summaryrefslogtreecommitdiff
path: root/old/55476-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/55476-0.txt')
-rw-r--r--old/55476-0.txt2431
1 files changed, 0 insertions, 2431 deletions
diff --git a/old/55476-0.txt b/old/55476-0.txt
deleted file mode 100644
index e4d5efd..0000000
--- a/old/55476-0.txt
+++ /dev/null
@@ -1,2431 +0,0 @@
-The Project Gutenberg EBook of Ships at Work, by Mary Elting Folsom
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: Ships at Work
-
-Author: Mary Elting Folsom
-
-Illustrator: Manning De V. Lee
-
-Release Date: September 2, 2017 [EBook #55476]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK SHIPS AT WORK ***
-
-
-
-
-Produced by Stephen Hutcheson, Dave Morgan, Chuck Greif
-and the Online Distributed Proofreading Team at
-http://www.pgdp.net
-
-
-
-
-
-
-
-
- [Illustration:
-
- SHIPS
- _AT WORK_
-
- MARY ELTING
-
- _ILLUSTRATED BY_
- MANNING DEV. LEE
- ]
-
- [Illustration]
-
- [Illustration]
-
- Copyright 1946, 1953 by Duenewald Printing Corporation.
- Lithographed in the United States of America.
-
-
-
-
- SHIPS AT WORK
-
-
- [Illustration]
-
- [Illustration]
-
-
-
-
- SHIPS
- AT WORK
-
- _By Mary Elting_
-
- [Illustration]
-
- ILLUSTRATED BY
- MANNING DE V. LEE
-
- GARDEN CITY BOOKS
-
- GARDEN CITY, N.Y.
-
- [Illustration]
-
-
-
-
- [Illustration]
-
-
-SHIPS AND MEN
-
-A ship is a marvellous thing. It took ships--and the men who sail
-them--to circle the world and tie it all together into one round ball.
-Brave seamen from a thousand ports have faced storms and unknown
-dangers, first to make the world a bigger place for people to live in,
-then to bring all people close together.
-
-No matter how dangerous the voyage nor what she carries, a ship is
-always “she” to a seagoing man. He never calls a freighter or a tanker
-or any large vessel a boat. Only shoreside people who have never been to
-sea make the mistake of calling a ship a boat. And shoreside people
-never know the excitement and fun--and the long, hard work--that the
-skillful men of the sea know every day of their lives.
-
-
-STANDING WATCH
-
-Jim is a sailor on a freighter carrying cargo across the Atlantic Ocean.
-Every morning at half-past three, someone comes into the forecastle.
-That’s the seamen’s name for their sleeping quarters. They pronounce it
-“foke-sull.”
-
-Jim mumbles a little. Then the light goes on. The sailor who has waked
-him wants to be sure he doesn’t go back to sleep. With half-open eyes,
-Jim sees his clothes hanging from hooks. Back and forth they sway as the
-ship pitches and rolls. Jim is so used to sleeping in rough weather that
-he hadn’t even noticed when a storm blew up in the night.
-
-[Illustration]
-
-Now he’s wide awake, and so are the other men in the forecastle. Jim
-swings his legs over the side of his bunk, in a hurry to get dressed in
-well-washed blue dungarees, a turtleneck sweater instead of a shirt,
-thick socks and a heavy woolen pea coat. That’s a sailor’s winter jacket
-with pockets that slant in sideways. He makes sure his sharp knife is
-dangling from a snap on his belt. No telling when it might come in
-handy. Then he sticks a knitted blue stocking cap on his head and
-reaches for his fleece-lined mittens.
-
-[Illustration]
-
-Jim wants to be warm. He knows the wind will be sharp, even though his
-ship is headed for the warm Mediterranean Sea. It’s wintertime and still
-cold out on the Atlantic Ocean.
-
-Jim and the three men who share his bunkroom are ready for work--almost
-ready. First they go down the passageway to the mess, which is their
-word for dining room. There they have coffee from a big steaming urn
-that is always kept full and hot. In another minute Jim steps out onto
-the leeward side of the deck--the side away from the wind. Although he’s
-in a hurry, he waits there sheltered from the wind for a few minutes
-while his eyes get used to the dark. Jim is going to stand his watch.
-That means he will work for four hours.
-
-Jim is an AB--an Able Bodied Seaman. An AB works out on deck instead of
-down inside the ship in the engine room or in the kitchen, which he
-calls the galley. All the men who work on a ship are seamen. Only
-deckhands are called sailors. And only those sailors who have passed
-examinations and have been at sea for a certain length of time are AB’s.
-The other sailors are called ordinary seamen or ordinaries for short.
-
-As soon as his eyes can see in the dark, Jim walks toward the bow which
-is the front of the ship. As the deck rises and falls and tilts under
-his feet, he manages from long practice, to keep his balance, but he
-also slides one hand along the rail on top of the bulwark, a kind of low
-wall that runs all around the deck.
-
-In good weather he would go to the bow and stand there, watching for
-anything there might be in the ocean ahead. But tonight waves may splash
-over the bow. An unexpected wave can knock a man down or even wash him
-overboard. It will be safer high up in the crow’s nest above the deck.
-Besides he can see farther from up there. So Jim climbs to the little
-enclosed platform high on the foremast.
-
-[Illustration]
-
-In a very bad storm Jim would not go outside. He would stand watch in
-the wheelhouse. This is a room with a big window high above the deck in
-the part of the ship called the house. The room gets its name because
-the wheel that steers the ship is in it.
-
-Jim knows it is good manners always to be a little early when you go to
-take the place of another seaman whose watch is over. So he doesn’t
-waste any time as he scrambles up the steel rungs in the ladder on the
-mast.
-
-He pokes his head through the hole in the floor of the crow’s nest.
-There he finds Juan, who is cold and glad enough to climb down and get
-into his warm bunk.
-
-Juan has a telephone strapped on his head. He uses it to talk with the
-third mate, the officer in charge of the ship who works in the
-wheelhouse. When Juan sees Jim, he says into the telephone, “Crow’s nest
-to wheelhouse--being properly relieved, sir.” Now the mate, listening to
-the loudspeaker in the wheelhouse, knows that Jim is the lookout in the
-crow’s nest.
-
-[Illustration: 4 BELLS]
-
-[Illustration: 5 BELLS]
-
-[Illustration: 6 BELLS]
-
-[Illustration: 7 BELLS]
-
-Jim puts the telephone on his head and leans against the rail around the
-small platform that sways far to one side, then to the other. Soon he
-hears the ship’s bell, a faint sound above the storm--“Ding-ding,
-ding-ding, ding-ding, ding-ding.” Eight bells. It is exactly four
-o’clock. At four-thirty the bell rings again, just once. Two bells will
-be five o’clock, and so on until eight, when there will be eight bells
-again.
-
-[Illustration: 8 BELLS]
-
-[Illustration: 1 BELL]
-
-[Illustration: 2 BELLS]
-
-[Illustration: 3 BELLS]
-
-For a long time there is nothing for Jim to see but great gray waves
-rising and lifting the ship, and once in a while splashing over the
-decks way down below. Then far ahead and to the right Jim sees a tiny
-speck of light.
-
-[Illustration: Starboard Side]
-
-[Illustration: Port Side]
-
-[Illustration: Harbor Tug With Tow]
-
-[Illustration: Black Coming Straight Toward You]
-
-“Crow’s nest to wheelhouse,” he calls into the phone. “White light two
-points on the starboard bow.” The mate knows from this where to look for
-the light. The diagram on page 16 shows the words Jim will use when he
-tells the mate to look in other directions.
-
-Jim thinks the white light probably comes from another ship. Soon he
-knows it does. He can see two white lights very close together and a
-green light a little below them. He and the mate know that a green light
-is always shown on the right or starboard side of a vessel that’s
-moving. There is no danger. Jim’s ship and the other one are a long way
-apart and are not headed for each other. If Jim saw both a green light
-and a red light with two white lights above them, he would be alarmed.
-This would mean a ship coming straight at him.
-
-[Illustration: Bearings on Port Side Go the Same Way]
-
-Now and then spray from the waves blows all the way to the crow’s nest,
-and Jim is glad of a protecting shield that comes up almost as high as
-his face. But he can feel the wind anyway, and he can hear it roar
-through the rigging. He almost has to shout into the phone so the mate
-can hear him.
-
-The safety of the ship depends on Jim. Even in the darkness he can see a
-great deal from his high perch. He may notice the white foam of waves
-ahead behaving in a strange way. This could be the wreck of a
-half-sunken ship that would tear a hole in his own ship and send her to
-the bottom. If he dozed off, he might fail to sight some danger. So he
-must keep alert every minute. He’s responsible for the lives of all his
-shipmates, and he takes his job seriously.
-
-[Illustration]
-
-Jim watches the dark, heaving ocean for two hours. He’s glad when his
-coffee time comes. That’s ten minutes of rest he gets after standing
-watch for two hours. When another lookout comes to the crow’s nest to
-take his place, he warms up in the mess and then goes to the wheelhouse.
-There he works for two hours steering the ship. He stands his watch at
-the wheel.
-
-The wheelhouse is dark, so that the mate can see through the big windows
-anything that the lookout reports. The only light comes from
-instruments, such as the compass. Jim watches the compass to make sure
-he is steering in the right direction. The mate tells him what direction
-the captain has ordered the ship to go. But the compass can’t be their
-only guide.
-
-When you guide yourself by a compass on a hike across a wide meadow, you
-can keep going in a straight line because nothing pushes you to one side
-or the other. But at sea the wind is always pushing against a ship,
-making it slip sideways. Currents in the water push, too. The current
-may be going one way and the wind in another. There are no trees or
-mountains on the ocean to help seamen know exactly where they are. So
-they can use the sun and stars as their guides.
