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diff --git a/5511-0.txt b/5511-0.txt new file mode 100644 index 0000000..3348916 --- /dev/null +++ b/5511-0.txt @@ -0,0 +1,2220 @@ +The Project Gutenberg eBook of Arachne—Volume 04, by Georg Ebers + +This eBook is for the use of anyone anywhere in the United States and +most other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this eBook or online at +www.gutenberg.org. If you are not located in the United States, you +will have to check the laws of the country where you are located before +using this eBook. + +Title: Arachne + Volume 04 + +Author: Georg Ebers + +Release Date: April 1, 2004 [eBook #5511] +[Most recently updated: November 15, 2022] + +Language: English + +Character set encoding: UTF-8 + +Produced by: David Widger + +*** START OF THE PROJECT GUTENBERG EBOOK ARACHNE — VOLUME 04 *** + + + + +[NOTE: There is a short list of bookmarks, or pointers, at the end of +the file for those who may wish to sample the author’s ideas before +making an entire meal of them. D.W.] + + + + +Arachne + +By Georg Ebers + +Volume 4. + + + + +CHAPTER XIV. + + +Outside the door of the tent Hermon was trying to banish Althea’s image +from his mind. How foolishly he had overestimated last night the value +of this miserable actress, who as a woman had lost all charm for +him—even as a model for his Arachne! + +He would rather have appeared before his pure friend with unsightly +stains on his robe than while mastered by yearning for the Thracian. + +The first glance at Daphne’s beloved face, the first words of her +greeting, taught him that he should find with her everything for which +he longed. + +In simple, truthful words she reproached him for having neglected her +to the verge of incivility the evening before, but there was no trace +of bitterness or resentment in the accusation, and she gave Hermon +little time for apology, but quickly gladdened him with words of +forgiveness. + +In the opinion of her companion Chrysilla, Daphne ought to have kept +the capricious artist waiting much longer for pardon. True, the +cautious woman took no part in the conversation afterward, but she kept +her charge in sight while she was skilfully knotting the fringe into a +cloth which she had woven herself. On account of her favourite +Philotas, it was well for Daphne to be aware that she was watched. + +Chrysilla was acquainted with life, and knew that Eros never mingles +more arbitrarily in the intercourse of a young couple than when, after +a long separation, there is anything whatever to forgive. + +Besides, many words which the two exchanged escaped her hearing, for +they talked in low tones, and it was hot in the tent. Often the fatigue +she felt after the sleepless night bowed her head, still comely with +its unwrinkled face, though she was no longer young; then she quickly +raised it again. + +Neither Daphne nor Hermon noticed her. The former at once perceived +that something was weighing on the sculptor’s mind, but he did not need +any long inquiry. He had come to confide his troubles to her, and she +kindly lightened the task for him by asking why he had not gone to +breakfast with the Pelusinians. + +“Because I am not fit for gay company today,” was the reply. + +“Again dissatisfied with Fate?” + +“True, it has given me small cause for contentment of late.” + +“Put in place of Fate the far-seeing care of the gods, and you will +accept what befalls you less unkindly.” + +“Let us stick to us mortals, I entreat you.” + +“Very well, then. Your Demeter does not fully satisfy you.” + +A discontented shrug of the shoulders was the reply. + +“Then work with twofold zeal upon the Arachne.” + +“Although one model I hoped to obtain forsook me, and my soul is +estranged from the other.” + +“Althea?” she asked eagerly, and he nodded assent. + +Daphne clapped her hands joyfully, exclaiming so loudly that +Chrysilla’s head sprang up with a jerk. “It could not help being so! O +Hermon! how anxious I have been! Now, I thought, when this horrible +woman represented the transformation into the spider with such +repulsive accuracy, Hermon will believe that this is the true, and +therefore the right, ideal; nay, I was deceived myself while gazing. +But, eternal gods! as soon as I imagined this Arachne in marble or +chryselephantine work, what a painful feeling overpowered me!” + +“Of course!” he replied in an irritated tone. “The thirst for beauty, +to which you all succumb, would not have much satisfaction to expect +from this work.” + +“No, no, no!” Daphne interrupted in a louder tone than usual, and with +the earnest desire to convince him. “Precisely because I transported +myself into your tendency, your aspirations, I recognised the danger. O +Hermon! what produced so sinister an effect by the wavering light of +the lamps and torches, while the thunderstorm was rising—the strands of +hair, the outspread fingers, the bewildered, staring blue eyes—do you +not feel yourself how artificial, how unnatural it all was? This +transformation was only a clever trick of acting, nothing more. Before +a quiet spectator, in the pure, truthful light of Apollo, the foe of +all deception, what would this Arachne probably become? Even now—I have +already said so—when I imagine her executed in marble or in gold and +ivory! Beauty? Who would expect to find in the active, constantly +toiling weaver, the mortal daughter of an industrious dyer in purple, +the calm, refreshing charm of divine women? I at least am neither +foolish nor unjust enough to do so. The degree of beauty Althea +possesses would entirely satisfy me for the Arachne. But when I imagine +a plastic work faithful to the model of yesterday evening—though I have +seen a great deal with my own eyes, and am always ready to defer to +riper judgment—I would think, while looking at it: This statue came to +the artist from the stage, but never from Nature. Such would be my +view, and I am not one of the initiated. But the adepts! The King, with +his thorough connoisseurship and fine taste, my father, and the other +famous judges, how much more keenly they would perceive and define it!” + +Here she hesitated, for the blood had left Hermon’s cheeks, and she saw +with surprise the deep impression which the candid expression of her +opinion had produced upon the artist, usually so independent and +disposed to contradiction. Her judgment had undoubtedly disturbed, nay, +perhaps convinced him; but at the same time his features revealed such +deep depression that, far from rejoicing in so rare a success, she +patted his arm like an affectionate sister, saying: “You have not yet +found time to realize calmly what yesterday dazzled us all—and you,” +she added in a lower tone, “the most strongly.” + +“But now,” he murmured sadly, half to himself, half to, her, “my vision +is doubly clear. Close before the success of which I dreamed failure +and bitter disappointment.” + +“If this ‘doubly’ refers to your completed work, and also to the +Arachne,” cried Daphne in the affectionate desire to soothe him, “a +pleasant surprise will perhaps soon await you, for Myrtilus judges your +Demeter much more favourably than you yourself do, and he also betrayed +to me whom it resembles.” + +She blushed slightly as she spoke, and, as her companion’s gloomy face +brightened for a short time, went on eagerly: “And now for the Arachne. +You will and must succeed in what you so ardently strive to accomplish, +a subject so exactly adapted to your magnificent virile genius and so +strangely suited to the course which your art has once entered upon. +And you can not fail to secure the right model. You had not found it in +Althea, no, certainly not! O Hermon! if I could only make you see +clearly how ill suited she, in whom everything is false, is to you—your +art, your only too powerful strength, your aspiration after truth—” + +“You hate her,” he broke in here in a repellent tone; but Daphne +dropped her quiet composure, and her gray eyes, usually so gentle, +flashed fiercely as she exclaimed: “Yes, and again yes! From my inmost +soul I do, and I rejoice in it. I have long disliked her, but since +yesterday I abhor her like the spider which she can simulate, like +snakes and toads, falsehood and vice.” + +Hermon had never seen his uncle’s peaceful daughter in this mood. The +emotions that rendered this kindly soul so unlike itself could only be +the one powerful couple, love and jealousy; and while gazing intently +at her face, which in this moment seemed to him as beautiful as Dallas +Athene armed for battle, he listened breathlessly as she continued: +“Already the murderous spider had half entangled you in her net. She +drew you out into the tempest—our steward Gras saw it—in order, while +Zeus was raging, to deliver you to the wrath of the other gods also and +the contempt of all good men; for whoever yields himself to her she +destroys, sucks the marrow from his bones like the greedy harpies, and +all that is noble from his soul.” + +“Why, Daphne,” interrupted Chrysilla, raising herself from her cushions +in alarm, “must I remind you of the moderation which distinguishes the +Greeks from the barbarians, and especially the Hellenic woman—” + +Here Daphne indignantly broke in: “Whoever practises moderation in the +conflict against vice has already gone halfway over to evil. She +utterly ruined—how long ago is it?—the unfortunate Menander, my poor +Ismene’s young husband. You know them both, Hermon. Here, of course, +you scarcely heard how she lured him from his wife and the lovely +little girl who bears my name. She tempted the poor fellow to her ship, +only to cast him off at the end of a month for another. Now he is at +home again, but he thinks Ismene is the statue from the Temple of Isis, +which has gained life and speech; for he has lost his mind, and when I +saw him I felt as if I should die of horror and pity. Now she is coming +home with Proclus, and, as the way led through Pelusium, she attached +herself to our friends and forces herself in here with them. What does +she care about her elderly travelling companion? But you—yes, you, +Hermon—are the next person whom she means to capture. Just now, when my +eyes closed But no! It is not only in my dreams; the hideous gray +threads which proceed from this greedy spider are continually floating +before me and dim the light.” Here she paused, for the maid Stephanion +announced the coming of visitors, and at the same time loud voices were +heard outside, and the merry party who had been attending the breakfast +given by the commandant of Pelusium entered the tent. + +Althea was among the guests, but she took little notice of Hermon. + +Proclus, her associate in Queen Arsinoe’s favour, was again asserting +his rights as her travelling companion, and she showed him plainly that +the attention which he paid her was acceptable. + +Meanwhile her eager, bright blue eyes were roving everywhere, and +nothing that was passing around her escaped her notice. + +As she greeted Daphne she perceived that her cheeks had flushed during +her conversation with Hermon. + +How reserved and embarrassed the sculptor’s manner was now to his +uncle’s daughter, whom only yesterday he had treated with as much +freedom as though she were his sister! What a bungler in dissimulation! +how short- sighted was this big, strong man and remarkable artist! He +had carried her, Althea, in his arms like a child for a whole quarter +of an hour at the festival of Dionysus, and, in spite of the sculptor’s +keen eye, he did not recognise her again! + +What would not dyes and a change of manner accomplish! + +Or had the memory of those mad hours revived and caused his +embarrassment? If he should know that her companion, the Milesian +Nanno, whom he had feasted with her on oyster pasties at Canopus after +she had given the slip to her handsome young companion was Queen +Arsinoe! Perhaps she would inform him of it some day if he recognised +her. + +Yet