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- margin-bottom: .1em; - visibility: hidden; - color: white; - width: .01em; - display: none; - } - - blockquote {margin: 1.5em 3% 1.5em 3%;} - - .hang {margin: .5em 3% 2em 3%;} - - .transnote { - page-break-inside: avoid; - margin-left: 2%; - margin-right: 2%; - margin-top: 1em; - margin-bottom: 1em; - padding: .5em; - } - - h2.no-break { - page-break-before: avoid; - padding-top: 0; - } - - .poem - { - display: block; - margin-left: 1.5em; - } - -} - - h1.pg { margin-top: 0em; } - h3,h4 { text-align: center; - clear: both; } - hr.full { width: 100%; - margin-top: 3em; - margin-bottom: 0em; - margin-left: auto; - margin-right: auto; - height: 4px; - border-width: 4px 0 0 0; /* remove all borders except the top one */ - border-style: solid; - border-color: #000000; - clear: both; } - </style> -</head> -<body> -<h1 class="pg">The Project Gutenberg eBook, Our Intellectual Strength and Weakness, by -John George Bourinot</h1> -<p>This eBook is for the use of anyone anywhere in the United States -and most other parts of the world at no cost and with almost no -restrictions whatsoever. You may copy it, give it away or re-use it -under the terms of the Project Gutenberg License included with this -eBook or online at <a -href="http://www.gutenberg.org">www.gutenberg.org</a>. If you are not -located in the United States, you'll have to check the laws of the -country where you are located before using this ebook.</p> -<p>Title: Our Intellectual Strength and Weakness</p> -<p> A Short Historical and Critical Review of Literature, Art and Education in Canada</p> -<p>Author: John George Bourinot</p> -<p>Release Date: September 7, 2017 [eBook #55499]</p> -<p>Language: English</p> -<p>Character set encoding: UTF-8</p> -<p>***START OF THE PROJECT GUTENBERG EBOOK OUR INTELLECTUAL STRENGTH AND WEAKNESS***</p> -<p> </p> -<h4>E-text prepared by Larry B. Harrison<br /> - and the Online Distributed Proofreading Team<br /> - (<a href="http://www.pgdp.net">http://www.pgdp.net</a>)<br /> - from page images generously made available by<br /> - Internet Archive<br /> - (<a href="https://archive.org">https://archive.org</a>)</h4> -<p> </p> -<table border="0" style="background-color: #ccccff;margin: 0 auto;" cellpadding="10"> - <tr> - <td valign="top"> - Note: - </td> - <td> - Images of the original pages are available through - Internet Archive. See - <a href="https://archive.org/details/ourintellectuals00jgborich"> - https://archive.org/details/ourintellectuals00jgborich</a> - </td> - </tr> -</table> -<p> </p> -<hr class="full" /> -<p> </p> -<p> </p> -<p> </p> - -<div class="figcenter newpage"> - <img src="images/i_title.jpg" width="536" height="800" alt="title_page" /> -</div> - - - - -<hr /> - -<p class="half-title in0"><i>Royal Society of Canada Series.</i><br /><br /> -No. 1.<br /><br /> -OUR INTELLECTUAL<br /> -STRENGTH AND WEAKNESS.</p> - - - - -<hr /> - -<div class="box"> -<p class="newpage center in0"><span class="xlarge">WORKS BY THE SAME AUTHOR.</span></p> - - -<p>Parliamentary Practice and Procedure, with a review -of the origin, growth, and operation of parliamentary -institutions in Canada. And an Appendix containing -the British North America Act of 1867 and amending -acts, Governor-General's commission and instructions, -forms of proceeding in the Senate and House of Commons, -etc.; 2nd ed., revised and enlarged, 8vo., pp. 970, -cloth and calf. Montreal: Dawson Bros., 1892. $8.</p> - -<p>A Manual of the Constitutional History of Canada, -from the earliest period to the year 1888, including the -B. N. A. Act of 1867, and a digest of judicial decisions on -questions of legislative jurisdiction. 12mo. pp. 238. -Montreal: Dawson Bros. Cloth, $1.25.</p> - -<p>Canadian Studies in Comparative Politics: I. Canada -and English Institutions; II. Canada and the United -States; III. Canada and Switzerland. Large 4to. pp. -100. Montreal: Dawson Bros. Cloth, $1.</p> - -<p>Local Government in Canada. 8vo. pp. 72. Baltimore: -Johns Hopkins University Studies. Paper, 50c.</p> - -<p>Federal Government in Canada. 8vo. pp. 172. Baltimore: -Johns Hopkins University Studies, 1889. Paper, -50c.</p> - -<p>Parliamentary Government in Canada: an historical -and constitutional study. Annals of American Historical -Association. 8vo. pp. 98. Washington: Government -Printing Office, 1893. Paper, $1.</p> - -<p>Descriptive and Historical Account of the Island of -Cape Breton, and of its Memorials of the French Regime, -with bibliographical, historical and critical notes, and -old maps; plans and illustrations of Louisbourg. Large -4to. pp. 180. Montreal: Foster Brown & Co., 1892. Fancy -cloth, $3.</p> -</div> - - - - -<hr /> - -<h1><i>Royal Society of Canada Series.</i><br /><br /> - -OUR INTELLECTUAL<br /> -<span class="large">STRENGTH AND WEAKNESS</span><br /><br /> - -<span class="small">A SHORT HISTORICAL AND CRITICAL REVIEW OF LITERATURE,<br /> -ART AND EDUCATION IN CANADA,</span><br /><br /> - -<span class="small">BY</span><br /> -<span class="smcap">J. G. BOURINOT, c.m.g., ll.d., d.c.l., d.l. (laval)</span>.<br /><br /> - -<span class="smcap small">Author of "CAPE BRETON AND ITS MEMORIALS OF THE FRENCH REGIME," and of<br /> -several works on Federal and Parliamentary Government<br /> -in the Dominion of Canada.</span><br /><br /><br /><br /> - -<span class="small">MONTREAL:<br /> -<span class="gesperrt">FOSTER BROWN & CO.</span><br /><br /> - -LONDON:<br /> -<span class="gesperrt">BERNARD QUARITCH.</span><br /><br /> - -1893</span></h1> - - - - -<hr /> - -<p class="newpage center in0">Entered according to Act of Parliament of Canada by <span class="smcap">J. G. Bourinot</span>, in the Office<br /> -of the Minister of Agriculture, in the year 1893.<br /><br /> - -GAZETTE PRINTING COMPANY, MONTREAL.</p> - - - - -<hr /> - -<p class="newpage center in0"><span class="large"><i>To my Friends</i></span><br /> -<span class="smcap large">Sir J. W. DAWSON, (c.m.g., f.r.s.c., ll.d.)</span><br /> -AND<br /> -<span class="smcap large">MONSIGNOR HAMEL, (m.a., f.r.s.c.)</span>,<br /> -WHO REPRESENT THE CULTURE AND LEARNING OF THE ENGLISH AND FRENCH<br /> -ELEMENTS OF THE CANADIAN PEOPLE,<br /> -<i>I dedicate</i><br /> -THIS SHORT REVIEW OF THE INTELLECTUAL DEVELOPMENT<br /> -OF THE NEW DOMINION.<br /> -</p> - - - - -<hr /> - -<p class="newpage center bold in0"><span class="xlarge">PREFATORY NOTE.</span></p> - - -<p>This monograph on the intellectual development of the Dominion -was delivered in substance as the presidential address to -the Royal Society of Canada at its May meeting of 1893, in -Ottawa. Since then the author has given the whole subject a -careful revision, and added a number of bibliographical and other -literary notes which could not conveniently appear in the text -of the address, but are likely to interest those who wish to follow -more closely the progress of culture in a country still struggling -with the difficulties of the material development of half a continent. -This little volume, as the title page shows, is intended as -the commencement of a series of historical and other essays -which will be periodically reproduced, in this more convenient -form for the general reader, from the large quarto volumes of the -Royal Society of Canada, where they first appear.</p> - -<p class="sigleft"><span class="smcap">Ottawa</span>, 1st October, 1893.</p> - - - - -<hr /> - - <p><span class="pagenum"><a name="Page_ix" id="Page_ix">ix</a></span></p> - -<p class="newpage center bold in0"><span class="xlarge">ANALYSIS OF CONTENTS.</span></p> - - -<blockquote> -<p class="in0 center p1t">I.—P. <a href="#Page_1">1</a>.</p> - -<p class="hang p1b">Introductory remarks on the overestimate of material success in America; citation -from an oration on the subject by James Russell Lowell; application of his -remarks to Canadians.</p> - -<p class="in0 center">II.—P. <a href="#Page_4">4</a>.</p> - -<p class="hang p1b">Three well defined eras of development in Canada; the French regime and its heroic -aspect; the works of Champlain, Lescarbot, Potherie, Le Clercq, Charlevoix and -others; evidences of some culture in Quebec and Montreal; the foundation of -the Jesuit College and the Seminaries; Peter Kalm on the study of science; -the mental apathy of the colony generally in the days of French supremacy.</p> - -<p class="in0 center">III.—P. <a href="#Page_9">9</a>.</p> - -<p class="hang p1b">The period of political development from 1760–1840, under English government; low -state of popular education; growth of the press; influence of the clergy; intellectual -contests in legislative halls; publication of "Sam Slick"; development -of a historical literature.</p> - -<p class="in0 center">IV.—P. <a href="#Page_14">14</a>.</p> - -<p class="hang p1b">An era of intellectual as well as material activity commences in 1840, after the concession -of responsible government; political life still claims best intellects; -names of prominent politicians and statesmen from 1840–1867; performance in -literature and science; gross partisanship of the press; poems of Crémazie, -Howe, Sangster and others; histories of Christie, Bibaud, Garneau and -Ferland.</p> - -<p class="in0 center">V.—P. <a href="#Page_19">19</a>.</p> - -<p class="hang p1b">Historical writers from 1867–1893—Dent, Turcotte, Casgrain, Sulte, Kingsford, etc.; -Canadian poets—LeMay, Reade, Mair, Roberts, Carman and others; critical -remarks on the character of French and English Canadian poetry; comparison -between Canadian and Australian writers; patriotic spirit of Canadian poems.</p> - -<p class="in0 center">VI.—P. <a href="#Page_27">27</a>.</p> - -<p class="hang p1b">Essay writing in Canada; weakness of attempts at fiction; Richardson's "Wacousta"; -De Gaspé's "Anciens Canadiens"; Kirby's "Golden Dog"; Marmette's -"F. de Bienville," among best works of this class; Professor De Mille and his -works; successful efforts of Canadians abroad—Gilbert Parker, Sara Jeannette -Duncan and L. Dougall; general remarks on literary progress during half a -century; the literature of science in Canada eminently successful.</p> - -<p class="in0 center"><span class="pagenum"><a name="Page_x" id="Page_x">x</a></span>VII.—P. <a href="#Page_33">33</a>.</p> - -<p class="hang p1b">A short review of the origin and history of the Royal Society of Canada; its aim, the -encouragement of the literature of learning and science, and of original ethnographical, -archæological, historic and scientific investigation; desirous of -stimulating broad literary criticism; associated with all other Canadian societies -engaged in the same work; the wide circulation of its Transactions throughout -the world; the need of a magazine of a high class in Canada.</p> - -<p class="in0 center">VIII.—P. <a href="#Page_42">42</a>.</p> - -<p class="hang p1b">The intellectual standard of our legislative bodies; the literature of biography, law -and theology; summary of general results of intellectual development; difficulties -in the way of successful literary pursuits in Canada; good work sure of -appreciative criticism by the best class of English periodicals like the "Contemporary," -"Athenæum," "English Historical Magazine," "Academy," etc.; -Sainte-Beuve's advice to cultivate a good style cited; some colonial conditions -antagonistic to literary growth; the necessity of cultivating a higher ideal of -literature in these modern times.</p> - -<p class="in0 center">IX.—P. <a href="#Page_49">49</a>.</p> - -<p class="hang p1b">The condition of education in Canada; speed and superficiality among the defects -of an otherwise admirable system; tendency to make all studies subordinate -to a purely utilitarian spirit; the need of cultivating the "humanities," especially -Greek; remarks on this point by Matthew Arnold and Goldwin Smith; -the state of the press of Canada; the Canadian Pythia and Olympia.</p> - -<p class="in0 center">X.—P. <a href="#Page_53">53</a>.</p> - -<p class="hang p1b">Libraries in Canada; development of art; absence of art galleries in the cities, and -of large private collections of paintings; meritorious work of O'Brien, Reed, -Peel, Pinhey, Forster and others; establishment of the Canadian Academy by -the Princess Louise and the Marquess of Lorne; necessity for greater encouragement -of native artists; success of Canadian artists at the World's Fair; -architecture in Canada imitative and not creative; the White City at Chicago -an illustration of the triumph of intellectual and artistic effort over the spirit -of mere materialism; its effect probably the development of a higher culture -and creative artistic genius on the continent.</p> - -<p class="in0 center">XI.—P. <a href="#Page_58">58</a>.</p> - -<p class="hang">Conclusion: The French language and its probable duration in Canada; the advantages -of a friendly rivalry among French and English Canadians, which will -best stimulate the genius of their peoples in art and letters; necessity for sympathetic -encouragement of the two languages and of the mental efforts of each -other; less provincialism or narrowness of mental vision likely to gain larger -audiences in other countries; conditions of higher intellectual development -largely dependent on a widening of our mental horizon, the creation of wider -sympathy for native talent, the disappearance of a tendency to self-depreciation, -and greater self-reliance and confidence in our own intellectual resources.</p> -</blockquote> - - - - -<hr /> - - <p><span class="pagenum"><a name="Page_xi" id="Page_xi">xi</a></span></p> - -<p class="newpage center bold in0"><span class="xlarge">BIBLIOGRAPHICAL, ART AND GENERAL NOTES</span>.</p> - - -<blockquote> -<p class="hang">(1) P. <a href="#Page_61">61</a>.—Lowell's remarks on the study of the Liberal Arts.</p> - -<p class="hang">(2) P. <a href="#Page_61">61</a>.—Jamestown, Va.</p> - -<p class="hang">(3) P. <a href="#Page_61">61</a>.—Champlain's Works; his character compared with that of Captain John -Smith.</p> - -<p class="hang">(4) P. <a href="#Page_62">62</a>.—Lescarbot's "Histoire de la Nouvelle France."</p> - -<p class="hang">(5) P. <a href="#Page_62">62</a>.—Charlevoix's "Histoire et Description Générale de la Nouvelle France."</p> - -<p class="hang">(6) P. <a href="#Page_63">63</a>.—Hutchinson's "History of Massachusetts."</p> - -<p class="hang">(7) P. <a href="#Page_63">63</a>.—Sagard's "Le Grand Voyage," etc.</p> - -<p class="hang">(8) P. <a href="#Page_63">63</a>.—P. Boucher's "Mœurs et Productions de la Nouvelle France."</p> - -<p class="hang">(9) P. <a href="#Page_63">63</a>.—Jesuit Relations.</p> - -<p class="hang">(10) P. <a href="#Page_63">63</a>.—Père du Creux, "Historia Canadensis."</p> - -<p class="hang">(11) P. <a href="#Page_63">63</a>.—La Potherie's "Histoire de l'Amérique Septentrionale."</p> - -<p class="hang">(11<i>a</i>) P. <a href="#Page_63">63</a>.—The Jesuit Lafitau and his work on Indian customs.</p> - -<p class="hang">(12) P. <a href="#Page_64">64</a>.—C. le Clercq, "Etablissement de la Foy."</p> - -<p class="hang">(13) P. <a href="#Page_64">64</a>.—Cotton Mather's "Magnalia."</p> - -<p class="hang">(13<i>a</i>) P. <a href="#Page_64">64</a>.—Dr. Michel Sarrazin.</p> - -<p class="hang">(13<i>b</i>) P. <a href="#Page_64">64</a>,—Peter Kalm and the English colonies.</p> - -<p class="hang">(14) P. <a href="#Page_65">65</a>.—Education in Canada, 1792–1893.</p> - -<p class="hang">(15) P. <a href="#Page_65">65</a>.—Upper Canada, 1792–1840.</p> - -<p class="hang">(16) P. <a href="#Page_66">66</a>.—Canadian Journalism.</p> - -<p class="hang">(17) P. <a href="#Page_66">66</a>.—Howe's Speeches.</p> - -<p class="hang">(18) P. <a href="#Page_66">66</a>.—"Sam Slick."</p> - -<p class="hang">(19) P. <a href="#Page_66">66</a>.—Judge Haliburton's History of Nova Scotia.</p> - -<p class="hang">(20) P. <a href="#Page_66">66</a>.—W. Smith's History of Canada.</p> - -<p class="hang">(21) P. <a href="#Page_67">67</a>.—Joseph Bouchette's Topographical Works on Canada.</p> - -<p class="hang">(22) P. <a href="#Page_67">67</a>.—M. Bibaud's Histories of Canada.</p> - -<p class="hang">(23) P. <a href="#Page_67">67</a>.—Thompson's Book on the War of 1812–14.</p> - -<p class="hang">(24) P. <a href="#Page_67">67</a>.—Belknap's History of New Hampshire.</p> - -<p class="hang">(25) P. <a href="#Page_67">67</a>.—The poet Crémazie.</p> - -<p class="hang">(26) P. <a href="#Page_68">68</a>.—Chauveau as a poet.</p> - -<p class="hang">(27) P. <a href="#Page_69">69</a>.—Howe's Poems.</p> - -<p class="hang">(28) P. <a href="#Page_69">69</a>.—The poets Sangster and McLachlan.</p> - -<p class="hang">(29) P. <a href="#Page_69">69</a>.—Charles Heavysege's Works.</p> - -<p class="hang">(30) P. <a href="#Page_69">69</a>.—Todd's Parliamentary Government.</p> - -<p class="hang">(31) P. <a href="#Page_69">69</a>.—Christie's History of Lower Canada.</p> - -<p class="hang">(32) P. <a href="#Page_70">70</a>.—Garneau's History of Canada.</p> - -<p class="hang">(33) P. <a href="#Page_70">70</a>.—Ferland and Faillon as Canadian Historians.</p> - -<p class="hang">(34) P. <a href="#Page_70">70</a>.—Dent's Histories of Canada.</p> - -<p class="hang"><span class="pagenum"><a name="Page_xii" id="Page_xii">xii</a></span>(35) P. <a href="#Page_71">71</a>.—Turcotte's History since Union of 1841.</p> - -<p class="hang">(36) P. <a href="#Page_71">71</a>.—B. Sulte, "Histoire des Canadiens Français," etc.</p> - -<p class="hang">(37) P. <a href="#Page_71">71</a>.—Abbé Casgrain's Works.</p> - -<p class="hang">(38) P. <a href="#Page_71">71</a>.—Kingsford, Dionne, Gosselin, Tassé, Tanguay, and other Canadian -historians.</p> - -<p class="hang">(39) P. <a href="#Page_72">72</a>.—A Canadian Bibliography.</p> - -<p class="hang">(40) P. <a href="#Page_72">72</a>.—Later Canadian Poets, 1867–1893: Fréchette, LeMay, W. Campbell -Roberts, Lampman, Mair, O'Brien, McColl, Suite, Lockhart, Murray, -Edgar, O'Hagan, Davin, etc. Collections of Canadian poems. Citations -from Canadian poems.</p> - -<p class="hang">(41) P. <a href="#Page_77">77</a>.—"In My Heart." By John Reade.</p> - -<p class="hang">(41<i>a</i>) P. <a href="#Page_78">78</a>.—"Laura Secord's Warning," from Mrs. Edgar's "Ridout Letters."</p> - -<p class="hang">(42) P. <a href="#Page_79">79</a>.—Australian poets and novelists.</p> - -<p class="hang">(43) P. <a href="#Page_80">80</a>.—Howe's "Flag of Old England."</p> - -<p class="hang">(44) P. <a href="#Page_81">81</a>.—Canadian essayists: Stewart, Grant, Griffin and others.</p> - -<p class="hang">(45) P. <a href="#Page_81">81</a>.—W. Kirby's "Golden Dog" and other works.</p> - -<p class="hang">(45<i>a</i>) P. <a href="#Page_82">82</a>.—Major Richardson's "Wacousta," etc.</p> - -<p class="hang">(46) P. <a href="#Page_82">82</a>.—Marmette's "François de Bienville," and other romances.</p> - -<p class="hang">(47) P. <a href="#Page_82">82</a>.—De Gaspé's "Anciens Canadiens."</p> - -<p class="hang">(48) P. <a href="#Page_82">82</a>.—Mrs. Catherwood's works of fiction.</p> - -<p class="hang">(49) P. <a href="#Page_83">83</a>.—Gilbert Parker's writings.</p> - -<p class="hang">(50) P. <a href="#Page_83">83</a>.—DeMille's fiction.</p> - -<p class="hang">(51) P. <a href="#Page_83">83</a>.—Sara Jeannette Duncan's "A Social Departure," etc.</p> - -<p class="hang">(52) P. <a href="#Page_83">83</a>.—Matthew Arnold on Literature and Science.</p> - -<p class="hang">(53) P. <a href="#Page_83">83</a>.—Principal Grant's Address to Royal Society.</p> - -<p class="hang">(54) P. <a href="#Page_84">84</a>.—Sir J. W. Dawson's scientific labours.</p> - -<p class="hang">(55) P. <a href="#Page_84">84</a>.—Elkanah Billings as scientist.</p> - -<p class="hang">(56) P. <a href="#Page_84">84</a>.—Origin of Royal Society of Canada.</p> - -<p class="hang">(57) P. <a href="#Page_84">84</a>.—Sir D. Wilson, T. S. Hunt and Mr. Chauveau.</p> - -<p class="hang">(58) P. <a href="#Page_84">84</a>.—Canadian Literary and Scientific Societies.</p> - -<p class="hang">(58<i>a</i>) P. <a href="#Page_85">85</a>.—The Earl of Derby's farewell address to the Royal Society. His opinion -of its work and usefulness.</p> - -<p class="hang">(59) P. <a href="#Page_86">86</a>.—S. E. Dawson on Tennyson.</p> - -<p class="hang">(60) P. <a href="#Page_86">86</a>.—The old "Canadian Monthly."</p> - -<p class="hang">(61) P. <a href="#Page_86">86</a>.—Form of Royal Society Transactions.</p> - -<p class="hang">(62) P. <a href="#Page_86">86</a>.—Goldwin Smith on the study of the Classics.</p> - -<p class="hang">(63) P. <a href="#Page_87">87</a>.—Canadian Libraries.</p> - -<p class="hang">(64) P. <a href="#Page_87">87</a>.—List of artists in Canada. Native born and adopted. Art societies. Influence -of French school. Canadian artists at the World's Fair. -J. W. L. Forster on Canadian art.</p> - -<p class="hang">(64<i>a</i>) P. <a href="#Page_89">89</a>.—Architectural art in Canada. List of prominent public buildings noted -for beauty and symmetry of form.</p> - -<p class="hang">(65) P. <a href="#Page_91">91</a>.—"Fidelis."</p> -</blockquote> - - - - -<hr /> - -<div class="chapter"> - <p><span class="pagenum"><a name="Page_1" id="Page_1">1</a></span></p> - -<div class="figcenter newpage"> - <img src="images/i_001.jpg" width="550" height="101" alt="decor" /> -</div> - -<p class="center bold in0 p1t"><span class="xlarge">OUR INTELLECTUAL</span><br /> -<span class="xxlarge">STRENGTH AND WEAKNESS.</span><br /><br /> - -A SHORT REVIEW OF<br /> -<span class="smcap xlarge">Literature, Education and Art in Canada</span></p> - - - -<h2 class="no-break"><a name="I" id="I"></a>I.</h2> -</div> - - -<p>I cannot more appropriately commence this address than by -a reference to an oration delivered seven years ago in the great -hall of a famous university which stands beneath the stately -elms of Cambridge, in the old "Bay State" of Massachusetts: a -noble seat of learning in which Canadians take a deep interest, -not only because some of their sons have completed their education -within its walls, but because it represents that culture and -scholarship which know no national lines of separation, but -belong to the world's great Federation of Learning. The orator -was a man who, by his deep philosophy, his poetic genius, his -broad patriotism, his love for England, her great literature and -history, had won for himself a reputation not equalled in some -respects by any other citizen of the United States of these later -times. In the course of a brilliant oration in honour<a name="FNanchor_1_9" id="FNanchor_1_9"></a><a href="#Footnote_1_9" class="fnanchor">[1]</a><a name="FNanchor_A_1" id="FNanchor_A_1"></a><a href="#Footnote_A_1" class="fnanchor">[A]</a> of the two -hundred and fiftieth anniversary of the foundation of Harvard, -James Russell Lowell took occasion to warn his audience against -the tendency of a prosperous democracy "towards an overweening -confidence in itself and its home-made methods, an overestimate<span class="pagenum"><a name="Page_2" id="Page_2">2</a></span> -of material success and a corresponding indifference to the things -of the mind." He did not deny that wealth is a great fertilizer of -civilization and of the arts that beautify it; that wealth is an -excellent thing since it means power, leisure and liberty; "but -these," he went on to say, "divorced from culture, that is, from -intelligent purpose, become the very mockery of their own essence, -not goods, but evils fatal to their possessor, and bring with them, -like the Nibelungen Hoard, a doom instead of a blessing." "I -am saddened," he continued, "when I see our success as a nation -measured by the number of acres under tillage, or of bushels of -wheat exported; for the real value of a country must be weighed -in scales more delicate than the balance of trade. The garners of -Sicily are empty now, but the bees from all climes still fetch -honey from the tiny garden-plot of Theocritus. On a map of the -world you may cover Judea with your thumb, Athens with a -finger-tip, and neither of them figures in the Prices Current; but -they still lord it in the thought and action of every civilized man. -Did not Dante cover with his hood all that was Italy six hundred -years ago? And if we go back a century, where was Germany -outside of Weimar? Material success is good, but only as the -necessary preliminary of better things. The measure of a nation's -true success is the amount it has contributed to the thought, the -moral energy, the intellectual happiness, the spiritual hope and -consolation of mankind."</p> - -<p>These eloquently suggestive words, it must be remembered, -were addressed by a great American author to an audience, made -up of eminent scholars and writers, in the principal academic -seat of that New England which has given birth to Emerson, -Longfellow, Bancroft, Prescott, Motley, Hawthorne, Holmes, -Parkman, and many others, representing the brightest thought -and intellect of this continent. These writers were the product -of the intellectual development of the many years that had -passed since the pilgrims landed on the historic rock of Plymouth. -Yet, while Lowell could point to such a brilliant array of historians, -essayists, poets and novelists, as I have just named, as -the latest results of New England culture, he felt compelled to -utter a word of remonstrance against that spirit of materialism<span class="pagenum"><a name="Page_3" id="Page_3">3</a></span> -that was then as now abroad in the land, tending to stifle those -generous intellectual aspirations which are best calculated to -make a people truly happy and great.</p> - -<p>Let us now apply these remarks of the eminent American -poet and thinker to Canada—to ourselves, whose history is even -older than that of New England; contemporaneous rather with -that of Virginia, since Champlain landed on the heights of Quebec -and laid the foundations of the ancient capital only a year -after the English adventurers of the days of King James set their -feet on the banks of the river named after that sovereign and -commenced the old town which has long since disappeared -before the tides of the ocean that stretches away beyond the -shores of the Old Dominion.<a name="FNanchor_2_10" id="FNanchor_2_10"></a><a href="#Footnote_2_10" class="fnanchor">[2]</a> If we in Canada are open to the -same charge of attaching too much importance to material things, -are we able at the same time to point to as notable achievements -in literature as results of the three centuries that have nearly -passed since the foundation of New France? I do not suppose -that the most patriotic Canadian, however ready to eulogize his -own country, will make an effort to claim an equality with New -England in this respect; but, if indeed we feel it necessary to -offer any comparison that would do us justice, it would be with -that Virginia whose history is contemporaneous with that of -French Canada. Statesmanship rather than Letters has been the -pride and ambition of the Old Dominion, its brightest and highest -achievement. Virginia has been the mother of great orators and -great presidents, and her men of letters sink into insignificance -alongside of those of New England. It may be said, too, of -Canada, that her history in the days of the French regime, during -the struggle for responsible government, as well as at the birth -of confederation, gives us the names of men of statesmanlike -designs and of patriotic purpose. From the days of Champlain -to the establishment of the confederation, Canada has had the -services of men as eminent in their respective spheres, and as -successful in the attainment of popular rights, in moulding the -educational and political institutions of the country, and in laying -broad and deep the foundations of a new nationality across -half a continent, as those great Virginians to whom the world is<span class="pagenum"><a name="Page_4" id="Page_4">4</a></span> -ever ready to pay its meed of respect. These Virginian statesmen -won their fame in the large theatre of national achievement—in -laying the basis of the most remarkable federal republic the -world has ever seen; whilst Canadian public men have laboured -with equal earnestness and ability in that far less conspicuous -and brilliant arena of colonial development, the eulogy of which -has to be written in the histories of the future.</p> - - -<div class="footnote"> -<p><a name="Footnote_A_1" id="Footnote_A_1"></a><a href="#FNanchor_A_1"><span class="label">[A]</span></a> In all cases the references are to the <a href="#BIBLIOGRAPHICAL_ART_AND_GENERAL_NOTES">Notes</a> in the Appendix.</p> -</div> - - - - -<hr /> - -<div class="chapter"> -<h2><a name="II" id="II"></a>II.</h2> -</div> - - -<p>Let me now ask you to follow me for a short time whilst I -review some of the most salient features of our intellectual -progress since the days Canada entered on its career of competition -in the civilization of this continent. So far there have -been three well defined eras of development in the country now -known as the Dominion of Canada. First, there was the era of -French Canadian occupation which in many respects had its -heroic and picturesque features. Then, after the cession of Canada -to England, came that era of political and constitutional struggle -for a larger measure of public liberty which ended in the establishment -of responsible government about half a century ago. Then -we come to that era which dates from the confederation of the -provinces—an era of which the first quarter of a century only has -passed, of which the signs are still full of promise, despite the -prediction of gloomy thinkers, if Canadians remain true to themselves -and face the future with the same courage and confidence -that have distinguished the past.</p> - -<p>As I have just said, the days of the French regime were in -a sense days of heroic endeavour, since we see in the vista of the -past a small colony whose total population at no period exceeded -eighty thousand souls, chiefly living on the banks of the St. -Lawrence, between Quebec and Montreal, and contending against -great odds for the supremacy on the continent of America. The -pen of Francis Parkman has given a vivid picture of those days -when bold adventurers unlocked the secrets of this Canadian -Dominion, pushed into the western wilderness, followed unknown -rivers, and at last found a way to the waters of that southern -gulf where Spain had long before, in the days of Grijalva, Cortez<span class="pagenum"><a name="Page_5" id="Page_5">5</a></span> -and Pineda, planted her flag and won treasures of gold and silver -from an unhappy people who soon learned to curse the day when -the white men came to the fair islands of the south and the rich -country of Mexico. In these days the world, with universal acclaim -has paid its tribute of admiration to the memory of a great -Discoverer who had the courage of his convictions and led the -way to the unknown lands beyond the Azores and the Canaries. -This present generation has forgiven him much in view of his -heroism in facing the dangers of unknown seas and piercing -their mysteries. His purpose was so great, and his success so -conspicuous, that both have obscured his human weakness. In -some respects he was wiser than the age in which he lived; in -others he was the product of the greed and the superstition of -that age; but we who owe him so much forget the frailty of -the man in the sagacity of the Discoverer. As Canadians, however, -now review the character of the great Genoese, and of his -compeers and successors in the opening up of this continent, -they must, with pride, come to the conclusion that none of these -men can compare in nobility of purpose, in sincere devotion to -God, King and Country, with Champlain, the sailor of Brouage, -who became the founder of Quebec and the father of New -France.</p> - -<p>In the daring ventures of Marquette, Jolliet, La Salle and -Tonty, in the stern purpose of Frontenac, in the far-reaching -plans of La Galissonière, in the military genius of Montcalm, the -historian of the present time has at his command the most attractive -materials for his pen. But we cannot expect to find the -signs of intellectual development among a people where there -was not a single printing press, where freedom of thought and -action was repressed by a paternal absolutism, where the struggle -for life was very bitter up to the last hours of French -supremacy in a country constantly exposed to the misfortunes of -war, and too often neglected by a king who thought more of his -mistresses than of his harassed and patient subjects across the -sea. Yet that memorable period—days of struggle in many ways—was -the origin of a large amount of literature which we, in -these times, find of the deepest interest and value from a historic<span class="pagenum"><a name="Page_6" id="Page_6">6</a></span> -point of view. The English colonies of America cannot present -us with any books which, for faithful narrative and simplicity -of style, bear comparison with the admirable works of Champlain, -explorer and historian,<a name="FNanchor_3_11" id="FNanchor_3_11"></a><a href="#Footnote_3_11" class="fnanchor">[3]</a> or with those of the genial and -witty advocate, Marc Lescarbot,<a name="FNanchor_4_12" id="FNanchor_4_12"></a><a href="#Footnote_4_12" class="fnanchor">[4]</a> names that can never be forgotten -on the picturesque heights of Quebec, or on the banks of -the beautiful basin of Annapolis. Is there a Canadian or American -writer who is not under a deep debt of obligation to the -clear-headed and industrious Jesuit traveller, Charlevoix,<a name="FNanchor_5_13" id="FNanchor_5_13"></a><a href="#Footnote_5_13" class="fnanchor">[5]</a> the -Nestor of French Canadian history? The only historical writer -that can at all surpass him in New England was the loyalist -Governor Hutchinson, and he published his books at a later -time when the French dominion had disappeared with the fall -of Quebec.<a name="FNanchor_6_14" id="FNanchor_6_14"></a><a href="#Footnote_6_14" class="fnanchor">[6]</a> To the works just mentioned we may add the books -of Gabriel Sagard,<a name="FNanchor_7_15" id="FNanchor_7_15"></a><a href="#Footnote_7_15" class="fnanchor">[7]</a> and of Boucher, the governor of Three Rivers -and founder of a still eminent French Canadian family;<a name="FNanchor_8_16" id="FNanchor_8_16"></a><a href="#Footnote_8_16" class="fnanchor">[8]</a> that -remarkable collection of authentic historic narrative, known as -the Jesuit Relations;<a name="FNanchor_9_17" id="FNanchor_9_17"></a><a href="#Footnote_9_17" class="fnanchor">[9]</a> even that tedious Latin compilation by -Père du Creux,<a name="FNanchor_10_18" id="FNanchor_10_18"></a><a href="#Footnote_10_18" class="fnanchor">[10]</a> the useful narrative by La Potherie,<a name="FNanchor_11_19" id="FNanchor_11_19"></a><a href="#Footnote_11_19" class="fnanchor">[11]</a> the admirable -account of Indian life and customs by the Jesuit Lafitau,<a name="FNanchor_11A_20" id="FNanchor_11A_20"></a><a href="#Footnote_11A_20" class="fnanchor">[11<i>a</i>]</a> -and that now very rare historical account of the French colony, -the "Etablissement de la Foy dans la Nouvelle France," written -by the Recollet le Clercq,<a name="FNanchor_12_21" id="FNanchor_12_21"></a><a href="#Footnote_12_21" class="fnanchor">[12]</a> probably aided by Frontenac. In -these and other works, despite their diffuseness in some cases, -we have a library of historical literature, which, when supplemented -by the great stores of official documents still preserved -in the French archives, is of priceless value as a true and -minute record of the times in which the authors lived, or which -they described from the materials to which they alone had -access. It may be said with truth that none of these writers -were Canadians in the sense that they were born or educated in -Canada, but still they were the product of the life, the hardships -and the realities of New France—it was from this country they -drew the inspiration that gave vigour and colour to their -writings. New England, as I have already said, never originated -a class of writers who produced work of equal value, or -indeed of equal literary merit. Religious and polemic controversy<span class="pagenum"><a name="Page_7" id="Page_7">7</a></span> -had the chief attraction for the gloomy, disputatious puritan -native of Massachusetts and the adjoining colonies. Cotton -Mather was essentially a New England creation, and if quantity -were the criterion of literary merit then he was the most distinguished -author of his century; for it is said that indefatigable -antiquarians have counted up the titles of nearly four hundred -books and pamphlets by this industrious writer. His principal -work, however, was the "Magnalia Christi Americana, or Ecclesiastical -History of New England from 1620 to 1698,"<a name="FNanchor_13_22" id="FNanchor_13_22"></a><a href="#Footnote_13_22" class="fnanchor">[13]</a> a large -folio, remarkable as a curious collection of strange conceits, forced -witticisms, and prolixity of narrative, in which the venturesome -reader soon finds himself so irretrievably mystified and lost that -he rises from the perusal with wonderment that so much learning, -as was evidently possessed by the author, could be so used -to bewilder the world of letters. The historical knowledge is -literally choked up with verbiage and mannerisms. Even prosy -du Creux becomes tolerable at times compared with the garrulous -Puritan author.</p> - -<p>Though books were rarely seen, and secular education was -extremely defective as a rule throughout the French colony, yet -at a very early period in its history remarkable opportunities -were afforded for the education of a priesthood and the cult of -the principles of the Roman Catholic religion among those -classes who were able to avail themselves of the facilities offered -by the Jesuit College, which was founded at Quebec before even -Harvard at Cambridge, or by the famous Great and Lesser Seminaries -in the same place, in connection with which, in later times, -rose the University with which is directly associated the name -of the most famous Bishop of the French regime. The influence -of such institutions was not simply in making Canada a most -devoted daughter of that great Church, which has ever exercised -a paternal and even absolute care of its people, but also in discouraging -a purely materialistic spirit and probably keeping -alive a taste for letters among a very small class, especially the -priests, who, in politics as in society, have been always a controlling -element in the French province. Evidences of some -culture and intellectual aspirations in the social circles of the<span class="pagenum"><a name="Page_8" id="Page_8">8</a></span> -ancient capital attracted the surprise of travellers who visited -the country before the close of the French dominion. "Science -and the fine arts," wrote Charlevoix, "have their turn, and conversation -does not fail. The Canadians breathe from their birth -an air of liberty, which makes them very pleasant in the intercourse -of life, and our language is nowhere more purely spoken." -La Galissonière, who was an associate member of the French -Academy of Science, and the most highly cultured governor -ever sent out by France, spared no effort to encourage a systematic -study of scientific pursuits in Canada. Dr. Michel Sarrazin,<a name="FNanchor_13A_23" id="FNanchor_13A_23"></a><a href="#Footnote_13A_23" class="fnanchor">[13<i>a</i>]</a> -who was a practising physician in Quebec for nearly half a century, -devoted himself most assiduously to the natural history -of the colony, and made some valuable contributions to the -French Academy, of which he was a correspondent. The -Swedish botanist, Peter Kalm, who visited America in the middle -of the last century, was impressed with the liking for scientific -study which he observed in the French colony. "I have -found," he wrote, "that eminent persons, generally speaking, in -this country, have much more taste for natural history and literature -than in the English colonies, where the majority of people -are entirely engrossed in making their fortune, whilst science is -as a rule held in very light esteem." Strange to say, he ignores -in this passage the scientific labours of Franklin, Bartram and -others he had met in Pennsylvania.<a name="FNanchor_13B_24" id="FNanchor_13B_24"></a><a href="#Footnote_13B_24" class="fnanchor">[13<i>b</i>]</a> As a fact such evidences -of intellectual enlightenment as Kalm and Charlevoix mentioned -were entirely exceptional in the colony, and never showed themselves -beyond the walls of Quebec or Montreal. The province, as -a whole, was in a state of mental sluggishness. The germs of -intellectual life were necessarily dormant among the mass of the -people, for they never could produce any rich fruition until they -were freed from the spirit of absolutism which distinguished -French supremacy, and were able to give full expression to the -natural genius of their race under the inspiration of the liberal -government of England in these later times.</p> - -<hr /> - - - - -<div class="chapter"> - <p><span class="pagenum"><a name="Page_9" id="Page_9">9</a></span></p> - -<h2><a name="III" id="III"></a>III.</h2> -</div> - - -<p>Passing from the heroic days of Canada, which, if it could -hardly in the nature of things originate a native literature, at -least inspired a brilliant succession of historians, essayists and -poets in much later times, we come now to that period of constitutional -and political development which commenced with the -rule of England. It does not fall within the scope of this address -to dwell on the political struggles which showed their intensity -in the rebellion of 1837–8, and reached their fruition in the concession -of parliamentary government, in the large sense of the -term, some years later. These struggles were carried on during -times when there was only a sparse population chiefly centred -in the few towns of Nova Scotia, New Brunswick, Upper and -Lower Canada, on the shores of the Atlantic, on the banks of -the St. Lawrence and Lake Ontario, and not extending beyond -the peninsula of the present province of Ontario. The cities, or -towns rather, of Halifax, St. John, Quebec, Montreal, Kingston -and York, were then necessarily the only centres of intellectual -life. Education was chiefly under the control of religious bodies -or in the hands of private teachers. In the rural districts it was -at the lowest point possible,<a name="FNanchor_14_25" id="FNanchor_14_25"></a><a href="#Footnote_14_25" class="fnanchor">[14]</a> and the great system of free schools -which has of late years extended through the Dominion—and is -the chief honour of Ontario—was never dreamed of in those -times of sluggish growth and local apathy, when communication -between the distant parts of the country was slow and wretched, -when the conditions of life were generally very hard and rude, -when the forest still covered the greater portion of the most -fertile districts of Ontario,<a name="FNanchor_15_26" id="FNanchor_15_26"></a><a href="#Footnote_15_26" class="fnanchor">[15]</a> though here and there the pioneer's -axe could be heard from morn to eve hewing out little patches -of sunlight, so many glimpses of civilization and better times -amid the wildness of a new land even then full of promise.