-
-Of course, the sun, stars and moon keep moving. But they travel in an
-orderly way. If a seaman knows the rules about their motion, he can look
-at them through special instruments and figure out where he is. He can
-navigate.
-
-[Illustration]
-
-More than two hundred and fifty years ago, an American boy named
-Nathaniel Bowditch went to sea and discovered that sailors didn’t have
-any good, accurate rules for steering by the stars. He decided to do
-something about the problem. Before long he had worked out a set of
-rules that were so good that every man in his crew could navigate--even
-the cook!
-
-[Illustration]
-
-The mate on Jim’s ship has instruments with which he looks at the sun
-and stars. And he still uses the book that Nathaniel Bowditch wrote so
-long ago.
-
-Besides the wheel and the compass, there are other instruments in the
-wheelhouse. One is the engine room telegraph. The mate uses this when he
-wants the ship to go faster or slower, forward or backward. He moves the
-handle of the telegraph, and a bell jangles in the engine room. Another
-telegraph there, exactly like the one in the wheelhouse, shows the
-engineer at what speed the ship should go. To let the mate know he has
-received the order, the engineer sends the same signal back on the
-telegraph, and a bell in the wheelhouse jangles, too.
-
-By eight o’clock, when it is daylight, Jim’s watch is over. He goes
-below, as seamen say, and sits down with his messmates--all the others
-in the crew who aren’t on watch--for a big breakfast of orange juice,
-bacon, eggs and flapjacks. Then he goes to sleep.
-
-A little before noon he is up again. The storm was not a bad one. The
-sun is shining, and it is warm out on deck. Jim has all afternoon until
-four o’clock to himself. This is how he spends it: First he gets a
-bucket of cold water and puts it under a little faucet that brings up
-steam from the engine room. He runs steam into the water, and it’s hot
-in a few seconds. Out on the afterdeck, sailors have rigged up a
-washboard.
-
-Jim spreads his dirty clothes on the board and scrubs them with a brush
-and soap and his steam-heated water. Seamen do a lot of washing. They
-like to keep their clothes clean. Often they do their own mending, too.
-
-[Illustration]
-
-While Jim’s clothes dry on a regular clothesline on the afterdeck, he
-gets out his ditty bag which holds all kinds of odds and ends, including
-needles and thread and a sailor’s palm. The palm is what a sailor uses
-instead of a thimble for pushing a big needle through heavy canvas. In
-the old days when ships had sails to be mended, these palms were very
-necessary, but nowadays most sailors only use them the way Jim does. He
-is making a sea bag to take the place of his old one that has worn out.
-The sea bag is his trunk. He carries it on his shoulder whenever he
-changes ships.
-
-[Illustration]
-
-While Jim sews, he sings, and other seamen who are off watch sing too.
-One of them plays a banjo, and another has a harmonica. Some of the
-songs are the ones you hear any day on the radio, and others are songs
-that seamen themselves have made up.
-
-These sailor songs are called chanteys--pronounced shantys. On old
-sailing vessels men sang them as they worked together, and the rhythm of
-their work set the rhythm of the music. Here is a chantey that helped
-them pull together on the rope that lifted a sail:
-
- Way! Haul away! We’ll haul away the bowline.
- Way! Haul away! We’ll haul away, Joe.
-
-In those days, before there were engines to do work, men used a
-hand-turned machine called a capstan to raise the anchor or tighten
-heavy lines. They turned it round and round by pushing against long bars
-called capstan bars. As they pushed, they sang:
-
- Yo, heave ho! Round the capstan go.
- Heave, men, with a will. Tramp, and stamp it still!
- The anchor must be weighed, the anchor must be weighed.
- Yo-ho! Heave ho! Yo-ho! Heave ho!
-
-Now, while the singing goes on, Jim takes his turn at having a haircut.
-For a barber’s chair he uses a bitt. That’s a round piece of steel that
-sticks up out of the deck at just the right height. It’s used at times
-for holding big ropes that seamen call hawsers.
-
-The barber is a man from the black gang. That means he works in the
-engine room. When he is off watch, he likes to make a little extra money
-cutting hair. So he puts a sheet around Jim and starts to work.
-Chiquita, the ship’s cat, takes a playful swipe at a dangling corner of
-the sheet, and then goes off in search of a rat that may have come
-aboard in port.
-
-[Illustration]
-
-The barber has pictures tattooed on his forearms, and Jim laughs as he
-watches them. On one arm is a picture of an old sailing ship. As the
-barber’s muscles move, they make the ship look as if wind is blowing on
-the sails. On the other arm is a beautiful lady chasing butterflies.
-When the barber opens and closes the scissors, the lady looks as if she
-is dancing after the butterflies.
-
-Just before four o’clock, Jim goes to mess again. Then he’s on watch for
-four more hours to put in the rest of his eight hours of work in a
-twenty-four hour day. He stands lookout again for two hours and takes
-the wheel for two more. Now his day is done.
-
-
-SEA LANGUAGE
-
-When Jim first went to sea, he found that seamen speak a language of
-their own. A floor is always a deck. A partition between rooms is a
-bulkhead. A ceiling is the overhead. Stairs are always a ladder. The
-opening onto a deck at the head of the steps is a companionway. Almost
-all ropes are called lines.
-
-One day another seaman said to Jim: “The bosun wants you to break out
-the handy billy in the forepeak and take it aft to Chips. He’s abaft the
-mizzenmast.” This is what all those words mean:
-
-The bosun is a man who acts as foreman, giving orders to deckhands.
-“Break out” means “take from its regular storage place.” The handy billy
-is a combination of small wheels called blocks with a line running
-around them. It is handy for moving heavy weights. The forepeak is a
-storeroom under the main deck at the bow where the bosun keeps tools and
-equipment. Chips is the ship’s carpenter. Aft means toward the stern of
-the ship, and abaft means “behind, in the direction of the stern.” The
-mizzenmast is the third mast, counting from bow to stern.
-
-[Illustration]
-
-Jim also had to learn that anything toward the bow of the ship is
-forward. Anything toward the middle is amidships, and anything crosswise
-is athwart or thwartships. Anything on the windy side of a ship is to
-windward. (A good sailor never spits to windward.) Anything on the side
-away from the wind is to leeward--pronounced “loo-urd.” When Jim goes up
-on deck he goes topside; when he climbs a mast, he goes aloft.
-
-[Illustration]
-
-[Illustration: Accommodation Ladder]
-
-Jim had to learn the commands that the mate gives him when he is at the
-wheel steering the ship. Helm is another word for the wheel, and
-helmsman is the man who steers. (On some ships, Jim would not steer at
-all. Steering is often the special job of AB’s called quartermasters who
-don’t do much of anything else.)
-
-[Illustration: Jacob’s Ladder]
-
-Suppose the mate says to Jim, “Mind your rudder.” That means Jim must
-steer carefully or get ready for a new order. “Steady as you go” means
-keep on going just as you are.
-
-[Illustration]
-
-The wheelhouse is sometimes called the pilot house. The pilot is a man
-who specializes in guiding ships in and out of harbors. A small boat
-brings him out from shore. Usually he climbs aboard on an accommodation
-ladder, a whole flight of stairs which is lowered from a deck. But
-sometimes he has to climb a Jacob’s ladder, which is simply wooden steps
-fastened to ropes that hang down the ship’s side.
-
-[Illustration]
-
-The pictures explain some more words Jim had to learn. A pier or a wharf
-is a platform sticking out into the water. Ships tie up alongside it.
-Seamen sometimes call a pier a dock, but a dock is really the water
-between piers.
-
-A hatch or hatchway is an opening in the deck of a vessel. People can go
-down a hatch, and so can cargo. Big strong poles called booms raise and
-lower cargo through hatches. Booms are attached to single masts on some
-ships; on others, to pairs of posts called king posts or Samson posts or
-goal posts. When seamen fasten heavy layers of canvas over the hatches,
-they say they “batten down the hatches.”
-
-[Illustration]
-
-Backstay, stay and shroud are all wire ropes that brace the masts. The
-poop deck is a deck at the stern. Taffrail is the rail around the stern.
-The taffrail log is a kind of speedometer that tells how far the ship
-has travelled. It is made up of a line attached to a little propeller
-which measures miles as it is dragged through the water.
-
-[Illustration]
-
-The beam is the widest part of a ship. The keel is the lowest part. The
-bilge is the low, rounded bottom of the ship. Any water that seeps into
-a ship collects there and has to be pumped out. Ballast is a weight of
-some sort, low in a ship to balance her or keep her down in the water so
-her propellers can work when she has no cargo. Draft is the depth of
-water needed to float a vessel. When Jim says his ship “draws twelve
-feet,” he means the keel is twelve feet under water when she is loaded.
-
-[Illustration: Cheepshank knot]
-
-[Illustration: Marlinspike Bowline Double Sheet Bend Carrick Bend]
-
-
-OTHER JOBS
-
-A sailor knows how to do many things besides stand lookout and steer. If
-a line breaks, he can mend it by splicing the ends together with a tool
-called a marlinspike. If lines wear thin, he puts in new ones--and lines
-are needed in a great many places on even the most modern ships.
-
-Sailors know how to tie many different kinds of knots. Each one is good
-for special kinds of work. For instance, a sheepshank is made in a line
-to shorten it. Jim calls a bad knot a gilligan hitch.
-
-Painting is something else that sailors do all the time. On one trip Jim
-painted the mizzenmast. For this job he sat in a bosun’s chair. You’ll
-see a picture of it on page 31. When he works high above the deck he
-always has his paint brush tied to his wrist. Then, if it slips out of
-his hand, it can’t fall and hit anyone below.