that could scarcely have happened. He had only been told what she +betrayed to him yesterday, and was now neglecting her for Daphne’s +sake. That was undoubtedly the way the matter stood. How the girl’s +cheeks were glowing when she entered! + +The obstacle that stood between her and Hermon was the daughter of +Archias, and she, fool that she was, had attracted Hermon’s attention +to her. + +No matter! + +He would want her for the Arachne, and she needed only to stretch out +her hand to draw him to her again if she found no better amusement in +Alexandria. Now she would awaken his fears that the best of models +would recall her favour. Besides, it would not do to resume the +pleasant game with him under the eyes of Philippus and his wife, who +was a follower of the manners of old times. The right course now was to +keep him until later. + +Standing at Proclus’s side, she took part gaily in the general +conversation; but when Myrtilus and Philemon had joined the others, and +Daphne had consented to go with Philippus and Thyone that evening, in +order, after offering sacrifice together to Selene, to sail for +Pelusium, Althea requested the grammateus to take her, into the open +air. + +Before leaving the tent, however, she dropped her ostrich-feather fan +as she passed Hermon, and, when he picked it up, whispered with a +significant glance at Daphne, “I see that what was learned of her heart +is turned to account promptly enough.” + +Then, laughing gaily, she continued loudly enough to be heard by her +companion also: “Yesterday our young artist maintained that the Muse +shunned abundance; but the works of his wealthy friend Myrtilus +contradicted him, and he changed his view with the speed of lightning.” + +“Would that this swift alteration had concerned the direction of his +art,” replied Proclus in a tone audible to her alone. + +Both left the tent as he spoke, and Hermon uttered a sigh of relief as +he looked after them. She attributed the basest motives to him, and +Daphne’s opinion of her was scarcely too severe. + +He no longer needed to fear her power of attraction, though, now that +he had seen her again, he better understood the spell which she had +exerted over him. Every movement of her lithe figure had an exquisite +grace, whose charm was soothing to the artist’s eye. Only there was +something piercing in her gaze when it did not woo love, and, while +making the base charge, her extremely thin lips had showed her sharp +teeth in a manner that reminded him of the way the she-wolf among the +King’s wild beasts in the Paneum gardens raised her lips when any one +went near her cage. + +Daphne was right. Ledscha would have been infinitely better as a model +for the Arachne. Everything in this proud creature was genuine and +original, which was certainly not the case with Althea. Besides, stern +austerity was as much a part of the Biamite as her hair and her hands, +yet what ardent passion he had seen glow in her eyes! The model so long +sought in vain he had found in Ledscha, who in so many respects +resembled Arachne. Fool that he was to have yielded to a swift and +false ebullition of feeling! + +Since Myrtilus was again near him Hermon had devoted himself with fresh +eagerness to his artistic task, while a voice within cried more and +more loudly that the success of his new work depended entirely upon +Ledscha. He must try to regain her as a model for the Arachne! But +while pondering over the “how,” he felt a rare sense of pleasure when +Daphne spoke to him or her glance met his. + +At first he had devoted himself eagerly to his father’s old friends, +and especially to Thyone, and had not found it quite easy to remain +firm when, in her frank, kindly, cordial manner, she tried to persuade +him to accompany her and the others to Pelusium. Yet he had succeeded +in refusing the worthy couple’s invitation. But when he saw Philotas, +whose resemblance to the King, his cousin, had just been mentioned by +one of the officers, become more and more eager in his attentions to +Daphne, and heard him also invited by Philippus to share the nocturnal +voyage, he felt disturbed, and could not conceal from himself that the +uneasiness which constantly obtained a greater mastery over him arose +from the fear of losing his friend to the young aristocrat. + +This was jealousy, and where it flamed so hotly love could scarcely be +absent. Yet, had the shaft of Eros really struck him, how was it +possible that the longing to win Ledscha back stirred so strongly +within him that he finally reached a resolution concerning her? + +As soon as the guests left Tennis he would approach the Biamite again. +He had already whispered this intention to Myrtilus, when he heard +Daphne’s companion say to Thyone, “Philotas will accompany us, and on +this voyage they will plight their troth if Aphrodite’s powerful son +accepts my sacrifice.” + +He involuntarily looked at the pair who were intended for each other, +and saw Daphne lower her eyes, blushing, at a whisper from the young +Macedonian. + +His blood also crimsoned his cheeks, and when, soon after, he asked his +friend whether she cared for his companionship, and Daphne assented in +the most eager way, he said that he would share the voyage to Pelusium. +Daphne’s eyes had never yet beamed upon him so gladly and graciously. +Althea was right. She must love him, and it seemed as if this +conviction awoke a new star of happiness in his troubled soul. + +If Philotas imagined that he could pluck the daughter of Archias like a +ripe fruit from a tree, he would find himself mistaken. + +Hermon did not yet exactly understand himself, only he felt certain +that it would be impossible to surrender Daphne to another, and that +for her sake he would give up twenty Ledschas, though he cherished +infinitely great expectations from the Biamite for his art, which +hitherto had been more to him than all else. + +Everything that he still had to do in Tennis he could intrust to his +conscientious Bias, to Myrtilus, and his slaves. + +If he returned to the city of weavers, he would earnestly endeavour to +palliate the offence which he had inflicted on Ledscha, and, if +possible, obtain her forgiveness. Only one thing detained him—anxiety +about his friend, who positively refused to share the night voyage. + +He had promised his uncle Archias to care for him like a brother, and +his own kind heart bade him stay with Myrtilus, and not leave him to +the nursing of his very skilful but utterly unreliable body-servant, +after the last night had proved to what severe attacks of his disease +he was still liable. + +Myrtilus, however, earnestly entreated him not to deprive himself on +his account of a pleasure which he would gladly have shared. There was +plenty of time to pack the statues. As for himself, nothing would do +him more good just now than complete rest in his beloved solitude, +which, as Hermon knew, was more welcome to him than the gayest society. +Nothing was to be feared for him now. The thunderstorm had purified the +air, and another one was not to be expected soon in this dry region. He +had always been well here in sunny weather. Storms, which were +especially harmful to him, never came at this season of the year. + +Myrtilus secretly thought that Hermon’s departure would be desirable, +because the slave Bias had confided to him what dangers threatened his +friend from the incensed Biamite husbands. + +Finally, Myrtilus turned to the others and begged them not to let +Hermon leave Pelusium quickly. + +When, at parting, he was alone with him, he embraced him and said more +tenderly than usual: “You know how easy it will be for me to depart +from life; but it would be easier still if I could leave you behind +without anxiety, and that would happen if the hymeneal hymns at your +marriage to Daphne preceded the dirges which will soon resound above my +coffin. Yesterday I first became sure that she loves you, and, much +good as you have in your nature, you owe the best to her.” + +Hermon clasped him in his arms with passionate affection, and after +confessing that he, too, felt drawn with the utmost power toward +Daphne, and urging him to anticipate complete recovery instead of an +early death, he held out his hand to his friend; but Myrtilus clasped +it a long time in his own, saying earnestly: “Only this one frank +warning: An Arachne like the model which Althea presented yesterday +evening would deal the past of your art a blow in the face. No one at +Rhodes—and this is just what I prize in you—hated imitation more, yet +what would using the Arachne on the pedestal for a model be except +showing the world not how Hermon, but how Althea imagines the hapless +transformed mortal? Even if Ledscha withdraws from you, hold fast to +her image. It will live on in your soul. Recall it there, free it from +whatever is superfluous, supply whatever it lacks, animate it with the +idea of the tireless artist, the mocking, defiant mortal woman who +ended her life as the weaver of weavers in the insect world, as you +have so often vividly described her to me. Then, my dear fellow, you +will remain loyal to yourself, and therefore also to the higher truth, +toward which every one of us who labours earnestly strives, and, myself +included, there is no one who wields hammer and chisel in Greece who +could contest the prize with you.” + + + + +CHAPTER XV. + + +When the sun was approaching the western horizon the travellers +started. + +Light mists veiled the radiant right eye of the goddess of heaven. The +blood of the contending spirits of light and darkness, which usually +dyed the west of Egypt crimson at the departure of the great sun god, +to-day vanished from sight. + +The sultry air was damp and oppressive, and experienced old Philippus, +who had commanded a fleet of considerable size under the first +Ptolemies, agreed with the captain of the vessel, who pointed to +several small dark clouds under the silvery stratus, and expressed the +fear that Selene would hardly illumine the ship’s course during the +coming night. + +But before the departure the travellers had offered sacrifices to the +foam-born Cyprian Aphrodite and the Dioscuri, the protectors of +mariners, and the conversation took the gayest turn. + +In the harbour of the neighbouring seaport Tanis they went aboard of +the commandant’s state galley, one of the largest and finest in the +royal fleet, where a banquet awaited them. + +Cushions were arranged on the high poop, and the sea was as smooth as +the silver dishes in which viands were offered to the guests. + +True, not a breath stirred the still, sultry air, but the three long +double ranks of rowers in the hold of the ship provided for her swift +progress, and if no contrary wind sprang up she would run into the +harbour of Pelusium before the last goblet was emptied. + +Soon after the departure it seemed as if the captain of the little +vessel had erred in his prediction, for the moon burst victoriously +through the black clouds, only its shining orb was surrounded by a +dull, glimmering halo. + +Doubtless many a guest longed for a cool breeze, but when the mixed +wine had moistened the parched tongues the talk gained fresh animation. + +Every one did his or her part, for the point in question was to induce +Philippus and his wife to visit Alexandria again and spend some time +there as beloved guests with Daphne in her father’s house or in the +palace of Philotas, who jestingly, yet with many reasons, contested the +honour with the absent Archias. + +The old warrior had remained away from the capital for several years; +he alone knew why. Now the act which had incensed him and the offence +inflicted upon him were forgotten, and, having passed seventy four +years, he intended to ask the commander in chief once more for the +retirement from the army which the monarch had several times refused, +in order, as a free man, to seek again the city which in his present +position he had so long avoided. + +Thyone, it is true, thought that her husband’s youthful vigour rendered +this step premature, but the visit to Alexandria harmonized with her +own wishes. + +Proclus eagerly sided with her. “To him,” said the man of manifold +knowledge, who as high priest of Apollo was fond of speaking in an +instructive tone, “experience showed that men like Philippus, who +solely on account of the number of their years withdrew their services +from the state, felt unhappy, and, like the unused ploughshare, became +prematurely rusty. What they lacked, and what Philippus would also +miss, was not merely the occupation, which might easily be supplied by +another, but still more the habit of command. One who had had thousands +subject to his will was readily overcome by the feeling that he was +going down hill, when only a few dozen of his own slaves and his wife +obeyed him.” + +This word aroused the mirth of old Philippus, who praised all the good +qualities of Macedonian wives except that of obedience, while Thyone +protested that during her more than forty years of married life her +husband had become so much accustomed to her complete submission than +he no longer noticed it. If Philippus should command her to-morrow to +leave their comfortable palace in Pelusium to accompany him to +Alexandria, where they possessed no home of their own, he would see how +willingly she obeyed him. + +While speaking, her bright, clear eyes, which seemed to float in the +deep hollows sunk by age, sparkled so merrily in her wrinkled face that +Philippus shook his finger gaily at her and showed plainly how much +pleasure the jest of the old companion of his wanderings gave him. + +Yet he insisted upon his purpose of not entering Alexandria again until +he had resigned his office, and to do this at present was impossible, +since he was bound just now, as if with chains, to the important +frontier fortress. Besides, there had probably been little change in +the capital since the death of his beloved old companion in arms and +master, the late King. + +This assertion evoked a storm of contradiction, and even the younger +officers, who usually imposed severe restraint upon themselves in the +general’s presence, raised their voices to prove that they, too, had +looked around the flourishing capital with open eyes. + +Yet it was not six decades since Philippus, then a lad of seventeen, +had been present at its foundation. + +His father, who had commanded as hipparch a division of cavalry in the +army of Alexander the Great, had sent for the sturdy youth just at that +time to come to Egypt, that he might enter the army. The conqueror of +the world had himself assigned him, as a young Macedonian of good +family, to the corps of the Hetairoi; and how the vigorous old man’s +eyes sparkled as, with youthful enthusiasm, he spoke of the divine +vanquisher of the world who had at that time condescended to address +him, gazed at him keenly yet encouragingly with his all-discerning but +kindly blue eyes, and extended his hand to him! + +“That,” he cried, “made this rough right hand precious to me. Often +when, in Asia, in scorching India, and later here also, wounded or +exhausted, it was ready to refuse its service, a spirit voice within +cried, ‘Do not forget that he touched it’; and then, as if I had drunk +the noble wine of Byblus, a fiery stream flowed from my heart into the +paralyzed hand, and, as though animated with new life, I used it again +and kept it worthy of his touch. To have seen a darling of the gods +like him, young men, makes us greater. It teaches us how even we human +beings are permitted to resemble the immortals. Now he is transported +among the gods, and the Olympians received him, if any one, gladly. +Whoever shared the deeds of such a hero takes a small portion of his +renown with him through life and into the grave, and whom he touched, +as befell me, feels himself consecrated, and whatever is petty and base +flows away from him like water from the anointed body of the wrestler. +Therefore I consider myself fortunate above thousands of others, and if +there is anything which still tempts me to go to Alexandria, it is the +desire to touch his dead body once more. To do that before I die is my +most ardent desire.” + +“Then gratify it!” cried Thyone with urgent impatience; but Proclus +turned to the matron, and, after exchanging a hasty glance with Althea, +said: “You probably know, my venerable friend, that Queen Arsinoe, who +most deeply honours your illustrious husband, had already arranged to +have him summoned to the capital as priest of Alexander. True, in this +position he would have had the burden of disposing of all the revenues +from the temples throughout Egypt; but, on the other hand, he would +always have his master’s mortal remains near and be permitted to be +their guardian. What influences baffled the Queen’s wish certainly have +not remained hidden from you here.” + +“You are mistaken,” replied Philippus gravely. “Not the least whisper +of this matter reached my ears, and it is fortunate.” + +“Impossible!” Althea eagerly interrupted; “nothing else was talked of +for weeks in the royal palace. Queen Arsinoe—you might be jealous, Lady +Thyone—has been fairly in love with your hero ever since her last stay +in your house on her way home from Thrace, and she has not yet given up +her desire to see him in the capital as priest of Alexander. It seems +to her just and fair that the old companion of the greatest of the +great should have the highest place, next to her husband’s, in the city +whose foundation he witnessed. Arsinoe speaks of you also with all the +affection natural to her feeling heart.” + +“This is as flattering as it is surprising,” replied Thyone. “The +attention we showed her in Pelusium was nothing more than we owed to +the wife of the sovereign. But the court is not the principal +attraction that draws me to the capital. It would make Philippus +happy—you have just heard him say so—to remember his old master beside +the tomb of Alexander.” + +“And,” added Daphne, “how amazed you will be when you see the present +form of the ‘Soma’, in which rests the golden coffin with the body of +the divine hero whom the fortunate Philippus aided to conquer the +world!” + +“You are jesting,” interrupted the old warrior. “I aided him only as +the drops in the stream help to turn the wheel of the mill. As to his +body, true, I marched at the head of the procession which bore it to +Memphis and thence to Alexandria. In the Soma I was permitted to think +of him with devout reverence, and meantime I felt as if I had again +seen him with these eyes—exactly as he looked in the Egyptian fishing +village of Rhacotis, which he transformed into your magnificent +Alexandria. What a youth he was! Even what would have been a defect in +others became a beauty in him. The powerful neck which supported his +divine head was a little crooked; but what grace it lent him when he +turned kindly to any one! One scarcely noticed it, and yet it was like +the bend of a petitioner, and gave the wish which he expressed +resistless power. When he stood erect, the sharpest eye could not +detect it. Would that he could appear before me thus once more! +Besides, the buildings which surrounded the golden coffin were nearly +completed at the time of our departure.” + +“But the statues, reliefs, and mosaic work were lacking,” said Hermon. +“They were executed by Lysippus, Euphranor, and others of our greatest +artists; the paintings by Apelles himself, Antiphilus, and Nicias. Only +those who had won renown were permitted to take part in this work, and +the Ares rushing to battle, created by our Myrtilus, can be seen among +the others. The tomb of Alexander was not entirely completed until +three years ago.” + +“At the same time as the Paneum,” added Philotas, completing the +sentence; and Althea, waving her beaker toward the old hero, remarked: +“When you have your quarters in the royal palace with your crowned +admirer, Arsinoe—which, I hope, will be very soon—I will be your +guide.” + +“That office is already bestowed on me by the Lady Thyone,” Daphne +quietly replied. + +“And you think that, in this case, obedience is the husband’s duty?” +cried the other, with a sneering laugh. + +“It would only be the confirmation of a wise choice,” replied +Philippus, who disliked the Thracian’s fawning manner. + +Thyone, too, did not favour her, and had glanced indignantly at her +when Althea made her rude remark. Now she turned to Daphne, and her +plain face regained its pleasant expression as she exclaimed: “We +really promised your father to let him show us the way, child; but, +unfortunately, we are not yet in Alexandria and the Paneum.” + +“But you would set out to-morrow,” Hermon protested, “if we could +succeed in fitly describing what now awaits you there. There is only +one Alexandria, and no city in the world can offer a more beautiful +scene than is visible from the mountain in the Paneum gardens.” + +“Certainly not,” protested the young hipparch, who had studied in +Athens. “I stood on the Acropolis; I was permitted to visit Rhodes and +Miletus—” + +“And you saw nothing more beautiful there,” cried Proclus. “The +aristocratic Roman envoys, who left us a short time ago, admitted the +same thing. They are just men, for the view from the Capitol of their +growing city is also to be seen. When the King’s command led me to the +Tiber, many things surprised me; but, as a whole, how shall I compare +the two cities? The older Rome, with her admirable military power: a +barbarian who is just beginning to cultivate more refined +manners—Alexandria: a rich, aristocratic Hellene who, like you, my +young friend, completed her education in Ilissus, and unites to the +elegant taste and intellect of the Athenian the mysterious +thoughtfulness of the Egyptian, the tireless industry of the Jew, and +the many-sided wisdom and brilliant magnificence of the other Oriental +countries.” + +“But who disdains to dazzle the eyes with Asiatic splendour,” +interrupted Philotas. + +“And yet what do we not hear about the unprecedented luxury in the +royal palace!” growled the gray-haired warrior. + +“Parsimony—the gods be praised!