</p> - -<p>The newspapers of those days were very few and came only -at uncertain times to the home of the farmer by the side of some -stream or amid the dense forest, or to the little hamlets that -were springing up in favoured spots, and represented so many -radiating influences of intelligence on the borders of the great<span class="pagenum"><a name="Page_10" id="Page_10">10</a></span> -lakes and their tributary streams, on the Atlantic seaboard, or on -the numerous rivers that form so many natural highways to the -people of the maritime provinces. These newspapers were for -years mostly small quarto or folio sheets, in which the scissors -played necessarily the all-important part; but there was, nevertheless, -before 1840 in the more pretentious journals of the large -towns, some good writing done by thoughtful men who studied -their questions, and helped to atone for the very bitter vindictive -partisan attacks on opponents that too frequently sullied the -press in those times of fierce conflict.<a name="FNanchor_16_27" id="FNanchor_16_27"></a><a href="#Footnote_16_27" class="fnanchor">[16]</a> Books were only found -in the homes of the clergy or of the official classes, and these were -generally old editions and rarely the latest publications of the -time. Montreal and Quebec, for many years, were the only -places where bookstores and libraries of more than a thousand -volumes could be seen. It was not until 1813 that a successful -effort was made to establish a "social library" at Kingston, -Bath, and some other places in the Midland district. Toronto -had no library worth mentioning until 1836. What culture existed -in those rude days was to be hunted up among the clergy, -especially of the Church of England, the Roman Catholic priests -of Lower Canada, and the official classes of the large towns. -Some sermons that have come down to us, in pamphlets of very -common paper—and very few were printed in those days when -postage was dear and bookselling was not profitable—have no -pretensions to originality of thought or literary style: sermons -in remarkable contrast with the brilliant and suggestive utterances -of such modern pulpit orators as Professor Clarke, of Trinity. -The exhaustive and, generally, closely reasoned sermons of the -Presbyterian divine had a special flavour of the Westminster confession -and little of the versatility of preachers like Principal -Grant in these later times when men are attempting to make -even dogma more genial, and to understand the meaning of the -sermon in the Mount. Then, as always in Canada, there were -found among the clergy of all denominations hardworking, self-denying -priests and missionaries who brought from time to time -to some remote settlement of the provinces spiritual consolation -and to many a household, long deprived of the intellectual nourishment<span class="pagenum"><a name="Page_11" id="Page_11">11</a></span> -of other days, an opportunity of conversing on subjects -which in the stern daily routine of their lives in a new country -were seldom or ever talked of. It was in the legislative halls of -the provinces that the brightest intellect naturally found scope for -its display, and at no subsequent period of the political history -of Canada were there more fervid, earnest orators than appeared -in the days when the battle for responsible government was at -its height. The names of Nelson, Papineau, Howe, Baldwin, -Wilmot, Johnstone, Young, Robinson, Rolph and Mackenzie -recall the era when questions of political controversy and political -freedom stimulated mental development among that class -which sought and found the best popular opportunities for the -display of their intellectual gifts in the legislative halls in the -absence of a great printing press and a native literature. Joseph -Howe's speeches<a name="FNanchor_17_28" id="FNanchor_17_28"></a><a href="#Footnote_17_28" class="fnanchor">[17]</a> displayed a wide culture, an original eloquence, -and a patriotic aspiration beyond those of any other man -of his time and generation, and would have done credit to the -Senate of the United States, then in the zenith of its reputation -as a body of orators and statesmen. It is an interesting fact that -Howe, then printer and publisher, should have printed the first -work of the only great humorist that Canada has yet produced. -I mean of course "The Clockmaker,"<a name="FNanchor_18_29" id="FNanchor_18_29"></a><a href="#Footnote_18_29" class="fnanchor">[18]</a> in which Judge Haliburton -created "Sam Slick," a type of a Down-east Yankee pedlar -who sold his wares by a judicious use of that quality which is -sure to be appreciated the world over, "Soft sawder and human -natur'." In this work, which has run through ever so many -editions, and is still found on the shelves of every well-equipped -library and bookstore, Sam Slick told some home truths to his -somewhat self-satisfied countrymen who could not help laughing -even if the humour touched them very keenly at times. -Nova Scotia has changed much for the better since those dull -times when the house of assembly was expected to be a sort of -political providence, to make all the roads and bridges, and give -good times and harvests; but even now there are some people -cruel enough, after a visit to Halifax, to hint that there still is a -grain of truth in the following reflection on the enterprise of that -beautiful port: "How the folks to Halifax take it all out in<span class="pagenum"><a name="Page_12" id="Page_12">12</a></span> -talkin'—they talk of steam-boats, whalers and railroads—but -they all end where they begin—in talk. I don't think I'd be -out in my latitude if I was to say they beat the womankind at -that. One feller says, I talk of goin' to England—another says, -I talk of goin' to the country—while another says, I talk of -goin' to sleep. If we Yankees happen to speak of such things -we say, 'I'm right off down East;' or 'I'm away off South,' and -away we go jist like a streak of lightnin'." This clever humourist -also wrote the best history<a name="FNanchor_19_30" id="FNanchor_19_30"></a><a href="#Footnote_19_30" class="fnanchor">[19]</a>—one of his own province—that -had been written in British North America up to that time—indeed -it is still most readable, and worthy of a place in every -library. In later days the Judge wrote many other books and -became a member of the English House of Commons: but "Sam -Slick" still remains the most signal illustration of his original -genius.</p> - -<p>During this period, however, apart from the two works to -which I have referred, we look in vain for any original literature -worthy of special mention. A history of Canada written by -William Smith,<a name="FNanchor_20_31" id="FNanchor_20_31"></a><a href="#Footnote_20_31" class="fnanchor">[20]</a> a son of an eminent chief justice of New York, -and subsequently of Canada, was published in excellent style -for those days as early as 1815 at Quebec, but it has no special -value except to the collector of old and rare books. Bouchette's -topographical and geographical account of Canada<a name="FNanchor_21_32" id="FNanchor_21_32"></a><a href="#Footnote_21_32" class="fnanchor">[21]</a> illustrated -the ability and zeal of an eminent French Canadian, who deserved -the thanks of his country, but these well printed books -were, after all, mere compilations and came from the English -press. Pamphlets were numerous enough, and some of them -had literary skill, but they had, in the majority of cases, no permanent -value except to the historian or antiquarian of the present -day who must sift out all sorts of material and study every -phase and incident of the times he has chosen for his theme. -Michel Bibaud wrote a history of French Canada,<a name="FNanchor_22_33" id="FNanchor_22_33"></a><a href="#Footnote_22_33" class="fnanchor">[22]</a> which no one -reads in these days, and the most of the other works that emanated -from the Canadian press, like Thompson's "War of 1812,"<a name="FNanchor_23_34" id="FNanchor_23_34"></a><a href="#Footnote_23_34" class="fnanchor">[23]</a> -are chiefly valued by the historical collector. It was not to be -expected that in a relatively poor country, still in the infancy of -its development, severely tried by political controversies, with a<span class="pagenum"><a name="Page_13" id="Page_13">13</a></span> -small population scattered over a long stretch of territory, from -Sydney to Niagara, there could be any intellectual stimulus or -literary effort except what was represented in newspapers like -the <i>Gazette</i> of Montreal—which has always maintained a certain -dignity of style in its long journalistic career—the <i>Gazette</i> and -the <i>Canadien</i>, of Quebec, the <i>Nova Scotian</i> of Halifax, or displayed -itself in keen contests in the legislatures or court-houses of a -people delighting always in such displays as there were made of -mental power and natural eloquence. From a literary point of -view our American neighbours had, during this period, left us -away behind, in fact no comparison can be made between the -two countries; laying aside the original creation of Sam Slick. -Towards the close of the eighteenth century Belknap published -his admirable history of New Hampshire,<a name="FNanchor_24_35" id="FNanchor_24_35"></a><a href="#Footnote_24_35" class="fnanchor">[24]</a> while the third -volume of Hutchinson's history of Massachusetts appeared in -1828, to close a work of rare merit alike for careful research, -philosophic acuteness and literary charm. That admirable collection -of political and constitutional essays known as the "Federalist" -had attained a wide circulation and largely influenced -the destinies of the union under the constitution of 1783. Chief -Justice Marshall illumined the bench by his great judicial decisions -which have won a remarkable place in legal literature, on -account of their close, acute reasoning, breadth of knowledge, -insight into great constitutional principles, and their immediate -influence on the political development of the federal republic. -Washington Irving published, as far back as 1819, his "Sketch -Book," in which appeared the original creation of Rip Van -Winkle, and followed it up with other works which recall Addison's -delightful style, and gave him a fame abroad that no later -American writer has ever surpassed. Cooper's romances began -to appear in 1821, and Bancroft published in 1834 the first volume -of what is a great history despite its somewhat rhetorical and -ambitious style. Hawthorne's "Twice Told Tales" appeared in -1835, but his fame was to be won in later years when he wrote -the "Scarlet Letter" and the "House of Seven Gables," the most -original and quaint productions that New England genius has -yet produced. If I linger for a moment among these men it is<span class="pagenum"><a name="Page_14" id="Page_14">14</a></span> -because they were not merely American by the influence of their -writings; but wherever the English tongue is spoken and English -literature is read these writers of a past generation, as it -may be said of others of later times, claim the gratitude of the -untold thousands whom they have instructed and helped in -many a weary and sad, as well as idle hour. They were not -Canadians, but they illustrated the genius of this continent of -ours.</p> - - - - -<hr /> - -<div class="chapter"> -<h2><a name="IV" id="IV"></a>IV.</h2> -</div> - - -<p>It was in the years that followed the concession of responsible -government that a new era dawned on Canada—an era of -intellectual as well as material activity. Then common schools -followed the establishment of municipal institutions in Ontario. -Even the province of Quebec awoke from its sullen lethargy and -assumed greater confidence in the future, as its statesmen gradually -recognized the fact that the union of 1841 could be turned -to the advantage of French Canada despite it having been largely -based on the hope of limiting the development of French Canadian -institutions, and gradually leading the way to the assimilation -of the two races. Political life still claimed the best talent -and energy, as it has always done in this country; and, while -Papineau soon disappeared from the arena where he had been, -under a different condition of things, a powerful disturbing influence -among his compatriots, men of greater discretion and wider -statesmanship like Lafontaine, Morin and Cartier, took his place -to the decided benefit of French Canada. Robert Baldwin, a tried -and conservative reformer, yielded to the antagonistic influences -that eventually arrayed themselves in his own party against him -and retired to a privacy from which he never ventured until his -death. William Lyon Mackenzie came back from exile and took -a place once more in legislative halls only to find there was no -longer scope for mere querulous agitators and restless politicians. -Joseph Howe still devoted himself with untiring zeal to his countrymen -in his native province, while Judge Wilmot, afterwards -governor like the former in confederation days, delighted the -people of New Brunswick with his rapid, fervid, scholarly eloquence.<span class="pagenum"><a name="Page_15" id="Page_15">15</a></span> -James W. Johnstone, long the leader of the Conservative -party in Nova Scotia, remarkable for his great flow of language -and argument; William Young, an astute politician; -James Boyle Uniacke, with all the genius of an Irish orator; -Laurence O'Connor Doyle, wit and Irishman; Samuel J. W. -Archibald with his silver tongue, afterwards master of the rolls; -Adams G. Archibald, polished gentleman; Leonard Tilley with -his suavity of demeanour and skill as a politician; Charles Tupper -with his great command of language, earnestness of expression -and courage of conviction, were the leading exponents of the -political opinions and of the culture and oratory of Nova Scotia -and New Brunswick. In the upper provinces we had in addition -to the names of the distinguished French Canadians I have -already mentioned, those of John A. Macdonald, at all times a -ready and incisive debater, a great party tactician, and a statesman -of generous aspirations, who was destined to die very many -years later with the knowledge that he had realized his conception -of a federation uniting all the territory of British North -America, from Sydney to Victoria, under one government. The -names of Allan McNab, Francis Hincks, George Brown, George -Etienne Cartier, Alexander Galt, D'Arcy McGee, Louis Sicotte, -John Hillyard Cameron, Alexander Mackenzie, Seth Huntington, -William McDougall, Antoine Dorion, Alexander Campbell, and of -other men, eminent for their knowledge of finance, their powers -as debaters, their graceful oratory, their legal acumen, their political -skill and their intellectual achievements in their respective -spheres, will be recalled by many of those who hear me, since -the most eminent among them have but recently disappeared -from the stage of active life.</p> - -<p>As long as party government lasts in this country men will -be divided into political divisions, and objection will be of course -time and again taken to the methods by which these and other -political leaders have achieved their party ends, and none of us -will be always satisfied with the conclusions to which their at -times overweening ambition has led them; but, taking them all -in all, I believe for one who has lived all my life among politicians -and statesmen that, despite their failings and weaknesses, the<span class="pagenum"><a name="Page_16" id="Page_16">16</a></span> -public men of our country in those days laboured on the whole -conscientiously from their own points of view to make Canada -happier and greater. Indeed, when I look around me and see -what has been done in the face of great obstacles during a half -century and less, I am bound to pay this tribute to those who -laboured earnestly in the difficult and trying intellectual field of -public life.</p> - -<p>But this period which brought so many bright intellects into -the activities of political life was distinguished also, not merely for -the material advance in industry, but notably for some performance -in the less hazardous walk of literature. The newspaper -press with the progress of population, the increase of wealth, -the diffusion of education, the construction of railways and telegraph -lines, and the development of political liberty, found itself -stimulated to new energy and enterprise. A daily press now -commenced to meet the necessities of the larger and wealthier -cities and towns. It must be admitted, however, that from a -strictly intellectual point of view there was not in some respects -a marked advance in the tone and style of the leading public -journals. Political partisanship ran extremely high in those -days—higher than it has ever since—and grosser personalities -than have ever characterized newspapers in this country sullied -the editorial columns of leading exponents of public opinion. No -doubt there was much brilliant and forcible writing, despite the -acrimony and abuse that were too often considered more necessary -than incisive argument and logical reasoning when a political -opponent had to be met. It was rarely that one could get -at the whole truth of a question by reading only one newspaper; -it was necessary to take two or three or more on different sides -of politics in order to obtain even an accurate idea of the debates -in the legislative halls. A Liberal or Conservative journal would -consider it beneath its legitimate functions even as a newspaper -to report with any fulness the speeches of its political adversaries. -Of course this is not newspaper editing in the proper sense -of the phrase. It is not the English method assuredly, since the -London <i>Times</i>, the best example of a well-equipped and well-conducted -newspaper, has always considered it necessary to give<span class="pagenum"><a name="Page_17" id="Page_17">17</a></span> -equal prominence to the speeches of Peel, Russell, Palmerston, -Derby, Disraeli, Gladstone—of all the leaders irrespective of -party. Even in these days of heated controversy on the Irish -question one can always find in the columns of the London press -fair and accurate reports of the speeches of Gladstone, Balfour, -McCarthy, Chamberlain, Morley and Blake. This is the sound -basis on which true and honest journalism must always rest if it -is to find its legitimate reward, not in the fickle smiles of the -mere party follower, but in the support of that great public which -can best repay the enterprise and honesty of a true newspaper. -Still, despite this violent partisanship to which bright intellects -lowered themselves, and the absence of that responsibility to -public opinion expected from its active teachers, the press of -Canada, during the days of which I am speaking, kept pace -in some essential respects with the material progress of the -country, and represented too well the tone and spirit of the mass -in the country where the rudiments of culture were still rough -and raw. Public intelligence, however, was being gradually -diffused, and according as the population increased, and the -material conditions of the country improved, a literature of some -merit commenced to show itself. The poems of Crémazie,<a name="FNanchor_25_36" id="FNanchor_25_36"></a><a href="#Footnote_25_36" class="fnanchor">[25]</a> of -Chauveau,<a name="FNanchor_26_37" id="FNanchor_26_37"></a><a href="#Footnote_26_37" class="fnanchor">[26]</a> of Howe,<a name="FNanchor_27_38" id="FNanchor_27_38"></a><a href="#Footnote_27_38" class="fnanchor">[27]</a> of Sangster<a name="FNanchor_28_39" id="FNanchor_28_39"></a><a href="#Footnote_28_39" class="fnanchor">[28]</a> and others, were imbued -with a truly Canadian spirit—with a love for Canada, its scenery, -its history and its traditions, which entitled them to a larger -audience than they probably ever had in this or other countries. -None of those were great poets, but all of them were more or less -gifted with a measure of true poetic genius, the more noteworthy -because it showed itself in the rawness and newness of a colonial -life. Amid the activities of a very busy period the poetic instinct -of Canadians constantly found some expression. One almost -now forgotten poet who was engaged in journalism in Montreal -wrote an ambitious drama, "Saul," which was described at the -time by a British critic as "a drama treated with great poetic -power and depth of psychological knowledge which are often -quite startling;" and the author followed it up with other poems, -displaying also much imagination and feeling, but at no time -reaching the ears of a large and appreciative audience. We cannot,<span class="pagenum"><a name="Page_18" id="Page_18">18</a></span> -however, claim Charles Heavysege<a name="FNanchor_29_40" id="FNanchor_29_40"></a><a href="#Footnote_29_40" class="fnanchor">[29]</a> as a product of Canadian -soil and education, for he was a man of mature age when he -made his home in this country, and his works were in no wise -inspired by Canadian sentiment, scenery or aspiration. In history -Canadians have always shown some strength, and perhaps -this was to be expected in view of the fact that political and historical -literature—such works as Hamilton's "Federalist" or -Todd's "Parliamentary Government"<a name="FNanchor_30_41" id="FNanchor_30_41"></a><a href="#Footnote_30_41" class="fnanchor">[30]</a>—naturally engages the -attention of active intellects in a new country at a time when -its institutions have to be moulded, and it is necessary to collect -precedents and principles from the storehouse of the past for the -assistance of the present. A most useful narrative of the political -occurrences in Lower Canada, from the establishment of legislative -institutions until the rebellion of 1837–38 and the union -of 1841, was written by Mr. Robert Christie, long a publicist of -note and a member of the assembly of the province. While it -has no claim to literary style it has the great merit of stating the -events of the day with fairness and of citing at length numerous -original documents bearing on the text.<a name="FNanchor_31_42" id="FNanchor_31_42"></a><a href="#Footnote_31_42" class="fnanchor">[31]</a> In French Canada the -names of Garneau<a name="FNanchor_32_43" id="FNanchor_32_43"></a><a href="#Footnote_32_43" class="fnanchor">[32]</a> and Ferland<a name="FNanchor_33_44" id="FNanchor_33_44"></a><a href="#Footnote_33_44" class="fnanchor">[33]</a> have undoubtedly received -their full meed of praise for their clearness of style, industry of -research, and scholarly management of their subject. Now that -the political passion that so long convulsed the public mind in -this country has disappeared with the causes that gave it birth, -one is hardly prepared to make as much a hero of Papineau as -Garneau attempted in his assuredly great book, while the foundation -of a new Dominion and the dawn of an era of larger political -life, has probably given a somewhat sectional character to -such historical work. Still, despite its intense French Canadian -spirit, Garneau's volumes notably illustrate the literary instinct -and intellectual strength which have always been distinguishing -features of the best productions of the able and even brilliant -men who have devoted themselves to literature with marked -success among their French Canadian countrymen, who are wont -to pay a far deeper homage to such literary efforts than the colder, -less impulsive English Canadian character has ever shown itself -disposed to give to those who have been equally worthy of recognition -in the English-speaking provinces.</p> - - - - -<hr /> - -<div class="chapter"> - <p><span class="pagenum"><a name="Page_19" id="Page_19">19</a></span></p> - -<h2><a name="V" id="V"></a>V.</h2> -</div> - - -<p>As I glance over my library shelves I find indeed that historical -literature has continued since the days of Garneau and -Ferland, to enlist the earnest and industrious study of Canadians -with more or less success. In English Canada, John Charles -Dent produced a work on the political development of Canada -from the union of 1841 until the confederation of 1867, which -was written with fairness and ability, but he was an Englishman -by birth and education, though resident for many years in -the city of Toronto.<a name="FNanchor_34_45" id="FNanchor_34_45"></a><a href="#Footnote_34_45" class="fnanchor">[34]</a> And here let me observe that though such -men as Dent, Heavysege, Faillon, Daniel Wilson, Hunt, D'Arcy -McGee and Goldwin Smith were not born or educated in Canada -like Haliburton, Logan, J. W. Dawson, Joseph Howe, Wilmot, -Cartier, Garneau, or Fréchette, but only came to this country in -the maturity of their mental powers, yet to men of their class -the Dominion owes a heavy debt of gratitude for the ability and -earnestness with which they have elevated the intellectual standard -of the community where they have laboured. Although all -of us may not be prepared to accept the conclusions of the historian, -or approve the judgment of the political critic; although -we may regret that a man of such deep scholarship and wide -culture as Goldwin Smith has never yet been able to appreciate -the Canadian or growing national sentiment of this dependency, -yet who can doubt, laying aside all political or personal prejudice, -that he, like the others I have named, has stimulated intellectual -development in his adopted home, and so far has given -us compensation for some utterances which, so many Canadians -honestly believe, mar an otherwise useful and brilliant career. -Such literary men have undoubtedly their uses, since they seem -specially intended by a wise dispensation of affairs to cure us -of too much self-complacency, and to prevent us from falling -into a condition of mental stagnation by giving us from time to -time abundant material for reflection. So much, by way of -parenthesis, is due to the able men who have adopted Canada -as their home and have been labouring in various vocations to -stimulate the intellectual growth of this Dominion. A most<span class="pagenum"><a name="Page_20" id="Page_20">20</a></span> -accurate historical record of the same period of our history as -that reviewed by Dent was made in French about the same -time by Louis Turcotte of Quebec.<a name="FNanchor_35_46" id="FNanchor_35_46"></a><a href="#Footnote_35_46" class="fnanchor">[35]</a> Mr. Benjamin Sulte, a member -of this society, has also given us the results of many years of -conscientious research in his "Histoire des Canadiens," which -is not so well known as it ought to be, probably on account of -its cumbrous size and mode of publication.<a name="FNanchor_36_47" id="FNanchor_36_47"></a><a href="#Footnote_36_47" class="fnanchor">[36]</a> The Abbé Casgrain, -also a member of the society and a most industrious author, has -recently devoted himself with true French Canadian fervour to -the days of Montcalm and Lévis, and by the aid of a large mass -of original documents has thrown much light on a very interesting -and important epoch of the history of America.<a name="FNanchor_37_48" id="FNanchor_37_48"></a><a href="#Footnote_37_48" class="fnanchor">[37]</a> Dr. Kingsford -with patience and industry has continued his history of -Canada, which is distinguished by accuracy and research.<a name="FNanchor_38_49" id="FNanchor_38_49"></a><a href="#Footnote_38_49" class="fnanchor">[38]</a> It -is not my intention to enumerate all those names which merit -remark in this connection, for this is not a collection of bibliographical -notes,<a name="FNanchor_39_50" id="FNanchor_39_50"></a><a href="#Footnote_39_50" class="fnanchor">[39]</a> but simply a review of the more salient features -of our intellectual development in the well-marked periods of our -history. Indeed it is gratifying to us to know that the Royal -Society comprises within its ranks nearly all the historical writers -in Canada, and it would seem too much like pure egotism were I -to dilate on their respective performances. Of poets since the -days of Crémazie we have had our full proportion, and it is -encouraging to know that the poems of Fréchette,—whose best -work has been crowned by the French Academy,—LeMay, Reade, -Mair, Roberts, Bliss Carman, Wilfred Campbell and Lampman -have gained recognition from time to time in the world of letters -outside of Canada.<a name="FNanchor_40_51" id="FNanchor_40_51"></a><a href="#Footnote_40_51" class="fnanchor">[40]</a><a name="FNanchor_B_2" id="FNanchor_B_2"></a><a href="#Footnote_B_2" class="fnanchor">[B]</a> We have yet to produce in English Canada -a book of poems which can touch the sympathies and live on the -lips of the world like those of Whittier and Longfellow, but we -need not despair since even in the country which gave these -birth they have not their compeers. Some even declare that the -only bard of promise who appears in these days to touch that -chord of nature which makes the whole world kin is James -Whitcomb Riley, the Hoosier poet, despite his tendency to exaggerate<span class="pagenum"><a name="Page_21" id="Page_21">21</a></span> -provincial dialect and make his true poetic genius too -subordinate to what becomes at last an affectation and a mere -mannerism which wearies by its very repetition. Even in England -there is hesitation in choosing a poet laureate; there are -Swinburne, Morris and other poets, but not another Tennyson, -and it has been even suggested that the honour might pass to a -master of poetic prose, John Ruskin, whose brilliant genius has -been ever devoted to a lofty idealism which would make the -world much happier and better. At the present time Canadian -poets obtain a place with regularity in the best class of American -magazines, and not infrequently their verse reaches a higher level -than the majority of poetic aspirants who appear in the same -field of poetry; but for one I am not an ardent admirer of American -magazine poems which appear too often mere machine work -and not the results of that true poetic inspiration which alone -can achieve permanent fame.</p> - -<p>The poems of the well known American authors, Aldrich, -Gilder and Stedman, have certainly an easy rhythmical flow and -an artistic finish which the majority of Canadian poetic aspirants -should study with far more closeness. At the same time it may -be said that even these artists do not often surpass in poetic -thought the best productions of the Canadians to whom I have -referred as probably illustrating most perfectly the highest development -so far among us of this department of <i>belles-lettres</i>. It is -not often that one comes across more exquisitely conceived poems -than some of those written by Mr. John Reade, whom the laborious -occupation of journalism and probably the past indifference -of a Canadian public to Canadian poetry have for a long while -diverted from a literary field where it would seem he should -have won a wider fame. Among the verses which one can read -time and again are those of which the first lines are</p> - -<div class="center"> -<div class="poem"> -<div class="stanza"> - <div class="i0">"In my heart are many chambers through which I wander free,</div> - <div class="i0">Some are furnished, some are empty, some are sombre, some are light;</div> - <div class="i0">Some are open to all comers, and of some I keep the key,</div> - <div class="i0">And I enter in the stillness of the night."<a name="FNanchor_41_52" id="FNanchor_41_52"></a><a href="#Footnote_41_52" class="fnanchor">[41]</a><a name="FNanchor_C_3" id="FNanchor_C_3"></a><a href="#Footnote_C_3" class="fnanchor">[C]</a></div> -</div> -</div> -</div> - <p><span class="pagenum"><a name="Page_22" id="Page_22">22</a></span></p> -<p>It would be interesting as well as instructive if some competent -critic, with the analytical faculty and the poetic instinct -of Matthew Arnold or Sainte-Beuve, were to study the English -and French Canadian poets and show whether they are mere -imitators of the best models of French and English literature, -or whether their work contains within itself those germs which -give promise of original fruition in the future. It will be remembered -that the French critic, though a poet of merit himself, has -spoken of what he calls "the radical inadequacy of French -poetry." In his opinion, whatever talent the French poets have -for strophe and line, their work, as a rule is "too slight, too soon -read, too poor in ideas, to influence a serious mind for any length -of time." No doubt many others think that, in comparison with -the best conceptions of Wordsworth, Shelley, Keats, Emerson, -Browning and Tennyson, French poetry is, generally speaking, -inadequate for the expression of the most sublime thoughts, of -the strongest passion, or of the most powerful imagination, and -though it must always please us by its easy rhythm and lucidity -of style, it fails to make that vivid impression on the mind and -senses which is the best test of that true poetic genius which -influences generations and ever lives in the hearts of the people. -It represents in some respects the lightness and vivacity of the -French intellectual temperament under ordinary conditions, and -not the strength of the national character, whose depths are only -revealed at some crisis which evokes a deep sentiment of patriotism. -"Partant pour la Syrie," so often heard in the days of the -last Bonaparte regime, probably illustrated this lighter tendency -of the French mind just as the "Marseillaise," the noblest and -most impressive of popular poetic outbursts, illustrated national -passion evoked by abnormal conditions. French Canadian poetry -has been often purely imitative of French models, like Musset -and Gauthier, both in style and sentiment, and consequently -lacked strength and originality. It might be thought that in -this new country poets would be inspired by original conceptions—that -the intellectual fruition would be fresh and vigorous like -some natural products that grow so luxuriantly on the virginal -soil of the new Dominion, and not like those which grow on land -which is renewed and enriched by artificial means after centuries<span class="pagenum"><a name="Page_23" id="Page_23">23</a></span> -of growth. Perhaps the literature of a colonial dependency, -or a relatively new country, must necessarily in its first stages -be imitative, and it is only now and then an original mind bursts -the fetters of intellectual subordination. In the United States -Emerson and Hawthorne probably best represent the original -thought and imagination of that comparatively new country, -just as Aldrich and Howells represent in the first case English -culture in poetry, and in the other the sublimated essence of -reportorial realism. The two former are original thinkers, the -two others pure imitators. Walt Whitman's poems certainly -show at times much power and originality of conception, but -after all they are simply the creations of an eccentric genius -and illustrate a phase of that Realism towards which fiction -even in America has been tending of late, and which has been -already degraded in France to a Naturalism which is positively -offensive. He has not influenced to any perceptible extent the -intellect of his generation or elevated the thoughts of his countrymen -like the two great minds I have just named. Yet even -Whitman's success, relatively small as it was in his own country, -arose chiefly from the fact that he attempted to be an <i>American</i> -poet, representing the pristine vigour and natural freedom -of a new land. It is when French Canadian poets become thoroughly -Canadian by the very force of the inspiration of some -Canadian subject they have chosen, that we can see them at their -best. Fréchette has all the finish of the French poets, and while -it cannot be said that he has yet originated great thoughts which -are likely to live among even the people whom he has so often -instructed and delighted, yet he has given us poems like that on -the discovery of the Mississippi,<a name="FNanchor_D_4" id="FNanchor_D_4"></a><a href="#Footnote_D_4" class="fnanchor">[D]</a> which proves that he is capable -of even better things if he would always seek inspiration -from the sources of the deeply interesting history of his own country, -or enter into the inner mysteries and social relations of his -own people, rather than dwell on the lighter shades and incidents -of their lives. Perhaps in some respects Crémazie had -greater capabilities for the poems of deep passion or vivid imagination -than any of his successors in literature; the few national<span class="pagenum"><a name="Page_24" id="Page_24">24</a></span> -poems he left behind are a promise of what he could have produced -had the circumstances of his later life been happier.<a name="FNanchor_E_5" id="FNanchor_E_5"></a><a href="#Footnote_E_5" class="fnanchor">[E]</a> -After all, the poetry that lives is the poetry of human life and -human sympathy, of joy and sorrow, rather than verses on mountains, -rivers and lakes, or sweetly worded sonnets to Madame B. -or Mademoiselle C. When we compare the English with the -French Canadian poets we can see what an influence the more -picturesque and interesting history of French Canada exercises -on the imagination of its writers. The poets that claim Ontario -for their home give us rhythmical and pleasing descriptions of -the lake and river scenery of which the varied aspects and moods -might well captivate the eye of the poet as well as of the painter. -It is very much painting in both cases; the poet should be an -artist by temperament equally with the painter who puts his -thoughts on canvas and not in words. Descriptions of our meadows, -prairies and forests, with their wealth of herbage and -foliage, or artistic sketches of pretty bits of lake scenery have -their limitations as respects their influence on a people. Great -thoughts or deeds are not bred by scenery. The American poem -that has captured the world is not any one of Bryant's delightful -sketches of the varied landscape of his native land, but Longfellow's -Evangeline, which is a story of the "affection that -hopes, and endures and is patient." Dollard, and the Lady of -Fort La Tour are themes which we do not find in prosaic Ontario, -whose history is only a century old—a history of stern -materialism as a rule, rarely picturesque or romantic, and hardly -ever heroic except in some episodes of the war of 1812–15, in -which Canadians, women as well as men, did their duty faithfully -to king and country, though their deeds have never yet been -adequately told in poem or prose. The story of Laura Secord's -toilsome journey on a June day eighty years ago<a name="FNanchor_41A_53" id="FNanchor_41A_53"></a><a href="#Footnote_41A_53" class="fnanchor">[41<i>a</i>]</a> seems as susceptible -of strong poetic treatment as Paul Revere's Ride, told -in matchless verse by Longfellow.</p> - -<p>I think if we compare the best Canadian poems with the -same class of literature in Australia the former do not at all lose<span class="pagenum"><a name="Page_25" id="Page_25">25</a></span> -by the comparison. Thanks to the thoughtfulness of a friend in -South Australia I have had many opportunities of late of studying -the best work of Australian writers, chiefly poets and novelists,<a name="FNanchor_42_54" id="FNanchor_42_54"></a><a href="#Footnote_42_54" class="fnanchor">[42]</a> -and have come to the conclusion that at least the poets of -both hemispheres—for to fiction we cannot make even a pretense—reflect -credit on each country. In one respect indeed Canadians -can claim a superiority over their fellow-citizens of the -British Empire in that far off Australian land, and that is, in the -fact that we have poets, and historians, and essayists, who write -the languages of France and England with purity and even elegance; -that the grace and precision of the French tongue have -their place in this country alongside the vigorous and copious -expression of the English language. More than that, the Canadians -have behind them a history which is well calculated to -stimulate writers to give utterance to national sentiment. I -mean national in the sense of being thoroughly imbued with a -love for the country, its scenery, its history and its aspirations. -The people of that great island continent possess great natural -beauties and riches—flowers and fruits of every kind flourish -there in rare profusion, and gold and gems are among the treasures -of the soil, but its scenery is far less varied and picturesque -than ours and its history is but of yesterday compared with that -of Canada. Australians cannot point to such historic ground as -is found from Louisbourg to Quebec, or from Montreal to Champlain, -the battle ground of nations whose descendants now live -under one flag, animated by feelings of a common interest and a -common aspiration for the future!