- Jose on the Oakland Highway.
- San Juan Bautista _June 24, 1797_ In town of San Juan
- Bautista.
- San Miguel Arcángel _July 25, 1797_ Ten miles north of Paso
- Robles on U.S. 101.
- San Fernando Rey _Sept. 8, 1797_ On outskirts of town of San
- Fernando.
- San Luis Rey _June 13, 1798_ Five miles east of town of
- Oceanside.
- Santa Inéz _Sept. 17, 1804_ Three miles east of town of
- Buellton.
- San Rafael Arcángel _Dec. 14, 1817_ Nothing remains of Mission.
- Site now marked by
- guidepost in city of San
- Rafael.
- San Francisco Solano _July 4, 1823_ In city of Sonoma, thirty
- miles north of San
- Francisco.
- Pala _1816_ Twenty-one miles from
- Mission San Luis Rey in the
- village of Pala at base of
- Palomar Mountain.
- Royal Presidio Chapel _June 3, 1770_ In city of Monterey.
-
- [Illustration: Cross]
-
-
-
-
- Transcriber's Notes
-
-
---Copyright notice provided as in the original--this e-text is public
- domain in the country of publication.
-
---Silently corrected palpable typos; left non-standard spellings and
- dialect unchanged.
-
---Moved some captions closer to the corresponding pictures.
-
---In the text versions, delimited italicized text by _underscores_.
-
-
-
-
-
-
-
-End of Project Gutenberg's California Missions, by Karl Frederick Brown
-
-*** END OF THIS PROJECT GUTENBERG EBOOK CALIFORNIA MISSIONS ***
-
-***** This file should be named 55931-8.txt or 55931-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/5/9/3/55931/
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-