—no one need expect from our royal +pair,” Althea broke in; “but King Ptolemy uses his paternal wealth for +very different purposes than glittering gems and golden chambers. If +you disdain my guidance, honoured hero, at least accept that of some +genuine Alexandrian. Then you will understand Proclus’s apt simile. You +ought to begin with the royal palaces in the Brucheium.” + +“No, no-with the harbour of Eunostus!” interrupted the grammateus. + +“With the Soma!” cried the young hipparch, while Daphne wished to have +the tour begin in the Paneum gardens. + +“They were already laid out when we left Alexandria,” said Thyone. + +“And they have grown marvellously, as if creative Nature had doubled +her powers in their behalf,” Hermon added eagerly. “But man has also +wrought amazing miracles here. Industrious hands reared an actual +mountain. A winding path leads to the top, and when you stand upon the +summit and look northward you at first feel like the sailor who steps +on shore and hears the people speak a language which is new to him. It +seems like a jumble of meaningless sounds until he learns, not only to +understand the words, but also to distinguish the sentences. Temples +and palaces, statues and columns appear everywhere in motley confusion. +Each one, if you separate it from the whole and give it a careful +examination, is worthy of inspection, nay, of admiration. Here are +light, graceful creations of Hellenic, yonder heavy, sombre ones of +Egyptian art, and in the background the exquisite azure of the eternal +sea, which the marvellous structure of the heptastadium unites to the +land; while on the island of Pharos the lighthouse of Sostratus towers +aloft almost to the sky, and with a flood of light points out the way +to mariners who approach the great harbour at night. Countless vessels +are also at anchor in the Eunostus. The riches of the whole earth flow +into both havens. And the life and movement there and in the inland +harbour on Lake Mareotis, where the Nile boats land! From early until +late, what a busy throng, what an abundance of wares—and how many of +the most valuable goods are made in our own city! for whatever useful, +fine, and costly articles industrial art produces are manufactured +here. The roof has not yet been put on many a factory in which busy +workers are already making beautiful things. Here the weaver’s shuttle +flies, yonder gold is spun around slender threads of sheep guts, +elsewhere costly materials are embroidered by women’s nimble fingers +with the prepared gold thread. There glass is blown, or weapons and +iron utensils are forged. Finely polished knives split the pith of the +papyrus, and long rows of workmen and workwomen gum the strips +together. No hand, no head is permitted to rest. In the Museum the +brains of the great thinkers and investigators are toiling. Here, too, +reality asserts its rights. The time for chimeras and wretched polemics +is over. Now it is observing, fathoming, turning to account, nothing +more!” + +“Gently, my young friend,” Proclus interrupted the artist. “I know that +you, too, sat at the feet of some of the philosophers in the Museum, +and still uphold the teachings of Straton, which your fellow-pupil, +King Ptolemy, outgrew long ago. Yet he, also, recognised in philosophy, +first of all, the bond which unites the widely sundered acquisitions of +the intellect, the vital breath which pervades them, the touchstone +which proves each true or false. If the praise of Alexandria is to be +sung, we must not forget the library to which the most precious +treasures of knowledge of the East and West are flowing, and which +feeds those who thirst for knowledge with the intellectual gains of +former ages and other nations. Honour, too, to our King, and, that I +may be just, to his illustrious wife; for wherever in the Grecian world +a friend of the Muses appears, whether he is investigator, poet, +architect, sculptor, artist, actor, or singer, he is drawn to +Alexandria, and, that he may not be idle, work is provided. Palaces +spring from the earth quickly enough.” + +“Yet not like mushrooms,” Hermon interrupted, “but as the noblest, most +carefully executed creations of art-sculpture and painting provide for +their decoration both without and within.” + +“And,” Proclus went on, “abodes are erected for the gods as well as for +men, both Egyptian and Hellenic divinities, each in their own style, +and so beautiful that it must be a pleasure for them to dwell under the +new roof.” + +“Go to the gardens of the Paneum, friends!” cried young Philotas; and +Hermon, nodding to Thyone, added gaily: “Then you must climb the +mountain and keep your eyes open while you are ascending the winding +path. You will find enough to do to look at all the new sights. You +will stand there with dry feet, but your soul will bathe in eternal, +imperishable, divine beauty.” + +“The foe of beauty!” exclaimed Proclus, pointing to the sculptor with a +scornful glance; but Daphne, full of joyous emotion, whispered to +Hermon as he approached her: “Eternal, divine beauty! To hear it thus +praised by you makes me happy.” + +“Yes,” cried the artist, “what else should I call what has so often +filled me with the deepest rapture? The Greek language has no more +fitting expression for the grand and lofty things that hovered before +me, and which I called by that chameleon of a word. Yet I have a +different meaning from what appears before you at its sound. Were I to +call it truth, you would scarcely understand me, but when I conjure +before my soul the image of Alexandria, with all that springs from it, +all that is moving, creating, and thriving with such marvellous +freedom, naturalness, and variety within it, it is not alone the beauty +that pleases the eye which delights me; I value more the sound natural +growth, the genuine, abundant life. To truth, Daphne, as I mean it.” + +He raised his goblet as he spoke and drank to her. + +She willingly pledged him, but, after removing her lips from the cup, +she eagerly exclaimed: “Show it to us, with the mind which animates it, +in perfect form, and I should not know wherein it was to be +distinguished from the beauty which hitherto has been our highest +goal.” + +Here the helmsman’s loud shout, “The light of Pelusium!” interrupted +the conversation. The bright glare from the lighthouse of this city was +really piercing the misty night air, which for some time had again +concealed the moon. + +There was no further connected conversation, for the sea was now rising +and falling in broad, leaden, almost imperceptible waves. The comfort +of most of Philippus’s guests was destroyed, and the ladies uttered a +sigh of relief when they had descended from the lofty galley and the +boats that conveyed them ashore, and their feet once more pressed the +solid land. The party of travellers went to the commandant’s +magnificent palace to rest, and Hermon also retired to his room, but +sleep fled from his couch. + +No one on earth was nearer to his heart and mind than Daphne, and it +often seemed as if her kind, loyal, yet firm look was resting upon him; +but the memory of Ledscha also constantly forced itself upon his mind +and stirred his blood. When he thought of the menacing fire of her dark +eyes, she seemed to him as terrible as one of the unlovely creatures +born of Night, the Erinyes, Apate, and Eris. + +Then he could not help recalling their meetings in the grove of +Astarte, her self-forgetting, passionate tenderness, and the +wonderfully delicate beauty of her foreign type. True, she had never +laughed in his presence; but what a peculiar charm there was in her +smile! Had he really lost her entirely and forever? Would it not yet be +possible to obtain her forgiveness and persuade her to pose as the +model of his Arachne? + +During the voyage to Pelusium he had caught Althea’s eye again and +again, and rejected as an insult her demand to give her his whole love. +The success of the Arachne depended upon Ledscha, and on her alone. He +had nothing good to expect from the Demeter, and during the nocturnal +meditation, which shows everything in the darkest colours, his best +plan seemed to be to destroy the unsuccessful statue and not exhibit it +for the verdict of the judges. + +But if he went to work again in Tennis to model the Arachne, did not +love for Daphne forbid him to sue afresh for Ledscha’s favour? + +What a terrible conflict of feelings! + +But perhaps all this might gain a more satisfactory aspect by daylight. +Now he felt as though he had entangled himself in a snare. Besides, +other thoughts drove sleep from his couch. + +The window spaces were closed by wooden shutters, and whenever they +moved with a low creaking or louder banging Hermon started and forgot +everything else in anxiety about his invalid friend, whose suffering +every strong wind brought on again, and often seriously increased. + +Three times he sprang up from the soft wool, covered with linen sheets, +and looked out to convince himself that no storm had risen. But, though +masses of black clouds concealed the moon and stars, and the sea beat +heavily against the solid walls of the harbour, as yet only a sultry +breeze of no great strength blew on his head as he thrust it into the +night air. + +This weather could scarcely be dangerous to Myrtilus, yet when the +morning relieved him from the torturing anxiety which he had found +under his host’s roof instead of rest and sleep, gray and black clouds +were sweeping as swiftly over the port and the ramparts beside him as +if they were already driven by a tempest, and warm raindrops +besprinkled his face. + +He went, full of anxiety, to take his bath, and, while committing the +care of the adornment of his outer man to one of the household slaves, +he determined that unless—as often happened in this country—the sun +gained the victory over the clouds, he would return to Tennis and join +Myrtilus. + +In the hall of the men he met the rest of the old hero’s guests. + +They received him pleasantly enough, Althea alone barely noticed his +greeting; she seemed to suspect in what way he thought of her. + +Thyone and Daphne extended their hands to him all the more cordially. + +Philippus did not appear until after breakfast. He had been detained by +important despatches from Alexandria, and by questions and +communications from Proclus. The latter desired to ascertain whether +the influential warrior who commanded the most important fortress in +the country could be persuaded to join a conspiracy formed by Arsinoe +against her royal husband, but he seemed to have left Philippus with +very faint hopes. + +Subordinate officers and messengers also frequently claimed the +commandant’s attention. When the market place was filling, however, the +sturdy old soldier kindly fulfilled his duties as host by offering to +show his guests the sights of the fortified seaport. + +Hermon also accompanied him at Daphne’s side, but he made it easy for +Philotas to engross her attention; for, though the immense thickness of +the walls and the arrangement of the wooden towers which, crowned with +battlements, rose at long intervals, seemed to him also well worth +seeing, he gave them only partial attention. + +While Philippus was showing the guests how safely the archers and +slingers could be concealed behind the walls and battlements and +discharge their missiles, and explaining the purpose of the great +catapults on the outermost dike washed by the sea, the artist was +listening to the ever-increasing roar of the waves which poured into +the harbour from the open sea, to their loud dashing against the strong +mole, to the shrill scream of the sea gulls, the flapping of the sails, +which were being taken in everywhere—in short, to all the sounds +occasioned by the rising violence of the wind. + +There were not a few war ships in the port and among them perfect +giants of amazing size and unusual construction, but Hermon had already +seen many similar ones. + +When, shortly after noon, the sun for a few brief moments pierced with +scorching rays the dark curtain that shrouded it from sight, and then +suddenly dense masses of clouds, driven from the sea by the tempest, +covered the day star, his eyes and cars were engrossed entirely by the +uproar of the elements. + +The air darkened as if night was falling at this noontide hour, and +with savage fury the foaming mountain waves rushed like mad wild beasts +in fierce assault upon the mole, the walls, and the dikes of the +fortified port. + +“Home!” cried Thyone, and again entered the litter which she had left +to inspect the new catapults. + +Althea, trembling, drew her peplos together as the storm swept her +light figure before it, and, shrieking, struggled against the black +slaves who tried to lift her upon the war elephant which had borne her +here. + +Philotas gave his arm to Daphne. Hermon had ceased to notice her; he +had just gone to his gray-haired host with the entreaty that he would +give him a ship for the voyage to Tennis, where Myrtilus would need his +assistance. + +“It is impossible in such weather,” was the reply. + +“Then I will ride!” cried Hermon resolutely, and Philippus scanned the +son of his old friend and companion in arms with an expression of quiet +satisfaction in his eyes, still sparkling brightly, and answered +quickly, “You shall have two horses, my boy, and a guide who knows the +road besides.” + +Then, turning swiftly to one of the officers who accompanied him, he +ordered him to provide what was necessary. + +When, soon after, in the impluvium, the tempest tore the velarium that +covered the open space from its rings, and the ladies