</p> - -<p>Perhaps if I were at any time inclined to be depressed as to -the future of Canada, I should find some relief in those poems by -Canadian authors which take frequently an elevated and patriotic -range of thought and vision, and give expression to aspirations -worthy of men born and living in this country. When -some men doubt the future and would see us march into the -ranks of other states, with heads bowed down in confession of our -failure to hold our own on this continent and build up a new -nation always in the closest connection with England, I ask them -to turn to the poems of Joseph Howe and read that inspiring<span class="pagenum"><a name="Page_26" id="Page_26">26</a></span> -poetic tribute to the mother country, "All hail to the day when -the Britons came over"—</p> - -<div class="center"> -<div class="poem"> -<div class="stanza"> - <div class="i0">"Every flash of her genius our pathway enlightens,</div> - <div class="i2">Every field she explores we are beckoned to tread,</div> - <div class="i0">Each laurel she gathers, our future day brightens—</div> - <div class="i2">We joy with her living and mourn with her dead."<a name="FNanchor_43_55" id="FNanchor_43_55"></a><a href="#Footnote_43_55" class="fnanchor">[43]</a></div> -</div> -</div> -</div> - -<p>Or read that tribute which the French Canadian laureate, -Fréchette, has been fain to pay to the English flag under whose -folds his country has enjoyed so much freedom and protection for -its institutions:</p> - -<div class="center"> -<div class="poem"> -<div class="stanza"> - <div class="i0">"Regarde me disait mon père</div> - <div class="i0">Ce drapeau vaillamment porté;</div> - <div class="i0">Il a fait ton pays prospère</div> - <div class="i0">Et respecte ta liberté.</div> -</div> - -<div class="stanza"> - <div class="i0">"C'est le drapeau de l'Angleterre;</div> - <div class="i0">Sans tache, sur le firmament,</div> - <div class="i0">Presque à tous les points de la terre</div> - <div class="i0">Il flotte glorieusement."</div> -</div> -</div> -</div> - -<p>Or take up a volume by Roberts and read that frequently -quoted poem of which these are the closing lines:</p> - -<div class="center"> -<div class="poem"> -<div class="stanza"> - <div class="i0">"Shall not our love this rough sweet land make sure?</div> - <div class="i2">Her bounds preserve inviolate, though we die.</div> - <div class="i8">O strong hearts of the North,</div> - <div class="i8">Let flame your loyalty forth,</div> - <div class="i0">And put the craven and base to an open shame,</div> - <div class="i0">Till earth shall know the Child of Nations by her name."</div> -</div> -</div> -</div> - -<p>Even Mr. Edgar has forgotten the astute lawyer and the -politician in his national song, "This Canada of Ours," and has -given expression to the deep sentiment that lies as I have said -in the heart of every true Canadian and forces him at times to -words like these:</p> - -<div class="center"> -<div class="poem"> -<div class="stanza"> - <div class="i0">"Strong arms shall guard our cherished homes</div> - <div class="i6">When darkest danger lowers,</div> - <div class="i0">And with our life-blood we'll defend</div> - <div class="i8">This Canada of ours,</div> - <div class="i12">Fair Canada,</div> - <div class="i12">Dear Canada,</div> - <div class="i8">This Canada of ours."</div> -</div> -</div> -</div> - - - <p><span class="pagenum"><a name="Page_27" id="Page_27">27</a></span></p> - -<p>Such poems are worth a good many political speeches even -in parliament so far as their effect upon the hearts and sympathies -is concerned. We all remember a famous man once said, -"Let me make all the ballads, and I care not who makes the -laws of a people."</p> - - -<div class="footnote"> -<p><a name="Footnote_B_2" id="Footnote_B_2"></a><a href="#FNanchor_B_2"><span class="label">[B]</span></a> A list of Canadian poems which have been printed in books (from 1867–1893) -appears in the Bibliographical Notes (<a href="#Footnote_40_51">40</a>).</p> - -<p><a name="Footnote_C_3" id="Footnote_C_3"></a><a href="#FNanchor_C_3"><span class="label">[C]</span></a> Given in full in Appendix.</p> - -<p><a name="Footnote_D_4" id="Footnote_D_4"></a><a href="#FNanchor_D_4"><span class="label">[D]</span></a> See Appendix to this work, <a href="#Footnote_40_51">note 40</a>, for an extract from this fine poem.</p> - -<p><a name="Footnote_E_5" id="Footnote_E_5"></a><a href="#FNanchor_E_5"><span class="label">[E]</span></a> See Appendix to this work, <a href="#Footnote_40_51">note 40</a>, for an extract from one of his national -poems.</p> -</div> - - - - -<hr /> - -<div class="chapter"> -<h2><a name="VI" id="VI"></a>VI.</h2> -</div> - - -<p>But if Canada can point to some creditable achievement of -recent years in history, poetry and essay-writing—for I think if -one looks from time to time at the leading magazines and reviews -of the two continents he will find that Canada is fairly well -represented in their pages<a name="FNanchor_44_56" id="FNanchor_44_56"></a><a href="#Footnote_44_56" class="fnanchor">[44]</a>—there is one respect in which Canadians -have never won any marked success, and that is in the novel -or romance. "Wacousta, or the Prophecy: a Tale of the Canadas," -was written sixty years ago by Major John Richardson,<a name="FNanchor_45A_58" id="FNanchor_45A_58"></a><a href="#Footnote_45A_58" class="fnanchor">[45<i>a</i>]</a> -a native Canadian, but it was at the best a spirited imitation -of Cooper, and has not retained the interest it attracted at a time -when the American novelist had created a taste for exaggerated -pictures of Indian life and forest scenery. Of course attempts -have been made time and again by other English Canadians to -describe episodes of our history, and portray some of our national -and social characteristics, but with the single exception of "The -Golden Dog,"<a name="FNanchor_45_57" id="FNanchor_45_57"></a><a href="#Footnote_45_57" class="fnanchor">[45]</a> written a few years ago by Mr. William Kirby, -of Niagara, I cannot point to one which shows much imaginative -or literary skill. If we except the historical romance by Mr. Marmette, -"François de Bienville,"<a name="FNanchor_46_59" id="FNanchor_46_59"></a><a href="#Footnote_46_59" class="fnanchor">[46]</a> which has had several editions, -French Canada is even weak in this particular, and this is the -more surprising because there is abundance of material for the -novelist or writer of romance in her peculiar society and institutions, -and in her historic annals and traditions. But as yet neither -a Cooper, nor an Irving, nor a Hawthorne has appeared to delight -Canadians in the fruitful field of fiction that their country offers -to the pen of imaginative genius. It is true we have a work by -De Gaspé, "Les Anciens Canadiens,"<a name="FNanchor_47_60" id="FNanchor_47_60"></a><a href="#Footnote_47_60" class="fnanchor">[47]</a> which has been translated -by Roberts and one or two others, but it has rather the value of -historical annals than the spirit and form of true romance. It<span class="pagenum"><a name="Page_28" id="Page_28">28</a></span> -is the very poverty of our production in what ought to be a rich -source of literary inspiration, French Canadian life and history, -that has given currency to a work whose signal merit is its simplicity -of style and adherence to historical fact. As Parkman -many years ago first commenced to illumine the too often dull -pages of Canadian history, so other American writers have also -ventured in the still fresh field of literary effort that romance -offers to the industrious, inventive brain. In the "Romance of -Dollard," "Tonty," and the "Lady of Fort St. John," Mrs. Mary -Hartwell Catherwood has recalled most interesting episodes of -our past annals with admirable literary taste and a deep enthusiasm -for Canadian history in its romantic and picturesque aspects.<a name="FNanchor_48_61" id="FNanchor_48_61"></a><a href="#Footnote_48_61" class="fnanchor">[48]</a> -When we read Conan Doyle's "Refugees"—the best -historical novel that has appeared from the English Press for -years—we may well regret that it is not Canadian genius which -has created so fascinating a romance out of the materials that -exist in the history of the <i>ancien régime</i>. Dr. Doyle's knowledge -of Canadian life and history is obviously very superficial; but -slight as it is he has used it with a masterly skill to give Canada -a part in his story—to show how closely associated were the fortunes -of the colony with the French Court,—with the plans and -intrigues of the king and his mistresses, and of the wily ecclesiastics -who made all subservient to their deep purpose. It would -seem from our failure to cultivate successfully the same popular -branch of letters that Canadians are wanting in the inventive and -imaginative faculty, and that the spirit of materialism and practical -habits, which has so long necessarily cramped literary effort in -this country, still prevents happy ventures in this direction. It is -a pity that no success has been won in this country,—as in Australia -by Mrs. Campbell Praed, "Tasma," and many others,—in the -way of depicting those characteristics of Canadian life, in the -past and present, which, when touched by the imaginative and -cultured intellect, will reach the sympathies and earn the plaudits -of all classes of readers at home and abroad. Perhaps, Mr. -Gilbert Parker,<a name="FNanchor_49_62" id="FNanchor_49_62"></a><a href="#Footnote_49_62" class="fnanchor">[49]</a> now a resident of London, but a Canadian by -birth, education and sympathies, will yet succeed in his laudable -ambition of giving form and vitality to the abundant materials<span class="pagenum"><a name="Page_29" id="Page_29">29</a></span> -that exist in the Dominion, among the habitants on the old seigneuries -of the French province, in that historic past of which the -ruins still remain in Montreal and Quebec, in the Northwest with -its quarrels of adventurers in the fur trade, and in the many other -sources of inspiration that exist in this country for the true story-teller -who can invent a plot and give his creations a touch of -reality, and not that doll-like, saw-dust appearance that the vapid -characters of some Canadian stories assume from the very poverty -of the imagination that has originated them.</p> - -<p>That imagination and humour have some existence in the -Canadian mind—though one sees little of those qualities in the -press or in public speeches, or in parliamentary debates—we can -well believe when we read "The Dodge Club Abroad," by Professor -De Mille,<a name="FNanchor_50_63" id="FNanchor_50_63"></a><a href="#Footnote_50_63" class="fnanchor">[50]</a> who was cut off in the prime of his intellectual -strength, or "A Social Departure," by Sara Jeannette Duncan,<a name="FNanchor_51_64" id="FNanchor_51_64"></a><a href="#Footnote_51_64" class="fnanchor">[51]</a> -who, as a sequence of a trip around the world, has given us not -a dry book of travels but a story with touches of genial humour -and bright descriptions of life and nature, and who is now following -up that excellent literary effort by promising sketches of East -Indian life. A story which attracted some attention not long -since for originality of conception and ran through several editions, -"Beggars All," is written by a Miss L. Dougall, who is said -to be a member of a Montreal family, and though this book does -not deal with incidents of Canadian life it illustrates that fertility -of invention which is latent among our people and only requires -a favourable opportunity to develop itself. The best literature -of this kind is like that of France, which has the most intimate -correspondence with the social life and development of the people -of the country. "The excellence of a romance," writes Chevalier -Bunsen in his critical preface to Gustav Freytag's "Debit and -Credit," "like that of an epic or a drama, lies in the apprehension -and truthful exhibition of the course of human things.... -The most vehement longing of our times is manifestly after a -faithful mirror of the present." With us, all efforts in this -direction have been most common place—hardly above the -average of "Social Notes" in the columns of Ottawa newspapers.</p> - - <p><span class="pagenum"><a name="Page_30" id="Page_30">30</a></span></p> - -<p>I do not for one depreciate the influence of good fiction on -the minds of a reading community like ours; it is inevitable that -a busy people, and especially women distracted with household -cares, should always find that relief in this branch of literature -which no other reading can give them; and if the novel has -then become a necessity of the times in which we live, at all -events I hope Canadians, who may soon venture into the field, -will study the better models, endeavour to infuse some originality -into their creations and plots, and not bring the Canadian fiction -of the future to that low level to which the school of realism in -France, and in a minor degree in England and the United States, -would degrade the novel and story of every-day life. To my -mind it goes without saying that a history written with that -fidelity to original authorities, that picturesqueness of narration, -that philosophic insight into the motives and plans of statesmen, -that study and comprehension of the character and life of a -people, which should constitute the features of a great work of -this class,—that such a history has assuredly a much deeper and -more useful purpose in the culture and education of the world -than any work of fiction can possibly have even when animated -by a lofty genius. Still as the novel and romance will be written -as long as a large proportion of the world amid the cares and -activities of life seeks amusement rather than knowledge, it is -for the Canadian Scott, or Hawthorne, or "George Eliot," or -Dickens of the future, to have a higher and purer aim than the -majority of novel writers of the present day, who, with a few -notable exceptions like Black, Besant, Barrie, Stephenson or Oliphant, -weary us by their dulness and lack of the imaginative -and inventive faculty, and represent rather the demands of the -publishers to meet the requirements of a public which must -have its new novel as regularly as the Scotchman must have his -porridge, the Englishman his egg and toast, and the American -his ice-water.</p> - -<p>If it were possible within the compass of this address to give -a list of the many histories, poems, essays and pamphlets that -have appeared from the Canadian press during the first quarter of -a century since the Dominion of Canada has been in existence,<span class="pagenum"><a name="Page_31" id="Page_31">31</a></span> -the number would astonish many persons who have not followed -our literary activity. Of course the greater part of this work is -ephemeral in its character and has no special value; much of the -historical work is a dreary collection of facts and dates which -shows the enterprise of school publishers and school teachers and -is generally wanting in that picturesqueness and breadth of view -which give interest to history and leave a vivid impression on -the mind of the student. Most of these pamphlets have been -written on religious, political or legal questions of the day. -Many of the poems illustrate rather the aspirations of the school -boy or maiden whose effusions generally appeared in the poet's -corner of the village newspaper. Still there are even among these -mere literary "transients" evidences of power of incisive argument -and of some literary style. In fact, all the scientific, historical -and poetical contributions of the period in question, make -up quite a library of Canadian literature. And here let me observe -in passing, some persons still suppose that <i>belles-lettres</i>, works -of fiction, poetry and criticism, alone constitute literature. The -word can take in its complete sense a very wide range, for it embraces -the pamphlet or monograph on the most abstruse scientific, -or mathematical or geographical or physical subject, as well as -the political essay, the brilliant history, or the purely imaginative -poem or novel. It is not so much the subject as the form and -style which make them worthy of a place in literature. One of -the most remarkable books ever written, the "Esprit des Lois" -by Montesquieu, has won the highest place in literature by its -admirable style, and in the science of politics by the importance -of its matter. The works of Lyell, Huxley, Hunt, Dawson, Tyndall, -and Darwin owe their great value not entirely to the scientific -ideas and principles and problems there discussed, but also -to the lucidity of style in which the whole subject is presented -to the reader, whether versed or not in science. "Literature is -a large word," says Matthew Arnold,<a name="FNanchor_52_65" id="FNanchor_52_65"></a><a href="#Footnote_52_65" class="fnanchor">[52]</a> discussing with Tyndall -this very subject; "it may mean everything written with letters -or printed in a book. Euclid's Elements and Newton's Principia -are thus literature. All knowledge that reaches us through -books is literature. But as I do not mean, by knowing ancient<span class="pagenum"><a name="Page_32" id="Page_32">32</a></span> -Rome, knowing merely more or less of Latin <i>belles-lettres</i>, and -taking no account of Rome's military, and political, and legal, -and administrative work in the world; and as, by knowing -ancient Greece, I understand knowing her as the giver of Greek -art, and the guide to a free and right use of reason and to scientific -methods, and the founder of our mathematics, and physics, -and astronomy, and biology, I understand knowing her as all -this, and not merely knowing certain Greek poems, and histories, -and treatises and speeches, so as to the knowledge of modern -nations also. By knowing modern nations, I mean not merely -knowing their <i>belles-lettres</i>, but knowing also what has been done -by such men as Copernicus, Galileo, Newton, Darwin." I submit -this definition of literature by a great English critic and -poet who certainly knew what he was writing about, to the studious -consideration of Principal Grant who, in an address to the -Royal Society two years ago,<a name="FNanchor_53_66" id="FNanchor_53_66"></a><a href="#Footnote_53_66" class="fnanchor">[53]</a> appeared to have some doubt that -much of its work could be called literature; a doubt that he -forgot for the moment actually consigned to a questionable level -also his many devious utterances and addresses on political, religious -and other questions of the day, and left him entirely out -of the ranks of <i>littérateurs</i> and in a sort of limbo which is a world -of neither divinity, nor politics, nor letters. Taking this definition -of the bright apostle of English culture, I think Canadians -can fairly claim to have some position as a literary people even -if it be a relatively humble one, on account of the work done in -history, <i>belles-lettres</i>, political science and the sciences generally -Science alone has had in Canada for nearly half a century many -votaries who have won for themselves high distinction, as the -eminent names on the list of membership of the Royal Society -since its foundation can conclusively show. The literature of -science, as studied and written by Canadians, is remarkably comprehensive, -and finds a place in every well furnished library of -the world.</p> - -<p>The <i>doyen</i> of science in Canada, Sir William Dawson,<a name="FNanchor_54_67" id="FNanchor_54_67"></a><a href="#Footnote_54_67" class="fnanchor">[54]</a> we -are all glad to know, is still at work after a long and severe illness, -which was, no doubt, largely due to the arduous devotion -of years to education and science. It is not my intention to<span class="pagenum"><a name="Page_33" id="Page_33">33</a></span> -refer here to other well-known names in scientific literature, but -I may pause for an instant to mention the fact that one of the -earliest scientific writers of eminence, who was a Canadian by -birth and education, was Mr. Elkanah Billings,<a name="FNanchor_55_68" id="FNanchor_55_68"></a><a href="#Footnote_55_68" class="fnanchor">[55]</a> palæontologist -and geologist, who contributed his first papers to the <i>Citizen</i> of -Ottawa, then Bytown, afterwards to have greatness thrown upon -it and made the political capital of Canada.</p> - - - - -<hr /> - -<div class="chapter"> -<h2><a name="VII" id="VII"></a>VII.</h2> -</div> - - -<p>Here I come naturally to answer the questions that may be -put by some that have not followed the history and the work of -the Royal Society of Canada,—What measure of success has it -won? has it been of value to the Canadian people in whose interests -it was established, and with whose money it is mainly -supported? Twelve years have nearly passed away since a few -gentlemen, engaged in literary, scientific and educational pursuits, -assembled at McGill College on the invitation of the Marquess -of Lorne, then governor-general of Canada, to consider the -practicability of establishing a society which would bring together -both the French and English Canadian elements of our population -for purposes of common study and the discussion of such -subjects as might be profitable to the Dominion, and at the same -time develop the literature of learning and science as far as practicable.<a name="FNanchor_56_69" id="FNanchor_56_69"></a><a href="#Footnote_56_69" class="fnanchor">[56]</a> -This society was to have a Dominion character—to -form a union of leading representatives of all those engaged in -literature and science in the several provinces, with the principle -of federation observed in so far as it asked every society of note -in every section to send delegates to make reports on the work of -the year within its particular sphere. Of the gentlemen who -assembled at this interesting meeting beneath the roof of the -learned principal of Montreal's well-known university, the majority -still continue active friends of the society they aided Lord -Lome to found; but I must also add with deep regret that, within -a little more than a year, two of the most distinguished promoters -of the society, Dr. Thomas Sterry Hunt and Sir Daniel -Wilson, have been called from their active and successful labours<span class="pagenum"><a name="Page_34" id="Page_34">34</a></span> -in education, science and letters. As I know perhaps better than -any one else, on account of an official connection with the society -from the very hour it was suggested by Lord Lorne, no two members -ever comprehended more thoroughly the useful purpose -which it could serve amid the all-surrounding materialism of this -country, or laboured more conscientiously until the very hour of -their death by their writings and their influence to make the -society a Canadian institution, broad in its scope, liberal in its -culture, and elevated in its aspirations. Without dwelling on the -qualifications of two men<a name="FNanchor_57_70" id="FNanchor_57_70"></a><a href="#Footnote_57_70" class="fnanchor">[57]</a> whose names are imperishably connected -with the work of their lifetime—archæology, education -and chemistry—I may go on to say that the result of the Montreal -meeting was the establishment of a society which met for the first -time at Ottawa in the May of 1882, with a membership of eighty -Fellows under the presidency of Dr. (afterwards Sir) William -Dawson, and the vice-presidency of the Honourable P. J. O. Chauveau, -a distinguished French Canadian who had won a high -name, not only in literature, but also in the political world where -he was for years a conspicuous figure; noted for his eloquence, -his culture and his courtesy of manner. The society was established -in no spirit of isolation from other literary and scientific -men because its membership was confined at the outset to eighty -Fellows who had written "memoirs of merit or rendered eminent -services to literature or science"—a number subsequently -increased to a hundred under certain limitations. On the contrary -it asks for, and has constantly published, contributions -from all workers in the same fields of effort with the simple proviso -that such contributions are presented with the endorsation -of an actual member, though they may be read before any one of -the four sections by the author himself. Every association, whether -purely literature or historical, or scientific, as I have already -intimated, has been asked to assist in the work of the society,<a name="FNanchor_58_71" id="FNanchor_58_71"></a><a href="#Footnote_58_71" class="fnanchor">[58]</a> -and its delegates given every advantage at the meetings possessed -by the Fellows themselves, except voting and discussing the -purely internal affairs of the Royal Society. Some misapprehension -appears to have existed at first in the public mind that, -because the society was named "The Royal Society of Canada,"<span class="pagenum"><a name="Page_35" id="Page_35">35</a></span> -an exclusive and even aristocratic institution was in contemplation. -It seems a little perplexing to understand why an objection -could be taken to such a designation when the Queen is -at the head of our system of government, and her name appears -in the very first clauses of the act of union, and in every act requiring -the exercise of the royal prerogative in this loyal dependency -of the crown. As a fact, in using the title, the desire was -to follow the example of similar societies in Australia, and recall -that famous Royal Society in England, whose fellowship is a title -of nobility in the world of science. Certain features were copied -from the Institute of France, inasmuch as there is a division into -sections with the idea of bringing together into each for the purposes -of common study and discussion those men who have devoted -themselves to special branches of the literature of learning -and science. In this country and, indeed, in America generally, -a notable tendency is what may be called the levelling principle—to -deprecate the idea that any man should be in any way -better than another; and in order to prevent that result it is -necessary to assail him as soon as he shows any political or intellectual -merit, and to stop him, if possible, from attaining that -mental superiority above his fellows that his industry and his -ability may enable him to reach. The Royal Society suffered a -little at first from this spirit of depreciation which is often carried -to an extent that one at times could almost believe that this is a -country without political virtues or intellectual development of -any kind. The claims of some of its members were disputed by -literary aspirants who did not happen for a moment to be enrolled -in its ranks, and the society was charged with exclusiveness -when, as a fact, it simply limited its membership, and -demanded certain qualifications, with the desire to make that -membership a test of some intellectual effort, and consequently -more prized by those who were allowed sooner or later to enter. -It would have been quite possible for the society to make itself -a sort of literary or scientific picnic by allowing every man or -woman who had, or believed they had, some elementary scientific -or other knowledge to enter its ranks, and have the consequent -advantages of cheap railway fares and other subsidiary<span class="pagenum"><a name="Page_36" id="Page_36">36</a></span> -advantages on certain occasions, but its promoters did not think -that would best subserve the special objects they had in view. -At all events, none of them could have been prompted by any -desire to create a sort of literary aristocracy. Indeed, one would -like to know how any one in his senses could believe for a moment -that any institution of learning could be founded with -exclusive tendencies in these times, in this or any other country! -If there is an intelligent democracy anywhere it is the Republic -of Letters. It may be aristocratic in the sense that there are certain -men and women who have won fame and stand on a pedestal -above their fellows, but it is the world, not of a class, but of -all ranks and conditions, that has agreed to place them on that -pedestal as a tribute to their genius which has made people happier, -wiser and better, has delighted and instructed the artisan -as well as the noble.</p> - -<p>For twelve years then the Royal Society has continued to -persevere in its work; and thanks to the encouragement given -it by the government of Canada it has been able, year by year, to -publish a large and handsome volume of the proceedings and -transactions of its meetings. No other country in the world can -exhibit volumes more creditable on the whole in point of workmanship -than those of this society. The papers and monographs -that have appeared embrace a wide field of literature—the whole -range of archæological, ethnological, historical, geographical, biological, -mathematical and physical studies. The volumes now -are largely distributed throughout Canada—among the educated -and thinking classes—and are sent to every library, society, university -and learned institution of note in the world, with the -hope of making the Dominion better known. The countries -where they are placed for purposes of reference are these:</p> - -<ul class="index"> - <li class="isub2">The United States: every State of the Union and District of Columbia,</li> - <li class="isub2">Newfoundland,</li> - <li class="isub2">Mexico,</li> - <li class="isub2">Brazil,</li> - <li class="isub2">Costa Rica,</li> - <li class="isub2">Uruguay,</li> - <li class="isub2">Guatemala,</li> - <li class="isub2">Venezuela,</li> - <li class="isub2">Chile,</li> - <li class="isub2">Peru,</li> - <li class="isub2">India,</li> - <li class="isub2">Japan,</li> - <li class="isub2">Australia,</li> - <li class="isub2">New Zealand,</li> - <li class="isub2">Great Britain and Ireland,</li> - <li class="isub2"><span class="pagenum"><a name="Page_37" id="Page_37">37</a></span>Ecuador,</li> - <li class="isub2">Italy,</li> - <li class="isub2">Greece,</li> - <li class="isub2">Norway and Sweden,</li> - <li class="isub2">Spain,</li> - <li class="isub2">South Africa,</li> - <li class="isub2">Germany,</li> - <li class="isub2">Roumania,</li> - <li class="isub2">Argentine Republic,</li> - <li class="isub2">France,</li> - <li class="isub2">Russia,</li> - <li class="isub2">Austria-Hungary,</li> - <li class="isub2">Mauritius,</li> - <li class="isub2">Denmark.</li> -</ul> - -<p>So well known are these 'Transactions' now in every country -that, when it happens some library or institution has not received -it from the beginning or has been forgotten in the distribution, -the officers of the society have very soon received an -intimation of the fact. This is gratifying, since it shows that -the world of higher literature and of special research—the world -of scholars and scientists engaged in important observation and -investigation—is interested in the work that is being done in -the same branches in this relatively new country. It would be -impossible for me within the limits of this address to give you -anything like an accurate and comprehensive idea of the numerous -papers the subject and treatment of which, even from a -largely practical and utilitarian point of view, have been of -decided value to Canada, and I can only say here that the members -of the society have endeavoured to bring to the consideration -of the subjects they have discussed a spirit of conscientious -study and research, and that, too, without any fee or reward -except that stimulating pleasure which work of an intellectual -character always brings to the mind.</p> - -<p>In these days of critical comparative science, when the study -of the aboriginal or native languages of this continent has absorbed -the attention of close students, the Royal Society has endeavoured -to give encouragement and currency to those studies -by publishing grammars, vocabularies and other monographs -relating to Indian tongues and antiquities. The Abbé Cuoq, -one of the most erudite scholars of this continent in this special -branch of knowledge, has nearly completed in the 'Transactions' -what will be a monumental work of learning on the Algonquin -language. A Haida grammar and dictionary are also now awaiting -the completion of the Abbé Cuoq's work to be published in -the same way. A great deal of light has been thrown on Cartier's<span class="pagenum"><a name="Page_38" id="Page_38">38</a></span> -and Champlain's voyages in the gulf, and consequently on -its cartography, by the labours of the Abbé Verreau, Prof. Ganong -and others. The excellent work of the Geological Survey has -been supplemented by important contributions from its staff, and -consequently there is to be found in the 'Transactions' a large -amount of information, both abstract and practical, on the economic -and other minerals of the Dominion. Chiefly owing to the -efforts of the society, the government of Canada some time ago -commenced to take tidal observations on the Atlantic coasts of -Canada—an enterprise of great value to the shipping and commercial -interests of the country—and has also co-operated in the -determination of the true longitude of Montreal which is now -being prosecuted under the able superintendence of Professor -McLeod. It is in the same practical spirit of investigation and -action that the society has published a treatise by that veteran -scholar, Dr. Moses Harvey, of St. John's, Newfoundland, on "The -Artificial Propagation of Marine Food-fishes and Edible Crustaceans"; -and it is satisfactory to understand from a statement -made in the House of Commons last session that a question of -such deep interest to our great fishing industry in the maritime -provinces is likely to result in some practical measure in the -direction suggested. The contributions of Sir Daniel Wilson on -the "Artistic Faculty in the Aboriginal Races," "The Pre-Aryan -American Man," "The Trade and Commerce of the Stone Age," -and "The Huron-Iroquois Race in Canada," that typical race of -American Indians, were all intended to supplement in a measure -that scholarly work, "Prehistoric Man," which had brought him -fame many years before. Dr. Patterson of Nova Scotia, a most -careful student of the past, has made valuable contributions to -the history of Portuguese exploration in North American waters, -and of that remarkable lost tribe known as Beothiks or Red Indians -of Newfoundland. Sir William Dawson has contributed to -almost every volume of the 'Transactions' from his stores of -geological learning, while his distinguished son has followed -closely in his footsteps, and has made valuable additions to our -knowledge, not only of the geology of the Northwest, but also of -the antiquities, languages and customs of the Indian tribes of<span class="pagenum"><a name="Page_39" id="Page_39">39</a></span> -British Columbia and the adjacent islands. The opinions and -theories of Dr. Thomas Sterry Hunt on the "Taconic Question in -Geology" and the "Relations of the Taconic Series to the later -Crystalline and the Cambrian Rocks," were given at length in -the earlier volumes. Mr. G. F. Matthew, of St. John, New Brunswick, -who is a very industrious student, has elaborated a work on -the "Fauna of the St. John Group." Not only have our geological -conditions been more fully explained, but our flora, ferns, and -botany generally have been clearly set forth by Professors Lawson, -Macoun and Penhallow. All these and many other papers -of value have been illustrated by expensive plates, generally executed -by Canadian artists. The majority of the names I have just -given happen to be English Canadian, but the French language -has been represented in science by such eminent men as Hamel, -Laflamme and Deville—the two first illustrating the learning and -culture of Laval, so long associated with the best scholarship of -the province of Quebec. Without pursuing the subject further, -let me say, as one who has always endeavoured to keep the interests -of the society in view, that such monographs as I have mentioned -represent the practical value of its work, and show what -an important sphere of usefulness is invariably open to it. The -object is not to publish ephemeral newspaper or magazine articles—that -is to say, articles intended for merely popular information -or purely literary practice—but always those essays and works -of moderate compass which illustrate original research, experiment -and investigation in all branches of historical, archæological, -ethnological and scientific studies, and which will form a -permanent and instructive reference library for scholars and students -in the same branches of thought and study all over the -world. In fact, the essays must necessarily be such as cannot be -well published except through the assistance granted by a government, -as in our case, or by the liberality of private individuals. -The society, in fact, is in its way attempting just such work as -is done by the Smithsonian Institute, on a large scale, at Washington, -so far as the publication of important transactions is concerned. -I admit that sometimes essays have appeared, but many -more are offered from time to time, better suited to the periodicals<span class="pagenum"><a name="Page_40" id="Page_40">40</a></span> -of the day than to the pages of a work of which the object is -to perpetuate the labours of students and scholars, and not the -efforts of the mere literary amateur or trifler in <i>belles-lettres</i>. But -while there must be necessarily such limitations to the scope of -the 'Transactions,' which are largely scientific in their treatment, -room will be always made for papers on any economic, social or -ethical subject which, by their acute reasoning, sound philosophy -and originality of thought, demand the attention of students -everywhere. Such literary criticism as finds place now and -then in the dignified old 'Quarterly Review' or in the 'Contemporary' -will be printed whenever it is written by any Canadian -author with the same power of keen analysis and judicious appreciation -of the thoughts and motives of an author that we find -notably in that charming study of Tennyson's "Princess," by -S. E. Dawson,<a name="FNanchor_59_73" id="FNanchor_59_73"></a><a href="#Footnote_59_73" class="fnanchor">[59]</a> who is a Canadian by birth, education and feeling. -No doubt there is room in the Dominion for a magazine -combining the features of 'Blackwood,' the 'Contemporary' and -the 'Quarterly Review'; that is to say, poetry, fiction, criticism, -reviews of topics of the day, and, in fact, original literary effort -of the higher order, which, though mostly ephemeral in its character, -must have much influence for the time being on the culture -and the education of the public mind. Since the days of -the old 'Canadian Monthly,'<a name="FNanchor_60_74" id="FNanchor_60_74"></a><a href="#Footnote_60_74" class="fnanchor">[60]</a> which, with all its imperfections, -contained much excellent work, all efforts in the same direction -have been deserving of little encouragement; and, in fact, if such -a venture is to succeed hereafter it must have behind it sufficient -capital to engage the assistance of the best Canadian writers, who -now send their work to American and English periodicals. Such -a magazine must be carefully edited, and not made the dumping-ground -for the crude efforts of literary dabblers or for romantic -gush and twaddle, but must be such a judicious selection of the -best Canadian talent as will evoke comparison with the higher -class of periodicals I have mentioned. We have only one literary -paper of merit in this country, and that is 'The Week,' which, -despite all the indifference that is too apt to meet a journal not -influenced by party motives, has kept its literary aim always -before it, and endeavoured to do such a work as 'The New York<span class="pagenum"><a name="Page_41" id="Page_41">41</a></span> -Nation' has been doing for years under far greater advantages -in the neighbouring country with marked success and ability. -In the meantime, until a magazine of the character I advocate is -established, the 'Transactions of the Royal Society' cannot be -expected to occupy the same ground unless it is prepared to give -up that important field which it and the societies with which it -is associated alone can fill in this country. In one respect, indeed, -the Royal Society, in my opinion—and I have endeavoured to -impress it on my fellow-members—can reach a much larger class -of readers than it is now possible by means of its somewhat formidable -though handsomely printed and well illustrated volumes, -which necessarily are confined, for the most part, to libraries and -institutions, where they can be best consulted by students who -find it necessary to inform themselves on such Canadian subjects -as the society necessarily treats. It is quite possible that by selecting -a more convenient form, say royal octavo, and publishing the -purely scientific sections in one volume and the purely literary -department in another, a larger inducement will be given to the -public to purchase its 'Transactions' at a moderate cost and in a -more convenient shape for reading, whenever they contain monographs -or large works in which Canadians generally are interested -or on which they wish special information. Of course, in making -this change care must be taken to maintain the typographical -appearance and the character of the scientific illustrations and -the usefulness of the cartography. Not only may the Royal Society -in this way reach a larger reading public, but it may stimulate -the efforts of historic and other writers by giving them -greater facilities for obtaining special editions of their works for -general sale. As it is now, each author obtains a hundred copies -of his paper in pamphlets, sometimes more; and if the form is -now made smaller and more handy, to use a common word, he -will be induced to order a larger edition at his own cost. Even -as it is now, some four or five thousand copies of essays and -monographs—in special cases many more—are annually distributed -by authors in addition to those circulated in the bound volumes -of the 'Transactions'; and in this way any value these -works may have is considerably enhanced. If it should be decided<span class="pagenum"><a name="Page_42" id="Page_42">42</a></span> -to continue the large form, at all events it will be in the -interest of the society, and of the author of any monograph or -history of more than ordinary value, to print it not only in the -'Transactions' but also in a smaller volume for general circulation. -Practically this would meet the object in view—the larger -distribution of the best work of the section devoted to historical -and general literature. But whether this change is adopted or -not,<a name="FNanchor_61_75" id="FNanchor_61_75"></a><a href="#Footnote_61_75" class="fnanchor">[61]</a> I think the Royal Society, by showing even still greater -zeal and earnestness in the work for which it was founded, by -co-operating with scholars and students throughout the Dominion, -by showing every possible sympathy with all those engaged -in the work of art, culture and education, can look forward hopefully -to the future; and all it asks from the Canadian public at -large is confidence in its work and objects, which are in no sense -selfish or exclusive, but are influenced by a sincere desire to do -what it can to promote historic truth and scientific research, and -give a stimulus in this way to the intellectual development of -this young Dominion, yet in the infancy of its literary life.