-
-All the sailors get their orders from the bosun, whom they call “Boats.”
-That’s because the real spelling of bosun is boatswain. The bosun gets
-his orders from the mate on watch who gets his orders from the captain.
-The captain is in charge of everything. Seamen call him the skipper or
-the master or the Old Man.
-
-[Illustration]
-
-The “Chief” (chief engineer) and his three assistant engineers get
-orders from the skipper, too. The firemen in the engine room help the
-engineer carry out the orders. When they are on watch, they look through
-little peep holes into the oil burning furnaces to make sure the fires
-are burning just right. They keep an eye on the steam pressure gauges.
-
-At the same time, men called oilers keep every part of the ship’s huge
-engines and other machinery well oiled. On some ships there is a big
-piston, like the driving rod on railroad engine wheels. One end of it
-moves in a circle. The oiler has to squirt oil in a little cup at the
-end of the piston. Every time the cup swings up where he can reach it,
-he aims his oil can. He is very careful to aim straight. If he misses
-the cup, oil splashes all over.
-
-No matter how careful he is, some oil does get spilled and spattered
-around. It is the job of the oiler to wipe it up and to polish all the
-brass fixtures, which he calls the brightwork. On deck, ordinary seamen
-polish the brightwork.
-
-[Illustration]
-
-One man is in charge of all the food on a ship. He is the steward, and
-the cooks work under him, and so do the messmen who are the waiters and
-dish washers.
-
-The radio man sends and receives all radio messages. He is called
-sparks.
-
-All the seamen who work on cargo vessels, and on passenger vessels, too,
-are divided up the same way into the deck department, the engine
-department and the steward’s department.
-
-As the great engine deep down in Jim’s ship pushes her through the calm
-blue water of the Mediterranean Sea, he stands watch in the bow. Now he
-begins to catch sight of small sailing vessels. When his ship enters the
-port of Alexandria at the mouth of the Nile River in Egypt, he is close
-to the place where much of the story of ships began.
-
-[Illustration: Egyptian Papyrus Reed Canoe]
-
-
-PAPYRUS REED CANOE. The people of Egypt discovered long ago that bundles
-of papyrus reed would hold up a man’s weight in the water. Later, they
-tied the bundles into a canoe shape which was easy to handle.
-
-[Illustration: Egyptian Dugout]
-
-
-EGYPTIAN DUGOUT. A log hollowed out in the shape of a reed canoe was
-stronger, and it lasted longer. By adding boards to a dugout along the
-top of each side, Egyptians had a vessel that could carry bigger loads.
-Paddles and their own muscles were all they had for power.
-
-[Illustration: Egyptian Oars and Sail]
-
-
-EGYPTIAN SAILING VESSEL. Here the power of wind was added to the power
-of oarsmen. Luckily the winds of Egypt blew from north to south and
-helped push sailing vessels up the Nile.
-
-
-GALLEYS. Greeks and Romans used sail-and-oar vessels called galleys.
-Slaves, chained to their seats, rowed in rhythm. There were many slaves,
-so their masters could get extra muscle-power by seating two, three or
-more banks of oarsmen on each side. A ship with two banks was a bireme;
-with three, a trireme.
-
-[Illustration: Greek Trireme]
-
-[Illustration: Rowers in a Trireme]
-
-
-DHOW. Other people around the Mediterranean Sea discovered they could do
-away with oarsmen by making better use of windpower. They invented
-triangular sails called lateen sails to take the place of square ones.
-Lateen-rigged dhows are still used. Columbus had both square and lateen
-sails on the Santa Maria. All three of his ships together were not as
-long as Jim’s freighter.
-
-[Illustration: Arab Dhow]
-
-[Illustration]
-
-[Illustration]
-
-New things begin to happen as Jim’s ship nears port. He goes down into
-the forepeak under the deck in the bow. There, all around, are neat
-coils of hawser which is as thick as his arm. He and other sailors shove
-one end of a hawser up the ladder. Men on deck grab it and wrap it
-around a sort of spool called a winch head. Now the winch turns the
-spool and does the work of lifting out the heavy line. The deckhands lay
-it neatly on the decks ready to use when the ship ties up at a pier.
-
-Next Jim goes up to the bow and helps Chips, the carpenter, break cement
-out of the hawse pipes. A hawse pipe is a hole in the ship’s side. An
-anchor chain runs through it. Whenever a ship raises, or weighs, its
-anchors and starts on a long trip, Chips plugs up the hawse pipes with
-cement. This keeps water from splashing up through the pipes in a storm.
-
-On modern ships, a machine called a windlass raises and lowers the
-anchors. In the old days, when sailors had to raise anchors by turning
-the capstan by hand, they had a phrase for officers who worked their way
-up from being deckhands. They said these officers came up “through the
-hawse pipe.” Officers who got their knowledge from going to school and
-studying books were said to “come in through the cabin window.”
-
-After the cement is out of the hawse pipe, Jim takes the devil’s claws
-off the anchor chains and releases the riding pawls. These are two
-brakes on the anchor chain which you can see in the picture. Now only
-the brake on the windlass holds the anchor chain in position over the
-wildcat, which is the wheel on the windlass.
-
-[Illustration]
-
-The captain signals from the bridge to let go. Chips releases the
-windlass brake. The big chain rushes up out of the locker, over the
-wildcat and down the hawse pipe with a terrific roar. Soon the ship is
-safely anchored. The skipper can wait now until there is a vacant pier
-where he can tie up.
-
-[Illustration: Freighter]
-
-[Illustration: Tanker]
-
-After the ship ties up, the captain orders watches broken. The men no
-longer work four hours and rest eight. Now most of them work eight hours
-during the day and have the remaining time off, just the way shoreside
-people do. There is no need for the routine of the sea. Egyptian
-longshoremen will unload the cargo.
-
-Jim puts on a suit he has kept hanging pressed in his locker. Then he
-and Juan go down the gangplank. They are off to see the sights in the
-fascinating Egyptian city--and to buy souvenirs.
-
-But before they have gone very far from the waterfront where a tangle of
-masts and booms and stacks marks the skyline, they meet Lars, an old
-shipmate of theirs. That’s not so strange as you might think. A sailor
-often changes ships, and he gets to have many friends who travel just as
-much as he does. While they eat an Egyptian meal in an Egyptian
-restaurant, Lars says he’s on a tanker now. She’s in Alexandria getting
-her rudder repaired. It broke in a storm, but the men fixed up something
-to take its place. They called it a jury rudder.
-
-[Illustration]
-
-Lars’s tanker looks very different from a freighter. She is long and low
-and has two houses. One is midships, and the officers’ quarters and
-wheelhouse are there. The crew lives in the other house at the stern.
-
-Between the two houses the deck is so low that waves often wash over
-it, and so there has to be a high bridge called a walkaway or a catwalk.
-
-Lars says his particular tanker carries “clean” oil. By that he means
-oil that has been refined into different grades of gasoline. “Dirty” oil
-is crude oil just the way it comes out of the wells. Lars is a tankerman
-and a seaman. He has taken a special examination for his job. He knows
-all the ways to pump different kinds of oil in and out of the tanks on a
-ship. He knows how to keep gasoline from exploding. He has learned to
-use special equipment. For instance, he never goes down to clean a tank
-on his ship without an oxygen mask and a lifeline. The lifeline is tied
-around him so that a seaman on deck can haul him up if fumes in the tank
-knock him out.
-
-Like most seamen, Lars has travelled all over the world. In China he has
-seen junks and sampans. He has seen fishing boats in Portugal with big
-eyes painted on the bows because sailors thought that helped the boats
-to see their way. Eyes of the same kind have been painted on ships for
-hundreds of years in many other places, even in Chesapeake Bay.
-
-[Illustration: Portuguese Fishing Boats]
-
-[Illustration: Viking Ship]
-
-
-OUTRIGGER. Long ago South Sea Islanders sailed great distances, guiding
-themselves by the stars. The outrigger at the side gives their small
-vessel balance in rough water.
-
-[Illustration: Outrigger of the Sulu Sea]
-
-
-JUNK. The sails of this Chinese ship are made of bamboo slats braced by
-bamboo rods. The rudder is so big that often a dozen men have to work on
-it. Many junks have colored sails.
-
-[Illustration: Junk]
-
-
-NORWEGIAN SHIPS. Old Viking ships that sailed from Norway had both oars
-and brightly decorated sails. Vikings were such good seamen they crossed
-the Atlantic in their open ships. Norwegians are still seafarers. Boys
-who want to be sailors get training on a sailing ship.
-
-[Illustration: Chinese Tub-boat]
-
-[Illustration: Sampan]
-
-Lars used to work on a tanker that brought oil from the Persian Gulf.
-When he went ashore there, he saw boats just like the earliest ones that
-men invented thousands of years ago. He saw boats that were really big,
-round clay pots, built by people in places where there was plenty of
-clay but very little wood. He saw huge basket boats woven from a kind of
-grass and waterproofed with a covering of tar. Some of the basket boats
-were big enough to carry twenty passengers--or several men and three
-horses!
-
-[Illustration: A Quffa on the Tigris]
-
-[Illustration: Raft of Timber and Inflated Skins Discharging Grain at
-Bagdad. Small quffas Serve as Lighters.]
-
-Smaller basket boats were used as lighters. (A lighter is any craft that
-helps to unload freight from another.) Here on the Tigris River, the
-freight was carried on a large raft supported by animal skins blown up
-like balloons. A little raft floating downstream sometimes carried its
-owner, his donkey and the grain he had to sell. After selling the grain,
-the boatman took the skins from under the raft, let the air out, piled
-them on the donkey’s back and walked back home upriver.