endeavoured to +detain Hermon, Philippus silenced them with the remark: + +“A disagreeable ride is before him, but what urges him on is pleasing +to the gods. I have just ventured to send out a carrier dove,” he +added, turning to the artist, “to inform Myrtilus that he may expect +you before sunset. The storm comes from the cast, otherwise it would +hardly reach the goal. Put even if it should be lost, what does it +matter?” + +Thyone nodded to her old husband with a look of pleasure, and her eyes +shone through tears at Hermon as she clasped his hand and, remembering +her friend, his mother, exclaimed: “Go, then, you true son of your +father, and tell your friend that we will offer sacrifices for his +welfare.” + +“A lean chicken to Aesculapius,” whispered the grammateus to Althea. +“She holds on to the oboli.” + +“Which, at any rate, would be hard enough to dispose of in this +wretched place unless one were a dealer in weapons or a thirsty +sailor,” sighed the Thracian. “As soon as the sky and sea are blue +again, chains could not keep me here. And the cooing around this +insipid rich beauty into the bargain!” + +This remark referred to Philotas, who was just offering Daphne a +magnificent bunch of roses, which a mounted messenger had brought to +him from Alexandria. + +The girl received it with a grateful glance, but she instantly +separated one of the most beautiful blossoms from its companions and +handed it to Hermon, saying, “For our suffering friend, with my +affectionate remembrances.” + +The artist pressed her dear hand with a tender look of love, intended +to express how difficult it was for him to leave her, and when, just at +that moment, a slave announced that the horses were waiting, Thyone +whispered: “Have no anxiety, my son! Your ride away from her through +the tempest will bring you a better reward than his slave’s swift horse +will bear the giver of the roses.” + + + + +CHAPTER XVI. + + +Hermon, with the rose for his friend fastened in the breast folds of +his chiton, mounted his horse gratefully, and his companion, a sinewy, +bronzed Midianite, who was also to attend to the opening of the +fortress gates, did the same. + +Before reaching the open country the sculptor had to ride through the +whole city, with which he was entirely unfamiliar. Fiercely as the +storm was sweeping down the streets and squares, and often as the +horseman was forced to hold on to his travelling hat and draw his +chlamys closer around him, he felt the anxieties which had made his +night sleepless and saddened his day suddenly leave him as if by a +miracle. Was it the consciousness of having acted rightly? was it the +friendly farewell which Daphne had given him, and the hope Thyone had +aroused, or the expectation of seeing Ledscha once more, and at least +regaining her good will, that had restored his lost light-heartedness? +He did not know himself, nor did he desire to know. + +While formerly he had merely glanced carelessly about him in Pelusium, +and only half listened to the explanations given by the veteran’s deep +voice, now whatever he saw appeared in clear outlines and awakened his +interest, in spite of the annoyances caused by the storm. + +Had he not known that he was in Pelusium, it would have been difficult +for him to determine whether the city he was crossing was an Egyptian, +a Hellenic, or a Syrian one; for here rose an ancient temple of the +time of the Pharaohs, with obelisks and colossal statues before the +lofty pylons, yonder the sanctuary of Poseidon, surrounded by stately +rows of Doric columns, and farther on the smaller temple dedicated to +the Dioscuri, and the circular Grecian building that belonged to +Aphrodite. + +In another spot, still close to the harbour, he saw the large buildings +consecrated to the worship of the Syrian Baal and Astarte. + +Here he was obliged to wait awhile, for the tempest had excited the war +elephants which were returning from their exercising ground, and their +black keepers only succeeded with the utmost difficulty in restraining +them. Shrieking with fear, the few persons who were in the street +besides the soldiers, that were everywhere present, scattered before +the huge, terrified animals. + +The costume and appearance of the citizens, too, gave no clew to the +country to which the place belonged; there were as many Egyptians among +them as Greeks, Syrians, and negroes. Asiatics appeared in the majority +only in the market place, where the dealers were just leaving their +stands to secure their goods from the storm. In front of the big +building where the famous Pelusinian xythus beer was brewed, the drink +was being carried away in jugs and wineskins, in ox-carts and on +donkeys. Here, too, men were loading camels, which were rarely seen in +Egypt, and had been introduced there only a short time before. + +How forcibly all these things riveted Hermon’s attention, now that no +one was at hand to explain them and no delay was permitted! He scarcely +had time for recollection and expectation. + +Finally, the last gate was unlocked, and the ramparts and moats lay +behind him. + +Thus far the wind had kept back the rain, and only scattered drops +lashed the riders’ faces; but as soon as they entered the open country, +it seemed as though the pent-up floods burst the barriers which +retained them above, and a torrent of water such as only those dry +regions know rushed, not in straight or slanting lines, but in thick +streams, whirled by the hurricane, upon the marshy land which stretched +from Pelusium to Tennis, and on the horsemen. + +The road led along a dike raised above fields which, at this season of +the year, were under water, and Hermon’s companion knew it well. + +For a time both riders allowed themselves to be drenched in silence. +The water ran down upon them from their broad-brimmed hats, and their +dripping horses trotted with drooping heads and steaming flanks one +behind the other until, at the very brick-kiln where Ledscha had +recalled her widowed sister’s unruly slaves to obedience, the guide +stopped with an oath, and pointed to the water which had risen to the +top of the dam, and in some places concealed the road from their eyes. + +Now it was no longer possible to trot, for the guide was obliged to +seek the traces of the dike with great caution. Meanwhile the force of +the pouring rain by no means lessened—nay, it even seemed to +increase—and the horses were already wading in water up to their +fetlocks. + +But if the votive stones, the little altars and statues of the gods, +the bushes and single trees along the sides of the dike road were +overflowed while the travellers were in the region of the marsh, they +would be obliged to interrupt their journey, for the danger of sinking +into the morass with their horses would then threaten them. + +Even at the brick-kiln travellers, soldiers, and trains of merchandise +had stopped to wait for the end of the cloud-burst. + +In front of the farmhouse, too, which Hermon and his companion next +reached, they saw dozens of people seeking shelter, and the Midianite +urged his master to join them for a short time at least. The wisest +course here was probably to yield, and Hermon was already turning his +horse’s head toward the house when a Greek messenger dashed past the +beckoning refuge and also by him. + +“Do you dare to ride farther?” the artist shouted in a tone of warning +inquiry to the man on the dripping bay, and the latter, without +pausing, answered: “Duty! On business for the King!” + +Then Hermon turned his steed back toward the road, beat the water from +his soaked beard with the edge of his hand, and with a curt “Forward!” +announced his decision to his companion. Duty summoned him also, and +what another risked for the King he would not fail to do for his +friend. + +The Midianite, shaking his head, rode angrily after him; but, though +the violence of the rain was lessening, the wind began to blow with +redoubled force, beating and lashing the boundless expanse of the +quickly formed lake with such savage fury that it rolled in surges like +the sea, and sweeping over it dense clouds of foam like the sand waves +tossed by the desert tempests. + +Sometimes moaning, sometimes whistling, the gusts of the hurricane +drove the water and the travellers before it, while the rain poured +from the sky to the earth, and wherever it struck splashed upward, +making little whirlpools and swiftly breaking bubbles. + +What might not Myrtilus suffer in this storm! This thought strengthened +Hermon’s courage to twice ride past other farmhouses which offered +shelter. At the third the horse refused to wade farther in such a +tempest, so there was nothing to be done except spring off and lead it +to the higher ground which the water had not yet reached. + +The interior of the peasant hut was filled with people who had sought +shelter there, and the stifling atmosphere which the artist felt at the +door induced him to remain outside. + +He had stood there dripping barely fifteen minutes when loud shouts and +yells were heard on the road from Pelusium by which he had come, and +upon the flooded dike appeared a body of men rushing forward with +marvellous speed. + +The nearer they came the fiercer and more bewildering sounded the loud, +shrill medley of their frantic cries, mingled with hoarse laughter, and +the spectacle presented to the eyes was no less rough and bold. + +The majority seemed to be powerful men. Their complexions were as light +as the Macedonians; their fair, red, and brown locks were thick, +unkempt, and bristling. Most of the reckless, defiantly bold faces were +smooth- shaven, with only a mustache on the upper lip, and sometimes a +short imperial. All carried weapons, and a fleece covered the shoulders +of many, while chains, ornamented with the teeth of animals, hung on +their white muscular chests. + +“Galatians,” Hermon heard one man near him call to another. “They came +to the fortress as auxiliary troops. Philippus forbade them to plunder +on pain of death, and showed them—the gods be thanked!—that he was in +earnest. Otherwise it would soon look here as though the plagues of +locusts, flood, and fire had visited us at once. Red-haired men are not +the only sons of Typhon!” + +And Hermon thought that he had indeed never seen any human beings +equally fierce, bold to the verge of reckless madness, as these Gallic +warriors. The tempest which swept them forward, and the water through +which they waded, only seemed to increase their enjoyment, for sheer +delight rang in their exulting shouts and yells. + +Oh, yes! To march amid this uproar of the elements was a pleasure to +the healthy men. It afforded them the rarest, most enlivening delight. +For a long time nothing had so strongly reminded them of the roaring of +the wind and the rushing of the rain in their northern home. It seemed +a delicious relief, after the heat and dryness of the south, which they +had endured with groans. + +When they perceived the eyes fixed upon them they swung their weapons, +arched their breasts with conscious vanity, distorted their faces into +terrible threatening grimaces, or raised bugle horns to their lips, +drew from them shrill, ear-piercing notes and gloated, with childish +delight, in the terror of the gaping crowd, on whom the restraint of +authority sternly forbade them to show their mettle. + +Lust of rapine and greed for booty glittered in many a fiery, longing +look, but their leaders kept them in check with the sword. So they +rushed on without stopping, like a thunderstorm pregnant with +destruction which the wind drives over a terrified village. + +Hermon also had to take the road they followed, and, after giving the +Gauls a long start, he set out again. + +But though he succeeded in passing the marshy region without injury, +there had been delay after delay; here the horses had left the flooded +dike road and floundered up to their knees in the morass, there