<a name="FNanchor_F_6" id="FNanchor_F_6"></a><a href="#Footnote_F_6" class="fnanchor">[F]</a></p> - - -<div class="footnote"> -<p><a name="Footnote_F_6" id="Footnote_F_6"></a><a href="#FNanchor_F_6"><span class="label">[F]</span></a> In the course of a speech by the Earl of Derby, in answer to a farewell address -from the Royal Society, he took occasion to make some remarks with reference -to its work and usefulness, which have been given in full in the Appendix -(Note <a name="FNanchor_58A_72" id="FNanchor_58A_72"></a><a href="#Footnote_58A_72" class="fnanchor">58<i>a</i></a>) as the impartial opinion of a governor-general who always took a deep -interest in all matters affecting the intellectual as well as material development of -the Dominion.</p> -</div> - - - - -<hr /> - -<div class="chapter"> -<h2><a name="VIII" id="VIII"></a>VIII.</h2> -</div> - - -<p>This necessarily brief review of the work of the Royal Society -could not well be left out of an address like this; and I can -now pass on to some reflections that occur to me on the general -subject.</p> - -<p>In the literature of biography, so susceptible of a treatment -full of human interests and sympathies—as chatty Boswell's -"Life of Johnson," and Lockhart's "Life of Scott," notably illustrate—we -have little to show, except it be the enterprise of publishers -and the zeal of too enthusiastic friends. Nor is it necessary -to dwell on the literature of the law, which is becoming in a measure<span class="pagenum"><a name="Page_43" id="Page_43">43</a></span> -more of a technical and less of a learned profession in the -larger sense, unless, indeed, our university schools of political -science eventually elevate it to a wider range of thought. Several -excellent books of a purely technical character have been -compiled from year to year, but no Kent, or Story, or Cooley has -yet appeared to instruct us by a luminous exposition of principle, -or breadth of knowledge. Those who know anything of Dr. Edward -Blake's great intellectual power, of his wealth of legal -learning, of his insight into the operations of political constitutions, -cannot deny that he at least could produce a work which -might equal in many respects those of the great Americans here -named; but it looks very much at present as if he, and others -I could mention, will give up their best years to the absorbing -and uncertain struggles of politics, rather than to the literature -of that profession to which they might, under different conditions, -raise imperishable memorials. From the pulpit many of us hear -from time to time eloquent and well reasoned efforts which tell -us how much even the class, necessarily most conservative in its -traditions, and confined in its teachings, has been forced by modern -tendencies to enlarge its human sympathies and widen its -intellectual horizon; but the published sermons are relatively -few in number; and while, now and then, at intervals, after a -public celebration, an important anniversary or ceremonial, or as -a sequence of a controversy on the merits or demerits of creed or -dogma, we see a pile of pamphlets on the counter of a bookstore, -we do not hear of any printed book of sermons that appears to -have entered of recent years into the domain of human thought -and discussion in the great world beyond our territorial limits.</p> - -<p>I shall not attempt to dwell at any length on the intellectual -standard of our legislative bodies, but shall confine myself to a -few general observations that naturally suggest themselves to an -observer of our political conditions. Now, as in all times of our -history, political life claims many strong, keen and cultured intellects, -although it is doubtful whether the tendency of our -democratic institutions is to encourage the most highly educated -organizations to venture, or remain, should once they venture, in -the agitated and unsafe sea of political passion and controversy.<span class="pagenum"><a name="Page_44" id="Page_44">44</a></span> -The first parliament of the Dominion, and the first legislatures -of the provinces, which met after the federal union of 1867, -when the system of dual representation was permissible—a system -whose advantages are more obvious now—brought into -public life the most brilliant and astute intellects of Canada, and -it will probably be a long time before we shall again see assemblages -so distinguished for oratory, humour and intellectual -power. A federal system was, doubtless, the only one feasible -under the racial and natural conditions that met the Quebec -Conference of 1864; but, while admitting its political necessity, -we cannot conceal from ourselves the fact that the great drain -its numerous legislative bodies and governments make upon the -mental resources of a limited population—a drain increased by -the abolition of dual representation—is calculated to weaken our -intellectual strength in our legislative halls, when a legislative -union would in the nature of things concentrate that strength in -one powerful current of activity and thought. A population of -five millions of people has to provide not only between six and -seven hundred representatives, who must devote a large amount -of time to the public service for inadequate compensation, but -also lieutenant-governors, judges and high officials, holding positions -requiring intellectual qualifications as well as business -capacity if they are properly filled. Apart from these considerations, -it must be remembered that the opportunities of acquiring -wealth and success in business or professional vocations -have naturally increased with the material development of the -Dominion, and that men of brains have consequently even less -inducement than formerly to enter on the uncertain and too -often ungrateful pursuit of politics. We have also the danger -before us that it will be with us, as it is in the United States -and even in England under the new conditions that are rapidly -developing there; the professional politician, who is too often -the creation of factions and cliques, and the lower influences of -political intrigue and party management, will be found, as time -passes, more common in our legislative halls, to the detriment of -those higher ideals that should be the animating principles of -public life in this young country, whose future happiness and<span class="pagenum"><a name="Page_45" id="Page_45">45</a></span> -greatness depend so much on the present methods of party government. -Be all this as it may be, one may still fairly claim -for our legislative bodies that their intellectual standard can -compare favourably with that of the Congress at Washington or -the state legislatures of Massachusetts and New England generally. -After all, it is not for brilliant intellectual pyrotechnics -we should now so much look to the legislative bodies of Canada, -but rather for honesty of purpose, keen comprehension of the -public interests, and a business capacity which can grasp the -actual material wants and necessities of a country which has to -face the competition, and even opposition, of a great people full -of industrial as well as intellectual energy.</p> - -<p>Nowhere in this review have I claimed for this country any -very striking results in the course of the half century since which -we have shown so much political and material activity. I cannot -boast that we have produced a great poem or a great history -which has attracted the attention of the world beyond us, and -assuredly we find no noteworthy attempt in the direction of a -novel of our modern life; but what I do claim is, looking at the -results generally, the work we have done has been sometimes -above the average in those fields of literature—and here I include, -necessarily, science—in which Canadians have worked. -They have shown in many productions a conscientious spirit of -research, patient industry, and not a little literary skill in the -management of their material. I think, on the whole, there have -been enough good poems, histories and essays written and published -in Canada for the last four or five decades to prove that -there has been a steady intellectual growth on the part of our -people, and that it has kept pace at all events with the mental -growth in the pulpit, or in the legislative halls, where, of late -years, a keen practical debating style has taken the place of the -more rhetorical and studied oratory of old times. I believe the -intellectual faculties of Canadians only require larger opportunities -for their exercise to bring forth a rich fruition. I believe the -progress in the years to come will be far greater than that we -have yet shown, and that necessarily so, with the wider distribution -of wealth, the dissemination of a higher culture, and a<span class="pagenum"><a name="Page_46" id="Page_46">46</a></span> -greater confidence in our own mental strength, and in the resources -that this country offers to pen and pencil. The time will -come when that great river, associated with memories of Cartier, -Champlain, La Salle, Frontenac, Wolfe and Montcalm,—that river -already immortalized in history by the pen of Parkman—will be -as noted in song and story as the Rhine, and will have its Irving -to make it as famous as the lovely Hudson.</p> - -<p>Of course there are many obstacles in the way of successful -literary pursuits in Canada. Our population is still small, and -separated into two distinct nationalities, who for the most part -necessarily read books printed in their own tongue. A book -published in Canada then has a relatively limited <i>clientèle</i> in the -country itself, and cannot meet much encouragement from publishers -in England or in the United States who have advantages -for placing their own publications which no Canadian can have -under existing conditions. Consequently an author of ambition -and merit should perforce look for publishers outside his own -country if he is to expect anything like just appreciation, or to -have a fair chance of reaching that literary world which alone -gives fame in the true sense. It must be admitted too that so -much inferior work has at times found its way from Canada to -other countries that publishers are apt to look askance at a book -when it is offered to them from the colonies. Still, while this -may at times operate against making what is a fairly good bargain -with the publisher—and many authors, of course, believe -with reason that a publisher, as a rule, never makes a good bargain -with an author, and certainly not with a new one—a good -book will sooner or later assert itself whenever Canadians write -such a book. Let Canadians then persevere conscientiously and -confidently in their efforts to break through the indifference which -at present tends to cramp their efforts and dampen their energy. -It is a fashion with some colonial writers to believe that there -is a settled determination on the part of English critics to ignore -their best work, when, perhaps, in the majority of cases it is the -lack of good work that is at fault. Such a conclusion sometimes -finds an argument in the fact that, when so able a Canadian as -Edward Blake enters the legislative halls of England, some ill-natured<span class="pagenum"><a name="Page_47" id="Page_47">47</a></span> -critic, who represents a spirit of insular English snobbery, -has only a sneer for "this Canadian lawyer" who had -better "stay at home," and not presume to think that he, a mere -colonist, could have anything to say in matters affecting the good -government of the British Empire. But the time has long since -passed for sneers at colonial self-government or colonial intellect, -and we are more likely hereafter to have a Canadian House of -Commons held up as a model of decorum for so-called English -gentlemen. Such able and impartial critical journals as <i>The -Athenæum</i> are more ready to welcome than ignore a good book in -these days of second-rate literature in England itself. If we produce -such a good book as Mrs. Campbell Praed's "Australian -Life," or Tasma's "Uncle Piper of Piper's Hill," we may be sure -the English papers will do us justice. Let me frankly insist that -we have far too much hasty and slovenly literary work done in -Canada. The literary canon which every ambitious writer should -have ever in his mind has been stated by no less an authority -than Sainte-Beuve: "Devoted to my profession as a critic, I have -tried to be more and more a good and if possible an able workman." -A good style means artistic workmanship. It is too soon -for us in this country to look for a Matthew Arnold or a Sainte-Beuve—such -great critics are generally the results, and not the -forerunners, of a great literature; but at least if we could have -in the present state of our intellectual development, a criticism in -the press which would be truthful and just, the essential characteristics -of the two authors I have named, the effect would be -probably in the direction of encouraging promising writers, and -weeding out some literary dabblers. "What I have wished," -said the French critic, "is to say not a word more than I thought, -to stop even a little short of what I believed in certain cases, in -order that my words might acquire more weight as historical testimony." -Truth tempered by consideration for literary genius is -the essence of sound criticism.</p> - -<p>We all know that the literary temperament is naturally sensitive -to anything like indifference and is too apt, perhaps, to -exaggerate the importance of its calling in the prosaic world in -which it is exercised. The pecuniary rewards are so few, relatively,<span class="pagenum"><a name="Page_48" id="Page_48">48</a></span> -in this country, that the man of imaginative mind—the -purely literary worker—naturally thinks that he can, at least, ask -for generous appreciation. No doubt he thinks, to quote a passage -from a clever Australian novel—"The Australian Girl"—"Genius -has never been truly acclimatized by the world. The -Philistines always long to put out the eyes of poets and make -them grind corn in Gaza." But it is well always to remember -that a great deal of rough work has to be done in a country like -Canada before its Augustan age can come. No doubt literary -stimulus must be more or less wanting in a colony where there -is latent at times in some quarters a want of self-confidence in -ourselves and in our institutions, arising from that sense of dependency -and habit of imitation and borrowing from others that -is a necessity of a colonial condition. The tendency of the absence -of sufficient self-assertion is to cramp intellectual exertion, and -make us believe that success in literature can only be achieved -in the old countries of Europe. That spirit of all-surrounding -materialism to which Lowell has referred must also always exercise -a certain sinister influence in this way—an influence largely -exerted in Ontario—but despite all this we see that even among -our neighbours it has not prevented the growth of a literary class -famous for its intellectual successes in varied fields of literature. -It is for Canadian writers to have always before them a high ideal, -and remember that literature does best its duty—to quote the -eloquent words of Ruskin—"in raising our fancy to the height of -what may be noble, honest and felicitous in actual life; in giving -us, though we may be ourselves poor and unknown, the companionship -of the wisest spirits of every age and country, and in -aiding the communication of clear thoughts and faithful purposes -among distant nations, which will at last breathe calm upon the -sea of lawless passion and change into such halcyon days the -winter of the world, that the birds of the air may have their nests -in peace and the Son of Man where to lay his head."</p> - - - - -<hr /> - -<div class="chapter"> - <p><span class="pagenum"><a name="Page_49" id="Page_49">49</a></span></p> - -<h2><a name="IX" id="IX"></a>IX.</h2> -</div> - - -<p>Largely, if not entirely, owing to the expansion of our common -school system—admirable in Ontario and Nova Scotia, but -defective in Quebec—and the influence of our universities and -colleges, the average intelligence of the people of this country is -much higher than it was a very few years ago; but no doubt it -is with us as with our neighbours—to quote the words of an eminent -public speaker whose brilliancy sometimes leads one to forget -his higher criticism—I refer to Dr. Chauncey Depew—"Speed is -the virtue and vice of our generation. We demand that morning-glories -and century plants shall submit to the same conditions -and flower with equal frequency." Even some of our universities -from which we naturally expect so much seem disposed from -time to time to lower their standard and yield too readily to the -demand for purely practical education when, after all, the great -reason of all education is to draw forth the best qualities of the -young man, elevate his intelligence, and stimulate his highest -intellectual forces. The animating principle with the majority of -people is to make a young man a doctor, a lawyer, an engineer, -or teach him some other vocation as soon as possible, and the tendency -is to consider any education that does not immediately -effect that result as superfluous. Whilst every institution of -learning must necessarily yield something to this pervading -spirit of immediate utility, it would be a mistake to sacrifice all -the methods and traditions of the past when sound scholars at -least were made, and the world had so many men famous in -learning, in poetry, in romance, and in history. For one I range -myself among those who, like James Russell Lowell and Matthew -Arnold, still consider the conscientious and intelligent study of -the ancient classics—the humanities as they are called—as best -adapted to create cultured men and women, and as the noblest -basis on which to build up even a practical education with which -to earn bread and capture the world. Goldwin Smith very truly -says, "A romantic age stands in need of science, a scientific and -utilitarian age stands in need of the humanities."<a name="FNanchor_62_76" id="FNanchor_62_76"></a><a href="#Footnote_62_76" class="fnanchor">[62]</a> The study of -Greek, above all others of the humanities, is calculated to stimulate<span class="pagenum"><a name="Page_50" id="Page_50">50</a></span> -the higher qualities of our nature. As Matthew Arnold adds -in the same discourse from which I have quoted, "The instinct -for beauty is set in human nature, as surely as the instinct for -knowledge is set there, or the instinct for conduct. If the instinct -for beauty is served by Greek literature and art as it is served by -no other literature or art, we may trust to the instinct of self-preservation -in humanity for keeping Greek as part of our culture." -With the same great critic and thinker, I hope that in -Canada "Greek will be increasingly studied as men feel the need -in them for beauty, and how powerfully Greek art and Greek -literature can serve this need." We are as respects the higher -education of this country in that very period which Arnold saw -ahead for America—"a period of unsettlement and confusion and -false tendency"—a tendency to crowd into education too many -matters; and it is for this reason I venture to hope that letters -will not be allowed to yield entirely to the necessity for practical -science, the importance of which I fully admit, while deprecating -it being made the dominant principle in our universities. If we -are to come down to the lower grades of our educational system -I might also doubt whether despite all its decided advantages -for the masses—its admirable machinery and apparatus, its comfortable -school-houses, its varied systematic studies from form to -form and year to year, its well managed normal and model schools, -its excellent teachers—there are not also signs of superficiality. -The tendency of the age is to become rich fast, to get as much -knowledge as possible within a short time, and the consequence -of this is to spread far too much knowledge over a limited ground—to -give a child too many subjects, and to teach him a little of -everything. These are days of many cyclopædias, historical summaries, -scientific digests, reviews of reviews, French in a few lessons, -and interest tables. All is digested and made easy to the -student. Consequently not a little of the production of our schools -and of some of our colleges may be compared to a veneer of knowledge, -which easily wears off in the activities of life, and leaves -the roughness of the original and cheaper material very perceptible. -One may well believe that the largely mechanical system -and materialistic tendency of our education has some effect in<span class="pagenum"><a name="Page_51" id="Page_51">51</a></span> -checking the development of a really original and imaginative -literature among us. Much of our daily literature—indeed the -chief literary aliment of large classes of our busy population is -the newspaper press, which illustrates in many ways the haste -and pressure of this life of ours in a country of practical needs like -Canada. When we consider the despatch with which a large -newspaper has to be made up, how reports are caught on the -wing and published without sufficient verification, how editorials -have to be written <i>currente calamo</i>, and often after midnight when -important despatches come in, we may well wonder that the daily -issue of a newspaper is so well done. With the development of -confederation the leading Canadian papers have taken, through -the influence of the new condition of things, a larger range of -thought and expression, and the gross personalities which so frequently -discredited the press before 1867 have now become the -exception. If I might refer to an old and enterprising paper as -an example of the new order of things, I should point to the -Toronto <i>Globe</i> under its present editorial management and compare -it with two or three decades ago. It will be seen there is a -deeper deference to an intelligent public opinion by an acknowledgment -of the right of a community to hear argument and -reason even on matters of party politics, and to have fair reports -of speeches on both sides of a question. In point of appearance, -make-up, and varied literary matter—especially in its literary -department, its criticisms of new books in all branches of literature—the -Australasian press is decidedly superior to that of -Canada as a rule. The Melbourne <i>Argus</i> and the Sydney <i>Herald</i> -compare with the best London journals, and the reason is mainly -because there is no country press in Australia to limit the enterprise -and energy of a newspaper publisher. Perhaps it is as well -for the general instruction of a community like ours that there -should be a large and active country press, and the people not -too much under the guidance of a few great journals in important -centres of political thought and action. For one I have more faith -in the good sense and reason of the community as a whole than -in the motives and disinterestedness of a few leaders in one or -more cities or towns. But I must also add that when we consider<span class="pagenum"><a name="Page_52" id="Page_52">52</a></span> -the influence a widely disseminated press like that of Canada -must exercise on the opinions and sentiments of the large body -of persons of whom it is the principal or only literature, one -must wish that there was more independence of thought and -honesty of criticism as well as a greater willingness, or capacity -rather, to study a high ideal on the part of the press generally. -However improved the tone of the Canadian press may have become -of late years, however useful it may be as a daily record -of passing events—of course, outside of party politics—however -ably it may discuss in its editorial columns the topics of the day, -it is not yet an influence always calculated to strengthen the -mind and bring out the best intellectual faculties of a reader like -a book which is the result of calm reflection, sound philosophic -thought, originality of idea, or the elevated sentiment of the great -poet or the historian. As a matter of fact a newspaper is too -often in Canada a reflex of the average rather than of the higher -intelligence of the country, and on no other ground can we explain -the space devoted to a football match, or a prize fight, or a -murder trial, or degrading incidents in the criminal life of men -and women. For one, I am an admirer of athletic and other -sports calculated to develop health and muscle, as long as they -are not pursued to extremes, do not become the end and aim of -youth, or allowed to degenerate into brutality. All of us do not -forget the great influence of the Olympian, the Pythian and other -public games on the Greek character when the land was "living -Greece" indeed; but we must also remember that art and song -had a part in those contests of athletes, that they even inspired -the lyric odes of Pindar, that the poet there recited his drama or -epic, the painter exhibited his picture, and the intellectual was -made a part of the physical struggle in those palmy days of Greek -culture. I have not yet heard that any Canadian poet or painter -or historian has ever been so honoured, or asked to take part in -those athletic games and sports to which our public journals devote -a number of pages which have not yet been set apart for -Canadian or any literature. The newspaper reporter is nowadays -the only representative of literature in our Pythia or Olympia, -and he assuredly cannot be said to be a Pindaric singer when he<span class="pagenum"><a name="Page_53" id="Page_53">53</a></span> -exalts the triumphs of lacrosse or the achievements of the baseball -champion.</p> - - - - -<hr /> - -<div class="chapter"> -<h2><a name="X" id="X"></a>X.</h2> -</div> - - -<p>In drawing to a conclusion I come now to refer to a subject -which is naturally embraced in an address intended to review -the progress of culture in this country, and that is what should -have, perhaps, been spoken of before, the condition of Art in the -Dominion. As our public libraries<a name="FNanchor_63_77" id="FNanchor_63_77"></a><a href="#Footnote_63_77" class="fnanchor">[63]</a> are small compared with -those in the neighbouring union, and confined to three or four -cities—Montreal being in some respects behind Toronto—so our -public and private art galleries are very few in number and insignificant -as respects the value and the greatness of the paintings. -Even in the House of Commons, not long since, regret was -expressed at the smallness of the Dominion contribution, one -thousand dollars only, for the support of a so-called National Art -Gallery at Ottawa, and the greater part of this paltry sum, it -appeared, went to pay, not the addition of good paintings, but -actually the current expenses of keeping it up. Hopes were -thrown out by more than one member of the government, in the -course of the discussion on the subject, that ere long a much -larger amount would be annually voted to make the gallery -more representative of the best Canadian art, and it was very -properly suggested that it should be the rule to purchase a number -of Canadian pictures regularly every year, and in this way -stimulate the talent of our artists. Montreal at present has one -fairly good museum of art, thanks to the liberality of two or three -of her rich men, but so public spirited a city as Toronto, which -numbers among its citizens a number of artists of undoubted -merit, is conspicuous for its dearth of good pictures even in private -collections, and for the entire absence of any public gallery. -In Montreal there are also some very valuable and representative -paintings of foreign artists in the residences of her wealthy men -of business; but whilst it is necessary that we should have -brought to this country from time to time such examples of artistic -genius to educate our own people for better things, it is still -desirable that Canadian millionaires and men of means and taste<span class="pagenum"><a name="Page_54" id="Page_54">54</a></span> -should encourage the best efforts of our own artists. It is said -sometimes—and there is some truth in the remark—that Canadian -art hitherto has been imitative rather than creative; but -while we have pictures like those of L. R. O'Brien, W. Brymner, -F. A. Verner, O. R. Jacobi, George Reid, F. M. Bell-Smith, Homer -Watson, W. Raphael, Robert Harris, C. M. Manly, J. W. L. Forster, -A. D. Patterson, Miss Bell, Miss Muntz, J. Pinhey, J. C. Forbes, -Paul Peel—a young man of great promise too soon cut off—and of -other excellent painters,<a name="FNanchor_64_78" id="FNanchor_64_78"></a><a href="#Footnote_64_78" class="fnanchor">[64]</a><a name="FNanchor_G_7" id="FNanchor_G_7"></a><a href="#Footnote_G_7" class="fnanchor">[G]</a> native born or adopted Canadians, -illustrating in many cases, as do those of Mr. O'Brien notably, the -charm and picturesqueness of Canadian scenery, it would seem -that only sufficient encouragement is needed to develop a higher -order of artistic performance among us. The Marquess of Lorne -and the Princess Louise, during their too short residence in the -Dominion, did something to stimulate a larger and better taste -for art by the establishment of a Canadian Academy and the holding -of several exhibitions; but such things can be of little practical -utility if Canadians do not encourage the artists who are to -contribute. It is to be hoped that the same spirit of generosity -which is yearly building commodious science halls, and otherwise -giving our universities additional opportunities for usefulness, -will also ere long establish at least one fine art gallery in -each of the older provinces, to illustrate not simply English and -Foreign art, but the most original and highly executed work of -Canadians themselves. Such galleries are so many object lessons—like -that wondrous "White City" which has arisen by a -western lake as suddenly as the palaces of eastern story—to educate -the eye, form the taste and develop the higher faculties of -our nature amid the material surroundings of our daily life. No -doubt the creative and imaginative faculties of our people have -not yet been developed to any noteworthy extent; the poems and -paintings of native Canadians too frequently lack, and the little -fiction so far written is entirely destitute of the essential elements -of successful and permanent work in art and literature. But the -deficiency in this respect has arisen not from the poverty of Canadian<span class="pagenum"><a name="Page_55" id="Page_55">55</a></span> -intellect, but rather from the absence of that general distribution -of wealth on which art can alone thrive, the consequent -want of galleries to cultivate a taste among the people for the -best artistic productions, and above all from the existence of that -spirit of intellectual self-depreciation which is essentially colonial, -and leads not a few to believe that no good work of this kind can -be done in mere dependencies.</p> - -<p>The exhibition of American art at the world's fair is remarkable -on the whole for individual expression, excellent colour and -effective composition. It proves to a demonstration that the -tendency is progressive, and that it is not too much to expect -that a few decades hence this continent will produce a Corot, a -Daubigny, a Bonnat, a Bouguereau or a Millais. Not the least -gratifying feature of the exhibition has been the revelation to the -foreign world—and probably to many Canadians as well—that -there is already some artistic performance of a much higher order -than was believed to exist in Canada, and that it has been -adjudged worthy of special mention among the masterpieces that -surround the paintings of our artists. This success, very moderate -as it is, must stimulate Canadian painters to still greater -efforts in the future, and should help to create a wider interest -in their work among our own people, heretofore too indifferent -to the labours of men and women, whose rewards have been -small in comparison with the conscientiousness and earnestness -they have given to the prosecution of their art.</p> - -<p>The opportunities which Canadian artists have had of comparing -their own work with that of the most artistic examples at -the exhibition should be beneficial if they have made of them -the best possible use. American and French art was particularly -well represented at the exhibition, and was probably most interesting -from a Canadian point of view, since our artists would -naturally make comparisons with their fellow-workers on this -continent, and at the same time closely study the illustrations of -those French schools which now attract the greater number of -students from this country, and have largely influenced—perhaps -too much so at times—the later efforts of some well-known painters -among us. A writer in the New York <i>Nation</i> has made some<span class="pagenum"><a name="Page_56" id="Page_56">56</a></span> -comparisons between the best works of the artists of France and -the United States, which are supported by the testimony of critics -who are able to speak with authority on the subject. The French -notably excel "in seriousness of purpose and general excellence -of work from a technical point of view, especially in the thorough -knowledge of construction in both the figure and landscape pictures." -On the other hand, the artists of the United States -"show more diversity of aim and individuality of expression, as -well as colour feeling." Some two or three Canadian artists give -examples of those very qualities—especially in their landscapes—which, -according to the New York critic, distinguish the illustrations -of the art of the United States. As a rule, however, there -is a want of individuality of expression, and of perfection of -finish, in the work of Canadian artists, as even their relatively -imperfect representation at Chicago has shown. The tendency -to be imitative rather than creative is too obvious. Canadian -painters show even a readiness to leave their own beautiful and -varied scenery that they may portray that of other countries, and -in doing so they have ceased in many cases to be original. But -despite these defects, there is much hope in the general performance -of Canadians even without that encouragement and sympathy -which the artists of the United States have in a larger -measure been able to receive in a country of greater wealth, population -and intellectual culture.</p> - -<p>Not only does the exhibition of paintings in the world's fair -make one very hopeful of the future artistic development of this -continent, but the beauty of the architectural design of the noble -buildings which contain the treasures of art and industry, and -of the decorative figures and groups of statuary that embellish -these buildings and the surrounding grounds, is a remarkable -illustration of the artistic genius that has produced so exquisite -an effect in general, whatever defects there may be in minor -details. A critic in the July number of the 'Quarterly Review,' -while writing "in the presence of these lovely temples, domes, -and colonnades under the burning American sky which adds a -light and a transparency to all it rests upon," cannot help echoing -the regret that this vision of beauty is but for a season, and<span class="pagenum"><a name="Page_57" id="Page_57">57</a></span> -expressing the hope that some one of the American money kings -"may perpetuate his name on marble, by restoring, on the edge -of this immense capital, amid parks and waters, that great central -square which, were it only built of enduring materials, would -stand without a rival in modern architecture." Perhaps the fine -arts in the Dominion—where sculpture would be hardly heard -of were it not for the French Canadian Hébert—may themselves -even gain some stimulus from the examples of a higher conception -of artistic achievement that is shown by this exhibition to exist -in a country where a spirit of materialism has obtained the mastery -so long. Canadian architecture hitherto has not been distinguished -for originality of design—much more than art it has -been imitative. In Montreal and Quebec the old buildings which -represent the past have no architectural beauty, however interesting -they may be to the antiquarian or the historian, and however -well many of them harmonize with the heights of picturesque -Quebec. Montreal is assuredly the most interesting city -from an architectural point of view in Canada, simply for the -reason that its architects have, as a rule, studied that effect of -solidity and simplicity of design most in keeping with the grand -mountain and the natural scenery that give such picturesqueness -to an exceptionally noble site. While we see all over Canada—from -Victoria on the Pacific to Halifax on the Atlantic<a name="FNanchor_64A_79" id="FNanchor_64A_79"></a><a href="#Footnote_64A_79" class="fnanchor">[64<i>a</i>]</a><a name="FNanchor_H_8" id="FNanchor_H_8"></a><a href="#Footnote_H_8" class="fnanchor">[H]</a>—the -evidences of greater comfort, taste and wealth in our private and -public buildings, while we see many elaborate specimens of ecclesiastical -art, stately piles of legislative halls, excellent specimens -of Gothic and Tudor art in our colleges, expensive commercial -and financial structures, and even civic palaces, yet they are -often illustrative of certain well defined and prevalent types of -architecture in the eastern and western cities of the United -States. It cannot be said that Canada has produced an architect -of original genius like Henry Hobson Richardson, who was cut -off in the commencement of his career, but not before he had given -the continent some admirable specimens of architectural art, in -which his study of the Romanesque was specially conspicuous, -and probably led the way to a higher ideal which has reached some<span class="pagenum"><a name="Page_58" id="Page_58">58</a></span> -realization in the city which must too soon disappear like the -fabric of a vision, though one can well believe that, unlike a -dream, it will leave a permanent impress on the intellectual -development of the people who have conceived an exhibition so -creditable from a purely artistic point of view.</p> - - -<div class="footnote"> -<p><a name="Footnote_G_7" id="Footnote_G_7"></a><a href="#FNanchor_G_7"><span class="label">[G]</span></a> Some extended notes on the artists of Canada and their work appear in -the Appendix, <a href="#Footnote_64_78">note 64</a>.</p> - -<p><a name="Footnote_H_8" id="Footnote_H_8"></a><a href="#FNanchor_H_8"><span class="label">[H]</span></a> See in <a href="#Footnote_64A_79">Appendix 64<i>a</i></a> references to our notable public edifices.</p> -</div> - - - - -<hr /> - -<div class="chapter"> -<h2><a name="XI" id="XI"></a>XI.