-
-Out at sea, whenever Lars sees a life raft on the top deck, he realizes
-it is just like the skin-float rafts he saw on the Tigris River. Instead
-of blown-up skins, water-tight metal containers filled with air hold the
-life raft up. When Lars puts on his life jacket for lifeboat drill, he
-is getting ready to use a float, just the way people long ago used
-bundles of reeds. Even though men have learned so much about ships in
-all the years since they first started to travel on water, they still
-use some of the first knowledge they ever acquired.
-
-All of these things interest Lars. He grew up by the sea in Norway, and
-his people have been seamen since the days of the Vikings. But best of
-all he likes the clean, modern, comfortable tankers. He is not only
-going somewhere himself when he is on a tanker. He is also helping to
-carry a cargo that helps other people to go places.
-
-[Illustration: Life raft]
-
-[Illustration: Life ring]
-
-[Illustration]
-
-
-SEATRAINS
-
-Lars’s tanker was built to do a very special kind of job. So were many
-other kinds of ships. Look at the Seatrain, which carries fully loaded
-freight cars--a hundred of them at a time.
-
-To load a Seatrain, the railroad locomotive pushes a string of cars out
-onto a long pier. A derrick lifts the cars up one by one, swings them
-over an open hatch, and lowers them neatly onto tracks in the ship’s
-hold. After the holds are filled, there’s still room for more cars on
-the main deck outside.
-
-It seems queer for trains to travel by ship, but sometimes that’s the
-best way to send cargo. Freight cars can be filled with sugar on the
-island of Cuba and brought across the water to the United States,
-without any extra loading and unloading. It’s often cheaper for freight
-cars to go by ship than by rail from New York to Savannah or New Orleans
-or Texas City.
-
-[Illustration]
-
-
-BANANA BOATS
-
-Banana boats do their own particular kind of work, too. Actually, they
-aren’t boats, although they do carry bananas. They are refrigerator
-ships. Seamen call them reefers--just as railroad men call a
-refrigerator car a reefer. Everything about a banana boat is arranged to
-keep her cargo cool. She is even painted white, because white things
-reflect some of the sun’s rays into the air instead of absorbing their
-heat. Inside the ship, blowers send cool air circulating around the
-bananas all the time. It isn’t enough just to chill them once and leave
-them there. Bananas actually make heat themselves. So a constant cool
-breeze is needed to carry their heat away. The ships that bring bananas
-from Central America do keep them in the refrigerator.
-
-A banana boat is fast, for she must rush the green fruit from the farm
-to market as quickly as possible. There are even very quick ways of
-loading and unloading. Machines called gantries stand on the pier where
-the ship ties up. The gantries carry the big bunches of bananas in soft
-canvas pockets arranged in an endless chain. Men on the dock lay the
-bunches, one after another into the pockets. Men inside the ship take
-them out and stow them away.
-
-A banana boat sailor does just about the same things that sailors on
-other cargo vessels do. He steers and stands lookout and works on deck.
-And like all sailors he has lifeboat drills. Every ship that sails the
-seas must have lifeboats. Look for them on some high deck, where they
-are easy to get at in emergencies. Canvas covers on the boats keep out
-rain and snow and protect the things stowed inside.
-
-A lifeboat is equipped with everything that you may need if you have to
-float around on the open sea after your ship has gone down. There are
-water-tight containers full of food, drinking water and matches. There
-are oars and sails and life jackets, first-aid equipment and ropes.
-There are flares to light, so that rescuers can locate the boat, and
-pistols that shoot signal flares like Roman candles high into the air.
-There are scoops called bailers for dipping water out of the boat. And
-each lifeboat carries a supply of storm oil. When this oil is spread out
-on the water, it keeps stormy waves from breaking near the boat. If a
-wave breaks too close, it may fill the boat with water and sink it.
-
-[Illustration]
-
-The can of storm oil fits inside a cone-shaped canvas bag called a sea
-anchor. The sea anchor floats ahead of the boat and keeps it pointed
-toward the wind, while the oil drips slowly out and calms the waves.
-It’s important to be pointed into the wind, because a boat that bobs
-around sidewise can easily be tipped over by a wave. Long ago sailors
-discovered what a wonderful help oil can be in stormy weather, and
-that’s where the expression “oil on troubled waters” came from. It means
-to calm things down.
-
-A blast from the ship’s whistle tells seamen when it’s time for lifeboat
-drill. Every man knows which boat he’s supposed to use. He runs first
-for his life jacket, then up the ladders by the shortest route to his
-boat. All the knots and fastenings on the boat are made so that they can
-be loosened with one jerk. Quickly the men work machines called davits
-that are always in perfect order, ready to swing the lifeboat out over
-the water. In a real emergency, the boats would be lowered into the sea,
-and the men would scramble down rope ladders which are kept ready on
-deck. But in a drill, seamen just test the davits and lines.
-
-Most lifeboats are double-enders. This means that the bow and stern are
-rounded and look just alike. The rounded shape helps keep waves from
-tumbling in at either end. Lifeboats are modeled after the old-time
-boats in which sailors rowed away from sailing vessels when they went
-out to harpoon whales.
-
-[Illustration]
-
-
-“THAR SHE BLOWS”
-
-Nowadays, a group of very modern vessels go out together on whaling
-expeditions. A big ship called the factory ship waits in one place while
-a half-dozen or more killer boats cruise around hunting whales. The
-killer boats are power driven, and they are almost as big as an old-time
-sailing ship.
-
-In June or July, one of these little fleets sets out for the South
-Pacific. At the whaling grounds, each killer boat begins its search.
-Suddenly--“Thar she blows!” A whale rises to the surface and spouts. The
-killer boat dashes after it. The harpooner in the bow aims a gun that’s
-fastened to the deck. The harpoon in the gun is as tall as a man and
-heavy, with an explosive charge in its pointed head, and a line attached
-to the shaft. When the head strikes the whale, the charge goes off
-inside, killing the great animal. The harpoon barbs spread out. Now the
-whale is held tight at the end of the line. The killer boat tows it back
-to the factory ship.
-
-The stern of the factory ship is open. A ramp leads up from the water to
-the ship’s after deck. Machinery pulls the whale up the ramp and onto
-the deck. There men with knives that look like big hockey sticks cut up
-the blubber and throw it into vats where the whale oil is boiled out.
-
-Hour after hour the killer boats bring in whales, sometimes forty or
-fifty a day--or even more! Everybody works day and night, with very
-little time to eat and sleep. The oil tanks in the factory ship begin to
-fill up. Now an ordinary tanker comes alongside. The whale oil is pumped
-from the factory ship to the tanker which delivers it at some big port
-thousands of miles away.
-
-When at last the factory ship again has all the oil she can hold, she
-steams off toward home. For seven or eight months her crew has not been
-ashore.
-
-[Illustration]
-
-Now, as well as in the old days, men on whaling vessels proudly bring
-home scrimshaw. That is carving they have done on the teeth or jawbones
-of whales. It is often very delicate and beautiful.
-
-On the return trip the factory ship’s speed is much less than when she
-started out--and not just because her tanks are full. In June her hull
-was smooth and freshly painted, and it slipped easily through the water.
-Now in February she has barnacles all over the hull under water--such a
-rough coat of barnacles that she’s held back a great deal.
-
-Barnacles are tiny sea creatures that grow by the millions. They attach
-themselves to anything under water and form hard little shells. They
-hold so tightly to the ship that they must be chipped off. That’s a job
-to be done in a place called drydock.
-
-
-DRYDOCK
-
-All ships go to drydock for regular cleaning and repairing and painting.
-This is what happens: The ship noses into a place surrounded by three
-concrete walls. Huge water-tight gates swing shut behind her, penning
-her in. Mooring lines hold her steady in the exact center of the dock,
-and pumps go to work taking out all the water in which she floats.
-Slowly the ship settles into a sort of cradle that has been prepared on
-the floor of the dock to fit her hull just right. When the water is all
-out, there she stands, balanced and braced. Now men can work under her
-and all over her--and inside. They scrape off the barnacles, paint the
-hull, and repair any parts that have begun to wear out. To reach some
-parts of the hull painters use long-handled brushes--really long.
-They’re often three times as tall as a man!
-
-[Illustration]
-
-Experts go over the ship as carefully as doctors examine people. But
-many men work at top speed in shifts around the clock, and a ship often
-spends only twenty-four hours in drydock. Then the gates open. Water
-flows back into the dock. The ship floats again, ready to go to sea.
-
-Sometimes a ship can’t get to drydock. Then a floating drydock comes to
-the ship. It works the same way as a regular one. Floating drydocks have
-traveled to distant parts of the world, pulled by seagoing tugs.
-
-
-TUGS
-
-A tug is a vessel that looks small but has an enormously powerful
-engine--an engine almost as big as one that moves a cargo ship. In fact,
-the tugboat’s job is to push and pull cargo and passenger ships around.
-
-Big ships need help getting in and out of the narrow spaces between
-piers in a harbor. If they used only their own power, they might either
-smash themselves up or crush the piers. Tugs, working together, can push
-a little here, pull a little there, and ease a huge vessel gently into
-place.
-
-A tugboat captain must have a great deal of knowledge about the harbor
-in which he works. In order to pass his captain’s examination, he has to
-draw a map of the harbor from memory, showing every pier and marker and
-even the rocks, hills and valleys underwater. Most important, he must
-have a feel for what a ship is going to do when he nudges her at a
-certain point or when he reverses his propeller and pulls.