trees +from the roadside, uprooted by the storm, barred the way. + +As night closed in the rain ceased and the wind began to subside, but +dark clouds covered the sky, and the horsemen were still an hour’s ride +from the place where the road ended at the little harbour from which +travellers entered the boat which conveyed them to Tennis. + +The way no longer led through the marsh, but through tilled lands, and +crossed the ditches which irrigated the fields on wooden bridges. + +On their account, in the dense darkness which prevailed, caution was +necessary, and this the guide certainly did not lack. He rode at a slow +walk in front of the artist, and had just pointed out to him the light +at the landing place of the boat which went to Tennis, when Hermon was +suddenly startled by a loud cry, followed by clattering and splashing. + +With swift presence of mind he sprang from his horse and found his +conjecture verified. The bridge had broken down, and horse and rider +had fallen into the broad canal. + +“The Galatians!” reached Hermon from the dark depths, and the +exclamation relieved him concerning the fate of the Midianite. + +The latter soon struggled up to the road uninjured. The bridge must +have given way under the feet of the savage horde, unless the Gallic +monsters, with brutal malice, had intentionally shattered it. + +The first supposition, however, seemed to be the correct one, for as +Hermon approached the canal he heard moans of pain. One of the Gauls +had apparently met with an accident in the fall of the bridge and been +deserted by his comrades. With the skill acquired in the wrestling +school, Hermon descended into the canal to look for the wounded man, +while his guide undertook to get the horses ashore. + +The deep darkness considerably increased the difficulty of carrying out +his purpose, but the young Greek went up to his neck in the water he +could not become wetter than he was already. So he remained in the +ditch until he found the injured man whose groans of suffering pierced +his compassionate heart. + +He was obliged to release the luckless Gaul from the broken timbers of +the bridge, and, when Hermon had dragged him out on the opposite bank +of the canal, he made no answer to any question. A falling beam had +probably struck him senseless. + +His hair, which Hermon’s groping fingers informed him was thick and +rough, seemed to denote a Gaul, but a full, long beard was very rarely +seen in this nation, and the wounded man wore one. Nor could anything +be discovered from the ornaments or weapons of this fierce barbarian. + +But to whatever people he might belong, he certainly was not a Greek. +The thoroughly un-Hellenic wrapping up of the legs proved that. + +No matter! Hermon at any rate was dealing with some one who was +severely injured, and the self-sacrificing pity with which even +suffering animals inspired him, and which in his boyhood had drawn upon +him the jeers of the companions of his own age, did not abandon him +now. + +Reluctantly obeying his command, the Midianite helped him bandage the +sufferer’s head, in which a wound could be felt, as well as it could be +done in the darkness, and lift him on the artist’s horse. During this +time fresh groans issued from the bearded lips of the injured warrior, +and Hermon walked by his side, guarding the senseless man from the +danger of falling from the back of the horse as it slowly followed the +Midianite’s. + +This tiresome walk, however, did not last long; the landing place was +reached sooner than Hermon expected, and the ferryboat bore the +travellers and the horses to Tennis. + +By the flickering light of the captain’s lantern it was ascertained +that the wounded man, in spite of his long dark beard, was probably a +Gaul. The stupor was to be attributed to the fall of a beam on his +head, and the shock, rather than to the wound. The great loss of blood +sustained by the young and powerful soldier had probably caused the +duration of the swoon. + +During the attempts at resuscitation a sailor boy offered his +assistance. He carefully held the lantern, and, as its flickering light +fell for brief moments upon the artist’s face, the lad of thirteen or +fourteen asked if he was Hermon of Alexandria. + +A curt “If you will permit,” answered the question, considered by the +Hellenes an unseemly one, especially from such a youth; but the +sculptor paid no further attention to him, for, while devoting himself +honestly to the wounded man, his anxiety about his invalid friend +increased, and Ledscha’s image also rose again before him. + +At last the ferryboat touched the land, and when Hermon looked around +for the lad he had already leaped ashore, and was just vanishing in the +darkness. + +It was probably within an hour of midnight. + +The gale was still blowing fiercely over the water, driving the black +clouds across the dark sky, sometimes with long-drawn, wailing sounds, +sometimes with sharp, whistling ones. The rain had wholly ceased, and +seemed to have exhausted itself here in the afternoon. + +As Archias’s white house was a considerable distance from the landing +place of the ferryboat, Hermon had the wounded warrior carried to it by +Biamite sailors, and again mounted his horse to ride to Myrtilus at as +swift a trot as the soaked, wretched, but familiar road would permit. + +Considerable time had been spent in obtaining a litter for the Gaul, +yet Hermon was surprised to meet the lad who had questioned him so +boldly on the ferryboat coming, not from the landing place, but running +toward it again from the city, and then saw him follow the shore, +carrying a blazing torch, which he waved saucily. The wind blew aside +the flame and smoke which came from the burning pitch, but it shone +brightly through the gloom and permitted the boy to be distinctly seen. +Whence had the nimble fellow come so quickly? How had he succeeded, in +this fierce gale, in kindling the torch so soon into a powerful flame? +Was it not foolish to let a child amuse itself in the middle of the +night with so dangerous a toy? + +Hermon hastily thought over these questions, but the supposition that +the light of the torch might be intended for a signal did not occur to +him. + +Besides, the boy and the light in his hand occupied his mind only a +short time. He had better things to think of. With what longing +Myrtilus must now be expecting his arrival! But the Gaul needed his aid +no less urgently than his friend. Accurately as he knew what remedies +relieved Myrtilus in severe attacks of illness, he could scarcely +dispense with an assistant or a leech for the other, and the idea +swiftly flashed upon him that the wounded man would afford him an +opportunity of seeing Ledscha again. + +She had told him more than once about the healing art possessed by old +Tabus on the Owl’s Nest. Suppose he should now seek the angry girl to +entreat her to speak to the aged miracle-worker in behalf of the sorely +wounded young foreigner? + +Here he interrupted himself; something new claimed his attention. + +A dim light glimmered through the intense darkness from a bit of rising +ground by the wayside. It came from the Temple of Nemesis—a pretty +little structure belonging to the time of Alexander the Great, which he +had often examined with pleasure. Several steps led to the anteroom, +supported by Ionic columns, which adjoined the naos. + +Two lamps were burning at the side of the door leading into the little +open cella, and at the back of the consecrated place the statue of the +winged goddess was visible in the light of a small altar fire. + +In her right hand she held the bridle and scourge, and at her feet +stood the wheel, whose turning indicates the influence exerted by her +power upon the destiny of mortals. With stern severity that boded evil, +she gazed down upon her left forearm, bent at the elbow, which +corresponds with the ell, the just measure. + +Hermon certainly now, if ever, lacked both time and inclination to +examine again this modest work of an ordinary artist, yet he quickly +stopped his weary horse; for in the little pronaos directly in front of +the cella door stood a slender figure clad in a long floating dark +robe, extending its hands through the cella door toward the statue in +fervent prayer. She was pressing her brow against the left post of the +door, but at her feet, on the right side, cowered another figure, which +could scarcely be recognised as a human being. + +This, too, was a woman. + +Deeply absorbed in her own thoughts, she was also extending her arms +toward the statue of Nemesis. + +Hermon knew them both. + +At first he fancied that his excited imagination was showing him a +threatening illusion. But no! + +The erect figure was Ledscha, the crouching one Gula, the sailor’s wife +whose child he had rescued from the flames, and who had recently been +cast out by her husband. + +“Ledscha!” escaped his lips in a muttered tone, and he involuntarily +extended his hands toward her as she was doing toward the goddess. + +But she did not seem to hear him, and the other woman also retained the +same attitude, as if hewn from stone. + +Then he called the supplicant’s name loud tone, and the next instant +still more loudly; and now she turned, and, in the faint light of the +little lamp, showed the marvellously noble outlines of her profile. He +called again, and this time Ledscha heard anguished yearning in his +deep tones; but they seemed to have lost their influence over her, for +her large dark eyes gazed at him so repellently and sternly that a cold +tremor ran down his spine. + +Swinging himself from his horse, he ascended the steps of the temple, +and in the most tender tones at his command exclaimed: “Ledscha! +Severely as I have offended you, Ledscha—oh, do not say no! Will you +hear me?” + +“No!” she answered firmly, and, before he could speak, continued: “This +place is ill chosen for another meeting! Your presence is hateful to +me! Do not disturb me a moment longer!” + +“As you command,” he began hesitatingly; but she swiftly interrupted +with the question, “Do you come from Pelusium, and are you going +directly home?” + +“I did not heed the storm on account of Myrtilus’s illness,” he +answered quietly, “and if you demand it, I will return home at once; +but first let me make one more entreaty, which will be pleasing also to +the gods.” + +“Get your response from yonder deity! “she impatiently interrupted, +pointing with a grand, queenly gesture, which at any other time would +have delighted his artist eye, to the statue of Nemesis in the cella. + +Meanwhile Gula had also turned her face toward Hermon, and he now +addressed her, saying with a faint tone of reproach: “And did hatred +lead you also, Gula, to this sanctuary at midnight to implore the +goddess to destroy me in her wrath?” + +The young mother rose and pointed to Ledscha, exclaiming, “She desires +it.” + +“And I?” he asked gently. “Have I really done you so much evil?” + +She raised her hand to her brow as if bewildered; her glance fell on +the artist’s troubled face, and lingered there for a short time. Then +her eyes wandered to Ledscha, and from her to the goddess, and finally +back again to the sculptor. Meanwhile Hermon saw how her young figure +was trembling, and, before he had time to address a soothing-word to +her, she sobbed aloud, crying out to Ledscha: “You are not a mother! My +child, he rescued it from the flames. I will not, and I can not—I will +no longer pray for his misfortune!” + +She drew her veil over her pretty, tear-stained face as she spoke, and +darted lightly down the temple steps close beside him to seek shelter +in her parents’ house, which had been unwillingly opened to the +cast-off wife, but now afforded her a home rich in affection. + +Immeasurably bitter scorn was depicted in Ledscha’s features as she +gazed after Gula. She did not appear to notice Hermon, and when at last +he appealed to her and