</h2> -</div> - - -<p>The Dominion of Canada possesses a noble heritage which -has descended to us as the result of the achievement of Frenchmen, -Englishmen, Scotchmen, and Irishmen, who through centuries -of trial and privation, showed an indomitable courage, -patience and industry which it is our duty to imitate with the -far greater opportunities we now enjoy of developing the latent -material and intellectual resources of this fair land. Possessing -a country rich in natural treasures and a population inheriting -the institutions, the traditions and qualities of their ancestors, -having a remarkable capacity for self-government, enjoying exceptional -facilities for the acquisition of knowledge, having -before us always the record of difficulties overcome against great -odds in endeavouring to establish ourselves on this continent, -we may well in the present be animated by the spirit of hope, -rather than by that feeling of despair which some despondent -thinkers and writers have too frequently on their lips when it is -a question of the destiny in store for Canada. In the course of -the coming decades—perhaps in four or five, or less—Canada -will probably have determined her destiny—her position among -the communities of the world; and, for one, I have no doubt the -results will be far more gratifying to our national pride than the -results of even the past thirty years, when we have been laying -broad and deep the foundations of our present system of government. -We have reason to believe that the material success of this -confederation will be fully equalled by the intellectual efforts of -a people who have sprung from nations whose not least enduring -fame has been the fact that they have given to the world of -letters a Shakespeare, a Molière, a Montesquieu, a Balzac, a -Dickens, a Dudevant, a Tennyson, a Victor Hugo, a Longfellow,<span class="pagenum"><a name="Page_59" id="Page_59">59</a></span> -a Hawthorne, a Théophile Gauthier, and many other names that -represent the best literary genius of the English and French races. -All the evidence before us now goes to prove that the French -language will continue into an indefinite future to be the language -of a large and influential section of the population of -Canada, and that it must consequently exercise a decided influence -on the culture and intellect of the Dominion. It has been -within the last four decades that the best intellectual work—both -in literature and statesmanship—has been produced in French -and English Canada, and the signs of intellectual activity in the -same direction do not lessen with the expansion of the Dominion. -The history of England from the day the Norman came into the -island until he was absorbed in the original Saxon element, is -not likely to be soon repeated in Canada, but in all probability -the two nationalities will remain side by side for an unknown -period to illustrate on the northern half of the continent of America -the culture and genius of the two strongest and brightest -powers of civilization. As both of these nationalities have vied -with each other in the past to build up this confederation on a -large and generous basis of national strength and greatness, and -have risen time and again superior to those racial antagonisms -created by differences of opinion at great crises of our history—antagonisms -happily dispelled by the common sense, reason and -patriotism of men of both races—so we should in the future hope -for that friendly rivalry on the part of the best minds among -French and English Canadians which will best stimulate the -genius of their people in art, history, poetry and romance. In -the meantime, while this confederation is fighting its way out of -its political difficulties, and resolving wealth and refinement -from the original and rugged elements of a new country, it is for -the respective nationalities not to stand aloof from one another, -but to unite in every way possible for common intellectual improvement, -and give sympathetic encouragement to the study of -the two languages and to the mental efforts of each other. It -was on this enlightened principle of sympathetic interest that -the Royal Society was founded and on which alone it can expect -to obtain any permanent measure of success. If the English and<span class="pagenum"><a name="Page_60" id="Page_60">60</a></span> -French always endeavour to meet each other on this friendly -basis in all the communities where they live side by side as well -as on all occasions that demand common thought and action and -cultivate that social and intellectual intercourse which may at -all events weld them both as one in spirit and aspiration, however -different they may continue in language and temperament, -many prejudices must be removed, social life must gain in charm, -and intellect must be developed by finding strength where it is -weak, and grace where it is needed in the mental efforts of the -two races. If in addition to this widening of the sympathies of -our two national elements, we can see in the Dominion generally -less of that provincialism which means a narrowness of mental -vision on the part of our literary aspirants, and prevents Canadian -authors reaching a larger audience in other countries, then -we shall rise superior to those weaknesses of our intellectual -character which now impede our mental development, and shall -be able to give larger scope to what original and imaginative -genius may exist among our people. So with the expansion of -our mental horizon, with the growth of experience and knowledge, -with the creation of a wider sympathy for native talent, -with the disappearance of that tendency to self-depreciation -which is so essentially colonial, and with the encouragement of -more self-reliance and confidence in our own intellectual resources, -we may look forward with some degree of hopefulness -to conditions of higher development, and to the influence on our -national character of what can best elevate Canadians and make -them even happier and wiser,</p> - -<div class="center"> -<div class="poem"> -<div class="stanza"> - <div class="i0">"The love of country, soaring far above all party strife;</div> - <div class="i0">The love of learning, art and song,—the crowning grace of life."<a name="FNanchor_65_80" id="FNanchor_65_80"></a><a href="#Footnote_65_80" class="fnanchor">[65]</a></div> -</div> -</div> -</div> - - - - -<hr /> - -<div class="chapter"> - <p><span class="pagenum"><a name="Page_61" id="Page_61">61</a></span></p> - -<h2><a name="BIBLIOGRAPHICAL_ART_AND_GENERAL_NOTES" id="BIBLIOGRAPHICAL_ART_AND_GENERAL_NOTES"></a>BIBLIOGRAPHICAL, ART AND GENERAL NOTES.</h2> -</div> - - -<p class="center">LOWELL'S ADDRESSES.</p> - -<div class="footnote"> -<p><a name="Footnote_1_9" id="Footnote_1_9"></a><a href="#FNanchor_1_9"><span class="label">[1]</span></a> Page 1.—See "Democracy, and Other Addresses," by James Russell Lowell -(Boston and New York, 1887) pp. 235–237. The address at the Harvard Anniversary, -from which I quote in the commencement of the text, should be carefully read and -studied by all those who are interested in education and culture in the Dominion, -and do not wish to see the classics superseded by purely scientific and utilitarian -theories. "Leave," he said, for instance, "in their traditional pre-eminence those -arts that were rightly called liberal; those studies that kindle the imagination, and -through it irradiate the reason: those studies that manumitted the modern mind; -those in which the brains of the finest temper have found alike their stimulus and -their repose, taught by them that the power of intellect is heightened in proportion -as it is made gracious by measure and symmetry. Give us science, too, but give, -first of all and last of all, the science that ennobles life and makes it generous.... -Many-sidedness of culture makes your vision clearer and keener in particulars. -For, after all, the noblest definition of Science is that breadth and impartiality of -view which liberates the mind from specialties, and enables it to organize whatever -we learn, so that it becomes real Knowledge by being brought into true and helpful -relation with the rest."</p> -</div> - - -<p class="center p1t">JAMESTOWN, VA.</p> - -<div class="footnote"> -<p><a name="Footnote_2_10" id="Footnote_2_10"></a><a href="#FNanchor_2_10"><span class="label">[2]</span></a> Page 3.—"Nothing remains of this famous settlement but the ruins of a -church tower covered with ivy, and some old tombstones. The tower is crumbling -year by year, and the roots of trees have cracked the slabs, making great rifts across -the names of the old Armigers and Honourables. The place is desolate with its -washing waves and flitting sea-fowl, but possesses a singular attraction. It is one -of the few localities which recall the first years of American history; but it will not -recall them much longer. Every distinctive feature of the spot is slowly disappearing. -The river encroaches year by year, and the ground occupied by the original -huts is already submerged." Cooke's "Virginia" ('American Commonwealths,' -1884), p. 19.</p> -</div> - - -<p class="center p1t">CHAMPLAIN.</p> - -<div class="footnote"> -<p><a name="Footnote_3_11" id="Footnote_3_11"></a><a href="#FNanchor_3_11"><span class="label">[3]</span></a> Page 6.—Editions of Champlain's works appeared at Paris in 1603, 1613, 1619, -1620, 1627, 1632 and 1640; at Quebec in 1830 and 1870. An English translation was -published by the Prince Society of Boston in 1878–80. The Abbé Laverdière's edition, -in six volumes, 4to., (Quebec, 1870), is the most perfect modern publication of the -works. It printed for the first time the text of the voyage of 1599–1601. For bibliographical -notes of Champlain's works see Bourinot's "Cape Breton," 'Trans. Roy. -Soc. Can.,' vol. ix., Sec. II., App. VIII. (also in separate form, Montreal, 1892); -Winsor's 'Nar. and Crit. Hist. Am.,' iv., 130–134; Harrisse's "Notes sur la bibliographie -de la Nouvelle France."</p> - -<p>French Canadian writers like Garneau and Ferland have exhausted the language -of eulogy in describing the character and life of Samuel Champlain, but no one who -follows his career can doubt the truth of this latest tribute to the French colonizer<span class="pagenum"><a name="Page_62" id="Page_62">62</a></span> -of Canada by Dr. N. E. Dionne in "Samuel Champlain, fondateur de Québec et père -de la Nouvelle France: Histoire de sa vie et de ses voyages," Québec, 1891: "Il possédait -à un haut degré le génie colonisateur, et c'est dans ce rôle, si difficile de tout -temps, qu'il fit preuve de sagesse et de clairvoyance, et dans le choix des colons, et -dans la direction qu'il sut imprimer à leurs premiers efforts. L'intelligence de -Champlain se révèle dans de nombreux écrits, où l'observateur judicieux et pénétrant -coudoie le savant et le marin aussi hardi qu'expérimenté. Comme cosmographe -il a eu l'immense mérite d'avoir surpassé tous ses devanciers, par l'abondance -des descriptions et l'agencement heureux des données géographiques. C'est un -nouveau titre de gloire que l'on doit ajouter à sa couronne resplendissante de tant -de rayons lumineux. Plusieurs historiens, même de ceux qui ne comptent pas parmi -les admirateurs des œuvres françaises, lui out rendu le témoignage d'avoir fait entrer -la science cartographique dans une nouvelle ère de progrès. Naturaliste, géographe, -marin, cosmographe; Champlain était tout cela à la fois, et dans une mesure hautement -remarquable pour l'epoque où il vivait.... Pas un gouverneur sous -l'ancien régime n'a donné d'aussi grands exemples de foi, de piété, et de droiture -d'intention."</p> - -<p>It is Captain John Smith of Virginia who, among the colonizers of America, can -best compare with the founder of Quebec. The following estimate of his character, -given by the historian George Bancroft (i., 138–139, ed. of 1866), could be applied in -almost every particular to the Frenchman; all we need do is to read "New France" -for "Virginia," "French" for "Saxon," "France" for "England," etc.: "He was -the father of Virginia, the true leader who first planted the Saxon race within the -borders of the United States. His judgment had ever been clear in the midst of -general despondency. He united the highest spirit of adventure with consummate -powers of action. His courage and self-possession accomplished what others esteemed -desperate. Fruitful in expedients, he was prompt in execution. Though he had -been harassed by the persecutions of malignant envy, he never revived the memory -of the faults of his enemies. He was accustomed to lead, not to send his men to -danger; would suffer want rather than borrow, and starve sooner than not pay. He -had nothing counterfeit in his nature, but was open, honest and sincere. He clearly -discerned that it was the true interest of England not to seek in Virginia for gold -and hidden wealth, but to enforce regular industry. 'Nothing,' said he, 'is to be -expected thence but by labour.'"</p> -</div> - - -<p class="center p1t">LESCARBOT.</p> - -<div class="footnote"> -<p><a name="Footnote_4_12" id="Footnote_4_12"></a><a href="#FNanchor_4_12"><span class="label">[4]</span></a> Page 6.—Editions of Lescarbot's "Histoire de la Nouvelle France" appeared -at Paris in 1609, 1611, 1617 and 1618; but the most complete and available modern -copy is that printed by Tross in three volumes (Paris, 1866). For bibliographical -notes of Lescarbot's works see 'Nar. and Crit. Hist. Am.,' iv., 149–151; Harrisse's -"Notes."</p> -</div> - - -<p class="center p1t">CHARLEVOIX.</p> - -<div class="footnote"> -<p><a name="Footnote_5_13" id="Footnote_5_13"></a><a href="#FNanchor_5_13"><span class="label">[5]</span></a> Page 6.—Editions of Charlevoix's "Histoire et description générale de la Nouvelle -France," etc., appeared at Paris in 1744, three volumes, 4to., and six volumes in -12mo., with maps. Dr. Shea's admirable English version and annotations were -printed at New York in six handsome volumes, 1866–1872. For bibliographical notes -see 'Nar. and Crit. Hist. Am.,' iv., 154, 358.</p> -</div> - - <p><span class="pagenum"><a name="Page_63" id="Page_63">63</a></span></p> - - -<p class="center p1t">HUTCHINSON'S HISTORY.</p> - -<div class="footnote"> -<p><a name="Footnote_6_14" id="Footnote_6_14"></a><a href="#FNanchor_6_14"><span class="label">[6]</span></a> Page 6.—For bibliography of Thomas Hutchinson's excellent "History of -Massachusetts Bay" (Boston, 1749, 1767, 1795; London, 1750, 1768, 1828, three volumes), -see 'Nar. and Crit. Hist. Am.,' iii., 344. He was royal governor of the province, -1770–72, and died near London in 1789.</p> -</div> - - -<p class="center p1t">SAGARD.</p> - -<div class="footnote"> -<p><a name="Footnote_7_15" id="Footnote_7_15"></a><a href="#FNanchor_7_15"><span class="label">[7]</span></a> Page 6.—Editions of Sagard's works, "Le Grand Voyage," etc., appeared at -Paris in 1632 and 1636, but Tross printed admirable copies at Paris in 1864–66. Charlevoix -has not a favourable judgment of Sagard; but no doubt, while he is diffuse, -he gives an excellent insight into Indian life and customs. For bibliographical -notes see 'Nar. and Crit. Hist. Am.,' iv., 290–291; Harrisse's "Notes."</p> -</div> - - -<p class="center p1t">P. BOUCHER.</p> - -<div class="footnote"> -<p><a name="Footnote_8_16" id="Footnote_8_16"></a><a href="#FNanchor_8_16"><span class="label">[8]</span></a> Page 6.—Pierre Boucher's "Mœurs et productions de la Nouvelle France" appeared -at Paris in 1664 (sm. 12mo.), and is described by Charlevoix as a faithful, if -superficial, account of Canada. For bibliographical notes, see 'Nar. and Crit. Hist. -Am.,' iv., 298; Harrisse's "Notes."</p> -</div> - - -<p class="center p1t">JESUIT RELATIONS.</p> - -<div class="footnote"> -<p><a name="Footnote_9_17" id="Footnote_9_17"></a><a href="#FNanchor_9_17"><span class="label">[9]</span></a> Page 6.—The Canadian Government published at Quebec in 1858, in three large -8vo. volumes, a series of the "Relations," from 1611–1672, and supplemental or complemental -issues of allied and later "Relations" were printed through the efforts of -Mr. Lenox, Dr. O'Callaghan and Dr. Shea, of New York. For bibliographical notes -on these invaluable collections, see 'Nar. and Crit. Hist. Am.,' 290 <i>et seq.</i>; Harrisse's -"Notes."</p> -</div> - - -<p class="center p1t">PÈRE DU CREUX.</p> - -<div class="footnote"> -<p><a name="Footnote_10_18" id="Footnote_10_18"></a><a href="#FNanchor_10_18"><span class="label">[10]</span></a> Page 6.—Père du Creux or Creuxius published his prolix work, "Historia -Canadensis," with map and illustrations, in Latin, at Paris in 1664. For bibliographical -notes, see 'Nar. and Crit. Hist. Am.,' iv., 296; Harrisse's "Notes." Despite its -diffusiveness, it has value for the historical students of his times.</p> -</div> - - -<p class="center p1t">LA POTHERIE.</p> - -<div class="footnote"> -<p><a name="Footnote_11_19" id="Footnote_11_19"></a><a href="#FNanchor_11_19"><span class="label">[11]</span></a> Page 6.—Bacqueville de la Potherie's "Histoire de l'Amérique Septentrionale -depuis 1534 jusqu'à 1701" was published first at Paris in 1722, four volumes, 12mo.; -but a later edition appeared in 1753. Charlevoix's opinion, that it is an undigested -and ill-written narrative, is prejudiced, as the work is on the whole a useful and exact -account of the French establishments at Quebec, Montreal and Three Rivers, and -especially of the condition of the Indians of the time. For bibliographical notes see -'Nar. and Crit. Hist. Am.,' iv., 299, 357–358.</p> -</div> - - -<p class="center p1t">LAFITAU.</p> - -<div class="footnote"> -<p><a name="Footnote_11A_20" id="Footnote_11A_20"></a><a href="#FNanchor_11A_20"><span class="label">[11<i>a</i>]</span></a> Page 6.—The following note with respect to this able priest's writing is -taken from 'Nar. and Crit. Hist. Am.,' iv., 298, 299: "The Jesuit Lafitau published -at Paris in 1724 his 'Mœurs des Sauvages Amériquains' in two volumes, with<span class="pagenum"><a name="Page_64" id="Page_64">64</a></span> -various plates, which in the main is confined to the natives of Canada, where he had -lived long with the Iroquois. Charlevoix said of his book, twenty years later, 'We -have nothing so exact on the subject;' and Lafitau continues to hold high rank as -an original authority, though his book is overlaid with a theory of Tartaric origin of -the red race. Mr. Parkman calls him 'the most satisfactory of the elder writers.'" -Garneau, ii., 154, mentions that he discovered in 1716 a plant in the Canadian forests -which is of the nature of ginseng, which for awhile was a valuable article of export -to Canton. Eventually it became valueless in China on account of its being prepared -improperly.</p> -</div> - - -<p class="center p1t">C. LE CLERCQ.</p> - -<div class="footnote"> -<p><a name="Footnote_12_21" id="Footnote_12_21"></a><a href="#FNanchor_12_21"><span class="label">[12]</span></a> Page 6.—Père Chrestien Le Clercq's "Etablissement de la Foy" appeared in -two volumes, 12mo., at Paris in 1691, and an excellent translation by Shea at New -York in 1881. He also wrote a work, "Nouvelle Relation de la Gaspésie," which -was also printed at Paris in 1691. For bibliographical notes see 'Nar. and Crit. Hist. -Am.,' iv., 291; Harrisse's "Notes."</p> -</div> - - -<p class="center p1t">COTTON MATHER'S "MAGNALIA."</p> - -<div class="footnote"> -<p><a name="Footnote_13_22" id="Footnote_13_22"></a><a href="#FNanchor_13_22"><span class="label">[13]</span></a> Page 7.—For bibliographical notes on this curious <i>olla podrida</i> of religion -and history see 'Nar. and Crit. Hist. Am.' iii., 345; Stevens's "Historical Nuggets," -ii., 505.</p> -</div> - - -<p class="center p1t">Dr. MICHEL SARRAZIN.</p> - -<div class="footnote"> -<p><a name="Footnote_13A_23" id="Footnote_13A_23"></a><a href="#FNanchor_13A_23"><span class="label">[13<i>a</i>]</span></a> Page 8.—An interesting account of the life and labours of the eminent -pioneer of science in Canada, who came to Quebec in 1685 and died there in 1734, will -be found in the fifth volume of the 'Trans. Roy. Soc. Can.' (section IV.), by the Abbé -Laflamme. See also Parkman's "Old Regime in Canada," p. 366, <i>n.</i> Also, pp. 390–393 -for citations from Kalm and Charlevoix as to social condition of the French -colony. Also, pp. 160–163 and notes, for an account and references to authorities on -subject of the Seminary.</p> -</div> - - -<p class="center p1t">PETER KALM.</p> - -<div class="footnote"> -<p><a name="Footnote_13B_24" id="Footnote_13B_24"></a><a href="#FNanchor_13B_24"><span class="label">[13<i>b</i>]</span></a> Page 8.—He was professor of Economy in the University of Aobo, in Swedish -Finland, and a member of the Swedish Royal Academy of Sciences. His Travels in -North America ("In Risa tel Nord America"), 1748–51, first appeared in Swedish -(Stockholm, 1753–61), and subsequently in a translation, with the original somewhat -abridged, by John Reinhold Forster (Warrington and London, 1770; 2nd ed., 1772). -A translation in French by L. W. Marchand has also been published, and it is -from that I quote in the text. (For German and Dutch versions see 'Nar. and Crit. -Hist. Am.,' v., 244.) I have since found that Forster, in a note (ii., 185, 2nd ed.) on -the remarks of the Swedish savant with respect to the study of science in the English -colonies, calls attention to the fact that "Mr. Kalm has forgotten his own assertions -in the former part of this work." Dr. Colden, Dr. Franklin and Mr. Bartram, -he continues, "have been the great promoters and investigators of nature in this -country, and how would the inhabitants have gotten the fine collections of North -American trees, shrubs and plants, which grow at present almost in every garden, -and are as if they were naturalized in old England, had they not been assisted by -their friends and by the curious in North America." Forster also refers to the -schools, colleges and libraries already existing in the English colonies as evidence -that Kalm hardly did justice to the men of culture in those countries. No doubt -La Galissonière, Sarrazin, Gauthier, and others created, for a time certainly, much<span class="pagenum"><a name="Page_65" id="Page_65">65</a></span> -interest in the practical pursuit of science in Canada. The interest, however, must -have been necessarily confined to a very small class in the two or three towns and -garrisons to which La Galissonière's influence extended. Some of the Jesuit priests -like Lafitau (see note 11<i>a</i>) had a taste for natural history, and have left us much information -on the subject. But Lafitau, La Galissonière, Gauthier, Sarrazin and -others were not native Canadians, though, like Charlevoix and his predecessors who -wrote of the country, they have left imperishable memorials connecting their names -with the literary and scientific history of New France. On the other hand, Franklin, -Bartram, Stith, the Mathers and Beverley, whose names will be always associated -with the early culture of science and literature in the old English colonies, were -American by birth and education. Still these men represented a very insignificant -influence in the practical, money-making population of New England and the -middle colonies of which Kalm chiefly spoke. Their influence would be relatively -trifling compared with that which was necessarily exercised by a governor like -La Galissonière in New France, with its sympathetic officials and priests, and which -was necessarily contrasted by Kalm with the indifference of the English colonists. -Kalm failed, however, to recognize the public liberty, commercial enterprise and -secular education which in New England and other colonial communities gave the -people the advantage over the habitans and French Canadians generally. Instead, -the spirit of materialism that was a distinguishing feature of the active, enterprising -English colonists, must have grated on the susceptibilities of a student like -Kalm, and prevented him from doing impartial justice to the strong qualities of a -rising nation.</p> -</div> - - -<p class="center p1t">SCHOOLS, 1792–1840.</p> - -<div class="footnote"> -<p><a name="Footnote_14_25" id="Footnote_14_25"></a><a href="#FNanchor_14_25"><span class="label">[14]</span></a> Page 9.—For accounts of the deplorable condition of the public schools in the -rural districts of Upper Canada from 1791 to the union of 1841 see Canniff's "History -of the Province of Ontario" (Toronto, 1872). Canniff Haight's "Country Life in -Canada Fifty Years Ago" (Toronto, 1885), and Bourinot's "Intellectual Development -of the Canadian People" (12mo., Toronto, and 'Canadian Monthly,' 1881). At the -present time there are 14 universities and 29 colleges in which a classical education -is given; 6 ladies' colleges, and 5 agricultural colleges and schools of science. The -value of their buildings, endowments, etc., is upwards of $12,000,000, and the attendance -is about 9,000 students. The classical colleges of Quebec—which make up the -greater number of the colleges in Canada—are a combination of school and college -attended by both boys and young men. They confer certain degrees and are generally -affiliated with Laval University. The effect of the classical studies encouraged -in these colleges is very perceptible in the culture of the well educated French Canadian. -At present there are in Canada upwards of 17,000 public, high, normal, and -model schools, attended by about 1,000,000 pupils, and costing a total annual expenditure -of between six and seven millions of dollars. In Ontario (once Upper Canada) -there are 16 universities and colleges, including ladies' and agricultural colleges; -about 6,000 schools of all kinds, attended by over 500,000 pupils, and costing annually -over $4,000,000. See "The Statistical Year-Book of Canada," Ottawa, 1893.</p> -</div> - - -<p class="center p1t">UPPER CANADA, 1793–1840.</p> - -<div class="footnote"> -<p><a name="Footnote_15_26" id="Footnote_15_26"></a><a href="#FNanchor_15_26"><span class="label">[15]</span></a> Page 9.—Some interesting details of the early settlement of Ontario will be -found in Dr. Canniff's "History of Ontario" (Toronto, 1872). As a local record or -annals it is the most valuable yet given to the public by a descendant of the pioneers -and U. E. Loyalists. Canniff Haight's "Country Life in Canada Fifty Years Ago" -is a readable and sketchy account of old times.</p> -</div> - - <p><span class="pagenum"><a name="Page_66" id="Page_66">66</a></span></p> - - -<p class="center p1t">CANADIAN JOURNALISM.</p> - -<div class="footnote"> -<p><a name="Footnote_16_27" id="Footnote_16_27"></a><a href="#FNanchor_16_27"><span class="label">[16]</span></a> Page 10.—A brief historical sketch of Canadian journalism will be found in -Bourinot's "Intellectual Development of the Canadian People" (Toronto, 1881); also -in Dr. Canniff's "History of the Province of Ontario" (Toronto, 1872), and in "Sketch -of Canadian Journalism," by E. B. Biggar, "Canadian Newspaper Directory" (Montreal, -1892). Some of the statements in this article appear to require verification. I -have now in my possession a copy of the 'York Gazette' printed in July, 1815, though -Mr. Biggar states that no paper was published in York after the capture of the town -by the American troops and the destruction of the press and type, in 1813, until 1817. -The 'York Gazette' was originally the 'Upper Canada Gazette, or American Oracle,' -first printed in 1793 at Niagara (Newark), when it was the political capital of Upper -Canada after the passage of the Constitutional Act of 1791. It was removed to York -(Toronto) in 1800, and became the 'York Gazette' a few years later. At the present -time there are in Ontario alone, of daily papers, 47; weekly, 386. In the Dominion -there are 98 daily papers, 1,035 weekly, bi-weekly, monthly, etc. In 1838 there were -in all British North America not more than 70 papers, of which 38 were in Upper -Canada. In 1864 the total was about a quarter of the present number.</p> -</div> - - -<p class="center p1t">HOWE'S SPEECHES.</p> - -<div class="footnote"> -<p><a name="Footnote_17_28" id="Footnote_17_28"></a><a href="#FNanchor_17_28"><span class="label">[17]</span></a> Page 11.—Joseph Howe's speeches were printed at Boston in 1858, two volumes, -8vo. For bibliographical notes see 'Am. Hist. Ass. Papers, 1892,' p. 396, at end -of Bourinot's "Parliamentary Government in Canada."</p> -</div> - - -<p class="center p1t">"SAM SLICK."</p> - -<div class="footnote"> -<p><a name="Footnote_18_29" id="Footnote_18_29"></a><a href="#FNanchor_18_29"><span class="label">[18]</span></a> Page 11.—Judge Haliburton's famous work has the title, "The Clockmaker; -or, Sayings and Doings of Sam Slick of Slickville." London and Halifax, 1st ser. -1837, 2nd ser. 1838, 3rd ser. 1840. Reprinted 1838–1843, three volumes. New edition -1845. Several later cheap English and American editions have appeared from time -to time. A bibliography and sketch of the judge's life, written probably by his son, -Robert G., appears in the "Bibliotheca Canadensis" (Ottawa, 1872). The humorous -sketches, to which he chiefly owes his fame, were contributed anonymously to the -'Nova Scotian,' then edited by Joseph Howe. The paper is still in existence as a -weekly edition of the 'Morning Chronicle' of Halifax. The judge was educated in -old King's College, Windsor. See <i>infra</i>, note 31.</p> -</div> - - -<p class="center p1t">JUDGE HALIBURTON'S HISTORY.</p> - -<div class="footnote"> -<p><a name="Footnote_19_30" id="Footnote_19_30"></a><a href="#FNanchor_19_30"><span class="label">[19]</span></a> Page 12.—"An Historical and Statistical Account of Nova Scotia," with maps -and engravings. Halifax, two volumes, large 8vo. For bibliographical note see -Bourinot's "Cape Breton," App. X. A complete copy, with maps and illustrations, -is now becoming rare.</p> -</div> - - -<p class="center p1t">W. SMITH'S HISTORY.</p> - -<div class="footnote"> -<p><a name="Footnote_20_31" id="Footnote_20_31"></a><a href="#FNanchor_20_31"><span class="label">[20]</span></a> Page 12.—"The History of Canada, from its First Discovery to the Peace of -1763; and from the Establishment of the Civil Government in 1764 to the Establishment -of the Constitution in 1796." By William Smith, Esquire, Clerk of the Parliament -and Master in Chancery of the Province of Lower Canada. "Ne quid falsi -dicere audeat, ne quid veri non audeat." In two volumes, large 8vo. (Quebec, 1815.) -He was a son of the historian of the province of New York, who after the war of the -revolution became chief justice of Canada.</p> -</div> - - <p><span class="pagenum"><a name="Page_67" id="Page_67">67</a></span></p> - - -<p class="center p1t">JOSEPH BOUCHETTE.</p> - -<div class="footnote"> -<p><a name="Footnote_21_32" id="Footnote_21_32"></a><a href="#FNanchor_21_32"><span class="label">[21]</span></a> Page 12.—The works of this eminent Canadian surveyor and hydrographer -appeared under the following titles:</p> - -<p>1. "A Topographical Description of the Province of Lower Canada, with remarks -upon Upper Canada and on the relative connection of both Provinces with the United -States of America." London, 1815, royal 8vo., with plates. Also an edition in French.</p> - -<p>2. "The British Dominions in North America, or a Topographical and Statistical -Description of the Provinces of Upper and Lower Canada, New Brunswick, Nova -Scotia, the Islands of Newfoundland, Prince Edward and Cape Breton, including -considerations on land-granting and emigration, and a topographical dictionary of -Lower Canada; to which is annexed the statistical tables and tables of distances, -published with the author's maps of Lower Canada, in consequence of a vote of the -Provincial Legislature. Embellished with vignettes, views, landscapes, plans of -towns, harbours, etc.; containing also a copious appendix." London, 1831, three -volumes, 4to., generally bound in two.</p> -</div> - - -<p class="center p1t">MICHEL BIBAUD'S HISTORICAL WORKS.</p> - -<div class="footnote"> -<p><a name="Footnote_22_33" id="Footnote_22_33"></a><a href="#FNanchor_22_33"><span class="label">[22]</span></a> Page 12.—"Histoire du Canada sous la Domination Française." Montreal, -1837, 8vo. Do., 1843, 12mo.</p> - -<p>"Histoire du Canada sous la Domination Anglaise." Do., 1844. The third volume -of the series appeared after the author's death, and was published by his son, -J. G. Bibaud, at Montreal, 1878, 12mo.</p> -</div> - - -<p class="center p1t">THOMPSON'S BOOK ON THE WAR OF 1812.</p> - -<div class="footnote"> -<p><a name="Footnote_23_34" id="Footnote_23_34"></a><a href="#FNanchor_23_34"><span class="label">[23]</span></a> Page 12.—"History of the Late War between Great Britain and the United -States of America, with a retrospective view of the causes from which it originated, -collected from the most authentic sources; to which is added an appendix containing -public documents, etc., relating to the subject." By David Thompson, late of -the Royal Scots. Niagara, U. C. Printed by T. Sewell, printer, bookbinder and stationer, -Market Square, 1832, 12mo., pp. 300. This was for some time believed to be -the first book printed in Upper Canada, but Dr. Kingsford, F.R.S.C., in "The Early -Bibliography of the Province of Ontario" (Toronto and Montreal, 1892), enumerates -a list of some thirty-three publications that antedated it, and Mr. Charles Lindsey, -a bibliophilist and <i>littérateur</i> of Toronto, adds a number of others. See Toronto -'Week,' Dec. 9, 1892, Dr. Kingsford's rejoinder, <i>ib.</i>, Dec. 30, and another article on -same subject by Mr. Lindsey, <i>ib.</i>, Jan. 13, 1893. All these bibliographical notes are -interesting, and show how insignificant in point of intellectual and original ability -was the literature of Ontario for fifty years previous to 1841.</p> -</div> - - -<p class="center p1t">BELKNAP'S HISTORY.</p> - -<div class="footnote"> -<p><a name="Footnote_24_35" id="Footnote_24_35"></a><a href="#FNanchor_24_35"><span class="label">[24]</span></a> Page 13.—Mr. Jeremy Belknap's "History of New Hampshire" was published -in Philadelphia and Boston in 1784–92, three volumes. See Bourinot's "Cape Breton," -in 'Trans. Roy. Soc. Can.,' vol. ix., p. 315, and p. 147 in the separate volume (Montreal, -1892).</p> -</div> - - -<p class="center p1t">THE POET CRÉMAZIE.</p> - -<div class="footnote"> -<p><a name="Footnote_25_36" id="Footnote_25_36"></a><a href="#FNanchor_25_36"><span class="label">[25]</span></a> Page 17.—Octave Crémazie was one of the <i>vrai sang</i> of French Canada, and -a bookseller without the least aptitude for business. He left Quebec after his failure, -and lived under an assumed name in France, where he died in poverty. His life -was most unfortunate, and in the gloomy days of his later French career he never<span class="pagenum"><a name="Page_68" id="Page_68">68</a></span> -realized the expectations which his literary efforts in Canada raised among his ardent -friends. His poems appeared at first in the 'Soirées Canadiennes' and French -Canadian journals, but his works were published in full at Montreal, in 1882, under -the patronage of the Institut Canadien of Quebec, of which he was one of the -founders. The Abbé Casgrain has given the introduction for this edition, and added -some of the letters written to him by Crémazie from Paris. Crémazie, and indeed -many of his friends, considered the "Trois Morts" as the best effort of his poetic -genius; but the Abbé truly says: "Crémazie has never really been original except -in his patriotic poems; in them must be sought the secret of his popularity and his -strongest claim to fame." And he goes on to say: "The old mother-country has -so far given a warm welcome to only one of our poets. She has acknowledged Fréchette -as the most emphatically French of our poetic aspirants; but the time is not -far distant when she will recognize in Crémazie the most thoroughly Canadian of -them all. His verses have not the exquisite workmanship that is so much admired -in Fréchette, but it is full of a patriotic inspiration that is not so often found in -the author of 'Fleurs Boréales.' Despite his inequalities and imperfections, Crémazie -must live among us as the father of our national poetry." The patriotic -poem which has touched most deeply the hearts of his countrymen is "Le Drapeau -de Carillon," in which he recalls the military achievements of the days of Lévis and -Montcalm—</p> - -<div class="center"> -<div class="poem"> -<div class="stanza"> - <div class="i10">"Les jours de Carillon,</div> - <div class="i0">Où, sur le drapeau blanc attachant la victoire,</div> - <div class="i0">Nos pères se couvraient d'un immortel renom</div> - <div class="i0">Et traçaient de leur glaive une héroïque histoire.</div> -</div> - -<div class="stanza"> - <div class="i0">"O radieux débris d'une grande épopée!</div> - <div class="i0">Héroïque bannière au naufrage échappée!</div> - <div class="i0">Tu restes sur nos bords comme un témoin vivant</div> - <div class="i0">Des glorieux exploits d'une race guerrière;</div> - <div class="i0">Et, sur les jours passés, répandant ta lumière,</div> - <div class="i0">Tu viens rendre à son nom un hommage éclatant.</div> -</div> - -<div class="stanza"> - <div class="i0">"Ah! bientôt puissions-nous, ô drapeau de nos pères!</div> - <div class="i0">Voir tous les Canadiens, unis comme des frères,</div> - <div class="i0">Comme au jour du combat se serrer près de toi!</div> - <div class="i0">Puisse des souvenirs la tradition sainte,</div> - <div class="i0">En régnant dans leur cœur, garder de toute atteinte,</div> - <div class="i10">Et leur langue et leur foi."</div> -</div> -</div> -</div> - -<p>When we hear aspirations whispered nowadays that there may be only one language -in Canada, it is well to consider the influence of such nervous poetic French on the -national feelings of the large population in the province of Quebec. The French -language is likely to be deeply seated for some generations yet while there are French -Canadian poets.</p> -</div> - - -<p class="center p1t">CHAUVEAU AS A POET.</p> - -<div class="footnote"> -<p><a name="Footnote_26_37" id="Footnote_26_37"></a><a href="#FNanchor_26_37"><span class="label">[26]</span></a> Page 17.—Hon. Mr. Chauveau's poems appeared at different times in the -'Canadien' of Quebec, 'Le Répertoire National,' 'Les Soirées Canadiennes,' 'La -Revue Canadienne,' and in other papers and publications from 1838 until the year of -his death, 1890. One of his latest poems, "Le Sacré Cœur," was printed in the -second volume of the 'Trans. Roy. Soc. Can.,' Sec. I. A valuable paper by the same<span class="pagenum"><a name="Page_69" id="Page_69">69</a></span> -<i>littérateur</i>, "Etude sur les commencements de la poésie française au Canada," appeared -in the first volume of the 'Trans.,' Sec. I, p. 65. In "Songs of the Dominion" -(London, 1889, App., pp. 455–448) the editor gives an illustration of his spirited style -by citing "Donnacona" at length.</p> -</div> - - -<p class="center p1t">HOWE'S POEMS.</p> - -<div class="footnote"> -<p><a name="Footnote_27_38" id="Footnote_27_38"></a><a href="#FNanchor_27_38"><span class="label">[27]</span></a> Page 17.—These were collected by his son after his death, and printed in a -little volume with the title "Poems and Essays." Montreal, 1874, 12mo.</p> -</div> - - -<p class="center p1t">THE POETS SANGSTER AND McLACHLAN.</p> - -<div class="footnote"> -<p><a name="Footnote_28_39" id="Footnote_28_39"></a><a href="#FNanchor_28_39"><span class="label">[28]</span></a> Page 17.—Charles Sangster was a native of Kingston, and consequently a -native Canadian like the others mentioned in the text. His principal poems appeared -in the following books: "The St. Lawrence and the Saguenay, and Other Poems." -Kingston and New York, 1856, 8vo. "Hesperus and Other Poems and Lyrics." -Montreal, 1860, 8vo. Oliver Wendell Holmes, Bayard Taylor and Jean Inglelow -wrote of his verse in terms of eulogy. See "Bibliotheca Canadensis," p. 337.</p> - -<p>Alexander McLachlan was a poet contemporary with Sangster, and imbued with -much poetic fervour and Canadian sentiment, but he was born and educated in -Scotland, and came to Canada when a young man. His "Emigrant and Other -Poems" (Toronto, 1861) merited the praise it received, though this, like his other -poetic efforts, are now rarely cited, and no new edition of his works has appeared of -recent years.</p> -</div> - - -<p class="center p1t">CHARLES HEAVYSEGE'S WORKS.</p> - -<div class="footnote"> -<p><a name="Footnote_29_40" id="Footnote_29_40"></a><a href="#FNanchor_29_40"><span class="label">[29]</span></a> Page 18.—"Saul: a Drama in Three Parts." Montreal, 1857, 8vo. 2nd ed., -1859.</p> - -<p>"Count Filippo; or, The Unequal Marriage: a Drama in Five Acts." Montreal, -1860.</p> - -<p>"Jephthah's Daughter." London and Montreal, 1865, 12mo.</p> - -<p>"The Advocate: a Novel." Montreal, 1865, 8vo. This was a decided failure.</p> -</div> - - -<p class="center p1t">TODD'S WORKS.</p> - -<div class="footnote"> -<p><a name="Footnote_30_41" id="Footnote_30_41"></a><a href="#FNanchor_30_41"><span class="label">[30]</span></a> Page 18.—The first edition of Todd's "Parliamentary Government in England" -appeared at London in 1867–68, two volumes, 8vo., and the second after his -death in 1887. An abridged edition, by Spencer Walpole, an English writer, was -printed in 1893, two volumes, 12mo. For bibliographical notes of this and other -Canadian constitutional works see the Appendix to Bourinot's "Parliamentary -Government in Canada: an Historical and Constitutional Study," 'Am. Hist. Ass. -Papers,' Washington, 1892.</p> -</div> - - -<p class="center p1t">CHRISTIE'S HISTORY.</p> - -<div class="footnote"> -<p><a name="Footnote_31_42" id="Footnote_31_42"></a><a href="#FNanchor_31_42"><span class="label">[31]</span></a> Page 18.—Mr. Christie's "History of Lower Canada" embraced the period -from the commencement of its political history as a British dependency until it -was reunited with Upper Canada in 1840 by act of the imperial parliament. It appeared -in Quebec and Montreal from 1849 to 1855, when the sixth volume, a collection -of valuable documents, completed the work. Previously the author had published -several memoirs and reviews of political events and administrations, which were -all finally embraced in the history. For bibliographical notes see 'Am. Hist. Ass. -Papers,' 1891, p. 393; "Bibliotheca Canadensis," art. "Christie." It is noteworthy<span class="pagenum"><a name="Page_70" id="Page_70">70</a></span> -that Mr. Christie was, like Judge Haliburton, born and educated in Windsor, Nova -Scotia, where old King's College still pursues its calm academic studies amid its -sheltering and ancestral elms. In 1890 this venerable and interesting institution -celebrated the centenary of its foundation. See Hind's "University of King's College, -Windsor, N.S., 1790–1890," New York, "The Church Review Co.," 1890. But -Robert Christie could not in those times be educated in King's, as he was not a member -of the Church of England like the Judge.</p> -</div> - - -<p class="center p1t">GARNEAU.</p> - -<div class="footnote"> -<p><a name="Footnote_32_43" id="Footnote_32_43"></a><a href="#FNanchor_32_43"><span class="label">[32]</span></a> Page 18.—The first volume of François Xavier Garneau's "Histoire du Canada -depuis sa découverte jusqu'à nos jours" appeared at Quebec in 1845; the second in -1846; and the third, bringing the history down to the establishment of constitutional -government in 1791, was printed in 1848. A second edition completed the work to -the union of the Canadas in 1841, and was published in 1852 at Montreal by Mr. -Lovell, the well-known publisher. A third edition appeared at Quebec in 1859, and a -somewhat slovenly translation was made by Mr. Andrew Bell and printed at Montreal -in 1860. The fourth edition appeared in four volumes after the historian's -death. It is the third edition, as originally written by Mr. Garneau. The fourth -volume of this edition contains an eulogistic review of the author's life by Mr. Chauveau, -a poem by Mr. Louis Fréchette on "Notre Histoire"—also printed in 'Trans. -Roy. Soc. Can.,' vol. i., Sec. I.,—and an analytical table by Mr. B. Sulte. A portrait -of Mr. Garneau is the frontispiece to the same volume. The 'Trans. Roy. Soc. Can.,' -vol. i., Sec. I., has a paper by Abbé Casgrain on Garneau and Ferland, "Notre Passé -Littéraire, et nos deux historiens." In the same volume appears a paper by Mr. -J. M. LeMoine on "Nos quatre historiens modernes, Bibaud, Garneau, Ferland, -Faillon," which, like the preceding essay, certainly does not fail in the way of eulogy. -French Canada assuredly is proud and not often too critical of her eminent writers.