-
-For all his skill and responsibility, the captain wouldn’t think of
-wearing a uniform at work. He prefers old work clothes, and he sits down
-with the crew when the cook serves up jumbo-sized meals.
-
-The cook goes on duty in the galley at any time from one o’clock in the
-morning on, depending on what time the tug must start work. Breakfast
-may be at three or four, but the usual time is six. And often the cook’s
-job isn’t over at four in the afternoon when he serves supper. If the
-tug is working overtime, he fixes a meal called a “midnight snack” which
-the men eat perhaps around seven o’clock. There’s enough food in the
-snack to feed a shoreside person for a whole day.
-
-[Illustration]
-
-Besides the captain and the cook, a tug needs a chief engineer, an
-oiler, a fireman and a deckhand. The deckhand works with the hawsers
-that are often used when a tug has to pull a big ship.
-
-This is what happens: An AB aboard the ship holds a coil of light line,
-called a heaving line. At the end of the line is a ball-shaped knot
-called a monkey fist. The AB gives a big swing and sends the monkey fist
-and line flying down to the tug. The deckhand on the tug grabs for the
-line. He’s not an outfielder trying to catch the ball. The monkey fist
-is there only to make the line uncoil and go straight.
-
-The deckhand pulls on the heaving line, which is attached to a hawser on
-the ship. (Sailors don’t say the line is attached or tied. They say it’s
-“bent” to the hawser.) The hawser is so big that it can’t be thrown, but
-it can be hauled onto the tug by the heaving line. The deckhand makes
-the hawser fast to a bitt on the tug’s deck, and now she can pull.
-
-For pushing jobs the tug has a thick pad called a bow fender made of
-heavy rope hung over the bow. After the fender has been used a while, it
-gets worn and shaggy and is often called a “beard.” It protects any ship
-the tug is pushing. There are fenders along each side of a tug, too.
-Sometimes they are made of rope. Sometimes they are old automobile tires
-or just logs hung loosely over the side. The logs get so much banging
-around that they may have to be replaced every few days.
-
-Very often a tug has something on its bridge that looks like a gun. It’s
-not. It’s a water nozzle attached to a pump, and it’s there to help
-fight fires on ships.
-
-The kind of tug that you can see on the Mississippi River is called a
-towboat. She doesn’t tug, and she
-
-[Illustration]
-
-doesn’t tow. She just pushes. A Mississippi towboat gets behind a whole
-string of flat-bottomed barges and shoves them up and down rivers. She
-often pushes ten barges at a time, loaded with twice as much cargo as an
-ordinary seagoing freighter can carry.
-
-[Illustration]
-
-Many towboats have all of the latest inventions for quick and safe
-travelling in water that is often more tricky than the open sea. There’s
-a lot of traffic to watch out for on the Mississippi, and the river
-sweeps around in many bends. Mud collects on the river bottom, so the
-captain can’t always know how deep the water is going to be. Uprooted
-trees and other big things that could damage vessels often come floating
-downstream. And when it’s pitch dark, or when a thick fog hangs over the
-water, all these problems get much worse.
-
-Radar is one of the inventions that help towboats avoid danger. Radar
-sends out radio waves which bounce back to the towboat from anything
-they hit. In the towboat’s pilothouse is a radarscope, which is a little
-like a television screen. The returning radio waves show up as spots of
-light called pips on the radarscope. By looking at the pips, the pilot
-can locate the shores of the river, other vessels, floating trees and
-anything else that’s dangerous.
-
-Another wonderful invention, called a depth recorder, tells the pilot
-how deep the water is under the head barge in his tow. If the river
-seems to be getting shallow, he can steer the whole tow into safer
-water. The depth recorder works by sending out sound waves and making a
-record of them when they bounce back from the river bottom.
-
-[Illustration]
-
-In the old days, river craft had a leadman who measured depth with a
-line tied to a lead weight. Knots and pieces of leather marked the
-line. Even at night the leadman could tell by feel how deep the water
-was. For instance, if his fingers felt that the line was wet up to a
-place where there were two strips of leather, he would know that two
-fathoms (twelve feet) of water lay underneath. Two markers at two
-fathoms. “By the mark twain,” the leadman would call out to the captain.
-
-There was once a Mississippi River pilot named Samuel Clemens who, like
-all pilots, loved to hear that call. It meant that there was enough
-water to keep his vessel afloat. Later, when he began to write books, he
-signed them with the name Mark Twain.
-
-In Mark Twain’s time, the Mississippi River boats were driven by huge
-paddle wheels. As the wood-burning steam engine turned the wheels, the
-paddles pushed against the water and shoved the boat forward.
-
-Steam engines began working in rivers very quickly after the first
-successful paddle boat, the Clermont, proved that she could push
-upstream. River boatmen needed engines more than seafaring men did,
-because winds seldom blow upstream as they do on the Nile.
-
-Before there were paddleboats, men took cargo down the Mississippi in
-keelboats. Then they had to get the boats up-river again almost entirely
-by muscle-power. Pushing against the bottom with poles, or pulling with
-ropes from the shore, river boatmen worked the whole way up from New
-Orleans to Pittsburgh.
-
-[Illustration]
-
-A river boatman still works hard, but in a very different way. In his
-time off, he may listen to radio or even watch television on board the
-towboat. In the old days, he would have caught fish and fried them over
-a fire built in a pile of sand on the keelboat deck. Today the cook
-takes food from a freezer, prepares it on an electric range, and stows
-the dirty dishes in an automatic dishwasher.
-
-In the old days, the river was the quickest way for passengers to
-travel, and for freight, too. People now go faster by bus or train or
-plane. But there’s more and more cargo for the barges to carry on the
-Mississippi and the other rivers that flow into it. Oil, coal, grain,
-steel, ore, sulfur are some of the things that move along ahead of the
-powerful streamlined towboats.
-
-[Illustration]
-
-
-GREAT LAKES SHIPS
-
-Grain, coal, ore and limestone for making steel travel on Great Lakes
-ships, too. So do many other kinds of cargo. Long ago, explorers
-believed that the enormous sea-like lakes would lead them all the way
-around the world to China. One man even wore Chinese clothes as he
-paddled westward in an Indian canoe, so he would be properly dressed
-when he arrived!
-
-For nearly three hundred years since then, vessels have used these great
-inland waterways to carry goods and the most precious cargo of
-all--people. Settlers by the thousand from Germany, Sweden, Scotland and
-other countries filled the decks of sailing vessels and paddle
-steamboats that took them right up to the frontier. Today almost five
-hundred modern cargo vessels shuttle back and forth on the Lakes,
-carrying the wealth that the descendants of those pioneers have created.
-
-A Great Lakes ship doesn’t look like any other. She is broad and low and
-very long--so long, in fact that she is less rigid than most ships.
-Seamen say she feels “willowy” if she steams along in heavy weather
-after her cargo is unloaded. The wheelhouse of a Lakes ship is forward
-in the bow, along with quarters for the officers and a few passengers.
-The engine and the crew’s quarters are away at the stern. In between,
-are holds--a great many more of them than on any ocean-going ship.
-Marvellous loading machines dump ore or any other loose cargo into the
-holds. Other wonderful unloading machines quickly scoop the cargo out.
-
-[Illustration]
-
-Many of the ships run between ports on Lake Huron and Lake Superior.
-Lake Superior is 22 feet higher than Lake Huron. So ships must use a
-sort of ladder to get from one to the other through a canal called the
-Sault Sainte Marie--or Soo for short. Locks in the canal are the
-ladder-rungs. Suppose a ship is going up. She enters the narrow canal.
-Ahead are gates. Gates close behind her. She is in a lock. Now the gates
-in front open and let more water into the lock, lifting the ship higher.
-She moves forward into another lock and is lifted again in the same way.
-Sometimes as she goes along, seamen on board toss money to ice cream
-sellers on shore, and catch the pop-sticks that are thrown back.
-
-For eight months each year, the Lake ships keep hurrying back and forth
-between Detroit, Cleveland, Buffalo, Chicago, Duluth and other port
-cities. There’s hardly a time when a man can’t see smoke from other
-vessels on the horizon. Then winter comes, and the Lakes freeze over.
-Lake sailors tie up their ships and go ashore. Most of them have been on
-the water day and night through the whole season.
-
-Sometimes a ship stays out too late in the year and can’t get to port
-because ice has locked her in. Then a ship called an ice breaker comes
-to her rescue. An ice breaker smashes up ice early in the spring, too,
-so that ships can begin to move.
-
-[Illustration]
-
-[Illustration: Oil Tanker]
-
-[Illustration: Coastal Lumber Carrier]
-
-[Illustration: Types of Cargo-Passenger Ships]
-
-[Illustration: Banana Ship]
-
-[Illustration: Coastal Freighter]
-
-[Illustration: Collier]
-
-[Illustration: Seatrain]
-
-
-AMERICAN MERCHANT SHIPS
-
-Merchant seamen man all the different kinds of cargo ships you see in
-the pictures on these two pages. Their jobs take great skill and
-patience and very often courage. It has always been that way with men
-who follow the sea. Some of the things they do are as old as ships
-themselves. But many things are different now.
-
-On old sailing vessels, the crew had to get their sleep wherever they
-could find a place to lie down. They might curl up on a coil of rope or
-on the cargo in the hold. Later, they were given one room, the
-forecastle, for the whole crew. Everybody was on watch at least twelve
-hours a day. It is only in the last twenty years that seamen have worked
-eight regular hours a day.