briefly urged her to ask the old enchantress on +the Owl’s Nest for a remedy for the wounded Gaul, she again leaned +against the post of the cella door, extended both arms with passionate +fervour toward the goddess, and remained standing there motionless, +deaf to his petition. + +His blood seethed in his veins, and he was tempted to go nearer and +force her to hear him; but before he had ascended the first of the +flight of steps leading to the pronaos, he heard the footsteps of the +men who were bearing the wounded warrior after him. + +They must not see him here with one of their countrywomen at this hour, +and manly pride forbade him to address her again as a supplicant. + +So he went back to the road, mounted his horse, and rode on without +vouchsafing a word of farewell to the woman who was invoking +destruction upon his head. As he did so his eyes again rested on the +stern face of Nemesis, and the wheel whose turning determined the +destiny of men at her feet. + +Assailed by horrible fears, and overpowered by presentiments of evil, +he pursued his way through the darkness. + +Perhaps Myrtilus had succumbed to the terrible attack which must have +visited him in such a storm, and life without his friend would be +bereft of half its charm. Orphaned, poor, a struggler who had gained no +complete victory, it had been rich only in disappointments to him, in +spite of his conviction that he was a genuine artist, and was fighting +for a good cause. Now he knew that he had also lost the woman by whose +assistance he was certain of a great success in his own much-disputed +course, and Ledscha, if any one, was right in expecting a favourable +hearing from the goddess who punished injustice. + +He did not think of Daphne again until he was approaching the place +where her tents had stood, and the remembrance of her fell like a ray +of light into his darkened soul. + +Yet on that spot had also been erected the wooden platform from which +Althea had showed him the transformation into the spider, and the +recollection of the foolish error into which the Thracian had drawn him +disagreeably clouded the pleasant thought of Daphne. + + + + +CHAPTER XVII. + + +Complete darkness enfolded the white house. Hermon saw only two windows +lighted, the ones in his friend’s studio, which looked out into the +open square, while his own faced the water. + +What did this mean? + +It must be nearly midnight, and he could no longer expect Myrtilus to +be still at work. He had supposed that he should find him in his +chamber, supported by his slaves, struggling for breath. What was the +meaning of the light in the workrooms now? + +Where was his usually efficient Bias? He never went to rest when his +master was to return home, yet the carrier dove must have announced his +coming! + +But Hermon had also enjoined the care of Myrtilus upon the slave, and +he was undoubtedly beside the sufferer’s couch, supporting him in the +same way that he had often seen his master. + +He was now riding across the open space, and he heard the men who +carried the Gaul talking close behind him. + +Was the wounded barbarian the sole acquisition of this journey? + +The beat of his horse’s hoofs and the voices of the Biamites echoed +distinctly enough amid the stillness of the night, which was +interrupted only by the roaring of the wind. And this disturbance of +the deep silence around had entered the lighted windows before him, for +a figure appeared at one of them, and—could he believe his own +eyes?—Myrtilus looked down into the square, and a joyous welcome rang +from his lips as loudly as in his days of health. + +The darkness of the night suddenly seemed to Hermon to be illumined. A +leap to the ground, two bounds up the steps leading to the house, an +eager rush through the corridor that separated him from the room in +which Myrtilus was, the bursting instead of opening of the door, and, +as if frantic with happy surprise, he impetuously embraced his friend, +who, burin and file in hand, was just approaching the threshold, and +kissed his brow and cheeks in the pure joy of his heart. + +Then what questions, answers, tidings! In spite of the torrents of rain +and the gale, the invalid’s health had been excellent. The solitude had +done him good. He knew nothing about the carrier dove. The hurricane +had probably “blown it away,” as the breeders of the swift messengers +said. + +Question and reply now followed one another in rapid succession, and +both were soon acquainted with everything worth knowing; nay, Hermon +had even delivered Daphne’s rose to his friend, and informed him what +had befallen the Gaul who was being brought into the house. + +Bias and the other slaves had quickly appeared, and Hermon soon +rendered the wounded man the help he needed in an airy chamber in the +second story of the house, which, owing to the heat that prevailed in +summer so close under the roof, the slaves had never occupied. + +Bias assisted his master with equal readiness and skill, and at last +the Gaul opened his eyes and, in the language of his country, asked a +few brief questions which were incomprehensible to the others. Then, +groaning, he again closed his lids. + +Hitherto Hermon had not even allowed himself time to look around his +friend’s studio and examine what he had created during his absence. +But, after perceiving that his kind act had not been in vain, and +consuming with a vigorous appetite the food and wine which Bias set +before him, he obliged Myrtilus—for another day was coming—to go to +rest, that the storm might not still prove hurtful to him. + +Yet he held his friend’s hand in a firm clasp for a long time, and, +when the latter at last prepared to go, he pressed it so closely that +it actually hurt Myrtilus. But he understood his meaning, and, with a +loving glance that sank deep into Hermon’s heart, called a last good +night. + +After two sleepless nights and the fatiguing ride which he had just +taken, the sculptor felt weary enough; but when he laid his hand on the +Gaul’s brow and breast, and felt their burning heat, he refused Bias’s +voluntary offer to watch the sufferer in his place. + +If to amuse or forget himself he had caroused far more nights in +succession in Alexandria, why should he not keep awake when the object +in question was to wrest a young life from the grasp of death? This man +and his life were now his highest goal, and he had never yet repented +his foolish eccentricity of imposing discomforts upon himself to help +the suffering. + +Bias, on his part, was very willing to go to rest. He had plenty of +cause for weariness; Myrtilus’s unscrupulous body-servant had stolen +off with the other slaves the night before, and did not return, with +staggering gait, until the next morning, but, in order to keep his +promise to his master, he had scarcely closed his eyes, that he might +be at hand if Myrtilus should need assistance. + +So Bias fell asleep quickly enough in his little room in the lower +story, while his master, by the exertion of all his strength of will, +watched beside the couch of the Gaul. + +Yet, after the first quarter of an hour, his head, no matter how he +struggled to prevent it, drooped again and again upon his breast. But +just as slumber was completely overpowering him his patient made him +start up, for he had left his bed, and when Hermon, fully roused, +looked for him, was standing in the middle of the room, gazing about +him. + +The artist thought that fever had driven the wounded warrior from his +couch, as it formerly did his fellow-pupil Lycon, whom, in the delirium +of typhus, he could keep in bed only by force. So he led the Gaul +carefully back to the couch he had deserted, and, after moistening the +bandage with healing balm from Myrtilus’s medicine chest, ordered him +to keep quiet. + +The barbarian yielded as obediently as a child, but at first remained +in a sitting posture and asked, in scarcely intelligible broken Greek, +how he came to this place. + +After Hermon had satisfied his curiosity, he also put a few questions, +and learned that his charge not only wore a mustache, like his fellow +countrymen, but also a full beard, because the latter was the badge of +the bridge builders, to which class he belonged. While examining the +one crossing the canal, it had fallen in upon him. + +He closed his eyes as he spoke, and Hermon wondered if it was not time +for him to lie down also; but the wounded man’s brow was still burning, +and the Gallic words which he constantly muttered were probably about +the phantoms of fever, which Hermon recognised from Lycon’s illness. + +So he resolved to wait and continue to devote the night, which he had +already intended to give him, to the sufferer. From the chair at the +foot of the bed he looked directly into his face. The soft light of the +lamp, which with two others hung from a tall, heavy bronze stand in the +shape of an anchor, which Bias had brought, shone brightly enough to +allow him to perceive how powerful was the man whose life he had saved. +His own face was scarcely lighter in hue than the barbarian’s, and how +sharp was the contrast between his long, thick black beard and his +white face and bare arched chest! + +Hermon had noticed this same contrast in his own person. Otherwise the +Gaul did not resemble him in a single feature, and he might even have +refused to compare his soft, wavy beard with the harsh, almost bristly +one of the barbarian. And what a defiant, almost evil expression his +countenance wore when—perhaps because his wound ached—he closed his +lips more firmly! The children who so willingly let him, Hermon, take +them in his arms would certainly have been afraid of this +savage-looking fellow. + +Yet in build, and at any rate in height and breadth of shoulders, there +was some resemblance between him and the Gaul. + +As a bridge builder, the injured man belonged, in a certain sense, to +the ranks of the artists, and this increased Hermon’s interest in his +patient, who was now probably out of the most serious danger. + +True, the Greek still cast many a searching glance at the barbarian, +but his eyes closed more and more frequently, and at last the idea took +possession of him that he himself was the wounded man on the couch, and +some one else, who again was himself, was caring for him. + +He vainly strove to understand the impossibility of this division of +his own being, but the more eagerly he did so the greater became his +bewilderment. + +Suddenly the scene changed; Ledscha had appeared. + +Bending over him, she lavished words of love; but when, in passionate +excitement, he sprang from the couch to draw her toward him, she +changed into the Nemesis to whose statue she had just prayed. + +He stood still as if petrified, and the goddess, too, did not stir. +Only the wheel which had rested at her feet began to move, and rolled, +with a thundering din, sometimes around him, sometimes around the +people who, as if they had sprung from the ground, formed a jeering +company of spectators, and clapped their hands, laughed, and shouted +whenever it rolled toward him and he sprang back in fear. + +Meanwhile the wheel constantly grew larger, and seemed to become +heavier, for the wooden beams over which it rolled splintered, crashing +like thin laths, and the spectators’ shouts of applause sounded ruder +and fiercer. + +Then mortal terror suddenly seized him, and while he shouted for help +to Myrtilus, Daphne, and her father Archias, his slave Bias, the old +comrade of Alexander, Philippus, and his wife, he awoke, bathed in +perspiration, and looked about him. + +But he must still be under the spell of the horrible dream, for the +rattling and clattering around him continued, and the bed where the +wounded Gaul had lain was empty. + +Hermon involuntarily dipped his hand into the water which stood ready +to wet the bandages, and sprinkled his own face with it; but if he had +ever beheld life with waking