</p> -</div> - - -<p class="center p1t">FERLAND AND FAILLON.</p> - -<div class="footnote"> -<p><a name="Footnote_33_44" id="Footnote_33_44"></a><a href="#FNanchor_33_44"><span class="label">[33]</span></a> Page 18.—"Cours d'Histoire du Canada. Première partie, 1534–1663." Par -J. B. A. Ferland, prêtre, professeur d'histoire à l'Université Laval. Québec, 1861, 8vo. -Seconde partie, 1663–1759; do., 1865, 8vo. The second volume was going through the -press at the time of the author's death, and subsequently appeared under the careful -supervision of his friend the Abbé Laverdière, to whose historical labours Canada -is deeply indebted. Indeed French Canada owes much to Laval, with its able teachers, -historians and scientists.</p> - -<p>The Abbé Faillon, a Sulpician, who wrote a "Histoire de la Colonie Française -en Canada" (Paris, 1865) in four 4to. volumes, was not a Canadian by birth and education -like Ferland and Garneau, but came to Canada in 1854, and, after residing -there for over ten years, returned to his native country, where he published his -well known and valuable work.</p> -</div> - - -<p class="center p1t">DENT'S WORKS.</p> - -<div class="footnote"> -<p><a name="Footnote_34_45" id="Footnote_34_45"></a><a href="#FNanchor_34_45"><span class="label">[34]</span></a> Page 19,—John Charles Dent was an English journalist, who subsequently -became connected with the Toronto press. He wrote the two following works: "The -Last Forty Years: Canada since the Union of 1841," Toronto, 1881, two volumes, -sm. 4to.; "The Story of the Upper Canada Rebellion," Toronto, 1885–86, two volumes, -sm. 4to. He also edited the "Canadian Portrait Gallery," Toronto, 1880–81. Although -not a Canadian by birth or education, he identified himself thoroughly with Canadian -thought and sentiment, and was made a Fellow of the Royal Society of Canada<span class="pagenum"><a name="Page_71" id="Page_71">71</a></span> -before his too sudden death. A criticism of his work on "Canada since the Union" -by the Abbé Casgrain ('Trans. Roy. Soc. Can.,' vol. iii., Sec. I.) indicated that his -opinions did not always meet with the warm approval of the French Canadians of a -very pronounced type.</p> -</div> - - -<p class="center p1t">LOUIS TURCOTTE'S HISTORY.</p> - -<div class="footnote"> -<p><a name="Footnote_35_46" id="Footnote_35_46"></a><a href="#FNanchor_35_46"><span class="label">[35]</span></a> Page 20.—This work appeared at Quebec in two 12mo. volumes in 1871. Mr. -Turcotte was a French Canadian by birth and education, and connected with the -legislative library at Quebec when he died. See a favourable review of his literary -work by Mr. Faucher de Saint-Maurice, F.R.S.C., in 'Trans. Roy. Soc. Can.,' vol. i., -Sec. I.</p> -</div> - - -<p class="center p1t">B. SULTE.</p> - -<div class="footnote"> -<p><a name="Footnote_36_47" id="Footnote_36_47"></a><a href="#FNanchor_36_47"><span class="label">[36]</span></a> Page 20.—"Histoire des Canadiens-Français, 1608–1880. Origine, Histoire, -Religion, Guerres, Découvertes, Colonisation, Coutumes, Vie domestique et politique, -Développement, Avenir. Par Benjamin Sulte. Ouvrage orné de portraits et de -plans." Eight volumes, 4to., Montreal, 1882–1884. Mr. Sulte is also the author of -several poems, (See Note 40) and numerous essays and monographs of much literary -merit and historic value. He is one of the most industrious members of the Royal -Society of Canada.</p> -</div> - - -<p class="center p1t">ABBÉ CASGRAIN.</p> - -<div class="footnote"> -<p><a name="Footnote_37_48" id="Footnote_37_48"></a><a href="#FNanchor_37_48"><span class="label">[37]</span></a> Page 20.—The Abbé H. R. Casgrain's best known works are the following:</p> - -<p>"Légendes Canadiennes." Quebec, 1861, 12mo. New ed., Montreal, 1884.</p> - -<p>"Histoire de la Mère Marie de l'Incarnation, première supérieure des Ursulines -de la Nouvelle France. Précédée d'une esquisse sur l'histoire religieuse des premiers -temps de cette colonie." Quebec, 1864, 8vo. New ed., Montreal, 1886.</p> - -<p>"Guerre du Canada, 1756–1760. Montcalm et Lévis." Quebec, 1891, two volumes, -8vo.</p> - -<p>The Abbé has been a most industrious historical student, and to enumerate all -his literary efforts would be to occupy much space. He has been a principal contributor -to the 'Trans. Roy. Soc. Can.' His monographs, "Un pèlerinage au pays -d'Evangeline" (vol. iv.) and "Les Acadiens après leur dispersion" (vol. v.), are particularly -interesting, and the former has been crowned by the French Academy, and -appeared in book form at Quebec. He is very much imbued with the national spirit -and fervour of his countrymen.</p> -</div> - - -<p class="center p1t">KINGSFORD'S AND OTHER HISTORICAL WORKS.</p> - -<div class="footnote"> -<p><a name="Footnote_38_49" id="Footnote_38_49"></a><a href="#FNanchor_38_49"><span class="label">[38]</span></a> Page 20.—Six volumes of Dr. Kingsford's "History of Canada" have appeared -since 1887. Volume i. embraces the period from 1608 to 1682; vol. ii., 1679–1725; vol. -iii., 1726–1756; vol. iv., 1756–1763; vol. v., 1763–1775; vol. vi., 1776–1779. Toronto and -London, 8vo. For bibliographical notes on various works relating to the political and -general history of Canada see Bourinot's "Parliamentary Government in Canada," -'Am. Hist. Ass. Papers,' 1891, App. References are there made to McMullen, Withrow, -Murdoch, Campbell, Hincks, etc. Also 'Nar. and Crit. Hist. Am.,' viii., 171–189. -As usual, the learned editor, Dr. Winsor, supplies by his notes many deficiencies in -the text. Also, Edmond Lareau's "Histoire de la Littérature Canadienne" (Montreal), -c. 4, and Mr. J. C. Dent's "Last Forty Years; or, Canada since the Union of -1841," c. 42, on "Literature and Journalism." Among the later French Canadian -writers who are doing excellent historical work is Dr. N. E. Dionne, F.R.S.C., -author of several books on Cartier and his successors and Champlain. Mr. Hannay<span class="pagenum"><a name="Page_72" id="Page_72">72</a></span> -of St. John has written a "History of Acadia," which has been well received (St. -John, N.B., 1879, 8vo.) The Abbé Auguste Gosselin is another industrious French -Canadian writer. Mr. Joseph Tassé, whose "Canadiens de l'Ouest" (Montreal, 1878, -two volumes) was distinguished by much research and literary skill, has of late years -devoted himself mainly to politics and journalism, though he has found time to write -several essays for the 'Trans. Roy. Soc. Can.,' and a small volume, "38<sup>me</sup> Fauteuil, -ou Souvenirs Parlementaires" (Montreal, 1891), a series of political sketches, written -in excellent French. A monumental work is the "Dictionnaire Généalogique des -familles canadiennes" by Mgr. Tanguay, F.R.S.C., invaluable to students of French -Canadian history and ethnography.</p> -</div> - - -<p class="center p1t">CANADIAN BIBLIOGRAPHY.</p> - -<div class="footnote"> -<p><a name="Footnote_39_50" id="Footnote_39_50"></a><a href="#FNanchor_39_50"><span class="label">[39]</span></a> Page 20.—A bibliography of the members of the Royal Society, on the plan of -one given in the sixth volume (1892) of the 'Papers of the American Historical Association,' -is now being prepared for the eleventh volume of the 'Transactions.' It -will be much fuller necessarily than the bibliographical notes that appear in this -monograph.</p> -</div> - - -<p class="center p1t">LATER CANADIAN POETS, 1867–1893.</p> - -<div class="footnote"> -<p><a name="Footnote_40_51" id="Footnote_40_51"></a><a href="#FNanchor_40_51"><span class="label">[40]</span></a> Page 20.—Dr. Louis Fréchette's poems are admitted to be the most finished -illustrations of French poetic art yet produced in the Dominion; and one who reads -them can easily understand that "Les Fleurs Boréales" and "Les Oiseaux de -Neige" (now in the third edition, Montreal) should have been crowned by the French -Academy in 1880, and that he should have been accorded the Monthyon prize as a -matter of course. His other volumes of poems are these: "Mes Loisirs," Quebec, -1863; "La Voix d'un Exilé," Quebec, 1869; "Pêle-Mêle," Montreal, 1877; "Les -Oubliés" and "Voix d'Outre-Mer," Montreal, 1886; and "Feuilles Volantes," Montreal, -1891. His poem on the discovery of the Mississippi is probably his best sustained -effort on the whole. A number of his poems have appeared in the 'Trans. Roy. Soc. -Can.,' vols. i., ii., iii., iv. He has published some dramas and comedies (see 'Am. -Cyclopædia of Biography,' vol. ii., p. 539), which have not been as successful as his -purely poetic essays. He has also written several essays of merit in 'Harper's -Monthly' and other periodicals of the day, as well as in the 'Trans. Roy. Soc. Can.'</p> - -<p>The following is an extract from his poem on "La Découverte du Mississippi":</p> - - -<div class="center"> -<div class="poem"> -<div class="stanza"> - <div class="i0">"Tantôt je croyais voir, sous les vertes arcades,</div> - <div class="i0">Du fatal De Soto passer les cavalcades</div> - <div class="i0">En jetant au désert un défi solennel;</div> - <div class="i0">Tantôt c'était Marquette errant dans la prairie,</div> - <div class="i0">Impatient d'offrir un monde à sa patrie,</div> - <div class="i6">Et des âmes à l'Eternel.</div> -</div> - -<div class="stanza"> - <div class="i0">"Parfois, sous les taillis, ma prunelle trompée,</div> - <div class="i0">Croyait voir de La Salle étinceler l'épée,</div> - <div class="i0">Et parfois, groupe informe allant je ne sais où,</div> - <div class="i0">Devant une humble croix—ô puissance magique!—</div> - <div class="i0">De farouches guerriers á l'œil sombre et tragique</div> - <div class="i6">Passer en pliant le genou!</div> -</div> - -<div class="stanza"> - <div class="i0">"Et puis, berçant mon âme aux rêves des poètes,</div> - <div class="i0">J'entrevoyais aussi de blanches silhouettes,</div> - <div class="i0">Doux fantômes flottant dans le vague des nuits:</div> - <div class="i0">Atala, Gabriel, Chactas, Evangeline,</div> - <div class="i0">Et l'ombre de René, debout sur la colline,</div> - <div class="i6">Pleurant ses immortels ennuis.</div> -</div> - -<div class="stanza"> - <div class="i0"><span class="pagenum"><a name="Page_73" id="Page_73">73</a></span>"Et j'endormais ainsi mes souvenirs moroses....</div> - <div class="i0">Mais de ces visions poétiques et roses</div> - <div class="i0">Celle qui plus souvent venait frapper mon œil,</div> - <div class="i0">C'était, passant au loin dans un reflet de gloire,</div> - <div class="i0">Ce hardi pionnier dont notre jeune histoire</div> - <div class="i6">Redit le nom avec orgueil.</div> -</div> - -<div class="stanza"> - <div class="i0">"Jolliet! Jolliet! deux siècles de conquêtes,</div> - <div class="i0">Deux siècles sans rivaux ont passé sur nos têtes,</div> - <div class="i0">Depuis l'heure sublime où, de ta propre main,</div> - <div class="i0">Tu jetas d'un seul trait sur la carte du monde</div> - <div class="i0">Ces vastes régions, zone immense et féconde,</div> - <div class="i6">Futur grenier du genre humain!</div> -</div> - -<div class="stanza"> - <div class="i0">"Oui, deux siècles ont fui! La solitude vierge</div> - <div class="i0">N'est plus là! Du progrès le flot montant submerge</div> - <div class="i0">Les vestiges derniers d'un passé qui finit.</div> - <div class="i0">Où le désert dormait, grandit la métropole;</div> - <div class="i0">Et le fleuve asservi courbe sa large épaule</div> - <div class="i6">Sous l'arche aux piles de granit.</div> -</div> - -<div class="stanza"> - <div class="i0">"Plus de forêts sans fin: la vapeur les silonne!</div> - <div class="i0">L'astre des jours nouveaux sur tous les points rayonne;</div> - <div class="i0">L'enfant de la nature est évangélisé;</div> - <div class="i0">Le soc du laboureur fertilise la plaine;</div> - <div class="i0">Et le surplus doré de sa gerbe trop pleine</div> - <div class="i6">Nourrit le vieux monde épuisé."</div> -</div> -</div> -</div> - -<p>Mr. Pamphile LeMay, one of the best known French Canadian poets, has published -the following: "Essais Poétiques," Quebec, 1865; "La Découverte du Canada," -Quebec, 1867; "Poèmes Couronnés," Quebec, 1870; "Les Vengeances," Quebec, -1875, 1876 and 1888 (also dramatized); "Une Gerbe," Quebec, 1879. He has also -written "Fables Canadiennes," Quebec, 1882. A number of his poems have appeared -in the 'Trans. Roy. Soc. Can.,' vols i., iii., v., vi., ix. He has also written several -stories of Canadian life: "L'Affaire Sougraine," Quebec, 1884; "Le Pèlerin de Sainte-Anne," -new ed., Montreal, 1893; and "Rouge et Bleu," comedy. One of his best -works was a translation of Longfellow's "Evangeline."</p> - -<p>The following is a list of other Canadian books of poems, of varying merit, which -have appeared within a quarter of a century:</p> - -<p>"The Songs of a Wanderer." By Carroll Ryan. Ottawa, 1867. Indicated much -poetic taste, but the poet has been submerged in the busy journalist.</p> - -<p>"Songs of Life." By Rev. E. H. Dewart. Toronto, 1867. He was author of the -first collection of Canadian poems made in this country. See <i>infra</i>.</p> - -<p>"The Prophecy of Merlin and other Poems." By John Reade. Montreal, 1870. -In many respects the best sustained poems written by a Canadian can be read in -this book.</p> - -<p>"Les Laurentiennes." By Benjamin Sulte. Montreal, 1870.</p> - -<p>"Les Chants Nouveaux." By the same. Ottawa, 1880.</p> - -<p>"The Legend of the Rose." By Samuel J. Watson. Toronto, 1876. Mr. Watson -was a writer of promise who died in the maturity of his power.</p> - -<p>"The Feast of St. Anne, and other Poems." By P. S. Hamilton. Montreal, -1878; 2nd ed. 1890. Has some interest from its description of the ceremonies at the -feast of Sainte-Anne du Canada—the tutelary saint of the Canadian aborigines—which -is held by the Micmacs on the 26th day of July in each year on Chapel Island,<span class="pagenum"><a name="Page_74" id="Page_74">74</a></span> -in the beautiful Bras d'Or Lake of Cape Breton. See Bourinot's "Cape Breton."</p> - -<p>"Waifs in Verse." (Ottawa, ed. in 1878, 1887 and 1891.) By G. W. Wicksteed, -Q.C., for fifty years the able law clerk of the Canadian Commons.</p> - -<p>"A Collection of Poems." By Miss Williams of Grenville, P.Q., 1879.</p> - -<p>"The Coming of the Princess, and Other Poems." By Kate Seymour Maclean of -Kingston. 1880.</p> - -<p>"Lyrics, Songs and Sonnets." By A. H. Chandler and C. Pelham Mulvany. -Toronto, 1880.</p> - -<p>"The Times, and Other Poems." By J. R. Newell of Woodstock. 1880.</p> - -<p>"The Consolation." By George Gerrard. Montreal, 1880.</p> - -<p>"Poems of the Heart and Home." By Mrs. J. C. Yule. Toronto, 1880.</p> - -<p>"Poems, Songs and Odes." By Archibald McAlpine Taylor. Toronto, 1881.</p> - -<p>"The New Song, and Other Poems." By Mrs. W. H. Clarke. Toronto, 1883.</p> - -<p>"Zenobia. A Poem in Rhymed Heroics." By Rev. Æ. McD. Dawson, F.R.S.C. -1883.</p> - -<p>"The Mission of Love, and Other Poems." By Caris Sima. 1883.</p> - -<p>"Lorenzo, and Other Poems." By J. R. Pollock of Keswick, Ont. 1883.</p> - -<p>"Caprices Poétiques et Chansons Satiriques." Par Rémi Tremblay. -Montréal, 1883.</p> - -<p>"Les Echos." Par J. B. Routhier. Québec, 1883, 12mo. Judge Routhier is a -member of the Royal Society of Canada, in whose 'Trans.' (vol. iv., Sec. I.) appeared -"Lettre d'un Volontaire du 9<sup>ieme</sup> Voltigeurs campé à Calgary." His literary reputation -stands high among his countrymen.</p> - -<p>"Old Spookse's Pass, and Other Poems." By Isabella Valancy Crawford. Toronto, -1884.</p> - -<p>"Marguerite, and Other Poems." By George Martin. 1886.</p> - -<p>"Laura Secord: a Ballad of 1812." By Mrs. Curzon. Toronto, 1886.</p> - -<p>"Songs, Sonnets and Miscellaneous Poems." By J. Imrie. Toronto, 1886.</p> - -<p>"Dreamland, and Other Poems" (Ottawa, 1868), and "Tecumseh: a Drama" -(Toronto and London, 1886). By Charles Mair, a poet of original talent, and descriptive -power, who is now a resident of the North-west Territories.</p> - -<p>"Orion, and Other Poems" (Philadelphia, 1880), and "In Divers Tones" (Montreal, -1887). By Prof. C. G. D. Roberts, who is the best known abroad of all Canadian -poets, and represents that Canadian or national spirit which has been slowly rising -from the birth of Confederation. Since the days of Crémazie—over thirty years ago—there -are other poets who recognize the existence of a Canadian people in a large -sense—a Canadian people of two races, born and educated in the country, and having -common aspirations for a united, not an isolated, future. Prof. Roberts is now -bringing out a new volume of poems in London.</p> - -<p>The poetic taste of the Archbishop of Halifax, the Most Rev. C. O'Brien, F.R.S.C., -is well illustrated in the following volume: "Aminta: a Modern Life Drama," New -York, 1890. The Archbishop is also the author of a novel, "After Weary Years," -(Baltimore and New York, 1885), the scenes of which are laid in Rome and Canada, -and are described with much power of invention and fervour. As the author himself -says, "historic places and events are accurately described." He has, it will be seen -from his preface, great confidence in the future national greatness of the Dominion.</p> - -<p>"A Gate of Flowers." By T. O'Hagan. Toronto, 1887. He has another volume -in press.</p> - -<p>"The Masque of Minstrels, and Other Pieces, chiefly in verse." By B. W. and -A. J. Lockhart. Bangor, Me., 1887. These two brothers are Nova Scotians by birth -and education, who lived their youth in the land of Evangeline. The Gaspéreaux and -Grand Pré are naturally the constant theme of their pleasing verse.</p> - - <p><span class="pagenum"><a name="Page_75" id="Page_75">75</a></span></p> - -<p>"Among the Millet, and Other Poems." By Archibald Lampman. Ottawa, -1888. Some of Mr. Lampman's most finished sonnets have appeared in the best -American periodicals, to which he is still a frequent contributor; his work shows -the true poetic instinct. He holds a position in the Civil Service at Ottawa.</p> - -<p>"The Water Lily. An Oriental Fairy Tale." By Frank Waters. Ottawa, 1888.</p> - -<p>"De Roberval: a Drama. Also the Emigration of the Fairies, and the Triumph -of Constancy: a Romaunt." By John Hunter Duvar. St. John, N.B., 1888. Mr. -Duvar, who has fine literary tastes, has been a resident of Prince Edward Island -for some years.</p> - -<p>"The Epic of the Dawn, and Other Poems." By Nicholas Flood Davin. Regina, -N.W.T., 1889. Mr. Davin is the clever "Irishman in Canada," and while the most -pretentious of his poems in this little book were written across the ocean, others are -the product of Canadian thought and sentiment.</p> - -<p>"Lake Lyrics, and Other Poems." By W. Wilfred Campbell. St. John, N.B., -1889. Mr. Campbell, who was originally a clergyman of the Church of England, is -now in the public service at Ottawa, and has written some of his best poems for -American magazines. One on "The Mother," in 'Harper's Monthly' is full of poetic -thought and deep pathos, and should be better known by Canadians than it appears -to be. At this time of writing his new volume of poems entitled "The Dread Voyage" -(Toronto, 1893), has appeared; it sustains his reputation, though one can hardly encourage -his effort to imitate Tennyson in such poems as "Sir Lancelot." Canadian -poets too frequently are imitative rather than original. Mr. Campbell's verses on -the varied scenery of the lakes of the West show the artistic temperament.</p> - -<p>For instance:</p> - -<div class="center"> -<div class="poem"> -<div class="stanza"> - <div class="i0">"Domed with the azure of heaven,</div> - <div class="i2">Floored with a pavement of pearl,</div> - <div class="i0">Clothed all about with a brightness</div> - <div class="i2">Soft as the eyes of a girl.</div> -</div> - -<div class="stanza"> - <div class="i0">"Girt with a magical girdle,</div> - <div class="i2">Rimmed with a vapour of rest—</div> - <div class="i0">These are the inland waters,</div> - <div class="i2">These are the Lakes of the West."</div> -</div> -</div> -</div> - -<p class="center in0 p1t">ON THE LEDGE.</p> - -<div class="center"> -<div class="poem"> -<div class="stanza"> - <div class="i0">"I lie out here on a ledge, with the surf on the rocks below me,</div> - <div class="i0">The hazy sunlight above and the whispering forest behind;</div> - <div class="i0">I lie and listen, O lake, to the legends and songs you throw me,</div> - <div class="i0">Out of the murmurous moods of your multitudinous mind.</div> -</div> - -<div class="stanza"> - <div class="i0">"I lie and listen, a sound like voices of distant thunder,</div> - <div class="i0">The roar and throb of your life in your rock-wall's mighty cells;</div> - <div class="i0">Then after a softer voice that comes from the beaches under,</div> - <div class="i0">A chiming of waves on rocks, a laughter of silver bells.</div> -</div> - -<div class="stanza"> - <div class="i0">"A glimmer of bird-like boats, that loom from the far horizon;</div> - <div class="i0">That scud and tack and dip under the gray and the blue;</div> - <div class="i0">A single gull that floats and skims the waters, and flies on,</div> - <div class="i0">Till she is lost like a dream in the haze of the distance, too.</div> -</div> - -<div class="stanza"> - <div class="i0"><span class="pagenum"><a name="Page_76" id="Page_76">76</a></span>"A steamer that rises a smoke, then after a tall, dark funnel,</div> - <div class="i0">That moves like a shadow across your water and sky's gray edge;</div> - <div class="i0">A dull, hard beat of a wave that diggeth himself a tunnel,</div> - <div class="i0">Down in the crevices dark under my limestone ledge.</div> -</div> - -<div class="stanza"> - <div class="i0">"And here I lie on my ledge, and listen the songs you sing me,</div> - <div class="i0">Songs of vapour and blue, songs of island and shore;</div> - <div class="i0">And strange and glad are the hopes and sweet are the thoughts you bring me</div> - <div class="i0">Out of the throbbing depths and wells of your heart's great store."</div> -</div> -</div> -</div> - -<p>"Pine, Rose and Fleur-de-Lis." By S. Frances Harrison ("Seranus"). Toronto, -1891.</p> - -<p>"Songs, Lyrical and Dramatic." By John Henry Brown. Ottawa, 1892, 12mo. -The New York 'Nation' truly says of this new poetic aspirant that he has Walt -Whitman's tendencies, but nevertheless he "writes in a generous spirit, and may -yet have thoughts and expression all his own." The fact is, I repeat, most Canadian -poets are too imitative and too rarely original.</p> - -<p>"Tendres Choses. Poésies Canadiennes." By Dr. R. Chevrier. Montreal, 1892, -12mo. That an author unknown to fame should give us his portrait, as in this case, -is perplexing. Still the verse is frequently melodious, though it represents what is -a feature of French poetry, melodious rhythm, rather than strength and thought.</p> - -<p>"This Canada of Ours, and Other Poems." By J. D. Edgar, M.P., Toronto, 1893. -This little volume contains "The White Stone Canoe: a Legend of the Ottawas," -which had been published in separate form some years previously. His French and -Latin translations are full of taste.</p> - -<p>"Les Perce-Neige, premières poésies." By Napoléon Legendre. Montreal, 12mo. -He is a member of the Royal Society of Canada, and constant contributor (generally -in prose) to its 'Transactions.'</p> - -<p>"Mes Rimes." By Elzéar Labelle. Montreal, 1886, 8vo.</p> - -<p>Selections of Canadian poems have appeared of recent years in the following publications:</p> - -<p>1. "Selections from Canadian Poets: with occasional critical and biographical -notes and an introductory essay on Canadian poetry." By the Rev. E. H. Dewart. -Montreal, 1864, 8vo.</p> - -<p>2. "Songs of the Great Dominion: Voices from the Forests and Waters, the -Settlements and Cities of Canada." Selected and edited by W. D. Lighthall, M.A., -of Montreal. London, 1889, 12mo.</p> - -<p>3. "Younger American Poets, 1830–1890." Edited by Douglas Sladen, B.A., Oxon. -With an Appendix of Younger Canadian Poets. Edited by G. B. Roberts of St. John, -N.B. New York, 1891, 12mo.</p> - -<p>4. "Later Canadian Poems." Edited by J. E. Wetherell, B.A. Toronto, 1893.</p> - -<p>In the first mentioned work, which is judiciously edited, the poets until 1864 -obtain a place. In the three other books we have selections from John Reade, Geo. -Frederick Cameron, Prof. Roberts, Bliss Carman (now a resident of the United -States), A. H. Chandler, Isabella Valancy Crawford, Mrs. Leprohon, Hereward K. -Cockin, John Hunter Duvar, Rev. A. W. H. Eaton, Louis Fréchette, James Hannay, -Sophie M. Hensley, Charles Sangster, M. Richey Knight, Archibald Lampman, -W. D. Lighthall, A. J. Lockhart, B. W. Lockhart, Agnes Maude Machar ("Fidelis"), -W. McLennan, Charles Mair, Mary Morgan ("Gowan Lea"), Charles P. Mulvany, -Rev. F. G. Scott, Philip Stewart, H. R. A. Pocock, Barry Stratton, A. Weir, Mary<span class="pagenum"><a name="Page_77" id="Page_77">77</a></span> -Barry Smith, John T. Lespérance ("Laclède"), W. Wye Smith, Ethelwyn Wetherald, -John E. Logan ("Barry Dane"), George Martin, Mrs. Harrison ("Seranus"), -D. Campbell Scott, James D. Edgar, E. Pauline Johnson, George Murray, William -Kirby, Annie Rothwell, W. A. Sherwood, Isidore G. Ascher, P. J. O. Chauveau, -B. Sulte, P. LeMay, and others. I enumerate these names to show how many Canadians -have ventured upon the field of poesy despite the practical realities of life in -this relatively new country. The selections in the second of these works would -have been more valuable had they contained "Our Fathers" by Joseph Howe—the -most spirited poem in some respects ever written by a native Canadian. To the -names of poetic aspirants, too, must be added those of M. J. Katzmann and of M. J. -Griffin, whose fugitive pieces have attracted notice. Mr. Griffin has fine literary -tastes and his few poems, only the relaxation of leisure hours, show he might win -fame in this delightful department of letters. The reader will obtain some idea -of the standard of Canadian poetry by reading the selections, and should not be carried -away by the too obvious enthusiasm that has at times stifled the critical -faculty in the editors. The poetic genius of Canadians is to be stimulated, not by -sentimental gush, but by a judicious criticism that is not sufficiently cultivated by -our writers who review the efforts of our poets, historians and essayists. These -remarks also apply to such articles as that by the late Mr. Lespérance on "The -Poets of Canada" in 'Trans. Roy. Soc. Can.,' vol. ii., Sec. II.</p> - -<p>Mr. Evan McColl, F.R.S.C., is the Gaelic poet of Canada. Three editions have -appeared of the "Clàrsach nam Beann," which was printed as far back as 1838 in -Glasgow. The same was also published in English in the same year, under the -title of "The Mountain Minstrel," of which six editions have been printed. In 1883 -he published in Toronto "Poems and Songs chiefly written in Canada." Mr. McColl -is a great favourite among his Scotch countrymen everywhere; but his decidedly -original poetic genius, rude and wild as it is at times, is not a Canadian product, for -he was born at Kenmore, Lochfyne-Side, Scotland, in 1808, and it was not until he -was forty years of age that he made Canada his home. He is now a resident of -Toronto, and still comes to the annual meetings of the Royal Society, of which he -was one of the original members.</p> -</div> - - -<div class="footnote"> -<p class="p1t"><a name="Footnote_41_52" id="Footnote_41_52"></a><a href="#FNanchor_41_52"><span class="label">[41]</span></a> Page 21.—"IN MY HEART." <span class="smcap">By John Reade.</span></p> - -<div class="center"> -<div class="poem"> -<div class="stanza"> - <div class="i0">"In my heart are many chambers through which I wander free;</div> - <div class="i0">Some are furnished, some are empty, some are sombre, some are light;</div> - <div class="i0">Some are open to all comers, and of some I keep the key,</div> - <div class="i0">And I enter in the stillness of the night.</div> -</div> - -<div class="stanza"> - <div class="i0">"But there's one I never enter—it is closed to even me!</div> - <div class="i0">Only once its door was opened, and it shut for evermore;</div> - <div class="i0">And though sounds of many voices gather round it like a sea,</div> - <div class="i0">It is silent, ever silent, as the shore.</div> -</div> - -<div class="stanza"> - <div class="i0">"In that chamber, long ago, my love's casket was concealed,</div> - <div class="i0">And the jewel that it sheltered I knew only one could win:</div> - <div class="i0">And my soul foreboded sorrow, should that jewel be revealed,</div> - <div class="i0">And I almost hoped that none might enter in.</div> -</div> - -<div class="stanza"> - <div class="i0">"Yet day and night I lingered by that fatal chamber door,</div> - <div class="i0">Till—she came at last my darling one, of all the earth my own;</div> - <div class="i0">And she entered—then she vanished with my jewel which she wore;</div> - <div class="i0">And the door was closed—and I was left alone.</div> -</div> - -<div class="stanza"> - <div class="i0"><span class="pagenum"><a name="Page_78" id="Page_78">78</a></span>"She gave me back no jewel, but the spirit of her eyes</div> - <div class="i0">Shone with tenderness a moment, as she closed that chamber door,</div> - <div class="i0">And the memory of that moment is all I have to prize—</div> - <div class="i0">But <i>that</i>, <i>at least</i>, is mine for evermore.</div> -</div> - -<div class="stanza"> - <div class="i0">"Was she conscious, when she took it, that the jewel was my love?</div> - <div class="i0">Did she think it but a bauble she might wear or toss aside?</div> - <div class="i0">I know not, I accuse not, but I hope that it may prove</div> - <div class="i0">A blessing, though she spurn it in her pride."</div> -</div> -</div> -</div> -</div> - - -<p class="center p1t">LAURA SECORD'S WARNING.</p> - -<div class="footnote"> -<p><a name="Footnote_41A_53" id="Footnote_41A_53"></a><a href="#FNanchor_41A_53"><span class="label">[41<i>a</i>]</span></a> Page 24.—In Mrs. Edgar's excellent annotations to the Ridout Letters in -"Ten Years of Upper Canada in Peace and War, 1805–1815," (Toronto, 1890), appears -the following account of a courageous woman's exploit which brought disaster to -the Americans soon after their defeat at Stoney Creek:</p> - -<p>"At a place called Beaver Dams, or Beechwoods, (about twelve miles in a direct -road from Queenstown), where is now the town of Thorold, was a depot for provisions -for the Canadian troops, guarded by a detachment of thirty of the 49th regiment -under Lieutenant Fitzgibbon with some Indians and militia, in all about 200 -men. In order to surprise and dislodge this outpost, an American force of 500 men, -with fifty cavalry and two field-pieces, under Colonel Boerstler, set out from Fort -George (Niagara) on the 23rd of June [1813]. A surprise was meditated, in retaliation, -no doubt, for the affair of Stoney Creek. Laura Secord, wife of a Canadian farmer, -who had been wounded in the battle of Queenstown Heights, accidentally heard of -the designs of the Americans, and determined to give the outpost timely warning. -She set out alone before day-break, on the 23rd June, from her house at Queenstown, -and arrived at Fitzgibbon's headquarters, a stone house known as DeCew's, near the -Beaver Dams, at sunset of the same day. On account of the American sentries and -outposts, she had to avoid the high roads and beaten paths, thus making her toilsome -journey nearly twice as long. In spite of weakness and fatigue, this heroic -woman went on her way through pathless woods, over hill and dale and unbridged -streams, till she reached her destination. Her warning came just in time. Lieutenant -Fitzgibbon disposed of his little force to the best advantage possible, placing -them in ambush on both sides of the road, and taking every precaution to make it -appear that he had a large force in reserve. Between eight and nine in the morning -of the 24th June, the advance guard of the American riflemen appeared. A volley -from the woods received them and emptied their saddles. Soon firing came from all -directions, and bugle calls, and Indian yells. The bewildered Americans imagined -themselves in the presence of a much superior force. Finding that his men were -losing heavily from the fire of the unseen foe, and that they were suffering from -fatigue and heat, he consented to surrender. By the capitulation 542 men, 2 field-pieces, -some ammunition waggons, and the colours of the 14th U.S. regiment were -delivered over to the Canadians. For this brilliant achievement Lieutenant Fitzgibbon -[afterwards a military knight of Windsor] received his Company and a Captain's -commission. As to Laura Secord, her reward has come to her in fame. The -heroine lived until the year 1868, and sleeps now in that old cemetery at Drummondville, -where lie so many of our brave soldiers. There is no 'Decoration Day' in -Canada, but if there were, surely this woman is entitled to the laurel wreath." -Pp. 198–201.</p> -</div> - - - <p><span class="pagenum"><a name="Page_79" id="Page_79">79</a></span></p> - -<p class="center p1t">AUSTRALIAN POETS AND NOVELISTS.</p> - -<div class="footnote"> -<p><a name="Footnote_42_54" id="Footnote_42_54"></a><a href="#FNanchor_42_54"><span class="label">[42]</span></a> Page 25.—The Canadian reader can profitably and easily compare his own -poets with those of Australia by reading Slade's "Australian Poets, 1788–1883, being -a selection of poems upon all subjects written in Australia and New Zealand during -the first century of the British colonization, with brief notes on their authors, etc." -(London and Sydney, 1889.) It will be seen, however, that nearly all the so-called -"Australian" poets are English born, while with one or two exceptions, those of -Canada best known to fame are the product of Canadian life and thought. Henry -Clarence Kendall, "the poet of New South Wales," was born at Ulladulla, on the -coast of that colony, in 1842. He is the one Australian poet of reputation, except his -forerunner, Charles Harpur, who was actually born under the Southern Cross. -Kendall's verses on "Coogee," a striking natural feature of Australian scenery, -show true poetic instinct and rhythmical ease:</p> - -<div class="center"> -<div class="poem"> -<div class="stanza"> - <div class="i0">"Sing the song of wave-worn Coogee-Coogee in the distance white,</div> - <div class="i0">With its jags and points disrupted, gaps and fractures fringed with light;</div> - <div class="i0">Haunt of gledes and restless plovers of the melancholy wail,</div> - <div class="i0">Ever lending deeper pathos to the melancholy gale.</div> - <div class="i0">There, my brothers, down the fissures, chasms deep and wan and wild,</div> - <div class="i0">Grows the sea-bloom, one that blushes like a shrinking, fair, blind child,</div> - <div class="i0">And amongst the oozing forelands many a glad green rockvine runs,</div> - <div class="i0">Getting ease on earthy ledges sheltered from December suns."</div> -</div> -</div> -</div> - -<p>But among the many spirited poems written in Australia since its settlement -not one can equal the "Sick Stock-rider," by Adam Lindsay Gordon, who came to -South Australia in his early manhood, and attempted sheep-farming, with the -result of "owning nothing but a love for horsemanship and a head full of Browning -and Shelley." This is a quotation from an introduction to his book by Marcus -Clarke, himself a novelist and poet. One can see in the mind's eye the scenes described -in the following verses, so full of real life and genuine poetry:</p> - -<div class="center"> -<div class="poem"> -<div class="stanza"> - <div class="i0">"'Twas merry in the glowing morn, among the gleaming grass,</div> - <div class="i2">To wander as we've wandered many a mile,</div> - <div class="i0">And blow the cool tobacco cloud and watch the white wreaths pass,</div> - <div class="i2">Sitting loosely in the saddle all the while;</div> - <div class="i0">'Twas merry 'mid the backwoods, when we spied the station roofs,</div> - <div class="i2">To wheel the wild scrub cattle at the yard,</div> - <div class="i0">With a running fire of stockwhips and a fiery run of hoofs.</div> - <div class="i2">Oh! the hardest day was never then too hard!</div> -</div> - -<div class="stanza"> - <div class="i0">"Aye! we had a glorious gallop after 'Starlight' and his gang,</div> - <div class="i2">When they bolted from Sylvester's on the flat;</div> - <div class="i0">How the sun-dried reed-beds crackled, how the flint-strewn ranges rang</div> - <div class="i2">To the strokes of 'Mountaineer' and 'Acrobat';</div> - <div class="i0">Hard behind them in the timber, harder still across the heath,</div> - <div class="i2">Close behind them through the tea-tree scrub we dashed;</div> - <div class="i0">And the golden-tinted fern-leaves, how they rustled underneath!</div> - <div class="i2">And the honeysuckle osiers, how they crash'd!"</div> -</div> -</div> -</div> - -<p>The best known novels of Australian life are these: "For the Term of His Natural -Life," by Marcus Clarke, who was an Englishman born and educated; "The Miner's -Right," "The Squatter's Dream," "A Colonial Reformer," and "Robbery Under -Arms," by Thomas A. Browne ("Rolf Boldrewood"), who was also English born:<span class="pagenum"><a name="Page_80" id="Page_80">80</a></span> -"Uncle Piper of Piper's Hill," by Madame Couvreur ("Tasma"), who is of Belgian -descent, and is now a resident of Belgium, though she was born in Australia and -there studied its social conditions; "The Australian Girl" and "A Silent Sea," by -Mrs. Alick McLeod. Mrs. Campbell Praed, who is colonial born, has, in addition -to several novels, written "Australian Life," which is described by Sir Charles Dilke -("Problems of Greater Britain," i., 374) as "a vivid autobiographical picture of the -early days of Queensland." Copies of these and other Australian books the writer -owes to the thoughtfulness of Chief Justice Way, D.C.L., Oxon., of Adelaide, South -Australia. For many years he has been the recipient of these graceful attentions -from friends in that fair land of the Southern Cross, and though it looks very much -as if he will never meet some of them face to face—for the time is passing rapidly -with us all—he takes this opportunity of now sending them his thanks across the -seas.</p> -</div> - - -<p class="center p1t">HOWE'S "FLAG OF OLD ENGLAND."</p> - -<div class="footnote"> -<p><a name="Footnote_43_55" id="Footnote_43_55"></a><a href="#FNanchor_43_55"><span class="label">[43]</span></a> Page 26.—This spirited song was written for the one hundredth anniversary of -the landing of Lord Cornwallis at Halifax. As many persons in old Canada do not -know it—for it is not reproduced in recent collections of Canadian poems—I give it in -full for the benefit of the youth of this Dominion, on whom the future destiny of -the country depends:</p> - -<div class="center"> -<div class="poem"> -<div class="stanza"> - <div class="i0">"All hail to the day when the Britons came over,</div> - <div class="i2">And planted their standard with sea-foam still wet,</div> - <div class="i0">Around and above us their spirits will hover,</div> - <div class="i2">Rejoicing to mark how we honour it yet.</div> - <div class="i0">Beneath it the emblems they cherished are waving,</div> - <div class="i2">The Rose of Old England the roadside perfumes;</div> - <div class="i0">The Shamrock and Thistle the north winds are braving,</div> - <div class="i2">Securely the Mayflower blushes and blooms.</div> -</div> - -<div class="stanza"> - <div class="i25"><span class="smcap">Chorus.</span></div> - - <div class="i8">"Hail to the day when the Britons came over,</div> - <div class="i10">And planted their standard with sea-foam still wet,</div> - <div class="i8">Around and above us their spirits will hover,</div> - <div class="i10">Rejoicing to mark how we honour it yet.</div> - <div class="i12">We'll honour it yet, we'll honour it yet,</div> - <div class="i12">The flag of Old England! we'll honour it yet.</div> -</div> - -<div class="stanza"> - <div class="i0">"In the temples they founded their faith is maintained,</div> - <div class="i2">Every foot of the soil they bequeathed is still ours,</div> - <div class="i0">The graves where they moulder no foe has profaned,</div> - <div class="i2">But we wreathe them with verdure, and strew them with flowers!</div> - <div class="i0">The blood of no brother, in civil strife pour'd,</div> - <div class="i2">In this hour of rejoicing, encumbers our souls!</div> - <div class="i0">The frontier's the field for the Patriot's sword,</div> - <div class="i2">And cursed be the weapon that Faction controls!</div> -</div> - -<div class="stanza"> -<div class="i10"><span class="smcap">Chorus</span>—"Hail to the day, etc.</div> -</div> - -<div class="stanza"> - <div class="i0">"Then hail to the day! 'tis with memories crowded,</div> - <div class="i2">Delightful to trace 'midst the mists of the past,</div> - <div class="i0">Like the features of Beauty, bewitchingly shrouded,</div> - <div class="i2">They shine through the shadows Time o'er them has cast.</div> - <div class="i0"><span class="pagenum"><a name="Page_81" id="Page_81">81</a></span>As travellers track to its source in the mountains</div> - <div class="i2">The stream which, far swelling, expands o'er the plains,</div> - <div class="i0">Our hearts, on this day, fondly turn to the fountains</div> - <div class="i2">Whence flow the warm currents that bound in our veins.</div> -</div> - -<div class="stanza"> -<div class="i10"><span class="smcap">Chorus</span>—"Hail to the day, etc.</div> -</div> - -<div class="stanza"> - <div class="i0">"And proudly we trace them: no warrior flying</div> - <div class="i2">From city assaulted, and fanes overthrown,</div> - <div class="i0">With the last of his race on the battlements dying,</div> - <div class="i2">And weary with wandering, founded our own.