-
-[Illustration: Types of Freighters in Hawaiian Trade]
-
-[Illustration: Mariner Class Freighter]
-
-[Illustration: Harbor Tug]
-
-[Illustration: New Type Freighter]
-
-[Illustration: Ocean-Going Tug]
-
-[Illustration: Victory Class Freighter]
-
-[Illustration: Liberty Ship]
-
-Almost all ships now have more comfortable bunkrooms, with only two or
-four men in each one. Instead of living on old-fashioned salt meat and
-salt fish and crackers called hardtack, seamen have almost the same
-things that they eat ashore. In the old days, seamen often got a disease
-called scurvy because they had no fresh food. Then the British
-discovered that lime juice prevented scurvy, and every one of their
-ships carried barrels of it. That’s why American seamen still call
-British seamen limeys.
-
-There are laws and regulations now that provide for better food and
-working hours and pay on ships. Seamen in their unions have worked hard
-to get the laws and rules that have made life better for them.
-
-
-FISHING VESSELS
-
-Fishermen have always been among the most daring and hardworking men of
-the sea. For thousands of years they have experimented and invented,
-always in search of the boats and ships and nets that will do the best
-job for them. New England fishermen used to be great whittlers of ship
-models. They carved out their models partly for fun, partly to give
-shipbuilders new ideas for improving their designs.
-
-One of the great fishing towns is Gloucester, Massachusetts, and there’s
-a story about it that goes this way: Almost two hundred and fifty years
-ago, a ship builder in Gloucester launched a vessel that everyone
-admired. On the day when she first slid into the water, a big crowd
-gathered to watch. She was graceful and light, and she fairly skimmed
-along--the way a flat stone does when a boy skips it over the water. In
-those days in New England, some people called skipping “scooning.”
-
-All at once, someone in the crowd called out, “See how she scoons!” The
-builder called back, “A scooner let her be!” And according to the story,
-the name schooner--a new spelling--has stuck to this very day.
-
-A modern schooner still has sails, but not so many as the early ones. An
-engine now gives her power, so that she can make fast time to and from
-the fishing grounds, and her sails are used mostly to steady her in the
-sea while the men work. The engine also helps with the heavy work of
-handling the nets.
-
-[Illustration]
-
-Each kind of fish has its own habits, and the fishermen know them well.
-Some fish, such as cod and flounder, live down near the floor of the
-sea. They are caught in drag nets which are towed at the right speed
-behind the vessel. Men haul the net in, dump the catch into ice-cooled
-bins in the hold, then drag the net again.
-
-Mackerel behave differently. They swim along in huge groups called
-schools near the surface of the water. The lookout man on the mast keeps
-his eye on the sea till he can yell, “School O!” Quickly the men lower a
-boat that sets a huge net called a purse-seine. At first the net is
-really a fence. Hundreds of floating corks at the top, and lead weights
-at the bottom, hold it in place, while the seine-boat draws it into a
-circle around the fish. Then, at a signal, a motor in the seine-boat
-pulls on a sort of drawstring in the bottom of the net, closing it and
-turning it into a kind of giant sack. The seine is “pursed” with the
-fish trapped inside.
-
-This is what happens on a lucky day. But mackerel can be very irritating
-fish. Sometimes the whole school will suddenly dive and race away to
-safety, just the moment before the trap closes. Fishermen must have
-patience as well as skill.
-
-Before engines went to sea, the men had to purse the seine by hand.
-Since their schooner carried no ice, they cleaned the fish, salted them
-and packed them into barrels as fast as possible. Everybody, including
-the skipper, worked at top speed. Even the cook lent a hand, and he was
-often a boy of ten who hung his pots in an open fireplace or smoked
-some of the mackerel in the chimney.
-
-[Illustration]
-
-Fleets of fishing vessels go out together when the season is right.
-There’s a race for the fishing grounds, and then a race back to deliver
-the catch to market. In fishing towns all around the seacoasts, small
-forests of masts fill the harbors when the fleets are in.
-
-Among the schooners you can also see sturdily-built trawlers, which are
-usually driven by steam-power. Newest of all are the vessels that work
-like quick-freeze factories. Machines on board clean the fish, cut them
-up, package them and freeze them right where they are caught. Or the
-fishermen may quick-freeze the whole fish, then bring them back to be
-thawed and sent to market.
-
-People in fishing towns are proud of their fleets, and there’s a warm
-welcome for the vessel that comes in first with a big load.
-
-
-THE UNITED STATES
-
-The day a ship returns safely has always been important to seafaring
-men. It’s especially important if she has made a new record of some
-kind. All the seamen in New York harbor were excited when the passenger
-liner United States came in after crossing the Atlantic faster than any
-other liner had ever done. And they all showed their respect in the
-traditional way.
-
-On tugs and freighters, on tankers, on other liners, skippers passed
-down the word, “Break out the bunting!” This meant take out all the
-brightly colored signal flags and hang them on the stays. (On page 91
-you can find out what the signal flags are.) The United States had her
-bunting out, too. When she appeared in the harbor, every vessel there
-greeted her with tremendous whistle blasts. Fireboats filled the air
-with high curving streams of water from all their nozzles.
-
-[Illustration]
-
-Aboard the United States, the members of the crew were more excited than
-any one else in the harbor, but their work went right on through all the
-happy hullaballoo. The AB’s got ready to tie their huge ship up. Others,
-from the black gang to the steward’s department, were busy with
-last-minute jobs. Working together as one huge team, they had made the
-world’s fastest crossing. On the trip from New York to England, the
-United States averaged 35.9 knots. (That means she travelled nearly 42
-land miles an hour. Seamen never say “knots per hour.” They just say
-knots.) Before that the passenger liner Queen Mary held the record. It
-took the United States 10 hours and 2 minutes less than the Queen Mary
-to cross the ocean.
-
-The United States is really more than a ship. With a thousand people in
-her crew and two thousand passengers, she is a floating town. Besides
-the seamen who do their regular seamen’s work, there are crew members
-with special jobs. In the ship’s shopping centers, storekeepers sell
-souvenirs, and all kinds of things that passengers want and need. Movie
-operators work in her two theaters. A children’s nurse takes care of
-children in the nursery. A veterinarian cares for pets on board. Guards
-watch over the swimming pool. A doctor and a registered nurse are ready
-in the ship’s hospital to help anyone who is sick. Air conditioning
-experts see that every room in the ship is kept at the right
-temperature. Everything from the engine room to the dog kennels is
-air-conditioned.
-
-[Illustration]
-
-Curtains, chair covers and rugs on the ship are made of material that
-doesn’t burn. There is no wood at all in the ship except in the
-butchers’ chopping blocks and in the pianos. But suppose a passenger
-drops a match into a wastebasket in his stateroom. There’s an automatic
-smoke-smelling gadget that sends a signal to a room on the bridge. The
-officer there turns on the fire alarm, then pulls a lever which closes
-that particular stateroom door and blocks the fire off.
-
-There are lifeboats for all three thousand people in case of emergency.
-These lifeboats are driven by propellers--but they have no engines.
-People supply the power for the propeller. They push handles back and
-forth. Even on this most modern ship in the world, there are boats that
-move in the oldest way--by muscle power.
-
-[Illustration]
-
-The four propellers of the liner herself are each as tall as a
-two-storey house. They are turned by enormous steam turbine engines.
-Smoke from the boilers goes out through unusual-looking stacks. Inside
-each one are giant filters that take away most of the soot. Besides,
-there are wings called vanes at the top of the stacks to help keep the
-smoke from swirling down onto the deck.
-
-Although the United States is about five city blocks long and twelve
-decks high, she looks as light and graceful in her way as the old
-clipper ships. The clippers were American sailing vessels that got their
-names because they went at a very fast clip. A hundred years ago they
-held speed records all over the world. No wonder the captain of the
-United States proudly said that his seamen were carrying on the clipper
-ship tradition.
-
-[Illustration]
-
-Many people think the clippers were the most beautiful ships ever built.
-Certainly they were the first sailing ships to be planned by men who
-used scientific ideas in their work. At that time, science was bringing
-modern machinery of all kinds to the world. Inventors had already put
-steam engines into ships, but they had not yet studied what was the best
-shape for a speedy vessel. And speed was becoming very important as more
-people and cargoes crossed the oceans.
-
-[Illustration: An Old Bay Liner]
-
-No one knew whether steamships could go fast. But some shipbuilders
-believed that sailing ships could go faster than ever before. They built
-the record-breaking clippers. Soon the magnificent vessels began to have
-races all the way from China to New York and London. It was many years
-before steamships caught up with the clippers, but in the end they
-proved to be faster. More important, they could keep going whether there
-was any wind or not.
-
-
-OTHER PASSENGER SHIPS
-
-It’s the job of a passenger ship to carry people--and give them a good
-time on their journey. But passenger ships also carry cargo. That’s true
-of big ones and little ones, such as the City of Norfolk which belongs
-to the Old Bay Line, the oldest American shipping company.
-
-The City of Norfolk goes on short trips back and forth between Norfolk
-and Baltimore on Chesapeake Bay. She takes on cargo during the day and
-sails at night. Although she’s an old ship, she has radar to help guide
-her through the busy waters of the Bay. All around are fishing craft,
-ferries, ocean-going vessels--endless traffic through which the officers
-must steer a safe course. In the dark wheelhouse, soft small lights hold
-the key to safety--the sea-green light by which the man at the wheel
-sees the markings on the compass, the yellow pips and the revolving blue
-line on the radarscope.
-
-In the hold below are automobiles, piles of second-hand truck tires,
-crates holding all kinds of things, copper sheets by the ton which have
-come by train from Utah, and will end up in some eastern factory.