eyes, he was doing so now. Yet the +barbarian had vanished, and the noise in the house still continued. + +Was it possible that rats and mice—? No! That was the shriek of a +terrified human being—that a cry for help! This sound was the imperious +command of a rough man’s voice, that—no, he was not mistaken—that was +his own name, and it came from the lips of his Myrtilus, anxiously, +urgently calling for assistance. + +Then he suddenly realized that the white house had been attacked, that +his friend must be rescued from robbers or the fury of a mob of +Biamites, and, like the bent wood of a projectile when released from +the noose which holds it to the ground, the virile energy that +characterized him sprang upward with mighty power. The swift glance +that swept the room was sent to discover a weapon, and before it +completed the circuit Hermon had already grasped the bronze anchor with +the long rod twined with leaves and the teeth turned downward. Only one +of the three little vessels filled with oil that hung from it was +burning. Before swinging the heavy standard aloft, he freed it from the +lamps, which struck the floor with a clanging noise. + +The man to whom he dealt a blow with this ponderous implement would +forget to rise. Then, as if running for a prize in the gymnasium, he +rushed through the darkness to the staircase, and with breathless haste +groped his way down the narrow, ladderlike steps. He felt himself an +avenging, punishing power, like the Nemesis who had pursued him in his +dreams. He must wrest the friend who was to him the most beloved of +mortals from the rioters. To defeat them himself seemed a small matter. +His shout—“I am coming, Myrtilus! Snuphis, Bias, Dorcas, Syrus! here, +follow me!” was to summon the old Egyptian doorkeeper and the slaves, +and inform his friend of the approach of a deliverer. + +The loudest uproar echoed from his own studio. Its door stood wide +open, and black smoke, mingled with the deep red and yellow flames of +burning pitch, poured from it toward him. + +“Myrtilus!” he shouted at the top of his voice as he leaped across the +threshold into the tumult which filled the spacious apartment, at the +same time clashing the heavy iron anchor down upon the head of the +broad- shouldered, half-naked fellow who was raising a clumsy lance +against him. + +The pirate fell as though struck by lightning, and he again shouted +“Myrtilus!” into the big room, so familiar to him, where the conflict +was raging chaotically amid a savage clamour, and the smoke did not +allow him to distinguish a single individual. + +For the second time he swung the terrible weapon, and it struck to the +floor the monster with a blackened face who had rushed toward him, but +at the same time the anchor broke in two. + +Only a short metal rod remained in his hand, and, while he raised his +arm, determined to crush the temples of the giant carrying a torch who +sprang forward to meet him, it suddenly seemed as if a vulture with +glowing plumage and burning beak was attacking his face, and the +terrible bird of prey was striking its hard, sharp, red-hot talons more +and more furiously into his lips, cheeks, and eyes. + +At first a glare as bright as sunshine had flashed before his gaze; +then, where he had just seen figures and things half veiled by the +smoke, he beheld only a scarlet surface, which changed to a violet, and +finally a black spot, followed by a violet-blue one, while the vulture +continued to rend his face with beak and talons. + +Then the name “Myrtilus!” once more escaped his lips; this time, +however, it did not sound like the encouraging shout of an avenging +hero, but the cry for aid of one succumbing to defeat, and it was soon +followed by a succession of frantic outbursts of suffering, terror, and +despair. + +But now sharp whistles from the water shrilly pierced the air and +penetrated into the darkened room, and, while the tumult around Hermon +gradually died away, he strove, tortured by burning pain, to grope his +way toward the door; but here his foot struck against a human body, +there against something hard, whose form he could not distinguish, and +finally a large object which felt cool, and could be nothing but his +Demeter. + +But she seemed doomed to destruction, for the smoke was increasing +every moment, and constantly made his open wounds smart more fiercely. + +Suddenly a cooler air fanned his burning face, and at the same time he +heard hurrying steps approach and the mingled cries of human voices. + +Again he began to shout the names of his friends, the slaves, and the +porter; but no answer came from any of them, though hasty questions in +the Greek language fell upon his ear. + +The strategist, with his officers, the nomarch of the district with his +subordinates, and many citizens of Tennis had arrived. Hermon knew most +of them by their voices, but their figures were not visible. The red, +violet, and black cloud before him was all he could see. + +Yet, although the pain continued to torture him, and a voice in his +soul told him that he was blinded, he did not allow the government +officials who eagerly surrounded him to speak, only pointed hastily to +his eyes, and then bade them enter Myrtilus’s studio. The Egyptian +Chello, the Tennis goldsmith, who had assisted the artists in the +preparation of the noble metal, and one of the police officers who had +been summoned to rid the old house of the rats and mice which infested +it, both knew the way. + +They must first try to save Myrtilus’s work and, when that was +accomplished, preserve his also from destruction by the flames. + +Leaning on the goldsmith’s arm, Hermon went to his friend’s studio; but +before they reached it smoke and flames poured out so densely that it +was impossible even to gain the door. + +“Destroyed—a prey to the flames!” he groaned. “And he—he—he—” + +Then like a madman he asked if no one had seen Myrtilus, and where he +was; but in vain, always in vain. + +At last the goldsmith who was leading him asked him to move aside, for +all who had flocked to the white house when it was seized by the flames +had joined in the effort to save the statue of Demeter, which they had +found unharmed in his studio. + +Seventeen men, by the exertion of all their strength, were dragging the +heavy statue from the house, which was almost on the point of falling +in, into the square. Several others were bearing corpses into the open +air- the old porter Snuphis and Myrtilus’s body servant. Some +motionless forms they were obliged to leave behind. Both the bodies had +deep wounds. There was no trace of Myrtilus and Bias. + +Outside the storm had subsided, and a cool breeze blew refreshingly +into Hermon’s face. As he walked arm in arm with the notary Melampus, +who had invited him to his house, and heard some one at his side +exclaim, “How lavishly Eos is scattering her roses to-day!” he +involuntarily lifted the cloth with which he had covered his smarting +face to enjoy the beautiful flush of dawn, but again beheld nothing +save a black and violet-blue surface. + +Then drawing his hand from his guide’s arm, he pressed it upon his +poor, sightless, burning eyes, and in helpless rage, like a beast of +prey which feels the teeth of the hunter’s iron trap rend his flesh, +groaned fiercely, “Blind! blind!” and again, and yet again, “Blind!” + +While the morning star was still paling, the lad who after Hermon’s +landing had raced along the shore with the burning torch glided into +the little pronaos of the Temple of Nemesis. + +Ledscha was still standing by the doorpost of the cella with uplifted +hand, so deeply absorbed in fervent prayer that she did not perceive +the approach of the messenger until he called her. + +“Succeeded?” she asked in a muffled tone, interrupting his hasty +greeting. + +“You must give the goddess what you vowed,” was the reply. “Hanno sends +you the message. And also, ‘You must come with me in the boat +quickly-at once!’” + +“Where?” the girl demanded. + +“Not on board the Hydra yet,” replied the boy hurriedly. “First only to +the old man on the Megara. The dowry is ready for your father. But +there is not a moment to lose.” + +“Well, well!” she gasped hoarsely. “But, first, shall I find the man +with the black beard on board of one of the ships?” + +“Certainly!” answered the lad proudly, grasping her arm to hurry her; +but she shook him off violently, turned toward the cella again, and +once more lifted her hands and eyes to the statue of Nemesis. + +Then she took up the bundle she had hidden behind a pillar, drew from +it a handful of gold coins, which she flung into the box intended for +offerings, and followed the boy. + +“Alive?” she asked as she descended the steps; but the lad understood +the meaning of the question, and exclaimed: “Yes, indeed! Hanno says +the wounds are not at all dangerous.” + +“And the other?” + +“Not a scratch. On the Hydra, with two severely wounded slaves. The +porter and the others were killed.” + +“And the statues?” + +“They-such things can’t be accomplished without some little +blunder-Labaja thinks so, too.” + +“Did they escape you?” + +“Only one. I myself helped to smash the other, which stood in the +workroom that looks out upon the water. The gold and ivory are on the +ship. We had horrible work with the statue which stood in the room +whose windows faced the square. They dragged the great monster +carefully into the studio that fronts upon the water. But probably it +is still standing there, if the thing is not already—just see how the +flames are whirling upward!—if it is not already burned with the +house.” + +“What a misfortune!” Ledscha reproachfully exclaimed. + +“It could not be helped,” the boy protested. “People from Tennis +suddenly rushed in. The first—a big, furious fellow-killed our Loule +and the fierce Judas. Now he has to pay for it. Little Chareb threw the +black powder into his eyes, while Hanno himself thrust the torch in his +face.” + +“And Bias, the blackbeard’s slave?” + +“I don’t know. Oh, yes! Wounded, I believe, on board the ship.” + +Meanwhile the lad, a precocious fourteen-year-old cabin-boy from the +Hydra, pointed to the boat which lay ready, and took Ledscha’s bundle +in his hand; but she sprang into the light skiff before him and ordered +it to be rowed to the Owl’s Nest, where she must bid Mother Tabus +good-bye. The cabin-boy, however, declared positively that the command +could not be obeyed now, and at his signal two black sailors urged it +with swift oar strokes toward the northwest, to Satabus’s ship. Hanno +wished to receive his bride as a wife from his father’s hand. + +Ledscha had not insisted upon the fulfilment of her desire, but as the +boat passed the Pelican Island her gaze rested on the lustreless waning +disk of the moon. She thought of the torturing night, during which she +had vainly waited here for Hermon, and a triumphant smile hovered +around her lips; but soon the heavy eyebrows of the girl who was thus +leaving her home contracted in a frown—she again fancied she saw, where +the moon was just fading, the body of a gigantic, hideous spider. She +banished the illusion by speaking to the boy—spiders in the morning +mean misfortune. + +The early dawn, which was now crimsoning the east, reminded her of the +blood which, as an avenger, she must yet shed. + + + + +ETEXT EDITOR’S BOOKMARKS: + + +Camels, which were rarely seen in Egypt + + + + +*** END OF THE PROJECT GUTENBERG EBOOK ARACHNE — VOLUME 04 *** + +Updated editions will replace the previous one--the old editions will +be renamed. + +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the +United States without permission and without paying copyright +royalties. Special rules, set forth in the General Terms of Use part +of this license, apply to copying and distributing Project +Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm +concept and trademark. 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