</div> - <div class="i0">From the Queen of the Islands, then famous in story,</div> - <div class="i2">A century since, our brave forefathers came,</div> - <div class="i0">And our kindred yet fill the wide world with her glory,</div> - <div class="i2">Enlarging her Empire and spreading her name.</div> -</div> - -<div class="stanza"> -<div class="i10"><span class="smcap">Chorus</span>—"Hail to the day, etc.</div> -</div> - -<div class="stanza"> - <div class="i0">"Ev'ry flash of her genius our pathway enlightens—</div> - <div class="i2">Ev'ry field she explores we are beckoned to tread—</div> - <div class="i0">Each laurel she gathers our future day brightens—</div> - <div class="i2">We joy with her living, and mourn for her dead.</div> - <div class="i0">Then hail to the day when the Britons came over,</div> - <div class="i2">And planted their standard, with sea-foam still wet,</div> - <div class="i0">Above and around us their spirits shall hover,</div> - <div class="i2">Rejoicing to mark how we honour it yet.</div> -</div> - -<div class="stanza"> -<div class="i10"><span class="smcap">Chorus</span>—"Hail to the day," etc.</div> -</div> -</div> -</div> - -</div> - - -<p class="center p1t">ESSAYISTS.</p> - -<div class="footnote"> -<p><a name="Footnote_44_56" id="Footnote_44_56"></a><a href="#FNanchor_44_56"><span class="label">[44]</span></a> Page 27.—The principal contributors to the English and American periodical -press of late years have been George Stewart of Quebec, Principal Grant, J. G. Bourinot, -Martin J. Griffin, W. D. LeSueur, G. M. Dawson, S. E. Dawson, Arnold -Haultain, John Reade, J. M. Oxley and Sir W. Dawson. Dr. Stewart of Quebec, -despite the demands of journalism, has been always a most earnest literary worker, -foremost by his own contributions and by his efforts to encourage the labours of -others in the too indifferent little Canadian world. Goldwin Smith has always been -a contributor of note, but he is rather an English than a Canadian writer. Among -the names of the French Canadian general writers are those of Fréchette, Sulte, -Marmette, Faucher de Saint-Maurice, J. Tassé, DeCelles, Dionne, Casgrain and -LeMoine; but their efforts have been confined as a rule to the numerous French -Canadian periodicals which have appeared for the last thirty years, and after a -short career died for want of adequate support. In the numerous periodicals of -England and the United States English Canadian writers have great advantages -over French Canadians, who are practically limited to their own country, since -France offers few opportunities for such literary work.</p> -</div> - - -<p class="center p1t">WILLIAM KIRBY'S WORKS AND OTHER ROMANCES BY CANADIANS.</p> - -<div class="footnote"> -<p><a name="Footnote_45_57" id="Footnote_45_57"></a><a href="#FNanchor_45_57"><span class="label">[45]</span></a> Page 27.—"The Golden Dog: a Legend of Quebec." New York and Montreal, -1877, 8vo. Also translated by Pamphile LeMay, the French Canadian poet, -Montreal, 1884. Mr. Kirby is also the author of several poems of merit: "The -U. E.: a Tale of Upper Canada. A Poem in XII. Cantos." Niagara, 1859, 12mo.<span class="pagenum"><a name="Page_82" id="Page_82">82</a></span> -"Canadian Idylls," Toronto, 1878, etc. He was born in England in 1817, but came to -Canada at the early age of fifteen. He was one of the original members of the Royal -Society of Canada.</p> - -<p>Mr. Lespérance, F.R.S.C., was the author of the "Bastonnais" and other historical -romances of some ability, but not of that high order of merit which gives a permanent -reputation. The Hon. L. Seth Huntington, long known in Canadian political -life, was the author of a semi-political novel, "Professor Conant" (Toronto, 1884), -which had its merits, but it fell practically still-born from the press. Many other -efforts have been made in the same branch of literature, but the performance, as -stated in the text, has not been equal to the ambition that prompted the experiment.</p> -</div> - - -<p class="center p1t">MAJOR RICHARDSON.</p> - -<div class="footnote"> -<p><a name="Footnote_45A_58" id="Footnote_45A_58"></a><a href="#FNanchor_45A_58"><span class="label">[45<i>a</i>]</span></a> Page 27.—Major Richardson was born at Niagara Falls in 1797, and educated -at Amherstburg, U.C., where some of the scenes of "Wacousta" are laid. He served -in the war of 1812, in the West Indies and in Spain, where he belonged to the British -legion. He came back to Canada in 1838, and was for years connected with the -press. He wrote a number of novels and short histories of Canadian events, but -they are now all forgotten. His historical narrative is not generally trustworthy, -while his later romances never even came up to the merit of "Wacousta." He died in -obscurity some time after 1854—I cannot find the exact year—in the United States, -where he attempted to continue a career of literature.</p> -</div> - - -<p class="center p1t">MARMETTE.</p> - -<div class="footnote"> -<p><a name="Footnote_46_59" id="Footnote_46_59"></a><a href="#FNanchor_46_59"><span class="label">[46]</span></a> Page 27.—Mr. Joseph Marmette, F.R.S.C., is the author of several works of -fiction, viz.:</p> - -<p>"François de Bienville. Roman historique." 1<sup>ere</sup> ed., Québec, 1870; 2<sup>e</sup> ed., -Montréal, 1882.</p> - -<p>"L'Intendant Bigot. Roman historique." Montréal, 1872.</p> - -<p>"Le Chevalier de Mornac. Roman historique." Montréal, 1873.</p> - -<p>"La Fiancée du Rebelle. Roman historique." Published in 'La Revue Canadienne,' -Montreal, 1875.</p> -</div> - - -<p class="center p1t">DE GASPÉ'S WORKS.</p> - -<div class="footnote"> -<p><a name="Footnote_47_60" id="Footnote_47_60"></a><a href="#FNanchor_47_60"><span class="label">[47]</span></a> Page 27.—"Les Anciens Canadiens." By Philippe Aubert de Gaspé. Quebec, -1863, 8vo.</p> - -<p> -Several translations have appeared since 1863. That by Prof. Roberts (New -York, Appleton & Co., 1890) omits the notes and addenda, which, if not interesting -to the general reader, have much value for the historical student. Sulte's "Histoire -des Canadiens," vol. vi., contains a portrait of the old French Canadian novelist. He -also wrote "Mémoires" (Ottawa, 1886, 8vo.), which have also much historic value -on account of their fidelity and simplicity of narrative.</p> -</div> - - -<p class="center p1t">MRS. CATHERWOOD.</p> - -<div class="footnote"> -<p><a name="Footnote_48_61" id="Footnote_48_61"></a><a href="#FNanchor_48_61"><span class="label">[48]</span></a> Page 28.—Mrs. Mary Hartwell Catherwood, whose home is in Hoopeston, -Ill., has so far written and published the following admirable romances of the old -days of New France and Acadie:</p> - -<p>"The Romance of Dollard." Illustrated. New York, 1889, 12mo.</p> - -<p>"The Story of Tonty." Illustrated. Chicago, 1890, 16mo.</p> - -<p>"The Lady of Fort St. John." Boston and New York, 1891, 16mo.</p> - -<p>"Old Kaskaskia: An Historical Novel of Early Illinois." Boston and New York, -1893, 16mo.</p> - - <p><span class="pagenum"><a name="Page_83" id="Page_83">83</a></span></p> - -<p>She has now commenced in 'The Century' Magazine a new romance with the -title, "The White Islander," a story of old Fort Michillimackinac, and in 'The -Atlantic Monthly' another story, "The Chase of Saint Castin." Her romances are -never long, but bear the impress of close study of the subject and of much careful -writing.</p> -</div> - - -<p class="center p1t">GILBERT PARKER.</p> - -<div class="footnote"> -<p><a name="Footnote_49_62" id="Footnote_49_62"></a><a href="#FNanchor_49_62"><span class="label">[49]</span></a> Page 28.—He is a most industrious worker in various branches of literature -in London. After a residence of a few years in Australia, where he was connected -with the Sydney press, he went to England, where he wrote many sketches of Australian -life which were well received. Recently he has been studying the interesting -phases of French Canadian and Northwest life, and has produced, among other -stories, "The Chief Factor," the principal scenes of which are laid in the great territories -of the Dominion before they were opened up to the farmer, the rancher and -the railway.</p> -</div> - - -<p class="center p1t">DE MILLE'S WORKS.</p> - -<div class="footnote"> -<p><a name="Footnote_50_63" id="Footnote_50_63"></a><a href="#FNanchor_50_63"><span class="label">[50]</span></a> Page 29.—James De Mille was a native of New Brunswick, and a professor -in Dalhousie College, N. S., at the time of his death. His first work of fiction was -"Helena's Household: a Tale of Rome in the First Century" (New York, 1858). His -most popular works, "The Dodge Club Abroad" (1866), "Cord and Creese" (1867), -"The Cryptogram" (1871), and "A Castle in Spain" (1883), first appeared in 'Harper's -Monthly.' A strange, imaginative work, "A Curious MS. Found in a Copper Cylinder," -was published in New York in 1888, and is understood to have been written by -him. It was not until Rider Haggard's fiction became popular that the New York -publishers ventured to print a book which so severely taxes the credulity of the -reader. As a work of pure invention it is in some respects superior to those of the -English author. Mr. De Mille died in 1880, at the age of 43, when much was expected -of him. See Appleton's "Cyclo. Am. Biogr.," ii., 138, for a list of his published works -except the one just mentioned.</p> -</div> - - -<p class="center p1t">SARA JEANNETTE DUNCAN.</p> - -<div class="footnote"> -<p><a name="Footnote_51_64" id="Footnote_51_64"></a><a href="#FNanchor_51_64"><span class="label">[51]</span></a> Page 29.—She is the author of three books. "A Social Departure" and -"An American Girl in London" have had many readers and are full of promise. -Miss Duncan, in company with another young lady, in 1889–90, went around the -world, and made numerous contributions to the press of Canada during that tour, -but its noteworthy result is the first mentioned volume. She is now married and a -resident of India, whose striking aspects of social life she is studying and portraying -in print. Her latest story, or rather sketch, of Indian customs, "The Simple Adventures -of a Memsahib" (New York, 1893), has many touches of quiet humour. One -must regret that her talent has not been directed to the incidents of Canadian life.</p> -</div> - - -<p class="center p1t">MATTHEW ARNOLD ON LITERATURE AND SCIENCE.</p> - -<div class="footnote"> -<p><a name="Footnote_52_65" id="Footnote_52_65"></a><a href="#FNanchor_52_65"><span class="label">[52]</span></a> Page 31.—The extract given in the text is taken from "Literature and -Science," one of Mr. Matthew Arnold's "Discourses in America," published in book -form in London, 1885. See pp. 90–92.</p> -</div> - - -<p class="center p1t">PRINCIPAL GRANT'S ADDRESS.</p> - -<div class="footnote"> -<p><a name="Footnote_53_66" id="Footnote_53_66"></a><a href="#FNanchor_53_66"><span class="label">[53]</span></a> Page 32.—This address to the Royal Society of Canada, to which reference is -made in the text, is given in the ninth volume of the 'Transactions,' pp. xxxix-xl. -Dr. Grant could never be uninteresting, but the address shows his ideas can now<span class="pagenum"><a name="Page_84" id="Page_84">84</a></span> -and then be a little chaotic or enigmatic. It is quite evident he has never studied -with much care the volumes of the 'Transactions,' or comprehended the useful work -the Society is doing in its own way. Never an active member himself, he has not -done adequate justice to those who have been at all events conscientious labourers in -the vineyard where he has planted no seed.</p> -</div> - - -<p class="center p1t">SIR J. W. DAWSON.</p> - -<div class="footnote"> -<p><a name="Footnote_54_67" id="Footnote_54_67"></a><a href="#FNanchor_54_67"><span class="label">[54]</span></a> Page 32.—This distinguished scientific man is a Nova Scotian by birth, who, -before he became so closely identified with the prosperity of McGill College at Montreal -as its principal, was superintendent of education in his native province. His -scientific works are numerous, but the one which first brought him fame was his -"Acadian Geology: an Account of the Geological Structure and Mineral Resources -of Nova Scotia and Portions of the Neighbouring Provinces of British America" -(Edinburgh and London, 1855, 8vo.), which has run through many editions, and is -now a very large volume compared with the little modest book that first ventured -into the world of literature nearly forty years ago.</p> -</div> - - -<p class="center p1t">MR. BILLINGS.</p> - -<div class="footnote"> -<p><a name="Footnote_55_68" id="Footnote_55_68"></a><a href="#FNanchor_55_68"><span class="label">[55]</span></a> Page 33.—He was born on his father's farm, in the township of Gloucester, -near Ottawa. A bibliography, evidently prepared by his own hand, is to be found -in "Bibliotheca Canadensis," pp. 31–34. His most important memoirs are on the -third and fourth Decades and the Palæozoic fossils of the Canadian Geological -Survey, in which nearly all the genera and species of the fossils there described were -discovered by himself.</p> -</div> - - -<p class="center p1t">ORIGIN OF THE ROYAL SOCIETY OF CANADA.</p> - -<div class="footnote"> -<p><a name="Footnote_56_69" id="Footnote_56_69"></a><a href="#FNanchor_56_69"><span class="label">[56]</span></a> Page 33.—The first volume of the 'Trans. Roy. Soc. Can.' (1882–83), pp. i-lxxiv., -contains an account of the proceedings before and after the foundation of the Society, -with the addresses in full of the Marquess of Lorne and of the first President and -Vice-President of the body. On the occasion of the Montreal meeting, 1891, a handbook -was largely circulated by the Citizens' Committee with the view of giving information -of the object and work of the Society. It was written by Mr. John Reade, -F.R.S.C., and contains a succinct history of the origin and operations of the body -until May, 1891. It contains plans of McGill College grounds and of Montreal in 1759, -and sketches of the old Seminary towers, St. Gabriel-street church, St. Ann's, besides -some interesting facts relating to Montreal's historic places.</p> -</div> - - -<p class="center p1t">SIR D. WILSON, T. S. HUNT AND MR. CHAUVEAU.</p> - -<div class="footnote"> -<p><a name="Footnote_57_70" id="Footnote_57_70"></a><a href="#FNanchor_57_70"><span class="label">[57]</span></a> Page 34.—Dr. Kingsford has given a paper, "In Memoriam, on Sir Daniel -Wilson" ('Trans. Roy. Soc. Can.,' vol. xi.) in which he briefly reviews the excellent -literary work and the wide culture of that eminent man. In volume ix. of the -'Trans.,' Sec. I., pp. 53–58, there is a well-written paper on the late Mr. Chauveau, by -his successor, Mr. L. O. David of Montreal. The presidential address of Abbé Laflamme -in 1892 (see 'Trans.,' vol. x.) was devoted to a review of the scientific attainments -of Dr. T. Sterry Hunt.</p> -</div> - - -<p class="center p1t">CANADIAN SOCIETIES.</p> - -<div class="footnote"> -<p><a name="Footnote_58_71" id="Footnote_58_71"></a><a href="#FNanchor_58_71"><span class="label">[58]</span></a> Page 34.—At the present time there are over twenty Canadian scientific and -literary societies associated with the Royal Society in its work. Mr. John Reade, -in the "Montreal Handbook of 1891" (see Note 56), gives the following list of societies<span class="pagenum"><a name="Page_85" id="Page_85">85</a></span> -established before 1867: Literary and Historical Society of Quebec, 1824; Natural -History Society of Montreal, 1827—act of incorporation five years later; Institut -Canadien, Quebec, 1846; Canadian Institute, Toronto, 1851; Institut Canadien, -Ottawa, 1852; Hamilton Association, 1856; Société Historique, Montréal, 1858: -Nova Scotia Institute of Natural Science, 1862; Natural History Society, St. John, -N.B., 1862; Numismatic and Antiquarian Society, Montreal, 1862; Entomological -Society of Ontario, 1863.</p> -</div> - - -<p class="center p1t">THE EARL OF DERBY AND THE ROYAL SOCIETY OF CANADA.</p> - -<div class="footnote"> -<p><a name="Footnote_58A_72" id="Footnote_58A_72"></a><a href="#FNanchor_58A_72"><span class="label">[58<i>a</i>]</span></a> Page 42.—Four years ago you were good enough, in offering me the position of -your honorary president, to ask the sympathy and encouragement which the governor-general, -as Her Majesty's representative, might rightly be asked to manifest towards -the representatives of science and of the liberal arts. I am afraid that my contributions -to literature and science have been few. I do not know they are such as -would have merited the notice of the Royal Society, but I can assure you that none -of the members of your body take a deeper interest in all that concerns the welfare -of your Society than he who is now laying down the office of honorary president. -(Cheers.) There were some persons who considered that in a comparatively new -country like Canada it was ambitious on her part when the foundations of the Royal -Society were laid, but there must be a beginning of all things, and I think I may -appeal to the work which has been and is being done by the different branches of -the Society as evidence that its establishment was in no sense premature, but that -it was fittingly determined that the progress of science and literature should take -place coincidently with that of the country. In a new country like this—I think -you have touched upon it in your address—there is a great tendency to further -one's material wants, to promote trade and commerce, and to put aside, as it were, -literature and the sciences; but here the Royal Society has stepped in and done -good work by uniting those who were scattered by distance and who find in the -meetings of our Society a convenient opportunity of coming together for the exchanging -of ideas and renewing of those friendships which, though perhaps only yearly -meetings permit, are nevertheless enduring. If we look back we shall best see what -good work is being done. If we could imagine the existence of such a society as this -in the older countries in olden times, what a mine of wealth of information would -have been afforded us! We see that from the very first, whether in literature, which -forms so important a part in our Society; whether it be in the constitutional studies, -in which our President is such an adept—and I was glad to see his authority has -been quoted on the other side of the Atlantic as well as on this—whether it be in the -literature of the chivalrous pioneers of France, who first led the way into the unbroken -wilderness, or whether it be in the latter days of constitutional progress of -this country and its relations both to the old world and the country growing up -alongside of us.</p> - -<p>In literature, history and poetry, also, the Society will from the first have its -stamp, as we trust, upon the future of the Canadian race. (Cheers.) That science -and the arts to an equal extent may find a place here is our earnest wish, in order -that by sentiment and feeling we may bind together in the closest ties that by which -she must achieve a great and enduring success. I must not detain you from your -other duties, but I could not refrain from saying in a few words how heartily and -truly I appreciate and believe in the work of the Royal Society. At your next meeting, -as you truly say, I fear I shall not be amongst you; but though the Atlantic may -roll between us, you may be certain that in spirit, at least, I hope to be present at -your meeting, and shall follow with the liveliest and deepest interest any record you<span class="pagenum"><a name="Page_86" id="Page_86">86</a></span> -may be good enough to send me of what takes place on that occasion. * * * * * -I appeal not the less to my French colleagues than to my English ones in all matters -which relate to the welfare of the Society. Science, art and literature, it is true, are -cosmopolitan, but they are well knit together in this Society. We who have experienced -in Canada the hospitality of its people are grateful for it. We have admired -the greatness of the resources of this country, and we look forward to a society like -this as having ample work to do in the future. As in every respect Canada seems to -be disposed always to take a forward part, so I hope the Royal Society will ever -press on to a higher and higher goal; and, gentlemen, I can wish to the Royal -Society, to all my friends and brothers of the Society, to whom I once more tender -my hearty thanks, no greater blessing than, like Canada itself, that they may be -happy, united and prosperous. (Loud and prolonged cheers.)</p> -</div> - - -<p class="center p1t">S. E. DAWSON ON TENNYSON.</p> - -<div class="footnote"> -<p><a name="Footnote_59_73" id="Footnote_59_73"></a><a href="#FNanchor_59_73"><span class="label">[59]</span></a> Page 40.—"A Study, with Critical and Explanatory Notes, of Lord Tennyson's -Poem, The Princess." By S. E. Dawson. Montreal, 1882, 12mo. 2nd ed. 1884. -The preface contains a long and interesting letter from the poet, which "throws -some light upon some important literary questions regarding the manner and -method of the poet's working." Tennyson describes the "Study" truly as an "able -and thoughtful essay."</p> -</div> - - -<p class="center p1t">THE OLD 'CANADIAN MONTHLY.'</p> - -<div class="footnote"> -<p><a name="Footnote_60_74" id="Footnote_60_74"></a><a href="#FNanchor_60_74"><span class="label">[60]</span></a> Page 40.—It first appeared in Toronto in 1872 (Adam Stevenson & Co.), soon -after Prof. Goldwin Smith took up his permanent residence in that western city. -Much of its reputation for years necessarily depended on the contributions of a -writer who, if he has failed to identify himself of late with the national or Canadian -sentiment of the people, has at all events done something in the past to improve the -style of Canadian <i>littérateurs</i> and to elevate the tone of journalism. The 'Monthly' -was the ablest successor of a long list of literary aspirants in the same field, the majority -of which had a still shorter existence. See Bourinot's "Intellectual Development -of the Canadian People" (Toronto, 1881), chap. iv. and 'Canadian Monthly,' -March, 1881.</p> -</div> - - -<p class="center p1t">FORM OF ROYAL SOCIETY 'TRANSACTIONS.'</p> - -<div class="footnote"> -<p><a name="Footnote_61_75" id="Footnote_61_75"></a><a href="#FNanchor_61_75"><span class="label">[61]</span></a> Page 42.—Since the delivery of the presidential address the Royal Society -decided by a considerable majority—chiefly made up of the two scientific sections—to -continue the quarto form for the present. Under these circumstances the compromise -suggested may be adopted—that of printing separate editions of important -monographs and works from time to time by some understanding with the author.</p> -</div> - - -<p class="center p1t">THE STUDY OF THE CLASSICS.</p> - -<div class="footnote"> -<p><a name="Footnote_62_76" id="Footnote_62_76"></a><a href="#FNanchor_62_76"><span class="label">[62]</span></a> Page 49.—The following is a fuller quotation from Prof. Goldwin Smith's -very apposite remarks delivered before the Classical Association of Ontario (see -'The Week,' April 28th, 1893): "No age has stood more in need of humanizing -culture than this, in which physical culture reigns. One of the newspapers the -other day invited us to take part in a symposium the subject of which was 'How -to Produce a Perfect Man.' The problem was large, but one help to its solution -might have been a reminder to keep the balance. A romantic age stands in need of<span class="pagenum"><a name="Page_87" id="Page_87">87</a></span> -science, a scientific and utilitarian age stands in need of the humanities. Darwin -avows that poetry gave him no pleasure whatever. This surely was a loss, unless -the whole side of things which poetry denotes is dead and gone, nothing but dry -science being left us; in which case the generations that are coming may have some -reason, with all their increase of knowledge and power, to wish that they had lived -nearer the youth of the world." See <i>supra</i>, Note 1, for Mr. Lowell's remarks on the -same subject.</p> -</div> - - -<p class="center p1t">CANADIAN LIBRARIES.</p> - -<div class="footnote"> -<p><a name="Footnote_63_77" id="Footnote_63_77"></a><a href="#FNanchor_63_77"><span class="label">[63]</span></a> Page 53.—Some interesting facts as to the evolution of libraries in the Dominion -can be gathered by reference to Bourinot's "Intellectual Development in -Canada" (Toronto, 1831); Canniff Haight's "Country Life in Canada Fifty Years -Ago"; Dr. Canniff's "History of Ontario"; and Dr. Kingsford's "Early Bibliography -of Ontario." The principal results of the Ontario law providing for the establishment -of free libraries by votes of ratepayers in a community have been the opening -of two excellent libraries in Hamilton and Toronto—the latter under the judicious -superintendence of Mr. James Bain.</p> -</div> - - -<p class="center p1t">CANADIAN ARTISTS.</p> - -<div class="footnote"> -<p><a name="Footnote_64_78" id="Footnote_64_78"></a><a href="#FNanchor_64_78"><span class="label">[64]</span></a> Page 54.—An Art Society was founded in Upper Canada as far back as 1841, -but its exhibitions were necessarily representative of British works of art. The -present Art Association was founded in Montreal in 1860, and the Ontario School of -Arts, which is doing excellent work, twelve years later, with its headquarters in -Toronto. The Royal Canadian Academy, mentioned in the text, was established in -1880. The influence of these and two or three minor institutions in Canada has been -on the whole in the direction of stimulating art, but their efforts are not adequately -encouraged by government or people in the provinces.</p> - -<p>The following is a list of the painters in oils and water colours whose pictures -now make the principal features of the annual exhibitions in Ontario and Quebec, -and the majority of whom were inadequately represented at Chicago: F. A. Verner, -whose Indian and Canadian scenes are excellent; H. M. Matthews, who has made a -high reputation for his Rocky Mountain paintings; L. R. O'Brien, essentially the -most finished painter of picturesque Canada; T. Mower Martin, an industrious -painter of wild sports and Canadian scenery; E. Wyley Grier, who has done some -good work in portraits and natural scenery; W. Brymner, one of the most promising -younger painters of Canadian scenes: George Reid, whose "Foreclosure of the -Mortgage" is one of the best pictures produced in the Dominion; John Hammond -of St. John, N.B., a painter of water life; Percy Woodcock, whose efforts at sketches -of Canadian rural life are praiseworthy: F. M. Bell-Smith, who has a decided artistic -faculty for the portraiture of our noblest scenery; Homer Watson, a favourite for his -rustic landscapes and romantic pastorals; J. W. L. Forster, in some respects the best -figure painter, but also capable of good landscapes; G. Bruenech, a careful artist of -scenery; Ernest Thompson, who has made some good efforts at prairie subjects; -J. C. Forbes, who painted Mr. Gladstone's portrait, and is one of the best artists of -the class that Canada has so far known; W. Raphael and O. R. Jacobi, two of the -oldest and best known painters of Canadian landscape. To these we must add Miss -Minnie A. Bell, A. Watson, Miss Sidney S. Tully, Mrs. M. H. Reid, J. T. Rolph, -R. F. Gagen, T. C. McGillivray Knowles, Forshaw Day, L. Huot, Mlle. Colombier, -E. Dyonnet, C. Macdonald Manly, D. P. MacKillsan, J. W. Morrice, A. D. Patterson,<span class="pagenum"><a name="Page_88" id="Page_88">88</a></span> -Miss G. F. Spurr, F. S. Challener, Paul J. Wickson, Mrs. M. B. Screiber, W. Revell, -D. Fowler, Miss E. May Martin, Miss Laura Muntz, Miss F. M. Bell-Smith, Miss -Florence Carlyle, Miss I. M. F. Adams, Owen P. Staples, Mrs. M. E. Dignam, Charles -Alexander, W. E. Atkinson, J. C. Mills, J. A. Fraser (in New York), Carl Ahrens, -W. A. Sherwood, Miss Fannie Sutherland, T. C. V. Ede, H. Sandham (in New York), -Mr. Harvey, Mr. Cruickshank, Mr. Seavey, A. Cox, Miss Edwards, J. Griffith, Colin -Scott, J. Wilson, James Smith, C. J. Way, F. Brownell, A. P. Coleman, R. Harris, -Miss Holden and Miss Houghton. Many of these artists, whose merits, of course, -vary much, are not native Canadians. One of the strongest landscape painters, -Mr. Matthews, is an Englishman, who has now, after some years, thoroughly understood -the light and colour of Canadian scenery. O'Brien, Brymner, L. Huot, Forbes, -Forster, Pinhey, Sidney Tully, G. Harris, Gagen, Knowles, Watson, Alexander, -A. D. Patterson, C. M. Manly, E. May Martin and George Reid are Canadians. -G. T. Berthon, who died recently in Toronto at an advanced age, and was known as -a painter of numerous portraits, the best of which are to be seen in Osgoode Hall, -was of French origin and education. Raphael is German by birth and education. -Jacobi is a painter of the Dusseldorf school, and was at one time employed in the court -of the King of Bavaria. Bruenech is a native, I understand, of Denmark, though -educated in Canada. E. W. Grier is an Englishman by birth and education, with a -knowledge of French art derived from study in Paris. So is Ernest Thompson, who -also studied in Paris. Mower Martin is an Englishman, educated in that country -and in Canada, with whose scenery he has been always enamoured. Carl Ahrens -was born and educated in the United States. Miss Minnie Bell and Miss Laura -Muntz are among the most promising younger artists of Canada. Both were born -and received their elementary education in Canada. Miss Bell, after studying in -Paris, is now in Montreal. Miss Muntz is still studying in Paris. Robert Harris is -a native of Prince Edward Island. Mr. N. Bourassa, who is a French Canadian -artist, has of late years devoted himself to ecclesiastical decoration. His best work -is to be seen in the architecture and decoration of the churches of Notre Dame de -Nazareth and Notre Dame de Lourdes, in Montreal, and he has the credit of having -first applied probably in America "the art of painting to the adornment of Christian -churches in the broad and thorough manner so common at one period in central -Italy." (See Dr. S. E. Dawson's "Handbook of Canada," Montreal, 1888, pp. 183, -184.) The influence of the French schools of painting can be seen in the best works -of Paul Peel (now dead), Forster, Harris, Geo. Reid and John Pinhey (born at Ottawa), -all of whom have had success at the salons. At the present time there are some -twenty-five Canadians, more or less, studying in Paris, and the majority are French -Canadians. In fact, the French schools draw students from Canada as well as from -the United States, and England is relatively ignored. The artistic temperament is -more stimulated by the <i>ateliers</i> and the student life of Paris than among the more -business-like and cold surroundings of a student in London. In sculpture the names -are very few, Hamilton McCarthy, Hébert and Dunbar having alone done meritorious -work, but of these three Hébert is the only native Canadian. One of the very -first painters to draw attention, years ago, to Canadian scenery, especially to the -wonderfully vivid tints of autumn, was Krieghoff, whose pictures have been so much -copied that it is difficult now to tell the originals from the reproductions. He was, -however, not a native Canadian but a Swiss painter from the German-speaking cantons, -I believe. The name of Paul Kane (born in Toronto) will be always identified -with Indian life and customs, and as the pioneer of art in Canada. A fine collection -of his paintings is in the possession of Hon. G. W. Allan, who has always taken an<span class="pagenum"><a name="Page_89" id="Page_89">89</a></span> -active interest in the development of art in the city of which he has been so long an -honoured citizen.</p> - -<p>Among other Canadian artists who laboured in the commencement of art studies -in this country may be mentioned the following: Dulongpré, Samuel Berczy, Audy, -William Berczy, Vincent Zacharie Thelariolin (Indian of Lorette, 1812–1886), Hamel, -Carey, T. H. Burnett, J. J. Girouard, P. Leber—many of whose artistic efforts are -already forgotten though their work was meritorious. With respect to Berthon, -the following note by Col. G. T. Denison, F.R.S.C., of Toronto, which I have received -since writing of the artist above, will be of interest: "His father was a court painter -under the great Napoleon, and several of his pictures are now in Versailles. He -was a Frenchman, and I think was in Vienna when his son, my old friend, was -born; for I am under the impression Berthon told me he was born in Vienna. I -think he was brought up in France, and went to London when comparatively young, -and there set up as a portrait painter. He was induced to come out to Canada about -the year 1843 or 1844, and settled in Toronto soon after, where he died about a year -ago, over eighty years of age. He was certainly, when in his prime, the best portrait -painter we ever had in Canada, and in my opinion was better than most of the men -of great celebrity in London to-day."</p> - -<p>The successful artists at the World's Fair, where 113 works in all were presented -from Canada, were the following: Mr. G. Reid, whose great picture mentioned above -could not fail to attract much notice, Mr. Harris, Mr. Ede, Miss Holden and Mr. -J. A. Fraser. This is satisfactory in view of the fact that the best work of the majority -of leading Canadian artists was not represented in the exhibition. Apart -from Mr. Reid's painting, the pictures that were signalled out for special notice -were not equal in some respects to other efforts of the same artists that have been -seen in our annual exhibitions.</p> - -<p>In closing this note I cannot do better than give the following judicious remarks -on art in Canada, delivered before the Canadian Institute, by an able Canadian artist, -J. W. L. Forster: "The art of Canada to-day is a mingling of elements.... The -influence of the old world may be seen in the work of many who cherish still the -precepts of their masters. Yet it is due to those who have adopted Canada as their -home to say they are as Canadian in the faithful reproduction of the pure glories of -our climate as those who first saw the sun in our own sky. Our native artists who -have studied abroad are much inclined to paint a Canadian sky with the haze of -Western Europe, and our verdure, too, as though it grew upon foreign soil. Our art -is not Canadian.... Material is certainly not wanting, nor <i>motif</i> of the -grander order. The first requisite is for a stronger national spirit. Events are -slowly developing this; and the signs are full of promise in this direction. The -second great need is for a museum equipped with well-chosen specimens of the -world's art. Our government and citizens are establishing schools of industrial and -fine art, yet when we would point our pupils to examples of pure art, lo! there are -none; and when we would know what art has been, in order to discover what art -may be, we must go as exiles and pilgrims to foreign cities. A museum that gives -the best of their art history and achievement will greatly strengthen our hope and -give rein to our ambition. A third need is for capable and generous criticism. -There are many men whose discernment and sympathies fit them eminently for the -role of art critic; but as yet journalism has not opened wide the door to advancement -in such a specialty."</p> -</div> - - -<p class="center p1t">ARCHITECTURAL ART.</p> - -<div class="footnote"> -<p><a name="Footnote_64A_79" id="Footnote_64A_79"></a><a href="#FNanchor_64A_79"><span class="label">[64<i>a</i>]</span></a> Page 57.—While Canadian architecture is generally wanting in originality -of conception, yet it affords many good illustrations of the effective adaptation of<span class="pagenum"><a name="Page_90" id="Page_90">90</a></span> -the best art of Europe to the principal edifices of the large cities. These are the -most noteworthy public buildings:</p> - -<p>In <i>Ottawa</i>.—The parliament and departmental buildings, admirable examples of -Italian Gothic of the 13th century, with a fine central tower, the effect of which has -been marred by a later tower in the western block out of harmony with the general -design of an otherwise perfect group.</p> - -<p>In <i>Quebec</i>.—The legislative building in the French style of the 17th century, noteworthy -for its niches containing statues of men famous in French Canadian history.</p> - -<p>In <i>Montreal</i>.—The parish church of Notre Dame, on the Place d'Armes, of a -simple Gothic style, attractive for its stateliness and massiveness.</p> - -<p>Christ Church Cathedral, on St. Catherine street, worthy of study as an admirable -specimen of the early English style of ecclesiastical architecture, exhibiting -unity of design and correctness of proportions.</p> - -<p>Notre Dame de Lourdes, whose interior has been already spoken of (see preceding -note); a good example of the Byzantine order, combined with effects of the Italian -Renaissance recalling Venetian architecture.</p> - -<p>The Montreal Bank, on St. James street, an artistic illustration of the Corinthian -order, with an interior interesting for the artistic effort to illustrate on the walls -remarkable scenes in Canadian history.</p> - -<p>The Canadian Pacific Station, on Windsor street, a fine example of an adaptation -of old Norman architecture to modern necessities.</p> - -<p>In <i>Toronto</i>.—The University, perhaps the best example in America of a modern -conception of Norman architecture, with a tower of much beauty.</p> - -<p>Trinity University, whose graceful Tudor-Gothic design, in which the tower is a -conspicuous feature, is marred by the clumsy projection of a later chapel building, -entirely out of harmony with the admirable front.</p> - -<p>Osgoode Hall, of the Ionic order, modified by additions of the Italian Renaissance.</p> - -<p>St. Andrew's Church, a combination of the Norman and Byzantine orders, more -suitable for a great library or a hall than an ecclesiastical edifice. As a specimen of -architecture, apart from its purpose, it is harmonious and artistic.</p> - -<p>The new legislative buildings, which are the most pretentious in Canada after -the Ottawa parliament house, are a praiseworthy effort to illustrate the Romanesque, -with details of the Celtic and Indo-Germanic schools.</p> - -<p>The Methodist Metropolitan Church, a judicious example of a modern form of -the Gothic style which distinguished the 13th century in France. It is at once -simple and harmonious in its general design, and has a massive tower which adds to -the general effect of the whole structure.</p> - -<p>St. James's Church, often cited as a good example of ecclesiastical Gothic, with a -graceful and well-proportioned tower and steeple, conspicuous from all points of view.</p> - -<p>In <i>Hamilton</i>.—The court-house is in some respects the best designed of its kind -in Canada. The head office of the Canada Life Assurance Company is noteworthy -for its graceful simplicity, in its way not equalled in Canada.</p> - -<p>In <i>Fredericton</i>.—The Church of England Cathedral, a perfect specimen, on a -small scale, of pure early English Gothic on the Continent.</p> - -<p>The new library building which McGill University owes to the public spirit of -Mr. Redpath, of Montreal, is distinguished by the graceful simplicity of its external -form, and the conveniences of its beautiful interior. Apart from this fine edifice, -however, and the parliamentary library at Ottawa, whose external design is harmonious -and whose internal fittings illustrate the effectiveness of our natural woods, -Canada has no such libraries—in special buildings I mean—noteworthy for -beauty of architecture and convenience of arrangements as we find among our neighbours,<span class="pagenum"><a name="Page_91" id="Page_91">91–92</a></span> -illustrating their public and private spirit. Neither have we an art gallery of -special architectural features, for the building at Montreal is simple in the extreme. -Such as it is, however, it is an object of imitation to other cities in Canada.</p> -</div> - - -<p class="center p1t">"FIDELIS."</p> - -<div class="footnote"> -<p><a name="Footnote_65_80" id="Footnote_65_80"></a><a href="#FNanchor_65_80"><span class="label">[65]</span></a> Page 60.—The poetic citation which closes the presidential address is taken -from Miss Machar's ("Fidelis") verses on "Dominion Day," which appear in "Songs -of the Great Dominion," pp. 15–17, and merit a wide audience for their patriotic spirit -and poetic taste.</p> -</div> - - - - -<hr /> - -<div class="chapter"> - <p><span class="pagenum"><a name="Page_93" id="Page_93">93</a></span></p> - -<h2>INDEX.</h2> -</div> - - -<ul class="index"> - <li class="isub2">"Acadia, History of," by J. Hannay, <a href="#Page_71">71</a>.</li> - <li class="isub2">"Acadian Geology," by Sir J. W. Dawson, <a href="#Page_84">84</a>.</li> - <li class="isub2">"After Weary Years," romance by Archbp. O'Brien, of Halifax, N.S., <a href="#Page_74">74</a>.</li> - <li class="isub2">Ahrens, Carl, artist, <a href="#Page_88">88</a>.</li> - <li class="isub2">Algonquin Grammar, by Abbé Cuoq, <a href="#Page_37">37</a>.</li> - <li class="isub2">Allan, Hon. G. W., his love of art, <a href="#Page_88">88</a>.</li> - <li class="isub2">"An American Girl in London," by Sara J. Duncan, <a href="#Page_83">83</a>.</li> - <li class="isub2">"Aminta," poem by Archbishop O'Brien, <a href="#Page_74">74</a>.</li> - <li class="isub2">"Anciens Canadiens," by P. de Gaspé, <a href="#Page_27">27</a>, <a href="#Page_82">82</a>.</li> - <li class="isub2">Archibald, Sir Adams J., statesman, <a href="#Page_15">15</a>.</li> - <li class="isub2">Archibald, S. J. W., statesman, <a href="#Page_15">15</a>.</li> - <li class="isub2">Architecture in Canada, imitative rather than original, <a href="#Page_57">57</a>;</li> - <li class="isub3">special buildings of architectural beauty mentioned, <a href="#Page_89">89</a>, <a href="#Page_91">91</a>.