-
-[Illustration: Interior of an Old Time Bay Line Steamer]
-
-[Illustration: Seattle to Bremerton Ferry]
-
-Passengers stroll all over the decks. Some are travelling on business;
-some are just sailing for fun. A group of school boys and girls on their
-class trip dance to phonograph records. Their staterooms are
-air-conditioned, but the inside of the ship looks almost as it did in
-their grandmothers’ day, with balconies and big living-rooms called
-saloons.
-
-The City of Norfolk--and many other ships like her on bays and rivers
-and lakes--is really a sort of combination ferry boat and hotel. Most
-ferries, of course, have much shorter runs, and they are built to fit
-the needs of their own special work.
-
-Many ferries look exactly the same fore and aft. They have propellers,
-rudders and wheelhouses at both ends, and there’s a good reason why. A
-double-ended ferry makes quick trips back and forth. She can save time
-if she doesn’t have to turn around in the water when she goes in and out
-of her dock which is called a slip.
-
-The big ferries carry automobiles, trucks, and as many as three thousand
-people at a time. Some of them, on long runs, have up-to-date snack bars
-so passengers can get quick meals. For safety, they carry lifeboats and
-life jackets, just as ocean-going vessels do. But a ferry could never go
-to sea. She is built very broad, with very little of her under the water
-and a great deal above. Big ocean waves would tip her over.
-
-[Illustration: Staten Island Ferry]
-
-[Illustration: Arkansas River Ferry]
-
-Men have used ferries from the earliest times. Hundreds and even
-thousands of years ago people and animals were ferried across rivers on
-rafts. Even today there are raft-like ferries which men guide across our
-rivers by steel cables.
-
-[Illustration: Railroad Car Ferry]
-
-Train ferries take loaded freight cars across harbors where there are no
-railroad bridges. In some harbors, the cars travel on flat-bottomed
-barges which tugboats shove along.
-
-[Illustration]
-
-Long ago, barges were quite different. They were elegant vessels in
-which kings and important people travelled on rivers. And fancy barges,
-towed along behind paddle steamboats, once carried passengers up and
-down the Hudson River, too. At that time the steam boilers on
-paddleboats often exploded. Many crewmen and passengers were killed. So,
-in order to attract customers, some steamboats towed “safety barges”
-behind.
-
-Nowadays barges are plain cargo vessels that do heavy work. Most of them
-have no power of their own. They must be towed or pushed. The seaman who
-handles a barge is called a barge captain. He must be an AB to get the
-job, and on some barges he lives in a house at the stern. If he has a
-family, they may make their home there the year round.
-
-Before the days of railroads, a whole system of canals joined many of
-the important American cities. Along these waterways horses or mules
-pulled barge-loads of freight. Many a canal boatman started before he
-was twelve years old, driving a mule on long trips all by himself. There
-are still some canals in use, and powerdriven barges carry cargoes on
-them.
-
-
-FIREBOATS AND OTHER HELPERS
-
-The old-fashioned engines that used to explode are gone now. So are the
-candles and whale-oil lamps that lighted ships. All these caused fires
-in wooden vessels. But even today, when most ships are made of steel,
-with fireproofing equipment, there’s work for fireboats to do.
-
-The seamen aboard fireboats belong to the Fire Department. They do deck
-work or engine work, and they also handle the pumps and nozzles that
-shoot enormous streams of water. The pumps suck in water through holes
-in the side of the boat and force it through hoses and nozzles that can
-be aimed like big guns.
-
-[Illustration]
-
-Sometimes fireboats go a little way outside their harbor to help a
-burning ship. On the way, the fireboat captain guides his vessel between
-buoys that mark the channels where ships can go. All harbors have these
-channels, which are really streets for water traffic. The buoys are
-floating signals anchored to the bottom. On a clear day, seamen can tell
-by looking at the shape and color what each buoy means. In a fog or at
-night, they listen for the bells or whistles on some special buoys and
-watch for the flashing lights on others.
-
-Rivers have channels marked with buoys, too, and men who belong to the
-United States Coast Guard Service have the job of placing and repairing
-them.
-
-The Coast Guard also cares for lighthouses at dangerous points along the
-shore. Powerful lights and foghorns in the lighthouses warn ships away
-from rocks or shallow water and also help them find out exactly where
-they are. In some places, lightships anchored in the sea do this same
-job. A lightship is really a giant buoy. Seamen live aboard her to care
-for the safety equipment. They get their food and mail from vessels
-called tenders. (Any vessel that supplies another is a tender.)
-
-Coast Guardsmen help seamen in other ways, too. Suppose a ship is
-sinking. Fast, tough little Coast Guard cutters race off to the rescue
-the minute the dreaded SOS signal comes over their radio. (SOS is the
-code
-
-[Illustration]
-
-signal for “help!” and every radio man understands it, no matter what
-language he speaks.)
-
-[Illustration]
-
-Using a special gun, men on the cutter shoot a lifeline across to the
-sinking ship, and a breeches buoy is rigged on it. This is a canvas
-seat, made like a pair of short pants. The seat hangs from a wheel
-called a block which runs along the line. One by one the seamen sit in
-the seat and are pulled along to safety.
-
-
-CHARTS FOR SAFETY
-
-In the days when the United States was still a very new country, many
-people in Europe longed for the freedom they were sure they could find
-here. One of them was Ferdinand Hassler, a young Swiss mathematician.
-Hassler was no seaman when he set out for the new world in a sailing
-ship. But luckily he did know a great deal about the stars. After the
-captain of his vessel collapsed in a terrific storm, Hassler was able to
-look at the stars and tell the seamen how to steer the ship.
-
-[Illustration]
-
-The things Hassler knew about mathematics made it easy for him to
-navigate, but real troubles began when the ship came into Delaware Bay.
-The map of the bay was old and very inaccurate. Hassler could not tell
-whether the ship was in shallow water or deep water, except by watching
-the leadline day and night.
-
-This last part of his adventure made young Hassler very angry because it
-was so unscientific. He realized that the safety of all ships depended
-on accurate maps, called charts, of the coasts and harbors. Soon after
-he landed he began to make plans for a survey of the whole American
-coast. He talked to President Jefferson who agreed with him, and
-Congress finally gave him the job. At last his good charts began to help
-save lives.
-
-Today the United States Coast and Geodetic Survey carries on the work
-Hassler started. Using many ships and small boats with marvellous
-equipment, the scientific men of the sea go about their important and
-often dangerous work. It’s their job to map the earth that lies under
-the oceans, rivers and harbors. Here are some of the things they do
-along the Alaskan coast.
-
-A survey ship moves through the water sending sound waves to the bottom
-of the ocean. A delicate machine records the echoes made when the sound
-waves bounce back from the deep valleys and the high mountain tops that
-lie beneath the surface. Scientists know how fast sound travels in
-water, so they can tell exactly how deep it is. But some of the peaks
-are narrow and sharp. Even the wonderful machines miss them. And so
-these very modern vessels must do something old-fashioned and simple.
-Two of them travel side by side with a long wire cable hanging between
-them. If the cable catches on a rock, the men know they have snagged a
-sunken mountain top.
-
-Often, men on shore help the men on ships with their surveying. The
-instruments they use are so delicate that the warmth of direct sunlight
-would cause inaccuracies. One slight error might mean a shipwreck. So,
-even in Alaska, a surveyor works under an umbrella.
-
-[Illustration]
-
-You might think that all the charts and maps should have been finished
-in the long years since President Jefferson’s time. But the work of
-making charts can never be finished. The coastline is always changing.
-Currents and tides, storms and floods shift millions of tons of sand
-near the coast. Earthquakes and volcanoes raise land or lower it. A
-place that was safe for ships yesterday may be dangerous today.
-
-In Alaska, glaciers that run into the sea grow bigger or melt back.
-Sometimes these enormous rivers of ice push themselves out under the
-water. The little survey vessels mapping the ocean’s bottom have to sail
-over the sunken glaciers. There is always danger that, at any moment, a
-great mountain of fresh-water ice may break loose and rush toward the
-surface. When this happens, any vessel nearby is almost certain to be
-destroyed.
-
-Seafaring men need to know about the tides when they enter or leave
-harbors. Tides are very different at different places along our enormous
-coastline, and they change from one day to another. The Coast and
-Geodetic Survey has worked out a wonderful way of telling ships about
-tides in advance. Every day, records pour into Washington from all along
-the seacoast. The figures they give are put into a fantastic “thinking
-machine,” together with other figures about the sun and moon which cause
-the tides. Electricity is turned on, and in no time the machine tells
-what tides will be like with ordinary weather tomorrow or even next
-month.
-
-Men have come a long way since they first learned to float on a blown-up
-animal skin or a bundle of reeds. For thousands of years, they have been
-inventing new and better ways to travel across water. But the oceans
-have an enormous power and force. Science and seamen still have much to
-learn about the power which they must fight and make work for them--and
-which will always be exciting.
-
-[Illustration]
-
-
-WHAT SEAMEN SAY
-
-Here are some words that you haven’t met in the rest of the book. They
-are all part of seagoing language.
-
-[Illustration]
-
-[Illustration]
-
-[Illustration]
-
- AHOY--a call given by men on one ship to greet men on another.
-
- AVAST--an officer shouts “avast” if he wants a seaman to stop
- hauling on a line.
-
- BELAY--to tie or make fast. A belaying pin is a short rod which can
- be stuck into a holder so that a line can be twisted around it.
- There were many belaying pins on old sailing vessels, and they made
- handy weapons at times.
-
- DEEP SIX--when a sailor throws something overboard, he “gives it
- the deep six.” The expression comes from the days when sailors
- measured the depth of water with a leadline. The “deep six” was a
- place on the line which showed the water was six fathoms (36 feet)
- deep.