</li> - <li class="isub2">Art in Canada, <a href="#Page_53">53</a>;</li> - <li class="isub3">names of eminent painters, <a href="#Page_54">54</a>, <a href="#Page_87">87</a>;</li> - <li class="isub3">want of art galleries, <a href="#Page_53">53</a>, <a href="#Page_54">54</a>;</li> - <li class="isub3">establishment of art associations in Montreal and Toronto, <a href="#Page_89">89</a>;</li> - <li class="isub3">the Canadian Academy of Art, <a href="#Page_54">54</a>;</li> - <li class="isub3">some general remarks on its use, <a href="#Page_54">ib.</a>;</li> - <li class="isub3">J. W. L. Forster cited on the subject, <a href="#Page_89">89</a>;</li> - <li class="isub3">success of Canadian artists at the Chicago World's Fair, <a href="#Page_55">55</a>, <a href="#Page_89">89</a>.</li> - <li class="isub2">Art gallery in Montreal, <a href="#Page_53">53</a>, <a href="#Page_91">91</a>.</li> - <li class="isub2">Arnold, Matthew, on the large meaning of "Literature," <a href="#Page_31">31</a>, <a href="#Page_32">32</a>, <a href="#Page_83">83</a>.</li> - <li class="isub2">Australian novelists, superior to those of Canada, <a href="#Page_25">25</a>;</li> - <li class="isub3">names, <a href="#Page_79">79</a>.</li> - <li class="isub2">Australian poets compared with those of Canada, <a href="#Page_25">25</a>;</li> - <li class="isub3">names, <a href="#Page_79">79</a>;</li> - <li class="isub3">extracts from, <a href="#Page_79">79</a>.</li> - - - <li class="isub2 p1t">Baldwin, Hon. Robert, statesman, <a href="#Page_14">14</a>.</li> - <li class="isub2">Bank of Montreal Building at Montreal, its architecture, <a href="#Page_90">90</a>.</li> - <li class="isub2">"Bastonnais, The," romance by J. Lespérance, <a href="#Page_82">82</a>.</li> - <li class="isub2">"Beggars All," by L. Dougall, <a href="#Page_29">29</a>.</li> - <li class="isub2">Belknap, Jeremy, his "History of New Hampshire," <a href="#Page_13">13</a>, <a href="#Page_67">67</a>.</li> - <li class="isub2">Bell, Miss Minnie, artist, <a href="#Page_87">87</a>.</li> - <li class="isub2">Bell-Smith, F. M., artist, <a href="#Page_88">88</a>.</li> - <li class="isub2">Beothiks, or Red Indians of Newfoundland, essay on, by Dr. Patterson, <a href="#Page_38">38</a>.</li> - <li class="isub2">Berthon, G. T., artist, <a href="#Page_89">89</a>.</li> - <li class="isub2">Bibaud, Michel, his History of Canada, <a href="#Page_12">12</a>, <a href="#Page_67">67</a>.</li> - <li class="isub2">Bibliography of the writings of members of the Royal Society, <a href="#Page_72">72</a>.</li> - <li class="isub2">"Bienville, François de," romance by M. Marmette, <a href="#Page_27">27</a>, <a href="#Page_82">82</a>.</li> - <li class="isub2">Billings, Elkanah, geologist, <a href="#Page_33">33</a>, <a href="#Page_84">84</a>.</li> - <li class="isub2">Biography, literature of, weak in Canada, <a href="#Page_42">42</a>.</li> - <li class="isub2">Blake, Edward, mentioned, <a href="#Page_17">17</a>, <a href="#Page_43">43</a>.</li> - <li class="isub2">Boucher, Pierre, his account of the customs and natural productions of Nouvelle France, <a href="#Page_6">6</a>, <a href="#Page_63">63</a>.</li> - <li class="isub2">Bouchette, Joseph, his works on the topography of Canada, <a href="#Page_12">12</a>, <a href="#Page_67">67</a>.</li> - <li class="isub2">Bourassa, N., artist, <a href="#Page_88">88</a>.</li> - <li class="isub2">Brown, J. H., poet, <a href="#Page_76">76</a>.</li> - <li class="isub2">Bruenech, G., artist, <a href="#Page_87">87</a>.</li> - <li class="isub2">Bunsen, Chevalier, his opinion on what constitutes the excellence of a romance, <a href="#Page_29">29</a>.</li> - <li class="isub2">Brymner, W., artist, <a href="#Page_54">54</a>, <a href="#Page_88">88</a>.</li> - <li class="isub2 p1t"><span class="pagenum"><a name="Page_94" id="Page_94">94</a></span>Campbell, Wilfred, his poems, <a href="#Page_20">20</a>;</li> - <li class="isub3">quotations therefrom, <a href="#Page_75">75</a>.</li> - <li class="isub2">Canada Life Assurance Building at Hamilton, its architecture, <a href="#Page_90">90</a>.</li> - <li class="isub2">Canada, three eras of development, <a href="#Page_4">4</a>.</li> - <li class="isub2">"Canadian Idylls," poems by W. Kirby, <a href="#Page_82">82</a>.</li> - <li class="isub2">Canadian Literary and Scientific Societies, the oldest in Canada, <a href="#Page_34">34</a>, <a href="#Page_84">84</a>.</li> - <li class="isub2">"Canadian Monthly," its usefulness, <a href="#Page_40">40</a>, <a href="#Page_86">86</a>.</li> - <li class="isub2">Canadian Pacific RR., Station at Montreal, its architecture, <a href="#Page_90">90</a>.</li> - <li class="isub2">"Canadiens de l'Ouest," by J. Tassé, <a href="#Page_72">72</a>.</li> - <li class="isub2">"Carillon, le Drapeau de," poem by O. Crémazie, quoted, <a href="#Page_68">68</a>.</li> - <li class="isub2">Carman, Bliss, his poems, <a href="#Page_20">20</a>.</li> - <li class="isub2">Cartier, Sir George Etienne, statesman, <a href="#Page_14">14</a>.</li> - <li class="isub2">Casgrain, Abbé, his historical works, <a href="#Page_71">71</a>;</li> - <li class="isub3">his opinion of Crémazie, <a href="#Page_20">20</a>.</li> - <li class="isub2">Catherwood, Mary Hartwell, writer of fiction, <a href="#Page_28">28</a>, <a href="#Page_82">82</a>.</li> - <li class="isub2">Champlain, compared with Columbus, <a href="#Page_5">5</a>;</li> - <li class="isub3">with Captain John Smith, <a href="#Page_62">62</a>;</li> - <li class="isub3">his works, <a href="#Page_6">6</a>, <a href="#Page_61">61</a>.</li> - <li class="isub2">"Chants Nouveaux," poems by B. Sulte, <a href="#Page_73">73</a>.</li> - <li class="isub2">Charlevoix, his history of Nouvelle France, <a href="#Page_6">6</a>, <a href="#Page_62">62</a>;</li> - <li class="isub3">his opinion of society in Quebec, <a href="#Page_8">8</a>.</li> - <li class="isub2">Chauveau, P. J. O., his poems, etc., <a href="#Page_17">17</a>;</li> - <li class="isub3">one of the founders of the Royal Society, <a href="#Page_34">34</a>, <a href="#Page_67">67</a>.</li> - <li class="isub2">Chevrier, R., poet, <a href="#Page_76">76</a>.</li> - <li class="isub2">Christie, Robert, his history of Lower Canada, <a href="#Page_18">18</a>, <a href="#Page_69">69</a>.</li> - <li class="isub2">"Chief Factor, The," novel by Gilbert Parker, <a href="#Page_28">28</a>, <a href="#Page_82">82</a>.</li> - <li class="isub2">Christ Church Cathedral at Fredericton, its architecture, <a href="#Page_90">90</a>.</li> - <li class="isub2">Christ Church Cathedral at Montreal, its architecture, <a href="#Page_90">90</a>.</li> - <li class="isub2">Classics, Study of;</li> - <li class="isub3">Goldwin Smith on, <a href="#Page_49">49</a>, <a href="#Page_86">86</a>;</li> - <li class="isub3">Matthew Arnold on, <a href="#Page_50">50</a>;</li> - <li class="isub3">J. Russell Lowell on, <a href="#Page_61">61</a>;</li> - <li class="isub3">should be encouraged in Canadian colleges, <a href="#Page_49">49</a>;</li> - <li class="isub3">its results in French Canada, <a href="#Page_65">65</a>.</li> - <li class="isub2">Clarke, Professor, mentioned, <a href="#Page_10">10</a>.</li> - <li class="isub2">"Clàrsach nam Beann," Gaelic poems by E. McColl, <a href="#Page_77">77</a>.</li> - <li class="isub2">Clercq, Père Chrestien le, his "Etablissement de la Foy," <a href="#Page_6">6</a>, <a href="#Page_64">64</a>.</li> - <li class="isub2">"Coogee," poem by H. C. Kendall, the Australian poet, cited, <a href="#Page_79">79</a>.</li> - <li class="isub2">"Cours d'Histoire du Canada," by Abbé Ferland, <a href="#Page_18">18</a>, <a href="#Page_70">70</a>.</li> - <li class="isub2">Crawford, Isabella Valancy, poet, <a href="#Page_76">76</a>.</li> - <li class="isub2">Crémazie, Octave, his poems, <a href="#Page_17">17</a>, <a href="#Page_68">68</a>.</li> - <li class="isub2">Creux, Père du, his <i>Historia Canadensis</i>, <a href="#Page_6">6</a>, <a href="#Page_63">63</a>.</li> - <li class="isub2">Criticism, necessity for a spirit of genuine, in Canada, <a href="#Page_47">47</a>;</li> - <li class="isub3">reference to S. E. Dawson's essay on "The Princess," <a href="#Page_40">40</a>;</li> - <li class="isub3">Sainte-Beuve quoted, <a href="#Page_47">47</a>.</li> - <li class="isub2">Cuoq, Abbé, his works on the Algonquin language, contributed to Royal Society, <a href="#Page_37">37</a>.</li> - - - <li class="isub2 p1t">Davin, Nicholas Flood, poet, <a href="#Page_75">75</a>.</li> - <li class="isub2">Dawson, Æneas, poet, <a href="#Page_74">74</a>.</li> - <li class="isub2">Dawson, G. M., his contributions to Royal Society, <a href="#Page_38">38</a>.</li> - <li class="isub2">Dawson, S. E., his criticism on "The Princess," <a href="#Page_40">40</a>, <a href="#Page_86">86</a>.</li> - <li class="isub2">Dawson, Sir W., <i>doyen</i> of Science in Canada, <a href="#Page_19">19</a>, <a href="#Page_32">32</a>, <a href="#Page_34">34</a>, <a href="#Page_38">38</a>, <a href="#Page_84">84</a>.</li> - <li class="isub2">"Découverte du Mississippi, La," poem by L. Fréchette quoted, <a href="#Page_72">72</a>.</li> - <li class="isub2">Dent, John C., his histories, <a href="#Page_19">19</a>, <a href="#Page_70">70</a>.</li> - <li class="isub2">Derby, the Earl of, his farewell address to the Royal Society of Canada, <a href="#Page_85">85</a>.</li> - <li class="isub2">Deville, E., his contributions to Royal Society, <a href="#Page_39">39</a>.</li> - <li class="isub2">Dewart, E. H., poet, his collection of Canadian poems, <a href="#Page_73">73</a>.</li> - <li class="isub2">Dionne, N. E., his writings, <a href="#Page_62">62</a>, <a href="#Page_72">72</a>.</li> - <li class="isub2">"Dodge Club Abroad," by Professor De Mille, <a href="#Page_29">29</a>, <a href="#Page_83">83</a>.</li> - <li class="isub2">Doyle, Conan, his "Refugees" held up to imitation of Canadian writers of romance, <a href="#Page_28">28</a>.</li> - <li class="isub2">"Dread Voyage," poem by W. Campbell, <a href="#Page_75">75</a>.</li> - <li class="isub2">"Dreamland" and other poems by C. Mair, <a href="#Page_74">74</a>.</li> - <li class="isub2">Dunbar, sculptor, <a href="#Page_88">88</a>.</li> - <li class="isub2">Duncan, Sara Jeannette, author, <a href="#Page_29">29</a>.</li> - <li class="isub2">Duvar, John Hunter, poet, <a href="#Page_75">75</a>.</li> - - - <li class="isub2 p1t">Ede, T. C. V., artist, wins success at Chicago World's Fair, <a href="#Page_89">89</a>.</li> - <li class="isub2">Edgar, James D., poet, <a href="#Page_26">26</a>.</li> - <li class="isub2"><span class="pagenum"><a name="Page_95" id="Page_95">95</a></span>Edgar, Mrs., her "Ridout Letters" quoted, <a href="#Page_78">78</a>.</li> - <li class="isub2">Education, in French Canada under old regime, <a href="#Page_7">7</a>, <a href="#Page_8">8</a>;</li> - <li class="isub3">in Canada from 1760–1840, <a href="#Page_9">9</a>;</li> - <li class="isub3">from 1840–1893, <a href="#Page_65">65</a>;</li> - <li class="isub3">its present condition and defects, <a href="#Page_49">49–51</a>.</li> - <li class="isub2">Emerson, representative of original American genius, <a href="#Page_23">23</a>.</li> - <li class="isub2">"Epic of the Dawn," poem by N. F. Davin, <a href="#Page_75">75</a>.</li> - <li class="isub2">Essayists, names of principal French and English, <a href="#Page_81">81</a>.</li> - - - <li class="isub2 p1t">Faillon, Abbé, his history of the "Colonie française," <a href="#Page_19">19</a>, <a href="#Page_70">70</a>.</li> - <li class="isub2">Fauna of St. John Group, geological work by G. F. Matthew, <a href="#Page_39">39</a>.</li> - <li class="isub2">Ferland, J. B. A., his "History of Canada," <a href="#Page_18">18</a>, <a href="#Page_70">70</a>.</li> - <li class="isub2">"Flag of Old England," poem by Joseph Howe, quoted, <a href="#Page_80">80</a>.</li> - <li class="isub2">Flora and Botany of Canada, essays on, by Professors Lawson, Macoun and Penhallow, <a href="#Page_39">39</a>.</li> - <li class="isub2">Forbes, J. C., artist, <a href="#Page_87">87</a>.</li> - <li class="isub2">"Foreclosure of the Mortgage," painting by G. A. Reid, <a href="#Page_87">87</a>.</li> - <li class="isub2">Forster, J. W. L., artist, his remarks on the tendency of Canadian art, <a href="#Page_89">89</a>.</li> - <li class="isub2">Fraser, J. A., artist, wins success at Chicago "World's Fair," <a href="#Page_89">89</a>.</li> - <li class="isub2">Fréchette, L., his poems, <a href="#Page_29">29</a>;</li> - <li class="isub3">quotation from his "Découverte du Mississippi," <a href="#Page_72">72</a>;</li> - <li class="isub3">essayist, <a href="#Page_81">81</a>.</li> - <li class="isub2">French Canada: early writers of her history, Champlain, Boucher, Le Clercq, Charlevoix, etc., <a href="#Page_6">6</a>, <a href="#Page_7">7</a>, <a href="#Page_61">61–64</a>;</li> - <li class="isub3">culture and science during French regime, <a href="#Page_8">8</a>;</li> - <li class="isub3">historians and poets from 1760–1840, <a href="#Page_17">17</a>, <a href="#Page_18">18</a>;</li> - <li class="isub3">from 1840 to 1867, <a href="#Page_20">20</a>, <a href="#Page_74">74</a>;</li> - <li class="isub3">from 1867–1893, <a href="#Page_72">72–74</a>;</li> - <li class="isub3">writers of romance few in number, <a href="#Page_27">27</a>;</li> - <li class="isub3">influence of the French language, <a href="#Page_58">58–60</a>;</li> - <li class="isub3">its probable duration, <a href="#Page_59">59</a>.</li> - <li class="isub2">French language in Canada, remarks on, <a href="#Page_58">58–60</a>.</li> - <li class="isub2">French Canadian poetry, an estimate of its merits, <a href="#Page_22">22–24</a>.</li> - - - <li class="isub2 p1t">Gagen, R. F., artist, <a href="#Page_87">87</a>.</li> - <li class="isub2">"Gazette" of Montreal, <a href="#Page_13">13</a>.</li> - <li class="isub2">Galissonière, La, his culture and scientific spirit, <a href="#Page_8">8</a>, <a href="#Page_64">64</a>, <a href="#Page_65">65</a>.</li> - <li class="isub2">Ganong, Prof., contributor to Royal Society of Canada, <a href="#Page_38">38</a>.</li> - <li class="isub2">Garneau, F. X., his "Histoire du Canada," <a href="#Page_18">18</a>, <a href="#Page_70">70</a>.</li> - <li class="isub2">Gladstone, Right Hon. Mr., portrait of, painted by J. C. Forbes, <a href="#Page_87">87</a>.</li> - <li class="isub2">"Globe" of Toronto, <a href="#Page_51">51</a>.</li> - <li class="isub2">"Golden Dog, The," romance by W. Kirby, <a href="#Page_27">27</a>;</li> - <li class="isub3">translated by P. LeMay, <a href="#Page_81">81</a>.</li> - <li class="isub2">Gordon, A. Lindsay, his spirited poem, "The Sick Stock-rider," quoted, <a href="#Page_79">79</a>.</li> - <li class="isub2">Grant, Principal, author and lecturer, <a href="#Page_10">10</a>, <a href="#Page_32">32</a>, <a href="#Page_83">83</a>.</li> - <li class="isub2">Greek, study of, desirable, <a href="#Page_50">50</a>, <a href="#Page_61">61</a>.</li> - <li class="isub2">Grier, E. W., artist, <a href="#Page_88">88</a>.</li> - <li class="isub2">Griffin, M. J., essayist and poet, <a href="#Page_77">77</a>, <a href="#Page_81">81</a>.</li> - - - <li class="isub2 p1t">Haida Grammar, to be printed by Royal Society, <a href="#Page_37">37</a>.</li> - <li class="isub2">Haliburton, Judge, his "Sam Slick," <a href="#Page_11">11</a>, <a href="#Page_66">66</a>;</li> - <li class="isub3">his "History of Nova Scotia," <a href="#Page_12">12</a>, <a href="#Page_66">66</a>.</li> - <li class="isub2">Hamel, Mgr., contributor to Royal Society, <a href="#Page_39">39</a>.</li> - <li class="isub2">Hamilton Court-house, its architecture, <a href="#Page_90">90</a>.</li> - <li class="isub2">Hamilton, P. S., poet, <a href="#Page_73">73</a>.</li> - <li class="isub2">Hammond, John, artist, <a href="#Page_87">87</a>.</li> - <li class="isub2">Hannay, J., his "History of Acadia," <a href="#Page_71">71</a>.</li> - <li class="isub2">Harris, George, artist, <a href="#Page_88">88</a>.</li> - <li class="isub2">Harrison, S. Frances ("Seranus"), poet, <a href="#Page_76">76</a>.</li> - <li class="isub2">Harvey, Moses, his contributions to Royal Society, <a href="#Page_38">38</a>.</li> - <li class="isub2">Haultain, Arnold, mentioned, <a href="#Page_81">81</a>.</li> - <li class="isub2">Hawthorne, N., representative of original American genius, <a href="#Page_23">23</a>.</li> - <li class="isub2">Heavysege, Chas., his poems, <a href="#Page_17">17</a>, <a href="#Page_18">18</a>, <a href="#Page_69">69</a>.</li> - <li class="isub2">Hébert, French Canadian sculptor, <a href="#Page_57">57</a>, <a href="#Page_88">88</a>.</li> - <li class="isub2">Historians of Canada: W. Smith, <a href="#Page_66">66</a>;</li> - <li class="isub3">M. Bibaud, <a href="#Page_67">67</a>;</li> - <li class="isub3">Haliburton's Nova Scotia, <a href="#Page_12">12</a>, <a href="#Page_66">66</a>;</li> - <li class="isub3">Garneau, <a href="#Page_70">70</a>;</li> - <li class="isub3">Ferland, <a href="#Page_70">70</a>;</li> - <li class="isub3">Faillon, <a href="#Page_70">70</a>;</li> - <li class="isub3">B. Sulte, <a href="#Page_71">71</a>;</li> - <li class="isub3">J. C. Dent, <a href="#Page_70">70</a>;</li> - <li class="isub3">L. Turcotte, <a href="#Page_71">71</a>;</li> - <li class="isub3">Withrow, <a href="#Page_71">71</a>;</li> - <li class="isub3">Kingsford, <a href="#Page_71">71</a>;</li> - <li class="isub3">McMillan, <a href="#Page_71">71</a>;</li> - <li class="isub3">Hannay, <a href="#Page_71">71</a>;</li> - <li class="isub3">Murdoch, <a href="#Page_71">71</a>;</li> - <li class="isub3">Tanguay, <a href="#Page_71">71</a>;</li> - <li class="isub3">Dionne, <a href="#Page_71">71</a>;</li> - <li class="isub3">Casgrain, <a href="#Page_37">37</a>, <a href="#Page_71">71</a>;</li> - <li class="isub3">Gosselin, <a href="#Page_72">72</a>.</li> - <li class="isub2"><span class="pagenum"><a name="Page_96" id="Page_96">96</a></span>"Histoire des Canadiens Français," by B. Sulte, <a href="#Page_71">71</a>.</li> - <li class="isub2">"Histoire de la Colonie Française en Canada," by Abbé Faillon, <a href="#Page_19">19</a>, <a href="#Page_70">70</a>.</li> - <li class="isub2">Holden, Miss, artist, wins success at Chicago World's Fair, <a href="#Page_89">89</a>.</li> - <li class="isub2">Houghton, Miss, artist, wins success at Chicago World's Fair, <a href="#Page_89">89</a>.</li> - <li class="isub2">Howe, Joseph, as poet and orator, <a href="#Page_11">11</a>, <a href="#Page_17">17</a>, <a href="#Page_26">26</a>, <a href="#Page_66">66</a>, <a href="#Page_69">69</a>;</li> - <li class="isub3">one of his poems quoted in full, <a href="#Page_80">80</a>.</li> - <li class="isub2">Hunt, Thomas Sterry, his contributions to the Royal Society of Canada, <a href="#Page_39">39</a>;</li> - <li class="isub3">one of its founders, <a href="#Page_33">33</a>.</li> - <li class="isub2">Huntington, Hon. L. S., statesman and novelist, <a href="#Page_82">82</a>.</li> - <li class="isub2">Huot, L., artist, <a href="#Page_88">88</a>.</li> - <li class="isub2">Hutchinson, Governor, his "History of Massachusetts," <a href="#Page_6">6</a>, <a href="#Page_13">13</a>, <a href="#Page_63">63</a>.</li> - - - <li class="isub2 p1t">"In Divers Tones," poem by C. G. D. Roberts, <a href="#Page_74">74</a>.</li> - <li class="isub2">"In the Millet," poems by A. Lampman, <a href="#Page_75">75</a>.</li> - <li class="isub2">Intellectual Development in Canada: under the French regime, <a href="#Page_5">5–8</a>;</li> - <li class="isub3">books, newspapers, education and culture from 1760–1840, <a href="#Page_9">9–18</a>;</li> - <li class="isub3">from 1840–1893, <a href="#Page_19">19–27</a>;</li> - <li class="isub3">statesmen of intellectual power, mentioned, <a href="#Page_14">14</a>, <a href="#Page_15">15</a>;</li> - <li class="isub3">historical literature, <a href="#Page_18">18</a>, <a href="#Page_20">20</a>;</li> - <li class="isub3">poets, <a href="#Page_20">20</a>;</li> - <li class="isub3">essayists, <a href="#Page_81">81</a>;</li> - <li class="isub3">humorists, <a href="#Page_11">11</a>;</li> - <li class="isub3">novelists, <a href="#Page_27">27</a>;</li> - <li class="isub3">biographers, <a href="#Page_42">42</a>;</li> - <li class="isub3">pulpit literature, <a href="#Page_43">43</a>;</li> - <li class="isub3">legal literature, <a href="#Page_43">43</a>;</li> - <li class="isub3">newspaper development, <a href="#Page_52">52</a>;</li> - <li class="isub3">the Royal Society and its work, <a href="#Page_33">33–42</a>;</li> - <li class="isub3">success of scientific writers, <a href="#Page_32">32</a>;</li> - <li class="isub3">want of good magazines, <a href="#Page_40">40</a>;</li> - <li class="isub3">no very striking results yet achieved, <a href="#Page_45">45</a>;</li> - <li class="isub3">obstacles in the way of successful literary results in Canada, <a href="#Page_46">46</a>;</li> - <li class="isub3">artistic achievement, <a href="#Page_54">54</a>, <a href="#Page_55">55</a>;</li> - <li class="isub3">architectural work lacking originality, <a href="#Page_57">57</a>;</li> - <li class="isub3">general remarks, on the intellectual conditions of Canada, <a href="#Page_58">58</a>;</li> - <li class="isub3">what is wanted to stimulate mental effort in the Dominion, <a href="#Page_60">60</a>;</li> - <li class="isub3">intellectual standard of our legislative bodies, <a href="#Page_43">43</a>;</li> - <li class="isub3">the great drain on our intellectual strength by the legislative bodies of the Dominion, <a href="#Page_44">44</a>;</li> - <li class="isub3">business capacity now chiefly conspicuous in legislative halls, <a href="#Page_45">45</a>.</li> - - - <li class="isub2 p1t">Jacobi, O. R., artist, <a href="#Page_88">88</a>.</li> - <li class="isub2">Jamestown, Va., in ruins, <a href="#Page_3">3</a>, <a href="#Page_61">61</a>.</li> - <li class="isub2">Jesuit College, founded at Quebec, <a href="#Page_7">7</a>.</li> - <li class="isub2">Jesuit Relations, <a href="#Page_6">6</a>, <a href="#Page_63">63</a>.</li> - <li class="isub2">Johnstone, James W., statesman, <a href="#Page_15">15</a>.</li> - - - <li class="isub2 p1t">Kalm, Peter, his reference to culture and science in French Canada, <a href="#Page_8">8</a>, <a href="#Page_64">64</a>.</li> - <li class="isub2">Kane, Paul, painter of Indian scenes, <a href="#Page_88">88</a>.</li> - <li class="isub2">Katzmann, M. J., poet, <a href="#Page_77">77</a>.</li> - <li class="isub2">Kingsford, W., his "History of Canada," <a href="#Page_71">71</a>;</li> - <li class="isub3">his address, <i>In Memoriam</i>, Sir D. Wilson, <a href="#Page_34">34</a>, <a href="#Page_84">84</a>.</li> - <li class="isub2">Kirby, W., his "Golden Dog," and other works, <a href="#Page_27">27</a>, <a href="#Page_81">81</a>.</li> - <li class="isub2">Knowles, G., artist, <a href="#Page_88">88</a>.</li> - <li class="isub2">Krieghoff, painter of Canadian scenery, <a href="#Page_88">88</a>.</li> - - - <li class="isub2 p1t">Laflamme, Prof., contributor to Royal Society, <a href="#Page_39">39</a>.</li> - <li class="isub2">Lafitau, his account of Indian life and customs, <a href="#Page_6">6</a>, <a href="#Page_63">63</a>.</li> - <li class="isub2">Lafontaine, Sir Louis Hypolite, statesman, <a href="#Page_14">14</a>.</li> - <li class="isub2">"Lake Lyrics," poems by W. Campbell, <a href="#Page_75">75</a>.</li> - <li class="isub2">Lampman, Archibald, poet, <a href="#Page_20">20</a>, <a href="#Page_75">75</a>.</li> - <li class="isub2">"Later Canadian Poems," collected by J. E. Wetherell, <a href="#Page_76">76</a>.</li> - <li class="isub2">Laval University, mentioned, <a href="#Page_7">7</a>, <a href="#Page_39">39</a>, <a href="#Page_70">70</a>.</li> - <li class="isub2">Law, literature of, in Canada, <a href="#Page_43">43</a>.</li> - <li class="isub2">Legendre, N., author, <a href="#Page_76">76</a>.</li> - <li class="isub2">"Légendes Canadiennes," by Abbé Casgrain, <a href="#Page_71">71</a>.</li> - <li class="isub2">"Legend of the Rose," poem by S. J. Watson, <a href="#Page_73">73</a>.</li> - <li class="isub2">Legislative Buildings at Quebec, their architecture, <a href="#Page_90">90</a>.</li> - <li class="isub2">Legislative Buildings at Toronto, their architecture, <a href="#Page_90">90</a>.</li> - <li class="isub2">LeMay, P., his poems, <a href="#Page_20">20</a>, <a href="#Page_73">73</a>.</li> - <li class="isub2">Lescarbot, Marc, his "Nouvelle France," <a href="#Page_6">6</a>, <a href="#Page_62">62</a>.</li> - <li class="isub2">Lespérance, John, novelist, <a href="#Page_77">77</a>.</li> - <li class="isub2">"Les Echos," poems by Judge Routhier, <a href="#Page_74">74</a>.</li> - <li class="isub2">"Les Fleurs Boréales," prize poems by L. Fréchette, <a href="#Page_72">72</a>.</li> - <li class="isub2">"Les Laurentiennes," poems by B. Sulte, <a href="#Page_73">73</a>.</li> - <li class="isub2"><span class="pagenum"><a name="Page_97" id="Page_97">97</a></span>LeSueur, W. D., essayist, <a href="#Page_81">81</a>.</li> - <li class="isub2">Libraries in Canada, before 1840, <a href="#Page_10">10</a>;</li> - <li class="isub3">at present time, <a href="#Page_53">53</a>, <a href="#Page_87">87</a>, <a href="#Page_90">90</a>.</li> - <li class="isub2">Lighthall, W. D., his collection of Canadian poems, <a href="#Page_76">76</a>.</li> - <li class="isub2">Lockhart, B. W. and A. J., poets, <a href="#Page_74">74</a>.</li> - <li class="isub2">Logan, Sir William, geologist, born in Canada, <a href="#Page_19">19</a>.</li> - <li class="isub2">"London Times," an example of a perfect newspaper, <a href="#Page_16">16</a>.</li> - <li class="isub2">Lorne, Marquess of, establishes the Royal Society of Canada, <a href="#Page_33">33</a>;</li> - <li class="isub3">and the Canadian Academy of Art, with the Princess Louise, <a href="#Page_54">54</a>.</li> - <li class="isub2">Louise, H. R. H. the Princess, her labours in connection with Art in Canada, <a href="#Page_54">54</a>.</li> - <li class="isub2">Lowell, James Russell, his remarks on the measure of a nation's true success, <a href="#Page_1">1</a>, <a href="#Page_2">2</a>;</li> - <li class="isub3">on the study of the classics, <a href="#Page_61">61</a>.</li> - - - <li class="isub2 p1t">Macdonald, Sir John A., statesman, <a href="#Page_15">15</a>.</li> - <li class="isub2">Machar, Miss ("Fidelis"), one of her poems quoted, <a href="#Page_60">60</a>, <a href="#Page_90">90</a>.</li> - <li class="isub2">Mackenzie, Hon. Alexander, statesman, <a href="#Page_15">15</a>.</li> - <li class="isub2">Mackenzie, William Lyon, politician and agitator, <a href="#Page_14">14</a>.</li> - <li class="isub2">Magazine, need of, in Canada, <a href="#Page_40">40</a>, <a href="#Page_41">41</a>;</li> - <li class="isub3">the old "Canadian Monthly," <a href="#Page_40">40</a>.</li> - <li class="isub2">Mair, Charles, poet, <a href="#Page_20">20</a>, <a href="#Page_74">74</a>.</li> - <li class="isub2">Manly, C. M., artist, <a href="#Page_54">54</a>.</li> - <li class="isub2">Marmette, J., works cited, <a href="#Page_82">82</a>.</li> - <li class="isub2">Martin, E. May, artist, <a href="#Page_88">88</a>.</li> - <li class="isub2">Martin, Mower, artist, <a href="#Page_87">87</a>.</li> - <li class="isub2">"Masque of Minstrels," poems by the Lockhart Brothers, <a href="#Page_74">74</a>.</li> - <li class="isub2">Mather, Cotton, his <i>Magnalia</i>, <a href="#Page_7">7</a>, <a href="#Page_64">64</a>.</li> - <li class="isub2">Matthew, G. F., his contributions to the Royal Society, <a href="#Page_39">39</a>.</li> - <li class="isub2">Matthews, H. M., artist, <a href="#Page_87">87</a>.</li> - <li class="isub2">McCarthy, Hamilton, sculptor, <a href="#Page_88">88</a>.</li> - <li class="isub2">McColl, Evan, his Gaelic poems, <a href="#Page_77">77</a>.</li> - <li class="isub2">McGee, T. D'Arcy, statesman and author, <a href="#Page_15">15</a>.</li> - <li class="isub2">McLachlan, Alexander, his poems, <a href="#Page_17">17</a>, <a href="#Page_69">69</a>.</li> - <li class="isub2">Metropolitan Methodist Church at Toronto, its architecture, <a href="#Page_90">90</a>.</li> - <li class="isub2">"Montcalm et Lévis," history by Abbé Casgrain, <a href="#Page_20">20</a>.</li> - <li class="isub2">Montesquieu, his "Esprit des Lois," its high place in literature, <a href="#Page_31">31</a>.</li> - <li class="isub2">Montreal, its Art Gallery, <a href="#Page_53">53</a>;</li> - <li class="isub3">its architectural features, <a href="#Page_57">57</a>, <a href="#Page_91">91</a>.</li> - <li class="isub2">Morin, Augustin Norbert, statesman, <a href="#Page_14">14</a>.</li> - <li class="isub2">Muntz, Miss, artist, <a href="#Page_54">54</a>, <a href="#Page_88">88</a>.</li> - - - <li class="isub2 p1t">Newspapers in Canada, previous to 1867, <a href="#Page_9">9</a>, <a href="#Page_16">16</a>, <a href="#Page_66">66</a>;</li> - <li class="isub3">at present time, <a href="#Page_51">51</a>;</li> - <li class="isub3">their character, <a href="#Page_52">52</a>.</li> - <li class="isub2">Novel-writing in Canada, not generally successful, <a href="#Page_27">27</a>;</li> - <li class="isub3">exceptions, "Golden Dog" by Kirby, <a href="#Page_27">27</a>;</li> - <li class="isub3">"François de Bienville" by Marmette, <a href="#Page_27">27</a>;</li> - <li class="isub3">"Les Anciens Canadiens" by De Gaspé, <a href="#Page_27">27</a>;</li> - <li class="isub3">De Mille's works, <a href="#Page_29">29</a>;</li> - <li class="isub3">Sara Jeannette Duncan, <a href="#Page_29">29</a>;</li> - <li class="isub3">Gilbert Parker, <a href="#Page_28">28</a>;</li> - <li class="isub3">L. Dougall, <a href="#Page_29">29</a>.</li> - <li class="isub2">Notre Dame de Lourdes, in Montreal, decorated by N. Bourassa, <a href="#Page_88">88</a>.</li> - - - <li class="isub2 p1t">O'Brien, L. R., artist, <a href="#Page_54">54</a>.</li> - <li class="isub2">O'Brien, Most Rev. Dr., author, <a href="#Page_74">74</a>.</li> - <li class="isub2">O'Doyle, L. O'Connor, orator, <a href="#Page_15">15</a>.</li> - <li class="isub2">O'Hagan, T., poet, <a href="#Page_74">74</a>.</li> - <li class="isub2">"Oiseaux de Neige, Les," poems by L. Fréchette, <a href="#Page_72">72</a>.</li> - <li class="isub2">"Orion" and other poems, by Professor Roberts, <a href="#Page_74">74</a>.</li> - <li class="isub2">Osgoode Hall in Toronto, its architecture, <a href="#Page_90">90</a>.</li> - <li class="isub2">"Our Fathers," by Joseph Howe, mentioned, <a href="#Page_77">77</a>.</li> - - - <li class="isub2 p1t">Papineau, Louis Joseph, statesman, <a href="#Page_14">14</a>.</li> - <li class="isub2">Parkman, Francis, his vivid historical pictures of Canada, <a href="#Page_4">4</a>.</li> - <li class="isub2">Parish Church of Notre Dame at Montreal, its architecture, <a href="#Page_90">90</a>.</li> - <li class="isub2">Parliament and Departmental Buildings at Ottawa, their architecture, <a href="#Page_90">90</a>.</li> - <li class="isub2">Parliamentary Library at Ottawa, its architecture, <a href="#Page_90">90</a>.</li> - <li class="isub2">Patterson, A. D., artist, <a href="#Page_54">54</a>, <a href="#Page_88">88</a>.</li> - <li class="isub2">Patterson, Dr., his contributions to Royal Society of Canada, <a href="#Page_38">38</a>.</li> - <li class="isub2">Peel, Paul, artist, <a href="#Page_88">88</a>.</li> - <li class="isub2">"Pine, Rose and Fleur-de-Lis," poems by S. Frances Harrison, ("Seranus"), <a href="#Page_76">76</a>.</li> - <li class="isub2">Pinhey, John, artist, <a href="#Page_54">54</a>, <a href="#Page_88">88</a>.</li> - <li class="isub2"><span class="pagenum"><a name="Page_98" id="Page_98">98</a></span>Poets of Canada;</li> - <li class="isub3">previous to 1867, <a href="#Page_17">17</a>;</li> - <li class="isub3">from 1867–1893, <a href="#Page_20">20</a>, <a href="#Page_72">72</a>;</li> - <li class="isub3">estimate of their productions, <a href="#Page_20">20–25</a>;</li> - <li class="isub3">patriotic strain of many of their efforts, <a href="#Page_25">25–27</a>.</li> - <li class="isub2">Political Life in Canada, attracts best intellects in old times, <a href="#Page_11">11</a>, <a href="#Page_43">43</a>;</li> - <li class="isub3">also at present, <a href="#Page_43">43</a>, <a href="#Page_44">44</a>.</li> - <li class="isub2">Potherie, La, his "Amérique Septentrionale," <a href="#Page_6">6</a>, <a href="#Page_63">63</a>.</li> - <li class="isub2">"Professor Conant," novel by L. S. Huntington, <a href="#Page_82">82</a>.</li> - <li class="isub2">"Prehistoric Man," by Sir D. Wilson, <a href="#Page_81">81</a>.</li> - <li class="isub2">Pulpit, literature of, in Canada, <a href="#Page_43">43</a>.</li> - - - <li class="isub2 p1t">Raphael, W., artist, <a href="#Page_54">54</a>.</li> - <li class="isub2">Reade, John, his poems, <a href="#Page_20">20</a>, <a href="#Page_21">21</a>, <a href="#Page_73">73</a>;</li> - <li class="isub3">his "In My Heart" quoted at length, <a href="#Page_77">77</a>;</li> - <li class="isub3">essayist, <a href="#Page_81">81</a>.</li> - <li class="isub2">Redpath Library at Montreal, <a href="#Page_90">90</a>.</li> - <li class="isub2">Reid, G. A., Canadian artist, his "Foreclosure of the Mortgage," his success at the World's Fair, <a href="#Page_87">87</a>.</li> - <li class="isub2">Religious literature, <a href="#Page_10">10</a>.</li> - <li class="isub2">Richardson, A. H., the architect, a lover of the Romanesque, mentioned, <a href="#Page_57">57</a>.</li> - <li class="isub2">Richardson, Major, his romances, <a href="#Page_82">82</a>.</li> - <li class="isub2">Riley, James Whitcomb, the poet, <a href="#Page_20">20</a>.</li> - <li class="isub2">Roberts, C. G. D., his poems, <a href="#Page_20">20</a>, <a href="#Page_26">26</a>, <a href="#Page_74">74</a>.</li> - <li class="isub2">"Roberval," poem by J. H. Duvar, <a href="#Page_75">75</a>.</li> - <li class="isub2">Routhier, J. B., poet, <a href="#Page_74">74</a>.</li> - <li class="isub2">Royal Society of Canada, its foundation, <a href="#Page_33">33</a>;</li> - <li class="isub3">its objects, <a href="#Page_33">33–36</a>;</li> - <li class="isub3">its success, <a href="#Page_36">36</a>;</li> - <li class="isub3">its Transactions and their circulation, <a href="#Page_36">36</a>, <a href="#Page_37">37</a>;</li> - <li class="isub3">some of its most prominent contributions to the literature of learning and science, <a href="#Page_37">37–39</a>;</li> - <li class="isub3">its connection with "Tidal Observations," and the determination of the true longitude of Montreal, etc., <a href="#Page_38">38</a>;</li> - <li class="isub3">asks for sympathetic encouragement, <a href="#Page_42">42</a>;</li> - <li class="isub4">see note 58, p. <a href="#Page_84">84</a>.</li> - <li class="isub2">Ruskin, John, <a href="#Page_21">21</a>;</li> - <li class="isub3">quoted, <a href="#Page_48">48</a>.</li> - <li class="isub2">Ryan, Carroll, poet, <a href="#Page_73">73</a>.</li> - - - <li class="isub2 p1t">Sagard, Gabriel, his "Grand Voyage," etc., <a href="#Page_6">6</a>, <a href="#Page_63">63</a>.</li> - <li class="isub2">Sainte-Beuve on French poetry, <a href="#Page_22">22</a>;</li> - <li class="isub3">on good workmanship in literature, and criticism, <a href="#Page_47">47</a>.</li> - <li class="isub2">Saint-Maurice, Faucher de, mentioned, "Sam Slick," by Judge Haliburton, <a href="#Page_11">11</a>, <a href="#Page_12">12</a>, <a href="#Page_66">66</a>.</li> - <li class="isub2">Sangster, Charles, his poems, <a href="#Page_17">17</a>, <a href="#Page_69">69</a>.</li> - <li class="isub2">Sarrazin, Dr. Michel, his scientific labours in Canada, <a href="#Page_8">8</a>, <a href="#Page_64">64</a>.</li> - <li class="isub2">Schools in Canada, number of, <a href="#Page_65">65</a>;</li> - <li class="isub3">pupils at same, <a href="#Page_65">65</a>.</li> - <li class="isub2">Science, Canadians achieve notable success therein, <a href="#Page_32">32</a>.</li> - <li class="isub2">Sculptors in Canada, <a href="#Page_57">57</a>, <a href="#Page_88">88</a>.</li> - <li class="isub2">Secord, Laura, her toilsome journey in 1813, described by Mrs. Edgar, <a href="#Page_78">78</a>;</li> - <li class="isub3">worthy of a poet's pen, <a href="#Page_24">24</a>.</li> - <li class="isub2">Selections from Canadian Poets, by E. H. Dewart, <a href="#Page_73">73</a>.</li> - <li class="isub2">Seminary, The Great and Lesser, founded at Quebec, <a href="#Page_6">6</a>.</li> - <li class="isub2">"Simple Adventures of a Memsahib," by Sara J. Duncan, <a href="#Page_83">83</a>.</li> - <li class="isub2">Sladen, Douglas, his collection of American poems, <a href="#Page_76">76</a>.</li> - <li class="isub2">Smith, Captain John, compared with Samuel Champlain, <a href="#Page_62">62</a>.</li> - <li class="isub2">Smith, Goldwin, on the study of the classics, <a href="#Page_49">49</a>.</li> - <li class="isub2">Smith, William, his History of Canada, <a href="#Page_12">12</a>, <a href="#Page_66">66</a>.</li> - <li class="isub2">"Social Departure, A," by Sara J. Duncan, <a href="#Page_29">29</a>, <a href="#Page_83">83</a>.</li> - <li class="isub2">"Songs of the Great Dominion," collection of poems by W. D. Lighthall, <a href="#Page_76">76</a>.</li> - <li class="isub2">"Songs of Life," by E. H. Dewart, <a href="#Page_73">73</a>.</li> - <li class="isub2">"Songs of a Wanderer," by Carroll Ryan, <a href="#Page_73">73</a>.</li> - <li class="isub2">St. Andrew's Church at Toronto, its architecture, <a href="#Page_90">90</a>.</li> - <li class="isub2">St. James's Cathedral at Toronto, its architecture, <a href="#Page_90">90</a>.</li> - <li class="isub2">Statesmanship in Canada, <a href="#Page_15">15</a>, <a href="#Page_42">42</a>.</li> - <li class="isub2">Stewart, Dr. George, his literary efforts, <a href="#Page_81">81</a>.</li> - <li class="isub2">Suite, historian and poet, <a href="#Page_20">20</a>, <a href="#Page_71">71</a>, <a href="#Page_73">73</a>.</li> - - - <li class="isub2 p1t">Tanguay, Abbé, his "Dictionnaire Généalogique des Canadiens Français," <a href="#Page_72">72</a>.</li> - <li class="isub2">Tassé, Joseph, his writings, <a href="#Page_72">72</a>.</li> - <li class="isub2">"Tecumseh," poem by C. Mair, <a href="#Page_74">74</a>.</li> - <li class="isub2">"Tendres Choses," poem by R. Chevrier, <a href="#Page_76">76</a>.</li> - <li class="isub2"><span class="pagenum"><a name="Page_99" id="Page_99">99</a></span>"This Canada of Ours," poem by J. D. Edgar, <a href="#Page_76">76</a>.</li> - <li class="isub2">Thompson, David, his book on the War of 1812, <a href="#Page_12">12</a>, <a href="#Page_67">67</a>.</li> - <li class="isub2">Thompson, Ernest, artist, <a href="#Page_87">87</a>.</li> - <li class="isub2">Tilley, Sir Leonard S., statesman, <a href="#Page_15">15</a>.</li> - <li class="isub2">Todd, A., his "Parliamentary Government," <a href="#Page_18">18</a>, <a href="#Page_69">69</a>.</li> - <li class="isub2">Trinity College at Toronto, its architecture, <a href="#Page_90">90</a>.</li> - <li class="isub2">"Trois Morts," poem by O. Crémazie, <a href="#Page_68">68</a>.</li> - <li class="isub2">Tully, Sidney, artist, <a href="#Page_87">87</a>.</li> - <li class="isub2">Tupper, Sir Charles, statesman, <a href="#Page_15">15</a>.</li> - <li class="isub2">Turcotte, L., his "History of Canada," <a href="#Page_20">20</a>, <a href="#Page_71">71</a>.</li> - - - <li class="isub2 p1t">Uniacke, J. Boyle, statesman, <a href="#Page_15">15</a>.</li> - <li class="isub2">Universities and Colleges in Canada, <a href="#Page_65">65</a>.</li> - <li class="isub2">University of Toronto, its architecture, <a href="#Page_90">90</a>.</li> - - - <li class="isub2 p1t">Verner, F. A., artist, <a href="#Page_54">54</a>.</li> - <li class="isub2">Verreau, Abbé, contributor to Royal Society, <a href="#Page_38">38</a>.</li> - - - <li class="isub2 p1t">"Wacousta, or the Prophecy," romance by Major J. Richardson, <a href="#Page_82">82</a>.</li> - <li class="isub2">Waters, Frank, poet, <a href="#Page_75">75</a>.</li> - <li class="isub2">Watson, Homer, artist, <a href="#Page_54">54</a>.</li> - <li class="isub2">Watson, S. J., poet, <a href="#Page_73">73</a>.</li> - <li class="isub2">Way, Chief Justice, of Adelaide, S. A., mentioned, <a href="#Page_80">80</a>.</li> - <li class="isub2">"Week, The," its literary work in Canada, <a href="#Page_40">40</a>.</li> - <li class="isub2">"White Stone Canoe," poem by J. D. Edgar, <a href="#Page_76">76</a>.</li> - <li class="isub2">Whitman, Walt, as poet, <a href="#Page_23">23</a>.</li> - <li class="isub2">Wicksteed, G. W., poet, <a href="#Page_74">74</a>.</li> - <li class="isub2">Wilmot, Judge, statesman, <a href="#Page_14">14</a>.</li> - <li class="isub2">Wilson, Sir D., one of the founders and constant workers of the Royal Society, <a href="#Page_33">33</a>, <a href="#Page_38">38</a>.</li> - <li class="isub2">Woodcock, Percy, artist, <a href="#Page_87">87</a>.</li> - <li class="isub2">World's Fair at Chicago, <a href="#Page_54">54</a>;</li> - <li class="isub3">beauty of architecture, and excellence of exhibition of paintings and statuary, <a href="#Page_55">55–57</a>;</li> - <li class="isub3">must help to develop higher artistic achievement in America, <a href="#Page_57">57</a>;</li> - <li class="isub3">Canadian painters at, <a href="#Page_55">55</a>, <a href="#Page_56">56</a>.</li> - - - <li class="isub2 p1t">"Younger American Poets," collection by D. Sladen, <a href="#Page_76">76</a>.</li> - <li class="isub2">Young, Sir William, statesman, <a href="#Page_15">15</a>.</li> -</ul> - - -<hr /> - -<div class="chapter"> -<div class="transnote"> -<h2 class="nobreak p1">Transcriber's Note:</h2> - -<p>Footnotes placed at end of their respective chapter</p> - -<p>Obvious punctuation and spelling errors corrected</p> - -<p><a href="#Page_6">Pg. 6</a>: Note 11 for "... the admirable account of Indian life and customs by the Jesuit Lafitau," changed to 11<i>a</i></p> - -<p><a href="#Page_27">Pg. 27</a>: Note 44<i>a</i> for "... written sixty years ago by Major John Richardson," changed to 45<i>a</i></p> - -<p><a href="#Page_42">Pg. 42</a>: Note/Footnote 58 * for "... yet in the infantry of its literary life." changed to Footnote F</p> - -<p><a href="#Page_63">Pg. 63</a>: In "(8) Page 6.—The Canadian Government...." changed to "(9) Page 6.—The Canadian Government...."</p> -</div> -</div> - -<p> </p> -<p> </p> -<hr class="full" /> -<p>***END OF THE PROJECT GUTENBERG EBOOK OUR INTELLECTUAL STRENGTH AND WEAKNESS***</p> -<p>******* This file should be named 55499-h.htm or 55499-h.zip *******</p> -<p>This and all associated files of various formats will be found in:<br /> -<a href="http://www.gutenberg.org/dirs/5/5/4/9/55499">http://www.gutenberg.org/5/5/4/9/55499</a></p> -<p> -Updated editions will replace the previous one--the old editions will -be renamed.</p> - -<p>Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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