-
-[Illustration]
-
-[Illustration]
-
-[Illustration]
-
-[Illustration]
-
- FOUL--Seamen use this word to describe anything that has gone wrong
- or got mixed up. A snarled line is foul. A ship’s hull covered with
- barnacles is foul. Bad weather is foul.
-
- NORWEGIAN STEAM--seamen say they use “Norwegian steam” when they do
- heavy work without the help of machinery.
-
- SCUTTLE BUTT--the drinking fountain on a ship. Because seamen often
- gather there to talk, the rumors and gossip that they pass on are
- also called “scuttle butt.”
-
- SEA LAWYER--a seaman who likes to argue about rules and
- regulations.
-
- SLOP CHEST--a room where seamen can buy clothes. Every ship is
- required to have one.
-
- SLUMGULLION--a seaman’s word for stew that he doesn’t like.
-
- TRAMP--a freighter that ties up anywhere and has no regular
- schedule.
-
- WINDJAMMER--a sailing vessel.
-
-[Illustration]
-
-Code flags make it possible for ships to talk to each other at sea. Each
-flag stands for a number or for a letter in the alphabet. The flags are
-used in combinations--not to spell out individual words, but to send a
-whole message. For instance, the two flags N and C flown together mean,
-“In distress. Need prompt aid.” No matter what language a seaman speaks
-he knows what this signal means. Some of the other messages he can read
-are IQ--“Do not pass ahead of me”; RW--“Where are you from?”; AG--“Shall
-not abandon my vessel.”
-
-
-
-
-INDEX
-
-
-AB, 12, 26
-
-Able Bodied Seaman, 12
-
-accommodation ladder, 26
-
-amidships, 25
-
-anchor, 34-35
-
-athwartships, 25
-
-
-backstay, 28
-
-banana boats, 43-46
-
-basket boat, 40
-
-barge, 60, 80, 81
-
-barnacles, 50
-
-batten down the hatches, 27
-
-beam, 28
-
-bells, 14
-
-bilge, 28
-
-bireme, 33
-
-booms, 27
-
-bosun, 24, 29
-
-bosun’s chair, 29, 31
-
-bow, 12
-
-Bowditch, Nathaniel, 18, 19
-
-brightwork, 31
-
-bulkhead, 24
-
-buoy, 82
-
-
-canal, 62, 80, 81
-
-capstan, 22
-
-captain, 29
-
-chantey, 21, 22
-
-charts, 84-87
-
-Chips, 24, 25, 34
-
-Clermont, 58
-
-clipper, 75, 76
-
-City of Norfolk, 76, 77
-
-Coast Guard, 82, 83
-
-companionway, 24
-
-compass, 17, 18
-
-crow’s nest, 13
-
-
-davit, 46
-
-depth recorder, 57
-
-dhow, 33
-
-dock, 27
-
-draft, 28
-
-drydock, 50-51
-
-dugout, 32
-
-
-Egypt, 31-32
-
-engineer, 30
-
-engine room telegraph, 19
-
-
-fathom, 58
-
-fender, 54
-
-ferry boats, 78, 79
-
-fireboat, 81
-
-firemen, 30
-
-fishing vessels, 66-70
-
-forecastle, 10
-
-
-gantries, 44
-
-galley, 12
-
-galleys, 33
-
-Great Lakes Ships, 60-62
-
-
-handy billy, 25
-
-Hassler, Ferdinand, 84-86
-
-hatch, 27
-
-hawse pipe, 34
-
-heaving line, 53
-
-helm, 26
-
-helmsman, 26
-
-
-ice breaker, 62
-
-International Code flags, 91
-
-
-Jacob’s ladder, 26
-
-junk, 39
-
-jury rudder, 37
-
-
-keelboat, 58
-
-king posts, 27
-
-knots, 29
-
-
-leadline, 57, 58, 85
-
-leeward, 25
-
-lifeboat, 44-46, 73, 74
-
-lifeline, 38
-
-life raft, 41
-
-lighter, 40
-
-lights, 15
-
-limey, 65
-
-locks, 62
-
-
-Mark Twain, 58
-
-marlinspike, 29
-
-mate, 14
-
-merchant ship types, 64-65
-
-messmen, 31
-
-mizzenmast, 24, 29
-
-monkey fist, 53, 54
-
-
-navigating, 19
-
-
-oiler, 30
-
-oil tanker, 37-41
-
-Old Bay Line, 76, 77
-
-ore carriers, 60-62
-
-outrigger, 39
-
-
-paddleboats, 58, 80
-
-papyrus reed canoe, 32
-
-passenger ships, 70-79
-
-pea coat, 10
-
-pier, 27
-
-pilot, 26, 57
-
-pilot house, 26
-
-poop deck, 28
-
-port, 15
-
-purse seine, 68
-
-
-Queen Mary, 72
-
-quartermaster, 26
-
-
-radar, 56, 57, 77
-
-radio man, 31
-
-raft, 40
-
-
-SOS, 82, 83
-
-sailor, 12
-
-sailor’s palm, 21
-
-Samson posts, 27
-
-Santa Maria, 33
-
-schooner, 66, 67
-
-scrimshaw, 49
-
-sea anchor, 45
-
-Seatrain, 42
-
-sheepshank, 29
-
-shroud, 28
-
-sparks, 31
-
-standing watch, 10-19
-
-starboard, 15
-
-stay, 28
-
-steward, 31
-
-storm oil, 45, 46
-
-survey ships, 86-87
-
-
-taffrail log, 28
-
-tanker, 37-41
-
-tides, 88
-
-towboat, 54-59
-
-trawler, 69
-
-trireme, 33
-
-tugs, 52-59
-
-
-United States, 70-74
-
-United States Coast Guard, 82, 83
-
-United States Coast Guard and Geodetic Survey, 86-87
-
-
-Viking ships, 39
-
-
-watch, 12
-
-whaler, 48-49
-
-wharf, 27
-
-wheel, 17
-
-wheelhouse, 13-14, 17, 26
-
-wildcat, 35
-
-windlass, 35
-
-windward, 25
-
-[Illustration]
-
- The saltiest thanks of the author and artist go to the following
- who, in one way or another, have helped make this book possible:
- Margaret Gossett; R. L. Jones of the Old Bay Line; Inez M. DeVille
- of the Baltimore and Ohio Railroad; Penelope Spurr of the United
- Fruit Company; Arthur L. Pleasants, Captain, USN; Samuel S. Yeaton,
- Colonel, USN, Ret.; the Cleveland, Ohio, Chamber of Commerce: the
- Lake Carriers Association, the Mariners’ Museum, Newport News,
- Virginia; the National Maritime Union, CIO; the Norfolk Chamber of
- Commerce; the Pennsylvania Railroad; the State of Washington;
- Department of Fisheries; the San Francisco Chamber of Commerce;
- Seatrain Lines, Inc.; the Standard Oil Company (New Jersey); the
- State of New York, Department of Public Works; the United States
- Coast and Geodetic Survey; the United States Coast Guard; the
- United States Lines; and finally to a modest AB and to many people
- who have written careful, enthusiastic books about ships and
- seafaring men.
-
- * * * * *
-
-$1.50
-
- SHIPS AT WORK
-
- _By_ Mary Elting
-
- _Illustrated by_ Manning deV. Lee
-
-
-Here is the colorful, exciting life of the sea--the men, the ships they
-sail, the work they do, the cargoes they carry to the far corners of the
-world--all vividly presented.
-
-Freighters, tankers, ferries, tugs, and the many unusual ships that do
-highly specialized jobs are shown in action. The work, the sailor’s
-language, the kind of life a seaman lives, the use of recent inventions
-(such as radar) all contribute to this fascinating picture of SHIPS AT
-WORK. The newest and proudest of ocean liners, the “United States,” is
-pictured and described as well as the humblest dugouts and sailing
-vessels of ancient times.
-
-The illustrator, famous for his marine paintings, has combined beauty
-with clear, sharp detail. His many full-color pictures in this book give
-added interest to your seafaring knowledge.
-
-You will find this book an exciting companion to TRAINS AT WORK, TRUCKS
-AT WORK, MACHINES AT WORK.
-
-[Illustration]
-
-
-Garden City Books
-
-Garden City, New York
-
- * * * * *
-
- MACHINES AT WORK
-
- _By_ Mary Elting
-
- _Illustrated by_ Laszlo Roth
-
- [Illustration]
-
-
-There are machines to dig, to hammer, to push--to do every kind of heavy
-job and to make work thousands of times easier and faster.
-
-On farms, in the mines, in cities where huge buildings are built and out
-in the woods where powerdriven saws slice through great trees, many
-kinds of special machines do many kinds of remarkable jobs.
-
-Can you imagine a giant shovel so huge that it took 45 freight cars to
-haul it from factory to mine? Do you know that there is a machine that
-plucks the feathers off chickens, ones that pick corn, dig potatoes?
-Inventors of machines work on everything--they even had fun making a
-mechanical mouse that can sniff about until it finds a piece of “cheese”
-and then “remember” and run straight to it next time!
-
-As marvelous and complicated as all these machines are, the author
-points out that no inventions will ever be as wonderful as the men who
-invented them--and the men who make them work.
-
-
-Garden City Books
-
-Garden City, New York
-
-
-
-
-
-End of the Project Gutenberg EBook of Ships at Work, by Mary Elting Folsom
-
-*** END OF THIS PROJECT GUTENBERG EBOOK SHIPS AT WORK ***
-
-***** This file should be named 55476-0.txt or 55476-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/5/4/7/55476/
-
-Produced by Stephen Hutcheson, Dave Morgan, Chuck Greif
-and the Online Distributed Proofreading Team at
-http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.